WEBVTT - 88: Merry Labyrinthmas

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<v Speaker 1>Welcome to Night Call, a production of I Heart Radio.

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<v Speaker 1>It's two thirty six am in a maze filled with puppets,

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<v Speaker 1>and you're listening to Night Call. Hello and welcome Tonight Call,

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<v Speaker 1>a podcast for your strange days and lonely nights. I

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<v Speaker 1>am in Los Angeles. I'm Tess Lynch and with the

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<v Speaker 1>art Emily Ashida and Molly Lambert and joining us this

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<v Speaker 1>week our very special guest, Lily Simon Sin Lily, Welcome

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<v Speaker 1>Tonight Call. Um. Lily is a friend of mine who

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<v Speaker 1>has been on I think every previous seration of UH,

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<v Speaker 1>this podcast and my podcasts UM. She's an artist, and

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<v Speaker 1>she was also MTVS fanatic for Back, which we will

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<v Speaker 1>talk about more later. We're going to get into it

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<v Speaker 1>back in the news Um. And she's going to a

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<v Speaker 1>conference called the Submergence Confidence, so we'll also discuss that.

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<v Speaker 1>And she's wearing a four local shirt which I just

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<v Speaker 1>noticed it's actually a dress when it becomes the shirt

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<v Speaker 1>in the winter Chameleon. We're going to talk about a

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<v Speaker 1>lot of puppet movies today. The theme of this week's

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<v Speaker 1>Night Call is eighties puppet movies for children. I think

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<v Speaker 1>our theme until the Holidays basically like we're going to

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<v Speaker 1>submerge ourselves in this and stuff. We were all just

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<v Speaker 1>we decided that Baby Yoda, the popularity, the rise and

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<v Speaker 1>fall of Baby Yoda, we're just cashing in on a

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<v Speaker 1>craze right now, like we're we're yeah, it's viral content. Um.

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<v Speaker 1>But I think you made a really salient point, which

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<v Speaker 1>is that the reason people like Baby Yoda is because

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<v Speaker 1>it's a puppet. Right. Yeah, and apparently, um, I don't

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<v Speaker 1>remember if we talked about this before, but Werner Hertzog

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<v Speaker 1>claimed that he was the one who fought for Baby

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<v Speaker 1>Yoda to remain a puppet as opposed to c G. I.

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<v Speaker 1>I still think there's some c G. I like he's

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<v Speaker 1>been juiced up with a little bit of it. But um,

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<v Speaker 1>and and called the the I don't know if it

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<v Speaker 1>was Jon Favreau who we called a coward, but he

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<v Speaker 1>called somebody coward in in true Verner Hertzog fashion. But

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<v Speaker 1>this has been debunked because most things that Werner Hertzog

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<v Speaker 1>says can be debunked in somewhere or other. Um. So, yeah,

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<v Speaker 1>the weird thing about Baby Yoda and and not not

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<v Speaker 1>to I feel like we could do an entire spinoff

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<v Speaker 1>podcast about Baby Yoda, but that um, you know, they

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<v Speaker 1>don't have toys for it, which feels like a huge

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<v Speaker 1>oversight and makes me think that they're not as smart

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<v Speaker 1>as they like. They seem like evil geniuses for creating

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<v Speaker 1>in this thing and for how popular it's become. But

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<v Speaker 1>there are no toys ready for Christmas for it, which

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<v Speaker 1>just feels like, what are you doing? People are crocheting

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<v Speaker 1>their own I know. Like it's also like if you

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<v Speaker 1>see there's a lot of cheepy Yoda things anyway that

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<v Speaker 1>just kind of looked like baby Yoda when you see them,

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<v Speaker 1>like I saw Yoda Christmas ornaments, like oh, baby Yoda.

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<v Speaker 1>Disney has its own kind of fun co pop esque

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<v Speaker 1>iterations of characters, called it Sum Sum. I only know

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<v Speaker 1>this because once I was in a waiting room somewhere

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<v Speaker 1>in the Disney channels. The ones you can stack on

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<v Speaker 1>each other. They're like these little toys. Okay. Our friend

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<v Speaker 1>Jamie Patterson went to a Disney convention on with a

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<v Speaker 1>dress that had all of them sewed on. It paid

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<v Speaker 1>for them. Yeah, it was like a dress made out

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<v Speaker 1>of them. They're like Disney beanie babies essentially, Wait you wait,

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<v Speaker 1>hold up. Was that a decision that she made or

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<v Speaker 1>was she like paid to do She paid to do it.

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<v Speaker 1>She was like the model for the Beanie Baby Disney

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<v Speaker 1>Soon Soon dress. That was a great gig. It was,

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<v Speaker 1>to be honest, Yeah, I mean more dress is made

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<v Speaker 1>out of a million stuffed animal right. I think it

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<v Speaker 1>was very heavy, That's what she said. Actually be Yeah,

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<v Speaker 1>we got a like sideways speaking of Star Wars creatures

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<v Speaker 1>and puppets. Um. We got a kind of like indirect

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<v Speaker 1>inquiry uh via Twitter from a listener or more specifically,

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<v Speaker 1>from a listener's boyfriend who had a theory about Nia Nubb.

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<v Speaker 1>Do you guys know about Niab? Didn't? Got asked? Um?

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<v Speaker 1>Nia Nub isn't return of the Jedi. He is a

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<v Speaker 1>slution male. Um he uh. And he looked at it

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<v Speaker 1>because you'll you'll only know when you see it. Well, so,

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<v Speaker 1>so he's like Lando's co pilot when Lando goes in

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<v Speaker 1>to destroy the Second Death Star, um and nodding along,

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<v Speaker 1>why space this way? He has some folds? Um, what happened? Well, okay,

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<v Speaker 1>so when I first saw Star Wars when I was,

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<v Speaker 1>however old, like seven years old, I just sort of

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<v Speaker 1>and I've talked about this, I think on blank check before.

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<v Speaker 1>I kind of just implicitly, without even like questioning it,

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<v Speaker 1>just understood that he was I thought he was Japanese UM.

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<v Speaker 1>I thought he was a Japanese alien, UM, and I

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<v Speaker 1>thought maybe I was related to him. I just like that,

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<v Speaker 1>like this is just like because his voice, the language

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<v Speaker 1>that he speaks, because he only he like speaks unsubtitled

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<v Speaker 1>in his alien language, and it sounds Asian in nature,

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<v Speaker 1>I guess uh. And there were some theories like it's

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<v Speaker 1>so the boyfriend of the listener who did eventually clarify

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<v Speaker 1>his theory was that he thought that he was supposed

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<v Speaker 1>to be a Vietnamese alien, which the name feels vietname

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<v Speaker 1>like fake Vietnamese Um. But apparently he was voiced by

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<v Speaker 1>a his name was Bill kept saying road chick. He

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<v Speaker 1>was a Kenyan student, and he spoke in his native

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<v Speaker 1>language for the role um, and he became like a

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<v Speaker 1>local celebrity in Kenya afterwards for being this alien and

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<v Speaker 1>Star Wars. Pretty like he'sising that more than one person

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<v Speaker 1>was like this alien. It's definitely Asia, and like specifically this,

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<v Speaker 1>I have another Asian American friend who identifies deeply with

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<v Speaker 1>et see, like what is this is what happens when

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<v Speaker 1>you're like not representative, You're like, what can I be

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<v Speaker 1>in this movie? And I mean like, because I was

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<v Speaker 1>I rewatched um just in preparation for the new Star

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<v Speaker 1>Wars it's coming out. I rewatched Last Jedi this past week,

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<v Speaker 1>which does have like the first ever actual Asian character

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<v Speaker 1>and it like your main character in it. And it

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<v Speaker 1>was just sort of like hilarious to think that up

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<v Speaker 1>until then, the only like substantial Asian representation was like

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<v Speaker 1>Nea Nub And then in a very dark turn, uh,

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<v Speaker 1>the what are they called Nemidians in the prequels, which

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<v Speaker 1>are like basically like super offensive Chinese characters like these

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<v Speaker 1>like kind of trade and a negotiation Aliens who are

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<v Speaker 1>just like bureaucrats and super evil and have like bad Twilight.

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<v Speaker 1>Yeah yeah, yeah, yeah yeah. This is the hardest I've

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<v Speaker 1>ever thought about any of it, you know. But I

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<v Speaker 1>was like, oh, the cantina is it in Mexico they

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<v Speaker 1>have cantinas, not a cantina cantina. But also it is

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<v Speaker 1>weird that it's like almost all white people and land

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<v Speaker 1>in space and yes, yeah, yeah, that's weird. And then

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<v Speaker 1>sometime and whatever timeline that the current trilogy is taking place,

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<v Speaker 1>and suddenly everything gets more diverse, Like suddenly space is

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<v Speaker 1>more differ is weirdly fifty years after a return of

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<v Speaker 1>the Jedi or however long it's supposed to be. I

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<v Speaker 1>think it's fifty years yeah. Um, anyway, this is just

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<v Speaker 1>more This is a Star Wars podcast in short, Um,

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<v Speaker 1>who's the it's a trap guy. He's Admiral Akbar. I've

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<v Speaker 1>come to love that one. Oh yeah, he's great, he's

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<v Speaker 1>a and there, um are there. I feel like there

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<v Speaker 1>are more like Calamari people in either the new trilogy.

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<v Speaker 1>People get disappointed when there's like a backstory rhet condan

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<v Speaker 1>for some character that you had made up your own

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<v Speaker 1>weird story for. Yeah. I mean I've kind of gotten

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<v Speaker 1>used to that now because the animated shows have a

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<v Speaker 1>lot of that stuff that I just never watched them.

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<v Speaker 1>And then I'm like, oh, there's like a whole story

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<v Speaker 1>about this one droid that always creeped me out, like

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<v Speaker 1>he was a character, um, which I I don't. I

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<v Speaker 1>I go deep, but not that deep, which is to say,

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<v Speaker 1>not very deep at all, because they're like entire television shows.

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<v Speaker 1>I haven't watched, but but and is like a good

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<v Speaker 1>example of like that kind of that kind of like

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<v Speaker 1>creature workshop stuff where it's just like the head and

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<v Speaker 1>they find a way to like animate the eyes and

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<v Speaker 1>the but it's like a human body, so it's not

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<v Speaker 1>a puppet, but like the head is a puppet. The

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<v Speaker 1>head looks very plastic, like molded plastic. And I can't

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<v Speaker 1>tell if that's supposed to be hair that looks like

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<v Speaker 1>a fifties game show host or if that's a hat.

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<v Speaker 1>I think it's a little hat um little hat. So

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<v Speaker 1>the thing about puppets is that they're fundamentally like a

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<v Speaker 1>little bit off put it. They're weird. They're weird, Lily,

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<v Speaker 1>and do I have anything to add about puppets, I

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<v Speaker 1>can't agree more. Are you pro or anti puppet? I'm

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<v Speaker 1>pro and I specifically was like a super fan of

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<v Speaker 1>the show syphilin Ali. But then yeah, so those are

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<v Speaker 1>my main puppet association, Precious Roy Precious puppets are less

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<v Speaker 1>creepy than like anything made out of molded ly tex.

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<v Speaker 1>Yeah that's a little Some puppets are pretty much just

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<v Speaker 1>cute yea, which it should be the opposite. Like I

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<v Speaker 1>feel like real puppets are meant to be cute. Stock

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<v Speaker 1>puppets are meant to be weirder. But it's well, trying

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<v Speaker 1>to make things cute always backfires. I mean well, kind

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<v Speaker 1>of like with baby Ood. It's like it works initially,

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<v Speaker 1>but eventually there's something about like a bit of like

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<v Speaker 1>a textured or rough kind of thing, or like an

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<v Speaker 1>innate organic cuteness that sustains. But the manufactured cuteness. You

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<v Speaker 1>can't try to be cute. You can't try to be

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<v Speaker 1>somebody younger and cuter to push you out unless you

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<v Speaker 1>and then that's forever. Baby Well, should we take a

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<v Speaker 1>question about some very cute puppets of old, Yes we sure. Hello, nightcall.

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<v Speaker 1>It's ten fifty one PM in Chicago, Illinois, and my

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<v Speaker 1>name is Jesse. I'm calling because I've always thought that

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<v Speaker 1>Gremlins could be classified as womb horror, because it's about

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<v Speaker 1>like the horror of giving birth and spawning all of

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<v Speaker 1>these creeps. I'm evil, But upon a recent rewatch, I

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<v Speaker 1>feel like it's maybe a little bit more like erase

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<v Speaker 1>their head, where it's like a fear of fatherhood, because

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<v Speaker 1>the entirety of the movie is really from the point

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<v Speaker 1>of view of the young man who has given the

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<v Speaker 1>serve sweet little creature, uh, and then has no control

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<v Speaker 1>over anything. But he's just sort of left to clean

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<v Speaker 1>up the mess. And it just sort of feels like

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<v Speaker 1>a weird sort of uh maybe masculine fear of parenthood movie. Anyway,

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<v Speaker 1>baby Yoda is giving me really maternal feelings and I'm

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<v Speaker 1>super uncomfortable about it. Thanks to Night Call, good night. Um,

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<v Speaker 1>great question. Yeah, I heard actually one theory that baby

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<v Speaker 1>Yoda was a sci op to inspire maternal feelings in

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<v Speaker 1>women because the birth rate is like down every year

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<v Speaker 1>four years. Really come on, yeah, man, No, I mean

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<v Speaker 1>I know the birth rates down obviously, but the color

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<v Speaker 1>is right. They're playing into their saying hands. I didn't

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<v Speaker 1>think that would work. I was like, Baby, it doesn't

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<v Speaker 1>make you want to have a human baby. You want

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<v Speaker 1>to have a baby to adopt a French bulldog. Yeah,

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<v Speaker 1>but it makes you want to have a little bit

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<v Speaker 1>like any time your baby Yoda gets picked up and

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<v Speaker 1>you realize how light and we he is, it doesn't

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<v Speaker 1>make me go like, don't they referred to him as

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<v Speaker 1>the child, yes, an officially baby Yoda child. Well, when

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<v Speaker 1>is the last time you guys watched Gremlins, Okay it's

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<v Speaker 1>been I watched it like as an adult but not recently,

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<v Speaker 1>and I love Gremlins. Gremlins reps. We should do a

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<v Speaker 1>whole Gremlins episode, totally, we should. But I definitely I

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<v Speaker 1>had not thought of this, and I don't know if

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<v Speaker 1>it's particularly paternal, but I definitely think there's something about

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<v Speaker 1>And also this ties in with a movie we'll be

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<v Speaker 1>talking about later, Labyrinth responsibility, like the fear of like

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<v Speaker 1>fucking up a huge responsibility, which is such a valid

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<v Speaker 1>fear um and one big responsibility as children and they're

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<v Speaker 1>very cute and then things can go wrong and then

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<v Speaker 1>they can turn out bad. And yeah, I mean I

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<v Speaker 1>definitely I was like, yes, maybe that's why I loved Gremlins.

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<v Speaker 1>And also may maybe like, oh, what's the other great

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<v Speaker 1>maternal horror movies or like uh, but like it's really

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<v Speaker 1>interesting when it's stuff that's pitched at kids, because doing

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<v Speaker 1>this work early to be like no wonder like if

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<v Speaker 1>you watch Gremlins and you're a little boy, like maybe

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<v Speaker 1>you're like I never want to have a pet in

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<v Speaker 1>my life, like that it makes you want to have

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<v Speaker 1>a gizmo that it makes you want to, but it's

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<v Speaker 1>also a good parable for like, well, you could adopt

0:13:54.280 --> 0:13:57.200
<v Speaker 1>a critter and then it could turn against you and

0:13:57.280 --> 0:14:02.440
<v Speaker 1>destroy everything. The Big Gremlins or Teenager. Yeah, yeah they are.

0:14:03.040 --> 0:14:05.840
<v Speaker 1>They are. Well that's also like what's good about alien

0:14:06.240 --> 0:14:09.040
<v Speaker 1>Like how all the Motherhood horror movies have just like

0:14:09.080 --> 0:14:12.400
<v Speaker 1>scary puppets in them. Yeah, it's true. I mean you

0:14:12.440 --> 0:14:14.440
<v Speaker 1>have to get a good amount of goo in there.

0:14:14.760 --> 0:14:20.160
<v Speaker 1>I think also I got to have something punching out

0:14:20.160 --> 0:14:23.480
<v Speaker 1>of something. Have you seen Gremlins too? I've actually never

0:14:23.520 --> 0:14:28.280
<v Speaker 1>seen gin Amazing. It's funny and it's like a like

0:14:28.320 --> 0:14:32.240
<v Speaker 1>a satire of the eighties and movie making. There's like

0:14:32.280 --> 0:14:35.360
<v Speaker 1>the Key and Peel sketch about Gremlins too, where it's

0:14:35.400 --> 0:14:37.320
<v Speaker 1>just like they go around the room and just like

0:14:37.720 --> 0:14:40.280
<v Speaker 1>call out names of kinds of gremlin and they're like

0:14:40.320 --> 0:14:44.040
<v Speaker 1>it's in the movie. Yeah, it's just like yeah, it's

0:14:44.080 --> 0:14:46.600
<v Speaker 1>totally like, oh, you want us to merchandise this. Here's

0:14:46.640 --> 0:14:50.360
<v Speaker 1>a million new characters, and it has the sexy Lady Gremlin,

0:14:51.360 --> 0:14:55.680
<v Speaker 1>which was totally the baby Yoda of her day because

0:14:55.680 --> 0:14:58.880
<v Speaker 1>everybody was like, oh my god, they put lipstick online

0:15:00.080 --> 0:15:03.880
<v Speaker 1>and now feels like It is like that part in

0:15:03.920 --> 0:15:06.200
<v Speaker 1>Wayne's World and they're like, you know, bugs Bunny puts

0:15:06.200 --> 0:15:10.840
<v Speaker 1>on lipstick and you want to make out with bugs Bunny. Um,

0:15:11.080 --> 0:15:13.320
<v Speaker 1>some of us wanted to kiss the gremlins in all

0:15:13.360 --> 0:15:22.520
<v Speaker 1>their forms there. You're furry if it's for a gizmo,

0:15:23.560 --> 0:15:28.240
<v Speaker 1>you're like a scaly if it's for really. I know

0:15:28.280 --> 0:15:31.440
<v Speaker 1>it's a slippery slope. But when I think about the

0:15:31.480 --> 0:15:33.880
<v Speaker 1>grapes that tastes like hot and candy, I'm just like,

0:15:33.960 --> 0:15:36.240
<v Speaker 1>how hard could it be to make? Have you not

0:15:36.280 --> 0:15:42.080
<v Speaker 1>had these? But but I never tied those things together.

0:15:42.440 --> 0:15:45.240
<v Speaker 1>I never made the connection before. And this is another

0:15:45.280 --> 0:15:47.920
<v Speaker 1>movie too that was just like about like white people's

0:15:47.960 --> 0:15:51.320
<v Speaker 1>fear of Asian culture and like, oh, if you buy

0:15:51.400 --> 0:15:55.920
<v Speaker 1>products from overseas, like scary things will happen. And again,

0:15:55.960 --> 0:16:00.160
<v Speaker 1>it totally just makes you want to go buy a gizmo. So, well,

0:16:00.160 --> 0:16:01.640
<v Speaker 1>we're going to take a quick break and when we

0:16:01.720 --> 0:16:04.560
<v Speaker 1>get back, we're going to talk more puppits of course,

0:16:20.080 --> 0:16:24.200
<v Speaker 1>and we're back. Um. So a long running campaign on

0:16:24.280 --> 0:16:27.360
<v Speaker 1>Nightcall has come to a close because we finally got

0:16:27.400 --> 0:16:35.200
<v Speaker 1>Molly to watch Labyrinth Labyrinth, not the Labyrinth Labyrinth, Um

0:16:35.360 --> 0:16:40.320
<v Speaker 1>Labyrinth Labyrinth. UM. I watched about half of it just

0:16:40.400 --> 0:16:43.560
<v Speaker 1>to refresh myself. It was it was a fairly big

0:16:43.640 --> 0:16:45.840
<v Speaker 1>movie of my childhood, but I hadn't seen it in

0:16:45.880 --> 0:16:49.640
<v Speaker 1>the second Um. But yeah, it's a Jim Henson movie

0:16:49.680 --> 0:16:51.960
<v Speaker 1>if you haven't seen it, with David Bowie and Jennifer

0:16:51.960 --> 0:16:54.600
<v Speaker 1>Connelly and about losing a baby. So it's just like

0:16:55.200 --> 0:16:59.280
<v Speaker 1>pure panic all the way through. Like that's the experience

0:16:59.320 --> 0:17:03.000
<v Speaker 1>of watching Labyrinth and the uncut gems. Yeah, it is

0:17:03.200 --> 0:17:08.800
<v Speaker 1>Labyrinth is I mean it's kind of always panic inducing. Um.

0:17:08.960 --> 0:17:11.320
<v Speaker 1>What did you think about it watching it for the

0:17:11.359 --> 0:17:14.960
<v Speaker 1>first time as an adult? First time ever? Actually? Right,

0:17:15.119 --> 0:17:18.000
<v Speaker 1>as with many things, Yeah, I had a total misconception

0:17:18.000 --> 0:17:19.440
<v Speaker 1>of what it was going to be like and then

0:17:19.800 --> 0:17:22.000
<v Speaker 1>it was totally different And what did you think it

0:17:22.040 --> 0:17:23.920
<v Speaker 1>was going to be? But it was a medieval fantasy

0:17:23.960 --> 0:17:27.680
<v Speaker 1>movie because it's called Labyrinth. You know, you didn't listen

0:17:27.720 --> 0:17:29.680
<v Speaker 1>to us the whole time. We were like, no, it's

0:17:29.720 --> 0:17:34.360
<v Speaker 1>not that babysitting adventure that and then I was like, okay,

0:17:34.560 --> 0:17:36.280
<v Speaker 1>you said it was like when you said it's like

0:17:36.320 --> 0:17:39.040
<v Speaker 1>a girl never ending story, and I was like, oh,

0:17:39.119 --> 0:17:41.440
<v Speaker 1>all right, but there's like a part in they showed

0:17:41.480 --> 0:17:44.280
<v Speaker 1>at the beginning wearing like a princess dress, but it's

0:17:44.320 --> 0:17:49.840
<v Speaker 1>her just practicing. Yeah, very nice costume, better than most

0:17:49.840 --> 0:17:53.280
<v Speaker 1>schools can afford. Yeah, I don't know what I thought

0:17:53.320 --> 0:17:56.159
<v Speaker 1>this movie would be like, but it's just so weird.

0:17:56.280 --> 0:17:59.800
<v Speaker 1>How can you not like it? Yeah? Um, it's so

0:18:00.080 --> 0:18:03.080
<v Speaker 1>deeply weird and it's exactly what we wanted to talk about,

0:18:03.080 --> 0:18:06.960
<v Speaker 1>which is just like children's movies in the eighties, We're

0:18:07.080 --> 0:18:12.040
<v Speaker 1>so scary. They felt very dangerous and so horny and

0:18:12.119 --> 0:18:15.480
<v Speaker 1>like no movies like but especially children's movies now are

0:18:15.520 --> 0:18:18.760
<v Speaker 1>not like that. But also like even adults movies for children,

0:18:18.840 --> 0:18:21.640
<v Speaker 1>it's like they don't have any of the weird spiky

0:18:21.720 --> 0:18:25.199
<v Speaker 1>parts that give you the weird nightmares and help you

0:18:25.280 --> 0:18:28.160
<v Speaker 1>grow as a person child. You said something like they

0:18:28.200 --> 0:18:30.840
<v Speaker 1>make they made us strong because they made us afraid,

0:18:31.359 --> 0:18:35.000
<v Speaker 1>which which resonated. I mean, Labyrinth has a lot of

0:18:35.040 --> 0:18:40.280
<v Speaker 1>the puppets and Labyrinth are really purposefully ugly. Yea, and

0:18:40.640 --> 0:18:44.320
<v Speaker 1>they're like wrinkly, they look kind of brown. Yeah, well

0:18:44.359 --> 0:18:47.240
<v Speaker 1>they look dusty. They look like they've been hanging upside

0:18:47.240 --> 0:18:51.560
<v Speaker 1>down Godfather color Palace. Yeah, and they have the wispy

0:18:51.640 --> 0:18:54.840
<v Speaker 1>hair and like they look kind of stinky, Like a

0:18:54.880 --> 0:18:58.200
<v Speaker 1>lot of them are kind of like right, like that's

0:18:57.960 --> 0:19:00.640
<v Speaker 1>the big kind of like snuffle up. I guess one

0:19:01.359 --> 0:19:04.800
<v Speaker 1>um that is the animal that has the face of

0:19:04.840 --> 0:19:08.240
<v Speaker 1>a monkey about like we can't go to like the

0:19:08.280 --> 0:19:15.880
<v Speaker 1>swamp because like bog of not bog of eternal stench,

0:19:16.720 --> 0:19:21.159
<v Speaker 1>but something um there's there. It has a lot of

0:19:21.200 --> 0:19:28.199
<v Speaker 1>like smell elements and like burping, belching, wheezing and moss

0:19:28.320 --> 0:19:32.119
<v Speaker 1>and just like wetness, Like the labyrinth itself is very wet,

0:19:32.480 --> 0:19:34.520
<v Speaker 1>and there are lots of like tunnels that you can

0:19:34.640 --> 0:19:42.800
<v Speaker 1>fall down it is you get lost. There are little

0:19:42.920 --> 0:19:47.000
<v Speaker 1>like like moss like creatures with eyeballs on them. Yeah,

0:19:47.720 --> 0:19:52.119
<v Speaker 1>also the tunnel with the hands. Yeah, like the scariest

0:19:52.160 --> 0:19:53.879
<v Speaker 1>part to me. You know, there were a lot I

0:19:53.880 --> 0:19:58.000
<v Speaker 1>mean just like as a fan of puppetry, yea many

0:19:58.119 --> 0:20:00.840
<v Speaker 1>parts that I was like, this is so cool. Well

0:20:00.840 --> 0:20:03.640
<v Speaker 1>it's just like it's it's I have not seen dark crystal.

0:20:03.720 --> 0:20:07.280
<v Speaker 1>Actually that's the thing, you guys haven't seen dark crystal.

0:20:07.920 --> 0:20:14.080
<v Speaker 1>That dark crystal is really dark. Like content wise, everybody

0:20:14.160 --> 0:20:17.720
<v Speaker 1>looks unsettling in a in a way that as a

0:20:17.800 --> 0:20:21.119
<v Speaker 1>child I found very accessible. But when I tried to

0:20:21.119 --> 0:20:26.000
<v Speaker 1>watch it again, I just couldn't get could not isn't

0:20:26.040 --> 0:20:28.879
<v Speaker 1>that weird? Like I've watched recently on Disney Plus just

0:20:28.920 --> 0:20:31.480
<v Speaker 1>because I find it useful to revisit every now and then.

0:20:32.000 --> 0:20:34.399
<v Speaker 1>Now and then I watched A Little Mermaid just because

0:20:34.400 --> 0:20:36.080
<v Speaker 1>it's a movie that I watched every single day of

0:20:36.119 --> 0:20:37.520
<v Speaker 1>my life when I was four years old, and so

0:20:37.640 --> 0:20:39.720
<v Speaker 1>there's no way it hasn't affected me on some very

0:20:39.760 --> 0:20:44.080
<v Speaker 1>deep cellular level. And yeah, like, well you made something,

0:20:45.040 --> 0:20:50.880
<v Speaker 1>you chased them the Underset Dream, But like, yeah, there

0:20:50.880 --> 0:20:52.680
<v Speaker 1>are things where it's just like I took for granted

0:20:52.760 --> 0:20:55.320
<v Speaker 1>how such and such a character was designed or something.

0:20:55.480 --> 0:20:58.399
<v Speaker 1>I just thought like that, like the Little the Little

0:20:58.880 --> 0:21:01.880
<v Speaker 1>Need Souls and Ursula's cavern. I was just like, yeah,

0:21:01.960 --> 0:21:03.960
<v Speaker 1>that's like a that's like a scary thing. And I'm

0:21:03.960 --> 0:21:07.240
<v Speaker 1>like that that's such an interesting design, like and such

0:21:07.280 --> 0:21:12.720
<v Speaker 1>a weird, unexplained kind of creepy factor that I feel

0:21:12.760 --> 0:21:14.840
<v Speaker 1>like that's actually kind of a gift of somebody like

0:21:14.920 --> 0:21:17.040
<v Speaker 1>Jim Henson to come up with stuff like that that

0:21:17.119 --> 0:21:20.119
<v Speaker 1>just makes sense to kids. Stuff. There's stuff that's in

0:21:20.160 --> 0:21:25.640
<v Speaker 1>the gutter between creepy and like enchanting, you're like you're

0:21:25.680 --> 0:21:28.719
<v Speaker 1>like compelled by it because you're sort of repulsed by it.

0:21:29.320 --> 0:21:32.160
<v Speaker 1>And then there's like things that are just kind of

0:21:32.160 --> 0:21:35.320
<v Speaker 1>repulsive in a different way because they're like so shiny

0:21:35.400 --> 0:21:38.560
<v Speaker 1>and boring. Yeah yeah, where you're just yeah, you're you're

0:21:38.600 --> 0:21:42.320
<v Speaker 1>the eyes rejected because it's too clean, like me and

0:21:42.359 --> 0:21:45.000
<v Speaker 1>most Pixar movies, and we're in such a zone of

0:21:45.119 --> 0:21:49.479
<v Speaker 1>like extreme cleanliness. And you know Marvel movies that have

0:21:49.640 --> 0:21:53.520
<v Speaker 1>just like these giant c g I stage battles and

0:21:53.560 --> 0:21:56.080
<v Speaker 1>stuff like that that have like nothing real to hold

0:21:56.080 --> 0:21:58.440
<v Speaker 1>onto in it at all. And I have always said

0:21:58.520 --> 0:22:02.680
<v Speaker 1>this that you know, nobody's improved on Jurassic Park, which

0:22:02.720 --> 0:22:05.199
<v Speaker 1>was a mixture of puppets and c g I. And

0:22:05.240 --> 0:22:06.639
<v Speaker 1>I was always like, well, why don't they do that more?

0:22:06.680 --> 0:22:08.760
<v Speaker 1>And it's like, because it turns out it's really expensive,

0:22:08.840 --> 0:22:11.960
<v Speaker 1>more expensive than doing either one individually, but it's the

0:22:12.000 --> 0:22:14.000
<v Speaker 1>only thing that looks good. Well to be like the

0:22:14.320 --> 0:22:15.760
<v Speaker 1>Lord of the Rings movies, I feel like we are

0:22:15.760 --> 0:22:18.680
<v Speaker 1>actually the last like the first three. I didn't see

0:22:18.720 --> 0:22:20.680
<v Speaker 1>all the Hobbit ones, but like those did a lot

0:22:20.720 --> 0:22:23.320
<v Speaker 1>of mixing of practical and c g I effects. I

0:22:23.440 --> 0:22:26.119
<v Speaker 1>think it was like the thing that bothered me about

0:22:26.119 --> 0:22:28.399
<v Speaker 1>those movies was the way that like the sky was

0:22:28.440 --> 0:22:32.200
<v Speaker 1>always perfectly tweaked to be like the most beautiful sunset

0:22:32.240 --> 0:22:34.040
<v Speaker 1>I've ever seen. Was just like I wanted to be

0:22:34.119 --> 0:22:37.719
<v Speaker 1>a little bit more like Terence Malick. Well, that was

0:22:37.760 --> 0:22:39.920
<v Speaker 1>the first film that they were really like going to

0:22:39.920 --> 0:22:42.640
<v Speaker 1>town with digital grading, and I was like, too much.

0:22:42.800 --> 0:22:45.600
<v Speaker 1>There can be too much of the thing, like use

0:22:45.640 --> 0:22:49.200
<v Speaker 1>it sparingly if I can detect it, you're using too much.

0:22:50.080 --> 0:22:52.600
<v Speaker 1>And obviously it's not like you don't know there's like

0:22:52.640 --> 0:22:56.720
<v Speaker 1>people in a puppet suit, right, but that's part of

0:22:56.720 --> 0:23:01.840
<v Speaker 1>the thrill. Well, elide shut what about um? Well, Like

0:23:01.920 --> 0:23:06.040
<v Speaker 1>I was thinking of Hoggle the Little Guy and Labyrinth,

0:23:06.359 --> 0:23:09.560
<v Speaker 1>who is like the first creature it's really encountered in

0:23:09.600 --> 0:23:13.080
<v Speaker 1>it other than the like the Greek chorus of goblins

0:23:13.119 --> 0:23:15.760
<v Speaker 1>at the beginning of the movie. And that's like another

0:23:15.800 --> 0:23:18.000
<v Speaker 1>thing where it's like it's a it's a little person

0:23:18.080 --> 0:23:20.320
<v Speaker 1>in a in a head. It's like in the head

0:23:20.359 --> 0:23:23.399
<v Speaker 1>is a puppet because the head has like I was

0:23:23.400 --> 0:23:25.359
<v Speaker 1>trying to figure out how it works, and it feels

0:23:25.400 --> 0:23:28.960
<v Speaker 1>like it's like that Jaws just maybe operated by the

0:23:28.960 --> 0:23:31.399
<v Speaker 1>person inside actually moving their jaw because it's very limited

0:23:31.520 --> 0:23:35.800
<v Speaker 1>and it's it's just open and shut like the mouth movements,

0:23:35.840 --> 0:23:38.240
<v Speaker 1>but the eyes in the face are like fully expressive,

0:23:38.280 --> 0:23:41.600
<v Speaker 1>which is really it's such a it's so wild that

0:23:41.720 --> 0:23:45.119
<v Speaker 1>like for a decade, like people got really good at

0:23:45.160 --> 0:23:48.439
<v Speaker 1>this kind of thing and like involved, and now we

0:23:48.440 --> 0:23:53.960
<v Speaker 1>don't really used through the peak of you know, puppet peak,

0:23:54.000 --> 0:23:58.360
<v Speaker 1>puppet peak, puppet and rubber rubber mask, latex creature technology.

0:23:58.680 --> 0:24:01.159
<v Speaker 1>It's true, and it got the most broke point and

0:24:01.200 --> 0:24:04.200
<v Speaker 1>then it totally disappeared. So the idea that Baby Yoda

0:24:04.240 --> 0:24:07.119
<v Speaker 1>made people be like, oh, like a puppet. It's expressive

0:24:07.160 --> 0:24:08.800
<v Speaker 1>in a way that like c G I just like

0:24:08.880 --> 0:24:11.880
<v Speaker 1>cannot be you feel like the puppet is a real

0:24:12.000 --> 0:24:15.040
<v Speaker 1>thing in a different way. Yeah, that's so great. But

0:24:15.080 --> 0:24:20.040
<v Speaker 1>puppets in person I find more disturbing than puppets on

0:24:20.080 --> 0:24:23.480
<v Speaker 1>the screen because there's the subtleties that you can accept

0:24:23.640 --> 0:24:26.280
<v Speaker 1>of the limitations of the mouth movement and stuff like

0:24:26.320 --> 0:24:30.080
<v Speaker 1>that in person are even kind of more glaring and

0:24:30.240 --> 0:24:32.480
<v Speaker 1>feels really wrong. Right, It's like if you see a

0:24:32.520 --> 0:24:39.119
<v Speaker 1>taped play exactly, you know, that's my favorite. Can I

0:24:39.160 --> 0:24:44.080
<v Speaker 1>hear everybody's footsteps. Yeah, I mean Labyrinth was awesome. It

0:24:44.119 --> 0:24:46.600
<v Speaker 1>was my favorite part. Well, I think I was also

0:24:46.680 --> 0:24:48.879
<v Speaker 1>just afraid that it would like introduce me to some

0:24:49.040 --> 0:24:51.240
<v Speaker 1>kind of a corny David Bowie, and that that was

0:24:51.320 --> 0:24:54.800
<v Speaker 1>something I wasn't prepared to ever face. You know, he's

0:24:54.840 --> 0:24:59.199
<v Speaker 1>in full I've seen the gifts out of context and

0:24:59.200 --> 0:25:01.480
<v Speaker 1>I was like, oh, it's like silly David Bowie. But

0:25:01.520 --> 0:25:06.240
<v Speaker 1>then it's a very horny Yes, that's remember from Labyrinth,

0:25:06.359 --> 0:25:08.639
<v Speaker 1>is like David Bowie's moose knuckle. I think I just

0:25:09.320 --> 0:25:12.639
<v Speaker 1>I'm not like think of those things who You're like,

0:25:12.680 --> 0:25:15.440
<v Speaker 1>I won't be like every single other person who thinks

0:25:15.480 --> 0:25:18.119
<v Speaker 1>that like a hot person is like Tim Curry in

0:25:18.520 --> 0:25:20.439
<v Speaker 1>the Rocky Horror Picture Show. And then you're like, no,

0:25:20.480 --> 0:25:24.080
<v Speaker 1>I no, everybody thinks that for a reason, he's the

0:25:24.080 --> 0:25:27.480
<v Speaker 1>best at this. And also like when you see David

0:25:27.520 --> 0:25:30.840
<v Speaker 1>Bowie at a young age with this moose knuckle and

0:25:30.960 --> 0:25:33.800
<v Speaker 1>you're like six or whatever, it really does kind of

0:25:33.800 --> 0:25:35.720
<v Speaker 1>color the rest of your Like, I feel like I

0:25:35.760 --> 0:25:38.120
<v Speaker 1>feel like a lot of people in our generation were

0:25:38.680 --> 0:25:42.000
<v Speaker 1>deeply influenced in ways that can never be reversed. Yeah,

0:25:42.080 --> 0:25:46.280
<v Speaker 1>I'd seen it earlier because it's very I can imagine.

0:25:47.359 --> 0:25:49.239
<v Speaker 1>I was watching and I was I was thinking, like

0:25:49.280 --> 0:25:52.080
<v Speaker 1>it feels actually a lot like a Miyazaki movie, Like

0:25:52.119 --> 0:25:55.480
<v Speaker 1>you can really easily imagine a population of it, which

0:25:55.480 --> 0:25:57.840
<v Speaker 1>would also be really cool, it would be different, but

0:25:57.960 --> 0:26:00.359
<v Speaker 1>the whole kind of where it's it's sort of a

0:26:00.400 --> 0:26:04.560
<v Speaker 1>template to just like let a visual imagination go, like

0:26:05.840 --> 0:26:07.840
<v Speaker 1>in a new place and there's all tons of new,

0:26:07.880 --> 0:26:11.440
<v Speaker 1>weirdy creatures and things to see. Yeah. I think one

0:26:11.480 --> 0:26:14.240
<v Speaker 1>thing that I also like enjoyed watching or like kind

0:26:14.240 --> 0:26:17.160
<v Speaker 1>of reappreciating this time is how much because I remember

0:26:17.240 --> 0:26:20.320
<v Speaker 1>like playing Labyrinth as a kid, and there are so

0:26:20.359 --> 0:26:23.000
<v Speaker 1>many little ideas and tricks in the movie that I

0:26:23.040 --> 0:26:24.639
<v Speaker 1>don't really have anything to do with the puppets, but

0:26:24.680 --> 0:26:26.760
<v Speaker 1>they're just like you know, where a wall looks like

0:26:26.800 --> 0:26:28.679
<v Speaker 1>a wall and then and then it's not they can

0:26:28.720 --> 0:26:31.600
<v Speaker 1>walk through and uh, you know, the little switching of

0:26:31.600 --> 0:26:34.639
<v Speaker 1>the tiles and stuff where it just feels like stuff

0:26:34.640 --> 0:26:38.159
<v Speaker 1>that's very like it's very inspirational for playing and like

0:26:38.240 --> 0:26:40.639
<v Speaker 1>make believe when you're a kid, which is really cool.

0:26:40.840 --> 0:26:43.639
<v Speaker 1>Like I feel like that's very like, I don't know,

0:26:43.680 --> 0:26:46.720
<v Speaker 1>that's like a force for good as far as I can. Yeah,

0:26:46.760 --> 0:26:48.880
<v Speaker 1>it's like Alice in Wonderland, where it's like it's got

0:26:48.920 --> 0:26:51.359
<v Speaker 1>its own logic, and the logic is that it makes

0:26:51.359 --> 0:26:54.400
<v Speaker 1>no sense, but it's also it's just like it's also

0:26:54.440 --> 0:26:58.359
<v Speaker 1>kind of just a love triangle between well, Hoggle is

0:26:58.400 --> 0:27:03.399
<v Speaker 1>in love with her and he gets friend zone and

0:27:03.440 --> 0:27:07.919
<v Speaker 1>he's like, she'll never love you, idiot. I didn't think

0:27:08.359 --> 0:27:12.480
<v Speaker 1>this Christal Ball. Do you think that that David Mowe

0:27:12.520 --> 0:27:14.560
<v Speaker 1>could actually do that with you? Couldn't? I found out

0:27:16.400 --> 0:27:18.560
<v Speaker 1>it was a hand double and also like I think

0:27:18.600 --> 0:27:22.880
<v Speaker 1>that's the thing puppet puppeteers can do, maybe because they're good. Yeah,

0:27:22.880 --> 0:27:25.119
<v Speaker 1>it just had some of the like Moment Shawn stuff

0:27:25.160 --> 0:27:27.399
<v Speaker 1>like the face faces made out of hands and stuff,

0:27:27.800 --> 0:27:30.160
<v Speaker 1>like they probably had all these ideas that were too

0:27:30.200 --> 0:27:34.840
<v Speaker 1>scary for Sesame Street. They knew they could do um

0:27:34.960 --> 0:27:37.280
<v Speaker 1>and I think that they're afraid to see it, because

0:27:37.320 --> 0:27:39.879
<v Speaker 1>I was like what if It's like, I'm very unsettled

0:27:39.920 --> 0:27:43.320
<v Speaker 1>by things that like makes Sesame Street fucked up my

0:27:43.960 --> 0:27:48.439
<v Speaker 1>most hated troupe. Um wait in what way? Like stuff

0:27:48.480 --> 0:27:51.440
<v Speaker 1>that makes it? Stuff that's like they're killing each other.

0:27:51.600 --> 0:27:54.399
<v Speaker 1>And there was a Liquid Television segment where like Burton

0:27:54.520 --> 0:27:58.320
<v Speaker 1>Ernie like siced anddised each other and it really oh god,

0:27:58.440 --> 0:28:00.240
<v Speaker 1>you know, and I was like, I will avoid Garry

0:28:00.280 --> 0:28:03.800
<v Speaker 1>puppets right too scary for me. Um, this has a

0:28:03.800 --> 0:28:06.680
<v Speaker 1>heart of gold. There's no slicing and dicing. Yeah, there's

0:28:06.720 --> 0:28:09.480
<v Speaker 1>the threat of slicing and dicing, but it's not. There's

0:28:09.480 --> 0:28:13.960
<v Speaker 1>a masquerade ball. Yeah that's its. But like you said,

0:28:14.480 --> 0:28:16.560
<v Speaker 1>I had an Uber driver once who told me about

0:28:16.600 --> 0:28:20.600
<v Speaker 1>there's like a Causplay Labyrinthe masquerade ball I think every

0:28:20.680 --> 0:28:24.320
<v Speaker 1>year that they do downtown because she was a Cause

0:28:24.359 --> 0:28:26.919
<v Speaker 1>player and she was like, have you ever Cause played?

0:28:27.440 --> 0:28:32.200
<v Speaker 1>You should causeplay as Marita from Brave because of your Sure,

0:28:33.920 --> 0:28:39.000
<v Speaker 1>she goes every year too. There's like this Labyrinth cosplay

0:28:39.120 --> 0:28:42.600
<v Speaker 1>masquerade ball that it started as just being Labyrinth themed

0:28:42.600 --> 0:28:45.959
<v Speaker 1>and now it's like maybe even a little more generally steampunk.

0:28:46.080 --> 0:28:52.480
<v Speaker 1>But we should totally do this if our Patreon goal

0:28:52.680 --> 0:28:55.960
<v Speaker 1>every single episode, I'm like for our next Patreon goal,

0:28:56.040 --> 0:28:57.960
<v Speaker 1>and then we never changed it on the Patreon, but

0:28:58.040 --> 0:29:00.920
<v Speaker 1>maybe that will be a Patreon goal. Um. We got

0:29:00.960 --> 0:29:05.200
<v Speaker 1>a message on the Facebook group for a nightcall Nightcallers

0:29:06.160 --> 0:29:09.400
<v Speaker 1>by Lindsay, and she pointed out it's pretty well established

0:29:09.400 --> 0:29:11.520
<v Speaker 1>that the Labyrinth world and everything in it is a

0:29:11.520 --> 0:29:16.160
<v Speaker 1>manifestation of Sarah's childhood fantasies and unconscious desires. Before she

0:29:16.240 --> 0:29:18.120
<v Speaker 1>goes there, we see that her bedroom is full of

0:29:18.120 --> 0:29:20.640
<v Speaker 1>toys and posters that resemble characters and scenes from the

0:29:20.720 --> 0:29:23.200
<v Speaker 1>Labyrinth World. But if you look closely at the photos

0:29:23.200 --> 0:29:26.040
<v Speaker 1>of Sarah's glamorous stage actress mother on her mirror, you'll

0:29:26.080 --> 0:29:28.720
<v Speaker 1>notice that her handsome young co star called Jeremy and

0:29:28.720 --> 0:29:32.080
<v Speaker 1>the novelization appears to be David Bowie. So not only

0:29:32.160 --> 0:29:34.840
<v Speaker 1>is the Goblin King a kind of teenage rockstar fantasy,

0:29:34.880 --> 0:29:37.520
<v Speaker 1>he's also based on her image of her mom's boyfriend,

0:29:40.760 --> 0:29:46.360
<v Speaker 1>very Electra. Yes, yeah, but not her dad nor her

0:29:46.440 --> 0:29:51.160
<v Speaker 1>dream dad. Her room and the kind of like references

0:29:51.200 --> 0:29:53.040
<v Speaker 1>throughout the movie or also it has a lot of

0:29:53.040 --> 0:29:55.600
<v Speaker 1>like Easter eggs that are fun. Yeah. I thought Jennifer

0:29:55.600 --> 0:29:59.200
<v Speaker 1>Connelly was great. I guess she got bad reviews people

0:29:59.240 --> 0:30:04.120
<v Speaker 1>remain to her some of her performances in Labyrinth. Yeah,

0:30:04.640 --> 0:30:08.440
<v Speaker 1>that's shocking, Um, but I thought she was great. Well, Um,

0:30:08.480 --> 0:30:12.160
<v Speaker 1>I'm glad you finally have had your eyes open. I

0:30:12.200 --> 0:30:16.320
<v Speaker 1>mean the songs, but did you scary because I didn't.

0:30:16.480 --> 0:30:19.480
<v Speaker 1>I found it super scary. It's still pretty scary. I

0:30:19.520 --> 0:30:23.680
<v Speaker 1>mean it's it's just unpleasant, like I think, like, I mean,

0:30:23.720 --> 0:30:26.080
<v Speaker 1>it's it's cool, but it's like it gives you this

0:30:26.120 --> 0:30:29.240
<v Speaker 1>sort of like yuck feeling. I feel like even when

0:30:29.240 --> 0:30:30.480
<v Speaker 1>I was a kid and I liked it, it was

0:30:30.520 --> 0:30:32.560
<v Speaker 1>just because it felt like I mean, it felt like

0:30:32.600 --> 0:30:35.200
<v Speaker 1>going out into the wilderness and the mud and stuff

0:30:35.240 --> 0:30:38.440
<v Speaker 1>and like finding weird mush the way David Lynch movies

0:30:38.480 --> 0:30:43.520
<v Speaker 1>are scary. It's like it's about your subconscious and anxiety dream. Yeah,

0:30:44.000 --> 0:30:46.560
<v Speaker 1>and you have to do some weird task and there's

0:30:46.600 --> 0:30:50.520
<v Speaker 1>like incredibly weird rules to follow. Who is everyone's favorite creature?

0:30:51.240 --> 0:30:53.600
<v Speaker 1>I like the little eyeball moss things. That's like the

0:30:53.640 --> 0:30:55.440
<v Speaker 1>first thing I think of when I think of Labyrinth,

0:30:55.440 --> 0:30:57.600
<v Speaker 1>because I think that just really troubled me for whatever

0:30:57.640 --> 0:31:01.800
<v Speaker 1>reason when I was young, Like it was very setting. Um,

0:31:01.840 --> 0:31:05.240
<v Speaker 1>but they're a very cool little design. I like them.

0:31:05.320 --> 0:31:07.320
<v Speaker 1>I like that thing I can't remember the name of.

0:31:07.400 --> 0:31:13.200
<v Speaker 1>It looks like a fuzzy elephent with a monkey's face. Yeah,

0:31:13.200 --> 0:31:17.680
<v Speaker 1>exactly know. They're cute too. Um. I like the word

0:31:19.960 --> 0:31:23.520
<v Speaker 1>good and I was like I'm in he has a

0:31:23.560 --> 0:31:25.480
<v Speaker 1>little scarf and I've seen it. It It was one of

0:31:25.480 --> 0:31:27.080
<v Speaker 1>those things too. I was like, oh, I've seen this

0:31:27.160 --> 0:31:30.240
<v Speaker 1>image before and now I know. Yeah, I understand, Lily.

0:31:30.320 --> 0:31:39.600
<v Speaker 1>Do you remember having one h David Bowie's moves nut Yeah, yeah, dance,

0:31:39.680 --> 0:31:44.360
<v Speaker 1>magic dance. Um, well, I don't remember any of you.

0:31:45.120 --> 0:31:46.480
<v Speaker 1>I was just gonna say, maybe we should take a

0:31:46.480 --> 0:31:48.240
<v Speaker 1>little break and then when we come back, we should

0:31:48.240 --> 0:31:51.360
<v Speaker 1>talk to Lily about some pretty breaking news within the

0:31:51.400 --> 0:31:57.120
<v Speaker 1>past week that affects her personally, and a reaction on

0:31:57.200 --> 0:32:01.200
<v Speaker 1>air going deep under the sea and making art about

0:32:01.240 --> 0:32:20.000
<v Speaker 1>all the cool creatures you see. We'll be back, and

0:32:20.200 --> 0:32:24.280
<v Speaker 1>we're back. So guys, we were talking, Um, we actually

0:32:24.440 --> 0:32:28.680
<v Speaker 1>we assumed Lily knew the fact that Beck has has

0:32:28.960 --> 0:32:31.720
<v Speaker 1>now come out and said that he's no longer a scientologist,

0:32:31.720 --> 0:32:35.320
<v Speaker 1>that he never was a science yeah, which which that's

0:32:35.320 --> 0:32:37.840
<v Speaker 1>just clearly fun. He just said I am not a

0:32:37.880 --> 0:32:40.240
<v Speaker 1>science I think he just said I am not a scientist.

0:32:40.240 --> 0:32:43.680
<v Speaker 1>I'm not affiliated. He said, I'm not, so okay, I'll

0:32:43.720 --> 0:32:47.280
<v Speaker 1>find the which we would know this right it was.

0:32:47.360 --> 0:32:51.160
<v Speaker 1>It wasn't an interview with this Sydney Morning Harold. So

0:32:51.240 --> 0:32:54.760
<v Speaker 1>this is the quote. He says. Um says, there's been

0:32:54.800 --> 0:32:58.400
<v Speaker 1>persistent speculation and curiosity about Beck's own beliefs, and he said,

0:32:58.480 --> 0:33:01.280
<v Speaker 1>I think there's a mixed conception that I am a scientologist.

0:33:01.440 --> 0:33:04.280
<v Speaker 1>I'm not a scientologist. I don't have any connection or

0:33:04.320 --> 0:33:07.360
<v Speaker 1>affiliation with it. My father has been a scientologist for

0:33:07.440 --> 0:33:09.760
<v Speaker 1>a long time, but I pretty much just focused on

0:33:09.800 --> 0:33:11.960
<v Speaker 1>my music and my work for most of my life,

0:33:11.960 --> 0:33:14.120
<v Speaker 1>intended to do my own thing. I think it's just

0:33:14.160 --> 0:33:21.080
<v Speaker 1>something people ran with. That's the quote. Um, alright, that's

0:33:21.120 --> 0:33:24.400
<v Speaker 1>the role of the the world's foremost pacologists. We know you

0:33:24.480 --> 0:33:27.200
<v Speaker 1>may have been off the grid having a child. No,

0:33:27.440 --> 0:33:31.360
<v Speaker 1>I mean I'm a lapsed ecologists. Like I stopped. I

0:33:31.400 --> 0:33:35.160
<v Speaker 1>was a big fan of an incredibly big fan of

0:33:35.200 --> 0:33:37.840
<v Speaker 1>Beck when I was in high school, and I interviewed

0:33:37.920 --> 0:33:40.840
<v Speaker 1>him on MTV as his number one fan, and I

0:33:40.880 --> 0:33:45.920
<v Speaker 1>think I legitimately was. But then, Um, I kind of

0:33:45.960 --> 0:33:48.960
<v Speaker 1>got less connected to the music as I stopped being

0:33:48.960 --> 0:33:55.640
<v Speaker 1>a teenager and he was Yeah he was my life, yeah, um,

0:33:55.760 --> 0:33:59.880
<v Speaker 1>and like was not as into his music post See Change,

0:34:00.320 --> 0:34:02.960
<v Speaker 1>and I believed him to be a scientologist. Of course,

0:34:03.000 --> 0:34:04.880
<v Speaker 1>part of my teen crush was that we were going

0:34:04.920 --> 0:34:08.560
<v Speaker 1>to be together one day, and if he was a scientologist,

0:34:08.600 --> 0:34:11.960
<v Speaker 1>that couldn't happen. It was although I did toy, of

0:34:12.000 --> 0:34:17.919
<v Speaker 1>course with joining the religion too, didn't happen. How far

0:34:18.120 --> 0:34:24.160
<v Speaker 1>did she down the street to the celebrity Center. I

0:34:24.200 --> 0:34:26.719
<v Speaker 1>took it. I actually, let's see, I was on a

0:34:26.760 --> 0:34:31.400
<v Speaker 1>scavenger hunt and I bought dianetics quote for the scavenger

0:34:32.560 --> 0:34:35.440
<v Speaker 1>But that's as close as I got it. That's a

0:34:35.600 --> 0:34:39.040
<v Speaker 1>brilliant way to get kids to read dionetics to create

0:34:39.080 --> 0:34:45.680
<v Speaker 1>a scavenger huts. It's fun, it's part of a game.

0:34:46.320 --> 0:34:51.160
<v Speaker 1>So do you think Beck was a scientologist? I mean,

0:34:51.280 --> 0:34:53.840
<v Speaker 1>I feel so weird going against what he's saying. But

0:34:53.960 --> 0:34:56.520
<v Speaker 1>I definitely got the impression he was because he married

0:34:56.560 --> 0:35:01.640
<v Speaker 1>Marissa Rabi. It was very carefully worded. Yeah, yeah, that's true.

0:35:02.200 --> 0:35:08.480
<v Speaker 1>But he did in two thousand five he did explicitly say, um, yeah,

0:35:08.600 --> 0:35:12.600
<v Speaker 1>I'm a scientologist. My father has been a scientologist for

0:35:12.640 --> 0:35:15.080
<v Speaker 1>about thirty five years. So I grew up in and

0:35:15.120 --> 0:35:18.680
<v Speaker 1>around it and stuff. I remember that. And before that,

0:35:18.719 --> 0:35:21.879
<v Speaker 1>he used to say who was Jewish? He specifically said

0:35:22.120 --> 0:35:26.280
<v Speaker 1>identified as Jewish in like the nineties, because he's closer

0:35:26.280 --> 0:35:30.280
<v Speaker 1>with his mom, right, who maybe is not. I'm actually

0:35:30.400 --> 0:35:35.640
<v Speaker 1>very close with his She became friends when I was

0:35:35.680 --> 0:35:39.239
<v Speaker 1>in high school and she's awesome, and she is not

0:35:39.640 --> 0:35:42.640
<v Speaker 1>a scientologist. Um. She and I have never discussed it,

0:35:42.719 --> 0:35:46.279
<v Speaker 1>but my impression is that she may have been at

0:35:46.280 --> 0:35:49.440
<v Speaker 1>one point, but I don't think she is anymore. I'm

0:35:49.480 --> 0:35:53.120
<v Speaker 1>I'm yeah. His dad obviously is. And my theory was that,

0:35:53.200 --> 0:35:56.719
<v Speaker 1>like she left the church with his kids. But I've

0:35:56.719 --> 0:35:58.600
<v Speaker 1>never talked to you about it, so I think that

0:35:58.680 --> 0:36:01.759
<v Speaker 1>is the But again, it's interesting that somebody can be

0:36:01.800 --> 0:36:03.960
<v Speaker 1>this famous and there are things we just like fundamentally

0:36:03.960 --> 0:36:06.839
<v Speaker 1>don't know about them that seems very impossible for like

0:36:06.920 --> 0:36:12.800
<v Speaker 1>anyone else at this point, dare they spill the so

0:36:12.960 --> 0:36:19.280
<v Speaker 1>some some other former lapsed scientologists have have taken issue

0:36:19.719 --> 0:36:24.279
<v Speaker 1>with this quote. Uh specifically Leah Remany, who um I

0:36:24.360 --> 0:36:26.920
<v Speaker 1>believe said that it was a pussy move for him

0:36:26.960 --> 0:36:31.000
<v Speaker 1>to claim he was never a scientologist, and she was like,

0:36:31.080 --> 0:36:34.000
<v Speaker 1>you can quote me on that pussy move, yes, yes,

0:36:35.160 --> 0:36:38.040
<v Speaker 1>um yeah. And and Mike Render is that how you

0:36:38.080 --> 0:36:41.759
<v Speaker 1>say his last name? The former senior executive sent he

0:36:41.800 --> 0:36:46.520
<v Speaker 1>has the website about scientology. He was also kind of um,

0:36:46.560 --> 0:36:49.280
<v Speaker 1>you know, it feels basically, it feels like a cheat

0:36:49.360 --> 0:36:51.719
<v Speaker 1>to them, Like it's one thing to have been at

0:36:51.760 --> 0:36:53.960
<v Speaker 1>one point and to say that you're not anymore, but

0:36:54.080 --> 0:36:56.920
<v Speaker 1>then to deny that you ever were. But again, I

0:36:56.920 --> 0:36:59.560
<v Speaker 1>don't think he's denying it. I think he's just phrasing

0:36:59.560 --> 0:37:02.319
<v Speaker 1>it care fully because again it's like if he does

0:37:02.440 --> 0:37:05.600
<v Speaker 1>have an ex wife who's maybe in and like children,

0:37:05.880 --> 0:37:09.000
<v Speaker 1>you know, than like because he doesn't want to be

0:37:09.000 --> 0:37:12.799
<v Speaker 1>an sp Yeah. I. I also again like for people

0:37:12.840 --> 0:37:15.480
<v Speaker 1>who were born into it, I give them like so

0:37:15.560 --> 0:37:19.560
<v Speaker 1>much more leeway or just anyone. I feel like it's

0:37:19.600 --> 0:37:22.480
<v Speaker 1>like just another religion in many ways, there are like

0:37:22.520 --> 0:37:25.520
<v Speaker 1>a lot of religions that do things that are shady.

0:37:25.640 --> 0:37:28.560
<v Speaker 1>Like to me, it is not worse than the Catholic Church.

0:37:28.760 --> 0:37:36.040
<v Speaker 1>It's just newer. Yeah. I. And also just like I've

0:37:36.120 --> 0:37:39.200
<v Speaker 1>known people that like were scientologists and there aren't anymore

0:37:39.280 --> 0:37:41.600
<v Speaker 1>and like nothing bad happened to them, you know. I

0:37:41.640 --> 0:37:44.120
<v Speaker 1>think sort of the idea that like they are this

0:37:44.239 --> 0:37:46.560
<v Speaker 1>all powerful like you were saying, like the way that

0:37:46.600 --> 0:37:49.040
<v Speaker 1>Disney wants us to think of them is like the

0:37:49.120 --> 0:37:51.880
<v Speaker 1>most like all knowing, evil company. Like I think in

0:37:51.920 --> 0:37:53.759
<v Speaker 1>a lot of ways they're just sort of like more

0:37:53.800 --> 0:37:56.359
<v Speaker 1>like an MLM or something right. Well, that they are

0:37:56.400 --> 0:37:59.080
<v Speaker 1>a really good example of the fuzziness, at least in

0:37:59.120 --> 0:38:03.080
<v Speaker 1>America between a religion and a business. And I think

0:38:03.080 --> 0:38:06.359
<v Speaker 1>that's what's creepy about them, because it's like you can

0:38:06.440 --> 0:38:09.040
<v Speaker 1>kind of explain a lot of the stuff, the awful

0:38:09.040 --> 0:38:13.040
<v Speaker 1>stuff that the Catholic Church has done over history with like, well,

0:38:13.080 --> 0:38:16.200
<v Speaker 1>it's faith, and it's like what people do are capable

0:38:16.280 --> 0:38:18.839
<v Speaker 1>of when they have a faith, and like sometimes it's

0:38:18.880 --> 0:38:21.680
<v Speaker 1>good things and sometimes it's bad things. I think like

0:38:21.800 --> 0:38:24.520
<v Speaker 1>the fact that I mean they would say otherwise, but

0:38:24.680 --> 0:38:28.839
<v Speaker 1>that their model is pretty explicitly a business, I think

0:38:28.960 --> 0:38:33.279
<v Speaker 1>is the thing that makes it feel more Like if

0:38:33.360 --> 0:38:36.520
<v Speaker 1>I know lots of stories about people who had been

0:38:36.640 --> 0:38:41.520
<v Speaker 1>personally threatened and really harmed by the Church of Scientology,

0:38:41.520 --> 0:38:44.440
<v Speaker 1>I would not share them because I'm afraid of the

0:38:44.560 --> 0:38:49.280
<v Speaker 1>Church of Scientology. If I had new people who would

0:38:49.280 --> 0:38:53.399
<v Speaker 1>say that Scientology is far worse even than the Catholic Church,

0:38:53.560 --> 0:38:56.600
<v Speaker 1>what about all the peophilia in the Catholic Church, I

0:38:56.600 --> 0:39:01.480
<v Speaker 1>mean pretty doesn't get worse than that, like the scars. Yeah,

0:39:01.920 --> 0:39:04.279
<v Speaker 1>That's what I'm saying, is that there's a lot of religions.

0:39:04.600 --> 0:39:07.239
<v Speaker 1>I mean, this is probably my hottest take, but obviously,

0:39:07.400 --> 0:39:09.880
<v Speaker 1>like I do think that a lot of religions have

0:39:10.000 --> 0:39:13.759
<v Speaker 1>like fucked up ideologies to perpetuate violence. People take a

0:39:13.840 --> 0:39:17.240
<v Speaker 1>special kind of offense to Scientology because it's so new

0:39:17.640 --> 0:39:20.680
<v Speaker 1>that they can be like it started like a hundred

0:39:20.760 --> 0:39:26.719
<v Speaker 1>years ago. Where do you think Shelly is where? But

0:39:26.760 --> 0:39:29.640
<v Speaker 1>that's what I'm saying, Like you know, one Shelly mis Covige.

0:39:29.960 --> 0:39:32.799
<v Speaker 1>It's also the legal team, the legal team, which is

0:39:32.840 --> 0:39:36.120
<v Speaker 1>why if I knew lots of horrible things about the

0:39:36.200 --> 0:39:39.000
<v Speaker 1>Church of Scientology, would not share them on this podcast,

0:39:39.080 --> 0:39:44.200
<v Speaker 1>but would share them afterwards in the elevator. Because they,

0:39:44.239 --> 0:39:48.120
<v Speaker 1>I have heard, will hound individuals in a way that

0:39:48.360 --> 0:39:53.759
<v Speaker 1>larger religious organizations won't bother with. They are litigious. I

0:39:53.840 --> 0:39:57.720
<v Speaker 1>have heard to the point of like ruining people's lives

0:39:57.800 --> 0:40:01.960
<v Speaker 1>who don't have much power them cells and using a

0:40:02.120 --> 0:40:06.520
<v Speaker 1>huge amount of energy to destroy this random person who well,

0:40:06.520 --> 0:40:08.960
<v Speaker 1>then again, can you blame back for not wanting to

0:40:08.960 --> 0:40:12.399
<v Speaker 1>be like exactly you know, I think for somebody like

0:40:12.480 --> 0:40:15.240
<v Speaker 1>Leah Remini, who has taken a hard stand, it's probably

0:40:15.280 --> 0:40:18.080
<v Speaker 1>like galling to her to be like yeah, I mean,

0:40:18.800 --> 0:40:20.960
<v Speaker 1>but yeah, I am a pussy isn't the best way

0:40:21.040 --> 0:40:24.520
<v Speaker 1>to convey that either. Sure, I'm not really defending yeah,

0:40:24.600 --> 0:40:26.840
<v Speaker 1>and also she shouldn't be using the word pussy in

0:40:26.840 --> 0:40:33.200
<v Speaker 1>a derogatory way. Yeah. Yeah, I guess you mean he's

0:40:33.320 --> 0:40:40.000
<v Speaker 1>awesome because the list of everything we've said about Pussy

0:40:40.080 --> 0:40:45.280
<v Speaker 1>so far, all their all their great traits. You're saying

0:40:45.320 --> 0:40:56.719
<v Speaker 1>he's cute, like the gizmo from Massy invertants speaking, I

0:40:56.760 --> 0:41:01.520
<v Speaker 1>would have to agree. How about those dark depths? Uh,

0:41:01.560 --> 0:41:09.680
<v Speaker 1>Lily another a cavernous, the deeps um deep. Everything I

0:41:09.760 --> 0:41:12.839
<v Speaker 1>paint from the deep looks like a vagina. Yeah, well,

0:41:13.520 --> 0:41:17.240
<v Speaker 1>because the ocean is vaginal. Um. I am. We're all,

0:41:17.280 --> 0:41:19.120
<v Speaker 1>I think, big fans of your art. So I just

0:41:19.160 --> 0:41:22.520
<v Speaker 1>wanted to talk with you about that because you've probably

0:41:22.560 --> 0:41:25.279
<v Speaker 1>mentioned on Molly's other podcasts kind of the work that

0:41:25.320 --> 0:41:29.080
<v Speaker 1>you do, but it's you do really cool, like you

0:41:29.160 --> 0:41:33.279
<v Speaker 1>go way down deep in that ocean. Yeah. Yeah, Well

0:41:33.280 --> 0:41:35.759
<v Speaker 1>it's kind of funny because I was a super fan

0:41:35.840 --> 0:41:38.239
<v Speaker 1>of Beck and now I'm a super fan of these

0:41:38.280 --> 0:41:40.919
<v Speaker 1>sea creatures, and I went to great to meet Beck

0:41:41.080 --> 0:41:43.319
<v Speaker 1>and now I go to great lengths to meet sea

0:41:43.360 --> 0:41:46.040
<v Speaker 1>creatures in person, where you I know you just came

0:41:46.080 --> 0:41:52.360
<v Speaker 1>from the airport where you like coming from a project. No, no, um,

0:41:52.440 --> 0:41:58.000
<v Speaker 1>but I'm doing a project here that's really cool. Oh yeah, my. Well,

0:41:58.160 --> 0:42:02.960
<v Speaker 1>so I got really into ecosystems that live around hydrothermal

0:42:03.040 --> 0:42:05.920
<v Speaker 1>vents and chemical seeds because we used to think there

0:42:05.960 --> 0:42:08.040
<v Speaker 1>was no life in the deep sea because there's no

0:42:08.200 --> 0:42:11.239
<v Speaker 1>light and so there's no plants, so there can be

0:42:11.280 --> 0:42:13.840
<v Speaker 1>no food chain. And then in the seventies they discovered

0:42:13.960 --> 0:42:18.200
<v Speaker 1>that there are these chemical hot spots where microorganisms turn

0:42:18.320 --> 0:42:22.080
<v Speaker 1>sulfur and methane into energy, and then bigger creatures eat

0:42:22.160 --> 0:42:26.400
<v Speaker 1>those micro organisms. So my next project is I'm working

0:42:26.400 --> 0:42:31.080
<v Speaker 1>with a scientist at Caltech who studies the actual microorganisms

0:42:31.080 --> 0:42:35.560
<v Speaker 1>and how they turn those chemicals into energy. So how

0:42:35.640 --> 0:42:43.480
<v Speaker 1>do they um, uh, well, it's complicated. I don't know

0:42:43.520 --> 0:42:47.920
<v Speaker 1>if I can summarize it, but basically, they consume methane.

0:42:48.560 --> 0:42:53.200
<v Speaker 1>ARCHAA and bacteria work together to consume methane and sulfur

0:42:53.400 --> 0:42:56.680
<v Speaker 1>and then like the things that I've been painting are,

0:42:57.640 --> 0:42:59.400
<v Speaker 1>I got into it because I got really into the

0:42:59.480 --> 0:43:03.160
<v Speaker 1>yet E rab, which is this um deep sea crab

0:43:03.320 --> 0:43:07.279
<v Speaker 1>that has is all white and it's got white furry pinchers,

0:43:07.360 --> 0:43:10.480
<v Speaker 1>and the pinchers are covered in this like the fur

0:43:10.600 --> 0:43:16.279
<v Speaker 1>is actually uh like filamentous bacteria and so that bacteria

0:43:16.520 --> 0:43:20.080
<v Speaker 1>like consumed sulfur and then the crabs farm it and

0:43:20.160 --> 0:43:23.760
<v Speaker 1>eat it, eat the bacteria off. Such a cool crab.

0:43:24.920 --> 0:43:27.640
<v Speaker 1>So yeah, I got to dive in a submarine and

0:43:27.719 --> 0:43:32.880
<v Speaker 1>see actually yetti crabs and they look like fraggles. Actually

0:43:33.000 --> 0:43:37.279
<v Speaker 1>they do full circle, they really do. I mean they

0:43:37.280 --> 0:43:40.840
<v Speaker 1>have like, um, it's like those like, uh, those leggings

0:43:40.880 --> 0:43:46.840
<v Speaker 1>like rave girls. Where's funny. I made a yetti crab

0:43:46.920 --> 0:43:52.440
<v Speaker 1>costume for for Burning Man, like twelve years ago, and uh.

0:43:52.520 --> 0:43:54.239
<v Speaker 1>And then I got there and I was like, oh no,

0:43:54.320 --> 0:44:01.560
<v Speaker 1>I just look like a raver. What is it like

0:44:01.800 --> 0:44:05.640
<v Speaker 1>to go in a submarine that deep? Is that? Is

0:44:05.640 --> 0:44:09.120
<v Speaker 1>it terrifying? Are you used to it now? No? I

0:44:09.120 --> 0:44:12.320
<v Speaker 1>haven't been that many times. But I've been to see

0:44:12.360 --> 0:44:14.080
<v Speaker 1>a lot of times, but I've only been in the

0:44:14.160 --> 0:44:18.520
<v Speaker 1>sub twice. And what was really cool is I was

0:44:18.600 --> 0:44:22.520
<v Speaker 1>at sea and one of the submarine pilots new Molly

0:44:22.960 --> 0:44:28.600
<v Speaker 1>and Jefferson. This is proof that Molly knows everyone. And

0:44:28.800 --> 0:44:30.920
<v Speaker 1>I wrote Terra. I was like, I'm on a ship

0:44:31.040 --> 0:44:34.399
<v Speaker 1>and of course the submarine pilot. It's like, I can't

0:44:34.400 --> 0:44:38.200
<v Speaker 1>believe I'm not a submarine pilot. Yeah, there's still time. Yeah,

0:44:39.000 --> 0:44:43.000
<v Speaker 1>totally wanted to be a submarine biologist because I'm seeing

0:44:43.000 --> 0:44:46.359
<v Speaker 1>the Little Mermaid. Yeah yeah, um and yes, So many

0:44:46.400 --> 0:44:50.280
<v Speaker 1>of the things that you have documented in your paintings

0:44:50.400 --> 0:44:53.720
<v Speaker 1>are such like labyrinthy that's true. Yeah, And the Yeti

0:44:53.760 --> 0:44:56.880
<v Speaker 1>crabs that I saw. The species they have this crazy

0:44:56.880 --> 0:44:59.960
<v Speaker 1>behavior where they wave their pinchers above their heads continu

0:45:00.040 --> 0:45:03.600
<v Speaker 1>uously and it looks like they're dancing. So they're very

0:45:03.719 --> 0:45:08.160
<v Speaker 1>very fraggle, right, fraggle, and that's like a very fraggly

0:45:08.320 --> 0:45:12.600
<v Speaker 1>type of dand like specifically the like kind of car wash.

0:45:12.800 --> 0:45:17.960
<v Speaker 1>They're so cute, it's crazy. They Yeah, it's like totally dark,

0:45:18.040 --> 0:45:19.960
<v Speaker 1>and then you look around and you just see all

0:45:20.000 --> 0:45:24.160
<v Speaker 1>these like fuzzy fuzzy white claws waving at you, like

0:45:24.280 --> 0:45:26.840
<v Speaker 1>every crevice. I thought i'd see like a handful of

0:45:26.880 --> 0:45:29.120
<v Speaker 1>yetti crabs, but they're like hundreds of them. Are they

0:45:29.160 --> 0:45:32.200
<v Speaker 1>doing it to pretend to be like a different like

0:45:32.239 --> 0:45:35.359
<v Speaker 1>seaweed or something or what are they? I think it's

0:45:35.400 --> 0:45:39.200
<v Speaker 1>because they're stirring up the sulfur in the water to

0:45:39.880 --> 0:45:43.160
<v Speaker 1>feed the bacteria on their pinchers, because the ones that

0:45:43.200 --> 0:45:47.600
<v Speaker 1>live around hydrothermal vents where it bursts out really dramatically,

0:45:47.680 --> 0:45:49.640
<v Speaker 1>they don't do that. So it's only the ones that

0:45:49.719 --> 0:45:52.399
<v Speaker 1>live at these like chemical sleeps where it comes out

0:45:52.440 --> 0:45:55.239
<v Speaker 1>more slowly, so then they have to like stir up.

0:45:55.719 --> 0:45:58.520
<v Speaker 1>It's this kind of creature that can't be brought up

0:45:58.560 --> 0:46:01.279
<v Speaker 1>to sea level because it will just just like get

0:46:01.320 --> 0:46:05.120
<v Speaker 1>destroyed the pressure. For the lack of pressure, I guess, well,

0:46:05.239 --> 0:46:09.520
<v Speaker 1>actually it's more the change in temperature that I think,

0:46:09.880 --> 0:46:13.279
<v Speaker 1>uh damages them in transit. But we actually did keep

0:46:13.320 --> 0:46:15.600
<v Speaker 1>them alive on the ship for the whole time we

0:46:15.600 --> 0:46:18.480
<v Speaker 1>were at sea, and they had they're so cute. They

0:46:18.480 --> 0:46:21.720
<v Speaker 1>were in like um, they were in these like little

0:46:21.760 --> 0:46:25.040
<v Speaker 1>containers and they didn't like fight with each other anything.

0:46:25.360 --> 0:46:28.359
<v Speaker 1>They're just like very loving and they make all these

0:46:28.400 --> 0:46:32.640
<v Speaker 1>like orgiastic piles on the floor, just like like the

0:46:33.080 --> 0:46:36.080
<v Speaker 1>babies are in little crevices, but the adults all pile

0:46:36.160 --> 0:46:39.640
<v Speaker 1>on each other. And that's also weird because most crustaceans

0:46:39.640 --> 0:46:42.120
<v Speaker 1>don't like to touch each other unless they're having sex

0:46:42.520 --> 0:46:46.560
<v Speaker 1>or fighting. But they're peaceful yeties. Yeah, they're peaceful, loving

0:46:47.160 --> 0:46:52.640
<v Speaker 1>that's amazing. Life just like so boring to you know,

0:46:54.560 --> 0:46:57.520
<v Speaker 1>you're like a person who went to space like that.

0:46:58.440 --> 0:47:01.040
<v Speaker 1>I miss it all the time and missing Antarcticle all

0:47:01.040 --> 0:47:06.040
<v Speaker 1>the time too. How long were you there in Antarctica? Uh? Days?

0:47:06.480 --> 0:47:08.320
<v Speaker 1>And then I was there for a month and a

0:47:08.400 --> 0:47:11.120
<v Speaker 1>half like two years prior, so like a total of

0:47:11.680 --> 0:47:14.279
<v Speaker 1>It's funny. It's totally like the place from the thing.

0:47:15.120 --> 0:47:17.120
<v Speaker 1>And then the way Lily would talk about it should

0:47:17.120 --> 0:47:20.759
<v Speaker 1>be like there's an open mic night. Do you basically

0:47:21.000 --> 0:47:24.080
<v Speaker 1>know everybody who's in Antarctica when you're there, Like it's

0:47:24.120 --> 0:47:27.720
<v Speaker 1>like when I was there. Yeah, there's like, well, there's town,

0:47:27.880 --> 0:47:31.120
<v Speaker 1>which is the research station McMurdo, and then they're like

0:47:31.200 --> 0:47:33.840
<v Speaker 1>little field camps where you'll be with only like six

0:47:33.880 --> 0:47:37.040
<v Speaker 1>other people or something. But yeah, I got to know

0:47:37.400 --> 0:47:41.040
<v Speaker 1>most people in town. There's like a capacity of twelve

0:47:41.160 --> 0:47:45.200
<v Speaker 1>hundred people. That's more than I would have thought. Yeah,

0:47:45.360 --> 0:47:49.600
<v Speaker 1>but it's not usually that full. And so yeah, it

0:47:49.719 --> 0:47:53.160
<v Speaker 1>was so fun. It's like camp. There were three bars

0:47:53.320 --> 0:48:01.600
<v Speaker 1>in town. Oh good drunken Antarctica. There's a Yeah, there's

0:48:01.640 --> 0:48:06.120
<v Speaker 1>a lot of um. There's like a whole subculture. It's

0:48:06.160 --> 0:48:09.640
<v Speaker 1>like the ice it's like ice cold burning man. Yes,

0:48:10.000 --> 0:48:18.960
<v Speaker 1>they have freezing man. They're regional god Antarctica. Oh definitely. Yeah,

0:48:18.960 --> 0:48:23.000
<v Speaker 1>there's there's drama rama yea. The scientists are called beakers

0:48:23.040 --> 0:48:26.040
<v Speaker 1>and then the people who are like science support. Shoot,

0:48:26.120 --> 0:48:28.839
<v Speaker 1>I can't remember, I'm so rusty, but yeah, they refer

0:48:28.920 --> 0:48:32.839
<v Speaker 1>to the scientists as beakers, like in a derogatory way. Um,

0:48:33.160 --> 0:48:36.279
<v Speaker 1>just like a slang way. And but yeah, there's sort

0:48:36.280 --> 0:48:39.319
<v Speaker 1>of like if you're science support, you're there for the

0:48:39.440 --> 0:48:43.879
<v Speaker 1>long haul, like um minimum of four months, and then

0:48:43.920 --> 0:48:47.040
<v Speaker 1>some people stay for a full year, and most scientists

0:48:47.080 --> 0:48:49.600
<v Speaker 1>are there for a shorter portion of that, so it's

0:48:49.640 --> 0:48:54.279
<v Speaker 1>like you're not really native. But I was there a

0:48:54.280 --> 0:48:58.960
<v Speaker 1>whole almost the whole season. I was in between. I mean,

0:48:59.040 --> 0:49:01.839
<v Speaker 1>I can't even is like going to space. It's such

0:49:01.880 --> 0:49:05.000
<v Speaker 1>a it's such a different and especially to be there

0:49:05.040 --> 0:49:07.160
<v Speaker 1>for that long or it does like it's long enough

0:49:07.200 --> 0:49:11.200
<v Speaker 1>to become your normal. Yeah to You had a video

0:49:11.280 --> 0:49:15.200
<v Speaker 1>in one of your shows. Yeah, under the Sea ice

0:49:15.200 --> 0:49:18.080
<v Speaker 1>because I got to scuba dive. It's the largest expanse

0:49:18.120 --> 0:49:21.439
<v Speaker 1>of sea ice in the world McMurdo Sound, and it's

0:49:21.600 --> 0:49:23.880
<v Speaker 1>all like six ft thick. Yeah, this is where I

0:49:23.960 --> 0:49:25.719
<v Speaker 1>was like, I would have checked. I could not do

0:49:25.760 --> 0:49:29.000
<v Speaker 1>this because under the ice, Yeah, that's so scary. That's

0:49:29.000 --> 0:49:33.560
<v Speaker 1>why I went in. It's so beautiful, Like on top

0:49:33.600 --> 0:49:37.319
<v Speaker 1>it's just white, but underneath there's this like microalgae that

0:49:37.400 --> 0:49:39.600
<v Speaker 1>grows in the ice that makes it glow like neon

0:49:39.760 --> 0:49:44.040
<v Speaker 1>green and gold, and like the ice texture is super feathery,

0:49:44.160 --> 0:49:47.160
<v Speaker 1>and it's just like the most My friend Henry Kaiser

0:49:47.440 --> 0:49:52.560
<v Speaker 1>called it like mainlining LSD. It's just so so trippy,

0:49:52.600 --> 0:49:55.200
<v Speaker 1>and you can see a thousand feet because there's nothing

0:49:55.280 --> 0:49:57.839
<v Speaker 1>growing in the water because it been dark, and you're

0:49:57.880 --> 0:50:01.200
<v Speaker 1>diving in like early spring, so there's like you feel

0:50:01.200 --> 0:50:03.440
<v Speaker 1>like you're just flying through the air in this crazy

0:50:03.520 --> 0:50:07.120
<v Speaker 1>landscape and there's like submerged glaciers and I would lose

0:50:07.160 --> 0:50:09.880
<v Speaker 1>my mind immediately. Were you afraid you might just like

0:50:09.920 --> 0:50:13.880
<v Speaker 1>swim off and become a mermaid, an nice mermaid I

0:50:13.920 --> 0:50:18.440
<v Speaker 1>wanted to? Yeah, Yeah, it was like, yeah, it was

0:50:19.400 --> 0:50:21.960
<v Speaker 1>other than the YETI craft. Do you have a favorite

0:50:22.000 --> 0:50:27.000
<v Speaker 1>creature that you've encountered personally? Um? Uh, Well, my other

0:50:27.080 --> 0:50:32.320
<v Speaker 1>favorite deep sea creature is probably the giant tube worm Riftia,

0:50:32.400 --> 0:50:35.600
<v Speaker 1>which is the first deep sea creature that was discovered

0:50:35.640 --> 0:50:39.080
<v Speaker 1>at hydrothermal vents in the seventies and they they're very

0:50:39.160 --> 0:50:42.640
<v Speaker 1>like Freudian. They look like phallic and vaginal, and they

0:50:42.640 --> 0:50:45.560
<v Speaker 1>get up to like six ft long, and they're just

0:50:45.600 --> 0:50:48.480
<v Speaker 1>they're sort of iconic because they're like the first chemos

0:50:48.560 --> 0:50:54.880
<v Speaker 1>the very sent seventies too, so it's very appropriate on trend. Yeah,

0:50:55.200 --> 0:50:58.320
<v Speaker 1>basically I was a more for Halloween in second grade.

0:50:59.280 --> 0:51:04.320
<v Speaker 1>A long love. Yeah, I think I saw or something.

0:51:04.440 --> 0:51:07.799
<v Speaker 1>The two were predated back then. Yes, yeah, I'm really

0:51:07.840 --> 0:51:10.880
<v Speaker 1>I'm back to my roots, right right, that was a diversion.

0:51:11.160 --> 0:51:14.239
<v Speaker 1>There's probably no way of really knowing this, But are

0:51:14.440 --> 0:51:17.839
<v Speaker 1>any of the animals that live that deep in the

0:51:17.840 --> 0:51:23.000
<v Speaker 1>water smart animals because the two were octopi, But do

0:51:23.080 --> 0:51:27.000
<v Speaker 1>they live like way that they do? Yeah? Yeah, Actually,

0:51:27.360 --> 0:51:30.120
<v Speaker 1>there's a really cool photo I'll send you guys of

0:51:30.160 --> 0:51:33.320
<v Speaker 1>the There's was an octopus that came up and shook

0:51:33.360 --> 0:51:37.120
<v Speaker 1>hands with the sub, so you know this is like

0:51:37.120 --> 0:51:43.320
<v Speaker 1>a pro octopus. H I've heard that as a seal friend.

0:51:43.880 --> 0:51:47.279
<v Speaker 1>Oh yeah, there in Antarctica, the seals used to use

0:51:47.280 --> 0:51:49.719
<v Speaker 1>our dive holes because they have to find cracks to

0:51:49.840 --> 0:51:52.359
<v Speaker 1>breathe through in the sea ice and then we have

0:51:52.480 --> 0:51:55.560
<v Speaker 1>dive holes that stay open like the whole season, so

0:51:55.760 --> 0:51:58.000
<v Speaker 1>they would come to the dive holes and breathe and

0:51:58.200 --> 0:52:02.600
<v Speaker 1>they just be there chilling, hanging out. Yeah, to wait

0:52:02.640 --> 0:52:04.560
<v Speaker 1>for them to move away from the whole so you

0:52:04.600 --> 0:52:09.640
<v Speaker 1>can leave. Were they friendly? Could you like approach? They

0:52:09.640 --> 0:52:12.239
<v Speaker 1>were totally have a picture with one where it looks

0:52:12.280 --> 0:52:15.200
<v Speaker 1>like it's a dog. It's like so cool. Yeah, they

0:52:15.200 --> 0:52:19.200
<v Speaker 1>weren't friendly like the way dolphins might be friendly, but

0:52:19.320 --> 0:52:22.399
<v Speaker 1>they were very present, like they would just be right

0:52:22.440 --> 0:52:26.160
<v Speaker 1>next to you. Yeah, that's so cool. And they're huge.

0:52:26.719 --> 0:52:29.160
<v Speaker 1>The Woodell Seals they're like, I don't know how big,

0:52:29.200 --> 0:52:34.399
<v Speaker 1>but they're huge. The big baby bloppers. Yeah, we want

0:52:34.440 --> 0:52:36.719
<v Speaker 1>to hug them all. Yeah. I mean the other thing

0:52:36.760 --> 0:52:41.760
<v Speaker 1>about Baby Yoda is like, there's cuter things in real life. Yeah,

0:52:41.840 --> 0:52:44.600
<v Speaker 1>and you can all of them, but the ones you

0:52:44.719 --> 0:52:48.920
<v Speaker 1>can hug. Do you really think I have to circle

0:52:48.920 --> 0:52:50.880
<v Speaker 1>back to this, but do you really think that Baby

0:52:50.960 --> 0:52:54.879
<v Speaker 1>Yoda was intended to lift a flagging birthrate? As soon

0:52:54.880 --> 0:52:59.040
<v Speaker 1>as I like, I believe it from my own personal

0:52:59.120 --> 0:53:02.080
<v Speaker 1>experience of seeing Baby Yoda for the first time, But

0:53:02.719 --> 0:53:04.680
<v Speaker 1>I don't know if it's that if they didn't want

0:53:04.680 --> 0:53:07.560
<v Speaker 1>to know that they know. But I had I had

0:53:07.600 --> 0:53:11.960
<v Speaker 1>the thought. I had the thought first a listener had

0:53:12.040 --> 0:53:17.640
<v Speaker 1>that thought. Yeah, so I guess it's provable. Now I

0:53:17.680 --> 0:53:22.279
<v Speaker 1>feel like anything vaguely neotonous can trigger that reaction. It's

0:53:22.280 --> 0:53:26.160
<v Speaker 1>the big eyes. I mean, yeah, I don't know. It's

0:53:26.239 --> 0:53:29.279
<v Speaker 1>it's it's it's a helplessness too. You're just like, I

0:53:29.360 --> 0:53:34.200
<v Speaker 1>gotta help baby Yoda. So he doesn't even have his

0:53:34.320 --> 0:53:37.680
<v Speaker 1>bass net anymore. Oh my god, it's gonna get so cold.

0:53:38.120 --> 0:53:40.120
<v Speaker 1>When I thought you turned on him, I did turn

0:53:40.160 --> 0:53:45.200
<v Speaker 1>on him. We don't have enough time to talk about why.

0:53:46.640 --> 0:53:49.440
<v Speaker 1>This time I thought that there was a new image

0:53:49.440 --> 0:53:54.719
<v Speaker 1>of Amy Sadaris carrying him. Oh my god. Um, well,

0:53:54.719 --> 0:53:57.480
<v Speaker 1>thank you so much Lily for coming by and talking

0:53:57.520 --> 0:54:05.720
<v Speaker 1>about your your twin interests more in common than also

0:54:05.840 --> 0:54:10.800
<v Speaker 1>back there's still a chance. So um, she's waiting. Where

0:54:11.080 --> 0:54:14.280
<v Speaker 1>can we find your work? Is there give a site

0:54:14.400 --> 0:54:16.160
<v Speaker 1>or someplace where people can check out what you do.

0:54:16.400 --> 0:54:18.279
<v Speaker 1>I have a show that's up right now at the

0:54:18.360 --> 0:54:22.000
<v Speaker 1>Harvard Museum of Natural History, cool and it's up till March,

0:54:22.120 --> 0:54:24.080
<v Speaker 1>so if you're in that area. And then also I

0:54:24.080 --> 0:54:29.400
<v Speaker 1>have a website Lily Simonson dot com or Old genres

0:54:29.520 --> 0:54:31.719
<v Speaker 1>dot com, which is like an art joke, like New

0:54:31.800 --> 0:54:34.960
<v Speaker 1>Genres is like video and performance. So I got. I

0:54:35.040 --> 0:54:37.480
<v Speaker 1>was very happy to get that you are l as

0:54:37.520 --> 0:54:40.040
<v Speaker 1>a painter. I make paintings. I don't know if Yeah,

0:54:40.080 --> 0:54:43.439
<v Speaker 1>you're also going to be painting an underground tunnel? Oh yeah?

0:54:44.160 --> 0:54:50.160
<v Speaker 1>Where ye tunnel related to measure it? But it wasn't

0:54:50.160 --> 0:54:53.560
<v Speaker 1>open on the weekends. Yeah, that's that's the Victoria Orphan

0:54:53.800 --> 0:54:56.120
<v Speaker 1>is at Caltech and she's the one who studies the

0:54:56.239 --> 0:55:02.120
<v Speaker 1>archaea in bacteria that help these deep sea communities thrive,

0:55:03.160 --> 0:55:06.080
<v Speaker 1>provide food. We all the food chain. Can we take

0:55:06.080 --> 0:55:11.439
<v Speaker 1>a Nightcall sojourn to an underground tunnel? Okay, perfect, we'll

0:55:11.440 --> 0:55:13.120
<v Speaker 1>put that in the calendar. Maybe that will be our

0:55:13.160 --> 0:55:17.000
<v Speaker 1>next tunnel to a lab. Yeah, it's very cool. Yeah.

0:55:17.120 --> 0:55:20.560
<v Speaker 1>Um well, thanks so much for listening Tonight Call. If

0:55:20.600 --> 0:55:23.080
<v Speaker 1>you are not subscribing to us already on iTunes, you

0:55:23.080 --> 0:55:25.840
<v Speaker 1>should do that. Leave us a review and rating helps

0:55:25.920 --> 0:55:28.080
<v Speaker 1>us a lot. You can also follow us on social

0:55:28.080 --> 0:55:32.200
<v Speaker 1>media and on Twitter, at Nightcall Pod, Instagram, Nightcall Podcast,

0:55:32.280 --> 0:55:35.200
<v Speaker 1>and Facebook at Night Call Podcast, and join our Patreon

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<v Speaker 1>if you haven't already, We're at Patreon dot com slash Nightcall,

0:55:38.840 --> 0:55:41.600
<v Speaker 1>and you can chip in at any level you would like.

0:55:41.760 --> 0:55:45.640
<v Speaker 1>We have another book Club episode coming out this month

0:55:45.719 --> 0:55:48.440
<v Speaker 1>in a couple of weeks, so get in now to

0:55:48.520 --> 0:55:51.319
<v Speaker 1>get in on that um and yeah, we'll see you

0:55:51.320 --> 0:56:48.600
<v Speaker 1>all next week. Nightcall is a production of I heart Radio.

0:56:48.960 --> 0:56:51.480
<v Speaker 1>For more podcasts from my heart Radio, visit the i

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<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

0:56:54.760 --> 0:56:55.560
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