1 00:00:00,000 --> 00:00:02,800 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I 2 00:00:02,840 --> 00:00:04,880 Speaker 1: am your host Movie Mike, joined by my wife and 3 00:00:04,920 --> 00:00:06,200 Speaker 1: co host Kelsey. How are you? 4 00:00:06,360 --> 00:00:06,840 Speaker 2: I'm great. 5 00:00:06,880 --> 00:00:09,719 Speaker 1: We're gonna do what I call the Mikey's Okay, the 6 00:00:09,840 --> 00:00:10,960 Speaker 1: end of the Year Awards. 7 00:00:11,080 --> 00:00:12,080 Speaker 2: Have you ever done these before? 8 00:00:12,200 --> 00:00:12,280 Speaker 3: No? 9 00:00:12,480 --> 00:00:14,200 Speaker 1: I've always wanted to do it, and I'm like, it 10 00:00:14,200 --> 00:00:16,920 Speaker 1: sounds kind of dumb, But why do I not want 11 00:00:16,920 --> 00:00:18,599 Speaker 1: to do something dumb on this podcast? Since when do 12 00:00:18,640 --> 00:00:20,279 Speaker 1: I not want to do something dumb? I have like 13 00:00:20,360 --> 00:00:22,760 Speaker 1: dumb categories. Then I have like the real categories at 14 00:00:22,760 --> 00:00:24,880 Speaker 1: the end. Okay, So we'll get into that. In the 15 00:00:24,920 --> 00:00:27,880 Speaker 1: movie review, I'll be talking about Avatar, Fire and Nash 16 00:00:28,080 --> 00:00:31,120 Speaker 1: all three hours and fifteen minutes of it. And what 17 00:00:31,200 --> 00:00:35,280 Speaker 1: I'm looking forward to is the Avengers Doomsday trailer where 18 00:00:35,280 --> 00:00:37,440 Speaker 1: it looks like Captain America is coming back. They're like 19 00:00:37,440 --> 00:00:38,560 Speaker 1: four different versions of it. 20 00:00:38,600 --> 00:00:39,880 Speaker 2: Are they showing the trailer before? 21 00:00:40,200 --> 00:00:40,440 Speaker 1: Yes? 22 00:00:40,479 --> 00:00:42,920 Speaker 2: Avatar? And it's like, so we actually have to be 23 00:00:42,920 --> 00:00:43,720 Speaker 2: there to watch the trailer? 24 00:00:43,720 --> 00:00:45,280 Speaker 1: Do you have to be there? Because there's the one 25 00:00:45,320 --> 00:00:48,040 Speaker 1: trailer that's showing this week with Chris Evans, and then 26 00:00:48,040 --> 00:00:51,040 Speaker 1: there are four different ones showing four separate weeks. It'll 27 00:00:51,040 --> 00:00:53,960 Speaker 1: eventually all get leaked online. But it's kind of like 28 00:00:54,000 --> 00:00:55,640 Speaker 1: a if you want to see it in theaters, you 29 00:00:55,680 --> 00:00:58,600 Speaker 1: have to go watch Avatar four times as like twelve hours. 30 00:00:58,640 --> 00:01:01,160 Speaker 2: Yeah, that's a lot of the day Avatar more than once. 31 00:01:01,360 --> 00:01:04,160 Speaker 1: With regal a limited. Technically we could go just watch 32 00:01:04,200 --> 00:01:06,600 Speaker 1: the trailer and leave, but again, it'll probably be all 33 00:01:06,600 --> 00:01:08,160 Speaker 1: on the internet within a couple of weeks. 34 00:01:08,200 --> 00:01:09,880 Speaker 3: Okay, next time we go see a movie, what's the 35 00:01:09,920 --> 00:01:11,800 Speaker 3: next one we'll see? Like Marty Supreme. We go to 36 00:01:11,800 --> 00:01:14,080 Speaker 3: Avatar that's showing at the same time. We watch the trailers, 37 00:01:14,080 --> 00:01:15,840 Speaker 3: and then we go over to Marty suprem exactly. 38 00:01:15,880 --> 00:01:17,840 Speaker 1: There we go in the trailer park. We'll be talking 39 00:01:17,840 --> 00:01:20,760 Speaker 1: about Robert Patinson and Zendiya in the drama. 40 00:01:20,520 --> 00:01:22,119 Speaker 2: Which I keep playing the wedding, but. 41 00:01:22,160 --> 00:01:24,440 Speaker 1: They look great together. We'll talk about that. Thank you 42 00:01:24,480 --> 00:01:26,880 Speaker 1: for being here, Thank you for being subscribed. Shout out 43 00:01:26,880 --> 00:01:30,000 Speaker 1: to the Monday Morning Movie crew. And now let's talk 44 00:01:30,080 --> 00:01:34,840 Speaker 1: movies from the Nashville Podcast Network. This is Movie Mike 45 00:01:35,200 --> 00:01:40,560 Speaker 1: Movie Podcast to the Awards show music which only I 46 00:01:40,560 --> 00:01:41,880 Speaker 1: can hear because you don't have head votes. 47 00:01:42,280 --> 00:01:44,320 Speaker 2: Yeah, earlier you asked me can you hear that, and 48 00:01:44,360 --> 00:01:45,440 Speaker 2: I was like, am I supposed to be here? 49 00:01:46,360 --> 00:01:52,600 Speaker 1: Where are you? Voices? Welcome to the first ever Mikey Awards, 50 00:01:53,240 --> 00:01:57,840 Speaker 1: where I'm just handing out different categories. This is what 51 00:01:57,920 --> 00:01:59,560 Speaker 1: I think. We're the best and some of the worst 52 00:01:59,600 --> 00:02:02,040 Speaker 1: of the year. I don't think most award shows do that. 53 00:02:02,080 --> 00:02:04,600 Speaker 1: They hand out awards for the worst. I guess say 54 00:02:04,600 --> 00:02:06,720 Speaker 1: that's why it's a mix of everything. But I want 55 00:02:06,760 --> 00:02:09,280 Speaker 1: to start it out with what I think was the 56 00:02:09,280 --> 00:02:13,600 Speaker 1: best theater experience of the year. I'm gonna go with Weapons, 57 00:02:13,840 --> 00:02:16,720 Speaker 1: and that's because we all watched it together. It was me, 58 00:02:17,240 --> 00:02:18,800 Speaker 1: you and your two younger brothers. 59 00:02:19,120 --> 00:02:22,280 Speaker 2: Yes, you all forced me to go see this film. 60 00:02:22,080 --> 00:02:25,600 Speaker 1: And you hate horror movies mm hmm. And I made 61 00:02:25,639 --> 00:02:28,639 Speaker 1: an agreement with you that I would tell you when 62 00:02:28,680 --> 00:02:30,560 Speaker 1: it was going to be scary so you could look away. 63 00:02:30,720 --> 00:02:33,320 Speaker 3: Yes, and by lookaway you mean literally hide under a jracket, 64 00:02:33,320 --> 00:02:34,079 Speaker 3: which is what I did. 65 00:02:34,520 --> 00:02:38,280 Speaker 1: But I think overall, because of those factors, and because 66 00:02:38,280 --> 00:02:41,560 Speaker 1: of how good the movie was of keeping me entertained, 67 00:02:41,680 --> 00:02:45,160 Speaker 1: keeping the suspense going. When I look back on my 68 00:02:45,320 --> 00:02:49,080 Speaker 1: best experiences of the year, that was it. They had 69 00:02:49,120 --> 00:02:50,959 Speaker 1: all the things that I want out of a summer 70 00:02:51,000 --> 00:02:54,639 Speaker 1: blockbuster movie where it brought people together. There was that 71 00:02:54,680 --> 00:02:57,040 Speaker 1: feeling in the theater that even though you're in a 72 00:02:57,080 --> 00:03:00,680 Speaker 1: room of strangers, you felt this bond because we were 73 00:03:00,720 --> 00:03:04,360 Speaker 1: all anticipating things. There were moments that everybody kind of 74 00:03:04,400 --> 00:03:07,640 Speaker 1: gasped at once, and I think that is why I 75 00:03:07,680 --> 00:03:09,880 Speaker 1: still love going to the movies. That was the best 76 00:03:09,919 --> 00:03:13,040 Speaker 1: theater experience of the year. Next up the biggest disappointment. 77 00:03:13,240 --> 00:03:16,200 Speaker 1: I went with The Smashing Machine, just because I thought 78 00:03:16,240 --> 00:03:17,720 Speaker 1: it was going to have a little bit more of 79 00:03:17,720 --> 00:03:19,639 Speaker 1: an impact, be a little bit more dramatic. 80 00:03:19,760 --> 00:03:20,400 Speaker 2: I was boring. 81 00:03:20,639 --> 00:03:23,280 Speaker 1: It was so so boring. I was just waiting for 82 00:03:23,360 --> 00:03:25,840 Speaker 1: that movie to really hit, for there to be that 83 00:03:25,880 --> 00:03:28,760 Speaker 1: one moment that I felt was the Rocks kind of 84 00:03:28,800 --> 00:03:31,200 Speaker 1: shining moment. It was really cute up to be his 85 00:03:31,600 --> 00:03:34,280 Speaker 1: Even though he did get nominated for a Golden Globe. 86 00:03:34,000 --> 00:03:36,240 Speaker 2: I would have liked to have been punched to say 87 00:03:36,640 --> 00:03:37,320 Speaker 2: for that film. 88 00:03:37,680 --> 00:03:41,240 Speaker 1: There was just nothing that entertaining about it. Nothing stood 89 00:03:41,240 --> 00:03:44,040 Speaker 1: out about his character, which it is based on a 90 00:03:44,080 --> 00:03:47,040 Speaker 1: real guy. I just think they didn't get the story. 91 00:03:47,600 --> 00:03:49,560 Speaker 1: They should have made some stuff up, which I know 92 00:03:49,720 --> 00:03:52,320 Speaker 1: it was pretty accurate to his real life, but it's like. 93 00:03:52,280 --> 00:03:54,640 Speaker 3: If his life was interesting enough to make a movie, 94 00:03:54,640 --> 00:03:56,720 Speaker 3: how did that not translate in the film. 95 00:03:57,080 --> 00:03:59,320 Speaker 1: My runner up of biggest disappointment of the year was 96 00:03:59,360 --> 00:04:00,840 Speaker 1: I Know what You did Summer And I don't know 97 00:04:00,840 --> 00:04:02,800 Speaker 1: why I convinced myself that was going to be good, 98 00:04:03,280 --> 00:04:05,560 Speaker 1: but it was just kind of nostalgia Bate. Next up 99 00:04:05,680 --> 00:04:09,280 Speaker 1: the best pop culture moment of the year, I went 100 00:04:09,360 --> 00:04:12,520 Speaker 1: with Minecraft's Chicken Jockey. That was my favorite thing to 101 00:04:12,560 --> 00:04:15,560 Speaker 1: watch on TikTok where that scene took a life of 102 00:04:15,600 --> 00:04:18,120 Speaker 1: its own, and that is something you can't create through marketing. 103 00:04:18,600 --> 00:04:21,800 Speaker 1: It felt so organic. It made headlines in the news 104 00:04:21,880 --> 00:04:26,000 Speaker 1: because theaters didn't really embrace it because people were acting 105 00:04:26,040 --> 00:04:26,960 Speaker 1: too much of a fool. 106 00:04:27,320 --> 00:04:30,040 Speaker 3: Chicken Jockey is equivalent to six seven to me, and 107 00:04:30,040 --> 00:04:32,080 Speaker 3: that I don't understand either one of them. And I 108 00:04:32,120 --> 00:04:34,320 Speaker 3: know that makes me sound so old right now, but 109 00:04:34,360 --> 00:04:35,279 Speaker 3: that is what I feel. 110 00:04:35,360 --> 00:04:37,440 Speaker 1: But there at least is a little bit of lore 111 00:04:37,880 --> 00:04:39,960 Speaker 1: to Minecraft and the Chicken Jockey. 112 00:04:40,120 --> 00:04:41,719 Speaker 2: You never explained it, and the whole just walked around 113 00:04:41,760 --> 00:04:43,160 Speaker 2: the house going chicken Jockey. 114 00:04:43,400 --> 00:04:44,840 Speaker 1: Oh yeah, you didn't go see this with me? 115 00:04:44,960 --> 00:04:45,320 Speaker 3: Right? No? 116 00:04:45,839 --> 00:04:46,080 Speaker 1: Oh? 117 00:04:46,360 --> 00:04:47,400 Speaker 2: I remember in Denver. 118 00:04:47,640 --> 00:04:50,400 Speaker 1: I went to go see that movie alone and there 119 00:04:50,480 --> 00:04:54,480 Speaker 1: was a family in our usual seat, like you reserve seats, 120 00:04:54,800 --> 00:04:56,799 Speaker 1: but it was like a mom and her three maybe 121 00:04:56,839 --> 00:04:58,680 Speaker 1: four kids, and I was like, I'm not gonna make 122 00:04:58,720 --> 00:05:00,599 Speaker 1: them move, so I had to go down to the bottom, 123 00:05:00,839 --> 00:05:02,719 Speaker 1: which I kind of. I don't mind the front row. 124 00:05:02,839 --> 00:05:05,120 Speaker 3: Do we ever tell the story of that time that 125 00:05:05,400 --> 00:05:07,120 Speaker 3: someone was in our seats and we pointed it out 126 00:05:07,160 --> 00:05:08,560 Speaker 3: to them and they were like, well, there's a lot 127 00:05:08,600 --> 00:05:10,120 Speaker 3: of other open seats, and I just look at them 128 00:05:10,120 --> 00:05:11,080 Speaker 3: go and go, okay. 129 00:05:10,839 --> 00:05:11,440 Speaker 2: Go send them. 130 00:05:11,520 --> 00:05:14,000 Speaker 3: Yeah, you're right, there are a lot of other open seats, 131 00:05:14,000 --> 00:05:14,799 Speaker 3: but I picked these. 132 00:05:15,080 --> 00:05:17,480 Speaker 1: A lot of people complain about what movie theaters don't 133 00:05:17,480 --> 00:05:20,360 Speaker 1: get right the reserve seating. I think they need to 134 00:05:20,360 --> 00:05:22,200 Speaker 1: get more credit for that. Of house so good. 135 00:05:22,520 --> 00:05:26,080 Speaker 3: Gone are the days I remember going to again. Back 136 00:05:26,320 --> 00:05:28,839 Speaker 3: back in ye old days, there was a theater in Flugerville, 137 00:05:28,880 --> 00:05:32,240 Speaker 3: Texas called Tenseltown, right off the highway. I remember having 138 00:05:32,279 --> 00:05:34,520 Speaker 3: to get there like forty five minutes before a movie 139 00:05:34,720 --> 00:05:35,880 Speaker 3: to get the spots you owned. 140 00:05:36,279 --> 00:05:38,680 Speaker 2: Now we roll up fifteen minutes after. 141 00:05:38,560 --> 00:05:40,760 Speaker 1: The movie started, after the movie started. 142 00:05:40,680 --> 00:05:42,440 Speaker 2: After the trailers, Oh okay, start. 143 00:05:42,279 --> 00:05:45,039 Speaker 1: Time if we can time it out perfect, we show 144 00:05:45,160 --> 00:05:46,480 Speaker 1: up final trailer hits. 145 00:05:46,560 --> 00:05:49,920 Speaker 2: We're timing it to get there and not watch any trailers. 146 00:05:49,560 --> 00:05:51,920 Speaker 1: Which at our regue, what's about twenty five minutes after 147 00:05:51,960 --> 00:05:56,480 Speaker 1: its advertised starting. Yeah, it's so great. Reserve seating is great. 148 00:05:56,680 --> 00:05:58,360 Speaker 2: Recliners, That's what I was going to say. 149 00:05:58,400 --> 00:06:00,679 Speaker 1: I don't think it is so hard to go back 150 00:06:00,760 --> 00:06:02,080 Speaker 1: to stadium seating. 151 00:06:01,960 --> 00:06:04,000 Speaker 2: Where the only place will do it is the Bell Court. 152 00:06:04,080 --> 00:06:06,400 Speaker 1: Yes, because that's a whole different experience. But there are 153 00:06:06,400 --> 00:06:09,440 Speaker 1: some regals that still have stadium seating, and if you 154 00:06:09,520 --> 00:06:11,760 Speaker 1: get one of those theaters, you're like, what year is this? 155 00:06:11,760 --> 00:06:13,040 Speaker 1: This is so uncomfortable. 156 00:06:13,240 --> 00:06:14,160 Speaker 2: Yeah, now I will say it. 157 00:06:14,200 --> 00:06:17,080 Speaker 3: Our regal seats are a little the leathers cracked, they're 158 00:06:17,080 --> 00:06:19,240 Speaker 3: not in the best condition, but they still recline. 159 00:06:19,520 --> 00:06:19,719 Speaker 1: Yeah. 160 00:06:19,720 --> 00:06:21,680 Speaker 3: I did seem already Supremus two and a half hours, 161 00:06:21,680 --> 00:06:22,680 Speaker 3: So that'll definitely be a. 162 00:06:22,760 --> 00:06:24,760 Speaker 1: Yeah, you need to recline for two and reclined for. 163 00:06:24,720 --> 00:06:25,800 Speaker 2: Two and a half hours. 164 00:06:26,200 --> 00:06:28,200 Speaker 3: I will also say the theater we go to with 165 00:06:28,279 --> 00:06:30,719 Speaker 3: my parents, that theater's on the next level and that 166 00:06:30,839 --> 00:06:33,479 Speaker 3: has the swivel trays to put your snacks in front. 167 00:06:33,279 --> 00:06:34,400 Speaker 1: Of that is pretty next level. 168 00:06:34,400 --> 00:06:36,320 Speaker 3: Now if we could get that at Regal, because it's like, 169 00:06:36,440 --> 00:06:38,440 Speaker 3: you know, I'm laying back, but my drink is in 170 00:06:38,480 --> 00:06:40,360 Speaker 3: the cup holder and I gotta like sit up. 171 00:06:40,480 --> 00:06:42,520 Speaker 2: Yeah. I think there's this a cinemark and it like 172 00:06:42,600 --> 00:06:43,479 Speaker 2: swivels the tray. 173 00:06:43,640 --> 00:06:44,560 Speaker 1: Cinem marks are nice. 174 00:06:44,600 --> 00:06:45,400 Speaker 2: This is next level. 175 00:06:45,560 --> 00:06:47,200 Speaker 1: I used to love cine marks in Texas, but we 176 00:06:47,200 --> 00:06:48,000 Speaker 1: don't really have them here. 177 00:06:48,040 --> 00:06:49,880 Speaker 2: I don't have any. Yeah, it's not a thing here. 178 00:06:50,120 --> 00:06:52,680 Speaker 1: But that was my pop culture moment of the year. 179 00:06:52,839 --> 00:06:56,960 Speaker 1: Runner up was the Weapons Running Kid, because for about 180 00:06:56,960 --> 00:06:59,120 Speaker 1: a week I loved watching those videos and then I 181 00:06:59,120 --> 00:07:01,599 Speaker 1: would do it. But that was another good one. 182 00:07:01,920 --> 00:07:04,400 Speaker 2: Do you think people that listen to this podcast know 183 00:07:04,560 --> 00:07:05,520 Speaker 2: like how weird you are? 184 00:07:05,720 --> 00:07:05,840 Speaker 3: Now? 185 00:07:07,080 --> 00:07:08,720 Speaker 1: Not a chance, because I'm just imagining. 186 00:07:08,920 --> 00:07:10,680 Speaker 3: We've already told him you walked around the house going 187 00:07:10,760 --> 00:07:12,800 Speaker 3: chicken jockey, and now you're telling me did. 188 00:07:12,640 --> 00:07:14,240 Speaker 2: The weapons run around the house? 189 00:07:14,280 --> 00:07:16,560 Speaker 1: And I feel like people are just like, uh, I 190 00:07:16,560 --> 00:07:19,440 Speaker 1: mean the year before that, it was no where I 191 00:07:19,480 --> 00:07:21,800 Speaker 1: went around the whole house doing that all the time. 192 00:07:21,880 --> 00:07:24,400 Speaker 1: Chicken jockey that went on for a month, that was 193 00:07:24,440 --> 00:07:25,720 Speaker 1: at least a month minimum. 194 00:07:25,800 --> 00:07:28,440 Speaker 2: Yeah, I am subject to a lot of these weird whims. 195 00:07:28,720 --> 00:07:31,840 Speaker 1: My best action scene of the year goes to the 196 00:07:31,920 --> 00:07:35,040 Speaker 1: chase scene in one battle after another. Yes, it was 197 00:07:35,080 --> 00:07:37,600 Speaker 1: so intense and so powerful, just the way that they 198 00:07:37,640 --> 00:07:38,200 Speaker 1: film that. 199 00:07:38,440 --> 00:07:41,680 Speaker 2: The like winding Road. Yeah, yeah, it's so good. 200 00:07:42,040 --> 00:07:46,080 Speaker 1: Just visually it created this even though you're watching a 201 00:07:46,520 --> 00:07:49,000 Speaker 1: two D screen, it felt like I was fully in 202 00:07:49,080 --> 00:07:49,560 Speaker 1: that moment. 203 00:07:49,760 --> 00:07:52,080 Speaker 2: It was almost optical illusion. 204 00:07:52,320 --> 00:07:54,440 Speaker 3: It just like felt like you were in it, and 205 00:07:54,480 --> 00:07:57,760 Speaker 3: it like simulated motion even though you weren't moving. 206 00:07:58,160 --> 00:08:01,840 Speaker 1: My award for committing to the bit is Emma Stone 207 00:08:01,880 --> 00:08:03,680 Speaker 1: for shaving her head in Bogonia. 208 00:08:04,040 --> 00:08:05,400 Speaker 2: That is a commitment to the bit. 209 00:08:05,760 --> 00:08:08,920 Speaker 1: Can you imagine shaving your head for a movie and 210 00:08:09,200 --> 00:08:11,840 Speaker 1: what you actually see in Bogonia is the moment that 211 00:08:11,880 --> 00:08:12,720 Speaker 1: she shaved her head. 212 00:08:12,880 --> 00:08:15,440 Speaker 2: I mean, she probably got paid multimillions. I do that 213 00:08:15,480 --> 00:08:16,200 Speaker 2: for a couple of million. 214 00:08:16,400 --> 00:08:18,680 Speaker 1: Yeah, she'll probably get an Oscar for it. Yeah, she's 215 00:08:18,680 --> 00:08:21,000 Speaker 1: gonna get a Mikey for it. But that doesn't really matter. 216 00:08:21,160 --> 00:08:23,960 Speaker 1: But that is next level. That to me is somebody 217 00:08:24,000 --> 00:08:27,760 Speaker 1: who takes a role and says I'm gonna give everything 218 00:08:27,800 --> 00:08:29,720 Speaker 1: I can to this no matter what it does. 219 00:08:29,960 --> 00:08:32,559 Speaker 3: That to me, is way easier than a physical transformation 220 00:08:32,600 --> 00:08:33,640 Speaker 3: of having to gain or lose weight. 221 00:08:33,679 --> 00:08:35,760 Speaker 1: Though, Yeah, shaving your head, that's that's one. 222 00:08:35,800 --> 00:08:36,080 Speaker 2: I'm done. 223 00:08:36,160 --> 00:08:37,959 Speaker 1: You go home with that, she had to tell her daughter. 224 00:08:38,160 --> 00:08:40,160 Speaker 3: Yeah, but it's like you shave it, that's done, and 225 00:08:40,160 --> 00:08:42,680 Speaker 3: then it grows back. Gaining or losing weight is like 226 00:08:42,720 --> 00:08:45,280 Speaker 3: a whole, like grueling physical process. 227 00:08:45,360 --> 00:08:46,319 Speaker 2: I'm like, shaving your head. 228 00:08:46,600 --> 00:08:48,600 Speaker 3: If a movie required me to shave my head or 229 00:08:48,760 --> 00:08:51,320 Speaker 3: do a physical transformation, shave my head. 230 00:08:51,440 --> 00:08:52,640 Speaker 2: She has a great shaved head though. 231 00:08:52,720 --> 00:08:55,480 Speaker 1: Yeah, that's the thing. She's like so stunning that it's 232 00:08:55,520 --> 00:08:57,360 Speaker 1: almost like she can pull off the shaved head. So 233 00:08:57,440 --> 00:08:58,360 Speaker 1: it's like not a big deal. 234 00:08:58,559 --> 00:09:00,880 Speaker 2: But there's also like wigs and which she. 235 00:09:00,880 --> 00:09:03,440 Speaker 1: Did wear for a while because she kept it hidden. Yeah, 236 00:09:03,600 --> 00:09:05,800 Speaker 1: she had to get the clippers. No, I just got 237 00:09:05,800 --> 00:09:08,640 Speaker 1: a fresh bob hair. Looks great, by the way, thank you. 238 00:09:09,200 --> 00:09:11,720 Speaker 1: Next up on my award list, I have the most 239 00:09:11,800 --> 00:09:14,760 Speaker 1: over hated movie of the year. It is Going to 240 00:09:14,920 --> 00:09:18,640 Speaker 1: the Electric State, which was Millie Bobby Brown and Chris Pratt. 241 00:09:18,720 --> 00:09:21,200 Speaker 1: Oh the Netflix one, Yes, which it's about like a 242 00:09:21,240 --> 00:09:26,160 Speaker 1: futuristic world robots. I just feel like a lot of 243 00:09:26,160 --> 00:09:28,280 Speaker 1: people hated this movie for no reason. 244 00:09:28,400 --> 00:09:29,480 Speaker 2: Where Chris Pratt. 245 00:09:29,600 --> 00:09:32,720 Speaker 1: I think it's Chris Pratt. I like Millie Bobby Brown 246 00:09:32,720 --> 00:09:35,520 Speaker 1: obviously from Stranger Things. I don't really think she's found 247 00:09:35,600 --> 00:09:38,520 Speaker 1: her role yet or even what genre she's good at 248 00:09:38,559 --> 00:09:40,640 Speaker 1: outside of it. She's taken on a lot of movies 249 00:09:40,679 --> 00:09:43,960 Speaker 1: where I feel it was almost more important that she 250 00:09:44,120 --> 00:09:48,560 Speaker 1: had the lead role in it than the movie itself. Okay, 251 00:09:48,600 --> 00:09:50,120 Speaker 1: that's just how I take like some of the things 252 00:09:50,120 --> 00:09:51,360 Speaker 1: that she's taken on. It is like, I want to 253 00:09:51,360 --> 00:09:53,079 Speaker 1: be a movie star. I'm going to take these roles 254 00:09:53,120 --> 00:09:55,920 Speaker 1: that are big, put me in the title card, But 255 00:09:55,960 --> 00:09:58,440 Speaker 1: I don't think they necessarily speak to what she is 256 00:09:58,480 --> 00:09:59,960 Speaker 1: good at yet. I don't think she's found that yet. 257 00:10:00,320 --> 00:10:02,319 Speaker 2: Yeah, but she's also only like twenty one. 258 00:10:02,400 --> 00:10:04,959 Speaker 1: Oh yeah, she's really she's got time, She's she's gonna 259 00:10:04,960 --> 00:10:08,520 Speaker 1: be fine. But I actually ended up enjoying this movie 260 00:10:08,880 --> 00:10:10,560 Speaker 1: where I thought it was one of those things where 261 00:10:10,559 --> 00:10:12,960 Speaker 1: the narrative was just created so early on that the 262 00:10:13,000 --> 00:10:16,560 Speaker 1: movie was trash that everybody kind of piled on. And 263 00:10:16,600 --> 00:10:18,920 Speaker 1: I think it was victim of one of those It 264 00:10:18,960 --> 00:10:22,240 Speaker 1: has such a low score on that ratings website that 265 00:10:22,280 --> 00:10:24,240 Speaker 1: everybody kind of believes it and then just kind of 266 00:10:24,280 --> 00:10:26,760 Speaker 1: piles on it, where even if you did end up 267 00:10:26,840 --> 00:10:28,720 Speaker 1: enjoying it and came out and said I actually liked 268 00:10:28,720 --> 00:10:31,079 Speaker 1: that movie, you would feel like you were going to 269 00:10:31,120 --> 00:10:31,920 Speaker 1: be an outcast. 270 00:10:32,200 --> 00:10:35,440 Speaker 3: So was it a lot of like online narrative of 271 00:10:35,480 --> 00:10:38,280 Speaker 3: it being like this is trash and then that narrative 272 00:10:38,360 --> 00:10:41,959 Speaker 3: kind of spreads. It reminds me of I think Rolling 273 00:10:42,000 --> 00:10:45,440 Speaker 3: Stone just published it an article about how all of 274 00:10:45,480 --> 00:10:48,520 Speaker 3: that hate about Taylor Shift's new album was manufactured by 275 00:10:48,559 --> 00:10:50,640 Speaker 3: like several bots and then it spread. 276 00:10:50,840 --> 00:10:51,560 Speaker 1: A lot of things. 277 00:10:51,840 --> 00:10:53,520 Speaker 3: Do you think that's kind of like this, Like a 278 00:10:53,559 --> 00:10:56,640 Speaker 3: couple people say it's terrible and then that narrative just spreads. 279 00:10:57,320 --> 00:10:59,600 Speaker 1: Yes, I have a theory kind of what you were 280 00:10:59,640 --> 00:11:04,920 Speaker 1: saying is that competing studios do this to downplay other 281 00:11:05,040 --> 00:11:06,240 Speaker 1: movies and get the negative. 282 00:11:06,240 --> 00:11:08,960 Speaker 2: I press, Oh, I'm sure because algorithms now too. 283 00:11:09,320 --> 00:11:11,520 Speaker 3: You put a couple things out there in rapid succession, 284 00:11:11,520 --> 00:11:12,680 Speaker 3: and that's all your algorithm is. 285 00:11:12,760 --> 00:11:15,600 Speaker 1: And it's also you in your algorithm will get all 286 00:11:15,600 --> 00:11:18,280 Speaker 1: the negative reviews before you get any of the positive, 287 00:11:18,679 --> 00:11:22,400 Speaker 1: because the negative are evoking emotion and getting people in 288 00:11:22,440 --> 00:11:25,240 Speaker 1: the comments. Yep, where even if you just watch one 289 00:11:25,320 --> 00:11:27,719 Speaker 1: of those, you keep getting another video, another video like 290 00:11:27,800 --> 00:11:30,680 Speaker 1: right after that, and suddenly you've seen three videos about 291 00:11:30,679 --> 00:11:33,480 Speaker 1: why the Electric States sucks and you now believe, Oh, 292 00:11:33,559 --> 00:11:35,240 Speaker 1: that's a bad movie. I'm not gonna go watch it. 293 00:11:35,280 --> 00:11:36,880 Speaker 1: I think a lot of movies have been victim to 294 00:11:36,920 --> 00:11:39,600 Speaker 1: this where maybe they're not the best movie of all time, 295 00:11:39,800 --> 00:11:42,080 Speaker 1: but they are not worth the amount of hate, and 296 00:11:42,320 --> 00:11:45,480 Speaker 1: the hate narrative is easier to push than enjoying something. 297 00:11:45,600 --> 00:11:48,400 Speaker 1: Kind of on a mid level, it's very interesting. Yeah, 298 00:11:48,480 --> 00:11:50,839 Speaker 1: I think we get controlled a lot like that, oh 299 00:11:50,960 --> 00:11:53,520 Speaker 1: for spots, just saying all these things in the comments, 300 00:11:53,520 --> 00:11:55,440 Speaker 1: and then other people responding to bots, and then it 301 00:11:55,559 --> 00:11:58,959 Speaker 1: just increases from there. But I think also with the 302 00:11:58,960 --> 00:12:02,360 Speaker 1: marvel In DC feud, I have a feeling that a 303 00:12:02,360 --> 00:12:04,760 Speaker 1: lot of that stuff was review bombing. I think that 304 00:12:04,880 --> 00:12:07,559 Speaker 1: was a tactic that they had to when one movie 305 00:12:07,640 --> 00:12:10,920 Speaker 1: came out from the other studio, they would review bomb, 306 00:12:11,040 --> 00:12:13,760 Speaker 1: either get bought, or just give people to say negative things, 307 00:12:14,240 --> 00:12:17,079 Speaker 1: therefore lessening the brand of the other. I feel like 308 00:12:17,160 --> 00:12:19,480 Speaker 1: that happens, which is not crazy to think. 309 00:12:19,760 --> 00:12:22,760 Speaker 3: Yeah, I mean it's okay, it's not the exact same thing, 310 00:12:22,960 --> 00:12:26,079 Speaker 3: but a similar thing I can look at is if 311 00:12:26,120 --> 00:12:29,240 Speaker 3: you go on Sephora and you look at a product 312 00:12:29,360 --> 00:12:32,640 Speaker 3: and say it has four point seven stars, like one 313 00:12:32,679 --> 00:12:37,560 Speaker 3: thousand reviews. So if you turn off incentivized reviews, you'll 314 00:12:37,559 --> 00:12:39,800 Speaker 3: find it only has like ten reviews, but a lot 315 00:12:39,840 --> 00:12:42,200 Speaker 3: of those people and I listen, I've signed up so 316 00:12:42,240 --> 00:12:44,320 Speaker 3: many things online that sometimes I get like for things 317 00:12:44,320 --> 00:12:45,920 Speaker 3: from makeup brands, and I write a review, but I'm 318 00:12:46,000 --> 00:12:48,280 Speaker 3: very honest in my review. But that's another way that 319 00:12:48,320 --> 00:12:51,080 Speaker 3: if you turn off like incentivized reviews, you see that 320 00:12:51,160 --> 00:12:53,079 Speaker 3: like ten people have reviewed it and five of them 321 00:12:53,120 --> 00:12:55,719 Speaker 3: hate the product, but it's like nine hundred reviews of 322 00:12:55,760 --> 00:12:57,640 Speaker 3: people who got it for free to write a review, 323 00:12:58,040 --> 00:12:59,800 Speaker 3: and they think, oh, I have to say I like it. 324 00:13:00,040 --> 00:13:00,960 Speaker 1: We're all being lied to. 325 00:13:01,440 --> 00:13:04,280 Speaker 2: I means, yeah, it's like digital manipulation and marketing. 326 00:13:04,520 --> 00:13:08,120 Speaker 1: There's also that dead Internet theory where the majority of 327 00:13:08,200 --> 00:13:11,800 Speaker 1: things online is either AI or just bots, and we're 328 00:13:11,840 --> 00:13:14,600 Speaker 1: not really interacting with the whole lot of people. Yeah, 329 00:13:14,640 --> 00:13:16,040 Speaker 1: that's weird to think about it too. 330 00:13:16,120 --> 00:13:17,400 Speaker 2: I mean, I guess that's why they say, like, get 331 00:13:17,400 --> 00:13:18,480 Speaker 2: out and have real conversations. 332 00:13:18,559 --> 00:13:21,559 Speaker 1: You touch grass, go touch grass for best shot of 333 00:13:21,640 --> 00:13:24,520 Speaker 1: the year. I have one of the final moments in 334 00:13:24,640 --> 00:13:28,000 Speaker 1: Sinners with Michael B. Jordan and Miles Canton where they 335 00:13:28,040 --> 00:13:30,200 Speaker 1: have like the flames in their face. I think that 336 00:13:30,320 --> 00:13:32,520 Speaker 1: was the single best image of the year. I don't 337 00:13:32,559 --> 00:13:34,439 Speaker 1: want to say too much about what happens because it's 338 00:13:34,440 --> 00:13:36,040 Speaker 1: in the third act. I don't want spoil it. But 339 00:13:36,080 --> 00:13:38,680 Speaker 1: if you haven't seen Sinners, I think out of every 340 00:13:38,720 --> 00:13:41,360 Speaker 1: movie this year had the best cinematography, where there were 341 00:13:41,400 --> 00:13:44,520 Speaker 1: so many just one shot moments that I feel like 342 00:13:44,559 --> 00:13:46,200 Speaker 1: I could take a picture of and put them on 343 00:13:46,200 --> 00:13:47,640 Speaker 1: the wall because they were shot so well. 344 00:13:47,800 --> 00:13:49,760 Speaker 2: You and my little brother both loved that movie. 345 00:13:49,800 --> 00:13:53,920 Speaker 1: It was really good visually, the music, the acting, everything 346 00:13:53,960 --> 00:13:55,920 Speaker 1: about that movie was great. I know a lot of 347 00:13:55,920 --> 00:13:58,080 Speaker 1: people said it felt like a from Dust Till Dawn 348 00:13:58,720 --> 00:14:01,320 Speaker 1: kind of rip off, but I love both movies. Why 349 00:14:01,320 --> 00:14:03,079 Speaker 1: would I not want another version of that movie? 350 00:14:03,120 --> 00:14:05,360 Speaker 2: I was gonna say, in the age of everything being remade, 351 00:14:05,559 --> 00:14:06,760 Speaker 2: everything's reading. 352 00:14:06,480 --> 00:14:07,920 Speaker 1: Being inspired by something. 353 00:14:08,440 --> 00:14:11,640 Speaker 3: Yeah, has anyone had an original talk? I also have 354 00:14:11,640 --> 00:14:15,560 Speaker 3: to say people, there's gonna be a hot take. Somebody's 355 00:14:15,880 --> 00:14:17,400 Speaker 3: gonna go online and say I'm terrible for this, and 356 00:14:17,480 --> 00:14:19,560 Speaker 3: that's fine. People who are complaining about things that are 357 00:14:19,560 --> 00:14:22,040 Speaker 3: not original are also the ones like having AI make 358 00:14:22,080 --> 00:14:22,920 Speaker 3: them a grocery list. 359 00:14:23,000 --> 00:14:24,240 Speaker 2: I'm sorry, I said it. 360 00:14:24,320 --> 00:14:26,680 Speaker 3: If you're having chat GPT make you a grocery list, 361 00:14:26,800 --> 00:14:29,120 Speaker 3: like I don't know, not like a meal plan, like 362 00:14:29,160 --> 00:14:32,720 Speaker 3: that's different, but like a basic grocery list. You're probably 363 00:14:32,800 --> 00:14:35,520 Speaker 3: also getting mad that an idea is inspired by something else. 364 00:14:35,760 --> 00:14:39,640 Speaker 1: Like with songs, people get lawsuits over making a song 365 00:14:39,680 --> 00:14:41,880 Speaker 1: that sounds similar to another four chords and yeah, there 366 00:14:41,920 --> 00:14:44,680 Speaker 1: are only so many notes, only so many chords that 367 00:14:44,800 --> 00:14:49,080 Speaker 1: eventually you're going to step on another song by just 368 00:14:49,240 --> 00:14:51,880 Speaker 1: using all those same notes. I think almost the same 369 00:14:51,880 --> 00:14:54,120 Speaker 1: thing with movies. If you really break down what a 370 00:14:54,160 --> 00:14:57,000 Speaker 1: movie is about, there are only so many ways to 371 00:14:57,120 --> 00:15:00,480 Speaker 1: tell a story, like the hero story, the redemption story 372 00:15:00,960 --> 00:15:03,920 Speaker 1: that a lot of movies probably are different versions of 373 00:15:03,920 --> 00:15:05,840 Speaker 1: other movies. If you look at Star Wars and you 374 00:15:05,880 --> 00:15:08,720 Speaker 1: look at Harry Potter, the bass is the basis is 375 00:15:08,920 --> 00:15:11,520 Speaker 1: the basis. The basis of those stories are kind of 376 00:15:11,520 --> 00:15:14,800 Speaker 1: the same, the chosen one. Yeah, but people don't really 377 00:15:14,880 --> 00:15:17,960 Speaker 1: get sued for that unless you straight up steal a script, 378 00:15:17,960 --> 00:15:20,840 Speaker 1: which there have been some cases of that of like, oh, 379 00:15:20,880 --> 00:15:21,960 Speaker 1: that's way too close. 380 00:15:22,160 --> 00:15:25,560 Speaker 3: It's probably similar to like why some musicians can't listen 381 00:15:25,560 --> 00:15:27,320 Speaker 3: to a lot of other music because then they're like, 382 00:15:27,400 --> 00:15:29,120 Speaker 3: did I come up with this on my own? It's 383 00:15:29,160 --> 00:15:32,040 Speaker 3: the same idea of I mean even like I'll take 384 00:15:32,040 --> 00:15:34,720 Speaker 3: an example of writing like research papers in grad school, 385 00:15:34,760 --> 00:15:38,520 Speaker 3: Like you go and read other published scientific literature, and 386 00:15:38,520 --> 00:15:40,320 Speaker 3: you kind of get the narrative of what's out there, 387 00:15:40,360 --> 00:15:41,800 Speaker 3: and then you write your own, and then at some 388 00:15:41,840 --> 00:15:43,840 Speaker 3: point you're like, did I come up with this sentence? 389 00:15:44,040 --> 00:15:46,520 Speaker 3: Or you have read a sentence like two days ago, 390 00:15:46,560 --> 00:15:48,120 Speaker 3: and then you think of it, and then you're like, oh, 391 00:15:48,120 --> 00:15:48,920 Speaker 3: that's a great sentence. 392 00:15:48,960 --> 00:15:49,600 Speaker 2: I thought of it. 393 00:15:49,720 --> 00:15:52,640 Speaker 3: Like sometimes your brain just doesn't know. So, I mean, 394 00:15:52,680 --> 00:15:55,280 Speaker 3: I don't think all things are necessarily a rip off. 395 00:15:55,280 --> 00:15:57,800 Speaker 3: I think they can be inspired by. Also a lot 396 00:15:57,840 --> 00:15:59,440 Speaker 3: of times people make original movies. 397 00:15:59,200 --> 00:15:59,840 Speaker 2: And they flop. 398 00:16:00,120 --> 00:16:02,320 Speaker 3: Yeah, so then it's like, why is anyone creating anything 399 00:16:02,360 --> 00:16:03,280 Speaker 3: original anymore? 400 00:16:03,440 --> 00:16:05,520 Speaker 1: I mean, if you look at this year, people say 401 00:16:05,720 --> 00:16:08,760 Speaker 1: there aren't original movies anymore. There was some great original 402 00:16:08,760 --> 00:16:10,720 Speaker 1: movies this year that nobody watched. 403 00:16:10,880 --> 00:16:13,040 Speaker 3: Yeah, probably because they don't get the buzz of the 404 00:16:13,080 --> 00:16:15,160 Speaker 3: ones that have the backing of a big studio, which 405 00:16:15,160 --> 00:16:18,320 Speaker 3: is movies that are either reboots, sequels, or similar to 406 00:16:18,360 --> 00:16:18,760 Speaker 3: other things. 407 00:16:18,880 --> 00:16:22,120 Speaker 1: The movies that are getting Happy Meal tie ins aren't 408 00:16:22,160 --> 00:16:25,080 Speaker 1: necessarily all the original movies. It's the familiar ones. There's 409 00:16:25,120 --> 00:16:27,200 Speaker 1: this line that you have to walk of, like what 410 00:16:27,360 --> 00:16:30,760 Speaker 1: feels familiar and what feels original. 411 00:16:30,440 --> 00:16:33,040 Speaker 3: And like at the same time, what's gonna get butts 412 00:16:33,040 --> 00:16:34,240 Speaker 3: and seats to watch a movie? 413 00:16:34,320 --> 00:16:37,920 Speaker 1: All right? My next category, I have best Animal, and 414 00:16:38,000 --> 00:16:40,560 Speaker 1: I'm going with Indy from A Good Boy, which was 415 00:16:40,600 --> 00:16:43,320 Speaker 1: the horror movie from the perspective of the dog. 416 00:16:43,240 --> 00:16:43,800 Speaker 2: Kind of surprisasure. 417 00:16:43,800 --> 00:16:45,720 Speaker 3: You didn't go Crypto, but I guess Crypto wasn't like 418 00:16:45,760 --> 00:16:48,080 Speaker 3: a real dog. It was based on James Gunn's dog. 419 00:16:48,200 --> 00:16:51,720 Speaker 1: Yeah, they use like images of his real dog, cgi dog. 420 00:16:51,760 --> 00:16:54,120 Speaker 1: This is a real dog. I don't even know what 421 00:16:54,640 --> 00:16:59,000 Speaker 1: kind of dog this is. And Nova Scotia duck Tolling Retriever. 422 00:16:59,520 --> 00:17:01,800 Speaker 1: It looks like Golden Retriever but cuter. It's like smaller. 423 00:17:01,920 --> 00:17:02,840 Speaker 2: Can he be an airbud? 424 00:17:03,280 --> 00:17:05,560 Speaker 1: It is coming out next summer. Next up, I have 425 00:17:05,640 --> 00:17:08,040 Speaker 1: biggest cash grab. Do you know what it is? 426 00:17:08,240 --> 00:17:09,399 Speaker 2: What month did it come out in? 427 00:17:09,960 --> 00:17:12,960 Speaker 1: I think August? You saw it. It was a one 428 00:17:13,080 --> 00:17:16,760 Speaker 1: night or maybe two night thing. Hamilton, No kind of 429 00:17:16,760 --> 00:17:19,800 Speaker 1: close in the vein. I don't know Taylor Swift The 430 00:17:19,840 --> 00:17:22,360 Speaker 1: Official Party Life of a Showgirl. 431 00:17:22,400 --> 00:17:22,600 Speaker 2: Okay. 432 00:17:22,640 --> 00:17:24,640 Speaker 3: First of all, that came out in October, okay October. 433 00:17:24,680 --> 00:17:27,080 Speaker 3: Oh yeah, and you also went to see it, so 434 00:17:27,160 --> 00:17:29,119 Speaker 3: everything about that statement was in correct. 435 00:17:29,200 --> 00:17:31,040 Speaker 1: What I'm saying, you went to see it. I was 436 00:17:31,040 --> 00:17:31,720 Speaker 1: there and you were there. 437 00:17:31,760 --> 00:17:34,240 Speaker 2: Okay, I could have guessed if you had the right month. Okay, 438 00:17:34,680 --> 00:17:36,120 Speaker 2: we need a new producer on this. 439 00:17:36,760 --> 00:17:38,479 Speaker 1: I was going up the dough. I forgot that came 440 00:17:38,520 --> 00:17:41,399 Speaker 1: out in October third now you yeah, Now I remember. 441 00:17:41,440 --> 00:17:42,880 Speaker 1: I have that date stuck in my head. 442 00:17:42,720 --> 00:17:44,639 Speaker 2: Because that's also the day we got engaged, and it's 443 00:17:44,680 --> 00:17:45,360 Speaker 2: mean girls time. 444 00:17:45,440 --> 00:17:47,320 Speaker 1: It felt hot when that movie came out, but I 445 00:17:47,320 --> 00:17:48,840 Speaker 1: guess October wasn't that hot. 446 00:17:48,880 --> 00:17:50,280 Speaker 2: I was set up to not get that answer. 447 00:17:50,320 --> 00:17:50,600 Speaker 1: Correct. 448 00:17:50,680 --> 00:17:51,520 Speaker 2: Yeah, that was a cash. 449 00:17:51,359 --> 00:17:55,280 Speaker 1: Grab, total cash grab. But it made fifty million dollars globally. Uh. 450 00:17:55,720 --> 00:17:59,760 Speaker 1: I feel like she is a master of repurposing everything, 451 00:18:00,240 --> 00:18:04,280 Speaker 1: which while watching the Disney documentary, I didn't realize how 452 00:18:04,280 --> 00:18:07,240 Speaker 1: long it had been since she actually toured. Yeah, so 453 00:18:07,359 --> 00:18:09,720 Speaker 1: now I see why that tour was such a big 454 00:18:09,760 --> 00:18:10,840 Speaker 1: deal and she. 455 00:18:10,880 --> 00:18:12,400 Speaker 2: Used the money to buy her Master's pack. 456 00:18:12,520 --> 00:18:14,680 Speaker 3: I mean, listen, I love Taylor stuff, but I will 457 00:18:14,680 --> 00:18:17,080 Speaker 3: admiss everything is a cash grab everything. 458 00:18:17,359 --> 00:18:19,320 Speaker 2: Sometimes I like to call her my capitalist queen. 459 00:18:19,720 --> 00:18:23,240 Speaker 3: I've gotten off the train of like seventeen vinyl variants, 460 00:18:23,359 --> 00:18:25,600 Speaker 3: eight thousand new merch items for every album. 461 00:18:25,920 --> 00:18:28,080 Speaker 2: It's a lot. It's a lot. 462 00:18:28,560 --> 00:18:30,080 Speaker 1: And that is the only reason I felt that was 463 00:18:30,119 --> 00:18:32,879 Speaker 1: a big cash grab where maybe some fans got ripped 464 00:18:32,880 --> 00:18:35,760 Speaker 1: off a little bit because of the lyric videos, where 465 00:18:35,760 --> 00:18:37,280 Speaker 1: I thought it was going to be like a full 466 00:18:37,760 --> 00:18:41,400 Speaker 1: visual element to every single song. Yeah, those are images 467 00:18:41,480 --> 00:18:45,720 Speaker 1: on loops, yeah, shot with her iPhone, yes, and bad backgrounds. 468 00:18:45,920 --> 00:18:48,200 Speaker 1: The actual documentary part I thought was cool. 469 00:18:48,480 --> 00:18:51,359 Speaker 2: There wasn't enough there to build like a cinematic event. 470 00:18:51,560 --> 00:18:54,800 Speaker 1: Yeah. It was basically like maybe twenty thirty minutes of 471 00:18:55,160 --> 00:18:57,920 Speaker 1: that making of that music video and then everything else 472 00:18:57,960 --> 00:18:59,760 Speaker 1: kind of sprinkled in. But now I just have the 473 00:18:59,760 --> 00:19:02,080 Speaker 1: face of Ophelia stuck in my head where I just 474 00:19:02,160 --> 00:19:05,280 Speaker 1: I go back to that. Yeah, that showing. 475 00:19:05,600 --> 00:19:07,399 Speaker 2: But it's like the doc you serious, is what we 476 00:19:07,480 --> 00:19:08,000 Speaker 2: really wanted. 477 00:19:08,080 --> 00:19:10,320 Speaker 1: Yeah, something that is so much better, that's really good, 478 00:19:10,440 --> 00:19:12,119 Speaker 1: and that we didn't have to pay money in the 479 00:19:12,119 --> 00:19:13,240 Speaker 1: theaters for because. 480 00:19:13,000 --> 00:19:14,200 Speaker 2: We already paid for Disney Plus. 481 00:19:14,280 --> 00:19:15,880 Speaker 1: Yeah. Yeah, because that wasn't even the thing we could 482 00:19:15,920 --> 00:19:18,080 Speaker 1: use our Regal unlimited for because we had to pay. 483 00:19:18,760 --> 00:19:20,760 Speaker 3: We bought extra ticks. But it was like a fun event. 484 00:19:20,800 --> 00:19:23,400 Speaker 3: We went with friends. It was a social thing. 485 00:19:23,480 --> 00:19:25,280 Speaker 1: We got a glow stick wristband. 486 00:19:25,600 --> 00:19:27,879 Speaker 2: Yeah, I mean we knew it wasn't going to be 487 00:19:27,920 --> 00:19:29,120 Speaker 2: anything the Earth Showering. 488 00:19:29,359 --> 00:19:32,760 Speaker 1: Yeah. For best popcorn bucket, I have the Leelo and 489 00:19:32,840 --> 00:19:36,399 Speaker 1: Stitch popcorn bucket, which is the Stitch from Regal that 490 00:19:36,480 --> 00:19:37,000 Speaker 1: you got me. 491 00:19:37,280 --> 00:19:37,840 Speaker 2: Yes, I did. 492 00:19:37,880 --> 00:19:40,919 Speaker 3: I literally went on my lunch break one day and 493 00:19:40,960 --> 00:19:42,879 Speaker 3: bought it because I was afraid it was going to 494 00:19:42,920 --> 00:19:43,240 Speaker 3: sell out. 495 00:19:43,280 --> 00:19:47,240 Speaker 1: I just have that memory of me coming home and 496 00:19:47,359 --> 00:19:49,160 Speaker 1: Stitch being on the kitchen counter. 497 00:19:49,359 --> 00:19:51,320 Speaker 2: No, I hit it in the car. You came home. 498 00:19:51,480 --> 00:19:52,119 Speaker 2: I hit it in the car. 499 00:19:52,240 --> 00:19:54,280 Speaker 3: You went to take a shower, and while you were showering, 500 00:19:54,320 --> 00:19:55,720 Speaker 3: I ran and got it out of the car and 501 00:19:55,760 --> 00:19:58,359 Speaker 3: I put it on the kitchen counter and you turned 502 00:19:58,359 --> 00:19:59,720 Speaker 3: around and like saw it out of the corner of 503 00:19:59,720 --> 00:20:02,920 Speaker 3: your eye and then you like did a double take, and. 504 00:20:02,880 --> 00:20:06,200 Speaker 1: I was like surprise, And because it looks so lifelike, 505 00:20:06,240 --> 00:20:09,600 Speaker 1: it was like Stitch was actually on the kitchen calendar 506 00:20:09,960 --> 00:20:12,280 Speaker 1: because we were going to see it opening night on 507 00:20:12,359 --> 00:20:15,280 Speaker 1: Friday at like seven, and I was like, man, they 508 00:20:15,320 --> 00:20:16,640 Speaker 1: could possibly sell. 509 00:20:16,440 --> 00:20:19,480 Speaker 2: Out before then, and anyw how about you wanted it? 510 00:20:19,560 --> 00:20:21,280 Speaker 1: And if we would have waited, wouldn't have got it? 511 00:20:21,320 --> 00:20:23,879 Speaker 1: So best popcorn bucket of the Year probably Ever, I 512 00:20:23,920 --> 00:20:27,200 Speaker 1: don't think anything could get better than that Best Wife 513 00:20:27,240 --> 00:20:30,400 Speaker 1: of the Year, because a lot of them come out 514 00:20:30,640 --> 00:20:33,280 Speaker 1: and they look cool. But then I think to myself, 515 00:20:33,320 --> 00:20:34,320 Speaker 1: where am I going to put that? 516 00:20:34,560 --> 00:20:36,719 Speaker 2: About you? A lot of like random stitch things. 517 00:20:37,000 --> 00:20:38,520 Speaker 1: It's the number one thing you can buy me that 518 00:20:38,560 --> 00:20:40,359 Speaker 1: I'll like no matter what, no matter what it is. 519 00:20:40,560 --> 00:20:43,320 Speaker 3: Yeah, I bought you a Stitch calendar about your little 520 00:20:43,320 --> 00:20:46,520 Speaker 3: stitch figure, a stitch ornament, and just buy a lot 521 00:20:46,560 --> 00:20:47,320 Speaker 3: of stitch things. 522 00:20:47,680 --> 00:20:50,200 Speaker 1: We will get to the meat of the awards now, 523 00:20:50,240 --> 00:20:54,080 Speaker 1: the real ones for best the Vegan Meat, the vegan Meat. 524 00:20:54,359 --> 00:20:58,240 Speaker 1: For Best Supporting Actor, I'm gonna go Benicio del Toro. 525 00:20:58,440 --> 00:21:00,879 Speaker 1: In one battle after another, he's so good. He was 526 00:21:00,960 --> 00:21:04,040 Speaker 1: just hilarious in it, his little dance whenever he gets 527 00:21:04,040 --> 00:21:07,119 Speaker 1: pulled over, him having the little small beers, like everything 528 00:21:07,160 --> 00:21:10,600 Speaker 1: about his character just felt so genuine to him that 529 00:21:10,680 --> 00:21:11,919 Speaker 1: nobody else could have played that. 530 00:21:12,080 --> 00:21:14,000 Speaker 2: Yeah, he was fantastic in that role. 531 00:21:14,160 --> 00:21:16,320 Speaker 1: Not only does he win on this award show, but 532 00:21:16,359 --> 00:21:18,119 Speaker 1: I hope he wins at the big award show, the 533 00:21:18,160 --> 00:21:20,960 Speaker 1: Golden Globes and the Oscars. My runner up for that 534 00:21:21,160 --> 00:21:24,680 Speaker 1: was Jacob Alordi in Frankenstein, which is still considered a 535 00:21:24,720 --> 00:21:27,159 Speaker 1: supporting role. He is up for the Golden Globe, but 536 00:21:27,800 --> 00:21:30,360 Speaker 1: I think that role for him is cool because he's 537 00:21:30,440 --> 00:21:32,560 Speaker 1: kind of painted as like I mean, he's a really 538 00:21:32,560 --> 00:21:34,800 Speaker 1: good actor, but I don't think he's been given a 539 00:21:34,880 --> 00:21:36,400 Speaker 1: role where he just had to go through that big 540 00:21:36,400 --> 00:21:40,040 Speaker 1: of a transformation where not really based on his looks. 541 00:21:40,119 --> 00:21:42,400 Speaker 2: I was gonna say most of his roles, he's just like. 542 00:21:42,560 --> 00:21:46,840 Speaker 1: Detractive, hood looking guy like in the new Margot rob Yeah. 543 00:21:46,680 --> 00:21:51,239 Speaker 3: Wuthering Heights, Euphoria, Kissing Booth, like anything he's been in. 544 00:21:51,280 --> 00:21:55,040 Speaker 3: He's just like tall, attractive man Saltburn. Yes, forgot about 545 00:21:55,040 --> 00:21:56,160 Speaker 3: that film, which I. 546 00:21:56,080 --> 00:21:58,840 Speaker 1: Can't believe the new season of Euphoria is actually coming out. 547 00:21:59,119 --> 00:22:01,880 Speaker 3: I know you hypothesized on this podcast that it would 548 00:22:01,880 --> 00:22:02,359 Speaker 3: never exist. 549 00:22:02,359 --> 00:22:04,040 Speaker 1: I didn't think it would ever come out, even seeing 550 00:22:04,040 --> 00:22:06,040 Speaker 1: the posters for it. I'm like, man, it's really coming 551 00:22:06,040 --> 00:22:08,879 Speaker 1: out filmed? Is it really going to come out? But 552 00:22:09,119 --> 00:22:10,960 Speaker 1: it looks like we're actually going to get it. But 553 00:22:11,040 --> 00:22:13,440 Speaker 1: he was a runner up for me for Best Supporting 554 00:22:13,520 --> 00:22:17,120 Speaker 1: Actress also from One Battle after Another. I have Chase Infinnity, 555 00:22:17,200 --> 00:22:20,840 Speaker 1: who was Leonardo DiCaprio's daughter in that movie, so good. 556 00:22:20,720 --> 00:22:24,320 Speaker 2: Breakout Star of the Year All Around Superstar. 557 00:22:23,960 --> 00:22:26,399 Speaker 1: Which is available on Max now if you missed that 558 00:22:26,440 --> 00:22:28,639 Speaker 1: in theaters. For runner up in that category, I have 559 00:22:28,760 --> 00:22:31,960 Speaker 1: Emily Blunt in The Smashing Machine, which I think she 560 00:22:32,119 --> 00:22:34,520 Speaker 1: just had the best performance Overhall in that where if 561 00:22:34,560 --> 00:22:36,399 Speaker 1: it wouldn't have been for her character, the reason I 562 00:22:36,400 --> 00:22:39,320 Speaker 1: give her runner up, I wouldn't have had any emotional 563 00:22:39,320 --> 00:22:42,359 Speaker 1: attachment to anybody at all. Okay, I think it was 564 00:22:42,400 --> 00:22:46,119 Speaker 1: her performance that saved that movie, that made The Rock better. 565 00:22:46,560 --> 00:22:48,760 Speaker 1: So if The Rock ever ends up winning any award 566 00:22:48,760 --> 00:22:51,399 Speaker 1: for that, it's because of her. She made him look better. 567 00:22:51,560 --> 00:22:53,560 Speaker 3: I'm just thinking about Emily Blunt, and then it just 568 00:22:53,560 --> 00:22:55,720 Speaker 3: made me remember The Devil Worst Product two is coming 569 00:22:55,720 --> 00:22:56,320 Speaker 3: out next year. 570 00:22:56,400 --> 00:22:56,800 Speaker 1: That's true. 571 00:22:56,840 --> 00:22:59,360 Speaker 2: It's me a great year for movies and TV next year. 572 00:22:59,400 --> 00:23:03,159 Speaker 1: A lot of sequel, a lot of number twos for 573 00:23:03,600 --> 00:23:07,280 Speaker 1: Best Actor again, I'm going back to one battle after another. 574 00:23:07,359 --> 00:23:08,440 Speaker 1: Have Leonardo DiCaprio. 575 00:23:08,840 --> 00:23:11,800 Speaker 3: I hope he wins an Oscar for this, like for 576 00:23:11,840 --> 00:23:14,479 Speaker 3: all the years he didn't win an Oscar, and then 577 00:23:14,480 --> 00:23:17,000 Speaker 3: he didn't get it till The Revenant. Like he's done 578 00:23:17,240 --> 00:23:20,639 Speaker 3: so many incredible roles. I think he deserves an Oscar 579 00:23:20,680 --> 00:23:20,919 Speaker 3: for this. 580 00:23:21,000 --> 00:23:22,800 Speaker 1: I don't think he fully deserved it for The Remnant. 581 00:23:22,880 --> 00:23:25,760 Speaker 1: I just think the Academy thought it's kind of his time. 582 00:23:26,000 --> 00:23:29,200 Speaker 1: We've been keeping him from winning this for a long time. 583 00:23:29,320 --> 00:23:31,440 Speaker 1: That it was more of like here you go, here's 584 00:23:31,480 --> 00:23:34,000 Speaker 1: your award now. But out of all his performances, it's 585 00:23:34,000 --> 00:23:35,679 Speaker 1: not his strongest. That's not even one that I go 586 00:23:35,760 --> 00:23:37,360 Speaker 1: back and think, I haven't watched it. 587 00:23:37,520 --> 00:23:39,960 Speaker 3: Oh it's good because I know there's something about getting 588 00:23:39,960 --> 00:23:41,600 Speaker 3: eaten by a bear and it's two graphics. 589 00:23:41,280 --> 00:23:43,400 Speaker 1: Like you probably should have won for Wolf of Wall 590 00:23:43,440 --> 00:23:47,639 Speaker 1: Street over that Titanic. Yeah, there's so many other iconic 591 00:23:47,720 --> 00:23:51,760 Speaker 1: roles Jack, but I think one battle after another will 592 00:23:52,280 --> 00:23:56,919 Speaker 1: be fully deserved, just him nailing the Mexican whistle and 593 00:23:56,960 --> 00:23:59,199 Speaker 1: being able to speak Spanish, which he learned from like 594 00:23:59,240 --> 00:24:03,000 Speaker 1: his landscape or perfect I haven't heard a more authentic 595 00:24:03,040 --> 00:24:06,320 Speaker 1: portrayal in a movie of this scale before. For runner up, 596 00:24:06,359 --> 00:24:09,040 Speaker 1: I would go with Michael B. Jordan Sinners, which he 597 00:24:09,080 --> 00:24:10,000 Speaker 1: played two characters. 598 00:24:10,160 --> 00:24:13,680 Speaker 3: Have you watched the actors on actors Michael B. Jordan 599 00:24:13,800 --> 00:24:14,920 Speaker 3: and Jesse Plemons yet? 600 00:24:15,040 --> 00:24:16,159 Speaker 1: No, I've seen clips of it. 601 00:24:16,240 --> 00:24:16,879 Speaker 2: We need to watch that. 602 00:24:17,080 --> 00:24:18,919 Speaker 3: I it's crazy to think that they both got their 603 00:24:18,920 --> 00:24:20,000 Speaker 3: start on Friday Night Lights. 604 00:24:20,040 --> 00:24:21,879 Speaker 1: Yeah. I saw when he was saying that Michael B. 605 00:24:22,000 --> 00:24:24,240 Speaker 1: Jordan was like the new blood or no, wait, yes, 606 00:24:24,359 --> 00:24:26,320 Speaker 1: yes he was. He came in later, right, Yeah, yeah. 607 00:24:26,880 --> 00:24:28,240 Speaker 1: I never watched that show though, but. 608 00:24:28,200 --> 00:24:31,320 Speaker 3: There's been some good pairings. No Friday Night Lightriday Night 609 00:24:31,400 --> 00:24:31,800 Speaker 3: Actors On. 610 00:24:32,280 --> 00:24:33,560 Speaker 1: I do like actors on actors. 611 00:24:33,560 --> 00:24:34,720 Speaker 2: You never watched Friday Night Light. 612 00:24:34,840 --> 00:24:37,879 Speaker 1: No, not a single episode. 613 00:24:38,560 --> 00:24:40,320 Speaker 2: And I've watched The Simpsons for you. 614 00:24:40,480 --> 00:24:43,160 Speaker 1: I've watched the movie Friday Night Lights. 615 00:24:43,280 --> 00:24:44,520 Speaker 2: I love Okay. 616 00:24:44,600 --> 00:24:46,200 Speaker 1: The movie made me want to go back to high 617 00:24:46,240 --> 00:24:47,200 Speaker 1: school to play football. 618 00:24:47,480 --> 00:24:49,960 Speaker 3: The TV shows so so, so, so, so, so so 619 00:24:49,960 --> 00:24:50,560 Speaker 3: so good. 620 00:24:50,920 --> 00:24:55,320 Speaker 1: For best female actor, I have Emma Stone in Bagonia. 621 00:24:55,400 --> 00:24:58,240 Speaker 1: We were talking about her earlier, just their commitment. Her 622 00:24:58,359 --> 00:25:02,040 Speaker 1: character in that movie is so powerful and I've never 623 00:25:02,520 --> 00:25:05,320 Speaker 1: hated but also loved a character more at the same time, 624 00:25:05,359 --> 00:25:08,840 Speaker 1: because she plays like a CEO that is not necessarily 625 00:25:08,880 --> 00:25:12,159 Speaker 1: a good person, not necessarily a bad person, but she 626 00:25:12,240 --> 00:25:13,399 Speaker 1: makes you feel a lot of things. 627 00:25:13,760 --> 00:25:15,400 Speaker 3: I would like to see her do some things other 628 00:25:15,440 --> 00:25:18,080 Speaker 3: than yourgo's films, though. I think I'd like to see 629 00:25:18,080 --> 00:25:20,240 Speaker 3: emmastone back in like a rom com or just like 630 00:25:20,280 --> 00:25:24,440 Speaker 3: a regular drama and la Land, Yeah, just not as 631 00:25:24,760 --> 00:25:27,000 Speaker 3: out there as a Yorgos like she's done three. I 632 00:25:27,000 --> 00:25:30,080 Speaker 3: think we I'm gonna take a little break from Yorgos 633 00:25:30,359 --> 00:25:31,160 Speaker 3: to do little something else. 634 00:25:31,280 --> 00:25:34,800 Speaker 1: That's probably the max. I feel like he gets amused, 635 00:25:35,040 --> 00:25:37,680 Speaker 1: stays with them for a while. I think he probably 636 00:25:37,760 --> 00:25:39,960 Speaker 1: moves on after this, especially if she wins another Oscar. 637 00:25:40,119 --> 00:25:40,760 Speaker 2: I think we should. 638 00:25:40,880 --> 00:25:42,399 Speaker 1: I think I think they move on after this. For 639 00:25:42,480 --> 00:25:46,560 Speaker 1: runner up in that category, I have Jesse Buckley and Hamlet. 640 00:25:46,880 --> 00:25:50,160 Speaker 2: I can't even talk about that performance. It was so stunning, phenomenal, 641 00:25:50,680 --> 00:25:52,480 Speaker 2: I get on it. I could see either one of 642 00:25:52,520 --> 00:25:53,960 Speaker 2: them winning an Oscar for that. 643 00:25:54,119 --> 00:25:55,400 Speaker 1: Yeah, I think it's between them too. 644 00:25:55,880 --> 00:25:59,760 Speaker 3: Like Jesse Buckley's performance was so freaking good. 645 00:25:59,560 --> 00:26:02,000 Speaker 1: I think she has the better shot just from the 646 00:26:02,119 --> 00:26:05,960 Speaker 1: Academy on just the strict acting skills, yes, but I 647 00:26:06,000 --> 00:26:09,239 Speaker 1: think overall, with when it goes into the movie and 648 00:26:09,280 --> 00:26:12,200 Speaker 1: everything around it, I think Emma Stone given her history 649 00:26:12,240 --> 00:26:14,440 Speaker 1: as well, I could see her winning it over her. 650 00:26:14,600 --> 00:26:17,440 Speaker 1: For Best Director, I have Paul Thomas Anderson also from 651 00:26:17,480 --> 00:26:20,159 Speaker 1: One Battle After Another. Runner up in that category, I 652 00:26:20,200 --> 00:26:25,120 Speaker 1: have Zach Kreiger from Weapons, and finally best directorial Debut, 653 00:26:25,640 --> 00:26:28,800 Speaker 1: I have Eva Victor for Sorry Baby, which she wrote 654 00:26:28,840 --> 00:26:32,840 Speaker 1: and directed that movie Channel from a Lot of Personal Experience, 655 00:26:32,880 --> 00:26:35,439 Speaker 1: which this movie is also on HBO Max if you 656 00:26:35,480 --> 00:26:39,800 Speaker 1: haven't seen it. It's about a grad student turned professor 657 00:26:39,800 --> 00:26:42,879 Speaker 1: who goes through something pretty traumatic. Won't tell you all 658 00:26:42,920 --> 00:26:46,080 Speaker 1: the details, but it's really powerful and I just really 659 00:26:46,440 --> 00:26:49,159 Speaker 1: enjoyed the way she handled the story and it really 660 00:26:49,200 --> 00:26:53,240 Speaker 1: felt like somebody pouring out a project that they've probably 661 00:26:53,240 --> 00:26:55,800 Speaker 1: been thinking about their entire life, where I feel like 662 00:26:55,840 --> 00:26:58,880 Speaker 1: you only get that one first movie to really show 663 00:26:58,920 --> 00:27:02,120 Speaker 1: you everything about you was a director, and I think 664 00:27:02,119 --> 00:27:03,600 Speaker 1: she nailed it with Sorry Baby. 665 00:27:03,760 --> 00:27:05,320 Speaker 2: I loved that movie. 666 00:27:05,640 --> 00:27:08,359 Speaker 1: Runner up though, I do have the director of Twin Liss, 667 00:27:08,560 --> 00:27:11,760 Speaker 1: who was also starred and wrote and directed that. 668 00:27:11,720 --> 00:27:13,720 Speaker 2: Movie, also a really good one. 669 00:27:13,920 --> 00:27:15,960 Speaker 1: Yeah. I think that was also one that came out. 670 00:27:16,280 --> 00:27:18,080 Speaker 3: It was one I was not expecting to love so much. 671 00:27:18,160 --> 00:27:19,879 Speaker 3: Knew nothing about it and went in and was like, 672 00:27:20,040 --> 00:27:20,720 Speaker 3: this is so good. 673 00:27:20,880 --> 00:27:24,399 Speaker 1: Yeah. James Sweeney directed and starred in that movie. I 674 00:27:24,480 --> 00:27:26,719 Speaker 1: knew nothing about it going into it. I think I 675 00:27:26,760 --> 00:27:29,760 Speaker 1: saw maybe half of the trailer, kind of went in blind. 676 00:27:29,800 --> 00:27:31,320 Speaker 1: For the most part, I just knew it was about 677 00:27:31,320 --> 00:27:34,040 Speaker 1: two people meeting in a support group for people who 678 00:27:34,040 --> 00:27:36,879 Speaker 1: have lost a twin sibling. That's all I really knew. 679 00:27:36,960 --> 00:27:40,320 Speaker 1: And then it goes almost into a psychological thriller. There's 680 00:27:40,320 --> 00:27:42,800 Speaker 1: some comedy in there, some lot of drama. 681 00:27:43,000 --> 00:27:45,240 Speaker 3: Yeah, I wasn't expecting some of the ways in which 682 00:27:45,960 --> 00:27:47,080 Speaker 3: in which it turned. 683 00:27:47,480 --> 00:27:48,880 Speaker 1: Visually it also looked good. 684 00:27:49,000 --> 00:27:50,159 Speaker 3: Yeah. That was one of those that we were just 685 00:27:50,200 --> 00:27:51,760 Speaker 3: kind of like, all right, we'll go see it, we'll 686 00:27:51,800 --> 00:27:54,640 Speaker 3: really see anything anything, and then we end up liking 687 00:27:54,640 --> 00:27:55,120 Speaker 3: a lot of them. 688 00:27:55,400 --> 00:27:59,320 Speaker 1: That is the first ever Mikey Awards. All right, congrats 689 00:27:59,359 --> 00:28:02,920 Speaker 1: to all the people who won. Even though you'll never. 690 00:28:02,800 --> 00:28:05,240 Speaker 2: Know they'll be getting their prize mailed to them. 691 00:28:05,280 --> 00:28:12,160 Speaker 1: They'll be mailed to you in fourteen business days. Let's 692 00:28:12,160 --> 00:28:14,639 Speaker 1: get into it now. A spoiler free movie review of 693 00:28:14,760 --> 00:28:18,400 Speaker 1: Avatar Fire and Ash. Was it worth the over three 694 00:28:18,400 --> 00:28:21,720 Speaker 1: hour runtime. I sat down in the theater completely packed. 695 00:28:22,080 --> 00:28:24,280 Speaker 1: Was nice to see so many people come together for 696 00:28:25,200 --> 00:28:28,479 Speaker 1: a movie I don't know anybody else is excited for. 697 00:28:28,600 --> 00:28:30,760 Speaker 1: And I think that's how I feel about the Avatar franchise. 698 00:28:31,040 --> 00:28:34,920 Speaker 1: These movies do really well at the box office, crushing 699 00:28:34,960 --> 00:28:38,080 Speaker 1: it internationally. But if I went out on the street 700 00:28:38,240 --> 00:28:42,640 Speaker 1: to try to find one individual fan of Avatar, I 701 00:28:42,680 --> 00:28:44,360 Speaker 1: don't know that I could do it. Do people just 702 00:28:44,400 --> 00:28:46,960 Speaker 1: love these movies in secret? It's kind of like The Weekend, 703 00:28:47,000 --> 00:28:49,040 Speaker 1: who was one of the biggest artists on the planet. 704 00:28:49,200 --> 00:28:52,160 Speaker 1: But I do not know a single person whose favorite 705 00:28:52,240 --> 00:28:56,680 Speaker 1: artist is The Weekend. Where are these people? Maybe if 706 00:28:56,680 --> 00:29:00,520 Speaker 1: you're a fan of somebody like The Weekend, even Imaginedins, 707 00:29:00,560 --> 00:29:04,640 Speaker 1: maybe Nickelback or Avatar, you love these things so much, 708 00:29:04,680 --> 00:29:07,040 Speaker 1: but you don't feel the need to scream it from 709 00:29:07,080 --> 00:29:08,960 Speaker 1: the rooftops. You don't feel the need to go on 710 00:29:09,000 --> 00:29:11,760 Speaker 1: social media and proclaim your love for these types of 711 00:29:12,320 --> 00:29:16,600 Speaker 1: artists and franchise. But when it comes to who shows up, 712 00:29:16,640 --> 00:29:19,800 Speaker 1: who puts their butt in the seats? Making James Cameron 713 00:29:20,040 --> 00:29:22,840 Speaker 1: not look like a complete psychopath? Spending four hundred million 714 00:29:22,880 --> 00:29:26,240 Speaker 1: dollars to make a movie like this. You are there, 715 00:29:26,400 --> 00:29:29,719 Speaker 1: you are showing up, you are keeping the movie theaters 716 00:29:29,760 --> 00:29:32,520 Speaker 1: alive across the world, and I commend you for that. 717 00:29:32,800 --> 00:29:35,200 Speaker 1: But maybe I would just like to run into one 718 00:29:35,200 --> 00:29:38,040 Speaker 1: another Avatar fan. For me, When the first one came 719 00:29:38,080 --> 00:29:40,080 Speaker 1: out back in two thousand and nine, I thought it 720 00:29:40,120 --> 00:29:42,840 Speaker 1: was so overhyped. I hated the three D trend that 721 00:29:42,880 --> 00:29:47,360 Speaker 1: it created, because after Avatar made a splash using that technology, 722 00:29:47,480 --> 00:29:50,440 Speaker 1: all the movies that followed in the twenty ten started 723 00:29:50,440 --> 00:29:53,120 Speaker 1: doing it, and I hated that trend. It really wasn't 724 00:29:53,200 --> 00:29:55,400 Speaker 1: until Way of Water came out a few years ago 725 00:29:56,040 --> 00:30:00,400 Speaker 1: that I understood it and went back watched the and 726 00:30:00,440 --> 00:30:02,280 Speaker 1: I thought, oh, I was missing out a lot on 727 00:30:02,320 --> 00:30:04,880 Speaker 1: this because I was so focused on the three D aspects. 728 00:30:05,360 --> 00:30:09,480 Speaker 1: But they are big, epic movies, big fights, big everything 729 00:30:09,520 --> 00:30:12,000 Speaker 1: about them is epic. That is what James Cameron does 730 00:30:12,040 --> 00:30:15,880 Speaker 1: so well, big scores. I loved Way of Water in theaters, 731 00:30:16,000 --> 00:30:18,360 Speaker 1: so going into this one, I am probably the most 732 00:30:18,400 --> 00:30:22,480 Speaker 1: excited I have ever been. That being said, the movie 733 00:30:22,480 --> 00:30:24,400 Speaker 1: did let me down just a little bit. But before 734 00:30:24,400 --> 00:30:26,680 Speaker 1: I get into the negative, I do want to talk 735 00:30:26,720 --> 00:30:29,720 Speaker 1: about the positive because I sat down in that theater 736 00:30:29,800 --> 00:30:32,120 Speaker 1: at seven to twenty six pm on a Friday night. 737 00:30:32,480 --> 00:30:35,640 Speaker 1: I did not leave until ten thirty five pm is 738 00:30:35,680 --> 00:30:38,920 Speaker 1: when the credits rolled. That is a long time. I 739 00:30:38,960 --> 00:30:42,320 Speaker 1: thought Avatar one and two they warranted that run times. 740 00:30:42,480 --> 00:30:45,760 Speaker 1: I was advocating for these movies. Seeing it really makes 741 00:30:45,800 --> 00:30:48,520 Speaker 1: a big difference seeing these movies in theaters because you 742 00:30:48,560 --> 00:30:50,560 Speaker 1: hear that a lot. Actors say it all the time. 743 00:30:51,000 --> 00:30:53,600 Speaker 1: Directors say it all the time. You need to get 744 00:30:53,640 --> 00:30:55,760 Speaker 1: to the biggest screen possible to take in this movie. 745 00:30:56,080 --> 00:30:58,960 Speaker 1: And sometimes that's not true. That's just the thing they say. 746 00:30:59,040 --> 00:31:01,120 Speaker 1: It's a marketing thing. They want you to spend your 747 00:31:01,120 --> 00:31:04,120 Speaker 1: money too from their projects to go see these movies 748 00:31:04,520 --> 00:31:07,680 Speaker 1: to allow them to continue to do this, But not 749 00:31:07,840 --> 00:31:11,760 Speaker 1: every time. Are these characters? Are these stories actually enhanced 750 00:31:12,080 --> 00:31:14,959 Speaker 1: by seeing them on the largest screen possible. When it 751 00:31:15,000 --> 00:31:18,240 Speaker 1: comes to Avatar, Fire and Ash, if you do not 752 00:31:18,360 --> 00:31:21,280 Speaker 1: see this movie in theaters, you are not seeing it 753 00:31:21,320 --> 00:31:24,880 Speaker 1: in the right way. I was so blown away at 754 00:31:24,880 --> 00:31:28,440 Speaker 1: the opening sequence that my mind was scrambled a little bit, 755 00:31:28,920 --> 00:31:32,600 Speaker 1: and it is so hard for me to witness anything 756 00:31:32,640 --> 00:31:36,560 Speaker 1: nowadays that feels like something I haven't experienced. Just doesn't 757 00:31:36,600 --> 00:31:39,480 Speaker 1: happen to create something that I can ingest in my 758 00:31:39,560 --> 00:31:42,120 Speaker 1: eyeballs without wearing three D glasses because I didn't see 759 00:31:42,120 --> 00:31:46,160 Speaker 1: this movie in three D. That felt so immersive. It 760 00:31:46,200 --> 00:31:47,920 Speaker 1: was kind of like if you go to somebody's house 761 00:31:47,960 --> 00:31:49,880 Speaker 1: and they don't know they have that weird motion thing 762 00:31:49,920 --> 00:31:52,200 Speaker 1: on their four KTV. The first time I ever saw 763 00:31:52,240 --> 00:31:55,080 Speaker 1: a four KTV, I was blown away because it looked 764 00:31:55,160 --> 00:31:57,640 Speaker 1: like a soap opera, like the person was actually inside 765 00:31:57,640 --> 00:32:00,520 Speaker 1: the box. It must have been what people felt like 766 00:32:00,600 --> 00:32:02,720 Speaker 1: back when TV was first created, and they were like 767 00:32:03,040 --> 00:32:05,480 Speaker 1: scared that the thing was going to rush out at them, 768 00:32:05,720 --> 00:32:07,240 Speaker 1: or the waves were going to come through their TV, 769 00:32:07,360 --> 00:32:09,680 Speaker 1: the train was going to come through. That is how 770 00:32:09,720 --> 00:32:12,160 Speaker 1: I felt the first time I saw four KTV. I'm like, 771 00:32:12,200 --> 00:32:15,120 Speaker 1: why are these people so crisp? Why is that motion 772 00:32:15,360 --> 00:32:18,480 Speaker 1: so weird looking? And I know that's the setting. Now 773 00:32:18,480 --> 00:32:19,960 Speaker 1: you can turn off and if you see somebody with 774 00:32:20,000 --> 00:32:21,880 Speaker 1: that on their TV, now you're like, why are you 775 00:32:21,960 --> 00:32:24,840 Speaker 1: watching things like this? But when I sat down to 776 00:32:24,920 --> 00:32:28,280 Speaker 1: watch Fire and Ash, I had that same feeling again, 777 00:32:28,360 --> 00:32:31,960 Speaker 1: and it felt so weird because it was a little discombobulating, 778 00:32:32,040 --> 00:32:34,360 Speaker 1: and it took me a few maybe even ten minutes 779 00:32:34,360 --> 00:32:36,960 Speaker 1: to get fully adjusted to it, because the action does 780 00:32:37,000 --> 00:32:39,080 Speaker 1: start out a lot of it in the air, and 781 00:32:39,120 --> 00:32:41,000 Speaker 1: I think that is when it's the most evident, where 782 00:32:41,000 --> 00:32:44,600 Speaker 1: you see these creatures flying across the screen and there 783 00:32:44,640 --> 00:32:47,760 Speaker 1: is so much depth this motion. It is so crisp, 784 00:32:48,440 --> 00:32:51,920 Speaker 1: and I've never witnessed something in a movie theater that 785 00:32:52,080 --> 00:32:54,880 Speaker 1: felt more real life than real life, and I think 786 00:32:54,960 --> 00:32:57,520 Speaker 1: that is something that movies are always trying to emulate. 787 00:32:57,840 --> 00:33:00,000 Speaker 1: How can we make it feel like this is actually 788 00:33:00,160 --> 00:33:05,800 Speaker 1: happening before you. This movie felt more HD than anybody 789 00:33:05,880 --> 00:33:09,680 Speaker 1: sitting or standing right in front of me that I 790 00:33:09,720 --> 00:33:12,600 Speaker 1: could actually lean out and touch. It is this crazy 791 00:33:12,640 --> 00:33:17,240 Speaker 1: amount of hyperrealism where the first time I've truly felt 792 00:33:17,280 --> 00:33:21,080 Speaker 1: and seen and witnessed all that movie budget used on screen, 793 00:33:21,440 --> 00:33:24,600 Speaker 1: and I realize why these movies are so expensive to make, 794 00:33:24,720 --> 00:33:27,600 Speaker 1: which I've been probably in the behind the scenes of 795 00:33:27,600 --> 00:33:30,120 Speaker 1: this movie the most I've been in any movie so 796 00:33:30,200 --> 00:33:32,400 Speaker 1: far this year, because I think, out of everything, it 797 00:33:32,480 --> 00:33:35,680 Speaker 1: is the technical aspects that I'm so drawn to, more 798 00:33:35,720 --> 00:33:38,680 Speaker 1: so than the story itself. When it comes to anything 799 00:33:38,720 --> 00:33:43,080 Speaker 1: involving Avatar, this one, it really just felt like the 800 00:33:43,080 --> 00:33:45,120 Speaker 1: best parts of one and the best parts of two 801 00:33:45,680 --> 00:33:48,320 Speaker 1: rehashed where now you have these fire people, you have 802 00:33:48,400 --> 00:33:51,080 Speaker 1: this new villain who it's a pretty good threat, a 803 00:33:51,240 --> 00:33:54,440 Speaker 1: very psychotic person who just wants to see the world burn. 804 00:33:54,880 --> 00:33:58,160 Speaker 1: But when it comes to the motivations in this movie, 805 00:33:58,160 --> 00:34:01,080 Speaker 1: the story behind it of Jake and his fans, it 806 00:34:01,200 --> 00:34:04,160 Speaker 1: is the exact same thing from Away Water. You have 807 00:34:04,240 --> 00:34:07,080 Speaker 1: the bad guys trying to capture the good guys, and 808 00:34:07,120 --> 00:34:10,360 Speaker 1: they're just constantly on the run, and it's the same 809 00:34:10,440 --> 00:34:13,160 Speaker 1: plot point just played out over and over again. Now 810 00:34:13,200 --> 00:34:17,120 Speaker 1: that doesn't mean it's not entertaining. I just need something different. 811 00:34:17,160 --> 00:34:20,759 Speaker 1: At this point where the first hour I was totally in. 812 00:34:21,239 --> 00:34:24,239 Speaker 1: If this movie would have been two hours long, I 813 00:34:24,280 --> 00:34:27,560 Speaker 1: would have left completely satisfied hype. I would have been 814 00:34:27,600 --> 00:34:30,440 Speaker 1: just so excited about it, because in those first sixty 815 00:34:30,480 --> 00:34:33,719 Speaker 1: minutes you get this fast paced action where one thing 816 00:34:33,800 --> 00:34:37,640 Speaker 1: is happening after another, these really great big battles, where 817 00:34:37,680 --> 00:34:40,480 Speaker 1: these amazing visuals just keep my eye on the screen 818 00:34:40,520 --> 00:34:43,920 Speaker 1: the entire time, so much color, so much rich action 819 00:34:44,160 --> 00:34:48,080 Speaker 1: and motion that I was completely drawn into and just 820 00:34:48,160 --> 00:34:52,520 Speaker 1: completely sucked into this world. Now about the two hour mark, 821 00:34:52,760 --> 00:34:55,640 Speaker 1: it just started to become a little bit repetitive. I 822 00:34:55,760 --> 00:34:58,440 Speaker 1: started to lose interest in some of these characters. It 823 00:34:58,480 --> 00:35:02,759 Speaker 1: felt more comical. There are interactions, and people in the 824 00:35:02,760 --> 00:35:06,879 Speaker 1: theater were excited clapping at moments. There's a moment going 825 00:35:06,920 --> 00:35:09,640 Speaker 1: into the third act that feels a little bit triumphant. 826 00:35:10,160 --> 00:35:12,239 Speaker 1: Fell a little flat for me, But there were other 827 00:35:12,280 --> 00:35:15,480 Speaker 1: people fully invested in it, so I could see the 828 00:35:15,520 --> 00:35:18,879 Speaker 1: people who were big fans of this franchise actually get 829 00:35:18,920 --> 00:35:21,120 Speaker 1: what they wanted out of it. And maybe you do 830 00:35:21,440 --> 00:35:23,480 Speaker 1: just want the same thing over and over again. I 831 00:35:23,560 --> 00:35:26,520 Speaker 1: say that as a Marvel and DC fan, where if 832 00:35:26,520 --> 00:35:29,719 Speaker 1: you break down those movies, Kyda is the same thing 833 00:35:29,800 --> 00:35:33,000 Speaker 1: over and over again. But I think what separates those 834 00:35:33,040 --> 00:35:38,040 Speaker 1: two is the characters, where I understand the reason why 835 00:35:38,080 --> 00:35:41,040 Speaker 1: these characters are the way they are. These movies do 836 00:35:41,200 --> 00:35:44,960 Speaker 1: so well internationally, and you can translate these movies into 837 00:35:45,160 --> 00:35:48,640 Speaker 1: any language and it makes sense. And I think almost 838 00:35:48,640 --> 00:35:51,520 Speaker 1: that type of filmmaking, which obviously is to make the 839 00:35:51,520 --> 00:35:53,920 Speaker 1: most amount of money out of your product, makes me 840 00:35:54,000 --> 00:35:56,920 Speaker 1: feel just less connected with those characters, and it's just 841 00:35:57,000 --> 00:35:59,920 Speaker 1: not as novel anymore. Whenever, back in two thousand and 842 00:36:00,320 --> 00:36:03,879 Speaker 1: seeing this blue creature that's oddly attractive in a weird 843 00:36:03,920 --> 00:36:07,280 Speaker 1: way because they're wearing no clothing aside from this little 844 00:36:07,320 --> 00:36:11,440 Speaker 1: piece covering their boobs. Why do these characters even have boobs? 845 00:36:11,480 --> 00:36:15,239 Speaker 1: And why are they running around and basically nothing. That 846 00:36:15,360 --> 00:36:17,560 Speaker 1: was a lot more novel back in two thousand and nine. 847 00:36:17,680 --> 00:36:20,080 Speaker 1: Now in twenty twenty five, where we've seen this now 848 00:36:20,480 --> 00:36:23,319 Speaker 1: for over nine hours, we have a part four and 849 00:36:23,360 --> 00:36:26,000 Speaker 1: a part five on the way, it is a little 850 00:36:26,000 --> 00:36:28,799 Speaker 1: bit less novel, And I know they're gonna change a 851 00:36:28,840 --> 00:36:31,879 Speaker 1: bit of the format, switching narrators going into four and five, 852 00:36:32,280 --> 00:36:34,760 Speaker 1: and maybe that'll make it feel a little bit more fresh, 853 00:36:35,320 --> 00:36:38,640 Speaker 1: because the way this entire movie was sold to me 854 00:36:38,800 --> 00:36:41,120 Speaker 1: was the fire and ash elements, which there was a 855 00:36:41,120 --> 00:36:43,600 Speaker 1: lot of fire and ash, but I was looking for 856 00:36:44,600 --> 00:36:48,279 Speaker 1: a complete change in the landscape of these movies where 857 00:36:48,320 --> 00:36:51,239 Speaker 1: I felt a lot of it went back to the 858 00:36:51,280 --> 00:36:55,080 Speaker 1: places we've already visited before INDI visuals, we've already seen. 859 00:36:55,239 --> 00:36:56,719 Speaker 1: It's almost like if you go to dinner, you get 860 00:36:56,719 --> 00:36:59,000 Speaker 1: a really great dish, that first bite you take is amazing, 861 00:36:59,360 --> 00:37:01,600 Speaker 1: But if you have this giant platter of it that 862 00:37:01,680 --> 00:37:04,840 Speaker 1: is thirty hours long, you're eventually gonna get tired of 863 00:37:04,840 --> 00:37:07,799 Speaker 1: that taste. No matter how great it was in those 864 00:37:07,840 --> 00:37:11,160 Speaker 1: first few bites, even the biggest Sunday, by the end 865 00:37:11,160 --> 00:37:13,080 Speaker 1: of it you get kind of sick of it. And 866 00:37:13,120 --> 00:37:15,680 Speaker 1: by the end of this movie I was full. I 867 00:37:15,760 --> 00:37:19,120 Speaker 1: had a virtual stomach ache, just because it was so 868 00:37:19,239 --> 00:37:21,480 Speaker 1: much to take in at once, and for the first 869 00:37:21,480 --> 00:37:24,680 Speaker 1: time ever in an Avatar movie, maybe in any James 870 00:37:24,680 --> 00:37:27,239 Speaker 1: Cameron movie. I just felt like it was not worth 871 00:37:27,280 --> 00:37:29,879 Speaker 1: that three hour and ten minute runtime. And I think 872 00:37:29,920 --> 00:37:33,000 Speaker 1: at his age in his seventies now, he is somebody 873 00:37:33,040 --> 00:37:36,720 Speaker 1: who is more interested in the technology aspect of making 874 00:37:36,719 --> 00:37:40,440 Speaker 1: a movie, even more so than the storytelling, even though 875 00:37:40,440 --> 00:37:43,560 Speaker 1: he is somebody who has really great attention to detail, 876 00:37:43,920 --> 00:37:46,239 Speaker 1: down to the score, down to the movements, down to 877 00:37:46,280 --> 00:37:50,160 Speaker 1: the lighting, down to everything. But I think hearing him 878 00:37:50,280 --> 00:37:52,759 Speaker 1: talk about this movie saying that he doesn't care about 879 00:37:52,760 --> 00:37:56,279 Speaker 1: practical effects at all, that he hasn't done that since Titanic. 880 00:37:56,880 --> 00:37:59,440 Speaker 1: He is much more interested in the art of illusion, 881 00:37:59,480 --> 00:38:01,560 Speaker 1: which that is what he believes that filmmaking is. And 882 00:38:01,600 --> 00:38:04,000 Speaker 1: I do agree with him on some aspects, because when 883 00:38:04,080 --> 00:38:07,480 Speaker 1: it came to some of the characters, especially the villains, 884 00:38:07,880 --> 00:38:10,840 Speaker 1: they were straight cornball at times where I was laughing 885 00:38:10,880 --> 00:38:14,279 Speaker 1: more at them than I was with them. Felt completely 886 00:38:14,320 --> 00:38:17,040 Speaker 1: one dimensional in such a three D movie. And the 887 00:38:17,040 --> 00:38:19,360 Speaker 1: whole time I was watching Avatar, Fire and Nash, I 888 00:38:19,400 --> 00:38:22,560 Speaker 1: thought to myself, if I sold TVs for a living, 889 00:38:23,080 --> 00:38:25,920 Speaker 1: on every TV screen in my store, I would be 890 00:38:25,960 --> 00:38:29,000 Speaker 1: playing Avatar Fire and Nash because I have to imagine 891 00:38:29,480 --> 00:38:31,359 Speaker 1: this is the way you sell a TV. Look at 892 00:38:31,400 --> 00:38:34,080 Speaker 1: all these color changes, look at all this motion. I 893 00:38:34,080 --> 00:38:36,200 Speaker 1: could imagine going to somebody's house who has a lot 894 00:38:36,200 --> 00:38:38,560 Speaker 1: of money, has a really big TV, and they wanted 895 00:38:38,600 --> 00:38:43,040 Speaker 1: to show off to me their old, huge sound system 896 00:38:43,160 --> 00:38:45,360 Speaker 1: to show me how much money they paying for their TV. 897 00:38:46,120 --> 00:38:48,560 Speaker 1: They are going to have a field day with these movies, 898 00:38:48,680 --> 00:38:51,000 Speaker 1: which is all really great, But then you have to think, 899 00:38:51,080 --> 00:38:54,799 Speaker 1: I wonder how James Cameron feels when somebody is inevitably 900 00:38:54,880 --> 00:38:57,600 Speaker 1: just going to watch this on like a TikTok stream 901 00:38:57,719 --> 00:39:00,560 Speaker 1: or something. Does that throw all of it work just 902 00:39:00,600 --> 00:39:02,640 Speaker 1: out the window? I think, I just have to hold 903 00:39:02,640 --> 00:39:06,080 Speaker 1: this movie to an entirely different standard, with it being 904 00:39:06,080 --> 00:39:09,319 Speaker 1: one of the most expensive movies ever made and it 905 00:39:09,480 --> 00:39:12,560 Speaker 1: not living up to my expectations from one or two. 906 00:39:13,200 --> 00:39:15,960 Speaker 1: For Avatar, Fire and Ash, I give it three point 907 00:39:16,000 --> 00:39:23,239 Speaker 1: five out of five fire arrows. It's time to head 908 00:39:23,280 --> 00:39:27,480 Speaker 1: down to movie Mike Trey Lar Paul. Two actors who 909 00:39:27,480 --> 00:39:31,640 Speaker 1: I do not get tired of, Zendaya and Robert Pattinson, 910 00:39:32,080 --> 00:39:34,800 Speaker 1: and both of them have a massive twenty twenty six 911 00:39:35,000 --> 00:39:38,080 Speaker 1: I think could be a banner year for Zendia maybe 912 00:39:38,080 --> 00:39:40,839 Speaker 1: for Robert Pattinson too. They're gonna be in a new 913 00:39:40,880 --> 00:39:43,840 Speaker 1: A twenty four movie coming out next year called The Drama. 914 00:39:44,600 --> 00:39:48,760 Speaker 1: They play a couple who just got engaged, all geared 915 00:39:48,800 --> 00:39:52,160 Speaker 1: up for their marriage to have this big wedding, and 916 00:39:52,200 --> 00:39:55,640 Speaker 1: then one of them finds out a dark secret about 917 00:39:55,680 --> 00:39:59,279 Speaker 1: the other and it throws their life into chaos. It 918 00:39:59,360 --> 00:40:02,719 Speaker 1: is being de described as a romantic comedy, but I 919 00:40:02,880 --> 00:40:06,640 Speaker 1: tell you, after watching this trailer, I don't feel romantic 920 00:40:06,680 --> 00:40:09,960 Speaker 1: comedy vibes at all, maybe just a little bit, because 921 00:40:10,000 --> 00:40:13,439 Speaker 1: it is about love to people who seemingly love each other, 922 00:40:13,560 --> 00:40:16,120 Speaker 1: even though in this trailer there is a lot of tension. 923 00:40:16,160 --> 00:40:20,040 Speaker 1: They're getting their pictures taken and the couple is having 924 00:40:20,080 --> 00:40:23,239 Speaker 1: a real hard time connected with each other. The photographer 925 00:40:23,280 --> 00:40:25,960 Speaker 1: is trying to get them to appear as if they 926 00:40:26,040 --> 00:40:30,440 Speaker 1: love each other, and there is something hiding underneath, and 927 00:40:30,480 --> 00:40:33,080 Speaker 1: you have to assume when this trailer takes place, when 928 00:40:33,080 --> 00:40:36,200 Speaker 1: this photo shoot takes place, one of them already knows 929 00:40:36,400 --> 00:40:38,799 Speaker 1: the secret about the other because they're acting weird. They 930 00:40:38,800 --> 00:40:41,919 Speaker 1: do not look like they are in love. So by 931 00:40:42,040 --> 00:40:45,200 Speaker 1: my feel of this trailer doesn't feel like your traditional 932 00:40:45,520 --> 00:40:48,400 Speaker 1: romantic comedy, which I think that genre has shifted a 933 00:40:48,400 --> 00:40:51,560 Speaker 1: little bit where people associate some of the best romantic 934 00:40:51,560 --> 00:40:53,959 Speaker 1: comedies with those of the two thousands, where I feel 935 00:40:53,960 --> 00:40:57,200 Speaker 1: they were the best. You're Matthew mcconaugheyes, all that era 936 00:40:57,360 --> 00:41:00,200 Speaker 1: of romantic comedies. I feel they have a vall a 937 00:41:00,239 --> 00:41:02,520 Speaker 1: little bit because I don't think people want a traditional 938 00:41:02,560 --> 00:41:05,720 Speaker 1: comedy anymore. So you have to give something a little 939 00:41:05,719 --> 00:41:08,000 Speaker 1: bit more that you can chew on as the viewer. 940 00:41:08,400 --> 00:41:12,480 Speaker 1: While the love is at the forefront of this movie, 941 00:41:12,680 --> 00:41:15,239 Speaker 1: it is all the scenes that cuts to in between 942 00:41:15,840 --> 00:41:17,680 Speaker 1: that I think is going to give this movie a 943 00:41:17,719 --> 00:41:21,200 Speaker 1: totally different feeling, like there's something going on. Did somebody 944 00:41:21,280 --> 00:41:24,880 Speaker 1: murder somebody? I want to know, but it's called the drama. 945 00:41:25,040 --> 00:41:27,840 Speaker 1: Before I get into more, And also about all the 946 00:41:27,880 --> 00:41:31,520 Speaker 1: big movies that both Zendaiya and Robert Patinson have coming 947 00:41:31,600 --> 00:41:33,719 Speaker 1: up next year. Here is just a little bit of 948 00:41:33,800 --> 00:41:35,120 Speaker 1: the drama trailer. 949 00:41:35,440 --> 00:41:38,960 Speaker 2: Am I sent some some nerves, a little camera shy. 950 00:41:39,400 --> 00:41:41,360 Speaker 3: Let's do a little warm up so we're feeling repped 951 00:41:41,440 --> 00:41:43,000 Speaker 3: up and comfortable for your wedding day. 952 00:41:43,080 --> 00:41:45,160 Speaker 2: Hi, Charlie, move a little closer to your bride to be. 953 00:41:45,560 --> 00:41:47,360 Speaker 2: What's your favorite thing about amma? 954 00:41:48,000 --> 00:41:53,840 Speaker 1: She's beautiful, funny, this is straight serious, and she has. 955 00:41:53,719 --> 00:41:58,759 Speaker 2: The best law. Okay, good, good, Amma. I love that 956 00:41:58,880 --> 00:42:01,839 Speaker 2: he's carrying understanding, open mind. 957 00:42:01,880 --> 00:42:06,880 Speaker 1: Burgh. That's good okay. So hold on to those thoughts 958 00:42:06,960 --> 00:42:10,279 Speaker 1: to smile naturally how you would smile in life. So 959 00:42:10,400 --> 00:42:13,920 Speaker 1: you see them having this photo shoot later, it looks 960 00:42:13,960 --> 00:42:16,520 Speaker 1: like they are fighting with each other. You hear somebody 961 00:42:16,520 --> 00:42:19,880 Speaker 1: get slapped there in the trailer, and it looks like 962 00:42:20,160 --> 00:42:23,080 Speaker 1: the most chaotic moment of this movie is gonna come 963 00:42:23,080 --> 00:42:25,600 Speaker 1: in the third act when they actually get married. Just 964 00:42:26,040 --> 00:42:28,520 Speaker 1: by my understanding of this trailer and what the movie 965 00:42:28,560 --> 00:42:31,080 Speaker 1: is about, it looks like it's all gonna build up 966 00:42:31,120 --> 00:42:33,200 Speaker 1: and you're gonna wonder, at least I hope you are 967 00:42:33,239 --> 00:42:36,000 Speaker 1: wondering as the viewer, are they gonna get married? Are 968 00:42:36,080 --> 00:42:38,680 Speaker 1: they going to call it off? But you do see 969 00:42:38,719 --> 00:42:42,480 Speaker 1: them finally at what appears to be the ceremony at 970 00:42:42,480 --> 00:42:46,920 Speaker 1: the end. At one point, Robert Pattinson is covered in blood, 971 00:42:47,200 --> 00:42:49,480 Speaker 1: So is somebody gonna get in a fight? I kind 972 00:42:49,480 --> 00:42:52,120 Speaker 1: of hope she figures out he's some psycho killer and 973 00:42:52,160 --> 00:42:54,440 Speaker 1: then she's worried about the well being of her life. 974 00:42:54,480 --> 00:42:57,440 Speaker 1: Maybe she's gonna be his next victim. But I have 975 00:42:57,520 --> 00:42:59,839 Speaker 1: to imagine it's gonna be something a little bit more like, 976 00:43:00,760 --> 00:43:04,360 Speaker 1: tell me this about yourself, and now I'm questioning everything. 977 00:43:04,719 --> 00:43:07,000 Speaker 1: I do think they look good together as a couple. 978 00:43:07,040 --> 00:43:10,440 Speaker 1: Oddly enough, this is coming after me seeing Don My Love, 979 00:43:11,000 --> 00:43:15,279 Speaker 1: which was almost a similar situation between Robert Pattinson and 980 00:43:15,400 --> 00:43:19,840 Speaker 1: Jennifer Lawrence, where they were in a very toxic relationship 981 00:43:20,160 --> 00:43:22,680 Speaker 1: they were married with the kid. That one was a 982 00:43:22,719 --> 00:43:24,799 Speaker 1: little bit more of a fantasy. I feel like this 983 00:43:24,840 --> 00:43:28,440 Speaker 1: one is gonna be a lot more grounded in reality. 984 00:43:28,880 --> 00:43:31,360 Speaker 1: But I think as a couple they make sense. To me. 985 00:43:31,440 --> 00:43:34,480 Speaker 1: They look good together. They have Robert Pattinson in these 986 00:43:34,640 --> 00:43:37,600 Speaker 1: very nerding glasses, so you have mj over here from 987 00:43:37,600 --> 00:43:41,319 Speaker 1: Spider Man dating a nerdy version of Bruce Wayne. But 988 00:43:41,440 --> 00:43:43,839 Speaker 1: I think it works. I think it is believable and 989 00:43:43,880 --> 00:43:46,520 Speaker 1: I think them too on screen together is something I 990 00:43:46,640 --> 00:43:50,640 Speaker 1: wasn't expecting in a romantic comedy like this. And if 991 00:43:50,680 --> 00:43:53,319 Speaker 1: you look at all the movies they have coming out 992 00:43:53,360 --> 00:43:57,440 Speaker 1: in twenty twenty six could be a banner year for Zendeya. 993 00:43:57,520 --> 00:43:59,480 Speaker 1: She has The Drama which this movie is coming out 994 00:43:59,480 --> 00:44:02,080 Speaker 1: on April third. She is also going to be in 995 00:44:02,120 --> 00:44:06,080 Speaker 1: Christopher Nolan's The Odyssey, which my hype is starting to 996 00:44:06,080 --> 00:44:08,600 Speaker 1: build for that movie. Whenever I heard Christopher Nolan was 997 00:44:08,640 --> 00:44:11,080 Speaker 1: doing The Odyssey and I saw the first glimpse of 998 00:44:11,080 --> 00:44:13,919 Speaker 1: the trailer look kind of boring to me, I thought, 999 00:44:13,960 --> 00:44:16,640 Speaker 1: how are you gonna make that story interesting? But as 1000 00:44:16,680 --> 00:44:20,359 Speaker 1: I see more and more photos from the set, more posters, 1001 00:44:20,440 --> 00:44:23,200 Speaker 1: more of that starts to roll out, and I'm starting 1002 00:44:23,200 --> 00:44:25,279 Speaker 1: to get a little bit more excited about that one 1003 00:44:25,560 --> 00:44:28,600 Speaker 1: big mythic adventure. She is also going to be in 1004 00:44:28,680 --> 00:44:31,360 Speaker 1: Spider Man Brand New Day, which I cannot wait for that. 1005 00:44:31,719 --> 00:44:33,640 Speaker 1: I think some of the footage linked online, I don't 1006 00:44:33,640 --> 00:44:35,959 Speaker 1: want to see any of that. I don't want any 1007 00:44:36,000 --> 00:44:38,080 Speaker 1: of that ruin. I don't want to see it until 1008 00:44:38,120 --> 00:44:42,080 Speaker 1: it's the full trailer in all of its glory, because 1009 00:44:42,080 --> 00:44:44,840 Speaker 1: to me, that is going to be really exciting. She 1010 00:44:44,960 --> 00:44:47,160 Speaker 1: is also going to be in Dune Part three. That 1011 00:44:47,320 --> 00:44:50,920 Speaker 1: is three massive movies. Well, maybe the drama is not 1012 00:44:50,960 --> 00:44:54,600 Speaker 1: a massive movie, but it's still a noteworthy a twenty 1013 00:44:54,640 --> 00:44:57,080 Speaker 1: four movie, but two of the biggest movies of the 1014 00:44:57,200 --> 00:45:01,000 Speaker 1: year she is going to be in. But then she 1015 00:45:01,160 --> 00:45:03,160 Speaker 1: is going to be in one of the biggest TV 1016 00:45:03,239 --> 00:45:07,400 Speaker 1: events that I thought would never happen, Euphoria Season three. 1017 00:45:07,560 --> 00:45:11,239 Speaker 1: That is an amazing run in twenty twenty six. Erzendaya, 1018 00:45:11,760 --> 00:45:14,719 Speaker 1: I have to imagine she is so in demand, has 1019 00:45:14,760 --> 00:45:18,360 Speaker 1: a crazy filming schedule to get all these in within 1020 00:45:18,440 --> 00:45:21,759 Speaker 1: probably two to three years. That is wild. But then 1021 00:45:21,800 --> 00:45:24,239 Speaker 1: you look at Robert Pattinson. He's also going to be 1022 00:45:24,239 --> 00:45:26,080 Speaker 1: in The Odyssey. He is also going to be in 1023 00:45:26,160 --> 00:45:28,880 Speaker 1: Dune Part three, and he is also going to be 1024 00:45:29,080 --> 00:45:33,320 Speaker 1: in the Drama. Hopefully he is working in there filming 1025 00:45:33,360 --> 00:45:37,080 Speaker 1: for The Batman two, which that script is freshly done. 1026 00:45:37,520 --> 00:45:41,000 Speaker 1: Hopefully that movie ends up being made before he just 1027 00:45:41,160 --> 00:45:44,120 Speaker 1: doesn't want to do it anymore or maybe gets aged 1028 00:45:44,120 --> 00:45:47,239 Speaker 1: out of the role. So both of these actors are 1029 00:45:47,280 --> 00:45:50,640 Speaker 1: two people who I feel have had different waves in 1030 00:45:50,680 --> 00:45:55,240 Speaker 1: their career. Where Robert Pattinson obviously was known for Twilight, 1031 00:45:55,640 --> 00:45:58,400 Speaker 1: and I think it took people a really long time 1032 00:45:58,480 --> 00:46:01,440 Speaker 1: to not see him as that up to all the 1033 00:46:01,480 --> 00:46:04,280 Speaker 1: way when he did The Batman that I still saw 1034 00:46:04,400 --> 00:46:07,439 Speaker 1: people saying, I can't watch The Batman because I can 1035 00:46:07,480 --> 00:46:10,520 Speaker 1: only see him as Edward Colin. But he has done 1036 00:46:10,560 --> 00:46:13,879 Speaker 1: so many fantastic movies that I don't even associate him 1037 00:46:14,120 --> 00:46:17,160 Speaker 1: with those movies anymore. And I saw Twilight when it 1038 00:46:17,200 --> 00:46:19,400 Speaker 1: came out in theaters for the first time back in 1039 00:46:19,440 --> 00:46:23,040 Speaker 1: two thousand and eight, and I have greatly shifted from 1040 00:46:23,040 --> 00:46:27,359 Speaker 1: his performances in movies like The Lighthouse and Tenant in 1041 00:46:27,520 --> 00:46:32,719 Speaker 1: Good Time, in The Batman, obviously, in Mickey seventeen, so 1042 00:46:32,880 --> 00:46:36,319 Speaker 1: many things where he has taken these big risks. He 1043 00:46:36,360 --> 00:46:40,000 Speaker 1: has an amazing skill set as an actor, a fantastic range, 1044 00:46:40,040 --> 00:46:42,319 Speaker 1: I would say at his level, has one of the 1045 00:46:42,360 --> 00:46:45,720 Speaker 1: best ranges in Hollywood. And on the other end, Zendaya, 1046 00:46:45,880 --> 00:46:48,799 Speaker 1: I feel the exact same way about which if you 1047 00:46:48,800 --> 00:46:50,840 Speaker 1: look at all those projects she is a part of 1048 00:46:50,920 --> 00:46:55,440 Speaker 1: next year, they are all vastly different. Whether it's on 1049 00:46:55,520 --> 00:46:58,040 Speaker 1: the small screen, which he started out as a Disney 1050 00:46:58,120 --> 00:47:01,600 Speaker 1: kid and then evolved with with her major role in 1051 00:47:01,680 --> 00:47:05,239 Speaker 1: the MCU and is now doing movies like Challengers. The 1052 00:47:05,360 --> 00:47:08,840 Speaker 1: drama can really do it all at a major scale, 1053 00:47:09,360 --> 00:47:12,080 Speaker 1: and for anybody working right now. I feel like she 1054 00:47:12,200 --> 00:47:16,560 Speaker 1: still has that classic Hollywood aura where she's not online 1055 00:47:16,600 --> 00:47:18,799 Speaker 1: a whole lot. I don't really know a whole lot 1056 00:47:18,840 --> 00:47:22,080 Speaker 1: about her personal life. I know she is engaged to 1057 00:47:22,120 --> 00:47:25,160 Speaker 1: Tom Holland, but they're not super public. You don't see 1058 00:47:25,200 --> 00:47:29,240 Speaker 1: them posting tiktoks together. You'll get the occasional set photo. 1059 00:47:29,719 --> 00:47:33,879 Speaker 1: But I feel like she has that old school Hollywood 1060 00:47:33,960 --> 00:47:38,480 Speaker 1: star energy because she is still so mysterious. She really 1061 00:47:38,480 --> 00:47:42,719 Speaker 1: only comes out for award shows or fashion events, and 1062 00:47:42,760 --> 00:47:45,160 Speaker 1: I think some of that is a little bit important 1063 00:47:45,200 --> 00:47:48,680 Speaker 1: now when it comes to wanting people to go to 1064 00:47:48,760 --> 00:47:51,319 Speaker 1: the theater to pay to see you. If you see 1065 00:47:51,320 --> 00:47:54,440 Speaker 1: some of these people all the time online. They're posting 1066 00:47:54,520 --> 00:47:57,239 Speaker 1: every day every update going on in their life, and 1067 00:47:57,280 --> 00:47:59,680 Speaker 1: you see it, you see them on podcasts, it's not 1068 00:48:00,080 --> 00:48:02,960 Speaker 1: as much of an event to go pay money to 1069 00:48:02,960 --> 00:48:05,239 Speaker 1: see them in theaters. When it comes to Zenday Up, 1070 00:48:05,560 --> 00:48:07,719 Speaker 1: if you want to see her, you have to go 1071 00:48:07,840 --> 00:48:10,919 Speaker 1: in theaters to see her. When it comes to the Rock, 1072 00:48:11,040 --> 00:48:13,799 Speaker 1: which completely just throwing him out there, you will see 1073 00:48:13,840 --> 00:48:16,880 Speaker 1: him all the time on the internet. Why are you 1074 00:48:17,000 --> 00:48:19,360 Speaker 1: gonna go see him in the Smashing Machine? So I 1075 00:48:19,400 --> 00:48:22,600 Speaker 1: think there is a little bit something there when it 1076 00:48:22,640 --> 00:48:25,520 Speaker 1: comes to these actors. Keep them hidden just a little bit, 1077 00:48:26,120 --> 00:48:30,359 Speaker 1: make their appearance noteworthy. I think that does play into 1078 00:48:30,400 --> 00:48:33,880 Speaker 1: the box office and seeing them together in this trailer, 1079 00:48:34,000 --> 00:48:36,080 Speaker 1: I love the rawness of it. I feel like we're 1080 00:48:36,080 --> 00:48:39,320 Speaker 1: really gonna get a great grasp on just their down 1081 00:48:39,400 --> 00:48:42,279 Speaker 1: to the bone acting skills, and I think both of 1082 00:48:42,280 --> 00:48:45,520 Speaker 1: them together is gonna make for an incredible ride. I 1083 00:48:45,640 --> 00:48:47,960 Speaker 1: really want to know why Robert Pattinson ends up so 1084 00:48:48,040 --> 00:48:51,120 Speaker 1: bloody and if they actually end up getting married. It 1085 00:48:51,200 --> 00:48:54,280 Speaker 1: is coming to us from director Christopher Borglee, who also 1086 00:48:54,360 --> 00:48:58,200 Speaker 1: directed Dream Scenario with Nick Cage, which was a movie 1087 00:48:58,239 --> 00:49:00,560 Speaker 1: A lot of people told me they did not like, 1088 00:49:01,040 --> 00:49:02,960 Speaker 1: and I had to go watch it for myself. I 1089 00:49:03,040 --> 00:49:05,359 Speaker 1: wasn't able to catch it in theaters, but as soon 1090 00:49:05,360 --> 00:49:08,560 Speaker 1: as it went on streaming, I watched it and I 1091 00:49:08,680 --> 00:49:10,799 Speaker 1: still really enjoyed it. I think I would have loved 1092 00:49:10,840 --> 00:49:12,879 Speaker 1: it even more if people didn't tell me how bad 1093 00:49:12,920 --> 00:49:15,160 Speaker 1: it was. But it does kind of give me an 1094 00:49:15,200 --> 00:49:19,920 Speaker 1: idea of Christopher Borgli's mind. So I think this isn't 1095 00:49:19,960 --> 00:49:23,880 Speaker 1: going to be what everybody is expecting it to, especially 1096 00:49:23,920 --> 00:49:27,480 Speaker 1: if you are a fan of Robert Pattinson and Zendia's 1097 00:49:27,560 --> 00:49:30,480 Speaker 1: other work. His movies do blend a lot of things 1098 00:49:30,480 --> 00:49:33,800 Speaker 1: that are surreal. They are dark comedies, so I even 1099 00:49:33,840 --> 00:49:37,880 Speaker 1: feel that them billing this as a romantic comedy is 1100 00:49:37,920 --> 00:49:41,200 Speaker 1: going to give people a much different expectation. But I 1101 00:49:41,239 --> 00:49:43,520 Speaker 1: know going into it, I am going to see something 1102 00:49:44,000 --> 00:49:47,120 Speaker 1: probably delivered in a way that I haven't before, and 1103 00:49:47,160 --> 00:49:50,000 Speaker 1: that is taking a risk, that is swinging for the fences. 1104 00:49:50,440 --> 00:49:52,960 Speaker 1: You could have a home run with this, or it 1105 00:49:53,000 --> 00:49:55,800 Speaker 1: could be another case of putting two A list actors 1106 00:49:55,840 --> 00:49:58,319 Speaker 1: together and striking out. But again, this movie is coming 1107 00:49:58,320 --> 00:50:02,480 Speaker 1: out next year. On April twenty twenty six, said that 1108 00:50:02,560 --> 00:50:05,960 Speaker 1: for was this week's edition of movie by tram or 1109 00:50:06,080 --> 00:50:09,120 Speaker 1: Bar and that is gonna do it for another episode 1110 00:50:09,200 --> 00:50:11,560 Speaker 1: here of the podcast. But before I go, I gotta 1111 00:50:11,600 --> 00:50:14,680 Speaker 1: get my listeners shout out of the week this week, 1112 00:50:14,760 --> 00:50:17,240 Speaker 1: I'm going over to my YouTube channel, which is YouTube 1113 00:50:17,280 --> 00:50:21,120 Speaker 1: dot com slash Mike Distro a comment for my last 1114 00:50:21,160 --> 00:50:25,319 Speaker 1: movie review, which I broke down five nights at Freddy's two. 1115 00:50:25,640 --> 00:50:27,600 Speaker 1: Not only did I break down the movie. I also 1116 00:50:27,680 --> 00:50:31,600 Speaker 1: broke down myself, and surprisingly, not a whole lot of 1117 00:50:31,640 --> 00:50:34,759 Speaker 1: the young audience that really jumped on me last time 1118 00:50:35,200 --> 00:50:37,840 Speaker 1: returned to bash me for this one. I think for 1119 00:50:37,920 --> 00:50:40,640 Speaker 1: the most part, we all agreed that Five Nights at 1120 00:50:40,640 --> 00:50:43,719 Speaker 1: Freddy's two was not a great movie. But Robert on 1121 00:50:43,840 --> 00:50:46,919 Speaker 1: YouTube said, thank you for saving me from seeing this movie. 1122 00:50:47,280 --> 00:50:50,440 Speaker 1: With so many movies being released, your reviews helped me 1123 00:50:50,520 --> 00:50:55,040 Speaker 1: eliminate those not worthy. Appreciate you watching on YouTube, Robert, 1124 00:50:55,160 --> 00:50:57,160 Speaker 1: And that is what I tried to do. And I 1125 00:50:57,200 --> 00:51:00,920 Speaker 1: also try not to rip a movie to shreds without 1126 00:51:01,000 --> 00:51:04,160 Speaker 1: telling you who would be a fan of this movie. 1127 00:51:04,200 --> 00:51:06,880 Speaker 1: If I don't like a movie, I usually try to 1128 00:51:07,000 --> 00:51:10,759 Speaker 1: identify who this movie could have been for. Sometimes I 1129 00:51:10,880 --> 00:51:12,920 Speaker 1: know that some things are just not made for me. 1130 00:51:13,440 --> 00:51:16,000 Speaker 1: It was never, no matter how good it was, going 1131 00:51:16,040 --> 00:51:18,200 Speaker 1: to connect with me as a person. I think also, 1132 00:51:18,239 --> 00:51:20,800 Speaker 1: if you listen to this podcast, you know a little 1133 00:51:20,800 --> 00:51:23,440 Speaker 1: bit of my sensibilities and what I like and what 1134 00:51:23,520 --> 00:51:26,280 Speaker 1: I don't like. So I always try to be upfront 1135 00:51:26,320 --> 00:51:28,920 Speaker 1: with you if I don't like it, but also if 1136 00:51:28,920 --> 00:51:32,560 Speaker 1: you like maybe this other director or this type of actor, 1137 00:51:33,040 --> 00:51:35,840 Speaker 1: why you still might enjoy said film. That I'm reviewing 1138 00:51:35,880 --> 00:51:38,120 Speaker 1: that week. But when it comes to five nights at 1139 00:51:38,160 --> 00:51:41,920 Speaker 1: Freddy's two, unless you are a diehard fan of that 1140 00:51:42,080 --> 00:51:45,239 Speaker 1: video game, I don't really think you are going to 1141 00:51:45,320 --> 00:51:48,640 Speaker 1: find much. They're still rooting for Josh Hutcherson, but I 1142 00:51:48,719 --> 00:51:51,799 Speaker 1: appreciate that, Robert. I'm always trying to save you guys 1143 00:51:51,840 --> 00:51:53,520 Speaker 1: a little bit of money, at least from going to 1144 00:51:53,560 --> 00:51:56,560 Speaker 1: see the not so great movies in theaters and then 1145 00:51:56,640 --> 00:51:59,240 Speaker 1: maybe giving them a shot whenever they come to streaming. 1146 00:51:59,560 --> 00:52:02,680 Speaker 1: So she ate that next week I'll do my top 1147 00:52:02,719 --> 00:52:05,440 Speaker 1: five interviews of twenty twenty five, and then later in 1148 00:52:05,440 --> 00:52:08,640 Speaker 1: the week, on Kelsey's birthday, actually, we'll do a special 1149 00:52:08,680 --> 00:52:12,320 Speaker 1: episode where she breaks down her top ten books. Switch 1150 00:52:12,360 --> 00:52:14,840 Speaker 1: to formats and we'll do her top ten books of 1151 00:52:14,920 --> 00:52:17,880 Speaker 1: twenty twenty five. So thank you for listening, and until 1152 00:52:17,960 --> 00:52:20,880 Speaker 1: next time, go out and watch good movies and I 1153 00:52:20,920 --> 00:52:22,640 Speaker 1: will talk to you later