WEBVTT - Sunday Sampler - The Nashville Podcast Network (3-17-24)

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<v Speaker 1>Hey guys, time for the Sunday sampler. Coming up on

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<v Speaker 1>four Things with Amy Brown. Amy talked with Ashley Waller,

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<v Speaker 1>who is actually a good friend.

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<v Speaker 2>Of Kaitlyn and mine.

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<v Speaker 1>With Kaitlin and I, however, you say that she's a

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<v Speaker 1>celebrity hairstylist, she's a TV personality. She's the wife to

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<v Speaker 1>Jason Waller, who it's Jason from Laguna Beach in the Hills,

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<v Speaker 1>and so they talk about reality TV. They talk about

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<v Speaker 1>Jason and his experience with addiction. That's how Jason and

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<v Speaker 1>I know each other, and then learning how to be

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<v Speaker 1>a partner with someone in recovery.

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<v Speaker 2>So hang out for that.

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<v Speaker 1>On the Bobby Cast, I sat down with one of

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<v Speaker 1>my favorite new artists, Lauren Watkins. She grew up in Nashville,

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<v Speaker 1>but she did not grow up in music in Nashville.

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<v Speaker 2>So it's the double because it's rare for an artist

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<v Speaker 2>to grow up here.

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<v Speaker 1>But if they do, it's like Mitchell Tinpenny who kind

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<v Speaker 1>of grew up in the industry, but she didn't do that.

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<v Speaker 1>She's opening for Morgan Wallen on a stadium tour. We

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<v Speaker 1>talk about that also why it's hard to play in Nashville,

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<v Speaker 1>and they say she has barstool charm, which is interesting.

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<v Speaker 1>So we have a lot of stuff to get to.

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<v Speaker 1>Let's start with that. Here is Lauren Watkins on this

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<v Speaker 1>week's Bobby Cast. I was reading an article about you

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<v Speaker 1>and they have said something about you.

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<v Speaker 2>It was a weird term. It was called like barstool chic.

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<v Speaker 3>I know what you're thinking of, and I think of it.

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<v Speaker 2>It was the barstool charm. That's what it was. You

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<v Speaker 2>had a barstool charm, and I didn't know whether.

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<v Speaker 4>I don't know what that means. If you're gonna.

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<v Speaker 1>Ask, I don't know what it means either, And I

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<v Speaker 1>could look at it and both ways. I think barstool

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<v Speaker 1>charm barstoo would mean one of us normal, Yeah, cool,

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<v Speaker 1>but it also yes, it also means that what did

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<v Speaker 1>you did you read that? Have you seen people call

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<v Speaker 1>you that?

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<v Speaker 2>Oh?

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<v Speaker 4>Yeah, no, I've seen it.

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<v Speaker 1>So what did you take that as? I wouldn't have

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<v Speaker 1>said barbol charm, but I didn't know you. I still

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<v Speaker 1>wouldn't say barstool.

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<v Speaker 3>I think a lot of my songs are set in

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<v Speaker 3>a bar, and maybe I'm able to make.

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<v Speaker 4>It seem more charming and it really is.

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<v Speaker 2>That's how I took it good for you.

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<v Speaker 1>I kind of I romanticized that I would have found

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<v Speaker 1>that super negative anything about me I turned super negative

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<v Speaker 1>good for you.

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<v Speaker 4>For me, I was like, how can this be a

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<v Speaker 4>good thing?

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<v Speaker 1>But you're like the heartbreak for example, that is not

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<v Speaker 1>a positive thing. And that's the whole the name of

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<v Speaker 1>the whole product project there that you got to be

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<v Speaker 1>pretty vulnerable to even talk about heartbreak and did a

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<v Speaker 1>second ago? How hard? How easy was that? And then

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<v Speaker 1>especially if people know you're singing about.

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<v Speaker 3>Them, like, how wait say that again?

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<v Speaker 2>It's multi layered.

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<v Speaker 1>Hold on, if you're writing a song about having heartbreak

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<v Speaker 1>in general, or you have you have a project, it's

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<v Speaker 1>called heartbreak. That heartbreak had to come from root. Yes,

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<v Speaker 1>so first of all you have to talk about it,

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<v Speaker 1>and that that is like here, I'm gonna open my

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<v Speaker 1>ribs up vulnerable. Yeah, But then it's the person that

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<v Speaker 1>maybe broke your heart also getting to do a victory

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<v Speaker 1>lap because I get to hear you singing about it

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<v Speaker 1>like that.

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<v Speaker 2>To me, my ego wouldn't allow that.

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<v Speaker 4>No, I get that.

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<v Speaker 3>Yeah, And honestly, those are all thoughts that crossed my

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<v Speaker 3>mind at some point, but just kind of went in

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<v Speaker 3>one of hear out the other because I was just like, whatever,

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<v Speaker 3>these are things I got to get off my chest.

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<v Speaker 4>And yeah, but I also.

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<v Speaker 3>The songs are probably about lots of different people, not

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<v Speaker 3>just one.

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<v Speaker 2>Oh, I completely agree with there's a lot of different people.

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<v Speaker 1>Then, who's like she wrote lots of people doing or

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<v Speaker 1>they're wrong and they think it's about it's not and

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<v Speaker 1>they're telling them.

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<v Speaker 3>I kind of like that though, because it's sort of like,

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<v Speaker 3>I don't know, it's kind of funny if they think

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<v Speaker 3>it's about them and it's really not.

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<v Speaker 1>See, I would be why do you think that's about you?

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<v Speaker 1>That's why I wouldn't be good. There's a lot of

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<v Speaker 1>reason I wouldn't be good a songwriting. But that's the

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<v Speaker 1>part where I would really struggle, was like to give

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<v Speaker 1>somebody else like a little bit of shine where they

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<v Speaker 1>were No.

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<v Speaker 3>I totally get that, And you know, I guess what

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<v Speaker 3>I'll say to that is my songs are for They're

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<v Speaker 3>more for the people that I'm singing too rather than

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<v Speaker 3>people i'm singing about. So those people can think whatever

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<v Speaker 3>they think, but I just try not to care about it.

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<v Speaker 1>Have you written anything ever and then someone heard it

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<v Speaker 1>and you guys weren't good and they heard it.

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<v Speaker 2>They were like, you know what that spoke to me?

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<v Speaker 2>And then you were good again.

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<v Speaker 4>Oh like a guy.

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<v Speaker 2>Sure it could be a free It could even be

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<v Speaker 2>a friend. Okay, like some dude.

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<v Speaker 4>I've definitely burned bridge.

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<v Speaker 3>Yes, if there was a bridge left, it was burned

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<v Speaker 3>with the songs.

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<v Speaker 1>But you didn't burn it so bad. It kind of

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<v Speaker 1>rebuilt itself. No, yeah, good for you, I don't think so.

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<v Speaker 2>Yeah, good for you.

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<v Speaker 1>What's the most unexpected place that you've played, Like, difficult

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<v Speaker 1>to play because you people weren't even really paying attention.

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<v Speaker 3>Oh my gosh, that's happened so many times. You know,

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<v Speaker 3>I'm gonna say something that could be controversial. Nashville is

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<v Speaker 3>tough to play.

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<v Speaker 2>Oh hey, I'm sure this is going to really be controversial.

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<v Speaker 2>I'll get a lot of hits on that one.

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<v Speaker 3>Yes, I mean, I know you can probably like I

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<v Speaker 3>Understandahale sucks to play.

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<v Speaker 2>It sucks, I'll see.

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<v Speaker 1>I hate playing shows here, Yeah, because I'm going to

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<v Speaker 1>say a bunch of mean stuff. So then it doesn't

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<v Speaker 1>make you look as so I'll cover for you. But

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<v Speaker 1>then you follow me. I hate playing shows and that

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<v Speaker 1>I love the people that live in Nashville are that

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<v Speaker 1>come to my shows. I hate plaann shows in Nashville

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<v Speaker 1>because there are two things that happen. One there's this like,

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<v Speaker 1>all right, impressing me expectation because I don't perform at all.

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<v Speaker 1>I'm on the road all the time if I'm doing

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<v Speaker 1>stand up, and so if I'm finally doing a show here,

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<v Speaker 1>it's people that just like see pictures on it and

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<v Speaker 1>they're like, Okay, well let's see how good you really are.

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<v Speaker 2>That vibe exists. First of all, there are peers.

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<v Speaker 1>That finally want to come out and go like, all right,

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<v Speaker 1>well let's see what you got that competitive yes, and

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<v Speaker 1>then you want to hear something back from it, and

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<v Speaker 1>then it starts to be unhealthy. And then it's also

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<v Speaker 1>like ten hour meet and greets with everybody who you

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<v Speaker 1>know and that live here that want to come and see.

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<v Speaker 1>So Nashville is the worst place to I love Nashville

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<v Speaker 1>and the people, but for the industry, it's hard because

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<v Speaker 1>it's not just going to do a show for people

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<v Speaker 1>that want to be entertained. It's also going to do

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<v Speaker 1>a show for people that want you to prove your

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<v Speaker 1>worth of craft and worth yeah, and that to me

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<v Speaker 1>is why it's hard for me here.

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<v Speaker 4>You said it best.

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<v Speaker 3>I mean, I literally that's everything I'm thinking you just said,

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<v Speaker 3>and it's it's a shame, like it hurts me as

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<v Speaker 3>a native because I mean when I was growing up,

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<v Speaker 3>like I said, I had no like foot in the industry.

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<v Speaker 4>I didn't know that even existed.

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<v Speaker 3>So when I was going to concerts, I was in

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<v Speaker 3>the front row screaming my head off, not caring about

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<v Speaker 3>who was there or whatever. I just wanted to be there.

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<v Speaker 3>And yeah, it's tough now it does feel like everything

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<v Speaker 3>you just said, it's a lot of people just try

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<v Speaker 3>to be too cool.

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<v Speaker 4>And the thing is.

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<v Speaker 3>That people this is funny, like the people who matter,

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<v Speaker 3>and by matter, I just mean like like kind of

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<v Speaker 3>the big shots in the industry, like people who are

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<v Speaker 3>really like I don't know, the people that you want

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<v Speaker 3>to impress, they're not really trying to be too cool.

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<v Speaker 3>They're just they're doing their job, like like there to

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<v Speaker 3>cheer you on.

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<v Speaker 2>But it's the people that are like insecure.

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<v Speaker 1>I mean, yeah, I'm insecure, and I say that from

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<v Speaker 1>an insecure place. I'm not insecure in that way, but

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<v Speaker 1>I'm in too. It's definitely a place of if somebody

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<v Speaker 1>else roots for you, or somebody else says why you're

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<v Speaker 1>really good, that must mean to them that they're not.

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<v Speaker 1>I struggle with the same thing in different ways. Oh, same,

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<v Speaker 1>So there are probably peers of yours or any artist.

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<v Speaker 1>It's at a show and it's a little bit jealous,

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<v Speaker 1>but can't be healthy about it.

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<v Speaker 2>It's hard.

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<v Speaker 3>It's hard, And I also think people like even as

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<v Speaker 3>simple as yelling out during the show, yelling and screaming, cheering,

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<v Speaker 3>people don't want to do it.

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<v Speaker 4>They're scared.

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<v Speaker 3>People are looking at them. Who's in the room, Who's

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<v Speaker 3>going to see me look stupid? Yeah, and I a

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<v Speaker 3>lot of my songwriter friends and I love to protest

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<v Speaker 3>against that. And we'll go to our friends shows in

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<v Speaker 3>town and just be the biggest fans, because.

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<v Speaker 4>That's what you want.

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<v Speaker 3>I mean, you work so hard, you're on the road

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<v Speaker 3>and and and you then you get so excited to

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<v Speaker 3>come home and play a show for your your people.

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<v Speaker 4>And then it's like that and it's sort.

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<v Speaker 5>Of sad, kind good.

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<v Speaker 1>Cast up little food for yourself life, ain't Oh it's

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<v Speaker 1>pretty bad.

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<v Speaker 6>It's pretty beautiful that for a little more.

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<v Speaker 2>Said, he can cut your kick in It with Full

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<v Speaker 2>Thing with Amy Brown.

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<v Speaker 7>Hey, it's Amy Brown from Four Things with Amy Brown.

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<v Speaker 7>And here's what we talked about this week on my podcast.

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<v Speaker 7>What encouragement do you have for people that, whatever the

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<v Speaker 7>situation is, they're sort of living life like I'm just

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<v Speaker 7>waiting for the next show to drop, like everything's great

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<v Speaker 7>right now. And I mean, I think that they're going

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<v Speaker 7>to be sober this time or they're not going to relapse,

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<v Speaker 7>but like they can't get over waiting for the next

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<v Speaker 7>show to drop.

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<v Speaker 8>I think the biggest thing is it is absolutely impossi

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<v Speaker 8>to struggle alone, Like you have got to find a

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<v Speaker 8>support group or at least a person that you can

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<v Speaker 8>speak in confidence to about what's going on. I think

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<v Speaker 8>it's really important to vocalize and seek that professional help

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<v Speaker 8>because being in that isolation alone and constantly thinking that

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<v Speaker 8>things are going to change without having some sort of

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<v Speaker 8>not necessarily outside opinion, but I just feel like it's

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<v Speaker 8>a really, really, really lonely place to be when you

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<v Speaker 8>are in the depths of somebody struggling with addiction.

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<v Speaker 9>And I think as soon as you can.

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<v Speaker 8>Tell somebody because your secrets make you so sick, and

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<v Speaker 8>they can really hurt your life?

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<v Speaker 9>Did you have to do some sort of an intervention?

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<v Speaker 9>Oh yeah, it's okay.

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<v Speaker 7>And what did that process collect for you? Because I

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<v Speaker 7>know for everybody it's a little bit different. But if

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<v Speaker 7>anybody's new to it, like you said, you'd never dealt

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<v Speaker 7>with addiction before, and so because he had been there before,

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<v Speaker 7>maybe he worked in that space, maybe he sort of

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<v Speaker 7>knew who to call. But I can imagine if someone's

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<v Speaker 7>never been through it all, it's whatever. It's like, wait,

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<v Speaker 7>who do I even ask about where to start and

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<v Speaker 7>how to start or do this whole intervention thing, because

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<v Speaker 7>you just see it on TV. You see like, oh

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<v Speaker 7>do I call everybody and we gather together in the

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<v Speaker 7>living room. But it's it's case by case on how

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<v Speaker 7>it needs.

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<v Speaker 8>Yeah, I think everybody's situation is different. For us, it

0:10:22.600 --> 0:10:26.000
<v Speaker 8>was like the moment when the vulnerability is there and

0:10:26.040 --> 0:10:29.040
<v Speaker 8>the person is at their low. So a lot of times,

0:10:29.080 --> 0:10:32.439
<v Speaker 8>like there'll be these really big waves through addiction when

0:10:32.480 --> 0:10:35.079
<v Speaker 8>people are struggling and it's at that moment where they

0:10:35.160 --> 0:10:37.360
<v Speaker 8>hit that low where they're very vulnerable and they're.

0:10:37.160 --> 0:10:38.520
<v Speaker 9>Like, I don't want to do this anymore.

0:10:38.600 --> 0:10:41.240
<v Speaker 8>You know, that's the moment that's the moment that you're like,

0:10:41.240 --> 0:10:43.040
<v Speaker 8>we got to get everybody together, we got to send

0:10:43.040 --> 0:10:44.920
<v Speaker 8>them off and get them to go, and that's just

0:10:44.960 --> 0:10:47.559
<v Speaker 8>it's a non negotiable and they just they go. So

0:10:47.640 --> 0:10:50.760
<v Speaker 8>for instance, when we had the interventional my husband to

0:10:50.760 --> 0:10:53.520
<v Speaker 8>send him to treatment, it was his parents. I contacted

0:10:53.520 --> 0:10:56.520
<v Speaker 8>his parents immediately because they love him, they had been

0:10:56.520 --> 0:10:59.400
<v Speaker 8>through this with him for so many years and understood

0:10:59.679 --> 0:11:01.880
<v Speaker 8>kind of what he was going through. I don't even

0:11:01.880 --> 0:11:05.120
<v Speaker 8>think they at the time really knew exactly who to call.

0:11:05.600 --> 0:11:06.880
<v Speaker 9>But my husband did have a.

0:11:06.840 --> 0:11:10.520
<v Speaker 8>Sponsor from previously being sober, and we had a lot

0:11:10.559 --> 0:11:13.160
<v Speaker 8>of friends in the recovery industry because my husband had

0:11:13.280 --> 0:11:16.040
<v Speaker 8>clearly worked in the recovery industry, and so we called

0:11:16.120 --> 0:11:19.840
<v Speaker 8>his old sponsor and so he helped a lot facilitate everything.

0:11:20.160 --> 0:11:23.440
<v Speaker 9>What did the forgiveness process look like for you? Therapy

0:11:23.679 --> 0:11:24.800
<v Speaker 9>was really important.

0:11:25.080 --> 0:11:27.000
<v Speaker 8>My husband and I went to a couple therapy for

0:11:27.200 --> 0:11:30.600
<v Speaker 8>literally every single week for a whole year.

0:11:31.000 --> 0:11:33.479
<v Speaker 9>We also did individual therapy along.

0:11:33.240 --> 0:11:36.640
<v Speaker 8>With our meeting, so like aa alan on Family Recovery Foundation.

0:11:37.440 --> 0:11:42.040
<v Speaker 8>But it was a really long process because there was

0:11:42.280 --> 0:11:46.600
<v Speaker 8>so much mistrust that had happened during that time and

0:11:46.679 --> 0:11:48.880
<v Speaker 8>a lot of resentment and it took me a lot

0:11:48.880 --> 0:11:52.400
<v Speaker 8>of tools and actions. I think once there was more

0:11:52.559 --> 0:11:57.160
<v Speaker 8>time of him being sober, it really helped just realize

0:11:57.200 --> 0:11:58.880
<v Speaker 8>that things were changing.

0:11:59.360 --> 0:11:59.560
<v Speaker 4>You know.

0:11:59.600 --> 0:12:02.120
<v Speaker 8>The act was really big for me because the words

0:12:02.120 --> 0:12:04.040
<v Speaker 8>really didn't matter at this point, and that's what made

0:12:04.080 --> 0:12:07.040
<v Speaker 8>it really challenging. So once I saw that time was

0:12:07.080 --> 0:12:10.320
<v Speaker 8>passing and the actions of his I would say emotional

0:12:10.360 --> 0:12:12.960
<v Speaker 8>maturity was changing, that's when I was like, Okay, this

0:12:13.040 --> 0:12:16.800
<v Speaker 8>is helping me so much. Just have forgiveness and just

0:12:17.440 --> 0:12:20.080
<v Speaker 8>I think any sort of therapy is so beneficial in

0:12:20.120 --> 0:12:20.960
<v Speaker 8>life no matter.

0:12:20.760 --> 0:12:23.040
<v Speaker 9>What, because it helps so much.

0:12:23.080 --> 0:12:26.679
<v Speaker 8>But couple's therapy together too was really important for us

0:12:26.720 --> 0:12:27.760
<v Speaker 8>and it helped us a lot.

0:12:28.320 --> 0:12:30.880
<v Speaker 7>Do you feel like there were days that you definitely

0:12:31.400 --> 0:12:33.200
<v Speaker 7>just did not want to be there or you were

0:12:33.240 --> 0:12:36.679
<v Speaker 7>on like shut down and it gives like, well, this

0:12:36.760 --> 0:12:38.600
<v Speaker 7>is like a huge waste of time and then how

0:12:38.640 --> 0:12:40.480
<v Speaker 7>would you pull yourself out of that?

0:12:41.200 --> 0:12:45.120
<v Speaker 8>It's so interesting because I feel like I never ever,

0:12:45.480 --> 0:12:48.000
<v Speaker 8>even through all of this and everything that we had

0:12:48.040 --> 0:12:51.080
<v Speaker 8>ever been through, like the divorce word never hit my

0:12:51.160 --> 0:12:53.280
<v Speaker 8>mind ever, Like I just was like, it's just a

0:12:53.360 --> 0:12:55.480
<v Speaker 8>non negotiable, like we're not getting divorced ever in our

0:12:55.520 --> 0:12:57.880
<v Speaker 8>whole entire lives, Like you're going to just get better,

0:12:58.040 --> 0:13:00.240
<v Speaker 8>Like we're just going to figure out ways to get

0:13:00.240 --> 0:13:02.040
<v Speaker 8>you better, and then we're going to be together forever.

0:13:02.120 --> 0:13:06.200
<v Speaker 8>Because I strongly believed so much that this man that

0:13:06.240 --> 0:13:08.679
<v Speaker 8>I fell in love with was still there underneath all

0:13:08.720 --> 0:13:12.840
<v Speaker 8>of this destruction and turmoil. So I don't know if

0:13:12.880 --> 0:13:16.000
<v Speaker 8>I ever wasn't willing. I think at times I was

0:13:16.520 --> 0:13:21.080
<v Speaker 8>more shut off because I was just exhausted. Then necessarily

0:13:21.120 --> 0:13:24.600
<v Speaker 8>like I just was unhopeful because I think the hope

0:13:24.640 --> 0:13:27.400
<v Speaker 8>was always there. I never really gave up on him

0:13:27.559 --> 0:13:30.400
<v Speaker 8>and my hope for him, which is good. I mean

0:13:30.480 --> 0:13:32.720
<v Speaker 8>a lot of people, I think in times they just

0:13:33.000 --> 0:13:34.840
<v Speaker 8>they get to the point where like the hope just

0:13:34.880 --> 0:13:37.880
<v Speaker 8>gets lost and then they just have no that's it

0:13:38.080 --> 0:13:40.600
<v Speaker 8>for them. But luckily I still always had that, which

0:13:40.640 --> 0:13:43.640
<v Speaker 8>is I think what helped a lot with our relationship

0:13:43.640 --> 0:13:46.360
<v Speaker 8>and what helps today, you know, is we always we

0:13:46.400 --> 0:13:48.080
<v Speaker 8>want to be together forever. We want to be the

0:13:48.080 --> 0:13:50.160
<v Speaker 8>best version of ourselves for each other. So that's why

0:13:50.240 --> 0:13:52.719
<v Speaker 8>we work so hard at taking care of ourselves.

0:13:53.080 --> 0:13:53.520
<v Speaker 9>I love that.

0:13:53.559 --> 0:13:55.240
<v Speaker 7>Well, thank you for sharing some of that because I

0:13:55.280 --> 0:13:59.319
<v Speaker 7>know that it's sometimes really difficult to even revisit. But

0:13:59.640 --> 0:14:02.320
<v Speaker 7>I guess since you've made it part of your story,

0:14:02.440 --> 0:14:04.560
<v Speaker 7>part of your mission, part of your what does this

0:14:04.640 --> 0:14:07.520
<v Speaker 7>make possible? Then it feels good to talk about it

0:14:07.520 --> 0:14:09.800
<v Speaker 7>because it's giving purpose to what you went through.

0:14:22.840 --> 0:14:23.680
<v Speaker 10>Let's do it live.

0:14:24.800 --> 0:14:28.440
<v Speaker 2>We are the two so loser.

0:14:30.600 --> 0:14:32.920
<v Speaker 6>What up, everybody? I am lunchbox. I know the most

0:14:32.920 --> 0:14:35.640
<v Speaker 6>about sports, so I'll give you the sports facts, my

0:14:35.760 --> 0:14:39.720
<v Speaker 6>sports opinions because I'm pretty much a sports genius.

0:14:40.200 --> 0:14:40.880
<v Speaker 2>What up, y'all?

0:14:40.880 --> 0:14:43.080
<v Speaker 10>At his scison, I'm from the North. I'm in Alpha Male.

0:14:43.120 --> 0:14:45.240
<v Speaker 10>I live on the West side of Nashville with Baser,

0:14:45.320 --> 0:14:48.200
<v Speaker 10>my wife. We do have a white picket fence at

0:14:48.200 --> 0:14:50.920
<v Speaker 10>the apartment complex. Soon I'm gonna have two point five

0:14:51.040 --> 0:14:53.360
<v Speaker 10>kids and yes, sadly, I will die of a heart

0:14:53.360 --> 0:14:55.360
<v Speaker 10>attack when I'm seventy two years old.

0:14:56.080 --> 0:14:59.000
<v Speaker 2>Here's a clip from the last podcast.

0:15:00.160 --> 0:15:02.280
<v Speaker 10>If you're in Nashville, since it's not legal here, I

0:15:02.280 --> 0:15:04.920
<v Speaker 10>think you can get in trouble at the airport. Whereas Vegas,

0:15:04.920 --> 0:15:06.880
<v Speaker 10>if you get caught with gummies, they just throw them away.

0:15:07.040 --> 0:15:09.840
<v Speaker 10>Case in point, got my bachelor party had gummies. They

0:15:09.960 --> 0:15:12.360
<v Speaker 10>grabbed him out put them in the receptacle.

0:15:13.520 --> 0:15:14.520
<v Speaker 6>At your bachelor party.

0:15:14.600 --> 0:15:16.640
<v Speaker 2>Yeah, you were there. Don't remember that?

0:15:17.200 --> 0:15:20.640
<v Speaker 10>The one dude, he was random. I invited him at

0:15:20.680 --> 0:15:23.600
<v Speaker 10>a party one time and he came camp. His name

0:15:23.600 --> 0:15:26.480
<v Speaker 10>slips my mind. It was three years ago, it feels

0:15:26.480 --> 0:15:28.040
<v Speaker 10>like a lot longer than that. The dude that just

0:15:28.120 --> 0:15:30.120
<v Speaker 10>like would go to bed at night and slept for

0:15:30.240 --> 0:15:31.000
<v Speaker 10>twelve hours.

0:15:32.280 --> 0:15:33.840
<v Speaker 6>Oh, is that the one that you shared a hotel

0:15:33.880 --> 0:15:36.560
<v Speaker 6>room with. No, he actually might stay, so you're telling

0:15:36.560 --> 0:15:38.560
<v Speaker 6>me the one that actually stayed at MGM Grand while

0:15:38.600 --> 0:15:40.320
<v Speaker 6>you stayed at New York, New York or wherever the

0:15:40.360 --> 0:15:41.040
<v Speaker 6>hell you stayed.

0:15:41.080 --> 0:15:42.760
<v Speaker 10>He was kind of I stayed at Paris. He was

0:15:42.840 --> 0:15:45.600
<v Speaker 10>kind of Jonathan's friend. But he was awesome. Just on

0:15:45.640 --> 0:15:48.720
<v Speaker 10>the way out, didn't disguise the gummies. They pulled him

0:15:48.800 --> 0:15:50.440
<v Speaker 10>right out, threw them away. But you don't get in trouble.

0:15:50.640 --> 0:15:52.600
<v Speaker 6>That's the difference between Oh, yeah, you guys, I was

0:15:52.640 --> 0:15:54.920
<v Speaker 6>tsa pre check. You guys weren't. Sorry. I didn't see

0:15:54.920 --> 0:15:56.400
<v Speaker 6>that altercation as my bat.

0:15:56.640 --> 0:15:58.360
<v Speaker 10>He didn't really explain it to us well either. He

0:15:58.400 --> 0:16:00.360
<v Speaker 10>just came over. He was so hung over and goes, yeah,

0:16:00.360 --> 0:16:02.080
<v Speaker 10>all those gummies I bought one hundred dollars worth of

0:16:02.080 --> 0:16:04.920
<v Speaker 10>theirs threw them away and we said, no emotion.

0:16:05.560 --> 0:16:06.400
<v Speaker 2>I'm too hungover.

0:16:06.560 --> 0:16:09.840
<v Speaker 6>We get it, totally understand. But let me tell you, right,

0:16:10.120 --> 0:16:13.800
<v Speaker 6>a lot like this is the best Friday, the last Friday.

0:16:14.680 --> 0:16:16.440
<v Speaker 10>I mean, we're ending the podcast.

0:16:16.840 --> 0:16:21.480
<v Speaker 6>No, I am so excited for Sunday because it's Selection Sunday.

0:16:21.480 --> 0:16:24.040
<v Speaker 6>But here's only one problem. Things have changed in the

0:16:24.120 --> 0:16:27.680
<v Speaker 6>landscape of college basketball where I don't have hope for

0:16:27.720 --> 0:16:31.200
<v Speaker 6>a national championship. I don't have hope for a Kansas

0:16:31.480 --> 0:16:35.080
<v Speaker 6>raising the national championship banner. So going into the tournament,

0:16:35.120 --> 0:16:35.960
<v Speaker 6>I'm a little sad.

0:16:36.240 --> 0:16:37.480
<v Speaker 10>What are you from Arkansas?

0:16:38.160 --> 0:16:40.880
<v Speaker 6>No, I just said Kansas. I said Kansas.

0:16:41.960 --> 0:16:44.840
<v Speaker 10>Right, they have reason to be sad, don't I don't

0:16:44.840 --> 0:16:48.360
<v Speaker 10>even think they're going to get into American the American Tournament.

0:16:48.640 --> 0:16:50.520
<v Speaker 6>No, No, I understand Kansas is going to be in

0:16:50.520 --> 0:16:51.320
<v Speaker 6>the tournament.

0:16:50.960 --> 0:16:53.480
<v Speaker 10>But I have no like, did you guys make it?

0:16:53.760 --> 0:16:53.960
<v Speaker 1>Yeah?

0:16:53.960 --> 0:16:56.080
<v Speaker 6>We made the tournament, no problem. The Valls make it.

0:16:56.320 --> 0:16:58.760
<v Speaker 6>Vallves are going to be maybe a number one seed Vandy.

0:16:59.440 --> 0:17:02.320
<v Speaker 6>Vandy fire their coach, so they didn't make it. Stack

0:17:02.600 --> 0:17:07.720
<v Speaker 6>Stack is out. Yeah, and he had a hell of

0:17:07.760 --> 0:17:09.960
<v Speaker 6>a press conference, man, and Justin saw him.

0:17:10.400 --> 0:17:12.080
<v Speaker 10>Where did you see him in person? We went to

0:17:12.160 --> 0:17:13.040
<v Speaker 10>the game three years ago.

0:17:13.160 --> 0:17:18.600
<v Speaker 6>I saw him. I was eating at Chopped, which is

0:17:18.640 --> 0:17:21.680
<v Speaker 6>like a salad place. I don't know, Well, why don't

0:17:21.720 --> 0:17:23.159
<v Speaker 6>you just chop.

0:17:22.960 --> 0:17:25.800
<v Speaker 10>Me a salad? What a restaurant. It's just like a

0:17:25.840 --> 0:17:28.479
<v Speaker 10>little it's like a Chipotle, but for salads. Were there

0:17:28.520 --> 0:17:34.000
<v Speaker 10>any dudes in there? There was actually three dudes working there.

0:17:35.320 --> 0:17:36.240
<v Speaker 10>They all loved me.

0:17:36.440 --> 0:17:39.800
<v Speaker 6>So I'm sitting out on the patio and I'm eating

0:17:39.840 --> 0:17:41.520
<v Speaker 6>my Chopped salad.

0:17:43.600 --> 0:17:45.359
<v Speaker 10>I would have drove by and saw you. Dud on

0:17:45.480 --> 0:17:49.120
<v Speaker 10>a veered off the road and.

0:17:48.160 --> 0:17:51.400
<v Speaker 6>I was eating I think it was a Fiesta salad,

0:17:51.560 --> 0:17:53.640
<v Speaker 6>so it had like avocado.

0:17:53.960 --> 0:17:55.360
<v Speaker 10>Some put some meat in there.

0:17:55.400 --> 0:17:57.960
<v Speaker 6>Oh, Sara, we don't have any meat grilled corner. It's

0:17:57.960 --> 0:18:00.199
<v Speaker 6>not a vegetarian place. It's called a salad. Have you

0:18:00.200 --> 0:18:00.959
<v Speaker 6>ever had a salad?

0:18:01.080 --> 0:18:01.359
<v Speaker 2>Yeah?

0:18:01.480 --> 0:18:04.159
<v Speaker 6>Okay, they have chicken and shrimp and they have all

0:18:04.200 --> 0:18:05.800
<v Speaker 6>sorts of stuff you can put in a salad.

0:18:06.160 --> 0:18:12.760
<v Speaker 10>By Buddy Danny in Miami eats salads on South Beach.

0:18:13.720 --> 0:18:14.520
<v Speaker 6>Nothing wrong with that.

0:18:15.040 --> 0:18:16.440
<v Speaker 10>No, it's just not manly.

0:18:16.560 --> 0:18:16.800
<v Speaker 3>Man.

0:18:16.960 --> 0:18:21.480
<v Speaker 10>You're in Port Missile country. If you ain't sucking off

0:18:21.520 --> 0:18:24.040
<v Speaker 10>a hot dog on a Friday, man, what are you doing?

0:18:24.280 --> 0:18:26.240
<v Speaker 6>But this wasn't a Friday, it was a Wednesday.

0:18:26.280 --> 0:18:27.720
<v Speaker 10>If you ain't at that beach, you wear that.

0:18:30.840 --> 0:18:35.840
<v Speaker 6>So I'm sitting on the patio and I and you

0:18:35.880 --> 0:18:39.480
<v Speaker 6>can see through the windows down the sidewalk. Bathroom, No,

0:18:39.880 --> 0:18:41.560
<v Speaker 6>bathroom is not seat through it right.

0:18:41.640 --> 0:18:43.400
<v Speaker 10>I could see into the women's restroom.

0:18:43.480 --> 0:18:43.640
<v Speaker 8>No.

0:18:44.560 --> 0:18:48.680
<v Speaker 6>And I see this really tall human walking and it's

0:18:48.760 --> 0:18:50.640
<v Speaker 6>Jerry Stackhouse.

0:18:50.240 --> 0:18:53.840
<v Speaker 10>Stack, and he could stack your ass up. Back in

0:18:53.840 --> 0:18:56.640
<v Speaker 10>the day, man Detroit, And that's when that city had

0:18:56.680 --> 0:18:57.400
<v Speaker 10>no violence.

0:18:59.520 --> 0:19:04.560
<v Speaker 6>I was probably peak violence. And I was like, man,

0:19:04.560 --> 0:19:07.280
<v Speaker 6>I gotta go say what up? And he's walking down

0:19:07.320 --> 0:19:11.040
<v Speaker 6>the sidewalk, Garry, I start jumping up. My wife, where

0:19:11.040 --> 0:19:15.160
<v Speaker 6>are you going? I was like, stack, stock house Stack

0:19:16.440 --> 0:19:19.800
<v Speaker 6>And this is probably a month ago, and he just

0:19:20.400 --> 0:19:22.160
<v Speaker 6>he's b lines.

0:19:21.880 --> 0:19:23.240
<v Speaker 10>It knew he was getting fired.

0:19:23.720 --> 0:19:27.600
<v Speaker 6>Does not say a word, Stack stacking up. Go through

0:19:27.640 --> 0:19:30.240
<v Speaker 6>the restaurant, out the front door, stack Stack.

0:19:31.600 --> 0:19:33.240
<v Speaker 10>Nobody's ever called him that before.

0:19:33.359 --> 0:19:38.640
<v Speaker 6>Jerry and he goes around the corner and his big

0:19:38.640 --> 0:19:41.320
<v Speaker 6>old truck is parked along the curb. He jumps right in,

0:19:41.440 --> 0:19:42.160
<v Speaker 6>closes the door.

0:19:44.960 --> 0:19:47.440
<v Speaker 10>Did you go up to the vehicle. No, no, I'm

0:19:47.440 --> 0:19:50.240
<v Speaker 10>not that crazy. But it's all funny until they jump

0:19:50.240 --> 0:19:50.640
<v Speaker 10>at their car.

0:19:50.920 --> 0:19:53.160
<v Speaker 6>It was they getting their car. It's like, okay, too far.

0:19:53.480 --> 0:19:55.480
<v Speaker 6>I don't want to be like seemed like a crazy person.

0:19:56.080 --> 0:19:58.520
<v Speaker 6>And it took him about two seconds to start that

0:19:58.600 --> 0:20:02.520
<v Speaker 6>truck and he was out. I mean, that was my

0:20:02.560 --> 0:20:04.840
<v Speaker 6>one interaction with Jerry Stackhouse when he was the coach

0:20:04.880 --> 0:20:06.959
<v Speaker 6>of Vanderbilt basketball.

0:20:06.520 --> 0:20:08.560
<v Speaker 10>Athletes in town that we've seen him in their truck.

0:20:08.960 --> 0:20:13.160
<v Speaker 10>Jerry Stackhouse, Taylor Lawan, Taylor Wan only two.

0:20:13.359 --> 0:20:13.720
<v Speaker 6>That's it.

0:20:13.800 --> 0:20:18.760
<v Speaker 10>Thought that'd be a better And that was he had

0:20:18.800 --> 0:20:19.240
<v Speaker 10>a truck.

0:20:19.560 --> 0:20:22.240
<v Speaker 6>Now he was in an suv and he was being driven.

0:20:22.680 --> 0:20:27.120
<v Speaker 6>He had a driver. It was Walgreens. He's getting icy

0:20:27.160 --> 0:20:30.320
<v Speaker 6>hot and an ankle bandage. I told you his ankle

0:20:30.440 --> 0:20:33.199
<v Speaker 6>was bad. I told you guys, Hey, we got another Julio.

0:20:33.240 --> 0:20:36.399
<v Speaker 6>It's gonna be here a year, Calvin, he'll be here

0:20:36.400 --> 0:20:38.000
<v Speaker 6>for more than two a year. He sounded like a

0:20:38.000 --> 0:20:38.640
<v Speaker 6>four year deal.

0:20:38.760 --> 0:20:41.440
<v Speaker 10>Hey, guys in a gambling away, Julio.

0:20:41.720 --> 0:21:00.359
<v Speaker 6>Welcome the Titans up, Baby tighten up. Welcome to Nashville, Baby.

0:20:55.240 --> 0:21:02.680
<v Speaker 2>Cavery. She's a queen and talking so she's getting really

0:21:02.800 --> 0:21:04.760
<v Speaker 2>not afraid, so.

0:21:05.160 --> 0:21:05.960
<v Speaker 3>Just let it flow.

0:21:06.480 --> 0:21:13.480
<v Speaker 2>No one can do we can. He's sound like Caroline.

0:21:14.080 --> 0:21:17.119
<v Speaker 11>Hey, y'all, it's Caroline Hobby from Get Real with Caroline Hobby.

0:21:17.200 --> 0:21:19.920
<v Speaker 9>And here is a clip from this week's episode.

0:21:21.480 --> 0:21:23.480
<v Speaker 11>Are you someone know when you start something and you

0:21:23.520 --> 0:21:24.760
<v Speaker 11>give your heart, you finish it?

0:21:24.880 --> 0:21:26.960
<v Speaker 9>Yeah, Like you don't just like be like, oh.

0:21:26.760 --> 0:21:30.760
<v Speaker 11>Crap, like no, this is a lot no yeah, reverse reverse, yeah,

0:21:30.840 --> 0:21:32.159
<v Speaker 11>like no forward.

0:21:31.800 --> 0:21:33.440
<v Speaker 9>For once a minute a minute?

0:21:33.480 --> 0:21:36.280
<v Speaker 12>And I just great, what a team player you are

0:21:36.359 --> 0:21:38.040
<v Speaker 12>to Ian is lucky to have you.

0:21:38.119 --> 0:21:40.320
<v Speaker 9>I mean that is you are a force of nature. Caroline,

0:21:40.400 --> 0:21:40.960
<v Speaker 9>thank you.

0:21:41.080 --> 0:21:43.879
<v Speaker 12>Like I said, going a little crazy.

0:21:44.080 --> 0:21:47.040
<v Speaker 9>So let's talk about when y'all fell in love. Good stuff.

0:21:47.080 --> 0:21:49.760
<v Speaker 11>So all of a sudden you're like, oh, Ian Mussig,

0:21:49.840 --> 0:21:51.399
<v Speaker 11>I know him. I got him his first gig. And

0:21:51.640 --> 0:21:53.800
<v Speaker 11>Travis Drat and his family are like, you need to

0:21:53.800 --> 0:21:56.560
<v Speaker 11>meet this guy. You're like, know him, and now you

0:21:56.600 --> 0:22:00.159
<v Speaker 11>see him, you realize he's got this image, he's got

0:22:00.160 --> 0:22:03.360
<v Speaker 11>this deep connection to Wyoming. You see the branding. It's

0:22:03.400 --> 0:22:05.879
<v Speaker 11>all like clear to you. But it's not necessarily the

0:22:05.960 --> 0:22:08.000
<v Speaker 11>right time in country music for him to make his

0:22:08.080 --> 0:22:11.199
<v Speaker 11>big splash because it was bro country, So what do

0:22:11.280 --> 0:22:13.159
<v Speaker 11>you do? What do y'all do? And then where does

0:22:13.200 --> 0:22:14.040
<v Speaker 11>the love happen?

0:22:16.280 --> 0:22:22.160
<v Speaker 12>I mean with him on we did this thing called

0:22:22.200 --> 0:22:26.280
<v Speaker 12>minute Mondays and he would film Ian can play pretty

0:22:26.320 --> 0:22:30.280
<v Speaker 12>much every instrument, and we would film these minute Mondays

0:22:30.280 --> 0:22:33.920
<v Speaker 12>with a guy named gray Wood, and he literally he

0:22:33.920 --> 0:22:38.160
<v Speaker 12>would just do covers and would play like multiple instruments,

0:22:38.200 --> 0:22:40.160
<v Speaker 12>but it would just be him or multiples of him,

0:22:40.359 --> 0:22:44.159
<v Speaker 12>and we would post those every Monday, and we just

0:22:44.200 --> 0:22:47.239
<v Speaker 12>started like to learning his his like Instagram.

0:22:46.800 --> 0:22:49.120
<v Speaker 9>TikTok was not a thing because Instagram was going.

0:22:49.160 --> 0:22:53.800
<v Speaker 12>Streaming was just like starting, So we were just trying

0:22:53.840 --> 0:22:56.440
<v Speaker 12>to build it independently. Yeah.

0:22:56.560 --> 0:22:59.520
<v Speaker 11>Yeah, everything was independent for a while, and you guys

0:22:59.520 --> 0:23:01.840
<v Speaker 11>were content creators in the very beginning. Yeah, like the

0:23:01.960 --> 0:23:06.240
<v Speaker 11>content before really content, Like I was keen. Yeah I

0:23:06.320 --> 0:23:09.119
<v Speaker 11>think maybe vine was out or something, but died on

0:23:09.160 --> 0:23:13.520
<v Speaker 11>the vine. Yeah yeah, like so yeah, we just went

0:23:13.640 --> 0:23:16.960
<v Speaker 11>on trying to build his awareness and like getting people

0:23:16.960 --> 0:23:21.800
<v Speaker 11>to notice him and then eventually, you know, his streaming

0:23:21.840 --> 0:23:25.480
<v Speaker 11>numbers got big enough and uh Warner.

0:23:26.960 --> 0:23:32.880
<v Speaker 12>And other labels started reaching out and said, you know, hey,

0:23:33.040 --> 0:23:36.080
<v Speaker 12>who is this guy that's streaming just as well as.

0:23:36.359 --> 0:23:38.600
<v Speaker 11>He so, what are good streaming numbers to make it?

0:23:38.640 --> 0:23:41.280
<v Speaker 11>Labels turn their head like, what so streaming?

0:23:41.320 --> 0:23:42.120
<v Speaker 9>For everyone listening?

0:23:42.480 --> 0:23:44.200
<v Speaker 11>Streaming is like when you I'm sure a lot of

0:23:44.240 --> 0:23:45.919
<v Speaker 11>people know this now, but it's like when you go

0:23:45.960 --> 0:23:47.439
<v Speaker 11>and you just listen to Spotify or you go and

0:23:47.440 --> 0:23:49.720
<v Speaker 11>you listen to iTunes or whatever it's online, and it's

0:23:49.760 --> 0:23:52.280
<v Speaker 11>just like it counts. You get all these streams, Like

0:23:52.320 --> 0:23:53.960
<v Speaker 11>every time you hear a song, you get another streams.

0:23:54.000 --> 0:23:55.840
<v Speaker 11>So like when you get a ton of streams, people

0:23:55.840 --> 0:24:00.120
<v Speaker 11>are like, who is this? Yeah, dude, for everyone knows

0:24:00.119 --> 0:24:01.440
<v Speaker 11>streaming is. I just talked to them like they're a

0:24:01.440 --> 0:24:03.880
<v Speaker 11>bunch of idiots. I know what streaming is. Okay, sorry

0:24:03.880 --> 0:24:04.239
<v Speaker 11>about that.

0:24:04.720 --> 0:24:06.600
<v Speaker 12>I'm trying to even think what it would have been

0:24:06.640 --> 0:24:09.520
<v Speaker 12>in twenty seventeen, not what it is now. Now people

0:24:09.520 --> 0:24:12.600
<v Speaker 12>are getting like billions. You know, it's crazy, but I

0:24:12.640 --> 0:24:13.320
<v Speaker 12>mean I think.

0:24:13.240 --> 0:24:15.600
<v Speaker 11>Labels you should not even want artists to stream, Like

0:24:15.600 --> 0:24:17.359
<v Speaker 11>that's how crazy it was. It was so new that

0:24:17.440 --> 0:24:20.640
<v Speaker 11>they're like, don't stream because that takes away from your

0:24:20.800 --> 0:24:23.880
<v Speaker 11>album cells or whatever. So it's like it was it's

0:24:23.880 --> 0:24:26.760
<v Speaker 11>been a new phenomenon that Ian probably was at the

0:24:26.840 --> 0:24:27.520
<v Speaker 11>very beginning of.

0:24:27.560 --> 0:24:31.800
<v Speaker 12>Yeah, he was, for sure, I would say maybe, you know,

0:24:32.000 --> 0:24:35.400
<v Speaker 12>I know, independently we got our first few million streams,

0:24:35.520 --> 0:24:39.479
<v Speaker 12>so in twenty seventeen it'd be pretty good. Yeah, yeah,

0:24:39.640 --> 0:24:42.560
<v Speaker 12>you know, and that's with no like there. It's not

0:24:42.640 --> 0:24:47.040
<v Speaker 12>like we were on any DSP like playlist Seed or anything.

0:24:47.040 --> 0:24:48.000
<v Speaker 9>That's all organic.

0:24:49.240 --> 0:24:53.000
<v Speaker 12>So that's the one thing about Ian is he's really

0:24:53.480 --> 0:24:55.920
<v Speaker 12>everything has been grassroots, in organic.

0:24:56.119 --> 0:24:57.720
<v Speaker 9>You know, No, you're good.

0:24:58.480 --> 0:25:04.160
<v Speaker 12>Sorry, Yeah, And so we've just really been proud of

0:25:04.640 --> 0:25:06.720
<v Speaker 12>that growth because you know, it's.

0:25:06.600 --> 0:25:07.280
<v Speaker 9>That real thing.

0:25:07.359 --> 0:25:09.600
<v Speaker 12>It's real, like they show up and buy tickets and

0:25:09.640 --> 0:25:13.680
<v Speaker 12>they buy merch and they engage and it's not fake

0:25:13.760 --> 0:25:17.320
<v Speaker 12>like it's real. So that's been very valuable to us.

0:25:17.560 --> 0:25:21.959
<v Speaker 11>Okay, so you are putting stuff out, you're still dismanaging.

0:25:22.280 --> 0:25:24.600
<v Speaker 9>No, like I want to kiss.

0:25:24.440 --> 0:25:28.239
<v Speaker 12>Your face yet. No, I'm trying to think when were

0:25:28.280 --> 0:25:32.680
<v Speaker 12>you Like, I gotta just like, yeah, on the end

0:25:32.920 --> 0:25:39.119
<v Speaker 12>of twenty seventeen, so maybe like six seven months in.

0:25:40.320 --> 0:25:43.560
<v Speaker 12>I think we were just around each other so much.

0:25:44.200 --> 0:25:46.880
<v Speaker 12>I think we went we were in like California or something,

0:25:47.320 --> 0:25:51.360
<v Speaker 12>and yeah, I don't know. It just kind of makes

0:25:51.400 --> 0:25:53.280
<v Speaker 12>how happen. It's a cool manti.

0:25:55.040 --> 0:25:57.679
<v Speaker 9>I feel like, no, I haven't been building up.

0:25:57.760 --> 0:26:00.880
<v Speaker 12>Yeah, I feel like it was definitely slower up for Yeah,

0:26:01.359 --> 0:26:03.320
<v Speaker 12>I didn't know each other. Yeah no, and that was

0:26:03.359 --> 0:26:05.920
<v Speaker 12>the thing. We're just around each other all the time.

0:26:07.680 --> 0:26:10.960
<v Speaker 12>But you know, at the same time, it felt like

0:26:11.440 --> 0:26:14.639
<v Speaker 12>very like taboo. But it was kind of exciting. But

0:26:14.800 --> 0:26:18.200
<v Speaker 12>it's like, nobody's gonna take us seriously if like one,

0:26:18.359 --> 0:26:20.640
<v Speaker 12>I'm what probably I think I was like twenty four

0:26:21.000 --> 0:26:24.239
<v Speaker 12>at the time. Who's gonna take me seriously? One as

0:26:24.280 --> 0:26:27.720
<v Speaker 12>a manager? You know, this kid that has you know,

0:26:27.880 --> 0:26:31.919
<v Speaker 12>nothing really behind him, let alone us.

0:26:31.960 --> 0:26:34.800
<v Speaker 9>You know, oh, my manager is my girlfriend, you know.

0:26:36.560 --> 0:26:40.280
<v Speaker 9>So yeah, we kept on the DL. Was that kind

0:26:40.280 --> 0:26:41.840
<v Speaker 9>of find to be secret? Yeah?

0:26:42.040 --> 0:26:43.960
<v Speaker 12>I feel like it was a little stressful because I

0:26:44.040 --> 0:26:45.480
<v Speaker 12>literally didn't tell my friends.

0:26:45.600 --> 0:26:47.280
<v Speaker 9>I didn't tell nobody. I told nobody.

0:26:47.359 --> 0:26:49.119
<v Speaker 11>And I say, by the way, you and Lady Wilson

0:26:49.240 --> 0:26:51.919
<v Speaker 11>BFF ORFF before she became Lady Wilson.

0:26:52.040 --> 0:26:54.879
<v Speaker 9>Yeah, yeah, okay, I can't wonder about that. That's so fun.

0:26:55.200 --> 0:26:59.480
<v Speaker 12>Yeah, but we Yeah, we kept on the d L

0:26:59.640 --> 0:27:02.960
<v Speaker 12>didn't my friends. I'm sure they could have assumed whatever,

0:27:03.119 --> 0:27:08.199
<v Speaker 12>but you know, nobody really asked or said anything. So

0:27:08.240 --> 0:27:13.000
<v Speaker 12>we just kept doing our thing, and then you know,

0:27:13.320 --> 0:27:20.080
<v Speaker 12>one thing led to another and we got pregnant, and.

0:27:17.760 --> 0:27:19.640
<v Speaker 11>Then you really can't keep it under a walk anymore.

0:27:19.680 --> 0:27:21.879
<v Speaker 11>So we were like, so we're trying to get pregnant.

0:27:21.880 --> 0:27:22.600
<v Speaker 9>No, no, Noka.

0:27:22.720 --> 0:27:26.840
<v Speaker 11>Crawford's like, I'm ready. He's got two cool people here parents.

0:27:27.040 --> 0:27:29.680
<v Speaker 12>He's like, I am ready to make my appearance, and

0:27:30.160 --> 0:27:31.439
<v Speaker 12>there's nothing you can do about it.

0:27:32.520 --> 0:27:34.120
<v Speaker 4>Yeah, so we.

0:27:35.880 --> 0:27:39.920
<v Speaker 12>Got pregnant, and yeah, I think Laney was the first

0:27:39.920 --> 0:27:42.280
<v Speaker 12>person I called to tell her that I was pregnant.

0:27:54.280 --> 0:27:56.400
<v Speaker 13>Hey, it's Mike d and this week our movie Mike's

0:27:56.440 --> 0:27:59.440
<v Speaker 13>Moe Podcast, I went through Forbes' latest report on the

0:27:59.480 --> 0:28:02.919
<v Speaker 13>top ten highest earning actors from the last year. I

0:28:03.040 --> 0:28:06.280
<v Speaker 13>break down exactly how an actor makes money, whether it's

0:28:06.320 --> 0:28:09.120
<v Speaker 13>a movie that goes into theaters or goes straight to streaming.

0:28:09.359 --> 0:28:10.919
<v Speaker 13>So if you want to know more about the money

0:28:10.960 --> 0:28:13.640
<v Speaker 13>side of movies, this is a great episode to check out.

0:28:13.760 --> 0:28:15.439
<v Speaker 13>Here's just a little of me breaking down some of

0:28:15.440 --> 0:28:20.159
<v Speaker 13>the highest earners in Hollywood. At number ten, with a

0:28:20.280 --> 0:28:23.840
<v Speaker 13>gross income of twenty eight million dollars, taking home at

0:28:23.880 --> 0:28:26.199
<v Speaker 13>the end of the day twenty four million dollars, it

0:28:26.280 --> 0:28:29.400
<v Speaker 13>is Denzel Washington. Last year he put out the third

0:28:29.440 --> 0:28:31.040
<v Speaker 13>installment of The Equalizer.

0:28:31.600 --> 0:28:34.280
<v Speaker 9>Has been a pretty average.

0:28:34.240 --> 0:28:37.480
<v Speaker 13>Film series overall, each one of those movies has crossed

0:28:37.480 --> 0:28:40.480
<v Speaker 13>one hundred and ninety million dollar mark at the box office.

0:28:40.560 --> 0:28:42.760
<v Speaker 13>And the real reason it has done that because of

0:28:42.840 --> 0:28:47.200
<v Speaker 13>Denzel Washington. Without his name attached to that movie, nobody

0:28:47.240 --> 0:28:50.120
<v Speaker 13>would really care about it. And in addition to that

0:28:50.240 --> 0:28:54.120
<v Speaker 13>movie last year, why he continues to remain in the

0:28:54.160 --> 0:28:57.520
<v Speaker 13>top ten is because of his catalog, all the royalties

0:28:57.560 --> 0:29:00.720
<v Speaker 13>he is getting from all of his back years of work.

0:29:00.800 --> 0:29:04.240
<v Speaker 13>That is really so important to an actor is that

0:29:04.360 --> 0:29:07.960
<v Speaker 13>library of movies that you build. Really in anything, I

0:29:08.000 --> 0:29:11.000
<v Speaker 13>will even say that in podcasting, it comes down to

0:29:11.560 --> 0:29:13.800
<v Speaker 13>the amount of work you can do and just have

0:29:14.040 --> 0:29:18.280
<v Speaker 13>like this fast portfolio of all these episodes, all these movies.

0:29:18.800 --> 0:29:21.560
<v Speaker 13>That is really where you start to see money grow

0:29:21.960 --> 0:29:22.800
<v Speaker 13>in entertainment.

0:29:22.920 --> 0:29:24.800
<v Speaker 2>So it is really precious.

0:29:24.920 --> 0:29:27.959
<v Speaker 13>That is also why you see a lot of fights

0:29:28.040 --> 0:29:31.600
<v Speaker 13>over rights to things and rights to episodes, is because

0:29:31.680 --> 0:29:35.480
<v Speaker 13>that is where the money will be there for you always.

0:29:35.520 --> 0:29:38.320
<v Speaker 13>That is also why you see musicians selling their catalogs

0:29:38.360 --> 0:29:42.200
<v Speaker 13>in order to have guaranteed money every year, because they

0:29:42.200 --> 0:29:44.600
<v Speaker 13>can sell their catalog and know they're going to have

0:29:44.640 --> 0:29:46.760
<v Speaker 13>that said amount of money for the rest of their life.

0:29:46.840 --> 0:29:49.440
<v Speaker 13>And Denzel Washington has been doing it for over forty

0:29:49.520 --> 0:29:53.040
<v Speaker 13>years now, he's sixty nine years old. He can really

0:29:53.040 --> 0:29:55.880
<v Speaker 13>do any movie that he wants and it's probably gonna

0:29:55.880 --> 0:29:58.200
<v Speaker 13>make a pretty good amount of money at the box office.

0:29:58.280 --> 0:30:00.200
<v Speaker 13>I kind of wish you would go into a bit

0:30:00.240 --> 0:30:02.440
<v Speaker 13>of a different direction and get back to those really

0:30:02.480 --> 0:30:05.120
<v Speaker 13>big dramatic roles that he would do all the time,

0:30:05.560 --> 0:30:07.760
<v Speaker 13>and the ones that he is known for. I think

0:30:07.800 --> 0:30:10.080
<v Speaker 13>the last movie I really love from him was from

0:30:10.120 --> 0:30:13.520
<v Speaker 13>twenty sixteen call Fences, which was an adaptation of a play,

0:30:13.560 --> 0:30:16.240
<v Speaker 13>and I thought that really showed the true power of

0:30:16.280 --> 0:30:19.680
<v Speaker 13>Denzel Washington, the reason everybody fell in love with him

0:30:19.720 --> 0:30:21.800
<v Speaker 13>and the reason he is a movie star. I wish

0:30:21.840 --> 0:30:23.800
<v Speaker 13>he would go back to doing movies like that. But

0:30:23.840 --> 0:30:27.360
<v Speaker 13>at number ten is Denzel Washington at number nine with

0:30:27.440 --> 0:30:30.600
<v Speaker 13>a gross income of forty five million dollars, and on

0:30:30.640 --> 0:30:35.280
<v Speaker 13>the list listed at thirty eight million dollars is Ben Affleck. Again,

0:30:35.320 --> 0:30:37.840
<v Speaker 13>this is only including his money that he has made

0:30:37.880 --> 0:30:40.200
<v Speaker 13>with acting. Out of everybody on this list, this is

0:30:40.240 --> 0:30:42.320
<v Speaker 13>the most surprising to me. I do not think he

0:30:42.440 --> 0:30:45.600
<v Speaker 13>is worth thirty eight million dollars a year, especially when

0:30:45.600 --> 0:30:48.080
<v Speaker 13>you look at the movies he did last year. The

0:30:48.120 --> 0:30:51.120
<v Speaker 13>fifty one year old starred and directed Air, which is

0:30:51.160 --> 0:30:54.840
<v Speaker 13>a great movie. I love this movie, but financially it

0:30:55.000 --> 0:30:59.000
<v Speaker 13>didn't really cross a big threshold of making money at

0:30:59.000 --> 0:31:02.160
<v Speaker 13>the box office, Like wasn't even supposed to come out

0:31:02.160 --> 0:31:04.760
<v Speaker 13>in theaters, but Amazon decided to move forward and give

0:31:04.800 --> 0:31:07.240
<v Speaker 13>it a theatric release and it ended up making ninety

0:31:07.240 --> 0:31:10.160
<v Speaker 13>million dollars at the box office before just straight going

0:31:10.200 --> 0:31:13.240
<v Speaker 13>over to Amazon Prime Video. But the other movie he

0:31:13.320 --> 0:31:16.840
<v Speaker 13>put out, Hypnotic, was so bad and such a bomb,

0:31:17.360 --> 0:31:19.120
<v Speaker 13>one of the worst bombs in.

0:31:19.120 --> 0:31:20.440
<v Speaker 4>The last decade.

0:31:20.560 --> 0:31:23.400
<v Speaker 13>That movie cost sixty five million dollars to make and

0:31:23.480 --> 0:31:26.880
<v Speaker 13>only made sixteen point three at the box office, but

0:31:26.960 --> 0:31:29.440
<v Speaker 13>I guess he still got paid. He am making no

0:31:29.520 --> 0:31:31.480
<v Speaker 13>money on the back end of that movie. But he

0:31:31.560 --> 0:31:34.360
<v Speaker 13>has been around for a long time enough to be

0:31:34.680 --> 0:31:37.160
<v Speaker 13>in Duncan commercials and probably made a lot of money

0:31:37.160 --> 0:31:39.320
<v Speaker 13>off of that, even though that amount is not included

0:31:39.360 --> 0:31:42.760
<v Speaker 13>on this list at number nine as Ben Affleck, so

0:31:42.840 --> 0:31:46.120
<v Speaker 13>there is a tie at number eight. Two people come

0:31:46.160 --> 0:31:49.080
<v Speaker 13>in with forty one million dollars. The first one is

0:31:49.160 --> 0:31:52.280
<v Speaker 13>Jason Statham, who had a gross of forty eight million

0:31:52.320 --> 0:31:56.000
<v Speaker 13>dollars before taking home forty one million dollars. Stathum is

0:31:56.080 --> 0:32:00.280
<v Speaker 13>just a quietly dominant actor. In the last year, he

0:32:00.320 --> 0:32:03.360
<v Speaker 13>has been in Fast X Meg two, The Trench, and

0:32:03.400 --> 0:32:07.080
<v Speaker 13>The Expendables four, and as of the recording of this podcast,

0:32:07.120 --> 0:32:09.520
<v Speaker 13>he is the star of the highest grossing movie so

0:32:09.600 --> 0:32:12.480
<v Speaker 13>far in twenty twenty four, The Beekeeper, so he will

0:32:12.520 --> 0:32:15.480
<v Speaker 13>probably be back on this list next year. He is

0:32:15.560 --> 0:32:19.000
<v Speaker 13>the quintessential action star right now. I think he is

0:32:19.040 --> 0:32:21.400
<v Speaker 13>to the point that if you are a die hard

0:32:21.560 --> 0:32:25.240
<v Speaker 13>fan of action, you will probably go watch every single

0:32:25.280 --> 0:32:27.920
<v Speaker 13>movie that Jason Statham is in. And he's fifty six

0:32:28.040 --> 0:32:30.600
<v Speaker 13>years old and has been doing this so well now

0:32:30.640 --> 0:32:34.000
<v Speaker 13>for the last twenty years. It is honestly surprising to

0:32:34.080 --> 0:32:37.600
<v Speaker 13>me how successful he has been, kind of being typecast

0:32:37.680 --> 0:32:40.280
<v Speaker 13>in the same role over and over again. As much

0:32:40.280 --> 0:32:42.040
<v Speaker 13>as I don't want to give him the credit for

0:32:42.160 --> 0:32:45.480
<v Speaker 13>being a great actor, he can crush me with his wallet.

0:32:45.480 --> 0:32:48.520
<v Speaker 13>And Jason Statum comes in at number seven, tied with

0:32:48.680 --> 0:32:51.560
<v Speaker 13>Leonardo DiCaprio, who also had a gross of forty eight

0:32:51.600 --> 0:32:54.240
<v Speaker 13>million dollars. And took home forty one million dollars to

0:32:54.240 --> 0:32:57.040
<v Speaker 13>put him tied at seven eight. I don't know why

0:32:57.080 --> 0:32:59.520
<v Speaker 13>they put two seventh on this list. The crazy thing

0:32:59.600 --> 0:33:03.840
<v Speaker 13>here is Leonardo DiCaprio made a majority of this money

0:33:03.920 --> 0:33:07.120
<v Speaker 13>on one movie. He was only in Killers of the

0:33:07.120 --> 0:33:10.880
<v Speaker 13>Flower Moon last year, which he earned a reported forty

0:33:10.960 --> 0:33:14.840
<v Speaker 13>million dollars just for that one movie. So it kind

0:33:14.840 --> 0:33:17.040
<v Speaker 13>of shows you how much money people can make, at

0:33:17.120 --> 0:33:19.120
<v Speaker 13>least him in particular on the back end from his

0:33:19.200 --> 0:33:22.200
<v Speaker 13>library of work, which I wonder about that. I feel

0:33:22.200 --> 0:33:25.240
<v Speaker 13>like he should make more because he's been in Titanic alone,

0:33:25.520 --> 0:33:28.480
<v Speaker 13>which I feel like he will continue to get checks

0:33:28.480 --> 0:33:30.600
<v Speaker 13>for the rest of his life. If he ever has kids,

0:33:30.600 --> 0:33:32.600
<v Speaker 13>they will be getting checks probably for the rest of

0:33:32.640 --> 0:33:35.640
<v Speaker 13>their life. But at forty eight million dollars gross and

0:33:35.720 --> 0:33:40.600
<v Speaker 13>a forty one take home, that is inredible for one movie,

0:33:40.680 --> 0:33:43.520
<v Speaker 13>and Leonardo DiCaprio is one of the panful of actors

0:33:43.680 --> 0:33:46.560
<v Speaker 13>that could do something like that, even though he was

0:33:46.640 --> 0:33:50.200
<v Speaker 13>snubbed an Oscar nomination for that movie. I don't really

0:33:50.200 --> 0:33:53.320
<v Speaker 13>think he's hurting because he can be so selective just

0:33:53.400 --> 0:33:56.600
<v Speaker 13>doing one movie a year if that, and do movies

0:33:56.640 --> 0:33:59.320
<v Speaker 13>that he really cares about work with directors that he

0:33:59.720 --> 0:34:04.040
<v Speaker 13>really has a great relationship with, and obviously him doing

0:34:04.080 --> 0:34:07.520
<v Speaker 13>a Scorsese movie is probably a no brainer. So I

0:34:07.560 --> 0:34:10.080
<v Speaker 13>think at this point, even though he made forty million

0:34:10.120 --> 0:34:13.399
<v Speaker 13>dollars of one movie, I almost think he is at

0:34:13.400 --> 0:34:16.799
<v Speaker 13>a point where the money doesn't really matter anymore. And

0:34:16.840 --> 0:34:19.920
<v Speaker 13>I also heard Bradley Cooper talking about this recently when

0:34:19.960 --> 0:34:22.239
<v Speaker 13>he was talking about he maybe only has three or

0:34:22.239 --> 0:34:25.000
<v Speaker 13>four movies left in him, because to be an actor

0:34:25.040 --> 0:34:27.560
<v Speaker 13>at that level, it takes so much time to focus

0:34:27.640 --> 0:34:28.600
<v Speaker 13>on one project.

0:34:28.760 --> 0:34:31.839
<v Speaker 2>It is four to five years of your life.

0:34:31.600 --> 0:34:35.000
<v Speaker 13>From the moment you start developing a movie, get attached

0:34:35.040 --> 0:34:37.880
<v Speaker 13>to it, and it finally comes out that he thinks

0:34:37.960 --> 0:34:40.440
<v Speaker 13>that he maybe has four or five left, maybe three

0:34:40.520 --> 0:34:42.760
<v Speaker 13>or four, that he thinks he only has a handful

0:34:42.800 --> 0:34:44.480
<v Speaker 13>of movies left in him. I think that is the

0:34:44.520 --> 0:34:48.440
<v Speaker 13>same case with Leonardo DiCaprio, who is later in his

0:34:48.520 --> 0:34:51.080
<v Speaker 13>acting career but by no means is anywhere done. He

0:34:51.120 --> 0:34:53.399
<v Speaker 13>could continue acting into his seventies and eighties, just look

0:34:53.440 --> 0:34:56.200
<v Speaker 13>at Robert de Niro, but I think he has to

0:34:56.239 --> 0:35:00.040
<v Speaker 13>be more selective on how he uses his time. He

0:35:00.120 --> 0:35:03.400
<v Speaker 13>is obviously going to do movies now that are either

0:35:03.440 --> 0:35:05.600
<v Speaker 13>gonna make a lot of money at the box office,

0:35:05.600 --> 0:35:08.920
<v Speaker 13>therefore earning him more money, or really I think he

0:35:09.040 --> 0:35:11.480
<v Speaker 13>is just interested in doing movies that are going to

0:35:11.640 --> 0:35:16.080
<v Speaker 13>warrant an Oscar nomination. So tied at number seven Leonardo

0:35:16.120 --> 0:35:19.600
<v Speaker 13>DiCaprio and Jason Stay them with forty one million dollars.

0:35:21.280 --> 0:35:23.960
<v Speaker 1>Hey, thanks for listening to the Sunday Sampler. Check out

0:35:23.960 --> 0:35:27.040
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<v Speaker 1>that very often, but if you get a wild hair

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<v Speaker 2>All Right, you guys, thank you. We'll see you next week.

0:36:00.040 --> 0:36:01.520
<v Speaker 5>This is sten stuff.