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Speaker 1: M m.

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Speaker 2: Mm hmmmm mm hmm.

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Speaker 3: Welcome back to all the smoke La. Good to see you, bro,

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Speaker 3: my boy, We're yes.

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Speaker 4: We got two friends of the program today promoting their

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Speaker 4: new film project Legendary Legendary Fellows Welcome to the show,

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Speaker 4: too Short and my brother Simba.

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Speaker 3: What's up?

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Speaker 4: So you guys are on a tour right now promoting

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Speaker 4: Freaky Tales. How does this type of tour and promotion

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Speaker 4: differ from the music side of it or is it similar?

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Speaker 5: Man?

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Speaker 6: It's time you just it's the grind, man, when you

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Speaker 6: when you got to go out and hit the spots

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Speaker 6: and let people know about it.

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Speaker 3: You really don't get paid for that.

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Speaker 6: So that's that's the part of the grind, the promotional

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Speaker 6: side where you know it ain't all listened glamour. I

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Speaker 6: personally don't like moving around for free, but but it's

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Speaker 6: a part of y'all. Man, You got to you gotta

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Speaker 6: get out there and promote. Man, I'm getting on these

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Speaker 6: planes waking up early. I think it took me on

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Speaker 6: sit almost two hours to drive here this morning, but

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Speaker 6: I'm clacking off six thirty.

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Speaker 3: Gonna do it, man, But what's it like for you?

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Speaker 4: Obviously he's been in the game since shit, we was

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Speaker 4: little kids.

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Speaker 3: Yeah, it's different for you. It's new for you. It's

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Speaker 3: newer for you.

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Speaker 5: Yeah, it's definitely a newer for me. But it's a

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Speaker 5: dope experience, especially sitting alongside him, hearing a lot of

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Speaker 5: stories I didn't know, just getting a lot of game.

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Speaker 5: But me personally, man, I love it, you know what

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Speaker 5: I mean. I love just being a part of this industry,

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Speaker 5: being able to get out here and have something to

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Speaker 5: put out to the world and get out here and

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Speaker 5: talk about it promoted, and especially something as good as

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Speaker 5: Freaky Tales.

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Speaker 4: How was the game changed from when you came up

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Speaker 4: in it and we're in your prime to what the

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Speaker 4: game is now and he's kind of coming up in

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Speaker 4: it and entering his prime.

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Speaker 3: I was. I was coming in on the wave of

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Speaker 3: fun hip hop. You know.

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Speaker 6: We got it from New York City and it was

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Speaker 6: about rocking the party and you know what I'm wearing

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Speaker 6: party rocking. And then it started getting real real serious,

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Speaker 6: like run DMC came out of Mellie mel and Grandmaster

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Speaker 6: flash the message. But we got in the game, and

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Speaker 6: we didn't get in the game to get rich. I

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Speaker 6: remember what my dream was when I was a young rapper,

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Speaker 6: I really wanted to hear myself on the radio, and

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Speaker 6: I really just wanted to whatever the next show was,

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Speaker 6: I just wanted to rock the crowd.

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Speaker 5: That was it.

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Speaker 6: If I could rock the crowd, We're gonna do that.

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Speaker 6: But if I hear myself on the radio, I'm like, way,

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Speaker 6: we're doing it. It was a big deal, this game

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Speaker 6: that they in from the moment they dream of it,

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Speaker 6: they go, I'm about to get up in here and

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Speaker 6: get it, and not just get famous. I'm about to

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Speaker 6: get some paper because the exactly have already been set.

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Speaker 6: You can get a lot of money rapping, producing, managing,

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Speaker 6: just any part of this hip hop. You just get

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Speaker 6: a slice of the pie. It's money in on it.

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Speaker 6: So I love the business part of it. I love

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Speaker 6: the fact that I survived long enough to be, you know,

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Speaker 6: a part of young hip hop when it was just

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Speaker 6: dancing and break dancing and we wasn't getting paid for

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Speaker 6: a show to you.

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Speaker 3: Know, wire the money, bro.

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Speaker 6: And I'm watching my young homies come in quick though,

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Speaker 6: quick and getting a bad quick because if you get popular,

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Speaker 6: you got multiple ways to get money.

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Speaker 3: That's the one thing I like about you. Is your

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Speaker 3: versatility in this space.

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Speaker 4: Obviously you came in and rapping, but you got your

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Speaker 4: hands in a little bit of everything, particularly acting now

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Speaker 4: with this project.

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Speaker 3: But how how has the journey been for you?

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Speaker 5: And I think the beauty of what he just said

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Speaker 5: was like they paved the way for us to dream bigger,

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Speaker 5: you know what I mean. So they didn't technically have

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Speaker 5: the social media's and certain things when they was coming

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Speaker 5: up short. They had to get it out the trump

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Speaker 5: you know what I mean, to really get to the people.

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Speaker 5: So the way to pave the path they took allowed

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Speaker 5: us to kind of diversify ourselves and look at things bigger.

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Speaker 5: I remember as a kid seeing short movies, you know

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Speaker 5: what I mean. A lot of people wasn't doing movies

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Speaker 5: at that time, but as a kid, that was something

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Speaker 5: I wanted to do. Seeing pot you know what I mean,

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Speaker 5: seeing DMX, seeing these prominent characters be rappers, but be

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Speaker 5: actors and can also do commercials and write films as well.

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Speaker 5: So that was just always something I wanted to do

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Speaker 5: and it's a blessing that I'm doing it now.

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Speaker 7: Playing playing Young Short and Freaky Tails. What was that process? Like,

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Speaker 7: I mean, we all grew up and know how you talking,

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Speaker 7: know how you rap? How was that process of becoming him?

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Speaker 5: Man, it was like the coolest shit ever cause it

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Speaker 5: was like I'll be telling the story all the time.

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Speaker 5: We was on set one day and I made it

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Speaker 5: this theme to not break character while I was on set,

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Speaker 5: like I'm gonna be too short, even when I walked

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Speaker 5: to the trailer when they cut everything. So I'm getting

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Speaker 5: ready to go back to the trailer and have lunch,

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Speaker 5: and I got on the old school starter jacket.

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Speaker 3: Yeah, the Green Boys.

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Speaker 5: So one of the director, if it was a director,

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Speaker 5: somebody was working with the crew. It was like, man,

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Speaker 5: that jacket's dope. I was like, thanks, bitch, was.

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Speaker 3: Like he was doing with it.

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Speaker 5: It was cool as ship to get to just.

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Speaker 3: Feel like.

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Speaker 7: You played the cop and you also narrate through the movie.

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Speaker 7: Well you ever thought you played a cop in the movie.

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Speaker 6: I feel like I really didn't play a cop, man.

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Speaker 6: I just I just did a cameo. I really didn't

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Speaker 6: get it, to know, you know, all the way ice

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Speaker 6: team mode and like people and stuff. I just they

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Speaker 6: tried to slide me in on the cameo. It was

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Speaker 6: a good scene, and uh, you know, I knew I

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Speaker 6: was gonna be the.

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Speaker 3: Narrator, and I accepted that.

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Speaker 6: I was also a part of like some of the

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Speaker 6: authenticity parts to the movie where they just need to

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Speaker 6: know it was being done right. And yeah, you didn't

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Speaker 6: see me with a bad It was just a little

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Speaker 6: little pop up for you know. They wanted me to

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Speaker 6: say bitch in the movie, so that's how they wrote

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Speaker 6: it in.

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Speaker 3: I don't know about the cop playing.

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Speaker 6: Yeah, unless I can get on that, what's that show?

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Speaker 6: I see his own many years?

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Speaker 7: Yeah, did you got a star study cast? Did y'all

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Speaker 7: get to hang out with Tom Hanks?

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Speaker 6: No, Tom Hanks was you pretty much look at that scene.

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Speaker 6: That's probably who got to hang out with him? Him

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Speaker 6: in Pagro. Yeah, he got up out of there now.

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Speaker 6: But Tom Hanks is from Oakland, California. A lot of

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Speaker 6: people don't know that, and I think from what I

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Speaker 6: heard and the wind, tom Hanks kind of had a

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Speaker 6: sort of passion for the script the movie that it

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Speaker 6: was shot in Oakland and he just wanted to show

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Speaker 6: some love, so he did.

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Speaker 3: He did a big cameo big.

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Speaker 7: The big theme in the movie is Nazis and my

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Speaker 7: skin heads and stuff like that. You did you have

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Speaker 7: your own personal experience back in they seventh.

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Speaker 3: So I watched the movie.

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Speaker 6: I saw the movie actually a couple of years ago

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Speaker 6: at one of the early screenings, and.

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Speaker 3: I just I was there. Everything is so real about

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Speaker 3: the movie.

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Speaker 6: I actually talked to some some og punk rockers and

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Speaker 6: they said, yeah, them skinheads used to come fuck with us.

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Speaker 6: I'm from East Oakland, California. I looked at the movie.

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Speaker 6: I was like, we never saw them dudes ever, like ever, ever, ever,

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Speaker 6: And I just think it would be so interesting if

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Speaker 6: on one of the nights in the truck with the

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Speaker 6: fucking shit they ride around fucking with people.

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Speaker 3: They pulled up on like a house party in East Oakland,

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Speaker 3: well on.

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Speaker 6: The corner where niggas was hanging out. That ship would

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Speaker 6: have been interesting. But they never came around. I don't

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Speaker 6: I talked to all my hommies. I'm like, you remember

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Speaker 6: the Skinheads, Like, I don't know.

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Speaker 3: I heard about them. I think they was. They was

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Speaker 3: going to other areas.

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Speaker 5: And one of the dudes, I think he was on

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Speaker 5: set when they had remade to guil me the spot

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Speaker 5: where the skin heads came to attack him, and he

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Speaker 5: started crying because he was like man, remember yea.

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Speaker 3: Them, they have to fight them motherfuckers, like they.

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Speaker 5: Had to really go through it with them. So we

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Speaker 5: probably never seen it. But that was a side of

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Speaker 5: the Bay Area that was real, were real quick.

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Speaker 3: It was shot in open right. Yeah, what did that

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Speaker 3: mean to you?

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Speaker 4: Because normally they'll go to Atlanta or find somewhere else

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Speaker 4: that's taxing.

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Speaker 6: Yeah, you know, from what I hear from people who

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Speaker 6: had problems shooting stuff in the past, you can't get

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Speaker 6: the permits.

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Speaker 3: I can tell you firsthand.

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Speaker 6: We barely ever were was allowed to shoot any video

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Speaker 6: missic videos in Oakland. We had to go renegade. We

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Speaker 6: had to get subjugated to like a little neighborhood. That's

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Speaker 6: I don't know what the rules were, but I've heard

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Speaker 6: from other people who had like productions like Blind Spotting,

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Speaker 6: that it's difficult to shoot in Oakland because of all

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Speaker 6: the rules and regulations coming from city hall wherever.

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Speaker 3: So you you gotta get.

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Speaker 6: The shot, shoot and get and then you gotta go

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Speaker 6: somewhere else and film this shit. So the people who

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Speaker 6: did Freaky Tails, the production and everybody who was the

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Speaker 6: powers to be to make it happen ran into those challenges.

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Speaker 6: And they said that they just kicked up the extra money.

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Speaker 6: There was a decision, do you want to do it

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Speaker 6: like this, Let's just shoot what we could shoot in

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Speaker 6: Oakland and then we'll just go shoot the rest of

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Speaker 6: the movie elsewhere. And the directors were like, it's got

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Speaker 6: to be done in Oakland. So whatever that extra cost was,

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Speaker 6: I'm glad they did it. I think it's opening doors

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Speaker 6: for other productions in the future All the time. When

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Speaker 6: you have an example something that happened, the next people

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Speaker 6: come along, go where they shot, nothing happened.

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Speaker 5: It was cool.

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Speaker 6: Look at the fuck you know, like we see San

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Speaker 6: Francisco movies, we see La movies, we see movies from

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Speaker 6: a lot of cities. By the time we start seeing

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Speaker 6: some Oakland movies.

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Speaker 7: Exactly how was that role with minutes and how did

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Speaker 7: that come about?

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Speaker 3: Well, you know, I got my part. What year was that? Yeah?

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Speaker 6: Exactly, somebody down there, somebody walk up say what blue Local?

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Speaker 6: That was my character and minister Society. I got my

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Speaker 6: part because if you notice, the star power is minimal.

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Speaker 6: You got my man with Charles Dutton, he played the

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Speaker 6: rock whatever he was, he was popping back.

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Speaker 3: Then Jada was like, like, nobody she was.

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Speaker 1: That was one of her.

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Speaker 6: Yeah, Tupac was in the movie and invited heard the

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Speaker 6: story to fight Tupac the directors and ship. He was

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Speaker 6: supposed to play the part of No. No, he was

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Speaker 6: gonna play the righteous to Kansas. Yeah, he was gonna play. Yeah,

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Speaker 6: he was gonna play.

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Speaker 1: Somebody. I heard the story different.

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Speaker 3: But he didn't want to play that character.

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Speaker 1: Yeah. I thought it was gonna be Yeah, I thought

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Speaker 1: it was gonna be.

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Speaker 6: O Dog Sharif checked the research, believe you said, just

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Speaker 6: woke a lot of ways too.

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Speaker 1: Yeah, we went exactly when they lost part.

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Speaker 6: They needed some they needed they want to rap her name,

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Speaker 6: and they just called me and found found a slot

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Speaker 6: for me. They gave me some cool little scenes though,

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Speaker 6: because my couple of little scenes is like real.

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Speaker 1: So do you really burn the ribs? That? Did you

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Speaker 1: really burn the ribs?

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Speaker 3: Was burned?

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Speaker 2: Well?

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Speaker 3: Probably on the first takes.

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Speaker 6: They wasn't burn Okay, just look like somebody.

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Speaker 3: Somebody else was cooking the ribs. I just stepped in.

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Speaker 3: But that take their camp, you see that. I remember that.

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Speaker 6: It was some wild ship around there shooting man like

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Speaker 6: they were shooting over and and fucking Jordan Down's projects.

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Speaker 3: Man fucking up where the Great Streets is at.

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Speaker 6: And it was some dudes that came up and start

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Speaker 6: harassing to set a little bit, and m C eight,

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Speaker 6: who is from Compton, went over a couple of familiar faces,

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Speaker 6: you know, he chopped it up with him and he

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Speaker 6: came back and he was telling me, it's like, look,

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Speaker 6: they said, they're not gonna suck y'all up, but there's

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Speaker 6: some other little niggas that run around here younger than

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Speaker 6: them that if they come over here, nobody can control them,

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Speaker 6: so you might just want to you know.

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Speaker 3: You know, they didn't.

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Speaker 6: They didn't do the proper introduction to the hood coming

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Speaker 6: in and saying, hey, we're gonna be around for a

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Speaker 6: few days, can we make it happen.

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Speaker 3: They didn't do that, and.

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Speaker 6: It was it was a little close call. They ended

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Speaker 6: up having to shut down a little early. That's that

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Speaker 6: alley scene they were shooting with the crackhead and ship.

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Speaker 6: They probably would have got a little bit more, but

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Speaker 6: it was a fun shooter.

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Speaker 5: Man so quick.

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Speaker 6: You know, I'm the only nigga in the movie that

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Speaker 6: point the pistol at old Dog. He don't never really

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Speaker 6: have no I'm like they gave me a and I

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Speaker 6: humble a little nigga he like, you know, I had

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Speaker 6: him scared for a minute and he was a plug

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Speaker 6: too exactly.

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Speaker 1: You have.

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Speaker 3: My guy po man got a little kick.

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Speaker 1: You know who was in there?

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Speaker 3: They minutes maw you know. Hopefully Freaky Tales.

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Speaker 6: It's gonna be one of them movies that you know

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Speaker 6: for years to come and have little scenes that people remember.

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Speaker 3: You know, that's dope.

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Speaker 4: As someone who lived it, you grew up looking at it.

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Speaker 4: What was the eighties and nineties rap scene to you?

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Speaker 4: And what inspired you the most? You touched on it earlier,

286
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Speaker 4: But like break that down, man, it.

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Speaker 5: Was just fly you know what I mean. Like I

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Speaker 5: remember being a kid, my mom like dressing me up

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Speaker 5: in my school pictures and feelings, swist suits, you know

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Speaker 5: what I mean. He was telling me how to pose

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Speaker 5: and different things like that. So it was always just

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Speaker 5: fly seeing you know what I mean? Seeing forty faute,

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Speaker 5: you know what I mean. Everything was always just player.

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Speaker 5: We was always before the bay got labeled. It's just

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Speaker 5: like an aggressive ass place. It was how I've seen

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Speaker 5: it from my experience. It was real player. Everybody was player.

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Speaker 5: You had your women, you spoke to him a certain way.

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Speaker 5: You know what I mean. You stayed out of people's

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Speaker 5: business and minded your own. So for me, that's kind

300
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Speaker 5: of like the ETA theology is always tried to model

301
00:14:02,320 --> 00:14:04,839
Speaker 5: growing up. Its handle your business. Be a man of

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Speaker 5: your word, you know what I mean, Keep a player,

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Speaker 5: keep it cool. Uh, you ain't gotta be no gangster,

304
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Speaker 5: but don't be no bitch, you know what I mean.

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Speaker 7: You Fingerwaves never win finger because ain't that.

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Speaker 1: A lot of the boys finger went fing away man

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Speaker 1: rock four finger Waves wave it.

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Speaker 7: You gotta curl, yeah, yeah, yeah, send itself had to curl.

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Speaker 6: I'm like that was a bad We had special hair

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Speaker 6: stylists that did pip hair.

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Speaker 5: Dude, how did they keep that ship up like that.

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Speaker 1: Always?

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Speaker 6: Because I just kind of look right here, I assure

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Speaker 6: that once by the time.

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Speaker 3: But from what I heard, the pimp got to like,

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Speaker 3: you know, a nigga might have to just sleep like

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Speaker 3: this nigga, you know Techne look at the he said,

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Speaker 3: you might have to.

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Speaker 4: For someone that kind of helped create the sound coming

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Speaker 4: out of the Bay. Obviously we heard New York and

321
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Speaker 4: we you know, and then you come to the West

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Speaker 4: coast and there's some in La by someone who is

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Speaker 4: instrumentally in building the sound of the Bay Area. I

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00:15:30,320 --> 00:15:32,120
Speaker 4: mean probably in the moment you didn't realize that. But

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Speaker 4: how prideful were you as being a part of that.

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Speaker 6: Well, you know, I'm I'm an older dude, older than

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Speaker 6: damn near all the Bay rappers like Hammer might be

328
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Speaker 6: older than me. He might, he might get me by

329
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Speaker 6: a year, but forty on down mac dre on down,

330
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Speaker 6: they're all a little younger man.

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Speaker 3: I'm like, I'm of age.

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Speaker 6: I was ten years old when George Clinton landed the

333
00:15:55,840 --> 00:16:01,600
Speaker 6: Mothership in the coliseum, and I'm like a fifth grader.

334
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Speaker 3: Something like some shit like that.

335
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Speaker 6: And it don't mean nothing to say George Clinton leonard

336
00:16:08,200 --> 00:16:11,400
Speaker 6: a spaceship on the stage. But nigga had ten years

337
00:16:11,440 --> 00:16:14,760
Speaker 6: old and the p funk and the music, and my

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00:16:14,800 --> 00:16:16,680
Speaker 6: mama let me go to that concert with my brother

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00:16:17,120 --> 00:16:20,960
Speaker 6: and we just you know, no rental advisory. Were just

340
00:16:21,000 --> 00:16:23,880
Speaker 6: funking out little niggas because the world wasn't while back then.

341
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Speaker 6: You can tell a little nigga, you could say, go

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Speaker 6: to that concert, be standing right here at fucking nine pm.

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Speaker 3: The nigga be standing right there. And it was that

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Speaker 3: kind of world so I got I got to see

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Speaker 3: the funk.

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Speaker 1: Man.

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00:16:36,520 --> 00:16:38,840
Speaker 6: I've seen at a young age. I've seen that Rick

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00:16:38,920 --> 00:16:41,360
Speaker 6: James live on stage. I've seen Cameo, I've seen all

349
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Speaker 6: that shit. And when I got a chance to start

350
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Speaker 6: making music, I was just so funked out, just so

351
00:16:49,640 --> 00:16:54,920
Speaker 6: Boosy Parliament funk the fuck out that I'm listening to

352
00:16:55,000 --> 00:16:56,760
Speaker 6: all the hip hop coming from New York.

353
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Speaker 3: The first early records was Disco Records. All this shit on.

354
00:17:00,320 --> 00:17:03,040
Speaker 6: Sugarhill Gang, sugar Hill Records, and shit, a lot of

355
00:17:03,040 --> 00:17:05,800
Speaker 6: the early songs was on Curtis Blow. He was on

356
00:17:05,840 --> 00:17:08,400
Speaker 6: the disco vibe. It was like because disco was hot

357
00:17:08,440 --> 00:17:12,840
Speaker 6: coming out the seventies. And then they instantly went into

358
00:17:12,920 --> 00:17:16,679
Speaker 6: James Brown. So the East Coast rappers sample every fucking

359
00:17:16,720 --> 00:17:19,240
Speaker 6: thing you could think of James Brown, every little loop

360
00:17:19,280 --> 00:17:21,959
Speaker 6: you could find the funk. James Brown is the inventor

361
00:17:22,000 --> 00:17:25,080
Speaker 6: of the funk. Parliament Boosy is the next generation. They

362
00:17:25,119 --> 00:17:27,560
Speaker 6: got it from James Brown. So listen to the ship.

363
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Speaker 6: And it's my turn to step up to the plate.

364
00:17:29,960 --> 00:17:31,800
Speaker 6: And I'm like, all we all we fucking want to

365
00:17:31,840 --> 00:17:34,720
Speaker 6: do is Parliament, go listen to Doctor Dre All the

366
00:17:34,720 --> 00:17:40,200
Speaker 6: ship when he first starts, he's fascinated with Parliament. Listen

367
00:17:40,280 --> 00:17:43,879
Speaker 6: to forty and it's just funk, funky as funk. So

368
00:17:44,480 --> 00:17:46,840
Speaker 6: we wasn't, you know, we wasn't really high in it,

369
00:17:46,880 --> 00:17:49,520
Speaker 6: that thing. We was trying to be listen to digital underground,

370
00:17:49,760 --> 00:17:53,800
Speaker 6: fucking Parliament, like that's the ship. So I just wanted

371
00:17:53,840 --> 00:17:57,680
Speaker 6: to do my version of George Clinton really slow, funky beats.

372
00:17:57,840 --> 00:17:59,960
Speaker 6: The baseline, you know, drum beat got a little kick

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00:18:00,080 --> 00:18:02,680
Speaker 6: to it, and the baseline funky as hell. And then

374
00:18:02,720 --> 00:18:04,840
Speaker 6: I added on to that shit just a lot of

375
00:18:04,840 --> 00:18:09,199
Speaker 6: shit talking and didn't really have any style of it

376
00:18:09,240 --> 00:18:11,320
Speaker 6: than talk a lot of shit. I had a rap

377
00:18:11,359 --> 00:18:13,040
Speaker 6: partner in the early days. His name was Freddie b

378
00:18:13,520 --> 00:18:16,119
Speaker 6: and we used to sit around and we would just

379
00:18:16,840 --> 00:18:19,080
Speaker 6: make tapes. Like a certain day would be make tape

380
00:18:19,119 --> 00:18:21,719
Speaker 6: making day, other days to be taped selling day, and

381
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Speaker 6: we would we would just be like just viving on

382
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Speaker 6: what's moving around the streets and.

383
00:18:26,200 --> 00:18:29,320
Speaker 3: Just be like, talk hell of shit. So just talk shit.

384
00:18:29,840 --> 00:18:34,560
Speaker 6: And I think in the midst of styles of MC's

385
00:18:34,760 --> 00:18:36,840
Speaker 6: in the whole world of hip hop, when they start

386
00:18:36,920 --> 00:18:39,040
Speaker 6: talking about this style, that style of the flow, he

387
00:18:39,119 --> 00:18:39,560
Speaker 6: speed up.

388
00:18:39,600 --> 00:18:42,200
Speaker 3: He'd do this cadence. That cadence, they really didn't really

389
00:18:43,680 --> 00:18:45,560
Speaker 3: had that category called shit talking.

390
00:18:46,040 --> 00:18:47,840
Speaker 6: So all these years later they were like, well it's

391
00:18:47,840 --> 00:18:50,400
Speaker 6: too short still relevant. Well, you know, two Short wasn't

392
00:18:50,400 --> 00:18:52,560
Speaker 6: ever the best rapper, but I was the best shit talker.

393
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Speaker 3: The niggas just don't getting it.

394
00:18:54,280 --> 00:18:56,680
Speaker 6: They wasn't realizing I was just rattling the fuck out

395
00:18:56,680 --> 00:18:59,320
Speaker 6: the speakers with the hell of base and just talking

396
00:18:59,359 --> 00:19:01,800
Speaker 6: a lot of shit. And I think that shit went

397
00:19:01,880 --> 00:19:04,280
Speaker 6: all over the Bay because the next nigga's up to

398
00:19:04,359 --> 00:19:05,399
Speaker 6: bat was e forty.

399
00:19:05,640 --> 00:19:08,040
Speaker 3: Here he come a whole lot of bass, talking a

400
00:19:08,040 --> 00:19:08,600
Speaker 3: lot of shit.

401
00:19:08,720 --> 00:19:11,840
Speaker 6: Next nigga up, Mac Dre. Everything he's doing, talking shit?

402
00:19:11,960 --> 00:19:15,240
Speaker 6: We kicko Fota from the city. What's he doing? He's

403
00:19:15,320 --> 00:19:17,320
Speaker 6: just talking a lot of shit. So I think all

404
00:19:17,359 --> 00:19:20,440
Speaker 6: the Bay rappers we wanted to just lingo it up

405
00:19:20,480 --> 00:19:23,399
Speaker 6: like the pimpsl was talking, like the street hustles was talking.

406
00:19:23,720 --> 00:19:24,960
Speaker 6: And then all of a sudden, it was like the

407
00:19:25,080 --> 00:19:27,679
Speaker 6: rappers was talking. So we set that tone. And if

408
00:19:27,680 --> 00:19:31,280
Speaker 6: you listen to a young Bay rapper right now, seventeen eighteen,

409
00:19:31,359 --> 00:19:32,040
Speaker 6: what is he doing?

410
00:19:32,080 --> 00:19:33,920
Speaker 3: Shit? He's just talking a gang of shit.

411
00:19:34,400 --> 00:19:39,000
Speaker 6: Even when a sob came out. Everybody, just every little

412
00:19:39,000 --> 00:19:42,399
Speaker 6: era that comes out. The Russell now punchlining like a motherfucker.

413
00:19:42,480 --> 00:19:44,800
Speaker 6: Just l Russell ain't even a bad guy. His image

414
00:19:44,880 --> 00:19:48,800
Speaker 6: is not a bad guy image. Street talking that shit.

415
00:19:49,000 --> 00:19:52,679
Speaker 6: So that's our legacy out there. I think, you know,

416
00:19:52,800 --> 00:19:55,639
Speaker 6: the world should know they was, you know, all the

417
00:19:55,680 --> 00:19:59,920
Speaker 6: motherfuckers who was all a lyrical super lyrical shit.

418
00:20:00,160 --> 00:20:00,360
Speaker 1: Hmm.

419
00:20:01,000 --> 00:20:02,520
Speaker 3: Should have put a little shit talking in there.

420
00:20:02,560 --> 00:20:08,800
Speaker 7: Mane you can't forgetting mac mall either. Man, all of

421
00:20:08,880 --> 00:20:09,080
Speaker 7: us we.

422
00:20:10,680 --> 00:20:10,840
Speaker 1: Grew.

423
00:20:11,720 --> 00:20:14,480
Speaker 3: There's a whole bunch of us. Man, we just forty

424
00:20:14,520 --> 00:20:15,880
Speaker 3: calls us game.

425
00:20:15,720 --> 00:20:20,520
Speaker 4: Spinners with The little girl's name is Dope from out

426
00:20:20,520 --> 00:20:21,040
Speaker 4: that way.

427
00:20:20,880 --> 00:20:26,320
Speaker 3: Now Paris Knights, Yeah, period. I like her.

428
00:20:28,040 --> 00:20:30,879
Speaker 4: The Bay can be considered its own little almost world.

429
00:20:31,000 --> 00:20:33,760
Speaker 4: It's so much different energy from bridge to bridge. What

430
00:20:33,840 --> 00:20:37,280
Speaker 4: did you guys, how did you guys embrace park and

431
00:20:37,280 --> 00:20:39,280
Speaker 4: and and master p when they came and set up

432
00:20:39,280 --> 00:20:40,640
Speaker 4: shop out there in the early nineties.

433
00:20:40,760 --> 00:20:43,600
Speaker 6: I think, uh, they made a lot of friends and

434
00:20:43,600 --> 00:20:46,639
Speaker 6: and it became home. So you know, I always I

435
00:20:46,640 --> 00:20:49,200
Speaker 6: always referred to two Pocks quote when they said where

436
00:20:49,200 --> 00:20:50,359
Speaker 6: are you from? He said, if I got to call

437
00:20:50,440 --> 00:20:52,640
Speaker 6: someplace home. I'm gonna called Oakland home because that's where

438
00:20:52,640 --> 00:20:55,119
Speaker 6: I got the game. And I think, uh, that's a

439
00:20:55,119 --> 00:20:58,520
Speaker 6: big statement because he's from an area in the Bay

440
00:20:58,560 --> 00:21:01,600
Speaker 6: called Marine City, proud of being from there. But he

441
00:21:01,680 --> 00:21:03,200
Speaker 6: was just like I came to Oakland and got this

442
00:21:03,320 --> 00:21:06,159
Speaker 6: certain game. Bruce Lee came to Oakland and got that.

443
00:21:06,200 --> 00:21:09,000
Speaker 3: Game shit back before hip hop. It's out there.

444
00:21:09,520 --> 00:21:12,240
Speaker 6: I heard people like Kat Williams say he went out

445
00:21:12,240 --> 00:21:14,679
Speaker 6: to Oakland to live for a while just to figure

446
00:21:14,720 --> 00:21:18,200
Speaker 6: his comedy shit out a little more so. Master PM

447
00:21:18,800 --> 00:21:22,960
Speaker 6: has a lot of alliances in the Bay with people

448
00:21:22,960 --> 00:21:25,840
Speaker 6: who were doing that independent hustle. How he learned it

449
00:21:26,000 --> 00:21:28,240
Speaker 6: and how he figured out how to do it his way.

450
00:21:28,520 --> 00:21:32,240
Speaker 6: He had a record store in Richmond, and he just

451
00:21:33,240 --> 00:21:35,600
Speaker 6: absorbed it, man like, he was the record store owner,

452
00:21:35,640 --> 00:21:37,879
Speaker 6: worked in his store and he was watching all this

453
00:21:38,000 --> 00:21:39,960
Speaker 6: shit sell independently.

454
00:21:40,040 --> 00:21:43,160
Speaker 3: So you know, he figured it out. But it's shot.

455
00:21:43,240 --> 00:21:47,119
Speaker 6: G said he pimped his way across the USA to

456
00:21:47,200 --> 00:21:50,679
Speaker 6: get to Oakland to motherfucking make music because wanted to

457
00:21:50,760 --> 00:21:52,719
Speaker 6: be out there, you know what I Meanuck, A lot

458
00:21:52,720 --> 00:21:54,800
Speaker 6: of motherfuckers know that I was born and raised in

459
00:21:54,920 --> 00:21:57,760
Speaker 6: La I moved to Oakland at fourteen turned the fuck out.

460
00:21:57,760 --> 00:22:00,560
Speaker 6: I never had a dream of rapping or nothing too short.

461
00:22:00,840 --> 00:22:03,000
Speaker 6: I got to open and they fucking turned me into

462
00:22:03,000 --> 00:22:05,480
Speaker 6: this shit. So it's just like it's like that, bro,

463
00:22:05,560 --> 00:22:08,160
Speaker 6: it's in the water Man. If you knew the history

464
00:22:08,200 --> 00:22:11,080
Speaker 6: of the Bay Area music, if you just knew the history,

465
00:22:11,640 --> 00:22:13,680
Speaker 6: it's a lot of fucking history before hip hop.

466
00:22:14,359 --> 00:22:15,400
Speaker 3: Good shit, Ablue.

467
00:22:15,680 --> 00:22:18,320
Speaker 7: Is it anything that you that you are envious about

468
00:22:18,359 --> 00:22:21,560
Speaker 7: that the eighties and nineties rappers got that you didn't that, y'all?

469
00:22:21,560 --> 00:22:25,199
Speaker 7: I'm getting this area this era. I think it was

470
00:22:25,240 --> 00:22:26,080
Speaker 7: way more solid.

471
00:22:26,280 --> 00:22:33,639
Speaker 5: I think one thing God say is like, because it

472
00:22:33,760 --> 00:22:35,960
Speaker 5: was a limited amount of resources, they had to be

473
00:22:36,040 --> 00:22:40,560
Speaker 5: more creative. Yeah, facts, And I feel like sometimes my

474
00:22:40,720 --> 00:22:44,080
Speaker 5: air gets lazy on the creative side because of everything

475
00:22:44,119 --> 00:22:47,199
Speaker 5: we got at our disposal. When you hear some of

476
00:22:47,200 --> 00:22:49,199
Speaker 5: them real Like he was telling me he had to

477
00:22:49,240 --> 00:22:52,560
Speaker 5: rap Freaky Tales all the way through. I'm telling him, like,

478
00:22:52,840 --> 00:22:54,840
Speaker 5: you know how long it took me to punch that shit?

479
00:22:55,680 --> 00:22:57,480
Speaker 5: Like I had to rewrap it for the movie, And

480
00:22:57,520 --> 00:23:00,080
Speaker 5: it took me, like damn, there like a whole day

481
00:23:00,280 --> 00:23:02,760
Speaker 5: to like rap that shit, and I'm punching, taking five

482
00:23:02,760 --> 00:23:04,440
Speaker 5: minute breaks going and he was like, nah, I have

483
00:23:04,560 --> 00:23:07,320
Speaker 5: to wrap it all the way through. He like, that's

484
00:23:07,320 --> 00:23:10,040
Speaker 5: why you could hear certain things in the background, that's all.

485
00:23:10,119 --> 00:23:11,520
Speaker 5: But he was like, man, I used to like it

486
00:23:11,600 --> 00:23:13,240
Speaker 5: like that. The Flaws is cornered.

487
00:23:12,960 --> 00:23:16,840
Speaker 3: The studio time, either on album.

488
00:23:17,160 --> 00:23:21,679
Speaker 5: Yeah, So I think the creativity. I'm somebody that like,

489
00:23:22,280 --> 00:23:24,800
Speaker 5: I kind of overthink a lot, especially when it comes

490
00:23:24,840 --> 00:23:27,880
Speaker 5: to write my raps, because I never I never want

491
00:23:27,920 --> 00:23:30,919
Speaker 5: to feel like I'm wasting thoughts or just saying something

492
00:23:30,920 --> 00:23:33,560
Speaker 5: to say it. I'm always trying to say something that's important,

493
00:23:33,640 --> 00:23:36,840
Speaker 5: especially when it comes to hard culture. And I get

494
00:23:36,840 --> 00:23:38,800
Speaker 5: that from the nineties, you know what I mean, From

495
00:23:38,880 --> 00:23:41,480
Speaker 5: the eighties, from the Bay you know what I mean,

496
00:23:41,520 --> 00:23:44,680
Speaker 5: even like he was just talking about shit talking. One

497
00:23:44,720 --> 00:23:47,520
Speaker 5: of my biggest moments was the La Leakers freestyle and

498
00:23:47,560 --> 00:23:50,359
Speaker 5: when I said I never let a woman make me

499
00:23:50,359 --> 00:23:52,159
Speaker 5: feel less of a man because I don't want to

500
00:23:52,160 --> 00:23:56,320
Speaker 5: buy a burking. That line actually came from when Sweetie said,

501
00:23:56,480 --> 00:23:58,119
Speaker 5: if he don't buy you a burk, and send him

502
00:23:58,160 --> 00:24:00,360
Speaker 5: back to the streets, you know what I mean saying.

503
00:24:00,440 --> 00:24:02,399
Speaker 5: So I was like, well, send me back to the streets,

504
00:24:02,400 --> 00:24:06,280
Speaker 5: and I send you back to your mama house. You know,

505
00:24:07,119 --> 00:24:11,000
Speaker 5: like you said, ship talking, it's just but having something

506
00:24:11,040 --> 00:24:12,760
Speaker 5: to say, you know what I mean, having something to

507
00:24:12,840 --> 00:24:15,439
Speaker 5: stand on for my community and my culture or what

508
00:24:15,480 --> 00:24:18,640
Speaker 5: we believe in is what I take for them.

509
00:24:19,000 --> 00:24:20,120
Speaker 1: Same question for you, Shure.

510
00:24:20,240 --> 00:24:22,960
Speaker 7: But flip it around, like they have access to so

511
00:24:23,119 --> 00:24:26,240
Speaker 7: much social media and all that is anything that you

512
00:24:26,320 --> 00:24:28,200
Speaker 7: wish that y'all would have had, that you kind of

513
00:24:28,200 --> 00:24:28,920
Speaker 7: image that they.

514
00:24:28,840 --> 00:24:32,359
Speaker 6: Have now, well, the tools, the tools are way better,

515
00:24:32,800 --> 00:24:38,080
Speaker 6: you know, technology. It's a it's a give and take

516
00:24:38,160 --> 00:24:42,320
Speaker 6: for me though, because what technology brought along was a

517
00:24:42,359 --> 00:24:43,640
Speaker 6: way to reach the masses.

518
00:24:44,040 --> 00:24:46,360
Speaker 3: But then there was also a really.

519
00:24:47,600 --> 00:24:52,960
Speaker 6: A really fun aspect of not everybody knowing everything instantly.

520
00:24:53,000 --> 00:24:56,760
Speaker 6: It was it actually to me, it gave songs a

521
00:24:56,800 --> 00:25:01,600
Speaker 6: longer lifespan and it I don't know, it just I

522
00:25:02,080 --> 00:25:05,080
Speaker 6: used to meet people by doing the show and jumping

523
00:25:05,080 --> 00:25:07,600
Speaker 6: off stage and walking through your city and just meet people.

524
00:25:08,720 --> 00:25:10,920
Speaker 6: I didn't have, you know, social media, I probably would

525
00:25:10,960 --> 00:25:12,199
Speaker 6: have never did that shit. I'd have been like, I

526
00:25:12,240 --> 00:25:15,160
Speaker 6: got five hundred thousand followers, Why the fuck I gotta

527
00:25:15,200 --> 00:25:16,000
Speaker 6: go walk around.

528
00:25:15,720 --> 00:25:16,960
Speaker 3: Your city, you know what I mean?

529
00:25:17,200 --> 00:25:20,919
Speaker 6: So it just I like the personal shit, But at

530
00:25:20,920 --> 00:25:24,600
Speaker 6: the same time everything is so one hundred times more.

531
00:25:24,680 --> 00:25:28,400
Speaker 6: Of course, I would have loved the fucking in the nineties,

532
00:25:28,520 --> 00:25:30,840
Speaker 6: I fucking made six platinum albums in a row. I

533
00:25:30,880 --> 00:25:33,760
Speaker 6: couldn't get a fucking endorsement of nothing. They wouldn't actually

534
00:25:33,800 --> 00:25:36,359
Speaker 6: hip hop artist to endorse snow for motherfuckers just sold

535
00:25:36,880 --> 00:25:39,800
Speaker 6: six million albums in six years, and you wouldn't want

536
00:25:39,840 --> 00:25:40,840
Speaker 6: them to endorse your product.

537
00:25:40,840 --> 00:25:43,680
Speaker 3: Product. And now you know, now that they know.

538
00:25:43,600 --> 00:25:47,240
Speaker 6: How influential hip hop is, if you just get a

539
00:25:47,280 --> 00:25:49,800
Speaker 6: little spark, they're like, oh, you know, you want to

540
00:25:50,160 --> 00:25:52,639
Speaker 6: this clothing line, you want this, and they understand the

541
00:25:52,720 --> 00:25:56,360
Speaker 6: value of the popularity. But back then it was I mean,

542
00:25:56,400 --> 00:25:58,920
Speaker 6: they were trying to stop us from doing tours. They're

543
00:25:58,920 --> 00:26:01,080
Speaker 6: trying to stop us from any fucking thing we do.

544
00:26:01,440 --> 00:26:04,040
Speaker 6: We pull up, it's like, those are the hip hoppers,

545
00:26:04,080 --> 00:26:04,800
Speaker 6: the bad guys.

546
00:26:04,800 --> 00:26:08,280
Speaker 8: So I would love to be in the era of

547
00:26:09,119 --> 00:26:13,000
Speaker 8: floating ship through this fucking digital these ones and zeros

548
00:26:13,000 --> 00:26:16,359
Speaker 8: and just send my ship to London in a listening

549
00:26:16,359 --> 00:26:18,720
Speaker 8: to m P three and fucking how are we sending

550
00:26:18,720 --> 00:26:21,160
Speaker 8: a fucking song across the ocean in ten seconds?

551
00:26:21,240 --> 00:26:23,359
Speaker 7: The fuck is that you gave, you gave, you gave me,

552
00:26:23,560 --> 00:26:27,000
Speaker 7: You gave me a hard drive about fifty thousand songs

553
00:26:27,040 --> 00:26:29,240
Speaker 7: on the word fucker. Man, it's still listening to the

554
00:26:29,320 --> 00:26:31,080
Speaker 7: motherfucker the nineties.

555
00:26:31,080 --> 00:26:32,920
Speaker 6: I would have had to give you like fucking twenty

556
00:26:33,000 --> 00:26:36,359
Speaker 6: crazy hey, but it's lovely.

557
00:26:36,440 --> 00:26:40,160
Speaker 3: Man. The only thing with right now, the only thing

558
00:26:40,200 --> 00:26:43,040
Speaker 3: I don't like is the way that.

559
00:26:44,600 --> 00:26:48,320
Speaker 6: The streets are entwined with the rap ship. Because the

560
00:26:48,359 --> 00:26:52,600
Speaker 6: streets always hip hop. The streets was always the backing

561
00:26:52,720 --> 00:26:56,679
Speaker 6: the banker of hip hop movements, but the street guys

562
00:26:56,760 --> 00:26:59,480
Speaker 6: would be like this all legitimate thing, keep it legit,

563
00:27:00,080 --> 00:27:02,480
Speaker 6: staying in a certain place. Now it's like Nigga the

564
00:27:02,600 --> 00:27:07,760
Speaker 6: rapper himself would get off stage and shoot you, did

565
00:27:07,800 --> 00:27:08,200
Speaker 6: you just.

566
00:27:08,200 --> 00:27:09,000
Speaker 3: Throw that like this?

567
00:27:09,200 --> 00:27:13,560
Speaker 6: Like crazy that that we was thug the fuck out

568
00:27:13,880 --> 00:27:16,879
Speaker 6: rolling with me, any type of vibe you want to

569
00:27:16,920 --> 00:27:20,159
Speaker 6: think about. But the ship had a certain level of

570
00:27:20,440 --> 00:27:23,080
Speaker 6: it made sense. And I just think that if you

571
00:27:23,160 --> 00:27:27,280
Speaker 6: got something so valuable as hip hop, we pull up

572
00:27:27,280 --> 00:27:30,840
Speaker 6: in the room. This the nigga who gets all the

573
00:27:30,880 --> 00:27:33,360
Speaker 6: money for the movement. He the last nigga that's gonna

574
00:27:33,359 --> 00:27:35,960
Speaker 6: get in trouble. He the last nigga that's gonna get hurt.

575
00:27:36,240 --> 00:27:39,600
Speaker 6: The movement is shielding him, like, Nigga, we gotta do

576
00:27:39,640 --> 00:27:41,200
Speaker 6: some dirt, get him to the car.

577
00:27:41,240 --> 00:27:42,119
Speaker 3: That's that's the bag.

578
00:27:42,760 --> 00:27:44,399
Speaker 6: Why is the bag over here in the middle of

579
00:27:44,400 --> 00:27:46,960
Speaker 6: the fucking fight, Like it ain't making no sense?

580
00:27:46,960 --> 00:27:49,320
Speaker 5: So I think the thing with that, because you're right,

581
00:27:49,480 --> 00:27:53,960
Speaker 5: I think the problem with our generation is like they

582
00:27:54,040 --> 00:27:58,280
Speaker 5: kind of start disrespecting the support. Right, so niggas starts

583
00:27:58,280 --> 00:28:02,240
Speaker 5: feeling like day the reason so you able to move

584
00:28:02,320 --> 00:28:04,159
Speaker 5: this way and move around the hood and have this

585
00:28:04,320 --> 00:28:07,080
Speaker 5: influence because of us, But then you start making this

586
00:28:07,200 --> 00:28:09,880
Speaker 5: money and start believing it's because of you. So now

587
00:28:09,920 --> 00:28:12,520
Speaker 5: the people who was funding that is like, Nigga, you're

588
00:28:12,560 --> 00:28:14,800
Speaker 5: really rapping about my life. I could do this too,

589
00:28:15,400 --> 00:28:15,600
Speaker 5: you know.

590
00:28:15,600 --> 00:28:15,960
Speaker 1: What I mean?

591
00:28:16,000 --> 00:28:17,840
Speaker 5: So now they didn't put themself in front of the

592
00:28:17,880 --> 00:28:20,560
Speaker 5: camera and made that same amount of money, And it's like,

593
00:28:20,560 --> 00:28:22,320
Speaker 5: what I'm back you for now when I could do

594
00:28:22,359 --> 00:28:25,560
Speaker 5: the same thing. And because of this, they made the

595
00:28:25,600 --> 00:28:29,040
Speaker 5: world one big neighborhood. How he can't get to the

596
00:28:29,040 --> 00:28:30,600
Speaker 5: people or it.

597
00:28:30,640 --> 00:28:33,320
Speaker 6: Says a billion dollar business and motherfuckers need to like

598
00:28:33,440 --> 00:28:34,320
Speaker 6: fight somewhere else.

599
00:28:38,120 --> 00:28:38,560
Speaker 1: They are not.

600
00:28:38,760 --> 00:28:42,560
Speaker 6: They are not fighting on the courts, Max.

601
00:28:42,600 --> 00:28:43,960
Speaker 3: They're not fighting on the course no more.

602
00:28:45,040 --> 00:28:48,360
Speaker 1: It's a it's a bag. That's a bad.

603
00:28:48,960 --> 00:28:51,400
Speaker 5: Shout out to Uncle V too, man. Uncle VV came

604
00:28:51,440 --> 00:28:54,280
Speaker 5: out and rocked with me for All Star Weekend. You

605
00:28:54,320 --> 00:28:56,160
Speaker 5: know that's one of my favorite people in the world.

606
00:28:56,200 --> 00:28:58,760
Speaker 5: We'll be on the fight black man. That motherfucker right there, Man,

607
00:29:00,040 --> 00:29:04,040
Speaker 5: the mother fucking Peppovich. Man, I couldn't god that motherfucker. Man,

608
00:29:04,440 --> 00:29:05,000
Speaker 5: that mother.

609
00:29:06,800 --> 00:29:10,600
Speaker 1: I love man. Shout out the man in the building

610
00:29:11,920 --> 00:29:15,840
Speaker 1: eighties and nineties or today? Who got the best group?

611
00:29:15,920 --> 00:29:18,760
Speaker 1: Is the best looking group to groupies?

612
00:29:18,840 --> 00:29:23,280
Speaker 5: That's the part you left. You would crazy Instagram because you.

613
00:29:23,280 --> 00:29:26,320
Speaker 7: Know you basically build the bitch today, build the whole

614
00:29:26,320 --> 00:29:27,320
Speaker 7: perfect man.

615
00:29:27,880 --> 00:29:30,280
Speaker 3: When I was coming up, if the girl had a

616
00:29:30,280 --> 00:29:32,480
Speaker 3: big ass, it was real. That was a big ass.

617
00:29:32,560 --> 00:29:33,200
Speaker 1: Yeah that was real.

618
00:29:33,440 --> 00:29:36,600
Speaker 6: There was no nothing but her grandmom and her mama.

619
00:29:37,240 --> 00:29:40,680
Speaker 1: That was beans and rice all over. Man, And yeah, I.

620
00:29:40,560 --> 00:29:45,040
Speaker 6: Feel so bad for the from my generation, for the

621
00:29:45,680 --> 00:29:48,400
Speaker 6: kids who inherited that ass, who got to compete with

622
00:29:48,400 --> 00:29:48,920
Speaker 6: fake ass.

623
00:29:50,240 --> 00:29:53,440
Speaker 3: That ship is that ship is like religious. Man is special. Man,

624
00:29:53,480 --> 00:30:00,520
Speaker 3: That motherfucking that you could build one. That fact.

625
00:30:00,680 --> 00:30:03,440
Speaker 6: I've seen too many real ones that even I can't.

626
00:30:03,440 --> 00:30:06,600
Speaker 6: I can't honor, Yeah, I can't.

627
00:30:07,000 --> 00:30:12,080
Speaker 5: But like I said, y'all paved the way. You see community,

628
00:30:13,960 --> 00:30:17,640
Speaker 5: y'all paved the way they got to explore.

629
00:30:17,800 --> 00:30:18,440
Speaker 1: Now you know.

630
00:30:20,360 --> 00:30:25,920
Speaker 4: We're you ain't never had the nineties group got to

631
00:30:25,960 --> 00:30:28,320
Speaker 4: be nineties I'm thinking nineties nineties?

632
00:30:28,920 --> 00:30:30,240
Speaker 5: What was the nineties groupie?

633
00:30:30,640 --> 00:30:33,959
Speaker 3: Natural beautiful? After they leave, they just be happy.

634
00:30:34,720 --> 00:30:40,040
Speaker 6: Ain't no no posting, no motherfucking up secret adortion?

635
00:30:40,400 --> 00:30:45,760
Speaker 5: Okay, okay, lies after the ship that happened, come on,

636
00:30:46,240 --> 00:30:47,120
Speaker 5: give it changed?

637
00:30:47,240 --> 00:30:49,280
Speaker 3: Everything is getting fluid out?

638
00:30:49,400 --> 00:30:55,120
Speaker 7: Wasn't the thing that's back?

639
00:30:55,160 --> 00:30:58,560
Speaker 5: When that's back? When what happened in Vegas actually stayed

640
00:30:58,560 --> 00:30:59,080
Speaker 5: in Vegas?

641
00:30:59,400 --> 00:30:59,600
Speaker 1: Yeah?

642
00:31:00,680 --> 00:31:02,040
Speaker 3: When when a T shirt meant something?

643
00:31:03,280 --> 00:31:06,760
Speaker 1: Expectations now are crazy? Expectations now are crazy.

644
00:31:07,320 --> 00:31:09,840
Speaker 7: You survived every era of hip hop to say, to

645
00:31:09,920 --> 00:31:12,800
Speaker 7: be honest, what do you think was the golden age

646
00:31:12,800 --> 00:31:13,360
Speaker 7: of hip hop?

647
00:31:13,520 --> 00:31:15,640
Speaker 1: Or if you would say it was a golden age.

648
00:31:15,320 --> 00:31:18,680
Speaker 6: Well, we know they have an actual golden era that's

649
00:31:18,800 --> 00:31:22,080
Speaker 6: labeled late eighties and early nineties that's supposed to be

650
00:31:23,040 --> 00:31:25,240
Speaker 6: the peerst form of hip hop when it was young

651
00:31:25,480 --> 00:31:29,600
Speaker 6: in the commercial stages and everything was original.

652
00:31:30,040 --> 00:31:34,840
Speaker 3: Everybody was a one off man. All these erarors were.

653
00:31:34,720 --> 00:31:39,080
Speaker 6: Fun like that era is how I got in the gang,

654
00:31:39,520 --> 00:31:42,000
Speaker 6: just being too short of my own lane. But the

655
00:31:42,000 --> 00:31:43,920
Speaker 6: next one that came in with the bling bline, we

656
00:31:43,920 --> 00:31:45,960
Speaker 6: all got money and sh was fun. I was looking

657
00:31:45,960 --> 00:31:49,600
Speaker 6: at Atlanta and she was fun and fucking who got

658
00:31:49,600 --> 00:31:53,960
Speaker 6: the most shit fun? And then you know, the Y

659
00:31:54,040 --> 00:31:57,240
Speaker 6: two K pass and then the new Millennium came in and.

660
00:31:57,240 --> 00:31:59,120
Speaker 3: Shit started getting my space, my.

661
00:31:59,200 --> 00:32:02,640
Speaker 6: Spaced out, and you know, it was on the Bay.

662
00:32:02,640 --> 00:32:04,800
Speaker 6: We was hypheed up and Little John and then was

663
00:32:04,840 --> 00:32:07,080
Speaker 6: crunked up. It was it was, it was doing it, man,

664
00:32:07,120 --> 00:32:07,440
Speaker 6: I was.

665
00:32:07,560 --> 00:32:09,120
Speaker 5: I was just about to ask you not to cut

666
00:32:09,160 --> 00:32:13,200
Speaker 5: you off. Speak to you meeting Little John because a

667
00:32:13,240 --> 00:32:16,680
Speaker 5: lot of people don't understand he was the first.

668
00:32:16,920 --> 00:32:18,880
Speaker 6: But I'm you know, I'm at this time. I'm an

669
00:32:18,880 --> 00:32:22,480
Speaker 6: og brouh, I'm an og in the nineties. But they're like,

670
00:32:22,480 --> 00:32:24,280
Speaker 6: what up o G you know what I'm saying, I've

671
00:32:24,280 --> 00:32:28,440
Speaker 6: been there and fucking I'm coming on the West and

672
00:32:28,480 --> 00:32:31,120
Speaker 6: this hyphee is brewing, like early two thousands hype.

673
00:32:31,120 --> 00:32:35,880
Speaker 3: He is brewing and fucking It's just a whole new

674
00:32:36,040 --> 00:32:36,680
Speaker 3: energy for me.

675
00:32:36,760 --> 00:32:37,000
Speaker 1: Man.

676
00:32:37,560 --> 00:32:39,640
Speaker 6: I had, I had already been in pocket with Little

677
00:32:39,680 --> 00:32:43,720
Speaker 6: John when the hyphe came along. Little John literally had

678
00:32:43,720 --> 00:32:45,320
Speaker 6: did a show or something he did. He was in

679
00:32:45,360 --> 00:32:47,640
Speaker 6: Oakland for something in the bay and he called me.

680
00:32:47,640 --> 00:32:49,440
Speaker 6: He was like, man, I'm in the bay and they

681
00:32:49,440 --> 00:32:51,320
Speaker 6: got the ship out here called Haife, Like, bro, we

682
00:32:51,360 --> 00:32:52,480
Speaker 6: gotta do some of this ship.

683
00:32:52,800 --> 00:32:54,800
Speaker 3: Like he came back hyped up on the ship.

684
00:32:54,880 --> 00:32:58,600
Speaker 6: So prior you want to know the Little Johan story,

685
00:32:59,440 --> 00:33:02,040
Speaker 6: Little John is uh.

686
00:33:03,440 --> 00:33:06,560
Speaker 3: And about what I don't know. The mid nineties.

687
00:33:06,880 --> 00:33:09,960
Speaker 6: He's an employee and so so deaf and he's over

688
00:33:09,960 --> 00:33:12,280
Speaker 6: there producing songs. I think one of the ones I

689
00:33:12,280 --> 00:33:16,360
Speaker 6: always members of is that my boot song somebody singing

690
00:33:16,400 --> 00:33:16,840
Speaker 6: I don't.

691
00:33:16,680 --> 00:33:19,720
Speaker 3: Know boo I can't sing, so you.

692
00:33:19,640 --> 00:33:23,360
Speaker 5: Know, uh not the usher booze.

693
00:33:26,600 --> 00:33:27,480
Speaker 1: Baby Oh.

694
00:33:27,960 --> 00:33:28,560
Speaker 3: I think.

695
00:33:30,200 --> 00:33:37,120
Speaker 6: So so deaf, thank you so blue John producing him

696
00:33:37,160 --> 00:33:38,560
Speaker 6: kind of beast for so so deaf. He worked for

697
00:33:38,640 --> 00:33:40,400
Speaker 6: Jermain Dupree. You got an office over there and ship.

698
00:33:40,680 --> 00:33:43,800
Speaker 6: But he's also a DJ around Atlanta and the niggas

699
00:33:43,840 --> 00:33:45,040
Speaker 6: a pretty good damn DJ.

700
00:33:45,200 --> 00:33:48,320
Speaker 3: So I was a fan of Little John to DJ.

701
00:33:48,520 --> 00:33:51,160
Speaker 6: I always was at the fucking clubs and when he DJ,

702
00:33:51,440 --> 00:33:52,440
Speaker 6: it was just different.

703
00:33:52,520 --> 00:33:54,719
Speaker 3: He started DJing.

704
00:33:54,600 --> 00:33:57,400
Speaker 6: And he's playing records but he's talking and then next

705
00:33:57,400 --> 00:33:59,880
Speaker 6: thing you know, he got the crowd saying ship he

706
00:34:00,000 --> 00:34:02,960
Speaker 6: he just it turned into a fucking concert by DJ.

707
00:34:03,320 --> 00:34:04,760
Speaker 6: And then he put this record out.

708
00:34:04,960 --> 00:34:07,959
Speaker 3: Who You Get Crunk? Who You With? Who You With?

709
00:34:08,000 --> 00:34:10,960
Speaker 6: Just a bunch of chants to the flu getting look

710
00:34:11,000 --> 00:34:14,239
Speaker 6: to the flock. And I pull up on him and

711
00:34:14,280 --> 00:34:15,719
Speaker 6: I'm like, bro, you need to let me do a

712
00:34:15,760 --> 00:34:18,080
Speaker 6: remix to that, like put some raps on it. And

713
00:34:18,120 --> 00:34:20,200
Speaker 6: he's like, nah, nah, that song already came and win.

714
00:34:20,280 --> 00:34:22,600
Speaker 6: He's like, let's make some new ship. So he put

715
00:34:22,719 --> 00:34:24,480
Speaker 6: up to my studio one day and left me a

716
00:34:24,480 --> 00:34:27,360
Speaker 6: song that ended up being a couldn't be a better player,

717
00:34:28,640 --> 00:34:32,800
Speaker 6: and and.

718
00:34:32,160 --> 00:34:33,960
Speaker 3: He left the song. I wasn't there when he came.

719
00:34:34,000 --> 00:34:37,240
Speaker 6: He just left this fucking song tracked out on the

720
00:34:37,000 --> 00:34:38,840
Speaker 6: on the machines he sat do don't know if he

721
00:34:38,840 --> 00:34:39,239
Speaker 6: mailed him.

722
00:34:39,520 --> 00:34:41,840
Speaker 3: It was just there. So I put some raps on it,

723
00:34:42,239 --> 00:34:45,480
Speaker 3: got it back to him. We liked it. We uh

724
00:34:45,680 --> 00:34:47,240
Speaker 3: went to go shoot the video and ship.

725
00:34:47,680 --> 00:34:53,560
Speaker 6: The song blew up and then he's he's in a

726
00:34:53,600 --> 00:34:57,520
Speaker 6: situation with an independent label in Atlanta, a label that

727
00:34:58,560 --> 00:35:00,640
Speaker 6: was an associated mind I knew the god. I had

728
00:35:00,680 --> 00:35:04,120
Speaker 6: just some business with him. He was cool, wasn't no,

729
00:35:04,360 --> 00:35:07,440
Speaker 6: wasn't no. It wasn't no friction or nothing. But he

730
00:35:07,640 --> 00:35:12,000
Speaker 6: said Little John owed him some money, and he just,

731
00:35:12,080 --> 00:35:13,319
Speaker 6: you know, fucked Little John.

732
00:35:13,360 --> 00:35:16,440
Speaker 3: Little John was like he's shady, whatever the whatever.

733
00:35:16,440 --> 00:35:17,040
Speaker 1: It was the.

734
00:35:17,000 --> 00:35:20,040
Speaker 6: Dispute fucking so they was gonna fuck you for life.

735
00:35:20,800 --> 00:35:22,279
Speaker 6: So I just stepped in and was like, bro, how

736
00:35:22,360 --> 00:35:24,920
Speaker 6: much money is it. I've got some business going on

737
00:35:25,000 --> 00:35:28,759
Speaker 6: with Little John. Okay, you know this this whatever broke

738
00:35:28,840 --> 00:35:32,000
Speaker 6: him off, you know, some homie ship, and then fucking

739
00:35:32,280 --> 00:35:33,080
Speaker 6: came to Little John.

740
00:35:33,080 --> 00:35:34,000
Speaker 3: I was like, you free to go.

741
00:35:34,560 --> 00:35:38,760
Speaker 6: And I could have signed Little John to my label,

742
00:35:39,239 --> 00:35:41,960
Speaker 6: but I knew who he was. We had already did

743
00:35:42,000 --> 00:35:44,360
Speaker 6: a couple of songs that blew the fuck up because

744
00:35:44,360 --> 00:35:50,359
Speaker 6: of him. He went out there, oh yeah, yeah, get

745
00:35:51,280 --> 00:35:52,840
Speaker 6: Little John was the kind of dude who had a

746
00:35:52,880 --> 00:35:55,960
Speaker 6: network of the DJ record and he had been doing

747
00:35:55,960 --> 00:35:58,080
Speaker 6: that for so so deaf, and he did that for

748
00:35:58,239 --> 00:36:00,600
Speaker 6: his couple of singles that he had and shipped, as

749
00:36:00,600 --> 00:36:01,799
Speaker 6: well as the song that he had with me.

750
00:36:02,480 --> 00:36:05,200
Speaker 3: So instead of me going are you under me?

751
00:36:05,280 --> 00:36:05,360
Speaker 1: Now?

752
00:36:05,480 --> 00:36:06,359
Speaker 3: Let's roll, I was.

753
00:36:06,360 --> 00:36:09,240
Speaker 6: Just like, bro, you know you're free to go, man.

754
00:36:09,440 --> 00:36:13,319
Speaker 6: And all I asked for him return was beats. I

755
00:36:13,360 --> 00:36:15,080
Speaker 6: was just I want beats. I knew the nigga had

756
00:36:15,080 --> 00:36:19,040
Speaker 6: them beats, so for life. The nigga was just slide

757
00:36:19,080 --> 00:36:22,000
Speaker 6: me hits like just for life. And then the greatest

758
00:36:22,080 --> 00:36:26,480
Speaker 6: ship ever, he slid me shake that monkey which lasts forever.

759
00:36:27,080 --> 00:36:29,040
Speaker 6: And the very next year he gave me blow the

760
00:36:29,080 --> 00:36:38,880
Speaker 6: whistle and I'm like, you know, thank you, sir, And then.

761
00:36:38,040 --> 00:36:41,080
Speaker 3: He proceeded to make some of the best hyphe beats ever.

762
00:36:41,160 --> 00:36:43,600
Speaker 6: Like he did tell me what he didn't want to

763
00:36:43,640 --> 00:36:46,480
Speaker 6: keep the snakes, yeh, he was, he was. He was

764
00:36:46,680 --> 00:36:49,040
Speaker 6: doing it like I just want to help snap the ship,

765
00:36:49,120 --> 00:36:51,680
Speaker 6: the same as me and forty. But you know that

766
00:36:51,840 --> 00:36:53,799
Speaker 6: those are the type of things, man, when you're coming

767
00:36:53,840 --> 00:36:56,600
Speaker 6: up in a game, it might be with a younger

768
00:36:56,640 --> 00:37:00,279
Speaker 6: player or younger coach or something, and you fucking helped

769
00:37:00,320 --> 00:37:02,600
Speaker 6: somebody along the way, and then they turn around and

770
00:37:03,000 --> 00:37:05,840
Speaker 6: they're in the position to help you, and it's just

771
00:37:05,680 --> 00:37:08,759
Speaker 6: this ship is just way better than going through life

772
00:37:08,800 --> 00:37:11,799
Speaker 6: going give him my you know, just I'm the motherfucking one.

773
00:37:12,080 --> 00:37:13,920
Speaker 3: You just kind of gotta have a little humble to it.

774
00:37:13,960 --> 00:37:14,120
Speaker 1: Man.

775
00:37:14,120 --> 00:37:16,759
Speaker 6: And when you recognize somebody with the game, you just

776
00:37:17,000 --> 00:37:18,799
Speaker 6: give him a stepping stone, give him some more game,

777
00:37:18,840 --> 00:37:20,880
Speaker 6: give him a chance, to give him opportunity, something.

778
00:37:21,640 --> 00:37:22,800
Speaker 3: Speaking to blow the whistle.

779
00:37:23,160 --> 00:37:23,239
Speaker 2: Uh.

780
00:37:23,480 --> 00:37:24,279
Speaker 3: Gilly brought that.

781
00:37:24,280 --> 00:37:26,960
Speaker 4: Back around and made the theme of the of the

782
00:37:27,000 --> 00:37:30,080
Speaker 4: Philadelphia and they won the Super Bowl?

783
00:37:30,160 --> 00:37:32,440
Speaker 3: And what was that like? And did that really that

784
00:37:32,520 --> 00:37:34,920
Speaker 3: ran the streams back up? Didn't it? I can only imagine.

785
00:37:35,080 --> 00:37:36,960
Speaker 6: Yeah, the first time I saw him, after you start

786
00:37:37,040 --> 00:37:39,680
Speaker 6: doing it, I'm like, I'm like, what's up?

787
00:37:39,680 --> 00:37:48,400
Speaker 3: Bra, You're like in streams is up?

788
00:37:49,760 --> 00:37:51,200
Speaker 4: And you went out to his house and did some

789
00:37:51,200 --> 00:37:52,680
Speaker 4: ship with him in the front yard with the neighbor

790
00:37:52,680 --> 00:37:53,080
Speaker 4: and everything.

791
00:37:53,320 --> 00:37:57,000
Speaker 6: Then motherfucking snow one football Sunday playoffs.

792
00:37:58,480 --> 00:38:00,439
Speaker 3: You got to respect bro. Yeah.

793
00:38:00,680 --> 00:38:02,440
Speaker 6: I jumped on the flight and with the Philly I

794
00:38:02,480 --> 00:38:04,360
Speaker 6: am not a Philadelphia Eagles.

795
00:38:04,000 --> 00:38:09,000
Speaker 3: Fan, but I love I love Gillian Wallow and you know, the.

796
00:38:08,880 --> 00:38:11,080
Speaker 6: City of Philly has shown me some love over the years.

797
00:38:11,360 --> 00:38:14,000
Speaker 6: It was it was, it was given tape. They started

798
00:38:14,040 --> 00:38:15,960
Speaker 6: off my first show in Philly. The niggas was throwing

799
00:38:15,960 --> 00:38:19,080
Speaker 6: ship at me. I don't get ship thrown at me,

800
00:38:19,160 --> 00:38:22,640
Speaker 6: a no show man. Yeah, that's how that's how we started,

801
00:38:22,640 --> 00:38:27,040
Speaker 6: but then all right, we evolved and I love Philly.

802
00:38:27,239 --> 00:38:29,319
Speaker 4: There was a video that went viral from All Star

803
00:38:29,640 --> 00:38:33,279
Speaker 4: of you doing blow the whistle at faster faster what

804
00:38:33,400 --> 00:38:37,560
Speaker 4: you call it? Yeah, well ll Russell and splash, that's

805
00:38:37,600 --> 00:38:38,000
Speaker 4: what it's called.

806
00:38:38,000 --> 00:38:43,080
Speaker 3: That splash. You got that video. It's the Steph party. Yeah,

807
00:38:43,200 --> 00:38:43,759
Speaker 3: it was in that.

808
00:38:43,920 --> 00:38:46,640
Speaker 1: Term cracked it.

809
00:38:49,719 --> 00:38:51,879
Speaker 5: At that day's timbo. He was telling her to shake

810
00:38:51,960 --> 00:38:52,520
Speaker 5: it faster.

811
00:38:55,920 --> 00:38:58,879
Speaker 4: Uh so they want to catch step saying Stephanie saying

812
00:38:58,960 --> 00:38:59,960
Speaker 4: under his breath.

813
00:39:01,080 --> 00:39:02,279
Speaker 3: Steph with the beard man.

814
00:39:03,200 --> 00:39:06,359
Speaker 6: Remember remember Steph with the little boy step slick face.

815
00:39:06,440 --> 00:39:08,600
Speaker 4: That's what jacks when Jack left the team because he

816
00:39:08,600 --> 00:39:09,560
Speaker 4: didn't believe in him.

817
00:39:09,840 --> 00:39:11,600
Speaker 5: Yeah, wait a minute, Wait a minute, wait a minute,

818
00:39:11,600 --> 00:39:12,640
Speaker 5: you ain't believing Steph.

819
00:39:12,719 --> 00:39:14,479
Speaker 6: There was a whole bunch of people that's mad about

820
00:39:14,480 --> 00:39:16,319
Speaker 6: the my taste ship was mad.

821
00:39:16,360 --> 00:39:18,080
Speaker 1: Bro. Just you gotta think when.

822
00:39:18,000 --> 00:39:21,080
Speaker 3: I did you watch my tape? Like he was gone, but.

823
00:39:22,120 --> 00:39:26,279
Speaker 7: Left, Al left, Beani enough, j redche left, everybody was

824
00:39:26,320 --> 00:39:28,319
Speaker 7: gone with the fucking I'm the only old nigga here.

825
00:39:29,840 --> 00:39:31,880
Speaker 1: I don't need to be here with all these He

826
00:39:32,000 --> 00:39:33,759
Speaker 1: needed to get out of here. He step didn't take

827
00:39:33,760 --> 00:39:34,320
Speaker 1: a person.

828
00:39:37,280 --> 00:39:39,839
Speaker 5: Steph did have a lot of ankle injuries early too.

829
00:39:40,280 --> 00:39:44,640
Speaker 7: Yeah, he got fifty five ft on the rookie here, Jenny's.

830
00:39:45,880 --> 00:39:47,920
Speaker 6: A whole lot of people said, man, you traded my

831
00:39:48,000 --> 00:39:49,680
Speaker 6: tape for the nigga with the weak ankles.

832
00:39:49,800 --> 00:39:51,520
Speaker 3: For a lot of that, a lot of that. He

833
00:39:51,640 --> 00:39:52,279
Speaker 3: was like a little boy.

834
00:39:52,280 --> 00:39:52,400
Speaker 1: Man.

835
00:39:52,400 --> 00:39:54,359
Speaker 3: They didn't know. They didn't know. If I would have known,

836
00:39:54,360 --> 00:39:55,080
Speaker 3: ain't nobody do.

837
00:39:55,280 --> 00:39:56,480
Speaker 1: If I would have known, I told.

838
00:39:56,360 --> 00:39:57,600
Speaker 7: Me, I would have known he was going end up

839
00:39:57,680 --> 00:39:59,640
Speaker 7: like that, motherfucker. I would have stayed mans right there.

840
00:40:01,320 --> 00:40:06,120
Speaker 4: I should shout out to stock X, one of our

841
00:40:06,160 --> 00:40:09,680
Speaker 4: big partners. Short, you've been through so many eras. Give

842
00:40:09,719 --> 00:40:13,279
Speaker 4: me one sneaker from the eighties in the nineties that

843
00:40:13,480 --> 00:40:14,280
Speaker 4: was a must half.

844
00:40:14,560 --> 00:40:16,760
Speaker 3: Oh you funny man. You know what, I'm the craziest

845
00:40:16,800 --> 00:40:18,399
Speaker 3: nigga on earth. I buy.

846
00:40:20,000 --> 00:40:22,160
Speaker 6: I be buying shoes like I'm warning Vans right now.

847
00:40:22,320 --> 00:40:25,600
Speaker 6: I be buying shoes that niggas're walking. Oh, nigga, you

848
00:40:25,600 --> 00:40:27,440
Speaker 6: got the I'm like, I don't even know.

849
00:40:27,480 --> 00:40:30,120
Speaker 3: I just like the color. So you're not even a

850
00:40:30,160 --> 00:40:33,120
Speaker 3: sneaker head like that. But I buy the best ship.

851
00:40:36,680 --> 00:40:39,160
Speaker 6: I have, like some collector ship, and wear their motherfuckers

852
00:40:39,200 --> 00:40:41,120
Speaker 6: to coach Chilla or something man and fuck them up.

853
00:40:41,160 --> 00:40:44,239
Speaker 3: Like I don't. My mind ain't focused on the ship.

854
00:40:44,360 --> 00:40:48,720
Speaker 6: So you know, I spend you know, a crazy amount

855
00:40:48,760 --> 00:40:50,759
Speaker 6: on a pair of shoes, but then I won't respect them.

856
00:40:50,920 --> 00:40:54,880
Speaker 6: So would on the cover of Quarterias, I was gonna say,

857
00:40:54,880 --> 00:40:55,800
Speaker 6: that's probably the only shoe.

858
00:40:55,600 --> 00:40:56,040
Speaker 3: I can name.

859
00:40:56,960 --> 00:40:59,000
Speaker 6: Fucking Quartia is only when I memorize the name and

860
00:40:59,040 --> 00:41:01,240
Speaker 6: Jordan's only I don't know to Jordan's numbers.

861
00:41:01,360 --> 00:41:03,680
Speaker 3: You just know I don't know me either.

862
00:41:03,760 --> 00:41:05,280
Speaker 1: Didn't right, you didn't rock the Marrimax.

863
00:41:06,080 --> 00:41:07,840
Speaker 3: I don't know, man, It's like asking me what was

864
00:41:07,920 --> 00:41:09,520
Speaker 3: every the name of every girl I had sex?

865
00:41:11,600 --> 00:41:13,440
Speaker 1: Really, he's really not.

866
00:41:16,400 --> 00:41:35,680
Speaker 9: Said, remember I remember today I wore ned the you know.

867
00:41:29,239 --> 00:41:33,600
Speaker 4: So sports shift the sports a little bit obviously. Bron

868
00:41:33,640 --> 00:41:37,040
Speaker 4: and Steph and and k D and hand full of greats.

869
00:41:38,040 --> 00:41:42,680
Speaker 4: This will what I want, Steph. If Steph ends up

870
00:41:42,719 --> 00:41:44,880
Speaker 4: with more rings than Bron, where does that put Steph

871
00:41:44,880 --> 00:41:48,600
Speaker 4: in the hierarchy of the game. Just go, I know

872
00:41:48,640 --> 00:41:53,200
Speaker 4: you're a huge, but we're Bron fans.

873
00:41:50,239 --> 00:41:58,040
Speaker 5: If James uh So as president of the Lebron James

874
00:41:58,040 --> 00:42:01,879
Speaker 5: Finn Club, no one can ever be greater than mister

875
00:42:02,000 --> 00:42:05,840
Speaker 5: James period, never any error, No one can ever do it.

876
00:42:05,920 --> 00:42:09,120
Speaker 5: The man went to nine straight finals. We're talking about

877
00:42:09,160 --> 00:42:12,280
Speaker 5: somebody that can play every position. We're talking about somebody

878
00:42:12,280 --> 00:42:15,120
Speaker 5: that's elevated every team he went to. We're talking about

879
00:42:15,200 --> 00:42:17,680
Speaker 5: somebody that changed the culture of the NBA as far

880
00:42:17,719 --> 00:42:20,680
Speaker 5: as picking where you want to land. We're talking about

881
00:42:20,719 --> 00:42:24,040
Speaker 5: somebody that elevated his friends in business. We're talking about

882
00:42:24,480 --> 00:42:28,200
Speaker 5: Rich Paul, We're talking about Maverick Carter. Like, I love Steph,

883
00:42:28,200 --> 00:42:30,320
Speaker 5: I'm a Golden State Warrior, but I'm also a Golden

884
00:42:30,360 --> 00:42:30,960
Speaker 5: State Laker.

885
00:42:31,800 --> 00:42:37,040
Speaker 10: But but, but, but but what about the player who

886
00:42:37,360 --> 00:42:41,680
Speaker 10: he said if he gets more rings and he changed

887
00:42:41,680 --> 00:42:44,359
Speaker 10: the fucking game, like he changed the game?

888
00:42:44,440 --> 00:42:48,360
Speaker 4: Definitely question So technically this is and I don't disagree

889
00:42:48,360 --> 00:42:51,239
Speaker 4: with Bron's greatness, but on Bron's watch, someone got more

890
00:42:51,320 --> 00:42:52,120
Speaker 4: rings than he did.

891
00:42:53,440 --> 00:42:55,840
Speaker 3: Man changed the game. That's hypothetical.

892
00:42:58,120 --> 00:42:58,840
Speaker 1: A couple of people.

893
00:42:59,320 --> 00:43:02,200
Speaker 5: Well, look at what he was up against, what he

894
00:43:02,280 --> 00:43:04,160
Speaker 5: had to deal with k D and the Warriors for

895
00:43:04,200 --> 00:43:04,680
Speaker 5: two years.

896
00:43:04,680 --> 00:43:06,760
Speaker 3: But he got to of his rings playing with Boshtond.

897
00:43:08,320 --> 00:43:11,200
Speaker 5: Yeah, but they had to they had to round up

898
00:43:11,239 --> 00:43:14,720
Speaker 5: for the Celtics. Celtics had a lot.

899
00:43:15,000 --> 00:43:17,120
Speaker 3: The Warriors got to the words got to he got to.

900
00:43:17,480 --> 00:43:20,840
Speaker 5: But but it wasn't like Bron went and got another

901
00:43:21,200 --> 00:43:26,240
Speaker 5: top three players. I'm saying when he went to Cleveland

902
00:43:26,440 --> 00:43:27,600
Speaker 5: were leaving Miami out of this.

903
00:43:28,320 --> 00:43:35,320
Speaker 3: Okay, I think.

904
00:43:37,000 --> 00:43:39,439
Speaker 5: Stephen right now, yes, but has drafted there.

905
00:43:39,960 --> 00:43:43,120
Speaker 4: It wasn't like the top five power four before he

906
00:43:43,160 --> 00:43:46,480
Speaker 4: went there and sacrificed this whole game.

907
00:43:47,000 --> 00:43:48,280
Speaker 5: What y'all got against Lebron?

908
00:43:50,360 --> 00:43:52,160
Speaker 4: Because I know you from the Bay and you're a

909
00:43:52,239 --> 00:43:53,720
Speaker 4: Lebron fan. That's why I asked the question.

910
00:43:53,800 --> 00:43:58,160
Speaker 5: I think, to me, Steph Curry has changed the game.

911
00:43:59,040 --> 00:44:02,440
Speaker 5: If you get another ring to me, no, to a

912
00:44:02,560 --> 00:44:07,520
Speaker 5: logical theory, yes, but I would say right.

913
00:44:07,440 --> 00:44:08,720
Speaker 3: Now, man, personal opinion.

914
00:44:08,760 --> 00:44:13,560
Speaker 6: Man as ambassadors of the game and accolades in their careers,

915
00:44:13,640 --> 00:44:16,239
Speaker 6: I put them brothers, even Steven. They have done so

916
00:44:16,320 --> 00:44:20,920
Speaker 6: much for basketball just because they fly the straight eraw

917
00:44:21,000 --> 00:44:25,880
Speaker 6: of not tainting the brand as so many players be

918
00:44:26,040 --> 00:44:26,680
Speaker 6: our sales.

919
00:44:26,960 --> 00:44:28,400
Speaker 3: I'm a player. I'm not a basketball player, but I'm

920
00:44:28,440 --> 00:44:33,040
Speaker 3: a player be our sales. You know what I'm saying.

921
00:44:33,080 --> 00:44:35,160
Speaker 6: So I just think, man, I don't think either one

922
00:44:35,480 --> 00:44:39,439
Speaker 6: has surpassed the other one at this point, So another ring,

923
00:44:39,520 --> 00:44:41,440
Speaker 6: I don't think another ring would even make it when

924
00:44:41,520 --> 00:44:43,279
Speaker 6: it when it's when it's said and done. Because of

925
00:44:43,280 --> 00:44:45,799
Speaker 6: how long they played and what they did all the

926
00:44:45,800 --> 00:44:48,479
Speaker 6: way through their entire careers, they still gonna it's gonna

927
00:44:48,480 --> 00:44:51,880
Speaker 6: be the Lebron Steph ra for It's not gonna be

928
00:44:51,920 --> 00:44:54,319
Speaker 6: the Jordan era or the or the Magic era.

929
00:44:54,400 --> 00:44:56,440
Speaker 3: It's gonna they both will have to share that forever, and.

930
00:44:56,520 --> 00:44:59,000
Speaker 5: They both like change the game. Like I'm saying, Steph

931
00:44:59,080 --> 00:45:02,160
Speaker 5: made the pointer almost just as exciting as a dunk

932
00:45:02,200 --> 00:45:04,680
Speaker 5: as a at this point change the game for ever.

933
00:45:04,960 --> 00:45:08,239
Speaker 5: So I'm just the biggest Lebron fan because that was

934
00:45:08,280 --> 00:45:10,840
Speaker 5: always my favorite player growing up, and he rocked with

935
00:45:10,920 --> 00:45:14,080
Speaker 5: my music. So I'm always being Lebia's James.

936
00:45:14,200 --> 00:45:18,319
Speaker 7: Yeah, I don't think Steph can pass uh Lebron on

937
00:45:18,360 --> 00:45:20,799
Speaker 7: my list. I think Lebron's gonna always be number three,

938
00:45:21,080 --> 00:45:24,759
Speaker 7: regardless if Steph would another championship, just at the career Lebron.

939
00:45:24,680 --> 00:45:25,760
Speaker 5: You got before Lebron.

940
00:45:25,800 --> 00:45:27,799
Speaker 1: Come on, man, don't play me. It's only two people.

941
00:45:27,840 --> 00:45:29,319
Speaker 5: I'm just asking a serious question.

942
00:45:29,440 --> 00:45:32,680
Speaker 1: Being in MJ, like you put Mike Belfure Lebron.

943
00:45:32,800 --> 00:45:34,960
Speaker 7: Yeah, because he's a better basketball.

944
00:45:34,440 --> 00:45:35,320
Speaker 1: Player than Lebron.

945
00:45:35,440 --> 00:45:38,200
Speaker 5: Gosh, here we go with a better basketball player.

946
00:45:38,920 --> 00:45:40,439
Speaker 1: Lebron, had Broun had a better career.

947
00:45:40,440 --> 00:45:42,279
Speaker 7: He has the best career in everybody talking about on

948
00:45:42,280 --> 00:45:45,520
Speaker 7: the court playing basketball. It ain't two people better than

949
00:45:45,600 --> 00:45:46,080
Speaker 7: Lebron in.

950
00:45:47,880 --> 00:45:49,960
Speaker 1: The Jordan in any era just gonna be the same thing.

951
00:45:50,239 --> 00:45:52,439
Speaker 5: Jordan would have been nice in this era. But would

952
00:45:52,440 --> 00:45:54,520
Speaker 5: it would it look like that I looked in the nineties.

953
00:45:54,640 --> 00:45:56,560
Speaker 7: Yeah, they say, they say my average fifty.

954
00:45:56,600 --> 00:45:57,680
Speaker 3: Now they couldn't play.

955
00:45:57,719 --> 00:46:00,000
Speaker 5: No, I've seen I've seen somebody send me a clipped

956
00:46:00,040 --> 00:46:02,640
Speaker 5: This more than of a player Jordan Duncan on Barkley

957
00:46:03,000 --> 00:46:05,200
Speaker 5: with something. Somebody passed them a base one drop step.

958
00:46:05,360 --> 00:46:08,919
Speaker 5: Draymond would have never let that happen. Draymond would never

959
00:46:09,680 --> 00:46:10,960
Speaker 5: Draymond would never let that.

960
00:46:11,880 --> 00:46:13,840
Speaker 6: You would have never left that ain't.

961
00:46:14,000 --> 00:46:17,319
Speaker 7: Nothing that bill Rick Mahorn, they was doing the same

962
00:46:17,360 --> 00:46:19,640
Speaker 7: thing that the worst they busting his lip.

963
00:46:19,719 --> 00:46:21,120
Speaker 5: They wouldn't let that happen.

964
00:46:21,200 --> 00:46:26,239
Speaker 7: Man, Man, I don't think so, I ain't going nowhere.

965
00:46:26,520 --> 00:46:28,040
Speaker 3: We just had this to the point where.

966
00:46:31,280 --> 00:46:32,680
Speaker 1: They Moon would have got dunked on too.

967
00:46:32,960 --> 00:46:35,480
Speaker 4: So we round in this interview. Man, we obviously appreciate

968
00:46:35,520 --> 00:46:39,320
Speaker 4: the time. Freaky tails out right now ya? How excited

969
00:46:39,360 --> 00:46:41,279
Speaker 4: are you just about this again? I heard you talking

970
00:46:41,280 --> 00:46:43,719
Speaker 4: before You're taking acting? You're taking this shit serious? How

971
00:46:44,040 --> 00:46:45,960
Speaker 4: exciting is this kind of this trans not necessarily a

972
00:46:45,960 --> 00:46:48,200
Speaker 4: transition because you're still doing music, but being able to

973
00:46:48,440 --> 00:46:51,200
Speaker 4: step into into Hollywood and be an actor as well.

974
00:46:51,080 --> 00:46:52,280
Speaker 1: Not putting yourself in the box.

975
00:46:53,000 --> 00:46:55,360
Speaker 5: That Yeah, Like I said, man, it's a blessing. You

976
00:46:55,400 --> 00:46:57,920
Speaker 5: grew up as a kid watching the entertainment space and

977
00:46:58,120 --> 00:47:00,080
Speaker 5: just want to be a part of it, you know

978
00:47:00,080 --> 00:47:03,040
Speaker 5: what I mean. I feel like for so many years

979
00:47:03,080 --> 00:47:04,960
Speaker 5: in the beginning, I was just happy to be here,

980
00:47:05,480 --> 00:47:07,239
Speaker 5: and then it was like, Okay, now it's time to

981
00:47:07,280 --> 00:47:09,799
Speaker 5: lock in and really focus on the things I want

982
00:47:09,840 --> 00:47:12,560
Speaker 5: to do. So, you know, I went through a situation

983
00:47:12,719 --> 00:47:15,480
Speaker 5: with my label kind of was pigeonheled on trying to

984
00:47:15,480 --> 00:47:18,440
Speaker 5: get music out, and at that time I needed something

985
00:47:18,440 --> 00:47:20,759
Speaker 5: new to fire me up and inspired me. And this

986
00:47:20,920 --> 00:47:23,120
Speaker 5: was the perfect opportunity. I got to play one of

987
00:47:23,160 --> 00:47:26,080
Speaker 5: my role models unk somebody I called for advice and

988
00:47:26,120 --> 00:47:29,279
Speaker 5: always give me game. So it was really like a

989
00:47:30,040 --> 00:47:33,120
Speaker 5: place of reinsurance, you know, for me to get back

990
00:47:33,160 --> 00:47:35,279
Speaker 5: to what I've been missing, And we got a lot

991
00:47:35,280 --> 00:47:36,920
Speaker 5: of new music on the way, and we got a

992
00:47:36,920 --> 00:47:39,440
Speaker 5: lot of new acting roles on the way.

993
00:47:40,080 --> 00:47:41,279
Speaker 3: Yeah you tell me about a big one.

994
00:47:41,280 --> 00:47:44,120
Speaker 5: I was like, Yo, yeah, yeah, we work it, We

995
00:47:44,200 --> 00:47:45,160
Speaker 5: work it. We on new way.

996
00:47:45,239 --> 00:47:48,480
Speaker 4: Man gratulations short. You collabed with a lot of legends

997
00:47:48,520 --> 00:47:50,520
Speaker 4: in this space. Do you have one that kind of

998
00:47:50,520 --> 00:47:52,239
Speaker 4: stands out? On one or two that stand out? Is

999
00:47:52,280 --> 00:47:55,399
Speaker 4: just the experience overall was different because you I mean,

1000
00:47:55,440 --> 00:47:59,160
Speaker 4: although it was you collab with people back when everyone

1001
00:47:59,239 --> 00:48:01,520
Speaker 4: used to get in the studio together and do it,

1002
00:48:01,880 --> 00:48:02,919
Speaker 4: does anyone stand out?

1003
00:48:03,800 --> 00:48:05,360
Speaker 6: I mean, yeah, man, I've been I've been in the

1004
00:48:05,440 --> 00:48:07,880
Speaker 6: hot water with the fucking like the best of the

1005
00:48:07,960 --> 00:48:09,160
Speaker 6: best in that studio.

1006
00:48:09,320 --> 00:48:11,520
Speaker 3: Like you said, we're in the same session and you

1007
00:48:11,600 --> 00:48:12,279
Speaker 3: got to keep up.

1008
00:48:12,280 --> 00:48:16,440
Speaker 6: And it's fucking jay Z, It's Notorious Big, it's Tupac,

1009
00:48:16,600 --> 00:48:21,399
Speaker 6: fucking Snoop Doggy Dog and Scarface and eat Fody and

1010
00:48:21,480 --> 00:48:22,680
Speaker 6: just you know, pimp.

1011
00:48:22,840 --> 00:48:25,279
Speaker 3: See like niggas are get in the studio and give

1012
00:48:25,280 --> 00:48:26,560
Speaker 3: you a problem like you like you.

1013
00:48:27,000 --> 00:48:29,880
Speaker 6: They stretch you out because when they do their vocals,

1014
00:48:29,920 --> 00:48:31,520
Speaker 6: it's like, fuck, like what are you gonna do?

1015
00:48:31,560 --> 00:48:31,680
Speaker 1: You know?

1016
00:48:31,719 --> 00:48:35,319
Speaker 3: What I mean, like, for real, man, it should be

1017
00:48:35,360 --> 00:48:35,879
Speaker 3: serious bro.

1018
00:48:35,960 --> 00:48:38,760
Speaker 6: So, like I said, I always refer to game spitting

1019
00:48:39,080 --> 00:48:41,400
Speaker 6: because a lot of these motherfuckers are dance circles around

1020
00:48:41,400 --> 00:48:43,719
Speaker 6: you rapping and they rap styles and ship and the

1021
00:48:43,760 --> 00:48:45,480
Speaker 6: cadence and ship and the rhythm of it.

1022
00:48:45,520 --> 00:48:47,840
Speaker 3: And I just I just come in there like real slow,

1023
00:48:47,920 --> 00:48:53,960
Speaker 3: like yeah, bitch, that's what I thought. Niggas be all complicated.

1024
00:48:54,000 --> 00:48:57,279
Speaker 6: I'm like all right, so you know, I just I

1025
00:48:57,360 --> 00:49:00,440
Speaker 6: just feel like my favorite artist always work with with

1026
00:49:00,800 --> 00:49:03,480
Speaker 6: E forty. That's why we have so many fucking songs together.

1027
00:49:03,520 --> 00:49:05,719
Speaker 6: But I love being in the studio with guys like

1028
00:49:06,200 --> 00:49:10,360
Speaker 6: pimps because these niggas are also musicians.

1029
00:49:10,600 --> 00:49:12,440
Speaker 3: We make beats. Who would do the hook?

1030
00:49:12,840 --> 00:49:15,360
Speaker 6: And you know, like you're making a song and you

1031
00:49:15,520 --> 00:49:17,839
Speaker 6: just sitting there starting to write a verse and see

1032
00:49:17,880 --> 00:49:21,200
Speaker 6: already got the hook in some you know, you know niggas,

1033
00:49:22,040 --> 00:49:23,719
Speaker 6: you know, a pimpcy for like his rapping and ship.

1034
00:49:24,000 --> 00:49:25,919
Speaker 3: But listen to how many UGK songs this.

1035
00:49:25,880 --> 00:49:29,640
Speaker 6: Nigga is singing, singing, kep in the studio really singing and.

1036
00:49:29,560 --> 00:49:30,320
Speaker 3: Got a good voice.

1037
00:49:31,840 --> 00:49:35,479
Speaker 7: He got a real voice, like the corner all the time.

1038
00:49:35,800 --> 00:49:38,799
Speaker 3: So it was just fun like what fucker's come in?

1039
00:49:38,880 --> 00:49:39,000
Speaker 1: Uh?

1040
00:49:39,520 --> 00:49:42,480
Speaker 3: Spark the weed up. Eric Simmon is another one. Hit

1041
00:49:42,560 --> 00:49:44,600
Speaker 3: the beat, the beat he made the beat.

1042
00:49:44,640 --> 00:49:46,759
Speaker 6: He just when he make a beat, he just hit

1043
00:49:46,760 --> 00:49:48,920
Speaker 6: the drummer scenes so fast and the ship like you

1044
00:49:48,920 --> 00:49:51,759
Speaker 6: want to keep wanting them motherfuckers really fast. And then

1045
00:49:51,800 --> 00:49:54,600
Speaker 6: he going to booth and just spit at sixteen like nigga,

1046
00:49:54,640 --> 00:49:58,279
Speaker 6: what the fuck did you put that together? And they

1047
00:49:58,360 --> 00:50:01,520
Speaker 6: just they just had that talent. Man sho, I ain't

1048
00:50:01,520 --> 00:50:03,280
Speaker 6: got no rhymes on deck right now.

1049
00:50:04,840 --> 00:50:14,759
Speaker 3: There's nothing. If you said spit had nothing. Where's the

1050
00:50:14,840 --> 00:50:16,240
Speaker 3: solo as y'all one?

1051
00:50:16,320 --> 00:50:16,960
Speaker 1: Yeah, we need one.

1052
00:50:16,960 --> 00:50:17,960
Speaker 3: That's your solo right there.

1053
00:50:18,960 --> 00:50:23,920
Speaker 5: Penitentiary chances, record label advances. Predatorial practice is keeping us

1054
00:50:23,960 --> 00:50:27,520
Speaker 5: from advancing. They put a price on your Innocen's ignorance

1055
00:50:27,600 --> 00:50:31,440
Speaker 5: is in fashion. Eulogies in our captions, Dying became a passion.

1056
00:50:31,880 --> 00:50:36,239
Speaker 5: The Internet converted corporations to a catfish exaggerated status. Only

1057
00:50:36,360 --> 00:50:39,799
Speaker 5: validate your capy see I G replaced the og Some

1058
00:50:39,880 --> 00:50:42,120
Speaker 5: of them stagni because the examples that they set was

1059
00:50:42,160 --> 00:50:44,799
Speaker 5: modified to move us backwards. I'm on the phone with

1060
00:50:44,920 --> 00:50:47,720
Speaker 5: Uncle Shorty talking up about so much that I can't discuss.

1061
00:50:47,800 --> 00:50:50,480
Speaker 5: I listened to him because every key gave me open doors.

1062
00:50:50,520 --> 00:50:53,000
Speaker 5: I couldn't get into a lot of y'all advice, lack

1063
00:50:53,080 --> 00:50:56,640
Speaker 5: experience and principles. Came up off advantages of niggas. You

1064
00:50:56,800 --> 00:50:59,040
Speaker 5: was living through. Ran into a bread and got some

1065
00:50:59,080 --> 00:51:02,120
Speaker 5: bird and that was food. Niggas playing keep up chasing

1066
00:51:02,200 --> 00:51:05,560
Speaker 5: everything these bitches do. Okay, you gotta bens. I gotta bens.

1067
00:51:05,600 --> 00:51:08,160
Speaker 5: But the difference is I've drove every class from the

1068
00:51:08,239 --> 00:51:12,400
Speaker 5: principal drop top g Wag Louis Vatan, Ski mask, Tusking

1069
00:51:12,480 --> 00:51:15,360
Speaker 5: leather seats. I sink in them like bean bags. My

1070
00:51:15,440 --> 00:51:17,880
Speaker 5: new bitch, bad ass, soft of the sea bass. She

1071
00:51:18,000 --> 00:51:20,640
Speaker 5: sticked to the cold. That Kuchie came with a keypad.

1072
00:51:21,040 --> 00:51:24,000
Speaker 5: I bust down the broad to create barriers for niggas.

1073
00:51:24,120 --> 00:51:27,160
Speaker 5: I pull up in their ghost. It's getting scarier for niggas.

1074
00:51:27,360 --> 00:51:30,920
Speaker 5: See real GE's moving silace. Like Wayne said, everyone's a

1075
00:51:31,040 --> 00:51:34,000
Speaker 5: minute till they end up like Kane, did you niggas

1076
00:51:34,040 --> 00:51:34,800
Speaker 5: bring dead.

1077
00:51:40,880 --> 00:51:41,120
Speaker 3: Ship.

1078
00:51:41,600 --> 00:51:43,040
Speaker 1: That's what we got. That's what we got to look

1079
00:51:43,080 --> 00:51:44,719
Speaker 1: forward to. Huh Wig Hitters.

1080
00:51:44,719 --> 00:51:47,240
Speaker 4: First thing to come to mind all time Warriors starting

1081
00:51:47,280 --> 00:51:49,120
Speaker 4: five y'all.

1082
00:51:48,960 --> 00:51:55,000
Speaker 3: Can do it together. Oh, Steph was team. You're putting

1083
00:51:55,000 --> 00:51:57,560
Speaker 3: together the five dudes in any era.

1084
00:51:57,960 --> 00:51:58,800
Speaker 5: Stephan show.

1085
00:52:00,840 --> 00:52:04,480
Speaker 6: My first one will be Mitch Richmond rich and that's

1086
00:52:04,560 --> 00:52:06,799
Speaker 6: that's that's that's the real Michael Jordan's.

1087
00:52:06,440 --> 00:52:12,160
Speaker 5: I'm going on my nigga stack. Yeah, I'm going my niggas.

1088
00:52:12,440 --> 00:52:17,960
Speaker 5: We got Steph mitche you pick water Whick. One more

1089
00:52:18,960 --> 00:52:21,200
Speaker 5: Baron Davison, Davis small.

1090
00:52:21,239 --> 00:52:26,719
Speaker 4: You better get somebody tall, and I'm gonna gomall ball anyway.

1091
00:52:26,760 --> 00:52:28,640
Speaker 3: About to say the Warriors changed the game. Bro with

1092
00:52:28,680 --> 00:52:29,399
Speaker 3: the shooters man.

1093
00:52:29,440 --> 00:52:30,640
Speaker 5: Talking about Draymond Green.

1094
00:52:30,800 --> 00:52:36,560
Speaker 1: Yes, sir, that's Draymond. That's one through ten. Yeah, everybody

1095
00:52:36,560 --> 00:52:37,120
Speaker 1: in the building.

1096
00:52:37,200 --> 00:52:39,640
Speaker 4: One album, y'all cauld listen to with no Skips short

1097
00:52:39,719 --> 00:52:40,120
Speaker 4: start with.

1098
00:52:40,080 --> 00:52:44,799
Speaker 3: You album with no skips.

1099
00:52:45,440 --> 00:52:45,720
Speaker 5: Anything?

1100
00:52:45,800 --> 00:52:48,640
Speaker 3: Ice Cube, mate, I run all. Ice Cube was front

1101
00:52:48,680 --> 00:52:50,440
Speaker 3: the back for me.

1102
00:52:50,480 --> 00:52:53,360
Speaker 5: I always say fifty cent. Get Richard Dutch silent.

1103
00:52:54,000 --> 00:52:55,040
Speaker 3: That's another good Yeah.

1104
00:52:55,600 --> 00:53:01,440
Speaker 4: Starting to send a childhood crush Kyle the Prey, Oh wow,

1105
00:53:02,160 --> 00:53:02,520
Speaker 4: just bad.

1106
00:53:03,920 --> 00:53:07,280
Speaker 3: Shortened ship. Pam Grid motherfucking.

1107
00:53:09,920 --> 00:53:13,960
Speaker 6: Childhood Pam Grid as a little boy going to the movies.

1108
00:53:14,000 --> 00:53:16,719
Speaker 6: You got to see Pam Gris titties man a little

1109
00:53:16,719 --> 00:53:17,480
Speaker 6: bit boy.

1110
00:53:19,040 --> 00:53:19,920
Speaker 3: So yeah, that would be.

1111
00:53:20,360 --> 00:53:23,520
Speaker 4: That would be my first guy to see him. Guilty

1112
00:53:23,560 --> 00:53:27,040
Speaker 4: pleasure that you can talk about.

1113
00:53:28,800 --> 00:53:32,160
Speaker 3: I plead the fifth guilty pleasure.

1114
00:53:34,120 --> 00:53:34,279
Speaker 1: Man.

1115
00:53:34,360 --> 00:53:36,840
Speaker 6: Free ship, free ship. I walk in places with a

1116
00:53:36,840 --> 00:53:38,799
Speaker 6: pocket full of money. They keep giving me free ship,

1117
00:53:41,400 --> 00:53:42,680
Speaker 6: kicking aprecip.

1118
00:53:42,600 --> 00:53:52,800
Speaker 11: Appreciate, appreciate it. Man, get out of here. Last question,

1119
00:53:52,880 --> 00:53:53,240
Speaker 11: go ahead.

1120
00:53:53,480 --> 00:53:55,640
Speaker 7: If you guys can see one guest on our show,

1121
00:53:55,680 --> 00:53:57,919
Speaker 7: who would it be? But you have to help us

1122
00:53:58,120 --> 00:53:59,640
Speaker 7: get your answer on the show.

1123
00:54:00,600 --> 00:54:03,120
Speaker 5: I'm gonna say the same thing I said last time.

1124
00:54:03,360 --> 00:54:06,400
Speaker 3: Lebron you're the president of the fan.

1125
00:54:08,960 --> 00:54:12,560
Speaker 5: They recently they recently I talked to Math.

1126
00:54:12,719 --> 00:54:14,319
Speaker 3: They're outside to a little bit.

1127
00:54:14,320 --> 00:54:17,040
Speaker 5: They're going to upgrade me to Bronnie's fan club.

1128
00:54:18,040 --> 00:54:19,040
Speaker 3: Yeah, we'll take him to.

1129
00:54:19,200 --> 00:54:20,960
Speaker 5: I'm gonna talk. I'm gonna talk to the team and

1130
00:54:20,960 --> 00:54:21,440
Speaker 5: I get back.

1131
00:54:25,560 --> 00:54:28,560
Speaker 3: Hey, who should y'all get on this show?

1132
00:54:28,680 --> 00:54:28,879
Speaker 1: Man?

1133
00:54:28,960 --> 00:54:33,160
Speaker 6: Let me think, man, somebody good for all the smoke?

1134
00:54:34,480 --> 00:54:36,759
Speaker 6: I don't know somebody that's a super smoker. Man like

1135
00:54:36,800 --> 00:54:37,960
Speaker 6: who who we.

1136
00:54:38,000 --> 00:54:41,120
Speaker 3: Just smoked with all of them? We haven't had Kenny Rogers.

1137
00:54:43,239 --> 00:54:47,839
Speaker 3: That would be he's a real good conversation man, like yeah, yeah, that.

1138
00:54:47,880 --> 00:54:51,480
Speaker 4: Be legend in the game, well that's a rap man.

1139
00:54:51,520 --> 00:54:55,799
Speaker 4: We appreciate you guys. Freaky Tails out now go check

1140
00:54:55,840 --> 00:54:58,040
Speaker 4: it out. And obviously a lot of other stuff coming

1141
00:54:58,040 --> 00:55:00,080
Speaker 4: down the pipeline with both these dudes, but man.

1142
00:55:00,040 --> 00:55:01,759
Speaker 3: Thank you guys for your time. We appreciate you.

1143
00:55:01,760 --> 00:55:04,360
Speaker 4: Can catch on all the Smoke Productions YouTube and the

1144
00:55:04,440 --> 00:55:05,600
Speaker 4: Draft Kings Network.

1145
00:55:05,719 --> 00:55:08,840
Speaker 3: We'll see y'all next week.