WEBVTT - Pete Wentz

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is musician, entrepreneur member of fall Off

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<v Speaker 1>Boy Pete Wets. What's up? Good to be? Okay? So

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<v Speaker 1>you got the Stadium tour with Green Day and weez Or?

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<v Speaker 1>How did that come together? Well? So we've always talked about,

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<v Speaker 1>you know, like I guess everyone has, whatever your ambition is,

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<v Speaker 1>you always think about, you know, the the office above

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<v Speaker 1>you or whatever. So we always talked about how do

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<v Speaker 1>you do as stadium tour? And we played uh, Wrigley

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<v Speaker 1>last year, which is our hometown UM, and we've always

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<v Speaker 1>talked about kind of trying to do like a Monsters

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<v Speaker 1>of Rock thing, and I think green Day had talked

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<v Speaker 1>about it as well. So we you know, we're all

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<v Speaker 1>on the same management company. So I think that's what

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<v Speaker 1>really UM eliminates. Maybe some of the red tape makes

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<v Speaker 1>it like more feesa bol to do you know, there's

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<v Speaker 1>a lot of like managing of egos and man, you know,

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<v Speaker 1>I mean it's just like it's a lot kind of

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<v Speaker 1>with one band is a lot, do you know, with

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<v Speaker 1>three bands a whole lot? You played Wrigley, How did

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<v Speaker 1>you do it? Wrigley. It was good. It was great.

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<v Speaker 1>I mean it was our hometowns. I mean, did you

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<v Speaker 1>go clean at Wrigley? We did? Yeah, I mean it too.

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<v Speaker 1>So whatever everything there's different configurations for everything, but yes,

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<v Speaker 1>we went clean. So what configuration did you have? I

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<v Speaker 1>think that we did over thirty And I'm guessing, like

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<v Speaker 1>there's probably a way that you can do a configuration

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<v Speaker 1>where you put people behind you, you know what I mean,

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<v Speaker 1>Like I guess you're going to like the full Beatles,

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<v Speaker 1>I mean configuring Chase Stadium configuration. But we didn't have

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<v Speaker 1>people behind us, but yeah, we did. It was there's

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<v Speaker 1>something special about Chicago because Chance the Rapper played a

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<v Speaker 1>stadium in Chicago fairly well from the Dead. You know,

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<v Speaker 1>Detroit always talks about it's fan base. Is it a

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<v Speaker 1>very active fan base or it's just that's where you're from.

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<v Speaker 1>It's an active fan base. It is where we're from.

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<v Speaker 1>But I think that and and and Chances the one

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<v Speaker 1>that's a little is different on here. But people play,

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<v Speaker 1>you know, whether it's Eddie Vetter or whoever play. You know,

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<v Speaker 1>people have a special connection with I think Grigley Field

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<v Speaker 1>people have a special connection with Fenway there's these places

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<v Speaker 1>where people it's bigger than the city. It's bigger people

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<v Speaker 1>can sell out Hollywood Bowl and not sell out Irvine

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<v Speaker 1>down the street totally. And so I think people go

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<v Speaker 1>there because there's a you know, we made a weekend

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<v Speaker 1>of it. We did a pop up experience there also,

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<v Speaker 1>which is always experience. So when we did our album,

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<v Speaker 1>Mania always envisioned it as you know, the idea of

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<v Speaker 1>having something tangible, like, I think we live in this

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<v Speaker 1>world where it's all filled with like this that kind

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<v Speaker 1>of non tangible things, you know, like likes and things

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<v Speaker 1>like that, and they all go away, disappear in twenty

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<v Speaker 1>four hours away ever, and I think, uh, it's counterintuitive,

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<v Speaker 1>but I think it's interesting to do something that people

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<v Speaker 1>can hold onto and experience and walk into ensure. Um,

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<v Speaker 1>you can't take pictures of it, but I think it

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<v Speaker 1>means more to actually be there. So we we created

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<v Speaker 1>a space that was like every song, every song had

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<v Speaker 1>a room in the space, and you walked in and

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<v Speaker 1>it was like what the album was, but like a

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<v Speaker 1>physical version of it. How big was it it was

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<v Speaker 1>in So we found a building that they were going

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<v Speaker 1>to tear down, so it was big. It was massive,

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<v Speaker 1>but they were like, you can do whatever you want

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<v Speaker 1>to because we're gonna just turn it down afterwards. Um,

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<v Speaker 1>So we built walls and kind of created a place.

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<v Speaker 1>But it was it's interesting because it was all it

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<v Speaker 1>became event but you know, like it was one of

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<v Speaker 1>those things that's in between a bunch of different worlds

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<v Speaker 1>or a bunch of different people's um specialties. So there's

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<v Speaker 1>a lot of things that we would I probably would

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<v Speaker 1>do differently if I did it again, And there's a

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<v Speaker 1>part of me that thinks like I would just never

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<v Speaker 1>do it again because it was just a bigger undertaking

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<v Speaker 1>than we expected. Like we were literally gluing things as

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<v Speaker 1>people were waiting in line at it, you know. So okay,

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<v Speaker 1>you're talking about it is physical. Did people pay to

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<v Speaker 1>get in? Yeah, but you could also win you could

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<v Speaker 1>you could you could win tickets people paid to get in,

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<v Speaker 1>And then I think there was like a package for

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<v Speaker 1>the show where like you was included. How far was

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<v Speaker 1>it from Wrigley It was Uh. I would say it

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<v Speaker 1>was like ten minutes, twelve minutes, but it was like

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<v Speaker 1>Chicago minutes, not those minutes, you know what I mean.

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<v Speaker 1>So it was like funny because you know, people are

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<v Speaker 1>expected on time in New York and you think how

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<v Speaker 1>dense it is. Where's in l A, you know, because

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<v Speaker 1>the traffic you never know. Yeah, I'm I'm how late

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<v Speaker 1>I was to this podcast? Is how late I am

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<v Speaker 1>to literally everything in my life, which is unfortunate, except

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<v Speaker 1>I'm not late to my just minutes people listening and

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<v Speaker 1>what's about what I am? And I don't factor in.

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<v Speaker 1>So I factor in like, okay, five minutes shower, you

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<v Speaker 1>know whatever, But I don't factor in those in between

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<v Speaker 1>minutes like where you're toweling off or you're like looking

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<v Speaker 1>for your keys. Those are these in between minutes that

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<v Speaker 1>really add up, and those become the fifteen minutes for

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<v Speaker 1>me every single time. Well, the only thing is certain

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<v Speaker 1>people have a thing where they're always on time, and

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<v Speaker 1>it could be the most powerful person because I hate

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<v Speaker 1>when I'm on time and I'm the greeting committee because

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<v Speaker 1>like you know, if the parties at seven, you can't

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<v Speaker 1>get there at seven, or you know, there's a dinner

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<v Speaker 1>and I get there and I'm waiting and I gotta talk.

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<v Speaker 1>But then there's some really heavy players get on time.

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<v Speaker 1>I feel really shitty if you're late, totally and I

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<v Speaker 1>think that it's it's like to me. Uh. I remember

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<v Speaker 1>being in a meeting. I was in a meeting. There

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<v Speaker 1>was like a pitch for a movie or something like that.

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<v Speaker 1>I can't remember. This was like years ago. And I

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<v Speaker 1>looked over and there was like, you know, like a

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<v Speaker 1>box of like the spread you guys got, but like

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<v Speaker 1>it was like coke and sprite and whatever. And then

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<v Speaker 1>there was one tab uh for people who don't know,

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<v Speaker 1>like tab the Cola or whatever, and that was the

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<v Speaker 1>original diet drink from Coca Cola. Totally. And this I'm

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<v Speaker 1>talking this is like ten years ago. This wasn't big,

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<v Speaker 1>Like these things had to be out of Prince in

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<v Speaker 1>the eighties or whatever. And I was like, that's so odd,

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<v Speaker 1>like they would have one and we're in the meeting.

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<v Speaker 1>Uh in the billionaire in the meeting goes over and

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<v Speaker 1>get to the tab and I was like, got it.

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<v Speaker 1>So if you're a billionaire, you can get a tab

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<v Speaker 1>in the meeting. I hate to talk this way, but

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<v Speaker 1>you know what it's like when you fly on the

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<v Speaker 1>private jet and you didn't book it totally. There's certain

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<v Speaker 1>seats if you can no, you can't exactly. Yeah, just

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<v Speaker 1>thrilled that you're on Okay, what would you do differently

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<v Speaker 1>if you did the installation again? Um, I would allow

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<v Speaker 1>more time for the build out. I would. I think

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<v Speaker 1>that this is one of those things where you can't

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<v Speaker 1>cut corners. I think, notoriously in the music business, people

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<v Speaker 1>really people either under vastly underspend or vastly overspend. And

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<v Speaker 1>I think in this case you should lean air on

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<v Speaker 1>overspending because I think people having the experience are going

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<v Speaker 1>to come out and they talk about it, and they'll

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<v Speaker 1>talk about how, oh like it looked like it was

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<v Speaker 1>this but it was actually made out of cardboard and

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<v Speaker 1>was super cheap and was falling apart, or they walk

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<v Speaker 1>out and they're like, oh my god, that was the

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<v Speaker 1>best thing I've ever experienced. And there's you can't really

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<v Speaker 1>like put a figure on people walking out and having

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<v Speaker 1>that experience. It's hard to like sit there and like

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<v Speaker 1>say that in a marketing meeting or you know, like

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<v Speaker 1>have a pie chart and like be like, well, this

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<v Speaker 1>amount of people are going to say this about it

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<v Speaker 1>because it's a real feeling. It's like authentic, you know. Um,

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<v Speaker 1>So I think I would air on spending more. And

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<v Speaker 1>I think that I would uh, And I don't know

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<v Speaker 1>that we had any um. I can't remember if we

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<v Speaker 1>had any ad space or any like it was put

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<v Speaker 1>on by anybody or something like that it might have been.

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<v Speaker 1>I would have none of that. I would have no signage. Okay,

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<v Speaker 1>what's your general philosophy on sponsorship. I think sponsorship can

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<v Speaker 1>be great when someone gives you the money and says, listen,

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<v Speaker 1>we have no idea what to do with this. We

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<v Speaker 1>trust your vision, we trust your brand, we trust what

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<v Speaker 1>you're going to do with this, and that's why we're

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<v Speaker 1>coming to you. I think that is great. I think

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<v Speaker 1>when you get into the like and we need need

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<v Speaker 1>you to like meet like seven people and we need

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<v Speaker 1>you to like change this messaging and like that lyric

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<v Speaker 1>doesn't work for us, it's not worth it to me

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<v Speaker 1>because then at that point like jeopardizes and changes your art.

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<v Speaker 1>It changes what your vision was going to be for it,

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<v Speaker 1>you know what I mean. So, like, have you worked

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<v Speaker 1>with brands? Yeah, for sure, never on like ah, you know,

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<v Speaker 1>shake it like a polaroid picture level, you know what

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<v Speaker 1>I mean. But like, but we've had tour sponsors. This

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<v Speaker 1>tour has a Harley Davidson sponsor and I think that, like,

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<v Speaker 1>especially when the brand makes sense with you. Like to me,

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<v Speaker 1>I'm always like, kids are smart, you know. I mean

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<v Speaker 1>kids can smart can spot when somebody's like doing something

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<v Speaker 1>that doesn't really fit in with what they normally do,

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<v Speaker 1>you know what I mean? And so I think if

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<v Speaker 1>you do something, if if there's things that I'm like,

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<v Speaker 1>I love this, like, uh, let me think um, Like

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<v Speaker 1>I love salt and straw the ice cream. I've been

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<v Speaker 1>trying to do something with that forever, you know, and

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<v Speaker 1>I haven't been able to do something with them, but

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<v Speaker 1>I like it, so it would make sense. So it's

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<v Speaker 1>like whatever you do would would actually be like in

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<v Speaker 1>line with it. And I think it's when you step

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<v Speaker 1>out of line is when people are like, oh, that

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<v Speaker 1>feels a little weird or it feels like you know,

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<v Speaker 1>and I okay. But it's well known if you do anything,

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<v Speaker 1>you're getting money, whether you're putting it back into the show,

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<v Speaker 1>are you putting in your pocket. Do you think that

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<v Speaker 1>has any negative effect credibility wise on your fans. I

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<v Speaker 1>don't think that it does anymore. I think that this

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<v Speaker 1>generation has grown up with seeing people like really shill

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<v Speaker 1>and I think that the difference is uh is knowing

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<v Speaker 1>that you like, you know, like they saw us and

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<v Speaker 1>we would have like cell phones and our videos and

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<v Speaker 1>stuff like that. And I'm like, this literally is to

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<v Speaker 1>pay for the video. Like we're not walking away. We're

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<v Speaker 1>still losing money making this video, you know what I mean?

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<v Speaker 1>And and I think we we as a man, and

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<v Speaker 1>I think other artists kind of like educated that you know. Um,

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<v Speaker 1>I think that there's a difference between like doing a

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<v Speaker 1>commercial for something that you don't believe in and and

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<v Speaker 1>taking money that is gonna enhance your art, make anything.

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<v Speaker 1>Let's go to the led Zeppelin example, when they launched

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<v Speaker 1>this new Cadillac for ten million dollars? Would you do anything?

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<v Speaker 1>Would say? Okay, that's what I mean. It's almost like

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<v Speaker 1>an indecent proposal. Would you do anything for ten million dollars?

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<v Speaker 1>Or at some point your your credibility says no, yeah,

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<v Speaker 1>absolutely no, No, I don't think you can do anything

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<v Speaker 1>for ten Okay, Let's switch it to politics, whatever side.

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<v Speaker 1>Would you go on the record when it comes to

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<v Speaker 1>candidates or political issues? Would I go on the record? Um? Sure,

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<v Speaker 1>I think that this we're in a time where you

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<v Speaker 1>should step out and not necessarily step out, but you

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<v Speaker 1>should be okay with who you are and authentic with

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<v Speaker 1>who you are. The funniest thing to me speaking of

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<v Speaker 1>that is like the other day I saw that, like,

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<v Speaker 1>you know, Vince Vaughn is all over the place, and

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<v Speaker 1>it was like, you know, people freaking out that he'd

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<v Speaker 1>like met Trump and you know, and I'm like, I

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<v Speaker 1>think this guy's like a pretty known libertarian for the

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<v Speaker 1>past like twenty or thirty years, you know what I mean. Like,

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<v Speaker 1>it doesn't it shouldn't be shocking, you know what I mean.

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<v Speaker 1>I think that when people don't know and then they

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<v Speaker 1>see you're doing something and they're like, oh, that doesn't

0:11:02.520 --> 0:11:04.440
<v Speaker 1>stand in line with like what that guy has been

0:11:04.480 --> 0:11:06.439
<v Speaker 1>doing for the past twenty years, that can be a

0:11:06.480 --> 0:11:08.600
<v Speaker 1>little weird, I think. Okay, but how about the issue.

0:11:08.679 --> 0:11:11.520
<v Speaker 1>And I've dealt with people who shy away from this.

0:11:11.920 --> 0:11:14.800
<v Speaker 1>Let's if you choose either side. If you're an actor,

0:11:14.960 --> 0:11:19.679
<v Speaker 1>you're playing a role music done right, it's yourself, okay.

0:11:20.280 --> 0:11:24.520
<v Speaker 1>So would you be worried about alienating a potentially alienating

0:11:24.559 --> 0:11:27.200
<v Speaker 1>part of your personality, a part of your already fan base.

0:11:27.200 --> 0:11:30.640
<v Speaker 1>Excuse me? Sure, I mean you you can you can

0:11:30.679 --> 0:11:32.320
<v Speaker 1>worry about it. But at the same time, I think

0:11:32.360 --> 0:11:33.760
<v Speaker 1>that we live so we live in a time of

0:11:33.800 --> 0:11:36.880
<v Speaker 1>like extreme inauthenticity, you know. I mean we live in

0:11:36.880 --> 0:11:40.080
<v Speaker 1>a time where people are like who they are on

0:11:40.120 --> 0:11:42.520
<v Speaker 1>Instagram is not who they are, and those experiences like,

0:11:42.559 --> 0:11:43.920
<v Speaker 1>you know, I saw my friend who was just like

0:11:43.960 --> 0:11:46.720
<v Speaker 1>at a cabin in the snow and it looked beautiful

0:11:46.760 --> 0:11:48.240
<v Speaker 1>and I was like, oh my god, I'm so jealous,

0:11:48.240 --> 0:11:49.520
<v Speaker 1>and like it looked magical. And he came back and

0:11:49.559 --> 0:11:51.920
<v Speaker 1>he was like, it was rats. It was disgusting. He

0:11:52.000 --> 0:11:54.240
<v Speaker 1>was like, I would never go back there. And I'm like, oh,

0:11:54.280 --> 0:11:56.880
<v Speaker 1>it's because it's the exact opposite of what it looked like,

0:11:56.920 --> 0:11:59.280
<v Speaker 1>you know what I mean. And so I think that

0:12:00.480 --> 0:12:03.120
<v Speaker 1>being authentic to you are actually cuts through right now.

0:12:03.200 --> 0:12:04.800
<v Speaker 1>I think you see that with Billie Eilis, you see

0:12:04.800 --> 0:12:07.360
<v Speaker 1>it with Kanye, you see it with Lana del Rey.

0:12:07.440 --> 0:12:10.319
<v Speaker 1>I think that and yeah, you are gonna Yeah, I'm

0:12:10.360 --> 0:12:12.240
<v Speaker 1>sure it'll take off some people. We live in like

0:12:12.280 --> 0:12:14.679
<v Speaker 1>a polarized world right now. But like, I think that

0:12:14.720 --> 0:12:17.840
<v Speaker 1>you have to be I think that you what you

0:12:17.920 --> 0:12:22.880
<v Speaker 1>gain from being who you are massive is massively overwhelmed

0:12:22.960 --> 0:12:25.760
<v Speaker 1>what you would lose, Okay, are you ever creating in

0:12:25.840 --> 0:12:29.880
<v Speaker 1>whatever field, and worried about the audience response, not whether

0:12:29.880 --> 0:12:32.000
<v Speaker 1>they're gonna like it or not like it, but whether

0:12:32.040 --> 0:12:35.480
<v Speaker 1>they're going to react negatively. Where it's coming from. I'm

0:12:35.520 --> 0:12:38.760
<v Speaker 1>a hyper anxious person that is goes off the rails

0:12:38.760 --> 0:12:40.800
<v Speaker 1>when I'm giving my Starbucks order, you know what i mean,

0:12:40.840 --> 0:12:43.760
<v Speaker 1>Like when I'm stepping up the next person in line,

0:12:43.840 --> 0:12:46.000
<v Speaker 1>I feel like I'm going to lose it because I'm like,

0:12:46.280 --> 0:12:48.160
<v Speaker 1>you're gonna blow it, You're gonna say it wrong, They're

0:12:48.160 --> 0:12:50.080
<v Speaker 1>gonna you're gonna take too long. The person behind you

0:12:50.120 --> 0:12:52.720
<v Speaker 1>is gonna freak out. Um. So yeah, I worry about

0:12:52.720 --> 0:12:56.680
<v Speaker 1>it all that stuff all the time. But on some level,

0:12:56.760 --> 0:13:00.680
<v Speaker 1>I think that it's really it's really important to push

0:13:00.720 --> 0:13:03.120
<v Speaker 1>ahead and push and push the envelope. I think that

0:13:03.240 --> 0:13:05.920
<v Speaker 1>like when you look back at like for me at least,

0:13:05.920 --> 0:13:09.680
<v Speaker 1>when I look back at like Clash Records or Metallic

0:13:09.800 --> 0:13:11.760
<v Speaker 1>or whatever. You know, like everybody has a different you know,

0:13:11.800 --> 0:13:17.839
<v Speaker 1>like uh uh inception or yeah or starting point, you

0:13:17.880 --> 0:13:20.200
<v Speaker 1>know what I mean. So like you, when you think

0:13:20.240 --> 0:13:26.240
<v Speaker 1>back on it, Um, Clash changing was hard, you know,

0:13:26.280 --> 0:13:27.920
<v Speaker 1>I mean it's hard for fans, like when you fall

0:13:27.960 --> 0:13:30.480
<v Speaker 1>in love with something. It's hard when they change and

0:13:30.559 --> 0:13:33.280
<v Speaker 1>the thing, but I think sometimes it makes it easier

0:13:33.320 --> 0:13:36.080
<v Speaker 1>when you're as an adult or an older person, like

0:13:36.120 --> 0:13:38.280
<v Speaker 1>going back and listening to those things, you're like, God,

0:13:38.320 --> 0:13:40.920
<v Speaker 1>blessed it this change, because like it's easier for me

0:13:40.960 --> 0:13:45.120
<v Speaker 1>to like understand and appreciate now. Um so yeah, I

0:13:45.120 --> 0:13:47.839
<v Speaker 1>mean I guess I yeah. I think we do think

0:13:47.880 --> 0:13:50.120
<v Speaker 1>about it and worry about that. But at the same time,

0:13:50.160 --> 0:13:51.880
<v Speaker 1>I think you can't like live or die by it.

0:13:51.920 --> 0:13:54.200
<v Speaker 1>You know, you have to. Okay, let's go back to

0:13:54.280 --> 0:13:57.080
<v Speaker 1>the installation. Are you the type of person I was

0:13:57.120 --> 0:14:00.800
<v Speaker 1>talking actually with Irving aids Off and he show with

0:14:00.840 --> 0:14:04.640
<v Speaker 1>about Dom Henley. Don Henley needs to get it exactly right.

0:14:04.679 --> 0:14:06.800
<v Speaker 1>Everybody's worked with him. It's got to be his thing.

0:14:07.320 --> 0:14:10.840
<v Speaker 1>And Irving said, it's that one percent that makes a

0:14:10.920 --> 0:14:13.760
<v Speaker 1>huge difference. You were talking about the perception of the audience.

0:14:13.920 --> 0:14:17.000
<v Speaker 1>But what I ask you is that your personality where

0:14:17.040 --> 0:14:18.960
<v Speaker 1>it's got to be exactly right or do you lift

0:14:18.960 --> 0:14:23.920
<v Speaker 1>should go? Um I it is my personality to to

0:14:24.000 --> 0:14:26.320
<v Speaker 1>get it exactly right in the way that like, you know,

0:14:26.360 --> 0:14:28.760
<v Speaker 1>I was just playing tennis today and my coach was like,

0:14:29.160 --> 0:14:31.800
<v Speaker 1>you got like destroyed by this guy. And I was like,

0:14:31.880 --> 0:14:34.000
<v Speaker 1>but my strokes look like like if they hired me

0:14:34.040 --> 0:14:36.360
<v Speaker 1>to do play a tennis player in a movie, they

0:14:36.360 --> 0:14:38.200
<v Speaker 1>wouldn't have to have a double, you know what I mean,

0:14:38.240 --> 0:14:39.960
<v Speaker 1>Like they would just be like, mis strokes look pretty good.

0:14:39.960 --> 0:14:42.520
<v Speaker 1>You know, he looks like he could have played in college. Um.

0:14:42.600 --> 0:14:47.080
<v Speaker 1>But I think that everyone you know, like growing up

0:14:47.240 --> 0:14:49.760
<v Speaker 1>and watching the way the Internet has changed and the

0:14:49.800 --> 0:14:53.200
<v Speaker 1>way that you know, entertainment has changed, there's a danger

0:14:53.480 --> 0:14:58.840
<v Speaker 1>in making you know, Chinese democracy or whatever the record is,

0:14:58.920 --> 0:15:00.800
<v Speaker 1>you know, like where you you cook it for too

0:15:00.880 --> 0:15:02.520
<v Speaker 1>long and you like muddy it, you know what I mean,

0:15:02.560 --> 0:15:04.440
<v Speaker 1>Like you put too many colors in and you muddy it.

0:15:04.520 --> 0:15:07.360
<v Speaker 1>So I think that having a sounding board or like

0:15:08.080 --> 0:15:10.960
<v Speaker 1>uh being okay with things going out and being like,

0:15:11.040 --> 0:15:13.320
<v Speaker 1>well it's not perfect, but you know, like it needs

0:15:13.360 --> 0:15:14.840
<v Speaker 1>to be done, you know what I mean. Okay, But

0:15:14.840 --> 0:15:19.800
<v Speaker 1>but let's talk on a different thing. Let's just assume, uh,

0:15:19.840 --> 0:15:21.920
<v Speaker 1>I guess what I'm talking about is that edge, that

0:15:22.080 --> 0:15:24.080
<v Speaker 1>fine edge, because certainly some of the greatest records of

0:15:24.120 --> 0:15:26.640
<v Speaker 1>all time were cutting the matter of minutes. Okay, are

0:15:26.680 --> 0:15:29.840
<v Speaker 1>you someone It's like me, I'm a big skier when

0:15:29.880 --> 0:15:32.880
<v Speaker 1>every when the skis everything is really right. Um, that's

0:15:32.920 --> 0:15:34.640
<v Speaker 1>important to me. Okay, if I go out and the

0:15:34.680 --> 0:15:36.560
<v Speaker 1>skis are dull and it's an icy day, it's kind

0:15:36.560 --> 0:15:39.800
<v Speaker 1>of ruined my day. So the question becomes, I guess

0:15:40.040 --> 0:15:43.520
<v Speaker 1>let's go back to your Starbucks order. Um, is it

0:15:43.560 --> 0:15:46.760
<v Speaker 1>an O C D thing? I don't think it's an

0:15:46.760 --> 0:15:50.640
<v Speaker 1>O C D thing. It's more of a um, maybe

0:15:50.680 --> 0:15:52.160
<v Speaker 1>it is an O C D thing, but it's more

0:15:52.280 --> 0:15:55.360
<v Speaker 1>let me this on the D your home alone, Yes

0:15:55.840 --> 0:15:59.160
<v Speaker 1>you leave you ever say, holy funk, did I set

0:15:59.160 --> 0:16:03.760
<v Speaker 1>the alarm? Did I the uh the uh the grill

0:16:03.880 --> 0:16:06.920
<v Speaker 1>on whatever? Yeah, yes I do. But more so my

0:16:07.000 --> 0:16:11.920
<v Speaker 1>stuff is like, um, when you're at a you know,

0:16:11.960 --> 0:16:13.440
<v Speaker 1>like I was just at a coffee place and they

0:16:13.440 --> 0:16:16.040
<v Speaker 1>have the screen where you like sign your fighter on it,

0:16:16.320 --> 0:16:17.560
<v Speaker 1>and I'm sitting there in my head and I'm like,

0:16:17.880 --> 0:16:20.400
<v Speaker 1>I mean, we've evolved to the point where we have

0:16:20.480 --> 0:16:22.560
<v Speaker 1>these screens and these smartphones and everything, and I'm like,

0:16:22.760 --> 0:16:25.320
<v Speaker 1>but like, what is the germ level on these screens

0:16:25.360 --> 0:16:26.920
<v Speaker 1>that you have to sign? Like it's got to be

0:16:26.960 --> 0:16:29.400
<v Speaker 1>like a million fingers on there. And they're like just

0:16:29.560 --> 0:16:31.680
<v Speaker 1>it freaked me out. Well, yeah, I know they did

0:16:31.720 --> 0:16:33.720
<v Speaker 1>that study that they're not gonna get any disease from

0:16:33.720 --> 0:16:36.440
<v Speaker 1>a toilet seat. But as far as you know the

0:16:36.680 --> 0:16:42.600
<v Speaker 1>signing on the iPad, I'm not really sure. But uh, okay,

0:16:42.640 --> 0:16:45.920
<v Speaker 1>but is it a social anxiety? I mean, what is

0:16:46.000 --> 0:16:49.000
<v Speaker 1>when you when you're uptight about giving your order? What?

0:16:49.240 --> 0:16:54.200
<v Speaker 1>Why do you think you're uptight? I think that I

0:16:54.200 --> 0:16:56.320
<v Speaker 1>am I'm thinking about the person behind me, and that

0:16:56.440 --> 0:17:00.600
<v Speaker 1>I'm taking too long, and that um am I saying

0:17:00.640 --> 0:17:03.520
<v Speaker 1>it right? And okay, because you you came in here

0:17:03.760 --> 0:17:07.120
<v Speaker 1>immediately fall into a groove, you're very easy to talk. Okay,

0:17:07.640 --> 0:17:10.600
<v Speaker 1>let's just assume we take you to somewhere where people

0:17:10.640 --> 0:17:14.040
<v Speaker 1>don't know who you are, your name, your fallout. Boy.

0:17:14.240 --> 0:17:16.200
<v Speaker 1>Should I say, Okay, we're gonna go to a party

0:17:16.240 --> 0:17:18.800
<v Speaker 1>with twenty people. I I can't go, but you're gonna

0:17:18.800 --> 0:17:20.760
<v Speaker 1>go alone? You canna say finding say, man, I'm not

0:17:20.800 --> 0:17:23.800
<v Speaker 1>going alone. I will probably be like yeah, that'll be great,

0:17:23.880 --> 0:17:27.080
<v Speaker 1>and then like, uh, like an hour before I'll tell

0:17:27.119 --> 0:17:32.240
<v Speaker 1>you I can't get a babysitter. Okay, which maybe the truth.

0:17:32.280 --> 0:17:35.560
<v Speaker 1>Maybe you won't be the truth. Okay, you buy something

0:17:35.920 --> 0:17:38.600
<v Speaker 1>at best biased one goes to best buy, but you

0:17:38.720 --> 0:17:43.159
<v Speaker 1>do it fucked up? Okay, came that way? You uptight

0:17:43.200 --> 0:17:47.280
<v Speaker 1>about returning it? Absolutely? I don't want that conversation. You

0:17:47.320 --> 0:17:50.679
<v Speaker 1>know what that conversation. Okay, this is not treated. But

0:17:50.760 --> 0:17:54.679
<v Speaker 1>let's go back to the stadium show. Was it the

0:17:54.720 --> 0:17:57.840
<v Speaker 1>manager's idea or was it in the air? Was it

0:17:57.880 --> 0:18:00.919
<v Speaker 1>one of the bands? It is? I think it came

0:18:00.960 --> 0:18:03.760
<v Speaker 1>from the bands. I think the managers were like, we

0:18:03.880 --> 0:18:06.760
<v Speaker 1>can make this happen. Um. I think it would be

0:18:06.800 --> 0:18:09.440
<v Speaker 1>a would have been a lot harder to get it

0:18:09.520 --> 0:18:12.800
<v Speaker 1>together without having the same manager, because you can like

0:18:12.840 --> 0:18:16.520
<v Speaker 1>do like vertical moving, you know, whereas otherwise it's like

0:18:16.760 --> 0:18:19.280
<v Speaker 1>this fun is this size and like you would not

0:18:19.440 --> 0:18:21.720
<v Speaker 1>believe the stuff that guys and bands will argue about.

0:18:22.720 --> 0:18:25.960
<v Speaker 1>Yeah yeah, yeah, Um. So I think it came from

0:18:26.000 --> 0:18:29.320
<v Speaker 1>the bands, like it was organic and and I knew

0:18:29.760 --> 0:18:32.680
<v Speaker 1>Rivers and we'd obviously grown up on on Green Day.

0:18:33.080 --> 0:18:37.200
<v Speaker 1>Um and so yeah, I mean I and listen like

0:18:38.160 --> 0:18:40.840
<v Speaker 1>it's like you you get asked like where you want

0:18:40.840 --> 0:18:43.080
<v Speaker 1>to ski? Like everybody has like a like an ultimate

0:18:43.240 --> 0:18:46.640
<v Speaker 1>version of like what it is like for guys in

0:18:46.840 --> 0:18:51.080
<v Speaker 1>or girls in rock bands. It's like a stadium, you know, festival,

0:18:51.080 --> 0:18:54.880
<v Speaker 1>Like these are like these things that you yeah, absolutely

0:18:55.200 --> 0:18:56.760
<v Speaker 1>gotta you gotta do it, you know what I mean,

0:18:56.800 --> 0:18:58.280
<v Speaker 1>Like you want to do it, you know what I mean.

0:18:58.359 --> 0:19:02.040
<v Speaker 1>And so yeah, it's it's just about like making it work,

0:19:02.119 --> 0:19:04.440
<v Speaker 1>you know what I mean. Okay, so your build in

0:19:04.520 --> 0:19:07.840
<v Speaker 1>all the building I've seen is the middle act? Was

0:19:07.880 --> 0:19:12.280
<v Speaker 1>that hard to work out? Irrelevant of the fonts uh

0:19:12.320 --> 0:19:14.080
<v Speaker 1>that we were playing, that we were in the middle

0:19:14.200 --> 0:19:17.879
<v Speaker 1>or that we were was it hard to work out? No,

0:19:18.240 --> 0:19:21.359
<v Speaker 1>I think that we Yeah, I mean it's hard to

0:19:21.359 --> 0:19:23.680
<v Speaker 1>work out in the way that like we haven't supported

0:19:23.720 --> 0:19:25.680
<v Speaker 1>any band in a really long time. So it's just

0:19:25.760 --> 0:19:29.320
<v Speaker 1>a different thing, you know. Um, but every time you

0:19:29.400 --> 0:19:31.080
<v Speaker 1>come back to it, you you know, like every time

0:19:31.119 --> 0:19:33.320
<v Speaker 1>I like freak out about anything, like my manager will

0:19:33.320 --> 0:19:36.159
<v Speaker 1>send me like Monsters of Rock posters, like pictures of

0:19:36.200 --> 0:19:38.199
<v Speaker 1>Rounsters rock posters, and you're like, these guys did this

0:19:38.240 --> 0:19:40.520
<v Speaker 1>and this was like an epic, epic, epic thing that

0:19:40.600 --> 0:19:42.840
<v Speaker 1>was bigger than all the bands, you know, and if

0:19:42.840 --> 0:19:45.760
<v Speaker 1>you're thinking about like who's like one or two of

0:19:45.880 --> 0:19:47.960
<v Speaker 1>four on those, it's like pretty insane, you know what

0:19:47.960 --> 0:19:52.320
<v Speaker 1>I mean. And so uh, yeah, you're you're making things

0:19:52.440 --> 0:19:55.080
<v Speaker 1>work for the greater good, you know what I mean?

0:19:55.280 --> 0:19:58.600
<v Speaker 1>And Okay, is there anything where Okay, I'm gonna go

0:19:58.640 --> 0:20:01.359
<v Speaker 1>out and blow away the head miner? Sure, of course.

0:20:01.400 --> 0:20:05.240
<v Speaker 1>I mean there's of that. I mean in the way

0:20:05.280 --> 0:20:08.399
<v Speaker 1>that like you want to Okay, so this is this

0:20:08.440 --> 0:20:10.600
<v Speaker 1>is what it is. So we played the we played

0:20:10.640 --> 0:20:14.880
<v Speaker 1>at the at the Whiskey, the three of us, three

0:20:14.920 --> 0:20:19.000
<v Speaker 1>bands played and there's part of you that's like, I

0:20:19.040 --> 0:20:22.359
<v Speaker 1>want to do this and like it's different and whatever.

0:20:22.520 --> 0:20:25.000
<v Speaker 1>And then you know, you're I'm watching Green Day play

0:20:25.040 --> 0:20:27.200
<v Speaker 1>and I'm like, damn, but they have these songs. And

0:20:27.240 --> 0:20:29.440
<v Speaker 1>we played the probably the best small club show that

0:20:29.480 --> 0:20:32.359
<v Speaker 1>we could have ever played. And when Green Day played,

0:20:32.400 --> 0:20:36.000
<v Speaker 1>they had these songs that were like baked in people's

0:20:36.000 --> 0:20:38.159
<v Speaker 1>cultural DNA, you know what I mean. And it was

0:20:38.200 --> 0:20:41.040
<v Speaker 1>like seeing basket case in this tiny room. I'm just like,

0:20:41.480 --> 0:20:44.960
<v Speaker 1>it's just bigger. It's just the difference between like opening

0:20:45.040 --> 0:20:48.520
<v Speaker 1>like a bottle of wine that's like from the basement

0:20:48.680 --> 0:20:52.120
<v Speaker 1>of a seller of a French chateau, versus like screaming eagle.

0:20:52.160 --> 0:20:53.720
<v Speaker 1>It's just like it's just different, you know what I mean,

0:20:53.760 --> 0:20:57.879
<v Speaker 1>Like it's had like fifty years and going to the

0:20:57.880 --> 0:21:01.280
<v Speaker 1>minor point. Are you into wine? Do like wine? Okay?

0:21:01.280 --> 0:21:03.879
<v Speaker 1>But you into you know, you're also collecting you mentioned

0:21:03.920 --> 0:21:09.000
<v Speaker 1>screaming eagle. Okay, I I've got a tastings I've I'm

0:21:09.040 --> 0:21:12.680
<v Speaker 1>not like uh no, I'm not like a real collector

0:21:12.720 --> 0:21:17.879
<v Speaker 1>of one. Do you collect anything? Uh? Yeah? I um

0:21:18.119 --> 0:21:19.679
<v Speaker 1>let me think, what are What are some things that

0:21:19.720 --> 0:21:21.639
<v Speaker 1>I'm like really into collecting. I have like all my

0:21:21.720 --> 0:21:25.480
<v Speaker 1>eighties toys? Uh you have the original ones? Who you

0:21:25.560 --> 0:21:28.000
<v Speaker 1>rebought them? No, they're all the originals. I'm like a

0:21:28.080 --> 0:21:32.520
<v Speaker 1>kind of like a what like literally from age five

0:21:32.600 --> 0:21:35.960
<v Speaker 1>seven that kind of toys. Okay, your parents, you have

0:21:36.000 --> 0:21:38.080
<v Speaker 1>any brothers or sister. I do have a younger brother

0:21:38.080 --> 0:21:41.560
<v Speaker 1>and younger sister. Okay. Hempic was the house. It was

0:21:42.200 --> 0:21:44.960
<v Speaker 1>I guess. I grew up in a upper middle class

0:21:44.960 --> 0:21:48.200
<v Speaker 1>and it was I guess my mother. She threw all

0:21:48.200 --> 0:21:50.560
<v Speaker 1>my ship up. My parents tried to and I would

0:21:50.640 --> 0:21:52.719
<v Speaker 1>like lose my mind, you know what I mean. Like

0:21:52.760 --> 0:21:54.720
<v Speaker 1>it was like and there and I'm probably should be

0:21:54.760 --> 0:21:56.280
<v Speaker 1>in some kind of therapy session for this, but I

0:21:56.280 --> 0:21:58.800
<v Speaker 1>would like, you know, like and eventually they just packed

0:21:58.840 --> 0:22:01.080
<v Speaker 1>it all when they moved out of the house. Moved downsized.

0:22:01.520 --> 0:22:04.920
<v Speaker 1>They um, they just shipped it all to me in boxes. Okay,

0:22:04.960 --> 0:22:06.640
<v Speaker 1>So other than your toys, what do you have from

0:22:06.640 --> 0:22:09.920
<v Speaker 1>your childhood? Oh? Man, I have a blanket that I

0:22:10.400 --> 0:22:14.360
<v Speaker 1>have all my baseball cards which are worth and those

0:22:14.359 --> 0:22:16.200
<v Speaker 1>would be worth Yeah, so I'm from like I got

0:22:16.200 --> 0:22:18.040
<v Speaker 1>my baseball cards are from like the junk era, so

0:22:18.160 --> 0:22:23.040
<v Speaker 1>like everything. Yeah. So uh that Ken Griffin is just

0:22:23.080 --> 0:22:26.639
<v Speaker 1>now worth a right? Um? What else do I have

0:22:26.720 --> 0:22:29.760
<v Speaker 1>that I collect? Uh? I collected vinyl for a little bit,

0:22:29.800 --> 0:22:33.760
<v Speaker 1>but nothing that crazy. Can you get rid of any

0:22:33.800 --> 0:22:37.320
<v Speaker 1>of this ship? What is it? Marie condo? Is that

0:22:37.400 --> 0:22:40.320
<v Speaker 1>what it is? Because you know, Marie now selling a

0:22:40.440 --> 0:22:45.240
<v Speaker 1>product that's the whole thing. Right, that's like the dream. Right,

0:22:45.600 --> 0:22:47.440
<v Speaker 1>you get somebody to get rid of everything, and then

0:22:47.520 --> 0:22:49.199
<v Speaker 1>like you all of a sudden have a brand, so

0:22:49.240 --> 0:22:51.760
<v Speaker 1>you gotta like sell the merch. Although I will say

0:22:51.760 --> 0:22:54.359
<v Speaker 1>I don't want to go uh you know, make light

0:22:54.400 --> 0:22:57.440
<v Speaker 1>of all the people's houses burned down, But I am

0:22:57.480 --> 0:22:59.359
<v Speaker 1>a real hoarder and sometimes say, well, you know, as

0:22:59.359 --> 0:23:02.399
<v Speaker 1>long as they have my computer, if the whole house

0:23:02.440 --> 0:23:05.640
<v Speaker 1>burned out, it might be liberating, right. Mine would definitely

0:23:05.680 --> 0:23:09.800
<v Speaker 1>be Mine would definitely be liberating, uh, except I can

0:23:09.800 --> 0:23:13.600
<v Speaker 1>get my kids stuff out. But um, there's definitely a

0:23:13.720 --> 0:23:16.520
<v Speaker 1>point where like I was like, I'm just I'm just

0:23:16.600 --> 0:23:19.760
<v Speaker 1>a collector. And then I like looked at pictures of

0:23:19.760 --> 0:23:22.000
<v Speaker 1>this stuf. People were showing me pictures of my stuff,

0:23:22.240 --> 0:23:24.040
<v Speaker 1>and it like looks like hoarder stuff, you know what

0:23:24.040 --> 0:23:26.000
<v Speaker 1>I mean? And I guess that's how it how it

0:23:26.080 --> 0:23:29.000
<v Speaker 1>switches from collecting to hoarding. Is that like you don't

0:23:29.040 --> 0:23:31.680
<v Speaker 1>know right, Like there's like some like it's interesting, it's

0:23:31.720 --> 0:23:34.840
<v Speaker 1>in your DNA, and there's some dys morphia. There's some dysmorphia,

0:23:34.920 --> 0:23:36.640
<v Speaker 1>right because you look at it and it doesn't look

0:23:36.680 --> 0:23:40.040
<v Speaker 1>like okay, may look like junk to you, but I

0:23:40.080 --> 0:23:42.960
<v Speaker 1>know we're literally everything right, and if you reorganized that

0:23:43.080 --> 0:23:45.560
<v Speaker 1>I won't know where it is. And everything has sentimental

0:23:45.600 --> 0:23:47.600
<v Speaker 1>I just moved and for the first time ever, I

0:23:47.640 --> 0:23:49.680
<v Speaker 1>threw a lot of stuff out, stuff that I would

0:23:49.720 --> 0:23:54.080
<v Speaker 1>never throw out. And the cliche, unfortunately is true in

0:23:54.160 --> 0:23:56.879
<v Speaker 1>that you don't miss it. But there's a couple of

0:23:56.880 --> 0:23:58.639
<v Speaker 1>things I threw out a few years ago that I

0:23:58.680 --> 0:24:00.960
<v Speaker 1>still miss So how got a house do you live in?

0:24:02.400 --> 0:24:05.959
<v Speaker 1>How many square feet is it? I don't know it's

0:24:05.960 --> 0:24:09.760
<v Speaker 1>all in the garage. But I can't but I can't

0:24:09.760 --> 0:24:12.680
<v Speaker 1>park in the garage. Okay. And it's how many car garage?

0:24:13.080 --> 0:24:16.440
<v Speaker 1>Three car garage? So the three three things are full

0:24:16.440 --> 0:24:19.760
<v Speaker 1>of your ship? Yeah, okay. And then there's a storage

0:24:19.760 --> 0:24:22.720
<v Speaker 1>you did okay? How far? How far away is the

0:24:22.760 --> 0:24:26.520
<v Speaker 1>storage you? I have a close one in a far okay.

0:24:27.040 --> 0:24:30.240
<v Speaker 1>You you go on the road. Okay. There's lamb and

0:24:30.280 --> 0:24:33.119
<v Speaker 1>it's there's all kinds of stuff. You save all that ship,

0:24:33.800 --> 0:24:35.400
<v Speaker 1>A lot of it? I save. Yeah, I saved every

0:24:35.440 --> 0:24:40.439
<v Speaker 1>lamb in it. Okay. So we're in the house. What

0:24:40.640 --> 0:24:45.119
<v Speaker 1>other How easy is it for you to throw out anything?

0:24:45.880 --> 0:24:49.720
<v Speaker 1>Like the newspaper. I have an issue with other people

0:24:49.720 --> 0:24:53.040
<v Speaker 1>throwing my things away. Oh man, this is my girlfriend.

0:24:52.400 --> 0:24:58.440
<v Speaker 1>I what do you do? But I can do it? Yeah,

0:24:58.440 --> 0:25:00.840
<v Speaker 1>but I have a problem with other people making the call.

0:25:01.400 --> 0:25:03.119
<v Speaker 1>I have a huge problem and I want to And

0:25:04.040 --> 0:25:08.240
<v Speaker 1>it's like it's not super healthy, right, there's different I

0:25:08.359 --> 0:25:11.240
<v Speaker 1>see a special doctor for this. Okay. Have you ever

0:25:11.280 --> 0:25:15.360
<v Speaker 1>been in therapy? Okay, Well, it turns out regular therapy

0:25:15.400 --> 0:25:17.919
<v Speaker 1>doesn't work for o c D. You have to go

0:25:18.000 --> 0:25:22.199
<v Speaker 1>to a special person and it's called exposure therapy. Okay,

0:25:22.240 --> 0:25:23.480
<v Speaker 1>And there's two things. I don't know if you have

0:25:23.480 --> 0:25:25.880
<v Speaker 1>any issues. Like one of my issues is if you say,

0:25:25.960 --> 0:25:28.639
<v Speaker 1>if one of those can't has like big skulls and

0:25:28.680 --> 0:25:30.880
<v Speaker 1>bones on it, it's very hard for me to touch that.

0:25:31.480 --> 0:25:34.000
<v Speaker 1>So first you work up your way to touch that.

0:25:34.600 --> 0:25:37.919
<v Speaker 1>Then hoarding. They actually send somebody to my house once

0:25:38.440 --> 0:25:41.840
<v Speaker 1>to teach me how to get rid of it. Okay,

0:25:42.000 --> 0:25:47.800
<v Speaker 1>and uh, there's definitely treatment for it. It's you know,

0:25:47.840 --> 0:25:50.040
<v Speaker 1>it comes down to two things. One the O c

0:25:50.200 --> 0:25:52.800
<v Speaker 1>D thing is you're crippling your life by when it

0:25:52.880 --> 0:25:55.960
<v Speaker 1>comes to the stuff, whether you have enough space for it.

0:25:56.000 --> 0:25:58.840
<v Speaker 1>Sounds like you do, I mean kind of. I mean

0:25:58.880 --> 0:26:02.000
<v Speaker 1>I definitely was hold that our garage was dangerous the

0:26:02.040 --> 0:26:04.840
<v Speaker 1>other day, dangerous way something might fall. I guess that's

0:26:04.840 --> 0:26:09.280
<v Speaker 1>something might tip on somebody or fall or something. Yeah. Yeah,

0:26:09.400 --> 0:26:11.399
<v Speaker 1>I had that experience after the earthquake. You weren't in

0:26:11.560 --> 0:26:14.440
<v Speaker 1>l A. The earthquake now living in Santa Monica really shook.

0:26:14.480 --> 0:26:16.640
<v Speaker 1>And I had my vinyl records all the way up

0:26:16.920 --> 0:26:19.200
<v Speaker 1>to the ceiling, and I said, and I moved. I

0:26:19.320 --> 0:26:20.919
<v Speaker 1>was just afraid if they fall, if anybody's lying on

0:26:20.920 --> 0:26:23.880
<v Speaker 1>the couch, gonna kill them. But okay, let's go back

0:26:23.920 --> 0:26:26.399
<v Speaker 1>to the tennis. You play tennis at a club or

0:26:26.400 --> 0:26:28.760
<v Speaker 1>you have a court or what I don't have a court.

0:26:28.800 --> 0:26:33.080
<v Speaker 1>I play like at either public courts or I played

0:26:33.160 --> 0:26:35.159
<v Speaker 1>like there's this one in the valley that's it's like

0:26:35.240 --> 0:26:37.720
<v Speaker 1>just barely kind of the valley that's called Weddington that

0:26:37.920 --> 0:26:41.680
<v Speaker 1>is like it's like public, but you pay so then

0:26:41.720 --> 0:26:43.840
<v Speaker 1>you don't have to like wait, you know, so it's

0:26:43.880 --> 0:26:46.440
<v Speaker 1>like how good a tennis player are you? Oh? Man,

0:26:46.480 --> 0:26:49.480
<v Speaker 1>So they have levels? Uh, I guess I would be

0:26:49.520 --> 0:26:51.560
<v Speaker 1>a four oh or a four or five? Four oh

0:26:51.640 --> 0:26:53.560
<v Speaker 1>for sure? Not really explain what the levels are for

0:26:53.560 --> 0:26:57.439
<v Speaker 1>those people on sophisticated um. It goes through like whether

0:26:57.480 --> 0:26:59.760
<v Speaker 1>you're able to just hit return a shot, of whether

0:26:59.840 --> 0:27:02.080
<v Speaker 1>you well to know the correct positioning, or whether you're

0:27:02.080 --> 0:27:06.360
<v Speaker 1>able to hit an aggressive offensive shot. And like for instance,

0:27:06.440 --> 0:27:09.720
<v Speaker 1>like like Gavin Gavin Rossdale, I think he's probably like

0:27:09.720 --> 0:27:12.280
<v Speaker 1>a four or five or five if not beyond you know,

0:27:12.359 --> 0:27:15.680
<v Speaker 1>what's the lowest? I don't know. I guess one maybe

0:27:15.800 --> 0:27:18.320
<v Speaker 1>or five yeah, But like I think after you get

0:27:18.359 --> 0:27:20.159
<v Speaker 1>past maybe six or seven, maybe it goes to a

0:27:20.160 --> 0:27:23.680
<v Speaker 1>professional somethime. So how often do you play? Oh boy,

0:27:23.800 --> 0:27:25.040
<v Speaker 1>I don't know if I need to go on record,

0:27:25.040 --> 0:27:27.000
<v Speaker 1>if somebody's listening that I tell that, I go to

0:27:27.080 --> 0:27:31.000
<v Speaker 1>like that. I'm you know, in meetings, I play out

0:27:31.000 --> 0:27:34.480
<v Speaker 1>too much. You play every day. I play every day. Okay,

0:27:34.480 --> 0:27:37.160
<v Speaker 1>what if you miss a couple of days. You're cool

0:27:37.160 --> 0:27:38.960
<v Speaker 1>with that, or you have a jones to get back

0:27:39.000 --> 0:27:41.040
<v Speaker 1>out there. I definitely have a jones to get back

0:27:41.040 --> 0:27:43.040
<v Speaker 1>out there. And did you play tennis as a kid?

0:27:43.320 --> 0:27:45.160
<v Speaker 1>I did not very well, but yeah I did. Okay,

0:27:45.160 --> 0:27:47.800
<v Speaker 1>how did you get back into it? I just played it,

0:27:47.840 --> 0:27:50.800
<v Speaker 1>goofing around and I played. And it's just one of

0:27:50.800 --> 0:27:54.080
<v Speaker 1>those ones that like is addictive the way, whether it

0:27:54.080 --> 0:27:56.560
<v Speaker 1>would be skiing, you know, like once you you get

0:27:56.600 --> 0:27:57.919
<v Speaker 1>back in the rhythm, you're like, oh, I could just

0:27:57.960 --> 0:27:59.439
<v Speaker 1>do this every day, Like if somebody was like you

0:27:59.440 --> 0:28:01.679
<v Speaker 1>could just do I used to ski every day and

0:28:01.800 --> 0:28:06.000
<v Speaker 1>over Christmas ice ski twenty six out of twenty seven days.

0:28:06.280 --> 0:28:09.000
<v Speaker 1>You get a fine edge when you do it every day,

0:28:09.119 --> 0:28:12.040
<v Speaker 1>and that fine edge is very rewarding. Person may not

0:28:12.119 --> 0:28:14.440
<v Speaker 1>even tell by looking at you, but like with this,

0:28:14.720 --> 0:28:16.800
<v Speaker 1>you know you can get to that shot. You know

0:28:16.960 --> 0:28:19.160
<v Speaker 1>you can get it back over the net because once

0:28:19.200 --> 0:28:21.480
<v Speaker 1>you're in that groove and you go out and play

0:28:21.560 --> 0:28:24.280
<v Speaker 1>or ski, when you're not in that groove, it's depressing

0:28:24.359 --> 0:28:26.480
<v Speaker 1>because people say, oh you look, they say, no, I

0:28:26.600 --> 0:28:29.080
<v Speaker 1>know I can do this, and I'm not that I can't.

0:28:29.280 --> 0:28:31.199
<v Speaker 1>And tennis is one of those like really messed up

0:28:31.200 --> 0:28:33.720
<v Speaker 1>ones where like you'll like that's similar to golf, and

0:28:33.760 --> 0:28:36.080
<v Speaker 1>I think golf is the more extreme version where you like,

0:28:36.480 --> 0:28:38.680
<v Speaker 1>we'll play one day and you're the best player you've

0:28:38.720 --> 0:28:40.760
<v Speaker 1>ever been, and then you played the next day and

0:28:40.840 --> 0:28:42.600
<v Speaker 1>you're like literally the worst. You know what I mean.

0:28:42.640 --> 0:28:45.600
<v Speaker 1>It's like one of those like super frustrating. Right certainly

0:28:46.360 --> 0:28:48.560
<v Speaker 1>is okay, So how did you get back into tennis?

0:28:48.960 --> 0:28:52.440
<v Speaker 1>I just like started playing and I just played a

0:28:52.520 --> 0:28:54.440
<v Speaker 1>couple of times, goofing around, and then like I just

0:28:54.760 --> 0:28:56.520
<v Speaker 1>got super into it. I think I had a ton

0:28:56.560 --> 0:28:57.840
<v Speaker 1>of time and I got super into it, and then

0:28:57.880 --> 0:29:00.040
<v Speaker 1>I like went and started playing on tour when we

0:29:00.160 --> 0:29:04.560
<v Speaker 1>like in Australia, I played like with some of like

0:29:04.600 --> 0:29:09.880
<v Speaker 1>the AUSSI pro women and basically like you go from

0:29:09.920 --> 0:29:13.040
<v Speaker 1>being like I watched it on TV, maybe I could

0:29:13.120 --> 0:29:16.360
<v Speaker 1>like do this, and then like I they this this

0:29:16.400 --> 0:29:19.080
<v Speaker 1>one woman hit literally she was like, I'll serve one

0:29:19.160 --> 0:29:21.320
<v Speaker 1>real one to you. And it was like I just

0:29:21.480 --> 0:29:23.000
<v Speaker 1>tried to move out of the way. I mean, it

0:29:23.120 --> 0:29:25.360
<v Speaker 1>wasn't even like about returning it. And I was like, okay,

0:29:25.360 --> 0:29:27.680
<v Speaker 1>So like this is like not in the cards of

0:29:27.880 --> 0:29:30.760
<v Speaker 1>Like I remember when I was a little kid, I

0:29:30.840 --> 0:29:32.640
<v Speaker 1>used to play a lot of golf. Was never good.

0:29:32.880 --> 0:29:34.440
<v Speaker 1>And you got with someone who really dos how to play.

0:29:34.520 --> 0:29:37.040
<v Speaker 1>They're just not hitting the ball, they're working it. You

0:29:37.120 --> 0:29:39.480
<v Speaker 1>have to spin to be at that elite level. I

0:29:39.520 --> 0:29:42.400
<v Speaker 1>mean obviously Michael Jordan could never play baseball. So let's

0:29:42.400 --> 0:29:44.800
<v Speaker 1>go back to the beginning. So you grew up where

0:29:44.840 --> 0:29:47.680
<v Speaker 1>in the Chicago area, the North Side, like the suburbs

0:29:47.680 --> 0:29:51.240
<v Speaker 1>of Chicago which met Wineka. We basically grew up. We're like,

0:29:51.520 --> 0:29:55.720
<v Speaker 1>so like Breakfast Club was set at my my high school,

0:29:56.240 --> 0:29:58.000
<v Speaker 1>but did they film it or just set in terms

0:29:58.040 --> 0:30:01.000
<v Speaker 1>of it was filmed there? So like basically every John

0:30:01.040 --> 0:30:05.160
<v Speaker 1>Hughes movie was set in Shermerville or whatever. And Shermerville

0:30:05.280 --> 0:30:06.640
<v Speaker 1>is not a real place. But there was a road

0:30:06.680 --> 0:30:10.239
<v Speaker 1>that ran between me and the guitarist Joe of our

0:30:10.280 --> 0:30:12.880
<v Speaker 1>bands town his town in my town, and it was

0:30:12.920 --> 0:30:15.240
<v Speaker 1>shermer Road. And so like everything was based on that.

0:30:15.320 --> 0:30:18.160
<v Speaker 1>Like Home Alone was like one block from his house,

0:30:18.160 --> 0:30:20.200
<v Speaker 1>which is where we had had practice. But it's basically

0:30:20.200 --> 0:30:23.720
<v Speaker 1>like this, Like it's all those every one of those

0:30:23.720 --> 0:30:26.360
<v Speaker 1>movies is basically like that our town, you know what

0:30:26.360 --> 0:30:28.800
<v Speaker 1>I mean. Okay, So you grow up, you're the oldest kid.

0:30:28.920 --> 0:30:32.040
<v Speaker 1>Your parents have all their hopes and dreams invested in you.

0:30:32.880 --> 0:30:35.520
<v Speaker 1>I think that I had. I don't know about that,

0:30:35.560 --> 0:30:38.880
<v Speaker 1>but I think that my parents had like, um, I

0:30:38.960 --> 0:30:40.440
<v Speaker 1>was like the experiment, you know what I mean. So

0:30:40.520 --> 0:30:43.120
<v Speaker 1>I was the one that like, you're an experiment because

0:30:43.160 --> 0:30:45.240
<v Speaker 1>of their parenting style or by nature of being the

0:30:45.280 --> 0:30:48.160
<v Speaker 1>first kid. Uh both. I think in the way that like,

0:30:48.560 --> 0:30:51.240
<v Speaker 1>let's go back, your parents had you. How old or

0:30:51.280 --> 0:30:55.040
<v Speaker 1>young were they? Um, my dad was thirty and I

0:30:55.040 --> 0:30:57.840
<v Speaker 1>think my mom was twenty nine. Okay, so that's all reasonable.

0:30:58.120 --> 0:31:00.520
<v Speaker 1>And as your mother working outside the house at that point,

0:31:01.240 --> 0:31:05.040
<v Speaker 1>she was before I before the young Prince came along, okay,

0:31:05.240 --> 0:31:07.600
<v Speaker 1>and then I think okay, and your father did what

0:31:07.720 --> 0:31:10.440
<v Speaker 1>for a living? He was a lawyer, was still a lawyer,

0:31:10.560 --> 0:31:15.320
<v Speaker 1>still practicing. Yeah, you refer to yourself as the young prince. Okay.

0:31:15.360 --> 0:31:17.600
<v Speaker 1>My mom called me the uh, when I was born

0:31:17.640 --> 0:31:20.480
<v Speaker 1>the Prince of Edgewater. We lived in this uh part

0:31:20.480 --> 0:31:22.800
<v Speaker 1>of Chicago called Edgewater Village, I think, And so she

0:31:22.880 --> 0:31:24.959
<v Speaker 1>called me the Prince of Edgewater. But it was your

0:31:25.120 --> 0:31:27.520
<v Speaker 1>risk or she really treated you like a prince. I

0:31:27.560 --> 0:31:30.040
<v Speaker 1>think it was humorous. I don't. I don't think my

0:31:30.080 --> 0:31:32.480
<v Speaker 1>mom really, I don't know. I'm not really sure, you

0:31:32.520 --> 0:31:34.120
<v Speaker 1>know what I mean. Like I I look at all

0:31:34.120 --> 0:31:36.800
<v Speaker 1>these pictures of me when I was little, and I'm

0:31:36.840 --> 0:31:40.120
<v Speaker 1>in yellow and all of them, and she was like, uh,

0:31:40.240 --> 0:31:43.720
<v Speaker 1>you know, like people just didn't have People didn't go

0:31:43.800 --> 0:31:45.920
<v Speaker 1>and look at what their baby was beforehand unless there

0:31:45.960 --> 0:31:48.280
<v Speaker 1>was a problem, Like you wouldn't we just wouldn't, you

0:31:48.280 --> 0:31:49.440
<v Speaker 1>know what I mean? And so like we just had

0:31:49.520 --> 0:31:51.720
<v Speaker 1>yellow because we thought you might be a girl. You

0:31:51.840 --> 0:31:53.719
<v Speaker 1>just never know. And I was like, yellow, such an

0:31:53.720 --> 0:31:55.600
<v Speaker 1>interesting color to put a baby in a bunch of time,

0:31:55.680 --> 0:32:04.280
<v Speaker 1>a bunch of the time, you know. Okay, So if

0:32:04.320 --> 0:32:07.480
<v Speaker 1>I had your two siblings here, would they say you

0:32:07.600 --> 0:32:10.200
<v Speaker 1>were the prince and the favored child or they'd say, oh,

0:32:10.200 --> 0:32:15.040
<v Speaker 1>we're all equal. I think that my my my sister

0:32:15.600 --> 0:32:18.400
<v Speaker 1>um in some ways because it's two boys and a girl.

0:32:18.440 --> 0:32:21.600
<v Speaker 1>And I think that she got um some special attention.

0:32:21.640 --> 0:32:24.640
<v Speaker 1>She was. She was different. She was also like of

0:32:24.720 --> 0:32:28.600
<v Speaker 1>us was the was the easiest, you know. I mean

0:32:28.640 --> 0:32:32.120
<v Speaker 1>she's the middle and she was just she was just easy.

0:32:32.240 --> 0:32:34.200
<v Speaker 1>You know. I don't think I would think I was

0:32:34.200 --> 0:32:36.120
<v Speaker 1>like pretty. I was like difficult in the way that

0:32:36.160 --> 0:32:38.880
<v Speaker 1>like I dye my hair and I'd do a band

0:32:39.000 --> 0:32:40.920
<v Speaker 1>and you know, like it was just all you know,

0:32:41.040 --> 0:32:43.560
<v Speaker 1>like I left college, you know what I mean, Like

0:32:43.600 --> 0:32:47.960
<v Speaker 1>it was just all like I was, yeah, you know,

0:32:48.080 --> 0:32:50.560
<v Speaker 1>and it was as the first Okay, what is what

0:32:50.600 --> 0:32:55.080
<v Speaker 1>are your sister and brother do? Uh? My sisters studied

0:32:55.200 --> 0:33:00.680
<v Speaker 1>family sociology maybe um and she is stay at home

0:33:00.720 --> 0:33:03.560
<v Speaker 1>mom in Chicago with three kids, and my brother is

0:33:03.560 --> 0:33:08.200
<v Speaker 1>a fine artist in New York. Successfully. Yeah, I think so,

0:33:08.360 --> 0:33:10.520
<v Speaker 1>I mean off the parents pay roll, off the parents

0:33:10.520 --> 0:33:13.960
<v Speaker 1>pay roll. I think he I don't really like it's

0:33:14.000 --> 0:33:16.080
<v Speaker 1>the same thing as like I have a little bit

0:33:16.120 --> 0:33:20.840
<v Speaker 1>of a of a guy in a band's perception of

0:33:20.880 --> 0:33:23.160
<v Speaker 1>like what my dad and my brother do, because they

0:33:23.200 --> 0:33:24.960
<v Speaker 1>like explain it to me, and I'm like I kind

0:33:24.960 --> 0:33:26.720
<v Speaker 1>of understand, but I don't really because he were he

0:33:26.800 --> 0:33:28.560
<v Speaker 1>does marketing as well, you know what I mean? So

0:33:28.640 --> 0:33:31.120
<v Speaker 1>I don't really fully understand. Okay, and you're close with

0:33:31.160 --> 0:33:35.280
<v Speaker 1>your family and your siblings, Yeah, definitely. So you grow up,

0:33:35.280 --> 0:33:38.560
<v Speaker 1>are you good in school or bad? I was always

0:33:38.600 --> 0:33:42.160
<v Speaker 1>like a very like I had to like, um, not

0:33:42.280 --> 0:33:44.000
<v Speaker 1>living up to your potential kind of thing, you know

0:33:44.040 --> 0:33:45.800
<v Speaker 1>what I mean. It was like a lot of like

0:33:46.560 --> 0:33:49.400
<v Speaker 1>test Well doesn't do a lot of people that doesn't.

0:33:51.040 --> 0:33:54.760
<v Speaker 1>And you're like the you know, the king of the class,

0:33:54.800 --> 0:33:57.600
<v Speaker 1>the class count clown and outcast. Where do you fit in?

0:33:59.400 --> 0:34:05.520
<v Speaker 1>I never out like I fit in where I lived. Um,

0:34:05.560 --> 0:34:07.640
<v Speaker 1>I don't. Yeah, I just I don't feel like I

0:34:07.680 --> 0:34:10.799
<v Speaker 1>really looked like anybody. And I didn't really like understand

0:34:10.800 --> 0:34:13.440
<v Speaker 1>the way people kind of like did their thing. And

0:34:13.480 --> 0:34:16.000
<v Speaker 1>my family was always the family that like we were

0:34:16.040 --> 0:34:17.640
<v Speaker 1>like a little bit like the weird family. Like my

0:34:17.719 --> 0:34:19.960
<v Speaker 1>parents would have us go eat it like Ethiopian restaurants

0:34:19.960 --> 0:34:21.120
<v Speaker 1>and stuff like that, and I was just like I

0:34:21.200 --> 0:34:23.879
<v Speaker 1>just want to eat fucking McDonald you know what I mean.

0:34:23.960 --> 0:34:26.400
<v Speaker 1>It's like I just wanted to be normal, you know.

0:34:26.440 --> 0:34:28.480
<v Speaker 1>And now I appreciate it and I understand it, but

0:34:28.520 --> 0:34:32.319
<v Speaker 1>like at the time, it was like, um, yeah, and

0:34:32.400 --> 0:34:34.799
<v Speaker 1>so I don't I don't think I really felt like

0:34:34.800 --> 0:34:37.160
<v Speaker 1>I fit in. I think I was like probably always

0:34:37.160 --> 0:34:39.839
<v Speaker 1>trying to goof around to fit in. Maybe did you

0:34:39.880 --> 0:34:44.160
<v Speaker 1>have friends? Yeah, I kind of had friends. I kind

0:34:44.160 --> 0:34:45.680
<v Speaker 1>of was friends with everybody, you know what I mean,

0:34:45.760 --> 0:34:48.080
<v Speaker 1>like but like not, I don't. I didn't have like

0:34:48.120 --> 0:34:50.279
<v Speaker 1>close friends until I was a little older. Okay, So

0:34:50.320 --> 0:34:54.000
<v Speaker 1>were they playing music in your house? My dad played

0:34:54.000 --> 0:34:58.279
<v Speaker 1>a ton of like um, like Temptations and a ton

0:34:58.320 --> 0:35:03.439
<v Speaker 1>of like Fogerty, Like it was like anything that was under,

0:35:03.520 --> 0:35:04.759
<v Speaker 1>Like a lot of the stuff was under, like the

0:35:05.080 --> 0:35:08.280
<v Speaker 1>like the oldiest station I guess in my town. Um,

0:35:08.360 --> 0:35:10.200
<v Speaker 1>and like my first concert he took me to was

0:35:10.280 --> 0:35:12.440
<v Speaker 1>Jimmy Buffett, you know what I mean, which is so

0:35:15.200 --> 0:35:17.360
<v Speaker 1>I was I think I just wanted to go to

0:35:17.400 --> 0:35:19.759
<v Speaker 1>a concert so bad that it was like it was

0:35:19.760 --> 0:35:22.719
<v Speaker 1>pretty cool. And I thought like Margaritaville and like Cheeseburger

0:35:22.760 --> 0:35:26.959
<v Speaker 1>and Paradise were like pretty catchy songs. So um yeah,

0:35:27.200 --> 0:35:28.640
<v Speaker 1>because I think I just wanted to go to concert.

0:35:28.680 --> 0:35:30.000
<v Speaker 1>My dad was like, I'll take you to this one,

0:35:30.040 --> 0:35:33.160
<v Speaker 1>and I was like, I want to say I was

0:35:33.160 --> 0:35:35.239
<v Speaker 1>like ten or eleven, and then like the summer that

0:35:35.280 --> 0:35:39.640
<v Speaker 1>I was fourteen, which was what year or thirteen, which

0:35:39.680 --> 0:35:44.560
<v Speaker 1>was so I graduated in nineties seven, so you were

0:35:44.640 --> 0:35:52.920
<v Speaker 1>born like in yeah. So yeah. So this summer, uh

0:35:53.120 --> 0:35:56.239
<v Speaker 1>basically all at the same similar timing, maybe not the

0:35:56.320 --> 0:35:58.719
<v Speaker 1>whole summer, but like, uh, we were at this lake

0:35:58.760 --> 0:36:02.160
<v Speaker 1>house uh that my parents would go to. Um. It

0:36:02.239 --> 0:36:03.919
<v Speaker 1>was like kind of like a group lakehouse. I don't

0:36:03.920 --> 0:36:06.279
<v Speaker 1>really not explain it. It's like family camp or something

0:36:06.320 --> 0:36:11.360
<v Speaker 1>like that. And I water skied, but like the older

0:36:11.440 --> 0:36:14.040
<v Speaker 1>kids all slalom water skied, and all I wanted to

0:36:14.040 --> 0:36:16.960
<v Speaker 1>do was slalom because it looked like a juicy for commercial. Also,

0:36:17.200 --> 0:36:20.400
<v Speaker 1>Terminator two came out, um, and all I wanted to

0:36:20.440 --> 0:36:21.880
<v Speaker 1>do was see that movie, but it was radar and

0:36:21.880 --> 0:36:24.160
<v Speaker 1>I think my parents didn't let me. And then I

0:36:24.200 --> 0:36:26.200
<v Speaker 1>think it was that summer. In the next summer in Metallica,

0:36:26.200 --> 0:36:28.279
<v Speaker 1>Guns and Roses went a stadium tour and all I

0:36:28.280 --> 0:36:29.360
<v Speaker 1>want to do was go to the show, and my

0:36:29.360 --> 0:36:31.040
<v Speaker 1>parents were like, you're not going to that show. So

0:36:31.080 --> 0:36:33.480
<v Speaker 1>it was like this like it was all wrapped to me.

0:36:33.520 --> 0:36:35.319
<v Speaker 1>It's all wrapped up in the same thing kind of

0:36:35.400 --> 0:36:39.760
<v Speaker 1>you know. Okay, did you have the Metallica and Guns

0:36:39.760 --> 0:36:43.200
<v Speaker 1>and Roses albums? Oh? Yeah, yeah, I said, I had

0:36:43.239 --> 0:36:46.640
<v Speaker 1>the Guns and Roses album in my mom's car on tape,

0:36:46.680 --> 0:36:48.799
<v Speaker 1>and I would have to sit there and turn down

0:36:48.800 --> 0:36:50.520
<v Speaker 1>the swear because I knew when the squares were coming,

0:36:50.560 --> 0:36:51.960
<v Speaker 1>and this is when they had like Getting the Ring,

0:36:52.080 --> 0:36:54.080
<v Speaker 1>like and I had that whole getting the Ring speech,

0:36:54.160 --> 0:36:56.480
<v Speaker 1>you know, like, yeah, you'd be ripping off the kids

0:36:56.480 --> 0:36:58.120
<v Speaker 1>to paying their hard earn money to read about the

0:36:58.120 --> 0:37:00.120
<v Speaker 1>man's they want to know about talking ship writting? Do

0:37:00.120 --> 0:37:02.200
<v Speaker 1>you want to antagonize me? Antagonize me? You know, Like

0:37:02.320 --> 0:37:04.120
<v Speaker 1>I had that whole speech memorize and I would be

0:37:04.120 --> 0:37:06.239
<v Speaker 1>turning it up and down, like trying to like get

0:37:06.280 --> 0:37:09.960
<v Speaker 1>to swears like basically like you know, to put hi

0:37:10.080 --> 0:37:11.799
<v Speaker 1>cough buttons from my mom in the car because I

0:37:11.840 --> 0:37:14.200
<v Speaker 1>was like this music school, it's cool, trust me, don't worry.

0:37:14.200 --> 0:37:15.960
<v Speaker 1>But then I would like have to like you know,

0:37:16.080 --> 0:37:18.799
<v Speaker 1>self edited. Okay, but how did you get into Metallica

0:37:18.800 --> 0:37:23.360
<v Speaker 1>Guns and Roses? Um? So I had a group of

0:37:23.400 --> 0:37:26.240
<v Speaker 1>friends that like skateboarded and and that kind of stuff,

0:37:26.280 --> 0:37:27.920
<v Speaker 1>and I don't know how they got into it. I

0:37:27.920 --> 0:37:30.520
<v Speaker 1>think there might have been an older brother, um Nick

0:37:30.600 --> 0:37:32.960
<v Speaker 1>Poole and his older brother maybe Alex Pool I think

0:37:33.040 --> 0:37:35.239
<v Speaker 1>maybe like made a tape this is back. I don't

0:37:35.239 --> 0:37:37.640
<v Speaker 1>know people would make tapes and would have a bunch

0:37:37.640 --> 0:37:40.080
<v Speaker 1>of different songs on it and uh, you know, like

0:37:40.120 --> 0:37:43.920
<v Speaker 1>Metallica and Slayer and stuff. But did your parents buy

0:37:43.920 --> 0:37:46.960
<v Speaker 1>you albums or was it mostly these tapes? That was

0:37:47.000 --> 0:37:49.759
<v Speaker 1>those tapes? And I don't think my parents, like my

0:37:49.800 --> 0:37:52.319
<v Speaker 1>parents would not buy me an album like that. I

0:37:52.320 --> 0:37:56.359
<v Speaker 1>don't think. So did they buy you any albums? Man?

0:37:56.520 --> 0:38:02.359
<v Speaker 1>Did they buy me? I think that there was, like, yeah,

0:38:02.360 --> 0:38:05.360
<v Speaker 1>I'm sure there was like um, like R and B

0:38:05.560 --> 0:38:08.000
<v Speaker 1>stuff for like stuff that like my parents would also

0:38:08.080 --> 0:38:11.920
<v Speaker 1>listen to was okay to be bought. But like I

0:38:12.880 --> 0:38:14.919
<v Speaker 1>don't even think. I don't even know if it came

0:38:14.960 --> 0:38:17.520
<v Speaker 1>into Like I don't even know. And this is weird

0:38:17.520 --> 0:38:18.960
<v Speaker 1>because like this is not how people and I'm a

0:38:19.080 --> 0:38:21.719
<v Speaker 1>I'm a parent of three, this is not how people

0:38:21.800 --> 0:38:23.399
<v Speaker 1>parent anymore. But like I don't I think I might

0:38:23.400 --> 0:38:25.120
<v Speaker 1>have been nervous to ask my parents for it, or

0:38:25.160 --> 0:38:27.160
<v Speaker 1>like I just expected that they were it was gonna

0:38:27.160 --> 0:38:28.880
<v Speaker 1>be a no, So I just didn't even Like it

0:38:28.920 --> 0:38:32.000
<v Speaker 1>wasn't even in the like wheelhouse, like it wasn't like

0:38:32.480 --> 0:38:34.520
<v Speaker 1>it would never I would never think to ask, Okay,

0:38:34.560 --> 0:38:37.279
<v Speaker 1>so those are all hard edge? Was that the only

0:38:37.360 --> 0:38:39.960
<v Speaker 1>music you were into at the time, for sure? And

0:38:39.960 --> 0:38:41.680
<v Speaker 1>then I got even harder. I got into punk rock,

0:38:41.719 --> 0:38:44.480
<v Speaker 1>and I got into like death metal and like, so

0:38:44.520 --> 0:38:47.200
<v Speaker 1>you never went to the Guns and Roses Metallica tour,

0:38:47.360 --> 0:38:49.040
<v Speaker 1>you know. I went to Guns and Roses at Dodger

0:38:49.040 --> 0:38:52.360
<v Speaker 1>Stadium maybe two years ago, and it was amazing because

0:38:52.360 --> 0:38:55.239
<v Speaker 1>it was like all these people that had kind of

0:38:55.280 --> 0:38:59.040
<v Speaker 1>like um been like stuck and frozen in time. It

0:38:59.080 --> 0:39:00.279
<v Speaker 1>felt like, you know what I mean, And I was

0:39:00.280 --> 0:39:01.520
<v Speaker 1>one of them, you know, I mean, because like you're

0:39:01.560 --> 0:39:03.200
<v Speaker 1>in the merch and it just kind of like looked

0:39:03.239 --> 0:39:06.600
<v Speaker 1>like you'd just like come out from underground and you're

0:39:06.600 --> 0:39:09.160
<v Speaker 1>like Guns and Roses still around in two thousands, seventeen

0:39:09.239 --> 0:39:11.040
<v Speaker 1>or whatever I always say. And I saw Guns and

0:39:11.120 --> 0:39:13.919
<v Speaker 1>Roses when they played a week at the Forum after

0:39:14.080 --> 0:39:16.239
<v Speaker 1>Use Your Illusion, you know, when and two came out,

0:39:16.520 --> 0:39:19.040
<v Speaker 1>And that was still when they were coming on hours late,

0:39:19.280 --> 0:39:21.520
<v Speaker 1>and they were phenomenal. But like when I go to

0:39:21.560 --> 0:39:24.600
<v Speaker 1>see the Stones now, well, when I when the Stones

0:39:24.680 --> 0:39:27.040
<v Speaker 1>first started doing really the stadium towards whatever, like a

0:39:27.040 --> 0:39:29.160
<v Speaker 1>couple of decades ago, I always thought it was the

0:39:29.200 --> 0:39:31.800
<v Speaker 1>people who were afraid to go the first time it

0:39:31.920 --> 0:39:35.239
<v Speaker 1>was too dangerous. Now they had leather jackets. Was that

0:39:35.320 --> 0:39:37.200
<v Speaker 1>like going to the Guns and Roses Show. I think

0:39:37.200 --> 0:39:40.040
<v Speaker 1>that the Guns and Roses Show was a little different

0:39:40.040 --> 0:39:41.960
<v Speaker 1>in the way that because they went away for so long,

0:39:42.040 --> 0:39:43.560
<v Speaker 1>so I think a lot of people were like, I'll

0:39:43.560 --> 0:39:45.680
<v Speaker 1>never see him again, you know, And and it was

0:39:45.719 --> 0:39:47.879
<v Speaker 1>people who would like and I think in a weird

0:39:47.920 --> 0:39:50.360
<v Speaker 1>way it kind of like you could speak about it

0:39:50.400 --> 0:39:53.760
<v Speaker 1>in in our band, like having to two different portions

0:39:53.800 --> 0:39:55.800
<v Speaker 1>of our career, because there was a lot of people

0:39:55.840 --> 0:39:58.040
<v Speaker 1>like me who was like just too young or told

0:39:58.080 --> 0:39:59.919
<v Speaker 1>that you couldn't go or something, and then you came.

0:40:00.320 --> 0:40:02.400
<v Speaker 1>And I think that the way I experienced it was

0:40:02.480 --> 0:40:04.480
<v Speaker 1>like and the music and art has a funny way

0:40:04.480 --> 0:40:06.520
<v Speaker 1>of doing this. We were like it tricks you, like

0:40:06.520 --> 0:40:09.399
<v Speaker 1>where I was like experiencing it as a fourteen year old,

0:40:09.400 --> 0:40:10.560
<v Speaker 1>you know what I mean. So I'm sitting there and

0:40:10.600 --> 0:40:13.759
<v Speaker 1>I'm in the crowd, and like I came around. I

0:40:13.760 --> 0:40:15.319
<v Speaker 1>went with like four people and like some of them

0:40:15.360 --> 0:40:17.359
<v Speaker 1>were like, I don't know, this is like this kind

0:40:17.400 --> 0:40:19.239
<v Speaker 1>of goofy or whatever. But for me, it was just

0:40:19.320 --> 0:40:22.600
<v Speaker 1>like wish fulfillment. I was like, okay, like I didn't

0:40:22.640 --> 0:40:24.600
<v Speaker 1>want to go my friends and the agents, etcetera. I

0:40:24.600 --> 0:40:26.480
<v Speaker 1>don't want to go a because Izz he wasn't in

0:40:26.520 --> 0:40:30.040
<v Speaker 1>the act. And two I had good memories and want

0:40:30.400 --> 0:40:31.799
<v Speaker 1>there are a number of acts like that I won't

0:40:31.800 --> 0:40:35.360
<v Speaker 1>go see again. So okay, you have those things you

0:40:35.360 --> 0:40:38.000
<v Speaker 1>don't go to the show. Did you grow up playing,

0:40:38.040 --> 0:40:40.640
<v Speaker 1>taking piano lessons or any of that. Ship I grew

0:40:40.719 --> 0:40:42.640
<v Speaker 1>up taking piano lessons. I didn't want to do it.

0:40:42.800 --> 0:40:45.560
<v Speaker 1>I quit. My mom was like, you're gonna regret this,

0:40:45.800 --> 0:40:49.200
<v Speaker 1>and like it's the like stereotypical. I definitely regret it.

0:40:49.400 --> 0:40:51.719
<v Speaker 1>How long did you take piano lessons for it? I

0:40:51.760 --> 0:40:55.680
<v Speaker 1>took four or five years. Yeah, but I'll be honest,

0:40:55.760 --> 0:40:58.399
<v Speaker 1>it never got to the point. And like I see

0:40:58.400 --> 0:41:00.319
<v Speaker 1>these piano teachers now and I have to give like

0:41:00.320 --> 0:41:03.760
<v Speaker 1>a huge, huge shout out. Is uh and maybe they existed,

0:41:03.800 --> 0:41:05.799
<v Speaker 1>they just don't think exist and maybe where I was,

0:41:05.960 --> 0:41:09.920
<v Speaker 1>But uh, it's fun now, Like I like my kids

0:41:10.000 --> 0:41:14.520
<v Speaker 1>do like imagine dragons and and and Star Wars song,

0:41:14.800 --> 0:41:16.680
<v Speaker 1>you know. I like it's like they do like fun

0:41:16.760 --> 0:41:18.839
<v Speaker 1>things and real things and they're reading music and it's

0:41:18.880 --> 0:41:21.880
<v Speaker 1>like making it fun and making it relatable, you know,

0:41:21.960 --> 0:41:23.920
<v Speaker 1>like I don't think it was the way I was

0:41:23.960 --> 0:41:26.560
<v Speaker 1>doing it was like not super relatable, just sitting there

0:41:26.560 --> 0:41:29.319
<v Speaker 1>doing scales and you know, I don't know, can you

0:41:29.360 --> 0:41:32.640
<v Speaker 1>still read music? I could read music for piano, I

0:41:32.640 --> 0:41:34.960
<v Speaker 1>can't read music for guitar. But okay, so when do

0:41:35.000 --> 0:41:38.480
<v Speaker 1>you make the switch? When do you start picking up

0:41:38.520 --> 0:41:40.680
<v Speaker 1>the bass or whatever? You pick up? Bass is a

0:41:40.680 --> 0:41:45.760
<v Speaker 1>funny one because it's the instrument that, like, people always

0:41:45.800 --> 0:41:48.040
<v Speaker 1>need bassis and it's always the one that like people

0:41:48.239 --> 0:41:50.359
<v Speaker 1>before there, everyone was like, you know, like a DJ.

0:41:50.480 --> 0:41:52.000
<v Speaker 1>People were like, oh, I could probably play that one.

0:41:52.040 --> 0:41:53.799
<v Speaker 1>It's only got four strings. And I think I was like,

0:41:53.960 --> 0:41:55.360
<v Speaker 1>you know, my friends were doing a punk band, and

0:41:55.400 --> 0:41:57.600
<v Speaker 1>I was like, sure, this one's got this one seems

0:41:57.640 --> 0:42:00.200
<v Speaker 1>easier to learn, you know what I mean. So they

0:42:00.239 --> 0:42:05.040
<v Speaker 1>decided to do a band before you actually played the bass. Yeah,

0:42:05.360 --> 0:42:07.520
<v Speaker 1>I mean definitely. This wasn't Fallout Boy, but it was

0:42:07.600 --> 0:42:13.560
<v Speaker 1>other punk bands and whatever. Okay, so what do you say,

0:42:13.880 --> 0:42:16.279
<v Speaker 1>mom and dad, I need a bass because I gotta

0:42:16.280 --> 0:42:17.880
<v Speaker 1>be in this punk band. No, no, no no no. It

0:42:17.960 --> 0:42:19.960
<v Speaker 1>was like so scrappy then, where it was just like

0:42:20.000 --> 0:42:22.680
<v Speaker 1>you were trading and you were borrowing, and the older

0:42:22.719 --> 0:42:24.560
<v Speaker 1>brothers had things, and you know what I mean, Like

0:42:24.600 --> 0:42:27.440
<v Speaker 1>it was like, no, for sure, I think my parents

0:42:27.480 --> 0:42:30.720
<v Speaker 1>actually would have been supportive of me having a musical

0:42:30.760 --> 0:42:33.719
<v Speaker 1>instrument of some kind. But I think this was like

0:42:34.280 --> 0:42:36.480
<v Speaker 1>my thing, you know, like or whatever ports around it,

0:42:36.520 --> 0:42:37.920
<v Speaker 1>but it was like mine, So I just wanted to

0:42:37.920 --> 0:42:40.759
<v Speaker 1>do it my way. Okay, So you learned on the fly.

0:42:41.120 --> 0:42:43.200
<v Speaker 1>You formed the band first, and then you learned how

0:42:43.280 --> 0:42:46.919
<v Speaker 1>to play. Yeah, I learned. I learned how to play

0:42:46.960 --> 0:42:50.600
<v Speaker 1>like in in the practices, Yeah for sure. And you

0:42:50.640 --> 0:42:52.319
<v Speaker 1>know I you know, I could play the guitar. I

0:42:52.360 --> 0:42:56.920
<v Speaker 1>can't imagine playing the bass, especially fretless bass. So how

0:42:57.080 --> 0:42:58.960
<v Speaker 1>long did it take for you to say, Okay, I

0:42:59.040 --> 0:43:03.799
<v Speaker 1>kind of understand that us we're getting there. Still think, well,

0:43:04.040 --> 0:43:07.719
<v Speaker 1>whatever I mean, Lars went back for drum lessons long

0:43:07.760 --> 0:43:10.920
<v Speaker 1>into Metallica's career. Did you ever go to professional or

0:43:11.000 --> 0:43:13.080
<v Speaker 1>try to listen to records try to replicate and learn

0:43:13.160 --> 0:43:16.000
<v Speaker 1>from people who were pros. Yeah for sure. And like

0:43:16.360 --> 0:43:18.680
<v Speaker 1>for me, like a lot of like metronome work and

0:43:18.680 --> 0:43:23.840
<v Speaker 1>and and and timing and and playing things that aren't

0:43:23.880 --> 0:43:26.359
<v Speaker 1>in the wheelhouse to fall out boy to kind of

0:43:26.400 --> 0:43:28.799
<v Speaker 1>like figure some of that out. And like honestly with

0:43:29.160 --> 0:43:35.360
<v Speaker 1>Patrick our singer, like he's um so predator, naturally musically gifted,

0:43:35.400 --> 0:43:37.839
<v Speaker 1>Like it's just to me off the charts. Bizarre. It's

0:43:37.920 --> 0:43:41.320
<v Speaker 1>like when you just somebody you know, like throws the

0:43:41.360 --> 0:43:42.759
<v Speaker 1>ball and you're like, oh, he just like knows how

0:43:42.800 --> 0:43:44.560
<v Speaker 1>to do it. He does that with like every instrument

0:43:44.640 --> 0:43:47.160
<v Speaker 1>kind of you know whatever. Um, he'll help me with stuff,

0:43:47.160 --> 0:43:49.400
<v Speaker 1>you know what I mean. So now you're playing in

0:43:49.480 --> 0:43:52.120
<v Speaker 1>punk bands, you're in the high school. Is it the

0:43:52.200 --> 0:43:55.279
<v Speaker 1>type of thing where it's extracurricular or is it impinging

0:43:55.320 --> 0:43:59.160
<v Speaker 1>on your studies? I didn't care about my studies in

0:43:59.239 --> 0:44:03.680
<v Speaker 1>high school. Yeah. Well they sent me to uh, they

0:44:03.680 --> 0:44:06.960
<v Speaker 1>sent me to a boot camp in um, New Hampshire.

0:44:09.160 --> 0:44:11.040
<v Speaker 1>How old were you when you went to the boot camp?

0:44:11.160 --> 0:44:14.640
<v Speaker 1>I think this all happened around fourteen fifteen. Okay, what

0:44:14.680 --> 0:44:17.520
<v Speaker 1>was the straw that broke the camel's back that made

0:44:17.520 --> 0:44:19.160
<v Speaker 1>them send you to the boot camp? I think it

0:44:19.239 --> 0:44:22.319
<v Speaker 1>was missing like day eighty one at school something like that.

0:44:22.360 --> 0:44:24.239
<v Speaker 1>I'd like, Okay, when I went to school, it was

0:44:24.280 --> 0:44:26.640
<v Speaker 1>like a police state and if you didn't go and

0:44:26.719 --> 0:44:30.560
<v Speaker 1>you didn't they called your house. Yeah, this was like

0:44:30.600 --> 0:44:32.200
<v Speaker 1>one of those ones where you could figure out all

0:44:32.239 --> 0:44:36.439
<v Speaker 1>these different ways to like kind of uh, there's ways

0:44:36.480 --> 0:44:38.360
<v Speaker 1>to game it, I think at the time, like where

0:44:38.400 --> 0:44:44.040
<v Speaker 1>you could build up your free periods and you can. Okay,

0:44:44.120 --> 0:44:46.320
<v Speaker 1>and this was regular public high school. This is public

0:44:46.400 --> 0:44:48.560
<v Speaker 1>high school. And then thisbly my last year a public

0:44:48.600 --> 0:44:51.600
<v Speaker 1>high school though. Okay, so for three years it worked

0:44:52.320 --> 0:44:55.520
<v Speaker 1>for no because this is like age fourteen, fifteen, so

0:44:55.640 --> 0:44:57.920
<v Speaker 1>this was one year. Okay, that's what I thought. So

0:44:57.960 --> 0:44:59.800
<v Speaker 1>what you're you're out of junior high, you're in the

0:44:59.880 --> 0:45:03.600
<v Speaker 1>HIG school. Okay. Was this out of the blue or

0:45:03.600 --> 0:45:07.480
<v Speaker 1>were they trying to discipline you first? Oh, I'm sure

0:45:07.520 --> 0:45:11.879
<v Speaker 1>they were disciplining me. Like my parents were pretty pretty

0:45:12.600 --> 0:45:16.160
<v Speaker 1>good about discipline or they were pretty you know, straight

0:45:16.160 --> 0:45:17.960
<v Speaker 1>and narrow. But at the same time, like my dad

0:45:18.040 --> 0:45:19.359
<v Speaker 1>was the kind of guy that would be like Adar.

0:45:19.480 --> 0:45:22.560
<v Speaker 1>We played at this play this venue in Chicago called

0:45:22.560 --> 0:45:24.439
<v Speaker 1>the Fireside Bowl, which is bowling alley, but they would

0:45:24.520 --> 0:45:26.279
<v Speaker 1>kind of like let shows happen, but the guy was

0:45:26.320 --> 0:45:28.560
<v Speaker 1>pissed that shows happened there, which is like all these

0:45:28.560 --> 0:45:32.560
<v Speaker 1>great venues in Chicago. Like the guy like regrettably. Yeah,

0:45:32.680 --> 0:45:34.799
<v Speaker 1>something would come and say, hey I can increase your

0:45:34.840 --> 0:45:38.040
<v Speaker 1>business then totally. But my dad would be at all

0:45:38.040 --> 0:45:40.520
<v Speaker 1>these shows with like the tie in the back, yeah,

0:45:40.600 --> 0:45:42.600
<v Speaker 1>which is pretty cool. My father came to one of

0:45:42.600 --> 0:45:44.560
<v Speaker 1>my Little League games. I mean he had virtues but

0:45:44.880 --> 0:45:48.120
<v Speaker 1>supported me in my dreams by showing up. Never so

0:45:48.200 --> 0:45:52.239
<v Speaker 1>in any event, Okay, why what did they say when

0:45:52.239 --> 0:45:56.480
<v Speaker 1>they were going to send you into Hampshire? Um? I

0:45:56.520 --> 0:45:59.200
<v Speaker 1>think it was like, you know, like it was like

0:45:59.239 --> 0:46:00.840
<v Speaker 1>we talked about like it was like, you know, getting

0:46:00.880 --> 0:46:05.000
<v Speaker 1>me back on the straight and narrow kind like no, no, no,

0:46:05.520 --> 0:46:07.600
<v Speaker 1>And like now it's easy to like look back and

0:46:07.640 --> 0:46:09.720
<v Speaker 1>be like, well it's fine because you were taking these

0:46:11.000 --> 0:46:14.920
<v Speaker 1>these these turns because you're doing art and you want

0:46:14.960 --> 0:46:16.560
<v Speaker 1>to do this that. But like I think that that

0:46:17.280 --> 0:46:19.239
<v Speaker 1>had it gone a different way, they'd be like this

0:46:19.320 --> 0:46:21.680
<v Speaker 1>is this was the turning point when we could have

0:46:21.680 --> 0:46:23.520
<v Speaker 1>gotten you back, you know what I mean? So how

0:46:23.520 --> 0:46:25.440
<v Speaker 1>long did you go to the Hampshire for? I think

0:46:25.480 --> 0:46:28.160
<v Speaker 1>I was there a month. Maybe it's like ridiculous. It

0:46:28.239 --> 0:46:33.040
<v Speaker 1>was like you know those giant like gatorade bottles, the

0:46:33.080 --> 0:46:34.920
<v Speaker 1>ones that like they have for teams or whatever, Like

0:46:34.960 --> 0:46:36.440
<v Speaker 1>one day, they would have you dig a hole and

0:46:36.480 --> 0:46:38.279
<v Speaker 1>put it in the ground, and then the next day

0:46:38.320 --> 0:46:39.880
<v Speaker 1>they would have you dig it up and take it

0:46:39.920 --> 0:46:43.160
<v Speaker 1>out of like just like no, you know, like just

0:46:43.239 --> 0:46:46.839
<v Speaker 1>kind of like how many other kids were there? Oh?

0:46:46.920 --> 0:46:49.080
<v Speaker 1>I would say that there was like a hundred. Maybe

0:46:49.320 --> 0:46:51.839
<v Speaker 1>boys and girls are just boys, boys and girls coad,

0:46:51.920 --> 0:46:54.960
<v Speaker 1>but you were only with boys, okay, And it was

0:46:55.000 --> 0:47:00.120
<v Speaker 1>like all uh I was in there with the the

0:47:00.239 --> 0:47:03.440
<v Speaker 1>lightest record. Okay, that's my point. It's like going to

0:47:03.560 --> 0:47:07.480
<v Speaker 1>jail from the other people. No, I was terrified. I

0:47:07.560 --> 0:47:09.560
<v Speaker 1>was scared of everybody there, you know what I mean.

0:47:09.600 --> 0:47:11.160
<v Speaker 1>I was like, oh my god, these people are all

0:47:11.400 --> 0:47:15.160
<v Speaker 1>like actual criminals, and so they have to decide when

0:47:15.200 --> 0:47:18.000
<v Speaker 1>you get out or was a month set up in advance.

0:47:18.520 --> 0:47:20.680
<v Speaker 1>I think you were supposed to come to some like

0:47:21.000 --> 0:47:24.120
<v Speaker 1>um moment of clarity, but I don't know that I did.

0:47:24.200 --> 0:47:25.520
<v Speaker 1>But I think you were supposed to come to some

0:47:25.680 --> 0:47:29.600
<v Speaker 1>like I'm a changed kid, or like I'm a new

0:47:29.680 --> 0:47:31.520
<v Speaker 1>boy or whatever. You know. I got something like that,

0:47:31.560 --> 0:47:34.279
<v Speaker 1>you know what I mean? Okay, And so when you

0:47:34.360 --> 0:47:37.680
<v Speaker 1>went back, did you go back on the straight and narrow. No.

0:47:37.840 --> 0:47:41.600
<v Speaker 1>So when I went back, I went to a private school,

0:47:42.600 --> 0:47:47.360
<v Speaker 1>and um my mom was the dean of admissions or

0:47:47.360 --> 0:47:49.839
<v Speaker 1>assistant dean of admissions at the private school. So it

0:47:49.920 --> 0:47:53.600
<v Speaker 1>was very interesting in the way that like, if I

0:47:53.640 --> 0:47:55.200
<v Speaker 1>ever got in trouble there, I would just go to

0:47:55.200 --> 0:47:58.160
<v Speaker 1>my mom's office, and that's like about a hundred million

0:47:58.239 --> 0:48:00.680
<v Speaker 1>times worse than going to the actual I can imagine,

0:48:00.680 --> 0:48:02.360
<v Speaker 1>you know what I mean. So that got me on

0:48:02.400 --> 0:48:03.880
<v Speaker 1>the straight and narrow in a weird way because it

0:48:03.920 --> 0:48:06.800
<v Speaker 1>was just like your mom's just like at school with you. Okay,

0:48:07.040 --> 0:48:09.480
<v Speaker 1>so you graduate from that school and you actually go

0:48:09.640 --> 0:48:11.239
<v Speaker 1>to college for a while. I did. I went to

0:48:11.280 --> 0:48:13.960
<v Speaker 1>DePaul University for local Okay, how long did you actually go?

0:48:15.080 --> 0:48:20.320
<v Speaker 1>I went for so I know. So when I graduated,

0:48:20.360 --> 0:48:23.919
<v Speaker 1>I went to UM Columbia in Chicago, and then I

0:48:23.960 --> 0:48:27.480
<v Speaker 1>transferred to DePaul and I went there for you go

0:48:27.520 --> 0:48:30.239
<v Speaker 1>to Columbia for like six months maybe I think that,

0:48:30.280 --> 0:48:31.640
<v Speaker 1>And then I went to the Paul four I think

0:48:31.680 --> 0:48:34.000
<v Speaker 1>maybe a year or year and a half. Okay, did

0:48:34.000 --> 0:48:38.600
<v Speaker 1>you fit in inpl I did? I think that? Like, uh,

0:48:38.760 --> 0:48:43.880
<v Speaker 1>in in colleges in in bigger colleges. It was a

0:48:43.880 --> 0:48:46.000
<v Speaker 1>little bit like the movie Higher Learning. You can find

0:48:46.080 --> 0:48:49.440
<v Speaker 1>your like your group. Well, I went to a small college.

0:48:49.480 --> 0:48:50.960
<v Speaker 1>I stood out. I came to l a if I'm

0:48:51.000 --> 0:48:53.239
<v Speaker 1>you know, a million people just like big so you

0:48:53.239 --> 0:48:54.879
<v Speaker 1>can find like if you're at a if. I think,

0:48:54.880 --> 0:48:56.880
<v Speaker 1>if you're in a big enough place, you can find

0:48:57.480 --> 0:49:00.240
<v Speaker 1>your group and kind of find people like minded poll

0:49:00.320 --> 0:49:04.200
<v Speaker 1>and I actually liked, like, I like like the basketball

0:49:04.239 --> 0:49:05.840
<v Speaker 1>players there, Like there was a lot of people there that,

0:49:05.880 --> 0:49:09.640
<v Speaker 1>like I think I would not have probably come across

0:49:09.760 --> 0:49:11.880
<v Speaker 1>or like you know, like had interactions with that that

0:49:12.080 --> 0:49:13.759
<v Speaker 1>because I was there, I did, and I liked a

0:49:13.800 --> 0:49:15.200
<v Speaker 1>lot of the people. But we were doing the band

0:49:15.200 --> 0:49:16.839
<v Speaker 1>at the same time, so it was like, okay, so

0:49:16.920 --> 0:49:20.200
<v Speaker 1>why did you drop out? We were doing the band.

0:49:20.280 --> 0:49:24.839
<v Speaker 1>We were doing Fallout Boy, and it was we were

0:49:24.880 --> 0:49:26.160
<v Speaker 1>doing with the way we did the band at the

0:49:26.200 --> 0:49:28.600
<v Speaker 1>time was like it's so weird, Like you know, I

0:49:28.600 --> 0:49:30.160
<v Speaker 1>talked to my manager about it now and he's like,

0:49:30.360 --> 0:49:33.000
<v Speaker 1>so bizarre he did it, but like we would basically

0:49:33.040 --> 0:49:35.560
<v Speaker 1>be like, well, what did like Molly Crue and those

0:49:35.560 --> 0:49:37.560
<v Speaker 1>bands do back in the day, And it was like

0:49:37.560 --> 0:49:39.759
<v Speaker 1>they we pasted flyers and like stuff like this. We

0:49:39.760 --> 0:49:42.759
<v Speaker 1>were like on roofs like wheat pasting flyers, which was

0:49:42.840 --> 0:49:45.120
<v Speaker 1>something that like no one did at the time, you know,

0:49:45.160 --> 0:49:46.759
<v Speaker 1>I mean at all, And so it was just like

0:49:46.760 --> 0:49:50.880
<v Speaker 1>it's I think that maybe stood out a little bit. Um.

0:49:51.280 --> 0:49:54.160
<v Speaker 1>But we were doing about like forty hours of like work,

0:49:54.360 --> 0:49:56.080
<v Speaker 1>forty plus hours of work in the band, and then

0:49:56.160 --> 0:50:00.800
<v Speaker 1>you were going to school for you know, thirty ended school.

0:50:01.440 --> 0:50:03.759
<v Speaker 1>Uh my, my parents did I could take a year

0:50:03.800 --> 0:50:05.759
<v Speaker 1>off to see how the band went, you know, I

0:50:05.800 --> 0:50:09.360
<v Speaker 1>mean yeah, and so that's this year. I'm in the year. Okay,

0:50:09.640 --> 0:50:12.840
<v Speaker 1>so you're playing the base, you're playing in punk bands.

0:50:13.239 --> 0:50:16.000
<v Speaker 1>At what point do you say, Wow, this could be

0:50:16.000 --> 0:50:17.879
<v Speaker 1>a real direction. This is what I want to do,

0:50:19.320 --> 0:50:24.240
<v Speaker 1>like as like live on it. Um. That came super

0:50:24.280 --> 0:50:28.759
<v Speaker 1>super super super late. Uh, because our band's trajectory was

0:50:28.960 --> 0:50:33.440
<v Speaker 1>like really bizarrely slow, you know, like it's like the

0:50:33.480 --> 0:50:38.520
<v Speaker 1>eight year overnight or whatever. You know. Um. Now, so

0:50:38.560 --> 0:50:39.920
<v Speaker 1>I was like we were playing in it, but we

0:50:39.920 --> 0:50:44.040
<v Speaker 1>were like and we were like doing the band full time,

0:50:44.120 --> 0:50:46.160
<v Speaker 1>but we lived in our parents basements and stuff, and

0:50:46.239 --> 0:50:48.000
<v Speaker 1>we were just on tour in a van and like

0:50:48.040 --> 0:50:49.880
<v Speaker 1>we didn't have label support, you know. I mean, so

0:50:49.920 --> 0:50:51.680
<v Speaker 1>it wasn't like Okay, let's go back you're in the

0:50:51.760 --> 0:50:55.440
<v Speaker 1>punk band. What's the evolution there to fall Out Boy.

0:50:55.640 --> 0:50:57.600
<v Speaker 1>We were just in the like a million different bands,

0:50:57.640 --> 0:50:59.920
<v Speaker 1>and I think that we were getting paid for gigs.

0:51:00.880 --> 0:51:02.920
<v Speaker 1>I mean paid in like pizza or whatever. You know.

0:51:02.960 --> 0:51:05.279
<v Speaker 1>I mean like not making anybody. It's fun. It's fun,

0:51:05.719 --> 0:51:09.000
<v Speaker 1>and um, are you good with girls at that age?

0:51:09.040 --> 0:51:13.280
<v Speaker 1>Real bad? I was just like fine. I think, okay,

0:51:13.280 --> 0:51:15.319
<v Speaker 1>well this, you're playing the bass in a band, You're

0:51:15.320 --> 0:51:17.640
<v Speaker 1>playing all these gigs. I figured that must do well

0:51:17.719 --> 0:51:21.000
<v Speaker 1>for you romantically in the narrow when that's very important.

0:51:22.200 --> 0:51:26.000
<v Speaker 1>I don't think. I don't think it was like the

0:51:26.040 --> 0:51:30.520
<v Speaker 1>band wasn't like cool, you know. I mean it was

0:51:30.560 --> 0:51:33.520
<v Speaker 1>like a dorky punk band. You know, they're dorky punk bands.

0:51:34.040 --> 0:51:36.920
<v Speaker 1>Dorky punk bands. How does that evolve into fall Out Boy?

0:51:37.080 --> 0:51:39.480
<v Speaker 1>We actually wanted to I think we when we the

0:51:40.200 --> 0:51:45.640
<v Speaker 1>inception of it was like we wanted to do. Um.

0:51:45.680 --> 0:51:47.520
<v Speaker 1>It's funny because I think we got in these heavier

0:51:47.560 --> 0:51:50.239
<v Speaker 1>bands that we took really seriously before, Like, so we

0:51:50.239 --> 0:51:51.920
<v Speaker 1>went from these punk bands, We got into these heavier

0:51:51.920 --> 0:51:54.360
<v Speaker 1>bands that we took super super seriously, like a heavier

0:51:54.560 --> 0:51:57.320
<v Speaker 1>like metal was yeah, metal, hardcore, that kind of stuff,

0:51:57.360 --> 0:52:01.400
<v Speaker 1>And we wanted to just be in these like heavy

0:52:01.440 --> 0:52:03.279
<v Speaker 1>bands that we like kind of like looked up to

0:52:03.640 --> 0:52:08.759
<v Speaker 1>um and that was like a grind, you know what

0:52:08.760 --> 0:52:11.040
<v Speaker 1>I mean, Like because you're screaming and you're you know,

0:52:11.080 --> 0:52:14.040
<v Speaker 1>like it was just kind of thankless. I think, unless

0:52:14.080 --> 0:52:16.919
<v Speaker 1>you're in one of those big bands, it's a little

0:52:16.960 --> 0:52:19.759
<v Speaker 1>thankless and you just do it over night in, night out.

0:52:19.760 --> 0:52:22.080
<v Speaker 1>So we wanted to do something that was just fun

0:52:22.160 --> 0:52:24.680
<v Speaker 1>on the side, and that's what fall Boy was. Okay,

0:52:24.880 --> 0:52:28.160
<v Speaker 1>And but it was different people originally, right, it was

0:52:28.200 --> 0:52:31.600
<v Speaker 1>all the same people except for the drummer was different, okay,

0:52:31.640 --> 0:52:34.560
<v Speaker 1>So they were all and was everybody agreeing that this

0:52:34.600 --> 0:52:37.080
<v Speaker 1>would be a good thing to do, agreeing that it

0:52:37.120 --> 0:52:38.600
<v Speaker 1>would be a fun thing to do. I don't think that.

0:52:38.960 --> 0:52:42.160
<v Speaker 1>It was almost like Clay grishasen. You know, the innovator's dilemma.

0:52:42.400 --> 0:52:44.920
<v Speaker 1>You have a disruption, At what point do you realize

0:52:45.480 --> 0:52:48.359
<v Speaker 1>that's more successful than the scream? Oh thing? Oh man,

0:52:48.760 --> 0:52:53.160
<v Speaker 1>that's a good um, you know, I guess at the

0:52:53.160 --> 0:52:55.719
<v Speaker 1>point when you're playing. We were playing shows in Chicago,

0:52:56.200 --> 0:52:59.920
<v Speaker 1>and well, first it became that our friends, more than

0:53:00.040 --> 0:53:01.480
<v Speaker 1>just our friends were coming to the shows. It wasn't

0:53:01.480 --> 0:53:04.240
<v Speaker 1>just people we were like begging to come to the shows,

0:53:04.360 --> 0:53:06.960
<v Speaker 1>and this is like pre really the internet wasn't what

0:53:07.000 --> 0:53:08.440
<v Speaker 1>the internet is now, you know what I mean, So

0:53:08.480 --> 0:53:13.080
<v Speaker 1>like this is what one but like it just wasn't

0:53:13.120 --> 0:53:16.240
<v Speaker 1>like there was like chat rooms and like email lists

0:53:16.400 --> 0:53:19.080
<v Speaker 1>and there was message boards, but they weren't really what

0:53:19.120 --> 0:53:21.120
<v Speaker 1>they are now, you know what I mean. And so

0:53:23.719 --> 0:53:26.160
<v Speaker 1>it's turned from more than just our friends coming two

0:53:26.200 --> 0:53:30.520
<v Speaker 1>shows to the fire Marshal showing up at like every

0:53:30.520 --> 0:53:32.440
<v Speaker 1>show that we played in Chicago and being like this

0:53:32.480 --> 0:53:34.520
<v Speaker 1>show shut down, there's too many people? How many people?

0:53:35.480 --> 0:53:37.040
<v Speaker 1>It would be like we would be in like a

0:53:37.120 --> 0:53:40.040
<v Speaker 1>Knights of Columbus hall that fit like two people and

0:53:40.080 --> 0:53:41.759
<v Speaker 1>we would try to put like seven people in it,

0:53:42.000 --> 0:53:44.359
<v Speaker 1>I mean, and it would be like and every show

0:53:44.400 --> 0:53:46.600
<v Speaker 1>got shut down. Okay, how much do you think was

0:53:46.640 --> 0:53:48.279
<v Speaker 1>word of mouth? And how much do you think was

0:53:48.280 --> 0:53:51.839
<v Speaker 1>was sheer elbow grease with your promotion with with the

0:53:51.840 --> 0:53:56.880
<v Speaker 1>flyers and all the pasting up the everything. People always

0:53:56.920 --> 0:53:58.560
<v Speaker 1>ask this, you know, like they're like, how much of

0:53:58.600 --> 0:53:59.960
<v Speaker 1>it you know? How much do we need to go

0:54:00.000 --> 0:54:02.080
<v Speaker 1>on tour versus how much do we you know, need

0:54:02.120 --> 0:54:03.799
<v Speaker 1>to be in the studio and how much you know

0:54:04.040 --> 0:54:06.200
<v Speaker 1>is you know, and I think you have to do

0:54:06.239 --> 0:54:08.160
<v Speaker 1>it all and to me, you know, like I think

0:54:08.160 --> 0:54:10.640
<v Speaker 1>there isn't intangible like when the four of us are

0:54:10.680 --> 0:54:13.160
<v Speaker 1>on stage, it's for some reason different than when one

0:54:13.200 --> 0:54:14.640
<v Speaker 1>of us does a different day or something like that,

0:54:14.680 --> 0:54:17.439
<v Speaker 1>for whatever reason that is. But I do think that,

0:54:17.640 --> 0:54:21.040
<v Speaker 1>you know, like if you're not gonna get up tomorrow

0:54:21.120 --> 0:54:24.600
<v Speaker 1>morning and go and do the radio interview, someone else

0:54:24.600 --> 0:54:25.680
<v Speaker 1>is gonna go do it, you know. I mean like

0:54:25.719 --> 0:54:27.799
<v Speaker 1>there is like something to be said for like this

0:54:27.960 --> 0:54:31.000
<v Speaker 1>is you need to be ambitious and go out And

0:54:31.000 --> 0:54:33.759
<v Speaker 1>do you still feel that today twenty years later? Sure

0:54:33.800 --> 0:54:36.799
<v Speaker 1>it's in a different way, but yeah, absolutely, Well I

0:54:36.840 --> 0:54:40.680
<v Speaker 1>don't think you can go right the same like punk

0:54:40.760 --> 0:54:44.759
<v Speaker 1>record when you have like kids and you're debating whether

0:54:44.800 --> 0:54:46.920
<v Speaker 1>they should be in like a monostory school or not.

0:54:47.040 --> 0:54:49.200
<v Speaker 1>Like it's just like it's not going to sound the same.

0:54:49.280 --> 0:54:52.840
<v Speaker 1>But I do think that's what like the Hella Mega

0:54:52.880 --> 0:54:54.480
<v Speaker 1>toward the Stadium tour is to me, you know what

0:54:54.520 --> 0:54:57.040
<v Speaker 1>I mean, Like it's like we wouldn't do that unless

0:54:57.040 --> 0:54:58.840
<v Speaker 1>we were there was an ambition to be in a

0:54:58.880 --> 0:55:03.160
<v Speaker 1>state siphically about the music. Obviously you have your well

0:55:03.200 --> 0:55:07.160
<v Speaker 1>known tracks if the audience wants to hear in today's

0:55:07.239 --> 0:55:10.280
<v Speaker 1>are Although you have a very loyal fan base, how

0:55:10.320 --> 0:55:13.719
<v Speaker 1>do you feel not making the record but playing that

0:55:13.800 --> 0:55:16.319
<v Speaker 1>stuff live? And how much do you want to play live?

0:55:18.040 --> 0:55:22.120
<v Speaker 1>Oh that's a good question. Um. I think for a

0:55:22.120 --> 0:55:26.080
<v Speaker 1>band like us, it's like our our things always our

0:55:26.080 --> 0:55:28.399
<v Speaker 1>our attempt has always been to create a culture. And

0:55:28.480 --> 0:55:32.680
<v Speaker 1>so I don't think that just sitting at home will

0:55:32.719 --> 0:55:35.600
<v Speaker 1>be you know, in the sandbox will really work, you know,

0:55:35.600 --> 0:55:39.680
<v Speaker 1>in the sandboxing living room. Um. But at the same time,

0:55:39.760 --> 0:55:44.600
<v Speaker 1>like yeah, I mean, like playing live becomes different and

0:55:44.640 --> 0:55:47.280
<v Speaker 1>like how much how many of the songs are you playing?

0:55:47.320 --> 0:55:50.719
<v Speaker 1>Like we're playing a seventy minutes set in stadiums and

0:55:50.760 --> 0:55:52.720
<v Speaker 1>so we got to like figure out what that would

0:55:52.719 --> 0:55:56.080
<v Speaker 1>be and what songs we should be playing. But um,

0:55:56.440 --> 0:55:58.600
<v Speaker 1>we're I think we're Our band is really interesting in

0:55:58.640 --> 0:56:00.520
<v Speaker 1>the way that like we have one full kind of

0:56:00.600 --> 0:56:04.680
<v Speaker 1>like the music business is probably has the biggest chasm

0:56:04.760 --> 0:56:07.000
<v Speaker 1>that it's ever had in my in my time of

0:56:07.040 --> 0:56:09.800
<v Speaker 1>being alive, between the old business and the new business,

0:56:09.840 --> 0:56:11.560
<v Speaker 1>and our band is a band that's like got a

0:56:11.560 --> 0:56:14.040
<v Speaker 1>foot in both, like has seen both a little bit,

0:56:14.040 --> 0:56:17.040
<v Speaker 1>you know, so it's it's interesting and like, you know,

0:56:17.080 --> 0:56:19.799
<v Speaker 1>like some people will be like, you know, like you

0:56:19.800 --> 0:56:21.960
<v Speaker 1>guys should only do singles or you know, like the

0:56:22.000 --> 0:56:24.279
<v Speaker 1>album doesn't matter, and like for us, it's like we're

0:56:24.360 --> 0:56:25.960
<v Speaker 1>kind of like all over the place, and I think

0:56:25.960 --> 0:56:30.319
<v Speaker 1>we have to do what makes the most sense authentically,

0:56:30.560 --> 0:56:33.400
<v Speaker 1>and I think that that's like that will be the

0:56:33.440 --> 0:56:35.440
<v Speaker 1>only payoff for us. I think chasing a thing or

0:56:35.480 --> 0:56:39.320
<v Speaker 1>whatever like won't. That won't work. Okay, But most acts

0:56:39.360 --> 0:56:43.560
<v Speaker 1>in general, okay, they have assuming they have hits, they

0:56:43.600 --> 0:56:47.080
<v Speaker 1>have their hit period and then they're encased in amber

0:56:47.840 --> 0:56:50.839
<v Speaker 1>and they just basically play those hips until nobody wants

0:56:50.880 --> 0:56:54.080
<v Speaker 1>to see them anymore to every increasing crowds. So I

0:56:54.120 --> 0:56:56.000
<v Speaker 1>was talking to Pete Tongue and he talking about in

0:56:56.160 --> 0:56:58.600
<v Speaker 1>terms of DJs, and he says, well, you need to

0:56:58.640 --> 0:57:06.400
<v Speaker 1>reinvent yourself. Do you feel that at all of fawom? Yeah,

0:57:06.440 --> 0:57:10.440
<v Speaker 1>And it's really it's a it's an interesting time. But

0:57:10.680 --> 0:57:12.359
<v Speaker 1>it's interesting in the way that like, when you've been

0:57:12.360 --> 0:57:15.680
<v Speaker 1>doing anything for twenty years, how do you have inspiration

0:57:15.800 --> 0:57:18.640
<v Speaker 1>that's different than you had twenty years ago when you

0:57:18.680 --> 0:57:20.760
<v Speaker 1>were probably hungrier and you wanted it more and you

0:57:20.760 --> 0:57:25.840
<v Speaker 1>were you've never done it before, you know, um, yeah,

0:57:25.880 --> 0:57:29.120
<v Speaker 1>because I mean that you have what a lifetime to

0:57:29.160 --> 0:57:30.760
<v Speaker 1>write your first song whatever it is, you know what

0:57:30.760 --> 0:57:33.960
<v Speaker 1>I mean? And and to me, it's like that's why

0:57:34.000 --> 0:57:36.360
<v Speaker 1>we worked with We worked with this kid, Burner Boy

0:57:36.520 --> 0:57:38.560
<v Speaker 1>from Lagos on the last record. Like, I just think

0:57:38.600 --> 0:57:42.480
<v Speaker 1>you have to kind of like, uh, go outside your

0:57:42.480 --> 0:57:45.120
<v Speaker 1>comfort zone in order to find new things. There's just

0:57:45.160 --> 0:57:48.880
<v Speaker 1>a fine line in the way that like there's a

0:57:48.920 --> 0:57:56.880
<v Speaker 1>difference between us going and working with burna boy uh

0:57:56.960 --> 0:57:59.920
<v Speaker 1>and writing a song with him than like me feeling

0:58:00.080 --> 0:58:02.680
<v Speaker 1>extreme anxiety to have an account on like TikTok, you know.

0:58:02.720 --> 0:58:04.240
<v Speaker 1>I mean, like, I think there's a difference. One like

0:58:04.280 --> 0:58:07.680
<v Speaker 1>feels like natural and something that like is pushing us

0:58:07.720 --> 0:58:10.680
<v Speaker 1>to do something that's beyond ourselves, and the other one

0:58:10.760 --> 0:58:14.280
<v Speaker 1>feels like you could end up being like the old

0:58:14.320 --> 0:58:18.240
<v Speaker 1>guy that's trying desperately to be I don't know to

0:58:18.280 --> 0:58:21.439
<v Speaker 1>what degree you follow this stuff. But Justin Bieber tried

0:58:21.520 --> 0:58:25.160
<v Speaker 1>to juice is Spotify. How do you feel about that.

0:58:26.360 --> 0:58:28.440
<v Speaker 1>I don't think that Justin needs to do that to me,

0:58:28.800 --> 0:58:31.440
<v Speaker 1>you know the funny the record came in at number two, Yeah,

0:58:31.520 --> 0:58:36.080
<v Speaker 1>I mean, yeah, but like to me, I'm like, Justin's

0:58:36.120 --> 0:58:42.320
<v Speaker 1>like a big star, a big, super super famous, super talented.

0:58:42.480 --> 0:58:44.440
<v Speaker 1>If you like watch him. I don't think he needs

0:58:44.480 --> 0:58:45.800
<v Speaker 1>to you know what I mean, Like, I don't think

0:58:45.800 --> 0:58:49.240
<v Speaker 1>he well, hey days of indie promotion. To me, that

0:58:49.280 --> 0:58:51.440
<v Speaker 1>to me, doing that is like beneath him to me.

0:58:51.640 --> 0:58:54.400
<v Speaker 1>You know my question. Okay, let's go back. So you're

0:58:54.480 --> 0:58:57.880
<v Speaker 1>in college. By time you drop out, you take that

0:58:57.920 --> 0:59:01.560
<v Speaker 1>one year. What is the status of the band? We

0:59:01.560 --> 0:59:05.600
<v Speaker 1>were playing this place in uh in Chicago. We were

0:59:05.640 --> 0:59:08.680
<v Speaker 1>headlining finally, this place called the Metro in Chicago, which

0:59:08.680 --> 0:59:12.160
<v Speaker 1>I think is twelve capacity maybe or something like that,

0:59:12.200 --> 0:59:17.160
<v Speaker 1>maybe more may We were headlining it. I remember we Uh.

0:59:17.320 --> 0:59:19.120
<v Speaker 1>I looked at my parents were like in a you know,

0:59:19.400 --> 0:59:22.520
<v Speaker 1>the balcony or whatever, and there was like these floating

0:59:23.280 --> 0:59:27.760
<v Speaker 1>um dildo balloons that were like six ft big, and

0:59:27.760 --> 0:59:32.120
<v Speaker 1>I remember, I remember I remember throwing one at my

0:59:32.200 --> 0:59:35.320
<v Speaker 1>mom in the balcony and watching her like stomp this

0:59:37.200 --> 0:59:39.560
<v Speaker 1>thing into kind of oblivion, and it was like there

0:59:39.600 --> 0:59:41.240
<v Speaker 1>was like a moment where it was like I think

0:59:41.280 --> 0:59:44.320
<v Speaker 1>she's gonna like let me keep doing this, you know

0:59:44.320 --> 0:59:46.320
<v Speaker 1>what I mean? You played the Metro, do you remember

0:59:46.360 --> 0:59:50.720
<v Speaker 1>what the payday was. Oh man, I have no idea.

0:59:50.880 --> 0:59:56.280
<v Speaker 1>There was the Metro. I think at the time before

0:59:56.320 --> 0:59:57.760
<v Speaker 1>that there was like they would give a lot of

0:59:57.920 --> 1:00:00.240
<v Speaker 1>a lot of tickets away. So I think this was

1:00:00.560 --> 1:00:03.240
<v Speaker 1>actually a hard ticket. But I'm not sure and I

1:00:03.280 --> 1:00:06.240
<v Speaker 1>don't remember the payday was. I can't imagine. It was crazy.

1:00:06.360 --> 1:00:08.280
<v Speaker 1>You have the dial Doo balloons. Well, how much other

1:00:08.320 --> 1:00:10.439
<v Speaker 1>production in the mtics did you have in this show?

1:00:10.680 --> 1:00:12.720
<v Speaker 1>We had a backdrop, which was like a big deal

1:00:13.400 --> 1:00:15.320
<v Speaker 1>because we I think we had weren't able to hang

1:00:15.320 --> 1:00:18.440
<v Speaker 1>our backdrop on tours before that. And that was it.

1:00:18.520 --> 1:00:22.240
<v Speaker 1>That was the production. Okay, So is that the turning

1:00:22.240 --> 1:00:24.960
<v Speaker 1>point in your mind saying this could really work? That

1:00:25.080 --> 1:00:26.560
<v Speaker 1>was the turning point where I was like, my parents

1:00:26.640 --> 1:00:30.800
<v Speaker 1>are gonna let me do it? Uh. The trajectory was

1:00:30.880 --> 1:00:34.760
<v Speaker 1>so slow that, like you know, I remember, we were

1:00:34.800 --> 1:00:38.200
<v Speaker 1>approached by a couple of management companies. They all seemed terrible,

1:00:38.600 --> 1:00:44.440
<v Speaker 1>um uh, And we were approached. We we we reached

1:00:44.480 --> 1:00:46.680
<v Speaker 1>out to what we I think we reached out to Crush,

1:00:46.720 --> 1:00:49.480
<v Speaker 1>who became our managers, and they were kind of like, yeah,

1:00:49.560 --> 1:00:51.200
<v Speaker 1>we just like you guys, just do what you do

1:00:51.200 --> 1:00:52.720
<v Speaker 1>because we kind of had these shows where we just

1:00:52.760 --> 1:00:56.400
<v Speaker 1>play super fast stuff and okay, so the Crush was

1:00:56.480 --> 1:00:59.440
<v Speaker 1>the first manager you ever had. They were Yeah, so

1:00:59.640 --> 1:01:01.880
<v Speaker 1>before were that? Who was the business guy in the band?

1:01:02.120 --> 1:01:04.440
<v Speaker 1>You're you're talking to him? I think that's what I think.

1:01:04.480 --> 1:01:06.560
<v Speaker 1>I wanted you to admit it though. But the funny

1:01:06.560 --> 1:01:10.560
<v Speaker 1>thing is usually it's the drummer. But okay, so you're

1:01:10.640 --> 1:01:13.760
<v Speaker 1>making all the deals, You're getting the gigs, etcetera. Oh yeah,

1:01:13.800 --> 1:01:15.520
<v Speaker 1>and this is like the times where like, so I

1:01:15.560 --> 1:01:19.520
<v Speaker 1>remember we played we were supposed to play in Baltimore

1:01:19.560 --> 1:01:22.680
<v Speaker 1>at this tiny club in Baltimore, and we drove in,

1:01:23.040 --> 1:01:24.520
<v Speaker 1>got to the club and there was like a sign

1:01:24.560 --> 1:01:26.480
<v Speaker 1>on the door that said the show wasn't happening because

1:01:26.480 --> 1:01:28.040
<v Speaker 1>there was snow or something like that. But there was

1:01:28.160 --> 1:01:31.920
<v Speaker 1>just cell phones weren't really what they are, and the

1:01:31.960 --> 1:01:33.680
<v Speaker 1>internet isn't like what we were talking about. It wasn't

1:01:33.720 --> 1:01:36.080
<v Speaker 1>what it was. So it was like figuring this stuff

1:01:36.080 --> 1:01:39.320
<v Speaker 1>out as like your own booking agent was not super easy.

1:01:39.640 --> 1:01:42.400
<v Speaker 1>Okay at that point, how much were you working and

1:01:42.440 --> 1:01:46.560
<v Speaker 1>how broad was your territory. Well, we started in Chicago,

1:01:46.600 --> 1:01:49.959
<v Speaker 1>the suburbs of Chicago, and we played kind of any

1:01:49.960 --> 1:01:52.040
<v Speaker 1>show that we could. We would jump on stage and

1:01:52.040 --> 1:01:55.520
<v Speaker 1>play on the Piel's equipment. From there, I think we

1:01:55.560 --> 1:01:59.760
<v Speaker 1>played Detroit, and then we played Cleveland and then Indian

1:01:59.760 --> 1:02:02.320
<v Speaker 1>Apple Lists and then we would just we just begged

1:02:02.320 --> 1:02:04.600
<v Speaker 1>for tours. We couldn't really get tours. This band Punchline

1:02:04.640 --> 1:02:08.320
<v Speaker 1>took us out graciously super early, kind of everywhere with them,

1:02:08.320 --> 1:02:11.160
<v Speaker 1>which was awesome. This band um you know, and and

1:02:11.160 --> 1:02:13.400
<v Speaker 1>then you know, getting ahead to when I don't know,

1:02:13.520 --> 1:02:15.400
<v Speaker 1>we we we ended up signing to a record label

1:02:15.560 --> 1:02:19.680
<v Speaker 1>and uh. From there, this band Less than Jake took

1:02:19.760 --> 1:02:22.400
<v Speaker 1>us on tour a bunch. Okay, listen, Jake is still

1:02:22.440 --> 1:02:27.440
<v Speaker 1>working right, Okay, So when you drop out of college,

1:02:27.600 --> 1:02:32.520
<v Speaker 1>I assume you're like twenty years old. Ye how long

1:02:32.720 --> 1:02:38.360
<v Speaker 1>after that did you get the record deal? Maybe a

1:02:38.440 --> 1:02:41.040
<v Speaker 1>year later? And this was a deal with an indie,

1:02:41.080 --> 1:02:43.400
<v Speaker 1>you know what I mean? Was there any I know that,

1:02:43.480 --> 1:02:48.000
<v Speaker 1>was there any money? Man? We had an upstream they

1:02:48.040 --> 1:02:51.479
<v Speaker 1>had an upstream deal with with Island, but I don't

1:02:51.560 --> 1:02:53.600
<v Speaker 1>think it didn't do anything on the LP that we

1:02:53.640 --> 1:02:55.920
<v Speaker 1>put out, so it wasn't There wasn't really much okay,

1:02:56.040 --> 1:02:59.400
<v Speaker 1>and who recorded who produced it? We had this guy

1:02:59.440 --> 1:03:01.440
<v Speaker 1>named Shano Keith that we really liked. That was a

1:03:01.440 --> 1:03:04.640
<v Speaker 1>local hero that recorded the whole the whole album. So

1:03:04.680 --> 1:03:06.880
<v Speaker 1>how long did it take you to make that album?

1:03:06.960 --> 1:03:08.440
<v Speaker 1>I want to say this is a time when it

1:03:08.480 --> 1:03:12.120
<v Speaker 1>took about okay, So standard would be that it would

1:03:12.160 --> 1:03:14.240
<v Speaker 1>take us three months to make an album, but this

1:03:14.360 --> 1:03:18.880
<v Speaker 1>one we couldn't afford anything. So like there was a

1:03:18.880 --> 1:03:20.600
<v Speaker 1>time when we were we were working at the studio

1:03:20.640 --> 1:03:23.960
<v Speaker 1>called Smart Studio in Madison where they recorded some of

1:03:24.080 --> 1:03:27.080
<v Speaker 1>Nirvana and some garbage and um garbage of the band

1:03:27.240 --> 1:03:31.560
<v Speaker 1>not garbage, and we couldn't afford anything. So we they

1:03:31.560 --> 1:03:34.280
<v Speaker 1>would get us like a case of sprite and a

1:03:34.320 --> 1:03:37.640
<v Speaker 1>case of coke every week, and we were like, instead

1:03:37.720 --> 1:03:39.920
<v Speaker 1>of this case of coke and sprite, can you just

1:03:39.960 --> 1:03:43.040
<v Speaker 1>get us bread and peanut butter and gella because we

1:03:43.080 --> 1:03:45.480
<v Speaker 1>just have any money, um, and we're sleeping on the floors.

1:03:45.600 --> 1:03:49.520
<v Speaker 1>Um yeah, we kind of like people are like, well

1:03:49.600 --> 1:03:51.720
<v Speaker 1>was there, Like you know, like why are these songs

1:03:51.720 --> 1:03:53.560
<v Speaker 1>and the records like these are the only songs we

1:03:53.600 --> 1:03:55.600
<v Speaker 1>had and these are the only songs we could afford,

1:03:55.760 --> 1:04:00.320
<v Speaker 1>so what is the big break? The big break it is?

1:04:00.360 --> 1:04:03.560
<v Speaker 1>So we signed to Fuel by Raman an indie record label. Okay,

1:04:03.760 --> 1:04:09.959
<v Speaker 1>how did that happen? Uh? This guy named John Janet. Yeah,

1:04:09.960 --> 1:04:11.720
<v Speaker 1>he called us up and was like, I want to

1:04:11.760 --> 1:04:14.560
<v Speaker 1>do so he found Yeah, and we and I have

1:04:14.640 --> 1:04:16.919
<v Speaker 1>a book, not a book, but I could make a book,

1:04:16.960 --> 1:04:20.440
<v Speaker 1>a coffee table book of rejection letters from every indie

1:04:20.480 --> 1:04:23.560
<v Speaker 1>label on the planet. Okay, so you were working at

1:04:23.640 --> 1:04:27.160
<v Speaker 1>had you worked Fueled by Raman? We sent them a

1:04:28.040 --> 1:04:30.840
<v Speaker 1>we sent them a yeah, we sent them a demo. Yeah,

1:04:30.880 --> 1:04:33.120
<v Speaker 1>but we didn't really We said he was not responding

1:04:33.160 --> 1:04:35.480
<v Speaker 1>to the demo we heard about you. Otherwise he must

1:04:35.480 --> 1:04:37.040
<v Speaker 1>have heard about us from like MP three dot com

1:04:37.160 --> 1:04:41.720
<v Speaker 1>or something like that. Yeah, okay, so he were there

1:04:41.760 --> 1:04:44.880
<v Speaker 1>any moments before Janet called you? We said, oh, this

1:04:44.920 --> 1:04:47.160
<v Speaker 1>is gonna be the moment, but it turned out it wasn't.

1:04:48.360 --> 1:04:50.760
<v Speaker 1>There were other labels that I really wished we'd I

1:04:50.840 --> 1:04:54.680
<v Speaker 1>really wanted to sign to UM and they just didn't.

1:04:55.240 --> 1:04:57.760
<v Speaker 1>We just didn't sign us. Okay, so Janet calls you

1:04:57.840 --> 1:05:00.680
<v Speaker 1>when you say, yes, he called us and like, I'm

1:05:00.720 --> 1:05:04.520
<v Speaker 1>you know John Janet and and and I've run this

1:05:04.640 --> 1:05:08.200
<v Speaker 1>label with Vinny from Less than Jake and usually the

1:05:08.200 --> 1:05:10.520
<v Speaker 1>other bands that are on the label, and this is

1:05:10.560 --> 1:05:12.240
<v Speaker 1>the thing. And we were like, what is this like

1:05:12.280 --> 1:05:14.880
<v Speaker 1>a sky label? I really know what's going on, but

1:05:15.040 --> 1:05:19.720
<v Speaker 1>he was so excited and he was so uh about

1:05:19.760 --> 1:05:23.520
<v Speaker 1>magnifying our vision that it seemed right. Um, and so yeah,

1:05:23.520 --> 1:05:28.000
<v Speaker 1>we we signed to this little label from Gainesville. Okay,

1:05:28.040 --> 1:05:30.440
<v Speaker 1>but you ultimately went to Ireland. So was this a

1:05:30.480 --> 1:05:33.080
<v Speaker 1>one record deal? How did you work it out? It was?

1:05:34.080 --> 1:05:37.600
<v Speaker 1>It was a one record deal with an option. They

1:05:37.600 --> 1:05:41.240
<v Speaker 1>could pick up the option for how many records? Oh?

1:05:41.320 --> 1:05:43.320
<v Speaker 1>So I don't know if we I think you know

1:05:43.440 --> 1:05:45.959
<v Speaker 1>at the when we when we upstreamed. I'm sure either

1:05:46.040 --> 1:05:49.240
<v Speaker 1>we renegotiated before that record or renegotiated after that record

1:05:49.280 --> 1:05:53.480
<v Speaker 1>for like five or six albums. Okay, so just Fueled

1:05:53.480 --> 1:05:55.880
<v Speaker 1>by Ramen still get a piece of all those records.

1:05:56.680 --> 1:05:59.680
<v Speaker 1>I don't know how their exact money works, but I

1:05:59.680 --> 1:06:04.040
<v Speaker 1>would yes that they got a piece of John got

1:06:04.080 --> 1:06:06.280
<v Speaker 1>a piece of like Futures or something like that on

1:06:06.280 --> 1:06:09.240
<v Speaker 1>our next two records or something like that. But I'm

1:06:09.280 --> 1:06:12.200
<v Speaker 1>gonna assume it all probably had to change when fuel

1:06:12.240 --> 1:06:14.440
<v Speaker 1>by Roman became a part of Atlantic Records. I think

1:06:14.440 --> 1:06:16.720
<v Speaker 1>that it probably had to be because I don't think

1:06:16.760 --> 1:06:18.520
<v Speaker 1>Ireland wants to send them. Okay, when you make the

1:06:18.560 --> 1:06:21.360
<v Speaker 1>deal with fuel by Ramen, you have a real music lawyer.

1:06:23.800 --> 1:06:27.480
<v Speaker 1>Uh we did, Yeah, I think we we we have

1:06:27.760 --> 1:06:32.320
<v Speaker 1>the Uh we have the same lawyer. I would think,

1:06:32.400 --> 1:06:34.960
<v Speaker 1>I don't really know, um, but yeah we had a

1:06:34.960 --> 1:06:38.520
<v Speaker 1>real music layer. Because Crush was smart about that. I

1:06:38.520 --> 1:06:40.760
<v Speaker 1>would say, Okay, you were with Crush before you were

1:06:40.760 --> 1:06:42.920
<v Speaker 1>with Janet. Yeah. Yeah, yeah, they helped us. They were

1:06:42.920 --> 1:06:52.360
<v Speaker 1>pretty instrumental in getting us there. Okay, so the record

1:06:52.440 --> 1:06:56.120
<v Speaker 1>comes out. What is the moment you realize this is

1:06:56.120 --> 1:06:59.400
<v Speaker 1>gonna break? Well, that record, I was like, it's not

1:06:59.400 --> 1:07:01.960
<v Speaker 1>gonna break. It felt good. It was good. It was

1:07:02.000 --> 1:07:04.480
<v Speaker 1>really big underground. We were that band that like every

1:07:04.520 --> 1:07:06.800
<v Speaker 1>kid knew and no adult knew, you know. I mean

1:07:06.840 --> 1:07:09.080
<v Speaker 1>like we were the most famous band with kids and

1:07:09.120 --> 1:07:11.080
<v Speaker 1>no adults. Like we were not famous at all, you

1:07:11.120 --> 1:07:12.360
<v Speaker 1>know what I mean, Like you can walk down the

1:07:12.360 --> 1:07:15.200
<v Speaker 1>street and you could not We couldn't open a taco bell,

1:07:15.280 --> 1:07:21.320
<v Speaker 1>you know, I mean like it's uh. And then um

1:07:21.480 --> 1:07:25.440
<v Speaker 1>we signed to Island. Uh. We had this song Sugar

1:07:25.480 --> 1:07:28.600
<v Speaker 1>We're going down on a record from under the Cork Tree.

1:07:28.640 --> 1:07:32.720
<v Speaker 1>We basically were like, we want to do a video

1:07:32.760 --> 1:07:34.440
<v Speaker 1>for this song, and we didn't get any airplay, We

1:07:34.560 --> 1:07:38.240
<v Speaker 1>got no ads, nothing. Uh. We did a video for

1:07:38.320 --> 1:07:40.720
<v Speaker 1>this song, Sugar, We're Going Down. We wanted to do

1:07:40.760 --> 1:07:42.800
<v Speaker 1>a video that just all the videos we were pitched

1:07:42.800 --> 1:07:46.680
<v Speaker 1>were like party in the backyard, the kids are hanging out,

1:07:46.760 --> 1:07:48.800
<v Speaker 1>they fall in the pool like something, you know, and whatever.

1:07:48.840 --> 1:07:50.600
<v Speaker 1>And it was like, these videos are not going to

1:07:50.640 --> 1:07:52.560
<v Speaker 1>be good. And so we had one video that wasn't

1:07:52.600 --> 1:07:56.120
<v Speaker 1>like that. It was or one um treatment that wasn't

1:07:56.200 --> 1:08:00.439
<v Speaker 1>like that, and we got it was like here boy,

1:08:00.480 --> 1:08:03.000
<v Speaker 1>and it was so bizarre. And so we did that

1:08:03.280 --> 1:08:07.320
<v Speaker 1>and our fans were were into it, and they basically

1:08:07.400 --> 1:08:08.840
<v Speaker 1>ran it up t r L and then once it

1:08:08.880 --> 1:08:11.200
<v Speaker 1>was on tr L, like this is the way it

1:08:11.240 --> 1:08:12.840
<v Speaker 1>worked at the time, I guess, And so it ran

1:08:12.920 --> 1:08:15.760
<v Speaker 1>up on tr L and then again this is two

1:08:15.760 --> 1:08:20.400
<v Speaker 1>three maybe, and it got added to radio and then

1:08:20.479 --> 1:08:23.320
<v Speaker 1>got crossed and that kind of stuff. How did you

1:08:23.400 --> 1:08:29.360
<v Speaker 1>handle that you personally? Before the record came out, I

1:08:29.400 --> 1:08:30.920
<v Speaker 1>was like, oh my god, is this thing going to

1:08:31.000 --> 1:08:33.760
<v Speaker 1>be all over because we're on the precipice of something

1:08:33.760 --> 1:08:40.800
<v Speaker 1>either really big or very small. Um And then yeah,

1:08:40.840 --> 1:08:43.599
<v Speaker 1>and then it was like going zero to like light speed,

1:08:43.640 --> 1:08:45.400
<v Speaker 1>you know what I mean. And it was, it was,

1:08:45.439 --> 1:08:51.640
<v Speaker 1>it was. It was strange because I don't even know

1:08:51.680 --> 1:08:54.400
<v Speaker 1>how I handled it because it was also compressed, like

1:08:54.560 --> 1:08:56.360
<v Speaker 1>you know, like it was so many things happened in

1:08:56.439 --> 1:09:00.160
<v Speaker 1>such a little amount of first there must have been excited, man,

1:09:00.439 --> 1:09:03.760
<v Speaker 1>when you realized it was happening. Yeah, But like I think,

1:09:03.800 --> 1:09:05.680
<v Speaker 1>I'm one of those people that's always like, maybe is

1:09:05.720 --> 1:09:07.599
<v Speaker 1>it really happening? Kind of you know, I mean, so

1:09:07.680 --> 1:09:10.840
<v Speaker 1>even after it was happening. So at this late date,

1:09:11.640 --> 1:09:15.160
<v Speaker 1>do you have a feeling that maybe you could all disappear? Now?

1:09:16.360 --> 1:09:17.920
<v Speaker 1>I have a feeling that we could go on stage

1:09:17.920 --> 1:09:21.120
<v Speaker 1>and nobody would care or nobody would be there for sure.

1:09:21.160 --> 1:09:23.479
<v Speaker 1>Every time before, let's just as soon, for the sake

1:09:23.520 --> 1:09:26.479
<v Speaker 1>of discussion, you never go on the road again. You've

1:09:26.479 --> 1:09:31.080
<v Speaker 1>got enough money to get to the end, yeah, I think, so, okay,

1:09:31.200 --> 1:09:34.479
<v Speaker 1>so let's go back. The band breaks, suddenly you become

1:09:34.520 --> 1:09:38.000
<v Speaker 1>this big entrepreneur. Okay, you're signing other acts, whatever, How

1:09:38.000 --> 1:09:44.240
<v Speaker 1>does that start? I always thought of the band and

1:09:44.320 --> 1:09:47.600
<v Speaker 1>everything all of it as like something bigger, like the

1:09:47.600 --> 1:09:49.759
<v Speaker 1>thing that I always liked about like punk rock music

1:09:49.880 --> 1:09:52.000
<v Speaker 1>was it was like it was a world you know,

1:09:52.160 --> 1:09:54.759
<v Speaker 1>like you create a world, and you know, like Billy

1:09:54.880 --> 1:09:58.719
<v Speaker 1>Joel and Metallica and all these artists that I really love,

1:09:59.479 --> 1:10:02.000
<v Speaker 1>Kanye Out like all these artists I love, created like

1:10:02.040 --> 1:10:04.000
<v Speaker 1>something that was bigger that you could kind of like

1:10:04.560 --> 1:10:07.240
<v Speaker 1>go there, you know what I mean. And so that's

1:10:07.240 --> 1:10:09.840
<v Speaker 1>what I always thought of it as. And so there

1:10:09.960 --> 1:10:13.439
<v Speaker 1>was merch, but it all felt cohesive to me. Like

1:10:13.479 --> 1:10:15.679
<v Speaker 1>the thing that I like, the thing I've always felt about,

1:10:15.680 --> 1:10:17.960
<v Speaker 1>like the label and and the bands that I've signed,

1:10:18.000 --> 1:10:20.479
<v Speaker 1>is the like the thing that people I like the

1:10:20.520 --> 1:10:22.960
<v Speaker 1>most about Seinfeld is they walk into each other's apartments,

1:10:23.000 --> 1:10:24.479
<v Speaker 1>you know what I mean, Like Cramer could walk in

1:10:24.520 --> 1:10:27.200
<v Speaker 1>at any time. Like it's cool that like they that

1:10:27.360 --> 1:10:31.599
<v Speaker 1>Jerry like them individual individually are interesting, but it's really

1:10:31.640 --> 1:10:33.640
<v Speaker 1>interesting that they're all friends with each other. That's what

1:10:33.680 --> 1:10:36.040
<v Speaker 1>I always thought about, like the the bands, you know

1:10:36.080 --> 1:10:39.519
<v Speaker 1>what I mean. Okay, So how did you decide that

1:10:39.560 --> 1:10:43.679
<v Speaker 1>you're gonna have your own label and signed bands? Uh?

1:10:43.840 --> 1:10:47.599
<v Speaker 1>I first heard this band Gym Class Heroes, and thought

1:10:47.600 --> 1:10:50.679
<v Speaker 1>it was super clever and didn't fit in anywhere, And

1:10:50.720 --> 1:10:53.800
<v Speaker 1>I took it to my label, uh, to my Too

1:10:54.560 --> 1:10:56.760
<v Speaker 1>Island at the time, and and I think. They were

1:10:56.840 --> 1:10:59.240
<v Speaker 1>kind of like, I don't this doesn't make any sense,

1:10:59.280 --> 1:11:01.519
<v Speaker 1>and like, would you have to sign a band? You

1:11:01.560 --> 1:11:03.000
<v Speaker 1>know what I mean? So I was like, well, that's

1:11:03.040 --> 1:11:05.080
<v Speaker 1>not gonna work. Uh, And so I went back in

1:11:05.200 --> 1:11:10.759
<v Speaker 1>a called Janet and he was Janet is is very

1:11:11.000 --> 1:11:13.559
<v Speaker 1>very very good at betting on horses, and he's very

1:11:13.600 --> 1:11:17.160
<v Speaker 1>good at like, um, like I said, magnifying a vision,

1:11:17.200 --> 1:11:19.680
<v Speaker 1>you know what I mean. And so he he and

1:11:19.680 --> 1:11:21.839
<v Speaker 1>he understood all the stuff that I didn't like understand.

1:11:21.840 --> 1:11:23.200
<v Speaker 1>Like he was like, we're gonna do an end cap

1:11:23.240 --> 1:11:24.960
<v Speaker 1>here and like this is what the you know what

1:11:24.960 --> 1:11:26.720
<v Speaker 1>I mean? And I was like, I don't really like

1:11:26.760 --> 1:11:28.479
<v Speaker 1>I don't want to be I don't I don't care

1:11:28.479 --> 1:11:29.720
<v Speaker 1>about that part of it really, you know. I mean

1:11:29.760 --> 1:11:31.559
<v Speaker 1>I might care about it more than other guys in bands,

1:11:31.600 --> 1:11:34.479
<v Speaker 1>but I don't really care about it. And so he

1:11:34.520 --> 1:11:36.479
<v Speaker 1>was like, yeah, let's sign them together, and so we

1:11:36.520 --> 1:11:40.599
<v Speaker 1>signed Jim Class Heroes and then the guys in Panic

1:11:40.640 --> 1:11:43.240
<v Speaker 1>of the Disco um Ryan at the time, one of

1:11:43.240 --> 1:11:44.640
<v Speaker 1>the guitarists in the band was kind of like he

1:11:44.720 --> 1:11:47.400
<v Speaker 1>was like, your band sucks to me, and it was

1:11:47.439 --> 1:11:50.080
<v Speaker 1>like and I was like, what what is this? Kid saying,

1:11:50.920 --> 1:11:53.560
<v Speaker 1>and he was like, oh, yeah, check out my band.

1:11:53.880 --> 1:11:55.960
<v Speaker 1>And I was like, okay, I'm gonna go check this

1:11:56.000 --> 1:11:57.960
<v Speaker 1>band out and I'm gonna come back here and tell

1:11:58.040 --> 1:12:02.320
<v Speaker 1>this guy how bad his band is and uh, because

1:12:02.360 --> 1:12:04.760
<v Speaker 1>it was just a human reaction. Um, and I went

1:12:04.800 --> 1:12:07.400
<v Speaker 1>and listened. I was like, this band is like maybe

1:12:07.439 --> 1:12:10.479
<v Speaker 1>one of the best man's I've ever heard, and um

1:12:11.360 --> 1:12:13.320
<v Speaker 1>when they called panic at the disco, they where they

1:12:13.320 --> 1:12:15.840
<v Speaker 1>were they were and how what what were they doing?

1:12:15.960 --> 1:12:18.360
<v Speaker 1>Could they tour? No? No, no, they couldn't even play

1:12:18.360 --> 1:12:19.680
<v Speaker 1>some of these songs. They never played lives, so they

1:12:19.720 --> 1:12:22.160
<v Speaker 1>couldn't even play they were I went to the rehearsal

1:12:22.160 --> 1:12:24.600
<v Speaker 1>space in Vegas and they were like I was like,

1:12:24.600 --> 1:12:26.120
<v Speaker 1>play this song and they were like, we can't even

1:12:26.160 --> 1:12:27.920
<v Speaker 1>play it. We don't even know how, like we don't

1:12:27.920 --> 1:12:31.960
<v Speaker 1>even know how to play it. Um. I remember going

1:12:32.000 --> 1:12:36.320
<v Speaker 1>to to Brendon the singer's house. He was seventeen or

1:12:36.320 --> 1:12:40.320
<v Speaker 1>eighteen seventeen. He was young, and I was supposed to

1:12:40.320 --> 1:12:42.439
<v Speaker 1>talk to his parents, right, and I was supposed to

1:12:42.479 --> 1:12:45.000
<v Speaker 1>tell him that, like, don't worry, it's gonna be all

1:12:45.040 --> 1:12:48.080
<v Speaker 1>gonna be okay, Like what ye are we in there's

1:12:48.080 --> 1:12:53.760
<v Speaker 1>maybe two thousand six, and I'm like sitting here, and

1:12:53.800 --> 1:12:57.599
<v Speaker 1>I remember walking into the house and looking and on

1:12:57.680 --> 1:13:00.439
<v Speaker 1>the on the table his family's more and on the

1:13:00.439 --> 1:13:02.960
<v Speaker 1>table there was a book that said Santa and the

1:13:03.040 --> 1:13:05.559
<v Speaker 1>christ Child. And I remember in my head being like,

1:13:06.000 --> 1:13:08.320
<v Speaker 1>I'm fucked. I was like, I am fucked. I have

1:13:08.439 --> 1:13:10.519
<v Speaker 1>no I'm in so far over my head right now.

1:13:10.560 --> 1:13:13.320
<v Speaker 1>I have no idea what to tell these people. And

1:13:13.840 --> 1:13:17.360
<v Speaker 1>we figured it out. Okay, you sign these acts. How

1:13:17.439 --> 1:13:19.800
<v Speaker 1>much did you have to do with the making and

1:13:20.080 --> 1:13:23.599
<v Speaker 1>records and marketing them. I really care about the marketing

1:13:23.600 --> 1:13:27.080
<v Speaker 1>because I think marketing, uh, when done right, can be

1:13:27.520 --> 1:13:30.840
<v Speaker 1>part cohesive with the art, you know. I mean I

1:13:30.920 --> 1:13:36.800
<v Speaker 1>think that you when when when when marketing is done well,

1:13:37.000 --> 1:13:40.040
<v Speaker 1>it feels like it's all part of the same thing.

1:13:40.120 --> 1:13:41.800
<v Speaker 1>Like it feels like you're like, oh my god, this

1:13:41.840 --> 1:13:45.639
<v Speaker 1>is like, uh, it doesn't it doesn't. It's not jarring

1:13:45.640 --> 1:13:47.759
<v Speaker 1>because it feels like you're part of it. When marketing

1:13:47.840 --> 1:13:50.400
<v Speaker 1>is done poorly, it is like the worst thing on

1:13:50.400 --> 1:13:52.160
<v Speaker 1>the planet, and it feels like you're like, well, why

1:13:52.200 --> 1:13:54.160
<v Speaker 1>are they doing that? This doesn't you know, it doesn't

1:13:54.200 --> 1:13:58.400
<v Speaker 1>feel barnament talking marketing you're you're not talking like in caps,

1:13:58.600 --> 1:14:01.599
<v Speaker 1>You're talking more like a ven events in the big vision,

1:14:01.640 --> 1:14:03.719
<v Speaker 1>and like what is the story we're trying to tell?

1:14:03.840 --> 1:14:07.800
<v Speaker 1>And like what can we do that's gonna be uh counterintuitive?

1:14:07.840 --> 1:14:09.479
<v Speaker 1>And what can we do that like no one else

1:14:09.560 --> 1:14:13.920
<v Speaker 1>is doing uh at the time. Um yeah, And I

1:14:13.960 --> 1:14:19.519
<v Speaker 1>think that, like my goal with the bands has always

1:14:19.520 --> 1:14:21.360
<v Speaker 1>been to a like the thing the best thing I

1:14:21.479 --> 1:14:23.960
<v Speaker 1>learned from John was to magnify people's vision and like

1:14:24.320 --> 1:14:27.800
<v Speaker 1>and then to tell people to try and tell people

1:14:27.920 --> 1:14:31.000
<v Speaker 1>like you can make any decisions that you want to make,

1:14:31.000 --> 1:14:33.719
<v Speaker 1>because this is your journey and it's gonna be different

1:14:33.720 --> 1:14:38.000
<v Speaker 1>than my journey. But like if you go down and

1:14:38.160 --> 1:14:41.360
<v Speaker 1>close this door or open this door, these doors over

1:14:41.400 --> 1:14:44.320
<v Speaker 1>here will close probably. And my it's been my experience

1:14:44.360 --> 1:14:46.960
<v Speaker 1>that like right now you think that like the only

1:14:47.000 --> 1:14:49.160
<v Speaker 1>thing that matters is through this door, but like all

1:14:49.200 --> 1:14:51.680
<v Speaker 1>these doors that are like way further ahead in the

1:14:51.760 --> 1:14:54.519
<v Speaker 1>journey will be closed because of this decision. And like

1:14:54.600 --> 1:14:58.760
<v Speaker 1>it's I think that trying to be someone's coach and

1:14:58.840 --> 1:15:02.200
<v Speaker 1>big brother and and cheerleader has been like the most

1:15:02.240 --> 1:15:05.240
<v Speaker 1>important part of that and like nurturing that and making

1:15:05.400 --> 1:15:07.360
<v Speaker 1>hoping that people aren't going to make the like big mistakes.

1:15:07.360 --> 1:15:10.960
<v Speaker 1>Okay if this late data you signing bands, oh yeah, yeah,

1:15:10.960 --> 1:15:14.000
<v Speaker 1>I mean I'm trying to. I mean it's different now

1:15:14.040 --> 1:15:16.200
<v Speaker 1>because like okay, so when we were signing those bands

1:15:16.800 --> 1:15:21.880
<v Speaker 1>at the time, you know, there's no major labels cared

1:15:21.880 --> 1:15:27.559
<v Speaker 1>about any of it, and um, social media wasn't what

1:15:27.640 --> 1:15:29.559
<v Speaker 1>it is like the people that were on social media.

1:15:29.680 --> 1:15:31.720
<v Speaker 1>It's just not like now it's like every people like

1:15:32.040 --> 1:15:33.840
<v Speaker 1>that's their jobs, you know or whatever. I think that

1:15:33.960 --> 1:15:40.160
<v Speaker 1>like between like when us are the label and crush

1:15:40.479 --> 1:15:42.960
<v Speaker 1>and the team is working really well together, we're very

1:15:43.120 --> 1:15:45.759
<v Speaker 1>very good at taking somebody from zero to eighty thousand

1:15:46.080 --> 1:15:49.280
<v Speaker 1>units or whatever you want to to determine the units by.

1:15:49.479 --> 1:15:51.600
<v Speaker 1>I think major labels are really good, like when you

1:15:51.600 --> 1:15:53.479
<v Speaker 1>need to pour gas on that and you need terrestrial

1:15:53.600 --> 1:15:55.800
<v Speaker 1>radio or whatever. But like I don't think that I

1:15:55.800 --> 1:15:59.320
<v Speaker 1>think that they are particularly not suited for going zero

1:15:59.360 --> 1:16:02.320
<v Speaker 1>to eighty tho and and I think that now because

1:16:04.920 --> 1:16:07.080
<v Speaker 1>streaming is what it is and it's more about having

1:16:07.120 --> 1:16:09.720
<v Speaker 1>bandwidth than anything else. That like you sign everything because

1:16:09.760 --> 1:16:11.639
<v Speaker 1>it's like it doesn't cost you any money and like

1:16:11.960 --> 1:16:14.599
<v Speaker 1>you're getting paid based on the amount of you know,

1:16:14.760 --> 1:16:17.519
<v Speaker 1>the pie you're selling or the amount of pie people

1:16:17.520 --> 1:16:21.280
<v Speaker 1>are listening to, you know, And so people are being

1:16:21.320 --> 1:16:24.320
<v Speaker 1>signed now like before. Like so our biggest problem at

1:16:24.320 --> 1:16:27.360
<v Speaker 1>the time was that, like people were in bad management situations,

1:16:27.360 --> 1:16:33.280
<v Speaker 1>and that like sometimes was like a really made it difficult,

1:16:33.320 --> 1:16:34.759
<v Speaker 1>you know what I mean, Like when you were signed

1:16:34.760 --> 1:16:36.719
<v Speaker 1>in you're signed to a bad manager and the manager

1:16:36.720 --> 1:16:39.280
<v Speaker 1>wanted to do just had like bad ideas and you

1:16:39.280 --> 1:16:40.640
<v Speaker 1>were in a bad deal and there's no way you

1:16:40.680 --> 1:16:43.439
<v Speaker 1>were ever gonna make money. That was tough. Now, I mean,

1:16:43.600 --> 1:16:47.680
<v Speaker 1>major labels just signed bands and artists way smaller than

1:16:47.720 --> 1:16:51.639
<v Speaker 1>I think they would and should. So what's the last

1:16:51.680 --> 1:16:56.240
<v Speaker 1>band you signed? We signed this kid? Uh, nothing nowhere.

1:16:56.360 --> 1:17:01.559
<v Speaker 1>Um he's the first of the sound cloud rappers, I

1:17:01.560 --> 1:17:04.880
<v Speaker 1>guess to really go into the you know, I did

1:17:04.920 --> 1:17:09.200
<v Speaker 1>that deal with um Fuel by Ramen in Atlantic. Uh

1:17:09.280 --> 1:17:12.839
<v Speaker 1>and and he's like the first of the SoundCloud rappers

1:17:12.880 --> 1:17:17.679
<v Speaker 1>too at the time to a bigger deal. And Okay,

1:17:17.680 --> 1:17:20.160
<v Speaker 1>so at this point, you also had a storefront where

1:17:20.200 --> 1:17:24.680
<v Speaker 1>you sold ship that's dormant at this point. It is. Yeah, yeah,

1:17:24.680 --> 1:17:27.600
<v Speaker 1>that was in Chicago. It just was super expensive and

1:17:27.680 --> 1:17:29.320
<v Speaker 1>didn't really make a lot of money. But it was

1:17:29.360 --> 1:17:32.519
<v Speaker 1>a fun clubhouse to hang out and okay, and then

1:17:32.560 --> 1:17:35.760
<v Speaker 1>but also online you were selling stuff too. Yeah, but

1:17:35.960 --> 1:17:38.519
<v Speaker 1>you're still doing that. Yeah, yeah I do. I do,

1:17:38.600 --> 1:17:41.519
<v Speaker 1>like a jewelry clothing line online. Yeah, but didn't you

1:17:41.520 --> 1:17:45.000
<v Speaker 1>have a deal with one of the major uh, with

1:17:45.120 --> 1:17:49.600
<v Speaker 1>another company to sell your stuff in their store? Oh yeah,

1:17:49.640 --> 1:17:52.080
<v Speaker 1>maybe I haven't done a couple of those deals the time.

1:17:52.120 --> 1:17:56.400
<v Speaker 1>I guess you know you're not smiling. No, I'm I

1:17:56.439 --> 1:18:02.360
<v Speaker 1>think that any of these things any I've learned a

1:18:02.360 --> 1:18:04.280
<v Speaker 1>lot in the ways that, Like, so we did a

1:18:04.280 --> 1:18:05.880
<v Speaker 1>bar for a long time. So we did a bar

1:18:05.960 --> 1:18:07.559
<v Speaker 1>where we had one in New York, we had one

1:18:07.600 --> 1:18:09.919
<v Speaker 1>in l A, we had one in Chicago, wan in Barcelona,

1:18:10.000 --> 1:18:12.519
<v Speaker 1>and basically it was like we started this bar because

1:18:13.240 --> 1:18:15.479
<v Speaker 1>we would go to clubs and they would like let

1:18:15.520 --> 1:18:17.320
<v Speaker 1>me and the band in, but they wouldn't let any

1:18:17.360 --> 1:18:19.519
<v Speaker 1>of our other like goofy friends in, and we were like,

1:18:19.560 --> 1:18:21.320
<v Speaker 1>we just want to go somewhere to hang out. Um.

1:18:22.439 --> 1:18:24.880
<v Speaker 1>But you learn a lot about like how much you

1:18:24.920 --> 1:18:28.040
<v Speaker 1>want to manage things and how like whether you want

1:18:28.080 --> 1:18:31.080
<v Speaker 1>to be deciding every night, like you need something happening

1:18:31.080 --> 1:18:32.519
<v Speaker 1>every night in a bar and you want to if

1:18:32.520 --> 1:18:34.639
<v Speaker 1>you want to be micro managing that and if you're

1:18:34.840 --> 1:18:37.200
<v Speaker 1>not gonna be micro managing it is like finding a

1:18:37.240 --> 1:18:39.519
<v Speaker 1>partner that understands the markets. And I think that that's

1:18:39.520 --> 1:18:41.759
<v Speaker 1>the same thing as like if you do a licensing

1:18:41.760 --> 1:18:46.120
<v Speaker 1>deal or if you do uh clothing, and you know,

1:18:46.120 --> 1:18:50.120
<v Speaker 1>like more and more I meet you know, aspiring um

1:18:50.479 --> 1:18:52.960
<v Speaker 1>musicians who want to do all these different things, which

1:18:53.000 --> 1:18:55.599
<v Speaker 1>is cool, Like a lot of them are really cool

1:18:55.640 --> 1:18:57.680
<v Speaker 1>and a lot of them are really big already you

1:18:57.680 --> 1:19:00.080
<v Speaker 1>know or whatever. UM, But I think you have to

1:19:00.160 --> 1:19:05.280
<v Speaker 1>be you gotta be careful like who your partners are,

1:19:05.360 --> 1:19:07.800
<v Speaker 1>you know, I mean, I think you have to work

1:19:07.840 --> 1:19:10.000
<v Speaker 1>with people that you know are going to be honest

1:19:10.160 --> 1:19:12.519
<v Speaker 1>with you. And I don't know, like I mean, I've

1:19:12.560 --> 1:19:16.599
<v Speaker 1>never had a um a written contract with crush I think,

1:19:16.680 --> 1:19:18.439
<v Speaker 1>you know, I remember like j D told me, like

1:19:18.520 --> 1:19:20.400
<v Speaker 1>I don't I don't ever want to be in court

1:19:20.880 --> 1:19:24.360
<v Speaker 1>uh with somebody that I work with. And and that's

1:19:24.400 --> 1:19:25.800
<v Speaker 1>like the thing that makes the most sense to me

1:19:25.880 --> 1:19:27.639
<v Speaker 1>is that, like you have to find partners that like

1:19:28.080 --> 1:19:30.400
<v Speaker 1>where you understand each other and you understand each other's

1:19:30.400 --> 1:19:32.639
<v Speaker 1>strengths and weaknesses and you try to fill in those cracks.

1:19:32.760 --> 1:19:37.080
<v Speaker 1>So how did the bar end? Oh man? So the bar, so,

1:19:37.160 --> 1:19:40.599
<v Speaker 1>the one that we had in New York was basically

1:19:40.640 --> 1:19:44.160
<v Speaker 1>like this tiny, tiny, tiny bar in in Alphabet City

1:19:44.360 --> 1:19:48.080
<v Speaker 1>and it was impossible going to drink when it was filled,

1:19:48.120 --> 1:19:51.200
<v Speaker 1>and we had great karaoke there. But basically they would

1:19:51.200 --> 1:19:55.080
<v Speaker 1>send like, uh, a twenty year old undercover police officer

1:19:55.200 --> 1:19:58.479
<v Speaker 1>like one year and would you know, like it's so

1:19:58.520 --> 1:20:00.960
<v Speaker 1>hard listen, I'm not alreading at the door, but like

1:20:01.000 --> 1:20:03.519
<v Speaker 1>obviously like the tabloid headline, it's like that I am,

1:20:03.560 --> 1:20:06.280
<v Speaker 1>you know, but like a thirty thousand dollar ticket can

1:20:06.280 --> 1:20:08.200
<v Speaker 1>put you out of business when you're a bar that small,

1:20:08.240 --> 1:20:10.240
<v Speaker 1>you know what I mean? So did you wait? It

1:20:10.320 --> 1:20:12.360
<v Speaker 1>never became my bar until it was like in in

1:20:12.400 --> 1:20:15.000
<v Speaker 1>the tabloid headline when it was like served to an

1:20:15.040 --> 1:20:19.600
<v Speaker 1>underage cop, it was my bar, but like otherwise it

1:20:19.640 --> 1:20:22.240
<v Speaker 1>wasn't okay. So what do you think of the tabloids

1:20:22.280 --> 1:20:29.000
<v Speaker 1>and uh and social media discussion today? Um, I mean,

1:20:29.040 --> 1:20:31.080
<v Speaker 1>I think the people are able to use social media

1:20:31.200 --> 1:20:35.920
<v Speaker 1>in a way that, uh, you're able to respond to

1:20:36.000 --> 1:20:37.680
<v Speaker 1>things that are you know, like you're able to like

1:20:38.479 --> 1:20:41.880
<v Speaker 1>like I follow Kim Kardashian and she's able to respond

1:20:41.960 --> 1:20:43.840
<v Speaker 1>and be like that's not true. This is true, Like

1:20:43.920 --> 1:20:46.800
<v Speaker 1>this is actually what happened, you know, like Kanye didn't

1:20:46.960 --> 1:20:49.200
<v Speaker 1>fall off a horse at Sunday Service. That's not real

1:20:49.320 --> 1:20:50.680
<v Speaker 1>or whatever. You know, like in a way that I

1:20:50.720 --> 1:20:54.479
<v Speaker 1>guess you couldn't have before. Um, And I think that,

1:20:54.600 --> 1:20:57.040
<v Speaker 1>like it's interesting because there's like a whole lot of people.

1:20:58.280 --> 1:21:00.320
<v Speaker 1>It's just like again there's like the cow as. I'm

1:21:00.360 --> 1:21:02.960
<v Speaker 1>so big between like the people who are like living

1:21:03.720 --> 1:21:06.160
<v Speaker 1>old like mystery and people who are like like the

1:21:06.200 --> 1:21:09.439
<v Speaker 1>new age who film everything. You know, there's just like

1:21:09.479 --> 1:21:12.400
<v Speaker 1>a big divide between them, you know what I mean,

1:21:12.479 --> 1:21:15.040
<v Speaker 1>that's clearly like a generational divide. You know, I lived

1:21:15.040 --> 1:21:18.639
<v Speaker 1>next to I used to live next to YouTuber's. Um.

1:21:19.439 --> 1:21:21.479
<v Speaker 1>They were the nicest people that I think that I've

1:21:21.520 --> 1:21:25.240
<v Speaker 1>ever had as neighbors. But like you would go, you

1:21:25.280 --> 1:21:27.719
<v Speaker 1>go to their house and they film like absolutely everything,

1:21:27.760 --> 1:21:29.760
<v Speaker 1>you know, right, Well, you know, most YouTubers burned out

1:21:29.840 --> 1:21:32.880
<v Speaker 1>because they gotta to create that content satiate their audience

1:21:32.920 --> 1:21:36.240
<v Speaker 1>on a regular basis. But you were tabloid fodder when

1:21:36.240 --> 1:21:39.200
<v Speaker 1>you were married to Ashley Simpson. So how did what

1:21:39.280 --> 1:21:49.360
<v Speaker 1>was that experience, Like, Um, it's very difficult to It's

1:21:49.680 --> 1:21:53.120
<v Speaker 1>I think it's really hard to navigate life when there's

1:21:53.439 --> 1:21:57.000
<v Speaker 1>constantly headlines of people being like you're doing this, you're

1:21:57.040 --> 1:21:58.600
<v Speaker 1>doing that, You're not doing that, you know what I mean. Like,

1:21:58.640 --> 1:22:01.280
<v Speaker 1>I think it's until you realize that, like you just

1:22:01.360 --> 1:22:04.400
<v Speaker 1>want to you're just gonna be who you are, you

1:22:04.400 --> 1:22:06.040
<v Speaker 1>know what I mean. Like, and it doesn't really matter

1:22:06.160 --> 1:22:08.760
<v Speaker 1>if people take pictures of you, like picking your nose

1:22:08.840 --> 1:22:11.519
<v Speaker 1>or whatever. It is, like you just have to Once

1:22:11.560 --> 1:22:14.760
<v Speaker 1>you come to terms with that, then I think it's

1:22:14.760 --> 1:22:19.080
<v Speaker 1>all right. It's interesting, Like I listened to um Leonardo

1:22:19.200 --> 1:22:21.479
<v Speaker 1>and and I don't I'm not close enough with him

1:22:21.479 --> 1:22:23.679
<v Speaker 1>to call Leo, I think, but uh and and Brad

1:22:23.720 --> 1:22:25.720
<v Speaker 1>Pitt talking and they were just talking about how like

1:22:26.240 --> 1:22:28.040
<v Speaker 1>he was talking about how like you know, his friends

1:22:28.040 --> 1:22:30.240
<v Speaker 1>always find like you know, like try to find ways

1:22:30.280 --> 1:22:33.040
<v Speaker 1>to game the thing where they'll have they'll he'll they'll say,

1:22:33.080 --> 1:22:34.720
<v Speaker 1>like you put on I'll put on your hat and

1:22:34.760 --> 1:22:36.360
<v Speaker 1>I'll put on the sunglass and I'll walk out, you

1:22:36.360 --> 1:22:38.080
<v Speaker 1>know or whatever, and he's like it just never works,

1:22:38.080 --> 1:22:41.160
<v Speaker 1>and it's like it it doesn't, you know what I mean.

1:22:41.280 --> 1:22:48.000
<v Speaker 1>Like I think that like, uh, that relentless interest in

1:22:48.280 --> 1:22:54.280
<v Speaker 1>what entertainers or whoever do, like you know, like is

1:22:54.760 --> 1:22:57.840
<v Speaker 1>like like I had a guy yesterday who asked me, like,

1:22:58.360 --> 1:23:01.240
<v Speaker 1>what my opinion on like the Royal is leaving? And

1:23:01.280 --> 1:23:03.440
<v Speaker 1>I was like, I haven't even really like ever thought

1:23:03.200 --> 1:23:05.519
<v Speaker 1>of I don't know why anybody would want my opinion

1:23:05.640 --> 1:23:08.000
<v Speaker 1>because I just like have never even really never for

1:23:08.040 --> 1:23:10.760
<v Speaker 1>you to say something outrageous. I'm sure you know what

1:23:10.800 --> 1:23:15.439
<v Speaker 1>I mean. Um, it's just it's yeah, it's it's it's

1:23:15.520 --> 1:23:20.519
<v Speaker 1>super super super bizarre. Like it doesn't it feels like

1:23:20.520 --> 1:23:22.160
<v Speaker 1>you're in a simulation or something like that, you know

1:23:22.160 --> 1:23:25.759
<v Speaker 1>what I mean, Like it doesn't feel real life. Okay,

1:23:25.840 --> 1:23:28.960
<v Speaker 1>So at this late stage, you've achieved so much, but

1:23:29.080 --> 1:23:32.559
<v Speaker 1>is there a dream beyond this? Man, there's always dreams.

1:23:32.560 --> 1:23:37.960
<v Speaker 1>There's like you know, I remember our band, Uh, this

1:23:38.000 --> 1:23:40.240
<v Speaker 1>is a dream, an unachieved dream that I don't think

1:23:40.240 --> 1:23:41.720
<v Speaker 1>we can't that I don't think we can achieve. But

1:23:41.760 --> 1:23:43.880
<v Speaker 1>it was this is the way that I think in

1:23:44.000 --> 1:23:47.800
<v Speaker 1>our band things is that I remember being late at

1:23:47.880 --> 1:23:48.880
<v Speaker 1>night and I was like, I want to be the

1:23:48.880 --> 1:23:51.679
<v Speaker 1>first band to play on every continent, all five continents,

1:23:52.360 --> 1:23:55.639
<v Speaker 1>emailed to my manager. He goes, it's great, there's seven continents,

1:23:55.680 --> 1:24:04.080
<v Speaker 1>but like, actually it's crazy. Uh and um, so we

1:24:04.120 --> 1:24:07.160
<v Speaker 1>went and we took uh. We went and played in Chile,

1:24:07.800 --> 1:24:10.760
<v Speaker 1>and then we took a trip to the southernmost point

1:24:10.800 --> 1:24:14.719
<v Speaker 1>of Chile, which is called Punta Arenas, and we basically

1:24:14.720 --> 1:24:17.800
<v Speaker 1>stayed in this town, um, waiting to fly to Antarctica,

1:24:17.880 --> 1:24:19.640
<v Speaker 1>and like we were taking a C one thirty or

1:24:19.680 --> 1:24:22.120
<v Speaker 1>something to Antarctica, but it was the runway was never

1:24:22.160 --> 1:24:23.880
<v Speaker 1>clear because we came at the very last time you

1:24:23.880 --> 1:24:26.320
<v Speaker 1>could really fly to Antarctica, and we were in this town,

1:24:26.720 --> 1:24:29.360
<v Speaker 1>in this hotel, and like the last interesting thing that

1:24:29.400 --> 1:24:31.120
<v Speaker 1>had kind of happened there was like sheep or something.

1:24:31.160 --> 1:24:32.840
<v Speaker 1>So we were like we were like the Beatles. Our

1:24:32.880 --> 1:24:36.760
<v Speaker 1>hotel was surrounded with people like freaking out, and how

1:24:36.760 --> 1:24:39.400
<v Speaker 1>many people lived there at that time. I think we

1:24:39.439 --> 1:24:40.880
<v Speaker 1>had the whole town outside of us, you know what

1:24:40.880 --> 1:24:43.200
<v Speaker 1>I mean. Like it was actually it was just it

1:24:43.280 --> 1:24:45.160
<v Speaker 1>was big because there was nothing else, you know what

1:24:45.200 --> 1:24:48.479
<v Speaker 1>I mean. Um, And we didn't end up we didn't

1:24:48.560 --> 1:24:49.920
<v Speaker 1>end up being able to make the we didn't end

1:24:50.000 --> 1:24:53.240
<v Speaker 1>up actually being able to ever fly to to Antarctica

1:24:53.479 --> 1:24:55.679
<v Speaker 1>and we never were the first man, I think Metallica

1:24:55.760 --> 1:24:59.120
<v Speaker 1>ended up doing Ittallica did go to Antic, so they

1:24:59.120 --> 1:25:02.519
<v Speaker 1>did that. They were know but like I think to me,

1:25:04.400 --> 1:25:09.839
<v Speaker 1>things like that are are interesting, like the playing places

1:25:09.840 --> 1:25:14.360
<v Speaker 1>that we've never been and uh, like that's what's interesting.

1:25:14.400 --> 1:25:17.000
<v Speaker 1>And like being and learning from the cultures and being

1:25:17.040 --> 1:25:19.400
<v Speaker 1>able to like infuse that back into the music and

1:25:19.760 --> 1:25:21.800
<v Speaker 1>like that's what's interesting. Those are like the like I

1:25:21.800 --> 1:25:24.360
<v Speaker 1>mean the stadium tour um, like these things are all

1:25:24.400 --> 1:25:28.360
<v Speaker 1>like okay, But you're a multifaceted guy. Dude, what do

1:25:28.400 --> 1:25:31.719
<v Speaker 1>you see yourself? You see yourself as a bass player,

1:25:31.800 --> 1:25:35.280
<v Speaker 1>a lyric writer, member of the band, uh A and

1:25:35.439 --> 1:25:38.400
<v Speaker 1>R guy, how do you see yourself? What's the most

1:25:38.400 --> 1:25:41.280
<v Speaker 1>important thing to you? Oh, it's my the most important

1:25:41.320 --> 1:25:48.519
<v Speaker 1>thing to me, um, besides my family. Um. You know.

1:25:48.560 --> 1:25:51.800
<v Speaker 1>I I always talked to my manager J D H

1:25:52.400 --> 1:25:54.720
<v Speaker 1>and I think that you know, we talked about like

1:25:54.760 --> 1:25:56.720
<v Speaker 1>how his book or my book would be titled like

1:25:56.760 --> 1:26:01.240
<v Speaker 1>My Proximity to Greatness, And it's like I just really

1:26:01.360 --> 1:26:04.160
<v Speaker 1>like being around people and like pouring the gasoline on

1:26:04.200 --> 1:26:06.760
<v Speaker 1>their thing and like seeing their thing happen and be

1:26:06.920 --> 1:26:08.400
<v Speaker 1>a part of it. You know what I mean, and

1:26:08.680 --> 1:26:11.760
<v Speaker 1>especially when it's like something that nobody ever thought was

1:26:11.760 --> 1:26:13.320
<v Speaker 1>gonna happen, you know what I mean, or like it

1:26:13.360 --> 1:26:15.719
<v Speaker 1>came out of nowhere, and that's like the most exciting

1:26:15.760 --> 1:26:19.720
<v Speaker 1>to me. And like seeing like you know, Brendan you know,

1:26:19.760 --> 1:26:23.360
<v Speaker 1>backflipping with like Taylor Swift on a you know, like

1:26:23.439 --> 1:26:25.160
<v Speaker 1>I'm like, oh my god, like is this happening? Like

1:26:25.200 --> 1:26:27.040
<v Speaker 1>this kid was like in you know, like I was

1:26:27.240 --> 1:26:29.080
<v Speaker 1>looking at Santa and the christ Child at his house

1:26:29.120 --> 1:26:30.800
<v Speaker 1>like thinking like oh my god, like what am I doing?

1:26:30.840 --> 1:26:33.880
<v Speaker 1>You know? I mean, like so those that's for sure

1:26:34.000 --> 1:26:37.799
<v Speaker 1>the most exciting thing to me is like the rooting

1:26:37.800 --> 1:26:39.920
<v Speaker 1>for the underdog when the underdog like gets a hidden

1:26:39.920 --> 1:26:43.439
<v Speaker 1>you know. I mean, like that's by far the most interesting. Okay,

1:26:44.160 --> 1:26:46.760
<v Speaker 1>you pretty much have access to anything. Your name big

1:26:46.840 --> 1:26:50.679
<v Speaker 1>enough opens every door or not. Oh no, I don't

1:26:50.680 --> 1:26:56.040
<v Speaker 1>think so. I think that like so like man, it's

1:26:56.040 --> 1:26:58.360
<v Speaker 1>so funny because I think the access keeps changing as

1:26:58.400 --> 1:26:59.599
<v Speaker 1>you go up, you know what I mean, Like we

1:26:59.680 --> 1:27:05.160
<v Speaker 1>play you know, uh uh President Obama's inaugural ball and

1:27:05.160 --> 1:27:08.320
<v Speaker 1>and oh book that I mean, I guess it probably

1:27:08.320 --> 1:27:11.479
<v Speaker 1>went through c A, you know what I mean, that

1:27:12.240 --> 1:27:14.960
<v Speaker 1>he has seven ball. The the president has seven balls,

1:27:14.960 --> 1:27:17.320
<v Speaker 1>and there was a youth ball and at the youth ball,

1:27:17.320 --> 1:27:19.479
<v Speaker 1>I guess they probably I don't know, I don't know

1:27:19.520 --> 1:27:22.120
<v Speaker 1>what the algorithm is, but they got us Usher and

1:27:22.200 --> 1:27:29.120
<v Speaker 1>Kanye okay uh and you know, like we were we

1:27:29.120 --> 1:27:31.599
<v Speaker 1>were at the We were there and they were like,

1:27:32.400 --> 1:27:33.800
<v Speaker 1>there's all kinds of things. They were like, we put

1:27:33.840 --> 1:27:36.320
<v Speaker 1>a carpet over the Presidential seal because nobody steps on

1:27:36.360 --> 1:27:39.479
<v Speaker 1>the seal, you know what I mean at all? Okay,

1:27:39.560 --> 1:27:41.120
<v Speaker 1>And I was like, this blows my mind, you know

1:27:41.120 --> 1:27:42.679
<v Speaker 1>what I mean. There's all these things, you know whatever.

1:27:43.200 --> 1:27:47.320
<v Speaker 1>And we were standing there and then you know, President

1:27:47.360 --> 1:27:49.360
<v Speaker 1>Obamas did there standing on the seal and I was like, well,

1:27:49.360 --> 1:27:51.120
<v Speaker 1>I guess, like you know what I mean, like there's

1:27:51.160 --> 1:27:53.000
<v Speaker 1>a little yeah, so there's like levels of all of it,

1:27:53.040 --> 1:27:54.000
<v Speaker 1>you know what I mean. And they were kind of

1:27:54.040 --> 1:27:58.080
<v Speaker 1>like they were like when Potus is in the building,

1:27:58.479 --> 1:28:02.040
<v Speaker 1>they were like, if your base brakes, if your techniques

1:28:02.040 --> 1:28:05.320
<v Speaker 1>to run out, don't run out. They're like, that's not

1:28:05.720 --> 1:28:08.200
<v Speaker 1>you are a target if that happens, you know, I

1:28:08.200 --> 1:28:09.880
<v Speaker 1>mean like and it was like, oh, so there's like

1:28:09.920 --> 1:28:13.360
<v Speaker 1>these points of access that are beyond all of it,

1:28:13.439 --> 1:28:15.599
<v Speaker 1>you know what I mean. Okay, Well, that's President United States.

1:28:15.640 --> 1:28:18.920
<v Speaker 1>Especially now in the era of internet cacophony, we have Trump.

1:28:19.000 --> 1:28:21.479
<v Speaker 1>Everybody knows and everybody else is trying to get in.

1:28:22.320 --> 1:28:30.160
<v Speaker 1>But if you wanted to reach Obama, could you okay,

1:28:30.479 --> 1:28:33.839
<v Speaker 1>anybody in the entertainment business your name opened the door anywhere?

1:28:34.160 --> 1:28:37.000
<v Speaker 1>I mean, is there anywhere that you can't go or whatever?

1:28:37.280 --> 1:28:39.560
<v Speaker 1>Or you'd have to use your connections? Oh that I

1:28:39.920 --> 1:28:42.439
<v Speaker 1>don't have to use my connections. Maybe there's people that

1:28:42.520 --> 1:28:47.439
<v Speaker 1>like in my phone that I like, Yeah, I have

1:28:47.560 --> 1:28:52.360
<v Speaker 1>Drake in my phone as a number as a name

1:28:52.840 --> 1:28:55.520
<v Speaker 1>to make sure that if I'm overserved at a restaurant

1:28:55.840 --> 1:29:00.000
<v Speaker 1>that I don't accidentally or not accidentally text him and say, like, dude,

1:29:00.040 --> 1:29:02.800
<v Speaker 1>you're the best fucking lyricist of all time, because I'm like,

1:29:02.880 --> 1:29:04.479
<v Speaker 1>I don't want to be that guy, you know what

1:29:04.520 --> 1:29:07.800
<v Speaker 1>I mean? Okay, So who are you? The type of

1:29:07.800 --> 1:29:11.880
<v Speaker 1>guy who hangs with famous people, the people that I

1:29:11.920 --> 1:29:14.240
<v Speaker 1>think are famous, like that that are famous to me

1:29:14.360 --> 1:29:15.760
<v Speaker 1>because I go, I'm telling you, I'm the guy that

1:29:15.760 --> 1:29:17.519
<v Speaker 1>corrected all of my eighties toys and stuff like that.

1:29:17.520 --> 1:29:19.519
<v Speaker 1>I want to meet, like Mr t and stuff. Like that,

1:29:19.600 --> 1:29:23.680
<v Speaker 1>you know what I mean? Like, uh, I guess what

1:29:23.720 --> 1:29:27.639
<v Speaker 1>I'm asking is certainly when you move up the ranks. Okay,

1:29:27.880 --> 1:29:30.200
<v Speaker 1>forget what the hoi POLOI thinks. Oh you know, these

1:29:30.200 --> 1:29:32.880
<v Speaker 1>are famous people. These people it's like they say, why

1:29:32.880 --> 1:29:36.040
<v Speaker 1>a rock stars very models because they have the same schedule.

1:29:36.160 --> 1:29:38.120
<v Speaker 1>They get up at noon, go to bedefrood in the morning.

1:29:38.240 --> 1:29:40.880
<v Speaker 1>They don't have regular commitments. So as you get closer

1:29:40.880 --> 1:29:43.120
<v Speaker 1>and closer to the belly of the beast, you find

1:29:43.200 --> 1:29:47.240
<v Speaker 1>other like minded people. So there are some people despite that,

1:29:47.439 --> 1:29:50.519
<v Speaker 1>who are still singular, supposedly Fred Astaire, you know, droving

1:29:50.520 --> 1:29:53.280
<v Speaker 1>the limo alone. Then there are other people, Laura's being

1:29:53.280 --> 1:29:56.000
<v Speaker 1>an example. He knows everybody and hangs with everybody. I

1:29:56.040 --> 1:29:59.599
<v Speaker 1>love hanging with everybody. I love meeting. I do believe

1:29:59.640 --> 1:30:02.240
<v Speaker 1>in meeting your heroes or people that you think are cool.

1:30:02.280 --> 1:30:04.360
<v Speaker 1>And if you don't like them, then that's cool. You

1:30:04.400 --> 1:30:07.040
<v Speaker 1>just learned something about them that doesn't change the music

1:30:07.160 --> 1:30:09.920
<v Speaker 1>or the movie to me. Uh. But I think that

1:30:09.960 --> 1:30:12.680
<v Speaker 1>there are levels of access that are beyond you know

1:30:12.680 --> 1:30:17.360
<v Speaker 1>what I mean, Like, I think that like, um, you

1:30:17.400 --> 1:30:19.640
<v Speaker 1>can hang with these like so like you know, like

1:30:19.640 --> 1:30:21.360
<v Speaker 1>you go to parties that there's like tech guys that

1:30:21.520 --> 1:30:25.160
<v Speaker 1>like the billionaire tech guys or whatever, Like they're not

1:30:25.400 --> 1:30:29.799
<v Speaker 1>giving me access to invest when they invest in companies.

1:30:29.800 --> 1:30:31.519
<v Speaker 1>They're not calling me up and being like, listen, we

1:30:31.560 --> 1:30:34.360
<v Speaker 1>got this group together, were the a group and like

1:30:34.400 --> 1:30:36.360
<v Speaker 1>this is what we get. Like I don't get that

1:30:36.360 --> 1:30:38.400
<v Speaker 1>called like I don't have that access, and I don't

1:30:38.400 --> 1:30:40.120
<v Speaker 1>know what that if that access comes with money, or

1:30:40.120 --> 1:30:43.280
<v Speaker 1>if that access comes with success within tech or whatever

1:30:43.320 --> 1:30:48.000
<v Speaker 1>it is. I mean, I I definitely can call any

1:30:48.000 --> 1:30:50.559
<v Speaker 1>of those guys and probably go to like Katsuya with them,

1:30:50.560 --> 1:30:53.000
<v Speaker 1>but it's like a different level of access to me,

1:30:53.160 --> 1:30:55.320
<v Speaker 1>you know what I mean? Like I don't when I

1:30:55.360 --> 1:30:58.400
<v Speaker 1>go and pitch something, I don't even really want to

1:30:58.439 --> 1:31:00.320
<v Speaker 1>pitch something to somebody who can't green I did in

1:31:00.360 --> 1:31:03.200
<v Speaker 1>the room, like if you if the guy can't make

1:31:03.200 --> 1:31:05.000
<v Speaker 1>the decision, I don't want to talk to right. It's

1:31:05.000 --> 1:31:07.759
<v Speaker 1>not it's just not really were like this town is

1:31:07.840 --> 1:31:10.240
<v Speaker 1>a town where everybody takes meetings about everything and nothing

1:31:10.280 --> 1:31:14.559
<v Speaker 1>ever happens. Makes me crazy. Okay, So what do you

1:31:14.600 --> 1:31:18.439
<v Speaker 1>think about the music today? The like, what do I

1:31:18.479 --> 1:31:21.800
<v Speaker 1>think about how it sounds? Or No, we're in an era.

1:31:21.960 --> 1:31:24.280
<v Speaker 1>I mean this brings this goes into the other element

1:31:24.320 --> 1:31:28.160
<v Speaker 1>that I referenced earlier. One if you go to streaming

1:31:28.280 --> 1:31:32.719
<v Speaker 1>Spotify top fifty, generally speaking all hip hop, a little

1:31:32.760 --> 1:31:37.240
<v Speaker 1>pop okay, And even though there are outlets for other sounds,

1:31:37.920 --> 1:31:42.000
<v Speaker 1>they have a fraction of the mind share, and we

1:31:42.040 --> 1:31:44.040
<v Speaker 1>can also say a fraction of the plays. But it

1:31:44.080 --> 1:31:48.639
<v Speaker 1>gets so complicated that break there. Then in addition, many people,

1:31:49.439 --> 1:31:51.920
<v Speaker 1>uh you reference this a little bit earlier, they're really

1:31:51.960 --> 1:31:55.559
<v Speaker 1>interested in becoming a brand. The music is just a

1:31:55.720 --> 1:32:00.800
<v Speaker 1>vehicle to sell ship, become famous, etcetera, so irrelevant of

1:32:00.880 --> 1:32:05.080
<v Speaker 1>the music itself. What do you think about that? I mean,

1:32:05.120 --> 1:32:10.479
<v Speaker 1>I think that it's all of these things have always existed,

1:32:10.479 --> 1:32:13.080
<v Speaker 1>whether it's people who put billboards up of themselves or

1:32:13.160 --> 1:32:15.040
<v Speaker 1>their movies or whatever. It's just now we have like

1:32:15.120 --> 1:32:17.920
<v Speaker 1>more of a window into these people actually doing it

1:32:17.960 --> 1:32:21.320
<v Speaker 1>in real time. And we've seen people who found success

1:32:21.479 --> 1:32:24.200
<v Speaker 1>doing that, you know, or doing quote unquote nothing, you

1:32:24.240 --> 1:32:26.240
<v Speaker 1>know what I mean, Like we've seen it, so you

1:32:26.280 --> 1:32:28.280
<v Speaker 1>know that it's attainable. So I think people think that

1:32:28.320 --> 1:32:30.800
<v Speaker 1>they can they can do it as well. I mean,

1:32:30.840 --> 1:32:32.640
<v Speaker 1>it does feel like at some point some of that

1:32:32.680 --> 1:32:35.040
<v Speaker 1>bubble will burst and people will be known for some

1:32:35.080 --> 1:32:37.760
<v Speaker 1>of their talents. Um more so, and I think that

1:32:37.800 --> 1:32:43.559
<v Speaker 1>the people listen. I think that, like whatever it is,

1:32:44.880 --> 1:32:47.120
<v Speaker 1>whatever reality show it is, and I like all this stuff.

1:32:47.160 --> 1:32:49.720
<v Speaker 1>I watch all this stuff. But whatever reality show it is,

1:32:49.800 --> 1:32:53.120
<v Speaker 1>or whatever tech game it is, or whatever thing it is,

1:32:53.160 --> 1:32:55.800
<v Speaker 1>like no one when you get your heartbroken, you don't

1:32:55.800 --> 1:32:57.720
<v Speaker 1>go and go like, well, thank god I opened that

1:32:57.720 --> 1:32:59.600
<v Speaker 1>app because I always you know, like that helped me.

1:32:59.680 --> 1:33:01.080
<v Speaker 1>Or like you have the best day of your life,

1:33:01.240 --> 1:33:04.920
<v Speaker 1>You're still watching films and listening to songs, and you

1:33:04.960 --> 1:33:06.160
<v Speaker 1>know what I mean, Like those are the things that

1:33:06.200 --> 1:33:09.040
<v Speaker 1>I think that, like you set your life by, like

1:33:09.080 --> 1:33:13.599
<v Speaker 1>these big moments in your life by um, I think

1:33:13.600 --> 1:33:14.840
<v Speaker 1>that there's room for all of it. I do think

1:33:14.840 --> 1:33:16.160
<v Speaker 1>we live in the hip hop world. I mean, I

1:33:16.160 --> 1:33:18.720
<v Speaker 1>think you're crazy if you don't think that. Um. I

1:33:18.800 --> 1:33:21.439
<v Speaker 1>go to my kids school and every kid is trying

1:33:21.439 --> 1:33:23.200
<v Speaker 1>to be Kanye Fresh, you know what I mean, And

1:33:23.280 --> 1:33:26.400
<v Speaker 1>I see see that happening in real time. I think

1:33:26.400 --> 1:33:30.800
<v Speaker 1>that there's the pie is super super super big, So

1:33:30.840 --> 1:33:33.320
<v Speaker 1>there's room for really all of it, you know. I mean,

1:33:33.320 --> 1:33:36.320
<v Speaker 1>like I think that, but it's very hard to get noticed. Yes,

1:33:36.439 --> 1:33:39.760
<v Speaker 1>so getting noticed now. This is the thing that I

1:33:39.800 --> 1:33:41.840
<v Speaker 1>think with getting noticed now is that you have to

1:33:41.880 --> 1:33:44.920
<v Speaker 1>be unashamed. I had these kids come up to me

1:33:44.960 --> 1:33:47.400
<v Speaker 1>in a parking lot, uh the other day in Van

1:33:47.520 --> 1:33:49.920
<v Speaker 1>Nuys at the Van Nuys Laser tag and they come

1:33:49.960 --> 1:33:51.320
<v Speaker 1>up to me in the parking lot and they were like,

1:33:51.720 --> 1:33:53.479
<v Speaker 1>listen to this thing. I listened to it. I liked it,

1:33:53.479 --> 1:33:54.800
<v Speaker 1>and we ended up having to talk. And I think

1:33:54.840 --> 1:33:57.479
<v Speaker 1>you have to be you have to be cool with

1:33:57.520 --> 1:33:58.720
<v Speaker 1>doing that, you know what I mean, Like you have

1:33:58.800 --> 1:34:00.920
<v Speaker 1>to go out to people and like get them to

1:34:01.000 --> 1:34:05.120
<v Speaker 1>notice you. Um. But I also think that it's super

1:34:05.160 --> 1:34:08.360
<v Speaker 1>super important to be true to who you are. Like

1:34:08.560 --> 1:34:12.640
<v Speaker 1>chasing just doesn't work. Okay, let's assume they give the

1:34:12.680 --> 1:34:15.719
<v Speaker 1>tape to you, the CD that whatever, the file, and

1:34:15.960 --> 1:34:18.920
<v Speaker 1>you think it's good. You and me both know there's

1:34:18.920 --> 1:34:22.280
<v Speaker 1>an occasional thing you here we go. This is stratospheric.

1:34:22.680 --> 1:34:24.760
<v Speaker 1>I heard it once. This is gonna go. It's just

1:34:24.840 --> 1:34:28.840
<v Speaker 1>about assembling the team. But I listened to like x

1:34:29.000 --> 1:34:32.280
<v Speaker 1>MU on the satellite or I'll go through playlist on Spotify,

1:34:32.280 --> 1:34:36.320
<v Speaker 1>and I say, well, that's pretty good. But unless someone

1:34:36.439 --> 1:34:39.800
<v Speaker 1>puts some gasoline on it. Chances I could be the

1:34:39.800 --> 1:34:43.600
<v Speaker 1>only person who heard it. So let's just assume you

1:34:43.840 --> 1:34:49.280
<v Speaker 1>have a team together, okay, and you're uh, forget hip hop,

1:34:49.280 --> 1:34:51.960
<v Speaker 1>it's a world done to itself, another kind of music.

1:34:52.280 --> 1:34:57.680
<v Speaker 1>How do you set about getting yourself noticed by a

1:34:57.800 --> 1:35:02.280
<v Speaker 1>label or by the world at world at law. I

1:35:02.320 --> 1:35:07.599
<v Speaker 1>think you have to you have to do. You have

1:35:07.680 --> 1:35:10.799
<v Speaker 1>to be making great music. You have to make great songs.

1:35:10.840 --> 1:35:15.960
<v Speaker 1>And I think that still great songs can stand on

1:35:16.000 --> 1:35:17.280
<v Speaker 1>their own. Like you look, and if you don't have

1:35:17.320 --> 1:35:18.920
<v Speaker 1>great songs, then I don't know, it's a different story.

1:35:19.280 --> 1:35:21.439
<v Speaker 1>But like if you look at a band like Fun,

1:35:22.200 --> 1:35:24.200
<v Speaker 1>uh or you you know, like there's these bands that

1:35:24.240 --> 1:35:26.720
<v Speaker 1>come along and you're like, it's great, you know, I

1:35:26.720 --> 1:35:29.240
<v Speaker 1>mean it's for whatever reason, like it's great. It feels

1:35:29.240 --> 1:35:30.960
<v Speaker 1>like a different era, but it feels kind of like

1:35:31.000 --> 1:35:34.160
<v Speaker 1>this era at the same time. Um, and I don't

1:35:34.439 --> 1:35:36.760
<v Speaker 1>and I don't. If you don't have greatness, then there's

1:35:36.760 --> 1:35:39.760
<v Speaker 1>gonna be And and besides the greatness, there's so much

1:35:39.760 --> 1:35:42.360
<v Speaker 1>of Like is that you have to be ready to

1:35:42.360 --> 1:35:44.120
<v Speaker 1>swing the bat when you step up to the plate,

1:35:44.200 --> 1:35:45.439
<v Speaker 1>Like when you get a chance to step out to

1:35:45.479 --> 1:35:47.720
<v Speaker 1>the plate, there's deliver. Yeah, there's so many people that

1:35:47.840 --> 1:35:49.720
<v Speaker 1>like they're waiting for their chance, waiting for the chance.

1:35:49.720 --> 1:35:51.479
<v Speaker 1>They get their chance, and they don't do it, you

1:35:51.479 --> 1:35:52.559
<v Speaker 1>know what I mean, Like you can don't do it

1:35:52.560 --> 1:35:57.200
<v Speaker 1>because they funk up, or they're scared, or they they

1:35:57.240 --> 1:35:59.720
<v Speaker 1>second guess themselves and or they're so nervous about like

1:35:59.720 --> 1:36:01.880
<v Speaker 1>their friends are like that's selling out, and so they

1:36:01.920 --> 1:36:04.280
<v Speaker 1>do the wrong you know. Like there's so many versions

1:36:04.320 --> 1:36:05.680
<v Speaker 1>of it, you know that, And I feel like I've

1:36:05.720 --> 1:36:09.800
<v Speaker 1>seen so many versions of it. Um. The truth is

1:36:09.720 --> 1:36:12.759
<v Speaker 1>it's super hard, Like it's more democratic than ever because

1:36:12.760 --> 1:36:15.559
<v Speaker 1>everybody can make music and there's so much out there.

1:36:16.040 --> 1:36:18.360
<v Speaker 1>It's so hard, Like how does music last anymore? How

1:36:18.360 --> 1:36:20.599
<v Speaker 1>did things stay? You know what I mean? How did things?

1:36:21.120 --> 1:36:22.880
<v Speaker 1>They have to be either really great or really terrible

1:36:22.920 --> 1:36:24.519
<v Speaker 1>to say, and even if they're really terrible, they kind

1:36:24.520 --> 1:36:26.360
<v Speaker 1>of go away, you know what I mean. To stay,

1:36:26.760 --> 1:36:28.920
<v Speaker 1>it has to be so great and it has to

1:36:28.960 --> 1:36:32.400
<v Speaker 1>the Other thing is even the most the biggest people

1:36:32.439 --> 1:36:36.400
<v Speaker 1>on the chart, fewer people know them than ever before. Yes,

1:36:36.760 --> 1:36:38.960
<v Speaker 1>it's harder to get mind here at large and say

1:36:39.040 --> 1:36:43.200
<v Speaker 1>unless you're literally president something else which is well publicized.

1:36:43.200 --> 1:36:46.519
<v Speaker 1>I'm gonna ask you about it. Supposedly you're bipolar. Is

1:36:46.560 --> 1:36:54.800
<v Speaker 1>that true. Yeah, I was. Yeah, I was diagnosed years ago. Um. Yeah,

1:36:54.840 --> 1:36:57.120
<v Speaker 1>and it's something that like for a long time, I

1:36:57.200 --> 1:37:01.960
<v Speaker 1>tried to self medicate, um, and that didn't really work

1:37:01.960 --> 1:37:03.280
<v Speaker 1>out that well, you know what I mean. Like I

1:37:03.320 --> 1:37:07.599
<v Speaker 1>think I went into the I think that I went

1:37:07.600 --> 1:37:10.120
<v Speaker 1>into the idea that like I didn't need talk therapy

1:37:10.160 --> 1:37:11.679
<v Speaker 1>and I could just figure it out on my own.

1:37:11.800 --> 1:37:15.360
<v Speaker 1>I could use either alcohol or pills and I could

1:37:15.439 --> 1:37:17.000
<v Speaker 1>kind of figure it out, you know, when I was

1:37:17.000 --> 1:37:18.920
<v Speaker 1>on tour and I didn't want to like suppress the

1:37:18.960 --> 1:37:22.880
<v Speaker 1>creativity and that kind of thing. Um. But I think

1:37:22.960 --> 1:37:27.080
<v Speaker 1>since having kids, I kind of wanted to be I

1:37:27.120 --> 1:37:32.360
<v Speaker 1>want what I wanted to be present, and I wanted to, um,

1:37:32.600 --> 1:37:34.599
<v Speaker 1>be able to like kid around and not be kind

1:37:34.600 --> 1:37:38.720
<v Speaker 1>of ruled by my moods and you know, and and

1:37:38.720 --> 1:37:40.679
<v Speaker 1>and at the same time also be like it's okay

1:37:40.720 --> 1:37:42.400
<v Speaker 1>for you to like feel not great, you know, I mean,

1:37:42.439 --> 1:37:44.400
<v Speaker 1>like it's okay, any of this stuff is okay. It's

1:37:44.400 --> 1:37:49.000
<v Speaker 1>all um. And so I mean since then, I've found

1:37:49.040 --> 1:37:50.760
<v Speaker 1>ways to have like you know, like to to do

1:37:50.920 --> 1:37:56.000
<v Speaker 1>therapy and to talk and to know that like, just

1:37:56.080 --> 1:37:59.040
<v Speaker 1>because you're feeling better, it's not gonna like stifle your

1:37:59.040 --> 1:38:02.720
<v Speaker 1>creativity that kind of thing. What is the number one

1:38:02.760 --> 1:38:06.799
<v Speaker 1>thing or two things you learned in therapy? The therapy

1:38:06.840 --> 1:38:11.000
<v Speaker 1>never ends really that you're tell my girlfriends, yeah, that

1:38:11.040 --> 1:38:13.200
<v Speaker 1>you're never cured, you know, like you just it's not

1:38:13.320 --> 1:38:18.000
<v Speaker 1>you know what I mean? Um? And I think that

1:38:18.080 --> 1:38:22.439
<v Speaker 1>the other thing that I learned, um, but it's harder

1:38:22.439 --> 1:38:24.400
<v Speaker 1>to apply, is that you've got to be kind to yourself.

1:38:24.439 --> 1:38:26.760
<v Speaker 1>It's it's hard to be I think that. Give me

1:38:26.760 --> 1:38:30.280
<v Speaker 1>an example, being mean to yourself, being too hard on yourself,

1:38:30.280 --> 1:38:33.320
<v Speaker 1>whether you're doing like little like whether it's like little

1:38:33.360 --> 1:38:35.400
<v Speaker 1>things as far as like when you're playing a sport

1:38:35.479 --> 1:38:37.400
<v Speaker 1>or something and you're like I suck and like I

1:38:37.439 --> 1:38:39.880
<v Speaker 1>won't be good, or like my you know, my band's

1:38:39.880 --> 1:38:41.519
<v Speaker 1>not signed or whatever it is, you know, like all

1:38:41.560 --> 1:38:43.320
<v Speaker 1>the you know, like I think that people are not

1:38:43.439 --> 1:38:45.759
<v Speaker 1>particularly kind to themselves because we live in a world

1:38:45.760 --> 1:38:47.680
<v Speaker 1>where you we live in a really fake world, you

1:38:47.720 --> 1:38:49.320
<v Speaker 1>know what I mean, Like where people think that everybody

1:38:49.320 --> 1:38:52.719
<v Speaker 1>else's life is awesome and you feel super fomo about

1:38:52.800 --> 1:38:55.080
<v Speaker 1>everything and it's not real, you know what I mean,

1:38:55.160 --> 1:38:57.559
<v Speaker 1>Like it's like it's not real, I promise, Like all

1:38:57.600 --> 1:39:00.479
<v Speaker 1>these people, everybody in my phone and every anybody, like

1:39:00.520 --> 1:39:02.400
<v Speaker 1>all these people have like bad days and I do

1:39:02.520 --> 1:39:06.240
<v Speaker 1>really respect that. Like people like kid Cutty and and

1:39:06.360 --> 1:39:09.800
<v Speaker 1>Kanye and whoever, like jay Z like have spoken you know,

1:39:09.840 --> 1:39:12.880
<v Speaker 1>like it's aside from the really young rappers have like

1:39:12.960 --> 1:39:15.800
<v Speaker 1>spoken out and talked about like the the idea that

1:39:15.840 --> 1:39:18.600
<v Speaker 1>like everybody kind of has, like this mental health is

1:39:18.600 --> 1:39:20.599
<v Speaker 1>something that everybody deals with because I think that's it's

1:39:20.680 --> 1:39:24.160
<v Speaker 1>really important and we can still live like these aspirational lives.

1:39:24.200 --> 1:39:28.280
<v Speaker 1>But like there's no like if you're not whole before

1:39:28.280 --> 1:39:29.880
<v Speaker 1>you go into it, it's not gonna fill the whole,

1:39:29.920 --> 1:39:31.479
<v Speaker 1>you know what I mean, Like it's not gonna there's

1:39:31.520 --> 1:39:34.080
<v Speaker 1>not like a whole theory about that that a lot

1:39:34.120 --> 1:39:36.880
<v Speaker 1>of you know, going back to the pre social media era,

1:39:37.160 --> 1:39:38.519
<v Speaker 1>you have a lot of guys who were not who

1:39:38.520 --> 1:39:42.120
<v Speaker 1>are socially awkward, and they felt if they wrote hit songs,

1:39:42.120 --> 1:39:45.880
<v Speaker 1>their lives would work. And when they found out it

1:39:45.960 --> 1:39:48.760
<v Speaker 1>didn't make their lives work, they could write anymore. It's

1:39:48.760 --> 1:39:51.040
<v Speaker 1>for sure, I mean, and for sure it doesn't make

1:39:51.120 --> 1:39:54.280
<v Speaker 1>you It doesn't like you're it's like there's a you know,

1:39:54.320 --> 1:39:57.280
<v Speaker 1>I'm like a I'm like a total movie geek, you

1:39:57.280 --> 1:40:00.760
<v Speaker 1>know whatever, more than anything. And uh, you know, like

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<v Speaker 1>there's a moment in Empire strikes Back where like looks

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<v Speaker 1>like going in this like cave of darkness or whatever,

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<v Speaker 1>and he's like, don't my lightsaber and you know, just

1:40:07.479 --> 1:40:09.840
<v Speaker 1>like you only bring what you you take in with you,

1:40:09.840 --> 1:40:11.200
<v Speaker 1>you know, I mean, you don't need it basically, and

1:40:11.200 --> 1:40:13.200
<v Speaker 1>he brings it in anyway and then fights a version

1:40:13.200 --> 1:40:16.680
<v Speaker 1>of himself spoiler whatever. But it's true in life, you

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<v Speaker 1>know what I mean. Like it's like there's none of

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<v Speaker 1>these like when you come out the other side, like

1:40:20.240 --> 1:40:23.160
<v Speaker 1>you'll have different experiences. But I don't think you like

1:40:23.240 --> 1:40:25.320
<v Speaker 1>it doesn't it doesn't feel the whole Like you gotta

1:40:25.320 --> 1:40:26.720
<v Speaker 1>figure that out on your own, you know what I mean.

1:40:27.000 --> 1:40:30.360
<v Speaker 1>And do you take medication now? I don't take medication now,

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<v Speaker 1>but I do a lot of therapy. Okay, someone who

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<v Speaker 1>does a lot of therapy themselves. How much therapy is that? Uh?

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<v Speaker 1>Probably twice a week? Okay? How long with the same person?

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<v Speaker 1>Five years? No? Four years now? Maybe? And does your

1:40:47.400 --> 1:40:51.679
<v Speaker 1>wife go to she does not? No, no, no, she

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<v Speaker 1>she is probably the of the more level people that

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<v Speaker 1>I don't know whatever. People are on their own, but

1:41:00.600 --> 1:41:03.599
<v Speaker 1>there was sometimes you're interacting in a relationship and you've

1:41:03.640 --> 1:41:06.960
<v Speaker 1>gained these insights and therapy. Are you ever frustrated that

1:41:07.040 --> 1:41:13.040
<v Speaker 1>your wife doesn't have the same insights? Um? I mean,

1:41:13.080 --> 1:41:15.400
<v Speaker 1>I think in arguments you get frustrated about everything. But

1:41:15.680 --> 1:41:17.960
<v Speaker 1>I think that there's like a danger in like being

1:41:18.000 --> 1:41:20.200
<v Speaker 1>like I've I've read this, or I learned that you

1:41:20.280 --> 1:41:23.759
<v Speaker 1>can't say that we know, but I'm interacting forget significant others,

1:41:23.960 --> 1:41:26.040
<v Speaker 1>and you see people acting that a certain way and go,

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<v Speaker 1>holy sh it. If they had a little therapy, they'd

1:41:28.360 --> 1:41:30.639
<v Speaker 1>never act that way and it would work out better

1:41:30.680 --> 1:41:34.559
<v Speaker 1>for them. I think I see stuff where people are

1:41:34.640 --> 1:41:39.320
<v Speaker 1>freaking out about the wrong thing all the time, Like, um,

1:41:39.360 --> 1:41:46.240
<v Speaker 1>like you'll be people will be like like mad, they're

1:41:46.280 --> 1:41:48.160
<v Speaker 1>broke because they spend all their money on the shoes,

1:41:48.240 --> 1:41:53.200
<v Speaker 1>but like they want the people to think they live

1:41:53.200 --> 1:41:54.760
<v Speaker 1>in the bowler house, but they're spending the money on

1:41:54.800 --> 1:41:56.679
<v Speaker 1>the shoes, so they're never gonna get to the bowler house.

1:41:56.720 --> 1:41:59.160
<v Speaker 1>And like I'm always like, I mean that's just like

1:41:59.200 --> 1:42:02.400
<v Speaker 1>one specific thing. It like sometimes it feels like if

1:42:02.400 --> 1:42:04.240
<v Speaker 1>you work through things in therapy, you can see like

1:42:04.280 --> 1:42:07.760
<v Speaker 1>the bigger picture for yourself, you know what I mean, Um, yeah,

1:42:07.800 --> 1:42:09.559
<v Speaker 1>because I mean it can be otherwise it's like super

1:42:09.600 --> 1:42:11.479
<v Speaker 1>frustrating and it feels like you're going through life and

1:42:11.520 --> 1:42:13.439
<v Speaker 1>you don't like you don't see like it's you're in

1:42:13.439 --> 1:42:15.519
<v Speaker 1>the matrix, you know, and there's other people who are

1:42:15.560 --> 1:42:17.760
<v Speaker 1>like seeing all the numbers and you're just not seeing it.

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<v Speaker 1>And I've definitely felt like I've been on both sides

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<v Speaker 1>of that. Okay, Pete, this is being fantastic, has been fantastic.

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<v Speaker 1>Thanks so much for sitting here telling me all. Your

1:42:26.640 --> 1:42:30.360
<v Speaker 1>story's being so opens. Okay, until next time. This is

1:42:30.400 --> 1:42:31.200
<v Speaker 1>Bob left Us