1
00:00:14,640 --> 00:00:17,680
Speaker 1: Well, I have an announcement when I found my new career,

2
00:00:17,920 --> 00:00:23,120
Speaker 1: which is for the first time. Last Friday, I played tennis.

3
00:00:24,000 --> 00:00:26,640
Speaker 2: And you're saying it like you you never heard of

4
00:00:26,640 --> 00:00:29,680
Speaker 2: telling like I played tennis, right right?

5
00:00:30,480 --> 00:00:35,720
Speaker 1: Well that's how maybe I'm confident I am. But I

6
00:00:35,840 --> 00:00:38,000
Speaker 1: kind of feel like it was my calling that I

7
00:00:38,040 --> 00:00:44,239
Speaker 1: had no idea. Yes, so fun social, like the best time, you.

8
00:00:44,200 --> 00:00:46,400
Speaker 2: Know, idea, but you can hold a drink.

9
00:00:47,040 --> 00:00:50,519
Speaker 1: Uh, But pickleball scares me. I have two friends that

10
00:00:50,560 --> 00:00:52,560
Speaker 1: have had to have surgeries from pickleball.

11
00:00:52,680 --> 00:00:54,880
Speaker 2: You've had two friends with pickleball injury.

12
00:00:54,960 --> 00:00:59,040
Speaker 1: Yes, I have torn their achilles what both of them

13
00:00:59,080 --> 00:01:01,880
Speaker 1: in boots and I've had to watch them with someone

14
00:01:01,880 --> 00:01:04,319
Speaker 1: that hasn't seen them and go, oh my gosh, what happened?

15
00:01:04,319 --> 00:01:06,600
Speaker 1: And they have to say, I hurt myself.

16
00:01:07,000 --> 00:01:08,319
Speaker 2: I broke my arm playing chess.

17
00:01:08,760 --> 00:01:11,760
Speaker 1: Pickleball. I feel like tennis if I get injured, like

18
00:01:11,840 --> 00:01:14,640
Speaker 1: that's kind of a little bit better. But I had

19
00:01:14,800 --> 00:01:18,280
Speaker 1: so much fun and my hand eye coordination came into play.

20
00:01:18,360 --> 00:01:21,639
Speaker 1: Like I am not too old to start new things.

21
00:01:21,720 --> 00:01:24,640
Speaker 1: This is my new thing and I'm so excited.

22
00:01:24,760 --> 00:01:25,399
Speaker 2: That's great.

23
00:01:25,480 --> 00:01:28,040
Speaker 1: The more to come, I will invite you to my

24
00:01:28,080 --> 00:01:30,759
Speaker 1: first tournament. I already figured out how to get on

25
00:01:30,800 --> 00:01:31,240
Speaker 1: the team.

26
00:01:31,440 --> 00:01:33,679
Speaker 2: You're talking tournaments already.

27
00:01:34,680 --> 00:01:35,959
Speaker 1: No, I'm that serious.

28
00:01:36,200 --> 00:01:36,680
Speaker 2: Oh my god.

29
00:01:36,720 --> 00:01:39,680
Speaker 1: One time was enough for me, and Jordan's very excited.

30
00:01:40,040 --> 00:01:42,080
Speaker 2: That's how I was in a hot dog eating contest.

31
00:01:42,360 --> 00:01:44,840
Speaker 2: It's like once was enough. Now I'm going I'm all in. Yeah,

32
00:01:44,880 --> 00:01:46,120
Speaker 2: I could be Joey Chestnut.

33
00:01:46,319 --> 00:01:47,200
Speaker 1: What who is that?

34
00:01:47,880 --> 00:01:50,400
Speaker 2: Did you just ask me who Joey Chestnut is? He's

35
00:01:50,440 --> 00:01:53,120
Speaker 2: an American legend, He's an icon. Something like seventy five

36
00:01:53,160 --> 00:01:57,000
Speaker 2: hot dogs in twelve minutes? Really nothing, nothing?

37
00:01:57,240 --> 00:01:59,360
Speaker 1: Are you kidding me? How would I ever know that?

38
00:02:00,080 --> 00:02:01,960
Speaker 2: Every fourth of July they do the big hot dog

39
00:02:02,000 --> 00:02:04,600
Speaker 2: eating contest. Have you heard of callback? No?

40
00:02:04,880 --> 00:02:07,800
Speaker 1: Oh my god, it's like on ESPN. It's ESPN the

41
00:02:08,280 --> 00:02:13,120
Speaker 1: ESPN a hot dog eating contest, the hot dog eating contest.

42
00:02:13,160 --> 00:02:15,160
Speaker 1: That just shows me I still can make it onto

43
00:02:15,360 --> 00:02:18,360
Speaker 1: ESPN with my tennis career, telling you.

44
00:02:19,160 --> 00:02:21,679
Speaker 2: Oh, man, I can't believe Joey. Go watch videos of

45
00:02:21,720 --> 00:02:24,600
Speaker 2: Joey Chestnut. The man will do like seventy five hot

46
00:02:24,680 --> 00:02:26,680
Speaker 2: dogs and it's like eight minutes or something like that.

47
00:02:26,840 --> 00:02:30,959
Speaker 2: Insane for your sister. He's razor thin. It's so strange.

48
00:02:30,960 --> 00:02:35,440
Speaker 1: What yes, okay, now I do need to Jordan would

49
00:02:35,480 --> 00:02:37,280
Speaker 1: know something like this, he watches Cose.

50
00:02:39,720 --> 00:02:42,400
Speaker 2: Jordan would know, you know what. Jordan wouldn't know what.

51
00:02:42,680 --> 00:02:46,160
Speaker 2: Invisible Sister, which is the movie we're doing today. Well,

52
00:02:46,240 --> 00:02:48,920
Speaker 2: let's get into it. Welcome back to Magical Rewind, the

53
00:02:48,960 --> 00:02:50,880
Speaker 2: show that makes you want to grab your friends, your pj's,

54
00:02:50,919 --> 00:02:52,480
Speaker 2: and your popcorning. Go back to a time when all

55
00:02:52,520 --> 00:02:55,799
Speaker 2: the houses were smart, the waves tsunamis and Sabrina and

56
00:02:55,880 --> 00:02:57,840
Speaker 2: I didn't have to sit next to each other while

57
00:02:57,840 --> 00:02:59,760
Speaker 2: we were doing this. Yes, we're doing it in person,

58
00:02:59,840 --> 00:03:01,920
Speaker 2: right next to each other, So I apologize if we

59
00:03:02,000 --> 00:03:03,880
Speaker 2: just start yelling at each other. We're not. We actually

60
00:03:03,880 --> 00:03:07,320
Speaker 2: really like this. So I'm Will Fordel.

61
00:03:07,120 --> 00:03:10,200
Speaker 1: And I'm Sabriena Brian happy to be here sitting next

62
00:03:10,240 --> 00:03:11,040
Speaker 1: to my best steam.

63
00:03:11,080 --> 00:03:12,960
Speaker 2: Well that's not I'm just glad you're taking time out

64
00:03:13,000 --> 00:03:14,080
Speaker 2: from your tennis tour.

65
00:03:14,360 --> 00:03:18,880
Speaker 3: Yes, uh, welcome, welcome, We are here with the next

66
00:03:18,880 --> 00:03:21,960
Speaker 3: tennis penam. No, let's break out the beakers and buns

67
00:03:21,960 --> 00:03:25,280
Speaker 3: and murders because we're getting scientific with the twenty fifteen

68
00:03:25,400 --> 00:03:27,760
Speaker 3: family comedy Invisible Sister.

69
00:03:27,960 --> 00:03:30,200
Speaker 2: Sabrina did you like science back in high school? I

70
00:03:30,240 --> 00:03:30,799
Speaker 2: did need to.

71
00:03:31,000 --> 00:03:32,200
Speaker 1: I really liked science.

72
00:03:32,200 --> 00:03:33,400
Speaker 2: Did you turn anyone invisible?

73
00:03:33,919 --> 00:03:36,360
Speaker 1: No? I've probably tried to.

74
00:03:36,400 --> 00:03:39,280
Speaker 2: Though, did you Yeah? I wished I was. Did that count?

75
00:03:39,440 --> 00:03:40,440
Speaker 1: Hey? There you go?

76
00:03:40,520 --> 00:03:44,080
Speaker 2: You go. Invisible Sister was released on October fifth, twenty fifteen,

77
00:03:44,200 --> 00:03:47,640
Speaker 2: a soft launch to their Halloween season. And I love them.

78
00:03:47,680 --> 00:03:52,560
Speaker 2: Named mash words together Monstober programming, thank you very much.

79
00:03:53,080 --> 00:03:57,920
Speaker 2: They're obviously matching monst and sober. That makes sense the

80
00:03:58,000 --> 00:04:01,080
Speaker 2: channel for the channel, of course, it's Sober October on

81
00:04:01,080 --> 00:04:03,800
Speaker 2: the Disney Channel. This makes sense because the movie is

82
00:04:03,840 --> 00:04:07,000
Speaker 2: also set around the holiday Halloween. Yeah. Great. It was

83
00:04:07,000 --> 00:04:10,240
Speaker 2: filmed the beginning of that year in New Orleans. Yes,

84
00:04:10,360 --> 00:04:12,640
Speaker 2: I bet you thought I was going to say Canada or.

85
00:04:13,680 --> 00:04:16,760
Speaker 1: I was absolutely looking for that when it came. And

86
00:04:16,800 --> 00:04:19,240
Speaker 1: then a few of the houses in the buildings and

87
00:04:19,320 --> 00:04:19,799
Speaker 1: I went.

88
00:04:19,720 --> 00:04:22,120
Speaker 2: Where are they going they are in?

89
00:04:22,720 --> 00:04:25,200
Speaker 1: What a great great place to film there.

90
00:04:25,040 --> 00:04:27,320
Speaker 2: In New Orleans, which was you know, I was named

91
00:04:27,320 --> 00:04:30,679
Speaker 2: after my nickname growing up. Was also the Big Easy.

92
00:04:30,960 --> 00:04:34,279
Speaker 2: That's not true. You don't see much energy, well you

93
00:04:34,279 --> 00:04:36,320
Speaker 2: don't see that much in a dcom and it becomes

94
00:04:36,320 --> 00:04:39,080
Speaker 2: a character a little bit in the movie too much,

95
00:04:39,120 --> 00:04:40,760
Speaker 2: but a little and I have some issues and we're

96
00:04:40,760 --> 00:04:43,920
Speaker 2: going to talk about that later. Okay, did you go

97
00:04:43,960 --> 00:04:45,400
Speaker 2: to New Orleans? Have you been in New Orleans?

98
00:04:45,360 --> 00:04:45,840
Speaker 3: I was.

99
00:04:46,000 --> 00:04:49,919
Speaker 1: I did my friend's twenty first birthday there, and I

100
00:04:49,960 --> 00:04:54,159
Speaker 1: did my thirtieth birthday there. Wow, so fun. I did

101
00:04:54,200 --> 00:05:01,200
Speaker 1: the graveyard tour, the ghost tours. I went and my well, no,

102
00:05:01,320 --> 00:05:03,159
Speaker 1: I didn't do it. I was too chicken. But I

103
00:05:03,200 --> 00:05:05,359
Speaker 1: went in with a friend who got her palm red

104
00:05:06,320 --> 00:05:10,080
Speaker 1: and then also her cards read. I thought it was

105
00:05:10,360 --> 00:05:16,400
Speaker 1: very cool, like such a cool city. Street performers on rich.

106
00:05:16,320 --> 00:05:19,440
Speaker 2: And the Food is of this World. Yes, and this

107
00:05:19,720 --> 00:05:20,960
Speaker 2: food really great.

108
00:05:21,080 --> 00:05:21,400
Speaker 1: Yes.

109
00:05:21,880 --> 00:05:23,920
Speaker 2: This movie actually had a pretty decent reception. It was

110
00:05:23,920 --> 00:05:26,360
Speaker 2: seen by over four million people on premiere night, ranking

111
00:05:26,360 --> 00:05:29,160
Speaker 2: in the top three for cable that evening, and even

112
00:05:29,200 --> 00:05:32,360
Speaker 2: the repeat broadcast the following morning did really well, ranking

113
00:05:32,600 --> 00:05:34,920
Speaker 2: two point three one million viewers, which again doesn't seem

114
00:05:34,960 --> 00:05:37,280
Speaker 2: like a lot, but remember we're in the mid two

115
00:05:37,320 --> 00:05:39,560
Speaker 2: thousands now, when you know you're not going to get

116
00:05:39,600 --> 00:05:43,160
Speaker 2: seventeen million people watching movie anywhere. But in Canada, there

117
00:05:43,200 --> 00:05:45,480
Speaker 2: was actually quite a bit of confusion. There was a

118
00:05:45,520 --> 00:05:48,159
Speaker 2: technical error during its premiere, and the last ten minutes

119
00:05:48,160 --> 00:05:51,320
Speaker 2: were abruptly interrupted and replaced with the teen beach to

120
00:05:51,560 --> 00:05:54,840
Speaker 2: music video. That's how we do so. I imagine you're

121
00:05:54,839 --> 00:05:56,760
Speaker 2: sitting there going, oh, I can't wait to see what

122
00:05:56,800 --> 00:06:01,040
Speaker 2: the actual is happening. Yes, that must have been a

123
00:06:01,080 --> 00:06:02,760
Speaker 2: real bomber for people looking to find out how the

124
00:06:02,800 --> 00:06:05,200
Speaker 2: thing ended? Did she ever become visible? We'll never know

125
00:06:05,320 --> 00:06:09,360
Speaker 2: a that was me doing Canadian nice. Well. They reaired

126
00:06:09,400 --> 00:06:11,279
Speaker 2: the movie the following day with the mistake fixed and

127
00:06:11,320 --> 00:06:13,760
Speaker 2: the ending intact. So we just have to hope that

128
00:06:13,800 --> 00:06:16,000
Speaker 2: people saw it, unlike one of the characters in this

129
00:06:16,000 --> 00:06:19,080
Speaker 2: movie who nobody saw because she was invisible. Thank you

130
00:06:19,160 --> 00:06:22,240
Speaker 2: very much, right it right back, or you know, they

131
00:06:22,240 --> 00:06:24,520
Speaker 2: could just read the book, because the film is based

132
00:06:24,520 --> 00:06:28,720
Speaker 2: on Beatrice Colin and Sarah Pinto's novel of the same name. Now,

133
00:06:28,800 --> 00:06:30,960
Speaker 2: Colin had quite the life, get this. She was a

134
00:06:30,960 --> 00:06:34,320
Speaker 2: British novelist and singer. She released a song called Abandoned

135
00:06:34,320 --> 00:06:36,839
Speaker 2: Ship as one half of a duo called April Showers

136
00:06:37,160 --> 00:06:40,920
Speaker 2: and actually charted in the early eighties. She'd graduate college,

137
00:06:40,960 --> 00:06:43,560
Speaker 2: write radio plays and become a journalist, with work in

138
00:06:43,640 --> 00:06:46,200
Speaker 2: The Sunday Herald and the Guardian and eventually date the

139
00:06:46,240 --> 00:06:49,520
Speaker 2: lead singer of Love and Money, James Grant. This is

140
00:06:49,600 --> 00:06:51,680
Speaker 2: only one of two kids books she wrote, and sadly

141
00:06:51,760 --> 00:06:53,640
Speaker 2: she passed away in twenty nineteen at the young age

142
00:06:53,680 --> 00:06:57,760
Speaker 2: of fifty five from ovarian cancer. And fun fact here guys,

143
00:06:58,040 --> 00:07:00,360
Speaker 2: and we'll get deeper into this later, but two stars

144
00:07:00,400 --> 00:07:02,839
Speaker 2: of this movie are not only co stars of mine,

145
00:07:02,839 --> 00:07:04,640
Speaker 2: but I like to consider friends. So it was very

146
00:07:04,720 --> 00:07:08,000
Speaker 2: nice to see them both up there. Wow, and nothing

147
00:07:08,000 --> 00:07:10,800
Speaker 2: I'm gonna say that follows this is their fault. Let's

148
00:07:10,840 --> 00:07:14,240
Speaker 2: just say that. Okay, before we get too deep, I

149
00:07:14,240 --> 00:07:16,440
Speaker 2: want to remind you Invisible Sister is available to stream

150
00:07:16,520 --> 00:07:18,840
Speaker 2: right now on Disney Plus. If you're looking at nothing,

151
00:07:18,880 --> 00:07:21,680
Speaker 2: then chances are you're not watching a movie about invisible people.

152
00:07:21,720 --> 00:07:24,280
Speaker 2: You just haven't actually put it on. Just turn on

153
00:07:24,320 --> 00:07:26,840
Speaker 2: your TV, open the Disney app sit on the couch,

154
00:07:26,880 --> 00:07:28,920
Speaker 2: find the comfortable pillow you always lay on, remove your

155
00:07:29,000 --> 00:07:31,200
Speaker 2: jaw exposure alien teeth, then use them to chew on

156
00:07:31,200 --> 00:07:32,720
Speaker 2: the rotting corpse you have stored in the corner of

157
00:07:32,720 --> 00:07:36,520
Speaker 2: the room for sustenance, and then just relax and enjoy

158
00:07:36,520 --> 00:07:40,000
Speaker 2: the movie. But first, let's steam the antidote and read

159
00:07:40,000 --> 00:07:44,600
Speaker 2: the synopsis. Cleos science project goes disastrously wrong, causing her

160
00:07:44,640 --> 00:07:48,560
Speaker 2: popular older sister Molly to suddenly become invisible. Some wish

161
00:07:48,640 --> 00:07:51,120
Speaker 2: upon the stars vibes there, right, Yeah, this reminds you

162
00:07:51,120 --> 00:07:52,880
Speaker 2: of kind of wish on a star yet, did it?

163
00:07:53,160 --> 00:07:55,440
Speaker 2: Do you remember Wishromona Star? Yeah?

164
00:07:55,440 --> 00:07:58,720
Speaker 1: We it was your friend who we interviewed after the

165
00:07:58,800 --> 00:08:01,600
Speaker 1: other actress Andiel Danielle Harris.

166
00:08:01,680 --> 00:08:03,840
Speaker 2: Yeah, yeah, that's so yeah, same kind of thing.

167
00:08:04,240 --> 00:08:06,880
Speaker 1: Well, no, that didn't make me feel like this, then

168
00:08:07,720 --> 00:08:08,560
Speaker 1: who would it be that?

169
00:08:08,840 --> 00:08:11,120
Speaker 2: No, it didn't didn't.

170
00:08:11,240 --> 00:08:13,360
Speaker 1: She didn't wish for anything with Molly.

171
00:08:13,320 --> 00:08:15,360
Speaker 2: Didn't she? No, no, no, no, But it's kind of like

172
00:08:15,560 --> 00:08:16,720
Speaker 2: the same kind of thing, Like.

173
00:08:16,640 --> 00:08:18,320
Speaker 1: You irritated with your sister, you wish you'd go.

174
00:08:18,880 --> 00:08:21,000
Speaker 2: Yeah, like that kind of thing, which was a different

175
00:08:21,080 --> 00:08:22,720
Speaker 2: vibe the whole time in this movie.

176
00:08:22,720 --> 00:08:25,080
Speaker 1: This was a strange I definitely think this was like

177
00:08:25,120 --> 00:08:28,720
Speaker 1: any like an easy wheelhouse of like that idea of

178
00:08:29,200 --> 00:08:30,480
Speaker 1: sisters or siblings.

179
00:08:30,600 --> 00:08:32,959
Speaker 2: Yeah, but this sister, but she was a cool sister.

180
00:08:33,240 --> 00:08:35,200
Speaker 2: She was we gotta get okay.

181
00:08:35,200 --> 00:08:39,040
Speaker 1: So I'm like this girl was like alright, amazing.

182
00:08:38,600 --> 00:08:40,480
Speaker 2: Well here we go. Sabrina, and I'm going to read

183
00:08:40,480 --> 00:08:43,960
Speaker 2: this exactly as written. It's time to sack up and

184
00:08:44,080 --> 00:08:46,040
Speaker 2: let me know your early thoughts on the Invisible Sister.

185
00:08:46,080 --> 00:08:51,320
Speaker 2: What did you think guessing there's gonna be a lot

186
00:08:51,320 --> 00:08:52,120
Speaker 2: of giggling today?

187
00:08:52,200 --> 00:08:58,720
Speaker 1: Oh god, okay, parts of it? I really I I got.

188
00:08:58,760 --> 00:09:03,000
Speaker 1: I did enjoy the end. I threw my hands in

189
00:09:03,040 --> 00:09:03,360
Speaker 1: the air.

190
00:09:03,440 --> 00:09:04,880
Speaker 2: You made it all the way to the end before

191
00:09:04,880 --> 00:09:06,000
Speaker 2: you threw your hands in your mind.

192
00:09:06,040 --> 00:09:11,720
Speaker 1: I held it because I love Paul Holman. Oh yeah,

193
00:09:11,840 --> 00:09:15,440
Speaker 1: And I was kind of and I honestly got myself

194
00:09:15,480 --> 00:09:18,440
Speaker 1: in like this kind of mystical, magical world that is

195
00:09:18,480 --> 00:09:24,920
Speaker 1: obviously not yeah right, okay fair and no, I just

196
00:09:25,000 --> 00:09:27,840
Speaker 1: kind of got myself into that like early on because

197
00:09:27,880 --> 00:09:30,320
Speaker 1: I had to at first go, okay, we're like really

198
00:09:30,360 --> 00:09:33,520
Speaker 1: going extreme with the possibilities of this happening. But just

199
00:09:33,559 --> 00:09:35,480
Speaker 1: like what you said, Wished upon a Star like that

200
00:09:35,600 --> 00:09:39,280
Speaker 1: kind of movie, it hit me like, okay to me though,

201
00:09:39,320 --> 00:09:42,680
Speaker 1: she was very very smart for her age, so that

202
00:09:43,080 --> 00:09:47,440
Speaker 1: like was just like kind of like right off the top.

203
00:09:47,480 --> 00:09:49,920
Speaker 1: I just was a little like, this is just extreme.

204
00:09:50,280 --> 00:09:53,040
Speaker 1: So I had to stop pause and get into like

205
00:09:53,080 --> 00:09:59,280
Speaker 1: my magical rewind like place at the end. The results

206
00:09:59,360 --> 00:10:02,240
Speaker 1: at the end was when I went, okay, okay, yeah,

207
00:10:02,280 --> 00:10:06,920
Speaker 1: when you add in adults, see this movie is weird.

208
00:10:08,520 --> 00:10:11,280
Speaker 2: Yeah. I first of all, the cast, love the cast.

209
00:10:11,440 --> 00:10:14,400
Speaker 2: Everybody's great. Yeah, that's why I said, nothing is their fault.

210
00:10:14,480 --> 00:10:17,560
Speaker 2: Rowan phenomenal, Alex phenomenal. Everybody's great in this movie. They

211
00:10:17,559 --> 00:10:21,280
Speaker 2: really are. This movie makes no sense and it has

212
00:10:21,320 --> 00:10:23,000
Speaker 2: nothing to do with her being smart. I get the

213
00:10:23,280 --> 00:10:24,880
Speaker 2: you know the honey I shrunk the kids where the

214
00:10:24,960 --> 00:10:27,800
Speaker 2: kids really the kids are like basically a genius. Totally

215
00:10:27,800 --> 00:10:31,439
Speaker 2: buy that. Even turning your sister invisible totally Disney Channel

216
00:10:31,520 --> 00:10:35,400
Speaker 2: that I get. I don't get another one. Now, all

217
00:10:35,400 --> 00:10:38,199
Speaker 2: of a sudden, she's her sister and she just puts

218
00:10:38,200 --> 00:10:40,240
Speaker 2: on a mask and nobody notices.

219
00:10:40,480 --> 00:10:44,160
Speaker 1: I knew that was gonna be talking a different pert.

220
00:10:44,160 --> 00:10:45,920
Speaker 2: They're talking to a completely different.

221
00:10:45,640 --> 00:10:47,959
Speaker 1: Human being, right, with a different voice, with.

222
00:10:47,960 --> 00:10:50,560
Speaker 2: A different everything. Her best friend of years is like,

223
00:10:50,720 --> 00:10:53,480
Speaker 2: of course you're my friend, because you said you are. Like,

224
00:10:54,320 --> 00:10:57,720
Speaker 2: none of this made any sense to me. This whole

225
00:10:57,760 --> 00:10:59,520
Speaker 2: movie was. It was me just going what And it

226
00:10:59,559 --> 00:11:01,200
Speaker 2: started with a lot of promise, like I love the

227
00:11:01,240 --> 00:11:04,840
Speaker 2: idea of super smart girl turned somebody Invisible, great very

228
00:11:04,840 --> 00:11:07,520
Speaker 2: Disney channel. The second they're like, now you've got to

229
00:11:07,600 --> 00:11:09,000
Speaker 2: dress like cause I thought it was going to be

230
00:11:09,280 --> 00:11:12,559
Speaker 2: now a romp about how do we get my invisible

231
00:11:12,600 --> 00:11:15,520
Speaker 2: sister through a day of school? Yeah, and maybe she

232
00:11:15,600 --> 00:11:17,040
Speaker 2: does have to we have to dress her up, she's

233
00:11:17,040 --> 00:11:18,960
Speaker 2: got to wear a funny costume, whatever it is. I'm like, okay,

234
00:11:19,000 --> 00:11:20,920
Speaker 2: I'm in for that. When they're like, no, put on

235
00:11:20,960 --> 00:11:23,199
Speaker 2: a mask and now you're me and everyone's like, yeah,

236
00:11:23,280 --> 00:11:25,760
Speaker 2: you're her, I that was it. I was out out.

237
00:11:26,679 --> 00:11:29,320
Speaker 2: I watched this movie in nine minute increments because it's

238
00:11:29,320 --> 00:11:30,920
Speaker 2: all I could take before I just shut it off.

239
00:11:30,920 --> 00:11:33,079
Speaker 2: I'm sorry for everybody out anybody out there who's like,

240
00:11:33,120 --> 00:11:35,720
Speaker 2: this is my favorite movie ever, but I just couldn't

241
00:11:35,720 --> 00:11:38,360
Speaker 2: with this one. It's so ridiculous.

242
00:11:38,600 --> 00:11:40,840
Speaker 1: I think it's hard again, and we had a you

243
00:11:41,080 --> 00:11:43,439
Speaker 1: specifically had a very hard time with, like Hannah Montana

244
00:11:43,480 --> 00:11:45,640
Speaker 1: when it's like, these are your best friends who don't

245
00:11:45,679 --> 00:11:48,720
Speaker 1: see the difference if it had been a day of

246
00:11:48,760 --> 00:11:52,600
Speaker 1: getting her just through school right like and on the team,

247
00:11:52,640 --> 00:11:55,600
Speaker 1: but like the other friends all kind of knew and

248
00:11:55,640 --> 00:11:56,480
Speaker 1: they were going around.

249
00:11:56,720 --> 00:12:00,320
Speaker 2: Now she wears a full Halloween costume the whole day. Yeah, yeah,

250
00:12:00,440 --> 00:12:02,320
Speaker 2: not like yes, and then it's like, oh my god,

251
00:12:02,360 --> 00:12:04,800
Speaker 2: something got pulled off and oh no, we're and slowly

252
00:12:04,920 --> 00:12:06,960
Speaker 2: she's starting to lose the costume or something that makes

253
00:12:06,960 --> 00:12:09,720
Speaker 2: more sense. It's interesting, but now you're Dorothy. We just

254
00:12:09,720 --> 00:12:12,720
Speaker 2: have a small mask on and nobody notices. Your boyfriend

255
00:12:12,720 --> 00:12:15,599
Speaker 2: doesn't notice, your best friend doesn't. Oh, these drive me

256
00:12:15,640 --> 00:12:17,760
Speaker 2: into In the New Superman movie, they literally addressed the

257
00:12:17,760 --> 00:12:20,120
Speaker 2: whole Clark Kent thing where they they say the glasses

258
00:12:20,160 --> 00:12:22,559
Speaker 2: are actually special glasses made for him to where when

259
00:12:22,600 --> 00:12:24,840
Speaker 2: somebody looks at him they forget where they know him from.

260
00:12:24,840 --> 00:12:28,240
Speaker 2: So they even explain that the glasses themselves are some

261
00:12:28,520 --> 00:12:31,600
Speaker 2: so Annah Montana, it's just they're just dumb people, and

262
00:12:31,679 --> 00:12:33,839
Speaker 2: invisible sister, they're even dumber people.

263
00:12:34,320 --> 00:12:38,200
Speaker 1: Come on, I would say, though, for when it comes

264
00:12:38,200 --> 00:12:39,920
Speaker 1: to rules, because now you know that's like a big

265
00:12:39,920 --> 00:12:42,920
Speaker 1: thing for me. Now I will say they they did

266
00:12:43,440 --> 00:12:47,320
Speaker 1: play really close to attention of the invisible stuff. Yes,

267
00:12:47,640 --> 00:12:51,240
Speaker 1: like how even when she wore like a certain costume.

268
00:12:51,280 --> 00:12:53,920
Speaker 1: We'll get to it. It was they may make a line,

269
00:12:54,040 --> 00:12:56,640
Speaker 1: a one line that says, I guess it's thick enough

270
00:12:56,679 --> 00:12:58,760
Speaker 1: for me to like, you know, and then it ends

271
00:12:58,840 --> 00:13:01,360
Speaker 1: up disappearing. And I mean, I'm telling you that was

272
00:13:01,600 --> 00:13:05,000
Speaker 1: that detail to me? Was I think what I was

273
00:13:05,040 --> 00:13:08,720
Speaker 1: more so like rules, rules, rules of this, like new invisible,

274
00:13:09,120 --> 00:13:10,520
Speaker 1: like special quality.

275
00:13:10,320 --> 00:13:13,880
Speaker 2: Painful to me. This was painful to me. I'm sorry,

276
00:13:13,880 --> 00:13:16,640
Speaker 2: because you have to be I hate worlds like I

277
00:13:16,640 --> 00:13:19,280
Speaker 2: love a world where every everything is turned upside down,

278
00:13:19,320 --> 00:13:21,480
Speaker 2: there's magic, whatever you want to do. I hate worlds.

279
00:13:21,480 --> 00:13:24,240
Speaker 2: Were to get through the world, every other character has

280
00:13:24,280 --> 00:13:25,040
Speaker 2: to be stupid.

281
00:13:25,240 --> 00:13:26,240
Speaker 1: Yeah, that makes sense.

282
00:13:26,280 --> 00:13:29,800
Speaker 2: I can't stand it because it's like, there's nobody who

283
00:13:29,800 --> 00:13:33,760
Speaker 2: would walk in and see these two different height, different sounding,

284
00:13:33,880 --> 00:13:36,680
Speaker 2: completely different girls and be like, oh, yeah, you're my

285
00:13:36,880 --> 00:13:39,640
Speaker 2: have been my best friend for like, how does anybody

286
00:13:39,720 --> 00:13:40,599
Speaker 2: not see that?

287
00:13:40,880 --> 00:13:41,080
Speaker 1: Yeah?

288
00:13:41,280 --> 00:13:42,400
Speaker 2: And it's just well, her.

289
00:13:42,280 --> 00:13:44,520
Speaker 1: Boyfriend's character would be the only one in the.

290
00:13:44,559 --> 00:13:46,920
Speaker 2: Character that would have made it even funnier if he

291
00:13:47,080 --> 00:13:49,920
Speaker 2: never got it and everybody did. But this, Yeah, I'm sorry.

292
00:13:49,920 --> 00:13:52,040
Speaker 2: I don't like these movies where everybody has to be dumb.

293
00:13:52,120 --> 00:13:53,920
Speaker 2: I'm sorry. I know people are gonna come for me.

294
00:13:54,600 --> 00:13:56,880
Speaker 2: I don't like them. It doesn't make any sense because

295
00:13:56,880 --> 00:13:59,160
Speaker 2: it's such an easy fix. Yeah, put her in a

296
00:13:59,200 --> 00:14:01,880
Speaker 2: costume all day. Then you're my sister. Whatever you've got

297
00:14:01,880 --> 00:14:03,640
Speaker 2: to do, that's the easiest way to do it. But

298
00:14:03,679 --> 00:14:06,719
Speaker 2: the idea that just she's then in the lacrosse she

299
00:14:06,880 --> 00:14:09,679
Speaker 2: literally even the mask is he through, it's just her.

300
00:14:10,520 --> 00:14:12,960
Speaker 2: If they're not even trying to hide it anymore, it's like,

301
00:14:13,000 --> 00:14:17,360
Speaker 2: what the hell anyway? Okay, well, I'm honored to tell

302
00:14:17,360 --> 00:14:20,080
Speaker 2: you that Invisible Sister, as Sabrina has said, is directed

303
00:14:20,080 --> 00:14:23,280
Speaker 2: by none other than the Dcom Daddy himself, the Wizard

304
00:14:23,320 --> 00:14:26,280
Speaker 2: behind the Curtain, the zombie Whisperer. Yes we're talking Paul

305
00:14:26,600 --> 00:14:29,600
Speaker 2: bad to the Hoen. He is the most prolific director,

306
00:14:29,680 --> 00:14:33,080
Speaker 2: possibly creative being in general, within the dcom universe, having

307
00:14:33,120 --> 00:14:35,320
Speaker 2: directed and again, we've done this list a thousand times,

308
00:14:35,320 --> 00:14:37,680
Speaker 2: and every time I say it is so impressive. Eddie's

309
00:14:37,680 --> 00:14:40,200
Speaker 2: billion dollar cookoff, the Luck of the Irish jump In,

310
00:14:40,440 --> 00:14:43,040
Speaker 2: let it Shine, True Confessions, and now he's the man

311
00:14:43,080 --> 00:14:46,720
Speaker 2: behind the entire Zombies franchise. And most importantly, he's a

312
00:14:46,760 --> 00:14:50,160
Speaker 2: really good dude. You can hear our interview with him anytime.

313
00:14:50,160 --> 00:14:52,800
Speaker 2: It's right here on our feed. And you know, I'm

314
00:14:52,800 --> 00:14:54,640
Speaker 2: gonna say it, it's been a while I wouldn't mind

315
00:14:54,640 --> 00:14:56,320
Speaker 2: having the daddy back to tell me why I'm wrong

316
00:14:56,360 --> 00:14:58,400
Speaker 2: about some of the movies that I've been criticizing of his.

317
00:14:58,440 --> 00:15:00,960
Speaker 2: Because he's the best. And he tells me I'm wrong,

318
00:15:01,080 --> 00:15:04,120
Speaker 2: then I am wrong. That's just how it works with

319
00:15:04,200 --> 00:15:07,000
Speaker 2: the daddy of the d coms and the movie stars

320
00:15:07,040 --> 00:15:10,440
Speaker 2: a very familiar name to me, Rowan Blanchert. She plays

321
00:15:10,560 --> 00:15:13,320
Speaker 2: Cleo Eastman. Rowan's career began as one of the stars

322
00:15:13,360 --> 00:15:15,400
Speaker 2: of Spy Kids, All the Time in the World, directed

323
00:15:15,400 --> 00:15:19,360
Speaker 2: by Robert Rodriguez. Have you ever seen one of those movies, Sabena? Basically, oh,

324
00:15:19,400 --> 00:15:22,280
Speaker 2: they're great. Robert Rodriguez essentially built an entire studio within

325
00:15:22,320 --> 00:15:24,480
Speaker 2: the confines of his ranch in Texas and just films

326
00:15:24,560 --> 00:15:27,600
Speaker 2: full spy kids movies there. It's crazy. They're very good.

327
00:15:27,760 --> 00:15:29,880
Speaker 2: They're fun. He gets a great cast and they just

328
00:15:30,000 --> 00:15:32,600
Speaker 2: have a blast and they're really bright and colorful and

329
00:15:32,720 --> 00:15:34,840
Speaker 2: for kids movies, the kids, right, yea, yeah, they're great.

330
00:15:35,960 --> 00:15:39,240
Speaker 2: And she burst onto the Disney scene as Riley Matthews.

331
00:15:39,320 --> 00:15:42,160
Speaker 2: That's right, Eric Matthews's niece or niche if you know

332
00:15:42,680 --> 00:15:45,120
Speaker 2: the storyline, well, the daughter of Corey and Tapanga. On

333
00:15:45,160 --> 00:15:47,720
Speaker 2: the millennial reboot of Boy Meets World, Girl Meets World.

334
00:15:48,040 --> 00:15:50,040
Speaker 2: She's also been seen in movies like A Wrinkle in

335
00:15:50,120 --> 00:15:53,120
Speaker 2: Time and Crush, and TV shows like The Goldbergs and

336
00:15:53,240 --> 00:15:56,040
Speaker 2: snow Piercer. But now she is on The Testaments, the

337
00:15:56,080 --> 00:15:58,400
Speaker 2: new sequel to The Handmaid's Tale on Hulu, which is

338
00:15:58,480 --> 00:16:02,400
Speaker 2: really funny. It's not at all. I even I saw

339
00:16:02,440 --> 00:16:04,040
Speaker 2: her like a week ago. I'm like, funny show.

340
00:16:04,120 --> 00:16:07,120
Speaker 1: She's like, right, I just added it into my cue.

341
00:16:07,200 --> 00:16:09,360
Speaker 2: Yeah. I am so happy to see her thriving back

342
00:16:09,400 --> 00:16:11,640
Speaker 2: on TV. It's where she deserves to be. She's a

343
00:16:11,680 --> 00:16:14,320
Speaker 2: great person and deserves all the success in the world.

344
00:16:14,600 --> 00:16:17,800
Speaker 2: And Paris Burrell's is her sister. Molly Eastman. Burress was

345
00:16:17,840 --> 00:16:20,080
Speaker 2: a child model who moved to La to act, and

346
00:16:20,160 --> 00:16:23,080
Speaker 2: first starred as Skylar Storm on the Disney XD sitcom

347
00:16:23,160 --> 00:16:26,600
Speaker 2: Mighty Med, then it's spinoff series lab Rats Elite Force.

348
00:16:26,880 --> 00:16:28,800
Speaker 2: You might also know her from the Netflix show Alexa

349
00:16:28,800 --> 00:16:32,240
Speaker 2: and Katie or the Netflix movie Tall Girl with Rowan's

350
00:16:32,240 --> 00:16:35,120
Speaker 2: Girl Meets World co star Sabrina Carpenter, and when it

351
00:16:35,120 --> 00:16:37,760
Speaker 2: comes to Spooky Season, she knows her stuff too. She

352
00:16:37,800 --> 00:16:41,200
Speaker 2: also starred in the Adam Sandler movie Huby Halloween. Karn

353
00:16:41,320 --> 00:16:44,440
Speaker 2: Brarr is best friend and science whiz George. He's best

354
00:16:44,480 --> 00:16:47,080
Speaker 2: known from the Diary of a Wimpy Kid franchise and

355
00:16:47,160 --> 00:16:51,120
Speaker 2: as Ravi on Disney Channels, Jesse and Bunked, and an

356
00:16:51,120 --> 00:16:54,160
Speaker 2: old pal of mine Alex Days there is mister Perkins.

357
00:16:54,320 --> 00:16:56,720
Speaker 2: Day's Air is a Hollywood veteran character actor, best known

358
00:16:56,720 --> 00:16:59,120
Speaker 2: to me as teacher Eli Williams from Boy Meets World,

359
00:16:59,120 --> 00:17:02,440
Speaker 2: but he's been in a ton of stuff. He starred

360
00:17:02,440 --> 00:17:04,680
Speaker 2: in the sitcom Becker Stole, a whole bunch of scenes

361
00:17:04,680 --> 00:17:06,719
Speaker 2: of the movie Swingers Man This Place is Dead Anyway,

362
00:17:06,960 --> 00:17:08,840
Speaker 2: and now is the voice of Carl and Lou on

363
00:17:08,880 --> 00:17:10,920
Speaker 2: The Simpsons. But if you really want to have some fun,

364
00:17:11,000 --> 00:17:13,119
Speaker 2: check out his ska band, a legendary group here in

365
00:17:13,200 --> 00:17:17,480
Speaker 2: La called Hepcat. He is absolutely, without a doubt, the

366
00:17:17,600 --> 00:17:19,840
Speaker 2: coolest human being I've ever met in my life. And

367
00:17:19,880 --> 00:17:21,480
Speaker 2: the idea that he would even.

368
00:17:21,280 --> 00:17:24,680
Speaker 1: Talk to me in a ska band's and they've been around.

369
00:17:24,480 --> 00:17:27,720
Speaker 2: For like thirty years. He is the greatest guy. I

370
00:17:27,760 --> 00:17:29,840
Speaker 2: could not love him more. He's such a nice person.

371
00:17:29,880 --> 00:17:31,840
Speaker 2: He's an incredible actor, and every time I see him,

372
00:17:31,840 --> 00:17:34,560
Speaker 2: I'm like, whatever, this is he's gonna be awesome? It's yes,

373
00:17:35,520 --> 00:17:38,280
Speaker 2: and so we know the sister is invisible, But is

374
00:17:38,280 --> 00:17:41,000
Speaker 2: the movie's runtime too long to ignore? We hear Magical

375
00:17:41,000 --> 00:17:43,760
Speaker 2: rewind have long said movies that are exactly ninety minutes

376
00:17:43,800 --> 00:17:46,800
Speaker 2: long are the only films to watch, and so with

377
00:17:46,920 --> 00:17:51,760
Speaker 2: the Invisible Sister, we're looking at seventy nine minutes. Why

378
00:17:54,359 --> 00:17:58,520
Speaker 2: that's not a movie that's one half of a soccer match. Unreal.

379
00:17:58,600 --> 00:18:01,399
Speaker 2: This is officially the shortest movie in Magical Rewine history.

380
00:18:01,440 --> 00:18:03,760
Speaker 2: This really is one of the quote unquote, be careful

381
00:18:03,800 --> 00:18:05,720
Speaker 2: what you wish for things, because I'm fine with a

382
00:18:05,760 --> 00:18:07,760
Speaker 2: movie shorter than ninety minutes, but this is a little

383
00:18:07,760 --> 00:18:09,480
Speaker 2: too far. I would love to hear how that.

384
00:18:09,440 --> 00:18:12,439
Speaker 1: Happened, shock and awe over here, because it did not

385
00:18:12,720 --> 00:18:14,320
Speaker 1: feel like it felt like it.

386
00:18:14,320 --> 00:18:18,280
Speaker 2: Was one and seventy nine minutes. It did seventy nine minutes.

387
00:18:18,760 --> 00:18:23,399
Speaker 2: It took me four days to watch this movie. Sorry,

388
00:18:23,560 --> 00:18:25,200
Speaker 2: people are gonna be like, how can you not like this?

389
00:18:25,760 --> 00:18:26,640
Speaker 2: I don't.

390
00:18:26,840 --> 00:18:28,640
Speaker 1: I can't believe it was only seventy.

391
00:18:28,560 --> 00:18:30,840
Speaker 2: And again, the cast is great, it looked great, it

392
00:18:30,880 --> 00:18:33,800
Speaker 2: was directed well, we'll get into what the effects were great.

393
00:18:33,880 --> 00:18:35,120
Speaker 1: Yeah, we got some great.

394
00:18:35,000 --> 00:18:38,200
Speaker 2: We got some good stuff, and then comes the story

395
00:18:38,240 --> 00:18:41,399
Speaker 2: and you're like, come on, But if we wanted to

396
00:18:41,400 --> 00:18:43,359
Speaker 2: find out what actually happened out was so short, we

397
00:18:43,400 --> 00:18:45,720
Speaker 2: could ask the writers. We have two authors of the

398
00:18:45,720 --> 00:18:48,920
Speaker 2: source material, Beatrice Olan and Sarapento, but also a ton

399
00:18:49,000 --> 00:18:52,080
Speaker 2: of other names credited. So how do this many people

400
00:18:52,280 --> 00:18:54,400
Speaker 2: make a movie that's under an hour and twenty minutes long?

401
00:18:55,240 --> 00:18:57,760
Speaker 2: The writers are. We've got Matt and Billy Eddie as

402
00:18:57,760 --> 00:19:00,320
Speaker 2: the screenplay writers. We've met them before, their brother who

403
00:19:00,320 --> 00:19:03,920
Speaker 2: wrote Teen Beach two, as well as Zindaa's Zapped Bad

404
00:19:03,960 --> 00:19:06,560
Speaker 2: Hair Day, Monster High one and two, and My Weird

405
00:19:06,640 --> 00:19:09,960
Speaker 2: High School. Then, in common Disney fashion, they were paired

406
00:19:10,000 --> 00:19:12,880
Speaker 2: with less experienced decom writers, the team of Jessica O'Toole

407
00:19:12,920 --> 00:19:16,160
Speaker 2: and Amy Arden, who worked on Greek, The Carry Diaries,

408
00:19:16,320 --> 00:19:18,800
Speaker 2: Jane the Virgin, and the twenty eighteen Charmed Reboot, which

409
00:19:18,840 --> 00:19:21,000
Speaker 2: they helped to create. Most recently, though, they are on

410
00:19:21,080 --> 00:19:23,840
Speaker 2: fire for writing two very hot properties, The Summer I

411
00:19:23,920 --> 00:19:26,040
Speaker 2: Turned Pretty and Exo Kitty.

412
00:19:25,960 --> 00:19:27,919
Speaker 1: Love Blah blah, Oh my god.

413
00:19:27,720 --> 00:19:31,840
Speaker 2: Me too. Never heard of either. Watched you, liar, I haven't.

414
00:19:31,600 --> 00:19:35,000
Speaker 1: I loved it. I just whizzed through the latest season

415
00:19:35,040 --> 00:19:35,840
Speaker 1: of XO Kitty.

416
00:19:43,000 --> 00:19:44,840
Speaker 2: So what are we waiting for? We have seventy nine

417
00:19:44,840 --> 00:19:46,720
Speaker 2: minutes to burn through. Let's put this one under the

418
00:19:46,720 --> 00:19:51,520
Speaker 2: microscope from an invisible sister Preeca. Here we go. We

419
00:19:51,600 --> 00:19:53,600
Speaker 2: open on a close up of a butterfly and the

420
00:19:53,600 --> 00:19:55,440
Speaker 2: beauty of its wings, only to pull out to reveal

421
00:19:55,480 --> 00:19:58,040
Speaker 2: it's sitting in a tree covered in butterflies. I mean,

422
00:19:58,040 --> 00:20:00,879
Speaker 2: there's millions covering this tree. I used to watch or

423
00:20:00,920 --> 00:20:03,840
Speaker 2: go up to. I think it's called is it Galina

424
00:20:03,960 --> 00:20:06,240
Speaker 2: where all of the monarch butterflies would come. It's this

425
00:20:06,320 --> 00:20:08,760
Speaker 2: small town in California that's actually not far from where

426
00:20:08,760 --> 00:20:10,560
Speaker 2: I live. Oh, and you walk up into the woods

427
00:20:10,600 --> 00:20:12,879
Speaker 2: a little bit, and there would just be trees covered

428
00:20:12,880 --> 00:20:15,080
Speaker 2: top to bottom with monarch butterflies. It was gorgeous. They'd

429
00:20:15,160 --> 00:20:17,520
Speaker 2: land on you and mate like all of it was

430
00:20:17,800 --> 00:20:20,040
Speaker 2: the coolest thing in the world. It really they mate

431
00:20:20,640 --> 00:20:22,720
Speaker 2: not necessarily on you, but some of them like to

432
00:20:22,720 --> 00:20:26,360
Speaker 2: be watched. It's just I don't judge.

433
00:20:26,440 --> 00:20:30,960
Speaker 1: I don't know. I love butterflies, but I don't know

434
00:20:31,000 --> 00:20:33,359
Speaker 1: if it's like a fear or what. But going into

435
00:20:33,400 --> 00:20:35,919
Speaker 1: like how they'll have it like maybe a fair ground,

436
00:20:35,960 --> 00:20:39,359
Speaker 1: those like tents or you could. That's never interested me.

437
00:20:39,640 --> 00:20:41,760
Speaker 2: Oh they're great until I talked to the guy who

438
00:20:41,760 --> 00:20:43,600
Speaker 2: set them up. Who do you know how they get

439
00:20:43,640 --> 00:20:44,480
Speaker 2: rid of the butterflies?

440
00:20:44,720 --> 00:20:45,719
Speaker 1: How they get rid of them?

441
00:20:45,760 --> 00:20:48,920
Speaker 2: Yea, when they're done with the thing, you think they'd

442
00:20:48,920 --> 00:20:51,720
Speaker 2: release them into the wild. Apparently they just release a

443
00:20:51,760 --> 00:20:56,560
Speaker 2: whole bunch of spiders. That's what I've heard, and nature

444
00:20:56,640 --> 00:20:59,240
Speaker 2: takes its course. I could be wrong, but I don't

445
00:20:59,280 --> 00:21:01,679
Speaker 2: think I am. It's kind of like, let's move on

446
00:21:01,720 --> 00:21:04,880
Speaker 2: to the spider exhibit. Let's go. Can you imagine going

447
00:21:04,880 --> 00:21:07,359
Speaker 2: to a concert and the first band finishes and the

448
00:21:07,359 --> 00:21:09,360
Speaker 2: second band just comes in and eats the first ban

449
00:21:10,320 --> 00:21:12,320
Speaker 2: That's what this seems like. It would be like, it's like,

450
00:21:12,359 --> 00:21:14,719
Speaker 2: oh my god, led Zeppelin just eat Pink Floyd.

451
00:21:15,040 --> 00:21:17,400
Speaker 1: That might be one of the top weirdest analogies.

452
00:21:18,960 --> 00:21:22,600
Speaker 2: But I'm also right. So, yes, there are millions of

453
00:21:22,640 --> 00:21:24,920
Speaker 2: butterflies covering this tree. And if it was outside my house,

454
00:21:24,960 --> 00:21:26,399
Speaker 2: I think I was about to die and they were

455
00:21:26,400 --> 00:21:28,720
Speaker 2: going to take my soul to heaven. But they all

456
00:21:28,760 --> 00:21:30,639
Speaker 2: fly off at once, and we noticed they are lounging

457
00:21:30,680 --> 00:21:33,440
Speaker 2: in front of a busy high school campus. Sisters Cleo

458
00:21:33,520 --> 00:21:35,640
Speaker 2: and Molly are pulling into the parking lot. As Cleo

459
00:21:35,760 --> 00:21:39,240
Speaker 2: narrates about the concept of the scene, popular kids like

460
00:21:39,280 --> 00:21:43,600
Speaker 2: her sister Molly, and the unseen loners like herself. She explains, quote,

461
00:21:43,680 --> 00:21:46,280
Speaker 2: those bright, shiny objects soak up all the attention, while

462
00:21:46,320 --> 00:21:48,600
Speaker 2: at the same time, the visible objects right under our

463
00:21:48,640 --> 00:21:51,359
Speaker 2: noses don't. That's just the way things are. We can't

464
00:21:51,400 --> 00:21:53,199
Speaker 2: change it, no matter how much we might want to.

465
00:21:53,560 --> 00:21:57,120
Speaker 2: At least that's what I thought. Unquote starts great, Yeah,

466
00:21:57,200 --> 00:21:58,080
Speaker 2: Roan's got a great voice.

467
00:21:58,080 --> 00:21:58,680
Speaker 1: You got it? Yeah.

468
00:21:58,720 --> 00:22:00,440
Speaker 2: She does the bell rings and it's the end of

469
00:22:00,480 --> 00:22:02,280
Speaker 2: another class. But as the student said for the door,

470
00:22:02,359 --> 00:22:05,080
Speaker 2: Cleo is a sleep at her desk wearing headphones blasting music.

471
00:22:05,359 --> 00:22:06,720
Speaker 2: That's when I was like, oh, is she gonna be

472
00:22:06,760 --> 00:22:10,520
Speaker 2: a nefarious kind of kind of student. But now the teacher,

473
00:22:10,600 --> 00:22:12,640
Speaker 2: mister Perkins, is forced to wake her up. He hopes

474
00:22:12,680 --> 00:22:15,320
Speaker 2: she was meditating and hands Cleo attest she got one

475
00:22:15,440 --> 00:22:19,359
Speaker 2: hundred A plus, so she's a smartiesmart. She begins to

476
00:22:19,359 --> 00:22:21,240
Speaker 2: walk out of the classroom, but mister Perkins isn't done

477
00:22:21,240 --> 00:22:23,960
Speaker 2: with her yet. He got her pitch for the semester project,

478
00:22:24,000 --> 00:22:27,119
Speaker 2: and isn't stoked about it, really, He says, turning a

479
00:22:27,200 --> 00:22:29,920
Speaker 2: papaya into a battery. I've already got seven other kids

480
00:22:29,920 --> 00:22:33,520
Speaker 2: turning vegetables into batteries. Cleo playfully reminds them a papaya

481
00:22:33,600 --> 00:22:34,040
Speaker 2: is a fruit.

482
00:22:34,240 --> 00:22:38,200
Speaker 1: I'm instantly like, Okay, so this is definitely a higher

483
00:22:38,280 --> 00:22:41,399
Speaker 1: level of science class than I ever Listen, because you.

484
00:22:41,400 --> 00:22:43,680
Speaker 2: Didn't turn into Battery's going on? Really?

485
00:22:44,640 --> 00:22:48,960
Speaker 1: Okay, so batter these kids are way up here.

486
00:22:49,240 --> 00:22:51,280
Speaker 2: Well you never did. Did you ever do the potato battery?

487
00:22:51,320 --> 00:22:52,000
Speaker 2: You never did that?

488
00:22:52,240 --> 00:22:54,040
Speaker 1: No?

489
00:22:54,600 --> 00:22:56,439
Speaker 2: Yeah, you'd like you take a potato and then you

490
00:22:56,480 --> 00:22:58,600
Speaker 2: put in all these wires and the potato like thing.

491
00:22:58,920 --> 00:23:01,879
Speaker 2: Oh wait, okay a battery? Yeah yeah, yeah, it's a

492
00:23:01,920 --> 00:23:04,240
Speaker 2: real thing. Are you kind of serious? Did you did

493
00:23:04,280 --> 00:23:06,480
Speaker 2: you dissect anything? Yes?

494
00:23:06,840 --> 00:23:09,159
Speaker 1: We did a squid when I was really little. I

495
00:23:09,160 --> 00:23:12,119
Speaker 1: have done that frog later on. I don't know if

496
00:23:12,160 --> 00:23:13,800
Speaker 1: that was maybe junior high.

497
00:23:14,000 --> 00:23:16,200
Speaker 2: Yeah, yeah we did it. We did. I could an

498
00:23:16,200 --> 00:23:20,239
Speaker 2: earthworm first, and then a squid and then yes, then

499
00:23:20,280 --> 00:23:22,040
Speaker 2: we did a fetal pig. Yeah, which was cool. I

500
00:23:22,040 --> 00:23:23,919
Speaker 2: took out the whole brain and spinal quarter. It was awesome.

501
00:23:26,160 --> 00:23:26,560
Speaker 2: Thank you.

502
00:23:26,680 --> 00:23:27,960
Speaker 1: Oh my god, a feed pig.

503
00:23:28,000 --> 00:23:29,439
Speaker 2: It wasn't a full sized pig, or we would eat

504
00:23:29,480 --> 00:23:33,480
Speaker 2: in the whole thing. Ah, Cleo reminds him by is

505
00:23:33,520 --> 00:23:39,160
Speaker 2: a fruit, And just like that, her proposal is rejected.

506
00:23:39,520 --> 00:23:42,000
Speaker 2: He wants her to challenge herself and do something relevant,

507
00:23:42,000 --> 00:23:45,720
Speaker 2: maybe even involving transformation. He hands her a substance like

508
00:23:45,760 --> 00:23:48,119
Speaker 2: you do in school, tells her to identify it then

509
00:23:48,160 --> 00:23:51,600
Speaker 2: transform it into its crystal state. She needs to build

510
00:23:51,600 --> 00:23:55,320
Speaker 2: a homemade spectrometer and use this little thing called science.

511
00:23:55,560 --> 00:23:57,600
Speaker 2: He wants her to push yourself to finish by Monday,

512
00:23:57,640 --> 00:23:59,600
Speaker 2: and he decides the assignment will make up half of

513
00:23:59,600 --> 00:24:01,320
Speaker 2: her class. That great, And that's when I was like,

514
00:24:02,000 --> 00:24:04,879
Speaker 2: she's been acing this class all year and now all

515
00:24:04,920 --> 00:24:07,480
Speaker 2: of a sudden, she's got a weekend to come up

516
00:24:07,520 --> 00:24:09,879
Speaker 2: with an entirely new project that's insane where she has

517
00:24:09,920 --> 00:24:12,240
Speaker 2: to build a spectrometer and if she fails, she now

518
00:24:12,280 --> 00:24:15,280
Speaker 2: fails the class, even though she's a straight A student, Like, oh, my.

519
00:24:15,160 --> 00:24:17,199
Speaker 1: God, I know, but I'm still going with what the

520
00:24:17,240 --> 00:24:20,360
Speaker 1: hell's a spectrauma?

521
00:24:20,640 --> 00:24:23,520
Speaker 2: You were still stuck on that nice but.

522
00:24:23,560 --> 00:24:25,720
Speaker 1: Yes, no, it was kind of like, you can't do that, No,

523
00:24:25,920 --> 00:24:28,800
Speaker 1: you can't just decide one kid gets the thing, like

524
00:24:29,240 --> 00:24:32,720
Speaker 1: especially nowadays now we are in twenty fifteen, but nowadays,

525
00:24:32,760 --> 00:24:36,200
Speaker 1: in the culture of parents and admin at schools, there's

526
00:24:36,200 --> 00:24:39,879
Speaker 1: no way this would ever fly him, even just like

527
00:24:40,840 --> 00:24:43,119
Speaker 1: giving her the like ultimatum of even just saying it

528
00:24:43,119 --> 00:24:43,840
Speaker 1: would have gotten him.

529
00:24:43,840 --> 00:24:47,720
Speaker 2: Probably, No, that's not And again the I can't you

530
00:24:47,760 --> 00:24:49,480
Speaker 2: just can't switch it up like that. No, just can't.

531
00:24:49,520 --> 00:24:50,560
Speaker 1: Well, it's absolutely not.

532
00:24:50,640 --> 00:24:52,800
Speaker 2: Yeah, it's not fair, especially for the straight A study. Yes.

533
00:24:53,200 --> 00:24:55,480
Speaker 2: Now we are out in the hallway. Cleo is walking

534
00:24:55,480 --> 00:24:58,040
Speaker 2: with one of her fellow brainy classmates, George, explaining what

535
00:24:58,160 --> 00:25:00,960
Speaker 2: just happened. She thinks it sounds impossible. Well, George explains,

536
00:25:01,000 --> 00:25:03,840
Speaker 2: it's not technically impossible, it's just hard. And I really

537
00:25:03,920 --> 00:25:07,000
Speaker 2: like that line. I did because I always I lived

538
00:25:07,040 --> 00:25:09,919
Speaker 2: by a motto that nothing worthwhile is easy, So I

539
00:25:10,000 --> 00:25:12,320
Speaker 2: kind of loved that. It's like, no, it's not impossible,

540
00:25:12,400 --> 00:25:16,800
Speaker 2: it's just hard. Yes, and some things are just hard. Oh,

541
00:25:16,800 --> 00:25:24,800
Speaker 2: that might actually be impossible. Yeahuters, I'm trying so hard

542
00:25:24,800 --> 00:25:27,320
Speaker 2: to catch up, trying to figure out what a spectrometer is.

543
00:25:27,960 --> 00:25:28,080
Speaker 3: Uh.

544
00:25:28,320 --> 00:25:31,760
Speaker 2: Yes, Cleo turns her attention to George's multicolored slacks, which

545
00:25:31,840 --> 00:25:35,080
Speaker 2: I loved, but she calls them clown pants. He says

546
00:25:35,119 --> 00:25:38,280
Speaker 2: their vintage lounge slacks and the rage and all the

547
00:25:38,359 --> 00:25:40,920
Speaker 2: rage in Budapest, which is the new Paris by the way,

548
00:25:41,200 --> 00:25:43,760
Speaker 2: he thinks girls will dig them. They also pass a

549
00:25:43,760 --> 00:25:47,400
Speaker 2: banner for the upcoming Halloween dance and fundraiser, the Romp Swamp.

550
00:25:47,560 --> 00:25:47,720
Speaker 1: Yes.

551
00:25:48,320 --> 00:25:50,719
Speaker 2: Now outside the school, George and Cleo are bullied by

552
00:25:50,720 --> 00:25:53,200
Speaker 2: a jock for their clothes, saying Halloween isn't until tomorrow.

553
00:25:53,200 --> 00:25:55,200
Speaker 2: I thought that was gonna come back, but never does.

554
00:25:55,560 --> 00:25:57,160
Speaker 2: No one bullies them for the rest of the thing.

555
00:25:57,600 --> 00:26:01,160
Speaker 2: Cleo pushes back, but George announces real trouble is approaching

556
00:26:01,240 --> 00:26:04,520
Speaker 2: in the form of Seed Dog. Sea Dog is of

557
00:26:04,560 --> 00:26:07,200
Speaker 2: course Carter, and despite his letterman jacket, he actually seems

558
00:26:07,240 --> 00:26:10,480
Speaker 2: pretty chill. And I'm gonna say something that's a little

559
00:26:10,560 --> 00:26:13,560
Speaker 2: a little might sound a little strange. He's a cute dude. Yeah,

560
00:26:13,600 --> 00:26:17,320
Speaker 2: like he like a like Disney Channel vibes from this guy.

561
00:26:17,359 --> 00:26:19,160
Speaker 2: It was like good casting for this.

562
00:26:19,119 --> 00:26:22,720
Speaker 1: Guy, like sweetest character. And yes he was perfectly cast.

563
00:26:22,920 --> 00:26:25,320
Speaker 2: And you also could get where you find out something

564
00:26:25,359 --> 00:26:27,760
Speaker 2: about him later you could get you saw that too,

565
00:26:28,000 --> 00:26:30,160
Speaker 2: Like it was good casting. It wasn't like, oh, come on,

566
00:26:30,320 --> 00:26:33,080
Speaker 2: this guy. Yeah, it actually all worked with this guy.

567
00:26:33,080 --> 00:26:36,280
Speaker 2: It was really really good. George awkwardly greets him and

568
00:26:36,359 --> 00:26:39,000
Speaker 2: tries some weird handshake. Carter asked Cleo if she wants

569
00:26:39,040 --> 00:26:41,520
Speaker 2: to study with him for mister Perkins's next quiz, but

570
00:26:41,560 --> 00:26:43,760
Speaker 2: Cleo notices a group of jocks laughing at her and

571
00:26:43,800 --> 00:26:46,679
Speaker 2: responds with, yeah, totally, we would be a cliche the

572
00:26:46,720 --> 00:26:49,240
Speaker 2: sports guy asking the nerdy girl to help with his homework.

573
00:26:49,520 --> 00:26:51,560
Speaker 2: He swears that's not the case and tells her where

574
00:26:51,600 --> 00:26:53,640
Speaker 2: he'll be just in case she wants to join later.

575
00:26:53,880 --> 00:26:57,480
Speaker 1: At this point, I'm like, Cleo, can we just tone

576
00:26:57,520 --> 00:26:58,440
Speaker 1: it down a little bit?

577
00:26:58,600 --> 00:27:04,440
Speaker 2: Like you are very agitive all but just agro Seriously, I.

578
00:27:04,320 --> 00:27:08,320
Speaker 1: Get it, the teenage hormones are going, but like free,

579
00:27:08,400 --> 00:27:11,040
Speaker 1: let's free with me, Let's take a yoga class, and

580
00:27:11,080 --> 00:27:12,200
Speaker 1: like zen it out.

581
00:27:12,560 --> 00:27:16,719
Speaker 2: I must I agree now alone. George just doesn't get it.

582
00:27:16,760 --> 00:27:19,480
Speaker 2: Cleo just shut down her epic crush who essentially just

583
00:27:19,520 --> 00:27:21,600
Speaker 2: asked her out. But Cleo thinks it was just his

584
00:27:21,640 --> 00:27:23,760
Speaker 2: way to weel a lot of doing any actual schoolwork.

585
00:27:24,040 --> 00:27:26,600
Speaker 2: And then Cleo's sister, Molly arrives from the parking lot,

586
00:27:26,600 --> 00:27:28,960
Speaker 2: announces school's done. You know what that means, And with

587
00:27:29,040 --> 00:27:31,800
Speaker 2: that we get a weird fro yo chant which goes

588
00:27:32,320 --> 00:27:37,639
Speaker 2: fro yo yolo, oh no, let's go yeah, And I

589
00:27:37,760 --> 00:27:39,600
Speaker 2: hated all of these kids instantly.

590
00:27:41,240 --> 00:27:46,640
Speaker 1: I was so irritated, like, oh my god. First of all,

591
00:27:46,720 --> 00:27:47,960
Speaker 1: I don't like fro yo.

592
00:27:48,320 --> 00:27:49,800
Speaker 2: You don't like yog no.

593
00:27:50,520 --> 00:27:52,400
Speaker 1: I know the pink bear.

594
00:27:52,480 --> 00:27:55,000
Speaker 2: I've tried ice cream, yes.

595
00:27:55,320 --> 00:27:57,720
Speaker 1: And it's not ice cream. It does it. It's such

596
00:27:57,800 --> 00:27:59,520
Speaker 1: a lot in the same I can do a lot

597
00:27:59,680 --> 00:27:59,840
Speaker 1: I do.

598
00:28:00,000 --> 00:28:00,960
Speaker 2: It's kind of in the middle.

599
00:28:01,000 --> 00:28:05,399
Speaker 1: It's like, yeah, the froyo, and then okay, I don't

600
00:28:05,480 --> 00:28:08,760
Speaker 1: like any of the experience, like people putting like sour

601
00:28:08,840 --> 00:28:11,920
Speaker 1: gummy worms and oreos and peanuts, Like, oh my god,

602
00:28:11,920 --> 00:28:12,600
Speaker 1: what are you doing?

603
00:28:12,640 --> 00:28:14,399
Speaker 2: That's everything you just said. It sounds amazing.

604
00:28:14,520 --> 00:28:16,159
Speaker 1: Yes, that's what Jordan does. That's why I don't like it,

605
00:28:16,160 --> 00:28:20,560
Speaker 1: because he does Morgesborg of like on it. And then

606
00:28:20,600 --> 00:28:22,720
Speaker 1: it's like, how is this forty dollars? I'm like, you

607
00:28:22,840 --> 00:28:25,880
Speaker 1: just put every candy they have to offer. Anyway.

608
00:28:26,119 --> 00:28:27,879
Speaker 2: Do you also feel that way about people like at

609
00:28:27,920 --> 00:28:30,480
Speaker 2: sandwich shops when they order weird things. Yeah, Susan's like

610
00:28:30,520 --> 00:28:32,400
Speaker 2: that too. Yeah, they can't, like, did you just put

611
00:28:32,440 --> 00:28:36,240
Speaker 2: some mustard, mayo, peppercini and the spicy gem. I'm like,

612
00:28:36,400 --> 00:28:38,239
Speaker 2: it's somebody's sandwich, bro, I know it's not.

613
00:28:38,320 --> 00:28:40,360
Speaker 1: I don't get that upset about it. But I could

614
00:28:40,480 --> 00:28:41,160
Speaker 1: never do it.

615
00:28:41,200 --> 00:28:43,320
Speaker 2: I couldn't love it. I don't hate these kids, by

616
00:28:43,360 --> 00:28:45,400
Speaker 2: the way. I just hope bad things happen to them

617
00:28:45,400 --> 00:28:49,320
Speaker 2: and they turn invisible and can't turn back. But this

618
00:28:49,400 --> 00:28:52,080
Speaker 2: is also where we show that her oldest sister's really

619
00:28:52,120 --> 00:28:54,760
Speaker 2: cool and like so cool, and even though she's the

620
00:28:54,800 --> 00:28:57,880
Speaker 2: coolest kid in school, is like trying to involve her

621
00:28:58,040 --> 00:28:59,440
Speaker 2: out to her sister.

622
00:28:59,200 --> 00:29:02,880
Speaker 1: Who she easily. You can tell, like the way she's dressed.

623
00:29:03,040 --> 00:29:04,840
Speaker 1: Her character is set up to be a little bit

624
00:29:04,840 --> 00:29:06,920
Speaker 1: of an outcast, you know, so in the fact that

625
00:29:07,000 --> 00:29:11,040
Speaker 1: she's so cool and her boyfriend's like, yeah, come with us,

626
00:29:11,120 --> 00:29:13,840
Speaker 1: Like to a younger kid in general in high school,

627
00:29:13,840 --> 00:29:15,040
Speaker 1: that would be so epic.

628
00:29:15,160 --> 00:29:22,720
Speaker 2: Yes, I agree that zeros she does she does zero froyos. Correct, Nope,

629
00:29:22,760 --> 00:29:25,880
Speaker 2: she doesn't. Molly invites them and Cleo passes and George

630
00:29:25,880 --> 00:29:30,520
Speaker 2: reluctantly follows her lead. But Molly's ditzy boyfriend apparently named Coog,

631
00:29:31,640 --> 00:29:34,520
Speaker 2: which I'm assuming is short for cougar, but I don't know,

632
00:29:34,560 --> 00:29:38,280
Speaker 2: it's just Coog reminds them it's Thursday, salted Caramel Day.

633
00:29:38,320 --> 00:29:42,680
Speaker 2: Do you say carmel or caramel caramel to Cleo still passes,

634
00:29:42,720 --> 00:29:44,840
Speaker 2: so Molly politely says goodbye to her sister, who will

635
00:29:44,840 --> 00:29:47,880
Speaker 2: get a ride home on George's scooter. We see some

636
00:29:48,000 --> 00:29:50,800
Speaker 2: very traditional New Orleans homes decorated for Halloween. Then Cleo

637
00:29:50,880 --> 00:29:52,520
Speaker 2: riding in the back of George's motor scooter. And this

638
00:29:52,560 --> 00:29:55,640
Speaker 2: is where I started to have a problem. Okay, so

639
00:29:56,480 --> 00:29:58,280
Speaker 2: it was great. I have no problem with that. It's awesome.

640
00:29:58,280 --> 00:30:00,560
Speaker 2: I get trying to build your own stuff. They're moving

641
00:30:00,560 --> 00:30:02,120
Speaker 2: a few miles an hours, struggling to even make it

642
00:30:02,160 --> 00:30:05,800
Speaker 2: a few feet, so they get off and decide to walk. However, okay,

643
00:30:06,400 --> 00:30:10,120
Speaker 2: this is the start of huh nobody's in New Orleans.

644
00:30:10,920 --> 00:30:14,120
Speaker 1: Yes, I did notice that that's one of my ron

645
00:30:14,240 --> 00:30:14,680
Speaker 1: is empty.

646
00:30:14,800 --> 00:30:18,760
Speaker 2: Every mode of transportation they take, it's supposed to be Halloween,

647
00:30:18,840 --> 00:30:20,160
Speaker 2: and there's three people in the whole.

648
00:30:21,960 --> 00:30:25,680
Speaker 1: It's like that could not be more more of the opposite.

649
00:30:25,760 --> 00:30:29,320
Speaker 1: There's so much energy. There weren't even I didn't even

650
00:30:29,360 --> 00:30:32,000
Speaker 1: see one street performer, which is one of my favorite

651
00:30:32,000 --> 00:30:35,760
Speaker 1: things in New Orleans round actor. Yes, like its every

652
00:30:35,800 --> 00:30:36,200
Speaker 1: where they go.

653
00:30:36,240 --> 00:30:37,040
Speaker 2: They go to high school.

654
00:30:37,040 --> 00:30:40,760
Speaker 1: Maybe it was cost effective but you can't afford.

655
00:30:40,800 --> 00:30:43,880
Speaker 2: But they literally are. At one point, it's Halloween night.

656
00:30:44,000 --> 00:30:47,560
Speaker 2: They're on a public transportation in New Orleans on Halloween

657
00:30:47,960 --> 00:30:52,240
Speaker 2: and it's just the two of them in every train car. Weird, yeah,

658
00:30:52,360 --> 00:30:54,160
Speaker 2: weird words. I'd like to know why that happened. It

659
00:30:54,240 --> 00:30:56,000
Speaker 2: might have been a shooting thing, like no, we for

660
00:30:56,040 --> 00:30:57,760
Speaker 2: some reason they're not letting a shoot, so we have

661
00:30:57,800 --> 00:30:59,440
Speaker 2: to close everything down. I don't know, but it was

662
00:30:59,600 --> 00:31:02,520
Speaker 2: very strange. Yes, And just as they arrived too.

663
00:31:02,480 --> 00:31:05,440
Speaker 1: Clearly for everyone around that was like just so drunk fit.

664
00:31:06,080 --> 00:31:08,400
Speaker 2: I'm not fair. We can't, we can't, we can't do this.

665
00:31:08,640 --> 00:31:10,840
Speaker 2: We can't do this. Everybody's drunk. And just as they

666
00:31:10,920 --> 00:31:13,480
Speaker 2: arrived to Cleo's house holding some boxes, her parents rush

667
00:31:13,480 --> 00:31:15,840
Speaker 2: outside with luggage. Before they leave, they give some last

668
00:31:15,840 --> 00:31:18,160
Speaker 2: minute instructions to Cleo and Molly for while they're gone.

669
00:31:18,280 --> 00:31:20,720
Speaker 2: They apologize to Molly for missing her big lacrosse game

670
00:31:20,760 --> 00:31:23,160
Speaker 2: and force out some words of advice for Cleo, Uh,

671
00:31:23,800 --> 00:31:26,920
Speaker 2: stay loose with your studies and stuff. And with that

672
00:31:27,000 --> 00:31:30,960
Speaker 2: they are gone. Not bad parents, but not good. They're

673
00:31:31,000 --> 00:31:34,240
Speaker 2: just gone. Yeah, maybe bad parents. They might be on

674
00:31:34,280 --> 00:31:37,760
Speaker 2: the list of bad pap. I feel like not naked

675
00:31:37,800 --> 00:31:38,320
Speaker 2: in the eyes.

676
00:31:38,400 --> 00:31:40,680
Speaker 1: They're just like no, I mean they think they're like,

677
00:31:41,400 --> 00:31:45,480
Speaker 1: I don't know. It seemed weird, Yes, like a big

678
00:31:45,560 --> 00:31:49,560
Speaker 1: lacrosse game where college like, yeah, college people are there

679
00:31:49,600 --> 00:31:50,280
Speaker 1: to recruit.

680
00:31:51,160 --> 00:31:53,840
Speaker 2: Hopefully was that a big weekend where they couldn't miss

681
00:31:54,000 --> 00:31:57,040
Speaker 2: because again I buy the ages. If she's a senior

682
00:31:57,040 --> 00:31:59,720
Speaker 2: in high school, she's seventeen almost eighteen, she could stay

683
00:31:59,720 --> 00:32:01,080
Speaker 2: at home watch your sister like that.

684
00:32:01,120 --> 00:32:03,000
Speaker 1: I would not do that. My kids aren't going to

685
00:32:03,080 --> 00:32:03,280
Speaker 1: do that.

686
00:32:03,600 --> 00:32:04,840
Speaker 2: You've got to see it when they grow up. In

687
00:32:04,840 --> 00:32:07,200
Speaker 2: her seventeen and eighteen, if it seemed like they made

688
00:32:07,240 --> 00:32:12,280
Speaker 2: Molly where she's really responsible? Right, yes, So even though

689
00:32:12,280 --> 00:32:14,360
Speaker 2: she we'll get into that she's gonna throw a party.

690
00:32:14,560 --> 00:32:16,000
Speaker 2: It seems like she's an.

691
00:32:15,920 --> 00:32:19,920
Speaker 1: Okay, my kids are like, I'm so responsible. The door shuts,

692
00:32:20,320 --> 00:32:22,480
Speaker 1: all right, we're good, bring.

693
00:32:22,200 --> 00:32:25,520
Speaker 2: In the keg like Disney party. Did you ever throw

694
00:32:25,520 --> 00:32:26,280
Speaker 2: a party at your house?

695
00:32:26,440 --> 00:32:29,400
Speaker 1: No? For that reason, your sister did though, didn't my

696
00:32:29,520 --> 00:32:31,320
Speaker 1: sister threw a rage?

697
00:32:31,480 --> 00:32:32,680
Speaker 2: Didn't you knark on her?

698
00:32:32,840 --> 00:32:38,320
Speaker 1: I did, absolutely. There were many things happening that I

699
00:32:38,440 --> 00:32:40,640
Speaker 1: felt was I was very uncomfortable.

700
00:32:40,880 --> 00:32:43,360
Speaker 2: I'm uncomfortable with this. I am.

701
00:32:45,040 --> 00:32:47,640
Speaker 1: Kind of just to my sister. I'm sorry, Star, you

702
00:32:47,760 --> 00:32:49,600
Speaker 1: were great. I was. I was.

703
00:32:49,840 --> 00:32:50,960
Speaker 2: When I meet her, we'll talk about it.

704
00:32:51,040 --> 00:32:52,440
Speaker 1: Yeah.

705
00:32:52,760 --> 00:32:55,200
Speaker 2: So the girls are now home alone because the parents

706
00:32:55,200 --> 00:32:57,320
Speaker 2: have bailed, and Molly lets Cleo know she's having people

707
00:32:57,360 --> 00:32:59,560
Speaker 2: over for dinner tonight, but Cleo needs to focus on

708
00:32:59,560 --> 00:33:02,800
Speaker 2: her science and doesn't want any distractions. Molly says, it'll

709
00:33:02,840 --> 00:33:05,200
Speaker 2: just be some girls from the lacrosse team, the whole

710
00:33:05,240 --> 00:33:08,880
Speaker 2: team and their boyfriends and anybody else he wants to come.

711
00:33:08,800 --> 00:33:10,840
Speaker 1: Because she invited the world, so it's a party.

712
00:33:11,080 --> 00:33:13,880
Speaker 2: Cleo is clearly disappointed as they walk back into the house.

713
00:33:14,240 --> 00:33:16,440
Speaker 2: We then cut to that night's quote unquote dinner, and

714
00:33:16,480 --> 00:33:19,280
Speaker 2: it is, of course, a raging house party. Inside the

715
00:33:19,280 --> 00:33:23,120
Speaker 2: girls across team is chanting and the coug that's got

716
00:33:23,120 --> 00:33:25,840
Speaker 2: to be on the list of things the kug like

717
00:33:25,880 --> 00:33:27,760
Speaker 2: you do at every party, is trying to make meatballs

718
00:33:28,000 --> 00:33:30,200
Speaker 2: but doesn't know what goes on, but doesn't know what

719
00:33:30,240 --> 00:33:34,080
Speaker 2: goes inside them, it's usually meat. Outside people are jumping

720
00:33:34,080 --> 00:33:37,080
Speaker 2: into the pool, walking around with red cups. I don't

721
00:33:37,120 --> 00:33:41,240
Speaker 2: know if you notice that age drinking alert and loud

722
00:33:41,280 --> 00:33:43,680
Speaker 2: music is playing. All while Cleo is trying to work

723
00:33:43,680 --> 00:33:46,240
Speaker 2: on her science experiment. In the back house, George is

724
00:33:46,280 --> 00:33:49,000
Speaker 2: staring out the window lustfully watching the shindig, wishing he

725
00:33:49,080 --> 00:33:52,560
Speaker 2: was outside. As Cleo calls the experiment hopeless, George tries

726
00:33:52,600 --> 00:33:54,200
Speaker 2: to help, but Cleo is still hung up on being

727
00:33:54,200 --> 00:33:56,520
Speaker 2: pushed out of the house for the party, George suggests

728
00:33:56,520 --> 00:33:58,640
Speaker 2: taking a break and joining the get together for at

729
00:33:58,720 --> 00:34:01,240
Speaker 2: least a second. I mean, let's at least sample some

730
00:34:01,280 --> 00:34:03,280
Speaker 2: meatballs to see if any of little Cross girls like

731
00:34:03,360 --> 00:34:06,160
Speaker 2: nerdy short dudes. She pushes them out to get some food,

732
00:34:06,200 --> 00:34:09,480
Speaker 2: but she still has work to do. Finally, alone, cleotocides

733
00:34:09,480 --> 00:34:11,800
Speaker 2: to turn the heat up on the Bunsen burner and bam,

734
00:34:11,840 --> 00:34:15,120
Speaker 2: Now she's getting somewhere thanks to the sugar is what

735
00:34:15,160 --> 00:34:19,040
Speaker 2: she finds out that mister Perkins gave her. While celebrating,

736
00:34:19,440 --> 00:34:21,359
Speaker 2: a moth flies by, and when she tries to shoo

737
00:34:21,400 --> 00:34:24,080
Speaker 2: it away, she knocks over some tubes, emptying them into

738
00:34:24,160 --> 00:34:26,600
Speaker 2: her experiment. As the moth flies over the smoke caused

739
00:34:26,600 --> 00:34:31,160
Speaker 2: by the concoction, it goes transparent. Then when Cleo captures

740
00:34:31,200 --> 00:34:34,040
Speaker 2: them off in a mason jar, it turns completely invisible.

741
00:34:34,360 --> 00:34:37,480
Speaker 2: In shock, she drops, she drops and shatters the mason jar,

742
00:34:37,520 --> 00:34:40,359
Speaker 2: and now the invisible moth flies away. Still reeling, she

743
00:34:40,360 --> 00:34:43,200
Speaker 2: tries to recapture the bug with a net, eventually following

744
00:34:43,239 --> 00:34:45,520
Speaker 2: it outside to the party, then right into the mainhouse

745
00:34:45,840 --> 00:34:49,160
Speaker 2: as she aimlessly swings around a chandelier. She tells George

746
00:34:49,160 --> 00:34:51,120
Speaker 2: about them off, but eventually the moth is gone and

747
00:34:51,160 --> 00:34:55,360
Speaker 2: there's nothing Cleo can do that sucks. You invent invisibility right,

748
00:34:55,480 --> 00:34:58,520
Speaker 2: and it disappears. The party's over and Cleo and George

749
00:34:58,520 --> 00:35:00,879
Speaker 2: are out on the front porch, just happy little cross

750
00:35:00,880 --> 00:35:02,799
Speaker 2: girls like him. He got a bunch of digits, but

751
00:35:02,880 --> 00:35:05,840
Speaker 2: actually he didn't. He just entered his number into Nikki's

752
00:35:05,880 --> 00:35:08,480
Speaker 2: phone when she wasn't looking clear. It's still this so

753
00:35:08,600 --> 00:35:10,600
Speaker 2: reminds me of the greatest joke from the Office, when

754
00:35:10,640 --> 00:35:12,560
Speaker 2: Kevin says, this is the best I had the best

755
00:35:12,680 --> 00:35:16,560
Speaker 2: night tonight. I got six phone numbers. One more would

756
00:35:16,600 --> 00:35:21,880
Speaker 2: have been a full phone number. Was so great.

757
00:35:23,920 --> 00:35:26,719
Speaker 1: I really liked this George character. I think he was

758
00:35:26,719 --> 00:35:29,600
Speaker 1: my favorite in the whole movie. He was I thought

759
00:35:29,600 --> 00:35:30,000
Speaker 1: he was.

760
00:35:30,400 --> 00:35:33,880
Speaker 4: The I got to be honest, I couldn't mind the

761
00:35:33,920 --> 00:35:39,480
Speaker 4: coupe because he's just he He is a typical Disney dufist. Yes,

762
00:35:39,560 --> 00:35:43,120
Speaker 4: and as somebody who played that for seven years, I

763
00:35:43,160 --> 00:35:45,319
Speaker 4: appreciate another Disney du fist.

764
00:35:45,400 --> 00:35:50,239
Speaker 1: And he was also very cute and very likable heart

765
00:35:50,360 --> 00:35:53,000
Speaker 1: at a good heart. Yes, there was like not anything

766
00:35:53,120 --> 00:35:54,640
Speaker 1: like negative about this guy.

767
00:35:54,560 --> 00:35:56,440
Speaker 2: Totally kind of. He reminded me a little bit of

768
00:35:56,440 --> 00:36:01,040
Speaker 2: He was great. He's he was a lot of fun. Yes,

769
00:36:01,160 --> 00:36:03,440
Speaker 2: So Cleo asked George if he believes her about the

770
00:36:03,440 --> 00:36:06,160
Speaker 2: Invisible Moth. George says he does, but she should probably

771
00:36:06,200 --> 00:36:08,960
Speaker 2: get some sleep. Later, we're in Molly's room and we

772
00:36:09,040 --> 00:36:12,799
Speaker 2: see gingerfizz stomach relief tablets on her nightstand as she

773
00:36:12,840 --> 00:36:15,319
Speaker 2: looks through a binder of lacrosse plays. She ends up

774
00:36:15,320 --> 00:36:17,680
Speaker 2: in the bathroom and plops one of the ginger Fizzes

775
00:36:17,719 --> 00:36:22,480
Speaker 2: into the glass of water before having horrible, horrible diarrhea.

776
00:36:22,640 --> 00:36:24,879
Speaker 2: I'm kidding, seeing if you're still with me, And then

777
00:36:24,920 --> 00:36:27,799
Speaker 2: the Invisible moth flies through an open window crashes right

778
00:36:27,800 --> 00:36:30,480
Speaker 2: into the bathroom light electrocuting itself and falling into a

779
00:36:30,520 --> 00:36:33,560
Speaker 2: glass of water just as Molly takes a drink. She

780
00:36:33,680 --> 00:36:35,680
Speaker 2: makes a face at the taste, but finishes the glass

781
00:36:35,680 --> 00:36:38,680
Speaker 2: and returns to her bedroom. This freaky out. Yes, it

782
00:36:38,719 --> 00:36:40,719
Speaker 2: was invisible. She didn't even see her with the bug.

783
00:36:40,880 --> 00:36:42,800
Speaker 1: No, but you could. I mean, I would think you

784
00:36:42,840 --> 00:36:46,320
Speaker 1: would feel it. And I've like I've swallowed on accident

785
00:36:46,400 --> 00:36:49,080
Speaker 1: a fly while like, h yeah, that's happened before, and

786
00:36:49,160 --> 00:36:55,239
Speaker 1: it is just hardbreaking I do anything, like you want

787
00:36:55,239 --> 00:36:57,279
Speaker 1: to make yourself throw up or something, but like, I

788
00:36:57,320 --> 00:37:01,760
Speaker 1: don't know, You're fine, so gross a moth with the Oh.

789
00:37:01,400 --> 00:37:03,880
Speaker 2: You know they say that in your lifetime you swallow

790
00:37:03,960 --> 00:37:07,080
Speaker 2: something like between eight and forty spiders while you sleep.

791
00:37:07,280 --> 00:37:10,680
Speaker 2: That so yeah, yeh yes, we're all fine. Oh everybody

792
00:37:10,719 --> 00:37:13,080
Speaker 2: good with that. Everybody good with swalling spiders while they sleep?

793
00:37:13,120 --> 00:37:18,320
Speaker 1: Okay, just making such God.

794
00:37:21,960 --> 00:37:23,920
Speaker 2: She makes the face of the taste, but finishes the

795
00:37:23,920 --> 00:37:26,640
Speaker 2: glass and returns to her bedroom. As she closes her curtains,

796
00:37:26,640 --> 00:37:29,719
Speaker 2: she glitches and turns invisible, but quickly returns to form

797
00:37:29,760 --> 00:37:32,480
Speaker 2: in just seconds. Now it's the next morning and Molly's

798
00:37:32,480 --> 00:37:34,840
Speaker 2: alarm is going off, but no one is in her bed,

799
00:37:35,320 --> 00:37:37,799
Speaker 2: or is she. We see her get out of bed

800
00:37:37,840 --> 00:37:39,680
Speaker 2: and walk to the closet, but only by the movements

801
00:37:39,680 --> 00:37:42,600
Speaker 2: of the objects she's touching. We see her cell phone

802
00:37:42,600 --> 00:37:45,160
Speaker 2: and slippers float to the bathroom, and to be honest,

803
00:37:45,200 --> 00:37:47,360
Speaker 2: for a dcom, I thought the effects were great.

804
00:37:47,440 --> 00:37:49,359
Speaker 1: Yep, I think that was one of the things that

805
00:37:49,440 --> 00:37:52,800
Speaker 1: really like keeps this the movie up a couple notches

806
00:37:52,800 --> 00:37:53,239
Speaker 1: for me.

807
00:37:53,239 --> 00:37:55,319
Speaker 2: Me too. The moth looked good. I mean it all

808
00:37:55,400 --> 00:38:00,240
Speaker 2: looked really really good. Eventually, Invisible, Molly starts to catchually

809
00:38:00,239 --> 00:38:02,400
Speaker 2: brush her teeth, but eventually screams when she catches a

810
00:38:02,440 --> 00:38:05,120
Speaker 2: look in the mirror and sees nothing. Cleo springs out

811
00:38:05,120 --> 00:38:06,680
Speaker 2: of bed and runs to the bathroom, yelling at her

812
00:38:06,719 --> 00:38:09,400
Speaker 2: sister through the lock door. Molly swears she's disappeared, but

813
00:38:09,440 --> 00:38:12,120
Speaker 2: Cleo doesn't understand, and once Cleo walks in, she first

814
00:38:12,239 --> 00:38:15,719
Speaker 2: checks inside the toilet because that's where her sister would be.

815
00:38:15,800 --> 00:38:18,960
Speaker 2: Right inside the toilet, but her jaw ends up on

816
00:38:19,000 --> 00:38:20,560
Speaker 2: the floor. I'm not going to say anything more, but

817
00:38:20,600 --> 00:38:22,280
Speaker 2: her jaw ends up on the floor as she watches

818
00:38:22,320 --> 00:38:24,480
Speaker 2: Molly splash water on her face at the sink and

819
00:38:24,520 --> 00:38:27,000
Speaker 2: then cover her head with a towel. Molly says she's

820
00:38:27,040 --> 00:38:28,680
Speaker 2: going to remove her towel and then she'll be awake

821
00:38:28,719 --> 00:38:30,920
Speaker 2: and everything will be totally normal. But when she removes

822
00:38:30,920 --> 00:38:33,400
Speaker 2: the towel, they both scream it is not a dream.

823
00:38:33,760 --> 00:38:35,920
Speaker 2: Molly's wet footprints leave the bathroom in a hurry, and

824
00:38:36,000 --> 00:38:39,279
Speaker 2: Cleo follows closely behind. Now back in her bedroom, Molly

825
00:38:39,320 --> 00:38:41,000
Speaker 2: tries to call someone as we just see her cell

826
00:38:41,000 --> 00:38:43,200
Speaker 2: phone floating in the air. She tells Cleo she's calling

827
00:38:43,200 --> 00:38:44,799
Speaker 2: for help, but has no idea what she'll say. What

828
00:38:44,880 --> 00:38:47,919
Speaker 2: she disappeared. She's invisible, she can't see herself. They're gonna

829
00:38:47,960 --> 00:38:50,640
Speaker 2: think she's a crazy person. Cleo thinks maybe the science

830
00:38:50,680 --> 00:38:53,320
Speaker 2: experiment spread to her because she made a moth invisible

831
00:38:53,400 --> 00:38:55,960
Speaker 2: last night. She replays everything for her sister and wonders

832
00:38:55,960 --> 00:38:57,840
Speaker 2: if the moth may have touched her or if she

833
00:38:57,960 --> 00:39:01,359
Speaker 2: swallowed it. Molly, which is kind of a weird. Did

834
00:39:01,360 --> 00:39:05,600
Speaker 2: you touch you or did you eat it?

835
00:39:05,600 --> 00:39:07,640
Speaker 1: It seemed like you really got straight to the point,

836
00:39:07,760 --> 00:39:10,760
Speaker 1: like you did you put that moth in my drink

837
00:39:10,800 --> 00:39:11,479
Speaker 1: for me to drink?

838
00:39:11,680 --> 00:39:13,920
Speaker 2: Yeah, it sounds like it did. It's just a weird.

839
00:39:14,000 --> 00:39:15,280
Speaker 1: Yeah, pretty funny.

840
00:39:15,520 --> 00:39:19,360
Speaker 2: How did you feel about the The way she's invisible

841
00:39:20,000 --> 00:39:23,480
Speaker 2: becomes invisible is because they turn the moth invisible and

842
00:39:23,520 --> 00:39:25,480
Speaker 2: then she swallows the moth. Were you okay with this

843
00:39:25,600 --> 00:39:28,600
Speaker 2: kind of device of turning her invisible? No? I mean

844
00:39:28,640 --> 00:39:29,120
Speaker 2: I didn't.

845
00:39:29,320 --> 00:39:33,360
Speaker 1: I felt like it kind of. I just kind of

846
00:39:33,400 --> 00:39:34,080
Speaker 1: went with it at this.

847
00:39:34,080 --> 00:39:34,799
Speaker 2: In right, Yeah, me too.

848
00:39:35,040 --> 00:39:37,880
Speaker 1: It wasn't something. It didn't stop me, but you know,

849
00:39:37,920 --> 00:39:40,120
Speaker 1: it was like trying to figure out how else that

850
00:39:40,160 --> 00:39:42,920
Speaker 1: was going to be with us having so much like

851
00:39:43,120 --> 00:39:46,360
Speaker 1: emphasis on these butterflies and then the moth. It was like, okay,

852
00:39:46,560 --> 00:39:48,000
Speaker 1: I guess that's yeah, yeah.

853
00:39:47,800 --> 00:39:49,719
Speaker 2: No, And it was fine. Didn't bump me too bad.

854
00:39:49,920 --> 00:39:50,080
Speaker 1: No.

855
00:39:50,239 --> 00:39:52,360
Speaker 2: Molly remembers the gross water and thought it may have

856
00:39:52,400 --> 00:39:54,480
Speaker 2: been a bug. She can't believe this is happening. She

857
00:39:54,520 --> 00:39:58,080
Speaker 2: has become the science experiment. So she rushes downstairs and

858
00:39:58,200 --> 00:40:02,600
Speaker 2: just then coug Rat love him. He's dressed in a

859
00:40:02,640 --> 00:40:04,920
Speaker 2: furry costume of a bear. Thinking it was the Cowardly

860
00:40:04,960 --> 00:40:07,520
Speaker 2: Bear in the Wizard of Oz, he yells Happy Halloween,

861
00:40:07,560 --> 00:40:10,319
Speaker 2: then sees Cleo rushing down the stairs. She covers for Molly,

862
00:40:10,360 --> 00:40:12,799
Speaker 2: who was in reality right next to her invisible. They

863
00:40:12,840 --> 00:40:15,479
Speaker 2: play the Molly's sick in the bathroom card and Koog

864
00:40:15,520 --> 00:40:19,239
Speaker 2: wonders if it was the meatballs. And this is when

865
00:40:19,280 --> 00:40:21,600
Speaker 2: I was like, it's already starting with. They had the

866
00:40:22,560 --> 00:40:27,640
Speaker 2: heavily gassy, farty guinea pig, guinea pig, her drinking the

867
00:40:27,719 --> 00:40:31,560
Speaker 2: ginger fizz, stuff him with the meatballs, and we'll talk

868
00:40:31,560 --> 00:40:33,680
Speaker 2: about this again. A lot of gastro intestinal stuff in

869
00:40:33,680 --> 00:40:35,960
Speaker 2: this movie. Like they just but they were they were

870
00:40:36,000 --> 00:40:37,279
Speaker 2: like it was like one of the things they just

871
00:40:37,360 --> 00:40:38,240
Speaker 2: kept going with.

872
00:40:38,239 --> 00:40:41,000
Speaker 1: Right, the meathing became its own character.

873
00:40:41,200 --> 00:40:44,680
Speaker 2: Yeah, it was very it was very strange. But yes,

874
00:40:45,239 --> 00:40:47,200
Speaker 2: they play like Molly sick in the bathroom and Koog

875
00:40:47,200 --> 00:40:49,520
Speaker 2: wonders if it was his meatballs. Cleo blocks his way

876
00:40:49,600 --> 00:40:52,560
Speaker 2: upstairs and tells him to save himself. Koch says goodbye

877
00:40:52,600 --> 00:40:54,600
Speaker 2: and rushes out, finally giving the sisters some time to

878
00:40:54,600 --> 00:40:57,040
Speaker 2: figure this out. Cleo hopes maybe this will pass through

879
00:40:57,040 --> 00:40:58,840
Speaker 2: her body in a few hours, but she has to

880
00:40:58,880 --> 00:41:01,200
Speaker 2: go to school today. Molly has no idea what they're

881
00:41:01,200 --> 00:41:03,440
Speaker 2: supposed to do now. She remembers it's Halloween, though, and

882
00:41:03,480 --> 00:41:06,080
Speaker 2: tries on her Dorothy costume, but that doesn't help. She's

883
00:41:06,080 --> 00:41:10,000
Speaker 2: still obviously translucent, just a ghost in a dress, and

884
00:41:10,120 --> 00:41:13,759
Speaker 2: Molly cannot possibly miss today's lacrosse game. There's gonna be

885
00:41:13,760 --> 00:41:16,160
Speaker 2: college scouts there. And as Molly's trying to figure all

886
00:41:16,160 --> 00:41:19,920
Speaker 2: this out, the Dorothy costume she's wearing also starts turning invisible.

887
00:41:20,360 --> 00:41:24,040
Speaker 2: They realize anything she touches will gradually become invisible too,

888
00:41:24,080 --> 00:41:27,719
Speaker 2: And ladies and gentlemen, we've got ourselves a plot point. Ohlrighty,

889
00:41:28,000 --> 00:41:31,040
Speaker 2: with no way to uninvisible herself, she has an idea,

890
00:41:31,520 --> 00:41:34,680
Speaker 2: Cleo should Here's where I started going this. Okay, this

891
00:41:34,719 --> 00:41:37,560
Speaker 2: can't be right, and I gotta tell you. Up to

892
00:41:37,640 --> 00:41:42,560
Speaker 2: this point, I'm like, okay, yeah, Safety Channel movie, fun science,

893
00:41:42,640 --> 00:41:44,000
Speaker 2: they do something science y.

894
00:41:44,239 --> 00:41:47,359
Speaker 1: And recognizing that this was felt like it was made

895
00:41:47,400 --> 00:41:49,759
Speaker 1: for a little bit younger of a demo within the

896
00:41:49,800 --> 00:41:51,400
Speaker 1: Disney Channel demo.

897
00:41:51,520 --> 00:41:53,880
Speaker 2: But fine, up to this point, I'm totally fine with this.

898
00:41:53,960 --> 00:41:57,400
Speaker 2: I get what's going on. I'm in Yeah. So she

899
00:41:57,440 --> 00:41:59,400
Speaker 2: has an idea Cleo should pretend to be her for

900
00:41:59,480 --> 00:42:02,000
Speaker 2: the day. They're the same height, same skin tone, and

901
00:42:02,080 --> 00:42:08,160
Speaker 2: same voice. No, no, and no. But it's true Cleo

902
00:42:08,200 --> 00:42:11,200
Speaker 2: doesn't kick. This is gonna work because Cleo's not an idiot.

903
00:42:12,080 --> 00:42:14,680
Speaker 2: But puts on the Dorothy costume, and Molly says she'll

904
00:42:14,719 --> 00:42:17,839
Speaker 2: be right beside her, coaching her the entire time, and

905
00:42:17,920 --> 00:42:21,880
Speaker 2: Cleo can wear a blue masquerade mask, eyes wide shut style,

906
00:42:22,080 --> 00:42:25,040
Speaker 2: even though Dorothy doesn't wear a mask. They should just

907
00:42:25,080 --> 00:42:27,719
Speaker 2: be it would just be super weird. But they land

908
00:42:27,800 --> 00:42:29,840
Speaker 2: on Marty Gras Dorothy.

909
00:42:30,480 --> 00:42:35,360
Speaker 1: No, that's not a thing. Nope, think of another costume.

910
00:42:35,640 --> 00:42:37,120
Speaker 2: Come up with a way, like I.

911
00:42:37,080 --> 00:42:39,960
Speaker 1: Can go into my closet at any point, Monroe. They

912
00:42:39,960 --> 00:42:42,320
Speaker 1: always have these dress up days. I never get anything

913
00:42:42,360 --> 00:42:44,480
Speaker 1: ahead of time. I go under a closet and figure

914
00:42:44,480 --> 00:42:46,919
Speaker 1: something out. Figure out another costume. This one doesn't work.

915
00:42:47,320 --> 00:42:50,280
Speaker 2: Something with just a full mask. Yes, hey, I couldn't

916
00:42:50,280 --> 00:42:53,319
Speaker 2: be Dorothy. The costume got ruined. So I decided to

917
00:42:53,360 --> 00:42:58,440
Speaker 2: be Pick anything with a head, and you're fine.

918
00:42:58,480 --> 00:43:03,320
Speaker 3: A ghost be a ghost, see exactly, my god.

919
00:43:03,920 --> 00:43:05,799
Speaker 2: Mollie tells her sister to get her science gear and

920
00:43:05,800 --> 00:43:08,239
Speaker 2: do whatever is needed to fix this. But there's another obstacle.

921
00:43:08,520 --> 00:43:12,080
Speaker 2: Cleo is too young to drive and Molly is too invisible.

922
00:43:12,560 --> 00:43:14,399
Speaker 2: But that doesn't stop them because now they're in the car,

923
00:43:14,440 --> 00:43:17,080
Speaker 2: and instead of putting the convertibles top up, which would

924
00:43:17,080 --> 00:43:19,600
Speaker 2: give them some protection. They drive to school with the

925
00:43:19,600 --> 00:43:22,319
Speaker 2: top down, completely exposing invisible Molly in the driving car.

926
00:43:22,480 --> 00:43:25,360
Speaker 2: Years before weimo was a thing. When they pull up

927
00:43:25,360 --> 00:43:27,920
Speaker 2: to a stop sign and older pedestrian looks very confused,

928
00:43:28,080 --> 00:43:30,640
Speaker 2: Cleo says, sorry, she's talking to her invisible sister and

929
00:43:30,680 --> 00:43:33,759
Speaker 2: they just drive away. Now it's cool. Cleo still doesn't

930
00:43:33,760 --> 00:43:38,240
Speaker 2: think this is going to work, cause duh, but Molly's

931
00:43:38,280 --> 00:43:40,839
Speaker 2: confident they'll be fine. And guess what. The school is

932
00:43:40,880 --> 00:43:44,919
Speaker 2: full of idiots because they all think it's Molly, even

933
00:43:44,960 --> 00:43:48,319
Speaker 2: her group of popular friends. Her best friend Nicki had

934
00:43:48,320 --> 00:43:51,560
Speaker 2: some initial questions, but quickly ignores them, hugging her besty

935
00:43:51,640 --> 00:43:55,320
Speaker 2: and just accepting that she's paler because of sickness. Nicki

936
00:43:55,360 --> 00:43:59,480
Speaker 2: even loves the mask. Then Cowardly Bear Koog, which is

937
00:43:59,480 --> 00:44:01,000
Speaker 2: starting to say, like a weird thing now that I'm

938
00:44:01,040 --> 00:44:04,239
Speaker 2: saying Cowardly Bear Koug spots fake Molly and goes in

939
00:44:04,280 --> 00:44:07,239
Speaker 2: for a kiss. She pushes him away, claiming she's contagious

940
00:44:07,320 --> 00:44:09,880
Speaker 2: and promises to see him around. Koog wonders if it

941
00:44:09,920 --> 00:44:12,120
Speaker 2: was something he did, but Fake Molly swears it's her

942
00:44:12,160 --> 00:44:16,200
Speaker 2: disease and takes off. Sez yikes a little down the hall,

943
00:44:16,239 --> 00:44:19,080
Speaker 2: Cleo gets a call. It's George. She says she's not

944
00:44:19,120 --> 00:44:22,120
Speaker 2: at school today because she's sick. George admits he thinks

945
00:44:22,160 --> 00:44:25,319
Speaker 2: Molly looks hot today. She's disgusted and asks him to

946
00:44:25,360 --> 00:44:27,600
Speaker 2: cover for her in Perkins class. And now Cleo is

947
00:44:27,600 --> 00:44:30,840
Speaker 2: forced to attend Molly's classes, where she notices she's getting

948
00:44:30,880 --> 00:44:34,880
Speaker 2: cnuses on tests out in the hallway. Cleo judges her

949
00:44:34,920 --> 00:44:37,440
Speaker 2: great and reoffers to help her if needed. Molly scoffs,

950
00:44:37,520 --> 00:44:40,600
Speaker 2: yeah right, her sister isn't very warm or supportive. Agreed,

951
00:44:41,200 --> 00:44:43,640
Speaker 2: Cleo leaves for study hall to get a big compound

952
00:44:43,680 --> 00:44:46,240
Speaker 2: microscope and figure this whole thing out once and for all.

953
00:44:46,360 --> 00:44:49,680
Speaker 2: But Cleo actually has to go to Molly's pregame prep

954
00:44:49,760 --> 00:44:53,560
Speaker 2: cycle and just then some students pass what they think

955
00:44:53,640 --> 00:44:56,640
Speaker 2: is Cleo talking to herself, And this is just it's

956
00:44:56,640 --> 00:44:59,920
Speaker 2: starting to get confusing. Yes, but now we're in the gymnasium.

957
00:45:00,120 --> 00:45:02,560
Speaker 2: NICKI is warming up the girls with a chant who

958
00:45:02,560 --> 00:45:05,880
Speaker 2: puts the pep in pep circle? We do? Can you

959
00:45:05,920 --> 00:45:07,560
Speaker 2: do that for me? Because you were like the cheerleader?

960
00:45:08,680 --> 00:45:11,320
Speaker 1: Oh god, I don't know if I can. I I

961
00:45:11,360 --> 00:45:14,800
Speaker 1: guess I could try. Who puts the pep in pep circle.

962
00:45:15,239 --> 00:45:16,719
Speaker 1: We do, we do?

963
00:45:17,840 --> 00:45:19,839
Speaker 2: He just did it nice. Have you ever done that?

964
00:45:19,880 --> 00:45:20,279
Speaker 2: Is that a thing?

965
00:45:20,400 --> 00:45:20,560
Speaker 1: No?

966
00:45:20,560 --> 00:45:22,960
Speaker 2: It's okay, No it is not, but you just made

967
00:45:23,000 --> 00:45:24,960
Speaker 2: it one. I see your team doing that from now on.

968
00:45:25,040 --> 00:45:28,880
Speaker 1: All right, you're like, listen to this podcast, and I

969
00:45:28,920 --> 00:45:33,120
Speaker 1: bet you they're gonna be like, absolutely, yeah, shout out

970
00:45:33,600 --> 00:45:34,120
Speaker 1: some of them.

971
00:45:34,200 --> 00:45:36,719
Speaker 2: I love that. Sorry about your coach.

972
00:45:38,200 --> 00:45:39,520
Speaker 1: Sorry.

973
00:45:39,719 --> 00:45:42,319
Speaker 2: The team spots Cleo and immediately welcomes who they think

974
00:45:42,440 --> 00:45:45,000
Speaker 2: is Molly with a group hug and a circle of trust.

975
00:45:45,280 --> 00:45:47,880
Speaker 2: Cleo blindly feels her way through this as Nicky handser

976
00:45:48,080 --> 00:45:51,400
Speaker 2: the Bunny of truth. Whoever holds it must say something

977
00:45:51,440 --> 00:45:54,320
Speaker 2: true and meaningful to clear the air. Nikki goes first,

978
00:45:54,320 --> 00:45:56,200
Speaker 2: praising the strong women on the squad, but has one

979
00:45:56,280 --> 00:45:58,640
Speaker 2: last piece of truth. She's really mad at the people

980
00:45:58,680 --> 00:46:01,759
Speaker 2: who invented weather apps. She likes surprises when it comes

981
00:46:01,800 --> 00:46:03,880
Speaker 2: to her weathers is funny, and then hands the bunny

982
00:46:03,880 --> 00:46:06,759
Speaker 2: over to Cleo. She stumbles, avoiding anything emotional because we

983
00:46:06,800 --> 00:46:08,880
Speaker 2: all know the truth that she doesn't want to spill,

984
00:46:09,280 --> 00:46:11,759
Speaker 2: so Cleo eventually lands on, I am not the girl

985
00:46:11,800 --> 00:46:13,800
Speaker 2: that everybody thinks I am. I am not the beautiful,

986
00:46:13,800 --> 00:46:17,000
Speaker 2: shiny star everyone suspects. I'm actually more of the person

987
00:46:17,000 --> 00:46:19,759
Speaker 2: that nobody notices or nobody pays attention to. But this

988
00:46:19,880 --> 00:46:22,800
Speaker 2: is probably why I feel so uncomfortable here. But guys,

989
00:46:22,800 --> 00:46:25,040
Speaker 2: this is all in my head because I'm awesome city

990
00:46:25,120 --> 00:46:27,680
Speaker 2: Molly the bomb. Anyway, that's my truth.

991
00:46:27,800 --> 00:46:30,160
Speaker 1: If you're like, like, what this is awkward?

992
00:46:30,560 --> 00:46:36,840
Speaker 2: Are you talking about Molly? Have you been drinking? Seriously,

993
00:46:37,000 --> 00:46:39,239
Speaker 2: you're holding the bunny of truth? Are you sniffing glue?

994
00:46:39,320 --> 00:46:41,839
Speaker 2: We're here for you, Molly. This is an intervention. I

995
00:46:41,840 --> 00:46:43,520
Speaker 2: don't know if you're aware of this, but you look

996
00:46:43,600 --> 00:46:48,200
Speaker 2: completely different. Molly has been watching this whole time, but

997
00:46:48,239 --> 00:46:50,560
Speaker 2: as everyone claps for Cleo, she leaves for the lab.

998
00:46:50,760 --> 00:46:52,600
Speaker 2: And now in the lab, George's hard at work on

999
00:46:52,600 --> 00:46:54,719
Speaker 2: a science project, and invisible Molly has set up a

1000
00:46:54,760 --> 00:46:57,440
Speaker 2: microscope nearby. Obviously, no one can see Molly, so it

1001
00:46:57,480 --> 00:46:59,239
Speaker 2: just seems like the microscope is moving on his own,

1002
00:46:59,280 --> 00:47:02,640
Speaker 2: but nobody notices. George kind of notices, but continues to

1003
00:47:02,640 --> 00:47:05,319
Speaker 2: work on his project. Anyway, Molly moves the microscope just

1004
00:47:05,360 --> 00:47:08,760
Speaker 2: as Carter arrives sea dogs in the house. He wonders

1005
00:47:08,760 --> 00:47:10,960
Speaker 2: how George no that's a different one. There's Kogan, there's

1006
00:47:11,000 --> 00:47:15,359
Speaker 2: car Carter, Qudi Carter, that's what we're calling him, Cutie Carter,

1007
00:47:15,560 --> 00:47:18,880
Speaker 2: and the bear sea dog Curly Carter. There you go.

1008
00:47:19,440 --> 00:47:22,040
Speaker 2: He wonders how George's guinea pig is, and George says

1009
00:47:22,040 --> 00:47:25,200
Speaker 2: it's still farting like a chainsaw, which chainsaws don't fart,

1010
00:47:25,520 --> 00:47:29,080
Speaker 2: and he doesn't know why. Carter shares a very smart solution,

1011
00:47:29,239 --> 00:47:31,399
Speaker 2: which shocks George. How did he know that? And Carter

1012
00:47:31,440 --> 00:47:33,399
Speaker 2: reveals he was a governor scholar in chemistry, but hopes

1013
00:47:33,440 --> 00:47:34,960
Speaker 2: to keep that between the two of them. It's not

1014
00:47:35,000 --> 00:47:37,680
Speaker 2: something he likes to advertise because it'll ruin his jock status.

1015
00:47:37,880 --> 00:47:40,360
Speaker 2: Carter wonders if Cleo will show up, but George says

1016
00:47:40,520 --> 00:47:44,000
Speaker 2: she's sick today. Carter starts to ask what Cleo's deal is,

1017
00:47:44,040 --> 00:47:47,520
Speaker 2: but instead just wishes George good luck with his guinea pig. Meanwhile,

1018
00:47:47,520 --> 00:47:50,480
Speaker 2: Molly's been listening to all this and is visibly invisibly

1019
00:47:50,520 --> 00:47:54,040
Speaker 2: affected by this possible crush. She gleefully grabs the microscope

1020
00:47:54,080 --> 00:47:56,800
Speaker 2: and runs out without anybody noticing the flying instrument crossing

1021
00:47:56,840 --> 00:47:59,960
Speaker 2: the room and in the halls. The microscope just misses

1022
00:48:00,040 --> 00:48:02,440
Speaker 2: getting caught by security, then is put into a locker

1023
00:48:02,440 --> 00:48:04,680
Speaker 2: by Invisible Molly. Okay, I didn't want to bring this

1024
00:48:04,719 --> 00:48:07,879
Speaker 2: up a whole bunch of times, So they cut from

1025
00:48:07,880 --> 00:48:10,880
Speaker 2: her being invisible to her being visible so we can

1026
00:48:10,880 --> 00:48:15,040
Speaker 2: see her fine, totally normal device, completely understand that. Then

1027
00:48:15,080 --> 00:48:18,120
Speaker 2: all the actors talk right to her. Did you notice

1028
00:48:18,160 --> 00:48:20,319
Speaker 2: that all the actors It's not just her sister, but

1029
00:48:20,360 --> 00:48:24,799
Speaker 2: when anybody then sees what the eye line is, right,

1030
00:48:24,800 --> 00:48:26,840
Speaker 2: they're looking eyed eyed eachach other. They're like staring at

1031
00:48:26,840 --> 00:48:30,960
Speaker 2: each other, right, which is weird, Yes, weird.

1032
00:48:31,480 --> 00:48:33,040
Speaker 1: They it should be like where is.

1033
00:48:32,960 --> 00:48:38,600
Speaker 4: This when you're getting their voice, should be looking slightly.

1034
00:48:38,200 --> 00:48:41,160
Speaker 1: Off, yes, yeah, like kind of like trying to actually

1035
00:48:41,200 --> 00:48:41,600
Speaker 1: find the.

1036
00:48:41,800 --> 00:48:44,120
Speaker 2: Idea that they're looking right into the eyes is very

1037
00:48:44,160 --> 00:48:44,799
Speaker 2: strange to me.

1038
00:48:44,960 --> 00:48:47,680
Speaker 1: It's very strange that does happen every single time.

1039
00:48:47,800 --> 00:48:51,520
Speaker 2: Yeah, it's okay, so really weird. But the pep circle

1040
00:48:51,520 --> 00:48:54,920
Speaker 2: has turned into a massage human centipede with Cleo at

1041
00:48:54,960 --> 00:48:57,360
Speaker 2: the front enjoying the rubdown, and then out of nowhere,

1042
00:48:57,360 --> 00:48:59,520
Speaker 2: Invisible Molly grabs her out of the formation and pulls

1043
00:48:59,560 --> 00:49:02,160
Speaker 2: her outside. She's excited to tell her sister that this

1044
00:49:02,239 --> 00:49:04,759
Speaker 2: really cute guy in science lab was just asking about her.

1045
00:49:05,000 --> 00:49:06,960
Speaker 2: Cleo downplays it and says she's not the kind of

1046
00:49:06,960 --> 00:49:10,040
Speaker 2: girl that Carter would actually be into. Molly encourages her

1047
00:49:10,120 --> 00:49:12,040
Speaker 2: to try, since there's only one way to find out.

1048
00:49:12,320 --> 00:49:14,760
Speaker 2: Cleo says, they have bigger things to worry about. Duh,

1049
00:49:14,840 --> 00:49:19,400
Speaker 2: you're invisible and this could be killing you somehow, So

1050
00:49:19,440 --> 00:49:21,760
Speaker 2: they walk back to the gym. Then we see Coog

1051
00:49:22,160 --> 00:49:25,040
Speaker 2: run into the bathroom and his bare costume holding his stomach.

1052
00:49:25,480 --> 00:49:29,720
Speaker 2: He apparently, I mean, but it's so much upset stomach

1053
00:49:29,719 --> 00:49:30,719
Speaker 2: stuff in this movie.

1054
00:49:30,480 --> 00:49:32,440
Speaker 1: And that bathroom was discussed.

1055
00:49:32,480 --> 00:49:34,279
Speaker 2: Well, that's what we're gonna get to Invisible Molly gets

1056
00:49:34,280 --> 00:49:35,960
Speaker 2: an idea and follows him into the bathroom, which is

1057
00:49:36,080 --> 00:49:41,080
Speaker 2: literally the grossest men's restroom ever depicted on film, worse

1058
00:49:41,080 --> 00:49:44,080
Speaker 2: than the one in Trainspotting. Is this what you think

1059
00:49:44,120 --> 00:49:44,960
Speaker 2: men's bathrooms look like?

1060
00:49:45,080 --> 00:49:45,319
Speaker 1: Yes?

1061
00:49:45,360 --> 00:49:45,799
Speaker 2: They don't.

1062
00:49:45,920 --> 00:49:49,239
Speaker 1: I absolutely not think a men's bathroom has like just

1063
00:49:49,480 --> 00:49:54,760
Speaker 1: crap everywhere, like just not like key on the walls.

1064
00:49:54,880 --> 00:49:58,120
Speaker 2: Yeah, because we're often urinating on walls, so gross. Why

1065
00:49:58,160 --> 00:49:59,840
Speaker 2: would we be urinating on walls?

1066
00:50:00,120 --> 00:50:02,359
Speaker 1: I don't know why you guys do that? You guys

1067
00:50:02,360 --> 00:50:05,120
Speaker 1: are you think that's a thing in trees. I don't know,

1068
00:50:05,239 --> 00:50:06,960
Speaker 1: it's weird outside.

1069
00:50:06,960 --> 00:50:08,239
Speaker 2: If there's a bathroom, I'm not gonna be like, well,

1070
00:50:08,239 --> 00:50:09,640
Speaker 2: there's a toilet right there, I'm gonna go pee on

1071
00:50:09,680 --> 00:50:11,080
Speaker 2: the wall, like who does.

1072
00:50:11,360 --> 00:50:17,600
Speaker 1: In general, especially in high school bathrooms, they are so weirdly,

1073
00:50:18,360 --> 00:50:21,759
Speaker 1: always dirty, and like the kids just take advantage of,

1074
00:50:21,840 --> 00:50:24,359
Speaker 1: like riding on the walls things like that.

1075
00:50:24,840 --> 00:50:25,600
Speaker 2: You start to smoke.

1076
00:50:25,840 --> 00:50:28,759
Speaker 1: Huh, well, I don't think you can like.

1077
00:50:29,160 --> 00:50:31,759
Speaker 2: Fitting in ours either, but everybody would. There'd be forty

1078
00:50:31,840 --> 00:50:33,239
Speaker 2: kids in the bathroom smoking.

1079
00:50:33,000 --> 00:50:34,439
Speaker 1: Forty and no one got in trouble.

1080
00:50:34,480 --> 00:50:36,439
Speaker 2: Weird. No, you would get teachers. Oh no, the teacher

1081
00:50:36,480 --> 00:50:38,600
Speaker 2: would walk in. So there was a code. You'd have

1082
00:50:38,600 --> 00:50:40,840
Speaker 2: to walk into the bathroom and go cool. If you

1083
00:50:40,880 --> 00:50:43,440
Speaker 2: walked in and said cool, it meant you were a student,

1084
00:50:43,680 --> 00:50:45,319
Speaker 2: and you'd light up your smoke and everyone sit there

1085
00:50:45,360 --> 00:50:47,000
Speaker 2: and smoke, and if the door open it was a teacher.

1086
00:50:47,000 --> 00:50:49,480
Speaker 2: Someone go uncool and everyone ditch your cigarette so they

1087
00:50:49,480 --> 00:50:51,359
Speaker 2: wouldn't know who held a cigarettes so they weren't gonna

1088
00:50:51,360 --> 00:50:55,960
Speaker 2: bust everybody. Yeah, is this this is just me, just

1089
00:50:55,960 --> 00:50:58,080
Speaker 2: my high school? Yeah, this is high school in the

1090
00:50:58,120 --> 00:51:01,000
Speaker 2: nineties people, Oh my god, anyone you want to smoke

1091
00:51:01,000 --> 00:51:01,480
Speaker 2: a cigarette.

1092
00:51:01,520 --> 00:51:03,520
Speaker 1: I feel like at one point, if that was a

1093
00:51:03,760 --> 00:51:06,680
Speaker 1: constant thing, they would be like everyone in the bathroom

1094
00:51:06,760 --> 00:51:09,040
Speaker 1: right now, y'all have like detention or whatever.

1095
00:51:10,440 --> 00:51:12,839
Speaker 2: They just kick us out of the bathroom and then yeah, yeah,

1096
00:51:12,880 --> 00:51:14,879
Speaker 2: and then you just never got caught once in four years.

1097
00:51:14,880 --> 00:51:16,440
Speaker 2: And I'd smoke like a pack of cigarettes a day

1098
00:51:16,440 --> 00:51:17,680
Speaker 2: in that bathroom at school.

1099
00:51:17,800 --> 00:51:20,520
Speaker 1: Yeah, in a bad amount of time, of hours, you

1100
00:51:20,520 --> 00:51:21,920
Speaker 1: would smoke a pack.

1101
00:51:22,760 --> 00:51:24,120
Speaker 2: Are you okay?

1102
00:51:24,400 --> 00:51:25,600
Speaker 1: Can you walk upstairs?

1103
00:51:25,719 --> 00:51:27,680
Speaker 2: I'm good now, but oh my god, I smoked. I

1104
00:51:27,800 --> 00:51:30,360
Speaker 2: was over a packa day smoker for like twenty five years.

1105
00:51:30,880 --> 00:51:33,000
Speaker 2: Oh no, I've done serious damage to myself. I'm well

1106
00:51:33,000 --> 00:51:33,560
Speaker 2: aware of that.

1107
00:51:33,680 --> 00:51:35,759
Speaker 1: Yeah, but I mean as a kid too, Like.

1108
00:51:36,520 --> 00:51:40,800
Speaker 2: Well, there's the first smoke after the best thing in

1109
00:51:40,800 --> 00:51:44,080
Speaker 2: the world. You put your little piece of carpet away,

1110
00:51:44,200 --> 00:51:50,600
Speaker 2: you light up a camel. Hell, yes, it's the greatest.

1111
00:51:51,280 --> 00:51:55,640
Speaker 2: There's a reason I didn't have children. Oh my gosh,

1112
00:51:55,680 --> 00:51:58,160
Speaker 2: it is true. Okay, this is not what bathrooms look like,

1113
00:51:58,200 --> 00:52:00,520
Speaker 2: but they're bad. But this was insanely it was.

1114
00:52:00,600 --> 00:52:01,719
Speaker 1: It was over the time.

1115
00:52:02,360 --> 00:52:05,080
Speaker 2: Yep. Eventually, Molly holds her breath for just enough time

1116
00:52:05,080 --> 00:52:08,200
Speaker 2: to steal the bear costume, which he put on the nasty,

1117
00:52:08,200 --> 00:52:09,000
Speaker 2: disgusting floor.

1118
00:52:09,120 --> 00:52:12,080
Speaker 1: I would never go into a boy's bathroom on purpose, even.

1119
00:52:11,960 --> 00:52:14,240
Speaker 2: If you're invisible, just to you know, check somethings.

1120
00:52:14,239 --> 00:52:15,000
Speaker 1: Now get out.

1121
00:52:15,640 --> 00:52:17,360
Speaker 2: I go into a woman's room, but only because you

1122
00:52:17,400 --> 00:52:20,880
Speaker 2: have a couch in there. Yeah, that's the best.

1123
00:52:20,920 --> 00:52:22,640
Speaker 1: A full lounge. Yeah, oh my god.

1124
00:52:23,080 --> 00:52:25,120
Speaker 2: Molly returns to the science lab, now as a bear.

1125
00:52:25,320 --> 00:52:27,880
Speaker 2: She announces herself as Cleot. So again, this is the

1126
00:52:27,960 --> 00:52:30,080
Speaker 2: kind of costume that her sister should have worn throughout

1127
00:52:30,120 --> 00:52:33,800
Speaker 2: the whole day. But anyway, she announced herself as Cleo

1128
00:52:33,880 --> 00:52:35,759
Speaker 2: to Carter and George, who were both shocked to see her.

1129
00:52:35,920 --> 00:52:38,320
Speaker 2: They thought she was sick, and they thought she hated costumes.

1130
00:52:38,600 --> 00:52:41,279
Speaker 2: When when George is suspicious, Molly thinks on her toes

1131
00:52:41,320 --> 00:52:44,160
Speaker 2: and ridicules his pants, and just like that, she has

1132
00:52:44,200 --> 00:52:47,080
Speaker 2: convinced him. She moves on to awkwardly flirt with Carter.

1133
00:52:47,160 --> 00:52:49,560
Speaker 2: But oh, the costume is now starting to turn invisible.

1134
00:52:49,600 --> 00:52:52,399
Speaker 2: Remember that that plot point from earlier. She says she's

1135
00:52:52,400 --> 00:52:54,600
Speaker 2: got a run, but ask Carter on a date just

1136
00:52:54,640 --> 00:52:57,920
Speaker 2: before she leaves. It's a bit startling to everyone, but

1137
00:52:57,960 --> 00:53:00,920
Speaker 2: they decided to meet up that night at ram the Swamp.

1138
00:53:01,040 --> 00:53:04,680
Speaker 2: Remember the dance Molly the Bear bumps into Dorothy Cleo

1139
00:53:04,840 --> 00:53:08,120
Speaker 2: pretending to be not okay, So this movie's tough to recap.

1140
00:53:08,160 --> 00:53:11,080
Speaker 2: Here we go, Molly the Bear bumps into Dorothy Cleo

1141
00:53:11,239 --> 00:53:14,040
Speaker 2: pretending to be Molly in the hallway, and we're trying

1142
00:53:14,040 --> 00:53:17,000
Speaker 2: to keep all the characters straight. The sisters rush into

1143
00:53:17,040 --> 00:53:19,400
Speaker 2: a nearby empty office and Molly fills Cleo in on

1144
00:53:19,440 --> 00:53:22,200
Speaker 2: the big date, and obviously Cleo is furious, But then

1145
00:53:22,280 --> 00:53:24,560
Speaker 2: George walks in and sees the totally headless bear. He's

1146
00:53:24,600 --> 00:53:28,840
Speaker 2: freaking out, and for good reason. The girls explain that

1147
00:53:28,920 --> 00:53:31,839
Speaker 2: Cleo is Molly and Molly is the headless bear and

1148
00:53:32,040 --> 00:53:35,080
Speaker 2: is now becoming an armless bear too. Cleo tells George

1149
00:53:35,080 --> 00:53:37,400
Speaker 2: about the invisible moth. He calls it all amazing and

1150
00:53:37,520 --> 00:53:40,680
Speaker 2: very scary. Meanwhile, Koog is in the halls screaming about

1151
00:53:40,719 --> 00:53:42,719
Speaker 2: his bear costume, but by the time he makes into

1152
00:53:42,719 --> 00:53:45,520
Speaker 2: the office, the bear costume has disappeared and everyone denies

1153
00:53:45,520 --> 00:53:48,000
Speaker 2: seeing it. Back in the hall, George is now bargaining

1154
00:53:48,000 --> 00:53:49,839
Speaker 2: to keep everything a secret. He wants to be set

1155
00:53:49,880 --> 00:53:52,960
Speaker 2: up with Nicky. Then mister Perkins approaches who he thinks

1156
00:53:53,000 --> 00:53:55,920
Speaker 2: Molly is and wants to talk about Cleo, which is

1157
00:53:55,960 --> 00:53:58,279
Speaker 2: a thing because he's actually talking to Cleo only in

1158
00:53:58,360 --> 00:54:01,040
Speaker 2: masked form. Oh boy, I apolo jiz if you're not

1159
00:54:01,080 --> 00:54:03,560
Speaker 2: following this any better than I am. But he is

1160
00:54:03,560 --> 00:54:06,399
Speaker 2: also apparently stupid because he sees nothing wrong. Sorry, Alex,

1161
00:54:06,440 --> 00:54:08,600
Speaker 2: you're the coolest guy in the world, but the character stupid.

1162
00:54:09,360 --> 00:54:11,880
Speaker 2: He admits he went all angry teacher at her yesterday

1163
00:54:11,880 --> 00:54:13,719
Speaker 2: and just wanted to make sure that he's not the

1164
00:54:13,800 --> 00:54:16,919
Speaker 2: reason that she stayed at home Cleo herself. But as

1165
00:54:17,080 --> 00:54:19,799
Speaker 2: Mollie assures mister Perkins, that's not the case and she

1166
00:54:19,840 --> 00:54:22,880
Speaker 2: will eventually blow his mind. Mister Perkins calls Cleo one

1167
00:54:22,880 --> 00:54:24,920
Speaker 2: of the brightest students in his class. She could do

1168
00:54:24,960 --> 00:54:27,160
Speaker 2: great things if she wanted to, And with that, Cleo

1169
00:54:27,200 --> 00:54:29,800
Speaker 2: and George leave, just as Koog finds his bear costume

1170
00:54:29,800 --> 00:54:33,759
Speaker 2: in the hallway. So the logistics question is the bear

1171
00:54:33,840 --> 00:54:38,200
Speaker 2: costume stuff becomes you cannot again.

1172
00:54:38,160 --> 00:54:41,239
Speaker 1: The only slip up that I feel happened within the

1173
00:54:41,360 --> 00:54:43,480
Speaker 1: rules of the magic in this movie.

1174
00:54:43,160 --> 00:54:46,439
Speaker 2: So that doesn't stay per But it doesn't.

1175
00:54:46,120 --> 00:54:49,000
Speaker 1: Because and then I went, well, she's wearing that Dorothy costume,

1176
00:54:49,040 --> 00:54:50,520
Speaker 1: which went away when she put it on.

1177
00:54:51,400 --> 00:54:53,160
Speaker 2: Do you think now that I'm gonna ask a very

1178
00:54:53,160 --> 00:54:55,520
Speaker 2: strange question, do you think the reason that they had

1179
00:54:55,560 --> 00:54:57,440
Speaker 2: to do the whole thing with the clothes is because

1180
00:54:57,560 --> 00:55:03,000
Speaker 2: essentially to show her the great reveal of her completely invisible,

1181
00:55:04,160 --> 00:55:08,520
Speaker 2: it would have had to imply that she slept naked,

1182
00:55:09,440 --> 00:55:10,960
Speaker 2: like you know what I mean, Like they wanted her

1183
00:55:11,040 --> 00:55:14,799
Speaker 2: fully invisible, so the clothes had to turn invisible too,

1184
00:55:14,840 --> 00:55:17,640
Speaker 2: because if the clothes didn't turn invisible, they'd either have

1185
00:55:17,719 --> 00:55:21,840
Speaker 2: to show her wearing clothes so she wouldn't be fully invisible,

1186
00:55:21,880 --> 00:55:24,640
Speaker 2: which they wanted to show, or imply that she slept naked.

1187
00:55:24,719 --> 00:55:27,439
Speaker 2: And even though she's invisible, Disney's not going to show

1188
00:55:27,480 --> 00:55:28,920
Speaker 2: even invisible naked person.

1189
00:55:29,200 --> 00:55:30,200
Speaker 1: That might be the case.

1190
00:55:30,280 --> 00:55:32,360
Speaker 2: So I'm wondering if that was one of the rules

1191
00:55:32,400 --> 00:55:34,400
Speaker 2: of like, no, you gotta have her in clothes even

1192
00:55:34,440 --> 00:55:36,239
Speaker 2: if she's invisible. We'll just make it where the clothes

1193
00:55:36,280 --> 00:55:38,359
Speaker 2: turn invisible too, Like I wonder if that was one

1194
00:55:38,360 --> 00:55:40,920
Speaker 2: of the reasons, because yeah, but.

1195
00:55:41,040 --> 00:55:43,080
Speaker 1: Then, but then my question would be, like when she

1196
00:55:43,200 --> 00:55:46,040
Speaker 1: was holding things. If that's the case, why didn't the

1197
00:55:46,239 --> 00:55:49,080
Speaker 1: like if she held the pillow, why didn't the pillow.

1198
00:55:49,320 --> 00:55:52,160
Speaker 2: Or the steering wheel or the steering things.

1199
00:55:52,080 --> 00:55:54,880
Speaker 1: Like that bag, all that stuff she's holding items, Why

1200
00:55:54,960 --> 00:55:57,000
Speaker 1: don't those do only when they're on her body?

1201
00:55:57,120 --> 00:55:58,640
Speaker 2: And they could have also done something if that was

1202
00:55:58,680 --> 00:56:01,400
Speaker 2: the case, making where it happens faster, and then do

1203
00:56:01,440 --> 00:56:02,960
Speaker 2: a scene where both the girls have to hide. So

1204
00:56:03,000 --> 00:56:05,120
Speaker 2: she goes over and hugs her sister, and right does

1205
00:56:05,160 --> 00:56:05,839
Speaker 2: she hug her sister?

1206
00:56:05,920 --> 00:56:08,120
Speaker 1: Both of them disappear, And now we just jumped up

1207
00:56:08,160 --> 00:56:11,919
Speaker 1: like three million. Yeah that's probably yeah, exactly, calmed down.

1208
00:56:12,040 --> 00:56:14,320
Speaker 2: Yeah, you're right. They they didn't even have enough budget

1209
00:56:14,360 --> 00:56:17,200
Speaker 2: to go eighty minutes in this movie or show the

1210
00:56:17,239 --> 00:56:22,120
Speaker 2: whole thing in Canada shut crazy. So school's over and

1211
00:56:22,160 --> 00:56:23,920
Speaker 2: now we're in the parking lot. Molly wonders if she

1212
00:56:23,960 --> 00:56:26,799
Speaker 2: should have started turning visible by now. Cleo thinks, so

1213
00:56:26,880 --> 00:56:28,319
Speaker 2: they just need to go home and figure this whole

1214
00:56:28,360 --> 00:56:30,840
Speaker 2: thing out. But the problem is Cleo has a lacrosse

1215
00:56:30,880 --> 00:56:34,320
Speaker 2: game she has to play in as Molly. We quickly

1216
00:56:34,360 --> 00:56:36,560
Speaker 2: cut to a very crowded game about to start. Cleo

1217
00:56:36,640 --> 00:56:39,400
Speaker 2: is wearing a helmet again passing as her sister, but

1218
00:56:39,920 --> 00:56:43,880
Speaker 2: you can see like now, even her eyes aren't even covered, right, Cleo.

1219
00:56:44,600 --> 00:56:47,440
Speaker 1: Yeah, this mask was even a mask.

1220
00:56:47,719 --> 00:56:50,080
Speaker 2: Yeah, it's like, oh, I put on barbed wire. You

1221
00:56:50,080 --> 00:56:53,520
Speaker 2: can't tell it's me. What Cleo tells her invisible sisters,

1222
00:56:53,520 --> 00:56:55,719
Speaker 2: She's gonna get creamed out there. Molly admits it's not

1223
00:56:55,760 --> 00:56:58,000
Speaker 2: even easy for her. She's terrified every game and can

1224
00:56:58,040 --> 00:57:00,880
Speaker 2: hardly sleep the night before. That's why she drinks ginger

1225
00:57:00,920 --> 00:57:03,120
Speaker 2: fizz every night, not because she farts all the time

1226
00:57:03,120 --> 00:57:07,080
Speaker 2: like we expected, but because she's nervous. When asked why

1227
00:57:07,120 --> 00:57:09,120
Speaker 2: she even plays, then, Molly says she just likes being

1228
00:57:09,160 --> 00:57:11,440
Speaker 2: part of the team. When she's part of something bigger

1229
00:57:11,440 --> 00:57:13,680
Speaker 2: than herself, it makes her feel better. She knows Cleo

1230
00:57:13,719 --> 00:57:15,319
Speaker 2: can do this and will be right next to her

1231
00:57:15,320 --> 00:57:18,120
Speaker 2: giving instructions the whole time. And with that, the game starts,

1232
00:57:18,560 --> 00:57:20,880
Speaker 2: but even with her invisible sister helping, she runs the

1233
00:57:20,920 --> 00:57:23,120
Speaker 2: wrong way. Then the ball ends up hitting Cleo directly

1234
00:57:23,120 --> 00:57:24,960
Speaker 2: in the head. No one comes to help her. They

1235
00:57:24,960 --> 00:57:26,560
Speaker 2: try to take off her mask be under that happens

1236
00:57:26,920 --> 00:57:28,080
Speaker 2: and it throws her on the ground.

1237
00:57:28,200 --> 00:57:31,320
Speaker 1: This is what my laugh out. It was a good one.

1238
00:57:31,320 --> 00:57:34,440
Speaker 1: I watched it a couple of times. I love physical comedy.

1239
00:57:35,520 --> 00:57:37,480
Speaker 2: I was just about to say that watching her on

1240
00:57:37,520 --> 00:57:40,160
Speaker 2: Girl Meets World, Rowan was very good at physical She

1241
00:57:40,240 --> 00:57:44,400
Speaker 2: was ver so is Sabrina. Actually, both Rowan and Sabrina

1242
00:57:44,680 --> 00:57:48,400
Speaker 2: very good physical comedians. They really will you will, Sabrina.

1243
00:57:49,840 --> 00:57:51,560
Speaker 1: Sorry, all right?

1244
00:57:51,760 --> 00:57:54,680
Speaker 2: I believe Cheetah girls. The dog was in the street.

1245
00:57:55,560 --> 00:58:00,640
Speaker 2: That counts. I believe you didn't know id the dog

1246
00:58:00,720 --> 00:58:07,240
Speaker 2: was stupid dogs trying to get a job. Well, some

1247
00:58:07,360 --> 00:58:10,600
Speaker 2: dogs deserve to be lost down a hole. I believed

1248
00:58:10,600 --> 00:58:12,280
Speaker 2: when you did that aerial in the middle of the street,

1249
00:58:12,560 --> 00:58:15,520
Speaker 2: that was me. I said, you're just that person, looked

1250
00:58:15,560 --> 00:58:19,600
Speaker 2: just like you. It was incredible. Oh, dare you incredible?

1251
00:58:19,840 --> 00:58:23,160
Speaker 2: Dare you? No? It was good. And then you made

1252
00:58:23,160 --> 00:58:25,240
Speaker 2: that with that guy. I totally bought that too. Yes,

1253
00:58:25,840 --> 00:58:32,560
Speaker 2: that wasn't me. Yes, I had to tell exactly, yes, Okay.

1254
00:58:40,080 --> 00:58:42,280
Speaker 2: After the fighting Owls give up their first goal and

1255
00:58:42,320 --> 00:58:45,000
Speaker 2: Cleo hasn't moved since her fall because she could be dead,

1256
00:58:45,000 --> 00:58:47,280
Speaker 2: but nobody comes and checks on her. Molly points out

1257
00:58:47,280 --> 00:58:49,560
Speaker 2: the college gouts are in the bleacher. She can't lose today,

1258
00:58:49,600 --> 00:58:51,760
Speaker 2: and so Molly has an idea. That's when we get

1259
00:58:51,760 --> 00:58:55,560
Speaker 2: a montage and invisible, Molly decides to just start running

1260
00:58:55,560 --> 00:58:58,400
Speaker 2: on the field herself at full speed, knocking out the

1261
00:58:58,440 --> 00:59:01,080
Speaker 2: other team or another word for that is cheating. Cheating

1262
00:59:01,560 --> 00:59:04,080
Speaker 2: since they'll never see her coming, and she just grabs

1263
00:59:04,120 --> 00:59:06,040
Speaker 2: her sister and runs her down the field, controlling her

1264
00:59:06,080 --> 00:59:10,440
Speaker 2: every move. It's like lacrosse weekend at Bernie's. Cleo scores

1265
00:59:10,480 --> 00:59:12,760
Speaker 2: and it's now tied seven to seven. Even the scouts

1266
00:59:12,760 --> 00:59:15,040
Speaker 2: look impressed. Then there's a timeout, so George gets to

1267
00:59:15,040 --> 00:59:17,120
Speaker 2: flirt with Nicki, and Cleo tells Molly she can't do

1268
00:59:17,160 --> 00:59:20,040
Speaker 2: this anymore. Molly begs her to keep playing. She needs this,

1269
00:59:20,480 --> 00:59:23,200
Speaker 2: and with play about to resume, Cleo gives the team

1270
00:59:23,240 --> 00:59:25,560
Speaker 2: a pep talk and now we are ready again. With

1271
00:59:25,760 --> 00:59:27,920
Speaker 2: just thirty seconds left, there's time for one more play

1272
00:59:28,040 --> 00:59:30,120
Speaker 2: the Owls game possession, and Cleo gets the ball. Her

1273
00:59:30,160 --> 00:59:31,800
Speaker 2: sister can't keep up this time, so she's all on

1274
00:59:31,840 --> 00:59:33,800
Speaker 2: her own. She gets a breakaway one on one with

1275
00:59:33,800 --> 00:59:37,120
Speaker 2: a keeper seconds left, She shoots, she scores, Cleo gets

1276
00:59:37,120 --> 00:59:39,560
Speaker 2: the winning goal. Molly tries to celebrate with her teammates,

1277
00:59:39,560 --> 00:59:42,560
Speaker 2: but quickly realizes even though they're chanting her name, no

1278
00:59:42,600 --> 00:59:44,919
Speaker 2: one can see her and now She's like, Hey, being

1279
00:59:44,920 --> 00:59:49,160
Speaker 2: invisible sucks. Now. Back at Molly and Cleo's house, Cleo

1280
00:59:49,320 --> 00:59:51,080
Speaker 2: is back in the lab with her invisible sister and

1281
00:59:51,160 --> 00:59:54,040
Speaker 2: George trying to figure out Molly's sells. She's panicked because

1282
00:59:54,080 --> 00:59:56,800
Speaker 2: they aren't metabolizing and if they don't neutralize the solution,

1283
00:59:57,120 --> 01:00:00,760
Speaker 2: the invisibility will become permanent. Since it take twenty four

1284
01:00:00,760 --> 01:00:03,320
Speaker 2: hours for a human to fully digest something, they have

1285
01:00:03,440 --> 01:00:06,360
Speaker 2: until midnight to come up with an antidote. Unfortunately, they

1286
01:00:06,360 --> 01:00:08,600
Speaker 2: don't even know where to start because Cleo can't even

1287
01:00:08,640 --> 01:00:12,160
Speaker 2: remember what's spilled into her solution. They decide they need

1288
01:00:12,200 --> 01:00:15,040
Speaker 2: to fully redo the experiment in a contained environment. They'll

1289
01:00:15,080 --> 01:00:17,960
Speaker 2: start with the basic sugar solution, adding chemicals until they

1290
01:00:17,960 --> 01:00:20,240
Speaker 2: get the right combination. They'll know they got it right

1291
01:00:20,280 --> 01:00:23,200
Speaker 2: when the moth vanishes. The girls then decide to go

1292
01:00:23,240 --> 01:00:25,919
Speaker 2: find a moth while George runs off to the school lab.

1293
01:00:26,400 --> 01:00:29,080
Speaker 2: And so Molly and Cleo go to where we know

1294
01:00:29,280 --> 01:00:33,080
Speaker 2: all moths go, the cemetery on Halloween night.

1295
01:00:33,200 --> 01:00:37,640
Speaker 1: Obviously, I mean it's outlandish, but like, if you are

1296
01:00:38,000 --> 01:00:41,200
Speaker 1: in New Orleans, you gotta get Yeah, spooky, that's all

1297
01:00:41,240 --> 01:00:41,560
Speaker 1: it is.

1298
01:00:41,840 --> 01:00:44,640
Speaker 2: And again, the thing I find interesting. Is nobody's in

1299
01:00:44,720 --> 01:00:45,160
Speaker 2: New Organs.

1300
01:00:45,200 --> 01:00:47,360
Speaker 1: No one's in there. When I was there, it was

1301
01:00:47,680 --> 01:00:48,480
Speaker 1: filled with.

1302
01:00:48,640 --> 01:00:53,360
Speaker 2: People, cemetery, everything's empty. It's like they shot that this

1303
01:00:53,400 --> 01:00:56,840
Speaker 2: is like a post apocalyptic invisible movie where there's just

1304
01:00:56,880 --> 01:01:00,400
Speaker 2: no people on the streets. It's really really weird. Yes, well,

1305
01:01:00,760 --> 01:01:02,600
Speaker 2: to their surprise, and no one else is is taking

1306
01:01:02,640 --> 01:01:05,000
Speaker 2: a long time to find him off. Their lantern goes

1307
01:01:05,040 --> 01:01:07,040
Speaker 2: out and Cleo tries to fix it. Some fog then

1308
01:01:07,240 --> 01:01:09,560
Speaker 2: washes over Molly and makes her slightly visible again. It's

1309
01:01:09,600 --> 01:01:13,520
Speaker 2: a very touching moment, as as Cleo admits it was

1310
01:01:13,600 --> 01:01:16,360
Speaker 2: nice to see her sister's face again, even if temporarily

1311
01:01:16,960 --> 01:01:19,560
Speaker 2: Molly is scared, but Cleo knows things will be okay,

1312
01:01:19,960 --> 01:01:22,479
Speaker 2: and in that moment they see him off. They chase

1313
01:01:22,520 --> 01:01:24,479
Speaker 2: after it, but it's flying so high and desperate, Molly

1314
01:01:24,560 --> 01:01:26,120
Speaker 2: decides to climb a tree to try to catch it,

1315
01:01:26,440 --> 01:01:29,320
Speaker 2: but before she can capture the bug invisible, Molly falls

1316
01:01:29,320 --> 01:01:31,280
Speaker 2: out of the tree and splashes into a huge puddle,

1317
01:01:31,480 --> 01:01:34,480
Speaker 2: drenching her sister. Cleo asks if she's okay, and Molly

1318
01:01:34,560 --> 01:01:38,080
Speaker 2: says she is not. She is very much not okay.

1319
01:01:38,280 --> 01:01:40,800
Speaker 2: She's in a cemetery at night, soaking wet and covered

1320
01:01:40,800 --> 01:01:43,960
Speaker 2: in swampoos. Plus now she's going to be invisible forever.

1321
01:01:44,320 --> 01:01:46,800
Speaker 2: Cleo swears there's still time, but Molly's ready to give up.

1322
01:01:47,000 --> 01:01:49,680
Speaker 2: Molly is done with science and Cleo's judgment and sarcasm.

1323
01:01:49,920 --> 01:01:51,680
Speaker 2: If she's going to be invisible forever and have her

1324
01:01:51,680 --> 01:01:54,680
Speaker 2: life ruined, she wants to face it alone. Cleo, of

1325
01:01:54,720 --> 01:01:57,520
Speaker 2: all people, can relate to that. Cleo tries to chase

1326
01:01:57,520 --> 01:01:59,680
Speaker 2: after and apologize, but when you're invisible, you can hide

1327
01:01:59,680 --> 01:02:02,880
Speaker 2: really well. Cleo eventually sits in a gravestone and apologizes

1328
01:02:02,880 --> 01:02:05,360
Speaker 2: out loud for everything. Molly is just not an easy

1329
01:02:05,360 --> 01:02:07,640
Speaker 2: sister to have because she has this light that everyone

1330
01:02:07,760 --> 01:02:11,320
Speaker 2: is drawn to. It's hard because Cleo has always wanted

1331
01:02:11,320 --> 01:02:13,680
Speaker 2: that herself, and when she doesn't get it, it's much

1332
01:02:13,720 --> 01:02:16,880
Speaker 2: easier to blame her sister than to blame herself. Now, crying,

1333
01:02:16,920 --> 01:02:20,680
Speaker 2: Cleo admits she should have just gone for your favorite

1334
01:02:20,920 --> 01:02:24,040
Speaker 2: for you don't get with all the toppings, get everything

1335
01:02:24,120 --> 01:02:26,480
Speaker 2: on top, do it, Cleo, And then Jordan has to

1336
01:02:26,480 --> 01:02:28,600
Speaker 2: take out a second mortgage on the house because he

1337
01:02:28,640 --> 01:02:32,800
Speaker 2: added gummy worms. They finally hug and head out. It

1338
01:02:32,840 --> 01:02:34,960
Speaker 2: is nine pm, and now the sisters have jumped in

1339
01:02:35,000 --> 01:02:38,360
Speaker 2: a very pretty and completely empty trolley to head to school,

1340
01:02:38,560 --> 01:02:40,680
Speaker 2: hoping George is everything set up in the lab. That

1341
01:02:40,720 --> 01:02:43,160
Speaker 2: same older lady who saw Cleo in a driverless car

1342
01:02:43,200 --> 01:02:45,320
Speaker 2: gets in the trolley but storms off when she sees Cleo.

1343
01:02:45,400 --> 01:02:48,320
Speaker 2: And this is a total callback to mister Ed. Remember

1344
01:02:48,320 --> 01:02:50,280
Speaker 2: mister Ed, we talked about the talking horse one. Yes,

1345
01:02:50,360 --> 01:02:53,760
Speaker 2: so there's always the same drunk that nobody would ever

1346
01:02:53,760 --> 01:02:55,920
Speaker 2: see mister Ed talk, but they would always wind as

1347
01:02:55,920 --> 01:02:58,400
Speaker 2: the scene talking to his best friend. The same drunk

1348
01:02:58,400 --> 01:03:01,120
Speaker 2: would always stumble in and see mister Ed talking, then

1349
01:03:01,120 --> 01:03:03,040
Speaker 2: look down at his bottle, then dump out his bottle

1350
01:03:03,040 --> 01:03:05,400
Speaker 2: and walk out. And so this was such a nod

1351
01:03:05,440 --> 01:03:07,080
Speaker 2: to that, which the same old lady walks in and

1352
01:03:07,080 --> 01:03:10,440
Speaker 2: then yell it's like, that's obviously what it was. Yeah,

1353
01:03:10,480 --> 01:03:12,680
Speaker 2: it's so funny. Now on their way, Molly asked Cleo

1354
01:03:12,720 --> 01:03:15,000
Speaker 2: if she really meant what she said back there about

1355
01:03:15,000 --> 01:03:18,160
Speaker 2: feeling invisible. Cleo admits it's true, and Molly apologizes she

1356
01:03:18,200 --> 01:03:20,920
Speaker 2: had no idea, especially since she's always been envious of

1357
01:03:21,000 --> 01:03:24,000
Speaker 2: Cleo's brain. And with that, a Mason jar floats into

1358
01:03:24,040 --> 01:03:25,920
Speaker 2: the picture. It holds a moth and we hear Molly

1359
01:03:25,960 --> 01:03:29,320
Speaker 2: say you can come to Froyo next time. They hug

1360
01:03:29,680 --> 01:03:31,680
Speaker 2: and head out the Are you happy now? I read

1361
01:03:31,680 --> 01:03:38,080
Speaker 2: the whole than we can got that? That's so funny.

1362
01:03:38,520 --> 01:03:41,800
Speaker 2: Oh and then this just pissed me off to no end.

1363
01:03:43,400 --> 01:03:45,560
Speaker 2: They meet with the They meet with George at the

1364
01:03:45,560 --> 01:03:47,520
Speaker 2: school lab, but he couldn't get in because of security,

1365
01:03:47,640 --> 01:03:54,160
Speaker 2: meaning the whole time he's done. No, this guy's done nothing.

1366
01:03:54,240 --> 01:03:57,600
Speaker 1: We're about to enter an entire unnecessary section. But that

1367
01:03:57,640 --> 01:04:00,120
Speaker 1: would have taken us down to seventy two minutes. I

1368
01:04:00,160 --> 01:04:03,680
Speaker 1: think there's a limit, but he literally they for everyone

1369
01:04:03,720 --> 01:04:06,479
Speaker 1: to get paid to be over.

1370
01:04:09,320 --> 01:04:10,919
Speaker 2: They go like, all right, we'll go catch them off.

1371
01:04:10,960 --> 01:04:13,560
Speaker 2: You go set up the lab. They're there for twenty minutes.

1372
01:04:13,640 --> 01:04:16,000
Speaker 2: They come back and this guy's like staring at the door.

1373
01:04:16,160 --> 01:04:19,520
Speaker 2: I've been able to get in and where are phones?

1374
01:04:19,520 --> 01:04:19,600
Speaker 1: In?

1375
01:04:19,680 --> 01:04:22,280
Speaker 2: This movie would have had him right.

1376
01:04:22,360 --> 01:04:28,120
Speaker 1: Yes, text messaging is like was already the addictive like situation. Yeah,

1377
01:04:28,400 --> 01:04:31,240
Speaker 1: how did he not text table? I'm having trouble there's

1378
01:04:31,240 --> 01:04:32,120
Speaker 1: a security guard.

1379
01:04:32,240 --> 01:04:34,680
Speaker 2: Yeah, George in this scenario is as useless as a

1380
01:04:34,720 --> 01:04:38,280
Speaker 2: third nut. Thank you so much. I was serious I'd

1381
01:04:38,320 --> 01:04:43,800
Speaker 2: never talk to this kid again. I loved I didn't

1382
01:04:43,880 --> 01:04:49,000
Speaker 2: till this point. He's useless. He's useless, But Molly has

1383
01:04:49,040 --> 01:04:51,760
Speaker 2: an idea. With the security guard bragging about his yellow

1384
01:04:51,760 --> 01:04:53,840
Speaker 2: belt to somebody on the phone, she pranks him by

1385
01:04:53,920 --> 01:04:56,480
Speaker 2: knocking on the door and sneaking in when he opens it.

1386
01:04:56,720 --> 01:04:58,840
Speaker 2: She then uses a mop bucket to draw him into

1387
01:04:58,880 --> 01:05:01,200
Speaker 2: another hallway, only to scare them off with a magical

1388
01:05:01,240 --> 01:05:03,800
Speaker 2: bouncing basketball, which I thought was kind of maybe a

1389
01:05:03,800 --> 01:05:08,240
Speaker 2: little high school musical nod. Yet, and don't even get

1390
01:05:08,240 --> 01:05:10,440
Speaker 2: me started on the dripping paint buckets that put him

1391
01:05:10,480 --> 01:05:12,320
Speaker 2: smack dab in the middle of the world, in the

1392
01:05:12,320 --> 01:05:15,400
Speaker 2: middle of the word boo. With that, the guard sprints

1393
01:05:15,400 --> 01:05:16,440
Speaker 2: out of the building, screaming.

1394
01:05:18,120 --> 01:05:20,400
Speaker 1: I couldn't believe it took him that long. I would

1395
01:05:20,400 --> 01:05:23,280
Speaker 1: have been like that, that bucket, just moving for no reason.

1396
01:05:23,320 --> 01:05:24,640
Speaker 2: I'd be like you would have been gone on the

1397
01:05:24,640 --> 01:05:28,560
Speaker 2: first knock, such a scaredy cat, don't you.

1398
01:05:28,760 --> 01:05:30,840
Speaker 1: Literally would not have been able to stay in that

1399
01:05:31,120 --> 01:05:33,920
Speaker 1: already dark, giant building.

1400
01:05:35,280 --> 01:05:36,960
Speaker 2: Like anything. I can't at least have a chance of

1401
01:05:36,960 --> 01:05:37,480
Speaker 2: fighting back.

1402
01:05:38,360 --> 01:05:41,280
Speaker 1: I'm still if I'm downstairs too long and the house

1403
01:05:41,400 --> 01:05:46,800
Speaker 1: is dark I'm still running up the stairs bedroom. Just

1404
01:05:46,840 --> 01:05:52,120
Speaker 1: a case of ghosts, ghosts robbers that I didn't know

1405
01:05:52,280 --> 01:05:53,919
Speaker 1: was in that That's why.

1406
01:05:54,000 --> 01:05:56,560
Speaker 2: That's why ghost scare me, because firearms have no effect

1407
01:05:56,600 --> 01:05:56,760
Speaker 2: on you.

1408
01:05:56,960 --> 01:06:01,080
Speaker 1: Yes, O, man, geez our bats are.

1409
01:06:01,080 --> 01:06:07,440
Speaker 2: Nice, exactly, Ninja, she through Ninja stars at ghosts nice,

1410
01:06:07,480 --> 01:06:11,240
Speaker 2: that'd be Sabrina. George and Cleo run into the lab

1411
01:06:11,280 --> 01:06:14,600
Speaker 2: and immediately start working on Molly's antidote. They figure out

1412
01:06:14,640 --> 01:06:16,560
Speaker 2: how to make them off visible, but the chemistry is

1413
01:06:16,560 --> 01:06:19,400
Speaker 2: still too difficult to decipher. George says they'll need a

1414
01:06:19,440 --> 01:06:23,640
Speaker 2: governor scholar at chemistry, and that's of course Sea Dog himself. Carter,

1415
01:06:23,800 --> 01:06:27,160
Speaker 2: Cutie Carter with the Curls Kitty Carter with the girls,

1416
01:06:27,200 --> 01:06:29,800
Speaker 2: and they know he's at the Romp the swamp fundraiser

1417
01:06:30,120 --> 01:06:31,640
Speaker 2: either way, they head over to find him and the

1418
01:06:31,720 --> 01:06:33,920
Speaker 2: dance is bumping. Well, it's mostly fog machines, but it's

1419
01:06:33,920 --> 01:06:36,680
Speaker 2: still bumping. Cleo is nervous because if she goes into

1420
01:06:36,680 --> 01:06:38,640
Speaker 2: the dance then Carter will know he likes her, which

1421
01:06:38,680 --> 01:06:41,200
Speaker 2: she admits she does. Molly knows he likes her too,

1422
01:06:41,240 --> 01:06:42,880
Speaker 2: and if he doesn't then he'd be missing out and

1423
01:06:42,960 --> 01:06:45,000
Speaker 2: the best thing that ever happened to him. And once

1424
01:06:45,080 --> 01:06:47,360
Speaker 2: Cleo does take the big step into the party, where

1425
01:06:47,400 --> 01:06:49,960
Speaker 2: possibly the most annoying band we've ever heard in dcom

1426
01:06:50,000 --> 01:06:53,520
Speaker 2: ever is playing, she runs into the Kuge he's looking

1427
01:06:53,520 --> 01:06:56,000
Speaker 2: for Molly, Nervous she's gonna dump him, Cleo says she's

1428
01:06:56,040 --> 01:06:57,760
Speaker 2: just really busy and not to worry. He just wants

1429
01:06:57,800 --> 01:06:59,800
Speaker 2: her to be happy with her without him. He starts

1430
01:06:59,840 --> 01:07:02,440
Speaker 2: to ball and Cleo admits she's was never the biggest

1431
01:07:02,440 --> 01:07:05,200
Speaker 2: fan of his, but Molly is really lucky to have him.

1432
01:07:05,480 --> 01:07:08,920
Speaker 2: Then Invisible Molly blurts out that she misses him too,

1433
01:07:10,080 --> 01:07:12,600
Speaker 2: and what at her? Yeah? Right out of course they're

1434
01:07:12,600 --> 01:07:15,400
Speaker 2: all looking right in the eye. He's confused hearing her voice,

1435
01:07:15,400 --> 01:07:18,440
Speaker 2: so she explains the situation, eventually holding him up in

1436
01:07:18,480 --> 01:07:20,120
Speaker 2: the air to prove that it's her. They must have

1437
01:07:20,160 --> 01:07:22,640
Speaker 2: a very weird relationship if that's what is needed to

1438
01:07:22,680 --> 01:07:27,640
Speaker 2: convince Cleo. Uh yeah, needed to convince the koug. Cleo

1439
01:07:27,680 --> 01:07:30,000
Speaker 2: says she'll explain later, but if they don't find Carter,

1440
01:07:30,120 --> 01:07:31,880
Speaker 2: Koog will be going to the prom with an invisible

1441
01:07:31,880 --> 01:07:35,040
Speaker 2: girlfriend and that won't make for good pictures. Everyone splits

1442
01:07:35,120 --> 01:07:37,200
Speaker 2: up and George scurries through a haunted house and runs

1443
01:07:37,240 --> 01:07:39,760
Speaker 2: into Nikki, and instead of trying to save a girl's life,

1444
01:07:39,800 --> 01:07:42,680
Speaker 2: he asked her out cool priorities there, Hornball, And this

1445
01:07:42,720 --> 01:07:44,360
Speaker 2: is where I felt like they all could have been

1446
01:07:44,440 --> 01:07:47,560
Speaker 2: moving a little faster than they were. It was like,

1447
01:07:47,680 --> 01:07:52,120
Speaker 2: come on, man, yeah it was. It was very strange.

1448
01:07:52,200 --> 01:07:52,360
Speaker 1: Yes.

1449
01:07:52,520 --> 01:07:55,360
Speaker 2: Meanwhile, Cleo does finally find Cutie Carter with the Curls,

1450
01:07:55,360 --> 01:07:57,880
Speaker 2: who is dressed as a bowl of honey. Since Cleo

1451
01:07:57,920 --> 01:08:00,960
Speaker 2: was supposed to dress as a bear, which very cute,

1452
01:08:01,040 --> 01:08:06,000
Speaker 2: dead that so cute, very cute, absolutely was, he asked

1453
01:08:06,000 --> 01:08:08,520
Speaker 2: what's up with her? She stand offish and very confusing.

1454
01:08:08,880 --> 01:08:11,520
Speaker 2: She apologizes and admits she's always wanted to hang out

1455
01:08:11,520 --> 01:08:13,320
Speaker 2: with him, but didn't think he'd want to hang out

1456
01:08:13,360 --> 01:08:15,560
Speaker 2: with her. He says he spent a lot of time

1457
01:08:15,560 --> 01:08:17,599
Speaker 2: on his costume and might have overthought it a little bit.

1458
01:08:17,960 --> 01:08:19,720
Speaker 2: She wants to talk to him more, but right now

1459
01:08:19,760 --> 01:08:21,719
Speaker 2: she really needs his help, and with that they head

1460
01:08:21,720 --> 01:08:24,400
Speaker 2: to the barn. Now the entire gang has reunited in

1461
01:08:24,439 --> 01:08:27,120
Speaker 2: this forbidden barn. Carter asked what's going on and Cleo

1462
01:08:27,160 --> 01:08:30,440
Speaker 2: throws a blanket over invisible Molly, revealing her ghost outline.

1463
01:08:30,560 --> 01:08:33,360
Speaker 2: She says, Hi, Carter, and Carter of course faints, which

1464
01:08:33,400 --> 01:08:36,280
Speaker 2: is what I would have done later now with an

1465
01:08:36,400 --> 01:08:39,320
Speaker 2: ice pack, Carter scans a sophisticated solution and thinks he

1466
01:08:39,360 --> 01:08:41,880
Speaker 2: can figure out an antidote. Georgia reveals they only have

1467
01:08:41,960 --> 01:08:45,520
Speaker 2: forty five minutes and they need steam. That's what initially

1468
01:08:45,520 --> 01:08:47,880
Speaker 2: made the moth invisible, so they needed again, and since

1469
01:08:47,880 --> 01:08:50,080
Speaker 2: they can't get back into lab in time, they grab

1470
01:08:50,120 --> 01:08:52,200
Speaker 2: things from around the fundraiser to get it done. We

1471
01:08:52,280 --> 01:08:54,320
Speaker 2: get a quick montage. Love the montage, but this was

1472
01:08:54,320 --> 01:08:56,519
Speaker 2: a real quick one of the gang rounding up a

1473
01:08:56,520 --> 01:08:59,559
Speaker 2: heat source, some tubing and a funnel. Once they find

1474
01:08:59,600 --> 01:09:01,559
Speaker 2: the component to make the steam, they head back to

1475
01:09:01,600 --> 01:09:04,599
Speaker 2: the barn with just forty seconds until midnight. They are

1476
01:09:04,680 --> 01:09:08,559
Speaker 2: under the gun, but it's only working drip by drip.

1477
01:09:08,720 --> 01:09:11,439
Speaker 2: This is gonna take forever. And then mister Perkins starts

1478
01:09:11,520 --> 01:09:13,760
Speaker 2: knocking on the door with fifteen seconds left to hand

1479
01:09:13,760 --> 01:09:16,000
Speaker 2: Molly the antidote. But Molly wants to do something for

1480
01:09:16,080 --> 01:09:17,519
Speaker 2: Cleo first, and I was like, drink the.

1481
01:09:17,479 --> 01:09:19,000
Speaker 1: Thing, yes, drinky, what are you doing?

1482
01:09:19,000 --> 01:09:21,000
Speaker 2: What are you doing? She opens the door and pours

1483
01:09:21,040 --> 01:09:24,400
Speaker 2: flour on herself becoming slightly visible. She explains the whole

1484
01:09:24,400 --> 01:09:28,000
Speaker 2: situation to mister Perkins, revealing just how special Cleo really is.

1485
01:09:28,040 --> 01:09:29,640
Speaker 2: And I know what you're thinking, How did all this

1486
01:09:29,680 --> 01:09:33,759
Speaker 2: happen in fifteen seconds? Well it didn't. It's past midnight,

1487
01:09:33,920 --> 01:09:37,080
Speaker 2: but Molly drinks the concoction anyway. Cleo is stunned. How

1488
01:09:37,120 --> 01:09:39,080
Speaker 2: did she miss the deadline? It was perfectly set up

1489
01:09:39,080 --> 01:09:41,519
Speaker 2: for her? Molly says, letting mister Perkins know everything her

1490
01:09:41,600 --> 01:09:43,640
Speaker 2: sister did was a risk, but she was willing to

1491
01:09:43,680 --> 01:09:46,760
Speaker 2: take that risk. The Kug is, of course stunned. So

1492
01:09:46,840 --> 01:09:49,479
Speaker 2: I'll never see your beautiful fit cog, I'll never see

1493
01:09:49,479 --> 01:09:52,080
Speaker 2: your beautiful face again. But then he quickly turns a

1494
01:09:52,120 --> 01:09:54,920
Speaker 2: one to eighty and is hopeful about and it's hopeful

1495
01:09:54,960 --> 01:09:57,680
Speaker 2: about having half invisible kids one day. This guy just

1496
01:09:57,680 --> 01:10:00,559
Speaker 2: has such a good heart. This guy, n guy. The

1497
01:10:00,600 --> 01:10:03,519
Speaker 2: coup come on, dum, I date the coup come on.

1498
01:10:05,200 --> 01:10:07,720
Speaker 2: And Cleo though, she's just not willing to give up

1499
01:10:07,800 --> 01:10:10,360
Speaker 2: right now, but Carter's out of options. He says, it

1500
01:10:10,400 --> 01:10:13,600
Speaker 2: should still have worked. Cleo asked Molly if she ate

1501
01:10:13,840 --> 01:10:16,679
Speaker 2: or drank anything weird last night, and they realized they're

1502
01:10:16,680 --> 01:10:20,160
Speaker 2: missing one thing, the ginger fizz she swallowed with the off.

1503
01:10:20,520 --> 01:10:22,720
Speaker 2: Cleo adjust the antidote now with the ginger fizz and

1504
01:10:22,760 --> 01:10:24,840
Speaker 2: hands it to her sister. But before she tries it,

1505
01:10:24,880 --> 01:10:27,160
Speaker 2: she says, no matter what happens, she enjoyed spending the

1506
01:10:27,200 --> 01:10:31,160
Speaker 2: day with Cleo weird, And with that she downs the antidote.

1507
01:10:31,240 --> 01:10:34,040
Speaker 2: Nothing happens at first in the entire group watches and anticipation,

1508
01:10:34,160 --> 01:10:38,600
Speaker 2: and then with a pretty good effect, she slowly reappears.

1509
01:10:38,880 --> 01:10:41,240
Speaker 2: So this means, of course, that the countdown never meant

1510
01:10:41,280 --> 01:10:44,800
Speaker 2: anything at all, although they did try to stop it

1511
01:10:44,840 --> 01:10:49,040
Speaker 2: by they tried to justify it by saying your calculations

1512
01:10:49,080 --> 01:10:53,280
Speaker 2: were not adjustable, but they said variable, kind of like,

1513
01:10:54,360 --> 01:10:57,800
Speaker 2: if anything, we should have had more time. So it worked.

1514
01:10:57,960 --> 01:11:00,760
Speaker 2: The sisters embrace and the group cheersually, leaving the barn

1515
01:11:00,840 --> 01:11:03,599
Speaker 2: to celebrate. Koug says the Koug needs to blow off

1516
01:11:03,640 --> 01:11:06,080
Speaker 2: some steam, and mister Perkins admits Cleo finally did some

1517
01:11:06,120 --> 01:11:10,479
Speaker 2: real science. Yeah, she invented invisibility. Yes, maybe a little

1518
01:11:10,520 --> 01:11:13,120
Speaker 2: too real, he says. He chairs the New Orleans Association

1519
01:11:13,160 --> 01:11:15,439
Speaker 2: of Applied Scientists and wonders if she'd be willing to

1520
01:11:15,439 --> 01:11:18,760
Speaker 2: present her findings next month. She agrees, and Perkins enters

1521
01:11:18,800 --> 01:11:21,200
Speaker 2: the dance just as Carter approaches. He knows it's been

1522
01:11:21,240 --> 01:11:23,000
Speaker 2: a long night. He's dresses honey, but he wants to

1523
01:11:23,080 --> 01:11:25,479
Speaker 2: dance with her, and with that they hold hands and

1524
01:11:25,520 --> 01:11:28,599
Speaker 2: go to romp the swamp. We hear Clearo's narration once again,

1525
01:11:28,640 --> 01:11:31,719
Speaker 2: explaining that the line between visible and invisible isn't that wide.

1526
01:11:32,080 --> 01:11:34,200
Speaker 2: That's when we cut to a packed auditorium where Cleo

1527
01:11:34,280 --> 01:11:37,160
Speaker 2: is getting a standing ovation. She's presenting her findings to

1528
01:11:37,200 --> 01:11:40,720
Speaker 2: the New Orleans scientists. At all she now knows that

1529
01:11:40,760 --> 01:11:44,360
Speaker 2: the visible things can disappear and invisible things can finally

1530
01:11:44,400 --> 01:11:48,479
Speaker 2: be seen. And then that's right, Sabrina. We're at your

1531
01:11:48,479 --> 01:11:51,360
Speaker 2: favorite place in the world, ret Mildred's Frozen yogurt shop

1532
01:11:51,360 --> 01:11:54,280
Speaker 2: in the French Quarter. Cleo and Carter, the Kug and

1533
01:11:54,360 --> 01:11:56,479
Speaker 2: Molly and a new couple George and Nikki are all

1534
01:11:56,479 --> 01:12:07,880
Speaker 2: eating together. And that is our movie. WHOA can we

1535
01:12:08,080 --> 01:12:11,479
Speaker 2: do some real reviews, Sabrina? Oh boy, I got the

1536
01:12:11,479 --> 01:12:11,960
Speaker 2: five star.

1537
01:12:12,240 --> 01:12:14,200
Speaker 1: Yes, I got the let's start there.

1538
01:12:14,320 --> 01:12:17,599
Speaker 2: We found a five star. Uh this is from reviews

1539
01:12:17,720 --> 01:12:20,120
Speaker 2: now and I said it that loud because the now

1540
01:12:20,240 --> 01:12:23,800
Speaker 2: is capitalized. Despite oh, I love this review. I really do.

1541
01:12:24,600 --> 01:12:29,560
Speaker 2: Despite improbable developmental growth and televised cheesiness. It's a twofold

1542
01:12:29,600 --> 01:12:32,559
Speaker 2: picture in two ways. The title not only describing its

1543
01:12:32,600 --> 01:12:36,519
Speaker 2: literal sense, but it's also socially relatable before scientifically reversing

1544
01:12:36,520 --> 01:12:39,519
Speaker 2: the roles and managed to achieve a better storytelling. I'm

1545
01:12:39,560 --> 01:12:42,600
Speaker 2: reading this properly. People achieve a better storytelling when it

1546
01:12:42,640 --> 01:12:44,960
Speaker 2: comes to invisibility. Well at the same time, one of

1547
01:12:45,000 --> 01:12:51,360
Speaker 2: the better Disney Channel films. Huh what? Five stars? Don't

1548
01:12:51,360 --> 01:12:55,600
Speaker 2: know what you said? Reviews now reviews No five star exactly,

1549
01:12:56,240 --> 01:12:58,160
Speaker 2: You've got the one star, so I do.

1550
01:12:58,400 --> 01:13:04,080
Speaker 1: Steve's pissed guys is miss He does not like this

1551
01:13:04,200 --> 01:13:07,680
Speaker 1: movie with this one star. The setup for the invisible

1552
01:13:07,720 --> 01:13:11,519
Speaker 1: sister is so ludicrous it's impossible. My favorite part is

1553
01:13:11,560 --> 01:13:15,599
Speaker 1: when the sister is invisible, everyone still is able to

1554
01:13:15,600 --> 01:13:19,200
Speaker 1: look at her directly in the eyes. This one is

1555
01:13:19,280 --> 01:13:21,600
Speaker 1: a fat turkey.

1556
01:13:22,320 --> 01:13:29,280
Speaker 2: Okay, one star, fat turkey, one star, one fat turkey star. Yeah, well,

1557
01:13:29,320 --> 01:13:31,639
Speaker 2: we are now coming to our favorite portion of the program.

1558
01:13:31,760 --> 01:13:33,400
Speaker 2: Well your favorite portion of the program.

1559
01:13:33,439 --> 01:13:34,879
Speaker 1: Do now love this part.

1560
01:13:34,800 --> 01:13:36,920
Speaker 2: Because producer Jensen isn't around as much. That's why you

1561
01:13:36,960 --> 01:13:37,799
Speaker 2: love it. Be honest.

1562
01:13:37,920 --> 01:13:42,479
Speaker 1: He doesn't him not being here, mikaylaan and uh and Lisa,

1563
01:13:42,520 --> 01:13:44,240
Speaker 1: don't make me feel as dumb.

1564
01:13:44,800 --> 01:13:48,160
Speaker 2: You're not dumb. Were playing with producer Lisa. We have

1565
01:13:48,160 --> 01:13:52,519
Speaker 2: producer Lisa today. Intro our feature game is called where

1566
01:13:52,640 --> 01:13:54,559
Speaker 2: because I like to pronounci. H are they now?

1567
01:13:55,880 --> 01:13:56,759
Speaker 1: It's like wheat?

1568
01:13:57,720 --> 01:14:03,519
Speaker 2: Where cool whip? Where are they now? Nice? Now? Where

1569
01:14:03,600 --> 01:14:08,000
Speaker 2: are they now? Invisible sister clearly deals with the disappearance

1570
01:14:08,000 --> 01:14:10,280
Speaker 2: of Molly. Luckily she returned by the end of the film,

1571
01:14:10,320 --> 01:14:12,400
Speaker 2: but there are mysteries out there that are yet to

1572
01:14:12,479 --> 01:14:15,320
Speaker 2: be solved. We're going to be given five questions about

1573
01:14:15,320 --> 01:14:18,439
Speaker 2: famous disappearances, and we must answer three correctly to win.

1574
01:14:18,720 --> 01:14:21,000
Speaker 2: You feel in confidence, Abrena not in.

1575
01:14:20,960 --> 01:14:24,400
Speaker 1: Any shape right, which is normal?

1576
01:14:24,520 --> 01:14:28,479
Speaker 2: Here we go, so Number one pioneering aviator Amelia Earhard

1577
01:14:28,479 --> 01:14:31,040
Speaker 2: attempted to circumnavigate the globe in nineteen thirty seven, but

1578
01:14:31,160 --> 01:14:34,400
Speaker 2: vanished over what body of water? Is it A the

1579
01:14:34,439 --> 01:14:38,320
Speaker 2: Atlantic Ocean? Be the Pacific Ocean, see the Indian Ocean

1580
01:14:38,479 --> 01:14:40,040
Speaker 2: or d Billy Ocean?

1581
01:14:41,320 --> 01:14:42,479
Speaker 1: A Atlantic Ocean.

1582
01:14:43,360 --> 01:14:47,280
Speaker 2: I think it's B the Pacific Ocean. It is B. Gosh.

1583
01:14:47,320 --> 01:14:49,639
Speaker 1: She that was the only one I had shot.

1584
01:14:49,760 --> 01:14:52,400
Speaker 2: I'm pretty sure she disappeared of memory serves near the

1585
01:14:52,439 --> 01:14:54,200
Speaker 2: Howling Islands, and they thought there was a chance she

1586
01:14:54,240 --> 01:14:57,280
Speaker 2: actually landed there on in her Electra forty one. I

1587
01:14:57,280 --> 01:15:00,640
Speaker 2: think that flight was I forget nerd you. Yeah, I

1588
01:15:00,720 --> 01:15:05,559
Speaker 2: love familiar art. Okay, infaminished she did, but yeah, okay.

1589
01:15:06,320 --> 01:15:10,479
Speaker 2: Infamous teamster leader and allegedly having some mafia ties. Jimmy

1590
01:15:10,520 --> 01:15:14,400
Speaker 2: Hoffa just up and disappeared, as some well people that

1591
01:15:14,520 --> 01:15:17,920
Speaker 2: were at that time used to do. In nineteen seventy five.

1592
01:15:18,000 --> 01:15:20,280
Speaker 2: His body was never found. So how many years did

1593
01:15:20,280 --> 01:15:25,280
Speaker 2: it take to officially declare him legally dead? A three

1594
01:15:25,840 --> 01:15:30,479
Speaker 2: B five C seven D. He is still considered quote

1595
01:15:30,520 --> 01:15:31,479
Speaker 2: unquote missing.

1596
01:15:33,360 --> 01:15:40,280
Speaker 1: Oh, I think he's still missing. D.

1597
01:15:40,800 --> 01:15:45,120
Speaker 2: I think it's C seven C god C seven, thank

1598
01:15:45,160 --> 01:15:47,880
Speaker 2: you very much. No, they actually seven.

1599
01:15:47,920 --> 01:15:48,519
Speaker 1: That sounds like.

1600
01:15:50,200 --> 01:15:55,479
Speaker 2: Or you set my battleship. I think other people have

1601
01:15:55,560 --> 01:15:57,120
Speaker 2: now come out and kind of told what they think

1602
01:15:57,160 --> 01:15:59,639
Speaker 2: what they're pretty sure happened, which is he was taken away,

1603
01:15:59,680 --> 01:16:02,200
Speaker 2: he was killed and then brought to a local crematorium

1604
01:16:02,240 --> 01:16:05,120
Speaker 2: where they burned his body. So they're pretty sure that's

1605
01:16:05,120 --> 01:16:05,479
Speaker 2: what happened.

1606
01:16:05,520 --> 01:16:09,000
Speaker 1: There's also rumors that without the evidence of his DNA.

1607
01:16:09,040 --> 01:16:11,599
Speaker 2: How can they like really, because it was the guy

1608
01:16:11,640 --> 01:16:13,519
Speaker 2: who claimed to have actually killed them coming out and

1609
01:16:13,520 --> 01:16:15,280
Speaker 2: saying this is what happened. Yeah, it's like one of

1610
01:16:15,280 --> 01:16:18,080
Speaker 2: the mafia people claimed that that. Yeah, there's also rumors

1611
01:16:18,120 --> 01:16:22,000
Speaker 2: that he's under freeway overpasses and he's part of I

1612
01:16:22,000 --> 01:16:24,559
Speaker 2: think it's like Wrigley Field. I mean, there's like he

1613
01:16:24,640 --> 01:16:25,800
Speaker 2: was buried in all these places here.

1614
01:16:25,880 --> 01:16:26,680
Speaker 1: Yeah.

1615
01:16:26,840 --> 01:16:30,280
Speaker 2: Malaysia Airline flight MH three seventy genuinely vanished while flying

1616
01:16:30,280 --> 01:16:32,599
Speaker 2: from Kuala on port of Beijing in twenty fourteen. How

1617
01:16:32,600 --> 01:16:34,599
Speaker 2: many people are on that flight? This is a sad question.

1618
01:16:34,600 --> 01:16:35,400
Speaker 2: I don't want to answer this.

1619
01:16:35,439 --> 01:16:36,400
Speaker 1: We're skipping this one.

1620
01:16:37,280 --> 01:16:39,320
Speaker 2: I am. I'm snipping it. We're both got that one, right.

1621
01:16:39,439 --> 01:16:40,640
Speaker 1: I don't like it.

1622
01:16:40,720 --> 01:16:44,000
Speaker 2: I don't like flying stuff number four, So we both

1623
01:16:44,000 --> 01:16:48,120
Speaker 2: got that right. Congratulations you were great. World renowned band

1624
01:16:48,160 --> 01:16:51,160
Speaker 2: leader Glenn Miller boarded a small military aircraft in nineteen

1625
01:16:51,200 --> 01:16:53,200
Speaker 2: forty four to perform for troops in Paris and was

1626
01:16:53,240 --> 01:16:55,879
Speaker 2: never heard from again, and no wreckage was ever found.

1627
01:16:56,120 --> 01:16:57,960
Speaker 2: How many number one hits did he have in the

1628
01:16:58,000 --> 01:17:00,720
Speaker 2: three year span from nineteen thirty nine nineteen forty two.

1629
01:17:01,439 --> 01:17:05,719
Speaker 2: I'm sorry, it's just funny to you. Is Glenn Miller's

1630
01:17:05,720 --> 01:17:08,120
Speaker 2: passing funny to you? Sabrina in nineteen forty two.

1631
01:17:09,439 --> 01:17:10,880
Speaker 1: And was never found.

1632
01:17:12,560 --> 01:17:17,639
Speaker 2: Fruit? Exactly? I know. It was like there's a change.

1633
01:17:17,760 --> 01:17:19,320
Speaker 1: What was his favorite fruit?

1634
01:17:19,800 --> 01:17:22,720
Speaker 2: That's a chance, like what how when he hits he

1635
01:17:22,960 --> 01:17:25,639
Speaker 2: went down in a small military I crafted nineteen forty four?

1636
01:17:25,880 --> 01:17:30,360
Speaker 2: What was his favorite tan step? Exactly? All right? So

1637
01:17:30,560 --> 01:17:32,519
Speaker 2: how many number one hits to the f was it

1638
01:17:32,600 --> 01:17:33,240
Speaker 2: in that three year?

1639
01:17:33,280 --> 01:17:35,000
Speaker 1: Spanish Joe cole Brew is hitting this?

1640
01:17:36,040 --> 01:17:38,879
Speaker 2: Yeah, you've taken one ship Like I'm.

1641
01:17:38,800 --> 01:17:40,120
Speaker 1: Like loopy right now.

1642
01:17:40,439 --> 01:17:46,000
Speaker 2: Okay, here go a three B four C five or

1643
01:17:46,080 --> 01:17:51,320
Speaker 2: D sixteen C five battleship hit hit. I'm gonna say

1644
01:17:51,600 --> 01:17:53,760
Speaker 2: Glenn Miller was big three years. I'm gonna say D

1645
01:17:53,920 --> 01:17:54,799
Speaker 2: sixteen that's.

1646
01:17:54,680 --> 01:18:00,960
Speaker 1: A lot of number one hits. D no way, Amy Jensen,

1647
01:18:01,160 --> 01:18:03,280
Speaker 1: thank you ball numbers. And then just throwing that big

1648
01:18:03,320 --> 01:18:05,000
Speaker 1: one night and think there was a shot out.

1649
01:18:05,120 --> 01:18:07,679
Speaker 2: Number five And the last question I won, by.

1650
01:18:07,600 --> 01:18:10,839
Speaker 1: The way, Yes, I know, because you do every.

1651
01:18:10,640 --> 01:18:14,519
Speaker 2: Week awesome, I do not number five. The Dresden Green

1652
01:18:14,640 --> 01:18:18,120
Speaker 2: Vault held diamond jewelry sets a sword with a diamond

1653
01:18:18,200 --> 01:18:22,360
Speaker 2: encrusted handle, several diamond shoe buckles made of diamonds, and

1654
01:18:22,479 --> 01:18:25,280
Speaker 2: part of a diamond necklace that belonged to Queen Amelia

1655
01:18:25,320 --> 01:18:29,400
Speaker 2: Augusta from eighteen twenty four. They were stolen in December

1656
01:18:29,439 --> 01:18:32,920
Speaker 2: twenty twenty two from a museum in Berlin. Thirty one

1657
01:18:33,000 --> 01:18:35,800
Speaker 2: of the items were eventually returned to authorities. What is

1658
01:18:35,840 --> 01:18:39,600
Speaker 2: the estimated value of the items that were stolen? Is

1659
01:18:39,640 --> 01:18:43,639
Speaker 2: it A forty five million, B seventy eight million, CE

1660
01:18:43,680 --> 01:18:49,080
Speaker 2: one hundred and thirteen million or D one billion dollars?

1661
01:18:50,520 --> 01:18:53,600
Speaker 1: Ooh, I'm gonna stick with C.

1662
01:18:54,840 --> 01:18:57,200
Speaker 2: Go on for C again. One hundred and thirteen million

1663
01:18:57,320 --> 01:19:00,680
Speaker 2: seems like a lot. But yeah, I'm gonna say B

1664
01:19:00,880 --> 01:19:02,400
Speaker 2: seventy eight million, okay.

1665
01:19:02,560 --> 01:19:06,120
Speaker 4: And Sabrina is right, I got too right, You got

1666
01:19:06,160 --> 01:19:06,479
Speaker 4: too right.

1667
01:19:06,520 --> 01:19:07,679
Speaker 2: One of them is the one these skipped.

1668
01:19:07,720 --> 01:19:15,679
Speaker 5: But yes, can we do some, Sabrina Sea, Yes we can,

1669
01:19:15,920 --> 01:19:18,720
Speaker 5: Sabrina sees.

1670
01:19:18,240 --> 01:19:22,040
Speaker 1: Okay, my first little qualm happened, but then it actually

1671
01:19:22,120 --> 01:19:26,160
Speaker 1: kind of got resolved. The way she's talking to this

1672
01:19:26,720 --> 01:19:30,760
Speaker 1: professor or teacher, I guess threw me so bad. I

1673
01:19:30,880 --> 01:19:32,679
Speaker 1: was like, whoa that she rude?

1674
01:19:32,880 --> 01:19:33,720
Speaker 2: Oh? So rude?

1675
01:19:33,760 --> 01:19:35,960
Speaker 1: When she talks about that, like, I mean, her comments

1676
01:19:35,960 --> 01:19:38,559
Speaker 1: are funny, it's it's comedic. But like when he's like

1677
01:19:38,640 --> 01:19:40,600
Speaker 1: when she says the like skinny jeans that he's like

1678
01:19:40,720 --> 01:19:43,880
Speaker 1: almost young enough to wear something, I was like, oh

1679
01:19:43,960 --> 01:19:46,760
Speaker 1: my gosh. And then so then it kind of made

1680
01:19:46,800 --> 01:19:49,200
Speaker 1: it okay for me when he goes, yeah, well that's

1681
01:19:49,240 --> 01:19:53,360
Speaker 1: gonna be your full grade. Yeah, let me yes, but

1682
01:19:53,400 --> 01:19:56,400
Speaker 1: then it switched. I really loved that moment, and I

1683
01:19:56,439 --> 01:19:59,120
Speaker 1: think this is one of my favorite things of Disney.

1684
01:20:00,080 --> 01:20:02,200
Speaker 1: Being a teacher believe in her so much was such

1685
01:20:02,240 --> 01:20:05,160
Speaker 1: a cool moment for this movie that did kind of

1686
01:20:05,200 --> 01:20:08,720
Speaker 1: go a wall at times, but having her hear it

1687
01:20:08,800 --> 01:20:11,519
Speaker 1: directly from his mouth to of like him talking about

1688
01:20:11,560 --> 01:20:14,479
Speaker 1: her when he thought she was Molly, was like such

1689
01:20:14,520 --> 01:20:17,080
Speaker 1: a great moment. I think teachers don't get enough credit

1690
01:20:17,120 --> 01:20:20,240
Speaker 1: of how much and kids don't ever really realize how

1691
01:20:20,320 --> 01:20:24,640
Speaker 1: much you can be like inspired by a teacher and

1692
01:20:24,720 --> 01:20:27,880
Speaker 1: inspired by somebody who's not your parents believing you. That

1693
01:20:28,000 --> 01:20:29,240
Speaker 1: was a little bit of a did you have an

1694
01:20:29,240 --> 01:20:32,639
Speaker 1: important teacher? Yes, and she's still part of my life.

1695
01:20:32,760 --> 01:20:33,839
Speaker 1: Name Stacy Schue.

1696
01:20:33,920 --> 01:20:36,720
Speaker 2: Okay, what did she teach? She?

1697
01:20:35,800 --> 01:20:39,559
Speaker 1: She was actually just my advisor for song And what

1698
01:20:39,600 --> 01:20:41,800
Speaker 1: I love about her is she she believed in me

1699
01:20:41,920 --> 01:20:44,439
Speaker 1: so much. And she wasn't even a dancer. She's a

1700
01:20:44,560 --> 01:20:47,559
Speaker 1: She's a cheer coach that did the whole program that

1701
01:20:47,600 --> 01:20:51,400
Speaker 1: both cheering dance was under. And I still work with

1702
01:20:51,439 --> 01:20:54,840
Speaker 1: her today. She's guys are still but yeah, she her

1703
01:20:54,920 --> 01:20:57,679
Speaker 1: belief in me, not being my parents. She's very stern.

1704
01:20:58,120 --> 01:21:00,280
Speaker 1: The rules were the rules. If I couldn't make it

1705
01:21:00,320 --> 01:21:02,439
Speaker 1: because of an audition or something like that, she helped

1706
01:21:02,439 --> 01:21:06,040
Speaker 1: me accountable, but also like just believed in so much

1707
01:21:06,080 --> 01:21:08,080
Speaker 1: of what I was doing, Like she didn't want me

1708
01:21:08,120 --> 01:21:10,639
Speaker 1: to not audition. She just wanted to know that there

1709
01:21:10,640 --> 01:21:13,000
Speaker 1: were consequences if I was gonna misspractice, which is fair.

1710
01:21:13,120 --> 01:21:14,560
Speaker 2: Yeah, and I.

1711
01:21:14,240 --> 01:21:17,360
Speaker 1: Just learned so much by her. But a moment shout

1712
01:21:17,400 --> 01:21:22,400
Speaker 1: out stays so anyways, Yes, uh, I knew you were

1713
01:21:22,400 --> 01:21:24,400
Speaker 1: going to have a I was like, oh, this mask

1714
01:21:24,520 --> 01:21:28,920
Speaker 1: is not enough for will enough. Oh they were awful

1715
01:21:29,040 --> 01:21:31,479
Speaker 1: and it just didn't make sense. I totally agree. We

1716
01:21:31,560 --> 01:21:35,320
Speaker 1: harped on it too enough, that was for sure. You

1717
01:21:35,360 --> 01:21:37,960
Speaker 1: didn't even once you went right by it, And you

1718
01:21:38,000 --> 01:21:41,280
Speaker 1: said that so many times in our script today, not

1719
01:21:41,479 --> 01:21:45,720
Speaker 1: once did the fighting owls bother you and I like

1720
01:21:45,920 --> 01:21:49,680
Speaker 1: Paul because what was the what is the mascot in Zombies?

1721
01:21:49,800 --> 01:21:50,240
Speaker 2: The shrimp?

1722
01:21:50,439 --> 01:21:52,799
Speaker 1: The shrimp? I want to be like, what is Paul's

1723
01:21:52,880 --> 01:21:58,120
Speaker 1: deal with these ridiculous mascots? Are not They are not intimidating,

1724
01:21:58,240 --> 01:22:02,280
Speaker 1: They are not anything like the fighting owl. Yeah yeah, Oh,

1725
01:22:02,439 --> 01:22:04,559
Speaker 1: next time we talked to him, we have got to

1726
01:22:04,640 --> 01:22:06,240
Speaker 1: talk about these mascot choices.

1727
01:22:06,520 --> 01:22:09,000
Speaker 2: Are these his choices? Does he have any?

1728
01:22:09,600 --> 01:22:12,720
Speaker 1: I think they were because he's really funny, So I

1729
01:22:12,760 --> 01:22:14,160
Speaker 1: think that's a funny thing.

1730
01:22:14,479 --> 01:22:15,000
Speaker 2: I want to know.

1731
01:22:16,080 --> 01:22:19,920
Speaker 1: Having George come on the field irked me because you

1732
01:22:20,040 --> 01:22:21,439
Speaker 1: are not allowed to go on the field middle of

1733
01:22:21,439 --> 01:22:23,080
Speaker 1: the Can you do it in the middle of the game?

1734
01:22:23,120 --> 01:22:26,880
Speaker 1: In so many Disney movies? Yes, what was the last

1735
01:22:26,920 --> 01:22:29,719
Speaker 1: movie that they played the random Homecoming game.

1736
01:22:31,640 --> 01:22:34,480
Speaker 2: Ashley? Uhh uh?

1737
01:22:35,720 --> 01:22:39,920
Speaker 1: Perfect Boy? Or oh that movie how to Build a

1738
01:22:39,920 --> 01:22:40,320
Speaker 1: Better Boy?

1739
01:22:40,320 --> 01:22:41,639
Speaker 2: How to Build a Better Boy?

1740
01:22:41,800 --> 01:22:45,040
Speaker 1: Thank you, Lisa, Yes, how to Build a Better Boy?

1741
01:22:45,400 --> 01:22:48,639
Speaker 1: Randomly just going on the field not allowed? Not allowed.

1742
01:22:49,000 --> 01:22:51,320
Speaker 2: There's literally one of the biggest things in the history

1743
01:22:51,320 --> 01:22:53,040
Speaker 2: of Disney is a song called get your Head in

1744
01:22:53,080 --> 01:22:53,320
Speaker 2: the Game.

1745
01:22:53,760 --> 01:22:54,200
Speaker 1: Uh huh?

1746
01:22:55,080 --> 01:22:56,880
Speaker 2: Is that what it's called? Yes, that's what I'm saying,

1747
01:22:57,280 --> 01:22:58,920
Speaker 2: get your head in the game in the middle of

1748
01:22:58,960 --> 01:23:00,240
Speaker 2: the game. I thought you said.

1749
01:23:00,320 --> 01:23:01,960
Speaker 1: I thought you were gonna say someone was randomly on

1750
01:23:02,000 --> 01:23:02,400
Speaker 1: the No.

1751
01:23:02,360 --> 01:23:03,960
Speaker 2: I'm saying. I'm saying, get your head in the game.

1752
01:23:04,080 --> 01:23:06,000
Speaker 2: It's like it's you're in the middle of the game.

1753
01:23:06,000 --> 01:23:08,680
Speaker 2: You can't do the game, keep your characters off the

1754
01:23:08,680 --> 01:23:09,240
Speaker 2: sports field.

1755
01:23:09,960 --> 01:23:13,240
Speaker 1: And then you didn't mention either. The goalie in the

1756
01:23:13,280 --> 01:23:16,160
Speaker 1: final goal of the lacrosse game, by the way, lacrosse

1757
01:23:16,200 --> 01:23:19,960
Speaker 1: game really got I liked it. I liked that such

1758
01:23:19,960 --> 01:23:22,960
Speaker 1: a I love sports, though I don't think so.

1759
01:23:23,120 --> 01:23:24,639
Speaker 2: Yes, you do, of course you do. It's like your

1760
01:23:24,960 --> 01:23:28,040
Speaker 2: never oh yeah, no, my brother's played. You wear pat

1761
01:23:28,040 --> 01:23:32,240
Speaker 2: you were full helmets and full yeah yeah, ring a

1762
01:23:32,240 --> 01:23:33,120
Speaker 2: football uniform. Right.

1763
01:23:33,160 --> 01:23:33,920
Speaker 1: They didn't have that on.

1764
01:23:34,120 --> 01:23:34,639
Speaker 2: No, they didn't.

1765
01:23:35,240 --> 01:23:38,280
Speaker 1: That's interesting, Disney. They never do that. If anything, they're

1766
01:23:38,320 --> 01:23:43,200
Speaker 1: like overly at it or whatever. Okay, the goalie in

1767
01:23:43,240 --> 01:23:48,160
Speaker 1: the final goal jumps towards the ball, but like doesn't

1768
01:23:48,400 --> 01:23:51,800
Speaker 1: use any aspect of like blocking it.

1769
01:23:51,800 --> 01:23:54,720
Speaker 2: It was the that's a person that the scouts are

1770
01:23:54,680 --> 01:23:56,120
Speaker 2: gonna be like, No, not.

1771
01:23:56,320 --> 01:23:59,360
Speaker 1: Wirst goalie ever. Sorry for that person, But yes, that

1772
01:23:59,400 --> 01:24:07,559
Speaker 1: was a terrible goal and that was it. We covered

1773
01:24:07,600 --> 01:24:08,320
Speaker 1: everything else.

1774
01:24:08,160 --> 01:24:09,719
Speaker 2: We can and with terrible goalie.

1775
01:24:09,720 --> 01:24:10,759
Speaker 1: I love that, well goalie.

1776
01:24:11,080 --> 01:24:13,160
Speaker 2: It is now, of course, the portion of our program

1777
01:24:13,200 --> 01:24:15,240
Speaker 2: where we rate the film that we just saw, and

1778
01:24:15,280 --> 01:24:17,320
Speaker 2: we're gonna do well. We're in person, So let's do

1779
01:24:17,320 --> 01:24:20,320
Speaker 2: it a little bit differently. Okay, let's do one out

1780
01:24:20,320 --> 01:24:20,679
Speaker 2: of ten?

1781
01:24:20,880 --> 01:24:21,280
Speaker 1: Got it?

1782
01:24:23,320 --> 01:24:24,320
Speaker 2: One will be the smallest.

1783
01:24:25,240 --> 01:24:25,880
Speaker 1: Okay, all right?

1784
01:24:26,720 --> 01:24:28,439
Speaker 2: So here are options this week? Is this one out

1785
01:24:28,479 --> 01:24:32,120
Speaker 2: of ten fro yo chance huh? One out of ten,

1786
01:24:32,200 --> 01:24:42,040
Speaker 2: the Koog's, one out of ten, moth waters, one ten meatball? Oh,

1787
01:24:42,120 --> 01:24:43,600
Speaker 2: I hope that's not the one we picked, but I

1788
01:24:43,680 --> 01:24:48,240
Speaker 2: kind of hope it is one of ten invisible herpies,

1789
01:24:48,800 --> 01:24:56,240
Speaker 2: a roll, Dorothy masks, massage line, human centipedes, cemetery moths,

1790
01:24:56,320 --> 01:24:59,200
Speaker 2: one out often useless Georgie's, or one out of ten

1791
01:24:59,320 --> 01:25:02,400
Speaker 2: half in vision kids. I get to pick this week,

1792
01:25:02,439 --> 01:25:04,400
Speaker 2: I think, And just because I want to hear you

1793
01:25:04,439 --> 01:25:06,400
Speaker 2: say it, we're gonna do one on a ten meatballs.

1794
01:25:06,800 --> 01:25:11,040
Speaker 2: I also think I go.

1795
01:25:11,200 --> 01:25:13,200
Speaker 1: Also, don't think I'm gonna have meatballs for her.

1796
01:25:13,560 --> 01:25:17,439
Speaker 2: I know I've been eating so many lately. I think

1797
01:25:17,479 --> 01:25:21,120
Speaker 2: I go first. This time, you go first, this time. Remember,

1798
01:25:21,640 --> 01:25:23,720
Speaker 2: I don't either. What did we watch last? Oh, the

1799
01:25:23,720 --> 01:25:24,320
Speaker 2: Horse movie?

1800
01:25:26,640 --> 01:25:27,080
Speaker 1: I don't know.

1801
01:25:27,200 --> 01:25:31,360
Speaker 2: Okay, I'll go, Okay, you go first, Okay.

1802
01:25:31,080 --> 01:25:34,679
Speaker 1: So I can end it on a little bit again.

1803
01:25:35,200 --> 01:25:38,720
Speaker 2: Look, the cast in this movie was great. They really were.

1804
01:25:38,760 --> 01:25:41,479
Speaker 2: There was not a weak actor in the whole bunch.

1805
01:25:42,200 --> 01:25:44,160
Speaker 2: Rowan phenomenal. You can tell she was going to be

1806
01:25:44,160 --> 01:25:47,120
Speaker 2: a star right away. She commands the screen. She's cute,

1807
01:25:47,160 --> 01:25:52,520
Speaker 2: she's funny. The girl who played her sister great, Alex Dasier, amazing.

1808
01:25:52,680 --> 01:25:54,600
Speaker 2: All the cast they put around her was incredible. I

1809
01:25:54,640 --> 01:25:58,559
Speaker 2: had no problem with the cast whatsoever. The initial idea

1810
01:25:58,800 --> 01:26:00,840
Speaker 2: of your sister turns into and now you've got to

1811
01:26:00,840 --> 01:26:04,160
Speaker 2: go to high school. You want to be invisible. She's

1812
01:26:04,240 --> 01:26:07,320
Speaker 2: a And it works on a bunch of different levels,

1813
01:26:07,360 --> 01:26:13,040
Speaker 2: it really does. And then it becomes ridiculous where now

1814
01:26:13,160 --> 01:26:15,639
Speaker 2: you're me and all you have to do is put

1815
01:26:15,640 --> 01:26:18,040
Speaker 2: on this tiny mask and no one's gonna wreck. It

1816
01:26:18,160 --> 01:26:22,479
Speaker 2: drives me insane. It is so cheap and such a

1817
01:26:22,600 --> 01:26:25,760
Speaker 2: cheat to having to write actually what happens. That's the

1818
01:26:25,800 --> 01:26:29,639
Speaker 2: problem is you could come up with a story that's great. Again,

1819
01:26:29,840 --> 01:26:32,000
Speaker 2: put her in a Halloween costume all day and then it's, oh,

1820
01:26:32,000 --> 01:26:33,560
Speaker 2: I gotta keep the Halloween costume on. How are you

1821
01:26:33,560 --> 01:26:35,479
Speaker 2: gonna eat lunch? I can't eat lunch. I'm trying to

1822
01:26:35,479 --> 01:26:37,839
Speaker 2: shove it through your bare costume. There's so many ways

1823
01:26:38,120 --> 01:26:41,479
Speaker 2: to use it in the story as opposed to just

1824
01:26:41,760 --> 01:26:43,599
Speaker 2: we're gonna put on a mask and we're gonna make

1825
01:26:43,640 --> 01:26:47,360
Speaker 2: it where everybody else is stupid. Yea. It drives me

1826
01:26:48,040 --> 01:26:53,759
Speaker 2: up the wall because this was possibly a very good movie. Again,

1827
01:26:54,000 --> 01:26:59,439
Speaker 2: great cast, the special effects looked really good, so I

1828
01:26:59,520 --> 01:27:01,639
Speaker 2: was like, I was excited for this. It's not too long.

1829
01:27:01,720 --> 01:27:03,000
Speaker 2: It was like, hey, this could be great. And they

1830
01:27:03,080 --> 01:27:05,960
Speaker 2: do stuff like that. It just drives me insane. It

1831
01:27:06,040 --> 01:27:08,880
Speaker 2: is so easy and cheap. I don't like it. That

1832
01:27:08,920 --> 01:27:11,240
Speaker 2: brought my score, brought the score way down for me.

1833
01:27:11,920 --> 01:27:14,679
Speaker 2: The cast brought it way up. That brought it way down.

1834
01:27:14,960 --> 01:27:19,160
Speaker 2: So I think I'm generously gonna give this a five

1835
01:27:19,320 --> 01:27:28,040
Speaker 2: point five meat ball. They forgot I am because it's

1836
01:27:28,439 --> 01:27:33,080
Speaker 2: just I'm sorry. And also, the thing that makes me

1837
01:27:33,160 --> 01:27:35,840
Speaker 2: mad is if you do something like this and it's

1838
01:27:35,880 --> 01:27:37,840
Speaker 2: a bad movie anyway, okay, then it's just another thing

1839
01:27:37,880 --> 01:27:39,960
Speaker 2: that's happening in a bad movie. But when you've got

1840
01:27:40,000 --> 01:27:42,880
Speaker 2: this cast, and you've got a good idea, and you've

1841
01:27:42,880 --> 01:27:47,280
Speaker 2: got this director right, and you've got this special effects

1842
01:27:47,320 --> 01:27:49,240
Speaker 2: budget and all this kind of stuff, and you just

1843
01:27:49,320 --> 01:27:52,679
Speaker 2: do that with the story. It's just it really drives

1844
01:27:52,680 --> 01:27:54,679
Speaker 2: me up the wall. So I think I'm being generous

1845
01:27:54,880 --> 01:27:55,760
Speaker 2: with the five point five.

1846
01:27:56,000 --> 01:28:01,000
Speaker 1: Okay, Well, we got Daddy ho In on this movie,

1847
01:28:01,080 --> 01:28:04,120
Speaker 1: so I have a set limit of how low I

1848
01:28:04,120 --> 01:28:07,479
Speaker 1: would go her in general, because I love him so much.

1849
01:28:07,600 --> 01:28:11,320
Speaker 1: I do too, But I do agree that there could

1850
01:28:11,400 --> 01:28:14,200
Speaker 1: have been a rewrite that made that they worked around

1851
01:28:14,200 --> 01:28:17,360
Speaker 1: that situation. They have one character that could have passed by.

1852
01:28:17,360 --> 01:28:19,280
Speaker 1: It would been hilarious the whole.

1853
01:28:19,080 --> 01:28:21,600
Speaker 2: Time, her right soun.

1854
01:28:25,320 --> 01:28:28,639
Speaker 1: Maybe not all her team knew knew like okay, that's fair,

1855
01:28:28,920 --> 01:28:31,719
Speaker 1: but like her best friend, like they could have added

1856
01:28:31,760 --> 01:28:35,440
Speaker 1: a little bit more people to make it not as extreme.

1857
01:28:35,720 --> 01:28:38,360
Speaker 1: The teacher's not realizing it. He wasn't even she's not

1858
01:28:38,400 --> 01:28:40,120
Speaker 1: even his student like that.

1859
01:28:40,640 --> 01:28:43,200
Speaker 2: Ways to do I mean, H Double Hockey Sticks. So

1860
01:28:43,240 --> 01:28:45,559
Speaker 2: at the end of H Double Hockey Sticks, I'm supposed

1861
01:28:45,560 --> 01:28:47,320
Speaker 2: to go My character is supposed to take over for

1862
01:28:47,400 --> 01:28:50,240
Speaker 2: Matt Lawrence on the ice and pretend to be him

1863
01:28:50,280 --> 01:28:52,679
Speaker 2: on the ice. If you remember that. Yes, they put

1864
01:28:52,680 --> 01:28:55,320
Speaker 2: me in a full hockey thing and then covered my

1865
01:28:55,439 --> 01:28:57,720
Speaker 2: face like I had broken my nose because from the

1866
01:28:57,800 --> 01:29:00,599
Speaker 2: last check, so my whole face is covered. Why she's

1867
01:29:00,600 --> 01:29:02,920
Speaker 2: on the lacrosse field? What you know? Why can't she

1868
01:29:02,920 --> 01:29:04,599
Speaker 2: She's got to go from wearing a costume all day

1869
01:29:04,800 --> 01:29:08,439
Speaker 2: to now full across pads, a full across helmet. Why

1870
01:29:08,520 --> 01:29:10,800
Speaker 2: you never wear that? I know, Well, I didn't want

1871
01:29:10,800 --> 01:29:12,600
Speaker 2: to hurt my nose for the dance tonight. There's so

1872
01:29:12,720 --> 01:29:13,840
Speaker 2: many ways to do it.

1873
01:29:14,040 --> 01:29:16,439
Speaker 1: Yeah, does that work right? Yes?

1874
01:29:16,479 --> 01:29:18,840
Speaker 2: And they just they just went, nah, we're not gonna

1875
01:29:18,880 --> 01:29:19,200
Speaker 2: do any of it.

1876
01:29:19,320 --> 01:29:23,599
Speaker 1: Yeah. So but even still, I felt like the special

1877
01:29:23,600 --> 01:29:28,040
Speaker 1: effects really were actually very very good, and I thought

1878
01:29:28,080 --> 01:29:30,000
Speaker 1: it was really cool how they went in and out.

1879
01:29:30,040 --> 01:29:33,599
Speaker 1: They used great moments to do that, and I liked that.

1880
01:29:33,680 --> 01:29:35,320
Speaker 1: There were a lot of things that I did like

1881
01:29:35,640 --> 01:29:40,479
Speaker 1: that overrode the ridiculousness of that kind of stuff. Paul

1882
01:29:40,520 --> 01:29:44,320
Speaker 1: Hoen his everything he did. There's so much comedy moments

1883
01:29:44,360 --> 01:29:46,439
Speaker 1: where I feel like that was Paul really having a

1884
01:29:46,479 --> 01:29:51,360
Speaker 1: big hand on things. And I generally like liked it

1885
01:29:51,439 --> 01:29:55,679
Speaker 1: but didn't love this movie. And one thing I would

1886
01:29:55,680 --> 01:29:57,679
Speaker 1: have bought would have bumped it up one more notch.

1887
01:29:58,040 --> 01:30:00,360
Speaker 1: When we got into the what was it Swamp Swamp?

1888
01:30:00,479 --> 01:30:02,840
Speaker 2: What was swamp Romp?

1889
01:30:03,800 --> 01:30:06,360
Speaker 1: With that set at the entrance in it, I was like,

1890
01:30:06,680 --> 01:30:11,240
Speaker 1: there's gonna be a dance number because it looked like

1891
01:30:11,280 --> 01:30:13,200
Speaker 1: a setup of that, and I was kind of sad

1892
01:30:13,240 --> 01:30:14,000
Speaker 1: that it didn't happen.

1893
01:30:14,400 --> 01:30:17,880
Speaker 2: It would have been so random though, meaning like, how

1894
01:30:17,960 --> 01:30:19,280
Speaker 2: how are there not? Maybe there were and I just

1895
01:30:19,320 --> 01:30:21,400
Speaker 2: missed them, But how do you not do costumes from

1896
01:30:21,760 --> 01:30:22,960
Speaker 2: like other Disney.

1897
01:30:22,680 --> 01:30:25,000
Speaker 1: Other Disney movies. Yes, there could have been a zombies

1898
01:30:25,080 --> 01:30:25,799
Speaker 1: kid in there.

1899
01:30:25,680 --> 01:30:27,960
Speaker 2: Well maybe not yeah yet no, but a high school

1900
01:30:28,000 --> 01:30:30,240
Speaker 2: musical kid. There could have been some cheetah girls.

1901
01:30:30,560 --> 01:30:32,720
Speaker 1: I know when it comes to like a Halloween thing,

1902
01:30:32,720 --> 01:30:35,760
Speaker 1: I always think of that as well. Anyway, I did

1903
01:30:35,880 --> 01:30:38,280
Speaker 1: like the movie, didn't love it. It was kind of

1904
01:30:38,360 --> 01:30:41,600
Speaker 1: just one of those like pass through it and you know,

1905
01:30:41,680 --> 01:30:43,960
Speaker 1: that's what it was. So for me, this was a

1906
01:30:44,200 --> 01:30:50,479
Speaker 1: seven meet ball, yes seven meatball, because again I some

1907
01:30:50,600 --> 01:30:52,360
Speaker 1: of this stuff was just kind of like, yeah, I

1908
01:30:52,360 --> 01:30:56,639
Speaker 1: guess that was yeah, whatever whatever. But I didn't hate it,

1909
01:30:56,720 --> 01:30:58,960
Speaker 1: and there were moments and like you said, the cast

1910
01:30:59,080 --> 01:31:02,160
Speaker 1: is really good and I love love and there was

1911
01:31:02,240 --> 01:31:04,800
Speaker 1: three couples that came out of this movie, so that

1912
01:31:04,920 --> 01:31:07,360
Speaker 1: also was great for me. I love the little ones

1913
01:31:07,400 --> 01:31:10,479
Speaker 1: just falling in love. I loved the koog and how

1914
01:31:10,560 --> 01:31:15,719
Speaker 1: much love we had. It was great. So anyway, seven Meatball,

1915
01:31:16,240 --> 01:31:17,600
Speaker 1: Meatball Meatballs.

1916
01:31:18,240 --> 01:31:20,760
Speaker 2: Yes, I love that. We just keep saying it. That

1917
01:31:20,880 --> 01:31:25,840
Speaker 2: is my favorite. Thank you our next movie, everybody, Wow,

1918
01:31:26,120 --> 01:31:29,360
Speaker 2: we're in for a very big one, guys, and we're

1919
01:31:29,439 --> 01:31:31,760
Speaker 2: kind of breaking our own little rules here a little bit, yeah,

1920
01:31:31,760 --> 01:31:34,479
Speaker 2: because we're not doing a dcom, but it's so awesome

1921
01:31:34,520 --> 01:31:36,680
Speaker 2: and important that it's necessary because it's just in time

1922
01:31:36,720 --> 01:31:38,720
Speaker 2: for the return of Rick Moranas in the new Spaceballs

1923
01:31:38,760 --> 01:31:41,840
Speaker 2: movie where we're visiting one of the most successful blockbusters,

1924
01:31:42,560 --> 01:31:47,280
Speaker 2: nineteen eighty nine's Honey I Shrunk the Kids, a theatrical

1925
01:31:47,320 --> 01:31:49,840
Speaker 2: release that eventually turned into a dcom three qurol. So

1926
01:31:49,920 --> 01:31:51,960
Speaker 2: we're skirting our own rules here, but I want to

1927
01:31:52,000 --> 01:31:54,479
Speaker 2: watch it and it's one of and it is also

1928
01:31:54,640 --> 01:31:56,439
Speaker 2: on Disney Plus of course, so go and check it

1929
01:31:56,439 --> 01:31:58,760
Speaker 2: out early so you can be prepared. If you haven't

1930
01:31:58,760 --> 01:32:01,960
Speaker 2: seen this movie. It it's so good, it's so much fun,

1931
01:32:02,280 --> 01:32:05,880
Speaker 2: the cast is great, It's was so ahead of its time.

1932
01:32:05,960 --> 01:32:09,200
Speaker 2: This movie was wonderful, So I hope I remember it

1933
01:32:09,240 --> 01:32:09,759
Speaker 2: being wonderful.

1934
01:32:10,000 --> 01:32:12,400
Speaker 1: Oh no, it was. It's not going to disappear. There's

1935
01:32:12,439 --> 01:32:15,920
Speaker 1: no way. This movie for sure. Talk about this, this

1936
01:32:16,120 --> 01:32:21,040
Speaker 1: podcast being all about nostalgia. This is it for so

1937
01:32:21,640 --> 01:32:24,680
Speaker 1: such a huge generation, and I'm so excited me to

1938
01:32:24,840 --> 01:32:25,240
Speaker 1: watch this.

1939
01:32:25,240 --> 01:32:26,880
Speaker 2: Is this is a this is a rewatch. I'm very

1940
01:32:26,960 --> 01:32:27,720
Speaker 2: much looking forward to.

1941
01:32:28,000 --> 01:32:30,720
Speaker 1: This is a movie. I definitely watched probably at least

1942
01:32:30,760 --> 01:32:31,400
Speaker 1: one hundred times.

1943
01:32:31,439 --> 01:32:33,840
Speaker 2: Oh, I've seen I watched this movie a ton as well. Yeah,

1944
01:32:33,880 --> 01:32:34,759
Speaker 2: this is a great movie.

1945
01:32:34,920 --> 01:32:37,120
Speaker 1: I wore out my VHS in this for sure, like

1946
01:32:37,160 --> 01:32:41,880
Speaker 1: it was the had to get another content. Yeah, I

1947
01:32:41,960 --> 01:32:43,320
Speaker 1: think it's gonna be really gross.

1948
01:32:43,360 --> 01:32:48,160
Speaker 2: I don't know. And as you know, we have endless

1949
01:32:48,160 --> 01:32:52,160
Speaker 2: content on the Magical Rewind dedicated feed, movie reviews, interviews,

1950
01:32:52,160 --> 01:32:55,880
Speaker 2: and even live podcasts from Disneyland. So just go to

1951
01:32:55,880 --> 01:32:58,640
Speaker 2: wherever you get podcasts and search for Magical Rewind, subscribe

1952
01:32:58,680 --> 01:33:01,080
Speaker 2: and you will never miss another episode and don't forget.

1953
01:33:01,080 --> 01:33:04,040
Speaker 2: You can also follow us on that amazing machine.

1954
01:33:04,600 --> 01:33:07,000
Speaker 1: Is that what it's called Instagram?

1955
01:33:07,080 --> 01:33:10,200
Speaker 2: Oh I g that's where it is at Magical Rewind Pod.

1956
01:33:10,280 --> 01:33:13,479
Speaker 2: Thanks everybody, and we'll see you next time Bye. You

1957
01:33:13,600 --> 01:33:15,599
Speaker 2: admit she should have gone for froyo