WEBVTT - I'm leaving this country. Bad idea?

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<v Speaker 1>Padi. Everybody, Welcome to the Granger Smith podcast. What's Up?

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<v Speaker 1>Thanks for listening. Would traveling to another country right now

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<v Speaker 1>be a smart thing to do? If I just packed

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<v Speaker 1>my bags and headed off to the airport and went

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<v Speaker 1>to a completely different country during the craziness of this

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<v Speaker 1>world right now, in the state we're in, would that

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<v Speaker 1>be smart? And if I did well what I see,

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<v Speaker 1>would I feel safe? Well, I'm here to tell you

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<v Speaker 1>I just did it. I actually just got back, and

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<v Speaker 1>I learned a lot from this trip. And probably most

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<v Speaker 1>importantly was when I was deciding to go in this

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<v Speaker 1>crazy time and leave my family and go to another country,

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<v Speaker 1>and I was having some serious commitment remorse, like maybe

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<v Speaker 1>I shouldn't like now I'm scared, Maybe I should be scared.

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<v Speaker 1>Everyone's telling me I should be scared. I should try

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<v Speaker 1>to be super safe right now. And then I decided

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<v Speaker 1>against it, and I decided to go with my gut

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<v Speaker 1>and go with the original commitment. And I was really happy.

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<v Speaker 1>I was really really happy that I did. I felt

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<v Speaker 1>like I'm better for it. I felt like nothing bad

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<v Speaker 1>happened from it. I'm want to tell you all about

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<v Speaker 1>that where I went, How I did it, what it

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<v Speaker 1>was like on this podcast. I want to read a

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<v Speaker 1>few shout outs here before we get started, because shout

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<v Speaker 1>outs on this podcast are really important to me. So

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<v Speaker 1>I want to give a shout out to Jesse Nettie

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<v Speaker 1>Covin that is any tt E k O v E N.

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<v Speaker 1>Sorry if I'm so bad at these names from oshcost, Wisconsin.

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<v Speaker 1>I'm going to give a shout out to Justin Toner

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<v Speaker 1>from Oklahoma. Landon Manzonis from Durango, Colorado, thirteen years old.

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<v Speaker 1>Thank you, Landon. Here's a shout out to Love Cows.

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<v Speaker 1>Love Cows always listen to this podcast. I don't exactly

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<v Speaker 1>know who you are, but what's up? Thank you? You said?

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<v Speaker 1>Will you ever have Matt character on this podcast? Yes?

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<v Speaker 1>I will. Good question. Love Cows shout out to Spencer

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<v Speaker 1>Nielsen from Boise, Idaho. Love Me from Idaho. Thanks Spencer.

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<v Speaker 1>Here's a question from our Here's a shout out to

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<v Speaker 1>Isaiah Claverweedon. Thank you Isaiah for listening. Appreciate you do

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<v Speaker 1>a few more. Alexis Valeda from Minneola, Texas. What's up, Alexis,

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<v Speaker 1>thank you for listening. Justin Zevenbergen, sixteen years old from

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<v Speaker 1>Low Michigan. It's crazy. You have to read some of

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<v Speaker 1>these names, and I think it's going to be a

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<v Speaker 1>foreign country and it's it's Michigan. What's up? Sixteen years old?

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<v Speaker 1>Justin thank you for listening. Man and Tyson Lindbergh. Appreciate you. Buddy.

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<v Speaker 1>Mason Corral from Tiffan, Ohio. Caleb Sea Hand see hand

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<v Speaker 1>from tom Ball, Texas. What's up? Caleb Gabriel Gonzales from Henderson, Texas.

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<v Speaker 1>Dylan Dillon Dylan Sorry, Dylan Shavers thirteen years old, Dylan,

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<v Speaker 1>that's the second. Thirteen year old. Mandy Clevinger from Southwest Missouri.

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<v Speaker 1>What's up? Mandy Bryson bocom is turning eleven years old

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<v Speaker 1>on January sixteenth, shout out. Thanks for listening to Diesel Bryson.

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<v Speaker 1>I appreciate you guys. I mean you could. You could

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<v Speaker 1>get a shout out if you want. Grangersmith podcast at

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<v Speaker 1>gmail dot com. I can't do them all, I'm sorry,

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<v Speaker 1>but I would like that. I'll go through and just

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<v Speaker 1>shotgun through some of them like that. I appreciate you

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<v Speaker 1>guys so much, love you, thank you for giving me

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<v Speaker 1>this platform. I'm not only going to tell you about

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<v Speaker 1>going to a foreign country and why I think you

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<v Speaker 1>should consider it and get your comments ready because you're

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<v Speaker 1>about to attack me. I know some of y'all are

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<v Speaker 1>going to attack me for even saying that, but I

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<v Speaker 1>also want to answer some of your questions. There's some

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<v Speaker 1>really good questions today, including one that says, how could

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<v Speaker 1>I get on stage and glorify alcohol and tobacco when

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<v Speaker 1>I'm trying to be a man of Christ? How could

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<v Speaker 1>I do that? And so I dug in and completely

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<v Speaker 1>unpacked that really good question on this podcast. Appreciate y'all listening.

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<v Speaker 1>Love y'all, Ye yee did chant in DC mon tires

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<v Speaker 1>and school, long line of good by, fool of up

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<v Speaker 1>and down during back rangy cog yeah goation. So I

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<v Speaker 1>just got back from Mexico last night, really late last night.

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<v Speaker 1>Flew in the last flight out of Atlanta from Mexico

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<v Speaker 1>City from Airmasile, and so I have a little little

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<v Speaker 1>tired today, but good to be back home, Good to

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<v Speaker 1>be back on the podcast. This trip to Mexico, it's

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<v Speaker 1>interesting and I want to talk about it because, uh

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<v Speaker 1>my good buddy Preston from I know him from We

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<v Speaker 1>went to grade school together and then college together and

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<v Speaker 1>then our lives became very different when he went into

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<v Speaker 1>commercial real estate. He's really really smart guy, brilliant guy,

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<v Speaker 1>and he's one of these guys you meet him, you

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<v Speaker 1>just know he was going to be successful, and he

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<v Speaker 1>is very successful at what he does. And then I

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<v Speaker 1>went and joined a band out of college. So we

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<v Speaker 1>our lives took really really big turns away from each other,

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<v Speaker 1>but we talk a lot still and we share a

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<v Speaker 1>love for the outdoors. We always have ever since we

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<v Speaker 1>were kids. So we go hunting at least once a year.

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<v Speaker 1>We'll go hunting for something, whether it's bird or deer.

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<v Speaker 1>This time it was mule deer in Mexico. And the

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<v Speaker 1>reason this happened was he called me of just about

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<v Speaker 1>two days before we left and said, hey, man, I

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<v Speaker 1>have this trip planned to go to Mexico and the

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<v Speaker 1>state of Sonora and I was going with my dad

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<v Speaker 1>and my dad got diagnosed with colon cancer and needed

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<v Speaker 1>to get some test done so he can't go. Do

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<v Speaker 1>you want to take a spot? And I said, hey, man, awesome,

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<v Speaker 1>let me check with Amber, let me look at the

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<v Speaker 1>schedule and I'll get back to you soon. So hung

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<v Speaker 1>up with him. And it's interesting because I went to

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<v Speaker 1>Amber and she was like, yes, do it. You need

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<v Speaker 1>to do it. You know, these kind of opportunities are rare,

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<v Speaker 1>and you only live once. And Amber, you know, since

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<v Speaker 1>Amber is always really into you only live once, take

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<v Speaker 1>advantage of life when you can, because tomorrow is not guaranteed.

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<v Speaker 1>And this was a special trip with your friend. So

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<v Speaker 1>I was like, cool, cool. So I texted him and said,

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<v Speaker 1>I'm in give me the details, you know, let me

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<v Speaker 1>get the flight and everything. And then when I said that,

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<v Speaker 1>I started getting sort of building up the slow remorse.

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<v Speaker 1>You know, you talk about buyer's remorse. For me, there's

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<v Speaker 1>something that's what I call commitment remorse. It's like I

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<v Speaker 1>commit to something and then I go, oh, why did

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<v Speaker 1>do this? So I just wrestle in my brain and

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<v Speaker 1>I was literally laid down on the bed and you know,

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<v Speaker 1>face down in the pillows, and I was just like, shoot,

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<v Speaker 1>do I need to be leaving the family right now?

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<v Speaker 1>You know, the world's weird right now? Do I need

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<v Speaker 1>to be traveling to Mexico? And Amber the whole time?

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<v Speaker 1>Thank God for Amber, She's just reassured me like, yes, babe,

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<v Speaker 1>do it, do it. These opportunities don't come you're gonna

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<v Speaker 1>make memories. And I was like, into my mind, I'm like, well,

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<v Speaker 1>I'm gonna go to the farm and do a podcast

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<v Speaker 1>and you know, get stuff done around the house and

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<v Speaker 1>work on you know, do radio interviews. And I'm like, man,

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<v Speaker 1>I do those all the time. Anyway, why do I

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<v Speaker 1>Why do I want to be stuck to this routine?

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<v Speaker 1>And so I was like, well, I started thinking, well,

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<v Speaker 1>Preston asked me for a reason. There has to be

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<v Speaker 1>a reason. There's a reason for everything, and maybe I

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<v Speaker 1>actually just embrace this, embrace an adventure, embrace the unknown,

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<v Speaker 1>give up on this commitment remorse. And so it's like, okay,

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<v Speaker 1>I just committed my mind to it. I'm gonna be gone.

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<v Speaker 1>It's gonna be like five days. So I did, and

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<v Speaker 1>I'm so glad that I did. It was it was

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<v Speaker 1>an amazing trip. We flew into we I flew from

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<v Speaker 1>Austin to Phoenix to airma Cillo and from airm Cillo,

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<v Speaker 1>our guide, which is basically the owner of the ranch,

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<v Speaker 1>picked us up at the airport and we drove about

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<v Speaker 1>an hour and most of that drive was on a

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<v Speaker 1>dirt road. We went to that I mean, we throw

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<v Speaker 1>around the phrase middle of nowhere in the Sonoran Desert,

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<v Speaker 1>you could really get in the middle of nowhere. I'm

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<v Speaker 1>talking no first of all, just no roads. There's no

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<v Speaker 1>road there's no county roads, there's no power lines, there's

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<v Speaker 1>no buildings, there's no civilization at all. So down a

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<v Speaker 1>certain point on these dirt roads, you just start going

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<v Speaker 1>through ranches and you're we're going through other people's ranches.

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<v Speaker 1>Every land, every piece of land and Sonora is privately owned,

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<v Speaker 1>and they're massive ranches because it's just arid desert. So

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<v Speaker 1>I mean it's heavily vegetatd heavily vegetated, is that right.

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<v Speaker 1>There's a lot of vegetation, so it's not open desert.

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<v Speaker 1>It's it's like mesquite trees and all different kinds of

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<v Speaker 1>cactus and PalaVerde trees. But it's it's still very arid desert.

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<v Speaker 1>So you're driving through ranches and going through these cattle gates.

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<v Speaker 1>It's all cattle country. In fact, this country is known

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<v Speaker 1>for this part of the country is known for carnee asada.

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<v Speaker 1>They invented carne asada. So they know their beef very

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<v Speaker 1>very well, they know their cattle very very well. They

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<v Speaker 1>could tell you what breed of cattle and what cut

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<v Speaker 1>produces what taste, and the reason in the difference of

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<v Speaker 1>breeds for that taste. So you're driving through these different

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<v Speaker 1>ranches and you have a key that will get you

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<v Speaker 1>through the gates of different people's ranches. So that's how

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<v Speaker 1>far you're going away from civilization and out there. We

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<v Speaker 1>finally got to Beto is his name. We got to

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<v Speaker 1>Beto's ranch and it's twenty thousand acres all just free range,

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<v Speaker 1>and there's no power that they run a backup generator

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<v Speaker 1>and then they have a solar system, which the solar

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<v Speaker 1>power was pretty iffy. It would go off a lot,

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<v Speaker 1>would lose power a lot, so they have to crank

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<v Speaker 1>up the backup generator. No water, of course, it was

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<v Speaker 1>all well water, hand dug well water. And then there's

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<v Speaker 1>some cowboys that lived there and it was to me

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<v Speaker 1>like what Texas would have been one hundred and seventy

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<v Speaker 1>five years ago, you know, just modern technology is not

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<v Speaker 1>there yet, and I just loved it. It was incredible.

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<v Speaker 1>The hunt was all high rack hunting. So we're in

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<v Speaker 1>the back of a pickup. There was two pickup trucks,

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<v Speaker 1>and then they built these metal high racks basically platforms

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<v Speaker 1>in the beds of the truck. And then Preston went

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<v Speaker 1>with a guy and would drive around, and I went

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<v Speaker 1>with the guy. We'd drive around and we would just

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<v Speaker 1>drive around all day down these dirt roads, very slow.

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<v Speaker 1>Just he's looking left and I'm looking right, and we're

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<v Speaker 1>just scanning the brush looking for desert mule deer. And

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<v Speaker 1>of course I filmed the whole thing. You guys know me,

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<v Speaker 1>I like to film everything. So I made a video

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<v Speaker 1>for my YouTube channel called Gigge Life, and I made

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<v Speaker 1>it a video for the Smiths. The Smiths are always

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<v Speaker 1>the ones that don't include the hunt, you know, don't

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<v Speaker 1>include any animals in it. And then Yege Life, there's

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<v Speaker 1>no rules because you know, I'll just show everything. But

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<v Speaker 1>just fantastic trip. Saw every sunrise and every sunset, ate

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<v Speaker 1>some incredible Mexican food, and was so grateful that I

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<v Speaker 1>gave up on my commitment remorse and did it. Just

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<v Speaker 1>sucked it up and did it. Everything went smoothly, made

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<v Speaker 1>it back home, grateful for that. So I can't wait

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<v Speaker 1>for you guys to finally see these videos. The Smith's video,

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<v Speaker 1>which is just about mainly about the food and the scenery,

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<v Speaker 1>will come out for you for those of y'all listening

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<v Speaker 1>to this podcast real time, it'll come out tomorrow. All

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<v Speaker 1>my smith's come out Tuesdays and Thursdays. The Ye Life,

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<v Speaker 1>the full video of the Mexico Trip. I'm not sure

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<v Speaker 1>because that's going to take a lot of editing, so

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<v Speaker 1>that might be we might be a week or so

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<v Speaker 1>out at least from finishing that video. Pump for you

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<v Speaker 1>guys to see it. And uh, maybe that's just a

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<v Speaker 1>message to everyone that when an opportunity comes up and

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<v Speaker 1>you feel like you should probably stay stuck in your routine,

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<v Speaker 1>and you should probably, you know, keep your nose with

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<v Speaker 1>the grindingstone. You might want to second guess that and go,

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<v Speaker 1>you know what, you only live once. You gotta be

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<v Speaker 1>smart about it. You know, you don't want to tell

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<v Speaker 1>your boss that you're leaving tomorrow, but uh, you only

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<v Speaker 1>live once. You only have Sometimes these opportunities never come.

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<v Speaker 1>I've never done anything like that. And then I got

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<v Speaker 1>back and taught to my brother Tyler was like, I

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<v Speaker 1>want to go. I want to do it next time

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<v Speaker 1>and maybe we will. I want to I want to

0:14:46.120 --> 0:14:48.800
<v Speaker 1>also get into y'all's questions. You guys have been so

0:14:48.960 --> 0:14:52.360
<v Speaker 1>good emailing me your questions and you could email anything

0:14:52.400 --> 0:14:55.840
<v Speaker 1>you want to Grangersmith podcast at gmail dot com. I

0:14:55.880 --> 0:14:59.440
<v Speaker 1>get these emails every day and I enjoy reading them,

0:14:59.520 --> 0:15:06.320
<v Speaker 1>and I god kind of racking my brain and plowing

0:15:06.320 --> 0:15:08.880
<v Speaker 1>through these questions with you guys, because the questions are

0:15:08.920 --> 0:15:13.560
<v Speaker 1>usually all over the place. I'm gonna start with, let's

0:15:13.560 --> 0:15:16.080
<v Speaker 1>see a boom. I'm going to hit a random one here.

0:15:16.800 --> 0:15:21.280
<v Speaker 1>This is from Cody and it says, Hey, Granger, I've

0:15:21.320 --> 0:15:23.480
<v Speaker 1>been singing for about six years now, and I've always

0:15:23.560 --> 0:15:26.720
<v Speaker 1>enjoyed performing for others. About half a year and a

0:15:26.760 --> 0:15:29.560
<v Speaker 1>half ago, my voice started getting very rough. I've not

0:15:29.640 --> 0:15:31.960
<v Speaker 1>been able to sing for that period, and when I

0:15:32.000 --> 0:15:35.040
<v Speaker 1>try to, it sounds the same as my voice would

0:15:35.360 --> 0:15:38.000
<v Speaker 1>after yelling and screaming for a long period of time.

0:15:38.520 --> 0:15:41.160
<v Speaker 1>A t's cannot figure out what is going on. Do

0:15:41.200 --> 0:15:44.800
<v Speaker 1>you have any remedies that you use whenever your voice

0:15:44.840 --> 0:15:48.200
<v Speaker 1>gets rough or sore? Also, love your music, your concerts,

0:15:48.200 --> 0:15:51.840
<v Speaker 1>and your outlook on life. Keep being an inspiration. Thank you, Cody.

0:15:52.320 --> 0:15:55.000
<v Speaker 1>I appreciate it, buddy. Thank you for emailing. Thanks for

0:15:55.040 --> 0:15:57.680
<v Speaker 1>the question. It's a good question and I've dealt with

0:15:57.680 --> 0:16:03.240
<v Speaker 1>this for quite a while. Vocal cords are you know,

0:16:03.320 --> 0:16:08.480
<v Speaker 1>that's your that's your main tool as a performer. And

0:16:08.800 --> 0:16:12.640
<v Speaker 1>over the years, you know, I've been singing for singing

0:16:12.680 --> 0:16:19.480
<v Speaker 1>on stage for twenty five years, and I think over

0:16:19.520 --> 0:16:24.160
<v Speaker 1>the twenty five years I have won, for one, I

0:16:24.240 --> 0:16:29.640
<v Speaker 1>have cared a little bit less about making sure that

0:16:29.680 --> 0:16:34.880
<v Speaker 1>they are always clear and staying the same vocal cords

0:16:35.880 --> 0:16:38.520
<v Speaker 1>because you look at you look at some people and

0:16:38.560 --> 0:16:41.200
<v Speaker 1>as they get older, your voice is just naturally going

0:16:41.240 --> 0:16:46.040
<v Speaker 1>to get rougher and deeper as you get older. Like

0:16:46.080 --> 0:16:49.080
<v Speaker 1>an old man doesn't talk the same as he did

0:16:49.120 --> 0:16:53.240
<v Speaker 1>when he was thirty years old. So that's the natural

0:16:53.560 --> 0:16:56.200
<v Speaker 1>wear and tear on the muscle of the vocal cords.

0:16:56.760 --> 0:17:00.960
<v Speaker 1>So I don't talk the same. In fact, if I

0:17:01.040 --> 0:17:04.440
<v Speaker 1>ran audio and I have before on this podcast of

0:17:04.480 --> 0:17:08.520
<v Speaker 1>me talking when I'm seventeen, I sound like a different person,

0:17:08.640 --> 0:17:12.320
<v Speaker 1>a different human. And I've looked at that now. It's

0:17:12.359 --> 0:17:15.240
<v Speaker 1>not a bad thing. It's an evolution of the sound

0:17:15.880 --> 0:17:18.679
<v Speaker 1>and you just kind of go with it. So if

0:17:18.680 --> 0:17:21.879
<v Speaker 1>your voice is getting rough, you just kind of go

0:17:21.960 --> 0:17:24.919
<v Speaker 1>with it and that becomes your sound. There's a difference though,

0:17:25.640 --> 0:17:31.280
<v Speaker 1>in if it starts hurting, if it's hurting you, then

0:17:31.440 --> 0:17:35.000
<v Speaker 1>there's a problem. There's a problem. If your voice is

0:17:35.080 --> 0:17:40.400
<v Speaker 1>rough and it doesn't hurt at all, then that could

0:17:40.440 --> 0:17:42.280
<v Speaker 1>be a lot of people do great and you know,

0:17:42.320 --> 0:17:45.520
<v Speaker 1>there's a lot of singers that sing with a rough

0:17:45.960 --> 0:17:49.320
<v Speaker 1>voice and they everyone loves it. In fact, there's a

0:17:49.320 --> 0:17:51.840
<v Speaker 1>lot of times I wish my voice was rougher than

0:17:51.880 --> 0:17:57.120
<v Speaker 1>it was because people love that. That being said, though,

0:17:57.280 --> 0:17:59.679
<v Speaker 1>you said it's the same as if I had been

0:17:59.760 --> 0:18:01.479
<v Speaker 1>yelling and screening for a long period of time. So

0:18:01.520 --> 0:18:05.760
<v Speaker 1>that indicates that maybe there's something something else going on.

0:18:07.119 --> 0:18:09.800
<v Speaker 1>And I would think, because I have this problem, I'm

0:18:09.800 --> 0:18:13.119
<v Speaker 1>gonna assume that is your talking voice that's the problem,

0:18:13.200 --> 0:18:18.600
<v Speaker 1>not your singing voice. Your talking voice is being strained

0:18:19.160 --> 0:18:21.119
<v Speaker 1>and it's putting a lot of stress on your vocal

0:18:21.119 --> 0:18:24.280
<v Speaker 1>cords themselves. So I want to start with a couple

0:18:24.320 --> 0:18:29.720
<v Speaker 1>of things. Sleep is number one for vocal cords for

0:18:29.880 --> 0:18:32.200
<v Speaker 1>me and I know a lot of other people, as

0:18:32.680 --> 0:18:34.960
<v Speaker 1>is with a lot of things in life. Sleep is

0:18:35.000 --> 0:18:39.680
<v Speaker 1>a remedy that it's probably the ultimate healer. The ultimate

0:18:39.720 --> 0:18:44.280
<v Speaker 1>physical healer is getting sufficient amounts of sleep. Lack of

0:18:44.320 --> 0:18:50.280
<v Speaker 1>sleep leads to fatigue all over the body, including the

0:18:50.359 --> 0:18:56.160
<v Speaker 1>vocal cords. It's no different. Hydration is number two. Hydration

0:18:56.320 --> 0:18:59.119
<v Speaker 1>is so important. Drink plenty of water. Every time you

0:18:59.240 --> 0:19:03.440
<v Speaker 1>drink a cup of caffeine of any kind, you're gonna

0:19:03.440 --> 0:19:05.679
<v Speaker 1>want to double up on water. So one cup of

0:19:05.720 --> 0:19:10.919
<v Speaker 1>coffee equals later that day to extra glasses of water.

0:19:11.440 --> 0:19:15.360
<v Speaker 1>So if you're unsure on how to measure that, try

0:19:15.400 --> 0:19:18.000
<v Speaker 1>to drink a gallon a day. And the way you

0:19:18.040 --> 0:19:20.520
<v Speaker 1>do that is just a milk carton. Grab a milk carton,

0:19:20.600 --> 0:19:24.840
<v Speaker 1>fill it with water in the morning, and start pounding

0:19:24.880 --> 0:19:28.399
<v Speaker 1>it during the day and make sure you ration enough

0:19:28.440 --> 0:19:31.399
<v Speaker 1>to get that entire gallon done. By the end of

0:19:31.400 --> 0:19:33.480
<v Speaker 1>the day, you're gonna be going to the restroom all day.

0:19:34.200 --> 0:19:37.640
<v Speaker 1>But that's a good test, and you don't quite need

0:19:37.680 --> 0:19:42.520
<v Speaker 1>a gallon unless you're a bodybuilder or an extreme athlete,

0:19:42.560 --> 0:19:45.160
<v Speaker 1>you don't quite need a gallon. But that's a good

0:19:45.320 --> 0:19:50.840
<v Speaker 1>marker on what kind of hydration you're getting, especially, I

0:19:50.840 --> 0:19:54.920
<v Speaker 1>would say at least marking down what kind of water

0:19:54.960 --> 0:19:57.440
<v Speaker 1>you're drinking, how many cups are you drinking a day,

0:19:57.480 --> 0:20:00.159
<v Speaker 1>and keep a tally of that at the beginning so

0:20:00.200 --> 0:20:05.080
<v Speaker 1>you'll know this is what's happening. Three alcohol. Alcohol is

0:20:05.800 --> 0:20:09.520
<v Speaker 1>a huge, huge problem with the vocal cords and with

0:20:09.760 --> 0:20:14.720
<v Speaker 1>drying them out or being rough. So alcohol is worse

0:20:14.800 --> 0:20:18.960
<v Speaker 1>than caffeine on the vocal cords. So whatever you've read

0:20:19.040 --> 0:20:26.040
<v Speaker 1>about using whiskey to help warm me up, it's a myth.

0:20:26.119 --> 0:20:29.960
<v Speaker 1>It's a complete myth. I usually will take like a

0:20:30.000 --> 0:20:32.879
<v Speaker 1>shot of whiskey with the guys, a ceremonial shot with

0:20:32.920 --> 0:20:35.960
<v Speaker 1>the guys. But I know that that shot of whiskey

0:20:36.000 --> 0:20:39.399
<v Speaker 1>before the show is not to make me sing better.

0:20:40.000 --> 0:20:44.879
<v Speaker 1>It's more ceremonial, and it's kind of a just a

0:20:44.880 --> 0:20:47.679
<v Speaker 1>little bit of an equalizer to the body itself, but

0:20:47.760 --> 0:20:52.400
<v Speaker 1>it's not benefiting me singing, unlike some people will tell you.

0:20:53.000 --> 0:20:58.520
<v Speaker 1>So go through those things right there. Sleep, sleep, reduce

0:20:58.560 --> 0:21:04.280
<v Speaker 1>your caffeine, increase your hydration, reduce your alcohol. Start with that,

0:21:04.800 --> 0:21:07.960
<v Speaker 1>and then if you don't see an improvement right away,

0:21:08.680 --> 0:21:12.600
<v Speaker 1>then you need to think about how you're talking. If

0:21:12.600 --> 0:21:15.680
<v Speaker 1>you talk from your throat like this like I'm doing

0:21:15.760 --> 0:21:20.360
<v Speaker 1>right now, you are using the upper part of your

0:21:20.480 --> 0:21:23.160
<v Speaker 1>chest and your throat, and it is a big strain

0:21:23.240 --> 0:21:27.720
<v Speaker 1>on the vocal cords. Or if you come and put

0:21:27.760 --> 0:21:31.880
<v Speaker 1>your chin down and you breathe out of your belly,

0:21:32.080 --> 0:21:35.960
<v Speaker 1>so your air comes from your belly, and you exhale

0:21:36.920 --> 0:21:40.720
<v Speaker 1>with your muscles in your belly, and you talk from

0:21:41.160 --> 0:21:44.080
<v Speaker 1>deep down in your body. And you could tell the

0:21:44.119 --> 0:21:47.440
<v Speaker 1>difference even on this podcast with me talking like this

0:21:47.480 --> 0:21:49.880
<v Speaker 1>with my chin is down and I'm up on the mic,

0:21:50.600 --> 0:21:53.760
<v Speaker 1>so my eyes are literally looking down at the floor.

0:21:54.400 --> 0:21:57.679
<v Speaker 1>Chin is down, my shoulders are back, and I'm breathing

0:21:57.680 --> 0:22:00.280
<v Speaker 1>out of the bottom of my sternum as a post

0:22:00.320 --> 0:22:03.359
<v Speaker 1>and then I'll reverse it and I'll start looking up now,

0:22:03.680 --> 0:22:06.320
<v Speaker 1>So now I'm looking up at the ceiling and taking

0:22:06.400 --> 0:22:08.520
<v Speaker 1>quick breaths out of the top of my chest, and

0:22:09.480 --> 0:22:13.320
<v Speaker 1>all the pressure is going straight through my throat and

0:22:13.720 --> 0:22:15.960
<v Speaker 1>that will wear if you're doing that. Not necessarily. I

0:22:16.000 --> 0:22:17.600
<v Speaker 1>know you're not looking at the ceiling when you're talking,

0:22:17.640 --> 0:22:20.239
<v Speaker 1>but if you think about when you're talking to your

0:22:20.280 --> 0:22:23.400
<v Speaker 1>buddies or wherever you are at work and there's loud noises,

0:22:23.720 --> 0:22:26.639
<v Speaker 1>try to keep your chin down and breathe out of

0:22:26.680 --> 0:22:31.320
<v Speaker 1>your belly. So these are all just this little tricks,

0:22:31.800 --> 0:22:35.640
<v Speaker 1>and you could practice that breathing technique just throughout the day.

0:22:36.520 --> 0:22:42.560
<v Speaker 1>It's really important. You could also be having trouble while

0:22:42.600 --> 0:22:46.800
<v Speaker 1>you're sleeping, breathing out of your mouth, and it could

0:22:46.840 --> 0:22:49.280
<v Speaker 1>be a snoring thing, it could be an acid acid

0:22:49.320 --> 0:22:55.240
<v Speaker 1>reflex thing. And if you're experiencing acid reflex in when

0:22:55.240 --> 0:22:57.359
<v Speaker 1>you're sleeping on your Hey, by the way, Cody, you

0:22:57.359 --> 0:22:58.760
<v Speaker 1>didn't know this was going to be so in depth

0:22:59.000 --> 0:23:00.320
<v Speaker 1>when you ask me, But I do. I know a

0:23:00.359 --> 0:23:03.960
<v Speaker 1>lot about this stuff. So you could be sleeping and

0:23:04.400 --> 0:23:09.000
<v Speaker 1>your body is literally regurgitating acid out of your stomach

0:23:09.400 --> 0:23:12.920
<v Speaker 1>and it's going into your throat and it's burning your

0:23:13.000 --> 0:23:19.680
<v Speaker 1>vocal cords. It is common. It's terrible for your vocal cords,

0:23:19.680 --> 0:23:22.720
<v Speaker 1>and you might not even know what's happening. So if

0:23:22.720 --> 0:23:25.560
<v Speaker 1>you wake up in the morning with this rough, dry feeling,

0:23:26.400 --> 0:23:30.040
<v Speaker 1>there's a good chance that could be happening. An instant

0:23:30.480 --> 0:23:33.800
<v Speaker 1>remedy for that is sleeping with a humidifier, and I've

0:23:33.840 --> 0:23:36.560
<v Speaker 1>done that before in my life. I've had if we're

0:23:36.560 --> 0:23:39.760
<v Speaker 1>touring in a really arid climate, for example, possibly put

0:23:39.760 --> 0:23:44.520
<v Speaker 1>the humidifier just rolling a cloud of mist over into

0:23:44.560 --> 0:23:48.800
<v Speaker 1>my face and it's like instant relief to your throat.

0:23:49.000 --> 0:23:51.359
<v Speaker 1>So that's something to think about. And then the acid

0:23:51.400 --> 0:23:54.840
<v Speaker 1>reflex thing, there's medication for that over the counter and

0:23:55.080 --> 0:23:58.680
<v Speaker 1>you could start realizing, oh, you're eating too much foods

0:23:58.680 --> 0:24:03.080
<v Speaker 1>with tomato in it or onion or you Probably people

0:24:03.160 --> 0:24:05.159
<v Speaker 1>listening probably know a lot more about that than I do.

0:24:05.240 --> 0:24:10.080
<v Speaker 1>But google it. Google acid reflux. You want to stop that? Man?

0:24:10.280 --> 0:24:14.320
<v Speaker 1>Is that it? So? Other remedies hot tea, no caffeine,

0:24:15.440 --> 0:24:19.040
<v Speaker 1>Cut off the caffeine and drink non caffeinated hot tea.

0:24:19.400 --> 0:24:21.199
<v Speaker 1>Put a little lemon in it, A little bit of

0:24:21.240 --> 0:24:24.840
<v Speaker 1>honey helps. Those are remedies that help immediately. If you're

0:24:24.840 --> 0:24:27.120
<v Speaker 1>trying to get on stage and you need a little

0:24:27.160 --> 0:24:31.080
<v Speaker 1>bit of a jolt of power to your vocal cord,

0:24:31.119 --> 0:24:33.320
<v Speaker 1>get a hot tea with lemon and honey, just a

0:24:33.400 --> 0:24:35.760
<v Speaker 1>touch of honey, not too much honey because you don't

0:24:35.760 --> 0:24:38.960
<v Speaker 1>want sugar will do the same problem as caffeine eventually.

0:24:39.000 --> 0:24:45.760
<v Speaker 1>So it's it's a lifelong expedition, my friend. Dealing with

0:24:45.800 --> 0:24:49.920
<v Speaker 1>your vocal cords is a it's a lifestyle that you

0:24:49.960 --> 0:24:54.080
<v Speaker 1>cannot ever break that lifestyle if you truly want longevity

0:24:54.080 --> 0:24:56.919
<v Speaker 1>in your vocal cords. So, if you're sitting around a

0:24:56.920 --> 0:25:02.000
<v Speaker 1>campfire with your buddies and smoke is rolling into your face,

0:25:02.520 --> 0:25:05.240
<v Speaker 1>you're talking loud because there's music playing out of a boombox,

0:25:05.800 --> 0:25:11.159
<v Speaker 1>and you're drinking alcohol, talking loudly using the top of

0:25:11.200 --> 0:25:14.280
<v Speaker 1>your chest, breathing in the smoke, and drinking alcohol and

0:25:14.320 --> 0:25:18.760
<v Speaker 1>staying up till two am. You're doing all the things

0:25:18.840 --> 0:25:22.040
<v Speaker 1>wrong to the vocal cords. And so then you go,

0:25:22.280 --> 0:25:25.280
<v Speaker 1>that's what's going on. So that could be your problem, Cody,

0:25:25.320 --> 0:25:28.160
<v Speaker 1>that could be it. So there's a lot of ways

0:25:28.640 --> 0:25:32.600
<v Speaker 1>to deal with it. And that's my vice. So right,

0:25:33.160 --> 0:25:34.919
<v Speaker 1>let's go through some of these things, Cody, and then

0:25:35.000 --> 0:25:38.440
<v Speaker 1>right back into this podcast and we'll see exactly what's

0:25:38.480 --> 0:25:45.520
<v Speaker 1>going on. Let me move on. This question is from

0:25:45.600 --> 0:25:47.760
<v Speaker 1>Steve and it says, Hey, Granger, I'm a big fan,

0:25:47.960 --> 0:25:49.879
<v Speaker 1>not just of your music, but if you as a person,

0:25:50.080 --> 0:25:52.440
<v Speaker 1>your new album. I really love on your new album,

0:25:52.480 --> 0:25:55.920
<v Speaker 1>I really love I Kill Spiders. My question for you is,

0:25:55.960 --> 0:25:58.479
<v Speaker 1>when you're writing music, how do you decide what the

0:25:58.560 --> 0:26:01.440
<v Speaker 1>rhythm of it is and the tempo and what key

0:26:01.520 --> 0:26:03.600
<v Speaker 1>to write it in and where to put a bridge

0:26:03.600 --> 0:26:08.360
<v Speaker 1>in the song, et cetera. Thanks Steve, Bakersfield, California. It's

0:26:08.400 --> 0:26:12.119
<v Speaker 1>a great question, Steve. And you live in Bakersfield. That

0:26:12.200 --> 0:26:13.959
<v Speaker 1>is a dry climate, so make sure you're sleeping with

0:26:14.000 --> 0:26:21.400
<v Speaker 1>a humidifier, Just kidding. It's a good question. And those

0:26:22.760 --> 0:26:25.600
<v Speaker 1>aspects of the song during the making of the song, Steve,

0:26:26.359 --> 0:26:34.640
<v Speaker 1>like the rhythm, tempo, same thing, and the key are

0:26:34.720 --> 0:26:39.600
<v Speaker 1>always decisions that we make in the pre production of

0:26:39.640 --> 0:26:45.359
<v Speaker 1>the song itself, So that starts with making a work tape.

0:26:45.359 --> 0:26:48.000
<v Speaker 1>And a work tape is me and my guitar and

0:26:48.040 --> 0:26:53.520
<v Speaker 1>a metronome, and I sing it in its entirety, and

0:26:53.560 --> 0:26:55.119
<v Speaker 1>I listen back to it and I get a feel

0:26:55.160 --> 0:26:58.679
<v Speaker 1>of it, and I go, could this song be a

0:26:58.760 --> 0:27:02.200
<v Speaker 1>click faster or could it be a click slower? Maybe

0:27:02.200 --> 0:27:07.280
<v Speaker 1>two clicks slower or faster? And does my voice sound

0:27:08.080 --> 0:27:10.240
<v Speaker 1>like I'm straining to hit the notes? Maybe we should

0:27:10.280 --> 0:27:16.120
<v Speaker 1>lower it a key a half, or if am I

0:27:16.240 --> 0:27:19.000
<v Speaker 1>struggling to get the lower notes, should we raise it

0:27:19.320 --> 0:27:25.480
<v Speaker 1>a half? So it's usually and tell you to tell

0:27:25.480 --> 0:27:28.520
<v Speaker 1>you what. There's been a lot of times when I'll

0:27:28.600 --> 0:27:30.440
<v Speaker 1>do two versions and I'll try to live with it

0:27:30.480 --> 0:27:32.600
<v Speaker 1>in my truck. So I'll go, man, I can't decide

0:27:32.640 --> 0:27:35.679
<v Speaker 1>if this tempo is going to be ninety six or

0:27:35.760 --> 0:27:39.560
<v Speaker 1>ninety four. That's beats per minute, So I'll do a

0:27:39.640 --> 0:27:41.719
<v Speaker 1>version of each ninety six and ninety four, and then

0:27:41.720 --> 0:27:44.160
<v Speaker 1>I'll go drive around and I'll go, yep, ninety six.

0:27:44.200 --> 0:27:47.320
<v Speaker 1>It needed to be ninety six because the second verse

0:27:49.040 --> 0:27:51.400
<v Speaker 1>there was too much space in between the words at

0:27:51.480 --> 0:27:54.639
<v Speaker 1>ninety four beats per minute and ninety six it speeds

0:27:54.640 --> 0:27:56.800
<v Speaker 1>it up. Or sometimes it's the opposite. It needs to

0:27:56.800 --> 0:27:59.560
<v Speaker 1>be ninety four because in the bridge the words get

0:27:59.600 --> 0:28:01.840
<v Speaker 1>too jumped, well, because I'm trying to say I'm too fast,

0:28:02.320 --> 0:28:04.480
<v Speaker 1>and that's because it's ninety six feets per minute needs

0:28:04.520 --> 0:28:08.280
<v Speaker 1>to go down in ninety four, so that happens the key,

0:28:08.480 --> 0:28:12.840
<v Speaker 1>same thing driver. Sometimes I'll do a key and in

0:28:13.080 --> 0:28:16.160
<v Speaker 1>a flat, and then I'll do another version of it

0:28:16.240 --> 0:28:19.440
<v Speaker 1>in G and then I'll drive around and I'll go,

0:28:19.680 --> 0:28:21.280
<v Speaker 1>you know what I really like? I think I like

0:28:21.359 --> 0:28:23.440
<v Speaker 1>the G or I really like the A flat because

0:28:23.480 --> 0:28:26.040
<v Speaker 1>it gives the verses are warmer in a flat than

0:28:26.080 --> 0:28:30.199
<v Speaker 1>they rang. So that's it's always a big consideration. And

0:28:30.240 --> 0:28:32.879
<v Speaker 1>then the bridge. You're asking me where the bridge is.

0:28:33.200 --> 0:28:35.440
<v Speaker 1>That's that's the easiest of all your questions because in

0:28:35.480 --> 0:28:39.680
<v Speaker 1>country music the bridge is always either after the second

0:28:39.720 --> 0:28:43.560
<v Speaker 1>course or after the solo, which comes after the second chorus.

0:28:43.640 --> 0:28:46.600
<v Speaker 1>And the country music is pretty predictable in that way.

0:28:46.840 --> 0:28:52.600
<v Speaker 1>You you usually go intro verse one, chorus, turnaround verse two,

0:28:53.120 --> 0:29:01.080
<v Speaker 1>chorus two solo, or bridge course three outro. So right

0:29:01.080 --> 0:29:03.920
<v Speaker 1>around that that area, you can go solo bridge, or

0:29:03.920 --> 0:29:06.160
<v Speaker 1>you can go bridge solo, or you can go just solo,

0:29:06.280 --> 0:29:09.080
<v Speaker 1>or you can go just bridge, or you could either

0:29:09.160 --> 0:29:12.120
<v Speaker 1>go you could you could do a half verse where

0:29:12.160 --> 0:29:14.920
<v Speaker 1>the bridge is. But basically that's that spot right there,

0:29:14.960 --> 0:29:19.360
<v Speaker 1>that little space after the second chorus is like three

0:29:19.440 --> 0:29:21.880
<v Speaker 1>or four combinations. But the bridge, if it's if it's

0:29:21.880 --> 0:29:24.160
<v Speaker 1>in the song, the bridge is always living in that

0:29:24.240 --> 0:29:28.320
<v Speaker 1>area between chorus two and chorus three, and sometimes chorus

0:29:28.320 --> 0:29:31.080
<v Speaker 1>three is breakdown course at the beginning, it means everybody

0:29:31.080 --> 0:29:34.880
<v Speaker 1>gets quiet and it's just vocal, or sometimes it's full,

0:29:35.160 --> 0:29:38.280
<v Speaker 1>sometimes it's a double. Regardless, the bridge is gonna fall

0:29:38.320 --> 0:29:43.960
<v Speaker 1>between chorus two and course three. Great question, buddy, and

0:29:44.000 --> 0:29:45.960
<v Speaker 1>I like answering those. I'm gonna take a quick break

0:29:46.000 --> 0:29:53.920
<v Speaker 1>and be back. Guys. There's a trustee sponsor for this

0:29:54.040 --> 0:29:57.040
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<v Speaker 1>shipstation dot com. Entered the offer code granger. Ship station

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<v Speaker 1>Make ship happen. Got the questions out here. If you

0:34:05.960 --> 0:34:08.040
<v Speaker 1>have anything for me you want you ask me anything

0:34:08.080 --> 0:34:13.160
<v Speaker 1>in the world Cranger Smith podcast at gmail dot com,

0:34:13.680 --> 0:34:15.480
<v Speaker 1>and I appreciate it. Make sure you put your name

0:34:15.680 --> 0:34:18.799
<v Speaker 1>and where you're from. This question is from Courtney and

0:34:18.800 --> 0:34:21.560
<v Speaker 1>it says, Hey, Granger, I just want to know how

0:34:21.560 --> 0:34:24.920
<v Speaker 1>do you reboot yourself or switch your mood on an

0:34:24.960 --> 0:34:28.279
<v Speaker 1>off day? And how do you stay motiv motivated? I

0:34:28.360 --> 0:34:31.279
<v Speaker 1>listen to your podcast every week and love you. Thank

0:34:31.320 --> 0:34:36.560
<v Speaker 1>you Courtney. Great question. How do I reboot myself or

0:34:36.600 --> 0:34:40.840
<v Speaker 1>switch my mood on an off day? The first step

0:34:40.920 --> 0:34:44.640
<v Speaker 1>to that for me is realizing it's an off day.

0:34:45.920 --> 0:34:48.640
<v Speaker 1>Once you realize it's an off day, then you could

0:34:48.640 --> 0:34:52.160
<v Speaker 1>deal with it. The problem is for me is when

0:34:52.200 --> 0:34:55.279
<v Speaker 1>I don't realize I'm having an off day and I

0:34:55.320 --> 0:34:58.600
<v Speaker 1>think the world is off that day, and there's a

0:34:58.640 --> 0:35:00.959
<v Speaker 1>big difference between the world old is off that day

0:35:01.040 --> 0:35:05.680
<v Speaker 1>and I'm not seeing it like I should. Number one

0:35:05.719 --> 0:35:09.600
<v Speaker 1>for me, first and foremost, by far, hands down Number

0:35:09.640 --> 0:35:14.239
<v Speaker 1>one is lack of sleep that happens to me. I

0:35:14.320 --> 0:35:18.879
<v Speaker 1>am having an off day, and I'm just I'm either

0:35:19.400 --> 0:35:22.160
<v Speaker 1>physically having an off day, as in, I'm clumsy, I'm

0:35:22.239 --> 0:35:26.759
<v Speaker 1>dropping things, I'm tripping on things, I'm banging my head

0:35:26.800 --> 0:35:33.640
<v Speaker 1>on cabinets, i have a headache, those kind of things,

0:35:33.760 --> 0:35:37.160
<v Speaker 1>or it could be mentally. And usually it's it's the

0:35:37.200 --> 0:35:44.520
<v Speaker 1>mental side. Usually I'm frustrated, I'm mad at something or somebody.

0:35:45.440 --> 0:35:50.000
<v Speaker 1>I'm uptight. The kids are driving me crazy because they're

0:35:50.640 --> 0:35:54.400
<v Speaker 1>they're doing something and it's and I can't focus because

0:35:54.400 --> 0:35:58.879
<v Speaker 1>they're talking a lot. And then I realized it takes

0:35:59.080 --> 0:36:02.680
<v Speaker 1>it takes a lot of practice to do this. But

0:36:02.760 --> 0:36:07.680
<v Speaker 1>I realized, wait a minute, it's not the world, it's

0:36:07.719 --> 0:36:10.920
<v Speaker 1>not the kids, it's not the cabinet. It's me. I

0:36:10.920 --> 0:36:14.200
<v Speaker 1>didn't sleep much last night. I had an early flight,

0:36:14.960 --> 0:36:17.200
<v Speaker 1>you know, I took off it. I got up out

0:36:17.200 --> 0:36:19.400
<v Speaker 1>of the hotel at four am, and I had a

0:36:19.440 --> 0:36:22.239
<v Speaker 1>six o'clock flight and I flew to Austin and now

0:36:22.320 --> 0:36:25.719
<v Speaker 1>here I am. I'm running on four hours of sleep boom,

0:36:26.280 --> 0:36:32.359
<v Speaker 1>and then everything is skewed. So what I do now

0:36:32.440 --> 0:36:34.839
<v Speaker 1>is at least I try to I'm now. I'm guys,

0:36:34.880 --> 0:36:37.359
<v Speaker 1>I'm always a work in progress. By the way, if

0:36:37.360 --> 0:36:39.800
<v Speaker 1>you're listening to this podcast, you're listening to my advice.

0:36:40.400 --> 0:36:44.080
<v Speaker 1>I'm always a work in progress. I'm always trying to

0:36:44.120 --> 0:36:49.000
<v Speaker 1>get better. I'm far from having everything figured out. So

0:36:50.400 --> 0:36:52.279
<v Speaker 1>I'm going to talk through these things, and then I

0:36:52.360 --> 0:36:55.480
<v Speaker 1>might revise it in a month or a year, because hopefully,

0:36:55.840 --> 0:37:01.280
<v Speaker 1>if I'm available, open to listening and learning and watching,

0:37:02.080 --> 0:37:04.919
<v Speaker 1>then I could always become a little bit better than

0:37:05.360 --> 0:37:10.160
<v Speaker 1>the yesterday version of myself. That's always the goal, And

0:37:10.200 --> 0:37:14.080
<v Speaker 1>in that I will say I try to, as a

0:37:14.120 --> 0:37:17.800
<v Speaker 1>general rule in life, when I'm in conversations and groups,

0:37:18.719 --> 0:37:25.680
<v Speaker 1>listen more talk less, listen more talk less. I tell

0:37:25.680 --> 0:37:28.040
<v Speaker 1>myself that in the morning today I'm going to listen

0:37:28.040 --> 0:37:31.440
<v Speaker 1>more than talk less, because when I'm listening, I'm learning,

0:37:31.520 --> 0:37:34.640
<v Speaker 1>I'm absorbing. It doesn't matter if the person's right or wrong,

0:37:34.760 --> 0:37:37.880
<v Speaker 1>I'm learning in some way from that. If I'm talking,

0:37:38.200 --> 0:37:42.520
<v Speaker 1>I'm just regurgitating what I already know. So if I

0:37:42.560 --> 0:37:45.239
<v Speaker 1>want to bet a fit, I need to listen. So

0:37:46.800 --> 0:37:53.000
<v Speaker 1>I try to identify before I engage the world that

0:37:53.040 --> 0:37:56.040
<v Speaker 1>I am running on four hours of sleep and a courtney.

0:37:56.080 --> 0:37:59.319
<v Speaker 1>I know that this wasn't your totally your question, how

0:37:59.320 --> 0:38:01.520
<v Speaker 1>do you reboot your So I switch on an off day,

0:38:01.960 --> 0:38:03.759
<v Speaker 1>But a big part of that question to me is

0:38:03.800 --> 0:38:06.719
<v Speaker 1>realizing it's an off day. In most of my off

0:38:06.800 --> 0:38:13.560
<v Speaker 1>days revolve around either a lack of sleep or some

0:38:13.640 --> 0:38:16.200
<v Speaker 1>kind of bad news that I'm dealing with. But then

0:38:16.239 --> 0:38:22.200
<v Speaker 1>I project to everything else. So say I get the

0:38:22.239 --> 0:38:25.520
<v Speaker 1>news that a good money a buddy of mine, Preston,

0:38:26.160 --> 0:38:29.200
<v Speaker 1>just found out his dad is diagnosed with colon cancer.

0:38:29.560 --> 0:38:32.600
<v Speaker 1>And I find out in the morning. So as I

0:38:32.719 --> 0:38:36.480
<v Speaker 1>move on through the day and other people are dealing

0:38:36.520 --> 0:38:39.680
<v Speaker 1>with me and I'm dealing with them, I'm looking through

0:38:39.719 --> 0:38:44.440
<v Speaker 1>the lens of my best friend's dad is diagnosed with

0:38:44.480 --> 0:38:46.800
<v Speaker 1>colon cancer, and I have to remember that that lens

0:38:46.960 --> 0:38:49.480
<v Speaker 1>is a little skewed, it's a little bit different than

0:38:49.600 --> 0:38:54.840
<v Speaker 1>on a normal day. And realizing that is such a

0:38:54.840 --> 0:38:59.680
<v Speaker 1>big part of life and in a lot of ways,

0:38:59.719 --> 0:39:02.080
<v Speaker 1>I can say either I'm looking through that lens or

0:39:02.120 --> 0:39:05.560
<v Speaker 1>I'm running on low sleep. I could just say I'm

0:39:05.560 --> 0:39:08.680
<v Speaker 1>not gonna deal with this problem or this person today.

0:39:09.200 --> 0:39:12.680
<v Speaker 1>I'm gonna deal with them tomorrow. And I know I

0:39:12.719 --> 0:39:14.719
<v Speaker 1>always say, don't put off till till tomorrow what you

0:39:14.719 --> 0:39:17.080
<v Speaker 1>could do today, But forget that. If you're having an

0:39:17.080 --> 0:39:19.120
<v Speaker 1>off day, a lot of times you have to make

0:39:19.160 --> 0:39:22.560
<v Speaker 1>a concession for yourself and just say I'm not gonna

0:39:22.760 --> 0:39:27.160
<v Speaker 1>I'm not gonna be my best dealing with this situation

0:39:28.520 --> 0:39:32.879
<v Speaker 1>in the current state of mind I'm in. So if

0:39:32.920 --> 0:39:34.719
<v Speaker 1>i am, Courtney, let me get back to your question

0:39:34.760 --> 0:39:37.440
<v Speaker 1>on how do I reboot. If I am and I

0:39:37.480 --> 0:39:43.400
<v Speaker 1>can't take a nap, then I try to really focus

0:39:43.440 --> 0:39:48.640
<v Speaker 1>on slowing down and staying present in the moment instead

0:39:48.680 --> 0:39:52.560
<v Speaker 1>of I'm trying to multitask. I'm a bad multitasker. Anyway,

0:39:53.200 --> 0:39:57.359
<v Speaker 1>add a problem to my life and I'm really bad multitasker.

0:39:57.400 --> 0:39:59.759
<v Speaker 1>So I try to do everything one thing at a

0:39:59.800 --> 0:40:04.920
<v Speaker 1>time until I could finally get into bed and get

0:40:04.960 --> 0:40:09.000
<v Speaker 1>a good night's sleep. So that is that's me and

0:40:11.560 --> 0:40:15.040
<v Speaker 1>one of the tendencies I have. If I'm going on

0:40:15.120 --> 0:40:19.360
<v Speaker 1>low sleep or or having had bad news. One of

0:40:19.400 --> 0:40:24.560
<v Speaker 1>my tendencies is to eat like crap, especially on the

0:40:24.600 --> 0:40:27.000
<v Speaker 1>low sleep days. For some reason, I don't know what

0:40:27.080 --> 0:40:29.839
<v Speaker 1>it is, but if I'm if I'm lacking sleep, I'll

0:40:29.880 --> 0:40:34.800
<v Speaker 1>just crave some really bad fast food. And it's almost

0:40:34.840 --> 0:40:37.480
<v Speaker 1>like it's such an easy answer because you don't want

0:40:37.520 --> 0:40:39.640
<v Speaker 1>to deal with anything else. You just want something quick,

0:40:39.840 --> 0:40:43.640
<v Speaker 1>so fast food fits. And the problem is you're adding

0:40:43.840 --> 0:40:46.960
<v Speaker 1>another huge problem to your brain. You're not giving your

0:40:47.000 --> 0:40:51.880
<v Speaker 1>brain good food, good fuel, good power on an already

0:40:52.000 --> 0:40:56.439
<v Speaker 1>off situation. So I'm guilty of that. You could double

0:40:56.520 --> 0:41:00.840
<v Speaker 1>up your problems. What I've done lately, probably the past

0:41:00.880 --> 0:41:03.800
<v Speaker 1>couple of years, is if I'm taking an early flight

0:41:03.960 --> 0:41:08.960
<v Speaker 1>during touring days normal year, normal touring, almost every single Sunday,

0:41:09.239 --> 0:41:12.560
<v Speaker 1>I was flying home from a city, and almost every

0:41:12.560 --> 0:41:14.719
<v Speaker 1>time I would take the earliest flight out of that

0:41:14.800 --> 0:41:17.600
<v Speaker 1>city to try to have the most family time I

0:41:17.640 --> 0:41:20.960
<v Speaker 1>can at home. So usually that flight is between five

0:41:21.000 --> 0:41:23.560
<v Speaker 1>and six am, which means I'm getting up really early

0:41:23.640 --> 0:41:28.279
<v Speaker 1>to get you a ride to the airport, and I

0:41:28.320 --> 0:41:30.160
<v Speaker 1>would just make up my mind then I'm not going

0:41:30.200 --> 0:41:34.319
<v Speaker 1>to eat anything at the airport and it's easier to

0:41:34.360 --> 0:41:37.120
<v Speaker 1>say I'm not going to eat anything than it is

0:41:37.160 --> 0:41:39.400
<v Speaker 1>to say I'll wait and see what they have at

0:41:39.440 --> 0:41:41.319
<v Speaker 1>the airport, because it's never going to be good. So

0:41:41.880 --> 0:41:45.920
<v Speaker 1>I would rather fast and go on no sleep and

0:41:46.000 --> 0:41:52.080
<v Speaker 1>no food, just coffee. That way, I'm not putting anything

0:41:52.239 --> 0:41:55.120
<v Speaker 1>worse into my body that is having to deal with

0:41:55.239 --> 0:41:59.279
<v Speaker 1>digestion blah blah blah blah whatever. And I could get

0:41:59.400 --> 0:42:02.480
<v Speaker 1>straight to and get straight home and try to get

0:42:02.520 --> 0:42:04.759
<v Speaker 1>some good food in me and then go to bed.

0:42:06.000 --> 0:42:09.560
<v Speaker 1>I know that that's probably way around what your question was, Courtney,

0:42:09.600 --> 0:42:14.600
<v Speaker 1>but it's it's a great question, David says. Hey man,

0:42:14.600 --> 0:42:18.359
<v Speaker 1>I'm David from Colombia. You don't have to answer this

0:42:18.400 --> 0:42:20.640
<v Speaker 1>if it's too personal, but I wanted to know what

0:42:20.719 --> 0:42:23.839
<v Speaker 1>inspired you to write the song Letters to London Thank

0:42:23.880 --> 0:42:28.480
<v Speaker 1>you and Yeye. Yeah, David, good question. It's not too personal. Actually,

0:42:28.760 --> 0:42:32.520
<v Speaker 1>that song Letters to London is on my what album

0:42:32.600 --> 0:42:36.000
<v Speaker 1>is that? What's that called? It's called Poets and Prisoners.

0:42:36.360 --> 0:42:40.319
<v Speaker 1>I believe that was twenty eleven Poets or maybe twenty ten.

0:42:41.000 --> 0:42:44.000
<v Speaker 1>One of those two years eleven, I think, yeah, Dirt

0:42:44.040 --> 0:42:46.120
<v Speaker 1>Road Driveway was two thousand and nine, so Poets and

0:42:46.120 --> 0:42:49.040
<v Speaker 1>Prisoners was twenty eleven, and there's a song on there

0:42:49.080 --> 0:42:53.960
<v Speaker 1>called Letters to London. That song idea came from Amber

0:42:55.000 --> 0:43:01.680
<v Speaker 1>when we were we got engaged in Europe because her

0:43:01.719 --> 0:43:10.319
<v Speaker 1>family is from England. She's a once removed I don't

0:43:10.320 --> 0:43:12.760
<v Speaker 1>even know how you say it. Her grandmother's is from London.

0:43:13.719 --> 0:43:16.520
<v Speaker 1>So her grandmother came over and moved to the US

0:43:17.040 --> 0:43:19.840
<v Speaker 1>accent and all. So we went over there and we

0:43:19.880 --> 0:43:24.359
<v Speaker 1>were visiting and basically her homeland, which is it's mine too,

0:43:24.480 --> 0:43:28.439
<v Speaker 1>just many generations before that, and we were just having

0:43:28.440 --> 0:43:30.680
<v Speaker 1>this great trip. It was her first time over there,

0:43:30.719 --> 0:43:34.280
<v Speaker 1>and she said, I got a good idea for a song.

0:43:34.360 --> 0:43:37.480
<v Speaker 1>It's called Letters to London. I was like, that's awesome.

0:43:37.840 --> 0:43:39.400
<v Speaker 1>I love that. I don't know what it means, but

0:43:39.480 --> 0:43:42.520
<v Speaker 1>I really like it. It It was soon after and I'd

0:43:42.520 --> 0:43:44.239
<v Speaker 1>have to ask her to confirm this, but it was

0:43:44.280 --> 0:43:47.520
<v Speaker 1>soon after that we decided if we had a little

0:43:47.520 --> 0:43:51.839
<v Speaker 1>girl one day, we would name her London. So I

0:43:51.880 --> 0:43:55.359
<v Speaker 1>started writing the song and then thinking about the perspective

0:43:55.560 --> 0:43:59.640
<v Speaker 1>of actual girl named London, not the city. If it

0:43:59.680 --> 0:44:03.839
<v Speaker 1>was a girl, Letters to London, the girl. That's where

0:44:03.840 --> 0:44:09.279
<v Speaker 1>that song came from. This is all the way back.

0:44:09.320 --> 0:44:14.560
<v Speaker 1>This question came from September twenty eighth from Amy. It says, Hey, Granger,

0:44:14.560 --> 0:44:17.080
<v Speaker 1>I've always wondered when I pay a dollar twenty nine

0:44:17.120 --> 0:44:19.960
<v Speaker 1>to download a song from iTunes, how much of that

0:44:20.040 --> 0:44:24.799
<v Speaker 1>actually goes into your pocket? Yeah, great question, and that's

0:44:24.880 --> 0:44:30.360
<v Speaker 1>different for every artist. I'm gonna answer me. I have

0:44:30.440 --> 0:44:33.479
<v Speaker 1>a record label. They're really good people. It's a record

0:44:33.520 --> 0:44:38.800
<v Speaker 1>label called BMG, and for most artists that have record deals,

0:44:39.080 --> 0:44:43.560
<v Speaker 1>it is they are essentially a bank. So it costs

0:44:44.040 --> 0:44:48.240
<v Speaker 1>usually a lot of money to make an album, and

0:44:48.440 --> 0:44:52.120
<v Speaker 1>everything that goes into that album includes music videos, which

0:44:52.960 --> 0:44:57.200
<v Speaker 1>music videos are really really expensive, the high budget ones

0:44:57.480 --> 0:45:00.800
<v Speaker 1>because you're hiring a crew. You're hiring a director that's

0:45:00.960 --> 0:45:03.560
<v Speaker 1>that people know, and he's going to guarantee you a

0:45:03.600 --> 0:45:07.640
<v Speaker 1>good product. So there's album art, which you know, good

0:45:07.680 --> 0:45:13.359
<v Speaker 1>photographers cost money, and graphic designers cost money. Co producers

0:45:13.680 --> 0:45:17.560
<v Speaker 1>cost a lot of money, and then studios and musicians

0:45:17.840 --> 0:45:23.920
<v Speaker 1>and everything. So an album could end up being I'm

0:45:23.960 --> 0:45:25.520
<v Speaker 1>gonna I mean, I'm gonna throw it out there, but

0:45:25.560 --> 0:45:28.160
<v Speaker 1>it could be you know, a quarter million dollars, It

0:45:28.200 --> 0:45:31.280
<v Speaker 1>could be a total of two hundred and fifty thousand

0:45:31.280 --> 0:45:36.719
<v Speaker 1>dollars to make an album, so I mean it could.

0:45:36.800 --> 0:45:39.319
<v Speaker 1>I've also made albums. I've made albums in my life

0:45:39.320 --> 0:45:43.719
<v Speaker 1>for five grand and forty five hundred of that was

0:45:44.600 --> 0:45:47.600
<v Speaker 1>packaging and the rest I just did out of my house.

0:45:48.080 --> 0:45:52.080
<v Speaker 1>So I've really done the whole gamut of the album

0:45:52.360 --> 0:45:57.560
<v Speaker 1>budget budget albums. But amy what the record label will

0:45:57.600 --> 0:46:00.840
<v Speaker 1>do is they they come forward as really a bank.

0:46:01.239 --> 0:46:03.839
<v Speaker 1>They'll say, hey, we'll pay for the album. We'll pay

0:46:03.880 --> 0:46:06.520
<v Speaker 1>for all that quarter million dollar album, don't even worry

0:46:06.560 --> 0:46:10.960
<v Speaker 1>about it. And then as you start selling the dollar

0:46:11.000 --> 0:46:14.359
<v Speaker 1>twenty nine, that's gonna go to us until we pay

0:46:14.400 --> 0:46:18.480
<v Speaker 1>ourselves back. And then after we pay ourselves back, you

0:46:18.560 --> 0:46:22.440
<v Speaker 1>could have whatever's left and it ends up being a

0:46:22.440 --> 0:46:24.040
<v Speaker 1>good deal. I don't, I don't. I mean I don't

0:46:24.080 --> 0:46:26.040
<v Speaker 1>want to pay a quarter million dollars to make an album.

0:46:27.160 --> 0:46:29.279
<v Speaker 1>Once again, not saying you have to, but if you

0:46:29.280 --> 0:46:32.640
<v Speaker 1>want to get into three really big music videos and

0:46:33.239 --> 0:46:35.880
<v Speaker 1>hire a photographer that you know is gonna nail it

0:46:35.920 --> 0:46:39.760
<v Speaker 1>for you, there's a lot of things. You know. This

0:46:39.760 --> 0:46:42.680
<v Speaker 1>this last last album I had had sixteen songs on it,

0:46:42.760 --> 0:46:45.120
<v Speaker 1>so there's a lot of players, there's a lot of

0:46:45.120 --> 0:46:48.760
<v Speaker 1>studio time, so I don't want to dump that out,

0:46:48.880 --> 0:46:54.399
<v Speaker 1>so I happily give the label your dollar twenty nine

0:46:55.000 --> 0:46:59.040
<v Speaker 1>to repay until we get to that quarter million. So

0:47:00.640 --> 0:47:02.319
<v Speaker 1>let me put it this way, I don't see any

0:47:02.320 --> 0:47:06.000
<v Speaker 1>of it typically, and that's okay, that's okay. That's the

0:47:06.080 --> 0:47:09.560
<v Speaker 1>choice I make to make an album like that. That's

0:47:09.600 --> 0:47:14.200
<v Speaker 1>the decision I make. If I was pinching pennies, then

0:47:14.200 --> 0:47:17.399
<v Speaker 1>I would say, I ain't signing an old record deal.

0:47:17.560 --> 0:47:21.720
<v Speaker 1>I'm gonna I'm gonna budget this album and make it myself,

0:47:22.360 --> 0:47:25.440
<v Speaker 1>and I'm gonna nickel and dime every musician, and I'm

0:47:25.440 --> 0:47:28.400
<v Speaker 1>gonna nickel and dime every studio, and I'm not gonna

0:47:28.440 --> 0:47:32.959
<v Speaker 1>hire a high dollar video director. And then I'm gonna

0:47:33.000 --> 0:47:35.799
<v Speaker 1>keep your dollar twenty nine for myself. I just don't

0:47:35.800 --> 0:47:38.200
<v Speaker 1>think that's not an efficient way of making a living.

0:47:38.960 --> 0:47:43.279
<v Speaker 1>Touring selling tickets is the way I really make a

0:47:43.280 --> 0:47:47.640
<v Speaker 1>living in the music business. So and for your listeners

0:47:47.640 --> 0:47:51.600
<v Speaker 1>on this podcast, that's another way. So that's pretty much

0:47:51.600 --> 0:47:54.360
<v Speaker 1>your answer to where the dollar twenty nine goes, Amy,

0:47:55.719 --> 0:47:57.000
<v Speaker 1>let me get another one. I have time. Yeah, I

0:47:57.000 --> 0:48:00.440
<v Speaker 1>got another guy. I got time. This question is from

0:48:00.520 --> 0:48:04.040
<v Speaker 1>Ken I like this question, Ken. I looked at this

0:48:04.120 --> 0:48:06.839
<v Speaker 1>right before I did the podcast. It says, Hello, this

0:48:06.920 --> 0:48:09.840
<v Speaker 1>is ken Seymour from upstate New York. Shout out to

0:48:09.880 --> 0:48:13.040
<v Speaker 1>upstate New York. I don't want this to come across

0:48:13.080 --> 0:48:16.440
<v Speaker 1>as judgmental, but I have a question. I watch and

0:48:16.520 --> 0:48:20.000
<v Speaker 1>listen to your podcast and YouTube channel. I hear your song,

0:48:20.120 --> 0:48:23.640
<v Speaker 1>I hear your strong belief in God, but I've noticed

0:48:24.040 --> 0:48:27.279
<v Speaker 1>you use your use of tobacco and drinking beer and

0:48:27.360 --> 0:48:31.200
<v Speaker 1>other alcohol. How do you explain this contradiction. It seems

0:48:31.239 --> 0:48:34.680
<v Speaker 1>in your songs you're almost glorifying it. I've been thinking

0:48:34.680 --> 0:48:38.560
<v Speaker 1>about writing you. I know we are not perfect, and

0:48:38.600 --> 0:48:41.480
<v Speaker 1>we all have our struggles with sin, but I'm curious.

0:48:41.719 --> 0:48:46.240
<v Speaker 1>Please understand, I'm asking one man who is a fallen sinner,

0:48:47.280 --> 0:48:51.960
<v Speaker 1>just trying to live my best life for Christ. Let

0:48:51.960 --> 0:48:54.560
<v Speaker 1>me read that sentence again, because sometimes I struggle reading

0:48:54.600 --> 0:48:58.120
<v Speaker 1>these sentences if I'm looking on my phone. Please understand,

0:48:58.239 --> 0:49:01.200
<v Speaker 1>I'm asking one man who who was a fallen sinner,

0:49:01.440 --> 0:49:04.200
<v Speaker 1>just trying to live my best life for Christ, ken Seymour.

0:49:06.880 --> 0:49:10.360
<v Speaker 1>I like this question a lot, and it comes up

0:49:10.400 --> 0:49:12.160
<v Speaker 1>a lot. I get a lot of questions like this

0:49:12.200 --> 0:49:16.359
<v Speaker 1>on this podcast and I don't think I've really answered one.

0:49:16.360 --> 0:49:18.520
<v Speaker 1>I don't think one has come up in the raffle

0:49:18.600 --> 0:49:23.880
<v Speaker 1>yet until now. But let me try to unpack it

0:49:23.920 --> 0:49:27.640
<v Speaker 1>a little bit, because Ken, I don't disagree with you.

0:49:32.600 --> 0:49:34.880
<v Speaker 1>Let me start with this, and I'm not gonna I

0:49:34.880 --> 0:49:37.400
<v Speaker 1>don't have a Bible in front of me, and so

0:49:37.440 --> 0:49:40.600
<v Speaker 1>I'm not going to get into specific scripture. But I

0:49:40.680 --> 0:49:47.680
<v Speaker 1>have read the whole Bible many times. So, first of all,

0:49:47.760 --> 0:49:52.080
<v Speaker 1>tobacco use is not a sin. There is It's not

0:49:52.080 --> 0:49:54.359
<v Speaker 1>a sin. There's nothing in the Bible that says it's

0:49:54.360 --> 0:50:00.000
<v Speaker 1>a sin. If I was under age, which in Texas

0:50:00.200 --> 0:50:07.839
<v Speaker 1>seventeen for tobacco, and I illegally got the tobacco under

0:50:07.920 --> 0:50:12.760
<v Speaker 1>the age of seventeen, then there would be a sin involved.

0:50:13.880 --> 0:50:19.800
<v Speaker 1>It is also not a sin to drink alcohol. Drunkenness

0:50:19.960 --> 0:50:29.120
<v Speaker 1>is a sin, drinking alcohol is not. Most people historically

0:50:29.200 --> 0:50:32.000
<v Speaker 1>believe that at the Last Supper Jesus was drinking wine

0:50:32.040 --> 0:50:35.120
<v Speaker 1>with his disciples. It was fruit of the vine, as

0:50:35.160 --> 0:50:39.680
<v Speaker 1>it says in the Word. So there is an argument

0:50:39.680 --> 0:50:45.480
<v Speaker 1>that it could have been grape juice, but it's unlikely,

0:50:45.640 --> 0:50:48.400
<v Speaker 1>historically unlikely that it would have been grape juice. It

0:50:48.480 --> 0:50:55.000
<v Speaker 1>most likely was fermented making it wine. The problem with

0:50:55.080 --> 0:50:58.279
<v Speaker 1>alcohol and what Paul talks about many times with drunkenness,

0:50:58.280 --> 0:51:00.319
<v Speaker 1>and there's many mentions in the Old Testament about it

0:51:00.320 --> 0:51:05.440
<v Speaker 1>as well, is drinking too much fermented fruit of the

0:51:05.520 --> 0:51:10.439
<v Speaker 1>vine and becoming drunk. And the problem with drunkenness, which

0:51:10.480 --> 0:51:14.680
<v Speaker 1>is the sin drunkenness, is what you do with an

0:51:14.680 --> 0:51:20.640
<v Speaker 1>impaired mind and what that leads to, what that opens

0:51:20.680 --> 0:51:26.160
<v Speaker 1>the door to in your life with that and paired mind.

0:51:27.640 --> 0:51:36.880
<v Speaker 1>So let's start with alcohol. I do partake in alcohol.

0:51:37.600 --> 0:51:40.879
<v Speaker 1>I do have a beer. I do have a ceremonial

0:51:41.120 --> 0:51:46.799
<v Speaker 1>drink with the band, and I am learning this is

0:51:46.840 --> 0:51:52.400
<v Speaker 1>a new path for me, guys, my strong conviction to

0:51:52.520 --> 0:51:59.000
<v Speaker 1>Christianity and what I call my rebirth, which happened about

0:51:59.000 --> 0:52:01.160
<v Speaker 1>a year and a half ago. I've always been a believer,

0:52:01.680 --> 0:52:03.440
<v Speaker 1>but I was born again about a year and a

0:52:03.440 --> 0:52:09.840
<v Speaker 1>half ago. Since then, I have made a sincere commitment

0:52:10.200 --> 0:52:19.280
<v Speaker 1>to myself to avoid drunkenness. I haven't I haven't committed

0:52:19.320 --> 0:52:23.240
<v Speaker 1>cutting off alcohol because I genuinely have a pretty strong

0:52:23.280 --> 0:52:26.840
<v Speaker 1>willpower and I've always had a pretty strong discipline with

0:52:26.960 --> 0:52:34.120
<v Speaker 1>myself and so I can control only having one or

0:52:34.160 --> 0:52:37.239
<v Speaker 1>two drinks max, and that's it. I can control that.

0:52:37.920 --> 0:52:41.200
<v Speaker 1>If I thought there was just a sliver of a

0:52:41.320 --> 0:52:46.120
<v Speaker 1>chance that I wouldn't be able to handle limiting myself

0:52:46.160 --> 0:52:49.400
<v Speaker 1>into three, four or five sixty seven drinks, I would

0:52:49.400 --> 0:52:51.520
<v Speaker 1>not touch it at all. I wouldn't take a drop

0:52:51.560 --> 0:52:54.920
<v Speaker 1>of it, knowing that once I have one drink, it

0:52:54.920 --> 0:52:57.760
<v Speaker 1>could lead to many more, which could lead to drunkenness,

0:52:57.760 --> 0:53:00.759
<v Speaker 1>which could lead to all kinds of problems. And I'm

0:53:00.760 --> 0:53:02.239
<v Speaker 1>a married mayn and I have kids that could lead

0:53:02.239 --> 0:53:10.600
<v Speaker 1>to many problems. So so because of my my, my

0:53:10.640 --> 0:53:14.400
<v Speaker 1>me understanding my personal self discipline, I feel like I

0:53:14.400 --> 0:53:17.120
<v Speaker 1>could still have uh you know, like I was in

0:53:17.160 --> 0:53:21.600
<v Speaker 1>Mexico the last this past week, and after we would

0:53:21.600 --> 0:53:24.160
<v Speaker 1>come in from the hunt, we would have a cold

0:53:24.160 --> 0:53:27.280
<v Speaker 1>surveysa waiting for us out of the ice chest. Takata

0:53:27.480 --> 0:53:29.640
<v Speaker 1>is what they served there. And it was awesome. It

0:53:29.719 --> 0:53:32.719
<v Speaker 1>was awesome. You know, sun's going down, just finished the hunt.

0:53:32.760 --> 0:53:36.319
<v Speaker 1>You just crack open it's cold takata. It was delicious.

0:53:37.360 --> 0:53:40.320
<v Speaker 1>And I didn't I didn't go past that. I didn't

0:53:40.320 --> 0:53:43.279
<v Speaker 1>go I didn't go to the second drink. It was

0:53:43.440 --> 0:53:45.200
<v Speaker 1>enough for me. It was enough for me. To have

0:53:45.239 --> 0:53:50.200
<v Speaker 1>the one and then switch to water. So let me

0:53:50.320 --> 0:53:59.640
<v Speaker 1>go to tobacco. I like I said, the tobacco is

0:53:59.719 --> 0:54:04.120
<v Speaker 1>not a sin. If it became a crutch for me,

0:54:04.200 --> 0:54:08.840
<v Speaker 1>if it became something I needed for my brain to

0:54:09.120 --> 0:54:13.240
<v Speaker 1>focus or to if it became an addiction, an absolute addiction,

0:54:13.360 --> 0:54:14.440
<v Speaker 1>or had to have it in front of me all

0:54:14.480 --> 0:54:18.600
<v Speaker 1>the time, or if it became if I was needing

0:54:18.600 --> 0:54:23.400
<v Speaker 1>it to support me in any way that was taking

0:54:23.400 --> 0:54:27.240
<v Speaker 1>away from the support I need from God. That's a problem.

0:54:27.360 --> 0:54:32.000
<v Speaker 1>That becomes a sin right there. But in itself, it's

0:54:32.040 --> 0:54:36.120
<v Speaker 1>not unless it's illegal. Now, let me deal. Let me

0:54:36.320 --> 0:54:37.719
<v Speaker 1>let me get to the part of your question that

0:54:37.880 --> 0:54:42.560
<v Speaker 1>is probably the most important part of your question. It says,

0:54:44.760 --> 0:54:47.200
<v Speaker 1>where'd you say it? Oh? It seems in your songs

0:54:47.239 --> 0:54:51.040
<v Speaker 1>you're almost glorifying it. Okay, there's the problem. This is

0:54:51.080 --> 0:54:54.839
<v Speaker 1>the so in everything you've said, ken for me, I'm like, good,

0:54:55.040 --> 0:54:58.759
<v Speaker 1>got it, got it? Not a sin. Drinking alcohol is

0:54:58.800 --> 0:55:01.360
<v Speaker 1>not a sin. Tobacco's another thing. Okay, But then we

0:55:01.360 --> 0:55:04.120
<v Speaker 1>get to a problems. Here's my problem that I struggle with.

0:55:04.160 --> 0:55:06.319
<v Speaker 1>It seems in your songs you're almost glorifying it. You're right,

0:55:07.120 --> 0:55:09.760
<v Speaker 1>You're right, Earl Dibbles the country boy song. It says

0:55:10.200 --> 0:55:13.240
<v Speaker 1>in the bridge of country boy song, And I wrote

0:55:13.280 --> 0:55:17.080
<v Speaker 1>this eleven years ago, now ten years ago, getting country

0:55:17.160 --> 0:55:19.719
<v Speaker 1>drunk in the back of my truck. The night is young,

0:55:19.800 --> 0:55:23.680
<v Speaker 1>gonna get messed up. Boom there it is this you

0:55:23.719 --> 0:55:30.120
<v Speaker 1>know that's glorifying drunkenness. So so what do I do?

0:55:30.880 --> 0:55:32.799
<v Speaker 1>This is you know, it's a song, it's my most

0:55:32.880 --> 0:55:37.799
<v Speaker 1>popular song, a lot of a lot of stages. What

0:55:37.840 --> 0:55:40.279
<v Speaker 1>do I do? So I'm asking you, ken one, as

0:55:40.320 --> 0:55:42.160
<v Speaker 1>you said at the at the end of your question,

0:55:42.239 --> 0:55:46.840
<v Speaker 1>from one fallen man to another, just one sent er

0:55:46.880 --> 0:55:48.760
<v Speaker 1>to another, trying to live my best life for Christ.

0:55:52.120 --> 0:55:54.360
<v Speaker 1>If it was today, if I was writing that song today,

0:55:54.880 --> 0:55:59.279
<v Speaker 1>I wouldn't have put that line in there. And that

0:55:59.440 --> 0:56:01.959
<v Speaker 1>was a night me and me and my tour manager Chris,

0:56:02.080 --> 0:56:05.239
<v Speaker 1>my buddy Matt, my brother Tyler wrote that song. I

0:56:05.239 --> 0:56:07.880
<v Speaker 1>wouldn't have written that today. I see the world differently,

0:56:07.880 --> 0:56:10.040
<v Speaker 1>and I see that that could be you know, it

0:56:10.120 --> 0:56:12.120
<v Speaker 1>could be young people listening to that and they take

0:56:12.160 --> 0:56:14.560
<v Speaker 1>it too far, and I just don't. I don't believe

0:56:14.600 --> 0:56:17.360
<v Speaker 1>that's the right message I need to be saying. So

0:56:18.640 --> 0:56:22.759
<v Speaker 1>it weighs it weighs on my conscious that maybe there need,

0:56:22.840 --> 0:56:24.920
<v Speaker 1>maybe I need to take that bridge, or maybe I

0:56:24.920 --> 0:56:27.360
<v Speaker 1>need to say new words like when I perform it,

0:56:27.440 --> 0:56:30.080
<v Speaker 1>maybe I need to change those words to something else,

0:56:31.120 --> 0:56:36.319
<v Speaker 1>something not a little less dramatic and move forward with that.

0:56:38.000 --> 0:56:45.120
<v Speaker 1>And it's uh, it's it's something I deal with as

0:56:45.160 --> 0:56:48.279
<v Speaker 1>far as far as anything Earld devils Junior, It's just

0:56:48.320 --> 0:56:51.560
<v Speaker 1>a comedy. It's a comedy act. You don't see me

0:56:51.760 --> 0:56:54.799
<v Speaker 1>with fat dip in and you know, slamming back, you know,

0:56:55.120 --> 0:56:58.160
<v Speaker 1>shotgun and cold ones. I don't do that in my videos.

0:56:58.160 --> 0:57:02.160
<v Speaker 1>That's Earl And it is something I'm kind of working

0:57:02.160 --> 0:57:06.359
<v Speaker 1>through on how do I how do I make this

0:57:06.440 --> 0:57:09.080
<v Speaker 1>transition if I'm truly trying to live better for Christ,

0:57:10.600 --> 0:57:12.680
<v Speaker 1>as you said, trying to live my best life for Christ,

0:57:12.920 --> 0:57:16.400
<v Speaker 1>how do I knowing what I know and moving forward

0:57:16.440 --> 0:57:25.000
<v Speaker 1>and knowing my place of influence. It crosses my mind

0:57:25.040 --> 0:57:28.360
<v Speaker 1>and it's a good question, and it's I think you're

0:57:28.440 --> 0:57:32.000
<v Speaker 1>right to ask it and let me know how you

0:57:32.040 --> 0:57:33.959
<v Speaker 1>think I answered it. Let me know how you think

0:57:34.560 --> 0:57:41.280
<v Speaker 1>I tackled the components biblically of tobacco and alcohol. You

0:57:41.280 --> 0:57:46.320
<v Speaker 1>could probably find ways to argue me on all of that,

0:57:46.480 --> 0:57:49.680
<v Speaker 1>and that's you know, theology is always there's always an

0:57:49.760 --> 0:57:52.840
<v Speaker 1>argument in theology. And I'm telling you what I read

0:57:52.840 --> 0:57:56.560
<v Speaker 1>and what I believe and what I see. But great question, buddy.

0:57:57.880 --> 0:57:59.840
<v Speaker 1>Shout out to Upstate New York. Shout out to you, Ken,

0:58:00.200 --> 0:58:03.760
<v Speaker 1>and please keep in touch, write me back, let me

0:58:03.840 --> 0:58:07.960
<v Speaker 1>know what you're thinking. And I think I amount of

0:58:08.000 --> 0:58:11.040
<v Speaker 1>time here on this podcast. I love you guys for

0:58:11.440 --> 0:58:15.800
<v Speaker 1>asking these questions and for challenging me. I have some

0:58:16.320 --> 0:58:19.200
<v Speaker 1>really cool guests lined up for the future these next

0:58:19.200 --> 0:58:23.880
<v Speaker 1>few weeks, so hang with me. Thank you for being

0:58:24.000 --> 0:58:27.240
<v Speaker 1>such a big part of my life. And the podcast

0:58:27.280 --> 0:58:31.960
<v Speaker 1>has come to life really and through these questions. It's

0:58:31.960 --> 0:58:34.960
<v Speaker 1>no longer just me talking to a camera and uploading

0:58:35.040 --> 0:58:38.000
<v Speaker 1>to Paul and it goes on the podcast app. It

0:58:38.040 --> 0:58:41.880
<v Speaker 1>has come to life when you guys pour in your

0:58:41.960 --> 0:58:46.400
<v Speaker 1>questions and some of these questions that that means so

0:58:46.560 --> 0:58:49.240
<v Speaker 1>much to you and your life, and then I get

0:58:49.280 --> 0:58:52.680
<v Speaker 1>to to engage them. So I just appreciate you guys

0:58:52.680 --> 0:58:56.040
<v Speaker 1>so much and it means a lot to me. I'll

0:58:56.040 --> 0:58:59.200
<v Speaker 1>see you guys next Monday. Ye ye, thanks for joining

0:58:59.240 --> 0:59:02.120
<v Speaker 1>me on the Granger Smith podcast. I appreciate all of

0:59:02.160 --> 0:59:04.280
<v Speaker 1>you guys, you could help me out by rating this

0:59:04.360 --> 0:59:08.440
<v Speaker 1>podcast on iTunes. If you're on YouTube, subscribe to this channel.

0:59:08.640 --> 0:59:11.720
<v Speaker 1>Hit that little like button and the notification spell so

0:59:11.800 --> 0:59:15.560
<v Speaker 1>that you never miss anytime I upload a video. If

0:59:15.600 --> 0:59:17.160
<v Speaker 1>you have a question for me that you would like

0:59:17.200 --> 0:59:22.400
<v Speaker 1>me to answer, email Grangersmith Podcast at gmail dot com.

0:59:22.920 --> 0:59:23.280
<v Speaker 1>Yi