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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way, we want to be there. Doesn't matter how

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Speaker 3: much baggage you claim and give us time and a

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Speaker 3: terminol e Gaggie aid. We want to send you off

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Speaker 3: in style. We wanna welcome you back home. Tell us

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Speaker 3: all about it.

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Speaker 1: We scared her? Was it fine?

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Speaker 4: Now?

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Speaker 3: Porn? Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride? Do your need to ride?

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Speaker 2: Ride with Karen and Chris? Welcome to Do you need

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Speaker 2: a ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgariff.

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Speaker 2: We are driving. This is I don't know where the

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Speaker 2: boundary is, but we're right in the middle of Echo

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Speaker 2: Park and Silver silver Lake, silver Lake, Bolvar, Silver Lake

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Speaker 2: Boulevard and and it is the area featured in the

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Speaker 2: movie Training Day. It is my neighborhood and and I

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Speaker 2: love it.

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Speaker 1: Yeah, it's pretty great.

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Speaker 3: Yeah, this is where all the beautiful hip people are

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Speaker 3: and all the you know, yeah, all that where.

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Speaker 1: The action is.

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Speaker 5: Yeah.

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Speaker 2: I didn't. I didn't know that when I was leaving

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Speaker 2: Venice Beach, I was moving somewhere i'd be confronted by

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Speaker 2: my age because I feel like I moved to like

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Speaker 2: the young hip part of town.

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Speaker 1: Yeah.

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Speaker 2: Yeah, but as you can tell, I've adjusted accordingly and

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Speaker 2: I hipped it up.

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Speaker 1: You've definitely stopped crying about it, that's for sure.

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Speaker 4: Yeah.

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Speaker 2: Yeah, I've started cuffing my pants.

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Speaker 1: You dried your eyes, Yes.

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Speaker 2: Quit crying because I was getting tears in the cuffs

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Speaker 2: of my pants.

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Speaker 1: Yeah.

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Speaker 2: And yeah, everyone's like, oh, that guy, he must be

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Speaker 2: he's one of our peers, he's our age. They don't

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Speaker 2: know if all these creams at home that I put

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Speaker 2: on my face.

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Speaker 1: Right, you've tricked them all.

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Speaker 2: Look the pedestrians dance on street corners to themselves.

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Speaker 3: Everybody's tiktoking around, ready to be on cameras.

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Speaker 2: Neighborhood is filled with music, laughter. Yes, it's the joyous area.

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Speaker 3: There's the children at a little school.

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Speaker 2: Yeah, and you can hear their laughs often the day

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Speaker 2: stens every morning. That's that's my rooster.

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Speaker 3: I used to I used to live in this neighborhood,

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Speaker 3: very close to where we are, and hearing school bells

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Speaker 3: is actually kind of a fun way to mark time.

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Speaker 1: If you're home on a this one.

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Speaker 2: No, next one, and next one, it will if you

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Speaker 2: had funny. It's this one. It's as straight. Yeah, school bells,

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Speaker 2: you know they get mixed reviews. It's it's however, you

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Speaker 2: were traumatized or not traumatized as a child.

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Speaker 3: Right, and if you work in and out of the home,

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Speaker 3: in or out of the home.

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Speaker 2: Or yeah, or like me, have you spent years ringing

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Speaker 2: a bell for a living?

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Speaker 1: Oh you were Santa Claus?

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Speaker 2: Yeah, yeah, I rang bells for the Salvation Army. Is

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Speaker 2: that Reggie's house? He's having some work done.

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Speaker 1: Well, that's a lot of work.

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Speaker 2: That's a nice patio, though.

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Speaker 1: I thought it was up here.

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Speaker 2: Yeah, no, yeah, you're right. I randomly picked a house,

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Speaker 2: so I think you're probably right.

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Speaker 1: Is that the number we're looking for you?

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Speaker 2: I think Reggie Wats, our guest today, has little windows

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Speaker 2: in its fence. Look at that.

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Speaker 1: You can't say that, all right?

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Speaker 2: Reggie Watts has a fence, and I will describe it

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Speaker 2: no further.

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Speaker 1: His garbage cans are all the same as everybody else's.

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Speaker 2: I'm very Yes, there's nothing that is describable about this place.

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Speaker 3: No, yes, except that it used to be my neighborhood.

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Speaker 3: This is where Pete and I lived five doors down

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Speaker 3: and it's a great neighborhood, except for the police helicopters.

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Speaker 2: What are your thoughts on the band Three Doors Down?

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Speaker 1: I can't remember, nor.

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Speaker 2: Can I, And like most people, you try and conjure

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Speaker 2: a tune by them and you come up with third

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Speaker 2: eyed blind fel.

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Speaker 1: That's automatically what happens every time.

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Speaker 2: Yeah, yeah, no one can remember now Three Doors Down?

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Speaker 4: Wash?

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Speaker 2: Will you still call me Superman? Oh? It's so funny.

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Speaker 2: Everyone's fascination with Superman, people like Seinfeld and adult man

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Speaker 2: in a Superman shirt is something you still see often, true, true, which,

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Speaker 2: oddly enough, a Superman shirt on a man is kryptonite

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Speaker 2: to the ladies. Ironically, isn't it ironic?

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Speaker 1: Don't you think?

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Speaker 2: I wonder if Alanis feels bad that she didn't know

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Speaker 2: what the word meant when writing that song, because she

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Speaker 2: does now, she sure does. It takes a while, though,

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Speaker 2: in her defense, to understand irony is a complicated thing.

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Speaker 2: People confuse it for coincidence.

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Speaker 3: Well yeah, and also, I think when you're writing a

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Speaker 3: song like that, you just kind of get carried away

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Speaker 3: with the vibe you're coming out with.

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Speaker 2: Yeah, I had the studio vibe.

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Speaker 3: You just don't give a shit that nothing's tracking? Really, yeah, grammatically, let's.

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Speaker 2: See if we're speaking of tracking.

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Speaker 1: I've never put on my blinkers before. Are you seeing it? Oh?

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Speaker 2: Wow, it's just on the little iPad. It's like you're

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Speaker 2: being forced to work on the computer while you drive. Yeah,

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Speaker 2: can you get photoshop on this?

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Speaker 4: Yeah?

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Speaker 3: I've actually put your head on top of the Three

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Speaker 3: Doors Down album and it.

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Speaker 2: Is I knew because I always bring that band.

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Speaker 3: Up and you, Oh, do you love to reference them?

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Speaker 2: I want something else to get me through this semi

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Speaker 2: charm type of life. Babe, babe, just lyrics? Do we

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Speaker 2: get sued for just lyrics?

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Speaker 4: No?

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Speaker 1: I think we can talk out lyrics. Jim. Let us know.

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Speaker 3: Jim is the lawyer who clears all our music songs.

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Speaker 2: There is an image of your dash that is very

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Speaker 2: realistic and all white, and it appears to suggest we're

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Speaker 2: being gassed right now.

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Speaker 1: Yeah, like very lightly though.

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Speaker 2: Yes, just a light refreshing gas.

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Speaker 1: Just very beautiful.

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Speaker 3: And then it gets more intense when when you turn

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Speaker 3: the number up.

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Speaker 2: Stop describing my farts. I always turned to a child.

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Speaker 1: You just like it, that's all.

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Speaker 2: I like looking back on life and remembering the way

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Speaker 2: my brain worked back then. I'm nostalgic for it, so

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Speaker 2: I'm very immature.

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Speaker 1: You don't ever have to look back.

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Speaker 2: You can live in the now, in the your child

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Speaker 2: that I am.

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Speaker 1: Now fart now is what I'm saying.

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Speaker 3: When I lived here, that house wasn't here. Like many

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Speaker 3: of these houses have been flipped beautifully.

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Speaker 2: Yeah, that house looks like they finished it last week.

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Speaker 1: Yeah, really nice.

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Speaker 2: It's interesting. I always It's one of those things I

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Speaker 2: like to look at, just knowing full well I probably

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Speaker 2: won't own one anytime soon. I'm okay with.

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Speaker 1: That though, I mean, no one can these days. I

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Speaker 1: like insane the.

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Speaker 2: Freedom of knowing that I can pick up and leave

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Speaker 2: my apartment whenever I want. If you know, it's an

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Speaker 2: opportunity if need be, if need be.

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Speaker 1: If you're a traveling man.

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Speaker 2: I'm a lot like an international spy in that way. Yeah,

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Speaker 2: I have nothing holding me back from just going to

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Speaker 2: Berlin except.

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Speaker 3: Your little yellow hat.

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Speaker 1: It's just very high res.

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Speaker 2: This little hat is my favorite hat.

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Speaker 3: Karen going just saying for a spy.

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Speaker 2: Yeah, oh yeah, yeah, you can't very wearing bright colors.

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Speaker 2: As we know, the supplies dabble mostly in earth tones.

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Speaker 1: They have to they have to blend, yeah.

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Speaker 2: With the foliage and the mauve of the sky.

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Speaker 1: I like the hat though, it looks good.

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Speaker 2: Thank you. I wasn't. I guess I was kind of

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Speaker 2: forcing a compliment, but I appreciate it.

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Speaker 1: Well, that's okay.

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Speaker 2: It's from the sub Pop store in the Seattle Airport.

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Speaker 2: Uh oh hm, I went there. I didn't even have

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Speaker 2: a flight.

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Speaker 3: You just shopped at the airport. Look.

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Speaker 2: I see what new release books there are and cassette

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Speaker 2: tapes they have smart but it is a beautiful store.

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Speaker 3: Subpop really reigns supreme like in the late nineties early

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Speaker 3: aughts in a way that they deserve to have an

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Speaker 3: airport store now.

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Speaker 2: Yeah, and you people always when I would wear the

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Speaker 2: hat given to me by one of the members of

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Speaker 2: Sleeeder Kinney, No, yeah, not personally. It was in a

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Speaker 2: bad drummer, I'm not I think maybe yes.

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Speaker 1: Did she have a really good bob, like a very

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Speaker 1: solid bangs across?

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Speaker 2: I don't know. I think she was wearing a little

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Speaker 2: yellow hat.

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Speaker 1: Did she have hair like yours? A little curly, a little.

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Speaker 2: Like again, multiple hats every day of this adult podcast camp.

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Speaker 2: But there was a schwag bag from sub pop.

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Speaker 1: Yeah, oh got it?

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Speaker 2: And then I'm like, what bands are still on sub pop?

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Speaker 2: Isn't that a thing of the past. No, so many

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Speaker 2: current great bands are still on sub pop records. Do

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Speaker 2: you think you should go check it out? Listener?

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Speaker 3: Yeah, let's all support them.

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Speaker 1: Yeah, there's a girl from subpop right now?

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Speaker 2: Yeah, you know joke.

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Speaker 3: I think Reggie just pulled into his own driveway?

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Speaker 1: Am I wrong?

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Speaker 4: Look?

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Speaker 1: I believe someone did.

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Speaker 2: Someone did.

202
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Speaker 3: That's hilarious.

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Speaker 2: What if we just thwarted a burglary.

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Speaker 1: A burgallery?

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Speaker 2: I think we just thwarted a burglary. Oh God, that

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Speaker 2: burgolary was in progress until we thwarted it.

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Speaker 3: This burglar pulls up right to the nest camera and

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Speaker 3: it's like, hey, if you didn't get my license plate before,

209
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Speaker 3: I'm right in the driveway.

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Speaker 2: You know why they're unsuccessful, bright yellow burglar masks.

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Speaker 1: See I told you, Yeah, it's not.

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Speaker 2: Good for crime. No, you gotta go black. What if

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Speaker 2: he comes in and Reggie's Superman.

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Speaker 3: That's just a whole new vibe from Reggie. Wats that

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Speaker 3: people have never gotten?

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Speaker 2: I've never I've known him pretty well. We do shows

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Speaker 2: together on Christmas and Montana.

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Speaker 1: We're both from Montana, fellow Montana.

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Speaker 2: Yes, And I have never seen the emotion of anger

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Speaker 2: God near him, not even near him, which means he

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Speaker 2: doesn't emit it and no one puts it towards him.

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Speaker 1: Huh.

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Speaker 2: Yeah, he's not. He doesn't have a lot of anger

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Speaker 2: in his life.

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Speaker 3: And he speaks multiple languages, which I think is really cool.

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Speaker 2: French, German, American.

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Speaker 1: American English, British English.

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Speaker 2: There's some Spanish in there also. And there are times

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Speaker 2: in his act where, until I saw the info sheet,

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Speaker 2: I thought he was just speaking a language like Gibberish

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Speaker 2: that sounded like French when he was because he's and

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Speaker 2: now I know he's just speaking fluent French. Oh wow

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Speaker 2: during his act. I've seen him do when he does

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Speaker 2: songs during shows German like metal, and it totally sounds like.

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Speaker 3: A saw on him standing on the street way back

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Speaker 3: behind us.

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Speaker 2: It's funny because you're pointing, I guess out a reflection.

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Speaker 2: You're pointing at the mirror. I really thought you were pointing.

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Speaker 1: At that sense right there.

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Speaker 2: That's not him standing within the wood grain of that fence.

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Speaker 2: Is it hallucinating he took drugs?

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Speaker 1: Again?

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Speaker 2: I'm told you we're podcasting not going to cook?

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Speaker 3: Is he in the wood of the fence.

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Speaker 2: Here we go again. No, that's an owl.

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Speaker 1: Stop it.

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Speaker 2: The only face you will ever find, okay, perfect in

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Speaker 2: a grain of wood is an owl.

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Speaker 3: I looked out my own rearview mirror instead of trying

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Speaker 3: to look at it in yours, and that is absolutely

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Speaker 3: not I think that's a middle aged white lady what

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Speaker 3: I was looking at.

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Speaker 2: Oh. Yes, there's a lot of just people roaming around

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Speaker 2: the car because they're impressed with how well you keep

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Speaker 2: it up.

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Speaker 1: For a black cart. It's pretty clean.

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Speaker 2: There isn't a speca dirt. That group over there is saying.

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Speaker 1: All hip, all cool.

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Speaker 2: Yeah. Well, if I've ever gotten stinky from anyone, it

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Speaker 2: was that lady that.

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Speaker 1: This is a supermodel.

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Speaker 2: Yeah, there are pretty much any part of town, though,

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Speaker 2: you're going to run into this town as lousy with

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Speaker 2: supermodels and.

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Speaker 3: Also people that if you get to sinkuy from anybody

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Speaker 3: in Los Angeles and it makes you feel bad, go

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Speaker 3: ahead and look at their license plate. That person was

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Speaker 3: from New Mexico. So the problem is their own right

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Speaker 3: and we must leave it where it.

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Speaker 2: Is right with them. The main problem being they're hiding

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Speaker 2: so many UFOs.

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Speaker 1: They're lying to the government and they're lying to themselves.

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Speaker 2: I was driving with David Hansberger in New Mexico after

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Speaker 2: Doug Mellard's wedding to our friend Flynn and his wife.

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Speaker 2: Now after the wedding, and we just ended up on

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Speaker 2: the UFO the Philadelphia Project. Oh remember that movie with

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Speaker 2: the I vaguely remember it, but there were soldiers with

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Speaker 2: guns and giant hangars and we're like, what's in there UFOs?

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Speaker 2: And he said, eh, maybe, and which I take as

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Speaker 2: a yes. The guy with the gun says maybe. You know,

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Speaker 2: he's just beaten around the bush.

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Speaker 1: Yeah, he's actually telling you the truth.

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Speaker 2: Yeah. Yeah, so you heard it here first confirmation. Aliens

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Speaker 2: are real and living in New Mexico and they send

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Speaker 2: very symmetrical humans here to be photographed professionally.

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Speaker 1: Yeah, that would make sense.

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Speaker 2: Yeah.

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Speaker 1: Are you saying like show business people.

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Speaker 2: No, I'm saying the girl that just drove by that

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Speaker 2: we thought was a model is actually an alien. Oh okay,

291
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Speaker 2: you can tell because they're very symmetrical. Aliens overdo it

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Speaker 2: when they make humans and plant them on Earth. They

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Speaker 2: make them very symmetrical.

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Speaker 1: Yeah, and kind of hypnotic.

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Speaker 2: They got a beauty mark on this bam. It's also

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Speaker 2: on the other cheek.

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Speaker 1: Bam. Yeah, that's just two big moles.

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Speaker 3: It's weird when you're waiting because any moment, he could come,

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Speaker 3: any moment, and it affects the conversation.

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Speaker 2: You and I don't want to get into anything deep.

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00:15:18,600 --> 00:15:22,320
Speaker 3: Yeah, I feel like I'm three quarters listening. Would I apologize?

302
00:15:22,520 --> 00:15:25,480
Speaker 2: Oh no, Well, all I'm doing is tossing out a

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Speaker 2: bunch of foul balls because if I hit a homer.

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Speaker 1: What a waste.

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00:15:31,080 --> 00:15:32,920
Speaker 2: And Reggie gets in, it's like, can you give us

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Speaker 2: a minute? Yeah, because we have to finish.

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Speaker 1: We're having a private mode of comedy. You know that's

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00:15:39,560 --> 00:15:41,720
Speaker 1: bad hosting. Yeah, yeah it is.

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00:15:41,800 --> 00:15:44,840
Speaker 2: You got to keep everything very temporary, very flippant.

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Speaker 3: You got to keep it flexible and fresh. And the

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00:15:49,280 --> 00:15:53,440
Speaker 3: thing you love to yell, you got to keep it loose, right,

312
00:15:54,160 --> 00:15:54,480
Speaker 3: like to.

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Speaker 1: Yell at even loose.

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Speaker 3: Yeah.

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Speaker 2: I like to yell at at joggers as I passed them,

316
00:16:00,120 --> 00:16:05,840
Speaker 2: immediately start stretching. Keep it loose, keep it silly goose.

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00:16:06,080 --> 00:16:06,680
Speaker 2: They love it.

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Speaker 4: Yeah.

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00:16:07,560 --> 00:16:10,240
Speaker 2: No one's offended when called a silly goose.

320
00:16:10,640 --> 00:16:12,800
Speaker 1: You know when they're offended is when you shush them.

321
00:16:12,880 --> 00:16:16,240
Speaker 2: Yes, no one likes that, especially when you extend your

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Speaker 2: arm and touch your finger to their lives.

323
00:16:19,800 --> 00:16:23,120
Speaker 3: You physically shush with your finger them.

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00:16:23,360 --> 00:16:27,520
Speaker 2: Yes, do not physically shush with your finger.

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Speaker 3: Them them won't like it.

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Speaker 2: Them don't. Well, are we sure we're at the right

327
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Speaker 2: house that I've described in detail, which we've edited out.

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00:16:38,840 --> 00:16:44,200
Speaker 3: I looked at it in Google three D maps and

329
00:16:44,360 --> 00:16:46,760
Speaker 3: literally counted the houses between my old.

330
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Speaker 1: House and his house.

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Speaker 3: So I feel like, if it's not this house, it's

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00:16:52,520 --> 00:16:56,600
Speaker 3: this house, because so he will either be coming out

333
00:16:56,680 --> 00:16:57,960
Speaker 3: from here or from there.

334
00:16:58,800 --> 00:17:01,720
Speaker 2: Well, I'm currently flying a drone and looking at the

335
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Speaker 2: video and man, your car.

336
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Speaker 3: Is immaculate, even from the top.

337
00:17:09,320 --> 00:17:11,920
Speaker 2: But I'm very excited me too.

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Speaker 3: I was on the phone with Danielle yesterday morning. Danielle Kramer,

339
00:17:16,320 --> 00:17:17,520
Speaker 3: she runs exactly.

340
00:17:17,240 --> 00:17:19,840
Speaker 2: Right, she's the coo, she.

341
00:17:19,960 --> 00:17:25,320
Speaker 1: Is the that's right, and she oh miss that house.

342
00:17:26,320 --> 00:17:30,119
Speaker 2: They have an electronic door. I guess that's pretty normal.

343
00:17:30,400 --> 00:17:33,199
Speaker 2: That was invented in the mid eighties, kind of standard. Ye,

344
00:17:33,880 --> 00:17:34,800
Speaker 2: not where I come from.

345
00:17:34,920 --> 00:17:39,760
Speaker 3: And in Danielle's backyard, she and are talking going over

346
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Speaker 3: our morning call, and then she goes, ugh, there's a

347
00:17:42,359 --> 00:17:45,720
Speaker 3: drone in my backyard and there's just like a drone

348
00:17:46,240 --> 00:17:47,399
Speaker 3: hovering over her yard.

349
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Speaker 2: Yeah, it's it's frightening to me that we've just gotten

350
00:17:51,040 --> 00:17:53,400
Speaker 2: used to that. That's so weird because most of them

351
00:17:53,440 --> 00:17:55,000
Speaker 2: have video capabilities.

352
00:17:55,640 --> 00:17:58,480
Speaker 1: It's not okay, no, because you know the.

353
00:17:58,440 --> 00:18:01,520
Speaker 2: Person flying that, I got one in on the remote

354
00:18:01,720 --> 00:18:03,400
Speaker 2: and the other man. I'm not even going to mention

355
00:18:03,440 --> 00:18:04,240
Speaker 2: where the other hand is.

356
00:18:04,280 --> 00:18:07,440
Speaker 1: You don't have to. We're talking about drones.

357
00:18:07,720 --> 00:18:10,920
Speaker 2: Yeah, it's in their pocket searching for money to buy

358
00:18:10,920 --> 00:18:14,439
Speaker 2: a better drone. Here we time, and here we are

359
00:18:14,480 --> 00:18:17,680
Speaker 2: at the perfect ending of whatever we were talking about.

360
00:18:17,720 --> 00:18:19,119
Speaker 1: That amazing riff cham.

361
00:18:24,080 --> 00:18:26,399
Speaker 3: Yeah morning, yes, good morning.

362
00:18:27,320 --> 00:18:27,720
Speaker 4: I am.

363
00:18:29,200 --> 00:18:29,600
Speaker 3: Hello.

364
00:18:29,880 --> 00:18:31,560
Speaker 2: I told you we spoke French.

365
00:18:33,200 --> 00:18:33,840
Speaker 3: Reggie Watt.

366
00:18:34,000 --> 00:18:38,399
Speaker 2: Hello, Reggie. Class my falangies as I offer them to

367
00:18:38,440 --> 00:18:39,720
Speaker 2: you because we are friends.

368
00:18:39,800 --> 00:18:43,560
Speaker 5: Hi, Michael Falangio, thank you for calling me by my

369
00:18:43,680 --> 00:18:44,880
Speaker 5: new stage name.

370
00:18:45,680 --> 00:18:49,720
Speaker 2: In the car now is our friend Reggie Watts? Hello, Reggie, Hi,

371
00:18:49,800 --> 00:18:51,479
Speaker 2: I'm Reggie. How are you, buddy?

372
00:18:51,640 --> 00:18:53,199
Speaker 4: I'm really good, Reggie.

373
00:18:53,240 --> 00:18:55,960
Speaker 3: Can I just tell you and really quick?

374
00:18:56,080 --> 00:18:57,320
Speaker 2: You know I was going nowhere.

375
00:18:57,400 --> 00:19:01,879
Speaker 1: I used to live in this apartment right here, in

376
00:19:01,920 --> 00:19:07,440
Speaker 1: this in this black building. Yes, it was.

377
00:19:09,400 --> 00:19:17,240
Speaker 3: You lived there and worshiped the devil and if you

378
00:19:17,320 --> 00:19:22,280
Speaker 3: watched Twin Peaks. Laura Palmer's mother, Gray Sabriski, just walked.

379
00:19:22,000 --> 00:19:24,040
Speaker 1: Out of her house. She lives right across the street.

380
00:19:24,119 --> 00:19:26,520
Speaker 2: WHOA, yes, wait you just saw.

381
00:19:26,960 --> 00:19:30,320
Speaker 3: Yes, Yes, she lived there when I lived there, and

382
00:19:30,440 --> 00:19:32,760
Speaker 3: she would never acknowledge me or talk to me. Her

383
00:19:32,840 --> 00:19:35,440
Speaker 3: husband would say hi, and they but they were both

384
00:19:35,480 --> 00:19:38,320
Speaker 3: obsessed with my cat, and my cat would go and

385
00:19:38,400 --> 00:19:42,879
Speaker 3: lay on their patio and it was almost like we

386
00:19:42,920 --> 00:19:44,800
Speaker 3: shared a cat a little bit. And then one time

387
00:19:44,840 --> 00:19:47,080
Speaker 3: she told me about a documentary she went and saw.

388
00:19:47,480 --> 00:19:49,520
Speaker 3: Other than that, it was like I didn't exist. And

389
00:19:49,560 --> 00:19:52,639
Speaker 3: that was fine with me because I love Gray Sabrinski.

390
00:19:53,640 --> 00:19:56,159
Speaker 4: That the great Zabrinski.

391
00:19:56,960 --> 00:19:58,600
Speaker 1: Also an amazing magician.

392
00:20:00,480 --> 00:20:03,640
Speaker 4: Great to Brecky, that's awesome.

393
00:20:03,760 --> 00:20:07,080
Speaker 5: Wow, yeah, I love that little you know loves in

394
00:20:07,119 --> 00:20:09,920
Speaker 5: this goddamn neighborhood.

395
00:20:12,320 --> 00:20:13,240
Speaker 1: It's so specific.

396
00:20:14,000 --> 00:20:17,040
Speaker 2: Do you think that that person with the black house

397
00:20:17,160 --> 00:20:20,760
Speaker 2: got painted their house black after the jeep or the

398
00:20:20,800 --> 00:20:24,040
Speaker 2: jeep came second, you know that one was in response?

399
00:20:24,119 --> 00:20:27,320
Speaker 5: I think it definitely it was to match the jeep

400
00:20:27,720 --> 00:20:29,719
Speaker 5: we're moving in, and they were like, if that's going

401
00:20:29,800 --> 00:20:32,080
Speaker 5: to be parked in the driveway, which it's going to be,

402
00:20:32,280 --> 00:20:33,520
Speaker 5: then we need.

403
00:20:33,320 --> 00:20:36,000
Speaker 2: To It would be crazy to me if the jeep

404
00:20:36,240 --> 00:20:40,480
Speaker 2: was another color, as was the house any painted both black?

405
00:20:40,520 --> 00:20:43,520
Speaker 2: Because his fingernails were painted black, I would like the

406
00:20:43,560 --> 00:20:47,520
Speaker 2: fingernails to go, Oh, is this your friend?

407
00:20:47,880 --> 00:20:50,240
Speaker 4: Yeah, that's Clet Martin's I love.

408
00:20:52,800 --> 00:21:02,080
Speaker 6: Reggie is the the the best at confidently uh giving

409
00:21:02,840 --> 00:21:07,560
Speaker 6: no information to where it sounds like there definitely is information.

410
00:21:07,920 --> 00:21:10,959
Speaker 2: And if you didn't, it's just you're not paying attention.

411
00:21:11,240 --> 00:21:13,879
Speaker 4: If you missed it, that's that's that's pure truth.

412
00:21:14,080 --> 00:21:16,720
Speaker 1: And club is what kind of a name?

413
00:21:16,760 --> 00:21:17,760
Speaker 2: What club?

414
00:21:17,840 --> 00:21:23,840
Speaker 5: Mar Clud Martins club? Yeah, he's well, it's for a

415
00:21:24,160 --> 00:21:27,400
Speaker 5: club of cleb Radaya.

416
00:21:30,520 --> 00:21:32,720
Speaker 1: You're going in there, okay, but you're taking up the

417
00:21:32,720 --> 00:21:33,240
Speaker 1: whole street.

418
00:21:33,359 --> 00:21:34,719
Speaker 3: So what would you like me to do?

419
00:21:35,240 --> 00:21:35,480
Speaker 2: Yeah?

420
00:21:36,160 --> 00:21:39,160
Speaker 4: Go to work together?

421
00:21:39,400 --> 00:21:39,640
Speaker 2: Yeah?

422
00:21:40,200 --> 00:21:42,320
Speaker 1: Well have you ever driven on the street before?

423
00:21:42,960 --> 00:21:47,399
Speaker 2: I think we all know that it was the street fault.

424
00:21:47,680 --> 00:21:49,720
Speaker 4: Yeah, it was definitely streetful.

425
00:21:50,160 --> 00:21:51,720
Speaker 2: Because we're on a street with no name.

426
00:21:51,840 --> 00:21:53,200
Speaker 4: Street fault, street fault?

427
00:21:53,480 --> 00:21:54,560
Speaker 1: Whose is it? O?

428
00:21:54,760 --> 00:21:55,719
Speaker 4: G B Y beauty.

429
00:21:55,880 --> 00:22:01,520
Speaker 2: Finally, Reggie, I've always wanted to ask, Yeah, how speaking

430
00:22:01,560 --> 00:22:06,800
Speaker 2: of confidently speaking gibberish. How did you do? How many

431
00:22:06,960 --> 00:22:10,520
Speaker 2: TED talks have you done? Was it just the one

432
00:22:10,560 --> 00:22:10,920
Speaker 2: I love?

433
00:22:11,840 --> 00:22:12,119
Speaker 4: Well?

434
00:22:12,400 --> 00:22:15,960
Speaker 5: I have the main Ted one I did, and then

435
00:22:16,080 --> 00:22:21,040
Speaker 5: I have I did? I think TED X mid Atlantic,

436
00:22:21,640 --> 00:22:27,600
Speaker 5: TEDx Full Spectrum and TED ex Doha. You've done multiple

437
00:22:27,720 --> 00:22:28,640
Speaker 5: and ted X Berlin.

438
00:22:29,160 --> 00:22:32,159
Speaker 2: I wanted which one because I've only seen one and

439
00:22:32,200 --> 00:22:33,000
Speaker 2: it blew me away?

440
00:22:33,160 --> 00:22:34,240
Speaker 1: What was it about?

441
00:22:34,359 --> 00:22:34,520
Speaker 7: May?

442
00:22:34,520 --> 00:22:34,880
Speaker 1: I ask?

443
00:22:36,000 --> 00:22:36,600
Speaker 2: Exactly.

444
00:22:37,320 --> 00:22:41,120
Speaker 5: Well, they're all just me fucking around on stage really,

445
00:22:41,160 --> 00:22:43,640
Speaker 5: so it's like, yeah, they're not really about anything.

446
00:22:44,440 --> 00:22:46,240
Speaker 4: But you know, it's just me.

447
00:22:47,000 --> 00:22:51,040
Speaker 5: It's just on stage, yeah, talking about whatever I think

448
00:22:51,080 --> 00:22:52,119
Speaker 5: I'm talking about.

449
00:22:52,800 --> 00:22:56,320
Speaker 2: But you were You were so good and you always

450
00:22:56,440 --> 00:22:58,560
Speaker 2: I've always seen you be good at this, but so

451
00:22:58,640 --> 00:23:03,440
Speaker 2: good at transitioning from one character who's not really saying

452
00:23:03,480 --> 00:23:09,000
Speaker 2: anything to another. It's you were morphing into different people.

453
00:23:09,040 --> 00:23:09,800
Speaker 2: It was so great.

454
00:23:10,200 --> 00:23:13,640
Speaker 5: Yeah, I'm so good at sometimes people call me morph hammeil.

455
00:23:16,200 --> 00:23:18,560
Speaker 4: Oh. By the way, the salt and straw.

456
00:23:18,160 --> 00:23:20,840
Speaker 5: On Sunset ice Cream is it looks like a fucking

457
00:23:20,960 --> 00:23:24,320
Speaker 5: TGI Friday. It's like the design of it, it just

458
00:23:24,359 --> 00:23:27,080
Speaker 5: looks like it's just it's so terrible.

459
00:23:27,800 --> 00:23:30,960
Speaker 4: I can't believe it. Like it just I every time.

460
00:23:30,960 --> 00:23:34,119
Speaker 5: Okay, I'm like, someone consciously decided that that's going to

461
00:23:34,160 --> 00:23:36,439
Speaker 5: be appetizing to the people of silver Lake, which it

462
00:23:36,480 --> 00:23:36,760
Speaker 5: is not.

463
00:23:37,040 --> 00:23:39,560
Speaker 3: Are they doing like license plates on the wall and

464
00:23:39,680 --> 00:23:40,719
Speaker 3: ship lap and stuff?

465
00:23:41,400 --> 00:23:46,040
Speaker 4: I don't know they should be Oh yeah, like that cush.

466
00:23:46,480 --> 00:23:49,800
Speaker 2: When before it opened or right when they opened. Someone

467
00:23:50,440 --> 00:23:53,920
Speaker 2: I was walking by and someone flagged me down and said,

468
00:23:53,960 --> 00:23:56,680
Speaker 2: would you like some ice cream? And I thought, I'm like, well,

469
00:23:56,840 --> 00:23:58,280
Speaker 2: surely I'll have to pay for it.

470
00:23:58,400 --> 00:23:58,720
Speaker 4: Yeah.

471
00:23:58,880 --> 00:24:03,879
Speaker 2: No, I tried so many different varieties. Whoa and they

472
00:24:03,920 --> 00:24:05,280
Speaker 2: refuse to take my money.

473
00:24:05,520 --> 00:24:08,400
Speaker 6: That salts and straws, Yes, it salts and as well

474
00:24:08,400 --> 00:24:09,119
Speaker 6: as straws.

475
00:24:10,200 --> 00:24:14,159
Speaker 3: I got a ticket in Larchmont for overstaying my welcome

476
00:24:14,200 --> 00:24:17,840
Speaker 3: in my parking spot, and I also got a second ticket,

477
00:24:18,240 --> 00:24:20,040
Speaker 3: and when I opened it up, it was saltan straw

478
00:24:20,160 --> 00:24:22,600
Speaker 3: saying we're sorry you got a ticket. Here's a thing

479
00:24:22,640 --> 00:24:23,560
Speaker 3: for a free ice cream.

480
00:24:23,600 --> 00:24:24,760
Speaker 4: You're a kidding? Serious?

481
00:24:24,880 --> 00:24:25,080
Speaker 3: Yeah?

482
00:24:25,200 --> 00:24:28,159
Speaker 1: Isn't that good? Like marketing kind of friend making?

483
00:24:28,480 --> 00:24:30,919
Speaker 2: How they did they approach the city and they're like,

484
00:24:30,960 --> 00:24:34,199
Speaker 2: we want to have coupons on your tickets and they're like, okay, no.

485
00:24:34,280 --> 00:24:38,760
Speaker 3: It was a separate living ticket because it basically happened

486
00:24:38,800 --> 00:24:42,280
Speaker 3: in front of their store. So maybe that's some awesome

487
00:24:42,320 --> 00:24:44,959
Speaker 3: idea somebody came up with of like people are so

488
00:24:45,080 --> 00:24:47,760
Speaker 3: bummed when they get a ticket, and so then we

489
00:24:47,800 --> 00:24:51,360
Speaker 3: can kind of like emphasize.

490
00:24:50,800 --> 00:24:52,920
Speaker 2: With them, yeah they're making your day.

491
00:24:53,160 --> 00:24:57,119
Speaker 3: Yeah, and say hey, once again, cope with food. And

492
00:24:57,160 --> 00:25:00,880
Speaker 3: I'm like, hell, yes, I will watch me do it.

493
00:25:01,200 --> 00:25:05,240
Speaker 5: Wow, that's a very interesting marketing tactic.

494
00:25:05,480 --> 00:25:09,320
Speaker 2: Yeah, Reggie, how much longer do you have as the

495
00:25:09,440 --> 00:25:14,200
Speaker 2: band leader on the current television program you're working?

496
00:25:14,880 --> 00:25:17,119
Speaker 4: I have zero zero.

497
00:25:17,240 --> 00:25:17,760
Speaker 2: It's over.

498
00:25:18,040 --> 00:25:19,960
Speaker 4: Yeah, it's been over for a month.

499
00:25:19,760 --> 00:25:22,840
Speaker 1: Now, se House Free Life.

500
00:25:22,440 --> 00:25:25,760
Speaker 5: Yeah, it's it's well, I'm really stoked that it's I

501
00:25:25,800 --> 00:25:27,160
Speaker 5: don't have to go there anymore.

502
00:25:27,440 --> 00:25:32,200
Speaker 4: Yeah, for sure, I love that feeling. But it's also.

503
00:25:33,440 --> 00:25:36,199
Speaker 5: You know a little terrifying about like, well, what's next.

504
00:25:36,280 --> 00:25:38,800
Speaker 5: You know, it's the next thing, you know, pitching some stuff,

505
00:25:38,840 --> 00:25:40,920
Speaker 5: but you know, you know how that usually goes.

506
00:25:41,320 --> 00:25:43,719
Speaker 4: So yeah, I don't know.

507
00:25:43,880 --> 00:25:46,240
Speaker 5: I mean in the meantime, I'm touring a lot and

508
00:25:46,640 --> 00:25:47,520
Speaker 5: stuff like that.

509
00:25:47,520 --> 00:25:49,840
Speaker 2: That's what I wanted the answer to be. Yeah, I

510
00:25:49,920 --> 00:25:51,560
Speaker 2: just want everyone to do stand up.

511
00:25:51,880 --> 00:25:53,280
Speaker 4: Yeah, yeah, yeah, totally.

512
00:25:53,400 --> 00:25:56,440
Speaker 2: Yeah, that's what I want everyone to do. I hope

513
00:25:56,720 --> 00:25:59,280
Speaker 2: you keep pitching and nothing happens.

514
00:25:59,359 --> 00:25:59,879
Speaker 4: Yeah, thank you.

515
00:26:00,440 --> 00:26:04,960
Speaker 5: Yes, that's so sweet. Yeah, I get it. I get it,

516
00:26:05,000 --> 00:26:07,919
Speaker 5: and I understand it too. That's the thing. I totally

517
00:26:08,000 --> 00:26:08,600
Speaker 5: understand it.

518
00:26:08,880 --> 00:26:12,600
Speaker 3: I was telling Chris because very briefly, for like one

519
00:26:12,640 --> 00:26:16,080
Speaker 3: month I worked there and watched you do your thing,

520
00:26:16,359 --> 00:26:20,520
Speaker 3: and I was telling him how much I liked watching

521
00:26:20,560 --> 00:26:24,240
Speaker 3: you have to do a real, like kind of arguably

522
00:26:24,440 --> 00:26:29,960
Speaker 3: traditional like band leader job and then yet completely were

523
00:26:30,000 --> 00:26:33,600
Speaker 3: yourself and kept your own style and kind of kept

524
00:26:33,640 --> 00:26:36,080
Speaker 3: your own space, which I think is a hard thing

525
00:26:36,119 --> 00:26:38,800
Speaker 3: to do. And I always just like watched you, going like,

526
00:26:39,240 --> 00:26:41,560
Speaker 3: oh cool, because you're like, you know, it's not the

527
00:26:41,600 --> 00:26:44,240
Speaker 3: same as comedy bang bang, It's like it's almost like

528
00:26:44,359 --> 00:26:48,240
Speaker 3: the official CBS version or whatever, but you still were

529
00:26:48,359 --> 00:26:52,080
Speaker 3: you and so hilarious, and I just thought it was cool.

530
00:26:52,560 --> 00:26:54,960
Speaker 5: Oh well, thanks, Yeah, it was fun. It was so

531
00:26:55,160 --> 00:26:57,640
Speaker 5: cool that they were just like, yeah, go for it. Yeah,

532
00:26:57,680 --> 00:26:58,840
Speaker 5: and we're okay with it.

533
00:26:59,119 --> 00:26:59,359
Speaker 3: M h.

534
00:27:00,040 --> 00:27:04,040
Speaker 5: And I'm aware that that's not a normal way of proceeding,

535
00:27:04,160 --> 00:27:15,080
Speaker 5: but it was also kind of oh telephone.

536
00:27:12,240 --> 00:27:14,760
Speaker 2: And not to be childish again, but I am. I

537
00:27:14,920 --> 00:27:17,880
Speaker 2: just launched my new my new flatulence.

538
00:27:18,200 --> 00:27:18,680
Speaker 4: Oh you did.

539
00:27:18,840 --> 00:27:22,000
Speaker 2: Yeah. We were talking about my old one being childish.

540
00:27:22,240 --> 00:27:27,000
Speaker 2: Oh and this one's more adult contemporary, so excuse me.

541
00:27:27,480 --> 00:27:32,760
Speaker 5: Wow, that's cool, thank you. And that's also like way

542
00:27:32,840 --> 00:27:33,840
Speaker 5: more palatable.

543
00:27:34,000 --> 00:27:34,359
Speaker 2: Thank you.

544
00:27:35,240 --> 00:27:39,159
Speaker 4: Yeah, yes, which I enjoy I enjoyed things. Well, I

545
00:27:39,240 --> 00:27:40,439
Speaker 4: just enjoyed things, thank you.

546
00:27:40,520 --> 00:27:43,080
Speaker 2: Yeah, I've always been I've always accused you of someone

547
00:27:43,080 --> 00:27:43,960
Speaker 2: who enjoyed things.

548
00:27:44,080 --> 00:27:44,280
Speaker 4: Yeah.

549
00:27:44,359 --> 00:27:47,680
Speaker 5: Yeah, and you're correct, and I love it.

550
00:27:48,119 --> 00:27:49,600
Speaker 2: Where have you been doing stand up?

551
00:27:49,920 --> 00:27:53,119
Speaker 5: I've been doing a lot of just lineup shows, Like

552
00:27:53,160 --> 00:27:57,000
Speaker 5: I'm doing two shows tonight when a Dynasty and one

553
00:27:57,480 --> 00:27:58,080
Speaker 5: somewhere else.

554
00:27:59,119 --> 00:28:01,639
Speaker 2: I noticed your comedy store the other night. Is that

555
00:28:01,760 --> 00:28:04,280
Speaker 2: somewhere you rarely, like me, have performed.

556
00:28:05,560 --> 00:28:08,159
Speaker 5: Yeah, the comedy store is like very rare for me

557
00:28:08,200 --> 00:28:11,200
Speaker 5: to perform attic. I've only performed once in the smaller room,

558
00:28:11,320 --> 00:28:13,640
Speaker 5: so it's my first time playing in the big room.

559
00:28:13,840 --> 00:28:15,920
Speaker 5: But also that lineup was just insane.

560
00:28:16,160 --> 00:28:20,159
Speaker 2: Yeah, I appreciated that you appreciated that lineup. Yes, to me,

561
00:28:21,480 --> 00:28:24,800
Speaker 2: you were one of the biggest stars on it. But

562
00:28:24,960 --> 00:28:26,159
Speaker 2: I see the world.

563
00:28:27,760 --> 00:28:28,680
Speaker 4: More realistically.

564
00:28:28,840 --> 00:28:32,119
Speaker 2: Who was on that show? Tiffany, our friend Tiffany.

565
00:28:31,800 --> 00:28:38,920
Speaker 5: Yeah, Tiffany Hattish and David Spade and Mark Marin, so there.

566
00:28:38,840 --> 00:28:40,960
Speaker 2: Was yeah, I guess there was some people that have

567
00:28:41,040 --> 00:28:41,800
Speaker 2: done some things.

568
00:28:41,920 --> 00:28:46,880
Speaker 5: And then Dane Cook, which was interesting really yeah he was.

569
00:28:47,000 --> 00:28:49,480
Speaker 5: I guess the headliner was last Guy and oh and

570
00:28:49,480 --> 00:28:53,320
Speaker 5: then who snuck? Oh, Polly Shore snuck in the Oh wow.

571
00:28:53,360 --> 00:28:56,400
Speaker 2: That's like all the directions comedy went, I know.

572
00:28:58,040 --> 00:29:04,320
Speaker 5: The nineties, like All the Night, like legendary, you know comedians. Well,

573
00:29:04,320 --> 00:29:06,000
Speaker 5: I guess Maren would have been a little bit later.

574
00:29:06,000 --> 00:29:07,200
Speaker 5: He would have been like two thousands.

575
00:29:07,200 --> 00:29:11,240
Speaker 2: But no, when I think of working since eighty seven, yeah,

576
00:29:11,280 --> 00:29:14,400
Speaker 2: I think of him in a flowered Cowboys shirt talking

577
00:29:14,480 --> 00:29:16,400
Speaker 2: to Johnny Carson like.

578
00:29:16,360 --> 00:29:18,080
Speaker 5: You're right, You're right, Yeah, because he used to work

579
00:29:18,160 --> 00:29:20,880
Speaker 5: the door at the Comedy Store in eighty seven.

580
00:29:21,720 --> 00:29:22,680
Speaker 2: How do you know that?

581
00:29:22,840 --> 00:29:26,560
Speaker 4: Because he told me. That's the only way I know.

582
00:29:28,840 --> 00:29:32,440
Speaker 2: I always whenever I've been in the room with Polly Shore,

583
00:29:32,480 --> 00:29:34,800
Speaker 2: I want to tell him that my dad wrote jokes

584
00:29:34,840 --> 00:29:37,960
Speaker 2: for his dad, But it never comes out of my

585
00:29:38,000 --> 00:29:43,000
Speaker 2: mouth because it seems like it was Uhrt Burfler, No,

586
00:29:43,200 --> 00:29:47,480
Speaker 2: Sammy Okay, yeah, who started the comedy store.

587
00:29:47,520 --> 00:29:48,160
Speaker 4: But I guess.

588
00:29:48,600 --> 00:29:53,280
Speaker 2: Kenson Sammy Kennison, Sure, okay, and uh, he'd put on

589
00:29:53,320 --> 00:29:54,920
Speaker 2: the trench coat and no one knows.

590
00:29:55,360 --> 00:29:59,440
Speaker 5: With White Snake, Yes he is in the White Snake video.

591
00:29:59,560 --> 00:30:00,760
Speaker 4: Is I think he is.

592
00:30:02,160 --> 00:30:04,880
Speaker 2: I just think that's so cool, but I don't. I

593
00:30:04,960 --> 00:30:08,000
Speaker 2: still don't let him know because why would I. It

594
00:30:08,160 --> 00:30:10,320
Speaker 2: just seems like I'm bragging about my dad again.

595
00:30:10,680 --> 00:30:12,320
Speaker 4: Yeah, and he'd probably just kind of like, look at

596
00:30:12,320 --> 00:30:12,720
Speaker 4: you weird.

597
00:30:13,040 --> 00:30:13,280
Speaker 2: Yeah.

598
00:30:13,320 --> 00:30:16,160
Speaker 3: Maybe that is a place sometimes where people let you down,

599
00:30:16,200 --> 00:30:19,120
Speaker 3: where you're like, hey, we have a connection, and then they're.

600
00:30:18,960 --> 00:30:20,120
Speaker 1: Just like, yeah, I don't care.

601
00:30:20,520 --> 00:30:21,240
Speaker 4: Yeah, totally.

602
00:30:21,720 --> 00:30:23,840
Speaker 1: That's very la where you're just like.

603
00:30:23,800 --> 00:30:24,800
Speaker 4: It's very common.

604
00:30:24,960 --> 00:30:28,160
Speaker 5: Okay, Well it's it's it's like when people give up

605
00:30:28,480 --> 00:30:30,760
Speaker 5: on the notion of male.

606
00:30:30,920 --> 00:30:33,280
Speaker 4: It has such a specialized transport vehicle.

607
00:30:33,480 --> 00:30:36,600
Speaker 5: Yes, it's like a child, it's not a big wheeler.

608
00:30:36,680 --> 00:30:39,480
Speaker 5: And then it's got like he's got a walking cane.

609
00:30:39,800 --> 00:30:42,640
Speaker 5: But the walking cane he costing me to custom loop

610
00:30:42,680 --> 00:30:44,040
Speaker 5: at the base of it so that he can just

611
00:30:44,120 --> 00:30:45,800
Speaker 5: put it through the handles and it just like holds

612
00:30:45,800 --> 00:30:46,680
Speaker 5: it there perfectly.

613
00:30:46,760 --> 00:30:49,000
Speaker 2: Anyway, he's got his day all planned out.

614
00:30:49,160 --> 00:30:50,480
Speaker 1: Yes, he's done that before.

615
00:30:50,600 --> 00:30:55,520
Speaker 4: Yeah, he has and he's he's doing it right now. Yeah, Yeah,

616
00:30:55,520 --> 00:30:56,320
Speaker 4: that happens a lot.

617
00:30:56,400 --> 00:30:58,400
Speaker 5: There's like kind of a little bit of a bitterness

618
00:30:58,440 --> 00:31:01,800
Speaker 5: sometimes that comes with what I call like the mid

619
00:31:01,880 --> 00:31:05,960
Speaker 5: nineties road dogs. Yeah, it was just a different way

620
00:31:06,000 --> 00:31:08,320
Speaker 5: of being on the road and maybe it still exists

621
00:31:08,400 --> 00:31:11,400
Speaker 5: or whatever. You know, like just like comedians doing stand up,

622
00:31:11,800 --> 00:31:16,680
Speaker 5: writing jokes, surviving gig to gig and kind of like

623
00:31:16,880 --> 00:31:20,920
Speaker 5: being a little too competitive or quasi hostile to one another.

624
00:31:21,080 --> 00:31:24,600
Speaker 2: Yeah, that was the vibe. Then. That's how Karen talks

625
00:31:24,600 --> 00:31:28,040
Speaker 2: about it all the time, the mid nineties competitive vibe.

626
00:31:28,080 --> 00:31:31,520
Speaker 2: There's even at the Green Room in San Antonio. I

627
00:31:31,560 --> 00:31:36,480
Speaker 2: remember Polly Shore had written something scathing. I can't remember

628
00:31:36,520 --> 00:31:39,880
Speaker 2: what it was, but then years later there was an

629
00:31:39,920 --> 00:31:43,000
Speaker 2: apology that he wrote next to it, like sorry, guys,

630
00:31:43,040 --> 00:31:46,000
Speaker 2: I was going through a lot at this point, which

631
00:31:46,040 --> 00:31:47,280
Speaker 2: I actually appreciated.

632
00:31:47,400 --> 00:31:48,040
Speaker 1: That's funny.

633
00:31:48,160 --> 00:31:50,680
Speaker 2: He's like, I don't even know what I meant by

634
00:31:50,720 --> 00:31:54,040
Speaker 2: saying this, but up on the wall, yeah, on the

635
00:31:54,040 --> 00:31:55,280
Speaker 2: wall that everyone signed.

636
00:31:55,360 --> 00:31:56,360
Speaker 1: Yeah there was.

637
00:31:56,640 --> 00:31:59,280
Speaker 2: There was his mean spirited thing and then an apology

638
00:31:59,320 --> 00:32:00,280
Speaker 2: fifteen years later.

639
00:32:01,160 --> 00:32:02,640
Speaker 1: That's that's progress.

640
00:32:02,840 --> 00:32:06,520
Speaker 2: Yeah, comedy has progressed, man.

641
00:32:06,960 --> 00:32:10,280
Speaker 5: Yeah, those clubs are I always get so nervous whenever

642
00:32:10,520 --> 00:32:12,680
Speaker 5: I'm like doing like a you know, like a traditional

643
00:32:12,720 --> 00:32:14,160
Speaker 5: stand up club.

644
00:32:14,560 --> 00:32:15,560
Speaker 4: Yeah, I'm always like.

645
00:32:15,560 --> 00:32:17,880
Speaker 5: Okay, all right, all right, over right, all right, all right,

646
00:32:18,080 --> 00:32:22,360
Speaker 5: because I you know, because like usually and most of

647
00:32:22,400 --> 00:32:23,920
Speaker 5: the time I kind of view what I do on

648
00:32:24,000 --> 00:32:27,120
Speaker 5: stage is I'm kind of doing whatever. But then there

649
00:32:27,160 --> 00:32:32,400
Speaker 5: are moments when I go into I'm doing an impression

650
00:32:32,640 --> 00:32:36,800
Speaker 5: of a stand up comedian, right, like, I'm using all

651
00:32:36,840 --> 00:32:40,720
Speaker 5: the kind of the timing mechanisms, cadence, all that stuff,

652
00:32:40,760 --> 00:32:42,960
Speaker 5: and so I lean more heavily on that and a

653
00:32:43,080 --> 00:32:47,680
Speaker 5: comedy yeah, in a comedy place, because it's just I

654
00:32:47,720 --> 00:32:49,880
Speaker 5: don't know, it just it makes me feel a little

655
00:32:49,880 --> 00:32:52,240
Speaker 5: bit more comfortable because I'm like, well they'll understand this.

656
00:32:52,680 --> 00:32:53,960
Speaker 4: Yeah.

657
00:32:54,000 --> 00:32:57,040
Speaker 2: And also at the store, would you be able to

658
00:32:57,080 --> 00:32:59,040
Speaker 2: set up any equipment?

659
00:32:59,520 --> 00:32:59,760
Speaker 4: Yeah?

660
00:32:59,800 --> 00:33:02,440
Speaker 5: I I could do that, Yeah for sure in the future.

661
00:33:02,440 --> 00:33:04,520
Speaker 5: I was thinking about it's like the sets are too short,

662
00:33:04,520 --> 00:33:07,640
Speaker 5: and my thing is like, if it's fifteen minutes or less,

663
00:33:08,120 --> 00:33:11,200
Speaker 5: it's not worth me coming up and setting up my stuff.

664
00:33:11,240 --> 00:33:14,560
Speaker 5: If it's like a weirdo comedy night, then maybe because

665
00:33:15,360 --> 00:33:17,040
Speaker 5: it's not that hard to set up, I just have

666
00:33:17,080 --> 00:33:18,960
Speaker 5: to rush up there and then quickly un plug the

667
00:33:19,000 --> 00:33:20,479
Speaker 5: mic and then plug it into a di and then

668
00:33:20,480 --> 00:33:21,120
Speaker 5: I'm ready to go.

669
00:33:21,200 --> 00:33:24,440
Speaker 4: But and then also probably have a stool. But usually

670
00:33:24,480 --> 00:33:26,440
Speaker 4: there's always a stool in comedy, so thatwys works out.

671
00:33:26,560 --> 00:33:28,320
Speaker 2: Yeah, yeah, that stool comes with it.

672
00:33:28,320 --> 00:33:29,800
Speaker 4: It's like you have to have that stool.

673
00:33:30,000 --> 00:33:33,840
Speaker 2: Well, I love traditional stand up Reggie Watts.

674
00:33:34,000 --> 00:33:36,360
Speaker 4: Yeah, it's it's it's fun. But the thing that you

675
00:33:36,400 --> 00:33:37,880
Speaker 4: do that I do notice that I can do.

676
00:33:37,960 --> 00:33:40,760
Speaker 5: I can be a lot more because I'm doing stuff

677
00:33:40,760 --> 00:33:42,680
Speaker 5: that because I can kind of kind of go down

678
00:33:42,800 --> 00:33:47,960
Speaker 5: a wild you know, rabbit shoot. They tend to like

679
00:33:48,040 --> 00:33:52,800
Speaker 5: weirdly kind of sometimes appreciate kind of weirder shit. Ye, yeah,

680
00:33:52,840 --> 00:33:54,880
Speaker 5: as long as it's not too too weird, Like if

681
00:33:54,920 --> 00:33:58,440
Speaker 5: it gets you can lose people. If it gets too weird,

682
00:33:58,480 --> 00:34:00,000
Speaker 5: you have to you know, you have to just be careful.

683
00:34:00,160 --> 00:34:02,280
Speaker 5: But I got lucky. Like when I got up on stage,

684
00:34:02,320 --> 00:34:04,840
Speaker 5: this guy he was sitting at a table right in

685
00:34:04,920 --> 00:34:09,799
Speaker 5: front or husband wife, I assume, and he had this

686
00:34:09,920 --> 00:34:12,759
Speaker 5: coin on the table and I was like, it's like

687
00:34:13,360 --> 00:34:15,239
Speaker 5: I went over to one lady acted like she was

688
00:34:15,280 --> 00:34:16,759
Speaker 5: my friend, and I was like, thank you for coming

689
00:34:16,760 --> 00:34:18,880
Speaker 5: in it was really difficult whatever. And then I go

690
00:34:18,960 --> 00:34:20,359
Speaker 5: over to the other side of the stage and there's

691
00:34:20,600 --> 00:34:22,680
Speaker 5: this couple sitting there with a piece of paper and

692
00:34:22,719 --> 00:34:24,400
Speaker 5: it has looks like a certificate and then there was

693
00:34:24,400 --> 00:34:25,880
Speaker 5: a coin on it. I was like, well, it was

694
00:34:25,920 --> 00:34:27,799
Speaker 5: like a certificate on there. It's like, what's that what's

695
00:34:27,840 --> 00:34:30,200
Speaker 5: that coin for? And the guy was like aa and

696
00:34:30,280 --> 00:34:34,040
Speaker 5: I was like, oh, okay it with him. Yeah, I'm

697
00:34:34,080 --> 00:34:37,520
Speaker 5: just like American Airlines pretty cool.

698
00:34:38,000 --> 00:34:38,440
Speaker 4: And then.

699
00:34:41,640 --> 00:34:43,359
Speaker 1: American Airline.

700
00:34:44,320 --> 00:34:49,080
Speaker 5: Celebrating American Airlines. It was so cool. It just like

701
00:34:49,160 --> 00:34:51,160
Speaker 5: so worked out. Everybody was losing it.

702
00:34:51,360 --> 00:34:52,000
Speaker 2: That's great.

703
00:34:52,320 --> 00:34:56,120
Speaker 4: It was like, hey, American Airlines.

704
00:34:59,239 --> 00:35:01,759
Speaker 2: I wonder why you cut it out? Is that don't

705
00:35:01,760 --> 00:35:03,520
Speaker 2: you avoid the to drink minimum?

706
00:35:03,520 --> 00:35:05,960
Speaker 5: Maybe yeah, maybe maybe it's there to remind him like

707
00:35:06,000 --> 00:35:08,040
Speaker 5: not to get the drink or something, you know, because

708
00:35:08,040 --> 00:35:09,719
Speaker 5: it's there's a lot of there were a lot of

709
00:35:10,719 --> 00:35:12,600
Speaker 5: I guess I don't know. I don't know if it's

710
00:35:12,600 --> 00:35:15,040
Speaker 5: like because of Mark or you know, like maybe Mark

711
00:35:15,080 --> 00:35:16,080
Speaker 5: has a sober following.

712
00:35:16,160 --> 00:35:18,160
Speaker 2: Right, Well, you signed my chip.

713
00:35:18,080 --> 00:35:25,000
Speaker 4: Yeah, chip Chips sent chips. It's like ruffles nice. Yeah.

714
00:35:25,000 --> 00:35:27,040
Speaker 5: I don't know, but there seemed to be some kind

715
00:35:27,040 --> 00:35:28,120
Speaker 5: of a sober faction there.

716
00:35:28,360 --> 00:35:32,080
Speaker 2: Yeah, Oh for sure. I had Mark sign an empty

717
00:35:32,160 --> 00:35:33,760
Speaker 2: my last bottle of whiskey.

718
00:35:34,160 --> 00:35:36,040
Speaker 4: Oh that's fucking fantastic.

719
00:35:36,320 --> 00:35:38,920
Speaker 2: Yeah, I stopped drinking, Reggie, Oh you did? When did

720
00:35:38,920 --> 00:35:41,759
Speaker 2: you stop? About five months ago? Oh my god, it's

721
00:35:41,760 --> 00:35:44,040
Speaker 2: too early to be about it.

722
00:35:44,239 --> 00:35:48,040
Speaker 4: Are you like full sober or Cali sober full full? Nice?

723
00:35:48,040 --> 00:35:51,920
Speaker 2: But I still eat chicken. Okay, that's just that's a

724
00:35:51,960 --> 00:35:54,439
Speaker 2: good specific brand.

725
00:35:54,600 --> 00:35:56,760
Speaker 1: Are you getting ready to go to the comedy store yourself?

726
00:35:56,960 --> 00:35:57,160
Speaker 4: Yeah?

727
00:35:57,239 --> 00:35:59,319
Speaker 2: Yeah, yeah, just.

728
00:35:59,280 --> 00:36:00,440
Speaker 4: Put it on the note you have that.

729
00:36:00,480 --> 00:36:02,600
Speaker 5: I see you have that notepad with the stool, just

730
00:36:02,640 --> 00:36:04,040
Speaker 5: like write on the note if the.

731
00:36:04,080 --> 00:36:05,600
Speaker 1: Chip guy is sitting in the front.

732
00:36:05,800 --> 00:36:08,799
Speaker 5: Yeah, or I guess you could set it up. You

733
00:36:08,800 --> 00:36:10,960
Speaker 5: could have a friend sit there. It was like a plant.

734
00:36:11,960 --> 00:36:13,240
Speaker 1: I do a play.

735
00:36:13,560 --> 00:36:13,799
Speaker 4: Yeah.

736
00:36:14,320 --> 00:36:17,920
Speaker 2: I When I first, I think I feel like I

737
00:36:17,920 --> 00:36:20,400
Speaker 2: hadn't even met you yet. I'd only seen you at

738
00:36:20,480 --> 00:36:27,120
Speaker 2: like UCB and we were both in Vegas for some festival.

739
00:36:27,360 --> 00:36:30,000
Speaker 2: I think it's where they had the Andy Kaufman Award.

740
00:36:30,200 --> 00:36:32,840
Speaker 4: Oh yeah, that was a stupid idea.

741
00:36:32,920 --> 00:36:37,920
Speaker 2: But yeah, but I remember you being interviewed by someone

742
00:36:38,080 --> 00:36:41,640
Speaker 2: and just overheard you as I was walking past, say

743
00:36:41,680 --> 00:36:45,160
Speaker 2: that you're from Montana, And then I looked at you

744
00:36:45,200 --> 00:36:47,319
Speaker 2: because I already knew who you were as a Los

745
00:36:47,360 --> 00:36:51,759
Speaker 2: Angeles comedian, and I flashed to an image. I still

746
00:36:51,800 --> 00:36:55,000
Speaker 2: don't know if it's something I conjured or not, but

747
00:36:55,080 --> 00:36:57,760
Speaker 2: I remember you as a young person in Great Falls.

748
00:36:57,760 --> 00:36:59,880
Speaker 2: And I still don't know where where I would have

749
00:37:00,120 --> 00:37:04,960
Speaker 2: ever Matthew, because I go there to skateboard. Oh right, right,

750
00:37:05,200 --> 00:37:08,440
Speaker 2: And I know that at some point I saw you

751
00:37:08,640 --> 00:37:11,799
Speaker 2: or Matt you in Great Falls, Montana when I was

752
00:37:12,200 --> 00:37:14,000
Speaker 2: sixteen or something.

753
00:37:14,360 --> 00:37:16,839
Speaker 5: Yes, I mean that sounds because you know a lot

754
00:37:16,880 --> 00:37:19,760
Speaker 5: of my Yes, we have some similar crossover.

755
00:37:20,080 --> 00:37:24,759
Speaker 2: Yeah, yeah, your good friend there, yeah, older brother? Yeah?

756
00:37:24,840 --> 00:37:25,680
Speaker 2: Who is Jeff?

757
00:37:25,719 --> 00:37:25,879
Speaker 4: Now?

758
00:37:26,000 --> 00:37:28,200
Speaker 2: Oh, I'm sorry if you call him JJ, it's like

759
00:37:28,239 --> 00:37:29,200
Speaker 2: spitting in his face.

760
00:37:29,440 --> 00:37:30,279
Speaker 4: I probably might.

761
00:37:33,960 --> 00:37:35,680
Speaker 2: Him right now if I see him, I'm going to

762
00:37:35,719 --> 00:37:37,960
Speaker 2: call him JJ. And I know if you know him

763
00:37:38,000 --> 00:37:39,000
Speaker 2: as as JJ.

764
00:37:39,239 --> 00:37:41,520
Speaker 5: Yeah, well, because I think the reason why he doesn't

765
00:37:41,520 --> 00:37:44,480
Speaker 5: want to go by JJ is because he hated J. J.

766
00:37:44,600 --> 00:37:48,280
Speaker 4: Walker Rights as a character.

767
00:37:48,400 --> 00:37:55,600
Speaker 5: No, I don't like that that very tall African American man.

768
00:37:55,719 --> 00:37:58,319
Speaker 1: Yeah, things are not dynamite.

769
00:37:57,440 --> 00:37:59,400
Speaker 4: Y are indeed not.

770
00:38:02,560 --> 00:38:06,560
Speaker 5: I like dynamtte but not Dynamite sorry.

771
00:38:06,120 --> 00:38:11,799
Speaker 2: And fology accepted totally. And then you and I got

772
00:38:11,880 --> 00:38:17,200
Speaker 2: booked over a decade ago at the same venue on purpose.

773
00:38:17,440 --> 00:38:19,600
Speaker 2: It wasn't like a double booking, like, oh, what are

774
00:38:19,600 --> 00:38:22,480
Speaker 2: we going to do? I guess get to know each other? Yeah, right,

775
00:38:22,880 --> 00:38:24,520
Speaker 2: And then it's become a tradition.

776
00:38:25,040 --> 00:38:27,120
Speaker 4: That's right, I know. Yeah, they just kind of paired

777
00:38:27,120 --> 00:38:28,120
Speaker 4: it up, right, is that what they do?

778
00:38:28,480 --> 00:38:31,480
Speaker 2: Yeah? Yeah, I've all of my memories are vague, you know,

779
00:38:31,760 --> 00:38:35,080
Speaker 2: because that empty whiskey belled all I mentioned I got.

780
00:38:35,360 --> 00:38:38,840
Speaker 2: But now Reggie and I do a show around Christmas

781
00:38:38,840 --> 00:38:41,160
Speaker 2: in Missoula every year, and it's become.

782
00:38:41,120 --> 00:38:42,160
Speaker 1: That'd be a great show.

783
00:38:42,520 --> 00:38:44,719
Speaker 2: It is the funnest it's it's so cool.

784
00:38:45,120 --> 00:38:46,040
Speaker 4: It's really cool.

785
00:38:46,040 --> 00:38:49,400
Speaker 5: And last time we did Bozman Amazula, yes, which is great.

786
00:38:49,600 --> 00:38:51,200
Speaker 4: Yeah, it was the Beast Great Falls.

787
00:38:51,280 --> 00:38:54,480
Speaker 5: Yeah, Great Falls was tough because it was like twenty

788
00:38:54,520 --> 00:38:55,760
Speaker 5: eight below and shit.

789
00:38:56,280 --> 00:38:59,800
Speaker 2: And I, as you recall, did not go as I

790
00:38:59,920 --> 00:39:02,520
Speaker 2: was worried about driving in that weather.

791
00:39:02,360 --> 00:39:04,239
Speaker 4: Not making it because you have to come back.

792
00:39:04,440 --> 00:39:07,960
Speaker 5: Yes, you know, it's not like yeah, and there's no

793
00:39:08,000 --> 00:39:11,080
Speaker 5: flights inside of Montana because that would be too convenient.

794
00:39:11,960 --> 00:39:13,640
Speaker 2: When did you move to Great Falls?

795
00:39:15,440 --> 00:39:19,560
Speaker 5: Nineteen seventy six, so most of your life you were there. Yeah,

796
00:39:19,600 --> 00:39:23,200
Speaker 5: I was there from age four to sixteen. But prior

797
00:39:23,280 --> 00:39:24,879
Speaker 5: to that four to eighteen.

798
00:39:24,719 --> 00:39:27,560
Speaker 2: List all the places you lived because your your father

799
00:39:27,719 --> 00:39:29,400
Speaker 2: was Air Force guy, right.

800
00:39:29,280 --> 00:39:34,360
Speaker 5: My father was in the Force of the Airy space

801
00:39:34,400 --> 00:39:36,200
Speaker 5: for he was he was a space forester.

802
00:39:36,680 --> 00:39:40,000
Speaker 4: Yeah. This guy is just like, he's like, I'm just

803
00:39:40,000 --> 00:39:41,560
Speaker 4: going to take your spot.

804
00:39:41,680 --> 00:39:44,360
Speaker 1: Real slow and steady.

805
00:39:44,440 --> 00:39:45,600
Speaker 4: I always I always do.

806
00:39:45,640 --> 00:39:48,759
Speaker 5: That bumper to bumper. You're not getting the fuck in

807
00:39:48,840 --> 00:39:52,520
Speaker 5: there because you're dumb. You should get the car behind you,

808
00:39:52,600 --> 00:39:55,280
Speaker 5: get the space behind me. See that's how it feels.

809
00:39:55,320 --> 00:39:57,160
Speaker 5: I'm already ahead of you, so that means to get

810
00:39:57,200 --> 00:39:58,080
Speaker 5: the space behind me.

811
00:39:58,280 --> 00:40:01,400
Speaker 1: Yeah, jerk object, but go ahead.

812
00:40:01,520 --> 00:40:06,640
Speaker 4: Yeah Los Angeles. Yeah, well yeah. Plus we're filming a podcast.

813
00:40:06,960 --> 00:40:11,960
Speaker 3: Yes, I want to see him chill and uh accessible, Yes,

814
00:40:12,080 --> 00:40:16,080
Speaker 3: but the camera crew chill chilly.

815
00:40:20,400 --> 00:40:22,680
Speaker 1: You know me, I let everybody merge.

816
00:40:22,560 --> 00:40:25,719
Speaker 4: Yeah, I don't care. I'm just like, you know, I'll

817
00:40:25,719 --> 00:40:26,240
Speaker 4: get there.

818
00:40:27,520 --> 00:40:29,440
Speaker 1: For her to emergency has her own lane.

819
00:40:30,320 --> 00:40:31,680
Speaker 2: Yeah, this person doesn't.

820
00:40:31,960 --> 00:40:35,360
Speaker 5: I use the euro thing for when you communicate for

821
00:40:35,400 --> 00:40:37,759
Speaker 5: someone to do something, which is the double double high

822
00:40:37,760 --> 00:40:40,439
Speaker 5: being like just like and they're like, oh, that means

823
00:40:40,440 --> 00:40:42,920
Speaker 5: go ahead. But and some people get it, and then

824
00:40:42,960 --> 00:40:45,719
Speaker 5: some sometimes I do it and people just they just.

825
00:40:45,800 --> 00:40:47,560
Speaker 4: Keep doing what they're doing, and I'm like.

826
00:40:47,560 --> 00:40:49,920
Speaker 5: Oh, they must have thought I I wanted to use

827
00:40:49,960 --> 00:40:53,000
Speaker 5: my turn signal but then didn't last minute and then

828
00:40:53,120 --> 00:40:55,480
Speaker 5: kind of had a cramp and just want like, you know,

829
00:40:55,560 --> 00:40:58,040
Speaker 5: like real quick, and they're like, that's just that was

830
00:40:58,080 --> 00:40:59,080
Speaker 5: a mistake.

831
00:40:59,120 --> 00:41:01,640
Speaker 2: Or they just think you're a truck driver warning them

832
00:41:01,680 --> 00:41:03,760
Speaker 2: of police being around.

833
00:41:03,560 --> 00:41:05,920
Speaker 5: The Oh that's true, Yeah, that is true. Yeah, like

834
00:41:06,000 --> 00:41:07,840
Speaker 5: slow down, man, I just saw some police.

835
00:41:08,040 --> 00:41:08,279
Speaker 2: Yeah.

836
00:41:08,320 --> 00:41:11,399
Speaker 5: I always appreciate. I radioed me back behind and told

837
00:41:11,400 --> 00:41:12,640
Speaker 5: me there's a there's.

838
00:41:12,480 --> 00:41:14,279
Speaker 3: A brown bear on your back door.

839
00:41:14,360 --> 00:41:15,120
Speaker 4: There's a brown bear.

840
00:41:15,320 --> 00:41:17,920
Speaker 5: It's either there's a brown bear at your on your

841
00:41:17,920 --> 00:41:22,879
Speaker 5: back porch or there's a cop up ahead, and it's

842
00:41:22,880 --> 00:41:25,239
Speaker 5: hard to know which, but there's usually a spacing the

843
00:41:25,280 --> 00:41:26,600
Speaker 5: gap between the two flashes.

844
00:41:26,600 --> 00:41:27,200
Speaker 4: I'll tell you.

845
00:41:27,320 --> 00:41:29,560
Speaker 2: Yeah, yeah, it's hard. You have to count it down.

846
00:41:29,680 --> 00:41:34,160
Speaker 4: Yeah, you're just like okay, all right, but hey, man,

847
00:41:34,200 --> 00:41:35,840
Speaker 4: what's up? Can you check my house?

848
00:41:35,880 --> 00:41:38,640
Speaker 5: Because there's like, no, I'm not gonna check your house.

849
00:41:38,680 --> 00:41:39,240
Speaker 4: For a bear.

850
00:41:42,440 --> 00:41:45,440
Speaker 5: Oh I forgot that someone might not want to do that. Okay,

851
00:41:45,640 --> 00:41:52,560
Speaker 5: I'll I'll call someone else yet, bear friend.

852
00:41:53,600 --> 00:41:56,480
Speaker 2: Yeah, when we when we did that show in Montana

853
00:41:56,520 --> 00:41:59,520
Speaker 2: and you did the do you you probably don't remember

854
00:41:59,520 --> 00:42:02,880
Speaker 2: when you provides an entire song. That's what's amazing about

855
00:42:02,920 --> 00:42:07,120
Speaker 2: your act, but also must be is it ever frustrating

856
00:42:07,120 --> 00:42:11,080
Speaker 2: that you couldn't recreate that's Smoky the bear you did

857
00:42:11,080 --> 00:42:14,200
Speaker 2: arif he did a song about camping pack in what

858
00:42:14,280 --> 00:42:14,960
Speaker 2: you pack out?

859
00:42:15,320 --> 00:42:15,520
Speaker 4: Oh?

860
00:42:15,600 --> 00:42:19,520
Speaker 2: Yeah, it was the most genius moment. And that's what's

861
00:42:19,560 --> 00:42:21,879
Speaker 2: so cool about your act is it's like, yeah, you

862
00:42:22,000 --> 00:42:23,840
Speaker 2: have to see it in this moment because it's not

863
00:42:23,960 --> 00:42:26,719
Speaker 2: happening again. Do you even remember what.

864
00:42:26,840 --> 00:42:28,839
Speaker 4: You were Jesus now I don't.

865
00:42:29,360 --> 00:42:31,800
Speaker 5: I mean I kind of remember it because I always

866
00:42:31,840 --> 00:42:34,520
Speaker 5: allude to, you know something about that.

867
00:42:34,719 --> 00:42:37,760
Speaker 2: Sure in the lyrics there were things that were talking

868
00:42:37,840 --> 00:42:38,520
Speaker 2: points for you.

869
00:42:38,840 --> 00:42:41,560
Speaker 5: Yeah, yeah, that I like talking about when I'm in

870
00:42:41,600 --> 00:42:44,680
Speaker 5: Montana because it's like, well, here's my opportunity to talk about,

871
00:42:44,840 --> 00:42:46,680
Speaker 5: you know, outdoor etiquette.

872
00:42:46,960 --> 00:42:49,240
Speaker 1: Yeah yeah, finally.

873
00:42:49,160 --> 00:42:52,640
Speaker 5: Yeah, finally, because these these Angelinos know nothing.

874
00:42:52,920 --> 00:42:56,360
Speaker 2: Yeah yeah, it's all just pent up outdoor knowledge that

875
00:42:56,400 --> 00:42:58,520
Speaker 2: you've got to spit out. When you're up in Montana,

876
00:42:58,680 --> 00:43:02,600
Speaker 2: It's like, what's a pine? This whole city doesn't even

877
00:43:02,640 --> 00:43:10,720
Speaker 2: know what you're thinking of arts and crafts as a child, Jesus.

878
00:43:11,040 --> 00:43:14,000
Speaker 3: The first time I saw you, Reggie, was at Bridgetown

879
00:43:14,440 --> 00:43:16,719
Speaker 3: and we were we were on the same show. There

880
00:43:16,719 --> 00:43:19,200
Speaker 3: were people and maybe you were one of them smoking

881
00:43:19,200 --> 00:43:23,880
Speaker 3: pot backstage, and I got please don't apologize.

882
00:43:23,960 --> 00:43:25,560
Speaker 1: I got the best contact hype.

883
00:43:25,600 --> 00:43:28,160
Speaker 3: It was like just enough to go on stage with

884
00:43:28,320 --> 00:43:31,080
Speaker 3: and have it be fun like it was this really

885
00:43:31,080 --> 00:43:35,879
Speaker 3: good waiting backstage contact hype. But when I watched you,

886
00:43:36,160 --> 00:43:38,480
Speaker 3: because I had heard your name but I'd never actually

887
00:43:38,520 --> 00:43:41,400
Speaker 3: gotten to see you, I didn't understand what was happening

888
00:43:41,520 --> 00:43:44,360
Speaker 3: for a while, and you started singing a.

889
00:43:44,239 --> 00:43:49,439
Speaker 1: Song about how the moisture in the air causes your

890
00:43:49,480 --> 00:43:53,200
Speaker 1: magazines to get moldie, and I was like, what, this

891
00:43:53,280 --> 00:43:54,640
Speaker 1: is the best song I've ever heard.

892
00:43:54,800 --> 00:43:58,000
Speaker 3: And then then like then it was like that delay

893
00:43:58,000 --> 00:44:00,000
Speaker 3: where I'm like, oh, he's making this up.

894
00:44:00,160 --> 00:44:03,560
Speaker 1: They it took me such a long time. Was the

895
00:44:03,600 --> 00:44:04,680
Speaker 1: funniest It.

896
00:44:04,520 --> 00:44:09,480
Speaker 2: Is your ability to convince people that you know exactly

897
00:44:09,520 --> 00:44:12,920
Speaker 2: what you're doing in those moments where you absolutely don't

898
00:44:12,920 --> 00:44:15,040
Speaker 2: have a plan. It's no one else.

899
00:44:15,440 --> 00:44:18,719
Speaker 7: And the music is beautiful, like that song about the

900
00:44:18,800 --> 00:44:23,719
Speaker 7: moisture in near molding things was like almost like heart

901
00:44:23,719 --> 00:44:26,360
Speaker 7: wrenching beautiful where you're like, what's happening?

902
00:44:27,480 --> 00:44:30,600
Speaker 4: Great? Thanks, It's a fun mode to go into on

903
00:44:30,719 --> 00:44:31,319
Speaker 4: stage for me.

904
00:44:31,520 --> 00:44:34,560
Speaker 2: Yeah, that song there you're smoking, the bear camping song

905
00:44:34,760 --> 00:44:37,719
Speaker 2: I would have on my iTunes.

906
00:44:38,520 --> 00:44:41,040
Speaker 4: Oh god, maybe you know what it might have been.

907
00:44:41,080 --> 00:44:42,640
Speaker 4: When was it? Was it this last one time?

908
00:44:42,800 --> 00:44:47,720
Speaker 2: No, it was like three Christmas. That's it just stands.

909
00:44:47,840 --> 00:44:49,959
Speaker 2: It was the same show where you just went into

910
00:44:50,280 --> 00:44:58,960
Speaker 2: industrial German like uh, skinny puppy type music or Romstein more. Yes, yeah,

911
00:44:59,800 --> 00:45:02,479
Speaker 2: And I've never even seen you dip your toe into

912
00:45:02,560 --> 00:45:04,280
Speaker 2: that world, so it was the best.

913
00:45:05,400 --> 00:45:06,040
Speaker 4: That's awesome.

914
00:45:06,160 --> 00:45:08,600
Speaker 5: That's always a fun thing to pull out because people

915
00:45:08,600 --> 00:45:10,920
Speaker 5: are really not like I did. Actually at the Comedy

916
00:45:10,960 --> 00:45:15,080
Speaker 5: Store this last couple of days ago. I started I

917
00:45:15,120 --> 00:45:17,479
Speaker 5: started like the audience for some reason when I started

918
00:45:17,520 --> 00:45:19,200
Speaker 5: doing like a rhythmic thing towards the end and had

919
00:45:19,200 --> 00:45:20,600
Speaker 5: my gear up there. I was doing like a little

920
00:45:20,680 --> 00:45:24,440
Speaker 5: beatboxy thing or whatever, and people started clapping along and

921
00:45:24,480 --> 00:45:26,160
Speaker 5: I was like, oh no, that's the worst because they

922
00:45:26,200 --> 00:45:28,160
Speaker 5: can't keep time right right, and.

923
00:45:28,600 --> 00:45:30,799
Speaker 4: You know, just collectively they're not great at it.

924
00:45:30,880 --> 00:45:32,680
Speaker 5: But then I was like, oh fuck it, I'll just

925
00:45:32,680 --> 00:45:34,920
Speaker 5: go off their tempo, you know, and right, and then

926
00:45:35,000 --> 00:45:38,160
Speaker 5: I like suggested what the vibe of the song was,

927
00:45:38,200 --> 00:45:40,319
Speaker 5: which was like a little bit I started going into

928
00:45:40,320 --> 00:45:42,839
Speaker 5: like you know, like rock guitar things were like.

929
00:45:44,800 --> 00:45:47,560
Speaker 4: Whatever, we're like clapping, and then I just started over.

930
00:45:47,640 --> 00:45:58,560
Speaker 4: I was like, god, lords, right now, this is the

931
00:45:58,560 --> 00:45:59,280
Speaker 4: comedy store.

932
00:46:00,440 --> 00:46:02,279
Speaker 2: I love it. I love it.

933
00:46:02,480 --> 00:46:05,719
Speaker 4: Oh god, it was great. I love that shit.

934
00:46:05,960 --> 00:46:08,760
Speaker 2: Yeah. When the time I saw you do it in Montana,

935
00:46:08,840 --> 00:46:11,400
Speaker 2: I really thought you were doing it for me. Yeah,

936
00:46:11,480 --> 00:46:12,640
Speaker 2: it is my favorite.

937
00:46:12,800 --> 00:46:16,000
Speaker 5: Yeah, Oh my god, gosh, it's it's just it's just

938
00:46:16,040 --> 00:46:17,880
Speaker 5: the best because it's like when people are just normal,

939
00:46:17,920 --> 00:46:20,200
Speaker 5: they're just used to you being a particular way. That's

940
00:46:20,200 --> 00:46:22,040
Speaker 5: the whole I mean, that's part of like what my

941
00:46:22,120 --> 00:46:25,360
Speaker 5: whole show is is just subvert I mean, all comedy

942
00:46:25,360 --> 00:46:28,440
Speaker 5: is subverting expectations. But it's like I really rely on

943
00:46:28,440 --> 00:46:31,160
Speaker 5: it heavily. Sometimes when people get really comfortable, they're like, Okay,

944
00:46:31,200 --> 00:46:33,560
Speaker 5: I know what this guy is doing, and then just

945
00:46:34,160 --> 00:46:37,040
Speaker 5: don't then just take a one hundred and seventy degree

946
00:46:37,760 --> 00:46:41,800
Speaker 5: turn and it's like what you start all over again?

947
00:46:41,880 --> 00:46:44,160
Speaker 5: You know that is I'm like, I know, I know,

948
00:46:44,239 --> 00:46:44,880
Speaker 5: I'm sorry.

949
00:46:44,680 --> 00:46:47,400
Speaker 1: Guys, guys, I need to test your boundaries.

950
00:46:47,480 --> 00:46:48,320
Speaker 4: Yeah sorry.

951
00:46:48,360 --> 00:46:51,600
Speaker 3: I really love the idea of changing the rhythm of

952
00:46:51,640 --> 00:46:55,080
Speaker 3: your song to the bad clapping because there's crowd clapping

953
00:46:55,200 --> 00:46:58,600
Speaker 3: makes me so mad anytime it starts being like it's

954
00:46:58,600 --> 00:47:01,080
Speaker 3: not your place. You don't know how to do it,

955
00:47:01,440 --> 00:47:04,680
Speaker 3: Like no crowd has ever done it correctly.

956
00:47:04,719 --> 00:47:05,440
Speaker 1: I don't think.

957
00:47:05,760 --> 00:47:08,160
Speaker 5: Yeah, no, it's it's just hard because you have a

958
00:47:08,239 --> 00:47:12,440
Speaker 5: mixture of varying abilities and and and the aggregation of

959
00:47:12,480 --> 00:47:16,640
Speaker 5: it is generally not very good. However, certain populations, you know,

960
00:47:16,719 --> 00:47:18,560
Speaker 5: like I've been the you know, if you did it

961
00:47:18,560 --> 00:47:20,640
Speaker 5: in Brazil, I'm sure it would be no problem.

962
00:47:20,760 --> 00:47:23,200
Speaker 3: True, there are people who are kind of pay attention

963
00:47:23,280 --> 00:47:23,880
Speaker 3: to it better.

964
00:47:24,239 --> 00:47:28,120
Speaker 4: Maybe they're just there their society incorporates rhythm all the time.

965
00:47:28,160 --> 00:47:30,799
Speaker 5: Like I bet your South America would be easy, you know,

966
00:47:31,280 --> 00:47:33,719
Speaker 5: but there's just you know, the more north you go,

967
00:47:33,840 --> 00:47:36,000
Speaker 5: the the less.

968
00:47:35,840 --> 00:47:37,439
Speaker 4: There's just like this's just too much.

969
00:47:37,600 --> 00:47:39,920
Speaker 5: Like I don't know, I kind of like music, you know,

970
00:47:40,000 --> 00:47:42,680
Speaker 5: like that that kind of a I love I love

971
00:47:42,719 --> 00:47:43,959
Speaker 5: boss gags what.

972
00:47:45,520 --> 00:47:46,759
Speaker 4: They love it, but you.

973
00:47:46,719 --> 00:47:51,840
Speaker 3: Know, and also the excitement of now I'm in the show,

974
00:47:52,440 --> 00:47:55,080
Speaker 3: that you're no longer you're not focusing on your job

975
00:47:55,160 --> 00:47:56,080
Speaker 3: of keeping time.

976
00:47:56,280 --> 00:47:58,760
Speaker 1: You're just kind of like we're excited.

977
00:47:58,400 --> 00:48:00,560
Speaker 3: And it's like, that's not the same kind of No.

978
00:48:00,920 --> 00:48:01,919
Speaker 4: It's not. Yeah.

979
00:48:02,160 --> 00:48:05,880
Speaker 2: Just last night on my pocket computer, I saw a

980
00:48:06,000 --> 00:48:09,719
Speaker 2: video of Harry Connick Junior playing a song and the

981
00:48:09,800 --> 00:48:12,840
Speaker 2: audience was off with the clapping, and so he adjusted

982
00:48:12,880 --> 00:48:15,680
Speaker 2: the song to it and you see him match it.

983
00:48:16,320 --> 00:48:19,040
Speaker 2: And I don't know much about that time signatures, and

984
00:48:19,040 --> 00:48:21,359
Speaker 2: I've said that before, Yes, today.

985
00:48:21,520 --> 00:48:24,160
Speaker 1: Yes, thank you for that. By the way, I appreciate it.

986
00:48:24,280 --> 00:48:26,759
Speaker 2: I don't know you have the hat I announced what

987
00:48:26,840 --> 00:48:30,520
Speaker 2: I don't know of and and time signatures are one

988
00:48:30,560 --> 00:48:34,640
Speaker 2: of them. But yeah, I could tell that he slowed

989
00:48:34,680 --> 00:48:37,920
Speaker 2: down his song and you see it sync up with

990
00:48:38,000 --> 00:48:40,200
Speaker 2: the audience clapping, and then you could see them as

991
00:48:40,239 --> 00:48:44,279
Speaker 2: they're clapping, kind of congratulating themselves because they thought they

992
00:48:44,360 --> 00:48:47,919
Speaker 2: got into the rhythm, but he adjusted for them.

993
00:48:48,040 --> 00:48:49,360
Speaker 4: Yeah, that's so true.

994
00:48:49,520 --> 00:48:52,480
Speaker 5: Yeah, it's so tough when they man, what was it,

995
00:48:52,520 --> 00:48:54,799
Speaker 5: I was maybe the Late Late Show or something like

996
00:48:54,840 --> 00:48:58,680
Speaker 5: that where they told people not to clap when music

997
00:48:58,760 --> 00:49:02,719
Speaker 5: is happening because it the edit. Yeah, and also it

998
00:49:02,880 --> 00:49:06,560
Speaker 5: just kind of sucks for the performer because they it's like,

999
00:49:06,640 --> 00:49:09,120
Speaker 5: you can do as long as it's like a simple

1000
00:49:09,239 --> 00:49:12,360
Speaker 5: thing like doom doom doom, you know, if it's like

1001
00:49:12,440 --> 00:49:14,759
Speaker 5: something like that, and the people on stage are kind

1002
00:49:14,760 --> 00:49:16,680
Speaker 5: of you know, the performers are moving in a big

1003
00:49:16,760 --> 00:49:20,399
Speaker 5: gesture that's like showing the time. People can usually hang

1004
00:49:20,440 --> 00:49:23,200
Speaker 5: in there. But yeah, it's it's very rare that I've

1005
00:49:23,280 --> 00:49:25,040
Speaker 5: ever I'm like, oh.

1006
00:49:24,920 --> 00:49:27,160
Speaker 4: Yeah, there it is. They totally locked into it.

1007
00:49:28,040 --> 00:49:32,560
Speaker 1: Yeah, not for more than like six beats, I think

1008
00:49:32,560 --> 00:49:35,120
Speaker 1: that's and then it just is like, well, here we go.

1009
00:49:35,200 --> 00:49:36,200
Speaker 1: There's somebody that has.

1010
00:49:36,080 --> 00:49:38,160
Speaker 2: To lead a little bit more at the bottom of

1011
00:49:38,200 --> 00:49:40,360
Speaker 2: the screen. There has to be in that little bouncing

1012
00:49:40,440 --> 00:49:43,680
Speaker 2: red mall. Yeah, yeah, yeah, totally don't let people know

1013
00:49:43,760 --> 00:49:44,239
Speaker 2: what to do.

1014
00:49:44,360 --> 00:49:47,239
Speaker 5: At least, they were clapping on twos and fours, which

1015
00:49:47,800 --> 00:49:49,799
Speaker 5: generally when I was at the Late Late Show, when

1016
00:49:49,800 --> 00:49:52,560
Speaker 5: people would clap along, they'd be going on ones and threes,

1017
00:49:52,600 --> 00:49:57,759
Speaker 5: which is like the unfunkiest beats to clap.

1018
00:49:57,440 --> 00:50:01,359
Speaker 2: On from what I know about times. Signature switches again,

1019
00:50:01,440 --> 00:50:04,839
Speaker 2: nothing that is frustrating that is right for it to

1020
00:50:04,880 --> 00:50:06,600
Speaker 2: be the threes, Yeah, because it's like.

1021
00:50:06,560 --> 00:50:10,239
Speaker 5: It's like one three one, and it's it's so like

1022
00:50:10,320 --> 00:50:11,680
Speaker 5: it's just it's not because like.

1023
00:50:11,640 --> 00:50:12,920
Speaker 4: If you're doing like if it's like.

1024
00:50:13,120 --> 00:50:20,080
Speaker 5: Dude, dude, and you're doing like dude, and then you

1025
00:50:20,200 --> 00:50:27,600
Speaker 5: change it to the point it feels completely different, it's

1026
00:50:27,680 --> 00:50:29,320
Speaker 5: way funkier, way better.

1027
00:50:29,680 --> 00:50:32,440
Speaker 3: One in three is unnatural. It's that's like it feels

1028
00:50:32,480 --> 00:50:33,520
Speaker 3: like preschool class.

1029
00:50:33,640 --> 00:50:37,600
Speaker 5: I know it is preschool clapping, but most audiences that's

1030
00:50:37,600 --> 00:50:38,360
Speaker 5: what they revert to.

1031
00:50:38,560 --> 00:50:41,920
Speaker 4: It's weird. Yeah, yeah, but there's.

1032
00:50:41,760 --> 00:50:43,400
Speaker 3: Always there's not in Brazil.

1033
00:50:43,480 --> 00:50:45,359
Speaker 1: We've got to go down there and study it.

1034
00:50:45,480 --> 00:50:45,880
Speaker 4: Yeah, we do.

1035
00:50:46,120 --> 00:50:49,200
Speaker 3: And also there's because there's always like my friend Bradford

1036
00:50:49,200 --> 00:50:52,799
Speaker 3: calls them the dominant psycho where it's like here we go,

1037
00:50:53,320 --> 00:50:54,879
Speaker 3: like I know how to do this and I'm gonna

1038
00:50:54,920 --> 00:50:57,799
Speaker 3: lead it and it's just like my moment and it's

1039
00:50:57,840 --> 00:51:03,120
Speaker 3: probably genuinely enthua good vibe. Yeah, it's like this will

1040
00:51:03,160 --> 00:51:04,400
Speaker 3: help this whole idea.

1041
00:51:04,480 --> 00:51:06,440
Speaker 1: It's like, no, you're going against the idea.

1042
00:51:06,480 --> 00:51:08,040
Speaker 4: Actually, yeah, yeah.

1043
00:51:08,280 --> 00:51:11,160
Speaker 5: I definitely don't discount I think people really do think

1044
00:51:11,200 --> 00:51:13,560
Speaker 5: they're doing something good, you know, like I'm participating and

1045
00:51:13,600 --> 00:51:15,600
Speaker 5: this is fine, and this is what happens.

1046
00:51:15,680 --> 00:51:17,040
Speaker 4: This is a live show. That's what we do.

1047
00:51:17,320 --> 00:51:17,640
Speaker 3: Yeah.

1048
00:51:17,800 --> 00:51:20,799
Speaker 2: Yeah. Oftentimes while in an audience, I will take the

1049
00:51:20,920 --> 00:51:22,200
Speaker 2: role of clap fixer.

1050
00:51:22,600 --> 00:51:23,200
Speaker 4: Oh you will.

1051
00:51:23,360 --> 00:51:26,160
Speaker 2: Yeah, so it's cool. Yeah, it's a.

1052
00:51:26,080 --> 00:51:28,080
Speaker 1: Matter of just do you just raise your hands up?

1053
00:51:28,400 --> 00:51:32,440
Speaker 2: I cut them so acoustically, I become louder. Even though

1054
00:51:32,440 --> 00:51:36,800
Speaker 2: I have these tiny little uh cookie jar grabbers. I

1055
00:51:37,400 --> 00:51:40,840
Speaker 2: can clap pretty loud if I I mean, we do

1056
00:51:40,880 --> 00:51:42,880
Speaker 2: it every time we record. You've heard out loud. I

1057
00:51:42,920 --> 00:51:45,959
Speaker 2: can click interesting to get everything.

1058
00:51:45,600 --> 00:51:47,640
Speaker 4: In between all the cameras and the and the.

1059
00:51:47,600 --> 00:51:50,720
Speaker 2: Audio, everything but full production.

1060
00:51:51,200 --> 00:51:53,880
Speaker 5: Yeah, I get it. It looks like you might have

1061
00:51:53,920 --> 00:51:54,520
Speaker 5: a flat tire.

1062
00:51:55,440 --> 00:51:55,719
Speaker 1: I know.

1063
00:51:56,280 --> 00:51:59,080
Speaker 2: Yeah. That is the most ignored logo.

1064
00:52:00,600 --> 00:52:01,920
Speaker 4: That's my most feared logo.

1065
00:52:02,200 --> 00:52:04,200
Speaker 1: They even put an exclamation point in this one.

1066
00:52:04,200 --> 00:52:07,319
Speaker 3: And I'm like, you know what, not my problem, that's true,

1067
00:52:07,440 --> 00:52:08,240
Speaker 3: fix it yourself?

1068
00:52:08,239 --> 00:52:08,960
Speaker 4: Are you renting this?

1069
00:52:09,719 --> 00:52:10,040
Speaker 2: No?

1070
00:52:10,560 --> 00:52:14,040
Speaker 4: This serious? You just you just you still think that

1071
00:52:14,080 --> 00:52:14,960
Speaker 4: they are responsible.

1072
00:52:15,600 --> 00:52:17,399
Speaker 1: I have a real they mentality.

1073
00:52:17,600 --> 00:52:20,080
Speaker 3: It's like, get it, why don't my parents fill up

1074
00:52:20,120 --> 00:52:23,440
Speaker 3: the air and my tires type of thinking in middle.

1075
00:52:23,160 --> 00:52:25,759
Speaker 5: Age yeah, I get it. I get it, and I

1076
00:52:25,760 --> 00:52:27,400
Speaker 5: think that's somehow healthy.

1077
00:52:27,640 --> 00:52:30,600
Speaker 3: I think, thank you appreciate that. But I think also

1078
00:52:30,760 --> 00:52:33,640
Speaker 3: I've gone to like gas stations to put air in

1079
00:52:33,680 --> 00:52:35,960
Speaker 3: my tires, and I'm pretty sure I didn't do anything.

1080
00:52:36,560 --> 00:52:37,959
Speaker 1: Yeah, I'm not sure how to.

1081
00:52:38,200 --> 00:52:42,080
Speaker 4: Oh you think like maybe the sensor's broken, no, or.

1082
00:52:42,320 --> 00:52:44,160
Speaker 3: I just don't know there's a way to do it,

1083
00:52:44,200 --> 00:52:46,600
Speaker 3: and I've never been shown that way, so.

1084
00:52:47,520 --> 00:52:50,480
Speaker 2: Oh yeah, yeah, I don't even know how to do

1085
00:52:50,560 --> 00:52:52,480
Speaker 2: that with my When I get my oil change, I

1086
00:52:52,719 --> 00:52:55,920
Speaker 2: have to go back set the tire one to get.

1087
00:52:55,760 --> 00:52:59,279
Speaker 3: That crazy fucking thing off there where. It's like you're

1088
00:52:59,320 --> 00:53:02,719
Speaker 3: it's acting like I interpret it as my tire might explode,

1089
00:53:02,719 --> 00:53:05,520
Speaker 3: and I'm like, well, that's crazy the whole.

1090
00:53:05,400 --> 00:53:07,320
Speaker 2: They shouldn't have used an exclamation point.

1091
00:53:07,640 --> 00:53:09,479
Speaker 4: Yeah, it's a little bit too. It's just too much.

1092
00:53:09,840 --> 00:53:12,480
Speaker 5: I just have had enough flat tires with my cars,

1093
00:53:13,560 --> 00:53:15,759
Speaker 5: which is such a bar I just hate it. It's

1094
00:53:15,800 --> 00:53:20,080
Speaker 5: like because I have low profile wheels like tires on

1095
00:53:20,160 --> 00:53:22,000
Speaker 5: both of my cars, and so they're a little bit

1096
00:53:22,040 --> 00:53:26,080
Speaker 5: more prone to getting damaged and so I'm not always

1097
00:53:26,080 --> 00:53:27,640
Speaker 5: just waiting for it and I'm just.

1098
00:53:27,560 --> 00:53:30,000
Speaker 4: Like no, no, no.

1099
00:53:29,560 --> 00:53:32,640
Speaker 5: It's just this weird psychological dread.

1100
00:53:33,080 --> 00:53:36,040
Speaker 1: Also lately, because we had those crazy.

1101
00:53:35,719 --> 00:53:40,600
Speaker 3: Storms, there's just fucking potholes everywhere in this town.

1102
00:53:41,000 --> 00:53:44,359
Speaker 2: Yeah, it's it's the only reason to have a four

1103
00:53:44,360 --> 00:53:47,840
Speaker 2: wheel drive car is for street driving in Los Angeles.

1104
00:53:47,960 --> 00:53:48,480
Speaker 4: That's true.

1105
00:53:48,560 --> 00:53:50,120
Speaker 2: You're fine in the mountains without it.

1106
00:53:50,400 --> 00:53:52,400
Speaker 4: Yeah, that's so true. Yeah, four wheel drives.

1107
00:53:52,400 --> 00:53:55,560
Speaker 2: But I've never I've ignored every warning light because I've

1108
00:53:55,920 --> 00:53:59,279
Speaker 2: throughout my whole life, I've always had cars where just

1109
00:53:59,480 --> 00:54:03,520
Speaker 2: lights are on the dash because I jump started someone once.

1110
00:54:03,920 --> 00:54:07,279
Speaker 2: Oh yeah, and it blew out some fuses and so

1111
00:54:07,360 --> 00:54:10,480
Speaker 2: now I have a vibrant, colorful dash. So but in

1112
00:54:10,520 --> 00:54:14,400
Speaker 2: this car, it's not just the explanation point. I feel like,

1113
00:54:14,520 --> 00:54:18,840
Speaker 2: because it's a nice new car, we when we're done recording,

1114
00:54:19,160 --> 00:54:20,000
Speaker 2: I will go with you.

1115
00:54:20,080 --> 00:54:23,520
Speaker 3: We will will take a look. Yeah yeah, I mean

1116
00:54:23,560 --> 00:54:27,759
Speaker 3: I look at the tires and one doesn't seem any

1117
00:54:27,840 --> 00:54:30,120
Speaker 3: lower than the others or flatter or anything.

1118
00:54:30,920 --> 00:54:32,120
Speaker 1: Yeah, but then.

1119
00:54:32,080 --> 00:54:34,479
Speaker 5: It's you'd be surprised, like the tires like, well, they'll

1120
00:54:34,480 --> 00:54:37,919
Speaker 5: retain they'll retain their shape, but they'll still be low,

1121
00:54:38,160 --> 00:54:41,279
Speaker 5: which is kind of Yeah. I've noticed on my like

1122
00:54:41,400 --> 00:54:43,960
Speaker 5: my cars, they if the tires fly, you can barely

1123
00:54:43,960 --> 00:54:45,480
Speaker 5: tell if it's fun. It would have to be like

1124
00:54:45,600 --> 00:54:47,600
Speaker 5: zeroed in order for it to collapse.

1125
00:54:47,800 --> 00:54:50,000
Speaker 2: Yeah, those low pro those low pros.

1126
00:54:50,080 --> 00:54:52,640
Speaker 5: Yeah, the low pros because they have a tougher sidewall,

1127
00:54:52,719 --> 00:54:56,239
Speaker 5: so the sidewall maintains rigidity longer. But like, yeah, the

1128
00:54:56,719 --> 00:54:58,359
Speaker 5: on a car like this, you've got like kind of

1129
00:54:58,480 --> 00:55:02,759
Speaker 5: normal wheels, so you might be able to tell, but.

1130
00:55:03,160 --> 00:55:06,280
Speaker 3: So kind of we could be really on the verge

1131
00:55:06,320 --> 00:55:08,040
Speaker 3: of serious danger right now.

1132
00:55:08,080 --> 00:55:11,040
Speaker 4: There could be some serious, huge, massive danger.

1133
00:55:11,280 --> 00:55:14,160
Speaker 2: It wouldn't be a do night, Do you need a rip?

1134
00:55:14,840 --> 00:55:18,040
Speaker 2: What just happened to me? Do Night? I said? Do

1135
00:55:18,080 --> 00:55:23,960
Speaker 2: you night? And Roy episode without danger ro they rot?

1136
00:55:24,560 --> 00:55:31,879
Speaker 2: Otherwise you don't thank you. See if I had you,

1137
00:55:31,960 --> 00:55:34,359
Speaker 2: if I had your back every time, I would never

1138
00:55:34,480 --> 00:55:35,400
Speaker 2: sound like an idiot.

1139
00:55:35,480 --> 00:55:37,920
Speaker 4: See, come on, it takes a willage.

1140
00:55:38,360 --> 00:55:41,640
Speaker 2: Well, I ordered one of those little it looks like

1141
00:55:41,680 --> 00:55:44,080
Speaker 2: a walkie talkie but it fills up tires with air,

1142
00:55:44,920 --> 00:55:46,960
Speaker 2: and on my bike, I'm fine with it. But the

1143
00:55:47,000 --> 00:55:48,840
Speaker 2: minute I hooked it up to my car, all of

1144
00:55:48,880 --> 00:55:52,879
Speaker 2: a sudden, this this montage of different viral videos I've

1145
00:55:52,880 --> 00:55:55,719
Speaker 2: seen of tires exploding in faces.

1146
00:55:55,760 --> 00:55:58,359
Speaker 4: Are you serious. I don't know why I'm scared, because

1147
00:55:58,400 --> 00:56:00,160
Speaker 4: I've I've done that. Well.

1148
00:56:00,200 --> 00:56:03,680
Speaker 5: I have like I have like a bunch of portable compressors,

1149
00:56:03,760 --> 00:56:09,640
Speaker 5: you know, and they you just set the amount that

1150
00:56:09,680 --> 00:56:11,920
Speaker 5: you do and you just like you know, plug it

1151
00:56:11,920 --> 00:56:13,040
Speaker 5: in or whatever and you just turn it.

1152
00:56:13,000 --> 00:56:13,759
Speaker 4: On just walk away.

1153
00:56:13,960 --> 00:56:17,000
Speaker 2: Well okay, so I don't I just don't need to

1154
00:56:17,000 --> 00:56:17,880
Speaker 2: be it'll stop.

1155
00:56:18,160 --> 00:56:20,000
Speaker 5: Well, it'll stop, yeah, yeah, yeah, as long as it

1156
00:56:20,040 --> 00:56:21,440
Speaker 5: has like as long as you have the kind that

1157
00:56:21,480 --> 00:56:23,960
Speaker 5: like you put in the amount of pressure you want, right, well,

1158
00:56:24,040 --> 00:56:24,880
Speaker 5: then you just walk away.

1159
00:56:24,960 --> 00:56:27,439
Speaker 2: I think the problem with my You can choose bike,

1160
00:56:27,560 --> 00:56:29,600
Speaker 2: you can choose for not Frisbee.

1161
00:56:29,680 --> 00:56:31,720
Speaker 4: You know those choose Frisby.

1162
00:56:31,760 --> 00:56:33,719
Speaker 2: Yeah, yeah, is it because I have it on air

1163
00:56:33,800 --> 00:56:36,080
Speaker 2: Frisby film Frisbee.

1164
00:56:35,800 --> 00:56:41,520
Speaker 5: Frisbee it's a film about a dog air Frisbee, yeah,

1165
00:56:41,600 --> 00:56:45,160
Speaker 5: or a German film about it an inventor of a

1166
00:56:45,680 --> 00:56:46,359
Speaker 5: magical task.

1167
00:56:47,920 --> 00:56:50,000
Speaker 2: But I didn't realize I could put it on the

1168
00:56:50,000 --> 00:56:51,680
Speaker 2: car icon and just walk away.

1169
00:56:51,920 --> 00:56:52,960
Speaker 4: Yeah, yeah, totally.

1170
00:56:53,000 --> 00:56:55,080
Speaker 2: I don't need to stare with my face at the

1171
00:56:55,160 --> 00:56:56,360
Speaker 2: tire six inches away.

1172
00:56:56,400 --> 00:56:57,799
Speaker 1: Get your face out of there, for sure.

1173
00:56:58,000 --> 00:57:00,239
Speaker 2: Yeah, I dam it in the wheel well and they're

1174
00:57:00,280 --> 00:57:00,800
Speaker 2: so loud.

1175
00:57:01,080 --> 00:57:01,399
Speaker 4: It's like.

1176
00:57:02,960 --> 00:57:04,439
Speaker 2: This is a little guy, that's why.

1177
00:57:04,520 --> 00:57:07,920
Speaker 5: Yeah, they're really loud. Yeah they're so small. They make

1178
00:57:08,160 --> 00:57:10,040
Speaker 5: they're smaller and smaller, but it just takes them a

1179
00:57:10,040 --> 00:57:11,000
Speaker 5: long time to fill it up.

1180
00:57:11,160 --> 00:57:11,960
Speaker 4: That's why I bought this.

1181
00:57:12,040 --> 00:57:14,319
Speaker 5: I haven't used it yet, but it's a it's a

1182
00:57:14,360 --> 00:57:15,680
Speaker 5: double chambered compressor.

1183
00:57:16,080 --> 00:57:18,320
Speaker 4: So and it doesn't you came to plug it into

1184
00:57:18,360 --> 00:57:19,880
Speaker 4: a wall. You have to plug you have to hook

1185
00:57:19,920 --> 00:57:20,840
Speaker 4: it up to your car battery.

1186
00:57:21,160 --> 00:57:23,000
Speaker 5: Wow, so you have to put it on your man's

1187
00:57:23,040 --> 00:57:25,280
Speaker 5: Like even on an electric car, you can access the

1188
00:57:25,360 --> 00:57:28,440
Speaker 5: terminals and so you just you click it to the terminals.

1189
00:57:28,560 --> 00:57:30,080
Speaker 4: And then and then you and then you fill up

1190
00:57:30,120 --> 00:57:30,520
Speaker 4: your tire.

1191
00:57:30,720 --> 00:57:32,880
Speaker 5: It's like meant for like off road, you know, vehicles

1192
00:57:32,920 --> 00:57:35,880
Speaker 5: where people depressurize for going off road, you know, and

1193
00:57:35,880 --> 00:57:38,440
Speaker 5: then they repressurize when they're not highway again. And so

1194
00:57:38,520 --> 00:57:40,200
Speaker 5: it's fast. You can fill up your tire in like

1195
00:57:40,240 --> 00:57:42,680
Speaker 5: a minute. It's like super fast. And that's all I wanted.

1196
00:57:42,720 --> 00:57:47,080
Speaker 5: I wanted just I was tired of like and then

1197
00:57:47,080 --> 00:57:49,240
Speaker 5: I like go into my house and I can still

1198
00:57:49,360 --> 00:57:52,720
Speaker 5: here and I'm there for like ten minutes.

1199
00:57:52,840 --> 00:57:55,959
Speaker 2: Okay, so I clearly just didn't leave it on long enough.

1200
00:57:56,160 --> 00:57:59,040
Speaker 2: It takes so long that it takes like, clearly this

1201
00:57:59,080 --> 00:58:01,440
Speaker 2: has been ten minutes. This is going to explode.

1202
00:58:01,600 --> 00:58:03,640
Speaker 4: Yeah, I know, I know, because it's so tiny.

1203
00:58:03,960 --> 00:58:06,360
Speaker 2: Okay, like all the other voices, I'm going to ignore

1204
00:58:06,440 --> 00:58:07,280
Speaker 2: that one in my head.

1205
00:58:07,360 --> 00:58:09,240
Speaker 4: Yeah yeah, yeah, that's when you can take off the list.

1206
00:58:09,440 --> 00:58:12,880
Speaker 3: Yes, I love this very specific expertise that you have,

1207
00:58:13,760 --> 00:58:14,600
Speaker 3: very impressive.

1208
00:58:15,080 --> 00:58:18,800
Speaker 2: I've seen you in your talk gadgets and cars in

1209
00:58:18,840 --> 00:58:23,720
Speaker 2: your act, and everyone's fascinated. Actual information is being given.

1210
00:58:24,720 --> 00:58:25,240
Speaker 4: It's true.

1211
00:58:25,240 --> 00:58:28,160
Speaker 5: I do love I do love trying to like when

1212
00:58:28,200 --> 00:58:32,280
Speaker 5: people are like not into something you know or like,

1213
00:58:32,440 --> 00:58:35,520
Speaker 5: or they seem uninterested in a bit of technology, or

1214
00:58:35,560 --> 00:58:37,840
Speaker 5: they're like I just give up on like that, that's

1215
00:58:37,840 --> 00:58:40,800
Speaker 5: where I come in. I'm just like, no, actually, it's

1216
00:58:40,840 --> 00:58:42,919
Speaker 5: it's it's not that hard. Blah blah blah.

1217
00:58:42,960 --> 00:58:43,040
Speaker 3: You know.

1218
00:58:43,640 --> 00:58:45,840
Speaker 2: I just love that I saw you stick to your

1219
00:58:45,880 --> 00:58:48,520
Speaker 2: guns so much that a lot of Bozeman is now

1220
00:58:48,560 --> 00:58:50,640
Speaker 2: looking into electric cars because of you.

1221
00:58:51,040 --> 00:58:54,880
Speaker 4: Yeah, that's so awesome. Yeah I know, I know.

1222
00:58:55,480 --> 00:58:58,800
Speaker 2: Yeah you really and convince me too, because that's what

1223
00:58:58,920 --> 00:58:59,960
Speaker 2: I'm holding out for.

1224
00:59:00,600 --> 00:59:02,960
Speaker 5: Yeah, my electric cars are great and they're coming down

1225
00:59:03,080 --> 00:59:06,640
Speaker 5: press too. The Bulbo just announced that X thirty just now.

1226
00:59:06,720 --> 00:59:09,480
Speaker 5: It's like a really tiny suv and they have an

1227
00:59:09,520 --> 00:59:11,720
Speaker 5: off road version coming out and it's only like forty grand.

1228
00:59:12,280 --> 00:59:14,360
Speaker 2: Have you done any reading up on the Pollster.

1229
00:59:15,120 --> 00:59:19,880
Speaker 5: Oh, the Polestar, Yeah, Polestar, Yeah, Polestar, which Polestar two,

1230
00:59:20,280 --> 00:59:22,520
Speaker 5: the two? Yeah, the two is great. It's a really

1231
00:59:22,520 --> 00:59:22,960
Speaker 5: cool car.

1232
00:59:23,080 --> 00:59:27,680
Speaker 2: Yeeahs. So you support me having dreams of getting.

1233
00:59:27,600 --> 00:59:31,600
Speaker 4: Oh, pollsters are great. Yeah, they're super environmental, told you Karen.

1234
00:59:32,680 --> 00:59:39,000
Speaker 1: Yeah, yeah, I've never heard of Pulsar, Polster pull Star.

1235
00:59:40,080 --> 00:59:42,840
Speaker 2: There's just a logo. There's no text anywhere on it.

1236
00:59:42,960 --> 00:59:45,640
Speaker 2: Then now they have some little helvetica about down by

1237
00:59:45,680 --> 00:59:46,280
Speaker 2: the back.

1238
00:59:46,160 --> 00:59:47,040
Speaker 4: By the sensors.

1239
00:59:47,120 --> 00:59:53,080
Speaker 2: Yeah yeah, and near the sensors. Said, and so I

1240
00:59:53,160 --> 00:59:56,800
Speaker 2: actually it's just a company like Tesler.

1241
00:59:57,040 --> 00:59:57,960
Speaker 4: It's a Volvo.

1242
00:59:58,160 --> 01:00:02,520
Speaker 5: It's a Pulvo Performinglvo. It's like it's a performance brand

1243
01:00:02,920 --> 01:00:03,560
Speaker 5: for Volvo.

1244
01:00:03,920 --> 01:00:06,160
Speaker 2: I'm I love the way it looks.

1245
01:00:06,200 --> 01:00:06,680
Speaker 4: I love it.

1246
01:00:06,680 --> 01:00:09,200
Speaker 2: It's a simple, boxy like if you ask a kid

1247
01:00:09,200 --> 01:00:11,600
Speaker 2: to draw a car, it has that in shape.

1248
01:00:11,880 --> 01:00:13,920
Speaker 4: Yeah, it's very very Swedish.

1249
01:00:14,200 --> 01:00:19,560
Speaker 5: Yeah, it's very like it's just sensible but elegant in

1250
01:00:19,600 --> 01:00:23,200
Speaker 5: the very kind of light classical ways.

1251
01:00:23,760 --> 01:00:27,520
Speaker 2: I knew you would sell me on it and it

1252
01:00:27,560 --> 01:00:29,920
Speaker 2: would sound it would have the words straight out of

1253
01:00:30,000 --> 01:00:30,560
Speaker 2: the catalog.

1254
01:00:30,680 --> 01:00:34,680
Speaker 5: It's it's great post Pollstar is great and super environmental.

1255
01:00:34,800 --> 01:00:38,480
Speaker 5: They they're trying to do full closed loop manufacturing, meaning

1256
01:00:39,040 --> 01:00:41,160
Speaker 5: they can recycle all of their cars, like almost like

1257
01:00:41,280 --> 01:00:43,800
Speaker 5: many percent of their cars can be recycled. They let

1258
01:00:43,920 --> 01:00:46,360
Speaker 5: they label all the metals, the different types of metals

1259
01:00:46,360 --> 01:00:48,760
Speaker 5: they use in the car are all labeled, and so

1260
01:00:49,160 --> 01:00:51,360
Speaker 5: when the car comes back to them, if it's total

1261
01:00:51,440 --> 01:00:53,160
Speaker 5: or something like that, they can fully pull it apart

1262
01:00:53,440 --> 01:00:56,280
Speaker 5: and they can reclaim all the all the materials.

1263
01:00:56,400 --> 01:00:56,920
Speaker 1: That's great.

1264
01:00:57,320 --> 01:01:00,600
Speaker 5: Yeah, it's really really great company and it and it's

1265
01:01:00,640 --> 01:01:04,200
Speaker 5: just a great car. Electric cars are so easy, so

1266
01:01:04,240 --> 01:01:06,320
Speaker 5: easy to maintain. You know, I have to worry about tires,

1267
01:01:06,520 --> 01:01:13,880
Speaker 5: that's it. Apparently not everybody worries about tires, so you know,

1268
01:01:14,960 --> 01:01:17,800
Speaker 5: so I guess you have no worries, just no worries whatsoever.

1269
01:01:18,160 --> 01:01:20,800
Speaker 3: What I'm really impressed by, and I thought it would

1270
01:01:20,800 --> 01:01:22,440
Speaker 3: be the opposite, is its.

1271
01:01:22,280 --> 01:01:24,240
Speaker 1: Car is insanely fast.

1272
01:01:24,320 --> 01:01:25,200
Speaker 4: Oh it's crazy.

1273
01:01:25,440 --> 01:01:28,840
Speaker 3: And when I first got it, I would be at

1274
01:01:28,960 --> 01:01:32,160
Speaker 3: like stop lights and like BMW's would pull up and

1275
01:01:32,200 --> 01:01:33,360
Speaker 3: rev their engine and want.

1276
01:01:33,240 --> 01:01:34,640
Speaker 1: To race me to the next light.

1277
01:01:34,880 --> 01:01:36,880
Speaker 2: See if it the zero does take steak and.

1278
01:01:37,080 --> 01:01:39,200
Speaker 3: Yeah, and then I was like oh okay, and I

1279
01:01:39,240 --> 01:01:41,280
Speaker 3: would just be like blowing people out of the water

1280
01:01:41,400 --> 01:01:42,880
Speaker 3: or like you know on you.

1281
01:01:42,880 --> 01:01:45,200
Speaker 2: Will you've been street racing.

1282
01:01:44,600 --> 01:01:46,880
Speaker 3: Well lightly, I mean just to be like if you

1283
01:01:46,920 --> 01:01:50,960
Speaker 3: would like to do this surfe yeah, yeah, just like

1284
01:01:51,040 --> 01:01:51,640
Speaker 3: if you're going to.

1285
01:01:51,720 --> 01:01:52,520
Speaker 1: Force my hand.

1286
01:01:52,840 --> 01:01:55,640
Speaker 3: Now I beat you at this, And it's so fun.

1287
01:01:55,760 --> 01:01:58,480
Speaker 3: It's like the pick up, especially compared to the car

1288
01:01:58,480 --> 01:02:00,680
Speaker 3: I had before to pick up like getting out of

1289
01:02:00,680 --> 01:02:02,920
Speaker 3: the free or anything, there's it's like easy.

1290
01:02:03,160 --> 01:02:04,520
Speaker 1: It becomes so stress free.

1291
01:02:04,600 --> 01:02:07,320
Speaker 5: Yeah, it's it's like the closest thing you can feel

1292
01:02:07,480 --> 01:02:10,400
Speaker 5: to being a superhero. Yeah, you know where you're like

1293
01:02:10,440 --> 01:02:12,520
Speaker 5: I need to get over there. Oh I'm over there.

1294
01:02:13,560 --> 01:02:16,440
Speaker 3: But you also don't feel because of the compression. I

1295
01:02:16,600 --> 01:02:18,840
Speaker 3: drive it in the compression mode, so you don't feel

1296
01:02:18,840 --> 01:02:21,080
Speaker 3: out of control, like the second you take your foot

1297
01:02:21,120 --> 01:02:22,360
Speaker 3: off the gas, you're slowing down.

1298
01:02:22,600 --> 01:02:25,080
Speaker 5: Oh yeah, yeah, you mean the regenerative breaking yeah yeah

1299
01:02:25,120 --> 01:02:26,480
Speaker 5: yeah yeah, and I don't in this car.

1300
01:02:26,520 --> 01:02:29,720
Speaker 4: Can you set the levels of it I believe.

1301
01:02:30,400 --> 01:02:32,640
Speaker 5: And I used to have a Tesla Model S and

1302
01:02:32,680 --> 01:02:37,320
Speaker 5: a P eighty five D and after that, and you

1303
01:02:37,320 --> 01:02:39,920
Speaker 5: could set the Regen level. But then I rented a

1304
01:02:40,000 --> 01:02:42,720
Speaker 5: three recently and I couldn't figure out how to set

1305
01:02:42,760 --> 01:02:45,800
Speaker 5: the regent level. So I was wondering, like maybe Tesla

1306
01:02:45,920 --> 01:02:48,320
Speaker 5: was like, fuck it just one Regen level for all

1307
01:02:48,320 --> 01:02:48,760
Speaker 5: of our cars.

1308
01:02:48,880 --> 01:02:52,360
Speaker 2: Yeah, he's been He's had a real fucking attitude lately.

1309
01:02:52,760 --> 01:02:55,320
Speaker 1: He has been focusing on the wrong things, that's for sure.

1310
01:02:55,800 --> 01:02:58,000
Speaker 2: What the hell is this good speaking and focusing on

1311
01:02:58,040 --> 01:03:01,320
Speaker 2: the wrong things. I hope you hit that curb. Actually,

1312
01:03:01,360 --> 01:03:05,040
Speaker 2: that was some impress was dumb, dumb until I saw

1313
01:03:05,080 --> 01:03:07,840
Speaker 2: him confidently take that turn. Now I like him.

1314
01:03:07,960 --> 01:03:11,600
Speaker 4: Yeah, now he's now, he's gettable. Now he's in charge.

1315
01:03:11,800 --> 01:03:12,840
Speaker 4: That guy's Charles.

1316
01:03:13,040 --> 01:03:16,520
Speaker 2: I am. I am confronted after this. You guys would

1317
01:03:16,600 --> 01:03:19,520
Speaker 2: be so mad if you saw my tires Right now.

1318
01:03:19,640 --> 01:03:23,400
Speaker 2: People flag me down and tell me that they're low strangers.

1319
01:03:24,160 --> 01:03:27,360
Speaker 4: I know, Jesus, I know I might have a compressor

1320
01:03:27,400 --> 01:03:29,600
Speaker 4: you can borrow. I have a better compressor.

1321
01:03:29,640 --> 01:03:32,440
Speaker 2: I think you definitely have because I have like five.

1322
01:03:33,880 --> 01:03:37,600
Speaker 2: It's so are you still doing your watts.

1323
01:03:37,080 --> 01:03:41,320
Speaker 5: App that it still exists, but it's not there's no

1324
01:03:41,440 --> 01:03:43,800
Speaker 5: updates to it or anything. The guy that was kind

1325
01:03:43,800 --> 01:03:46,280
Speaker 5: of managing it or overlooking it or whatever the fuck

1326
01:03:47,000 --> 01:03:48,560
Speaker 5: he he Well, he.

1327
01:03:48,640 --> 01:03:49,640
Speaker 4: Was just too much money.

1328
01:03:49,960 --> 01:03:52,720
Speaker 5: Yeah, and I really wasn't using the app, you know. Yeah,

1329
01:03:52,760 --> 01:03:54,480
Speaker 5: I wanted it. I was trying to make it like,

1330
01:03:55,320 --> 01:03:57,880
Speaker 5: this is my content on my app, you know. Yeah,

1331
01:03:58,040 --> 01:04:01,120
Speaker 5: guys follow you know, follow my app or ever, and

1332
01:04:01,120 --> 01:04:03,200
Speaker 5: and it just I don't know, I just didn't have

1333
01:04:03,360 --> 01:04:06,360
Speaker 5: the team to like make it a thing.

1334
01:04:06,680 --> 01:04:08,040
Speaker 1: Yeah, do a lot of work.

1335
01:04:08,360 --> 01:04:11,800
Speaker 2: Also, I'd like to apologize for never doing you wanted

1336
01:04:11,920 --> 01:04:17,360
Speaker 2: artwork for it, and I just never did it for WhatsApp.

1337
01:04:17,480 --> 01:04:19,800
Speaker 2: Oh You're like, I want a T shirt and I'm like, okay,

1338
01:04:19,840 --> 01:04:23,600
Speaker 2: I can do that. Oh right, I just went on

1339
01:04:23,680 --> 01:04:24,000
Speaker 2: a bike.

1340
01:04:25,120 --> 01:04:30,160
Speaker 5: It's totally okay because it didn't really matter it turns out. So,

1341
01:04:30,200 --> 01:04:33,080
Speaker 5: I mean someday, I mean it still exists, so it's

1342
01:04:33,360 --> 01:04:38,400
Speaker 5: in the app store, I think, hopefully indefinitely, but maybe

1343
01:04:38,400 --> 01:04:40,200
Speaker 5: I'll be able to do something with it in the future.

1344
01:04:40,320 --> 01:04:42,480
Speaker 2: Well, I still my offer still stands.

1345
01:04:42,600 --> 01:04:44,920
Speaker 4: Okay, Well, if I get back on it, I will

1346
01:04:45,000 --> 01:04:45,400
Speaker 4: let you know.

1347
01:04:45,800 --> 01:04:49,960
Speaker 3: I feel like, yeah, you should definitely go, sir, Yeah

1348
01:04:50,000 --> 01:04:50,400
Speaker 3: you should.

1349
01:04:50,640 --> 01:04:52,080
Speaker 1: I mean that was your right.

1350
01:04:52,200 --> 01:04:57,400
Speaker 2: Absolutely, some of that sweet sweet Dodgers traffic, baseball. It's

1351
01:04:57,400 --> 01:04:59,960
Speaker 2: America's reason for stopping in the street.

1352
01:05:00,840 --> 01:05:04,320
Speaker 4: Oh there's the Elliott Smith wall. Yeah, they kept it.

1353
01:05:04,520 --> 01:05:07,240
Speaker 2: There's times I've walked past it and I'm in a

1354
01:05:07,280 --> 01:05:10,480
Speaker 2: pretty good mood by this Mexican restaurant. Well not now

1355
01:05:10,520 --> 01:05:11,680
Speaker 2: that I'm seeing it's closed.

1356
01:05:13,160 --> 01:05:15,440
Speaker 4: Closed, that's so crazy.

1357
01:05:15,520 --> 01:05:17,480
Speaker 2: But then I get bummed out when I go past

1358
01:05:17,520 --> 01:05:20,000
Speaker 2: that wall. I'm not kidding. There was like a feeling

1359
01:05:20,040 --> 01:05:22,960
Speaker 2: that overcame me, and then I realized it's because it's

1360
01:05:23,000 --> 01:05:24,080
Speaker 2: the Elliott Smith wall.

1361
01:05:24,280 --> 01:05:25,800
Speaker 4: Because of Elliott Smith.

1362
01:05:25,960 --> 01:05:26,920
Speaker 2: It's a sad wall.

1363
01:05:27,440 --> 01:05:31,400
Speaker 4: R RSP. What's now? Just when someone dies?

1364
01:05:31,600 --> 01:05:35,240
Speaker 2: Oh? Respect, mad mad respect.

1365
01:05:35,480 --> 01:05:40,560
Speaker 3: Respect, infuriated respect towards you and your memory.

1366
01:05:41,160 --> 01:05:42,800
Speaker 2: I'm flousy with respect for.

1367
01:05:42,800 --> 01:05:46,080
Speaker 1: That guy, Regie. Do have anything that you want to

1368
01:05:46,680 --> 01:05:49,240
Speaker 1: table plug get.

1369
01:05:49,120 --> 01:05:53,520
Speaker 2: Out emotionally, information wise, just anything.

1370
01:05:54,160 --> 01:05:55,480
Speaker 4: Oh I have a book coming out.

1371
01:05:55,760 --> 01:05:58,880
Speaker 2: Oh please let it be about Montana.

1372
01:05:59,000 --> 01:06:00,800
Speaker 4: It's well, it's called Great Falls Month.

1373
01:06:01,120 --> 01:06:06,720
Speaker 5: Yes, yeah, it's just an autobiography and focuses primarily on

1374
01:06:07,080 --> 01:06:12,760
Speaker 5: Great Falls, my upbringing there, and then like mostly about

1375
01:06:12,840 --> 01:06:16,800
Speaker 5: my high school experiences. It goes a little bit into Seattle,

1376
01:06:17,120 --> 01:06:19,040
Speaker 5: Seattle and a little bit into New York.

1377
01:06:19,120 --> 01:06:23,600
Speaker 2: But oh yeah, you went to the famed Art Institute,

1378
01:06:23,600 --> 01:06:25,920
Speaker 2: a place where in high school I wanted to go

1379
01:06:26,000 --> 01:06:29,560
Speaker 2: so bad and learn how to airbrush milkshakes or whatever

1380
01:06:29,600 --> 01:06:32,760
Speaker 2: I saw on the brochure. And they had a program.

1381
01:06:32,880 --> 01:06:35,720
Speaker 2: When I was seventeen, I went to like a week

1382
01:06:35,760 --> 01:06:38,440
Speaker 2: long camp and you went there and you took classes.

1383
01:06:38,960 --> 01:06:40,920
Speaker 2: I think it was my parents letting me know, we

1384
01:06:41,080 --> 01:06:43,640
Speaker 2: cannot afford this school, but you can go to the

1385
01:06:44,000 --> 01:06:47,280
Speaker 2: Fantasy Camp. And it was one of the best experiences

1386
01:06:47,320 --> 01:06:47,880
Speaker 2: of my life.

1387
01:06:47,880 --> 01:06:49,040
Speaker 4: It was so cool.

1388
01:06:49,840 --> 01:06:51,960
Speaker 2: We're just there for a week, and I wanted to

1389
01:06:52,000 --> 01:06:54,320
Speaker 2: go there so badly. But it was around that time,

1390
01:06:54,880 --> 01:06:59,600
Speaker 2: shortly after you were probably in the building doing musica.

1391
01:06:59,760 --> 01:07:02,280
Speaker 4: Yeah, I didn't know they did all that. That's pretty cool.

1392
01:07:02,440 --> 01:07:04,120
Speaker 2: Yeah, it was the coolest thing ever.

1393
01:07:04,360 --> 01:07:08,280
Speaker 1: Wait, so was it high school or a college level college? College?

1394
01:07:08,400 --> 01:07:10,880
Speaker 2: Yeah, I was, I was still in high school. It

1395
01:07:10,960 --> 01:07:13,200
Speaker 2: was the coolest thing ever. I wonder if they still

1396
01:07:13,240 --> 01:07:15,280
Speaker 2: do that. I kept in touch with all the kids

1397
01:07:15,280 --> 01:07:17,520
Speaker 2: I met. It was like one of those first times

1398
01:07:17,560 --> 01:07:20,760
Speaker 2: I was like without my parents on a road trap

1399
01:07:20,880 --> 01:07:21,800
Speaker 2: with other kids.

1400
01:07:21,840 --> 01:07:25,120
Speaker 4: I felt so all that feels always so awesome.

1401
01:07:25,200 --> 01:07:27,560
Speaker 3: Yeah, and then to land at art like an art

1402
01:07:27,640 --> 01:07:30,120
Speaker 3: school or an art camp where like I got to

1403
01:07:30,120 --> 01:07:31,920
Speaker 3: go to one of those one year and it was

1404
01:07:32,080 --> 01:07:35,480
Speaker 3: just mayhem and kind of like we went to a

1405
01:07:35,520 --> 01:07:37,840
Speaker 3: small school, so it was like kids from the city

1406
01:07:38,320 --> 01:07:42,360
Speaker 3: teaching us how to be like drama nerds or like art,

1407
01:07:42,560 --> 01:07:43,840
Speaker 3: you know what I mean. Like it was just kind

1408
01:07:43,880 --> 01:07:45,480
Speaker 3: of like, oh, this is how you do it, like

1409
01:07:45,960 --> 01:07:48,360
Speaker 3: listen to the smiths and you have to get a

1410
01:07:48,360 --> 01:07:51,960
Speaker 3: certain kind of haircut, and yeah, get your sailor stripe,

1411
01:07:52,000 --> 01:07:56,800
Speaker 3: sailor shirt, and you know, be an individual, get into mime.

1412
01:07:57,600 --> 01:07:58,120
Speaker 3: It was great.

1413
01:07:58,480 --> 01:08:01,160
Speaker 2: Yeah, was it the best. Right when we arrived, we

1414
01:08:01,160 --> 01:08:03,600
Speaker 2: were all on a bus. They were shooting a movie

1415
01:08:03,640 --> 01:08:06,160
Speaker 2: and it was actually a sunny day in Seattle, but

1416
01:08:06,240 --> 01:08:08,080
Speaker 2: for the movie they had to make it look rainy,

1417
01:08:08,760 --> 01:08:12,040
Speaker 2: so there was just this giant shade and fake rain

1418
01:08:12,120 --> 01:08:14,480
Speaker 2: coming down, and we saw they were just filming two

1419
01:08:14,520 --> 01:08:17,800
Speaker 2: guys walking on a sidewalk, and then we turned and

1420
01:08:17,840 --> 01:08:20,680
Speaker 2: then it wasn't till a couple of years later it

1421
01:08:20,720 --> 01:08:23,639
Speaker 2: was that scene and when Harry met Sally or sorry

1422
01:08:23,640 --> 01:08:27,799
Speaker 2: Sleepless in Seattle, of course, where there was an actual

1423
01:08:27,840 --> 01:08:30,320
Speaker 2: scene and it was from the vantage point of frat

1424
01:08:30,600 --> 01:08:34,240
Speaker 2: of exactly where we were. I'm not I'm not fully convinced.

1425
01:08:34,280 --> 01:08:36,360
Speaker 2: I wasn't a camera person on that movie, is what

1426
01:08:36,400 --> 01:08:36,920
Speaker 2: I'm saying.

1427
01:08:37,520 --> 01:08:40,120
Speaker 4: Yeah, yeah it is possible.

1428
01:08:40,280 --> 01:08:41,400
Speaker 2: Yeah it was in the Union.

1429
01:08:41,640 --> 01:08:44,240
Speaker 4: Yeah.

1430
01:08:42,240 --> 01:08:48,120
Speaker 2: Yeah, it's a parody of information. Yeah, I'm always on

1431
01:08:48,200 --> 01:08:50,599
Speaker 2: it in the Onion, but it was, Yeah, it was.

1432
01:08:50,760 --> 01:08:51,799
Speaker 2: I saw that scene.

1433
01:08:51,840 --> 01:08:52,160
Speaker 4: It was.

1434
01:08:52,320 --> 01:08:54,639
Speaker 2: It was. I'm not here to brag.

1435
01:08:54,920 --> 01:08:57,799
Speaker 4: Yeah, no, it's it's not I don't think it's bragging.

1436
01:08:57,840 --> 01:09:00,800
Speaker 4: If it happened to you, yeah, it's real. Yeah, if

1437
01:09:00,800 --> 01:09:01,920
Speaker 4: it's real, it's not a brag.

1438
01:09:02,520 --> 01:09:06,120
Speaker 3: Did you find it like easy to write a book

1439
01:09:06,240 --> 01:09:10,000
Speaker 3: or was it did you have to really sit down

1440
01:09:10,040 --> 01:09:11,240
Speaker 3: and focus?

1441
01:09:11,760 --> 01:09:15,680
Speaker 5: Well, I worked with a phantom writer, so I all

1442
01:09:15,680 --> 01:09:21,040
Speaker 5: I did was sit back, tell stories. That's great, relive

1443
01:09:21,160 --> 01:09:24,479
Speaker 5: my thing, and then the phantom writer would just kind

1444
01:09:24,479 --> 01:09:25,360
Speaker 5: of ask questions.

1445
01:09:25,479 --> 01:09:27,960
Speaker 2: You know, And is that the same as a ghost

1446
01:09:28,000 --> 01:09:30,479
Speaker 2: writer or what is it. What's the difference between phantom

1447
01:09:30,560 --> 01:09:31,759
Speaker 2: and ghost Well.

1448
01:09:31,800 --> 01:09:34,559
Speaker 4: Phantom is like like a better ghost writer.

1449
01:09:35,120 --> 01:09:38,320
Speaker 2: Okay, slightly scar I mean in the spiritual realm.

1450
01:09:38,760 --> 01:09:40,679
Speaker 4: Yeah, it's just more powerful.

1451
01:09:40,960 --> 01:09:44,280
Speaker 5: Okay, wow, yeah, phantoms are way more probably, I mean,

1452
01:09:44,640 --> 01:09:46,960
Speaker 5: I mean the highest level you can get is a

1453
01:09:47,000 --> 01:09:47,679
Speaker 5: wraith writer.

1454
01:09:48,240 --> 01:09:51,120
Speaker 1: Yes, but the screaming, oh my god.

1455
01:09:51,200 --> 01:09:54,600
Speaker 5: Yeah, there's a lot of wailing and teeth all the

1456
01:09:55,040 --> 01:09:56,400
Speaker 5: sided die Yeah.

1457
01:09:56,479 --> 01:09:59,280
Speaker 4: Yeah, there's a lot of yeah, a lot of die rolling.

1458
01:10:00,160 --> 01:10:03,360
Speaker 5: And it's just like every decision you make, it's like,

1459
01:10:04,080 --> 01:10:04,840
Speaker 5: let's consult the.

1460
01:10:04,880 --> 01:10:07,240
Speaker 1: Die please, no not again?

1461
01:10:07,360 --> 01:10:10,120
Speaker 2: Yeah, exactly when is your what come out? Because that's

1462
01:10:10,120 --> 01:10:13,200
Speaker 2: a book I will read. I don't make that threat ever.

1463
01:10:13,760 --> 01:10:14,800
Speaker 4: Yes, I get it.

1464
01:10:15,280 --> 01:10:19,160
Speaker 5: Yeah, it's October seventeenth, and it's available on pretty much

1465
01:10:19,200 --> 01:10:21,240
Speaker 5: wherever books are sold. But you can pre order it,

1466
01:10:21,400 --> 01:10:24,120
Speaker 5: pre order it on Oh there's a two here you go,

1467
01:10:24,120 --> 01:10:24,799
Speaker 5: it's your pollstar.

1468
01:10:25,240 --> 01:10:27,800
Speaker 4: Oh well see yeah, nice get one.

1469
01:10:28,479 --> 01:10:32,400
Speaker 5: Yeah it's available, yeah, you know, like on Amazon. You

1470
01:10:32,439 --> 01:10:35,640
Speaker 5: can pre order it nice and might be able to

1471
01:10:35,640 --> 01:10:36,920
Speaker 5: pre order in other places too.

1472
01:10:37,280 --> 01:10:38,960
Speaker 4: And then I'm going to do an audiobook for it

1473
01:10:39,000 --> 01:10:39,360
Speaker 4: as well.

1474
01:10:39,479 --> 01:10:42,519
Speaker 2: Oh and of course do the Karen you did that

1475
01:10:42,600 --> 01:10:45,439
Speaker 2: as well, Right, you did the voiceover for your own book?

1476
01:10:45,479 --> 01:10:45,800
Speaker 1: We did.

1477
01:10:45,880 --> 01:10:47,040
Speaker 2: Yeah, that'll be fun.

1478
01:10:47,400 --> 01:10:47,880
Speaker 4: Was it fun?

1479
01:10:48,479 --> 01:10:49,080
Speaker 1: It was fun.

1480
01:10:49,120 --> 01:10:53,639
Speaker 3: It was a little What's funny is when I would

1481
01:10:53,640 --> 01:10:57,400
Speaker 3: go to say it read something I'd written. I felt

1482
01:10:57,400 --> 01:11:00,920
Speaker 3: like it was this third person separate, so I was

1483
01:11:01,000 --> 01:11:02,920
Speaker 3: kind of like, is this the voice I.

1484
01:11:02,880 --> 01:11:04,599
Speaker 1: Should be using? It was weird.

1485
01:11:05,000 --> 01:11:06,760
Speaker 3: It was kind of like going to read a thing

1486
01:11:06,840 --> 01:11:10,920
Speaker 3: and feeling like I'm clicking into yet another part of

1487
01:11:10,960 --> 01:11:12,719
Speaker 3: my personality to be the reader.

1488
01:11:13,200 --> 01:11:15,720
Speaker 2: Yeah, that's crazy when the character is you and you

1489
01:11:15,760 --> 01:11:17,120
Speaker 2: don't know if you're right for the part.

1490
01:11:17,320 --> 01:11:20,640
Speaker 3: Yeah, exactly, like I'm definitely not getting this addition. No,

1491
01:11:20,800 --> 01:11:22,880
Speaker 3: you got it, and you have to do it. That's

1492
01:11:22,920 --> 01:11:23,479
Speaker 3: the bad man.

1493
01:11:23,960 --> 01:11:25,200
Speaker 4: Wow, I do love that.

1494
01:11:25,720 --> 01:11:28,040
Speaker 3: Yeah, that's I mean, maybe what I'm saying is I

1495
01:11:28,080 --> 01:11:30,040
Speaker 3: was dissociating while I was doing it.

1496
01:11:30,080 --> 01:11:34,320
Speaker 2: But yeah, that's so exciting. And when I said I'd

1497
01:11:34,320 --> 01:11:36,080
Speaker 2: read the book, I'm going to wait for the audio

1498
01:11:36,200 --> 01:11:38,599
Speaker 2: version because I want you to read me the book, Reggie.

1499
01:11:38,800 --> 01:11:43,280
Speaker 5: Yeah, yeah, yeah, well yeah, hopefully I'll do an okay job.

1500
01:11:43,520 --> 01:11:45,200
Speaker 4: I wanted to a first time.

1501
01:11:45,240 --> 01:11:49,000
Speaker 5: Wanted to have Fred Armison read it because I was

1502
01:11:49,040 --> 01:11:50,679
Speaker 5: just I thought it would be funny to have someone

1503
01:11:50,680 --> 01:11:51,599
Speaker 5: else read my book.

1504
01:11:51,720 --> 01:11:54,960
Speaker 4: Yes, narrate my book, I should say, but.

1505
01:11:55,680 --> 01:11:59,120
Speaker 2: No, that's a job. I can't wait. Yep.

1506
01:12:00,160 --> 01:12:03,800
Speaker 4: In an old school cop car that's kind rare. They're

1507
01:12:03,800 --> 01:12:06,479
Speaker 4: always usually scvs, so it's always and I'm like, that's

1508
01:12:06,600 --> 01:12:08,439
Speaker 4: not right. That's a movie cop.

1509
01:12:08,360 --> 01:12:10,560
Speaker 2: For all I know. That's someone that just bought a

1510
01:12:10,680 --> 01:12:12,840
Speaker 2: used cop car. I don't even think you have to

1511
01:12:12,880 --> 01:12:15,920
Speaker 2: spray paint it black anymore. You can just buy them. Yeah,

1512
01:12:16,040 --> 01:12:18,120
Speaker 2: And it's so confusing and frustrating.

1513
01:12:18,439 --> 01:12:20,720
Speaker 4: Yeah, I know that is. It's especially when they leave

1514
01:12:20,760 --> 01:12:24,160
Speaker 4: the searchlight on it. Yes, it happens all.

1515
01:12:24,400 --> 01:12:27,719
Speaker 2: It does happen all the time, civilians out there pretending

1516
01:12:27,760 --> 01:12:29,600
Speaker 2: to be cops and they don't get in trouble. But

1517
01:12:29,720 --> 01:12:33,040
Speaker 2: when I wear a badge at the mall, yeah.

1518
01:12:32,800 --> 01:12:34,920
Speaker 5: This should be the one place that you should be

1519
01:12:35,000 --> 01:12:38,479
Speaker 5: able to kind of do badges. I got a badge

1520
01:12:38,920 --> 01:12:44,400
Speaker 5: recently for what we blow. Yeah, we below. It's like

1521
01:12:44,600 --> 01:12:49,120
Speaker 5: it's like, well, why why aren't you above? But yeah,

1522
01:12:49,680 --> 01:12:53,799
Speaker 5: it's no. It's a it's called the eleven ninety nine Foundation,

1523
01:12:54,360 --> 01:12:57,600
Speaker 5: and they you kind of donate to a police organization

1524
01:12:58,040 --> 01:13:01,200
Speaker 5: called eleven nine nine Foundation, and they give you this

1525
01:13:01,720 --> 01:13:05,320
Speaker 5: license plate bracket it says eleven ninety nine, and then

1526
01:13:05,360 --> 01:13:08,559
Speaker 5: they give you this really cool bronze badge that's in

1527
01:13:08,640 --> 01:13:11,240
Speaker 5: like a like a wallet like a badge comes.

1528
01:13:11,000 --> 01:13:12,880
Speaker 2: In and it looks real.

1529
01:13:13,320 --> 01:13:15,280
Speaker 4: Yeah, and it has your name on it, it has

1530
01:13:15,280 --> 01:13:16,120
Speaker 4: your member number.

1531
01:13:16,280 --> 01:13:18,679
Speaker 2: Have you misused it yet to get what you want?

1532
01:13:19,080 --> 01:13:21,439
Speaker 5: Well, I mean, I guess the idea is if you

1533
01:13:21,439 --> 01:13:25,160
Speaker 5: were ever caught speeding in California, like on the highway,

1534
01:13:25,280 --> 01:13:28,160
Speaker 5: and you get pulled over by a highway patrol, the

1535
01:13:28,240 --> 01:13:30,280
Speaker 5: license first, hopefully they'll see the license plate.

1536
01:13:30,280 --> 01:13:30,439
Speaker 4: Brun.

1537
01:13:30,600 --> 01:13:33,400
Speaker 2: It's so funny that you and then you have your badge.

1538
01:13:33,520 --> 01:13:36,920
Speaker 2: I the sheriffs when I lived in Austin, the sheriffs

1539
01:13:37,040 --> 01:13:40,439
Speaker 2: used to cold call. I'd answer the phone and they're like,

1540
01:13:40,479 --> 01:13:43,240
Speaker 2: do you want to donate? And they'd be really aggressive,

1541
01:13:43,280 --> 01:13:46,680
Speaker 2: and I got intimidated once and I donated, and they

1542
01:13:46,720 --> 01:13:50,479
Speaker 2: sent me a sticker and I put it on my car,

1543
01:13:50,520 --> 01:13:54,280
Speaker 2: and then they would like badger me every year to

1544
01:13:54,479 --> 01:13:57,080
Speaker 2: donate again. I'm like, there's other things I feel much

1545
01:13:57,080 --> 01:14:01,160
Speaker 2: more strongly about. But I got. I got for speeding

1546
01:14:01,200 --> 01:14:03,439
Speaker 2: in a school zone. I wasn't even going that fast

1547
01:14:03,479 --> 01:14:06,080
Speaker 2: and the guy was screaming at me, and then he

1548
01:14:06,160 --> 01:14:08,320
Speaker 2: saw that sticker and I thought he was going to

1549
01:14:08,400 --> 01:14:11,559
Speaker 2: invite me over for dinner. It not only did get

1550
01:14:11,600 --> 01:14:14,760
Speaker 2: me out of a ticket. I had a friend I

1551
01:14:14,800 --> 01:14:19,000
Speaker 2: didn't want for life. Wow, but it did. It did?

1552
01:14:19,960 --> 01:14:21,599
Speaker 4: I wish they would have gave me a sticker.

1553
01:14:22,040 --> 01:14:23,880
Speaker 2: Yeah, it really does.

1554
01:14:24,320 --> 01:14:27,439
Speaker 5: Because because you know, the license plate bracket is it's cool,

1555
01:14:27,600 --> 01:14:29,240
Speaker 5: but I would rather have a sticker and just have

1556
01:14:29,320 --> 01:14:32,320
Speaker 5: a regular, like a normal licensed plate bracket because it

1557
01:14:32,320 --> 01:14:34,960
Speaker 5: does kind of fuck with the color of my car, right.

1558
01:14:36,280 --> 01:14:37,640
Speaker 1: The aesthetics get fucked up.

1559
01:14:37,720 --> 01:14:39,760
Speaker 5: Yeah, I kind of, I kind of, you know, because

1560
01:14:39,760 --> 01:14:42,800
Speaker 5: it's just like it's just silver, and like my it

1561
01:14:42,880 --> 01:14:45,200
Speaker 5: just looks better when you have that black license plate,

1562
01:14:45,240 --> 01:14:46,320
Speaker 5: like just by itself.

1563
01:14:46,479 --> 01:14:47,840
Speaker 3: Yeah, on there.

1564
01:14:48,160 --> 01:14:51,200
Speaker 2: I do appreciate that. On all your cars, you've had

1565
01:14:51,320 --> 01:14:55,000
Speaker 2: that Dead Kennedy's sticker yep. Is it on your new

1566
01:14:55,040 --> 01:14:55,360
Speaker 2: car too?

1567
01:14:55,439 --> 01:14:56,559
Speaker 4: Yeah? On both my car.

1568
01:14:57,479 --> 01:14:59,400
Speaker 3: Can'd imagine if you were pulled over by a cop

1569
01:14:59,400 --> 01:15:02,679
Speaker 3: who also like the Dead Kennedy, you'd be said, yeah, it'd.

1570
01:15:02,520 --> 01:15:05,759
Speaker 2: Be great, both of his worlds colliding. It would blow

1571
01:15:05,800 --> 01:15:06,280
Speaker 2: his mind.

1572
01:15:06,680 --> 01:15:10,280
Speaker 5: It's like, yeah, and I have only only the only

1573
01:15:10,280 --> 01:15:12,759
Speaker 5: other sticker I have on there is another band called Nice,

1574
01:15:13,200 --> 01:15:14,800
Speaker 5: and uh that's it.

1575
01:15:14,960 --> 01:15:16,120
Speaker 4: Those are my only stickers.

1576
01:15:16,720 --> 01:15:19,200
Speaker 1: Nice Nice, Nice Nice.

1577
01:15:20,400 --> 01:15:22,760
Speaker 2: Well, this isn't your house, but we're gonna drop you off.

1578
01:15:23,320 --> 01:15:26,759
Speaker 4: That's really sweet. You guys are so incredibly sweet.

1579
01:15:27,040 --> 01:15:28,920
Speaker 2: You're the incredibly sweetest.

1580
01:15:29,280 --> 01:15:31,200
Speaker 1: Yeah, thank you so much for doing this.

1581
01:15:31,200 --> 01:15:32,120
Speaker 4: This was awesome.

1582
01:15:32,120 --> 01:15:38,000
Speaker 5: As Floork, I'll d MIC and then I'll see what

1583
01:15:38,040 --> 01:15:39,200
Speaker 5: you guys look like from the front.

1584
01:15:40,000 --> 01:15:42,120
Speaker 2: Yeah, isn't it? Is it weird that you're in a

1585
01:15:42,160 --> 01:15:43,679
Speaker 2: podcast where you don't see her face.

1586
01:15:44,200 --> 01:15:46,320
Speaker 5: I kind of like, I like, like, well, maybe I

1587
01:15:46,320 --> 01:15:47,479
Speaker 5: should just get out and just like.

1588
01:15:47,520 --> 01:15:50,599
Speaker 4: I'll never know if it was actually those people. Yeah,

1589
01:15:51,040 --> 01:15:53,000
Speaker 4: sounds sounded sound like you.

1590
01:15:53,000 --> 01:15:55,240
Speaker 2: You get out and you just have this long kink

1591
01:15:55,360 --> 01:16:00,840
Speaker 2: tony tail ship, you know, front car. Oh my god,

1592
01:16:01,360 --> 01:16:04,080
Speaker 2: I'll see you in Montana and I assume you mentioned

1593
01:16:04,120 --> 01:16:09,880
Speaker 2: me in your book. Yes, I open doors. I know.

1594
01:16:10,439 --> 01:16:16,760
Speaker 2: I don't know how much you look terrific? It is you, Hi, buddy, Hey,

1595
01:16:18,080 --> 01:16:23,720
Speaker 2: good to see if hel I like that sweater. I

1596
01:16:23,880 --> 01:16:25,360
Speaker 2: like that guy, me too.

1597
01:16:26,320 --> 01:16:26,639
Speaker 1: Fun.

1598
01:16:27,320 --> 01:16:29,599
Speaker 2: I kept slubbing my words.

1599
01:16:30,640 --> 01:16:31,760
Speaker 1: Oh you want to wrap it up?

1600
01:16:32,000 --> 01:16:38,040
Speaker 2: Oh yeah, I guess we should between you and I though.

1601
01:16:38,200 --> 01:16:41,000
Speaker 2: Oh yeah, still recording you've been listening to. Do you

1602
01:16:41,080 --> 01:16:47,920
Speaker 2: need a ride? Do you why in a well maybe

1603
01:16:47,960 --> 01:16:50,519
Speaker 2: not in this neighborhood. You should not. I don't think so.

1604
01:16:57,680 --> 01:17:00,360
Speaker 2: This has been an exactly right product.

1605
01:17:00,600 --> 01:17:02,480
Speaker 1: Produced by Analise Nelson.

1606
01:17:02,439 --> 01:17:03,880
Speaker 2: Mixed by Edson Choi.

1607
01:17:04,320 --> 01:17:06,240
Speaker 3: Our talent booker is Patrick Cootner.

1608
01:17:06,479 --> 01:17:08,480
Speaker 2: Theme song by Karen Kilgarrett.

1609
01:17:08,840 --> 01:17:12,400
Speaker 3: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1610
01:17:12,439 --> 01:17:16,800
Speaker 3: and Facebook at dinar podcast That's d y nar Podcast.

1611
01:17:17,200 --> 01:17:20,760
Speaker 2: For more information, go to exactly rightmedia dot com.

1612
01:17:20,800 --> 01:17:23,080
Speaker 3: Thank you, Oh You're welcome