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Speaker 1: What's up, zaric Andre? And this is Bombing, the podcast

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Speaker 1: where I talk to comedians, artists and other interesting people

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Speaker 1: about the worst bombs of their career. On today's episode,

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Speaker 1: we have certified Sweetie Pie and my friend the Queef

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Speaker 1: of comedy, yourself, Sandy Hoenig. We talk about Sandy's worst

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Speaker 1: bombs in London and a youth hostel on Long Island City,

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Speaker 1: plus mister Beast prop comedy, three busy DeBras, the worst

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Speaker 1: day of the week to do comedy, and a whole

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Speaker 1: lot more. Enjoy Bombing.

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Speaker 2: Baling with Eric.

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Speaker 1: Andre Sandy Onig. We're here with the comedian extraordinaire. I

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Speaker 1: said her name first, which already fund up. The intro

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Speaker 1: doesn't matter. You've seen her on h one Ciso a Kuwimi.

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Speaker 3: I love.

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Speaker 1: Your intro. I don't think cable doesn't.

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Speaker 3: At this right you.

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Speaker 1: Have to be mister beasts on YouTube and be like, dude,

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Speaker 1: I just gave it home this guy five bucks and

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Speaker 1: people were like, holy shit.

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Speaker 4: I just thought that he went in like an ancient

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Speaker 4: Egyptian pyramid tomb.

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Speaker 1: He hacked the algorithm. I'm like, man, I'm overthinking this

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Speaker 1: entertainment business. He's just like, dude, I went in a

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Speaker 1: tomb and guess what I picked toot and commons no,

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Speaker 1: and people are like forty billion likes.

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Speaker 3: So I'm like, really crazy.

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Speaker 4: I only watched one of his videos, which is when

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Speaker 4: he restores sight.

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Speaker 3: To the blind.

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Speaker 4: He's like, but he like does it in this way

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Speaker 4: where he's like he's like patting.

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Speaker 1: Himself on the back of little well. I know, I

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Speaker 1: don't know too much about him. I don't want to

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Speaker 1: talk about him a lovely guy.

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Speaker 3: I know he's an absolutely lovely guy.

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Speaker 1: Mister, I really have known. Why is he called mister beasts?

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Speaker 1: He doesn't seem beast, you know, he doesn't at all.

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Speaker 1: He should be called mister regular guys. I thought he

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Speaker 1: was like, dude, I'm about to drink my blood. Bro

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Speaker 1: like extreme kind of dude.

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Speaker 4: He's like, watch me sight the whine. It's like really

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Speaker 4: crazy because like in the video he's like he does it,

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Speaker 4: not himself, of course.

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Speaker 3: But.

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Speaker 1: Retaches guy's retinas.

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Speaker 3: It's pretty wild.

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Speaker 1: Med school in six weeks. Let's see if I get

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Speaker 1: retached that I'm a bit of a beast when it

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Speaker 1: comes to the fucking restore carrying glock. Wait, what does

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Speaker 1: he do does he just hang by the.

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Speaker 4: Doctor that does like chills there, and then he like

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Speaker 4: interviews the people who are.

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Speaker 1: Really doing anything.

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Speaker 3: Nobody's like paying for it.

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Speaker 4: Oh I know that he like alternates doing like good

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Speaker 4: things and then like crazy things where it's like can

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Speaker 4: you stay in this room with a million bees for

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Speaker 4: a day?

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Speaker 1: Oh yeah, so that makes him a beast.

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Speaker 3: I think that's more beat.

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Speaker 1: That's beast.

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Speaker 3: You'll, yeah, mister beasting. That's why they pay me the big.

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Speaker 1: And that's why I'm missus beasts. Well, you're getting married

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Speaker 1: to the guy.

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Speaker 3: You know what, mazzle, you know what girls eat?

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Speaker 1: I get it. I'm married married challenge I marry is

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Speaker 1: freaking nature. Okay, So the podcast is called Bombing. It's

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Speaker 1: about bombing.

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Speaker 3: It's about bombing.

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Speaker 1: Surprise, surprise if you can actually believe it, and it

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Speaker 1: doesn't have to just be You don't have to tell

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Speaker 1: tales of bombing at a show. You can tell tales

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Speaker 1: of bombing in real life for some awkward time. But

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Speaker 1: do you have any stories of you bombing on stage?

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Speaker 1: Maybe episode I've had comedians on like that like, yeah,

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Speaker 1: I don't really bomb. I'm like that's and you're a

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Speaker 1: sociopath or you're so neurodivergent, you're like on on Saturn's rings.

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Speaker 1: That that can't be. That cannot be. That's like being

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Speaker 1: like a bat a professional basketball player, Like I've never

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Speaker 1: missed a single shot, Like what are you talking about?

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Speaker 3: Yes, you have.

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Speaker 4: Sometimes when people say that, like comedians, and then I

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Speaker 4: see them perform and it's like or sometimes comedians will perform,

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Speaker 4: film the set and upload the set online and I go, Okay,

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Speaker 4: so not only did you not get any laughs in

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Speaker 4: the room which I can see on the video, but

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Speaker 4: you thought I'm gonna upload this entire set online because

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Speaker 4: you're not even thinking about the audience's reactions.

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Speaker 1: Yeah, they're not. They're never good comics. And b I

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Speaker 1: think they have like laugh blindness or something. I think

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Speaker 1: when they're on stage they're in such a heightened state

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Speaker 1: that they don't really but they're never.

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Speaker 4: And if they think it's funny, then they're like crushed crush.

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Speaker 1: Maybe they think bombing means like booed off stage to

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Speaker 1: the extent where like tomatoes are being thrown versus just

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Speaker 1: getting no laughs. Me, I'm like I need to laugh

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Speaker 1: every joke, or I'm like, all right, I fall to pieces.

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Speaker 3: I feel the same.

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Speaker 1: I can't I if I missed two in a row.

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Speaker 1: I'm like that set was a disaster. I'm I'm like

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Speaker 1: in the fetal position.

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Speaker 2: I'm sure.

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Speaker 4: I feel like the worst that I've ever bombed was

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Speaker 4: probably it was the first time I've ever performed not

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Speaker 4: in the US, and so.

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Speaker 3: I was like, where was it. It was in London.

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Speaker 1: I was like, what crazy country Guinea? It was literally London,

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Speaker 1: like Toronto, Canada.

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Speaker 3: Well, I just was like, oh wow, I guess like

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Speaker 3: things don't.

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Speaker 4: It was interesting though, because before my set, I was

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Speaker 4: like going through all the things with the other comics,

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Speaker 4: being like, what do you call this here?

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Speaker 3: What do you call this here? Was trying to like

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Speaker 3: translate it.

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Speaker 4: It's like they have different words for things, or like

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Speaker 4: I have a joke about Target, they don't.

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Speaker 1: It's always the chains and the I'm like, oh fuck,

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Speaker 1: that jokerlies on pizza hut being the lunch line and

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Speaker 1: they don't have pizza huts.

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Speaker 4: Right, And so I it was is a lineup show,

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Speaker 4: and the host of the show was he's a really.

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Speaker 3: I would say normal comedians like mister Beast. He's just

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Speaker 3: like mister Beat. He like gets up, he does crowd work, he.

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Speaker 1: Does guy yeah, Tom Hanks of comedy Yeah.

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Speaker 4: And and there another guy on the lineup who was

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Speaker 4: like a weird.

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Speaker 3: Guy, and he didn't do so well. And I was like, well,

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Speaker 3: I'm fucked, like the alternative guy.

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Speaker 4: The other weird guy is bombing, like this isn't going

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Speaker 4: to go so well. And I'll say, if I knew

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Speaker 4: what the vibe of the show was going to be,

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Speaker 4: I would have worn like a T shirt and jians.

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Speaker 1: But it was just like a hair girl. I was.

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Speaker 4: It's like, you know, shame on me because I was

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Speaker 4: wearing a turquoise jumpsuit and a right a white and

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Speaker 4: red checkered bow tie. I wanted to dress a little

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Speaker 4: wacky also because I have a whole bit about like

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Speaker 4: dressing wacky.

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Speaker 3: Oh sue me. I dressed like a big clown.

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Speaker 4: And I definitely felt like as soon as everyone else

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Speaker 4: on the show T shirt, jeans.

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Speaker 5: Yeah, they just and also men right and wearing stuff

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Speaker 5: from like the Gap Clean yes.

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Speaker 4: And so I think that immediately upon the eyes people

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Speaker 4: were confused. And when I did my first joke, which

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Speaker 4: like usually gets you know, big laugh, I'm like building

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Speaker 4: to the punchline and I get like actual silence. Yeah,

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Speaker 4: And I was like and I had a twenty minute.

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Speaker 1: Set and You're like this joke doesn't work.

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Speaker 3: I was like, oh fuck, Like.

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Speaker 1: Like I've been in those situations so many times where

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Speaker 1: I'm like, wow, if the A if the A material

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Speaker 1: doesn't work, I'm not going to be able to tap

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Speaker 1: dance into anything. I actually think you should just leave.

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Speaker 1: I'm like, I kind of know why you want to,

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Speaker 1: but you want to get paid to.

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Speaker 4: It was just this weird thing though, where was like

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Speaker 4: the first joke like not just like titters, like literally

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Speaker 4: like syless and drop, which I just was shocked at

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Speaker 4: because I've been doing this bit for a while and

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Speaker 4: it always gets a big laugh and I was just

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Speaker 4: was like, oh my god, I have twenty more the

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Speaker 4: minutes of this was the bit.

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Speaker 1: Too like American or something? Was it like you know

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Speaker 1: when you're in Mobile, Alabama and they're like hey or something?

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Speaker 1: Was it like it was very very American?

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Speaker 4: Or was it that American? I mean, unless Halloween is

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Speaker 4: specific to America, but I don't think it is. I

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Speaker 4: think so it was like I couldn't tell you, and

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Speaker 4: it was just like I was just like, oh, my

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Speaker 4: fucking god. So I go through the rest of my

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Speaker 4: set silence, silence, silence, bowing, moombing. My friend Joe was

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Speaker 4: there in the back and he said that during my

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Speaker 4: last joke he heard a guy turn to his friend and.

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Speaker 3: Go, what is he even going? And I the only time.

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Speaker 4: They laughed was when I made fun of myself, and

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Speaker 4: I made fun of what I was wearing, because also,

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Speaker 4: don't forget turboise jumpsuit, big bow tie, giant bow tie.

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Speaker 4: The They really laughed when I said, by the way,

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Speaker 4: in America, everyone dresses like this.

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Speaker 1: Everyone.

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Speaker 3: By the way, this is normal in America.

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Speaker 4: They only laughed when, Yeah, when I made fun of myself,

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Speaker 4: and then yeah finished out the twenty minutes.

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Speaker 3: I don't know how.

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Speaker 4: Longest, walked off stage, walked through the doors, walked into

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Speaker 4: the bathroom, into a stall closed to the door behind me,

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Speaker 4: just banged my head and.

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Speaker 3: I was just like, how how could it have gone

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Speaker 3: so wrong?

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Speaker 2: Yeah?

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Speaker 3: And then I was like, Okay, I guess.

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Speaker 4: I don't well the other laughs they were except the

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Speaker 4: other weird guy. He he also was having trouble. It's

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Speaker 4: usually when I'm on a show where I'm the weird guy. Yeah, yeah,

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Speaker 4: you know if everybody else is pretty normal and people

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Speaker 4: just show up thinking they're going to see like I

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Speaker 4: don't know.

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Speaker 1: Who I'm trying to think of, like a normal cord like.

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Speaker 3: Right, you know, a normal guy.

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Speaker 4: My other like times that I've bombs have also been

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Speaker 4: like one time I was booked on this show that

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Speaker 4: was at a youth hostel in Long Island City, which

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Speaker 4: I didn't even know there were hostels in New York.

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Speaker 3: There's like two of them.

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Speaker 4: And I showed up. It was in like the lobby

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Speaker 4: of a youth hostel.

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Speaker 1: I've done like almost the same exact.

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Speaker 3: Show, And as soon as I got there, I.

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Speaker 1: Was like, it was like the lobby of a youth

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Speaker 1: hostle in Harlem.

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Speaker 3: Yeah, and that was like no one spoke English.

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Speaker 1: German tourists.

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Speaker 4: Yeah yeah, they all just looked at you like they

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Speaker 4: were smiling.

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Speaker 3: They were happy to but they had no idea what

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Speaker 3: any of us were saying. So that was one of

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Speaker 3: the few shows where.

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Speaker 1: Why do we do this? I don't know ourselves that

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Speaker 1: point of that.

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Speaker 4: Sometimes there were just shows I would be booked on,

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Speaker 4: like when I was first starting in New York, where

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Speaker 4: it was just like I'd show up anywhere anyone told

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Speaker 4: me to show up, and you just assumed that when

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Speaker 4: someone else's running a show they are professional.

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Speaker 1: No, they're crazy crazy, They're oblivious, idiotic, moron, crazy lunatics

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Speaker 1: that are like so disconnected from reality that they're like

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Speaker 1: the lobby of a hostel in Long Island.

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Speaker 3: This is where we're going to do the show.

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Speaker 1: Comedy will just fucking blossom.

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Speaker 3: It's really because you came up in New York.

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Speaker 1: Also, yeah, I heard Jerry Seinfeld. He goes, I won't

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Speaker 1: even do a show. He goes, I'll never do outside shows.

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Speaker 1: Nobody can pay attention. And he goes, I don't even

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Speaker 1: like doing shows where there's circular tables because fifty percent

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Speaker 1: of the audience has their back to Yeah, so think

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Speaker 1: about how sensitive comedy is as a medium. Where Jerry

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Speaker 1: Seinfeld at the top of comedy mountain is like, h

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Speaker 1: circular tables pass.

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Speaker 4: So I never understand at comedy clubs they are all

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Speaker 4: at the circular tables and people are sitting like well

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Speaker 4: he means like.

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Speaker 1: Big wedding table like banking, not little like bar tops

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Speaker 1: like big ten seedter wedding tables. Because he's like, you

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Speaker 1: got five people at each table, like they're like like

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Speaker 1: this or this right, So that's not conducive. Comedy outside

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Speaker 1: is not conducive. I did a concert before, like a

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Speaker 1: like a want to be knockoff Coachella, where I had

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Speaker 1: to host and bring up all the bands, so it

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Speaker 1: was like a ten hour set and it was uncomedyable.

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Speaker 3: Yeah. Well it's like everybody's looking every round.

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Speaker 1: So yeah, everybody's looking around, there's noise everywhere, everybody's on

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Speaker 1: tons of drugs. It's boiling. It was like really hot.

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Speaker 1: So people were just like on like whatever Ketemie and Rabatussa,

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Speaker 1: I'm like waiting for you know, Danny Brown and Idols

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Speaker 1: to play or whoever, and there are other bands playing

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Speaker 1: and so many distractions. They're just like, uh, you can't

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Speaker 1: be like, hey, what's the deal with the new iPhone update?

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Speaker 1: And that's your new and that's my only bet that

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Speaker 1: was what's the iPhone out dated?

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Speaker 3: You have to write one every time.

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Speaker 4: There's a new update, every update, like crash on it

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Speaker 4: and the iOS.

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Speaker 1: People, Hello, Tim Cook, please.

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Speaker 3: Have you seen the new oj.

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Speaker 1: Wait? So you know, Tim Cook went back after the inauguration,

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Speaker 1: he went to the other headhunches at apples like should

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Speaker 1: we get rid of our DEI initiative? And they were like, no,

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Speaker 1: that's like completely inappropriate that you would even ask that,

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Speaker 1: like should we stop hiring black people? Is that what

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Speaker 1: you're kind of saying? Like Mark Zuckerberg was liked, no

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Speaker 1: fucking problem, whatever, whatever, But I like it that everybody

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Speaker 1: at Apple was like, no, man's right.

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Speaker 4: It's so crazy that the president can just be like,

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Speaker 4: no more of that and then everyone just does it.

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Speaker 3: It's like, what do you think he's gonna do to you?

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Speaker 1: It's well, they're like puppeteering him. It's like this billionaire

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Speaker 1: play where like Elon Musk like in his brain is

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Speaker 1: the pro He's the guy that pen pals back of

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Speaker 1: its fourteen hundred something.

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Speaker 4: Really silly happened to me where I everyone was like

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Speaker 4: talking to me about like and can you believe what

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Speaker 4: Elon Musk is doing and all this stuff? And I

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Speaker 4: was like, why have I not seen anything about him?

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Speaker 4: Like I feel like I miss I was like, are

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Speaker 4: they like not reporting on it? And it's like word

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Speaker 4: of mouth? And then I realized that I had his

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Speaker 4: name muted, his account muted any like iteration because when

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Speaker 4: he bought Twitter everyone was tweeting about him so much.

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Speaker 4: I was just like shut up, like I can't hear

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Speaker 4: about it anymore. And he was like made all of

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Speaker 4: his tweets the top of everybody's feed, and so I

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Speaker 4: had just muted him across everything, and then I was like, wow,

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Speaker 4: people really low key fell off man.

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Speaker 1: He's he's he's doing like press junks in the Oval

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Speaker 1: office and Trump's just sitting there like like clearly doesn't

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Speaker 1: want the job, just didn't want to go to jail.

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Speaker 1: So like, Trump's I got the job. He hates again,

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Speaker 1: but he's too narcissistic to like say no to it.

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Speaker 1: So he's like and he's too good at campaigning. He's like, hey,

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Speaker 1: you want French fries, I'm work at McDonald's now. America's

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Speaker 1: like he's like, I'm giving out bold shoes. And he's

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Speaker 1: too good at campaigning because he's a stand up comic

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Speaker 1: with no jokes. He loves touring, so he loves He's

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Speaker 1: really good. He loves touring. He's great at campaigning to Americans,

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Speaker 1: talk about.

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Speaker 4: A dude who doesn't bomb never never.

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Speaker 1: He's so good at campaigning and now he's got the

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Speaker 1: job I got. He's like oh yeah, fuck I hate this. Yeah, Elon,

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Speaker 1: you want to take it away? And then Elon's kid

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Speaker 1: was in the Oval office talking ship to Trump terry thing.

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Speaker 1: He's like, you're ugly, go away. You shuck all the

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Speaker 1: ship And Trump's like, oh yeah, take it away, dude.

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Speaker 1: Planes are falling out of the sky. He's like, got

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Speaker 1: the SAAE, He's got the FAA. The guy that ran

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Speaker 1: the FAD quit day one. He's like, fuck Trump. And

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Speaker 1: then like then like Eli's like, I'll use all that buddy,

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Speaker 1: just like got the planes are like ship. I just

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Speaker 1: watched the Delta fucking like crash upside out. It was like, god, ship,

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Speaker 1: we needed that money.

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Speaker 2: Comebo.

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Speaker 1: That was such a disaster.

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Speaker 3: The first few days.

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Speaker 4: It was like a plane crash every day.

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Speaker 1: I don't remember. It was like it was a military

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Speaker 1: helicopter into a plane in Washington, d C. The most

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Speaker 1: it should be the most regulated aviation, you know what

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Speaker 1: I mean. It's like the military in Washington, d C

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Speaker 1: with a plane in Washington, d C. Like they should

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Speaker 1: have like the most FAA eyeballs on him. And it

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Speaker 1: was just like come But then Trump's like, yeah, you

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Speaker 1: just should have hired black people. I was like we're black.

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Speaker 3: People were like, was it the in a diversity thing?

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Speaker 1: Yeah? It was like were the pilots diverse or the

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Speaker 1: helicopter guy or the what do you mean?

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Speaker 2: What do you mean?

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Speaker 1: He's like, I don't know, man, and he's like, it's

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Speaker 1: also Biden's fault. We're like, you're dune campaigning. You won.

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Speaker 1: You don't got to talk about Biden anymore. You're in charge.

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Speaker 3: He's dead.

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Speaker 1: Biden died twenty years ago. Jim Carrey is playing him.

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Speaker 3: Jim Carrey is Joe Biden. Wait Wood was.

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Speaker 1: Love that that was reality. It was like somebody like me.

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Speaker 2: With a recdre.

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Speaker 1: With a codre more bombing stories, got any.

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Speaker 2: Stories?

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Speaker 4: I mean, we'll sort of we we bombed on the network.

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Speaker 4: I'd say, oh yeah, it was pretty bad.

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Speaker 1: What do you mean? I never asked for ratings?

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Speaker 2: Do you know that?

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Speaker 1: It was always told that. I was like, don't tell me.

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Speaker 1: I was like, tell me, you get another season, but

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Speaker 1: don't tell me anything else.

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Speaker 4: It wasn't so much about the ratings as much as

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Speaker 4: it was we were the first women on the network,

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Speaker 4: our first female show on the network, right, and.

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Speaker 3: The audience just like kind of wanted us dead.

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Speaker 1: Like Reddit people like internet audience or what you mean.

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Speaker 3: Yeah, like Internet like any time.

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Speaker 1: I don't think Internet audience is real anymore.

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Speaker 4: It's like I know, but they would certainly find ways

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Speaker 4: to send messages and leave comments that were not so

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Speaker 4: really not so naise. It was like before the show

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Speaker 4: even happened. Oh, we got like lumped in with like

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Speaker 4: when Million Dollar Extreme got canceled.

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Speaker 3: Do you remember that show?

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Speaker 1: It was like right wing sexist broke like eight Channers.

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Speaker 3: It was like around the same time that that happened,

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Speaker 3: So it was.

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Speaker 1: Like angry eight chan energy you got like kicked over

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Speaker 1: to you guys.

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Speaker 3: Yeah.

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Speaker 4: The one thing that someone said where they saw a

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Speaker 4: photo of the three of us and they called us

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Speaker 4: the Mexican, the Jewish, and Lago Blina And we were like, okay,

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Speaker 4: who's who. Like we were all like, well, I'm definitely

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Speaker 4: go Blina. All we're convinced that we were Logo Blina.

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Speaker 4: But yeah, I still if whoever left that comment, if

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Speaker 4: you could let us know who was who, that would

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Speaker 4: be really great.

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Speaker 1: Yeah, but is that like the time to just like

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Speaker 1: turn off comments?

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Speaker 3: And totally it was like.

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Speaker 1: The people yell at me about ship on an Instagram

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Speaker 1: post that I don't even think is offensive, and then

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Speaker 1: not a single person in real life will come up

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Speaker 1: to me and be like, you posted that, you know

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Speaker 1: what I mean?

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Speaker 4: Like it's like, yeah, well, it was like the first

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Speaker 4: time we ever had anyone really paying attention to us,

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Speaker 4: so I think we didn't.

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Speaker 1: Know it and an extra sensitivity because you're like, oh,

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Speaker 1: I'll look at what the feedback is.

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Speaker 4: It would just be like anytime Adult Swim posted anything about.

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Speaker 1: I didn't know you guys were getting.

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Speaker 4: Yeah, just a lot of like women aren't funny, people

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Speaker 4: work like swastikas in there.

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Speaker 1: You could, Yeah, I have to worry about them.

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Speaker 4: Actually, you know what, one hurt? This one hurt. Okay,

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00:20:29,240 --> 00:20:32,960
Speaker 4: So one time I was looking on at because of

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Speaker 4: course it was like the first time. I was just like, oh,

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Speaker 4: what are people saying?

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Speaker 1: I did the same thing too season one Aericon Show,

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Speaker 1: and I quickly quickly pivoted in my.

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Speaker 3: Approach to massive mistake.

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Speaker 4: But I remember seeing a comment from a guy that

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Speaker 4: I knew who was just like I know Sandy and

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Speaker 4: we had worked together like years ago, and I was.

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Speaker 3: Like, oh, it's like so sweet.

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Speaker 4: Like he was, and then the next video he also

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Speaker 4: commented women aren't funny on us, and I was like,

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Speaker 4: I almost sent him a message, and then I was.

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Speaker 3: Like, don't do it, don't do it, don't do it.

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Speaker 4: But it hurt coming from someone that I literally know.

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Speaker 4: I was used to sleep on the floor of my room. No,

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Speaker 4: that's crazy, really not so nice.

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Speaker 1: Why why do female comedians have it so rough?

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Speaker 2: Is it?

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Speaker 1: People are like Chauvinis just like can't stand that women

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Speaker 1: have an opinion? Is it? Is it? Like I heard

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Speaker 1: youd Gold break it down one time, She's like, comedy

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Speaker 1: means you have a point of view and an opinion,

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Speaker 1: And there's billions of men that.

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Speaker 2: Are like don't you can't.

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Speaker 1: Yeah, it's deeper than just women aren't funny.

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Speaker 4: It's like right, it's like women aren't funny slash like

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Speaker 4: women don't understand how the world works.

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Speaker 1: Or aren't allowed to have a point of viewer or

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Speaker 1: a pair or worldview.

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Speaker 4: Well, I also feel that, like I don't know when

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Speaker 4: I think about like people who say that kind of stuff,

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Speaker 4: they usually probably have wives who they hate or they

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Speaker 4: wis where they don't have wives, and like maybe it's

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00:22:04,440 --> 00:22:07,119
Speaker 4: this thing of like they think of women as just

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00:22:07,200 --> 00:22:12,240
Speaker 4: like these like nagging shrews, and so they're like, you

437
00:22:12,280 --> 00:22:15,560
Speaker 4: don't get to laugh, Like you're the one who's shaking

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Speaker 4: your finger.

439
00:22:18,880 --> 00:22:19,400
Speaker 3: Or their mom.

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00:22:19,520 --> 00:22:22,199
Speaker 4: Probably they're like, you don't get to laugh. Laughing is

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Speaker 4: for me. Laughing is for me and my friends while

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Speaker 4: we hear off next to each other.

443
00:22:26,359 --> 00:22:34,320
Speaker 1: But you yeah, yeah.

444
00:22:33,000 --> 00:22:34,720
Speaker 4: They should have at the comedy Store a little room

445
00:22:34,720 --> 00:22:36,840
Speaker 4: called the goon Room where the women can.

446
00:22:36,680 --> 00:22:38,960
Speaker 3: Perform and in the audience.

447
00:22:40,280 --> 00:22:43,800
Speaker 4: Well, I do remember recently I drove by the Improv

448
00:22:43,960 --> 00:22:48,600
Speaker 4: and I remember seeing a sign that said on Mondays,

449
00:22:48,640 --> 00:22:51,439
Speaker 4: the ladies get the laughs. And in my head, I

450
00:22:51,600 --> 00:22:54,879
Speaker 4: was like, the worst day of the week to do

451
00:22:54,960 --> 00:22:55,359
Speaker 4: a show.

452
00:22:56,200 --> 00:23:00,920
Speaker 5: The girls can go on Monday, have to perform on

453
00:23:00,960 --> 00:23:01,840
Speaker 5: the weekend.

454
00:23:02,119 --> 00:23:06,480
Speaker 4: Any other day, just Monday, please please, I'm begging to

455
00:23:06,520 --> 00:23:11,399
Speaker 4: perform on a Monday night. What do you think is

456
00:23:11,440 --> 00:23:13,280
Speaker 4: the worst day of the week to do a show.

457
00:23:13,600 --> 00:23:16,960
Speaker 1: I weirdly feel like Sunday might be even worse. People

458
00:23:17,000 --> 00:23:22,680
Speaker 1: are like spent from the weekend partying and they're dreading

459
00:23:22,720 --> 00:23:25,760
Speaker 1: the week and they have the Sunday scaries and they're

460
00:23:25,800 --> 00:23:26,480
Speaker 1: like checked out.

461
00:23:26,600 --> 00:23:29,520
Speaker 3: It feels like every other day Monday is not great.

462
00:23:29,520 --> 00:23:30,960
Speaker 3: Tuesday it feels good.

463
00:23:31,200 --> 00:23:33,360
Speaker 1: It gets better the closer you get to the weekend.

464
00:23:33,000 --> 00:23:35,000
Speaker 3: But then GPS again.

465
00:23:35,359 --> 00:23:38,199
Speaker 1: Yeah, well, Wednesday's hump day. You're like you're in the

466
00:23:38,240 --> 00:23:38,920
Speaker 1: taint of the week.

467
00:23:38,960 --> 00:23:40,679
Speaker 3: I think Wednday's hump day. Time to go to.

468
00:23:45,040 --> 00:23:56,760
Speaker 2: With a regardrey with a regardrey.

469
00:23:57,080 --> 00:24:00,800
Speaker 1: What about bombing in front of your am you get

470
00:24:00,840 --> 00:24:04,760
Speaker 1: a story like that family. Honestly, have you been really

471
00:24:04,880 --> 00:24:06,479
Speaker 1: high on stage or something?

472
00:24:07,160 --> 00:24:09,200
Speaker 3: At the Youth Hostel show, I got really.

473
00:24:09,000 --> 00:24:14,040
Speaker 5: High because I just I looked at the audience and

474
00:24:14,080 --> 00:24:17,359
Speaker 5: I was like what I literally was like whatever, Like

475
00:24:17,640 --> 00:24:20,720
Speaker 5: I know that these people literally are looking at me

476
00:24:21,119 --> 00:24:25,119
Speaker 5: with the eyes of someone who is hearing sounds but

477
00:24:25,240 --> 00:24:26,600
Speaker 5: not interpreting words.

478
00:24:26,640 --> 00:24:28,920
Speaker 3: Does that make sense? Like hither?

479
00:24:30,840 --> 00:24:32,560
Speaker 4: Yeah, And they were just looking at me where they

480
00:24:32,560 --> 00:24:35,680
Speaker 4: were like and it was like, oh okay, Like I'm

481
00:24:35,680 --> 00:24:38,600
Speaker 4: going to go get like rip roaring stoned before this

482
00:24:38,720 --> 00:24:41,080
Speaker 4: because I kind of don't want to like be present

483
00:24:41,200 --> 00:24:45,240
Speaker 4: for this kind of I want to be somewhere else.

484
00:24:46,359 --> 00:24:48,639
Speaker 4: So I did get pretty high before that. When I

485
00:24:48,680 --> 00:24:50,880
Speaker 4: have no recollection of like what I said or did.

486
00:24:51,240 --> 00:24:52,760
Speaker 4: I probably just talked.

487
00:24:52,480 --> 00:24:56,000
Speaker 1: To people, Yeah, probably the right thing.

488
00:24:56,200 --> 00:24:58,000
Speaker 4: Yeah, it was like, oh, I'm going to get up

489
00:24:58,040 --> 00:24:59,919
Speaker 4: and like tell my rehearse jokes.

490
00:25:00,000 --> 00:25:02,120
Speaker 1: I think you did the right thing in London when

491
00:25:02,160 --> 00:25:05,360
Speaker 1: you just started like making fun of like your outfit.

492
00:25:06,080 --> 00:25:09,760
Speaker 1: At that point, you're like, why why do my rehearse material?

493
00:25:09,960 --> 00:25:10,160
Speaker 3: Right?

494
00:25:10,200 --> 00:25:10,560
Speaker 1: Why not?

495
00:25:10,800 --> 00:25:12,080
Speaker 3: You guys are clearly hating.

496
00:25:12,359 --> 00:25:12,600
Speaker 2: Yeah.

497
00:25:12,680 --> 00:25:15,600
Speaker 1: Yeah, just started digging into them. Yeah that's what already

498
00:25:15,640 --> 00:25:17,840
Speaker 1: Fuqua said. He goes, when I start bombing, I just

499
00:25:17,880 --> 00:25:20,679
Speaker 1: start ripping into each and every audience member because there's

500
00:25:20,920 --> 00:25:22,960
Speaker 1: like what else is there? Like they don't want what

501
00:25:23,000 --> 00:25:26,920
Speaker 1: I'm selling, so as well just like go in and Yeah.

502
00:25:27,480 --> 00:25:29,560
Speaker 4: I did have a show actually at that same venue

503
00:25:29,600 --> 00:25:31,960
Speaker 4: in London after that one. It was crazy because I

504
00:25:32,160 --> 00:25:34,639
Speaker 4: did the same show two days later with a different

505
00:25:34,720 --> 00:25:37,760
Speaker 4: host and crushed and it was a smaller audience, but

506
00:25:37,800 --> 00:25:41,479
Speaker 4: it was like the host was like a queer cabaret dude.

507
00:25:41,560 --> 00:25:44,200
Speaker 4: So it was just like a different audience that seemed

508
00:25:44,240 --> 00:25:45,000
Speaker 4: a little more down.

509
00:25:45,320 --> 00:25:48,280
Speaker 1: I think like if you go to a R and

510
00:25:48,320 --> 00:25:50,360
Speaker 1: B show and a punk band play, is they're only

511
00:25:50,359 --> 00:25:52,560
Speaker 1: going to go so do so well.

512
00:25:52,480 --> 00:25:55,760
Speaker 3: Yeah, so it's like, you know, I just remember it a.

513
00:25:57,240 --> 00:25:57,920
Speaker 1: Big stinker.

514
00:25:58,720 --> 00:26:02,400
Speaker 3: So opening for a band is one of the worst experience.

515
00:26:04,280 --> 00:26:07,080
Speaker 1: It's Sarah does it. I know, I don't know how

516
00:26:07,119 --> 00:26:09,399
Speaker 1: she's getting like good at it too. It's like I

517
00:26:09,440 --> 00:26:11,600
Speaker 1: think it's the hardest thing, to the point where I

518
00:26:12,280 --> 00:26:13,679
Speaker 1: was just like I give up.

519
00:26:14,280 --> 00:26:17,479
Speaker 4: Yeah, this was one that standing.

520
00:26:17,560 --> 00:26:20,399
Speaker 3: First of all, I forget that that music shows.

521
00:26:20,440 --> 00:26:23,040
Speaker 4: People don't show up at the time of the show

522
00:26:23,119 --> 00:26:26,000
Speaker 4: because they know the headliner goes on like two hours later.

523
00:26:26,400 --> 00:26:28,959
Speaker 4: So I was expecting to walk out and see a

524
00:26:29,119 --> 00:26:31,800
Speaker 4: full This is that lodge room. It's like a pretty

525
00:26:31,800 --> 00:26:34,600
Speaker 4: big room, and I was like, Okay, I'm gonna walk

526
00:26:34,600 --> 00:26:36,480
Speaker 4: out and there's gonna be like this big crowd.

527
00:26:36,880 --> 00:26:37,400
Speaker 3: Not at all.

528
00:26:37,480 --> 00:26:42,680
Speaker 4: People were absolutely trickling in. And I was doing a

529
00:26:42,800 --> 00:26:47,480
Speaker 4: character that I call the Quief of comedy, which is

530
00:26:50,960 --> 00:26:53,800
Speaker 4: I can quef on command, so you.

531
00:26:54,680 --> 00:26:58,520
Speaker 1: Can throw up on command too, which is like amazing. Yeah,

532
00:26:58,720 --> 00:27:02,359
Speaker 1: it's like the guys can't even do Yeah, Like I

533
00:27:02,400 --> 00:27:06,359
Speaker 1: think only Steve O possesses your like you can read vomit.

534
00:27:06,840 --> 00:27:07,680
Speaker 3: No, I really can't.

535
00:27:07,720 --> 00:27:10,920
Speaker 1: That's pretty crazy, even when I don't want to. Vomiting

536
00:27:10,960 --> 00:27:16,960
Speaker 1: on command is somehow even more aggressive. But comedy.

537
00:27:17,080 --> 00:27:18,679
Speaker 3: I was doing the Queen of comedy, which is.

538
00:27:18,960 --> 00:27:22,280
Speaker 1: That you just put the microphone to your vaginay is

539
00:27:22,280 --> 00:27:22,760
Speaker 1: that it?

540
00:27:25,600 --> 00:27:27,960
Speaker 3: Well, it's like I'm telling jokes as well.

541
00:27:28,160 --> 00:27:32,400
Speaker 4: It'll be like these corny, corny, corny jokes that I write.

542
00:27:32,400 --> 00:27:35,240
Speaker 3: Actually some of them are the band it was Hunks

543
00:27:35,280 --> 00:27:37,080
Speaker 3: and His Punks. Do you know Seth Bogart.

544
00:27:37,880 --> 00:27:39,879
Speaker 4: He's an amazing artist and he has this like punk

545
00:27:39,920 --> 00:27:42,280
Speaker 4: band that they like they used to perform like ten

546
00:27:42,320 --> 00:27:43,920
Speaker 4: years ago and they're doing another.

547
00:27:45,200 --> 00:27:46,480
Speaker 3: Album. So they did a show.

548
00:27:46,880 --> 00:27:50,520
Speaker 4: This was like some point over the summer, and he

549
00:27:50,600 --> 00:27:53,640
Speaker 4: specifically requested the Quief of Comedy because he loves her.

550
00:27:54,040 --> 00:27:58,400
Speaker 4: And a lot of the jokes actually are rejected monologue

551
00:27:58,480 --> 00:28:02,119
Speaker 4: jokes that I wrote for your because it was like,

552
00:28:02,160 --> 00:28:04,000
Speaker 4: you know, when we just sit down and write for

553
00:28:04,040 --> 00:28:05,520
Speaker 4: ten minutes, it's like the worst.

554
00:28:05,320 --> 00:28:06,119
Speaker 3: Jokes you can think of.

555
00:28:08,240 --> 00:28:10,280
Speaker 4: They were so bad they didn't even make it into

556
00:28:10,359 --> 00:28:13,680
Speaker 4: the So it's like that level of joke.

557
00:28:14,080 --> 00:28:20,760
Speaker 3: And then after like and I can I have a

558
00:28:20,760 --> 00:28:21,840
Speaker 3: lot of control over it.

559
00:28:21,920 --> 00:28:24,560
Speaker 4: I can control like if it's like a loud one

560
00:28:24,640 --> 00:28:26,200
Speaker 4: or if it's like a quiet.

561
00:28:27,560 --> 00:28:30,320
Speaker 3: Like so I'll like jump around.

562
00:28:30,520 --> 00:28:33,159
Speaker 1: So we were walking into the venue, what did you

563
00:28:33,160 --> 00:28:35,080
Speaker 1: see the Hunks of Punks or whatever?

564
00:28:35,440 --> 00:28:39,080
Speaker 3: Yeah, and they're seeing that. And also it was like.

565
00:28:39,080 --> 00:28:41,280
Speaker 1: So you just look like you were a roadie for

566
00:28:41,360 --> 00:28:45,240
Speaker 1: the band lost your mind because.

567
00:28:47,240 --> 00:28:51,560
Speaker 3: You know, people were looking at me just like.

568
00:28:51,360 --> 00:28:56,920
Speaker 4: They were laughing, because like you can't sort of watch

569
00:28:57,000 --> 00:28:58,240
Speaker 4: that and not be laughing.

570
00:28:58,280 --> 00:28:59,800
Speaker 3: But I don't know if they knew that they were

571
00:28:59,840 --> 00:29:01,360
Speaker 3: laughing thing with we were at me?

572
00:29:01,800 --> 00:29:03,800
Speaker 1: Yeah and whatever.

573
00:29:04,000 --> 00:29:06,440
Speaker 4: That was like the one time performing where I really

574
00:29:06,520 --> 00:29:09,000
Speaker 4: felt like I was like in a circus side show.

575
00:29:09,120 --> 00:29:15,240
Speaker 3: Like it was The Weeping Woman. Oh my god. I

576
00:29:15,280 --> 00:29:17,040
Speaker 3: would have loved to be in a side show.

577
00:29:18,640 --> 00:29:22,320
Speaker 1: Like a world Like what do you mean like a circus,

578
00:29:22,360 --> 00:29:25,360
Speaker 1: like a circus freaking kind of like like you wanted

579
00:29:25,400 --> 00:29:30,600
Speaker 1: to be genetically deformed? Yeah, yeah, but like like elevant,

580
00:29:31,400 --> 00:29:32,280
Speaker 1: what are you talking here?

581
00:29:32,640 --> 00:29:34,920
Speaker 4: I guess just the concept of it sounds, you know,

582
00:29:34,960 --> 00:29:37,920
Speaker 4: it's it's obviously probably really bad.

583
00:29:38,040 --> 00:29:48,480
Speaker 1: It's explained genetic defense. Yeah. Years ago they're like, yeah,

584
00:29:49,480 --> 00:29:52,480
Speaker 1: repetties and he's kind of a fun arm growing out

585
00:29:52,480 --> 00:29:52,920
Speaker 1: of the face.

586
00:29:53,560 --> 00:29:58,760
Speaker 3: Yeah, sick. I would have been sick. I don't know what.

587
00:29:59,360 --> 00:30:00,720
Speaker 4: In my head, I was, well, you get to go

588
00:30:00,800 --> 00:30:02,959
Speaker 4: to you get to be part of the circuits, travel

589
00:30:03,000 --> 00:30:04,440
Speaker 4: the world, see the.

590
00:30:04,400 --> 00:30:07,640
Speaker 3: Sites, weep into a microphone, into the microphone.

591
00:30:08,000 --> 00:30:10,600
Speaker 1: You know what I think Sarah figured out that's smart

592
00:30:10,680 --> 00:30:14,200
Speaker 1: is that she uses the big screen behind her. And

593
00:30:14,880 --> 00:30:19,360
Speaker 1: you know, because those those music shows, it's like a

594
00:30:19,800 --> 00:30:22,040
Speaker 1: it's like it's like you gotta think about it, like

595
00:30:22,080 --> 00:30:24,520
Speaker 1: you're shooting in a really wide frame, like you have

596
00:30:24,560 --> 00:30:27,720
Speaker 1: to fill up the space. And using that screen and

597
00:30:27,800 --> 00:30:31,400
Speaker 1: her visuals that I was like, Aha, that's how she

598
00:30:31,440 --> 00:30:33,360
Speaker 1: did because Hannibal kind of started doing that too. He

599
00:30:33,480 --> 00:30:38,000
Speaker 1: was like using multimedia, Like that's the way, that's the way,

600
00:30:38,160 --> 00:30:40,480
Speaker 1: using that screen. I don't think it's cheating at all.

601
00:30:40,600 --> 00:30:42,840
Speaker 1: I'd like, first of all, I love carrat top and

602
00:30:42,880 --> 00:30:44,760
Speaker 1: I don't know anybody made fun of him in the nineties,

603
00:30:44,800 --> 00:30:46,240
Speaker 1: Like I was like, by the way, I was like, yeah,

604
00:30:46,280 --> 00:30:47,920
Speaker 1: prop comedy, like why not use props?

605
00:30:48,040 --> 00:30:49,040
Speaker 3: And his number one fan.

606
00:30:49,760 --> 00:30:51,640
Speaker 1: Like I used props on the air Andre show, like

607
00:30:52,160 --> 00:30:53,640
Speaker 1: make props use a prop? Why is that?

608
00:30:53,680 --> 00:30:57,720
Speaker 4: It was also a literal genius he I saw his

609
00:30:57,760 --> 00:31:00,320
Speaker 4: show in Vegas and oh my god, he let us

610
00:31:00,320 --> 00:31:00,960
Speaker 4: come backstage.

611
00:31:01,080 --> 00:31:01,280
Speaker 1: Yeah.

612
00:31:01,560 --> 00:31:06,239
Speaker 4: I was with Sarah actually, and we like he just

613
00:31:06,560 --> 00:31:09,080
Speaker 4: talked to him for like an hour and he just

614
00:31:09,240 --> 00:31:11,960
Speaker 4: was like telling us he writes like five minutes of

615
00:31:11,960 --> 00:31:13,080
Speaker 4: new material every day.

616
00:31:13,240 --> 00:31:16,920
Speaker 1: Every day. He has a ton, a tremendous amount of material.

617
00:31:16,960 --> 00:31:20,040
Speaker 1: He's been doing it for forty years and like worth

618
00:31:20,120 --> 00:31:23,560
Speaker 1: like hundreds of millions of dollars and then playing Vegas

619
00:31:23,600 --> 00:31:27,040
Speaker 1: every day for that. I love that years. Honestly, you

620
00:31:27,120 --> 00:31:27,840
Speaker 1: got to give it up.

621
00:31:27,920 --> 00:31:28,920
Speaker 3: You've got to give.

622
00:31:28,800 --> 00:31:31,600
Speaker 1: It a perseverance because he got so shipped on in

623
00:31:31,640 --> 00:31:35,880
Speaker 1: the nineties. I know, comedy that's whack character fucking cart

624
00:31:36,040 --> 00:31:38,560
Speaker 1: that's a rough name to like have. You know, it's

625
00:31:38,560 --> 00:31:39,600
Speaker 1: an easy guy to pick up.

626
00:31:39,600 --> 00:31:41,240
Speaker 3: He had gone by Scott, maybe he would have.

627
00:31:41,320 --> 00:31:42,720
Speaker 1: Known my Scott, I would have been a little less

628
00:31:42,720 --> 00:31:45,400
Speaker 1: of a pounding, but like whatever, make props? Like what

629
00:31:45,720 --> 00:31:48,720
Speaker 1: why are there rules? Like makee people laugh? As a fuck?

630
00:31:49,000 --> 00:31:51,760
Speaker 4: I'm actually working on a set that is like a

631
00:31:51,800 --> 00:31:54,960
Speaker 4: prop thing, and I'm like really excited.

632
00:31:54,520 --> 00:31:58,280
Speaker 1: Because i I'm actually like, why don't I do prop

633
00:31:58,320 --> 00:32:02,280
Speaker 1: comedy anytime? I was like like why not? He Also,

634
00:32:02,560 --> 00:32:05,600
Speaker 1: when I watched Sarah and some of Hannibal's multimedia stuff,

635
00:32:05,600 --> 00:32:07,880
Speaker 1: I'm like, yeah, use the whole stage, Like what is

636
00:32:07,840 --> 00:32:10,440
Speaker 1: this vaudeville? Like, gives a fuck? We're in the twenty

637
00:32:10,440 --> 00:32:11,000
Speaker 1: first century.

638
00:32:11,040 --> 00:32:13,120
Speaker 4: I know sometimes people would be like, oh, like doing

639
00:32:13,160 --> 00:32:15,160
Speaker 4: a PowerPoint is hack or whatever, and I'm like, is

640
00:32:15,200 --> 00:32:16,120
Speaker 4: the audience laughing?

641
00:32:16,320 --> 00:32:16,560
Speaker 2: Yeah?

642
00:32:16,720 --> 00:32:17,680
Speaker 1: Is the audience laughing?

643
00:32:17,720 --> 00:32:18,480
Speaker 3: That's all that matters.

644
00:32:18,480 --> 00:32:19,560
Speaker 1: Here's what the medium.

645
00:32:19,840 --> 00:32:20,720
Speaker 3: All that matters is the.

646
00:32:20,720 --> 00:32:23,800
Speaker 1: Audience that matters. You know what those people are. They're

647
00:32:23,880 --> 00:32:28,360
Speaker 1: not successful, they're not that funny say that. They are haters.

648
00:32:28,400 --> 00:32:29,040
Speaker 3: They're haters.

649
00:32:29,120 --> 00:32:32,000
Speaker 1: They're fucking haters. Yeah, that's a problem with comedy. It's

650
00:32:32,000 --> 00:32:36,440
Speaker 1: like surrounded by bitterer, entitled people with personality disorders.

651
00:32:36,560 --> 00:32:37,320
Speaker 3: It's rough.

652
00:32:37,480 --> 00:32:40,680
Speaker 1: It's rough, man. I thought it'd be more fun when

653
00:32:40,720 --> 00:32:42,200
Speaker 1: I started comedy. I was like, Oh, it's going to

654
00:32:42,240 --> 00:32:46,280
Speaker 1: be a group of the most fun people ever. And

655
00:32:46,280 --> 00:32:48,000
Speaker 1: it's misery.

656
00:32:47,560 --> 00:32:53,920
Speaker 4: Everywhere, bidder so much, big, mad at the world. Sometimes

657
00:32:53,960 --> 00:32:56,080
Speaker 4: mad in a way where it's like they don't even

658
00:32:56,120 --> 00:32:57,000
Speaker 4: know what they're mad at.

659
00:32:57,320 --> 00:32:58,640
Speaker 3: Some of these comics.

660
00:32:58,720 --> 00:33:01,080
Speaker 4: Yeah, they like hate every thing, shit on everything, but

661
00:33:01,120 --> 00:33:04,400
Speaker 4: they're really sensitive and if you say anything that is

662
00:33:04,440 --> 00:33:08,480
Speaker 4: like slightly degrading to them, they are like, how fucking

663
00:33:08,520 --> 00:33:08,800
Speaker 4: dare you?

664
00:33:08,840 --> 00:33:09,440
Speaker 3: And it's like my thought.

665
00:33:09,440 --> 00:33:11,320
Speaker 4: We were like joking around and the whole thing is

666
00:33:11,360 --> 00:33:13,080
Speaker 4: that you think everything sucks.

667
00:33:13,520 --> 00:33:16,240
Speaker 1: I know, it well, well you want to wrap it

668
00:33:16,280 --> 00:33:18,640
Speaker 1: up or it's another bomb. Did I step on the

669
00:33:18,640 --> 00:33:19,560
Speaker 1: rest of your queen story?

670
00:33:20,120 --> 00:33:21,760
Speaker 3: No, that was basically it.

671
00:33:24,800 --> 00:33:26,960
Speaker 4: Someone got mad at me when I did that bit

672
00:33:27,040 --> 00:33:29,880
Speaker 4: once because I had a joke in it, like towards

673
00:33:29,880 --> 00:33:32,760
Speaker 4: the end that like my mom was dying and then

674
00:33:32,760 --> 00:33:35,320
Speaker 4: it was like basically her dying words were and then

675
00:33:35,360 --> 00:33:42,360
Speaker 4: I quef again and this person you know, it takes

676
00:33:42,400 --> 00:33:48,880
Speaker 4: a week to recoup. But no, there was a point

677
00:33:48,920 --> 00:33:52,360
Speaker 4: where I was doing it a lot right after COVID.

678
00:33:52,360 --> 00:33:55,080
Speaker 4: It was like the first bit that I did because

679
00:33:55,160 --> 00:33:57,080
Speaker 4: I was a little too afraid to do stand up

680
00:33:57,120 --> 00:33:57,960
Speaker 4: again after COVID.

681
00:33:58,560 --> 00:34:03,080
Speaker 1: Oh, I think you meant after the quief, I'm ready cleeved.

682
00:34:03,080 --> 00:34:05,080
Speaker 3: I was too afraaidy to do I just like after

683
00:34:05,120 --> 00:34:05,920
Speaker 3: COVID was like.

684
00:34:06,040 --> 00:34:09,239
Speaker 1: Yeah, I haven't really got back to it. Yeah, I did,

685
00:34:09,400 --> 00:34:12,879
Speaker 1: like your show. Once I bombed, I did Steph tolev show,

686
00:34:12,920 --> 00:34:16,719
Speaker 1: which was awesome because she stayed on stage with me

687
00:34:17,600 --> 00:34:20,279
Speaker 1: and like riffed so like I couldn't bomb, like if

688
00:34:20,280 --> 00:34:22,400
Speaker 1: I had a joke that was so so she would

689
00:34:22,400 --> 00:34:26,440
Speaker 1: just go and like save it from and her audience

690
00:34:26,560 --> 00:34:29,640
Speaker 1: just loves her. And I did Michael Michael Jay's show.

691
00:34:30,040 --> 00:34:32,799
Speaker 1: He wouldn't let me not go on. I was like, no, no,

692
00:34:32,800 --> 00:34:34,359
Speaker 1: I'm just coming here to hang out. He goes, you're

693
00:34:34,400 --> 00:34:35,960
Speaker 1: going on, and I go, nah, I don't do stand

694
00:34:36,040 --> 00:34:38,239
Speaker 1: up anymore. He goes, yeah, you do, and I go, nah,

695
00:34:38,400 --> 00:34:40,560
Speaker 1: really I haven't. He goes, you're coming out, and then

696
00:34:40,600 --> 00:34:42,000
Speaker 1: he just walked out. He goes, ladies and gentlemen, I have

697
00:34:42,000 --> 00:34:43,719
Speaker 1: a special guest, Heiric Codgy. He like forced me out,

698
00:34:44,120 --> 00:34:46,880
Speaker 1: but he's like, I'll stay on stage with you and

699
00:34:46,960 --> 00:34:50,200
Speaker 1: I won't let you suffer. So then like him and

700
00:34:50,280 --> 00:34:53,680
Speaker 1: Wilson Vans came out and like they helped me. Like

701
00:34:53,840 --> 00:34:57,239
Speaker 1: that's pretty much the three shows I've done since, but

702
00:34:57,360 --> 00:34:59,880
Speaker 1: not Eric Andre Show tour. Like all the media stuff

703
00:34:59,920 --> 00:35:01,960
Speaker 1: like stand up stand up is like.

704
00:35:02,000 --> 00:35:03,920
Speaker 3: I don't know, like I have the motivation to do

705
00:35:03,920 --> 00:35:04,360
Speaker 3: it anymore.

706
00:35:04,760 --> 00:35:07,520
Speaker 4: I'm struggling to find it at this point because like

707
00:35:07,800 --> 00:35:12,359
Speaker 4: I'm not really working towards an hour necessarily. I don't

708
00:35:12,360 --> 00:35:14,960
Speaker 4: really like have the drive to do that. So then

709
00:35:14,960 --> 00:35:17,440
Speaker 4: it's then hard to be like, Okay, I'll do like

710
00:35:17,480 --> 00:35:20,520
Speaker 4: ten minutes on this random show. But then I feel

711
00:35:20,520 --> 00:35:22,320
Speaker 4: a little bit like to what end I feel like

712
00:35:22,320 --> 00:35:25,640
Speaker 4: I've lost the point, lost the pot, you.

713
00:35:25,600 --> 00:35:28,120
Speaker 1: Know, same. I want to get back into it. But

714
00:35:28,239 --> 00:35:33,320
Speaker 1: if I'm working on other stuff all day, or writing

715
00:35:33,440 --> 00:35:36,760
Speaker 1: or thinking of brainstorming other stuff all day, or actually shooting,

716
00:35:37,760 --> 00:35:40,920
Speaker 1: I don't really feel like blabbing into a microphone.

717
00:35:41,120 --> 00:35:41,279
Speaker 2: Right.

718
00:35:41,320 --> 00:35:44,319
Speaker 4: It's also gotten to a point where it's like, if

719
00:35:44,320 --> 00:35:48,719
Speaker 4: you have a show that doesn't feel amazing, you're sort

720
00:35:48,760 --> 00:35:51,560
Speaker 4: of like, why did I put myself through this? Like

721
00:35:51,600 --> 00:35:55,160
Speaker 4: if it feels okay, that to me feels like similar

722
00:35:55,200 --> 00:35:58,200
Speaker 4: to bombing. Yeah, it's just like unless I'm walking away

723
00:35:58,239 --> 00:36:02,239
Speaker 4: being like I fucking rush, I'm so funny, Like you know,

724
00:36:02,719 --> 00:36:06,719
Speaker 4: it's like otherwise I'm like, what did I put Like

725
00:36:06,760 --> 00:36:08,839
Speaker 4: why am I putting myself through so much anxiety?

726
00:36:09,400 --> 00:36:09,760
Speaker 1: Yeah?

727
00:36:09,840 --> 00:36:10,359
Speaker 3: I don't know.

728
00:36:10,640 --> 00:36:12,560
Speaker 1: So at night I have trouble sleeping, so I don't

729
00:36:12,560 --> 00:36:15,279
Speaker 1: want to like rev up my adrenaline at night. Yeah,

730
00:36:15,360 --> 00:36:16,680
Speaker 1: it doesn't feel healthy.

731
00:36:17,320 --> 00:36:19,960
Speaker 3: When I did that Vice show with Zach.

732
00:36:19,800 --> 00:36:23,280
Speaker 1: And Tony, Yes, this show we.

733
00:36:23,120 --> 00:36:25,359
Speaker 4: Were together when it got canceled. I was in your

734
00:36:25,640 --> 00:36:29,480
Speaker 4: writer's room that you and me and Zach were there

735
00:36:31,320 --> 00:36:35,240
Speaker 4: that filmed at eleven at night, and for the first

736
00:36:35,239 --> 00:36:37,560
Speaker 4: while it was a two hour long show, so I

737
00:36:37,560 --> 00:36:39,960
Speaker 4: wouldn't get to bed until I don't even know what time,

738
00:36:40,000 --> 00:36:43,680
Speaker 4: and I was like so like stimulated from doing it.

739
00:36:43,680 --> 00:36:46,560
Speaker 4: It was like really really tough on my sleep.

740
00:36:46,760 --> 00:36:51,279
Speaker 1: Ladies and gentlemen, Sandy, everybody. We did it.

741
00:36:51,520 --> 00:36:56,640
Speaker 2: We did it with a red.

742
00:36:56,040 --> 00:36:58,600
Speaker 1: All right, listen up, we got some speasure for you.

743
00:36:58,880 --> 00:37:01,200
Speaker 1: Got it burning story that you're itching to tell about

744
00:37:01,200 --> 00:37:04,120
Speaker 1: when you bombed or absolutely failed in life. Now's your

745
00:37:04,239 --> 00:37:06,839
Speaker 1: chance to tell me all about it, Babel. I want

746
00:37:06,840 --> 00:37:10,520
Speaker 1: to hear your worst, most cringe worthy what the fuck

747
00:37:10,719 --> 00:37:13,560
Speaker 1: was I thinking? What just happened? Moment? So pick up

748
00:37:13,600 --> 00:37:17,200
Speaker 1: your phone and dial seven one six Bombing. That's seven

749
00:37:17,239 --> 00:37:20,799
Speaker 1: one six two six six twenty four sixty four and

750
00:37:20,920 --> 00:37:23,000
Speaker 1: leave me a voicemail and we might just play it

751
00:37:23,000 --> 00:37:25,560
Speaker 1: on a future episode. Bombing with Eric Andre is brought

752
00:37:25,560 --> 00:37:27,640
Speaker 1: to you by Will Ferrell's Big Money Players Network and

753
00:37:27,719 --> 00:37:31,520
Speaker 1: iHeart Podcast. Our producer is Bei Wang, our research assistant

754
00:37:31,600 --> 00:37:34,520
Speaker 1: is David Carliner, our editor in sound designers Andy Harris,

755
00:37:34,560 --> 00:37:36,920
Speaker 1: and our art is by Dylan Vanderberg. Go rate us

756
00:37:36,960 --> 00:37:39,359
Speaker 1: five stars and drop a review on your podcast app

757
00:37:39,360 --> 00:37:40,000
Speaker 1: a choice