WEBVTT - QLS Classics: Tessa Thompson

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<v Speaker 1>Of course.

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<v Speaker 2>Love Supreme is a production of iHeartRadio. This classic episode

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<v Speaker 2>was produced by the team at Pandora.

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<v Speaker 1>Yo Yo Yo, What up?

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<v Speaker 3>This is fon Tigelow with this week's QLs classic. This

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<v Speaker 3>week we go back to June twenty seven, twenty eighteen,

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<v Speaker 3>with our guests Tessa Thompson, best known for her work

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<v Speaker 3>and Sorry to Bother You, and Creed Tessa Hillcourt about

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<v Speaker 3>falling into acting social activism, Tato salad, Philly cheese steaks,

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<v Speaker 3>and goat love.

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<v Speaker 1>I don't know what goat love is. That sounds very Caucasian.

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<v Speaker 3>I'm gonna have to check it out and find out

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<v Speaker 3>what that is. But anyway, this is QLs episode number ninety.

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<v Speaker 3>Enjoy y'all basic.

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<v Speaker 1>On sit better Delivery. I'm no ex let's do it.

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<v Speaker 1>Suprema s s Suprema.

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<v Speaker 4>Role called Suprema su su Suprema roll call, Suprema suck

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<v Speaker 4>Supremo roll call, Suprema s.

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<v Speaker 1>Supremo roll Some Thompson needs raincoats. Yeah Heenan Thompson's got chokes.

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<v Speaker 1>Yeah a mere Thompson's a show boat. Yeah Ta Thompson's

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<v Speaker 1>a go.

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<v Speaker 4>Suprema suck suck Suprema roll called Suprema s Suprema roll.

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<v Speaker 1>My name is sugar. Yeah.

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<v Speaker 5>I was high on weed. Yeah when I recorded the seed. Yeah,

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<v Speaker 5>and when I saw cream.

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<v Speaker 4>Supremo, Supremo role came Suprema supremo role.

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<v Speaker 2>You're white people, Yeah, please use seasoning. Yeah, sincerely yours, Yeah, boss.

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<v Speaker 4>Suprema sun Suprema roll came Suprema so soun Suprema roll call.

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<v Speaker 6>Now y'all know I'm excited. Yeah, Tessa Thompson, Oh, my

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<v Speaker 6>sisters invited.

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<v Speaker 4>Suprema roll call, supremapt Premia roll call.

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<v Speaker 1>What you do, Suprema Suprema Really ste.

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<v Speaker 4>Supremai asshole, Suprema ruined.

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<v Speaker 1>I was trying to help is ruined.

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<v Speaker 7>Dear white Steve, go ahead, dear white Steve, gonna have

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<v Speaker 7>the microphone.

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<v Speaker 8>Please thank you. I'm reclaiming my time. My intro.

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<v Speaker 2>We can't punch in, We can't, no, no, you can't

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<v Speaker 2>punch and you can punch him in the face.

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<v Speaker 8>You like three more, dear white people, and then we

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<v Speaker 8>either who.

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<v Speaker 1>Made the roll up that we can't have a do

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<v Speaker 1>over you. Then it kind of loses the spontaneity.

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<v Speaker 8>Yeah, you want to hear it though, I mean I

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<v Speaker 8>was curious.

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<v Speaker 2>To see how fast you because the thing is, whoever

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<v Speaker 2>my my determination on how good the interview is going

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<v Speaker 2>to go.

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<v Speaker 1>No, no, it's based on.

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<v Speaker 2>How fast you are on your feet with the roll call,

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<v Speaker 2>like Leon Silver is not answering questions.

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<v Speaker 1>It was like, this's gonna be a hard interview. Actually

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<v Speaker 1>it wasn't. But you know, I'm just.

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<v Speaker 8>Saying, man, yeah, but now you can't.

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<v Speaker 7>We can't do do over now that you even applied

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<v Speaker 7>more pressure onto what it was going to be.

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<v Speaker 8>It was going to be this spontaneous.

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<v Speaker 9>Supreme live in the moment, I'm here to say, yeah,

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<v Speaker 9>I mean I'm gonna.

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<v Speaker 1>Go no, not see Steve never ever interrupt.

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<v Speaker 8>Against what that was on accident of what happens to.

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<v Speaker 5>Well, you hesitated and I thought you were frozen, so

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<v Speaker 5>I tried to give you the first line he.

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<v Speaker 2>Was trying to man splain, was like line no, definitely,

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<v Speaker 2>but never in the history of our listeners are confused, Okay,

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<v Speaker 2>because Steve done through us all anyway. Ladies and gentlemen,

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<v Speaker 2>welcome to Quest Love, Supreme and Alternative Reality. This is

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<v Speaker 2>Quest Love and with Teams Supreme, Boss Bill. It's like Ea, Sugar,

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<v Speaker 2>Steve shout out to Fontigelow and his countertop and unpaid

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<v Speaker 2>bill somewhere on Sesame Street. But we're We're strong today.

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<v Speaker 2>Our guest today is the star of stage and the

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<v Speaker 2>small and big screen. Her credits include Creed from the

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<v Speaker 2>Rocky franchise Do You Write People? Uh, Selma, right, people,

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<v Speaker 2>I'm sorry that again? No do over, There's no do over,

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<v Speaker 2>No Selma, Annihilation, Thor for Colored Girls, and this summer

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<v Speaker 2>she stars as Detroit and be critically acclaimed already, so

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<v Speaker 2>so much claim about this film. It's not even coming

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<v Speaker 2>out to July, and we critically claimed Boots Riley the

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<v Speaker 2>directorial debut, and the science surrealist comedy Sorry to Bother You.

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<v Speaker 8>Uh.

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<v Speaker 2>She's also been present behind the camera as well as

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<v Speaker 2>part of the Times Up movement, uh slowly helping to

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<v Speaker 2>redirect the course for women and people of color to

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<v Speaker 2>green her pastors and speaking of witch, speaking of pastors,

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<v Speaker 2>rumor has it that she's also a goat m Uh.

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<v Speaker 2>We would like to welcome the world's finest goat enthusiasts. Yes,

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<v Speaker 2>Tessa Thompson. I gotta ask, how did that whole testa

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<v Speaker 2>the goat thing come up?

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<v Speaker 1>Yeah?

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<v Speaker 7>That's a Twitter handle I expressed that I liked goats,

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<v Speaker 7>I guess on some public platform, wish he was here now,

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<v Speaker 7>And somebody started taking photographs of me and putting them

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<v Speaker 7>next to photographs of goats that look that are dressed

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<v Speaker 7>like I'm dressed, or posed like I'm posed, and it's

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<v Speaker 7>pretty impressive.

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<v Speaker 2>It's kind of scary, though, goat because that the yellow

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<v Speaker 2>dress one. I mean, it's sometimes they made the outfit

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<v Speaker 2>and then put the goat in that yellow dress and

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<v Speaker 2>had it in the same facial express right.

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<v Speaker 7>And then there's some people, some conspiracy theorists or some

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<v Speaker 7>people that don't believe in just good things that think

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<v Speaker 7>that I'm behind this account, and I just want to

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<v Speaker 7>say that I'm not.

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<v Speaker 1>I have nothing to do with I know you're not. Okay,

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<v Speaker 1>that's the one thing in stalking you. Yeah. I went

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<v Speaker 1>through every every comment, everything, and I was like, Okay,

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<v Speaker 1>this is not her.

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<v Speaker 8>It's not me.

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<v Speaker 1>I understand.

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<v Speaker 8>I wish it was. I wish I was that you

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<v Speaker 8>drink goat's milk and eat goatmeal.

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<v Speaker 2>I don't.

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<v Speaker 7>I'm not into goat products. I'm just into goats.

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<v Speaker 1>I got it. I see. I really wish that, Sorry,

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<v Speaker 1>Zarah was here, right you're on the account. It's great, right,

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<v Speaker 1>it's god.

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<v Speaker 4>Yeah.

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<v Speaker 8>Yeah.

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<v Speaker 1>Like that's the point where I was like, wait a minute.

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<v Speaker 7>And and then some people were tweeting like at Desil

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<v Speaker 7>Thompson is such a good sport, Like there's this idea

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<v Speaker 7>that I also look like a goat, and I'm embracing

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<v Speaker 7>the fact.

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<v Speaker 8>But and now I'm cool with that too, Like my

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<v Speaker 8>eyes are whites set apart, Like it's fine, that's funny.

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<v Speaker 1>Okay, let's start the interview. Stop. I just wanted to

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<v Speaker 1>know about the account. Yeah, welcome to this show. I

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<v Speaker 1>guess today you're.

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<v Speaker 2>Doing like a bunch of press junkets and things because

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<v Speaker 2>you're immaculately dressed.

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<v Speaker 1>Yeah, And all the years I've known you, I was like, wow,

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<v Speaker 1>I've never seen.

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<v Speaker 4>This is you.

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<v Speaker 1>When you're on television dressed. I never know. I mean

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<v Speaker 1>you know that, Like, I've never seen you look like

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<v Speaker 1>you look on TV.

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<v Speaker 8>So that's what I say. She looks press junk ist

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<v Speaker 8>chic today.

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<v Speaker 2>Yes, some people help me, who's your stylist?

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<v Speaker 7>These guys named Mike and Wayman, they're dope. They're friends,

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<v Speaker 7>they like were competitors sort of. And then they were like,

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<v Speaker 7>let's just work together?

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<v Speaker 8>How does one How does a starlet find the perfect style?

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<v Speaker 1>I always want?

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<v Speaker 8>I mean that's what you want?

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<v Speaker 1>Uh?

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<v Speaker 7>They they actually kind of stalked me. They asked if

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<v Speaker 7>I was wasn't working with anyone? See this is what

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<v Speaker 7>you're talking about. I didn't have my my proverbial ship together.

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<v Speaker 4>No.

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<v Speaker 8>I was just like I would just show up, like

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<v Speaker 8>I'll just wear this and then not for my life.

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<v Speaker 7>But they dressed me for when I appear in public spaces.

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<v Speaker 1>They I meant for the meg.

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<v Speaker 8>Yeah, they dressed me for the Megal and Tom Brown

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<v Speaker 8>they made that dress for me.

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<v Speaker 1>How does okay? I was going to say, how does

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<v Speaker 1>that work? Like does a designer? I think to you first,

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<v Speaker 1>like what what is the what is the uh kind

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<v Speaker 1>of the protocol for? Because that guy is such a

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<v Speaker 1>cool kids family club that the.

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<v Speaker 2>Rest of the world kind of watches like through the window,

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<v Speaker 2>like what's going? But how does one do?

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<v Speaker 7>They are like tears of coolness even there, like you're

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<v Speaker 7>at least from.

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<v Speaker 8>Okay because even I've reposted the picture. I think Lena

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<v Speaker 8>Waite posted the picture of your whole crew, and it's

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<v Speaker 8>funny because I reposted the picture it was you.

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<v Speaker 6>It was you know, it was Lena, it was about

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<v Speaker 6>to say black Panther and his sister. It was Chad,

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<v Speaker 6>it was the T shirt. It was it was a

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<v Speaker 6>beautiful crowd of people and I was put under the picture.

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<v Speaker 6>I was like, you know, this is the photo that

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<v Speaker 6>the press won't send out, but this is the one

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<v Speaker 6>that you wanted to be.

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<v Speaker 8>I know, well, I think it might have been.

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<v Speaker 7>I mean, this is my first year, but it seems

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<v Speaker 7>like it's probably the blackest met that there has ever been.

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<v Speaker 7>And how that picture happened is there were a couple

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<v Speaker 7>of us just already in the hallway and we were like,

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<v Speaker 7>someone started taking a picture of zone, like we want

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<v Speaker 7>this picture. So everyone black after dinner meet in the

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<v Speaker 7>hallway and then it got just like loud and fun.

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<v Speaker 7>And then Frances McDorman came and then she realized everyone

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<v Speaker 7>was black, so she was like maybe I should leave.

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<v Speaker 7>And then and then White was like, no, you're an

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<v Speaker 7>ally like get insists you're cool. But it was yet

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<v Speaker 7>it was a young black and gifted experience. It was

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<v Speaker 7>really it was cool. It was cool because you're right

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<v Speaker 7>in the sense of like from the rest of the

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<v Speaker 7>world's perception, there's this thing of like it's the cool kids.

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<v Speaker 7>It feels like it's also just like who's in the

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<v Speaker 7>zeitgeist at that moment and who's in the cultural conversation,

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<v Speaker 7>And so it felt good to look around at that

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<v Speaker 7>hallway and be like, folks that are in the conversation

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<v Speaker 7>and like moving and shaking, are all these really red

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<v Speaker 7>black people people of color?

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<v Speaker 2>Like, based on what I saw on Instagram, you guys,

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<v Speaker 2>even though y'all would sort of be the perceived outcast,

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<v Speaker 2>i e. Not the Kardashians, Yeah, not Rhiann and not

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<v Speaker 2>j Low and you know, like the typical Blake Lively

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<v Speaker 2>or whatever, but y'all seem way cooler and based on

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<v Speaker 2>you know, the comments like that seemed like the coolest

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<v Speaker 2>met Gallip Ball someone someone put up like the first

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<v Speaker 2>year compared to oh, last year, and it was just

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<v Speaker 2>like there was no comparison then.

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<v Speaker 1>It was like that.

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<v Speaker 8>But anyway, Yeah, it's I guess it's a good time,

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<v Speaker 8>all right. So where were you born Los Angeles? Okay,

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<v Speaker 8>what part Hollywood?

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<v Speaker 7>Well, Glendale technically was where I lived when I was little,

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<v Speaker 7>and then Hollywood and then moved to the West Side

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<v Speaker 7>to get to a.

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<v Speaker 8>Better school district.

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<v Speaker 2>Glendale with the world famous roller skating rink. Yeah, yeah,

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<v Speaker 2>that's the uh.

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<v Speaker 1>Every Hollywood roll bounce.

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<v Speaker 2>Like any time that you've seen roller skating in a

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<v Speaker 2>video or in Hollywood, it happens at that place.

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<v Speaker 8>About to savans uh disorderlease roll bouts.

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<v Speaker 1>Seriously there.

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<v Speaker 2>Simpson as the roller skating teacher. I don't know, but yes,

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<v Speaker 2>true story.

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<v Speaker 7>I crashed Snoop Dogg's birthday party there one Oh wow.

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<v Speaker 7>Really was not an invited guest.

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<v Speaker 1>Did you know that it was happening.

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<v Speaker 7>Yeah, I heard it was happening, and I was in

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<v Speaker 7>another bar with my friend Shelby, and I was like,

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<v Speaker 7>let's go, We're just gonna get in there.

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<v Speaker 2>You seem like the type of person that knows that

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<v Speaker 2>if you do something with confidence, it just happened.

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<v Speaker 8>I also had this is the thing.

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<v Speaker 7>I was like seventeen or yeah, seventeen or I was

0:12:37.280 --> 0:12:38.880
<v Speaker 7>not twenty one yet, and I had a fake ID

0:12:39.040 --> 0:12:40.560
<v Speaker 7>and I was out in Hollywood because I.

0:12:40.600 --> 0:12:44.120
<v Speaker 2>Was the death Row years, Dangerous Snoop years exactly, my

0:12:44.320 --> 0:12:45.160
<v Speaker 2>uncle Snoop Years.

0:12:45.240 --> 0:12:45.800
<v Speaker 8>Okay, listen.

0:12:45.920 --> 0:12:48.520
<v Speaker 7>So I was walking with two girlfriends from mine and

0:12:48.720 --> 0:12:51.199
<v Speaker 7>Snoop Dogg was going in the back door of a

0:12:51.320 --> 0:12:54.079
<v Speaker 7>Hollywood club and he had like twenty six people with

0:12:54.240 --> 0:12:56.800
<v Speaker 7>him and he was like yo yo and told us

0:12:56.880 --> 0:12:58.839
<v Speaker 7>to come, and I was like it's Snoop, like we

0:12:58.960 --> 0:13:00.719
<v Speaker 7>gotta go, and we didn't go because you were like

0:13:00.960 --> 0:13:01.360
<v Speaker 7>do we go?

0:13:01.520 --> 0:13:02.000
<v Speaker 1>Do we not go?

0:13:02.600 --> 0:13:04.679
<v Speaker 8>So I was like, it's happening now, I'm going to

0:13:04.720 --> 0:13:05.240
<v Speaker 8>go to your party.

0:13:05.240 --> 0:13:07.440
<v Speaker 1>I want Tom How I.

0:13:07.440 --> 0:13:09.920
<v Speaker 8>Didn't really meet him. I just like rolled around. It

0:13:10.040 --> 0:13:12.600
<v Speaker 8>was really fund was scared of me.

0:13:14.400 --> 0:13:18.400
<v Speaker 1>Because like death row Ara, Snoop is way.

0:13:18.320 --> 0:13:21.400
<v Speaker 8>Differ No, but he's now No. I didn't go then.

0:13:21.600 --> 0:13:23.280
<v Speaker 7>First I went to his birthday party and I think

0:13:23.320 --> 0:13:25.280
<v Speaker 7>that was like he was snoop lyon then, so we're fine,

0:13:25.320 --> 0:13:26.360
<v Speaker 7>oh yeah Snoop line is.

0:13:26.559 --> 0:13:28.320
<v Speaker 8>Yeah, wow, yes, that's.

0:13:29.760 --> 0:13:30.960
<v Speaker 1>Kindler, gentler Snoop.

0:13:31.679 --> 0:13:33.880
<v Speaker 8>Yeah, kind of wait how long has he been Snoop lying?

0:13:34.360 --> 0:13:35.800
<v Speaker 1>That was like not anymore?

0:13:36.880 --> 0:13:39.679
<v Speaker 2>He maybe wind like what two thousand and seven, No,

0:13:39.840 --> 0:13:45.960
<v Speaker 2>it's like twenty twelve. I think, oh, Grandpap Snoop Now Yeah,

0:13:47.240 --> 0:13:50.719
<v Speaker 2>So in Glendale, Well, I okay, I'm gonna try and

0:13:50.800 --> 0:13:53.480
<v Speaker 2>act like I don't know your history already, but for

0:13:53.559 --> 0:13:54.559
<v Speaker 2>our listeners.

0:13:54.320 --> 0:13:55.880
<v Speaker 8>Yeah, because I don't know, Shi tell me I don't

0:13:55.880 --> 0:13:56.240
<v Speaker 8>know anything.

0:13:56.640 --> 0:14:00.520
<v Speaker 2>Yeah, well I was still mind blowing that your father's genius.

0:14:01.160 --> 0:14:02.160
<v Speaker 2>How's he doing, by the way.

0:14:02.040 --> 0:14:02.679
<v Speaker 8>He's really good.

0:14:02.840 --> 0:14:05.520
<v Speaker 7>Okay, Yeah, he's really good. He moved to New York

0:14:05.559 --> 0:14:07.199
<v Speaker 7>when I was My folks weren't together. He moved to

0:14:07.240 --> 0:14:08.719
<v Speaker 7>New York when I was like seven or eight, and

0:14:09.400 --> 0:14:12.800
<v Speaker 7>so I would come here all the time.

0:14:12.920 --> 0:14:13.400
<v Speaker 1>I came here.

0:14:13.480 --> 0:14:14.280
<v Speaker 8>Yeah, I was by coastal.

0:14:14.320 --> 0:14:15.880
<v Speaker 7>So he came here for a while because he just

0:14:15.920 --> 0:14:18.000
<v Speaker 7>signed a record deal and he was like supposed to

0:14:18.040 --> 0:14:19.360
<v Speaker 7>hear from music, and then he just fell in love

0:14:19.400 --> 0:14:20.920
<v Speaker 7>with the city and eventually fell in love and had

0:14:21.000 --> 0:14:23.120
<v Speaker 7>my little brother, my little sister. So I grew up

0:14:23.160 --> 0:14:25.400
<v Speaker 7>between here and Brooklyn, and my folks were on four

0:14:25.480 --> 0:14:26.680
<v Speaker 7>Green for like fifteen years.

0:14:27.200 --> 0:14:30.040
<v Speaker 1>Your father being Mark Anthony to Chocolate Genius.

0:14:30.120 --> 0:14:32.000
<v Speaker 8>Yea, And I will say, tell me something about his music,

0:14:32.080 --> 0:14:34.400
<v Speaker 8>like how would people remember chocolate genius.

0:14:34.560 --> 0:14:40.440
<v Speaker 1>To be uh, he was part of a black renaissance,

0:14:40.600 --> 0:14:42.400
<v Speaker 1>like in the early arts.

0:14:44.120 --> 0:14:45.880
<v Speaker 7>Yeah, and I think made work like he has one

0:14:45.960 --> 0:14:48.640
<v Speaker 7>record called black music. And I mean he's sort of

0:14:49.000 --> 0:14:51.440
<v Speaker 7>a musician that's hard to categorize. And I think so often,

0:14:51.800 --> 0:14:54.640
<v Speaker 7>particularly for like black musicians, they want to box you

0:14:54.720 --> 0:14:57.040
<v Speaker 7>into this space like you're an R and B artist

0:14:57.160 --> 0:14:58.880
<v Speaker 7>and that maybe isn't you.

0:14:59.080 --> 0:15:02.200
<v Speaker 8>So he kind of a mirror kind of talk about that.

0:15:02.320 --> 0:15:05.400
<v Speaker 6>She he likened him to like an early Martin Luther,

0:15:05.560 --> 0:15:07.480
<v Speaker 6>Cody Chessn. That's somebody who is kind of like out

0:15:07.520 --> 0:15:07.840
<v Speaker 6>the box.

0:15:08.200 --> 0:15:11.200
<v Speaker 2>In the early arts, there was Saul Williams, Martin Luther,

0:15:12.880 --> 0:15:14.120
<v Speaker 2>Chocolate Genius.

0:15:15.720 --> 0:15:16.320
<v Speaker 1>At some point.

0:15:16.360 --> 0:15:21.480
<v Speaker 2>I mean, even I guess Rasign was sort of he

0:15:21.640 --> 0:15:24.520
<v Speaker 2>was still making stuff in the late nineties early ught,

0:15:24.960 --> 0:15:29.280
<v Speaker 2>so he was in that circle. I mean it wasn't

0:15:29.320 --> 0:15:35.680
<v Speaker 2>official circle, but sort of like the the alternative alternative black,

0:15:35.800 --> 0:15:38.400
<v Speaker 2>Like there was leftist center black, yeah, of Neils, and

0:15:38.480 --> 0:15:40.240
<v Speaker 2>then there was even the leftist center to that.

0:15:40.560 --> 0:15:42.200
<v Speaker 8>So what is that like being growing up being the

0:15:42.240 --> 0:15:44.120
<v Speaker 8>door of a left left left left left artist?

0:15:44.360 --> 0:15:48.840
<v Speaker 7>Did you you guys ever listen to Lightspeed Champion, who's

0:15:48.880 --> 0:15:55.440
<v Speaker 7>the before Blood Orange. Yeah, My dad like sort of

0:15:56.640 --> 0:15:59.960
<v Speaker 7>occupied that space before other people were occupying that space

0:16:00.080 --> 0:16:02.520
<v Speaker 7>in terms of not just like sonically the sound, but

0:16:02.640 --> 0:16:05.360
<v Speaker 7>also Chocolate Genius was this creation.

0:16:05.600 --> 0:16:08.640
<v Speaker 8>So yeah, dad was a pioneer in ways.

0:16:09.240 --> 0:16:11.600
<v Speaker 7>Yeah, kind of I think I don't know, I think

0:16:11.680 --> 0:16:15.600
<v Speaker 7>that he would say something different probably, but I don't know,

0:16:15.640 --> 0:16:17.320
<v Speaker 7>it was cool because it meant like being in New

0:16:17.400 --> 0:16:19.920
<v Speaker 7>York I was, you know, like especially Fort Green at

0:16:20.000 --> 0:16:23.320
<v Speaker 7>that time. I mean, it's still cool, but it just

0:16:23.360 --> 0:16:28.040
<v Speaker 7>felt so rich. It was before sort of like before gentrification.

0:16:28.560 --> 0:16:31.800
<v Speaker 7>So you know, we would be outside on our stupid

0:16:31.920 --> 0:16:35.600
<v Speaker 7>like mos stuff would walk by our like Rosie Perez

0:16:36.000 --> 0:16:39.160
<v Speaker 7>or you know, Spike Lee or it just and I

0:16:39.200 --> 0:16:42.320
<v Speaker 7>would go, you know, with my dad to the public

0:16:42.400 --> 0:16:45.960
<v Speaker 7>theater and like see plays and it just you know,

0:16:46.000 --> 0:16:47.600
<v Speaker 7>I was like sixteen at the time, so it just

0:16:47.800 --> 0:16:49.960
<v Speaker 7>felt like, well, I want to be a part of

0:16:50.120 --> 0:16:53.520
<v Speaker 7>this world of people making things and such.

0:16:53.320 --> 0:16:56.360
<v Speaker 8>A difference in the culture from Glendale to Fort Green.

0:16:56.440 --> 0:16:57.800
<v Speaker 8>Yeah right, yeah, wildly so.

0:16:58.880 --> 0:17:03.640
<v Speaker 2>So at the time when you you're witnessing this, were

0:17:03.720 --> 0:17:08.200
<v Speaker 2>you yourself thinking about a career in music or anywhere

0:17:08.200 --> 0:17:11.040
<v Speaker 2>in the arts, Like what was your talent as a kid.

0:17:11.000 --> 0:17:11.640
<v Speaker 1>Or a teenager.

0:17:11.960 --> 0:17:14.840
<v Speaker 7>I always acted in school, but I didn't think about

0:17:14.840 --> 0:17:17.480
<v Speaker 7>it as a career. I always thought that I would

0:17:17.640 --> 0:17:19.840
<v Speaker 7>I don't know that I would like be a teacher

0:17:20.000 --> 0:17:21.880
<v Speaker 7>or be a lawyer, go into politics.

0:17:22.119 --> 0:17:23.679
<v Speaker 8>I don't know. I felt like I.

0:17:23.760 --> 0:17:27.440
<v Speaker 7>Wanted to make a contribution in some way, and maybe

0:17:27.480 --> 0:17:30.800
<v Speaker 7>because of my proximity to being around artists.

0:17:30.520 --> 0:17:37.120
<v Speaker 8>I just felt like, I don't know, is this possible

0:17:37.160 --> 0:17:39.680
<v Speaker 8>for me? Is this something that I could do or

0:17:39.840 --> 0:17:40.119
<v Speaker 8>will do?

0:17:40.800 --> 0:17:43.880
<v Speaker 1>So what was the moment that you had the inspiration like, Okay,

0:17:45.280 --> 0:17:46.440
<v Speaker 1>this is what I want to do.

0:17:47.000 --> 0:17:48.280
<v Speaker 7>I think it was just like at a time where

0:17:48.320 --> 0:17:50.280
<v Speaker 7>I realized it was such a compulsion that it was

0:17:50.400 --> 0:17:53.440
<v Speaker 7>like such a thorn in my side that it wasn't gonna.

0:17:54.240 --> 0:17:54.639
<v Speaker 8>Let me go.

0:17:54.800 --> 0:17:56.600
<v Speaker 7>And at that point, like I didn't go to college,

0:17:56.640 --> 0:17:58.080
<v Speaker 7>Like I dropped out, you know what I mean, Like

0:17:58.240 --> 0:18:01.080
<v Speaker 7>there was nothing else I was qualified to do.

0:18:01.320 --> 0:18:03.000
<v Speaker 1>I was like, where you go to college?

0:18:03.240 --> 0:18:04.920
<v Speaker 7>Well, I went to community college and then I was

0:18:04.960 --> 0:18:08.120
<v Speaker 7>supposed to transfer to Berkeley, and I like just decided

0:18:08.200 --> 0:18:10.480
<v Speaker 7>not to and took a semester off and started taking classes,

0:18:10.560 --> 0:18:11.800
<v Speaker 7>and I just I don't know.

0:18:11.960 --> 0:18:14.480
<v Speaker 8>I was performing so much. I was doing theater in

0:18:14.640 --> 0:18:17.640
<v Speaker 8>la It just was all I really cared about.

0:18:17.640 --> 0:18:20.000
<v Speaker 7>It was the only thing I cared about that the

0:18:20.080 --> 0:18:22.480
<v Speaker 7>idea of like being bad at it felt crippling to me.

0:18:22.600 --> 0:18:24.960
<v Speaker 7>Everything else I could sort of dabble in and not

0:18:25.119 --> 0:18:26.600
<v Speaker 7>be that good at and move on.

0:18:27.920 --> 0:18:28.840
<v Speaker 1>Wow, that's crazy.

0:18:29.000 --> 0:18:33.320
<v Speaker 2>Like, because as productive and as busy as you are

0:18:33.440 --> 0:18:37.480
<v Speaker 2>right now, I would have thought like this took meticulous planning,

0:18:38.160 --> 0:18:43.119
<v Speaker 2>and you had vision boards and you did when you

0:18:43.280 --> 0:18:46.080
<v Speaker 2>repeat mantras, and you know, I would post it notes

0:18:46.480 --> 0:18:50.600
<v Speaker 2>one hundred million records more than thriller like, but you

0:18:50.840 --> 0:18:54.040
<v Speaker 2>just like you know, it was a throw on my side.

0:18:54.119 --> 0:18:58.879
<v Speaker 8>I decided to well, yeah, maybe I'm underselling it. No

0:18:59.040 --> 0:19:01.159
<v Speaker 8>I don't. I didn't. I didn't have I didn't have

0:19:01.280 --> 0:19:01.879
<v Speaker 8>vision boards.

0:19:01.880 --> 0:19:06.240
<v Speaker 7>But I think the other thing too, just just like truthfully,

0:19:06.320 --> 0:19:09.200
<v Speaker 7>I felt like there's just more interesting work to do

0:19:10.359 --> 0:19:14.560
<v Speaker 7>now if you look like me when I first started,

0:19:14.600 --> 0:19:17.760
<v Speaker 7>that wasn't necessarily the case. So I think I not

0:19:17.880 --> 0:19:20.080
<v Speaker 7>that I had ambivalence towards it, but there was a

0:19:20.119 --> 0:19:23.000
<v Speaker 7>part of me that was like is this sustainable, like

0:19:23.119 --> 0:19:25.240
<v Speaker 7>if I can I make a living at this? And

0:19:25.320 --> 0:19:27.879
<v Speaker 7>also is this going to be able to captivate me

0:19:28.000 --> 0:19:32.439
<v Speaker 7>and like hold my interest? And so yeah, I think

0:19:32.480 --> 0:19:33.520
<v Speaker 7>there has been an evolution.

0:19:35.400 --> 0:19:36.439
<v Speaker 1>I was going to say that.

0:19:39.240 --> 0:19:42.720
<v Speaker 2>Maybe around the time when Thor came along. Then I realized,

0:19:42.840 --> 0:19:46.000
<v Speaker 2>because I'm not go to front like I'm a marvel head.

0:19:46.440 --> 0:19:50.240
<v Speaker 2>I mean, I've seen a couple of Marvel films. But

0:19:50.560 --> 0:19:54.040
<v Speaker 2>in my head, I don't know the history of I

0:19:54.119 --> 0:19:54.879
<v Speaker 2>can't pronounce it me.

0:19:56.640 --> 0:19:57.000
<v Speaker 1>Valkyri.

0:19:57.160 --> 0:20:00.480
<v Speaker 2>Yes, I don't know the history of her. But I

0:20:00.560 --> 0:20:06.679
<v Speaker 2>would imagine that, maybe initially that that role was written Witten,

0:20:06.840 --> 0:20:10.560
<v Speaker 2>what's for on my ars? My man, I'll just be

0:20:10.640 --> 0:20:15.440
<v Speaker 2>a rabbit. That role was written for. It was written for,

0:20:16.119 --> 0:20:18.040
<v Speaker 2>I would imagine for a white character.

0:20:19.200 --> 0:20:22.800
<v Speaker 8>And it was written it was written for a white lady.

0:20:25.960 --> 0:20:27.560
<v Speaker 8>They wasn't happy about this black lady.

0:20:28.640 --> 0:20:35.000
<v Speaker 1>Whoa call anyway? No, but the fact that all of

0:20:35.080 --> 0:20:39.800
<v Speaker 1>your roles you seem to to.

0:20:41.560 --> 0:20:47.120
<v Speaker 2>Masterfully uh steer your career in a place where it's

0:20:47.280 --> 0:20:52.000
<v Speaker 2>it's not typical at all, especially for for black acts

0:20:52.080 --> 0:20:55.479
<v Speaker 2>like I know worthy black actresses. Yes, I know worthy

0:20:55.680 --> 0:21:00.879
<v Speaker 2>black actresses that because roles are far between, they might

0:21:00.960 --> 0:21:05.800
<v Speaker 2>have to compromise some ship. And do you know Where's

0:21:05.800 --> 0:21:07.240
<v Speaker 2>the Where's the Potato Salad?

0:21:07.280 --> 0:21:10.280
<v Speaker 1>Part three? You know, straight to DVD or just something

0:21:10.400 --> 0:21:13.440
<v Speaker 1>to Yeah it's a real movie.

0:21:13.800 --> 0:21:21.280
<v Speaker 8>No, No it's not. Yes, yes, Where's the Potato Salad

0:21:21.320 --> 0:21:22.000
<v Speaker 8>is a real film.

0:21:22.400 --> 0:21:25.640
<v Speaker 2>Yeah, there's actually really one hilarious scene and due wait

0:21:25.800 --> 0:21:26.399
<v Speaker 2>you watched it?

0:21:26.880 --> 0:21:28.720
<v Speaker 1>Watched it in what year?

0:21:28.920 --> 0:21:29.919
<v Speaker 8>Was that made I don't know, but.

0:21:32.640 --> 0:21:35.159
<v Speaker 1>Hey man, trust me. When the interview is over, I

0:21:35.200 --> 0:21:40.440
<v Speaker 1>will say, the most funny thing is it funny? Like

0:21:41.240 --> 0:21:43.960
<v Speaker 1>that's funny funny? The scene I'm going to show you

0:21:44.119 --> 0:21:47.240
<v Speaker 1>is fucking hilarious, like genuinely nious.

0:21:48.880 --> 0:21:51.560
<v Speaker 8>I think I rented it from next I want to

0:21:51.600 --> 0:21:51.840
<v Speaker 8>see it.

0:21:52.080 --> 0:21:54.320
<v Speaker 1>Wait, slight rabbit Hole? All right? Are you?

0:21:54.520 --> 0:21:54.680
<v Speaker 4>Are you?

0:21:55.800 --> 0:21:55.960
<v Speaker 8>Why?

0:21:56.320 --> 0:21:56.480
<v Speaker 7>Why?

0:21:56.880 --> 0:21:59.080
<v Speaker 8>Why can't we have it? Why is that a problem?

0:21:59.600 --> 0:22:03.639
<v Speaker 8>I love dos my car? You have a point? We

0:22:03.800 --> 0:22:05.960
<v Speaker 8>just I mean, it's just that we don't have enough.

0:22:06.080 --> 0:22:08.840
<v Speaker 8>We don't have enough, but we don't have enough content.

0:22:08.920 --> 0:22:11.119
<v Speaker 8>We don't have enough and don't have enough representations, so

0:22:12.359 --> 0:22:12.960
<v Speaker 8>said the world.

0:22:13.600 --> 0:22:16.240
<v Speaker 2>There's no balance there canna be used in my car.

0:22:16.359 --> 0:22:18.720
<v Speaker 2>But then there's Mississippi burning and all this other stuff.

0:22:18.760 --> 0:22:21.560
<v Speaker 2>But I think, and when it comes to black films,

0:22:21.600 --> 0:22:24.000
<v Speaker 2>I think we have too many serious films and not enough.

0:22:24.440 --> 0:22:27.440
<v Speaker 1>No, we have earnest films like common film.

0:22:28.160 --> 0:22:30.520
<v Speaker 8>We're still but we don't have a lot of Wherever

0:22:30.560 --> 0:22:31.240
<v Speaker 8>you're going with that.

0:22:31.480 --> 0:22:36.680
<v Speaker 1>Route that I call him ernest camp. But what I'm

0:22:36.680 --> 0:22:38.120
<v Speaker 1>saying is we don't have it. We don't have enough.

0:22:38.240 --> 0:22:43.120
<v Speaker 2>Like silly comedies aim to younger kids, you know, the teenagers.

0:22:43.280 --> 0:22:46.040
<v Speaker 2>There's not really that many of those right now, right now,

0:22:46.240 --> 0:22:48.680
<v Speaker 2>there used to be there. Yeah, I don't know, but

0:22:48.880 --> 0:22:51.040
<v Speaker 2>like I think Nick Cannon is probably feeling that, like

0:22:51.240 --> 0:22:54.600
<v Speaker 2>his production can become funny as far as funny stuff

0:22:54.800 --> 0:22:55.760
<v Speaker 2>like silly do work.

0:22:56.000 --> 0:22:58.840
<v Speaker 8>They got dope kids, and that's not funny. Dope dope.

0:22:59.119 --> 0:23:00.600
<v Speaker 1>Yeah, I wasn't. I was too no.

0:23:00.800 --> 0:23:02.720
<v Speaker 8>I like dope. It was dope, but it wasn't funny.

0:23:02.760 --> 0:23:06.879
<v Speaker 2>You know why I was mad at the it's gonna

0:23:06.880 --> 0:23:10.879
<v Speaker 2>sound really really anal the band scenes. I hated the

0:23:10.960 --> 0:23:13.160
<v Speaker 2>band scenes because the music didn't match.

0:23:13.240 --> 0:23:15.880
<v Speaker 8>The band scenes are always tough movies.

0:23:16.000 --> 0:23:19.440
<v Speaker 10>Were the two that looks at your finger And it's

0:23:19.480 --> 0:23:21.960
<v Speaker 10>not even that, it's the fact you've got Pharrell's tenny

0:23:22.119 --> 0:23:24.879
<v Speaker 10>drums and plinky sounds and you've got people with actual

0:23:24.920 --> 0:23:27.000
<v Speaker 10>guitars and keyboards sitting there.

0:23:27.280 --> 0:23:28.760
<v Speaker 1>It just I couldn't watch it.

0:23:29.040 --> 0:23:31.440
<v Speaker 8>I'm sorry, you missed the plot. What about the plot

0:23:31.520 --> 0:23:31.960
<v Speaker 8>and the act.

0:23:32.080 --> 0:23:36.440
<v Speaker 2>It was too distracting. It was too distracting. Sorry, Yeah,

0:23:37.080 --> 0:23:41.639
<v Speaker 2>it's funny. We have the same outlook, but I was

0:23:41.720 --> 0:23:45.000
<v Speaker 2>willing to let it go. I didn't even gate that Okay.

0:23:44.840 --> 0:23:46.320
<v Speaker 8>Did you do a Twitter I like when you do

0:23:46.400 --> 0:23:49.159
<v Speaker 8>brands about things like Instagram retoring rants? Did you do

0:23:49.400 --> 0:23:49.960
<v Speaker 8>any rans?

0:23:50.800 --> 0:23:50.840
<v Speaker 4>No?

0:23:51.040 --> 0:23:58.760
<v Speaker 8>I didn't about dopey sounds and I do those you like?

0:23:59.200 --> 0:24:00.280
<v Speaker 1>I believe you're first.

0:24:00.560 --> 0:24:08.720
<v Speaker 8>I believe this is a widow. I don't understand it.

0:24:12.520 --> 0:24:20.040
<v Speaker 1>Is about to lose invites and the ghost Where's.

0:24:23.119 --> 0:24:25.840
<v Speaker 2>Yeah, but that's that's a real film, Steve. Also, the

0:24:25.920 --> 0:24:28.480
<v Speaker 2>Roscoes Chicken and Waffle Comedy is also.

0:24:28.359 --> 0:24:29.040
<v Speaker 1>A real film.

0:24:29.240 --> 0:24:32.840
<v Speaker 6>Well, Roscoe's is a real film. Roscoe Go Back Home

0:24:32.960 --> 0:24:34.119
<v Speaker 6>or whatever? That's the Martin joint with.

0:24:34.480 --> 0:24:35.520
<v Speaker 1>No, there's a.

0:24:37.520 --> 0:24:41.439
<v Speaker 7>Alright, see this all you have to do assume I'm

0:24:41.480 --> 0:24:44.160
<v Speaker 7>gonna go home. If where's the potato cells on Netflix?

0:24:44.760 --> 0:24:47.119
<v Speaker 7>I will watch five seconds of it? So then my

0:24:47.280 --> 0:24:49.280
<v Speaker 7>whole feet is like because you liked you.

0:24:49.320 --> 0:24:49.719
<v Speaker 1>Know what I mean?

0:24:49.920 --> 0:24:52.200
<v Speaker 8>And that's even all the deep cuts, all the deep

0:24:52.240 --> 0:24:56.720
<v Speaker 8>cuts are like this is a film, like wait ahead,

0:24:56.720 --> 0:25:00.600
<v Speaker 8>but I like for a white pot Oh no, that's

0:25:00.600 --> 0:25:03.120
<v Speaker 8>not what I'm saying. Have you ever had Japanese potatoes?

0:25:03.320 --> 0:25:06.760
<v Speaker 8>First of all, what do who tells them to do that? Okay,

0:25:07.520 --> 0:25:09.399
<v Speaker 8>yes they do that, they do that.

0:25:09.600 --> 0:25:10.119
<v Speaker 1>Have you had it?

0:25:12.320 --> 0:25:16.119
<v Speaker 7>It's delicious. It's like it's like eating a cloud, like

0:25:16.240 --> 0:25:19.920
<v Speaker 7>it's very mashed. It's really good. I'm sorry, it's good.

0:25:20.040 --> 0:25:22.159
<v Speaker 1>Where do you find this? I don't know.

0:25:22.320 --> 0:25:25.000
<v Speaker 8>I mean in Japan. But also like potatoes in Japan.

0:25:25.880 --> 0:25:43.439
<v Speaker 1>Huh, there's no potatoes in Japan. Cheese either, But.

0:25:43.480 --> 0:25:46.719
<v Speaker 8>The Japanese love cheese. They love mayo too.

0:25:46.760 --> 0:25:49.480
<v Speaker 1>Where's your source of information for this? Steve from from

0:25:49.560 --> 0:25:51.040
<v Speaker 1>eating in Japanese restaurants?

0:25:51.400 --> 0:25:54.080
<v Speaker 8>Oh wait, it's been in Japan.

0:25:54.960 --> 0:26:00.440
<v Speaker 2>It's about to be the most ignorant. All right, all's

0:26:00.600 --> 0:26:02.160
<v Speaker 2>ruined that. No, I'm taking my back.

0:26:02.280 --> 0:26:03.960
<v Speaker 8>So can I just say so? What you're saying is

0:26:04.000 --> 0:26:05.879
<v Speaker 8>you prefer I did not see a record. Do you

0:26:06.000 --> 0:26:07.280
<v Speaker 8>prefer the Japanese potatoes?

0:26:08.400 --> 0:26:08.440
<v Speaker 1>No?

0:26:08.640 --> 0:26:10.119
<v Speaker 8>I didn't say that. I didn't say that. I just

0:26:10.200 --> 0:26:13.439
<v Speaker 8>said that. I don't I don't dismiss. I don't think the.

0:26:13.440 --> 0:26:17.280
<v Speaker 7>Potato salad always has to be yellow. I don't want

0:26:17.359 --> 0:26:18.720
<v Speaker 7>fruit in my potato salad.

0:26:19.280 --> 0:26:22.040
<v Speaker 6>But if you're coming to the cookout, but American potato

0:26:22.160 --> 0:26:23.440
<v Speaker 6>salad should be yellow, how about that?

0:26:23.480 --> 0:26:25.320
<v Speaker 8>Can we agree on that? That's yeah, that's fine.

0:26:26.359 --> 0:26:29.040
<v Speaker 1>Now y'all got me thinking, no raisins, No raisins.

0:26:28.800 --> 0:26:31.600
<v Speaker 8>No, no raisins. But also I don't mind like a

0:26:32.680 --> 0:26:34.960
<v Speaker 8>different kind of mustard sometimes like a whole.

0:26:34.800 --> 0:26:35.399
<v Speaker 1>Brain, like a.

0:26:37.800 --> 0:26:46.960
<v Speaker 8>Yellow. But I agree with you Bill, y'all can't see

0:26:47.000 --> 0:26:47.560
<v Speaker 8>what he's doing.

0:26:47.720 --> 0:26:50.800
<v Speaker 1>But I only get my black carveroot.

0:26:54.240 --> 0:26:57.159
<v Speaker 8>Ain't no place invested, so she can she can let

0:26:57.200 --> 0:26:58.600
<v Speaker 8>her go with that one. We give her that one

0:26:58.640 --> 0:26:59.320
<v Speaker 8>because you win it.

0:26:59.760 --> 0:27:02.560
<v Speaker 1>We found an incredible rabbitue did we did?

0:27:07.480 --> 0:27:12.000
<v Speaker 2>How are you able to navigate and stay active in

0:27:12.119 --> 0:27:16.680
<v Speaker 2>a town that doesn't cater to you structurally to you?

0:27:17.359 --> 0:27:19.560
<v Speaker 7>And I think maybe I have my dad to think

0:27:19.960 --> 0:27:23.000
<v Speaker 7>for that in a sense, because I feel like, you know,

0:27:23.040 --> 0:27:26.760
<v Speaker 7>I got to see my dad be an artist do

0:27:26.920 --> 0:27:30.400
<v Speaker 7>his thing that felt really singular and not make concessions.

0:27:30.800 --> 0:27:32.920
<v Speaker 7>And sometimes it meant that we were eating really good

0:27:33.600 --> 0:27:36.720
<v Speaker 7>and stuff was great, and we were shopping what color

0:27:36.760 --> 0:27:39.000
<v Speaker 7>do you wanted in? Like I don't gotta choose both,

0:27:39.440 --> 0:27:43.360
<v Speaker 7>And sometimes that wasn't the case, you know, And so yeah,

0:27:43.440 --> 0:27:46.480
<v Speaker 7>sometimes you make money and sometimes you don't because you

0:27:46.680 --> 0:27:48.160
<v Speaker 7>just aren't going to do certain things.

0:27:48.320 --> 0:27:50.399
<v Speaker 8>But will we ever see you in a Tyler Perry

0:27:50.480 --> 0:27:56.439
<v Speaker 8>or will Packer moving? I've been in a Tyler for color, Okay, you're.

0:27:56.359 --> 0:27:59.680
<v Speaker 6>Cheating because I mean, really, you were in for Colored Girls,

0:27:59.720 --> 0:28:02.080
<v Speaker 6>and who could say no to the movie version for

0:28:02.160 --> 0:28:04.800
<v Speaker 6>Colored Girls no matter who did it. And I'm gonna say,

0:28:04.840 --> 0:28:09.400
<v Speaker 6>like I said to Miss Felicia that if Debbie Allen

0:28:09.440 --> 0:28:11.560
<v Speaker 6>would have Debbie.

0:28:12.040 --> 0:28:18.080
<v Speaker 2>Anybody, anybody, I gotta throw I wish, you know, and

0:28:18.200 --> 0:28:19.960
<v Speaker 2>Zing and Stewart had directed it like.

0:28:21.119 --> 0:28:25.200
<v Speaker 8>Supposed to, I know, and her treatment sounded so beautiful.

0:28:24.760 --> 0:28:29.399
<v Speaker 1>It was it would have propelled her past or at

0:28:29.480 --> 0:28:32.320
<v Speaker 1>least equal to right now.

0:28:32.440 --> 0:28:37.520
<v Speaker 7>Yeah, it's yeah, but you know what, I truly believe

0:28:37.640 --> 0:28:40.320
<v Speaker 7>if the film were being made today, she would be

0:28:40.400 --> 0:28:40.840
<v Speaker 7>the choice.

0:28:41.520 --> 0:28:44.160
<v Speaker 8>And this is no shade to Tyler. It's like they

0:28:44.200 --> 0:28:45.520
<v Speaker 8>wanted to get that movie made.

0:28:45.760 --> 0:28:47.400
<v Speaker 6>Crazy when you think about her in retrospect, because at

0:28:47.440 --> 0:28:48.960
<v Speaker 6>the very least, I mean that we put her in

0:28:49.000 --> 0:28:51.240
<v Speaker 6>the least, but Ava would have been the director of

0:28:51.320 --> 0:28:53.280
<v Speaker 6>that movie Aba or in Zinger. I'm just saying, like

0:28:53.480 --> 0:28:57.480
<v Speaker 6>today in popularity and in sense of female empowerment.

0:28:57.120 --> 0:28:59.880
<v Speaker 7>And cultural conversation, which is like for us by a

0:29:00.040 --> 0:29:01.680
<v Speaker 7>we want to be able to tell our own stories.

0:29:01.720 --> 0:29:04.280
<v Speaker 7>If it's a you know, it's not that men can't

0:29:04.560 --> 0:29:06.440
<v Speaker 7>be involved in telling our story, but like if it's

0:29:06.480 --> 0:29:09.600
<v Speaker 7>a female centric film, like yo, let a woman tell it.

0:29:09.720 --> 0:29:11.520
<v Speaker 8>And he couldn't even give it to Debbie Allen. It

0:29:11.640 --> 0:29:15.240
<v Speaker 8>just makes me man your sisters, Yeah, she did almost

0:29:15.920 --> 0:29:19.880
<v Speaker 8>she did give us know that she was a part

0:29:19.880 --> 0:29:27.200
<v Speaker 8>of pronouncing her name wrong this whole time. Damn what

0:29:27.320 --> 0:29:29.120
<v Speaker 8>a culture for is? Please test it? How you pronounce

0:29:29.120 --> 0:29:31.680
<v Speaker 8>her name? Well, now I'm nervous that I'm pronouncing it.

0:29:34.480 --> 0:29:34.520
<v Speaker 4>Ca.

0:29:34.800 --> 0:29:37.640
<v Speaker 8>So you're right, it's Cassie Lemons. Okay, question. My dad

0:29:37.680 --> 0:29:41.560
<v Speaker 8>once told me that it's not SHOT's chart. That's Truegeria.

0:29:41.600 --> 0:29:43.440
<v Speaker 8>I think one knows that though.

0:29:44.760 --> 0:29:49.880
<v Speaker 1>The thing like, yeah, pronounced pronounce.

0:29:51.080 --> 0:29:54.520
<v Speaker 8>Everyone says, and also, did you guys see that I

0:29:54.640 --> 0:29:55.360
<v Speaker 8>was trying to do it?

0:29:56.600 --> 0:30:02.160
<v Speaker 1>Channel the four of us can see it physically described

0:30:02.160 --> 0:30:03.080
<v Speaker 1>what you were about.

0:30:03.800 --> 0:30:06.560
<v Speaker 2>We'll take pictures. We'll take pictures. Yes, oh my god,

0:30:06.720 --> 0:30:10.960
<v Speaker 2>this is like Wayne's World meets Let's just throw everything

0:30:11.000 --> 0:30:12.480
<v Speaker 2>out there. What did you have for breakfast?

0:30:19.120 --> 0:30:19.160
<v Speaker 1>No?

0:30:19.560 --> 0:30:20.040
<v Speaker 7>I had.

0:30:22.960 --> 0:30:27.040
<v Speaker 8>The embarrassed you're from Cali? I know I had. I

0:30:27.120 --> 0:30:32.880
<v Speaker 8>had rye toast with some avocado, uh, some greens. Very la.

0:30:33.000 --> 0:30:33.920
<v Speaker 8>It's just very l A.

0:30:35.040 --> 0:30:39.280
<v Speaker 7>I don't need eggs never in my life, not scrambled,

0:30:39.360 --> 0:30:41.680
<v Speaker 7>not omeleted. Not I have had a bite of for Toto,

0:30:41.720 --> 0:30:41.960
<v Speaker 7>that's it.

0:30:43.400 --> 0:30:46.640
<v Speaker 8>Never know a bite of it. But I don't. Yeah,

0:30:46.720 --> 0:30:48.280
<v Speaker 8>so breakfast is a hard thing for me.

0:30:48.800 --> 0:30:54.880
<v Speaker 1>You don't like yellow potato salad because well, the eggs done.

0:30:55.240 --> 0:30:57.560
<v Speaker 8>Yeah, it's the mustard mirrors not.

0:30:58.480 --> 0:30:59.920
<v Speaker 1>Yeah, I'm not I'm not sorry.

0:31:00.600 --> 0:31:05.320
<v Speaker 8>Your's bougie, I know, but this is the thing. Can

0:31:05.400 --> 0:31:07.920
<v Speaker 8>you be like, if you're truly a foodie, you don't

0:31:07.920 --> 0:31:10.960
<v Speaker 8>want your potato salad all that yellow. I don't know

0:31:11.000 --> 0:31:13.560
<v Speaker 8>what you're saying, test, there's a limit.

0:31:13.760 --> 0:31:15.880
<v Speaker 6>I mean, there's a limited a yellow, but you better

0:31:16.000 --> 0:31:21.880
<v Speaker 6>equal it out with some relish, you know what I'm saying, Like, Oh, hello, I.

0:31:22.320 --> 0:31:23.960
<v Speaker 2>Want to see we can do a whole ninety minute

0:31:24.000 --> 0:31:25.680
<v Speaker 2>episode based on potatoes salad.

0:31:26.800 --> 0:31:29.160
<v Speaker 8>I feel like I'm walking into dangerous territory. But I

0:31:29.240 --> 0:31:30.280
<v Speaker 8>will prefer Celery.

0:31:34.200 --> 0:31:37.320
<v Speaker 1>I love you so much. This episode is gonna be

0:31:37.400 --> 0:31:38.120
<v Speaker 1>super lit.

0:31:39.760 --> 0:31:44.959
<v Speaker 8>Thin ley slice. But I don't know. I like the crunch.

0:31:45.200 --> 0:31:46.880
<v Speaker 1>Yeah, okay, I.

0:31:47.200 --> 0:31:50.560
<v Speaker 2>See why don't they put cucumber and stuff instead of

0:31:51.480 --> 0:31:53.360
<v Speaker 2>Now you're now pushing it.

0:31:53.560 --> 0:31:56.719
<v Speaker 1>I hate celery, Okay, I think it's I don't think

0:31:56.760 --> 0:32:00.200
<v Speaker 1>it's a purpose. It's the crunch. It's the crunch. Don't

0:32:00.200 --> 0:32:01.920
<v Speaker 1>you ship in there that don't taste like ship?

0:32:02.400 --> 0:32:03.520
<v Speaker 8>Celery doesn't taste like anything?

0:32:04.920 --> 0:32:05.120
<v Speaker 1>Mind?

0:32:07.560 --> 0:32:08.800
<v Speaker 8>You know what's speaking of publicist?

0:32:08.960 --> 0:32:11.000
<v Speaker 7>I've always said, don't you feel like sometimes when food

0:32:11.120 --> 0:32:14.280
<v Speaker 7>has a moment, like certain that has a publicist like

0:32:14.400 --> 0:32:17.920
<v Speaker 7>I s I E or like like remember or like Kale?

0:32:17.960 --> 0:32:18.200
<v Speaker 8>I'm like?

0:32:21.600 --> 0:32:24.640
<v Speaker 7>And also, who's the publicist for Romayne? Because Romaine right now?

0:32:25.000 --> 0:32:26.760
<v Speaker 8>Can I eat it? Is it safe? I don't know,

0:32:26.800 --> 0:32:28.400
<v Speaker 8>they need to talk to the publicist for Kale because

0:32:28.440 --> 0:32:29.320
<v Speaker 8>Cale was killing it.

0:32:29.560 --> 0:32:30.080
<v Speaker 4>I know, Ki.

0:32:31.920 --> 0:32:34.520
<v Speaker 8>K's not that culturally relevant right now. It was. And

0:32:34.600 --> 0:32:36.080
<v Speaker 8>my grandmother was like, what are you all talking about?

0:32:36.280 --> 0:32:40.200
<v Speaker 8>We've been calling for Kale, but we weren't calling it Kale,

0:32:40.240 --> 0:32:40.960
<v Speaker 8>which is greens.

0:32:42.520 --> 0:32:44.080
<v Speaker 1>What are you promoting right now?

0:32:49.280 --> 0:32:51.680
<v Speaker 6>Just guys, ask Vakriye questions as you asked the Vacrie questions.

0:32:51.920 --> 0:32:53.480
<v Speaker 6>I just wanted to know, and you probably can't really

0:32:53.480 --> 0:32:55.000
<v Speaker 6>answer this question. Well, first of all, how did you

0:32:55.080 --> 0:32:58.280
<v Speaker 6>feel about Valkerie not being in the Avengers movie? And

0:32:58.400 --> 0:33:00.760
<v Speaker 6>then is she going to be in the second one?

0:33:00.800 --> 0:33:02.920
<v Speaker 6>Because it seems like they might need some help.

0:33:07.640 --> 0:33:10.360
<v Speaker 8>I was I was I was cool with not you know,

0:33:10.560 --> 0:33:12.880
<v Speaker 8>I was doing other stuff. I was happy she lives.

0:33:13.640 --> 0:33:17.480
<v Speaker 8>That's hurt any word that she's going to be her assisting. Okay,

0:33:19.160 --> 0:33:21.480
<v Speaker 8>I don't know if you've seen The Avengers.

0:33:21.760 --> 0:33:28.320
<v Speaker 2>Yes, I've seen it Black Panther either. You say I

0:33:28.360 --> 0:33:30.000
<v Speaker 2>haven't seen Black Panther. I'm the only black person in

0:33:30.040 --> 0:33:31.640
<v Speaker 2>the world that has not seen Black Panther yet. Wait

0:33:31.760 --> 0:33:37.240
<v Speaker 2>why because I was busy doing what Well, yeah, the

0:33:37.320 --> 0:33:39.320
<v Speaker 2>headaches and stuff, I get it, I get it, but

0:33:39.800 --> 0:33:43.680
<v Speaker 2>just it's now Yeah.

0:33:44.880 --> 0:33:46.480
<v Speaker 1>Really I did not notice.

0:33:46.640 --> 0:33:47.360
<v Speaker 8>How does how does?

0:33:47.400 --> 0:33:49.680
<v Speaker 6>It's funny because I was thinking, since it was kind

0:33:49.720 --> 0:33:52.200
<v Speaker 6>of well Blackera was before a Black Panther, but as

0:33:52.280 --> 0:33:54.760
<v Speaker 6>a person in the Marvel scope of things, how did.

0:33:54.680 --> 0:33:59.160
<v Speaker 8>That feel like just the Black Panther was existing in

0:33:59.280 --> 0:34:01.600
<v Speaker 8>your Marvel world? Because that's man exciting.

0:34:01.640 --> 0:34:07.840
<v Speaker 7>Also just because like Ryan obviously is involved, and Michael

0:34:07.880 --> 0:34:10.680
<v Speaker 7>b so and Chad is a friend of mine. It

0:34:10.800 --> 0:34:14.360
<v Speaker 7>just and the film is I think so incredible. And

0:34:14.440 --> 0:34:16.400
<v Speaker 7>I think sometimes it's a tricky thing when you do

0:34:16.520 --> 0:34:21.000
<v Speaker 7>these big movies. You're like there's this sometimes implication inside

0:34:21.040 --> 0:34:24.160
<v Speaker 7>of the industry that like you have visibility, but in

0:34:24.239 --> 0:34:24.960
<v Speaker 7>some way you've like.

0:34:25.280 --> 0:34:26.120
<v Speaker 8>Sold out or.

0:34:27.880 --> 0:34:30.520
<v Speaker 7>You're diminished in some way, And it just felt like

0:34:30.640 --> 0:34:33.520
<v Speaker 7>it's so cool to see Black Panther mean so much

0:34:33.600 --> 0:34:38.520
<v Speaker 7>culturally and like push boundaries and open doors and be

0:34:38.800 --> 0:34:41.040
<v Speaker 7>a big old movie like that. It's sort of legitimized

0:34:41.120 --> 0:34:45.360
<v Speaker 7>why you you do movies that occupy that space?

0:34:45.440 --> 0:34:45.560
<v Speaker 2>You know.

0:34:46.560 --> 0:34:48.480
<v Speaker 8>Yeah, I feel like it helped people look forward to

0:34:48.560 --> 0:34:49.799
<v Speaker 8>Valkyrie too, because.

0:34:50.600 --> 0:34:54.680
<v Speaker 2>H any truth to the rumor that they might consider

0:34:55.120 --> 0:35:00.600
<v Speaker 2>your demand for an all female kind of you know.

0:35:00.760 --> 0:35:03.480
<v Speaker 7>The thing is, it's it's been spoken about so much

0:35:03.600 --> 0:35:06.280
<v Speaker 7>in the press that and I've asked Kevin Figi.

0:35:06.360 --> 0:35:07.640
<v Speaker 8>I'm like, do you feel trolled by me?

0:35:07.760 --> 0:35:07.800
<v Speaker 4>Like?

0:35:07.840 --> 0:35:09.160
<v Speaker 8>Are we cool? And he's like, we're cool.

0:35:09.760 --> 0:35:11.560
<v Speaker 1>I think, how did you pose it to him? Or

0:35:11.640 --> 0:35:12.640
<v Speaker 1>did you just post it?

0:35:13.000 --> 0:35:13.080
<v Speaker 4>Oh?

0:35:13.160 --> 0:35:14.960
<v Speaker 8>No, I like, we we asked him.

0:35:15.000 --> 0:35:17.920
<v Speaker 7>So we were at this Marvel like ten year anniversary

0:35:18.040 --> 0:35:20.400
<v Speaker 7>photo shoot thing and it was like a circle of

0:35:20.640 --> 0:35:22.520
<v Speaker 7>just women talking and we were like, oh, this would

0:35:22.520 --> 0:35:23.880
<v Speaker 7>be so cool, Like I wish we could do a

0:35:23.920 --> 0:35:24.399
<v Speaker 7>film together.

0:35:24.440 --> 0:35:26.440
<v Speaker 8>And I was like, well don't. We just asked him.

0:35:26.480 --> 0:35:27.800
<v Speaker 8>So we went up to him and we're like we

0:35:27.840 --> 0:35:32.799
<v Speaker 8>should do this? Should we do this? And then yeah,

0:35:32.920 --> 0:35:34.120
<v Speaker 8>it's exactly literally.

0:35:35.480 --> 0:35:40.560
<v Speaker 1>Yeah, I would at least think that, at least for

0:35:40.719 --> 0:35:41.400
<v Speaker 1>today that.

0:35:44.560 --> 0:35:47.719
<v Speaker 2>Even if not for the reasons why they should do it,

0:35:48.680 --> 0:35:51.799
<v Speaker 2>but they could see that this is would be such

0:35:51.840 --> 0:35:52.840
<v Speaker 2>a monumental moment.

0:35:52.960 --> 0:35:53.160
<v Speaker 1>Yeah.

0:35:53.160 --> 0:35:55.560
<v Speaker 8>And also that it's commercially viable. I think that's the

0:35:55.640 --> 0:35:55.920
<v Speaker 8>other thing.

0:35:56.120 --> 0:36:00.920
<v Speaker 1>Are they still like being controlled by like the sexist troll?

0:36:01.400 --> 0:36:02.840
<v Speaker 8>No, No, I don't. I don't think so.

0:36:03.000 --> 0:36:05.360
<v Speaker 7>I think I think it's that they're their thing is

0:36:05.520 --> 0:36:08.799
<v Speaker 7>like super well crafted, and they have ideas in terms

0:36:08.840 --> 0:36:12.640
<v Speaker 7>of every phase they they they just have mapping and

0:36:12.719 --> 0:36:16.080
<v Speaker 7>they have they have ideas about timing and rollout and

0:36:16.360 --> 0:36:20.000
<v Speaker 7>you know, it's really masterful. So it's I don't think

0:36:20.040 --> 0:36:22.279
<v Speaker 7>it's that. And they also want to feel like they're

0:36:22.320 --> 0:36:26.160
<v Speaker 7>never you know, they have such an incredible relationship with fans,

0:36:26.200 --> 0:36:27.920
<v Speaker 7>but they don't like the idea that that they're ever

0:36:28.040 --> 0:36:32.640
<v Speaker 7>pandering to to fans, And so if they make a film,

0:36:32.680 --> 0:36:34.400
<v Speaker 7>they want to make it because they really believe in

0:36:34.480 --> 0:36:37.520
<v Speaker 7>it and it makes sense in terms of the scope

0:36:37.560 --> 0:36:38.640
<v Speaker 7>of the whole universe.

0:36:38.719 --> 0:36:40.080
<v Speaker 1>It is a matter of somebody coming up with the

0:36:40.200 --> 0:36:40.600
<v Speaker 1>right story.

0:36:40.760 --> 0:36:41.279
<v Speaker 8>Yeah, I think so.

0:36:41.800 --> 0:36:43.880
<v Speaker 7>And also in terms of like I think they're always

0:36:43.880 --> 0:36:46.840
<v Speaker 7>trying to find cool crossover and that's happening anyways with

0:36:47.000 --> 0:36:48.120
<v Speaker 7>Captain Marvel, and like.

0:36:48.520 --> 0:36:50.640
<v Speaker 8>You know, yes, that's what that was.

0:36:52.840 --> 0:36:54.680
<v Speaker 1>Were you into the Marvel universe as a kid?

0:36:55.040 --> 0:36:57.680
<v Speaker 2>No, not at all, not so, so how do you

0:36:58.480 --> 0:37:00.479
<v Speaker 2>did you feel as though you had to like, Okay,

0:37:00.520 --> 0:37:03.320
<v Speaker 2>I got to do my homework and yeah, because satisfy

0:37:03.440 --> 0:37:05.360
<v Speaker 2>these fanboys kind of yeah.

0:37:05.200 --> 0:37:06.799
<v Speaker 7>Because I didn't really know anything about it. And then

0:37:06.840 --> 0:37:09.680
<v Speaker 7>also because like you said, I really was not written

0:37:09.760 --> 0:37:10.360
<v Speaker 7>for someone.

0:37:10.239 --> 0:37:16.200
<v Speaker 8>Like me, so it was you know, really you know.

0:37:16.640 --> 0:37:19.080
<v Speaker 8>So yeah, so I felt like I really had to

0:37:19.280 --> 0:37:22.680
<v Speaker 8>understand the character in the world.

0:37:22.880 --> 0:37:26.239
<v Speaker 2>What was the because of the what appeared to be

0:37:26.440 --> 0:37:30.160
<v Speaker 2>the physical grueling process of the film as far as

0:37:30.280 --> 0:37:31.480
<v Speaker 2>your action scenes and stuff.

0:37:32.520 --> 0:37:35.560
<v Speaker 1>How much physical preparation did you have to do a.

0:37:35.600 --> 0:37:37.640
<v Speaker 8>Lot, which was tricky because I was making Annihilation.

0:37:37.880 --> 0:37:40.400
<v Speaker 7>I made Annihilation and then I wrapped that and like

0:37:40.480 --> 0:37:43.680
<v Speaker 7>three days later I was in Australia making Thor So

0:37:43.760 --> 0:37:45.120
<v Speaker 7>it was hard to balance those.

0:37:45.200 --> 0:37:48.400
<v Speaker 8>But I had to learn like sword work and fighting

0:37:48.480 --> 0:37:50.080
<v Speaker 8>and I had never done any of that stuff before.

0:37:50.120 --> 0:37:52.560
<v Speaker 7>And then also just like put on a lot of

0:37:52.680 --> 0:37:57.000
<v Speaker 7>muscle mass. You have the game wed yeah again, like

0:37:57.040 --> 0:37:58.000
<v Speaker 7>fifteen pounds.

0:37:57.719 --> 0:38:00.200
<v Speaker 2>Of just like muscle bab see.

0:38:00.239 --> 0:38:02.239
<v Speaker 1>I thought it was give you the grab. I mean

0:38:03.840 --> 0:38:07.160
<v Speaker 1>that's legit mean man, okay, I'm impressed.

0:38:07.560 --> 0:38:11.600
<v Speaker 8>Yeah, that was not that I really had muscles. I

0:38:11.719 --> 0:38:13.920
<v Speaker 8>was strong. I could do a bunch of only cost

0:38:14.000 --> 0:38:15.759
<v Speaker 8>more money to put the muscles on you, you know,

0:38:15.880 --> 0:38:18.000
<v Speaker 8>through video than to actually just put the muscles on. Yeah,

0:38:18.040 --> 0:38:20.160
<v Speaker 8>but sometimes you just I mean, they v affects those

0:38:20.200 --> 0:38:23.879
<v Speaker 8>whole movies. So no, I really did. I worked really hard.

0:38:24.160 --> 0:38:27.600
<v Speaker 1>Give me and I ate a lot of stuff potatoes.

0:38:27.920 --> 0:38:28.000
<v Speaker 4>No.

0:38:31.520 --> 0:38:34.320
<v Speaker 8>Rotein. We can move past. We have other things to do.

0:38:35.680 --> 0:38:37.200
<v Speaker 8>What I want to ask you because the more and

0:38:37.280 --> 0:38:40.080
<v Speaker 8>more you get into these, uh these commercial roles like

0:38:40.280 --> 0:38:43.680
<v Speaker 8>you know, the Marvel, the West World. You are, of

0:38:43.800 --> 0:38:46.239
<v Speaker 8>course a big activist period. I won't just even just

0:38:46.280 --> 0:38:47.400
<v Speaker 8>say with the women's movement.

0:38:48.120 --> 0:38:51.200
<v Speaker 6>Have you felt somebody trying to kind of put the

0:38:51.239 --> 0:38:54.279
<v Speaker 6>class on you yet because you are now you're this

0:38:54.440 --> 0:38:56.040
<v Speaker 6>major commercial actress.

0:38:55.719 --> 0:38:57.080
<v Speaker 8>In a way you mean in terms of how I

0:38:57.200 --> 0:39:01.399
<v Speaker 8>use my voice. Yes, yes, that's no. I think I've

0:39:01.520 --> 0:39:03.120
<v Speaker 8>just had like a couple of.

0:39:03.160 --> 0:39:06.040
<v Speaker 7>Experiences where I'm like, is social media that the best

0:39:06.160 --> 0:39:08.480
<v Speaker 7>place to do that? And I think we're also in

0:39:08.600 --> 0:39:12.879
<v Speaker 7>this space right now of like internet activism, and it's

0:39:12.920 --> 0:39:15.759
<v Speaker 7>not enough. And I think the experience of really like

0:39:16.880 --> 0:39:18.920
<v Speaker 7>some of my experiences with times up and actually like

0:39:19.160 --> 0:39:22.600
<v Speaker 7>organizing and doing the work is just more powerful than

0:39:22.680 --> 0:39:26.560
<v Speaker 7>talking about what you're doing sometimes and you've been in people.

0:39:26.600 --> 0:39:29.200
<v Speaker 8>I appreciate that let people know who is really about.

0:39:29.000 --> 0:39:30.480
<v Speaker 7>That, But now I'm just mostly I just want to

0:39:30.480 --> 0:39:32.800
<v Speaker 7>talk about goats because it's like a safer space.

0:39:33.960 --> 0:39:34.560
<v Speaker 8>It's just the same.

0:39:34.640 --> 0:39:39.000
<v Speaker 2>So, I mean, I don't think you caught that much

0:39:39.040 --> 0:39:41.440
<v Speaker 2>black because a lot of people agreed with pretty much

0:39:41.520 --> 0:39:42.840
<v Speaker 2>everything that you've been saying.

0:39:43.280 --> 0:39:45.600
<v Speaker 6>Yeah, and it made me follow you more to be honest.

0:39:45.719 --> 0:39:49.080
<v Speaker 6>Oh really well yeah, just in between that and the

0:39:49.160 --> 0:39:51.239
<v Speaker 6>essence speech, I was like, oh, I gotta go back

0:39:51.239 --> 0:39:52.239
<v Speaker 6>and get me some test of times.

0:39:52.360 --> 0:39:53.560
<v Speaker 7>But see that's the other thing in terms of the

0:39:53.680 --> 0:39:56.399
<v Speaker 7>essence speech, like it's like those are conversations I want

0:39:56.400 --> 0:39:59.160
<v Speaker 7>to have and I'm available to. Like, colorism in this

0:39:59.480 --> 0:40:04.400
<v Speaker 7>industry is real, and it's like has benefited me obviously immensely,

0:40:04.800 --> 0:40:07.279
<v Speaker 7>and because of that, I feel like a responsibility to

0:40:07.600 --> 0:40:11.160
<v Speaker 7>acknowledge it and to have nuanced conversations about it. And

0:40:11.239 --> 0:40:15.160
<v Speaker 7>I do that privately inside of my space. There's certain

0:40:15.239 --> 0:40:17.239
<v Speaker 7>roles I don't take. There's certain things I won't do

0:40:17.400 --> 0:40:19.879
<v Speaker 7>because of that. But I think engaging in a more

0:40:19.920 --> 0:40:22.799
<v Speaker 7>public conversation is something I'm willing to do. I think

0:40:22.800 --> 0:40:27.480
<v Speaker 7>it's just hard it, you know, in terms of like also,

0:40:28.160 --> 0:40:31.080
<v Speaker 7>it frustrates me that like what journalism has become, that

0:40:31.200 --> 0:40:34.799
<v Speaker 7>you could look on someone's Instagram and take something they

0:40:34.840 --> 0:40:37.440
<v Speaker 7>say in a comment and write an article about it.

0:40:37.600 --> 0:40:42.239
<v Speaker 7>Like it feels unfair. And I'm newly sort of navigating

0:40:42.640 --> 0:40:44.839
<v Speaker 7>what it is to be a public figure in that way.

0:40:45.520 --> 0:40:50.000
<v Speaker 8>And yeah, all of us, right, but so yeah, we

0:40:50.120 --> 0:40:51.279
<v Speaker 8>just live in public in a new way.

0:40:51.320 --> 0:40:55.399
<v Speaker 7>And it's not something that I'm particularly interested and I'm

0:40:55.440 --> 0:40:57.600
<v Speaker 7>not fond of it, and i'm not frankly, i'm not

0:40:57.880 --> 0:41:00.960
<v Speaker 7>good at it. Like I'm not say what I'm gonna say.

0:41:02.120 --> 0:41:04.879
<v Speaker 7>I'm I'm petrified by it. So it makes me want

0:41:04.920 --> 0:41:05.960
<v Speaker 7>to take like a step back, and it.

0:41:07.239 --> 0:41:09.080
<v Speaker 8>Makes you like retreat as you're about to post something

0:41:09.320 --> 0:41:11.000
<v Speaker 8>like well should I I don't that feeling of even

0:41:11.200 --> 0:41:11.600
<v Speaker 8>that is.

0:41:11.920 --> 0:41:15.360
<v Speaker 7>Yeah, but I feel really like like Disney Marvel, like

0:41:15.960 --> 0:41:19.239
<v Speaker 7>I've been astonished, like no one's like, hey, like, you.

0:41:19.280 --> 0:41:20.399
<v Speaker 8>Know, we need you to shut the fuck.

0:41:20.480 --> 0:41:26.560
<v Speaker 1>No, okay, I'm sorry, hey man, it's this is the

0:41:26.600 --> 0:41:31.120
<v Speaker 1>way she said it. How do how does she say, Bill,

0:41:32.520 --> 0:41:33.320
<v Speaker 1>let's do it again.

0:41:35.440 --> 0:41:35.799
<v Speaker 8>To shut the.

0:41:37.719 --> 0:41:39.240
<v Speaker 6>He as you said at the end of that speech,

0:41:39.239 --> 0:41:41.400
<v Speaker 6>I'm sorry, says we just I'm in the speech because

0:41:41.440 --> 0:41:43.400
<v Speaker 6>I said notes and everything you said at the end

0:41:43.440 --> 0:41:45.200
<v Speaker 6>of the speech, at the essence speech that you were

0:41:45.239 --> 0:41:46.959
<v Speaker 6>hoping that you guys could have follow up.

0:41:46.880 --> 0:41:49.560
<v Speaker 8>Meetings to that and whatnot. How has that been going

0:41:49.760 --> 0:41:50.600
<v Speaker 8>with the sisters?

0:41:51.200 --> 0:41:54.040
<v Speaker 7>It's been good with the sisters, so so so one

0:41:54.080 --> 0:41:57.000
<v Speaker 7>thing that's exciting to report is probably so so in

0:41:57.280 --> 0:41:59.680
<v Speaker 7>terms of the structure of times Up, there are kind

0:41:59.719 --> 0:42:03.520
<v Speaker 7>of folks, there are subgroups, and I would say.

0:42:03.400 --> 0:42:04.440
<v Speaker 8>One of the most like.

0:42:06.120 --> 0:42:10.640
<v Speaker 7>Vibrant, active and engaged subgroup with d times Up is

0:42:10.800 --> 0:42:12.520
<v Speaker 7>called Woke Women of Color.

0:42:13.440 --> 0:42:16.560
<v Speaker 8>Yeah, and it's lit. It's like it's like it's just

0:42:16.960 --> 0:42:22.080
<v Speaker 8>very like robust and real.

0:42:22.200 --> 0:42:24.520
<v Speaker 7>And I think there's a lot there's just a real

0:42:24.640 --> 0:42:31.280
<v Speaker 7>acknowledgment that without that that we're such an important piece.

0:42:31.480 --> 0:42:35.920
<v Speaker 7>And historically, I think feminism too often has sort of

0:42:36.239 --> 0:42:39.520
<v Speaker 7>ignored the voices of women in color, women of color

0:42:39.600 --> 0:42:40.200
<v Speaker 7>and hasn't been.

0:42:40.120 --> 0:42:43.120
<v Speaker 8>In don't even because I have to tell people all

0:42:43.120 --> 0:42:45.200
<v Speaker 8>the time. I used to hate when the Hillary Swank

0:42:46.000 --> 0:42:49.319
<v Speaker 8>trailer would come on for her women's rights movie or whatever,

0:42:49.400 --> 0:42:51.000
<v Speaker 8>and then it would come on right before like the

0:42:51.440 --> 0:42:54.239
<v Speaker 8>Housewives of Atlanta. I'd be like, so, did these white

0:42:54.320 --> 0:42:56.800
<v Speaker 8>ladies know that we can vote for another like almost

0:42:57.480 --> 0:42:58.640
<v Speaker 8>seventy years? Yeah?

0:42:58.840 --> 0:43:03.640
<v Speaker 2>You know, like, yeah, how easy was it to navigate

0:43:04.280 --> 0:43:07.480
<v Speaker 2>your way in the Hollywood women's movement?

0:43:08.120 --> 0:43:10.200
<v Speaker 1>You guys gathered almost in the hundreds.

0:43:10.320 --> 0:43:13.680
<v Speaker 2>I know that you guys were, but how hard was

0:43:13.760 --> 0:43:18.640
<v Speaker 2>it to one explain, uh, to people that weren't aware

0:43:19.239 --> 0:43:21.080
<v Speaker 2>of the different.

0:43:20.880 --> 0:43:26.839
<v Speaker 1>Levels of obstacles that that we face. Yeah, exactly, because

0:43:26.880 --> 0:43:28.080
<v Speaker 1>I know in the beginning it was sort of like

0:43:28.440 --> 0:43:32.800
<v Speaker 1>kind of koumbayas. But then I talked to you know,

0:43:32.960 --> 0:43:36.200
<v Speaker 1>people out of the chat and they were like, you know,

0:43:36.680 --> 0:43:39.480
<v Speaker 1>explaining this one of them, Yeah, it's and there was

0:43:39.520 --> 0:43:40.560
<v Speaker 1>something that meant, well.

0:43:40.560 --> 0:43:42.879
<v Speaker 7>Yeah, for some there's this there's a steep learning curve.

0:43:42.960 --> 0:43:44.719
<v Speaker 7>I mean real talk, like, there are certain rooms that

0:43:44.760 --> 0:43:48.239
<v Speaker 7>I was absolutely invited into because.

0:43:49.440 --> 0:43:53.240
<v Speaker 8>Of what I look like in the sense of safe.

0:43:53.640 --> 0:43:58.439
<v Speaker 1>Right did you call it? This feels like tokenism or yeah,

0:43:58.480 --> 0:43:58.759
<v Speaker 1>well I.

0:43:58.840 --> 0:44:01.399
<v Speaker 7>Was really lucky, like in instances that someone else called

0:44:01.400 --> 0:44:03.120
<v Speaker 7>it out for me, like like being in a room

0:44:03.160 --> 0:44:05.279
<v Speaker 7>and Jane fond of being like this is unacceptable, like

0:44:05.360 --> 0:44:08.840
<v Speaker 7>there just has to be more. And then that there

0:44:08.920 --> 0:44:11.360
<v Speaker 7>started to just be a conversation around like who's not

0:44:11.480 --> 0:44:13.439
<v Speaker 7>in the room and why And then also like once

0:44:13.480 --> 0:44:15.239
<v Speaker 7>you're in the room, like once you have a seat

0:44:15.239 --> 0:44:16.000
<v Speaker 7>at the table.

0:44:16.080 --> 0:44:20.680
<v Speaker 8>Are you really is your voice like legit heard?

0:44:21.080 --> 0:44:23.360
<v Speaker 7>Because a part of that when everyone is included is

0:44:23.440 --> 0:44:25.439
<v Speaker 7>like it just gets harder actually to do the work.

0:44:25.680 --> 0:44:28.480
<v Speaker 7>It doesn't get easier because everyone is coming from a

0:44:28.520 --> 0:44:30.640
<v Speaker 7>different point of view, you know, and so you have

0:44:30.760 --> 0:44:32.520
<v Speaker 7>to really like you're gonna be at the table.

0:44:32.400 --> 0:44:38.759
<v Speaker 8>Longer, probably when everyone is invited. So yeah, no, I

0:44:38.920 --> 0:44:40.839
<v Speaker 8>I yeah, I called it out.

0:44:40.840 --> 0:44:44.360
<v Speaker 7>But I think there was a real cognizance, you know,

0:44:45.120 --> 0:44:47.520
<v Speaker 7>a cognizance, and I probably.

0:44:47.239 --> 0:44:49.520
<v Speaker 8>Have like I don't have a ton of.

0:44:51.440 --> 0:44:54.040
<v Speaker 1>Uh, I don't know, it's clout.

0:44:54.320 --> 0:44:58.200
<v Speaker 8>Clout no bad yeah and ba and I don't I

0:44:58.360 --> 0:45:01.719
<v Speaker 8>had less to lose, I guess you know what I mean.

0:45:02.600 --> 0:45:04.319
<v Speaker 6>On the subject of the woman thing, It's interesting, how

0:45:04.480 --> 0:45:07.000
<v Speaker 6>I asked Rosario Dawson the same thing because even it's

0:45:07.120 --> 0:45:11.000
<v Speaker 6>there's a their color tears, and there's also like subgenres

0:45:11.080 --> 0:45:13.360
<v Speaker 6>of this industry. Like earlier, we were just talking about

0:45:13.400 --> 0:45:16.879
<v Speaker 6>how a certain company just pulled all our Kelly music

0:45:17.360 --> 0:45:19.319
<v Speaker 6>and I said to Rosario, I said, you know, when

0:45:19.360 --> 0:45:21.640
<v Speaker 6>you guys finished with the movie industry, you know this

0:45:21.800 --> 0:45:24.000
<v Speaker 6>music thing is a whole nother animal. Yeah, I mean,

0:45:24.080 --> 0:45:25.800
<v Speaker 6>so is the fashion thing when you really think about it,

0:45:25.960 --> 0:45:28.040
<v Speaker 6>like they it's a whole nother animal.

0:45:28.160 --> 0:45:32.920
<v Speaker 8>It's more ground. So how do you guys feel about it?

0:45:32.920 --> 0:45:34.360
<v Speaker 6>And I guess you would know that as well, because

0:45:34.680 --> 0:45:37.680
<v Speaker 6>even and Janelle is involved as well, But it still

0:45:37.719 --> 0:45:40.399
<v Speaker 6>feels like on a movie TV types of things.

0:45:40.520 --> 0:45:44.040
<v Speaker 8>Yeah, it is. And Janelle she was saying this because

0:45:44.080 --> 0:45:45.840
<v Speaker 8>we had a meeting and she was saying, like.

0:45:46.360 --> 0:45:48.560
<v Speaker 7>It's tough in the music industry because there isn't the

0:45:48.680 --> 0:45:52.080
<v Speaker 7>same sort of like enemy to rally around that there

0:45:52.200 --> 0:45:54.799
<v Speaker 7>wasn't Harvey winstting there isn't this like public enemy number

0:45:54.920 --> 0:45:57.600
<v Speaker 7>one that you sort of take down. And in some

0:45:57.760 --> 0:45:59.920
<v Speaker 7>ways I think that that makes sense that it doesn't

0:46:00.160 --> 0:46:02.640
<v Speaker 7>just state the same kind of like intensity, But it

0:46:02.719 --> 0:46:04.719
<v Speaker 7>also felt like a problematic thing in terms of the

0:46:04.760 --> 0:46:08.400
<v Speaker 7>Harvey conversation because people don't want to acknowledge them that like,

0:46:08.680 --> 0:46:12.000
<v Speaker 7>if there's a systemic issue, like when you talk about,

0:46:12.320 --> 0:46:14.759
<v Speaker 7>you know, a gross abuse of power, you have to

0:46:14.880 --> 0:46:18.680
<v Speaker 7>also acknowledge just like the imbalance of power, which is

0:46:19.000 --> 0:46:23.360
<v Speaker 7>just as gross, you know, and victimizing, and that is

0:46:23.520 --> 0:46:25.920
<v Speaker 7>like much harder in some ways to take down than

0:46:25.960 --> 0:46:26.680
<v Speaker 7>a Harvey on.

0:46:26.719 --> 0:46:28.040
<v Speaker 8>The subject of that are kind of thing. It's hard

0:46:28.040 --> 0:46:30.640
<v Speaker 8>too because, like we were saying, he touches so many things.

0:46:30.719 --> 0:46:32.959
<v Speaker 8>There are so many other artists He's written for dudes.

0:46:33.080 --> 0:46:36.800
<v Speaker 6>Like it's like, how far as women do we, for

0:46:36.920 --> 0:46:39.760
<v Speaker 6>lack of a better term, take these dudes down because

0:46:40.280 --> 0:46:41.240
<v Speaker 6>there's so much.

0:46:41.520 --> 0:46:44.960
<v Speaker 8>And yeah, and it's also not just these dudes.

0:46:45.000 --> 0:46:48.040
<v Speaker 7>It's also just like this this system, and there are

0:46:48.080 --> 0:46:50.080
<v Speaker 7>also like women that support that system.

0:46:50.120 --> 0:46:52.919
<v Speaker 8>It's not just men, you know too, Yeah, because women

0:46:52.960 --> 0:46:54.280
<v Speaker 8>a lot of women have profited.

0:46:55.040 --> 0:46:57.880
<v Speaker 2>So I know you're saying for profit, but do they

0:46:57.920 --> 0:46:59.719
<v Speaker 2>support it or is it just a thing of like

0:47:00.080 --> 0:47:01.799
<v Speaker 2>I can't fight it, so I might as well roll

0:47:01.880 --> 0:47:03.360
<v Speaker 2>with it enabling.

0:47:03.040 --> 0:47:04.800
<v Speaker 8>It depends on a woman, don't you think there's a

0:47:04.800 --> 0:47:07.600
<v Speaker 8>certain way and your system.

0:47:08.000 --> 0:47:11.200
<v Speaker 7>Yeah, so there's this really rad woman that works with

0:47:11.360 --> 0:47:14.160
<v Speaker 7>Times Up but worked with the Annenberger name is Stacy Smith,

0:47:14.440 --> 0:47:19.600
<v Speaker 7>and she talks about women that support the patriarchy. This

0:47:19.760 --> 0:47:21.560
<v Speaker 7>is so nerdy, but they say that she says that

0:47:21.640 --> 0:47:24.480
<v Speaker 7>they have high social dominance, which means that you have

0:47:24.680 --> 0:47:29.240
<v Speaker 7>like a vested interest in protecting a system.

0:47:29.080 --> 0:47:33.480
<v Speaker 8>That empowers you, like the overseer exactly, so that they're

0:47:33.680 --> 0:47:34.600
<v Speaker 8>so that. Yeah.

0:47:34.880 --> 0:47:37.839
<v Speaker 7>So sometimes people will say, like, particularly these conversations about

0:47:37.880 --> 0:47:40.040
<v Speaker 7>like just hire more women, It's like, but what kind

0:47:40.120 --> 0:47:41.640
<v Speaker 7>of women are you hiring?

0:47:41.719 --> 0:47:44.000
<v Speaker 8>Because just hiring a woman isn't enough.

0:47:49.120 --> 0:47:52.760
<v Speaker 2>Being as though you haven't had designs on acting younger

0:47:53.320 --> 0:47:55.400
<v Speaker 2>and you just quote wound up in it.

0:47:56.320 --> 0:47:59.520
<v Speaker 1>And I'm certain that you didn't think, like early in your.

0:47:59.440 --> 0:48:03.879
<v Speaker 2>Acting career, like doing the Veronica Marsdiy's whatever, that you'd

0:48:03.920 --> 0:48:05.800
<v Speaker 2>be doing all this social activism.

0:48:05.960 --> 0:48:08.440
<v Speaker 7>And I don't know if that's true, though I think

0:48:08.520 --> 0:48:09.759
<v Speaker 7>that was the thing for me where I was like,

0:48:09.800 --> 0:48:10.759
<v Speaker 7>I don't know if I want to be in the

0:48:10.800 --> 0:48:13.400
<v Speaker 7>pursuit of something I admire I don't admire, Like I

0:48:13.480 --> 0:48:17.320
<v Speaker 7>think I've always wanted to be involved in in activism

0:48:17.400 --> 0:48:19.160
<v Speaker 7>in some way, and even when I look back I

0:48:19.200 --> 0:48:20.799
<v Speaker 7>didn't realize it at the time, but when I look

0:48:20.880 --> 0:48:25.080
<v Speaker 7>back at Veronica ka Mars, that character, you know, like

0:48:25.160 --> 0:48:28.239
<v Speaker 7>there she would say lines like you know, someone said,

0:48:28.280 --> 0:48:30.400
<v Speaker 7>why why are you standing around here stalking?

0:48:30.480 --> 0:48:32.399
<v Speaker 8>And she would say, what you mean standing while black?

0:48:32.480 --> 0:48:37.160
<v Speaker 7>Like even that character wanted to sort of subvert ideas

0:48:37.239 --> 0:48:39.440
<v Speaker 7>of like the sassy friend on a television show where

0:48:39.480 --> 0:48:41.719
<v Speaker 7>like the very first part I ever played was an

0:48:41.800 --> 0:48:44.759
<v Speaker 7>episode of Cold Case where I play a queer woman

0:48:45.239 --> 0:48:48.120
<v Speaker 7>in nineteen thirty, you know, who can't live with her

0:48:48.160 --> 0:48:51.080
<v Speaker 7>partner because that wasn't available to her at the time.

0:48:51.520 --> 0:48:54.440
<v Speaker 7>So I feel like the things that have always compelled

0:48:54.520 --> 0:49:00.960
<v Speaker 7>me have have lived in that space by designer subconscious

0:49:01.040 --> 0:49:03.440
<v Speaker 7>by design or by by kis med.

0:49:03.440 --> 0:49:05.520
<v Speaker 8>Or I don't know all right.

0:49:05.600 --> 0:49:09.560
<v Speaker 2>Well, as far as uh, your work, I want, I

0:49:09.719 --> 0:49:12.759
<v Speaker 2>definitely want to talk about how did you prepare for

0:49:13.120 --> 0:49:15.600
<v Speaker 2>your role as Diane Nash and sma.

0:49:16.040 --> 0:49:18.440
<v Speaker 7>Uh, Well, I I got really lucky in the sense of,

0:49:18.800 --> 0:49:21.520
<v Speaker 7>you know, a lot of the leaders that were still

0:49:21.560 --> 0:49:23.560
<v Speaker 7>around and available to talk to us did and then

0:49:23.640 --> 0:49:27.400
<v Speaker 7>I read tons I didn't. I couldn't meet Diane before

0:49:27.480 --> 0:49:30.239
<v Speaker 7>we made the film. There were some complications around that

0:49:31.000 --> 0:49:34.759
<v Speaker 7>it's complicated. I think when you're telling story, when you're

0:49:34.800 --> 0:49:37.719
<v Speaker 7>telling a story about people that lived during that time,

0:49:37.800 --> 0:49:40.200
<v Speaker 7>and you also want to have a balance of being

0:49:40.239 --> 0:49:42.560
<v Speaker 7>able to take artistic license and tell the story that

0:49:42.560 --> 0:49:44.239
<v Speaker 7>you need to tell, and and so.

0:49:45.160 --> 0:49:49.040
<v Speaker 1>It bigraphies are a little harder to do the person.

0:49:49.120 --> 0:49:52.120
<v Speaker 7>They're hard to they're hard to do. But Diane, after

0:49:52.200 --> 0:49:54.839
<v Speaker 7>seeing the movie, was super happy with it. She told

0:49:54.840 --> 0:49:57.480
<v Speaker 7>a really funny story that she you know, she they

0:49:57.520 --> 0:49:59.440
<v Speaker 7>did ask her in terms of who she liked, and

0:50:00.080 --> 0:50:01.880
<v Speaker 7>she just like, I just want someone cute, which was

0:50:02.239 --> 0:50:03.120
<v Speaker 7>she's just being funny.

0:50:03.320 --> 0:50:04.000
<v Speaker 1>But I did. I went.

0:50:04.160 --> 0:50:06.759
<v Speaker 7>I went to Chicago where she grew up and and

0:50:07.400 --> 0:50:08.960
<v Speaker 7>you know, sort of trace her steps and talked to

0:50:09.000 --> 0:50:10.160
<v Speaker 7>a lot of people that knew her, and.

0:50:11.719 --> 0:50:14.719
<v Speaker 8>Yeah, you know, found as much as I could about her.

0:50:14.960 --> 0:50:21.319
<v Speaker 11>Speaking of prep work, she sticks, yeah, wait, wait, wait,

0:50:21.440 --> 0:50:24.640
<v Speaker 11>pat wait, I just say you said, but Selma just

0:50:24.719 --> 0:50:26.279
<v Speaker 11>wanted to ask you because I know you're going to

0:50:26.320 --> 0:50:32.280
<v Speaker 11>create was that your heaven, me being surround being with Ava,

0:50:32.520 --> 0:50:35.040
<v Speaker 11>being with you know, being telling that story.

0:50:35.600 --> 0:50:47.239
<v Speaker 8>Those actors that cast Oprah the end of World, the

0:50:47.280 --> 0:50:52.960
<v Speaker 8>end of my world, just like the sense of who

0:50:53.000 --> 0:50:55.239
<v Speaker 8>we imagine Tessa is in my in my head, I

0:50:55.360 --> 0:50:57.040
<v Speaker 8>was like she was happy. I was happy.

0:50:57.120 --> 0:50:58.239
<v Speaker 7>But it was funny because we had a lot of

0:50:58.239 --> 0:51:00.600
<v Speaker 7>conversations and cast like we would talk like, well, what

0:51:00.800 --> 0:51:02.160
<v Speaker 7>kind of what part do you want to play? And

0:51:02.520 --> 0:51:06.080
<v Speaker 7>so often it would be like a character that's existed,

0:51:06.239 --> 0:51:08.319
<v Speaker 7>like so and so wants to play Lean to Horn

0:51:08.400 --> 0:51:10.000
<v Speaker 7>and so and so I wants to play James Baldwin

0:51:10.000 --> 0:51:12.319
<v Speaker 7>and that's great, and I have a list of people

0:51:12.360 --> 0:51:14.600
<v Speaker 7>that I'd love to play. But I also I'm like,

0:51:14.840 --> 0:51:18.160
<v Speaker 7>what about just playing a fictional character that's iconic and

0:51:18.760 --> 0:51:20.840
<v Speaker 7>and so that's my heaven too, Like to get to

0:51:21.800 --> 0:51:24.279
<v Speaker 7>play something that does that isn't real?

0:51:24.560 --> 0:51:28.640
<v Speaker 1>Do you scream right? Like do you have aspirations of Yeah.

0:51:28.719 --> 0:51:30.960
<v Speaker 7>I've been writing a little bit something and kind of

0:51:30.960 --> 0:51:33.239
<v Speaker 7>want to do I was talking to Greta Gerwig. I

0:51:33.280 --> 0:51:34.400
<v Speaker 7>sat next to her at the met Ball and we

0:51:34.480 --> 0:51:36.880
<v Speaker 7>were talking a lot about writing. She has such like

0:51:37.000 --> 0:51:39.239
<v Speaker 7>incredible things to say. Sometimes you have this idea that

0:51:39.320 --> 0:51:42.000
<v Speaker 7>you just like you have to wait for some lightning bolt,

0:51:42.040 --> 0:51:45.279
<v Speaker 7>And the truth is it's just like working diligence and

0:51:45.360 --> 0:51:48.520
<v Speaker 7>sitting down and like committing to write something and be

0:51:48.600 --> 0:51:50.120
<v Speaker 7>bad at it for a while and get better.

0:51:50.280 --> 0:51:52.920
<v Speaker 1>I love her approach to like, I'm a big fan

0:51:53.000 --> 0:51:56.719
<v Speaker 1>of her. The mumble Chord me were part of that.

0:51:56.880 --> 0:51:58.840
<v Speaker 8>No, so this is the thing I really wanted to be.

0:51:58.960 --> 0:52:00.360
<v Speaker 7>So I went to this period where I was like,

0:52:00.360 --> 0:52:03.000
<v Speaker 7>I'm gonna make a mumble core movie like that that.

0:52:03.280 --> 0:52:05.680
<v Speaker 7>None of them have existed for us except for Medicine

0:52:05.719 --> 0:52:08.920
<v Speaker 7>for Melancholy, which was my introduction, of course to Mary Jenkins.

0:52:09.920 --> 0:52:14.719
<v Speaker 1>It's a movement Greta Gerwork, who uh she directed. She

0:52:14.880 --> 0:52:17.720
<v Speaker 1>was up for a director this year The Girl for Ladybird,

0:52:17.920 --> 0:52:21.359
<v Speaker 1>but she did Francis Has. It's weird now because it's

0:52:21.400 --> 0:52:25.600
<v Speaker 1>sort of like she's the commercial darling and the newbie

0:52:25.920 --> 0:52:27.280
<v Speaker 1>on in the commercial.

0:52:26.880 --> 0:52:30.319
<v Speaker 8>Which she's been around for. She's been seeing her face before.

0:52:30.520 --> 0:52:32.440
<v Speaker 1>Mumble Core. I mean, I guess you can say it's

0:52:33.360 --> 0:52:35.000
<v Speaker 1>a brand of is it Brooklyn.

0:52:35.640 --> 0:52:40.000
<v Speaker 7>It's sort of like twenty somethings. Oftentimes it's it's oftentimes

0:52:40.080 --> 0:52:42.560
<v Speaker 7>the film takes place in a very short swath of

0:52:42.640 --> 0:52:45.560
<v Speaker 7>time where like nothing happens, but everything happens. I think

0:52:45.640 --> 0:52:49.359
<v Speaker 7>it got the word mumble core. Sometimes non actors are

0:52:49.360 --> 0:52:52.120
<v Speaker 7>in it because this sound design sometimes wasn't good.

0:52:52.239 --> 0:52:55.640
<v Speaker 8>So that's sort of how but there's a whole movement

0:52:56.040 --> 0:52:58.000
<v Speaker 8>like dialogue more than plot exactly.

0:52:58.480 --> 0:52:59.359
<v Speaker 1>It's it's uh.

0:53:00.480 --> 0:53:03.799
<v Speaker 2>I would say that, no, no, no, it's it's our

0:53:04.360 --> 0:53:09.000
<v Speaker 2>It would be the American version of Dogmen ninety five,

0:53:09.560 --> 0:53:13.560
<v Speaker 2>where Dogmen ninety five was like there was there was

0:53:13.600 --> 0:53:17.279
<v Speaker 2>a film challenge of Okay, a bunch of Danish filmmakers

0:53:17.360 --> 0:53:19.520
<v Speaker 2>said that, okay, we're going to make film.

0:53:19.320 --> 0:53:22.520
<v Speaker 1>With natural light, no soundtracks. It's it's almost like a

0:53:22.600 --> 0:53:22.960
<v Speaker 1>bunch of.

0:53:22.960 --> 0:53:28.719
<v Speaker 2>Students or or knowledgeable filmmaker makers challenging themselves.

0:53:29.640 --> 0:53:32.120
<v Speaker 8>A filmmaker makers, you you bring.

0:53:32.080 --> 0:53:34.280
<v Speaker 1>Out the three year older means stop. Okay.

0:53:34.600 --> 0:53:37.960
<v Speaker 8>Meanwhile, I'm like, you're not talking about that Dogma with interest?

0:53:38.320 --> 0:53:43.319
<v Speaker 1>Join now, I'm not talking about Dogma of the movie

0:53:43.680 --> 0:53:46.520
<v Speaker 1>Dogma ninety five was uh. Yeah.

0:53:46.560 --> 0:53:49.320
<v Speaker 2>It was like a movement uh in the nineties of

0:53:49.640 --> 0:53:54.359
<v Speaker 2>filmmakers challenging themselves to these restrictive uh ways of making

0:53:54.440 --> 0:53:58.040
<v Speaker 2>film as a way of the equivalent of walking on

0:53:58.360 --> 0:54:01.560
<v Speaker 2>top of the Empire State Building drunk with your eyes closed.

0:54:01.960 --> 0:54:05.480
<v Speaker 7>See the interesting thing, So the genre is really I mean,

0:54:05.719 --> 0:54:09.840
<v Speaker 7>apart from Barry Jenkins medicine for melancholy it's all white filmmakers.

0:54:10.360 --> 0:54:14.319
<v Speaker 7>And I remember, like this was before I really knew

0:54:14.360 --> 0:54:18.160
<v Speaker 7>about like Charles Burnett, like and you look at his

0:54:18.400 --> 0:54:20.600
<v Speaker 7>film and you're like he was doing the very same

0:54:20.680 --> 0:54:24.200
<v Speaker 7>thing but doesn't get credit. And I mean he's not mumblecore.

0:54:24.280 --> 0:54:26.080
<v Speaker 7>But just like being like, I'm going to make a

0:54:26.160 --> 0:54:28.759
<v Speaker 7>film with what I have available to me, right, you know,

0:54:28.920 --> 0:54:32.200
<v Speaker 7>and use non actors and tell a story that's contained

0:54:32.239 --> 0:54:34.640
<v Speaker 7>that I can do, and make beautiful images and not

0:54:34.760 --> 0:54:35.960
<v Speaker 7>have it be plot driven.

0:54:36.840 --> 0:54:38.719
<v Speaker 8>But yeah, there was a period when I was really like,

0:54:39.080 --> 0:54:40.799
<v Speaker 8>is do I need to make a movie?

0:54:41.080 --> 0:54:42.960
<v Speaker 7>Also because I was playing parts where I was like

0:54:43.000 --> 0:54:44.440
<v Speaker 7>I was doing I was stuck in this period of

0:54:44.680 --> 0:54:48.520
<v Speaker 7>working on television and really dissatisfied. And so I first

0:54:48.640 --> 0:54:51.080
<v Speaker 7>found Greta in that time, and so to see her,

0:54:51.239 --> 0:54:53.719
<v Speaker 7>to see what she's done now, to see it enter

0:54:53.840 --> 0:54:57.399
<v Speaker 7>this space where she's being acknowledged.

0:54:57.200 --> 0:54:59.719
<v Speaker 8>It's just so cool. It Yeah, it takes a while.

0:55:00.160 --> 0:55:03.440
<v Speaker 1>I see that for you, not that I'm trying to,

0:55:03.680 --> 0:55:06.279
<v Speaker 1>you know, push my vision off.

0:55:07.120 --> 0:55:09.480
<v Speaker 7>Will love you for it, because he's like anytime I

0:55:09.560 --> 0:55:11.160
<v Speaker 7>get new stuff, he's just like, cool, cool, When are

0:55:11.160 --> 0:55:11.640
<v Speaker 7>you gonna write?

0:55:11.640 --> 0:55:12.920
<v Speaker 8>When are you gonna make a movie and now you

0:55:13.000 --> 0:55:14.759
<v Speaker 8>know you have a producer here that will give you

0:55:14.800 --> 0:55:21.680
<v Speaker 8>the money for it. No Jesus no, but it's a movie.

0:55:21.719 --> 0:55:23.839
<v Speaker 8>You always need more money. Yeah, don't you always need more?

0:55:24.280 --> 0:55:28.160
<v Speaker 1>I'll be at her door, Yeah, tell her mir Thompson

0:55:28.280 --> 0:55:28.680
<v Speaker 1>a mirror.

0:55:29.360 --> 0:55:31.960
<v Speaker 8>That's days like.

0:55:34.480 --> 0:55:35.160
<v Speaker 1>Us quest love.

0:55:35.400 --> 0:55:42.719
<v Speaker 2>Maybe I'm trying to hint towards a job here, okay Philadelphia?

0:55:43.239 --> 0:55:46.080
<v Speaker 1>Yeah, now, no, no, no, this is not what the

0:55:46.239 --> 0:55:47.279
<v Speaker 1>question that you think it is.

0:55:48.640 --> 0:55:51.880
<v Speaker 2>But when you told me that you were going to

0:55:51.920 --> 0:55:56.399
<v Speaker 2>start researching your role for IM about to say Rocky uh.

0:55:57.239 --> 0:56:05.759
<v Speaker 1>For Creed Rocky eight wacky ye wait, but.

0:56:07.320 --> 0:56:14.440
<v Speaker 2>I remember distinctively, distinctively telling you, yeah, what you shouldn't.

0:56:14.040 --> 0:56:17.440
<v Speaker 7>Do, you did, like because you were also do you

0:56:17.560 --> 0:56:19.440
<v Speaker 7>remember you were concerned for my well being?

0:56:19.520 --> 0:56:22.359
<v Speaker 8>Mysage? Yes, why he didn't want me on Broad and Erie.

0:56:22.520 --> 0:56:26.880
<v Speaker 1>Like she did the very things that I told her

0:56:27.080 --> 0:56:27.520
<v Speaker 1>not to do.

0:56:29.400 --> 0:56:33.719
<v Speaker 8>North Philly. Yeah, she went Max Cheese Steak. Yes, that's

0:56:33.760 --> 0:56:38.440
<v Speaker 8>not even my favorite place, but that's goods Max two times. Yes,

0:56:38.600 --> 0:56:40.840
<v Speaker 8>I know you still have this maxes b What happened

0:56:40.840 --> 0:56:41.160
<v Speaker 8>with Max?

0:56:42.160 --> 0:56:44.399
<v Speaker 1>Give you not dog?

0:56:44.560 --> 0:56:48.040
<v Speaker 8>They like they don't know not not that And Philly

0:56:48.080 --> 0:56:48.920
<v Speaker 8>you know, they don't be knowing you.

0:56:49.080 --> 0:56:52.600
<v Speaker 1>Here's the deal. You're right, You're right, you're right. But

0:56:52.719 --> 0:56:53.440
<v Speaker 1>here's the thing.

0:56:53.360 --> 0:56:56.200
<v Speaker 2>Though, Like, if you're going to treat me like an asshole,

0:56:56.600 --> 0:56:59.759
<v Speaker 2>be consistent about it, Like I want you to be

0:57:00.000 --> 0:57:03.520
<v Speaker 2>insisted about it, but don't three seconds later find out

0:57:03.840 --> 0:57:06.239
<v Speaker 2>I am who I am and you start chasing my

0:57:06.320 --> 0:57:08.640
<v Speaker 2>car down the block like bro, wait, wait, we.

0:57:08.680 --> 0:57:12.239
<v Speaker 1>Didn't know the street I have.

0:57:12.760 --> 0:57:18.680
<v Speaker 2>I have always listed them whenever any international magazine asked me, like.

0:57:18.800 --> 0:57:21.400
<v Speaker 1>Name your cheese steaks? No, no, they are number one.

0:57:22.520 --> 0:57:27.800
<v Speaker 1>And so when she said, like, you know, go to.

0:57:29.160 --> 0:57:32.640
<v Speaker 8>Larry's yours, I'm chicken cheese steak. No, I'm chicken cheestick

0:57:32.640 --> 0:57:34.960
<v Speaker 8>to as far as chicken cheese steaks, cables got it?

0:57:35.200 --> 0:57:36.200
<v Speaker 1>Okay, Well I mean.

0:57:37.280 --> 0:57:39.720
<v Speaker 8>You know what I am now, I'm mushroom cheese steak.

0:57:41.360 --> 0:57:49.240
<v Speaker 8>Well there are Cape City veg Yeah, yes, because I'm

0:57:49.600 --> 0:57:54.240
<v Speaker 8>l a Now so I'm a burger. Oh my god, listen, mommy,

0:57:55.240 --> 0:57:57.760
<v Speaker 8>thank you. I've also never had a hamburger in my life. Really,

0:57:59.880 --> 0:58:00.439
<v Speaker 8>I've had.

0:58:00.320 --> 0:58:07.000
<v Speaker 1>A part that is not fair.

0:58:09.720 --> 0:58:13.400
<v Speaker 2>Well, I was just saying that, uh me telling you

0:58:13.920 --> 0:58:17.520
<v Speaker 2>what spots to avoid in Philadelphia to research your roles.

0:58:18.320 --> 0:58:21.440
<v Speaker 1>You the exact opposite, because that's because what made you

0:58:21.560 --> 0:58:21.760
<v Speaker 1>do that?

0:58:22.160 --> 0:58:25.320
<v Speaker 7>Because I was like that, that's some real Philly ship.

0:58:25.800 --> 0:58:28.280
<v Speaker 7>You're trying to prevent me because you don't think I'm ready.

0:58:28.400 --> 0:58:30.920
<v Speaker 2>So when you went to Chicago, you went to Kabreena

0:58:30.960 --> 0:58:34.439
<v Speaker 2>and Green. No, oh, that's what I'm saying.

0:58:34.760 --> 0:58:36.960
<v Speaker 8>Yeah, what is decrete was a different movie? Right, like

0:58:37.080 --> 0:58:39.280
<v Speaker 8>it was a different it was.

0:58:39.520 --> 0:58:42.400
<v Speaker 1>Yeah. I'm just saying that, you know, did you talk

0:58:42.400 --> 0:58:45.800
<v Speaker 1>to anything? Would you go? Would you go would you

0:58:45.880 --> 0:58:51.120
<v Speaker 1>go to Ethan Butler? Damn? Yeah, you think I've been Butler? Yeah,

0:58:51.160 --> 0:58:52.480
<v Speaker 1>but you know about Eightan Butler.

0:58:53.160 --> 0:58:55.720
<v Speaker 2>So I'm just saying, like I would be like, yo,

0:58:56.160 --> 0:58:58.040
<v Speaker 2>you know the spotsicles that you might not want to

0:58:58.080 --> 0:58:59.120
<v Speaker 2>go to Athan Butler at.

0:58:59.600 --> 0:59:01.680
<v Speaker 8>Nobody's talking with Tessa Thompson Like at the end of

0:59:01.720 --> 0:59:05.600
<v Speaker 8>the day, I don't think so I think nobody really

0:59:05.840 --> 0:59:06.760
<v Speaker 8>I don't know. I think so.

0:59:08.400 --> 0:59:11.160
<v Speaker 1>Okay, I'm just well, you did it already, so congratulations

0:59:11.240 --> 0:59:11.800
<v Speaker 1>and now you're.

0:59:11.640 --> 0:59:13.560
<v Speaker 8>Doing it again. Right You're in Philly as we speak,

0:59:13.560 --> 0:59:14.240
<v Speaker 8>doing another greed.

0:59:14.720 --> 0:59:14.960
<v Speaker 4>I was.

0:59:15.200 --> 0:59:17.320
<v Speaker 8>I was at Max's the week before last. Are you

0:59:17.400 --> 0:59:19.919
<v Speaker 8>and Ryan back together too? Is he back in Creed.

0:59:20.160 --> 0:59:23.040
<v Speaker 7>No, a new filmmaker named Stephen kemple Jr. Really dope

0:59:23.200 --> 0:59:25.560
<v Speaker 7>dude made this film called The Land that was it

0:59:25.640 --> 0:59:27.680
<v Speaker 7>Sundance face.

0:59:29.280 --> 0:59:32.680
<v Speaker 2>No, I just don't like messing with any formula that's

0:59:32.720 --> 0:59:35.120
<v Speaker 2>not broken. So I didn't know that Ryan wasn't doing

0:59:35.360 --> 0:59:35.760
<v Speaker 2>Creed too.

0:59:36.000 --> 0:59:38.760
<v Speaker 8>He's not. It'll still be great. It's gonna be great.

0:59:39.040 --> 0:59:40.840
<v Speaker 8>Stephen kimple Jr. Is a great filmmaker.

0:59:40.960 --> 0:59:43.360
<v Speaker 1>You don't have to Oh, I was saying enough people

0:59:44.360 --> 0:59:50.080
<v Speaker 1>rocky in it? What is uh?

0:59:51.960 --> 0:59:53.480
<v Speaker 6>Two actors I want to ask you that you work

0:59:53.520 --> 0:59:57.880
<v Speaker 6>with that first of all, Jeffrey Wright and the Keith

0:59:57.960 --> 0:59:58.560
<v Speaker 6>stans film.

0:59:58.800 --> 1:00:01.520
<v Speaker 8>I just have to know, how is it acting opposite

1:00:01.560 --> 1:00:04.000
<v Speaker 8>of those two men? Are you thirsty?

1:00:04.840 --> 1:00:05.000
<v Speaker 4>Well?

1:00:05.400 --> 1:00:06.600
<v Speaker 8>When it hold up?

1:00:06.600 --> 1:00:09.240
<v Speaker 6>I'm not thirsty on Jeffrey Right. Jeffrey Right is everything

1:00:09.280 --> 1:00:10.600
<v Speaker 6>as far as an actor to me, he's.

1:00:10.960 --> 1:00:14.000
<v Speaker 8>Your talent thirsty. No, I'm not, don't do it. I'm

1:00:14.080 --> 1:00:15.240
<v Speaker 8>not hold up now.

1:00:15.240 --> 1:00:17.400
<v Speaker 6>I'm the keep thirsty because he is one of the

1:00:17.480 --> 1:00:19.840
<v Speaker 6>only black male actors that I know that you know

1:00:20.320 --> 1:00:21.720
<v Speaker 6>prophesizes about the black woman.

1:00:21.960 --> 1:00:24.280
<v Speaker 8>So in that sense, yes, I am in level of

1:00:24.360 --> 1:00:25.080
<v Speaker 8>Keith Stansfield.

1:00:25.160 --> 1:00:26.800
<v Speaker 6>Yeah, but I got I guess I'm on the regular,

1:00:26.880 --> 1:00:29.760
<v Speaker 6>so I'm not really chasing, but I'm curious as an actress,

1:00:30.040 --> 1:00:31.280
<v Speaker 6>what's it like with Jeffrey Wright.

1:00:32.560 --> 1:00:37.080
<v Speaker 8>I mean, he's so good, Like he's so good, and

1:00:37.320 --> 1:00:43.000
<v Speaker 8>he's like, yeah, it's sort of like a not a masterclass,

1:00:43.160 --> 1:00:46.760
<v Speaker 8>but he's yeah, he's just he's just really, really really good.

1:00:47.240 --> 1:00:49.160
<v Speaker 8>That's all I can say. It's like a pleasure to.

1:00:50.800 --> 1:00:53.800
<v Speaker 2>Have you ever been intimidated by a fellow actor that

1:00:54.800 --> 1:00:56.800
<v Speaker 2>that has such a pedigree or such a level of

1:00:56.920 --> 1:00:58.200
<v Speaker 2>acting or Yeah.

1:00:58.800 --> 1:01:02.720
<v Speaker 8>Harris, he scared me scared. I was a little scared

1:01:02.760 --> 1:01:05.600
<v Speaker 8>to work with him. Really, yeah, I was a little

1:01:05.600 --> 1:01:06.720
<v Speaker 8>scared about and.

1:01:06.760 --> 1:01:10.040
<v Speaker 1>Also in terms of I must deliver this perfectly or

1:01:11.480 --> 1:01:11.760
<v Speaker 1>he just.

1:01:11.760 --> 1:01:14.280
<v Speaker 7>Scared Like so, so I I went to the Sundeath

1:01:14.440 --> 1:01:16.480
<v Speaker 7>Labs one year and I workshopped this film that I

1:01:16.680 --> 1:01:18.720
<v Speaker 7>just came out. I tried Baca this film called Little Woods,

1:01:19.000 --> 1:01:21.160
<v Speaker 7>and Ed Harris was the acting advisor, which would mean

1:01:21.160 --> 1:01:23.919
<v Speaker 7>you'd be shooting these scenes and the acting advisor comes

1:01:23.920 --> 1:01:25.680
<v Speaker 7>in to see how things are going and give and

1:01:25.760 --> 1:01:28.160
<v Speaker 7>gives tips and he just doesn't mince words. So I

1:01:28.280 --> 1:01:29.960
<v Speaker 7>was like playing the scene I had this idea that

1:01:30.080 --> 1:01:33.960
<v Speaker 7>this character had, you know, really sort of stiff spine

1:01:34.040 --> 1:01:37.080
<v Speaker 7>and anyways, I had this idea and he came in

1:01:37.200 --> 1:01:39.240
<v Speaker 7>and I could just hear him at the monitor like

1:01:39.560 --> 1:01:44.040
<v Speaker 7>stiff stiff, and he came over.

1:01:43.960 --> 1:01:44.880
<v Speaker 8>To like give me a note.

1:01:45.040 --> 1:01:47.720
<v Speaker 7>He's just like he just says what he feels and

1:01:47.760 --> 1:01:50.920
<v Speaker 7>he's so impulsive and he's so gifted. And then the

1:01:51.000 --> 1:01:53.120
<v Speaker 7>first day that I came to work with him on

1:01:54.280 --> 1:01:56.680
<v Speaker 7>West World, he just said to me, I voted for

1:01:56.760 --> 1:02:00.000
<v Speaker 7>you by the way he liked my work and created

1:02:00.080 --> 1:02:02.520
<v Speaker 7>and that made me so proud, but also like just

1:02:02.600 --> 1:02:04.360
<v Speaker 7>intimidated me because I was like, oh God, I have to.

1:02:04.400 --> 1:02:08.720
<v Speaker 8>Like be good today. But he's he's so yeah, he's

1:02:08.720 --> 1:02:11.760
<v Speaker 8>so good. I'm such such a fan. And la Keith,

1:02:12.400 --> 1:02:14.160
<v Speaker 8>can you tell the people how close he is to

1:02:14.280 --> 1:02:16.520
<v Speaker 8>this character in Atlanta in realize, because I know a

1:02:16.560 --> 1:02:19.320
<v Speaker 8>lot of people really think that in Atlanta he's not acting.

1:02:19.760 --> 1:02:22.040
<v Speaker 8>But as far as sorry to bother you, yeah, he

1:02:22.160 --> 1:02:22.600
<v Speaker 8>is an actor.

1:02:22.720 --> 1:02:25.120
<v Speaker 7>So he's an actor. He's so he's so gifted. I mean,

1:02:25.160 --> 1:02:28.920
<v Speaker 7>I think he brings a lot of himself to Darius,

1:02:28.960 --> 1:02:30.800
<v Speaker 7>and I think he ad lips and stuff.

1:02:31.040 --> 1:02:33.440
<v Speaker 8>But you know who is nothing like his character that I.

1:02:33.440 --> 1:02:37.760
<v Speaker 7>Think people assume is Brian who plays paper like he's

1:02:37.880 --> 1:02:41.280
<v Speaker 7>like that's that's a whole different human, like he's a

1:02:41.320 --> 1:02:43.200
<v Speaker 7>shape shifter and not that la Keith isn't.

1:02:43.200 --> 1:02:45.960
<v Speaker 8>But but Brian really like it's night and day. This

1:02:46.120 --> 1:02:48.000
<v Speaker 8>is us too. Yeah, because Brian did this is Us.

1:02:50.040 --> 1:02:52.640
<v Speaker 8>I'm still in the first season when Grandpa's bye, I

1:02:52.720 --> 1:02:55.640
<v Speaker 8>live for that. I was got by Grandpa. So he's

1:02:55.680 --> 1:02:58.000
<v Speaker 8>one of Grandpa's old friends. You'll see it's really good.

1:02:58.160 --> 1:02:58.840
<v Speaker 1>Yes, the.

1:03:01.680 --> 1:03:04.720
<v Speaker 8>Season two and y'all are just late. We're in season three.

1:03:04.840 --> 1:03:12.600
<v Speaker 8>If this is Us, no, I'm just like, it wouldn't

1:03:12.600 --> 1:03:14.200
<v Speaker 8>have been a spoiler. We didn't live in a binge.

1:03:14.280 --> 1:03:16.680
<v Speaker 1>Watch World's just okay.

1:03:18.720 --> 1:03:21.080
<v Speaker 8>It was like a too you gotta get this is us.

1:03:21.280 --> 1:03:23.040
<v Speaker 1>I wasn't playing to watch the show. It's too emotional

1:03:23.120 --> 1:03:25.440
<v Speaker 1>for me. I watch it. We love it, and I

1:03:25.760 --> 1:03:32.760
<v Speaker 1>know I think it started like the same time my

1:03:32.840 --> 1:03:35.440
<v Speaker 1>father died. That's what I'm saying. Process.

1:03:35.880 --> 1:03:36.480
<v Speaker 8>This is the thing.

1:03:36.920 --> 1:03:39.960
<v Speaker 7>The show is Earnest, and I like that. You don't

1:03:39.960 --> 1:03:41.760
<v Speaker 7>think it's Ernest's.

1:03:43.280 --> 1:03:48.080
<v Speaker 2>I don't believe it's Earnest. Like Ernest tries and earnest

1:03:48.200 --> 1:03:53.240
<v Speaker 2>means well, but ernest it may be a ground world

1:03:53.240 --> 1:03:55.720
<v Speaker 2>double never home run, but I feel.

1:03:56.680 --> 1:03:59.320
<v Speaker 8>That's your death. Yeah, I don't know about your death definition.

1:04:00.440 --> 1:04:05.440
<v Speaker 1>Oh definition, Okay. I think earnest means.

1:04:05.280 --> 1:04:07.720
<v Speaker 8>Well, but felt are they.

1:04:08.920 --> 1:04:10.480
<v Speaker 1>I believe in this is us.

1:04:10.760 --> 1:04:12.560
<v Speaker 8>I believe in this is us to me too. I

1:04:12.600 --> 1:04:14.760
<v Speaker 8>believe it's like it's real. It makes it evokes.

1:04:15.120 --> 1:04:17.880
<v Speaker 1>There are some earnest things that I roll at, like,

1:04:18.120 --> 1:04:19.439
<v Speaker 1>oh boy, and it's.

1:04:19.360 --> 1:04:21.400
<v Speaker 6>Real life conversation and some of these conversations were not

1:04:21.480 --> 1:04:23.360
<v Speaker 6>having but we should like the fact that the white

1:04:23.440 --> 1:04:24.360
<v Speaker 6>daddy went and got.

1:04:24.280 --> 1:04:26.560
<v Speaker 8>The training to raise the black boy and oh my god,

1:04:26.640 --> 1:04:29.640
<v Speaker 8>it was Yes, they're just borre.

1:04:29.680 --> 1:04:32.240
<v Speaker 6>I think they're too progressive. They're progressive at times it's like, oh,

1:04:32.400 --> 1:04:33.360
<v Speaker 6>some people aren't ready for this.

1:04:34.160 --> 1:04:37.560
<v Speaker 7>It hardens me though that because it's a very successful show,

1:04:37.600 --> 1:04:40.400
<v Speaker 7>and I'm like, that's cool that America is into that

1:04:40.560 --> 1:04:40.800
<v Speaker 7>right now?

1:04:41.680 --> 1:04:44.240
<v Speaker 8>Yeah yeah, yeah, right, yeah, yeah legit. Yeah yeah, because

1:04:44.240 --> 1:04:46.560
<v Speaker 8>sometimes I can be I don't watch a lot of

1:04:46.760 --> 1:04:49.840
<v Speaker 8>like television, like network television, but I watched.

1:04:49.680 --> 1:04:51.280
<v Speaker 2>That and I was like, all right, I was shocked

1:04:51.280 --> 1:04:55.520
<v Speaker 2>because when I happen to be at the upfronts. Upfronts

1:04:55.600 --> 1:04:59.280
<v Speaker 2>is basically, in the shortest way possible, it's sort of

1:04:59.320 --> 1:05:03.880
<v Speaker 2>a convention for advertisers and they come to see which

1:05:03.960 --> 1:05:07.760
<v Speaker 2>shows they're going to invest in. So all these networks

1:05:07.840 --> 1:05:11.080
<v Speaker 2>put together these little workshops, like NBC will rent out

1:05:11.160 --> 1:05:14.440
<v Speaker 2>Radio City Hall for maybe two days, and the President

1:05:14.440 --> 1:05:16.160
<v Speaker 2>will come in and Jay Loo will come in with

1:05:16.200 --> 1:05:18.400
<v Speaker 2>the Thursday night lineup, and Jimmy Fallon will come in

1:05:18.520 --> 1:05:22.680
<v Speaker 2>and do some comedy and you're basically watching night day

1:05:22.720 --> 1:05:25.760
<v Speaker 2>after day. Monday night, our lineup will be no No, no,

1:05:25.840 --> 1:05:28.120
<v Speaker 2>no No, The Voice and no no, no No. And

1:05:28.320 --> 1:05:32.320
<v Speaker 2>as an advertiser, you're like, Okay, I want my product

1:05:32.440 --> 1:05:34.920
<v Speaker 2>on the Voice and this particular show, and I think

1:05:35.000 --> 1:05:37.160
<v Speaker 2>I like this, and they introduce what the news shows

1:05:37.160 --> 1:05:37.560
<v Speaker 2>are going to be.

1:05:37.720 --> 1:05:40.520
<v Speaker 7>I swear I actually, until this moment, did not know

1:05:40.600 --> 1:05:43.160
<v Speaker 7>what the upfronts were. Like I have participated, but I

1:05:43.200 --> 1:05:44.560
<v Speaker 7>didn't realize it was for advertisers.

1:05:44.640 --> 1:05:45.640
<v Speaker 8>Hell yeah, thanks for that.

1:05:45.840 --> 1:05:48.680
<v Speaker 2>Anytime you watch TV and you see commercials or product

1:05:49.120 --> 1:05:53.320
<v Speaker 2>product placement, yes, upfront, so they get in early so

1:05:54.720 --> 1:05:56.840
<v Speaker 2>like and sometimes it backfires.

1:05:56.880 --> 1:05:59.720
<v Speaker 1>So think of like when Michael J. Fox was returning

1:05:59.720 --> 1:06:03.600
<v Speaker 1>to COY with the Michael J. Fox Show. Advertisers were excited,

1:06:03.680 --> 1:06:05.840
<v Speaker 1>so they all lined up like Okay, this this looks

1:06:05.840 --> 1:06:07.560
<v Speaker 1>like it's going to be a ratings winner, and then

1:06:07.960 --> 1:06:10.400
<v Speaker 1>they put all their money into The Michael J. Fox

1:06:10.480 --> 1:06:12.800
<v Speaker 1>Show and then it busted after a year.

1:06:13.160 --> 1:06:17.120
<v Speaker 2>So that's sort of who infamously, I think Kevin Hart

1:06:17.200 --> 1:06:20.080
<v Speaker 2>show got dropped at he found out that his comedy

1:06:20.160 --> 1:06:23.760
<v Speaker 2>on ABC, that his show got dropped right before you're

1:06:23.760 --> 1:06:27.960
<v Speaker 2>supposed to go and stand. Yeah, so that's the downfall

1:06:28.160 --> 1:06:31.120
<v Speaker 2>upfront anyway. So at the upfront I saw this is

1:06:31.240 --> 1:06:33.920
<v Speaker 2>us and was sort of like, I don't know if

1:06:33.960 --> 1:06:38.360
<v Speaker 2>this is going to work for m And then so

1:06:38.520 --> 1:06:46.240
<v Speaker 2>can I ask how did knowing Boots Rally Wolly, This

1:06:46.400 --> 1:06:47.200
<v Speaker 2>is ridiculous.

1:06:48.280 --> 1:06:55.760
<v Speaker 1>Okay, knowing Boots Riley the way that I do, I'm.

1:06:57.600 --> 1:07:03.360
<v Speaker 2>Extremely shocked at the amount of instant support that he had.

1:07:03.480 --> 1:07:05.440
<v Speaker 2>I knew that he had a friend in Patton Oswald

1:07:05.880 --> 1:07:07.960
<v Speaker 2>and that he had a friend in David Cross. And

1:07:08.120 --> 1:07:13.040
<v Speaker 2>David told me how he almost this project almost passed

1:07:13.120 --> 1:07:15.960
<v Speaker 2>him by, Like I think like his assistant saw the

1:07:16.000 --> 1:07:16.800
<v Speaker 2>script read.

1:07:16.600 --> 1:07:18.840
<v Speaker 1>A little bit and was like, Yo, you really need

1:07:18.920 --> 1:07:19.240
<v Speaker 1>to read this.

1:07:20.080 --> 1:07:21.520
<v Speaker 2>David was going to pass on it like, yeah, I

1:07:21.560 --> 1:07:24.920
<v Speaker 2>got your script, I'm busy, and then the system was

1:07:25.000 --> 1:07:28.840
<v Speaker 2>like you gotta do this shit? How were you all convinced?

1:07:29.120 --> 1:07:34.440
<v Speaker 2>And I never knew that he had this, this, this

1:07:34.600 --> 1:07:35.720
<v Speaker 2>level of talent in him.

1:07:36.120 --> 1:07:36.960
<v Speaker 8>I think this this.

1:07:37.000 --> 1:07:39.320
<v Speaker 7>Script was so singular and he had been trying by

1:07:39.360 --> 1:07:41.160
<v Speaker 7>hook up at Kirk to get it made any which way,

1:07:41.240 --> 1:07:42.440
<v Speaker 7>Like he made.

1:07:42.320 --> 1:07:44.400
<v Speaker 8>A record by the same title, sorry to bother You

1:07:44.520 --> 1:07:47.160
<v Speaker 8>to entice people to make the movie. He's just like

1:07:47.280 --> 1:07:51.320
<v Speaker 8>he had such he was had such a clear vision

1:07:51.440 --> 1:07:53.120
<v Speaker 8>and he also has such.

1:07:56.800 --> 1:07:58.880
<v Speaker 1>Yeah it took hooks like her.

1:08:03.160 --> 1:08:05.160
<v Speaker 7>Yeah, but it's like he really does you know what

1:08:05.200 --> 1:08:08.120
<v Speaker 7>I mean, Like he's just like he's he's he's gutsy

1:08:08.200 --> 1:08:10.720
<v Speaker 7>because he comes from a place of just like belief and.

1:08:12.240 --> 1:08:15.320
<v Speaker 8>Yeah, it's it's that that's sort of intoxicating to be around.

1:08:15.920 --> 1:08:18.240
<v Speaker 2>And the truth is cynical Hollywood though you just say,

1:08:18.320 --> 1:08:22.080
<v Speaker 2>like rapper for twenty years really didn't make it to

1:08:22.120 --> 1:08:23.080
<v Speaker 2>the mainstream level?

1:08:23.960 --> 1:08:24.800
<v Speaker 1>Was he have to offer me?

1:08:25.000 --> 1:08:25.040
<v Speaker 4>Like?

1:08:25.600 --> 1:08:27.120
<v Speaker 7>But I think, don't you think we're in a time

1:08:27.160 --> 1:08:29.800
<v Speaker 7>right now where like everybody's looking for the outlier to

1:08:30.360 --> 1:08:32.439
<v Speaker 7>like bandwagon with because so.

1:08:32.520 --> 1:08:35.759
<v Speaker 1>How did it come? How did it come across your radar?

1:08:36.040 --> 1:08:38.280
<v Speaker 7>Well, funny, funny enough, he wrote me a letter two

1:08:38.400 --> 1:08:41.120
<v Speaker 7>years ago and offered it to me, and then essentially

1:08:41.200 --> 1:08:44.040
<v Speaker 7>resended that offer by then asking me to audition for it,

1:08:44.200 --> 1:08:46.000
<v Speaker 7>because in the space of two years he felt like

1:08:46.280 --> 1:08:49.600
<v Speaker 7>I like popped off too much to then be in

1:08:49.720 --> 1:08:53.760
<v Speaker 7>his like ind movie, yeah, and so he asked me

1:08:53.880 --> 1:08:56.840
<v Speaker 7>to audition. So I auditioned, and I wasn't in the

1:08:56.880 --> 1:08:59.000
<v Speaker 7>same city as him or Lakeith. So we got on

1:08:59.080 --> 1:09:01.240
<v Speaker 7>a skype call and then he felt like it was

1:09:01.360 --> 1:09:04.000
<v Speaker 7>really instantaneous and he couldn't say no to me.

1:09:04.960 --> 1:09:08.360
<v Speaker 2>I don't even think that happens to any direct Like

1:09:08.520 --> 1:09:14.479
<v Speaker 2>it's what do you mean? That's luck I mean on

1:09:14.960 --> 1:09:18.560
<v Speaker 2>his end, but uh, what, how do you feel? I

1:09:18.680 --> 1:09:22.160
<v Speaker 2>feel as though this will be descript is.

1:09:22.240 --> 1:09:25.960
<v Speaker 7>Literally unlike anything I had ever seen or dreamt of.

1:09:26.280 --> 1:09:28.080
<v Speaker 7>And then I also think in terms of like I

1:09:28.680 --> 1:09:32.960
<v Speaker 7>really love films like you know, Being John Malkovich or

1:09:33.040 --> 1:09:36.320
<v Speaker 7>Eternal Sunshine in the Spotless Mind, or like Michelle Gondry's

1:09:36.320 --> 1:09:38.519
<v Speaker 7>films like I like, you know, weird shit, and I

1:09:38.680 --> 1:09:41.479
<v Speaker 7>just felt like that was always a genre that wasn't

1:09:41.479 --> 1:09:43.400
<v Speaker 7>gonna be available to me because like I don't see

1:09:43.400 --> 1:09:44.639
<v Speaker 7>any black folks in those movies.

1:09:44.800 --> 1:09:46.640
<v Speaker 2>I saw the trailer for Sorry to Bother You, and

1:09:47.280 --> 1:09:48.920
<v Speaker 2>I was like, I've been waiting for a black film

1:09:49.000 --> 1:09:49.479
<v Speaker 2>like this for like.

1:09:49.479 --> 1:09:50.120
<v Speaker 1>Twenty five years.

1:09:50.240 --> 1:09:50.720
<v Speaker 8>Yeah, legit.

1:09:51.120 --> 1:09:53.639
<v Speaker 7>So that's how that's how I felt like that when

1:09:53.640 --> 1:09:55.519
<v Speaker 7>I got that scripted answer to call that, like, I

1:09:55.720 --> 1:09:58.120
<v Speaker 7>just had literally been like cool, I'll never get to

1:09:58.160 --> 1:10:00.760
<v Speaker 7>make a film like that unless I make it, and

1:10:00.840 --> 1:10:01.240
<v Speaker 7>I don't know.

1:10:01.680 --> 1:10:04.920
<v Speaker 8>I don't know that I will, And so it's like, yeah,

1:10:05.040 --> 1:10:05.400
<v Speaker 8>that's how.

1:10:05.400 --> 1:10:12.320
<v Speaker 1>I thank you Jesus. That is awesome. Well, I know

1:10:12.560 --> 1:10:15.040
<v Speaker 1>we have a gazillion more questions for you, but we

1:10:15.240 --> 1:10:16.840
<v Speaker 1>have to love it.

1:10:17.000 --> 1:10:19.519
<v Speaker 8>I really like being here, Gus. Can I also tell

1:10:19.520 --> 1:10:22.559
<v Speaker 8>you that I love the magic whatever influence. I don't

1:10:22.600 --> 1:10:24.200
<v Speaker 8>know if it is, but the power of you and

1:10:24.320 --> 1:10:27.679
<v Speaker 8>Janelle together has opened up her or her and away

1:10:27.720 --> 1:10:29.680
<v Speaker 8>to her fans to watch the evolution. That is just

1:10:29.800 --> 1:10:30.240
<v Speaker 8>a gift.

1:10:30.560 --> 1:10:32.920
<v Speaker 7>Yeah, I'm really like, I'm so happy for her and

1:10:33.000 --> 1:10:38.080
<v Speaker 7>so proud, like I like, outside of you know, I

1:10:38.640 --> 1:10:39.920
<v Speaker 7>just really love the record.

1:10:40.080 --> 1:10:41.160
<v Speaker 8>Like I listen to the record.

1:10:41.400 --> 1:10:43.439
<v Speaker 7>It's weird sometimes when it's like if someone that you're

1:10:43.439 --> 1:10:45.200
<v Speaker 7>close to and your friend, You're like, I'm geeking out

1:10:45.240 --> 1:10:48.400
<v Speaker 7>on your stuff, but I legitimately just like really love

1:10:48.479 --> 1:10:48.880
<v Speaker 7>the record.

1:10:50.160 --> 1:10:51.880
<v Speaker 8>Yeah, it's it's kind of cool.

1:10:52.120 --> 1:10:53.320
<v Speaker 1>I used to him all the time.

1:10:53.600 --> 1:10:55.400
<v Speaker 8>Yeah, so I so I feel that way about it.

1:10:55.479 --> 1:10:57.280
<v Speaker 7>So I'm just like so proud because I just think

1:10:57.320 --> 1:11:00.320
<v Speaker 7>it's like such a beautiful record and so dope. And

1:11:00.439 --> 1:11:03.160
<v Speaker 7>then also just in terms of her evolution, you know,

1:11:03.280 --> 1:11:06.479
<v Speaker 7>she's in a space where she really like is allowing

1:11:06.520 --> 1:11:09.800
<v Speaker 7>her work to be more personal and that's like just

1:11:09.880 --> 1:11:12.720
<v Speaker 7>setting herself free. But in doing that, you said a

1:11:12.760 --> 1:11:14.080
<v Speaker 7>lot of other people free.

1:11:14.240 --> 1:11:15.679
<v Speaker 8>So it's cool.

1:11:16.240 --> 1:11:19.479
<v Speaker 1>That's what's up. Well, thank you. Ms Thompson.

1:11:23.960 --> 1:11:26.560
<v Speaker 2>All right, well, ra and behalf of Boss Bill and

1:11:26.720 --> 1:11:30.280
<v Speaker 2>paid Bill Front Ticcolo Sugar Steve, It's Aliyah.

1:11:31.240 --> 1:11:36.200
<v Speaker 1>It's a Leah wow, ls Man, I'm paying for this.

1:11:36.400 --> 1:11:38.000
<v Speaker 1>It's layah uh.

1:11:38.280 --> 1:11:40.960
<v Speaker 2>Antessa Thompson, thank god, there's no ours or else in

1:11:41.040 --> 1:11:43.760
<v Speaker 2>your name. This is Quest Love signing off for her

1:11:43.840 --> 1:11:47.080
<v Speaker 2>Quest Love Supreme. We will see You, or the dext gobund.

1:11:51.040 --> 1:11:54.240
<v Speaker 2>Quest Love Is Supreme is a production of iHeartRadio. This

1:11:54.400 --> 1:11:58.040
<v Speaker 2>classic episode was produced by the team at Pandora.

1:12:00.000 --> 1:12:00.080
<v Speaker 8>One.

1:12:00.120 --> 1:12:04.200
<v Speaker 2>More podcasts from iHeartRadio visit the iHeartRadio app, Apple podcasts,

1:12:04.640 --> 1:12:06.360
<v Speaker 2>or wherever you listen to your favorite shows.