1 00:00:04,800 --> 00:00:11,240 Speaker 1: So I'm talking to Nas Rapper and he is going 2 00:00:11,440 --> 00:00:17,239 Speaker 1: like he's seeing the Williams sisters currently, and I was like, oh, Nas, 3 00:00:17,280 --> 00:00:22,560 Speaker 1: like you don't know, like they're not sisters, and it's like, 4 00:00:22,760 --> 00:00:25,560 Speaker 1: what are the You actually thought that that was like 5 00:00:25,600 --> 00:00:28,880 Speaker 1: a real thing, that like two good tennis players would 6 00:00:28,920 --> 00:00:32,000 Speaker 1: be from like same family, Like. 7 00:00:32,600 --> 00:00:35,479 Speaker 2: You didn't realize that. No, he actually thought it was 8 00:00:35,560 --> 00:00:37,839 Speaker 2: a real thing. Are you sure? Are you sure he 9 00:00:37,880 --> 00:00:38,800 Speaker 2: wasn't putting you on. 10 00:00:40,440 --> 00:00:42,839 Speaker 1: The way he looked. He was so surprised, and he 11 00:00:42,880 --> 00:00:45,760 Speaker 1: had said he was so excited to be dating real sisters. 12 00:00:45,840 --> 00:00:47,280 Speaker 1: He'd been saying that over and over again, which is 13 00:00:47,280 --> 00:00:48,320 Speaker 1: why I felt like I had to come in and 14 00:00:48,360 --> 00:00:50,960 Speaker 1: be like, you know, it's just like it's like they're 15 00:00:50,800 --> 00:00:53,400 Speaker 1: they're the name of their team is like the Sisters, 16 00:00:53,720 --> 00:00:57,440 Speaker 1: but they're not actually real sisters with each other. 17 00:00:58,280 --> 00:00:58,600 Speaker 2: Yeah. 18 00:00:58,680 --> 00:01:01,280 Speaker 3: Well, because there's only if you think of just the 19 00:01:01,400 --> 00:01:04,039 Speaker 3: numbers of people who does sports and then the numbers 20 00:01:04,040 --> 00:01:08,800 Speaker 3: of people who is actually excelling. Yeah, then the odds 21 00:01:08,840 --> 00:01:11,440 Speaker 3: that you would actually be related to somebody who's doing 22 00:01:11,480 --> 00:01:13,320 Speaker 3: the sports that high. 23 00:01:13,600 --> 00:01:15,360 Speaker 2: Mm hmmm. It's impossible. 24 00:01:15,720 --> 00:01:18,240 Speaker 1: And for him to be I mean, he had been 25 00:01:18,360 --> 00:01:22,000 Speaker 1: very excited that he got sisters to kiss and to 26 00:01:22,160 --> 00:01:24,399 Speaker 1: watch that sort of be taken away from him by me. 27 00:01:24,600 --> 00:01:27,760 Speaker 1: I wish I had said nothing. Honestly, I don't know 28 00:01:27,800 --> 00:01:29,240 Speaker 1: why I should be punished for it. 29 00:01:29,160 --> 00:01:30,520 Speaker 2: But you're a truth warrior. 30 00:01:31,240 --> 00:01:33,600 Speaker 1: Hey, welcome to Hollywood, hamm looking it stage guy kickingbut 31 00:01:33,600 --> 00:01:35,120 Speaker 1: and dropping names of the red Carper line back always 32 00:01:35,120 --> 00:01:39,160 Speaker 1: of this industry we call showbiz quick announcement. We're very, 33 00:01:39,280 --> 00:01:43,800 Speaker 1: very excited, uh for the new developments that have been 34 00:01:43,840 --> 00:01:46,520 Speaker 1: going on with Shaun and I. It is pilot season. 35 00:01:47,280 --> 00:01:50,520 Speaker 1: This is the season where it's not for being flying 36 00:01:50,560 --> 00:01:51,040 Speaker 1: a plane. 37 00:01:51,160 --> 00:01:54,880 Speaker 3: So yes, and just for you guys, so you where 38 00:01:54,880 --> 00:02:03,520 Speaker 3: you live have season like it's summertime or it's snowing now, 39 00:02:05,080 --> 00:02:09,280 Speaker 3: But in Hollywood, since we don't have snow, what we 40 00:02:09,400 --> 00:02:12,799 Speaker 3: have is pilot season. And now say your thinking about 41 00:02:12,840 --> 00:02:16,800 Speaker 3: the plane and it's not for being a plane flyer. 42 00:02:17,480 --> 00:02:23,840 Speaker 1: It's for making a TV show out of a new story. 43 00:02:24,120 --> 00:02:26,400 Speaker 2: Oh and Brett put this in earlier, what up? What up? 44 00:02:27,040 --> 00:02:29,720 Speaker 3: Yes, So it's for making TV show out of a 45 00:02:29,760 --> 00:02:33,400 Speaker 3: new story. And we have probably the newest story of all. 46 00:02:34,160 --> 00:02:36,320 Speaker 1: Yeah, we we have a show that we've been developing 47 00:02:36,360 --> 00:02:39,480 Speaker 1: for a while sort of in secret. We had an 48 00:02:39,520 --> 00:02:43,080 Speaker 1: idea that we've always really loved, which is about a 49 00:02:43,120 --> 00:02:47,079 Speaker 1: guy loose's job and he goes home and he now 50 00:02:47,120 --> 00:02:50,720 Speaker 1: has to live with his dad. But at the same time, 51 00:02:51,360 --> 00:02:56,440 Speaker 1: his dad has gotten divorced, yes, and now he has 52 00:02:56,520 --> 00:03:01,200 Speaker 1: to go live with grandpa with the with the dad's grandpa. 53 00:03:01,320 --> 00:03:04,200 Speaker 2: Yes. Yes, So now this. 54 00:03:06,120 --> 00:03:09,120 Speaker 3: Original guy is living with his great grandpa and his 55 00:03:09,280 --> 00:03:13,399 Speaker 3: dad and his dad, and the grandpa has a very 56 00:03:13,480 --> 00:03:16,000 Speaker 3: young son, yes. 57 00:03:16,320 --> 00:03:20,880 Speaker 2: So younger than the main guy, yes, very young, like 58 00:03:20,960 --> 00:03:22,440 Speaker 2: a baby. So. 59 00:03:22,880 --> 00:03:26,640 Speaker 3: And then so that baby technically is the main guy's 60 00:03:26,680 --> 00:03:31,000 Speaker 3: grandpa because he's his great grandpa's son, and it's also 61 00:03:31,120 --> 00:03:38,440 Speaker 3: the dad of the guy's dad. So like, if you 62 00:03:38,480 --> 00:03:42,080 Speaker 3: think about that dynamic of a baby and your grandpa 63 00:03:42,160 --> 00:03:44,840 Speaker 3: boss and you around and when he says like, I 64 00:03:44,920 --> 00:03:47,400 Speaker 3: want more cheerios or something, and you really have to 65 00:03:47,400 --> 00:03:50,640 Speaker 3: take that seriously because this guy is basically in World 66 00:03:50,680 --> 00:03:52,680 Speaker 3: War two because he's your grandpa. 67 00:03:53,440 --> 00:03:56,600 Speaker 2: So that is such a rich area for us. 68 00:03:56,800 --> 00:04:00,760 Speaker 1: It was going to be called Baby Grandpa with all 69 00:04:00,760 --> 00:04:03,000 Speaker 1: this stuff. With the dress going on, they want to 70 00:04:03,080 --> 00:04:06,360 Speaker 1: sort of parlay that that dress that's different colors into 71 00:04:06,400 --> 00:04:09,320 Speaker 1: the show, so it's going to be called Whites and 72 00:04:09,400 --> 00:04:13,040 Speaker 1: Gold where like some of the guys they have different 73 00:04:13,240 --> 00:04:16,839 Speaker 1: last names. Some of their last names are white and 74 00:04:16,960 --> 00:04:17,960 Speaker 1: some of them are gold. 75 00:04:18,240 --> 00:04:21,120 Speaker 3: Yes, and we've taken our sheriff shots at the dress 76 00:04:21,120 --> 00:04:23,640 Speaker 3: and people who talk about the dress, and I think that, 77 00:04:24,160 --> 00:04:27,000 Speaker 3: you know, at the same time that we did say 78 00:04:27,040 --> 00:04:28,680 Speaker 3: like we should talk about iceis. 79 00:04:28,400 --> 00:04:30,760 Speaker 2: Also it's relevant. That dress is relevant and now that 80 00:04:30,800 --> 00:04:32,680 Speaker 2: we are engaged in it, it brings. 81 00:04:32,400 --> 00:04:37,839 Speaker 1: Us together and it is scientifically important. So it's so 82 00:04:37,880 --> 00:04:40,799 Speaker 1: we weren't we wrong. We weren't wrong for a couple 83 00:04:40,760 --> 00:04:43,479 Speaker 1: of meetings, and you know, we can see the other 84 00:04:43,560 --> 00:04:46,160 Speaker 1: side of it as well. These opinions can coexist. 85 00:04:46,200 --> 00:04:47,800 Speaker 3: We weren't wrong to talk about the other stuff. But 86 00:04:47,839 --> 00:04:49,799 Speaker 3: at the same time, you know, and it's not because 87 00:04:49,839 --> 00:04:52,120 Speaker 3: we're being you know, paid to do the show necessarily, 88 00:04:52,120 --> 00:04:54,680 Speaker 3: but it is it doesn't hurt for us to really 89 00:04:54,720 --> 00:04:57,880 Speaker 3: take a good long look at what color is this 90 00:04:58,000 --> 00:04:59,480 Speaker 3: dress and should we be talking about it for a 91 00:04:59,520 --> 00:05:02,880 Speaker 3: few days and hopefully for a few years to come, 92 00:05:03,480 --> 00:05:06,280 Speaker 3: because the dress is the star of the show as 93 00:05:06,360 --> 00:05:08,800 Speaker 3: much as Baby Grandpa is, and so. 94 00:05:08,800 --> 00:05:13,520 Speaker 1: We have a lot of very exciting casting announcements to share. 95 00:05:13,839 --> 00:05:15,840 Speaker 2: We have set our cast. 96 00:05:16,160 --> 00:05:19,120 Speaker 1: Do you want to go into some of the different 97 00:05:19,120 --> 00:05:21,719 Speaker 1: people that we have playing some of the characters. 98 00:05:22,200 --> 00:05:23,760 Speaker 2: Absolutely. Absolutely. 99 00:05:24,760 --> 00:05:28,360 Speaker 3: One of the most challenging roles for us to cast 100 00:05:28,640 --> 00:05:32,080 Speaker 3: was the main guy, and a lot of that was 101 00:05:32,160 --> 00:05:35,719 Speaker 3: because the way that the wind is blowing and comedy 102 00:05:35,800 --> 00:05:39,919 Speaker 3: skewing more female, and so we didn't really want a 103 00:05:40,000 --> 00:05:42,800 Speaker 3: guy to play that role. And so it's going to 104 00:05:42,839 --> 00:05:47,520 Speaker 3: be played by Roseanne Barr and we're so women are 105 00:05:47,560 --> 00:05:49,559 Speaker 3: funny and we're so excited to have her on board. 106 00:05:49,680 --> 00:05:53,279 Speaker 1: We grew up knowing about her and so now to 107 00:05:53,440 --> 00:05:55,599 Speaker 1: like actually see her and know what she looks like, 108 00:05:55,720 --> 00:05:58,320 Speaker 1: it is like wow, It's like it's an exciting thing 109 00:05:58,480 --> 00:05:59,520 Speaker 1: for just a comedy fan. 110 00:05:59,760 --> 00:06:02,080 Speaker 3: Yes, and to see her on TV and to know 111 00:06:02,160 --> 00:06:05,719 Speaker 3: that she's been on TV before and isn't that enough? 112 00:06:05,760 --> 00:06:09,839 Speaker 3: And maybe the most important thing whether she's necessarily right 113 00:06:09,920 --> 00:06:12,720 Speaker 3: for the role. And that is a conversation we had. 114 00:06:14,200 --> 00:06:17,120 Speaker 2: The dad. So there's like the main guy. 115 00:06:17,680 --> 00:06:21,039 Speaker 1: The dad on the show is going to be played 116 00:06:21,440 --> 00:06:27,800 Speaker 1: by Tom Hiddleston. The guy who was Loki in the 117 00:06:28,760 --> 00:06:36,680 Speaker 1: Superhero movies is his dad. So it's Loki's dad like 118 00:06:36,880 --> 00:06:39,880 Speaker 1: that actor's dad, because at one point he was going 119 00:06:39,960 --> 00:06:41,680 Speaker 1: to be kind of the main guy. It was it 120 00:06:41,720 --> 00:06:44,960 Speaker 1: was going to be like a fun thing where Tom 121 00:06:45,000 --> 00:06:48,560 Speaker 1: Hiddleston and his real dad we're gonna be sharing the 122 00:06:48,600 --> 00:06:49,760 Speaker 1: screen for the first time. 123 00:06:50,839 --> 00:06:52,760 Speaker 2: He is unable to do it. 124 00:06:52,920 --> 00:06:56,159 Speaker 1: He's he's he is going to do the Avengers movie 125 00:06:56,160 --> 00:06:58,159 Speaker 1: and sad he had told us that he had decided 126 00:06:58,200 --> 00:06:59,200 Speaker 1: not to do that anymore. 127 00:07:00,160 --> 00:07:01,599 Speaker 2: But he is going to go and do that. But 128 00:07:01,800 --> 00:07:03,159 Speaker 2: we still do have his dad. 129 00:07:03,720 --> 00:07:05,960 Speaker 3: And and for those who think, oh, well, you couldn't 130 00:07:05,960 --> 00:07:08,440 Speaker 3: get a big franchise movie started and Johan, well you're 131 00:07:08,480 --> 00:07:12,880 Speaker 3: wrong because the Great Grandpa character is going to be 132 00:07:12,960 --> 00:07:17,239 Speaker 3: played by the guy who is Peta in those Hunger 133 00:07:17,320 --> 00:07:20,280 Speaker 3: Games movies, and he's going to be an old man 134 00:07:20,440 --> 00:07:22,120 Speaker 3: makeup and. 135 00:07:22,040 --> 00:07:27,120 Speaker 1: So huge, huge name. Right now, we can't believe, actually 136 00:07:27,200 --> 00:07:28,320 Speaker 1: that I couldn't believe. 137 00:07:28,320 --> 00:07:31,120 Speaker 3: I'm talking to the guy who plays Peta and he's 138 00:07:31,240 --> 00:07:37,200 Speaker 3: HOSTESSNL and he's such a star and it's a Josh 139 00:07:37,240 --> 00:07:40,800 Speaker 3: something and it's so and so to have him as 140 00:07:40,840 --> 00:07:42,160 Speaker 3: the Great Grandpa and the. 141 00:07:43,960 --> 00:07:46,280 Speaker 2: Gravity gravitas that brings and. 142 00:07:46,280 --> 00:07:48,800 Speaker 1: The voice of the dress is going to be Dennis Leary. 143 00:07:49,760 --> 00:07:53,720 Speaker 1: It's fun to see a sweet thing like a dress 144 00:07:54,320 --> 00:07:57,280 Speaker 1: and then to hear some of the sour. 145 00:07:57,080 --> 00:07:59,080 Speaker 2: Things that come out of his mouth. 146 00:07:58,840 --> 00:08:02,080 Speaker 3: That Dennis has to say. And he's not and I'll 147 00:08:02,080 --> 00:08:04,560 Speaker 3: tell you something. The dress is not too pleased with 148 00:08:04,600 --> 00:08:08,000 Speaker 3: these starbucks that seas popping up everywhere, and it's gonna 149 00:08:08,480 --> 00:08:10,560 Speaker 3: probably have a thing or two to say about that. 150 00:08:10,680 --> 00:08:13,200 Speaker 2: And it's smoke a lota frepp But I just want 151 00:08:13,240 --> 00:08:14,920 Speaker 2: a cup of coffee. 152 00:08:15,320 --> 00:08:18,000 Speaker 3: And so you'll be seeing some of that out of 153 00:08:18,040 --> 00:08:20,920 Speaker 3: Dennis and what he thinks about Cindy Crawford and how 154 00:08:21,080 --> 00:08:21,840 Speaker 3: and her body. 155 00:08:22,600 --> 00:08:26,040 Speaker 1: So we'll be tracking like a lot of stuff is 156 00:08:26,040 --> 00:08:27,160 Speaker 1: gonna be going on with a show. 157 00:08:27,240 --> 00:08:29,640 Speaker 2: We have a table read set for next week. 158 00:08:29,720 --> 00:08:32,760 Speaker 3: It just wishes it was on Cindy Crawford because Dennis 159 00:08:32,760 --> 00:08:34,319 Speaker 3: then would feel like he was touching. 160 00:08:35,080 --> 00:08:37,559 Speaker 2: So yes, the table able read next week. We have 161 00:08:38,360 --> 00:08:43,520 Speaker 2: shooting week after that editing. Oh, the b and the babies. 162 00:08:44,440 --> 00:08:46,439 Speaker 2: The baby's he's his baby. 163 00:08:46,840 --> 00:08:51,679 Speaker 1: Yes, Yes, the grandpa baby Grandpa, which is yes. And 164 00:08:51,720 --> 00:08:54,920 Speaker 1: it's sort of where the idea came from because my 165 00:08:55,000 --> 00:08:56,959 Speaker 1: baby was kind of bossing me around a little bit 166 00:08:57,160 --> 00:08:59,679 Speaker 1: and I said sort of like, what are you my 167 00:08:59,720 --> 00:09:02,480 Speaker 1: grand And at the time, you know, you think it's 168 00:09:02,520 --> 00:09:04,880 Speaker 1: just a funny joke, but then it becomes like, wait, 169 00:09:04,920 --> 00:09:07,960 Speaker 1: you actually should be a grandpa on the show, you know, 170 00:09:08,120 --> 00:09:09,360 Speaker 1: like that came from somewhere. 171 00:09:09,480 --> 00:09:12,120 Speaker 2: Yeah, I like that. I you know, there's a reason 172 00:09:12,120 --> 00:09:14,199 Speaker 2: I said that. It's because you should be a gramp 173 00:09:14,280 --> 00:09:15,760 Speaker 2: because he could play it. Yeah. 174 00:09:16,480 --> 00:09:19,000 Speaker 3: But yeah, the table Reader were so excited about and 175 00:09:19,000 --> 00:09:20,319 Speaker 3: some of the people that are going to sit in 176 00:09:20,360 --> 00:09:22,199 Speaker 3: to do punch up on that table read. And we'll 177 00:09:22,240 --> 00:09:25,360 Speaker 3: just name some of those writers right now. And they're 178 00:09:25,360 --> 00:09:28,040 Speaker 3: not necessarily people who you always think of as writers first, 179 00:09:28,160 --> 00:09:31,720 Speaker 3: but that is what what capacity they're going to be 180 00:09:31,840 --> 00:09:39,199 Speaker 3: there in Tevin Campbell, Janet Reno, Smoky the Bear, Jennet Jackson. 181 00:09:40,559 --> 00:09:43,000 Speaker 2: The guy who used to play for the Los Angeles Kings, 182 00:09:43,040 --> 00:09:48,280 Speaker 2: Joe Thornton did Little Creatures from the Quizno subs ads did. 183 00:09:48,400 --> 00:09:51,359 Speaker 2: Look they're like little. 184 00:09:51,080 --> 00:09:56,520 Speaker 3: Furry creatures, an ice cream cone, Tom Sendeval from NUS. 185 00:09:57,240 --> 00:09:59,120 Speaker 2: So those are just the people who are going to 186 00:09:59,160 --> 00:10:00,200 Speaker 2: be doing punch up for us. 187 00:10:00,280 --> 00:10:03,800 Speaker 1: It's you'll get to have this window into the process 188 00:10:03,920 --> 00:10:07,000 Speaker 1: that a lot of people don't normally get so we 189 00:10:07,080 --> 00:10:08,360 Speaker 1: are going to track it in real time. 190 00:10:10,000 --> 00:10:12,320 Speaker 3: Lots more to come over the next few weeks. Yeah, 191 00:10:12,400 --> 00:10:15,000 Speaker 3: look forward to next week. The table read went and 192 00:10:15,600 --> 00:10:17,040 Speaker 3: just with the progress with. 193 00:10:16,960 --> 00:10:22,040 Speaker 1: The Whites and gold FKA baby Grandpa. So we have 194 00:10:22,120 --> 00:10:24,880 Speaker 1: a great guest today. A lot of you guys have 195 00:10:24,960 --> 00:10:28,319 Speaker 1: listened to him talk about video games and never quite 196 00:10:28,360 --> 00:10:30,800 Speaker 1: like this and watch him on the TV show and 197 00:10:30,840 --> 00:10:32,200 Speaker 1: so this will be a real treat for you. 198 00:10:32,280 --> 00:10:34,959 Speaker 2: And that Camio Nanjianni is going to be up in 199 00:10:35,240 --> 00:10:42,880 Speaker 2: one second on Hollywood Handbook. So it's me and. 200 00:10:44,160 --> 00:10:48,480 Speaker 1: David Copperfield and he's like, nothing at my sleeves, right, 201 00:10:48,679 --> 00:10:52,360 Speaker 1: And I look in there and there is like a 202 00:10:52,640 --> 00:10:58,160 Speaker 1: huge booger inside his sleeve, And so what do you do? 203 00:10:58,160 --> 00:11:00,360 Speaker 2: Do you say, like, actually. 204 00:11:00,120 --> 00:11:02,280 Speaker 1: There is something. I don't know if it's part. He's 205 00:11:02,320 --> 00:11:03,920 Speaker 1: asking me if there's anything up there. 206 00:11:04,040 --> 00:11:06,280 Speaker 2: But he just didn't realize he had like probably wiped 207 00:11:06,280 --> 00:11:06,720 Speaker 2: his sleeve. 208 00:11:06,920 --> 00:11:09,880 Speaker 1: I think he just fired it into his sleeve and 209 00:11:10,640 --> 00:11:12,320 Speaker 1: forgot and it was there. 210 00:11:12,360 --> 00:11:15,000 Speaker 2: It was like a ping pong ball and you're micd 211 00:11:15,000 --> 00:11:16,640 Speaker 2: and there's a whole Vegas crowd. 212 00:11:16,480 --> 00:11:18,440 Speaker 1: Yes, And so I don't know, am I supposed to 213 00:11:18,559 --> 00:11:23,320 Speaker 1: notice it or not? What do you do when when 214 00:11:23,360 --> 00:11:24,040 Speaker 1: that happened to me? 215 00:11:24,360 --> 00:11:29,040 Speaker 2: Yeah? Oh uh oh right, I said, Oh, David, I 216 00:11:29,080 --> 00:11:30,280 Speaker 2: think you may want to check. 217 00:11:30,120 --> 00:11:36,720 Speaker 3: If there's solding up your sleeve. They've got a big laugh. Anyway, 218 00:11:36,760 --> 00:11:37,680 Speaker 3: there's a guest here. 219 00:11:37,640 --> 00:11:41,280 Speaker 1: Hey, an insider's guy to kicking button dropping names in 220 00:11:41,280 --> 00:11:43,640 Speaker 1: the red carpet lineback hallways of this industry we call. 221 00:11:43,600 --> 00:11:48,880 Speaker 2: Showbiz what up? What up? Corker? Corker? Corker? 222 00:11:48,960 --> 00:11:52,439 Speaker 1: Is abit you sometimes for guests that we have, and 223 00:11:52,480 --> 00:11:55,600 Speaker 1: this one is gotta be one of those first. 224 00:11:56,280 --> 00:11:59,640 Speaker 2: Didn't use it this time? We'd get letters. Why didn't 225 00:11:59,640 --> 00:11:59,920 Speaker 2: you take. 226 00:12:00,880 --> 00:12:06,480 Speaker 1: You know him from TV show, from doing podcast? 227 00:12:06,960 --> 00:12:13,400 Speaker 2: Right, it's come stand up and yes, Camille, thank you 228 00:12:13,480 --> 00:12:13,960 Speaker 2: for having me. 229 00:12:14,559 --> 00:12:19,120 Speaker 1: Thanks we you and I and and Sean as well 230 00:12:19,200 --> 00:12:22,440 Speaker 1: and engineer Bread actually go pretty far back. 231 00:12:22,679 --> 00:12:25,720 Speaker 2: Yeah, I guess we've been. We've been sort of kicking 232 00:12:25,760 --> 00:12:26,640 Speaker 2: it for a while now. 233 00:12:26,800 --> 00:12:31,720 Speaker 3: Yeah, always in these adjoining circles, you know, never never 234 00:12:31,760 --> 00:12:36,520 Speaker 3: necessarily the three of us just throwing down, but always 235 00:12:36,600 --> 00:12:39,000 Speaker 3: in the same sort of vicinity. 236 00:12:39,200 --> 00:12:43,760 Speaker 2: Our circles have intersections. And I see you with you know, 237 00:12:44,160 --> 00:12:46,800 Speaker 2: when I'm out with Jerry. Sometimes we'll run into Yes, 238 00:12:47,120 --> 00:12:50,480 Speaker 2: yeah Courtney right. 239 00:12:49,840 --> 00:12:54,200 Speaker 3: Okay, yes, okay, yes, story there. 240 00:12:56,280 --> 00:13:03,720 Speaker 1: All right, Yeah, she what happened to her is very 241 00:13:03,760 --> 00:13:08,880 Speaker 1: mysterious to me still. How like all of a sudden 242 00:13:09,480 --> 00:13:13,360 Speaker 1: she was like she's gone one day, like she's disappeared. 243 00:13:13,679 --> 00:13:19,360 Speaker 2: House is gone, entire house, it's it's an empty lot. Yes, yeah, 244 00:13:19,400 --> 00:13:22,400 Speaker 2: and I remember there being a house there. Yeah. I 245 00:13:22,440 --> 00:13:25,880 Speaker 2: think the neighbors remember it. Almost everybody remember, and everybody 246 00:13:25,960 --> 00:13:29,080 Speaker 2: had the same reaction. They were like on our house there. 247 00:13:29,240 --> 00:13:30,160 Speaker 2: I have a picture of. 248 00:13:30,120 --> 00:13:32,120 Speaker 3: Me in front of the house doing thumbs up, like 249 00:13:32,160 --> 00:13:33,400 Speaker 3: this is definitely a house. 250 00:13:34,440 --> 00:13:36,200 Speaker 2: And did you did you go back and look at 251 00:13:36,200 --> 00:13:38,640 Speaker 2: the picture at the house disappeared? Picture's gone, yeah, yeah, 252 00:13:38,679 --> 00:13:42,160 Speaker 2: picture's gone too. That's crazy. All evidence of the house 253 00:13:42,160 --> 00:13:43,480 Speaker 2: has gone. Courtney's gone. 254 00:13:43,679 --> 00:13:45,600 Speaker 1: And so I think we say rip because we don't 255 00:13:45,600 --> 00:13:48,439 Speaker 1: really have that. It helps us cope with I like to. 256 00:13:48,360 --> 00:13:50,720 Speaker 2: Think she's out there, you know, on the island with 257 00:13:52,000 --> 00:13:56,040 Speaker 2: Tupac and Bill Cosby. No, Bill Cosby's on this island. 258 00:13:56,440 --> 00:14:00,320 Speaker 2: He's still on, but he's headed for that island. He is, Yeah, 259 00:14:00,400 --> 00:14:02,440 Speaker 2: he is. That's going to be a sad day when 260 00:14:02,440 --> 00:14:06,480 Speaker 2: Bill goes. Huh, he's affected so many lives, just like, oh, 261 00:14:06,679 --> 00:14:07,520 Speaker 2: such a positive. 262 00:14:07,559 --> 00:14:10,199 Speaker 1: That's what you want to do is affect as many 263 00:14:10,280 --> 00:14:13,480 Speaker 1: lives as you can. I just just get into someone else, say, 264 00:14:13,600 --> 00:14:15,920 Speaker 1: I talk all the time about really making a difference. 265 00:14:16,280 --> 00:14:21,040 Speaker 1: He's really. I mean, people changed people's lives forever. They 266 00:14:21,200 --> 00:14:23,800 Speaker 1: will never forget when they met the way. 267 00:14:23,920 --> 00:14:26,120 Speaker 2: That's what you want to do so many people. He's 268 00:14:26,360 --> 00:14:30,520 Speaker 2: just really really gotten in there and touched so many people. 269 00:14:31,200 --> 00:14:35,320 Speaker 1: Now, Kamaille, you sort of have made this reputation for 270 00:14:35,360 --> 00:14:38,440 Speaker 1: yourself that I love, which is being you call yourself 271 00:14:38,440 --> 00:14:43,200 Speaker 1: the number one nerd Yes, yes, yeah, and nerdanisto yes, 272 00:14:43,520 --> 00:14:46,440 Speaker 1: and and we talk all the time about how nerds 273 00:14:46,480 --> 00:14:47,600 Speaker 1: is being cool now. 274 00:14:47,560 --> 00:14:49,360 Speaker 2: Yes, yes, and. 275 00:14:48,760 --> 00:14:52,360 Speaker 3: And the quite frankly, the bullies are pumping our gas 276 00:14:52,800 --> 00:14:55,120 Speaker 3: and the nerds are on top of the Nerds one 277 00:14:55,160 --> 00:14:56,360 Speaker 3: and nerds are king right. 278 00:14:56,480 --> 00:14:59,880 Speaker 2: Bullies are pumping our gas on our way to recording 279 00:15:00,280 --> 00:15:05,440 Speaker 2: hit podcasts. Yes, and you don't see like the bulliest podcasts. Yeah, 280 00:15:05,600 --> 00:15:08,720 Speaker 2: for example, there is no bullist podcast. They can't know. 281 00:15:08,880 --> 00:15:11,160 Speaker 3: They can't because they wouldn't even know how to make 282 00:15:11,240 --> 00:15:14,440 Speaker 3: it or listen. They get frustrated with tech, they smash, 283 00:15:14,560 --> 00:15:20,000 Speaker 3: they'd be smashing your football. Edgar, Yes, yes, my guy's name, 284 00:15:20,440 --> 00:15:22,400 Speaker 3: and so speak on that. 285 00:15:23,480 --> 00:15:25,760 Speaker 2: Edgar was just he was one of those you know, 286 00:15:26,280 --> 00:15:28,200 Speaker 2: you'd use me for homework and stuff. 287 00:15:28,200 --> 00:15:31,480 Speaker 4: He would use you to turn you in his homework. 288 00:15:32,400 --> 00:15:36,200 Speaker 4: Basically pretty much I made become home. I mean pretty much. 289 00:15:36,240 --> 00:15:38,320 Speaker 4: You would show up to my house. I mean pretty much. 290 00:15:38,440 --> 00:15:41,400 Speaker 3: You know you could say that the humiliations of pretending 291 00:15:41,440 --> 00:15:42,920 Speaker 3: to be homework for all these time. 292 00:15:42,960 --> 00:15:47,000 Speaker 2: I mean it was like, oh today I'm geography, but mathematics. 293 00:15:47,720 --> 00:15:49,640 Speaker 2: Aren't you grateful in a way? I mean, is that 294 00:15:49,640 --> 00:15:52,000 Speaker 2: part of what made you? I mean, listen, if you're 295 00:15:52,400 --> 00:15:57,400 Speaker 2: to want something that hasn't, to wish that anything different 296 00:15:57,400 --> 00:15:59,080 Speaker 2: had happened to you is to wish to be a 297 00:15:59,080 --> 00:16:01,880 Speaker 2: different person. And I want to be myself number wondr it? 298 00:16:02,000 --> 00:16:02,640 Speaker 5: So yes? 299 00:16:02,920 --> 00:16:05,840 Speaker 2: So really, you know, everything that's happened to you has 300 00:16:06,320 --> 00:16:07,600 Speaker 2: has made you who you are. 301 00:16:08,720 --> 00:16:11,680 Speaker 3: Every time I get food poisoning, I have to remind myself, 302 00:16:11,760 --> 00:16:14,880 Speaker 3: like it's good, this is good. Yeah, it is because 303 00:16:14,920 --> 00:16:16,920 Speaker 3: I want to be who I am. Well, food poisoning 304 00:16:17,040 --> 00:16:20,240 Speaker 3: is great. You lose three to four pounds like our day. 305 00:16:20,800 --> 00:16:23,160 Speaker 1: Oh day, it's great to get they have these little 306 00:16:23,200 --> 00:16:26,600 Speaker 1: worms you can buy if you have like a test 307 00:16:26,640 --> 00:16:27,720 Speaker 1: screening or something. 308 00:16:27,960 --> 00:16:31,360 Speaker 2: Yeah, they're called test worms, the test worms. Yeah, and 309 00:16:31,400 --> 00:16:34,240 Speaker 2: they're in and they flush it all out and they 310 00:16:34,320 --> 00:16:37,840 Speaker 2: shred you. They just absolutely shred you. That stuff is great. 311 00:16:38,360 --> 00:16:39,280 Speaker 2: That stuff is great. 312 00:16:39,440 --> 00:16:42,640 Speaker 1: Well, since we have you here, you know about our 313 00:16:43,120 --> 00:16:47,560 Speaker 1: new sort of video game Shingle, right that we have the. 314 00:16:47,600 --> 00:16:50,080 Speaker 2: Video game production company. We're doing Shingle. 315 00:16:50,400 --> 00:16:55,080 Speaker 1: Because you know, like video games is like being inside 316 00:16:55,120 --> 00:16:55,800 Speaker 1: like movies. 317 00:16:55,960 --> 00:16:57,520 Speaker 2: Like it used to be movies you. 318 00:16:57,560 --> 00:17:01,400 Speaker 1: Just sit there in the chair, you know, and now 319 00:17:01,440 --> 00:17:05,200 Speaker 1: it's like teleport inside movie. 320 00:17:05,440 --> 00:17:07,359 Speaker 2: Huh you know like. 321 00:17:07,240 --> 00:17:12,920 Speaker 3: That, And and there's binocular rifts and all the different 322 00:17:13,280 --> 00:17:16,000 Speaker 3: machine and we are doing it too, and so. 323 00:17:16,560 --> 00:17:20,840 Speaker 2: Video games is like being fun movies. It's uh yes, yeah, 324 00:17:21,240 --> 00:17:27,359 Speaker 2: you know the office binocular rifts. Yes, oh yeah, yeah, 325 00:17:27,520 --> 00:17:31,119 Speaker 2: that's the future and you're inside it and you're doing it. 326 00:17:31,160 --> 00:17:33,720 Speaker 3: And we've made a fun one for kids and for 327 00:17:33,840 --> 00:17:37,520 Speaker 3: grown ups. Your single has yes, and it's so it's 328 00:17:37,600 --> 00:17:43,240 Speaker 3: the first big release from Comic Books video Games because 329 00:17:43,240 --> 00:17:44,359 Speaker 3: we love comic books. 330 00:17:44,359 --> 00:17:47,760 Speaker 2: It's like one of our first loves. So Comic Books 331 00:17:47,800 --> 00:17:51,000 Speaker 2: video Games is what we named are our company after 332 00:17:51,119 --> 00:17:52,639 Speaker 2: I don't want to be a nace theer here, but 333 00:17:52,640 --> 00:17:54,440 Speaker 2: that's going to be very difficult to google. 334 00:17:54,840 --> 00:17:59,440 Speaker 3: Well, is that because we have video games? Comic books? 335 00:17:59,440 --> 00:18:00,000 Speaker 3: Is our comic boo? 336 00:18:01,520 --> 00:18:04,119 Speaker 1: So as long as they're being sent to one of those, 337 00:18:04,760 --> 00:18:06,679 Speaker 1: it's it's all money in our pocket. 338 00:18:06,840 --> 00:18:09,919 Speaker 2: Yeah? Okay, So do you have a video game company 339 00:18:09,960 --> 00:18:11,679 Speaker 2: that's called you. 340 00:18:11,680 --> 00:18:14,719 Speaker 6: Have video company called comic books, video game, comic books, 341 00:18:14,760 --> 00:18:16,800 Speaker 6: video games, and then your video game company is called 342 00:18:16,880 --> 00:18:19,639 Speaker 6: our comic Our comic book company is called video games 343 00:18:19,680 --> 00:18:22,280 Speaker 6: comics right or books? 344 00:18:22,560 --> 00:18:27,520 Speaker 1: Yeah, because people who read comics or video games they're 345 00:18:27,560 --> 00:18:28,600 Speaker 1: starting to Yes. 346 00:18:28,800 --> 00:18:31,280 Speaker 2: Have you guys tried to google your own company? Just 347 00:18:31,359 --> 00:18:34,000 Speaker 2: like I know you have it in bookmarks or whatever. 348 00:18:34,400 --> 00:18:36,280 Speaker 3: You know, you keep saying google, But I think it's 349 00:18:36,359 --> 00:18:38,440 Speaker 3: funny to say bing And I don't know if anyone's 350 00:18:38,480 --> 00:18:39,440 Speaker 3: tried using that book. 351 00:18:39,600 --> 00:18:44,800 Speaker 2: It's funny. Have you guys tried binging your video games? 352 00:18:44,840 --> 00:18:45,520 Speaker 2: Comic book? 353 00:18:45,920 --> 00:18:48,879 Speaker 1: It's not up there, it's not in the we know 354 00:18:48,920 --> 00:18:49,800 Speaker 1: it's not there, So. 355 00:18:49,800 --> 00:18:53,159 Speaker 2: Why I would say it's sort of too generic? You 356 00:18:53,200 --> 00:18:55,720 Speaker 2: got to come up with something more specific? Is it 357 00:18:55,760 --> 00:18:58,000 Speaker 2: is books? Video games? Has the train left on? This? 358 00:18:58,160 --> 00:18:58,920 Speaker 2: Is it? No? 359 00:18:59,080 --> 00:19:01,200 Speaker 1: I want it to be called, right, kular books, video games, 360 00:19:01,800 --> 00:19:05,439 Speaker 1: that's not I mean, at least that is more specific, 361 00:19:06,359 --> 00:19:09,720 Speaker 1: even though it's a wider range of books, because it's 362 00:19:09,720 --> 00:19:10,040 Speaker 1: just like. 363 00:19:10,040 --> 00:19:12,840 Speaker 2: Your specifics and comics books. I don't know. Comic books 364 00:19:12,840 --> 00:19:17,919 Speaker 2: are fun. But what about my passion? Okay, you listen, 365 00:19:18,119 --> 00:19:21,560 Speaker 2: you can use your passion. What's your who's your favorite superhero? Oh? 366 00:19:21,640 --> 00:19:30,880 Speaker 2: The monster? The Monster? Remind me about the monster again. 367 00:19:31,600 --> 00:19:35,479 Speaker 1: He's got those eyes, yes, strong, strong eyes. 368 00:19:35,640 --> 00:19:38,800 Speaker 2: So he's the superhero that has eyes and is strong. Yes, 369 00:19:38,880 --> 00:19:39,480 Speaker 2: that's his name. 370 00:19:39,480 --> 00:19:41,960 Speaker 3: He's got super eyes and stay out of his way 371 00:19:42,119 --> 00:19:42,920 Speaker 3: if you're a battye? 372 00:19:43,080 --> 00:19:45,000 Speaker 2: Is he okay? Let me try? And is he like? 373 00:19:45,280 --> 00:19:47,920 Speaker 2: You don't want to get him angry? Is that? I 374 00:19:48,040 --> 00:19:50,399 Speaker 2: want to know you do want to get him angry? 375 00:19:50,480 --> 00:19:53,080 Speaker 2: You do want to get the monster angry because. 376 00:19:53,200 --> 00:19:54,959 Speaker 3: Oh I want to see him angry because I want 377 00:19:55,000 --> 00:19:56,440 Speaker 3: to see him pound on some batties. 378 00:19:57,080 --> 00:20:00,040 Speaker 2: Okay, all right, So okay, so let's say it's the mo. 379 00:20:01,840 --> 00:20:05,400 Speaker 2: Who's your second? That's very generic sounding. Still, you can't 380 00:20:05,480 --> 00:20:08,760 Speaker 2: name it monster? Video games? Second favorite? Yeah? X Man, 381 00:20:09,560 --> 00:20:15,720 Speaker 2: X Man, x Man x Man, Well it's the guy, yeah, 382 00:20:15,760 --> 00:20:18,480 Speaker 2: the X Man. Yes, what is it? Which one is? 383 00:20:18,520 --> 00:20:19,760 Speaker 2: He plays a x iophone? 384 00:20:20,240 --> 00:20:23,760 Speaker 3: Okay, all right, so you could in his during the day. 385 00:20:26,040 --> 00:20:28,720 Speaker 3: That's his cover, you know, playing the xyophone. Is he 386 00:20:28,800 --> 00:20:30,200 Speaker 3: making money playing with his alphone? 387 00:20:30,800 --> 00:20:32,439 Speaker 2: He must? He must? Yeah. 388 00:20:32,560 --> 00:20:38,160 Speaker 3: Weddings, Yeah, yeah, wedding uh where else play? 389 00:20:38,320 --> 00:20:41,720 Speaker 2: But weddings happen at night, So then does he have 390 00:20:41,720 --> 00:20:42,080 Speaker 2: to choose? 391 00:20:42,080 --> 00:20:46,760 Speaker 3: Sometimes it's all day weddings, all outdoor ceremoniales and like northasah. 392 00:20:47,119 --> 00:20:50,480 Speaker 2: Yeah so so Comic Books Video Games is a video 393 00:20:50,480 --> 00:20:53,480 Speaker 2: game company. Yes, okay, and you guys are doing a 394 00:20:53,560 --> 00:20:54,280 Speaker 2: game music. 395 00:20:54,200 --> 00:20:56,280 Speaker 3: Well, yes, and we've got a lot of the action 396 00:20:56,440 --> 00:20:59,199 Speaker 3: stuff done. But what we think is so cool is 397 00:20:59,240 --> 00:21:02,360 Speaker 3: these parts of the game where you are just watching 398 00:21:02,440 --> 00:21:05,280 Speaker 3: a scene that's kind of like a TV show scene, 399 00:21:05,280 --> 00:21:06,840 Speaker 3: but they're quite as good. 400 00:21:07,280 --> 00:21:11,280 Speaker 2: It's like a tiny show inside the game. 401 00:21:11,040 --> 00:21:13,800 Speaker 3: That you can't play, that you can't yes, you can't 402 00:21:13,880 --> 00:21:15,040 Speaker 3: really interact with that. 403 00:21:15,040 --> 00:21:17,200 Speaker 2: That's the best part. So for you guys, the best 404 00:21:17,200 --> 00:21:18,920 Speaker 2: part of the video game is the part that's least 405 00:21:19,000 --> 00:21:22,439 Speaker 2: like a video game. You could say that, but this 406 00:21:22,560 --> 00:21:26,399 Speaker 2: is a real yeah forgetting to having to play the 407 00:21:26,480 --> 00:21:26,960 Speaker 2: video game. 408 00:21:26,960 --> 00:21:28,919 Speaker 3: Now you get to watch yeah, then you get the 409 00:21:29,040 --> 00:21:30,760 Speaker 3: information about the mission. 410 00:21:31,400 --> 00:21:35,600 Speaker 2: Okay for me, I like playing the game itself. But 411 00:21:35,640 --> 00:21:37,680 Speaker 2: you know they're called cutscenes, right, Is that what you 412 00:21:37,720 --> 00:21:39,600 Speaker 2: guys are referring to? Cut scenes? Like, I think we 413 00:21:39,600 --> 00:21:46,480 Speaker 2: should leave them in. That's a suggestion. Cut scenes is 414 00:21:46,520 --> 00:21:48,960 Speaker 2: what they're called. I see now that you say it 415 00:21:49,040 --> 00:21:52,960 Speaker 2: like that. I don't know why they're called that mm hmmm, honestly. 416 00:21:52,400 --> 00:21:56,640 Speaker 3: Because yeah, they're in there, the ones I'm talking about. 417 00:21:56,880 --> 00:21:59,320 Speaker 3: I know what a cut scene is. Okay, Yeah, it's 418 00:21:59,359 --> 00:22:02,680 Speaker 3: everything Brett's ever shot. You know what I mean, Engineer 419 00:22:02,720 --> 00:22:07,520 Speaker 3: Brett right Burn, Yes, it is true. 420 00:22:07,520 --> 00:22:10,360 Speaker 2: Bread, I mean it is true that everything he's ever 421 00:22:10,440 --> 00:22:14,680 Speaker 2: shot he was there too. Yeah, okay, we got to 422 00:22:14,680 --> 00:22:17,840 Speaker 2: talk about this here. No, it's a totally different Bread. 423 00:22:18,640 --> 00:22:21,200 Speaker 3: Bread out a sizeable role in one of our latest films, 424 00:22:21,240 --> 00:22:22,600 Speaker 3: and it was a big break for him and we 425 00:22:22,640 --> 00:22:25,960 Speaker 3: wound up having to remove every single one of his wall. 426 00:22:25,920 --> 00:22:29,920 Speaker 2: Are you playing Brett the Monster? You were playing the monster? Yeah? 427 00:22:29,960 --> 00:22:31,280 Speaker 2: And the monster got cut out? 428 00:22:31,880 --> 00:22:37,240 Speaker 3: Yeah, no room Ah. What was the movie called, uh, well, 429 00:22:37,359 --> 00:22:40,360 Speaker 3: Monsters Ball? Yeah, it had to change. It's called Monster's 430 00:22:40,359 --> 00:22:42,520 Speaker 3: Ball initially, okay, because. 431 00:22:42,280 --> 00:22:45,440 Speaker 2: It's a prison movie, right there, to change it mmm, 432 00:22:46,560 --> 00:22:48,399 Speaker 2: uh huh. And then what did you guys change it to? 433 00:22:49,840 --> 00:22:53,480 Speaker 3: Well, I don't want to say because I don't want 434 00:22:53,480 --> 00:22:55,679 Speaker 3: anyone to steal it, and I don't want to jinx it. 435 00:22:56,359 --> 00:22:58,520 Speaker 2: But I think it's saying the name of you movie 436 00:22:58,520 --> 00:23:00,760 Speaker 2: that's coming out is not chinxing it. It's just marketing 437 00:23:00,840 --> 00:23:02,800 Speaker 2: that's just prepared. I hate to jinx it, you know that. 438 00:23:03,359 --> 00:23:08,000 Speaker 2: Why go around jinxing their own movies? Every time I's 439 00:23:08,000 --> 00:23:10,600 Speaker 2: got a movie, they go on the posters are jinxing 440 00:23:10,640 --> 00:23:13,560 Speaker 2: it all over town. Okay, all right, I mean like 441 00:23:13,680 --> 00:23:17,520 Speaker 2: this posters for Insurgent everywhere. Now I wait, there's already 442 00:23:17,520 --> 00:23:22,520 Speaker 2: a movie called Insurgent. Okay, yes, yeah, it's a it's 443 00:23:22,520 --> 00:23:24,400 Speaker 2: like a future. Kids are in it. 444 00:23:24,600 --> 00:23:29,640 Speaker 3: Oh yeah, all right, but how did that movie? It's 445 00:23:29,680 --> 00:23:35,840 Speaker 3: not out yet, No, not officially. We're still dealing with distributors. 446 00:23:35,840 --> 00:23:42,600 Speaker 3: Such a long process. Making a deal, yes is hard, Yes, contract. 447 00:23:42,640 --> 00:23:47,760 Speaker 2: What are your favorite deal making tips? I would say 448 00:23:47,880 --> 00:23:50,439 Speaker 2: never look them in the eye. That's like one of 449 00:23:50,440 --> 00:23:53,720 Speaker 2: my rules. Yeah, and then for me, it's power mol 450 00:23:53,840 --> 00:23:55,040 Speaker 2: So you got to do that thing when you go 451 00:23:55,040 --> 00:23:57,400 Speaker 2: in for the handshake and then like you just sort 452 00:23:57,400 --> 00:24:00,800 Speaker 2: of fix your hair, too slow, do the too slow. 453 00:24:01,000 --> 00:24:03,199 Speaker 2: You got to do that. Some people will tell you 454 00:24:03,200 --> 00:24:05,000 Speaker 2: when you go and don't ask for anything. I go 455 00:24:05,040 --> 00:24:07,399 Speaker 2: in and ask for very specific stuff like died mountain 456 00:24:07,440 --> 00:24:09,800 Speaker 2: due they never have died mountain. And then I get 457 00:24:09,840 --> 00:24:13,160 Speaker 2: sort of angry, but they're confused because I'm not looking 458 00:24:13,200 --> 00:24:16,280 Speaker 2: at him. And then and I go for the handschick 459 00:24:16,359 --> 00:24:20,360 Speaker 2: three four times in a row. And do they always 460 00:24:20,400 --> 00:24:23,399 Speaker 2: fall for it? I think at some point they know 461 00:24:23,520 --> 00:24:27,480 Speaker 2: it's coming, but they're just sort of they want to 462 00:24:27,560 --> 00:24:28,439 Speaker 2: grab the hand. 463 00:24:29,200 --> 00:24:30,880 Speaker 1: They want to see if they can be fast enough. 464 00:24:31,480 --> 00:24:32,520 Speaker 1: Anyone ever caught you. 465 00:24:32,560 --> 00:24:37,040 Speaker 2: No, no, I've never made a deal, but but it's 466 00:24:37,680 --> 00:24:40,000 Speaker 2: these are my tips. Well, you keep them wanting more 467 00:24:40,119 --> 00:24:42,960 Speaker 2: that way, try and drop racial terms if you can. 468 00:24:44,440 --> 00:24:48,520 Speaker 2: Good example, just you know the B one Oh yes, yeah, 469 00:24:48,680 --> 00:24:55,480 Speaker 2: the D one do that? Okay, the M one boy 470 00:24:56,760 --> 00:24:59,000 Speaker 2: there he's going deep. Do the M words. 471 00:25:00,000 --> 00:25:03,840 Speaker 3: Speaking of racial terms, we do want to record some 472 00:25:03,880 --> 00:25:06,160 Speaker 3: of these cut scenes today. 473 00:25:06,240 --> 00:25:08,600 Speaker 2: Radio game. What's the story of this game? Wait, you 474 00:25:08,600 --> 00:25:10,200 Speaker 2: guys are recording the cut scenes today? 475 00:25:10,400 --> 00:25:12,040 Speaker 3: Yeah, well, as long as we have you on Mike 476 00:25:12,160 --> 00:25:16,080 Speaker 3: and your video game guy, I mean, look, you're one 477 00:25:16,080 --> 00:25:19,600 Speaker 3: of the top Nerds, the top Nerds, yes, number one, 478 00:25:19,720 --> 00:25:24,840 Speaker 3: Top Nerds exactly. But I can't just record, Like, why 479 00:25:24,880 --> 00:25:27,359 Speaker 3: don't you guys go through my manager and stuff. 480 00:25:27,359 --> 00:25:29,720 Speaker 1: Well, I feel like the stuff we've gotten so far 481 00:25:29,800 --> 00:25:32,280 Speaker 1: from you is not really going to work for a 482 00:25:32,359 --> 00:25:34,639 Speaker 1: cut scene necessarily, or the cut scene is going to 483 00:25:34,680 --> 00:25:36,920 Speaker 1: be very not. 484 00:25:36,359 --> 00:25:38,119 Speaker 2: Going to but it's not going to match up with 485 00:25:38,160 --> 00:25:41,680 Speaker 2: the story that we have in mind. Okay, yeah, I'm 486 00:25:41,680 --> 00:25:44,040 Speaker 2: not saying that you just use what I'm saying and 487 00:25:44,040 --> 00:25:45,560 Speaker 2: put it in your video game, but we sort of 488 00:25:45,560 --> 00:25:47,840 Speaker 2: have to, you know, go through the proper channels and 489 00:25:47,840 --> 00:25:48,600 Speaker 2: stuff to do it. 490 00:25:49,240 --> 00:25:53,680 Speaker 1: But see it's a video. There are no channels. Yes, 491 00:25:53,920 --> 00:25:56,399 Speaker 1: that's TV. You're thinking of television. 492 00:25:56,680 --> 00:25:59,240 Speaker 3: And I get confused about the same stuff because video games, 493 00:25:59,240 --> 00:26:00,920 Speaker 3: because models are change channel three. 494 00:26:00,960 --> 00:26:02,879 Speaker 2: You have to go to channel three, and that's the 495 00:26:02,920 --> 00:26:05,480 Speaker 2: only one, yes, the video, because that's just where it's 496 00:26:05,520 --> 00:26:09,920 Speaker 2: plugged in. That's what the Genesis is plugged m. Yeah, yeah, 497 00:26:09,960 --> 00:26:13,760 Speaker 2: so you do, Yes, you get it. So, yes, you're 498 00:26:13,760 --> 00:26:14,359 Speaker 2: you're getting it. 499 00:26:14,480 --> 00:26:17,560 Speaker 1: So this is a scene where the main guy is 500 00:26:18,040 --> 00:26:21,080 Speaker 1: the Fight Have Her The game is called Fight Have Her, uh, 501 00:26:21,119 --> 00:26:26,000 Speaker 1: and he is talking to his boss about there's a fight. 502 00:26:26,080 --> 00:26:28,960 Speaker 1: He has to go out and do a specific fight. 503 00:26:29,119 --> 00:26:30,159 Speaker 1: That's like his mission. 504 00:26:30,359 --> 00:26:34,200 Speaker 2: So he has he has fights, Yeah, he has, yes, 505 00:26:34,320 --> 00:26:36,960 Speaker 2: and a lot of it. Yeah. Fight have Her? Yeah, 506 00:26:37,040 --> 00:26:37,639 Speaker 2: Fight have Her? 507 00:26:38,840 --> 00:26:48,639 Speaker 3: And parenthetical fast drive fast Drive. Yes, this is the 508 00:26:48,680 --> 00:26:54,320 Speaker 3: fast Drive edition. Oh okay, it's like a special edition right, yes, okay. 509 00:26:54,000 --> 00:26:56,120 Speaker 2: So what's his uh? What's his name? Was his character's 510 00:26:56,200 --> 00:26:59,879 Speaker 2: name fight have No? His name is fight have Her? Yes? 511 00:27:00,320 --> 00:27:04,000 Speaker 2: And he also has fights that worked out yes, well 512 00:27:04,040 --> 00:27:06,800 Speaker 2: it was a case of mistaken identity. Okay, so what 513 00:27:07,000 --> 00:27:10,080 Speaker 2: was he before? His identity was miss lunch lady lunch 514 00:27:10,160 --> 00:27:13,760 Speaker 2: lady okay, yes, but just in the wrong neighborhood. 515 00:27:13,800 --> 00:27:13,960 Speaker 5: You know. 516 00:27:14,400 --> 00:27:18,160 Speaker 2: They can happen to anyone. Yeah. So it's fight har 517 00:27:18,280 --> 00:27:22,160 Speaker 2: and he has fights fast Drive. Yeah. 518 00:27:22,240 --> 00:27:24,160 Speaker 3: Well he's got to get to the fight right, sure, 519 00:27:24,200 --> 00:27:25,440 Speaker 3: you know, and he doesn't want to be late. 520 00:27:25,520 --> 00:27:29,399 Speaker 2: There's a sense of urgency. M sure. Okay, yeah that 521 00:27:29,520 --> 00:27:32,440 Speaker 2: sounds great. So it's like a g DA Grand Theft 522 00:27:32,480 --> 00:27:38,240 Speaker 2: Auto kind of game. Would that be good? Yeah? I 523 00:27:38,240 --> 00:27:42,440 Speaker 2: mean those games are very popular, I think perfect. Okay, wait, 524 00:27:42,480 --> 00:27:44,399 Speaker 2: but don't you already have the game ready? Why are 525 00:27:44,440 --> 00:27:49,240 Speaker 2: you asking me you have the game? Right? You made 526 00:27:49,280 --> 00:27:52,560 Speaker 2: the game. Yeah, we'll go a bunch of it. Yes, Okay, 527 00:27:53,240 --> 00:27:58,080 Speaker 2: have you guys done the engine graphic the engine? Yeah? 528 00:27:58,600 --> 00:28:01,080 Speaker 3: Yeah, well we did well well if you I mean, 529 00:28:01,119 --> 00:28:03,720 Speaker 3: he doesn't. I don't know if he has, but his 530 00:28:03,840 --> 00:28:06,000 Speaker 3: has drawn a lot of this stuff and it looks 531 00:28:06,320 --> 00:28:07,439 Speaker 3: bad ass. 532 00:28:08,680 --> 00:28:11,400 Speaker 2: Dude, I'm getting good at muscles. 533 00:28:11,760 --> 00:28:16,400 Speaker 3: Okay, yeah, he's making muscles, engines everything. 534 00:28:16,680 --> 00:28:19,840 Speaker 2: Okay, now, my feet still kind of look like little 535 00:28:19,840 --> 00:28:22,160 Speaker 2: pizza slices. There's not what to do about. 536 00:28:22,200 --> 00:28:24,800 Speaker 3: The fights are more punches than kicks right now, just 537 00:28:24,840 --> 00:28:27,920 Speaker 3: because his feet part, it's not tracking. 538 00:28:28,320 --> 00:28:32,919 Speaker 2: Okay, it looks like someone's strapped pizza is wearing pizza slices. 539 00:28:33,000 --> 00:28:34,840 Speaker 3: It's part of why we want to focus so much 540 00:28:34,880 --> 00:28:36,959 Speaker 3: on the cut scenes. And I think what we're finding 541 00:28:37,000 --> 00:28:38,880 Speaker 3: is we need the cut scenes to fill. 542 00:28:38,640 --> 00:28:41,880 Speaker 2: More of the game than we expected. Okay, all right, 543 00:28:42,400 --> 00:28:48,360 Speaker 2: So so you're finding that there's gaps where the game 544 00:28:48,400 --> 00:28:52,680 Speaker 2: doesn't exist when like a guy should be kicking someone instead. 545 00:28:52,840 --> 00:28:55,920 Speaker 1: Now we need to probably go to one of these 546 00:28:55,920 --> 00:28:56,800 Speaker 1: cut scenes you're talking. 547 00:28:57,000 --> 00:29:00,560 Speaker 2: Before you guys made a game that was primarily kicking based. 548 00:29:00,600 --> 00:29:03,880 Speaker 2: You should have it was at least half Yeah, you 549 00:29:03,920 --> 00:29:09,200 Speaker 2: should have seen if the lead designer could draw feet well. 550 00:29:09,240 --> 00:29:12,280 Speaker 2: He thought he could. Okay, I made a lot of promises. 551 00:29:12,400 --> 00:29:14,360 Speaker 2: You took his word for him. You were like, I 552 00:29:14,400 --> 00:29:16,960 Speaker 2: promise I can draw draw feet well. 553 00:29:17,000 --> 00:29:19,280 Speaker 3: And we're working on a cut scene that explains why 554 00:29:19,280 --> 00:29:21,200 Speaker 3: the feet looked like pizza slices as well. 555 00:29:21,240 --> 00:29:25,760 Speaker 2: Smart, which is maybe the actually with the boss. 556 00:29:26,040 --> 00:29:28,800 Speaker 3: Especially guy was a lunch lady, so maybe you know, 557 00:29:28,880 --> 00:29:31,680 Speaker 3: stepped on a pizza. Okay, sure, so let's do But 558 00:29:31,880 --> 00:29:35,040 Speaker 3: so let's go into it, Brett. I'll yes, yeah, if 559 00:29:35,040 --> 00:29:37,320 Speaker 3: Brett wants to queue up the what we have, and 560 00:29:37,360 --> 00:29:41,400 Speaker 3: then I'm doing the voice of the big boss and yeah, I. 561 00:29:41,400 --> 00:29:45,200 Speaker 1: Guess you be the fight har and I'll be the 562 00:29:45,280 --> 00:29:46,240 Speaker 1: guy who the guy. 563 00:29:46,280 --> 00:29:53,080 Speaker 2: There's a guy who comes in. Okay, great, great fight, 564 00:29:53,160 --> 00:29:56,520 Speaker 2: fight have her? Oh wait, so we've already started. I 565 00:29:56,560 --> 00:29:58,760 Speaker 2: don't have a scrap. Stop asking questions. 566 00:29:59,280 --> 00:30:02,240 Speaker 7: Now you got another fight to do, and this one's 567 00:30:02,280 --> 00:30:04,880 Speaker 7: for big money boy, and you better get there on time. 568 00:30:05,000 --> 00:30:06,400 Speaker 2: So drive fast. 569 00:30:06,720 --> 00:30:11,440 Speaker 7: Hey, uh can you hand me that uh chalice behind you? 570 00:30:13,040 --> 00:30:18,080 Speaker 2: Ah, it's me crash band of goot. I'll take that chalice, 571 00:30:18,120 --> 00:30:21,080 Speaker 2: thank you very much. Fight ha her and try to 572 00:30:21,200 --> 00:30:23,200 Speaker 2: challenge me to a fight sometime. 573 00:30:26,120 --> 00:30:27,520 Speaker 7: He keeps doing that to me. 574 00:30:29,040 --> 00:30:35,560 Speaker 2: Hey, you think I'm a cool guy, right ah, yeah, 575 00:30:35,840 --> 00:30:39,920 Speaker 2: yeah I do, sir. Yeah, yeah, you're a good guy. Yeah. 576 00:30:40,440 --> 00:30:45,320 Speaker 2: My daughter she uh okay, she doesn't really connect with me. 577 00:30:45,720 --> 00:30:49,760 Speaker 3: Well you said I should get to the fight pretty quickly, right, yeah, No, 578 00:30:49,840 --> 00:30:50,880 Speaker 3: it's important, it's important. 579 00:30:50,920 --> 00:30:53,160 Speaker 2: Ye what you gotta split what you said? I have 580 00:30:53,160 --> 00:30:55,400 Speaker 2: a fight and this urgency, so I gotta get in 581 00:30:55,440 --> 00:30:58,080 Speaker 2: the car, drive fast over there. Yeah, so I'm gonna go, 582 00:30:58,600 --> 00:31:01,680 Speaker 2: So you should, you should just Yeah, she sucks about 583 00:31:01,680 --> 00:31:05,280 Speaker 2: your daughter, But I'm gonna quick story though. 584 00:31:05,480 --> 00:31:10,280 Speaker 7: I'm dropping her off at school and see some kids 585 00:31:10,280 --> 00:31:13,320 Speaker 7: walking by, and she ducks down because she doesn't want 586 00:31:13,360 --> 00:31:16,040 Speaker 7: to be seen with her dad. She ducked her head 587 00:31:16,080 --> 00:31:16,720 Speaker 7: down in the car. 588 00:31:17,360 --> 00:31:22,240 Speaker 2: Yeah okay, you know, well how does that make me feel? Look? 589 00:31:22,280 --> 00:31:25,240 Speaker 2: I just a kid, teenagers all that, But yeah, I 590 00:31:25,240 --> 00:31:27,440 Speaker 2: mean I feel like I've heard her dad's talk. I 591 00:31:27,440 --> 00:31:29,120 Speaker 2: don't have any kids. I kind of read it with that. 592 00:31:29,280 --> 00:31:33,680 Speaker 3: But yeah, I should go over the fight. 593 00:31:34,200 --> 00:31:37,040 Speaker 2: Yeah, out with the big money. Yeah right yeah yeah yeah. 594 00:31:37,040 --> 00:31:39,240 Speaker 2: I would have got so need that for another child. 595 00:31:39,240 --> 00:31:43,800 Speaker 2: That was my last chalice. Oh, okay, okay, then you go, 596 00:31:44,280 --> 00:31:47,680 Speaker 2: h do you need anything you need? I'm go, I've 597 00:31:47,680 --> 00:31:51,959 Speaker 2: got gas in the car. Okay, yeah, it's me crushed Bandicoot. 598 00:31:52,280 --> 00:31:56,160 Speaker 2: How take that gas? Thank you very much? Oh oh 599 00:31:56,320 --> 00:31:59,040 Speaker 2: oh man, did he just take the gas from my car? 600 00:32:00,880 --> 00:32:01,120 Speaker 5: Yeah? 601 00:32:01,160 --> 00:32:04,600 Speaker 2: He had a real long straw right out. Yeah he 602 00:32:04,840 --> 00:32:05,480 Speaker 2: siphoned it. 603 00:32:08,120 --> 00:32:12,080 Speaker 3: But uh oh oh the guy you're fighting? 604 00:32:12,240 --> 00:32:14,240 Speaker 2: Uh yeah, yeah, yeah, yeah, tell me more about the 605 00:32:14,240 --> 00:32:17,720 Speaker 2: guy I'm fighting. That's good. It's Warrio Warrio. Okay, yeah, 606 00:32:17,760 --> 00:32:21,720 Speaker 2: he's evil. Yeah, so I'm gonna go. Can I do 607 00:32:21,920 --> 00:32:26,320 Speaker 2: a real quick sidebar to the scene? Uh? Okay, you 608 00:32:26,360 --> 00:32:30,440 Speaker 2: are you asking me? Yes? Yeah? Have you guys licensed? 609 00:32:30,480 --> 00:32:33,280 Speaker 2: I feel like you're saying a lot of like characters 610 00:32:33,360 --> 00:32:37,040 Speaker 2: that are licensed, Well, we love these characters. Yeah, a 611 00:32:37,080 --> 00:32:37,720 Speaker 2: lot of people do. 612 00:32:38,120 --> 00:32:41,680 Speaker 1: Well a mistake. You don't have to license it. If 613 00:32:41,720 --> 00:32:45,880 Speaker 1: you make like good characters bad guys. So like Crash 614 00:32:45,920 --> 00:32:49,520 Speaker 1: Bandicoot normally known as like a good character, in this one, 615 00:32:49,520 --> 00:32:51,520 Speaker 1: he's sort of the primary villain. 616 00:32:51,600 --> 00:32:54,120 Speaker 3: We are gonna cut you saying Warrio's evil and we're 617 00:32:54,160 --> 00:32:55,320 Speaker 3: gonna make him a good guy. 618 00:32:55,520 --> 00:32:59,160 Speaker 2: Yeah, fight hars bad so fight having is the bad guy. Yeah, 619 00:32:59,240 --> 00:33:01,200 Speaker 2: warrios good? Do you kind of want Worry to win? 620 00:33:01,320 --> 00:33:04,560 Speaker 1: You're controlling, but you're like, why am I doing this 621 00:33:04,680 --> 00:33:05,160 Speaker 1: the way I. 622 00:33:05,080 --> 00:33:05,600 Speaker 2: Think about it? 623 00:33:05,600 --> 00:33:07,280 Speaker 3: And he's and I have worked in movies for a while, 624 00:33:07,320 --> 00:33:09,760 Speaker 3: and you don't really necessarily want to make a movie 625 00:33:09,880 --> 00:33:11,440 Speaker 3: with the actors no one's ever. 626 00:33:11,320 --> 00:33:13,080 Speaker 2: Heard of before? Do you know what I mean? 627 00:33:13,480 --> 00:33:15,480 Speaker 3: So if you're making a video game, you kind of 628 00:33:15,520 --> 00:33:17,920 Speaker 3: want to use the A list celebs. 629 00:33:18,320 --> 00:33:20,160 Speaker 2: Yeah, but I think you need to get permbition, Like 630 00:33:20,200 --> 00:33:23,480 Speaker 2: have you contacted Nintendo or Sony for well, these are 631 00:33:25,080 --> 00:33:28,080 Speaker 2: and you can't. These are fake characters. They can't. Crash 632 00:33:28,160 --> 00:33:30,880 Speaker 2: Bandicoot is not going to agree to be No. But 633 00:33:31,040 --> 00:33:33,120 Speaker 2: see this is a thing like, No, I understand this 634 00:33:33,200 --> 00:33:35,760 Speaker 2: is a confusion for you. No, it's thinking of movies 635 00:33:35,760 --> 00:33:38,840 Speaker 2: and TV shows. I understand. This is like a bunch 636 00:33:38,880 --> 00:33:41,440 Speaker 2: of pixels. I know what it is. It's not a 637 00:33:41,480 --> 00:33:45,719 Speaker 2: real person. I'm not suggesting you call fucking crash Bandicot. 638 00:33:46,160 --> 00:33:49,920 Speaker 2: What I'm saying is the person that created crash Mandicut, Sony, 639 00:33:49,960 --> 00:33:53,440 Speaker 2: owns them. You should call Sony and be like, hey, 640 00:33:53,600 --> 00:33:57,320 Speaker 2: we're gonna make crash Bandicot a bad the primary bad 641 00:33:57,360 --> 00:34:01,000 Speaker 2: guy and fight have a fast drive. I'd rather not 642 00:34:01,040 --> 00:34:04,680 Speaker 2: get hacked. Thanks, it seems like a trick to get 643 00:34:04,760 --> 00:34:08,720 Speaker 2: us hacked. Oh, emailed this company with all your ideas. Okay, 644 00:34:08,800 --> 00:34:12,160 Speaker 2: all right, well okay, well okay, Warrior, did you call 645 00:34:12,200 --> 00:34:16,320 Speaker 2: it Nintendo? They don't have a hacking scandal? You call Nintendo? 646 00:34:16,440 --> 00:34:22,200 Speaker 3: Warrio is a good guy in this What don't you understand? 647 00:34:23,120 --> 00:34:24,560 Speaker 3: He's been a good guy. 648 00:34:25,360 --> 00:34:27,600 Speaker 2: So if I took like a bad guy and just 649 00:34:27,640 --> 00:34:30,239 Speaker 2: made him a good guy, I could use him like 650 00:34:30,239 --> 00:34:32,160 Speaker 2: I could take if I if I made a movie 651 00:34:32,200 --> 00:34:35,360 Speaker 2: with Superman's evil, I could do that. Yes, why do 652 00:34:35,400 --> 00:34:37,280 Speaker 2: you guys hear that? I don't know if that's true. 653 00:34:38,320 --> 00:34:41,840 Speaker 3: Oh well, and he told me, Yeah, he's asked me, 654 00:34:41,880 --> 00:34:44,960 Speaker 3: and I told him. 655 00:34:44,320 --> 00:34:48,000 Speaker 2: So your source is him? What's your source? I checked 656 00:34:48,000 --> 00:34:51,600 Speaker 2: with my dad. Your dad told you? What does your 657 00:34:51,640 --> 00:34:54,760 Speaker 2: dad do? Is he? Uh? Is her type? Police officer? Okay, 658 00:34:56,440 --> 00:34:59,479 Speaker 2: so there's legal stuff. He knows a lot, yeah, i'd 659 00:34:59,520 --> 00:35:03,680 Speaker 2: say so, okay, sure, all right, Okay, should we get 660 00:35:03,680 --> 00:35:06,080 Speaker 2: the action dial the action die? Yeah? 661 00:35:06,160 --> 00:35:08,040 Speaker 3: Let's get the action dialogue locked in, and then we 662 00:35:08,120 --> 00:35:09,240 Speaker 3: probably got to get into. 663 00:35:09,640 --> 00:35:14,279 Speaker 2: Some of these questions. Yeah, did we finish that scene? Yeah? 664 00:35:14,440 --> 00:35:17,120 Speaker 2: Yeah that scene. Did we get that, Brett, Yeah, we 665 00:35:17,200 --> 00:35:19,000 Speaker 2: got it. You cut you cut me out of it. 666 00:35:19,120 --> 00:35:22,319 Speaker 2: I noticed. Yeah, there was that whole thing that you 667 00:35:22,400 --> 00:35:24,279 Speaker 2: had in there that Yeah, that's not going to be 668 00:35:24,320 --> 00:35:28,560 Speaker 2: on the Yeah. Unfortunately, the bad news is you were 669 00:35:28,600 --> 00:35:31,880 Speaker 2: playing Lex Luthor as a bad guy, so then we 670 00:35:31,920 --> 00:35:36,400 Speaker 2: can't use him, right, Yes, that was and we were 671 00:35:36,440 --> 00:35:38,759 Speaker 2: pretty clear about that. Yeah. Yeah if you made him 672 00:35:38,800 --> 00:35:42,040 Speaker 2: a good guy. According to Teohn's police dad. 673 00:35:42,320 --> 00:35:44,680 Speaker 3: Yeah, well it's like and then you'll see in our 674 00:35:44,800 --> 00:35:46,680 Speaker 3: in some of our video games, comics books, we were 675 00:35:46,760 --> 00:35:47,640 Speaker 3: using Lex Luthor. 676 00:35:47,719 --> 00:35:50,359 Speaker 2: But he's doing all nice stuff. He's a former police dad. 677 00:35:50,400 --> 00:35:50,920 Speaker 2: Now he's just. 678 00:35:51,480 --> 00:35:55,879 Speaker 3: He's yeah, just full time dad. Okay, part time barbecue chef. 679 00:35:57,400 --> 00:35:58,879 Speaker 2: Uh make mss much. 680 00:35:59,080 --> 00:36:03,439 Speaker 1: So this is stuff where you're just running through. It's 681 00:36:03,480 --> 00:36:07,040 Speaker 1: like France in the Army Old Army times. You know, 682 00:36:07,320 --> 00:36:11,320 Speaker 1: you're like, what times? Is that just like the big 683 00:36:11,440 --> 00:36:12,000 Speaker 1: Army fight? 684 00:36:12,960 --> 00:36:15,880 Speaker 2: You know, World War two? Yes? Thank you? Yeah, so 685 00:36:15,960 --> 00:36:18,239 Speaker 2: that's like the fight Haver's biggest fight of all it's 686 00:36:18,239 --> 00:36:20,160 Speaker 2: gonna be ruled. So this is a period piece. It's 687 00:36:20,200 --> 00:36:23,120 Speaker 2: set during World War two. Well, he has different fights 688 00:36:23,160 --> 00:36:27,239 Speaker 2: all through times. Oh, it's at like a totals in 689 00:36:27,360 --> 00:36:31,080 Speaker 2: time but yes, but with fight har yes, thank you, 690 00:36:31,160 --> 00:36:32,319 Speaker 2: so you get that was our pitch. 691 00:36:32,800 --> 00:36:38,600 Speaker 1: And so we're just running through old France and just 692 00:36:38,640 --> 00:36:40,960 Speaker 1: like do we you know you need like wildt like 693 00:36:41,000 --> 00:36:44,440 Speaker 1: stuff for people to say, uh huh uh, and so 694 00:36:44,880 --> 00:36:46,840 Speaker 1: just we just have a list of things for you 695 00:36:46,960 --> 00:36:48,240 Speaker 1: to record. 696 00:36:48,440 --> 00:36:52,000 Speaker 2: Sure is that okay? Yeah? Okay, I mean it's still 697 00:36:52,480 --> 00:36:55,960 Speaker 2: non standard that this is happening. But do you want 698 00:36:55,960 --> 00:36:58,560 Speaker 2: to do yours the boss? 699 00:36:58,600 --> 00:37:00,760 Speaker 3: So I'm just setting him up for the different things 700 00:37:00,800 --> 00:37:01,839 Speaker 3: action lines through time. 701 00:37:02,400 --> 00:37:05,800 Speaker 1: Well okay, well no, you could do that as the boss, 702 00:37:07,200 --> 00:37:10,040 Speaker 1: but that's just in the studio. But it would be 703 00:37:10,040 --> 00:37:11,840 Speaker 1: fun for you to do it as your boss character, 704 00:37:11,880 --> 00:37:13,160 Speaker 1: but that's not going to be recorded. 705 00:37:13,360 --> 00:37:15,680 Speaker 2: We don't need lines for the boss character right now. 706 00:37:15,760 --> 00:37:17,359 Speaker 1: If you want to pretend to be the boss as 707 00:37:17,400 --> 00:37:21,319 Speaker 1: you feed, if that helps you, yeah, if that helps you, good. 708 00:37:21,400 --> 00:37:25,520 Speaker 2: But Brett's gonna take it all out. Okay, hang on, 709 00:37:25,640 --> 00:37:27,759 Speaker 2: let me get into character as the boss. You don't 710 00:37:27,800 --> 00:37:30,359 Speaker 2: really need to because it it really is not going 711 00:37:30,440 --> 00:37:32,840 Speaker 2: to be used in the game. So this is just 712 00:37:33,400 --> 00:37:35,440 Speaker 2: a sudden This guy knows more about my game than me. 713 00:37:35,600 --> 00:37:38,120 Speaker 2: It's just I think he's right, but just hearing Hayes 714 00:37:38,160 --> 00:37:39,719 Speaker 2: talk about it, and that's what it sounds like. It 715 00:37:39,840 --> 00:37:42,840 Speaker 2: sounds like we're just feeding him, We're just feeding me. 716 00:37:42,960 --> 00:37:45,200 Speaker 2: So you don't need to get into character. Do you 717 00:37:45,200 --> 00:37:46,600 Speaker 2: want to get into character? And I'll feed him some 718 00:37:46,640 --> 00:37:47,160 Speaker 2: of the lines. 719 00:37:48,120 --> 00:37:50,239 Speaker 3: Yes, I'm gonna get into character for a moment. And 720 00:37:50,280 --> 00:37:53,280 Speaker 3: it's and the boss is Dennis Farina. 721 00:37:53,440 --> 00:37:57,239 Speaker 2: Oh yeah, all right, p Very the steryo is what 722 00:37:57,280 --> 00:38:01,440 Speaker 2: happened to him as well. His house is gone too. Okay. 723 00:38:01,480 --> 00:38:03,719 Speaker 1: So you're running through old France and you say like 724 00:38:03,960 --> 00:38:10,280 Speaker 1: come on right now, yeah, come on, but like being 725 00:38:10,360 --> 00:38:13,960 Speaker 1: really scared, come on, yeah, that's good. 726 00:38:13,920 --> 00:38:17,840 Speaker 2: Okay, and you'd be like over here, over here, okay, 727 00:38:18,239 --> 00:38:23,000 Speaker 2: and I'd be like, quick, get in the shower. How 728 00:38:23,160 --> 00:38:25,879 Speaker 2: is this what part of the game would you say that? 729 00:38:25,920 --> 00:38:29,360 Speaker 2: It's a safe place you gotta be clean, it's a 730 00:38:29,400 --> 00:38:33,960 Speaker 2: safe place for them to go. In the game, the 731 00:38:34,040 --> 00:38:36,360 Speaker 2: character gets dirty and has to clean himself. 732 00:38:37,200 --> 00:38:39,560 Speaker 3: Well, he wants to be safe, and also he and 733 00:38:39,600 --> 00:38:42,200 Speaker 3: his best friend need to get clean. 734 00:38:42,320 --> 00:38:43,160 Speaker 2: They shower together. 735 00:38:43,719 --> 00:38:48,200 Speaker 1: Well time, well let's figure you know, let's let's first 736 00:38:48,239 --> 00:38:49,400 Speaker 1: they have to get in the shower. 737 00:38:49,480 --> 00:38:52,120 Speaker 2: Okay, all right, So what am I saying? Quick? Get 738 00:38:52,120 --> 00:38:53,880 Speaker 2: in the shower, Quick, get in the shower. 739 00:38:54,120 --> 00:38:56,759 Speaker 1: Okay, So when I say, well, as long as we're 740 00:38:56,800 --> 00:39:03,720 Speaker 1: in here, wow, I feel like it's going a weird Well, 741 00:39:03,840 --> 00:39:07,680 Speaker 1: as long as we're in here, yeah, but more suggestive. 742 00:39:08,640 --> 00:39:14,040 Speaker 2: Suggesting. What it's just you're you're trying to take this 743 00:39:14,160 --> 00:39:18,719 Speaker 2: best friend relationship, uh huh into a different place. What's 744 00:39:18,760 --> 00:39:20,799 Speaker 2: the best friend's name, Jessica? Because I need to get 745 00:39:20,840 --> 00:39:25,759 Speaker 2: into characters my process, Jessica, Jessica. Okay, you guys grew 746 00:39:25,840 --> 00:39:28,560 Speaker 2: up together. You've known each other since you were babies. Okay, 747 00:39:28,840 --> 00:39:30,919 Speaker 2: since she was a baby and you were like, she's 748 00:39:30,960 --> 00:39:33,440 Speaker 2: not my sister, and I was a grown up. You 749 00:39:33,520 --> 00:39:39,600 Speaker 2: were like, not a grown up, but you were like seventeen. Wow, 750 00:39:38,960 --> 00:39:42,640 Speaker 2: so it's not a grown up. It's a pretty big 751 00:39:43,000 --> 00:39:46,040 Speaker 2: You're still a kid. I can drive a car. You're 752 00:39:46,080 --> 00:39:49,400 Speaker 2: both kids. I can drive a car, and she hasn't 753 00:39:49,440 --> 00:39:53,640 Speaker 2: found her hands yet. M okay, but when she does, 754 00:39:54,160 --> 00:39:58,319 Speaker 2: she knows, Oh oh god. Okay, so that's a pretty 755 00:39:58,320 --> 00:40:01,879 Speaker 2: big age gap. Okay, so as long as we're in here, 756 00:40:02,960 --> 00:40:06,719 Speaker 2: as long as we're in here like that, yeah, yeah, 757 00:40:06,840 --> 00:40:09,120 Speaker 2: that's yes, that's good. Well, actually, and you did. 758 00:40:09,280 --> 00:40:12,399 Speaker 3: The next line was going to be like that, yeah, 759 00:40:12,440 --> 00:40:14,560 Speaker 3: and then the next one is yes, just like that? 760 00:40:16,920 --> 00:40:23,640 Speaker 2: What okay? So yes, yes, just like that? Perfect? Yeah, perfect? 761 00:40:23,800 --> 00:40:27,280 Speaker 2: And now just a couple of smoo chiese smoo chiese? 762 00:40:27,719 --> 00:40:30,840 Speaker 2: What do you mean? I'm not gonna do smoo chiese? 763 00:40:30,880 --> 00:40:31,759 Speaker 2: What is smooth cheese? 764 00:40:32,239 --> 00:40:33,960 Speaker 3: I can do the smoochie and won't tell if it's him. 765 00:40:34,600 --> 00:40:36,319 Speaker 3: So the boss is going to ask you to do 766 00:40:36,360 --> 00:40:39,839 Speaker 3: some stuff now, okay, so. 767 00:40:39,880 --> 00:40:41,880 Speaker 2: This is the boss. It gives me my missions, like 768 00:40:41,920 --> 00:40:46,680 Speaker 2: the next fight, and he's got crash Bandicoot ruining his life. 769 00:40:48,440 --> 00:40:52,919 Speaker 2: Hand me that hammer, Charlie Brown. Wait am I saying that? Yes? 770 00:40:54,120 --> 00:40:57,600 Speaker 2: Oh okay, so I'm saying it. You're just in character 771 00:40:57,640 --> 00:41:01,760 Speaker 2: pitching me the lines. Hand me that harmor have me Okay, 772 00:41:02,600 --> 00:41:05,160 Speaker 2: don't be nervous, Okay, I just I just I'm a 773 00:41:05,200 --> 00:41:08,600 Speaker 2: little thrown by the shower scene a little bit. No, no, 774 00:41:08,640 --> 00:41:14,760 Speaker 2: nothing else like that. So hand me the So Charlie 775 00:41:14,760 --> 00:41:18,399 Speaker 2: Brown is a bad guy. Charlie Brown is a bad guy, 776 00:41:18,480 --> 00:41:20,160 Speaker 2: so that you can use him. You made him from 777 00:41:20,160 --> 00:41:22,879 Speaker 2: a good guy to a bad guy. Okay, just sign now, 778 00:41:24,640 --> 00:41:26,600 Speaker 2: hand me the hammer. Charlie Brown, m. 779 00:41:26,800 --> 00:41:32,240 Speaker 7: M hey, it's the Travelosity Gnome. Somebody get his hammer. 780 00:41:36,000 --> 00:41:40,879 Speaker 2: So the Traveler and he's a bad guy cause he's 781 00:41:40,960 --> 00:41:43,160 Speaker 2: kind of a bad guy in the in the real life, 782 00:41:43,320 --> 00:41:47,799 Speaker 2: he's a good guy. Quick, get the Travelocity Gnomes hammer. No, 783 00:41:47,880 --> 00:41:49,600 Speaker 2: that will work. Okay, Yeah, that's good. 784 00:41:49,960 --> 00:41:54,360 Speaker 3: Okay, Forrest Gump, stop hitting me with that hammer. 785 00:41:56,080 --> 00:41:59,200 Speaker 2: Forrest Gump, stop hitting me with that hammer. Okay. 786 00:41:59,280 --> 00:42:01,239 Speaker 3: Now we're just gonna get into some alts for the 787 00:42:01,239 --> 00:42:01,920 Speaker 3: shower stuff. 788 00:42:02,800 --> 00:42:04,759 Speaker 2: I thought we got the shower stuff. I feel like 789 00:42:04,760 --> 00:42:06,719 Speaker 2: we did. We did, we got that version. And this 790 00:42:06,840 --> 00:42:08,360 Speaker 2: is just if we try to decide to go in 791 00:42:08,360 --> 00:42:11,799 Speaker 2: any different direction. Okay, well I just don't. It just 792 00:42:11,800 --> 00:42:14,000 Speaker 2: makes me a little uncomfortable doing the showers so especially 793 00:42:14,080 --> 00:42:15,879 Speaker 2: I know the age different show. 794 00:42:17,160 --> 00:42:20,000 Speaker 3: How long is that You're not seventeen anymore? I mean 795 00:42:20,040 --> 00:42:22,560 Speaker 3: you're now, you're the fight havever now you're full you know, 796 00:42:22,600 --> 00:42:27,719 Speaker 3: you're a full grown man. And she's seventeen. Okay, can 797 00:42:27,760 --> 00:42:30,480 Speaker 3: we make her eighteen for this? 798 00:42:30,680 --> 00:42:32,719 Speaker 2: Just because it feels a little weird. Well, this is 799 00:42:32,719 --> 00:42:34,960 Speaker 2: a track with a lot of what we wrote. Yeah, 800 00:42:35,040 --> 00:42:37,680 Speaker 2: and France, you get away with all kinds of stuff, 801 00:42:37,719 --> 00:42:38,759 Speaker 2: believe me. 802 00:42:39,880 --> 00:42:42,560 Speaker 3: How is But there are a couple scenes that we've 803 00:42:42,760 --> 00:42:45,840 Speaker 3: already recorded where she's in America before they go to 804 00:42:45,880 --> 00:42:49,319 Speaker 3: France and she can't buy cigarettes in the fight ever 805 00:42:50,640 --> 00:42:52,879 Speaker 3: has to buy them for and we'd have to throw 806 00:42:52,920 --> 00:42:53,520 Speaker 3: all that out. 807 00:42:53,800 --> 00:42:56,520 Speaker 2: No, but that's twenty one, right, so she could be eighteen. 808 00:42:56,760 --> 00:42:59,640 Speaker 2: You can buy cigarettes at fourteen? Yeah? 809 00:43:00,480 --> 00:43:00,719 Speaker 3: Yeah? 810 00:43:00,880 --> 00:43:04,120 Speaker 2: Yeah, disgusting? Right? Did you miss out on three years 811 00:43:04,120 --> 00:43:04,359 Speaker 2: of that? 812 00:43:04,480 --> 00:43:04,680 Speaker 7: Oh? 813 00:43:04,760 --> 00:43:08,800 Speaker 2: Man? What was I doing? So? But but maybe couldn't 814 00:43:08,800 --> 00:43:11,440 Speaker 2: it be that in America she can buy cigarettes? And 815 00:43:11,440 --> 00:43:13,560 Speaker 2: then she traveled to France and then had a birthday, 816 00:43:13,760 --> 00:43:16,799 Speaker 2: Like maybe I just say happy birthday, Jessica. U's that 817 00:43:17,320 --> 00:43:21,480 Speaker 2: happy birthday, Jessica? Use that, okay? And then now she's eighteen. 818 00:43:21,760 --> 00:43:25,160 Speaker 2: We've got that at the shower scene. Okay, okay, if 819 00:43:25,160 --> 00:43:27,960 Speaker 2: that makes you more comfortable, then we'll just Yeah, then 820 00:43:28,000 --> 00:43:30,960 Speaker 2: we have the version where you say happy birthday, okay 821 00:43:31,320 --> 00:43:35,600 Speaker 2: right before and then you say and now look at 822 00:43:35,600 --> 00:43:40,480 Speaker 2: the present I got you? Am I in a shower? 823 00:43:40,560 --> 00:43:42,839 Speaker 2: Well you wanted to be a birthday scene, right? No? 824 00:43:42,920 --> 00:43:44,839 Speaker 2: I don't want to do a whole birthday scene. I'm 825 00:43:44,840 --> 00:43:46,520 Speaker 2: just saying that it's just going to be hanky panky, 826 00:43:46,560 --> 00:43:46,799 Speaker 2: I don't. 827 00:43:46,800 --> 00:43:48,520 Speaker 3: We're doing stuff in the shower, and you wanted to 828 00:43:48,520 --> 00:43:50,799 Speaker 3: be a birthday thing. So it's like that actually works 829 00:43:50,800 --> 00:43:52,560 Speaker 3: great for what we had in mind, because you're going 830 00:43:52,640 --> 00:43:54,080 Speaker 3: to be saying like, why didn't you check out the 831 00:43:54,080 --> 00:43:54,840 Speaker 3: present I got you? 832 00:43:55,000 --> 00:43:57,480 Speaker 1: Yeah, there used to not be a context for that line, 833 00:43:57,600 --> 00:44:00,680 Speaker 1: so that is so that line was there all ready, yeah, 834 00:44:00,680 --> 00:44:03,360 Speaker 1: but it was sort of floating, devoid of meaning. 835 00:44:04,719 --> 00:44:07,160 Speaker 2: Okay, look at the present I got you? What did 836 00:44:07,160 --> 00:44:09,600 Speaker 2: I get it? What's the president I got? It's Oh, 837 00:44:10,120 --> 00:44:13,680 Speaker 2: it's time for the popcorn gallery. That must be the 838 00:44:13,719 --> 00:44:15,400 Speaker 2: present that you got for the girl. 839 00:44:15,760 --> 00:44:21,400 Speaker 1: A segment where listeners will ask questions to Cumail about 840 00:44:21,760 --> 00:44:27,560 Speaker 1: your job and personal and having. 841 00:44:27,320 --> 00:44:32,560 Speaker 2: Fun, Yes, and memories. So the four areas are job, personal, 842 00:44:32,680 --> 00:44:33,920 Speaker 2: having fun, and memories. 843 00:44:34,680 --> 00:44:37,600 Speaker 1: Okay, here's a question. Let's reach into the bag and 844 00:44:37,640 --> 00:44:43,240 Speaker 1: get a question. Sorry is the bag in your phone? 845 00:44:44,400 --> 00:44:47,960 Speaker 2: Sorry? So we'll reach in the bag. Okay, let's do it. 846 00:44:48,000 --> 00:44:59,520 Speaker 8: Okay, it's the monster and I'm friends with him. 847 00:44:59,560 --> 00:45:04,000 Speaker 2: What a fun adventure. So, just to give you a. 848 00:45:03,920 --> 00:45:07,440 Speaker 3: Little context for the sound drops, my friend Mark from 849 00:45:07,480 --> 00:45:10,280 Speaker 3: high school records these sound drops. We play them every episode, 850 00:45:10,320 --> 00:45:13,000 Speaker 3: and usually they somewhat thematically tied with what we've been 851 00:45:13,040 --> 00:45:16,279 Speaker 3: talking about in the show. And so when we reach 852 00:45:16,320 --> 00:45:19,200 Speaker 3: in the bag, I guess the premise is that Mark 853 00:45:19,520 --> 00:45:21,880 Speaker 3: pretends to be reaching into a real bag of popcorn. 854 00:45:21,960 --> 00:45:24,759 Speaker 3: He pulls something out, whatever he says it is. Then 855 00:45:24,840 --> 00:45:27,480 Speaker 3: we ask a question. So I guess that was the question. 856 00:45:30,320 --> 00:45:31,120 Speaker 3: That was the question. 857 00:45:31,280 --> 00:45:34,600 Speaker 2: No, no, no, no, the question will be a real question. 858 00:45:34,840 --> 00:45:38,200 Speaker 1: But now, yes, it's a question from Gregi, one of 859 00:45:38,200 --> 00:45:41,200 Speaker 1: our listeners, and he asks, mister Nungianni, can you give 860 00:45:41,200 --> 00:45:42,640 Speaker 1: me any tips on how to get a lot of 861 00:45:42,640 --> 00:45:43,720 Speaker 1: points on at midnight? 862 00:45:43,800 --> 00:45:47,000 Speaker 2: I just got the home game, the home game. 863 00:45:47,200 --> 00:45:49,840 Speaker 1: Now, the home game is different if you give tips 864 00:45:49,840 --> 00:45:53,040 Speaker 1: on the home game specifically, it's a little different from 865 00:45:53,120 --> 00:45:55,719 Speaker 1: the actual game. I think that's what would that's what 866 00:45:55,760 --> 00:45:56,200 Speaker 1: would help. 867 00:45:56,239 --> 00:46:01,200 Speaker 2: Gregy. Yeah, okay, I would say just do puns. It's 868 00:46:01,280 --> 00:46:04,680 Speaker 2: just a lot of puns, mainly right, Like I would say, 869 00:46:04,719 --> 00:46:08,000 Speaker 2: replace a word with a word that sounds like that word, 870 00:46:08,040 --> 00:46:09,840 Speaker 2: but it's slightly different. Like give me a word and 871 00:46:09,880 --> 00:46:14,960 Speaker 2: I'll do a pun on it. Spoon room, mm give 872 00:46:15,000 --> 00:46:18,040 Speaker 2: me another one. No, let's back up a second. He 873 00:46:18,080 --> 00:46:22,160 Speaker 2: crushed that one. Yeah, points, how did you? Yeah, I 874 00:46:22,280 --> 00:46:23,840 Speaker 2: just have done the show a bunch of times, so 875 00:46:23,880 --> 00:46:26,080 Speaker 2: I guess I get it. Give me another one and 876 00:46:26,080 --> 00:46:32,439 Speaker 2: I'll do a pun based on it. Room wow points yeah, 877 00:46:32,520 --> 00:46:40,800 Speaker 2: points points, yeah, points, give me another one. Dune moon boots, 878 00:46:41,960 --> 00:46:47,799 Speaker 2: Oh yes, love threes. Yeah, and the third one is 879 00:46:47,840 --> 00:46:50,359 Speaker 2: a little longer than the other one. That's funnier because 880 00:46:50,400 --> 00:46:53,040 Speaker 2: it's longer and it doesn't quite rhyme as much. 881 00:46:53,680 --> 00:46:55,440 Speaker 1: That's a good tip for the home game. Let's get 882 00:46:55,480 --> 00:47:01,040 Speaker 1: another question out of the bag. It's my phone. Then 883 00:47:01,040 --> 00:47:03,920 Speaker 1: the question is in there and it wasn't my phone. 884 00:47:04,160 --> 00:47:08,520 Speaker 2: Okay, so wow, that really did reference something that just happened. Yeah, yeah, yeah. 885 00:47:08,560 --> 00:47:10,920 Speaker 3: I don't know how Mark does this. And he's got 886 00:47:11,280 --> 00:47:13,000 Speaker 3: camera because he gives me the soundrops weeks. 887 00:47:13,040 --> 00:47:14,759 Speaker 2: I haven't been doing it for a while. He kind 888 00:47:14,760 --> 00:47:18,720 Speaker 2: of knows how that works. Wow. Mark knows this before. Well, 889 00:47:18,760 --> 00:47:22,080 Speaker 2: he just knows our rhythms. He went to high school 890 00:47:22,080 --> 00:47:23,680 Speaker 2: with Sean. They used to do a lot of time 891 00:47:23,760 --> 00:47:25,760 Speaker 2: because that was like, if you can predict the future. 892 00:47:25,800 --> 00:47:29,799 Speaker 2: This is the worst use of his powers. I no, no, 893 00:47:29,960 --> 00:47:31,319 Speaker 2: it's it's pretty good. 894 00:47:31,360 --> 00:47:33,200 Speaker 3: It would be a good use regardless but it is 895 00:47:33,239 --> 00:47:36,480 Speaker 3: this specifically that he's able to because this is one 896 00:47:36,560 --> 00:47:38,960 Speaker 3: comedy outlet. He doesn't really working in entertainment anymore. 897 00:47:39,239 --> 00:47:43,719 Speaker 1: There's a question from American Diaper, is Packing Stan any good? 898 00:47:44,239 --> 00:47:49,120 Speaker 2: Packing stand? And now, so, okay, so these are our 899 00:47:49,320 --> 00:47:51,720 Speaker 2: I mean these are the listeners. Yeah. 900 00:47:52,000 --> 00:47:56,200 Speaker 3: Now, I I didn't want Haste to ask this question because. 901 00:47:56,200 --> 00:48:00,319 Speaker 1: I'm so uninformed. Yes, it's not a great question ession, 902 00:48:01,560 --> 00:48:05,200 Speaker 1: but I appreciate that. I do think they genuinely are trying. 903 00:48:05,200 --> 00:48:06,680 Speaker 2: I think he's trying to learn. 904 00:48:07,960 --> 00:48:11,759 Speaker 3: No, this is American Diaper knows better, right, this is 905 00:48:11,840 --> 00:48:12,720 Speaker 3: American Diaper. 906 00:48:12,800 --> 00:48:13,160 Speaker 2: Okay. 907 00:48:13,920 --> 00:48:17,040 Speaker 1: And it got a lot of likes in our forum 908 00:48:17,080 --> 00:48:19,759 Speaker 1: when it was asked, So I guess people people want 909 00:48:19,800 --> 00:48:20,120 Speaker 1: to know. 910 00:48:20,960 --> 00:48:23,120 Speaker 2: I don't want to know what if Packing Stan is 911 00:48:23,160 --> 00:48:25,799 Speaker 2: any good? I don't know what packing Stan is. Well, 912 00:48:25,840 --> 00:48:28,080 Speaker 2: here it's what it says. See it's right there on 913 00:48:28,120 --> 00:48:33,440 Speaker 2: the screen. Okay. Yeah, I read it and it's written 914 00:48:33,480 --> 00:48:35,360 Speaker 2: exactly as I thought it was going to be written. 915 00:48:35,360 --> 00:48:38,600 Speaker 2: But I still don't know what packing Stan is. Yeah. 916 00:48:38,680 --> 00:48:41,560 Speaker 3: So, so what would you say to American Diaper? 917 00:48:41,760 --> 00:48:43,560 Speaker 2: I would say, I am uninformed. 918 00:48:44,080 --> 00:48:46,240 Speaker 1: You know, you're not saying it's good you're not saying 919 00:48:46,239 --> 00:48:46,880 Speaker 1: it's bad. 920 00:48:46,920 --> 00:48:49,520 Speaker 2: I'm not saying it's bad, but I'm not saying it's 921 00:48:49,520 --> 00:48:52,360 Speaker 2: good either. Yeah, you're not taking a position on it 922 00:48:52,360 --> 00:48:57,400 Speaker 2: what he does. Let's just say it's not bad, but 923 00:48:57,560 --> 00:49:01,200 Speaker 2: it's also not good. Okay, Yeah, and just speak on that. 924 00:49:01,520 --> 00:49:06,760 Speaker 2: Yeah I did. That was Yes, he did. I spoke 925 00:49:07,080 --> 00:49:18,080 Speaker 2: he already did and get a question. Yeah. Yes, it's. 926 00:49:19,520 --> 00:49:27,440 Speaker 3: The video game controller from the old Nintendo. 927 00:49:27,480 --> 00:49:31,799 Speaker 2: It's a power glove. Okay, so this is cool. 928 00:49:31,800 --> 00:49:33,799 Speaker 3: We're doing all episode about video games, and I think 929 00:49:33,800 --> 00:49:36,280 Speaker 3: he knew that, so we kept with a really tight 930 00:49:36,560 --> 00:49:40,080 Speaker 3: That one was it's like you're searching for it, like 931 00:49:40,120 --> 00:49:44,600 Speaker 3: a tight reference to like a video game, you know, 932 00:49:44,640 --> 00:49:46,239 Speaker 3: the nerds like us could all enjoy. 933 00:49:46,239 --> 00:49:48,600 Speaker 2: It's a little more vague than the other drops He's 934 00:49:48,640 --> 00:49:51,879 Speaker 2: gone because those were like eerily spot on. This one 935 00:49:52,000 --> 00:49:54,439 Speaker 2: was a little more like sort of wishy washing. 936 00:49:54,560 --> 00:49:57,200 Speaker 1: The third one is always he's kind of used up 937 00:49:57,200 --> 00:49:57,760 Speaker 1: the good stuff. 938 00:49:57,840 --> 00:49:59,279 Speaker 2: Yeah, yeah, yeah, yes, yes. 939 00:49:59,360 --> 00:50:02,960 Speaker 1: It's a question from will stick Spear. I understand that 940 00:50:03,000 --> 00:50:05,239 Speaker 1: you are a nerd and like computers and stuff. What's 941 00:50:05,280 --> 00:50:07,480 Speaker 1: the best computers you have ever used lately? And how 942 00:50:07,520 --> 00:50:08,160 Speaker 1: good was it? 943 00:50:09,480 --> 00:50:13,000 Speaker 2: What's the best computers I've used lately, ever you've never 944 00:50:13,120 --> 00:50:16,120 Speaker 2: used lately, and how good was and how good was it? Yeah? 945 00:50:16,160 --> 00:50:19,000 Speaker 1: Could you repeat the question? I understand that you are 946 00:50:19,000 --> 00:50:21,000 Speaker 1: a nerd and like computers and stuff. What's the best 947 00:50:21,000 --> 00:50:23,480 Speaker 1: computers you have ever used lately? And how good was it? 948 00:50:24,120 --> 00:50:27,440 Speaker 2: What's the best computers I've ever used lately? And how 949 00:50:27,480 --> 00:50:31,560 Speaker 2: good was it? Yeah? I really like my PlayStation four. 950 00:50:31,960 --> 00:50:33,160 Speaker 2: I think that's a pretty. 951 00:50:34,560 --> 00:50:39,520 Speaker 1: See that's again, that's that's video games. No, but the 952 00:50:39,600 --> 00:50:44,840 Speaker 1: computers is on the table. My PlayStation four is on 953 00:50:44,920 --> 00:50:48,160 Speaker 1: the table. Yeah, but it's lying down and the computer 954 00:50:48,239 --> 00:50:49,399 Speaker 1: is supposed to be standing up. 955 00:50:50,320 --> 00:50:53,560 Speaker 2: Is that the difference? The computers is looking at you? 956 00:50:53,880 --> 00:50:57,960 Speaker 3: Okay, yeah, the PlayStation you looking at it? 957 00:50:58,200 --> 00:50:58,439 Speaker 2: Yes? 958 00:50:59,080 --> 00:51:03,520 Speaker 1: Okay, So you know those that are standing out, Which 959 00:51:03,560 --> 00:51:05,759 Speaker 1: of those was the best you ever used? 960 00:51:05,800 --> 00:51:07,640 Speaker 2: Which of the ones that are standing up and looking 961 00:51:07,640 --> 00:51:10,719 Speaker 2: at me as opposed to I'm looking at and they're 962 00:51:10,760 --> 00:51:15,319 Speaker 2: lying down and standing up on the table? Yes? Okay, um, 963 00:51:17,040 --> 00:51:24,759 Speaker 2: Xbox one. That's another one that's being videogamest too. You 964 00:51:24,840 --> 00:51:29,600 Speaker 2: look at that that's not looking at you? Uh, how 965 00:51:29,600 --> 00:51:37,719 Speaker 2: do I get at this? Okay? Camille? Imagine you're being 966 00:51:37,920 --> 00:51:40,320 Speaker 2: a wizard. 967 00:51:43,120 --> 00:51:47,560 Speaker 3: The wizard's magic power is it's only and he only Yes, 968 00:51:47,640 --> 00:51:51,799 Speaker 3: and the wizards magic power is he only knows computers, 969 00:51:51,840 --> 00:51:56,439 Speaker 3: and he does it name video games. So we'll ask 970 00:51:56,440 --> 00:51:59,960 Speaker 3: you the question again and uh, this time, use your 971 00:52:00,160 --> 00:52:01,560 Speaker 3: wizard powers to answer. 972 00:52:04,200 --> 00:52:07,200 Speaker 2: Okay, all right, So he only knows computer that doesn't 973 00:52:07,200 --> 00:52:08,040 Speaker 2: know video games. 974 00:52:08,320 --> 00:52:10,840 Speaker 3: Yes, and we like to make things fun for our guests, 975 00:52:10,880 --> 00:52:14,480 Speaker 3: and I think maybe this will be pleasing to both parties. 976 00:52:14,560 --> 00:52:18,480 Speaker 2: Yes, all right. Oh, so do you want to hear 977 00:52:18,480 --> 00:52:19,200 Speaker 2: the question again? 978 00:52:19,360 --> 00:52:21,719 Speaker 1: Yeah, it's the widow how you're a wizard? Okay, because 979 00:52:22,000 --> 00:52:25,360 Speaker 1: wizard hasn't heard yet. Wizard, I understand that you are 980 00:52:25,400 --> 00:52:27,520 Speaker 1: a nerd and like computers and stuff. What's the best 981 00:52:27,520 --> 00:52:30,680 Speaker 1: computers you have ever used lately? And how good was it? 982 00:52:30,800 --> 00:52:31,840 Speaker 1: Sega Genesis? 983 00:52:32,840 --> 00:52:36,240 Speaker 2: Because see, I'm a wizard, so I can magically get 984 00:52:36,320 --> 00:52:37,240 Speaker 2: the other powers. 985 00:52:37,360 --> 00:52:40,239 Speaker 1: That's yes, that's true. Sure you didn't say that he 986 00:52:40,280 --> 00:52:42,480 Speaker 1: was a wizard you couldn't get other powers. Yes, so no, 987 00:52:42,800 --> 00:52:44,840 Speaker 1: he does have the power to name video games. 988 00:52:45,040 --> 00:52:48,439 Speaker 3: Yes, that was an error, and and I take full 989 00:52:48,480 --> 00:52:52,200 Speaker 3: responsibility and I made a mistake. Yeah, so hmm, so 990 00:52:52,239 --> 00:52:53,560 Speaker 3: I shouldn't have made you a wizard. 991 00:52:55,719 --> 00:52:59,279 Speaker 9: You gave me too much power. Yes, that's what if 992 00:52:59,320 --> 00:53:03,759 Speaker 9: I made you In Orc and the Orc, instead of 993 00:53:03,760 --> 00:53:06,399 Speaker 9: an axe, has a computer and he says the name 994 00:53:06,440 --> 00:53:07,719 Speaker 9: of it. 995 00:53:07,800 --> 00:53:10,200 Speaker 2: Instead of an axe, he has a computer. Yes, and 996 00:53:10,239 --> 00:53:11,800 Speaker 2: he says the name of the computer. 997 00:53:12,000 --> 00:53:12,399 Speaker 8: M hmm. 998 00:53:12,680 --> 00:53:19,359 Speaker 2: Okay, all right, Ork, what side computer you got? Don't 999 00:53:19,400 --> 00:53:22,680 Speaker 2: ask me the question. Oh well, that's okay, Ork. Tell 1000 00:53:22,719 --> 00:53:28,560 Speaker 2: us your x Xbox. It's where it's where I keep 1001 00:53:28,600 --> 00:53:35,720 Speaker 2: points boids. It's just a box where I keep my axe. Yes, 1002 00:53:36,280 --> 00:53:38,719 Speaker 2: I know it sounds like some of the other things 1003 00:53:38,719 --> 00:53:42,880 Speaker 2: we're talking about. Xbox one. It's my first one. I 1004 00:53:42,920 --> 00:53:48,759 Speaker 2: have three hundred and sixty of them. Yes, it goes 1005 00:53:48,800 --> 00:53:51,759 Speaker 2: from Xbox one into Xbox three and sixty. That's my 1006 00:53:51,960 --> 00:53:55,560 Speaker 2: that's my newest one. Mail. 1007 00:53:55,600 --> 00:53:57,879 Speaker 1: Thank you so much for coming on the show. Oh guys, 1008 00:53:57,920 --> 00:54:02,520 Speaker 1: thank you nerding out with us. We like to talk 1009 00:54:02,560 --> 00:54:05,600 Speaker 1: to our listeners on the forums and to read reviews 1010 00:54:05,640 --> 00:54:06,320 Speaker 1: on iTunes. 1011 00:54:06,360 --> 00:54:09,239 Speaker 3: Please rate us on iTunes and we love reading your reviews. 1012 00:54:09,640 --> 00:54:13,920 Speaker 3: And like us on Facebook, and tell all your friends 1013 00:54:13,920 --> 00:54:15,279 Speaker 3: and tell your parents about the show. 1014 00:54:15,320 --> 00:54:17,560 Speaker 1: And please pick up the pro version of our podcast. 1015 00:54:17,600 --> 00:54:20,200 Speaker 1: A lot of good stuff this week that will be 1016 00:54:20,560 --> 00:54:24,000 Speaker 1: delivered to you a lot of excellent bonus features and 1017 00:54:24,120 --> 00:54:28,400 Speaker 1: opportunities to interact with Sean and I and the person 1018 00:54:28,480 --> 00:54:30,640 Speaker 1: who bought it this week, and the random drawing was 1019 00:54:30,760 --> 00:54:35,560 Speaker 1: Jay monster Face and what he gets from from buying 1020 00:54:35,719 --> 00:54:39,160 Speaker 1: is Kumel is going to record some just like loose 1021 00:54:39,200 --> 00:54:42,480 Speaker 1: wild dialogue of him having a fight with J Monster Face. 1022 00:54:43,400 --> 00:54:46,640 Speaker 3: Okay, I didn't agree to this, Yes we know, so 1023 00:54:46,760 --> 00:54:49,239 Speaker 3: fight has fighting Jay monster Face and just some of 1024 00:54:49,280 --> 00:54:50,560 Speaker 3: what he might sound like in. 1025 00:54:50,480 --> 00:54:53,160 Speaker 2: That I didn't agree to. First of all, I already 1026 00:54:53,160 --> 00:54:54,759 Speaker 2: recorded stuff for your video game. 1027 00:54:54,840 --> 00:54:56,759 Speaker 3: Okay, So he didn't agree to the fight with Jay 1028 00:54:56,800 --> 00:55:00,160 Speaker 3: monster Face. So now he's really mad. And then some 1029 00:55:00,239 --> 00:55:01,080 Speaker 3: of your stund. 1030 00:55:00,960 --> 00:55:03,640 Speaker 2: You guys ambushed me as when I came in, and 1031 00:55:03,680 --> 00:55:05,520 Speaker 2: now there's a contest and you want me to record 1032 00:55:05,600 --> 00:55:08,840 Speaker 2: for J Monster Faces. Oh he said your dad, Yeah, 1033 00:55:09,080 --> 00:55:11,920 Speaker 2: J You're welcome, and you know what, I ambush him 1034 00:55:11,960 --> 00:55:13,280 Speaker 2: like that again. Black Bye. 1035 00:55:19,080 --> 00:55:22,040 Speaker 3: This has been an Earwolf Media production executive producers Jeff 1036 00:55:22,120 --> 00:55:23,080 Speaker 3: Ulrick and Scott Ackerman. 1037 00:55:23,239 --> 00:55:25,040 Speaker 2: For more information, visit Earwolf dot. 1038 00:55:24,920 --> 00:55:39,560 Speaker 5: Com, ear Wolf Radio, Boom dot com. 1039 00:55:39,600 --> 00:55:40,480 Speaker 2: The Worlf Dead