WEBVTT - 9021One on One: Pepper Sweeney

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<v Speaker 1>With Jenny Garth and Tori Spelling. Okay, you guys, uh,

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<v Speaker 1>we have Pepper Sweeney coming on today and he played

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<v Speaker 1>my love interest let Musky Slopes Chad in the Big

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<v Speaker 1>Skip episode. Why did I say it like that? Because

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<v Speaker 1>you're hot for Chad? He's hot? Hi? Hi, Pepper Sweeney spelling.

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<v Speaker 1>Oh my gosh, what about me? Hello, Jenny Carth? I

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<v Speaker 1>eat out with him? Like, come on, I know I'm

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<v Speaker 1>a third wheel here. So you were literally, I want

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<v Speaker 1>to say, my third kiss on television ever, but you

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<v Speaker 1>were actually my second, only my second open mouth kiss.

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<v Speaker 1>What yep? Wait, you remember it was open mouth? Do

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<v Speaker 1>you watch that scene? Oh? Yeah, yeah? So how was it? Pepper?

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<v Speaker 1>It was as good as advertised. She's got very soft lips.

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<v Speaker 1>Stop it, stop it? Sorry, I have an eyepatch. I

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<v Speaker 1>what's going on? I got a little ulcer on my

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<v Speaker 1>eyeball from leaving my contacts, and so can you just

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<v Speaker 1>say I hurt my eye because I know too much

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<v Speaker 1>for me? It sounds gross, but I hate not telling

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<v Speaker 1>the truth, you know me? Okay? Um, I just skimmed

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<v Speaker 1>my eyeball. You played Chad Pepper in one episode in

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<v Speaker 1>season four, and we still remember you. So that was

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<v Speaker 1>so memory can you say that now? And it's nice

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<v Speaker 1>of you, But I listened to the episode a couple

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<v Speaker 1>of weeks ago where nobody knew who the hell I was. Nope,

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<v Speaker 1>and everybody's looking at by IMDb pace figure out what

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<v Speaker 1>I did. Bye, we see, Yeah, busy you've been now. Yes.

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<v Speaker 1>One of the things that I was really excited about

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<v Speaker 1>when when your team contacted me is specifically Toria I.

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<v Speaker 1>I love to have the opportunity to tell you how

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<v Speaker 1>kind your father was to me. Um so, So the

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<v Speaker 1>first time I met him was in his office. I

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<v Speaker 1>was auditioning for a show he was producing called The

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<v Speaker 1>Round Table and um and so I was auditioning for

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<v Speaker 1>a series regular. We had a great connection, and he

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<v Speaker 1>brought me into network. And you guys know how, just

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<v Speaker 1>like frightening and anxiety provoking, going into network is like

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<v Speaker 1>you sign a contract before you go in and do

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<v Speaker 1>the audition. And so to me back then, those numbers

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<v Speaker 1>were huge, life changing numbers. And you're then sitting in

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<v Speaker 1>a room with people that want are competing with you,

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<v Speaker 1>and it's just this whole weird dynamic. So I stepped

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<v Speaker 1>out into the hall before we go into network and

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<v Speaker 1>your day comes walking and he makes it a bee

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<v Speaker 1>line to me and he says, Pepper, I want to

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<v Speaker 1>tell you something. He said, I don't usually do this,

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<v Speaker 1>but we're not bringing anybody else in for this part.

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<v Speaker 1>He said, I want you to have this role, so

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<v Speaker 1>just do your best and don't worry about it. You

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<v Speaker 1>got this, and it relaxed to me. I was so

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<v Speaker 1>anxious before that. It relaxed me so much. How old

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<v Speaker 1>are you, man, gosh, twenties seven something like that, and

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<v Speaker 1>you've been in the business a lot, did you have

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<v Speaker 1>a lot of experience at that point. So I moved

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<v Speaker 1>to La probably three years prior to that, and started.

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<v Speaker 1>I was very fortunately I started guest starting on stuff

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<v Speaker 1>right away, Like you know, I think my first guest

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<v Speaker 1>star was Major Dad. Do you guys remember that show

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<v Speaker 1>back in the nineties, and and so I had done

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<v Speaker 1>a fair amount of guest stars up to that point,

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<v Speaker 1>and but this was that was my first series regular

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<v Speaker 1>role that you know that I had landed, the first

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<v Speaker 1>pilot I had landed, I think, um and uh and

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<v Speaker 1>unfortunately went for about seven episodes. But it was a fantastic,

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<v Speaker 1>fantastic experience. And then you know, your Dad hired me

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<v Speaker 1>for some of his other shows as well, including trusting

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<v Speaker 1>me to have a romantic scene with his daughter, so

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<v Speaker 1>to make out with his only daughter. Yeah, yes, exactly exactly.

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<v Speaker 1>So he was terrific. So then he just offered you

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<v Speaker 1>this episode. Yeah so so they yeah so, and I, um,

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<v Speaker 1>you know, I look at the nineties were that area

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<v Speaker 1>period of time was was very busy time for me.

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<v Speaker 1>You know, I was guest starting on tons of shows

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<v Speaker 1>and um, you know, I remember that time was having

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<v Speaker 1>like three changes of close in my car because I

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<v Speaker 1>would have so many auditions that him, and it was

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<v Speaker 1>it was an embarrassment of riches, you know for an

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<v Speaker 1>actor when I during that time. But I look at

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<v Speaker 1>my like I AMD page D I AMDB page or

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<v Speaker 1>my resume or something now. And there's so many shows

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<v Speaker 1>that I don't remember, but I have very very vivid

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<v Speaker 1>remember remember its memory of this, of this particular show

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<v Speaker 1>that doing in this gift star tell us tell us all.

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<v Speaker 1>I don't know if I can tell you all, but

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<v Speaker 1>I can't tell well, there were a few things that

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<v Speaker 1>were yeah, a little strange and a little you know,

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<v Speaker 1>um yeah, like who like what they like? Okay, like

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<v Speaker 1>the very first day that we were on the set,

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<v Speaker 1>um Tory and I and the director were standing and

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<v Speaker 1>we were talking about what the scene was going to

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<v Speaker 1>be and all this kind of stuff, and out of

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<v Speaker 1>the corner of my eye, I see somebody coming towards me.

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<v Speaker 1>I look over and it's Shan Dardi with a ython

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<v Speaker 1>around her neck, a live snake. Yep, I trust me,

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<v Speaker 1>And she says, spears never heard that before this before Wow,

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<v Speaker 1>she didn't create that. Look who knew. Listen. She she

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<v Speaker 1>was really upset with the director from the previous week's episode,

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<v Speaker 1>and in no uncertain terms, she came up and she

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<v Speaker 1>just kind of unloaded on this guy, telling him that

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<v Speaker 1>she was not going to put up with that what

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<v Speaker 1>had happened to her last week. And she said it

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<v Speaker 1>in a way that was so colorful that I can't

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<v Speaker 1>I literally could not repeat it to you right now,

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<v Speaker 1>whilst wearing the while wearing a python. I can't, I can't.

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<v Speaker 1>I just so I just looked at her and I said,

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<v Speaker 1>I just looked at her and I said, uh, hi,

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<v Speaker 1>I'm Pepper what And that's how it started. The whole

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<v Speaker 1>week was amazing. It was off to a start. Um,

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<v Speaker 1>oh my gosh, I'm just imagine me again at that age.

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<v Speaker 1>I already was like this cute guy and shy and

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<v Speaker 1>having to like make out with them, nervous, and then

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<v Speaker 1>that happened. I must have been like inside, like you

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<v Speaker 1>you get the best story award for sure, that was

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<v Speaker 1>a good one. Ever, honestly, tore you could not have

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<v Speaker 1>been kinder, You could not have been sweeter to work

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<v Speaker 1>with and accommodating. And we had actually had several conversations.

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<v Speaker 1>Like I said, there's a lot of shows I don't remember,

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<v Speaker 1>but this one we had. We went outside between between scenes,

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<v Speaker 1>we had several conversations. You told me about the guy

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<v Speaker 1>you were dating at the time, and uh told me

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<v Speaker 1>how you like bad boys, which I think is very

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<v Speaker 1>funny now. But yeah, you told me all this. We

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<v Speaker 1>had great conversations. So so yeah, it was was I

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<v Speaker 1>saying bad or good things at that point about the

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<v Speaker 1>guy I was dating? Yeah, you were? It was sort

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<v Speaker 1>of both. Yeah, it was you know, I don't know why,

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<v Speaker 1>I like, I'm attracted to these guys, and you know,

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<v Speaker 1>did you give me advice? I probably did. I was.

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<v Speaker 1>I was newly married at the time that we recorded this,

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<v Speaker 1>so I think you were interested in that and um, yeah,

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<v Speaker 1>so we had we had a great conversation. So did

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<v Speaker 1>you guys talk about the kiss before you had to

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<v Speaker 1>do the kiss or do you like rehearse it? How

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<v Speaker 1>did it happen? Yeah, we talked about it a little

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<v Speaker 1>bit and um, you know, and then we just kind

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<v Speaker 1>of dove in. Good Man, good man, it looks really good.

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<v Speaker 1>I was like, we kissed. Well, yeah, right, I thought so,

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<v Speaker 1>I thought, so, yeah, Um, do you remember who the

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<v Speaker 1>director was in this episode? And was he somebody that

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<v Speaker 1>worked on the show often? Good question guy. Yeah, So

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<v Speaker 1>you know when you're when you're a guest on a show,

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<v Speaker 1>you're you're a guest and in kind of like it's

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<v Speaker 1>it's I was liking it to being a guest, um

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<v Speaker 1>in someone's house, right, I mean, it's it's not your house. Um.

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<v Speaker 1>You you you act appropriately, you and you know you're

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<v Speaker 1>always trying to for me. I was always trying to

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<v Speaker 1>please the director. So that's you know, you come and

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<v Speaker 1>trust me, Like, Okay, what this guy says, that's what

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<v Speaker 1>I That's what I've got to figure out. And that's

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<v Speaker 1>what I've got to I've got to give to the show,

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<v Speaker 1>of course, and I gotta be honest, I didn't. I

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<v Speaker 1>didn't care for him. Oh yeah, he could be polarizing

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<v Speaker 1>because he was our buddy, Like we loved him because

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<v Speaker 1>he was fun. He was like that fun friend guy

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<v Speaker 1>as coming onto A said, and if you're like trying

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<v Speaker 1>to be professional, he was like very like one of

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<v Speaker 1>the gangs. Ha not Yeah, so I could see that.

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<v Speaker 1>But Shannon saying that to him, this wasn't first rodeo

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<v Speaker 1>with us right now. That's probably why she's said that

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<v Speaker 1>stuff to him, because she felt so comfortable talking to

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<v Speaker 1>him that way because he had energy. Yeah, like their friend.

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<v Speaker 1>Yeah yeah, why didn't you like in Pepper? Um? I

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<v Speaker 1>just I you know, um. He he said some things,

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<v Speaker 1>um that I just didn't appreciate. He said some things

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<v Speaker 1>that I just didn't appreciate. Um. So I felt like

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<v Speaker 1>I felt like he was if you okay, so don't

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<v Speaker 1>don't use this if you don't want But I felt like,

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<v Speaker 1>because like I said, I come and wanted to trust

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<v Speaker 1>the director, and he would say one thing when you

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<v Speaker 1>were in the room, Tory, and you would leave and

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<v Speaker 1>it was a whole other thing. And I just thought, Okay,

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<v Speaker 1>if he's talking this way about one of the stars,

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<v Speaker 1>of the show. I don't know how to how to trust.

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<v Speaker 1>I mean, that's the thing in this business. Whoa can

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<v Speaker 1>you tell us? I'm just curious, do you remember? Yeah,

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<v Speaker 1>we wouldn't know now. Well, so it would be like, okay,

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<v Speaker 1>this is literally him talking. He'd be like, okay, dog,

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<v Speaker 1>all this scene with you and him in a fireplace,

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<v Speaker 1>you got to put this on your wheel. It's beautiful you.

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<v Speaker 1>You are so great in this dollar You're so awesome,

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<v Speaker 1>You're so terrific. And then you would leave the room

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<v Speaker 1>and he would say I don't know why and stuff

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<v Speaker 1>like that, whoa wow. Yeah, And so I was like, okay,

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<v Speaker 1>what am I I go from? It starts with Shannon,

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<v Speaker 1>but what a day at work? This? And then yeah, yeah,

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<v Speaker 1>So I felt very pective and the whole shoot, um,

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<v Speaker 1>and I could and I could have been reading that wrong,

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<v Speaker 1>and it could have been something that you guys, you know, um,

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<v Speaker 1>you guys had different relationship that I didn't know about

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<v Speaker 1>or or whatever. I can imagine him, I can imagine

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<v Speaker 1>him saying something like that because and like screaming it

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<v Speaker 1>when you left the room, like yeah, when somebody gets

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<v Speaker 1>too comfortable or like thinks that they have too much

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<v Speaker 1>power somewhere. That's not cool though, man, So you know it,

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<v Speaker 1>it sets you. It set me up in a situation

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<v Speaker 1>where honestly, I just felt like, Okay, I mean, you

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<v Speaker 1>didn't need my protection, you're a strong woman, all those

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<v Speaker 1>kind of things. I honestly um, but I just felt

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<v Speaker 1>this sense of thank you want to protect you in

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<v Speaker 1>the Oh my gosh, I'm like so embarrassed for my

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<v Speaker 1>like eighteen year old or ninety year old whatever I

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<v Speaker 1>was self in that moment that like, good thing I

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<v Speaker 1>didn't know about that, and no one told me because

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<v Speaker 1>that would have destroyed me at the time. Like it's

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<v Speaker 1>it's like I'm tearing up now hearing it, Like I

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<v Speaker 1>can take it. At forty nine, I can take it,

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<v Speaker 1>and I've taken a lot, but just like it bums

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<v Speaker 1>me out because that's the epitome of what I worked

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<v Speaker 1>so hard against, is being that person that was like,

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<v Speaker 1>oh she in the show producer's daughter, like and I

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<v Speaker 1>thought I overcame. That's ye, yeah, that's like and also

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<v Speaker 1>in front of my leading me on, like that's just hurtful,

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<v Speaker 1>and like, yeah, I would have been so mortified. I

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<v Speaker 1>wouldn't have been able to like even to a professional. Well, yeah,

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<v Speaker 1>and I could see where it was no, no, no,

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<v Speaker 1>I can take anything. She know, like my best friends,

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<v Speaker 1>Like I know, I love the truth and I can

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<v Speaker 1>take it and process it and but it's okay at

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<v Speaker 1>the feels. Yeah, yeah, so it was that was the

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<v Speaker 1>that was sort of the stage for for Um, I'm

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<v Speaker 1>sorry that you were put in that position, but I

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<v Speaker 1>felt like we had a night. I felt yeah, I

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<v Speaker 1>loved our stuff together. I felt like we did good work.

0:13:52.679 --> 0:13:56.800
<v Speaker 1>I was proud of what we did. And um, you know,

0:13:56.960 --> 0:14:01.160
<v Speaker 1>sometimes sometimes when you have aples that you have to overcome,

0:14:03.000 --> 0:14:05.920
<v Speaker 1>you know, if the works even better than it would

0:14:05.920 --> 0:14:22.120
<v Speaker 1>have been otherwise. So yeah, I love the scenes. I

0:14:22.280 --> 0:14:25.800
<v Speaker 1>was a fan and I thought you guys were so tender,

0:14:25.960 --> 0:14:29.840
<v Speaker 1>and I know, I really liked it because all we

0:14:30.000 --> 0:14:32.400
<v Speaker 1>know is like Donna with David and he's such a

0:14:32.480 --> 0:14:35.080
<v Speaker 1>little boy. Really, you know, I wanted to see her

0:14:35.120 --> 0:14:37.880
<v Speaker 1>be appreciated by my Chad was like a man, and

0:14:38.080 --> 0:14:41.760
<v Speaker 1>like it was nice to see forget the adoration. Yeah,

0:14:41.920 --> 0:14:45.440
<v Speaker 1>did you like the ski sweater though that you were wearing?

0:14:46.400 --> 0:14:53.280
<v Speaker 1>Your turn action machines were really tight. Well, so let's

0:14:53.800 --> 0:14:58.560
<v Speaker 1>enough about that show. You've done so much other great work.

0:14:58.720 --> 0:15:00.560
<v Speaker 1>But now you've been doing a lit I mean, you've

0:15:00.560 --> 0:15:02.920
<v Speaker 1>been doing a lot of voiceover work. We've heard that

0:15:03.080 --> 0:15:06.680
<v Speaker 1>you were on maybe something people will know, a little

0:15:06.720 --> 0:15:11.600
<v Speaker 1>movie called Frozen. You're in that one didn't two? Yeah? Yeah,

0:15:11.640 --> 0:15:16.040
<v Speaker 1>it's pretty and Frozen one and two. So um, you know,

0:15:16.120 --> 0:15:19.240
<v Speaker 1>my my I had um like I said, I was,

0:15:19.360 --> 0:15:21.280
<v Speaker 1>I was newly married at this at this point when

0:15:21.320 --> 0:15:24.240
<v Speaker 1>the when nine or two and was recorded, so, you know,

0:15:24.760 --> 0:15:26.760
<v Speaker 1>and I worked a ton of the nineties and guests,

0:15:26.760 --> 0:15:28.720
<v Speaker 1>starting on a bunch of shows and everything. And then

0:15:30.160 --> 0:15:32.800
<v Speaker 1>I was just following the money, right because you you know,

0:15:32.840 --> 0:15:34.280
<v Speaker 1>I got a mortgage and I got a family, and

0:15:34.440 --> 0:15:38.840
<v Speaker 1>so I started doing more of the voiceover stuff, a

0:15:38.920 --> 0:15:41.160
<v Speaker 1>lot of uh. As a matter of fact, I built

0:15:41.200 --> 0:15:45.720
<v Speaker 1>this room here so I could do adr remotely. So

0:15:45.800 --> 0:15:48.440
<v Speaker 1>I still do. I still do some of that, um

0:15:49.040 --> 0:15:52.600
<v Speaker 1>and yeah. So the voiceover thing has been you know,

0:15:53.240 --> 0:15:56.440
<v Speaker 1>kept my family in insurance and and all those things

0:15:56.520 --> 0:15:58.760
<v Speaker 1>for all this all these years, and so it's you

0:15:58.800 --> 0:16:01.280
<v Speaker 1>had to work from home and I get to work

0:16:01.320 --> 0:16:04.600
<v Speaker 1>from home exactly. Sorry, I'm gonna have to tell my kids,

0:16:04.680 --> 0:16:07.480
<v Speaker 1>who did you play in? Whose voice? And Frozen? So

0:16:07.760 --> 0:16:10.280
<v Speaker 1>I did a bunch of different things. Okay, okay, tell

0:16:10.360 --> 0:16:12.720
<v Speaker 1>us like I came in for like three days and

0:16:12.840 --> 0:16:14.960
<v Speaker 1>just we I did a bunch of group stuff and

0:16:15.040 --> 0:16:18.280
<v Speaker 1>did a bunch of little individual things like, um, trying

0:16:18.280 --> 0:16:25.520
<v Speaker 1>to like the guy in a hot tub the dad Yes, yes, exactly, um,

0:16:25.760 --> 0:16:29.880
<v Speaker 1>and then uh um, a lot of just different towns

0:16:29.880 --> 0:16:31.760
<v Speaker 1>with people with some troll stuff we did from singing

0:16:31.800 --> 0:16:34.160
<v Speaker 1>with the trolls and all that kind of stuff. Yeah,

0:16:34.240 --> 0:16:37.840
<v Speaker 1>it was fun. It was fun. Those those jobs are always, um,

0:16:38.240 --> 0:16:41.720
<v Speaker 1>a lot of fun to do, you know. That stuff

0:16:41.840 --> 0:16:44.000
<v Speaker 1>I was doing when I was still like frozen and

0:16:44.080 --> 0:16:47.280
<v Speaker 1>those things we were in person for all those COVID

0:16:47.400 --> 0:16:52.440
<v Speaker 1>hit everybody was working remotely. Um. I've tried to maintain

0:16:52.520 --> 0:16:56.520
<v Speaker 1>some of that remote work. Can you can you can

0:16:56.600 --> 0:17:01.200
<v Speaker 1>you do one of your favorite voices for us? Well,

0:17:01.280 --> 0:17:09.119
<v Speaker 1>I mean it's it's dance mokey. It's really no, no,

0:17:09.400 --> 0:17:13.359
<v Speaker 1>it's really after everything you've confided in us, come on,

0:17:13.600 --> 0:17:16.720
<v Speaker 1>you can do it. But it's really like the way

0:17:16.800 --> 0:17:18.520
<v Speaker 1>that the way that I work with in these kind

0:17:18.520 --> 0:17:21.560
<v Speaker 1>of things is like you you, um, you see the

0:17:21.680 --> 0:17:23.600
<v Speaker 1>character on screen and you figure out what kind of

0:17:23.680 --> 0:17:26.240
<v Speaker 1>voice gets in there, and then you do it, so

0:17:26.400 --> 0:17:29.160
<v Speaker 1>for me to like go back and just create a voice. Now,

0:17:29.520 --> 0:17:31.280
<v Speaker 1>as as good as that would be for your podcast,

0:17:31.840 --> 0:17:36.280
<v Speaker 1>it doesn't. It just understands it doesn't work. That's okay.

0:17:36.400 --> 0:17:39.119
<v Speaker 1>I just thought i'd try. We can, I can. I

0:17:39.280 --> 0:17:43.920
<v Speaker 1>ask just curious how it works differently voicing like a movie,

0:17:44.040 --> 0:17:49.560
<v Speaker 1>TV show, animated series all that versus a game versus

0:17:49.720 --> 0:17:56.200
<v Speaker 1>a game transforms okay, yeah, yeah, um yeah, so uh,

0:17:57.200 --> 0:17:58.960
<v Speaker 1>you know, with with a lot of the game stuff

0:17:59.000 --> 0:18:02.320
<v Speaker 1>that I've done over the years, it's like, um, I

0:18:02.480 --> 0:18:05.800
<v Speaker 1>did a bunch of the uh gosh, I forget that

0:18:06.400 --> 0:18:11.879
<v Speaker 1>the military games to um, and it's just like basically

0:18:12.160 --> 0:18:17.239
<v Speaker 1>days of UM shouting out different commands really so they

0:18:17.320 --> 0:18:20.040
<v Speaker 1>can fill in wherever they want, okay. And when you're

0:18:20.119 --> 0:18:25.960
<v Speaker 1>doing you know, TV or or a movie or anything

0:18:26.040 --> 0:18:29.879
<v Speaker 1>like that, it's much more like um, you know, you

0:18:30.000 --> 0:18:33.200
<v Speaker 1>watch the scene and then you you fill in okay,

0:18:33.560 --> 0:18:34.840
<v Speaker 1>and and you know, some some of the stuff that

0:18:34.840 --> 0:18:37.480
<v Speaker 1>we did on Frozen, the animation wasn't done yet, and

0:18:37.640 --> 0:18:39.520
<v Speaker 1>so you know a lot of times you go in

0:18:39.560 --> 0:18:42.000
<v Speaker 1>when it's animated film and the animation isn't done, and

0:18:42.200 --> 0:18:44.560
<v Speaker 1>so they'll just have storyboard and stuff going for you

0:18:44.640 --> 0:18:45.960
<v Speaker 1>and you just have to kind of figure it out.

0:18:47.680 --> 0:18:49.280
<v Speaker 1>I do a lot of voice over at work, and

0:18:49.320 --> 0:18:52.280
<v Speaker 1>I've never gotten a game though, so I'm just fascinated

0:18:52.320 --> 0:18:55.600
<v Speaker 1>by that, Like, yeah, yeah, it's a game. Game stuff

0:18:55.680 --> 0:18:58.479
<v Speaker 1>is is fun. It's but it can be a lot

0:18:58.560 --> 0:19:02.159
<v Speaker 1>of like like I did like three Days of Cops

0:19:02.200 --> 0:19:04.240
<v Speaker 1>stuff on one of the one of the one of

0:19:04.280 --> 0:19:07.119
<v Speaker 1>the games, and it was just like command after command

0:19:07.400 --> 0:19:09.200
<v Speaker 1>in different situations and they tell you what the situation

0:19:09.320 --> 0:19:12.280
<v Speaker 1>is going to be and then you're just lives forever.

0:19:12.400 --> 0:19:16.440
<v Speaker 1>People just this is like exactly, and there's so many

0:19:16.480 --> 0:19:18.320
<v Speaker 1>scenarios that can happen in those things, and so we

0:19:18.400 --> 0:19:20.240
<v Speaker 1>got to have some of the covers pretty much anything

0:19:20.240 --> 0:19:35.879
<v Speaker 1>that happened. So cool. Yeah, it's fun. Wait, so you

0:19:36.119 --> 0:19:41.000
<v Speaker 1>worked with Bert Reynolds in two shows, so so yeah,

0:19:41.040 --> 0:19:43.879
<v Speaker 1>so Bert was sort of my mentor. I apprenticed the

0:19:43.920 --> 0:19:46.919
<v Speaker 1>Burt Reyld's Theater in Florida Attacott when I graduated from college,

0:19:46.920 --> 0:19:50.120
<v Speaker 1>and I went down and was one of twelve people

0:19:50.200 --> 0:19:52.160
<v Speaker 1>picked to be in the Apprentice of the Theater program

0:19:52.359 --> 0:19:55.040
<v Speaker 1>for a year and the years changed my life. It

0:19:55.320 --> 0:19:57.840
<v Speaker 1>was um, I made some of the best friends in

0:19:57.920 --> 0:20:01.000
<v Speaker 1>my life. I you know, it was a situation where

0:20:01.280 --> 0:20:04.200
<v Speaker 1>you're doing nothing, but we had we worked for, we

0:20:04.359 --> 0:20:07.680
<v Speaker 1>worked for. It was a year. We had two days

0:20:07.720 --> 0:20:10.240
<v Speaker 1>off in the year, and you worked from like eight

0:20:10.280 --> 0:20:13.520
<v Speaker 1>in the morning until whatever show you were like, they

0:20:13.560 --> 0:20:16.200
<v Speaker 1>would have live shows going into theater, you would you

0:20:16.280 --> 0:20:18.160
<v Speaker 1>would tack or do whatever you had they with a theater,

0:20:18.280 --> 0:20:20.879
<v Speaker 1>and then after that you would have classes with the

0:20:21.040 --> 0:20:23.439
<v Speaker 1>actors that they brought in or the directors as they

0:20:23.520 --> 0:20:25.040
<v Speaker 1>brought it. So you'd be doing classes to like two

0:20:25.119 --> 0:20:28.760
<v Speaker 1>or three in the morning, and then of course you'd

0:20:28.800 --> 0:20:30.600
<v Speaker 1>had the party for a while before, you know, so

0:20:31.240 --> 0:20:34.080
<v Speaker 1>you literally got no sleep for a full year, and

0:20:34.320 --> 0:20:37.080
<v Speaker 1>you were just learning all throughout the year. So Bert,

0:20:37.520 --> 0:20:40.840
<v Speaker 1>that's I met him down there at his theater and

0:20:41.000 --> 0:20:44.960
<v Speaker 1>then I got my SAG card doing a show that

0:20:45.040 --> 0:20:48.600
<v Speaker 1>he was doing. That He was so gracious talk about

0:20:48.600 --> 0:20:50.960
<v Speaker 1>being good to a young actors. I mean he got

0:20:51.119 --> 0:20:54.199
<v Speaker 1>us all, everybody, all twelve of us are SAG cards

0:20:55.560 --> 0:20:59.480
<v Speaker 1>and our equity cards during that year. And then he

0:20:59.640 --> 0:21:02.960
<v Speaker 1>asked me to audition for the part of his son

0:21:03.880 --> 0:21:06.480
<v Speaker 1>on a TV show he was doing called Evening Shade,

0:21:06.800 --> 0:21:11.359
<v Speaker 1>and he said, you're too old for it. Marilyn Henderson

0:21:11.440 --> 0:21:13.960
<v Speaker 1>never gonna go for you being her son, but I

0:21:14.080 --> 0:21:16.000
<v Speaker 1>want everybody to meet you and everything. So I went

0:21:16.080 --> 0:21:18.240
<v Speaker 1>on an audition to be his son. Meanwhile, I was

0:21:18.359 --> 0:21:22.679
<v Speaker 1>working as a singing waiter at the Moonlight Tango Cafe

0:21:22.840 --> 0:21:26.080
<v Speaker 1>in the Valley. I can't sing a lick, and so

0:21:26.240 --> 0:21:30.439
<v Speaker 1>that was my that was my night job. So Bert

0:21:31.240 --> 0:21:32.840
<v Speaker 1>called me it. So I went on and did the audition.

0:21:33.200 --> 0:21:34.560
<v Speaker 1>I didn't get it, but he said, I want you

0:21:34.640 --> 0:21:36.920
<v Speaker 1>to come and just just help me with my lines

0:21:36.960 --> 0:21:40.240
<v Speaker 1>for a week. So I put in a week's vacation

0:21:40.560 --> 0:21:44.000
<v Speaker 1>and at the restaurant and I went to the set

0:21:44.160 --> 0:21:47.040
<v Speaker 1>and I never went back, and I worked on that

0:21:47.240 --> 0:21:53.080
<v Speaker 1>show evening shade. I worked on it for I guess

0:21:53.160 --> 0:21:55.200
<v Speaker 1>three seasons and then I went into the round table

0:21:55.520 --> 0:22:00.119
<v Speaker 1>and then I came back and finished. And the one

0:22:00.160 --> 0:22:03.760
<v Speaker 1>thing that was happening on that show was I was

0:22:04.840 --> 0:22:08.520
<v Speaker 1>getting like nine or ten ideas in every episode. Like

0:22:08.600 --> 0:22:09.920
<v Speaker 1>I would say Bert, what do you think about this?

0:22:10.240 --> 0:22:12.000
<v Speaker 1>About this camera angle? What do you think about this joke?

0:22:12.359 --> 0:22:15.639
<v Speaker 1>And he would either say yes or he would say no.

0:22:15.800 --> 0:22:18.280
<v Speaker 1>And this is why. So it was like being paid

0:22:18.320 --> 0:22:20.920
<v Speaker 1>to go to film school, and I'm working with all

0:22:20.960 --> 0:22:24.720
<v Speaker 1>these actors are working, so I'm covering everybody. It's Charles Journey,

0:22:25.200 --> 0:22:31.000
<v Speaker 1>Michael Jeter, Elizabeth Ashley, Burt Reynolds, how Holbrook. Um, you

0:22:31.080 --> 0:22:36.200
<v Speaker 1>know this amazing cast of Tony Award winner winners that

0:22:36.320 --> 0:22:40.800
<v Speaker 1>were just all, you know, helping teach this young kid

0:22:41.040 --> 0:22:48.880
<v Speaker 1>how to hone's cry. And Bert was just an amazing

0:22:50.520 --> 0:22:54.280
<v Speaker 1>mentor and friend to me. And um we were as

0:22:54.280 --> 0:22:56.760
<v Speaker 1>a matter of fact, so I was getting so many

0:22:56.800 --> 0:22:58.320
<v Speaker 1>ideas in the shows, and he was teaching me so

0:22:58.480 --> 0:23:03.080
<v Speaker 1>much that he I had gone to a film festival

0:23:03.160 --> 0:23:06.760
<v Speaker 1>with him on the East Coast and we were driving

0:23:06.840 --> 0:23:08.400
<v Speaker 1>and he said, I brought you something, and he reached

0:23:08.400 --> 0:23:11.200
<v Speaker 1>into his bag and he pulled out and it was

0:23:11.280 --> 0:23:12.399
<v Speaker 1>I wish I had it right here. I have it

0:23:12.440 --> 0:23:16.280
<v Speaker 1>at my other desk. It was a viewfinder and he

0:23:16.400 --> 0:23:20.000
<v Speaker 1>said he told me who gave it to him. And

0:23:20.119 --> 0:23:23.399
<v Speaker 1>the name has escaped me right now. He's Oh, Bill Freaker.

0:23:23.440 --> 0:23:25.520
<v Speaker 1>He said, Bill Freaker gave me this when he thought

0:23:25.560 --> 0:23:28.680
<v Speaker 1>I was ready. He said, you're ready. I've already talked

0:23:28.720 --> 0:23:31.320
<v Speaker 1>to the producers. I thought, to the CBS, you're directing

0:23:31.400 --> 0:23:36.000
<v Speaker 1>three three episodes next season. Oh my gosh, right. Yeah,

0:23:36.680 --> 0:23:39.920
<v Speaker 1>we didn't come back to the next season, right, But

0:23:40.320 --> 0:23:42.320
<v Speaker 1>but it changed the tra director of my life. When

0:23:42.359 --> 0:23:44.399
<v Speaker 1>you have somebody that can imagine your future for you

0:23:44.560 --> 0:23:47.159
<v Speaker 1>like that, it can that believes in you like that.

0:23:47.720 --> 0:23:51.200
<v Speaker 1>So I started directing theater at that point, and I

0:23:51.280 --> 0:23:53.600
<v Speaker 1>became artistic director of the of the Actress co Op

0:23:53.640 --> 0:23:55.680
<v Speaker 1>there in Hollywood for a couple of years, and I

0:23:57.560 --> 0:24:01.359
<v Speaker 1>I then got into producing and driving a live events,

0:24:01.400 --> 0:24:04.560
<v Speaker 1>which I still do a lot of now. Um. And

0:24:05.400 --> 0:24:08.200
<v Speaker 1>it really did change that. His confidence that he had

0:24:08.240 --> 0:24:10.440
<v Speaker 1>in me and then he showed in me really really

0:24:10.520 --> 0:24:13.440
<v Speaker 1>did impact my life in a huge way. And as

0:24:13.440 --> 0:24:16.680
<v Speaker 1>a matter of fact, he also talked about Tory, how

0:24:16.760 --> 0:24:20.240
<v Speaker 1>much your father loved actors. He loved your dad. My

0:24:20.440 --> 0:24:25.000
<v Speaker 1>dad loved him, he said, he said, when you go

0:24:25.440 --> 0:24:31.280
<v Speaker 1>Steamsters spelling, look behind his desk. There's a statue. It was, Um,

0:24:31.760 --> 0:24:33.679
<v Speaker 1>I forgot the artist's name that did all the Western

0:24:33.800 --> 0:24:38.640
<v Speaker 1>It was a cowboy on a horse and he said, yeah,

0:24:38.760 --> 0:24:41.119
<v Speaker 1>and it sat behind his desk right there. Yeah, So

0:24:41.480 --> 0:24:44.920
<v Speaker 1>I forgot about that till just now I wonder where

0:24:45.000 --> 0:24:49.640
<v Speaker 1>that is. Oh my gosh, yeah it was a Remington. Wow. Yes,

0:24:49.840 --> 0:24:55.879
<v Speaker 1>Oh my gosh, yeah, so bart was was was just

0:24:56.720 --> 0:24:59.920
<v Speaker 1>really phenomenal to me over the years and so great

0:25:00.160 --> 0:25:04.120
<v Speaker 1>just with his time and his love and his care

0:25:04.240 --> 0:25:07.320
<v Speaker 1>and his you know, I mean he just really not

0:25:07.640 --> 0:25:09.399
<v Speaker 1>just me. This is much more about him and it

0:25:09.480 --> 0:25:10.920
<v Speaker 1>is about media. I mean he he did this for

0:25:11.000 --> 0:25:15.119
<v Speaker 1>a lot of people. Um, and I can't say anything

0:25:15.160 --> 0:25:17.760
<v Speaker 1>but great things about him, And um I miss him

0:25:17.760 --> 0:25:22.520
<v Speaker 1>every day. They don't make them like that anymore, Burt Reynolds.

0:25:23.040 --> 0:25:27.840
<v Speaker 1>And it's just it's a different time, sadly, it's different generation. Yeah,

0:25:28.040 --> 0:25:29.680
<v Speaker 1>And I think that the world is not necessarily a

0:25:29.760 --> 0:25:34.160
<v Speaker 1>better place that that, that that influence isn't here. So Tory,

0:25:35.080 --> 0:25:37.359
<v Speaker 1>you have to carry it on, you know. I mean

0:25:37.480 --> 0:25:39.480
<v Speaker 1>we have a we have a certain responsibility to carry

0:25:39.520 --> 0:25:43.200
<v Speaker 1>that man. So I think so, you know, just for

0:25:43.359 --> 0:25:45.159
<v Speaker 1>for the next generation so that they can extend. And

0:25:45.240 --> 0:25:50.720
<v Speaker 1>I try we do our best. Yeah, exactly. He hadn't

0:25:50.720 --> 0:25:54.320
<v Speaker 1>been great catching up with you. What we're amazing. Where

0:25:54.480 --> 0:25:56.000
<v Speaker 1>Where are you working now? What are you working on

0:25:56.160 --> 0:26:01.080
<v Speaker 1>right now? Where can people send you? You can't try,

0:26:01.080 --> 0:26:05.359
<v Speaker 1>I won't tell you where. I am so so about

0:26:05.520 --> 0:26:07.879
<v Speaker 1>I guess about twelve years ago, I moved my family

0:26:07.920 --> 0:26:11.960
<v Speaker 1>back to Kentucky. I have three kids. They're grown kids.

0:26:12.320 --> 0:26:14.240
<v Speaker 1>UM and my wife and I've been married about thirty

0:26:14.280 --> 0:26:18.960
<v Speaker 1>one years now, and um we moved back here and

0:26:19.359 --> 0:26:21.040
<v Speaker 1>I was still traveling back and forth to LA a

0:26:21.080 --> 0:26:22.480
<v Speaker 1>couple of times in a month and then doing the

0:26:22.520 --> 0:26:27.880
<v Speaker 1>remote thing. But um I UM I do. I work

0:26:27.960 --> 0:26:33.520
<v Speaker 1>for a company now where I do UM we we

0:26:33.720 --> 0:26:37.120
<v Speaker 1>try to amplify voices of mostly women who are trying

0:26:37.359 --> 0:26:39.640
<v Speaker 1>to improve the world, make the world a better place.

0:26:40.359 --> 0:26:43.200
<v Speaker 1>And so I am sort of the head of content

0:26:43.359 --> 0:26:45.960
<v Speaker 1>for this company where we work with I work with

0:26:46.119 --> 0:26:51.520
<v Speaker 1>authors and influencers and um and comedians and you know

0:26:51.680 --> 0:26:55.760
<v Speaker 1>you name it um uh and so we I do

0:26:55.880 --> 0:27:01.760
<v Speaker 1>live events, I do muh E courses with them. All

0:27:01.800 --> 0:27:03.239
<v Speaker 1>the things that I've been doing that I did over

0:27:03.320 --> 0:27:05.440
<v Speaker 1>the years, I'm I'm using the same tools to do

0:27:05.520 --> 0:27:09.720
<v Speaker 1>what I do now. And that's been that's been really

0:27:10.280 --> 0:27:12.880
<v Speaker 1>pretty awesome. I do a podcast with a friend of mine.

0:27:13.760 --> 0:27:15.879
<v Speaker 1>His name is doctor Kurt Thompson. In the podcast is

0:27:15.880 --> 0:27:22.440
<v Speaker 1>called the Being Known Podcast, and it is it is.

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<v Speaker 1>Doctor Kurt Thompson talks about the idea of all of

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<v Speaker 1>us coming into the world looking for someone who's looking

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<v Speaker 1>for us. So Kurt Say, a psychiatrist who specializes in

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<v Speaker 1>interpersonal neurobiology, which is how the brain and the body

0:27:39.880 --> 0:27:43.000
<v Speaker 1>and mind are developed and how they function and change

0:27:43.040 --> 0:27:46.200
<v Speaker 1>in the context of relationships with others throughout your life.

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<v Speaker 1>And so this idea of coming into the world with

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<v Speaker 1>someone looking for us, you know, we all experience that

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<v Speaker 1>to varying degrees, and you know, a lot of us

0:27:57.240 --> 0:28:02.840
<v Speaker 1>spend our lives making up for screpancy of you know,

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<v Speaker 1>of that and of being known by others. So we

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<v Speaker 1>can make up for that a lot of ways, some

0:28:08.560 --> 0:28:11.720
<v Speaker 1>negative ways like addictions and affairs and shopping and food

0:28:11.840 --> 0:28:14.359
<v Speaker 1>and whatever, all the other things, or we can make

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<v Speaker 1>up for it in the for that discrepancy in the

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<v Speaker 1>context of community and relationship, and the Being ONNED podcast

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<v Speaker 1>provides the neuroscience behind this and the tools for creating

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<v Speaker 1>a community so that we can tell our stories more truly.

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<v Speaker 1>And when you're telling your story more truly, as you, guys, know,

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<v Speaker 1>when you're being seen and known and loved, you know,

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<v Speaker 1>you can live a much fuller life and and integrated

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<v Speaker 1>the life that you know. You can have better relationship

0:28:44.280 --> 0:28:47.400
<v Speaker 1>with your family and your kids and yourself and all

0:28:47.440 --> 0:28:49.000
<v Speaker 1>the things and so that will work. That's just a

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<v Speaker 1>little side gig that I like to do and I

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<v Speaker 1>wanted Kurts work to get out there. I said, if

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<v Speaker 1>we get four hundred listeners, I'll be that'll be a success.

0:28:56.040 --> 0:28:58.600
<v Speaker 1>And you know, we just passed one point seven million.

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<v Speaker 1>We're not we're not competing you guys and your numbers,

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<v Speaker 1>but it's it's a big number for us. It's called

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<v Speaker 1>the Being Known Podcast with doctor Kurt Thompson. Have a

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<v Speaker 1>lot of fun on that. Everyone checked that out. I'm hooked.

0:29:11.920 --> 0:29:14.280
<v Speaker 1>I'm going to check it out. You got me. I

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<v Speaker 1>was like, okay, I'm in. Yeah. Is there a website

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<v Speaker 1>people can go to for your courses? I they can

0:29:21.240 --> 0:29:24.400
<v Speaker 1>go to Being Known podcast dot com. I see all

0:29:24.440 --> 0:29:27.760
<v Speaker 1>the episodes and everything there. Um and wherever you find

0:29:27.800 --> 0:29:32.600
<v Speaker 1>a your podcasts, we're out there as well. And um yeah.

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<v Speaker 1>So it's it's been great catching up with the two

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<v Speaker 1>of you. Thank you, you're amazing. Oh my gosh, oh gosh,

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<v Speaker 1>please thank no disrespect to your wife. I'm so glad

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<v Speaker 1>you're happily married for thirty one years and three beautiful kids.

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<v Speaker 1>But gosh, the course of my life would have changed

0:29:48.280 --> 0:29:49.960
<v Speaker 1>if you had been single. Then I had gone for

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<v Speaker 1>a good guy instead of me talking about bad guys

0:29:52.600 --> 0:29:55.480
<v Speaker 1>at the time when I was so young. I choose

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<v Speaker 1>good guys now. But I'm saying back then, that's yeah.

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<v Speaker 1>I figured you do now, yes, Stinkler, Not back then

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<v Speaker 1>you wouldn't have gone for me because you were way

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<v Speaker 1>into the bad guys. Is very fine. No, thank you,

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<v Speaker 1>Pepper for thank you today. You're amazing. Thank you for everything,

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<v Speaker 1>all the best. Thank you, Bye back at you, bye

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<v Speaker 1>bye bye.