WEBVTT - #163  - Famous Mystery Background Singers with Bobby and Eddie

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<v Speaker 1>Welcome to episode one sixty three of the Bobby Cast.

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<v Speaker 1>Songs with background singers you don't even know because they're famous,

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<v Speaker 1>and they didn't really make it a thing, you know

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<v Speaker 1>what I mean. I like it. It's kind of like

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<v Speaker 1>like you just asked a friend to sing on a song. Yeah, yeah,

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<v Speaker 1>and then you didn't make a big deal that they

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<v Speaker 1>were singing on a song. And what I guess what

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<v Speaker 1>really brought it up is and this is so like us.

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<v Speaker 1>Thing is I was talking about the Wallflower Sixth Avenue

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<v Speaker 1>Heartache and Adam Dirts when the County Crows sings the

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<v Speaker 1>background vocals, and that was so you hear Jacob Dylan

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<v Speaker 1>and then here's a that's the background. How you do

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<v Speaker 1>it right? That's the song, that's what. And so anytime

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<v Speaker 1>they get to the hook, that guy's singing in the background,

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<v Speaker 1>and at the end of the song he really starts

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<v Speaker 1>doing runs all around it and you can tell that's

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<v Speaker 1>the County Drugs. And we're such huge County Crows fans.

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<v Speaker 1>I remember when this came out and I was like,

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<v Speaker 1>oh my gosh, like automatically you're like, that's Adam dirrt.

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<v Speaker 1>It sounds so good. Can you just imagine that on

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<v Speaker 1>the road somewhere recording it. That was traw six, that's

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<v Speaker 1>Adam Dirt's the late sing on the County Crows singing

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<v Speaker 1>background heart ache, and that is part of it too.

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<v Speaker 1>You kind of imagine like, oh, I wonder like what

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<v Speaker 1>they were doing and did he just were they out drinking?

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<v Speaker 1>They're like, hey, you want to call it studio? Wanna quick,

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<v Speaker 1>let's just go in now. We know a lot of times,

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<v Speaker 1>especially duets nowadays, they're not even the same roomor same

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<v Speaker 1>who knows are we? Is that too much behind the curtain,

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<v Speaker 1>because that really disappointed me a little bit, because there

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<v Speaker 1>is that those things that you grow up just thinking

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<v Speaker 1>like that's what it was like, and then when you

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<v Speaker 1>find out it really something. Most of the time and

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<v Speaker 1>not always. I think artists are pretty open about it

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<v Speaker 1>now though, sometimes because it's very disappointed to know that,

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<v Speaker 1>like oh they were in the same room, like yeah,

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<v Speaker 1>because you just picture on both of them with their

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<v Speaker 1>finger in their ear yea, going exactly look at each

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<v Speaker 1>other in the eyes. Um. Another really personal one is

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<v Speaker 1>that is Nomas Day and Walker Hayes. We do a

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<v Speaker 1>song called Nomast to the Raging Idiots. Walker Hayes, who

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<v Speaker 1>I wrote it with things background vocals, don't know, probably

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<v Speaker 1>in the room. But now now if you know Walker spots,

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<v Speaker 1>you can really hear Walker like in this a lot

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<v Speaker 1>trying to be responsible, but you're making it impossible. And

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<v Speaker 1>he does a lot of the oh stays looking at

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<v Speaker 1>flex and bulling it down now mistake. So if you

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<v Speaker 1>listen to that, it's Walker Hayes, it's Walk Up. Douced

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<v Speaker 1>that song as first time Walking to re produce a song.

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<v Speaker 1>I went in the studio and got it all together.

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<v Speaker 1>Have you ever talked about the dog thing and how

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<v Speaker 1>he was like, hey, don't be mad at me. I

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<v Speaker 1>don't know if you're gonna like it or not. No,

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<v Speaker 1>I don't. I don't know, because that was he sent

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<v Speaker 1>this when we first recorded it. Because again I went

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<v Speaker 1>to Walk and I was like, hey, produce a song,

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<v Speaker 1>and he's not, like I never produced a song before.

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<v Speaker 1>And I was like, good, yeah, you got this, Yeah

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<v Speaker 1>we wrote it, let's go do it. And so we

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<v Speaker 1>went to a studio and um, I wrote in my

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<v Speaker 1>book to about how encouraging he was were in the studio,

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<v Speaker 1>was like, yeah, you got it, And so I started

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<v Speaker 1>to feel good and then he sent me over the

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<v Speaker 1>track and he goes, hey, dude, I bark in it

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<v Speaker 1>because that that wolf is him and it was not

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<v Speaker 1>on their originally it wasn't not Yeah, and so that

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<v Speaker 1>then we goes um downward dog and yeah, flexible and

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<v Speaker 1>your downward dog and that roof is Walker Hayes. Yeah,

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<v Speaker 1>and I didn't know that, which is my favorite part

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<v Speaker 1>of this and now everybody does it when we play

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<v Speaker 1>it live. Yeah. Okay, now here are some real ones

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<v Speaker 1>that aren't super personal to us because that wallflowers ones.

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<v Speaker 1>Obviously we're nerds. And then obviously the NAMA State went reaching, okay,

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<v Speaker 1>why don't we do drink a beer? Chris, uh sorry,

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<v Speaker 1>oh Luke, Brian, look, Brian, drink a beer and Chris

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<v Speaker 1>Stapleton that's the background vocals, which interesting, we didn't know

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<v Speaker 1>this bones and when and when Chris came in and

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<v Speaker 1>talked about it, we still didn't know, and we're like,

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<v Speaker 1>that's you. I thought it was a girl. We knew

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<v Speaker 1>Chris wrote it, but we didn't know Chris sang background vocals.

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<v Speaker 1>I'm said, it does sound like just I thought it

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<v Speaker 1>was a woman. That's Chris Stapleton thinking would look so

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<v Speaker 1>I'm going said watch son say it does sound like

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<v Speaker 1>a woman at times, unless you know it's Christmas. Well,

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<v Speaker 1>he goes really high. They can't drink a beer, so friend,

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<v Speaker 1>you can really hear the stables if you listen close

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<v Speaker 1>to that curious I'll rema all the time. Used to

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<v Speaker 1>Chris Stapleton, there can you sing that high? No? I

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<v Speaker 1>can't sing and try it, said he one. Can you

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<v Speaker 1>watch Sadus here you go? That's Chris Stample and sing

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<v Speaker 1>the background with Luke Bryan drank a bit. Do you

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<v Speaker 1>know why they don't say the name or they just

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<v Speaker 1>keep it kind of what do you mean like because

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<v Speaker 1>sometimes they'll do feature. It's not a feature. They're just

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<v Speaker 1>doing harmonies. It's just not a feature. Yeah, yeah, there

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<v Speaker 1>are a lot of I mean, which is the point

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<v Speaker 1>of all this? I mean, all of these are that

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<v Speaker 1>basically if it's not a feature, it's just somebody's singing. Yeah,

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<v Speaker 1>they just there's another one that we don't have on

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<v Speaker 1>our list. But Thomas Rhett when he does um yes, yes,

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<v Speaker 1>uh yeah, Chris Stapleton does that? Is that right? Yeah?

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<v Speaker 1>I didn't know that. Yeah, yeah, yeah, because Chris wrote

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<v Speaker 1>that song too for Tom's Rhett. I'll pull it up

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<v Speaker 1>in the library here, I'm looking for it, so crash

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<v Speaker 1>here listen to this. I'm gonna play it from the beginning.

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<v Speaker 1>But that's Chris going, oh here you go, yes over.

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<v Speaker 1>Did you hear that? So now it sounds like Chris, alright,

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<v Speaker 1>that's funny man. Yeah, let's not thinking that. I think

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<v Speaker 1>he told me it was. Um watch it not even

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<v Speaker 1>beach Listen. We're like, but Chris wrote that song. It

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<v Speaker 1>only makes sense that. Yeah, No, it sounds it does

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<v Speaker 1>sound like now that I hear it. Um, how about

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<v Speaker 1>this one? This is Katy Perry on the po D

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<v Speaker 1>has a song called He's Written Funny. Po D has

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<v Speaker 1>a song called Goodbye for Now. Okay, that's Katy Perry

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<v Speaker 1>do in the background Bocal. The band became good friends

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<v Speaker 1>of Katie Perry after someone recommended her for the song.

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<v Speaker 1>She would just come around the studio. It was really nice.

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<v Speaker 1>She wasn't Katie Perry is a sweet girl. Was trying

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<v Speaker 1>to make it in the Christian music scene, and they

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<v Speaker 1>were Christians. That's hers. They said they heard that she

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<v Speaker 1>was making this Christian gospel record, and all of a

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<v Speaker 1>sudden she was in Hollywood trying to figure it out,

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<v Speaker 1>so they put her on that song, well this earlier earlier, Yeah, sidetrack.

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<v Speaker 1>That's really crazy that she that was the path she

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<v Speaker 1>was trying to take. But then her first hit was

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<v Speaker 1>what I Kissed a Girl and I liked it. Her

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<v Speaker 1>first pop hit was Second. She was on American her

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<v Speaker 1>last night. She had mentioned that again has to grow

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<v Speaker 1>up in the church, and you know, I was pursuing that. Yeah,

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<v Speaker 1>and everybody was like, what this long is crazy? When

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<v Speaker 1>she decided her background, you know, nobody knew her background

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<v Speaker 1>because I was part of I was there. I was

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<v Speaker 1>part of that. Remember, she came into our TV studio

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<v Speaker 1>and uh, one of our guys interview I think Michael

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<v Speaker 1>Trey who interviewed her, and that was like her big thing,

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<v Speaker 1>and she talked about like, yeah, like what our preacher dad,

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<v Speaker 1>Like my dad's a minister or whatever he is. Maybe

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<v Speaker 1>the thing was that she was a preacher's kid, But

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<v Speaker 1>it wasn't that she had tried Christian music and was

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<v Speaker 1>not doing pop. Got it, because when she came to radio,

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<v Speaker 1>you knew she was a preachers kid, but there are

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<v Speaker 1>a lot of preachers kids, um. But she had actually

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<v Speaker 1>do a Bobby, Bobby Cast and all the preachers kids. Right,

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<v Speaker 1>they're all like rock stars. Now they're all death metal.

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<v Speaker 1>Let's see, how about here's Ryan heard his song now

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<v Speaker 1>to a t it's Mary Morrising you stay. I feel

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<v Speaker 1>like they travel everywhere together, right, Like they're just not now. Well,

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<v Speaker 1>she was off record cycle. Now she wasn't touring. Now

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<v Speaker 1>she's back. Now she's out, you know, out of five thousand.

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<v Speaker 1>She has a world tour. Um. But yeah, but they're

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<v Speaker 1>gonna be split up now because he's going his own

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<v Speaker 1>way she's doing. But the thing about country touring is

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<v Speaker 1>you're only gone for like three days a week and

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<v Speaker 1>you come back home. Right where you do rock touring

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<v Speaker 1>or pot touring months, it's you just take three months

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<v Speaker 1>and you don't come back home unless you have like

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<v Speaker 1>a week off you put in the middle of the

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<v Speaker 1>tour and you get to go home for a few days,

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<v Speaker 1>which is so smart. The country tour and thing is

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<v Speaker 1>like that's just a no brainer, Like we should just

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<v Speaker 1>do that just to be able to live your life.

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<v Speaker 1>It's like going to work for five days and there

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<v Speaker 1>having the weekend. But some people don't want to have

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<v Speaker 1>to tour all year. They like to go to a

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<v Speaker 1>couple of months and they're just free for a couple

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<v Speaker 1>of months. What would you rather do? No, you can't

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<v Speaker 1>stand being alone for like or just board for months? Well,

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<v Speaker 1>I think I would probably The reason is I think

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<v Speaker 1>I would probably go do a couple of months at

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<v Speaker 1>a time and be done with it. Then I could

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<v Speaker 1>just go focus on a full other project. I could

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<v Speaker 1>take like a week or two vacation or whatever, but

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<v Speaker 1>then I would I was going on the studio. I

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<v Speaker 1>just have like a month in the studio, like I

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<v Speaker 1>like to focus all that time on it. Okay, But

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<v Speaker 1>it's funny because any of my friends at working pop

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<v Speaker 1>or do any other touring, they just leave and they

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<v Speaker 1>don't come back. Even the Dancing with the Stars tour,

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<v Speaker 1>they're gone for four months, didn't come back. It's like goodbye,

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<v Speaker 1>and you make the bus. You live on the bus

0:10:41.160 --> 0:10:44.280
<v Speaker 1>and then almost never hotels unless it's the day off.

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<v Speaker 1>You just stay in the bus the whole time. Um,

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<v Speaker 1>Cassidy Pope has a song if my Heart had a heart.

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<v Speaker 1>Do you know who things back around? This being the

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<v Speaker 1>guy singing a background me. It's shape from Danish DN

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<v Speaker 1>So yeah, that's from Dana shave singing. That one some

0:11:26.720 --> 0:11:29.199
<v Speaker 1>of the best voices together right there. Yeah, let me

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<v Speaker 1>do that real quick, let me do a commercial. We'll

0:11:30.960 --> 0:11:32.760
<v Speaker 1>do some more of these. So how'd you get ready today?

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<v Speaker 1>this one? This is a coldplay ever glow? Do you

0:12:35.280 --> 0:12:50.640
<v Speaker 1>know the song of the way was shot fone. Somebody

0:12:50.760 --> 0:12:56.200
<v Speaker 1>is singing background. Yeah, it's Gwyneth And even after they

0:12:56.280 --> 0:12:59.920
<v Speaker 1>broke up, because I knew she's saying because she's singing

0:13:00.160 --> 0:13:10.679
<v Speaker 1>movie duets. It's a du quartine. It's one of the

0:13:10.760 --> 0:13:16.240
<v Speaker 1>newer ones. Probably I know this song really well. So

0:13:16.640 --> 0:13:19.400
<v Speaker 1>she sang on this even though they were separated. It

0:13:19.559 --> 0:13:22.240
<v Speaker 1>was you see what album that's away. It's probably the

0:13:22.280 --> 0:13:26.760
<v Speaker 1>only breakup song in history? Was it? Head Dreams? It

0:13:26.880 --> 0:13:29.000
<v Speaker 1>was possibly the only breakup song in history to have

0:13:29.080 --> 0:13:31.760
<v Speaker 1>an ex backing vocals. He said he just did it

0:13:31.800 --> 0:13:33.240
<v Speaker 1>one day. It was kind of a friendly Hey, would

0:13:33.240 --> 0:13:35.120
<v Speaker 1>you mind singing background vocals? It's a lot easier to

0:13:35.200 --> 0:13:37.520
<v Speaker 1>hang out with your X when you have kids together. Yeah,

0:13:37.520 --> 0:13:40.959
<v Speaker 1>I would think you gotta you gotta remain friends that

0:13:41.840 --> 0:13:44.720
<v Speaker 1>you don't have to go that far sing on a record. Okay,

0:13:44.760 --> 0:13:51.720
<v Speaker 1>here's one. Do you know this song? So you probably

0:13:51.880 --> 0:13:55.760
<v Speaker 1>think this song is now it's Carly Simon, You're so vain.

0:13:56.280 --> 0:13:58.200
<v Speaker 1>Now listen to the background vocal. It's a very very

0:13:58.280 --> 0:14:06.240
<v Speaker 1>famous background vocal. I hear the guy so thank song.

0:14:07.360 --> 0:14:19.800
<v Speaker 1>I can't mistake that, you know, Yeah, yeah, okay, Mick

0:14:19.880 --> 0:14:23.520
<v Speaker 1>kind of dominates that song. Make Jagger contributed uncredited background

0:14:23.600 --> 0:14:27.200
<v Speaker 1>vocals during the sessions for You're Sylvain. He said that

0:14:27.320 --> 0:14:30.080
<v Speaker 1>it took place just because he happened to be at

0:14:30.080 --> 0:14:32.440
<v Speaker 1>a call at the studio. She's like, why don't you

0:14:32.480 --> 0:14:34.440
<v Speaker 1>come down and sing? Then, and he hops down and sings,

0:14:39.920 --> 0:14:42.920
<v Speaker 1>thank This song is up back, dude. That reminds me

0:14:43.000 --> 0:14:46.600
<v Speaker 1>when we were recording our one of our Ragin Idiots records. Uh,

0:14:46.880 --> 0:14:49.480
<v Speaker 1>kid Rock was in the studio at the same time,

0:14:49.520 --> 0:14:51.920
<v Speaker 1>in another studio. Why didn't you just grab him and

0:14:52.000 --> 0:14:55.240
<v Speaker 1>be like, dude, can you jump on planet song? We're

0:14:55.280 --> 0:14:58.080
<v Speaker 1>doing a Starbucks. I went into the wrong studio that day. Yeah,

0:14:58.120 --> 0:15:01.200
<v Speaker 1>I walked into kid Rock recording because there's like three studios.

0:15:01.200 --> 0:15:02.920
<v Speaker 1>I remember walking to going there talking about people. These

0:15:02.920 --> 0:15:06.160
<v Speaker 1>people have beards in their meal. This isn't and hed

0:15:06.240 --> 0:15:08.320
<v Speaker 1>Rock was in the boots singing and I was like,

0:15:08.520 --> 0:15:09.880
<v Speaker 1>oh my god, oh my god. And I walked out

0:15:09.880 --> 0:15:11.720
<v Speaker 1>and I walked over to you guys. I was like, uh,

0:15:11.840 --> 0:15:14.360
<v Speaker 1>kid walks over there cutting music, and so I didn't

0:15:14.360 --> 0:15:16.400
<v Speaker 1>even know he's over there. That's what I picture when

0:15:16.400 --> 0:15:18.840
<v Speaker 1>you hear oh yeah, the rolling Stone, Bob you come

0:15:18.880 --> 0:15:20.640
<v Speaker 1>home and saying come, come, checks you out when I

0:15:20.680 --> 0:15:25.080
<v Speaker 1>grow up hit it did die in the baby. Okay,

0:15:25.680 --> 0:15:27.960
<v Speaker 1>here we go. How about this one? This is Kanye West,

0:15:28.080 --> 0:15:34.760
<v Speaker 1>Jesus walks. The only thing that I phrased that, and

0:15:34.920 --> 0:15:37.000
<v Speaker 1>I don't think there's nothing I could do that to.

0:15:40.240 --> 0:15:46.680
<v Speaker 1>I want to talk guy, but I'm afraid that woman

0:15:46.840 --> 0:15:49.680
<v Speaker 1>or the group of woman what that's not a woman,

0:15:49.800 --> 0:15:51.920
<v Speaker 1>that's not a woman. That's not a woman, right? Who

0:15:52.080 --> 0:15:55.560
<v Speaker 1>is that? The only very famous person the only thing

0:15:55.680 --> 0:16:02.160
<v Speaker 1>that I phrased that, And I don't think that could

0:16:02.200 --> 0:16:07.160
<v Speaker 1>do that to my rose. I want to talk to guy,

0:16:07.240 --> 0:16:13.600
<v Speaker 1>but I'm afraid because the way because the devil was

0:16:13.640 --> 0:16:18.440
<v Speaker 1>trying to pro the only thing that I praised that

0:16:18.600 --> 0:16:24.200
<v Speaker 1>my feet don't fail me. Now, yeah, I could do

0:16:24.320 --> 0:16:29.800
<v Speaker 1>that only because I read it. Because John Legend. Oh okay, okay,

0:16:29.840 --> 0:16:31.920
<v Speaker 1>he does kind of He sings high. John Legend sings

0:16:31.960 --> 0:16:36.160
<v Speaker 1>background on six songs from graduation, including Jesus Walks Legends.

0:16:36.240 --> 0:16:39.720
<v Speaker 1>Old roommate happened to be Kanye West cousin. The two

0:16:39.800 --> 0:16:41.240
<v Speaker 1>hit it off, sort of clavering on each other. He

0:16:41.240 --> 0:16:43.720
<v Speaker 1>introduced to back when the rapper was just producing beats.

0:16:44.040 --> 0:16:46.200
<v Speaker 1>They became friends, kinda did not have a record dealt time,

0:16:46.240 --> 0:16:48.360
<v Speaker 1>but when he did, mber John Legend and got him

0:16:48.360 --> 0:16:50.880
<v Speaker 1>one too. The only thing that I praised that my

0:16:51.080 --> 0:16:56.560
<v Speaker 1>feet now. And I was watching the CNN series about

0:16:56.560 --> 0:16:58.760
<v Speaker 1>the two thousand's and they're talking about the music and

0:16:58.800 --> 0:17:01.720
<v Speaker 1>it was the deck to where producers became famous too,

0:17:02.360 --> 0:17:04.520
<v Speaker 1>where it was producers and DJs for the first time.

0:17:04.840 --> 0:17:06.800
<v Speaker 1>And there's like a whole thing on Timberland showing jay

0:17:06.880 --> 0:17:09.720
<v Speaker 1>Z the beat for nine and no uh rick Rick

0:17:09.880 --> 0:17:14.360
<v Speaker 1>Rick rupitated nine and the problems but puppa pup up

0:17:14.600 --> 0:17:19.440
<v Speaker 1>Uh what's that one? Yeah? Timberland shows him doestop you

0:17:19.520 --> 0:17:23.320
<v Speaker 1>shoulders first time everyone because Jason, they're sitting and like,

0:17:23.320 --> 0:17:25.280
<v Speaker 1>I got to stick out this, and Jaz's like whoa

0:17:25.520 --> 0:17:27.920
<v Speaker 1>and then Jaz puts puts put zephones on and just

0:17:28.040 --> 0:17:30.320
<v Speaker 1>like just starts to crushing. I love that. And like

0:17:30.440 --> 0:17:33.040
<v Speaker 1>Rick Rick talking at Rick Rubin making the because Rick

0:17:33.119 --> 0:17:35.159
<v Speaker 1>Rubin hadn't done like a hip hop record since like

0:17:35.600 --> 0:17:38.040
<v Speaker 1>the Beastie Boys like some and so how he took

0:17:38.240 --> 0:17:40.159
<v Speaker 1>nine nine Problems and like was adding like a c

0:17:40.320 --> 0:17:42.399
<v Speaker 1>D c licks to it, and how it's he was like,

0:17:42.840 --> 0:17:45.800
<v Speaker 1>we got the wrap Patrol, and yeah, it's cool. That

0:17:45.960 --> 0:17:48.120
<v Speaker 1>is pretty cool that the producers started getting a little

0:17:48.119 --> 0:17:51.240
<v Speaker 1>bit of popularity because they are the brains behind the music.

0:17:51.280 --> 0:17:52.480
<v Speaker 1>I guess the reason I bring it up. So that's

0:17:52.480 --> 0:17:55.240
<v Speaker 1>how Kanye was. Kanye produced jay Z and so it

0:17:55.359 --> 0:17:57.160
<v Speaker 1>was like Kanye West was a producer who also wanted

0:17:57.160 --> 0:17:58.760
<v Speaker 1>to try to make him name for himself, you know,

0:17:58.840 --> 0:18:01.040
<v Speaker 1>as a rapper, but was producing all these artists. Farrell

0:18:01.119 --> 0:18:03.400
<v Speaker 1>was another one they talked about. He's he's a producer

0:18:03.560 --> 0:18:06.399
<v Speaker 1>before he started doing you know Farrell. There was another

0:18:06.560 --> 0:18:11.240
<v Speaker 1>and they're talking about DJs like Calvin Harris. No, he'said later,

0:18:11.560 --> 0:18:16.840
<v Speaker 1>but it was like Diplo, Dead Mouse, some of those

0:18:16.880 --> 0:18:19.040
<v Speaker 1>guys that were like they would go and play these

0:18:19.080 --> 0:18:21.840
<v Speaker 1>shows and ten thousand people would show up and people

0:18:21.840 --> 0:18:24.359
<v Speaker 1>couldn't understand how tends people to go watch dj perform.

0:18:24.600 --> 0:18:26.360
<v Speaker 1>But the DJs were like, it's not about us. We've

0:18:26.359 --> 0:18:29.199
<v Speaker 1>created an environment. Everybody's watching everybody else. Like we've created

0:18:29.240 --> 0:18:31.560
<v Speaker 1>the environment that everybody's watching each other. No one wants

0:18:31.600 --> 0:18:34.560
<v Speaker 1>to watch us, but we've created the place where they

0:18:34.560 --> 0:18:37.720
<v Speaker 1>can come and actually watch something. It's each other. It's

0:18:37.720 --> 0:18:40.440
<v Speaker 1>pretty cool. I've always wondered that, Well it went to Bonaroo.

0:18:40.480 --> 0:18:42.119
<v Speaker 1>When you're o and you're gonna go to Bondary this year,

0:18:42.200 --> 0:18:43.560
<v Speaker 1>you might you have to check this out. They have

0:18:43.680 --> 0:18:48.160
<v Speaker 1>silent disco and everyone puts headphones on as a DJ plays,

0:18:48.720 --> 0:18:51.040
<v Speaker 1>And so when you walk up there and you watch

0:18:51.160 --> 0:18:53.440
<v Speaker 1>everyone dancing with headphones, they can hear the music, but

0:18:53.560 --> 0:18:57.320
<v Speaker 1>you cannot. They look so dumb, and they look they

0:18:57.440 --> 0:18:59.680
<v Speaker 1>just look like idiots dancing. I mean they're getting down

0:19:00.320 --> 0:19:02.160
<v Speaker 1>and then you put the headphones on. You're like, okay,

0:19:02.200 --> 0:19:04.520
<v Speaker 1>I get it, so you start moving like I mean,

0:19:04.560 --> 0:19:07.080
<v Speaker 1>you hear it so loud and it's a party. But

0:19:07.160 --> 0:19:08.880
<v Speaker 1>if you don't have the headphones on, you look pretty stupid.

0:19:08.920 --> 0:19:11.719
<v Speaker 1>I haven't been a music festival since Austin's the Limits

0:19:12.680 --> 0:19:15.560
<v Speaker 1>years ago. This is a little different. It is, I'd

0:19:15.600 --> 0:19:19.000
<v Speaker 1>say a lot more drugs. Yeah, I don't do drugs.

0:19:19.320 --> 0:19:23.120
<v Speaker 1>Just around you can tell people are like you could

0:19:23.119 --> 0:19:25.000
<v Speaker 1>tell they're messed up. Wait, do I need to do drugs?

0:19:26.840 --> 0:19:28.680
<v Speaker 1>Can I? You don't need to do drugs to go?

0:19:28.960 --> 0:19:31.840
<v Speaker 1>Can I do? Can I not do drugs? Not fun? Yeah? Yeah,

0:19:31.880 --> 0:19:34.239
<v Speaker 1>because you like music. I think a lot of these

0:19:34.320 --> 0:19:36.600
<v Speaker 1>kids go and they probably They'm sure they love music,

0:19:36.760 --> 0:19:40.400
<v Speaker 1>but it it enhances their experience. What if I wanted

0:19:40.400 --> 0:19:43.000
<v Speaker 1>to be in hand? Don't stop? What a viagra do

0:19:43.040 --> 0:19:44.879
<v Speaker 1>you want? I don't know any drugs. I was like,

0:19:45.480 --> 0:19:47.879
<v Speaker 1>stay away from this dude. They can tell. There's a

0:19:47.880 --> 0:19:51.560
<v Speaker 1>different ways. Guys walking around with the sword. Yeah, and

0:19:52.000 --> 0:19:55.280
<v Speaker 1>with that festival because I've never been to Von Roue,

0:19:55.880 --> 0:19:59.560
<v Speaker 1>but at my manager actually owns part of the festival,

0:19:59.680 --> 0:20:02.480
<v Speaker 1>and he's like, go go, go go, you know, hook

0:20:02.480 --> 0:20:04.199
<v Speaker 1>you up and get you all the passes. And I'm

0:20:04.240 --> 0:20:06.640
<v Speaker 1>gonna take a tour bus. Why people stay in tense

0:20:07.119 --> 0:20:09.640
<v Speaker 1>You can stay in like one holiday in there's only

0:20:09.720 --> 0:20:12.119
<v Speaker 1>one or two. It's hard to get anyway. And I

0:20:12.200 --> 0:20:14.080
<v Speaker 1>was like, I'll just get a tour bus and go

0:20:14.440 --> 0:20:18.240
<v Speaker 1>because that's nice. And we sleep in those in the

0:20:18.320 --> 0:20:22.040
<v Speaker 1>bedroom there are bunks. Takes some friends right there is

0:20:22.080 --> 0:20:23.600
<v Speaker 1>that gonna be gross would be great. I mean, I

0:20:23.760 --> 0:20:26.600
<v Speaker 1>say you second day, you're gonna be ready to leave.

0:20:27.359 --> 0:20:29.800
<v Speaker 1>I think you're gonna have a great one day. Like

0:20:29.920 --> 0:20:31.560
<v Speaker 1>one day you're just gonna be like, dude, this is great.

0:20:31.600 --> 0:20:33.080
<v Speaker 1>I love it. And then after that you're like, all

0:20:33.160 --> 0:20:36.640
<v Speaker 1>I'm ready, I'm done. Because we may have what it's

0:20:36.680 --> 0:20:39.480
<v Speaker 1>called aged out, which is a problem because I'm gonna

0:20:39.560 --> 0:20:41.000
<v Speaker 1>probably take four and five other people with me because

0:20:41.000 --> 0:20:42.560
<v Speaker 1>I can sleep on the bus, but then they have

0:20:42.640 --> 0:20:44.080
<v Speaker 1>to go with me. But the thing with us is

0:20:44.160 --> 0:20:46.480
<v Speaker 1>we we we see a lot of music, and so

0:20:47.320 --> 0:20:50.879
<v Speaker 1>uh you you probably get like since since your manager

0:20:51.160 --> 0:20:53.159
<v Speaker 1>owns some of it, like he'll probably give you a

0:20:53.200 --> 0:20:55.119
<v Speaker 1>good like you know, wristband or whatever and get you

0:20:55.240 --> 0:20:58.720
<v Speaker 1>some good access. But the problem with Bonnaroo, which is

0:20:58.800 --> 0:21:00.639
<v Speaker 1>I've never seen this in any other fest. Tool they

0:21:00.680 --> 0:21:06.040
<v Speaker 1>have zones of like general population, and then one zone

0:21:06.119 --> 0:21:09.000
<v Speaker 1>in front of them that's like regular V I. P.

0:21:09.280 --> 0:21:11.840
<v Speaker 1>And then they have artists right in front. So if

0:21:11.880 --> 0:21:13.480
<v Speaker 1>you have an artist badge, you can go right in

0:21:13.520 --> 0:21:16.840
<v Speaker 1>the front to any stage. But as soon as that's fool,

0:21:17.119 --> 0:21:20.400
<v Speaker 1>it doesn't matter if you're Kanye or if you're whatever,

0:21:20.800 --> 0:21:23.200
<v Speaker 1>like Mick Jagger, you're not getting in that zone. Like

0:21:23.280 --> 0:21:24.919
<v Speaker 1>if it's full, it's full, So it doesn't matter if

0:21:24.920 --> 0:21:26.880
<v Speaker 1>you have an artist pass. So it's kind of cool.

0:21:27.640 --> 0:21:30.800
<v Speaker 1>But like south By Southwest, where yes, exactly you can

0:21:30.880 --> 0:21:32.360
<v Speaker 1>have a badge, but if you don't get there early enough,

0:21:33.040 --> 0:21:36.000
<v Speaker 1>you're not watching it. So it's really interesting the way

0:21:36.000 --> 0:21:38.239
<v Speaker 1>they spots and just sitting weight on people. Yeah, I mean,

0:21:38.280 --> 0:21:40.400
<v Speaker 1>if you want to see like someone in particular, i'd

0:21:40.440 --> 0:21:42.639
<v Speaker 1>go the band before and just stay there. Oh no, no,

0:21:42.800 --> 0:21:45.840
<v Speaker 1>you actually can't because they kick everyone out between every band.

0:21:46.000 --> 0:21:48.800
<v Speaker 1>Oh that's good. Then you have to have a shot.

0:21:48.880 --> 0:21:50.639
<v Speaker 1>But if you're just a little late, two songs late,

0:21:50.720 --> 0:21:53.080
<v Speaker 1>you're not getting in. I think you're I think, I

0:21:53.119 --> 0:21:55.399
<v Speaker 1>think you'll like it. But one day, I think you

0:21:55.440 --> 0:21:58.200
<v Speaker 1>have one day in you But I can't leaven having

0:21:58.240 --> 0:22:00.160
<v Speaker 1>people with me. You just hang on the bus. You'll

0:22:00.160 --> 0:22:03.120
<v Speaker 1>probably just snapped the whole time, watch friends on the bus.

0:22:03.600 --> 0:22:05.159
<v Speaker 1>That I could do. I just want to do in

0:22:05.240 --> 0:22:07.920
<v Speaker 1>the house anyway. Okay, we have that one. How about

0:22:07.960 --> 0:22:11.440
<v Speaker 1>this one? Here is the Righteous Brothers. You've lost that

0:22:11.520 --> 0:22:25.080
<v Speaker 1>loving feeling, that love like motown someone. Now you can

0:22:25.200 --> 0:22:27.880
<v Speaker 1>absolutely hear this person. When I tell you, you'll be like, oh,

0:22:29.480 --> 0:22:31.920
<v Speaker 1>it's said, it's it says the Righteous Brothers. Do you

0:22:31.920 --> 0:22:33.720
<v Speaker 1>think you're hearing two brothers singing, you're not. You're hearing

0:22:33.760 --> 0:22:46.840
<v Speaker 1>the lead singer and the background vocalist. Okay, Ray Charles.

0:22:48.000 --> 0:22:49.960
<v Speaker 1>You know how earlier you thought Stamps was a girl.

0:22:50.560 --> 0:22:52.359
<v Speaker 1>You're thinking that this dude's you're thinking that this is

0:22:52.400 --> 0:22:54.520
<v Speaker 1>a girl's a dude. It's a girl. That's a girl

0:22:55.200 --> 0:23:07.560
<v Speaker 1>listening deep Nope, deep that Okay, is gonna read the Franklin.

0:23:11.240 --> 0:23:13.560
<v Speaker 1>That's not a girl. And when I tell you, go, oh,

0:23:13.680 --> 0:23:20.360
<v Speaker 1>who is it? My kid, that's exactly it. I thought

0:23:20.359 --> 0:23:24.200
<v Speaker 1>she sings. She sings like that. Normally every impression of

0:23:24.240 --> 0:23:31.200
<v Speaker 1>her is like, oh, share share, that's share that share.

0:23:35.320 --> 0:23:38.360
<v Speaker 1>She sings so low. But now it doesn't it sound

0:23:38.400 --> 0:23:40.320
<v Speaker 1>like shair. Now I hear that's now, that doesn't sound

0:23:40.359 --> 0:23:54.560
<v Speaker 1>like a dude. You my kid? Funny, huh what if

0:23:54.600 --> 0:23:57.280
<v Speaker 1>the other brother do then? Just watched he's playing the drums.

0:23:57.359 --> 0:24:00.680
<v Speaker 1>Just watch her brother. I have no idea. How about

0:24:00.720 --> 0:24:04.000
<v Speaker 1>this one? Here is Elton John Uh, here we go

0:24:05.560 --> 0:24:08.840
<v Speaker 1>time by picking Brian, you won't get this one sound

0:24:09.160 --> 0:24:16.880
<v Speaker 1>so okay, you might you know the song is you'll

0:24:16.880 --> 0:24:22.200
<v Speaker 1>even know the song's that called the Bitch? Is that?

0:24:28.880 --> 0:24:32.159
<v Speaker 1>Can you hear the person right around saying yeah? And

0:24:32.240 --> 0:24:34.160
<v Speaker 1>you you definitely know the person. But I don't think

0:24:34.160 --> 0:24:43.280
<v Speaker 1>you're getting a legendary British singer to one of the beautis.

0:24:44.880 --> 0:24:52.840
<v Speaker 1>It's your ringo. I'm picking Brian sound so night. I

0:24:52.840 --> 0:24:56.080
<v Speaker 1>don't know Dusty Springfield? Oh yeah, okay? How about this one?

0:24:56.240 --> 0:24:59.159
<v Speaker 1>Is dust to your girl? You need to do your

0:24:59.200 --> 0:25:02.800
<v Speaker 1>research on ut Springfield? Why am I thinking Dusty as

0:25:02.840 --> 0:25:06.359
<v Speaker 1>a girl? You tell me what comes up when you

0:25:06.480 --> 0:25:10.920
<v Speaker 1>google son of a Preacher. Man, it's a girl. Of

0:25:10.960 --> 0:25:13.640
<v Speaker 1>course it's a girl. Okay, okay, okay, okay. I thought

0:25:13.680 --> 0:25:15.760
<v Speaker 1>you guys were like, no, it's a dude, Dusty Baker,

0:25:15.800 --> 0:25:19.680
<v Speaker 1>the form manager of the Cover Giants, Dusty spring Okay,

0:25:19.680 --> 0:25:22.440
<v Speaker 1>all right, that's wrong with you? Um okay. How about

0:25:22.440 --> 0:25:26.600
<v Speaker 1>this one here is Choker con our Love. It's in danger.

0:25:26.920 --> 0:25:46.679
<v Speaker 1>I told you, man, I'm getting so. I don't think

0:25:46.720 --> 0:25:49.000
<v Speaker 1>you'll get it, but you're here and go Okay, they

0:25:49.040 --> 0:25:57.119
<v Speaker 1>say yet Luther andros Oh yeah, okay. How about the beetles?

0:25:57.160 --> 0:26:01.040
<v Speaker 1>All he needed to love? So the dolls. I didn't

0:26:01.080 --> 0:26:03.639
<v Speaker 1>know anyone saying with the Beatles. The Beatles except for

0:26:03.760 --> 0:26:06.040
<v Speaker 1>Ringo who was behind a drum kid, were seated on

0:26:06.160 --> 0:26:10.560
<v Speaker 1>high stools right they were with thirteen pieces of orchestra band.

0:26:11.119 --> 0:26:13.880
<v Speaker 1>The band had friends and acquaintances all on the floor.

0:26:13.920 --> 0:26:16.919
<v Speaker 1>Who sang along with the fade out with the refrain

0:26:17.040 --> 0:26:18.560
<v Speaker 1>and then all of these people I bet to tell

0:26:18.560 --> 0:26:22.879
<v Speaker 1>you are singing in this. All these people right now,

0:26:27.240 --> 0:26:32.160
<v Speaker 1>you can't identify them by that because they're but you'll

0:26:32.160 --> 0:26:43.719
<v Speaker 1>know next time you hear it. Yeah, I can't pick

0:26:43.760 --> 0:26:46.600
<v Speaker 1>anyone out, can't pick it, but it's cool. Who's Mick Jagger,

0:26:48.000 --> 0:26:52.240
<v Speaker 1>Eric Clapton, Keith Richards, Keith Moon from The Who, Graham

0:26:52.320 --> 0:26:56.959
<v Speaker 1>Nash from Crosby stool Um, Patty Boy, Jane Nasher. It's

0:26:56.960 --> 0:26:58.440
<v Speaker 1>just a whole bunch of people that were having to

0:26:58.440 --> 0:27:01.080
<v Speaker 1>be around then before they all get super awesomely famous,

0:27:01.840 --> 0:27:05.119
<v Speaker 1>and some of them more even famous. So yeah, anyway,

0:27:05.160 --> 0:27:07.399
<v Speaker 1>there's some background. I thought, that's I don't know if

0:27:07.440 --> 0:27:09.440
<v Speaker 1>anyone knew that that's that's well, yeah, some people do

0:27:09.600 --> 0:27:14.040
<v Speaker 1>know that one. Yeah, but did you know have you heard? Um?

0:27:15.440 --> 0:27:18.920
<v Speaker 1>This isn't like someone being there, but James Taylor, what

0:27:19.040 --> 0:27:22.440
<v Speaker 1>about it? What's the part and the whole Caroline in

0:27:22.520 --> 0:27:25.680
<v Speaker 1>my mind? Okay, So he wrote that line when the

0:27:25.800 --> 0:27:30.639
<v Speaker 1>Holy Host of Others standing around you. Still I'm on

0:27:30.920 --> 0:27:33.920
<v Speaker 1>the dark side of the moon. He's in that line.

0:27:34.000 --> 0:27:36.880
<v Speaker 1>He said that the Beatles were in the studio while

0:27:36.960 --> 0:27:40.359
<v Speaker 1>he was recording that song and he was like, oh,

0:27:40.400 --> 0:27:42.480
<v Speaker 1>I've got to put that in because it was yeah,

0:27:42.480 --> 0:27:44.320
<v Speaker 1>because it was like the Holy Host that they're just

0:27:44.440 --> 0:27:48.200
<v Speaker 1>watching you record this song, when the Holy Host of

0:27:48.320 --> 0:27:52.840
<v Speaker 1>others standing beside you. Oh, that's why I put it in. Yes,

0:27:55.760 --> 0:27:57.199
<v Speaker 1>And they were in the room watching him, saying they

0:27:57.200 --> 0:27:58.840
<v Speaker 1>were just in the student in the control room like, oh,

0:27:59.040 --> 0:28:01.040
<v Speaker 1>like when the James Taylor's this for a seconds, the

0:28:01.160 --> 0:28:03.399
<v Speaker 1>James Taylor, that's funny to me. His name was young,

0:28:03.520 --> 0:28:05.880
<v Speaker 1>had all the hair, mustache, because I don't know that James.

0:28:05.920 --> 0:28:08.680
<v Speaker 1>He looked like a rock star now bald glasses. I

0:28:08.760 --> 0:28:11.920
<v Speaker 1>don't know him otherwise except bald. Like in my it's

0:28:11.960 --> 0:28:14.760
<v Speaker 1>like Willie. I don't know Willie anyway, but old. And

0:28:14.840 --> 0:28:16.840
<v Speaker 1>when you watch when you see Willie without a beard

0:28:17.040 --> 0:28:20.000
<v Speaker 1>or long hair, it's pretty crazy. Even when we were

0:28:20.119 --> 0:28:21.600
<v Speaker 1>born and we were born in the eighties. I was

0:28:21.640 --> 0:28:24.360
<v Speaker 1>born like Willie was already old. Like there's no young

0:28:24.440 --> 0:28:27.760
<v Speaker 1>Willies ever existed to me, So what are we looking

0:28:27.800 --> 0:28:33.000
<v Speaker 1>at here? Indeed, the recording Carolina Mine includes a credit

0:28:33.080 --> 0:28:35.080
<v Speaker 1>appearance abou Paul mcarty in the bass guitar. There you go.

0:28:35.840 --> 0:28:40.720
<v Speaker 1>Didn't know that in that song? Ye, what's your chairs

0:28:40.760 --> 0:28:46.080
<v Speaker 1>to do on it? We didn't even know this in

0:28:46.280 --> 0:28:52.800
<v Speaker 1>my mind. I'm gone, Carolina. That's that based Paul. Can

0:28:52.960 --> 0:28:59.200
<v Speaker 1>you see the sunshine? Pretty cool? Right, shine Dany? Just

0:28:59.360 --> 0:29:04.360
<v Speaker 1>like fandom, do people our age? Because I love it?

0:29:05.560 --> 0:29:09.360
<v Speaker 1>I love it. It's the generation before us. I don't know,

0:29:11.160 --> 0:29:14.240
<v Speaker 1>maybe even two generations before us, because you know, I

0:29:14.360 --> 0:29:17.920
<v Speaker 1>was a nineties music kid. Like my music was everything

0:29:17.960 --> 0:29:20.000
<v Speaker 1>that happened in the nineties, the first the first music

0:29:20.080 --> 0:29:23.160
<v Speaker 1>that I found myself loving, the country part of the nineties,

0:29:23.440 --> 0:29:26.400
<v Speaker 1>the Garden, Timbergraw, the alternative part of the nineties that

0:29:26.440 --> 0:29:29.160
<v Speaker 1>are Bonna Pearl Jams, the pop part of the nineties

0:29:29.600 --> 0:29:31.400
<v Speaker 1>later on, the Brittany and Snink, and I was starting

0:29:31.400 --> 0:29:33.200
<v Speaker 1>to get a little too old for that, but still

0:29:33.280 --> 0:29:37.400
<v Speaker 1>that was it, right, that's our music, even the the

0:29:37.560 --> 0:29:40.320
<v Speaker 1>side nineties stuff, the stuff that was like Counting Crows,

0:29:40.880 --> 0:29:43.920
<v Speaker 1>the kind of the emo alternative stuff, which I became

0:29:43.960 --> 0:29:45.760
<v Speaker 1>a huge County Crows fan, and there were a lot

0:29:45.840 --> 0:29:48.200
<v Speaker 1>of those like you two, It's like, no, that's more

0:29:48.400 --> 0:29:51.680
<v Speaker 1>the pop pop. That would be more that was getting

0:29:51.680 --> 0:29:53.800
<v Speaker 1>a little young. Yeah, that was like almost the two

0:29:53.880 --> 0:29:57.560
<v Speaker 1>thousand mark, No Effects or whatever. I was in college

0:29:57.600 --> 0:30:02.840
<v Speaker 1>when that was the alternative station. Um, but two generations

0:30:02.880 --> 0:30:05.520
<v Speaker 1>ahead of now would be So if now as are

0:30:05.560 --> 0:30:10.080
<v Speaker 1>you on a grand day? Then it hadn't that had

0:30:10.120 --> 0:30:12.680
<v Speaker 1>to be it had to be like the TLC. Yeah,

0:30:12.960 --> 0:30:14.800
<v Speaker 1>then I had to be the nineties stuff, which you know,

0:30:14.960 --> 0:30:17.760
<v Speaker 1>kids now don't know that stuff, but I'm sure some

0:30:17.920 --> 0:30:20.200
<v Speaker 1>do and they appreciate it. So yes, James Taylor would

0:30:20.200 --> 0:30:23.320
<v Speaker 1>be Yes, that TLC two kids now is James Taylor.

0:30:23.800 --> 0:30:25.320
<v Speaker 1>That's I think that sounds about right. Do you like

0:30:25.560 --> 0:30:30.840
<v Speaker 1>James Taylor. It's just it's so soft and easy and

0:30:31.520 --> 0:30:34.200
<v Speaker 1>smooth and like I feel like most people be like,

0:30:34.320 --> 0:30:37.560
<v Speaker 1>what is this crab? Like? Turn it off? But I

0:30:37.800 --> 0:30:41.600
<v Speaker 1>truly enjoy listen to James Taylor. Yeah, me too. I

0:30:42.200 --> 0:30:45.160
<v Speaker 1>but you know I listened to oldies radio a lot,

0:30:45.960 --> 0:30:48.560
<v Speaker 1>but the oldies radio is changing, dude. Well, yeah, one

0:30:48.560 --> 0:30:53.200
<v Speaker 1>they play in now food fire Yeah, but also radio changed.

0:30:54.320 --> 0:30:56.920
<v Speaker 1>You know, you don't need a station to play all

0:30:57.000 --> 0:30:59.200
<v Speaker 1>kinds of stuff. It's just it's so funny. I'll get

0:30:59.240 --> 0:31:01.880
<v Speaker 1>on iHeart the hard app and I will search oldies

0:31:02.080 --> 0:31:04.479
<v Speaker 1>just because I want to hear some like you know, uh,

0:31:04.800 --> 0:31:09.600
<v Speaker 1>like Everly Brothers and whatever, Temptations, that kind of stuff,

0:31:09.760 --> 0:31:13.400
<v Speaker 1>And like I can't find any playlists or anything that

0:31:13.520 --> 0:31:15.720
<v Speaker 1>happen if you have to look at fifties and sixties, yeah,

0:31:15.720 --> 0:31:17.760
<v Speaker 1>you have to go decades, that's right, because like I'm

0:31:17.960 --> 0:31:20.800
<v Speaker 1>like classic rock, may you what it would be now?

0:31:21.560 --> 0:31:24.360
<v Speaker 1>Like you would hear you two mysterious ways and you

0:31:24.360 --> 0:31:26.160
<v Speaker 1>would go, oh, I mean again, this is a bit

0:31:26.240 --> 0:31:28.640
<v Speaker 1>a bit before I but you two wasn't before. I

0:31:28.920 --> 0:31:30.840
<v Speaker 1>was classic rock when we were when we were growing up,

0:31:31.680 --> 0:31:33.840
<v Speaker 1>and it's still part of classic rock, but it's just

0:31:33.920 --> 0:31:37.160
<v Speaker 1>some of that newer stuff. I feel like making love, yeah,

0:31:38.040 --> 0:31:41.959
<v Speaker 1>all that stuff grown up and a Douce and the Night.

0:31:42.000 --> 0:31:48.120
<v Speaker 1>Do you know. I think a lot of my music

0:31:48.240 --> 0:31:50.600
<v Speaker 1>history and my knowledge comes from just listening to oldies

0:31:50.640 --> 0:31:52.480
<v Speaker 1>all the time and my stepdad when I became a teenager.

0:31:55.640 --> 0:32:05.760
<v Speaker 1>When I think about you, I think about of course,

0:32:06.360 --> 0:32:09.000
<v Speaker 1>but that's that's where my music knowledge really comes from.

0:32:09.080 --> 0:32:18.960
<v Speaker 1>They also sing I love Joe Cocker. So there you go.

0:32:19.640 --> 0:32:21.960
<v Speaker 1>Good stuff, man, You enjoy the episode, Everybody, This is

0:32:22.120 --> 0:32:27.520
<v Speaker 1>um Episode one Stree famous background singers we should tielessingly

0:32:27.600 --> 0:32:31.200
<v Speaker 1>cool though. Yeah, like you didn't even know they were

0:32:31.200 --> 0:32:37.000
<v Speaker 1>background singers. Yeah, yeah, you don't know. Crap up what

0:32:37.200 --> 0:32:40.800
<v Speaker 1>you know about background singers? You didn't what quit title

0:32:40.880 --> 0:32:42.280
<v Speaker 1>this on the front side? Whatever you just said, you

0:32:42.360 --> 0:32:44.640
<v Speaker 1>just said it. You didn't even know these fans. You

0:32:44.720 --> 0:32:47.000
<v Speaker 1>only get like so many words right right, also becomes

0:32:47.600 --> 0:32:50.320
<v Speaker 1>you can't see the rest of it. We'll figure it

0:32:50.320 --> 0:32:51.760
<v Speaker 1>out by the time you see the title and be like,

0:32:51.760 --> 0:32:54.280
<v Speaker 1>oh that's what they settled on. Good good one. Guys.

0:32:54.360 --> 0:32:56.800
<v Speaker 1>Check out the Sore Losers podcast with the producer Ready

0:32:57.000 --> 0:33:00.720
<v Speaker 1>if you love sports. Sore Losers podcast with Lunchbox Raimundo

0:33:01.000 --> 0:33:03.640
<v Speaker 1>and producer Ready Eddie. Always fun to do this, buddy, Yeah,

0:33:03.720 --> 0:33:05.440
<v Speaker 1>do I like it? And what's what's the next one?

0:33:05.480 --> 0:33:07.080
<v Speaker 1>We're thinking of doing? What's up? And we have kind

0:33:07.080 --> 0:33:10.240
<v Speaker 1>of we've been talking about soundtracks like like yeah, like

0:33:10.600 --> 0:33:14.480
<v Speaker 1>I love soundtracks. The best soundtrack because that used to

0:33:14.480 --> 0:33:17.080
<v Speaker 1>be a thing today A bit so, but a lot

0:33:17.120 --> 0:33:18.800
<v Speaker 1>of times they just take old songs and put them

0:33:18.840 --> 0:33:22.440
<v Speaker 1>on soundtracks. Um, they didn't always do that, use they

0:33:22.480 --> 0:33:25.120
<v Speaker 1>used to create new songs for soundtracks. But I was

0:33:25.240 --> 0:33:27.760
<v Speaker 1>so nerdy that I would listen to the Field of

0:33:27.800 --> 0:33:31.920
<v Speaker 1>Dream soundtrack, the Rudy soundtrack with just nothing but instrumental music,

0:33:32.080 --> 0:33:35.280
<v Speaker 1>like orchestra music. That's pretty nerdy. Brave Heart soundtrack. I'd

0:33:35.320 --> 0:33:39.080
<v Speaker 1>buy those CDs. Thank you guys. This episode one the

0:33:39.120 --> 0:33:41.560
<v Speaker 1>Bobby Cast. It's always thanks for our sponsors. Thanks to

0:33:41.640 --> 0:33:44.920
<v Speaker 1>producer Ready at producer Ready on Instagram and the Sore

0:33:45.000 --> 0:33:47.000
<v Speaker 1>Losers podcast. Thank you very much, See you next time.