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Speaker 1: So I am hosting the Big Shorts basketball game to

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Speaker 1: attract Adam Sandler to play basketball with me. We're playing basketball.

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Speaker 1: I pitch him on my movie eighteen even Crazier Nights.

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Speaker 2: Sorry, sorry, sorry, sorry, sorry, this was successful. You did

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Speaker 2: lure the Sandman into your basketball tournament with this method,

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Speaker 2: or you were intending to pitch him the movie when

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Speaker 2: he showed up.

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Speaker 1: I'm in the process of, certainly of in the story.

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Speaker 1: I mean the process of putting together the game, the

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Speaker 1: Big Shorts basketball game.

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Speaker 2: What you said, have to find some big shorts.

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Speaker 1: What you said was I'm hosting.

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Speaker 2: You said I'm hosting, and then you said, I pitch him.

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Speaker 1: That's what that's my plan for what to do in

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Speaker 1: the game. At this point in the story, you didn't say.

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Speaker 2: You didn't say you were planning to pitch him. Can

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Speaker 2: I tell you what I think is a crucial flaw

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Speaker 2: in the plan. Adam wants to have the biggest shorts

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Speaker 2: on the court.

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Speaker 1: So thank you so much for I mean, kind of

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Speaker 1: blows the end of my story. But I Adam's not gonna.

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Speaker 2: I'm gonna game where other people have big shorts.

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Speaker 1: I said, first, I'm gonna have to get some huge shorts.

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Speaker 1: My plan was like, if if I can find the

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Speaker 1: biggest shorts, then Adam will will have to come if

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Speaker 1: we're build, If I build the shorts, he will come.

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Speaker 1: I find shorts from the Macy Day parade for the

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Speaker 1: float from the toy story Pig when he was in

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Speaker 1: his own movie called Pool Pig and he's wearing uh, swimming.

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Speaker 2: Short those shorts. No, that that's those are trunks.

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Speaker 1: Okay. So again skipping to the other story, this is

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Speaker 1: this was another issue. But I get these shorts. They're huge.

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Speaker 1: The short the basketball court has become basketball short. That's

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Speaker 1: how big the shorts are. And he shows up and

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Speaker 1: he's like these shorts, Like I kind of like having

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Speaker 1: the biggest shorts And those aren't even shorts.

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Speaker 2: Okay, those are And that really takes the wind out

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Speaker 2: of your sales in terms of pitching eighteen even crazier nights. Yeah,

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Speaker 2: we have a guest here who makes movies, not unlike

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Speaker 2: the Sandman in that all. She just made her own

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Speaker 2: movie coming out tomorrow. Can we get a taste of

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Speaker 2: possibly what the movie would be, and maybe an even

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Speaker 2: more powerful producer than The Sandman. We have Natalie Morales

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Speaker 2: saalo Natalie, Oh.

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Speaker 3: My god, Hello, those are those are pretty big shorts

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Speaker 3: to Phil. So thank you. Barring guys, I've missed you.

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Speaker 2: You really did, right, I missed much. Hey, I we

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Speaker 2: could feel it and we could fee.

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Speaker 1: Yeah.

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Speaker 2: I woke up in a cold sweat, I said Kevin

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Speaker 2: text Natalie.

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Speaker 3: Is it because of all the incessant tweets you were

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Speaker 3: getting begging for me to be back on the show?

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Speaker 4: Is that why you get those tweets?

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Speaker 3: No? I see you're also added on those tweets the

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Speaker 3: replies to you as well.

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Speaker 2: Well, then can I say this, Natalie, and would you

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Speaker 2: do me this kindness? We get those tweets.

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Speaker 3: That's true, we do. We do get those tweets.

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Speaker 2: That's a communal experience. That's us, that's our family.

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Speaker 3: I do what, you know what my public wants.

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Speaker 1: So I'm here, publicist. You didn't finish the wor just

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Speaker 1: the public.

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Speaker 3: My public people still say that, right.

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Speaker 1: Natalie, Yes, public. Last time you did the show, you

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Speaker 1: told the story about calm.

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Speaker 2: The famous come story that may not been Was that

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Speaker 2: the last time or the time before?

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Speaker 1: Two times?

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Speaker 4: Times? I'm coming on two times a.

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Speaker 3: Guess, Yeah, yeah, I'm coming on you.

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Speaker 2: Yes, the famous famous stories.

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Speaker 3: Story story about com you guys, I feel like it's

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Speaker 3: it's a story about David caru So not quite knowing

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Speaker 3: what he was saying, let's just be clear.

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Speaker 1: Because okay, it's the one word. It's the one irreplaceable

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Speaker 1: word in the story.

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Speaker 3: Anya, I would say.

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Speaker 4: That's a name.

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Speaker 1: You can I can replace that proper noun. What if

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Speaker 1: you replaced it with everywhere? What if her name was everywhere?

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Speaker 1: What if her name was in my genes? You know

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Speaker 1: what I mean that.

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Speaker 3: I don't know what you mean.

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Speaker 2: No, if the character's name was in my genes, oh oh,

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Speaker 2: oh you.

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Speaker 3: And somebody is I thought you meant the character's name

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Speaker 3: was in your genes, like sowing on or written on

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Speaker 3: your genes. But you're saying, the character's name is in

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Speaker 3: my genes.

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Speaker 2: If I was cast as the character in my genes,

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Speaker 2: I would have a signature pair of genes where my

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Speaker 2: name was sewn onto the back pocket. Right, okay, just

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Speaker 2: just for me to inform my character.

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Speaker 3: You're saying, so that you're saying that David Caruso could

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Speaker 3: have walked in and said, I'm com my jeans, yes, right, yeah.

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Speaker 1: Got to talk to wardrobe then, you came on the

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Speaker 1: show again to apologize for telling what had been an

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Speaker 1: exclusive story for our show on Seth Meyers show. In

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Speaker 1: your search for clout proprietary content.

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Speaker 3: It's not clout, it's you know, a bigger audience. That's all.

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Speaker 2: Some people on their way up the ladder will reach

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Speaker 2: down and try to pull up their friends and they'll

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Speaker 2: say maybe they would say, they'd say, Seth, I have

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Speaker 2: a story for you that I told on a very

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Speaker 2: funny podcast that everyone should check out.

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Speaker 1: Yes, and I'll let them tell it. And here they are.

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Speaker 3: Here's what you don't know is that I did say

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Speaker 3: that they just edit these things out, you guys. They

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Speaker 3: have unimportant little details out. So I'm sorry.

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Speaker 2: And our feud with Seth continues, and you'll notice he's

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Speaker 2: not here. No, his absence.

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Speaker 4: Is deafening.

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Speaker 1: Then you told another came on the show again to apologize.

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Speaker 1: You told another story about turning your face inside out,

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Speaker 1: and turned out that that was a story that you'd

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Speaker 1: already told on Spaunt.

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Speaker 2: Well, we found that one on Spot, which that was

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Speaker 2: very close to home. Guys.

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Speaker 3: I can't remember everything I say all the time to

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Speaker 3: who I say it. I'm a person of the world,

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Speaker 3: I talk to people.

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Speaker 1: And so we decided that, knowing that obviously you can't

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Speaker 1: remember anything you say or any promise you make, that

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Speaker 1: instead of exclusivity, it is going to be about volume.

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Speaker 1: So we're going to just have you tell ten to

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Speaker 1: fifteen stories.

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Speaker 2: Later on, very interesting stories, anybody. The other thing is,

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Speaker 2: you do our show, and all anybody wants to fucking

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Speaker 2: talk about after these episodes come out is Natalie's stories.

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Speaker 2: And oh and Natalie told that funny story. That David

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Speaker 2: Crusoe story was legendary. Oh the face story. I think

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Speaker 2: I heard it on Spot and it was even longer there,

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Speaker 2: but always down to listen to it again. And what

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Speaker 2: happens is it's not our show anymore. You make it

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Speaker 2: your show. So heyes, and I'm more than happy to

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Speaker 2: take the back seat today. I will kick back. Let's

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Speaker 2: hear some good, funny Natalie stories and hopefully we'll sell

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Speaker 2: them as NFTs at the end of the episode.

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Speaker 3: Oh, guys, I didn't come prepared with like a volume

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Speaker 3: of stories.

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Speaker 1: Else first, you while you have a lot of stuff

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Speaker 1: to do, and this they generate stories.

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Speaker 2: Actually, yeah, sure it will.

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Speaker 3: You guys are a very inspiring.

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Speaker 2: We have a segment that we'd like to do with

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Speaker 2: you special just for you. You're the first person to

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Speaker 2: ever do it, and it's called Hollywood Handbook Calendar.

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Speaker 1: Girl.

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Speaker 2: Oh what do.

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Speaker 4: You think this segment is? Batalie?

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Speaker 3: Oh boy, you know, I think like a layman, someone

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Speaker 3: who doesn't, you know, who isn't as good a buds

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Speaker 3: with you guys as I am, my might get the

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Speaker 3: wrong idea and they might think like, oh, you know

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Speaker 3: you want me to pose for a twelve month calendar.

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Speaker 2: Right, I don't there are no wrong ideas.

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Speaker 3: Sure, I don't think it's that. I know you guys

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Speaker 3: to be you know, respectful men. Yeah, that is the

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Speaker 3: gardener who just arrived at my house at five twenty

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Speaker 3: three pm for no reason, specifically to garden while I

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Speaker 3: was doing this podcast.

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Speaker 4: So it's got a weed whack the succulent.

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Speaker 3: I mean, here's a story, you know, fire.

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Speaker 2: Up the weed wackers and those cuculates are toast.

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Speaker 1: And that is not what we wanted to do, the

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Speaker 1: twelve month calendar thing. Kevin did pitch a page to

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Speaker 1: day calendar shoot, which I think is well.

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Speaker 2: Just the work, the labor involved, and he.

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Speaker 1: Wanted it to be it's too much he.

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Speaker 2: Wanted it to be you full full fire person gear

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Speaker 2: and posing by the truck going down the pole at

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Speaker 2: the station, showing us it's not a mess hall, right,

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Speaker 2: it's just a kitchen. But at any rate, he wanted

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Speaker 2: it would be like a firehouse.

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Speaker 3: But yeah, I would do like a three sixty five

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Speaker 3: calendar if it was like a flip book thing, because

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Speaker 3: then the photo session would be really fast, you know,

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Speaker 3: it would just be click click, click, click, and then

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Speaker 3: you'd be out of there. So I guess to answer yeah,

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Speaker 3: to answer my answer your question, what do I think

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Speaker 3: that the calendar, the Hollywood Handbook calendar girl is? I

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Speaker 3: truly don't know. I don't know what it could be.

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Speaker 3: I would love.

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Speaker 2: Well well to honor you. Actually, you gave us the

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Speaker 2: idea for this segment. It was inspired entirely by you.

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Speaker 2: You sent an email that got our wheels turning at

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Speaker 2: one point, and Kevin, do you happen to have that

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Speaker 2: with you?

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Speaker 5: Oh no, yes, okay, I'm just going to read it,

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Speaker 5: I said. April second of this year. Hi, Natalie, I

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Speaker 5: hope you're doing well. Sean and Hayes would love to

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Speaker 5: have you back on Hollywood Handbook. Are you free this

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Speaker 5: upcoming Wednesday or Thursday at one or Thursday slash Friday

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Speaker 5: the following week parentheses the fifteenth and sixteenth at one.

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Speaker 5: I can get some more dates. If those don't work,

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Speaker 5: then a week later April ninth, Hi, Natalie, just following

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Speaker 5: up to see if Friday, April twenty third at one

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Speaker 5: would work for you.

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Speaker 2: Notice how Kevin gives himself this very dashing voice in

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Speaker 2: all his emails. Hey, Natalie, doesn't use his real voice.

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Speaker 5: And then Natalie Natalie responded Friday, April ninth, Hi, Kevin,

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Speaker 5: nice to hear from you. I'm totally slammed this whole month.

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Speaker 5: I'll be a little freer come May if that works

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Speaker 5: for you, guys.

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Speaker 2: So so we just let's get a look at April.

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Speaker 2: You know, I think it'll be interesting. You know, that's

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Speaker 2: the whole purpose of this podcast, right, is to provide

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Speaker 2: some transparency. I mean, as much as it is funny

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Speaker 2: come stories, there's also I think people get a real

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Speaker 2: benefit and an education about the life of a Hollywood

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Speaker 2: mover shaker producer direction after right, and and so maybe

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Speaker 2: day by day we could look at Aylee and for

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Speaker 2: the future too, we could see if we can actually

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Speaker 2: carve out a moment where we could have squeezed in

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Speaker 2: a record, right right right.

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Speaker 3: So okay, so are you saying you want me to

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Speaker 3: look through my calendar and tell you what it is?

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Speaker 3: I was so slammed with You're the calendar girl.

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Speaker 2: You're the official calendar girl. I see.

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Speaker 3: Okay, I can explain this to you very easily. So,

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Speaker 3: like you said, for us movers and shakers, the thing.

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Speaker 3: The thing is is that we're pretty much always slammed,

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Speaker 3: and sometimes people say that just as an excuse to

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Speaker 3: like not hang out with people, you know, I hate

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Speaker 3: I'm so busy, Iam you right right right, And that

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Speaker 3: wasn't me, as you noted, that wasn't me. I responded

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Speaker 3: very kindly to Kevin and I and I gave him

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Speaker 3: some alternate dates. Sure there were a month later, but

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Speaker 3: I knew when I would be freer. As he said, so.

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Speaker 2: In the month here you are.

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Speaker 3: Yeah, here I am, and it's and we're in May.

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Speaker 1: She really is a calendar girl.

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Speaker 3: I am. The movie that comes out to the movie

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Speaker 3: that comes out tomorrow that you talked about, it's called

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Speaker 3: Plan B. It's a movie I directed, and I was

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Speaker 3: finishing the post on that which means a movie.

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Speaker 2: Sorry, So for people don't know, this is a movie

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Speaker 2: about Brad Pitt starting his production company.

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Speaker 3: It's it's not it's not that at all.

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Speaker 1: He's pronounced I think it's pronounced Planned, right.

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Speaker 3: That's Brad Pitt's production company is pronounced Plan. And then

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Speaker 3: this movie is Plan B, which is about you know,

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Speaker 3: the birth, emergency, space control the space. It's it's an

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Speaker 3: R rated teen comedy out on Hulu tomorrow. You're gonna

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Speaker 3: love it.

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Speaker 1: Can I say a real issue I have with this movie,

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Speaker 1: which is God, yeah, that I've been seeing you know,

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Speaker 1: people asking questions online, people asking like, what are the

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Speaker 1: chances of Plan BE failing?

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Speaker 2: And who's asked that?

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Speaker 3: Who?

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Speaker 2: Who? I think you like a lot of yeah who

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Speaker 2: answers users, Yeah, oh you don't.

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Speaker 3: You don't mean the movie failing, You mean the pill?

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Speaker 1: Well people are responding yes, and so that.

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Speaker 2: Is real issue. Could mean it could become a health

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Speaker 2: crisis actually because people believe there's a zero percent chance

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Speaker 2: of Plan Be failing and they confuse your movie with

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Speaker 2: the yeah you.

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Speaker 3: Have to say Plan B. The movie, I guess is

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Speaker 3: the is the thing?

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Speaker 1: I mean you know how No, don't I mean have

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Speaker 1: some like ambitions. They turned to change it to Plan B,

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Speaker 1: the whatever, you know, the whatever it is.

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Speaker 4: I'm not.

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Speaker 1: I don't.

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Speaker 3: I'm not saying I'm gonna change the title, just saying

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Speaker 3: when you talk about it, you got to change it,

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Speaker 3: you know.

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Speaker 1: Okay.

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Speaker 3: So anyway, I was finishing that, I was editing, and I.

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Speaker 2: Was I was doing all the thing you're in post.

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Speaker 3: I was post on the movie. I was, I was

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Speaker 3: finishing the edit when when Kevin sent me that, which

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Speaker 3: was very very tight, insane schedule because the movie comes

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Speaker 3: out tomorrow, so finishing the edit in April is very

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Speaker 3: very tight schedule.

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Speaker 1: Okay.

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Speaker 5: April first was a Thursday, walk us through it.

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Speaker 3: April first. As you know, of course, April fools.

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Speaker 1: Yes, for a lever of comedy such as yourself, I

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Speaker 1: feel like you're booked.

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Speaker 2: Right right right.

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Speaker 3: I remember something bad happening around that day, socially, culturally,

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Speaker 3: in the world, and nobody felt much like April fooling anybody. Okay, which,

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Speaker 3: as you know, because I'm a comedy person, much to

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Speaker 3: my dismay.

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Speaker 1: My sort of my take is that's when people need

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Speaker 1: me the most.

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Speaker 3: Let's see, let's see, I'm gonna I'm going to open

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Speaker 3: my calendar and see what I was doing April first. Okay,

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Speaker 3: we're gonna go through through just the Thursdays and Fridays. Yes, yeah,

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Speaker 3: on my calendar, I have look at this April Fools

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Speaker 3: stay and gardener, so it would have been the same problem.

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Speaker 4: Oh and he came back.

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Speaker 3: Yeah, and now all day, all day editing on that day.

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Speaker 2: Yeah, God, killing your darlings that was a I mean,

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Speaker 2: what did you cut that day? Like, did you lose

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Speaker 2: a moment that you loved?

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Speaker 3: You know, I didn't, very honestly, I didn't lose a

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Speaker 3: single moment that I loved dearly in this movie. I'm

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Speaker 3: very happy about that.

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Speaker 1: Wow.

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Speaker 2: Yeah, nursing your darlings nurse.

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Speaker 1: Yeah, m hm, that's good. That's good.

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Speaker 3: Do you think that Calendar Girl is going to be

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Speaker 3: like a popular segment on your show?

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Speaker 4: Because this moving forward a.

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Speaker 3: Little drudgie and like, you know, just like or.

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Speaker 2: Only one day in you know, I mean, do you

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Speaker 2: do you want to talk about some of the April

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Speaker 2: Fool's Day pranks that you had saved for next year?

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Speaker 2: I know, if you let me finish the question, I

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Speaker 2: was asking which ones you didn't do that you had

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Speaker 2: planned on prior to the big social problems that happened.

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Speaker 3: I don't remember, you know, I'm a I'm a wing

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Speaker 3: it kind of so I come up with, you know,

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Speaker 3: pranks on the fly, and so I didn't plant, pre.

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Speaker 2: Plan anything that's not good pranks.

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Speaker 3: You don't know you've never been pranked by me? Or

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Speaker 3: maybe this is one long prank pranks on the fly. Yeah,

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Speaker 3: me and me and Clooney, we we do this. We

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Speaker 3: do this thing together. We prank on the fly. It's

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Speaker 3: our way of, you know, letting loose in this business.

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Speaker 2: And do you think if Ashton and Dax had walked

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Speaker 2: into MTV and said, Hey, we're gonna do uh punk

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Speaker 2: and we'll just figure it out as we go, that

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Speaker 2: we would have some of the iconic mean moments that

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Speaker 2: we have seared into the collective pop culture memory.

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Speaker 4: Timberlake crying.

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Speaker 3: There were some really mean moments on that show. I

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Speaker 3: remember one of the meanest ones I can think of.

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Speaker 3: I think it was Jesse Metcalf I want to say who.

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Speaker 3: They told him he was auditioning for like a big

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Speaker 3: superhero role, and then they put him in this suit

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Speaker 3: with like a all these like motion capture balls on it.

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Speaker 3: And they made him writhe around on the floor and

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Speaker 3: act insane, and then they were.

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Speaker 2: Like, you're pranked, Yeah you're not in the movie.

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Speaker 6: So horrible.

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Speaker 2: The industry related ones I also remember being unusually cruel.

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Speaker 2: One that I believe I'm remembering this correctly is they

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Speaker 2: brought Jennifer Love hewittt in to meet with a writer

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Speaker 2: who's like, you're gonna be the star of this movie.

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Speaker 2: And I think it was a little bit like her

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Speaker 2: movie stardom was fading and she was about to transition

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Speaker 2: into TV and they start pitching this movie, and the

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Speaker 2: whole idea is like, it's the worst movie you've ever heard.

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Speaker 4: But she the whole time is going.

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Speaker 2: Like okay, yeah, yeah, that okay, that could be cool.

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Speaker 2: And then like she just as nice the whole time.

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Speaker 2: But she walked and they go just kidding, there's no movie.

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Speaker 2: That movie would be terrible, and she's like, oh all right.

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Speaker 6: It's like it's so cruel, it's so awful.

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Speaker 4: Yeah, that one was pretty bad.

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Speaker 3: I think about Jesse Metcalf the reason I know it's him.

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Speaker 3: I don't know, no, no dis to Jesse Metcalf. I

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Speaker 3: don't know anything else he's done except for this episode

360
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Speaker 3: of that. But the reason I know his name in it,

361
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Speaker 3: because it's seared in my brain is every weird audition

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Speaker 3: I've ever had to do, I think about him.

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Speaker 2: Like, oh no, this is a brad Am I getting.

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Speaker 3: Put this on YouTube.

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Speaker 2: Yeah he was John Tucker, must die?

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Speaker 4: Yeah, don't talk?

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Speaker 3: Oh right, I never saw that movie, but I remember it. Yes, Yeah,

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Speaker 3: he was John Tucker. And in that movie, I'm guessing

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Speaker 3: you may.

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Speaker 2: Have canoodled with one of the Desperate Housewives? Am I misremembering?

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Speaker 1: No? You were not by Fred.

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Speaker 2: I think that's why basically new.

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Speaker 1: Yes to you, good sir, winning the internet this day,

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Speaker 1: and to you as well, Natalie reddit Gold for you,

375
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Speaker 1: my friend. Do you think of any story?

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Speaker 3: Not yet? I'm sorry you guys have no story. I

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Speaker 3: want to be present while I'm talking to you.

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Speaker 2: Well, you just mentioned some awkward auditions where you thought

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Speaker 2: you may have been getting Jesse Metcalf. Can I get

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Speaker 2: some of the inside details from one of these?

381
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Speaker 3: Does it matter that I've said it before?

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Speaker 1: Where? Where was it?

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00:19:13,520 --> 00:19:15,880
Speaker 3: Remember? You guys, you just have to think of more

384
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Speaker 3: original questions to me, what's your worst audition? You know?

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Speaker 3: And then I have a story for it. So you

386
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Speaker 3: just have to think of more unusual questions. All but

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00:19:25,400 --> 00:19:26,880
Speaker 3: it is a good story. If you hear.

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Speaker 1: Just just do it again. It's not asked bluevity because

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Speaker 1: you're taking this stuff out all over town apparently. Yeah, yeah,

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00:19:35,320 --> 00:19:36,480
Speaker 1: it is volume.

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Speaker 3: We you too, Okay, alright, alright, alright, ready.

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Speaker 1: On the books. Yeah, are you.

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Speaker 3: Guys gonna interrupt me a bunch or just a little?

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Speaker 1: I have some pre planned bis No matter what the story.

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Speaker 2: I'm gonna be quiet. I have one huge interruption, but

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Speaker 2: it will stop you from finishing the story entirely.

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Speaker 3: Great, all right. So early on in my career, this

398
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Speaker 3: is one hundred percent true, one hundred percent true. I'm

399
00:20:06,960 --> 00:20:10,679
Speaker 3: not even kidding. Early on in my acting career, I

400
00:20:10,880 --> 00:20:16,399
Speaker 3: was sent an audition to to play a The character

401
00:20:16,480 --> 00:20:20,240
Speaker 3: name was Prostitute number two and uh, and I think

402
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Speaker 3: I had one line which was maybe like aw because

403
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Speaker 3: she gets killed and that's all all it was, right,

404
00:20:27,000 --> 00:20:29,480
Speaker 3: And and so it was like at eight am, now.

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Speaker 1: My wife ow.

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Speaker 3: Yeah.

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Speaker 2: Yeah.

408
00:20:35,760 --> 00:20:37,960
Speaker 3: So it was like at eight am, and it was

409
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Speaker 3: in Beverly Hills, and I was dressed, uh accordingly at

410
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Speaker 3: eight am, and I had to park very far and

411
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Speaker 3: so I was dressed for the part, and I walked

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Speaker 3: all the way to this audition and I waited forever

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Speaker 3: and then I got in.

414
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Speaker 1: Is that normal?

415
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Speaker 2: What which part did you?

416
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Speaker 1: I mean, like, you know, you to come and read

417
00:21:00,840 --> 00:21:02,679
Speaker 1: the Crampus or something. You dress all the way up

418
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Speaker 1: like the Crampus to become the Crampus.

419
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Speaker 3: Yeah. Yeah, I mean, if you want the part, you

420
00:21:07,240 --> 00:21:09,600
Speaker 3: gotta go for it, right. You can't look like a

421
00:21:09,680 --> 00:21:11,800
Speaker 3: school marm when you're auditioning for a hooker.

422
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Speaker 2: When Kevin's you say you're dressed for the part, and

423
00:21:14,400 --> 00:21:17,080
Speaker 2: I see Kevin's wheels, Traine's picturing like, oh yeah, big

424
00:21:17,160 --> 00:21:24,200
Speaker 2: red helmet, fireproof flat jacket. He's just picturing you getting

425
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Speaker 2: all your gear, acts over the shoulder and extinguisher.

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Speaker 3: It's part of a prostitute to Kevin.

427
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Speaker 2: That is for Ken.

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Speaker 5: Kevin.

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Speaker 3: You know, I also I also have a thing for firefighters.

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Speaker 3: I'm with you.

431
00:21:36,280 --> 00:21:37,000
Speaker 4: Oh hell yeah.

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Speaker 1: I share when the emergency vehicles are coming, that the

433
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Speaker 1: police car is chasing the fire truck for for prostitution.

434
00:21:47,200 --> 00:21:49,600
Speaker 2: And that that siren the police car has going is

435
00:21:49,640 --> 00:21:57,200
Speaker 2: sort of like an ah, just like the tongue rolling out. Yeah, yeah,

436
00:21:57,760 --> 00:22:01,800
Speaker 2: that's what he believes is happening. He told me that

437
00:22:02,520 --> 00:22:05,520
Speaker 2: King of Staten Island is the sexiest movie he's ever seen.

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Speaker 4: Oh man, yeah.

439
00:22:08,240 --> 00:22:11,840
Speaker 3: Which part? Which who is like bushmi of course but

440
00:22:12,960 --> 00:22:19,840
Speaker 3: whosh Bill Burr attack all the bees? All the bees? Yeah,

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Speaker 3: plan b thank you.

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00:22:23,040 --> 00:22:25,240
Speaker 5: I have a quick question, was the was the reaction

443
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Speaker 5: the first time you told the story? Are people laughing?

444
00:22:27,640 --> 00:22:28,240
Speaker 1: Are they like?

445
00:22:30,840 --> 00:22:31,560
Speaker 5: Are they cheering?

446
00:22:31,680 --> 00:22:31,760
Speaker 3: Like?

447
00:22:31,800 --> 00:22:33,359
Speaker 5: I just don't want to now what am I supposed

448
00:22:33,359 --> 00:22:35,560
Speaker 5: to be doing with I don't want to do something inappropriate?

449
00:22:35,960 --> 00:22:36,040
Speaker 4: No?

450
00:22:36,240 --> 00:22:38,280
Speaker 3: You can, you know, do what you feel, Kevin. I'm

451
00:22:38,280 --> 00:22:39,919
Speaker 3: not here to tell you how to react or how

452
00:22:39,960 --> 00:22:40,880
Speaker 3: to Kevin.

453
00:22:40,720 --> 00:22:45,960
Speaker 1: During a lot of stories will go yes, if that's.

454
00:22:45,840 --> 00:22:47,600
Speaker 3: What Kevin wants to do, that's what Kevin wants to do.

455
00:22:48,240 --> 00:22:51,600
Speaker 1: N Yeah, ahead, okay, go ahead.

456
00:22:51,440 --> 00:22:54,679
Speaker 3: Okay, so you can follow me, right, I'm walking like

457
00:22:54,840 --> 00:22:58,000
Speaker 3: dressed like a hooker, down down, I don't know, Beverly

458
00:22:58,040 --> 00:23:02,320
Speaker 3: Boulevard and uh in Beverly Hills and then go up

459
00:23:02,320 --> 00:23:03,879
Speaker 3: to this way. They make me wait and then I

460
00:23:03,960 --> 00:23:09,159
Speaker 3: finally get let in, and so Kevin's the one interrupting,

461
00:23:09,240 --> 00:23:10,640
Speaker 3: not you guys, this is a surprise.

462
00:23:10,800 --> 00:23:14,600
Speaker 2: Yeah, I'm just listening respectfully, But my big interruption is still.

463
00:23:14,400 --> 00:23:19,680
Speaker 3: I can't wait for your big I can't wait. I

464
00:23:19,720 --> 00:23:21,560
Speaker 3: feel I mean, I know it's not gonna be. But

465
00:23:21,600 --> 00:23:23,919
Speaker 3: when you say I'm gonna have a big interruption for you,

466
00:23:24,000 --> 00:23:25,680
Speaker 3: it sounds like it's going to be like poop or

467
00:23:25,720 --> 00:23:26,639
Speaker 3: a fart or something.

468
00:23:27,119 --> 00:23:30,000
Speaker 2: Well, I appreciate you not thinking that it's going to

469
00:23:30,040 --> 00:23:30,400
Speaker 2: be that.

470
00:23:30,680 --> 00:23:33,280
Speaker 3: Right, because you're a gentleman. Okay. So I'm in the

471
00:23:33,320 --> 00:23:34,960
Speaker 3: waiting room and I found.

472
00:23:34,720 --> 00:23:38,040
Speaker 2: The ringman and see the guy the gentleman.

473
00:23:38,520 --> 00:23:39,199
Speaker 3: I didn't see that.

474
00:23:39,320 --> 00:23:42,359
Speaker 4: No, is that your biggest truff? No?

475
00:23:42,359 --> 00:23:45,240
Speaker 2: No, no, you just made me think of it. Hey,

476
00:23:45,240 --> 00:23:46,640
Speaker 2: you got a movie coming out. I had a movie

477
00:23:46,640 --> 00:23:48,399
Speaker 2: come out last year, did a nice little piece of business,

478
00:23:48,440 --> 00:23:48,960
Speaker 2: The Gentleman.

479
00:23:50,119 --> 00:23:50,720
Speaker 4: It's about me.

480
00:23:51,720 --> 00:23:52,720
Speaker 3: It was based on you.

481
00:23:53,600 --> 00:23:55,800
Speaker 4: Yeah, some of the stuff that I get up to.

482
00:23:56,520 --> 00:24:00,159
Speaker 3: Okay. So so I'm in the room and and I'm like,

483
00:24:01,440 --> 00:24:04,600
Speaker 3: should I say my line like no or later? She's like, no, lines,

484
00:24:04,640 --> 00:24:09,040
Speaker 3: the lines got cut. So just whenever you're ready, throw

485
00:24:09,160 --> 00:24:14,120
Speaker 3: yourself against the wall and pretend you got hit by

486
00:24:14,119 --> 00:24:17,480
Speaker 3: a truck and then slide down the wall and die.

487
00:24:18,400 --> 00:24:23,480
Speaker 3: And I was like, oh, okay, And so I slammed

488
00:24:23,480 --> 00:24:28,919
Speaker 3: myself against the wall in very tall heels, stripper heels,

489
00:24:29,400 --> 00:24:33,080
Speaker 3: and and then slid slid down. And as I was

490
00:24:33,119 --> 00:24:35,280
Speaker 3: sliding down, I was like, you know, dying. So I

491
00:24:35,359 --> 00:24:38,120
Speaker 3: was making some like I was like oh, and she's

492
00:24:38,160 --> 00:24:43,760
Speaker 3: like no, no lines. I was like, okay, So I died.

493
00:24:44,000 --> 00:24:45,760
Speaker 3: And I was down there on the floor and I

494
00:24:45,760 --> 00:24:48,720
Speaker 3: can hear the camera zooming in on me and and

495
00:24:48,800 --> 00:24:51,320
Speaker 3: I was like, we're done, and she goes, yeah, okay,

496
00:24:51,320 --> 00:24:53,760
Speaker 3: so now just do you dance? Do you dance? Can

497
00:24:53,800 --> 00:24:55,639
Speaker 3: you just dance a little salsa? And I was like

498
00:24:57,040 --> 00:24:58,879
Speaker 3: right now, and she's like yeah. And I was like,

499
00:24:58,920 --> 00:25:01,800
Speaker 3: but there's no music, and she was like uh huh.

500
00:25:01,840 --> 00:25:04,160
Speaker 3: And so then I got up and I danced salsa

501
00:25:04,400 --> 00:25:08,240
Speaker 3: to no music. And then and then she's like thanks.

502
00:25:08,400 --> 00:25:11,960
Speaker 3: And then I left and I walked all the way

503
00:25:12,000 --> 00:25:13,439
Speaker 3: back to my car, and because I was waiting for

504
00:25:13,480 --> 00:25:16,200
Speaker 3: so long, I had a ticket. And then I didn't get.

505
00:25:16,280 --> 00:25:18,280
Speaker 1: You shouldn't have danced salsa for that long.

506
00:25:18,680 --> 00:25:23,040
Speaker 2: I didn't get a part, so I forgot to do

507
00:25:23,119 --> 00:25:23,840
Speaker 2: my interruption.

508
00:25:25,040 --> 00:25:26,359
Speaker 3: Well you can do it now? Do you want me

509
00:25:26,400 --> 00:25:28,920
Speaker 3: to just keep talking? And then you can here? Go ahead.

510
00:25:28,960 --> 00:25:29,679
Speaker 2: I'm talking.

511
00:25:31,280 --> 00:25:32,840
Speaker 4: Real. I'll know it's not real.

512
00:25:33,000 --> 00:25:36,840
Speaker 3: I'm talking. I'm coming on. You just say anything that

513
00:25:36,920 --> 00:25:38,240
Speaker 3: you want.

514
00:25:39,560 --> 00:25:40,160
Speaker 4: I was there.

515
00:25:40,840 --> 00:25:44,240
Speaker 3: Okay, I'm still talking. I'm coming on.

516
00:25:44,400 --> 00:25:46,600
Speaker 2: Hey, that was me. I was there.

517
00:25:47,720 --> 00:25:50,000
Speaker 4: I think I changed my mind about doing a big interruption.

518
00:25:50,240 --> 00:25:59,399
Speaker 7: Okay, whoa, that's good that this is a really good

519
00:25:59,440 --> 00:26:01,840
Speaker 7: start for stories.

520
00:26:01,920 --> 00:26:02,720
Speaker 6: Right, that's a good story.

521
00:26:02,760 --> 00:26:07,280
Speaker 1: It's all yes for the eighteen even crazier stories. Yeah,

522
00:26:07,720 --> 00:26:08,760
Speaker 1: that we're doing today.

523
00:26:09,119 --> 00:26:12,800
Speaker 3: Oh, calendar girl and eighteen crazier Stories goes with the two.

524
00:26:12,720 --> 00:26:19,080
Speaker 1: We did auditions. We we've we've dabbled in set life before.

525
00:26:19,920 --> 00:26:27,080
Speaker 1: You've been on some very funny sets with some notorious pranksters,

526
00:26:29,480 --> 00:26:33,360
Speaker 1: anything from Chris Pratt.

527
00:26:33,160 --> 00:26:38,200
Speaker 2: Any improvisations that didn't make the final cut, some real

528
00:26:38,760 --> 00:26:41,639
Speaker 2: goofs that just like, did you ever break on camera

529
00:26:42,560 --> 00:26:43,160
Speaker 2: Chris Pratt?

530
00:26:43,240 --> 00:26:45,639
Speaker 1: I mean Mike Mitchell told a story on here the

531
00:26:45,680 --> 00:26:47,520
Speaker 1: other day where he said Chris Pratt was mean to

532
00:26:47,600 --> 00:26:52,280
Speaker 1: him when he announced there's a total unknown on this set.

533
00:26:52,359 --> 00:26:54,720
Speaker 1: So when no one is like paying attention to her,

534
00:26:54,680 --> 00:26:55,040
Speaker 1: no one.

535
00:26:55,080 --> 00:26:57,200
Speaker 2: Was asking locked into the room and just like called

536
00:26:57,200 --> 00:26:58,240
Speaker 2: all the attention.

537
00:26:57,920 --> 00:26:59,840
Speaker 1: To him and said that he was going to get

538
00:26:59,880 --> 00:27:06,960
Speaker 1: a Gerito's Logos tacos later and Chris Pratt said cool man, Yeah, which.

539
00:27:08,480 --> 00:27:13,240
Speaker 2: Apparently Mitch has taken as like this huge insult to him.

540
00:27:13,840 --> 00:27:16,680
Speaker 2: I believe what he's leaving out because I was there

541
00:27:16,720 --> 00:27:19,359
Speaker 2: that day, is that Chris was mid sentence. It was

542
00:27:19,359 --> 00:27:21,920
Speaker 2: telling a really sad story about something that happened to

543
00:27:21,960 --> 00:27:26,239
Speaker 2: a friend of his, and Mitch sort of shoved him

544
00:27:26,280 --> 00:27:28,560
Speaker 2: in the chest and went like, I'm getting a Doritos

545
00:27:28,640 --> 00:27:34,159
Speaker 2: Locos taco later. So that is some context that's missing.

546
00:27:34,240 --> 00:27:36,679
Speaker 2: But like, did Pratt ever do something like that with

547
00:27:36,720 --> 00:27:38,600
Speaker 2: you that you know felt pretty rude?

548
00:27:38,760 --> 00:27:42,000
Speaker 1: Is anything at all? Anything he ever said we've won,

549
00:27:42,240 --> 00:27:44,320
Speaker 1: we that we can interpret and we can get some

550
00:27:44,400 --> 00:27:44,880
Speaker 1: burn off.

551
00:27:45,040 --> 00:27:47,840
Speaker 3: Yeah, I'll say, And then you guys are trying to

552
00:27:47,840 --> 00:27:52,040
Speaker 3: get volume here. So micro micro story. Love a Dorito's

553
00:27:52,040 --> 00:27:56,359
Speaker 3: Locos taco. They're delicious, I get the vegetarian kind so great.

554
00:27:56,640 --> 00:27:59,040
Speaker 3: That's there, you go, Microsoft.

555
00:27:58,960 --> 00:28:00,679
Speaker 4: Not the part of the story I would want to.

556
00:28:00,720 --> 00:28:04,560
Speaker 3: I'm just letting you know, And the answer, unfortunately is no,

557
00:28:04,760 --> 00:28:07,560
Speaker 3: Chris Pratt was always really really really nice to me.

558
00:28:07,680 --> 00:28:10,120
Speaker 2: And did he did he do something that we can

559
00:28:10,160 --> 00:28:11,240
Speaker 2: make it sound like it was?

560
00:28:11,440 --> 00:28:15,040
Speaker 1: Yeah? Anything he ever said any conversation you ever had

561
00:28:15,160 --> 00:28:15,760
Speaker 1: even once?

562
00:28:17,440 --> 00:28:19,520
Speaker 3: I mean I think you know, he like, you can

563
00:28:19,560 --> 00:28:22,879
Speaker 3: misconstrue any any kind of like how are you today?

564
00:28:23,160 --> 00:28:24,720
Speaker 3: You know, like you can it can he.

565
00:28:24,680 --> 00:28:26,159
Speaker 4: Said, Oh did he say that?

566
00:28:26,520 --> 00:28:30,040
Speaker 3: Yeah? Yeah he did many times. He many times was

567
00:28:30,240 --> 00:28:31,040
Speaker 3: like how are you?

568
00:28:31,760 --> 00:28:33,280
Speaker 1: Yeah, okay, how are you today?

569
00:28:33,920 --> 00:28:36,520
Speaker 4: Tell me pal? You obviously have an issue.

570
00:28:37,080 --> 00:28:39,760
Speaker 1: Yeah, but I wonder if it was something in your

571
00:28:39,800 --> 00:28:43,000
Speaker 1: performance that was making him be like, maybe.

572
00:28:45,640 --> 00:28:46,920
Speaker 4: It's something going on with you?

573
00:28:47,160 --> 00:28:49,760
Speaker 3: Yeah, like I'm not well, yeah.

574
00:28:50,200 --> 00:28:51,160
Speaker 4: Yeah, that sucks.

575
00:28:52,840 --> 00:28:55,360
Speaker 2: Anything else with the taco I guess since that seems

576
00:28:55,360 --> 00:28:59,200
Speaker 2: to be what you have more that seemed to resonate

577
00:28:59,240 --> 00:29:00,320
Speaker 2: with you more?

578
00:29:00,480 --> 00:29:03,080
Speaker 3: Is there something I just had something to something to

579
00:29:03,160 --> 00:29:05,239
Speaker 3: pull from there? You know, I get it, I get it.

580
00:29:05,280 --> 00:29:08,680
Speaker 3: I get a Drita's Locals Taco's Supreme, which just means

581
00:29:08,680 --> 00:29:11,080
Speaker 3: that I think it just means that there's sour cream

582
00:29:11,120 --> 00:29:11,280
Speaker 3: in it.

583
00:29:11,840 --> 00:29:13,480
Speaker 4: M hm, supreme.

584
00:29:14,360 --> 00:29:17,600
Speaker 3: It should be should be supreme. Don't you hate it

585
00:29:17,640 --> 00:29:20,680
Speaker 3: when people spell cream crim crim?

586
00:29:20,760 --> 00:29:24,760
Speaker 2: Yeah, yeah, notorious crim.

587
00:29:24,560 --> 00:29:27,080
Speaker 3: Fresh but no, but also I see it in like.

588
00:29:28,080 --> 00:29:30,880
Speaker 2: Because they're spelling fresh f R A I C G

589
00:29:31,120 --> 00:29:31,520
Speaker 2: as well.

590
00:29:31,960 --> 00:29:36,959
Speaker 3: Right, that's crazy at that point already it's another language, right,

591
00:29:36,960 --> 00:29:39,680
Speaker 3: But yeah, I got I got these Oreo you know,

592
00:29:39,760 --> 00:29:43,560
Speaker 3: not Oreos things, and it said like sandwich crims and

593
00:29:43,600 --> 00:29:48,200
Speaker 3: it's like, yeah, no, so that's that's story number four

594
00:29:49,440 --> 00:29:49,720
Speaker 3: for you.

595
00:29:50,120 --> 00:29:51,560
Speaker 4: How is Jared Letto?

596
00:29:52,480 --> 00:29:53,560
Speaker 1: Oh? Yeah? How was he?

597
00:29:53,760 --> 00:29:54,600
Speaker 3: Oh boy?

598
00:29:56,480 --> 00:29:57,080
Speaker 1: Oh no?

599
00:29:59,080 --> 00:30:02,600
Speaker 2: And we seem to have tumbled upon a possible proprietary story.

600
00:30:03,120 --> 00:30:09,640
Speaker 1: Kevin. Kevin, just like for all his problems that he

601
00:30:09,720 --> 00:30:11,600
Speaker 1: creates in my life, he is like kind.

602
00:30:11,440 --> 00:30:12,560
Speaker 3: Of he's a problem solver.

603
00:30:12,760 --> 00:30:16,920
Speaker 1: He's a dowsing rod, his sniffer broke man.

604
00:30:17,040 --> 00:30:19,560
Speaker 2: He's able to kind of pick out your weak spots.

605
00:30:19,760 --> 00:30:21,600
Speaker 3: I want to tell you this is so bad, but

606
00:30:21,600 --> 00:30:23,160
Speaker 3: I don't think I can't.

607
00:30:23,320 --> 00:30:26,120
Speaker 1: Say, okay, just leave out, just tell a story about

608
00:30:26,120 --> 00:30:30,400
Speaker 1: an anonymous Yeah, so we'll out who it's about.

609
00:30:30,840 --> 00:30:34,600
Speaker 3: No, No, I don't think I can. Well I probably can.

610
00:30:35,880 --> 00:30:40,640
Speaker 3: Let me think. Let me think for a second the options.

611
00:30:40,120 --> 00:30:43,160
Speaker 2: Of like, how's this can you tell us because we're

612
00:30:43,320 --> 00:30:45,400
Speaker 2: kind of getting nothing with these stories you told, and

613
00:30:45,440 --> 00:30:48,040
Speaker 2: you're sort of just talking about food, which is sort

614
00:30:48,040 --> 00:30:55,160
Speaker 2: of like a Mike Mitchell thing. Uh, thankfully I know that.

615
00:30:55,200 --> 00:30:56,720
Speaker 2: And I am going to guide you now with a

616
00:30:56,800 --> 00:30:58,920
Speaker 2: question that he's going to get us somewhere. Can you

617
00:30:58,960 --> 00:31:02,880
Speaker 2: tell us a fake story about a fake actor that

618
00:31:03,080 --> 00:31:06,400
Speaker 2: could have happened on set but didn't, and then we

619
00:31:06,480 --> 00:31:11,640
Speaker 2: can we can in turn pretend or apply meaning to

620
00:31:11,720 --> 00:31:14,200
Speaker 2: that story so that we act like we got something

621
00:31:14,200 --> 00:31:16,080
Speaker 2: out of you that we can actually use for the show.

622
00:31:17,360 --> 00:31:19,120
Speaker 3: Just make me do all the work, it's the thing.

623
00:31:19,880 --> 00:31:20,600
Speaker 4: I believe me.

624
00:31:20,680 --> 00:31:22,560
Speaker 1: I know. We had to set up this, We had

625
00:31:22,560 --> 00:31:24,760
Speaker 1: to set up a whole Patreon, we had to put

626
00:31:24,760 --> 00:31:25,920
Speaker 1: our bank account in it.

627
00:31:26,080 --> 00:31:26,400
Speaker 6: Yeah.

628
00:31:26,440 --> 00:31:28,080
Speaker 3: I don't get paid for any of this, and you

629
00:31:28,080 --> 00:31:29,720
Speaker 3: guys are just making me do all the work.

630
00:31:30,320 --> 00:31:36,200
Speaker 5: We offer task rabbit discounts, but then the poor task

631
00:31:36,280 --> 00:31:37,320
Speaker 5: rabbits don't get paid.

632
00:31:37,800 --> 00:31:42,880
Speaker 2: Well it's me, so oh okay, yeah, nobody else is

633
00:31:44,000 --> 00:31:44,920
Speaker 2: dating you know what.

634
00:31:44,960 --> 00:31:46,920
Speaker 3: I will tell you the Jared little story, and I

635
00:31:47,000 --> 00:31:48,479
Speaker 3: and I will tell it. I will tell it to you,

636
00:31:48,480 --> 00:31:50,440
Speaker 3: and it is proprietarial, though I reserve the right to

637
00:31:50,440 --> 00:31:54,080
Speaker 3: tell it elsewhere if I fucking want to. Okay, wow,

638
00:31:55,920 --> 00:31:56,920
Speaker 3: did me out?

639
00:31:59,240 --> 00:32:02,000
Speaker 2: No, this is our own Wilson. Wow, we do when somebody.

640
00:32:01,880 --> 00:32:07,080
Speaker 3: Really oh h oh, I thought, yeah, wow, so Kevin

641
00:32:07,120 --> 00:32:09,440
Speaker 3: I think is asking about Jared Letto because I worked

642
00:32:09,480 --> 00:32:11,200
Speaker 3: at him on this movie called The Little Things that

643
00:32:11,280 --> 00:32:15,760
Speaker 3: came out earlier this year, and I if you saw

644
00:32:15,880 --> 00:32:20,720
Speaker 3: that movie, not only was I seventy five percent of

645
00:32:20,760 --> 00:32:23,880
Speaker 3: the things I did get cut from that movie, supposedly

646
00:32:23,960 --> 00:32:28,760
Speaker 3: for our time, but but also there's only one scene

647
00:32:28,920 --> 00:32:32,640
Speaker 3: in which I interact with mister Letto, who famously is

648
00:32:32,680 --> 00:32:40,080
Speaker 3: a method actor and in this movie is playing somewhat

649
00:32:40,080 --> 00:32:48,120
Speaker 3: of a psychopath, and so so he was not hanging

650
00:32:48,160 --> 00:32:52,160
Speaker 3: out with the other actors. He wanted to walk through

651
00:32:52,240 --> 00:32:55,920
Speaker 3: the set from the back, so I didn't see him beforehand,

652
00:32:56,440 --> 00:32:58,600
Speaker 3: and then I had a scene with him face to face.

653
00:32:59,720 --> 00:33:05,320
Speaker 3: He did not He only said hello to me in

654
00:33:05,360 --> 00:33:09,360
Speaker 3: his creepy psychopath voice once after we had start started

655
00:33:09,360 --> 00:33:10,160
Speaker 3: shooting already.

656
00:33:11,080 --> 00:33:11,400
Speaker 4: Should you.

657
00:33:14,240 --> 00:33:16,040
Speaker 1: Didn't say anything weird?

658
00:33:17,000 --> 00:33:18,920
Speaker 3: I don't know that I was the weird one in

659
00:33:18,920 --> 00:33:26,320
Speaker 3: that situation, but I just didn't understand how to be

660
00:33:26,480 --> 00:33:33,320
Speaker 3: a human being that could retain my own self respect

661
00:33:33,560 --> 00:33:38,840
Speaker 3: if I played into somebody pretending to be a psychopath

662
00:33:39,120 --> 00:33:43,520
Speaker 3: with me when the cameras were off. I won't say

663
00:33:43,520 --> 00:33:46,920
Speaker 3: he wasn't mean or anything. He was. He was just very,

664
00:33:47,080 --> 00:33:50,960
Speaker 3: very into his character, and I guess his character also

665
00:33:51,120 --> 00:33:55,280
Speaker 3: is a character that never would say his lines right,

666
00:33:55,640 --> 00:33:58,880
Speaker 3: so then like he also decided not to say any

667
00:33:58,920 --> 00:34:01,480
Speaker 3: of the scripted lines, would left me, as the actor,

668
00:34:01,600 --> 00:34:05,400
Speaker 3: somewhat confused as to how to respond, but it all

669
00:34:05,440 --> 00:34:07,760
Speaker 3: worked out. He's actually I think the best part of

670
00:34:07,800 --> 00:34:11,160
Speaker 3: that movie. Although I really enjoyed working with Rommy as well,

671
00:34:11,320 --> 00:34:14,400
Speaker 3: but he's he's very good in that movie. But yeah,

672
00:34:14,480 --> 00:34:17,840
Speaker 3: that was an audit. And then he he also got

673
00:34:18,280 --> 00:34:20,400
Speaker 3: he also left through the back, so I had an

674
00:34:20,600 --> 00:34:22,840
Speaker 3: entire day and scene with him in which the only

675
00:34:22,880 --> 00:34:27,560
Speaker 3: interaction was a a psychopath version of him smiling at

676
00:34:27,600 --> 00:34:34,120
Speaker 3: me from behind a gate saying hi, and and I

677
00:34:34,160 --> 00:34:39,040
Speaker 3: didn't quite know how to respond to that, while you know,

678
00:34:39,640 --> 00:34:43,680
Speaker 3: not hating myself later, so I think I just said nothing.

679
00:34:43,719 --> 00:34:47,000
Speaker 3: I think I just stared and was like what and

680
00:34:47,040 --> 00:34:49,959
Speaker 3: then and then that was that. So that's my Jared

681
00:34:50,000 --> 00:34:52,000
Speaker 3: little story. I don't I don't know him that well

682
00:34:52,160 --> 00:34:52,520
Speaker 3: at all.

683
00:34:52,680 --> 00:34:54,800
Speaker 2: That's the most I know I seen him. Well, I

684
00:34:54,800 --> 00:34:55,080
Speaker 2: guess I.

685
00:34:55,280 --> 00:34:59,000
Speaker 3: Don't know him. I only know I only know Barma,

686
00:34:59,239 --> 00:35:00,920
Speaker 3: the character that's in this movie.

687
00:35:01,040 --> 00:35:04,880
Speaker 2: Yeah, it's interesting. Yeah, there's sort of like these terms

688
00:35:04,920 --> 00:35:07,520
Speaker 2: like people will talk about an Irish goodbye, and that

689
00:35:07,680 --> 00:35:12,120
Speaker 2: this was the psycho voice hello, and it's you know,

690
00:35:12,239 --> 00:35:15,880
Speaker 2: it's similar where you don't really get to interact. But

691
00:35:16,000 --> 00:35:19,080
Speaker 2: what you did have said was nothing, which I think

692
00:35:19,160 --> 00:35:19,920
Speaker 2: is commendable.

693
00:35:21,640 --> 00:35:23,520
Speaker 3: What I did have said was nothing.

694
00:35:23,920 --> 00:35:30,280
Speaker 2: I did have said nothing. Yes, mister Burbiglio would applaud

695
00:35:30,320 --> 00:35:30,759
Speaker 2: that he.

696
00:35:30,719 --> 00:35:34,040
Speaker 1: Would be there's a plan B for I mean, honestly,

697
00:35:35,360 --> 00:35:39,759
Speaker 1: plan B for you. Just check out some of Birbiglia's stuff. Yeah,

698
00:35:39,840 --> 00:35:40,680
Speaker 1: plan Birbiglia.

699
00:35:41,000 --> 00:35:43,840
Speaker 2: Yeah, that's that'll plan your whole weekend.

700
00:35:44,360 --> 00:35:44,480
Speaker 3: Mm.

701
00:35:45,360 --> 00:35:46,400
Speaker 4: Let me take this.

702
00:35:48,160 --> 00:35:53,120
Speaker 2: Little story and try to help you, because that's part

703
00:35:53,160 --> 00:35:55,560
Speaker 2: of what we do here as well. Now, they're not

704
00:35:55,640 --> 00:35:59,520
Speaker 2: a person among us who didn't think franchise when they

705
00:35:59,520 --> 00:36:04,959
Speaker 2: saw that film. And I have a feeling this will

706
00:36:05,000 --> 00:36:08,000
Speaker 2: not be your last scene with mister Jared Ledo in

707
00:36:08,120 --> 00:36:13,000
Speaker 2: psycho voice mode. So let's just run through some scenarios, Hayes,

708
00:36:13,040 --> 00:36:17,120
Speaker 2: and I will do psycho voice, Okay, you can and

709
00:36:17,239 --> 00:36:21,960
Speaker 2: you can sort of respond to us. Uh, and and

710
00:36:22,120 --> 00:36:25,960
Speaker 2: it'll feel, you know, more familiar and more easy and

711
00:36:26,000 --> 00:36:28,960
Speaker 2: comfortable when you do show up on set the next time.

712
00:36:29,640 --> 00:36:33,600
Speaker 3: Right, So I'm not so so taken aback by that. Yeah, okay,

713
00:36:33,800 --> 00:36:38,160
Speaker 3: I would I mean, I I appreciate it. I appreciate it.

714
00:36:38,280 --> 00:36:43,719
Speaker 1: Is Sparma his first name, last name? Or is his

715
00:36:43,719 --> 00:36:47,120
Speaker 1: middle name? Did you not wat his middle's name? And

716
00:36:47,200 --> 00:36:50,920
Speaker 1: his name is Chicken spar Maadrad Hayes.

717
00:36:50,960 --> 00:36:53,520
Speaker 3: You didn't watch the movie? It had three Oscar winners

718
00:36:53,520 --> 00:36:53,799
Speaker 3: in it.

719
00:36:54,440 --> 00:36:56,200
Speaker 1: Did they say that in the movie?

720
00:36:57,160 --> 00:36:59,799
Speaker 3: They said, They said that all around the movie, not

721
00:37:00,080 --> 00:37:02,439
Speaker 3: in the actual movie, but they definitely make it known

722
00:37:02,520 --> 00:37:04,640
Speaker 3: in all of the promotion of the movie. And then

723
00:37:04,680 --> 00:37:05,600
Speaker 3: my name is also there.

724
00:37:05,640 --> 00:37:08,160
Speaker 2: But really tiny, I had to turn it off because

725
00:37:08,200 --> 00:37:10,640
Speaker 2: I thought it was gonna be about the Bush song

726
00:37:10,840 --> 00:37:13,719
Speaker 2: off that album sixteen Stone, that little thing.

727
00:37:13,840 --> 00:37:15,640
Speaker 1: I thought it was gonna be by the good Charlotte song.

728
00:37:16,600 --> 00:37:19,000
Speaker 3: So so you were disappointed?

729
00:37:19,640 --> 00:37:21,760
Speaker 6: Yeah, what's your favorite?

730
00:37:21,760 --> 00:37:21,920
Speaker 2: Heye?

731
00:37:21,920 --> 00:37:24,920
Speaker 3: Sean Robis. Can I ask what your favorite song off

732
00:37:24,920 --> 00:37:26,080
Speaker 3: of sixteen Stone is?

733
00:37:27,280 --> 00:37:28,319
Speaker 4: You're gonna make me pick?

734
00:37:28,880 --> 00:37:30,680
Speaker 3: I am? I want to know. I mean, I was

735
00:37:30,680 --> 00:37:33,279
Speaker 3: a big Bush fan too. Do you guys want to

736
00:37:33,280 --> 00:37:34,960
Speaker 3: hear about the Rosdale?

737
00:37:36,840 --> 00:37:38,520
Speaker 2: Now we got something? Wow?

738
00:37:40,800 --> 00:37:42,480
Speaker 1: He said, Hi the same way.

739
00:37:42,400 --> 00:37:49,960
Speaker 2: Heiy, I mean, easy answer is obviously glycerine. I do

740
00:37:50,040 --> 00:37:52,879
Speaker 2: it through everything Zen because that was like what got

741
00:37:52,920 --> 00:37:55,799
Speaker 2: me like, who is this? I gotta see this? But

742
00:37:56,200 --> 00:37:58,520
Speaker 2: just because I'm such a big sports guy, and probably

743
00:37:58,560 --> 00:38:01,600
Speaker 2: the best sports song of all time time is machine Head.

744
00:38:02,520 --> 00:38:04,200
Speaker 3: Machine Head is a great song. Isn't it weird that

745
00:38:04,239 --> 00:38:06,400
Speaker 3: they play that at stadium now? It's very strange, but

746
00:38:06,440 --> 00:38:06,680
Speaker 3: I do.

747
00:38:06,719 --> 00:38:07,359
Speaker 1: Love that song.

748
00:38:07,800 --> 00:38:11,799
Speaker 2: Oh yeah, calm down, come down to my way. That's

749
00:38:11,840 --> 00:38:14,400
Speaker 2: a thinker. You just sit down and stare at the

750
00:38:14,440 --> 00:38:17,200
Speaker 2: speaker when that comes on. Just let it wash over you.

751
00:38:17,719 --> 00:38:20,640
Speaker 2: This person's telling you something for real, for real?

752
00:38:21,440 --> 00:38:26,719
Speaker 3: Yeah, what's that? What was that? Like guy that sat

753
00:38:26,800 --> 00:38:29,280
Speaker 3: in a chair and got blown away by a sound

754
00:38:29,400 --> 00:38:31,120
Speaker 3: in that ad for like speakers?

755
00:38:31,239 --> 00:38:32,719
Speaker 4: Yeah, what was that?

756
00:38:32,719 --> 00:38:38,480
Speaker 2: That's Stilbert. That's why it's tied with Albert that permanently

757
00:38:38,640 --> 00:38:40,040
Speaker 2: stuck his tie like that.

758
00:38:45,360 --> 00:38:47,600
Speaker 1: I did miss you met you met Gavin Rossdale.

759
00:38:47,840 --> 00:38:49,440
Speaker 2: I didn't tell us about Gavin.

760
00:38:49,560 --> 00:38:53,080
Speaker 3: I met Gvin Rossdale when I was I want to say,

761
00:38:53,120 --> 00:38:56,120
Speaker 3: like fifteen, wow, And I was.

762
00:38:56,280 --> 00:38:59,320
Speaker 2: That time to meet him, very very very.

763
00:39:00,280 --> 00:39:05,239
Speaker 3: Bush and my friend. My friend went with me and

764
00:39:05,360 --> 00:39:07,799
Speaker 3: insisted that we go really really early. And it was

765
00:39:07,840 --> 00:39:10,480
Speaker 3: in like West Palm Beach. I'm from Miami's. It was

766
00:39:10,520 --> 00:39:13,760
Speaker 3: a few hours away from my house. And we got

767
00:39:13,800 --> 00:39:17,560
Speaker 3: there and we we pulled up to the thing and

768
00:39:17,600 --> 00:39:19,480
Speaker 3: nobody was there. We pulled up to the tour bus

769
00:39:19,920 --> 00:39:21,360
Speaker 3: and the tour bus was there, and there was a

770
00:39:21,400 --> 00:39:23,880
Speaker 3: crowd of people hanging around the tour bus and I

771
00:39:23,920 --> 00:39:26,080
Speaker 3: was like, these people just want to go inside. We

772
00:39:26,080 --> 00:39:27,280
Speaker 3: shouldn't bother these people.

773
00:39:27,640 --> 00:39:28,239
Speaker 1: We shouldn't like.

774
00:39:28,480 --> 00:39:30,560
Speaker 3: This is a weird way to meet someone. I felt

775
00:39:30,680 --> 00:39:34,680
Speaker 3: very strange about it. And all these people were waiting

776
00:39:34,719 --> 00:39:36,439
Speaker 3: around for them to get out of the tour bus,

777
00:39:36,440 --> 00:39:38,319
Speaker 3: and I was like, I don't like this. I'm gonna go.

778
00:39:38,440 --> 00:39:41,040
Speaker 3: I'm gonna just hang out back here. And there was

779
00:39:41,080 --> 00:39:43,680
Speaker 3: a back door to the tour bus and they all

780
00:39:43,719 --> 00:39:46,960
Speaker 3: came out the back door and Gavin Rosdale saw me

781
00:39:47,040 --> 00:39:50,400
Speaker 3: and I went and he he put his you know,

782
00:39:50,480 --> 00:39:53,600
Speaker 3: his finger over his mouth and went and then walked

783
00:39:53,600 --> 00:39:58,040
Speaker 3: in the backway, you I know. And then and then

784
00:39:58,480 --> 00:40:01,680
Speaker 3: and then I was like sorry, struck, very very starstruck.

785
00:40:02,080 --> 00:40:04,560
Speaker 3: And then I went back around to tell my friend.

786
00:40:04,640 --> 00:40:06,759
Speaker 3: And of course, as you said, no one believed me.

787
00:40:07,600 --> 00:40:09,560
Speaker 3: And I was like, they're not they're not here. It's okay,

788
00:40:09,600 --> 00:40:12,799
Speaker 3: we can go, and and so we left. We went

789
00:40:12,880 --> 00:40:14,160
Speaker 3: and got some stuff, and I to.

790
00:40:14,120 --> 00:40:17,040
Speaker 1: Say, yeah, he asked you not to tell.

791
00:40:16,960 --> 00:40:20,359
Speaker 3: Me one uh no, he said, be quiet right now.

792
00:40:20,560 --> 00:40:22,560
Speaker 3: That's how I interpreted it, which is what I did.

793
00:40:22,800 --> 00:40:25,600
Speaker 3: I let them get inside safely. I let them get

794
00:40:25,600 --> 00:40:26,760
Speaker 3: inside safely.

795
00:40:26,560 --> 00:40:30,480
Speaker 2: Even this now, No, I want you to tell stories.

796
00:40:30,640 --> 00:40:32,359
Speaker 2: We did want you to tell ten to fifteen stories.

797
00:40:32,440 --> 00:40:34,160
Speaker 2: We did not want them to be a betrayal.

798
00:40:34,600 --> 00:40:38,359
Speaker 3: No, no, I think someone shushing someone shushing you means

799
00:40:38,480 --> 00:40:40,560
Speaker 3: do not make noise right now. It does not mean

800
00:40:41,120 --> 00:40:41,920
Speaker 3: don't tell.

801
00:40:41,719 --> 00:40:42,279
Speaker 2: The story of.

802
00:40:44,160 --> 00:40:46,160
Speaker 3: Yeah, I think your listeners.

803
00:40:46,200 --> 00:40:48,120
Speaker 2: And that really was the only time you met Gavin,

804
00:40:48,160 --> 00:40:50,000
Speaker 2: because well, because it gets better.

805
00:40:50,400 --> 00:40:53,960
Speaker 4: Okay, it gets.

806
00:40:53,719 --> 00:40:58,840
Speaker 3: Better, you guys, I'm in a bush music video. Wow

807
00:40:59,080 --> 00:41:01,520
Speaker 3: I am. So then we went, we went and got

808
00:41:01,560 --> 00:41:03,319
Speaker 3: some snacks and came back and hung out because there

809
00:41:03,320 --> 00:41:05,720
Speaker 3: was nothing else to do and there was no mobile

810
00:41:05,719 --> 00:41:09,560
Speaker 3: phones at the time. And then they actually came out

811
00:41:09,640 --> 00:41:12,520
Speaker 3: and said hi to everybody, and Gavin Razale recognized me

812
00:41:12,600 --> 00:41:15,319
Speaker 3: and went hey, and weren't you back there? And I

813
00:41:15,360 --> 00:41:16,920
Speaker 3: was like yeah, And he talked to me for a

814
00:41:16,920 --> 00:41:19,920
Speaker 3: little while. And I used to wear these these these

815
00:41:19,960 --> 00:41:23,000
Speaker 3: little tiny thin rings on my thumb, and I gave

816
00:41:23,080 --> 00:41:26,360
Speaker 3: him one and we took a picture together, but I

817
00:41:26,400 --> 00:41:28,680
Speaker 3: had a disposable camera and my friend who was there

818
00:41:28,760 --> 00:41:32,960
Speaker 3: said I was smiling too hard, so I corrected my smile.

819
00:41:33,239 --> 00:41:36,080
Speaker 3: That picture can be found on my Instagram account. It's

820
00:41:36,160 --> 00:41:38,319
Speaker 3: at Natalie Morales Loves. You can check it out if

821
00:41:38,320 --> 00:41:41,560
Speaker 3: you'd like. My smile is terrible because I had just

822
00:41:41,600 --> 00:41:43,840
Speaker 3: been told I was smiling too hard and.

823
00:41:43,960 --> 00:41:47,400
Speaker 2: Addie Morales Loves. That's an edit correct? What do you

824
00:41:47,440 --> 00:41:50,960
Speaker 2: mean that wasn't of course the original title for the

825
00:41:51,040 --> 00:41:51,880
Speaker 2: Instagram right.

826
00:41:51,920 --> 00:41:54,719
Speaker 3: The original title was Natalie Morales Loves free Stuff, but

827
00:41:54,760 --> 00:41:57,880
Speaker 3: I felt that that was very materialistic, so I changed

828
00:41:57,920 --> 00:42:01,520
Speaker 3: it because I do just love also. So then I

829
00:42:01,560 --> 00:42:04,200
Speaker 3: gave him that ring. And then I saw him word

830
00:42:04,239 --> 00:42:06,920
Speaker 3: on TRL like two days later, and I was really excited.

831
00:42:08,040 --> 00:42:11,320
Speaker 1: Wow, Wow, it was stuck.

832
00:42:12,160 --> 00:42:14,360
Speaker 3: It was, you know, or he liked it one of

833
00:42:14,400 --> 00:42:14,680
Speaker 3: the other.

834
00:42:15,480 --> 00:42:17,440
Speaker 1: How far do I have to scroll down to see this?

835
00:42:17,480 --> 00:42:19,040
Speaker 3: I mean, I mean you'll see it. It's a it's

836
00:42:19,040 --> 00:42:19,920
Speaker 3: a very young me.

837
00:42:20,520 --> 00:42:22,439
Speaker 1: It's a very young man, I know, but like how

838
00:42:22,640 --> 00:42:24,920
Speaker 1: long ago, like like a couple.

839
00:42:24,719 --> 00:42:26,359
Speaker 3: Of years ago. I don't know. There's not that many

840
00:42:26,400 --> 00:42:29,480
Speaker 3: things on my Instagram.

841
00:42:28,960 --> 00:42:29,960
Speaker 4: A couple of years ago.

842
00:42:30,880 --> 00:42:32,279
Speaker 3: You don't have to do it now. You could be

843
00:42:32,320 --> 00:42:34,759
Speaker 3: a good host and just engage with me.

844
00:42:35,600 --> 00:42:41,720
Speaker 1: I'm drowning over here here it is yeah, whoa, oh wow.

845
00:42:42,000 --> 00:42:43,880
Speaker 1: Yeah he looked really pissed.

846
00:42:44,040 --> 00:42:47,000
Speaker 3: Yeah, the smile is bad because I was told to correct.

847
00:42:46,960 --> 00:42:48,560
Speaker 1: It's not a smile at all, you know.

848
00:42:49,560 --> 00:42:50,840
Speaker 6: Yeah, I look I look mad.

849
00:42:51,400 --> 00:42:53,239
Speaker 3: But he was very nice to me, and I liked

850
00:42:53,280 --> 00:42:54,000
Speaker 3: him very much.

851
00:42:54,800 --> 00:42:57,360
Speaker 2: Well, I guess that reminds me of a story that

852
00:42:57,400 --> 00:42:59,640
Speaker 2: I don't know if I've ever held before. Maybe I

853
00:42:59,719 --> 00:43:02,240
Speaker 2: have of where I went to see Bush and concert,

854
00:43:02,320 --> 00:43:03,440
Speaker 2: second live concert ever.

855
00:43:03,480 --> 00:43:04,319
Speaker 4: First one was live.

856
00:43:04,360 --> 00:43:06,439
Speaker 2: A little confusing You saw live live?

857
00:43:06,719 --> 00:43:07,560
Speaker 4: I saw live live?

858
00:43:07,640 --> 00:43:13,360
Speaker 2: Yes, okay, ed came out, no shirt, did all the

859
00:43:13,400 --> 00:43:15,800
Speaker 2: songs you wanted to do, rode around on a wheelchair

860
00:43:15,800 --> 00:43:16,880
Speaker 2: on stage for some reason.

861
00:43:16,960 --> 00:43:19,920
Speaker 4: Don't know what that was about, but it was something

862
00:43:19,920 --> 00:43:20,680
Speaker 4: to do. Anyway.

863
00:43:20,719 --> 00:43:23,520
Speaker 2: I go to see Bush about the shirt by long

864
00:43:23,560 --> 00:43:27,840
Speaker 2: sleeve T shirt leaving wear the shirt to eighth grade

865
00:43:27,840 --> 00:43:32,239
Speaker 2: a couple times, No big deal. Not looking to get compliments,

866
00:43:32,280 --> 00:43:33,000
Speaker 2: but letting people know.

867
00:43:33,040 --> 00:43:34,440
Speaker 4: Yeah, your boy went to a concert.

868
00:43:35,400 --> 00:43:39,280
Speaker 2: A little later on, some people by the pencil Sharpener

869
00:43:39,560 --> 00:43:46,279
Speaker 2: talking about going to see the Fuji's. Potentially, I say, oh, hey,

870
00:43:46,320 --> 00:43:50,120
Speaker 2: I might be into that. Casey shoves me. Nice try

871
00:43:50,200 --> 00:43:59,040
Speaker 2: bush Boy.

872
00:43:54,960 --> 00:43:57,239
Speaker 1: You had declared your allegiance.

873
00:43:57,719 --> 00:43:58,520
Speaker 2: That's right.

874
00:44:00,840 --> 00:44:03,680
Speaker 1: For you. Hey, I got a suggestion to rearrange a

875
00:44:03,719 --> 00:44:05,520
Speaker 1: couple of letters. That's the bid. You want to go

876
00:44:05,560 --> 00:44:06,520
Speaker 1: see the goofies.

877
00:44:09,800 --> 00:44:16,200
Speaker 2: Uh, Natalie, you had something off of bush Boy.

878
00:44:18,200 --> 00:44:21,960
Speaker 3: I was gonna say Bushboy and calendar Girl. But you know,

879
00:44:22,960 --> 00:44:25,200
Speaker 3: I like bush Boy. I mean, I know that it

880
00:44:25,239 --> 00:44:27,839
Speaker 3: probably really hurt you at the time, but I think

881
00:44:27,880 --> 00:44:29,920
Speaker 3: it's something you can be proud of now.

882
00:44:31,120 --> 00:44:35,319
Speaker 2: Now, yes, very proud to have been called bush boy.

883
00:44:35,360 --> 00:44:38,320
Speaker 2: And by the way, and by the way, by the way, Casey,

884
00:44:39,680 --> 00:44:40,920
Speaker 2: nice guy. Hope he's doing well.

885
00:44:41,840 --> 00:44:42,800
Speaker 3: I don't.

886
00:44:42,960 --> 00:44:44,520
Speaker 2: He was trying to. He was trying to figure it

887
00:44:44,560 --> 00:44:47,560
Speaker 2: out like everybody else. And later that year, when I

888
00:44:47,560 --> 00:44:50,120
Speaker 2: got hit by a car, he told me that he

889
00:44:50,200 --> 00:44:52,280
Speaker 2: thought about maybe giving me some free weed.

890
00:44:53,239 --> 00:44:56,480
Speaker 3: Oh, Casey making up for his mistakes. Man.

891
00:44:56,520 --> 00:44:58,560
Speaker 2: When I heard you got hit by that pickup truck,

892
00:44:58,600 --> 00:45:00,560
Speaker 2: I thought maybe I bring by a little the green

893
00:45:00,560 --> 00:45:02,040
Speaker 2: stuff and ease the pain for you.

894
00:45:02,440 --> 00:45:04,359
Speaker 3: Hey, Sean, I I mean, I I don't know if

895
00:45:04,400 --> 00:45:06,439
Speaker 3: you've talked about it on this podcast because I don't

896
00:45:06,440 --> 00:45:08,800
Speaker 3: listen to it. But have you talked about the story?

897
00:45:09,000 --> 00:45:11,000
Speaker 3: Are you getting hit by a car before? That seems

898
00:45:11,000 --> 00:45:12,920
Speaker 3: like a good story, and maybe you can just you know,

899
00:45:13,000 --> 00:45:15,040
Speaker 3: fill one of my story slots with.

900
00:45:15,000 --> 00:45:19,319
Speaker 1: That, say it's Natalie and you kind of add like

901
00:45:19,400 --> 00:45:26,720
Speaker 1: some like career specific details and Natalie. Oh okay, yeah, sure, yeah,

902
00:45:26,880 --> 00:45:28,479
Speaker 1: so it's you and Natalie and the story anally.

903
00:45:28,640 --> 00:45:30,399
Speaker 4: Yes, it's like maybe I don't know if you know this.

904
00:45:30,480 --> 00:45:34,040
Speaker 3: We met before, right, you were wearing that Bush shirt

905
00:45:34,080 --> 00:45:35,320
Speaker 3: and I was driving that truck.

906
00:45:35,920 --> 00:45:39,480
Speaker 2: That's right. Yeah. So I had just grabbed a slice

907
00:45:39,520 --> 00:45:44,120
Speaker 2: of pizza with my neighbor and uh, I was walking across.

908
00:45:44,160 --> 00:45:47,919
Speaker 1: Hey, could Sean come out? I was wondering if Sean

909
00:45:47,920 --> 00:45:49,000
Speaker 1: would like to go get This is.

910
00:45:48,880 --> 00:45:50,560
Speaker 3: A neighbor of very old man.

911
00:45:51,560 --> 00:45:53,200
Speaker 1: Hey is Sean Holme.

912
00:45:57,080 --> 00:45:58,319
Speaker 2: Hey, mister Davenport.

913
00:45:58,760 --> 00:46:01,200
Speaker 3: And here I am just mosey along in my truck.

914
00:46:02,360 --> 00:46:05,360
Speaker 2: Hey Davingport. Oh sure I could go for some pizza.

915
00:46:06,280 --> 00:46:09,040
Speaker 2: Hang on, let me just pause the basketball diaries.

916
00:46:11,760 --> 00:46:14,080
Speaker 1: All right, my car's been taking take it away, so

917
00:46:14,200 --> 00:46:18,440
Speaker 1: we're gonna walk if that's okay?

918
00:46:18,760 --> 00:46:21,640
Speaker 2: All right, Oh, we'll take the short cut through the

919
00:46:21,719 --> 00:46:24,960
Speaker 2: railroad tracks and then we'll just jog across Route ten.

920
00:46:25,120 --> 00:46:28,960
Speaker 2: No big deal, there's never any trucks on that street.

921
00:46:29,320 --> 00:46:32,279
Speaker 1: I'm really fast, so I'm gonna be okay, I know

922
00:46:32,360 --> 00:46:32,840
Speaker 1: that much.

923
00:46:33,040 --> 00:46:35,000
Speaker 3: I'm blasting the Fuji's in my truck.

924
00:46:37,320 --> 00:46:40,799
Speaker 1: So you're driving your truck down down the railroad tracks.

925
00:46:41,960 --> 00:46:43,960
Speaker 3: Sean, Where am I driving my truck through?

926
00:46:44,520 --> 00:46:46,640
Speaker 2: I guess, But I guess it's possible that you were

927
00:46:46,680 --> 00:46:48,480
Speaker 2: trailing us. The whole time I.

928
00:46:48,480 --> 00:46:50,719
Speaker 3: Was trailing you, I was blasting the Fuji's because I

929
00:46:50,719 --> 00:46:52,160
Speaker 3: couldn't hear or see anything.

930
00:46:53,840 --> 00:46:55,200
Speaker 2: That's how loud the music Love.

931
00:46:55,280 --> 00:46:57,760
Speaker 3: It's so loud, and you sing it so passionately. You

932
00:46:57,760 --> 00:47:00,200
Speaker 3: your eyes are closed while you're driving. And also you're

933
00:47:00,239 --> 00:47:02,319
Speaker 3: driving on the railroad tracks. You don't really need to look,

934
00:47:02,440 --> 00:47:04,520
Speaker 3: you know, you just feel your way through because it guides.

935
00:47:04,640 --> 00:47:08,080
Speaker 2: Oh yeah tracks. So then yeah, so we get to

936
00:47:08,120 --> 00:47:10,960
Speaker 2: the pizza. Oh what are you having, mister Davidport.

937
00:47:11,040 --> 00:47:11,560
Speaker 4: It's on me.

938
00:47:11,840 --> 00:47:13,640
Speaker 2: I know you left your wallet at home again.

939
00:47:14,280 --> 00:47:17,520
Speaker 1: Oh, I'll just have just a handful of cheese for

940
00:47:17,600 --> 00:47:18,080
Speaker 1: me please.

941
00:47:19,120 --> 00:47:23,680
Speaker 2: Okay, So mister Davidport's gonna have the usual and uh, well,

942
00:47:23,760 --> 00:47:27,759
Speaker 2: I'll get a grape soda and we finish eating and

943
00:47:27,840 --> 00:47:31,080
Speaker 2: it's like, hey, uh, do you want to not take

944
00:47:31,120 --> 00:47:34,040
Speaker 2: the railroad tracks home? Maybe we should go on the

945
00:47:34,040 --> 00:47:35,480
Speaker 2: street where it's a little lighter.

946
00:47:37,440 --> 00:47:41,040
Speaker 1: Uh, yeah, sure, let's go. I definitely definitely. What I

947
00:47:41,080 --> 00:47:44,840
Speaker 1: care about is it being light. So let's yeah, I'm tired.

948
00:47:44,600 --> 00:47:47,239
Speaker 3: Of driving on these railroad tracks. I'm gonna make this

949
00:47:47,320 --> 00:47:48,799
Speaker 3: turn and drive on the street. Now.

950
00:47:49,600 --> 00:47:51,960
Speaker 2: Doesn't that truck look familiar? Wasn't it behind us on

951
00:47:52,000 --> 00:47:53,239
Speaker 2: the railroad tracks.

952
00:47:53,960 --> 00:47:55,440
Speaker 4: I'm gonna go see if they're lost.

953
00:47:55,560 --> 00:47:59,799
Speaker 6: See, hey, do you need?

954
00:48:00,080 --> 00:48:00,520
Speaker 2: Don you help?

955
00:48:00,600 --> 00:48:03,160
Speaker 1: I know the town pretty hardly?

956
00:48:04,920 --> 00:48:34,360
Speaker 6: So, oh did I what was that bump?

957
00:48:35,960 --> 00:48:38,480
Speaker 3: Just me? So what happened to you, Sean? Did you

958
00:48:38,480 --> 00:48:41,200
Speaker 3: break anything? Anything happened? Did by any chance you break

959
00:48:41,239 --> 00:48:42,640
Speaker 3: your face or anything like that?

960
00:48:42,760 --> 00:48:45,600
Speaker 2: I did? Yeah, as interesting as that, I broke the

961
00:48:45,719 --> 00:48:49,960
Speaker 2: orbital bones around my eye, slice through my eyelids so

962
00:48:50,000 --> 00:48:53,600
Speaker 2: I could close my eye and still see, uh, slice

963
00:48:53,640 --> 00:48:54,640
Speaker 2: through you know.

964
00:48:54,680 --> 00:48:57,200
Speaker 4: My leg, damage the growth plate of my left leg.

965
00:48:58,960 --> 00:49:02,200
Speaker 2: Then had a seizure and you know, had sort of

966
00:49:02,200 --> 00:49:04,280
Speaker 2: no like kind of breathing break activity.

967
00:49:04,360 --> 00:49:05,800
Speaker 3: Oh you're here, you made it. You're okay.

968
00:49:06,000 --> 00:49:06,480
Speaker 2: It's fine.

969
00:49:06,600 --> 00:49:08,440
Speaker 1: Well, when you told that story, Sean said he was

970
00:49:08,480 --> 00:49:11,640
Speaker 1: sorry that that happened to you on your episode.

971
00:49:12,200 --> 00:49:14,680
Speaker 4: But he's fine, but I made funny you afterwards.

972
00:49:14,840 --> 00:49:17,560
Speaker 3: Yeah, he's fine, He's fine.

973
00:49:17,640 --> 00:49:18,960
Speaker 1: Kevin's better than fine.

974
00:49:19,000 --> 00:49:22,279
Speaker 2: I got natal Moreles. On the podcast of the movie out.

975
00:49:22,239 --> 00:49:24,439
Speaker 1: Tomorrow, Kevin says, you have to leave.

976
00:49:25,040 --> 00:49:26,160
Speaker 3: I do you guys?

977
00:49:26,560 --> 00:49:28,880
Speaker 1: Okay, let's play calendar girl? What is it? What do

978
00:49:28,920 --> 00:49:29,440
Speaker 1: we got?

979
00:49:29,800 --> 00:49:33,640
Speaker 3: Oh? You want to know? It's actually very exciting. May fourth,

980
00:49:34,040 --> 00:49:37,600
Speaker 3: the two stars of my the two stars of my

981
00:49:37,960 --> 00:49:40,640
Speaker 3: movie are coming over to watch it for the first time.

982
00:49:41,280 --> 00:49:43,240
Speaker 3: They have not seen it yet, and I'm very excited

983
00:49:43,280 --> 00:49:44,120
Speaker 3: to show it to them.

984
00:49:44,400 --> 00:49:46,239
Speaker 1: How many times have you after them to do anything

985
00:49:46,239 --> 00:49:46,560
Speaker 1: about it?

986
00:49:46,600 --> 00:49:46,680
Speaker 3: Now?

987
00:49:46,719 --> 00:49:47,839
Speaker 1: It comes out tomorrow, right.

988
00:49:47,800 --> 00:49:52,200
Speaker 3: Yeah, I've watched it hundreds of times. But I think

989
00:49:52,239 --> 00:49:53,960
Speaker 3: it's very good and I'm very proud of it.

990
00:49:54,560 --> 00:49:55,239
Speaker 1: Yeah.

991
00:49:55,040 --> 00:49:56,400
Speaker 4: Yeah, hope, I agree.

992
00:49:56,719 --> 00:49:59,440
Speaker 3: I hope you do too. I think you will. I

993
00:49:59,440 --> 00:50:01,960
Speaker 3: hope you both. I hope that all the listeners do.

994
00:50:02,640 --> 00:50:06,040
Speaker 3: Hope everybody does. How do we have very very rated

995
00:50:06,160 --> 00:50:07,799
Speaker 3: R just so you know, very rated R?

996
00:50:08,320 --> 00:50:10,839
Speaker 1: Okay, is there any way that they can like buy

997
00:50:10,880 --> 00:50:13,440
Speaker 1: the ads buy stuff from the ads to like help

998
00:50:14,719 --> 00:50:17,200
Speaker 1: for like or to be like, I love this movie

999
00:50:17,239 --> 00:50:19,520
Speaker 1: so much, I'm getting even more Hulu.

1000
00:50:20,360 --> 00:50:22,600
Speaker 3: Yeah you could get you could get the isn't there

1001
00:50:22,600 --> 00:50:24,520
Speaker 3: like an ad free version of Hulu and a non

1002
00:50:24,560 --> 00:50:27,080
Speaker 3: adversion hu Yeah, you could get that. I guess I

1003
00:50:27,080 --> 00:50:29,040
Speaker 3: don't know. But you could just watch it. I think

1004
00:50:29,280 --> 00:50:31,680
Speaker 3: that'd be fine. You could watch it and then like

1005
00:50:31,760 --> 00:50:33,640
Speaker 3: talk about it a lot about like how do you

1006
00:50:33,640 --> 00:50:34,399
Speaker 3: think it's so great?

1007
00:50:34,400 --> 00:50:36,480
Speaker 1: And yeah, hashtag for it.

1008
00:50:37,040 --> 00:50:40,040
Speaker 3: I've been using hashtag Plan B movie because, as we

1009
00:50:40,160 --> 00:50:42,680
Speaker 3: discussed earlier, it can be confused with Plan B the pills.

1010
00:50:42,760 --> 00:50:43,840
Speaker 2: It's Plan B a movie.

1011
00:50:44,160 --> 00:50:45,480
Speaker 3: Hashtag Plan B movie.

1012
00:50:45,880 --> 00:50:49,160
Speaker 1: That kind of sounds like B movie, Plan.

1013
00:50:49,000 --> 00:50:51,279
Speaker 3: B A movie, you know, Yeah, but it kind of

1014
00:50:51,280 --> 00:50:53,919
Speaker 3: sounds like no, No, it's not no because B movie

1015
00:50:54,000 --> 00:50:54,800
Speaker 3: has two e's.

1016
00:50:54,680 --> 00:51:00,000
Speaker 2: After the plan and it's about sound like from.

1017
00:51:01,040 --> 00:51:02,720
Speaker 3: It sounds like Plan B movie.

1018
00:51:03,680 --> 00:51:06,839
Speaker 1: That's what I beat, and that's exactly what I'm saying,

1019
00:51:06,880 --> 00:51:09,920
Speaker 1: So we agree, Bike Wholly.

1020
00:51:11,120 --> 00:51:13,759
Speaker 5: This week on the Patreon, Carl and Asan discussed the

1021
00:51:13,800 --> 00:51:16,759
Speaker 5: Super Bowl Shuffle. The boys have some fun talking to

1022
00:51:16,920 --> 00:51:19,560
Speaker 5: David Reese, and the flager Ones are catching up with

1023
00:51:19,640 --> 00:51:23,239
Speaker 5: their friends Jake and Emirir. Check out these bonus podcasts

1024
00:51:23,239 --> 00:51:26,760
Speaker 5: and videos of the full episodes at patreon dot com.

1025
00:51:26,800 --> 00:51:29,680
Speaker 5: Slash the flager onesllywood Ha