1 00:00:00,360 --> 00:00:03,360 Speaker 1: Alright, alright, this is a brand new episode of the 2 00:00:03,360 --> 00:00:06,320 Speaker 1: Iron Rapp Report Podcast, coming live and direct at you, 3 00:00:07,000 --> 00:00:09,080 Speaker 1: and we're gonna start it off with this lyric right here, 4 00:00:09,960 --> 00:00:12,159 Speaker 1: I get nast you like a power You want to 5 00:00:12,240 --> 00:00:17,320 Speaker 1: look chat because that off the firm y the short 6 00:00:17,440 --> 00:00:20,720 Speaker 1: term void at the last drop to check it us 7 00:00:20,840 --> 00:00:23,360 Speaker 1: like living Then I'm making more strip naked it Just 8 00:00:23,440 --> 00:00:27,120 Speaker 1: give it all right, This is Michael Rapp. Before you 9 00:00:27,120 --> 00:00:29,680 Speaker 1: listen to the Iron Wrap Corp Podcast. I'm I don't 10 00:00:29,720 --> 00:00:31,640 Speaker 1: know why I say those intros. If anybody do you 11 00:00:31,680 --> 00:00:33,479 Speaker 1: think I should say the interest? Yeah, I can't assume. 12 00:00:34,040 --> 00:00:36,320 Speaker 1: Keep rocking, man, do what you do. Thanks gee, I 13 00:00:36,400 --> 00:00:39,400 Speaker 1: appreciate the encouragement. This is Michael Rappor you listen to 14 00:00:39,400 --> 00:00:42,680 Speaker 1: the Iron Wrap Coorp Podcast and I'm in here or 15 00:00:42,720 --> 00:00:45,440 Speaker 1: in New York City, coming live and direct. I'm in 16 00:00:45,520 --> 00:00:48,760 Speaker 1: here with my partner Gerald Moody, a k A. G. Monettie. 17 00:00:48,840 --> 00:00:51,720 Speaker 1: What's up? G? What up? What up? Chilling man, just 18 00:00:51,800 --> 00:00:57,440 Speaker 1: hanging out. You know we've made some comments on this show. Uh, 19 00:00:57,800 --> 00:01:00,640 Speaker 1: we we've had our fun let's say with Bruce Jenner. 20 00:01:01,560 --> 00:01:05,319 Speaker 1: We we we were say it's a funny topic. It's 21 00:01:05,480 --> 00:01:10,200 Speaker 1: it's a it's an unusual topic. It's let's say, shocking 22 00:01:11,240 --> 00:01:17,399 Speaker 1: for somebody that famous this late in his life and 23 00:01:17,480 --> 00:01:19,679 Speaker 1: to be famous for such a male thing, and it 24 00:01:19,760 --> 00:01:22,759 Speaker 1: was such a male icon of the seventies. How could 25 00:01:22,760 --> 00:01:26,080 Speaker 1: you not think and say that that's funny. There's a 26 00:01:26,120 --> 00:01:30,920 Speaker 1: lot of humor there, right. Outrageous, it's outrageous without judging 27 00:01:30,920 --> 00:01:33,440 Speaker 1: it just from a comedic point of view, it's outrageous. 28 00:01:33,480 --> 00:01:37,640 Speaker 1: Bruce Jenner gold medalist, the first guy on the Wheati's box? 29 00:01:38,360 --> 00:01:39,880 Speaker 1: Was he the first guy? I think he was the 30 00:01:39,880 --> 00:01:44,640 Speaker 1: first guy on the Wheatie spot male had the sex symbol. 31 00:01:44,720 --> 00:01:47,920 Speaker 1: This is a sex symbol from the seventies, not just 32 00:01:48,000 --> 00:01:52,800 Speaker 1: in sports. You have to understand Bruce Jenner was pop culture. Okay, 33 00:01:52,800 --> 00:01:55,920 Speaker 1: So you see how lebron is now there, That's how 34 00:01:56,320 --> 00:02:00,920 Speaker 1: Bruce Jenner was. You see how like who else? Tom Brady, 35 00:02:01,080 --> 00:02:05,840 Speaker 1: That's how Bruce Jenner is, like fucking who else? At 36 00:02:05,880 --> 00:02:07,920 Speaker 1: the center of it a track guy. So it was 37 00:02:07,960 --> 00:02:11,320 Speaker 1: a track star who was that famous. It was highly unusual, 38 00:02:11,360 --> 00:02:13,800 Speaker 1: and he was on Tonight Show, in the Muppet Show, 39 00:02:13,840 --> 00:02:17,720 Speaker 1: and he was famous. Man hanging out in the seventies, 40 00:02:17,760 --> 00:02:21,520 Speaker 1: probably freaking off and now he wanted to be a lady. Well, yeah, 41 00:02:21,560 --> 00:02:23,800 Speaker 1: I was gonna, you're just jumping. You're jumping really quick, 42 00:02:24,200 --> 00:02:26,720 Speaker 1: and now he wants to be a lady. So it's funny, 43 00:02:27,400 --> 00:02:31,079 Speaker 1: don Rickles. You know, comedians go crazy off this stuff. 44 00:02:31,160 --> 00:02:34,760 Speaker 1: So the other day, Uh, Jamie Fox, who I gotta 45 00:02:34,800 --> 00:02:36,639 Speaker 1: tell you, man, let me tell you something before I'm 46 00:02:36,639 --> 00:02:38,400 Speaker 1: gonna I'm gonna, I'm gonna stay focused on but I 47 00:02:38,440 --> 00:02:40,880 Speaker 1: want to say the other day, I was at Snoop 48 00:02:40,919 --> 00:02:45,360 Speaker 1: Dogg show. He has his online show g g N 49 00:02:45,800 --> 00:02:47,720 Speaker 1: the Snoop Dogg Show, and I went there and I 50 00:02:47,760 --> 00:02:50,360 Speaker 1: got interviewed by Snoop Dogg, and of course I had 51 00:02:50,360 --> 00:02:52,160 Speaker 1: to interview him because I had so many questions to 52 00:02:52,160 --> 00:02:56,840 Speaker 1: ask for. But before I went on, Jamie Fox was 53 00:02:56,880 --> 00:02:59,440 Speaker 1: being interviewed by Snoop Dogg. And then I got to 54 00:02:59,480 --> 00:03:02,359 Speaker 1: hang out with Amy Fox, which I've done over the 55 00:03:02,440 --> 00:03:05,919 Speaker 1: years in short spurts. But let me tell you something. 56 00:03:07,080 --> 00:03:10,600 Speaker 1: This guy, Jamie fucking Fox, and I said this that day, 57 00:03:11,040 --> 00:03:13,600 Speaker 1: is one of the most talented people I've ever seen. 58 00:03:13,600 --> 00:03:15,120 Speaker 1: And he wasn't performing. You're gonna be like, what do 59 00:03:15,120 --> 00:03:18,359 Speaker 1: you mean from him? Telling a story he told me 60 00:03:18,880 --> 00:03:22,079 Speaker 1: about three stories. In the room was me. Dean Collins, 61 00:03:22,200 --> 00:03:25,440 Speaker 1: my man who comes on the show Tyrone Turner from 62 00:03:25,440 --> 00:03:29,040 Speaker 1: Menace to Society was a good, good dude friend of mine. 63 00:03:29,080 --> 00:03:32,840 Speaker 1: He was there and Snoop Doggie Dog and he told 64 00:03:32,919 --> 00:03:36,960 Speaker 1: two stories. He told a story from beginning to end 65 00:03:38,360 --> 00:03:42,440 Speaker 1: of him during the nine earthquake and he was at 66 00:03:42,960 --> 00:03:45,120 Speaker 1: he was with Biz MARKI I don't want to take 67 00:03:45,160 --> 00:03:47,520 Speaker 1: his story, but he was with Bis Markey. So Jamie 68 00:03:47,520 --> 00:03:49,240 Speaker 1: Fox told me this hilarious. So he was at a 69 00:03:49,280 --> 00:03:52,600 Speaker 1: diner with Bis Markey when the earthquake and ninety four, 70 00:03:52,840 --> 00:03:55,080 Speaker 1: and it was an incredible story. And he was doing 71 00:03:55,120 --> 00:03:56,720 Speaker 1: Biz and he was doing all the people, and he 72 00:03:56,760 --> 00:04:00,120 Speaker 1: was doing how customers were reacting. And he's just one 73 00:04:00,160 --> 00:04:01,680 Speaker 1: off the cuff, like, you know, like I'm telling the 74 00:04:01,760 --> 00:04:04,760 Speaker 1: story and it's probably boring. His Hell, imagine when Jamie 75 00:04:04,840 --> 00:04:07,320 Speaker 1: Fox was doing it, he like becomes all the characters 76 00:04:07,360 --> 00:04:10,040 Speaker 1: and he's just he's he's not like he's practicing, he's 77 00:04:10,040 --> 00:04:12,080 Speaker 1: just doing it off the cuff. And I'm like, this 78 00:04:12,200 --> 00:04:16,680 Speaker 1: fucking guy like just to see himself crazy talent. And 79 00:04:16,720 --> 00:04:18,800 Speaker 1: then I asked him, I said, yo, because his rumor 80 00:04:18,839 --> 00:04:21,920 Speaker 1: has it that he might be playing Mike Tyson in 81 00:04:22,000 --> 00:04:25,120 Speaker 1: a Mike Tyson biopic with Scorsese directed, And I asked 82 00:04:25,200 --> 00:04:27,360 Speaker 1: him about that. I said, is that gonna happen? And 83 00:04:27,400 --> 00:04:29,760 Speaker 1: I'll leave the answer to him. His answer will be 84 00:04:29,839 --> 00:04:33,120 Speaker 1: his answer, you know, but it's it's reporting that it 85 00:04:33,200 --> 00:04:35,240 Speaker 1: might happen, and you know who knows so. But then 86 00:04:35,279 --> 00:04:38,120 Speaker 1: I said, yo, like, how's that gonna work? Like, what's 87 00:04:38,120 --> 00:04:41,760 Speaker 1: gonna happen? And he started doing his Mike Tyson voice, 88 00:04:41,800 --> 00:04:44,120 Speaker 1: and he started doing the Mike Tyson that he would 89 00:04:44,160 --> 00:04:46,640 Speaker 1: do in the movie. Not that he's done the version 90 00:04:47,000 --> 00:04:48,880 Speaker 1: where like, you know, the comedic version where like he 91 00:04:49,000 --> 00:04:50,840 Speaker 1: Mike Tyson was gonna sunk him up. He's done that 92 00:04:51,040 --> 00:04:52,240 Speaker 1: and he did it and I think on it in 93 00:04:52,279 --> 00:04:54,880 Speaker 1: living color. But he started doing it as the Mike 94 00:04:54,920 --> 00:04:57,680 Speaker 1: Tyson to humanized Mike Tyson. Do you know what I'm saying? 95 00:04:58,120 --> 00:04:59,440 Speaker 1: You know? And he was doing it for about five 96 00:04:59,480 --> 00:05:01,880 Speaker 1: or timnutes me and I'm not a name dropping, I'm 97 00:05:01,880 --> 00:05:03,359 Speaker 1: just telling you the people out there. No one was 98 00:05:03,400 --> 00:05:05,560 Speaker 1: filming and no one was recording, and so it's just something. 99 00:05:05,560 --> 00:05:09,200 Speaker 1: It was a special thing, Snoop Dog tyring and and 100 00:05:09,240 --> 00:05:11,440 Speaker 1: you know, and he's doing the Mike Tyson. He's doing 101 00:05:11,440 --> 00:05:12,960 Speaker 1: it right in my face, and I'm like, Yo, this 102 00:05:13,000 --> 00:05:17,279 Speaker 1: motherfucker became Mike Tyson in front of me. I'm telling 103 00:05:17,320 --> 00:05:20,039 Speaker 1: you he and it wasn't he was on some other ship. 104 00:05:20,160 --> 00:05:22,040 Speaker 1: He became Mike Tyson in front of me, and I 105 00:05:22,080 --> 00:05:24,560 Speaker 1: was like, Holy fuck, this guy's gonna you know, you're 106 00:05:24,600 --> 00:05:26,720 Speaker 1: gonna he's gonna win an Oscar for playing Mike Tyson 107 00:05:27,120 --> 00:05:28,800 Speaker 1: because the way he was doing it was like it 108 00:05:28,839 --> 00:05:31,240 Speaker 1: was you were like, oh, ship, this is the real 109 00:05:31,320 --> 00:05:36,240 Speaker 1: Mike Tyson, you know, like the the fragile, gentle, confused 110 00:05:36,520 --> 00:05:39,359 Speaker 1: Mike Tyson. I saw Jamie Fox do that in front 111 00:05:39,360 --> 00:05:41,960 Speaker 1: of me at Snoop Dogg's g g N Thing, So 112 00:05:42,240 --> 00:05:45,360 Speaker 1: that guy's My whole thing is that Jamie Fox is 113 00:05:45,680 --> 00:05:50,120 Speaker 1: enormously talented. That motherfucker is sickly talent. The only other 114 00:05:50,160 --> 00:05:52,360 Speaker 1: person who I've ever seen that much talent is when 115 00:05:52,400 --> 00:05:55,840 Speaker 1: I worked on the movie Metro with Eddie Murphy, and 116 00:05:55,960 --> 00:05:57,720 Speaker 1: Eddie Murphy was the same way, like when he tells 117 00:05:57,720 --> 00:05:59,800 Speaker 1: a story and when he's talking, you're just like and 118 00:05:59,800 --> 00:06:01,600 Speaker 1: it's not just because he's Adie Murphy. You see why 119 00:06:01,640 --> 00:06:04,719 Speaker 1: he's anymore. You see how he got to become Eddie 120 00:06:04,760 --> 00:06:06,800 Speaker 1: Murphy because you're just like, you know, this guy's super 121 00:06:06,800 --> 00:06:11,360 Speaker 1: talent on some other unusual ship remembers everything like like 122 00:06:11,400 --> 00:06:13,240 Speaker 1: you're just like and I'm just saying talent. He was 123 00:06:13,279 --> 00:06:15,880 Speaker 1: just talking. I'm saying, yeah, you see why he could 124 00:06:15,920 --> 00:06:19,560 Speaker 1: be all those characters. Same thing with Jamie Fox, Like 125 00:06:19,600 --> 00:06:21,480 Speaker 1: he was telling me like, you know, he's just telling 126 00:06:21,480 --> 00:06:23,880 Speaker 1: a regular story and you're like, what the fuck you 127 00:06:23,960 --> 00:06:25,839 Speaker 1: know this guy It's like, yo, this is just like 128 00:06:25,920 --> 00:06:28,080 Speaker 1: it's like a fucking performance, but he's not performing and 129 00:06:28,120 --> 00:06:31,200 Speaker 1: it's not in that annoying way. It's just organic. He 130 00:06:31,279 --> 00:06:35,720 Speaker 1: fucked my head up. So Jamie Fox, that would be 131 00:06:35,800 --> 00:06:39,080 Speaker 1: called the Jamie Fox rant, a pro Jamie Fox rant. 132 00:06:39,600 --> 00:06:42,839 Speaker 1: He deserves, he deserves. He fucked my head up. I 133 00:06:42,880 --> 00:06:45,360 Speaker 1: gotta breathe. So anyway, so Jamie Fox at the night 134 00:06:45,360 --> 00:06:48,360 Speaker 1: at the I Heart Radio Awards, he made some jokes. 135 00:06:48,360 --> 00:06:49,880 Speaker 1: What what was the jokes? He made a handful of 136 00:06:49,960 --> 00:06:53,760 Speaker 1: jokes about Bruce jenner Um. He said he's doing his 137 00:06:53,960 --> 00:06:57,680 Speaker 1: and her duet by himself, and he did like a 138 00:06:57,680 --> 00:07:00,279 Speaker 1: couple of and it's funny. It's a funny joke. And 139 00:07:00,320 --> 00:07:03,640 Speaker 1: now people from the gay and lesbian community and the 140 00:07:03,680 --> 00:07:09,800 Speaker 1: transgender community are saying his jokes we're mean and derogatory, 141 00:07:09,800 --> 00:07:11,800 Speaker 1: and he's uninformed and he's ignorant. And I want to 142 00:07:11,800 --> 00:07:17,080 Speaker 1: say to you guys, hold your fucking horses, all right, 143 00:07:17,200 --> 00:07:23,320 Speaker 1: because for years, for years, Jamie Fox has done comedy 144 00:07:23,840 --> 00:07:29,160 Speaker 1: poking fun at black people, his own people, and word 145 00:07:29,160 --> 00:07:32,040 Speaker 1: this N word that some would be funny, some would 146 00:07:32,080 --> 00:07:34,600 Speaker 1: be graphic. He did a great thing on being in Africa. 147 00:07:35,160 --> 00:07:41,000 Speaker 1: He He's done great bits for years, all predominantly you 148 00:07:41,040 --> 00:07:45,240 Speaker 1: would say black humor, right, some putting down black people, 149 00:07:45,560 --> 00:07:49,120 Speaker 1: some building up black people, says the N word. I'm 150 00:07:49,160 --> 00:07:51,880 Speaker 1: not judging. My point is why don't the gay and 151 00:07:51,960 --> 00:07:55,880 Speaker 1: lesbian community people have a comment with that? Why is 152 00:07:55,920 --> 00:07:58,320 Speaker 1: it now it's a comedian, and and why is this 153 00:07:58,400 --> 00:08:02,040 Speaker 1: is the hot subject? Like so, if it's so normal 154 00:08:02,080 --> 00:08:04,240 Speaker 1: and it's so regular and it's so accepting, we can't 155 00:08:04,240 --> 00:08:07,120 Speaker 1: make jokes about it. We can make ice as jokes, 156 00:08:08,280 --> 00:08:11,680 Speaker 1: We can make Obama jokes. No one has a problem 157 00:08:11,720 --> 00:08:14,280 Speaker 1: with that. But if you do the hot button topic 158 00:08:14,280 --> 00:08:17,080 Speaker 1: of today now, it's because we should be we should 159 00:08:17,080 --> 00:08:19,840 Speaker 1: be more understanding, we should be just because he made 160 00:08:19,840 --> 00:08:22,520 Speaker 1: a joke doesn't mean he's not understanding. It's a joke. 161 00:08:22,720 --> 00:08:25,240 Speaker 1: It's a joke comedy, and he he made jokes about 162 00:08:25,280 --> 00:08:29,520 Speaker 1: all sorts of subjects. Everybody's fair game this day and age. Like, 163 00:08:29,560 --> 00:08:31,760 Speaker 1: if Don Rickles started his career now that you know, 164 00:08:31,800 --> 00:08:35,440 Speaker 1: there would be no Don Rickles. He wouldn't exist, He'd 165 00:08:35,440 --> 00:08:39,320 Speaker 1: being he'd be banished off a Twitter. Don Rickles, the 166 00:08:39,360 --> 00:08:45,960 Speaker 1: great Don Rickle, whose are the great insult comic comedians 167 00:08:45,200 --> 00:08:49,400 Speaker 1: Dice Clay Yo Andrew Dice Clay if he started his 168 00:08:49,480 --> 00:08:53,640 Speaker 1: comedy career now, the stuff that he said in the 169 00:08:53,679 --> 00:08:57,240 Speaker 1: eighties and the nineties, it wouldn't work. Chris Rock says 170 00:08:57,320 --> 00:09:01,920 Speaker 1: black stuff, black this, black this, and really informative, insightful stuff. 171 00:09:02,200 --> 00:09:04,640 Speaker 1: The gay and the lesbian community doesn't say, Chris Rock, 172 00:09:04,679 --> 00:09:08,600 Speaker 1: don't do that, but Jamie Fox. And it's not because 173 00:09:08,600 --> 00:09:11,480 Speaker 1: he's black, it's because it's the hot button topic. I'm saying. 174 00:09:11,800 --> 00:09:15,120 Speaker 1: So we've talked about Bruce Jenner. What what are some 175 00:09:15,160 --> 00:09:17,760 Speaker 1: of the comments that we've said about Bruce Jenner. We say, 176 00:09:17,840 --> 00:09:20,199 Speaker 1: you need to cut that dick and showing him he's serious. 177 00:09:20,640 --> 00:09:25,120 Speaker 1: We said that, and what else did we say? Okay, wait, 178 00:09:25,160 --> 00:09:27,720 Speaker 1: let me let me try to Bruce Jenner is gonna 179 00:09:27,800 --> 00:09:30,440 Speaker 1: cut that dick and come out with his dick in 180 00:09:30,440 --> 00:09:32,200 Speaker 1: a jar, and she's gonna He's gonna show it to 181 00:09:32,240 --> 00:09:35,240 Speaker 1: the media, show it to TMZ, show it to Satenite Live, 182 00:09:35,320 --> 00:09:37,280 Speaker 1: show it to all the comedians, show it to the 183 00:09:37,320 --> 00:09:40,800 Speaker 1: people who harassing him every day, and say, listen, I 184 00:09:40,960 --> 00:09:44,560 Speaker 1: cut this dick off. I am really trying to do this. 185 00:09:44,559 --> 00:09:47,760 Speaker 1: This is a painful, physically painful and awkward thing. Would 186 00:09:47,760 --> 00:09:51,360 Speaker 1: you just let me have a month to myself and 187 00:09:51,360 --> 00:09:55,199 Speaker 1: I'll bet you that the people would respect that. They'd 188 00:09:55,200 --> 00:09:56,439 Speaker 1: be like, all right, you know what He'll say. You know, 189 00:09:56,520 --> 00:09:58,360 Speaker 1: then I'll have a press conference and you guys, can 190 00:09:58,440 --> 00:10:00,240 Speaker 1: I'll give all of you guys to pick No, this 191 00:10:00,360 --> 00:10:03,360 Speaker 1: is no bullshit. I'll give you first DIBs at the pictures. 192 00:10:03,960 --> 00:10:06,120 Speaker 1: But just give me thirty days. I just cut my 193 00:10:06,200 --> 00:10:10,679 Speaker 1: dick off. Guys, can you imagine the guys don't understand 194 00:10:10,720 --> 00:10:13,360 Speaker 1: I really like O, Yo, fucking man, Yo. Harvey Levin 195 00:10:13,360 --> 00:10:16,400 Speaker 1: would be like, YO, leave him be Even Harvey Levin 196 00:10:16,440 --> 00:10:18,280 Speaker 1: would be like, yo, just give him. Give this guy 197 00:10:18,280 --> 00:10:20,800 Speaker 1: a fucking break, just just to leave ma alone. Man, 198 00:10:21,040 --> 00:10:23,080 Speaker 1: Let him live a normal like for thirty days and 199 00:10:23,080 --> 00:10:26,760 Speaker 1: then then then he's serious. So we suggested that what 200 00:10:26,800 --> 00:10:28,720 Speaker 1: else did we suggest for Bruce Jenner? And he said 201 00:10:28,720 --> 00:10:32,000 Speaker 1: he wanted to date women. We we were confused because 202 00:10:32,000 --> 00:10:33,839 Speaker 1: he wanted to day women. And you know that when 203 00:10:33,840 --> 00:10:35,760 Speaker 1: we when we talked about Bruce. And I gotta tell 204 00:10:35,800 --> 00:10:39,240 Speaker 1: you this, Gerald one of the biggest Iron Rapp Reports fans. 205 00:10:40,480 --> 00:10:44,360 Speaker 1: Her name is Tracy. I don't know she's friends with 206 00:10:44,400 --> 00:10:47,000 Speaker 1: my girl, but I met her because she was a 207 00:10:47,000 --> 00:10:50,160 Speaker 1: big fan. She and she's probably the yo there's big fans. 208 00:10:50,160 --> 00:10:51,920 Speaker 1: She's a big fan. She was like, Gimo, Natty, I 209 00:10:51,920 --> 00:10:55,280 Speaker 1: love me choose. But she said that she was a 210 00:10:55,280 --> 00:10:58,440 Speaker 1: little bit offended by our Bruce Jenner stuff. And I 211 00:10:58,480 --> 00:11:00,160 Speaker 1: listened to what she said. She said, it's serio is 212 00:11:00,360 --> 00:11:07,200 Speaker 1: now all the people that are transitioning sexuality, listen, We're 213 00:11:07,240 --> 00:11:10,360 Speaker 1: coming at you from a humorous point of view, so 214 00:11:10,640 --> 00:11:15,000 Speaker 1: we respect the privacy. We give you the dignity that 215 00:11:15,040 --> 00:11:17,240 Speaker 1: you're in real life. We give you the dignity, and 216 00:11:17,280 --> 00:11:21,160 Speaker 1: we give you the respect by talking and making jokes 217 00:11:21,160 --> 00:11:23,560 Speaker 1: about you, just like we make jokes about ourselves. We 218 00:11:23,600 --> 00:11:25,880 Speaker 1: make jokes about our kids, we make jokes about our 219 00:11:26,040 --> 00:11:29,200 Speaker 1: our our family. We make jokes about basketball players we love. 220 00:11:29,400 --> 00:11:32,600 Speaker 1: So we were treating you the same way by making 221 00:11:32,679 --> 00:11:35,800 Speaker 1: jokes and and spoofing you and talking about you. So 222 00:11:36,920 --> 00:11:39,800 Speaker 1: we think that that's a form of respect and treating 223 00:11:39,840 --> 00:11:43,400 Speaker 1: you norm the same way, just like we made jokes 224 00:11:43,400 --> 00:11:47,840 Speaker 1: about who Lena Dunham's man. Lena Dunham's man. We made 225 00:11:47,880 --> 00:11:50,360 Speaker 1: a joke about him last week because Lena Dunham got 226 00:11:50,400 --> 00:11:53,840 Speaker 1: in an article that she wrote in UH New Yorker 227 00:11:53,880 --> 00:11:58,720 Speaker 1: magazine comparing her Jewish boyfriend to the dog. It was. 228 00:11:58,800 --> 00:12:00,880 Speaker 1: It was it was a spoof. It was it wasn't literal, 229 00:12:01,160 --> 00:12:02,920 Speaker 1: but she was saying, is it was a test, It 230 00:12:03,000 --> 00:12:06,480 Speaker 1: was a quiz Jewish boyfriend or dog? And I've been 231 00:12:06,480 --> 00:12:09,400 Speaker 1: thinking about this because I got some blowback from me saying, 232 00:12:10,080 --> 00:12:13,000 Speaker 1: you know, me me saying about it because like the 233 00:12:13,000 --> 00:12:15,960 Speaker 1: stereotypes and Jews and some many people on Twitter blowback 234 00:12:16,000 --> 00:12:18,280 Speaker 1: from Twitter. One guy that was the blowback. The blowback 235 00:12:18,320 --> 00:12:20,600 Speaker 1: was just somebody. There was one. It was one tweet 236 00:12:20,960 --> 00:12:24,840 Speaker 1: that's the kind of blowback. But this guy said, you know, 237 00:12:25,480 --> 00:12:28,000 Speaker 1: why would you say that, and you know, insult her 238 00:12:28,040 --> 00:12:30,680 Speaker 1: and all the stuff. And I said, Yo, I'm saying 239 00:12:30,920 --> 00:12:35,400 Speaker 1: that if Money's fucking was insane, she wouldn't be talking 240 00:12:35,440 --> 00:12:38,080 Speaker 1: to she wouldn't be this, She'd come up with another thing. 241 00:12:38,160 --> 00:12:41,600 Speaker 1: She'd be like, Yo, my man is dicking me down. Lovely, 242 00:12:42,000 --> 00:12:46,000 Speaker 1: she'd write about that, but she's not writing fucking dog. 243 00:12:46,200 --> 00:12:48,199 Speaker 1: She called him a fucking dog, and and and and 244 00:12:48,200 --> 00:12:51,440 Speaker 1: that his her mom said he's a nice boy. And 245 00:12:51,480 --> 00:12:55,280 Speaker 1: I quote the Jungle Brothers. You say you have a boyfriend, 246 00:12:55,400 --> 00:12:58,160 Speaker 1: but like you said, he is a boy. I am 247 00:12:58,280 --> 00:13:01,080 Speaker 1: the real thing. He is just the to not not 248 00:13:01,200 --> 00:13:03,920 Speaker 1: something that you pick up and want to put down, 249 00:13:04,400 --> 00:13:08,280 Speaker 1: because girl, you could have me. I'm gonna do you. 250 00:13:08,480 --> 00:13:12,400 Speaker 1: I'm going to do you. I'm gonna do you, yo yo, 251 00:13:12,679 --> 00:13:15,079 Speaker 1: quoting Jungle Brothers. You know, we just went into the 252 00:13:15,120 --> 00:13:18,080 Speaker 1: Jungle brothership. So what I'm saying is is that I 253 00:13:18,120 --> 00:13:21,280 Speaker 1: don't like when women call men boys like oh, he's 254 00:13:21,320 --> 00:13:24,960 Speaker 1: a nice boy, and and and and and and I'm 255 00:13:24,960 --> 00:13:28,680 Speaker 1: saying as a Jew, I'm sick and tired of the 256 00:13:28,679 --> 00:13:33,720 Speaker 1: emasculation of the Jewish men. Now, the stereotypical Jewish man 257 00:13:33,840 --> 00:13:39,199 Speaker 1: is Woody Allen, Larry David, Jerry Seinfeld. And I'm proud 258 00:13:39,240 --> 00:13:42,680 Speaker 1: of those stereotypes. Those guys represent the Jewish community. My 259 00:13:42,840 --> 00:13:45,840 Speaker 1: father is like a six ft two version of Larry David. 260 00:13:46,120 --> 00:13:49,800 Speaker 1: He looks he looks like he could be Larry David's cousint. Okay, 261 00:13:49,800 --> 00:13:53,680 Speaker 1: So I come from that, But I'm also I don't 262 00:13:53,720 --> 00:13:56,800 Speaker 1: like just that stereotype, being the stereotype. I don't like 263 00:13:56,880 --> 00:13:59,840 Speaker 1: just the the the the the the Upper east Side 264 00:14:00,080 --> 00:14:02,680 Speaker 1: sort of privileged New York City jew because that's not 265 00:14:02,760 --> 00:14:06,000 Speaker 1: what we all are. And and and I feel like 266 00:14:06,240 --> 00:14:09,880 Speaker 1: her being She's Jewish herself, and I feel like her 267 00:14:09,920 --> 00:14:13,040 Speaker 1: being someone who's in a position she she she's done 268 00:14:13,040 --> 00:14:17,000 Speaker 1: a great job at breaking down stereotypes and femininity. Why 269 00:14:17,000 --> 00:14:20,200 Speaker 1: are you gonna go back and have a dude who's 270 00:14:20,320 --> 00:14:23,640 Speaker 1: who's who's obviously not dicking you down right, who's obviously 271 00:14:23,640 --> 00:14:26,640 Speaker 1: not Are you dicking you? Do you know what dope 272 00:14:26,640 --> 00:14:30,440 Speaker 1: dicking is? Gerald? You're getting hit with the dope did 273 00:14:33,480 --> 00:14:38,360 Speaker 1: like you high. It's as if you are you know 274 00:14:38,360 --> 00:14:42,720 Speaker 1: what I call it rubber dickens. Your ship feels like 275 00:14:42,800 --> 00:14:46,280 Speaker 1: rubber and you're in the zone. And I know this 276 00:14:46,320 --> 00:14:49,600 Speaker 1: is getting really graphic, but the point is, isn't it 277 00:14:49,640 --> 00:14:52,320 Speaker 1: doesn't it has nothing to do with it has less 278 00:14:52,360 --> 00:14:53,840 Speaker 1: to do with you than it does to do with 279 00:14:53,880 --> 00:14:56,400 Speaker 1: the girl. Because in order to have a fux style 280 00:14:56,440 --> 00:14:59,400 Speaker 1: that's buck Wald, you need to you Your style has 281 00:14:59,440 --> 00:15:01,080 Speaker 1: to be changed angible, like you need to be a 282 00:15:01,200 --> 00:15:05,760 Speaker 1: versatile lover. Right, It's more about adjusting to the woman 283 00:15:05,800 --> 00:15:10,680 Speaker 1: and finding out that her fox style is buck Yes. 284 00:15:11,200 --> 00:15:16,600 Speaker 1: And by doing that, then home girl wouldn't be talking 285 00:15:16,840 --> 00:15:19,840 Speaker 1: like she's talking. She's talking greasy about her How you 286 00:15:19,840 --> 00:15:21,840 Speaker 1: going to her? Man is a rock and roll dude. 287 00:15:21,880 --> 00:15:23,640 Speaker 1: He's a hipster guy, and how are you going to 288 00:15:23,760 --> 00:15:27,520 Speaker 1: be in the pressed this and me calling me a dog? 289 00:15:27,920 --> 00:15:30,600 Speaker 1: You see, He's gonna laugh it off and think it's funny, 290 00:15:30,600 --> 00:15:33,560 Speaker 1: and it's not funny. It's not funny. So you're making 291 00:15:33,600 --> 00:15:36,640 Speaker 1: me look bad, You're you're making you're making the boyfriend 292 00:15:36,640 --> 00:15:38,520 Speaker 1: look bad. And I don't like the stereotype as a 293 00:15:38,600 --> 00:15:42,320 Speaker 1: Jewish man. I'm not with that ship. My father raised 294 00:15:42,360 --> 00:15:44,960 Speaker 1: me to not be with that ship. And my father, 295 00:15:45,120 --> 00:15:48,240 Speaker 1: like I said, looks like Larry David, but he's not 296 00:15:48,320 --> 00:15:56,240 Speaker 1: on that ship. Not all neurotic, um, you know, totally 297 00:15:56,320 --> 00:16:01,560 Speaker 1: fucking frail freaked out. She the whole Like she said, 298 00:16:01,560 --> 00:16:04,680 Speaker 1: her boyfriend doesn't bring her wallet like and like that. 299 00:16:04,760 --> 00:16:07,600 Speaker 1: You know, you bring it up wallets about Jews, Lena Dunham, 300 00:16:07,680 --> 00:16:11,040 Speaker 1: Come on, you're way better than that. You're way but 301 00:16:11,080 --> 00:16:12,800 Speaker 1: you're Jewish. You don't want to, you know. I I 302 00:16:12,880 --> 00:16:15,160 Speaker 1: keep a wallet, I tip. I pride myself on being 303 00:16:15,160 --> 00:16:18,520 Speaker 1: a good tipper. Me I'm Jewish. I pride myself on 304 00:16:18,560 --> 00:16:22,040 Speaker 1: being a good tipper. Like you'd be hard pressed to 305 00:16:22,040 --> 00:16:25,120 Speaker 1: find somebody to say Michael Rapport is not a good tipper. 306 00:16:26,040 --> 00:16:28,280 Speaker 1: If you're a fucking asshole, I'll still give you a 307 00:16:28,280 --> 00:16:30,160 Speaker 1: good tip. You gotta be really fucked up. But I 308 00:16:30,200 --> 00:16:32,960 Speaker 1: pride myself on being a good tipper. So some of 309 00:16:32,960 --> 00:16:35,880 Speaker 1: the things that she said, Some of the things she said, 310 00:16:36,200 --> 00:16:38,400 Speaker 1: this is because he comes from a culture in which 311 00:16:38,840 --> 00:16:41,400 Speaker 1: mothers focus every ounce on their of their attention on 312 00:16:41,440 --> 00:16:44,480 Speaker 1: their offspring and don't acknowledge their own need for independence 313 00:16:44,680 --> 00:16:47,120 Speaker 1: as a woman. They are sucked dry by their children, 314 00:16:47,160 --> 00:16:50,480 Speaker 1: who ultimately leave them as soon as they find suitable mates. 315 00:16:51,800 --> 00:16:54,920 Speaker 1: Anything less than that this she said this as as 316 00:16:55,000 --> 00:16:57,560 Speaker 1: as a result this dynamic, he expects to be weighted 317 00:16:57,600 --> 00:17:00,560 Speaker 1: on hand and foot, meaning a lazy was, he drew. 318 00:17:02,000 --> 00:17:04,600 Speaker 1: He expects to be waited on handed and she's comparing 319 00:17:04,640 --> 00:17:06,000 Speaker 1: it to her, like she said, or is that a 320 00:17:06,080 --> 00:17:09,000 Speaker 1: dog waiting on a hand and foot by the woman 321 00:17:09,119 --> 00:17:11,720 Speaker 1: in his life? Anything less than than that makes him 322 00:17:11,720 --> 00:17:16,040 Speaker 1: whiny and distant. He doesn't tip, and he never brings 323 00:17:16,040 --> 00:17:20,720 Speaker 1: his wallet anywhere. That's see, that's situating. You know, I've 324 00:17:20,760 --> 00:17:24,359 Speaker 1: never met a Jew like that, I've honestly, and I've 325 00:17:24,880 --> 00:17:26,919 Speaker 1: grown up my family. I've never met her. My family 326 00:17:27,040 --> 00:17:31,119 Speaker 1: is generous people, my my entire family, my my grandmother, 327 00:17:31,560 --> 00:17:35,520 Speaker 1: my mother, my father. And she's Jewish and and and 328 00:17:35,520 --> 00:17:38,040 Speaker 1: see and the and this is the same thing. And 329 00:17:38,040 --> 00:17:42,280 Speaker 1: and uh, Lena Dunham is Jewish and and see, this 330 00:17:42,359 --> 00:17:45,800 Speaker 1: is the interesting thing about the Jamie Fox thing. See 331 00:17:45,800 --> 00:17:47,760 Speaker 1: that there's been a lot of Jews who have said 332 00:17:48,119 --> 00:17:50,119 Speaker 1: they don't like her saying that like I'm saying that, 333 00:17:51,560 --> 00:17:54,399 Speaker 1: and you know, and then Jamie Fox makes the jokes 334 00:17:54,400 --> 00:17:57,480 Speaker 1: about Bruce Jenner and a transgender and then the transgender 335 00:17:57,600 --> 00:18:00,520 Speaker 1: and gay lesbian community community freak out on him. So 336 00:18:00,560 --> 00:18:05,400 Speaker 1: what are the rules? Can only a transgender comedian make 337 00:18:05,440 --> 00:18:08,800 Speaker 1: about transgender but is a transgender comedian allowed to talk 338 00:18:08,800 --> 00:18:12,760 Speaker 1: about Jews? Is a transgender comedian allowed to talk about 339 00:18:12,760 --> 00:18:15,760 Speaker 1: the president like what's on on limits and off limits. 340 00:18:15,800 --> 00:18:18,720 Speaker 1: That's that's the point. But the thing that I wanted 341 00:18:18,760 --> 00:18:20,880 Speaker 1: to just say, we were kind of all over the place, 342 00:18:20,920 --> 00:18:23,000 Speaker 1: but it's good. It's having a good, good conversation here. 343 00:18:23,359 --> 00:18:25,359 Speaker 1: The thing that we're What I wanted to say is 344 00:18:25,400 --> 00:18:29,240 Speaker 1: that the dude, the rock and roll dude, his name 345 00:18:29,320 --> 00:18:32,040 Speaker 1: is Funck is his name? I don't know what's Lena Donham, 346 00:18:32,080 --> 00:18:38,679 Speaker 1: his boyfriend's name, Peter talking to me? You you know 347 00:18:38,760 --> 00:18:41,199 Speaker 1: what the guy honestly, you know like the hipster kit. 348 00:18:41,600 --> 00:18:43,719 Speaker 1: It looks like like I sat a live character if 349 00:18:43,720 --> 00:18:45,359 Speaker 1: they were doing like a hipster becomes a rock and 350 00:18:45,440 --> 00:18:48,440 Speaker 1: roll dude. He looks like that dude. The point is 351 00:18:49,680 --> 00:18:52,919 Speaker 1: Lena and and rock and roll dude, you need to 352 00:18:52,960 --> 00:18:59,320 Speaker 1: get You need to satisfy your lady more in the bedroom. 353 00:18:59,400 --> 00:19:01,760 Speaker 1: And if you say satisfy your lady more in the bedroom, 354 00:19:02,160 --> 00:19:04,840 Speaker 1: she's going to be writing about that and not about 355 00:19:04,880 --> 00:19:07,320 Speaker 1: you maybe or maybe not bringing your wallet and you 356 00:19:07,440 --> 00:19:11,320 Speaker 1: being whiny and basically a bitch. Ask dude. Yea, And 357 00:19:11,359 --> 00:19:14,960 Speaker 1: you know her show takes place in Brooklyn, what part 358 00:19:15,840 --> 00:19:21,200 Speaker 1: you know Williamsburg, Green Point? That kind of stuff, man, getrified, 359 00:19:21,600 --> 00:19:25,720 Speaker 1: Ain't that ain't the Bushwick and Williamsburg? I know, oh yeah, yeah, 360 00:19:25,760 --> 00:19:27,920 Speaker 1: no no no, no, no, no no, no no. Why what 361 00:19:27,960 --> 00:19:30,240 Speaker 1: was Bushwick like when you grew up? What was what 362 00:19:30,440 --> 00:19:33,240 Speaker 1: was the the they called? They don't, they don't call. 363 00:19:33,320 --> 00:19:37,920 Speaker 1: They call. It's South Williamsburg. Now South Williamsburg. Bullshit game, Bushwick, 364 00:19:38,000 --> 00:19:41,560 Speaker 1: buck Town, None of that, man, it's all over. So 365 00:19:41,720 --> 00:19:43,720 Speaker 1: she did a nice spot now, she said, yeah, she 366 00:19:43,720 --> 00:19:45,879 Speaker 1: she films in the nice But they've never done an episode. 367 00:19:46,000 --> 00:19:48,440 Speaker 1: I watched The Show Girls occasionally. I like it. It's 368 00:19:48,480 --> 00:19:52,640 Speaker 1: funny show um and I enjoy seeing New York on 369 00:19:52,640 --> 00:19:56,080 Speaker 1: on on television. No matter you know, no matter what. 370 00:19:56,600 --> 00:20:01,840 Speaker 1: They've never done an episode of Girls in Brownsville. Yeah, 371 00:20:02,080 --> 00:20:05,520 Speaker 1: show us your guts, come out to Brownsville. If you 372 00:20:05,640 --> 00:20:08,800 Speaker 1: really want to do an episode of have the Girls 373 00:20:09,560 --> 00:20:15,879 Speaker 1: and that that dude, the Adam Driver, have his character 374 00:20:15,920 --> 00:20:19,800 Speaker 1: get lost in Brownsville, and then the show will really 375 00:20:19,840 --> 00:20:21,680 Speaker 1: be true to New York and show what happens when 376 00:20:21,680 --> 00:20:26,120 Speaker 1: Adam Driver and Lena Dunham are walking through seth Low 377 00:20:27,480 --> 00:20:33,520 Speaker 1: or Langston Hughes or Van Dyke or Brownsville houses or 378 00:20:33,840 --> 00:20:40,000 Speaker 1: Marcus Garvey Projects or still Din or Pink Houses that's 379 00:20:40,040 --> 00:20:44,280 Speaker 1: the East. Yeah, but Brownsville is you know that brown 380 00:20:44,320 --> 00:20:48,800 Speaker 1: didn't mention Howard. You didn't even mention Howard Brownsville. Is 381 00:20:48,800 --> 00:20:53,520 Speaker 1: it true that Brownsville is the largest population of housing 382 00:20:53,560 --> 00:20:58,800 Speaker 1: projects in the world, the largest concentration the largest sorry, 383 00:20:58,800 --> 00:21:02,879 Speaker 1: the largest concentration of housing projects in the world is 384 00:21:02,920 --> 00:21:06,280 Speaker 1: in a mile of basically a mile of public housing. 385 00:21:06,520 --> 00:21:09,439 Speaker 1: And and this show Girls takes place in Brooklyn, but 386 00:21:09,480 --> 00:21:12,080 Speaker 1: they don't go. Then they don't even mention browns That 387 00:21:12,160 --> 00:21:15,960 Speaker 1: would be better for their show. How can you survive 388 00:21:16,040 --> 00:21:20,280 Speaker 1: out here? We were pitching that episode, We're pitching that 389 00:21:20,320 --> 00:21:24,040 Speaker 1: episode of the show. You're so Brooklyn? Why you ain't 390 00:21:24,080 --> 00:21:27,560 Speaker 1: in Brownsville? If you're so fucking Brooklyn, why are you 391 00:21:27,680 --> 00:21:32,120 Speaker 1: not in Brownsville? Everywhere else? These people love to talk about, 392 00:21:32,160 --> 00:21:37,240 Speaker 1: I am in bed Sty Brownsville. You got roots there 393 00:21:37,320 --> 00:21:40,280 Speaker 1: because it was once Jewish. I got roots there because 394 00:21:40,280 --> 00:21:43,879 Speaker 1: it was once Jewish. So Leah Lena Dunham probably know 395 00:21:44,000 --> 00:21:46,800 Speaker 1: she just got people from Brownslin, so she has to 396 00:21:46,840 --> 00:21:50,520 Speaker 1: at least they have to go visit their grandmother's house 397 00:21:50,920 --> 00:21:54,160 Speaker 1: in browns And my my grandmother was from Brownsville, East 398 00:21:54,200 --> 00:21:58,399 Speaker 1: New York Avenue but then I didn't know shit about that. 399 00:21:58,480 --> 00:22:02,600 Speaker 1: Then I met up with Gerald Moody in the eighties. Now, 400 00:22:03,280 --> 00:22:05,680 Speaker 1: the rap songs that you hear about when they talk 401 00:22:05,760 --> 00:22:08,840 Speaker 1: about that New York, that Brooklyn ship, they're all that 402 00:22:08,920 --> 00:22:12,120 Speaker 1: Biggie small ship, all that MLP ship, all that cool 403 00:22:12,160 --> 00:22:14,119 Speaker 1: g rap ship. Not that he's from there, but like 404 00:22:14,160 --> 00:22:18,560 Speaker 1: that that picture that was painted. Brownsville was a wild 405 00:22:18,680 --> 00:22:25,239 Speaker 1: fucking place. It was a wild has a reputation and 406 00:22:25,320 --> 00:22:29,679 Speaker 1: has always had that. It's always had a reputation before 407 00:22:29,680 --> 00:22:32,439 Speaker 1: the migration of black people there. It's always had always 408 00:22:32,440 --> 00:22:37,280 Speaker 1: been bottom Brownsville. Henry Hill comes from there, and Henry 409 00:22:37,359 --> 00:22:41,920 Speaker 1: Hill comes from the fucking good fellas. Evelyn Brody my 410 00:22:41,920 --> 00:22:46,399 Speaker 1: my grandmother, my beautiful grandmother. May she rest in peace. 411 00:22:46,680 --> 00:22:52,760 Speaker 1: It is from there. Mike Tyson, Free World, Beat Fly, Williams, 412 00:22:52,800 --> 00:22:59,320 Speaker 1: Willie Randall, Pearl Washington, Otis Wilson, Mustapha, Mohammed Riddick, Bowls, 413 00:23:00,400 --> 00:23:03,280 Speaker 1: Shannon Briggs. A lot of people are from browns Ville. 414 00:23:03,600 --> 00:23:05,960 Speaker 1: A lot of people are from browns Violle, Phil Seller's, 415 00:23:06,119 --> 00:23:12,120 Speaker 1: Phil uh Smit's, Jacko Smit's, Oh, Jimmy Smit, Jimmy Smith, 416 00:23:12,480 --> 00:23:17,200 Speaker 1: Ado Alzato's from Brownsville. So hey, we're on a little 417 00:23:17,200 --> 00:23:20,080 Speaker 1: browns one, right, So did that's our suggestion? Girls that 418 00:23:20,200 --> 00:23:23,119 Speaker 1: show HBO. I want the Lena Dunham character and the 419 00:23:23,160 --> 00:23:26,280 Speaker 1: Adam Driver character to get lost in Brownsville and let 420 00:23:26,320 --> 00:23:29,520 Speaker 1: the fucking games begin. It'll be like a fucking that's 421 00:23:29,520 --> 00:23:32,080 Speaker 1: the show. That's the show. Follow them around, go to 422 00:23:32,119 --> 00:23:35,159 Speaker 1: the pizza shop, get a beef patty. Yeah, let me 423 00:23:35,160 --> 00:23:37,920 Speaker 1: see you do that be being brown and then I'll 424 00:23:37,960 --> 00:23:41,000 Speaker 1: be like, yo, this really represents Brooklyn. This is the 425 00:23:41,040 --> 00:23:47,840 Speaker 1: Iron Rapports podcast. This is Michael Rapport, my partner Ge Moody. Yes, man, 426 00:23:48,800 --> 00:23:50,560 Speaker 1: what do you want to talk about? Man? I was 427 00:23:50,640 --> 00:23:56,800 Speaker 1: reading fucking uh New York Post and they they said 428 00:23:56,880 --> 00:24:02,560 Speaker 1: double oh seven. Roger Moore has a problem with Adris 429 00:24:02,640 --> 00:24:08,360 Speaker 1: Elba being considered for Double oh seven. Yeah, I heard 430 00:24:08,359 --> 00:24:12,640 Speaker 1: about that. What do you have to say about that? First? 431 00:24:12,640 --> 00:24:15,600 Speaker 1: I want to say fuck Roger Moore. First, I want 432 00:24:15,600 --> 00:24:20,359 Speaker 1: to say fuck you Roger Moore. Fucking he said. Uh. 433 00:24:20,400 --> 00:24:25,280 Speaker 1: Although an Irish has played Bond and a Weltzman, whenever 434 00:24:25,400 --> 00:24:29,120 Speaker 1: a Welsh has played Bond, I think it should only 435 00:24:29,160 --> 00:24:33,240 Speaker 1: be for the real English English. Now, this motherfucker was 436 00:24:33,400 --> 00:24:37,919 Speaker 1: born and raised in London, right, But what he's saying 437 00:24:38,040 --> 00:24:41,800 Speaker 1: is you're not really one of us. Oh no, you 438 00:24:41,840 --> 00:24:45,000 Speaker 1: should just say I want a white guy. And he's like, 439 00:24:45,560 --> 00:24:48,200 Speaker 1: we say you're English, but you really not want Oh yeah, 440 00:24:48,240 --> 00:24:53,160 Speaker 1: we're born here. They like they don't look like at 441 00:24:53,240 --> 00:24:56,760 Speaker 1: him the same, right, so they when they say, oh, 442 00:24:56,800 --> 00:25:00,679 Speaker 1: this guy is good, he's English. No he that's what 443 00:25:00,760 --> 00:25:03,119 Speaker 1: he was saying. That's what he's saying as a black person. 444 00:25:03,160 --> 00:25:05,240 Speaker 1: That's how I interpret that. So do you think that 445 00:25:05,760 --> 00:25:10,239 Speaker 1: Idris Elbow it was a really good actor, has that 446 00:25:10,280 --> 00:25:14,160 Speaker 1: look that that that genesee quad that James Bond has 447 00:25:14,160 --> 00:25:16,560 Speaker 1: had over the years. Do you think he should play 448 00:25:16,880 --> 00:25:21,760 Speaker 1: Double O seven? Yes, he said, if offered to me, 449 00:25:22,400 --> 00:25:25,159 Speaker 1: of course. You know. The crazy thing is is that 450 00:25:26,320 --> 00:25:29,040 Speaker 1: I'll bet you that. You know, the Hollywood, like the 451 00:25:29,080 --> 00:25:31,359 Speaker 1: gossip is so crazy, like he might not even be 452 00:25:31,480 --> 00:25:33,320 Speaker 1: up for the role. It's like this kind of ship 453 00:25:33,400 --> 00:25:35,199 Speaker 1: in Hollywood, like it might turn out one day be 454 00:25:35,200 --> 00:25:37,560 Speaker 1: like he wasn't even never considered so and so it 455 00:25:37,600 --> 00:25:39,720 Speaker 1: was already cast for three years. It's like Hollywood like 456 00:25:39,760 --> 00:25:41,880 Speaker 1: the the the Internet and the way rumors start now. 457 00:25:42,560 --> 00:25:44,919 Speaker 1: But anyway the point is that I think he'd be. 458 00:25:44,960 --> 00:25:47,240 Speaker 1: I'd want to see it. If he was, it would 459 00:25:47,240 --> 00:25:49,919 Speaker 1: be a whole new audience. He's a dope. He's a 460 00:25:49,920 --> 00:25:53,720 Speaker 1: dope actor. He killed it on the wire. He kills 461 00:25:53,760 --> 00:25:56,760 Speaker 1: it and all his ship. Man. He's a smooth dude too. 462 00:25:56,880 --> 00:25:59,439 Speaker 1: I met I met him once in the bathroom, like 463 00:25:59,480 --> 00:26:01,200 Speaker 1: I was going into the bathroom. I was like, yo, 464 00:26:01,240 --> 00:26:03,440 Speaker 1: what's up? So he was like, what's up? What's up? Man? Cool? 465 00:26:03,480 --> 00:26:04,840 Speaker 1: And he had the accident and ship and he had 466 00:26:04,880 --> 00:26:06,760 Speaker 1: the hat on. He was chilling. I was like, yo, ship, 467 00:26:06,880 --> 00:26:09,639 Speaker 1: there was easy used. But he's just walking into the 468 00:26:09,640 --> 00:26:12,760 Speaker 1: pitt room while I was walking out of it. Yo. Yeah, 469 00:26:12,880 --> 00:26:16,240 Speaker 1: I got another thing, man, What is it? You know? 470 00:26:16,960 --> 00:26:21,920 Speaker 1: I see a lot of these women dressed like like men. 471 00:26:22,800 --> 00:26:27,320 Speaker 1: What do you mean? Like that style? Style with the 472 00:26:27,400 --> 00:26:32,240 Speaker 1: pants hanging down? Yeah, I don't like that. Real aggressive man, 473 00:26:32,680 --> 00:26:34,600 Speaker 1: real aggress But that's in New York too. You're in 474 00:26:34,600 --> 00:26:37,040 Speaker 1: New talking about on the subway. How old are these girls? 475 00:26:37,119 --> 00:26:38,879 Speaker 1: You know? I just see him on the street and 476 00:26:39,000 --> 00:26:42,640 Speaker 1: hear him on in stores and stuff like real hard. Yeah. 477 00:26:42,840 --> 00:26:45,840 Speaker 1: Can we call them women? The girls who beat that 478 00:26:45,920 --> 00:26:48,800 Speaker 1: girl up in McDonalds. Those girls they should be in 479 00:26:48,840 --> 00:26:58,000 Speaker 1: another category brutes male female and let them be with 480 00:26:58,040 --> 00:27:00,960 Speaker 1: the men, like all the all the ones that are outrageous, 481 00:27:00,960 --> 00:27:04,000 Speaker 1: the violent, let them be together. Those girls that beat 482 00:27:04,040 --> 00:27:07,320 Speaker 1: that girl up in Brooklyn and Flatbush it man, I 483 00:27:08,080 --> 00:27:11,399 Speaker 1: have a tough time with that ship. Man, Yo, I 484 00:27:11,440 --> 00:27:13,760 Speaker 1: have a tough time with that ship. I wanna And 485 00:27:13,840 --> 00:27:15,760 Speaker 1: you know the violence that is. You know, you could 486 00:27:15,760 --> 00:27:19,080 Speaker 1: see violence on the internet. You know there's a there's 487 00:27:19,119 --> 00:27:21,520 Speaker 1: like there's Twitter accounts where it's like just fight. You 488 00:27:21,520 --> 00:27:24,360 Speaker 1: can see like these six seconds of six second fights. 489 00:27:25,280 --> 00:27:27,919 Speaker 1: I think that it's called six second fights. I was like, damn, 490 00:27:28,720 --> 00:27:31,160 Speaker 1: you know, it's so much violence you could you could 491 00:27:31,200 --> 00:27:35,240 Speaker 1: see on boom like that. It's just degradation of society 492 00:27:35,600 --> 00:27:37,359 Speaker 1: in front of your eye. And when we we sound, 493 00:27:37,480 --> 00:27:40,680 Speaker 1: we sound like old motherfucker's But like I'm I hate 494 00:27:40,720 --> 00:27:43,399 Speaker 1: seeing these videos. These these women are the type A 495 00:27:43,440 --> 00:27:46,760 Speaker 1: couple of years ago and McDonald's here on West fall Street, 496 00:27:47,119 --> 00:27:49,760 Speaker 1: two girls jumped behind the counter. Oh yeah, we're gonna 497 00:27:49,760 --> 00:27:53,439 Speaker 1: get that video and win at money. Right, those are 498 00:27:53,440 --> 00:27:55,880 Speaker 1: the type of women I'm talking about. Two years ago 499 00:27:55,880 --> 00:27:57,879 Speaker 1: with the McDonald's West four Street, there's a video we're 500 00:27:57,880 --> 00:27:59,720 Speaker 1: gonna cut we're gonna show the video. We're gonna bring 501 00:27:59,720 --> 00:28:03,000 Speaker 1: that vide go back out and and um, these are 502 00:28:03,040 --> 00:28:06,600 Speaker 1: the type of women that they slapped the guy. They 503 00:28:06,640 --> 00:28:08,800 Speaker 1: spit in his face and then they jumped. So all 504 00:28:08,880 --> 00:28:11,520 Speaker 1: these women he wheeled over to. They were little too. 505 00:28:11,600 --> 00:28:13,639 Speaker 1: It's like a six ft three guy. They were screaming 506 00:28:13,680 --> 00:28:16,560 Speaker 1: on and just came home and just came. He was 507 00:28:16,640 --> 00:28:18,960 Speaker 1: trying to ignore him, trying to ignore him, and then 508 00:28:19,000 --> 00:28:21,840 Speaker 1: one of them hit him, and then he got a 509 00:28:21,880 --> 00:28:27,560 Speaker 1: metal rod and caved in their skull. And I said, 510 00:28:27,600 --> 00:28:30,160 Speaker 1: he should have been He's the New Yorker of the 511 00:28:30,200 --> 00:28:34,359 Speaker 1: fucking decade. And people are gonna be offended by what 512 00:28:34,440 --> 00:28:37,840 Speaker 1: you just said. But if you see the video and 513 00:28:37,920 --> 00:28:40,520 Speaker 1: you see how patient he was, he was under attack, 514 00:28:40,640 --> 00:28:42,960 Speaker 1: and he's a fucking women and he just came home. 515 00:28:43,080 --> 00:28:44,960 Speaker 1: He just came home, and they wouldn't leave him alone. 516 00:28:45,000 --> 00:28:47,160 Speaker 1: And then he picked up a thing and she it 517 00:28:47,200 --> 00:28:50,880 Speaker 1: was like the perfect storm. She ran into it and 518 00:28:50,880 --> 00:28:53,239 Speaker 1: and got hit and and and and like I was like, 519 00:28:53,520 --> 00:28:56,000 Speaker 1: it's so crazy. You have to see the whole video. 520 00:28:56,400 --> 00:28:59,640 Speaker 1: But he was trying to avoid it. But but you 521 00:28:59,680 --> 00:29:01,800 Speaker 1: can to take so much. The point is is, like, 522 00:29:01,880 --> 00:29:05,440 Speaker 1: are those women exactly. That's the point. Can you call 523 00:29:05,920 --> 00:29:08,600 Speaker 1: my mom and you could call my mom and wouldn't 524 00:29:08,640 --> 00:29:13,400 Speaker 1: do that? Those are not women? Would your mom do 525 00:29:13,520 --> 00:29:17,760 Speaker 1: that in the store? Would your sister do nobody? I 526 00:29:17,920 --> 00:29:21,000 Speaker 1: know no woman in my family my history would jump 527 00:29:21,080 --> 00:29:24,400 Speaker 1: behind the counter. I hate the violence the women or women. 528 00:29:25,120 --> 00:29:28,440 Speaker 1: It's like, yo, that's not Is that part of the 529 00:29:28,480 --> 00:29:31,400 Speaker 1: feminist movement? Is that? Is that part of like? Is that? 530 00:29:31,480 --> 00:29:34,280 Speaker 1: Like your we're strong women, so we fight? Have women 531 00:29:34,320 --> 00:29:36,360 Speaker 1: always been fighting? But we're seeing it because the video 532 00:29:36,440 --> 00:29:40,080 Speaker 1: I don't think so it's progressive women. They shouldn't be 533 00:29:40,160 --> 00:29:45,000 Speaker 1: behaving like this of all colors fighting each other, pulling 534 00:29:45,040 --> 00:29:47,640 Speaker 1: each other's here, kicking each other in the head, women, 535 00:29:48,080 --> 00:29:53,600 Speaker 1: young women, older women fighting each other. I don't like it. 536 00:29:55,000 --> 00:29:58,200 Speaker 1: No one likes that. Ship man, think of your women 537 00:29:58,440 --> 00:30:01,840 Speaker 1: fighting kicking assid eat What kind of woman? That's not 538 00:30:01,880 --> 00:30:04,600 Speaker 1: a woman. It's a fucking brute. And then you're saying, 539 00:30:04,600 --> 00:30:06,200 Speaker 1: what kind of woman? What does it? See? How you 540 00:30:06,200 --> 00:30:08,640 Speaker 1: gotta you gotta jump ahead of what people will say 541 00:30:08,680 --> 00:30:11,200 Speaker 1: because people aren't criticize you. Who are you to see 542 00:30:11,280 --> 00:30:13,840 Speaker 1: what kind of woman? I'm saying? Do you think a 543 00:30:13,840 --> 00:30:16,360 Speaker 1: woman you don't think of somebody fighting in the motherfucker's street. 544 00:30:16,400 --> 00:30:18,760 Speaker 1: When did they show Cinderella? Like the images you think 545 00:30:18,800 --> 00:30:21,600 Speaker 1: a woman, that's probably the first image you show a 546 00:30:21,600 --> 00:30:24,440 Speaker 1: little girl like Cinderella, something like that. You don't show 547 00:30:24,480 --> 00:30:27,040 Speaker 1: them the women beating the ship out of other women, 548 00:30:28,200 --> 00:30:32,720 Speaker 1: spitting in the other girl's face, savage ship. I hate it, man, 549 00:30:32,760 --> 00:30:35,960 Speaker 1: I hate it. So this is our you're saying that 550 00:30:36,120 --> 00:30:39,000 Speaker 1: Dan Rapport podcast isn't for everybody. This is our pro 551 00:30:39,320 --> 00:30:44,520 Speaker 1: female episode of the Iron Rappaport podcast or segment. I 552 00:30:44,520 --> 00:30:46,600 Speaker 1: don't want to see any more of it. And man, 553 00:30:46,640 --> 00:30:50,600 Speaker 1: if you see two women fighting, stop it, don't film it. 554 00:30:53,040 --> 00:30:57,480 Speaker 1: Stop it. You're sitting there filming it, You fucking dummies, 555 00:30:58,960 --> 00:31:01,680 Speaker 1: These teenagers with filming and the fucking wanting to be 556 00:31:01,760 --> 00:31:04,400 Speaker 1: famous on Twitter and all. Actually leave it to me 557 00:31:04,480 --> 00:31:07,960 Speaker 1: and Gimo Netti were the Twitter stars on this motherfucker, 558 00:31:08,320 --> 00:31:11,360 Speaker 1: were the fucking hosts of the Iron Rappaport pod. You 559 00:31:11,400 --> 00:31:14,400 Speaker 1: don't need to be famous for fucking posting women beating 560 00:31:14,440 --> 00:31:17,040 Speaker 1: up other women. This is the Iron Rapport Podcast. We'll 561 00:31:17,040 --> 00:31:29,520 Speaker 1: be right back. You're gonna listen to some funk now, yes, yes, yes, yes, 562 00:31:29,600 --> 00:31:35,040 Speaker 1: yes yes. G Moody, how many T shirts do you 563 00:31:35,080 --> 00:31:37,040 Speaker 1: think we should give away today? How many do you 564 00:31:37,040 --> 00:31:42,720 Speaker 1: want to give away? Picking up ten? G Moody, All right, 565 00:31:43,320 --> 00:31:47,360 Speaker 1: here's how are you gonna get Iron Rappaport podcast T 566 00:31:47,600 --> 00:31:51,800 Speaker 1: shirts this week. You're gonna go on to Instagram and 567 00:31:51,840 --> 00:31:56,320 Speaker 1: you're gonna tag my name, Michael Rappaport and Gimo Netti. 568 00:31:56,920 --> 00:32:00,560 Speaker 1: Gimo Netti, I'm not spulling this ship is tag me, 569 00:32:01,080 --> 00:32:07,280 Speaker 1: all right, and then hashtag I am Rappaport yea. And 570 00:32:07,520 --> 00:32:12,640 Speaker 1: the first ten people to do their favorite line that 571 00:32:12,720 --> 00:32:15,160 Speaker 1: GM Nettie has said. There we you have fans. This 572 00:32:15,200 --> 00:32:17,920 Speaker 1: is gonna suck. The first ten people to either quote 573 00:32:17,920 --> 00:32:20,760 Speaker 1: Gimo Nettie or do an impression of Gimon Edtie win 574 00:32:21,560 --> 00:32:25,480 Speaker 1: soft I Am Rappaport podcast T shirts. You get that. 575 00:32:25,520 --> 00:32:28,840 Speaker 1: The first ten things that I see on Instagram of 576 00:32:28,920 --> 00:32:33,480 Speaker 1: people doing Gimo Nettie either quotes or impersonations, they win 577 00:32:33,600 --> 00:32:35,680 Speaker 1: ten T shirts. And you know what if there's twelve 578 00:32:36,120 --> 00:32:38,440 Speaker 1: fift in you and you and you guys do it 579 00:32:39,200 --> 00:32:43,000 Speaker 1: T shirts, free T shirts, soft ass really nice T shirts. 580 00:32:43,640 --> 00:32:45,480 Speaker 1: All right, that's how it's gonna work this week. This 581 00:32:45,560 --> 00:32:50,520 Speaker 1: is an embedded giveaway in the episode. What's up, g Monettie, 582 00:32:51,320 --> 00:32:54,160 Speaker 1: I'm gonna we should order some pizza. You know what, 583 00:32:54,160 --> 00:32:56,040 Speaker 1: I'm gonna trying to do hit me up. But I'm 584 00:32:56,040 --> 00:32:57,640 Speaker 1: sorry to interrupt. I asked you a question. You know. 585 00:32:57,680 --> 00:33:01,160 Speaker 1: We're also gonna do a live episode with the fans, 586 00:33:01,240 --> 00:33:05,440 Speaker 1: like a live episode comment on Twitter, yeah, we would like, like, yeah, 587 00:33:05,440 --> 00:33:07,959 Speaker 1: I need some more Twitter involvement. Man. I got like 588 00:33:08,040 --> 00:33:12,560 Speaker 1: fifty seven thousand Twitter followers, which is ship. Well, a 589 00:33:12,600 --> 00:33:17,360 Speaker 1: lot of these fucking actors got a million nine shit actors. 590 00:33:17,720 --> 00:33:20,520 Speaker 1: I mean, there's good ones with it, but but there's 591 00:33:20,520 --> 00:33:23,800 Speaker 1: ship actors like three hundred. How do I get more followers? Guys? 592 00:33:24,360 --> 00:33:26,840 Speaker 1: Are you doing double town? I'm doing doubles, I'm giving 593 00:33:26,880 --> 00:33:29,080 Speaker 1: you podcasts, I'm giving away free teachers. And I got 594 00:33:29,120 --> 00:33:34,400 Speaker 1: fifty seven thousand followers. It's kind of embarrassing. I mean, 595 00:33:34,520 --> 00:33:38,760 Speaker 1: I feel like in my heart I have two million followers. 596 00:33:38,800 --> 00:33:41,200 Speaker 1: Like I I talk and I do the show as 597 00:33:41,200 --> 00:33:43,640 Speaker 1: if I was doing it to two million people. I 598 00:33:43,680 --> 00:33:46,000 Speaker 1: feel like like that that that's one of the strength 599 00:33:46,080 --> 00:33:48,920 Speaker 1: of the Iron Rapport podcast is that we give blood 600 00:33:48,960 --> 00:33:51,240 Speaker 1: on the floor every episode. So even though I only 601 00:33:51,280 --> 00:33:53,840 Speaker 1: have a measly fifty seven thousand, Isn't that kind of 602 00:33:53,880 --> 00:33:56,560 Speaker 1: fucked up? Like if I thought about it, I was like, 603 00:33:56,760 --> 00:33:58,680 Speaker 1: you've been acting for this song and all you got 604 00:33:58,720 --> 00:34:02,400 Speaker 1: is fifty seven thousand and followers. You fucking bumm you 605 00:34:02,160 --> 00:34:04,760 Speaker 1: at this goal and I'm putting out this goal and 606 00:34:04,760 --> 00:34:06,880 Speaker 1: I've been doing all kinds of ship and all I 607 00:34:06,920 --> 00:34:10,360 Speaker 1: could fucking wrangle up is fifty seven thousand fucking followers. 608 00:34:10,719 --> 00:34:13,520 Speaker 1: And I turn on, I see fucking these teeny bopper 609 00:34:13,920 --> 00:34:16,880 Speaker 1: dick liquors and they got three millions, and this one's 610 00:34:16,920 --> 00:34:20,320 Speaker 1: got that many millions, And this fucking reporter and other 611 00:34:20,400 --> 00:34:23,920 Speaker 1: podcasts at three hundred sixty three and we got fifty 612 00:34:23,960 --> 00:34:27,720 Speaker 1: seven thousand. Gimo Netti, the sidekick of Iron Rapp por podcasts, 613 00:34:27,880 --> 00:34:30,920 Speaker 1: you don't even have a thousand follows. I don't Thand 614 00:34:31,080 --> 00:34:34,560 Speaker 1: that's fucked up. Don't you feel like in your heart 615 00:34:35,239 --> 00:34:38,279 Speaker 1: like my ego is like I have millions of them? 616 00:34:38,520 --> 00:34:41,600 Speaker 1: How do you feel about yourself? I feel I got 617 00:34:42,239 --> 00:34:44,400 Speaker 1: Gerald's always happy. When when you're like, you know, I 618 00:34:44,440 --> 00:34:46,320 Speaker 1: got more followers, I look, I'm like thinking, maybe like 619 00:34:46,360 --> 00:34:48,719 Speaker 1: there's an explosion he's got He's like up to two 620 00:34:48,800 --> 00:34:52,239 Speaker 1: hundred seventy four. This guy's got like two d. How 621 00:34:52,280 --> 00:34:56,000 Speaker 1: could Gimo Neetti, the sidekick for the Iron Rap PORP podcasts, 622 00:34:56,040 --> 00:34:59,720 Speaker 1: only have two hundred seventy four thousand, two D seventy 623 00:34:59,719 --> 00:35:04,480 Speaker 1: four total followers. Yeah, what the what the funk man? 624 00:35:04,520 --> 00:35:06,480 Speaker 1: This is the Iron Rapper four pockets. I hate to 625 00:35:06,520 --> 00:35:09,400 Speaker 1: tute our own horn people, but we are doing the 626 00:35:09,520 --> 00:35:14,440 Speaker 1: damn thing. Listen to the music we got Wiga, please, 627 00:35:15,960 --> 00:35:21,839 Speaker 1: my nephew, duncan we have the DeNiro line of the week. 628 00:35:22,200 --> 00:35:25,520 Speaker 1: We have celebrities, we don't have celebrities. We do it 629 00:35:25,600 --> 00:35:31,960 Speaker 1: about politics, sports, current events. We'll do Wiga. Please about 630 00:35:32,000 --> 00:35:36,320 Speaker 1: current events. Obama crisis is in New York with the police, 631 00:35:36,440 --> 00:35:42,600 Speaker 1: police brutality, all of that. Ship, Let's stay focused. NBA 632 00:35:42,719 --> 00:35:47,520 Speaker 1: Playoffs coming up. G Moody. I made predictions earlier in 633 00:35:47,520 --> 00:35:51,239 Speaker 1: the year. They were pretty spot on, except for some 634 00:35:51,320 --> 00:35:54,920 Speaker 1: injury things. Although I predicted the Clippers to be better, 635 00:35:55,680 --> 00:36:00,560 Speaker 1: and I thought that then okay see was gonna be better, 636 00:36:00,600 --> 00:36:04,160 Speaker 1: but they had injuries. But my biggest one was that 637 00:36:04,200 --> 00:36:06,920 Speaker 1: I said Atlanta would be a toilet bowl, and they're 638 00:36:06,960 --> 00:36:09,160 Speaker 1: really good, but I did say they would be a 639 00:36:09,160 --> 00:36:11,759 Speaker 1: toilet bowl. I thought that Danny Ferry thing was going 640 00:36:11,800 --> 00:36:16,359 Speaker 1: to just destroy that fucking team. So but I did 641 00:36:16,360 --> 00:36:18,279 Speaker 1: say that I own up to it, and but that 642 00:36:18,320 --> 00:36:20,600 Speaker 1: was where I was thinking. But other than that, I'm 643 00:36:20,600 --> 00:36:23,600 Speaker 1: pretty good. I thought the Knicks would make the playoffs two. 644 00:36:23,680 --> 00:36:26,799 Speaker 1: That was fuck. I did say that they'd be an 645 00:36:26,800 --> 00:36:31,919 Speaker 1: a c. That's I'm surprised that Miami is doing as well. 646 00:36:32,600 --> 00:36:35,160 Speaker 1: I just didn't know if if Dwayne Wade had it 647 00:36:35,200 --> 00:36:37,600 Speaker 1: in the tank. But right now he has it in 648 00:36:37,600 --> 00:36:41,359 Speaker 1: the tank. He had forty points here the night. He's 649 00:36:41,360 --> 00:36:44,839 Speaker 1: on that old man slow ship, stutter steps and all 650 00:36:44,840 --> 00:36:47,919 Speaker 1: that ship like Dwayne Wade style of game. And he's 651 00:36:47,920 --> 00:36:52,040 Speaker 1: got that touch around the rim. He's a great player. Yeah, 652 00:36:52,120 --> 00:36:54,800 Speaker 1: he's a great player. He said he might be the 653 00:36:54,880 --> 00:36:59,560 Speaker 1: number three best shooting guard of all time, like Jordan's Kobe. 654 00:36:59,680 --> 00:37:03,600 Speaker 1: Dwayne Wade, he got the numbers. I think, Yeah, he's 655 00:37:04,200 --> 00:37:08,320 Speaker 1: that dude. He's that fucking dude. That dude. I'm concerned 656 00:37:08,360 --> 00:37:12,160 Speaker 1: about Cleveland, and people say, why are you concerned? Why 657 00:37:12,160 --> 00:37:14,640 Speaker 1: why do you hate Cleveland, Like it's the Cleveland Cavaliers, 658 00:37:14,880 --> 00:37:17,240 Speaker 1: And I said, I don't hate the Cleveland Cavaliers. Aren't 659 00:37:17,280 --> 00:37:19,759 Speaker 1: you happy for the city. Yes, I am happy for 660 00:37:19,800 --> 00:37:23,680 Speaker 1: the city. Well don't you think that Cleveland, you know, 661 00:37:23,760 --> 00:37:28,759 Speaker 1: deserves a championship? Fuck you man, Fuck you bro. The 662 00:37:28,880 --> 00:37:34,920 Speaker 1: Knicks haven't won shit, Cleveland. You're not supposed to win ship. Okay, 663 00:37:35,040 --> 00:37:39,680 Speaker 1: you never won. At least we want so. Fuck you know. 664 00:37:39,719 --> 00:37:41,960 Speaker 1: I don't. I don't. I don't want you motherfucker's. I 665 00:37:42,000 --> 00:37:45,799 Speaker 1: want the Knicks to be doing it. That's that's true, 666 00:37:46,080 --> 00:37:47,680 Speaker 1: or at least I want the Knicks to get a 667 00:37:48,239 --> 00:37:53,160 Speaker 1: fucking ring before Cleveland. Kyrie Irvan has never been in 668 00:37:53,200 --> 00:37:55,640 Speaker 1: a playoff game. Now, I'm not saying he's not gonna 669 00:37:55,640 --> 00:37:59,040 Speaker 1: show out, because he's gonna He's going to show his 670 00:37:59,280 --> 00:38:01,879 Speaker 1: ass in a good way. He's gonna put it down 671 00:38:01,880 --> 00:38:04,520 Speaker 1: in the playoffs. Kyrie Irvan is gonna be you know, 672 00:38:04,600 --> 00:38:07,720 Speaker 1: Kyrie Irving in the playoffs is must must watch TV. 673 00:38:08,440 --> 00:38:13,200 Speaker 1: He's gonna be busting dudes asked every fucking game, and 674 00:38:13,239 --> 00:38:14,840 Speaker 1: he's gonna have a few games where he goes like 675 00:38:14,880 --> 00:38:20,360 Speaker 1: for like fifty two, Amp for this and Kyrie Irving 676 00:38:20,400 --> 00:38:24,759 Speaker 1: going forty seven. That's a show. Stefan Curry. That is 677 00:38:24,800 --> 00:38:28,840 Speaker 1: a show that's must watch TV. In the playoffs, Russell 678 00:38:28,880 --> 00:38:34,200 Speaker 1: Westbrook is on. Now they're gonna make the playoffs. They're 679 00:38:34,200 --> 00:38:38,760 Speaker 1: gonna make the playoffs. You know, Russell westbrook Is. There's 680 00:38:38,800 --> 00:38:40,480 Speaker 1: not a nickname for him. He should be called like 681 00:38:40,520 --> 00:38:45,359 Speaker 1: the Tasmanian devil. Nickname he's on some ship. I don't 682 00:38:45,360 --> 00:38:47,040 Speaker 1: know how come they haven't come up with a nickname. 683 00:38:47,880 --> 00:38:51,440 Speaker 1: Maybe his nickname should be undefinable. That would be dope. 684 00:38:52,000 --> 00:38:56,040 Speaker 1: He comes out with a sneaker called undefinable. How you 685 00:38:56,080 --> 00:38:58,520 Speaker 1: gonna wrap it around he? I don't know. I'm just saying, yo, 686 00:38:58,760 --> 00:39:01,840 Speaker 1: you can't do TASMANI. You know, I've never seen somebody 687 00:39:01,880 --> 00:39:04,640 Speaker 1: since Iverson play as hard as him every single night. 688 00:39:04,840 --> 00:39:09,800 Speaker 1: And he he's a bigger, more ferocious athlete than Iverson. 689 00:39:09,920 --> 00:39:13,239 Speaker 1: So you see it, you see it, you feel it 690 00:39:13,280 --> 00:39:16,440 Speaker 1: more Iverson was. You know, he didn't dunk, you know, 691 00:39:16,600 --> 00:39:20,520 Speaker 1: he did exciting crazy ship, but he, like Russell Westbrooks 692 00:39:20,560 --> 00:39:23,920 Speaker 1: those dunks and the attacking of the river, Iverson attacked 693 00:39:23,960 --> 00:39:28,040 Speaker 1: in a different way floaters layups. Since she wasn't dunking on, 694 00:39:28,560 --> 00:39:34,719 Speaker 1: Russell Westbrook be banging it one. No doubt. He is 695 00:39:34,760 --> 00:39:38,200 Speaker 1: that dude. He's that dude. You know who Alan Iverson 696 00:39:38,360 --> 00:39:40,760 Speaker 1: you know, I heard him say once about who inspired 697 00:39:40,840 --> 00:39:42,560 Speaker 1: him the most as far as playing hard, who his 698 00:39:42,640 --> 00:39:46,200 Speaker 1: favorite player was. Do you know who? He's Wales Latrelle, 699 00:39:46,600 --> 00:39:49,640 Speaker 1: Because when Latrelle was playing with the Golden State Warriors, 700 00:39:50,120 --> 00:39:51,600 Speaker 1: he still had it. When he was at the Knicks, 701 00:39:51,600 --> 00:39:56,480 Speaker 1: but he slowed down a little bit. He Latrell had 702 00:39:56,520 --> 00:39:59,839 Speaker 1: no left hand. Latrell doesn't have a good left hand, 703 00:40:00,360 --> 00:40:02,239 Speaker 1: but he played hard. But when he was with the 704 00:40:02,640 --> 00:40:06,239 Speaker 1: Golden State before he choked out PJ and he had 705 00:40:06,280 --> 00:40:09,480 Speaker 1: the braids, that was when he was attacking them. He 706 00:40:09,560 --> 00:40:13,839 Speaker 1: was on some ship banging on your fucking heads. That's 707 00:40:13,880 --> 00:40:19,160 Speaker 1: a great point. That's a good point, right. It's Spreewald 708 00:40:19,320 --> 00:40:22,840 Speaker 1: Iverson and then Russell westbron But I bet you Russell 709 00:40:22,840 --> 00:40:25,800 Speaker 1: Westbrook loves Iverson, and I'll bet you Russell Russell Westbrook 710 00:40:25,880 --> 00:40:28,200 Speaker 1: although he's too young. They've seen him play live sees 711 00:40:28,280 --> 00:40:30,000 Speaker 1: the old and even when he came to the Knicks, 712 00:40:30,200 --> 00:40:34,880 Speaker 1: that motherfucker was relentless. He's loved here. He played hard 713 00:40:35,040 --> 00:40:37,640 Speaker 1: as fuck. All his stuff that he gotten off the 714 00:40:37,719 --> 00:40:39,600 Speaker 1: cord and the way he left the Knicks, you could 715 00:40:39,640 --> 00:40:43,120 Speaker 1: forget about that. Latrell Sprero was on some ship. He's 716 00:40:43,160 --> 00:40:47,480 Speaker 1: a great NBA player and and I mean obviously his 717 00:40:47,480 --> 00:40:50,280 Speaker 1: his ship got off track. But as far as a player, 718 00:40:50,680 --> 00:40:56,120 Speaker 1: that motherfucker was hell. Latrell sprero was hell the whole 719 00:40:56,400 --> 00:40:58,839 Speaker 1: you know, p J Carlist some thing. We talked about it. 720 00:40:58,920 --> 00:41:01,280 Speaker 1: You talked about that first. But it's a shame because 721 00:41:01,800 --> 00:41:06,680 Speaker 1: Lacharles Spreewall is a motherfucker anyway, you know what I 722 00:41:06,680 --> 00:41:08,799 Speaker 1: want to talk about, man, what do you want to 723 00:41:08,800 --> 00:41:12,839 Speaker 1: talk about? Gerald? When they traded Isaiah Thomas and they 724 00:41:12,880 --> 00:41:16,440 Speaker 1: interviewed him in the in the fucking locker room. I 725 00:41:16,440 --> 00:41:18,919 Speaker 1: mean Isaiah Thomas who went from Phoenix that was doing 726 00:41:18,920 --> 00:41:22,879 Speaker 1: well with him and Dragic, Tragic whatever you know his name, 727 00:41:23,239 --> 00:41:25,600 Speaker 1: and he went to Boston right and they were asking 728 00:41:25,640 --> 00:41:29,200 Speaker 1: him in the fucking locker room. Uh um, do you 729 00:41:29,320 --> 00:41:32,040 Speaker 1: did Danny age consult? What you will tell you about 730 00:41:32,239 --> 00:41:34,280 Speaker 1: what direction he's going to the team. And I'm saying, 731 00:41:34,440 --> 00:41:37,399 Speaker 1: I'm saying him like looking at him, like why don't 732 00:41:37,440 --> 00:41:39,560 Speaker 1: he just fucking say you. I don't know what the 733 00:41:39,640 --> 00:41:42,800 Speaker 1: fun is going on here. I just got to fucking Boston. 734 00:41:43,120 --> 00:41:44,640 Speaker 1: I just got here. I don't know. I don't even 735 00:41:44,719 --> 00:41:48,520 Speaker 1: know Danny Ainge I haven't even met Danny Ainge. So 736 00:41:48,600 --> 00:41:52,840 Speaker 1: to answer your question, I have no fucking clue. Instead, 737 00:41:53,000 --> 00:41:56,600 Speaker 1: he said, Isaiah's gotta say all this this stuff. He's gotta, 738 00:41:56,920 --> 00:41:59,560 Speaker 1: you know, I hope so and the direction that they're 739 00:41:59,560 --> 00:42:01,480 Speaker 1: going in, and and this and that and the other thing. 740 00:42:01,480 --> 00:42:03,560 Speaker 1: He's got to be politically correct. He's like, I haven't 741 00:42:03,560 --> 00:42:05,839 Speaker 1: seen my kids in three and a half weeks. They're 742 00:42:05,840 --> 00:42:09,440 Speaker 1: still in school in Phoenix. My family is still over there. 743 00:42:09,480 --> 00:42:12,600 Speaker 1: You think this, motherfucker, I'm a piece of meat that 744 00:42:12,640 --> 00:42:15,200 Speaker 1: could be traded. I might not mean and I might 745 00:42:15,200 --> 00:42:18,520 Speaker 1: not even make it to hear through the playoffs. I 746 00:42:18,560 --> 00:42:21,839 Speaker 1: have no idea I have you asked me. Don't ask 747 00:42:21,880 --> 00:42:24,239 Speaker 1: me that. You're the fucking analysts. You're the reporter. You 748 00:42:24,239 --> 00:42:27,000 Speaker 1: should know these things. Tell me when am I gonna 749 00:42:27,080 --> 00:42:31,200 Speaker 1: stay in Boston? You tell me? Are we even in funk? 750 00:42:31,239 --> 00:42:33,600 Speaker 1: We're not even in Boston. I'm traded to Boston, but 751 00:42:33,600 --> 00:42:36,200 Speaker 1: we're actually playing in Milwaukee. I don't know my fucking 752 00:42:36,320 --> 00:42:39,319 Speaker 1: head from my fucking tails right now, and you're coming 753 00:42:39,360 --> 00:42:44,080 Speaker 1: at you're coming to ask me this. I didn't trade myself. 754 00:42:44,120 --> 00:42:46,759 Speaker 1: Go fucking talk to Danny, Go ask what's gonna do 755 00:42:46,800 --> 00:42:48,719 Speaker 1: with this guy. They told me I was gonna stay 756 00:42:48,719 --> 00:42:51,920 Speaker 1: in Phoenix all fucking here. What do I know? I 757 00:42:51,920 --> 00:42:54,640 Speaker 1: don't know. Nothing that would be more realistic, That would 758 00:42:54,640 --> 00:42:57,040 Speaker 1: be a more realistic answer is sing and Thomas or 759 00:42:57,080 --> 00:42:59,520 Speaker 1: any player when you get traded, when they're asking you 760 00:42:59,560 --> 00:43:02,120 Speaker 1: all these questions like how's it gonna be and what's 761 00:43:02,120 --> 00:43:05,680 Speaker 1: the staff? Like, I have no fucking clue. All I 762 00:43:05,680 --> 00:43:07,600 Speaker 1: know is that I had two cars in a nice 763 00:43:07,640 --> 00:43:11,680 Speaker 1: house in Phoenix, and I've been in a fucking hotel 764 00:43:11,719 --> 00:43:15,240 Speaker 1: for the last thirty days. I haven't seen my fucking 765 00:43:15,320 --> 00:43:18,400 Speaker 1: kids in a month. My daughter won't speak to me 766 00:43:18,400 --> 00:43:21,399 Speaker 1: because I missed her seventh birthday. And fuck you, man, 767 00:43:22,440 --> 00:43:24,960 Speaker 1: I don't know what the fund is going on. We're 768 00:43:25,400 --> 00:43:28,040 Speaker 1: you know, Stefan Curry. Let's just do a Stefan Curry 769 00:43:28,080 --> 00:43:35,040 Speaker 1: shout out. How fucking ill is Stefan Curry. In my opinion, 770 00:43:36,080 --> 00:43:40,320 Speaker 1: he is the best shooter the game has ever seen. 771 00:43:40,560 --> 00:43:45,440 Speaker 1: Why not only can he shoot, but he can create 772 00:43:45,800 --> 00:43:49,960 Speaker 1: his shot off the dribble from deep, so he doesn't 773 00:43:49,960 --> 00:43:53,120 Speaker 1: have to create the shot to get by you. To drive. 774 00:43:53,440 --> 00:43:57,720 Speaker 1: He could create space with the handle and shoot a 775 00:43:57,840 --> 00:44:05,040 Speaker 1: deep shot with accuracy and perfect form every time. I've 776 00:44:05,080 --> 00:44:09,879 Speaker 1: never seen a player shoot off balance and still look 777 00:44:10,040 --> 00:44:12,759 Speaker 1: like he has perfect form, like when somehow like when 778 00:44:12,800 --> 00:44:16,160 Speaker 1: he's off balance, it still looks perfect. Like when he's 779 00:44:16,160 --> 00:44:18,080 Speaker 1: on balance, it looks perfect, but like you know, he's 780 00:44:18,120 --> 00:44:23,840 Speaker 1: on the wrong foot. He's perfected the technique of shooting. 781 00:44:24,120 --> 00:44:27,799 Speaker 1: He's perfect. He had to just but just on the 782 00:44:27,800 --> 00:44:32,000 Speaker 1: outcome and the frequency. Have you ever seen anyone shoot 783 00:44:32,160 --> 00:44:35,520 Speaker 1: like that? And you're we've seen World be We've seen 784 00:44:35,600 --> 00:44:40,120 Speaker 1: Larry Bird, Reggie Miller. Do you think they can come 785 00:44:40,120 --> 00:44:43,880 Speaker 1: close to that? He's on some some other ship. Stefan 786 00:44:43,920 --> 00:44:46,800 Speaker 1: Curry is on some some other ship and we seem 787 00:44:46,880 --> 00:44:50,440 Speaker 1: great shooters. Yeah, man, I've never seen anything. And you 788 00:44:50,480 --> 00:44:53,080 Speaker 1: know it's the thing is like when he shoots threes, 789 00:44:53,920 --> 00:44:57,279 Speaker 1: they look like threes because he's six ft three, six 790 00:44:57,320 --> 00:45:00,960 Speaker 1: ft three and a half at the most. He's definitely 791 00:45:01,000 --> 00:45:03,840 Speaker 1: not six four. There's no fucking way step on Curry's 792 00:45:03,880 --> 00:45:08,239 Speaker 1: six four. This is the Iron RAPPAPORP podcast. We're signing off. 793 00:45:08,280 --> 00:45:12,040 Speaker 1: American Giant is a sponsor of the Iron rappap podcast. 794 00:45:12,080 --> 00:45:17,560 Speaker 1: American Giant Champion can't funk with this, American made, American 795 00:45:17,600 --> 00:45:23,239 Speaker 1: manufactured clothes. Check it out. American Giant dot Com friend 796 00:45:23,280 --> 00:45:26,000 Speaker 1: of the show from day one. We're doing the damn 797 00:45:26,040 --> 00:45:28,080 Speaker 1: thing and we're going out to this beat.