WEBVTT - The Legendary Stephen Tobolowsky

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to you, and That's what you Really miss podcast.

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<v Speaker 3>Kevin.

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<v Speaker 1>It's such a special day.

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<v Speaker 2>We have an icon, legend, film TV superstar Stephen Tablowski. Oh,

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<v Speaker 2>Sandy Ryerson.

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<v Speaker 4>No introduction. Sandy Ryerson has the craziest stories to share

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<v Speaker 4>with us. Also about his Glee audition. I cannot even

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<v Speaker 4>it's it's so it's so it sounds so far fetched

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<v Speaker 4>that you're like, that can't be real, But it's real.

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<v Speaker 2>Leah has always had the craziest audition story, and I

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<v Speaker 2>think now this week because yes we met, like it

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<v Speaker 2>took this long to find someone else, but it is

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<v Speaker 2>one of the craziest stories I've ever heard.

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<v Speaker 1>Oh my god.

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<v Speaker 2>So, without further ado, the amazing Stephen Tablowski.

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<v Speaker 5>Hello kids.

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<v Speaker 2>Oh we are in the presence of greatness.

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<v Speaker 4>What what? Oh I'm so happy?

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<v Speaker 1>What a joy?

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<v Speaker 5>It's it is such It's so good to be back

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<v Speaker 5>in this corral again.

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<v Speaker 2>That's why we keep doing this. We can't get enough

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<v Speaker 2>of it, you know, we just need to be around

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<v Speaker 2>each other.

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<v Speaker 1>Oh wow, good to see you.

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<v Speaker 5>Good, Good to see you too, guys. Good to see Eachna.

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<v Speaker 2>Wow, thank you so much. Your voice just makes me

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<v Speaker 2>feel like I know at home.

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<v Speaker 5>We're back.

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<v Speaker 2>You guys as everybody.

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<v Speaker 5>Thank you, thank you very much, Thank you God than

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<v Speaker 5>what made you think of doing this Glee thing?

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<v Speaker 2>The fans wouldn't leave us alone. No, we were forced

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<v Speaker 2>into it. They berated us and were like, fine, we'll.

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<v Speaker 1>Do it, yeah, relentless.

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<v Speaker 2>Yeah, but it's worked out. Yeah, we get to talk

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<v Speaker 2>to people like you and reconnect. And because you know,

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<v Speaker 2>you who has worked more than anybody I've ever met

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<v Speaker 2>in my entire life. You've never stopped working. No, I

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<v Speaker 2>don't know. Good for you and your health insurance.

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<v Speaker 1>Yep, I.

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<v Speaker 2>Don't know how you do it, how you have the time.

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<v Speaker 2>And you're still so good in every single thing you do,

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<v Speaker 2>up everything, everything you've worked with everyone.

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<v Speaker 5>Well yeah, well almost, but but that's because they cut

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<v Speaker 5>me out of all the things I'm not good at,

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<v Speaker 5>you know. That's it's that editing thing, you know, but

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<v Speaker 5>it's and the things that you think are going to

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<v Speaker 5>be great, you know, don't turn out to be great.

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<v Speaker 5>And the things that you think are going to be like,

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<v Speaker 5>oh well this is trouble like Lee, turn out to

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<v Speaker 5>be like legend.

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<v Speaker 2>Yes, you know, and you.

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<v Speaker 5>Go like, well, what are we doing here? Not here?

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<v Speaker 3>Absolutely well, you're you're You're already a veteran of the

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<v Speaker 3>of the screen when you joined onto Glee.

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<v Speaker 4>I'm just curious, though, what the journey was like to

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<v Speaker 4>get you onto the show. Had you worked with Ryan?

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<v Speaker 4>Was this an audition? What was this?

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<v Speaker 5>You will not believe the story. It is a ridiculously

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<v Speaker 5>strange story. I had been horseback riding with my wife

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<v Speaker 5>on an active volcano in Iceland and we were hit

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<v Speaker 5>by a gigantic wind off the Atlantic Ocean that lifted me,

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<v Speaker 5>this is all true, lifted me and the horse off

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<v Speaker 5>the ground like a tornado carry us, dropped us on

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<v Speaker 5>the side of the mountain. My horse went crazy, started

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<v Speaker 5>running like nuts through me, and the last thing I

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<v Speaker 5>kind of remember was going sideways through the high grass

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<v Speaker 5>on the side of the mountain, and they found me

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<v Speaker 5>in a fetal position on the only dry piece of

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<v Speaker 5>lava in this lava plane. The horseback riding team came,

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<v Speaker 5>how does this get to Glee? I know you're thinking,

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<v Speaker 5>how So I come back to America and the doctor

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<v Speaker 5>tells me that I have a fatal injury and I

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<v Speaker 5>tell him words have a meaning means I'm dead. I'm

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<v Speaker 5>not dead. He says, you want to know why you're alive.

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<v Speaker 5>You're alive because most people have a cervical spine that

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<v Speaker 5>curves like this, but yours is freakish and it's the opposite.

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<v Speaker 5>So your neck just broke, but you didn't. You did

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<v Speaker 5>not break your spinal cords. You could still walk and everything.

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<v Speaker 5>But I had to be absent my poor wife. See,

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<v Speaker 5>this is what happens when you make those wedding vows

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<v Speaker 5>and listen in health. You don't know what that's going

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<v Speaker 5>to mean, and you sign on the dotted line. Annie

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<v Speaker 5>had to do everything for me, She had to help

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<v Speaker 5>me do everything. So anyway, the only thing I could

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<v Speaker 5>do is sit out in my backyard for I think

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<v Speaker 5>they say three months every bone takes three months to heal,

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<v Speaker 5>something like that. Two and a half, three months, three

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<v Speaker 5>months doing nothing. So I'm out there reading, doing nothing.

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<v Speaker 5>And near the end of my three months, when I

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<v Speaker 5>am still unable to do anything, I get a script

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<v Speaker 5>for this show called Lee. My first audition in a

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<v Speaker 5>month's right months and I still have a broken neck.

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<v Speaker 5>So I read the script and my first impression of

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<v Speaker 5>Flee was Oh my god, and all I could say

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<v Speaker 5>was so joyful. The script was so fun, so joyful,

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<v Speaker 5>and I'm thinking, like, I call my I call my agent,

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<v Speaker 5>my manager up and I said, I definitely want to

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<v Speaker 5>meet Ryan and everybody on this and uh, absolutely no quick.

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<v Speaker 5>And I'm thinking, like, how am I going to do that?

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<v Speaker 5>Because I have a damn broken neck, and how much.

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<v Speaker 2>Longer do you have to like heal technically, like I.

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<v Speaker 5>Guess I would say I probably still have kind of

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<v Speaker 5>like maybe three four weeks oft I still have. I

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<v Speaker 5>still have a wild but we don't exactly know when

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<v Speaker 5>Glee is going to start shooting, you know. So I

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<v Speaker 5>think like, okay, now I can't drive, I can't do anything.

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<v Speaker 5>So my wife drives me over to the Glee audition

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<v Speaker 5>and I get out and I have to have a pillow,

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<v Speaker 5>you know, and I have to be very I go

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<v Speaker 5>in and the waiting room you know where, yeah, where

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<v Speaker 5>all the man The waiting room is absolutely empty, and

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<v Speaker 5>I think, like this is so weird because everybody on

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<v Speaker 5>earth is going to want to be on this show.

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<v Speaker 5>So I sit on the little casting couch in there,

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<v Speaker 5>and I think, you know what I'm going to do.

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<v Speaker 5>I'm going to lie. I'm gonna lie. And I take

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<v Speaker 5>my neck brace off and I stuff it under the

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<v Speaker 5>casting couch and I just sit there. I just sit

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<v Speaker 5>there like this waiting. I said, I'm not because it's

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<v Speaker 5>a buzzkill. It is a buzzkill when you go in

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<v Speaker 5>on an audition and your horse let alone, you have

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<v Speaker 5>fallen off a horse and you have a broken nare

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<v Speaker 5>the producers just go like me, next thing, you know.

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<v Speaker 5>So I'm sitting in there twenty minutes. Nothing's happening. This

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<v Speaker 5>is so weird. And then Ryan's assistant comes in and goes, Stephen,

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<v Speaker 5>we are so sorry. It's the wrong day. Ryan is

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<v Speaker 5>doing Niptock today and your audition is tomorrow. And I

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<v Speaker 5>go like, oh my god. Now, so I said, now

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<v Speaker 5>I need to tell you this. So my soul was overburdened.

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<v Speaker 5>I said, let me tell you what happened. And I

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<v Speaker 5>told him the whole story of me on the horse

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<v Speaker 5>and the broken neck. And I pulled out the neck

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<v Speaker 5>brace from underneath the thing and put it on, and

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<v Speaker 5>put it on and said, this is what I was

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<v Speaker 5>going to do today. I was going to I was

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<v Speaker 5>going to lie to everybody. And now You've given me

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<v Speaker 5>a chance not to lie. And so I go back

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<v Speaker 5>out to the car. My wife has to drive me

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<v Speaker 5>home again and has to drive me out the next time.

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<v Speaker 1>Oh my god.

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<v Speaker 5>The next day, I'm out there and I am in

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<v Speaker 5>the room. Now I'm in the room with Ryan and

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<v Speaker 5>all the guy all the producers.

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<v Speaker 2>You have the neck brace on or no, I.

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<v Speaker 5>Have it on? And Ryan goes, you know, I heard

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<v Speaker 5>a very interesting story about you from yesterday. I heard

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<v Speaker 5>I said, yes, right, I was going to lie on

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<v Speaker 5>the first date. And the thing is, guys, I love

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<v Speaker 5>this show so much. I love the script so much.

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<v Speaker 5>What I'm going to do right now, I'm going to

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<v Speaker 5>take this neck brace off, and I'm going to do

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<v Speaker 5>the scene and I'm going to sing a song. And

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<v Speaker 5>if I can't do it, I'm not going to say word.

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<v Speaker 5>I'm just gonna get my neck brace and walk out

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<v Speaker 5>of the room. No harm, no foul. But if I

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<v Speaker 5>can do it, I will stay here and talk to

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<v Speaker 5>you at the end and it won't be a problem.

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<v Speaker 5>I will be able to do it. So I got

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<v Speaker 5>up and I auditioned, I sang my song, and I

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<v Speaker 5>sat there and then at the end everybody was kind

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<v Speaker 5>of laughing, and they were going like, so, I guess

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<v Speaker 5>you're okay, because I go, yes, I am fine, I

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<v Speaker 5>am okay. And now I'm gonna put my neck brace

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<v Speaker 5>on if you don't mind. And I put the neck

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<v Speaker 5>brace back on. And then I found out pretty much

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<v Speaker 5>right away they didn't know when they were going to shoot.

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<v Speaker 5>And uh and at that time, we were we were

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<v Speaker 5>shooting at a school in Burbank. That yeah, we shot

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<v Speaker 5>at the school in Burbank. And then also we went

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<v Speaker 5>to that high school way the hell out in Long

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<v Speaker 5>Features correct career and and uh and that was amazing.

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<v Speaker 5>But but wow, So that was after I was supposedly healed,

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<v Speaker 5>and that it was the broken neck story that probably

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<v Speaker 5>got me on the glee.

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<v Speaker 2>That is that level of commitment. I've never been that

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<v Speaker 2>committed to anything in my life. My ass had been like,

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<v Speaker 2>you know what, I'm not going to make it in there.

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<v Speaker 2>Good luck to you, good and this is why you've

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<v Speaker 2>been in hundreds of things.

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<v Speaker 1>Broken neck.

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<v Speaker 5>That was it was just, it was just, it was

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<v Speaker 5>it was a tripp and and uh, I remember going

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<v Speaker 5>out to that place in Burbank. Now, I don't know

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<v Speaker 5>if it freaked you guys out any But the thing

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<v Speaker 5>that amazed me was going to that high school in

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<v Speaker 5>Burbank where we shot the first the first kind of

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<v Speaker 5>show and the and the musical number and all that

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<v Speaker 5>stuff on that stage was they rebuilt that stage and

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<v Speaker 5>auditorium exactly to scale. Unbelievably.

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<v Speaker 2>It was like, what what kind of budget is this?

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<v Speaker 5>It's nuts?

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<v Speaker 2>And we acquired a new sound stage at Paramount to

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<v Speaker 2>build another replica of something we used to film, and

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<v Speaker 2>is like, what that's happening here?

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<v Speaker 5>What what was your experience when we started doing it

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<v Speaker 5>at the beginning and just rehearsing things. What what did

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<v Speaker 5>you you feel like when when you were doing it?

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<v Speaker 5>What was your experience?

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<v Speaker 2>I mean the beginning for us, like when we were

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<v Speaker 2>doing the pilot was obviously as you know you were

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<v Speaker 2>there so different than the rest of the show. But

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<v Speaker 2>I think for us, because we were all so green,

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<v Speaker 2>that it was more about we all bonded really, really hard,

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<v Speaker 2>and then we had weeks of rehearsal and they were

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<v Speaker 2>all trying to figure out what, Yeah, like what is

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<v Speaker 2>the system, what is dance rehearsal? What are the recording sessions?

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<v Speaker 2>Like nobody really knew what was going on, but I

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<v Speaker 2>remember like when you had someone like Ryan who so

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<v Speaker 2>clearly was supported on every level, like by the network

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<v Speaker 2>and studio where I mean, you can tell us if

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<v Speaker 2>you felt this where on set it felt like he

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<v Speaker 2>has as much time. I heard from somebody like, Oh,

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<v Speaker 2>he wants this to be like three weeks or month

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<v Speaker 2>long to film this pilot, and that doesn't normally happen. No,

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<v Speaker 2>and so no, knowing that, in the back of my

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<v Speaker 2>head was like, and Ryan, we trust, so like if

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<v Speaker 2>the execs and the big scary suits are saying he

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<v Speaker 2>can have whatever he wants, then we just need to

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<v Speaker 2>like trust that he knows what he's doing. And clearly,

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<v Speaker 2>you know, they were right.

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<v Speaker 4>Yeah, we didn't really know what was what was to come,

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<v Speaker 4>and we didn't know what the formula was going to be,

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<v Speaker 4>so everybody was just kind of there together figuring it out,

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<v Speaker 4>and we just remember hearing inklings of things.

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<v Speaker 1>We also didn't know like how the show was going

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<v Speaker 1>to be received, if we.

0:13:34.720 --> 0:13:37.520
<v Speaker 4>Were going to get Greenland or not, and everybody just

0:13:37.600 --> 0:13:40.199
<v Speaker 4>kept saying like, these executives don't usually show.

0:13:40.080 --> 0:13:41.720
<v Speaker 1>Up on set like this for a pilot.

0:13:42.120 --> 0:13:45.800
<v Speaker 4>These people don't usually start marketing for you know, during

0:13:45.800 --> 0:13:49.640
<v Speaker 4>a pilot or start thinking and strategizing. So it sounded

0:13:49.800 --> 0:13:52.280
<v Speaker 4>very promising to us and we were like, great, we

0:13:52.440 --> 0:13:54.360
<v Speaker 4>just love to see each other again because I moved.

0:13:54.400 --> 0:13:57.679
<v Speaker 4>I went back to New York after we finished filming

0:13:57.800 --> 0:14:01.840
<v Speaker 4>the pilot and waited for two months. But yeah, we

0:14:01.840 --> 0:14:05.079
<v Speaker 4>were there for We came in for four weeks before

0:14:05.080 --> 0:14:08.560
<v Speaker 4>we started filming and started rehearsing Don't Stop Believing and

0:14:09.840 --> 0:14:13.120
<v Speaker 4>figuring out background vocals, figuring out our audition songs, the

0:14:13.200 --> 0:14:15.719
<v Speaker 4>ones that aren't in the pilot, and so it was

0:14:15.760 --> 0:14:19.400
<v Speaker 4>all just like a very collaborative process where Ryan would

0:14:19.400 --> 0:14:23.400
<v Speaker 4>come in and say yes, no hate it, Yes, absolutely,

0:14:23.600 --> 0:14:24.360
<v Speaker 4>that's right.

0:14:24.560 --> 0:14:27.640
<v Speaker 1>Change this. You know, he is so clear in his

0:14:27.720 --> 0:14:28.960
<v Speaker 1>mind exactly what this.

0:14:29.080 --> 0:14:36.320
<v Speaker 4>Was going to be that like in Ryan, we trust.

0:14:40.920 --> 0:14:43.520
<v Speaker 2>Did you feel like for us when we found out

0:14:43.680 --> 0:14:46.200
<v Speaker 2>that Jane was going to be in it and that

0:14:46.280 --> 0:14:48.440
<v Speaker 2>you were going to be in it, people that we

0:14:48.560 --> 0:14:52.120
<v Speaker 2>all knew that were fans of, like that felt like

0:14:52.160 --> 0:14:56.000
<v Speaker 2>a really big deal. Yeah, because people like the two

0:14:56.080 --> 0:14:59.640
<v Speaker 2>of you, who are so good and have been in

0:14:59.680 --> 0:15:02.040
<v Speaker 2>so many any great things that like, oh if they're

0:15:02.040 --> 0:15:04.760
<v Speaker 2>a part of this, like if they think this is good, right,

0:15:04.800 --> 0:15:08.800
<v Speaker 2>being like touch and yeah, very much so, and I

0:15:08.800 --> 0:15:11.600
<v Speaker 2>felt like, oh, that's also really like I can brag

0:15:11.640 --> 0:15:13.880
<v Speaker 2>about being on the same show as you or as

0:15:14.000 --> 0:15:17.160
<v Speaker 2>you know, as Jane, because like everybody loves you. So

0:15:17.240 --> 0:15:18.680
<v Speaker 2>it was one of those things like guess who else

0:15:18.760 --> 0:15:20.560
<v Speaker 2>is in the show? Like how crazy is that?

0:15:21.040 --> 0:15:24.600
<v Speaker 5>Yeah, the thing I felt, you know, one of the

0:15:24.640 --> 0:15:27.600
<v Speaker 5>benefits of always just trying to work and so like

0:15:27.800 --> 0:15:33.120
<v Speaker 5>I did summer Stock outside of Woodstock, New York when

0:15:33.120 --> 0:15:36.480
<v Speaker 5>I was twenty years old, and we had some very

0:15:36.560 --> 0:15:39.120
<v Speaker 5>talented people from New York City that came out to

0:15:39.160 --> 0:15:44.080
<v Speaker 5>do musicals there, and we had one week to rehearse

0:15:44.120 --> 0:15:46.920
<v Speaker 5>a show and then you put it up and you

0:15:47.040 --> 0:15:49.600
<v Speaker 5>do it for two weeks while you're rehearsing the next show,

0:15:50.360 --> 0:15:54.000
<v Speaker 5>and everybody is working on their songs, everybody is working

0:15:54.040 --> 0:15:57.120
<v Speaker 5>on their dances, everybody is working on their speeches from

0:15:57.120 --> 0:16:01.440
<v Speaker 5>Midsummer Night's Dream, walking Walking through the And that was

0:16:01.480 --> 0:16:05.000
<v Speaker 5>the feeling I had of Glee at the beginning, working

0:16:05.000 --> 0:16:08.960
<v Speaker 5>on that pipe. Everybody and every corner was working on

0:16:09.200 --> 0:16:12.760
<v Speaker 5>everything they were doing, yes, because it was not like

0:16:12.800 --> 0:16:15.080
<v Speaker 5>doing an LA show. It was not like doing it.

0:16:15.360 --> 0:16:19.040
<v Speaker 5>It was like doing theater and doing New York Theater, Yes,

0:16:19.560 --> 0:16:23.080
<v Speaker 5>not La Theater. It was like it was like everybody

0:16:23.160 --> 0:16:25.120
<v Speaker 5>was working on their stuff every second.

0:16:25.360 --> 0:16:27.400
<v Speaker 1>You're so right, Ye're so right.

0:16:27.520 --> 0:16:29.200
<v Speaker 2>I never even thought about it because we were so

0:16:29.320 --> 0:16:31.040
<v Speaker 2>used to it, like when we were at those schools.

0:16:31.080 --> 0:16:33.080
<v Speaker 2>Even later on in the seasons, when you were filming

0:16:33.120 --> 0:16:36.360
<v Speaker 2>at other high schools, we were if someone was filming

0:16:36.360 --> 0:16:38.720
<v Speaker 2>in the auditorium, we were on the football field having

0:16:38.800 --> 0:16:42.960
<v Speaker 2>dance or some other or somebody's being bussed off to

0:16:43.000 --> 0:16:46.560
<v Speaker 2>go record. It never stopped. We were all just something

0:16:46.680 --> 0:16:47.560
<v Speaker 2>was happening all the time.

0:16:47.760 --> 0:16:49.760
<v Speaker 1>And did you sing for your audition?

0:16:50.760 --> 0:16:53.480
<v Speaker 5>Oh? You know, I think I just did some stupid

0:16:53.520 --> 0:16:55.960
<v Speaker 5>song I had just done in Talks and Box. Do

0:16:56.000 --> 0:17:01.000
<v Speaker 5>you know that Fernanda and Sullivan musical, you know's the

0:17:01.080 --> 0:17:05.160
<v Speaker 5>bag he can on the grid? I'll say, he cant

0:17:05.280 --> 0:17:10.280
<v Speaker 5>that and close my eyes something like that, something that

0:17:10.480 --> 0:17:14.159
<v Speaker 5>was not of Glee caliber, and and and the but

0:17:14.240 --> 0:17:15.720
<v Speaker 5>it was, it was good enough.

0:17:15.760 --> 0:17:17.880
<v Speaker 2>It was perfect, Oh yeah for.

0:17:17.840 --> 0:17:22.320
<v Speaker 5>Me to be Sandy Ryerson. And but the thing was,

0:17:23.280 --> 0:17:29.960
<v Speaker 5>there was no dead weight on that show. Everybody, nobody

0:17:30.080 --> 0:17:33.399
<v Speaker 5>was lazy. Everybody was trying to do their best. And

0:17:33.440 --> 0:17:38.320
<v Speaker 5>it's like a very rare time where you know, you

0:17:38.440 --> 0:17:41.960
<v Speaker 5>experience everybody saying I'm ready, I'm ready, I'm ready, as

0:17:41.960 --> 0:17:44.800
<v Speaker 5>opposed to could you give me another twenty minutes here

0:17:45.440 --> 0:17:48.400
<v Speaker 5>having a nap in my dressing room, and I will, yeah,

0:17:48.640 --> 0:17:49.359
<v Speaker 5>when I'm ready.

0:17:49.440 --> 0:17:50.360
<v Speaker 2>That's very true.

0:17:50.720 --> 0:17:53.800
<v Speaker 1>There's no time for naps now when you're all.

0:17:53.800 --> 0:17:56.480
<v Speaker 2>So excited because it even like, you know, I think

0:17:56.520 --> 0:17:59.159
<v Speaker 2>it means a lot hearing someone like you who like

0:17:59.640 --> 0:18:02.320
<v Speaker 2>read the script and you were excited from the moment

0:18:02.359 --> 0:18:04.720
<v Speaker 2>you read it, where even with a broken neck, you're like,

0:18:04.720 --> 0:18:06.120
<v Speaker 2>I got to figure out how to get in there,

0:18:06.680 --> 0:18:09.120
<v Speaker 2>you know. I think if that doesn't convince you how

0:18:09.119 --> 0:18:12.600
<v Speaker 2>we all felt about reading it, nothing will, because I

0:18:12.640 --> 0:18:15.440
<v Speaker 2>think we all had a very similar, you know, reaction

0:18:15.560 --> 0:18:17.240
<v Speaker 2>to it. Because it's so rare you get to do

0:18:17.280 --> 0:18:21.000
<v Speaker 2>something that piques your all your interests like this does,

0:18:21.040 --> 0:18:23.200
<v Speaker 2>and that everybody is willing to just go one hundred

0:18:23.240 --> 0:18:26.719
<v Speaker 2>percent from day one, even into the unknown whatever it

0:18:26.800 --> 0:18:28.640
<v Speaker 2>is we're doing, and to.

0:18:28.640 --> 0:18:32.320
<v Speaker 5>Go full circle in terms of the circle of catastrophe.

0:18:32.800 --> 0:18:37.560
<v Speaker 5>My last show on Klee, I had just finished having

0:18:38.320 --> 0:18:43.720
<v Speaker 5>drum roll open heart surgery. Now three years after the

0:18:43.760 --> 0:18:48.080
<v Speaker 5>broken neck, I had to have a triple bypassed open

0:18:48.160 --> 0:18:52.840
<v Speaker 5>heart surgery. So anyway, the word kind of got out

0:18:53.119 --> 0:18:58.760
<v Speaker 5>and different people reached out and gave me shows. And

0:18:58.840 --> 0:19:02.119
<v Speaker 5>so the guy said, Lee said, We've written the show

0:19:02.840 --> 0:19:05.119
<v Speaker 5>for you to do to make sure I kept my

0:19:05.240 --> 0:19:08.200
<v Speaker 5>insurance and that because I can do it. The show

0:19:08.320 --> 0:19:12.560
<v Speaker 5>the last show I did, and I and was in

0:19:12.720 --> 0:19:17.040
<v Speaker 5>detention hall and I said, whatever you people do, I've

0:19:17.160 --> 0:19:21.760
<v Speaker 5>just had surgery. I'm cut in two. Yeah, I'm being

0:19:21.800 --> 0:19:25.840
<v Speaker 5>held together by staples. Do not have me dance because

0:19:25.880 --> 0:19:28.399
<v Speaker 5>I'm not a dancer anyway, And they had me dance

0:19:29.119 --> 0:19:33.840
<v Speaker 5>in detention hall and so I'm like, you know, in

0:19:33.880 --> 0:19:35.800
<v Speaker 5>front of the in front of the blackboard.

0:19:36.200 --> 0:19:37.479
<v Speaker 1>It was stop.

0:19:38.080 --> 0:19:43.639
<v Speaker 5>But I uh take my hat off to uh the

0:19:43.720 --> 0:19:47.600
<v Speaker 5>guys at Community. They gave me a show and so

0:19:47.680 --> 0:19:50.639
<v Speaker 5>sweet and Ryan gave me a show right after Community,

0:19:50.720 --> 0:19:53.040
<v Speaker 5>and I'm going like, god, thank you, thank you, thank you,

0:19:53.560 --> 0:19:56.360
<v Speaker 5>thank you guys so much. It was wonderful.

0:19:56.400 --> 0:19:59.320
<v Speaker 4>It was one that's so great, Oh my gosh, because

0:19:59.359 --> 0:20:04.560
<v Speaker 4>you're enjoyable work with you know what. Now, now, you

0:20:04.600 --> 0:20:08.840
<v Speaker 4>did join a Fellas very early on in this in

0:20:08.960 --> 0:20:12.800
<v Speaker 4>the series. What was that like for you? Were you

0:20:12.960 --> 0:20:16.880
<v Speaker 4>excited to join af of fellas with those guys. What

0:20:16.960 --> 0:20:18.320
<v Speaker 4>was that experience?

0:20:18.480 --> 0:20:22.600
<v Speaker 5>Like, I was working with some very talented people, and

0:20:24.720 --> 0:20:30.439
<v Speaker 5>I remember, uh doing those dance rehearsals for a cafellas

0:20:30.520 --> 0:20:35.520
<v Speaker 5>that was like really ridiculous, and doing it for Ryan. Yeah,

0:20:35.560 --> 0:20:39.639
<v Speaker 5>you know, I was a particularly bad dancer, and and

0:20:39.680 --> 0:20:40.320
<v Speaker 5>you know I was.

0:20:40.400 --> 0:20:44.080
<v Speaker 2>You weren't the only particularly bad dancer.

0:20:44.520 --> 0:20:47.840
<v Speaker 5>I was over ampt and and Ryan was just laughing

0:20:47.880 --> 0:20:51.639
<v Speaker 5>his head off and he's going like, Okay, that's really terrible. Okay,

0:20:52.640 --> 0:20:55.080
<v Speaker 5>that's really but you're right, You're right, you know he

0:20:55.240 --> 0:20:59.560
<v Speaker 5>was like, yes, no, totally. But the guys could sing

0:20:59.640 --> 0:21:01.879
<v Speaker 5>so well. I felt like, well, that's fine. All I

0:21:01.920 --> 0:21:04.439
<v Speaker 5>have to do is kind of just blend in and

0:21:04.560 --> 0:21:07.840
<v Speaker 5>kind of hide in it behind those guys.

0:21:08.240 --> 0:21:08.400
<v Speaker 4>Right.

0:21:09.000 --> 0:21:10.080
<v Speaker 5>That's when I met Josh.

0:21:11.040 --> 0:21:14.360
<v Speaker 2>Yes, and you gave us one of the most famous

0:21:14.400 --> 0:21:16.359
<v Speaker 2>lines in ever.

0:21:17.480 --> 0:21:26.000
<v Speaker 5>Who says Josh and Josh and I this is this

0:21:26.080 --> 0:21:31.520
<v Speaker 5>is not so. I meet Josh out in Pasadena or whatever,

0:21:32.320 --> 0:21:36.399
<v Speaker 5>and he was saying like, I'm not used to acting

0:21:36.880 --> 0:21:39.080
<v Speaker 5>and doing this kind of thing, and I'm kind of

0:21:39.119 --> 0:21:43.960
<v Speaker 5>nervous about the camera, the whole camera thing. And I'm

0:21:44.000 --> 0:21:50.240
<v Speaker 5>going like, you gotta be kidding. I said, you don't

0:21:50.280 --> 0:21:51.960
<v Speaker 5>have to worry about the camera thing at all because

0:21:51.960 --> 0:21:56.119
<v Speaker 5>he's so brilliant. And it's just like I said, you know,

0:21:56.359 --> 0:21:58.680
<v Speaker 5>if you make any mistake of anything at all, they

0:21:58.760 --> 0:21:59.560
<v Speaker 5>just do it again.

0:22:00.200 --> 0:22:00.399
<v Speaker 6>You know.

0:22:00.480 --> 0:22:04.520
<v Speaker 5>It's not like you know, you're you're juggling glass spheres

0:22:04.720 --> 0:22:05.119
<v Speaker 5>or something.

0:22:05.960 --> 0:22:08.000
<v Speaker 2>He can perform live in front of an arena full

0:22:08.040 --> 0:22:08.520
<v Speaker 2>of people.

0:22:08.560 --> 0:22:13.080
<v Speaker 5>But you know, wow, god, but he what what? What

0:22:13.119 --> 0:22:15.480
<v Speaker 5>a guy? What a guy? That was? That was amazing?

0:22:15.680 --> 0:22:16.400
<v Speaker 5>That was amazing.

0:22:16.840 --> 0:22:19.160
<v Speaker 2>Did you have any idea when you came on originally

0:22:19.200 --> 0:22:25.040
<v Speaker 2>for the pilot, because Sandy Ryerson left quite the impression certainly?

0:22:25.280 --> 0:22:27.920
<v Speaker 2>Did you know that you know if the show got

0:22:27.920 --> 0:22:31.000
<v Speaker 2>picked up that Ryan and co. Wanted to have you

0:22:31.040 --> 0:22:32.960
<v Speaker 2>back for more or was it sort of the show

0:22:32.960 --> 0:22:35.120
<v Speaker 2>gets picked up and they're writing these episodes and like, hey,

0:22:35.280 --> 0:22:38.080
<v Speaker 2>actually can you come back again and again and again?

0:22:38.480 --> 0:22:40.880
<v Speaker 5>Yeah? Well no, you know you never know that kind

0:22:40.960 --> 0:22:43.040
<v Speaker 5>of stuff. So I I had at that point. I

0:22:43.040 --> 0:22:46.119
<v Speaker 5>had had enough experience to know like, well, you do

0:22:46.200 --> 0:22:49.280
<v Speaker 5>the pilot and that's great, and then if if you

0:22:49.600 --> 0:22:52.920
<v Speaker 5>do other shows, that's even better. But but you never

0:22:53.040 --> 0:22:56.760
<v Speaker 5>know that kind of thing. And once once you shoot

0:22:56.800 --> 0:23:01.159
<v Speaker 5>a pilot, A lot of other four verses enter into

0:23:01.200 --> 0:23:04.720
<v Speaker 5>the creation of a series as to the direction they

0:23:04.800 --> 0:23:09.320
<v Speaker 5>want to go with certain ideas and certain directions, and

0:23:09.359 --> 0:23:14.880
<v Speaker 5>so certain characters are elevated, other characters vanished, new characters

0:23:14.920 --> 0:23:20.920
<v Speaker 5>are created, and with glee. They certainly did that.

0:23:21.800 --> 0:23:25.800
<v Speaker 2>They did, oh they I.

0:23:25.760 --> 0:23:30.120
<v Speaker 5>Just was so happy that the number of times I

0:23:30.160 --> 0:23:33.399
<v Speaker 5>as music teacher, you know, I got to sit in

0:23:33.440 --> 0:23:39.520
<v Speaker 5>the audience and listen to everybody's sing Oh God, what

0:23:39.560 --> 0:23:40.920
<v Speaker 5>a great group of people.

0:23:41.440 --> 0:23:41.760
<v Speaker 1>Truly.

0:23:42.720 --> 0:23:47.440
<v Speaker 4>Now, Sandy had some really insane moments, and I'm curious

0:23:47.480 --> 0:23:50.159
<v Speaker 4>to hear if you are ever concerned by any of

0:23:50.200 --> 0:23:54.120
<v Speaker 4>your storylines or any of the things that you did,

0:23:54.400 --> 0:23:57.639
<v Speaker 4>like your doll your home of dolls.

0:23:56.880 --> 0:24:04.080
<v Speaker 1>In your robes and tea. I have to know, I just.

0:24:05.920 --> 0:24:09.600
<v Speaker 5>Find those things delightful, you know, I just find them

0:24:09.640 --> 0:24:12.200
<v Speaker 5>so funny, and there's so much humor buried in that,

0:24:12.359 --> 0:24:16.040
<v Speaker 5>you know, it's so funny. And they don't tell you

0:24:16.160 --> 0:24:21.880
<v Speaker 5>that stuff beforehand, right because you know, if you're doing

0:24:22.040 --> 0:24:24.719
<v Speaker 5>a character in a kind of Stanislavsky way, and they

0:24:24.720 --> 0:24:27.639
<v Speaker 5>were saying, like, well, one thing you should know about

0:24:27.680 --> 0:24:30.960
<v Speaker 5>who you are, you have a dollhouse at home, and

0:24:31.000 --> 0:24:33.440
<v Speaker 5>you you you played with Dolph, you know you would

0:24:33.520 --> 0:24:36.800
<v Speaker 5>kind of put something together, but in television they just

0:24:36.920 --> 0:24:40.159
<v Speaker 5>throw that at you as a surprise. But I was

0:24:40.280 --> 0:24:46.400
<v Speaker 5>just I was kind of delighted by everything. And oh,

0:24:46.560 --> 0:24:50.200
<v Speaker 5>I guess you and Jane to ask me. What Jane

0:24:50.200 --> 0:24:53.679
<v Speaker 5>and I would do when we weren't shooting is we

0:24:53.720 --> 0:24:58.120
<v Speaker 5>would sit outside the stage and tell each other theater stories,

0:24:59.240 --> 0:25:03.440
<v Speaker 5>amazing about nightmares she went through and nightmares I went through,

0:25:03.560 --> 0:25:06.000
<v Speaker 5>and it was also funny, and we just were sitting

0:25:06.040 --> 0:25:09.320
<v Speaker 5>there just laughing, and then they call us on stage

0:25:09.320 --> 0:25:14.399
<v Speaker 5>and then you know, it's a whole other thing. And

0:25:14.440 --> 0:25:17.760
<v Speaker 5>you know, one of the lasting impressions I have is Corey.

0:25:18.600 --> 0:25:23.359
<v Speaker 5>You know Corey and who was absolutely one of my

0:25:23.440 --> 0:25:27.879
<v Speaker 5>favorite people on the set, and always watching Corey working

0:25:28.000 --> 0:25:30.879
<v Speaker 5>so hard to get his dance right and get his

0:25:30.960 --> 0:25:34.280
<v Speaker 5>thing right, usually right outside my trailer. He was out

0:25:34.280 --> 0:25:36.679
<v Speaker 5>there and he was working on things.

0:25:38.880 --> 0:25:44.200
<v Speaker 4>So yeah, yeah, everybody who comes on the show always

0:25:44.560 --> 0:25:48.919
<v Speaker 4>like cannot help themselves. But you mentioned how kind Corey was,

0:25:49.240 --> 0:25:51.440
<v Speaker 4>how hard of a worker he was, how he went

0:25:51.480 --> 0:25:54.359
<v Speaker 4>out of his way to make them feel at home.

0:25:54.600 --> 0:25:59.840
<v Speaker 4>He really was just our silent leader. Yeah, and like

0:26:00.119 --> 0:26:02.640
<v Speaker 4>so beloved by everybody.

0:26:02.280 --> 0:26:05.199
<v Speaker 5>So beloved. And I'll tell you it was one of

0:26:05.240 --> 0:26:09.720
<v Speaker 5>the in in a lot of businesses, you encounter a

0:26:09.720 --> 0:26:13.560
<v Speaker 5>lot of tragedy, and in this particular business, you encounter

0:26:13.680 --> 0:26:18.840
<v Speaker 5>so many people and you have no idea how many

0:26:18.880 --> 0:26:23.760
<v Speaker 5>are living on the edge. But it was one one

0:26:24.080 --> 0:26:27.560
<v Speaker 5>horrible piece of news that that so had me in

0:26:27.640 --> 0:26:32.760
<v Speaker 5>tears because because he he was such a dear, dear,

0:26:32.880 --> 0:26:34.640
<v Speaker 5>dear person, and.

0:26:34.680 --> 0:26:41.800
<v Speaker 6>Uh, I was I was just in Vancouver when I heard,

0:26:42.000 --> 0:26:44.320
<v Speaker 6>and I'm thinking, like god, you mean he could have

0:26:44.359 --> 0:26:48.240
<v Speaker 6>been right here and I didn't know it, you know,

0:26:48.359 --> 0:26:51.320
<v Speaker 6>it was Yeah, it was terrible.

0:26:51.760 --> 0:26:56.199
<v Speaker 2>Yeah really, And it feels worse too when you know

0:26:56.280 --> 0:26:59.560
<v Speaker 2>somebody that deeply you know how wonderful they are, that

0:26:59.600 --> 0:27:01.440
<v Speaker 2>it's always just shocking.

0:27:01.760 --> 0:27:03.160
<v Speaker 5>Yeah yeah, yeah, yeah, it.

0:27:03.119 --> 0:27:06.639
<v Speaker 2>Makes no sense. But I love that like you, you,

0:27:06.760 --> 0:27:09.000
<v Speaker 2>like so many others you know, echoed the same sentiments

0:27:09.040 --> 0:27:11.800
<v Speaker 2>about him, because it's it's nice that we all get

0:27:11.800 --> 0:27:13.800
<v Speaker 2>to share that and got to have that time with

0:27:13.880 --> 0:27:16.640
<v Speaker 2>him and be able to like, you know, share those

0:27:16.640 --> 0:27:19.480
<v Speaker 2>memories with other people because it's one of those things

0:27:19.480 --> 0:27:22.120
<v Speaker 2>where like, no, he really was just the best, and

0:27:22.320 --> 0:27:26.680
<v Speaker 2>everybody should should know that yeah, yeah, sweet wonderful guy.

0:27:26.960 --> 0:27:38.480
<v Speaker 1>Mm hmmm, very You've been in so many iconic things.

0:27:38.560 --> 0:27:42.800
<v Speaker 1>I'm curious like when people approach you fans, is it

0:27:42.840 --> 0:27:46.200
<v Speaker 1>for something? Is it is it more one thing than

0:27:46.320 --> 0:27:49.280
<v Speaker 1>the other? Is it Glee? Is it Groundhog Day?

0:27:49.400 --> 0:27:51.840
<v Speaker 4>Like do you have one that's like I always get

0:27:51.840 --> 0:27:54.000
<v Speaker 4>recognized or is it just that people know you because

0:27:54.040 --> 0:27:55.440
<v Speaker 4>you've been in literally everything?

0:27:55.840 --> 0:27:56.080
<v Speaker 2>Yeah?

0:27:56.240 --> 0:27:59.760
<v Speaker 5>Now, now it kind of depends on cable because everybody watches,

0:28:00.400 --> 0:28:05.680
<v Speaker 5>so I could tell recently everyone goes like, oh my god,

0:28:05.840 --> 0:28:11.359
<v Speaker 5>Stu Begs Californication And I'm going like, why why is

0:28:11.480 --> 0:28:14.200
<v Speaker 5>everybody coming up to me saying Stu Beggs? And then

0:28:14.320 --> 0:28:17.639
<v Speaker 5>I'd look on my thing and it's back on cable again.

0:28:17.920 --> 0:28:21.040
<v Speaker 5>Right in Californication. I was on the I was just

0:28:21.080 --> 0:28:25.480
<v Speaker 5>in Dallas this weekend, and on the flight back, the

0:28:25.560 --> 0:28:29.760
<v Speaker 5>guy said, you know, you were Jack Barker in Silicon Valley.

0:28:29.800 --> 0:28:31.720
<v Speaker 5>The guy next to me, I go, right, right, right,

0:28:31.840 --> 0:28:35.600
<v Speaker 5>Then the guy crossway, No, it's Stu Beggs and then

0:28:35.640 --> 0:28:40.680
<v Speaker 5>you leave, Oh it's Ned Ryerson. So it's like, now,

0:28:41.480 --> 0:28:46.880
<v Speaker 5>after all this time, their favorite characters people have. That's

0:28:46.960 --> 0:28:52.000
<v Speaker 5>funny and whether Bolberg's or one day at a time,

0:28:52.040 --> 0:28:53.840
<v Speaker 5>their favorite characters, people.

0:28:53.640 --> 0:28:57.080
<v Speaker 1>Have and everything everything I've.

0:28:56.880 --> 0:29:01.000
<v Speaker 5>Reached kind of the point of saturation. And I'm lucky.

0:29:01.160 --> 0:29:04.240
<v Speaker 5>I'm lucky in that a lot of the roles were

0:29:04.240 --> 0:29:06.880
<v Speaker 5>in really good projects, cause you could have a lot

0:29:06.920 --> 0:29:10.280
<v Speaker 5>of roles in really terrible projects. Something like Lee is

0:29:10.360 --> 0:29:16.480
<v Speaker 5>a classic project, or certainly Goldberg's is amazing one day

0:29:16.520 --> 0:29:19.560
<v Speaker 5>to time, I mean, lots of good projects. So that's

0:29:19.760 --> 0:29:26.000
<v Speaker 5>but a lot of reason why that happened was location, location, location,

0:29:26.960 --> 0:29:32.360
<v Speaker 5>So at Sony Studios, it is difficult to get the

0:29:32.400 --> 0:29:36.440
<v Speaker 5>approval of the boss. But when the president of Sony

0:29:36.520 --> 0:29:39.640
<v Speaker 5>and the head casting at Sony go like you're okay,

0:29:40.960 --> 0:29:46.160
<v Speaker 5>then everything that comes in at Sony it's it's less

0:29:46.200 --> 0:29:48.800
<v Speaker 5>work for them to say, Stephen, as soon as you

0:29:48.880 --> 0:29:51.240
<v Speaker 5>finish Goldbergs, why don't you run over there? And why

0:29:51.280 --> 0:29:55.280
<v Speaker 5>don't you go over and do uh doctor that sense,

0:29:55.720 --> 0:29:57.960
<v Speaker 5>do the Doctor Ken show. We'll get apart for you.

0:29:58.080 --> 0:30:01.040
<v Speaker 5>It just and they just keep you running around like

0:30:01.080 --> 0:30:03.880
<v Speaker 5>they did in the thirties, you know, So you just

0:30:03.920 --> 0:30:06.520
<v Speaker 5>go around and do like this show, this show, this show,

0:30:06.560 --> 0:30:09.719
<v Speaker 5>all at the same state studio, and they arrange your

0:30:09.760 --> 0:30:13.320
<v Speaker 5>scheduled where you do five different things. Wow, but that

0:30:13.520 --> 0:30:16.680
<v Speaker 5>was just location. Look, it was just companion for them.

0:30:18.840 --> 0:30:20.640
<v Speaker 2>A very very talent.

0:30:21.720 --> 0:30:22.880
<v Speaker 5>They know who I am.

0:30:23.480 --> 0:30:25.720
<v Speaker 1>They know you're capable of right, right.

0:30:25.720 --> 0:30:29.360
<v Speaker 5>Right, kind of auditioned on screen for them a number

0:30:29.400 --> 0:30:29.960
<v Speaker 5>of times, so.

0:30:30.120 --> 0:30:32.560
<v Speaker 2>You're right, and at that point they should be able

0:30:32.600 --> 0:30:34.440
<v Speaker 2>to just be like, can you do this? You don't

0:30:34.480 --> 0:30:38.320
<v Speaker 2>have to audition, come up just like you know, like

0:30:38.400 --> 0:30:41.240
<v Speaker 2>you know what I could do. You've seen me and everything.

0:30:42.200 --> 0:30:46.120
<v Speaker 4>Yeah, it's well and also being on like for you know,

0:30:46.280 --> 0:30:50.200
<v Speaker 4>most recently with Michael Hitchcock two on Nobody Wants This.

0:30:50.360 --> 0:30:53.760
<v Speaker 4>It's like another really big hit that everybody's talking about,

0:30:53.760 --> 0:30:56.040
<v Speaker 4>which is not always so common in this day and

0:30:56.040 --> 0:30:59.360
<v Speaker 4>age because there's so much content now that for something

0:30:59.400 --> 0:31:01.120
<v Speaker 4>to hit like that and for you to be on

0:31:01.160 --> 0:31:04.440
<v Speaker 4>another show that's you know, wildly popular like that.

0:31:04.640 --> 0:31:07.160
<v Speaker 5>We had no idea what was going on because the

0:31:07.200 --> 0:31:10.520
<v Speaker 5>show didn't have a title. It was called untitled Aaron

0:31:10.680 --> 0:31:14.240
<v Speaker 5>Foster Project. And so so I'm going like okay, and

0:31:14.280 --> 0:31:16.960
<v Speaker 5>then they always kept reading. So they My agent called

0:31:17.000 --> 0:31:19.760
<v Speaker 5>me up and said, Stephen, you know they're doing this

0:31:19.760 --> 0:31:22.200
<v Speaker 5>this show and they have a rabbi, and I think

0:31:22.240 --> 0:31:23.840
<v Speaker 5>you have a scene. Could you go in and do

0:31:24.000 --> 0:31:26.800
<v Speaker 5>a Rabbi scene for them? It's just I go sure, sure.

0:31:27.040 --> 0:31:29.400
<v Speaker 5>So they send me the stuff and I'm reading it

0:31:29.560 --> 0:31:32.200
<v Speaker 5>and I'm going like, yeah, okay, well it's actually two scenes,

0:31:32.560 --> 0:31:36.200
<v Speaker 5>but okay, two scenes in two days. Okay. And then

0:31:36.280 --> 0:31:38.600
<v Speaker 5>they go like, oh, and you're on next week too,

0:31:38.680 --> 0:31:42.800
<v Speaker 5>and I go, oh my god, okay, okay, well well

0:31:43.200 --> 0:31:47.280
<v Speaker 5>that script yeah yeah, yeah, and wow. They had no title,

0:31:47.760 --> 0:31:51.760
<v Speaker 5>and so we had no idea what this show was

0:31:51.840 --> 0:31:54.840
<v Speaker 5>going to be like or whether it was good or

0:31:54.920 --> 0:31:59.320
<v Speaker 5>bad or indifferent. And after about three months or so

0:31:59.440 --> 0:32:02.200
<v Speaker 5>after we had finished shooting it, my agent called up says,

0:32:02.240 --> 0:32:04.360
<v Speaker 5>they finally have a title for it. I go, what

0:32:05.520 --> 0:32:10.719
<v Speaker 5>nobody wants this? Could you have a worst title? I mean,

0:32:10.800 --> 0:32:12.800
<v Speaker 5>can you imagine the critics going.

0:32:12.640 --> 0:32:18.200
<v Speaker 1>Like nobody right? You're giving it to them?

0:32:19.280 --> 0:32:19.560
<v Speaker 2>Silver.

0:32:20.400 --> 0:32:21.959
<v Speaker 1>It was great, really, it was.

0:32:22.920 --> 0:32:26.320
<v Speaker 5>I mean, we all, you know, Kristen played my daughter

0:32:26.400 --> 0:32:30.440
<v Speaker 5>on another show, so there's all kinds of you know,

0:32:30.680 --> 0:32:34.720
<v Speaker 5>she on Heroes, she was my daughter. That's where I

0:32:34.800 --> 0:32:38.640
<v Speaker 5>met her, And I'm going like, what was the genetic

0:32:39.000 --> 0:32:43.280
<v Speaker 5>disposition of my wife to where me and her created you?

0:32:44.000 --> 0:32:45.520
<v Speaker 5>I mean, my God.

0:32:49.880 --> 0:32:51.720
<v Speaker 2>Is right before Glee and I remember when you got

0:32:51.760 --> 0:32:54.160
<v Speaker 2>on like yes.

0:32:54.480 --> 0:32:56.720
<v Speaker 1>Jen, yeah, the whole thing.

0:32:58.000 --> 0:33:01.200
<v Speaker 5>But that show turned out to be nobody wants this

0:33:01.320 --> 0:33:05.080
<v Speaker 5>is a fabs like a show. And I didn't know

0:33:05.240 --> 0:33:08.000
<v Speaker 5>until I went into Looping. And you know, you go

0:33:08.040 --> 0:33:10.040
<v Speaker 5>into Looping and they show you a bit of the

0:33:10.080 --> 0:33:11.400
<v Speaker 5>scene and I'm watching, I'm.

0:33:11.240 --> 0:33:16.240
<v Speaker 1>Going, oh, this is good. Yeah, yeah, give me more.

0:33:16.360 --> 0:33:16.960
<v Speaker 1>I'd like to see.

0:33:17.280 --> 0:33:18.680
<v Speaker 5>Yeah, you never know, you never know.

0:33:19.040 --> 0:33:20.920
<v Speaker 2>I think it's so impressive. And we've talked to some

0:33:20.960 --> 0:33:23.960
<v Speaker 2>other actors who've been in a lot of shows and

0:33:24.240 --> 0:33:26.880
<v Speaker 2>how like you just pop in for two scenes here,

0:33:27.280 --> 0:33:30.320
<v Speaker 2>come back and you don't even know what the show is.

0:33:30.600 --> 0:33:33.480
<v Speaker 2>But the skill to be able to do that, like

0:33:33.560 --> 0:33:35.480
<v Speaker 2>the muscle, to be able to just like pop in

0:33:36.200 --> 0:33:38.440
<v Speaker 2>do your thing that fits in the tone with that

0:33:38.480 --> 0:33:42.920
<v Speaker 2>show is so impressive. And you continue to do that,

0:33:43.800 --> 0:33:44.120
<v Speaker 2>you know.

0:33:44.120 --> 0:33:46.600
<v Speaker 5>You learn lessons along the way. One of the lessons

0:33:46.600 --> 0:33:50.560
<v Speaker 5>Harold Ramos taught me on Groundhougs because I was a

0:33:50.600 --> 0:33:54.440
<v Speaker 5>little nervous that I was overplaying the part a little bit,

0:33:54.720 --> 0:33:58.240
<v Speaker 5>you know, overplaying it, and Harold Ramis is Stephen, you know,

0:33:58.320 --> 0:34:00.640
<v Speaker 5>the Schlamiel and the Schlamazl.

0:34:00.680 --> 0:34:04.040
<v Speaker 2>And excuse me, he says, yeah, the Jewish.

0:34:03.760 --> 0:34:08.000
<v Speaker 5>Jewish comedy the Schlamiel and the Schlamazel. The Schlamiel is

0:34:08.000 --> 0:34:11.120
<v Speaker 5>the guy who always spills the soup. He always is shaking,

0:34:11.360 --> 0:34:14.920
<v Speaker 5>you know, yep, and always dropping the soda can. The

0:34:14.960 --> 0:34:18.480
<v Speaker 5>Schlamazel is the guy who always gets stuff spilled on him.

0:34:18.880 --> 0:34:21.719
<v Speaker 5>He says, So when you are in this scene in

0:34:22.040 --> 0:34:25.560
<v Speaker 5>Groundhog Day, you are the Schlamiel. Bill is the Schlamazel.

0:34:26.000 --> 0:34:28.680
<v Speaker 5>So Bill has to be the world. He has to

0:34:28.719 --> 0:34:32.280
<v Speaker 5>play it straight. You could do whatever you want now.

0:34:32.840 --> 0:34:36.000
<v Speaker 5>When they call me in last second, it's usually for

0:34:36.080 --> 0:34:38.160
<v Speaker 5>a comedy, And I think am I the Schlamiel or

0:34:38.200 --> 0:34:43.919
<v Speaker 5>the Slamazel in terms of nobody wants this? I am

0:34:44.000 --> 0:34:48.200
<v Speaker 5>the world, which is a much easier role to play.

0:34:48.960 --> 0:34:51.600
<v Speaker 5>I mean, you just have to carry the weight of

0:34:52.480 --> 0:34:56.960
<v Speaker 5>the normal into it to where the other people can

0:34:57.040 --> 0:35:01.920
<v Speaker 5>play off of that. But brilliant, you just have this

0:35:02.040 --> 0:35:05.719
<v Speaker 5>shorthand of going like what what am I on this show?

0:35:06.360 --> 0:35:07.480
<v Speaker 1>The vessel? Right right?

0:35:07.560 --> 0:35:10.360
<v Speaker 2>Yes, yes, wow, some good advice right there.

0:35:11.080 --> 0:35:14.200
<v Speaker 4>Well, because you've been on so many things, in so

0:35:14.320 --> 0:35:17.000
<v Speaker 4>many things in your career is so wildly extensive, I'm

0:35:17.040 --> 0:35:20.640
<v Speaker 4>curious like what it is now? What your mindset is

0:35:20.680 --> 0:35:24.960
<v Speaker 4>when you're looking to work, now, are you just excited

0:35:25.000 --> 0:35:27.600
<v Speaker 4>to work on anything? Are you looking for things specific?

0:35:27.800 --> 0:35:31.319
<v Speaker 4>Or I'm just like what is it? When project come

0:35:31.400 --> 0:35:31.640
<v Speaker 4>to you?

0:35:32.080 --> 0:35:35.319
<v Speaker 5>All right, I'm hoping it's a good show. First of all,

0:35:35.600 --> 0:35:37.600
<v Speaker 5>like the script. I read the script, and if the

0:35:37.640 --> 0:35:40.600
<v Speaker 5>script is good, I like it. That's another thing. And

0:35:40.640 --> 0:35:43.520
<v Speaker 5>then then after you do it, you hope it's a

0:35:43.520 --> 0:35:48.520
<v Speaker 5>good cast. So nobody wants this, right Craig. You know,

0:35:48.680 --> 0:35:51.120
<v Speaker 5>I read the script, I go like, well, this is good,

0:35:51.200 --> 0:35:52.959
<v Speaker 5>and then you see the cast you go, oh, well

0:35:53.000 --> 0:35:55.480
<v Speaker 5>this is good. The same thing with Glee. You know,

0:35:55.560 --> 0:35:57.719
<v Speaker 5>I read the script and I go like, I have

0:35:57.800 --> 0:36:00.279
<v Speaker 5>to be in the show. And then you say the

0:36:00.280 --> 0:36:02.600
<v Speaker 5>people who were in it, and you'd be like, oh

0:36:02.719 --> 0:36:06.840
<v Speaker 5>my god, yeah, yes, the most talented group of people

0:36:06.920 --> 0:36:10.000
<v Speaker 5>in the world. You know, it is so amazing to

0:36:10.080 --> 0:36:14.800
<v Speaker 5>act with you guys, and to watch everybody perform was amazing.

0:36:15.320 --> 0:36:18.440
<v Speaker 5>So that's the first thing. It has to have a

0:36:18.480 --> 0:36:26.239
<v Speaker 5>good script. And then if if the cast, especially if

0:36:26.280 --> 0:36:29.040
<v Speaker 5>the cast is like again, I'll go back to the

0:36:29.040 --> 0:36:32.920
<v Speaker 5>Glee cast that aren't afraid to work, and like I,

0:36:33.040 --> 0:36:38.440
<v Speaker 5>nobody wants this. Everybody was eager to work, not happy

0:36:38.560 --> 0:36:41.720
<v Speaker 5>to be resting. Everybody's let's go, let's do this, Let's

0:36:41.719 --> 0:36:45.400
<v Speaker 5>do this again, let's get everybody was happy to be

0:36:45.480 --> 0:36:48.200
<v Speaker 5>engaged in the process of doing it.

0:36:49.680 --> 0:36:53.439
<v Speaker 2>That that energy is so necessary. Yeah, feed off each

0:36:53.440 --> 0:36:57.680
<v Speaker 2>other's It feels like, I imagine it's reminiscent in a

0:36:57.719 --> 0:36:59.919
<v Speaker 2>way of Summer Stock too. You're like, it's a minor

0:37:00.080 --> 0:37:03.360
<v Speaker 2>miracle these things get made, yes, right, Like it takes

0:37:03.400 --> 0:37:06.200
<v Speaker 2>everybody doing their little part in every single department to

0:37:06.239 --> 0:37:07.919
<v Speaker 2>pull each other together at the end of the day

0:37:08.000 --> 0:37:09.560
<v Speaker 2>to just get this thing done.

0:37:09.920 --> 0:37:18.080
<v Speaker 5>Yep, this horrible summer stock story. Horrible summer stock story.

0:37:18.560 --> 0:37:21.799
<v Speaker 5>So I was playing bottom in Midsummer Night's Dream and

0:37:21.920 --> 0:37:26.719
<v Speaker 5>my girlfriend from Texas came up and she ended up

0:37:26.760 --> 0:37:31.640
<v Speaker 5>being an apprentice in the group of people, and we

0:37:31.640 --> 0:37:34.640
<v Speaker 5>were falling in love, you know how that happens. And

0:37:34.880 --> 0:37:37.200
<v Speaker 5>we were falling in love, and I was playing bottom,

0:37:37.680 --> 0:37:41.320
<v Speaker 5>and I kept waking up. The schedule was so difficult.

0:37:41.360 --> 0:37:44.920
<v Speaker 5>I kept waking up on stage in the middle of

0:37:44.960 --> 0:37:49.359
<v Speaker 5>the night rehearsing, wearing some of my clothes, some of

0:37:49.360 --> 0:37:53.120
<v Speaker 5>my costume, and some of my pajamas. So I'd wake

0:37:53.200 --> 0:37:55.920
<v Speaker 5>up at two or three in the morning on stage.

0:37:56.040 --> 0:37:59.799
<v Speaker 5>The theater is completely dark, completely dark, and I am

0:38:00.000 --> 0:38:03.280
<v Speaker 5>rehearsing bottoms dream or something. So I go to Beth

0:38:03.520 --> 0:38:08.759
<v Speaker 5>and I said, look, I think I'm sleepwalking. Could you

0:38:09.200 --> 0:38:12.839
<v Speaker 5>could you wake me up? I don't want to end

0:38:12.920 --> 0:38:15.239
<v Speaker 5>up on stage again in the middle of the night

0:38:15.800 --> 0:38:17.799
<v Speaker 5>with half my clothes on and half my clothes off,

0:38:18.040 --> 0:38:20.320
<v Speaker 5>because that means I had to get out of the bed,

0:38:21.160 --> 0:38:25.760
<v Speaker 5>go down to the bar, go down into the costume room,

0:38:26.000 --> 0:38:29.520
<v Speaker 5>put on my costume. But in my sleep I can't

0:38:29.560 --> 0:38:34.360
<v Speaker 5>button buttons or do belts. And so I said, Baby,

0:38:34.400 --> 0:38:38.520
<v Speaker 5>please just make sure I stay in bed tonight, please.

0:38:39.280 --> 0:38:42.400
<v Speaker 5>So I wake up on stage. The clock on the

0:38:42.440 --> 0:38:44.640
<v Speaker 5>side of the wall says three point thirty in the morning.

0:38:45.120 --> 0:38:47.840
<v Speaker 5>I'm standing there in my bottom out that my pants

0:38:47.840 --> 0:38:50.560
<v Speaker 5>are at my ankles because I can't fasten my pants.

0:38:51.040 --> 0:38:55.080
<v Speaker 5>I have my doublet and of this, and Beth is

0:38:55.120 --> 0:39:01.440
<v Speaker 5>sitting in the audience and she said, I said, Baby,

0:39:02.080 --> 0:39:03.160
<v Speaker 5>this wasn't the deal.

0:39:03.920 --> 0:39:04.600
<v Speaker 2>The deal was.

0:39:04.719 --> 0:39:08.440
<v Speaker 5>Supposed to And she said I had to see it.

0:39:09.040 --> 0:39:11.600
<v Speaker 5>I had to see if it was true, and I

0:39:11.680 --> 0:39:13.920
<v Speaker 5>had to see when you woke up what you would do.

0:39:14.640 --> 0:39:19.400
<v Speaker 5>And so it is true. You are sleep talking, you know,

0:39:20.600 --> 0:39:24.400
<v Speaker 5>you know, it's just this is so it's all so crazy.

0:39:24.560 --> 0:39:25.760
<v Speaker 5>It's also crazy.

0:39:26.880 --> 0:39:27.520
<v Speaker 1>Wow.

0:39:27.960 --> 0:39:30.640
<v Speaker 2>Wow did you start in theaters? Like, how did you

0:39:30.680 --> 0:39:31.840
<v Speaker 2>get into that in the first place.

0:39:32.160 --> 0:39:35.920
<v Speaker 5>I got into theater because I was having a horrible

0:39:36.080 --> 0:39:40.200
<v Speaker 5>experience in college. I had a teacher in college who

0:39:40.280 --> 0:39:45.320
<v Speaker 5>was just trying to destroy me, an acting teacher. She

0:39:45.560 --> 0:39:49.839
<v Speaker 5>was the new acting teacher, and she hated me. And

0:39:49.920 --> 0:39:54.320
<v Speaker 5>so I grew up in a in an area of

0:39:54.440 --> 0:39:57.280
<v Speaker 5>Dallas where I was used to believes as a child.

0:39:57.480 --> 0:39:59.560
<v Speaker 5>I knew what they looked like and I knew how

0:39:59.560 --> 0:40:00.120
<v Speaker 5>they act that.

0:40:00.520 --> 0:40:04.080
<v Speaker 2>Where Dallas are you from originally? Oh, Cliff, I'm from Plano.

0:40:04.600 --> 0:40:06.560
<v Speaker 5>Oh well you're from Plano.

0:40:07.920 --> 0:40:11.160
<v Speaker 2>I was from the east side. I was not from

0:40:11.160 --> 0:40:12.120
<v Speaker 2>the west side.

0:40:13.239 --> 0:40:18.680
<v Speaker 5>In the old days, Plano where all the fancy people live.

0:40:19.000 --> 0:40:22.759
<v Speaker 5>And now it's like Addison or North Addison or now

0:40:22.840 --> 0:40:26.160
<v Speaker 5>people moved away because everybody moved to Plano because it

0:40:26.200 --> 0:40:31.200
<v Speaker 5>was the Beverly Hills of Dallas, not when I was there. Yeah,

0:40:31.480 --> 0:40:34.840
<v Speaker 5>but what was I talking about?

0:40:35.680 --> 0:40:36.200
<v Speaker 1>The teachers?

0:40:37.480 --> 0:40:38.600
<v Speaker 5>Terrible teachers.

0:40:38.760 --> 0:40:39.480
<v Speaker 1>Terrible teacher.

0:40:39.600 --> 0:40:43.719
<v Speaker 5>You know, when I was a sophomore is when you

0:40:43.880 --> 0:40:48.840
<v Speaker 5>got brought into the professional Acting curriculum. She voted against me.

0:40:49.400 --> 0:40:52.080
<v Speaker 5>So I was not in the professional acting curriculum, which

0:40:52.120 --> 0:40:55.319
<v Speaker 5>means I could not take acting classes. I could take

0:40:55.440 --> 0:40:58.719
<v Speaker 5>theater history, I could do all that other kind, but

0:40:58.800 --> 0:41:03.600
<v Speaker 5>not acting classes. So I go like, okay, this is crazy.

0:41:04.000 --> 0:41:08.200
<v Speaker 5>So what I did was I went to my theater

0:41:08.360 --> 0:41:17.839
<v Speaker 5>history teacher, who was understood and my junior year. I said, well,

0:41:17.880 --> 0:41:21.880
<v Speaker 5>you may know I have this teacher that's and he goes, yes, yes, yes.

0:41:22.440 --> 0:41:25.719
<v Speaker 5>I said, can I take the graduate exam now with

0:41:25.920 --> 0:41:29.440
<v Speaker 5>you if you give it to me, because you had

0:41:29.440 --> 0:41:31.640
<v Speaker 5>to have two parts, you had to have a written

0:41:31.680 --> 0:41:39.120
<v Speaker 5>exam to graduate, and and I said, you have to

0:41:39.120 --> 0:41:42.239
<v Speaker 5>give me the exam, but not tell anyone that you're

0:41:42.280 --> 0:41:44.960
<v Speaker 5>giving it to me, and you keep the exam and

0:41:45.040 --> 0:41:49.160
<v Speaker 5>if I need it my senior year, you'll bring it

0:41:49.200 --> 0:41:54.200
<v Speaker 5>to me. And so I took the exam like my

0:41:54.360 --> 0:41:59.640
<v Speaker 5>junior year, my graduate exam, and sure enough, a week

0:41:59.680 --> 0:42:04.880
<v Speaker 5>before the end of school my senior year, my advisor

0:42:04.960 --> 0:42:07.440
<v Speaker 5>came and said, we're so sorry, you're not going to

0:42:07.480 --> 0:42:10.719
<v Speaker 5>be able to graduate. Joan Potter has just given you

0:42:10.800 --> 0:42:14.640
<v Speaker 5>a second unsatisfactory critique, so you won't be able to

0:42:14.640 --> 0:42:17.800
<v Speaker 5>take the graduate exam and I said, well, I already

0:42:17.800 --> 0:42:20.680
<v Speaker 5>took it, and he said, well, that's impossible, because we

0:42:20.760 --> 0:42:23.080
<v Speaker 5>give it next week. See she was waiting to the

0:42:23.160 --> 0:42:27.239
<v Speaker 5>very end like a bully would do crazy. And I said, no, no,

0:42:27.280 --> 0:42:29.440
<v Speaker 5>I took it last year with Tony Graham White, and

0:42:29.800 --> 0:42:33.040
<v Speaker 5>theater has called him up. And so Hobb did. And

0:42:33.120 --> 0:42:37.360
<v Speaker 5>Tony came up with a sealed envelope with my test

0:42:37.400 --> 0:42:40.400
<v Speaker 5>in it, opened it up in front of hopgood created it.

0:42:41.239 --> 0:42:44.360
<v Speaker 5>I made an a on it, and then Tony saluted

0:42:44.400 --> 0:42:48.040
<v Speaker 5>me and walked out of the room. And I had

0:42:48.160 --> 0:42:51.920
<v Speaker 5>gotten my equity when they stopped casting me at SMU

0:42:52.080 --> 0:42:55.760
<v Speaker 5>in Anything. I got my equity card at the local

0:42:55.840 --> 0:43:00.239
<v Speaker 5>Equity Theater in Dallas, and I was doing musicals in Dallas.

0:43:00.280 --> 0:43:03.520
<v Speaker 5>I did Jesus and Godspell, I did, I did all

0:43:03.800 --> 0:43:06.160
<v Speaker 5>you know, and I was like a star. And that

0:43:06.320 --> 0:43:09.000
<v Speaker 5>really made the teacher hate me. And when I did

0:43:09.040 --> 0:43:13.640
<v Speaker 5>my first Broadway show in New York, she came backstage

0:43:14.760 --> 0:43:21.399
<v Speaker 5>to my dressing rooms absolutely and said you're still no good. Well,

0:43:22.400 --> 0:43:24.560
<v Speaker 5>you're still no good? And I said yeah, and you

0:43:24.760 --> 0:43:26.719
<v Speaker 5>just paid one hundred and twenty dollars to see me.

0:43:29.560 --> 0:43:35.680
<v Speaker 2>Wow, what a beast, a beast, a miserable person.

0:43:36.120 --> 0:43:39.080
<v Speaker 5>I heard that that was just her. Oh and at

0:43:39.120 --> 0:43:44.480
<v Speaker 5>the next school she went to, she did this, you know, yeah, fictions, bitter,

0:43:44.600 --> 0:43:45.280
<v Speaker 5>bitter better.

0:43:46.120 --> 0:43:46.480
<v Speaker 1>Wow.

0:43:47.239 --> 0:43:50.919
<v Speaker 5>Yeah. So what I did was I always just went

0:43:51.000 --> 0:43:53.480
<v Speaker 5>my own course. I got my equity card, I got

0:43:53.480 --> 0:43:56.839
<v Speaker 5>my SAG card, and I just always just tried to work.

0:43:57.200 --> 0:44:03.720
<v Speaker 5>Power is Yeah, you haven't stopped you Well yeah, not

0:44:03.719 --> 0:44:04.800
<v Speaker 5>not not lately.

0:44:05.600 --> 0:44:08.239
<v Speaker 2>Well, it's weird out there.

0:44:09.000 --> 0:44:09.520
<v Speaker 5>It's weird.

0:44:09.920 --> 0:44:14.960
<v Speaker 1>It's a weird time. We I mean, we could talk

0:44:15.000 --> 0:44:15.600
<v Speaker 1>to you all day.

0:44:16.640 --> 0:44:18.360
<v Speaker 4>I have a question for you before we forget to

0:44:18.400 --> 0:44:20.840
<v Speaker 4>ask because I don't want and we always ask everybody

0:44:20.920 --> 0:44:23.080
<v Speaker 4>on our show who has been a part of Glee

0:44:23.280 --> 0:44:28.280
<v Speaker 4>in some respect, what is the feeling that Glee leaves

0:44:28.280 --> 0:44:28.680
<v Speaker 4>you with?

0:44:31.040 --> 0:44:37.200
<v Speaker 5>Jay? Oh? Why still to this day, Still, to this day,

0:44:37.600 --> 0:44:40.880
<v Speaker 5>I think of Glee and I'm filled with joy, both

0:44:41.000 --> 0:44:44.160
<v Speaker 5>the process of working on it all you guys and

0:44:44.239 --> 0:44:51.880
<v Speaker 5>everybody I met on Glee remarkable, remarkable people, Uh, Jane, Corey,

0:44:52.800 --> 0:44:57.359
<v Speaker 5>Matt and everybody, just Leah, everybody. I just had such

0:44:57.400 --> 0:45:01.960
<v Speaker 5>a great experience with everybody, and it was a unique experience,

0:45:02.280 --> 0:45:05.919
<v Speaker 5>nothing like it before and nothing like it since. And

0:45:06.360 --> 0:45:09.920
<v Speaker 5>uh that was that was my overall Wow.

0:45:10.640 --> 0:45:13.880
<v Speaker 4>It's a big statement that it's like nothing you've worked on,

0:45:13.920 --> 0:45:15.359
<v Speaker 4>because you.

0:45:14.760 --> 0:45:19.000
<v Speaker 5>You know, well, it is joy always when I think

0:45:19.040 --> 0:45:19.359
<v Speaker 5>of it.

0:45:19.719 --> 0:45:22.160
<v Speaker 4>Yeah, So we're sad we didn't get to work with

0:45:22.200 --> 0:45:24.520
<v Speaker 4>you more. We loved watching.

0:45:24.560 --> 0:45:28.560
<v Speaker 5>Because you guys had talent. I was just doing.

0:45:28.480 --> 0:45:34.439
<v Speaker 2>Jokes, you guys know the fun yea, every time was like.

0:45:34.320 --> 0:45:39.959
<v Speaker 4>Oh ship double all the house of dolls, My goodness, Yeah,

0:45:40.239 --> 0:45:42.120
<v Speaker 4>it was. No, it was always such a joy to

0:45:42.160 --> 0:45:45.279
<v Speaker 4>see you pop on the screen and to rewatch it

0:45:45.400 --> 0:45:48.440
<v Speaker 4>now and watch it and you're just so wonderful on

0:45:48.480 --> 0:45:52.560
<v Speaker 4>the show, and seeing you continually working makes us so happy.

0:45:52.600 --> 0:45:54.000
<v Speaker 1>And to see you, you.

0:45:53.960 --> 0:45:57.520
<v Speaker 4>Know, sharing your talents with other shows and other uh,

0:45:57.880 --> 0:46:02.239
<v Speaker 4>other people. It's just wonderful, so grateful that you came

0:46:02.320 --> 0:46:05.160
<v Speaker 4>on and shared all those wild stories, and.

0:46:05.520 --> 0:46:08.239
<v Speaker 2>We were so lucky to have you, you know, to

0:46:08.360 --> 0:46:09.960
<v Speaker 2>be on the same set, to be on the same

0:46:10.000 --> 0:46:12.319
<v Speaker 2>show as you. It meant a lot to us, even

0:46:12.360 --> 0:46:16.120
<v Speaker 2>if we didn't get to work together all the time. Yes,

0:46:16.640 --> 0:46:18.080
<v Speaker 2>it means a lot to us that you're here now

0:46:18.200 --> 0:46:20.319
<v Speaker 2>gracing us with your presence. So thank you so much

0:46:20.360 --> 0:46:22.200
<v Speaker 2>for taking the time to reminisce.

0:46:22.600 --> 0:46:25.520
<v Speaker 5>Yeah, absolute pleasure. It's a joy to me to do it,

0:46:25.760 --> 0:46:28.080
<v Speaker 5>to go back to Gleeville.

0:46:27.960 --> 0:46:29.040
<v Speaker 1>I know, I know.

0:46:31.120 --> 0:46:33.279
<v Speaker 2>It was so good to see Stephen, seriously, thank you

0:46:33.360 --> 0:46:33.839
<v Speaker 2>so much.

0:46:34.360 --> 0:46:36.200
<v Speaker 5>Absolutely good joy, good to see you.

0:46:36.320 --> 0:46:38.239
<v Speaker 1>Good, good to see Stephen, thank you.

0:46:39.480 --> 0:46:44.000
<v Speaker 2>Oh my gosh what it's icon Jenna, And I mean.

0:46:44.000 --> 0:46:48.680
<v Speaker 4>Really like the resume is actually insane, and the experience

0:46:48.719 --> 0:46:54.960
<v Speaker 4>he's had and still so joyful if you taking that one.

0:46:55.280 --> 0:46:58.839
<v Speaker 4>So happy about the craft, so happy about the work

0:46:58.880 --> 0:47:01.840
<v Speaker 4>he does and the way he approaches it. It's really

0:47:02.080 --> 0:47:05.880
<v Speaker 4>inspiring for somebody you know, who's starting out or for

0:47:06.320 --> 0:47:09.840
<v Speaker 4>us even, but it's I just still can't believe he

0:47:09.960 --> 0:47:11.960
<v Speaker 4>was on our show, and how funny and brilliant is

0:47:12.000 --> 0:47:14.359
<v Speaker 4>every time he stepped on the screen, like.

0:47:14.320 --> 0:47:16.640
<v Speaker 2>It was like surreal. Oh thank god, you know.

0:47:17.239 --> 0:47:17.680
<v Speaker 5>Thank god.

0:47:17.719 --> 0:47:21.319
<v Speaker 2>I love hearing all these stories too. One of the

0:47:21.520 --> 0:47:24.560
<v Speaker 2>besides like doing the work of like being on a

0:47:24.600 --> 0:47:29.400
<v Speaker 2>set talking to people who have worked a lot and

0:47:29.560 --> 0:47:33.759
<v Speaker 2>hearing the stories and their experiences is just the greatest thing.

0:47:33.960 --> 0:47:38.840
<v Speaker 2>Because it's a small industry and you are, you know,

0:47:38.880 --> 0:47:41.280
<v Speaker 2>like the whole six degrees of separation with Kevin Bacon,

0:47:41.920 --> 0:47:44.360
<v Speaker 2>it's like it's very much real and probably even less

0:47:44.600 --> 0:47:49.239
<v Speaker 2>for anybody you can imagine. And the stories that like

0:47:49.600 --> 0:47:52.000
<v Speaker 2>we've gotten to here, and like the idea of he

0:47:52.040 --> 0:47:54.840
<v Speaker 2>and Jane like swapping stories outside stages.

0:47:54.800 --> 0:47:56.200
<v Speaker 1>Just so cut the dream.

0:47:56.280 --> 0:47:59.360
<v Speaker 4>They also just He's just a joy, a pleasure to

0:47:59.400 --> 0:48:01.920
<v Speaker 4>work with, Like everybody on that show is just happy

0:48:01.960 --> 0:48:05.680
<v Speaker 4>to be there, willing to work, and like especially the

0:48:05.719 --> 0:48:09.839
<v Speaker 4>adults were such becons for us to see how they

0:48:09.920 --> 0:48:12.640
<v Speaker 4>handled being on set all the time, like Michael Malley

0:48:12.719 --> 0:48:16.920
<v Speaker 4>and Romy and Jane and like everybody was just like, oh,

0:48:16.960 --> 0:48:19.200
<v Speaker 4>this is how you do it. Like you you follow

0:48:19.200 --> 0:48:25.399
<v Speaker 4>along with their manner and etiquette on set because they've

0:48:25.440 --> 0:48:28.680
<v Speaker 4>been working forever. There's something that gets them, you know.

0:48:29.040 --> 0:48:31.520
<v Speaker 4>And it's not just talent, it's it's.

0:48:31.480 --> 0:48:35.520
<v Speaker 2>No and there's never any sort of pretense with them.

0:48:35.680 --> 0:48:39.120
<v Speaker 2>They're now, they're grateful for the work, they care about it,

0:48:39.520 --> 0:48:41.400
<v Speaker 2>they think deeply about it, and they're also just so

0:48:41.520 --> 0:48:43.560
<v Speaker 2>much fun and joyful to be around.

0:48:43.840 --> 0:48:45.640
<v Speaker 1>I just want him to just tell his stories all

0:48:45.680 --> 0:48:45.960
<v Speaker 1>the time.

0:48:46.040 --> 0:48:46.319
<v Speaker 2>I know.

0:48:47.239 --> 0:48:50.200
<v Speaker 1>Well, Steven Tailawski, we are so honored that you came

0:48:50.239 --> 0:48:53.080
<v Speaker 1>on the show and talked about your Glee experience and

0:48:53.120 --> 0:48:55.959
<v Speaker 1>your wild Glee audition. I can't. I also can't believe

0:48:55.960 --> 0:48:58.759
<v Speaker 1>that he had to like audition at all, but like.

0:48:58.760 --> 0:49:01.120
<v Speaker 2>You know, I'm grateful it sounds was audition.

0:49:01.320 --> 0:49:07.200
<v Speaker 4>Yeah, with their broken neck, nobody is beating him.

0:49:07.280 --> 0:49:09.200
<v Speaker 2>How does he even have to audition for things?

0:49:09.440 --> 0:49:10.960
<v Speaker 1>That's the thing is, he's just offer John.

0:49:11.520 --> 0:49:13.040
<v Speaker 2>Yeah. I just sounds like he doesn't really have to

0:49:13.040 --> 0:49:13.799
<v Speaker 2>audition for things.

0:49:13.840 --> 0:49:17.040
<v Speaker 4>No, no, no, not really, not really. Well anyway, I

0:49:17.040 --> 0:49:20.600
<v Speaker 4>hope you guys enjoyed that. That's Stephen Tablowski, that's Sammy Ryerson.

0:49:20.880 --> 0:49:25.000
<v Speaker 2>Wow, and that is what you really missed. Thanks for listening,

0:49:25.320 --> 0:49:27.840
<v Speaker 2>and follow us on Instagram at and that's what you

0:49:27.920 --> 0:49:30.160
<v Speaker 2>really miss pod. Make sure to write us a review

0:49:30.200 --> 0:49:32.359
<v Speaker 2>and leave us five stars. See you next time.