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Speaker 1: dollar fantasy baseball contest. That's DraftKings dot Com. I'm in here.

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Speaker 1: This is called the Gloom to Bill, the Gloom to

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Speaker 1: the Gloom Doom. I'm in here with my man, Bill Burr.

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Speaker 1: And I feel I feel like I was thinking about

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Speaker 1: I was feeling like, you know, like how to conduct

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Speaker 1: this interview? First of all, have you done You've done

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Speaker 1: other people's podcasts? Right, yeah, I've done a bunch of them.

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Speaker 1: You know what, I you know what I wanted to

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Speaker 1: tell you, And I say this with all due respect,

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Speaker 1: Let's make sure, Uh, you're like a lone wolf. You're

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Speaker 1: a lone red rabid wolf. Sounds like my wife. No,

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Speaker 1: you're because you're like you're like a lone wolf. And

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Speaker 1: because I told us see you when I did your

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Speaker 1: podcast that said something to me when I when I

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Speaker 1: first met you when we were doing The Heat, which

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Speaker 1: went on to make millions of dollars. And I feel

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Speaker 1: like I got a residual check for like thirty eight bucks. Yeah,

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Speaker 1: I got one with like forty two dollars, and I

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Speaker 1: somehow but you know, I, I you know, and I

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Speaker 1: feel like Sandra Bullock and Melissa McCarthy got a lot

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Speaker 1: of credit but I felt like we were carrying those

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Speaker 1: fucking girls. I don't know, you're talking about two Oscar

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Speaker 1: isn't one Ye, she's gonna get her. I feel like

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Speaker 1: somehow or another, like you know, if they ever put

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Speaker 1: both our faces on the poster and not those two,

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Speaker 1: that movie would have made forty two dollars. Yeah, okay,

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Speaker 1: I'm just saying, but we met do it during the heat.

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Speaker 1: But you said something to me, and like it wasn't

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Speaker 1: like you. I don't remember exactly what you said, but

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Speaker 1: you were talking about stand up and you were talking

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Speaker 1: about having the ability to sort of be your own

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Speaker 1: man in regards to your stand up and not being

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Speaker 1: a slave to being an actor and to being uh,

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Speaker 1: you know, just a hired gun because you're you know,

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Speaker 1: as far as being a stand up, you can go.

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Speaker 1: You can do your own thing. I don't know how

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Speaker 1: it works in terms of like booking and all that ship,

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Speaker 1: but basically, like you're your own commodity, yes, and and

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Speaker 1: I don't have to ask other people to work with,

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Speaker 1: which kills me with actors. Is like, once I proved

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Speaker 1: myself as a comedian, he's funny, I'll start get and work.

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Speaker 1: And then once I proved myself as a draw I

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Speaker 1: don't we know what I call Houston whatever. To do

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Speaker 1: a gig there, I don't have to reprove myself. Whereas

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Speaker 1: an actor, you literally can win an award. It doesn't matter.

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Speaker 1: You can win an award and then it just takes

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Speaker 1: one person. But I don't know, you want to go younger,

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Speaker 1: you want to do this, I don't know. I don't

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Speaker 1: see him as a dad. It's just like this dude

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Speaker 1: just won an Oscar or this woman just just won

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Speaker 1: an Oscar. Like doesn't that say that that they're an actor?

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Speaker 1: They can become what you need to become. So I

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Speaker 1: I watched a lot of comics growing up, basically more

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Speaker 1: so growing up in this business where they would build

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Speaker 1: up this following and then they'd start doing movies or

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Speaker 1: TV and they would let the stand up go and

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Speaker 1: and you know, it's really hard. After you made it

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Speaker 1: as a comic, you have to keep I feel you

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Speaker 1: have to keep going out there because what happens is

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Speaker 1: is your fan base as you then get your TV show,

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Speaker 1: you take five seven years off, somebody goes from three

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Speaker 1: to thirty now regular people getting married and have kids

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Speaker 1: during that time, or to thirty two, and then that's it, dude.

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Speaker 1: They're they're in diaper change and they couldn't come see

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Speaker 1: your show if they wanted to. And then all these

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Speaker 1: kids who were thirteen fourteen who didn't know who you

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Speaker 1: were because you were doing adult comedy are now coming

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Speaker 1: out of college and they don't know who you are.

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Speaker 1: So then all of a sudden, you start free falling.

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Speaker 1: It's uh so if you know, it's more like seven years.

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Speaker 1: Seven years to me is that it's that number where

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Speaker 1: like if you just not if you don't go out,

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Speaker 1: you have to begin to re establish yourself as a comic, yeah,

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Speaker 1: as an And it's weird where they'll go like I

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Speaker 1: I know some guys that had like huge TV shows

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Speaker 1: and could not like walk down the street people, Oh

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Speaker 1: my god, you're a guy from this, you that from that,

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Speaker 1: And then they would go to sell comedy tickets and

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Speaker 1: they're like, I'm gonna see the guy from you know,

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Speaker 1: Third Rock from the Sun. They think they think that

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Speaker 1: you're just that, yeah, like what you are you just

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Speaker 1: gonna do? Like I don't do a live episode of

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Speaker 1: the show. So I watched guys have to re establish

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Speaker 1: themselves as comedians. You know um and one of the guys,

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Speaker 1: Joe Rogan. He was doing Fear Factor and Joe Rogan,

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Speaker 1: dude is like he's been top five comics in the

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Speaker 1: country since I've known him. Like, I'm trying to think

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Speaker 1: of somebody had a bigger impact. The first time I

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Speaker 1: saw the guy blew me away. Really, I've never seen

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Speaker 1: him do standing met him now. He is a force

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Speaker 1: as as Fear Factor, right. So I remember when he

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Speaker 1: started to go back out again, he kind of had

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Speaker 1: to go around the country one time and to re

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Speaker 1: establish I feel just me for me watching it, he

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Speaker 1: could tell the story better. But but he is so

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Speaker 1: fucking good one trip around the country, like the buzz

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Speaker 1: and everything that he immediately went from clubs up to

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Speaker 1: theaters as far as he went right back to where

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Speaker 1: he would have been. But I've seen other guys, you know,

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Speaker 1: who left it and then came back to it and

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Speaker 1: they got to start all over again. And then also

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Speaker 1: they're older and they got kids. And then I was like, oh, man,

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Speaker 1: do I really want to do I want to go

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Speaker 1: back to doing three shows Saturday night in Kansas City

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Speaker 1: and then do this hang around twenty four hours to

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Speaker 1: do the one show on Sunday. Do I really want

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Speaker 1: to do that? If you win? If you win an oscar,

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Speaker 1: you're not giving up stand up basically like you're you

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Speaker 1: consider stand up your ship right like that That's what

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Speaker 1: I do. You respect what you've built bill within and

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Speaker 1: you're not you're not no, but you're not abandoning hip. No.

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Speaker 1: And I also love stand up and I keep seeing

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Speaker 1: areas where I can improve, and you keep adding these skills.

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Speaker 1: I compare it to like being an athlete, like say,

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Speaker 1: I know hoops your game, so say say, if you

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Speaker 1: can't go to your left, how do you get better?

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Speaker 1: You go to your left. So if this as far

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Speaker 1: as stand up, like we could talk about it in

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Speaker 1: regards to you stand up and your stand up and

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Speaker 1: like one skill that you like that you zeroed in

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Speaker 1: on that you want to improve or that you have improved. Well,

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Speaker 1: I wanted to do like when I would be in

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Speaker 1: the car. I've talked about this in my podcast, when

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Speaker 1: I be in the car with my wife choking around,

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Speaker 1: and I would do this thing where I would imitate

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Speaker 1: me or a character having a conversation with somebody else,

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Speaker 1: but you never heard the other person. But judging by

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Speaker 1: my reactions. You knew what they said and that stuff

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Speaker 1: like you know prior and all those guys, uh Bill Cosby,

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Speaker 1: all these guys could do that, right, Um Kennison, all

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Speaker 1: the greats Eddie Murphy, all of these guys I saw him.

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Speaker 1: They could do that. Lily Tomlin could all of these

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Speaker 1: people I saw could do that. And I could do

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Speaker 1: it in the car kill with my wife, who's not

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Speaker 1: an easy person to make laugh. And then I would

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Speaker 1: get on stage and it was this uncomfortable. I was

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Speaker 1: going on my left and just felt weird. I feel

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Speaker 1: like somebody else's arm. And I would bail and I'd

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Speaker 1: go back to what worked for me, like you know, hey,

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Speaker 1: what the funks up with ceiling fans? And those are stupid?

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Speaker 1: What do you do for a living? And I would

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Speaker 1: run back to that, and dude, I'm talking like I

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Speaker 1: I've wrestled with this through like you know, like ten years.

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Speaker 1: I just kept bailing on it, and I was getting

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Speaker 1: better at on the what's up with the ceiling fans

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Speaker 1: things too, So I was working on the ceiling fan

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Speaker 1: here and then I'm just saying yeah. So it wasn't

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Speaker 1: until I finally just said I am gonna bomb with

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Speaker 1: this ship until I figure it out. And do you

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Speaker 1: know what's funny, it took me like six weeks to

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Speaker 1: get enough momentum that it started seeping into my act.

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Speaker 1: So specifically you're doing book like so you're talking about

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Speaker 1: doing both characters or not doing both, just doing one

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Speaker 1: like just basically mean like, hey, sir, can I do

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Speaker 1: you mind if I sit down here? Well, I mean

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Speaker 1: I didn't see anybody sitting here, so I just kind

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Speaker 1: of felt like just doing ship like that. Okay, you

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Speaker 1: understand the other person said had a problem with that

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Speaker 1: and for some example for that, but that was just

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Speaker 1: something that like you, you were like trepidacious. That's a

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Speaker 1: big word for me, big word for me too. I

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Speaker 1: don't know that's a big word. I know, trepidatious, trepidacious,

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Speaker 1: I don't know. Trepidacious is a word. And I just

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Speaker 1: threw it out there and and and like you're like baffled,

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Speaker 1: You're looking at me, like you so, but so do

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Speaker 1: you feel like you've improved upon that? Yeah? Oh yeah,

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Speaker 1: So I had one of my specials. I started to

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Speaker 1: do it, and then like the next special, I had

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Speaker 1: it down more and my you know, my my next

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Speaker 1: one that I have. Hopefully I'll have it down even

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Speaker 1: more than that. But I really like uh and I

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Speaker 1: like watching people in their careers do that too, like

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Speaker 1: Blake Griffin. I remember my buddy, Big Hoop, I'll do it.

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Speaker 1: All he does is dunk. I mean all he does

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Speaker 1: his dunk on the whole fucking league, All Stars and everybody.

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Speaker 1: He's dunking on everybody. He's like, he's got that electrifying light.

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Speaker 1: And I go, he's also young. Give the kid a chance.

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Speaker 1: Who knows if he's trying to do this at thirty

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Speaker 1: thirty two, Yeah, he's gonna be in trouble right now.

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Speaker 1: He can jump out of the gym. Why not do it?

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Speaker 1: And then look at him big time and and he

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Speaker 1: has that work ethic despite the fact he's already getting

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Speaker 1: the money, he's already making the All Star Game and

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Speaker 1: all that. So when somebody combined you, when you combine

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Speaker 1: passion with skill and you have that drive, like, that's

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Speaker 1: when you can actually separate yourself and hopefully people will notice.

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Speaker 1: And my business still coming buy tickets. It always comes

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Speaker 1: down to tickets, right, even basketball players from the arena,

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Speaker 1: it always comes down to tickets. But but but that's

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Speaker 1: just why you and I are getting thirty eight and

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Speaker 1: forty two dollars dollar residual I got. I got some.

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Speaker 1: I literally got a residual check from something for for

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Speaker 1: for three cents, from something I had recently. I came

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Speaker 1: off the road. I had made more money than I

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Speaker 1: had ever made in my life as a comedian. I

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Speaker 1: came home at a residual check for like, you know,

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Speaker 1: seventeen dollars and then a letter for every after telling

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Speaker 1: me that I lost my health insurance because I didn't

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Speaker 1: make enough money. Because it's like, what do you mean

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Speaker 1: enough of my stuff is playing that I should have

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Speaker 1: made the minimum, but you don't because they after like

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Speaker 1: a couple of times, they whittle you down to like

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Speaker 1: eleven and they and they're still getting paid and all

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Speaker 1: the money goes to them. Where's the math on that ship?

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Speaker 1: Like the thin When those checks come in, I fucking

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Speaker 1: cash them and I took that cents and I fuck it,

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Speaker 1: took it to the bank. There was a bar in

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Speaker 1: Burbank they used to have that if you had if

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Speaker 1: you had a residual check like beneath a certain number,

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Speaker 1: they gave you a free round like I think it

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Speaker 1: was like two dollars or one dollar if you came

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Speaker 1: in and then they would put the check up on

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Speaker 1: the wall and they would buy you around a drink.

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Speaker 1: So what is your skill? Like? What is the one thing? Now?

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Speaker 1: Is a comic where you're like, is that still a thing?

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Speaker 1: Or would be? Or what I'm working on right now?

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Speaker 1: Taking it to a dark having him be killing and

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Speaker 1: then take it slowly, moved the story to this dark,

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Speaker 1: fucked up place where his dead silence, and then getting

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Speaker 1: him back and killing again, same idea, same story. Do

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Speaker 1: you think in terms of like bits? Do you think

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Speaker 1: in terms of vibes? I mean, obviously when you're seeing

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Speaker 1: take it dark and then ramp it up like is it?

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Speaker 1: Is it a is it a dare? Thing? Like? Like

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Speaker 1: how far can I take it? No, it's more like

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Speaker 1: I don't think a lot before I go up. I

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Speaker 1: don't think of anything, and I don't necessarily go for things.

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Speaker 1: I might say I'm gonna try this thing out. You

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Speaker 1: mean a bit, yeah, or a joke or or a

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Speaker 1: seer fertim is bits yeah, bits, oaks, okay, an idea

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Speaker 1: whatever you wanna call it, But I don't. I'll just

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Speaker 1: say I'm gonna try this, but I I find the

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Speaker 1: way my brain works is if that I if I

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Speaker 1: really write it out or write it down and really

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Speaker 1: have like this like you know, you know, power point

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Speaker 1: kind of presentation to it, it gets me in my

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Speaker 1: head right. And one of the things I had to

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Speaker 1: learn how to do on the road is if you

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Speaker 1: have two shows in one night and you come out

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Speaker 1: on the first one and you're sucking on and you're

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Speaker 1: riff and you feel like you did half of your act,

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Speaker 1: the biggest difficulty is the next show because now you're

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Speaker 1: thinking about your last show and you're thinking about all

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Speaker 1: the stuff that you riffed. So what you mean if

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Speaker 1: you added ship and yeah, it's like, oh that was great,

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Speaker 1: I should keep that and blah blah blah blah. So

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Speaker 1: then what happens is is your mentally in the first show, right,

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Speaker 1: which hampers your performance because you're in your head and

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Speaker 1: you're not addressing that this is a new group of people,

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Speaker 1: this is how it works for me. And then you're

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Speaker 1: in your head and then you it's not going as well,

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Speaker 1: and then you get frustrated, which makes it even worse.

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Speaker 1: What you have to do is say funk the first

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Speaker 1: show and almost go up there for me anyways, open

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Speaker 1: with something different, right, riff on that and and get

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Speaker 1: yourself present in the second show. And in a lot

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Speaker 1: of ways, even though you maybe said something hilarious in

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Speaker 1: the first show, it's like you said it, so it's

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Speaker 1: your talent. Like like I always loved how musicians of

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Speaker 1: bands that kind of played it a little different every

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Speaker 1: time they play you know, the solo came out this way,

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Speaker 1: this time, they don't hang onto it and like like

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Speaker 1: the true musicians to me, like when they do the solo,

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Speaker 1: they don't play it exactly like the record, even though

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Speaker 1: the fans bitch and ship they'll do a version of it.

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Speaker 1: But I actually didn't like that when I was a kid,

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Speaker 1: but as I got older, I understand, like, no, what

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Speaker 1: that guy, that guy's actually a woman, is doing you

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Speaker 1: a favor? Is there present? They're they're making themselves present,

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Speaker 1: And this is how this song is affecting him, right, right,

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Speaker 1: So you tried without getting all new age, you try

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Speaker 1: to be in the in the moment of it and

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Speaker 1: um and yeah, you'll lose a few tags. You might

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Speaker 1: even lose a joke carreer there, but you have to

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Speaker 1: believe in your talent. But if you continue to do that,

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Speaker 1: it becomes a second nature thing. And the more present

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Speaker 1: you are, there's nothing better than being on stage. Being

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Speaker 1: on it's it goes by in two seconds. So you're

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Speaker 1: really going after that mindset rather than what you said.

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Speaker 1: Do you do you consider when you say beyond like

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Speaker 1: you know, I did stand. I don't know if we

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Speaker 1: talked about that for a few years. And that thing

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Speaker 1: you did with the honest Papa's the the Stockton uh,

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Speaker 1: the Stockton Army. About you as funny as I've ever

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Speaker 1: seen you. You're very relatable. I related to your frustrating

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Speaker 1: I love the line, We're like you gotta fucking you

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Speaker 1: gotta hit the rim, just the way you said that,

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Speaker 1: the frustration of it, and how conversational it was, That's

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Speaker 1: one of those things to me, it was I wasn't laughing,

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Speaker 1: it wasn't a joke there, it was your frustration, And

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Speaker 1: to me, that's the funniest ship. Thank you ever so.

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Speaker 1: But but do you consider like like, like, let's say

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Speaker 1: you you have ten jokes, ten bits, right, do you

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Speaker 1: at this point, I mean, at this point in your

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Speaker 1: career in terms of like people come in, there's stand up.

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Speaker 1: People have some preconceived thing good, bad, or and different

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Speaker 1: of Bill Burr. So you have a built in thing.

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Speaker 1: But like you say you're on, do you say you're on?

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Speaker 1: Or how much do you put on yourself? And how

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Speaker 1: much do you go this audience is good? This audience

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Speaker 1: is and good? You know what I mean? Because like

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Speaker 1: for me when I did stand up, like I had

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Speaker 1: let's say I had five jokes. I mean these are

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Speaker 1: fucking like bump bump jokes, like not jokes, but you know,

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Speaker 1: like if I would be like the thing that I

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Speaker 1: didn't like about stand up was that that same thing

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Speaker 1: where like if I knew a certain joke worked, I

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Speaker 1: was like, why would I say it if I know

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Speaker 1: it works unless I needed it? So like how much

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Speaker 1: do you say the audience sucks or I'm on ide

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Speaker 1: good or do you know what I mean? Like how

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Speaker 1: much never credit do you give to the audience? How

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Speaker 1: much credit do you give to yourself? And then in

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Speaker 1: a night at the comedy store, like if they come

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Speaker 1: to see a Billboard special, like it's like they're there

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Speaker 1: to see a Billboard special. You're tuned up. The audience

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Speaker 1: is pumped up, you're gonna kick ass. It's gonna if

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Speaker 1: you funk up the Billboard special taping, they're they're they're

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Speaker 1: usually too amped up, right, they usually too amped up.

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Speaker 1: That's why I like, on the last special, I just

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Speaker 1: walked out and there wasn't Yeah, there wasn't any of

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Speaker 1: this screaming yell. I kind of learned that when I

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Speaker 1: used to do. When I was do Largo um Flanny's

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Speaker 1: room down there on La Sienna goes, you know a

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Speaker 1: lot of people just walk out and I was just

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Speaker 1: just walk out and he goes, yeah, it's kind of cool.

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Speaker 1: And I just walked out and they just kind of

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Speaker 1: see you walking out there, hey, and they just start

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Speaker 1: clapping and then you're like, hey, how are you? And

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Speaker 1: then you can settle in where all the other specials

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Speaker 1: I always had somebody open it up, going come on,

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Speaker 1: give it up for the motherfucker, literally standing ovation and

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Speaker 1: it's like their energy is like you just gave them

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Speaker 1: a show, right then you gotta just stand there. I

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Speaker 1: feel like, what am I the Pope? You know what

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Speaker 1: I mean? And then they settle all the way down

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Speaker 1: and you've got to kind of it's it's it's really

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Speaker 1: weird right to begin the journey at the end. So

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Speaker 1: the last one, you just were like, I'm coming out

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Speaker 1: raw dog because of of Flanny over at Largo. I

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Speaker 1: got that idea, and I thought it was you know,

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Speaker 1: it worked with the black and white and all that.

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Speaker 1: I always wanted to do one in black and white,

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Speaker 1: plan on doing a bunch of specials, you know, for

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Speaker 1: the rest of my life. So I think it's cool

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Speaker 1: to just have one, oh, the black and white one.

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Speaker 1: Oh yeah, that was cool, and just have each one

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Speaker 1: has a little bit of a look to it, like, uh,

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Speaker 1: like how a movie maker does it. Man, each one

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Speaker 1: should have like maybe a different visual look to it,

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Speaker 1: just something so it's just not another like that Cookie

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Speaker 1: Cutters stand up thing. I think comics are getting more

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Speaker 1: into that, like, uh, cinematic thing, how they're gonna put

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Speaker 1: their stamp on, because there was there was a period

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Speaker 1: there for a while. It happened sometime the nineties. They

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Speaker 1: all overlad Oh yeah. I even think a lot of

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Speaker 1: them to this day, especially with h D, which is

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Speaker 1: why mine's still in HD. But we were fucking with

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Speaker 1: the look of it because it's just like HD is

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Speaker 1: clearer than real life and it's fucked up. You know,

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Speaker 1: I'm scared to see myself. I've yet to see myself along.

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Speaker 1: I am frightened because you look at people good looking

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Speaker 1: like you know, like sex symbols, they look like shit

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Speaker 1: on those crazy televisions they catch him with no like

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Speaker 1: no man, like, yeah you don't you? Then they look

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Speaker 1: on TV in a movie like we've both been in

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Speaker 1: this business long enough to remember PREHD makeup what that

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Speaker 1: was like. They just sort of and you were done,

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Speaker 1: especially as a guy. Now it's like it's like a

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Speaker 1: fucking paint roller. I'm frightened. Do it or else you'll

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Speaker 1: look like you look fucking crazy. Brad Pitt, I don't

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Speaker 1: given who you are, you look like shit. Yeah, Brad

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Speaker 1: doesn't look good. You and I are in trouble. If

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Speaker 1: Brad Pitt looks fucked up, what's gonna happen to Bill

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Speaker 1: and Michael Rapper? I'm gonna look disgusting, like I don't

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Speaker 1: want to see it. Yeah. But the thing about us

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Speaker 1: is when you look the way we do, we're ageless,

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00:19:08,000 --> 00:19:09,960
Speaker 1: you know, right like those We're never gonna be on

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Speaker 1: People magazines fifty most Beautiful People. That's a blessing, though,

400
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Speaker 1: I know because people look at them like milk, you know,

401
00:19:16,119 --> 00:19:20,000
Speaker 1: the expiration date that we're just a character actor. You're

402
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Speaker 1: not good looking exactly, you're exactly And I've been. It's funny.

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Speaker 1: I've been a character that for for twenty something years.

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Speaker 1: So it's like, yeah, I've always been I've always been

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Speaker 1: a character actor. But but so they answer me. So

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Speaker 1: so as far as like the the the audience is good,

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Speaker 1: I'm good, I'm on the audiences. How much do you

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Speaker 1: factor into that, I'm well. When I was younger, you know,

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Speaker 1: you you blame the crowd more. But now I never

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Speaker 1: blame the crowd more than fifty because there's always because

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Speaker 1: that is a positive way to look at that there's

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Speaker 1: something that I could have done, I could have handled

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Speaker 1: something a little bit better or whatever. But uh, you know,

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Speaker 1: if there's just a bunch of animals there and there's

415
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Speaker 1: no security, I should still, for as long as I've

416
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Speaker 1: been doing it, figure out a way to have fun

417
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Speaker 1: even if they're completely not listening. I should just be

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Speaker 1: doing something to annoy them somewhere in there that gives

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Speaker 1: me a victory, you know what I mean, Like just

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Speaker 1: uh to just sit to be like, oh that audience

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Speaker 1: sucked and just walk away from it. It was just like, well,

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Speaker 1: I still could have had fun that I had done,

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Speaker 1: Like who was the biggest dick in the crowd? But

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Speaker 1: what could I have said about it? If it's a benefit.

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Speaker 1: I saw the late great Patrese O'Neil, who's the funniest

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Speaker 1: dude I ever saw. He did one one time. We

427
00:20:30,640 --> 00:20:33,320
Speaker 1: were doing a benefit for like rescue dogs or something

428
00:20:33,359 --> 00:20:36,560
Speaker 1: like that, and they should have been this great crowd.

429
00:20:37,040 --> 00:20:38,920
Speaker 1: None of them were paying attention. Was in New York.

430
00:20:38,920 --> 00:20:40,920
Speaker 1: The only two people were paying attention with two guys

431
00:20:40,920 --> 00:20:43,440
Speaker 1: from Queer Eye for the Straight Guy, remember that show.

432
00:20:43,520 --> 00:20:45,520
Speaker 1: Two of them they were great, but the only two

433
00:20:45,760 --> 00:20:49,439
Speaker 1: looking listening and laughing. Everybody else was passing around business

434
00:20:49,440 --> 00:20:52,040
Speaker 1: cards or whatever the funk they were doing. Yeah, so

435
00:20:52,119 --> 00:20:54,760
Speaker 1: I went up first, tried to do my act. Basically

436
00:20:54,760 --> 00:20:56,960
Speaker 1: everybody learned from me, like all right, don't do that,

437
00:20:57,320 --> 00:20:59,600
Speaker 1: and Patrese went on last. And when Patrese went up,

438
00:20:59,720 --> 00:21:03,560
Speaker 1: he is completely ignored them and was speaking softly, and

439
00:21:03,600 --> 00:21:05,919
Speaker 1: he just started talking about how he cooked a baby

440
00:21:05,960 --> 00:21:09,280
Speaker 1: puppy for for breakfast and how good it was and

441
00:21:09,320 --> 00:21:12,560
Speaker 1: how it was yelping, and he just remember him flipping

442
00:21:12,560 --> 00:21:16,280
Speaker 1: it on there and making that people started listening. They

443
00:21:16,280 --> 00:21:19,920
Speaker 1: started groaning, and the more they grown, the more detail

444
00:21:20,119 --> 00:21:22,879
Speaker 1: he gave of the puppy suffering. And it got to

445
00:21:22,920 --> 00:21:25,680
Speaker 1: the point the lady running the benefit told him to

446
00:21:25,680 --> 00:21:28,280
Speaker 1: get off stage. He wouldn't get off stage. Then she

447
00:21:28,320 --> 00:21:30,560
Speaker 1: had the mic cut off, and then he sat down

448
00:21:30,560 --> 00:21:32,440
Speaker 1: behind the piano. He wouldn't get off stage and he

449
00:21:32,440 --> 00:21:35,240
Speaker 1: couldn't play piano. And as she was up there apologizing

450
00:21:35,240 --> 00:21:37,280
Speaker 1: for him, he was just banging on the piano and

451
00:21:37,320 --> 00:21:39,360
Speaker 1: look at it over with us with this like shit

452
00:21:39,480 --> 00:21:44,120
Speaker 1: eat and ground. Yeah. So you know, watching greats like him,

453
00:21:44,840 --> 00:21:47,719
Speaker 1: I learned something. I was just like, it sucked just

454
00:21:47,800 --> 00:21:49,359
Speaker 1: as much for him as it did for me. But

455
00:21:49,440 --> 00:21:53,399
Speaker 1: he had fun with it, and I didn't attitude. I

456
00:21:53,400 --> 00:21:55,760
Speaker 1: didn't have a shifty attitude. I just didn't think to

457
00:21:55,840 --> 00:21:58,679
Speaker 1: have fun. It was more like that I was trying.

458
00:21:58,680 --> 00:22:00,639
Speaker 1: And then I was embarrassed because they were like, my

459
00:22:00,720 --> 00:22:03,080
Speaker 1: first joke went and it didn't. It just bombed. And

460
00:22:03,119 --> 00:22:05,280
Speaker 1: I went to the next one and Patrice was already laughing.

461
00:22:05,560 --> 00:22:08,520
Speaker 1: He had this really loud laughing, was like like laughing

462
00:22:08,560 --> 00:22:12,560
Speaker 1: in the back, and I heard Voss laughing. I remember

463
00:22:12,640 --> 00:22:14,200
Speaker 1: like it was yesterday. It's funny, man, that must have

464
00:22:14,240 --> 00:22:16,960
Speaker 1: been at least Jesus Christ ten twelve years ago. Who

465
00:22:17,000 --> 00:22:21,240
Speaker 1: do you now consider like people that like? I mean

466
00:22:21,240 --> 00:22:23,320
Speaker 1: there's the obvious ones, But who do you consider now

467
00:22:23,400 --> 00:22:26,760
Speaker 1: like the the next like the young guns that you're watching?

468
00:22:26,760 --> 00:22:29,000
Speaker 1: You like this fucking guy's good? Like like who do

469
00:22:29,040 --> 00:22:31,320
Speaker 1: you see like that? As far as stand ups that

470
00:22:31,440 --> 00:22:34,080
Speaker 1: you're like, I like this guy. Um, you know the

471
00:22:34,160 --> 00:22:37,200
Speaker 1: last five years, as I was coming up, it would

472
00:22:37,240 --> 00:22:40,359
Speaker 1: probably have been Uh, Chelsea Fretti was somebody that I

473
00:22:40,680 --> 00:22:44,400
Speaker 1: loved the first time I saw her. She's now on Brooklyn,

474
00:22:45,280 --> 00:22:49,200
Speaker 1: Uh fortunate femster feamster. I don't know. I always mess

475
00:22:49,280 --> 00:22:53,160
Speaker 1: up her last name. She's fucking hilarious. Um. And I'm

476
00:22:53,200 --> 00:22:54,720
Speaker 1: sure there's a bunch of guys in New York that

477
00:22:54,760 --> 00:23:00,159
Speaker 1: I haven't I just haven't seen yet. But uh, I

478
00:23:00,160 --> 00:23:01,800
Speaker 1: don't know. I do a lot of ship on the road.

479
00:23:01,960 --> 00:23:04,800
Speaker 1: So I get home, I go out to the clubs

480
00:23:04,800 --> 00:23:06,240
Speaker 1: that kind of pop in, I do my spot, and

481
00:23:06,280 --> 00:23:10,240
Speaker 1: I leave. So just you say, I should probably, But

482
00:23:10,440 --> 00:23:13,080
Speaker 1: I wasn't that before, but now I'm more of that.

483
00:23:14,440 --> 00:23:17,119
Speaker 1: Yeah you got Yeah, I came from family aloneus. No,

484
00:23:17,200 --> 00:23:19,560
Speaker 1: I I have no problem with it. I think it's good.

485
00:23:19,560 --> 00:23:22,639
Speaker 1: You're a lone fucking wolf. I like it, but it translates,

486
00:23:22,640 --> 00:23:25,960
Speaker 1: but I see you as a loan, rabid red wolf

487
00:23:26,560 --> 00:23:30,840
Speaker 1: in the wilderness. All right, So I like, Look, I

488
00:23:30,880 --> 00:23:33,560
Speaker 1: love working on movies. I love the collaborative process. But

489
00:23:33,600 --> 00:23:37,560
Speaker 1: I'm saying that I don't get myself locked into just

490
00:23:37,760 --> 00:23:41,360
Speaker 1: anything more than just that it's good. Let's do that,

491
00:23:41,440 --> 00:23:45,040
Speaker 1: because whenever the movie businesses fucking it's in and it's

492
00:23:45,280 --> 00:23:47,880
Speaker 1: it's a crisis, and when they they'll figure it out.

493
00:23:48,040 --> 00:23:51,240
Speaker 1: No there, there there, it's bad. Bill, It's it's creatively

494
00:23:51,280 --> 00:23:55,040
Speaker 1: bad and financially bad. Like we're like, you know, Dustin

495
00:23:55,080 --> 00:23:57,840
Speaker 1: Hoffman said something this week about it, and now Michael

496
00:23:57,880 --> 00:24:00,920
Speaker 1: Douglas he said all the uh. He said the American

497
00:24:00,960 --> 00:24:04,280
Speaker 1: movie stars are feminine and too worried about social media.

498
00:24:04,600 --> 00:24:06,719
Speaker 1: And I understand what he's saying, but I mean, just

499
00:24:06,800 --> 00:24:10,520
Speaker 1: crazy because they started, like I haven't been to the

500
00:24:10,720 --> 00:24:12,520
Speaker 1: I went to the movies once this year so far.

501
00:24:12,800 --> 00:24:16,200
Speaker 1: We're in July one. I mean, is it our fault

502
00:24:16,200 --> 00:24:18,399
Speaker 1: that the ship comes out two weeks later on a plane.

503
00:24:18,920 --> 00:24:22,160
Speaker 1: That's a problem. That's a fucking problem, like the like

504
00:24:22,359 --> 00:24:24,800
Speaker 1: the download, they're gonna they're gonna figure it out because

505
00:24:24,800 --> 00:24:26,800
Speaker 1: I feel this, look, I feel like this is a

506
00:24:26,880 --> 00:24:29,920
Speaker 1: transition period and there's a lot of people still trying

507
00:24:29,920 --> 00:24:32,800
Speaker 1: to do it the way it used to be and somebody,

508
00:24:32,840 --> 00:24:36,359
Speaker 1: probably a younger kid, is gonna figure it out because

509
00:24:36,440 --> 00:24:41,639
Speaker 1: he grew up with iPhones and Facebook and whatever the whatever.

510
00:24:41,640 --> 00:24:46,520
Speaker 1: My SA said, Hamster, whatever the funk they were on Hamster, Hamster,

511
00:24:46,600 --> 00:24:48,800
Speaker 1: isn't that that's like a porn site? See, I know

512
00:24:48,840 --> 00:24:53,800
Speaker 1: the porn sites? What are what is like the Instagram? Instagram, Twitter? Twitter?

513
00:24:54,200 --> 00:24:56,359
Speaker 1: It's fucked up though, man, Like as far as like

514
00:24:56,400 --> 00:24:58,240
Speaker 1: I mean, I like to go to the movies, and yeah,

515
00:24:58,280 --> 00:25:00,160
Speaker 1: there's some good movies. I could have seen this here

516
00:25:00,160 --> 00:25:04,159
Speaker 1: and I caught one on uh what was it called

517
00:25:04,280 --> 00:25:07,680
Speaker 1: Wild Tales. The funk is that, first of all, drop

518
00:25:07,720 --> 00:25:11,400
Speaker 1: the attitude tremendous. The funk is that it's a movie.

519
00:25:11,520 --> 00:25:15,639
Speaker 1: Was that playing at the Sunset five? I don't know,

520
00:25:15,680 --> 00:25:18,480
Speaker 1: it's Argentinian dude made it. It was like five stories

521
00:25:18,520 --> 00:25:22,520
Speaker 1: about vengeance connected that the connection was vengeance and they

522
00:25:22,520 --> 00:25:25,320
Speaker 1: were fucking hilarious. You saw that at the Lemon Unset

523
00:25:25,440 --> 00:25:28,840
Speaker 1: Sunset five, which is great. Yeah, there's no there's like

524
00:25:29,359 --> 00:25:32,159
Speaker 1: movie nerds. I got an I P A and I

525
00:25:32,280 --> 00:25:33,960
Speaker 1: was had an I P A in a bag of

526
00:25:34,119 --> 00:25:35,879
Speaker 1: M and M's song. I was. I was in Heaven

527
00:25:36,240 --> 00:25:39,359
Speaker 1: because a great movie. My wife loved it. We had

528
00:25:39,440 --> 00:25:41,480
Speaker 1: gotten a good like still going out dinner in a movie,

529
00:25:41,520 --> 00:25:42,840
Speaker 1: if you pick the right one, it is still good.

530
00:25:43,000 --> 00:25:45,399
Speaker 1: It's good, but it's just and I like to go

531
00:25:45,480 --> 00:25:48,040
Speaker 1: and I'm like, there's but there's nothing learning. I don't

532
00:25:48,080 --> 00:25:51,080
Speaker 1: funk with comic book movies. I don't funk with superheroes.

533
00:25:51,119 --> 00:25:52,840
Speaker 1: I don't funk with any of that ship. I don't

534
00:25:52,840 --> 00:25:55,760
Speaker 1: funk with anything that. I'm just I'm not I've never

535
00:25:55,800 --> 00:25:57,800
Speaker 1: read comic books. I could give a five and I

536
00:25:57,840 --> 00:25:59,480
Speaker 1: would be in a comic book movie, but I just

537
00:25:59,480 --> 00:26:03,720
Speaker 1: don't give a fuck. I I'm confused. Iron Man Robert

538
00:26:03,760 --> 00:26:06,239
Speaker 1: Downey Jr. I fused with him. I love him. I

539
00:26:06,280 --> 00:26:08,480
Speaker 1: went to do that that that should be like your

540
00:26:08,600 --> 00:26:10,879
Speaker 1: character in one of those movies just walking in the

541
00:26:10,920 --> 00:26:12,879
Speaker 1: Hall of Justice. I don't walk with you, guys. I

542
00:26:12,880 --> 00:26:14,800
Speaker 1: don't get you guys. I don't know what the fucking

543
00:26:14,920 --> 00:26:17,080
Speaker 1: I mean. I I saw iron Man with my kids.

544
00:26:17,160 --> 00:26:19,920
Speaker 1: They were so excited to see it. I couldn't tell

545
00:26:20,000 --> 00:26:22,479
Speaker 1: you a fucking thing about that movie. I had a

546
00:26:22,520 --> 00:26:25,199
Speaker 1: big bag of popcorn, a big bag of Eminem's, so

547
00:26:25,480 --> 00:26:29,480
Speaker 1: I couldn't make heads or tail Batman the Last Batman,

548
00:26:29,640 --> 00:26:33,680
Speaker 1: like the Heath Ledger, Oh my god, that was amazing,

549
00:26:33,720 --> 00:26:35,639
Speaker 1: But I couldn't tell you what the fucking story was.

550
00:26:35,640 --> 00:26:37,800
Speaker 1: I could say Heath Ledger was fucking doping it, but

551
00:26:37,880 --> 00:26:41,800
Speaker 1: I can't tell you what happened on the Joker And

552
00:26:41,840 --> 00:26:45,960
Speaker 1: they said that this uh, and they foreshadowed uh that

553
00:26:45,960 --> 00:26:48,080
Speaker 1: that guy there who has to hide out in Russia.

554
00:26:48,119 --> 00:26:51,800
Speaker 1: Now I see, I could you make Heager tails those

555
00:26:51,840 --> 00:26:54,240
Speaker 1: fucking things? I can't. I don't know what's going on

556
00:26:54,280 --> 00:26:57,280
Speaker 1: with those movie was great. They were great, but I

557
00:26:57,320 --> 00:26:58,919
Speaker 1: don't know what. I couldn't tell what they were like.

558
00:26:58,960 --> 00:27:01,199
Speaker 1: I watched it as like, oh, he's good in that scene,

559
00:27:01,240 --> 00:27:05,120
Speaker 1: but before us like the plot, no, no clue. Christian

560
00:27:05,160 --> 00:27:08,520
Speaker 1: Bailey's great, but I have no fucking clue, not a clue.

561
00:27:08,600 --> 00:27:10,679
Speaker 1: He's Batman and the Joke is doing a bunch of

562
00:27:10,680 --> 00:27:13,200
Speaker 1: fucked up ship. He's got to stop it. But in

563
00:27:13,240 --> 00:27:15,920
Speaker 1: the show where with Adam was the thing that they

564
00:27:15,960 --> 00:27:18,280
Speaker 1: set up, the face off guy, and it just kept going.

565
00:27:18,520 --> 00:27:21,080
Speaker 1: Like I felt like, you know that part of the movie,

566
00:27:21,160 --> 00:27:23,639
Speaker 1: the appendix if you will, that could have you know,

567
00:27:23,680 --> 00:27:25,320
Speaker 1: if the body could have lived without it, you know what.

568
00:27:26,000 --> 00:27:28,360
Speaker 1: They just kind of added that final third. I think,

569
00:27:28,400 --> 00:27:30,439
Speaker 1: fun people up, but I don't mind a movie that

570
00:27:30,520 --> 00:27:34,760
Speaker 1: makes me think it's well, I I killed Country for

571
00:27:34,840 --> 00:27:36,800
Speaker 1: Old Man. Everybody was just like, what the funk when

572
00:27:36,800 --> 00:27:40,280
Speaker 1: that You're comparing Batman with No Country for Old I'm

573
00:27:40,280 --> 00:27:42,760
Speaker 1: comparing people walking out going. I can't even tell you

574
00:27:42,800 --> 00:27:46,040
Speaker 1: what the funk that was about, Like, like, uh, I

575
00:27:46,080 --> 00:27:49,280
Speaker 1: think No Country for Old Man? The main character is

576
00:27:49,440 --> 00:27:52,119
Speaker 1: uh the men and black guy Tommy Lee Jones. Tommy

577
00:27:52,160 --> 00:27:54,040
Speaker 1: Lee Jones is the main character that movie to me,

578
00:27:54,160 --> 00:27:57,520
Speaker 1: and that is about a guy who time has passed

579
00:27:57,600 --> 00:28:01,280
Speaker 1: him by and he's basically Lee chasing a ghost the

580
00:28:01,320 --> 00:28:04,160
Speaker 1: whole movie. That's why he never sees And the last

581
00:28:04,200 --> 00:28:06,320
Speaker 1: words of the serial killer guy there he says to

582
00:28:06,359 --> 00:28:09,760
Speaker 1: the kids, is it bard m with the hair? He

583
00:28:09,840 --> 00:28:12,640
Speaker 1: says to the kids, he goes, you never saw me? Right?

584
00:28:12,760 --> 00:28:14,480
Speaker 1: So I thought that that was the metaphor for the

585
00:28:15,000 --> 00:28:16,400
Speaker 1: my how I took it. That's why I love about

586
00:28:16,400 --> 00:28:18,240
Speaker 1: a movie like that. It actually makes you think that's

587
00:28:18,240 --> 00:28:20,320
Speaker 1: probably right because those guys are on that ship. And

588
00:28:20,400 --> 00:28:22,600
Speaker 1: I feel like that that he was chasing the ghost.

589
00:28:22,640 --> 00:28:24,280
Speaker 1: That's why when he was standing behind the door, he

590
00:28:24,320 --> 00:28:28,200
Speaker 1: wasn't there and a sn kill him. Hecause the ghost

591
00:28:28,240 --> 00:28:30,520
Speaker 1: he's chasing is the past and the way the things were,

592
00:28:30,560 --> 00:28:32,159
Speaker 1: and that's why he had that speech in the end.

593
00:28:32,240 --> 00:28:35,280
Speaker 1: I felt like, like, we're like, he can't even get

594
00:28:35,359 --> 00:28:38,400
Speaker 1: his head around the level of violence that's going on.

595
00:28:38,480 --> 00:28:41,560
Speaker 1: And I think that Harvier Bardem was was a metaphor

596
00:28:41,840 --> 00:28:44,920
Speaker 1: for the level of violence. It almost wasn't He was there,

597
00:28:44,960 --> 00:28:47,040
Speaker 1: but he wasn't there. I like that. I'll bet you

598
00:28:47,120 --> 00:28:50,040
Speaker 1: that's probably correct. So yeah, so I like a movie

599
00:28:50,040 --> 00:28:52,160
Speaker 1: that does you I like it too, But when it's

600
00:28:52,640 --> 00:28:56,080
Speaker 1: veiled in comic books and fucking people flying in spider way,

601
00:28:56,120 --> 00:28:58,200
Speaker 1: do you like it minus the capes? If there weren't

602
00:28:58,200 --> 00:29:01,120
Speaker 1: any capes, maybe I could allow it more. I don't know.

603
00:29:01,160 --> 00:29:03,479
Speaker 1: I just I can't. I haven't been one. And Christian

604
00:29:03,480 --> 00:29:06,560
Speaker 1: Bale gets a ton of ship for how he talks.

605
00:29:07,480 --> 00:29:10,240
Speaker 1: I'm gonna tell you why that that's fucking brilliant because

606
00:29:10,280 --> 00:29:12,920
Speaker 1: if I put a fucking the same Batman mask on,

607
00:29:13,160 --> 00:29:15,560
Speaker 1: and I was like, hey, Michael, I'm Batman. You hear

608
00:29:15,600 --> 00:29:17,480
Speaker 1: my voice, be like, hey you now you're Bill Burr.

609
00:29:17,880 --> 00:29:21,680
Speaker 1: Recognize your mouth. So at least he had the presence

610
00:29:21,720 --> 00:29:23,640
Speaker 1: of mine. He's the first guy ever did it. Like, dude,

611
00:29:23,640 --> 00:29:26,120
Speaker 1: I gotta change how I talk. Yeah, I just can't

612
00:29:26,120 --> 00:29:29,120
Speaker 1: come walking in like Bruce Wayne, Hey I'm Bruce Wayne,

613
00:29:29,120 --> 00:29:31,320
Speaker 1: and then come back Teutla with a mask. Hey I'm Batman.

614
00:29:31,680 --> 00:29:35,320
Speaker 1: I'm Batman. Yeah. I don't know why they they they

615
00:29:35,360 --> 00:29:37,960
Speaker 1: make so much shit over who's getting cast in the

616
00:29:38,000 --> 00:29:41,640
Speaker 1: movies anyway, because you know, it's all those fucking nerds have.

617
00:29:42,400 --> 00:29:45,560
Speaker 1: That's all they have. They have. They can't get so

618
00:29:45,680 --> 00:29:48,560
Speaker 1: fucking excited. And it's like to me, like they get

619
00:29:48,600 --> 00:29:52,560
Speaker 1: as mad at Ben Affleck being cast as I get

620
00:29:52,720 --> 00:29:55,360
Speaker 1: when they make the NFL players wear pink for a month.

621
00:29:56,000 --> 00:29:58,840
Speaker 1: I get as mad over something that has just as

622
00:29:58,880 --> 00:30:01,080
Speaker 1: little effect on my life for them. So I have

623
00:30:01,200 --> 00:30:03,920
Speaker 1: empathy for I try. Like back in the day, I'd

624
00:30:03,920 --> 00:30:05,560
Speaker 1: be like, either a bunch of fucking dirts sucked them,

625
00:30:05,600 --> 00:30:07,560
Speaker 1: and I'm like, no, this is that thing, this is

626
00:30:07,560 --> 00:30:11,040
Speaker 1: what they're into. I think to get cast as Batman.

627
00:30:11,080 --> 00:30:13,520
Speaker 1: You gotta have two things. You gotta be selling tickets,

628
00:30:13,560 --> 00:30:15,640
Speaker 1: and you gotta have that jaw. You gotta have the

629
00:30:15,880 --> 00:30:20,000
Speaker 1: gotta have the jaw where that that mask doesn't work

630
00:30:20,080 --> 00:30:22,720
Speaker 1: unless you have a jaw. Yeah, and and and and

631
00:30:22,720 --> 00:30:26,640
Speaker 1: and a voice that's not like either either of ours. Yeah,

632
00:30:26,680 --> 00:30:29,320
Speaker 1: my voice is too high. I'll just can you imagine?

633
00:30:29,280 --> 00:30:31,840
Speaker 1: And I could play my nose won't be like won't

634
00:30:31,840 --> 00:30:34,520
Speaker 1: be able to fit in the fucking thing. All right,

635
00:30:34,560 --> 00:30:37,040
Speaker 1: So so so let me let me let me throw

636
00:30:37,080 --> 00:30:39,080
Speaker 1: some more ship. To be the picture of this episode,

637
00:30:39,120 --> 00:30:40,840
Speaker 1: we should go down to the costume place and go

638
00:30:41,240 --> 00:30:44,040
Speaker 1: us and just bad auditioning for Batman. You don't understand

639
00:30:44,040 --> 00:30:46,680
Speaker 1: why the fun? What cheap dude, what cheap listening? Forty

640
00:30:46,720 --> 00:30:49,000
Speaker 1: bucks residual check. Well you could be you could be Batman.

641
00:30:49,040 --> 00:30:51,400
Speaker 1: I'll play the joker, I'll play the jow. You know

642
00:30:51,440 --> 00:30:53,080
Speaker 1: I don't give a funk. Well, well you know the

643
00:30:53,080 --> 00:30:55,480
Speaker 1: penguin that it doesn't make a difference to me, Bill

644
00:30:55,560 --> 00:30:57,920
Speaker 1: Burr and Mike. I want at least be put in

645
00:30:57,960 --> 00:31:00,840
Speaker 1: the mix for a time. I think my thing is

646
00:31:00,880 --> 00:31:03,240
Speaker 1: I want to be like fifteen lead in any movie

647
00:31:03,280 --> 00:31:05,600
Speaker 1: that I'm in and I'm there for like six days.

648
00:31:05,680 --> 00:31:07,520
Speaker 1: I have a great time, and then I leave in

649
00:31:07,560 --> 00:31:09,520
Speaker 1: and out. No, responsible is not true, because I did

650
00:31:09,520 --> 00:31:11,040
Speaker 1: that movie Black or White with Mike Binder, and I

651
00:31:11,080 --> 00:31:12,200
Speaker 1: was there for the whole shoot, and I had a

652
00:31:12,440 --> 00:31:15,560
Speaker 1: great right up until the last seeing. I had a

653
00:31:15,680 --> 00:31:20,120
Speaker 1: great fucking time. I mean, listen, making a movie, it's

654
00:31:20,200 --> 00:31:23,680
Speaker 1: it's really for me. It's like, uh, the the doing

655
00:31:23,760 --> 00:31:25,760
Speaker 1: it is the only thing you could take away because

656
00:31:25,800 --> 00:31:28,160
Speaker 1: the results you don't know, and what the people think

657
00:31:28,240 --> 00:31:30,120
Speaker 1: you don't know. Oh, I asked you about that when

658
00:31:30,200 --> 00:31:31,800
Speaker 1: we were on the set of Heat. I was going, like,

659
00:31:32,000 --> 00:31:34,720
Speaker 1: you've done so many at this point, can you tell

660
00:31:35,720 --> 00:31:39,480
Speaker 1: when something is gonna be I could tell as soon

661
00:31:39,520 --> 00:31:42,520
Speaker 1: as I get on the set, Literally as soon as

662
00:31:42,520 --> 00:31:43,840
Speaker 1: I get on the set, I could tell you if

663
00:31:43,840 --> 00:31:46,080
Speaker 1: it's gonna be good or bad. And then my track record,

664
00:31:46,240 --> 00:31:48,280
Speaker 1: not not the experience of doing the movie, I mean

665
00:31:48,320 --> 00:31:51,800
Speaker 1: the results. Well now now I know before I even

666
00:31:51,840 --> 00:31:54,560
Speaker 1: get on the set, but before when I was younger,

667
00:31:54,600 --> 00:31:56,840
Speaker 1: and like, you know, you come in with such high

668
00:31:56,840 --> 00:32:01,480
Speaker 1: expectations and literally, like I in a movie. I did

669
00:32:01,480 --> 00:32:05,440
Speaker 1: a movie called The Sixth Day with Arnold Schwartzenegger, that's cool, man,

670
00:32:05,600 --> 00:32:08,600
Speaker 1: and it's a piece of shit. Okay, every time I

671
00:32:08,640 --> 00:32:10,640
Speaker 1: do a movie with a big star, big budget film,

672
00:32:10,680 --> 00:32:13,080
Speaker 1: it turns out to be a piece of ship. Like

673
00:32:13,120 --> 00:32:15,440
Speaker 1: it'll be like like normal people, that would be like

674
00:32:15,480 --> 00:32:17,360
Speaker 1: it would take you to the next to next place.

675
00:32:17,560 --> 00:32:19,680
Speaker 1: Me it would be like, it's like why he shouldn't

676
00:32:19,720 --> 00:32:21,600
Speaker 1: even be in this movie. But it was called The

677
00:32:21,600 --> 00:32:25,200
Speaker 1: Sixth Day. The script was never that good. But I knew.

678
00:32:26,040 --> 00:32:27,680
Speaker 1: I can't even tell you the name of director, the

679
00:32:27,720 --> 00:32:30,920
Speaker 1: director's name, but but I shut like as soon as

680
00:32:30,960 --> 00:32:34,080
Speaker 1: I got on the set, Arnold was cool. He's game,

681
00:32:34,120 --> 00:32:35,920
Speaker 1: he's Arnold. This is like I don't know how many

682
00:32:35,920 --> 00:32:39,920
Speaker 1: fucking years, because maybe ninety nine, two thousand, like around

683
00:32:40,000 --> 00:32:42,800
Speaker 1: that time. But as soon as I got now you like,

684
00:32:43,000 --> 00:32:45,240
Speaker 1: you have the reason why I didn't know before, the

685
00:32:45,280 --> 00:32:46,560
Speaker 1: reason why I didn't know it was gonna be a

686
00:32:46,560 --> 00:32:49,400
Speaker 1: piece of you. Meet. I met Arnold, I met the director,

687
00:32:49,520 --> 00:32:51,880
Speaker 1: met the producers. We love you, blah blah blah bow

688
00:32:51,960 --> 00:32:54,960
Speaker 1: we want you to do your things, Arnold Schwartzenegger. I

689
00:32:54,960 --> 00:32:57,080
Speaker 1: don't give a ship. If it was one of those infomercials,

690
00:32:57,120 --> 00:32:59,440
Speaker 1: I'd be like, yeah, I'll do it right. There wasn't

691
00:32:59,440 --> 00:33:01,400
Speaker 1: no really have to quitch my fucking arm. I was there,

692
00:33:01,400 --> 00:33:03,760
Speaker 1: want to do it, but but but you know, like

693
00:33:04,080 --> 00:33:05,960
Speaker 1: you know, and like we want you to and probably

694
00:33:05,960 --> 00:33:07,080
Speaker 1: want you to do your thing. We want you to.

695
00:33:07,320 --> 00:33:08,920
Speaker 1: I was like his friend. I was. I don't know,

696
00:33:08,960 --> 00:33:11,640
Speaker 1: I was just I was the comedic relief, the comedic friend. Right,

697
00:33:12,440 --> 00:33:15,520
Speaker 1: do your thing. All the first day you get on set,

698
00:33:15,920 --> 00:33:18,520
Speaker 1: the directors like, don't do this, don't do that, don't

699
00:33:18,520 --> 00:33:20,680
Speaker 1: do this, don't do that. And I'm like, I'm already

700
00:33:20,680 --> 00:33:22,880
Speaker 1: could tell this is gonna be a fucking disaster. I

701
00:33:22,960 --> 00:33:24,880
Speaker 1: knew I could tell you, and I don't have you

702
00:33:24,880 --> 00:33:28,400
Speaker 1: were there on day one. I don't think I was

703
00:33:28,440 --> 00:33:31,040
Speaker 1: there on day one, but my day one I knew

704
00:33:31,440 --> 00:33:34,600
Speaker 1: immediately it was a piece of shit. So when you

705
00:33:34,680 --> 00:33:39,440
Speaker 1: did the audition, they were like so but but yeah,

706
00:33:39,440 --> 00:33:40,840
Speaker 1: they were like, we want you to do this, we

707
00:33:40,880 --> 00:33:42,600
Speaker 1: want you that. We saw you in this, we saw you,

708
00:33:42,600 --> 00:33:44,200
Speaker 1: and that it's gonna be this, it's gonna be that.

709
00:33:44,560 --> 00:33:47,440
Speaker 1: Get on the set. No no, no, no no. And

710
00:33:47,480 --> 00:33:50,920
Speaker 1: immediately for me, what it does, it's it it handcuffs you,

711
00:33:51,040 --> 00:33:54,920
Speaker 1: especially if the script itself is not good, if this

712
00:33:55,000 --> 00:33:56,720
Speaker 1: girl itself is not good and they're saying, we want

713
00:33:56,760 --> 00:33:58,400
Speaker 1: you to be funny and we want you to do

714
00:33:58,480 --> 00:34:02,360
Speaker 1: your thing, and the don't improvise, don't improvise, don't improvise,

715
00:34:02,560 --> 00:34:05,680
Speaker 1: say these fucking words or like don't say that. You're like,

716
00:34:06,560 --> 00:34:09,440
Speaker 1: just immediately you're like, this is ship. We walked on

717
00:34:09,480 --> 00:34:12,719
Speaker 1: the set of the Heat Paul Feed and that that

718
00:34:12,760 --> 00:34:16,120
Speaker 1: first day is shooting. Uh was like you know, it

719
00:34:16,200 --> 00:34:18,319
Speaker 1: was it was a dinner scene which could have wind

720
00:34:18,360 --> 00:34:20,320
Speaker 1: up being like a short film in itself. It was

721
00:34:20,400 --> 00:34:22,040
Speaker 1: want of being like a three or four minute seem

722
00:34:22,040 --> 00:34:23,759
Speaker 1: like a regular scene, but I mean there was like

723
00:34:24,239 --> 00:34:29,840
Speaker 1: you me um, Nate, Nate, Uh, the whole family, you know,

724
00:34:29,880 --> 00:34:31,880
Speaker 1: and like it was like a whole day shooting. Like

725
00:34:32,480 --> 00:34:35,480
Speaker 1: you know, Paul Feed was like kind of orchestrating all

726
00:34:35,560 --> 00:34:38,319
Speaker 1: of us to be and he embellished like he's he'd

727
00:34:38,400 --> 00:34:40,759
Speaker 1: encouraged you do that again, do that again, Bill, Mike,

728
00:34:40,800 --> 00:34:42,560
Speaker 1: don't do this, and he's gonna do this. Those two

729
00:34:42,560 --> 00:34:46,080
Speaker 1: girls were doing like five minute takes and you feel,

730
00:34:46,200 --> 00:34:48,160
Speaker 1: don't you You feel good, you feel like you're a

731
00:34:48,200 --> 00:34:50,239
Speaker 1: part of it, You feel like encouraged. You know what

732
00:34:50,239 --> 00:34:53,040
Speaker 1: I'm saying like when when when somebody like you know,

733
00:34:53,120 --> 00:34:55,560
Speaker 1: starts to chop you off at the knees before you

734
00:34:55,680 --> 00:34:58,520
Speaker 1: even start, before we even decay, know, you didn't even

735
00:34:58,560 --> 00:35:00,239
Speaker 1: do it take to be like okay. The characters more

736
00:35:00,280 --> 00:35:02,400
Speaker 1: like that, they're just like, yeah, don't do this, don't

737
00:35:02,440 --> 00:35:05,520
Speaker 1: do that. Fuck you, fuck you, And and I get

738
00:35:05,560 --> 00:35:07,960
Speaker 1: to the point where I'm like, yo, okay, I won't

739
00:35:08,000 --> 00:35:10,040
Speaker 1: do that. I'll say the lines in this piece of

740
00:35:10,120 --> 00:35:13,120
Speaker 1: shit script that you've spent millions of dollars on, it's

741
00:35:13,120 --> 00:35:16,560
Speaker 1: a fucking piece of trash, it's garbage. I'll just how

742
00:35:16,600 --> 00:35:19,040
Speaker 1: about I just say those fucking lines, Well, don't say that.

743
00:35:19,080 --> 00:35:20,960
Speaker 1: Can you make something? You just told me not to

744
00:35:21,000 --> 00:35:22,799
Speaker 1: do this, not to do that, because a fucking five

745
00:35:22,880 --> 00:35:25,480
Speaker 1: year old, you know, so like so, I like, I

746
00:35:25,560 --> 00:35:27,920
Speaker 1: know longer. You were on that one a month and

747
00:35:27,960 --> 00:35:30,359
Speaker 1: it was night shoots and I was having my first kid,

748
00:35:30,440 --> 00:35:33,359
Speaker 1: and it was it was it was it was freezing cold,

749
00:35:33,360 --> 00:35:35,799
Speaker 1: it was in the fucking with Vancouver's or in the winter.

750
00:35:35,880 --> 00:35:38,319
Speaker 1: It would just say, wouldn't fucking end and and and

751
00:35:38,360 --> 00:35:41,680
Speaker 1: you know Arnold was cool, and you know he was fine,

752
00:35:41,760 --> 00:35:43,640
Speaker 1: and but it was just it was a director and

753
00:35:43,680 --> 00:35:46,200
Speaker 1: it's just sight with you on the last day, so

754
00:35:46,320 --> 00:35:49,080
Speaker 1: fucking site, get me the funk out of here, man,

755
00:35:49,360 --> 00:35:51,560
Speaker 1: And like you're like, I'm appreciated, but I'm like, this

756
00:35:51,600 --> 00:35:53,359
Speaker 1: is fun. It's not fun, you know what I mean?

757
00:35:53,400 --> 00:35:55,719
Speaker 1: Like when when I think of a job, like I

758
00:35:55,760 --> 00:35:59,360
Speaker 1: think of first, is it gonna be good? That's the

759
00:35:59,400 --> 00:36:03,000
Speaker 1: first thing. Okay, Secondly, how much are they paying? And

760
00:36:03,080 --> 00:36:05,279
Speaker 1: if if, if it's not going to be good, then

761
00:36:05,280 --> 00:36:07,280
Speaker 1: I pay more attention to how much are they paying?

762
00:36:07,560 --> 00:36:10,280
Speaker 1: Do you know what I'm saying? So first, good, Second

763
00:36:10,320 --> 00:36:12,560
Speaker 1: how much they paying. If you can get the combination

764
00:36:12,600 --> 00:36:15,080
Speaker 1: of it's gonna be good and you're making good money,

765
00:36:15,520 --> 00:36:18,960
Speaker 1: then it's great. But but you know, like studio films, man,

766
00:36:19,040 --> 00:36:20,759
Speaker 1: Like you know, I can't even imagine we talked about

767
00:36:20,800 --> 00:36:22,719
Speaker 1: like those comic book films and those you know, those

768
00:36:22,719 --> 00:36:26,080
Speaker 1: big I can't even imagine the micromanaging that goes into

769
00:36:26,200 --> 00:36:29,800
Speaker 1: every line, every scene, every joke with with with films

770
00:36:29,840 --> 00:36:31,839
Speaker 1: like that, I couldn't even imagined. And like I said,

771
00:36:31,920 --> 00:36:34,280
Speaker 1: I'm happy to do one. I'm trying to audition for Batman.

772
00:36:34,320 --> 00:36:37,839
Speaker 1: But in terms of like you know, comedy, I mean,

773
00:36:39,120 --> 00:36:41,520
Speaker 1: how bad I hope you get into Batman. So when

774
00:36:41,520 --> 00:36:43,520
Speaker 1: I watch it, I I know that you're not a

775
00:36:43,520 --> 00:36:46,480
Speaker 1: fan of of of superhero movies, and you probably don't

776
00:36:46,480 --> 00:36:49,440
Speaker 1: even get the storyline if they go the root of

777
00:36:49,480 --> 00:36:51,759
Speaker 1: the Christian Bale one, yeah, I wouldn't, you know. I

778
00:36:51,800 --> 00:36:54,040
Speaker 1: wouldn't even read the script. I would just read my scenes.

779
00:36:54,040 --> 00:36:55,799
Speaker 1: I think the ben Affleck one for some reason, I'm

780
00:36:55,840 --> 00:36:58,960
Speaker 1: thinking is not gonna be it's coming out in one.

781
00:37:00,360 --> 00:37:02,640
Speaker 1: He's he's got man, right. You didn't even hear that,

782
00:37:02,760 --> 00:37:04,560
Speaker 1: I know, I know I couldn't. But then I thought

783
00:37:04,600 --> 00:37:07,560
Speaker 1: he got fired, he left. I remember that hissy fit everybody.

784
00:37:07,719 --> 00:37:10,200
Speaker 1: I know, Yeah I do. But people didn't like what

785
00:37:10,239 --> 00:37:12,200
Speaker 1: the joker looked like. Said he looked like he was

786
00:37:12,239 --> 00:37:14,239
Speaker 1: in an emo band. They're like, he's not gonna look

787
00:37:14,239 --> 00:37:16,399
Speaker 1: like this. They're just fucking with you because they're just like,

788
00:37:16,640 --> 00:37:19,360
Speaker 1: let's let these nerds bitchman and complain. They keep hyping

789
00:37:19,360 --> 00:37:21,279
Speaker 1: the movie. I think they just keep sending it out

790
00:37:21,320 --> 00:37:23,440
Speaker 1: like that and they probably laugh about it. Are they

791
00:37:23,480 --> 00:37:25,799
Speaker 1: shooting it right now? I think, or they're done shooting you.

792
00:37:25,840 --> 00:37:28,280
Speaker 1: I think Jared Leettle will be a good joker. Oh

793
00:37:28,320 --> 00:37:30,640
Speaker 1: he's unbelievable. Yeah, he's a good actor. You know, they

794
00:37:30,960 --> 00:37:33,799
Speaker 1: fucking go crazy over everything with these comic con and

795
00:37:33,840 --> 00:37:37,000
Speaker 1: the fucking Instagram and the fucking Twitter. I mean they

796
00:37:37,000 --> 00:37:39,359
Speaker 1: go everybody goes nuts. It's too much access to all

797
00:37:39,400 --> 00:37:42,840
Speaker 1: of us, you know what I mean, everybody's everybody's fucking nuts.

798
00:37:43,080 --> 00:37:45,440
Speaker 1: That's well. The thing in my business now is is, uh,

799
00:37:45,640 --> 00:37:47,839
Speaker 1: you tell a joke and nobody gets offended, and then

800
00:37:47,880 --> 00:37:49,920
Speaker 1: three years later you get a high profile gig and

801
00:37:49,920 --> 00:37:51,640
Speaker 1: all of a sudden, they're offending you. Back in two

802
00:37:51,680 --> 00:37:54,840
Speaker 1: thousand ten, you tweeted this or you said this on

803
00:37:54,920 --> 00:37:57,080
Speaker 1: your special that came out like three years ago. It's

804
00:37:57,120 --> 00:37:58,839
Speaker 1: like the special that came out three years ago. You're

805
00:37:58,840 --> 00:38:00,600
Speaker 1: just getting to me. Now. Why are you getting me

806
00:38:00,640 --> 00:38:03,480
Speaker 1: to now? Right? Oh? Because I got this thing coming out,

807
00:38:03,520 --> 00:38:05,760
Speaker 1: so now you're trying to you're trying to They're like bullies.

808
00:38:05,960 --> 00:38:11,160
Speaker 1: It's a fucking it's it's a strategic like strategic uh offensive,

809
00:38:11,239 --> 00:38:15,799
Speaker 1: like like the political correct police are they should get

810
00:38:15,800 --> 00:38:18,719
Speaker 1: There is no police, no, but it's just a it's

811
00:38:18,719 --> 00:38:21,480
Speaker 1: a fucking group of jerk offs. They're all motherfucker's. But

812
00:38:21,560 --> 00:38:25,359
Speaker 1: you mean, like like with the the political correctness, you

813
00:38:25,360 --> 00:38:28,839
Speaker 1: you you have no room to like you do all

814
00:38:28,880 --> 00:38:31,520
Speaker 1: you do. It's just all you have to have is

815
00:38:31,560 --> 00:38:34,520
Speaker 1: the advertiser and the studio will be like yeah really yeah,

816
00:38:34,600 --> 00:38:36,719
Speaker 1: well we don't give a fuck, and people are still

817
00:38:36,719 --> 00:38:39,000
Speaker 1: gonna go see it. Have have people ever been offended?

818
00:38:39,040 --> 00:38:42,560
Speaker 1: Like specifically, not that's big enough to offend anybody. That's

819
00:38:42,560 --> 00:38:45,160
Speaker 1: the funniest fucking but you're you're, you're, you're stand up

820
00:38:45,200 --> 00:38:47,160
Speaker 1: and she's like, what have you ever? Like? I have

821
00:38:47,200 --> 00:38:51,800
Speaker 1: a cartoon coming out on Netflix in December called for Family,

822
00:38:51,840 --> 00:38:54,959
Speaker 1: and I guaranteucking to you if that thing comes out

823
00:38:55,080 --> 00:38:56,840
Speaker 1: and it's any sort of a hit, that would be

824
00:38:56,920 --> 00:39:01,640
Speaker 1: the is gonna get offended by anything I ever ever

825
00:39:01,680 --> 00:39:03,560
Speaker 1: said in my stand up act. If they're gonna go

826
00:39:03,600 --> 00:39:06,120
Speaker 1: back to my podcast and all this ship, you're gonna

827
00:39:06,120 --> 00:39:08,560
Speaker 1: be fun. If they go back where they're gonna No,

828
00:39:08,600 --> 00:39:10,640
Speaker 1: I'm not because I because I don't give a fuck, right,

829
00:39:11,000 --> 00:39:12,759
Speaker 1: I don't give a ship and I won't apologize. And

830
00:39:12,800 --> 00:39:15,840
Speaker 1: if they if they say, well, then we're taking your show,

831
00:39:15,840 --> 00:39:17,879
Speaker 1: and then well then fucking do it. Right, I'm gonna

832
00:39:17,920 --> 00:39:20,480
Speaker 1: go back into stand up. Yes is the Iron Rapp Podcast,

833
00:39:20,520 --> 00:39:24,120
Speaker 1: and we'll be right back the I Am Wrapping Coorp

834
00:39:24,200 --> 00:39:29,880
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846
00:40:07,360 --> 00:40:10,520
Speaker 1: We do not take sponsorship from anything. We have not tried,

847
00:40:10,560 --> 00:40:16,040
Speaker 1: and we are not passionate. About four hundred and Michael

848
00:40:16,040 --> 00:40:18,600
Speaker 1: has just done. Did his old man shuffle over to

849
00:40:18,640 --> 00:40:22,399
Speaker 1: the fridge to get himself a snaple? No, I'm good.

850
00:40:22,400 --> 00:40:24,080
Speaker 1: I'm good with the water. So I'm talking to you

851
00:40:24,120 --> 00:40:26,799
Speaker 1: early man. We're both trying to drop weight. You man,

852
00:40:26,840 --> 00:40:29,040
Speaker 1: I'm just drinking. I'm drinking a snap because you because

853
00:40:29,400 --> 00:40:32,040
Speaker 1: the reality of this podcast, Bill, It's like I have

854
00:40:32,239 --> 00:40:34,120
Speaker 1: I loved about all these broads bitching about being in

855
00:40:34,160 --> 00:40:36,279
Speaker 1: fucking movies, how they gotta watch their weight, Like what

856
00:40:36,320 --> 00:40:39,040
Speaker 1: we don't like if we become a fat fuck that

857
00:40:39,080 --> 00:40:41,480
Speaker 1: doesn't limit what we can be. Listen, you know what

858
00:40:41,480 --> 00:40:43,120
Speaker 1: I mean? Like, dude, I'm a balding red and and

859
00:40:43,200 --> 00:40:45,640
Speaker 1: mail you don't think you don't think there's a fucking

860
00:40:45,680 --> 00:40:49,280
Speaker 1: glass ceiling. Or whenever I hear these women complaining about

861
00:40:49,280 --> 00:40:52,439
Speaker 1: oh that the body image, go fuck yourself. You're gonna

862
00:40:52,440 --> 00:40:55,480
Speaker 1: be in a movie, the sillions of dollars being invested,

863
00:40:55,640 --> 00:40:57,719
Speaker 1: Show up looking your best, show up looking like a

864
00:40:57,800 --> 00:41:00,439
Speaker 1: human being. Not human being. I'm just saying show because

865
00:41:00,440 --> 00:41:03,040
Speaker 1: there's nothing wrong being overweight. You're just gonna be that person.

866
00:41:03,440 --> 00:41:05,160
Speaker 1: That's what you're gonna be. And they're gonna have you

867
00:41:05,239 --> 00:41:08,160
Speaker 1: flipping over from over for girls or guys? Could everybody?

868
00:41:08,239 --> 00:41:10,839
Speaker 1: No but Bill, the girls listen, and I don't agree

869
00:41:10,880 --> 00:41:13,359
Speaker 1: with And I'm trust me, I am so not on

870
00:41:13,360 --> 00:41:16,839
Speaker 1: that fucking feminist Oh the women. But you know he's

871
00:41:17,040 --> 00:41:19,160
Speaker 1: be the best looking guy in the world. No woman's

872
00:41:19,160 --> 00:41:22,640
Speaker 1: ever gonna buy you a drink. Okay, no, but but

873
00:41:22,719 --> 00:41:24,399
Speaker 1: look look at look look at look a guy like

874
00:41:24,840 --> 00:41:26,960
Speaker 1: now and I know he's a great actor, But you say,

875
00:41:27,160 --> 00:41:30,120
Speaker 1: take a guy like Johnny Depp. If Johnny Depp looks

876
00:41:30,680 --> 00:41:32,560
Speaker 1: left him if he because if the all of a

877
00:41:32,640 --> 00:41:35,000
Speaker 1: sudden he if he can't try on it pounds, he's

878
00:41:35,040 --> 00:41:37,799
Speaker 1: not playing Tonto, he's not doing ship. The party's over.

879
00:41:37,880 --> 00:41:40,120
Speaker 1: He'll become He'll be They would say, you gotta lose

880
00:41:40,160 --> 00:41:42,120
Speaker 1: that fucking weight, or you're gonna just go. You're no

881
00:41:42,160 --> 00:41:44,319
Speaker 1: longer gonna store and film. You can play Chief Jay

882
00:41:44,360 --> 00:41:49,279
Speaker 1: strombol exactly. But but but the women, But Johnny Depp

883
00:41:49,320 --> 00:41:52,160
Speaker 1: could also get a little older, Like he looks cool, clooney,

884
00:41:52,160 --> 00:41:55,000
Speaker 1: he looks cool. He's a he's a silver fox, you know. Like.

885
00:41:55,280 --> 00:41:59,000
Speaker 1: But women, it's like the minute it dips, they're fucked.

886
00:41:59,080 --> 00:42:01,440
Speaker 1: And there's already not a lot of roles for women anyway.

887
00:42:01,480 --> 00:42:03,960
Speaker 1: And trust me, I am not one of these fucking feminists.

888
00:42:04,960 --> 00:42:06,920
Speaker 1: If you really fucking looked at it all on paper,

889
00:42:07,000 --> 00:42:10,680
Speaker 1: disadvantages and disadvantages to both, and we're all fucked until

890
00:42:10,719 --> 00:42:12,600
Speaker 1: you get yourself on the other side of the table

891
00:42:12,920 --> 00:42:15,319
Speaker 1: so you can see where the money's coming in. Other

892
00:42:15,400 --> 00:42:18,280
Speaker 1: than that you're another jerk off walking to your mailbox.

893
00:42:18,320 --> 00:42:22,000
Speaker 1: For yes, I I don't. I think that the women.

894
00:42:22,120 --> 00:42:24,319
Speaker 1: I think that women have trust. You think you would

895
00:42:24,360 --> 00:42:27,480
Speaker 1: have to bend both and try to do the exact

896
00:42:27,520 --> 00:42:30,480
Speaker 1: same thing. Nope, neither women nor men can look at

897
00:42:30,800 --> 00:42:33,440
Speaker 1: either person and be like you have it easier, you

898
00:42:33,480 --> 00:42:35,719
Speaker 1: have it more difficult because you've never been the other

899
00:42:35,760 --> 00:42:37,799
Speaker 1: thing trying to do the exact same thing. It's like

900
00:42:38,480 --> 00:42:41,919
Speaker 1: it's I'm talking about just in Hollywood terms, like look

901
00:42:41,920 --> 00:42:44,640
Speaker 1: at fucking look at like like Uma Thurman, she's gotten

902
00:42:44,640 --> 00:42:47,520
Speaker 1: a little older. Like Uma Thurman was the fucking bombshell

903
00:42:47,560 --> 00:42:50,719
Speaker 1: in her day, bombshell like in the pulp fiction. I mean,

904
00:42:50,760 --> 00:42:52,880
Speaker 1: she had a run where she was just like sexy.

905
00:42:53,000 --> 00:42:56,120
Speaker 1: She's you know, she's talented, you know she she and

906
00:42:56,160 --> 00:42:59,319
Speaker 1: then she you know, they're they're killing her. She came

907
00:42:59,320 --> 00:43:02,200
Speaker 1: out on this TV show last year and they're fucking

908
00:43:02,320 --> 00:43:05,200
Speaker 1: reaming her. She did this, she did that. She looks older,

909
00:43:05,200 --> 00:43:08,720
Speaker 1: and it's like, you know, it's like, yeah, she looks older.

910
00:43:08,880 --> 00:43:11,279
Speaker 1: She's older, dude. That that ship happens to everybody though,

911
00:43:11,440 --> 00:43:13,839
Speaker 1: but me and you. Somebody tweeted me the other day.

912
00:43:14,080 --> 00:43:16,040
Speaker 1: They came down to my show at the comedy store.

913
00:43:16,040 --> 00:43:18,960
Speaker 1: I fucking killed and they go, uh yeah, man, I

914
00:43:19,000 --> 00:43:21,840
Speaker 1: can tell you've been fucking hitting the bears. Man, you

915
00:43:21,880 --> 00:43:25,279
Speaker 1: look fat. You're fat, You're fat. Fuck yeah, so you're

916
00:43:25,280 --> 00:43:27,799
Speaker 1: trying to fat. Fuck It's just like, if you're gonna

917
00:43:27,840 --> 00:43:33,719
Speaker 1: be dumb enough to pick this career, you can't like

918
00:43:34,160 --> 00:43:36,239
Speaker 1: you're a piece of meat. I get it, okay. And

919
00:43:36,280 --> 00:43:39,200
Speaker 1: the smart fuckers are the ones that start their own

920
00:43:39,200 --> 00:43:42,120
Speaker 1: production company. They get themselves on the other side of

921
00:43:42,200 --> 00:43:44,359
Speaker 1: the desk. But if you're gonna keep dancing for your

922
00:43:44,400 --> 00:43:47,759
Speaker 1: fucking lunch out here, everybody is gonna get old, and

923
00:43:47,800 --> 00:43:50,440
Speaker 1: there's gonna be the younger you, the younger meat, the

924
00:43:50,520 --> 00:43:54,040
Speaker 1: younger them. So there's different of course, there's different men women,

925
00:43:54,080 --> 00:43:59,759
Speaker 1: there's gonna be something different. Bitch moaning and fucking complaining

926
00:44:00,120 --> 00:44:02,600
Speaker 1: about you have it easier, it's more difficult for me,

927
00:44:02,719 --> 00:44:06,200
Speaker 1: Like like everybody in this business, the clock is ticking

928
00:44:06,239 --> 00:44:09,520
Speaker 1: the second you get in it and your I agree,

929
00:44:09,600 --> 00:44:11,520
Speaker 1: and some of the big some of the biggest fucking

930
00:44:11,560 --> 00:44:14,320
Speaker 1: studio heads and all them, they end up outside holding

931
00:44:14,360 --> 00:44:16,520
Speaker 1: their hat one and what the funk happen? They can

932
00:44:16,560 --> 00:44:18,600
Speaker 1: have a couple of movies that go down. It's it's

933
00:44:18,680 --> 00:44:20,920
Speaker 1: just done differently. It's not based on their look, it's

934
00:44:20,920 --> 00:44:24,880
Speaker 1: based on their bottom line. Everybody in this business, you're fucked,

935
00:44:24,920 --> 00:44:28,719
Speaker 1: which is why you save your money and you bet

936
00:44:28,800 --> 00:44:31,880
Speaker 1: on yourself. And however that means like the guys like

937
00:44:31,920 --> 00:44:34,160
Speaker 1: some of the people that I respect the most of

938
00:44:34,200 --> 00:44:39,560
Speaker 1: this business, like guys like like uh Mark, Mark Wahlberg,

939
00:44:39,840 --> 00:44:42,920
Speaker 1: Adam Sandler, Vince Vaughn, all guys that were starring in

940
00:44:43,000 --> 00:44:44,919
Speaker 1: movies and could have just done that and they didn't.

941
00:44:44,960 --> 00:44:47,359
Speaker 1: They fucking I mean, I think Sandler from from day

942
00:44:47,360 --> 00:44:50,200
Speaker 1: one was writing his own ship and they got themselves

943
00:44:50,480 --> 00:44:52,799
Speaker 1: in the driver's seat. So now it's like, oh, we're

944
00:44:52,800 --> 00:44:54,920
Speaker 1: writing something that I'm gonna Now you don't have to

945
00:44:54,920 --> 00:44:57,239
Speaker 1: wait for another opportunity. I was thinking way over my

946
00:44:57,320 --> 00:44:59,920
Speaker 1: head because I've never tried to produce or do anything

947
00:45:00,080 --> 00:45:02,000
Speaker 1: like that. But when I look at them, I just

948
00:45:02,040 --> 00:45:05,040
Speaker 1: go like, these guys are smart because Clooney did it too.

949
00:45:08,480 --> 00:45:11,440
Speaker 1: Is then you're young forever, and then you just right

950
00:45:11,520 --> 00:45:14,680
Speaker 1: in apart for the older you, and then you let

951
00:45:14,840 --> 00:45:17,360
Speaker 1: the next hottie male of female and got off the

952
00:45:17,520 --> 00:45:19,359
Speaker 1: gets off the bus play the part that you used

953
00:45:19,400 --> 00:45:21,759
Speaker 1: to play, but but you're producing a thing like that.

954
00:45:21,800 --> 00:45:25,160
Speaker 1: I feel like yeah, because because if you really look

955
00:45:25,200 --> 00:45:26,800
Speaker 1: at it, man, like the amount of people that have

956
00:45:26,880 --> 00:45:29,759
Speaker 1: just been able to straight up act for like for

957
00:45:29,800 --> 00:45:33,080
Speaker 1: a significant period of time is now you're whittled down

958
00:45:33,160 --> 00:45:38,399
Speaker 1: to literally like Meryl Streep, Jack Nicholson, Alpaccino, You're you're got,

959
00:45:38,400 --> 00:45:41,160
Speaker 1: You're getting down to like you have to be like

960
00:45:41,239 --> 00:45:44,319
Speaker 1: one of the all time greatest sucking actors of all time.

961
00:45:44,360 --> 00:45:47,440
Speaker 1: And it's it's getting smaller and smaller because the thing

962
00:45:47,440 --> 00:45:50,800
Speaker 1: about the tea, about the obviously on television is thriving.

963
00:45:51,040 --> 00:45:54,000
Speaker 1: But the movie business it's good though, but it's go

964
00:45:54,200 --> 00:45:56,239
Speaker 1: so what so and so someone will figure it out.

965
00:45:56,840 --> 00:45:58,839
Speaker 1: Who why don't we you figure it out? We see

966
00:45:58,840 --> 00:46:00,680
Speaker 1: where we're waiting for. Because I don't go to do that, dude.

967
00:46:00,719 --> 00:46:02,560
Speaker 1: I have too many hobbies that I enjoy funing. I

968
00:46:02,680 --> 00:46:04,840
Speaker 1: just like, you know, like chilling out, like telling my

969
00:46:04,920 --> 00:46:07,120
Speaker 1: jokes on the road, And if somebody fucking gives me

970
00:46:07,120 --> 00:46:08,680
Speaker 1: an acting part, I'll go do it and I have

971
00:46:08,719 --> 00:46:10,239
Speaker 1: a great time doing it, and then I just go

972
00:46:10,400 --> 00:46:12,520
Speaker 1: right back to doing stand up. And I gotta worry.

973
00:46:12,560 --> 00:46:16,080
Speaker 1: I hate conference calls due. When I take a conference call,

974
00:46:17,680 --> 00:46:19,759
Speaker 1: I I take the phone. I swear to God, I

975
00:46:19,800 --> 00:46:22,440
Speaker 1: put it on speaking. I lay in the bed and

976
00:46:22,480 --> 00:46:24,080
Speaker 1: I throw it to the other side of the bed

977
00:46:24,520 --> 00:46:26,760
Speaker 1: and I lay there. I literally have my arm across

978
00:46:26,840 --> 00:46:30,120
Speaker 1: my eyes like that, and then I wait till people

979
00:46:30,160 --> 00:46:32,200
Speaker 1: stop talking, and then I just go, you know it

980
00:46:32,239 --> 00:46:35,680
Speaker 1: sounds good. You know, we'll look into that. Yeah, I can't.

981
00:46:35,520 --> 00:46:38,280
Speaker 1: And every time they're gonna hang up some fucking asshole,

982
00:46:38,560 --> 00:46:41,400
Speaker 1: all right, is that good? Yeah? Oh? Wait, wa thing,

983
00:46:41,560 --> 00:46:44,640
Speaker 1: I'm thinking there's another fucking eleven minutes ere You're like,

984
00:46:44,800 --> 00:46:48,480
Speaker 1: you're never gonna get back. They're painful. Conference calls are

985
00:46:48,560 --> 00:46:51,160
Speaker 1: fucking painful. Maybe that's because how we're wired, because they

986
00:46:51,480 --> 00:46:53,959
Speaker 1: seem to love them. I can't. They can't. They can't.

987
00:46:54,200 --> 00:46:56,359
Speaker 1: On the other side, the way they're wired, the business people,

988
00:46:56,360 --> 00:46:59,000
Speaker 1: which I totally respect having a business mind, I'm fascinated

989
00:46:59,040 --> 00:47:02,399
Speaker 1: by they day off. They fucking they're all about the meeting.

990
00:47:02,400 --> 00:47:05,160
Speaker 1: They're all about the dude. I've had meetings, a pre

991
00:47:05,280 --> 00:47:07,960
Speaker 1: meeting for the meeting. Oh yeah, and I've been driving

992
00:47:07,960 --> 00:47:11,040
Speaker 1: the screaming at my windshield, going what the fuck? Who

993
00:47:11,040 --> 00:47:12,920
Speaker 1: wants to go to a meeting. What kind of a

994
00:47:13,000 --> 00:47:15,439
Speaker 1: human being wants to go to a meeting? Like, hey, dude,

995
00:47:15,520 --> 00:47:17,239
Speaker 1: let's meet out in the parking lot and crush this

996
00:47:17,280 --> 00:47:20,839
Speaker 1: twelve pack before we go into the game. Right, Yeah,

997
00:47:20,920 --> 00:47:23,279
Speaker 1: I'm up for that. I had a meeting where I

998
00:47:23,320 --> 00:47:25,520
Speaker 1: was at the last meeting I was at. During the meeting,

999
00:47:25,960 --> 00:47:27,520
Speaker 1: it just came at him. He was the first time

1000
00:47:27,560 --> 00:47:30,080
Speaker 1: I was like, who gives a funk about what? Like,

1001
00:47:30,200 --> 00:47:31,920
Speaker 1: I said that, who gives a funk about what? And

1002
00:47:31,920 --> 00:47:34,520
Speaker 1: then I caught myself because I was like, you can't

1003
00:47:34,560 --> 00:47:36,680
Speaker 1: talk like I did. How did you get out of that?

1004
00:47:36,760 --> 00:47:40,880
Speaker 1: I just it was like, who cares about that? But

1005
00:47:40,920 --> 00:47:43,319
Speaker 1: it literally came out who gives a funk about what? That?

1006
00:47:43,719 --> 00:47:45,840
Speaker 1: Like that came out of when somebody brought up something.

1007
00:47:45,920 --> 00:47:47,759
Speaker 1: They brought up something, and I said, that's what I said,

1008
00:47:47,760 --> 00:47:50,160
Speaker 1: who gives a funk about? I mean, who really cares

1009
00:47:50,160 --> 00:47:52,600
Speaker 1: about that? But I was like, Yo, you're turned into

1010
00:47:52,600 --> 00:47:54,560
Speaker 1: a crazy person, Like you can't be you can't be

1011
00:47:54,640 --> 00:47:57,080
Speaker 1: that guy. No. I know, I know as you get older,

1012
00:47:58,400 --> 00:48:00,759
Speaker 1: younger you and me is probably like like thirty at

1013
00:48:00,760 --> 00:48:03,280
Speaker 1: this point. That's the young version of us. They're twenty

1014
00:48:03,320 --> 00:48:05,880
Speaker 1: four they don't need they're not working out, they're not

1015
00:48:05,920 --> 00:48:09,319
Speaker 1: doing anything. I mean you're saying you're working out, what

1016
00:48:09,400 --> 00:48:11,360
Speaker 1: you're working out? Trying to stop eating? What are you

1017
00:48:11,360 --> 00:48:14,080
Speaker 1: trying to do? Are you do you work out? What's

1018
00:48:14,080 --> 00:48:16,200
Speaker 1: your workout? That's crushed me that you had to ask me,

1019
00:48:16,520 --> 00:48:18,359
Speaker 1: because you know what I'm into. Do you work out?

1020
00:48:18,440 --> 00:48:20,880
Speaker 1: You know? I'm because you said you're I understand, like

1021
00:48:20,960 --> 00:48:23,000
Speaker 1: you don't work This is what I do. I let

1022
00:48:23,000 --> 00:48:25,359
Speaker 1: me hear. What Bill Bird does is a workout, all right.

1023
00:48:25,480 --> 00:48:27,640
Speaker 1: I always start the morning. I got a crazy dog,

1024
00:48:27,680 --> 00:48:29,600
Speaker 1: so I gotta burn off her energy. So I gotta

1025
00:48:29,600 --> 00:48:32,280
Speaker 1: take her around the block like fucking six times a walk.

1026
00:48:32,480 --> 00:48:35,200
Speaker 1: So that, yeah, that doesn't count for any Yes it does,

1027
00:48:35,520 --> 00:48:38,520
Speaker 1: Yes it does. You're walking, Yeah, yeah, you're burning calories

1028
00:48:38,520 --> 00:48:40,640
Speaker 1: and you're not when you're running like a fucking maniac

1029
00:48:40,880 --> 00:48:42,440
Speaker 1: A lot of times for the first I don't know

1030
00:48:42,480 --> 00:48:45,120
Speaker 1: how many minutes I forget. I'm just gonna repeat ship that.

1031
00:48:45,120 --> 00:48:46,920
Speaker 1: I heard other people say, you're warming. Oh so this

1032
00:48:46,960 --> 00:48:48,640
Speaker 1: is your warm ut? Like, yeah, no, I take the

1033
00:48:48,640 --> 00:48:51,160
Speaker 1: thing for a fucking walk, all right? Do you pick

1034
00:48:51,200 --> 00:48:54,040
Speaker 1: the dogs ship up? Yeah, we've been through this. I

1035
00:48:54,080 --> 00:48:56,960
Speaker 1: just want to make sure. Yeah, okay, yeah, I don't

1036
00:48:56,960 --> 00:49:00,400
Speaker 1: casually pick up other people's fucking trash. Oh I gonna say,

1037
00:49:00,440 --> 00:49:02,799
Speaker 1: you pick up other dogs. Shit, I've done that in

1038
00:49:02,840 --> 00:49:05,480
Speaker 1: the neighborhood. Yeah, somebody leaves a big fucking steamer right

1039
00:49:05,520 --> 00:49:08,280
Speaker 1: there on your lawn. No, I'm just in my neighborhood.

1040
00:49:08,280 --> 00:49:09,680
Speaker 1: I don't want my neighbors stepping on. I got an

1041
00:49:09,680 --> 00:49:13,520
Speaker 1: extra bag. I'll tell you that that is. I tell

1042
00:49:13,520 --> 00:49:15,839
Speaker 1: you right now. If everybody fucking did that, this this

1043
00:49:15,880 --> 00:49:20,040
Speaker 1: town be a lot less shittier. So anyways, sorry for

1044
00:49:20,080 --> 00:49:23,799
Speaker 1: that awful joke. Anyways, Uh yeah, and then I just

1045
00:49:23,840 --> 00:49:27,520
Speaker 1: do uh. I got the fucking pull up dip station.

1046
00:49:27,680 --> 00:49:30,960
Speaker 1: I got a climbing rope. All of this stuff not

1047
00:49:31,080 --> 00:49:33,359
Speaker 1: in my house, like in the garage. And then like

1048
00:49:33,719 --> 00:49:36,040
Speaker 1: the ropes hanging down off the back of you do

1049
00:49:36,120 --> 00:49:39,839
Speaker 1: that climbing ship. I would pay to fucking see you

1050
00:49:39,880 --> 00:49:42,200
Speaker 1: climb and like get like a rope burn and like

1051
00:49:42,239 --> 00:49:45,279
Speaker 1: your reaction Bush, would you were a hater? Man? I

1052
00:49:45,360 --> 00:49:48,359
Speaker 1: can look. I just think I don't I don't use

1053
00:49:48,400 --> 00:49:53,319
Speaker 1: my legs would be strong, it's just grip strength. What

1054
00:49:54,920 --> 00:49:56,640
Speaker 1: I'll tell you right now. I haven't done in a month,

1055
00:49:56,680 --> 00:49:57,920
Speaker 1: so I won't I won't be able to do it.

1056
00:49:57,960 --> 00:49:59,920
Speaker 1: But if I did it for like a month straight,

1057
00:50:00,040 --> 00:50:01,920
Speaker 1: could go up and go back down and go halfway

1058
00:50:01,920 --> 00:50:03,960
Speaker 1: back up. That's the most I did. So when I

1059
00:50:04,000 --> 00:50:06,680
Speaker 1: take my wife to Vegas and I go to see

1060
00:50:06,680 --> 00:50:08,960
Speaker 1: those Circui Sola shows, I don't give a funk about

1061
00:50:09,000 --> 00:50:11,680
Speaker 1: the story. I'm just going like, look at this fucking dude.

1062
00:50:11,880 --> 00:50:14,080
Speaker 1: He's gone up and he went for a whole Michael

1063
00:50:14,160 --> 00:50:16,480
Speaker 1: Jackson song. He went up and down that rope. Or

1064
00:50:16,520 --> 00:50:18,640
Speaker 1: there's a woman in that show that goes up and

1065
00:50:18,640 --> 00:50:22,040
Speaker 1: down this this pole man, this dancing pole, and like, dude,

1066
00:50:22,520 --> 00:50:25,800
Speaker 1: she ends the fucking show upside down in a full split,

1067
00:50:26,239 --> 00:50:29,680
Speaker 1: like hanging onto it just with their legs, and then

1068
00:50:29,719 --> 00:50:32,560
Speaker 1: she like, let's go to slide down to like a fireman,

1069
00:50:32,600 --> 00:50:35,080
Speaker 1: and then stops herself just with their legs and she

1070
00:50:35,200 --> 00:50:37,439
Speaker 1: has her arms out in the tada post the whole

1071
00:50:37,440 --> 00:50:41,600
Speaker 1: fucking time. Insane. She's coming if she just if she

1072
00:50:41,719 --> 00:50:43,719
Speaker 1: just walked out and did that and the show was

1073
00:50:43,840 --> 00:50:46,359
Speaker 1: three minutes long standing, ovation I got my money's worth.

1074
00:50:46,360 --> 00:50:47,880
Speaker 1: I don't even know what the fucking scool do you

1075
00:50:48,000 --> 00:50:50,000
Speaker 1: give the ship trying to put on the glitter glove

1076
00:50:50,040 --> 00:50:52,600
Speaker 1: and then they fucking dance like he does thrill her. Yeah,

1077
00:50:52,640 --> 00:50:54,160
Speaker 1: well you know it was for the kids, but so

1078
00:50:54,280 --> 00:50:57,000
Speaker 1: so go ahead, so so so so it's pull up.

1079
00:50:57,239 --> 00:51:00,400
Speaker 1: What kind of cardio? None? What kind of car? Do

1080
00:51:00,440 --> 00:51:02,600
Speaker 1: you go to a gym? Do you? Because you know

1081
00:51:02,640 --> 00:51:05,560
Speaker 1: what I'm into now. I sometimes I have a standing

1082
00:51:05,640 --> 00:51:08,799
Speaker 1: membership at a gym that I got a long time ago.

1083
00:51:08,880 --> 00:51:11,480
Speaker 1: You just keeping and I keep it because it's five

1084
00:51:11,520 --> 00:51:13,560
Speaker 1: bucks a month, and then I'll come back. I always

1085
00:51:13,560 --> 00:51:15,239
Speaker 1: come back, you know, and I can't believe the card

1086
00:51:15,360 --> 00:51:17,399
Speaker 1: still works. And it's like, well, I haven't been able.

1087
00:51:17,440 --> 00:51:19,600
Speaker 1: I've gone like a year and a half without going there.

1088
00:51:20,160 --> 00:51:22,839
Speaker 1: But just sometimes when I want to jump started, I'll

1089
00:51:22,840 --> 00:51:24,719
Speaker 1: get on one of those fucking ellipticals. I do it

1090
00:51:24,760 --> 00:51:27,040
Speaker 1: on the road or whatever. But uh, you know, dude,

1091
00:51:27,040 --> 00:51:31,080
Speaker 1: I I give it. Dude. I like booze, I like cigars,

1092
00:51:31,600 --> 00:51:34,680
Speaker 1: like steaks. I like all of that ship that basically

1093
00:51:34,760 --> 00:51:37,440
Speaker 1: makes you die eight to ten years sooner than your wife,

1094
00:51:37,440 --> 00:51:39,480
Speaker 1: you know what I mean. She's just fucking like, no,

1095
00:51:39,560 --> 00:51:42,920
Speaker 1: they'll keep eating the steaks. He knock yourself out, go crazy. No,

1096
00:51:43,000 --> 00:51:44,480
Speaker 1: But that's you know, that's one of those things. Though.

1097
00:51:45,239 --> 00:51:48,200
Speaker 1: It's like we die eight to ten years earlier than them,

1098
00:51:48,239 --> 00:51:50,800
Speaker 1: and we don't complain about it at all. That's because

1099
00:51:50,800 --> 00:51:52,279
Speaker 1: you know, we're having a good time. Yeah, and the

1100
00:51:52,320 --> 00:51:56,000
Speaker 1: steak is good. I'll bad for you, though, I think

1101
00:51:56,000 --> 00:51:57,960
Speaker 1: it's better than chicken. Some of the ship that they

1102
00:51:58,000 --> 00:52:01,239
Speaker 1: haven't chicken. Now. I have no fucking idea, but I

1103
00:52:01,640 --> 00:52:04,799
Speaker 1: like this like a fucking workout. Bill. I'm just thinking, like, like,

1104
00:52:05,000 --> 00:52:07,759
Speaker 1: I mean, that doesn't that's not sounding like a real workout, right,

1105
00:52:09,239 --> 00:52:12,040
Speaker 1: what's your cardio? I do this thing called the tense.

1106
00:52:13,280 --> 00:52:16,479
Speaker 1: The tense something Joe Bartnick told me about. It's, uh,

1107
00:52:16,520 --> 00:52:19,480
Speaker 1: it's actually a boxing warm up. What's funny to me

1108
00:52:19,760 --> 00:52:22,120
Speaker 1: is to me, it's the workout, right, that's the kind

1109
00:52:22,120 --> 00:52:24,680
Speaker 1: of shape that fighters are in, like their warm up

1110
00:52:25,160 --> 00:52:28,040
Speaker 1: one aspect of their warm up, what they're doing before

1111
00:52:28,080 --> 00:52:31,239
Speaker 1: they working, gasping for air and like I actually lose

1112
00:52:31,280 --> 00:52:34,160
Speaker 1: weight is um. I haven't done it for a minute, dude,

1113
00:52:34,160 --> 00:52:37,360
Speaker 1: I've been real bad. But it's ten jumping Jack's ten burpees,

1114
00:52:38,640 --> 00:52:42,239
Speaker 1: Uh burpies are a motherfucker, and ten push ups, ten

1115
00:52:42,360 --> 00:52:47,840
Speaker 1: sit ups, ten alternate leg lunges, and then ten squat jumps. Fuck,

1116
00:52:47,920 --> 00:52:50,200
Speaker 1: and then you do nine, and then you do eight,

1117
00:52:50,239 --> 00:52:52,040
Speaker 1: and then you do seven and then in the end,

1118
00:52:52,080 --> 00:52:54,799
Speaker 1: then I skipped rope for three rounds. And that's a

1119
00:52:54,800 --> 00:52:57,400
Speaker 1: warm up. No, that's a warm up for a boxer.

1120
00:52:57,480 --> 00:52:59,440
Speaker 1: For me, I added the jumping rope in the end.

1121
00:52:59,480 --> 00:53:03,040
Speaker 1: For me, that is a devastating workout that'll kill me.

1122
00:53:03,200 --> 00:53:05,799
Speaker 1: Are you a good jump roper? I'm a shockingly good

1123
00:53:05,840 --> 00:53:10,439
Speaker 1: jump roper. Uh you know for a fucking uncoordinated white guy. Yeah,

1124
00:53:10,640 --> 00:53:13,360
Speaker 1: I guess. But I mean when I actually watched people,

1125
00:53:13,480 --> 00:53:15,640
Speaker 1: is jump roper? Is that what you call a jumper?

1126
00:53:15,640 --> 00:53:18,920
Speaker 1: I just know that, Like if you just saw me

1127
00:53:19,040 --> 00:53:21,480
Speaker 1: jump rope, you'd be like, rap Report is I think

1128
00:53:21,520 --> 00:53:23,479
Speaker 1: your fans want to see both of us jump rope

1129
00:53:23,480 --> 00:53:32,240
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1130
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1133
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1135
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1136
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1137
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1138
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1139
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1140
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1141
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1142
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1143
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