1 00:00:02,920 --> 00:00:06,720 Speaker 1: I don't want to buy a bottle of water. Oh, 2 00:00:07,960 --> 00:00:10,799 Speaker 1: my producer, Austin and I are killing time in between 3 00:00:10,840 --> 00:00:13,280 Speaker 1: interviews in the East Village. Right there is that. Oh 4 00:00:13,320 --> 00:00:16,520 Speaker 1: my god, Austin, look where we are that right there? Wait? Stop? Oh? 5 00:00:16,560 --> 00:00:18,520 Speaker 1: Should we just walked past. We're in the middle of 6 00:00:18,560 --> 00:00:21,279 Speaker 1: the thing. We're safe. That is the news stand where 7 00:00:21,320 --> 00:00:24,079 Speaker 1: Red worked. Okay, so we're st Marks and third. That's 8 00:00:24,120 --> 00:00:29,600 Speaker 1: the hotel. Oh, that's Marks. That's thirteen third Avenue. That's 9 00:00:29,640 --> 00:00:34,440 Speaker 1: the storefront. Thirteen third Avenue is the storefront where Rebecca 10 00:00:34,520 --> 00:00:38,680 Speaker 1: and Billy lived. Back then, this place was fly paper 11 00:00:38,720 --> 00:00:44,680 Speaker 1: for weirdos. Now it's a salon called hair Mates. This avenue. 12 00:00:44,720 --> 00:00:47,680 Speaker 1: How it is pretty big in there, huh, room enough 13 00:00:47,720 --> 00:00:51,640 Speaker 1: for four rows of chairs to go all the way back, 14 00:00:51,760 --> 00:00:54,160 Speaker 1: with a reception in the front, and it looks like 15 00:00:54,200 --> 00:00:57,440 Speaker 1: a little kitchen or office in the back. It's pretty big. 16 00:00:57,600 --> 00:01:00,440 Speaker 1: Standing here. I try to imagine what it looked like 17 00:01:00,520 --> 00:01:06,160 Speaker 1: that day, the day that changed everything, The day Rebecca 18 00:01:06,280 --> 00:01:09,919 Speaker 1: came home to find the storefront blocked off with police tape, 19 00:01:10,920 --> 00:01:18,240 Speaker 1: the window blown out, cops everywhere, the day that Billy 20 00:01:18,400 --> 00:01:29,480 Speaker 1: was shot from Crime Town. I'm io till it right, 21 00:01:30,280 --> 00:01:44,920 Speaker 1: and this is the Ballad of Billy Balls. I might 22 00:01:44,959 --> 00:01:48,960 Speaker 1: be one of those people that comes alive in Danger 23 00:01:49,400 --> 00:01:52,640 Speaker 1: and Romance. A lot of people are afraid of crawl. 24 00:01:52,680 --> 00:01:55,440 Speaker 1: I'm in New York City, afraid that there's no such 25 00:01:55,520 --> 00:02:02,480 Speaker 1: thing as a safe neighborhood anymore, afraid of right, and 26 00:02:02,680 --> 00:02:09,080 Speaker 1: off the elevator comes Billy Balls. And it's called love 27 00:02:09,160 --> 00:02:17,639 Speaker 1: It First Sight. And when I come up to the 28 00:02:17,720 --> 00:02:22,320 Speaker 1: Starfront on Avenue when we lived in, there's orange tape 29 00:02:22,360 --> 00:02:28,640 Speaker 1: all over and they says, William Heinzman, he shot five 30 00:02:28,760 --> 00:02:38,160 Speaker 1: times and he's in such and such hospital. Chapter two. 31 00:02:38,960 --> 00:02:49,160 Speaker 1: He's not done yet. My mind was just fucked and disoriented. 32 00:02:50,120 --> 00:02:53,119 Speaker 1: And they told me the wrong hospital. And I went 33 00:02:53,200 --> 00:02:56,760 Speaker 1: there and it says this is the wrong hospital and 34 00:02:56,760 --> 00:03:00,400 Speaker 1: he's in such and such and I ran there and 35 00:03:00,440 --> 00:03:05,600 Speaker 1: they told me he's empty. The blood bag on his 36 00:03:05,800 --> 00:03:13,639 Speaker 1: tight Rebecca finally found Billy at Cabrini Medical Center. He 37 00:03:13,720 --> 00:03:17,160 Speaker 1: was in rough shape, but he was alive. I saw 38 00:03:17,240 --> 00:03:20,680 Speaker 1: her in the first time. He was away in the 39 00:03:20,880 --> 00:03:27,760 Speaker 1: distance and almost like a shrine, like it's so far back. 40 00:03:27,880 --> 00:03:32,320 Speaker 1: It's dark back there, and there was a nurse changing 41 00:03:32,480 --> 00:03:35,720 Speaker 1: his sheet like you change the diaper of a baby, 42 00:03:36,600 --> 00:03:40,440 Speaker 1: and he was like being turned over, and his head 43 00:03:40,520 --> 00:03:45,000 Speaker 1: kind of came my way, but his soul was floating 44 00:03:45,080 --> 00:03:48,280 Speaker 1: above his body. It looked like he was made of 45 00:03:48,400 --> 00:03:52,360 Speaker 1: criscal His soul is not in his body, it was 46 00:03:52,520 --> 00:04:00,920 Speaker 1: floating above him. His ankle was handcuffed to the rail 47 00:04:01,040 --> 00:04:06,680 Speaker 1: of the bed, and next to his shoulder was an 48 00:04:06,840 --> 00:04:11,960 Speaker 1: armed pig. Rebecca says, Billy was being guarded by the cops, 49 00:04:13,000 --> 00:04:15,520 Speaker 1: even though it didn't seem like he was going anywhere. 50 00:04:16,720 --> 00:04:20,599 Speaker 1: And first of all, he had a trickier respirator down 51 00:04:20,760 --> 00:04:26,159 Speaker 1: his his windpipe. And I took a fixture of his 52 00:04:26,360 --> 00:04:32,160 Speaker 1: belly where there are big meat hooks holding his belly together, 53 00:04:32,839 --> 00:04:37,479 Speaker 1: and it was slashed all the way across three times 54 00:04:37,600 --> 00:04:41,919 Speaker 1: and big meat hooks holding it together because it wasn't 55 00:04:41,920 --> 00:04:49,080 Speaker 1: even sewn together yet. And he had stitches his cut 56 00:04:49,160 --> 00:04:54,839 Speaker 1: where his collar bone once was. They removed his collar bone, 57 00:04:55,440 --> 00:04:58,520 Speaker 1: which was the favorite part of my favorite part of 58 00:04:58,600 --> 00:05:02,840 Speaker 1: his body was just go to you cute little collar 59 00:05:02,880 --> 00:05:09,520 Speaker 1: bones and chest. And when I saw his stitches and 60 00:05:09,760 --> 00:05:14,400 Speaker 1: his collar bone, my niece buckle, and for the first 61 00:05:14,440 --> 00:05:17,760 Speaker 1: and only time in my life, I started to faint. 62 00:05:20,440 --> 00:05:24,839 Speaker 1: And he said, he said to the guard give her 63 00:05:27,720 --> 00:05:31,360 Speaker 1: and he was a stupid pig and he didn't do ship. 64 00:05:34,440 --> 00:05:39,320 Speaker 1: And the nurse is bringing him a plate of a 65 00:05:39,440 --> 00:05:44,000 Speaker 1: chicken leg and this big solid food, which makes no 66 00:05:44,279 --> 00:05:48,040 Speaker 1: sense whatsoever. How are you going to feed somebody holding 67 00:05:48,080 --> 00:05:52,359 Speaker 1: their belly together with meat hooks this big solid food. 68 00:05:53,040 --> 00:05:57,240 Speaker 1: And that's the day when I'm walking down the hall 69 00:05:57,279 --> 00:06:08,760 Speaker 1: and he shouts to me, baby, do what you want. 70 00:06:12,000 --> 00:06:17,880 Speaker 1: That meant, do what the fuck I want, Like he's 71 00:06:17,960 --> 00:06:22,640 Speaker 1: cutting me loose because he is in some deep ship 72 00:06:23,720 --> 00:06:27,720 Speaker 1: and he knows it. You know what I'm saying. And 73 00:06:27,839 --> 00:06:31,120 Speaker 1: I was freaking the funk out, And yes, I was 74 00:06:31,360 --> 00:06:39,560 Speaker 1: crying like a banshee NonStop. And I didn't know what 75 00:06:39,600 --> 00:06:41,839 Speaker 1: the funk to do, but I did know what the 76 00:06:41,880 --> 00:06:44,920 Speaker 1: funk to do. I knew exactly what to do. My 77 00:06:45,000 --> 00:06:52,480 Speaker 1: instincts just told me what the fund to do. That's 78 00:06:52,480 --> 00:07:04,480 Speaker 1: after the break with Billy in the hospital, Rebecca went 79 00:07:04,520 --> 00:07:08,440 Speaker 1: back to Avenue and tried to piece together what had happened. 80 00:07:13,520 --> 00:07:17,920 Speaker 1: I see Ming Super. One of the only witnesses was 81 00:07:17,960 --> 00:07:23,640 Speaker 1: the building's maintenance guy, a dude named Ming Ming saw 82 00:07:25,080 --> 00:07:30,840 Speaker 1: cowboy hat, a person walk with Billy the way Rebecca 83 00:07:30,920 --> 00:07:34,080 Speaker 1: remembers it. Ming said, Billy and this man in a 84 00:07:34,160 --> 00:07:37,120 Speaker 1: cowboy hat walked around the neighborhood and they came back. 85 00:07:37,160 --> 00:07:40,000 Speaker 1: They went downstairs, then went down in the basement through 86 00:07:40,040 --> 00:07:44,120 Speaker 1: a hatch in the sidewalk. Bime, Billy came back up 87 00:07:44,520 --> 00:07:49,640 Speaker 1: alone and went into the house, and then that dude 88 00:07:49,680 --> 00:07:56,920 Speaker 1: with the cowboy hat broke down the door, shooting. So 89 00:07:57,000 --> 00:08:00,640 Speaker 1: then the question became, who's the guy in the cowboy 90 00:08:00,640 --> 00:08:06,160 Speaker 1: hat that was an undercovering narcotics detective. I don't know 91 00:08:06,240 --> 00:08:08,840 Speaker 1: the guy to tell what happens. He was an undercovering 92 00:08:08,920 --> 00:08:13,360 Speaker 1: narcotics detective. Billy told me that, and he came to 93 00:08:13,400 --> 00:08:17,480 Speaker 1: see Billy in the hospital when he was alive, and 94 00:08:17,560 --> 00:08:23,320 Speaker 1: he said the hospital, Billy said to me that the 95 00:08:23,400 --> 00:08:27,559 Speaker 1: dude that shot him came to the hospital and said 96 00:08:27,600 --> 00:08:30,760 Speaker 1: to him, if it was up to me, you wouldn't 97 00:08:30,800 --> 00:08:38,760 Speaker 1: be in here. Rebecca realized that she needed to talk 98 00:08:38,800 --> 00:08:43,640 Speaker 1: to a lawyer, and I called Mark Pines. Mark Pines 99 00:08:44,240 --> 00:08:48,920 Speaker 1: is a videographer that invented music video. He knew Billy 100 00:08:49,080 --> 00:08:53,200 Speaker 1: and respected him, and I called him and I told 101 00:08:53,240 --> 00:08:56,960 Speaker 1: him what the fuck and he told me two of 102 00:08:57,000 --> 00:09:01,079 Speaker 1: the heaviest lawyers in New York City right off the bat, 103 00:09:01,720 --> 00:09:04,880 Speaker 1: because it was clearly a big civil suit, you know, 104 00:09:05,760 --> 00:09:11,920 Speaker 1: and some horrible crime against Billy Balls. And they were 105 00:09:12,160 --> 00:09:15,840 Speaker 1: hot on it because they saw a big box, you know, 106 00:09:15,880 --> 00:09:19,000 Speaker 1: how the fucking lawyers are because it was an obvious 107 00:09:19,040 --> 00:09:24,480 Speaker 1: civil suit. No, but it's another thing that I just 108 00:09:24,720 --> 00:09:30,000 Speaker 1: can't fucking remember because my mind has just put this out, 109 00:09:30,320 --> 00:09:41,160 Speaker 1: you know. And then Rebecca says, something really weird started 110 00:09:41,200 --> 00:09:46,439 Speaker 1: to happen. I did receive a creepy threatening phone call 111 00:09:46,720 --> 00:09:53,880 Speaker 1: in the night avenue. I can't tell you that exactly, 112 00:09:53,960 --> 00:09:59,160 Speaker 1: but they were saying weird ship. It was just short 113 00:09:59,760 --> 00:10:04,440 Speaker 1: and I can't quite remember it. It was a scare tactic. 114 00:10:05,559 --> 00:10:13,319 Speaker 1: It was definitely a police type guy. Not long after, 115 00:10:14,720 --> 00:10:19,760 Speaker 1: Rebecca got the worst phone call of all I know. 116 00:10:20,240 --> 00:10:28,000 Speaker 1: It was around my mother's birthday, which is June. And uh, 117 00:10:28,440 --> 00:10:35,880 Speaker 1: that morning, I piste. These little white particles were in 118 00:10:36,000 --> 00:10:44,280 Speaker 1: my piss, like little weird white particles. It was really weird. 119 00:10:44,559 --> 00:10:50,080 Speaker 1: And out the window though brick was all dusty, crumbling, 120 00:10:50,400 --> 00:10:56,600 Speaker 1: you know, there was rags, rats and shipped outside the window, 121 00:10:56,679 --> 00:11:03,559 Speaker 1: and the windows all covered with grimy ships, and the 122 00:11:03,679 --> 00:11:09,680 Speaker 1: sunlight streams through all that grimy ship, which intensifies the 123 00:11:09,800 --> 00:11:16,800 Speaker 1: grim nous, you know. And on the radio was Jennifer 124 00:11:16,840 --> 00:11:25,760 Speaker 1: Holiday's song and telling you You're not God leaving, You're 125 00:11:25,800 --> 00:11:35,400 Speaker 1: the best thing I ever had. When the hospital called 126 00:11:36,480 --> 00:11:41,600 Speaker 1: and told me that they had taken him to the floor, 127 00:11:41,880 --> 00:11:51,840 Speaker 1: yes thirteen is favorite number for some reason, and that 128 00:11:52,000 --> 00:11:58,240 Speaker 1: he started vomiting bio which is bio is from you know, 129 00:11:59,559 --> 00:12:06,920 Speaker 1: kidney or something, and his heart stopped. He didn't he died, 130 00:12:13,320 --> 00:12:18,440 Speaker 1: and the dude told me to come down and identify 131 00:12:18,640 --> 00:12:24,079 Speaker 1: the body. That's how he phrased it. He said, can't 132 00:12:24,800 --> 00:12:30,080 Speaker 1: can you come down to identify the body? A William 133 00:12:30,160 --> 00:12:36,320 Speaker 1: Heightsman and I just, of course just went into this 134 00:12:36,880 --> 00:13:10,040 Speaker 1: kind of like it's white mm hmmmmm. Less than two 135 00:13:10,040 --> 00:13:14,400 Speaker 1: weeks after Billy was shot, he was dead and Rebecca 136 00:13:14,840 --> 00:13:18,280 Speaker 1: had to go to the city Morgue to identify his body. 137 00:13:19,040 --> 00:13:24,480 Speaker 1: And I went with Billy's very close friend, Robbie Bowman, 138 00:13:24,640 --> 00:13:30,959 Speaker 1: who was a musician, great musician, and Robbie went with 139 00:13:31,000 --> 00:13:40,640 Speaker 1: me two the medical examiner on First Avenue to identify 140 00:13:40,960 --> 00:13:46,760 Speaker 1: the body, and the little Puerto Rican girl rolled out 141 00:13:47,160 --> 00:13:51,960 Speaker 1: a gurney with a sheet over it and pulled back 142 00:13:52,040 --> 00:13:55,880 Speaker 1: the seat and there he was with the Prince of 143 00:13:55,880 --> 00:14:01,000 Speaker 1: the devil and a little kind of smile of mischief, 144 00:14:01,600 --> 00:14:05,160 Speaker 1: and his beard was starting to have a five o'clock shadow, 145 00:14:05,880 --> 00:14:10,040 Speaker 1: and he had a towel wrapped turban style around the 146 00:14:10,080 --> 00:14:14,000 Speaker 1: top of his head, and that fucking number on the toe. 147 00:14:14,800 --> 00:14:19,240 Speaker 1: And I screamed, and I said, he's not He's not 148 00:14:19,520 --> 00:14:31,360 Speaker 1: done yet. He's not done yet. I went to the 149 00:14:31,440 --> 00:14:37,640 Speaker 1: actor's funds because I needed to get money for his cremation. 150 00:14:38,560 --> 00:14:41,080 Speaker 1: And I explained that he was a rock and roll 151 00:14:41,200 --> 00:14:45,840 Speaker 1: piano player and that he was killed, and that I 152 00:14:45,920 --> 00:14:51,400 Speaker 1: needed help with the funeral costs and the cremation. The 153 00:14:51,480 --> 00:14:57,960 Speaker 1: little old lady, sweetest, tiny, tiny little old lady, arranged 154 00:14:58,480 --> 00:15:03,320 Speaker 1: a check. And when I went down there to the 155 00:15:03,360 --> 00:15:10,080 Speaker 1: funeral parlor, which is on Lexington, the man behind the 156 00:15:10,200 --> 00:15:14,160 Speaker 1: desk right inside the glass doors got on the phone 157 00:15:14,760 --> 00:15:19,120 Speaker 1: to call for the body to be transferred to the 158 00:15:19,200 --> 00:15:23,800 Speaker 1: funeral parlor, and they told him that the body had 159 00:15:23,840 --> 00:15:28,440 Speaker 1: been taken to Potter's Field. A Potter's Field is a 160 00:15:28,520 --> 00:15:34,320 Speaker 1: cemetery where unclaimed bodies are buried in mass graves. And 161 00:15:34,600 --> 00:15:40,760 Speaker 1: I said, what two, what the fuck? What's the fucking 162 00:15:40,800 --> 00:15:46,160 Speaker 1: phone number. I got the number of the Potter's Field 163 00:15:46,680 --> 00:15:50,080 Speaker 1: and I called that number, and on the other end 164 00:15:50,360 --> 00:15:55,280 Speaker 1: it was the Grave Diggers. And I says, I will 165 00:15:55,400 --> 00:15:59,680 Speaker 1: need the body. Where is the body of William Heitzman? 166 00:16:00,360 --> 00:16:05,360 Speaker 1: And they laughed, They laughed on the other end of 167 00:16:05,560 --> 00:16:22,760 Speaker 1: the phone. They laughed, and the bottom fell out of everything. Yeah, 168 00:16:23,320 --> 00:16:28,400 Speaker 1: my heart burst because I fucking loved him, you know. 169 00:16:29,720 --> 00:16:33,600 Speaker 1: And they told me you can just spind the rest 170 00:16:33,600 --> 00:16:39,480 Speaker 1: of your life running and pursue this. But you know what, 171 00:16:39,600 --> 00:16:43,360 Speaker 1: I don't give a funk about that. But it was 172 00:16:43,480 --> 00:16:59,400 Speaker 1: my heart burst, the one I love him so much. 173 00:17:00,280 --> 00:17:03,560 Speaker 1: This is a tape Rebecca made when Billy died, My 174 00:17:03,920 --> 00:17:20,120 Speaker 1: baby boy, right cuddle rape. I remember when he would sleep, 175 00:17:21,840 --> 00:17:30,800 Speaker 1: he low air through his little uptuous tender lips, incredible 176 00:17:30,920 --> 00:17:42,919 Speaker 1: bubble got His breath was so delicious that I would 177 00:17:44,000 --> 00:17:48,200 Speaker 1: snuggle up too close to where the bubble of airs 178 00:17:48,520 --> 00:17:54,120 Speaker 1: escaping through his lips and breathing. It was like breathing 179 00:17:54,119 --> 00:18:01,560 Speaker 1: this delectable breath of life is delicious, smelling and tasting 180 00:18:01,840 --> 00:18:08,520 Speaker 1: wreath of light. I miss you so much and my 181 00:18:08,720 --> 00:18:14,440 Speaker 1: head is sort of closing it all myself. And you 182 00:18:14,560 --> 00:18:20,040 Speaker 1: know when I start to feel like everything else is 183 00:18:20,160 --> 00:18:25,360 Speaker 1: kind of fading. I'm definitely gonna have to reproduce to 184 00:18:25,400 --> 00:18:31,480 Speaker 1: give some of somebody else's chance. You know, just watch 185 00:18:31,560 --> 00:18:37,000 Speaker 1: how cool they could be, because there's some spirit floating around. 186 00:18:37,040 --> 00:18:40,480 Speaker 1: It just needs a little human body to crawl into. 187 00:18:41,440 --> 00:18:44,760 Speaker 1: And I knew and I know who that spirit is. 188 00:18:47,000 --> 00:18:54,639 Speaker 1: And I thought, if I got a baby, well that 189 00:18:55,119 --> 00:19:06,480 Speaker 1: would be okay. You know, I remember just the fraw 190 00:19:06,720 --> 00:19:16,760 Speaker 1: feeling of the fucking pain of the grief, and I 191 00:19:16,800 --> 00:19:19,760 Speaker 1: would like to not remember that feeling. Quiz. The only 192 00:19:19,800 --> 00:19:24,280 Speaker 1: thing this stopped it was you being born, all right, 193 00:19:29,280 --> 00:19:37,639 Speaker 1: Rebecca did have a baby. Me. I'm not gonna m 194 00:19:45,560 --> 00:19:53,480 Speaker 1: m hm. You smell like clean laundry. Her, you smell 195 00:19:53,560 --> 00:20:05,960 Speaker 1: like clean laundry. Don't tell anybody, Ye, Billy was not 196 00:20:06,119 --> 00:20:08,920 Speaker 1: my father. I was born a couple of years after 197 00:20:09,000 --> 00:20:13,439 Speaker 1: he died. I know that Billy's sudden death broke my 198 00:20:13,520 --> 00:20:18,199 Speaker 1: mother's heart and her mind. And I also know that 199 00:20:18,280 --> 00:20:24,600 Speaker 1: if he hadn't been killed, I wouldn't be alive. So 200 00:20:24,760 --> 00:20:31,840 Speaker 1: much will be so much on but my goal in arms. 201 00:20:32,000 --> 00:21:09,760 Speaker 1: But I'm gonna find that, Okay, Okay, So now I 202 00:21:09,800 --> 00:21:12,399 Speaker 1: want to do something I have no idea how to do. 203 00:21:13,880 --> 00:21:16,639 Speaker 1: I want to track down Billy's body and try to 204 00:21:16,720 --> 00:21:20,399 Speaker 1: solve his murder. I want to give my mom an 205 00:21:20,520 --> 00:21:41,560 Speaker 1: ending to the Ballad of Billy Balls. In the next 206 00:21:41,640 --> 00:21:46,760 Speaker 1: chapter of the Ballad of Billy Balls, Oh my god, 207 00:21:47,280 --> 00:21:49,879 Speaker 1: I saw some hot yearbook photos in there? Did you 208 00:21:49,960 --> 00:22:10,040 Speaker 1: fucking find Billy's your book? Yeah? Ye. Crimetown is Zach 209 00:22:10,080 --> 00:22:15,159 Speaker 1: Stewart Pontier and Mark smirlin. The Ballad of Billy Balls 210 00:22:15,280 --> 00:22:18,080 Speaker 1: is hosted by me Io till it Right and made 211 00:22:18,080 --> 00:22:24,720 Speaker 1: in partnership with Cadence. We want to hear from you. 212 00:22:24,720 --> 00:22:27,120 Speaker 1: You can find me on the internet. Um Io loves 213 00:22:27,160 --> 00:22:29,919 Speaker 1: you on everything, and we set up a voicemail for 214 00:22:29,960 --> 00:22:32,200 Speaker 1: you to call us and share your thoughts on the case, 215 00:22:32,320 --> 00:22:35,280 Speaker 1: or your feelings or what you ate for breakfast. We'll 216 00:22:35,320 --> 00:22:38,120 Speaker 1: air a good one next week. The number is five 217 00:22:38,240 --> 00:22:45,200 Speaker 1: seven oh nine six zero. Our website is the Ballad 218 00:22:45,240 --> 00:22:48,320 Speaker 1: of Billie Balls dot com and you'll find a discussion 219 00:22:48,320 --> 00:22:55,119 Speaker 1: board there too. On The show is produced by me 220 00:22:55,560 --> 00:23:00,320 Speaker 1: Kevin Sheppard and Ryan Sweigert. Our senior producer is Austin Chold, 221 00:23:01,280 --> 00:23:05,560 Speaker 1: editing by Zack Stewart Pontier and Mark Smirling. Fact checking 222 00:23:05,600 --> 00:23:14,240 Speaker 1: by Jennifer Blackman. This episode was mixed and sound designed 223 00:23:14,280 --> 00:23:18,960 Speaker 1: by Kenny Kusiak. Music by Kenny Kusiak. Our title track 224 00:23:19,040 --> 00:23:23,639 Speaker 1: is Dark Allies by Light Asylum. Archival research by Brennan Reese. 225 00:23:24,440 --> 00:23:26,440 Speaker 1: If you want to know more about my story, pick 226 00:23:26,520 --> 00:23:34,320 Speaker 1: up my memoir, Darling Days Closely thanks to Drew Nellis, 227 00:23:34,440 --> 00:23:39,840 Speaker 1: Jesse Rudoy, Ula Culpa, Jamie Reisin, Wade Slitkin, Daniella Aria, 228 00:23:40,160 --> 00:23:44,760 Speaker 1: Rachel Lee Wright, Emily Wiedermann, Green Card Pictures, Alex Weinberg, 229 00:23:44,960 --> 00:23:49,719 Speaker 1: Alessandro Centauro, Bill Clegg, Ben Davis Orn Rosenbaum, and the 230 00:23:49,760 --> 00:23:55,400 Speaker 1: team at Caden's thirteen, and of course Rebecca, without whom 231 00:23:55,440 --> 00:24:01,720 Speaker 1: none of this would be possible. L