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Speaker 1: I Am all In.

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Speaker 2: I Am all In with Scott Patterson and iHeartRadio podcast.

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Speaker 1: Everybody Scott Patterson, I Heart Radios and one eleven's I

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Speaker 1: Am All In Podcast with me and my Intrepid team.

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Speaker 1: Amy Sugarman, Danielle Romo, you're like.

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Speaker 2: An announcer today, an announcer I'm getting.

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Speaker 1: I know him, I know he's getting very bad. And

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Speaker 1: Tara sued Welcome. This is the ball club. We have

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Speaker 1: not been together in over a week and it feels

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Speaker 1: like a year. I was desperate to get back to podcasting.

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Speaker 1: I was losing my mind on the golf course, in

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Speaker 1: the swimming pool and the US so I wanted to

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Speaker 1: get back and to chop it up with the gang.

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Speaker 1: A couple of announcements before we get going. Sullivan's Crossing,

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Speaker 1: my new TV series just announced a day premiere date

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Speaker 1: on the CW Network October fourth, eight pm. And they're

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Speaker 1: going to perish with Leah Thompson's new series, The Spencer Sisters.

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Speaker 1: So that's gonna be one heck of a two hour experience.

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Speaker 2: You give me that one more time, you want to.

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Speaker 1: Get it again, Yeah, one more time.

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Speaker 2: But yeah, just for the people that were looking.

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Speaker 1: Out Sullivan's Crossing premiere date is October fourth, that's a

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Speaker 1: Wednesday evening, eight pm on the CW network. Sullivan's Crossing

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Speaker 1: episode one pilot episode. And then after that you've got

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Speaker 1: the Spencer Sisters starring Leah Thompson.

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Speaker 2: And did you see your co star is having a baby.

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Speaker 1: His wife? Yeah, but yes, no, this is fantastic. Dude,

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Speaker 1: Chad is going to become a father for the third time.

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Speaker 2: So cool.

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Speaker 1: That's great. Best Sarah for a healthy, happy, bouncing baby.

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Speaker 1: I don't know whether it's a boy or girl.

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Speaker 2: It's like, you know, love and prayers, happy and healthy

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Speaker 2: and I'm like, great pr for your show.

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Speaker 1: You got to use it, all right, but no, I

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Speaker 1: wish them the best. And what an episode Juice and

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Speaker 1: Chad food you want to oh?

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Speaker 3: You know.

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Speaker 1: Plus, I'm gonna be listen, listen. I'm gonna be in

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Speaker 1: Corpus Christi, Texas at the American Bank Center July. What

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Speaker 1: is it, twenty eight through thirty.

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Speaker 2: That's a good one. It's not gonna be hot.

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Speaker 1: It's gonna it's not gonna be hot at all. It's

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Speaker 1: gonna be triple digits. It's gonna be all the more

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Speaker 1: reason to come into the American Bank Center, which has

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Speaker 1: some of the best air conditioning units I've ever seen.

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Speaker 1: They're very impressive. And then I'm going to be at

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Speaker 1: Indie Comic Con August twenty fifth through twenty seventh in Indianapolis.

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Speaker 2: Oh that's pretty cool.

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Speaker 1: So Indie Popcorn. I'm sorry, Indie Popcorn. I'm also going

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Speaker 1: to be a Galaxy Con Columbus December second.

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Speaker 2: My gosh.

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Speaker 1: So it's also there's a Charleston event with Chad and

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Speaker 1: Matt in September, mid September I think September sixteenth, Charles

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Speaker 1: in South Carolina FAB five events.

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Speaker 2: So we need to go.

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Speaker 1: We're all over, Yeah, we need to podcast from Yeah,

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Speaker 1: But anyway, Danielle take us away on the synopsization of

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Speaker 1: Jews and Chinese food.

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Speaker 2: All right, got just made up a new word, synopsization, synopsisization.

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Speaker 1: That's ten times back.

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Speaker 3: I don't think I can repeat it.

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Speaker 1: Synopsisization. All right.

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Speaker 3: This is season five, episode fifteen, Jews and Chinese Food.

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Speaker 3: Air date fibrus are twenty second, two thousand and five.

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Speaker 3: Lorelai has hurt again when she realizes Luke has moved

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Speaker 3: his boat from her garage without even telling her Luke

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Speaker 3: helps the school kids build the sets for their Fiddler

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Speaker 3: on the Roof play in hopes of working with Lorelai,

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Speaker 3: who he is realizing he's he misses. Rory tries to

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Speaker 3: make up with Marty by hosting a movie night, but

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Speaker 3: Logan interferes.

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Speaker 1: Boy, did I tell you I'm liking that Marty. I'm

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Speaker 1: liking Marty.

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Speaker 2: I'm loving that Logan.

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Speaker 1: You gotta like that.

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Speaker 2: That kiss. I won't go to the end first.

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Speaker 1: But yeah, anyway, so this is this is this the

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Speaker 1: first time Lorelai meets Doyle, the first time I've talk

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Speaker 1: about a home run.

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Speaker 2: One of my favorite lines of the whole thing. She s,

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Speaker 2: do you have the wrong room? He goes, I wouldn't know.

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Speaker 4: It was like, oh my god, yeah, so good.

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Speaker 1: Yeah, that's when Lauren gets to do her funny comedic stuff.

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Speaker 2: I can wait outside. I gotta get away from this time.

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Speaker 1: Yeah really Yeah. And then a lot of a little

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Speaker 1: too much information that parents are sharing about the frequency

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Speaker 1: of their their boinking. See, these are things I made

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Speaker 1: a list of things we didn't know before Logan went

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Speaker 1: to andover Stars Hollow has a Marina Rory's woman, Marty

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Speaker 1: has eighteen dollars in his bank account. One of them

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Speaker 1: is a Paris and Doyle boink three four times a week.

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Speaker 1: Oh god, And that's just an image you can't get

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Speaker 1: out of your head.

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Speaker 2: Right, And the paragraph has been informed of the breakup

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Speaker 2: between Luke and Lorelai.

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Speaker 5: She has no filter, like I would not be like

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Speaker 5: by the way I heard about the breakup. You know,

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Speaker 5: it's my friend adult, you're.

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Speaker 2: Like an adult.

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Speaker 3: Yeah, And then and then she goes, I shouldn't be

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Speaker 3: talking about sex because well, you're never having any. Oh

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Speaker 3: my god, carrot.

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Speaker 2: So good, and we kind of learned that Friday night

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Speaker 2: dinner is obviously not happening. Yeah, and they're having cafeteria food,

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Speaker 2: which when they said this looks good, I was like,

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Speaker 2: does it ice cream?

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Speaker 5: Did? I?

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Speaker 1: Thought?

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Speaker 6: And he threw it away. I know they took like

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Speaker 6: two bites got a brain freeze.

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Speaker 2: And that banter was amazing of the like, oh, where's

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Speaker 2: the clicks? Like where do the cool kids sit? And

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Speaker 2: then like she kind of keeps coming around to that.

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Speaker 2: The whole thing is like so good. There's a great

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Speaker 2: fruit shortage. The bet is having a boat Talks party

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Speaker 2: with Miss Patty, Like it's just like you're getting so

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Speaker 2: much information in like three minutes.

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Speaker 6: Yeah, in the whole episode too.

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Speaker 2: Yeah, she switched to Weston's.

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Speaker 1: Yeah, got it, and she ordered uh coffee, coffee, coffee,

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Speaker 1: She's got three coffee. And then there was a standoff

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Speaker 1: with the uh.

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Speaker 2: Yeah, that Western's woman did not want to play.

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Speaker 1: She wasn't. She wasn't. She wasn't. She wasn't she was

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Speaker 1: immune to luralized charms, wasn't she?

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Speaker 2: Yeah, And you know, I thought this was an interesting

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Speaker 2: sort of thing we learned in this open, you know,

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Speaker 2: we're past the credit having the dinner, is that Rory

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Speaker 2: was quite concerned that Richard was in on it, and

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Speaker 2: she sort of lorealizes, you know, I I don't. I

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Speaker 2: don't think he was. Maybe he wouldn't have been Broun necessarily,

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Speaker 2: but he's.

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Speaker 1: Emily Hitler, right, Yeah, she compared her. She compared Emily

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Speaker 1: to Hitler. So that makes Richard a brown rough.

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Speaker 7: Question.

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Speaker 1: How much did Ava Braun know?

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Speaker 2: I think that's sort of important. It's like Richard, he's

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Speaker 2: not perfect, but he's not sort of as calculating I think,

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Speaker 2: I mean, I.

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Speaker 6: Think he's neutral between them.

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Speaker 3: Yeah, I did find that concern of Rory's to be

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Speaker 3: interesting because I think for her, she's so close to Richard,

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Speaker 3: you know, like she has a bond with him that

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Speaker 3: I think is stronger than Emily's in a weird way.

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Speaker 3: Like they have this like you know, banter and playful relationship.

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Speaker 3: And I think like he.

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Speaker 1: Was really her father too, because he's sort of her

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Speaker 1: father slash grandfather, because she doesn't have much of a.

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Speaker 3: And I think it would really bum her out if

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Speaker 3: she knew that he knew, like more so than Emily

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Speaker 3: doing it, you know what I mean, Like I think

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Speaker 3: it would really really bum her out.

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Speaker 2: Yeah, that's such an important thing to bring up, just

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Speaker 2: for us to discuss. Like she is closer with Richard,

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Speaker 2: like it might be you know, small, but she is

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Speaker 2: more bonded with him, and I think she relates to

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Speaker 2: him more sees herself in him when he comes.

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Speaker 3: To Yale and like hangs out with her and helps

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Speaker 3: her with pranks, and you know, like they're just like

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Speaker 3: I don't know, you just see that they're connected.

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Speaker 1: Yeah, it is. It is interesting because Laurel I really

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Speaker 1: never mentions Richard as you know, a nemesis.

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Speaker 2: No, right, she she really it's really her mother.

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Speaker 1: I mean, it's like he's married to the antagonist of

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Speaker 1: this piece.

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Speaker 2: Guilty by association, Guilty by association for.

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Speaker 1: You to say, come on, man, synopsisisation, guilty by association,

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Speaker 1: what's wrong happy hour? Early today?

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Speaker 2: Well say by association? I don't even think I can

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Speaker 2: get it now.

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Speaker 6: But he is.

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Speaker 2: And then we kind of learned that there's some angst

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Speaker 2: which we obviously could see coming between Marty and Rory

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Speaker 2: when he just vanished is more or less? Says you

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Speaker 2: guys rumbling, Oh Marty, Yeah.

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Speaker 1: We've all been Marty. Come on at one time or another,

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Speaker 1: have we all been Marty?

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Speaker 2: And like, actually or even says I've been dumped before.

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Speaker 2: Like she really calls it a dumping, which I wouldn't

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Speaker 2: call it a dumping, but she says, I've been dumped before.

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Speaker 2: I'm fine, I'm gonna be fine.

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Speaker 1: What would you call it as as?

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Speaker 3: But then but then, but then Rory says, but not

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Speaker 3: by Luke. That was my favorite, my favorite line of

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Speaker 3: the episode.

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Speaker 2: Actually, and I think they're too connected for it to

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Speaker 2: be a dumping. Like a dumping is when a guy's

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Speaker 2: a jerk, or like a girl's like you know.

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Speaker 1: Ship, No, she was a jerk. And she got dumped.

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Speaker 2: She did things wrong and he's heartbroken about it.

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Speaker 1: And the guy's always jerks. Women can't be Is it

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Speaker 1: possible for a woman to be a jerk?

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Speaker 2: Of course?

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Speaker 1: Yeah, associated term with women, do you jerk?

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Speaker 2: Because Scott Scott, they don't use the word jerk. They

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Speaker 2: use the word b When a woman's a jerk, they

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Speaker 2: say she's a bee. Yeah, so they're probably worse than

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Speaker 2: a jerk. But I don't think you were a jerk

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Speaker 2: or Loria was a jerk. And I don't think they

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Speaker 2: dumped each other or anyone dumped. It was like a

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Speaker 2: painful like they don't want to be broken up.

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Speaker 6: It was it was just like a separation.

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Speaker 1: His mind is blown. So the boat, let's he's a

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Speaker 1: wounded seal around on the beach.

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Speaker 2: The boat is in front of the diner. And that

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Speaker 2: was a little.

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Speaker 3: Bit that was passive aggressive, that was.

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Speaker 5: But that was like where else you gonna put it?

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Speaker 2: A diner?

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Speaker 3: You literally took a snipe out of a mean girl's

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Speaker 3: book and was like, I'm going to put my boat

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Speaker 3: without everyone in front of the diner.

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Speaker 1: I don't know about that, but to mad.

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Speaker 3: About it, but it was definitely I just don't think

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Speaker 3: that Luke thought of it, like obviously to the viewer,

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Speaker 3: to Laurel, I to the city, everyone thought that.

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Speaker 6: But I don't think Luke thought. He's just like, I'm

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Speaker 6: moving it, you know, he's.

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Speaker 1: Just kind of horror.

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Speaker 2: She could have left it there while this.

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Speaker 1: Is where Dean steps in. Somehow Dean has a has

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Speaker 1: a garage space. Could have slipped it into Dean's garage space.

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Speaker 1: So where's the boat. I don't see the boat. Well,

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Speaker 1: you know, I put it in Dean's.

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Speaker 2: I take it to Gypsy.

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Speaker 1: She's got take the gypsy like Gypsy want to charge

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Speaker 1: me five bucks a week. So I took it to Dean.

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Speaker 2: Right, So here's something that I did enjoy. So we

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Speaker 2: go from the boat and then we go into the

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Speaker 2: news room and Doyle's given his thing and Rory goes

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Speaker 2: out to see Marty. Did you guys notice Marty's got.

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Speaker 6: The scarf I did?

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Speaker 5: I did it thrown over his shoulder and that specific Hey, hey.

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Speaker 2: Hey, they're outside. It's waiting to throw this scarf on it.

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Speaker 5: But I just wish you could like have it hang down,

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Speaker 5: not like one over the shoulder, or if it.

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Speaker 2: Was cold, you'd be kind of bundled in it like

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Speaker 2: it's just it's just it's an afterthought.

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Speaker 1: Okay, So here's the reality. Guys. You know, I know

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Speaker 1: you want all these things. You know it's a but

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Speaker 1: it's really hot on those sets. You do not want

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Speaker 1: to bundle in a scarf in burbango and it's only ten.

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Speaker 3: Degrees yeah, saying it's cold, but it's also one hundred degrees.

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Speaker 1: You suggested thrown over the shoulder and hope it doesn't

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Speaker 1: get near your neck, and.

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Speaker 2: I get look all that. This Gilmore Girls is a

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Speaker 2: ten out of ten for me. But I do have

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Speaker 2: some port for the other person that did mention on

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Speaker 2: Instagram that Alexis is fake eating could use some work.

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Speaker 1: I thought I saw she ate she actually ate something.

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Speaker 2: I think she did. Okay, and this one their episodes

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Speaker 2: are fake eating is like kind of wrap.

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Speaker 1: Look, they're not going to scarf food like they're animals, you.

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Speaker 2: Know, they're not going to do I saw somebody bite

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Speaker 2: into a hot dog on some show the other day

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Speaker 2: and I was like, yeah, you.

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Speaker 1: Go, but that's a situation.

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Speaker 3: The cafeteria food was good acting, but the ice cream

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Speaker 3: was like actually so bad, Like it was like, oh,

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Speaker 3: it's so cold and like barely even touched their lips.

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Speaker 2: Like my most criticism, and this is not even in

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Speaker 2: this episode, is when people do fake coffee drinking because

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Speaker 2: like you don't you know, it's so.

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Speaker 1: You can tell the compass the cup is empty. Yeah,

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Speaker 1: and they should always I don't understand that either, why

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Speaker 1: people don't have the weight. And it was with luggage

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Speaker 1: too and film. With luggage, it's always like it looks like,

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Speaker 1: you know, they're carrying twenty things a luggage.

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Speaker 2: It's not that hard and it's an envelope.

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Speaker 1: They're all right, right exactly.

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Speaker 2: It's like, so we have sort of this nice scene

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Speaker 2: between Marty and Rory and they're making these plans and

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Speaker 2: he's a little bit feminine hawing, and you know, we know,

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Speaker 2: we know why. I don't know why she doesn't know what.

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Speaker 6: I wish she said no.

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Speaker 3: I do too, but then we wouldn't be where we are.

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Speaker 5: Well, I was gonna say I wish she said no,

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Speaker 5: or if he said yes, he canceled on her before Yeah.

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Speaker 1: But she she was full on Rory charmed, full on

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Speaker 1: Rory charm offensive on Marty.

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Speaker 3: He couldn't say no.

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Speaker 2: He he wants to go he wants to hang out

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Speaker 2: with her, and that is just so excruciating. I know

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Speaker 2: we'll get to it, but like I was anxious in

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Speaker 2: the beginning of the episode because I knew he didn't

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Speaker 2: have the seventy five dollars.

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Speaker 1: I was just like, oh, we found out he had

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Speaker 1: eighteen dollars in his boy, eighteen dollars.

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Speaker 2: We'll get to that, but anyway, so you know, it's

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Speaker 2: the build up with them was necessary to we sort

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Speaker 2: of had to resolve their situation. But anyway, so then

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Speaker 2: we get to this the cutest thing ever, which is

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Speaker 2: the little kid in the diner of Lulu, and it's

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Speaker 2: really hello, Lulu, She's got just like this is our

295
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Speaker 2: biggest episode.

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Speaker 6: Every a second to realize, like, oh it's Lulu.

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Speaker 2: Oh it's teacher Lulu with the kid, and Bradley with

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Speaker 2: his poor and hailer and Luke scaring the crap out

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Speaker 2: of him.

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Speaker 1: You know, I want that seemde me uncomfortable. I was

301
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Speaker 1: wondering if I was a father at that point in

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Speaker 1: my life, would I have been so harsh with that kid? Interesting, Yeah,

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Speaker 1: I thought it was a bit much.

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Speaker 6: Was it not the direction you were given or was

305
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Speaker 6: that your choice?

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Speaker 1: Well, it's like he makes a choice and if they

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Speaker 1: want to pull you back, they say, hey, you know,

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Speaker 1: come on, you know, pull it back. But that's Luke.

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Speaker 1: You know, that's sort of but I don't find that Luke.

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Speaker 1: I did not find that part of his demeanor at

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Speaker 1: all appealing to a child. I mean, it's just like.

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Speaker 2: I'll give you that he probably wouldn't have done that. Now,

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Speaker 2: when we see him later interacting with the kids and

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Speaker 2: being teaching him about the screwdriver, but also kind of

315
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Speaker 2: mocking them a little bit, that felt more like, it's

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Speaker 2: just that we sort of had to have this because

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Speaker 2: the way you light up and suddenly everything changes when

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Speaker 2: you realize Loralai has signed you up and she's going

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Speaker 2: to be there, and you're like okay, and then we

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Speaker 2: go I had this, But.

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Speaker 1: There's a way to do that without being mean to

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Speaker 1: a kid. You know, probably I'm sorry, I'm throwing a

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Speaker 1: flag on myself. Yeah that's okay, that's okay, an acting

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Speaker 1: police ticket.

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Speaker 2: I usually fight you on those, but it's kind of valid.

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Speaker 2: You were a little bit mean to this kid. And

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Speaker 2: then he's gotten inhaler and he's like.

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Speaker 5: You're doubling down as the question Lulu did it.

329
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Speaker 2: Lulu is quite good in these scenes too. She was

330
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Speaker 2: really good. Yeah, so all right, so we'll give you

331
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Speaker 2: that one. So that might you could give a small

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Speaker 2: deduction for Luke being aggressive a jerk.

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Speaker 1: Was he being a jerk? So?

334
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Speaker 2: Okay. So then we go to Loralai and she's with

335
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Speaker 2: Suki I think, in the kitchen the Santa beards, and

336
00:18:46,680 --> 00:18:50,840
Speaker 2: we're sort of realizing, okay, like the boat situation, and

337
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Speaker 2: you know, she's it's just a little bit. Let me

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Speaker 2: say she's she's not thrilled with her situ situation, right, No.

339
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Speaker 2: I liked her gray shirt with the sparkles. But yeah, oh,

340
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Speaker 2: I know what I was going to mention to you

341
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Speaker 2: guys here, I sort of really love that Suki is

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Speaker 2: so loyal to Laura Lai and she's like, he says,

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Speaker 2: you know, she says, don't be mad at him, and

344
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Speaker 2: she says, I don't mind hating him. You guys, give

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00:19:25,640 --> 00:19:27,440
Speaker 2: your thoughts because I sort of have a thought here.

346
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Speaker 1: I think the Luke Suki tension was supposed to be

347
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Speaker 1: more drawn and drawn out through the series, and it

348
00:19:38,480 --> 00:19:42,760
Speaker 1: never really got drawn out. There was never really any

349
00:19:44,040 --> 00:19:49,879
Speaker 1: Suki Luke episodes that sort of shed light on, you know,

350
00:19:50,320 --> 00:19:53,439
Speaker 1: historically why there was this tension other than you know,

351
00:19:53,480 --> 00:19:56,399
Speaker 1: their rival cooks and it's like, you know whatever.

352
00:19:56,640 --> 00:19:58,840
Speaker 2: Yeah, he's she's not really a.

353
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Speaker 1: Cook, you know she.

354
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Speaker 2: I think you're right, Scott. It's sort of like the

355
00:20:02,720 --> 00:20:05,800
Speaker 2: thing that wasn't It was sort of this like glimmer

356
00:20:05,880 --> 00:20:09,399
Speaker 2: of a potential storyline that never came to fruition, but

357
00:20:09,480 --> 00:20:11,880
Speaker 2: we always have sort of this weird inkling of it.

358
00:20:11,960 --> 00:20:15,480
Speaker 2: And then I thought, oh, maybe if I'm digging real

359
00:20:15,720 --> 00:20:19,320
Speaker 2: into the psyche here, she never wanted to be so

360
00:20:19,680 --> 00:20:23,840
Speaker 2: close to him because it would she maybe had a

361
00:20:23,840 --> 00:20:26,200
Speaker 2: premonition of how close they were and she never wanted

362
00:20:26,200 --> 00:20:29,720
Speaker 2: to infringe on that. Or if we got to this point,

363
00:20:30,119 --> 00:20:32,760
Speaker 2: she couldn't be so close to him because she always

364
00:20:32,840 --> 00:20:38,040
Speaker 2: has to be pink, be the pink ribbon. Yeah, so

365
00:20:38,119 --> 00:20:41,840
Speaker 2: I feel like, oh, I sort of had aha moment.

366
00:20:41,920 --> 00:20:44,960
Speaker 2: I don't mind hating him that what she's really saying

367
00:20:45,040 --> 00:20:49,840
Speaker 2: is I'm always gonna have your backpack. So it was

368
00:20:49,960 --> 00:20:54,400
Speaker 2: very subtle, but I thought.

369
00:20:53,560 --> 00:20:55,720
Speaker 1: Yeah, I think maybe it was conceived to be something

370
00:20:55,760 --> 00:20:59,000
Speaker 1: more than it ever got a chance to express. Yes,

371
00:20:59,520 --> 00:21:00,440
Speaker 1: I feel that way.

372
00:21:01,240 --> 00:21:04,119
Speaker 2: Yeah, Okay, So then the g pulls out at the

373
00:21:04,160 --> 00:21:05,639
Speaker 2: house up at the house, and I will give one

374
00:21:05,680 --> 00:21:08,240
Speaker 2: hundred dollars to anybody right now that knows the license

375
00:21:08,240 --> 00:21:10,280
Speaker 2: plate number of the jeep. Hundred dollars.

376
00:21:10,960 --> 00:21:14,200
Speaker 1: No idea one hundred dollars.

377
00:21:14,320 --> 00:21:17,280
Speaker 2: Dollars in bitcoin.

378
00:21:17,400 --> 00:21:21,280
Speaker 1: That's like that's like twenty bucks after taxes, right, No,

379
00:21:21,400 --> 00:21:21,880
Speaker 1: I don't know.

380
00:21:21,800 --> 00:21:25,440
Speaker 3: What is it? Is it like something like nine three.

381
00:21:25,359 --> 00:21:26,760
Speaker 2: Seven G five R.

382
00:21:28,920 --> 00:21:31,160
Speaker 1: Well you only know it because you wrote it down.

383
00:21:31,080 --> 00:21:34,639
Speaker 2: Of course I did. Yeah, So okay, so we see that.

384
00:21:35,720 --> 00:21:37,400
Speaker 6: I thought there was like it was gonna oh.

385
00:21:37,560 --> 00:21:45,680
Speaker 2: It doesn't say like just nine seventy. So there's also

386
00:21:45,760 --> 00:21:48,480
Speaker 2: like a lot of symbolism in that garage and we're

387
00:21:48,680 --> 00:21:53,119
Speaker 2: you know, like it's empty. It sort of was a heartache.

388
00:21:53,240 --> 00:21:55,760
Speaker 2: And then she's going to try and transform the garage.

389
00:21:57,320 --> 00:21:59,280
Speaker 1: You know, what was she doing in that garage? What

390
00:21:59,480 --> 00:22:01,520
Speaker 1: was Michelle? What were they trying to do.

391
00:22:01,520 --> 00:22:03,920
Speaker 2: To that make it very girly? It was going to

392
00:22:03,960 --> 00:22:05,600
Speaker 2: be come up, what's the name for a man cave

393
00:22:05,680 --> 00:22:12,960
Speaker 2: for a girl? She shed? She said, yeah, you're right, Lane,

394
00:22:13,080 --> 00:22:15,800
Speaker 2: I guess I guess the alien doesn't need it anymore.

395
00:22:16,359 --> 00:22:19,480
Speaker 2: She should ben the boat got its time there, and

396
00:22:19,520 --> 00:22:21,560
Speaker 2: now it's becoming quite the she shed.

397
00:22:21,920 --> 00:22:25,800
Speaker 3: She's just making it her zen spot. But like I

398
00:22:25,800 --> 00:22:27,359
Speaker 3: did think it was funny when Luke was like, you

399
00:22:27,359 --> 00:22:28,920
Speaker 3: have a whole house to.

400
00:22:28,960 --> 00:22:33,080
Speaker 2: Do, like to yourself, why do you need the shed?

401
00:22:33,359 --> 00:22:36,120
Speaker 3: But I think it's more like the moral of it, right,

402
00:22:36,320 --> 00:22:42,439
Speaker 3: like this was Luke's shed at my house. Now that's gone,

403
00:22:42,600 --> 00:22:47,040
Speaker 3: so let me take myself out of my misery of

404
00:22:47,080 --> 00:22:49,240
Speaker 3: looking at it every day and knowing that it's empty,

405
00:22:50,000 --> 00:22:51,000
Speaker 3: it's not there.

406
00:22:51,400 --> 00:22:54,600
Speaker 2: And trying to own her situation. Although she should just

407
00:22:54,640 --> 00:22:56,720
Speaker 2: go running back to him, which we'll get to because

408
00:22:56,720 --> 00:22:58,159
Speaker 2: there's some of those scenes where I'm like, can you

409
00:22:58,200 --> 00:23:01,840
Speaker 2: just like hold hands or something. But so Luke gets

410
00:23:01,840 --> 00:23:06,240
Speaker 2: to the theater and he's got Bradley and Damon and

411
00:23:06,359 --> 00:23:09,639
Speaker 2: the tools, and one of them definitely has two mommies

412
00:23:09,680 --> 00:23:14,920
Speaker 2: because they made that which was very clear, totally fine,

413
00:23:15,119 --> 00:23:18,639
Speaker 2: and they now know what a Phillips head screwdriver is.

414
00:23:19,760 --> 00:23:22,320
Speaker 5: I think it's so funny, out of all musicals for

415
00:23:22,359 --> 00:23:23,199
Speaker 5: these kids to do.

416
00:23:23,280 --> 00:23:24,439
Speaker 6: It's Fiddler on the Roof.

417
00:23:26,240 --> 00:23:30,000
Speaker 2: That's through all and the fact that Carrie is directing

418
00:23:30,040 --> 00:23:33,480
Speaker 2: it and is so like she pinched your butt at one.

419
00:23:33,320 --> 00:23:40,240
Speaker 1: Point yes, And she did reveal something about Luke that

420
00:23:40,560 --> 00:23:41,960
Speaker 1: was a little risque.

421
00:23:42,240 --> 00:23:45,439
Speaker 2: Wait, did I miss something I think you might have?

422
00:23:47,640 --> 00:23:50,240
Speaker 2: Can you tell me now? Would you like me to

423
00:23:50,560 --> 00:23:51,680
Speaker 2: or should we wait till the end?

424
00:23:52,680 --> 00:23:54,800
Speaker 1: I'll tell you right now. I'll tell you for a

425
00:23:54,920 --> 00:24:00,840
Speaker 1: hundred bucks. Fifteen bucks after Texas, she said, because he's

426
00:24:02,440 --> 00:24:08,520
Speaker 1: she was being she was being a little uh forward. Yeah,

427
00:24:08,720 --> 00:24:11,200
Speaker 1: he was like and he was holding a hammer. He says,

428
00:24:11,240 --> 00:24:15,280
Speaker 1: I've got a hammer, and she goes, you're darn right. Yes.

429
00:24:16,400 --> 00:24:34,520
Speaker 8: I was like, wow, yeah, I remember that.

430
00:24:28,320 --> 00:24:32,880
Speaker 2: That they throw once in a blue moon hummons like that,

431
00:24:32,960 --> 00:24:38,000
Speaker 2: and it's super rare. But you're like, wow, okay, okay.

432
00:24:38,160 --> 00:24:41,520
Speaker 1: You know, you know the takeaway from me on this

433
00:24:41,560 --> 00:24:43,800
Speaker 1: whole Fiddler on the Roof thing with Kirk is that,

434
00:24:44,920 --> 00:24:49,119
Speaker 1: you know, it really demonstrated to me that he Kirk

435
00:24:49,359 --> 00:24:52,320
Speaker 1: is so unique in that he really hasn't developed emotionally

436
00:24:52,440 --> 00:24:57,600
Speaker 1: beyond like nine years old, right, you know, because he's

437
00:24:58,280 --> 00:25:02,400
Speaker 1: he was so in his element. Have you ever seen

438
00:25:02,480 --> 00:25:04,880
Speaker 1: him fit in anywhere more perfectly?

439
00:25:05,040 --> 00:25:06,280
Speaker 2: Who needs to go potty?

440
00:25:06,560 --> 00:25:10,600
Speaker 1: He gotta go party? And then he comes back and flushed.

441
00:25:12,840 --> 00:25:15,840
Speaker 2: Which is which is serious because you know, I know

442
00:25:15,920 --> 00:25:20,080
Speaker 2: why kids don't like to flush the toilet. Tell the noise.

443
00:25:20,480 --> 00:25:22,040
Speaker 2: They don't like that noise.

444
00:25:22,520 --> 00:25:26,879
Speaker 1: Sometimes public public restrooms there it's like you get sucked

445
00:25:26,880 --> 00:25:28,880
Speaker 1: down in there and you'd never be heard from again.

446
00:25:30,160 --> 00:25:31,240
Speaker 2: I don't even want to say.

447
00:25:32,040 --> 00:25:34,359
Speaker 1: It's like airplane bathroom toilet section.

448
00:25:34,920 --> 00:25:37,879
Speaker 2: Don't tell that. I'm telling this story. But one of

449
00:25:37,920 --> 00:25:41,120
Speaker 2: my nieces, who will remain nameless to protect the guilty

450
00:25:41,160 --> 00:25:43,960
Speaker 2: and the innocent, does not like to flush the toilet.

451
00:25:45,720 --> 00:25:49,360
Speaker 2: And you trust me, you find things you don't want

452
00:25:49,359 --> 00:25:52,959
Speaker 2: to find, right, So they're trying so hard to get

453
00:25:53,040 --> 00:25:54,919
Speaker 2: her to flush the toilet. So they put this cute

454
00:25:54,960 --> 00:26:00,200
Speaker 2: sign like remember to flush Smiley days. And then they

455
00:26:00,240 --> 00:26:03,919
Speaker 2: finally what got her to flush the toilet is they bunce.

456
00:26:06,040 --> 00:26:09,800
Speaker 2: They put a pull up on the toilet and said,

457
00:26:09,840 --> 00:26:12,480
Speaker 2: if you don't flush the toilet, you're gonna have to

458
00:26:12,480 --> 00:26:16,600
Speaker 2: start wearing these again. Flush is a toilet every time.

459
00:26:16,800 --> 00:26:17,359
Speaker 7: Wow.

460
00:26:20,680 --> 00:26:23,960
Speaker 2: Anyway, I digress. I also love Lulu's green blazer. Lulu,

461
00:26:23,960 --> 00:26:32,040
Speaker 2: I'm telling you, this is Lulu's shining time. So, okay,

462
00:26:32,760 --> 00:26:38,040
Speaker 2: we go to the garage and Michelle is okay. So

463
00:26:38,119 --> 00:26:41,520
Speaker 2: we're in the garage and first Michelle is literally on

464
00:26:41,600 --> 00:26:44,199
Speaker 2: the phone being like there was a bam or a

465
00:26:44,280 --> 00:26:46,800
Speaker 2: clang or a thwap or something like. It was so

466
00:26:46,960 --> 00:26:51,679
Speaker 2: batmany that blowey because he's so mad that they're not

467
00:26:51,800 --> 00:26:54,520
Speaker 2: there and he wants to be there. So that was funny.

468
00:26:54,840 --> 00:26:56,439
Speaker 2: Did you gonna see him rolling the computer?

469
00:26:56,720 --> 00:27:08,880
Speaker 4: Yes, in this activity while on the phone, he's he's

470
00:27:08,880 --> 00:27:12,640
Speaker 4: an accomplished theater actor, and they accomplished theater actors find

471
00:27:12,680 --> 00:27:15,680
Speaker 4: those little details to make a scene.

472
00:27:16,160 --> 00:27:18,840
Speaker 1: So it's called living in your space. You really need

473
00:27:18,880 --> 00:27:21,080
Speaker 1: to like do the things that you normal would normally

474
00:27:21,119 --> 00:27:22,840
Speaker 1: do if you had that job and you were living

475
00:27:22,840 --> 00:27:27,280
Speaker 1: in that space. And that was just a small example,

476
00:27:27,320 --> 00:27:27,760
Speaker 1: that's good.

477
00:27:27,800 --> 00:27:30,280
Speaker 2: I'm going to steal that. Living in your space. That's

478
00:27:30,320 --> 00:27:32,400
Speaker 2: pretty good. Yeah. So he and and would you say

479
00:27:32,440 --> 00:27:35,000
Speaker 2: he made up the lint roller ring or does someone

480
00:27:35,119 --> 00:27:36,720
Speaker 2: make his choice?

481
00:27:36,920 --> 00:27:40,119
Speaker 1: I'm sure that was his choice. Am I not just

482
00:27:40,160 --> 00:27:42,199
Speaker 1: going to be here standing on it, sitting on a

483
00:27:42,200 --> 00:27:46,760
Speaker 1: phone call, and you know, I do something, be in

484
00:27:46,840 --> 00:27:51,320
Speaker 1: your space, live in your space, you know, make it active,

485
00:27:51,400 --> 00:27:53,680
Speaker 1: make make it you know, have a little busy thing

486
00:27:53,760 --> 00:27:56,640
Speaker 1: to do that you do all the time to make

487
00:27:56,680 --> 00:27:57,480
Speaker 1: it feel real.

488
00:27:58,720 --> 00:28:00,679
Speaker 2: So then we go to Rory, who's setting up the

489
00:28:00,800 --> 00:28:06,439
Speaker 2: room for her movie night. And I think this was

490
00:28:06,480 --> 00:28:10,159
Speaker 2: the big drama she wanted. Doyle, Yeah, Doyle saying she

491
00:28:10,200 --> 00:28:13,640
Speaker 2: doesn't have boundaries because she walked out of them.

492
00:28:13,800 --> 00:28:18,240
Speaker 1: Can I just ask the panel here, what on earth

493
00:28:18,359 --> 00:28:22,720
Speaker 1: was all that? She had posters out, she had pretzels

494
00:28:22,760 --> 00:28:26,640
Speaker 1: from twenty countries? What? What the heck was that?

495
00:28:26,640 --> 00:28:28,880
Speaker 3: That was weird, especially for a boy you don't like.

496
00:28:29,520 --> 00:28:32,080
Speaker 1: Especially for a boy. And she had her legs up

497
00:28:32,720 --> 00:28:33,360
Speaker 1: over him.

498
00:28:33,800 --> 00:28:41,320
Speaker 2: Ye that, yeah, that was It made me so mad.

499
00:28:41,600 --> 00:28:44,360
Speaker 1: What was that? I mean, talk about poor poor Marty.

500
00:28:44,440 --> 00:28:47,680
Speaker 1: He's just probably the service. Look at all this effort

501
00:28:47,760 --> 00:28:49,520
Speaker 1: she goes to with the posters and this and the

502
00:28:49,600 --> 00:28:52,040
Speaker 1: legs thrown over, and you.

503
00:28:51,960 --> 00:28:55,120
Speaker 2: Know, because she wants a best friend and he wants

504
00:28:55,120 --> 00:28:55,720
Speaker 2: a girlfriend.

505
00:28:55,840 --> 00:28:58,600
Speaker 1: You can't do that. Don't do that. You don't do

506
00:28:58,680 --> 00:29:02,720
Speaker 1: that to a guy. I mean, all of those If

507
00:29:02,720 --> 00:29:05,360
Speaker 1: I'm Marty, all of those signals are saying to me,

508
00:29:05,840 --> 00:29:06,920
Speaker 1: make make a move.

509
00:29:07,480 --> 00:29:10,520
Speaker 3: And also vice versa, like let's just say it's a

510
00:29:10,600 --> 00:29:13,560
Speaker 3: guy on a day with Rory and like, has you know,

511
00:29:13,880 --> 00:29:17,000
Speaker 3: his arm around her or whatever, like if he didn't

512
00:29:17,040 --> 00:29:22,120
Speaker 3: have the intent to, like if you know, pursue something

513
00:29:22,200 --> 00:29:22,840
Speaker 3: that's weird.

514
00:29:23,560 --> 00:29:27,440
Speaker 2: I was chill with the pretzels and the posters and

515
00:29:27,480 --> 00:29:30,480
Speaker 2: her dumb wig because she's like, she's trying to make

516
00:29:30,600 --> 00:29:32,840
Speaker 2: up for being so distant from him, and she's trying

517
00:29:32,880 --> 00:29:34,960
Speaker 2: to make this a ten out of ten movie night.

518
00:29:35,520 --> 00:29:38,120
Speaker 2: But the leg thing was weird because I.

519
00:29:38,560 --> 00:29:40,200
Speaker 1: Was just too too familiar.

520
00:29:40,640 --> 00:29:43,040
Speaker 2: It's weird. I almost thought I didn't see it right now.

521
00:29:43,080 --> 00:29:47,160
Speaker 1: It's like brother. That's either brother sister or it's you know,

522
00:29:47,240 --> 00:29:48,200
Speaker 1: they're they're dating.

523
00:29:49,000 --> 00:29:53,560
Speaker 2: His leftovers looked way better than her press. Yeah, like

524
00:29:53,840 --> 00:29:57,840
Speaker 2: cater Yeah, I was like, those pretzels are disgusting. Wait

525
00:29:57,960 --> 00:30:01,320
Speaker 2: before we get to Logan coming to the door, we

526
00:30:01,400 --> 00:30:03,200
Speaker 2: do have the scene here where Michelle is doing the

527
00:30:03,240 --> 00:30:05,880
Speaker 2: stenciling and it's all very pink, and I don't know

528
00:30:05,920 --> 00:30:07,480
Speaker 2: if there's anything more to say there, but I just

529
00:30:07,520 --> 00:30:12,400
Speaker 2: want to acknowledge that scene. So Logan comes to the door.

530
00:30:13,360 --> 00:30:15,280
Speaker 2: If you were Murty, what would you have done?

531
00:30:15,520 --> 00:30:19,920
Speaker 4: I would have left, totally left.

532
00:30:19,640 --> 00:30:21,400
Speaker 1: You stand your.

533
00:30:21,280 --> 00:30:25,680
Speaker 2: Ground because he knows that, he knows in his heart

534
00:30:26,080 --> 00:30:27,560
Speaker 2: they've got a thing. Right.

535
00:30:27,640 --> 00:30:29,520
Speaker 1: Oh, you don't storm out in a huff.

536
00:30:29,880 --> 00:30:31,120
Speaker 2: You want to have stormed out.

537
00:30:33,040 --> 00:30:36,200
Speaker 1: Tails between your legs, and I guess that's wimpy. No,

538
00:30:36,320 --> 00:30:37,600
Speaker 1: you stand your ground, stay there.

539
00:30:37,680 --> 00:30:40,320
Speaker 5: Just it just wasn't fair that Rory is like, oh,

540
00:30:41,080 --> 00:30:43,640
Speaker 5: Logan's here, so we're going to cancel all the plans

541
00:30:43,640 --> 00:30:45,160
Speaker 5: I made for tonight.

542
00:30:45,240 --> 00:30:48,680
Speaker 1: Now he Marty says, hey, you mind, we're trying to

543
00:30:48,680 --> 00:30:51,000
Speaker 1: watch a movie here. She'll call you later, Bye bye.

544
00:30:51,560 --> 00:30:57,520
Speaker 2: No way. Situation in college. So I'm picturing I'm sitting

545
00:30:57,600 --> 00:31:00,880
Speaker 2: there watching a movie with Mike Gridley, who's like my

546
00:31:01,080 --> 00:31:07,480
Speaker 2: platonic friend, and then Dreamboat comes to the door. Gridley

547
00:31:07,520 --> 00:31:11,680
Speaker 2: would be like, no, you go. You know you like him,

548
00:31:11,760 --> 00:31:15,240
Speaker 2: you go. If they really were platonic, the dude would

549
00:31:15,280 --> 00:31:17,520
Speaker 2: have been like, you go, I'm not going, but there's

550
00:31:17,560 --> 00:31:21,080
Speaker 2: no way my friend guy friend would have gone to

551
00:31:21,160 --> 00:31:24,000
Speaker 2: the Chinese food with all you know, no way.

552
00:31:24,120 --> 00:31:28,320
Speaker 3: It was just weird because for me, it's like like

553
00:31:28,520 --> 00:31:31,920
Speaker 3: Logan knew what was happening, and like, I think it

554
00:31:31,960 --> 00:31:34,200
Speaker 3: was his way of being like, I'm going to control

555
00:31:34,320 --> 00:31:35,520
Speaker 3: the situation.

556
00:31:35,200 --> 00:31:38,280
Speaker 1: And show you or did he know what was happening?

557
00:31:38,680 --> 00:31:40,800
Speaker 2: I think you. I think I just think he knows

558
00:31:40,920 --> 00:31:43,200
Speaker 2: he is such a stud and that she likes him,

559
00:31:43,240 --> 00:31:46,800
Speaker 2: and they're kinda. He doesn't. He is not threatened by anything. No,

560
00:31:46,880 --> 00:31:50,360
Speaker 2: and she's his finger and that's why he's like, you come, Marty,

561
00:31:50,400 --> 00:31:53,480
Speaker 2: Because Marty comes, I think.

562
00:31:53,640 --> 00:31:56,440
Speaker 1: Has him a little off balance. And even though he

563
00:31:56,480 --> 00:32:01,080
Speaker 1: doesn't show that, he's not a content hundred percent confidence

564
00:32:01,920 --> 00:32:04,920
Speaker 1: there and the legs are thrown over and the posters

565
00:32:04,960 --> 00:32:07,240
Speaker 1: and there's pretzels and there's like like they're staying in

566
00:32:07,280 --> 00:32:07,720
Speaker 1: for the night.

567
00:32:08,360 --> 00:32:10,240
Speaker 2: Well that's why he came through the window. But we

568
00:32:10,240 --> 00:32:14,720
Speaker 2: can get to that. But my yeah, after after, But

569
00:32:14,760 --> 00:32:17,280
Speaker 2: that's what I'm saying. You're right, he does. She does

570
00:32:17,360 --> 00:32:19,720
Speaker 2: have him a little off filter, right, So what's he doing.

571
00:32:19,680 --> 00:32:21,560
Speaker 1: At the window because wants to see what's going on?

572
00:32:21,720 --> 00:32:27,959
Speaker 2: Yeah, that's right, that's right. But Marty didn't need to

573
00:32:28,000 --> 00:32:29,200
Speaker 2: go to the dinner.

574
00:32:29,440 --> 00:32:32,120
Speaker 1: Well, the thing that the move was for Rory to

575
00:32:32,240 --> 00:32:37,400
Speaker 1: bat away logan. No, I'm I committed to this and

576
00:32:37,600 --> 00:32:40,440
Speaker 1: now we're watching a movie and he and he is

577
00:32:40,560 --> 00:32:44,600
Speaker 1: not owed an explanation. Yeah, it's just like you just

578
00:32:44,680 --> 00:32:46,320
Speaker 1: sort of show up and knock on my door and

579
00:32:46,320 --> 00:32:49,080
Speaker 1: expect me to us everybody to come running as smary

580
00:32:49,160 --> 00:32:50,720
Speaker 1: as you are the man.

581
00:32:50,760 --> 00:32:53,440
Speaker 3: That's we're in the middle of a movie. But next

582
00:32:53,440 --> 00:32:55,280
Speaker 3: time things, you know what, I'll call you.

583
00:32:55,360 --> 00:32:57,680
Speaker 1: Yeah, okay, thanks for stopping buying.

584
00:32:58,120 --> 00:33:00,400
Speaker 2: And that would have been kinder to Marty.

585
00:33:00,640 --> 00:33:04,880
Speaker 1: Absolutely, it was disrespectful to Marty. I agree for her

586
00:33:04,920 --> 00:33:06,880
Speaker 1: to you know, well, what do you think I mean

587
00:33:07,080 --> 00:33:07,280
Speaker 1: to go?

588
00:33:07,520 --> 00:33:13,440
Speaker 2: You know, it's like but if you were in college, sorry, Ty,

589
00:33:13,600 --> 00:33:15,800
Speaker 2: you go no minute.

590
00:33:15,840 --> 00:33:18,880
Speaker 1: She was so, she was so, I mean posters, this

591
00:33:19,040 --> 00:33:22,080
Speaker 1: the princess whole thing. She was really wants him as

592
00:33:22,080 --> 00:33:26,880
Speaker 1: a friend. That's not how you keep a friend if

593
00:33:26,920 --> 00:33:28,840
Speaker 1: you just sort of use that friend.

594
00:33:29,400 --> 00:33:31,840
Speaker 2: Yeah, but if you want a friend.

595
00:33:31,520 --> 00:33:33,480
Speaker 1: To be a friend, she's not being a friend of

596
00:33:33,520 --> 00:33:37,800
Speaker 1: that guy. You know. She and she knows how Marty feels.

597
00:33:38,360 --> 00:33:40,400
Speaker 1: I mean, she's dumb, come on.

598
00:33:40,480 --> 00:33:41,960
Speaker 2: But what I will say is the way it played

599
00:33:42,000 --> 00:33:44,880
Speaker 2: out is the way it would have gone down. Because

600
00:33:44,920 --> 00:33:47,160
Speaker 2: if I was in the sorority in the TV room

601
00:33:47,480 --> 00:33:49,320
Speaker 2: and you're with a friend and the guy comes to

602
00:33:49,320 --> 00:33:51,920
Speaker 2: the door, you both are going like it played out

603
00:33:52,640 --> 00:33:55,160
Speaker 2: kind of how it would have played out, even though

604
00:33:55,360 --> 00:34:01,120
Speaker 2: our you know, thirty something, Yes, you see it different.

605
00:34:02,560 --> 00:34:04,280
Speaker 1: Each of my eyes is thirty something. When are you

606
00:34:04,280 --> 00:34:06,920
Speaker 1: talking about combine him? Total?

607
00:34:09,600 --> 00:34:13,600
Speaker 2: Yeah? I mean right, this is the Great Debate. They

608
00:34:13,600 --> 00:34:18,200
Speaker 2: all did it wrong. Logan showing up is kind of cool,

609
00:34:18,239 --> 00:34:20,120
Speaker 2: but like she had planned, she should have stuck with

610
00:34:20,120 --> 00:34:23,280
Speaker 2: her plans. If she did decide to go, Marty shouldn't

611
00:34:23,320 --> 00:34:24,800
Speaker 2: have gone. It's almost like a mess.

612
00:34:24,960 --> 00:34:28,200
Speaker 1: I think, I think Mary at that point when when

613
00:34:28,320 --> 00:34:32,239
Speaker 1: Marty sees that Rory wants to go with Logan, that's

614
00:34:32,280 --> 00:34:35,560
Speaker 1: when he sort of he doesn't you know where? I

615
00:34:35,560 --> 00:34:39,160
Speaker 1: think we're back to Tarras. Uh, yeah, you guys go ahead.

616
00:34:39,480 --> 00:34:41,120
Speaker 1: You know a cool move. Boy said, well, you guys

617
00:34:41,160 --> 00:34:42,759
Speaker 1: go ahead. I'm gonna stay here and watch a movie.

618
00:34:44,400 --> 00:34:46,239
Speaker 1: You're not important to me anymore, Rory, but I'm gonna

619
00:34:46,239 --> 00:34:47,320
Speaker 1: watch a movie and eat the food.

620
00:34:48,120 --> 00:34:58,600
Speaker 2: Yeah, we skipped over something or you know, we didn't

621
00:34:59,000 --> 00:35:04,360
Speaker 2: discuss it yet, which is how much Marty. When Doyle

622
00:35:04,400 --> 00:35:08,080
Speaker 2: and Paris are having their you know, Paris runs in

623
00:35:08,120 --> 00:35:10,120
Speaker 2: and she's like, I can't stay here, I have to

624
00:35:10,120 --> 00:35:12,080
Speaker 2: get my bag and blah blah, and then Marty says,

625
00:35:12,160 --> 00:35:15,520
Speaker 2: I missed this place like he loves being a part

626
00:35:15,760 --> 00:35:19,759
Speaker 2: of their situation, And I think that's why he's so

627
00:35:20,000 --> 00:35:22,760
Speaker 2: drawn and doesn't and decided to go to the dinner

628
00:35:23,040 --> 00:35:26,720
Speaker 2: because he's like he likes being in their circle, meaning

629
00:35:26,800 --> 00:35:28,480
Speaker 2: Rory in Paris, not Logan.

630
00:35:28,840 --> 00:35:30,840
Speaker 1: I can't imagine that he has a lot of friends.

631
00:35:30,920 --> 00:35:33,480
Speaker 1: I think he's bored. He studies a lot. He seems

632
00:35:33,480 --> 00:35:35,800
Speaker 1: to be a studious guy, right, he doesn't.

633
00:35:35,560 --> 00:35:37,640
Speaker 2: Have a ton of discretionary like income.

634
00:35:37,920 --> 00:35:39,800
Speaker 1: No, he's got right, so it's like, hey, it's a

635
00:35:39,920 --> 00:35:42,880
Speaker 1: night on the town. What the heck? Yeah?

636
00:35:42,920 --> 00:35:46,480
Speaker 3: And I think part of him kind of like wants

637
00:35:46,480 --> 00:35:48,080
Speaker 3: to be cool, mm hmm.

638
00:35:48,600 --> 00:35:48,799
Speaker 2: You know.

639
00:35:49,280 --> 00:35:52,560
Speaker 3: And this was in his dinner that you know, the

640
00:35:52,600 --> 00:35:56,400
Speaker 3: Logan invited Rory to, which then invited Marty to, was

641
00:35:56,480 --> 00:35:58,640
Speaker 3: kind of his way of being like, all right, like

642
00:35:58,680 --> 00:36:00,320
Speaker 3: I'll hang out with the Kocites.

643
00:36:00,080 --> 00:36:00,319
Speaker 7: You know.

644
00:36:00,480 --> 00:36:03,480
Speaker 3: Like I think there was part of him that was

645
00:36:03,560 --> 00:36:09,120
Speaker 3: like into that idea. But then maybe like all the

646
00:36:09,160 --> 00:36:11,000
Speaker 3: signs leading up to it, the legs on the lap,

647
00:36:11,160 --> 00:36:14,800
Speaker 3: the dinner or the movie, all the different types of pretzels,

648
00:36:14,840 --> 00:36:17,040
Speaker 3: like all that kind of stuff like made him maybe

649
00:36:17,120 --> 00:36:19,600
Speaker 3: think like maybe there is something here, so let's hang

650
00:36:19,640 --> 00:36:21,120
Speaker 3: out with the cool kids. But then when he was

651
00:36:21,160 --> 00:36:23,919
Speaker 3: hanging out with the cool kids, he realized, oh, no,

652
00:36:24,200 --> 00:36:27,080
Speaker 3: Rory like likes that I'm still losing.

653
00:36:27,320 --> 00:36:28,399
Speaker 2: You know, so I can't.

654
00:36:28,440 --> 00:36:32,080
Speaker 1: I can't. I can't compete with this. Yeah, the international

655
00:36:32,160 --> 00:36:35,080
Speaker 1: boarding school and over this for money. It's like, Wow,

656
00:36:35,120 --> 00:36:35,800
Speaker 1: I'm way out.

657
00:36:35,680 --> 00:36:36,280
Speaker 7: Of my league.

658
00:36:36,560 --> 00:36:40,160
Speaker 2: If there was no Logan, Rory and Marty would be

659
00:36:40,200 --> 00:36:44,160
Speaker 2: a thing. Do we all agree on that there was

660
00:36:44,239 --> 00:36:46,520
Speaker 2: no Logan? Do you think she would be.

661
00:36:46,600 --> 00:36:51,040
Speaker 1: I think too. I think given her experiences with Dean Jess,

662
00:36:52,280 --> 00:36:55,239
Speaker 1: I think she naturally goes. She wants to try a

663
00:36:55,360 --> 00:36:58,160
Speaker 1: Marty who seems stable, and I.

664
00:36:58,080 --> 00:37:00,440
Speaker 5: Actually don't think so, because any other guy who's come

665
00:37:00,480 --> 00:37:04,080
Speaker 5: into the picture, she's picked them over Marty.

666
00:37:04,080 --> 00:37:05,520
Speaker 2: It's been like I come minute.

667
00:37:05,719 --> 00:37:08,800
Speaker 3: I go back and forth too, Tara, Like it doesn't

668
00:37:08,880 --> 00:37:11,799
Speaker 3: scream yes, they'd be together, but like I think they

669
00:37:11,840 --> 00:37:14,000
Speaker 3: would definitely explore it, like they would be hooking, they

670
00:37:14,000 --> 00:37:14,560
Speaker 3: would kiss.

671
00:37:14,640 --> 00:37:16,800
Speaker 5: Yeah, you know, Like for me, it seems like Marty's

672
00:37:16,840 --> 00:37:19,040
Speaker 5: her last resort. Like if she can't find anyone else,

673
00:37:19,080 --> 00:37:21,200
Speaker 5: then she'll go to Marty. But like if someone better

674
00:37:21,200 --> 00:37:22,880
Speaker 5: comes along, she's running to that person.

675
00:37:23,040 --> 00:37:25,480
Speaker 2: Yeah, and that's why, that's why Marty needed to not

676
00:37:25,560 --> 00:37:26,160
Speaker 2: go to the dinner.

677
00:37:26,200 --> 00:37:29,520
Speaker 1: But yeah, and you know she has seen Marty naked.

678
00:37:30,800 --> 00:37:32,320
Speaker 3: Yeah, well it's.

679
00:37:32,120 --> 00:37:34,480
Speaker 2: True and they're very comfortable with each other. If you

680
00:37:34,520 --> 00:37:36,440
Speaker 2: think back to the episode when they were studying, they

681
00:37:36,480 --> 00:37:40,239
Speaker 2: studied in his bed, remember, and then I think she

682
00:37:40,360 --> 00:37:43,840
Speaker 2: fell asleep if I remember, Yeah, and she's so comfortable

683
00:37:43,880 --> 00:37:47,359
Speaker 2: to fall asleep there and all the things. Okay, so

684
00:37:47,400 --> 00:37:50,359
Speaker 2: we go back to Fiddler on the Roof for a minute,

685
00:37:50,360 --> 00:37:52,600
Speaker 2: And did you guys see that it's Brad from Blee

686
00:37:52,600 --> 00:37:53,360
Speaker 2: playing the piano.

687
00:37:54,719 --> 00:37:57,440
Speaker 3: No, you guys, his name's.

688
00:37:57,239 --> 00:37:59,880
Speaker 2: Brad right, Like, I'm ninety nine percent the piano player

689
00:37:59,880 --> 00:38:04,160
Speaker 2: on Glee. It's his name, Brad. It's definitely the same guy.

690
00:38:04,239 --> 00:38:05,360
Speaker 1: I never saw Glee.

691
00:38:06,160 --> 00:38:08,120
Speaker 2: First of all, you should give it a try. But

692
00:38:08,640 --> 00:38:10,799
Speaker 2: the guy playing piano for a Fiddler on the Roof

693
00:38:10,920 --> 00:38:13,960
Speaker 2: is definitely the same guy as the piano player in Glee.

694
00:38:14,200 --> 00:38:19,839
Speaker 2: And I'm pretty sure his name is Brat Yep yep, yep, yep. So,

695
00:38:20,760 --> 00:38:24,520
Speaker 2: and how funny when Kirk's like my cart is too perfect,

696
00:38:25,200 --> 00:38:25,680
Speaker 2: It's just.

697
00:38:25,640 --> 00:38:30,920
Speaker 1: Like, no, no, that was a good inside leg kick

698
00:38:31,239 --> 00:38:34,040
Speaker 1: from Luke. If that was somebody's kne it would have

699
00:38:34,040 --> 00:38:37,800
Speaker 1: been destroyed. Actually, I borrowed that note from my grip gripped.

700
00:38:37,840 --> 00:38:41,720
Speaker 2: Her costume does not fit. This is ridiculous.

701
00:38:42,880 --> 00:38:45,200
Speaker 5: Actually, one of my favorite lines was when they were

702
00:38:45,200 --> 00:38:46,800
Speaker 5: talking about the wagon.

703
00:38:46,960 --> 00:38:48,799
Speaker 6: He's like, I'm not that kind of actor. Like he's

704
00:38:48,800 --> 00:38:50,640
Speaker 6: like pretend. He's like, I'm not that kind of actor.

705
00:38:53,080 --> 00:38:56,800
Speaker 2: So then we get the scene we thought we wanted,

706
00:38:57,160 --> 00:39:00,520
Speaker 2: which is Luke and Lorelei together, but it was kind

707
00:39:00,560 --> 00:39:04,720
Speaker 2: of rough. It's like, yeah, you know, yen To tripped

708
00:39:04,719 --> 00:39:07,680
Speaker 2: and like I'm not doing a bit and the whole thing.

709
00:39:07,960 --> 00:39:10,600
Speaker 2: But then it really escalated and went sideways, and I

710
00:39:10,640 --> 00:39:13,120
Speaker 2: wish he would have just said I want you there,

711
00:39:13,280 --> 00:39:15,279
Speaker 2: I miss you, Like they're not telling the truth to

712
00:39:15,320 --> 00:39:17,680
Speaker 2: each other. So then it turned into this big fight

713
00:39:17,760 --> 00:39:19,399
Speaker 2: and I didn't I didn't love that.

714
00:39:20,080 --> 00:39:22,640
Speaker 3: But how messeduff that Lorelai signed to Luke up for

715
00:39:22,680 --> 00:39:27,839
Speaker 3: this and just doesn't even show up, Like she's like, yeah,

716
00:39:27,840 --> 00:39:29,640
Speaker 3: i'll do this stuff from I'll work from home and

717
00:39:29,680 --> 00:39:30,239
Speaker 3: send it in.

718
00:39:30,400 --> 00:39:32,040
Speaker 6: Well no one, no one showed up.

719
00:39:34,200 --> 00:39:38,239
Speaker 2: Creepy Carrie, creepy Carry and Luke. But yeah, that really

720
00:39:38,360 --> 00:39:40,720
Speaker 2: escalated fast, and it just turned into this very upsetting

721
00:39:40,719 --> 00:39:43,600
Speaker 2: fight and like she's in her hole of depression and

722
00:39:43,640 --> 00:39:45,279
Speaker 2: he snuck in and took the boat and just did

723
00:39:45,280 --> 00:39:48,840
Speaker 2: not go how I would have liked for that to go. Yeah,

724
00:39:49,160 --> 00:39:55,120
Speaker 2: I really had higher hopes for that scene.

725
00:39:55,440 --> 00:39:59,840
Speaker 3: You can definitely feel his angst and that.

726
00:40:00,160 --> 00:40:02,719
Speaker 2: Scott, how did you feel? And I thought your performance

727
00:40:03,080 --> 00:40:03,680
Speaker 2: was spot on.

728
00:40:04,080 --> 00:40:05,760
Speaker 1: Yeah. I thought it was one of the better scenes

729
00:40:05,760 --> 00:40:10,120
Speaker 1: we've done. I like that scene. I think it was

730
00:40:10,200 --> 00:40:13,719
Speaker 1: a It's one of those scenes where after it's done,

731
00:40:13,719 --> 00:40:16,880
Speaker 1: it's like, oh, the purpose of the scene maybe it's

732
00:40:17,000 --> 00:40:19,880
Speaker 1: this could go either way. So it's to increase the

733
00:40:19,960 --> 00:40:24,879
Speaker 1: tension by expressing frustration with each other and a lack

734
00:40:24,920 --> 00:40:27,439
Speaker 1: of communication, a lack of flow. But as the scene

735
00:40:27,480 --> 00:40:30,120
Speaker 1: was over, it's like, you know, you're we're still in

736
00:40:30,200 --> 00:40:34,560
Speaker 1: limbo here with this relationship. Go either way. Yeah, So

737
00:40:34,600 --> 00:40:36,920
Speaker 1: I thought it was very well written scene.

738
00:40:36,719 --> 00:40:38,279
Speaker 2: Very Yeah it was.

739
00:40:37,920 --> 00:40:40,680
Speaker 1: It was. I like that scene a lot.

740
00:40:40,920 --> 00:40:43,160
Speaker 2: Yeah, I love to hate it, do you know.

741
00:40:43,160 --> 00:40:43,560
Speaker 4: What I mean?

742
00:40:43,680 --> 00:40:47,040
Speaker 2: Like it's a very good scene. It's just so upsetting because.

743
00:40:46,840 --> 00:40:49,520
Speaker 1: I'm like, oh no, but it had all of the

744
00:40:49,920 --> 00:40:53,080
Speaker 1: very realistic beats in it. It was very this show,

745
00:40:53,440 --> 00:40:55,400
Speaker 1: you know, it goes back and forth from you know,

746
00:40:55,719 --> 00:40:59,279
Speaker 1: real gritty, dramatic writing it's so true to life, and

747
00:40:59,320 --> 00:41:02,160
Speaker 1: then sticky humor and then comedy. You know, it does

748
00:41:02,280 --> 00:41:06,080
Speaker 1: it kind of covers all the bases, which just makes

749
00:41:06,120 --> 00:41:07,960
Speaker 1: it compelling to watch. You know, you never know what

750
00:41:08,000 --> 00:41:08,480
Speaker 1: you're getting.

751
00:41:10,120 --> 00:41:14,960
Speaker 5: I definitely like, I I agree with why Luke's upset.

752
00:41:15,040 --> 00:41:17,319
Speaker 5: But the one thing is I will say I kind

753
00:41:17,320 --> 00:41:22,160
Speaker 5: of felt why Loralia was upset, where she's like, you

754
00:41:22,160 --> 00:41:24,920
Speaker 5: don't even tell me you're taking the boat and like

755
00:41:24,960 --> 00:41:27,480
Speaker 5: you just showed up to my house and took it,

756
00:41:27,800 --> 00:41:30,439
Speaker 5: which I know it's like his boat, but I kind

757
00:41:30,520 --> 00:41:33,400
Speaker 5: of did, like, do you guys agree, like maybe like

758
00:41:33,480 --> 00:41:35,759
Speaker 5: he should have told her like he's taking Of.

759
00:41:35,640 --> 00:41:38,640
Speaker 2: Course, yeah, I do think he Like in today's world,

760
00:41:38,640 --> 00:41:40,040
Speaker 2: you would pop a text.

761
00:41:40,040 --> 00:41:43,360
Speaker 1: Does here she went to Christopher's and got drunk. He

762
00:41:43,360 --> 00:41:44,800
Speaker 1: doesn't care anymore.

763
00:41:44,360 --> 00:41:46,120
Speaker 2: But he does because he's still does.

764
00:41:46,000 --> 00:41:48,920
Speaker 1: Care, but he's got he's but he can't care right now.

765
00:41:48,880 --> 00:41:50,759
Speaker 2: Right, But he did come running over when he got

766
00:41:50,800 --> 00:41:51,440
Speaker 2: her message.

767
00:41:51,560 --> 00:41:54,280
Speaker 1: Well that's different. That's like my friend's in trouble.

768
00:41:54,680 --> 00:41:58,040
Speaker 2: And I still would have sent a text. If there

769
00:41:58,080 --> 00:42:00,680
Speaker 2: was text that just said hey, I'm going to come

770
00:42:00,680 --> 00:42:05,000
Speaker 2: get the boat if you want to be there, I understand.

771
00:42:04,600 --> 00:42:07,120
Speaker 1: He didn't want to be he didn't want to then

772
00:42:07,200 --> 00:42:07,560
Speaker 1: he could have.

773
00:42:07,560 --> 00:42:08,880
Speaker 2: Said, hey, I'm going to come get the boat and

774
00:42:08,920 --> 00:42:10,480
Speaker 2: I prefer not to see you.

775
00:42:10,480 --> 00:42:14,080
Speaker 1: No, that's too much of a declaration that were split up.

776
00:42:15,080 --> 00:42:18,719
Speaker 2: Okay, fair, fair, I'll give you that. I'll give you that.

777
00:42:19,960 --> 00:42:21,640
Speaker 2: I don't know. I just feel like he almost stole

778
00:42:21,680 --> 00:42:23,719
Speaker 2: his own boat, you know what I mean, Like he

779
00:42:23,840 --> 00:42:26,320
Speaker 2: still would tell somebody I'm gonna because he wouldn't have

780
00:42:26,360 --> 00:42:28,319
Speaker 2: broken into the house to get his stuff that's in

781
00:42:28,360 --> 00:42:30,439
Speaker 2: the house, right, he would have said to her, hey,

782
00:42:30,440 --> 00:42:32,880
Speaker 2: can I come get my stuff? Leave the boat in

783
00:42:32,920 --> 00:42:33,560
Speaker 2: the driveway.

784
00:42:33,800 --> 00:42:37,560
Speaker 1: I think maybe it was unintentionally hostile.

785
00:42:38,280 --> 00:42:39,640
Speaker 6: Mm hmm, yeah, m.

786
00:42:40,200 --> 00:42:42,160
Speaker 1: He just wanted it out of there. He didn't want

787
00:42:42,160 --> 00:42:44,360
Speaker 1: to go through the rigamarole of having to explain it

788
00:42:44,440 --> 00:42:45,520
Speaker 1: to her or.

789
00:42:47,360 --> 00:42:49,040
Speaker 6: Yeah, that's a very good way of putting it.

790
00:42:49,640 --> 00:42:52,840
Speaker 2: Unintentionally hostile. I think that's exactly very because.

791
00:42:52,600 --> 00:42:54,880
Speaker 6: She felt like it was hostile. But for him, like truly,

792
00:42:54,920 --> 00:42:55,280
Speaker 6: he didn't.

793
00:42:55,280 --> 00:42:58,680
Speaker 2: He just wanted the boat on the boat. But it

794
00:42:58,719 --> 00:43:00,680
Speaker 2: was a little dramatic because he's my thing. I don't

795
00:43:00,680 --> 00:43:03,720
Speaker 2: think he actually wants the boat. I think he wants

796
00:43:03,800 --> 00:43:08,520
Speaker 2: the act. It was taking prove to be like I'm

797
00:43:08,560 --> 00:43:09,920
Speaker 2: going to take my boat.

798
00:43:11,280 --> 00:43:13,720
Speaker 1: I think it's a decision he made he made a decision.

799
00:43:13,800 --> 00:43:18,600
Speaker 2: This relationship is over, no way, no why because he

800
00:43:18,800 --> 00:43:21,879
Speaker 2: is all about finding her at Fiddler on the Roof.

801
00:43:23,760 --> 00:43:25,799
Speaker 2: It's all about like the boat, Like what's that? What

802
00:43:25,960 --> 00:43:27,640
Speaker 2: is the act of taking the boat?

803
00:43:28,280 --> 00:43:31,200
Speaker 1: He just he just wants to be clean of it.

804
00:43:31,719 --> 00:43:33,799
Speaker 1: He just he needs to be clean of it so

805
00:43:33,880 --> 00:43:38,440
Speaker 1: that he can really assess how he really feels. You

806
00:43:38,520 --> 00:43:42,799
Speaker 1: can't make that determination if that boat is still there.

807
00:43:42,840 --> 00:43:45,920
Speaker 1: That's a part of him and their history that she

808
00:43:46,080 --> 00:43:49,080
Speaker 1: is still housing and it's still together, there's still a

809
00:43:49,120 --> 00:43:51,840
Speaker 1: togetherness there. So he wants to make a clean break

810
00:43:52,680 --> 00:43:56,560
Speaker 1: and assess, like he said, over time, maybe months, Let's

811
00:43:56,560 --> 00:43:58,280
Speaker 1: see how this feels without the boat.

812
00:43:58,440 --> 00:44:00,799
Speaker 2: It's a little dramatic for me, like if I was

813
00:44:00,880 --> 00:44:02,319
Speaker 2: like putting myself into it.

814
00:44:02,440 --> 00:44:04,520
Speaker 1: Sure, look at the intensity of the feelings they had

815
00:44:04,520 --> 00:44:11,400
Speaker 1: for each other with terror and this is the big

816
00:44:11,480 --> 00:44:14,719
Speaker 1: love and this could be the one for each of them.

817
00:44:14,840 --> 00:44:16,840
Speaker 1: I mean, it's like and then she pulls that crap.

818
00:44:17,880 --> 00:44:20,760
Speaker 1: He's pissed. He doesn't want to be in this situation.

819
00:44:20,840 --> 00:44:22,600
Speaker 1: Yes he still loves her, Yes he still wants her,

820
00:44:22,600 --> 00:44:24,800
Speaker 1: but he's pissed and he hasn't He's not over it.

821
00:44:24,880 --> 00:44:26,880
Speaker 2: Yet there's more to the boat than it.

822
00:44:26,960 --> 00:44:28,840
Speaker 1: Just give me. I'm taking my boat back and I

823
00:44:28,840 --> 00:44:30,760
Speaker 1: don't care what you think about it, because I'm pissed.

824
00:44:30,920 --> 00:44:31,959
Speaker 2: Yeah yeah, yeah, hurt.

825
00:44:32,000 --> 00:44:32,520
Speaker 1: He's hurt.

826
00:44:32,880 --> 00:44:36,520
Speaker 3: Yeah yeah, yeah, it isn't The boat symbolizes so much,

827
00:44:36,600 --> 00:44:40,040
Speaker 3: right because it was Luke's dads. Then Luke was like,

828
00:44:40,160 --> 00:44:43,399
Speaker 3: get away with it. Lorlai bought it and kept it

829
00:44:43,719 --> 00:44:48,319
Speaker 3: so for Luke, and then Luke started to fix it up.

830
00:44:48,800 --> 00:44:51,839
Speaker 3: And now he's still taking it back, you.

831
00:44:51,800 --> 00:44:56,320
Speaker 1: Know, like he's prepping it to sail away. He hasn't

832
00:44:56,360 --> 00:44:58,200
Speaker 1: sailed away.

833
00:44:57,760 --> 00:45:02,520
Speaker 2: Right right to me if they were both in better

834
00:45:02,719 --> 00:45:05,319
Speaker 2: places the boat, because what I would have done is

835
00:45:05,400 --> 00:45:08,279
Speaker 2: kept the boat there and been like I'm going to

836
00:45:08,440 --> 00:45:10,879
Speaker 2: leave the boat there for right now in hopes that

837
00:45:11,200 --> 00:45:14,200
Speaker 2: this works out and the boat's going to be my connection.

838
00:45:15,840 --> 00:45:18,600
Speaker 2: But that's not a Luke way. Luke's kind of very

839
00:45:19,520 --> 00:45:22,759
Speaker 2: boat shut, my door, find on my own. I don't

840
00:45:22,840 --> 00:45:25,000
Speaker 2: need this. I don't need to feel connected to her

841
00:45:25,160 --> 00:45:25,360
Speaker 2: like that.

842
00:45:25,840 --> 00:45:30,000
Speaker 1: Like I said previously, he's he's good on his own. Yeah,

843
00:45:30,160 --> 00:45:35,000
Speaker 1: he's that's that's his that's who he is. He's a loner.

844
00:45:35,160 --> 00:45:37,759
Speaker 6: He's he's comfortable that way, Yes, he is.

845
00:45:38,160 --> 00:45:40,719
Speaker 2: All right, So let's let's play through China Palace here.

846
00:45:41,360 --> 00:45:43,800
Speaker 2: So first of all, when he says the car is

847
00:45:43,840 --> 00:45:47,600
Speaker 2: waiting outside and then Marty repeats that line like I

848
00:45:47,719 --> 00:45:52,400
Speaker 2: was waiting outside, Like it's so we all know he's fancy.

849
00:45:52,560 --> 00:45:55,960
Speaker 2: I knew we were in trouble the moment they go

850
00:45:56,080 --> 00:46:01,800
Speaker 2: to dinner with Logan. But yeah, I think the China Palace.

851
00:46:02,000 --> 00:46:05,239
Speaker 2: You know, Juliette doesn't eat, which seems very problematic, and

852
00:46:05,280 --> 00:46:09,120
Speaker 2: they're problematic, very problem and they're talking about, you know,

853
00:46:09,160 --> 00:46:12,279
Speaker 2: they're fancy right like andover and like they don't miss

854
00:46:12,320 --> 00:46:15,000
Speaker 2: their families, which I actually thought was sort of like

855
00:46:17,040 --> 00:46:19,600
Speaker 2: the fact that Marty misses his family makes Marty kind

856
00:46:19,640 --> 00:46:23,200
Speaker 2: of a better dude. Yeah, now Logan has family.

857
00:46:23,719 --> 00:46:27,320
Speaker 3: I also know it's funny, right because like, like Juliette,

858
00:46:27,360 --> 00:46:29,719
Speaker 3: she's talking about not eating, she's talking about her prenup.

859
00:46:30,239 --> 00:46:33,480
Speaker 3: Colin's talking about like his boarding school and how he

860
00:46:33,520 --> 00:46:36,080
Speaker 3: doesn't miss his family. It's like all these like super

861
00:46:36,120 --> 00:46:39,319
Speaker 3: snobby things. Obviously they're like throwing it at us at

862
00:46:40,000 --> 00:46:43,600
Speaker 3: one time because they want to show the duck juxtaposition

863
00:46:43,640 --> 00:46:46,680
Speaker 3: with Marty. But like I kind of like that Marty

864
00:46:46,800 --> 00:46:48,280
Speaker 3: was like, you don't miss your family?

865
00:46:48,480 --> 00:46:52,400
Speaker 2: Like if I were Rory, I'd be like, oh, that

866
00:46:52,440 --> 00:46:57,400
Speaker 2: guy's like me. Marty's like, huh yeah, the bird sweater

867
00:46:57,480 --> 00:47:00,080
Speaker 2: did you know the one dude has the birds? And

868
00:47:00,120 --> 00:47:02,360
Speaker 2: also they were basically at NOBU, which was what I

869
00:47:02,520 --> 00:47:07,680
Speaker 2: was sort of like, they're not they're not out of college.

870
00:47:07,800 --> 00:47:11,960
Speaker 6: Like restaurant there at the campus.

871
00:47:13,120 --> 00:47:15,920
Speaker 2: Did you guys notice the one thing that Logan.

872
00:47:15,680 --> 00:47:19,200
Speaker 3: Was doing putting his arm around her and playing with

873
00:47:19,239 --> 00:47:21,439
Speaker 3: her hair. Yeah, I didn't like it.

874
00:47:22,000 --> 00:47:26,799
Speaker 2: Oh I loved it because she she obviously was with

875
00:47:26,920 --> 00:47:28,560
Speaker 2: his boys.

876
00:47:29,840 --> 00:47:33,040
Speaker 3: Again, back to what I was saying earlier, Logan knows

877
00:47:33,560 --> 00:47:34,840
Speaker 3: Marty likes Rory.

878
00:47:35,000 --> 00:47:38,120
Speaker 2: He knows it, and that's why he's peeing on his territory.

879
00:47:39,280 --> 00:47:41,759
Speaker 3: He's peeing on his territory, but he's doing it in

880
00:47:41,840 --> 00:47:46,520
Speaker 3: such like a it's not condescending because he's not mean

881
00:47:46,600 --> 00:47:50,080
Speaker 3: about it, but he's also like, I got this, you know,

882
00:47:50,200 --> 00:47:51,640
Speaker 3: and that's kind of annoying.

883
00:47:52,200 --> 00:47:53,880
Speaker 6: It's like I'm going to get my way at the

884
00:47:53,960 --> 00:47:55,279
Speaker 6: end of the day or.

885
00:47:55,320 --> 00:47:58,279
Speaker 3: Awesome, depends which way you look at it.

886
00:47:58,400 --> 00:48:01,680
Speaker 2: Right to break this time because I'm all about Logan,

887
00:48:01,800 --> 00:48:02,640
Speaker 2: even though I get it.

888
00:48:02,680 --> 00:48:05,600
Speaker 1: He's sort of like, well, here's here's when I think.

889
00:48:05,719 --> 00:48:10,560
Speaker 1: I think Marty was displaying a level of maturity that

890
00:48:10,800 --> 00:48:17,040
Speaker 1: those guys may never achieve in that he was content

891
00:48:17,160 --> 00:48:19,719
Speaker 1: to be the friend. He realized he was in the

892
00:48:19,760 --> 00:48:24,040
Speaker 1: friend zone. Somethings. This is probably going to pull him

893
00:48:24,040 --> 00:48:26,680
Speaker 1: out of the friend zone. He needed to have this

894
00:48:26,800 --> 00:48:29,080
Speaker 1: experience to realize that he was out of his league.

895
00:48:30,040 --> 00:48:34,840
Speaker 1: I think he loses respect for Rory because she so

896
00:48:35,040 --> 00:48:38,640
Speaker 1: wants to be in that world. Apparently so in his eyes,

897
00:48:38,680 --> 00:48:44,239
Speaker 1: she's getting smaller and less appealing. But he's so mature

898
00:48:45,400 --> 00:48:48,759
Speaker 1: that he's his behavior at this dinner is the same

899
00:48:48,840 --> 00:48:51,360
Speaker 1: behavior he will display as a father and a husband

900
00:48:51,400 --> 00:48:55,200
Speaker 1: twenty thirty years from now. I mean, he's already fully

901
00:48:55,239 --> 00:49:00,200
Speaker 1: developed as a man, except that he just has hasn't

902
00:49:00,239 --> 00:49:04,840
Speaker 1: met the right girl yet. And I think I think

903
00:49:04,960 --> 00:49:09,200
Speaker 1: Logan has a tremendous amount to prove to his daddy,

904
00:49:10,120 --> 00:49:12,359
Speaker 1: and he's a bit of a screw up that we

905
00:49:12,400 --> 00:49:14,960
Speaker 1: did get this information that he was in Andover for

906
00:49:15,000 --> 00:49:17,279
Speaker 1: a year. And when you're at Andover, you don't leave.

907
00:49:18,000 --> 00:49:20,799
Speaker 1: You don't want to leave. Some reason he left. He

908
00:49:20,840 --> 00:49:22,759
Speaker 1: was there a year. He maybe got kicked out, so

909
00:49:22,800 --> 00:49:25,640
Speaker 1: there's questions there. So he's a bit of a problem child,

910
00:49:25,680 --> 00:49:28,600
Speaker 1: isn't he. You know, he's like a spoiled rich kid.

911
00:49:28,840 --> 00:49:34,080
Speaker 1: He's extremely charming, he's extremely smart, he's very witty, he's

912
00:49:34,120 --> 00:49:38,200
Speaker 1: an exciting guy. But man, Danielle, you said it right.

913
00:49:38,239 --> 00:49:42,200
Speaker 1: I mean talk about compare and contrastities too. And I

914
00:49:42,239 --> 00:49:44,600
Speaker 1: think that was all insecurity with the hair and the

915
00:49:44,640 --> 00:49:48,240
Speaker 1: whole thing. And it's just like it's kind of disrespectful

916
00:49:48,840 --> 00:49:51,680
Speaker 1: to Rory and to Marty all at the same time.

917
00:49:52,000 --> 00:49:55,319
Speaker 1: But he doesn't care because he's taking you know, he's

918
00:49:55,480 --> 00:49:59,280
Speaker 1: he's acting like he owns her in some way because

919
00:49:59,280 --> 00:50:02,280
Speaker 1: it's not really the appropriate forum in order to display

920
00:50:02,320 --> 00:50:04,240
Speaker 1: that kind of behavior. And maybe I'm being.

921
00:50:04,160 --> 00:50:12,040
Speaker 2: Too No, you're I mean, you're being totally. I feel

922
00:50:12,080 --> 00:50:16,160
Speaker 2: like I hear what you're saying and my reaction is correct.

923
00:50:16,160 --> 00:50:20,560
Speaker 2: But I like him anyway, Yes, it says something about me, like, yeah,

924
00:50:20,680 --> 00:50:24,200
Speaker 2: I get it, Like I think if we were at

925
00:50:24,200 --> 00:50:28,600
Speaker 2: a bird's eye view going who is the better choice?

926
00:50:29,120 --> 00:50:33,919
Speaker 2: It maybe is Marty, but I like Rory am kind

927
00:50:33,920 --> 00:50:36,960
Speaker 2: of into logan and even like when the check comes,

928
00:50:37,000 --> 00:50:40,360
Speaker 2: so let's talk about the check comes and immediately Logan's

929
00:50:40,360 --> 00:50:42,480
Speaker 2: of course going to pay for Rory, which is very

930
00:50:43,160 --> 00:50:48,920
Speaker 2: chivalrous and cute, but it's so what's the word, it's.

931
00:50:48,760 --> 00:50:51,359
Speaker 1: Just so like, well, he asked them both out so.

932
00:50:52,360 --> 00:50:55,759
Speaker 2: Well, and but Logan says he'll cover MARTI.

933
00:50:55,640 --> 00:50:57,240
Speaker 1: Should he interrupted their evening.

934
00:50:57,280 --> 00:51:00,960
Speaker 2: Any was totally on board to pay for Marty doesn't

935
00:51:00,960 --> 00:51:02,719
Speaker 2: want that, which I also understand.

936
00:51:03,440 --> 00:51:05,239
Speaker 3: Yeah, I think he's look at Logan at one or

937
00:51:05,280 --> 00:51:08,919
Speaker 3: two ways. Either he is, you know, an honorable man

938
00:51:09,000 --> 00:51:12,040
Speaker 3: who like is going to pay for Marty and you know,

939
00:51:12,800 --> 00:51:16,600
Speaker 3: cover the tab and invite him to the dinner. Or

940
00:51:16,719 --> 00:51:20,080
Speaker 3: you can see it as Logan is interrupting their date

941
00:51:20,800 --> 00:51:24,280
Speaker 3: and he is peeing on his territory, like we said,

942
00:51:24,440 --> 00:51:27,560
Speaker 3: and is even peeing on it even more and stabbing

943
00:51:27,640 --> 00:51:30,680
Speaker 3: Marty in the heart by saying, I'll pay for you, dude,

944
00:51:30,680 --> 00:51:34,080
Speaker 3: don't worry about it, like he just.

945
00:51:35,280 --> 00:51:37,239
Speaker 1: Maybe there's a small part of him that is a

946
00:51:37,280 --> 00:51:39,560
Speaker 1: little nervous about Marty. But I don't think he's.

947
00:51:39,320 --> 00:51:42,960
Speaker 6: Really I don't think he's nervous.

948
00:51:43,320 --> 00:51:48,480
Speaker 3: I think it's his way of showing Marty like I

949
00:51:48,480 --> 00:51:53,279
Speaker 3: I'm sorry.

950
00:51:51,360 --> 00:51:53,640
Speaker 6: Like I can pay for both our dinners.

951
00:51:58,680 --> 00:52:02,239
Speaker 2: Now the ball or move, which I get why they

952
00:52:02,239 --> 00:52:04,279
Speaker 2: didn't do this because we wouldn't have this awkward scene

953
00:52:04,320 --> 00:52:07,400
Speaker 2: would have been Logan pays the whole check, no check comes,

954
00:52:07,600 --> 00:52:10,560
Speaker 2: so we never have to have this predicament where he

955
00:52:10,719 --> 00:52:12,680
Speaker 2: knows Marty Like, so, if we think about it, this

956
00:52:12,719 --> 00:52:15,440
Speaker 2: is twenty years ago, seventy five dollars a person, or

957
00:52:15,440 --> 00:52:18,080
Speaker 2: seventy five dollars a lot, lot, kind of a lot

958
00:52:18,120 --> 00:52:20,920
Speaker 2: for college kids. Yeah, probably, so it's more like one

959
00:52:21,120 --> 00:52:26,520
Speaker 2: twenty five now maybe one fifty fifty for college.

960
00:52:26,200 --> 00:52:30,400
Speaker 1: Kids back then three hundred now.

961
00:52:30,400 --> 00:52:32,239
Speaker 2: You think three hundred. Okay, so it's a lot, right.

962
00:52:32,680 --> 00:52:34,320
Speaker 2: The baller move is if he just picked up the

963
00:52:34,400 --> 00:52:37,080
Speaker 2: check for the whole group. I don't know. So then

964
00:52:37,160 --> 00:52:40,120
Speaker 2: Marty goes out to get to the ATM, Like what

965
00:52:40,200 --> 00:52:41,080
Speaker 2: was Marty gonna do?

966
00:52:41,320 --> 00:52:43,200
Speaker 5: But I also felt bad of that comment when he

967
00:52:43,200 --> 00:52:45,080
Speaker 5: said I'm gonna go find an ATM, and I can't

968
00:52:45,120 --> 00:52:48,560
Speaker 5: remember the other guy's name, who was just like, oh,

969
00:52:48,600 --> 00:52:50,400
Speaker 5: he needs to go like to an eighty kind of

970
00:52:50,400 --> 00:52:53,840
Speaker 5: like mock on him, yeah, kind of mocked him for eating.

971
00:52:54,080 --> 00:52:58,840
Speaker 1: So this is the thing I think, who is mitcham

972
00:52:58,920 --> 00:53:04,960
Speaker 1: Hunsberger compared to in real worlds? Rupert Murdoch. No, no, no, no,

973
00:53:05,320 --> 00:53:15,040
Speaker 1: he's like thirteen newspaper Like, yeah, how how influential is

974
00:53:15,200 --> 00:53:19,800
Speaker 1: mitcham Huntsberger Very okay, So he's you know, he's Ted Turner,

975
00:53:19,880 --> 00:53:22,080
Speaker 1: He's yeah, he's Ruber Murdoch, He's.

976
00:53:22,200 --> 00:53:24,560
Speaker 2: Obrah, he's Oprah's on that level.

977
00:53:25,040 --> 00:53:28,560
Speaker 1: So that's his son. So that's that's Lachlan Murdoch or

978
00:53:28,600 --> 00:53:33,200
Speaker 1: that's you know, these people are so wealthy and so

979
00:53:33,440 --> 00:53:37,640
Speaker 1: privileged and so insulated that they look at somebody like

980
00:53:37,719 --> 00:53:38,359
Speaker 1: Marty like.

981
00:53:39,160 --> 00:53:43,840
Speaker 2: Yeah, you know, do they do? They? Because think about it,

982
00:53:43,840 --> 00:53:46,600
Speaker 2: it's just a completely different level they do.

983
00:53:46,680 --> 00:53:48,480
Speaker 6: Because he was bar attending their parties.

984
00:53:48,600 --> 00:53:51,479
Speaker 2: I don't think they look at him as I think

985
00:53:51,520 --> 00:53:52,080
Speaker 2: they well.

986
00:53:52,000 --> 00:53:54,160
Speaker 1: Not as any kind of real challenger.

987
00:53:54,680 --> 00:53:57,040
Speaker 2: No, but I think they would have just paid for him.

988
00:53:57,480 --> 00:54:00,400
Speaker 2: There's plenty of people of privilege, right, So in a

989
00:54:00,440 --> 00:54:03,280
Speaker 2: situation like this, you're at Yale. Right, they're all at Yale,

990
00:54:03,440 --> 00:54:05,960
Speaker 2: so they're all on equal footing. Right, But these guys

991
00:54:06,000 --> 00:54:10,000
Speaker 2: have money, but say so use Rory's money.

992
00:54:10,760 --> 00:54:14,560
Speaker 1: Mitcham Huntsburger is a multi billionaire, correct, so multi billionaire.

993
00:54:16,239 --> 00:54:20,560
Speaker 2: Imagine they want Rory around, right, Logan does and Logan's

994
00:54:20,560 --> 00:54:24,439
Speaker 2: friends dig her. She can't afford to do what they do,

995
00:54:24,600 --> 00:54:27,080
Speaker 2: so they will always pay for her and it will

996
00:54:27,120 --> 00:54:29,760
Speaker 2: never be a thing. And because she's a girl, it's fine.

997
00:54:30,280 --> 00:54:34,840
Speaker 2: The problem is that Marty can't afford it. So I

998
00:54:34,880 --> 00:54:37,400
Speaker 2: don't know what they would do if one of their friends,

999
00:54:37,440 --> 00:54:40,880
Speaker 2: which very possibly could happen, didn't have the money they have.

1000
00:54:41,160 --> 00:54:43,239
Speaker 2: But but he's like a bro with them.

1001
00:54:43,360 --> 00:54:46,600
Speaker 3: It's interesting you said that because it's a girl. It's like, oh,

1002
00:54:46,800 --> 00:54:48,160
Speaker 3: we're covering for Rory like that.

1003
00:54:48,840 --> 00:54:51,480
Speaker 2: Ury will never have to worry like Marty did with

1004
00:54:51,640 --> 00:54:54,480
Speaker 2: keeping up with these guys because they will always treat her.

1005
00:54:54,520 --> 00:54:55,920
Speaker 3: But Rory also had the money.

1006
00:54:56,000 --> 00:54:57,399
Speaker 2: Where did she have the you know, she.

1007
00:54:57,400 --> 00:55:01,080
Speaker 5: Has seventy five dollars, but she has her grand The

1008
00:55:01,120 --> 00:55:04,960
Speaker 5: thing with her is she's still associated with wealth because

1009
00:55:04,960 --> 00:55:07,839
Speaker 5: of her grandparents. I think if Rory was let's say,

1010
00:55:07,840 --> 00:55:10,080
Speaker 5: the female version of Marty, I actually don't think it

1011
00:55:10,120 --> 00:55:11,560
Speaker 5: would be exactly the same.

1012
00:55:11,640 --> 00:55:12,640
Speaker 2: I think if we don't.

1013
00:55:12,440 --> 00:55:15,800
Speaker 1: Know that Juliet money, well, we don't know Marty's background

1014
00:55:15,920 --> 00:55:18,960
Speaker 1: enough to make that assessment. I mean, he's also have

1015
00:55:19,000 --> 00:55:19,799
Speaker 1: to figure you.

1016
00:55:19,760 --> 00:55:23,120
Speaker 5: Know, no, But but I mean, like Logan's family knows

1017
00:55:23,239 --> 00:55:25,239
Speaker 5: Richard and Emily like, you know, like they run in

1018
00:55:25,280 --> 00:55:26,120
Speaker 5: the side circle.

1019
00:55:26,480 --> 00:55:29,040
Speaker 2: I still think it's girl. It doesn't matter. They're going

1020
00:55:29,120 --> 00:55:31,120
Speaker 2: to like the girls. They're gonna like whether those girls

1021
00:55:31,160 --> 00:55:32,960
Speaker 2: have money or not, and they're going to just always

1022
00:55:32,960 --> 00:55:35,480
Speaker 2: treat them like. We don't know what Juliette's background is,

1023
00:55:35,520 --> 00:55:38,320
Speaker 2: and of course she didn't even eat like anything.

1024
00:55:38,360 --> 00:55:40,640
Speaker 3: But no, she has money because she says that she

1025
00:55:40,680 --> 00:55:42,760
Speaker 3: wants to marry a poor man and have that person

1026
00:55:42,960 --> 00:55:47,200
Speaker 3: sign her rock star prenup. So she's got money. We

1027
00:55:47,280 --> 00:55:48,520
Speaker 3: know she has money.

1028
00:55:48,760 --> 00:55:54,600
Speaker 1: So here's the question. Uh, what does Logan want out

1029
00:55:54,640 --> 00:55:56,840
Speaker 1: of Rory? What is he seeing her? I mean, I

1030
00:55:56,880 --> 00:55:59,480
Speaker 1: know what he says, don't We don't know what does

1031
00:55:59,520 --> 00:56:02,440
Speaker 1: he want? He doesn't want to he confess to her,

1032
00:56:02,760 --> 00:56:05,319
Speaker 1: I'm not going to be faithful to you. This is

1033
00:56:05,400 --> 00:56:07,120
Speaker 1: just you know, I'm not going to commit to you.

1034
00:56:07,120 --> 00:56:09,400
Speaker 1: You're not going to be my girlfriend. I'm too young,

1035
00:56:09,760 --> 00:56:12,200
Speaker 1: you know, I've got to sew my wild oat. So

1036
00:56:12,680 --> 00:56:15,359
Speaker 1: is he ever going to you know what does he doing?

1037
00:56:16,480 --> 00:56:21,080
Speaker 1: Is this just pure physical attraction or is it something deep?

1038
00:56:21,239 --> 00:56:24,040
Speaker 2: No, it's not just physical. He's very intrigued by her.

1039
00:56:24,200 --> 00:56:26,600
Speaker 1: Well, he can keep up. She can keep up with him.

1040
00:56:27,120 --> 00:56:32,120
Speaker 1: She's witty, she's got banter, she's educated, Yeah, she's she's

1041
00:56:32,120 --> 00:56:37,680
Speaker 1: got a moral center, yeah somewhat. She's a good person.

1042
00:56:38,080 --> 00:56:39,840
Speaker 2: Yeah, and he's and she gives him a run for

1043
00:56:39,880 --> 00:56:44,719
Speaker 2: his money. There's something about her. She's intrigued by him.

1044
00:56:45,200 --> 00:56:47,400
Speaker 1: Yeah, she's not impressed by the money.

1045
00:56:47,080 --> 00:56:49,640
Speaker 2: But by him, and he's intrigued.

1046
00:56:49,239 --> 00:56:53,120
Speaker 1: By her, right right, Yeah, they're they're still sniffing each

1047
00:56:53,160 --> 00:56:53,600
Speaker 1: other out.

1048
00:56:53,880 --> 00:56:56,160
Speaker 2: Yeah, that's a good way to say it. But so

1049
00:56:56,200 --> 00:56:57,560
Speaker 2: what should Marty have done?

1050
00:56:58,800 --> 00:57:00,799
Speaker 1: Just disappear, disappear into a.

1051
00:57:00,760 --> 00:57:03,759
Speaker 3: Part I thought, but that's what he was gonna do.

1052
00:57:03,960 --> 00:57:06,680
Speaker 3: Like when Rory comes outside and he's just staring at

1053
00:57:06,680 --> 00:57:09,480
Speaker 3: the street, all like I don't I'm just going to

1054
00:57:09,520 --> 00:57:11,839
Speaker 3: stay here, and then she's like, well when they walk out,

1055
00:57:11,880 --> 00:57:16,000
Speaker 3: they'll see you, Like, oh my gosh, I'm like this

1056
00:57:16,080 --> 00:57:18,040
Speaker 3: poor guy is so defeated.

1057
00:57:19,720 --> 00:57:22,240
Speaker 1: Really, what's a what can Marty do at this point?

1058
00:57:22,280 --> 00:57:26,640
Speaker 1: What's a move? What's what's a master class move he

1059
00:57:26,680 --> 00:57:28,760
Speaker 1: could do to flip this situation in his.

1060
00:57:28,760 --> 00:57:29,920
Speaker 7: Favorite could he do?

1061
00:57:30,080 --> 00:57:31,120
Speaker 2: Maybe he could have been.

1062
00:57:31,040 --> 00:57:34,240
Speaker 1: Like, hey, let's go to a karaoke bar and then

1063
00:57:34,280 --> 00:57:37,080
Speaker 1: he does he does like they could have been.

1064
00:57:36,960 --> 00:57:39,840
Speaker 3: Like, no, the ATM machine's not working. Hey, Logan, you

1065
00:57:39,840 --> 00:57:42,120
Speaker 3: want to pick this one up? I got the next one, yeah, right.

1066
00:57:42,120 --> 00:57:45,920
Speaker 2: He could have just been like, exactly, that's good, Daniel's.

1067
00:57:45,680 --> 00:57:47,120
Speaker 6: I was going to bring this up earlier.

1068
00:57:47,520 --> 00:57:51,320
Speaker 5: He I mean with eighteen dollars, Like, where did he think, like,

1069
00:57:51,440 --> 00:57:54,000
Speaker 5: knowing these eighteen dollars, where did he think they were

1070
00:57:54,040 --> 00:57:55,680
Speaker 5: going to go to dinner? When Logan showed up to

1071
00:57:55,680 --> 00:57:58,440
Speaker 5: the door, like, I don't know, Like I was saying,

1072
00:57:58,480 --> 00:58:01,880
Speaker 5: like if you were in that position, like I've definitely

1073
00:58:01,920 --> 00:58:03,800
Speaker 5: like my friends have wanted to go to expensive restaurants.

1074
00:58:03,800 --> 00:58:05,160
Speaker 6: I'm like, I don't want to pay for that dinner,

1075
00:58:05,200 --> 00:58:06,320
Speaker 6: you know what I mean? And I'm like I don't

1076
00:58:06,320 --> 00:58:10,320
Speaker 6: want to go. So should he have just said no?

1077
00:58:11,240 --> 00:58:13,000
Speaker 2: Because he should have said no to the dinner for

1078
00:58:13,040 --> 00:58:14,680
Speaker 2: a thousands being one for.

1079
00:58:14,600 --> 00:58:17,120
Speaker 5: A thousand reasons, but specifically that knowing that it was

1080
00:58:17,160 --> 00:58:19,360
Speaker 5: going to come down to paying for the bill.

1081
00:58:19,880 --> 00:58:22,800
Speaker 3: M I think he was trying to man up and

1082
00:58:22,880 --> 00:58:27,040
Speaker 3: like trying to just hang with the cool kids.

1083
00:58:30,000 --> 00:58:31,600
Speaker 2: The minute I saw them at the table, I was

1084
00:58:31,640 --> 00:58:33,560
Speaker 2: having a stomach ache for that check. How is he

1085
00:58:33,600 --> 00:58:35,880
Speaker 2: sitting there eating all the dinner, not thinking how am

1086
00:58:35,880 --> 00:58:36,640
Speaker 2: I paying for this?

1087
00:58:37,040 --> 00:58:37,280
Speaker 1: Yeah?

1088
00:58:38,080 --> 00:58:42,680
Speaker 2: Brutal. Now I will give Rory points that she didn't

1089
00:58:42,760 --> 00:58:46,320
Speaker 2: bail Marty and like go to the Zydecoe music. She

1090
00:58:47,120 --> 00:58:50,560
Speaker 2: goes home with Marty and they're walking to her room

1091
00:58:50,600 --> 00:58:52,680
Speaker 2: and he says, I need to tell you something. And

1092
00:58:52,720 --> 00:58:56,600
Speaker 2: I thought the way she handled that was actually very

1093
00:58:56,640 --> 00:58:59,720
Speaker 2: mature and very good. Like he tells her he likes her,

1094
00:58:59,840 --> 00:59:03,520
Speaker 2: and she tells him. I like, logan, I'm sorry, and

1095
00:59:03,640 --> 00:59:08,000
Speaker 2: like I thought that that was very elevated.

1096
00:59:08,440 --> 00:59:09,240
Speaker 1: Lower the boom.

1097
00:59:10,080 --> 00:59:12,120
Speaker 2: Yeah, she did the right thing there.

1098
00:59:13,000 --> 00:59:15,600
Speaker 3: Yeah, they both.

1099
00:59:15,400 --> 00:59:19,560
Speaker 1: Did the right Logan is dangerous, Marty is not, and

1100
00:59:19,600 --> 00:59:22,840
Speaker 1: that's dangerous. Marty is not correct, He's not dangerous.

1101
00:59:23,000 --> 00:59:26,760
Speaker 2: So before we get to the kiss, let's backtrack to

1102
00:59:27,440 --> 00:59:30,520
Speaker 2: Fiddler on the Roof. Finally, now we have Loria, Lion

1103
00:59:30,640 --> 00:59:35,840
Speaker 2: Luke and the scene together. No words are exchanged, just

1104
00:59:35,880 --> 00:59:38,160
Speaker 2: a lot of face acting. And I just wanted them

1105
00:59:38,200 --> 00:59:41,439
Speaker 2: to like she's almost crying, Like I just wanted even

1106
00:59:41,520 --> 00:59:44,160
Speaker 2: just a pinky touch anything.

1107
00:59:45,200 --> 00:59:45,800
Speaker 6: With the song.

1108
00:59:46,680 --> 00:59:47,800
Speaker 3: Oh yeah, the song.

1109
00:59:52,120 --> 00:59:54,320
Speaker 5: She says do you love me? And he's like, he says,

1110
00:59:54,320 --> 00:59:55,840
Speaker 5: do you love me? And she says, do I love you.

1111
00:59:55,880 --> 00:59:57,000
Speaker 5: That's the words of the song.

1112
00:59:57,520 --> 00:59:59,880
Speaker 1: It was just too hammy for words. I'm sorry.

1113
01:00:00,400 --> 01:00:01,520
Speaker 2: Oh really, I just.

1114
01:00:01,480 --> 01:00:04,440
Speaker 1: Thought I hammed it up too much, and I thought

1115
01:00:04,440 --> 01:00:07,120
Speaker 1: I was too much face acting too hand. No, No,

1116
01:00:08,920 --> 01:00:09,720
Speaker 1: I didn't like, No.

1117
01:00:12,040 --> 01:00:12,560
Speaker 2: I did.

1118
01:00:12,320 --> 01:00:14,440
Speaker 1: I did. I need everybody to sit down, just to

1119
01:00:14,520 --> 01:00:18,720
Speaker 1: control themselves. I thought it was hammy. I just I was.

1120
01:00:18,760 --> 01:00:23,200
Speaker 1: I was cringing watching it. No on my part, not hers.

1121
01:00:23,880 --> 01:00:26,880
Speaker 2: To get that. Did you guys get that? No? I

1122
01:00:26,880 --> 01:00:28,240
Speaker 2: didn't have a cringey.

1123
01:00:28,280 --> 01:00:31,120
Speaker 1: I was like, oh, no, go do it again. I

1124
01:00:31,200 --> 01:00:33,040
Speaker 1: want to do it again, and I don't want to

1125
01:00:33,040 --> 01:00:35,320
Speaker 1: be so obvious about everything.

1126
01:00:35,440 --> 01:00:35,680
Speaker 7: You know.

1127
01:00:36,200 --> 01:00:38,040
Speaker 2: What I can tell you is she looks amazing with

1128
01:00:38,200 --> 01:00:42,040
Speaker 2: red on her. But also, no, you weren't cringey at all.

1129
01:00:42,280 --> 01:00:44,160
Speaker 1: I thought I was. No.

1130
01:00:45,920 --> 01:00:48,560
Speaker 2: I just wanted just please even just a little bit

1131
01:00:48,560 --> 01:00:52,040
Speaker 2: more of a look and like a hand hold. All

1132
01:00:52,080 --> 01:00:54,560
Speaker 2: I needed was like literally, all I needed was a

1133
01:00:54,600 --> 01:00:55,840
Speaker 2: hand brush, you know it was.

1134
01:00:55,880 --> 01:01:01,280
Speaker 1: It was hallmarky not to put the on homework. They

1135
01:01:01,360 --> 01:01:03,040
Speaker 1: do what they do it, they do it very well,

1136
01:01:03,560 --> 01:01:05,680
Speaker 1: and they but they do it with intention and that's fine.

1137
01:01:05,680 --> 01:01:08,720
Speaker 2: Do you think it's schmaltzy or something? Yes, it wasn't.

1138
01:01:09,400 --> 01:01:13,040
Speaker 1: No, I thought what I did in that scene was

1139
01:01:13,040 --> 01:01:16,280
Speaker 1: was schmaltzy. That's a good.

1140
01:01:17,600 --> 01:01:22,720
Speaker 2: No, I disagree, respectfully. Okay. Then Logan's at the window.

1141
01:01:22,840 --> 01:01:24,640
Speaker 2: First of all, why did he come in the window.

1142
01:01:25,560 --> 01:01:28,959
Speaker 1: So we can say that line? It looks? It looks,

1143
01:01:29,080 --> 01:01:30,640
Speaker 1: It goes a lot better on the movies.

1144
01:01:30,960 --> 01:01:33,280
Speaker 3: Why does every go through a window?

1145
01:01:33,440 --> 01:01:36,120
Speaker 2: For why?

1146
01:01:37,480 --> 01:01:41,280
Speaker 3: Like, just did it? Dean did it's doing it? What's

1147
01:01:41,320 --> 01:01:41,880
Speaker 3: going on?

1148
01:01:42,160 --> 01:01:48,000
Speaker 1: He acknowledges the cool thing just he didn't do it well,

1149
01:01:48,880 --> 01:01:50,320
Speaker 1: he's such a cool character.

1150
01:01:50,800 --> 01:01:53,400
Speaker 2: He's so cool. And then he says, I wanted to

1151
01:01:53,440 --> 01:01:56,200
Speaker 2: make sure you got home. Okay, I was just like, swoon,

1152
01:01:59,600 --> 01:02:01,240
Speaker 2: I wanted to give you a proper good night, like

1153
01:02:01,280 --> 01:02:03,160
Speaker 2: I just and then he makes a joke about she's

1154
01:02:03,160 --> 01:02:04,880
Speaker 2: not in her foot see pajama, and I was just like,

1155
01:02:05,000 --> 01:02:06,080
Speaker 2: I love this guy so much.

1156
01:02:06,080 --> 01:02:10,160
Speaker 5: It's I think I would have liked that scene more

1157
01:02:10,480 --> 01:02:14,200
Speaker 5: if he didn't like ruin their night, ruined the night

1158
01:02:14,240 --> 01:02:14,880
Speaker 5: with Marty, Like.

1159
01:02:14,840 --> 01:02:17,320
Speaker 2: If that was ruined the night, you can't blame him.

1160
01:02:17,400 --> 01:02:19,840
Speaker 1: They didn't have a night. They were eating pretzels watching

1161
01:02:19,880 --> 01:02:20,680
Speaker 1: Groucho Man.

1162
01:02:20,840 --> 01:02:26,000
Speaker 6: He didn't know, he didn't, you know, but as a viewer.

1163
01:02:26,160 --> 01:02:30,080
Speaker 1: You know, listen, this is the moment Rory is. This

1164
01:02:30,160 --> 01:02:33,760
Speaker 1: is when we're losing that little girl, Rory, the innocent

1165
01:02:33,800 --> 01:02:37,240
Speaker 1: Right now, she's becoming a woman with needs and she

1166
01:02:37,320 --> 01:02:41,240
Speaker 1: wants to be in love and it's real growth. It

1167
01:02:41,280 --> 01:02:43,520
Speaker 1: was a great shot when those two when he was

1168
01:02:43,560 --> 01:02:45,960
Speaker 1: pulling her close to her. It was a very romantic,

1169
01:02:46,800 --> 01:02:49,919
Speaker 1: you know, very sexy shot, right, and you don't see

1170
01:02:49,960 --> 01:02:50,440
Speaker 1: a lot of that.

1171
01:02:51,760 --> 01:02:53,560
Speaker 5: Is it wrong that the whole time I was like,

1172
01:02:53,600 --> 01:02:56,560
Speaker 5: I'm just glad he's not married, like the guy's like,

1173
01:02:56,600 --> 01:02:57,960
Speaker 5: she's not sleeping with a married man.

1174
01:02:58,440 --> 01:02:58,520
Speaker 7: Like.

1175
01:02:58,600 --> 01:03:01,120
Speaker 6: The whole time, I was just like, okay, you.

1176
01:03:01,160 --> 01:03:02,720
Speaker 2: Know that triggers me for the movies.

1177
01:03:02,760 --> 01:03:06,520
Speaker 6: But oh no, because I.

1178
01:03:06,480 --> 01:03:11,520
Speaker 1: Was thinking of finally found somebody that was unattached. That's

1179
01:03:11,640 --> 01:03:12,440
Speaker 1: what you're thinking.

1180
01:03:16,560 --> 01:03:21,600
Speaker 2: I love the kiss. I think obviously we're supposed to

1181
01:03:21,680 --> 01:03:26,160
Speaker 2: assume they bomb took a bomb ball, which seemed a

1182
01:03:26,200 --> 01:03:28,760
Speaker 2: little soon for me, you know, obviously again.

1183
01:03:28,560 --> 01:03:37,360
Speaker 3: But they took off their clothes a freaking anniversary.

1184
01:03:37,200 --> 01:03:38,560
Speaker 2: They were already.

1185
01:03:40,000 --> 01:03:44,160
Speaker 1: The renewing the vowels man in the basement.

1186
01:03:45,240 --> 01:03:54,360
Speaker 8: Yeah, they are in college, so two days.

1187
01:03:52,240 --> 01:03:55,840
Speaker 1: We gotta go.

1188
01:03:55,960 --> 01:03:58,720
Speaker 2: We got this was a better kiss for me than

1189
01:03:58,840 --> 01:04:01,520
Speaker 2: the one of the wedding. Yeah, I was like, this

1190
01:04:01,600 --> 01:04:13,320
Speaker 2: is real good, Oh my god, good ending.

1191
01:04:13,440 --> 01:04:17,880
Speaker 1: I mean, I definitely this scene made me miss being young.

1192
01:04:24,080 --> 01:04:26,400
Speaker 2: I mean all right, that was He's.

1193
01:04:26,200 --> 01:04:28,080
Speaker 1: A cool dude. That was a nice scene. That was

1194
01:04:28,080 --> 01:04:31,120
Speaker 1: a really Yeah, it's very it was very filmic, it

1195
01:04:31,200 --> 01:04:34,840
Speaker 1: was very Golden age Hollywood.

1196
01:04:35,520 --> 01:04:37,800
Speaker 2: It was really, he's a real study.

1197
01:04:38,000 --> 01:04:40,200
Speaker 1: It was beautifully filmed and written.

1198
01:04:40,240 --> 01:04:42,840
Speaker 6: He's a real It was a good episode.

1199
01:04:43,440 --> 01:04:45,200
Speaker 2: Do you have a favorite line?

1200
01:04:47,360 --> 01:04:49,520
Speaker 1: Is the when he came in the window and he

1201
01:04:49,520 --> 01:04:52,120
Speaker 1: said that that usually goes better in the movies.

1202
01:04:55,200 --> 01:04:58,360
Speaker 2: Wait before everyone says, there lies that bag of chips though,

1203
01:05:00,120 --> 01:05:04,160
Speaker 2: it was the biggest bag of chips that What the

1204
01:05:04,680 --> 01:05:07,440
Speaker 2: was that Doyle got from? And they were called like

1205
01:05:07,600 --> 01:05:08,920
Speaker 2: snap on or something?

1206
01:05:09,000 --> 01:05:09,200
Speaker 7: What?

1207
01:05:09,200 --> 01:05:09,480
Speaker 1: What?

1208
01:05:09,480 --> 01:05:09,760
Speaker 7: What?

1209
01:05:10,400 --> 01:05:10,440
Speaker 3: What?

1210
01:05:10,600 --> 01:05:20,560
Speaker 1: What on earth was going on with the posters? Yeah, inanity.

1211
01:05:20,720 --> 01:05:22,840
Speaker 3: You did do that in college though, where you wrote

1212
01:05:22,840 --> 01:05:23,520
Speaker 3: your name.

1213
01:05:23,320 --> 01:05:28,760
Speaker 2: On all this to do that. Now my bottle of water,

1214
01:05:28,880 --> 01:05:32,880
Speaker 2: someone's gonna drink it. Okay, Sorry I interrupted, what's everybody

1215
01:05:32,880 --> 01:05:33,880
Speaker 2: else's favorite line?

1216
01:05:34,440 --> 01:05:39,080
Speaker 3: I already said mine, but not by Luke. When Lorla

1217
01:05:39,080 --> 01:05:42,000
Speaker 3: I was like, I've been done before, and Rory says

1218
01:05:42,320 --> 01:05:42,959
Speaker 3: not by Luke.

1219
01:05:44,240 --> 01:05:46,720
Speaker 6: I love the bands were with uh Kirk and Luke

1220
01:05:47,040 --> 01:05:47,760
Speaker 6: with the wagon.

1221
01:05:48,680 --> 01:05:54,760
Speaker 2: I love the factor who has to go potty? What

1222
01:05:54,880 --> 01:05:55,720
Speaker 2: do you all rate it?

1223
01:05:56,280 --> 01:05:58,240
Speaker 1: What's the measuring stick and what of the what's the

1224
01:05:58,320 --> 01:05:58,840
Speaker 1: rating here?

1225
01:06:02,360 --> 01:06:06,000
Speaker 5: I'm going to give it nine.

1226
01:06:08,320 --> 01:06:13,240
Speaker 6: Bags of chips, large becks, large becks chips.

1227
01:06:13,840 --> 01:06:19,520
Speaker 2: I'll give it nine pink stencils on my she shed ball.

1228
01:06:22,040 --> 01:06:25,760
Speaker 3: I'll give it nine out of ten pretzels while pretze

1229
01:06:26,000 --> 01:06:27,000
Speaker 3: with sabby pretzels.

1230
01:06:28,720 --> 01:06:35,320
Speaker 1: God, yeah, I hate I hate the break from the

1231
01:06:35,400 --> 01:06:39,160
Speaker 1: pack here, but I'm going to give it a nine

1232
01:06:39,160 --> 01:06:40,360
Speaker 1: three five.

1233
01:06:42,560 --> 01:06:49,920
Speaker 9: Good Luke hammers, oh good, double on Taundra with them

1234
01:06:50,040 --> 01:06:57,640
Speaker 9: all right, so that's going to do her right.

1235
01:06:58,120 --> 01:06:58,560
Speaker 1: We're good.

1236
01:06:58,760 --> 01:07:02,320
Speaker 2: I just can't believe we're on episode sixteen. Come on

1237
01:07:02,720 --> 01:07:06,040
Speaker 2: in five so fast. I actually had a moment the

1238
01:07:06,120 --> 01:07:07,840
Speaker 2: other morning where I was like, oh my.

1239
01:07:07,680 --> 01:07:09,520
Speaker 1: God, we have to slow it down. Let's take another

1240
01:07:09,520 --> 01:07:10,000
Speaker 1: week off.

1241
01:07:10,360 --> 01:07:14,200
Speaker 2: I need to slow it, slow it down, slow it down.

1242
01:07:14,480 --> 01:07:19,560
Speaker 1: Flying by anyway, all right, ladies, thank you. I missed

1243
01:07:19,560 --> 01:07:19,880
Speaker 1: you all.

1244
01:07:20,160 --> 01:07:21,160
Speaker 7: It was a rough week.

1245
01:07:21,680 --> 01:07:25,520
Speaker 2: Rough it was rough about you. We're back. I hope

1246
01:07:25,520 --> 01:07:27,360
Speaker 2: that I hope that they like what we did today.

1247
01:07:27,440 --> 01:07:30,760
Speaker 6: Because I thought we did great.

1248
01:07:30,920 --> 01:07:33,960
Speaker 1: Thank Chris, that was a good one, all right, everybody,

1249
01:07:33,960 --> 01:07:37,440
Speaker 1: thanks for downloading. Best fans on the planet and uh

1250
01:07:37,560 --> 01:07:38,600
Speaker 1: we will see you next time.

1251
01:07:38,640 --> 01:08:08,120
Speaker 7: Stay safe, hey.

1252
01:08:08,040 --> 01:08:11,800
Speaker 1: Everybody to forget. Follow us on Instagram at I Am

1253
01:08:11,840 --> 01:08:16,800
Speaker 1: all In Podcast and email us at Gilmore at iHeartRadio

1254
01:08:17,120 --> 01:08:27,400
Speaker 1: dot com.