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Speaker 1: Welcome to episode one sixty three of the Bobby Cast.

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Speaker 1: Songs with background singers you don't even know because they're famous,

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Speaker 1: and they didn't really make it a thing, you know

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Speaker 1: what I mean. I like it. It's kind of like

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Speaker 1: like you just asked a friend to sing on a song. Yeah, yeah,

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Speaker 1: and then you didn't make a big deal that they

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Speaker 1: were singing on a song. And what I guess what

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Speaker 1: really brought it up is and this is so like us.

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Speaker 1: Thing is I was talking about the Wallflower Sixth Avenue

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Speaker 1: Heartache and Adam Dirts when the County Crows sings the

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Speaker 1: background vocals, and that was so you hear Jacob Dylan

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Speaker 1: and then here's a that's the background. How you do

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Speaker 1: it right? That's the song, that's what. And so anytime

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Speaker 1: they get to the hook, that guy's singing in the background,

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Speaker 1: and at the end of the song he really starts

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Speaker 1: doing runs all around it and you can tell that's

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Speaker 1: the County Drugs. And we're such huge County Crows fans.

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Speaker 1: I remember when this came out and I was like,

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Speaker 1: oh my gosh, like automatically you're like, that's Adam dirrt.

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Speaker 1: It sounds so good. Can you just imagine that on

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Speaker 1: the road somewhere recording it. That was traw six, that's

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Speaker 1: Adam Dirt's the late sing on the County Crows singing

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Speaker 1: background heart ache, and that is part of it too.

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Speaker 1: You kind of imagine like, oh, I wonder like what

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Speaker 1: they were doing and did he just were they out drinking?

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Speaker 1: They're like, hey, you want to call it studio? Wanna quick,

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Speaker 1: let's just go in now. We know a lot of times,

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Speaker 1: especially duets nowadays, they're not even the same roomor same

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Speaker 1: who knows are we? Is that too much behind the curtain,

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Speaker 1: because that really disappointed me a little bit, because there

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Speaker 1: is that those things that you grow up just thinking

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Speaker 1: like that's what it was like, and then when you

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Speaker 1: find out it really something. Most of the time and

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Speaker 1: not always. I think artists are pretty open about it

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Speaker 1: now though, sometimes because it's very disappointed to know that,

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Speaker 1: like oh they were in the same room, like yeah,

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Speaker 1: because you just picture on both of them with their

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Speaker 1: finger in their ear yea, going exactly look at each

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Speaker 1: other in the eyes. Um. Another really personal one is

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Speaker 1: that is Nomas Day and Walker Hayes. We do a

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Speaker 1: song called Nomast to the Raging Idiots. Walker Hayes, who

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Speaker 1: I wrote it with things background vocals, don't know, probably

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Speaker 1: in the room. But now now if you know Walker spots,

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Speaker 1: you can really hear Walker like in this a lot

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Speaker 1: trying to be responsible, but you're making it impossible. And

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Speaker 1: he does a lot of the oh stays looking at

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Speaker 1: flex and bulling it down now mistake. So if you

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Speaker 1: listen to that, it's Walker Hayes, it's Walk Up. Douced

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Speaker 1: that song as first time Walking to re produce a song.

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Speaker 1: I went in the studio and got it all together.

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Speaker 1: Have you ever talked about the dog thing and how

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Speaker 1: he was like, hey, don't be mad at me. I

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Speaker 1: don't know if you're gonna like it or not. No,

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Speaker 1: I don't. I don't know, because that was he sent

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Speaker 1: this when we first recorded it. Because again I went

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Speaker 1: to Walk and I was like, hey, produce a song,

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Speaker 1: and he's not, like I never produced a song before.

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Speaker 1: And I was like, good, yeah, you got this, Yeah

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Speaker 1: we wrote it, let's go do it. And so we

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Speaker 1: went to a studio and um, I wrote in my

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Speaker 1: book to about how encouraging he was were in the studio,

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Speaker 1: was like, yeah, you got it, And so I started

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Speaker 1: to feel good and then he sent me over the

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Speaker 1: track and he goes, hey, dude, I bark in it

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Speaker 1: because that that wolf is him and it was not

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Speaker 1: on their originally it wasn't not Yeah, and so that

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Speaker 1: then we goes um downward dog and yeah, flexible and

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Speaker 1: your downward dog and that roof is Walker Hayes. Yeah,

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Speaker 1: and I didn't know that, which is my favorite part

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Speaker 1: of this and now everybody does it when we play

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Speaker 1: it live. Yeah. Okay, now here are some real ones

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Speaker 1: that aren't super personal to us because that wallflowers ones.

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Speaker 1: Obviously we're nerds. And then obviously the NAMA State went reaching, okay,

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Speaker 1: why don't we do drink a beer? Chris, uh sorry,

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Speaker 1: oh Luke, Brian, look, Brian, drink a beer and Chris

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Speaker 1: Stapleton that's the background vocals, which interesting, we didn't know

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Speaker 1: this bones and when and when Chris came in and

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Speaker 1: talked about it, we still didn't know, and we're like,

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Speaker 1: that's you. I thought it was a girl. We knew

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Speaker 1: Chris wrote it, but we didn't know Chris sang background vocals.

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Speaker 1: I'm said, it does sound like just I thought it

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Speaker 1: was a woman. That's Chris Stapleton thinking would look so

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Speaker 1: I'm going said watch son say it does sound like

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Speaker 1: a woman at times, unless you know it's Christmas. Well,

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Speaker 1: he goes really high. They can't drink a beer, so friend,

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Speaker 1: you can really hear the stables if you listen close

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Speaker 1: to that curious I'll rema all the time. Used to

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Speaker 1: Chris Stapleton, there can you sing that high? No? I

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Speaker 1: can't sing and try it, said he one. Can you

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Speaker 1: watch Sadus here you go? That's Chris Stample and sing

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Speaker 1: the background with Luke Bryan drank a bit. Do you

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Speaker 1: know why they don't say the name or they just

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Speaker 1: keep it kind of what do you mean like because

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Speaker 1: sometimes they'll do feature. It's not a feature. They're just

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Speaker 1: doing harmonies. It's just not a feature. Yeah, yeah, there

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Speaker 1: are a lot of I mean, which is the point

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Speaker 1: of all this? I mean, all of these are that

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Speaker 1: basically if it's not a feature, it's just somebody's singing. Yeah,

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Speaker 1: they just there's another one that we don't have on

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Speaker 1: our list. But Thomas Rhett when he does um yes, yes,

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Speaker 1: uh yeah, Chris Stapleton does that? Is that right? Yeah?

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Speaker 1: I didn't know that. Yeah, yeah, yeah, because Chris wrote

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Speaker 1: that song too for Tom's Rhett. I'll pull it up

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Speaker 1: in the library here, I'm looking for it, so crash

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Speaker 1: here listen to this. I'm gonna play it from the beginning.

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Speaker 1: But that's Chris going, oh here you go, yes over.

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Speaker 1: Did you hear that? So now it sounds like Chris, alright,

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Speaker 1: that's funny man. Yeah, let's not thinking that. I think

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Speaker 1: he told me it was. Um watch it not even

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Speaker 1: beach Listen. We're like, but Chris wrote that song. It

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Speaker 1: only makes sense that. Yeah, No, it sounds it does

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Speaker 1: sound like now that I hear it. Um, how about

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Speaker 1: this one? This is Katy Perry on the po D

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Speaker 1: has a song called He's Written Funny. Po D has

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Speaker 1: a song called Goodbye for Now. Okay, that's Katy Perry

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Speaker 1: do in the background Bocal. The band became good friends

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Speaker 1: of Katie Perry after someone recommended her for the song.

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Speaker 1: She would just come around the studio. It was really nice.

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Speaker 1: She wasn't Katie Perry is a sweet girl. Was trying

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Speaker 1: to make it in the Christian music scene, and they

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Speaker 1: were Christians. That's hers. They said they heard that she

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Speaker 1: was making this Christian gospel record, and all of a

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Speaker 1: sudden she was in Hollywood trying to figure it out,

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Speaker 1: so they put her on that song, well this earlier earlier, Yeah, sidetrack.

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Speaker 1: That's really crazy that she that was the path she

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Speaker 1: was trying to take. But then her first hit was

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Speaker 1: what I Kissed a Girl and I liked it. Her

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Speaker 1: first pop hit was Second. She was on American her

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Speaker 1: last night. She had mentioned that again has to grow

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Speaker 1: up in the church, and you know, I was pursuing that. Yeah,

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Speaker 1: and everybody was like, what this long is crazy? When

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Speaker 1: she decided her background, you know, nobody knew her background

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Speaker 1: because I was part of I was there. I was

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Speaker 1: part of that. Remember, she came into our TV studio

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Speaker 1: and uh, one of our guys interview I think Michael

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Speaker 1: Trey who interviewed her, and that was like her big thing,

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Speaker 1: and she talked about like, yeah, like what our preacher dad,

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Speaker 1: Like my dad's a minister or whatever he is. Maybe

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Speaker 1: the thing was that she was a preacher's kid, But

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Speaker 1: it wasn't that she had tried Christian music and was

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Speaker 1: not doing pop. Got it, because when she came to radio,

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Speaker 1: you knew she was a preachers kid, but there are

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Speaker 1: a lot of preachers kids, um. But she had actually

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Speaker 1: do a Bobby, Bobby Cast and all the preachers kids. Right,

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Speaker 1: they're all like rock stars. Now they're all death metal.

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Speaker 1: Let's see, how about here's Ryan heard his song now

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Speaker 1: to a t it's Mary Morrising you stay. I feel

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Speaker 1: like they travel everywhere together, right, Like they're just not now. Well,

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Speaker 1: she was off record cycle. Now she wasn't touring. Now

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Speaker 1: she's back. Now she's out, you know, out of five thousand.

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Speaker 1: She has a world tour. Um. But yeah, but they're

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Speaker 1: gonna be split up now because he's going his own

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Speaker 1: way she's doing. But the thing about country touring is

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Speaker 1: you're only gone for like three days a week and

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Speaker 1: you come back home. Right where you do rock touring

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Speaker 1: or pot touring months, it's you just take three months

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Speaker 1: and you don't come back home unless you have like

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Speaker 1: a week off you put in the middle of the

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Speaker 1: tour and you get to go home for a few days,

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Speaker 1: which is so smart. The country tour and thing is

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Speaker 1: like that's just a no brainer, Like we should just

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Speaker 1: do that just to be able to live your life.

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Speaker 1: It's like going to work for five days and there

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Speaker 1: having the weekend. But some people don't want to have

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Speaker 1: to tour all year. They like to go to a

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Speaker 1: couple of months and they're just free for a couple

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Speaker 1: of months. What would you rather do? No, you can't

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Speaker 1: stand being alone for like or just board for months? Well,

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Speaker 1: I think I would probably The reason is I think

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Speaker 1: I would probably go do a couple of months at

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Speaker 1: a time and be done with it. Then I could

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Speaker 1: just go focus on a full other project. I could

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Speaker 1: take like a week or two vacation or whatever, but

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Speaker 1: then I would I was going on the studio. I

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Speaker 1: just have like a month in the studio, like I

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Speaker 1: like to focus all that time on it. Okay, But

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Speaker 1: it's funny because any of my friends at working pop

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Speaker 1: or do any other touring, they just leave and they

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Speaker 1: don't come back. Even the Dancing with the Stars tour,

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Speaker 1: they're gone for four months, didn't come back. It's like goodbye,

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Speaker 1: and you make the bus. You live on the bus

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Speaker 1: and then almost never hotels unless it's the day off.

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Speaker 1: You just stay in the bus the whole time. Um,

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Speaker 1: Cassidy Pope has a song if my Heart had a heart.

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Speaker 1: Do you know who things back around? This being the

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Speaker 1: guy singing a background me. It's shape from Danish DN

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Speaker 1: of the best voices together right there. Yeah, let me

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Speaker 1: do that real quick, let me do a commercial. We'll

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Speaker 1: Shave Club dot Com slash Bones. Alright, so how about

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Speaker 1: this one? This is a coldplay ever glow? Do you

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Speaker 1: know the song of the way was shot fone. Somebody

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Speaker 1: is singing background. Yeah, it's Gwyneth And even after they

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Speaker 1: broke up, because I knew she's saying because she's singing

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Speaker 1: movie duets. It's a du quartine. It's one of the

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Speaker 1: newer ones. Probably I know this song really well. So

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Speaker 1: she sang on this even though they were separated. It

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Speaker 1: was you see what album that's away. It's probably the

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Speaker 1: only breakup song in history? Was it? Head Dreams? It

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Speaker 1: was possibly the only breakup song in history to have

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Speaker 1: an ex backing vocals. He said he just did it

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Speaker 1: one day. It was kind of a friendly Hey, would

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Speaker 1: you mind singing background vocals? It's a lot easier to

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Speaker 1: hang out with your X when you have kids together. Yeah,

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Speaker 1: I would think you gotta you gotta remain friends that

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Speaker 1: you don't have to go that far sing on a record. Okay,

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Speaker 1: here's one. Do you know this song? So you probably

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Speaker 1: think this song is now it's Carly Simon, You're so vain.

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Speaker 1: Now listen to the background vocal. It's a very very

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Speaker 1: famous background vocal. I hear the guy so thank song.

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Speaker 1: I can't mistake that, you know, Yeah, yeah, okay, Mick

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Speaker 1: kind of dominates that song. Make Jagger contributed uncredited background

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Speaker 1: vocals during the sessions for You're Sylvain. He said that

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Speaker 1: it took place just because he happened to be at

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Speaker 1: a call at the studio. She's like, why don't you

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Speaker 1: come down and sing? Then, and he hops down and sings,

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Speaker 1: thank This song is up back, dude. That reminds me

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Speaker 1: when we were recording our one of our Ragin Idiots records. Uh,

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Speaker 1: kid Rock was in the studio at the same time,

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Speaker 1: in another studio. Why didn't you just grab him and

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Speaker 1: be like, dude, can you jump on planet song? We're

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Speaker 1: doing a Starbucks. I went into the wrong studio that day. Yeah,

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Speaker 1: I walked into kid Rock recording because there's like three studios.

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Speaker 1: I remember walking to going there talking about people. These

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Speaker 1: people have beards in their meal. This isn't and hed

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Speaker 1: Rock was in the boots singing and I was like,

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Speaker 1: oh my god, oh my god. And I walked out

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Speaker 1: and I walked over to you guys. I was like, uh,

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Speaker 1: kid walks over there cutting music, and so I didn't

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Speaker 1: even know he's over there. That's what I picture when

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Speaker 1: you hear oh yeah, the rolling Stone, Bob you come

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Speaker 1: home and saying come, come, checks you out when I

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Speaker 1: grow up hit it did die in the baby. Okay,

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Speaker 1: here we go. How about this one? This is Kanye West,

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Speaker 1: Jesus walks. The only thing that I phrased that, and

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Speaker 1: I don't think there's nothing I could do that to.

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Speaker 1: I want to talk guy, but I'm afraid that woman

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Speaker 1: or the group of woman what that's not a woman,

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Speaker 1: that's not a woman. That's not a woman, right? Who

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Speaker 1: is that? The only very famous person the only thing

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Speaker 1: that I phrased that, And I don't think that could

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Speaker 1: do that to my rose. I want to talk to guy,

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Speaker 1: but I'm afraid because the way because the devil was

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Speaker 1: trying to pro the only thing that I praised that

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Speaker 1: my feet don't fail me. Now, yeah, I could do

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Speaker 1: that only because I read it. Because John Legend. Oh okay, okay,

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Speaker 1: he does kind of He sings high. John Legend sings

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Speaker 1: background on six songs from graduation, including Jesus Walks Legends.

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Speaker 1: Old roommate happened to be Kanye West cousin. The two

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Speaker 1: hit it off, sort of clavering on each other. He

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Speaker 1: introduced to back when the rapper was just producing beats.

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Speaker 1: They became friends, kinda did not have a record dealt time,

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Speaker 1: but when he did, mber John Legend and got him

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Speaker 1: one too. The only thing that I praised that my

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Speaker 1: feet now. And I was watching the CNN series about

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Speaker 1: the two thousand's and they're talking about the music and

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Speaker 1: it was the deck to where producers became famous too,

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Speaker 1: where it was producers and DJs for the first time.

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Speaker 1: And there's like a whole thing on Timberland showing jay

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Speaker 1: Z the beat for nine and no uh rick Rick

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Speaker 1: Rick rupitated nine and the problems but puppa pup up

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Speaker 1: Uh what's that one? Yeah? Timberland shows him doestop you

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Speaker 1: shoulders first time everyone because Jason, they're sitting and like,

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Speaker 1: I got to stick out this, and Jaz's like whoa

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Speaker 1: and then Jaz puts puts put zephones on and just

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Speaker 1: like just starts to crushing. I love that. And like

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Speaker 1: Rick Rick talking at Rick Rubin making the because Rick

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Speaker 1: Rubin hadn't done like a hip hop record since like

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Speaker 1: the Beastie Boys like some and so how he took

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Speaker 1: nine nine Problems and like was adding like a c

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Speaker 1: D c licks to it, and how it's he was like,

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Speaker 1: we got the wrap Patrol, and yeah, it's cool. That

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Speaker 1: is pretty cool that the producers started getting a little

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Speaker 1: bit of popularity because they are the brains behind the music.

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Speaker 1: I guess the reason I bring it up. So that's

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Speaker 1: how Kanye was. Kanye produced jay Z and so it

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Speaker 1: was like Kanye West was a producer who also wanted

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Speaker 1: to try to make him name for himself, you know,

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Speaker 1: as a rapper, but was producing all these artists. Farrell

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Speaker 1: was another one they talked about. He's he's a producer

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Speaker 1: before he started doing you know Farrell. There was another

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Speaker 1: and they're talking about DJs like Calvin Harris. No, he'said later,

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Speaker 1: but it was like Diplo, Dead Mouse, some of those

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Speaker 1: guys that were like they would go and play these

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Speaker 1: shows and ten thousand people would show up and people

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Speaker 1: couldn't understand how tends people to go watch dj perform.

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Speaker 1: But the DJs were like, it's not about us. We've

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Speaker 1: created an environment. Everybody's watching everybody else. Like we've created

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Speaker 1: the environment that everybody's watching each other. No one wants

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Speaker 1: to watch us, but we've created the place where they

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Speaker 1: can come and actually watch something. It's each other. It's

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Speaker 1: pretty cool. I've always wondered that, Well it went to Bonaroo.

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Speaker 1: When you're o and you're gonna go to Bondary this year,

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Speaker 1: you might you have to check this out. They have

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Speaker 1: silent disco and everyone puts headphones on as a DJ plays,

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Speaker 1: And so when you walk up there and you watch

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Speaker 1: everyone dancing with headphones, they can hear the music, but

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Speaker 1: you cannot. They look so dumb, and they look they

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Speaker 1: just look like idiots dancing. I mean they're getting down

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Speaker 1: and then you put the headphones on. You're like, okay,

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Speaker 1: I get it, so you start moving like I mean,

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Speaker 1: you hear it so loud and it's a party. But

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Speaker 1: if you don't have the headphones on, you look pretty stupid.

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Speaker 1: I haven't been a music festival since Austin's the Limits

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Speaker 1: years ago. This is a little different. It is, I'd

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Speaker 1: say a lot more drugs. Yeah, I don't do drugs.

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Speaker 1: Just around you can tell people are like you could

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Speaker 1: tell they're messed up. Wait, do I need to do drugs?

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Speaker 1: Can I? You don't need to do drugs to go?

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Speaker 1: Can I do? Can I not do drugs? Not fun? Yeah? Yeah,

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Speaker 1: because you like music. I think a lot of these

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Speaker 1: kids go and they probably They'm sure they love music,

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Speaker 1: but it it enhances their experience. What if I wanted

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Speaker 1: to be in hand? Don't stop? What a viagra do

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Speaker 1: you want? I don't know any drugs. I was like,

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Speaker 1: stay away from this dude. They can tell. There's a

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Speaker 1: different ways. Guys walking around with the sword. Yeah, and

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Speaker 1: with that festival because I've never been to Von Roue,

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Speaker 1: but at my manager actually owns part of the festival,

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Speaker 1: and he's like, go go, go go, you know, hook

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Speaker 1: you up and get you all the passes. And I'm

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Speaker 1: gonna take a tour bus. Why people stay in tense

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Speaker 1: You can stay in like one holiday in there's only

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Speaker 1: one or two. It's hard to get anyway. And I

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Speaker 1: was like, I'll just get a tour bus and go

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Speaker 1: because that's nice. And we sleep in those in the

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Speaker 1: bedroom there are bunks. Takes some friends right there is

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Speaker 1: that gonna be gross would be great. I mean, I

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Speaker 1: say you second day, you're gonna be ready to leave.

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Speaker 1: I think you're gonna have a great one day. Like

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Speaker 1: one day you're just gonna be like, dude, this is great.

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Speaker 1: I love it. And then after that you're like, all

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Speaker 1: I'm ready, I'm done. Because we may have what it's

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Speaker 1: called aged out, which is a problem because I'm gonna

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Speaker 1: probably take four and five other people with me because

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Speaker 1: I can sleep on the bus, but then they have

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Speaker 1: to go with me. But the thing with us is

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Speaker 1: we we we see a lot of music, and so

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Speaker 1: uh you you probably get like since since your manager

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Speaker 1: owns some of it, like he'll probably give you a

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Speaker 1: good like you know, wristband or whatever and get you

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Speaker 1: some good access. But the problem with Bonnaroo, which is

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Speaker 1: I've never seen this in any other fest. Tool they

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Speaker 1: have zones of like general population, and then one zone

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Speaker 1: in front of them that's like regular V I. P.

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Speaker 1: And then they have artists right in front. So if

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Speaker 1: you have an artist badge, you can go right in

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Speaker 1: the front to any stage. But as soon as that's fool,

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Speaker 1: it doesn't matter if you're Kanye or if you're whatever,

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Speaker 1: like Mick Jagger, you're not getting in that zone. Like

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Speaker 1: if it's full, it's full, So it doesn't matter if

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Speaker 1: you have an artist pass. So it's kind of cool.

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Speaker 1: But like south By Southwest, where yes, exactly you can

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Speaker 1: have a badge, but if you don't get there early enough,

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Speaker 1: you're not watching it. So it's really interesting the way

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Speaker 1: they spots and just sitting weight on people. Yeah, I mean,

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Speaker 1: if you want to see like someone in particular, i'd

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Speaker 1: go the band before and just stay there. Oh no, no,

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Speaker 1: you actually can't because they kick everyone out between every band.

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Speaker 1: Oh that's good. Then you have to have a shot.

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Speaker 1: But if you're just a little late, two songs late,

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Speaker 1: you're not getting in. I think you're I think, I

385
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Speaker 1: think you'll like it. But one day, I think you

386
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Speaker 1: have one day in you But I can't leaven having

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Speaker 1: people with me. You just hang on the bus. You'll

388
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Speaker 1: probably just snapped the whole time, watch friends on the bus.

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Speaker 1: That I could do. I just want to do in

390
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Speaker 1: the house anyway. Okay, we have that one. How about

391
00:22:07,960 --> 00:22:11,440
Speaker 1: this one? Here is the Righteous Brothers. You've lost that

392
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Speaker 1: loving feeling, that love like motown someone. Now you can

393
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Speaker 1: absolutely hear this person. When I tell you, you'll be like, oh,

394
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Speaker 1: it's said, it's it says the Righteous Brothers. Do you

395
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Speaker 1: think you're hearing two brothers singing, you're not. You're hearing

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Speaker 1: the lead singer and the background vocalist. Okay, Ray Charles.

397
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Speaker 1: You know how earlier you thought Stamps was a girl.

398
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Speaker 1: You're thinking that this dude's you're thinking that this is

399
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Speaker 1: a girl's a dude. It's a girl. That's a girl

400
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Speaker 1: listening deep Nope, deep that Okay, is gonna read the Franklin.

401
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Speaker 1: That's not a girl. And when I tell you, go, oh,

402
00:23:13,680 --> 00:23:20,360
Speaker 1: who is it? My kid, that's exactly it. I thought

403
00:23:20,359 --> 00:23:24,200
Speaker 1: she sings. She sings like that. Normally every impression of

404
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Speaker 1: her is like, oh, share share, that's share that share.

405
00:23:35,320 --> 00:23:38,360
Speaker 1: She sings so low. But now it doesn't it sound

406
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Speaker 1: like shair. Now I hear that's now, that doesn't sound

407
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Speaker 1: like a dude. You my kid? Funny, huh what if

408
00:23:54,600 --> 00:23:57,280
Speaker 1: the other brother do then? Just watched he's playing the drums.

409
00:23:57,359 --> 00:24:00,680
Speaker 1: Just watch her brother. I have no idea. How about

410
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Speaker 1: this one? Here is Elton John Uh, here we go

411
00:24:05,560 --> 00:24:08,840
Speaker 1: time by picking Brian, you won't get this one sound

412
00:24:09,160 --> 00:24:16,880
Speaker 1: so okay, you might you know the song is you'll

413
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Speaker 1: even know the song's that called the Bitch? Is that?

414
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Speaker 1: Can you hear the person right around saying yeah? And

415
00:24:32,240 --> 00:24:34,160
Speaker 1: you you definitely know the person. But I don't think

416
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Speaker 1: you're getting a legendary British singer to one of the beautis.

417
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Speaker 1: It's your ringo. I'm picking Brian sound so night. I

418
00:24:52,840 --> 00:24:56,080
Speaker 1: don't know Dusty Springfield? Oh yeah, okay? How about this one?

419
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Speaker 1: Is dust to your girl? You need to do your

420
00:24:59,200 --> 00:25:02,800
Speaker 1: research on ut Springfield? Why am I thinking Dusty as

421
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Speaker 1: a girl? You tell me what comes up when you

422
00:25:06,480 --> 00:25:10,920
Speaker 1: google son of a Preacher. Man, it's a girl. Of

423
00:25:10,960 --> 00:25:13,640
Speaker 1: course it's a girl. Okay, okay, okay, okay. I thought

424
00:25:13,680 --> 00:25:15,760
Speaker 1: you guys were like, no, it's a dude, Dusty Baker,

425
00:25:15,800 --> 00:25:19,680
Speaker 1: the form manager of the Cover Giants, Dusty spring Okay,

426
00:25:19,680 --> 00:25:22,440
Speaker 1: all right, that's wrong with you? Um okay. How about

427
00:25:22,440 --> 00:25:26,600
Speaker 1: this one here is Choker con our Love. It's in danger.

428
00:25:26,920 --> 00:25:46,679
Speaker 1: I told you, man, I'm getting so. I don't think

429
00:25:46,720 --> 00:25:49,000
Speaker 1: you'll get it, but you're here and go Okay, they

430
00:25:49,040 --> 00:25:57,119
Speaker 1: say yet Luther andros Oh yeah, okay. How about the beetles?

431
00:25:57,160 --> 00:26:01,040
Speaker 1: All he needed to love? So the dolls. I didn't

432
00:26:01,080 --> 00:26:03,639
Speaker 1: know anyone saying with the Beatles. The Beatles except for

433
00:26:03,760 --> 00:26:06,040
Speaker 1: Ringo who was behind a drum kid, were seated on

434
00:26:06,160 --> 00:26:10,560
Speaker 1: high stools right they were with thirteen pieces of orchestra band.

435
00:26:11,119 --> 00:26:13,880
Speaker 1: The band had friends and acquaintances all on the floor.

436
00:26:13,920 --> 00:26:16,919
Speaker 1: Who sang along with the fade out with the refrain

437
00:26:17,040 --> 00:26:18,560
Speaker 1: and then all of these people I bet to tell

438
00:26:18,560 --> 00:26:22,879
Speaker 1: you are singing in this. All these people right now,

439
00:26:27,240 --> 00:26:32,160
Speaker 1: you can't identify them by that because they're but you'll

440
00:26:32,160 --> 00:26:43,719
Speaker 1: know next time you hear it. Yeah, I can't pick

441
00:26:43,760 --> 00:26:46,600
Speaker 1: anyone out, can't pick it, but it's cool. Who's Mick Jagger,

442
00:26:48,000 --> 00:26:52,240
Speaker 1: Eric Clapton, Keith Richards, Keith Moon from The Who, Graham

443
00:26:52,320 --> 00:26:56,959
Speaker 1: Nash from Crosby stool Um, Patty Boy, Jane Nasher. It's

444
00:26:56,960 --> 00:26:58,440
Speaker 1: just a whole bunch of people that were having to

445
00:26:58,440 --> 00:27:01,080
Speaker 1: be around then before they all get super awesomely famous,

446
00:27:01,840 --> 00:27:05,119
Speaker 1: and some of them more even famous. So yeah, anyway,

447
00:27:05,160 --> 00:27:07,399
Speaker 1: there's some background. I thought, that's I don't know if

448
00:27:07,440 --> 00:27:09,440
Speaker 1: anyone knew that that's that's well, yeah, some people do

449
00:27:09,600 --> 00:27:14,040
Speaker 1: know that one. Yeah, but did you know have you heard? Um?

450
00:27:15,440 --> 00:27:18,920
Speaker 1: This isn't like someone being there, but James Taylor, what

451
00:27:19,040 --> 00:27:22,440
Speaker 1: about it? What's the part and the whole Caroline in

452
00:27:22,520 --> 00:27:25,680
Speaker 1: my mind? Okay, So he wrote that line when the

453
00:27:25,800 --> 00:27:30,639
Speaker 1: Holy Host of Others standing around you. Still I'm on

454
00:27:30,920 --> 00:27:33,920
Speaker 1: the dark side of the moon. He's in that line.

455
00:27:34,000 --> 00:27:36,880
Speaker 1: He said that the Beatles were in the studio while

456
00:27:36,960 --> 00:27:40,359
Speaker 1: he was recording that song and he was like, oh,

457
00:27:40,400 --> 00:27:42,480
Speaker 1: I've got to put that in because it was yeah,

458
00:27:42,480 --> 00:27:44,320
Speaker 1: because it was like the Holy Host that they're just

459
00:27:44,440 --> 00:27:48,200
Speaker 1: watching you record this song, when the Holy Host of

460
00:27:48,320 --> 00:27:52,840
Speaker 1: others standing beside you. Oh, that's why I put it in. Yes,

461
00:27:55,760 --> 00:27:57,199
Speaker 1: And they were in the room watching him, saying they

462
00:27:57,200 --> 00:27:58,840
Speaker 1: were just in the student in the control room like, oh,

463
00:27:59,040 --> 00:28:01,040
Speaker 1: like when the James Taylor's this for a seconds, the

464
00:28:01,160 --> 00:28:03,399
Speaker 1: James Taylor, that's funny to me. His name was young,

465
00:28:03,520 --> 00:28:05,880
Speaker 1: had all the hair, mustache, because I don't know that James.

466
00:28:05,920 --> 00:28:08,680
Speaker 1: He looked like a rock star now bald glasses. I

467
00:28:08,760 --> 00:28:11,920
Speaker 1: don't know him otherwise except bald. Like in my it's

468
00:28:11,960 --> 00:28:14,760
Speaker 1: like Willie. I don't know Willie anyway, but old. And

469
00:28:14,840 --> 00:28:16,840
Speaker 1: when you watch when you see Willie without a beard

470
00:28:17,040 --> 00:28:20,000
Speaker 1: or long hair, it's pretty crazy. Even when we were

471
00:28:20,119 --> 00:28:21,600
Speaker 1: born and we were born in the eighties. I was

472
00:28:21,640 --> 00:28:24,360
Speaker 1: born like Willie was already old. Like there's no young

473
00:28:24,440 --> 00:28:27,760
Speaker 1: Willies ever existed to me, So what are we looking

474
00:28:27,800 --> 00:28:33,000
Speaker 1: at here? Indeed, the recording Carolina Mine includes a credit

475
00:28:33,080 --> 00:28:35,080
Speaker 1: appearance abou Paul mcarty in the bass guitar. There you go.

476
00:28:35,840 --> 00:28:40,720
Speaker 1: Didn't know that in that song? Ye, what's your chairs

477
00:28:40,760 --> 00:28:46,080
Speaker 1: to do on it? We didn't even know this in

478
00:28:46,280 --> 00:28:52,800
Speaker 1: my mind. I'm gone, Carolina. That's that based Paul. Can

479
00:28:52,960 --> 00:28:59,200
Speaker 1: you see the sunshine? Pretty cool? Right, shine Dany? Just

480
00:28:59,360 --> 00:29:04,360
Speaker 1: like fandom, do people our age? Because I love it?

481
00:29:05,560 --> 00:29:09,360
Speaker 1: I love it. It's the generation before us. I don't know,

482
00:29:11,160 --> 00:29:14,240
Speaker 1: maybe even two generations before us, because you know, I

483
00:29:14,360 --> 00:29:17,920
Speaker 1: was a nineties music kid. Like my music was everything

484
00:29:17,960 --> 00:29:20,000
Speaker 1: that happened in the nineties, the first the first music

485
00:29:20,080 --> 00:29:23,160
Speaker 1: that I found myself loving, the country part of the nineties,

486
00:29:23,440 --> 00:29:26,400
Speaker 1: the Garden, Timbergraw, the alternative part of the nineties that

487
00:29:26,440 --> 00:29:29,160
Speaker 1: are Bonna Pearl Jams, the pop part of the nineties

488
00:29:29,600 --> 00:29:31,400
Speaker 1: later on, the Brittany and Snink, and I was starting

489
00:29:31,400 --> 00:29:33,200
Speaker 1: to get a little too old for that, but still

490
00:29:33,280 --> 00:29:37,400
Speaker 1: that was it, right, that's our music, even the the

491
00:29:37,560 --> 00:29:40,320
Speaker 1: side nineties stuff, the stuff that was like Counting Crows,

492
00:29:40,880 --> 00:29:43,920
Speaker 1: the kind of the emo alternative stuff, which I became

493
00:29:43,960 --> 00:29:45,760
Speaker 1: a huge County Crows fan, and there were a lot

494
00:29:45,840 --> 00:29:48,200
Speaker 1: of those like you two, It's like, no, that's more

495
00:29:48,400 --> 00:29:51,680
Speaker 1: the pop pop. That would be more that was getting

496
00:29:51,680 --> 00:29:53,800
Speaker 1: a little young. Yeah, that was like almost the two

497
00:29:53,880 --> 00:29:57,560
Speaker 1: thousand mark, No Effects or whatever. I was in college

498
00:29:57,600 --> 00:30:02,840
Speaker 1: when that was the alternative station. Um, but two generations

499
00:30:02,880 --> 00:30:05,520
Speaker 1: ahead of now would be So if now as are

500
00:30:05,560 --> 00:30:10,080
Speaker 1: you on a grand day? Then it hadn't that had

501
00:30:10,120 --> 00:30:12,680
Speaker 1: to be it had to be like the TLC. Yeah,

502
00:30:12,960 --> 00:30:14,800
Speaker 1: then I had to be the nineties stuff, which you know,

503
00:30:14,960 --> 00:30:17,760
Speaker 1: kids now don't know that stuff, but I'm sure some

504
00:30:17,920 --> 00:30:20,200
Speaker 1: do and they appreciate it. So yes, James Taylor would

505
00:30:20,200 --> 00:30:23,320
Speaker 1: be Yes, that TLC two kids now is James Taylor.

506
00:30:23,800 --> 00:30:25,320
Speaker 1: That's I think that sounds about right. Do you like

507
00:30:25,560 --> 00:30:30,840
Speaker 1: James Taylor. It's just it's so soft and easy and

508
00:30:31,520 --> 00:30:34,200
Speaker 1: smooth and like I feel like most people be like,

509
00:30:34,320 --> 00:30:37,560
Speaker 1: what is this crab? Like? Turn it off? But I

510
00:30:37,800 --> 00:30:41,600
Speaker 1: truly enjoy listen to James Taylor. Yeah, me too. I

511
00:30:42,200 --> 00:30:45,160
Speaker 1: but you know I listened to oldies radio a lot,

512
00:30:45,960 --> 00:30:48,560
Speaker 1: but the oldies radio is changing, dude. Well, yeah, one

513
00:30:48,560 --> 00:30:53,200
Speaker 1: they play in now food fire Yeah, but also radio changed.

514
00:30:54,320 --> 00:30:56,920
Speaker 1: You know, you don't need a station to play all

515
00:30:57,000 --> 00:30:59,200
Speaker 1: kinds of stuff. It's just it's so funny. I'll get

516
00:30:59,240 --> 00:31:01,880
Speaker 1: on iHeart the hard app and I will search oldies

517
00:31:02,080 --> 00:31:04,479
Speaker 1: just because I want to hear some like you know, uh,

518
00:31:04,800 --> 00:31:09,600
Speaker 1: like Everly Brothers and whatever, Temptations, that kind of stuff,

519
00:31:09,760 --> 00:31:13,400
Speaker 1: And like I can't find any playlists or anything that

520
00:31:13,520 --> 00:31:15,720
Speaker 1: happen if you have to look at fifties and sixties, yeah,

521
00:31:15,720 --> 00:31:17,760
Speaker 1: you have to go decades, that's right, because like I'm

522
00:31:17,960 --> 00:31:20,800
Speaker 1: like classic rock, may you what it would be now?

523
00:31:21,560 --> 00:31:24,360
Speaker 1: Like you would hear you two mysterious ways and you

524
00:31:24,360 --> 00:31:26,160
Speaker 1: would go, oh, I mean again, this is a bit

525
00:31:26,240 --> 00:31:28,640
Speaker 1: a bit before I but you two wasn't before. I

526
00:31:28,920 --> 00:31:30,840
Speaker 1: was classic rock when we were when we were growing up,

527
00:31:31,680 --> 00:31:33,840
Speaker 1: and it's still part of classic rock, but it's just

528
00:31:33,920 --> 00:31:37,160
Speaker 1: some of that newer stuff. I feel like making love, yeah,

529
00:31:38,040 --> 00:31:41,959
Speaker 1: all that stuff grown up and a Douce and the Night.

530
00:31:42,000 --> 00:31:48,120
Speaker 1: Do you know. I think a lot of my music

531
00:31:48,240 --> 00:31:50,600
Speaker 1: history and my knowledge comes from just listening to oldies

532
00:31:50,640 --> 00:31:52,480
Speaker 1: all the time and my stepdad when I became a teenager.

533
00:31:55,640 --> 00:32:05,760
Speaker 1: When I think about you, I think about of course,

534
00:32:06,360 --> 00:32:09,000
Speaker 1: but that's that's where my music knowledge really comes from.

535
00:32:09,080 --> 00:32:18,960
Speaker 1: They also sing I love Joe Cocker. So there you go.

536
00:32:19,640 --> 00:32:21,960
Speaker 1: Good stuff, man, You enjoy the episode, Everybody, This is

537
00:32:22,120 --> 00:32:27,520
Speaker 1: um Episode one Stree famous background singers we should tielessingly

538
00:32:27,600 --> 00:32:31,200
Speaker 1: cool though. Yeah, like you didn't even know they were

539
00:32:31,200 --> 00:32:37,000
Speaker 1: background singers. Yeah, yeah, you don't know. Crap up what

540
00:32:37,200 --> 00:32:40,800
Speaker 1: you know about background singers? You didn't what quit title

541
00:32:40,880 --> 00:32:42,280
Speaker 1: this on the front side? Whatever you just said, you

542
00:32:42,360 --> 00:32:44,640
Speaker 1: just said it. You didn't even know these fans. You

543
00:32:44,720 --> 00:32:47,000
Speaker 1: only get like so many words right right, also becomes

544
00:32:47,600 --> 00:32:50,320
Speaker 1: you can't see the rest of it. We'll figure it

545
00:32:50,320 --> 00:32:51,760
Speaker 1: out by the time you see the title and be like,

546
00:32:51,760 --> 00:32:54,280
Speaker 1: oh that's what they settled on. Good good one. Guys.

547
00:32:54,360 --> 00:32:56,800
Speaker 1: Check out the Sore Losers podcast with the producer Ready

548
00:32:57,000 --> 00:33:00,720
Speaker 1: if you love sports. Sore Losers podcast with Lunchbox Raimundo

549
00:33:01,000 --> 00:33:03,640
Speaker 1: and producer Ready Eddie. Always fun to do this, buddy, Yeah,

550
00:33:03,720 --> 00:33:05,440
Speaker 1: do I like it? And what's what's the next one?

551
00:33:05,480 --> 00:33:07,080
Speaker 1: We're thinking of doing? What's up? And we have kind

552
00:33:07,080 --> 00:33:10,240
Speaker 1: of we've been talking about soundtracks like like yeah, like

553
00:33:10,600 --> 00:33:14,480
Speaker 1: I love soundtracks. The best soundtrack because that used to

554
00:33:14,480 --> 00:33:17,080
Speaker 1: be a thing today A bit so, but a lot

555
00:33:17,120 --> 00:33:18,800
Speaker 1: of times they just take old songs and put them

556
00:33:18,840 --> 00:33:22,440
Speaker 1: on soundtracks. Um, they didn't always do that, use they

557
00:33:22,480 --> 00:33:25,120
Speaker 1: used to create new songs for soundtracks. But I was

558
00:33:25,240 --> 00:33:27,760
Speaker 1: so nerdy that I would listen to the Field of

559
00:33:27,800 --> 00:33:31,920
Speaker 1: Dream soundtrack, the Rudy soundtrack with just nothing but instrumental music,

560
00:33:32,080 --> 00:33:35,280
Speaker 1: like orchestra music. That's pretty nerdy. Brave Heart soundtrack. I'd

561
00:33:35,320 --> 00:33:39,080
Speaker 1: buy those CDs. Thank you guys. This episode one the

562
00:33:39,120 --> 00:33:41,560
Speaker 1: Bobby Cast. It's always thanks for our sponsors. Thanks to

563
00:33:41,640 --> 00:33:44,920
Speaker 1: producer Ready at producer Ready on Instagram and the Sore

564
00:33:45,000 --> 00:33:47,000
Speaker 1: Losers podcast. Thank you very much, See you next time.