WEBVTT - #53 - Kid Ink

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<v Speaker 1>All right, it's the Bootleg cap Podcast. We got a

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<v Speaker 1>special guest today. Shout out to my boy, kid Ink.

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<v Speaker 1>You know what I'm saying. He's gonna be on the

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<v Speaker 1>podcast today. He got a new album out. It's called

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<v Speaker 1>a Live uh and uh Yo. We talked for an hour,

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<v Speaker 1>hour and a half. Great conversation with the homie kid Ink.

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<v Speaker 1>I've been friends with him for a very long time.

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<v Speaker 1>Somebody who's done it independently, real big, somebody who's done

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<v Speaker 1>it on the major level, real big, and somebody who's

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<v Speaker 1>currently grinding on that independent hustle. His first studio album

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<v Speaker 1>in six years is officially out. So shout out to

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<v Speaker 1>kid Inc. And shout out to our sponsors. Man, shout

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<v Speaker 1>So go fuck with odd socks man, and let's get

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<v Speaker 1>into the new episode with the Hommy Kid Inc. It's

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<v Speaker 1>the Blue Leg Cash Show Podcast, et cetera podcast, Whole

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<v Speaker 1>Cash Show special guest kid Ink is here. Ladies and gentlemen.

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<v Speaker 1>What's up, buddy man? Let me turn my phones off? Yeah,

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<v Speaker 1>you got to turn the phones off, Brozz. First of all, man,

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<v Speaker 1>I feel like I ain't seen you since the pandemic.

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<v Speaker 1>Did I see that? I ain't seen you since the pandemic?

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<v Speaker 1>You know, did we see each other? I think I

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<v Speaker 1>saw you on FaceTime. Yeah, that's probably what it was,

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<v Speaker 1>you know, that's seeing people. Yeah, I think. Yeah. It's

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<v Speaker 1>been a crazy year. Man. How have you like, uh,

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<v Speaker 1>you know, how has the pandemic kind of like has

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<v Speaker 1>it affected what you do or what maybe with some

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<v Speaker 1>things you had planned? Like how did it kind of

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<v Speaker 1>affect life for you? Bro I mean it affected me

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<v Speaker 1>like everybody else as far as obviously the slow down

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<v Speaker 1>of traveling and work. I mean, I you know what

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<v Speaker 1>I'm saying, work traveling all day. So I had like

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<v Speaker 1>two overseas tours. I had like an Asia tour, I

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<v Speaker 1>had an Australia tour. I had a college run. As

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<v Speaker 1>soon as the pandemic hit, all that got shut Yeah,

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<v Speaker 1>I know, you do your runs in like the Middle East,

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<v Speaker 1>you go to Dubai, you all had a lot to do,

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<v Speaker 1>but everything was ready to go for that run, and uh,

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<v Speaker 1>you know what I'm saying. I had actually was in

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<v Speaker 1>Dubai February, and I had heard about everything that was

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<v Speaker 1>going on. I was as I was out there and

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<v Speaker 1>how it was like these possible lockdowns and da da dah.

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<v Speaker 1>And then I made it home just in time, like literally,

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<v Speaker 1>I think a couple of days after I made it home,

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<v Speaker 1>which actually had made it home. My daughter was born

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<v Speaker 1>the day I made it home on Valentine's Day, and

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<v Speaker 1>then the whole thing shut down, so I had to

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<v Speaker 1>handle all that. Like, so was the day you got

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<v Speaker 1>because it was your wife with you in Dubai because

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<v Speaker 1>I was with you. She didn't go with you because

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<v Speaker 1>she was pregnant, close to delivering. So you know you

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<v Speaker 1>got back the day she gave birth. Yeah, so you

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<v Speaker 1>can you imagine if you would have gotten the next day. Yeah.

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<v Speaker 1>I was in there in the airport, sweat ship. I

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<v Speaker 1>gotta get back fast, like hold on, just don't don't

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<v Speaker 1>like yeah no, literally in the airport. Hold on, I'm

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<v Speaker 1>gonna be it in a minute. Just couples, just chill, yeah,

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<v Speaker 1>to layover please, damn. That's crazy. That's baby number two,

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<v Speaker 1>baby number two. Wow. And that was different because I

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<v Speaker 1>had to like really handle all that, you know what

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<v Speaker 1>I'm saying, loo with the crib. Everything was kind of

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<v Speaker 1>shut down. We weren't able to go to the hospital.

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<v Speaker 1>And then you're being like extra careful because you got

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<v Speaker 1>a baby. I was super But I guess that was

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<v Speaker 1>easy too, because having a new baby you already super careful.

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<v Speaker 1>So I was already stocked up on everything like hand

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<v Speaker 1>sanitizers and this and that and everything that people was

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<v Speaker 1>panicking over. For a minute. I was a little stocked

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<v Speaker 1>up early because I already had to worry. I was.

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<v Speaker 1>I was the same way. As soon as we had

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<v Speaker 1>a shout out doc Winner. He had like some homie

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<v Speaker 1>who worked for I don't know, some government agency and

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<v Speaker 1>was like, Yo, this ship's really about to get shut down.

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<v Speaker 1>I think it was about a week before it happened.

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<v Speaker 1>And I went to Ralphs and just I was that

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<v Speaker 1>asshole who had like cases of rom I still in

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<v Speaker 1>my garage, still have like a whole entire supply of

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<v Speaker 1>ship that is like just sitting there. It's a bunch

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<v Speaker 1>of y'all, man because y'all y'all went to the store

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<v Speaker 1>and cleaned it out. And then I went to the store.

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<v Speaker 1>It was dry. I just I just ran out of

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<v Speaker 1>toilet paper. I ain't bought toilet paper in a year.

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<v Speaker 1>Yesterday I went down to the closet to see, like,

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<v Speaker 1>I gotta go get the new I was like, we

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<v Speaker 1>were finally out. Why was everybody so worried about toilet paper?

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<v Speaker 1>Because ass paper is like essential, bro, imagine that was

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<v Speaker 1>the most essential thing. Like every time you take a ship,

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<v Speaker 1>you gotta take a shower. Then if you don't have

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<v Speaker 1>the toilet paper, I'm like that too. Listen, if it's

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<v Speaker 1>a rough, if it's a rough, if it's one of those,

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<v Speaker 1>you got to jump in the shower, you know obviously,

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<v Speaker 1>but you know, shout out to my wife. You know,

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<v Speaker 1>I'm like, listen, if we're gonna have sexna take shower anyways,

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<v Speaker 1>you don't got to worry about it. Nonetheless, damn, So

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<v Speaker 1>you're raising an infant during COVID, your wife. You were

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<v Speaker 1>just telling me your wife just opened a new business

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<v Speaker 1>during COVID. Yeah, so you was just dealing with a

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<v Speaker 1>lot of shit. Huh. It was a lot going on.

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<v Speaker 1>But I think, you know, I set myself up luckily,

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<v Speaker 1>Like I was already working on the gym, so like

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<v Speaker 1>everybody who was like dang the gym closed, I was

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<v Speaker 1>in the garage getting getting crazy. And then, uh, you

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<v Speaker 1>know what I'm saying, I got the studio at the house,

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<v Speaker 1>So that was like mandatory of just you know what

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<v Speaker 1>I'm saying with the crib. You know what I'm saying,

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<v Speaker 1>it's worked. I ain't got nowhere else to go, I

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<v Speaker 1>ain't traveling nothing, So it was easier to kind of

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<v Speaker 1>think dial in and just be creative and just have

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<v Speaker 1>fun because it really wasn't nothing else to think about

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<v Speaker 1>or worry about like that. So a lot of this

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<v Speaker 1>album did you record it at home? All of it?

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<v Speaker 1>All of it recorded at the crib, All of it.

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<v Speaker 1>I recorded at the crib, mixed at the crib, at

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<v Speaker 1>the crib. Everything was so you kind of rushed this

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<v Speaker 1>whole joint. Yeah, man I besides, you've worked with the producer. Yeah,

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<v Speaker 1>because of what it is. Man I definitely I put it,

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<v Speaker 1>and it took a little longer than I wanted, just

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<v Speaker 1>because of course I was telling you earlier. It started

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<v Speaker 1>off as like this type of idea and it was

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<v Speaker 1>only going to do seven records, and I love these

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<v Speaker 1>seven records so much, and I was like, man, I

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<v Speaker 1>feel like I need like three more I need And

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<v Speaker 1>then it started to grow into this big album and

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<v Speaker 1>it turned into a full album. That's why even before

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<v Speaker 1>it was like two songs that we had dropped, because

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<v Speaker 1>it wasn't really a thought process of doing that album

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<v Speaker 1>until we dropped those two songs. And it's seeing how

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<v Speaker 1>manyism were working together and how easy it was. Because

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<v Speaker 1>I could have put together a project with a bunch

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<v Speaker 1>of different producers. I get all kind of beasts. I

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<v Speaker 1>still got so many different records, but the business still,

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<v Speaker 1>you know what I'm saying, takes time and clearing people,

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<v Speaker 1>and there's much easier to just work with one guy.

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<v Speaker 1>We got an agreement and get it done, especially when

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<v Speaker 1>you're not working with the big label who you know

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<v Speaker 1>what I'm saying, maybe a lot of those people are

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<v Speaker 1>already cleared your label, or it's just an easier system

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<v Speaker 1>where you know what I'm saying, I'm independent, and we

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<v Speaker 1>got to handle a lot of clearing and making sure

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<v Speaker 1>these are selling points and publishing and keeping track of

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<v Speaker 1>all that stuff. And it was like, Ism is the homie.

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<v Speaker 1>He's been the homie. We've already had records together, and

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<v Speaker 1>he's nice and he's a gold low key and so

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<v Speaker 1>you know what I'm saying, We just it was somebody

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<v Speaker 1>I felt like I could work with and get so

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<v Speaker 1>many different type of records done compared to you know

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<v Speaker 1>what I'm saying, if I worked with some other producer,

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<v Speaker 1>maybe it would just all sound to the same to

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<v Speaker 1>where it still sounds cohesive. But it's not like box tend. So, uh,

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<v Speaker 1>when you first went independent, you came on me and

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<v Speaker 1>had shown and like we did an interview, announced it

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<v Speaker 1>and you know, made a big deal of it. You've

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<v Speaker 1>been independent for a while, now, what are the thing

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<v Speaker 1>I mean? You started off independent, this is how you

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<v Speaker 1>came into the game. You know, what I'm saying, by

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<v Speaker 1>the way, is up in the way gold Now yeah,

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<v Speaker 1>I think so, I know records off of it are

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<v Speaker 1>gold or definitely records are you know, I don't, I

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<v Speaker 1>gotta it's got to be closing with all the numbers.

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<v Speaker 1>But I just waiting and be giving me placks like yo,

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<v Speaker 1>this would gold. Then it feels great when the indie

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<v Speaker 1>records go go because like, plus, that's more money in

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<v Speaker 1>the bank, you know what I mean, more money in

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<v Speaker 1>the bank, and it just you know what I'm saying

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<v Speaker 1>makes me feel a little bit more like you know

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<v Speaker 1>what I'm saying, even now with just records like I

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<v Speaker 1>did all this dolo, some of them in the closet,

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<v Speaker 1>like you know, for it was any bread and those

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<v Speaker 1>records got plaques. Now they definitely still mean a little

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<v Speaker 1>bit more sometimes and those other records that I kind

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<v Speaker 1>of knew we're gonna go, like that's gonna go, It's

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<v Speaker 1>gonna be it's gonna be one. No. But like coming

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<v Speaker 1>back to being independent and being back in that space

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<v Speaker 1>for a while now, like what are the things that

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<v Speaker 1>you've kind of like had to adjust two that you

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<v Speaker 1>weren't used to with being with RCA, for so long

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<v Speaker 1>because you had a very long run with RCA. Adjusting

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<v Speaker 1>I mean, I guess, you know, because it's everything is

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<v Speaker 1>more hands on, Like I said, clearances and just certain

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<v Speaker 1>things as far as the business are probably a little

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<v Speaker 1>bit more, but I'm not as you know what I'm saying.

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<v Speaker 1>Luckily I got will you know what I'm saying, helped

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<v Speaker 1>me with the business side of things, while I still

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<v Speaker 1>have to do the creative side. But I mean, of

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<v Speaker 1>course relationships might be a little bit different. You know,

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<v Speaker 1>for me going independent, I'll tell you know that I

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<v Speaker 1>don't get an independent rate. So everything that's like was

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<v Speaker 1>already what it was, or features or production costs, a

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<v Speaker 1>lot of that stuff is still the same as when

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<v Speaker 1>Kittink was with RCA. So I think that's still just

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<v Speaker 1>coming out of my bags, you know what I'm saying.

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<v Speaker 1>I guess you know, those are certain things you gotta

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<v Speaker 1>probably adjust to more than you know what I'm saying,

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<v Speaker 1>when you are a little bit more free with doing

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<v Speaker 1>certain things or samples and you know, just keeping it

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<v Speaker 1>a little bit more in house so you don't have

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<v Speaker 1>to worry about all these other stresses that you were

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<v Speaker 1>able to let somebody else worry about, right, because it's

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<v Speaker 1>a whole team of all the variables you now got

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<v Speaker 1>to deal with, supposed to keeping it kind of like

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<v Speaker 1>like you said, like, hey, when with one producer, I

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<v Speaker 1>means we gotta do with one guy to get these

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<v Speaker 1>records clear, ye, opposed to like getting you know what

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<v Speaker 1>I'm saying, stuff back and you be it's just the

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<v Speaker 1>business come back and you be like DANMG, why y'all

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<v Speaker 1>gotta make this so difficult, Like you know what I'm saying.

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<v Speaker 1>I'm just I'm rocking, like we're doing independent. Let's just

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<v Speaker 1>put something out. Let's just work everybody wants to Yeah,

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<v Speaker 1>not even like we'll figure it out and I'm gonna

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<v Speaker 1>make sure everybody's taking care of it, not most importantly,

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<v Speaker 1>you know what I'm saying, make sure you get your

0:10:33.960 --> 0:10:36.920
<v Speaker 1>bag up front. But I think when it comes down

0:10:36.960 --> 0:10:40.960
<v Speaker 1>to all that extra points and publishing stuff that I

0:10:40.960 --> 0:10:43.480
<v Speaker 1>don't my brain don't get all the way into like that,

0:10:43.600 --> 0:10:45.760
<v Speaker 1>I started getting confused, Like, man, that's been a month

0:10:45.800 --> 0:10:48.040
<v Speaker 1>since we've been talking about all this. I don't even

0:10:48.040 --> 0:10:49.880
<v Speaker 1>want to do this record no more, Like I wanted

0:10:49.920 --> 0:10:52.760
<v Speaker 1>to put this out in this timeframe right now, and

0:10:52.800 --> 0:10:55.240
<v Speaker 1>I've had that happen where I didn't get a record

0:10:55.240 --> 0:10:56.800
<v Speaker 1>out when I wanted to put it out because the

0:10:56.800 --> 0:10:58.880
<v Speaker 1>business took so long. And then it's like, bro, I

0:10:59.000 --> 0:11:01.520
<v Speaker 1>just this was a summer. Now it's November, and you

0:11:01.640 --> 0:11:04.200
<v Speaker 1>just want me to feel like I got the same energy.

0:11:04.240 --> 0:11:07.400
<v Speaker 1>I'm gonna get the same response from this. So again,

0:11:07.480 --> 0:11:09.240
<v Speaker 1>working with Isam, it was like, all right, I could

0:11:09.280 --> 0:11:11.920
<v Speaker 1>lock these records and I could tell him this is

0:11:11.960 --> 0:11:13.679
<v Speaker 1>my beat, like I want to lock this in and

0:11:13.760 --> 0:11:16.480
<v Speaker 1>I don't have to worry about two weeks later, a

0:11:16.480 --> 0:11:18.920
<v Speaker 1>month later, he telled me like, yo, I sold I

0:11:18.960 --> 0:11:20.760
<v Speaker 1>saw that beat. I gave it to someone, the one

0:11:20.800 --> 0:11:23.800
<v Speaker 1>that you had, Like I gave it someone else. And

0:11:23.920 --> 0:11:27.280
<v Speaker 1>it's crazy what happens to me four times a year

0:11:28.400 --> 0:11:30.480
<v Speaker 1>because you know, producers just be sending out packs and

0:11:30.520 --> 0:11:33.360
<v Speaker 1>then records that I felt like, oh, this is my single,

0:11:33.440 --> 0:11:35.280
<v Speaker 1>and unfortunately and then they'd be like, well, look this

0:11:35.360 --> 0:11:37.520
<v Speaker 1>other guy's got it, and you know it's a major label.

0:11:37.520 --> 0:11:40.920
<v Speaker 1>It's a bigger bag, right, And then I'm gonna, of

0:11:40.960 --> 0:11:42.719
<v Speaker 1>course I want to tell you like nah, but I'm

0:11:42.720 --> 0:11:45.520
<v Speaker 1>not gonna tell my homie, like especially somebody I rock with,

0:11:45.640 --> 0:11:47.520
<v Speaker 1>like don't go get the bag and make you know.

0:11:47.520 --> 0:11:49.040
<v Speaker 1>It's definitely a trade now and I'm gonna let you

0:11:49.120 --> 0:11:51.720
<v Speaker 1>go get this bag, bro, So take care of me

0:11:51.760 --> 0:11:53.719
<v Speaker 1>the next go around. Take care me these packs when

0:11:53.720 --> 0:11:57.280
<v Speaker 1>you get hot, don't don't forget. But you know it

0:11:57.320 --> 0:11:59.360
<v Speaker 1>is what it is. So you have like a pretty

0:11:59.360 --> 0:12:02.439
<v Speaker 1>wild journey as far as like you're come up. You

0:12:02.480 --> 0:12:05.160
<v Speaker 1>came up with like a just a crazy culte following

0:12:05.240 --> 0:12:11.400
<v Speaker 1>fan base, mixtapes, your first independent album, and then when

0:12:11.440 --> 0:12:16.120
<v Speaker 1>you signed, you caught one would show me. That was

0:12:16.240 --> 0:12:19.320
<v Speaker 1>like fucking how many streams is that thing? How many

0:12:19.320 --> 0:12:22.040
<v Speaker 1>times platinum is that record? I mean, I don't know.

0:12:22.240 --> 0:12:25.559
<v Speaker 1>It definitely went on one of Chris Brown's like records,

0:12:25.600 --> 0:12:29.120
<v Speaker 1>and I was like, oh, breaking records for Chris It's

0:12:30.200 --> 0:12:33.160
<v Speaker 1>but it wasn't. Let's let's be real though. It wasn't

0:12:33.800 --> 0:12:36.400
<v Speaker 1>as if I got signed though, and then like showed

0:12:36.440 --> 0:12:38.160
<v Speaker 1>me came out. No, no, no, you were putting out

0:12:38.200 --> 0:12:40.440
<v Speaker 1>other records. But we did. We did try like the

0:12:40.520 --> 0:12:44.240
<v Speaker 1>Meek Mill right, the Badass record, and I had a

0:12:44.280 --> 0:12:46.160
<v Speaker 1>couple other singles and I think what was the one

0:12:46.160 --> 0:12:50.920
<v Speaker 1>lifted produced it? Fuck? It had like a screwed up

0:12:50.960 --> 0:12:54.120
<v Speaker 1>like hook the Boston Up. We had the Boston Up

0:12:54.160 --> 0:12:57.640
<v Speaker 1>record that I remember through Ferg and French from the remix,

0:12:57.720 --> 0:12:59.599
<v Speaker 1>and then we had some I had some records that

0:12:59.640 --> 0:13:01.680
<v Speaker 1>were going you know, you had records still for the

0:13:02.160 --> 0:13:04.200
<v Speaker 1>more so for the core fans. But I felt like,

0:13:04.440 --> 0:13:07.280
<v Speaker 1>definitely when this show Me hit, it was like show

0:13:07.320 --> 0:13:10.240
<v Speaker 1>Me was like over right, So then like you kind

0:13:10.280 --> 0:13:13.160
<v Speaker 1>of go on this run where you have all of

0:13:13.200 --> 0:13:15.440
<v Speaker 1>these records that are kind of in similar vein to

0:13:15.440 --> 0:13:18.440
<v Speaker 1>show Me. Not necessarily the same, but like you know,

0:13:18.640 --> 0:13:22.079
<v Speaker 1>R and B hooks, one hundred bpm type joints. You

0:13:22.120 --> 0:13:26.400
<v Speaker 1>know what I'm saying. Very successful, huge tours. You're all

0:13:26.520 --> 0:13:30.760
<v Speaker 1>Chris Brown Tory, I mean all these tours. Do you

0:13:30.800 --> 0:13:34.199
<v Speaker 1>feel like that that kind of started to eat away

0:13:34.240 --> 0:13:38.440
<v Speaker 1>at your like core following or like the ability for

0:13:38.520 --> 0:13:41.079
<v Speaker 1>new fans to come in and tap in with like

0:13:42.400 --> 0:13:44.559
<v Speaker 1>what some of your earlier fans fell in love with,

0:13:44.640 --> 0:13:46.480
<v Speaker 1>because I feel like a lot of fans, kind of

0:13:46.720 --> 0:13:49.559
<v Speaker 1>the newer fans that were coming in, yeah, started to

0:13:49.640 --> 0:13:52.319
<v Speaker 1>kind of just see you as like the radio guy. Definitely,

0:13:52.800 --> 0:13:56.319
<v Speaker 1>it was definitely like I had two separate fans, especially

0:13:56.320 --> 0:13:57.920
<v Speaker 1>when you would go to the shows and I would

0:13:57.920 --> 0:14:00.719
<v Speaker 1>have to like please the core fans and the new

0:14:00.760 --> 0:14:02.440
<v Speaker 1>fans at the same time, and you can see the

0:14:02.480 --> 0:14:05.080
<v Speaker 1>difference and the energies or whatever. But I think, you know,

0:14:07.480 --> 0:14:10.640
<v Speaker 1>at the time when show Me came out, I love

0:14:10.720 --> 0:14:12.760
<v Speaker 1>the record, but it wasn't in my head that it

0:14:12.840 --> 0:14:14.959
<v Speaker 1>was like, all right, we're gonna keep busting these down

0:14:15.120 --> 0:14:17.280
<v Speaker 1>more so than people were asking for me to bust

0:14:17.320 --> 0:14:20.080
<v Speaker 1>those down. Like the DJs was telling me like, yeah,

0:14:20.080 --> 0:14:22.680
<v Speaker 1>we love this, and you know what I'm saying. Make

0:14:22.680 --> 0:14:24.640
<v Speaker 1>sure you know what I'm saying always, you know, And

0:14:24.720 --> 0:14:27.000
<v Speaker 1>it felt like something that was simple too, and everybody

0:14:27.040 --> 0:14:28.640
<v Speaker 1>was telling me, hell, you sound great doing it, you

0:14:28.680 --> 0:14:30.760
<v Speaker 1>sound comfortable doing this, and it was like, all right, cool,

0:14:30.880 --> 0:14:33.360
<v Speaker 1>you know what I'm saying. I'll rock with it is,

0:14:33.760 --> 0:14:35.560
<v Speaker 1>you know, much as the hits come through, Like I'm

0:14:35.600 --> 0:14:38.360
<v Speaker 1>not gonna run away from a hit record, but uh,

0:14:39.320 --> 0:14:42.360
<v Speaker 1>I definitely wasn't looking forward to it being like the

0:14:42.920 --> 0:14:45.520
<v Speaker 1>not necessarily I'm gonna take credit for, you know what

0:14:45.520 --> 0:14:47.720
<v Speaker 1>I'm saying, having a sound, but people like that's the

0:14:47.800 --> 0:14:49.880
<v Speaker 1>kidding sound. I don't want them to be like that's

0:14:49.920 --> 0:14:52.400
<v Speaker 1>the only sound you can do. Kidding can do. For

0:14:52.440 --> 0:14:54.560
<v Speaker 1>the new fans, because I know it's fans that know

0:14:54.640 --> 0:14:56.480
<v Speaker 1>what it is. Because like Time of Your Life, which

0:14:56.560 --> 0:14:58.440
<v Speaker 1>was kind of the first record that you had any

0:14:58.600 --> 0:15:02.000
<v Speaker 1>radio success with, Yeah, was I think like sixty some

0:15:02.160 --> 0:15:04.760
<v Speaker 1>odd bpms. It was super melodic and it was just

0:15:04.880 --> 0:15:07.560
<v Speaker 1>you and those to me, when I talk to certain people,

0:15:07.600 --> 0:15:11.240
<v Speaker 1>like those are kidd Ink records, like for a nice group,

0:15:11.360 --> 0:15:13.800
<v Speaker 1>especially people who really know me and people who've been rocking.

0:15:13.920 --> 0:15:15.840
<v Speaker 1>Like when I put on something like that, they go,

0:15:16.000 --> 0:15:18.080
<v Speaker 1>that reminds me of a kidd Ink record or the

0:15:18.160 --> 0:15:20.480
<v Speaker 1>up and away vibes. It's like, that's a Kidding record,

0:15:20.560 --> 0:15:24.280
<v Speaker 1>and that's the album that a lot of people familiarized

0:15:24.320 --> 0:15:26.600
<v Speaker 1>with me before Show Me. They're like, this is the

0:15:26.680 --> 0:15:28.560
<v Speaker 1>sound that he had or the type of music he

0:15:28.680 --> 0:15:32.320
<v Speaker 1>was creating. And then you know, when Show Me came out,

0:15:33.200 --> 0:15:35.520
<v Speaker 1>not only did was it, it was a whole new

0:15:35.800 --> 0:15:38.240
<v Speaker 1>way to even listen to music at one point too.

0:15:38.400 --> 0:15:40.240
<v Speaker 1>Like you know what I'm saying, The people who were

0:15:40.840 --> 0:15:43.760
<v Speaker 1>listening to those other records sometimes still go to those

0:15:43.800 --> 0:15:46.240
<v Speaker 1>old websites and stuff to listen to that stuff because

0:15:46.280 --> 0:15:50.040
<v Speaker 1>it's not even available nowhere. Yeah, people still be going

0:15:50.080 --> 0:15:52.880
<v Speaker 1>on there, like, Yo, what I've had somebody ask me like, yo,

0:15:52.880 --> 0:15:54.720
<v Speaker 1>you should put something out on that PIF, and I

0:15:54.800 --> 0:15:56.960
<v Speaker 1>was like, so just so you could listen to it,

0:15:57.040 --> 0:15:59.480
<v Speaker 1>Like I'm trying to figure that's not what you know,

0:15:59.480 --> 0:16:01.560
<v Speaker 1>what I mean shout out to that PIF, not shout out,

0:16:01.600 --> 0:16:03.240
<v Speaker 1>but I'm just saying it would be stupid of you

0:16:03.320 --> 0:16:07.440
<v Speaker 1>to put something out solely on that PIF would make

0:16:07.480 --> 0:16:10.800
<v Speaker 1>any sense. Right, So it's like the new fans who

0:16:10.840 --> 0:16:14.000
<v Speaker 1>only get up to what they got on Spotify and

0:16:14.080 --> 0:16:16.320
<v Speaker 1>Apple and all that stuff like that they got. They

0:16:16.320 --> 0:16:19.360
<v Speaker 1>can only backtrack so far. And I'll be thinking too,

0:16:19.400 --> 0:16:21.400
<v Speaker 1>like it'll people like, yo, you should do a feature

0:16:21.440 --> 0:16:23.000
<v Speaker 1>with this person. I'd be like I did. I did

0:16:23.080 --> 0:16:26.280
<v Speaker 1>like two back then. I mean, they're not on the

0:16:26.320 --> 0:16:28.600
<v Speaker 1>streaming that works now, but it is what it is.

0:16:28.680 --> 0:16:32.280
<v Speaker 1>So I don't know what else, you know, what I'm

0:16:32.280 --> 0:16:34.840
<v Speaker 1>saying to do besides that, but accept it and then

0:16:34.920 --> 0:16:37.480
<v Speaker 1>just move forward and kind of just work through it.

0:16:37.520 --> 0:16:39.640
<v Speaker 1>And now just showing proven that I'm independent, I got

0:16:39.680 --> 0:16:42.320
<v Speaker 1>obviously more rooms, So yeah, now you're independent and you

0:16:42.360 --> 0:16:46.240
<v Speaker 1>can do whatever you want. At the same time, I

0:16:46.320 --> 0:16:52.000
<v Speaker 1>had this like I remember when Tiger was making like

0:16:53.120 --> 0:16:55.760
<v Speaker 1>before it tastes happened. Tiger was making some wild records

0:16:55.800 --> 0:16:58.040
<v Speaker 1>that were like, what are you doing? Bro? Like I

0:16:58.080 --> 0:17:00.400
<v Speaker 1>forget he was, he was singing and there R and

0:17:00.440 --> 0:17:02.280
<v Speaker 1>B album right, it was, it was. It was horrible.

0:17:02.560 --> 0:17:04.640
<v Speaker 1>It just wasn't good. Shout out to Tiger. I'm saying

0:17:04.640 --> 0:17:07.639
<v Speaker 1>me personally, I did not. I did not enjoy that.

0:17:07.760 --> 0:17:09.920
<v Speaker 1>And I remember just thinking to myself, like, bro, this

0:17:09.960 --> 0:17:12.960
<v Speaker 1>ship is a no brainer. Like Tiger just put out

0:17:12.960 --> 0:17:14.840
<v Speaker 1>some Tiger ship and then he put Taste out and

0:17:14.880 --> 0:17:17.359
<v Speaker 1>I was like, bruh, I feel you on that? Do

0:17:17.440 --> 0:17:20.439
<v Speaker 1>you feel like because I heard you got some some

0:17:20.480 --> 0:17:22.000
<v Speaker 1>ship in the cut? I actually heard the record. You

0:17:22.040 --> 0:17:25.200
<v Speaker 1>got a rumor shout out to Yeah, shout out bro.

0:17:25.560 --> 0:17:27.080
<v Speaker 1>I don't know if it was Nelly's supposed to be

0:17:27.080 --> 0:17:30.440
<v Speaker 1>got on that song. Uh, we we played it. What

0:17:30.480 --> 0:17:33.679
<v Speaker 1>happened was we played it for Nelly. Uh I think,

0:17:33.720 --> 0:17:35.199
<v Speaker 1>I think because I think when Rumor played it for me,

0:17:35.200 --> 0:17:36.840
<v Speaker 1>He's like, yo, Nelly's getting on this. Yeah. We had

0:17:36.840 --> 0:17:39.480
<v Speaker 1>played it for Nelly and brought it through and then

0:17:39.680 --> 0:17:43.080
<v Speaker 1>instead we ended up doing two other records and Nelly

0:17:43.760 --> 0:17:46.680
<v Speaker 1>for you and me. Rumor and Nelly did one other

0:17:46.720 --> 0:17:50.439
<v Speaker 1>record and me and Nelly got like four records in

0:17:50.480 --> 0:17:52.720
<v Speaker 1>the can that should just be working because that's the bro.

0:17:52.840 --> 0:17:55.080
<v Speaker 1>So sometime he'll just pull up to the crib and

0:17:55.119 --> 0:17:57.959
<v Speaker 1>then I just be playing play. But I guess, like

0:17:58.160 --> 0:18:02.199
<v Speaker 1>I feel like you have the like kind of the

0:18:02.680 --> 0:18:05.040
<v Speaker 1>like like if you were to do a record like

0:18:05.080 --> 0:18:10.399
<v Speaker 1>show me or you know whatever right now independently, Yeah,

0:18:11.119 --> 0:18:14.480
<v Speaker 1>you make so much money off of that song right

0:18:14.520 --> 0:18:17.879
<v Speaker 1>because it's yours now. So I mean, cause I know

0:18:17.920 --> 0:18:19.920
<v Speaker 1>you made a conscious decision to be like, Yo, don't

0:18:19.960 --> 0:18:22.800
<v Speaker 1>send me these beats, Like don't like like this is

0:18:22.920 --> 0:18:25.680
<v Speaker 1>you know, I'm close with you and your team, So

0:18:25.720 --> 0:18:27.639
<v Speaker 1>I'm like, like, I know you made a conscious decision

0:18:27.640 --> 0:18:30.760
<v Speaker 1>to be like, look like stop sending me Mustard beats.

0:18:30.760 --> 0:18:33.439
<v Speaker 1>Stop sending me you know these kind of records. Have

0:18:33.560 --> 0:18:35.800
<v Speaker 1>you thought like, Yo, look now that I'm independent, Like

0:18:37.240 --> 0:18:39.679
<v Speaker 1>if I catch one now, it's like way different. Have

0:18:39.760 --> 0:18:42.520
<v Speaker 1>you thought of like saying like, hey, fuck it, let's

0:18:42.520 --> 0:18:45.159
<v Speaker 1>see what happens? Like absolutely, I think I think what

0:18:45.240 --> 0:18:47.119
<v Speaker 1>it was was when I was asking people not to

0:18:47.160 --> 0:18:49.119
<v Speaker 1>send me that stuff, I just needed it for like

0:18:49.240 --> 0:18:53.040
<v Speaker 1>my mental like creative space to be able to open

0:18:53.119 --> 0:18:55.480
<v Speaker 1>up and not just I just needed it for myself,

0:18:55.560 --> 0:18:58.720
<v Speaker 1>so because I was feeling boxed in or insecure about

0:18:59.200 --> 0:19:01.560
<v Speaker 1>if I could take it different directions still, whatever the

0:19:01.640 --> 0:19:05.640
<v Speaker 1>case may be. So but of course I looked back

0:19:05.800 --> 0:19:09.439
<v Speaker 1>and even just listening to certain records or just getting

0:19:09.480 --> 0:19:12.399
<v Speaker 1>beats and then just having something to it so quickly

0:19:12.440 --> 0:19:14.960
<v Speaker 1>and being like, dang, this is low Kia smash. I

0:19:15.040 --> 0:19:18.720
<v Speaker 1>definitely told myself like, I'm not running away from nothing,

0:19:18.800 --> 0:19:20.639
<v Speaker 1>especially now that you know what I'm saying, Summer's on

0:19:20.680 --> 0:19:22.320
<v Speaker 1>the way. I got a nice little stash up for

0:19:22.320 --> 0:19:26.080
<v Speaker 1>the summer, and I know that, you know, it's a

0:19:26.160 --> 0:19:28.080
<v Speaker 1>vibe that people you know what I'm saying, enjoy and

0:19:28.119 --> 0:19:29.920
<v Speaker 1>I know that I love making you know what I'm saying,

0:19:30.000 --> 0:19:32.240
<v Speaker 1>music that make people feel good. And I've been missing

0:19:32.240 --> 0:19:34.399
<v Speaker 1>the summer. I'm not gonna lie. So I've heard some

0:19:34.480 --> 0:19:36.760
<v Speaker 1>songs that you don't have out that are like what

0:19:36.800 --> 0:19:39.320
<v Speaker 1>was the There's a record that I know Will was

0:19:39.359 --> 0:19:43.000
<v Speaker 1>trying to get Kane Brown on. Oh yeah, that's like

0:19:43.080 --> 0:19:45.760
<v Speaker 1>a hitch, that's like and that shit's like a year

0:19:45.760 --> 0:19:47.680
<v Speaker 1>and a half, two years old. That's like a smash.

0:19:47.760 --> 0:19:49.679
<v Speaker 1>Like these are records that you just got it, just

0:19:49.800 --> 0:19:53.200
<v Speaker 1>tucked off. But it just needs the perfect the perfect

0:19:53.200 --> 0:19:55.120
<v Speaker 1>person singing on that hook, and I just it gotta

0:19:55.160 --> 0:19:57.200
<v Speaker 1>get right. You feel me though, like you got records

0:19:57.240 --> 0:20:01.760
<v Speaker 1>like that that are like crazy and it was like

0:20:02.080 --> 0:20:03.760
<v Speaker 1>I think it was just all the time and things

0:20:03.920 --> 0:20:06.840
<v Speaker 1>like that's like a soundtrack or like the theme song,

0:20:07.119 --> 0:20:10.360
<v Speaker 1>like you know, summer slam type, shit fast and furious type.

0:20:10.440 --> 0:20:13.879
<v Speaker 1>You know what I'm saying exactly the movie. Do you

0:20:13.960 --> 0:20:16.680
<v Speaker 1>feel kind of like if you know you have like okay,

0:20:16.720 --> 0:20:20.119
<v Speaker 1>look like you said, I got you got shit tucked

0:20:20.240 --> 0:20:21.680
<v Speaker 1>like this? To me, I think is like a dope

0:20:21.720 --> 0:20:25.840
<v Speaker 1>project because it's something that's like you're independent now, so

0:20:25.840 --> 0:20:28.080
<v Speaker 1>why not do a whole project with a producer? Right?

0:20:29.200 --> 0:20:31.639
<v Speaker 1>But if you know, like hey, look I got this, this, this,

0:20:31.680 --> 0:20:33.600
<v Speaker 1>and this, being independent, is it like a little bit

0:20:33.640 --> 0:20:36.200
<v Speaker 1>harder to be like, look, guys, if we're going to

0:20:36.280 --> 0:20:40.359
<v Speaker 1>drop this, we gotta make sure we got all of

0:20:40.400 --> 0:20:43.480
<v Speaker 1>these ducks in a row because we want to make

0:20:43.480 --> 0:20:47.760
<v Speaker 1>sure it has the best chance to be as big

0:20:47.840 --> 0:20:50.159
<v Speaker 1>as it should be. Does it give you kind of

0:20:50.160 --> 0:20:53.040
<v Speaker 1>cold feet to drop something like that now that you're

0:20:53.040 --> 0:20:57.159
<v Speaker 1>independent or is it like more like timing, like like

0:20:57.160 --> 0:20:58.560
<v Speaker 1>you know what I'm saying, because you got like you said,

0:20:58.560 --> 0:21:00.639
<v Speaker 1>you have some big records, bro, Like I feel like

0:21:00.680 --> 0:21:03.879
<v Speaker 1>your biggest joints you have you've been sitting on. That's

0:21:03.920 --> 0:21:06.240
<v Speaker 1>what people tell me all the time. Now, I think

0:21:06.320 --> 0:21:10.960
<v Speaker 1>it's definitely a timing thing. I don't like you said

0:21:11.040 --> 0:21:13.640
<v Speaker 1>getting the ducks in a row for sure. Like after

0:21:13.680 --> 0:21:16.600
<v Speaker 1>I got the project done, it was more so like,

0:21:17.760 --> 0:21:19.359
<v Speaker 1>all right, now, how we're gonna line it up a

0:21:19.400 --> 0:21:22.920
<v Speaker 1>certain way and give ourselves enough time to be able

0:21:22.960 --> 0:21:26.200
<v Speaker 1>to do boom boom boom boom. Could it was like initially,

0:21:26.840 --> 0:21:29.200
<v Speaker 1>initially I was like I wanted to put it out

0:21:29.200 --> 0:21:31.640
<v Speaker 1>at this time. It went two months over the time

0:21:31.680 --> 0:21:33.480
<v Speaker 1>I wanted to put out, just trying to perfect it

0:21:33.520 --> 0:21:36.520
<v Speaker 1>the way I wanted it to sound. And then of

0:21:36.560 --> 0:21:38.840
<v Speaker 1>course I immediately wanted to put it out. But then

0:21:38.880 --> 0:21:41.159
<v Speaker 1>you step back and it's like, I'm not gonna do that.

0:21:41.200 --> 0:21:43.480
<v Speaker 1>It's not a surprise project. Like I want to give

0:21:43.480 --> 0:21:45.400
<v Speaker 1>it its full potential and you know what I'm saying,

0:21:46.119 --> 0:21:48.639
<v Speaker 1>let it be seen and heard and give it what

0:21:48.720 --> 0:21:51.040
<v Speaker 1>it needs to really, you know what I'm saying, have

0:21:51.160 --> 0:21:53.880
<v Speaker 1>some success instead of just putting it out and which

0:21:54.040 --> 0:21:56.120
<v Speaker 1>with records I've done before. By just wanting to put

0:21:56.160 --> 0:21:58.320
<v Speaker 1>something out just to have content out right, and then

0:21:58.359 --> 0:22:01.440
<v Speaker 1>they got to kind of get overlooked, just not because

0:22:02.160 --> 0:22:05.880
<v Speaker 1>the record wasn't hot, it got overlooked because it wasn't

0:22:06.280 --> 0:22:08.520
<v Speaker 1>put out in a certain manner to you know what

0:22:08.520 --> 0:22:12.440
<v Speaker 1>I'm saying succeed. So with this project, I definitely it

0:22:12.560 --> 0:22:14.520
<v Speaker 1>first kind of just wanted to get the content out

0:22:14.560 --> 0:22:17.199
<v Speaker 1>and let people kind of gravitate towards it the way

0:22:17.240 --> 0:22:19.640
<v Speaker 1>they want. But I still want to have some type

0:22:19.680 --> 0:22:22.680
<v Speaker 1>of impact, especially being from where I was to go

0:22:22.720 --> 0:22:24.560
<v Speaker 1>on independent. I don't want to low ball and be

0:22:24.640 --> 0:22:26.720
<v Speaker 1>like I'm independent now and now I'm not doing things

0:22:26.760 --> 0:22:29.560
<v Speaker 1>it's big, Like I'm not giving you, you know what

0:22:29.560 --> 0:22:31.800
<v Speaker 1>I'm saying, the same type of energy because I'm independent.

0:22:31.840 --> 0:22:34.280
<v Speaker 1>I'm just throwing some music out there and seeing what happens. Like,

0:22:34.520 --> 0:22:36.200
<v Speaker 1>I definitely don't want it to do thathing like that.

0:22:36.320 --> 0:22:38.480
<v Speaker 1>There's been this big narrative in music over the last

0:22:38.520 --> 0:22:45.000
<v Speaker 1>few years about going independent ownership. You know, Kanye led

0:22:45.040 --> 0:22:47.240
<v Speaker 1>a lot of that with the publishing shit, and and

0:22:47.280 --> 0:22:49.760
<v Speaker 1>obviously Russ has been screaming that shit at the top

0:22:49.760 --> 0:22:53.040
<v Speaker 1>of it. You know, Tory Lane just went independent. Yeah,

0:22:53.119 --> 0:22:58.360
<v Speaker 1>before you shot making in the feats allegedly, but it's

0:22:58.680 --> 0:23:01.320
<v Speaker 1>kind of been like, you know, I think that we

0:23:01.480 --> 0:23:05.080
<v Speaker 1>kind of recognize like if you have a cold following,

0:23:05.119 --> 0:23:10.160
<v Speaker 1>if you have fans like the major label, can they

0:23:10.160 --> 0:23:12.920
<v Speaker 1>can throw gasoline on a fire that's already going on? Right?

0:23:13.240 --> 0:23:16.440
<v Speaker 1>But the fire is already there. So it's like talk

0:23:16.480 --> 0:23:18.680
<v Speaker 1>about how important it is and like just like coming

0:23:18.720 --> 0:23:21.320
<v Speaker 1>into your own as an independent artist again, like the

0:23:21.359 --> 0:23:24.280
<v Speaker 1>second go round, Like how does it feel? Like? How

0:23:24.320 --> 0:23:29.520
<v Speaker 1>are you like? Like is being independent the way for

0:23:29.560 --> 0:23:32.760
<v Speaker 1>you now? Moving forward? Would you ever sign another deal

0:23:32.880 --> 0:23:34.800
<v Speaker 1>or like you know what I mean, like the second

0:23:34.840 --> 0:23:37.480
<v Speaker 1>go round? How's a feeling? Oh, I couldn't say I

0:23:37.480 --> 0:23:41.600
<v Speaker 1>wouldn't sign another deal in general. I mean, I definitely

0:23:41.640 --> 0:23:44.720
<v Speaker 1>want to see how this run goes. I don't you know,

0:23:44.760 --> 0:23:47.960
<v Speaker 1>I have certain expectations for myself, but I just want

0:23:47.960 --> 0:23:49.320
<v Speaker 1>you know what I'm saying, I definitely want to see

0:23:49.320 --> 0:23:52.840
<v Speaker 1>how it goes and see how I move forward from there.

0:23:53.359 --> 0:23:55.399
<v Speaker 1>I am in a good space, you know what I'm

0:23:55.440 --> 0:23:58.640
<v Speaker 1>saying with my independent situation. I feel like, especially after

0:23:58.680 --> 0:24:00.600
<v Speaker 1>this project that you know I'm saying, I'll be able

0:24:00.640 --> 0:24:03.439
<v Speaker 1>to figure out what I want to do and I

0:24:03.520 --> 0:24:05.920
<v Speaker 1>expect probably to you know what I'm saying, get some

0:24:06.440 --> 0:24:08.879
<v Speaker 1>calls in, and I'm gonna have to make some decisions.

0:24:08.920 --> 0:24:12.720
<v Speaker 1>But I don't know. I mean, if it makes sense,

0:24:12.880 --> 0:24:18.320
<v Speaker 1>because I understand so if the project, it's not the

0:24:18.320 --> 0:24:20.240
<v Speaker 1>only project I plan on putting out, by the way,

0:24:20.280 --> 0:24:22.800
<v Speaker 1>but if this project, you know what I'm saying, gets

0:24:22.800 --> 0:24:26.880
<v Speaker 1>the response that I wanted to get in, it kind

0:24:26.920 --> 0:24:30.560
<v Speaker 1>of shines the light on the creative and the different

0:24:30.560 --> 0:24:34.080
<v Speaker 1>ways I can go, and then that sparks an interest

0:24:34.200 --> 0:24:36.439
<v Speaker 1>in you know what I'm saying, a major label or

0:24:36.480 --> 0:24:40.800
<v Speaker 1>a bigger independent label or whatever that understands that direction,

0:24:41.320 --> 0:24:43.560
<v Speaker 1>and I feel comfortable about them understand that, and I

0:24:43.560 --> 0:24:46.439
<v Speaker 1>can continue to do what I'm doing with that backing,

0:24:46.480 --> 0:24:48.720
<v Speaker 1>of course, because that's how it was when I first

0:24:48.720 --> 0:24:50.399
<v Speaker 1>went in, and it felt that, you know what I'm saying,

0:24:50.880 --> 0:24:52.880
<v Speaker 1>confident about I can continue to do what I want

0:24:52.920 --> 0:24:54.480
<v Speaker 1>to do and it's going to continue to get back.

0:24:55.640 --> 0:24:57.919
<v Speaker 1>The only problem that had happened with the label before

0:24:58.280 --> 0:25:01.440
<v Speaker 1>was like you're saying, what me doing what I wanted

0:25:01.480 --> 0:25:03.240
<v Speaker 1>to do, but then having to show me record be

0:25:03.520 --> 0:25:06.280
<v Speaker 1>way more successful than anything I did before compared to

0:25:06.280 --> 0:25:09.720
<v Speaker 1>probably some independent artists that had a platinum record before

0:25:09.760 --> 0:25:11.399
<v Speaker 1>they came in, and then you know what I'm saying,

0:25:11.640 --> 0:25:14.479
<v Speaker 1>I had a lot of success, but for them, they

0:25:14.480 --> 0:25:17.439
<v Speaker 1>probably still felt like this record did way bigger. So

0:25:17.920 --> 0:25:20.160
<v Speaker 1>you know what I'm saying, we'll put more energy into

0:25:20.280 --> 0:25:22.359
<v Speaker 1>when you give us that type of stuff. If the

0:25:22.560 --> 0:25:24.399
<v Speaker 1>you know what I'm saying, a newer situation is like

0:25:24.960 --> 0:25:28.240
<v Speaker 1>whatever you want to dose blah will give you this, this, this,

0:25:28.240 --> 0:25:29.880
<v Speaker 1>this and that and make it work for me, then

0:25:29.960 --> 0:25:31.440
<v Speaker 1>you know what I'm saying, I'm gonna hear them out.

0:25:31.640 --> 0:25:34.640
<v Speaker 1>But also if this project, you know what I'm saying,

0:25:35.240 --> 0:25:38.040
<v Speaker 1>skyrockets and the bag is you know what I'm saying, crazy,

0:25:39.280 --> 0:25:41.720
<v Speaker 1>keep running up. Might as well keep running it up.

0:25:41.760 --> 0:25:43.080
<v Speaker 1>I'm not gonna be you know what I'm saying, Just

0:25:43.240 --> 0:25:45.800
<v Speaker 1>jump into it if I could, because I understand the system.

0:25:45.880 --> 0:25:48.960
<v Speaker 1>So it's not like I don't understand how to run

0:25:49.040 --> 0:25:52.879
<v Speaker 1>my own situation like a major label or you know

0:25:52.880 --> 0:25:56.359
<v Speaker 1>what I'm saying, put it together and don't have the relationships,

0:25:56.480 --> 0:25:57.840
<v Speaker 1>or you know what I'm saying, don't know how to

0:25:57.880 --> 0:26:00.199
<v Speaker 1>take that bag and reinvest it the right way. So

0:26:00.720 --> 0:26:02.760
<v Speaker 1>you know, I know how to like I've been doing. Now,

0:26:02.800 --> 0:26:04.320
<v Speaker 1>I know how to put together this, I know how

0:26:04.320 --> 0:26:06.399
<v Speaker 1>to shoot videos, I know how to it's not you know,

0:26:06.400 --> 0:26:08.160
<v Speaker 1>I know how to market, and we know how to

0:26:08.160 --> 0:26:11.160
<v Speaker 1>get yourself sustained. TikTok. And I mean, yeah, I think

0:26:11.160 --> 0:26:13.960
<v Speaker 1>that that's like right to do because really, if you

0:26:13.960 --> 0:26:15.920
<v Speaker 1>think of the major label ship, the really the thing

0:26:15.920 --> 0:26:17.920
<v Speaker 1>that they could do is just give you an upfront bag.

0:26:18.040 --> 0:26:20.080
<v Speaker 1>That's really all it is. And that upfront bag you

0:26:20.080 --> 0:26:22.399
<v Speaker 1>gotta recoup at a shitty rate for the most part

0:26:22.640 --> 0:26:27.199
<v Speaker 1>most people, you know, but you know they can, like

0:26:27.240 --> 0:26:29.159
<v Speaker 1>I said, pour gasoline on the fire. But if you

0:26:29.240 --> 0:26:31.880
<v Speaker 1>kind of got the right partner or you have your

0:26:31.960 --> 0:26:35.440
<v Speaker 1>ship together on your own, like really, what can they do? Right?

0:26:35.520 --> 0:26:38.119
<v Speaker 1>But mind anything I probably do, Like with a major label,

0:26:38.200 --> 0:26:39.960
<v Speaker 1>it's gonna be a one and done. So yeah, like

0:26:40.040 --> 0:26:42.200
<v Speaker 1>and I'm not going in for no, like three to

0:26:42.320 --> 0:26:45.360
<v Speaker 1>five five years, Like like, look, I got I got,

0:26:45.640 --> 0:26:48.840
<v Speaker 1>I got these records, they need infrastructure. Let's let's see

0:26:48.880 --> 0:26:51.000
<v Speaker 1>how it works and then I'm out and I'll make

0:26:51.080 --> 0:26:53.639
<v Speaker 1>you guys a bag, because I mean I understood that's

0:26:53.720 --> 0:26:56.920
<v Speaker 1>kind of what I did for the other label with

0:26:57.240 --> 0:26:58.880
<v Speaker 1>you know what I'm saying, getting them such a good

0:26:59.000 --> 0:27:01.840
<v Speaker 1>enough bag the beginning, I could have, you know what

0:27:01.840 --> 0:27:05.399
<v Speaker 1>I'm saying, just been off the situation and continue to

0:27:05.440 --> 0:27:08.160
<v Speaker 1>do something else, and they would have succeeded equally because

0:27:08.160 --> 0:27:11.440
<v Speaker 1>they what I gave them was good enough to clear

0:27:11.520 --> 0:27:13.120
<v Speaker 1>out and you know what I'm saying, being the green

0:27:13.160 --> 0:27:16.320
<v Speaker 1>and dip out. So yeah, they still making that same

0:27:16.920 --> 0:27:19.240
<v Speaker 1>consistent bread off those records. So you know what I'm saying,

0:27:19.280 --> 0:27:22.119
<v Speaker 1>that was a successful deal. It was successful. Yeah, I

0:27:22.119 --> 0:27:25.080
<v Speaker 1>mean they made money. I thought that they really fumbled

0:27:25.080 --> 0:27:29.000
<v Speaker 1>that last record or as well with Sweety and Wayne. Yeah,

0:27:29.040 --> 0:27:31.639
<v Speaker 1>that was fumbled. I don't know who to blame it on.

0:27:31.760 --> 0:27:33.840
<v Speaker 1>We jumped on that record so earlier real and I

0:27:33.880 --> 0:27:35.800
<v Speaker 1>was like, guys, this is the kidd In record. This

0:27:35.920 --> 0:27:39.119
<v Speaker 1>is like we gotta go crazy. And then I just

0:27:39.119 --> 0:27:42.719
<v Speaker 1>felt like the label never backed it up, right. But

0:27:42.800 --> 0:27:44.960
<v Speaker 1>I mean, you know what I'm saying, always makes me

0:27:45.000 --> 0:27:46.920
<v Speaker 1>feel good to open the doors and you know what

0:27:46.920 --> 0:27:49.960
<v Speaker 1>I'm saying, be ahead of the curve and you know

0:27:49.960 --> 0:27:54.120
<v Speaker 1>what I'm saying, look at everybody on their bumper now. Yeah,

0:27:54.160 --> 0:27:56.879
<v Speaker 1>I mean shit, that was really with Sweety too. Yeah,

0:27:57.040 --> 0:28:00.960
<v Speaker 1>I was like, record could have been and uh, what's

0:28:00.960 --> 0:28:04.600
<v Speaker 1>the name. Didn't he a to be? Yeah, he hated

0:28:04.640 --> 0:28:09.080
<v Speaker 1>to be and yeah yeah paper on paper, that's a smash.

0:28:09.200 --> 0:28:13.760
<v Speaker 1>I don't know what happened. So, you know, even the

0:28:13.760 --> 0:28:16.040
<v Speaker 1>record you have a tief your EP a few years ago,

0:28:16.119 --> 0:28:18.120
<v Speaker 1>I thought it could have been huge, which was still

0:28:18.119 --> 0:28:19.840
<v Speaker 1>that was still a big record, But I feel like

0:28:19.880 --> 0:28:21.720
<v Speaker 1>with the use of record, I think there were obviously

0:28:21.760 --> 0:28:23.679
<v Speaker 1>still some things that could have been lined up and

0:28:23.960 --> 0:28:27.840
<v Speaker 1>probably situated, so it wasn't. Maybe it's rushed out as

0:28:28.000 --> 0:28:29.959
<v Speaker 1>I probably wanted it to be out too, as everybody

0:28:30.000 --> 0:28:31.920
<v Speaker 1>like I needed a record out. We put this together

0:28:31.960 --> 0:28:34.080
<v Speaker 1>boom boom boom, but probably could have you know what

0:28:34.119 --> 0:28:36.159
<v Speaker 1>I'm saying, I don't know, done something different. But the

0:28:36.800 --> 0:28:39.680
<v Speaker 1>Tie record, you know, I think that was still a big,

0:28:39.840 --> 0:28:41.720
<v Speaker 1>a big record for me. I think at the time

0:28:41.800 --> 0:28:45.800
<v Speaker 1>what it was was which is weird because yeah, all

0:28:45.800 --> 0:28:49.040
<v Speaker 1>the fans want a certain situation for me, but I

0:28:49.040 --> 0:28:52.400
<v Speaker 1>think at that time it was a time maybe when

0:28:52.440 --> 0:28:55.440
<v Speaker 1>I needed to kind of not switch it up, but

0:28:55.600 --> 0:28:58.920
<v Speaker 1>just maybe throw something in different right before that that

0:28:59.040 --> 0:29:02.360
<v Speaker 1>kind of made it missed that right, that sound of

0:29:02.440 --> 0:29:05.200
<v Speaker 1>that vibe and then come back to it instead of

0:29:05.240 --> 0:29:08.320
<v Speaker 1>it being maybe something a little too consistent. So people

0:29:08.360 --> 0:29:10.560
<v Speaker 1>were kind of like all right, but like kind of

0:29:10.560 --> 0:29:13.200
<v Speaker 1>how when main Chick, which was wasn't my move, but

0:29:13.280 --> 0:29:14.920
<v Speaker 1>how main Chick came out right off to show me

0:29:14.960 --> 0:29:17.959
<v Speaker 1>how they weren't able to get to that because they

0:29:18.000 --> 0:29:20.680
<v Speaker 1>were still here. So like, you know, it's crazy because

0:29:20.680 --> 0:29:22.200
<v Speaker 1>Main Chick if you would have, like you said, if

0:29:22.200 --> 0:29:23.720
<v Speaker 1>you would have had a bridge record in between those

0:29:23.720 --> 0:29:26.040
<v Speaker 1>two records, may Chick probably would have been. I mean,

0:29:26.040 --> 0:29:27.360
<v Speaker 1>the main Chick was a big record, was still a

0:29:27.360 --> 0:29:29.880
<v Speaker 1>big record, a big record, but it could have been huge.

0:29:30.000 --> 0:29:32.520
<v Speaker 1>It could have i think, had its own legs and

0:29:32.920 --> 0:29:35.480
<v Speaker 1>been crazy instead of feeling like a follow up yeah,

0:29:35.480 --> 0:29:38.080
<v Speaker 1>because people were still playing show me Yeah, because show

0:29:38.120 --> 0:29:40.320
<v Speaker 1>Me research so well radio. That was like one of

0:29:40.320 --> 0:29:41.840
<v Speaker 1>those songs that didn't go away for like a year

0:29:41.840 --> 0:29:43.800
<v Speaker 1>and a half on the radio because of researched so well.

0:29:43.840 --> 0:29:45.480
<v Speaker 1>So you dropped the follow up and it sad. It's like, yo,

0:29:45.480 --> 0:29:47.600
<v Speaker 1>I'm already playing I'm still playing the other ship. Yeah.

0:29:47.640 --> 0:29:50.800
<v Speaker 1>And then people telling me that to my face was like, yeah,

0:29:51.120 --> 0:29:53.800
<v Speaker 1>how come they didn't know that that was something that

0:29:53.920 --> 0:29:57.920
<v Speaker 1>somebody That's not something I was They were supposed to

0:29:57.920 --> 0:30:01.080
<v Speaker 1>know because that's their job. So yeah, I don't know

0:30:01.120 --> 0:30:06.520
<v Speaker 1>how they are you finding it easier to, like, cause

0:30:06.560 --> 0:30:09.600
<v Speaker 1>because like I said, you came into game with this

0:30:09.720 --> 0:30:12.840
<v Speaker 1>crazy fan base. Since you've come back to being independent

0:30:12.880 --> 0:30:14.840
<v Speaker 1>and you've been dropping a lot more often. Like I think,

0:30:15.040 --> 0:30:16.880
<v Speaker 1>was it twenty nineteen you were dropping it felt like

0:30:16.920 --> 0:30:18.440
<v Speaker 1>once every month, you were putting a new week. We

0:30:18.480 --> 0:30:20.120
<v Speaker 1>did like one a week. It was a lot of

0:30:20.200 --> 0:30:22.680
<v Speaker 1>songs in two months. I think you're dropping a lot

0:30:22.720 --> 0:30:26.239
<v Speaker 1>of records. Have you found it easier to kind of

0:30:27.120 --> 0:30:30.280
<v Speaker 1>rehash that fan base and like re like kind of

0:30:30.480 --> 0:30:34.000
<v Speaker 1>because I feel like you, you know, turning into a superstar.

0:30:34.120 --> 0:30:36.720
<v Speaker 1>Sometimes you lose those core fans because they kind of

0:30:36.720 --> 0:30:38.680
<v Speaker 1>feel like, ah, well, yeah, you know what I mean.

0:30:38.720 --> 0:30:41.640
<v Speaker 1>Have you found it easier to try to like bring

0:30:41.680 --> 0:30:43.800
<v Speaker 1>those guys back into the fold or build that back

0:30:43.880 --> 0:30:46.520
<v Speaker 1>up a little bit, because now, I mean, it's certain

0:30:46.520 --> 0:30:48.440
<v Speaker 1>fans I think that are back to rooting for me

0:30:48.480 --> 0:30:51.840
<v Speaker 1>because they feel like I'm the underdog. And then you know,

0:30:52.800 --> 0:30:55.200
<v Speaker 1>I could feel like at the end of twenty nineteen

0:30:55.280 --> 0:30:57.720
<v Speaker 1>when I was had this idea and making this run,

0:30:57.800 --> 0:31:02.720
<v Speaker 1>and then twenty twenty half and the energy kind of

0:31:02.720 --> 0:31:04.920
<v Speaker 1>shifted a little bit. Of course, of course, I like

0:31:04.960 --> 0:31:07.920
<v Speaker 1>had records lined up in different things, but it's a

0:31:07.960 --> 0:31:10.600
<v Speaker 1>timing thing too. I remember having certain records that I

0:31:10.600 --> 0:31:12.200
<v Speaker 1>felt like were ready to go, and it was kind

0:31:12.200 --> 0:31:15.120
<v Speaker 1>of like, yeah, but not anymore, so like we're gonna

0:31:15.120 --> 0:31:16.320
<v Speaker 1>have to wait until this one is you know what

0:31:16.320 --> 0:31:18.440
<v Speaker 1>I'm saying, give it four or five months and then

0:31:18.480 --> 0:31:20.520
<v Speaker 1>see if the energy is back ready for it. So

0:31:21.160 --> 0:31:23.160
<v Speaker 1>that definitely kind of helped. I mean I helped, but

0:31:23.200 --> 0:31:25.479
<v Speaker 1>it definitely kind of slowed down my run. But at

0:31:25.520 --> 0:31:28.560
<v Speaker 1>the same time, I think gave me some more just

0:31:28.800 --> 0:31:32.000
<v Speaker 1>creative time to get some stuff together and figure some

0:31:32.040 --> 0:31:35.360
<v Speaker 1>stuff out. And in the midst of recording this project too,

0:31:35.560 --> 0:31:39.800
<v Speaker 1>I think I was able to open up just getting

0:31:39.840 --> 0:31:42.720
<v Speaker 1>back into more sinks. Sinks. I don't know if a

0:31:42.720 --> 0:31:46.920
<v Speaker 1>lot of people know, like movies, TV shows, commercials and stuff,

0:31:46.960 --> 0:31:49.200
<v Speaker 1>those are big. I don't know, Like I've always had

0:31:49.240 --> 0:31:51.600
<v Speaker 1>a niche with just writing records that just you know

0:31:51.640 --> 0:31:54.560
<v Speaker 1>what I'm saying, resonate over there with that sinking game,

0:31:54.640 --> 0:31:56.560
<v Speaker 1>and I got back into that, and you know what

0:31:56.600 --> 0:32:00.360
<v Speaker 1>I'm saying, I think I'm on because whatever I've done

0:32:00.400 --> 0:32:03.000
<v Speaker 1>like two I've had like two fast and Furious Movies

0:32:03.040 --> 0:32:04.880
<v Speaker 1>were working on another one. They you know what I'm saying,

0:32:04.920 --> 0:32:07.719
<v Speaker 1>people were sending Space Jam ideas and this and that,

0:32:07.880 --> 0:32:11.040
<v Speaker 1>and it was doing trolls and all these different movies

0:32:11.160 --> 0:32:12.680
<v Speaker 1>was coming out, and I think, I, you know what

0:32:12.720 --> 0:32:15.280
<v Speaker 1>I'm saying, just tap back in and just writing for

0:32:15.320 --> 0:32:17.960
<v Speaker 1>that type of game. And so your records, the records

0:32:18.000 --> 0:32:20.320
<v Speaker 1>you write for, like like, are those like your records

0:32:20.360 --> 0:32:22.080
<v Speaker 1>ended up on that stuff or is sometimes just stuff

0:32:22.080 --> 0:32:24.080
<v Speaker 1>that you write that ends up someone else doing them

0:32:24.200 --> 0:32:27.320
<v Speaker 1>or so like this. So I've had a couple of

0:32:27.320 --> 0:32:29.640
<v Speaker 1>different ones, like sometimes you'll get the list that'll tell

0:32:29.680 --> 0:32:31.440
<v Speaker 1>you what they need and then you get, you know

0:32:31.480 --> 0:32:33.040
<v Speaker 1>what I'm saying to it, just start writing a bunch

0:32:33.080 --> 0:32:35.840
<v Speaker 1>of different stuff to send it through. And then I've

0:32:35.880 --> 0:32:38.520
<v Speaker 1>had records that like there was a record I did

0:32:39.400 --> 0:32:43.160
<v Speaker 1>on the Ism project for the album that I lost

0:32:43.600 --> 0:32:46.400
<v Speaker 1>to a movie sink because you know what I'm saying

0:32:46.440 --> 0:32:48.680
<v Speaker 1>ISNM played it for his people and they were like, Yo,

0:32:48.760 --> 0:32:51.600
<v Speaker 1>that would be perfect for this movie and I was like, yeah,

0:32:51.640 --> 0:32:53.600
<v Speaker 1>but that's for my album. So like that was another

0:32:53.640 --> 0:32:55.120
<v Speaker 1>thing that happens where it has set me back to

0:32:55.160 --> 0:32:57.920
<v Speaker 1>because I think losing that one record, which I felt

0:32:58.000 --> 0:33:00.960
<v Speaker 1>like I needed and it had a and sounds set

0:33:01.040 --> 0:33:03.600
<v Speaker 1>me back and I had to replace that with like

0:33:03.920 --> 0:33:06.719
<v Speaker 1>I need so that happens. Does that song then just

0:33:06.760 --> 0:33:09.880
<v Speaker 1>belong to the movie company. Yeah, So like they're like, hey, look,

0:33:09.880 --> 0:33:11.600
<v Speaker 1>we're putting this in the movie. It's ours if we

0:33:11.640 --> 0:33:13.360
<v Speaker 1>put it out on the soundtrack. Yeah. So, like I

0:33:13.400 --> 0:33:15.280
<v Speaker 1>sold it to them, and then they you know what

0:33:15.280 --> 0:33:18.560
<v Speaker 1>I'm saying through you know what I'm saying. Whoever, they

0:33:18.600 --> 0:33:20.560
<v Speaker 1>wanted a couple different rappers on there and maybe had

0:33:20.640 --> 0:33:23.040
<v Speaker 1>somebody racing the hook blah, and then you know what

0:33:23.080 --> 0:33:26.600
<v Speaker 1>I'm saying, I send it to me. I added some stuff,

0:33:26.680 --> 0:33:27.920
<v Speaker 1>or you should put some ad libs here, you know

0:33:27.920 --> 0:33:29.560
<v Speaker 1>what I'm saying. We still work on the record together,

0:33:29.600 --> 0:33:31.560
<v Speaker 1>but once it's there, it's it's there to do it,

0:33:31.600 --> 0:33:33.800
<v Speaker 1>you know what I'm saying. They went for the movie,

0:33:33.880 --> 0:33:35.600
<v Speaker 1>right right, right right? Yeah. I think the scene game

0:33:35.680 --> 0:33:37.600
<v Speaker 1>is a part of the game that a lot of

0:33:37.640 --> 0:33:40.520
<v Speaker 1>artists don't understand or like understand even how to get

0:33:40.600 --> 0:33:42.640
<v Speaker 1>involved in that. Because you'll hear some records you're be like, man,

0:33:42.640 --> 0:33:44.080
<v Speaker 1>this should be great on a movie or something. I

0:33:44.080 --> 0:33:46.240
<v Speaker 1>don't even people understand that world. It's like it feels

0:33:46.240 --> 0:33:49.480
<v Speaker 1>like a different world, right, the movies, the sports is

0:33:49.480 --> 0:33:53.400
<v Speaker 1>big for me. Like I had the Dodger championship song

0:33:54.120 --> 0:33:58.280
<v Speaker 1>and the song that they play that's a bad series opener. Yeah,

0:33:58.480 --> 0:34:00.880
<v Speaker 1>so the Dodgers just shoot a bag, you know what

0:34:00.880 --> 0:34:06.080
<v Speaker 1>I'm saying. Some tickets maybe, but uh it will and

0:34:06.120 --> 0:34:09.200
<v Speaker 1>then uh so like I get those I've had different

0:34:09.200 --> 0:34:11.640
<v Speaker 1>you know what I'm saying, Like championship spots, video games

0:34:11.640 --> 0:34:13.400
<v Speaker 1>like all that stuff. It's real fun to me, Like

0:34:13.760 --> 0:34:15.680
<v Speaker 1>that was something that growing up I always wanted, so

0:34:15.719 --> 0:34:17.240
<v Speaker 1>like I always wanted to have a song on the radio,

0:34:17.280 --> 0:34:19.600
<v Speaker 1>but then like I got a song in the video games. Yeah.

0:34:19.600 --> 0:34:21.360
<v Speaker 1>The video game ship is like could you we always

0:34:21.360 --> 0:34:24.520
<v Speaker 1>be playing Madden or two K and it's or even

0:34:24.520 --> 0:34:26.359
<v Speaker 1>like Tony Hawk when I was growing up, like all

0:34:26.400 --> 0:34:29.040
<v Speaker 1>them songs like you Knew by Heart by Heart Bro's

0:34:29.360 --> 0:34:31.760
<v Speaker 1>songs I know with the records at all. It's songs

0:34:31.760 --> 0:34:35.719
<v Speaker 1>I know from like Dave Mirror that I've never Yeah,

0:34:35.800 --> 0:34:38.239
<v Speaker 1>because it's like you play the game so much, like, oh,

0:34:38.280 --> 0:34:40.480
<v Speaker 1>this ship is crazy playing. I was walking around singing

0:34:40.520 --> 0:34:43.200
<v Speaker 1>these songs friends, like what is this? Did you play

0:34:43.200 --> 0:34:45.399
<v Speaker 1>the new Tony Hawk like remastered edition that came out

0:34:45.840 --> 0:34:48.319
<v Speaker 1>not okay, so I want to I had to buy.

0:34:48.400 --> 0:34:50.360
<v Speaker 1>I had to step back from the video games for

0:34:50.440 --> 0:34:53.719
<v Speaker 1>a minute. Just diving in. I'm bad. Once I dive in,

0:34:53.840 --> 0:34:56.680
<v Speaker 1>I dive in. And then especially during the pandemic, especially

0:34:56.800 --> 0:34:58.720
<v Speaker 1>during the pandemic. So for me, I had to step

0:34:58.719 --> 0:35:00.719
<v Speaker 1>back from the video games, especially when I was doing

0:35:00.719 --> 0:35:03.040
<v Speaker 1>this project, because I was I got lost in there,

0:35:03.120 --> 0:35:08.000
<v Speaker 1>locked game. I play of course two K so two

0:35:08.080 --> 0:35:10.000
<v Speaker 1>K got the whole story mode. So once you get

0:35:10.000 --> 0:35:14.040
<v Speaker 1>locked into that him, I'm out here living hoop dreams.

0:35:14.440 --> 0:35:17.560
<v Speaker 1>And then anything fighting game like UFC is my joint.

0:35:17.880 --> 0:35:20.719
<v Speaker 1>Uh you know, Call of Duty's. I play all the

0:35:20.719 --> 0:35:22.440
<v Speaker 1>regular games, the ones I get locked in on, be

0:35:22.560 --> 0:35:26.280
<v Speaker 1>like the Batman, Spider Man, Spider Man Rocked the Switch,

0:35:26.320 --> 0:35:29.480
<v Speaker 1>Super Marios is all fire. But I had to step

0:35:29.520 --> 0:35:33.960
<v Speaker 1>back for Arkham series games were sucking five fire like

0:35:34.000 --> 0:35:36.359
<v Speaker 1>my some of my favorite games. That's when I found

0:35:36.360 --> 0:35:38.120
<v Speaker 1>out I had a problem. I think I went like

0:35:38.160 --> 0:35:39.760
<v Speaker 1>a month and I was like, yeah, I've been playing

0:35:39.840 --> 0:35:42.520
<v Speaker 1>every day you get I had every any of the

0:35:42.520 --> 0:35:46.080
<v Speaker 1>new consoles, the PS five Man PS five, I don't

0:35:46.200 --> 0:35:50.600
<v Speaker 1>rock with Xboxxbox Man you know, I'm not gonna lie.

0:35:50.840 --> 0:35:52.600
<v Speaker 1>PS five ain't got no game yet, just like they

0:35:52.600 --> 0:35:55.480
<v Speaker 1>did four. Neither of them got games yet. It's like bro,

0:35:55.640 --> 0:35:57.200
<v Speaker 1>I told my son he was so hyped to get

0:35:57.239 --> 0:35:59.759
<v Speaker 1>I mean, I got a bunch during Christmas, but I

0:35:59.840 --> 0:36:02.680
<v Speaker 1>was like, yo, you realize, like there's no games yet.

0:36:02.760 --> 0:36:04.520
<v Speaker 1>That's what they did with PS four last time. It

0:36:04.600 --> 0:36:08.160
<v Speaker 1>was like you get Call of Duty two K, Spider Man, yeah,

0:36:08.160 --> 0:36:10.279
<v Speaker 1>and two other games and then you got to wait

0:36:10.320 --> 0:36:13.759
<v Speaker 1>six months go to no fucking games. Got a way

0:36:13.840 --> 0:36:16.160
<v Speaker 1>to the summer and like low key that. I mean,

0:36:16.200 --> 0:36:19.680
<v Speaker 1>the graphics are better, but unless you got that crazy TV,

0:36:20.840 --> 0:36:22.799
<v Speaker 1>like if you just got a normal four K TV,

0:36:23.680 --> 0:36:26.319
<v Speaker 1>you barely can notice the difference. Difference. You gotta have

0:36:26.480 --> 0:36:28.920
<v Speaker 1>like an ill ass TV with this type of rep.

0:36:29.000 --> 0:36:30.640
<v Speaker 1>My boy was breaking it down. He's like, look for

0:36:30.719 --> 0:36:32.920
<v Speaker 1>you to really like notice the jump in graphics, you

0:36:32.960 --> 0:36:35.919
<v Speaker 1>gotta really have like a fucking three four thousand R TV. Yeah,

0:36:36.040 --> 0:36:38.319
<v Speaker 1>just to notice the difference. I could imagine it's somebody

0:36:38.320 --> 0:36:40.160
<v Speaker 1>who bought a PS five and my son's in his

0:36:40.280 --> 0:36:43.080
<v Speaker 1>room on a thirty two inch fucking ten eighty P TV, like, yeah,

0:36:43.080 --> 0:36:45.080
<v Speaker 1>the graphics look better, I'm like, they look the same. Yeah,

0:36:45.080 --> 0:36:47.200
<v Speaker 1>I got every same game. I guy. Yeah, it's like

0:36:47.200 --> 0:36:50.839
<v Speaker 1>pretty much the same fucking thing. It's it's kind of crazy. Yo.

0:36:50.920 --> 0:36:55.000
<v Speaker 1>So you've sold over fifteen million records through your career.

0:36:56.360 --> 0:36:58.120
<v Speaker 1>Like I said, I'm bad with the numbers, but that

0:36:58.239 --> 0:37:01.920
<v Speaker 1>sounds Yeah, that sounds good. That's a lot. If I

0:37:01.920 --> 0:37:05.680
<v Speaker 1>could count like that is that's that's man, blessing. Do

0:37:05.719 --> 0:37:09.200
<v Speaker 1>you ever like reflect on like that's a lot? Bro? Like,

0:37:09.280 --> 0:37:12.320
<v Speaker 1>some people never go platinum in their life. Fifteen million

0:37:12.520 --> 0:37:16.200
<v Speaker 1>is a number that you could stop making music tomorrow

0:37:16.239 --> 0:37:18.359
<v Speaker 1>and be like, man, I sold fifteen million records in life.

0:37:18.400 --> 0:37:21.600
<v Speaker 1>You ever like think like shit like us worldwide? I

0:37:21.600 --> 0:37:23.239
<v Speaker 1>don't know, because the thing is to that that fifth

0:37:23.239 --> 0:37:25.560
<v Speaker 1>Harmony record. Hopefully it'll go diamond at some point in

0:37:25.600 --> 0:37:27.360
<v Speaker 1>my life and I'll be like, I'm part of a

0:37:27.400 --> 0:37:31.400
<v Speaker 1>diamond record. How many feel like they're like seven million worldwide?

0:37:31.480 --> 0:37:34.319
<v Speaker 1>How many records in that period? Yeah, that's crazy. It

0:37:34.360 --> 0:37:37.360
<v Speaker 1>might be diamond worldwide, But it's like that record was

0:37:37.360 --> 0:37:40.160
<v Speaker 1>probably one of the biggest. I need to update that plaque.

0:37:40.160 --> 0:37:43.120
<v Speaker 1>I probably only got the two million one yeah, but no,

0:37:43.200 --> 0:37:45.319
<v Speaker 1>but like you know, that's a lot Man, that's a

0:37:45.320 --> 0:37:47.680
<v Speaker 1>big that's a big career. I mean, you know, and

0:37:47.719 --> 0:37:49.879
<v Speaker 1>for you to still keep going. But do you ever reflect, like, yo,

0:37:50.040 --> 0:37:53.000
<v Speaker 1>like everything I've done so far, it's impressive, man. I

0:37:53.000 --> 0:37:57.280
<v Speaker 1>know sometimes sometimes it's like probably easy to like second

0:37:57.280 --> 0:37:59.000
<v Speaker 1>guess yourself or doubt yourself when you need the hottest

0:37:59.040 --> 0:38:02.040
<v Speaker 1>artist anymore. But like, bro, like you've had like a

0:38:02.120 --> 0:38:04.799
<v Speaker 1>crazy run so far, Nah, I get I definitely get

0:38:04.840 --> 0:38:07.120
<v Speaker 1>time to reflect on it more now, and I think

0:38:07.160 --> 0:38:10.000
<v Speaker 1>back like nice little run, especially when I think about

0:38:10.000 --> 0:38:12.480
<v Speaker 1>the years in so like I look at other guys

0:38:12.480 --> 0:38:15.680
<v Speaker 1>and how long they actually been in the game, and

0:38:15.719 --> 0:38:17.960
<v Speaker 1>I think about like when my first project dropped, when

0:38:18.000 --> 0:38:22.080
<v Speaker 1>people actually start paying attention, like twenty fourteen, twenty fifteen, Like,

0:38:22.200 --> 0:38:25.640
<v Speaker 1>you know what I'm saying, wasn't like that long ago

0:38:25.719 --> 0:38:27.279
<v Speaker 1>compared to some people who've been in the game for

0:38:27.320 --> 0:38:30.040
<v Speaker 1>like twenty twenty five years. I feel like I still got,

0:38:30.200 --> 0:38:32.040
<v Speaker 1>you know what I'm saying, some grinding that I could do.

0:38:32.080 --> 0:38:34.400
<v Speaker 1>I feel like I still got some time of success,

0:38:34.480 --> 0:38:36.839
<v Speaker 1>especially when I see like a lot of the old

0:38:36.880 --> 0:38:39.840
<v Speaker 1>heads still just doing big things later in their career,

0:38:40.160 --> 0:38:43.879
<v Speaker 1>like a lot of time, multiple runs, multiple runs. I've

0:38:43.880 --> 0:38:47.000
<v Speaker 1>seen so many people have just multiple legendary runs. You've

0:38:47.120 --> 0:38:51.879
<v Speaker 1>seen like Fat Joe keep coming out perfect example, Fat

0:38:51.960 --> 0:38:54.279
<v Speaker 1>Joe keep coming out, Gucci Man to keep coming out

0:38:54.320 --> 0:38:55.759
<v Speaker 1>with something crazy. You know what I'm saying. Those are

0:38:55.760 --> 0:38:57.960
<v Speaker 1>people that you know, you look up in like two Chains,

0:38:57.960 --> 0:39:00.840
<v Speaker 1>still coming out like everybody, even like someone independent like

0:39:00.840 --> 0:39:03.640
<v Speaker 1>Freddy Gibbs, Freddie Gibbs. You know what I'm saying too.

0:39:03.719 --> 0:39:06.120
<v Speaker 1>You see people who run right now, that's crazy, right,

0:39:06.160 --> 0:39:08.759
<v Speaker 1>People who you've seen years in maybe slow down or

0:39:08.800 --> 0:39:10.640
<v Speaker 1>you didn't think it was getting what they needed to

0:39:10.640 --> 0:39:13.000
<v Speaker 1>get as far as respecting and getting nominated for Grammys

0:39:13.040 --> 0:39:15.440
<v Speaker 1>and stuff that makes you you have no choice but

0:39:15.520 --> 0:39:18.440
<v Speaker 1>to feel inspired and motivated, like, oh I got that

0:39:18.719 --> 0:39:21.680
<v Speaker 1>time to figure stuff out. Not saying I'm just sitting back,

0:39:21.719 --> 0:39:23.880
<v Speaker 1>but it's like I got time to steal, you know

0:39:23.880 --> 0:39:27.120
<v Speaker 1>what I'm saying, thrive. So have you felt the narrative?

0:39:27.560 --> 0:39:29.440
<v Speaker 1>I know you, you know you're you pay attention, but

0:39:29.560 --> 0:39:32.560
<v Speaker 1>like there's been means and shit like what happened to

0:39:32.640 --> 0:39:35.600
<v Speaker 1>kid inc My kid ink fell off? Yeah? Is that

0:39:35.760 --> 0:39:38.960
<v Speaker 1>something that bothers you or is it something that motivates you?

0:39:39.080 --> 0:39:40.960
<v Speaker 1>Or do you even pay attention to it. It's a

0:39:41.000 --> 0:39:43.080
<v Speaker 1>little bit of both. The reason that bothers me is

0:39:43.120 --> 0:39:45.279
<v Speaker 1>because I feel like like we were talking about having

0:39:45.400 --> 0:39:48.640
<v Speaker 1>certain you know what I'm saying things aligned. I feel

0:39:48.640 --> 0:39:51.280
<v Speaker 1>like I've had somebody say, you know when you're dropping

0:39:51.320 --> 0:39:53.080
<v Speaker 1>something new, and then for me, I'll be like, I

0:39:53.160 --> 0:39:56.600
<v Speaker 1>just dropped something new two weeks ago, how did what

0:39:56.840 --> 0:39:59.520
<v Speaker 1>made that count? Is new for you? Or or me

0:39:59.600 --> 0:40:01.680
<v Speaker 1>taking it serious as this was a record I wanted

0:40:01.719 --> 0:40:04.480
<v Speaker 1>to put out, or you just think I'm just throwing

0:40:04.520 --> 0:40:07.280
<v Speaker 1>stuff out like you know. So I think it's definitely

0:40:07.400 --> 0:40:10.040
<v Speaker 1>still up to me. I guess to I guess put

0:40:10.040 --> 0:40:14.160
<v Speaker 1>that energy into certain records. But you know, it'll bother

0:40:14.239 --> 0:40:17.359
<v Speaker 1>me to an extent of I don't want nobody thinking

0:40:17.400 --> 0:40:20.840
<v Speaker 1>I'm chilling at the crib like working. I'm blessed, but

0:40:21.080 --> 0:40:24.800
<v Speaker 1>I'm not ever content with just sitting at the crib

0:40:24.880 --> 0:40:27.960
<v Speaker 1>and just going we collecting all these voices and da

0:40:28.040 --> 0:40:30.160
<v Speaker 1>da da, and it's like, nah, I'm at the crib

0:40:30.200 --> 0:40:33.279
<v Speaker 1>working constantly, thinking, being creative, trying to figure out what's

0:40:33.280 --> 0:40:36.000
<v Speaker 1>something new I could do where everything is going, especially

0:40:36.040 --> 0:40:39.400
<v Speaker 1>because I'm somebody who doesn't really like sit back on

0:40:39.440 --> 0:40:41.680
<v Speaker 1>my old records and look at them and think about

0:40:41.760 --> 0:40:43.520
<v Speaker 1>you know what I'm saying, Oh this is something I

0:40:43.560 --> 0:40:46.360
<v Speaker 1>need to redo again, or what if this would have

0:40:46.400 --> 0:40:50.520
<v Speaker 1>done this? I'm I'm always moving forward, so like people

0:40:50.560 --> 0:40:52.319
<v Speaker 1>will come over the crib and hear everything I got

0:40:52.360 --> 0:40:54.239
<v Speaker 1>stashed in they can they like why yeah, dada da,

0:40:54.280 --> 0:40:56.399
<v Speaker 1>But it's you know what I'm saying, figuring everything out

0:40:56.440 --> 0:41:00.239
<v Speaker 1>and just getting not wanting that to happen where people

0:41:00.280 --> 0:41:02.640
<v Speaker 1>are overlooking records. It's definitely you know what I'm saying,

0:41:02.680 --> 0:41:05.000
<v Speaker 1>They puts me in that place like all right, I

0:41:05.040 --> 0:41:06.680
<v Speaker 1>don't want to just put this out and I know

0:41:06.719 --> 0:41:08.360
<v Speaker 1>it's a smash, but it seems like, you know what

0:41:08.360 --> 0:41:09.840
<v Speaker 1>I'm saying, I got to figure out the way to

0:41:09.960 --> 0:41:13.600
<v Speaker 1>get back in people's face or build the momentum in

0:41:13.600 --> 0:41:16.239
<v Speaker 1>the right way to where they just automatically it's back

0:41:16.239 --> 0:41:19.360
<v Speaker 1>to clicking and then they go, oh that's crazy, instead

0:41:19.360 --> 0:41:23.680
<v Speaker 1>of being like just not hearing it. I think it's

0:41:23.719 --> 0:41:26.680
<v Speaker 1>like you drop this project. Just keep dropping, bro, that

0:41:26.880 --> 0:41:30.640
<v Speaker 1>with the songs and the videos, and that's I got

0:41:30.680 --> 0:41:33.360
<v Speaker 1>this project done. I think I had already. Guys have

0:41:33.360 --> 0:41:35.640
<v Speaker 1>been shooting hell of videos of Maddy J shooting videos

0:41:35.640 --> 0:41:40.080
<v Speaker 1>with my bro Maddy J. I had already started another

0:41:40.520 --> 0:41:44.040
<v Speaker 1>like EP kind of project that's gonna be with somebody else,

0:41:44.120 --> 0:41:47.360
<v Speaker 1>doing like a mix of not really hip hop or

0:41:47.400 --> 0:41:49.400
<v Speaker 1>something just more I think a little bit more worldly

0:41:49.680 --> 0:41:53.560
<v Speaker 1>type music. And then I plan on dropping probably Up

0:41:53.560 --> 0:41:57.359
<v Speaker 1>and Away too this year by that summer hopefully, and

0:41:57.400 --> 0:42:01.200
<v Speaker 1>then uh, what's up with It's the Rumor Joint coming soon?

0:42:01.320 --> 0:42:03.960
<v Speaker 1>The Rumor record is definitely coming soon. We're just getting

0:42:04.000 --> 0:42:07.040
<v Speaker 1>everything together. That's definitely one of those ones that was

0:42:07.560 --> 0:42:10.560
<v Speaker 1>a big record that needs some clearances and it's gonna

0:42:10.560 --> 0:42:13.680
<v Speaker 1>take some business time. But I think everything is set

0:42:13.719 --> 0:42:15.560
<v Speaker 1>in stone. I got a couple things I need to

0:42:15.560 --> 0:42:18.680
<v Speaker 1>finish on the mixing side of things, because I'm real

0:42:18.760 --> 0:42:20.759
<v Speaker 1>hands on with that. So I got the session at

0:42:20.800 --> 0:42:22.840
<v Speaker 1>the crib probably you know what I'm saying, tweaks some stuff,

0:42:22.880 --> 0:42:25.319
<v Speaker 1>but it's already lined up to you know what I'm saying, go,

0:42:25.400 --> 0:42:27.000
<v Speaker 1>I just got to hit my deadline. If there's an

0:42:27.040 --> 0:42:30.040
<v Speaker 1>artist that's watching this that's on the come up, would

0:42:30.040 --> 0:42:33.520
<v Speaker 1>you give them advice to stay independent or go with

0:42:33.560 --> 0:42:39.080
<v Speaker 1>a major. Let's say they got a little bit of momentum.

0:42:39.400 --> 0:42:42.799
<v Speaker 1>It's different for different artists. Everyone's situation is different, but

0:42:43.040 --> 0:42:45.520
<v Speaker 1>because it's certain artists who I never think should go

0:42:45.840 --> 0:42:47.399
<v Speaker 1>to a major, and there's certain ones who I think

0:42:47.520 --> 0:42:49.520
<v Speaker 1>need to go to a major so they get the looks.

0:42:49.640 --> 0:42:52.120
<v Speaker 1>So who do you think, like like like talk about

0:42:52.120 --> 0:42:53.360
<v Speaker 1>the type of artists you think would need to go

0:42:53.400 --> 0:42:58.960
<v Speaker 1>to a major and or should stay independent. Like an example,

0:42:59.640 --> 0:43:02.200
<v Speaker 1>I think, like from my perspective, if you have like

0:43:02.239 --> 0:43:04.000
<v Speaker 1>a song that goes viral, but you really don't have

0:43:04.040 --> 0:43:07.720
<v Speaker 1>a following, like you might want to go the major route, right,

0:43:07.760 --> 0:43:11.439
<v Speaker 1>because then you they'll maximize that record because that record

0:43:11.520 --> 0:43:14.279
<v Speaker 1>might be the only opportunity you have. Let's say that

0:43:14.320 --> 0:43:17.000
<v Speaker 1>Board in the House kid, right, Yeah, that record that

0:43:17.040 --> 0:43:19.719
<v Speaker 1>went viral. I haven't heard from him since, but he

0:43:20.360 --> 0:43:22.000
<v Speaker 1>signed a deal and then they put the Tiger on

0:43:22.040 --> 0:43:24.359
<v Speaker 1>the remix, and I think that was probably a smart

0:43:24.360 --> 0:43:26.160
<v Speaker 1>play for him. No, definitely a smart play if it's

0:43:26.160 --> 0:43:30.120
<v Speaker 1>somebody who's got a crazy following like Russ or somebody,

0:43:30.239 --> 0:43:34.880
<v Speaker 1>or let's use let's use like blast last, Like is

0:43:34.880 --> 0:43:38.680
<v Speaker 1>he signed to a major, No, he's got a partnership

0:43:38.360 --> 0:43:42.799
<v Speaker 1>with Rebel Music. I think that that's somebody probably who's

0:43:42.840 --> 0:43:46.520
<v Speaker 1>really dope and will succeed doing their independent thing. But

0:43:46.760 --> 0:43:48.480
<v Speaker 1>if he was signed to a major, could he be

0:43:48.520 --> 0:43:51.960
<v Speaker 1>world wide artist? Absolutely? So you think or like, that's

0:43:52.000 --> 0:43:55.400
<v Speaker 1>like saying if Roddy rich didn't sign to a major

0:43:55.560 --> 0:43:58.040
<v Speaker 1>or just stayed independent, do I think you know what

0:43:58.080 --> 0:44:01.319
<v Speaker 1>I'm saying. Yeah, I think Roddy Richard of major is

0:44:02.120 --> 0:44:06.560
<v Speaker 1>so you blasted? A major is essentially what a slidfyd

0:44:06.640 --> 0:44:09.799
<v Speaker 1>is a superstar? Yeah, yeah, I think so, because he

0:44:09.920 --> 0:44:12.680
<v Speaker 1>has those type of records that I think get overlooks

0:44:12.760 --> 0:44:14.799
<v Speaker 1>that are way that are huge, you know what I'm saying.

0:44:15.040 --> 0:44:17.040
<v Speaker 1>Or you know what I'm saying, radio ready or just

0:44:17.040 --> 0:44:20.200
<v Speaker 1>a single that everyone will like just because it sounds

0:44:20.920 --> 0:44:23.960
<v Speaker 1>sonically just good. Have you worked with have you got

0:44:23.960 --> 0:44:26.759
<v Speaker 1>to lique him at all? No? I feel like you guys, Yeah,

0:44:26.920 --> 0:44:30.200
<v Speaker 1>I think so. I was definitely a fan early and

0:44:30.239 --> 0:44:32.640
<v Speaker 1>then you know what I'm saying, I'm somebody too, cause

0:44:32.640 --> 0:44:35.520
<v Speaker 1>it's like I'll be a fan of people and then

0:44:36.360 --> 0:44:39.200
<v Speaker 1>once they get like their wave going, I'll hit people

0:44:39.280 --> 0:44:41.480
<v Speaker 1>up and be like congrats to this and that, and

0:44:41.520 --> 0:44:43.480
<v Speaker 1>then I don't I feel like I'd be seeming like

0:44:43.560 --> 0:44:45.920
<v Speaker 1>the person who hopped on the wave more so when

0:44:45.960 --> 0:44:48.520
<v Speaker 1>I'm just like seeing it like from the outside like thing.

0:44:48.560 --> 0:44:50.600
<v Speaker 1>I watched you grind up. I remember when I was

0:44:50.600 --> 0:44:52.200
<v Speaker 1>the only person listening to you and then I hit you,

0:44:52.239 --> 0:44:54.520
<v Speaker 1>and then you might think like, dang, they just trying

0:44:54.560 --> 0:44:57.120
<v Speaker 1>to hop on the wave. Have you reached out to Blast?

0:44:57.640 --> 0:44:59.759
<v Speaker 1>I don't remember if I reached out to Black. I know,

0:45:00.320 --> 0:45:02.120
<v Speaker 1>I feel like I might have sent Blasts the DM

0:45:02.200 --> 0:45:05.120
<v Speaker 1>or something, or because I work. I got a record

0:45:05.120 --> 0:45:07.799
<v Speaker 1>with Bino, Bino's crazy. Yeah, I got a record with

0:45:07.840 --> 0:45:10.319
<v Speaker 1>Bino right now, and I remember that's kind of where

0:45:10.320 --> 0:45:13.880
<v Speaker 1>I heard Blast was from. Beano had a record. So

0:45:14.560 --> 0:45:16.480
<v Speaker 1>but now I planned on reaching out. You know what

0:45:16.480 --> 0:45:18.160
<v Speaker 1>I'm saying, I was letting it just that might be

0:45:18.239 --> 0:45:21.560
<v Speaker 1>a vibe you and Blast. I think that'll be easy

0:45:21.640 --> 0:45:23.719
<v Speaker 1>vibe because I hear when I hear it, I hear

0:45:23.840 --> 0:45:26.279
<v Speaker 1>already what I would would do, and how comfortable that

0:45:26.320 --> 0:45:28.279
<v Speaker 1>would be. Hey, he's working, man, I know he works

0:45:28.280 --> 0:45:30.439
<v Speaker 1>with Mazie a lot. You know, obviously him and Bino

0:45:30.480 --> 0:45:32.560
<v Speaker 1>got I think they're working on us follow up to

0:45:32.600 --> 0:45:34.680
<v Speaker 1>their tape. But you know he's going crazy right now.

0:45:34.800 --> 0:45:37.560
<v Speaker 1>He's definitely going crazy. It's dope to see that, for sure. Yeah,

0:45:37.560 --> 0:45:39.880
<v Speaker 1>that'd be that'd be wild that'd be that might be

0:45:40.000 --> 0:45:42.719
<v Speaker 1>like that has to happen. Yeah, I think that has

0:45:42.719 --> 0:45:44.640
<v Speaker 1>to happen. I've been honestly, I was thinking about it,

0:45:44.680 --> 0:45:46.000
<v Speaker 1>like like, if you're going to come back with like

0:45:46.040 --> 0:45:47.440
<v Speaker 1>one of them R and B type records, has got

0:45:47.520 --> 0:45:50.560
<v Speaker 1>to be blast. Yeah. Yeah, i'ma have I'm have hooked

0:45:50.560 --> 0:45:54.359
<v Speaker 1>that up. Yeah, that'd be crazy, that'll be fire. Well, look,

0:45:54.400 --> 0:45:59.440
<v Speaker 1>the album is out Friday, Friday, Thursday night midnight Thursday.

0:45:59.520 --> 0:46:02.600
<v Speaker 1>Actually this will come out next Monday, so the albumill

0:46:02.600 --> 0:46:04.600
<v Speaker 1>already be out. Actually, I don't know when this is

0:46:04.600 --> 0:46:06.160
<v Speaker 1>gonna come out. I'm ask Will when he wants to

0:46:06.239 --> 0:46:08.400
<v Speaker 1>drop this, because we might drop it Friday. Yeah, but

0:46:08.560 --> 0:46:13.960
<v Speaker 1>you know it'll be out out album out alive thirteen records,

0:46:14.760 --> 0:46:17.480
<v Speaker 1>three already out, so ten brand new records. Y'all never heard?

0:46:18.200 --> 0:46:21.359
<v Speaker 1>Videos coming, videos coming. I gotta you know what I'm saying,

0:46:21.480 --> 0:46:24.719
<v Speaker 1>Night and day video drop day at the album, and

0:46:24.760 --> 0:46:28.720
<v Speaker 1>then I wanted to stack up a bunch of videos.

0:46:29.400 --> 0:46:31.440
<v Speaker 1>I got a couple of different promo videos for some

0:46:31.480 --> 0:46:33.640
<v Speaker 1>of the records. But I kind of want to take

0:46:33.719 --> 0:46:37.160
<v Speaker 1>that first week and see what people are rocking with

0:46:37.239 --> 0:46:40.520
<v Speaker 1>and make sure I give them that first one metrics

0:46:40.520 --> 0:46:41.880
<v Speaker 1>and be like, all right, this is what they're fucking with,

0:46:42.200 --> 0:46:43.760
<v Speaker 1>like this is what they want to see a video

0:46:43.800 --> 0:46:46.520
<v Speaker 1>to right now, and then go back to just doing

0:46:46.520 --> 0:46:49.959
<v Speaker 1>a video for everything. By the way, did you ever

0:46:50.040 --> 0:46:55.600
<v Speaker 1>find out who fucking got in your house? I don't.

0:46:56.120 --> 0:46:57.759
<v Speaker 1>I didn't find out who got in my house. I

0:46:57.800 --> 0:47:00.120
<v Speaker 1>know what they look like. I've seen, I've seen in

0:47:00.120 --> 0:47:02.239
<v Speaker 1>the screen. I just didn't know if like anything ever

0:47:02.280 --> 0:47:04.000
<v Speaker 1>came to that, you're ever getting your ship back or

0:47:04.400 --> 0:47:06.359
<v Speaker 1>they were hitting houses like in your neighborhood, right, yeah,

0:47:06.400 --> 0:47:08.239
<v Speaker 1>they was. They had a whole little thing going on.

0:47:08.320 --> 0:47:10.640
<v Speaker 1>And then you know, the police came to the crib.

0:47:10.880 --> 0:47:14.000
<v Speaker 1>They they thought I did it, like damn the insurance

0:47:14.600 --> 0:47:16.839
<v Speaker 1>they was giving me to talk and I almost got

0:47:16.840 --> 0:47:20.040
<v Speaker 1>hot with them in the crib. And then uh, after that,

0:47:20.120 --> 0:47:23.400
<v Speaker 1>they had like some some uh I don't even know

0:47:23.400 --> 0:47:28.160
<v Speaker 1>what you call, some police officer or whoever detective there

0:47:28.160 --> 0:47:30.960
<v Speaker 1>we go, i'muck police, some detective I was supposed to

0:47:30.960 --> 0:47:34.600
<v Speaker 1>call me and uh give me the rundown of what

0:47:34.719 --> 0:47:37.440
<v Speaker 1>was going on and updates, And then every time I

0:47:37.440 --> 0:47:39.920
<v Speaker 1>tried to hit them up, there was never no updates

0:47:40.000 --> 0:47:41.960
<v Speaker 1>like that, And I wasn't trying to really keep up

0:47:41.960 --> 0:47:43.680
<v Speaker 1>with the police like that, so I just kind of

0:47:43.719 --> 0:47:47.600
<v Speaker 1>let it go. These fools I got jacked. They jacked

0:47:47.600 --> 0:47:51.000
<v Speaker 1>my whip I was at the bank, followed me out

0:47:51.000 --> 0:47:54.759
<v Speaker 1>of the bank. I stopped at the UPS store. While

0:47:54.760 --> 0:47:56.400
<v Speaker 1>I was in the UPS store, these fools blew out

0:47:56.440 --> 0:47:59.160
<v Speaker 1>my back window took fifteen grand cash out of my trunk.

0:48:00.600 --> 0:48:03.480
<v Speaker 1>The cops had their car and they couldn't like the

0:48:03.560 --> 0:48:05.760
<v Speaker 1>license plate was like fuzzy, but they could have figured

0:48:05.800 --> 0:48:07.800
<v Speaker 1>it out. They had video of the girl who followed

0:48:07.840 --> 0:48:09.319
<v Speaker 1>me out of the bank and got in that car,

0:48:10.000 --> 0:48:11.600
<v Speaker 1>and I had never heard. I'm like, bro, did y'all

0:48:11.600 --> 0:48:13.560
<v Speaker 1>even try to get my ship back? So be honest,

0:48:14.640 --> 0:48:16.960
<v Speaker 1>I tried way harder than them for that first week

0:48:17.000 --> 0:48:18.799
<v Speaker 1>and me too, Like I had got to a point

0:48:18.840 --> 0:48:21.279
<v Speaker 1>where I'm the one who got the footage because I

0:48:21.320 --> 0:48:23.319
<v Speaker 1>went I went to the gas station that I stopped at,

0:48:23.320 --> 0:48:25.000
<v Speaker 1>and I had to chip off the guys. Look, give

0:48:25.000 --> 0:48:27.200
<v Speaker 1>me the footage. They had to follow me here because

0:48:27.200 --> 0:48:28.640
<v Speaker 1>I went here before I went to the other spot

0:48:28.640 --> 0:48:30.719
<v Speaker 1>where I got robbed, and I had to give I

0:48:30.719 --> 0:48:32.719
<v Speaker 1>gave the cops the footage, like I got the footage

0:48:32.920 --> 0:48:34.400
<v Speaker 1>that was right that's the same thing I did. I

0:48:34.440 --> 0:48:36.960
<v Speaker 1>gave cops more footage, and I went to the neighbors

0:48:36.960 --> 0:48:39.560
<v Speaker 1>and it was one of those things where they were

0:48:39.600 --> 0:48:42.040
<v Speaker 1>supposed to be able to go through some other people's

0:48:42.040 --> 0:48:44.800
<v Speaker 1>cameras in the neighborhood and they be able to spot

0:48:44.960 --> 0:48:47.040
<v Speaker 1>you know what I'm saying, because I saw the car,

0:48:47.120 --> 0:48:49.680
<v Speaker 1>but I couldn't see no plates. In the way that

0:48:49.719 --> 0:48:52.000
<v Speaker 1>they did, it's a whole run. They got a whole

0:48:52.080 --> 0:48:54.480
<v Speaker 1>route out the neighborhood, through the neighborhood where they don't

0:48:54.480 --> 0:48:56.560
<v Speaker 1>have to know what they were doing, go straight to

0:48:56.600 --> 0:49:01.640
<v Speaker 1>the freeway. I lost like, I lost like five chains.

0:49:02.160 --> 0:49:06.799
<v Speaker 1>I think my girl lost like two chains. Bracelet. To

0:49:06.880 --> 0:49:11.640
<v Speaker 1>be honest, I did have insurance, but they wasn't covering that.

0:49:11.760 --> 0:49:16.400
<v Speaker 1>They didn't cover it. They didn't cover anything. I had

0:49:16.400 --> 0:49:18.440
<v Speaker 1>paperwork and all that ship and I went through you

0:49:18.480 --> 0:49:20.200
<v Speaker 1>know what I'm saying, everything I needed to go through,

0:49:20.200 --> 0:49:23.319
<v Speaker 1>but they wasn't covering it. Learning experience, man, Yeah, I

0:49:23.400 --> 0:49:26.120
<v Speaker 1>learned from it. Yeah, look, kid Ink, appreciate you coming through.

0:49:26.640 --> 0:49:29.480
<v Speaker 1>New album. Hey, let's let's for the radio show. Introduce

0:49:29.480 --> 0:49:34.160
<v Speaker 1>a record man, which I don't know, Uh, it'll be

0:49:34.200 --> 0:49:37.560
<v Speaker 1>two out whichever one you are gonna have clean for me.

0:49:38.160 --> 0:49:40.400
<v Speaker 1>Oh yeah, okay, you just need to give you that

0:49:40.480 --> 0:49:44.239
<v Speaker 1>today too, all right? Uh y'all, what's up this? Your

0:49:44.280 --> 0:49:46.880
<v Speaker 1>boy kid ink right here and this is my new record,

0:49:46.960 --> 0:49:49.840
<v Speaker 1>red Light Off the Project Alive. You already know what

0:49:49.880 --> 0:49:52.680
<v Speaker 1>it is. We ain't here baby Alumni back game, one

0:49:52.719 --> 0:49:54.360
<v Speaker 1>time Boulet Kid. Whoop whoop,