1 00:00:02,960 --> 00:00:05,160 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,400 --> 00:00:17,640 Speaker 1: Firm Present Minute Morning show. So we just sitting here 3 00:00:17,640 --> 00:00:20,160 Speaker 1: and stare each other wondering who's going to talk first. 4 00:00:20,200 --> 00:00:23,000 Speaker 1: I liked when we were talking about whether or not 5 00:00:23,000 --> 00:00:24,880 Speaker 1: you can be friends with your ex now move on. 6 00:00:26,400 --> 00:00:30,080 Speaker 1: Well they can't. I have not friends with any single 7 00:00:30,200 --> 00:00:32,640 Speaker 1: one of my ex is not one what percentage desperately 8 00:00:32,680 --> 00:00:35,800 Speaker 1: wants you back? Exactly? They all want you back. You 9 00:00:35,880 --> 00:00:38,720 Speaker 1: broke up with all of them. Wrote a song about now. 10 00:00:38,840 --> 00:00:41,520 Speaker 1: One girl I know definitely wanted me back. He doesn't 11 00:00:41,520 --> 00:00:45,440 Speaker 1: know this Get the city Lights. It's called city Lights. 12 00:00:45,680 --> 00:00:47,840 Speaker 1: That's a good song, to be honest. It was so 13 00:00:47,960 --> 00:00:50,919 Speaker 1: I was dating this girl in California, we broke up. 14 00:00:51,159 --> 00:00:53,640 Speaker 1: I had still lived in California for like maybe a year, 15 00:00:53,720 --> 00:00:56,800 Speaker 1: and then I moved here and uh so we were 16 00:00:56,880 --> 00:00:58,800 Speaker 1: off and on for like five months. You know how 17 00:00:58,800 --> 00:01:00,320 Speaker 1: that goes. You date for a day and then you 18 00:01:00,360 --> 00:01:02,760 Speaker 1: break up for a week and you date. It was awful. 19 00:01:03,360 --> 00:01:07,080 Speaker 1: So I moved to New York City. Six months later, 20 00:01:08,440 --> 00:01:11,640 Speaker 1: she moves to New York City. She moves to New 21 00:01:11,720 --> 00:01:15,720 Speaker 1: York City and gets a job right over there, across 22 00:01:15,800 --> 00:01:19,280 Speaker 1: the street from our building. Was this on purpose. I'm 23 00:01:19,319 --> 00:01:25,199 Speaker 1: assuming so because she didn't tell me this. She didn't 24 00:01:25,319 --> 00:01:29,000 Speaker 1: whatever my friends showed me on social media. Hey, she 25 00:01:29,120 --> 00:01:30,640 Speaker 1: just moved to New York City and she's working at 26 00:01:30,640 --> 00:01:32,600 Speaker 1: this place, which happened to be right across the street 27 00:01:32,600 --> 00:01:36,360 Speaker 1: from our office building. So in doing so, she started 28 00:01:37,040 --> 00:01:39,520 Speaker 1: because she was a kind of a musician. So she 29 00:01:39,560 --> 00:01:41,520 Speaker 1: wrote a song about me and sent it to me. 30 00:01:41,560 --> 00:01:44,039 Speaker 1: And it's a good song, a song it could have 31 00:01:44,080 --> 00:01:58,160 Speaker 1: been a hit. Here it is. Where's the songs called 32 00:01:58,280 --> 00:02:02,120 Speaker 1: Shitty of Lights? Yeah, the demo from Nate's ex girlfriend. 33 00:02:02,480 --> 00:02:06,120 Speaker 1: We're gonna play the whole thing, ready to hit. Oh 34 00:02:06,200 --> 00:02:08,360 Speaker 1: it already sounds sad. Yeah, it's in the key if 35 00:02:08,360 --> 00:02:16,040 Speaker 1: I hate you? This is a long intro. Remember wearing 36 00:02:16,280 --> 00:02:20,960 Speaker 1: your outy? I replay on the men, Yes you did 37 00:02:21,080 --> 00:02:26,840 Speaker 1: have that as a big bang hear, Oh my god? 38 00:02:27,000 --> 00:02:31,800 Speaker 1: So mentor by the truth? Is there something I can't undo? 39 00:02:32,520 --> 00:02:37,400 Speaker 1: A very thought of dream? It's me my back to you. 40 00:02:38,080 --> 00:02:46,240 Speaker 1: Ifen know to make dreams come true and mine you 41 00:02:48,480 --> 00:02:59,200 Speaker 1: sounds like it's a good song. I want to hear 42 00:02:59,240 --> 00:03:01,240 Speaker 1: all of her heartbreak. I like the war that she 43 00:03:01,280 --> 00:03:08,200 Speaker 1: says you loved me. She never said that she didn't 44 00:03:08,240 --> 00:03:13,320 Speaker 1: kill me? Bullshit? What because Los Angeles is also a 45 00:03:13,440 --> 00:03:20,359 Speaker 1: city full of lights, Los Angeles Breaklights, city of Angels 46 00:03:21,240 --> 00:03:25,079 Speaker 1: angel So she sent this to you? She sent if 47 00:03:25,080 --> 00:03:27,880 Speaker 1: I remember correctly, where's Andrew? I think she sent it 48 00:03:27,919 --> 00:03:30,120 Speaker 1: to me And I just rolled my eyes and like, 49 00:03:30,200 --> 00:03:33,280 Speaker 1: oh god, really. So I played the song for him 50 00:03:33,280 --> 00:03:35,360 Speaker 1: and then he can you send me that? I want 51 00:03:35,360 --> 00:03:36,800 Speaker 1: to listen to it? And then they put it into 52 00:03:36,800 --> 00:03:45,560 Speaker 1: the system. I love the light. Can we talk about 53 00:03:45,640 --> 00:03:51,040 Speaker 1: songs that somebody wrote that it's not okay, you have 54 00:03:51,080 --> 00:03:55,560 Speaker 1: to understand it. It's about more about the lyrics. The 55 00:03:55,680 --> 00:03:58,760 Speaker 1: lyrics are really bulls Okay, so we just heard Heartbreak, 56 00:03:58,760 --> 00:04:01,840 Speaker 1: We're about to hear No Eye Break. I may not 57 00:04:02,040 --> 00:04:04,760 Speaker 1: be the best singer or but the best writer, the 58 00:04:04,840 --> 00:04:07,600 Speaker 1: best musicians. The lyrics really though. But he's very good 59 00:04:07,640 --> 00:04:10,400 Speaker 1: at stalking. It says. I'm friends with all of my 60 00:04:10,480 --> 00:04:14,720 Speaker 1: exes on social media everywhere. I like to drive by 61 00:04:14,760 --> 00:04:16,800 Speaker 1: their houses A little behind the music. This song is 62 00:04:16,800 --> 00:04:19,159 Speaker 1: about the restraining order. That's right. This is about Kim 63 00:04:19,279 --> 00:04:22,320 Speaker 1: Kim Hanson. Because Kim Hanson I mentioned her name. Why 64 00:04:22,440 --> 00:04:24,560 Speaker 1: she should we still talk? She texts me every now 65 00:04:24,600 --> 00:04:27,520 Speaker 1: and then you want the no No, No No No 66 00:04:27,640 --> 00:04:30,320 Speaker 1: VG remix, the one where Mike Friend and Nelly jams 67 00:04:30,360 --> 00:04:32,600 Speaker 1: on the on the guitar. But wait a minute, wait, 68 00:04:33,200 --> 00:04:36,800 Speaker 1: hold on, also scary. We also have the Chris Martin remix. 69 00:04:37,320 --> 00:04:39,840 Speaker 1: I think Mike Friendly dropped the guitar. You can't play 70 00:04:39,880 --> 00:04:48,320 Speaker 1: the song, the melody, the melody about the band members. 71 00:04:48,400 --> 00:04:53,440 Speaker 1: Dump this off of cassette. This is a guy, I'm 72 00:04:53,440 --> 00:04:58,120 Speaker 1: gonna start singing. Were into a four track. Ladies and 73 00:04:58,120 --> 00:05:04,800 Speaker 1: gentlemen brings the friend boy have to sleep. Morning starts 74 00:05:04,839 --> 00:05:11,320 Speaker 1: to year times by the trees, don't up here in 75 00:05:11,360 --> 00:05:16,760 Speaker 1: the dark, to the life, get wild? Stand it's time 76 00:05:16,920 --> 00:05:23,000 Speaker 1: and in a side time to pass by? Over to bad? 77 00:05:23,720 --> 00:05:30,160 Speaker 1: Time passed by. I'm happy and sad. Everyone says the 78 00:05:30,440 --> 00:05:36,640 Speaker 1: riding is good, wrong is bad? Stop listen? How still 79 00:05:37,279 --> 00:05:41,159 Speaker 1: the way? This is the best? Where your father's daughter 80 00:05:42,040 --> 00:05:49,640 Speaker 1: got a training owner bid happy take sheets playing in 81 00:05:49,680 --> 00:05:52,280 Speaker 1: the same time, trying to play last by the way. 82 00:05:52,320 --> 00:05:56,840 Speaker 1: My favorite line is morning starts to near. Why can't 83 00:05:56,880 --> 00:06:07,960 Speaker 1: you say morning jaws? Dear, I don't know what was good? 84 00:06:08,360 --> 00:06:11,240 Speaker 1: Time passes by? What was the five passes by? All over? 85 00:06:11,360 --> 00:06:13,200 Speaker 1: Good and bad? We didn't like you know that there's 86 00:06:13,200 --> 00:06:17,480 Speaker 1: good people as bad people's everything. I think I got so. 87 00:06:18,000 --> 00:06:20,040 Speaker 1: For the longest time, Nate and I have been trying 88 00:06:20,080 --> 00:06:22,080 Speaker 1: to get any artist that has walked through these doors 89 00:06:22,120 --> 00:06:24,920 Speaker 1: to record that song. I think now with the number 90 00:06:24,920 --> 00:06:28,680 Speaker 1: one podcast, apparently according to the commercials on I Heart 91 00:06:28,800 --> 00:06:32,599 Speaker 1: song Land is the TV show on NBC, Ryan Tedtor 92 00:06:33,000 --> 00:06:35,200 Speaker 1: is very close to my heart. Now, I say we 93 00:06:35,279 --> 00:06:37,719 Speaker 1: get Ryan Teddor to take over this song and see 94 00:06:37,760 --> 00:06:39,720 Speaker 1: what he can turn If anybody can turn it into 95 00:06:39,720 --> 00:06:42,440 Speaker 1: a gym, it's Ryan now. But we have Chris Martin. 96 00:06:42,600 --> 00:06:46,600 Speaker 1: We also have listened to he declined that song. How 97 00:06:46,640 --> 00:06:57,960 Speaker 1: did listen to? Leroy? Get ahold of this? Who is this? Oh? 98 00:06:58,080 --> 00:07:01,719 Speaker 1: And also both Frank Rannie did Oh that's right, great 99 00:07:03,040 --> 00:07:06,040 Speaker 1: studio jam of all time. I love this. By the way, 100 00:07:06,120 --> 00:07:09,120 Speaker 1: what you just heard was listeners submitted by Loyd Lee Roy. Okay, 101 00:07:09,160 --> 00:07:11,080 Speaker 1: so I've got to find Ronnie. Oh I have bald freak. 102 00:07:11,880 --> 00:07:13,640 Speaker 1: You did a good one. This computer would ever catch 103 00:07:13,720 --> 00:07:16,080 Speaker 1: up with me? Oh? Here it is. This is Ronnie 104 00:07:16,160 --> 00:07:22,640 Speaker 1: doing time passes by. Yeah, already an improvement. Yeah it 105 00:07:22,760 --> 00:07:25,680 Speaker 1: was the way it was. This is what you got 106 00:07:25,720 --> 00:07:29,400 Speaker 1: in your head. This is what I meant to, I 107 00:07:29,520 --> 00:07:33,360 Speaker 1: just couldn't. That's exactly what I want you half a 108 00:07:33,440 --> 00:07:47,240 Speaker 1: sleeep morn it stops to times by, don't Disappear lyrics 109 00:07:48,160 --> 00:07:56,400 Speaker 1: and we stand this times and outside crazy. Thank you 110 00:07:56,480 --> 00:08:22,520 Speaker 1: for the reburb passes By happen right there, everybody. Yeah, 111 00:08:22,560 --> 00:08:25,440 Speaker 1: we were just playing your song in the podcast because 112 00:08:25,480 --> 00:08:28,280 Speaker 1: it's the only good version of Greg t song time 113 00:08:28,360 --> 00:08:30,680 Speaker 1: passes By. Yeah, so we miss you. I wish you 114 00:08:30,760 --> 00:08:31,920 Speaker 1: had picked up the phone. We would have put you 115 00:08:31,920 --> 00:08:37,439 Speaker 1: on the podcast. Alight, love you, Mr big shots at NPR. 116 00:08:37,480 --> 00:08:40,360 Speaker 1: Now we can't answer the phone. Yeah, that's hilarious. I 117 00:08:40,440 --> 00:08:42,760 Speaker 1: love when people take something not that your song was ridiculous. 118 00:08:42,880 --> 00:08:45,439 Speaker 1: It wasn't it, but when people take something ridiculous and 119 00:08:45,480 --> 00:08:47,240 Speaker 1: then turn it into something else. I love that. I 120 00:08:47,400 --> 00:08:49,360 Speaker 1: was going through such a hard time. It was really tough. 121 00:08:49,520 --> 00:08:52,360 Speaker 1: Did that song work? No, her father still had the 122 00:08:52,360 --> 00:08:58,319 Speaker 1: restraining order? Podcast Elvis Duran, Yes, So what do we 123 00:08:58,360 --> 00:09:02,480 Speaker 1: talk about today? We're listening to songs that people have 124 00:09:02,640 --> 00:09:05,520 Speaker 1: made for other people on the show, or songs a 125 00:09:05,600 --> 00:09:08,640 Speaker 1: show member has made for someone else. Yeah, we're a 126 00:09:08,720 --> 00:09:13,640 Speaker 1: talented punch, aren't we know? We're not. We We just 127 00:09:13,880 --> 00:09:16,600 Speaker 1: argued about time passes by and tease, choice of lyrics, 128 00:09:16,760 --> 00:09:21,000 Speaker 1: and the song nates ex girlfriend h Yeah. We also 129 00:09:21,080 --> 00:09:25,240 Speaker 1: played a little bit of Nate's ex girlfriend song Yeah 130 00:09:25,320 --> 00:09:28,520 Speaker 1: the Psycho. We've had a lot of great musical moments 131 00:09:28,559 --> 00:09:32,320 Speaker 1: on the show. Yeah, and actual musicians sometimes stop by. 132 00:09:32,520 --> 00:09:34,920 Speaker 1: I'm like up, all right, I'm gonna hang up now, okay, 133 00:09:34,960 --> 00:09:39,600 Speaker 1: by checking in on the podcast, Yeah, checking in. Okay, 134 00:09:39,720 --> 00:09:42,400 Speaker 1: So Nate that that song didn't work for you? Which 135 00:09:42,480 --> 00:09:47,000 Speaker 1: one the one back? I think. I think when somebody 136 00:09:47,200 --> 00:09:48,559 Speaker 1: gets to the point that they have to write you 137 00:09:48,600 --> 00:09:53,120 Speaker 1: a song your it's not gonna work. That's seriously. Any 138 00:09:53,559 --> 00:09:56,080 Speaker 1: eighties rock band has tons of them. Did they ever 139 00:09:56,160 --> 00:09:59,040 Speaker 1: get the girl back? No? No, you were you were 140 00:09:59,080 --> 00:10:01,679 Speaker 1: settled here with the but let's just say you weren't working. 141 00:10:01,920 --> 00:10:04,240 Speaker 1: Would not have that song now, would not have worked. Home, 142 00:10:04,320 --> 00:10:06,240 Speaker 1: would not have worked, would not have worked. But it 143 00:10:06,320 --> 00:10:08,199 Speaker 1: was a good young no you, the song was good. 144 00:10:08,280 --> 00:10:10,760 Speaker 1: Don't scared. One of Scary's ex girlfriends wrote him a 145 00:10:10,760 --> 00:10:12,520 Speaker 1: song too, Do you have it? What could have been? 146 00:10:20,040 --> 00:10:23,719 Speaker 1: Young girls? And serious question? Who are who is the 147 00:10:23,840 --> 00:10:28,079 Speaker 1: girl on this kid? Let me look at a obvious 148 00:10:28,400 --> 00:10:46,080 Speaker 1: shocked shot shot shod I'm not shot, do do let 149 00:10:46,160 --> 00:10:49,000 Speaker 1: break up? Bring it back? Memory scary? You don't want 150 00:10:49,040 --> 00:10:51,520 Speaker 1: the dum version? God, please God, Now I'm not going 151 00:10:51,559 --> 00:10:54,000 Speaker 1: to play the medium version. I bet you had we 152 00:10:54,160 --> 00:10:57,360 Speaker 1: played that song at our live broadcast down in New Jersey, there, 153 00:10:57,600 --> 00:10:59,880 Speaker 1: the place would have gone off. Would have that's you, 154 00:11:00,240 --> 00:11:03,360 Speaker 1: you know, your song like that and everybody's drunk, So 155 00:11:04,840 --> 00:11:06,760 Speaker 1: we should have played that. Could you imagine the place 156 00:11:06,800 --> 00:11:20,480 Speaker 1: where I'm not yours this weekend? If I could call 157 00:11:20,520 --> 00:11:22,120 Speaker 1: the cops on a song, it would be that song. 158 00:11:23,120 --> 00:11:25,079 Speaker 1: I thought we meant to play your song at Jenkinson's 159 00:11:26,200 --> 00:11:28,679 Speaker 1: just this morning was starting to near. We can play 160 00:11:28,760 --> 00:11:32,640 Speaker 1: the school. They needed to clear the place outlayat. You know, 161 00:11:32,679 --> 00:11:34,839 Speaker 1: they're a very hard curfew two o'clock. Everyone's got to 162 00:11:34,880 --> 00:11:36,880 Speaker 1: be on the street, so that will definitely get them there. 163 00:11:37,240 --> 00:11:39,280 Speaker 1: You're right to play that. I enjoyed your song, to 164 00:11:39,320 --> 00:11:43,320 Speaker 1: be honest, a really tough tough time. How old were 165 00:11:43,360 --> 00:11:47,040 Speaker 1: you in that song was written? I was I was 166 00:11:47,200 --> 00:11:52,640 Speaker 1: eighteen and she was seventeen or sixteen seven? Right winger 167 00:11:53,559 --> 00:11:56,480 Speaker 1: swear and yeah, I sang to her. We played at 168 00:11:56,520 --> 00:11:59,120 Speaker 1: a party and I'm like, this song is dedicated to 169 00:11:59,240 --> 00:12:01,760 Speaker 1: Kim Hanson and she was at the party. Yeah, she 170 00:12:01,840 --> 00:12:06,559 Speaker 1: was on the stairs that night. She gave me my 171 00:12:06,920 --> 00:12:09,839 Speaker 1: she gave me a Metallica c D and Nirvana. I 172 00:12:10,000 --> 00:12:12,479 Speaker 1: was so excited. It was my birthday and everything. Oh 173 00:12:12,559 --> 00:12:15,720 Speaker 1: my god, this is the anniversary. If that's it's your birthday, 174 00:12:15,920 --> 00:12:20,199 Speaker 1: it just came out. Holy. You should go make out 175 00:12:20,200 --> 00:12:22,120 Speaker 1: with her now. But it was really bad. Her father 176 00:12:22,240 --> 00:12:25,960 Speaker 1: misjudged me completely. How many of us would take out 177 00:12:25,960 --> 00:12:29,240 Speaker 1: of a stranding order against I wrote a dirty letter 178 00:12:29,360 --> 00:12:33,079 Speaker 1: to her. It was an f It started out with 179 00:12:33,600 --> 00:12:37,280 Speaker 1: I want you to That's where it started. That was 180 00:12:37,320 --> 00:12:39,560 Speaker 1: how you romanced her, was demanding an act. I didn't 181 00:12:39,559 --> 00:12:41,319 Speaker 1: want to write the dirty letter. Her friend got a 182 00:12:41,400 --> 00:12:43,280 Speaker 1: dirty letter, so then she's like, can you write me 183 00:12:43,320 --> 00:12:46,640 Speaker 1: a dirty letters? So I remember seeing there writing this 184 00:12:46,720 --> 00:12:47,839 Speaker 1: dirty letter, and then I gave it to you. I 185 00:12:47,880 --> 00:12:49,760 Speaker 1: thought it was gone. It was like months before. Then, 186 00:12:49,760 --> 00:12:52,200 Speaker 1: all of a sudden, I came over from college and um, 187 00:12:52,360 --> 00:12:55,520 Speaker 1: I had a fault a message on the answer machine saying, um, Greg, 188 00:12:55,720 --> 00:12:58,480 Speaker 1: this is Cliff. That was the father, Like, you'd come 189 00:12:58,520 --> 00:12:59,800 Speaker 1: up to the house. I'd like to talk to you. 190 00:13:00,600 --> 00:13:02,920 Speaker 1: I look okay. So I went up there and when 191 00:13:02,920 --> 00:13:05,480 Speaker 1: I walked in the white answer and she says, oh, Cliff, 192 00:13:06,200 --> 00:13:09,679 Speaker 1: Greg's here, and I said, hi, oh, just wait right here. 193 00:13:10,040 --> 00:13:11,880 Speaker 1: Then she left, and all of a sudden he came 194 00:13:11,920 --> 00:13:16,160 Speaker 1: out and I heard like like thumping up the stairs, 195 00:13:16,600 --> 00:13:19,599 Speaker 1: and he comes up, and I noticed, coincidentally on the 196 00:13:19,679 --> 00:13:21,880 Speaker 1: kitchen table was all the stuff that I had given her. 197 00:13:22,080 --> 00:13:29,240 Speaker 1: Now like there was like there m walk down memory 198 00:13:29,320 --> 00:13:34,120 Speaker 1: lane and I'm like, just like date line and there 199 00:13:34,200 --> 00:13:36,559 Speaker 1: was like take all this ship and never come back 200 00:13:36,600 --> 00:13:39,040 Speaker 1: to my house again. When did the restraining order come 201 00:13:39,080 --> 00:13:42,480 Speaker 1: into play? Well afterwards, because what happened was what happened. 202 00:13:43,040 --> 00:13:44,760 Speaker 1: By the way, can I just say I've tried to 203 00:13:44,760 --> 00:13:47,839 Speaker 1: get a restraining order get up for me personally? But no, 204 00:13:48,080 --> 00:13:52,600 Speaker 1: it's not that still got a job right across the street. 205 00:13:52,920 --> 00:13:54,920 Speaker 1: Got to show proof and everything. You know, you got 206 00:13:55,120 --> 00:13:57,120 Speaker 1: hold on It's very easy to get one, as apparently 207 00:13:57,160 --> 00:13:59,360 Speaker 1: a great tea has learned. But to get one on someone, 208 00:13:59,480 --> 00:14:05,120 Speaker 1: Nate said, it's very hard. You must have done a lot. 209 00:14:05,360 --> 00:14:07,319 Speaker 1: I didn't he forbid us to see each other, but 210 00:14:07,400 --> 00:14:09,959 Speaker 1: I was devastated. And then you know my it was 211 00:14:10,320 --> 00:14:13,559 Speaker 1: we were sneaking around constantly, and then he threatened me 212 00:14:13,760 --> 00:14:15,440 Speaker 1: at the school. When I went to go see her. 213 00:14:15,520 --> 00:14:17,920 Speaker 1: She was graduating and I want to wait for her. 214 00:14:18,080 --> 00:14:19,560 Speaker 1: And he caught me in the school because he knew 215 00:14:19,560 --> 00:14:21,200 Speaker 1: i'd be there, and he put me up against the 216 00:14:21,280 --> 00:14:24,320 Speaker 1: locker and he goes, did I tell you to stay 217 00:14:24,400 --> 00:14:26,840 Speaker 1: with my daughter? Like dad? He said to me, And 218 00:14:26,880 --> 00:14:29,960 Speaker 1: I was like. And then he drove to the police department. 219 00:14:30,240 --> 00:14:33,720 Speaker 1: And then two days later I was delivered papers. They came. 220 00:14:33,800 --> 00:14:37,240 Speaker 1: The guy goes, hey, are you Greg Tinder? He writes that, 221 00:14:38,280 --> 00:14:40,440 Speaker 1: and I said name. I said yes I am, and 222 00:14:40,480 --> 00:14:42,120 Speaker 1: he goes, here you go, You've been served, and I 223 00:14:42,240 --> 00:14:44,320 Speaker 1: was like, So then I was like, you know what, 224 00:14:44,400 --> 00:14:45,760 Speaker 1: I'm gonna go to the police station. And then I 225 00:14:45,800 --> 00:14:47,840 Speaker 1: served in papers at work and then he had to 226 00:14:47,880 --> 00:14:49,480 Speaker 1: go court. Could you make a song out of that 227 00:14:49,560 --> 00:15:00,160 Speaker 1: dirty note you wrote? Her fifteen minute morning show m