WEBVTT - BONUS EP: Convos About the Kendrick vs Drake Battle: A Recap

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<v Speaker 1>What's up? And welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your host. Now, fuck that with your

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<v Speaker 1>load glasses, Malone, that nigga hate that nigga, Bro. The

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<v Speaker 1>crazy part is you got off thinking like you was

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<v Speaker 1>telling like you was being funny, like really in the

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<v Speaker 1>writer wrote that right like Metro gonna make some fucking

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<v Speaker 1>drums nigga Like, now, this nigga probably gonna end up

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<v Speaker 1>with the hottest song of the whole battle.

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<v Speaker 2>Got all type of niggas saying, gay, do y'all think

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<v Speaker 2>I'm gonna pay you?

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<v Speaker 1>It's gonna be hard to top. Not like us, but

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<v Speaker 1>BBO Drizzy is right there, dog.

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<v Speaker 2>Nigger that ship everywhere.

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<v Speaker 3>Man. I'm gonna tell you something. My mama like Brizzy,

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<v Speaker 3>She said, have you heard this song bbl Drizzy? What

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<v Speaker 3>is that about? I kind of like that er mom

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<v Speaker 3>is something old school and that's my mom. My mom

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<v Speaker 3>siventy some years old. Bro.

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<v Speaker 2>They know what they deal with that. She feel it.

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<v Speaker 2>That's fair enough.

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<v Speaker 3>Not knowing on Drake. Then when I told she said,

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<v Speaker 3>why don't they leave that little white boy along? He

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<v Speaker 3>lost tough like that? And I said, Mama, she said,

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<v Speaker 3>what is bullying him.

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<v Speaker 2>You know it's crazy, bro. You know it's funny because

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<v Speaker 2>how narratives could change on the Internet. But for whatever

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<v Speaker 2>reason why it ain't just because you popular that people

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<v Speaker 2>feel this way, Like it's something behind the scenes that

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<v Speaker 2>you you you get out a certain way.

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<v Speaker 3>Man, he's bepldre.

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<v Speaker 1>You know what it is, bro, So okay, let me

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<v Speaker 1>explain this. It still could relate. Still know Becauld still

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<v Speaker 1>been in the business. It's it's a it's a it's

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<v Speaker 1>an idea going around like everybody hates Drake and that's

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<v Speaker 1>not true. Drake and Lebron James are the same people.

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<v Speaker 1>They don't really have enough season into where you could

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<v Speaker 1>dislike them. Like they pretty much standard and excellent in

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<v Speaker 1>their fields, you know what I mean. They are spectacular

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<v Speaker 1>talents in their fields, respectfully, but their audience fucks their

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<v Speaker 1>head up because they audience start to go so hard

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<v Speaker 1>and then anytime you start to challenge it, right then

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<v Speaker 1>they push back harder and hence now you start looking

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<v Speaker 1>like you want the demise of a specific figure that

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<v Speaker 1>really you don't care about. And Drake is in that

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<v Speaker 1>same space to where it's like Drake is actually a

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<v Speaker 1>really cool dude. Bro, he's a cool dude. It's sad

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<v Speaker 1>he lost the battle, but he's a really cool dude.

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<v Speaker 1>Don't nobody want anything bad to happen to Drake, Like

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<v Speaker 1>I notice his house got shot up or the security

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<v Speaker 1>guard got shot up, which is ironic because somebody that

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<v Speaker 1>Ovo is kind of having little issues with. They house

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<v Speaker 1>got shot up, and in Seno, same exact happen is

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<v Speaker 1>ironically a security guard got shot and it seen like

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<v Speaker 1>a week and a half ago, you know, some Canadian folks,

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<v Speaker 1>and then now a security guard at Drake's compound gets shot.

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<v Speaker 1>So you know, they got a lot of you.

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<v Speaker 3>Know, we're nice man.

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<v Speaker 1>Huh.

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<v Speaker 3>Every Canadian person I know is super nice man. Hip

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<v Speaker 3>hop got these boys from Canada now acting tough.

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<v Speaker 1>And it's funny because none of them are from the ghetto,

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<v Speaker 1>because like Toronto got a ghetto, Vancouver got a ghetto,

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<v Speaker 1>Montreal got a ghetto. But none of these dudes y'all

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<v Speaker 1>from the ghetto.

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<v Speaker 4>You know what I think some of it is is

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<v Speaker 4>what I've heard a lot of the island people from

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<v Speaker 4>down there went up from the Islands to Canada because

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<v Speaker 4>they had backgrounds that couldn't clear the United States. But

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<v Speaker 4>they could clear Canada. So if you were with the

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<v Speaker 4>ship in the Islands, you have to go to Canada.

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<v Speaker 4>If you had aspirations that come to the United States,

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<v Speaker 4>and lot of them just stayed there.

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<v Speaker 1>Wait a minute, So why do they make it so

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<v Speaker 1>hard for people from the States to get over there?

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<v Speaker 1>If they letting somebody from the island come over there

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<v Speaker 1>with even the worst background.

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<v Speaker 3>Like you still have some oil and criminals.

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<v Speaker 5>These old coons over here we get I don't know,

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<v Speaker 5>I don't know how hard it is to go for Canada.

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<v Speaker 5>Don't think you can, Okay, okay, don't talk over each

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<v Speaker 5>other because everything is gonna be fucked up.

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<v Speaker 1>Yes, it's hard as fuck to get into Canada, Pete,

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<v Speaker 1>like from here.

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<v Speaker 6>Well now, but I'm talking like you know, years ago.

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<v Speaker 1>Yeah, I'm talking about like in that lay two thousand

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<v Speaker 1>early two thousand teens, they was giving me ship because

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<v Speaker 1>my mom went to prison, because my mom was in

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<v Speaker 1>prison at the time.

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<v Speaker 6>M hmm. Yeah, I'm talking like before that.

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<v Speaker 4>Okay, I don't know it because for a while until

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<v Speaker 4>like I don't know when when to be close to

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<v Speaker 4>the bord because for a long time it was just

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<v Speaker 4>an open border.

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<v Speaker 6>It was an un marked. It was a marked it

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<v Speaker 6>was like an un guarded open border, and then after

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<v Speaker 6>several years of thousand eleven that changed.

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<v Speaker 1>So how do you how victorious do you guys feel

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<v Speaker 1>have to this triumphant win by Kat and this and

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<v Speaker 1>this my your mental battle.

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<v Speaker 2>You know what, bro? Uh, I ain't gonna lie. I've

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<v Speaker 2>been riding pretty hard, you know what I'm saying for

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<v Speaker 2>the home team. But the more the more I start

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<v Speaker 2>the Internet, I ain't gonna lie. The Internet start making

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<v Speaker 2>me feel sorry for the nigga Man, what what do

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<v Speaker 2>you feel doing, Kendrick? I mean for uh Drake Dog

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<v Speaker 2>because the memes, like it's so much shit on the

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<v Speaker 2>internet to where it's like the memes like from shows

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<v Speaker 2>and ship matching up too, Like its just it's like

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<v Speaker 2>it makes sense, bro, you know what I'm saying, Like

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<v Speaker 2>Nigga and you know, got scenes in the grass seat

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<v Speaker 2>where he had gay porn and a locker and they're

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<v Speaker 2>putting all the sad music behind it, and you know

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<v Speaker 2>it's just seemed like he just getting his ass whoop

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<v Speaker 2>from every angle. But then the people that's delusional, his

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<v Speaker 2>fans acting like he ain't he getting his ass whoop?

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<v Speaker 2>Where he didn't lose the battle. Sometime it make you

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<v Speaker 2>feel like, you know what, Yeah, you boy got his

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<v Speaker 2>ass whip man.

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<v Speaker 3>Man, you cann tell you something. And this is me

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<v Speaker 3>being real. I don't feel sorry for Drake. It's a

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<v Speaker 3>fucking rep battle. He need to pull his drawers up, man,

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<v Speaker 3>and gonna keep stepping that way. He got plenty of

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<v Speaker 3>money and he's gonna continue to get opportunities.

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<v Speaker 2>You know.

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<v Speaker 3>I will say that the pedophile stuff we will probably

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<v Speaker 3>be a little damaging to him, but he's gonna continue on, dude.

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<v Speaker 3>And the way this news cycle lives, people gonna be

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<v Speaker 3>onto some other mischief in two weeks, dog, So he

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<v Speaker 3>could be all right. I really hope, but I don't happen, man.

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<v Speaker 3>I hope this dude don't get so caught up in

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<v Speaker 3>character man that he gona really fuck his career off

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<v Speaker 3>by doing some dumb shit.

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<v Speaker 2>You know what else? I realized too, that he got

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<v Speaker 2>his ass whooping two battles for mentioning somebody wife.

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<v Speaker 3>That's what I'm saying. This isna turned out well for him. Dog,

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<v Speaker 3>it doesn't, so I follows him. If I knew every

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<v Speaker 3>time I confronted a certain issue, Dog, I always go

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<v Speaker 3>face resistance impossible, even get embarrassed. I would leave that

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<v Speaker 3>issue Alan Dog Like Drank is bringing this on hisself.

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<v Speaker 3>Nobody asked him to go out there and play. You know,

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<v Speaker 3>he he's too caught up in character because y'all know

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<v Speaker 3>that dude as actor as well. Right, he's caught up

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<v Speaker 3>in character. So Frank is really the real life I

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<v Speaker 3>have been Drago, Slash Bishop and Juice. He has him

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<v Speaker 3>now Dog and he really he's starting to really feel like,

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<v Speaker 3>like when ever since he said don't let me catch

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<v Speaker 3>your body? What was the songs that don't let me

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<v Speaker 3>catch your body right now? What was that shit sheep?

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<v Speaker 1>Oh you gonna makee me catch your body right now?

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<v Speaker 3>Yeah, ever since he said that, it seemed like he

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<v Speaker 3>been kind of tripping man and he probably taking karate

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<v Speaker 3>here taking some shooting.

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<v Speaker 2>Listens.

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<v Speaker 3>Now, I feel like I can really go be a

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<v Speaker 3>gangster if I wanted to. These guys aren't as tough

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<v Speaker 3>as me, They're not smarter than me.

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<v Speaker 1>I would like to believe money fucks people head up,

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<v Speaker 1>because without of doubt, money gives you the ability to

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<v Speaker 1>command people, right, and because it's one thing even being

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<v Speaker 1>a wealthy person, you know, to actually go out and

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<v Speaker 1>commit a crime, you know, a real crime, because it

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<v Speaker 1>takes a different goal to do it. But money allows

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<v Speaker 1>you to be It's easy, it's simple, you know what

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<v Speaker 1>I'm saying. You could just say, hey, I got this

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<v Speaker 1>amount of money and something violent could happen to somebody.

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<v Speaker 1>But I was telling Mac ten this, I'm like money. Yes,

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<v Speaker 1>we watched Takashi six nine command people in the streets,

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<v Speaker 1>you know, people that come from poor backgrounds just like him,

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<v Speaker 1>because he can offer them money for them to pay,

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<v Speaker 1>you know, a rent for four months, five months, you

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<v Speaker 1>know what I'm saying, or buy a car, or you know,

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<v Speaker 1>get jury or anything. We watched him able to command

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<v Speaker 1>a real army, you know, to some degree in New

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<v Speaker 1>York just because he had money. But I told Mac,

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<v Speaker 1>the issue is really being a gangster more than anything.

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<v Speaker 1>Dog is being okay with going to jail, like that's

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<v Speaker 1>the catch. And I told Mac, Yeah, it's possible he

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<v Speaker 1>got some money, you know what I mean. Maybe he'll

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<v Speaker 1>spend some money and he could make something happen to somebody,

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<v Speaker 1>But that's not what you gotta consider. When you get money.

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<v Speaker 1>You gotta consider are you willing to go to jail.

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<v Speaker 1>That's the big ultimate decision. Like when I first got

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<v Speaker 1>put on the set, I really didn't want a gang

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<v Speaker 1>bang because I was like, eh, I don't really need it,

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<v Speaker 1>Like I always kind of I looked at it like

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<v Speaker 1>people would try to join gangs because they needed back up,

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<v Speaker 1>and I didn't need backup, you know what I'm saying.

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<v Speaker 1>But I didn't think I would be good at it

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<v Speaker 1>because everybody that was involved was you know, people that

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<v Speaker 1>dropped out of school, people who didn't get good grades

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<v Speaker 1>in school. They were almost the opposite of me. I

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<v Speaker 1>didn't realize I would be good at gang banging or

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<v Speaker 1>really take that step until I went to jail and

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<v Speaker 1>realized I was gonna be all right. Like I started

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<v Speaker 1>fighting everybody. I was winning nine out of the ten fights,

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<v Speaker 1>you know what I mean. I was hell it Like

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<v Speaker 1>I was able to impose my will on the system

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<v Speaker 1>at that point, you know what I mean. Don't get

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<v Speaker 1>me wrong. It was batter people that can kick my ass,

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<v Speaker 1>but every situation I was able to come out on top.

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<v Speaker 1>And when I came home from jail, you know what

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<v Speaker 1>I mean, it was over. You know what I mean,

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<v Speaker 1>Because then now if you're not worried about going to jail.

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<v Speaker 1>Guess what you gonna carry? Pistols. I wouldn't register my cars,

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<v Speaker 1>I wouldn't fix tickets. I wouldn't go to the court

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<v Speaker 1>on tickets because I didn't care about going to jail.

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<v Speaker 1>I didn't realize it was over for me as a

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<v Speaker 1>daily gang member until the day I went to jail

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<v Speaker 1>the last time, and jail felt like jail.

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<v Speaker 3>Now.

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<v Speaker 1>That wasn't about the people trying to fight me for me,

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<v Speaker 1>but it was just about like, damn, like I'm in jail.

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<v Speaker 1>At first, it was always a party, all eight, nine,

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<v Speaker 1>ten eleve mother times, it was a party. I go

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<v Speaker 1>in there till I wish some homies, you fee me,

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<v Speaker 1>blah blah blah, fight the case, you know, beat up

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<v Speaker 1>a nigga, you know what I mean, build up my reputation.

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<v Speaker 1>It made sense. But the last time that was it

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<v Speaker 1>so to me. That's what Drake really has to ask him.

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<v Speaker 1>So he got to say, Okay, you know, I'm playing

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<v Speaker 1>it a little close. I'm all, okay, we're going to jail,

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<v Speaker 1>no seilings. Guo Peter in the house doing what we do.

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<v Speaker 1>I got my big brother, Big Steal gangst The Chronicles

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<v Speaker 1>we decided we was gonna put in a lot of

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<v Speaker 1>work on this special episode and no seilings West Coast Wednesday,

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<v Speaker 1>I brought Little Broke Joey west Side with me, you

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<v Speaker 1>feel me, one half of the La Giants, and we

0:11:28.280 --> 0:11:31.040
<v Speaker 1>get to talk some hip hop and this current battle

0:11:31.080 --> 0:11:33.200
<v Speaker 1>which looks like it's probably the biggest battle in the

0:11:33.240 --> 0:11:35.520
<v Speaker 1>history of rap music, you know what I mean. So

0:11:35.880 --> 0:11:38.280
<v Speaker 1>even though Drake is not in hip hop, he very

0:11:38.320 --> 0:11:40.800
<v Speaker 1>much is a part of rap music, so it becomes

0:11:40.800 --> 0:11:48.960
<v Speaker 1>the biggest battle in rap music history. Sure, so do

0:11:49.040 --> 0:11:51.240
<v Speaker 1>we all openly agree on this? You know on this

0:11:51.320 --> 0:11:53.800
<v Speaker 1>on this podcast that pretty much Kendrick Lamoar I won

0:11:53.880 --> 0:12:00.480
<v Speaker 1>the battle, right, Kate, I won the battle? I would say, So, Okay, Still,

0:12:00.559 --> 0:12:02.600
<v Speaker 1>if you had to pick a place that you thought

0:12:02.720 --> 0:12:05.800
<v Speaker 1>Drake went wrong, where did he go wrong?

0:12:05.880 --> 0:12:05.920
<v Speaker 2>That?

0:12:07.480 --> 0:12:12.800
<v Speaker 3>I think he went wrong by mixing Kadot's family, and

0:12:12.920 --> 0:12:15.560
<v Speaker 3>you know, by mixing this family, not only that, by

0:12:15.720 --> 0:12:22.319
<v Speaker 3>him confusion confusing with California. Exactly what West California West

0:12:22.400 --> 0:12:25.880
<v Speaker 3>Los Angeles to people fear because just because you hang

0:12:25.960 --> 0:12:28.440
<v Speaker 3>out in Hollywood and the Valley and all that stuff,

0:12:28.679 --> 0:12:30.760
<v Speaker 3>you're not really in Los Angeles at that point.

0:12:31.080 --> 0:12:35.040
<v Speaker 1>Sure, yeah, you're in the city of Los Angeles, but

0:12:35.080 --> 0:12:36.600
<v Speaker 1>you're not in the Los Angeles that we come.

0:12:36.800 --> 0:12:40.120
<v Speaker 3>Yeah, you know, it's almost like me going to Glendale

0:12:40.960 --> 0:12:43.680
<v Speaker 3>and having my cameraman out there and finding the Seventh

0:12:43.720 --> 0:12:47.320
<v Speaker 3>Street in Glendale alone. I'm in some on seventh Street.

0:12:47.520 --> 0:12:50.199
<v Speaker 3>Where are you at? I'm here, See, I'm walking off

0:12:50.240 --> 0:12:52.840
<v Speaker 3>through it, and you just talking shit pumping. A whole

0:12:52.840 --> 0:12:55.440
<v Speaker 3>bunch of you, just random innocent people is looking at

0:12:55.440 --> 0:12:58.520
<v Speaker 3>you like you're crazy. Because California on the whole is

0:12:58.559 --> 0:13:01.680
<v Speaker 3>a very nice place, a great place, great place. You know,

0:13:01.679 --> 0:13:04.360
<v Speaker 3>it's a beautiful place. But it's when you get off

0:13:04.400 --> 0:13:06.960
<v Speaker 3>the one, ten and one on five free ways in

0:13:07.000 --> 0:13:09.720
<v Speaker 3>between the four or five, one o five, not even

0:13:09.760 --> 0:13:12.160
<v Speaker 3>one in six on five wall of bullshit is going on,

0:13:12.200 --> 0:13:14.800
<v Speaker 3>you might find out. Man this scene. You know, we're

0:13:14.840 --> 0:13:16.160
<v Speaker 3>no longer in Disneyland.

0:13:17.520 --> 0:13:21.400
<v Speaker 1>So you felt he just approached it. He thought, you

0:13:21.559 --> 0:13:23.840
<v Speaker 1>thought that because he been out here and he been

0:13:23.840 --> 0:13:28.480
<v Speaker 1>getting some love, he felt more like he had the

0:13:28.520 --> 0:13:30.640
<v Speaker 1>hardest soul of the city as much as Dot did.

0:13:31.720 --> 0:13:34.679
<v Speaker 3>Oh yeah, and then exactly, and I'm gonna tell you

0:13:34.720 --> 0:13:38.360
<v Speaker 3>this too. When he started mentioning Top's name and just

0:13:38.480 --> 0:13:41.760
<v Speaker 3>service things. He just became more brazen than his efforts.

0:13:41.880 --> 0:13:44.160
<v Speaker 3>And I think he thought in his mind that since

0:13:44.240 --> 0:13:47.880
<v Speaker 3>Doc wasn't signed to TDE anymore, the Dons just out

0:13:47.920 --> 0:13:50.120
<v Speaker 3>here just without no protection, no more. And this is

0:13:50.160 --> 0:13:53.000
<v Speaker 3>not by itself, but we know Doc got goons. That

0:13:53.160 --> 0:13:56.400
<v Speaker 3>Doc got some monsters. Whereas the kids call it, do's

0:13:56.440 --> 0:13:58.520
<v Speaker 3>got some Doc got some demons on his teams. You

0:13:58.520 --> 0:14:02.280
<v Speaker 3>know he got you know what I mean?

0:14:02.960 --> 0:14:05.080
<v Speaker 1>Sure, Joey, Where do you think Drake went wrong in

0:14:05.080 --> 0:14:05.600
<v Speaker 1>this battle?

0:14:08.080 --> 0:14:10.360
<v Speaker 2>I would agree with the whole mentioning his wife thing

0:14:10.440 --> 0:14:12.640
<v Speaker 2>and the actually so this, since were talking about the

0:14:12.640 --> 0:14:15.880
<v Speaker 2>same record, a whole.

0:14:15.600 --> 0:14:18.040
<v Speaker 1>Battle, where did you think he went wrong?

0:14:18.120 --> 0:14:18.200
<v Speaker 2>Like?

0:14:18.240 --> 0:14:19.320
<v Speaker 1>Where did it go off?

0:14:19.400 --> 0:14:21.320
<v Speaker 2>Always you don't matter like where it began?

0:14:21.440 --> 0:14:24.400
<v Speaker 1>That just was like he might have sucked up This

0:14:24.520 --> 0:14:27.520
<v Speaker 1>was if Okay, obviously Dodd is the hummy, right and

0:14:27.560 --> 0:14:29.840
<v Speaker 1>the niggas fuck with that, But if you were Drake

0:14:30.360 --> 0:14:32.480
<v Speaker 1>and you had to assess it from Drake, where do

0:14:32.560 --> 0:14:36.080
<v Speaker 1>you think he's zigged when he should.

0:14:36.440 --> 0:14:39.560
<v Speaker 2>Leaking that record? When he leaked that record, it seemed

0:14:39.560 --> 0:14:41.760
<v Speaker 2>like he wasn't really as to me, it came off

0:14:41.840 --> 0:14:45.400
<v Speaker 2>as like you wasn't confident in your approach, which one

0:14:46.000 --> 0:14:46.520
<v Speaker 2>push up?

0:14:46.600 --> 0:14:51.440
<v Speaker 1>Oh, so you're saying when he first even responded like it.

0:14:51.520 --> 0:14:55.520
<v Speaker 2>Seemed like you was already you wasn't really confident in

0:14:55.520 --> 0:14:59.840
<v Speaker 2>in in your squabble, and it just seemed to be

0:15:00.040 --> 0:15:02.960
<v Speaker 2>it seemed like Kate I was being underestimated too.

0:15:03.800 --> 0:15:06.680
<v Speaker 7>Yeah, I would say so to Drake was like, and

0:15:06.800 --> 0:15:09.760
<v Speaker 7>Drake's side, Yeah, No, the way Matt ten told me

0:15:09.840 --> 0:15:13.600
<v Speaker 7>that he no, not Max, somebody else, Oh, Van told

0:15:13.600 --> 0:15:15.920
<v Speaker 7>me Van Latha said he was like glasses.

0:15:16.040 --> 0:15:19.120
<v Speaker 1>I think this nigga thought Kate I was scared of him.

0:15:20.440 --> 0:15:23.240
<v Speaker 2>No, for real. And you know what too, Drake being

0:15:23.320 --> 0:15:26.160
<v Speaker 2>so I don't understand how people don't. It seemed like

0:15:26.200 --> 0:15:28.760
<v Speaker 2>people didn't understand how big of a star Kendrick was.

0:15:28.840 --> 0:15:30.880
<v Speaker 2>It was it was I'm like, dude, this dude is

0:15:30.880 --> 0:15:33.320
<v Speaker 2>a star. This is not This is not Joe Budden

0:15:33.360 --> 0:15:35.120
<v Speaker 2>and push your tea in respect to them, but this

0:15:35.240 --> 0:15:35.760
<v Speaker 2>is different.

0:15:37.240 --> 0:15:39.080
<v Speaker 1>Even he can push your tee. Brought him his.

0:15:39.160 --> 0:15:43.080
<v Speaker 2>Hat exactly, but he did. You know what I'm saying.

0:15:43.120 --> 0:15:45.040
<v Speaker 2>But it seemed like the way he was able to

0:15:45.040 --> 0:15:47.080
<v Speaker 2>brush push your tea off, you can always go like,

0:15:47.120 --> 0:15:48.600
<v Speaker 2>you know, I don't want to give him that and

0:15:48.640 --> 0:15:53.000
<v Speaker 2>give him there because I'm I'm like, I look at

0:15:53.080 --> 0:15:56.800
<v Speaker 2>Kendrick and uh yeah, Drake, you know, being a popular artist.

0:15:56.920 --> 0:15:59.320
<v Speaker 2>But I always, I mean, I really look at Kendrick

0:15:59.360 --> 0:16:02.440
<v Speaker 2>like nigga, He's like eye level with you, bro. Y'all

0:16:02.440 --> 0:16:05.240
<v Speaker 2>the same to me from the popularity.

0:16:06.080 --> 0:16:08.880
<v Speaker 3>Beat a lot. I think he kept beating the same horse.

0:16:09.600 --> 0:16:12.400
<v Speaker 3>It was funny the first time him mentioned Don's height

0:16:12.640 --> 0:16:16.040
<v Speaker 3>and his you know, Dolla is not the biggest motherfucker

0:16:16.040 --> 0:16:18.880
<v Speaker 3>in the world. He's really if you look at him

0:16:18.880 --> 0:16:20.440
<v Speaker 3>and don't know you know him, He's kind of a

0:16:20.480 --> 0:16:22.760
<v Speaker 3>diminutive guy. You know what I'm saying. He's not really

0:16:22.800 --> 0:16:25.200
<v Speaker 3>that big or whatever, you know, as a nice.

0:16:25.240 --> 0:16:26.720
<v Speaker 2>Demeanor to him.

0:16:26.760 --> 0:16:31.280
<v Speaker 1>But he's not no pump motherfucker Loki, you know what

0:16:31.320 --> 0:16:31.720
<v Speaker 1>I'm saying.

0:16:31.760 --> 0:16:34.280
<v Speaker 3>And he's an extra petty ass dude. So he gonna

0:16:34.320 --> 0:16:34.680
<v Speaker 3>go in on.

0:16:34.920 --> 0:16:37.560
<v Speaker 1>He got a thousand jokes and he has no problem

0:16:37.600 --> 0:16:40.720
<v Speaker 1>unloading the motherfucker's on you what is going down?

0:16:41.640 --> 0:16:44.120
<v Speaker 2>And that's what he did when not like Us, that's

0:16:44.160 --> 0:16:48.520
<v Speaker 2>when the funny nigga not like us sound like a

0:16:48.560 --> 0:16:50.360
<v Speaker 2>straight funny ass song. Bro.

0:16:50.760 --> 0:16:53.480
<v Speaker 1>But that's the first dot that I know yeah, like

0:16:53.560 --> 0:16:55.240
<v Speaker 1>with with just.

0:16:55.280 --> 0:17:00.040
<v Speaker 2>Skid, Like the nigga literally was whooping his ass the

0:17:00.080 --> 0:17:05.600
<v Speaker 2>old record until it went off from chats, hooks, bars,

0:17:06.760 --> 0:17:10.919
<v Speaker 2>vocal inflections, you know, just comedy Like I'm like, damn

0:17:10.960 --> 0:17:12.840
<v Speaker 2>bro like y'all, you know what I mean. And I've

0:17:12.840 --> 0:17:13.200
<v Speaker 2>seen him.

0:17:13.200 --> 0:17:19.040
<v Speaker 3>He got at his own game, drinking his own game.

0:17:19.119 --> 0:17:22.360
<v Speaker 3>Rather he actually beat him because rem brother told you

0:17:22.359 --> 0:17:24.480
<v Speaker 3>g I said, all Drake has to do is come

0:17:24.520 --> 0:17:26.680
<v Speaker 3>out with one of them singing ass records, a big

0:17:26.720 --> 0:17:29.359
<v Speaker 3>ass record, and all these little girls gonna flood the

0:17:29.359 --> 0:17:31.879
<v Speaker 3>internet talk about why he's the best guy in the world.

0:17:32.080 --> 0:17:33.560
<v Speaker 3>And it's gonna be over with because how do you

0:17:33.600 --> 0:17:36.120
<v Speaker 3>respond to some ship like that? If he the onoman

0:17:36.160 --> 0:17:39.360
<v Speaker 3>there talking about piece of Love. I think where Kendrick

0:17:39.600 --> 0:17:43.480
<v Speaker 3>wore him. Kendrick actually wore him down with apathy for

0:17:43.600 --> 0:17:46.520
<v Speaker 3>his wife, like he was talking to his son, talking

0:17:46.520 --> 0:17:48.640
<v Speaker 3>to his mom like he's just not a good dude,

0:17:49.240 --> 0:17:51.960
<v Speaker 3>like you know, your dadd's a piece of shit. Pretty much,

0:17:52.280 --> 0:17:54.520
<v Speaker 3>I'll be a winter because you're not gonna learn ships

0:17:54.480 --> 0:17:57.520
<v Speaker 3>from this dude. He's pretty much a bad person. And

0:17:57.600 --> 0:18:00.080
<v Speaker 3>I think that I think Bothy, Charla Maaine say this

0:18:00.119 --> 0:18:03.240
<v Speaker 3>fool has made the first me to battle rep.

0:18:03.080 --> 0:18:07.960
<v Speaker 1>So Pete, where did Hendrick get it right at?

0:18:09.640 --> 0:18:12.080
<v Speaker 6>I like my view of the situation where wor did

0:18:12.160 --> 0:18:12.560
<v Speaker 6>he get right?

0:18:12.600 --> 0:18:12.760
<v Speaker 2>Now?

0:18:12.760 --> 0:18:15.000
<v Speaker 1>Where did Kendrick get it right at? He was like

0:18:16.240 --> 0:18:17.000
<v Speaker 1>he got that right?

0:18:17.040 --> 0:18:22.240
<v Speaker 4>He he I think I just viewed what he did

0:18:22.240 --> 0:18:25.320
<v Speaker 4>as a constant, like he was gonna do that. You know,

0:18:25.640 --> 0:18:29.440
<v Speaker 4>he's wired for that. He's a little bit more vindictive.

0:18:29.800 --> 0:18:34.000
<v Speaker 4>He's got a little bit more you know, pissed vinegar

0:18:34.040 --> 0:18:36.920
<v Speaker 4>to him, so that was going to happen. I don't

0:18:36.920 --> 0:18:40.199
<v Speaker 4>think it was his to win. I think it was

0:18:40.280 --> 0:18:43.840
<v Speaker 4>Drake's to lose. I think that his I think the

0:18:43.920 --> 0:18:50.080
<v Speaker 4>Drake's fame more so. He has a gravitational pull of

0:18:51.160 --> 0:19:01.679
<v Speaker 4>it distills his surroundings into just purely like fan type

0:19:02.080 --> 0:19:08.520
<v Speaker 4>support yes men echo chamber. So he thinks wherever he goes,

0:19:08.840 --> 0:19:11.360
<v Speaker 4>whatever he does, is the greatest thing in the universe,

0:19:12.400 --> 0:19:15.520
<v Speaker 4>and it manipulates his view of reality. It was a

0:19:15.560 --> 0:19:19.639
<v Speaker 4>mistake for him to engage because he's a jovial, nice, funny,

0:19:19.720 --> 0:19:21.359
<v Speaker 4>whatever kind of guy. He's gonna get you with the

0:19:21.359 --> 0:19:23.480
<v Speaker 4>little roast joke, and this other guy's gonna come through

0:19:23.520 --> 0:19:25.679
<v Speaker 4>and really like, yes.

0:19:26.000 --> 0:19:26.679
<v Speaker 2>You know what he is.

0:19:27.640 --> 0:19:31.320
<v Speaker 4>You say he's like Lebron, I don't. I think he's

0:19:31.359 --> 0:19:34.399
<v Speaker 4>a lot like Kobe. Kobe wants to win the game

0:19:34.680 --> 0:19:41.560
<v Speaker 4>on the floor, whereas like Michael, Well, I think you

0:19:41.560 --> 0:19:45.119
<v Speaker 4>could push Michael Jordan into following you out and jumping

0:19:45.160 --> 0:19:46.880
<v Speaker 4>you in the parking lot. I don't think you could

0:19:46.920 --> 0:19:49.760
<v Speaker 4>get Kobe to do that, you know what I mean?

0:19:50.400 --> 0:19:54.280
<v Speaker 4>There was a little bit of more personal outside of

0:19:54.320 --> 0:19:57.480
<v Speaker 4>the framework of the game hatred that existed, and Michael

0:19:57.520 --> 0:20:02.080
<v Speaker 4>didn't exist in Kobe. He was just extraordinarily competitive basketball, right,

0:20:02.480 --> 0:20:05.320
<v Speaker 4>And I think that there was a line there where

0:20:05.680 --> 0:20:06.240
<v Speaker 4>Drake's like.

0:20:06.359 --> 0:20:09.480
<v Speaker 6>Yeah, I'm a cool rapper, I got cool lines.

0:20:09.520 --> 0:20:12.960
<v Speaker 4>I'm gonna get this guy in the within the square circle.

0:20:13.040 --> 0:20:15.879
<v Speaker 4>This other guy's like, I just fucking don't like you,

0:20:15.960 --> 0:20:18.240
<v Speaker 4>and I'm gonna light you up inside or out.

0:20:18.560 --> 0:20:20.640
<v Speaker 2>Yeah. I feel like he made it more about Drake,

0:20:20.760 --> 0:20:23.120
<v Speaker 2>like the Kendrick approached it, like he didn't really care

0:20:23.160 --> 0:20:26.520
<v Speaker 2>what the fans think, Like, I'm talking to you, bro, Well,

0:20:26.680 --> 0:20:28.640
<v Speaker 2>everything I own is it's you. Bro.

0:20:29.280 --> 0:20:30.439
<v Speaker 3>He attacked this character.

0:20:31.200 --> 0:20:34.720
<v Speaker 1>Well, you know what's funny. My thoughts on it is

0:20:36.680 --> 0:20:40.520
<v Speaker 1>he almost did him like a like like he hypnotized him,

0:20:41.119 --> 0:20:45.400
<v Speaker 1>like I always coming into this battle, I remember telling Joey,

0:20:45.560 --> 0:20:48.680
<v Speaker 1>telling DoD, telling everybody, Yo, you gotta stay the coach.

0:20:49.000 --> 0:20:52.120
<v Speaker 1>You gotta stay the culture, right, you gotta stay true

0:20:52.160 --> 0:20:54.320
<v Speaker 1>to the culture, like you gotta stay true to it.

0:20:54.880 --> 0:20:58.360
<v Speaker 1>Like the thing about this battle, I always felt if

0:20:58.400 --> 0:21:01.800
<v Speaker 1>God stayed true culturally, it was gonna be fine when

0:21:01.960 --> 0:21:05.600
<v Speaker 1>lose a draw. But Drake had to stay true to

0:21:05.840 --> 0:21:10.760
<v Speaker 1>record making, like that's the trick. And somewhere along the line,

0:21:10.920 --> 0:21:14.639
<v Speaker 1>Dot hypnotized him and turned him into just a rapper

0:21:15.080 --> 0:21:18.920
<v Speaker 1>instead of him being this massive you know, his greatest

0:21:18.920 --> 0:21:21.520
<v Speaker 1>strength is his ability to make a great record, you

0:21:21.560 --> 0:21:24.160
<v Speaker 1>know what I mean? You hook, you know you hear

0:21:24.200 --> 0:21:26.800
<v Speaker 1>you like damn. You know, like when you listening to

0:21:27.080 --> 0:21:30.359
<v Speaker 1>Back to Back, it's not really like this harsh disk

0:21:30.680 --> 0:21:33.959
<v Speaker 1>as much as it's this witty disch that is headche

0:21:34.359 --> 0:21:38.760
<v Speaker 1>and you like, this motherfucker is the shit, And that's Dods.

0:21:38.840 --> 0:21:41.520
<v Speaker 1>I mean, that's Drake's strength. Drake is one of the

0:21:41.560 --> 0:21:44.919
<v Speaker 1>greatest record writers and one of the as far as

0:21:45.040 --> 0:21:48.000
<v Speaker 1>rap music goes. You know, nobody else has as many

0:21:48.720 --> 0:21:51.960
<v Speaker 1>number one records, you know what I mean, And he's

0:21:52.119 --> 0:21:55.560
<v Speaker 1>able to do things as a record maker that works.

0:21:55.960 --> 0:21:59.440
<v Speaker 1>And in this battle we end up with one record

0:21:59.600 --> 0:22:02.719
<v Speaker 1>out of five and five they put out five apiece.

0:22:02.800 --> 0:22:06.560
<v Speaker 1>What is it for Kendrick is it's the first one

0:22:06.760 --> 0:22:11.520
<v Speaker 1>future right, which is uh like that. Then you have Euphoria,

0:22:12.200 --> 0:22:16.440
<v Speaker 1>then you have six sixteen, then you have meet the Grands,

0:22:16.720 --> 0:22:22.800
<v Speaker 1>and then you have uh like. So that's two records

0:22:22.800 --> 0:22:28.040
<v Speaker 1>in there, not like us and like that Drake puts

0:22:28.080 --> 0:22:31.720
<v Speaker 1>out right. He puts out push Ups, which is the

0:22:31.760 --> 0:22:36.680
<v Speaker 1>best record of his battle catalog. On this battle he

0:22:36.760 --> 0:22:41.720
<v Speaker 1>had push Ups. He had uh that the really bad

0:22:41.800 --> 0:22:42.520
<v Speaker 1>tupacs on.

0:22:45.080 --> 0:22:46.000
<v Speaker 2>That was a mistake.

0:22:46.160 --> 0:22:51.199
<v Speaker 1>Well, it was a good idea, it was, yeah, it

0:22:51.320 --> 0:22:53.800
<v Speaker 1>was you know what I mean. The idea was fancy,

0:22:54.119 --> 0:22:55.680
<v Speaker 1>you know what I mean. But the record was bad.

0:22:55.720 --> 0:22:58.359
<v Speaker 1>It wasn't good. You didn't hear it and find it catching,

0:22:59.280 --> 0:23:02.399
<v Speaker 1>you know what I mean? Is it called Taylor Man,

0:23:02.520 --> 0:23:06.280
<v Speaker 1>Taylor Made? Taylor Made is a bad record. Family Matters

0:23:06.400 --> 0:23:08.360
<v Speaker 1>is a bad record right.

0:23:08.160 --> 0:23:12.880
<v Speaker 3>Now about family Matters?

0:23:12.960 --> 0:23:15.440
<v Speaker 1>I know. But just listen, he's rapping. I'm not saying

0:23:15.440 --> 0:23:17.639
<v Speaker 1>he's not snapping on the motherfucker. I'm not saying he

0:23:17.640 --> 0:23:20.080
<v Speaker 1>did have a great selection to beat, but at that point,

0:23:20.160 --> 0:23:24.080
<v Speaker 1>it became euphoria, it became switching upbeat.

0:23:25.040 --> 0:23:26.200
<v Speaker 2>He's rapping a.

0:23:26.160 --> 0:23:28.000
<v Speaker 1>Bunch of bars. Don' let me wrong. He got some

0:23:28.080 --> 0:23:30.800
<v Speaker 1>catchy k this is where your pocket. But it's not

0:23:30.960 --> 0:23:35.040
<v Speaker 1>a record that you're gonna play. It's not a smash record.

0:23:35.280 --> 0:23:39.439
<v Speaker 1>And if your strength is making great records, how the

0:23:39.480 --> 0:23:42.680
<v Speaker 1>fuck are you only in this battle one record?

0:23:43.600 --> 0:23:46.439
<v Speaker 3>Well, I think what happened bro, with all honesty, I

0:23:46.480 --> 0:23:50.080
<v Speaker 3>think he got so caught up. And as much as

0:23:50.119 --> 0:23:53.120
<v Speaker 3>because he's a bigger artist than Ko. You know, he's

0:23:53.119 --> 0:23:56.000
<v Speaker 3>a he's a bigger artist than k Out. You know,

0:23:56.040 --> 0:23:59.239
<v Speaker 3>if that's season, he's that season a thing. But I

0:23:59.280 --> 0:24:02.360
<v Speaker 3>think he got caught up in I'm gonna show everybody

0:24:02.400 --> 0:24:04.080
<v Speaker 3>I can wrap and I'm gonna do what he does.

0:24:04.720 --> 0:24:07.440
<v Speaker 3>And they just didn't come off and thrown and Doc

0:24:07.560 --> 0:24:09.119
<v Speaker 3>kind of said, you know what, I'm gonna do what

0:24:09.119 --> 0:24:10.359
<v Speaker 3>you do. I'ma go in there and make a hit

0:24:10.440 --> 0:24:12.760
<v Speaker 3>record and I'm gonna clown you wanna hit record that's

0:24:12.760 --> 0:24:15.119
<v Speaker 3>gonna become an anthem for the whole coast. And he

0:24:15.280 --> 0:24:18.080
<v Speaker 3>just looks so big because it was almost like one

0:24:18.080 --> 0:24:20.439
<v Speaker 3>of those movie moments, like you know you have that

0:24:20.600 --> 0:24:22.560
<v Speaker 3>movie moment to wear one of the guy that's the

0:24:22.640 --> 0:24:25.600
<v Speaker 3>local hero is when the marathon and everybody in the

0:24:25.640 --> 0:24:28.280
<v Speaker 3>city is just like rallying around him, from the bodega

0:24:28.600 --> 0:24:31.320
<v Speaker 3>to the barbershop. It was like that. When it's like

0:24:31.400 --> 0:24:34.280
<v Speaker 3>that came up. You saw everybody in the West coast happy,

0:24:34.680 --> 0:24:37.280
<v Speaker 3>everybody in the Midwest, everybody in the South. It was

0:24:37.359 --> 0:24:40.359
<v Speaker 3>kind of like one man has took him down an

0:24:40.359 --> 0:24:44.400
<v Speaker 3>evil empire. That's why I said, Drake is iPhone dragor

0:24:44.720 --> 0:24:46.760
<v Speaker 3>he the dude with all the fancy shit around in

0:24:46.840 --> 0:24:49.240
<v Speaker 3>the room for the writers. Like when Roth said that

0:24:49.320 --> 0:24:52.920
<v Speaker 3>this dude got somebody writing his captions. I can see

0:24:52.920 --> 0:24:55.280
<v Speaker 3>everybody just around Drake. I can see a white woman

0:24:55.320 --> 0:24:58.080
<v Speaker 3>follow him. So Drake, I have the guys upstairs. They

0:24:58.080 --> 0:25:01.240
<v Speaker 3>think you say this, tweet this right now, here's this pic. H.

0:25:01.320 --> 0:25:04.520
<v Speaker 3>I have some information right now Freeey is supposed to

0:25:04.520 --> 0:25:07.600
<v Speaker 3>have you know, yeah, I got that. We go the boos,

0:25:07.720 --> 0:25:13.240
<v Speaker 3>then yes, the reference track of reading and he going

0:25:13.400 --> 0:25:15.560
<v Speaker 3>or they might not even make it. We have time

0:25:15.560 --> 0:25:17.280
<v Speaker 3>to put that. You have points on it and just

0:25:17.280 --> 0:25:18.280
<v Speaker 3>set the shit out there.

0:25:20.680 --> 0:25:28.320
<v Speaker 1>So analytics, so push ups. Taylor made family Matters. What

0:25:28.520 --> 0:25:32.960
<v Speaker 1>was his other song, the last song, the Heart, the Heart,

0:25:33.040 --> 0:25:35.800
<v Speaker 1>the Heart, the heartbreak. They call it the Heart the

0:25:35.880 --> 0:25:41.040
<v Speaker 1>Heart fed right, So it's like through all of that,

0:25:41.160 --> 0:25:45.240
<v Speaker 1>you only get one record from Drake. You only get one.

0:25:45.800 --> 0:25:49.600
<v Speaker 1>You're the best record writer in rap music. And even

0:25:49.640 --> 0:25:52.520
<v Speaker 1>if you're not the best writer record writer rap music,

0:25:52.560 --> 0:25:56.199
<v Speaker 1>because you have writers, you have the best records in

0:25:56.320 --> 0:25:59.080
<v Speaker 1>rap music as far as achievements when it comes to

0:25:59.200 --> 0:26:02.760
<v Speaker 1>charting and before on the charts. So why would you

0:26:02.840 --> 0:26:06.280
<v Speaker 1>not cater to your strengths. It's like a person who's

0:26:06.320 --> 0:26:08.719
<v Speaker 1>in a boxing ring that don't have good foot movement,

0:26:09.200 --> 0:26:11.840
<v Speaker 1>they have great jabs, not using the jab and trying

0:26:11.880 --> 0:26:14.080
<v Speaker 1>to show somebody I could fight. You know what it's

0:26:14.119 --> 0:26:17.520
<v Speaker 1>like the first time Sugar Ray Leonard fought Duran. Instead

0:26:17.520 --> 0:26:19.720
<v Speaker 1>of Sugar Ray Leonard going in the ring being Sugar

0:26:19.760 --> 0:26:23.560
<v Speaker 1>Ray Leonard moving his feet, dancing around making it hard

0:26:23.600 --> 0:26:26.920
<v Speaker 1>for Duran, who didn't have the same type of feet,

0:26:27.240 --> 0:26:29.080
<v Speaker 1>you know what I'm saying. Instead of doing that, he said,

0:26:29.119 --> 0:26:30.560
<v Speaker 1>I'm gonna meet you in the middle of the ring

0:26:30.840 --> 0:26:33.840
<v Speaker 1>and fight you mono imano, and it cast Sugar Ray

0:26:33.920 --> 0:26:37.120
<v Speaker 1>Leonard his first loss because he didn't fight his fight.

0:26:37.600 --> 0:26:40.280
<v Speaker 1>And I don't think Doc ever really went out his

0:26:40.359 --> 0:26:45.840
<v Speaker 1>way to make a record. I think God's what came

0:26:45.880 --> 0:26:48.720
<v Speaker 1>to him naturally when it came to the culture is

0:26:48.880 --> 0:26:53.240
<v Speaker 1>sound wave records. Right, he did the Favor for Future

0:26:53.280 --> 0:26:57.199
<v Speaker 1>in Metro like that, right, that's just a joint. He

0:26:57.320 --> 0:26:59.280
<v Speaker 1>comes back right when he does you for It, that's

0:26:59.320 --> 0:27:02.080
<v Speaker 1>a sound wave record. He does a record, the six

0:27:02.160 --> 0:27:05.320
<v Speaker 1>sixteen is a sound wave record, right, And then you

0:27:05.359 --> 0:27:09.359
<v Speaker 1>have the record with Meet the Grahams. That's an Alchemist record,

0:27:09.680 --> 0:27:12.040
<v Speaker 1>and then you come with a Mustard record. He stayed

0:27:12.080 --> 0:27:15.600
<v Speaker 1>the culture and it just happened to produce records. I

0:27:15.680 --> 0:27:17.840
<v Speaker 1>don't think he went in there like, hey, I'm finna

0:27:17.840 --> 0:27:19.760
<v Speaker 1>write a hook. I think he went in there to

0:27:19.840 --> 0:27:23.359
<v Speaker 1>make a great you know, a great Katot song, and

0:27:23.400 --> 0:27:25.560
<v Speaker 1>this is what you came up with. And I think

0:27:25.680 --> 0:27:28.240
<v Speaker 1>Drake didn't go in to make great Drake records. I

0:27:28.280 --> 0:27:31.680
<v Speaker 1>think he went in there to try to confront katout

0:27:31.760 --> 0:27:34.479
<v Speaker 1>in front of the world. And that's not how you

0:27:34.520 --> 0:27:37.359
<v Speaker 1>do this, especially in a battle. You have to play

0:27:37.400 --> 0:27:38.160
<v Speaker 1>to your strips.

0:27:39.560 --> 0:27:42.240
<v Speaker 2>Gotcha. Do you think that the whole you on a

0:27:42.280 --> 0:27:46.880
<v Speaker 2>clock concept affected the whole record making then, because now

0:27:46.920 --> 0:27:49.520
<v Speaker 2>you you battling the internet, and you you know, because

0:27:49.560 --> 0:27:50.960
<v Speaker 2>records take a little more time.

0:27:51.560 --> 0:27:52.280
<v Speaker 3>You know what I'm saying.

0:27:52.680 --> 0:27:55.840
<v Speaker 2>Kenjick already known for taking his time and giving you quality,

0:27:56.280 --> 0:27:57.720
<v Speaker 2>you know what I'm saying. But at the same time,

0:27:57.840 --> 0:28:00.320
<v Speaker 2>making records take time, and now you're on this clock,

0:28:00.680 --> 0:28:04.560
<v Speaker 2>so you might be rushing ideas out more so to

0:28:04.640 --> 0:28:06.760
<v Speaker 2>take your time to making records. Because you're right. If

0:28:06.840 --> 0:28:10.200
<v Speaker 2>Drake would have went approached it with five.

0:28:10.000 --> 0:28:14.280
<v Speaker 1>Push ups, it been been five.

0:28:14.600 --> 0:28:15.200
<v Speaker 2>It's all.

0:28:15.760 --> 0:28:18.800
<v Speaker 1>It's hard to beat Drake doing what he did.

0:28:19.200 --> 0:28:22.400
<v Speaker 2>He rams wasn't like a song. He like, no, I'm

0:28:22.440 --> 0:28:25.600
<v Speaker 2>fit to get you with substance and just creativity and

0:28:25.640 --> 0:28:28.680
<v Speaker 2>my storytelling skills, and I'm gonna do me. I would

0:28:28.720 --> 0:28:29.960
<v Speaker 2>like you said, we're trying to make.

0:28:29.840 --> 0:28:33.520
<v Speaker 1>So every every song he did that, every like here

0:28:33.520 --> 0:28:33.840
<v Speaker 1>it was.

0:28:33.880 --> 0:28:35.720
<v Speaker 2>It was crafted like he didn't.

0:28:35.760 --> 0:28:39.440
<v Speaker 1>He didn't. He didn't go in to make any records.

0:28:40.080 --> 0:28:43.320
<v Speaker 1>He went in to do what ka Dot does overbeat

0:28:43.960 --> 0:28:47.080
<v Speaker 1>and then he ended up with a record. Drake went

0:28:47.120 --> 0:28:50.160
<v Speaker 1>in to do what ka Dot does. He didn't go

0:28:50.240 --> 0:28:53.360
<v Speaker 1>in to do what Drake is strong at. Drake is again,

0:28:53.440 --> 0:28:56.160
<v Speaker 1>like I said, one of the best record makers in

0:28:56.280 --> 0:28:59.000
<v Speaker 1>the business. You know what I'm saying, But how do

0:28:59.080 --> 0:29:01.480
<v Speaker 1>you only end up? Would push ups?

0:29:03.040 --> 0:29:04.880
<v Speaker 3>Well, you know what? And then if you look at

0:29:04.920 --> 0:29:08.640
<v Speaker 3>push ups Geene, he really tried to mimic that. What

0:29:08.720 --> 0:29:10.640
<v Speaker 3>it was. He was trying to make a mock read

0:29:10.680 --> 0:29:12.520
<v Speaker 3>of Kate that with his own ship, right, like, I'm

0:29:12.520 --> 0:29:16.280
<v Speaker 3>gonna murder you in your own style. Right if you remember,

0:29:16.280 --> 0:29:18.600
<v Speaker 3>what was the one album that.

0:29:19.000 --> 0:29:21.240
<v Speaker 6>His ego, his own ego killed him?

0:29:21.320 --> 0:29:24.040
<v Speaker 1>Yeah, hold on, hold on, hold on, still hold that through?

0:29:24.280 --> 0:29:25.560
<v Speaker 1>What do you mean it's ego killed him?

0:29:27.360 --> 0:29:32.560
<v Speaker 6>He thought so highly of himself that he didn't need

0:29:32.680 --> 0:29:38.120
<v Speaker 6>to fight on the on his own strength. I can

0:29:38.160 --> 0:29:41.840
<v Speaker 6>beat you with any style. I'll go and fight. I'll

0:29:41.840 --> 0:29:45.600
<v Speaker 6>go fight Russia and Leningrad in December out of that.

0:29:45.800 --> 0:29:46.080
<v Speaker 3>Good.

0:29:47.400 --> 0:29:53.720
<v Speaker 1>Oh, I'm going to Buffalo in January or or yes

0:29:53.920 --> 0:29:58.160
<v Speaker 1>or December, and I'll play you there when really you're

0:29:58.240 --> 0:30:04.000
<v Speaker 1>the Raiders, Jack, when really you're the Dolphins. Mm hmm,

0:30:04.760 --> 0:30:06.280
<v Speaker 1>go ahead, I'm sorry. Still, I didn't mean to cut

0:30:06.280 --> 0:30:06.560
<v Speaker 1>you off.

0:30:07.160 --> 0:30:11.120
<v Speaker 3>So what was the when Dot had the DJ? I

0:30:11.120 --> 0:30:12.960
<v Speaker 3>think it might have been Kid Can Pray like kind

0:30:12.960 --> 0:30:18.800
<v Speaker 3>of remaking a mixtapes. Damn, he tried to do that

0:30:18.920 --> 0:30:21.640
<v Speaker 3>he kind of did that on push ups. You know

0:30:21.680 --> 0:30:24.400
<v Speaker 3>it's this new train. Oh and it was. It was

0:30:24.480 --> 0:30:28.080
<v Speaker 3>kind of dope. I caught that push up. When I

0:30:28.120 --> 0:30:30.200
<v Speaker 3>first heard push ups, I called you and what did

0:30:30.200 --> 0:30:33.960
<v Speaker 3>I say, G I said, fucking rapping right now, it's

0:30:33.960 --> 0:30:36.800
<v Speaker 3>gonna be an issue. This motherfucker not playing. Then I

0:30:36.840 --> 0:30:39.080
<v Speaker 3>heard the next Then I heard what Doc came back with.

0:30:39.280 --> 0:30:43.680
<v Speaker 1>I said, okay, well, remember remember to me, he fucked up.

0:30:44.520 --> 0:30:46.440
<v Speaker 1>I'm gonna let you get to your point, but remember

0:30:46.440 --> 0:30:49.240
<v Speaker 1>he fucked up after push ups and dropped Taylor made

0:30:49.400 --> 0:30:51.880
<v Speaker 1>which became more of a talking point and not a

0:30:51.920 --> 0:30:56.000
<v Speaker 1>great record. It became liked.

0:30:55.960 --> 0:30:59.000
<v Speaker 3>He could have rested on push ups for a little bit.

0:30:59.120 --> 0:31:02.320
<v Speaker 3>Right they came with I would have rather came with

0:31:02.400 --> 0:31:07.080
<v Speaker 3>three strong records and five then one dope record and

0:31:07.120 --> 0:31:09.920
<v Speaker 3>three just whatever, because ain't let's get this straight for

0:31:09.960 --> 0:31:12.880
<v Speaker 3>the people out there, because we not haters. None of

0:31:12.920 --> 0:31:19.360
<v Speaker 3>them songs Drake made was whack and comparis is kind

0:31:19.360 --> 0:31:23.000
<v Speaker 3>of trash, but anything else, it's probably better than a

0:31:23.000 --> 0:31:25.040
<v Speaker 3>lot of people's best ship to do. We're gonna make,

0:31:25.240 --> 0:31:28.680
<v Speaker 3>you know what I'm saying. We talking about two of

0:31:28.760 --> 0:31:33.200
<v Speaker 3>the best in the world in the universe right now,

0:31:33.240 --> 0:31:35.800
<v Speaker 3>as far as you know, as far as this ship

0:31:35.880 --> 0:31:36.640
<v Speaker 3>we call hip.

0:31:36.480 --> 0:31:38.880
<v Speaker 1>Hop go, well not hip hop, as far as rapping.

0:31:38.720 --> 0:31:41.320
<v Speaker 3>Goes, as far as rap music goes, Yeah, you.

0:31:41.280 --> 0:31:43.880
<v Speaker 1>Know what I'm saying, though, sure make sure I separate.

0:31:45.000 --> 0:31:47.920
<v Speaker 3>Had phenomenal careers to the point where neither one of

0:31:48.000 --> 0:31:50.360
<v Speaker 3>them never put out a record again. They were both

0:31:50.400 --> 0:31:50.920
<v Speaker 3>going to Hall.

0:31:50.840 --> 0:31:54.320
<v Speaker 1>Of Fame, first ballance, first ballot, the first.

0:31:54.040 --> 0:31:56.240
<v Speaker 3>Ballot, Hall of Famers. They ain't gotta they ain't gotta

0:31:56.280 --> 0:31:59.520
<v Speaker 3>do nothing else. Anything that they do now at this point,

0:31:59.840 --> 0:32:02.320
<v Speaker 3>it's pretty much for their love of the culture or

0:32:02.360 --> 0:32:04.160
<v Speaker 3>whatever they want to get out of this thing, you know,

0:32:04.560 --> 0:32:08.880
<v Speaker 3>financially or you know, rewards, Because to be honest with you,

0:32:09.040 --> 0:32:12.360
<v Speaker 3>meeting knowing Kup, he didn't give a fuck about none

0:32:12.400 --> 0:32:18.280
<v Speaker 3>of that. This is probably this is probably his greatest

0:32:18.280 --> 0:32:22.120
<v Speaker 3>moment in hip hop. She knowing him, knowing him, this

0:32:22.160 --> 0:32:24.720
<v Speaker 3>is his greatest moment in hip hop. Not the money,

0:32:25.160 --> 0:32:29.720
<v Speaker 3>not the Grammy's not she never won a rap nigga

0:32:29.720 --> 0:32:30.200
<v Speaker 3>in the world.

0:32:30.280 --> 0:32:35.840
<v Speaker 2>Right now. He approached this ship like the finals, and

0:32:35.880 --> 0:32:38.120
<v Speaker 2>I feel like Drake approached it like a pickup game.

0:32:39.080 --> 0:32:42.440
<v Speaker 1>You know what's funny, you know, he had, he had

0:32:42.480 --> 0:32:45.680
<v Speaker 1>that diamond and crusted refund and you know, people was

0:32:45.720 --> 0:32:49.280
<v Speaker 1>confusing it with Jesus and this really he just saved

0:32:49.360 --> 0:32:49.760
<v Speaker 1>hip hop.

0:32:51.680 --> 0:32:54.160
<v Speaker 3>He defended lyricism.

0:32:54.240 --> 0:32:59.800
<v Speaker 1>Now he defended hip hop from pretty much. No dis

0:33:00.040 --> 0:33:03.840
<v Speaker 1>respect to to Drake, but like what he represents and

0:33:03.920 --> 0:33:06.480
<v Speaker 1>the type of artists he endorsed for the most part,

0:33:07.360 --> 0:33:10.480
<v Speaker 1>you know, he don't really I think he cares about

0:33:10.640 --> 0:33:13.560
<v Speaker 1>street urban culture as far as when he's going to

0:33:13.960 --> 0:33:17.600
<v Speaker 1>tap in with culture, but he doesn't care about the

0:33:17.680 --> 0:33:21.240
<v Speaker 1>true poetic expression that we all care about. Even though

0:33:21.280 --> 0:33:25.240
<v Speaker 1>he's such a phenomenal lyricist, you know what I mean,

0:33:25.280 --> 0:33:29.320
<v Speaker 1>he don't. He don't surround himself with the greatest lyricisms

0:33:29.960 --> 0:33:33.240
<v Speaker 1>all the time. Now, he much respect to him because

0:33:33.240 --> 0:33:34.560
<v Speaker 1>I think he does a great job of going to

0:33:34.600 --> 0:33:37.040
<v Speaker 1>the ghetto and getting with the seasoning, you know what

0:33:37.080 --> 0:33:43.800
<v Speaker 1>I mean, for sure, but he represents, uh, like I said,

0:33:43.800 --> 0:33:46.480
<v Speaker 1>an issue that's been boiling and hip hop this whole time,

0:33:46.520 --> 0:33:49.960
<v Speaker 1>where it's like, you know, you get Jack Harlowe because

0:33:50.000 --> 0:33:52.600
<v Speaker 1>of him, you start to invest money into everybody else

0:33:52.640 --> 0:33:56.040
<v Speaker 1>but ghetto kids. Because of what Drake represents, you know

0:33:56.040 --> 0:33:59.080
<v Speaker 1>what I mean. So for doctor come and stand up

0:33:59.080 --> 0:34:00.880
<v Speaker 1>for hip hop, you know what I mean, and not

0:34:01.160 --> 0:34:04.560
<v Speaker 1>really shy away from the challenge, you know, take it

0:34:04.560 --> 0:34:07.920
<v Speaker 1>at his hardest points, and be willing to get dirty

0:34:08.520 --> 0:34:10.720
<v Speaker 1>as you needed to to come out with the victory,

0:34:11.719 --> 0:34:13.799
<v Speaker 1>you know what I mean, to get as dirty as

0:34:13.800 --> 0:34:16.279
<v Speaker 1>you needed to to come out with the victory. Like

0:34:16.360 --> 0:34:19.640
<v Speaker 1>he like, I know he was bothered when you know,

0:34:20.040 --> 0:34:22.160
<v Speaker 1>you know they started lying talking about his kid is

0:34:22.200 --> 0:34:24.640
<v Speaker 1>not his kid. That that's a hard thing to tell

0:34:24.680 --> 0:34:28.120
<v Speaker 1>a man. And somebody like me, no, lie, I would

0:34:28.120 --> 0:34:30.160
<v Speaker 1>have went into another level like I'm finna shoot up

0:34:30.160 --> 0:34:32.520
<v Speaker 1>these niggas houses. I'm not finna be rapping no more

0:34:32.520 --> 0:34:34.840
<v Speaker 1>than you niggas playing with my kids and talking about

0:34:34.880 --> 0:34:36.680
<v Speaker 1>like you. My kids could hear this and it could

0:34:36.719 --> 0:34:40.200
<v Speaker 1>be you know, ramifications. And for him to say, like, Yo,

0:34:40.280 --> 0:34:42.080
<v Speaker 1>I'm gonna take off the gloves, then this is what

0:34:42.160 --> 0:34:44.799
<v Speaker 1>we're doing. Like if I gotta get dirty for hip hop,

0:34:44.800 --> 0:34:47.680
<v Speaker 1>I'm gonna take these gloves off, We're gonna get busy.

0:34:48.120 --> 0:34:50.359
<v Speaker 1>And for him to do whatever it took to make

0:34:50.440 --> 0:34:53.360
<v Speaker 1>sure to go to any level that it took to

0:34:53.440 --> 0:34:55.800
<v Speaker 1>win this fight, you know what I'm saying was important

0:34:55.800 --> 0:34:58.040
<v Speaker 1>for hip hop, for the soul of hip hop. I

0:34:58.120 --> 0:35:00.520
<v Speaker 1>think I think he just bought us. I think he

0:35:00.680 --> 0:35:04.959
<v Speaker 1>just bought hip hop in extra three or four years.

0:35:06.000 --> 0:35:10.839
<v Speaker 3>Well, I tell you this, I stopped enjoying it really

0:35:10.880 --> 0:35:14.920
<v Speaker 3>when he started talking about Dave Free and you know,

0:35:14.920 --> 0:35:17.880
<v Speaker 3>an a legend affair with his wife because for those

0:35:17.920 --> 0:35:21.720
<v Speaker 3>that know Dog Dave Free and running against the statements

0:35:21.800 --> 0:35:22.759
<v Speaker 3>little kids.

0:35:22.480 --> 0:35:27.000
<v Speaker 1>Dog and Dave just Dave ain't even look. I think

0:35:27.120 --> 0:35:29.359
<v Speaker 1>Dave could be some ship, I would imagine, but they

0:35:29.440 --> 0:35:31.359
<v Speaker 1>ain't like that. And do would put that nigga under

0:35:31.400 --> 0:35:36.359
<v Speaker 1>a car for sure, that's not even that's not even.

0:35:36.760 --> 0:35:39.040
<v Speaker 2>Yeah, I would have thought he was smarter than that, bro.

0:35:39.160 --> 0:35:43.920
<v Speaker 2>But that's that. And that once again helped kendrick narrative

0:35:44.239 --> 0:35:49.239
<v Speaker 2>fit like he Drake kept showing how culturally unaware he

0:35:49.400 --> 0:35:50.200
<v Speaker 2>was in his battle.

0:35:50.920 --> 0:35:53.960
<v Speaker 1>You know what, that's a great point. Certain lines. He

0:35:54.040 --> 0:35:55.600
<v Speaker 1>showed he was culturally unaware.

0:35:57.400 --> 0:36:00.960
<v Speaker 3>He was free to slaves.

0:36:01.520 --> 0:36:02.719
<v Speaker 1>That was just a bad boy.

0:36:03.480 --> 0:36:06.239
<v Speaker 3>That was just bad what black men say ship like that.

0:36:06.600 --> 0:36:10.680
<v Speaker 1>But again I've been saying this for years, like there's

0:36:10.719 --> 0:36:14.160
<v Speaker 1>black the race and then there's Black the culture. We

0:36:14.239 --> 0:36:16.680
<v Speaker 1>call it negroy, which I think they've already proven that

0:36:16.840 --> 0:36:19.480
<v Speaker 1>race is not a real then they prove it wasn't real,

0:36:19.520 --> 0:36:21.360
<v Speaker 1>it was it was a social construct. Pete.

0:36:24.160 --> 0:36:27.560
<v Speaker 4>That is probably a matter of definition. In my personal opinion,

0:36:27.680 --> 0:36:29.080
<v Speaker 4>I think that that.

0:36:30.560 --> 0:36:33.960
<v Speaker 1>Correct. So, but I think the conference, I've been watching

0:36:34.000 --> 0:36:36.879
<v Speaker 1>people throughout this battle, you know, bring up the fact

0:36:36.960 --> 0:36:39.920
<v Speaker 1>Drake is LFE skinned, or Drake is his his mother

0:36:40.120 --> 0:36:43.240
<v Speaker 1>is a white woman. Listen, if one of your parents

0:36:43.280 --> 0:36:47.040
<v Speaker 1>in America is black, you're black right now. We think

0:36:47.120 --> 0:36:50.960
<v Speaker 1>that we know that now. I think white people know

0:36:51.000 --> 0:36:53.160
<v Speaker 1>that because they not gonna treat you like a white person.

0:36:53.600 --> 0:36:56.040
<v Speaker 1>But again, I don't think this is a converse. It's

0:36:56.040 --> 0:36:58.840
<v Speaker 1>never been a conversation about race. It's hip hop is

0:36:58.840 --> 0:37:03.040
<v Speaker 1>about street, urban co This has always been a cultural conversation.

0:37:03.640 --> 0:37:08.200
<v Speaker 1>And that's to Joey's point of he kept making Drake

0:37:08.320 --> 0:37:12.120
<v Speaker 1>prove he was culturally he kept showing how culturally ignorant

0:37:12.239 --> 0:37:14.759
<v Speaker 1>Drake was throughout this battle.

0:37:15.280 --> 0:37:18.080
<v Speaker 2>All throughout it, all throughout it, he's telling them, he

0:37:18.200 --> 0:37:20.760
<v Speaker 2>letting them know, he's saying it. Even on the last

0:37:20.760 --> 0:37:22.880
<v Speaker 2>song when he's saying, like you keep trying to change

0:37:22.920 --> 0:37:26.279
<v Speaker 2>the narrative like look, he like, look, the public is

0:37:26.360 --> 0:37:29.800
<v Speaker 2>not slow. Drake relaxed. They you can try to create

0:37:29.800 --> 0:37:33.279
<v Speaker 2>whatever you want. They not slow, they not dumb, and

0:37:33.320 --> 0:37:35.959
<v Speaker 2>he just kept doing it. He kept doing it even

0:37:36.000 --> 0:37:37.680
<v Speaker 2>with the last record he put out. You know what

0:37:37.719 --> 0:37:40.080
<v Speaker 2>I'm saying to where if people wanted Drake to win

0:37:40.239 --> 0:37:42.399
<v Speaker 2>so much that they was acting like he didn't say

0:37:42.440 --> 0:37:43.680
<v Speaker 2>what he said in the song.

0:37:44.320 --> 0:37:49.600
<v Speaker 1>Well, I mean, listen, people want to align themselves with

0:37:49.680 --> 0:37:53.960
<v Speaker 1>winners because they're not winning in their personal life, so

0:37:54.040 --> 0:37:58.160
<v Speaker 1>they want to align themselves with winners. Somebody was talking

0:37:58.200 --> 0:38:00.960
<v Speaker 1>shit to me on the APP and they were saying,

0:38:01.440 --> 0:38:03.560
<v Speaker 1>that's crazy. You could like the Lakers just because they're

0:38:03.560 --> 0:38:06.239
<v Speaker 1>in LA. You know, I like a player, and I'm like,

0:38:06.320 --> 0:38:09.120
<v Speaker 1>so you feel like the thing that they did to

0:38:09.320 --> 0:38:10.560
<v Speaker 1>market sports to me?

0:38:10.880 --> 0:38:11.040
<v Speaker 3>Right?

0:38:11.080 --> 0:38:14.000
<v Speaker 1>They said, Okay, this is your team because you live

0:38:14.440 --> 0:38:16.440
<v Speaker 1>in the city of Los Angeles, right, or in the

0:38:16.480 --> 0:38:19.680
<v Speaker 1>County of Los Angeles. This is your team. Here are

0:38:19.719 --> 0:38:22.960
<v Speaker 1>the Lakers. You're saying I'm wrong because I'm like, Okay,

0:38:23.000 --> 0:38:25.920
<v Speaker 1>I signed up for the marketing of this, and no

0:38:26.040 --> 0:38:29.680
<v Speaker 1>one player is more important than the city, right, because

0:38:29.719 --> 0:38:32.120
<v Speaker 1>this is the city's organization.

0:38:32.280 --> 0:38:32.400
<v Speaker 3>Right.

0:38:32.440 --> 0:38:36.680
<v Speaker 1>It's a private business, but this it represents us. If

0:38:36.760 --> 0:38:40.400
<v Speaker 1>Shaq goes to fucking Miami. He no longer represents me,

0:38:41.440 --> 0:38:44.120
<v Speaker 1>like it becomes just personally do I like the person?

0:38:44.560 --> 0:38:48.000
<v Speaker 1>But we're in such a weird space that people really

0:38:49.520 --> 0:38:52.200
<v Speaker 1>like I heard somebody talk shit about the word humble

0:38:54.160 --> 0:38:57.400
<v Speaker 1>like that, Like they were on social media saying, well,

0:38:57.440 --> 0:38:59.880
<v Speaker 1>I don't want to be humble, you know, because I

0:39:00.120 --> 0:39:03.200
<v Speaker 1>think the word humble in humility was about, you know,

0:39:03.360 --> 0:39:07.040
<v Speaker 1>overrating one's importance, and people really need to feel like

0:39:07.120 --> 0:39:10.479
<v Speaker 1>they're important. And this goes back to peat point where

0:39:10.600 --> 0:39:14.640
<v Speaker 1>somewhere along the line, Drake who is a master rapper,

0:39:16.040 --> 0:39:19.680
<v Speaker 1>you know what I mean, and a master record maker

0:39:20.520 --> 0:39:23.560
<v Speaker 1>doesn't realize hip hop, like I keep saying, this is

0:39:23.600 --> 0:39:26.200
<v Speaker 1>why he's not hip hop. Hip Hop is about being

0:39:26.400 --> 0:39:32.279
<v Speaker 1>master of the culture. That's the difference. It's why certain

0:39:32.400 --> 0:39:35.120
<v Speaker 1>rappers Joey, I'll tell you induce all the time. It's

0:39:35.120 --> 0:39:36.880
<v Speaker 1>certain rappers y'all don't like. But y'all like, why is

0:39:36.880 --> 0:39:41.960
<v Speaker 1>this person winning? They are mastering the culture? See, people

0:39:42.080 --> 0:39:45.040
<v Speaker 1>keep thinking this about the art expression itself, right, Oh,

0:39:45.080 --> 0:39:47.640
<v Speaker 1>being the NC and having the best words. I always

0:39:47.640 --> 0:39:49.360
<v Speaker 1>tell Stive w May nobody give a fuck about that

0:39:49.480 --> 0:39:54.440
<v Speaker 1>lyrical miracle? Shit? Does it fit culturally what you're expressing

0:39:54.640 --> 0:39:57.280
<v Speaker 1>if jay Z was just rapping a bunch of lyrical

0:39:57.320 --> 0:39:59.520
<v Speaker 1>miracle and he wasn't talking about the struggles of a

0:40:00.040 --> 0:40:02.160
<v Speaker 1>Glyn Dope dinner. But no, why do you fucking listen

0:40:02.239 --> 0:40:05.600
<v Speaker 1>to that ship? What he fucking care about you? Because

0:40:05.600 --> 0:40:08.360
<v Speaker 1>you gon rhyme a thousand words and shut the fuck up.

0:40:14.080 --> 0:40:16.440
<v Speaker 1>I want a Domino home cook kid, and we don't

0:40:16.440 --> 0:40:19.560
<v Speaker 1>want know domind that's how niggas be. And Drake somewhere

0:40:19.600 --> 0:40:22.000
<v Speaker 1>along the line thought it was about him being the

0:40:22.080 --> 0:40:26.040
<v Speaker 1>master of a punchline or the master of a good flow,

0:40:26.880 --> 0:40:31.800
<v Speaker 1>not the master of the culture. What does culture and body?

0:40:31.840 --> 0:40:35.400
<v Speaker 1>And that's where I think Kendrick excel at in this battle,

0:40:35.480 --> 0:40:38.239
<v Speaker 1>even though it's his first battle on a private on

0:40:38.320 --> 0:40:41.960
<v Speaker 1>a public platform, you know, I mean, because he understood

0:40:42.080 --> 0:40:47.080
<v Speaker 1>his job is to be the culture, unapologetically, no remorse,

0:40:47.200 --> 0:40:49.040
<v Speaker 1>do it the way we would do it. And that's

0:40:49.080 --> 0:40:51.480
<v Speaker 1>what he did and he couldn't come out with nothing

0:40:51.520 --> 0:40:54.320
<v Speaker 1>but a victory. Whereas Drake, who should have stayed to

0:40:54.440 --> 0:40:57.600
<v Speaker 1>the greater side of his record making ability because that's

0:40:57.640 --> 0:41:02.160
<v Speaker 1>his strength, he didn't do that consistently and ended up

0:41:02.200 --> 0:41:06.120
<v Speaker 1>taking a loss, ended.

0:41:06.040 --> 0:41:08.080
<v Speaker 2>Up getting his ass beat really well.

0:41:08.200 --> 0:41:13.000
<v Speaker 1>He ended up losing bad towards the end. It was

0:41:13.200 --> 0:41:16.759
<v Speaker 1>it was good all the way up to not like

0:41:16.840 --> 0:41:19.880
<v Speaker 1>grass like it was. It was interesting, like you know,

0:41:19.960 --> 0:41:26.919
<v Speaker 1>coming from coming from uh like that to push ups.

0:41:26.920 --> 0:41:30.320
<v Speaker 1>It was like, Okay, this is gonna be interesting. You

0:41:30.360 --> 0:41:31.680
<v Speaker 1>know what I'm saying, This is gonna be.

0:41:33.320 --> 0:41:33.800
<v Speaker 2>Fumbled.

0:41:37.400 --> 0:41:39.279
<v Speaker 1>He could have put a little bit more and it

0:41:39.320 --> 0:41:41.439
<v Speaker 1>was such a troll effort, but it's like, we're still

0:41:41.520 --> 0:41:44.240
<v Speaker 1>judging your records. So yeah, you got the people hyped

0:41:44.280 --> 0:41:45.760
<v Speaker 1>up because the idea was cool.

0:41:46.160 --> 0:41:46.920
<v Speaker 3>It's a cool.

0:41:48.360 --> 0:41:51.279
<v Speaker 1>Kind of humors. Like but when you play now, if

0:41:51.280 --> 0:41:53.920
<v Speaker 1>the record was jamming, this to be a different conversation.

0:41:54.000 --> 0:41:55.920
<v Speaker 1>If you would have went more into pock flow and

0:41:55.960 --> 0:41:58.319
<v Speaker 1>more in a snoop flow and it really had you

0:41:58.360 --> 0:42:00.920
<v Speaker 1>a little hook and made it a jam. You know

0:42:00.920 --> 0:42:02.640
<v Speaker 1>what I'm saying that maybe we like, oh this thing

0:42:02.840 --> 0:42:04.560
<v Speaker 1>is this digg is bushit. This is.

0:42:06.239 --> 0:42:08.320
<v Speaker 2>To your point, man, he was supposed to stick the

0:42:08.360 --> 0:42:08.919
<v Speaker 2>record making.

0:42:09.200 --> 0:42:11.840
<v Speaker 1>And it's funny. I keep I told y'all this, I

0:42:11.920 --> 0:42:16.240
<v Speaker 1>told you this Pete a couple podcasts ago and Joey.

0:42:16.280 --> 0:42:19.000
<v Speaker 1>That's a good point. His confidence was funny because That's

0:42:19.040 --> 0:42:23.640
<v Speaker 1>why I'm saying he did not leak pushups the person

0:42:23.680 --> 0:42:26.560
<v Speaker 1>who wrote it and used So what they did was

0:42:26.600 --> 0:42:29.279
<v Speaker 1>they wrote the song. Just like you see all these

0:42:29.320 --> 0:42:33.120
<v Speaker 1>the BBL drizzy songs. Somebody's writing these songs and then

0:42:33.239 --> 0:42:36.000
<v Speaker 1>putting them in, you know, putting him in a different

0:42:36.080 --> 0:42:38.919
<v Speaker 1>artist's voice. And so somebody wrote this idea for Drake

0:42:38.960 --> 0:42:41.120
<v Speaker 1>and pish it to him in his voice. The writer

0:42:41.280 --> 0:42:43.759
<v Speaker 1>leaked the song. That's why it wasn't a hell of

0:42:43.840 --> 0:42:49.279
<v Speaker 1>confidence even going into the battle. Nobody, nobody even knew

0:42:49.320 --> 0:42:51.319
<v Speaker 1>we would have a battle because the.

0:42:51.280 --> 0:42:55.080
<v Speaker 2>Way you people don't believe that you just said, like

0:42:55.120 --> 0:42:57.160
<v Speaker 2>what you just said about the whole league, and somebody

0:42:57.200 --> 0:42:58.960
<v Speaker 2>pinned it. Don't nobody believe that.

0:42:59.200 --> 0:43:01.440
<v Speaker 1>Well, that's because they don't know the business, so that

0:43:01.680 --> 0:43:05.160
<v Speaker 1>everybody I sound crazy, But I also sound crazy because

0:43:05.200 --> 0:43:07.360
<v Speaker 1>I also realized Drake has been having riders since the

0:43:07.400 --> 0:43:10.600
<v Speaker 1>second and third album, you know what I mean. Like

0:43:10.920 --> 0:43:13.799
<v Speaker 1>when he first came in, he knew what his journey was.

0:43:13.880 --> 0:43:16.360
<v Speaker 1>He was coming to take over the rap game. He

0:43:16.440 --> 0:43:18.879
<v Speaker 1>knew he was gonna do whatever it take to put

0:43:19.040 --> 0:43:21.839
<v Speaker 1>Like I heard somebody arguing about how many number ones

0:43:21.920 --> 0:43:24.480
<v Speaker 1>Drake got in Future needed Drake to go number one

0:43:25.200 --> 0:43:28.880
<v Speaker 1>pop budgets as far as record making, Goal radio you

0:43:28.920 --> 0:43:31.279
<v Speaker 1>know works and still knows it's great too. It's three

0:43:31.280 --> 0:43:35.040
<v Speaker 1>different panels. Radio stations report to three different panels. They're

0:43:35.080 --> 0:43:38.200
<v Speaker 1>grouped together in three different categories as far as rap records,

0:43:38.600 --> 0:43:44.480
<v Speaker 1>urban panel, crossover or rhythmic panel and pop pop radio. Right,

0:43:44.520 --> 0:43:47.440
<v Speaker 1>So that's if you're from LA, that's you know, we

0:43:47.880 --> 0:43:50.080
<v Speaker 1>just got a new urban station back, which is the

0:43:50.160 --> 0:43:53.759
<v Speaker 1>real ninety two to three. A rhythmic crossover station is

0:43:53.760 --> 0:43:57.360
<v Speaker 1>Power one those six. A pop station is Kiss FM.

0:43:57.480 --> 0:43:57.640
<v Speaker 3>Right.

0:43:58.920 --> 0:44:03.080
<v Speaker 1>An urban station somewhere between four and five thousand songs

0:44:03.080 --> 0:44:05.040
<v Speaker 1>spins a week. If your song is number one all

0:44:05.040 --> 0:44:07.440
<v Speaker 1>the radio stations, you can get up to four to

0:44:07.560 --> 0:44:10.360
<v Speaker 1>five thousand spins a week. Being the number one for

0:44:10.520 --> 0:44:14.920
<v Speaker 1>the radio. YEP, rhythmic crossover, you could get up to

0:44:15.000 --> 0:44:17.319
<v Speaker 1>eight thousand spins if you're the number one song on

0:44:17.400 --> 0:44:20.440
<v Speaker 1>rhythm radio. And then pop radio used to get thirteen

0:44:20.480 --> 0:44:24.560
<v Speaker 1>to fifteen thousand spins. Pop budgets weren't open up to

0:44:24.640 --> 0:44:28.879
<v Speaker 1>everybody else. Future couldn't get a pop budget pre him

0:44:28.920 --> 0:44:31.120
<v Speaker 1>doing something with Drake, and Drake was able to get

0:44:31.160 --> 0:44:33.319
<v Speaker 1>pop budgets because he figured out a way to get

0:44:33.360 --> 0:44:36.240
<v Speaker 1>inside that system. So when they start spending pop radio

0:44:36.320 --> 0:44:39.120
<v Speaker 1>money on you, they keep spending pop radio money on you.

0:44:39.600 --> 0:44:42.320
<v Speaker 1>And that's why he had access. That's like Kendrick. Kendrick

0:44:42.400 --> 0:44:44.960
<v Speaker 1>is gonna have access to number one records because a

0:44:45.000 --> 0:44:48.360
<v Speaker 1>couple of songs with number one. Yeah, I mean the

0:44:48.400 --> 0:44:50.799
<v Speaker 1>Taylor Swift song got him in the door, and then

0:44:50.800 --> 0:44:52.600
<v Speaker 1>they was able to come back with Humble and get

0:44:52.600 --> 0:44:55.399
<v Speaker 1>another number one. Now you got like that is number

0:44:55.400 --> 0:44:57.799
<v Speaker 1>one because you could bind Future's ability to get to

0:44:57.840 --> 0:45:01.960
<v Speaker 1>the number one and Kendrick's and now it looks like,

0:45:02.360 --> 0:45:03.960
<v Speaker 1>not like us, it's going to be a number one,

0:45:08.000 --> 0:45:11.600
<v Speaker 1>you think, so just fighting, it's got a good chance.

0:45:11.640 --> 0:45:14.440
<v Speaker 1>They said it'll be the first rap song that debuted

0:45:14.480 --> 0:45:19.120
<v Speaker 1>in five days that will be a number one. Yes,

0:45:19.600 --> 0:45:22.799
<v Speaker 1>you know what I'm saying. So it's like it's like,

0:45:24.239 --> 0:45:27.360
<v Speaker 1>I think that's where Drake went wrong in the battle,

0:45:27.680 --> 0:45:31.160
<v Speaker 1>Like Dot was able to hypnotize him and him not

0:45:31.320 --> 0:45:34.359
<v Speaker 1>knowing in him not playing to his strong suit. Just

0:45:34.440 --> 0:45:37.680
<v Speaker 1>like Sugar Ray Leonard did to Duran. I mean, just

0:45:37.719 --> 0:45:39.919
<v Speaker 1>like Duran did the Sugar Ray Leonard, he made him

0:45:39.960 --> 0:45:42.880
<v Speaker 1>stop moving. He made him stop trying to move and

0:45:42.920 --> 0:45:44.960
<v Speaker 1>fight him the way Duran wanted to fight him, and

0:45:45.000 --> 0:45:46.000
<v Speaker 1>it worked out for Duran.

0:45:46.960 --> 0:45:49.040
<v Speaker 3>You know what's funny, I'm trying to find that I

0:45:49.160 --> 0:45:51.880
<v Speaker 3>saw something earlier, man to where in the midst of

0:45:51.920 --> 0:45:56.640
<v Speaker 3>all this, they put out some random thing like Drake

0:45:56.800 --> 0:45:59.000
<v Speaker 3>is going to be he's a billion, like two big

0:45:59.239 --> 0:46:02.480
<v Speaker 3>streams if you're becoming the high streaming artist of all time.

0:46:03.320 --> 0:46:06.480
<v Speaker 3>And I said, man, this dude always has a crisis

0:46:06.520 --> 0:46:09.400
<v Speaker 3>management team on Dick all like to try to mitigate

0:46:09.440 --> 0:46:09.799
<v Speaker 3>some shit.

0:46:10.080 --> 0:46:15.640
<v Speaker 1>Sure, but the core, but the core of the culture

0:46:15.960 --> 0:46:18.000
<v Speaker 1>is not going to let him have it no other way.

0:46:18.520 --> 0:46:21.440
<v Speaker 1>That's his problem. The core of the culture is not

0:46:21.480 --> 0:46:24.000
<v Speaker 1>fucking with none of that. The core of the culture

0:46:24.040 --> 0:46:27.320
<v Speaker 1>is not distracted, like you took this loss, you know

0:46:27.320 --> 0:46:30.000
<v Speaker 1>what I'm saying, and that's not going to change. So

0:46:31.560 --> 0:46:33.600
<v Speaker 1>you know, you have a lot of people, you know,

0:46:33.719 --> 0:46:37.040
<v Speaker 1>voice and opinions. But reality is, he just got his

0:46:37.120 --> 0:46:40.240
<v Speaker 1>ass handed to him, and every now and then it happens.

0:46:40.239 --> 0:46:42.080
<v Speaker 1>It was a good fight all the way up into

0:46:43.000 --> 0:46:44.520
<v Speaker 1>which would have been the tenth round, you know what

0:46:44.520 --> 0:46:47.480
<v Speaker 1>I mean, or the fifth round. You know, if it's

0:46:47.640 --> 0:46:52.239
<v Speaker 1>like that, if like that And if like that and

0:46:52.360 --> 0:46:55.600
<v Speaker 1>push ups is the first round, that's a great that's

0:46:55.640 --> 0:47:00.560
<v Speaker 1>an all time great first round. If if Taylor and

0:47:00.560 --> 0:47:04.880
<v Speaker 1>Euphoria it's the second round, that's around as easy to

0:47:04.880 --> 0:47:10.360
<v Speaker 1>score for Kendrick. If if six sixteen and Taylor made

0:47:10.920 --> 0:47:13.399
<v Speaker 1>that's a good round, you know what I mean for Drake.

0:47:13.960 --> 0:47:16.440
<v Speaker 1>But when it became like that, it just became a

0:47:16.520 --> 0:47:19.600
<v Speaker 1>knockout punch, And it didn't matter what you were saying

0:47:19.600 --> 0:47:21.520
<v Speaker 1>when you got up off the ground. It didn't matter

0:47:22.000 --> 0:47:24.319
<v Speaker 1>the final song that was the hard part six, It

0:47:24.320 --> 0:47:28.040
<v Speaker 1>didn't matter that you trolled the title. Eventually, the record

0:47:28.200 --> 0:47:31.640
<v Speaker 1>just had to be the shit. And he fell miserably.

0:47:31.719 --> 0:47:34.279
<v Speaker 1>You know, he made a record mentioned and you know,

0:47:34.360 --> 0:47:37.440
<v Speaker 1>trying to respond to the conversation versus making something that

0:47:37.560 --> 0:47:40.840
<v Speaker 1>was a really great song, and you just happened to

0:47:40.880 --> 0:47:43.640
<v Speaker 1>be talking about the person you dealing with, you know,

0:47:43.800 --> 0:47:46.200
<v Speaker 1>even even listening to it when I think about it,

0:47:46.280 --> 0:47:49.400
<v Speaker 1>him mentioning you know Millie Bobby Brown, Like, Bro, this

0:47:49.480 --> 0:47:52.520
<v Speaker 1>nigga didn't even bring up that lady name from you know, stranger.

0:47:52.600 --> 0:47:54.680
<v Speaker 2>Oh you start he starts sounding that's for.

0:47:54.719 --> 0:47:57.960
<v Speaker 1>You, Yeah, you start sounding like defeated, bro.

0:47:58.080 --> 0:48:02.120
<v Speaker 2>Like when you defeat and rap. It was that like

0:48:02.160 --> 0:48:05.919
<v Speaker 2>Defeat wrote the rap like Nigga, you are done, bro,

0:48:06.200 --> 0:48:10.400
<v Speaker 2>like you and you tire any sound like exhausty, like

0:48:10.480 --> 0:48:11.240
<v Speaker 2>I'm just tying.

0:48:11.239 --> 0:48:14.600
<v Speaker 3>And it's like, well he said the record, I told

0:48:14.760 --> 0:48:18.120
<v Speaker 3>you want her the last record. I said, it sounds

0:48:18.200 --> 0:48:22.840
<v Speaker 3>like he's conceding, so like he's saying fuck it. I

0:48:22.920 --> 0:48:25.680
<v Speaker 3>was like all the conversation at the end, look, man,

0:48:25.760 --> 0:48:27.920
<v Speaker 3>I know you have I'm exhausted. I know you have

0:48:28.000 --> 0:48:31.200
<v Speaker 3>ten more records. This is just a waste my time

0:48:31.239 --> 0:48:31.840
<v Speaker 3>at this point.

0:48:32.200 --> 0:48:36.960
<v Speaker 1>That's just you know, and it's weird because he wants

0:48:37.000 --> 0:48:39.680
<v Speaker 1>people to look at him as some beacon of truth

0:48:40.040 --> 0:48:43.200
<v Speaker 1>and that's not your role in rap music. I mean,

0:48:43.280 --> 0:48:45.319
<v Speaker 1>one thing is you're not a hip hop artist or

0:48:45.400 --> 0:48:48.560
<v Speaker 1>you have no real true you know, outside of being

0:48:48.560 --> 0:48:51.040
<v Speaker 1>able to benefit people from the urban street culture. You

0:48:51.080 --> 0:48:54.440
<v Speaker 1>don't really have sway there. You won't redirect culture or

0:48:54.440 --> 0:48:57.280
<v Speaker 1>style there. You don't have a say that. But even

0:48:57.360 --> 0:49:00.480
<v Speaker 1>in just in the face of rap music, you know

0:49:00.520 --> 0:49:03.040
<v Speaker 1>what I'm saying, You're not the beacon of facts. So

0:49:03.160 --> 0:49:05.920
<v Speaker 1>when when you try to lean to things like referring

0:49:05.920 --> 0:49:08.839
<v Speaker 1>to yourself as a war general or you want to

0:49:08.880 --> 0:49:12.200
<v Speaker 1>fight somebody when there's a well documented history of you

0:49:12.320 --> 0:49:14.880
<v Speaker 1>not fighting people. You know what I'm saying, Like, he

0:49:15.000 --> 0:49:17.520
<v Speaker 1>just got lost, and I think it goes back to

0:49:18.080 --> 0:49:21.400
<v Speaker 1>what you were saying, Pete. He was arrogant, He was

0:49:21.560 --> 0:49:24.160
<v Speaker 1>Hella arrogant, and he started buying the hype. But that's

0:49:24.239 --> 0:49:27.480
<v Speaker 1>also Joey why I've been saying for years, like, yo,

0:49:28.080 --> 0:49:30.600
<v Speaker 1>he's not a hip hop artist, and like, as long

0:49:30.640 --> 0:49:33.680
<v Speaker 1>as he keeps confusing it, he's making it hard for

0:49:33.719 --> 0:49:36.399
<v Speaker 1>ghetto kids to get the opportunity because they're gonna move

0:49:36.440 --> 0:49:39.120
<v Speaker 1>the money away from people from the ghetto if he's

0:49:39.200 --> 0:49:43.160
<v Speaker 1>able to pass as somebody from the streets. Like this

0:49:43.200 --> 0:49:45.120
<v Speaker 1>is a little dude that had a Jewish fro his

0:49:45.200 --> 0:49:47.520
<v Speaker 1>whole life, you know what I mean. And then now

0:49:47.640 --> 0:49:50.360
<v Speaker 1>as a forty year old man, he's wearing you know

0:49:50.360 --> 0:49:52.520
<v Speaker 1>what I'm saying, braids to the back, and it's like

0:49:53.040 --> 0:49:55.920
<v Speaker 1>it just it's such an appropriate it's such an appropriation

0:49:56.000 --> 0:49:58.319
<v Speaker 1>of culture, and people feel like he's entitled to it

0:49:58.640 --> 0:50:02.160
<v Speaker 1>because his father is a black man from Memphis. No,

0:50:02.400 --> 0:50:05.520
<v Speaker 1>this guy was raised in the Jewish community, a Jewish

0:50:05.600 --> 0:50:09.480
<v Speaker 1>suburb in Canada. He went to Jewish private schools, he

0:50:09.560 --> 0:50:12.279
<v Speaker 1>became a child actor, and that's how he spent his

0:50:12.360 --> 0:50:16.319
<v Speaker 1>life and decided he wanted to rap. Everybody rapped when

0:50:16.360 --> 0:50:18.759
<v Speaker 1>they were a little kid, because rap was the main

0:50:18.840 --> 0:50:21.399
<v Speaker 1>state in their time, you know what I mean. It's

0:50:21.400 --> 0:50:23.560
<v Speaker 1>not like when I was little. Rap wasn't the biggest

0:50:23.560 --> 0:50:25.560
<v Speaker 1>thing in the world. In the eighties, you heard Michael

0:50:25.640 --> 0:50:28.560
<v Speaker 1>Jackson keep sweating shit, you didn't hear a ton of

0:50:28.640 --> 0:50:33.000
<v Speaker 1>rap songs like on no mainstream outlet. Versus when you

0:50:33.040 --> 0:50:35.879
<v Speaker 1>know Drake, who at this point is roughly forty years old.

0:50:35.960 --> 0:50:37.680
<v Speaker 1>You know what I'm saying. That means he was born

0:50:37.800 --> 0:50:42.200
<v Speaker 1>in nineteen ninety somewhere around eight, like the late eighties

0:50:42.280 --> 0:50:45.759
<v Speaker 1>or like ninety I mean, so if you, I mean,

0:50:45.840 --> 0:50:48.120
<v Speaker 1>if you seven eight years old, and you know, you're

0:50:48.120 --> 0:50:51.680
<v Speaker 1>talking about nineteen ninety five and ninety six, the biggest

0:50:51.680 --> 0:50:55.840
<v Speaker 1>records in the world or other fucking records from rap artists,

0:50:55.880 --> 0:50:59.520
<v Speaker 1>hip hop artists. So everybody was into rap music at

0:50:59.520 --> 0:51:03.840
<v Speaker 1>that time because it started competing, It started competing with

0:51:05.520 --> 0:51:08.080
<v Speaker 1>all of the best songs in the music industry. So

0:51:08.280 --> 0:51:10.760
<v Speaker 1>I'm really careful with how I give that title away,

0:51:11.040 --> 0:51:13.719
<v Speaker 1>and I definitely want to make an effort to look

0:51:13.760 --> 0:51:16.640
<v Speaker 1>into other people and really figure out who really is

0:51:16.719 --> 0:51:19.120
<v Speaker 1>hip hop and who's not, who's using the culture.

0:51:20.360 --> 0:51:22.520
<v Speaker 2>It's funny, though, because you've been making these points for

0:51:22.560 --> 0:51:26.359
<v Speaker 2>a minute, man, and uh, now that it got put

0:51:26.360 --> 0:51:28.719
<v Speaker 2>out there like that by someone like a Kendrick, you

0:51:28.800 --> 0:51:30.440
<v Speaker 2>know what I'm saying, like a lot of people starting

0:51:30.480 --> 0:51:32.520
<v Speaker 2>to agree with it. It's still getting pushed back, of course,

0:51:32.520 --> 0:51:34.439
<v Speaker 2>because that's just what people want to do. People don't

0:51:34.480 --> 0:51:38.480
<v Speaker 2>like to be, you know, convinced like, damn, maybe I

0:51:38.560 --> 0:51:40.839
<v Speaker 2>did have this wrong. I looked at this the wrong way.

0:51:41.239 --> 0:51:43.880
<v Speaker 6>And it's probably getting pushed back by people who themselves

0:51:43.920 --> 0:51:46.879
<v Speaker 6>are on the margins exactly as well, who are something else.

0:51:47.120 --> 0:51:49.520
<v Speaker 6>It's getting pushed back from Ram show. It's not getting

0:51:49.520 --> 0:51:50.200
<v Speaker 6>pushed back.

0:51:50.000 --> 0:51:52.719
<v Speaker 1>From the culture itself. He's right, it's getting pushed back

0:51:52.760 --> 0:51:55.440
<v Speaker 1>from people who feel like it's a weird group of

0:51:55.520 --> 0:51:59.120
<v Speaker 1>people here that feel like he represents their interest in

0:51:59.200 --> 0:52:02.440
<v Speaker 1>the conversation. And I'm like, bro, none of you niggas

0:52:02.480 --> 0:52:06.319
<v Speaker 1>grew up Jewish. I don't care if your mom is

0:52:06.360 --> 0:52:09.520
<v Speaker 1>black and y'all lived in the suburbs. Nigga, it wasn't

0:52:09.520 --> 0:52:12.440
<v Speaker 1>his experience. This man has this is gonna.

0:52:15.360 --> 0:52:17.160
<v Speaker 3>I'm disappointed in some of these dudes.

0:52:17.239 --> 0:52:18.280
<v Speaker 1>Man, what happened?

0:52:19.840 --> 0:52:25.200
<v Speaker 3>Just just some of these motherfuckers, like like Killy yo

0:52:25.920 --> 0:52:29.080
<v Speaker 3>when Man, some of these motherfuckers want people to come

0:52:29.120 --> 0:52:31.520
<v Speaker 3>on their platform so bad, and they feel like if

0:52:31.560 --> 0:52:35.080
<v Speaker 3>they don't have an honest opinion, they're gonna prevent these people.

0:52:35.080 --> 0:52:37.920
<v Speaker 3>They could possibly deny themselves the opportunity to have these

0:52:37.920 --> 0:52:40.960
<v Speaker 3>people on their platform. Stop kissing ass man.

0:52:41.239 --> 0:52:44.279
<v Speaker 1>You know what's funny. Still, I'm not mad at nobody

0:52:44.680 --> 0:52:49.440
<v Speaker 1>that's not staying biased. I'm actually more upset with a

0:52:49.440 --> 0:52:52.040
<v Speaker 1>lot of West Coast media because they were not biased.

0:52:52.719 --> 0:52:54.279
<v Speaker 1>Me and Joey you've been talking shit, be like bro

0:52:54.400 --> 0:52:55.799
<v Speaker 1>y'all not gonna be biased at all?

0:52:56.600 --> 0:52:58.840
<v Speaker 3>Like you should be a little biased. Do you gotta

0:52:58.880 --> 0:52:59.920
<v Speaker 3>want the whole team to win?

0:53:00.760 --> 0:53:03.439
<v Speaker 1>I've never I didn't feel no kind of way when

0:53:03.480 --> 0:53:06.560
<v Speaker 1>Cameron and and May said, hey, you know, Drake, uh

0:53:06.719 --> 0:53:10.080
<v Speaker 1>Toronto is a lot closer to fucking you know Harlem

0:53:10.160 --> 0:53:11.480
<v Speaker 1>than fucking counting.

0:53:11.760 --> 0:53:13.840
<v Speaker 2>They just want to stand on the bias though.

0:53:13.880 --> 0:53:17.040
<v Speaker 1>They came to a place to where and maybe they

0:53:17.040 --> 0:53:19.160
<v Speaker 1>weren't biased. Maybe it's they heard the battle, how they

0:53:19.239 --> 0:53:21.680
<v Speaker 1>hurt the battle but they eventually came around and said,

0:53:21.680 --> 0:53:22.200
<v Speaker 1>you know what.

0:53:24.560 --> 0:53:27.120
<v Speaker 2>That knockout plunge that they said, that doesn't exist like

0:53:27.160 --> 0:53:29.960
<v Speaker 2>a nigga, Like academics who just want to who's really

0:53:30.040 --> 0:53:33.520
<v Speaker 2>really in pain to see his boy get his ass?

0:53:33.520 --> 0:53:35.799
<v Speaker 1>I want to think for two seconds that niggas in pain.

0:53:36.080 --> 0:53:41.319
<v Speaker 1>I'll be honest. I don't mean about no fucking them.

0:53:41.400 --> 0:53:44.319
<v Speaker 1>Niggas ain't in pain. You know what they is? The

0:53:44.360 --> 0:53:49.320
<v Speaker 1>best they is is embarrassed for picking the wrong Niggas.

0:53:49.320 --> 0:53:52.560
<v Speaker 1>Don't get talk about no mother Listen, then niggas don't

0:53:52.560 --> 0:53:55.279
<v Speaker 1>care about no morotherfucking Drake niggas. They don't care about

0:53:55.320 --> 0:53:59.759
<v Speaker 1>Drake them. Niggas is in love with niggas and niggas ship.

0:54:00.840 --> 0:54:03.600
<v Speaker 1>They are not in love with Drake. Flock on them

0:54:03.640 --> 0:54:05.279
<v Speaker 1>act like they're in love with they we he's my friend.

0:54:05.280 --> 0:54:07.279
<v Speaker 1>No he not. You Niggas love nigga because y'all try

0:54:07.320 --> 0:54:09.200
<v Speaker 1>to act like niggas. You talk about niggas all day.

0:54:09.440 --> 0:54:12.279
<v Speaker 1>Do you think anybody would look at academics podcasts or

0:54:12.320 --> 0:54:15.040
<v Speaker 1>flock oh podcasts and if they was talking about Drake

0:54:15.080 --> 0:54:18.360
<v Speaker 1>all day, niggas wouldn't give a fuck about that academic

0:54:18.440 --> 0:54:21.400
<v Speaker 1>shit is built off ghetto shit in Chicago, issues that

0:54:21.440 --> 0:54:24.479
<v Speaker 1>the ghetto had in Chicago. Flocko is building his whole

0:54:24.480 --> 0:54:27.680
<v Speaker 1>platform off the issues the ghettos got in Los Angeles.

0:54:30.000 --> 0:54:33.840
<v Speaker 2>They don't even have a they would even have a

0:54:35.080 --> 0:54:36.360
<v Speaker 2>platform without the ghetto.

0:54:36.520 --> 0:54:39.520
<v Speaker 1>So they can't fool me when they act like they

0:54:39.600 --> 0:54:42.160
<v Speaker 1>relate to Drake. No, y'all, don't you full of shit.

0:54:42.520 --> 0:54:44.760
<v Speaker 1>You just aligning yourself with where you think the money

0:54:44.880 --> 0:54:47.160
<v Speaker 1>is currently, and that's it, you know what I mean?

0:54:47.200 --> 0:54:48.000
<v Speaker 3>So I don't.

0:54:48.239 --> 0:54:51.080
<v Speaker 1>I never got offended when I saw that. Now that

0:54:51.200 --> 0:54:54.399
<v Speaker 1>West Coast homies, you niggas better get y'all ass off

0:54:54.400 --> 0:54:57.440
<v Speaker 1>the fits you are over here. It's okay to say

0:54:57.440 --> 0:54:59.360
<v Speaker 1>a nigga got a great record, but you it's okay

0:54:59.400 --> 0:55:01.479
<v Speaker 1>to be like nigga. I'm rude for my West Coast brother.

0:55:02.000 --> 0:55:03.040
<v Speaker 1>It's the West.

0:55:04.239 --> 0:55:06.600
<v Speaker 3>As you should. You ain't nothing wrong with takers, believe me,

0:55:07.160 --> 0:55:10.400
<v Speaker 3>and catch from other places. They ride for they people.

0:55:14.960 --> 0:55:17.600
<v Speaker 1>Good looking out for tuning in to the Note Sellers podcast.

0:55:17.880 --> 0:55:21.239
<v Speaker 1>Please do us a favorite, subscribe, rate commentist share. This

0:55:21.320 --> 0:55:23.560
<v Speaker 1>episode was recorded right here on the West Coast of

0:55:23.600 --> 0:55:27.040
<v Speaker 1>the USA and produced about the Black Effect Podcast Network

0:55:27.200 --> 0:55:30.239
<v Speaker 1>and not heart radio, Yeah.