1 00:00:01,000 --> 00:00:05,200 Speaker 1: Look man, oh I see you. Why look over there? 2 00:00:05,240 --> 00:00:13,720 Speaker 1: How is that culture? Yes, goodness, lost culture is just calling. 3 00:00:14,240 --> 00:00:16,880 Speaker 1: You are joining us in progress. We are currently having 4 00:00:16,880 --> 00:00:21,680 Speaker 1: our conversation about how Bowen is Natalie and I'm Mila. 5 00:00:21,800 --> 00:00:24,720 Speaker 1: I mean we were saying, you know, I'm rolling. We 6 00:00:24,720 --> 00:00:29,600 Speaker 1: were telling our beautiful sound engineer dog hot, bracingly hot, 7 00:00:29,680 --> 00:00:32,599 Speaker 1: bracingly hot. You brace yourself. You have to sort of 8 00:00:32,640 --> 00:00:35,200 Speaker 1: grab what's around you, as if you know your vehicle 9 00:00:35,240 --> 00:00:38,279 Speaker 1: is about to crash. That's how HOTTI is. Uh. And 10 00:00:38,320 --> 00:00:42,400 Speaker 1: then I said I'm rolling, And then Matt fully seamlessly 11 00:00:42,479 --> 00:00:46,200 Speaker 1: went into the you've never rolled. Oh my god, it's 12 00:00:46,200 --> 00:00:48,519 Speaker 1: like meeting the night Sky. Wait where we went up 13 00:00:48,920 --> 00:00:51,920 Speaker 1: be getting the exact quote, right, Let's say it's this 14 00:00:52,520 --> 00:00:54,880 Speaker 1: so you can see the nights Guy. I don't know 15 00:00:55,000 --> 00:00:57,880 Speaker 1: exactly what she says, but something about the nights guy. 16 00:00:57,960 --> 00:01:00,480 Speaker 1: But reader, and I'm sure you can feel it in 17 00:01:00,640 --> 00:01:04,480 Speaker 1: your audio experience. But I was like, Matt, you are 18 00:01:04,720 --> 00:01:07,600 Speaker 1: such a Mela. It's crazy how you're a Mela. And 19 00:01:07,600 --> 00:01:12,040 Speaker 1: I'm not in the Natalie Mela binary, which is already 20 00:01:12,080 --> 00:01:15,080 Speaker 1: your front runner of the title of EPP. I'm very 21 00:01:15,160 --> 00:01:20,560 Speaker 1: much the Mela and you are Natalie and I I 22 00:01:21,440 --> 00:01:23,640 Speaker 1: My on screen boyfriend is Ashton cut your years is 23 00:01:23,680 --> 00:01:26,080 Speaker 1: Justin timber Like that also, that also makes sense to me. 24 00:01:26,240 --> 00:01:29,479 Speaker 1: It makes a hundred percent sense because listen, gun into 25 00:01:29,560 --> 00:01:32,080 Speaker 1: your head, and this is sort of us finally answering 26 00:01:32,120 --> 00:01:35,040 Speaker 1: the question of no strings attached versus friends with benefits. 27 00:01:35,120 --> 00:01:39,200 Speaker 1: Right gun to your head. You can fuck Ashton and 28 00:01:39,240 --> 00:01:42,560 Speaker 1: be his friend with benefit, or you can have a 29 00:01:42,600 --> 00:01:46,080 Speaker 1: no strings attached situation with Justin nimber Like. Even though 30 00:01:46,080 --> 00:01:48,680 Speaker 1: those film titles are switched, what do you choose no 31 00:01:48,800 --> 00:01:52,640 Speaker 1: strings attached featuring Natalie apartment and Ashton cuture because there's 32 00:01:52,640 --> 00:01:54,800 Speaker 1: creditor away a guy Brandon meet Min de Kaling as 33 00:01:54,880 --> 00:01:57,600 Speaker 1: kind of stars, so you're sort of picking the movie. 34 00:01:57,800 --> 00:02:01,000 Speaker 1: I'm talking about carnal desire. I'm saying, do you suck 35 00:02:01,040 --> 00:02:04,560 Speaker 1: Ashton or do you suck Justin Timberlake Ashton? And I 36 00:02:04,600 --> 00:02:07,120 Speaker 1: know your answer is actually Ashton once and for all, 37 00:02:07,160 --> 00:02:09,880 Speaker 1: because we've talked about on this podcast how Justin the 38 00:02:09,919 --> 00:02:13,880 Speaker 1: stock really plummeted after a certain age. Listen, sometimes with sex, 39 00:02:14,240 --> 00:02:16,280 Speaker 1: this is actually was a rotal culture. I'll get to it. 40 00:02:16,320 --> 00:02:19,639 Speaker 1: But sometimes with sex it doesn't even matter, like, I 41 00:02:19,680 --> 00:02:22,000 Speaker 1: think that in my head I would rather have sex 42 00:02:22,040 --> 00:02:24,160 Speaker 1: with Justin Timberlake. I think it will be better than 43 00:02:24,240 --> 00:02:27,800 Speaker 1: sex with Ashton Kutcher. I mean, the only person who 44 00:02:27,880 --> 00:02:30,360 Speaker 1: might who is the closest to knowing that would be 45 00:02:30,400 --> 00:02:33,360 Speaker 1: Mela Cunas. I think for simulating sex on screen with 46 00:02:33,440 --> 00:02:36,200 Speaker 1: Justin and for actually having sex, well, I don't know. 47 00:02:36,040 --> 00:02:38,760 Speaker 1: I wonder. I feel like she picked, she made she 48 00:02:38,840 --> 00:02:41,480 Speaker 1: made her choice, and she made her choice. Oh, you're 49 00:02:41,520 --> 00:02:43,200 Speaker 1: you're saying there's there's definitely people out there. We've had 50 00:02:43,200 --> 00:02:45,480 Speaker 1: sex with both of them. Absolutely Well, No, No, I'm 51 00:02:45,480 --> 00:02:48,120 Speaker 1: wondering about Mila and Justin. I'm just saying things happen 52 00:02:48,200 --> 00:02:50,720 Speaker 1: on the set. In fact, I was thinking about this. 53 00:02:50,800 --> 00:02:52,920 Speaker 1: I was like, if you're doing a sex scene with 54 00:02:52,960 --> 00:02:56,280 Speaker 1: someone and it's like pretty much the whole movie, you 55 00:02:56,440 --> 00:02:59,400 Speaker 1: probably just fuck him, right, I mean, if it's consensual 56 00:02:59,440 --> 00:03:02,639 Speaker 1: and everyone's good with it. I don't know, how can 57 00:03:02,680 --> 00:03:05,720 Speaker 1: I tell you something? You can tell me anything. I 58 00:03:05,760 --> 00:03:10,880 Speaker 1: am being put in the position of having a romantic 59 00:03:10,960 --> 00:03:15,320 Speaker 1: interest in in a fictional setting and in a in 60 00:03:15,320 --> 00:03:18,760 Speaker 1: a sitting, you know, in a controlled environment such as 61 00:03:18,800 --> 00:03:21,280 Speaker 1: a movie set, and I think and it's really it's 62 00:03:21,280 --> 00:03:24,040 Speaker 1: I think it's my first real experience with it, and 63 00:03:24,080 --> 00:03:27,399 Speaker 1: I think and the lines do get very blurry, even 64 00:03:27,400 --> 00:03:30,160 Speaker 1: though the boundaries are very very very clear to me. 65 00:03:31,000 --> 00:03:34,680 Speaker 1: I'm like, oh, but it's so strange to like shift 66 00:03:34,800 --> 00:03:38,920 Speaker 1: gears between realities and that is very very disorientating. And 67 00:03:38,920 --> 00:03:42,400 Speaker 1: I understand why you got Miila and Ashton together. Why 68 00:03:42,680 --> 00:03:46,840 Speaker 1: benefits as an enduring thing? Why you know, why is 69 00:03:46,960 --> 00:03:50,440 Speaker 1: Endemoelina Brangelina? Why is in day dates all of her 70 00:03:50,640 --> 00:03:54,560 Speaker 1: you know, romantic interests. And I'm like, I really, I don't. 71 00:03:54,600 --> 00:03:56,880 Speaker 1: I don't relate to them really, but I think it 72 00:03:56,960 --> 00:03:58,800 Speaker 1: makes more sense to me the more time goes on. 73 00:03:58,960 --> 00:04:01,480 Speaker 1: Look as someone who's being put in a similar situation, 74 00:04:01,640 --> 00:04:05,640 Speaker 1: I also can confirm the lines do blur and it's fun, okay. 75 00:04:05,720 --> 00:04:09,040 Speaker 1: And also, chemistry is hard to come by. Chemistry is 76 00:04:09,080 --> 00:04:12,280 Speaker 1: not just something that just that just walks along. And 77 00:04:12,280 --> 00:04:16,960 Speaker 1: also tone, I know it and so listen, all I'm 78 00:04:17,000 --> 00:04:19,880 Speaker 1: saying is and it's sort of it's sort of comes 79 00:04:19,920 --> 00:04:23,039 Speaker 1: back around to a discussion we once had about you know, 80 00:04:23,160 --> 00:04:27,720 Speaker 1: we're also dealing with actors who famously, you know, they 81 00:04:27,760 --> 00:04:31,080 Speaker 1: they have like their little moments of narcissism, and when 82 00:04:31,800 --> 00:04:34,680 Speaker 1: shines their light on you, it's easy to you know, 83 00:04:34,960 --> 00:04:38,800 Speaker 1: be susceptible to that, and there's something romantic about it. 84 00:04:39,000 --> 00:04:41,200 Speaker 1: I thought about that idea a lot ever since one 85 00:04:41,279 --> 00:04:45,480 Speaker 1: miss Busy Phillips introduced that concept into the discussion between us. 86 00:04:45,720 --> 00:04:47,560 Speaker 1: I was like, I've never thought, I told my I 87 00:04:47,560 --> 00:04:49,080 Speaker 1: told the guy who cuts my hair that says, like, 88 00:04:49,080 --> 00:04:53,120 Speaker 1: you know, someone recently told me Busy Phillips, Uh, you 89 00:04:53,160 --> 00:04:55,600 Speaker 1: know what narcissism means in this context. He was like, 90 00:04:55,720 --> 00:04:59,039 Speaker 1: that makes so much sense totally, because really what it 91 00:04:59,160 --> 00:05:04,280 Speaker 1: is is nar desists want external validation of what they 92 00:05:04,279 --> 00:05:06,800 Speaker 1: are pretty sure it's true internally, which is that they're 93 00:05:06,800 --> 00:05:10,280 Speaker 1: the best, and so they'll go to extreme length. I've 94 00:05:10,320 --> 00:05:12,880 Speaker 1: thought about this a lot too since Busy said that, 95 00:05:13,200 --> 00:05:15,360 Speaker 1: aren't and and like and like and t v H. 96 00:05:15,760 --> 00:05:18,040 Speaker 1: I've had to self examine and be like, have I 97 00:05:18,120 --> 00:05:20,000 Speaker 1: done that? And I feel like, to some degree in 98 00:05:20,040 --> 00:05:23,719 Speaker 1: some instances, I've done that. Every now and then absolutely 99 00:05:24,160 --> 00:05:29,400 Speaker 1: I'm agreeing that you have probably no no, no, but yeah, 100 00:05:29,440 --> 00:05:33,119 Speaker 1: because I think it's also like, you know, when when 101 00:05:33,200 --> 00:05:37,239 Speaker 1: you want someone to like you like you do the most, 102 00:05:37,279 --> 00:05:39,320 Speaker 1: you go for it as in the words and the 103 00:05:39,360 --> 00:05:43,360 Speaker 1: words of control. We go for it, go for it. 104 00:05:43,560 --> 00:05:47,719 Speaker 1: And I would say, I told you my New Housewives tagline, Yes, 105 00:05:48,200 --> 00:05:51,479 Speaker 1: it's so funny. Tell me to telerators from the coast 106 00:05:51,720 --> 00:05:54,680 Speaker 1: to the coast. I'll be doing the most. I didn't 107 00:05:54,680 --> 00:05:56,800 Speaker 1: know you have not told me that one. Oh, what's 108 00:05:56,800 --> 00:05:59,440 Speaker 1: the one I told you? I mean, I've I've found 109 00:05:59,440 --> 00:06:01,680 Speaker 1: it so funny I broadcasted to the world on my 110 00:06:01,720 --> 00:06:05,479 Speaker 1: story is which is over text you Housewives tagline I'm 111 00:06:05,520 --> 00:06:10,719 Speaker 1: looking for a husband plural. I'm looking for a husband plural. 112 00:06:11,480 --> 00:06:13,640 Speaker 1: And that's of course I also have one. I have 113 00:06:13,680 --> 00:06:16,960 Speaker 1: another one, which is um, I'm a triple threat. I'm 114 00:06:16,960 --> 00:06:19,920 Speaker 1: gonna kill you. I'm gonna kill you. I'm gonna kill you. 115 00:06:20,720 --> 00:06:24,320 Speaker 1: I'm really good. I really famously have never had one, 116 00:06:24,320 --> 00:06:27,599 Speaker 1: will never find one. I'm too scared to find one. Well, 117 00:06:27,680 --> 00:06:29,920 Speaker 1: let's talk about what yours. No, No, I don't want 118 00:06:29,920 --> 00:06:31,520 Speaker 1: to do this. I don't want to do this. I 119 00:06:31,520 --> 00:06:34,520 Speaker 1: feel like I had one time last summer, um when 120 00:06:34,560 --> 00:06:37,040 Speaker 1: I was hanging out with you and Joel. I remember 121 00:06:37,040 --> 00:06:38,440 Speaker 1: coming up with one that I was really happy with 122 00:06:38,480 --> 00:06:40,400 Speaker 1: and then it just fully escaped me. And that I 123 00:06:40,440 --> 00:06:42,360 Speaker 1: have a good one for you. I don't want you 124 00:06:42,400 --> 00:06:44,120 Speaker 1: to give you can't give it to me? Yes, I 125 00:06:44,160 --> 00:06:46,400 Speaker 1: can you think that You think that housewives don't get 126 00:06:46,440 --> 00:06:48,760 Speaker 1: pitched taglines. You think they all are in a writer's 127 00:06:48,839 --> 00:06:52,200 Speaker 1: room doing that a creative person. I want to come 128 00:06:52,240 --> 00:06:54,400 Speaker 1: up with it on my own. But but I'll hear 129 00:06:54,400 --> 00:06:58,040 Speaker 1: a pitch. What what is that? Here's my pitch for you. Okay, 130 00:06:59,160 --> 00:07:05,799 Speaker 1: live from New York, it's me everywhere, everywhere, all the time, 131 00:07:06,200 --> 00:07:10,680 Speaker 1: or or live from New York, it's me all over 132 00:07:10,720 --> 00:07:14,600 Speaker 1: the world. It's really good, really good because it has 133 00:07:14,640 --> 00:07:17,960 Speaker 1: to be. And this is this is what I love. Well. 134 00:07:17,960 --> 00:07:21,080 Speaker 1: The rubric is interception between smart and stupid. And that 135 00:07:21,240 --> 00:07:24,240 Speaker 1: is and that is what you that that is your 136 00:07:25,120 --> 00:07:28,040 Speaker 1: that is where you shine. There's really no one better 137 00:07:28,040 --> 00:07:31,680 Speaker 1: who doesn't I really, I really, I really truly believe that. 138 00:07:31,920 --> 00:07:34,640 Speaker 1: Can we just get just can we just um talk 139 00:07:34,680 --> 00:07:39,280 Speaker 1: about what's happening? You know, me and Matt are oh yeah, yeah, ill, 140 00:07:39,600 --> 00:07:42,960 Speaker 1: well it's not and and just in the boring way 141 00:07:43,040 --> 00:07:48,800 Speaker 1: of delayed gate like late wave gay cold, like like 142 00:07:49,040 --> 00:07:53,600 Speaker 1: long gay cold. You say long COVID persistent cold, persistent 143 00:07:53,960 --> 00:07:57,080 Speaker 1: persistent cough. And the tests keep coming back. The COVID 144 00:07:57,120 --> 00:08:00,360 Speaker 1: tests keep coming back negative neg neg net. I mean, 145 00:08:00,400 --> 00:08:02,320 Speaker 1: they just keep rolling in negative. But I don't know 146 00:08:02,320 --> 00:08:05,239 Speaker 1: about you, but for me, it's been like two months 147 00:08:05,360 --> 00:08:09,520 Speaker 1: almost oh no. And I thought I was in the 148 00:08:09,520 --> 00:08:13,480 Speaker 1: clear last week and then weirdly enough, I get this 149 00:08:13,600 --> 00:08:17,320 Speaker 1: bizarre cold again and it's a productive card. Sorry, so 150 00:08:17,520 --> 00:08:20,520 Speaker 1: that means not COVID. And also I keep getting COVID tests. 151 00:08:20,720 --> 00:08:23,440 Speaker 1: I did go to the doctor today, and I also 152 00:08:23,520 --> 00:08:26,640 Speaker 1: want to say shout out to the Dock because he's 153 00:08:26,680 --> 00:08:30,400 Speaker 1: a listener. And I went to the doctor today and 154 00:08:30,480 --> 00:08:32,840 Speaker 1: he did say, oh, yeah, we've been seeing a lot 155 00:08:33,200 --> 00:08:37,040 Speaker 1: and his eyes widened of those in terms of positive 156 00:08:37,480 --> 00:08:41,160 Speaker 1: COVID cases of the vaccinated. So I guess my whole 157 00:08:41,200 --> 00:08:44,400 Speaker 1: thing is just like I don't know. I know everyone 158 00:08:44,480 --> 00:08:46,840 Speaker 1: was annoyed about the masks indoors, but like I'm like 159 00:08:46,920 --> 00:08:50,079 Speaker 1: hosting shows again, I'm doing things. But then it's also 160 00:08:50,160 --> 00:08:54,720 Speaker 1: like you can't be testing positive and then work like 161 00:08:54,960 --> 00:08:57,320 Speaker 1: I'm about to do a job, and so now I'm 162 00:08:57,360 --> 00:09:00,360 Speaker 1: just kind of like, am I quarantining again? You've got 163 00:09:00,360 --> 00:09:02,880 Speaker 1: big things on the schedule, bo, We've got big things 164 00:09:02,960 --> 00:09:05,720 Speaker 1: on the schedule now, And I gotta I gotta be careful. 165 00:09:05,880 --> 00:09:09,160 Speaker 1: I gotta be careful. Well, should we tell the readers 166 00:09:09,200 --> 00:09:15,160 Speaker 1: what we're doing. Sure, we're going to see Gaga and Tony. 167 00:09:15,360 --> 00:09:17,440 Speaker 1: We're seeing Gaga and Tony. We're gonna wear masks the 168 00:09:17,440 --> 00:09:20,240 Speaker 1: whole time now at very a city. That's that that 169 00:09:20,240 --> 00:09:22,040 Speaker 1: that is what we can you and I can agree upon. 170 00:09:22,200 --> 00:09:25,960 Speaker 1: Oh absolutely. I wasn't sure how you were feeling about that, 171 00:09:26,040 --> 00:09:28,920 Speaker 1: because I was like, because, can I be totally honest 172 00:09:28,960 --> 00:09:31,559 Speaker 1: with you? My default mode going in was I'm not 173 00:09:31,559 --> 00:09:34,160 Speaker 1: going to wear a mask. Yeah, but as students. But 174 00:09:34,200 --> 00:09:35,840 Speaker 1: you and I checked in earlier today and you were like, 175 00:09:36,240 --> 00:09:38,320 Speaker 1: I know we're going and I'm gonna wear a mask 176 00:09:38,360 --> 00:09:40,200 Speaker 1: the whole time. It was like, of course, and I 177 00:09:40,200 --> 00:09:43,000 Speaker 1: will do the same. Well. I think that everyone should 178 00:09:43,000 --> 00:09:45,600 Speaker 1: make their own decision. I think if you're comfortable being 179 00:09:45,640 --> 00:09:48,960 Speaker 1: there and like like in New York, is not mandating 180 00:09:49,000 --> 00:09:53,080 Speaker 1: mess indoors, Like, let's just say this without saying too much. 181 00:09:53,200 --> 00:09:56,120 Speaker 1: I think you have less to lose than I do. 182 00:09:56,200 --> 00:09:59,040 Speaker 1: Like I think, true, no, if I test positive, I'm 183 00:09:59,040 --> 00:10:02,040 Speaker 1: going to lose a job that you will not lose. 184 00:10:02,480 --> 00:10:05,440 Speaker 1: So I think like for me, it's just like I'm 185 00:10:05,440 --> 00:10:08,760 Speaker 1: gonna go extra careful and don't feel the need to 186 00:10:08,800 --> 00:10:10,760 Speaker 1: wear the mask because of me. The only reason I'm 187 00:10:10,800 --> 00:10:15,920 Speaker 1: even going is because feel No, it's not I'm not 188 00:10:15,960 --> 00:10:18,200 Speaker 1: wearing the mask. I hate that it took you to 189 00:10:18,200 --> 00:10:22,960 Speaker 1: get me to wear the mask, but I feel like, um, 190 00:10:23,000 --> 00:10:26,679 Speaker 1: it is the right thing to do in that situation. 191 00:10:26,800 --> 00:10:29,480 Speaker 1: I think that if I'm if I'm just basing it 192 00:10:29,840 --> 00:10:32,719 Speaker 1: based on what I'm seeing and how I'm feeling, Like, 193 00:10:32,920 --> 00:10:34,880 Speaker 1: it's not a big deal for me to wear wear 194 00:10:34,920 --> 00:10:38,360 Speaker 1: a mask inside at an event like this. We've all 195 00:10:38,400 --> 00:10:40,160 Speaker 1: we've all done it. We've all worn a mask for 196 00:10:40,240 --> 00:10:42,800 Speaker 1: hours and hours and hours. Yes, So the outrage about 197 00:10:42,800 --> 00:10:45,080 Speaker 1: wearing masks again, I don't really get because it's like, 198 00:10:45,120 --> 00:10:47,440 Speaker 1: you can see that pick cases are going up, Why 199 00:10:47,480 --> 00:10:50,160 Speaker 1: don't we just like take take the extra step, like 200 00:10:50,200 --> 00:10:51,720 Speaker 1: we've done it for this long, we can do it 201 00:10:51,720 --> 00:10:54,840 Speaker 1: for a little bit longer. Because I don't know, I'm like, 202 00:10:55,040 --> 00:10:58,000 Speaker 1: I'm still optimistic about the whole thing, Like, I know 203 00:10:58,080 --> 00:11:00,440 Speaker 1: it's awful that cases are going up, but I genuinely 204 00:11:00,520 --> 00:11:03,320 Speaker 1: feel like this will get more people vaccinated because they'll 205 00:11:03,320 --> 00:11:05,720 Speaker 1: see the severity of the situation. I'm an optimist like 206 00:11:05,760 --> 00:11:10,360 Speaker 1: that perhaps um too much so, but I just could 207 00:11:10,480 --> 00:11:15,040 Speaker 1: not imagine not going to this because it's gonna be history. 208 00:11:15,120 --> 00:11:18,880 Speaker 1: It's gonna be history. I mean, it's likely Tony Bennett's 209 00:11:18,960 --> 00:11:23,400 Speaker 1: last one, last time. It's it's it's it's a little 210 00:11:23,800 --> 00:11:29,160 Speaker 1: self awarely sad. It's sad. It's sad, and you know, 211 00:11:29,720 --> 00:11:34,120 Speaker 1: and Tony Bennett what an icon, I mean, like one 212 00:11:34,160 --> 00:11:37,640 Speaker 1: of the few like can you can you can we 213 00:11:37,720 --> 00:11:41,679 Speaker 1: actually say, I know we're biased because we love Gaga, 214 00:11:41,920 --> 00:11:45,120 Speaker 1: but in hindsight, cheek to cheek is like what a 215 00:11:45,240 --> 00:11:48,480 Speaker 1: what a fucking amazing thing that Gaga did and they 216 00:11:48,520 --> 00:11:52,000 Speaker 1: both did, but like a create a lot of perceived 217 00:11:52,360 --> 00:11:55,880 Speaker 1: wild career move from Gaga back then that everyone was like, 218 00:11:55,920 --> 00:11:58,640 Speaker 1: what what the funk is she doing? But it's like, 219 00:11:59,320 --> 00:12:02,040 Speaker 1: I think it is very well and it like it 220 00:12:02,120 --> 00:12:06,319 Speaker 1: really puts Gaga and like this crazy and this different 221 00:12:06,520 --> 00:12:09,360 Speaker 1: you know Echalon as a performer. This is pre Star 222 00:12:09,480 --> 00:12:11,920 Speaker 1: is Born, mind you and now like in the post 223 00:12:11,920 --> 00:12:16,000 Speaker 1: Stars Born sort of you know, stretch of Gaga's career, 224 00:12:16,000 --> 00:12:18,679 Speaker 1: it's like it all made sense, all of it, all 225 00:12:18,720 --> 00:12:20,800 Speaker 1: of it's still made all, all of it holds up 226 00:12:21,800 --> 00:12:24,679 Speaker 1: on an artistic level. And I just I just think 227 00:12:24,720 --> 00:12:27,680 Speaker 1: it's really special. And you know that I was blasting 228 00:12:27,720 --> 00:12:29,960 Speaker 1: cheek to cheek when it came out. I was singing 229 00:12:30,160 --> 00:12:32,320 Speaker 1: Gaga's version of Bang Bang my Baby Shot Me Down, 230 00:12:32,720 --> 00:12:36,600 Speaker 1: and behold, it's really when when Bow and Yang sings 231 00:12:37,040 --> 00:12:40,240 Speaker 1: bang Bang my Baby Shot Me Down version, the Gaga 232 00:12:40,320 --> 00:12:43,480 Speaker 1: version with Henry Koperski accompanying, I mean, it's truly. I 233 00:12:43,480 --> 00:12:46,280 Speaker 1: feel bad for everyone that hasn't seen it, but I will, 234 00:12:46,480 --> 00:12:48,800 Speaker 1: I will, I will say this. And you were really 235 00:12:48,840 --> 00:12:50,760 Speaker 1: doing this, doing the rounds with it too. There for 236 00:12:50,800 --> 00:12:52,800 Speaker 1: a while, I was like, when I got to the piano, 237 00:12:52,840 --> 00:12:55,240 Speaker 1: we were all like already waiting for it to happen. 238 00:12:56,200 --> 00:12:57,960 Speaker 1: I never could figure out, like and I when when 239 00:12:57,960 --> 00:13:00,280 Speaker 1: Henry was doing that, I could. I never could figure 240 00:13:00,280 --> 00:13:02,360 Speaker 1: out like an iconic song because you had a lot, 241 00:13:02,400 --> 00:13:05,319 Speaker 1: because you had a lot of great you you succeeded 242 00:13:05,360 --> 00:13:07,319 Speaker 1: in a lot of ways. Do you know what song 243 00:13:07,400 --> 00:13:11,440 Speaker 1: I loved doing was Foolish Games by Jewel because I 244 00:13:11,480 --> 00:13:15,480 Speaker 1: like to bring the drama. You need something dramatic, m 245 00:13:15,679 --> 00:13:19,960 Speaker 1: hm um. But anyway, just circling back to um, cheek 246 00:13:20,040 --> 00:13:22,920 Speaker 1: the cheek, I think like it was it was even more. 247 00:13:23,280 --> 00:13:27,199 Speaker 1: I think in doing that, she shocked everyone and surprised 248 00:13:27,200 --> 00:13:31,240 Speaker 1: everyone more than anything she could have done on art pop. 249 00:13:31,520 --> 00:13:33,520 Speaker 1: Like in terms of the content of art pop, it 250 00:13:33,600 --> 00:13:36,960 Speaker 1: was like we were prepared for a song called like swine, 251 00:13:37,120 --> 00:13:38,920 Speaker 1: you know what I mean, we were prepared for all 252 00:13:39,000 --> 00:13:41,200 Speaker 1: of it. Like you could even say, like it wasn't 253 00:13:41,280 --> 00:13:43,640 Speaker 1: like I when I heard she like like got vomited 254 00:13:43,679 --> 00:13:46,520 Speaker 1: on or whatever during the promo, was like, that didn't 255 00:13:46,559 --> 00:13:49,000 Speaker 1: surprise me as much as her doing an entire like 256 00:13:49,120 --> 00:13:51,400 Speaker 1: standards album with Tony Bennett. I was like, Wow, what 257 00:13:51,520 --> 00:13:56,280 Speaker 1: an interesting move, what an interesting musical flex. And then 258 00:13:56,360 --> 00:14:00,240 Speaker 1: I think that really set the tone for her being 259 00:14:00,320 --> 00:14:02,880 Speaker 1: this like you know, new queen of reinvention in the 260 00:14:02,880 --> 00:14:05,240 Speaker 1: way that she is, and it just showed that there 261 00:14:05,240 --> 00:14:10,840 Speaker 1: were so many like hands that she hadn't like shown yet, 262 00:14:10,960 --> 00:14:13,600 Speaker 1: you know what I mean. I still think she's got tricks, 263 00:14:13,880 --> 00:14:19,200 Speaker 1: I really do. I one thousand percent agree. I feel 264 00:14:19,200 --> 00:14:21,400 Speaker 1: like she's never She's never going to be someone that 265 00:14:21,440 --> 00:14:24,840 Speaker 1: people aren't going to be interested in with what she's doing. 266 00:14:25,000 --> 00:14:27,560 Speaker 1: You know, Yes, I used to say that about her 267 00:14:27,560 --> 00:14:29,600 Speaker 1: when I wasn't like a Gaga stand which I really 268 00:14:29,640 --> 00:14:32,040 Speaker 1: am now, like and especially I don't know I've said 269 00:14:32,080 --> 00:14:34,320 Speaker 1: this before on this podcast, but I do believe it's true. 270 00:14:34,640 --> 00:14:37,240 Speaker 1: Like I think for people that are still having problems 271 00:14:37,240 --> 00:14:40,640 Speaker 1: with their identity, Gaga is tough. Like I think people 272 00:14:40,720 --> 00:14:45,359 Speaker 1: that like um, people that don't love themselves don't love Gaga. 273 00:14:45,600 --> 00:14:47,960 Speaker 1: And then when you're really ready to love yourself, you're 274 00:14:47,960 --> 00:14:49,560 Speaker 1: ready to come out and say how much you love 275 00:14:49,560 --> 00:14:52,760 Speaker 1: Gaga because you do. I don't disagree. I don't disagree. 276 00:14:52,760 --> 00:14:55,040 Speaker 1: I think that's a huge statement, but I don't disagree. 277 00:14:55,120 --> 00:14:57,840 Speaker 1: I think if you don't love Gaga, don't love yourself. 278 00:14:58,320 --> 00:15:00,640 Speaker 1: And as a rule of culture, a number one if 279 00:15:00,640 --> 00:15:05,240 Speaker 1: you don't love you, don't don't love yourself, because love 280 00:15:05,320 --> 00:15:08,160 Speaker 1: and hate our binary. If you don't love yourself, then 281 00:15:08,200 --> 00:15:14,360 Speaker 1: you hate yourself. Yeah, if you hate Gaga, you hate yourself. Honestly, 282 00:15:14,440 --> 00:15:18,000 Speaker 1: I remember when she came out with like um, like 283 00:15:18,040 --> 00:15:20,320 Speaker 1: I was remember like when Applause and Roar came out 284 00:15:20,360 --> 00:15:23,480 Speaker 1: like truly with him Act, and I was on the 285 00:15:23,520 --> 00:15:26,680 Speaker 1: other side, I was like, it's Gaga. Meanwhile, now it's like, 286 00:15:26,720 --> 00:15:30,120 Speaker 1: in retrospect, we can appreciate that, like Roar is a 287 00:15:30,160 --> 00:15:34,360 Speaker 1: good pop song, but but Applause is like a statement. 288 00:15:34,440 --> 00:15:38,760 Speaker 1: Applause is art, applause is art pop. That whole albums 289 00:15:38,800 --> 00:15:41,280 Speaker 1: that whole album. No, Okay, So everyone now, of course 290 00:15:41,320 --> 00:15:43,080 Speaker 1: it is like, oh my god, justice for art pop, 291 00:15:43,160 --> 00:15:47,480 Speaker 1: which I love. I embrace this movement, but everyone needs 292 00:15:47,520 --> 00:15:50,320 Speaker 1: to really read up on the promo period cycle of 293 00:15:50,360 --> 00:15:54,200 Speaker 1: that album, which was chaotic. But also that was the point. 294 00:15:54,200 --> 00:15:56,640 Speaker 1: It was her at the fucking it was that swine Fest, 295 00:15:56,640 --> 00:15:58,600 Speaker 1: which is the iTunes music festival, where she you know, 296 00:15:58,680 --> 00:16:01,480 Speaker 1: kind of wet nuts, and then sat by Southwestern was 297 00:16:01,520 --> 00:16:03,160 Speaker 1: where she she was vomited it on, and then she 298 00:16:03,440 --> 00:16:06,240 Speaker 1: did the keynote and in a trash bag in great 299 00:16:06,280 --> 00:16:09,680 Speaker 1: dreads and talked about how the music industry is broken 300 00:16:09,720 --> 00:16:12,680 Speaker 1: and how record labels were evil, and then and then 301 00:16:12,800 --> 00:16:14,960 Speaker 1: and you rewind, you rewind, and you go back to 302 00:16:15,640 --> 00:16:19,200 Speaker 1: her doing all the Marina Abrama Vick stuff, like like 303 00:16:19,280 --> 00:16:21,400 Speaker 1: the video of her like doing the Upstate Retreat where 304 00:16:21,400 --> 00:16:23,800 Speaker 1: she's like her tits are out and she's wearing like 305 00:16:23,800 --> 00:16:26,400 Speaker 1: like a blindfold with cones coming on the eyes, and 306 00:16:26,400 --> 00:16:28,360 Speaker 1: then it's just her and then it cuts to her 307 00:16:28,480 --> 00:16:30,880 Speaker 1: lying down on the floor inside some building and she goes, 308 00:16:33,200 --> 00:16:36,440 Speaker 1: you know, she went, she spent like a whole week 309 00:16:37,080 --> 00:16:40,080 Speaker 1: like off the grid with Marina, like doing this whole 310 00:16:40,160 --> 00:16:44,520 Speaker 1: artistic retreat, and like she's committed to this idea of 311 00:16:44,800 --> 00:16:49,360 Speaker 1: art pop and it's so powerful and it's it's really 312 00:16:49,520 --> 00:16:52,440 Speaker 1: it's it's it's something that when she's like, you know 313 00:16:52,440 --> 00:16:55,760 Speaker 1: what I appreciated when she came out as a helicopter. Yes, 314 00:16:56,040 --> 00:16:58,000 Speaker 1: I was like, she came out and she said, I'm 315 00:16:58,040 --> 00:17:02,240 Speaker 1: the first human helicopter and she barely lifted off the ground. 316 00:17:02,400 --> 00:17:04,840 Speaker 1: And honestly, at the time, I was like, this person 317 00:17:04,880 --> 00:17:08,560 Speaker 1: has completely off their rock or flop. But looking back, 318 00:17:08,600 --> 00:17:12,600 Speaker 1: I'm like, no, every moment of this was art pop. 319 00:17:13,000 --> 00:17:17,360 Speaker 1: It was perfect. It was the artist as pop art. 320 00:17:17,680 --> 00:17:19,840 Speaker 1: It was it was it was speaking to each other 321 00:17:19,880 --> 00:17:22,000 Speaker 1: in a way that yes, you could barely understand it, 322 00:17:22,040 --> 00:17:25,399 Speaker 1: but that is the point that it was or scotch 323 00:17:26,680 --> 00:17:32,560 Speaker 1: and then she could be anything wor shack could be 324 00:17:32,640 --> 00:17:35,640 Speaker 1: pronounced anyway. Yeah, you know what, You're right, I am 325 00:17:35,720 --> 00:17:37,840 Speaker 1: art pop, you are art poppy, you are the coons 326 00:17:37,880 --> 00:17:40,199 Speaker 1: as you And then her speaking of which working with 327 00:17:40,280 --> 00:17:43,720 Speaker 1: Jeff like that was such a crazy move and like 328 00:17:43,760 --> 00:17:47,520 Speaker 1: Jeff Counts is very controversial, but like she like was 329 00:17:47,640 --> 00:17:50,399 Speaker 1: fully committed to that idea of like, no, I'm gonna 330 00:17:50,960 --> 00:17:53,680 Speaker 1: have a Jeff Coon sculpture made made for me with 331 00:17:53,720 --> 00:17:57,000 Speaker 1: the blue orb and like it's just all of it 332 00:17:57,080 --> 00:18:00,560 Speaker 1: was so I don't know. I just I you you 333 00:18:00,840 --> 00:18:02,840 Speaker 1: everyone knows how I feel about Gaga. I just had 334 00:18:02,880 --> 00:18:04,920 Speaker 1: my Born this Way Tent anniversary shirt coming the mail 335 00:18:04,960 --> 00:18:07,800 Speaker 1: that I ordered like two months ago. I just I 336 00:18:07,840 --> 00:18:10,720 Speaker 1: will always love her and I'm so excited to see 337 00:18:10,800 --> 00:18:14,280 Speaker 1: her with my sister. It's gonna be hope, don't get 338 00:18:14,320 --> 00:18:17,080 Speaker 1: cod And that's but I think if I get it 339 00:18:17,160 --> 00:18:20,639 Speaker 1: from like Gaga somehow, that's actually fine. But the thing is, 340 00:18:20,680 --> 00:18:22,840 Speaker 1: like the cheek to cheek out of art pop makes 341 00:18:22,880 --> 00:18:25,159 Speaker 1: perfect sense to me because then she was fully committed 342 00:18:25,200 --> 00:18:28,880 Speaker 1: to that and then she stars Born makes total sense too. Well, 343 00:18:28,880 --> 00:18:31,199 Speaker 1: there was Joanne first, right, oh no, I'm but I'm 344 00:18:31,240 --> 00:18:34,320 Speaker 1: sorry it was chicken to Joanne. It it actually makes 345 00:18:34,320 --> 00:18:36,680 Speaker 1: even more sense because you get the sense that it's 346 00:18:36,680 --> 00:18:38,920 Speaker 1: like all barreling towards something, you know what I mean. 347 00:18:39,240 --> 00:18:41,840 Speaker 1: And like there was that like country nous of a 348 00:18:41,920 --> 00:18:45,879 Speaker 1: Star is Born, which felt informed by Joanne, Like and 349 00:18:45,920 --> 00:18:48,840 Speaker 1: I don't know, people hate on Joanne, but I love Joanne, Oh, 350 00:18:48,840 --> 00:18:53,159 Speaker 1: I listened to prayer, How dare you? I just feel like, 351 00:18:53,200 --> 00:18:55,680 Speaker 1: if you, if you're a Gaga fan, if you're a 352 00:18:55,760 --> 00:18:58,080 Speaker 1: little monster, and you're like, but we all don't, but 353 00:18:58,080 --> 00:19:00,400 Speaker 1: but we all know Joanne, dot dot dot shut out, 354 00:19:00,640 --> 00:19:02,760 Speaker 1: keep you shut up, shut keep your mouth shut, and 355 00:19:02,760 --> 00:19:05,879 Speaker 1: go watch the John Wayne video, which is the spiritstual 356 00:19:05,920 --> 00:19:09,320 Speaker 1: success or to Telephone in Paparazzi. It is the third 357 00:19:09,320 --> 00:19:13,600 Speaker 1: installment of the Jonahs Soccerlan directed Gaga music videos. I 358 00:19:13,640 --> 00:19:16,719 Speaker 1: believe I love when she's riding, when she's riding on 359 00:19:16,760 --> 00:19:19,040 Speaker 1: that horse and she hits that tree branch. To me, 360 00:19:19,119 --> 00:19:22,760 Speaker 1: that's comedy. Oh, it's pure comedy. She's a zombie in 361 00:19:22,800 --> 00:19:24,600 Speaker 1: that music here. She's not a zombie in any other 362 00:19:24,680 --> 00:19:27,639 Speaker 1: music video. It's it's really incredible. That is that is 363 00:19:27,720 --> 00:19:30,640 Speaker 1: christ like and that is still a Catholic imagery. This 364 00:19:30,680 --> 00:19:34,400 Speaker 1: girl is amazing. I love that girl. Amazing, this girl, 365 00:19:34,520 --> 00:19:36,119 Speaker 1: this girl's amazing. And the words of Gwen Stefani to 366 00:19:36,119 --> 00:19:38,600 Speaker 1: Celine Dione, I love this girl. I love this girl. 367 00:19:38,760 --> 00:19:41,160 Speaker 1: I love this girl right here. This girl is crazy. 368 00:19:41,880 --> 00:19:44,920 Speaker 1: Love this girl. I love this girl. By the way, 369 00:19:45,000 --> 00:19:48,439 Speaker 1: congrats on the wedding. Blake and Gwen Blake and Gwen, congrats, 370 00:19:48,560 --> 00:19:50,760 Speaker 1: congrats on the big wedding. What did you see that? 371 00:19:50,840 --> 00:19:52,960 Speaker 1: By the way, speaking of Blake, did you see the 372 00:19:53,000 --> 00:19:57,920 Speaker 1: promos with Ariana? Promo of Ariana shooting the voice promo, 373 00:19:58,080 --> 00:20:01,440 Speaker 1: she wrote a very emotional post about how yeah, she's 374 00:20:01,520 --> 00:20:03,879 Speaker 1: like so excited to do it, and she's like, I'm 375 00:20:03,920 --> 00:20:05,840 Speaker 1: already thinking about the people I have to say goodbye 376 00:20:05,880 --> 00:20:08,320 Speaker 1: to when we haven't even started doing anything, and I'm like, 377 00:20:08,480 --> 00:20:13,120 Speaker 1: this girl is into it. I'm excited. You know that 378 00:20:13,240 --> 00:20:16,360 Speaker 1: she is that girl because here's the thing about Arianna Florida. 379 00:20:16,440 --> 00:20:20,159 Speaker 1: She's Florida. She's a Disney gay bitch. Ariana Grannie is 380 00:20:20,200 --> 00:20:24,119 Speaker 1: a Disney gay. It's real culture number seventy one, a 381 00:20:24,280 --> 00:20:27,840 Speaker 1: Disney gay. I have tea about Ariana that she goes 382 00:20:27,880 --> 00:20:31,120 Speaker 1: to Disneyland a lot. I've heard. I've heard this tea 383 00:20:31,280 --> 00:20:34,679 Speaker 1: that she will sometimes just when she one time, she 384 00:20:34,760 --> 00:20:36,600 Speaker 1: like it was like eleven PM and she was like, 385 00:20:36,640 --> 00:20:38,000 Speaker 1: I want to go to Space Mountain. I want to 386 00:20:38,000 --> 00:20:40,320 Speaker 1: go on not to Disneyland. I want to go on 387 00:20:40,359 --> 00:20:43,920 Speaker 1: Space Mountain. And then like like she got driven with 388 00:20:43,960 --> 00:20:46,399 Speaker 1: like you know her you know, seven rings friends or whatever. 389 00:20:46,800 --> 00:20:48,879 Speaker 1: To go to Space Mountain. They wrote it once and 390 00:20:48,880 --> 00:20:51,800 Speaker 1: then they left, and I'm like, that's amazing. I believe 391 00:20:51,880 --> 00:20:54,399 Speaker 1: that some version is of that is true on a deep, 392 00:20:54,640 --> 00:20:57,959 Speaker 1: deep level, like I I don't know, like when I 393 00:20:58,000 --> 00:21:00,520 Speaker 1: see her in Frankie Grande and when I know like 394 00:21:00,560 --> 00:21:02,800 Speaker 1: the Florida nous of it all, and when I know 395 00:21:02,880 --> 00:21:05,119 Speaker 1: that she was a Broadway girl, and when I really 396 00:21:05,320 --> 00:21:08,080 Speaker 1: like think about who she is, I'm like, this girl 397 00:21:08,320 --> 00:21:11,720 Speaker 1: is a Disney gay, and so some it's something about 398 00:21:11,840 --> 00:21:14,920 Speaker 1: Disney gays and there's the science to this. But when 399 00:21:14,920 --> 00:21:17,119 Speaker 1: the voice came out and you got to hit a 400 00:21:17,160 --> 00:21:19,560 Speaker 1: button and the chair would turn. When you hear a 401 00:21:19,600 --> 00:21:22,800 Speaker 1: good singer, she of course wants to hit a button 402 00:21:22,800 --> 00:21:24,880 Speaker 1: and have a chair turn. She was like, oh my god, 403 00:21:24,920 --> 00:21:29,280 Speaker 1: this reminds me of the Haunted Mansion. Like literally literally 404 00:21:29,359 --> 00:21:32,240 Speaker 1: she she watched that show. And I bet Ariana was 405 00:21:32,240 --> 00:21:34,320 Speaker 1: like an American Idol fan when she was little, So 406 00:21:34,400 --> 00:21:37,240 Speaker 1: you know she's probably gagged about Kelly. I mean you're 407 00:21:37,280 --> 00:21:39,480 Speaker 1: talking about like her best friend was Demielvado or like 408 00:21:39,600 --> 00:21:43,720 Speaker 1: they were they were really close. Demielvado stands Kelly. So 409 00:21:43,840 --> 00:21:47,080 Speaker 1: all these young singers like Stan Kelly from when she 410 00:21:47,160 --> 00:21:50,000 Speaker 1: was on American Idol because she was the one like 411 00:21:50,080 --> 00:21:54,119 Speaker 1: for for like suburban girls who were watching American Idol, 412 00:21:54,160 --> 00:21:57,119 Speaker 1: like Kelly is a thing, Kelly is a thing, and 413 00:21:57,200 --> 00:21:59,320 Speaker 1: you and the little shots of the promo you could 414 00:21:59,320 --> 00:22:02,359 Speaker 1: see like Ari really gravitating towards Kelly on the side 415 00:22:02,520 --> 00:22:05,200 Speaker 1: of Demi. Can we just really appreciate I need to 416 00:22:05,240 --> 00:22:07,200 Speaker 1: go back and watch this foot the footage of when 417 00:22:07,240 --> 00:22:11,680 Speaker 1: Demi was X on X Factor with Brittany, like they like, 418 00:22:11,760 --> 00:22:15,200 Speaker 1: we really have to give credit to Demi putting themselves 419 00:22:15,200 --> 00:22:17,480 Speaker 1: in that position when like most of America would have 420 00:22:17,480 --> 00:22:19,920 Speaker 1: been like, who the fund is that girl? Like back 421 00:22:19,920 --> 00:22:21,840 Speaker 1: to that, you know, so it's like that so like 422 00:22:22,280 --> 00:22:25,520 Speaker 1: I don't know, Like Demi has always as another person 423 00:22:25,600 --> 00:22:29,840 Speaker 1: who has always made really interesting career choices. They don't 424 00:22:29,920 --> 00:22:33,720 Speaker 1: always work in the way that we are used to 425 00:22:33,760 --> 00:22:36,880 Speaker 1: like the pop people, the pop the pop gals. Let's 426 00:22:36,920 --> 00:22:40,240 Speaker 1: just say like for for um, for semantic sake, group 427 00:22:41,000 --> 00:22:43,880 Speaker 1: for groupings sake, um uh. This is not to race 428 00:22:44,000 --> 00:22:46,560 Speaker 1: their gender, but anyway, I just I feel like Demi 429 00:22:46,680 --> 00:22:48,840 Speaker 1: is someone who has has always been interesting and we've 430 00:22:48,840 --> 00:22:51,760 Speaker 1: talked about Demi a lot um, but the Demi in 431 00:22:51,800 --> 00:22:53,800 Speaker 1: the X Factor days. I'm like, why need to go 432 00:22:53,840 --> 00:22:56,280 Speaker 1: back and watch them in that because they were doing 433 00:22:56,320 --> 00:22:59,040 Speaker 1: something really um, I don't know, cool and different. I 434 00:22:59,080 --> 00:23:01,760 Speaker 1: don't know, like, well what what it was was. They 435 00:23:01,760 --> 00:23:05,159 Speaker 1: were on with Britney Spears. So I believe that what 436 00:23:05,280 --> 00:23:08,119 Speaker 1: happened was and this is sort of the the way 437 00:23:08,160 --> 00:23:12,200 Speaker 1: that they Brittany, it was something that Jamie made her do. Yeah, 438 00:23:12,960 --> 00:23:15,320 Speaker 1: I think it was just, you know, they thought they 439 00:23:15,320 --> 00:23:17,159 Speaker 1: were going to get something they weren't going to get, 440 00:23:17,200 --> 00:23:20,040 Speaker 1: which is Brittany on a show like that. She she 441 00:23:20,160 --> 00:23:22,960 Speaker 1: doesn't have a big personality, you know what I mean, 442 00:23:23,280 --> 00:23:27,240 Speaker 1: She's not going to hit you with like a big 443 00:23:27,680 --> 00:23:34,679 Speaker 1: um like uh sound bite. But Demi did actually, and 444 00:23:34,720 --> 00:23:37,919 Speaker 1: if you watch the old interviews, they were the ones 445 00:23:38,200 --> 00:23:40,719 Speaker 1: that did a lot of the press with Simon because 446 00:23:40,840 --> 00:23:43,879 Speaker 1: they had a relationship with Simon that was very they 447 00:23:43,880 --> 00:23:47,920 Speaker 1: would they would and so if you actually go back 448 00:23:48,040 --> 00:23:50,320 Speaker 1: and watch a lot of the press around X Factor 449 00:23:50,359 --> 00:23:52,879 Speaker 1: at the time, it's almost like they realized with Brittany 450 00:23:52,920 --> 00:23:56,360 Speaker 1: they weren't going to get like this relationship like this 451 00:23:56,560 --> 00:24:00,520 Speaker 1: Paula Abdul type relationship with Simon and Demi was there. 452 00:24:00,960 --> 00:24:05,639 Speaker 1: I think knowing the assignment, and I think that Demi 453 00:24:05,840 --> 00:24:10,879 Speaker 1: is Demi is very smart and funny, and not that 454 00:24:10,920 --> 00:24:14,600 Speaker 1: Brittany isn't. But Brittany at that stage, I think was 455 00:24:14,720 --> 00:24:18,320 Speaker 1: just a different vibe. And I think, like if you 456 00:24:18,359 --> 00:24:21,880 Speaker 1: watch like Judges Houses, which I have, like she's very 457 00:24:21,920 --> 00:24:24,840 Speaker 1: concerned about like, um, you know, she gets to sign 458 00:24:24,880 --> 00:24:28,640 Speaker 1: the young kids, she gets to sign the under six 459 00:24:28,800 --> 00:24:32,960 Speaker 1: names or whatever. No, Brittany, Brittany, And I think, like, 460 00:24:33,240 --> 00:24:35,920 Speaker 1: you know, it's it's interesting because and you know, obviously 461 00:24:35,960 --> 00:24:38,639 Speaker 1: that was a very staged and produced show, maybe the 462 00:24:38,680 --> 00:24:41,160 Speaker 1: most out of all of them. But Brittany wasn't giving 463 00:24:41,440 --> 00:24:44,240 Speaker 1: big personality the way that Demi was. And I think 464 00:24:44,320 --> 00:24:48,680 Speaker 1: that it's interesting because that's obviously not what they thought 465 00:24:48,720 --> 00:24:50,439 Speaker 1: was gonna happen, you know what I mean. It was 466 00:24:50,440 --> 00:24:52,440 Speaker 1: like l A, Reid and Demi on the one side 467 00:24:52,440 --> 00:24:55,000 Speaker 1: of the table and then it was Brittany and Simon. 468 00:24:55,080 --> 00:24:57,320 Speaker 1: I think that they hoped that Britney Spears would bring 469 00:24:57,400 --> 00:25:01,200 Speaker 1: this big outside like Christina Aguilera on the voice personality, 470 00:25:01,200 --> 00:25:03,760 Speaker 1: but that's just not who she is. No, totally totally 471 00:25:11,240 --> 00:25:13,399 Speaker 1: you know, who were too when when it when it 472 00:25:13,480 --> 00:25:15,320 Speaker 1: swung so far the other way when it so that 473 00:25:15,400 --> 00:25:18,400 Speaker 1: it failed was with Maria Niki and I actually went 474 00:25:18,400 --> 00:25:21,960 Speaker 1: back and watched there's okay, So so man, I have 475 00:25:22,040 --> 00:25:24,080 Speaker 1: this friend from college named Colin Cordo Posty and then 476 00:25:24,240 --> 00:25:28,240 Speaker 1: this is so indelibly burned into me. But that season 477 00:25:28,240 --> 00:25:30,600 Speaker 1: of Idol, when it was like all you heard was 478 00:25:30,640 --> 00:25:33,439 Speaker 1: Maria Nicki fighting, fighting, fighting during the auditions when they 479 00:25:33,440 --> 00:25:36,920 Speaker 1: were in New York, there's a moment where um Maria, 480 00:25:37,280 --> 00:25:39,760 Speaker 1: like you know, like HMU is coming into like just 481 00:25:39,880 --> 00:25:42,439 Speaker 1: do last looks on marian Nicki and then Maria just 482 00:25:42,520 --> 00:25:43,879 Speaker 1: kind of and it's like it's like sort of like 483 00:25:43,920 --> 00:25:46,240 Speaker 1: a they didn't know the cameras were rolling. It's like 484 00:25:46,280 --> 00:25:48,159 Speaker 1: a little bit bit of a BTF PTS moment in 485 00:25:48,200 --> 00:25:50,639 Speaker 1: Maria goes, I really wanted these three pounds, and then 486 00:25:50,720 --> 00:25:53,560 Speaker 1: Nicki goes, I know how you can. And then Maria 487 00:25:53,560 --> 00:25:56,200 Speaker 1: goes like Mariah rolls arise and goes, it's a quote 488 00:25:56,200 --> 00:25:58,000 Speaker 1: from mean Girls. If you knew me and girls, then 489 00:25:58,040 --> 00:26:00,360 Speaker 1: even know. And then and then nick even it goes 490 00:26:00,359 --> 00:26:02,080 Speaker 1: and this is something Colin quarter Posse and I quote 491 00:26:02,080 --> 00:26:05,159 Speaker 1: all the time. She goes, I do not means girls 492 00:26:05,359 --> 00:26:09,160 Speaker 1: means girl. She goes, I do not means girls. It's 493 00:26:09,200 --> 00:26:10,879 Speaker 1: just I don't know, it's just dumb inside joke. But 494 00:26:11,080 --> 00:26:13,560 Speaker 1: I remember that the other like last week, and I 495 00:26:13,600 --> 00:26:17,480 Speaker 1: found that clip on YouTube, snipped it, cut it, trimmed it, 496 00:26:17,800 --> 00:26:20,240 Speaker 1: sent it to Colin just out of with no context, 497 00:26:20,240 --> 00:26:22,320 Speaker 1: and he knew exactly what I meant. And but Nicki 498 00:26:22,359 --> 00:26:25,480 Speaker 1: and Mariah was just ugly. It was ugly the whole 499 00:26:25,480 --> 00:26:27,880 Speaker 1: It wasn't that fun the whole time, except the situation 500 00:26:28,040 --> 00:26:31,320 Speaker 1: that you just described is why it was bad casting, 501 00:26:31,760 --> 00:26:34,360 Speaker 1: because you cannot have those two on the panel at 502 00:26:34,359 --> 00:26:37,480 Speaker 1: the same time because there is such as having too 503 00:26:37,520 --> 00:26:40,960 Speaker 1: many stars. And Nicki Minaj, wherever she goes is going 504 00:26:41,000 --> 00:26:43,600 Speaker 1: to be the star, and Mariah, wherever she goes is 505 00:26:43,600 --> 00:26:45,879 Speaker 1: going to be the star. So when Mariah is sitting 506 00:26:45,920 --> 00:26:48,960 Speaker 1: there and she says a line from Mean Girls, that 507 00:26:49,119 --> 00:26:54,920 Speaker 1: is Mariah's moment. I don't understand though. But but when 508 00:26:55,000 --> 00:26:58,600 Speaker 1: Nicki Minaj is there, you have to also allow for 509 00:26:58,640 --> 00:27:01,960 Speaker 1: any moment to be her moment. So it was just 510 00:27:02,280 --> 00:27:05,760 Speaker 1: not good. And I would say I do know who 511 00:27:05,840 --> 00:27:07,680 Speaker 1: won that season because her name was Candas Clever. She 512 00:27:07,760 --> 00:27:09,920 Speaker 1: was like an amazing singer. But if I'm a contestant 513 00:27:09,920 --> 00:27:15,800 Speaker 1: on that season. I'm pissed because the whole thing became 514 00:27:15,840 --> 00:27:20,160 Speaker 1: about them and they're they're like feud or whatever, which 515 00:27:20,160 --> 00:27:23,159 Speaker 1: is again disappointing as someone who loves as a barbed 516 00:27:23,200 --> 00:27:25,480 Speaker 1: and a lamb, which is already a tough position to 517 00:27:25,520 --> 00:27:29,080 Speaker 1: be as like, I don't want to see that play out, 518 00:27:29,160 --> 00:27:31,239 Speaker 1: especially when you watched up out my Face video when 519 00:27:31,240 --> 00:27:34,040 Speaker 1: they're having so much fun together genuinely they look like 520 00:27:34,080 --> 00:27:36,600 Speaker 1: you're having a blast together, and you're like, I think 521 00:27:37,359 --> 00:27:40,040 Speaker 1: it feels like a very wicked situation, you know, like 522 00:27:40,119 --> 00:27:44,320 Speaker 1: that like like well, you know, separately, like they asked 523 00:27:44,359 --> 00:27:46,000 Speaker 1: Maria one time, they were like, can you say a 524 00:27:46,080 --> 00:27:48,520 Speaker 1: nice thing about Nicki Minaj? And Mariah turned to the 525 00:27:48,520 --> 00:27:52,000 Speaker 1: camera and goes, you know, when she first came out, 526 00:27:52,040 --> 00:27:54,399 Speaker 1: I clocked her right away, and I knew she was 527 00:27:54,400 --> 00:27:56,399 Speaker 1: going to be a huge star, which is why she 528 00:27:56,520 --> 00:28:00,720 Speaker 1: was on about my Face because I saw her hip hop. 529 00:28:01,040 --> 00:28:03,160 Speaker 1: Maria has always nurtured the hip hop. I was like, 530 00:28:03,320 --> 00:28:05,960 Speaker 1: I know, that's a huge star. I think she's so talented, 531 00:28:06,280 --> 00:28:09,480 Speaker 1: and then Nikki, in a separate interview, said I don't 532 00:28:09,520 --> 00:28:11,800 Speaker 1: want to be fighting with her. She's Mariah carry my 533 00:28:11,800 --> 00:28:13,600 Speaker 1: mother and I used to sing our songs all the time. 534 00:28:13,640 --> 00:28:15,399 Speaker 1: I don't want to be fighting with her. So I 535 00:28:15,440 --> 00:28:18,600 Speaker 1: think these are two people who again, it's the narcissism, 536 00:28:18,600 --> 00:28:21,119 Speaker 1: it's the ego, it's the whatever that just comes with 537 00:28:21,240 --> 00:28:23,520 Speaker 1: and we love both, but it just comes with the 538 00:28:23,600 --> 00:28:26,800 Speaker 1: territory where you cannot have the two of them in 539 00:28:26,840 --> 00:28:30,359 Speaker 1: the same place too often, sharing space because they're not 540 00:28:30,520 --> 00:28:33,399 Speaker 1: used to it. Because another thing is just like you know, 541 00:28:33,800 --> 00:28:36,159 Speaker 1: when you come from a culture of women being pitted 542 00:28:36,160 --> 00:28:39,640 Speaker 1: against each other all the time, it's hard when they're 543 00:28:39,680 --> 00:28:43,120 Speaker 1: fanning the flames so much to like subvert that because 544 00:28:43,160 --> 00:28:45,280 Speaker 1: that's probably all they knew, you know what I mean. 545 00:28:45,280 --> 00:28:47,720 Speaker 1: I would imagine that neither of them had worked with 546 00:28:47,760 --> 00:28:50,600 Speaker 1: a lot of other women and that and that's what 547 00:28:50,640 --> 00:28:53,480 Speaker 1: you get when you combine Long Island with Bronx. It's like, 548 00:28:54,000 --> 00:28:57,040 Speaker 1: oh dear, that, oh dear is all we have to say. 549 00:28:57,120 --> 00:28:59,120 Speaker 1: But look, the only the only way you get two 550 00:28:59,160 --> 00:29:02,440 Speaker 1: stars to co exist successfully in something is if you 551 00:29:02,480 --> 00:29:06,800 Speaker 1: have a Natalie and Amila. Yes, and and listen to 552 00:29:06,840 --> 00:29:12,320 Speaker 1: me here and now Kelly is a Natalie and Ariana. Also, 553 00:29:12,360 --> 00:29:16,640 Speaker 1: the fact is like Kelly is now like older to 554 00:29:16,720 --> 00:29:18,360 Speaker 1: the point where it's just like she's not trying to 555 00:29:18,360 --> 00:29:20,720 Speaker 1: be a pop star in the way that Ariana is. 556 00:29:21,000 --> 00:29:24,320 Speaker 1: Like so and also it's also not cool anymore to 557 00:29:24,400 --> 00:29:27,160 Speaker 1: have like these women feuding, you know what I mean, 558 00:29:27,160 --> 00:29:29,760 Speaker 1: Like that's not like that's not like a narrative that 559 00:29:29,800 --> 00:29:32,040 Speaker 1: the media is chasing anymore. I think because like they 560 00:29:32,440 --> 00:29:34,240 Speaker 1: know it's fucked up, even if they try to get 561 00:29:34,280 --> 00:29:37,479 Speaker 1: it across like in terms of like like like like 562 00:29:37,600 --> 00:29:41,200 Speaker 1: subliminal ways. I think that they know that they would 563 00:29:41,240 --> 00:29:45,040 Speaker 1: get called out immediately for trying to portray a situation 564 00:29:45,120 --> 00:29:47,440 Speaker 1: where two women on these shows were like going at 565 00:29:47,480 --> 00:29:49,680 Speaker 1: each other just because like they're both the diva you 566 00:29:49,720 --> 00:29:52,320 Speaker 1: know what I mean. It's it's so tired. Yeah, I know, 567 00:29:52,520 --> 00:29:54,680 Speaker 1: it's it's although, you know what I was thinking about 568 00:29:54,680 --> 00:29:55,920 Speaker 1: the other day, I'm like, do you think do you 569 00:29:55,920 --> 00:30:00,160 Speaker 1: think ari would ever do a song with like a 570 00:30:00,240 --> 00:30:01,680 Speaker 1: Cardi or do you think Cardi would ever do a 571 00:30:01,680 --> 00:30:03,520 Speaker 1: song with the Doja? You know what? You know, I 572 00:30:03,520 --> 00:30:05,920 Speaker 1: guess they all do songs together, well, you know what 573 00:30:05,920 --> 00:30:08,520 Speaker 1: what with within with the Nikki of it all. That's 574 00:30:08,520 --> 00:30:10,720 Speaker 1: what I'm saying that might feel like that's already been 575 00:30:10,760 --> 00:30:14,800 Speaker 1: undertow with Megan, like hopping around doing Doja, Cardi, Nikki, 576 00:30:15,000 --> 00:30:17,680 Speaker 1: just like working with all of them. Yeah, I think 577 00:30:17,680 --> 00:30:22,800 Speaker 1: that it really depends who you're aligned with initially, Like 578 00:30:23,080 --> 00:30:25,640 Speaker 1: I almost feel like but Megan was I was aligned 579 00:30:25,640 --> 00:30:29,160 Speaker 1: with Nikki the most, like and like the earliest iteration, 580 00:30:29,200 --> 00:30:31,479 Speaker 1: and I kind of do. I feel like we've all wondered, 581 00:30:31,480 --> 00:30:33,800 Speaker 1: like I wonder how Nikki feels about wob out performing 582 00:30:33,840 --> 00:30:36,640 Speaker 1: howk Girl summer. In some ways, I also think we 583 00:30:36,720 --> 00:30:39,440 Speaker 1: might be projecting a little bit onto the current narrative 584 00:30:39,480 --> 00:30:41,600 Speaker 1: based on what it's been. We don't know what the 585 00:30:41,680 --> 00:30:44,000 Speaker 1: relation when we haven't heard a lot of Nikki versus 586 00:30:44,040 --> 00:30:47,480 Speaker 1: Cardi stuff. It feels like it feels like now that 587 00:30:47,800 --> 00:30:50,840 Speaker 1: we've had like Megan's year and she has set the 588 00:30:50,880 --> 00:30:53,560 Speaker 1: tone of like working with everyone, and you know, we 589 00:30:53,680 --> 00:30:57,280 Speaker 1: we've sort of like I think it's honestly so ugly, 590 00:30:58,000 --> 00:31:03,440 Speaker 1: like like when you see like this, Like I hated 591 00:31:03,480 --> 00:31:05,640 Speaker 1: the Taylor and Katie thing. I thought that was so 592 00:31:05,680 --> 00:31:09,440 Speaker 1: stupid and I thought it made them both. Yeah, I 593 00:31:09,480 --> 00:31:12,280 Speaker 1: hated it all. I hate I always hate it. I 594 00:31:12,320 --> 00:31:14,640 Speaker 1: always hate it. It's it's never it's just so I 595 00:31:14,640 --> 00:31:17,720 Speaker 1: don't know it's so base or whatever, especially when like, 596 00:31:17,840 --> 00:31:19,800 Speaker 1: and I think that's one of the one one of 597 00:31:19,840 --> 00:31:22,280 Speaker 1: the only things I didn't like love about Lover or 598 00:31:22,320 --> 00:31:24,560 Speaker 1: two is it felt like you need to come down, 599 00:31:24,760 --> 00:31:27,640 Speaker 1: Like that felt like a vehicle for that moment where 600 00:31:27,640 --> 00:31:29,640 Speaker 1: they like finally hugged again, And I'm like, yeah, but 601 00:31:29,640 --> 00:31:31,840 Speaker 1: why was this the thing in the first place, Like, 602 00:31:31,920 --> 00:31:35,400 Speaker 1: it's stupid, it's dumb. Between Katie and Taylor, though we 603 00:31:35,440 --> 00:31:37,360 Speaker 1: should say that Taylor was the one who kind of 604 00:31:37,400 --> 00:31:40,360 Speaker 1: threw gas on the fire with bad blood. I mean, 605 00:31:41,440 --> 00:31:45,560 Speaker 1: here's what I would say, based on status in the industry. 606 00:31:45,800 --> 00:31:49,200 Speaker 1: There's no reason for Katie to come for Taylor, Like 607 00:31:49,280 --> 00:31:52,000 Speaker 1: it doesn't make sense. And I do believe it hurt her, 608 00:31:53,160 --> 00:31:57,040 Speaker 1: Like I think that I think that whole situation ended 609 00:31:57,160 --> 00:32:01,720 Speaker 1: up hurting Katie, and so I don't think. Well, can 610 00:32:01,760 --> 00:32:03,640 Speaker 1: I tell you a rumor about what I heard started 611 00:32:03,640 --> 00:32:08,520 Speaker 1: that whole thing that wasn't the dancers or no. I 612 00:32:08,640 --> 00:32:10,720 Speaker 1: heard And I would never say where I heard this 613 00:32:11,800 --> 00:32:17,000 Speaker 1: because I don't remember, but I heard that this is 614 00:32:17,200 --> 00:32:19,800 Speaker 1: and this is the insane rumor I heard. I heard 615 00:32:19,800 --> 00:32:23,080 Speaker 1: they were both at Club thirty three in Disneyland. Oh 616 00:32:23,120 --> 00:32:26,800 Speaker 1: my god, I heard they were both there and at 617 00:32:26,920 --> 00:32:30,760 Speaker 1: the time, Katie was dating John Mayer. So I heard 618 00:32:30,800 --> 00:32:37,520 Speaker 1: that Katie and John Mayer were one and then across 619 00:32:37,640 --> 00:32:40,160 Speaker 1: the room Taylor was there with other people and they 620 00:32:40,200 --> 00:32:42,600 Speaker 1: didn't know they both were going to be there, and 621 00:32:42,720 --> 00:32:48,680 Speaker 1: so I heard that as a joke, Katie sent over 622 00:32:48,720 --> 00:32:52,480 Speaker 1: to Taylor's table a glass of milk and told them 623 00:32:52,720 --> 00:32:55,600 Speaker 1: tell tell her that this is on the woman in 624 00:32:55,640 --> 00:32:58,160 Speaker 1: the corner, because she wanted to try to she wanted 625 00:32:58,160 --> 00:33:00,400 Speaker 1: to break the tension because she was with John and 626 00:33:00,600 --> 00:33:03,880 Speaker 1: John Mayer and Taylor famously had like a tough situation. Yeah, 627 00:33:03,880 --> 00:33:06,880 Speaker 1: but that's tough to that's not super legible. If I'm 628 00:33:06,920 --> 00:33:08,800 Speaker 1: Taylor and I get sent to glass of milk, I'm like, 629 00:33:08,960 --> 00:33:12,720 Speaker 1: fuck you. Yeah. So apparently she was very fuck you 630 00:33:12,840 --> 00:33:16,240 Speaker 1: about it and like the restaurant because she was like 631 00:33:16,440 --> 00:33:18,880 Speaker 1: she was like, I don't like this, and she didn't 632 00:33:18,960 --> 00:33:22,120 Speaker 1: get it because Katie, because Katie, can I say, despite 633 00:33:22,120 --> 00:33:24,720 Speaker 1: Taylor being like the obvious bully in that dynamic, in 634 00:33:24,760 --> 00:33:27,160 Speaker 1: the end, I feel like Katie had like a mean 635 00:33:27,200 --> 00:33:30,240 Speaker 1: girl streak about her, like she just she gave off 636 00:33:30,280 --> 00:33:33,320 Speaker 1: that energy. And I'm just saying, like, remember, like she 637 00:33:33,400 --> 00:33:35,080 Speaker 1: used to be like really good at Twitter. I mean, 638 00:33:35,120 --> 00:33:37,360 Speaker 1: like some of the kids might not know this. Katie 639 00:33:37,360 --> 00:33:39,280 Speaker 1: Perry was like one of the early Twitter celebrities, was 640 00:33:39,320 --> 00:33:41,640 Speaker 1: like really good at it, like got it, like joked 641 00:33:41,680 --> 00:33:44,840 Speaker 1: about like I remember a great sense of humor about herself. Anyway. Yeah, 642 00:33:45,200 --> 00:33:47,520 Speaker 1: I always think that Katie and this this is an 643 00:33:47,600 --> 00:33:50,800 Speaker 1: annoying but L O L. But I always think that 644 00:33:50,880 --> 00:33:52,640 Speaker 1: Katie is funny. It's one of the things I like 645 00:33:52,760 --> 00:33:55,880 Speaker 1: about her. I like her wacky sense of humor. I 646 00:33:55,920 --> 00:33:58,520 Speaker 1: like that her first ever Grammy performance was she came 647 00:33:58,520 --> 00:34:00,400 Speaker 1: out as a banana and say I kissed her girl, Like, 648 00:34:00,480 --> 00:34:03,200 Speaker 1: I think it's funny. I think her I think Left 649 00:34:03,200 --> 00:34:06,440 Speaker 1: Shark is funny. I think her like like being sexual 650 00:34:06,480 --> 00:34:09,760 Speaker 1: with a beach ball is funny. I think that humor. 651 00:34:09,880 --> 00:34:12,600 Speaker 1: Her humor is one of the things I like about her. 652 00:34:13,160 --> 00:34:17,920 Speaker 1: I think that her quote unquote sense of humor and 653 00:34:17,960 --> 00:34:21,960 Speaker 1: Taylor Swift's quote unquote sense of humor don't mix. It's 654 00:34:22,080 --> 00:34:25,359 Speaker 1: very l a versus Nashville or l a versus you know, Pennsylvania, 655 00:34:25,440 --> 00:34:28,040 Speaker 1: or however you want to delineate it. I I keep 656 00:34:28,040 --> 00:34:30,000 Speaker 1: going back to where these people come from, Like with 657 00:34:30,040 --> 00:34:32,879 Speaker 1: Maria and Niki or you know, with with Ari or whatever. 658 00:34:32,960 --> 00:34:36,840 Speaker 1: It's like it informs a lot. And Katie sending Taylor 659 00:34:37,320 --> 00:34:39,440 Speaker 1: a glass of milk it feels very l a to me, 660 00:34:39,560 --> 00:34:42,080 Speaker 1: feels very like or Santa Barbara, whatever the wherever the 661 00:34:42,280 --> 00:34:45,160 Speaker 1: katy carries from. And it's but to think that this 662 00:34:45,280 --> 00:34:50,319 Speaker 1: all started, potentially all started in Anaheim, California. This is 663 00:34:50,320 --> 00:34:52,799 Speaker 1: what I heard. I heard that it was much more 664 00:34:52,880 --> 00:34:55,320 Speaker 1: about the John Mayer of it all than it was 665 00:34:55,400 --> 00:34:57,680 Speaker 1: that makes sense, and it was just like they just 666 00:34:57,760 --> 00:35:02,400 Speaker 1: didn't communicate. Well then it was about backup dancers or whatever. 667 00:35:02,440 --> 00:35:05,520 Speaker 1: And I think that and you have to remember Taylor 668 00:35:05,680 --> 00:35:09,480 Speaker 1: saying the backup dancer of it all, like the Sabotage 669 00:35:09,520 --> 00:35:14,439 Speaker 1: Arena tour. That's like that that did start the whole thing. 670 00:35:14,560 --> 00:35:18,360 Speaker 1: And also I'm not entirely sure that's how that works, 671 00:35:18,600 --> 00:35:20,880 Speaker 1: Like I think the backup dancers have to be on 672 00:35:20,920 --> 00:35:24,000 Speaker 1: some sort of contract or something. And when when thousand 673 00:35:24,000 --> 00:35:27,919 Speaker 1: percent through on a contract and has anyone verified one 674 00:35:28,160 --> 00:35:32,520 Speaker 1: that the actual like list the roster of dancers can 675 00:35:32,560 --> 00:35:36,480 Speaker 1: be like cross referenced, and then for two that them 676 00:35:36,600 --> 00:35:39,920 Speaker 1: that this is a very common occurrence. Potentially if it 677 00:35:40,080 --> 00:35:43,680 Speaker 1: is like, it's very common for dancers, Like I feel 678 00:35:43,719 --> 00:35:46,480 Speaker 1: like you have dancers like go from like a Gaga 679 00:35:46,560 --> 00:35:50,120 Speaker 1: tour to like Carly Rae Jepson's or like Mark Hannamore 680 00:35:50,200 --> 00:35:52,719 Speaker 1: or that's that's a bad example, but it's like there's 681 00:35:52,960 --> 00:35:55,480 Speaker 1: I feel this happens all the time. Anyway. I mean, 682 00:35:55,560 --> 00:35:59,040 Speaker 1: I'm sure we could. We could listen if you were 683 00:35:59,080 --> 00:36:04,080 Speaker 1: a dancer on a tour. Wink fucking wink, you should 684 00:36:04,080 --> 00:36:06,319 Speaker 1: reach out and maybe set some of this right, because 685 00:36:06,400 --> 00:36:08,360 Speaker 1: right now we have all of our listeners believing that 686 00:36:08,400 --> 00:36:11,279 Speaker 1: it's a Club thirty three moment, So I would rather 687 00:36:11,320 --> 00:36:13,520 Speaker 1: it be a Club thirty three. But don't you think 688 00:36:13,560 --> 00:36:16,640 Speaker 1: that all makes sense? I think that I can see it. 689 00:36:16,800 --> 00:36:20,040 Speaker 1: I can see it playing out. Like Katie Be, I'm like, no, 690 00:36:20,480 --> 00:36:23,000 Speaker 1: I got it, baby, I'm sending over a glass of milk. 691 00:36:23,239 --> 00:36:25,480 Speaker 1: This works every time. She probably thought that was hilarious 692 00:36:25,560 --> 00:36:28,319 Speaker 1: because Katie's sense of humor is sense a glass of 693 00:36:28,360 --> 00:36:31,920 Speaker 1: milk or like you know, a gorilla on a telephone 694 00:36:32,000 --> 00:36:34,120 Speaker 1: calling the police, you know what I mean, whereas like 695 00:36:34,560 --> 00:36:39,200 Speaker 1: Taylor's sense of humor is different. It's like, um my 696 00:36:39,280 --> 00:36:41,560 Speaker 1: cat's name is Meredith Gray. You know what I mean. 697 00:36:41,600 --> 00:36:44,160 Speaker 1: It's just like there's a different thing. Katie sense of 698 00:36:44,239 --> 00:36:47,520 Speaker 1: humor is like non sequiturs, like very like unquote random 699 00:36:47,560 --> 00:36:52,239 Speaker 1: imagery Taylor. Taylor, I would argue, doesn't really Taylor's sense 700 00:36:52,280 --> 00:36:53,919 Speaker 1: of humor, which I don't think his sense of humor 701 00:36:54,000 --> 00:36:56,680 Speaker 1: is a sense of humor necessarily is like cat photos 702 00:36:57,000 --> 00:36:59,880 Speaker 1: and ship. Like I will say, as you and I 703 00:37:00,000 --> 00:37:02,440 Speaker 1: love Taylor, and everyone knows we love Taylor, Taylor is 704 00:37:02,440 --> 00:37:06,200 Speaker 1: not a fun particularly funny person, and that's okay. I 705 00:37:06,239 --> 00:37:10,600 Speaker 1: think that she has a sense of humor, but I 706 00:37:10,680 --> 00:37:14,560 Speaker 1: don't think she particularly has a great sense of humor 707 00:37:14,640 --> 00:37:19,400 Speaker 1: about herself. So I think that someone who's like I 708 00:37:19,440 --> 00:37:21,960 Speaker 1: just don't. I think they're oil and water in that regard, 709 00:37:22,040 --> 00:37:26,000 Speaker 1: and they're therefore shouldn't be close because I think that, 710 00:37:26,480 --> 00:37:29,200 Speaker 1: and I'm sure they both take themselves super seriously. It's 711 00:37:29,239 --> 00:37:31,919 Speaker 1: just like literally, from what you can see from what's 712 00:37:31,920 --> 00:37:37,480 Speaker 1: projected to us from them, it seems like Katie has 713 00:37:38,160 --> 00:37:43,920 Speaker 1: a more of uh an ability to say L O 714 00:37:44,040 --> 00:37:48,000 Speaker 1: L I look dumb than Taylor ever will. Because Taylor, 715 00:37:48,440 --> 00:37:52,600 Speaker 1: the second she was able to became you know, like 716 00:37:53,520 --> 00:37:58,440 Speaker 1: uh at her at her apex, Taylor was cool, hot 717 00:37:58,480 --> 00:38:03,320 Speaker 1: and with models at her apex. Katie Perry was beach 718 00:38:03,400 --> 00:38:05,200 Speaker 1: balls at the super Bowl and they have a face 719 00:38:05,280 --> 00:38:07,800 Speaker 1: and I'm kissing them and maybe I funked that tree, 720 00:38:08,320 --> 00:38:10,640 Speaker 1: you know what I mean. Like, so that's it's just 721 00:38:11,200 --> 00:38:13,279 Speaker 1: at her at her apex. It was last Friday night 722 00:38:13,360 --> 00:38:16,320 Speaker 1: and it was like just you know, like it was 723 00:38:16,400 --> 00:38:19,120 Speaker 1: Taylor ever a kid. Doug how to engineer? Doug is asking, 724 00:38:19,160 --> 00:38:22,520 Speaker 1: was Taylor every kid? Yeah? Well when well, Taylor, Taylor's 725 00:38:22,520 --> 00:38:24,279 Speaker 1: whole stories that you know, she was kind of like 726 00:38:25,120 --> 00:38:30,440 Speaker 1: the perfect you know, uh machine of like she was 727 00:38:30,480 --> 00:38:33,520 Speaker 1: like she was cranking out songs and all she's ever 728 00:38:33,840 --> 00:38:36,840 Speaker 1: her whole mindset has been driven by the music industry, 729 00:38:36,880 --> 00:38:38,960 Speaker 1: and so maybe there was like an early loss of 730 00:38:38,960 --> 00:38:41,560 Speaker 1: innocence in that way. I don't know. We were not 731 00:38:41,600 --> 00:38:45,120 Speaker 1: going to like write the biography for these women. That's 732 00:38:45,160 --> 00:38:47,279 Speaker 1: not for us to do. We're just talking about these 733 00:38:47,360 --> 00:38:51,920 Speaker 1: very frivolous, fun things and taking them very seriously. I 734 00:38:51,960 --> 00:38:54,080 Speaker 1: think it's time mant for us to do what we 735 00:38:54,080 --> 00:38:56,960 Speaker 1: set out to do today. Do you agree? So we 736 00:38:57,000 --> 00:38:59,080 Speaker 1: did set out to do something today, and I do 737 00:38:59,160 --> 00:39:01,480 Speaker 1: agree because I think that we sort of have got 738 00:39:01,560 --> 00:39:04,880 Speaker 1: to the bottom of this conversation, and we I just 739 00:39:04,880 --> 00:39:07,359 Speaker 1: would like to say at the just to button it up, 740 00:39:07,640 --> 00:39:11,040 Speaker 1: we love both. And if you don't think that Bowen 741 00:39:11,080 --> 00:39:13,520 Speaker 1: and I ride hard for Taylor, you haven't listened to 742 00:39:13,520 --> 00:39:16,000 Speaker 1: this podcast because we usually get told that we need 743 00:39:16,040 --> 00:39:18,240 Speaker 1: to shut the funk up about her and her music 744 00:39:18,280 --> 00:39:21,360 Speaker 1: and how much way And this is one of the 745 00:39:21,400 --> 00:39:23,879 Speaker 1: first times that in a long time that we've been 746 00:39:23,960 --> 00:39:27,800 Speaker 1: like critical of Taylor and it's it's something it's about 747 00:39:27,840 --> 00:39:31,720 Speaker 1: something old doc has done anything new, I mean, speaking 748 00:39:31,719 --> 00:39:33,600 Speaker 1: of Taylor and Katie. It's so funny that because I 749 00:39:33,600 --> 00:39:37,480 Speaker 1: did this recently, um, you and I have made a 750 00:39:37,560 --> 00:39:40,560 Speaker 1: lovely time out of watching those chart data YouTube videos 751 00:39:40,600 --> 00:39:42,840 Speaker 1: do people we were talking about. So if you don't know, 752 00:39:42,920 --> 00:39:44,879 Speaker 1: now you know. It's so you can see like an 753 00:39:45,000 --> 00:39:48,400 Speaker 1: artists like Billboard History, the Hot one hundred history, and 754 00:39:48,440 --> 00:39:51,360 Speaker 1: it's so fun to watch like how they're I don't know, 755 00:39:51,400 --> 00:39:54,080 Speaker 1: it's just they're really fun. It's very interesting to see 756 00:39:54,239 --> 00:39:55,920 Speaker 1: how much it's like a very it's a glimpse. It's 757 00:39:55,960 --> 00:39:57,759 Speaker 1: like a four D glimpse of like as in like 758 00:39:57,760 --> 00:40:01,360 Speaker 1: you literally see the time acts list of like when 759 00:40:02,000 --> 00:40:05,480 Speaker 1: things were promoted like when it's so interesting, and then 760 00:40:05,880 --> 00:40:10,759 Speaker 1: Taylor's is obviously great. Um, Katie's so solid. Katie is 761 00:40:11,000 --> 00:40:13,400 Speaker 1: really fucking solid. And then it inspired me to go 762 00:40:13,440 --> 00:40:16,359 Speaker 1: and watch um music videos from the teenage dream era 763 00:40:16,480 --> 00:40:18,400 Speaker 1: and from from the prison era. But I was like 764 00:40:18,640 --> 00:40:22,760 Speaker 1: Prism slaps and people people actually don't give Prism enough credit. 765 00:40:22,840 --> 00:40:25,720 Speaker 1: Prism is a good album and great album. And also 766 00:40:25,880 --> 00:40:29,880 Speaker 1: like it was it was actually a prison justice for prison. Wait, 767 00:40:30,200 --> 00:40:33,600 Speaker 1: it did incredibly well, just did really well. There's no 768 00:40:33,640 --> 00:40:35,880 Speaker 1: need for justice for prison. Doug, do you feel comfortable 769 00:40:35,880 --> 00:40:39,480 Speaker 1: coming in and saying you're anecdote about recording with Katie Perry? Yes, 770 00:40:39,640 --> 00:40:40,960 Speaker 1: we loved it. We would love for you to tell 771 00:40:40,960 --> 00:40:43,720 Speaker 1: the readers. Can you come in, Doug, Come in, Doug, 772 00:40:44,360 --> 00:40:47,440 Speaker 1: tell tell them all. So you worked with Katy Perry, 773 00:40:47,640 --> 00:40:50,839 Speaker 1: all right, so tell them your experience with Katie. I 774 00:40:50,880 --> 00:40:54,600 Speaker 1: thought Katie was amazing. She's a great singer and played guitar. 775 00:40:54,880 --> 00:40:57,759 Speaker 1: Was very funny, Like you said, I think Katie had 776 00:40:58,040 --> 00:41:01,280 Speaker 1: got fun or childhood it like, I don't know if Taylor, 777 00:41:01,440 --> 00:41:03,560 Speaker 1: I don't know she was a star so early. I 778 00:41:03,600 --> 00:41:05,279 Speaker 1: don't know if she was ever a kid. I think 779 00:41:05,320 --> 00:41:09,759 Speaker 1: that is part of why Katie's funny Katie. Katie did 780 00:41:09,880 --> 00:41:12,279 Speaker 1: kind of go through this fucked up machinery of like 781 00:41:12,840 --> 00:41:15,400 Speaker 1: Christian rock and Christian pop that I feel like she 782 00:41:15,440 --> 00:41:18,000 Speaker 1: came out the other side of it being like, let 783 00:41:18,000 --> 00:41:20,359 Speaker 1: me just have fun and not like worry about like 784 00:41:20,719 --> 00:41:23,520 Speaker 1: this kind this this this morass of thing that I 785 00:41:23,600 --> 00:41:25,839 Speaker 1: was just a part of. And you know what's what's 786 00:41:25,840 --> 00:41:28,960 Speaker 1: funny is that people usually are like, oh, well, Katy Perry, 787 00:41:29,080 --> 00:41:32,040 Speaker 1: you know, like she's not one of the singers. You 788 00:41:32,160 --> 00:41:34,440 Speaker 1: said something really interesting, which is that she had a 789 00:41:34,520 --> 00:41:37,560 Speaker 1: very big sound. What did you say about her? Oh, 790 00:41:37,640 --> 00:41:40,040 Speaker 1: her voice is huge. Well, if you listen to her. 791 00:41:40,040 --> 00:41:42,359 Speaker 1: Have you listened to her her MTV m plugged set? Yeah? 792 00:41:43,160 --> 00:41:44,680 Speaker 1: So good. What did you work what did you work 793 00:41:44,680 --> 00:41:46,160 Speaker 1: with her? Do you remember like what the tracks were 794 00:41:46,200 --> 00:41:48,360 Speaker 1: with the album was? It was the first big one 795 00:41:48,239 --> 00:41:51,719 Speaker 1: one of the Boys boy, it was her debut and 796 00:41:51,920 --> 00:41:54,319 Speaker 1: thinking of you is I listened to that song one 797 00:41:54,360 --> 00:41:56,760 Speaker 1: of my favorite songs and one of her favorite songs. 798 00:41:57,040 --> 00:41:59,920 Speaker 1: She always she still plays that live to this day, 799 00:42:00,160 --> 00:42:03,120 Speaker 1: and she'll always qualify by being like, and this is 800 00:42:03,120 --> 00:42:05,200 Speaker 1: a song that I just like to do, so I'm 801 00:42:05,200 --> 00:42:07,600 Speaker 1: gonna do it, And she still does it and it's 802 00:42:07,800 --> 00:42:10,000 Speaker 1: I don't think it. I don't think that song got 803 00:42:10,000 --> 00:42:13,560 Speaker 1: the credit. It's also one of my favorite music videos. 804 00:42:13,960 --> 00:42:15,560 Speaker 1: But I'll never forget that you said that that she 805 00:42:15,640 --> 00:42:18,319 Speaker 1: had like an easy to record sound because she's got 806 00:42:18,320 --> 00:42:20,680 Speaker 1: such a big sound. She sings from the right place, 807 00:42:21,160 --> 00:42:25,160 Speaker 1: a musical glimpse inside with Doug, thank you do, go away, 808 00:42:25,200 --> 00:42:28,200 Speaker 1: go go get out of get out looking good, though 809 00:42:28,360 --> 00:42:38,080 Speaker 1: looking good, dougs looking good. We did set out to 810 00:42:38,160 --> 00:42:42,200 Speaker 1: do something. Yes is we are excited to announce that 811 00:42:43,560 --> 00:42:47,080 Speaker 1: we are going to announce the some of the categories 812 00:42:47,760 --> 00:42:51,080 Speaker 1: for the first maybe not anyone. We don't know what 813 00:42:51,120 --> 00:42:53,040 Speaker 1: the cadence will be going, but it is the first. 814 00:42:53,440 --> 00:42:59,520 Speaker 1: It is the first Lost Culturesta's Culture Awards. Now what is, 815 00:43:00,280 --> 00:43:04,400 Speaker 1: you might ask, We barely know. All we know is 816 00:43:04,440 --> 00:43:08,560 Speaker 1: that we've created several categories, and by several, I mean 817 00:43:08,640 --> 00:43:12,160 Speaker 1: these categories will number in the hundreds us and we 818 00:43:12,239 --> 00:43:15,239 Speaker 1: will be giving the awards at a later date. But 819 00:43:15,400 --> 00:43:18,279 Speaker 1: we wanted to sort of go through some of the categories. 820 00:43:18,280 --> 00:43:21,040 Speaker 1: Where we're starting the season official, this is the awards season. 821 00:43:21,040 --> 00:43:24,600 Speaker 1: The last Culture is just awards season is beginning, and 822 00:43:24,680 --> 00:43:27,680 Speaker 1: so we're gonna announce some of the categories today and 823 00:43:27,840 --> 00:43:31,879 Speaker 1: we encourage you to sort of engage with each other 824 00:43:32,400 --> 00:43:34,719 Speaker 1: about who could be the winners of these categories. There 825 00:43:34,719 --> 00:43:37,359 Speaker 1: are no nominees. There are no nominees, but we will 826 00:43:37,480 --> 00:43:39,560 Speaker 1: announce the winner and the people who are up for 827 00:43:39,600 --> 00:43:42,799 Speaker 1: the awards are campaigning as the campaign has started. Yes, 828 00:43:42,920 --> 00:43:46,080 Speaker 1: so if you feel that if you are sort of 829 00:43:46,520 --> 00:43:50,279 Speaker 1: competitive for these awards, please campaign, you know what I mean? 830 00:43:50,440 --> 00:43:53,160 Speaker 1: Or if you are if you fancy yourself a publicist 831 00:43:53,239 --> 00:43:57,799 Speaker 1: for you know, a conceptual award, like we're gonna announce them. 832 00:43:57,840 --> 00:43:59,759 Speaker 1: You know we're gonna announce like one of them is 833 00:44:00,120 --> 00:44:02,000 Speaker 1: just come out with this as a random when I 834 00:44:02,040 --> 00:44:04,719 Speaker 1: picked up from the last best Seltzer flavor. If you 835 00:44:04,800 --> 00:44:07,319 Speaker 1: feel like you want to campaign for pamplo mouse, let's 836 00:44:07,360 --> 00:44:11,040 Speaker 1: say b be the publicist for pamplo mouse. Let us 837 00:44:11,120 --> 00:44:13,560 Speaker 1: know that you want pamplo mouse to win that category. 838 00:44:13,760 --> 00:44:16,719 Speaker 1: And there's certainly an argument for pamplo mouse. I mean, 839 00:44:16,800 --> 00:44:19,919 Speaker 1: like the and you know, I already know some girls 840 00:44:19,960 --> 00:44:21,799 Speaker 1: who could really go to the map for Pamplo mouse 841 00:44:21,880 --> 00:44:25,640 Speaker 1: because I see them be drinking it. So um, we 842 00:44:25,719 --> 00:44:27,680 Speaker 1: are at this time are going to bone and I 843 00:44:27,719 --> 00:44:29,400 Speaker 1: are going to go back and forth saying some of 844 00:44:29,400 --> 00:44:34,839 Speaker 1: the categories and understand that there are many categories to come. 845 00:44:34,880 --> 00:44:38,319 Speaker 1: There will be two hundred and fifty categories. And this 846 00:44:38,440 --> 00:44:42,719 Speaker 1: is the most ambitious event in Lost Culture history. And 847 00:44:42,760 --> 00:44:45,879 Speaker 1: as you know, we've done some ambitious events. Okay, we've 848 00:44:45,920 --> 00:44:48,719 Speaker 1: done the top two hundred moments in culture, and this 849 00:44:48,760 --> 00:44:51,680 Speaker 1: will be even bigger than that. It is the Lost 850 00:44:51,680 --> 00:44:56,200 Speaker 1: Cultures Culture the first this and if this is it's 851 00:44:56,400 --> 00:45:01,120 Speaker 1: Emmy Grammy, Oscar Tony Lost Culture Racist Cultural Awards. So 852 00:45:01,120 --> 00:45:07,120 Speaker 1: it's now ego and I Matt, I'm gonna say something, 853 00:45:07,120 --> 00:45:09,239 Speaker 1: and I want you to really if you want to 854 00:45:09,320 --> 00:45:13,399 Speaker 1: like rain, rain me in, let me know. I think 855 00:45:13,560 --> 00:45:17,400 Speaker 1: some categories the readers can suggest. I think if you 856 00:45:17,520 --> 00:45:21,040 Speaker 1: have a suggestion, you should for it. And I think 857 00:45:21,080 --> 00:45:23,600 Speaker 1: the best, to be honest, the best way to reach 858 00:45:23,680 --> 00:45:25,680 Speaker 1: us is through Twitter, is through the Lost Cultures to 859 00:45:25,719 --> 00:45:30,160 Speaker 1: Twitter account tag Lost Culture rests um that is the 860 00:45:30,200 --> 00:45:35,640 Speaker 1: most direct line into our ears. And I would say 861 00:45:35,640 --> 00:45:37,680 Speaker 1: take it out of the d ms on Insta. Let's 862 00:45:37,719 --> 00:45:41,279 Speaker 1: just let instab be insta tag at Lost Culture Rests 863 00:45:41,360 --> 00:45:43,919 Speaker 1: on Twitter because those are bonomized twitters now we both 864 00:45:44,080 --> 00:45:47,719 Speaker 1: we've both done a great job of saying fun Twitter personally, 865 00:45:48,000 --> 00:45:52,400 Speaker 1: but we love that My the one moment, the space 866 00:45:52,480 --> 00:45:54,759 Speaker 1: that I love and hold sacred is to every now 867 00:45:54,800 --> 00:45:57,959 Speaker 1: and then check the Lost Culture Twitter for for for 868 00:45:57,960 --> 00:46:00,120 Speaker 1: for some engagement. You know, some people are still complaining 869 00:46:00,120 --> 00:46:02,200 Speaker 1: about certain things. That's fine, but a lot of people 870 00:46:02,239 --> 00:46:05,879 Speaker 1: are really, you know, giving us great material suggestions. I mean, 871 00:46:05,920 --> 00:46:07,880 Speaker 1: I wouldn't have found half of the Death to All 872 00:46:07,880 --> 00:46:09,640 Speaker 1: of Them content had it not been for the reader's 873 00:46:09,680 --> 00:46:12,000 Speaker 1: treat And there is so much of it, and we're 874 00:46:12,080 --> 00:46:15,239 Speaker 1: so happy about it. And yes, I have seen and 875 00:46:15,280 --> 00:46:19,840 Speaker 1: Boone has seen the remix. We love the remix of 876 00:46:20,480 --> 00:46:23,080 Speaker 1: all of them. It's absolutely amazing. But yes, at Lost 877 00:46:23,120 --> 00:46:26,200 Speaker 1: Cultures if you want to suggest categories, but for now 878 00:46:26,400 --> 00:46:31,000 Speaker 1: we will sort of at this moment begin to list 879 00:46:31,040 --> 00:46:34,680 Speaker 1: the categories. Yes, alright, so Boonen, would you like to begin? 880 00:46:34,960 --> 00:46:40,240 Speaker 1: I will begin. Our first category is biggest Jester. Biggest Jester, 881 00:46:40,600 --> 00:46:45,040 Speaker 1: so this is um of all the gestures. This would 882 00:46:45,040 --> 00:46:48,239 Speaker 1: be awarded to the biggest one, to the one who 883 00:46:48,280 --> 00:46:53,080 Speaker 1: displays the most gesture behavior. The behavior you exhibited tonight 884 00:46:53,280 --> 00:46:57,080 Speaker 1: was just jest, like if you can sort of understand 885 00:46:57,080 --> 00:46:59,239 Speaker 1: who that might be directed to campaign for that person. 886 00:46:59,360 --> 00:47:03,960 Speaker 1: The second category is biggest flop. This is not the 887 00:47:04,000 --> 00:47:07,160 Speaker 1: biggest flop of the year necessarily, this is the biggest flop. 888 00:47:08,280 --> 00:47:13,799 Speaker 1: Someone who um exhibited flop like behavior. Your behavior, the 889 00:47:13,800 --> 00:47:16,759 Speaker 1: behavior you exhibit to night was flop. If you can 890 00:47:16,760 --> 00:47:18,799 Speaker 1: see in your mindseye who that will be directed to, 891 00:47:18,920 --> 00:47:21,800 Speaker 1: go ahead and campaign for that person. The next category 892 00:47:21,960 --> 00:47:25,400 Speaker 1: is the biggest jest or flop. So if you can 893 00:47:25,400 --> 00:47:27,320 Speaker 1: sort of combine what it means to be a jester 894 00:47:27,600 --> 00:47:29,880 Speaker 1: and also what it means to be a flop, this 895 00:47:30,040 --> 00:47:32,120 Speaker 1: is that type of person that we're looking for to 896 00:47:32,160 --> 00:47:34,520 Speaker 1: sort of carry the mantle forward of the biggest jest 897 00:47:34,600 --> 00:47:37,560 Speaker 1: or flop. The behavior you exhibited tonight was jest or 898 00:47:37,640 --> 00:47:39,960 Speaker 1: flop like. So if you can see who that might 899 00:47:40,000 --> 00:47:41,759 Speaker 1: be directed to in your mind's eye, then by all 900 00:47:41,840 --> 00:47:45,000 Speaker 1: means campaign for that person. And then what's the next category. 901 00:47:45,120 --> 00:47:48,799 Speaker 1: The next category is biggest jest or flop in the 902 00:47:48,960 --> 00:47:53,160 Speaker 1: clowns square and the clown Square the clowns the Clowns Square. 903 00:47:53,280 --> 00:47:55,600 Speaker 1: Thank you. That's a correction actually because I typed in 904 00:47:55,680 --> 00:47:58,200 Speaker 1: the town square. But Matt as the originator of that 905 00:47:58,239 --> 00:48:02,120 Speaker 1: phrase gets to change the name. So if you can 906 00:48:02,160 --> 00:48:04,600 Speaker 1: imagine sort of like the jest or flop that we've 907 00:48:04,640 --> 00:48:07,640 Speaker 1: been talking about, but so public that you could even 908 00:48:07,719 --> 00:48:10,320 Speaker 1: call what they're going through that they're in the clowns clowns, 909 00:48:10,360 --> 00:48:15,320 Speaker 1: square tomatoes, flying tomatoes, flying makeup, the clown makeup. Honey, 910 00:48:15,560 --> 00:48:19,640 Speaker 1: just imagine this person worthy of being dragged so hard 911 00:48:19,719 --> 00:48:25,480 Speaker 1: because what they've flopped gesturing it was so clown squarish, 912 00:48:25,800 --> 00:48:29,000 Speaker 1: clown like that. We you have to, we have to 913 00:48:29,000 --> 00:48:31,880 Speaker 1: get rid of this person. Then please campaign for that person. 914 00:48:32,120 --> 00:48:34,680 Speaker 1: I have, I have someone in mind already for that one. 915 00:48:34,880 --> 00:48:39,760 Speaker 1: Oh my god, but I'm so excited to find out why. 916 00:48:40,160 --> 00:48:44,600 Speaker 1: The next category Most Amazing Impact in Film. This is 917 00:48:44,719 --> 00:48:47,120 Speaker 1: similar to best Picture, would you say, but not really 918 00:48:47,920 --> 00:48:52,759 Speaker 1: no impact. I would say this goes to the person, persons, 919 00:48:52,880 --> 00:48:56,560 Speaker 1: or organization or or entity that has had the most 920 00:48:56,719 --> 00:49:00,800 Speaker 1: amazing impact in film. So this is film of course 921 00:49:00,840 --> 00:49:08,359 Speaker 1: meaning movies, um and impact meaning um gaggery gay. What's 922 00:49:08,400 --> 00:49:14,000 Speaker 1: the next category? The next category is best Asker. So 923 00:49:14,239 --> 00:49:17,320 Speaker 1: we have best actor, best actress that's not here today. 924 00:49:17,360 --> 00:49:20,760 Speaker 1: We have best ask This is the most incredible person 925 00:49:20,840 --> 00:49:25,759 Speaker 1: that ever asked questions. So this could be do you 926 00:49:25,760 --> 00:49:28,000 Speaker 1: think it's It helps to kind of give examples not 927 00:49:28,120 --> 00:49:30,279 Speaker 1: of people, but of kinds of people who are who 928 00:49:30,320 --> 00:49:33,600 Speaker 1: are good askers. I would say people who are people who, um, 929 00:49:33,760 --> 00:49:36,760 Speaker 1: you know, whose job it is to interview people, whether 930 00:49:36,800 --> 00:49:38,719 Speaker 1: it's on a TV show or for a job or 931 00:49:38,760 --> 00:49:43,840 Speaker 1: for lawyers, podcast lawyers, some the most the best asker 932 00:49:44,280 --> 00:49:47,040 Speaker 1: of the year, let's just say, I mean, do you 933 00:49:47,040 --> 00:49:49,600 Speaker 1: think I have a serious question? Are a lot of 934 00:49:49,719 --> 00:49:53,799 Speaker 1: categories for the past year and culture, No, I would 935 00:49:53,840 --> 00:49:56,759 Speaker 1: say it goes for all time. Amazing, amazing, and so 936 00:49:56,880 --> 00:49:59,040 Speaker 1: this is this is the best asker of all time, 937 00:49:59,200 --> 00:50:04,160 Speaker 1: best asker of all time. Okay, the next category funniest 938 00:50:04,320 --> 00:50:07,279 Speaker 1: gay man. So these a gay man as in a 939 00:50:07,360 --> 00:50:09,799 Speaker 1: man that has sex with other men, the person who 940 00:50:09,840 --> 00:50:12,840 Speaker 1: is the funniest version of that. There's a lot of 941 00:50:12,840 --> 00:50:15,080 Speaker 1: a lot of This is a crowded field. Oh there 942 00:50:15,080 --> 00:50:17,680 Speaker 1: are I can already think of at least three people 943 00:50:18,120 --> 00:50:22,160 Speaker 1: who are gay men and funny funny. What's the next category? 944 00:50:22,320 --> 00:50:26,279 Speaker 1: The next category is funniest gay woman. This is a 945 00:50:26,280 --> 00:50:29,640 Speaker 1: woman who has sex with other women, um or just 946 00:50:29,800 --> 00:50:33,120 Speaker 1: kind of you know, thinks of herself as gay yea, 947 00:50:33,560 --> 00:50:37,000 Speaker 1: and she is funny. Yeah, I can think of so many. 948 00:50:37,040 --> 00:50:39,319 Speaker 1: This is maybe an even more crowded field. This is 949 00:50:39,320 --> 00:50:43,080 Speaker 1: a very crowded field because I can think of at 950 00:50:43,160 --> 00:50:46,640 Speaker 1: least twenty They've been allowed to be funny longer than 951 00:50:46,880 --> 00:50:50,560 Speaker 1: gay man. And I'm okay saying man and we'll just 952 00:50:50,600 --> 00:50:52,720 Speaker 1: get We'll just go ahead and say for now, unless 953 00:50:52,840 --> 00:50:56,680 Speaker 1: unless the readers really push for more categories like this. 954 00:50:58,080 --> 00:51:01,839 Speaker 1: Law Schooldress is an institution like any other institution, you know, 955 00:51:01,960 --> 00:51:06,880 Speaker 1: it is prone to you know, social mishaps for misreadings. 956 00:51:07,120 --> 00:51:09,480 Speaker 1: These are the old We're we're working with the gender 957 00:51:09,480 --> 00:51:12,960 Speaker 1: binary here at this time. We're working with the binary 958 00:51:13,200 --> 00:51:15,719 Speaker 1: and that's not just the Natalie Mila binary. We're working 959 00:51:15,719 --> 00:51:18,560 Speaker 1: with funniest gay man and funniest gay woman at this time. 960 00:51:18,640 --> 00:51:22,960 Speaker 1: Until that changes, we might expand the category. Who knows okay, 961 00:51:23,080 --> 00:51:28,279 Speaker 1: um this what's the next category is best news? We 962 00:51:28,360 --> 00:51:31,840 Speaker 1: heard not talk about this. So when you are living 963 00:51:31,920 --> 00:51:35,520 Speaker 1: day today, you are confronted with so much news. Some 964 00:51:35,640 --> 00:51:37,480 Speaker 1: of the news is bad news that could put you 965 00:51:37,520 --> 00:51:40,040 Speaker 1: in a bad mood, but every now and then you 966 00:51:40,080 --> 00:51:42,360 Speaker 1: get very good news, and sometimes you even get the 967 00:51:42,400 --> 00:51:45,120 Speaker 1: best news. So this category is best news. We are 968 00:51:46,600 --> 00:51:49,920 Speaker 1: of all time, like like we woke up and we 969 00:51:49,840 --> 00:51:53,160 Speaker 1: we this was the best news that we could ever hear, 970 00:51:53,360 --> 00:51:56,000 Speaker 1: so much so that it deserves an award today. And 971 00:51:56,040 --> 00:52:00,000 Speaker 1: the next category is The next category is best candy. 972 00:52:00,400 --> 00:52:03,480 Speaker 1: There are so many examples of candy Bowen. I can 973 00:52:03,480 --> 00:52:05,680 Speaker 1: think of at least three I can think of at 974 00:52:05,760 --> 00:52:07,920 Speaker 1: least three examples of Kenny that will be competitive in 975 00:52:07,960 --> 00:52:12,080 Speaker 1: the running for the award best Candy. What's the next category? 976 00:52:12,360 --> 00:52:16,799 Speaker 1: The next category is best Chocolate. Uh, you might as 977 00:52:16,840 --> 00:52:19,439 Speaker 1: well hit up Hershey Park and get up on your 978 00:52:19,560 --> 00:52:21,960 Speaker 1: chocolate because one of them is going to be winning 979 00:52:21,960 --> 00:52:25,960 Speaker 1: the award. Um. I just got an email from at 980 00:52:27,040 --> 00:52:31,360 Speaker 1: Ferrero Rochet publicist. Oh my god, is saying let's talk, 981 00:52:31,640 --> 00:52:35,120 Speaker 1: saying let's talk. I have I have something that will 982 00:52:35,160 --> 00:52:40,440 Speaker 1: make you really really happy. Oh my god, is the beginning? 983 00:52:40,480 --> 00:52:42,920 Speaker 1: What is this the Hollywood Foreign Press Association, Because all 984 00:52:42,920 --> 00:52:45,720 Speaker 1: of a sudden, I'm knee deep and candy and chocolate girl, 985 00:52:47,160 --> 00:52:50,920 Speaker 1: You're campaigning, You're campaigning. You are emilist Emily in parissing 986 00:52:51,239 --> 00:52:59,320 Speaker 1: me today. What's the next This is best picture parentheses 987 00:53:00,280 --> 00:53:04,640 Speaker 1: literal picture. There have been so many iconic pictures over 988 00:53:04,680 --> 00:53:08,240 Speaker 1: the history of time. And this is the best picture. 989 00:53:08,600 --> 00:53:11,600 Speaker 1: Because every year at the Oscars you hear you know, 990 00:53:11,680 --> 00:53:16,839 Speaker 1: it's not just photos, it's it's drawings, paintings, It's not 991 00:53:16,920 --> 00:53:19,840 Speaker 1: just photos. But and this is what makes this category 992 00:53:20,040 --> 00:53:26,239 Speaker 1: so wild, giant category, lots of contenders, only one will win. 993 00:53:26,600 --> 00:53:32,480 Speaker 1: Only one picture will win Best Picture. For now, almost 994 00:53:32,560 --> 00:53:35,280 Speaker 1: all of the categories of the last Poolturesta's Culture Awards 995 00:53:35,360 --> 00:53:38,320 Speaker 1: will only have one winner, some of them maybe ties, 996 00:53:38,480 --> 00:53:40,839 Speaker 1: only some, but we will specify at a later date 997 00:53:40,840 --> 00:53:44,880 Speaker 1: which ones those will be. There is a next category. 998 00:53:45,280 --> 00:53:49,919 Speaker 1: It is Album of the Year, Album of the year. 999 00:53:50,560 --> 00:53:53,319 Speaker 1: This is the album. This is like this is this 1000 00:53:53,360 --> 00:53:56,560 Speaker 1: is a songwriting age? Yeah? Is that? Is? That? Is that? 1001 00:53:56,600 --> 00:53:59,080 Speaker 1: What it is with the Grammys, Album of the Year 1002 00:53:59,120 --> 00:54:01,799 Speaker 1: goes to the album and then Song of the Year 1003 00:54:01,880 --> 00:54:04,480 Speaker 1: does go to the song and that's the songwriting award. No. 1004 00:54:04,640 --> 00:54:08,880 Speaker 1: But between album and Record of the Year, the album 1005 00:54:09,040 --> 00:54:12,399 Speaker 1: is I'm so sorry, collection of songs, collection of songs. 1006 00:54:12,400 --> 00:54:14,359 Speaker 1: This is the best collection of songs. This is not 1007 00:54:14,400 --> 00:54:16,279 Speaker 1: of all time. This is of the year. Well we 1008 00:54:16,320 --> 00:54:19,440 Speaker 1: didn't say what year. We didn't say what year. And 1009 00:54:20,680 --> 00:54:25,520 Speaker 1: the next we have the next category. Yes, it is 1010 00:54:28,000 --> 00:54:31,800 Speaker 1: record of the year. So this is the production. This 1011 00:54:31,920 --> 00:54:36,879 Speaker 1: is the production. Yes, yes, we did not say what year. 1012 00:54:37,400 --> 00:54:39,520 Speaker 1: We did not say we have We have a next category, 1013 00:54:41,040 --> 00:54:45,000 Speaker 1: Best Seltzer Flavor. As I had mentioned earlier, I'm still excited. 1014 00:54:45,040 --> 00:54:47,759 Speaker 1: I'm still as excited as I was when I gave 1015 00:54:47,800 --> 00:54:50,680 Speaker 1: a little peek before. We gave sort of a big 1016 00:54:50,680 --> 00:54:54,000 Speaker 1: behind the curtain, and now it's like, let's really start 1017 00:54:54,040 --> 00:54:56,279 Speaker 1: thinking about And we said Pamblo Moose, which sort of 1018 00:54:56,640 --> 00:54:58,319 Speaker 1: I think is going to put them in front of 1019 00:54:58,320 --> 00:55:02,439 Speaker 1: everyone else. But I don't ever deny some of these 1020 00:55:02,480 --> 00:55:08,920 Speaker 1: girls that love their love their coconut. Hello, I'm lime, Lime, 1021 00:55:09,440 --> 00:55:14,759 Speaker 1: Hello Mango. I have to say mango is always in 1022 00:55:14,760 --> 00:55:17,719 Speaker 1: the running because you always get mango when you order 1023 00:55:17,760 --> 00:55:22,360 Speaker 1: a box of lacrosse. You actually can't. You cannot avoid mango. 1024 00:55:22,520 --> 00:55:25,920 Speaker 1: And that's got to be something. And if this category 1025 00:55:25,920 --> 00:55:29,879 Speaker 1: we're best fruit, mango would be very much in the conversation. 1026 00:55:30,280 --> 00:55:32,040 Speaker 1: And the fact that we're still talking about mango when 1027 00:55:32,080 --> 00:55:35,959 Speaker 1: the category is best Seltzer Flavor says so much about 1028 00:55:35,960 --> 00:55:39,520 Speaker 1: the power of mango. There is a next category that 1029 00:55:39,560 --> 00:55:44,560 Speaker 1: we have most shocking moment of the year. This was 1030 00:55:44,800 --> 00:55:48,640 Speaker 1: this goes out to that moment that, oh my god, 1031 00:55:49,080 --> 00:55:50,880 Speaker 1: this is the moment of the year. We don't know 1032 00:55:50,920 --> 00:55:53,120 Speaker 1: what year yet, this is the moment of the year 1033 00:55:53,160 --> 00:55:56,440 Speaker 1: when we all went, oh my god, my god, and 1034 00:55:56,480 --> 00:55:58,200 Speaker 1: we had to look at each other because we were 1035 00:55:58,520 --> 00:56:02,080 Speaker 1: so shock shocked. It was so shocking the moment of 1036 00:56:02,120 --> 00:56:05,280 Speaker 1: the year that it deserves the award for most Shocking 1037 00:56:05,320 --> 00:56:07,960 Speaker 1: Moment of the Year. I'm excited. I'm excited to announce 1038 00:56:08,000 --> 00:56:11,960 Speaker 1: the next category. Yes, there's an next category, Best team 1039 00:56:12,960 --> 00:56:16,520 Speaker 1: between the ages of thirteen and nineteen. There are many 1040 00:56:16,600 --> 00:56:20,439 Speaker 1: people competing for this award and only one will win. 1041 00:56:20,880 --> 00:56:25,440 Speaker 1: We have the next category, best twenty something between so 1042 00:56:25,520 --> 00:56:29,520 Speaker 1: people between the ages of twenty to a lot of people, 1043 00:56:29,760 --> 00:56:33,319 Speaker 1: even more so than many people in this category. It's 1044 00:56:33,320 --> 00:56:37,719 Speaker 1: a more crowded category than almost any other. I think 1045 00:56:37,719 --> 00:56:40,040 Speaker 1: you might be right, definitely more twenty some things than 1046 00:56:40,080 --> 00:56:42,760 Speaker 1: there are route types of route. We have a next category. 1047 00:56:43,640 --> 00:56:45,760 Speaker 1: Oh no, it's like going to be very competitive between 1048 00:56:45,760 --> 00:56:48,480 Speaker 1: a few for for like Seltzer, but twenty something, it's 1049 00:56:48,560 --> 00:56:51,279 Speaker 1: wide open at this point, so open. We have an 1050 00:56:51,320 --> 00:56:56,799 Speaker 1: next category, best thirty something. Oh my god. And these 1051 00:56:56,840 --> 00:56:58,880 Speaker 1: are these are people who you know, some of them 1052 00:56:58,920 --> 00:57:01,840 Speaker 1: may be very established in their fields. If that's what 1053 00:57:01,880 --> 00:57:04,239 Speaker 1: we're judging them on, If that's what it's if that's 1054 00:57:04,239 --> 00:57:07,280 Speaker 1: what the the the Academy, the last Cultural Stist Academy 1055 00:57:07,360 --> 00:57:10,680 Speaker 1: judges them on, which is the readers. But it could 1056 00:57:10,760 --> 00:57:16,120 Speaker 1: be someone who just exudes the most intrigue or awe 1057 00:57:16,840 --> 00:57:21,000 Speaker 1: or someone who just embodies what a thirtysomething is. Yes, 1058 00:57:21,720 --> 00:57:24,480 Speaker 1: and we're in this category. We're in this category and 1059 00:57:24,520 --> 00:57:29,160 Speaker 1: it's there's no there's no nominees, but we're up for it. 1060 00:57:29,600 --> 00:57:31,920 Speaker 1: We're up for it. How do you feel about being 1061 00:57:32,000 --> 00:57:35,360 Speaker 1: up for it? Nervous? I'm really nervous. I don't I 1062 00:57:35,440 --> 00:57:37,600 Speaker 1: kind of don't want it because then that's when people 1063 00:57:37,600 --> 00:57:40,680 Speaker 1: are like, oh, you know they're overrated, and you know, 1064 00:57:40,720 --> 00:57:42,680 Speaker 1: why are we sort of keeping all this praise on them? 1065 00:57:42,720 --> 00:57:44,760 Speaker 1: And it just really it makes me feel uneasy. If 1066 00:57:44,760 --> 00:57:47,240 Speaker 1: I think about winning this award, I think what scares 1067 00:57:47,280 --> 00:57:50,240 Speaker 1: me is how much I do want it, And then 1068 00:57:50,400 --> 00:57:52,160 Speaker 1: you can admit that I'm not. I'm not ready to 1069 00:57:52,200 --> 00:57:55,240 Speaker 1: admit that I want it yet. That's that's the difference. 1070 00:57:55,360 --> 00:57:58,280 Speaker 1: We have a next category. We have the next category. 1071 00:57:58,760 --> 00:58:02,160 Speaker 1: This is the Lady God Award for being one person 1072 00:58:02,280 --> 00:58:05,720 Speaker 1: in a room award. This is an award for being 1073 00:58:06,000 --> 00:58:08,200 Speaker 1: in a for someone being in a room and being 1074 00:58:08,240 --> 00:58:11,040 Speaker 1: the only person in that room. Is that was? Is that? 1075 00:58:11,200 --> 00:58:17,120 Speaker 1: Is that accurate? Seems clear to me. We have another category, 1076 00:58:17,800 --> 00:58:22,400 Speaker 1: best straight or heterosexual person. There are a lot of 1077 00:58:22,400 --> 00:58:24,320 Speaker 1: There are a lot of good ones. They are out 1078 00:58:24,320 --> 00:58:28,560 Speaker 1: there there, I believe, I believe. Um. The saying is 1079 00:58:28,720 --> 00:58:33,680 Speaker 1: they're here, they're straight or had a sexual Get used 1080 00:58:33,680 --> 00:58:37,800 Speaker 1: to it, Get used to it, you know. I feel 1081 00:58:37,880 --> 00:58:40,880 Speaker 1: like this is you know, if this were a sliding 1082 00:58:40,960 --> 00:58:45,960 Speaker 1: scale sort of nomination system, like there would only be 1083 00:58:46,000 --> 00:58:49,840 Speaker 1: certain nominees based on the submissions. Um, this would be 1084 00:58:49,880 --> 00:58:55,320 Speaker 1: one of the sparser categories. But just as much open 1085 00:58:56,240 --> 00:58:59,000 Speaker 1: ended in this category as there is with everything else. 1086 00:58:59,720 --> 00:59:02,480 Speaker 1: I think that, um, this is just going to come 1087 00:59:02,520 --> 00:59:06,960 Speaker 1: down to who really wants it? I agree, and a 1088 00:59:06,960 --> 00:59:09,080 Speaker 1: lot of people might want it more than we think. 1089 00:59:09,840 --> 00:59:13,840 Speaker 1: We have a next category. This category is most iconic 1090 00:59:14,160 --> 00:59:18,200 Speaker 1: building or structure of all time. We know them, we 1091 00:59:18,320 --> 00:59:21,360 Speaker 1: love them, we live in them, we seen them, we 1092 00:59:21,440 --> 00:59:24,600 Speaker 1: often photographed them. Sometimes we even read about them or 1093 00:59:24,600 --> 00:59:29,160 Speaker 1: see them on tours. But only one is the most 1094 00:59:29,360 --> 00:59:32,919 Speaker 1: iconic building or structure, and we'll win the Last Cultures 1095 00:59:32,960 --> 00:59:37,600 Speaker 1: Culture Award for being as such. The next category is 1096 00:59:37,760 --> 00:59:41,960 Speaker 1: best YouTube video of those chart data timeline things. I 1097 00:59:42,000 --> 00:59:45,080 Speaker 1: was just talking about them. You In fact, we're we 1098 00:59:45,120 --> 00:59:47,760 Speaker 1: love these videos and there's and there's a lot of 1099 00:59:47,760 --> 00:59:51,800 Speaker 1: them out there, only for the important ones because you know, 1100 00:59:51,840 --> 00:59:53,840 Speaker 1: the one hit wonders. They can't you know, it's kind 1101 00:59:53,840 --> 00:59:56,160 Speaker 1: of like a snapshot. You don't really need the timeline. 1102 00:59:56,480 --> 00:59:58,720 Speaker 1: And to think that something we only brought up on 1103 00:59:58,800 --> 01:00:03,400 Speaker 1: this episode isn't an tire is an entire category. It's 1104 01:00:04,440 --> 01:00:06,600 Speaker 1: as it has every right to be. It has every 1105 01:00:06,760 --> 01:00:10,680 Speaker 1: right to be. Don't don't sleep on this category. You 1106 01:00:10,720 --> 01:00:13,320 Speaker 1: got this. This is not one of those like, oh 1107 01:00:13,360 --> 01:00:15,000 Speaker 1: it's in the middle of the show, everyone get up 1108 01:00:15,000 --> 01:00:17,720 Speaker 1: and you know, go, we feel your drinks now. This 1109 01:00:17,880 --> 01:00:21,800 Speaker 1: is a category you're gonna want to stick around for promise. 1110 01:00:22,480 --> 01:00:25,880 Speaker 1: And we have the next category. Speaking of things we 1111 01:00:25,960 --> 01:00:31,880 Speaker 1: discussed on the episode, Best Katie Perry moment. Oh my god, 1112 01:00:32,600 --> 01:00:34,040 Speaker 1: there have been so many moments. There have been so 1113 01:00:34,080 --> 01:00:36,840 Speaker 1: many moments of Katie Perry. Do you think a moment 1114 01:00:36,840 --> 01:00:41,480 Speaker 1: that hasn't even happened yet might win. It's light up 1115 01:00:41,520 --> 01:00:44,080 Speaker 1: to me. It's not up to me, but I guess 1116 01:00:44,080 --> 01:00:46,800 Speaker 1: it is. Ultimately, I guess it is up to us. 1117 01:00:47,480 --> 01:00:49,640 Speaker 1: But I but I'm not ruling it out. I think 1118 01:00:49,680 --> 01:00:52,240 Speaker 1: that people should campaign. I think if you it's it's 1119 01:00:52,240 --> 01:00:54,320 Speaker 1: like an American Idol, where if you didn't want that 1120 01:00:54,360 --> 01:00:57,080 Speaker 1: person to be voted out, you should have. If you 1121 01:00:57,160 --> 01:01:00,240 Speaker 1: want to campaign and you want something to us at 1122 01:01:00,240 --> 01:01:04,960 Speaker 1: the top and win the Cultural Award, campaign campaign. My god, 1123 01:01:06,000 --> 01:01:09,280 Speaker 1: here we go. We have another category, best movie we 1124 01:01:09,400 --> 01:01:12,160 Speaker 1: did not see. Now, mo one and I have seen 1125 01:01:12,320 --> 01:01:17,800 Speaker 1: very many movies. Let's be real, I have seen I 1126 01:01:17,840 --> 01:01:20,960 Speaker 1: have not seen so much, and only one of them 1127 01:01:21,200 --> 01:01:25,840 Speaker 1: will win the Cultural Award for Best Movie. We bowhen 1128 01:01:25,920 --> 01:01:31,280 Speaker 1: and I did not see amazing. We have another think 1129 01:01:31,320 --> 01:01:33,880 Speaker 1: we have another category. I think it's your turn to 1130 01:01:34,400 --> 01:01:40,400 Speaker 1: outstanding Reality competition host. There are some, I mean famously 1131 01:01:40,560 --> 01:01:44,120 Speaker 1: one has won the Emmy every year. This might be 1132 01:01:44,160 --> 01:01:47,000 Speaker 1: an opportunity for us to either add to that hall 1133 01:01:47,480 --> 01:01:50,000 Speaker 1: or go a different way. Man, I think you're up 1134 01:01:50,040 --> 01:01:54,080 Speaker 1: for this category. I'm up for this. I'm not saying 1135 01:01:55,280 --> 01:01:58,000 Speaker 1: I am not. It would be inappropriate for me, especially 1136 01:01:58,040 --> 01:02:01,200 Speaker 1: because I'm nervous about how much I on it. Yeah, 1137 01:02:01,360 --> 01:02:05,280 Speaker 1: to sort of sway the publicism campaigners out there, of 1138 01:02:05,280 --> 01:02:08,840 Speaker 1: which now everyone is one. But I am up for this. 1139 01:02:08,840 --> 01:02:11,439 Speaker 1: This is what everyone has to understand when it's lost 1140 01:02:11,440 --> 01:02:18,600 Speaker 1: culture is this culture word season? Everyone's a publicist. Oh yeah, okay, 1141 01:02:18,640 --> 01:02:25,840 Speaker 1: it's really culture number ninety one. When it's lost season, 1142 01:02:25,520 --> 01:02:33,400 Speaker 1: everyone plist. Oh yeah. We have the next category, smallest snub. 1143 01:02:34,160 --> 01:02:36,680 Speaker 1: People talk about the big ones, but but there are 1144 01:02:36,760 --> 01:02:39,480 Speaker 1: small ones. There's snubs there. You know are snubs. We 1145 01:02:39,520 --> 01:02:41,520 Speaker 1: can acknowledge them to be snubs, but if they're not 1146 01:02:41,600 --> 01:02:44,360 Speaker 1: that big, they're not a big deal. It's like, well 1147 01:02:44,400 --> 01:02:47,080 Speaker 1: that person didn't get didn't win, or didn't get nominated. 1148 01:02:47,640 --> 01:02:49,920 Speaker 1: That's too bad, But it's not. It's not something that 1149 01:02:49,960 --> 01:02:53,520 Speaker 1: they really maybe fully deserved as much as you know, 1150 01:02:54,720 --> 01:02:58,480 Speaker 1: as as this other person. I'm also up for this. 1151 01:02:58,480 --> 01:03:01,320 Speaker 1: This is getting really really meta that it's an Aura 1152 01:03:01,400 --> 01:03:04,880 Speaker 1: Boros sneak is eating its own damn tail. We have 1153 01:03:04,880 --> 01:03:10,240 Speaker 1: the next category, worst insult towards us. This can be 1154 01:03:10,560 --> 01:03:13,400 Speaker 1: this dates back to our friendship or when people would 1155 01:03:13,680 --> 01:03:16,880 Speaker 1: whatever the first time. Oh my god, Matt, you know 1156 01:03:17,000 --> 01:03:20,040 Speaker 1: you know who, Like there's someone out there who made 1157 01:03:20,160 --> 01:03:23,840 Speaker 1: history which was not not insulted us, but there was 1158 01:03:23,880 --> 01:03:25,920 Speaker 1: the there was the first person to refer to the 1159 01:03:25,920 --> 01:03:30,760 Speaker 1: two of us as like a unit of like just like, oh, 1160 01:03:30,800 --> 01:03:34,480 Speaker 1: those two people over there, you know, like exactly who 1161 01:03:34,560 --> 01:03:38,480 Speaker 1: grouped us together for the first time. That person made history. 1162 01:03:38,640 --> 01:03:43,360 Speaker 1: That person made history. And they better hope that there's 1163 01:03:43,360 --> 01:03:48,440 Speaker 1: a bigger insult towards us out there history guys over there, Well, 1164 01:03:48,720 --> 01:03:52,600 Speaker 1: this is this is the award for the worst insult 1165 01:03:52,680 --> 01:03:55,040 Speaker 1: that someone has made about us. And this can date 1166 01:03:55,240 --> 01:04:00,080 Speaker 1: as far back um as far back too. When you 1167 01:04:00,160 --> 01:04:02,480 Speaker 1: and I were in college walking down the street together, 1168 01:04:03,640 --> 01:04:06,440 Speaker 1: getting a coffee together, saying hello, someone coming up to 1169 01:04:06,440 --> 01:04:09,200 Speaker 1: a thing, you fucking get out of our my way, 1170 01:04:09,240 --> 01:04:12,400 Speaker 1: you coffee people. That's a bad example, you know, but 1171 01:04:12,520 --> 01:04:14,880 Speaker 1: I think coffee people was sort of used in there. 1172 01:04:14,920 --> 01:04:18,680 Speaker 1: It could have been something else, just saying, just saying, 1173 01:04:19,360 --> 01:04:28,360 Speaker 1: we have scariest monster. Lots of scary ones, I mean fictional, nonfictional. 1174 01:04:29,640 --> 01:04:33,200 Speaker 1: I mean from Dracula to the Uni Bomber. There have 1175 01:04:33,320 --> 01:04:41,760 Speaker 1: been so many monsters in history. I mean Nurse Ratchet two, Cookie, 1176 01:04:42,280 --> 01:04:47,120 Speaker 1: Cookie Monster, and people think Cookie is scary, the fake, 1177 01:04:47,360 --> 01:04:51,400 Speaker 1: the real Who will be the scariest of them all? 1178 01:04:52,080 --> 01:04:55,520 Speaker 1: That's the big question we ask I have one I 1179 01:04:55,560 --> 01:04:57,480 Speaker 1: have I have a category I should by what I 1180 01:04:57,480 --> 01:05:02,680 Speaker 1: mean category most controversial Wendy Williams moment. I mean, we 1181 01:05:02,800 --> 01:05:05,240 Speaker 1: discussed them on this podcast, but only one can be 1182 01:05:05,280 --> 01:05:08,680 Speaker 1: the most controversial. Is it her sort of shrugging off 1183 01:05:08,720 --> 01:05:13,840 Speaker 1: someone's death. Is it her fainting in a sort of 1184 01:05:14,560 --> 01:05:17,800 Speaker 1: statue of liberty garb? What is the most controversial? What 1185 01:05:17,840 --> 01:05:19,320 Speaker 1: was the moment that shook it up the most? When 1186 01:05:19,360 --> 01:05:23,720 Speaker 1: it comes to the Queen of talk, Wendy Williams, and 1187 01:05:23,800 --> 01:05:25,560 Speaker 1: I think wend I believe Wendy is up for a 1188 01:05:25,600 --> 01:05:29,480 Speaker 1: lot of these categories. She's up for almost every category. 1189 01:05:31,880 --> 01:05:36,360 Speaker 1: Wendy Wendy is the is the favorite and a lot 1190 01:05:36,400 --> 01:05:40,240 Speaker 1: of these categories. Maybe definitely for best. I'm looking just 1191 01:05:40,320 --> 01:05:44,240 Speaker 1: at a glance, best asked for you know best. I 1192 01:05:44,280 --> 01:05:46,440 Speaker 1: think the most shocking moment of the year, most shocking 1193 01:05:46,640 --> 01:05:52,600 Speaker 1: of the year square for sure. For sure. In many ways, 1194 01:05:52,640 --> 01:05:56,240 Speaker 1: she could be the scariest, most sponster on more, smallest 1195 01:05:56,280 --> 01:06:00,520 Speaker 1: snub Wendy. Wendy will be a presence, she president. I 1196 01:06:00,560 --> 01:06:05,240 Speaker 1: haven't I have a new category, most recurring stress dream. 1197 01:06:06,440 --> 01:06:10,640 Speaker 1: Recurring stress dream, the stress dream that recurs the most. 1198 01:06:10,680 --> 01:06:12,600 Speaker 1: If you could, like write, if you keep a journal 1199 01:06:13,040 --> 01:06:15,240 Speaker 1: for your dreams, and you went back and flip to 1200 01:06:15,240 --> 01:06:17,200 Speaker 1: the pages flip flip, flip fi flip, and he thought, 1201 01:06:17,240 --> 01:06:19,800 Speaker 1: oh my god, the one where I'm doing that, that's 1202 01:06:19,840 --> 01:06:23,440 Speaker 1: the one that's gonna win most common. Thank you. We 1203 01:06:23,480 --> 01:06:29,560 Speaker 1: have an ex category Worst way to die. Death is sad. 1204 01:06:30,040 --> 01:06:34,320 Speaker 1: Death is sad, But but it's not always bad bad, 1205 01:06:35,160 --> 01:06:37,680 Speaker 1: and there's some there's some deaths that are bad, and 1206 01:06:37,720 --> 01:06:39,840 Speaker 1: there's some deaths that and there is a death that 1207 01:06:39,960 --> 01:06:43,720 Speaker 1: is the worst, and we are going to be awarding 1208 01:06:43,800 --> 01:06:48,600 Speaker 1: that on the last Cultures Culture Awards. I'm seeing a 1209 01:06:48,600 --> 01:06:52,680 Speaker 1: new category coming through. We have an ex category best 1210 01:06:53,000 --> 01:06:57,080 Speaker 1: flavor of them All. This is a different This is 1211 01:06:57,120 --> 01:07:00,400 Speaker 1: different from best Seltzer flavor. Oh, because the could be 1212 01:07:00,440 --> 01:07:03,000 Speaker 1: the best Seltzer flavor, which I think I know what 1213 01:07:03,120 --> 01:07:07,200 Speaker 1: I want, is definitely different than the best flavor of 1214 01:07:07,320 --> 01:07:10,520 Speaker 1: them All of them all are the year or of 1215 01:07:10,560 --> 01:07:15,080 Speaker 1: all time. You you're not reading it's best flavor of 1216 01:07:15,120 --> 01:07:19,600 Speaker 1: them all. That's of the set of flavors that exist currently. 1217 01:07:20,040 --> 01:07:22,680 Speaker 1: But are we stretching it back to of all time, 1218 01:07:22,760 --> 01:07:26,720 Speaker 1: every flavor that's existed, best flavor of it? Then that 1219 01:07:26,760 --> 01:07:28,520 Speaker 1: means that means there are a lot. This is the 1220 01:07:28,560 --> 01:07:33,120 Speaker 1: crowded category. It's very crowded, very crowded. And if your 1221 01:07:33,200 --> 01:07:36,000 Speaker 1: flavor of talk show host is Wendy Williams, and then 1222 01:07:36,000 --> 01:07:44,080 Speaker 1: she's also up for this category best little Bro. Remember 1223 01:07:45,120 --> 01:07:47,880 Speaker 1: little bro is what Matt Rodgers was called by the 1224 01:07:47,920 --> 01:07:52,400 Speaker 1: man who was topping him. Yeah, and it really really worked, 1225 01:07:52,960 --> 01:07:56,200 Speaker 1: really sort of was a trigger, as the kids say, 1226 01:07:56,360 --> 01:07:59,680 Speaker 1: it was like he was her minding Granger casting a 1227 01:07:59,760 --> 01:08:06,680 Speaker 1: spe Is that it worked? Okay, atio come akio, com 1228 01:08:07,200 --> 01:08:13,360 Speaker 1: akio prostate orgasm. I thought it was at whatever text 1229 01:08:13,560 --> 01:08:18,280 Speaker 1: that's that's me saying or shock or Scotch. Say you 1230 01:08:18,320 --> 01:08:21,640 Speaker 1: said worst War Scotch. Sure we have we have an 1231 01:08:21,640 --> 01:08:26,519 Speaker 1: next category, best big Bro. This is almost would you 1232 01:08:26,520 --> 01:08:31,280 Speaker 1: say this is another way of saying best top I? 1233 01:08:31,280 --> 01:08:34,880 Speaker 1: I it's not up to me yet again, it's really 1234 01:08:35,000 --> 01:08:37,599 Speaker 1: up to it either is up to us or it's 1235 01:08:37,760 --> 01:08:39,800 Speaker 1: it's not. I don't know what you we need to 1236 01:08:39,840 --> 01:08:41,760 Speaker 1: really like fall on one side of me. I would 1237 01:08:41,800 --> 01:08:43,960 Speaker 1: say this, we are going to be deciding the winners, 1238 01:08:44,520 --> 01:08:46,960 Speaker 1: but that doesn't really mean us out to us. I 1239 01:08:47,080 --> 01:08:50,080 Speaker 1: see that makes total SI. I think that this is 1240 01:08:50,080 --> 01:08:52,920 Speaker 1: where the readers have to come in and really campaign. 1241 01:08:53,280 --> 01:08:56,080 Speaker 1: You know, who is the best big bro? Is it 1242 01:08:56,080 --> 01:08:58,160 Speaker 1: a big bro in film and television? Is it a 1243 01:08:58,240 --> 01:09:01,000 Speaker 1: top it's not. It's just not for me to say. 1244 01:09:01,120 --> 01:09:04,599 Speaker 1: You not know exactly, And we also don't know when 1245 01:09:04,680 --> 01:09:07,879 Speaker 1: these awards are going to be m which is important 1246 01:09:07,920 --> 01:09:13,719 Speaker 1: to say. Okay, we have the next category best friend, 1247 01:09:14,880 --> 01:09:18,400 Speaker 1: best friend. That's my best friend. If you need to freak, 1248 01:09:19,120 --> 01:09:22,840 Speaker 1: I'm dumb, but motherfucker, she might tweedle d this is 1249 01:09:23,320 --> 01:09:25,400 Speaker 1: this is the friend that is the best. I think 1250 01:09:25,439 --> 01:09:27,599 Speaker 1: you're up for this. I think you're up for this, 1251 01:09:28,479 --> 01:09:30,840 Speaker 1: and to be competing against each other in this category 1252 01:09:30,960 --> 01:09:35,240 Speaker 1: is hard, so hard, and I guess I'm just it's 1253 01:09:35,280 --> 01:09:37,559 Speaker 1: I'm scared how much I want it. I don't want 1254 01:09:37,600 --> 01:09:40,920 Speaker 1: it because then I will always be measured against this 1255 01:09:41,040 --> 01:09:44,120 Speaker 1: award and be like, well it's the you know, twenty 1256 01:09:44,160 --> 01:09:45,840 Speaker 1: years from now, will I be a best friend? Will be? 1257 01:09:45,960 --> 01:09:47,559 Speaker 1: Will I be as good of a friend as I was? 1258 01:09:47,680 --> 01:09:51,479 Speaker 1: And you know, in all my life before, it's so hard. 1259 01:09:51,560 --> 01:09:53,560 Speaker 1: I don't really want it, and you're brave enough to 1260 01:09:53,560 --> 01:09:55,360 Speaker 1: say that you do, and I wish I had that bravery. 1261 01:09:55,360 --> 01:09:57,880 Speaker 1: And that's why I love you so much as a friend, 1262 01:09:58,800 --> 01:10:01,200 Speaker 1: I love you, I love you, you back. We have 1263 01:10:01,240 --> 01:10:06,479 Speaker 1: an next category, Most memorable line in a movie. This 1264 01:10:06,560 --> 01:10:08,920 Speaker 1: is not a screenwriting award, but it's an award for 1265 01:10:09,000 --> 01:10:12,400 Speaker 1: the line that is most memorable. And this could come 1266 01:10:12,439 --> 01:10:16,840 Speaker 1: in a screen in a screenplay that is absolute horseshit. Yeah, 1267 01:10:17,160 --> 01:10:20,479 Speaker 1: but it's the most memorable line in the movie. The 1268 01:10:20,560 --> 01:10:24,960 Speaker 1: camp classics are not are not disqualified from this. The 1269 01:10:25,000 --> 01:10:28,360 Speaker 1: trash the trashiest line. All movies are competing. We have 1270 01:10:28,400 --> 01:10:31,719 Speaker 1: an next category. We have We have a nice category, 1271 01:10:32,520 --> 01:10:37,320 Speaker 1: most memorable line in a TV show. This is this 1272 01:10:37,600 --> 01:10:41,720 Speaker 1: is similar to move forward to me, but every everything 1273 01:10:41,800 --> 01:10:44,680 Speaker 1: to hold on, Hold on. Okay, So I've I've just 1274 01:10:45,479 --> 01:10:48,040 Speaker 1: I did just receive an email from Megan McCain, who's 1275 01:10:48,080 --> 01:10:51,400 Speaker 1: listening line, but she prefers to email us messages. As 1276 01:10:51,439 --> 01:10:55,880 Speaker 1: we're recording, she says that all TV shows are in competition, 1277 01:10:56,080 --> 01:10:58,880 Speaker 1: are competing for this category. Makes sense to me. We 1278 01:10:58,960 --> 01:11:05,559 Speaker 1: have a category. Have a next category, best note ever sung? Now, 1279 01:11:05,720 --> 01:11:09,960 Speaker 1: is this a pitch? It could be about pitch, It 1280 01:11:09,960 --> 01:11:12,360 Speaker 1: could be about emotion. It could be about how high 1281 01:11:12,439 --> 01:11:15,280 Speaker 1: the note is or how low the note is extributing 1282 01:11:15,360 --> 01:11:18,559 Speaker 1: who sang the note is, what I'm asking. I think 1283 01:11:18,720 --> 01:11:21,439 Speaker 1: that it could be a specific notes sung in a 1284 01:11:21,479 --> 01:11:24,280 Speaker 1: specific song. It could be a note on the scale. 1285 01:11:25,280 --> 01:11:27,920 Speaker 1: All I know is it's the category is best note 1286 01:11:27,960 --> 01:11:32,479 Speaker 1: ever ever sung. And it's very clear the time, the time, 1287 01:11:32,560 --> 01:11:36,320 Speaker 1: the timeline is very clear. Here best note ever. We 1288 01:11:36,360 --> 01:11:38,040 Speaker 1: know what we're dealing with. And it's so interesting that 1289 01:11:38,080 --> 01:11:41,479 Speaker 1: this category has ever in and the other categories either 1290 01:11:41,600 --> 01:11:43,640 Speaker 1: don't have the word ever in it, or say of 1291 01:11:43,680 --> 01:11:46,679 Speaker 1: the year, but some of them are of all time 1292 01:11:46,880 --> 01:11:52,280 Speaker 1: or of all This is best. Actually, I'm going to 1293 01:11:52,320 --> 01:12:00,000 Speaker 1: snow myself into the ring right now, good late entry 1294 01:12:00,040 --> 01:12:05,320 Speaker 1: tray for your consideration. We have an expory worst note ever. 1295 01:12:05,960 --> 01:12:10,479 Speaker 1: Oh you thought the bodiaries were done? No, here, here, here, 1296 01:12:10,479 --> 01:12:12,840 Speaker 1: here they are again. And I just threw myself into 1297 01:12:12,840 --> 01:12:15,920 Speaker 1: the rooting for that as well. Oh, we have an 1298 01:12:15,920 --> 01:12:20,680 Speaker 1: ex category best live performance by a woman. There's so 1299 01:12:20,720 --> 01:12:24,360 Speaker 1: many hm I can think of. At least three I 1300 01:12:24,360 --> 01:12:26,880 Speaker 1: can't think of at least three. We are not up 1301 01:12:26,920 --> 01:12:31,760 Speaker 1: for this, no, but so many people are. And the 1302 01:12:31,800 --> 01:12:36,439 Speaker 1: submission window will not close until the minute before we 1303 01:12:36,479 --> 01:12:40,800 Speaker 1: start the awards. The awards recording the episode um at 1304 01:12:40,800 --> 01:12:43,320 Speaker 1: an at an undetermined time, which we do at times 1305 01:12:43,640 --> 01:12:46,440 Speaker 1: which we do not know when. We have an ext category, 1306 01:12:46,680 --> 01:12:50,800 Speaker 1: the Diabolo Cody Screenplay Award. This is an award that 1307 01:12:51,360 --> 01:12:55,080 Speaker 1: is either for a screenplay that really really fucking popped 1308 01:12:55,200 --> 01:12:57,400 Speaker 1: right away and people got it and loved it, or 1309 01:12:58,160 --> 01:13:01,960 Speaker 1: didn't pop right away but earns a Holt appreciation years 1310 01:13:02,040 --> 01:13:06,840 Speaker 1: later until it becomes universally loved by everybody and is 1311 01:13:06,840 --> 01:13:11,800 Speaker 1: seen as like a really great sort of um, you know, horror, fantasy, 1312 01:13:12,200 --> 01:13:16,320 Speaker 1: feminist work. So this is actually um. While it's named 1313 01:13:16,360 --> 01:13:18,519 Speaker 1: after Diablo Cody and you think it's going to be 1314 01:13:18,560 --> 01:13:21,800 Speaker 1: a general good award for good screenplay, it's actually very 1315 01:13:21,840 --> 01:13:26,080 Speaker 1: It should really apply to being Diablo Cody vibe. Okay, 1316 01:13:26,320 --> 01:13:29,040 Speaker 1: it doesn't have to be written by Diablo. It should 1317 01:13:29,120 --> 01:13:32,639 Speaker 1: just feel like Tully. It should feel like young adults 1318 01:13:32,640 --> 01:13:36,840 Speaker 1: in energy in essence. Yes, we have an ex category, 1319 01:13:37,200 --> 01:13:41,519 Speaker 1: the Kate Blanchet Award for Good Acting. M hmm, well, 1320 01:13:41,560 --> 01:13:44,280 Speaker 1: I think that one of the best actors of all 1321 01:13:44,320 --> 01:13:47,519 Speaker 1: time is Kate Blanchett. I think Bone would agree. Yes, 1322 01:13:47,600 --> 01:13:51,519 Speaker 1: I agree, and so this is an award for good acting. 1323 01:13:51,600 --> 01:13:56,439 Speaker 1: But remember it should feel like Kate Blanchet is also winning. 1324 01:13:56,479 --> 01:14:00,360 Speaker 1: It is Kate up for this award. Yes, it was 1325 01:14:00,439 --> 01:14:04,639 Speaker 1: Diablo up for the Screenplay Award, Yes, and if they 1326 01:14:04,720 --> 01:14:10,599 Speaker 1: don't win their own it would be so embarrassing. But 1327 01:14:10,600 --> 01:14:13,639 Speaker 1: but listen, I mean a lot. This is not We're 1328 01:14:13,680 --> 01:14:16,559 Speaker 1: not trying to make anyone comfortable here. That sort of 1329 01:14:16,600 --> 01:14:21,240 Speaker 1: brings me to my next category. Here we have it 1330 01:14:21,360 --> 01:14:24,400 Speaker 1: is the Kylie Minogue Award for why haven't they Happened 1331 01:14:24,400 --> 01:14:28,680 Speaker 1: in America Yet? Said? I mean, and is this is 1332 01:14:28,680 --> 01:14:30,800 Speaker 1: this a similar thing where if Kylie doesn't win this one, 1333 01:14:30,880 --> 01:14:33,600 Speaker 1: that it's just egg on her face. I think it 1334 01:14:33,600 --> 01:14:38,200 Speaker 1: would be major egg on her small Australian face if 1335 01:14:38,280 --> 01:14:41,680 Speaker 1: she her little auzzy face, if she didn't win an 1336 01:14:41,720 --> 01:14:44,840 Speaker 1: award that was her namesake, because that would mean that 1337 01:14:44,920 --> 01:14:50,120 Speaker 1: we're asking why haven't they happened in America yet? Magnitude 1338 01:14:50,360 --> 01:14:53,240 Speaker 1: and Kylie, which sort of brings me to the next 1339 01:14:53,320 --> 01:14:58,200 Speaker 1: world interesting next category the Little Mix Award for being 1340 01:14:58,280 --> 01:15:03,920 Speaker 1: absolutely fearsome boots. Oh my god, they are fierce. Those three. 1341 01:15:04,840 --> 01:15:10,080 Speaker 1: Those are some fierce girls. And listen, they are obviously 1342 01:15:10,200 --> 01:15:12,680 Speaker 1: up for the Kylie Minogue why Haven't they Happened in 1343 01:15:12,720 --> 01:15:15,880 Speaker 1: America Yet? Award, but they're also up for the Little 1344 01:15:15,880 --> 01:15:18,200 Speaker 1: Mixed Award for being absolutely fierce boots and it would 1345 01:15:18,240 --> 01:15:22,960 Speaker 1: be egg on their British faces if they didn't win 1346 01:15:23,000 --> 01:15:27,400 Speaker 1: the award for them they're variably sized British faces. And 1347 01:15:27,479 --> 01:15:29,320 Speaker 1: I think but at least I think there are presents 1348 01:15:29,320 --> 01:15:31,439 Speaker 1: throughout the rest of the awards. I mean that they're 1349 01:15:31,439 --> 01:15:34,599 Speaker 1: definitely have. For Best Live Performance by a Woman, UM, 1350 01:15:34,600 --> 01:15:37,000 Speaker 1: that would be a shared award UM, even though the 1351 01:15:37,040 --> 01:15:43,519 Speaker 1: category signifies UH denotes a single woman. UM. Smallest Snubs 1352 01:15:43,640 --> 01:15:47,880 Speaker 1: for sure, Best twenty something, Best twenty something Album of 1353 01:15:47,920 --> 01:15:50,760 Speaker 1: the Year, Record of the Year, UM. Best News we 1354 01:15:50,840 --> 01:15:53,400 Speaker 1: heard could be about Little Mix. UM. You know there's 1355 01:15:53,400 --> 01:15:54,920 Speaker 1: a lot there, so I think Little Mixed, Like, if 1356 01:15:54,920 --> 01:15:59,040 Speaker 1: they don't win this one, there's there's plenty of opportunity 1357 01:15:59,120 --> 01:16:02,120 Speaker 1: in other categories. There's a lot of opportunity UM. And 1358 01:16:02,200 --> 01:16:06,760 Speaker 1: speaking of opportunity, the next category, we have a next category, 1359 01:16:06,920 --> 01:16:11,880 Speaker 1: the Tina Turner Legend Award. This will go to a 1360 01:16:12,040 --> 01:16:16,160 Speaker 1: legend on the magnitude. This will go to an absolute 1361 01:16:16,240 --> 01:16:20,920 Speaker 1: legend on the magnitude of Tina rock icon. Tina Turner, 1362 01:16:21,120 --> 01:16:25,880 Speaker 1: someone who broke, reinvented, invented the form to begin with, 1363 01:16:26,479 --> 01:16:29,880 Speaker 1: someone who is legendary, lived and lived. Don't you want 1364 01:16:29,880 --> 01:16:35,000 Speaker 1: to be a legend or statement or star? My god? 1365 01:16:35,400 --> 01:16:41,400 Speaker 1: We have a next category, Most Relaxing Destination. You close 1366 01:16:41,479 --> 01:16:43,080 Speaker 1: your eyes and what do you picture if you if 1367 01:16:43,080 --> 01:16:45,800 Speaker 1: you want to be transported to a place where you 1368 01:16:45,800 --> 01:16:49,640 Speaker 1: were completely at ease. You know, this could be a 1369 01:16:49,680 --> 01:16:53,560 Speaker 1: specific place or a place that is sort of imagined, 1370 01:16:54,479 --> 01:16:57,080 Speaker 1: you know what I mean. It can be anything. It 1371 01:16:57,120 --> 01:17:00,160 Speaker 1: could be anything. It could be anything. This is very 1372 01:17:00,200 --> 01:17:04,840 Speaker 1: similar to the Scariest Monster fictional nonfictional. It's wide open, right. 1373 01:17:06,080 --> 01:17:11,080 Speaker 1: We have an ext category, Best damn Bird. This is 1374 01:17:11,080 --> 01:17:15,800 Speaker 1: a big one. This is one of the biggest categories 1375 01:17:15,840 --> 01:17:20,639 Speaker 1: of all because there are thousands, millions, billions of birds, 1376 01:17:21,680 --> 01:17:27,439 Speaker 1: and also there is the saying, so this is the 1377 01:17:27,479 --> 01:17:31,639 Speaker 1: best damn bird. It is not the Katrina's Clarity's Rogers 1378 01:17:31,800 --> 01:17:35,360 Speaker 1: Award for Best Damn Bird. It is just best damn Bird. 1379 01:17:35,720 --> 01:17:38,280 Speaker 1: Katrina has no pressure on her to win this because 1380 01:17:38,320 --> 01:17:41,680 Speaker 1: she's not up for it. But she is. She is 1381 01:17:42,040 --> 01:17:45,040 Speaker 1: sort of you know, I'm sure that she will campaign. 1382 01:17:45,320 --> 01:17:47,439 Speaker 1: You know, I'm sure that she as someone who's been 1383 01:17:47,439 --> 01:17:52,280 Speaker 1: around birds. Everyone's publicist, including my mother. We have an 1384 01:17:52,280 --> 01:17:57,960 Speaker 1: next category, Best Disney World ride. There's so many, there 1385 01:17:57,960 --> 01:18:00,880 Speaker 1: are so many doesn't and we're not even we're not 1386 01:18:00,880 --> 01:18:03,639 Speaker 1: even specifying if it's a flume, if it's a three 1387 01:18:03,720 --> 01:18:07,000 Speaker 1: D show, if it's a live show, if it's a ride. No, 1388 01:18:07,160 --> 01:18:11,680 Speaker 1: it's just ride. It's just ride, something you get on. Well, 1389 01:18:11,760 --> 01:18:14,599 Speaker 1: unless do you consider, like, uh, one of the live shows. 1390 01:18:14,640 --> 01:18:16,719 Speaker 1: That's not a ride to you? You don't. You don't 1391 01:18:16,800 --> 01:18:19,040 Speaker 1: ride a live show. It's actually with the culture number 1392 01:18:19,040 --> 01:18:24,080 Speaker 1: one hundred and six, you don't ride show unless you're 1393 01:18:24,080 --> 01:18:27,200 Speaker 1: a rodeo person. Unless you're at the rodeo. You're on 1394 01:18:27,280 --> 01:18:30,000 Speaker 1: your you're on the damn you're on the damn cow. 1395 01:18:30,200 --> 01:18:32,200 Speaker 1: I guess so. But I guess then the cow would 1396 01:18:32,240 --> 01:18:35,000 Speaker 1: be the of course, because famously at these rodeos they 1397 01:18:35,080 --> 01:18:40,280 Speaker 1: ride cows. Cowboy, what how boy? What? We have a 1398 01:18:40,360 --> 01:18:45,600 Speaker 1: next category, best Universal Studios Orlando. Right, I want to 1399 01:18:45,640 --> 01:18:51,000 Speaker 1: see my Orlando Queen's campaigning. I want the girls campaigning 1400 01:18:51,280 --> 01:18:56,479 Speaker 1: for their faiths. This is definitive. This is definitive. Okay. 1401 01:18:56,520 --> 01:18:58,599 Speaker 1: Should we define a ride as anything that you put 1402 01:18:58,800 --> 01:19:02,599 Speaker 1: that you buckle a seapill for not even necessarily because 1403 01:19:02,680 --> 01:19:04,960 Speaker 1: on the teacups they don't make you put a seat belt. 1404 01:19:06,240 --> 01:19:08,840 Speaker 1: There are some flume rides like like I think Splash Mountain. 1405 01:19:08,880 --> 01:19:12,400 Speaker 1: You don't have to put on a seat anything. You 1406 01:19:12,520 --> 01:19:16,800 Speaker 1: get in and then it goes. Thank you. I all 1407 01:19:16,840 --> 01:19:19,240 Speaker 1: I wanted all along was just for some definition, and 1408 01:19:19,280 --> 01:19:23,200 Speaker 1: you gave it to me just now, so so well 1409 01:19:24,120 --> 01:19:26,320 Speaker 1: that's why I'm here. Thank you. We have the next 1410 01:19:26,360 --> 01:19:31,559 Speaker 1: category now, six Flags Award for Worst Ride in Orlando. 1411 01:19:32,000 --> 01:19:34,640 Speaker 1: Oh my god, this is the six Flags Award for 1412 01:19:34,840 --> 01:19:40,360 Speaker 1: Worst Ride in Orlando. This really speaks for itself and 1413 01:19:40,560 --> 01:19:44,960 Speaker 1: its namesake. A bad chain of theme parks for worst 1414 01:19:45,240 --> 01:19:49,240 Speaker 1: ride in Orlando, Florida. I want to see my girls campaigning. 1415 01:19:49,560 --> 01:19:52,720 Speaker 1: I want to see my girls campaigning. Now? Is am 1416 01:19:52,720 --> 01:19:54,400 Speaker 1: I wrong in saying that there's a ride at the 1417 01:19:54,439 --> 01:19:57,640 Speaker 1: airport or now? I think I think I'm wrong. I 1418 01:19:57,680 --> 01:20:00,640 Speaker 1: think you might be wrong, But I wasn't sure if 1419 01:20:00,640 --> 01:20:01,960 Speaker 1: it was like a vagus thing where like you know, 1420 01:20:01,960 --> 01:20:03,800 Speaker 1: there's like slot machines at the airport and it's like 1421 01:20:03,840 --> 01:20:05,400 Speaker 1: they kind of like want to bring that experience to 1422 01:20:05,479 --> 01:20:07,960 Speaker 1: when as soon as you leave, I think I would know, 1423 01:20:08,680 --> 01:20:11,320 Speaker 1: you wouldn't know, And actually that sounds it sounds wrong 1424 01:20:11,360 --> 01:20:14,880 Speaker 1: as they say it. But this this isn't even something 1425 01:20:14,880 --> 01:20:17,760 Speaker 1: at Universal or Disney World. It's it could be a 1426 01:20:17,800 --> 01:20:22,840 Speaker 1: different part. Yeah, okay. We have a next category, Best 1427 01:20:23,160 --> 01:20:26,960 Speaker 1: Cousin of the Week. So this is anyone that has 1428 01:20:27,080 --> 01:20:29,639 Speaker 1: Cousin of the Week energy. You may have to sort 1429 01:20:29,680 --> 01:20:31,600 Speaker 1: of dive back into the podcast to find out what 1430 01:20:31,680 --> 01:20:34,320 Speaker 1: cousin of the week is. But this is someone who 1431 01:20:34,360 --> 01:20:37,280 Speaker 1: embodies what it means to be a cousin of the week. 1432 01:20:37,760 --> 01:20:40,120 Speaker 1: We'll be giving them an award Cousin of the week. 1433 01:20:40,560 --> 01:20:42,519 Speaker 1: And I should yes, and I should clarify it's best 1434 01:20:42,520 --> 01:20:45,799 Speaker 1: cousin of the week of all time. Correct, best cousin 1435 01:20:45,880 --> 01:20:50,080 Speaker 1: of the Week ever. Ever, it's it's not in It's 1436 01:20:50,080 --> 01:20:52,400 Speaker 1: not in the actual title of the category, but it's 1437 01:20:52,960 --> 01:20:54,760 Speaker 1: I But no, now you're adding it. I see on 1438 01:20:54,800 --> 01:20:56,920 Speaker 1: the Google on the Google doc and thank you. So 1439 01:20:57,000 --> 01:20:59,960 Speaker 1: I'm reading. Let me just read that again, best cousin 1440 01:21:00,040 --> 01:21:03,400 Speaker 1: of the Week ever of all time. So this might 1441 01:21:03,439 --> 01:21:05,840 Speaker 1: require some homework. The cousin of the week is someone 1442 01:21:05,880 --> 01:21:08,519 Speaker 1: who embodies what it means to be a cousin that week. 1443 01:21:08,840 --> 01:21:11,080 Speaker 1: This award is given to the best cousin of the 1444 01:21:11,120 --> 01:21:14,439 Speaker 1: week ever, of all time. Thank you. We have a 1445 01:21:14,479 --> 01:21:21,479 Speaker 1: next category, Best I don't think so, Honey of all time. Wow, 1446 01:21:21,920 --> 01:21:26,920 Speaker 1: I'm speechless. Our own thing to know that's on the list. 1447 01:21:27,080 --> 01:21:30,400 Speaker 1: It's it's an honor. You're up for it. I don't 1448 01:21:30,400 --> 01:21:35,360 Speaker 1: think I'm up for this. I think you're for it. No, 1449 01:21:35,479 --> 01:21:37,960 Speaker 1: I think for obvious people who are up for this. 1450 01:21:38,560 --> 01:21:40,360 Speaker 1: Can I just can I just list off? I think 1451 01:21:40,400 --> 01:21:42,840 Speaker 1: I can. I can think of one, go ahead, I 1452 01:21:42,880 --> 01:21:45,320 Speaker 1: can think of a couple. Patie and Joe can booster 1453 01:21:45,360 --> 01:21:49,479 Speaker 1: great a titleman, Sudie Green, I mean, you know the people, 1454 01:21:49,600 --> 01:21:53,400 Speaker 1: the people you know and love, Um, Sabrina Woo gave 1455 01:21:53,439 --> 01:21:58,120 Speaker 1: a great one. Absolutely, a lot of a lot of contenders. 1456 01:21:58,200 --> 01:22:00,519 Speaker 1: I'm not up for this and that's what Hey, No, 1457 01:22:00,840 --> 01:22:03,559 Speaker 1: you're up for it. Being up for it and being 1458 01:22:03,600 --> 01:22:07,000 Speaker 1: competitive for it are two different things. I also think 1459 01:22:07,040 --> 01:22:09,679 Speaker 1: you often do this thing where you're like, no, it's 1460 01:22:10,160 --> 01:22:13,280 Speaker 1: it's bad, I'm bad. But you have had some really 1461 01:22:13,320 --> 01:22:15,639 Speaker 1: good ones that are competitive. And you know what, there's 1462 01:22:15,680 --> 01:22:18,680 Speaker 1: gonna be people campaigning, a lot of publicists out there 1463 01:22:18,680 --> 01:22:21,640 Speaker 1: are going to be campaigning, and you might be surprised. 1464 01:22:22,479 --> 01:22:28,439 Speaker 1: What of your repertoire is eligible and worthy? How do 1465 01:22:28,479 --> 01:22:31,280 Speaker 1: you feel about your sort of your odds in this one. 1466 01:22:31,720 --> 01:22:34,800 Speaker 1: I think I have submitted a lot of material, and 1467 01:22:34,880 --> 01:22:37,400 Speaker 1: I think that they might all cancel each other out. 1468 01:22:37,720 --> 01:22:39,080 Speaker 1: But I think I've had some good I don't think 1469 01:22:39,080 --> 01:22:40,920 Speaker 1: so Honey is. I would be shocked to hear that 1470 01:22:40,960 --> 01:22:42,840 Speaker 1: one of my I don't think so Honey's was the best. 1471 01:22:42,840 --> 01:22:45,519 Speaker 1: I don't think so Honey of all time. I'm actually 1472 01:22:45,560 --> 01:22:48,000 Speaker 1: pretty sure I know what's gonna win this. I'm pretty 1473 01:22:48,040 --> 01:22:51,120 Speaker 1: sure to know what's gonna win this. But we have 1474 01:22:51,200 --> 01:22:53,200 Speaker 1: to talk to you, Megan and I. We have an 1475 01:22:53,200 --> 01:22:58,240 Speaker 1: ex category best thing to order for the table. I mean, 1476 01:22:58,760 --> 01:23:01,800 Speaker 1: there's so many apps on money apps there's not and 1477 01:23:01,880 --> 01:23:05,200 Speaker 1: not even apps. Sometimes it's a pizza, sometimes it's an 1478 01:23:05,320 --> 01:23:08,800 Speaker 1: entree that everyone shares, and we should say that this 1479 01:23:08,920 --> 01:23:12,120 Speaker 1: is the best of all those things. You sit down, 1480 01:23:12,400 --> 01:23:16,280 Speaker 1: you feel out the vibe. Someone says, I know what 1481 01:23:16,400 --> 01:23:18,960 Speaker 1: to order the table, and then it comes and everyone's like, 1482 01:23:19,040 --> 01:23:21,960 Speaker 1: oh my god, I'm so glad you ordered, so happy 1483 01:23:22,240 --> 01:23:24,760 Speaker 1: and thedos. I'm sorry, I'm getting ahead of myself. I 1484 01:23:24,800 --> 01:23:27,720 Speaker 1: don't want to know. You know you're a campaigning. I 1485 01:23:27,760 --> 01:23:29,479 Speaker 1: didn't mean to. I didn't mean to campaign, and I 1486 01:23:29,479 --> 01:23:32,759 Speaker 1: actually don't really care for peppers. I love Schido peppers. 1487 01:23:32,800 --> 01:23:37,839 Speaker 1: I guess now I'm in the publicist. Huh, we'rest everyone's 1488 01:23:37,840 --> 01:23:42,080 Speaker 1: a publicist. That's kind of like everyone's a critic. Everyone's 1489 01:23:42,160 --> 01:23:47,160 Speaker 1: a publicist. We have an next category. Best dinner usually 1490 01:23:47,240 --> 01:23:52,160 Speaker 1: happens after the meal that you eat that's likely the 1491 01:23:52,240 --> 01:23:56,799 Speaker 1: last meal of the day. Sometimes sometimes the borders are 1492 01:23:56,840 --> 01:24:01,240 Speaker 1: a little a little undefined. Is something you eat that 1493 01:24:01,439 --> 01:24:05,440 Speaker 1: really feels substantial at the end of the day. Yeah, 1494 01:24:05,840 --> 01:24:08,080 Speaker 1: And I've had some good ones in my life. I'm 1495 01:24:08,160 --> 01:24:12,240 Speaker 1: very blessed. I am so fortunate to have eaten some 1496 01:24:12,280 --> 01:24:15,479 Speaker 1: dinners that I would consider some of the best. And 1497 01:24:15,680 --> 01:24:17,719 Speaker 1: I don't think I'm done. I don't think I'm through, 1498 01:24:18,520 --> 01:24:23,479 Speaker 1: but one of them will be. I don't think I'm through. 1499 01:24:24,640 --> 01:24:28,120 Speaker 1: That's me. I'm so I'm so amazed at that that 1500 01:24:28,200 --> 01:24:30,000 Speaker 1: you don't think you're done, that you don't think you're 1501 01:24:30,040 --> 01:24:33,679 Speaker 1: through with your dinners. I think I'll continue to eat dinner. 1502 01:24:33,880 --> 01:24:36,880 Speaker 1: And I think that, But but up until now, they'll 1503 01:24:36,880 --> 01:24:40,280 Speaker 1: have been one best dinner. And this is not best 1504 01:24:40,280 --> 01:24:44,000 Speaker 1: dinner that we've eaten. It's best best dinner. Take it 1505 01:24:44,000 --> 01:24:47,640 Speaker 1: out of dinner, I know. I tell I'm telling the publicists, 1506 01:24:47,640 --> 01:24:49,360 Speaker 1: take it out of us, take it out of you. 1507 01:24:50,160 --> 01:24:53,479 Speaker 1: We have to make an objective culture decision. I'm what's 1508 01:24:53,520 --> 01:24:58,679 Speaker 1: the best dinner? We have the next category, best lunch. 1509 01:25:00,040 --> 01:25:06,200 Speaker 1: This is lunch. This is that meal you eat. Yes, 1510 01:25:06,360 --> 01:25:09,559 Speaker 1: and some in some school systems and some public schools, 1511 01:25:10,640 --> 01:25:13,600 Speaker 1: eleven am. That was. You know, I went to a 1512 01:25:13,640 --> 01:25:16,080 Speaker 1: school where if you if you had eleven am lunch, 1513 01:25:16,760 --> 01:25:22,680 Speaker 1: you were lucky. I had lunch one time at school recently. No, no, no, 1514 01:25:23,439 --> 01:25:27,840 Speaker 1: Hi school I had my lunch period was ten fifteen am. 1515 01:25:27,880 --> 01:25:30,040 Speaker 1: And that's what you know what? And we're actually being 1516 01:25:30,640 --> 01:25:35,400 Speaker 1: classist because at six they got us stuff. That's Jesus. 1517 01:25:35,439 --> 01:25:37,680 Speaker 1: But I'm talking about the graveyard shift people. Maybe ten 1518 01:25:37,720 --> 01:25:42,800 Speaker 1: am is their dinner, you know what I'm saying, thinking 1519 01:25:43,000 --> 01:25:46,400 Speaker 1: not even in we're thinking in terms of a capitalist 1520 01:25:46,479 --> 01:25:50,760 Speaker 1: sort of timetable in the day, and let's just dismantle it. 1521 01:25:50,840 --> 01:25:54,760 Speaker 1: But but but we're not getting into the category. That's sure. 1522 01:25:54,880 --> 01:25:57,160 Speaker 1: But best lunch can be any time, and so can 1523 01:25:57,200 --> 01:26:00,439 Speaker 1: the next category. We have a next category, best fist, 1524 01:26:01,680 --> 01:26:04,360 Speaker 1: oh my god, and breakfast can be at any time 1525 01:26:04,360 --> 01:26:06,720 Speaker 1: in the day too. I know some diners that serve 1526 01:26:06,800 --> 01:26:10,240 Speaker 1: it all day long. Okay and say that. Say that, 1527 01:26:10,280 --> 01:26:12,120 Speaker 1: and you want to know what I did the other night, 1528 01:26:12,800 --> 01:26:17,320 Speaker 1: could have been, could have been earlier than eleven pm. 1529 01:26:17,439 --> 01:26:20,000 Speaker 1: I said, I haven't eaten anything all day. I'm hungry. 1530 01:26:20,280 --> 01:26:22,880 Speaker 1: This is what I want. I fried. I scrambled some eggs, 1531 01:26:23,120 --> 01:26:25,080 Speaker 1: put some my some put them, put some of my 1532 01:26:25,120 --> 01:26:27,240 Speaker 1: tomato kimche on top, put them on a piece of toast. 1533 01:26:27,240 --> 01:26:28,799 Speaker 1: And that was my dinner. And I was like, okay. 1534 01:26:29,240 --> 01:26:33,280 Speaker 1: The behavior that they created, the words go off king, 1535 01:26:33,320 --> 01:26:42,240 Speaker 1: about ak, the behavior of a king frying eggs, go 1536 01:26:42,400 --> 01:26:45,960 Speaker 1: off king, And it's never been more apt. Thank you. 1537 01:26:46,200 --> 01:26:51,080 Speaker 1: We have the next category, best fish. This is when 1538 01:26:51,120 --> 01:26:53,040 Speaker 1: this is This is when Matt and I really kind 1539 01:26:53,040 --> 01:26:56,280 Speaker 1: of unraveled. But as we were typing this list, best fish, 1540 01:26:56,520 --> 01:27:00,600 Speaker 1: the best what's the best fish? You want to know 1541 01:27:02,240 --> 01:27:05,280 Speaker 1: from you? What is the best fish? Once and for 1542 01:27:05,360 --> 01:27:09,479 Speaker 1: all we have skipped too. I'm gonna stay in the 1543 01:27:09,560 --> 01:27:16,679 Speaker 1: next category, Best snack. You might eat this between breakfast, lunch, 1544 01:27:17,080 --> 01:27:20,439 Speaker 1: and lunch and dinner. Best snack. It's the one, number one, 1545 01:27:20,760 --> 01:27:24,800 Speaker 1: number one. It's okay, number one, best snack. We have 1546 01:27:24,800 --> 01:27:29,719 Speaker 1: a next category, Best beverage. This is something you drink, 1547 01:27:30,240 --> 01:27:34,000 Speaker 1: whether it's with a meal or not not tethered to 1548 01:27:34,040 --> 01:27:37,559 Speaker 1: a meal at all. About drink some water right now? 1549 01:27:37,640 --> 01:27:40,080 Speaker 1: Which is which is in the running? Water is in 1550 01:27:40,280 --> 01:27:45,200 Speaker 1: the beverage. It's up for It's competitive, it's up for it. 1551 01:27:45,200 --> 01:27:47,559 Speaker 1: It's competitive. I think it's got a lot of fans, 1552 01:27:48,240 --> 01:27:50,840 Speaker 1: maybe even everyone in the world. But will they vote 1553 01:27:51,040 --> 01:27:54,720 Speaker 1: and will they will they campaign? It's not up to us, 1554 01:27:54,720 --> 01:27:58,280 Speaker 1: not up to us until it is exclusively. We have 1555 01:27:58,320 --> 01:28:01,760 Speaker 1: a next category, the cath run Han Award for us 1556 01:28:01,840 --> 01:28:07,280 Speaker 1: being gagged. This is going to really stir up some 1557 01:28:07,280 --> 01:28:09,200 Speaker 1: some drama. A lot of people will have a lot 1558 01:28:09,200 --> 01:28:12,360 Speaker 1: of strong opinions on that, because, of course, being gagged 1559 01:28:12,520 --> 01:28:15,240 Speaker 1: is a strong is a strong opinion, is a strong emotion, 1560 01:28:15,479 --> 01:28:18,839 Speaker 1: one of the strongest emotions you could feel, love, anger, 1561 01:28:19,240 --> 01:28:24,000 Speaker 1: being gagged, and Catherine Han is very emblematic of that. 1562 01:28:24,000 --> 01:28:25,920 Speaker 1: That's why the word is named after her. She is 1563 01:28:25,960 --> 01:28:29,920 Speaker 1: in the running, she's up for it, and humiliating for 1564 01:28:29,920 --> 01:28:33,439 Speaker 1: her if she doesn't win. Humiliating. We have the next category, 1565 01:28:34,080 --> 01:28:41,439 Speaker 1: worst criminal, worst criminal of all time. This is dark. 1566 01:28:41,880 --> 01:28:44,120 Speaker 1: There are dark criminals out there and this is not 1567 01:28:44,240 --> 01:28:48,160 Speaker 1: this is like blue collar criminals, because this could be murderers, 1568 01:28:48,200 --> 01:28:51,040 Speaker 1: so many ways you could be a criminal, bootleggers, so 1569 01:28:51,120 --> 01:28:56,160 Speaker 1: many kinds of crime, white color, blue collar, black color. 1570 01:28:56,560 --> 01:28:58,360 Speaker 1: That's when I meant when I said blue collar criminal, 1571 01:28:58,400 --> 01:29:00,400 Speaker 1: I said, I meant a blue collar crimbin all is 1572 01:29:00,560 --> 01:29:05,120 Speaker 1: that's that's that's not a category. I think it's clear 1573 01:29:05,400 --> 01:29:07,040 Speaker 1: this is the worst criminal of all time, which is 1574 01:29:07,040 --> 01:29:11,439 Speaker 1: separate from scariest monster. Oh yeah, but there's some over there. 1575 01:29:11,479 --> 01:29:14,160 Speaker 1: You know. It might be a concentric circle within scariest 1576 01:29:14,160 --> 01:29:16,000 Speaker 1: monster of all time, or it's an end diagram where 1577 01:29:16,000 --> 01:29:18,240 Speaker 1: there's plenty of overlap. I think it could be a 1578 01:29:18,240 --> 01:29:23,719 Speaker 1: concentric circle. We have at best influencer. We haven't heard 1579 01:29:23,760 --> 01:29:28,720 Speaker 1: of so many we haven't seen young girls are influencing 1580 01:29:29,080 --> 01:29:32,200 Speaker 1: all the Judah day, and we haven't heard of so 1581 01:29:32,240 --> 01:29:34,280 Speaker 1: many of them. This one of them is the best. 1582 01:29:34,520 --> 01:29:39,040 Speaker 1: Is the best women? Next category? Best emoji? You know 1583 01:29:39,120 --> 01:29:40,960 Speaker 1: and you love them. You see them hanging out in 1584 01:29:41,040 --> 01:29:45,240 Speaker 1: your phone all day, like Gells boyfriend, Like just oh, 1585 01:29:45,760 --> 01:29:48,280 Speaker 1: he's in the phone. He lives in the phone. The 1586 01:29:48,280 --> 01:29:50,479 Speaker 1: emojis live on the phone. And some of them are new, 1587 01:29:50,760 --> 01:29:53,320 Speaker 1: some of them are old. Some of them you never 1588 01:29:53,360 --> 01:29:56,280 Speaker 1: even used. How often do you go into the flags. 1589 01:29:56,360 --> 01:29:58,240 Speaker 1: How often? How often do some of you go into 1590 01:29:58,280 --> 01:30:01,840 Speaker 1: the flags? They're up for this. Don't sleep on the flags. 1591 01:30:01,880 --> 01:30:05,600 Speaker 1: This is going to skyrocket. This has the potential to 1592 01:30:05,760 --> 01:30:10,440 Speaker 1: skyrocket the profile of one of the emojs, so Cam 1593 01:30:10,479 --> 01:30:15,120 Speaker 1: Payne publicists. We have the next category, Best emotion to portray. 1594 01:30:15,760 --> 01:30:20,240 Speaker 1: This is so specific because it's not the best emotion. 1595 01:30:20,760 --> 01:30:28,519 Speaker 1: It is best emotion to portray two your fans, two friends, 1596 01:30:29,240 --> 01:30:34,280 Speaker 1: those watching you. Best emotion to portray amazing. We have 1597 01:30:34,280 --> 01:30:37,120 Speaker 1: a next category. We have a We have a chunk 1598 01:30:37,160 --> 01:30:40,800 Speaker 1: of categories that I think will be very important. Absolutely, Okay, 1599 01:30:40,880 --> 01:30:43,760 Speaker 1: can I announce this one? Yes, We're almost done with 1600 01:30:43,439 --> 01:30:48,080 Speaker 1: with these announcements, by the way. Best animal on the farm. 1601 01:30:48,320 --> 01:30:53,480 Speaker 1: You know them, you love them. They're on the farm, 1602 01:30:53,600 --> 01:30:57,559 Speaker 1: They've been on the farm, They've been waiting for this moment. 1603 01:30:57,600 --> 01:30:59,800 Speaker 1: You might even see them in a petting zoo and 1604 01:31:00,040 --> 01:31:04,080 Speaker 1: only one will win. E I E I oh E 1605 01:31:04,360 --> 01:31:07,720 Speaker 1: I E I O E G O T L C 1606 01:31:08,000 --> 01:31:12,040 Speaker 1: C A more like what I mean? What did you spell? 1607 01:31:12,439 --> 01:31:16,840 Speaker 1: E I E got lost culture? Oh my god, that's it. 1608 01:31:17,280 --> 01:31:20,639 Speaker 1: We have a next category, Best animal in the forest. 1609 01:31:21,120 --> 01:31:23,759 Speaker 1: You might be seeing this one up in the tree 1610 01:31:24,120 --> 01:31:27,600 Speaker 1: on the ground, hiding in the leaves and the bushes, 1611 01:31:28,360 --> 01:31:33,759 Speaker 1: eating a mushroom. All the critters, critters the house down, 1612 01:31:33,920 --> 01:31:37,439 Speaker 1: or should I say the forest wide, the forest wide? 1613 01:31:37,800 --> 01:31:41,120 Speaker 1: They can it be tall and this is this is 1614 01:31:41,240 --> 01:31:45,400 Speaker 1: deciduous forest. This can be rainforest. This can be anywhere 1615 01:31:45,400 --> 01:31:50,080 Speaker 1: with a cluster of trees. Us girls, conniferus girl, step 1616 01:31:50,160 --> 01:31:53,880 Speaker 1: to the front. Best animal in the forest, best animal 1617 01:31:53,920 --> 01:31:56,439 Speaker 1: in the sea. First of all, can we say one 1618 01:31:56,439 --> 01:32:00,439 Speaker 1: of the biggest entities is our and we actually was 1619 01:32:00,920 --> 01:32:03,879 Speaker 1: it was. It was a moment of culture, our nation's notions, 1620 01:32:03,880 --> 01:32:11,479 Speaker 1: the exploration of our oceans. And this takes even deeper 1621 01:32:11,560 --> 01:32:15,360 Speaker 1: dive if you will, and ask who is the greatest 1622 01:32:15,600 --> 01:32:21,439 Speaker 1: best animal in the sea. Mhm m hmm. I don't think. 1623 01:32:22,160 --> 01:32:27,320 Speaker 1: I don't think this will be a peaceful category. I 1624 01:32:27,320 --> 01:32:29,200 Speaker 1: think a lot of people will be hurts. A lot 1625 01:32:29,200 --> 01:32:31,920 Speaker 1: of animals will be hurt. And haven't they been hurt enough? 1626 01:32:31,960 --> 01:32:35,600 Speaker 1: Apparently not? Apparently not. But you better campaign if you 1627 01:32:35,600 --> 01:32:39,000 Speaker 1: want what's right to end up being the outcome. Animals 1628 01:32:39,600 --> 01:32:50,200 Speaker 1: include mammals, fish, reptiles, reptiles, amphibians. We have an next category. 1629 01:32:50,680 --> 01:32:54,800 Speaker 1: This is upsetting. But it's your turn to announce best Billionaire. 1630 01:32:55,720 --> 01:32:59,679 Speaker 1: You know, they are a category of human being and 1631 01:33:00,040 --> 01:33:03,200 Speaker 1: we we are we are a culture podcast. We're rewarding 1632 01:33:03,880 --> 01:33:07,000 Speaker 1: things to everything in the culture. Billionaires are in the culture, 1633 01:33:07,040 --> 01:33:09,800 Speaker 1: whether we like it or not. We're rewarding this award 1634 01:33:09,880 --> 01:33:14,360 Speaker 1: to the best one, best one meaning not necessarily nicest person, 1635 01:33:14,800 --> 01:33:18,600 Speaker 1: best billionaire who walks the walk of being a billionaire 1636 01:33:18,880 --> 01:33:22,760 Speaker 1: the most because because and now it's very hard, because 1637 01:33:22,800 --> 01:33:24,960 Speaker 1: they're all sort of blending together there. They're all doing 1638 01:33:25,000 --> 01:33:29,280 Speaker 1: the same things. They're all going to space, they're all starting, 1639 01:33:29,479 --> 01:33:33,360 Speaker 1: you know, uh to to to see the same trainer. 1640 01:33:33,520 --> 01:33:36,799 Speaker 1: It's like it's it's we need someone who stands out 1641 01:33:37,000 --> 01:33:39,600 Speaker 1: as a billionaire. Which one should be uplifted on the 1642 01:33:39,600 --> 01:33:43,880 Speaker 1: podcast last culture and publicists, readers, you might have to 1643 01:33:43,880 --> 01:33:46,840 Speaker 1: start campaigning for a billionaire and I bet you never 1644 01:33:46,880 --> 01:33:48,840 Speaker 1: thought you'd have to do that in your life. I'm 1645 01:33:48,840 --> 01:33:51,839 Speaker 1: excited to hear come up with We have an next category. 1646 01:33:51,880 --> 01:33:55,639 Speaker 1: It is your turn. Best planet. You might not limit 1647 01:33:55,640 --> 01:33:58,760 Speaker 1: in our in our solar system. This can be in 1648 01:33:58,800 --> 01:34:03,519 Speaker 1: the Kepular system. This can be in other systems. Another 1649 01:34:03,960 --> 01:34:08,120 Speaker 1: another star, you know, at a in a binary star system. 1650 01:34:08,160 --> 01:34:11,439 Speaker 1: It could be a star Wars planet. It could be Avatar. 1651 01:34:11,920 --> 01:34:15,400 Speaker 1: It could be a little Prince planet, you know the plants. 1652 01:34:15,479 --> 01:34:19,760 Speaker 1: It can be Mormonism planet. It can be it can 1653 01:34:19,760 --> 01:34:22,200 Speaker 1: be a lot avatar. You said it could be Earth. 1654 01:34:22,880 --> 01:34:24,760 Speaker 1: It could be Earth. It could be Earth. It could 1655 01:34:24,760 --> 01:34:28,679 Speaker 1: be Earth. We'd be willing to hear arguments. Megan Bone 1656 01:34:28,720 --> 01:34:32,360 Speaker 1: and I what happened to Abbey Oh? Um, I guess 1657 01:34:33,040 --> 01:34:36,479 Speaker 1: she's still around and producing. I guess I just forgot 1658 01:34:36,520 --> 01:34:38,920 Speaker 1: about her. We haven't heard herm in a while, and 1659 01:34:38,920 --> 01:34:42,000 Speaker 1: it feels like Megan's really drowned out. Megan McCain. We 1660 01:34:42,000 --> 01:34:47,360 Speaker 1: should remind you. It's too bad. We have an next category, 1661 01:34:47,680 --> 01:34:53,920 Speaker 1: Best Teacher we Ever had parentheses Teacher Respect Award. This 1662 01:34:54,120 --> 01:34:57,679 Speaker 1: is now who is we best teacher we ever had? 1663 01:34:58,280 --> 01:35:02,360 Speaker 1: Teacher Respect Award? Thank you you answered my question. We 1664 01:35:02,479 --> 01:35:06,479 Speaker 1: the royal we best teacher we ever ever had? Again, 1665 01:35:06,680 --> 01:35:10,240 Speaker 1: it's not up to me necessarily. I'm just willing to 1666 01:35:10,280 --> 01:35:13,559 Speaker 1: hear campaigns. I want the publics to sort of do 1667 01:35:13,640 --> 01:35:16,519 Speaker 1: their work in deciding what this is best teacher we 1668 01:35:16,640 --> 01:35:19,960 Speaker 1: ever had? Teacher Respect Award. Thank you. This is an 1669 01:35:19,960 --> 01:35:26,280 Speaker 1: opportunity to really lift someone up. Wendy Williams is up 1670 01:35:26,280 --> 01:35:28,840 Speaker 1: for this category. She is up for this. If you 1671 01:35:28,920 --> 01:35:34,000 Speaker 1: think they're up for it, they've all taught. They've all taught. 1672 01:35:34,720 --> 01:35:37,960 Speaker 1: We have one more category to announce. And here, let 1673 01:35:38,000 --> 01:35:41,120 Speaker 1: me just do a quick count on how many categories 1674 01:35:41,200 --> 01:35:45,720 Speaker 1: this is. We've only we've only told you seventy two categories. 1675 01:35:46,080 --> 01:35:50,800 Speaker 1: So that is that is like a little less than 1676 01:35:50,840 --> 01:35:56,439 Speaker 1: a third, and so there are many more. Yes, we 1677 01:35:56,520 --> 01:36:01,800 Speaker 1: might not get I think maybe we'll do. We'll do so. 1678 01:36:02,600 --> 01:36:07,559 Speaker 1: Other categories will be announced very soon. Just understand, before 1679 01:36:08,360 --> 01:36:11,920 Speaker 1: we do the Cultural Awards, we'll have announced the next categories. 1680 01:36:12,280 --> 01:36:16,240 Speaker 1: We only got to seventy two. We have a last category, 1681 01:36:18,479 --> 01:36:26,479 Speaker 1: Most colorful color. This is for a color that is 1682 01:36:26,760 --> 01:36:34,000 Speaker 1: the most color I, for one, can't wait to hear 1683 01:36:34,040 --> 01:36:37,800 Speaker 1: the readers discuss and dissect the colors to find out 1684 01:36:37,800 --> 01:36:40,400 Speaker 1: which one of them it stands up, head and shoulders 1685 01:36:40,400 --> 01:36:44,160 Speaker 1: above the rest as the most colorful color of them all. Now, 1686 01:36:44,200 --> 01:36:46,920 Speaker 1: I don't want this to be a thing where it's, oh, 1687 01:36:46,960 --> 01:36:50,479 Speaker 1: it's black, because it's every color. You know. Don't get fresh, 1688 01:36:51,040 --> 01:36:54,559 Speaker 1: don't get fresh and clever. We don't like that, you 1689 01:36:54,600 --> 01:36:57,720 Speaker 1: don't like that, you you have to do. I want 1690 01:36:57,720 --> 01:37:01,240 Speaker 1: to see spirited debate on what the most colorful color is. 1691 01:37:01,320 --> 01:37:04,240 Speaker 1: And please, first of all, black and white and gray 1692 01:37:04,280 --> 01:37:07,200 Speaker 1: are shades. And you're not gonna you're not gonna come 1693 01:37:07,280 --> 01:37:12,639 Speaker 1: fool us. Mhm. Those are the seventy two categories thus far. 1694 01:37:12,760 --> 01:37:17,040 Speaker 1: There will be twenty eight more categories to create the 1695 01:37:17,160 --> 01:37:22,200 Speaker 1: one hundred categories. In the last Culture Such Culture Awards 1696 01:37:22,240 --> 01:37:25,839 Speaker 1: the first I am I for one of them. Thrilled 1697 01:37:27,000 --> 01:37:30,439 Speaker 1: because you know, because I because I like that. This 1698 01:37:30,520 --> 01:37:33,720 Speaker 1: is a campaign. This is there will be upsets, there 1699 01:37:33,720 --> 01:37:37,720 Speaker 1: will be drama, There's gonna be engagement, and I want 1700 01:37:37,720 --> 01:37:39,519 Speaker 1: to see the readers interact with us. This is a 1701 01:37:39,600 --> 01:37:43,360 Speaker 1: dialogue top Georgic moments of culture. History was just us 1702 01:37:43,439 --> 01:37:46,840 Speaker 1: kind of communicating what the moments were. Yeah, twelve Days 1703 01:37:46,920 --> 01:37:49,759 Speaker 1: of Culture was us kind of like, you know, doing 1704 01:37:49,840 --> 01:37:53,200 Speaker 1: something similar. This is an opportunity, as Matt has said 1705 01:37:53,240 --> 01:37:58,240 Speaker 1: many times, to lift someone up. This is the opportunity 1706 01:37:58,240 --> 01:38:01,880 Speaker 1: for readers to be publicists, to campaign. This is how 1707 01:38:01,880 --> 01:38:04,559 Speaker 1: it works in the awards and just in the circuits. 1708 01:38:04,760 --> 01:38:09,600 Speaker 1: This is a glimpse in to how things work in 1709 01:38:09,680 --> 01:38:15,559 Speaker 1: the circuit. And if you're a silent someone might not 1710 01:38:15,560 --> 01:38:19,080 Speaker 1: get an award. And that is the worst thing that 1711 01:38:19,120 --> 01:38:22,639 Speaker 1: could possibly happen to someone, And there's life to someone, 1712 01:38:22,840 --> 01:38:26,080 Speaker 1: or some fish in the sea or some animal in 1713 01:38:26,120 --> 01:38:31,000 Speaker 1: the forest, to go unrewarded their entire life. Fate worse 1714 01:38:31,080 --> 01:38:42,240 Speaker 1: than death, worse than death, gets a thinking, Well, I 1715 01:38:42,240 --> 01:38:44,240 Speaker 1: don't think I think this week, we don't do anything. 1716 01:38:46,400 --> 01:38:48,519 Speaker 1: I had one. You just don't want to do it 1717 01:38:48,520 --> 01:38:52,599 Speaker 1: because you don't have one. I want to do mine, Okay, okay, 1718 01:38:52,600 --> 01:38:55,920 Speaker 1: and then I'll do one. That's bad. All right, Um, 1719 01:38:56,040 --> 01:38:58,360 Speaker 1: here we go. This is Matt Rodgers is I don't 1720 01:38:58,360 --> 01:39:01,679 Speaker 1: think so, honey. His time starts now. I don't think so, honey. 1721 01:39:01,800 --> 01:39:06,240 Speaker 1: People taking pictures with their tongue out like this, oh 1722 01:39:06,320 --> 01:39:08,200 Speaker 1: to this to the side, Well, can you tell everybody 1723 01:39:08,240 --> 01:39:09,960 Speaker 1: what you just did? I just did to the side. 1724 01:39:10,640 --> 01:39:14,640 Speaker 1: I also don't like or this. Get your tongue in 1725 01:39:15,200 --> 01:39:19,719 Speaker 1: your mouth, show us your teeth or your smile without teeth, 1726 01:39:19,840 --> 01:39:24,360 Speaker 1: which is also called grin, I believe, or maybe work 1727 01:39:24,400 --> 01:39:29,679 Speaker 1: a smize. I don't want to see your tongue. Everyone 1728 01:39:29,760 --> 01:39:31,479 Speaker 1: that goes default to stick in their tongue out in 1729 01:39:31,520 --> 01:39:34,679 Speaker 1: the picture. I know you. I've seen your your cuter 1730 01:39:34,920 --> 01:39:38,840 Speaker 1: without sticking your tongue out. If you think that you 1731 01:39:38,880 --> 01:39:41,679 Speaker 1: are better looking with your tongue out of your mouth 1732 01:39:41,840 --> 01:39:45,240 Speaker 1: than it is in your mouth. I have objective news 1733 01:39:45,320 --> 01:39:51,280 Speaker 1: for you. You are not. It's not cute, it's not funny, 1734 01:39:51,439 --> 01:39:55,080 Speaker 1: especially in the age of COVID getting your tongue in 1735 01:39:55,240 --> 01:39:59,000 Speaker 1: your mouth. Flop just or flop in the clown square 1736 01:39:59,240 --> 01:40:03,439 Speaker 1: tongue in elf. Now, I'm not watching that. I'm not 1737 01:40:03,439 --> 01:40:07,000 Speaker 1: watching that. Get the tongue out of the mouth. I'm 1738 01:40:07,000 --> 01:40:10,080 Speaker 1: not watching and that get the tongue in the mouth. 1739 01:40:11,560 --> 01:40:13,840 Speaker 1: I've just had it. I've had enough. And I see 1740 01:40:13,920 --> 01:40:16,439 Speaker 1: people that I'm close to doing it, and I'm like, 1741 01:40:16,720 --> 01:40:21,559 Speaker 1: what is this insecurity? Then just don't smile at all. 1742 01:40:21,920 --> 01:40:25,559 Speaker 1: But I'd rather see you give a stoic look into 1743 01:40:25,560 --> 01:40:31,080 Speaker 1: the camera like this, then the tongue out. Wow. Gross, 1744 01:40:31,320 --> 01:40:34,519 Speaker 1: that are hopping a time machine into twenty And tell 1745 01:40:35,160 --> 01:40:37,560 Speaker 1: Miley Cyrus before she goes on stage at the v 1746 01:40:37,800 --> 01:40:41,120 Speaker 1: m as to keep it in sweetie. If I did 1747 01:40:41,160 --> 01:40:43,200 Speaker 1: have a time machine, it's the first thing I would do. 1748 01:40:43,760 --> 01:40:47,439 Speaker 1: Say that. But this it's not time for your I 1749 01:40:47,439 --> 01:40:52,360 Speaker 1: don't think so, honey. Are you ready, fish fish, I'm ready, 1750 01:40:52,880 --> 01:40:55,080 Speaker 1: Mrs Bowen Yanks, I don't think so. Honey, his time 1751 01:40:55,120 --> 01:40:58,240 Speaker 1: starts now. I don't think so, honey. Being in a 1752 01:40:58,439 --> 01:41:03,679 Speaker 1: creative ruts okay, I have been telling myself the story 1753 01:41:03,760 --> 01:41:05,600 Speaker 1: for too long that I've been in a rut. And 1754 01:41:05,600 --> 01:41:07,080 Speaker 1: then all I had to do the other night was 1755 01:41:07,160 --> 01:41:09,559 Speaker 1: put on some tea, put a little bit of fun 1756 01:41:09,640 --> 01:41:12,200 Speaker 1: music on, and then as as long as I sat 1757 01:41:12,240 --> 01:41:14,519 Speaker 1: at a desk with my phone off, I was a 1758 01:41:14,640 --> 01:41:18,400 Speaker 1: fucking font of creativity. And I was like, I haven't 1759 01:41:18,400 --> 01:41:22,479 Speaker 1: felt this way in literal years. And I enjoyed myself 1760 01:41:22,520 --> 01:41:25,840 Speaker 1: a great deal. And now I think I've really kind 1761 01:41:25,840 --> 01:41:29,800 Speaker 1: of art acted. And everyone should read The Creative Habit 1762 01:41:29,840 --> 01:41:31,920 Speaker 1: by Twilight Tharpe, because I remember this is what she 1763 01:41:31,960 --> 01:41:33,920 Speaker 1: talks about. You just have to set aside the time. 1764 01:41:34,439 --> 01:41:36,200 Speaker 1: And it's not even about whether or not you're in 1765 01:41:36,200 --> 01:41:39,200 Speaker 1: a rut. It's about because that is a self fulfilling 1766 01:41:39,200 --> 01:41:42,479 Speaker 1: prophecy that you will fail creatively no matter what. You 1767 01:41:42,560 --> 01:41:44,840 Speaker 1: just have to build the time in your schedule. I'm 1768 01:41:44,840 --> 01:41:46,519 Speaker 1: not saying anything new, but this is this is a 1769 01:41:46,600 --> 01:41:50,679 Speaker 1: truth that bears repeating. Just set aside the time, and girl, 1770 01:41:50,720 --> 01:41:53,559 Speaker 1: you're gonna write the next to Damn king Lear and 1771 01:41:53,600 --> 01:41:55,600 Speaker 1: it's still gonna be the pandemic, because we're still in 1772 01:41:55,600 --> 01:41:58,680 Speaker 1: the pandemic, and that's what I'm gonna come on, Charles Dickens, 1773 01:41:59,840 --> 01:42:03,280 Speaker 1: you also were sort of talking about scarcity mindset, which 1774 01:42:03,280 --> 01:42:05,599 Speaker 1: our own part of it, The Shallow told us about 1775 01:42:05,640 --> 01:42:08,280 Speaker 1: when you sit there and think I'm not able to create, 1776 01:42:08,320 --> 01:42:10,200 Speaker 1: I'm not able to create. I'm not able to create. 1777 01:42:10,200 --> 01:42:14,040 Speaker 1: You are fixating on the lack of creation and that 1778 01:42:14,320 --> 01:42:18,800 Speaker 1: is a trap. And I would say that you you have. 1779 01:42:19,000 --> 01:42:21,960 Speaker 1: We've both seen each other in this mindset today, step 1780 01:42:22,040 --> 01:42:25,200 Speaker 1: off the pod, separate conversations. We've both really kind of 1781 01:42:25,240 --> 01:42:27,880 Speaker 1: like been stuck in that mindset, haven't we. I would 1782 01:42:27,960 --> 01:42:30,920 Speaker 1: say that you're talking to me earlier about something and 1783 01:42:30,920 --> 01:42:33,720 Speaker 1: I was like, it's hey, you you know you will, 1784 01:42:33,800 --> 01:42:36,120 Speaker 1: you will succeed. There's one thing I do in my 1785 01:42:36,200 --> 01:42:38,880 Speaker 1: life where I get tripped up every time I think 1786 01:42:38,920 --> 01:42:40,479 Speaker 1: about it because I wonder what if it's bad, what 1787 01:42:40,520 --> 01:42:41,920 Speaker 1: if it's bad, what if it's bad? And it's weird 1788 01:42:41,920 --> 01:42:44,400 Speaker 1: because it's not really who I am in any other aspect, 1789 01:42:44,479 --> 01:42:46,760 Speaker 1: but it's just a project that matters a lot to me, 1790 01:42:46,800 --> 01:42:48,120 Speaker 1: So I don't want to mess it up. So I 1791 01:42:48,160 --> 01:42:51,160 Speaker 1: get that, But you are right there. It is a 1792 01:42:51,360 --> 01:42:55,360 Speaker 1: uh cyclical thing where I'm like fixated on the what 1793 01:42:55,479 --> 01:42:57,880 Speaker 1: if I fail aspect of this one thing and that 1794 01:42:58,080 --> 01:43:01,240 Speaker 1: I know of life and I'm not good at bar 1795 01:43:01,320 --> 01:43:05,000 Speaker 1: of It's not useful, not useful. And I'm happy that 1796 01:43:05,040 --> 01:43:07,800 Speaker 1: you put that tea on and things turned around. Oh yeah, 1797 01:43:08,120 --> 01:43:11,840 Speaker 1: it was lovely. Well, it's been a long episode and 1798 01:43:12,000 --> 01:43:14,640 Speaker 1: I don't want to overload and have it burst at 1799 01:43:14,640 --> 01:43:17,360 Speaker 1: the seams for the reader because we've been getting complaints 1800 01:43:17,400 --> 01:43:19,200 Speaker 1: and not that I care about the complaints. Don't care 1801 01:43:19,200 --> 01:43:21,680 Speaker 1: at her that we've been going long. Actually, you know, 1802 01:43:22,120 --> 01:43:23,880 Speaker 1: ever since have I told you? Ever since we watched 1803 01:43:24,000 --> 01:43:26,080 Speaker 1: all those Gwyneth Paltrow videos on Fire Island of her 1804 01:43:26,160 --> 01:43:28,360 Speaker 1: like not giving a shit about being in the Avengers movies, 1805 01:43:28,400 --> 01:43:31,000 Speaker 1: being like I haven't seen any of them. Sorry, Like 1806 01:43:31,360 --> 01:43:33,840 Speaker 1: that's really changed. I've talked about this in therapy, Like 1807 01:43:33,840 --> 01:43:36,280 Speaker 1: it's really been a shift for me to be like 1808 01:43:36,680 --> 01:43:39,400 Speaker 1: I don't care. I don't have to care about something 1809 01:43:39,479 --> 01:43:42,000 Speaker 1: unless I should. Does that make sense? Yeah, I'm happy 1810 01:43:42,000 --> 01:43:45,280 Speaker 1: that Gwyneth Paltrow unlocked that for somehow Goop came up 1811 01:43:45,280 --> 01:43:46,920 Speaker 1: and then study was with us that day and she 1812 01:43:47,000 --> 01:43:49,280 Speaker 1: was like, did you guys read that New Yorker interview 1813 01:43:49,280 --> 01:43:51,240 Speaker 1: with her where she was like, yeah, people make fun 1814 01:43:51,280 --> 01:43:53,880 Speaker 1: of Goop for being for like rich women, and it's like, yeah, 1815 01:43:53,920 --> 01:43:57,680 Speaker 1: it is, so you can't Like I'm like, I don't like, 1816 01:43:57,720 --> 01:43:59,439 Speaker 1: I'm like I don't agree with that, like with like 1817 01:43:59,479 --> 01:44:02,720 Speaker 1: what she's like saying necessary. But I love that attitude 1818 01:44:02,760 --> 01:44:05,559 Speaker 1: a lot, just like I don't care that you're making 1819 01:44:05,600 --> 01:44:08,200 Speaker 1: fun of this thing that I do because it's you're 1820 01:44:08,240 --> 01:44:11,160 Speaker 1: just saying what it is. Like I'm like, oh yeah, 1821 01:44:11,200 --> 01:44:13,920 Speaker 1: that is like such a helpful mindset to be. Like no, 1822 01:44:14,280 --> 01:44:20,160 Speaker 1: like I reject the the like the connotation you're putting 1823 01:44:20,200 --> 01:44:23,879 Speaker 1: behind what I do when it's literally like the intention anyway, 1824 01:44:23,920 --> 01:44:26,880 Speaker 1: It's like this is such a jump. But whenever, whenever, whenever, 1825 01:44:26,960 --> 01:44:31,240 Speaker 1: whenever anyone tells you as a comedian, like I'll tell 1826 01:44:31,280 --> 01:44:32,680 Speaker 1: us like all of our comedian friends who are like 1827 01:44:32,680 --> 01:44:35,960 Speaker 1: who like get like rightfully like tripped up about you know, 1828 01:44:36,479 --> 01:44:40,120 Speaker 1: fucking comedy Central comments on Instagram being like this person 1829 01:44:40,200 --> 01:44:43,120 Speaker 1: is gay. It's like, yeah, that's a gay pert, that's 1830 01:44:43,120 --> 01:44:46,240 Speaker 1: a gay person doing comedy. It's starry started to be 1831 01:44:46,320 --> 01:44:48,439 Speaker 1: start to be Ellen on time. Yep, I'm gay but 1832 01:44:48,479 --> 01:44:51,479 Speaker 1: it's like it's it literally is like I don't Yeah, 1833 01:44:51,640 --> 01:44:55,800 Speaker 1: who cares anyway. So that's to say that these episodes 1834 01:44:55,960 --> 01:44:59,479 Speaker 1: will be long as heavy because they're long, because they're 1835 01:44:59,800 --> 01:45:03,360 Speaker 1: they're a long. They're long. It's a long podcast and 1836 01:45:03,560 --> 01:45:05,200 Speaker 1: you only have to listen to a little bit of it. 1837 01:45:05,439 --> 01:45:07,880 Speaker 1: Thank you so much readers for going on this for camp, 1838 01:45:07,920 --> 01:45:10,920 Speaker 1: for officially joining us on this campaign for the Lost 1839 01:45:10,920 --> 01:45:16,800 Speaker 1: cultusa's Culture Awards, And um, I think that there is 1840 01:45:16,840 --> 01:45:22,559 Speaker 1: a certain song that I want to sing that sort 1841 01:45:22,560 --> 01:45:25,799 Speaker 1: of is gonna be the theme song of the Cultural 1842 01:45:25,840 --> 01:45:31,479 Speaker 1: Awards and it goes back to Doug's favorite recording artists. 1843 01:45:31,479 --> 01:45:55,360 Speaker 1: Oh my god, Yeah, I got by rong Ron hear 1844 01:45:55,800 --> 01:46:00,120 Speaker 1: me r to hear more of that song. Listen to 1845 01:46:00,160 --> 01:46:04,840 Speaker 1: the last culturesta's Culture World episodes upcoming this summer, because 1846 01:46:04,840 --> 01:46:06,960 Speaker 1: that will be the theme song and it will be 1847 01:46:07,000 --> 01:46:10,200 Speaker 1: a new recorded version of it by me and Bowen 1848 01:46:10,720 --> 01:46:13,200 Speaker 1: and we'll figure out how to do that later. Bowen 1849 01:46:13,360 --> 01:46:16,280 Speaker 1: has not signed up on that. Bye