1 00:00:00,000 --> 00:00:01,880 Speaker 1: It's Brooke and Jeffrey in the morning, and today we 2 00:00:01,920 --> 00:00:04,680 Speaker 1: call a woman who's about to attend her very first 3 00:00:04,920 --> 00:00:10,360 Speaker 1: symphony orchestra concert. She's never been to one before, which 4 00:00:10,400 --> 00:00:15,600 Speaker 1: gives us the perfect chance to teach her proper orchestra etiquette. 5 00:00:15,080 --> 00:00:16,279 Speaker 2: Because we're the people for that. 6 00:00:16,560 --> 00:00:18,959 Speaker 1: Yes, just like when you go anywhere like a bowling alley, 7 00:00:19,040 --> 00:00:22,000 Speaker 1: there's certain rules that you have to follow, new proper shoes, 8 00:00:22,079 --> 00:00:26,200 Speaker 1: respect other bowlers. The symphony also has some very strict 9 00:00:26,239 --> 00:00:30,680 Speaker 1: policies regarding applause. Ah, and if she can't follow them, 10 00:00:31,040 --> 00:00:34,400 Speaker 1: she may not be orchestra worthy. In your phone tap 11 00:00:34,640 --> 00:00:35,400 Speaker 1: right after this. 12 00:00:35,840 --> 00:00:41,519 Speaker 2: Brooking Jeffrey's phone tap on the twenties, Oh hello, I'm 13 00:00:41,520 --> 00:00:42,680 Speaker 2: looking to speak with Bethany. 14 00:00:43,960 --> 00:00:45,120 Speaker 1: This is she who's calling. 15 00:00:45,159 --> 00:00:48,840 Speaker 2: Please, Oh lovely, my name is Gloria Tuttenheim. I'm calling 16 00:00:48,880 --> 00:00:52,839 Speaker 2: from the Symphony and Orchestra. And we notice you purchased tickets. 17 00:00:54,200 --> 00:00:59,680 Speaker 2: Uh yeah, my husband dead. Oh how wonderful. Well, we 18 00:01:00,000 --> 00:01:04,280 Speaker 2: deeply appreciate your contribution to supporting the symphonic arts. I've 19 00:01:04,280 --> 00:01:06,280 Speaker 2: billy never gone before, so I'm kind of excited to 20 00:01:06,319 --> 00:01:09,280 Speaker 2: see what it's really all about. Oh see, that was 21 00:01:09,319 --> 00:01:12,080 Speaker 2: going to be my next question, because your name didn't 22 00:01:12,120 --> 00:01:14,040 Speaker 2: pop up as a prior attendee. 23 00:01:14,560 --> 00:01:15,800 Speaker 1: Yeah, this meant first time. 24 00:01:16,360 --> 00:01:19,000 Speaker 2: My husband's a big fan. I just I said I'd 25 00:01:19,040 --> 00:01:21,360 Speaker 2: go with him sooner or later, and I am listen. 26 00:01:21,440 --> 00:01:24,640 Speaker 2: That's a lot of words. This all does have me 27 00:01:24,720 --> 00:01:28,440 Speaker 2: a little concerned. I don't understand about what. I don't know. 28 00:01:28,480 --> 00:01:30,800 Speaker 2: If you've heard about this then it was in the 29 00:01:30,840 --> 00:01:35,440 Speaker 2: newspaper recently, the crackdown on the clap down. No, I 30 00:01:35,480 --> 00:01:38,319 Speaker 2: haven't heard of that. About three weeks ago, we also 31 00:01:38,480 --> 00:01:41,040 Speaker 2: had a new b attend and after one of the 32 00:01:41,120 --> 00:01:46,760 Speaker 2: musical interludes, they clapped inappropriately. What and it disrupted the 33 00:01:46,920 --> 00:01:51,160 Speaker 2: entire set for clapping, Yes, for clapping. We had an 34 00:01:51,160 --> 00:01:54,160 Speaker 2: obo player walk off crying, and the triangle player has quit. 35 00:01:54,200 --> 00:01:59,200 Speaker 2: The industry refuses to triangulate. My god, really, Yes, I 36 00:01:59,240 --> 00:02:01,240 Speaker 2: didn't know clap I think could throw them off. 37 00:02:01,640 --> 00:02:03,680 Speaker 1: I thought people clapped at these shows all the time. 38 00:02:03,840 --> 00:02:06,120 Speaker 2: Well they do, but you have to know the right 39 00:02:06,240 --> 00:02:08,200 Speaker 2: moment to give your manual ovation. 40 00:02:09,800 --> 00:02:12,800 Speaker 1: But now I'm thinking I shouldn't clap. 41 00:02:12,840 --> 00:02:16,160 Speaker 2: I don't want to throw anybody off. Oh that would 42 00:02:16,200 --> 00:02:20,320 Speaker 2: be another terrible mistake, especially where your seats are you'll 43 00:02:20,360 --> 00:02:22,560 Speaker 2: be close enough to the woodwinds where they can see you, 44 00:02:22,639 --> 00:02:27,120 Speaker 2: and if they feel underappreciated, they could walk off as well. God, well, 45 00:02:27,400 --> 00:02:29,880 Speaker 2: that's why I'm here to help you. We're going to 46 00:02:29,880 --> 00:02:32,280 Speaker 2: do a clap role play over the phone, just to 47 00:02:32,320 --> 00:02:34,600 Speaker 2: make sure you're ready. I don't understand what am I 48 00:02:34,600 --> 00:02:36,639 Speaker 2: supposed to do. Well, I'm going to play a little 49 00:02:36,720 --> 00:02:50,840 Speaker 2: music and when it stops we'll hear what your response is? What? Okay? 50 00:02:50,880 --> 00:02:53,760 Speaker 2: And we needed you? There? Bet? That was your cue? 51 00:02:56,600 --> 00:03:01,399 Speaker 2: What have we been talking about? I don't know the rules? Yes, 52 00:03:01,480 --> 00:03:04,600 Speaker 2: that is obvious. Bean. Now the violinist has given you 53 00:03:04,639 --> 00:03:06,400 Speaker 2: side eye and it's probably ruined his night and he 54 00:03:06,440 --> 00:03:09,519 Speaker 2: could shame spiral after the show. Yeah, that seems a 55 00:03:09,560 --> 00:03:13,320 Speaker 2: little dramatic. I thought we were just practicing arts. Is dramatic? 56 00:03:13,919 --> 00:03:27,440 Speaker 2: Let's go again? Do I do it now? Hello? No? No? No? 57 00:03:27,919 --> 00:03:30,840 Speaker 2: Did I do it right? I just needed two gentle 58 00:03:30,919 --> 00:03:34,079 Speaker 2: collaps there? Why did you do four? Oh? Sorry? 59 00:03:34,280 --> 00:03:36,160 Speaker 1: Is there a guide or something I. 60 00:03:36,080 --> 00:03:39,000 Speaker 2: Can follow or beany That's what we're doing now. I'm 61 00:03:39,040 --> 00:03:42,320 Speaker 2: instructing you pay attention. I need something like that I 62 00:03:42,360 --> 00:03:46,119 Speaker 2: can read. Are you sure you're wanting to attend the symphony. 63 00:03:46,720 --> 00:03:50,240 Speaker 1: I don't no anymore. This is getting very complicated. 64 00:03:50,600 --> 00:03:53,280 Speaker 2: It's music. I thought you just sit back and enjoy 65 00:03:53,360 --> 00:03:57,680 Speaker 2: the music. Rule. This is a symphony, not a limp 66 00:03:57,840 --> 00:04:02,120 Speaker 2: biscuit concert. Oh my god, why focus? I am trying 67 00:04:02,160 --> 00:04:04,960 Speaker 2: really hard. I just don't know what to do. Remember 68 00:04:05,200 --> 00:04:08,120 Speaker 2: two soft claps like a polite door knock from a 69 00:04:08,120 --> 00:04:13,280 Speaker 2: shy ghost. What and here we go? What am I 70 00:04:13,320 --> 00:04:17,480 Speaker 2: supposed to do? Is it now? 71 00:04:19,120 --> 00:04:22,240 Speaker 1: Uh? 72 00:04:22,279 --> 00:04:26,200 Speaker 2: Okay? Okay? Was that right? Did I mess it up? Well? 73 00:04:26,320 --> 00:04:30,479 Speaker 2: I will say a little amateur sounding. I don't know 74 00:04:30,520 --> 00:04:33,080 Speaker 2: what I'm doing wrong. I'm sorry. Well, maybe you can 75 00:04:33,120 --> 00:04:36,080 Speaker 2: answer me this. How many claps should you give following 76 00:04:36,120 --> 00:04:37,000 Speaker 2: a prank phone call? 77 00:04:38,400 --> 00:04:38,479 Speaker 1: What? 78 00:04:38,920 --> 00:04:41,400 Speaker 2: It's zero, Bethany, no clapping, just laughing. 79 00:04:43,120 --> 00:04:44,159 Speaker 1: This is a plank call. 80 00:04:44,520 --> 00:04:46,320 Speaker 2: You're actually on the radio right now with Brig and 81 00:04:46,400 --> 00:04:52,120 Speaker 2: Jeffrey in the morning. Bethany, your husband set you up out. 82 00:04:52,960 --> 00:04:54,880 Speaker 2: Tom said that you're a little nervous because you've never 83 00:04:54,960 --> 00:04:56,800 Speaker 2: been to the symphony before, so we wanted to get 84 00:04:56,839 --> 00:05:00,440 Speaker 2: you ready. Oh my god, that poor oval. I already 85 00:05:00,520 --> 00:05:04,240 Speaker 2: stopped because somebody clapped wrong. And what you did to 86 00:05:04,320 --> 00:05:08,039 Speaker 2: that violinist. We won't even speak a P. Please forgive me, 87 00:05:11,320 --> 00:05:13,720 Speaker 2: brook In Jeffrey's phone taps on the twenties