1
00:00:01,520 --> 00:00:05,560
Speaker 1: This is your week up Hallaume Breakfast Club to show

2
00:00:05,600 --> 00:00:08,160
Speaker 1: you love to hate from the East to the West Coast,

3
00:00:08,320 --> 00:00:11,920
Speaker 1: dj Envy angela Ye Cholo Migne the really show on

4
00:00:11,960 --> 00:00:14,080
Speaker 1: the planet. This is where I respect this show because

5
00:00:14,120 --> 00:00:16,600
Speaker 1: this is a voice of society. Sames in the game.

6
00:00:16,720 --> 00:00:20,880
Speaker 1: Guys are the coveted morning show. But y'all earn impacting.

7
00:00:20,960 --> 00:00:23,599
Speaker 1: The coat up in the morning and the stay want

8
00:00:23,640 --> 00:00:26,439
Speaker 1: to hit a breakfast the world's most dangerous morning show.

9
00:00:40,400 --> 00:00:43,120
Speaker 1: Good morning Usa yo yo yo yo yo yo yo

10
00:00:43,200 --> 00:00:44,760
Speaker 1: yo yo yo yo yo yo yo yo yo yo

11
00:00:44,800 --> 00:00:46,559
Speaker 1: yo yo yo yo yo yo yo yo yo yo

12
00:00:46,640 --> 00:00:49,960
Speaker 1: yo yo yo yo yo yo yo. Good morning angela Ye,

13
00:00:50,000 --> 00:00:55,639
Speaker 1: good Moneymagne the God Peace to the planet. This Thursday,

14
00:00:55,760 --> 00:00:58,560
Speaker 1: Yes it's Thursday. Walk in the room and have a nice,

15
00:00:58,640 --> 00:01:01,480
Speaker 1: lively conversation with a young twenty something. You old women

16
00:01:01,560 --> 00:01:03,880
Speaker 1: that work up here who for whatever reason, they're comparing

17
00:01:03,920 --> 00:01:06,720
Speaker 1: themselves to Nia long and tonight Lathan this morning. I

18
00:01:06,760 --> 00:01:09,320
Speaker 1: think you actually said to look like that. She needs

19
00:01:09,400 --> 00:01:12,679
Speaker 1: flat tummy tak, a lot of green juice, a lot

20
00:01:12,720 --> 00:01:15,840
Speaker 1: of water. Can't have no stress. Listen, you're supposed to

21
00:01:15,880 --> 00:01:17,400
Speaker 1: be cute that twenty something, but then she told you.

22
00:01:17,440 --> 00:01:20,839
Speaker 1: She was like, you see my Instagram. You see my Instagram,

23
00:01:20,920 --> 00:01:23,520
Speaker 1: Like I ain't nobody I see that Instagram and I

24
00:01:23,520 --> 00:01:26,200
Speaker 1: don't see no Nia Longs and not Leathan energy on

25
00:01:26,200 --> 00:01:30,280
Speaker 1: that Instagram. Okay, so hard now, Taylor, I want you

26
00:01:30,319 --> 00:01:32,959
Speaker 1: to have that same energy that you had before the

27
00:01:33,000 --> 00:01:35,320
Speaker 1: show started talking about you. Was on the same level

28
00:01:35,319 --> 00:01:37,600
Speaker 1: of Nia Longest and not Late. Leave young Taylor alone.

29
00:01:37,640 --> 00:01:40,320
Speaker 1: Let her be confident in who knows a forty something?

30
00:01:40,360 --> 00:01:42,040
Speaker 1: You old women, by the way, dropped on the clues

31
00:01:42,040 --> 00:01:44,600
Speaker 1: bombs from Neia Longest and not Lathan. Damn it, she shit.

32
00:01:44,800 --> 00:01:53,400
Speaker 1: You see what I said? Whoa That International Woman's Day

33
00:01:53,440 --> 00:01:55,760
Speaker 1: made you feel good about yourself? Sure did, boy, but

34
00:01:55,960 --> 00:01:59,240
Speaker 1: yesterday was a day without a woman. How things up here?

35
00:01:59,520 --> 00:02:03,080
Speaker 1: Oh everything was cool, amazing. Actually yeah, I got a

36
00:02:03,120 --> 00:02:07,320
Speaker 1: lot of really positive tweets. Yeah, rumors went fantastic. I

37
00:02:07,400 --> 00:02:10,440
Speaker 1: heard you did a great job as a c and

38
00:02:10,480 --> 00:02:14,200
Speaker 1: he was great almost You know it was all right now?

39
00:02:14,200 --> 00:02:15,280
Speaker 1: How it was the juice Ball? You were at the

40
00:02:15,320 --> 00:02:18,120
Speaker 1: juice Ball all day? Yes, I was. We did a

41
00:02:18,240 --> 00:02:20,640
Speaker 1: very special giveaway, but we started running out of things.

42
00:02:20,760 --> 00:02:23,360
Speaker 1: First of all, just saying we're gonna give free juices

43
00:02:23,400 --> 00:02:25,880
Speaker 1: to women that come into juice bars and be promised

44
00:02:25,880 --> 00:02:28,640
Speaker 1: to do We learned a valuable lesson. It has to

45
00:02:28,639 --> 00:02:33,799
Speaker 1: be a certain time period of that because from seven am, oh,

46
00:02:33,919 --> 00:02:35,760
Speaker 1: y'all said all day, I'll didn't give him a window. No,

47
00:02:35,960 --> 00:02:39,079
Speaker 1: it was when I said it was like the club

48
00:02:39,680 --> 00:02:41,880
Speaker 1: I walked in. It was. It was beautiful. It was

49
00:02:41,919 --> 00:02:44,799
Speaker 1: so many people that came through and and from different places.

50
00:02:44,840 --> 00:02:47,880
Speaker 1: People drove people how they felt. Yeah, I know, people

51
00:02:47,960 --> 00:02:50,520
Speaker 1: drove from the wrongs. They came from all over to

52
00:02:50,600 --> 00:02:52,240
Speaker 1: come through it, and they showed a lot of love.

53
00:02:52,280 --> 00:02:56,040
Speaker 1: The ages were everywhere from eighty years old to teens

54
00:02:56,080 --> 00:02:58,000
Speaker 1: and little kids. It was dope. Yeah, a lot of

55
00:02:58,000 --> 00:03:00,880
Speaker 1: moms brought their kids and a lot of people came

56
00:03:00,880 --> 00:03:03,880
Speaker 1: in and still supported anyway. They said, okay. The men

57
00:03:03,919 --> 00:03:05,720
Speaker 1: came in there because they still had to pay right,

58
00:03:05,840 --> 00:03:07,920
Speaker 1: so they bought theirs and a lot of But it

59
00:03:08,000 --> 00:03:09,960
Speaker 1: was a great, beautiful thing. That was a great thing.

60
00:03:09,960 --> 00:03:12,440
Speaker 1: And the shout out to our interns that actually helped

61
00:03:12,520 --> 00:03:14,760
Speaker 1: us out because we needed to help yesterday. I mean,

62
00:03:15,240 --> 00:03:17,080
Speaker 1: I didn't think it was gonna be like that, but

63
00:03:17,200 --> 00:03:19,799
Speaker 1: it was like that. People like free things. I didn't

64
00:03:19,800 --> 00:03:23,639
Speaker 1: know that is the fact. Free let's go. Yeah, but

65
00:03:23,680 --> 00:03:27,799
Speaker 1: the Women's March organizers also had they had a rally

66
00:03:27,840 --> 00:03:29,840
Speaker 1: outside of the Trump Hotel. But we'll get all into that,

67
00:03:30,120 --> 00:03:33,080
Speaker 1: all right. And also today is the twentieth anniversary of

68
00:03:33,200 --> 00:03:36,840
Speaker 1: Notorious BIG's death. Lord have mercy twenty years. You know

69
00:03:36,920 --> 00:03:40,600
Speaker 1: what that means years? You know what we old? Oh

70
00:03:40,720 --> 00:03:42,760
Speaker 1: but that's all right, okay, right, all right here, God

71
00:03:42,800 --> 00:03:45,360
Speaker 1: bless him. So it is a throwback Thursday. So we

72
00:03:45,400 --> 00:03:48,560
Speaker 1: have Faith Evans joining us to aff to Biggie's ex wife.

73
00:03:48,680 --> 00:03:51,800
Speaker 1: Oh I love Faith Evans her last one too. And

74
00:03:52,000 --> 00:03:54,840
Speaker 1: also DJ Premier, one of the Big favorite producers, one

75
00:03:54,880 --> 00:03:58,520
Speaker 1: of big favorite producers, some classic big records. Yeah, I

76
00:03:58,560 --> 00:04:00,720
Speaker 1: mean he produced for for everybody. So we'll kick it

77
00:04:00,760 --> 00:04:02,000
Speaker 1: with both of them today. So it's gonna be a

78
00:04:02,040 --> 00:04:04,360
Speaker 1: fun show. And of course we're gonna do the Biggie mix.

79
00:04:04,440 --> 00:04:06,720
Speaker 1: So get your request and let me know your favorite

80
00:04:06,800 --> 00:04:09,720
Speaker 1: biggie joint whatever it is, and I will get some

81
00:04:09,800 --> 00:04:11,520
Speaker 1: of your biggie joints on nice. Let's get the show

82
00:04:11,520 --> 00:04:13,560
Speaker 1: cracking front page news. What we're talking about you, We

83
00:04:13,640 --> 00:04:15,760
Speaker 1: are going to talk about the Women's March organizers, Like

84
00:04:15,800 --> 00:04:19,240
Speaker 1: I said, previously. Also, we'll talk about house flipping and

85
00:04:19,400 --> 00:04:21,280
Speaker 1: what's going on with that. All right, all light, and

86
00:04:21,320 --> 00:04:23,040
Speaker 1: we'll keep it locked. This the Breakfast Local Morning. It's

87
00:04:23,080 --> 00:04:30,200
Speaker 1: Tory Lane Morning. Everybody is DJ Envy, Angela, Yee, Charlomagne

88
00:04:30,240 --> 00:04:32,000
Speaker 1: and God we are the Breakfast Club. Let's get in

89
00:04:32,120 --> 00:04:35,480
Speaker 1: some front page news. Now in sports, I know the

90
00:04:35,560 --> 00:04:38,120
Speaker 1: Jets lost Brandon Marshall and right over to the Giants.

91
00:04:38,400 --> 00:04:40,360
Speaker 1: I think that's a good plug for the Giants. I

92
00:04:40,440 --> 00:04:45,120
Speaker 1: think that's really good. That's all. That's all so far. Okay. Now, Also, um,

93
00:04:45,600 --> 00:04:47,400
Speaker 1: I thought Adrian Peterson was gonna come this way, but

94
00:04:47,400 --> 00:04:48,840
Speaker 1: it looks like he's gonna go to Patriots. That's what

95
00:04:48,920 --> 00:04:55,840
Speaker 1: looks like. He's leaning Seattle Orderators, Seattle Orderators rarely. And

96
00:04:56,000 --> 00:04:58,680
Speaker 1: Tony Romo there saying your ex quarterback Tony Romo will

97
00:04:58,720 --> 00:05:00,800
Speaker 1: be released today. Okay. I don't know where he's gonna go.

98
00:05:00,839 --> 00:05:02,880
Speaker 1: You fine, hurt. It might go to Denver. I'm absolutely

99
00:05:02,960 --> 00:05:05,160
Speaker 1: positively fine with that. By the way, let's refer back

100
00:05:05,160 --> 00:05:08,000
Speaker 1: to a tweet I tweeted out August something of two

101
00:05:08,080 --> 00:05:11,160
Speaker 1: thousand and sixteen. Well, I said, I'm when Romo got hurt,

102
00:05:11,200 --> 00:05:13,520
Speaker 1: I'm good. You know what, I'm glad because that is special.

103
00:05:15,200 --> 00:05:17,279
Speaker 1: Not mad. Well, I'm mad that Tony Romo getting shipped

104
00:05:17,279 --> 00:05:19,360
Speaker 1: out in that gonna be the starting quarterback with no distractions.

105
00:05:19,480 --> 00:05:22,280
Speaker 1: Let's go, baby, new future of my Cowboys. All right,

106
00:05:22,560 --> 00:05:24,440
Speaker 1: let's see what happens this year. Now, let's talk about

107
00:05:24,440 --> 00:05:27,040
Speaker 1: a recap of yesterday. We went down yesterday with a

108
00:05:27,160 --> 00:05:29,719
Speaker 1: day without a woman. Well yesterday, for a day without

109
00:05:29,720 --> 00:05:32,440
Speaker 1: a woman, there was some peaceful protests. They were loud,

110
00:05:32,480 --> 00:05:34,840
Speaker 1: but very orderly for a day without a woman. That

111
00:05:34,920 --> 00:05:37,600
Speaker 1: were outside of the Trump Hotel where Donald Trump lives.

112
00:05:37,920 --> 00:05:41,320
Speaker 1: They said they were disrupting traffic according to police officers.

113
00:05:41,400 --> 00:05:45,200
Speaker 1: So at least four of the organizers were arrested. That's

114
00:05:45,200 --> 00:05:49,320
Speaker 1: Tamika Merrily, Mallory, Linda Sastar, Carmen Perez, and Bob the Land.

115
00:05:49,680 --> 00:05:51,760
Speaker 1: They were released though, and they have to go to court.

116
00:05:52,320 --> 00:05:54,680
Speaker 1: In San Francisco, hundreds of women were dressed in red

117
00:05:54,720 --> 00:05:57,720
Speaker 1: swarming city Hall. There were thousands of people protesting here

118
00:05:57,800 --> 00:06:00,280
Speaker 1: in New York City as well. So this is all

119
00:06:00,279 --> 00:06:03,600
Speaker 1: about to fight over access to reproductive healthcare, equal pay,

120
00:06:04,000 --> 00:06:07,400
Speaker 1: violence against women, education for their daughters, and the deportation

121
00:06:07,440 --> 00:06:10,440
Speaker 1: of women immigrants. Yeah, cops were bugging a little bit yesterday.

122
00:06:10,560 --> 00:06:13,640
Speaker 1: I gotta ticket yesterday for not for failing to yield

123
00:06:13,720 --> 00:06:16,880
Speaker 1: to a pedestrian. Like what, I never had that in

124
00:06:16,960 --> 00:06:20,880
Speaker 1: my life. No points taken, no fine, no not Huh

125
00:06:20,920 --> 00:06:23,320
Speaker 1: when you left it, yeah, does that mean you almost

126
00:06:23,400 --> 00:06:25,840
Speaker 1: ran somebody over? No, that's what I'm trying to tell y'all.

127
00:06:25,880 --> 00:06:28,240
Speaker 1: Was making a regular left turn. The light was green,

128
00:06:28,839 --> 00:06:31,520
Speaker 1: nobody was in the walkway, and he said that it

129
00:06:31,640 --> 00:06:34,160
Speaker 1: was somebody in the walkway and I didn't stop. You

130
00:06:34,240 --> 00:06:36,280
Speaker 1: know what, that happened to me before, right outside here.

131
00:06:36,360 --> 00:06:38,320
Speaker 1: I was always probably the same guy. What was it?

132
00:06:38,760 --> 00:06:42,040
Speaker 1: And you know I said to the that's what I

133
00:06:42,040 --> 00:06:43,400
Speaker 1: actually have to go to court to fight that. But

134
00:06:43,600 --> 00:06:45,800
Speaker 1: I was like, where is there a pedestrian? I'm like,

135
00:06:45,920 --> 00:06:48,120
Speaker 1: huh they did that to me. That's probably the same cop.

136
00:06:48,240 --> 00:06:50,080
Speaker 1: That's that's the kind to put me over. The said

137
00:06:50,160 --> 00:06:52,800
Speaker 1: in prophecy. But I didn't have my seat I was in.

138
00:06:55,360 --> 00:06:56,840
Speaker 1: And you know what, yesterday when we left it, we

139
00:06:56,920 --> 00:06:59,800
Speaker 1: were all kind a little tip little TIPSI I was.

140
00:07:00,160 --> 00:07:03,880
Speaker 1: I wasn't really drinking, Yes she was. I never really

141
00:07:04,160 --> 00:07:06,000
Speaker 1: wasn't here. I don't know what went on I watched

142
00:07:06,040 --> 00:07:08,000
Speaker 1: you you put water in my brother. I can fix

143
00:07:08,160 --> 00:07:11,960
Speaker 1: nip colcine, all right, trust me, that's fould. You know

144
00:07:12,040 --> 00:07:13,760
Speaker 1: what's foul about that year. You know what's foul about

145
00:07:13,800 --> 00:07:15,560
Speaker 1: is you was like, no, watch charlottage because he don't

146
00:07:15,560 --> 00:07:17,480
Speaker 1: be really drinking. Yeah, because you don't really be really drinking.

147
00:07:17,480 --> 00:07:21,600
Speaker 1: That foot just up here drinking, yes, And he pours

148
00:07:21,720 --> 00:07:24,120
Speaker 1: me drinks right, and you gotta and you can see

149
00:07:24,200 --> 00:07:26,560
Speaker 1: what I'm drinking. But him, he pours himself water. And

150
00:07:26,800 --> 00:07:28,360
Speaker 1: you know what you lose? Don't worry about what I

151
00:07:28,520 --> 00:07:31,080
Speaker 1: know what nothing. What else are we talking about. We're

152
00:07:31,080 --> 00:07:32,920
Speaker 1: talking about a house flipping and it has hit a

153
00:07:33,000 --> 00:07:35,920
Speaker 1: ten year high in twenty sixteen. So last year a

154
00:07:36,000 --> 00:07:38,280
Speaker 1: lot of people were buying houses and flipping them. To say,

155
00:07:38,280 --> 00:07:41,560
Speaker 1: it's a lot of them were single family houses and

156
00:07:41,640 --> 00:07:45,160
Speaker 1: condos that people actually purchased and flipped. So just so

157
00:07:45,360 --> 00:07:48,280
Speaker 1: y'all know, all right, yesterday was an odd day though,

158
00:07:49,720 --> 00:07:51,200
Speaker 1: And you know Trump Care, by the way, he has

159
00:07:51,200 --> 00:07:52,680
Speaker 1: passed the first hurdle. I don't know if you guys

160
00:07:52,680 --> 00:07:54,360
Speaker 1: are paying attention to that. This morning. They had an

161
00:07:54,360 --> 00:07:59,520
Speaker 1: eighteen hours session overnight and it's been approved as far

162
00:07:59,600 --> 00:08:02,040
Speaker 1: as that. Yeah, it's a proof. It's the same damn playing.

163
00:08:02,040 --> 00:08:03,320
Speaker 1: I told y'all they were gonna do that. It was

164
00:08:03,320 --> 00:08:06,600
Speaker 1: gonna repeal Obamacare, replace it with Obamacare, just give it

165
00:08:06,640 --> 00:08:08,800
Speaker 1: another name and a couple more bells and whistle. That's

166
00:08:08,840 --> 00:08:11,680
Speaker 1: all I told yall that already, or last front page news.

167
00:08:11,720 --> 00:08:13,800
Speaker 1: Tell them why you're mad? Eight undred five eight five

168
00:08:13,880 --> 00:08:15,720
Speaker 1: one on five one. If you're upset, you need to vent,

169
00:08:15,760 --> 00:08:18,280
Speaker 1: you can call us right now. Maybe had a bad

170
00:08:18,400 --> 00:08:21,280
Speaker 1: night or bad morning. Also, maybe you feel blessed. If

171
00:08:21,360 --> 00:08:23,480
Speaker 1: you feel blessed, you can give us a call as well.

172
00:08:23,600 --> 00:08:25,840
Speaker 1: Maybe it's your birthday, maybe you just had a baby.

173
00:08:25,880 --> 00:08:27,480
Speaker 1: Maybe some things that are going on in your life

174
00:08:27,480 --> 00:08:29,600
Speaker 1: are positive. Tell them why you're blessed. You can call

175
00:08:29,680 --> 00:08:31,320
Speaker 1: us up right now. We'll put you both on the air.

176
00:08:31,560 --> 00:08:38,920
Speaker 1: It's a breakfast club. Good morning, the breakfast club. Hey y'all, y'all,

177
00:08:38,960 --> 00:08:40,880
Speaker 1: Hey y'all, good lord, this is mad Rap. I'na tell

178
00:08:40,880 --> 00:08:42,520
Speaker 1: you why, man, tell you why I back' mad because

179
00:08:42,520 --> 00:08:43,959
Speaker 1: I don't know the club last night, and there was

180
00:08:44,000 --> 00:08:45,520
Speaker 1: too many good girls in there, y'all for men. We

181
00:08:45,559 --> 00:08:46,920
Speaker 1: don't need none of your good girls in the club.

182
00:08:46,960 --> 00:08:49,320
Speaker 1: We need loose girls. Why didn't drug girlfity sloppy girls?

183
00:08:49,360 --> 00:08:51,320
Speaker 1: Weren't girls? Call away? We don't need ane of your

184
00:08:51,360 --> 00:08:53,480
Speaker 1: guys girls in the go On, go Away, talk about

185
00:08:53,520 --> 00:08:55,720
Speaker 1: it and tell me why you mad Breakfast club for real?

186
00:08:56,160 --> 00:08:59,760
Speaker 1: This is quite from Indiana, very quid. Good morning, Good

187
00:08:59,800 --> 00:09:03,040
Speaker 1: morning Hill, I'm good. Tell them why you mad? So

188
00:09:03,960 --> 00:09:07,360
Speaker 1: yesterday well, more like last night, I ended up happening. Well,

189
00:09:07,640 --> 00:09:09,400
Speaker 1: I feel like before last I ended up having to

190
00:09:09,600 --> 00:09:13,319
Speaker 1: end a for year relationship with this guy that I've

191
00:09:13,320 --> 00:09:15,920
Speaker 1: been with for a while. You know, he's been not

192
00:09:16,040 --> 00:09:19,079
Speaker 1: acting right for actually probably like the last year and

193
00:09:19,120 --> 00:09:21,160
Speaker 1: a half. But because of the fact that we have

194
00:09:21,240 --> 00:09:23,559
Speaker 1: a baby together, you know, I've been trying to make

195
00:09:23,600 --> 00:09:25,640
Speaker 1: it work, and I you know, I'm sacrificed a lot.

196
00:09:25,960 --> 00:09:28,000
Speaker 1: You should have said, baby Daddy from the start book.

197
00:09:28,720 --> 00:09:30,720
Speaker 1: You know, I should have picked better, to be honest.

198
00:09:30,760 --> 00:09:33,280
Speaker 1: I should have listened to my damn mama. He warned

199
00:09:33,320 --> 00:09:35,240
Speaker 1: me about all of this. You know, she won't even

200
00:09:35,240 --> 00:09:38,240
Speaker 1: speak what happened, you know, all of this night the

201
00:09:38,280 --> 00:09:40,760
Speaker 1: other night. It happened over some freaking food, you know,

202
00:09:40,960 --> 00:09:43,559
Speaker 1: and it was kind of fool, though, what kind of

203
00:09:43,600 --> 00:09:47,000
Speaker 1: fool some crap food, But it was hilarious to because

204
00:09:47,040 --> 00:09:49,199
Speaker 1: I'm a culinary major. I'm like, dang, I actually in

205
00:09:49,200 --> 00:09:52,720
Speaker 1: an argument about some food. Well, I'm losing. That can't

206
00:09:52,760 --> 00:09:55,360
Speaker 1: be all it was over come on? You know it literally?

207
00:09:55,440 --> 00:09:59,480
Speaker 1: Would it? Literally? Would they sound seeming guys? It is really.

208
00:09:59,559 --> 00:10:02,480
Speaker 1: I have a baby by African man. He is thirty

209
00:10:02,559 --> 00:10:06,520
Speaker 1: years older than me. I know, thirty years old, thirty

210
00:10:06,640 --> 00:10:14,199
Speaker 1: years I am twenty nine. Is he rich? No? Does

211
00:10:14,240 --> 00:10:17,800
Speaker 1: he have his own money? Yes? Yes, he has enough money.

212
00:10:17,880 --> 00:10:20,000
Speaker 1: But it was never really about the money. It was

213
00:10:20,040 --> 00:10:23,319
Speaker 1: cool from the beginning, but everything changed after I got

214
00:10:23,360 --> 00:10:25,839
Speaker 1: pregnant with our son, and it seemed like it just

215
00:10:26,000 --> 00:10:29,120
Speaker 1: went downhill from there. And it's like, dam I didn't

216
00:10:29,120 --> 00:10:31,720
Speaker 1: gave four years to this relationship just for our baby's

217
00:10:31,760 --> 00:10:34,080
Speaker 1: birthday is literally on the eleventh. Well, by the way,

218
00:10:34,200 --> 00:10:36,600
Speaker 1: you couldn't even keep it together that long. By the way,

219
00:10:36,640 --> 00:10:38,280
Speaker 1: you got a lot more years into the Little Boys

220
00:10:38,320 --> 00:10:40,599
Speaker 1: E team, okay, you know. And at first I was

221
00:10:40,640 --> 00:10:43,839
Speaker 1: just trying to steak it out. I'm like, you know, no,

222
00:10:43,880 --> 00:10:45,920
Speaker 1: I mean efforts, Sorry, just speak it out. We'll make

223
00:10:45,960 --> 00:10:47,959
Speaker 1: it work for the baby. Because I didn't want my

224
00:10:48,080 --> 00:10:50,240
Speaker 1: son and doing me like I did my mom, You

225
00:10:50,280 --> 00:10:51,760
Speaker 1: know what I mean. I wasn't really a good daughter

226
00:10:51,880 --> 00:10:54,560
Speaker 1: to my mother all about the fact of my father,

227
00:10:54,679 --> 00:10:57,480
Speaker 1: you know what I mean? And I haven't said dad. Well, yeah,

228
00:10:57,920 --> 00:11:01,319
Speaker 1: you have a daddy now he's thirty years old in you? Yeah? Hello,

229
00:11:01,400 --> 00:11:05,360
Speaker 1: who's this? Hi? This is Channel Hey, Chanelle? Tell them

230
00:11:05,400 --> 00:11:07,920
Speaker 1: why you're mad. I'm mad because I still haven't got

231
00:11:08,040 --> 00:11:11,040
Speaker 1: my tax refund yet. You ain't get a chance to

232
00:11:11,080 --> 00:11:14,240
Speaker 1: baul out of that rainbow. I don't know what now,

233
00:11:14,280 --> 00:11:17,680
Speaker 1: you're Charlotte Roue's kind of girl. No, I'm not tell

234
00:11:17,720 --> 00:11:20,679
Speaker 1: if you go to Macy's, well, how did you did

235
00:11:20,760 --> 00:11:23,839
Speaker 1: you do like an expedited tax refund? And know what

236
00:11:24,000 --> 00:11:26,800
Speaker 1: happened was I gave my tax Prepare one of the

237
00:11:27,080 --> 00:11:29,360
Speaker 1: counter checks like that they give you as soon as

238
00:11:29,400 --> 00:11:31,679
Speaker 1: you open your account, and they're like, that's not my

239
00:11:32,160 --> 00:11:35,360
Speaker 1: real account number, And I'm like, well, why do y'all

240
00:11:35,360 --> 00:11:37,199
Speaker 1: give me the counter check with that number on it

241
00:11:37,200 --> 00:11:39,600
Speaker 1: if that's not my real account number? Well, everything happens

242
00:11:39,640 --> 00:11:41,079
Speaker 1: for a reason. God just want you to pump the

243
00:11:41,120 --> 00:11:42,559
Speaker 1: bricks and think about what you're gonna do with that

244
00:11:42,679 --> 00:11:44,800
Speaker 1: money before you get it, because if you'd got it,

245
00:11:44,840 --> 00:11:47,120
Speaker 1: already at it. If you'd got it already, you to

246
00:11:47,160 --> 00:11:49,600
Speaker 1: blew it that All Star as well, or maybe Super Bowl,

247
00:11:51,600 --> 00:11:56,400
Speaker 1: I would maybe see maybe see what I'm saying, Thank you,

248
00:11:58,080 --> 00:12:00,880
Speaker 1: she picked She picked the most basic of man out

249
00:12:00,920 --> 00:12:03,560
Speaker 1: of all of them, one the only one that Charlomagan

250
00:12:03,640 --> 00:12:07,520
Speaker 1: goes to at that. Yeah, because I'm a basic after yeah, yeah,

251
00:12:08,160 --> 00:12:11,560
Speaker 1: yeah yeah, tell him about you, mad bro round pissed

252
00:12:11,600 --> 00:12:14,199
Speaker 1: all man, car went all the way mind to Miam

253
00:12:14,240 --> 00:12:16,920
Speaker 1: and took the vote. Reason to come from man, and

254
00:12:17,000 --> 00:12:20,000
Speaker 1: I don't see no what's going on. Nobody get time

255
00:12:20,160 --> 00:12:26,400
Speaker 1: or none good money with pure like he wasn't good

256
00:12:26,520 --> 00:12:28,440
Speaker 1: rip all though. You know what I'm saying, Hey, man,

257
00:12:28,480 --> 00:12:30,000
Speaker 1: it don't feel good just to be in the same

258
00:12:30,080 --> 00:12:33,320
Speaker 1: place as those people. Yeah, you gotta pay the brief

259
00:12:33,360 --> 00:12:36,120
Speaker 1: to air that puff walk in. Well, Bryson Tiller did

260
00:12:36,240 --> 00:12:38,960
Speaker 1: get signed from then, so that that was one that's true.

261
00:12:39,559 --> 00:12:41,920
Speaker 1: I mean he had connection though you know he probably

262
00:12:41,960 --> 00:12:45,160
Speaker 1: had a connect connection. He went down, his manager didn't

263
00:12:45,160 --> 00:12:47,559
Speaker 1: know Hivy, somebody heard him and picked him up. I

264
00:12:47,640 --> 00:12:50,360
Speaker 1: don't believe that that's what happened. I need to I

265
00:12:50,360 --> 00:12:54,240
Speaker 1: ain't never heard that in break and tell Nat that

266
00:12:54,320 --> 00:12:56,480
Speaker 1: does something like an alternative from He did have some

267
00:12:56,559 --> 00:12:58,959
Speaker 1: connections because doesn't his manager, didn't he work for a

268
00:12:59,040 --> 00:13:01,600
Speaker 1: patient something used to be my interning possibe. I ain't

269
00:13:01,640 --> 00:13:03,360
Speaker 1: never heard bread and tell us that he got signed

270
00:13:03,360 --> 00:13:06,120
Speaker 1: because of the Revolt Music. He actually found him seeing

271
00:13:06,200 --> 00:13:08,240
Speaker 1: him and signed him, and nobody wanted to play his record.

272
00:13:08,240 --> 00:13:12,480
Speaker 1: I didn't want to play. And you keep that, You

273
00:13:12,640 --> 00:13:14,960
Speaker 1: keep putting that pressure on Revolt Okay, because they keep

274
00:13:15,000 --> 00:13:17,520
Speaker 1: throwing this conference. They gotta be some results soon. Y'all

275
00:13:17,520 --> 00:13:19,760
Speaker 1: gotta have some success stories from this Revolt Music conference,

276
00:13:19,840 --> 00:13:21,719
Speaker 1: damn it. Tell them why you man, eight hundred and

277
00:13:21,760 --> 00:13:23,720
Speaker 1: five eight five one oh five one. If you're upset,

278
00:13:23,760 --> 00:13:26,000
Speaker 1: you need to vent call us now. It's the Breakfast Club.

279
00:13:26,040 --> 00:13:35,000
Speaker 1: Good morning the Breakfast Club Man, It's true us changed Yeahenka,

280
00:13:35,200 --> 00:13:38,000
Speaker 1: are you blessing? Highly favorite? I feel blessed. Tell the

281
00:13:38,040 --> 00:13:40,600
Speaker 1: congregation at eight hundred and five eighty five one five one,

282
00:13:42,559 --> 00:13:48,680
Speaker 1: it's the Breakfast Club. Hello. Who's this? Hello this Cold Joe?

283
00:13:49,040 --> 00:13:51,719
Speaker 1: Cold Joe? Tell him why you blast? Bro Yo? I'm

284
00:13:51,800 --> 00:13:56,760
Speaker 1: blasted because Amazon just picked up my first independent ever

285
00:13:56,880 --> 00:14:01,319
Speaker 1: name perceived with card shit because I like YEP and

286
00:14:01,400 --> 00:14:04,720
Speaker 1: it's a fresh short film that Charlomagne the guard actually

287
00:14:04,840 --> 00:14:08,600
Speaker 1: did a drop too after Little Instiday, So I'm feeling

288
00:14:08,640 --> 00:14:12,520
Speaker 1: extra blessed about that. Okay, I ain't a congratulation. Did

289
00:14:12,640 --> 00:14:18,000
Speaker 1: Charlomagne sign the Clarence feed the Clarence Waver? Yeah, you

290
00:14:18,080 --> 00:14:20,800
Speaker 1: bump rushed him at this little show on MTV, and

291
00:14:21,240 --> 00:14:24,240
Speaker 1: and he did a drop forward. Pump did a drop forward.

292
00:14:24,640 --> 00:14:26,880
Speaker 1: We got Kyla doing a drop. O. Wait a minute,

293
00:14:26,920 --> 00:14:28,960
Speaker 1: way back. Don't say you bump rushed to me. I

294
00:14:29,040 --> 00:14:30,840
Speaker 1: get a drop for y'all out of the goodness of

295
00:14:30,880 --> 00:14:33,480
Speaker 1: my heart. Y'all asked me to do a drink. Heard

296
00:14:35,200 --> 00:14:37,640
Speaker 1: nervous though you always looked a little bit nervous. Hell,

297
00:14:37,640 --> 00:14:40,240
Speaker 1: I'm gonna look nervous at MTV when I got about

298
00:14:40,480 --> 00:14:43,120
Speaker 1: fifteen security guard that'll whip your ass if you even

299
00:14:43,240 --> 00:14:45,480
Speaker 1: breathe wrong on me. Hey, now, this man did you

300
00:14:45,560 --> 00:14:47,480
Speaker 1: a favor, and you up here trying to talk crazy.

301
00:14:47,480 --> 00:14:49,680
Speaker 1: I don't know why I can do that bump rush

302
00:14:49,760 --> 00:14:54,760
Speaker 1: the little show. Hello, who's this good morning to Scotty Moore.

303
00:14:55,200 --> 00:14:58,240
Speaker 1: Scotty Moore, tell him your blessed today. Bro Yo, I'm

304
00:14:58,280 --> 00:15:01,280
Speaker 1: blessed today because I woke up up with a good attitude.

305
00:15:01,680 --> 00:15:04,280
Speaker 1: I got my mom, she's doing my life and she's

306
00:15:04,320 --> 00:15:07,120
Speaker 1: doing very well. And also I got a good friend

307
00:15:07,200 --> 00:15:10,280
Speaker 1: who put me on YouTube and you gotta check me

308
00:15:10,360 --> 00:15:14,080
Speaker 1: out on scott Seymore. I'll be wrapping up. He no,

309
00:15:14,240 --> 00:15:16,000
Speaker 1: thank you, Okay, Well, good luck to you, bro. I'm

310
00:15:16,040 --> 00:15:19,480
Speaker 1: glad you blessed. Hello? Who's this? I'm blessed because I'm

311
00:15:19,520 --> 00:15:22,240
Speaker 1: at Target. Gotta be work at three footy five aim

312
00:15:22,360 --> 00:15:27,080
Speaker 1: pushing boxes and my smoke T shirts all day T shirts. Baby,

313
00:15:27,120 --> 00:15:30,200
Speaker 1: don't you ever disrespect them by saying and it's over here.

314
00:15:31,000 --> 00:15:34,760
Speaker 1: It's so now I give my tip faut. I love

315
00:15:34,880 --> 00:15:39,520
Speaker 1: Mustimore T shirts my ancho tek. Come them off there

316
00:15:39,560 --> 00:15:42,520
Speaker 1: you go? Oh wow, how much you getting back? That

317
00:15:46,040 --> 00:15:49,520
Speaker 1: is crazier What you're gonna do with that? I'm going

318
00:15:49,600 --> 00:15:54,520
Speaker 1: to juice for life, man, Okay, get you get juice.

319
00:15:54,640 --> 00:15:58,800
Speaker 1: You get all of a sudden, the juice prices gonna

320
00:15:58,800 --> 00:16:03,360
Speaker 1: spike tomorrow when you seven thousand dollars. You're all right? Well,

321
00:16:03,520 --> 00:16:05,320
Speaker 1: that would tell them why you bless you feel blessed?

322
00:16:05,320 --> 00:16:07,560
Speaker 1: You wanted to spread some positivity. You can always call us.

323
00:16:07,640 --> 00:16:10,040
Speaker 1: Now you've got rumors on the way Man. After six seasons.

324
00:16:10,120 --> 00:16:12,200
Speaker 1: We'll tell you what show you love is coming to

325
00:16:12,360 --> 00:16:15,000
Speaker 1: an end. Also, we'll talk about weight loss. Will tell

326
00:16:15,040 --> 00:16:18,160
Speaker 1: you what celebrity just recently underwent weight loss surgery. All right,

327
00:16:18,160 --> 00:16:19,880
Speaker 1: we'll get into all that when we come back. Keeping

328
00:16:19,920 --> 00:16:22,920
Speaker 1: locks at the Breakfast Club. Go Morning. The Breakfast Club

329
00:16:25,720 --> 00:16:28,800
Speaker 1: is DJ Envy, Angela Yee, Charlemagne and God we are

330
00:16:28,840 --> 00:16:31,360
Speaker 1: the Breakfast Club. Good morning, what's happening? And then Happy

331
00:16:31,440 --> 00:16:33,600
Speaker 1: born Day to Andrea Marie. She listens to us from

332
00:16:33,600 --> 00:16:36,080
Speaker 1: the West Coast every morning. Drop on the clues. Mom's

333
00:16:36,160 --> 00:16:39,720
Speaker 1: Andrea days are born days. Well, let's get to the rumors.

334
00:16:39,800 --> 00:16:47,920
Speaker 1: Let's talk Ti and Tinna. It's about this is the

335
00:16:48,040 --> 00:16:53,680
Speaker 1: rumor report. Angela Yee on the Breakfast Club. Well, t

336
00:16:53,880 --> 00:16:56,840
Speaker 1: I and Tiny the Family Hustle is gonna be over

337
00:16:57,040 --> 00:16:59,760
Speaker 1: after this next sixth season. That show has been on

338
00:17:00,160 --> 00:17:03,400
Speaker 1: since twenty eleven, so they're gonna end that run. They're

339
00:17:03,400 --> 00:17:06,080
Speaker 1: saying this is the final season according to vh one

340
00:17:06,200 --> 00:17:08,520
Speaker 1: and MTV. They said, v H one is incredibly proud

341
00:17:08,880 --> 00:17:11,280
Speaker 1: of this long running series. In our partnership with Tip

342
00:17:11,440 --> 00:17:14,360
Speaker 1: and Tamika for six years, they've opened their home into

343
00:17:14,359 --> 00:17:18,520
Speaker 1: your countless family moments with us one hundred episodes. They

344
00:17:18,640 --> 00:17:21,600
Speaker 1: good six six seasons, that's what. Yeah, it ends in

345
00:17:21,680 --> 00:17:24,159
Speaker 1: April with this one hundredth episode, and all the blogs

346
00:17:24,200 --> 00:17:26,720
Speaker 1: are staying to TI has a new woman, Bernice Burgos,

347
00:17:26,800 --> 00:17:30,040
Speaker 1: who is She dated Drake previously, but we all know Bernice.

348
00:17:31,160 --> 00:17:36,119
Speaker 1: Damn what's wrong with you? Guys? Mad? Yes? Damn it?

349
00:17:36,200 --> 00:17:39,640
Speaker 1: Why you drop with a clues ball? Because Bernice is amazing,

350
00:17:39,800 --> 00:17:42,720
Speaker 1: that's why? All right? So why are you mad? I

351
00:17:42,720 --> 00:17:45,560
Speaker 1: don't know. I'm just Hayden. You should be happy for

352
00:17:45,680 --> 00:17:49,600
Speaker 1: both of them, like I'm happy for you. She's amazing, No, Hayden,

353
00:17:50,359 --> 00:17:55,280
Speaker 1: this guy? All right? Bad Boys for Life that was

354
00:17:55,359 --> 00:17:58,159
Speaker 1: the part three for the Bad Boys series is not

355
00:17:58,400 --> 00:18:02,600
Speaker 1: happening yet. Will Smith and Martin Lawrence have reunited. They're

356
00:18:02,640 --> 00:18:06,160
Speaker 1: doing the movie, but unfortunately now the director has dropped out,

357
00:18:06,560 --> 00:18:09,200
Speaker 1: Joe Carnahan. He's signed up to do that and he

358
00:18:09,320 --> 00:18:11,600
Speaker 1: actually wrote the script as well. So I don't know

359
00:18:11,600 --> 00:18:13,280
Speaker 1: if they're going to keep that script, if they're going

360
00:18:13,320 --> 00:18:15,520
Speaker 1: to scrap it get a whole new script. What's going

361
00:18:15,560 --> 00:18:17,080
Speaker 1: to happen? But they've been trying to do this movie

362
00:18:17,119 --> 00:18:19,080
Speaker 1: for fourteen years. Wow? Why you walk away from that

363
00:18:19,160 --> 00:18:21,320
Speaker 1: blockbuster film. I'd love it both of them. Yeah, that's

364
00:18:22,160 --> 00:18:24,480
Speaker 1: what made him want to walk away from that. Well,

365
00:18:24,760 --> 00:18:28,200
Speaker 1: the news is that it was quote unquote scheduling conflicts,

366
00:18:28,320 --> 00:18:30,920
Speaker 1: but according to some insighters just saying it's just been

367
00:18:31,040 --> 00:18:34,840
Speaker 1: some creative differences. Yeah, I'm sure it's difficult to work

368
00:18:34,880 --> 00:18:37,639
Speaker 1: on that film because you got two legendary superstars like

369
00:18:37,680 --> 00:18:40,280
Speaker 1: Will Smith and Martin, plus it's a legendary franchise, or

370
00:18:40,680 --> 00:18:44,080
Speaker 1: the film company probably wants a certain thing, but it

371
00:18:44,160 --> 00:18:46,320
Speaker 1: has to be done right. So the movie kept getting delayed.

372
00:18:46,359 --> 00:18:48,520
Speaker 1: And not to mention that, Will Smith quit Disney and

373
00:18:48,600 --> 00:18:51,800
Speaker 1: Tim Burton's live action Dumbo movie just to focus on

374
00:18:51,920 --> 00:18:53,960
Speaker 1: the sequel. So he quit that to work on the

375
00:18:54,000 --> 00:18:56,920
Speaker 1: Bad Boys sequel, and they even had a part four. Boy,

376
00:18:57,160 --> 00:18:59,920
Speaker 1: why is Will Smith doing a live action Dumbo movie?

377
00:19:00,000 --> 00:19:04,480
Speaker 1: I don't know. Why do we need a lot they like? Why?

378
00:19:05,320 --> 00:19:08,560
Speaker 1: Maybe it's for the kids. I don't know, it's not

379
00:19:08,720 --> 00:19:11,280
Speaker 1: for you. Cool like that? No more, bro? How do

380
00:19:11,359 --> 00:19:17,280
Speaker 1: you know that used to be cool before social media? Well,

381
00:19:17,320 --> 00:19:19,800
Speaker 1: they even had a Bad Boy Part four on the schedule,

382
00:19:19,880 --> 00:19:22,119
Speaker 1: but now they've dropped that off the schedule entirely and

383
00:19:22,160 --> 00:19:23,720
Speaker 1: they're just trying to figure out how can they save

384
00:19:24,000 --> 00:19:25,760
Speaker 1: this movie. So we'll see who steps in next. And

385
00:19:25,800 --> 00:19:28,920
Speaker 1: you guys know that Michael Bay, who did Transformers, is

386
00:19:28,960 --> 00:19:31,359
Speaker 1: doing the final Transformers sequel. Was the one that directed

387
00:19:31,359 --> 00:19:33,680
Speaker 1: the first two I'm on the Google Live Action Dumbo movies.

388
00:19:33,800 --> 00:19:38,040
Speaker 1: I need to see what all right. Gabbaret Citaba talks

389
00:19:38,080 --> 00:19:42,879
Speaker 1: about losing and she has her memoir. She has her

390
00:19:42,920 --> 00:19:45,359
Speaker 1: first ever memoir. This is just my face trying not

391
00:19:45,440 --> 00:19:49,840
Speaker 1: to stand now. She said. This is what she said

392
00:19:49,840 --> 00:19:52,400
Speaker 1: about her decision because she actually got that weight loss surgery.

393
00:19:53,040 --> 00:19:55,720
Speaker 1: She said that she was diagnosed with type two diabetes.

394
00:19:55,720 --> 00:19:57,240
Speaker 1: She said, I truly didn't want to worry about all

395
00:19:57,240 --> 00:19:59,760
Speaker 1: the effects that go along with diabetes. I genuinely worry

396
00:19:59,800 --> 00:20:02,840
Speaker 1: all all the time about losing my toes. Now. She

397
00:20:02,960 --> 00:20:06,160
Speaker 1: has tried more for more than a decade to lose

398
00:20:06,240 --> 00:20:09,520
Speaker 1: weight naturally, and she finally decided last year in May

399
00:20:09,640 --> 00:20:11,399
Speaker 1: that she had to go under the knife. She did

400
00:20:11,440 --> 00:20:13,680
Speaker 1: that without telling anybody to lose weight. She said, my

401
00:20:13,760 --> 00:20:16,000
Speaker 1: surgeon said, they cut my stomach in half. This will

402
00:20:16,040 --> 00:20:18,960
Speaker 1: limit my hunger and capacity to eat. My brain chemistry

403
00:20:18,960 --> 00:20:20,960
Speaker 1: would change. I want to eat healthier. I'll take it.

404
00:20:21,320 --> 00:20:23,720
Speaker 1: My lifelong relationship with food had to change. So she's

405
00:20:23,760 --> 00:20:26,560
Speaker 1: been working out with a trainer, she's been swimming, she's

406
00:20:26,560 --> 00:20:29,240
Speaker 1: been Now this is weird. I don't want to say,

407
00:20:30,880 --> 00:20:36,000
Speaker 1: riding a tricycle around the Empire set. I must be

408
00:20:36,119 --> 00:20:38,320
Speaker 1: the most steel reinforced tried to go. You'll see it

409
00:20:38,359 --> 00:20:40,879
Speaker 1: in the world, all right, But she's been having issues

410
00:20:40,880 --> 00:20:44,160
Speaker 1: with food since she was six years old. Battle depression,

411
00:20:44,280 --> 00:20:47,240
Speaker 1: she battled anxiety, she battled blimia, all of those things.

412
00:20:47,320 --> 00:20:50,919
Speaker 1: She finally overcame that through therapy, and now she has

413
00:20:50,960 --> 00:20:52,960
Speaker 1: a goal. She's trying to get her goal. I'm glad

414
00:20:53,000 --> 00:20:55,560
Speaker 1: she decided to change her life by changing her lifestyle

415
00:20:55,560 --> 00:20:57,560
Speaker 1: because once again, even though people think I'm always being

416
00:20:57,600 --> 00:20:59,840
Speaker 1: hard on fat people, this is exactly what the conto

417
00:21:00,040 --> 00:21:02,320
Speaker 1: quintance to being fat are. Okay, the two main causes

418
00:21:02,359 --> 00:21:05,280
Speaker 1: of type two diabetes is genetics and lifestyle. You're not

419
00:21:05,359 --> 00:21:07,679
Speaker 1: eating right, you're not working out, you're fat. You are

420
00:21:07,800 --> 00:21:10,320
Speaker 1: greater risk for type two diabetes. Stop listening to people

421
00:21:10,320 --> 00:21:12,639
Speaker 1: trying to sugarcoat the reality this situation. You want to

422
00:21:12,680 --> 00:21:15,720
Speaker 1: live or you want to die. The choice is yours, right, Well,

423
00:21:16,040 --> 00:21:18,159
Speaker 1: she said hopefully things will get better for her, and

424
00:21:18,240 --> 00:21:20,240
Speaker 1: she talks about all of this in her memoir that

425
00:21:20,560 --> 00:21:23,640
Speaker 1: is out, but she did say she was battling depression, anxiety,

426
00:21:23,720 --> 00:21:27,400
Speaker 1: and bolimia, so goodness she had to deal. She got

427
00:21:27,440 --> 00:21:29,920
Speaker 1: through all of that with therapy. Okay, all right, I'm

428
00:21:29,960 --> 00:21:32,479
Speaker 1: Angela Yee and that is your rumor reports. All right,

429
00:21:32,520 --> 00:21:35,920
Speaker 1: thank you, miss Ye. Now today is the twentieth anniversary

430
00:21:36,119 --> 00:21:39,359
Speaker 1: of Bigg's death. We're gonna do a Biggie mix a

431
00:21:39,400 --> 00:21:41,680
Speaker 1: little bit later and coming up next Faith Evans will

432
00:21:41,680 --> 00:21:44,760
Speaker 1: be joining us. That was Big Sewan with Bounce Back. Morning.

433
00:21:44,800 --> 00:21:48,280
Speaker 1: Everybody is cj Envy, Angela Yee, charlomagnea God. We all

434
00:21:48,320 --> 00:21:51,800
Speaker 1: the breakfast club. We have a special guest today, Faith

435
00:21:51,880 --> 00:21:58,080
Speaker 1: Hill is here. Lady, good morning. We know the only

436
00:21:58,119 --> 00:22:02,479
Speaker 1: faith we acknowledge is faith in God. There you go, morning, welcome,

437
00:22:02,600 --> 00:22:04,520
Speaker 1: Thank you, thanks for happening. You saw CNN get it

438
00:22:04,640 --> 00:22:06,920
Speaker 1: so wrong. They said Biggie and Faith Hill had a

439
00:22:07,000 --> 00:22:09,680
Speaker 1: duet album. They sure did. I was looking for that album.

440
00:22:09,720 --> 00:22:11,679
Speaker 1: So the funny thing people, when I used to live

441
00:22:11,720 --> 00:22:13,359
Speaker 1: in Georgia, people used to come to my house to

442
00:22:13,600 --> 00:22:15,600
Speaker 1: fix things, and they were like Miss Hill. Miss Hill,

443
00:22:15,600 --> 00:22:17,840
Speaker 1: I'm like, really, did you have to say address or something?

444
00:22:17,920 --> 00:22:20,719
Speaker 1: She doesn't even live in Georgia. Yeah, maybe because I'm

445
00:22:20,760 --> 00:22:24,840
Speaker 1: so fair skinned. I don't know. I mean it makes

446
00:22:24,880 --> 00:22:26,600
Speaker 1: no sense, but it did bring a few more eyes

447
00:22:26,600 --> 00:22:30,240
Speaker 1: to the projects, ain't Matt? Twenty years from the passing

448
00:22:30,280 --> 00:22:33,800
Speaker 1: a big now? I know you possibly can't still let

449
00:22:33,880 --> 00:22:35,360
Speaker 1: it go, But how does it feel we still don't

450
00:22:35,400 --> 00:22:39,119
Speaker 1: know necessarily what happened. Nobody has been convicted, nobody, you know,

451
00:22:39,280 --> 00:22:41,560
Speaker 1: we don't know what's going on still after twenty years.

452
00:22:41,840 --> 00:22:44,720
Speaker 1: Very true, Miss Wallis, and I sort of feel like

453
00:22:44,840 --> 00:22:47,280
Speaker 1: we know what happened. It's just a matter of LAPD

454
00:22:47,640 --> 00:22:50,000
Speaker 1: saying that they know what happened, which they probably will

455
00:22:50,119 --> 00:22:54,000
Speaker 1: never do. So do you get closure? And can time

456
00:22:54,040 --> 00:22:56,399
Speaker 1: truly here? All on? If it's really not closure the

457
00:22:56,920 --> 00:22:59,440
Speaker 1: criminal case itself, I don't think that so much is

458
00:22:59,520 --> 00:23:03,120
Speaker 1: something to heal from it. I mean, he's not here,

459
00:23:03,200 --> 00:23:06,320
Speaker 1: so that's never gonna change. You know, the criminal case

460
00:23:06,440 --> 00:23:08,399
Speaker 1: is something separate. I wouldn't say we have closure. We

461
00:23:08,520 --> 00:23:11,920
Speaker 1: just decided not to continue paying money to make them

462
00:23:12,119 --> 00:23:15,359
Speaker 1: admit that they know what happened basically, So um no,

463
00:23:15,600 --> 00:23:18,520
Speaker 1: I mean, there's no closure in that sense. But um,

464
00:23:18,920 --> 00:23:21,560
Speaker 1: you know, we just have to move on and live

465
00:23:21,640 --> 00:23:23,560
Speaker 1: with the great memories a Big that we have. I mean,

466
00:23:23,600 --> 00:23:26,360
Speaker 1: that's really all we've been able to do twenty anniversary,

467
00:23:27,000 --> 00:23:33,080
Speaker 1: besides it being reminded that we're all old as hell. Um.

468
00:23:33,680 --> 00:23:36,160
Speaker 1: To be honest, it doesn't mean anything different twenty years

469
00:23:36,240 --> 00:23:39,400
Speaker 1: later than it did, you know, five years ago, seven

470
00:23:39,480 --> 00:23:42,800
Speaker 1: years ago. I mean, I have this project coming out,

471
00:23:42,920 --> 00:23:45,359
Speaker 1: which I think ironically because I didn't plan on it

472
00:23:45,440 --> 00:23:47,200
Speaker 1: coming out this year. I thought it would be out

473
00:23:47,240 --> 00:23:49,680
Speaker 1: last year. But I think, um, you know, maybe every

474
00:23:49,800 --> 00:23:52,520
Speaker 1: the fact that everything happens for a reason in the time,

475
00:23:52,560 --> 00:23:54,240
Speaker 1: and that God says it should, maybe it might be

476
00:23:54,320 --> 00:23:56,879
Speaker 1: a great thing that I am doing this project to

477
00:23:57,000 --> 00:24:00,800
Speaker 1: honor our love, you know, around this time. So, um,

478
00:24:00,880 --> 00:24:03,320
Speaker 1: I wouldn't say it feels different, though I still feel like,

479
00:24:03,520 --> 00:24:05,880
Speaker 1: you know, there's a huge part of my life that's gone.

480
00:24:06,480 --> 00:24:09,080
Speaker 1: But the great thing about the person Big was it

481
00:24:09,160 --> 00:24:11,920
Speaker 1: is twenty years later me season you know, we all

482
00:24:12,000 --> 00:24:14,920
Speaker 1: still laugh at the very same stuff and it's still

483
00:24:15,040 --> 00:24:17,240
Speaker 1: just as funny. And I don't know, it's just with

484
00:24:17,320 --> 00:24:19,440
Speaker 1: something about Big that everybody that got his chance to

485
00:24:19,520 --> 00:24:22,480
Speaker 1: know him, you know, just still feels the same way.

486
00:24:22,600 --> 00:24:24,760
Speaker 1: You know, he's gonna always it's gonna always feel like

487
00:24:24,800 --> 00:24:27,200
Speaker 1: he's still here, even though he's not a car that

488
00:24:28,280 --> 00:24:30,640
Speaker 1: that big was killed in. Just so for one point

489
00:24:30,720 --> 00:24:33,720
Speaker 1: five million dollars it did sell. I heard yesterday someone

490
00:24:33,800 --> 00:24:36,120
Speaker 1: told me it was being auction, but I didn't even

491
00:24:36,119 --> 00:24:37,560
Speaker 1: know that. I think they said it was sold or

492
00:24:37,560 --> 00:24:39,879
Speaker 1: somebody bought it. I believe, how does that work? Is

493
00:24:39,920 --> 00:24:42,879
Speaker 1: that like from a toe yard? Or it seems strange

494
00:24:42,880 --> 00:24:45,240
Speaker 1: for having it for that long twenty years that I

495
00:24:45,280 --> 00:24:49,240
Speaker 1: don't understand the point. It's a little weird. But whatever.

496
00:24:50,160 --> 00:24:52,440
Speaker 1: As your son grows older, does he discovered new things

497
00:24:52,520 --> 00:24:56,560
Speaker 1: about his father? Um? Well, c J, I think, But

498
00:24:57,119 --> 00:25:00,040
Speaker 1: when he did Notorious, when he's played his dad in

499
00:25:00,080 --> 00:25:02,040
Speaker 1: the movie, I think that was probably a crash course

500
00:25:02,600 --> 00:25:04,880
Speaker 1: and everything big for him, you know. But every time

501
00:25:04,920 --> 00:25:08,000
Speaker 1: we're here, you know, he stays with Season Brooklyn, so

502
00:25:08,160 --> 00:25:12,240
Speaker 1: he kind of gets to to experience some of that.

503
00:25:13,000 --> 00:25:15,000
Speaker 1: But I think between that and the fact that he's

504
00:25:15,160 --> 00:25:17,200
Speaker 1: always been real close with Miss Wallace, you know, it's

505
00:25:17,240 --> 00:25:19,720
Speaker 1: not really many questions at least that I know of

506
00:25:19,880 --> 00:25:22,280
Speaker 1: that he has or has had. He's kind of been

507
00:25:22,440 --> 00:25:26,240
Speaker 1: just very Oh wow, He's just been really realizing things

508
00:25:26,320 --> 00:25:28,080
Speaker 1: over time that I'm like, oh wow, I'm like, yeah,

509
00:25:28,119 --> 00:25:31,960
Speaker 1: your dad was really you know, I just do that

510
00:25:32,040 --> 00:25:33,960
Speaker 1: album come about? Like, like, what made you want to

511
00:25:34,000 --> 00:25:37,040
Speaker 1: do that? Now? Well, I told miss Wallace actually back

512
00:25:37,080 --> 00:25:40,520
Speaker 1: when um Natalie Cole put out that Unforgettable project, I

513
00:25:40,640 --> 00:25:42,000
Speaker 1: was like, one day, that would be really dope if

514
00:25:42,000 --> 00:25:43,640
Speaker 1: I could do something like that. But it was really

515
00:25:43,720 --> 00:25:46,480
Speaker 1: just the thought, to be quite honest, I never moved

516
00:25:46,520 --> 00:25:48,320
Speaker 1: on it. And then a few years ago my attorney

517
00:25:48,400 --> 00:25:50,560
Speaker 1: actually was like, remember you said you want to do

518
00:25:50,640 --> 00:25:52,760
Speaker 1: that project with Big Let's go meet with the people

519
00:25:52,760 --> 00:25:54,879
Speaker 1: who got the Masters and do some business. Then where's

520
00:25:54,880 --> 00:25:59,640
Speaker 1: the Merasters? Well, Atlantic Warner acquired them. So I did

521
00:25:59,720 --> 00:26:02,920
Speaker 1: my with Rhino, which is a subsidiary of One Atlantic.

522
00:26:03,480 --> 00:26:05,280
Speaker 1: That was a hard being in the studio listening to

523
00:26:05,400 --> 00:26:08,600
Speaker 1: his voice. It really wasn't, you know, because I think

524
00:26:08,600 --> 00:26:12,000
Speaker 1: because we hear his music still, I mean, the only

525
00:26:12,080 --> 00:26:14,240
Speaker 1: difference in it. I think I did realize a few

526
00:26:14,320 --> 00:26:16,320
Speaker 1: lines that I thought I had right that I'm like, oh,

527
00:26:16,359 --> 00:26:18,000
Speaker 1: I always thought he was saying this, you know, but

528
00:26:18,760 --> 00:26:20,560
Speaker 1: it wasn't. I didn't even It was so much fun,

529
00:26:20,720 --> 00:26:23,200
Speaker 1: just to be able to be creative with Biggie vocals

530
00:26:23,240 --> 00:26:26,000
Speaker 1: and do whatever I want to as a creative person myself.

531
00:26:26,359 --> 00:26:28,040
Speaker 1: It was it just came together in a way I

532
00:26:28,240 --> 00:26:30,000
Speaker 1: never imagined it because I ain't even gonna lie. So

533
00:26:30,240 --> 00:26:33,320
Speaker 1: like his spirit was definitely there every session, Like I

534
00:26:33,440 --> 00:26:35,720
Speaker 1: actually towards the end of record and I was like,

535
00:26:36,560 --> 00:26:38,240
Speaker 1: I felt like he just tapped me. I just broke

536
00:26:38,320 --> 00:26:40,440
Speaker 1: down crying in the corner about myself, like I think

537
00:26:40,520 --> 00:26:44,240
Speaker 1: he just told me he's proud. You find yourself getting

538
00:26:44,240 --> 00:26:46,760
Speaker 1: into arguments with like you know, you knew him, so

539
00:26:46,840 --> 00:26:48,480
Speaker 1: imagine if you were singing a certain way to get

540
00:26:48,520 --> 00:26:55,560
Speaker 1: him say yo, do it this way. Face No, But

541
00:26:55,960 --> 00:26:58,280
Speaker 1: I do joke with him sometimes. I didn't even gonna

542
00:26:58,280 --> 00:27:00,560
Speaker 1: lie when things happened, or if I experience things, I'd

543
00:27:00,600 --> 00:27:02,879
Speaker 1: be like, I know you're clowning me right now. I'm like, okay,

544
00:27:03,000 --> 00:27:06,840
Speaker 1: I got you. But it wasn't emotional until that particular

545
00:27:06,920 --> 00:27:09,320
Speaker 1: time when I just felt like I think he's telling

546
00:27:09,359 --> 00:27:11,479
Speaker 1: me he's proud. I just was playing the music back

547
00:27:11,560 --> 00:27:13,440
Speaker 1: for some people in the studio and everybody was just

548
00:27:13,840 --> 00:27:16,320
Speaker 1: enjoying it, and I just felt a tap on my

549
00:27:16,400 --> 00:27:18,480
Speaker 1: shoulder and I was like, I think that was Big

550
00:27:21,680 --> 00:27:25,000
Speaker 1: all new songs, well, even even the verses that you're

551
00:27:25,080 --> 00:27:27,200
Speaker 1: familiar with. I you know, I split them up. I

552
00:27:27,280 --> 00:27:30,320
Speaker 1: rearranged them in some songs, I'm rapping back and forth

553
00:27:30,400 --> 00:27:32,719
Speaker 1: with them. Some songs I'm singing around him. I mean,

554
00:27:32,840 --> 00:27:35,879
Speaker 1: so I used them in ways that it's completely different records.

555
00:27:35,960 --> 00:27:37,920
Speaker 1: But there are a few of her big vocals. I

556
00:27:38,000 --> 00:27:41,120
Speaker 1: have a couple of songs that I used his reference

557
00:27:41,200 --> 00:27:43,280
Speaker 1: from the demos when he wrote for Junior Mafia and

558
00:27:43,480 --> 00:27:45,560
Speaker 1: one that he wrote for Cam's album. So I did

559
00:27:45,760 --> 00:27:47,879
Speaker 1: use those on a couple of songs. Did it make

560
00:27:47,920 --> 00:27:51,119
Speaker 1: you mad that he don't have more material? Because it

561
00:27:51,240 --> 00:27:52,800
Speaker 1: was a meme yesterday. In the meme said if you

562
00:27:52,800 --> 00:27:55,040
Speaker 1: could bring one person back to do one more album,

563
00:27:55,160 --> 00:27:59,600
Speaker 1: and I picked Big with no question. The funny thing

564
00:27:59,680 --> 00:28:01,240
Speaker 1: is when I first met Big, I used to be

565
00:28:01,359 --> 00:28:04,120
Speaker 1: driving him all around the place two different little studios

566
00:28:04,160 --> 00:28:07,600
Speaker 1: to do verses for people. So I'm pretty sure because

567
00:28:07,640 --> 00:28:09,800
Speaker 1: I don't recall hearing all of them. I remember like

568
00:28:10,520 --> 00:28:12,600
Speaker 1: mad little studios in Brooklyn and Queens. I used to

569
00:28:12,640 --> 00:28:14,040
Speaker 1: take him to and wait for him to come out

570
00:28:14,119 --> 00:28:15,840
Speaker 1: because he just had to do a verse. They said

571
00:28:15,840 --> 00:28:17,480
Speaker 1: he was big, they said more than it was just

572
00:28:17,480 --> 00:28:19,359
Speaker 1: always said about big. He was about that bag. If

573
00:28:19,400 --> 00:28:22,040
Speaker 1: somebody said I got this much money in a brown

574
00:28:22,080 --> 00:28:25,159
Speaker 1: paper bag, he was gonna do it yep, which is

575
00:28:25,200 --> 00:28:30,080
Speaker 1: probably why I was waiting outside in the cardio. I

576
00:28:30,240 --> 00:28:32,600
Speaker 1: wasn't that type. You know, he wasn't gonna be in

577
00:28:32,640 --> 00:28:35,280
Speaker 1: there that long anyway, being the car Roll in the

578
00:28:35,480 --> 00:28:38,959
Speaker 1: l particularly you remember him recording with that You're like, man,

579
00:28:39,000 --> 00:28:41,360
Speaker 1: whatever that record. I remember he did something that special

580
00:28:41,440 --> 00:28:43,720
Speaker 1: ass spot before. I don't know if that ever came out,

581
00:28:43,760 --> 00:28:48,840
Speaker 1: y'all might. No. This dude and Queen's actually contacted me

582
00:28:48,960 --> 00:28:51,000
Speaker 1: when I first was talking about doing this album when

583
00:28:51,000 --> 00:28:53,080
Speaker 1: I was announcing that I was gonna work on it,

584
00:28:53,400 --> 00:28:56,280
Speaker 1: saying he had these vocals are biggie and they were

585
00:28:56,360 --> 00:28:59,479
Speaker 1: never released and turns out, but turns out they were

586
00:28:59,520 --> 00:29:03,960
Speaker 1: actually released on I believe the Notorious soundtrack, just with

587
00:29:04,080 --> 00:29:07,560
Speaker 1: a different track underneath. So it wasn't something that you know,

588
00:29:07,680 --> 00:29:10,520
Speaker 1: nobody ever heard or was acquired. So I was a tour.

589
00:29:10,600 --> 00:29:11,920
Speaker 1: Did that bring back a lot of memories when you

590
00:29:12,080 --> 00:29:14,080
Speaker 1: when you guys went on tour, It was really fun

591
00:29:14,120 --> 00:29:16,160
Speaker 1: because you know, I never m I never went on

592
00:29:16,240 --> 00:29:18,320
Speaker 1: the road with like the whole family. Back in the day.

593
00:29:18,400 --> 00:29:19,920
Speaker 1: I was always kind of just I'm gonna do my

594
00:29:19,960 --> 00:29:23,640
Speaker 1: shows on the weekend, and y'all couldn't have It would

595
00:29:23,680 --> 00:29:26,320
Speaker 1: have been like when thank you you got well. I

596
00:29:26,440 --> 00:29:28,560
Speaker 1: never had no term more with Mary but that I

597
00:29:28,640 --> 00:29:31,440
Speaker 1: knew of. But um, back then when they did that

598
00:29:31,520 --> 00:29:33,760
Speaker 1: first big tour with all of them on it big

599
00:29:33,840 --> 00:29:36,880
Speaker 1: and I had we were separated. He was messing with him,

600
00:29:36,960 --> 00:29:38,719
Speaker 1: He was messing with Charlie, and I think they were

601
00:29:38,760 --> 00:29:41,480
Speaker 1: both kind of on the road at one time or another.

602
00:29:41,480 --> 00:29:43,920
Speaker 1: And I'm like, I'm doing my little shows, kept getting

603
00:29:43,920 --> 00:29:46,640
Speaker 1: my money, singing two singles on the weekend by myself,

604
00:29:46,640 --> 00:29:48,400
Speaker 1: and they telling me to do it as a promo tour.

605
00:29:48,760 --> 00:29:52,800
Speaker 1: So where does that make sense? You know what I mean?

606
00:29:52,960 --> 00:29:54,920
Speaker 1: Like I was like, I'm good. So for me, it

607
00:29:55,000 --> 00:29:57,200
Speaker 1: was really the first time. I mean, I had a

608
00:29:57,280 --> 00:29:59,880
Speaker 1: great time because I've never done a production on that

609
00:30:00,120 --> 00:30:01,880
Speaker 1: level and it was just really good to be back

610
00:30:01,920 --> 00:30:04,200
Speaker 1: there watching the screen and seeing the fans respond to

611
00:30:04,320 --> 00:30:07,240
Speaker 1: them like that. I was really feeling like, oh, total

612
00:30:07,840 --> 00:30:09,840
Speaker 1: look at your fit. Like I was really getting emotion

613
00:30:09,840 --> 00:30:12,320
Speaker 1: of them, like wow, they loved them, just for all

614
00:30:12,360 --> 00:30:14,880
Speaker 1: the other artists too. It was just it was great

615
00:30:14,960 --> 00:30:20,160
Speaker 1: to see how our particular contribution to some music really

616
00:30:20,280 --> 00:30:22,560
Speaker 1: touch people because every show was lit. All Right, we

617
00:30:22,640 --> 00:30:24,560
Speaker 1: got more with Faith Evans when we come back. We'll

618
00:30:24,560 --> 00:30:27,760
Speaker 1: talk about her relationship with Little Kim, also her relationship

619
00:30:27,840 --> 00:30:31,440
Speaker 1: with Stevie J. It's the Breakfast Club. Good morning, the

620
00:30:31,680 --> 00:30:38,440
Speaker 1: Breakfast Club. Everybody is DJ, Envy, Angela Yee, Charlomagne the guy.

621
00:30:38,520 --> 00:30:40,640
Speaker 1: We are the Breakfast Club. We have Faith Evans in

622
00:30:40,680 --> 00:30:43,080
Speaker 1: the building. Now, how did you a Little Kim become

623
00:30:43,160 --> 00:30:45,479
Speaker 1: so cool? Are your friends? Now? I don't know if

624
00:30:45,480 --> 00:30:48,360
Speaker 1: we're friends because we don't really talk or communicate, you know,

625
00:30:48,600 --> 00:30:51,000
Speaker 1: that much outside of when we see each other for work.

626
00:30:51,480 --> 00:30:54,400
Speaker 1: But it was certainly a big deal for me for

627
00:30:54,560 --> 00:30:57,760
Speaker 1: her to be receptive to my well wishes. I mean,

628
00:30:57,760 --> 00:30:59,520
Speaker 1: because I was in that place a long time ago

629
00:31:00,040 --> 00:31:02,920
Speaker 1: of you know, hey, Ken was congratulations. But I think

630
00:31:03,000 --> 00:31:06,320
Speaker 1: she said um recently that she just wasn't ready to

631
00:31:06,440 --> 00:31:09,400
Speaker 1: receive it. So I understand, you know, but she's in

632
00:31:09,480 --> 00:31:12,880
Speaker 1: a different place. She's a mom, and obviously she's you know,

633
00:31:13,000 --> 00:31:15,960
Speaker 1: grown past the holding a grudge for whatever reason, you know.

634
00:31:16,240 --> 00:31:17,920
Speaker 1: But when Big died, for me all of that when

635
00:31:17,920 --> 00:31:20,480
Speaker 1: I you know, you always feel like I don't know

636
00:31:20,520 --> 00:31:21,680
Speaker 1: why I thought you and Mary had an issue. I

637
00:31:21,680 --> 00:31:23,240
Speaker 1: think I saw that in a documentary or she felt

638
00:31:23,280 --> 00:31:26,000
Speaker 1: the way when Puff bought you along, because I always

639
00:31:26,080 --> 00:31:28,080
Speaker 1: heard those things. But to be quite honest, that was

640
00:31:28,200 --> 00:31:30,320
Speaker 1: never confirmed. I mean, they did tell me I had

641
00:31:30,360 --> 00:31:32,280
Speaker 1: to take her voice off my album because it's some

642
00:31:32,440 --> 00:31:34,240
Speaker 1: issue that I never knew about. But I thought that

643
00:31:34,360 --> 00:31:36,720
Speaker 1: was something between her and him. But I'm kind of

644
00:31:36,760 --> 00:31:38,440
Speaker 1: glad I don't know what it was about, because I

645
00:31:38,520 --> 00:31:42,560
Speaker 1: can honestly say I really don't know what that was about. Yeah,

646
00:31:42,640 --> 00:31:44,960
Speaker 1: my first album, we could a song together Carl Love

647
00:31:45,000 --> 00:31:47,800
Speaker 1: Don't Live You Anymore. And then at the time the

648
00:31:47,920 --> 00:31:50,320
Speaker 1: general manage a bad boy called me like five about

649
00:31:50,320 --> 00:31:53,080
Speaker 1: six months after my album came out, like Mary wants

650
00:31:53,080 --> 00:31:55,040
Speaker 1: a voice off your album. You need to call I

651
00:31:55,200 --> 00:31:57,680
Speaker 1: was like, no, I don't. I mean, I didn't do

652
00:31:57,800 --> 00:31:59,240
Speaker 1: nothing to her, So when am I gonna call a

653
00:31:59,280 --> 00:32:01,720
Speaker 1: He I don't know what what happened. They didn't tell

654
00:32:01,720 --> 00:32:03,080
Speaker 1: me what happened, So why are you telling me to

655
00:32:03,160 --> 00:32:05,960
Speaker 1: call her? But I just re recorded the record, which

656
00:32:06,000 --> 00:32:07,959
Speaker 1: I hated without her on it. But you know back

657
00:32:08,000 --> 00:32:09,880
Speaker 1: then y'all used to record together. Rick we did. We

658
00:32:10,000 --> 00:32:11,640
Speaker 1: used to hang out, go to the time. You know,

659
00:32:11,880 --> 00:32:16,080
Speaker 1: she gave me a few garments, big cut up one

660
00:32:16,080 --> 00:32:18,320
Speaker 1: of my favorite things that Mary gave me one time.

661
00:32:18,400 --> 00:32:20,320
Speaker 1: But I mean we it was fun. It was a

662
00:32:20,400 --> 00:32:23,520
Speaker 1: cougie um, two pieces of dress and it was like

663
00:32:23,600 --> 00:32:26,160
Speaker 1: a big a line jacket with a skirt. It was real.

664
00:32:27,240 --> 00:32:29,280
Speaker 1: We got into an argument because I put his bag

665
00:32:29,320 --> 00:32:31,280
Speaker 1: outside because I didn't want him to make his flight,

666
00:32:31,520 --> 00:32:34,160
Speaker 1: and then he cut up all my clothes. Binky. Cutting

667
00:32:34,200 --> 00:32:40,680
Speaker 1: up a coogie is like Patriot bringing an American flag. Now,

668
00:32:40,720 --> 00:32:42,640
Speaker 1: you and Stevie Jake, he was up here. I know,

669
00:32:42,720 --> 00:32:45,960
Speaker 1: I didn'tknew that was your bowl. He's not anymore already.

670
00:32:49,400 --> 00:32:51,240
Speaker 1: I don't know that was well. When he was here,

671
00:32:52,400 --> 00:32:55,120
Speaker 1: we weren't together either, do what he said, and but

672
00:32:55,280 --> 00:32:57,440
Speaker 1: then the day before that he said something else somewhere else,

673
00:32:57,480 --> 00:32:59,520
Speaker 1: So who knows what was going on in his mind

674
00:32:59,560 --> 00:33:01,320
Speaker 1: at that time, and then the TV show came out.

675
00:33:01,320 --> 00:33:03,200
Speaker 1: I guess that was done. Probably, I'll probably take that

676
00:33:03,600 --> 00:33:06,680
Speaker 1: way back. Yeah, we filmed during the summer. Actually, yeah,

677
00:33:07,240 --> 00:33:09,040
Speaker 1: but let's listen to what Stevie j had to see.

678
00:33:09,080 --> 00:33:10,840
Speaker 1: When he was on the Breakfast Club back in December.

679
00:33:11,000 --> 00:33:12,440
Speaker 1: You know what I'm saying. I know the for almost

680
00:33:12,440 --> 00:33:15,040
Speaker 1: twenty five years, and you know, did you like her

681
00:33:15,080 --> 00:33:16,479
Speaker 1: back in the day, Like back in the day when

682
00:33:16,520 --> 00:33:19,680
Speaker 1: she was with Big just like weird our family, and

683
00:33:19,760 --> 00:33:22,160
Speaker 1: then you know, as she just progressed, we just begin

684
00:33:22,240 --> 00:33:25,360
Speaker 1: to hang out more talk more. So do you see

685
00:33:25,480 --> 00:33:27,960
Speaker 1: a real future like this could be the person I

686
00:33:28,040 --> 00:33:30,800
Speaker 1: settled down with. I shouldn't have crossed that line, because

687
00:33:30,920 --> 00:33:34,400
Speaker 1: once you crossed that line, emotions really overwhelmed you know

688
00:33:34,440 --> 00:33:36,320
Speaker 1: what I'm saying, overwhelmed me and herd So what do

689
00:33:36,360 --> 00:33:39,000
Speaker 1: you mean, crossed the line like half sex? Yeah, start

690
00:33:39,080 --> 00:33:41,880
Speaker 1: dating your best friends to look different. Wow, you know

691
00:33:41,960 --> 00:33:44,520
Speaker 1: CTVJ had a crush you like you did ye when

692
00:33:44,560 --> 00:33:47,240
Speaker 1: he was a producing serious actually, but I think probably

693
00:33:47,320 --> 00:33:50,560
Speaker 1: in the last ten years, I would say, like, is

694
00:33:50,600 --> 00:33:52,760
Speaker 1: he trying to flirt? Let's go like But I never

695
00:33:53,080 --> 00:33:55,760
Speaker 1: saw him like that, not because we've been real. I

696
00:33:55,880 --> 00:33:59,160
Speaker 1: have always had twenty of male friends, never dated any

697
00:33:59,200 --> 00:34:00,920
Speaker 1: of them. I was just really cool like that. I

698
00:34:01,000 --> 00:34:02,680
Speaker 1: think I really should have been a boy or something,

699
00:34:02,880 --> 00:34:05,840
Speaker 1: but I'm just cool with dudes. And when I kind

700
00:34:05,880 --> 00:34:07,360
Speaker 1: of felt like he was trying to come at me,

701
00:34:07,520 --> 00:34:09,759
Speaker 1: probably the first time, but he never came at me.

702
00:34:09,840 --> 00:34:12,359
Speaker 1: But I'm like, it's just staring at me, like, oh,

703
00:34:12,600 --> 00:34:14,600
Speaker 1: let's go, like, oh, he's acting weird. I just kind

704
00:34:14,640 --> 00:34:17,000
Speaker 1: of took it as my friend. You like, girl, I

705
00:34:17,080 --> 00:34:18,960
Speaker 1: used to run away from him when you thought he

706
00:34:19,080 --> 00:34:21,120
Speaker 1: was like because I'm like, I don't want to feel

707
00:34:21,200 --> 00:34:22,479
Speaker 1: like that. I don't want to think that way about

708
00:34:22,560 --> 00:34:24,440
Speaker 1: him because I know he know better than that. But

709
00:34:25,360 --> 00:34:27,360
Speaker 1: I mean, you know, I don't know what made me

710
00:34:27,400 --> 00:34:31,480
Speaker 1: even finally say okay. He convinced me I ain't even

711
00:34:31,520 --> 00:34:33,400
Speaker 1: gonna lick even though I was brushing him off, like no,

712
00:34:33,520 --> 00:34:34,920
Speaker 1: for real, I really want to be with you, like

713
00:34:34,960 --> 00:34:37,080
Speaker 1: I love you, and I'm like, I love you too,

714
00:34:37,200 --> 00:34:38,719
Speaker 1: but I don't know if I want to be with you,

715
00:34:39,239 --> 00:34:42,920
Speaker 1: you know what I'm saying. But I still him. I

716
00:34:43,040 --> 00:34:45,239
Speaker 1: love him as a friend. I love him, but I mean,

717
00:34:45,320 --> 00:34:47,600
Speaker 1: it's not like I'm in love with him. How does

718
00:34:47,600 --> 00:34:50,000
Speaker 1: Stevie J convinced faith because you've been watching the TV,

719
00:34:54,080 --> 00:34:56,040
Speaker 1: I don't know. He just really convinced me that he

720
00:34:56,160 --> 00:34:59,279
Speaker 1: really wanted to be in a relationship and convinced me

721
00:34:59,400 --> 00:35:02,400
Speaker 1: that there was no one else in his life, and

722
00:35:03,520 --> 00:35:07,560
Speaker 1: I never was completely didn't feel like that. No, no, no, no,

723
00:35:07,680 --> 00:35:11,080
Speaker 1: not not even not even no. I just felt like,

724
00:35:11,360 --> 00:35:14,160
Speaker 1: I'm not sure that you're really ready. And I'm I'm

725
00:35:14,280 --> 00:35:16,719
Speaker 1: mature enough. I mean, I was mature enough going into it, Like,

726
00:35:16,760 --> 00:35:18,640
Speaker 1: I know there's a fifty fifty chance it may not

727
00:35:18,760 --> 00:35:20,640
Speaker 1: work out, but I know that I have to be

728
00:35:20,760 --> 00:35:22,919
Speaker 1: mature enough to be able to maintain our friendship because

729
00:35:22,960 --> 00:35:25,279
Speaker 1: that just wouldn't make sense, you know. So I'm also

730
00:35:25,440 --> 00:35:27,920
Speaker 1: smart enough to see when it's time for me to

731
00:35:29,040 --> 00:35:34,320
Speaker 1: you know. And I did think, well, I did. I

732
00:35:34,480 --> 00:35:38,759
Speaker 1: did a few times. He ain't complaining either. I ain't

733
00:35:38,800 --> 00:35:40,759
Speaker 1: heard no complaints, But I mean, I just don't like

734
00:35:40,840 --> 00:35:42,759
Speaker 1: the drama. Yeah, and I think he might be a

735
00:35:42,800 --> 00:35:46,239
Speaker 1: little bit addicted to the drama. The Tupac Bio pickI

736
00:35:46,320 --> 00:35:49,680
Speaker 1: is coming. Are you worried about how you may be portrayed? No,

737
00:35:52,160 --> 00:35:54,120
Speaker 1: I mean you can't. I can't what other people think

738
00:35:54,120 --> 00:35:56,560
Speaker 1: about me. It's none of my business. But um, the

739
00:35:56,680 --> 00:35:59,880
Speaker 1: Tupac movie isn't my story, so I mean, and actually

740
00:36:00,000 --> 00:36:02,439
Speaker 1: somebody had to near the hit my manager yesterday about

741
00:36:02,440 --> 00:36:07,239
Speaker 1: being on the sound chat for the movie. But I

742
00:36:07,360 --> 00:36:09,439
Speaker 1: just I just don't feel like that makes sense because

743
00:36:09,440 --> 00:36:11,440
Speaker 1: they already got the picture floating around, which is the

744
00:36:11,520 --> 00:36:14,560
Speaker 1: infamous remake of the picture of you in pop. I

745
00:36:14,600 --> 00:36:17,000
Speaker 1: guess you're throwing up the w or whatever you mean

746
00:36:17,080 --> 00:36:19,200
Speaker 1: the picture when I had on the red outfit. Yeah,

747
00:36:22,560 --> 00:36:24,759
Speaker 1: that was So that wasn't a studio session or something. No.

748
00:36:24,960 --> 00:36:27,239
Speaker 1: I was actually out of the club and Tretch was

749
00:36:27,320 --> 00:36:29,200
Speaker 1: with him and he said, too, going to meet me,

750
00:36:30,120 --> 00:36:33,040
Speaker 1: So you didn't have no reservations. Don't know in the situation.

751
00:36:33,560 --> 00:36:35,920
Speaker 1: I didn't know what situation it was. Also, the po

752
00:36:36,320 --> 00:36:38,760
Speaker 1: big thing wasn't at the height when that picture was taking.

753
00:36:39,120 --> 00:36:41,000
Speaker 1: I don't think it was at the height. Actually it

754
00:36:41,120 --> 00:36:43,120
Speaker 1: was around the time when that was around the time

755
00:36:43,120 --> 00:36:44,360
Speaker 1: when I was in LA, when they was on the

756
00:36:44,400 --> 00:36:45,800
Speaker 1: Big Bad Boy to it, because that's why I was

757
00:36:45,880 --> 00:36:49,799
Speaker 1: in La writing and for this group. And I think

758
00:36:49,880 --> 00:36:52,520
Speaker 1: there had been little talks of him saying that he

759
00:36:52,640 --> 00:36:55,640
Speaker 1: thought they set him up with that whole quad, that's

760
00:36:55,640 --> 00:36:58,839
Speaker 1: what it was. But Big really didn't. Big didn't want

761
00:36:58,880 --> 00:37:01,440
Speaker 1: to believe he thought that. That's what I do know.

762
00:37:01,600 --> 00:37:03,800
Speaker 1: Big didn't really want to believe that Pope thought that

763
00:37:03,880 --> 00:37:05,799
Speaker 1: because he was like what I mean, he knows better

764
00:37:05,840 --> 00:37:08,440
Speaker 1: than that. So I mean, I don't think there was

765
00:37:08,480 --> 00:37:10,799
Speaker 1: any hesitation because when I told Big I met him

766
00:37:11,120 --> 00:37:12,560
Speaker 1: and that he wanted to do a song with me,

767
00:37:12,640 --> 00:37:14,359
Speaker 1: he said, are you gonna do? And I said yeah,

768
00:37:14,360 --> 00:37:16,239
Speaker 1: if they got the money. He didn't tell me not

769
00:37:16,320 --> 00:37:17,799
Speaker 1: to do it. If he said don't do it, then

770
00:37:17,840 --> 00:37:20,759
Speaker 1: I wouldn't have do. But I mean again, he was

771
00:37:20,840 --> 00:37:23,080
Speaker 1: on the road doing his thing. I'm over here trying

772
00:37:23,120 --> 00:37:25,239
Speaker 1: to be separate and do my own thing. So I'm

773
00:37:25,280 --> 00:37:27,160
Speaker 1: just looking at him like I'm I'm out here trying

774
00:37:27,160 --> 00:37:30,200
Speaker 1: to make money anyway, so why not? But um, I

775
00:37:30,320 --> 00:37:33,080
Speaker 1: could kind of tell very quickly that it felt a

776
00:37:33,080 --> 00:37:34,680
Speaker 1: little weird because what I went in the studio was

777
00:37:34,760 --> 00:37:36,640
Speaker 1: all death Row people. I didn't know he was signed

778
00:37:36,640 --> 00:37:38,879
Speaker 1: to death Row. So then what did you think about Remy?

779
00:37:38,960 --> 00:37:41,160
Speaker 1: Ma and Sheiza? Did you hear it? Huh? What did

780
00:37:41,200 --> 00:37:44,239
Speaker 1: you think about that? Because everybody minded me a two

781
00:37:44,320 --> 00:37:46,080
Speaker 1: parts hit him up. It was just so raw, just

782
00:37:46,239 --> 00:37:49,440
Speaker 1: so because everybody saying Remy's lying, and I'm like, well,

783
00:37:49,800 --> 00:37:52,279
Speaker 1: did people say pop with lying? Who cares? It's rat beef?

784
00:37:52,960 --> 00:37:54,600
Speaker 1: You know? I think she spit on it. That's what

785
00:37:54,719 --> 00:37:56,439
Speaker 1: I do know, how did it even start? Do y'all

786
00:37:56,480 --> 00:38:04,640
Speaker 1: know she definitely liminal? Okay, Now, no, Big necessarily didn't

787
00:38:05,000 --> 00:38:08,680
Speaker 1: do a disrecord back at pop and Nicki Minaj hasn't

788
00:38:08,680 --> 00:38:10,800
Speaker 1: done a disrecord to Remy mar Do you think that

789
00:38:11,000 --> 00:38:12,799
Speaker 1: Nicky should do a record? And how come Big never

790
00:38:12,880 --> 00:38:15,319
Speaker 1: did a disrecord directly the pop? We know we heard

791
00:38:15,360 --> 00:38:17,080
Speaker 1: the little jabs hearing there when he did him, but

792
00:38:17,239 --> 00:38:20,160
Speaker 1: it was never completely always that who shot You? Oh no,

793
00:38:20,239 --> 00:38:22,399
Speaker 1: who Shot You? Was? Actually I remember when Who Shot

794
00:38:22,480 --> 00:38:25,560
Speaker 1: You was recorded, and that was before that quad thing happened. Actually,

795
00:38:25,560 --> 00:38:27,440
Speaker 1: I don't know if people really know that, but it

796
00:38:27,560 --> 00:38:31,040
Speaker 1: was a recorded way before that. It probably was released afterwards, so,

797
00:38:31,320 --> 00:38:33,440
Speaker 1: you know, just like to Get Money video. I was

798
00:38:33,480 --> 00:38:35,560
Speaker 1: there when they recorded the song, but when it came

799
00:38:35,600 --> 00:38:37,640
Speaker 1: out in the video, people thought it was about me.

800
00:38:37,800 --> 00:38:40,960
Speaker 1: But you know, I always got the impression that Big

801
00:38:41,080 --> 00:38:44,839
Speaker 1: was really hurt, that he would be manipulated to feel

802
00:38:44,880 --> 00:38:47,480
Speaker 1: that way about him, you know, And I think it

803
00:38:47,520 --> 00:38:50,279
Speaker 1: was manipulation only based on what Big always told me

804
00:38:50,320 --> 00:38:53,800
Speaker 1: about him and Pox's friendships. So what about Brooklyn's finals?

805
00:38:53,800 --> 00:38:56,400
Speaker 1: Already I always thought he said if Faith had twins,

806
00:38:56,440 --> 00:38:59,399
Speaker 1: she probably had two pots so that was a shot

807
00:38:59,440 --> 00:39:06,880
Speaker 1: at you. Yes, okay, And I never I was so

808
00:39:07,440 --> 00:39:12,319
Speaker 1: because I drove. Okay, here's the team. I remember one day,

809
00:39:12,800 --> 00:39:14,200
Speaker 1: this is when I was praying to a c J

810
00:39:14,880 --> 00:39:17,440
Speaker 1: and I had to take Big to the doctor for something.

811
00:39:17,600 --> 00:39:19,040
Speaker 1: Him and C's were in the car with me and

812
00:39:19,080 --> 00:39:21,640
Speaker 1: I'm driving and Big played me this jay Z. So

813
00:39:21,719 --> 00:39:24,920
Speaker 1: I don't remember Big verse was not on it because

814
00:39:25,080 --> 00:39:26,960
Speaker 1: I know for a fact that line wasn't on it,

815
00:39:27,080 --> 00:39:28,560
Speaker 1: you know, but he was playing me the thing. He

816
00:39:28,640 --> 00:39:30,440
Speaker 1: may have been writ into it, I don't know. But

817
00:39:30,600 --> 00:39:33,720
Speaker 1: when I heard the actual song a couple of months later, actually,

818
00:39:33,719 --> 00:39:36,879
Speaker 1: my manager she called me, like, you heard this song, girl,

819
00:39:37,080 --> 00:39:38,880
Speaker 1: I'm gonna kill She said, you ain't got too because

820
00:39:38,880 --> 00:39:41,920
Speaker 1: I'm gonna get big and so she told me enough,

821
00:39:42,040 --> 00:39:44,000
Speaker 1: like what but because you know, it was just really

822
00:39:44,560 --> 00:39:46,839
Speaker 1: number one, I was pissed. But I'm like, why would

823
00:39:46,880 --> 00:39:49,520
Speaker 1: he do this? Not like he ever questioned like who

824
00:39:49,600 --> 00:39:51,640
Speaker 1: I was? Right? He never questioned that, So I'm like,

825
00:39:51,719 --> 00:39:53,880
Speaker 1: why would he even do that? But I never I

826
00:39:54,040 --> 00:39:56,120
Speaker 1: never said nothing to Big about it until after CJ

827
00:39:56,320 --> 00:39:59,600
Speaker 1: was born, and I just I was looking at him

828
00:39:59,640 --> 00:40:02,160
Speaker 1: and he was hold the CJ and I just was

829
00:40:02,239 --> 00:40:06,040
Speaker 1: looking at him like with that look of disgust, like

830
00:40:06,120 --> 00:40:08,080
Speaker 1: what are you going to tell your child? Like that's

831
00:40:08,200 --> 00:40:12,000
Speaker 1: on record, and he just started crying. I'm sorry. I

832
00:40:12,160 --> 00:40:15,600
Speaker 1: mean I just said I was under pressure. People was

833
00:40:15,640 --> 00:40:19,880
Speaker 1: just talking and I'm like, I mean it was. But

834
00:40:20,040 --> 00:40:21,760
Speaker 1: the funny thing is I was plaging it with twins

835
00:40:21,800 --> 00:40:24,120
Speaker 1: at first. CJ was a twin and the second one

836
00:40:24,160 --> 00:40:29,120
Speaker 1: didn't develop. Really didn't know that stuff like that all

837
00:40:29,120 --> 00:40:31,359
Speaker 1: the time, though even then, a lot of other rhymes.

838
00:40:31,400 --> 00:40:33,840
Speaker 1: He would take stuff we talk about, the personal jokes

839
00:40:33,880 --> 00:40:35,399
Speaker 1: and put it in a rhyme and make it seem

840
00:40:35,480 --> 00:40:37,759
Speaker 1: like something real. Although that wasn't a joke, but I mean,

841
00:40:37,800 --> 00:40:40,279
Speaker 1: you know, he would always take something real and put

842
00:40:40,320 --> 00:40:43,520
Speaker 1: it in a rhym and kind of exaggerated or you know,

843
00:40:43,640 --> 00:40:46,279
Speaker 1: a kind of it kind of I wouldn't give my

844
00:40:46,640 --> 00:40:48,239
Speaker 1: enemy that. I'm not saying that they were real enemies,

845
00:40:48,280 --> 00:40:50,200
Speaker 1: but if he if Tupacs said that's why fql B,

846
00:40:50,640 --> 00:40:53,239
Speaker 1: you're kind of confirming it by saying that, right. I

847
00:40:53,239 --> 00:40:54,680
Speaker 1: think it was more of a joke through that round.

848
00:40:54,680 --> 00:40:58,800
Speaker 1: I don't think I mean I took it serious because

849
00:40:58,880 --> 00:41:01,239
Speaker 1: I'm like, what in why would you ever say that?

850
00:41:01,320 --> 00:41:03,160
Speaker 1: Ain't like you ever said it to me, you know

851
00:41:03,239 --> 00:41:04,960
Speaker 1: what I mean, like step to me like that then,

852
00:41:05,120 --> 00:41:07,640
Speaker 1: like he never believed you when you told him you

853
00:41:07,719 --> 00:41:10,359
Speaker 1: didn't sleep apart. I guess he never made me think

854
00:41:10,400 --> 00:41:15,360
Speaker 1: he didn't believe me. Really, yeah, the hoel room that

855
00:41:15,440 --> 00:41:18,239
Speaker 1: actually happened. Okay, that actually happened, but he never made

856
00:41:18,280 --> 00:41:20,719
Speaker 1: me feel that was him, Like what happened? What's going on?

857
00:41:20,880 --> 00:41:23,960
Speaker 1: But unfortunately, um, you know, I just had to take

858
00:41:24,040 --> 00:41:26,120
Speaker 1: a jab on the left chin I guess, you know,

859
00:41:26,239 --> 00:41:27,960
Speaker 1: jab on the chin in the name of hip hop,

860
00:41:28,040 --> 00:41:33,800
Speaker 1: like I call it. Because in my wedding ring he

861
00:41:33,880 --> 00:41:36,200
Speaker 1: took them shopping them a whole bunch of stuff. I'm like,

862
00:41:36,480 --> 00:41:40,080
Speaker 1: I did all right, well, I mean I wanted to sue.

863
00:41:41,000 --> 00:41:43,920
Speaker 1: My attorney was like, you know, do you really want

864
00:41:43,960 --> 00:41:45,520
Speaker 1: to go through that? Is it really worth it? You

865
00:41:45,560 --> 00:41:47,640
Speaker 1: know what I mean? Like, so I just kind of

866
00:41:47,680 --> 00:41:49,600
Speaker 1: had to suck it up because I definitely didn't want

867
00:41:49,600 --> 00:41:51,719
Speaker 1: to spend money. My lawyer's telling me, like, you know,

868
00:41:51,880 --> 00:41:54,040
Speaker 1: you could be really spending money forever trying to fight

869
00:41:54,040 --> 00:41:56,000
Speaker 1: because of somebody saying something, you know what I mean.

870
00:41:56,200 --> 00:41:57,600
Speaker 1: But I was just like, I don't want that to

871
00:41:57,719 --> 00:42:00,799
Speaker 1: cause no issue like that's it's not cool for him

872
00:42:00,800 --> 00:42:03,120
Speaker 1: to say that that was my thing, but not really

873
00:42:03,200 --> 00:42:07,120
Speaker 1: knowing that there was such a bigger issue than you know,

874
00:42:07,560 --> 00:42:09,560
Speaker 1: him saying that about Big or me, you know what

875
00:42:09,600 --> 00:42:12,200
Speaker 1: I mean? Did you lose respect from Pod after that? Yeah,

876
00:42:13,000 --> 00:42:15,120
Speaker 1: he seems really cool at first. You know, he was

877
00:42:15,239 --> 00:42:18,880
Speaker 1: very cool, but I didn't totally understand, you know, the

878
00:42:18,960 --> 00:42:22,000
Speaker 1: bigger picture, and I didn't know that I was obviously

879
00:42:22,120 --> 00:42:25,279
Speaker 1: being kind of a situation that you know, was way

880
00:42:25,360 --> 00:42:27,080
Speaker 1: bigger than me. I differ. Do you think the rap

881
00:42:27,120 --> 00:42:29,200
Speaker 1: game would be if Big was still alive, Like, would

882
00:42:29,200 --> 00:42:32,439
Speaker 1: Big b a mogul on a jay Z level? Would

883
00:42:32,480 --> 00:42:35,480
Speaker 1: he have I don't know, falling off? Maybe, Like what

884
00:42:35,600 --> 00:42:38,040
Speaker 1: do you think? I doubt if he would have fallen off,

885
00:42:38,120 --> 00:42:42,440
Speaker 1: he may may have ended up doing a label thing again,

886
00:42:42,680 --> 00:42:45,960
Speaker 1: like signing some more artists. Um. I do believe that

887
00:42:46,480 --> 00:42:48,960
Speaker 1: if Big was alive, we would have done a project

888
00:42:49,040 --> 00:42:51,440
Speaker 1: like this, or you know, have been trying to do

889
00:42:51,600 --> 00:42:54,920
Speaker 1: one just knowing the way my mind works, you know,

890
00:42:54,960 --> 00:42:57,480
Speaker 1: I'm always trying to think of the next thing to do. Um,

891
00:42:57,640 --> 00:42:59,719
Speaker 1: we probably would have tried to get together and work

892
00:42:59,800 --> 00:43:01,560
Speaker 1: it out a few more times. If we didn't end

893
00:43:01,680 --> 00:43:04,920
Speaker 1: up together, but we would definitely be best friends. I'm actually, oh,

894
00:43:05,080 --> 00:43:07,799
Speaker 1: we're working on a documentary with any Films on Big

895
00:43:07,880 --> 00:43:10,719
Speaker 1: that's gonna come out April eleven. It's like more of

896
00:43:10,760 --> 00:43:12,919
Speaker 1: a personal account of who he was, just a little

897
00:43:12,960 --> 00:43:15,799
Speaker 1: funny stories and stuff from people that were close to him.

898
00:43:17,040 --> 00:43:20,239
Speaker 1: I'm actually doing a biopic on my memoir too, so

899
00:43:20,480 --> 00:43:22,400
Speaker 1: that'll be out hopefully the end of this year. And

900
00:43:22,680 --> 00:43:24,640
Speaker 1: are you gonna feel the need to I don't know.

901
00:43:24,640 --> 00:43:28,160
Speaker 1: I guess defend yourself in a sense I've never done that. Yeah, yeah,

902
00:43:28,920 --> 00:43:30,600
Speaker 1: but you can't let them tell the story everybody like.

903
00:43:30,680 --> 00:43:32,600
Speaker 1: I like the fact that everybody that's getting these biopics,

904
00:43:32,640 --> 00:43:35,960
Speaker 1: a lot of people are still alive. The executive producer

905
00:43:36,000 --> 00:43:38,920
Speaker 1: on it, and I'm working closely with the screenwriter. It's

906
00:43:38,960 --> 00:43:41,959
Speaker 1: definitely not gonna be something other than what I would

907
00:43:42,000 --> 00:43:44,160
Speaker 1: want to see on the screen. And I like to

908
00:43:44,239 --> 00:43:47,120
Speaker 1: be really tactful but honest, you know what I mean.

909
00:43:47,200 --> 00:43:48,600
Speaker 1: I know there's a lot of things even in my

910
00:43:48,680 --> 00:43:52,640
Speaker 1: book that I was very um honest about, and if

911
00:43:52,680 --> 00:43:55,919
Speaker 1: I do decide to show something that was in my book,

912
00:43:55,960 --> 00:43:58,920
Speaker 1: that's for example, like the situation with me and Kim.

913
00:43:59,200 --> 00:44:00,800
Speaker 1: Even in my book, I was you know, I was

914
00:44:00,920 --> 00:44:02,839
Speaker 1: very clear about, well, this is how I felt then

915
00:44:03,239 --> 00:44:06,640
Speaker 1: because obvious of obvious reasons. But you know, I don't

916
00:44:06,680 --> 00:44:09,800
Speaker 1: feel that way anymore. So. Actually a couple of times

917
00:44:10,520 --> 00:44:13,520
Speaker 1: before Charlie too. No, but the second time, if Kim

918
00:44:13,560 --> 00:44:14,920
Speaker 1: I thought it was hurt, I was in the bed.

919
00:44:15,280 --> 00:44:19,719
Speaker 1: Come on, I didn't. It was kind of like in

920
00:44:19,800 --> 00:44:21,360
Speaker 1: the movie when you knocked on the hotel door. And

921
00:44:21,880 --> 00:44:23,680
Speaker 1: that was the first time. But that wasn't Kim. That

922
00:44:23,760 --> 00:44:29,480
Speaker 1: was somebody else. But I ain't stay beating nobody. I

923
00:44:29,600 --> 00:44:32,120
Speaker 1: just was very you know, so you thought to do

924
00:44:32,200 --> 00:44:35,440
Speaker 1: what I had to do. Well, because that was his

925
00:44:35,560 --> 00:44:38,399
Speaker 1: girlfriend at the time. Yeah, him was like under the covers,

926
00:44:38,480 --> 00:44:42,320
Speaker 1: hiding the sleep. It was Kim, okay, I know, so

927
00:44:42,440 --> 00:44:45,239
Speaker 1: you started hitting on him. It was dark. I had

928
00:44:45,280 --> 00:44:52,520
Speaker 1: on a scully and a goose down. But we didn't

929
00:44:52,560 --> 00:44:54,640
Speaker 1: really I wouldn't even say we quite got to scrap,

930
00:44:54,760 --> 00:44:56,480
Speaker 1: you know what I mean, because it happened so quickly.

931
00:44:56,760 --> 00:44:59,239
Speaker 1: Who you by myself? First of all, how did you

932
00:44:59,520 --> 00:45:01,080
Speaker 1: see me on them like that? They didn't hear you.

933
00:45:01,360 --> 00:45:04,040
Speaker 1: The garage was broken and the elevator was in the

934
00:45:04,120 --> 00:45:06,560
Speaker 1: garage that led right us. See, I'm a real you know,

935
00:45:06,600 --> 00:45:08,920
Speaker 1: I'm real like you know, I'll be mapping it out

936
00:45:09,000 --> 00:45:11,600
Speaker 1: like that. I had all my factors in place already,

937
00:45:11,640 --> 00:45:17,120
Speaker 1: and it was in Tea, the big water to the house. Yeah,

938
00:45:17,160 --> 00:45:18,960
Speaker 1: I'm sure that you beat it all the time. It

939
00:45:19,080 --> 00:45:21,640
Speaker 1: wasn't my house, big wrote the tin Cracker Maners In

940
00:45:21,680 --> 00:45:23,319
Speaker 1: the Tin Cracker Man, he said, never sell crack where

941
00:45:23,320 --> 00:45:25,080
Speaker 1: you rest. That you shouldn't have sex with your other

942
00:45:25,160 --> 00:45:27,319
Speaker 1: woman where you rest. That either, Well, that wasn't our

943
00:45:27,400 --> 00:45:30,560
Speaker 1: home together. I have I had a house in South Jersey.

944
00:45:30,600 --> 00:45:35,120
Speaker 1: We had we have been separated. So who breaks he broke, youlla? Well, no,

945
00:45:35,239 --> 00:45:37,080
Speaker 1: he could barely get up. He had a rod in

946
00:45:37,200 --> 00:45:39,320
Speaker 1: his leg. But everybody heard the ruckets or all of

947
00:45:39,360 --> 00:45:48,000
Speaker 1: the dudes came in the room like he was like so,

948
00:45:48,680 --> 00:45:50,080
Speaker 1: But I stayed there for the rest of the day.

949
00:45:50,080 --> 00:45:58,439
Speaker 1: It was Christmas morning, and I cook breakfast absolutely and dinner. Yes,

950
00:45:58,800 --> 00:46:01,920
Speaker 1: at some point it wasn't uber back then. I have

951
00:46:02,080 --> 00:46:04,359
Speaker 1: no idea, but my land Cruiser was scratched up from

952
00:46:04,400 --> 00:46:09,440
Speaker 1: the root to the honey when I went outside. Bad

953
00:46:12,640 --> 00:46:14,920
Speaker 1: what you're doing on what lifetime or something? I'm no

954
00:46:16,440 --> 00:46:18,799
Speaker 1: a bigger network than that. But I think they're gonna

955
00:46:19,160 --> 00:46:22,160
Speaker 1: make their press release announcement like, oh so it's coming

956
00:46:22,239 --> 00:46:25,080
Speaker 1: coming this year. I would love to interview the random

957
00:46:25,120 --> 00:46:27,160
Speaker 1: woman who Faith beat up because she was sleeping with

958
00:46:27,440 --> 00:46:29,800
Speaker 1: a couple one in that hotel. Yeah. Oh she was

959
00:46:29,880 --> 00:46:31,360
Speaker 1: a black girl too, by the way, the movie have

960
00:46:31,760 --> 00:46:35,080
Speaker 1: a white girl. Yeah, she's in Virginia, Norfolk area somewhere.

961
00:46:36,800 --> 00:46:39,960
Speaker 1: I don't know her, but I know where. That's That's

962
00:46:40,000 --> 00:46:41,680
Speaker 1: where it was at because I called my friends that

963
00:46:41,800 --> 00:46:44,080
Speaker 1: come keep shotting, and I jumped on an early flight

964
00:46:44,120 --> 00:46:46,440
Speaker 1: to Hampton, went to the hotel, got on the next

965
00:46:46,480 --> 00:46:49,000
Speaker 1: flight back to prison. My goodness, Well, we appreciate you

966
00:46:49,120 --> 00:46:51,480
Speaker 1: for joining us. But so, I mean, this is all

967
00:46:51,680 --> 00:46:55,480
Speaker 1: laughing about the bad. I'm not that I'm forty three.

968
00:46:55,640 --> 00:46:58,440
Speaker 1: I don't like to fight. But if somebody once stepped

969
00:46:58,480 --> 00:47:00,560
Speaker 1: to me the they might have a problem. But I don't.

970
00:47:00,680 --> 00:47:02,800
Speaker 1: That's not my thing. I'm really cool and funny. I

971
00:47:02,920 --> 00:47:04,719
Speaker 1: like to make jokes, you know. I like to make

972
00:47:04,800 --> 00:47:08,200
Speaker 1: good music. And that album comes out May nineteen. Oh yeah,

973
00:47:08,280 --> 00:47:10,480
Speaker 1: the album is about for pre order now. Pre ordered

974
00:47:10,480 --> 00:47:12,200
Speaker 1: the album right now. Some bloom pre order the album.

975
00:47:12,320 --> 00:47:15,040
Speaker 1: The King and I is available May nineteenth, and it's

976
00:47:15,080 --> 00:47:23,719
Speaker 1: the Breakfast Club's Faith Evans Bliss. Oh goshu report guys

977
00:47:23,920 --> 00:47:30,040
Speaker 1: with Angel's report the Breakfast Club. Well, if you guys recalled,

978
00:47:30,080 --> 00:47:33,879
Speaker 1: we were at CIBAA and Charlotte, North Carolina, and young

979
00:47:34,000 --> 00:47:36,400
Speaker 1: Daff while we were out there, his vehicle got shot up.

980
00:47:36,520 --> 00:47:40,719
Speaker 1: Fortunately his vehicle was a bulletproof and he was not harmed. Well,

981
00:47:40,760 --> 00:47:43,160
Speaker 1: he is speaking out. He was on TMZ and here's

982
00:47:43,200 --> 00:47:45,879
Speaker 1: what he had to say about what happened and who

983
00:47:45,920 --> 00:47:49,200
Speaker 1: would possibly be targeting him, whatever was going on, they

984
00:47:49,239 --> 00:47:54,239
Speaker 1: couldn't do it. When they couldn't The thing called people

985
00:47:54,280 --> 00:47:57,239
Speaker 1: trigging people out the streets, get people unfocused on what

986
00:47:57,320 --> 00:47:59,560
Speaker 1: they're doing. That's all it is. You know what I'm saying,

987
00:47:59,640 --> 00:48:02,480
Speaker 1: Like Dolf built itself up, and Billy and said when

988
00:48:02,480 --> 00:48:04,960
Speaker 1: he'm becoming a superstar and all, let us thow Dolf

989
00:48:05,000 --> 00:48:07,719
Speaker 1: off right quick. He's doing too much. Come on now,

990
00:48:07,880 --> 00:48:10,279
Speaker 1: man to see the kine They mentioned Memphis. They say,

991
00:48:10,360 --> 00:48:13,319
Speaker 1: dolfy kine on, now, he doing too much. Don't get

992
00:48:13,400 --> 00:48:16,560
Speaker 1: mad at me when I'm doing my thing, all right.

993
00:48:16,680 --> 00:48:18,719
Speaker 1: So he's saying that he wasn't even anywhere near the

994
00:48:18,800 --> 00:48:21,320
Speaker 1: crime scene. He said, that wasn't my car, that wasn't me,

995
00:48:21,440 --> 00:48:24,359
Speaker 1: that was my brother. I'm Dolf Cabana, that's Dolf Obama. Oh,

996
00:48:24,400 --> 00:48:26,279
Speaker 1: I mean, if the bullets were intended for you, I mean,

997
00:48:26,320 --> 00:48:27,920
Speaker 1: I'm happy you weren't nowhere near the scene, but the

998
00:48:27,960 --> 00:48:30,120
Speaker 1: bullets was still intended for you. That's really the issue.

999
00:48:30,800 --> 00:48:33,920
Speaker 1: Thank god. He had a bulletpoof bihiggle right, So I

1000
00:48:34,000 --> 00:48:35,359
Speaker 1: don't know what's going on with that, but he did

1001
00:48:35,400 --> 00:48:37,759
Speaker 1: say his bulletpoof chock costs three hundred thousand dollars and

1002
00:48:37,800 --> 00:48:39,880
Speaker 1: it took about four months to build it, and he

1003
00:48:39,920 --> 00:48:43,239
Speaker 1: has two of them. He clearly he knows what's up. Yeah,

1004
00:48:44,719 --> 00:48:46,560
Speaker 1: clearly you know that people got an issue with you,

1005
00:48:46,680 --> 00:48:50,320
Speaker 1: my brother. Police are still investigating. Okay, Nicky Young his

1006
00:48:50,440 --> 00:48:54,280
Speaker 1: house got robbed again in la Oho. This is crazy

1007
00:48:54,320 --> 00:48:56,959
Speaker 1: and la is crazy, all these people's houses getting robbed

1008
00:48:57,000 --> 00:48:58,359
Speaker 1: as a lake we told you about. Oh, we didn't

1009
00:48:58,360 --> 00:49:01,680
Speaker 1: even talk about y'all. Celpewig, who's his house got robbed

1010
00:49:01,719 --> 00:49:05,319
Speaker 1: just last week. He's a place with the Dodgers. Oh yeah, yeah, yeah,

1011
00:49:05,520 --> 00:49:07,879
Speaker 1: we mentioned that. I think we mentioned it. We talked

1012
00:49:07,880 --> 00:49:09,080
Speaker 1: about it in the room. But I don't know if

1013
00:49:09,120 --> 00:49:11,160
Speaker 1: we reported it in the in the room and report,

1014
00:49:11,200 --> 00:49:15,640
Speaker 1: Alanis Maria said, Derek Fisher Um big Seawn's house got robbed.

1015
00:49:15,800 --> 00:49:18,800
Speaker 1: Nicki Minaj's house got robbed. Why does everybody know everybody

1016
00:49:18,880 --> 00:49:21,480
Speaker 1: lives at in La. They had that star maps thing,

1017
00:49:21,760 --> 00:49:23,279
Speaker 1: you know, the star mass where they know where all

1018
00:49:23,320 --> 00:49:25,239
Speaker 1: the homes of the famous people are. They sell those

1019
00:49:26,080 --> 00:49:30,120
Speaker 1: all right. Well, anyway, according to authorities, his house was

1020
00:49:30,239 --> 00:49:33,560
Speaker 1: robbed in February and then again and these people made

1021
00:49:33,600 --> 00:49:35,799
Speaker 1: it through his house through an unlocked door. They took

1022
00:49:35,840 --> 00:49:38,440
Speaker 1: about thirty thousand and cast three goal chains, a custom ring,

1023
00:49:38,520 --> 00:49:41,520
Speaker 1: and then they stole a whole entire safe. They probably

1024
00:49:41,560 --> 00:49:43,200
Speaker 1: took that safe because they can't get that stuff out.

1025
00:49:43,719 --> 00:49:45,520
Speaker 1: Let's take the safe and get it out later. I

1026
00:49:45,600 --> 00:49:48,320
Speaker 1: stoldlet safe about somebody house before back in by what

1027
00:49:48,719 --> 00:49:51,719
Speaker 1: criminal days? What's was it safe? Big safe? Now? I

1028
00:49:51,760 --> 00:49:54,000
Speaker 1: was one of these small joints. You managed to pop

1029
00:49:54,040 --> 00:49:56,239
Speaker 1: it open, yes we did, And guess what was in there?

1030
00:49:56,920 --> 00:50:01,359
Speaker 1: One rubber band? Really one rubber band, you was sick,

1031
00:50:01,480 --> 00:50:04,960
Speaker 1: not a rubber band full of money on rubber band.

1032
00:50:05,200 --> 00:50:08,480
Speaker 1: But if it was a note, they said, yeah, one

1033
00:50:08,680 --> 00:50:11,960
Speaker 1: rubber band. That's all I wasn't there was it? Worth? No?

1034
00:50:15,000 --> 00:50:18,279
Speaker 1: All right? Robin Thick and Paula Patton more issues with

1035
00:50:18,480 --> 00:50:22,440
Speaker 1: custody over their son Julian. Now, Paula Patton's nanny actually

1036
00:50:22,520 --> 00:50:24,919
Speaker 1: had to call nine one one, and what she's saying

1037
00:50:25,040 --> 00:50:27,560
Speaker 1: is that young Julian who's six years old, every time

1038
00:50:27,600 --> 00:50:29,600
Speaker 1: he's supposed to go with his dad, he is a wreck.

1039
00:50:29,719 --> 00:50:31,680
Speaker 1: Now we told you before that Julian had went to

1040
00:50:31,760 --> 00:50:35,560
Speaker 1: school and says that his dad, Robin Thick, uses excessive

1041
00:50:35,560 --> 00:50:38,680
Speaker 1: physical punishment on him and he's being investigated for that already. Well,

1042
00:50:38,760 --> 00:50:40,839
Speaker 1: here's what the nanny said on this nine one one call.

1043
00:50:41,280 --> 00:50:43,600
Speaker 1: We have we have a court order document that you know,

1044
00:50:43,800 --> 00:50:45,040
Speaker 1: child does not want to go in this FOLI, he

1045
00:50:45,120 --> 00:50:46,520
Speaker 1: doesn't have to go, and now we feel like we're

1046
00:50:46,560 --> 00:50:48,359
Speaker 1: being in force. We need you to come in force

1047
00:50:48,480 --> 00:50:51,719
Speaker 1: the order. We have a restrating order. The person is

1048
00:50:51,840 --> 00:50:54,960
Speaker 1: within distance of the restraining order, he's in violation of

1049
00:50:55,040 --> 00:50:57,920
Speaker 1: it currently and this child is literally begging for me

1050
00:50:58,120 --> 00:51:00,920
Speaker 1: and everyone to call nine one one. That's how much

1051
00:51:00,960 --> 00:51:03,359
Speaker 1: he does not want to go. He's six years old

1052
00:51:03,600 --> 00:51:05,960
Speaker 1: and literally every time we have these visits the night

1053
00:51:06,040 --> 00:51:08,880
Speaker 1: before the day before, like the day of he's crying,

1054
00:51:09,239 --> 00:51:11,839
Speaker 1: trying to avoid this, like the plague, like it needs

1055
00:51:11,880 --> 00:51:14,040
Speaker 1: to end. They build that kid up to that. They

1056
00:51:14,120 --> 00:51:15,560
Speaker 1: build that kid up to that, there's no way a

1057
00:51:15,640 --> 00:51:17,600
Speaker 1: five six year old knows to call nine one one

1058
00:51:17,640 --> 00:51:19,160
Speaker 1: and all that they build that kid, They give that

1059
00:51:19,239 --> 00:51:21,360
Speaker 1: kid dad as an ount. Well, we don't really know

1060
00:51:21,520 --> 00:51:23,520
Speaker 1: what's going on though, because if this child is really

1061
00:51:23,600 --> 00:51:27,600
Speaker 1: freaking out and saying that the dad is that's putting

1062
00:51:27,640 --> 00:51:29,040
Speaker 1: his head like that, no kid's going to know to

1063
00:51:29,120 --> 00:51:32,839
Speaker 1: call five o'clock because his dad had unusual punishment. Because

1064
00:51:32,880 --> 00:51:34,320
Speaker 1: I don't know if the kid said it like that,

1065
00:51:34,640 --> 00:51:36,640
Speaker 1: but we don't know he said, oh, my dad is

1066
00:51:36,719 --> 00:51:39,520
Speaker 1: using excessive punishment. But if he's going to school and

1067
00:51:39,640 --> 00:51:42,280
Speaker 1: he saying that his dad is being you have to investigate.

1068
00:51:42,520 --> 00:51:44,160
Speaker 1: There's nothing you can do about that. If your child

1069
00:51:44,160 --> 00:51:46,000
Speaker 1: there's something wrong and you get popped and you allow

1070
00:51:46,120 --> 00:51:47,839
Speaker 1: him to be able to use that as an ount,

1071
00:51:47,880 --> 00:51:49,879
Speaker 1: he's going to use that every single time he gets

1072
00:51:49,920 --> 00:51:51,600
Speaker 1: in trouble. All I'm saying is we don't know what's

1073
00:51:51,600 --> 00:51:54,360
Speaker 1: going on at all period. It could be something, it

1074
00:51:54,480 --> 00:51:56,839
Speaker 1: could be nothing. We just don't know. But I think

1075
00:51:56,840 --> 00:51:58,480
Speaker 1: the right thing to do is to see what it is.

1076
00:51:59,040 --> 00:52:01,759
Speaker 1: All Right, Little Wayne is debuting Young Money Radio at

1077
00:52:01,840 --> 00:52:04,080
Speaker 1: south By Southwest. He's gonna be hit in the air

1078
00:52:04,200 --> 00:52:07,239
Speaker 1: and he's gonna be on for on the radio. He's

1079
00:52:07,320 --> 00:52:11,160
Speaker 1: doing internet radio, so he's starting that at his headlining

1080
00:52:11,239 --> 00:52:13,880
Speaker 1: showcase at south By Southwest. Now, I don't know how

1081
00:52:14,000 --> 00:52:16,400
Speaker 1: much longer this is gonna last. He's gonna have his

1082
00:52:16,480 --> 00:52:18,680
Speaker 1: own You don't think you think it's just this one

1083
00:52:18,719 --> 00:52:20,719
Speaker 1: time thing. It's not gonna last because he has to

1084
00:52:20,760 --> 00:52:23,840
Speaker 1: be consistent on the radio and that's not gonna last last.

1085
00:52:23,960 --> 00:52:27,319
Speaker 1: You'll see us putting out albums some people do. Dan,

1086
00:52:27,400 --> 00:52:29,839
Speaker 1: you're Lane Wayne. I ain't want to hit you over

1087
00:52:29,880 --> 00:52:31,640
Speaker 1: here in this radio world. Well, he's going to be

1088
00:52:31,719 --> 00:52:34,440
Speaker 1: doing exclusive interviews for the launch of the station, so

1089
00:52:34,719 --> 00:52:36,759
Speaker 1: I don't know if he's interviewing people, he's letting people

1090
00:52:36,800 --> 00:52:40,480
Speaker 1: interview him. That could be interesting, Little Wayne interviewing people,

1091
00:52:40,880 --> 00:52:42,200
Speaker 1: I got I mean, you know, if it was things

1092
00:52:42,239 --> 00:52:44,840
Speaker 1: that he was actually interested in, like skateboard and sports,

1093
00:52:44,880 --> 00:52:46,280
Speaker 1: you don't even know. You don't even know the rappers

1094
00:52:46,320 --> 00:52:48,279
Speaker 1: that are here, he claimed. He claimed not to know

1095
00:52:48,280 --> 00:52:50,560
Speaker 1: who Kodec Black is. Little YADDI all these new rappers.

1096
00:52:50,560 --> 00:52:52,719
Speaker 1: Are you going to interview some of the people that

1097
00:52:52,880 --> 00:52:54,399
Speaker 1: he does know you? No, it would be dope loring

1098
00:52:54,400 --> 00:52:57,320
Speaker 1: Wayne talking to himself, Little Wayne giving himself a deposition

1099
00:52:57,680 --> 00:53:01,000
Speaker 1: would be amazing. I tune into that. All right, Well

1100
00:53:01,040 --> 00:53:03,560
Speaker 1: I'm angela ye and that is your rumor report. Thank you,

1101
00:53:03,680 --> 00:53:06,359
Speaker 1: miss yeh, yes, So you're giving it down. Two man,

1102
00:53:06,440 --> 00:53:09,880
Speaker 1: this is a moment straight out of a Dave Chappelle

1103
00:53:10,000 --> 00:53:13,640
Speaker 1: TV show. This is a Boondocks you know n word moment.

1104
00:53:14,920 --> 00:53:16,399
Speaker 1: You need two dead people to come to the front

1105
00:53:16,440 --> 00:53:19,200
Speaker 1: of the congregation. The name is a Kenyon Molitor and

1106
00:53:19,239 --> 00:53:21,719
Speaker 1: el Roy Ashley. Probably tell you how they died. They're

1107
00:53:21,719 --> 00:53:25,080
Speaker 1: probably already we syndicated in limbo. They listening to us

1108
00:53:25,200 --> 00:53:27,600
Speaker 1: right now, Okay, we are. We'll get into it when

1109
00:53:27,640 --> 00:53:32,800
Speaker 1: we come back. Keep the locking. It's time for Donkey

1110
00:53:32,840 --> 00:53:37,480
Speaker 1: of the Day, Democrat, so being Dunky of the day

1111
00:53:38,120 --> 00:53:39,960
Speaker 1: a little bit of a mix, so like a dope

1112
00:53:41,640 --> 00:53:47,520
Speaker 1: the day. Now, I've been called a lot in my

1113
00:53:47,600 --> 00:53:49,560
Speaker 1: twenty three years, but Dunkey of the Day is a

1114
00:53:49,640 --> 00:53:53,919
Speaker 1: new one. Donk you today for thirsday. March and Knife

1115
00:53:54,000 --> 00:53:58,320
Speaker 1: goes to Kenyon, Charles Molitor and el Roy Ishmael Ashley.

1116
00:53:58,360 --> 00:54:01,359
Speaker 1: I think I pronounced their names right there from saying Augustine, Florida. Now,

1117
00:54:01,400 --> 00:54:03,480
Speaker 1: I've told you over and over the craziest people in

1118
00:54:03,560 --> 00:54:07,120
Speaker 1: America absolutely or from Florida. I don't even think it's close. Okay,

1119
00:54:07,160 --> 00:54:10,160
Speaker 1: the Bronx is a close second, but all of Florida

1120
00:54:10,280 --> 00:54:12,759
Speaker 1: is nuts, all right. Nine out of ten, damn that

1121
00:54:13,120 --> 00:54:16,000
Speaker 1: really happened. Stories come out of Florida, and this story

1122
00:54:16,080 --> 00:54:19,200
Speaker 1: between Kenyon Molitor and Elroy Ashley is one of those stories.

1123
00:54:19,280 --> 00:54:23,279
Speaker 1: Now Kenyon is twenty five and Elroy is thirty, respectively. Well,

1124
00:54:23,719 --> 00:54:26,600
Speaker 1: they were twenty five and thirty. That's how it ended.

1125
00:54:27,040 --> 00:54:28,840
Speaker 1: They got into an argument with each other online and

1126
00:54:28,920 --> 00:54:31,040
Speaker 1: decided to meet up and handle their issues in person.

1127
00:54:31,520 --> 00:54:33,719
Speaker 1: I'm sitting here shaking my head because I'm wondering why

1128
00:54:33,800 --> 00:54:36,200
Speaker 1: either one of them have that kind of time. Okay,

1129
00:54:36,440 --> 00:54:38,600
Speaker 1: I get into it with people on social media often.

1130
00:54:38,640 --> 00:54:40,520
Speaker 1: I'm not proud of that fact, and I try my

1131
00:54:40,680 --> 00:54:42,560
Speaker 1: hardest not to get into it with the thumb thugs,

1132
00:54:42,640 --> 00:54:45,440
Speaker 1: the broadband blood, the cyber cripts of the world. I

1133
00:54:45,520 --> 00:54:48,040
Speaker 1: pray to God to give me strength, take no the

1134
00:54:48,160 --> 00:54:50,440
Speaker 1: digital death threats to have thrown my way, but Kenyon

1135
00:54:50,480 --> 00:54:53,600
Speaker 1: and Elroy didn't have that scrimp because they said fall

1136
00:54:53,640 --> 00:54:58,680
Speaker 1: of that snap cappin Okay, all in Instagram intimidation tactics.

1137
00:54:58,719 --> 00:55:00,600
Speaker 1: They decided to pull up on e each other at

1138
00:55:00,680 --> 00:55:04,320
Speaker 1: this convenience store and this happened. Let's go to WJXTTV

1139
00:55:04,480 --> 00:55:06,759
Speaker 1: news Channel full for the report Police Scott. It was

1140
00:55:06,880 --> 00:55:10,160
Speaker 1: according to investigators, and they say that online dispute had

1141
00:55:10,320 --> 00:55:13,800
Speaker 1: been ongoing for some time. It led to them meeting

1142
00:55:13,880 --> 00:55:16,879
Speaker 1: up at this convenience store and then the shooting taking

1143
00:55:17,000 --> 00:55:20,000
Speaker 1: place while many people were going into and coming out

1144
00:55:20,080 --> 00:55:23,040
Speaker 1: of that store. It wasn't until hours after the shooting

1145
00:55:23,080 --> 00:55:26,320
Speaker 1: the detectives learned thirty year old Elroy Ashley and twenty

1146
00:55:26,400 --> 00:55:29,320
Speaker 1: five year old Canyon Monitor agreed to meet here to

1147
00:55:29,480 --> 00:55:32,080
Speaker 1: settle a previous dispute, but it was a dispute that

1148
00:55:32,200 --> 00:55:35,040
Speaker 1: turned bloody when police say both men started shooting at

1149
00:55:35,080 --> 00:55:38,080
Speaker 1: each other. The exchange of gunfire left both men wounded.

1150
00:55:38,280 --> 00:55:41,600
Speaker 1: Monitor died at the scene. Hours after arriving at the hospital,

1151
00:55:41,719 --> 00:55:44,560
Speaker 1: Ashley died from his injuries as doctors tried to save

1152
00:55:44,680 --> 00:55:49,360
Speaker 1: his life. I love Twitter, okay, I love Instagram, I

1153
00:55:49,480 --> 00:55:53,000
Speaker 1: like Snapchat. I love social media. As a whole were

1154
00:55:53,040 --> 00:55:55,600
Speaker 1: not enough to die for it. Okay, I understand social

1155
00:55:55,680 --> 00:55:57,800
Speaker 1: media is the new way to communicate, but I refused

1156
00:55:57,840 --> 00:56:00,960
Speaker 1: to take anything I see on social media this serious?

1157
00:56:01,280 --> 00:56:04,040
Speaker 1: All right? I want to pull up on someone with

1158
00:56:04,160 --> 00:56:07,800
Speaker 1: my pistol. No, Okay, I refuse because we have to

1159
00:56:07,880 --> 00:56:10,040
Speaker 1: understand these people on social media don't know us. And

1160
00:56:10,080 --> 00:56:11,919
Speaker 1: if I do find myself in a dispute with someone

1161
00:56:11,960 --> 00:56:14,560
Speaker 1: I know on social media, I'm gonna stop that before

1162
00:56:14,600 --> 00:56:16,840
Speaker 1: it even starts. Okay, and I might call that person,

1163
00:56:16,880 --> 00:56:19,080
Speaker 1: but what I'm not gonna do is take a penitentiary

1164
00:56:19,160 --> 00:56:22,799
Speaker 1: chance or risk my life over social freaking media. Okay,

1165
00:56:22,840 --> 00:56:24,440
Speaker 1: we don't know what the afterlife is, but if it

1166
00:56:24,600 --> 00:56:26,879
Speaker 1: is like a waiting room and you're sitting around waiting

1167
00:56:26,920 --> 00:56:28,920
Speaker 1: to see your creator, to see where you're going to

1168
00:56:28,960 --> 00:56:31,080
Speaker 1: spend the rest of your afterlife and someone asks you

1169
00:56:31,400 --> 00:56:34,279
Speaker 1: what you're in for and your dumb asset has gotten

1170
00:56:34,280 --> 00:56:37,320
Speaker 1: into it with this f boy on Facebook, had to

1171
00:56:37,400 --> 00:56:42,880
Speaker 1: pull up on them real quick, na, bro, Look, tomorrow

1172
00:56:42,920 --> 00:56:44,719
Speaker 1: of the story is this. When somebody pisses you off

1173
00:56:44,760 --> 00:56:47,960
Speaker 1: on social media, says something you don't like, you don't

1174
00:56:48,000 --> 00:56:51,279
Speaker 1: have to reply. It's plot buttons. It's mute buttons you

1175
00:56:51,360 --> 00:56:54,080
Speaker 1: can unfollow. It's all kind of ways to avoid pulling

1176
00:56:54,200 --> 00:56:56,640
Speaker 1: up on someone and shooting and killing them at a

1177
00:56:56,680 --> 00:56:59,839
Speaker 1: convenience store. Okay, learn from the mistakes of other kids.

1178
00:57:00,400 --> 00:57:03,520
Speaker 1: Please give Kenyon, Charles Malton and elroy Ishmael actually the

1179
00:57:03,600 --> 00:57:09,879
Speaker 1: biggest he Hall. What were these tweets? I don't know that. Yeah,

1180
00:57:09,920 --> 00:57:11,520
Speaker 1: what was the argument? That's what I want. I want

1181
00:57:11,520 --> 00:57:14,200
Speaker 1: to know what was in these tweets? You know what

1182
00:57:14,280 --> 00:57:16,520
Speaker 1: it is, man, It's just when when you when you

1183
00:57:16,600 --> 00:57:18,640
Speaker 1: say something in front of like like if you're arguing

1184
00:57:18,680 --> 00:57:20,960
Speaker 1: with somebody and it's just you and them, it's just

1185
00:57:21,040 --> 00:57:23,840
Speaker 1: you and that other person, right, it's not bad, it can't.

1186
00:57:23,880 --> 00:57:25,720
Speaker 1: It probably won't get out of hand, or when other

1187
00:57:25,800 --> 00:57:28,000
Speaker 1: people are around you start thinking about what other people

1188
00:57:29,240 --> 00:57:32,360
Speaker 1: and your ego you feel like your pride hurt will

1189
00:57:32,440 --> 00:57:35,840
Speaker 1: meet me at the seven eleven then, right now, such

1190
00:57:35,880 --> 00:57:38,520
Speaker 1: a such an address. If you bout it, bout it full,

1191
00:57:39,480 --> 00:57:43,920
Speaker 1: ain't no way in hell I'm gonna be honest. If

1192
00:57:43,920 --> 00:57:45,680
Speaker 1: you they deserve to have nobody come to their funeral,

1193
00:57:46,600 --> 00:57:48,360
Speaker 1: that's one of these funerals I wouldn't even show up to.

1194
00:57:48,440 --> 00:57:50,840
Speaker 1: Like now, I'm ashamed how you died, sir, Oh my goodness.

1195
00:57:50,920 --> 00:57:52,920
Speaker 1: All right, if they were shamed of how a person died,

1196
00:57:52,920 --> 00:57:54,760
Speaker 1: you don't have to go to the that's a rule.

1197
00:57:54,920 --> 00:57:57,600
Speaker 1: Yes you do, Yes you do. All right, Well, thank

1198
00:57:57,600 --> 00:57:59,800
Speaker 1: you for that. Dog of the day. When we come back,

1199
00:58:00,080 --> 00:58:03,800
Speaker 1: Premiere will be joining us DJ Premiere, DJ Primo, So

1200
00:58:03,880 --> 00:58:07,080
Speaker 1: we're gonna kick for so many people in the industry.

1201
00:58:07,120 --> 00:58:08,760
Speaker 1: Of course, he was with Gang Star. He produced the

1202
00:58:08,840 --> 00:58:12,720
Speaker 1: notorious Big jay Z, Christina ag Lara, just the name

1203
00:58:12,720 --> 00:58:14,200
Speaker 1: of you. So we'll get into that when we come back.

1204
00:58:14,280 --> 00:58:17,600
Speaker 1: Keeping locked this to Breakfast Club comring when everybody is

1205
00:58:17,680 --> 00:58:20,400
Speaker 1: DJ n D Angela, Ye, Charlotte and the guy. We

1206
00:58:20,440 --> 00:58:22,280
Speaker 1: are the Breakfast Club. We got a special guest in

1207
00:58:22,320 --> 00:58:26,280
Speaker 1: the building, a legend DJ Premio. What's going on everybody? Now?

1208
00:58:26,320 --> 00:58:28,600
Speaker 1: You're doing? Man, what's happening to my brother? I'm good,

1209
00:58:28,640 --> 00:58:32,040
Speaker 1: I'm good. Good to be here. He's been when we

1210
00:58:32,200 --> 00:58:34,800
Speaker 1: did the thing, he was like, yeah, we gotta get

1211
00:58:34,800 --> 00:58:38,880
Speaker 1: you on Breakfast Club man. First when I saw him

1212
00:58:38,920 --> 00:58:43,520
Speaker 1: at at the Montreal in La way back waiting for

1213
00:58:43,600 --> 00:58:45,360
Speaker 1: my card, and you said, I gotta get you on

1214
00:58:45,480 --> 00:58:49,560
Speaker 1: the absolute. We've been almost three years Premier years ago.

1215
00:58:49,880 --> 00:58:52,120
Speaker 1: Premiere is a legend, man, I mean is crafted some

1216
00:58:52,200 --> 00:58:54,640
Speaker 1: of the greatest hip hop records of all time, were

1217
00:58:54,720 --> 00:58:56,880
Speaker 1: through some of the greatest hip hop artists and still

1218
00:58:57,320 --> 00:59:00,840
Speaker 1: making hits. Oh yeah, I'm talking the beginning, sopping to beginning. Now,

1219
00:59:00,960 --> 00:59:04,439
Speaker 1: how didn't Premier getting into DJ? How did it start? Well,

1220
00:59:04,600 --> 00:59:06,920
Speaker 1: I'm originally I was born in fifth Ward. He t

1221
00:59:07,120 --> 00:59:09,560
Speaker 1: to ghett boys, you know, Houston, and I moved to

1222
00:59:09,600 --> 00:59:12,240
Speaker 1: a town called Prairie of View, real small country town.

1223
00:59:12,640 --> 00:59:17,040
Speaker 1: My mother really really had music popping since since I

1224
00:59:17,080 --> 00:59:21,439
Speaker 1: can remember. So from that point, I was always fascinated

1225
00:59:21,600 --> 00:59:23,280
Speaker 1: with the way a record looks. It look like a

1226
00:59:23,360 --> 00:59:26,040
Speaker 1: toy because you know, the little colors and you know

1227
00:59:26,160 --> 00:59:31,120
Speaker 1: Motown seeing the map and it's spinning around and Tamela records,

1228
00:59:31,240 --> 00:59:34,120
Speaker 1: and that's what I remember. And my mother's always say it,

1229
00:59:34,160 --> 00:59:36,320
Speaker 1: don't you ever touch the top of that record. You

1230
00:59:36,440 --> 00:59:40,280
Speaker 1: hold it from the side that record. And I've gotten

1231
00:59:40,280 --> 00:59:42,800
Speaker 1: a lot of beatings, you know, you know, that's when

1232
00:59:42,800 --> 00:59:44,480
Speaker 1: you could beat your kids and you don't have a

1233
00:59:44,640 --> 00:59:46,800
Speaker 1: you know, acs picking you know, picking me up for

1234
00:59:47,160 --> 00:59:50,600
Speaker 1: a beauty child abuse. We got our weapons. So that's

1235
00:59:50,680 --> 00:59:52,520
Speaker 1: really where it comes from and then you know, once

1236
00:59:52,600 --> 00:59:54,960
Speaker 1: it got to the point my grandfather lived in Brooklyn,

1237
00:59:55,080 --> 00:59:57,400
Speaker 1: which is my mom's pop, I started to get fascinated

1238
00:59:57,440 --> 00:59:59,520
Speaker 1: with the whole New York scene because we always go

1239
00:59:59,560 --> 01:00:01,560
Speaker 1: every summer. I'm to stay with him. Right once we

1240
01:00:01,600 --> 01:00:03,840
Speaker 1: started staying with him and I started seeing the B

1241
01:00:04,000 --> 01:00:05,880
Speaker 1: Boys and things like that. I was there for the

1242
01:00:06,040 --> 01:00:08,240
Speaker 1: for the Black Out of seventy seven. I was there. Wow.

1243
01:00:08,440 --> 01:00:10,320
Speaker 1: I always wondered, how did a brother born in Houston

1244
01:00:10,400 --> 01:00:12,600
Speaker 1: end up being one of the producers that shaped the

1245
01:00:12,720 --> 01:00:14,800
Speaker 1: sound in New York? Because you got his own unique

1246
01:00:14,840 --> 01:00:19,040
Speaker 1: sound as well. How did you meet Gangstar? Get us

1247
01:00:19,040 --> 01:00:21,680
Speaker 1: funny because most people would whenever people would see us

1248
01:00:21,720 --> 01:00:27,120
Speaker 1: together from Boston, whenever people would see me, either by myself,

1249
01:00:27,160 --> 01:00:29,040
Speaker 1: they'd be like, your Premier, what's up? Man? We was

1250
01:00:29,080 --> 01:00:31,240
Speaker 1: Gangstar When they said your gangs, I was up? Was

1251
01:00:31,280 --> 01:00:33,160
Speaker 1: up Premier, So it was always you know, and he

1252
01:00:33,280 --> 01:00:36,680
Speaker 1: is gang started you know to technically before I joined

1253
01:00:36,720 --> 01:00:40,440
Speaker 1: the group, but a gangster already existed back with the

1254
01:00:40,600 --> 01:00:44,280
Speaker 1: original that the originators was Big Sug, Shug's brother swab

1255
01:00:44,360 --> 01:00:47,920
Speaker 1: D and Gurgle. They were in the Moore House at

1256
01:00:47,920 --> 01:00:51,400
Speaker 1: the time, and when they got together in more House. Uh,

1257
01:00:51,480 --> 01:00:54,880
Speaker 1: they were called the Gangsters. That should name that. Then

1258
01:00:54,920 --> 01:00:56,760
Speaker 1: they switched it and said, you know what, that's a

1259
01:00:56,800 --> 01:00:59,400
Speaker 1: little too tough back then, you know, we're talking about

1260
01:00:59,400 --> 01:01:01,840
Speaker 1: early eighties. And then they changed the gang Star and

1261
01:01:02,000 --> 01:01:05,160
Speaker 1: that that stuck, so really should swab d and Grew

1262
01:01:05,280 --> 01:01:08,360
Speaker 1: are the originators of that name. I heard Gangstar on

1263
01:01:08,680 --> 01:01:11,440
Speaker 1: on Kiss we read Alert one day a song called

1264
01:01:11,480 --> 01:01:14,680
Speaker 1: Buster Move Boy, and I thought they were called game

1265
01:01:14,840 --> 01:01:18,400
Speaker 1: Stop because the action, because you know, he's saying gang stole.

1266
01:01:19,160 --> 01:01:21,120
Speaker 1: I thought it was game Stop, you know, I mean

1267
01:01:21,160 --> 01:01:25,800
Speaker 1: the accent was heavy back. Yeah. Yeah. I didn't join

1268
01:01:25,880 --> 01:01:28,760
Speaker 1: them to the third the third single, but so there

1269
01:01:28,800 --> 01:01:30,720
Speaker 1: were no albums yet, just twelve minutes, y'all know. The

1270
01:01:30,920 --> 01:01:33,360
Speaker 1: era of the eighties was mainly albums were still rare.

1271
01:01:33,800 --> 01:01:36,280
Speaker 1: Did you have any reservations about working with Gangstar because

1272
01:01:36,280 --> 01:01:38,120
Speaker 1: they were from Boston and you were so New York

1273
01:01:38,160 --> 01:01:40,640
Speaker 1: and nah, because I mean we were both, you know,

1274
01:01:40,760 --> 01:01:43,560
Speaker 1: from another place. We wanted to just get The main

1275
01:01:43,640 --> 01:01:45,280
Speaker 1: thing at that time wasn't even the money. We just

1276
01:01:45,400 --> 01:01:47,720
Speaker 1: wanted New York to say, Yo, y'all are dope, And

1277
01:01:47,840 --> 01:01:51,000
Speaker 1: at that time everybody wanted that from from the Nways

1278
01:01:51,120 --> 01:01:53,920
Speaker 1: to to everybody else, even though they repped where they

1279
01:01:53,920 --> 01:01:56,400
Speaker 1: were from from the West Coast, you still wanted the

1280
01:01:56,480 --> 01:01:59,920
Speaker 1: New York except do you think New York shaped? Y'allie

1281
01:02:00,040 --> 01:02:01,919
Speaker 1: all shaped New York, especially being that you from Houston

1282
01:02:02,040 --> 01:02:05,040
Speaker 1: from US. Yeah, yeah, then they shaped us because they

1283
01:02:05,080 --> 01:02:07,240
Speaker 1: showed us how to do it. And then after seeing

1284
01:02:07,280 --> 01:02:08,960
Speaker 1: how to do it, you want to make sure that

1285
01:02:09,160 --> 01:02:11,440
Speaker 1: that all the people. I just wanted mel email to

1286
01:02:11,520 --> 01:02:14,000
Speaker 1: say you were dobe and flash and I want to

1287
01:02:14,040 --> 01:02:17,160
Speaker 1: epm D to say you're dope and and then they're like, yo,

1288
01:02:17,280 --> 01:02:18,760
Speaker 1: come on tour with us. And that was our first

1289
01:02:18,800 --> 01:02:21,520
Speaker 1: major tour with epm D, with DJ Quick, all the

1290
01:02:21,600 --> 01:02:26,640
Speaker 1: MC and Gangstar and Chubb Rock. Yeah we did something

1291
01:02:26,680 --> 01:02:34,160
Speaker 1: with check remember and uh still making it was a

1292
01:02:34,240 --> 01:02:40,480
Speaker 1: something a national merit scholar. Wow. Yeah, I just remember

1293
01:02:40,720 --> 01:02:43,800
Speaker 1: as a DJ growing up, we should try to idolize

1294
01:02:43,880 --> 01:02:46,080
Speaker 1: and follow your cuts, your scratches because it were easy

1295
01:02:46,080 --> 01:02:48,560
Speaker 1: to see on the records because like a duck, you

1296
01:02:48,560 --> 01:02:50,000
Speaker 1: would try to do it and try to figure it

1297
01:02:50,040 --> 01:02:51,880
Speaker 1: out all the time. So you taught a lot of people.

1298
01:02:52,120 --> 01:02:55,439
Speaker 1: So now how did you hook up with Biggie? Were big?

1299
01:02:55,640 --> 01:02:58,040
Speaker 1: We're big. Now you did the gang star stuff and

1300
01:02:58,200 --> 01:03:00,480
Speaker 1: you did the Wick, and now how was the big

1301
01:03:00,520 --> 01:03:04,160
Speaker 1: because you and big chemistry was like we used always

1302
01:03:04,320 --> 01:03:07,760
Speaker 1: go by forties and you know we are oldies. Yeah,

1303
01:03:07,800 --> 01:03:10,120
Speaker 1: we were all ahead, you know, and uh, you know

1304
01:03:10,200 --> 01:03:13,720
Speaker 1: everybody knows ain't no secret group can drink. So we'd

1305
01:03:13,760 --> 01:03:16,080
Speaker 1: go on the block one day, you know, and this

1306
01:03:16,280 --> 01:03:19,520
Speaker 1: is now going into ninety two and just gonna taking

1307
01:03:19,560 --> 01:03:22,920
Speaker 1: personals out, dwinkers out. We're popping big times. And we

1308
01:03:23,080 --> 01:03:25,040
Speaker 1: always go to the corner on Fort in Washington, to

1309
01:03:25,200 --> 01:03:26,800
Speaker 1: the corner store, and Biggie would be out there on

1310
01:03:26,880 --> 01:03:28,919
Speaker 1: the corner and he already knew who we were. Shout

1311
01:03:29,000 --> 01:03:31,480
Speaker 1: the Nino Cheeko, the whole junior mafia. We used just

1312
01:03:31,560 --> 01:03:34,200
Speaker 1: hang de Rock, Yeah, de Rock, Yes, yes, shout the

1313
01:03:34,240 --> 01:03:36,400
Speaker 1: de Rock gutter everybody. So we used to go on

1314
01:03:36,480 --> 01:03:38,920
Speaker 1: the block, Coup be forty, go to the go to

1315
01:03:38,920 --> 01:03:41,760
Speaker 1: the spot on the corner to light up standing there

1316
01:03:41,800 --> 01:03:43,560
Speaker 1: and just rapp with him because he already knew who

1317
01:03:43,560 --> 01:03:45,440
Speaker 1: we were, and he was like, yo, man, I want

1318
01:03:45,480 --> 01:03:47,160
Speaker 1: to get on. I want to get on. And we

1319
01:03:47,280 --> 01:03:50,040
Speaker 1: had already knew that Puff was was already you know,

1320
01:03:50,240 --> 01:03:52,560
Speaker 1: looking into working with him because he already had the

1321
01:03:52,800 --> 01:03:55,760
Speaker 1: you know, he's working at Uptown with MCA deal prior

1322
01:03:55,840 --> 01:03:58,040
Speaker 1: to bad Boy. And then as things started to trickle

1323
01:03:58,120 --> 01:04:00,560
Speaker 1: down and Puff started coming to do on the way

1324
01:04:00,640 --> 01:04:02,800
Speaker 1: to get Biggie, Biggie was like, Yo, I'm gonna to

1325
01:04:02,840 --> 01:04:04,600
Speaker 1: a demo and they sing. You knew he was on

1326
01:04:04,640 --> 01:04:06,800
Speaker 1: the Who's the Man soundtrack? It was Biggie nice things.

1327
01:04:06,800 --> 01:04:08,640
Speaker 1: You knew he was gonna be, especially he turned on

1328
01:04:08,760 --> 01:04:11,640
Speaker 1: me yet, because honestly, I gotta give mister C the credit.

1329
01:04:11,720 --> 01:04:13,760
Speaker 1: Man and mister C lived down the block from us,

1330
01:04:14,280 --> 01:04:19,320
Speaker 1: and he used to always really annoy me about Biggie

1331
01:04:19,360 --> 01:04:21,360
Speaker 1: Small's Biggie Smalls. I'm like, I'm gonna listen to it.

1332
01:04:21,440 --> 01:04:23,400
Speaker 1: I'm gonna listen to it. Used to give me these cassettes.

1333
01:04:23,920 --> 01:04:25,400
Speaker 1: I just would never listen to it. I was we

1334
01:04:25,480 --> 01:04:27,400
Speaker 1: were kind of acting where I was kind of all right,

1335
01:04:27,480 --> 01:04:30,320
Speaker 1: all right, right, and uh, he's seen me again, and

1336
01:04:30,400 --> 01:04:32,800
Speaker 1: see it would be like, Yo, Biggie Small's Biggie Smalls.

1337
01:04:32,840 --> 01:04:35,040
Speaker 1: That's why you know, he does deserve a lot of

1338
01:04:35,080 --> 01:04:37,240
Speaker 1: credit for big And he kept pushing it and pushing it.

1339
01:04:37,720 --> 01:04:40,200
Speaker 1: One day I finally heard the demo and then we

1340
01:04:40,320 --> 01:04:42,720
Speaker 1: met Big. So once we met him, you know, that's

1341
01:04:42,720 --> 01:04:44,360
Speaker 1: when he did one laid back. Then he was the

1342
01:04:44,480 --> 01:04:49,880
Speaker 1: hyper voice before this, before all Right. We got more

1343
01:04:49,960 --> 01:04:52,000
Speaker 1: with Premote when we come back, don't Move. It's the

1344
01:04:52,000 --> 01:04:56,919
Speaker 1: Breakfast Club Good Morning Party is DJ Envy Angela Yee,

1345
01:04:57,000 --> 01:04:59,919
Speaker 1: Charlomagne the guy we all the Breakfast Club DJ prom

1346
01:05:00,040 --> 01:05:03,400
Speaker 1: It is in the building, Charles the twentieth anniversary A

1347
01:05:03,480 --> 01:05:05,840
Speaker 1: Big Death. This is an interesting conversation. It's two stories

1348
01:05:05,920 --> 01:05:08,200
Speaker 1: that always wanted to ask you about. Jerry the Damage.

1349
01:05:08,640 --> 01:05:10,040
Speaker 1: Used to do a lot of work with him, but

1350
01:05:10,120 --> 01:05:12,560
Speaker 1: he used to come at like big sod that did

1351
01:05:12,600 --> 01:05:16,800
Speaker 1: that affect you? And Big it affected us. Basically, what

1352
01:05:16,960 --> 01:05:19,520
Speaker 1: happened was we did a record call one day on

1353
01:05:19,680 --> 01:05:21,600
Speaker 1: the Wrath of the Math album, that's the second album,

1354
01:05:21,600 --> 01:05:23,400
Speaker 1: because him and Big, all of us just hang on

1355
01:05:23,480 --> 01:05:26,880
Speaker 1: a regular When we did Rath of the Math, we

1356
01:05:27,000 --> 01:05:28,880
Speaker 1: were recording the album and we did a song. I

1357
01:05:28,960 --> 01:05:31,280
Speaker 1: did a beat and he was like, Yo, I want

1358
01:05:31,320 --> 01:05:34,200
Speaker 1: to talk about how I see a pop right now,

1359
01:05:34,680 --> 01:05:36,840
Speaker 1: my vision of it, and it's gonna be almost like

1360
01:05:36,960 --> 01:05:39,560
Speaker 1: something that happened just in a day. So he wrote

1361
01:05:39,600 --> 01:05:41,440
Speaker 1: it in that way and I remember when he did

1362
01:05:41,480 --> 01:05:44,440
Speaker 1: it one of the homies and our crew was like,

1363
01:05:45,560 --> 01:05:48,880
Speaker 1: you ain't putting that out right? You know, he maybe

1364
01:05:48,920 --> 01:05:50,480
Speaker 1: just doing this a bug out, just like our own

1365
01:05:50,520 --> 01:05:52,880
Speaker 1: little little thing. That was like, nah, man, I ain't,

1366
01:05:52,880 --> 01:05:54,400
Speaker 1: I ain't afraid to put this else put it out

1367
01:05:55,120 --> 01:05:57,439
Speaker 1: all the big Willie talking no no, no no. Playing

1368
01:05:57,520 --> 01:06:03,680
Speaker 1: yourself playing yourself was misconstrued. Uh. We had the same

1369
01:06:03,760 --> 01:06:07,360
Speaker 1: sample as the players anthem clogging them beating, and Junior

1370
01:06:07,400 --> 01:06:10,920
Speaker 1: Mafia beat us to it. I'm a beat maker, We're competing.

1371
01:06:11,120 --> 01:06:13,440
Speaker 1: I'm like, you know what, I'm gonna flip it backwards.

1372
01:06:13,520 --> 01:06:15,520
Speaker 1: Because one Day came out first, the drama with all

1373
01:06:15,560 --> 01:06:18,600
Speaker 1: the stuff with with with the Big Big and Jay

1374
01:06:18,640 --> 01:06:22,240
Speaker 1: Ruth thing, one day came first, Playing yourself came afterwards,

1375
01:06:22,280 --> 01:06:24,800
Speaker 1: so it made it look like y'all really going at

1376
01:06:24,840 --> 01:06:26,680
Speaker 1: these dudes, But it had nothing to do with them.

1377
01:06:27,040 --> 01:06:29,439
Speaker 1: It's just I said, I'm gonna flipping backwards and played

1378
01:06:29,560 --> 01:06:32,880
Speaker 1: played the funky away and and and then boom, there's

1379
01:06:32,920 --> 01:06:36,040
Speaker 1: a record. Did y'all have fallout? You big? Because of that,

1380
01:06:36,400 --> 01:06:41,000
Speaker 1: we had a a heat. We had a heated discussion.

1381
01:06:41,400 --> 01:06:43,880
Speaker 1: The main discussion really was with Puff and Jay Ruth

1382
01:06:44,240 --> 01:06:46,800
Speaker 1: and they had the discussion on the phone. This is

1383
01:06:46,840 --> 01:06:50,200
Speaker 1: the illest part of is the Puff called the label

1384
01:06:50,640 --> 01:06:52,160
Speaker 1: and because we won't pay that and that was my

1385
01:06:52,240 --> 01:06:54,680
Speaker 1: managers label, he called the label. And this is a

1386
01:06:54,760 --> 01:06:58,240
Speaker 1: big deal back then in ninety five ninety six, he said,

1387
01:06:59,240 --> 01:07:04,520
Speaker 1: here's my phone, here's my call phone, here's my boat phone.

1388
01:07:04,880 --> 01:07:08,360
Speaker 1: And we like, damn, he got a boat, you know

1389
01:07:08,400 --> 01:07:11,560
Speaker 1: what I'm saying. Like so he was the willingness, was

1390
01:07:11,640 --> 01:07:14,160
Speaker 1: wavy on what anybody else is doing. That's why I

1391
01:07:14,160 --> 01:07:16,160
Speaker 1: always say yo, but you gotta give Puff his He

1392
01:07:16,320 --> 01:07:18,920
Speaker 1: was beyond everybody when it came to the newest stuff,

1393
01:07:19,200 --> 01:07:21,880
Speaker 1: the style, everything you got, we two got, tip tip

1394
01:07:21,960 --> 01:07:23,440
Speaker 1: you had, and they hate him, a love him. They

1395
01:07:23,480 --> 01:07:27,120
Speaker 1: eventually squashed it. It squashed. How would you say, we've

1396
01:07:27,160 --> 01:07:29,240
Speaker 1: grown out of it. I don't think they've seen each

1397
01:07:29,280 --> 01:07:31,600
Speaker 1: other since me and Puff have. I've seen Gutta and

1398
01:07:31,640 --> 01:07:33,959
Speaker 1: all of them and the rock, but everything was all loved.

1399
01:07:34,160 --> 01:07:37,520
Speaker 1: I pretty much was the middle guy that could diffuse

1400
01:07:37,600 --> 01:07:41,080
Speaker 1: anything because I've been a frontline man from day one,

1401
01:07:41,160 --> 01:07:44,800
Speaker 1: still am. If when any drama grew on down, if

1402
01:07:44,840 --> 01:07:47,240
Speaker 1: there was something going on that that had to be handled,

1403
01:07:47,400 --> 01:07:49,640
Speaker 1: I was always front line and anybody that knows me

1404
01:07:49,680 --> 01:07:51,720
Speaker 1: will tell you the same thing. So when it came

1405
01:07:51,800 --> 01:07:55,400
Speaker 1: to that, jabs were thrown lyrically, but it never got

1406
01:07:55,440 --> 01:07:57,480
Speaker 1: to a violence situation because if it did, I'm sure

1407
01:07:57,560 --> 01:07:59,520
Speaker 1: the hip hop the whole hip hop community was known

1408
01:07:59,520 --> 01:08:01,640
Speaker 1: about that, but it didn't happen. The other big story

1409
01:08:01,680 --> 01:08:02,840
Speaker 1: I wanted to ask you about. I read it and

1410
01:08:02,880 --> 01:08:05,720
Speaker 1: Angie Martine is the book you did. Ten Crack Commandments

1411
01:08:05,800 --> 01:08:10,520
Speaker 1: is a promo for Angie instrumental Yep, and Big heard it. Yeah, no,

1412
01:08:10,560 --> 01:08:13,480
Speaker 1: Puff heard it. Actually, what happened was back at that time,

1413
01:08:13,520 --> 01:08:18,599
Speaker 1: Angie was like the person I mean the person, Yeah,

1414
01:08:18,760 --> 01:08:21,639
Speaker 1: and everybody was doing dope promost fright away. It's like, damn,

1415
01:08:21,680 --> 01:08:25,120
Speaker 1: this would be a record, you know how, so we did.

1416
01:08:25,200 --> 01:08:27,639
Speaker 1: We did one because Jay Ruse was popping at the time.

1417
01:08:27,800 --> 01:08:31,040
Speaker 1: So clean, come clean, can't start the profit, you know

1418
01:08:31,160 --> 01:08:33,920
Speaker 1: the bitches, you know all that stuff. So when we

1419
01:08:34,080 --> 01:08:37,320
Speaker 1: did that, Puff came up there and heard the the

1420
01:08:37,479 --> 01:08:39,120
Speaker 1: you know, she just happened to play the promo. She

1421
01:08:39,479 --> 01:08:41,720
Speaker 1: had played it many other times, but she happened to

1422
01:08:41,760 --> 01:08:43,800
Speaker 1: play to play the promo that particular day that Puff

1423
01:08:43,880 --> 01:08:46,519
Speaker 1: came up there, all of a sudden, he goes PREMO

1424
01:08:46,880 --> 01:08:50,040
Speaker 1: could go out there, please call me, you know, call

1425
01:08:50,120 --> 01:08:52,080
Speaker 1: the warm line pufflicts on the phone. He's like, yo,

1426
01:08:52,560 --> 01:08:54,320
Speaker 1: I need that beat and you know, and I'm like,

1427
01:08:54,960 --> 01:08:57,160
Speaker 1: you know, that's me and Jay rule and you know,

1428
01:08:57,320 --> 01:09:00,960
Speaker 1: y'all y'all ain't cool. And he's like, well listen, see

1429
01:09:01,000 --> 01:09:02,680
Speaker 1: if he's down and down and let let that go.

1430
01:09:03,160 --> 01:09:05,720
Speaker 1: He's I'll throw the money over x y Z. I

1431
01:09:05,880 --> 01:09:08,320
Speaker 1: call Rue and we're just what I like about Jay Rue.

1432
01:09:08,400 --> 01:09:10,920
Speaker 1: Jay was like, yo, man, that's hip problem. Let it go.

1433
01:09:12,200 --> 01:09:16,320
Speaker 1: That was the first one that you produce a big unbelievable, unbelievable.

1434
01:09:16,400 --> 01:09:18,760
Speaker 1: The first believable was the first, and then Um, then

1435
01:09:18,960 --> 01:09:21,120
Speaker 1: Kicking the Door, and then Tim cracking Mans and then

1436
01:09:21,720 --> 01:09:23,680
Speaker 1: after he passed on the Barn Again album, I did

1437
01:09:23,840 --> 01:09:30,000
Speaker 1: uh uh rap phenomenal Red and how did you could behold? Um?

1438
01:09:30,160 --> 01:09:34,280
Speaker 1: I knew Jay way back because I j with Kane.

1439
01:09:34,320 --> 01:09:36,120
Speaker 1: I used to see him with with with a jazz

1440
01:09:36,160 --> 01:09:38,200
Speaker 1: Oh and we well and that at that time. I'm

1441
01:09:38,200 --> 01:09:40,600
Speaker 1: in the same neighborhood, but it was it was just

1442
01:09:40,640 --> 01:09:42,479
Speaker 1: a mutual what's up all the time? Did you and

1443
01:09:42,560 --> 01:09:45,479
Speaker 1: Jay's relationship ever go bad? Because when Jay dropped an album,

1444
01:09:45,520 --> 01:09:48,040
Speaker 1: he always had a primo record, and then all of

1445
01:09:48,080 --> 01:09:50,640
Speaker 1: a sudden it just disappeared. So I thought maybe, I said, well,

1446
01:09:50,680 --> 01:09:53,120
Speaker 1: maybe they had a bad relationship or falling out or something.

1447
01:09:53,280 --> 01:09:55,960
Speaker 1: We had a couple of fallouts that were minor, but

1448
01:09:56,479 --> 01:09:58,800
Speaker 1: I'm a guy that if I feel like I gotta

1449
01:09:58,880 --> 01:10:02,160
Speaker 1: distance myself for certain reasons, I do it. The other

1450
01:10:02,200 --> 01:10:05,160
Speaker 1: times was just you know, Jay wants it done now.

1451
01:10:05,400 --> 01:10:07,800
Speaker 1: If it's not ready, he's moving on without you, which

1452
01:10:07,800 --> 01:10:10,400
Speaker 1: I gotta respect that he's moving on. But there were

1453
01:10:10,439 --> 01:10:13,080
Speaker 1: two or three for beating. He was like, I'm not

1454
01:10:13,160 --> 01:10:17,400
Speaker 1: I'm on tour, and no, it wasn't. It wasn't any response.

1455
01:10:17,479 --> 01:10:19,960
Speaker 1: It was just see whenever we see each other for

1456
01:10:20,120 --> 01:10:22,040
Speaker 1: some reason, man, we would just always be like, yo,

1457
01:10:22,120 --> 01:10:24,479
Speaker 1: it was hollow, and it'd be good, it'd be cool.

1458
01:10:24,760 --> 01:10:30,400
Speaker 1: Every album was one of my favorite. Hey I give you,

1459
01:10:30,520 --> 01:10:32,840
Speaker 1: I give you a good one. The Black Album was

1460
01:10:32,840 --> 01:10:35,760
Speaker 1: supposed to just be me and him. Really yeah. Yeah.

1461
01:10:36,120 --> 01:10:38,120
Speaker 1: He called me one day and say, Yo, I'm doing

1462
01:10:38,160 --> 01:10:40,000
Speaker 1: the Black album. This thing in the Black Album, and

1463
01:10:40,200 --> 01:10:42,840
Speaker 1: I want you to do whatever you can to just

1464
01:10:43,439 --> 01:10:46,040
Speaker 1: not do anything for like two weeks and we just

1465
01:10:46,240 --> 01:10:48,320
Speaker 1: lock in and do it. I was like, I'm down

1466
01:10:48,600 --> 01:10:50,720
Speaker 1: and it just never surface. You went on to do

1467
01:10:51,280 --> 01:10:54,519
Speaker 1: the Dynasty album, then he did another album, and then

1468
01:10:54,600 --> 01:10:56,479
Speaker 1: he went to the Black album. But I was on

1469
01:10:56,600 --> 01:10:58,320
Speaker 1: tour at the time, so I couldn't get in to

1470
01:10:58,680 --> 01:11:01,560
Speaker 1: do the track because I was overseas. But also that

1471
01:11:01,680 --> 01:11:03,639
Speaker 1: that was going to be our project, so you don't

1472
01:11:03,640 --> 01:11:05,519
Speaker 1: get no working on the Black album at all. Nah.

1473
01:11:05,680 --> 01:11:08,160
Speaker 1: That's when Ninth Wonder started to come in and he

1474
01:11:08,280 --> 01:11:11,559
Speaker 1: did the Threats record, which is you know, it's kind

1475
01:11:11,600 --> 01:11:15,800
Speaker 1: of has a preme bounce, you know, Yeah, that's that's

1476
01:11:15,840 --> 01:11:18,000
Speaker 1: the only right there, Being that you worked with all three,

1477
01:11:18,479 --> 01:11:23,639
Speaker 1: who's the best? MC, Biggie, j V and nash Man

1478
01:11:24,400 --> 01:11:29,439
Speaker 1: most you said, yeah, just the best. It's just like

1479
01:11:29,520 --> 01:11:31,720
Speaker 1: the comparison to Pocketing Big. You can't put them in

1480
01:11:31,760 --> 01:11:33,560
Speaker 1: the same boat, even though they're both great. You know

1481
01:11:33,600 --> 01:11:35,040
Speaker 1: what I'm saying. I just like all three of them,

1482
01:11:35,200 --> 01:11:36,960
Speaker 1: you know, And that's not even to say I don't

1483
01:11:37,000 --> 01:11:39,760
Speaker 1: want to pick who's better. It's just you like them

1484
01:11:39,760 --> 01:11:44,120
Speaker 1: all three for different reasons. Right, nas is the project

1485
01:11:44,320 --> 01:11:47,920
Speaker 1: just hood hood Kid with the lyrics Jay made all

1486
01:11:47,960 --> 01:11:50,400
Speaker 1: the hustlers. Everybody that's just really on a super ground

1487
01:11:50,479 --> 01:11:53,240
Speaker 1: on on on another level. He just spoke to them,

1488
01:11:53,400 --> 01:11:55,400
Speaker 1: you know that. That's what I love about Jay, still

1489
01:11:55,439 --> 01:11:58,400
Speaker 1: love about him. He knows how to talk, hustle them lyrics.

1490
01:11:58,920 --> 01:12:01,200
Speaker 1: He's just great at it. And Big is just a

1491
01:12:01,280 --> 01:12:03,920
Speaker 1: combination of everything. You know. Again, and he didn't write that,

1492
01:12:04,000 --> 01:12:06,120
Speaker 1: you know. I know I saw some recent somebody said

1493
01:12:06,120 --> 01:12:08,519
Speaker 1: they saw Biggie right, I don't know who. It was

1494
01:12:08,960 --> 01:12:10,679
Speaker 1: just a couple of days ago saying they saw Biggie

1495
01:12:10,760 --> 01:12:13,880
Speaker 1: write lyrics. He had a pad when we did unbelievable.

1496
01:12:14,040 --> 01:12:16,799
Speaker 1: He's just doing this, making a little funny little biggers.

1497
01:12:17,439 --> 01:12:20,080
Speaker 1: And then we're there almost eight hours. I'm like, yo, dude,

1498
01:12:20,400 --> 01:12:22,240
Speaker 1: I'm ready to go on. You wanted to come back tomorrow?

1499
01:12:22,280 --> 01:12:28,080
Speaker 1: And he's like, oh no, I'm ready ready. Yeah. Really,

1500
01:12:29,120 --> 01:12:31,040
Speaker 1: And sometimes it's hard because you can't even figure out

1501
01:12:31,080 --> 01:12:33,720
Speaker 1: what Biggie could have evolved into as an artist him.

1502
01:12:33,800 --> 01:12:38,240
Speaker 1: Big would have been a problem. Big would have still

1503
01:12:38,280 --> 01:12:40,639
Speaker 1: been a problem, Pockets still been a problem. It would

1504
01:12:40,760 --> 01:12:43,439
Speaker 1: I think it would be harder for the artists that

1505
01:12:43,600 --> 01:12:46,240
Speaker 1: I'm not too lyrical to even get into the door

1506
01:12:46,720 --> 01:12:50,200
Speaker 1: if they were still around. Though I didn't see Jay

1507
01:12:50,320 --> 01:12:53,479
Speaker 1: right either No, never witnessed it. So Premu, what projects

1508
01:12:53,520 --> 01:12:55,560
Speaker 1: are you working on now? Yeah, this is gonna be

1509
01:12:55,720 --> 01:12:58,000
Speaker 1: a very busy year for me, you know, as I said,

1510
01:12:58,360 --> 01:13:01,240
Speaker 1: year round records, Uh is gonna be I have I

1511
01:13:01,280 --> 01:13:04,519
Speaker 1: have four projects that are coming out soon. We're doing

1512
01:13:04,520 --> 01:13:07,640
Speaker 1: another prime too with Ross five nine, almost done with

1513
01:13:07,720 --> 01:13:11,000
Speaker 1: Dashout the Russ's another dope album. And I have a

1514
01:13:11,080 --> 01:13:14,960
Speaker 1: band called the Batter Band. Yeah that we we're about

1515
01:13:14,960 --> 01:13:18,559
Speaker 1: to do a tour and uh we we're gonna drop

1516
01:13:18,600 --> 01:13:21,120
Speaker 1: an EP where pretty much I come up with the

1517
01:13:21,200 --> 01:13:24,360
Speaker 1: Beach and everything and they will just replay them and

1518
01:13:24,920 --> 01:13:27,519
Speaker 1: and then we play all of my classics live. We

1519
01:13:27,600 --> 01:13:30,479
Speaker 1: have a really tight set. Our show is amazing. So

1520
01:13:31,160 --> 01:13:32,840
Speaker 1: it's a lot going on. I always felt like hip

1521
01:13:32,880 --> 01:13:34,760
Speaker 1: hop needed more band because it's like it's the roots

1522
01:13:34,800 --> 01:13:37,160
Speaker 1: and then nobody else like and then's out there a

1523
01:13:37,200 --> 01:13:44,960
Speaker 1: little bit. Yeah, we appreciate you for joining us. Yeah, man, anytime.

1524
01:13:48,800 --> 01:13:53,240
Speaker 1: J It's the breakfast Club. Good morning, so Lott the

1525
01:13:53,520 --> 01:14:02,360
Speaker 1: Breakfast Club. Look like, Hey, everybody is DJ Enjy, Angela Ye,

1526
01:14:02,479 --> 01:14:05,040
Speaker 1: Charlemagne and Guy re other breakfast Club. That was good morning,

1527
01:14:05,560 --> 01:14:08,920
Speaker 1: fake club. What's happening what's wrong with you? Why? Why? Why?

1528
01:14:09,080 --> 01:14:10,720
Speaker 1: Something gotta be wrong with me? What are you doing

1529
01:14:10,760 --> 01:14:13,400
Speaker 1: over it? I can't be happy. I'm blessed in highly favorite.

1530
01:14:13,400 --> 01:14:16,040
Speaker 1: I always got a reason to smile. All right, Well,

1531
01:14:16,080 --> 01:14:18,960
Speaker 1: let's get to the room. Let's talk remy Ma. This

1532
01:14:19,360 --> 01:14:29,799
Speaker 1: is the Rumle Report with Angela. Well, remy Ma recently

1533
01:14:29,840 --> 01:14:32,960
Speaker 1: did a Facebook live session with Bud's Feed with Buzzfeeds

1534
01:14:32,960 --> 01:14:36,519
Speaker 1: another Round podcast, and she talks about No More beefoot

1535
01:14:36,560 --> 01:14:39,280
Speaker 1: Nicki Minaj as far as No More disc Records, here's

1536
01:14:39,320 --> 01:14:43,160
Speaker 1: what you had to say about Sheather, it won't go away.

1537
01:14:43,400 --> 01:14:46,759
Speaker 1: I didn't realize. I realized recently that I really mastered

1538
01:14:46,920 --> 01:14:49,719
Speaker 1: the art of arguing after I put out this record,

1539
01:14:49,840 --> 01:14:52,560
Speaker 1: and I'm like, maybe I should have took it a

1540
01:14:52,640 --> 01:14:55,360
Speaker 1: little easy. You think so, No, I don't think. I

1541
01:14:55,439 --> 01:15:02,760
Speaker 1: didn't think it. But you know, it's it's over now.

1542
01:15:03,000 --> 01:15:05,200
Speaker 1: I mean, if she wants to say something and cool,

1543
01:15:05,240 --> 01:15:07,320
Speaker 1: but I've said what I had to say and that's

1544
01:15:07,360 --> 01:15:10,160
Speaker 1: really it, all right. She also talked about the fact

1545
01:15:10,200 --> 01:15:12,120
Speaker 1: that it could have been powerful for her and Nikki

1546
01:15:12,160 --> 01:15:15,840
Speaker 1: to do something together, but people feel things go a

1547
01:15:15,920 --> 01:15:18,519
Speaker 1: lot more viral when it's beef right, here's what Mama

1548
01:15:18,600 --> 01:15:21,600
Speaker 1: had to say about that. I don't regret it, but

1549
01:15:21,760 --> 01:15:24,760
Speaker 1: I'm not particularly proud of it, Like I don't feel

1550
01:15:24,800 --> 01:15:28,080
Speaker 1: like I just think it's crazy the way people celebrate,

1551
01:15:28,320 --> 01:15:32,639
Speaker 1: you know, women attacking each other as opposed to working together.

1552
01:15:33,680 --> 01:15:36,040
Speaker 1: I didn't look at it as her attacking Nikki though.

1553
01:15:36,080 --> 01:15:37,800
Speaker 1: It's just rapped like you know what I mean. It's

1554
01:15:38,040 --> 01:15:40,240
Speaker 1: like like when a man does a record of a guy,

1555
01:15:40,280 --> 01:15:43,760
Speaker 1: I don't say, oh, he's attacking another man. It's competitive.

1556
01:15:43,920 --> 01:15:46,880
Speaker 1: It happens sometimes people clash at the top, right, And

1557
01:15:46,960 --> 01:15:48,439
Speaker 1: she feels like, I mean, the reason why it went

1558
01:15:48,520 --> 01:15:51,920
Speaker 1: so viral is it is her against Nicki Minaj and

1559
01:15:52,040 --> 01:15:54,280
Speaker 1: that for some reason, people care more about that than

1560
01:15:54,320 --> 01:15:56,000
Speaker 1: if they would have came together and did a record

1561
01:15:56,120 --> 01:15:58,840
Speaker 1: again like that historically would any of gender. Though. Now

1562
01:15:58,920 --> 01:16:01,120
Speaker 1: here's what you had to say about beef records And

1563
01:16:01,720 --> 01:16:04,920
Speaker 1: if you feel like anything should be awful limits. Did

1564
01:16:05,000 --> 01:16:07,519
Speaker 1: you feel like there's anything in particular that's like awfu

1565
01:16:07,560 --> 01:16:11,360
Speaker 1: limits when it comes to about no, nothing about family,

1566
01:16:11,520 --> 01:16:17,800
Speaker 1: nothing personal, nothing you would said about you. That's like

1567
01:16:17,880 --> 01:16:19,519
Speaker 1: saying like, oh, you have a fight with somebody, but

1568
01:16:19,640 --> 01:16:21,600
Speaker 1: don't pull my hair. I'm said to had it. I

1569
01:16:21,720 --> 01:16:25,080
Speaker 1: don't care. I agree. You can never tell somebody how

1570
01:16:25,120 --> 01:16:27,000
Speaker 1: to react. If you push somebody, they might pull out

1571
01:16:27,040 --> 01:16:29,200
Speaker 1: a gun and clap you. Yeah, it's not up to

1572
01:16:29,240 --> 01:16:31,240
Speaker 1: you to say any went too far. All right? Well,

1573
01:16:31,280 --> 01:16:33,200
Speaker 1: remy mine Peppoose, by the way, are working on a

1574
01:16:33,280 --> 01:16:37,080
Speaker 1: relationship book right now as well. So it's about them

1575
01:16:37,160 --> 01:16:39,720
Speaker 1: remaining strong while she was in prison and he was

1576
01:16:39,800 --> 01:16:42,880
Speaker 1: at home and him managing her and all of that.

1577
01:16:43,000 --> 01:16:44,920
Speaker 1: How they managed to operate as a unit. And I'm

1578
01:16:44,920 --> 01:16:46,439
Speaker 1: sure the name of it is black love, as it

1579
01:16:46,479 --> 01:16:50,360
Speaker 1: should be. All right, speaking of love, guess what new

1580
01:16:50,439 --> 01:16:55,360
Speaker 1: couple alert is out there now? Jennifer Lopez and Alex

1581
01:16:55,520 --> 01:16:59,000
Speaker 1: Rodriguez from the New York Yankees, former Yankees player, They're

1582
01:16:59,000 --> 01:17:01,720
Speaker 1: gonna have a bronze baby, right. Well, they've been seeing

1583
01:17:01,720 --> 01:17:07,120
Speaker 1: each other about four months now. It's not well, okay,

1584
01:17:07,200 --> 01:17:10,320
Speaker 1: they both love New York less Rodrigue played in the Yankees.

1585
01:17:10,360 --> 01:17:17,040
Speaker 1: Wells is living the Bronx. Stop it. Oh my goodness.

1586
01:17:17,040 --> 01:17:18,320
Speaker 1: We don't give them a round of a plus. That's

1587
01:17:18,479 --> 01:17:22,120
Speaker 1: the truth. Now. According to sources, both of them are

1588
01:17:22,160 --> 01:17:24,280
Speaker 1: not trying to have anything serious, so they have that

1589
01:17:24,400 --> 01:17:26,479
Speaker 1: in common. They're just having a good time with each other.

1590
01:17:26,800 --> 01:17:30,640
Speaker 1: They're not trying to settle down. So that's the new relationship.

1591
01:17:30,840 --> 01:17:35,120
Speaker 1: Jennifer Lopez. That's a handsome couple, pretty looking couple, all right,

1592
01:17:35,200 --> 01:17:37,640
Speaker 1: and the name together though Daily News has j Rod

1593
01:17:37,800 --> 01:17:50,479
Speaker 1: on the front l or j Rod all right, all right,

1594
01:17:51,200 --> 01:17:54,719
Speaker 1: And there's a brand new documentary that Can't Stop, Won't Stop,

1595
01:17:54,800 --> 01:17:57,240
Speaker 1: the Bad Boys Story that's gonna be debuted at the

1596
01:17:57,280 --> 01:18:00,400
Speaker 1: Tribeca Film Festival in New York. Now did. He has

1597
01:18:00,439 --> 01:18:02,080
Speaker 1: put out a statement and bill Board he said, I'm

1598
01:18:02,120 --> 01:18:04,759
Speaker 1: blessed to be introducing our film at the Tribeca Film Festival.

1599
01:18:04,840 --> 01:18:08,080
Speaker 1: Tribeca brings the biggest names in entertainment and culture together

1600
01:18:08,160 --> 01:18:10,599
Speaker 1: with visionaries from a cross industry. So it's gonna look

1601
01:18:10,680 --> 01:18:13,880
Speaker 1: at behind the scenes of bad Boy and in death.

1602
01:18:13,920 --> 01:18:17,080
Speaker 1: Look at the two night anniversary event that they had

1603
01:18:17,120 --> 01:18:19,720
Speaker 1: at the Barclay Center. I went there for that, and

1604
01:18:19,920 --> 01:18:23,400
Speaker 1: also Bad Boys beginnings in Harlem and in Brooklyn, the

1605
01:18:23,520 --> 01:18:26,760
Speaker 1: influence of bad Boy on pop culture, fashion, music, and

1606
01:18:26,960 --> 01:18:29,559
Speaker 1: of course the tragic murder of Biggie. I think we're

1607
01:18:29,600 --> 01:18:31,880
Speaker 1: in there too, by the way, Really yeah, we are,

1608
01:18:32,160 --> 01:18:34,000
Speaker 1: I think so. Oh he did film. He was being

1609
01:18:34,040 --> 01:18:36,439
Speaker 1: interviewed up here something. It was something I don't know,

1610
01:18:36,640 --> 01:18:41,000
Speaker 1: I signed something. Oh you are not signed a bad boy,

1611
01:18:41,040 --> 01:18:46,320
Speaker 1: I shoul I'm signing right, Wow, learned from people's mistakes.

1612
01:18:46,360 --> 01:18:50,640
Speaker 1: Do you always say, Charlotte, I signed something. You're just

1613
01:18:50,800 --> 01:18:54,360
Speaker 1: signing something. You have to do it puff all right?

1614
01:18:54,400 --> 01:18:56,920
Speaker 1: Well I'm angela yea, and that is your rumor report.

1615
01:18:56,960 --> 01:18:59,280
Speaker 1: You are forever signed to Revolt TV. We just found out.

1616
01:19:00,040 --> 01:19:02,240
Speaker 1: Never cursed me like that, all right, God would never

1617
01:19:02,320 --> 01:19:04,080
Speaker 1: punish me in that way. All right, I don't think

1618
01:19:04,080 --> 01:19:09,080
Speaker 1: I'm signing him now. Actually I'm not sign you have

1619
01:19:09,160 --> 01:19:12,240
Speaker 1: a partnership, yes, all right, but shout out to revote.

1620
01:19:12,280 --> 01:19:15,040
Speaker 1: We'll see you guys tomorrow. Everybody else, let's do this

1621
01:19:15,120 --> 01:19:17,720
Speaker 1: biggie mix. Of course, today is the twentieth anniversary of

1622
01:19:17,840 --> 01:19:20,759
Speaker 1: his passing Celeste. Whatever you want to hear, whatever biggie

1623
01:19:20,800 --> 01:19:24,439
Speaker 1: joints you want to hear. It could be treat Gunna joint,

1624
01:19:24,520 --> 01:19:25,840
Speaker 1: or it could be a pop joint. Whatever you want

1625
01:19:25,840 --> 01:19:27,920
Speaker 1: to hear. Commercial join us should say eight hundred and

1626
01:19:27,960 --> 01:19:30,280
Speaker 1: five eighty five one O five. One your favorite biggie joint,

1627
01:19:30,360 --> 01:19:31,599
Speaker 1: it's the Breakfast Club Gamona