WEBVTT - Catching Up With Friends with John Benjamin Hickey... (Compulsive Shower Guy)

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<v Speaker 1>Hi, I'm Kristen Davis, and I want to know are

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<v Speaker 1>you a Charlotte? This is very exciting, you guys. We

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<v Speaker 1>are in the sidebar part of Are You a Charlotte,

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<v Speaker 1>which is catching up with friends, and here we have

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<v Speaker 1>the incredible John Benjaminicky.

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<v Speaker 2>Yeah.

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<v Speaker 1>Now we are a little bit past his episode. I've

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<v Speaker 1>been trying to get him on. Okay, he's a hot ticket,

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<v Speaker 1>you guys.

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<v Speaker 2>I didn't realize.

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<v Speaker 1>I was so busy. Yeah, we were much desired.

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<v Speaker 3>Trying to figure out what I was doing that I

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<v Speaker 3>could be so unavailable.

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<v Speaker 2>But here I am.

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<v Speaker 1>That's okay. It was important stuff. You told me at

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<v Speaker 1>the premiere what you're doing, and I totally understand. Yes,

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<v Speaker 1>it's okay, it's okay, but you're here now and that's

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<v Speaker 1>all that matters. So John is in the first season,

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<v Speaker 1>which really surprised both of us.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 1>We thought it was like later on in the run.

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<v Speaker 3>Absolutely, I would have probably said end of the second

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<v Speaker 3>maybe even the third third.

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<v Speaker 1>Which I think of as our best season. If we

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<v Speaker 1>have to pick an overall season in.

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<v Speaker 2>My episode for your episode, that's.

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<v Speaker 1>Why I'm saying I would put it in the bed

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<v Speaker 1>because it's such a good episode and it was written

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<v Speaker 1>by Michael Patrick King, which you can completely tell. Oh god, yes,

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<v Speaker 1>John plays the Catholic Guy. He has a real name,

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<v Speaker 1>is called Thomas John Anderson, which is kind of funny

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<v Speaker 1>because John Benja three and he's playing Michael Patrick King

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<v Speaker 1>basically and his own episode, and he is called the

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<v Speaker 1>Catholic Guy. That's what we call him in the shorthand

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<v Speaker 1>to the friends. And he's opposite Cynthia and they are incredible.

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<v Speaker 1>This episode was directed by Matthew Harrison. We don't have

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<v Speaker 1>a ton of memories about him. We're really sorry, I

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<v Speaker 1>who it's apologized.

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<v Speaker 3>If I never remember the direct vivid memories of MPK

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<v Speaker 3>not directing me, but just he's such a brilliant, extraordinary

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<v Speaker 3>presence on set and his writing was so great that

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<v Speaker 3>I remember him and of course have known him all

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<v Speaker 3>these years after. But yeah, I don't remember the directors.

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<v Speaker 3>I know, but that's not because he didn't direct a

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<v Speaker 3>great episode.

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<v Speaker 1>Absolutely, because that's an episode.

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<v Speaker 2>Good director disappears a little bit.

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<v Speaker 1>This is a good point. And you also direct, so

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<v Speaker 1>you know very well. You know very well, so tell

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<v Speaker 1>us your memories and your thoughts about the new It

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<v Speaker 1>was relatively new show.

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<v Speaker 2>Yeah, how is this a G rated program?

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<v Speaker 3>Okay, great, Well, what I vividly remember is being on

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<v Speaker 3>top of Cynthia, having being in the throes of passion

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<v Speaker 3>and having orgasm after or fake orgasm after orgasm, and

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<v Speaker 3>getting up and sharing. And you know a lot of

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<v Speaker 3>people have seen it in syndication and all that stuff's out,

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<v Speaker 3>but in the I guess the DVD or box set

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<v Speaker 3>or whatever you call it these days, you.

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<v Speaker 2>See all of those sex scenes.

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<v Speaker 3>So what I remember most vividly is being in bed

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<v Speaker 3>in flagrante with Cynthia Nixon. Thank goodness, I had known her.

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<v Speaker 3>We'd done a play together, which is the way you

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<v Speaker 3>get very intimate, very quickly, is by being on stage together.

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<v Speaker 3>And we had such a great time doing this play

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<v Speaker 3>and such a great rapport and such great trust that

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<v Speaker 3>we immediately threw ourselves into it. And you know, this

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<v Speaker 3>was before Sex and the City was Sex and the City,

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<v Speaker 3>So going to that set and having to do such

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<v Speaker 3>a huge.

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<v Speaker 2>Sex scene was really nerve racking.

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<v Speaker 3>Nerve racking, So that's my biggest memory is just being

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<v Speaker 3>on top of Cynthia, and you know, and then the

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<v Speaker 3>casual after an hour or two, it becomes so casual, like,

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<v Speaker 3>what are you gonna have for lunch? I think I'm

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<v Speaker 3>gonna have that, you know, totally both yeah, naked, and

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<v Speaker 3>I mean we all had We've talked about cook socks

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<v Speaker 3>and all that stuff. Yeah, right, right right, and I

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<v Speaker 3>guess I remember the cok sock as well.

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<v Speaker 1>There you go. Very memorable. I mean the thing about

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<v Speaker 1>Cynthia too, which is a theme in every guy that

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<v Speaker 1>I've ever spoken to who was opposite hers, that she

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<v Speaker 1>has no real fear or self consciousness about it.

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<v Speaker 3>Yeah, no she doesn't. But listen, this is the all

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<v Speaker 3>of your reputations precede you when actors go on your show.

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<v Speaker 3>And this was true twenty how many years ago, twenty.

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<v Speaker 4>Five years, twenty seven or six, unbelievable, And now you

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<v Speaker 4>get a job on that show and you're decided to

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<v Speaker 4>go there because of the way you guys treat people.

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<v Speaker 3>It's guesting on a show, even if you're in the

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<v Speaker 3>first season or now, is being is like being forced

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<v Speaker 3>to go to somebody else's office Christmas party. You know,

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<v Speaker 3>there might be a little bit of a feeling of

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<v Speaker 3>nobody really understands why you're there, but you're there, and

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<v Speaker 3>so it's very important for the top of the call sheet.

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<v Speaker 3>To treat people, you know, this very very well. To

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<v Speaker 3>make people feel comfortable one of the biggest parts of

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<v Speaker 3>the job. And this was a show that did that

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<v Speaker 3>even then. And you know, Cynthia was amazing that way,

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<v Speaker 3>because she's so free, such a great actress, and so

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<v Speaker 3>unintimidated and unintimidating.

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<v Speaker 1>Absolutely. I mean it's funny because she sometimes I would

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<v Speaker 1>be so worried if she had one of these scenes

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<v Speaker 1>because I was like, she's not going to take care

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<v Speaker 1>of herself, and you know, not with you, because you're

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<v Speaker 1>a season pro. But like sometimes people just grab an

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<v Speaker 1>all crazy way and no one would say like stop,

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<v Speaker 1>and I think, like I should go, I should go,

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<v Speaker 1>and she'd be like delicate, delicate, you know, But she

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<v Speaker 1>didn't care. And that's so freeing when you're watching her.

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<v Speaker 3>Yeah, yeah, really, she's really she's really fearless. We went

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<v Speaker 3>on to do another series together called The Big c

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<v Speaker 3>and had so many sex scenes. Like I think maybe

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<v Speaker 3>as many sex scenes as Cynthia has played over the years,

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<v Speaker 3>I might be at the top of the list of

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<v Speaker 3>the just the quantity.

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<v Speaker 2>I love it, and I hope the quality. But you

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<v Speaker 2>did a lot.

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<v Speaker 3>Together, and oh my god, by the end of our

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<v Speaker 3>run on the Big Sea together, we were.

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<v Speaker 1>Like amazing, like an old Mary com I know, really

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<v Speaker 1>love that because you're so perfectly matched. You know, you

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<v Speaker 1>are so complex as an actor, which I think you

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<v Speaker 1>often like are more into your directing now and whatever.

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<v Speaker 1>But to me, whenever I watch you on film, you're

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<v Speaker 1>so complicated, and she also has so many layers, and

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<v Speaker 1>she kind of does it so effortlessly. Wish you as well,

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<v Speaker 1>because you've been doing it so long. It's very interesting

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<v Speaker 1>to watch. I could see why they would cast you

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<v Speaker 1>again opposite each other. It makes perfect sense. So way back,

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<v Speaker 1>take yourself way back. Do you remember, like, what were

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<v Speaker 1>you doing? You've done this play with Cynthia. You were

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<v Speaker 1>on Broadway, you were doing yep.

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<v Speaker 3>I want to say I done a play a playwrights

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<v Speaker 3>rising It's called on the Bum with Cynthia, which is

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<v Speaker 3>one of the great experiences of both of our lives.

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<v Speaker 2>I think she would say the same.

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<v Speaker 3>It's just an amazing group of actors, a very large

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<v Speaker 3>cast and all of off Broadway's finest Campbell, Scott and yeah,

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<v Speaker 3>just incredible people. And Cynthia and I really had a

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<v Speaker 3>great bond. I do remember that her mother sent me

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<v Speaker 3>a note. Cynthia was very and if her mom liked

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<v Speaker 3>an actor she was playing opposite.

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<v Speaker 2>You really rose in the ranks. You rose in her eyes.

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<v Speaker 2>I'm still very proud of that.

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<v Speaker 3>Yeah, and so I feel like I knew going in

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<v Speaker 3>that that I was going to be well taken care of.

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<v Speaker 2>I don't remember. I don't think I auditioned for the part.

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<v Speaker 3>I think I was offered the part, which so perfect, Yeah,

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<v Speaker 3>which was very rare back then.

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<v Speaker 2>I auditioned for everything happily.

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<v Speaker 3>Would audition again if it was a role like what's

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<v Speaker 3>his name, Paul Thomas Anderson.

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<v Speaker 1>That's a director, Thomas J and N Anderson.

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<v Speaker 2>But I don't remember auditioning for it.

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<v Speaker 1>But would that have been Sir Jessica's relationship with you?

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<v Speaker 3>Maybe, yes, we were. We were close back then, but

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<v Speaker 3>we got really close. Maybe in seasons three, four and

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<v Speaker 3>five we were. We got closer as friends then in

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<v Speaker 3>the beginning, I don't think we were quite that close.

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<v Speaker 3>We knew each other, but not that well. To be

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<v Speaker 3>completely honest, I don't know. I don't know.

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<v Speaker 1>I think it was because you were so perfect for

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<v Speaker 1>that part.

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<v Speaker 3>I guess uh, and and you know, but there's a

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<v Speaker 3>there's a fear in that because if you haven't auditioned,

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<v Speaker 3>you're going in and you're thinking, I hope they I

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<v Speaker 3>think they've made the right decision, and I hope I

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<v Speaker 3>don't show up and they're like, oh, that's not what

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<v Speaker 3>we wanted, because if you have auditioned, then they've seen

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<v Speaker 3>what you're what you're bringing. So I went in cold,

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<v Speaker 3>and when you're having to do nude scenes, you want

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<v Speaker 3>to be very warm. You want to be warm warmed

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<v Speaker 3>up pretty quickly. And I think it was one day.

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<v Speaker 3>Maybe you're kidding, Yeah, maybe, Oh my god.

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<v Speaker 1>You're so tremendous. It's crazy to think you would have

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<v Speaker 1>done that in one day because you're so mad. You

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<v Speaker 1>get so angry when she tries to tell you not

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<v Speaker 1>to shower.

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<v Speaker 2>I'm on the rain, complete Catholic meltdown. Oh excuse me.

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<v Speaker 3>I'm so sorry that you think I'm not going to

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<v Speaker 3>go to hell for having sex.

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<v Speaker 1>Yeah, yeah, that fixes it. You're like, that fixes it

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<v Speaker 1>right away. It's so good.

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<v Speaker 3>And I vividly remember MPK and the wonderful director saying

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<v Speaker 3>go further, because you know, I was a theater actor

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<v Speaker 3>and I was like, oh boy, that was probably really

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<v Speaker 3>over the top, and Michael's like, no, get madd go further,

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<v Speaker 3>really lose your on her and loving it and having

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<v Speaker 3>a ball. And at that point we had simulated sex

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<v Speaker 3>and orgasm so many times together that we could do anything.

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<v Speaker 1>Absolutely, absolutely, so for me, when I think back on

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<v Speaker 1>the first season, this is what's been so interesting to

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<v Speaker 1>rewatch it. First of all, I thought the first season

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<v Speaker 1>that we weren't together. When I watch it back, I'm like,

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<v Speaker 1>all the pieces are there. We might not have been

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<v Speaker 1>completely structurally together the writing, but like the acting and

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<v Speaker 1>everything is so great, so much better. Yeah, that I remember,

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<v Speaker 1>But we definitely did the whole first season without anything airing, right,

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<v Speaker 1>which is kind of wonderful in a way because you're

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<v Speaker 1>just being creative without any outside input, but also scary,

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<v Speaker 1>kind of like not auditioning for a part because you

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<v Speaker 1>have no idea how people are going to respond, absolutely,

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<v Speaker 1>and I remember having a lot of anxiety about that

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<v Speaker 1>and talking to each other like a people going to

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<v Speaker 1>freak out, which some people did right, And then it

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<v Speaker 1>went well and it got bigger and bigger. Like third

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<v Speaker 1>season is when I consider us to have gotten kind

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<v Speaker 1>of popular. That's what I felt at least, But do

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<v Speaker 1>you remember, like what was your feeling being on the

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<v Speaker 1>show and then having people see it.

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<v Speaker 3>As you describe the only way I can really articulate

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<v Speaker 3>it is very niche Like my family in Texas didn't

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<v Speaker 3>have HBO, so and I was probably relieved because there

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<v Speaker 3>was so much sex going on that that I probably

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<v Speaker 3>had some relief in that. But I remember it being

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<v Speaker 3>very blue, you know, blue as in a little more

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<v Speaker 3>than R rated for the time, especially now it's like,

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<v Speaker 3>you know, but it felt way out in Queen's Yes,

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<v Speaker 3>and I mean that in the metaphoric sense as well.

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<v Speaker 2>It seemed like to be way over there. HBO was

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<v Speaker 2>so the wild wild West. Yeah.

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<v Speaker 3>And I it's interesting because I'm good pals with Darren

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<v Speaker 3>Star because my partner Jeffrey Richmond and he created this

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<v Speaker 3>beautiful show called Uncoupled Together, and I've spent time with

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<v Speaker 3>Darren through the years. But he talks about that first

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<v Speaker 3>season and he's very articulate about like none of us

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<v Speaker 3>knew really what we had or what you guys had

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<v Speaker 3>worked together before, of course, and he and Sarah had

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<v Speaker 3>never worked together. And then Michael coming in and doing

0:11:21.720 --> 0:11:25.280
<v Speaker 3>such an amazing job kind of helping the show explode,

0:11:25.280 --> 0:11:27.360
<v Speaker 3>and Darren gives him such a major props for that.

0:11:27.920 --> 0:11:32.200
<v Speaker 3>Yeah so, but everybody to a person never really talked

0:11:32.200 --> 0:11:35.439
<v Speaker 3>to MPK about it or like, wow, I wonder if this.

0:11:35.520 --> 0:11:36.679
<v Speaker 2>Is ever going to.

0:11:38.120 --> 0:11:44.800
<v Speaker 3>Catch more than just a specific population's imagination, because it

0:11:44.840 --> 0:11:50.000
<v Speaker 3>was really out there. So that's that's basically my memory exact.

0:11:50.720 --> 0:11:54.839
<v Speaker 3>It wasn't TV, baby, it was HBO, and TV was

0:11:54.880 --> 0:11:57.840
<v Speaker 3>a completely different thing, and now, of course everything is

0:11:58.160 --> 0:12:01.760
<v Speaker 3>kind of melded together, and Sex and the City was

0:12:01.800 --> 0:12:03.520
<v Speaker 3>the pioneer of that.

0:12:04.000 --> 0:12:06.920
<v Speaker 1>Thank you. That's so nice, really is so tell me

0:12:07.120 --> 0:12:08.920
<v Speaker 1>you when I saw you at the premiere, which was

0:12:08.960 --> 0:12:11.320
<v Speaker 1>so nice to see there at our crazy, crazy party

0:12:11.320 --> 0:12:12.120
<v Speaker 1>that they threw for us.

0:12:12.200 --> 0:12:14.400
<v Speaker 2>It's insane. I've never seen more people in my life.

0:12:14.559 --> 0:12:16.640
<v Speaker 3>And let me just say too that, like I live

0:12:16.720 --> 0:12:18.679
<v Speaker 3>right down the street from where the party was, so

0:12:18.720 --> 0:12:20.480
<v Speaker 3>we threw on a pair of jeans, like let's just

0:12:20.480 --> 0:12:22.920
<v Speaker 3>go say hi. I mean because Sex and the City

0:12:23.000 --> 0:12:25.079
<v Speaker 3>and just like that have been such a part of

0:12:25.240 --> 0:12:27.959
<v Speaker 3>my life, our lives of Yeah, yeah, so long, I

0:12:28.559 --> 0:12:31.079
<v Speaker 3>don't think of it as a big deal. This party

0:12:31.480 --> 0:12:35.960
<v Speaker 3>was so fucking packed and so packed with young people.

0:12:36.160 --> 0:12:39.120
<v Speaker 3>I know, young young people who were just so happy

0:12:39.120 --> 0:12:41.280
<v Speaker 3>to be there were so maybe it did my heart

0:12:41.440 --> 0:12:44.080
<v Speaker 3>so good. It is so means so much to so

0:12:44.280 --> 0:12:47.160
<v Speaker 3>many people, not just us old folks.

0:12:47.320 --> 0:12:50.000
<v Speaker 1>Absolutely absolutely, And also we didn't this was the first

0:12:50.040 --> 0:12:52.640
<v Speaker 1>time that they had thrown this type of an event,

0:12:52.679 --> 0:12:54.120
<v Speaker 1>fir Us. We used to it in the olden days,

0:12:54.120 --> 0:12:56.600
<v Speaker 1>which I'm sure you came yea of those huge parties

0:12:56.840 --> 0:12:59.120
<v Speaker 1>with the pr and that bed in front of like

0:12:59.240 --> 0:13:03.160
<v Speaker 1>Lincoln Zentner. Do you remember this, like insane level parties.

0:13:03.440 --> 0:13:06.439
<v Speaker 1>But this was not a premiere exactly, so we didn't

0:13:06.520 --> 0:13:08.719
<v Speaker 1>exactly know how to dress. We didn't really know what

0:13:08.760 --> 0:13:10.600
<v Speaker 1>we were doing, and we didn't really know who they

0:13:10.600 --> 0:13:14.000
<v Speaker 1>invent invited. And they kept talking about activations which were

0:13:14.040 --> 0:13:17.520
<v Speaker 1>still just like what you tell me, you're not knowing

0:13:17.559 --> 0:13:20.400
<v Speaker 1>it has to do with social media, and I don't

0:13:20.480 --> 0:13:25.120
<v Speaker 1>totally understand it, but in that party was a Hot

0:13:25.120 --> 0:13:28.520
<v Speaker 1>Fella's activation, and that's why those guys were their dresses

0:13:28.559 --> 0:13:31.240
<v Speaker 1>hot fellas. And I believe that, yes, Mario's Bakery and

0:13:31.679 --> 0:13:33.280
<v Speaker 1>just like that, and maybe there was bread there. I

0:13:33.280 --> 0:13:35.200
<v Speaker 1>don't know. I never saw any bread, but maybe there

0:13:35.240 --> 0:13:37.240
<v Speaker 1>was bread. I'm not sure. I'm not sure, but that

0:13:37.360 --> 0:13:40.520
<v Speaker 1>was an activation and then there was maybe another activation.

0:13:40.800 --> 0:13:42.920
<v Speaker 1>I don't know, but like there were just a lot

0:13:42.960 --> 0:13:46.040
<v Speaker 1>of people there, and I mean very cool people were

0:13:46.040 --> 0:13:48.120
<v Speaker 1>there who later texted me on Instagram that they'd been

0:13:48.160 --> 0:13:50.320
<v Speaker 1>there because I couldn't find anybody. We were in that

0:13:50.400 --> 0:13:52.120
<v Speaker 1>corner and we were like trapped in that corner.

0:13:52.960 --> 0:13:54.880
<v Speaker 2>I mean, if you wanted to bread a hot cross

0:13:55.040 --> 0:13:59.760
<v Speaker 2>bun for one of those about twenty five.

0:14:00.600 --> 0:14:03.640
<v Speaker 1>But it was so nice to see amazing, It was amazing.

0:14:03.720 --> 0:14:07.480
<v Speaker 3>Also you bring up, you know, the bakery, and you

0:14:07.559 --> 0:14:10.600
<v Speaker 3>have such chemistry with such people who have.

0:14:10.600 --> 0:14:11.440
<v Speaker 2>Been in my life.

0:14:11.480 --> 0:14:14.360
<v Speaker 3>Mario and Evan, I mean have known Evan since, you know,

0:14:14.440 --> 0:14:18.760
<v Speaker 3>he made this massive uh took New York by storm

0:14:18.800 --> 0:14:21.040
<v Speaker 3>with his show Time under Fire, which was about his

0:14:21.400 --> 0:14:24.240
<v Speaker 3>sickness and yes, and he was just always been one

0:14:24.280 --> 0:14:27.240
<v Speaker 3>of my favorite actors and favorite people. And Canton, of

0:14:27.240 --> 0:14:30.720
<v Speaker 3>course I've known Mario Cantone replaced Nathan Lane in Love

0:14:30.800 --> 0:14:33.800
<v Speaker 3>Valor Compassion, which is the first Broadway play I did, Wow,

0:14:33.840 --> 0:14:37.880
<v Speaker 3>and he and I were instant best buddies, and it

0:14:38.080 --> 0:14:40.840
<v Speaker 3>remains one of my favorite people on the planet. And

0:14:40.880 --> 0:14:43.240
<v Speaker 3>how hard it must be to go to work with

0:14:43.280 --> 0:14:44.960
<v Speaker 3>Mario every day because he's not funny.

0:14:45.280 --> 0:14:46.160
<v Speaker 2>He doesn't know how to do.

0:14:46.640 --> 0:14:49.840
<v Speaker 1>It's so painful, Paul. I mean, the one challenge is

0:14:49.880 --> 0:14:52.120
<v Speaker 1>that Michael loves to give him like a lot of props,

0:14:52.160 --> 0:14:54.520
<v Speaker 1>and that's not really Mario's I was like, please let

0:14:54.520 --> 0:14:56.560
<v Speaker 1>me sing. I just want to say, I don't really

0:14:56.560 --> 0:14:59.120
<v Speaker 1>want to do you a microphone exactly, give you a microphone,

0:14:59.120 --> 0:15:02.880
<v Speaker 1>not a loaf of bread. But he's he's growing and expanding,

0:15:03.200 --> 0:15:04.960
<v Speaker 1>you know, every season.

0:15:04.880 --> 0:15:07.080
<v Speaker 3>Credit because he's not I mean, he's a great actor,

0:15:07.360 --> 0:15:08.760
<v Speaker 3>but it was he hasn't done a lot of tell it.

0:15:09.040 --> 0:15:11.000
<v Speaker 1>It wasn't his thing when we hired him. He was

0:15:11.120 --> 0:15:12.920
<v Speaker 1>and he was only supposed to do a few episodes,

0:15:12.960 --> 0:15:14.480
<v Speaker 1>as he told us when he came on the podcast,

0:15:14.600 --> 0:15:16.640
<v Speaker 1>which is also what I love. And it's amazing because

0:15:16.680 --> 0:15:18.560
<v Speaker 1>as much as I know you, I don't even know

0:15:18.600 --> 0:15:20.520
<v Speaker 1>all your connections. I just know that you're part of

0:15:20.560 --> 0:15:21.000
<v Speaker 1>the family.

0:15:21.160 --> 0:15:24.120
<v Speaker 3>Well that yeah, when you're on a show in New York,

0:15:24.160 --> 0:15:27.160
<v Speaker 3>and when it's an as iconic a show as this

0:15:27.360 --> 0:15:29.200
<v Speaker 3>New York show as this is, and there are very

0:15:29.200 --> 0:15:30.040
<v Speaker 3>few who that are.

0:15:31.560 --> 0:15:33.320
<v Speaker 2>You really do attract.

0:15:33.320 --> 0:15:34.960
<v Speaker 3>That's one of the great things about shooting in New

0:15:35.000 --> 0:15:38.560
<v Speaker 3>York City, man, is you get Fanny Sternhagen, Mary and

0:15:38.640 --> 0:15:41.360
<v Speaker 3>Selda's you know, you get you get the greatest character

0:15:41.400 --> 0:15:42.320
<v Speaker 3>actors in New York.

0:15:52.600 --> 0:15:57.720
<v Speaker 1>So when John Benjaminski who plays Thomas, John Anderson many

0:15:57.840 --> 0:16:00.200
<v Speaker 1>so many names in Oh Come All, Ye Faithful, Well

0:16:00.320 --> 0:16:02.600
<v Speaker 1>that's the episode just to refresher, but it was maybe

0:16:02.680 --> 0:16:06.200
<v Speaker 1>like three four episodes. We recapped it ago and is

0:16:06.240 --> 0:16:09.160
<v Speaker 1>the one where Carrie and Miranda go to a church

0:16:09.280 --> 0:16:13.520
<v Speaker 1>because Carrie wants to see Big and his mother because

0:16:13.520 --> 0:16:14.920
<v Speaker 1>she wants to hang out with him on Sunday. And

0:16:14.920 --> 0:16:16.600
<v Speaker 1>he says, no, I go to church every Sunday with

0:16:16.640 --> 0:16:19.080
<v Speaker 1>my mother, which She's just like what, And so she

0:16:19.160 --> 0:16:21.160
<v Speaker 1>wants to go. So they wear these huge hats because

0:16:21.160 --> 0:16:25.040
<v Speaker 1>they're going to hide up in the balcony of a

0:16:25.200 --> 0:16:27.120
<v Speaker 1>beautiful big church. I should know which one it is.

0:16:27.440 --> 0:16:30.440
<v Speaker 1>And then he comes out and she's across the street

0:16:30.520 --> 0:16:33.880
<v Speaker 1>and her joggers looking so cool with her cigarette, and

0:16:34.040 --> 0:16:37.160
<v Speaker 1>his mom is played by this incredible woman, incredible actress

0:16:37.160 --> 0:16:40.160
<v Speaker 1>and teacher named Mary and Sildas who was Hiickey's teacher

0:16:40.280 --> 0:16:41.000
<v Speaker 1>at Juli are.

0:16:41.040 --> 0:16:44.400
<v Speaker 3>Yes As she was so many many, Kevin Klein, Patti Lapone,

0:16:44.480 --> 0:16:47.320
<v Speaker 3>from group one to I was Group eighteen to probably

0:16:47.400 --> 0:16:52.360
<v Speaker 3>group thirty five. Marian there ushering us into our careers

0:16:52.400 --> 0:16:55.360
<v Speaker 3>and our lives as actors. And there was no greater teacher,

0:16:55.480 --> 0:17:00.080
<v Speaker 3>no greater actor, no greater person of the theater in

0:17:00.120 --> 0:17:03.200
<v Speaker 3>the history of the twentieth century than Mary.

0:17:03.280 --> 0:17:06.040
<v Speaker 1>Yes, her presence, I mean she doesn't have a lot

0:17:06.080 --> 0:17:08.280
<v Speaker 1>to do in our episode, but just her presence standing

0:17:08.280 --> 0:17:09.400
<v Speaker 1>there is so powerful.

0:17:09.600 --> 0:17:11.920
<v Speaker 2>Absolutely, absolutely, it was real cool.

0:17:12.040 --> 0:17:14.920
<v Speaker 3>And you were saying earlier she was so perfect as

0:17:14.960 --> 0:17:18.480
<v Speaker 3>BIG's mom because she's kind of a big person herself.

0:17:18.520 --> 0:17:21.800
<v Speaker 1>Big presence, Yeah, intimidating and kind of aloof to where

0:17:21.840 --> 0:17:24.240
<v Speaker 1>you can't read her. It makes such perfect sense for

0:17:24.320 --> 0:17:26.439
<v Speaker 1>his character that he has a mom like that that

0:17:26.480 --> 0:17:29.480
<v Speaker 1>he kind of caters to. You know, it's super interesting.

0:17:29.680 --> 0:17:32.680
<v Speaker 3>I did a production of The Crucible on Broadway and

0:17:32.760 --> 0:17:36.120
<v Speaker 3>with his credit it was Yeah, Laurea Lenny Liams an amazing,

0:17:36.200 --> 0:17:39.760
<v Speaker 3>amazing production and Brian the great actor Brian Murray was

0:17:39.800 --> 0:17:41.760
<v Speaker 3>in it. Who is Marian's best friend. And Marian came

0:17:41.760 --> 0:17:43.800
<v Speaker 3>to see the show and I said, oh God, I

0:17:43.800 --> 0:17:46.359
<v Speaker 3>hope Marian likes it. And he said, well, if she doesn't,

0:17:46.480 --> 0:17:48.520
<v Speaker 3>you're never going to know. I was like, what a

0:17:48.560 --> 0:17:51.680
<v Speaker 3>great thing, because she's such a gracious, warm human being.

0:17:52.080 --> 0:17:55.280
<v Speaker 3>She gives great backstage. You know, she's not there to

0:17:55.280 --> 0:17:59.160
<v Speaker 3>tear anybody down. She's Yeah, she's the greatest, the greatest.

0:17:59.440 --> 0:18:02.000
<v Speaker 1>So you also said when I saw you at the party,

0:18:02.040 --> 0:18:03.840
<v Speaker 1>and I was I just looked at you. I didn't

0:18:03.840 --> 0:18:05.320
<v Speaker 1>even say anything, I don't think, and You're like, I'm

0:18:05.320 --> 0:18:07.400
<v Speaker 1>coming on the podcast. I was like, thank god, because

0:18:07.400 --> 0:18:10.240
<v Speaker 1>I've just been waiting. I'd just been waiting ran you'd come.

0:18:10.960 --> 0:18:13.920
<v Speaker 1>And you said, I have so many memories of Cynthia

0:18:14.080 --> 0:18:16.400
<v Speaker 1>Michael and I think you said Sarah too, So even

0:18:16.400 --> 0:18:18.960
<v Speaker 1>though you weren't super close, do you remember those early days,

0:18:18.960 --> 0:18:20.159
<v Speaker 1>because she remembers.

0:18:20.400 --> 0:18:26.640
<v Speaker 3>Yeah, I just remember how lucky I felt. She had

0:18:26.640 --> 0:18:30.280
<v Speaker 3>done a play at Lincoln Center, and she, even though

0:18:30.320 --> 0:18:33.280
<v Speaker 3>she doesn't remember anything, she remembers meeting me, which is

0:18:33.280 --> 0:18:37.320
<v Speaker 3>a terribly flattering more than I do. She met me

0:18:37.359 --> 0:18:39.359
<v Speaker 3>on the stairs of Lincoln Center, and I think it

0:18:39.480 --> 0:18:41.120
<v Speaker 3>was what was what year?

0:18:41.200 --> 0:18:44.520
<v Speaker 1>Was the first season we filmed? In ninety seven. I

0:18:44.560 --> 0:18:45.840
<v Speaker 1>didn't come on til ninety eight.

0:18:46.040 --> 0:18:52.200
<v Speaker 3>Yeah, yeah, wow, Yeah, So we were really good pals

0:18:52.240 --> 0:18:58.000
<v Speaker 3>by then. I think I remember being very glad that

0:18:58.040 --> 0:19:01.119
<v Speaker 3>my stuff was with Cynthia because I had become the

0:19:01.280 --> 0:19:05.080
<v Speaker 3>kind of friend with Sarah at that point that that

0:19:05.280 --> 0:19:06.120
<v Speaker 3>I would have been.

0:19:06.359 --> 0:19:06.760
<v Speaker 2>Uh.

0:19:06.840 --> 0:19:09.800
<v Speaker 3>I think I would have been more intimidated by taking

0:19:09.840 --> 0:19:10.920
<v Speaker 3>my clothes off in front.

0:19:10.960 --> 0:19:12.520
<v Speaker 2>I mean, that would be weird, and she would too.

0:19:12.520 --> 0:19:14.280
<v Speaker 3>I mean she has we both know, and I'm sure

0:19:14.320 --> 0:19:18.800
<v Speaker 3>you've said many times she's an incredibly shy, discreet person

0:19:19.000 --> 0:19:23.480
<v Speaker 3>that she is not Carrie Bradshaw, which is a testament

0:19:23.560 --> 0:19:25.600
<v Speaker 3>to her just brilliant acting.

0:19:25.400 --> 0:19:28.520
<v Speaker 1>Chops absolutely and in my mind just sidebar because you

0:19:28.520 --> 0:19:31.040
<v Speaker 1>know her so well. I believe that that's one of

0:19:31.080 --> 0:19:34.440
<v Speaker 1>the things that makes Carrie so interesting. Yeah, is Sarah's

0:19:34.560 --> 0:19:37.560
<v Speaker 1>own differences from the character and that kind of internal

0:19:37.600 --> 0:19:40.879
<v Speaker 1>conflict that that comes, and also that kind of friction

0:19:41.000 --> 0:19:43.879
<v Speaker 1>playing a character so long. Also, she just makes her

0:19:43.920 --> 0:19:44.480
<v Speaker 1>so deep.

0:19:44.640 --> 0:19:48.439
<v Speaker 2>Yeah, so deep, so so deep. She's very all of you.

0:19:48.920 --> 0:19:52.480
<v Speaker 3>It's like time has been so kind to those characters,

0:19:52.600 --> 0:19:56.320
<v Speaker 3>and you guys have too, Like you're it's like every

0:19:56.359 --> 0:19:58.480
<v Speaker 3>it's like you see it in your shoulders. Everybody is

0:19:58.560 --> 0:20:01.320
<v Speaker 3>just so relaxed, even when they're playing the most fraught

0:20:01.640 --> 0:20:04.560
<v Speaker 3>moments on the show. There's such a relaxation watching and

0:20:04.920 --> 0:20:07.840
<v Speaker 3>the newcomers as well, Oh, I know are just it's

0:20:07.840 --> 0:20:09.560
<v Speaker 3>such a lovely family now.

0:20:09.600 --> 0:20:11.000
<v Speaker 2>It's really really great to say.

0:20:11.160 --> 0:20:15.160
<v Speaker 3>But going back, I remember being glad it was Cynthia,

0:20:15.280 --> 0:20:17.160
<v Speaker 3>not because I didn't want to work with you or

0:20:17.280 --> 0:20:17.760
<v Speaker 3>with Sarah.

0:20:18.000 --> 0:20:18.680
<v Speaker 2>I didn't know.

0:20:18.640 --> 0:20:21.200
<v Speaker 3>You, and I knew Sarah in a way that would

0:20:21.240 --> 0:20:22.960
<v Speaker 3>have been like, oh man, I don't want to have

0:20:23.000 --> 0:20:24.880
<v Speaker 3>to pretend to bang her.

0:20:25.200 --> 0:20:27.359
<v Speaker 1>I know that would be very weird. You know. I

0:20:27.400 --> 0:20:30.159
<v Speaker 1>had to kiss Matthew in a movie wow after the

0:20:30.200 --> 0:20:32.919
<v Speaker 1>show ended. So I had known him for many years

0:20:33.240 --> 0:20:34.480
<v Speaker 1>and I kept saying, this is so weird, and he

0:20:34.600 --> 0:20:36.800
<v Speaker 1>was like, no, it isn't. I was like, all right, Matthew,

0:20:37.600 --> 0:20:41.240
<v Speaker 1>not weird at all. Okay, I didn't have to have sex,

0:20:41.320 --> 0:20:43.119
<v Speaker 1>thank god, because I don't know how I would have

0:20:43.160 --> 0:20:43.600
<v Speaker 1>gone through it.

0:20:43.680 --> 0:20:48.919
<v Speaker 3>Yeah, that would be weird to kiss Matthew. Yeah, but

0:20:49.000 --> 0:20:51.400
<v Speaker 3>Matthew's got that thing. Like a couple of times I've

0:20:51.400 --> 0:20:54.040
<v Speaker 3>seen Matthew nervous because I have directed him.

0:20:54.480 --> 0:20:56.320
<v Speaker 2>It's weird to see Matthews.

0:20:56.320 --> 0:21:00.720
<v Speaker 3>Matthew has lovely blood pressure maintenance, like he knows how

0:21:00.760 --> 0:21:05.240
<v Speaker 3>to in his work be very still and very calm.

0:21:05.280 --> 0:21:06.919
<v Speaker 1>That's true and scary.

0:21:07.040 --> 0:21:10.040
<v Speaker 2>Yeah, it's scary. It can intimidate the other person. Yes,

0:21:10.480 --> 0:21:11.480
<v Speaker 2>that's yeah.

0:21:11.480 --> 0:21:14.520
<v Speaker 3>I'm like trying to juggle kittens meeting and Matthew's like,

0:21:14.520 --> 0:21:16.040
<v Speaker 3>why don't you just sit here and we'll do the scene.

0:21:17.760 --> 0:21:19.520
<v Speaker 2>It's like that totally Okay.

0:21:19.520 --> 0:21:21.720
<v Speaker 1>We got off on a Matthew tangent, which is rare

0:21:21.840 --> 0:21:23.680
<v Speaker 1>because almost no one has Matthew's story.

0:21:23.800 --> 0:21:27.639
<v Speaker 3>Oh my goodness, I have to you should get Matthew

0:21:27.680 --> 0:21:28.560
<v Speaker 3>on this podcast.

0:21:28.600 --> 0:21:30.800
<v Speaker 1>I don't think he'll do it. I mean every time

0:21:30.840 --> 0:21:33.040
<v Speaker 1>I see him, I'm just like and he's like, oh God,

0:21:33.560 --> 0:21:34.359
<v Speaker 1>there she comes.

0:21:34.560 --> 0:21:35.560
<v Speaker 2>You'll get it, You'll get it.

0:21:35.600 --> 0:21:38.400
<v Speaker 1>Maybe that would be awesome because I love to hear

0:21:38.440 --> 0:21:40.240
<v Speaker 1>the memories of the beginning. And that's part of the

0:21:40.240 --> 0:21:42.359
<v Speaker 1>reason I wanted to do the podcast is because everyone

0:21:42.440 --> 0:21:45.520
<v Speaker 1>was in such different places, coming from such different worlds.

0:21:45.520 --> 0:21:47.320
<v Speaker 1>I mean, even Cynthia and Sarah who had worked together,

0:21:47.359 --> 0:21:50.719
<v Speaker 1>known each other their whole lives almost still very different experiences,

0:21:50.720 --> 0:21:52.320
<v Speaker 1>and then we all came together in this kind of

0:21:52.359 --> 0:21:54.200
<v Speaker 1>crazy thing that just formed a.

0:21:54.160 --> 0:21:57.800
<v Speaker 3>New and yeah, and everybody has what do they call it?

0:21:57.920 --> 0:22:00.800
<v Speaker 3>You know a sprie descalier, which is the French expression

0:22:00.880 --> 0:22:05.040
<v Speaker 3>for spirit of the staircase, the thing you like if

0:22:05.119 --> 0:22:06.919
<v Speaker 3>you and I are in a big fight and on

0:22:06.960 --> 0:22:09.960
<v Speaker 3>my way home, what I should have said to her was,

0:22:10.320 --> 0:22:14.800
<v Speaker 3>you know you remember the thing? So you have this

0:22:15.680 --> 0:22:19.600
<v Speaker 3>odd twenty twenty hindsight with the show, like you always

0:22:19.840 --> 0:22:23.159
<v Speaker 3>thought or somehow knew that it could be what it

0:22:23.200 --> 0:22:23.800
<v Speaker 3>has become.

0:22:24.040 --> 0:22:28.120
<v Speaker 2>And no, not at all. Yeah, never in a million years.

0:22:28.119 --> 0:22:29.160
<v Speaker 1>You know who could have jumped?

0:22:29.720 --> 0:22:31.919
<v Speaker 3>Okay, I know this is you interviewed, but now you

0:22:32.160 --> 0:22:36.000
<v Speaker 3>signed on. Were you like gung ho?

0:22:36.720 --> 0:22:36.960
<v Speaker 2>Yeah?

0:22:37.080 --> 0:22:39.680
<v Speaker 1>Oh I'm the most gung home. Yeah, I'm the most

0:22:39.720 --> 0:22:40.920
<v Speaker 1>gung host still to this day.

0:22:41.240 --> 0:22:43.119
<v Speaker 2>Well that's fantastic.

0:22:43.880 --> 0:22:45.880
<v Speaker 1>But in the beginning, because I was in La right,

0:22:45.880 --> 0:22:47.840
<v Speaker 1>but I had been an out of work actor here

0:22:48.000 --> 0:22:50.600
<v Speaker 1>right after I went to records right with Bill Asper

0:22:50.640 --> 0:22:51.119
<v Speaker 1>and everybody.

0:22:51.160 --> 0:22:53.240
<v Speaker 2>So yeah, brilliant, brilliant Bills, I know.

0:22:53.440 --> 0:22:57.000
<v Speaker 1>Incredible, And I moved here like everybody did, and we

0:22:57.000 --> 0:22:59.360
<v Speaker 1>were poor and you know, you waitress and you auditioned

0:22:59.400 --> 0:23:02.800
<v Speaker 1>and whatnot, which is hard to be poor here, absolutely right.

0:23:03.240 --> 0:23:04.720
<v Speaker 1>And then I went out to Berkeley. I did a

0:23:04.760 --> 0:23:07.200
<v Speaker 1>play and it was pilot season my agent said, come

0:23:07.240 --> 0:23:10.280
<v Speaker 1>down to LA on Mondays because there's so many parts

0:23:10.320 --> 0:23:11.880
<v Speaker 1>you could play, because I was still playing pretty young

0:23:11.920 --> 0:23:14.040
<v Speaker 1>at that point, and I was young, and I was

0:23:14.040 --> 0:23:14.800
<v Speaker 1>playing even younger.

0:23:14.880 --> 0:23:15.840
<v Speaker 2>Do you play you were doing?

0:23:16.520 --> 0:23:18.239
<v Speaker 1>I was doing Oh my god, Oh my god, my god,

0:23:18.280 --> 0:23:18.480
<v Speaker 1>I'm not.

0:23:18.440 --> 0:23:21.040
<v Speaker 2>Going to Berkeley Rep. Yes, that's where I was when

0:23:21.040 --> 0:23:22.240
<v Speaker 2>I couldn't do your podcast.

0:23:22.359 --> 0:23:24.560
<v Speaker 3>I was doing the production of Uncle Vanya with Hugh

0:23:24.600 --> 0:23:29.880
<v Speaker 3>Bonneville at Berkeley brilliant Speed of Light.

0:23:30.080 --> 0:23:31.240
<v Speaker 2>Oh yeah, I feel like I don't.

0:23:31.280 --> 0:23:32.840
<v Speaker 3>I feel like I know that play and if you

0:23:32.880 --> 0:23:35.560
<v Speaker 3>gave me more time, I would know who wrote it

0:23:35.720 --> 0:23:36.080
<v Speaker 3>right now.

0:23:36.160 --> 0:23:37.919
<v Speaker 1>It's a it's a great playwright who I think went

0:23:37.960 --> 0:23:40.480
<v Speaker 1>to records. Yeah, yeah, my god, we have to look

0:23:40.520 --> 0:23:44.119
<v Speaker 1>this up. Anyway, I was there, which was incredible. It's

0:23:44.160 --> 0:23:47.560
<v Speaker 1>a special, special place. I love Berkeley Rep much. It

0:23:47.600 --> 0:23:49.720
<v Speaker 1>was great. It was great. But I went down to La.

0:23:50.160 --> 0:23:53.440
<v Speaker 1>It was sunny. I auditioned for sitcoms. I was like, m,

0:23:54.200 --> 0:23:56.639
<v Speaker 1>this seems an easier life than then the New York

0:23:56.720 --> 0:23:59.919
<v Speaker 1>City as a poor person, right, it's more work than

0:24:00.119 --> 0:24:02.399
<v Speaker 1>and now it's totally floating, which is so sad, But

0:24:02.680 --> 0:24:05.000
<v Speaker 1>what can you do? So I went I ended up

0:24:05.040 --> 0:24:08.280
<v Speaker 1>moving to la and then eventually a few years later,

0:24:08.320 --> 0:24:09.800
<v Speaker 1>I mean I don't remember how many, but a lot

0:24:09.840 --> 0:24:12.919
<v Speaker 1>of auditions later got Melrose. Then Darren sent me the

0:24:12.960 --> 0:24:16.359
<v Speaker 1>script and I was like New York City, like walking

0:24:16.400 --> 0:24:20.720
<v Speaker 1>the streets. Four lead characters that are women, unheard of

0:24:21.280 --> 0:24:24.720
<v Speaker 1>HBO confused that had the boxing.

0:24:24.480 --> 0:24:27.560
<v Speaker 3>But hey, yeah, not no other show pre Sopranos. You

0:24:27.600 --> 0:24:29.959
<v Speaker 3>were it, right, So yeah, I've been a couple of

0:24:29.960 --> 0:24:31.720
<v Speaker 3>those dream.

0:24:31.440 --> 0:24:35.080
<v Speaker 1>On and also Larry Sanders, yes, which was obviously, but

0:24:35.119 --> 0:24:37.720
<v Speaker 1>that's what I thought. We would be a small cult

0:24:37.880 --> 0:24:41.520
<v Speaker 1>like very industry you know, loved show and which has

0:24:41.600 --> 0:24:43.960
<v Speaker 1>lived on of course because it's so great, right, it's.

0:24:43.840 --> 0:24:46.720
<v Speaker 3>Weirdly, it's still that what you just described. It's also

0:24:46.920 --> 0:24:48.520
<v Speaker 3>just a global phenomenon as well.

0:24:48.600 --> 0:24:51.240
<v Speaker 1>Yeah, exactly, which is a weird. Like it's a very

0:24:51.280 --> 0:24:54.440
<v Speaker 1>weird and wonderful thing that happened. But in my gut

0:24:54.560 --> 0:24:58.760
<v Speaker 1>I felt the potential. I never could have dreamt two

0:24:58.800 --> 0:25:04.639
<v Speaker 1>movies and another there is no precedent to that, so

0:25:04.680 --> 0:25:06.840
<v Speaker 1>that wouldn't have come. But to me, I felt, yes,

0:25:06.840 --> 0:25:09.359
<v Speaker 1>it's very special and I will do whatever I have

0:25:09.440 --> 0:25:11.800
<v Speaker 1>to do to be on that show. Yeah, those women

0:25:11.960 --> 0:25:14.200
<v Speaker 1>and then once they told me Sarah because when they

0:25:14.440 --> 0:25:16.399
<v Speaker 1>Darren first sent it to me to read for Carrie,

0:25:16.840 --> 0:25:18.960
<v Speaker 1>and I could the way she was on the page

0:25:19.000 --> 0:25:22.159
<v Speaker 1>was much more like Candace is, you know, persona, and

0:25:22.200 --> 0:25:24.800
<v Speaker 1>I couldn't pull that off, smoking and swearing and you

0:25:24.800 --> 0:25:27.479
<v Speaker 1>know the girl. I was like that people are going

0:25:27.520 --> 0:25:29.120
<v Speaker 1>to laugh at me, right, So I was like, Darren,

0:25:29.160 --> 0:25:30.840
<v Speaker 1>please don't make me audition for that. I need to

0:25:30.880 --> 0:25:32.760
<v Speaker 1>beat this other one who was kind of in the

0:25:32.800 --> 0:25:35.640
<v Speaker 1>side over here that's me. And you know, thank god,

0:25:35.680 --> 0:25:37.000
<v Speaker 1>he listens and you.

0:25:36.960 --> 0:25:40.639
<v Speaker 3>Really recognize, like, oh, I've got a think I relate

0:25:40.720 --> 0:25:43.159
<v Speaker 3>to this part. That's incredible because it's like all of

0:25:43.200 --> 0:25:44.600
<v Speaker 3>you were born to play those.

0:25:44.400 --> 0:25:44.919
<v Speaker 2>Parts, you know.

0:25:45.000 --> 0:25:47.520
<v Speaker 3>I know, we're so lucky that we found I do

0:25:47.600 --> 0:25:51.879
<v Speaker 3>remember in the early days of casting. I remember so

0:25:51.880 --> 0:25:54.840
<v Speaker 3>so so Sarah and I certainly were hanging out enough

0:25:54.920 --> 0:25:57.960
<v Speaker 3>to where she would talk to me about people that

0:25:58.000 --> 0:26:01.360
<v Speaker 3>she was interested in for I think was probably Symanthic,

0:26:01.359 --> 0:26:03.640
<v Speaker 3>because I think Cynthia was in early on.

0:26:03.920 --> 0:26:06.920
<v Speaker 1>I mean, Cynthia wasn't, but she didn't feel she was in,

0:26:07.080 --> 0:26:09.119
<v Speaker 1>like they kept her dangling, do you.

0:26:09.119 --> 0:26:09.600
<v Speaker 2>Know what I mean?

0:26:09.840 --> 0:26:11.440
<v Speaker 1>And then I remember at one point they were talking

0:26:11.440 --> 0:26:14.520
<v Speaker 1>about hiring like a stand up comic or whatever from Miranda,

0:26:14.600 --> 0:26:17.199
<v Speaker 1>like they didn't know what to do, you know.

0:26:17.760 --> 0:26:20.920
<v Speaker 3>Yeah, And now that I'm really thinking about it, your

0:26:20.960 --> 0:26:24.320
<v Speaker 3>brilliant casting director Jennifer Macnami.

0:26:24.600 --> 0:26:26.320
<v Speaker 1>Yes, but I don't think we had her for the pilot.

0:26:26.359 --> 0:26:27.359
<v Speaker 1>I think we had Kerry Barton.

0:26:27.680 --> 0:26:29.040
<v Speaker 2>Kerry Barton, Kerry carry.

0:26:29.119 --> 0:26:31.639
<v Speaker 1>Jennifer when the show started, it was so great.

0:26:31.400 --> 0:26:34.880
<v Speaker 3>And Jennifer's assistant, I think on that first season was

0:26:34.960 --> 0:26:37.919
<v Speaker 3>my old college friend, Camille Hickman is her name, And

0:26:37.920 --> 0:26:40.320
<v Speaker 3>Camille now works at Lincoln Center and she's one of

0:26:40.400 --> 0:26:43.040
<v Speaker 3>the great casting directors in New York. And she and

0:26:43.080 --> 0:26:45.720
<v Speaker 3>I had been best buddies at Fordham University, where I

0:26:45.720 --> 0:26:48.480
<v Speaker 3>had gone some ten years before Sex in the City,

0:26:48.960 --> 0:26:51.639
<v Speaker 3>and she would talk to me about this show is

0:26:51.680 --> 0:26:54.119
<v Speaker 3>so exciting and it's so weird and odd.

0:26:54.160 --> 0:26:55.600
<v Speaker 2>I don't know if anybody's going to see it.

0:26:55.840 --> 0:26:58.800
<v Speaker 3>And I also remember very vividly Camille had a small

0:26:58.840 --> 0:27:01.720
<v Speaker 3>part as one of the talking yes because did you do.

0:27:01.720 --> 0:27:03.359
<v Speaker 2>Talking heads through the whole first season?

0:27:03.520 --> 0:27:06.560
<v Speaker 1>Yes, And I mean we just Sarah Jessica just looks

0:27:06.560 --> 0:27:08.880
<v Speaker 1>at the camera. In the last episode I watched which

0:27:08.920 --> 0:27:11.240
<v Speaker 1>is in the second season, and you know she hated it.

0:27:11.320 --> 0:27:13.840
<v Speaker 1>Oh yeah, she hated it so much. But she looks

0:27:13.840 --> 0:27:15.480
<v Speaker 1>at the camera and then she makes a face which

0:27:15.520 --> 0:27:17.200
<v Speaker 1>I think was about having to talk to the camera.

0:27:18.119 --> 0:27:21.160
<v Speaker 3>Of course, do you have you I'm sure you've probably

0:27:21.200 --> 0:27:23.840
<v Speaker 3>talked about it on the show. When was that decision made,

0:27:23.920 --> 0:27:24.680
<v Speaker 3>like we don't need.

0:27:24.600 --> 0:27:24.919
<v Speaker 2>To do this.

0:27:25.240 --> 0:27:27.800
<v Speaker 1>I feel like it was an ongoing thing. Michael Patrick hated.

0:27:27.920 --> 0:27:31.879
<v Speaker 1>Oh he did the talking to the camera. Melfie hated

0:27:31.880 --> 0:27:33.120
<v Speaker 1>the people on the.

0:27:33.080 --> 0:27:36.359
<v Speaker 3>Street sidebar John Melfie who went to Ford him with

0:27:36.440 --> 0:27:39.359
<v Speaker 3>me and Camille. So I knew Melfie some ten twelve years.

0:27:39.440 --> 0:27:41.680
<v Speaker 3>Malfie and I'd known each other forty something years.

0:27:41.800 --> 0:27:44.400
<v Speaker 1>I don't even know this incredible Malfie is the unsung

0:27:44.440 --> 0:27:47.000
<v Speaker 1>hero of our whole entire world. I told him in

0:27:47.040 --> 0:27:49.000
<v Speaker 1>Paris that he's got to come on the podcast. He

0:27:49.040 --> 0:27:50.879
<v Speaker 1>looked a little scared, because I think he likes his

0:27:50.920 --> 0:27:52.240
<v Speaker 1>secrets to remain on camera.

0:27:52.359 --> 0:27:55.800
<v Speaker 3>Nobody knows more stories and knows where more bodies are buried.

0:27:56.440 --> 0:27:57.160
<v Speaker 2>John Melphie.

0:27:57.200 --> 0:27:58.679
<v Speaker 1>I know that's why I got to get him in

0:27:58.680 --> 0:28:01.400
<v Speaker 1>that chair. You better believe, right, I know I got

0:28:01.400 --> 0:28:02.719
<v Speaker 1>to loosen him up and get him in the chair.

0:28:03.200 --> 0:28:05.920
<v Speaker 1>But he would tell everything about everything, which would be great.

0:28:06.119 --> 0:28:10.080
<v Speaker 1>But he when he came he said his secret mission

0:28:10.280 --> 0:28:13.879
<v Speaker 1>was to get rid of the talking heads, and Sarah

0:28:13.960 --> 0:28:16.840
<v Speaker 1>Jessica's very open mission was to get rid of talking

0:28:16.840 --> 0:28:19.840
<v Speaker 1>to the camera, because I remember in the pilot her saying,

0:28:20.240 --> 0:28:22.200
<v Speaker 1>you know, do I have to talk to the camera.

0:28:22.240 --> 0:28:24.440
<v Speaker 1>It's so strange to break the fourth wall. I'm in

0:28:24.480 --> 0:28:26.880
<v Speaker 1>this scene. She's not wrong, I mean, it's a very

0:28:26.880 --> 0:28:28.879
<v Speaker 1>weird thing as an actor to do. And then what

0:28:28.960 --> 0:28:30.720
<v Speaker 1>she told me when she came on was that also

0:28:30.880 --> 0:28:33.520
<v Speaker 1>she had been worried about Ferris Bueller, which I had

0:28:33.560 --> 0:28:36.119
<v Speaker 1>never thought of. Oh wow, yeah, here of course is

0:28:36.160 --> 0:28:40.200
<v Speaker 1>this like you know, her husband's you know, humane iconic

0:28:40.600 --> 0:28:43.360
<v Speaker 1>film that he's done where he so brilliantly talks to

0:28:43.440 --> 0:28:46.480
<v Speaker 1>the camera pretty much the whole time exactly. She felt

0:28:46.520 --> 0:28:47.760
<v Speaker 1>like she was never going to live up to that,

0:28:47.960 --> 0:28:50.680
<v Speaker 1>which is so adorable, which I don't interesting. Yeah, but

0:28:50.720 --> 0:28:53.000
<v Speaker 1>she when I was sitting there, what I remember is

0:28:53.040 --> 0:28:57.080
<v Speaker 1>thinking that I had never seen an actress be able

0:28:57.160 --> 0:29:00.760
<v Speaker 1>to speak so clearly about what they wanted to do

0:29:00.800 --> 0:29:03.640
<v Speaker 1>and what they didn't want to do without being angry

0:29:03.760 --> 0:29:08.000
<v Speaker 1>or historyonic or whatever, just like very clearly articulating why

0:29:08.280 --> 0:29:10.160
<v Speaker 1>it was hard for her, why she felt like she

0:29:10.200 --> 0:29:12.360
<v Speaker 1>wasn't doing it well, how she felt like it was

0:29:12.400 --> 0:29:14.240
<v Speaker 1>better to stay with us in the scene. And I

0:29:14.320 --> 0:29:16.840
<v Speaker 1>was like, yes, yes, I agree with her, not that

0:29:16.880 --> 0:29:19.080
<v Speaker 1>anyone cares what I think over her, but I was like, yeah, yeah,

0:29:19.120 --> 0:29:21.480
<v Speaker 1>that's well put, that's well put. But it took her.

0:29:21.600 --> 0:29:24.080
<v Speaker 1>I mean, she's still doing it in season seven, second

0:29:24.080 --> 0:29:26.080
<v Speaker 1>second season, which I didn't even realize.

0:29:26.120 --> 0:29:28.240
<v Speaker 3>That's amazing. I did not know it went on that long.

0:29:28.280 --> 0:29:31.560
<v Speaker 3>And frankly, I don't remember her doing it. I remember

0:29:32.000 --> 0:29:34.720
<v Speaker 3>more of the side people yeah doing it than which

0:29:34.800 --> 0:29:35.400
<v Speaker 3>is kind.

0:29:35.240 --> 0:29:38.040
<v Speaker 1>Of interesting, and I think trying to be almost like

0:29:38.080 --> 0:29:40.880
<v Speaker 1>an anthology or like, you know, relating to the fact

0:29:40.880 --> 0:29:43.000
<v Speaker 1>that all kind of people are having all kinds of

0:29:43.040 --> 0:29:45.280
<v Speaker 1>relationship things that you don't know about, right like the

0:29:45.320 --> 0:29:47.200
<v Speaker 1>people on the street, This one's going to tell you

0:29:47.200 --> 0:29:49.240
<v Speaker 1>something surprising. That one's going to tell you something surprising.

0:29:49.280 --> 0:29:51.959
<v Speaker 1>I get the idea of, but it was taking story

0:29:52.000 --> 0:29:54.160
<v Speaker 1>time away from the bigger stories here.

0:29:54.240 --> 0:29:58.320
<v Speaker 2>Well, you have twenty five minutes to pack four stories.

0:29:57.880 --> 0:29:59.440
<v Speaker 1>In, right, Yeah, which is hard.

0:29:59.520 --> 0:30:03.240
<v Speaker 3>Yeah, speaking of my partner, Jeff. He's a comedy writer,

0:30:03.400 --> 0:30:06.920
<v Speaker 3>wrote Modern Family for all eleven years, and he's like,

0:30:06.920 --> 0:30:09.240
<v Speaker 3>the hardest thing that there's eleven characters on that show

0:30:09.280 --> 0:30:11.600
<v Speaker 3>and they have twenty two minutes. And that makes me

0:30:11.720 --> 0:30:14.960
<v Speaker 3>think about writers like Michael Patrick and all the great writers.

0:30:15.040 --> 0:30:17.880
<v Speaker 3>Jenny Bicks ran The Big Sea, so many great writers

0:30:17.920 --> 0:30:22.400
<v Speaker 3>who have come into your world, and how difficult it

0:30:22.600 --> 0:30:26.240
<v Speaker 3>is to pull that off for four and now, however,

0:30:26.280 --> 0:30:30.440
<v Speaker 3>many you have extraordinary characters, and everybody's got to have

0:30:30.480 --> 0:30:32.160
<v Speaker 3>a story, and everybody needs their time.

0:30:32.320 --> 0:30:34.360
<v Speaker 1>It's true, And I mean, I don't want to spend

0:30:34.480 --> 0:30:36.840
<v Speaker 1>much on this, but sometimes when you see people's criticism,

0:30:37.200 --> 0:30:39.320
<v Speaker 1>you're like, oh, do they know how hard it is?

0:30:39.640 --> 0:30:42.040
<v Speaker 2>Yeah? Yeah, you know they don't. Yeah, no they don't.

0:30:42.080 --> 0:30:44.520
<v Speaker 3>And you know, I think back to that first season

0:30:44.560 --> 0:30:48.640
<v Speaker 3>because I think we were recently overseas and sometimes you know,

0:30:48.680 --> 0:30:52.160
<v Speaker 3>a show will be on like an older versions of shows,

0:30:52.520 --> 0:30:56.320
<v Speaker 3>And I watched a few episodes and this was long

0:30:56.360 --> 0:30:58.600
<v Speaker 3>before you and I talked about doing this. But what

0:30:58.680 --> 0:31:01.000
<v Speaker 3>I remember when I was watching, it's like, Wow, not

0:31:01.040 --> 0:31:05.640
<v Speaker 3>only was it good, it got more sophisticated, it got

0:31:06.040 --> 0:31:10.640
<v Speaker 3>more maybe clever. It was always super smart. But before

0:31:10.760 --> 0:31:16.880
<v Speaker 3>it had flash, it had such warmth. It had such

0:31:16.920 --> 0:31:19.440
<v Speaker 3>warm I mean, it's the reason why it goes on.

0:31:19.520 --> 0:31:22.120
<v Speaker 3>It's because it's a love story. Yeah, love story, and

0:31:22.120 --> 0:31:28.440
<v Speaker 3>and and it had a confidence about that love from

0:31:28.480 --> 0:31:32.200
<v Speaker 3>the very get go. Even though the show evolved, I mean,

0:31:32.240 --> 0:31:34.840
<v Speaker 3>you know in that in the same way any great

0:31:34.840 --> 0:31:40.200
<v Speaker 3>writing would evolve. But it even though it took a

0:31:40.200 --> 0:31:42.520
<v Speaker 3>while to figure out we don't need the talking heads,

0:31:42.560 --> 0:31:45.600
<v Speaker 3>we don't it knew you guys, knew who you were.

0:31:45.760 --> 0:31:47.800
<v Speaker 1>It's true. That's what I'm so surprised about when I

0:31:47.840 --> 0:31:48.680
<v Speaker 1>watched the first season.

0:31:48.800 --> 0:31:54.400
<v Speaker 2>Were you was it were some? Was it was? It was? It?

0:31:54.440 --> 0:31:57.200
<v Speaker 3>Was it first season nerve wracking? Or were you more

0:31:57.280 --> 0:32:01.320
<v Speaker 3>nervous when it became so successful? Because some times, you know,

0:32:01.440 --> 0:32:05.959
<v Speaker 3>it's scarier when there's a lot of responsibility, like yuah, oh,

0:32:06.600 --> 0:32:10.160
<v Speaker 3>where we're let's not blow this right, you know right?

0:32:10.320 --> 0:32:13.320
<v Speaker 1>I think for me, because there's a whole long story

0:32:13.360 --> 0:32:14.600
<v Speaker 1>I'm not going to bore you with because all of

0:32:14.600 --> 0:32:16.840
<v Speaker 1>our listeners have heard it in my first episode of

0:32:16.840 --> 0:32:19.880
<v Speaker 1>the podcast, when I so I signed in my mind,

0:32:19.960 --> 0:32:22.120
<v Speaker 1>Sara Jessica did not sign a big deal, a big

0:32:22.160 --> 0:32:24.200
<v Speaker 1>pilot deal, which I didn't know about, And it's good

0:32:24.200 --> 0:32:25.720
<v Speaker 1>that I didn't about because I would have been super

0:32:25.760 --> 0:32:28.400
<v Speaker 1>nervous that she wasn't sewed up for like seven years, right,

0:32:28.480 --> 0:32:31.240
<v Speaker 1>But I did sign one. But then during the pilot,

0:32:31.280 --> 0:32:33.360
<v Speaker 1>which we were over budget. It was two point five

0:32:33.400 --> 0:32:35.200
<v Speaker 1>million dollars, which back then was a lot of money

0:32:35.200 --> 0:32:38.200
<v Speaker 1>for the pilot exactly. They were trying to cut costs,

0:32:38.200 --> 0:32:41.440
<v Speaker 1>and they tried to get me to sign a new

0:32:41.560 --> 0:32:44.240
<v Speaker 1>contract that would revoke my previous contract and make me

0:32:44.440 --> 0:32:48.800
<v Speaker 1>a series recurring for five thousand dollars an episode. Oh

0:32:49.000 --> 0:32:50.040
<v Speaker 1>my god, I know.

0:32:50.080 --> 0:32:52.760
<v Speaker 2>Thank you. Heny tried to do this during all your ship.

0:32:53.040 --> 0:32:56.120
<v Speaker 2>Well that that's awful, I know, thank you. Yeah, what

0:32:56.160 --> 0:32:58.840
<v Speaker 2>it suggests is that you don't have the cough like that.

0:32:58.920 --> 0:33:00.480
<v Speaker 1>I'm not. You're not seeing I'm.

0:33:00.360 --> 0:33:03.320
<v Speaker 2>Trying to cut corners. You're like, wait a minute, Yeah,

0:33:03.480 --> 0:33:03.720
<v Speaker 2>I know.

0:33:04.080 --> 0:33:07.960
<v Speaker 1>So I knew this, Brandon, tell you, I'm executives. I know,

0:33:08.080 --> 0:33:10.280
<v Speaker 1>and no one will take responsibility.

0:33:11.160 --> 0:33:11.920
<v Speaker 2>Somebody knew.

0:33:12.080 --> 0:33:16.280
<v Speaker 1>Somebody knew. I think those people aren't with us anymore. Yeah, whatever.

0:33:16.640 --> 0:33:18.800
<v Speaker 1>So I haven't gotten to the absolute bottom of it,

0:33:18.840 --> 0:33:21.000
<v Speaker 1>but I have. It's been very therapeutic. For me to

0:33:21.040 --> 0:33:23.400
<v Speaker 1>talk about it, because I'd never realize that. I never

0:33:23.480 --> 0:33:26.280
<v Speaker 1>told Sarah, I never told Cynthia. I never talked about

0:33:26.280 --> 0:33:28.480
<v Speaker 1>it except to my team. Because what I did was

0:33:28.560 --> 0:33:30.800
<v Speaker 1>this line producer knocked on my door, just hand me

0:33:30.840 --> 0:33:32.480
<v Speaker 1>this paper and said you need to sign this. And

0:33:32.480 --> 0:33:34.280
<v Speaker 1>I was like, oh, what's this and I read. I

0:33:34.320 --> 0:33:36.240
<v Speaker 1>was like, oh my god. And I called my lawyer,

0:33:36.240 --> 0:33:38.760
<v Speaker 1>who's still my lawyer all these many years later, and

0:33:38.840 --> 0:33:42.719
<v Speaker 1>he said, don't sign the paper. Take it home and

0:33:43.040 --> 0:33:44.200
<v Speaker 1>tell them that you forgot.

0:33:44.880 --> 0:33:46.640
<v Speaker 2>Brilliant loves this lawyer every day.

0:33:46.680 --> 0:33:51.080
<v Speaker 1>I know Jason Sloan incredible daughter Charlotte.

0:33:52.160 --> 0:33:52.440
<v Speaker 4>For that.

0:33:52.640 --> 0:33:54.360
<v Speaker 1>So he says, it's not going to me, but whatever,

0:33:55.440 --> 0:33:58.280
<v Speaker 1>I still love it. So every day they would knock

0:33:58.440 --> 0:34:02.640
<v Speaker 1>and every day I'd be like, oh, I'm sorry, I forgot.

0:34:02.880 --> 0:34:04.400
<v Speaker 1>You know, I'm a good girl, like so like it

0:34:04.440 --> 0:34:07.320
<v Speaker 1>took a lot from me. That's how badly I wanted

0:34:07.360 --> 0:34:09.400
<v Speaker 1>to stay on that show as a series regular.

0:34:09.760 --> 0:34:13.839
<v Speaker 3>I have to say, it's not an un Charlotte storyline.

0:34:13.880 --> 0:34:17.040
<v Speaker 3>I know, Yeah, that's like, that's the story Michael. I

0:34:17.040 --> 0:34:19.560
<v Speaker 3>would write for her totally. It's so like her and

0:34:19.640 --> 0:34:21.480
<v Speaker 3>she'd be crafty. But it would seem like it was

0:34:21.560 --> 0:34:24.200
<v Speaker 3>under the guise of like, oh mind, yeah.

0:34:24.120 --> 0:34:25.759
<v Speaker 1>Right, I can do that. I can actually do that

0:34:25.800 --> 0:34:28.799
<v Speaker 1>in life. It's kind of amazing what happened to me.

0:34:28.960 --> 0:34:30.719
<v Speaker 1>And what I saw when I looked back at the

0:34:30.719 --> 0:34:35.040
<v Speaker 1>first season was that inside I had the anxiety of

0:34:35.080 --> 0:34:38.440
<v Speaker 1>not being good. Oh of course, I mean yeah, And

0:34:38.480 --> 0:34:40.560
<v Speaker 1>it did work with Charlotte in a lot of ways.

0:34:40.560 --> 0:34:42.880
<v Speaker 1>And also Michael told me when he came on, he thought, oh,

0:34:42.920 --> 0:34:44.840
<v Speaker 1>I don't know how to write for that character. So

0:34:44.840 --> 0:34:46.600
<v Speaker 1>I was the one who wanted to get married, right,

0:34:46.880 --> 0:34:48.880
<v Speaker 1>and so it took him a while to understand me

0:34:49.120 --> 0:34:51.600
<v Speaker 1>enough and the character enough. And then Jenny came and

0:34:51.640 --> 0:34:53.560
<v Speaker 1>she knew how to write me, which is great because

0:34:53.560 --> 0:34:55.960
<v Speaker 1>she kept on the breast side. It was perfect, brilliant.

0:34:56.000 --> 0:34:57.799
<v Speaker 1>So the piece has come and you can see that

0:34:57.840 --> 0:34:59.440
<v Speaker 1>in my performance. You can see it in the writing

0:34:59.440 --> 0:35:01.480
<v Speaker 1>for sure. But so like when I look at myself,

0:35:01.640 --> 0:35:04.720
<v Speaker 1>there's some some episodes where I'm like, I am really

0:35:04.920 --> 0:35:08.280
<v Speaker 1>literally just trying to walk properly with them.

0:35:08.600 --> 0:35:12.239
<v Speaker 2>You know, wow, yeah, nobody else does.

0:35:12.480 --> 0:35:14.680
<v Speaker 1>I'm just trying to walk in those heels, in those

0:35:14.680 --> 0:35:16.479
<v Speaker 1>outfits back in.

0:35:17.080 --> 0:35:19.279
<v Speaker 3>Fall Down and look like I belong here back in

0:35:19.400 --> 0:35:21.640
<v Speaker 3>La But you know, I've talked to and I'm sure

0:35:21.680 --> 0:35:25.120
<v Speaker 3>Sarah Jessica would would would has probably talked about this

0:35:25.280 --> 0:35:29.359
<v Speaker 3>with you on this podcast. But like every season you

0:35:29.360 --> 0:35:32.440
<v Speaker 3>guys start every movie, I will talk to her in

0:35:32.480 --> 0:35:34.520
<v Speaker 3>the first four days and She'll be like, I don't

0:35:34.520 --> 0:35:37.800
<v Speaker 3>know what I'm doing, I can't I feel so, I

0:35:38.360 --> 0:35:40.359
<v Speaker 3>don't know how to do this, and I'm not good

0:35:40.360 --> 0:35:40.600
<v Speaker 3>at this.

0:35:40.719 --> 0:35:44.600
<v Speaker 2>And like you, that never goes away. True, no matter

0:35:44.640 --> 0:35:47.560
<v Speaker 2>how iconic you guys are, It's true.

0:35:48.120 --> 0:35:51.839
<v Speaker 3>You never lose that, and you should We shouldn't of course.

0:35:51.840 --> 0:35:54.960
<v Speaker 3>It's the thing that keeps us alive to act too, Like.

0:35:55.000 --> 0:35:56.600
<v Speaker 1>Why else would you want to do such a crazy

0:35:56.600 --> 0:35:58.920
<v Speaker 1>thing if it didn't bring all the feelings and.

0:35:58.920 --> 0:36:00.480
<v Speaker 2>Challenge us totally?

0:36:00.719 --> 0:36:01.399
<v Speaker 1>That's what we love.

0:36:01.560 --> 0:36:02.759
<v Speaker 2>Yeah, and there's real no.

0:36:04.239 --> 0:36:07.720
<v Speaker 3>Sense of security that's born out of this kind of success.

0:36:07.840 --> 0:36:10.479
<v Speaker 3>In fact, sometimes the very opposite as we talked about,

0:36:10.480 --> 0:36:10.920
<v Speaker 3>can happen.

0:36:10.960 --> 0:36:12.680
<v Speaker 2>It can make you a little more kind of.

0:36:12.680 --> 0:36:14.880
<v Speaker 1>That's true for me because I started out at the

0:36:14.920 --> 0:36:17.000
<v Speaker 1>crazy place of like are they going to keep me

0:36:17.080 --> 0:36:19.520
<v Speaker 1>or not? It did just get better.

0:36:19.560 --> 0:36:22.839
<v Speaker 2>And you did that first season and then where you

0:36:22.880 --> 0:36:23.319
<v Speaker 2>sort of.

0:36:23.239 --> 0:36:25.080
<v Speaker 1>Like you had to wait and see if they were

0:36:25.080 --> 0:36:25.600
<v Speaker 1>going to fire me.

0:36:26.200 --> 0:36:28.719
<v Speaker 3>I'm sorry I lost that. I probably interrupted you. You

0:36:29.200 --> 0:36:32.200
<v Speaker 3>really even when that first season was over how many

0:36:32.200 --> 0:36:35.279
<v Speaker 3>episodes thirteen? Yeah, you were like, didn't know, maybe I'll

0:36:35.280 --> 0:36:37.440
<v Speaker 3>come back, maybe I won't exactly, Holy.

0:36:37.239 --> 0:36:39.680
<v Speaker 1>Crap, I know. And I didn't tell any of them,

0:36:39.880 --> 0:36:41.960
<v Speaker 1>which is crazy to me that I didn't tell them,

0:36:42.000 --> 0:36:43.200
<v Speaker 1>do you know what I mean? But I think that

0:36:43.280 --> 0:36:45.439
<v Speaker 1>if I thought that, if they knew, they'd be like, oh, yeah,

0:36:45.760 --> 0:36:47.160
<v Speaker 1>maybe you're not going to have which of course they

0:36:47.200 --> 0:36:49.200
<v Speaker 1>wouldn't have, but like I just didn't have the security

0:36:49.800 --> 0:36:51.040
<v Speaker 1>in it all yet.

0:36:51.160 --> 0:36:52.160
<v Speaker 2>Yeah, yeah, totally.

0:36:52.200 --> 0:36:55.320
<v Speaker 1>So I was just on this like h exactly, didn't.

0:36:55.080 --> 0:36:57.239
<v Speaker 2>Know if it was coming back much less you know,

0:36:57.320 --> 0:36:58.240
<v Speaker 2>it wasn't.

0:36:58.480 --> 0:37:00.400
<v Speaker 1>No, we didn't know anything. I didn't know any thing, right,

0:37:00.480 --> 0:37:01.880
<v Speaker 1>So it was all good And then they were then

0:37:01.920 --> 0:37:03.239
<v Speaker 1>they were like, yes, yes, we do need it.

0:37:03.360 --> 0:37:16.440
<v Speaker 2>I was like, thank you God, thank you. Was it

0:37:16.480 --> 0:37:18.200
<v Speaker 2>a rating success its first season?

0:37:18.440 --> 0:37:21.600
<v Speaker 1>You know what? No one ever spoke about the rating?

0:37:21.680 --> 0:37:26.760
<v Speaker 3>Yeah, those metrics are still to this day.

0:37:25.320 --> 0:37:27.319
<v Speaker 1>I know, right, But I mean for me, I'd come

0:37:27.360 --> 0:37:29.680
<v Speaker 1>from network where like Monday morning you went in and

0:37:29.960 --> 0:37:33.040
<v Speaker 1>everyone was like, oh five point eight to ten point whatever.

0:37:33.440 --> 0:37:35.440
<v Speaker 1>No one cared. I'd be like, does anyone know if

0:37:35.440 --> 0:37:37.719
<v Speaker 1>anyone's watching it? They didn't care. You know what they

0:37:37.760 --> 0:37:41.080
<v Speaker 1>cared about. They cared about press. They wanted press hits.

0:37:41.120 --> 0:37:43.239
<v Speaker 1>Like we worked hard in the beginning. We talked to

0:37:43.360 --> 0:37:45.400
<v Speaker 1>anyone and everyone who would talk to us, because it

0:37:45.440 --> 0:37:48.120
<v Speaker 1>was the traditional press back then. Right, they didn't have

0:37:48.160 --> 0:37:51.000
<v Speaker 1>all the things we have now. And they cared about awards,

0:37:51.040 --> 0:37:53.040
<v Speaker 1>which took us a while to get there, but we did.

0:37:53.440 --> 0:37:56.319
<v Speaker 1>But they that was what made people want to pay.

0:37:56.880 --> 0:38:00.160
<v Speaker 1>You had to pay so much, right, It wasn't just

0:38:00.480 --> 0:38:03.640
<v Speaker 1>how many eyeballs, It was more about the kind of likechet.

0:38:05.000 --> 0:38:07.040
<v Speaker 1>So lucky for us because it did take a while.

0:38:07.440 --> 0:38:10.439
<v Speaker 3>You don't, I mean, that's never gone away because it's

0:38:10.480 --> 0:38:16.440
<v Speaker 3>a show about you know, about the people in New

0:38:16.520 --> 0:38:18.680
<v Speaker 3>York City and the way they dress all of you,

0:38:19.280 --> 0:38:20.840
<v Speaker 3>and so that's a big.

0:38:20.600 --> 0:38:22.399
<v Speaker 2>Part of the show. The press is a very big

0:38:22.440 --> 0:38:23.040
<v Speaker 2>part of the show.

0:38:23.120 --> 0:38:25.439
<v Speaker 1>It is it is, and thank god they still write

0:38:25.440 --> 0:38:26.000
<v Speaker 1>about us.

0:38:26.160 --> 0:38:29.000
<v Speaker 3>Yeah, oh god, yeah, as well they should. You mentioned

0:38:29.000 --> 0:38:31.160
<v Speaker 3>those big hats in that first season. I wonder if

0:38:31.160 --> 0:38:33.080
<v Speaker 3>they were as big as that hat that Sarah has

0:38:33.120 --> 0:38:33.680
<v Speaker 3>all nothing.

0:38:33.800 --> 0:38:35.200
<v Speaker 1>Nothing is as big as that hat.

0:38:35.360 --> 0:38:38.440
<v Speaker 3>Thing is god that I'm sure people are probably talking

0:38:38.440 --> 0:38:38.719
<v Speaker 3>about that.

0:38:38.800 --> 0:38:46.560
<v Speaker 2>They go everywhere just a blanket. It's a great, It

0:38:46.600 --> 0:38:48.120
<v Speaker 2>was a great, it's beyond.

0:38:48.200 --> 0:38:54.360
<v Speaker 1>She has the most incredible knack for dressing of any

0:38:54.400 --> 0:38:56.840
<v Speaker 1>individual I've ever seen. And obviously she does not dress

0:38:56.840 --> 0:38:59.200
<v Speaker 1>like Carrie, which I think is a big, big misconception,

0:38:59.520 --> 0:39:04.520
<v Speaker 1>but her sense of how and what and when and like,

0:39:04.600 --> 0:39:07.000
<v Speaker 1>it's like magic. Watching it. It's incredible.

0:39:07.120 --> 0:39:11.560
<v Speaker 3>It's really, it's really amazing. I directed Sarah, Jessica and

0:39:11.600 --> 0:39:15.360
<v Speaker 3>Matthew in this Broadway revival of Plaza Suite.

0:39:15.280 --> 0:39:15.480
<v Speaker 2>Yeah.

0:39:15.760 --> 0:39:18.440
<v Speaker 3>Yeah, And I'm just bringing up all of my career.

0:39:18.520 --> 0:39:21.520
<v Speaker 3>I love to do it, but I it was just

0:39:21.600 --> 0:39:26.359
<v Speaker 3>amazing watching them work together and how extraordinarily different they

0:39:26.400 --> 0:39:29.920
<v Speaker 3>are as performers and people, and what kind of chemistry

0:39:29.920 --> 0:39:32.239
<v Speaker 3>that produces. But I just wanted to bring it up

0:39:32.239 --> 0:39:35.840
<v Speaker 3>because the legendary costume designer Jane Greenwood did the clothes,

0:39:35.880 --> 0:39:39.920
<v Speaker 3>and she had done Sylvia with Sarah, many things with

0:39:40.000 --> 0:39:43.440
<v Speaker 3>her and Matthew, and the way I went to her

0:39:43.760 --> 0:39:47.920
<v Speaker 3>costume fittings and they're so great because she's got such

0:39:48.000 --> 0:39:53.640
<v Speaker 3>an unbelievable uncanny sense of lines and every cut of things,

0:39:53.680 --> 0:39:58.160
<v Speaker 3>and Jane, who knows so much more than Sarah, Like

0:39:58.320 --> 0:40:00.960
<v Speaker 3>it was a real collaboration. Yeah, and I'm sure, and

0:40:01.000 --> 0:40:03.360
<v Speaker 3>the way it was with Pat and this brilliant new person.

0:40:03.440 --> 0:40:06.000
<v Speaker 1>Yet really Molly's not actually knew she's been here.

0:40:06.239 --> 0:40:09.080
<v Speaker 3>Molly was the path and that's one of the reasons

0:40:09.120 --> 0:40:12.320
<v Speaker 3>why she's doing such a great, great job is because

0:40:12.360 --> 0:40:13.839
<v Speaker 3>she has a history.

0:40:13.520 --> 0:40:15.799
<v Speaker 1>With Definitely, I mean trust her so much, but she's

0:40:15.840 --> 0:40:18.440
<v Speaker 1>so Molly's also really into the details, like the two

0:40:18.440 --> 0:40:20.200
<v Speaker 1>of them can just go down the rabbit hole of

0:40:20.239 --> 0:40:22.359
<v Speaker 1>like how something was woven or whatever.

0:40:22.640 --> 0:40:25.040
<v Speaker 3>It's very Do you spend a lot of time in

0:40:25.080 --> 0:40:26.800
<v Speaker 3>wardrobe fittings before each season?

0:40:26.840 --> 0:40:28.799
<v Speaker 1>Oh yeah, we all do. I mean there's there's a

0:40:28.920 --> 0:40:31.600
<v Speaker 1>lead up. Yeah, there's a lead up like prep. But

0:40:31.640 --> 0:40:34.000
<v Speaker 1>then also during the you know, it doesn't it's never

0:40:34.400 --> 0:40:36.359
<v Speaker 1>very big part of it. And I used to kind

0:40:36.400 --> 0:40:41.200
<v Speaker 1>of kick in screaming. Now I'm like, yeah, I love it, Yeah, yeah, exactly, surrender.

0:40:41.280 --> 0:40:43.120
<v Speaker 1>I love it. You were so spoiled.

0:40:43.280 --> 0:40:46.480
<v Speaker 3>It's such a It's as you said earlier, like you know,

0:40:46.560 --> 0:40:49.400
<v Speaker 3>I would have I might have thought it could or

0:40:49.440 --> 0:40:51.880
<v Speaker 3>could not be a hit, But never in a million

0:40:52.000 --> 0:40:54.839
<v Speaker 3>years would I have imagined what did happen because it's

0:40:54.920 --> 0:40:57.719
<v Speaker 3>unprecedented exactly because it's never happened, there's.

0:40:57.480 --> 0:40:59.759
<v Speaker 1>No model for us. And that's partly what I love

0:40:59.840 --> 0:41:02.680
<v Speaker 1>is well. And people can feel all different ways about

0:41:03.040 --> 0:41:05.240
<v Speaker 1>the first movie, the second movie, the new show, whatever,

0:41:05.280 --> 0:41:08.359
<v Speaker 1>I don't care, because to me, we are just creating

0:41:08.480 --> 0:41:11.200
<v Speaker 1>and creating and creating. And I know that we're creating

0:41:11.280 --> 0:41:15.040
<v Speaker 1>from such a sense of love and respect for each

0:41:15.040 --> 0:41:17.120
<v Speaker 1>other and the fact that we love to be together

0:41:17.520 --> 0:41:19.960
<v Speaker 1>and to make a show that people can relate to.

0:41:20.200 --> 0:41:22.719
<v Speaker 1>And you know, our eye has never been on like

0:41:22.800 --> 0:41:26.799
<v Speaker 1>the big success models or whatever. It has been on

0:41:27.000 --> 0:41:27.960
<v Speaker 1>just making a story that.

0:41:27.920 --> 0:41:31.279
<v Speaker 3>We love absolutely and and that and that you did

0:41:31.320 --> 0:41:35.080
<v Speaker 3>it on this little wild, wild West furthest place in

0:41:35.160 --> 0:41:40.240
<v Speaker 3>the frontier HBO that then became HBO that we know today.

0:41:40.440 --> 0:41:43.839
<v Speaker 3>And and then whoever the smart people were who said, yeah,

0:41:43.880 --> 0:41:46.840
<v Speaker 3>let's sell this into syndication because one of the things

0:41:46.880 --> 0:41:51.160
<v Speaker 3>being my age being young ish when it all started,

0:41:51.239 --> 0:41:57.440
<v Speaker 3>Sarah's age, that that it would be generational, that incredible,

0:41:57.440 --> 0:42:00.560
<v Speaker 3>So like Wicked is doing that now, is a show

0:42:00.560 --> 0:42:03.040
<v Speaker 3>that young women went to see when they were twelve

0:42:03.080 --> 0:42:05.239
<v Speaker 3>years old twenty years ago, and now they're taking their

0:42:05.320 --> 0:42:06.040
<v Speaker 3>daughters to see it.

0:42:06.040 --> 0:42:06.480
<v Speaker 1>Incredible.

0:42:06.600 --> 0:42:09.640
<v Speaker 3>And this show, which was so blue as and where

0:42:09.640 --> 0:42:13.240
<v Speaker 3>we started, you know, was so r rated, has become

0:42:13.360 --> 0:42:18.280
<v Speaker 3>this thing that people have passed down to their children

0:42:18.320 --> 0:42:20.920
<v Speaker 3>and said, watch this. This is New York City, this

0:42:21.040 --> 0:42:24.160
<v Speaker 3>is friendship, right, this is yeah.

0:42:23.640 --> 0:42:26.040
<v Speaker 1>Right, I know, it's it's incredible, It's really well. I

0:42:26.080 --> 0:42:28.239
<v Speaker 1>just want to say, I'm so happy that you're a

0:42:28.320 --> 0:42:29.759
<v Speaker 1>small but brilliant part of it.

0:42:30.200 --> 0:42:31.960
<v Speaker 2>I was naked in the show, so let's not use

0:42:31.960 --> 0:42:32.720
<v Speaker 2>the word small.

0:42:34.040 --> 0:42:39.960
<v Speaker 1>You were mighty fine behind mighty fine. But also, wouldn't

0:42:39.960 --> 0:42:42.520
<v Speaker 1>it be incredible if we could bring Catholic Guy back?

0:42:42.560 --> 0:42:44.160
<v Speaker 1>Oh my god, where's Kavla Guy?

0:42:44.480 --> 0:42:46.239
<v Speaker 3>I really do every now and then I've said to

0:42:46.239 --> 0:42:48.759
<v Speaker 3>Michael Patrick, like not even about me, Like it would

0:42:48.840 --> 0:42:52.040
<v Speaker 3>be nice to see a couple more of the old timer's, but.

0:42:52.040 --> 0:42:55.320
<v Speaker 1>Like what happened to them, because they're such vivid, vivid characters.

0:42:55.360 --> 0:42:57.239
<v Speaker 3>Who was the brilliant I'm sorry, I wish I knew

0:42:57.239 --> 0:42:58.960
<v Speaker 3>his name because I'm such a big fan of his.

0:42:59.320 --> 0:43:02.040
<v Speaker 2>The guy who played Scooter in the first season.

0:43:03.320 --> 0:43:05.600
<v Speaker 1>Yeah, what is that guy's name? We never. I don't

0:43:05.640 --> 0:43:08.480
<v Speaker 1>know where he is. He's very good, Oh he was.

0:43:08.760 --> 0:43:14.120
<v Speaker 3>He was very good, unique and odd, like a puppy.

0:43:13.320 --> 0:43:15.879
<v Speaker 1>A little puppy. But that is just mean to him.

0:43:16.239 --> 0:43:21.120
<v Speaker 2>Genius casting all through it. Ben Webber, web Ben Weber.

0:43:21.360 --> 0:43:25.200
<v Speaker 2>But you know when you mentioned Kyle, brilliant Kyle, because

0:43:25.239 --> 0:43:28.239
<v Speaker 2>you and Evan are so brilliant together. I almost feel

0:43:28.280 --> 0:43:29.400
<v Speaker 2>like you've been together forever.

0:43:29.480 --> 0:43:31.839
<v Speaker 1>But no, Look, we've been together a long long time.

0:43:32.320 --> 0:43:33.680
<v Speaker 2>Yeah, long time.

0:43:33.800 --> 0:43:36.880
<v Speaker 1>But there was Kyle before him, absolutely incredibly vivid and

0:43:36.920 --> 0:43:39.879
<v Speaker 1>wonderful as well, just very very different, incredibly Yeah, I've

0:43:39.880 --> 0:43:43.320
<v Speaker 1>been so incredibly lucky before that. There was so many guys.

0:43:43.360 --> 0:43:45.720
<v Speaker 1>Charlotte had so many guys.

0:43:45.760 --> 0:43:47.759
<v Speaker 3>Yeah, and you're not going to We're not going to

0:43:47.760 --> 0:43:50.200
<v Speaker 3>see Kyle show up at the end of the season.

0:43:50.360 --> 0:43:51.040
<v Speaker 2>You'll never tell.

0:43:51.320 --> 0:43:54.200
<v Speaker 1>I don't know. I don't know, but we we discussed

0:43:54.200 --> 0:43:56.080
<v Speaker 1>some things, but we you know, this is the thing.

0:43:57.080 --> 0:44:01.279
<v Speaker 1>Harry and Charlotte are the last couple of so I

0:44:01.320 --> 0:44:02.839
<v Speaker 1>don't know that we want to mess.

0:44:04.160 --> 0:44:06.400
<v Speaker 2>They so know each other. That's what I love about

0:44:06.440 --> 0:44:07.239
<v Speaker 2>watching them.

0:44:07.320 --> 0:44:09.880
<v Speaker 3>They they people who've been together at the You know,

0:44:09.920 --> 0:44:11.960
<v Speaker 3>you may may hate each other at times, you may

0:44:12.040 --> 0:44:14.880
<v Speaker 3>bore this out of each other. You know the other person,

0:44:15.719 --> 0:44:18.360
<v Speaker 3>warts and all. And that's what's great about the writing

0:44:18.400 --> 0:44:21.359
<v Speaker 3>for those two characters. They really they really look at

0:44:21.360 --> 0:44:22.839
<v Speaker 3>each other and they see each other.

0:44:23.080 --> 0:44:26.680
<v Speaker 1>I agree, I agree, Hickey. I knew it would be incredible,

0:44:26.760 --> 0:44:26.960
<v Speaker 1>is it?

0:44:26.960 --> 0:44:29.200
<v Speaker 2>Okay?

0:44:29.440 --> 0:44:32.120
<v Speaker 1>This is the catching up with friends you delivered and

0:44:32.160 --> 0:44:34.360
<v Speaker 1>then so to honor a real.

0:44:34.320 --> 0:44:36.399
<v Speaker 3>Thrill and an honor to be here, to have known

0:44:36.480 --> 0:44:39.440
<v Speaker 3>you and admired you for so many years now and

0:44:39.480 --> 0:44:40.440
<v Speaker 3>that it's still going on.

0:44:40.719 --> 0:44:43.279
<v Speaker 1>I know, it's incredible. I'm so happy that you're with us.

0:44:43.920 --> 0:44:47.040
<v Speaker 1>Love to see you always. Let's get Catholic guy back.

0:44:47.360 --> 0:44:50.120
<v Speaker 1>Just hang out with us, doing my squats.

0:44:50.120 --> 0:44:53.439
<v Speaker 2>I was doing my squats. The butt is still kind

0:44:53.440 --> 0:44:55.320
<v Speaker 2>of perfect.

0:44:55.880 --> 0:44:59.640
<v Speaker 4>Okay, all right, thank you so much.

0:45:00.640 --> 0:45:04.480
<v Speaker 1>The Constans Disco Basias