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Speaker 1: Thirteen Days of Halloween. Devil's Night, a production of I

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Speaker 1: Heart three D audio, Blumhouse Television and Grimm and Mild

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Speaker 1: from Aaron Maykey Headphones recommended. Listener discretion advised. This is

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Speaker 1: a w B r D Devil's Night bullet reminder. The

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Speaker 1: Sheriff's Department hasn't stated a curfew requiring all citizens to

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Speaker 1: remain home until further notice. We've received reports of vandalism,

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Speaker 1: are even murder across the streets of Bradberry tonight. Desperation

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Speaker 1: has taken root in our little town. And if you're

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Speaker 1: looking to take refuge from this evening's cruel tricks, Bradberry

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Speaker 1: Picture House invites you to drop on by, whether you're

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Speaker 1: in danger, lost, or just incredibly lonely. Our doors are

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Speaker 1: always open. Mm hm this this is an air duct

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Speaker 1: and it's a dead end. Psilo. I don't know where

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Speaker 1: to go, Besilo, Besilo, don't now come in arrow quickly.

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Speaker 1: I can't see anything. What is this place? H m

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Speaker 1: hm Now the movie theater because there's this thing playing?

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Speaker 1: Blow is anyone here? All these empty seats? They must

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Speaker 1: be closed. Take it into the lobby, maybe the emergency exit. Ah,

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Speaker 1: why would they lock. It just definitely qualifies as an emergency. Well,

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Speaker 1: we can't get out, and we can't go back the

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Speaker 1: way we came in. There has to be something we

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Speaker 1: can't just be trapped in here as well? Can you

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Speaker 1: hear me? BESI? Well, where did he go? I can't

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Speaker 1: believe I'm saying it arrow, but I wish he was here.

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Speaker 1: His help isn't always the most helpful, but at least

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Speaker 1: he'd have an idea. I know, boy, there's got to

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Speaker 1: be something wrong here. What do you think it is? Movie?

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Speaker 1: Is by making it? Use your mind? Popcorns so hard

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Speaker 1: to break? Three TV? Is the screen actually made of

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Speaker 1: human skin? Hopefully we won't find out to claim a

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Speaker 1: movie coming to hell? There must be someone up in

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Speaker 1: the projection? Movie? Hello? Hello, Hello, I know someone's out there.

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Speaker 1: What's the matter? Is the picture blurry? No? What? Well?

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Speaker 1: Then take your seat. They'll disturb the other guests. I'm

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Speaker 1: the only one here. Well, lucky, you enjoy the show.

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Speaker 1: I don't want to watch a movie. I'm just trying

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Speaker 1: to get out of here. There won't be any refunds.

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Speaker 1: I don't care. Just let me out. You're free to

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Speaker 1: go any time. But all the doors are locked. Hello,

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Speaker 1: there is another way out. Come to the back of

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Speaker 1: the theater. There's a door hidden in the middle of

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Speaker 1: the wall. You know, hello, but I don't see another way.

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Speaker 1: Come on Arrow. Well you sure are getting the backstage

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Speaker 1: tour tonight? You said there was an exit. This is

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Speaker 1: just your office. This is the box. This is where

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Speaker 1: the real magic happens. Do you have any idea of

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Speaker 1: the work that goes into the exhibition of cinematic I don't,

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Speaker 1: and you don't care. I just want to leave. Oh

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Speaker 1: calm down now. There's nothing up here that will hurt you.

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Speaker 1: You have my word, Max. The screen is not made

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Speaker 1: of human skin, though it would hardly be a stretch

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Speaker 1: given all you've seen tonight. Who are you? I'm the projectionist.

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Speaker 1: And how do you know my name? Your dog is

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Speaker 1: very faithful? Uh yeah, Carol's a restaurant. Hmm. How come

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Speaker 1: I've never seen you around? Are you new to Bradbury? No,

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Speaker 1: I've been here a while. Can't have been that long?

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Speaker 1: Is theater is only a few years old? I think

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Speaker 1: it opened right before the Craft. The world doesn't revolve

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Speaker 1: around motion pictures, Max. There are many ways to tell

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Speaker 1: a story. M surely you listen to the radio. I

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Speaker 1: I have to get home. Please unlock the doors, but

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Speaker 1: the movie is starting. I heard about your fan No

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Speaker 1: shame in it. Good hard work and folks all over town.

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Speaker 1: If basen the same your fiction? That's is that me? How?

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Speaker 1: Who are you? I told you I'm the projectionist? Okay,

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Speaker 1: before that? What did people call you before? I was

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Speaker 1: the projectionist? I've always been a projectionist. My father was

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Speaker 1: a projectionist. His father before him was a projectionist. His

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Speaker 1: father before him was He actually worked in textiles, but

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Speaker 1: he was the black sheep. Were you talking about? Your grandfather?

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Speaker 1: Couldn't have been a projectionist. Don't even movies back there?

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Speaker 1: Where did you hear that? My dad told me a

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Speaker 1: bit of advice, son, don't listen too much to what

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Speaker 1: other people tell you. Everyone's got an agenda. It's the

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Speaker 1: ones who say they don't that you can't trust. Well,

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Speaker 1: what's your agenda? Don't got one? Hand me that real? Well,

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Speaker 1: go on, it won't bite. But to your point, yes,

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Speaker 1: I suppose we didn't always call ourselves projectionists. There were

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Speaker 1: a host of gadgets that came before this wonderful machine,

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Speaker 1: phantoscopes and phasmatropes, zoopraxoscopes and zoo tropes, chromotropes, kinetoscopes, kinnessy graphs,

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Speaker 1: pracsino scopes. Before them were the instruments of phantasmagoria, the

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Speaker 1: magic lantern, the cameras obscure. And before it all there

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Speaker 1: was the art of silhouette, the puppetry of handshadows against

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Speaker 1: a fire lit cavern wall. And for all of them,

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Speaker 1: in every era there was an operator, someone who could

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Speaker 1: take a moment frozen in time and bring it back

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Speaker 1: to life. The projectionist. How did you have that film

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Speaker 1: from the orchard of me and the farmer? I see

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Speaker 1: everything that happens in Bradberry, all of its stories. Kid,

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Speaker 1: What are you doing way out on the highway? No harm?

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Speaker 1: And they havn't a decent meal? Who warm yourself up

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Speaker 1: a bit? Maybe you could come on, get out of

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Speaker 1: the element, get your breath. How how did you get this?

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Speaker 1: You said? The dog is your best friend? Huh, Yes,

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Speaker 1: he still is a best friend. Who can't talk back.

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Speaker 1: It's got my design. Perhaps he's protective too. That's a

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Speaker 1: good traitment a friend. But Arrow is not the only

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Speaker 1: one protecting you, is he? Just tell me what you

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Speaker 1: want here, come turn the crank. Will it make me

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Speaker 1: a projectionist with you? As if just anyone could take

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Speaker 1: on this mantle? Now what did you do? As I say,

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Speaker 1: I unlocked the doors? M m, there's nothing to be

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Speaker 1: afraid of. I just want you to have a hand

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Speaker 1: in telling this story. Why because it's yours? Llow ll hold?

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Speaker 1: Where the all? How did you get this? Birthday? Birthdays yard?

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Speaker 1: I was so little at time? Flies, boy, you better

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Speaker 1: get to wrap in here. One time lost his job. Children,

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Speaker 1: Get down school, Matt? Are you paying attention? I haven't

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Speaker 1: been so long. M Does that make you sad? Of course?

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Speaker 1: I mean at first I thought I'd get really lonely

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Speaker 1: not seeing everyone. But and I'd like kickball with you guys,

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Speaker 1: mad pot the point, kickball with the but I all

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Speaker 1: move mad off bird. Oh. But it was only after

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Speaker 1: I left school that I realized I've always really been lonely,

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Speaker 1: and I don't mind so much anymore. No, why is

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Speaker 1: that I don't know most people, at least the ones

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Speaker 1: I've known, are cruel. I only want to play tricks

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Speaker 1: and hurt you. For me, loneliness is like the numb,

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Speaker 1: frozen feeling when snow gets inside your mitten. It's frost bite.

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Speaker 1: But being around people, trusting them and having them rite

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Speaker 1: you down, it's like having your handcut right off, the

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Speaker 1: searing pain of human connection. Hence the dog. What do

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Speaker 1: you want from me? Don't stop? This is the good part. No,

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Speaker 1: I'm done. One more, one more scene, and I promise

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Speaker 1: that is it. All your questions will be answered. Fine,

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Speaker 1: do not be afraid. You have nothing to fear from me.

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Speaker 1: What are you a friend? For a man who sees everything?

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Speaker 1: I thought i'd seen everything, but this vesslele as you

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Speaker 1: call him? That? An old one? He ala seems to

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Speaker 1: show up when you are in trouble. Well, what do

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Speaker 1: we have here? Another hitchhiker? You're not my cooker? What

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Speaker 1: do you suppose that's because he's saving you from danger?

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Speaker 1: You needed me and so I came to help, Or

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Speaker 1: because he is the danger back the woman wants us?

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Speaker 1: You're not world? Who is he really? Who? You pray? Pray?

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Speaker 1: What is he really? You're familiar the thing that follows?

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Speaker 1: Why is he so interested in you? Let me walk

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Speaker 1: home with you? That is all I ask? And why

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Speaker 1: does he need you to trust him? I think you

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Speaker 1: are the reason I exist either way, it must be

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Speaker 1: nice having someone who's always there. Then again, I wonder

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Speaker 1: where he is now. You didn't answer anything. All you

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Speaker 1: did was ask questions, why are you keeping me here?

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Speaker 1: You didn't really think you're the only one in this

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Speaker 1: town who's lonely? Did you? Don't you have friends? I

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Speaker 1: spend my days observing other some them afar so close

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Speaker 1: that I know every detail, every glorious or dirty secret,

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Speaker 1: But nobody knows me. I've had friends, but they're always

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Speaker 1: fleeting like her. Let me out, I'll be lea, you're back,

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Speaker 1: you're not, and then you won't get away with this.

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Speaker 1: But what do these let me go? I don't. Did

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Speaker 1: you trap someone nut in the screen? How I'm the projections?

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Speaker 1: It's really hard and will happened? They always burn. I've

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Speaker 1: tried this before tonight, prisoning others humans inside my screen,

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Speaker 1: and it works well until midnight, when the sorcery of

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Speaker 1: sam Haine vanishes into the dawn. On any normal day,

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Speaker 1: the weak constitution of human flesh and bone are unfit

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Speaker 1: to weather my playpen. Only I could find someone of

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Speaker 1: in human constitution. Where am I? Well? I guess that's

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Speaker 1: the end of the clip shop. What is this place.

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Speaker 1: I do not know what happened. I do not know

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Speaker 1: how I lost you. Oh? But he's never too far away?

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Speaker 1: Is he? Max? Who is that with you? It's the

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Speaker 1: projection is highs allow? What is this? Let me out

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Speaker 1: of here at one. If there's anything to be gleaned

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Speaker 1: from tonight's events is that your Bezel is in his element,

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Speaker 1: battling the mortal world, but against something like me. Release me, Priest.

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Speaker 1: Perhaps he's not so scary after all? What is going

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Speaker 1: on here? I I don't know how to explain it,

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Speaker 1: But you're in a movie? What what? Oh? Nothing for

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Speaker 1: you to worry about? Bez? Can I call you? Bez?

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Speaker 1: I don't know what you are, and I know you'd

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Speaker 1: never tell me the truth. But we know you're not human,

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Speaker 1: And if my theory is correct, that very inhumanity may

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Speaker 1: possess the fortitude to withstand my prison of the damned

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Speaker 1: beyond midnight? Or dare I say forever, no way, no way,

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Speaker 1: You're gonna trap Beslo here as your friend forever. Max,

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Speaker 1: Listen to me. You need to get out of here immediately.

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Speaker 1: This is not safe for you. What about you? What

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Speaker 1: if he's wrong? You're not able to withstand it at midnight,

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Speaker 1: you'd be incinerated. Incinerated. Oh, he'll be fine, better than fine.

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Speaker 1: He'll have a new companion, and so finally will I. Oh,

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Speaker 1: I won't leave him here, Max, this is not about me.

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Speaker 1: You need to go. Let us talk. Of course, Max,

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Speaker 1: I'd never ask you to just leave as alone here.

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Speaker 1: I'm no common highwayman, after all, I'm a businessman. Let's

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Speaker 1: see six hundred seven D eight hundred nine D. That's

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Speaker 1: that's for me and your family. You could keep the

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Speaker 1: bank from taking your house hack With this much dough,

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Speaker 1: you could just buy the bank. Max. It's okay, I

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Speaker 1: will be fine, but you have to get out of

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Speaker 1: here right now. Do not listen to any of your

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Speaker 1: mouth are all incinerate you, and do do not scare me.

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Speaker 1: Do your worst, you pathetic little Let's pause right there.

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Speaker 1: Please excuse the outburst. The switch to talkies hasn't been easy.

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Speaker 1: You're crazy. Have you thought to consider why you don't

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Speaker 1: have any friends. I might have a few ideas, Oh,

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Speaker 1: I imagine you do. We're not so different, you and I.

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Speaker 1: I know what it feels like the way you begin

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Speaker 1: to lose feeling go numb. I too have felt the

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Speaker 1: frost bite of loneliness. Max, Well, if you like that,

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Speaker 1: let go of my arm. I'm gonna love this seering

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Speaker 1: pain of human connection. Help me out of this? How

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Speaker 1: do I free? Bez? All out? Max? It's going to

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Speaker 1: get cooling you in? What are you worried about your

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Speaker 1: precious projectors? This projector is more valuable than you can imagine.

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Speaker 1: But it's not just that you don't know what you're

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Speaker 1: doing well. Times are tough all around. Now now, no no, no, no, no, no,

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Speaker 1: no no no. I can't be here. What have you done? Boy?

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Speaker 1: What have you done? Hello? Stranger? Stay back, stay back?

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Speaker 1: Where's your pause button? Now? Now listen. I'll make you

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Speaker 1: a deal. Have another stack of bills on you? You

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Speaker 1: know I'm the only one who can get you out

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Speaker 1: of here. We will see about that, Max, this would

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Speaker 1: be a good time to leave. I am not sure

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Speaker 1: you will want to see this. Yeah, mh Bresilo is

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Speaker 1: not in the screen anymore. The screen Arrow through the screen.

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Speaker 1: There's gotta be an exit back there. H oh grows

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Speaker 1: it is human skin. Oh arrow, don't eat it, good boy,

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Speaker 1: I guess come on, m hm m hmm. I can't

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Speaker 1: see anything back here. Where out arrow? Are you still there?

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Speaker 1: A little? Is that following my voice? This way? You're free.

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Speaker 1: I wasn't sure, but I thought maybe if I grouped

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Speaker 1: the projector hurry, there's a trash shoot back here A little? Yes, Max? Well,

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Speaker 1: I guess I was expecting a thank you for rescuing me. Max.

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Speaker 1: I appreciate you saving me from an eternity enslaved as

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Speaker 1: the climate of a deranged projectionist trumped in a movie

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Speaker 1: screen meat a flesh. Oh thank you, Max. Now please

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Speaker 1: get in the shoote. This will drop you behind the building.

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Speaker 1: What about you? Aren't you coming? No, I need to

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Speaker 1: finish the movie. But how you Carol? Don't worry. Bisilo

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Speaker 1: will be okay. Yeah, he'll be okay. Come on, buddy,

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Speaker 1: I like your best one. It's just us anyway. Thirteen

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Speaker 1: Days of Halloween Devil's Night, starring Carter Rockwood and Clancy Brown.

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Speaker 1: Episode eleven. The movie Theater written by Noah Finberg and

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Speaker 1: Alexander Williams, editing and sound designed by Zoe Shay, featuring

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Speaker 1: the voices of Noah Finberg, Olivia Castineau, Jeffrey Kennedy, Joseph Whipp,

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Speaker 1: Joe Hart, Stig, Michael Eldred Clayton, Frowning, Clayton Ferris, Laura Shine,

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Speaker 1: Raphael Corkill, Brian Bickerstaff, Mark Hatfield, and Gary Forbes. Directed

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Speaker 1: by Alexander Williams. Script supervision by Nicolas Takoski. Casting by

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Speaker 1: Sunday Bowling c s A and Meg Mormon c s A.

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Speaker 1: Production coordinator Wayna Calderon. Production assistants Zoe Shay and Amber Ferris.

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Speaker 1: Animal recording by Ben James, closing theme by Rose Azerti

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Speaker 1: Loyalty Freak Music dot Com. Recorded at d G Entertainment

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Speaker 1: in Los Angeles, California. Engineered by Gary Forbes and Jody Avant.

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Speaker 1: Additional recording by Wally's Hideout in San Francisco, California. Engineered

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Speaker 1: by Chris mcgru Executive producers Aaron Mankey, Noah Finberg, Chris Dicky,

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Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

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Speaker 1: Josh Stain. Producers Jesse Funk and rima il Kali. Thirteen

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Speaker 1: Days of Halloween was created by Matt Frederick and Alexander

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Speaker 1: Williams and is a production of iHeart three D Audio,

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Speaker 1: Blumhouse Television and Grim and Mild from Aaron Mankey. Learn

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Speaker 1: more about the show at Grimm and Mild dot com.

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Speaker 1: Slash thirteen days and find more podcasts from I heart

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Speaker 1: Radio by visiting the i heart Radio app, Apple Podcasts,

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Speaker 1: or wherever you listen to your favorite shows. H