WEBVTT - How do you Build a Civilization from Scratch?

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<v Speaker 1>I guess what podcast listeners, So Will isn't here today,

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<v Speaker 1>but I did want to tell you a quick story.

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<v Speaker 1>So years ago, we were brainstorming a game show for

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<v Speaker 1>this big production company who wanted to work with us,

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<v Speaker 1>and we came up with this concept called Smartest Person

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<v Speaker 1>in the World. Actually, there's some debate about the title

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<v Speaker 1>because one person in the group thought it should be

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<v Speaker 1>called Smartest Human Being in the World, because he insisted

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<v Speaker 1>human beings were a funnier title. But it was this

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<v Speaker 1>ridiculous quiz show and we were trying to figure out

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<v Speaker 1>what the big challenge would be and we were stumped,

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<v Speaker 1>and finally we thought, what if you took a smart person,

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<v Speaker 1>gave them some materials like a lab or big textbook

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<v Speaker 1>on optometry, and told them, why don't you just make

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<v Speaker 1>a pair of glasses? Like could the smartest person in

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<v Speaker 1>the world or smartest human being in the world just

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<v Speaker 1>forged together some glasses in thirty minutes on this weird

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<v Speaker 1>reality show. And now that I say it out loud,

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<v Speaker 1>it sounds like a terrible idea, or like a more

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<v Speaker 1>ridiculous version of nailed It. But thinking about that show

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<v Speaker 1>idea made us wonder, how hard is it to create

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<v Speaker 1>a civilization from scratch, Like, if we had enough time,

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<v Speaker 1>could we build a bicycle or figure out how to

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<v Speaker 1>spin silk or make those pair of glasses we were

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<v Speaker 1>talking about? And is there a funny instructional book that

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<v Speaker 1>tells you how to do all of this? It turns

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<v Speaker 1>out there is. Let's dig in. Welcome to Part Time Genius.

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<v Speaker 1>I'm together, Tristan's in the booth wearing his I Miss

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<v Speaker 1>Will t shirt, and Will is off officiating a wedding

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<v Speaker 1>for a college friend of ours. Happy wedding day, Joyce.

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<v Speaker 1>But as a side note, if you want Will to

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<v Speaker 1>officiate your wedding and Tristan to DJ the after party,

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<v Speaker 1>you can always hit us up at Part Time Genius

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<v Speaker 1>at how stuff Works dot com. Tristan, please don't edit

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<v Speaker 1>that part out. So today we've got a very special

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<v Speaker 1>author on the show. He's the brains behind Dinosaur Comics.

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<v Speaker 1>He's one awards for his comic book writing, including Penning

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<v Speaker 1>Adventure Time, the New jug Head. But he's here to

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<v Speaker 1>talk to us about his new book, How to Invent Everything.

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<v Speaker 1>Welcome to the program, Ryan North, Thank you for having

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<v Speaker 1>me so I really loved How to Invent Everything. It's

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<v Speaker 1>this ridiculous and hilarious guide to rebuilding a civilization from scratch.

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<v Speaker 1>But the concept is way more interesting than that, and

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<v Speaker 1>I was wondering if you'd mind telling our listeners a

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<v Speaker 1>little bit about it. Yeah, sure, so. Um, the premise

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<v Speaker 1>of the book, it's sort of a nonfiction core wrapped

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<v Speaker 1>in a fictional candy coding. The premise of the book

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<v Speaker 1>is that this is a it's a found document. It's

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<v Speaker 1>a repair guide for a time machine. If you go

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<v Speaker 1>back in time and your time machine breaks down, this

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<v Speaker 1>is how you fix it. But after the first couple

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<v Speaker 1>of pages of the book admits that, like, look, time

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<v Speaker 1>machines are the most complicated machines humans have ever built.

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<v Speaker 1>There's no use servical parts, and so you're not gonna

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<v Speaker 1>fix it in the year two. You're trapped where you are,

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<v Speaker 1>but we're not gonna leave you stranded. Here's how you

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<v Speaker 1>bring the future back to you by reinventing all the

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<v Speaker 1>basically the low hanging fruit of citialization. Everything you miss

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<v Speaker 1>is in this book from from first principles. And we

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<v Speaker 1>don't assume like what time period you're in or what

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<v Speaker 1>tools you have. It's all like from basics here's how

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<v Speaker 1>it works. So for the stranded time traveler it should

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<v Speaker 1>be legitimately useful in those circumstances, but for the non stranded,

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<v Speaker 1>for us who are just going through time at one

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<v Speaker 1>second per second and only ever forward. It's also like

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<v Speaker 1>an interesting book that makes you feel like a more

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<v Speaker 1>competent person in the world. That I feel a lot

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<v Speaker 1>better having written it. I'd feel a lot more prepared

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<v Speaker 1>to do lots of things, among which is be stranded

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<v Speaker 1>in the past. Yeah, so I guess I was curious

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<v Speaker 1>about that, Like how much were you interested in these

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<v Speaker 1>things before you wrote this book? Like what was the

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<v Speaker 1>motivation for writing this? Yeah? Like age six to sixteen.

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<v Speaker 1>Basically this is all I thought about, cause I saw

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<v Speaker 1>Back to the future and Martin mcflig goes back in time,

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<v Speaker 1>and like, that's amazing. What would I do if I

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<v Speaker 1>was trapped in time and I kept coming back to

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<v Speaker 1>this idea that you know, I'd be saying, oh, it's great.

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<v Speaker 1>In the future have computers, and people would say, great,

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<v Speaker 1>how do they work? Can I say, I don't know,

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<v Speaker 1>but you're gonna love them. I have no proof. And

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<v Speaker 1>I wanted to be that person to be like, oh,

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<v Speaker 1>how does it mean to work? No problem. And by

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<v Speaker 1>the way, here's an internal combustion engine, and here's like

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<v Speaker 1>everything else you need. So it was something that I

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<v Speaker 1>sort of fantasized about, and I kept waiting for um

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<v Speaker 1>this book to be written, and finally I wrote up myself,

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<v Speaker 1>which I think is the origin story of a lot

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<v Speaker 1>of books. We all write the books we'd like to read. Yeah, definitely,

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<v Speaker 1>I mean you know that that was always our goal

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<v Speaker 1>at Metal Fhiss two, was trying to make people interested

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<v Speaker 1>in something they didn't think they could be interested in.

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<v Speaker 1>You know, we used to have these conversations in our

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<v Speaker 1>dorm rooms. Will and I actually about like if we

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<v Speaker 1>went back in time, what we could actually do, like

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<v Speaker 1>how confident would be and really, other than telling people

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<v Speaker 1>to like wash their hands a lot, like, we really

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<v Speaker 1>didn't feel like we had much advice of them. But

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<v Speaker 1>you know, I was there, you need soap, like but

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<v Speaker 1>that that's the thing, like you write about how to

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<v Speaker 1>make soap, like why horses can only use certain type

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<v Speaker 1>of caller. It was like you have this argument between

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<v Speaker 1>like a water wheel enthusiasts and windmill enthusiasts, and like, honestly,

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<v Speaker 1>I had never thought i'd have an opinion on on

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<v Speaker 1>why windmills are better, but it really is terrific, Thank you.

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<v Speaker 1>I mean, it's it's the way it normally works. As

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<v Speaker 1>you may know, when writing a nonfiction book, He's right

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<v Speaker 1>kind of a proposal. We say, here's the book I

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<v Speaker 1>want to write, and here's a sample chapter, and here's

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<v Speaker 1>the table of contents, and here's what I want to do,

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<v Speaker 1>and you try to get people than that. But for

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<v Speaker 1>this book, I wasn't at all confident that what I

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<v Speaker 1>was trying to do was possible collapsalization into four hundreds

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<v Speaker 1>and odd pages, and I wasn't sure that would work,

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<v Speaker 1>and I wasn't sure if I could do it, if

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<v Speaker 1>it would be useful like I would. I was worried

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<v Speaker 1>about contecting it so much. It would be at level

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<v Speaker 1>of you know, you need food to live, find some

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<v Speaker 1>food and need it, and you wouldn't learn anything. So

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<v Speaker 1>I actually wrote a fifty words for the proposal. I

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<v Speaker 1>cut down into a smaller amount um and then sort

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<v Speaker 1>of point from there. But I wasn't at all confident

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<v Speaker 1>that this book woul actually come together, because it was

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<v Speaker 1>just it seemed like, this is the craziest thing I've

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<v Speaker 1>ever tried to do it is I mean I and

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<v Speaker 1>the fact that like I walk away no ing, what's

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<v Speaker 1>a better like way to harness the horse is amazing

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<v Speaker 1>and it's it's told in like diagrams and just a

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<v Speaker 1>few sentences, you know, and it is it is stunning.

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<v Speaker 1>I do want to talk about some of the specifics

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<v Speaker 1>if you're up for it. You know, fairly early in

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<v Speaker 1>the book you talk about written language and the importance

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<v Speaker 1>of creating a language, and you discuss pictograms, which I

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<v Speaker 1>hadn't really thought about, like those don't really work as

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<v Speaker 1>a language when read, you know, and and and could

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<v Speaker 1>you explain that a little bit because I really found

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<v Speaker 1>that fascinating. Yeah, that's what came out. I was at

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<v Speaker 1>the XO EXO conference last weekend and we're talking about

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<v Speaker 1>emojis a lot there, and it's sort of a similar

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<v Speaker 1>idea where people you can say, oh, emojis are language,

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<v Speaker 1>and I went to school for linguistics from the guy

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<v Speaker 1>being like, I'm actually there's different seeing there's a difference

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<v Speaker 1>between communication and language, right, So, like you can communicate

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<v Speaker 1>with the dog and you know what your dogs feelings

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<v Speaker 1>are communicating with you, and you're exchanging feelings if not

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<v Speaker 1>legitimate commands, right, And there's difference. So you can really

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<v Speaker 1>communicate with animals but you can't really have a language

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<v Speaker 1>with them in the same way we have language right now.

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<v Speaker 1>And one of the main differences between pictograms and words

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<v Speaker 1>is that words have a specific meaning. So I think

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<v Speaker 1>in the Book of example of a picture of a

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<v Speaker 1>woman tossing your hair in the emoji style and a

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<v Speaker 1>peach and sunglasses. I think, and if you know the

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<v Speaker 1>story those emodia you're trying to tell, you can reconstruct

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<v Speaker 1>it from those pictograms. And a cool woman ate a peach.

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<v Speaker 1>That's what this is trying to say. But if you

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<v Speaker 1>don't know, the story could also be like, oh, cool

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<v Speaker 1>peach was around a woman, or a woman got transformed

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<v Speaker 1>into a cool peach by aliens, And there's all this

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<v Speaker 1>stuff that you are reading into it. Because it doesn't

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<v Speaker 1>have one specific meaning, it's more like a reminder than

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<v Speaker 1>an actual narrative. With words, the whole point of language

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<v Speaker 1>is to communicate clearly, and so words tending. You can

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<v Speaker 1>still have miscommunications, but we try to minimize those in

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<v Speaker 1>language that we can communicate quickly and acturally and not

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<v Speaker 1>you know, be passing pictures back and forth. Yeah, I

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<v Speaker 1>mean I thought you have this like long sentence there

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<v Speaker 1>about like I forget what it was, exactly like aliens

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<v Speaker 1>being in the glasses or something, you know, in the

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<v Speaker 1>shadow at the glasses of never in reflection, and and

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<v Speaker 1>it was just so perfectly illustrative of the fact that

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<v Speaker 1>these aren't you know, one to one is pretty amazing.

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<v Speaker 1>And and also the fact that I didn't realize this,

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<v Speaker 1>but Eastern Island had a script that's never been deciphered, Like,

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<v Speaker 1>oh god, yeah, that's that's I mean, I'm trying to

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<v Speaker 1>communicate in the book. It's terrifying, Aby, the whole thing

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<v Speaker 1>terrifying because um, it's this written script and basically Europeans

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<v Speaker 1>show up and wreck everything in an unprecedented event. It

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<v Speaker 1>will never happen again, and so they bring disease, and

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<v Speaker 1>they bring like slavery raids and all this horrible stuff.

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<v Speaker 1>When they first show up, it's understood that this is writing,

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<v Speaker 1>but only the elites can understand it. And then when

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<v Speaker 1>they come back onto years later in the the island

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<v Speaker 1>is in a horrible condition. There's only a few people left,

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<v Speaker 1>and that knowledge of the script is lost, and so

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<v Speaker 1>you know what had been words is now just squiggles

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<v Speaker 1>that nobody understands, and it it really drove home the

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<v Speaker 1>idea to me that, like, you know, language is a technology,

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<v Speaker 1>it's something we invented and we don't get it for

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<v Speaker 1>and writing downwards something we had to think of and

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<v Speaker 1>then do, and just like any technology, we can lose it.

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<v Speaker 1>An the idea of like losing the written word, it

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<v Speaker 1>feels like you're just cutting the heart out of any civilization,

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<v Speaker 1>Like it's it's such a devastating blow that would be

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<v Speaker 1>so hard to recover from. So I thought it was

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<v Speaker 1>a great example of just like things are more precious

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<v Speaker 1>than we tend to think they are, and pullly, as

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<v Speaker 1>you bick of this, as writing can can still be forgotten.

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<v Speaker 1>Speaking of that, like you do this great section on farming.

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<v Speaker 1>I mean you go through everything from like why you

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<v Speaker 1>leave a field, follow for a while, and like all

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<v Speaker 1>sorts of things. But it's a lot of work. Yeah,

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<v Speaker 1>I mean, but it's a small chapter. That's what's amazing

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<v Speaker 1>about it. But you know, you talk about ancient corn

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<v Speaker 1>and peaches and watermelon being completely different, and would you

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<v Speaker 1>tell us a little bit about what those were like

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<v Speaker 1>and how they tasted. So we have this idea of

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<v Speaker 1>selective breeding where we basically the right thing about like

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<v Speaker 1>to breeding is this is one of the technologies you

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<v Speaker 1>kind of get without trying because it's just human nature.

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<v Speaker 1>If you have a plant that has you know, larger fruit,

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<v Speaker 1>you plant those seeds next year because it's a better

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<v Speaker 1>plant to be planting. And so you tend to add

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<v Speaker 1>this evolutionary pressure to get the kind of plants you want.

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<v Speaker 1>But um, the results of that are things like peaches

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<v Speaker 1>where these we have these giants sucking with peaches in

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<v Speaker 1>the past, where these like hard sour things no one

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<v Speaker 1>really want to eat, but they're nothing. Corn is it

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<v Speaker 1>comes from this ancient grain that's just like basically grass.

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<v Speaker 1>And the crazy thing about corn is we haven't been

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<v Speaker 1>able to figure out exactly how you get corn out

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<v Speaker 1>of out of this ancient ancestor. It feels like it

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<v Speaker 1>must have been this one in a million, either random

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<v Speaker 1>cross breeding or mutation. But something changed to produce the

0:10:39.400 --> 0:10:41.640
<v Speaker 1>larger heads of corn with these giant kernels. We can

0:10:41.640 --> 0:10:46.600
<v Speaker 1>eat that. Um, it's just we don't know how to

0:10:46.600 --> 0:10:49.240
<v Speaker 1>do it yet. Yeah, I mean, it's not like in

0:10:49.240 --> 0:10:51.800
<v Speaker 1>in your book like you'd only get something like four

0:10:51.880 --> 0:10:55.160
<v Speaker 1>or five kernels of edible corn off a cob, which

0:10:55.240 --> 0:10:58.040
<v Speaker 1>is just crazy to think about. But I mean, if

0:10:58.040 --> 0:10:59.400
<v Speaker 1>that's if that's the state of the art, that's what

0:10:59.480 --> 0:11:01.600
<v Speaker 1>you go with. You don't you don't imagine our modern corn.

0:11:01.720 --> 0:11:05.040
<v Speaker 1>It's ridiculously convenient packaging. We're just throwing the barbecue and

0:11:05.080 --> 0:11:06.920
<v Speaker 1>then peel it off and you've got this de wicious

0:11:06.920 --> 0:11:09.960
<v Speaker 1>corn ready to go, Like it's it's it's the thing

0:11:10.040 --> 0:11:12.160
<v Speaker 1>where you know, you think of the natural world as

0:11:12.200 --> 0:11:16.160
<v Speaker 1>being permanent and unchanging, when we're surrounded by evidence of

0:11:16.679 --> 0:11:19.280
<v Speaker 1>human influence on this natural world, like we've been changing

0:11:19.280 --> 0:11:22.200
<v Speaker 1>it since we've been humane to make it easier first.

0:11:22.240 --> 0:11:26.640
<v Speaker 1>So I was like, it is remarkable. Um So another

0:11:26.679 --> 0:11:29.160
<v Speaker 1>thing that I hadn't really thought about. You feel like

0:11:29.200 --> 0:11:31.080
<v Speaker 1>this whole book is things I hadn't thought about. But

0:11:34.400 --> 0:11:37.960
<v Speaker 1>one of the things I hadn't thought about was, um

0:11:38.040 --> 0:11:41.319
<v Speaker 1>that that you have to test foods for edibility, right,

0:11:41.360 --> 0:11:43.120
<v Speaker 1>like if if you're coming from the future and you

0:11:43.120 --> 0:11:45.400
<v Speaker 1>don't know what you're looking at, that you need water

0:11:45.520 --> 0:11:47.520
<v Speaker 1>and salt water on hand, Like could you talk to

0:11:47.600 --> 0:11:49.640
<v Speaker 1>us through the process and why it might take something

0:11:49.640 --> 0:11:53.160
<v Speaker 1>like seventeen hours to determine whether food is edible or not. Yeah,

0:11:53.240 --> 0:11:56.160
<v Speaker 1>it's it's called the universal edibility test. And if you're

0:11:56.160 --> 0:11:58.400
<v Speaker 1>not trapped in the past, it's also useful. If you're, say,

0:11:58.480 --> 0:12:01.560
<v Speaker 1>trapped in the woods, no survivable situation, you know what

0:12:01.600 --> 0:12:04.320
<v Speaker 1>to eat. And so basically you're you're taking a tiny

0:12:04.360 --> 0:12:07.000
<v Speaker 1>bit of this candidate food and you just touch it

0:12:07.040 --> 0:12:09.240
<v Speaker 1>to your skin and then wait fifteen minutes or something

0:12:09.280 --> 0:12:12.160
<v Speaker 1>horrible to happen, for your skin to erupt or bog,

0:12:12.320 --> 0:12:13.960
<v Speaker 1>your crawl out of it, or something that's not gonna happen.

0:12:13.960 --> 0:12:16.920
<v Speaker 1>But then you're looking for a reaction, and then if

0:12:16.960 --> 0:12:18.840
<v Speaker 1>that works, you press it to your lips, then the

0:12:18.880 --> 0:12:20.640
<v Speaker 1>inside of your lips, and then your gum, and then

0:12:20.640 --> 0:12:22.160
<v Speaker 1>you chwold and spit it out. Then you chew it

0:12:22.200 --> 0:12:23.560
<v Speaker 1>and hold in your mouth, and then you chew it

0:12:23.559 --> 0:12:25.520
<v Speaker 1>and s While I'm taking fifteen minutes between each of

0:12:25.520 --> 0:12:28.280
<v Speaker 1>these steps, it takes I think it is it's sixteen hours.

0:12:28.320 --> 0:12:30.400
<v Speaker 1>Remember I forget how Yeah, I want to say it

0:12:30.400 --> 0:12:33.640
<v Speaker 1>was seventeen hours to do this. Yeah, but at the

0:12:33.720 --> 0:12:36.160
<v Speaker 1>end of this, you know it's probably safe to eat.

0:12:36.840 --> 0:12:42.000
<v Speaker 1>But that is pretty remarkable. It was It was fun

0:12:42.160 --> 0:12:44.199
<v Speaker 1>um research in the book because I was reading a

0:12:44.240 --> 0:12:46.600
<v Speaker 1>lot of survival books for the present right, because they're

0:12:46.600 --> 0:12:49.880
<v Speaker 1>not unrelated scenarios. And when thay I discovered is that

0:12:49.920 --> 0:12:52.760
<v Speaker 1>there are some survival books out there they're just completely bonkers.

0:12:53.960 --> 0:12:55.600
<v Speaker 1>I was talking about food spoiling and say, you know,

0:12:55.600 --> 0:12:58.560
<v Speaker 1>when the apocalypse happens, not if, but when you want

0:12:58.559 --> 0:13:01.440
<v Speaker 1>to be eating food that's in tin cans and stuff

0:13:01.800 --> 0:13:03.840
<v Speaker 1>or in fridges. And by the way, don't worry about

0:13:03.880 --> 0:13:06.640
<v Speaker 1>food going bad. That's a that's a myth. Food doesn't

0:13:06.640 --> 0:13:09.040
<v Speaker 1>go bad. You can still eat it just doesn't taste good,

0:13:09.080 --> 0:13:10.480
<v Speaker 1>but it still has nutrition in it. And I'm like,

0:13:10.480 --> 0:13:13.839
<v Speaker 1>I don't that's not That was like a stick to

0:13:13.880 --> 0:13:19.840
<v Speaker 1>the second edition Excellent Fishing, and that's fish can go bad. Yeah,

0:13:19.880 --> 0:13:22.600
<v Speaker 1>I'm pretty sure. You know. There was a time when

0:13:22.720 --> 0:13:25.360
<v Speaker 1>we used to look for funny prizes for UM a

0:13:25.400 --> 0:13:27.600
<v Speaker 1>trivia show. We used to go around doing and and

0:13:27.720 --> 0:13:31.160
<v Speaker 1>I found a survivalist site that produced um peanut butter

0:13:31.200 --> 0:13:33.640
<v Speaker 1>and jelly in a can. And it was just meant

0:13:33.679 --> 0:13:35.840
<v Speaker 1>to be on shelves waiting for you, so that in

0:13:35.880 --> 0:13:38.480
<v Speaker 1>the future you could pull out like a fresh peanut

0:13:38.520 --> 0:13:41.599
<v Speaker 1>butter and jelly sandwich, which is just amazing to me.

0:13:41.840 --> 0:13:44.600
<v Speaker 1>But the word fresh is a very generous used the

0:13:44.600 --> 0:13:49.360
<v Speaker 1>word fresh. I've never made a B and J sandwich.

0:13:49.360 --> 0:13:51.120
<v Speaker 1>So you know what this will. I'll let this cure

0:13:51.160 --> 0:13:52.600
<v Speaker 1>for a couple of weeks before I eat, and then

0:13:52.640 --> 0:13:57.440
<v Speaker 1>it's going to beat the way. So um. You know.

0:13:57.640 --> 0:14:00.319
<v Speaker 1>You also have a great section on plants that are

0:14:00.400 --> 0:14:03.400
<v Speaker 1>useful and and uh, and there's a whole list of them,

0:14:03.440 --> 0:14:08.080
<v Speaker 1>from apples to white mulberries where silkworms can grow, to rubber,

0:14:08.160 --> 0:14:11.560
<v Speaker 1>to sugarcane. But you also include tobacco on this list,

0:14:11.559 --> 0:14:13.680
<v Speaker 1>and I was curious why you chose to do that.

0:14:13.800 --> 0:14:16.560
<v Speaker 1>Was that just for humor or for historical purposes or

0:14:16.600 --> 0:14:18.880
<v Speaker 1>what was it? I mean, it's not a very glowing

0:14:18.920 --> 0:14:22.400
<v Speaker 1>review of tobacco. You should do is smoke this stuff.

0:14:22.640 --> 0:14:24.880
<v Speaker 1>But it's one of the plants that has had this

0:14:25.000 --> 0:14:28.600
<v Speaker 1>huge impact on human history, right, Like, it turns out

0:14:28.640 --> 0:14:31.760
<v Speaker 1>that when humans find tobacco, they eventually try smoking it,

0:14:32.280 --> 0:14:35.320
<v Speaker 1>and so knowing not to do that can save your

0:14:35.320 --> 0:14:38.160
<v Speaker 1>civil your potential future civilization, like millions and millions in

0:14:38.920 --> 0:14:42.360
<v Speaker 1>medical costs and lives cut down too soon. So I

0:14:42.400 --> 0:14:44.920
<v Speaker 1>felt like that was more of a be careful with

0:14:44.960 --> 0:14:48.160
<v Speaker 1>this one than by the way. Yeah. Actually, you know,

0:14:48.720 --> 0:14:51.520
<v Speaker 1>for the listeners, I I will note that I'll read

0:14:51.560 --> 0:14:53.840
<v Speaker 1>the quote you've put in the notes section under tobacco

0:14:54.360 --> 0:14:57.600
<v Speaker 1>avoid introducing tobacco to your civilization. You will save billions

0:14:57.600 --> 0:15:00.560
<v Speaker 1>of dollars, millions of lives and prevent the invention of vaping,

0:15:00.760 --> 0:15:04.920
<v Speaker 1>which I found really funny. Oh man, I just laughed

0:15:04.960 --> 0:15:08.520
<v Speaker 1>at my own joke. How embarrassing. But books you write,

0:15:08.560 --> 0:15:10.000
<v Speaker 1>it takes a year or two and then you forget

0:15:10.040 --> 0:15:11.760
<v Speaker 1>the jokes you put in until you have them played

0:15:11.760 --> 0:15:14.760
<v Speaker 1>back to. That's pretty good past me. So do you

0:15:14.760 --> 0:15:16.880
<v Speaker 1>have any plans that you are particularly partial to on

0:15:16.880 --> 0:15:19.960
<v Speaker 1>on this list of yours. There's a footnote for I

0:15:20.000 --> 0:15:24.280
<v Speaker 1>believe orange plants talking about scurvy and citrus, and it's

0:15:24.320 --> 0:15:26.680
<v Speaker 1>one of the most ridiculous footnotes in the book. So

0:15:26.720 --> 0:15:29.600
<v Speaker 1>it's talking about, you know, citrus prevents scurvy, and scurvy

0:15:29.640 --> 0:15:32.320
<v Speaker 1>is a horrible disease that kills you eventually after making

0:15:32.320 --> 0:15:34.600
<v Speaker 1>you be in pain for a long long time. And

0:15:35.520 --> 0:15:39.240
<v Speaker 1>the British Empire discovered, or like humists in general, discovered

0:15:39.320 --> 0:15:43.320
<v Speaker 1>that vitamin C is an orange juice and that prevents scurvy,

0:15:43.400 --> 0:15:47.040
<v Speaker 1>and then forgot that fact so many times throughout history,

0:15:47.240 --> 0:15:49.200
<v Speaker 1>and it would be funny if people weren't dying every

0:15:49.240 --> 0:15:52.360
<v Speaker 1>time it happened. And the most, the most outbreaking was

0:15:52.400 --> 0:15:55.760
<v Speaker 1>the British discover this not great, we solve scurvy. It's done.

0:15:56.400 --> 0:15:59.960
<v Speaker 1>And then you know, fifty years go by, they invent steamships,

0:16:00.040 --> 0:16:03.040
<v Speaker 1>so people are traveling faster at sea. And also this

0:16:03.160 --> 0:16:06.680
<v Speaker 1>very nutrition shorts people better vitamin C reserves, and so

0:16:07.040 --> 0:16:10.560
<v Speaker 1>nobody notices that when the British Army shifts from fresh

0:16:10.640 --> 0:16:13.120
<v Speaker 1>juice to this stored lime juice that they run through

0:16:13.120 --> 0:16:15.520
<v Speaker 1>copper pipes, which kills a vitamin seeing it that they're

0:16:15.560 --> 0:16:18.520
<v Speaker 1>scurvy cure no longer works because's being masked by the

0:16:18.520 --> 0:16:20.440
<v Speaker 1>fact that people are at sea for longer. And then

0:16:20.440 --> 0:16:22.960
<v Speaker 1>you hit this great age of exploration in Antarctica and

0:16:23.000 --> 0:16:24.800
<v Speaker 1>people start getting a scurvey again and they're well, our

0:16:24.800 --> 0:16:27.840
<v Speaker 1>cure is clearly not working, so we're out of ideas.

0:16:28.360 --> 0:16:30.920
<v Speaker 1>Be bad morale causes the scurvy, and you're like back

0:16:30.920 --> 0:16:33.400
<v Speaker 1>at square one again. You're like, why how do we

0:16:33.480 --> 0:16:35.480
<v Speaker 1>keep forgetting this information? It's a disease that you can

0:16:35.560 --> 0:16:39.640
<v Speaker 1>cure by eating an orange. The medicine is the same

0:16:39.680 --> 0:16:44.000
<v Speaker 1>as the cure. It's it's heartbreaking but also hilarious, but

0:16:44.040 --> 0:16:46.120
<v Speaker 1>also not funny at all because all these people are

0:16:46.200 --> 0:16:50.080
<v Speaker 1>dying from just the stupidest reasons. Yeah, when we UH

0:16:50.600 --> 0:16:52.680
<v Speaker 1>used to put out t shirts that Menophaus, one of

0:16:52.720 --> 0:16:55.840
<v Speaker 1>the first jokes I'd written for that was shirt with

0:16:55.880 --> 0:16:58.040
<v Speaker 1>a pirate on it and said, when life gives you scurvy,

0:16:58.120 --> 0:17:02.240
<v Speaker 1>make lemonade. And it's very divisive because people didn't like

0:17:02.520 --> 0:17:04.880
<v Speaker 1>the idea of a scurvy joke on a shirt, but

0:17:05.440 --> 0:17:10.160
<v Speaker 1>it's legitimate advice though. Well, we're going to be back

0:17:10.200 --> 0:17:26.040
<v Speaker 1>with Ryan North right after a little break. Welcome back

0:17:26.040 --> 0:17:28.200
<v Speaker 1>to Part Time Genius. But we're talking with Ryan North,

0:17:28.400 --> 0:17:31.000
<v Speaker 1>the author of How To Invent Everything. So we're just

0:17:31.000 --> 0:17:32.640
<v Speaker 1>talking about plants. But I do want to get into

0:17:32.680 --> 0:17:35.159
<v Speaker 1>animal husbandry because you have a section on that and

0:17:35.440 --> 0:17:38.159
<v Speaker 1>uh it is really fun as well. I'm curious what

0:17:38.280 --> 0:17:42.879
<v Speaker 1>animal did you like riding up the most. There's this

0:17:42.920 --> 0:17:46.359
<v Speaker 1>whole thing in medicine. I'm talking Western medicine, but it

0:17:46.359 --> 0:17:49.399
<v Speaker 1>applies a lot of them where we are operating under

0:17:49.720 --> 0:17:52.560
<v Speaker 1>the wrong idea of what medicine is for thousands of years,

0:17:53.000 --> 0:17:56.119
<v Speaker 1>and in Western indsineces idea of the four humors that

0:17:56.119 --> 0:17:58.480
<v Speaker 1>are in imbalance, and because of that, you might have

0:17:58.520 --> 0:18:01.080
<v Speaker 1>too much blood, and that's the reason you know you

0:18:01.119 --> 0:18:03.840
<v Speaker 1>have cancer, not for another medical reason. You have too

0:18:03.920 --> 0:18:06.040
<v Speaker 1>much blood, We'll suck it up with the leech. And

0:18:06.040 --> 0:18:07.679
<v Speaker 1>so the leech was a way to talk about, you know,

0:18:08.359 --> 0:18:12.359
<v Speaker 1>how bad ideas of what diseases can cause bad treatments,

0:18:12.359 --> 0:18:14.840
<v Speaker 1>and how there is no medical use for a leech

0:18:15.000 --> 0:18:17.920
<v Speaker 1>at any point in history. Then a footnote saying, okay, fine,

0:18:17.920 --> 0:18:21.800
<v Speaker 1>there's a tiny medical use in the eighties we realize

0:18:21.800 --> 0:18:24.160
<v Speaker 1>that leech has had this one drug that was useful

0:18:24.160 --> 0:18:26.800
<v Speaker 1>in cosmetic surgery. Then we synthesize it five years later.

0:18:26.840 --> 0:18:28.960
<v Speaker 1>So in this narrow window, you can use leeches, but

0:18:28.960 --> 0:18:32.640
<v Speaker 1>you shouldn't be used anywhere else in time like, it's

0:18:32.680 --> 0:18:35.600
<v Speaker 1>just this idea that humans have, where I say humans like,

0:18:35.640 --> 0:18:37.200
<v Speaker 1>I'm not one of them. This idea we have when

0:18:37.280 --> 0:18:41.040
<v Speaker 1>we want onto this bad conception of what something is

0:18:41.160 --> 0:18:44.359
<v Speaker 1>and not examine it for literally thousands of years. It

0:18:44.480 --> 0:18:46.880
<v Speaker 1>makes the point of view of a time traveler saying

0:18:46.920 --> 0:18:48.639
<v Speaker 1>there's a lot of things you can fix here, like

0:18:48.720 --> 0:18:52.280
<v Speaker 1>there's there's ways for humanity to improve our history simply

0:18:52.359 --> 0:18:55.480
<v Speaker 1>by not treating diseases with leeches for a thousands of years,

0:18:55.480 --> 0:18:58.920
<v Speaker 1>that'll that'll be a lot better. And you mentioned silkworms

0:18:59.000 --> 0:19:02.800
<v Speaker 1>as well, what you talk a little bit about that. Yeah, silkworms, Um,

0:19:03.040 --> 0:19:06.119
<v Speaker 1>they're there, I believe, the only domesticated insect we have.

0:19:06.920 --> 0:19:09.840
<v Speaker 1>And it has not worked out too well for silkworms

0:19:10.400 --> 0:19:13.600
<v Speaker 1>because they used to, you know, just feed on these

0:19:13.680 --> 0:19:16.480
<v Speaker 1>leaves of this white mulberry plant and then spin this

0:19:16.560 --> 0:19:18.719
<v Speaker 1>cocoon of a single piece of silk and then emerges

0:19:18.800 --> 0:19:22.239
<v Speaker 1>these new animals. And now since we've domesticated them, they

0:19:22.320 --> 0:19:25.639
<v Speaker 1>spin this cocoon of silk and those that do emerge

0:19:25.680 --> 0:19:27.480
<v Speaker 1>only live for a couple of days. They can't eat

0:19:27.520 --> 0:19:30.639
<v Speaker 1>unless they're force fed, they can't fly, they're blind, and

0:19:30.720 --> 0:19:35.240
<v Speaker 1>they're just like these unhappy little beasts. And most of

0:19:35.280 --> 0:19:37.240
<v Speaker 1>them we stick in boiling water to kill them and

0:19:37.359 --> 0:19:40.760
<v Speaker 1>harvest their silk. So they're the only dovestigated insect, but

0:19:40.840 --> 0:19:43.280
<v Speaker 1>hasn't been a real success story from the silkworm's point

0:19:43.280 --> 0:19:49.040
<v Speaker 1>of view. That's definitely just knowing, you know, where silk

0:19:49.119 --> 0:19:50.960
<v Speaker 1>comes from, could make you millions of dollars at certain

0:19:50.960 --> 0:19:52.719
<v Speaker 1>point in history, cause it was it was this big secret,

0:19:53.080 --> 0:19:55.120
<v Speaker 1>and they're all these ideas like where the silk come from?

0:19:55.600 --> 0:19:58.840
<v Speaker 1>You know, I heard it's when this is one insect

0:19:58.920 --> 0:20:00.639
<v Speaker 1>that if you eat too much, the bloads in this

0:20:00.760 --> 0:20:05.320
<v Speaker 1>explosion of silk. But yeah, sort of like it's a

0:20:05.320 --> 0:20:07.000
<v Speaker 1>telephone in a game, like someone who came from an

0:20:07.000 --> 0:20:08.440
<v Speaker 1>insect but didn't know how the silk happened, and you

0:20:08.520 --> 0:20:11.479
<v Speaker 1>sort of get this result down the road, and that's

0:20:11.520 --> 0:20:13.680
<v Speaker 1>pretty impressive. So one of the things I also really

0:20:13.720 --> 0:20:16.119
<v Speaker 1>liked in the section was about goats. And I'm a

0:20:16.160 --> 0:20:18.840
<v Speaker 1>fan of goats anyway, because they helped us discover coffee.

0:20:18.920 --> 0:20:21.399
<v Speaker 1>But you also write that they're a great way to

0:20:21.440 --> 0:20:25.080
<v Speaker 1>get rid of poison ivy. Why is that so? Poison

0:20:25.119 --> 0:20:27.840
<v Speaker 1>ivy is fascinating because, um, it has a horrible effect

0:20:27.840 --> 0:20:32.240
<v Speaker 1>on humans, and it's probably an accident. There's no evolutionary

0:20:32.280 --> 0:20:35.240
<v Speaker 1>reason for this to affect only humans and one other

0:20:35.320 --> 0:20:38.000
<v Speaker 1>ape and that's it. So it seems to be an accident.

0:20:38.080 --> 0:20:40.200
<v Speaker 1>Poison ivy is even poisoned in the first place and

0:20:40.320 --> 0:20:42.119
<v Speaker 1>doesn't affect goats, but goats love to eat it, and

0:20:42.240 --> 0:20:44.560
<v Speaker 1>so if you have poison ivy, you can rent a

0:20:44.600 --> 0:20:46.919
<v Speaker 1>goat and just put it on your land and then

0:20:46.960 --> 0:20:48.520
<v Speaker 1>we'll eat up all the poison I belong with your

0:20:48.560 --> 0:20:50.320
<v Speaker 1>other stuff. And I have to do is be careful

0:20:50.400 --> 0:20:52.360
<v Speaker 1>not to pet the goat or drink the goat's milk

0:20:52.440 --> 0:20:54.560
<v Speaker 1>by accident over the next couple of days, and your

0:20:54.560 --> 0:20:57.520
<v Speaker 1>problem is solved. That's remarkable to the kind of person

0:20:57.520 --> 0:21:00.400
<v Speaker 1>who sort of ends up accidentally drinking goat milk the time.

0:21:01.720 --> 0:21:05.720
<v Speaker 1>Here we go again, So this is back to an

0:21:05.760 --> 0:21:09.359
<v Speaker 1>earlier question, But like, I feel like you've written a

0:21:09.400 --> 0:21:13.720
<v Speaker 1>bunch of these, um, really unusual books or the concepts

0:21:13.760 --> 0:21:16.120
<v Speaker 1>for the books are really unusual. And you've also written

0:21:16.200 --> 0:21:18.720
<v Speaker 1>these books that tackles Shakespeare but treat them almost like

0:21:19.040 --> 0:21:21.639
<v Speaker 1>choose your own adventure books. What was your inspiration for

0:21:21.680 --> 0:21:24.800
<v Speaker 1>writing this style of book? Like, were there models of

0:21:24.880 --> 0:21:27.520
<v Speaker 1>these books or tones that you sort of were drawn

0:21:27.560 --> 0:21:31.119
<v Speaker 1>to when you're growing up. No, Um, I'm I'm actually

0:21:31.160 --> 0:21:32.840
<v Speaker 1>hoping there's more books like this. I hadn't read a

0:21:32.880 --> 0:21:36.560
<v Speaker 1>book before that had, um a fictional conceit around a

0:21:36.640 --> 0:21:40.919
<v Speaker 1>nonfiction core, And I know my publishers were works are like, well,

0:21:40.960 --> 0:21:45.280
<v Speaker 1>people think this is all fake information. We had this

0:21:45.359 --> 0:21:47.720
<v Speaker 1>huge babilyogrey with all the sources I referenced, so you

0:21:47.760 --> 0:21:49.840
<v Speaker 1>know that there this is all real, except for the

0:21:49.880 --> 0:21:53.359
<v Speaker 1>time travel parts, which is not real. But it was.

0:21:55.200 --> 0:21:59.320
<v Speaker 1>It was less of books I read and more movies

0:21:59.400 --> 0:22:03.160
<v Speaker 1>I saw to Time Travel Adventures, where usually pretty much

0:22:03.160 --> 0:22:05.600
<v Speaker 1>every time travel movie I've seen, there's not a person

0:22:05.680 --> 0:22:08.600
<v Speaker 1>who's like, I'm prepared for this scenario for I have

0:22:08.720 --> 0:22:11.400
<v Speaker 1>research just the information I had to her in this book.

0:22:11.960 --> 0:22:13.480
<v Speaker 1>So I just like the idea of someone who you know,

0:22:13.680 --> 0:22:17.080
<v Speaker 1>wakes up in the year negative and says, great, I

0:22:17.160 --> 0:22:21.920
<v Speaker 1>know exactly what to do today. Well, I feel like

0:22:21.960 --> 0:22:23.520
<v Speaker 1>that in in the beginning, Like I feel like one

0:22:23.520 --> 0:22:25.840
<v Speaker 1>of the things about time travel movies as people are

0:22:25.840 --> 0:22:28.320
<v Speaker 1>always disputing whether or not time travel can work, or

0:22:28.400 --> 0:22:30.879
<v Speaker 1>like the laws of time traveler or whatever, and I

0:22:31.040 --> 0:22:33.800
<v Speaker 1>like that you address them right up front. Yeah, I

0:22:33.880 --> 0:22:36.159
<v Speaker 1>sort of had to, because I the whole premise is

0:22:36.320 --> 0:22:38.240
<v Speaker 1>it's a rental time machine, right, And I feel like

0:22:38.840 --> 0:22:40.320
<v Speaker 1>if you can go back and step on a butterfly

0:22:40.480 --> 0:22:43.520
<v Speaker 1>and destroy the universe, it's wildly irresponsible in the rental

0:22:43.600 --> 0:22:46.520
<v Speaker 1>time machines, but it builds this model of time travel

0:22:46.560 --> 0:22:48.239
<v Speaker 1>whenever you go back in time, you create a new

0:22:48.280 --> 0:22:51.360
<v Speaker 1>parallel timeline where everything is the same except you're there,

0:22:51.359 --> 0:22:53.280
<v Speaker 1>and so you can't mess up the world you're from,

0:22:53.760 --> 0:22:56.760
<v Speaker 1>which works for a time travel adventure, but it's also

0:22:56.840 --> 0:22:59.359
<v Speaker 1>like has huge ethical implications of just creating at a

0:22:59.400 --> 0:23:03.760
<v Speaker 1>parallel war world for tourism purposes. There's no consequences, but

0:23:03.800 --> 0:23:07.800
<v Speaker 1>it's filled with living, breathing people. It's like a nightmare holidack,

0:23:08.200 --> 0:23:11.080
<v Speaker 1>but works really good for this the purposes of this book.

0:23:11.520 --> 0:23:14.920
<v Speaker 1>I agree. So you have a section on medicine and

0:23:15.000 --> 0:23:16.920
<v Speaker 1>how to invent it where you talking about things like

0:23:17.000 --> 0:23:20.159
<v Speaker 1>germ theory and and baselines for normal humans, but you

0:23:20.240 --> 0:23:23.399
<v Speaker 1>also have the sidebar on a rehydration drink, and I

0:23:23.520 --> 0:23:27.520
<v Speaker 1>was curious why you included that. Yeah, so this rehydration

0:23:27.680 --> 0:23:30.200
<v Speaker 1>drink is it's like everything else, it's a real drink,

0:23:30.600 --> 0:23:32.600
<v Speaker 1>and um, like everything else in the book, I should

0:23:32.640 --> 0:23:35.240
<v Speaker 1>say it's real, but um, the reason I included it

0:23:35.400 --> 0:23:39.000
<v Speaker 1>is because there's tons of diseases that don't technically kill

0:23:39.040 --> 0:23:41.040
<v Speaker 1>you from the disease. They kill you from diarrhea, from

0:23:41.080 --> 0:23:45.040
<v Speaker 1>just dehydration of pooping so much, and it's such an

0:23:45.160 --> 0:23:49.399
<v Speaker 1>unfair way to die. Plus it can be treated. If

0:23:49.400 --> 0:23:51.680
<v Speaker 1>you're just drinking this rehydration rink even though your vomity,

0:23:51.760 --> 0:23:54.080
<v Speaker 1>drink it between the vomits, you'll be fine. And the

0:23:54.160 --> 0:23:55.880
<v Speaker 1>trick is it's got some solvent so lets your body

0:23:55.880 --> 0:23:59.359
<v Speaker 1>absorbed water slightly faster. And it's just a it's a

0:23:59.400 --> 0:24:02.159
<v Speaker 1>really easy and really easy to make medicine you can

0:24:02.200 --> 0:24:04.240
<v Speaker 1>make out of water and salt at any time period

0:24:04.520 --> 0:24:07.639
<v Speaker 1>that can literally save lives if someone is having a

0:24:07.720 --> 0:24:11.000
<v Speaker 1>disease that makes them poper vomit too much as dehydrating them. Yeah. No,

0:24:11.200 --> 0:24:13.240
<v Speaker 1>I mean it's incredible that dehydration is one of the

0:24:13.240 --> 0:24:15.480
<v Speaker 1>biggest causes of depth through human history. I mean that

0:24:15.960 --> 0:24:18.840
<v Speaker 1>is something I just had never thought about. Yeah, I was.

0:24:18.920 --> 0:24:20.880
<v Speaker 1>I was worried. There a lot of sections that worried

0:24:20.920 --> 0:24:22.080
<v Speaker 1>me at the start. In medicine was one of them

0:24:22.080 --> 0:24:23.560
<v Speaker 1>because I was thinking, you know, what can I tell

0:24:23.600 --> 0:24:26.520
<v Speaker 1>you that's usable, it's practical, like if you're years ago,

0:24:26.520 --> 0:24:28.120
<v Speaker 1>what can I tell you it's going to be valuable?

0:24:28.200 --> 0:24:31.399
<v Speaker 1>But even just that is insanely valuable, Like you can

0:24:31.440 --> 0:24:33.479
<v Speaker 1>save so many lives without just knowing how to make

0:24:33.520 --> 0:24:35.640
<v Speaker 1>it and went to administer it also had the benefit

0:24:35.720 --> 0:24:38.800
<v Speaker 1>that you know, killers like heart disease and cancer aren't

0:24:38.800 --> 0:24:40.119
<v Speaker 1>going to be a big concern if you're in the

0:24:40.200 --> 0:24:41.760
<v Speaker 1>distant past because you have to live a long time

0:24:41.840 --> 0:24:44.240
<v Speaker 1>usually for those who have an effect on you. Yeah, yeah,

0:24:44.320 --> 0:24:46.200
<v Speaker 1>that's true. So I do want to go back to

0:24:46.320 --> 0:24:48.159
<v Speaker 1>one of the things I have referenced in the beginning,

0:24:48.359 --> 0:24:52.600
<v Speaker 1>which was the discussion of water wheels versus windmills, And

0:24:53.119 --> 0:24:55.560
<v Speaker 1>I was curious if you could talk about the benefits

0:24:55.640 --> 0:24:59.320
<v Speaker 1>of both of those and why a windmill might be superior. Oh,

0:24:59.400 --> 0:25:04.240
<v Speaker 1>you're on team and mill interesting. So basically what you

0:25:04.359 --> 0:25:06.280
<v Speaker 1>want with either a water mill or windmill is to

0:25:06.359 --> 0:25:09.280
<v Speaker 1>turn a wheel, because a wheel can power machinery which

0:25:09.320 --> 0:25:11.640
<v Speaker 1>can grind your grain and do all sorts of saw

0:25:11.720 --> 0:25:14.040
<v Speaker 1>your would, all sorts of interesting things, hammer your iron.

0:25:14.760 --> 0:25:17.840
<v Speaker 1>It's basically a machine doing the work for you. And

0:25:18.440 --> 0:25:20.919
<v Speaker 1>water wheels are great because water carries more force when

0:25:20.960 --> 0:25:25.000
<v Speaker 1>it moves, but you need water moving water to do that. Well.

0:25:25.000 --> 0:25:27.000
<v Speaker 1>Windmills you just need the air and you can place

0:25:27.080 --> 0:25:30.400
<v Speaker 1>them anywhere. Um So the windmill you have the advantage

0:25:30.440 --> 0:25:33.520
<v Speaker 1>of you can move it more easily to target the wind,

0:25:34.080 --> 0:25:36.639
<v Speaker 1>and you can place some in areas where you can

0:25:36.720 --> 0:25:39.360
<v Speaker 1>place a water wheel, but at the disadvantage that wind

0:25:39.400 --> 0:25:42.360
<v Speaker 1>doesn't carry as much work, so you're you're limited sorts

0:25:42.400 --> 0:25:44.600
<v Speaker 1>of things you can do. And this that the talent

0:25:44.640 --> 0:25:47.399
<v Speaker 1>type of the book is that, um, the fun of

0:25:47.440 --> 0:25:49.159
<v Speaker 1>it really was that some of the stuff you're like, oh, well,

0:25:50.400 --> 0:25:52.040
<v Speaker 1>this sounds boring, like why do why do I care

0:25:52.080 --> 0:25:54.600
<v Speaker 1>about this? But if you present it in a fun

0:25:54.680 --> 0:25:57.280
<v Speaker 1>sort of time traveling way, it becomes a you know what,

0:25:57.359 --> 0:26:01.000
<v Speaker 1>team where you hunting water wheel or team windmill. It

0:26:01.080 --> 0:26:03.119
<v Speaker 1>didn't even feel like there was an argument there. And

0:26:03.320 --> 0:26:07.200
<v Speaker 1>then once I read from Chomsky you, I think with

0:26:07.400 --> 0:26:11.080
<v Speaker 1>the partner debating you, I didn't think I'd think about

0:26:11.119 --> 0:26:13.920
<v Speaker 1>the benefits between the two, but it was really engaging.

0:26:14.840 --> 0:26:16.520
<v Speaker 1>Thank you. I mean, that's that's That's what I'm trying

0:26:16.520 --> 0:26:18.320
<v Speaker 1>to do. And I think the fun of a book

0:26:18.359 --> 0:26:20.840
<v Speaker 1>like this because normally, if you're running nonfiction, you're always worried,

0:26:21.280 --> 0:26:23.280
<v Speaker 1>you know, is this boring? And how can I make

0:26:23.320 --> 0:26:26.680
<v Speaker 1>it not boring? But doing it in this time travel way.

0:26:26.800 --> 0:26:29.000
<v Speaker 1>Whenever I was like, oh, I wonder if this is boring,

0:26:29.000 --> 0:26:30.959
<v Speaker 1>I could just go back to the time travel thing

0:26:31.000 --> 0:26:32.840
<v Speaker 1>and put in the time travel joker have some some

0:26:33.000 --> 0:26:35.160
<v Speaker 1>fun with the conceit. So it gave me an easy

0:26:35.200 --> 0:26:37.320
<v Speaker 1>way to make it um an engaging book and not

0:26:37.480 --> 0:26:39.520
<v Speaker 1>just here's the list of facts that are useful. Did

0:26:39.560 --> 0:26:42.640
<v Speaker 1>you know water boils at a hundred degrees? Now you do? Yeah?

0:26:42.800 --> 0:26:45.600
<v Speaker 1>I mean, and you also like those little jokes are

0:26:45.640 --> 0:26:48.679
<v Speaker 1>so funny, Like you have that section on famous songs

0:26:48.760 --> 0:26:52.080
<v Speaker 1>that you can plagiarize, and it's got sheet music to

0:26:52.160 --> 0:26:54.879
<v Speaker 1>like owe to joy and uh and talk about Cannona

0:26:54.960 --> 0:26:58.000
<v Speaker 1>or whatever. Like, I just thought that was such a

0:26:58.119 --> 0:27:00.080
<v Speaker 1>wonderful relief from from the rest of the tech. But

0:27:00.240 --> 0:27:04.119
<v Speaker 1>I'm curious, like what ended up on the cutting room floor, Like,

0:27:04.240 --> 0:27:07.240
<v Speaker 1>what what is stuff that you thought about tackling but

0:27:07.440 --> 0:27:10.760
<v Speaker 1>but found too hard to condense? Yeah, there was gonna

0:27:10.760 --> 0:27:13.600
<v Speaker 1>be a section on weapons, and by the time I've

0:27:13.600 --> 0:27:15.560
<v Speaker 1>written most of the book, I I started thinking, I

0:27:15.680 --> 0:27:18.600
<v Speaker 1>don't want a section of how to kill people. Yeah,

0:27:18.800 --> 0:27:22.040
<v Speaker 1>it just feels the whole book is about building civilizations

0:27:22.080 --> 0:27:25.680
<v Speaker 1>and building like literally building a world around yourself. You know.

0:27:25.760 --> 0:27:28.520
<v Speaker 1>I'm actually I'm actually glad you didn't because I felt

0:27:28.560 --> 0:27:31.840
<v Speaker 1>like one of the brightest things about this book was

0:27:32.359 --> 0:27:37.320
<v Speaker 1>you were filled with news that's so distracting and irritating

0:27:37.359 --> 0:27:39.960
<v Speaker 1>and upsetting. And this book really felt, even though it's

0:27:40.040 --> 0:27:43.359
<v Speaker 1>kind of a survivalist book, just felt so optimistic. You know,

0:27:44.400 --> 0:27:45.920
<v Speaker 1>it is a very optimistic book. I mean you have

0:27:46.040 --> 0:27:48.680
<v Speaker 1>to be optimistic too to be you know, two years

0:27:48.720 --> 0:27:51.280
<v Speaker 1>in the past and thinking I alone can rebuild civilization,

0:27:52.760 --> 0:27:54.760
<v Speaker 1>do it. But yes, so I didn't want to put

0:27:54.760 --> 0:27:56.480
<v Speaker 1>any any weaponry stuff. And honestly, if you want to

0:27:56.560 --> 0:27:58.560
<v Speaker 1>kill someone, like, there's probably fair in a way to

0:27:58.600 --> 0:28:00.639
<v Speaker 1>do it with what's in the book already, you know,

0:28:00.840 --> 0:28:05.080
<v Speaker 1>hurt their feelings with the written word. Uh. There was

0:28:05.160 --> 0:28:07.480
<v Speaker 1>a section It's funny in the music section. So the

0:28:07.800 --> 0:28:10.080
<v Speaker 1>gig of that section is you have like some classics,

0:28:10.440 --> 0:28:12.880
<v Speaker 1>pack of bells, cannon and oh to Joy, and then

0:28:12.920 --> 0:28:17.879
<v Speaker 1>you've got the Tetris theme songs, folk tongue. I resually

0:28:17.920 --> 0:28:21.040
<v Speaker 1>wanted to have Salt and Pepper's Shop there, but I

0:28:21.160 --> 0:28:23.360
<v Speaker 1>could not, for the life of me, get the rights

0:28:23.400 --> 0:28:25.000
<v Speaker 1>holders to understand what I was trying to do with

0:28:25.080 --> 0:28:29.800
<v Speaker 1>this book. It's like, hey, can I want to see

0:28:29.880 --> 0:28:31.879
<v Speaker 1>music and I know it doesn't exist, but I'll make it.

0:28:32.320 --> 0:28:33.800
<v Speaker 1>And they're like, is this for a textbook? I'm like, no,

0:28:33.880 --> 0:28:36.399
<v Speaker 1>it's not a textbook. It's like nonfiction but fiction and

0:28:36.480 --> 0:28:38.920
<v Speaker 1>it's general information, like it's not a textbook. And they're like, oh,

0:28:39.040 --> 0:28:42.240
<v Speaker 1>so it's for school, it's a textbook, Like, no, one's

0:28:42.240 --> 0:28:44.640
<v Speaker 1>not a textbook. They finally suffered funding to my emails,

0:28:44.640 --> 0:28:46.920
<v Speaker 1>and I was like, fine, who would have thought the

0:28:46.960 --> 0:28:49.080
<v Speaker 1>problem is that, like I don't, there's a lot of

0:28:49.120 --> 0:28:52.440
<v Speaker 1>money in sheet music licensing, and so there's no motivation

0:28:52.520 --> 0:28:54.480
<v Speaker 1>to put a square peg in a round hole there.

0:28:54.560 --> 0:28:56.760
<v Speaker 1>They were like, this is already waste enough time emailing

0:28:56.800 --> 0:28:59.960
<v Speaker 1>this guy. Forget that is a great story, and and honestly,

0:29:00.080 --> 0:29:03.040
<v Speaker 1>Shoop is such a great punchline there for for some reason,

0:29:03.160 --> 0:29:06.080
<v Speaker 1>it's really wonderful. And the other thing I ended up

0:29:06.120 --> 0:29:08.840
<v Speaker 1>cutting was at the end there was a kind of

0:29:08.880 --> 0:29:11.680
<v Speaker 1>a victory lap chapter with a recipe and how to

0:29:11.760 --> 0:29:15.520
<v Speaker 1>make apple pie and ice cream from scratch, and sort

0:29:15.560 --> 0:29:18.360
<v Speaker 1>of riffed off it old Carl Sagan quote where he says, like,

0:29:18.440 --> 0:29:20.640
<v Speaker 1>to make an apple pie from scratch, you must first

0:29:20.720 --> 0:29:24.480
<v Speaker 1>create the universe. And in my verse, like, well you've

0:29:24.520 --> 0:29:26.920
<v Speaker 1>created a civilization, now here's how you make apple pie

0:29:26.960 --> 0:29:29.160
<v Speaker 1>and all the all the ingredients you could build off

0:29:29.200 --> 0:29:32.040
<v Speaker 1>what you've already learned in the book, but there's already

0:29:32.080 --> 0:29:33.800
<v Speaker 1>a pretty long book, and I felt like this is

0:29:33.880 --> 0:29:36.239
<v Speaker 1>just like a loop of things people already know. Well,

0:29:36.280 --> 0:29:38.520
<v Speaker 1>I understand why you didn't put it in, but it

0:29:38.920 --> 0:29:40.920
<v Speaker 1>would have been a great addition. I think we're gonna

0:29:40.920 --> 0:29:42.760
<v Speaker 1>pause for a quick ad break, but we'll be back

0:29:42.840 --> 0:29:58.440
<v Speaker 1>with Ryan North in just a minute. Welcome back to

0:29:58.480 --> 0:30:01.520
<v Speaker 1>part times where we're talking to their Ryan North. So

0:30:01.640 --> 0:30:03.760
<v Speaker 1>I do want to read the last few sentences of

0:30:03.800 --> 0:30:05.640
<v Speaker 1>the book, and I promise it is a spoiler, and

0:30:05.680 --> 0:30:07.040
<v Speaker 1>I was curious if you'd let us do that on

0:30:07.080 --> 0:30:09.600
<v Speaker 1>the program. Yeah, I really like those last few sentences,

0:30:09.680 --> 0:30:12.280
<v Speaker 1>so go for it. So it goes. Reading this book

0:30:12.360 --> 0:30:15.160
<v Speaker 1>is transferred knowledge of humanity's greatest achievements from the palm

0:30:15.240 --> 0:30:17.959
<v Speaker 1>of your hand to the interior of your mind. Earlier,

0:30:18.040 --> 0:30:20.640
<v Speaker 1>we remarked that this text, once stranded in the past,

0:30:20.840 --> 0:30:23.400
<v Speaker 1>was the single most powerful and dangerous thing on the planet.

0:30:23.720 --> 0:30:26.720
<v Speaker 1>That is no longer true. You are go get him Tiger,

0:30:27.000 --> 0:30:29.400
<v Speaker 1>which I just thought it was such a wonderful way

0:30:29.440 --> 0:30:32.720
<v Speaker 1>to close this book. Thank you. No, I love it

0:30:33.000 --> 0:30:36.240
<v Speaker 1>of drama that gave it. But also you know you're

0:30:36.240 --> 0:30:38.440
<v Speaker 1>you're about to do something crazy. You're about to try

0:30:38.480 --> 0:30:41.080
<v Speaker 1>to rebuild civilizations, so give you the pep talk at

0:30:41.080 --> 0:30:44.200
<v Speaker 1>the end. Go do it. You got every vantage in

0:30:44.240 --> 0:30:47.080
<v Speaker 1>the world that we didn't have because we didn't know

0:30:47.080 --> 0:30:49.320
<v Speaker 1>about it at the time, So you can do this.

0:30:49.880 --> 0:30:51.760
<v Speaker 1>You know, there are really so many things we didn't

0:30:51.760 --> 0:30:54.040
<v Speaker 1>get to, from how to invent a bicycle to how

0:30:54.120 --> 0:30:57.280
<v Speaker 1>to understand all of modern philosophy and religion through high fives.

0:30:57.680 --> 0:30:59.440
<v Speaker 1>That might be the most valuable two pages in here,

0:30:59.480 --> 0:31:02.000
<v Speaker 1>but it's really been such a pleasure. Our guest is

0:31:02.120 --> 0:31:04.240
<v Speaker 1>Ryan North. The book is how to Invent Everything, and

0:31:04.360 --> 0:31:06.160
<v Speaker 1>thank you so much for being here. Thank you so

0:31:06.240 --> 0:31:21.880
<v Speaker 1>much for having me. It was great. Thanks again for listening.

0:31:22.080 --> 0:31:24.200
<v Speaker 1>Part Time Genius is a production of how stuff works

0:31:24.240 --> 0:31:26.760
<v Speaker 1>and wouldn't be possible without several brilliant people who do

0:31:26.880 --> 0:31:29.960
<v Speaker 1>the important things we couldn't even begin to understand. Tristan

0:31:30.040 --> 0:31:32.520
<v Speaker 1>McNeil does the editing thing. Noel Brown made the theme

0:31:32.600 --> 0:31:35.560
<v Speaker 1>song and does the mixy mixy sound thing. Jerry Rowland

0:31:35.600 --> 0:31:38.800
<v Speaker 1>does the exact producer thing. Gay Bluesier is our lead researcher,

0:31:38.880 --> 0:31:41.840
<v Speaker 1>with support from the Research Army, including Austin Thompson, Nolan

0:31:41.880 --> 0:31:44.160
<v Speaker 1>Brown and Lucas Adams and Eve. Jeff Cook gets the

0:31:44.200 --> 0:31:46.320
<v Speaker 1>show to your ears. Good job, Eves. If you like

0:31:46.440 --> 0:31:48.200
<v Speaker 1>what you heard, we hope you'll subscribe, And if you

0:31:48.320 --> 0:31:50.280
<v Speaker 1>really really like what you've heard, maybe you could leave

0:31:50.280 --> 0:31:53.320
<v Speaker 1>a good review for us. We do. We forget Jason. Jason,

0:31:53.360 --> 0:32:01.080
<v Speaker 1>who was the best po