1
00:00:00,360 --> 00:00:04,600
Speaker 1: This is Firefighter Raphael Poiriet for Firehouse Subs introducing new

2
00:00:04,720 --> 00:00:08,360
Speaker 1: firehouse pairs. Pair your favorite small sub with a signature

3
00:00:08,400 --> 00:00:12,039
Speaker 1: side like the awesome five cheese mac and Cheese, and

4
00:00:12,080 --> 00:00:15,280
Speaker 1: remember a portion of every purchase at Firehouse Subs goes

5
00:00:15,320 --> 00:00:19,880
Speaker 1: towards helping first responders. Firehouse Subs enjoy more subs, save

6
00:00:20,000 --> 00:00:23,440
Speaker 1: more lives. Participating locations don't leave firehouse hubs, but don't

7
00:00:23,440 --> 00:00:25,600
Speaker 1: eat a minimum one million dollars in two thousand nineteen

8
00:00:25,640 --> 00:00:27,560
Speaker 1: to the Firehouse Subs publicly safe the foundation by don't

9
00:00:27,560 --> 00:00:38,440
Speaker 1: any point of every purchase. He's a legendary Queen's rapper.

10
00:00:38,600 --> 00:00:43,040
Speaker 1: Hang boy, He's a Miami hip hop pioneer. What up

11
00:00:43,080 --> 00:00:45,479
Speaker 1: is d J E f N. Together they drink it

12
00:00:45,560 --> 00:00:48,440
Speaker 1: up with some of the biggest players in music and sports.

13
00:00:48,560 --> 00:00:52,280
Speaker 1: You know what I mean. The most professional, unprofessional podcast

14
00:00:52,360 --> 00:00:54,960
Speaker 1: and your number one source for drum facts. This is

15
00:00:55,040 --> 00:00:57,520
Speaker 1: Drinks chap Radar. Every day is New Year's Eve, Just

16
00:01:00,880 --> 00:01:02,680
Speaker 1: hand second, Hope your side. This is your Boy and

17
00:01:03,360 --> 00:01:12,600
Speaker 1: what it was? DJ and the Drinkcast Mother Podcasts. That's

18
00:01:12,600 --> 00:01:21,520
Speaker 1: the Horns and right now, I'm so honored to have

19
00:01:21,680 --> 00:01:26,280
Speaker 1: our first guests who came. He knew that we was

20
00:01:26,360 --> 00:01:28,959
Speaker 1: foul podcast from the beginning. You know, he didn't know

21
00:01:29,000 --> 00:01:32,160
Speaker 1: what to expect the way. That's that's why it was

22
00:01:32,200 --> 00:01:35,479
Speaker 1: a special episode, and it's a special episode today because

23
00:01:35,560 --> 00:01:37,960
Speaker 1: right now, not only he's my friend, the only he's

24
00:01:38,040 --> 00:01:43,360
Speaker 1: my brother. He's a great sneaker aficionado. And we had

25
00:01:43,400 --> 00:01:47,200
Speaker 1: his sneaker spot doing it up right now. The space

26
00:01:47,280 --> 00:01:55,080
Speaker 1: a noise for Fat Joey. Right now we are up

27
00:01:55,240 --> 00:01:58,520
Speaker 1: n y C. First of all, let's set it off

28
00:01:58,520 --> 00:02:06,279
Speaker 1: and see I was your first scared and I'm keeping

29
00:02:06,280 --> 00:02:08,440
Speaker 1: to my word. I told you guys, I was never

30
00:02:08,520 --> 00:02:14,480
Speaker 1: going back to the show. We came in here. Let's

31
00:02:12,960 --> 00:02:20,120
Speaker 1: make some So let's break down this up NYC. Yes,

32
00:02:20,240 --> 00:02:23,160
Speaker 1: this is a beautiful I see you got cookies there.

33
00:02:23,560 --> 00:02:26,480
Speaker 1: I see you got pull all the time. We got Nike,

34
00:02:26,560 --> 00:02:30,600
Speaker 1: we got Jordan's major, Jordans re stocked, we got Nike

35
00:02:30,680 --> 00:02:33,760
Speaker 1: in the building, we got Chamberland. We are being the

36
00:02:34,000 --> 00:02:40,040
Speaker 1: boys Club ps. I mean Bellion there U joined over there.

37
00:02:40,200 --> 00:02:42,560
Speaker 1: I mean we're working. Yeah, no, you're super working. You

38
00:02:42,600 --> 00:02:50,520
Speaker 1: got you got the Drina. I could never be proud

39
00:02:50,520 --> 00:02:52,360
Speaker 1: of you, because I could never be more proud of

40
00:02:52,400 --> 00:02:55,800
Speaker 1: you than I am right now, because you are really

41
00:02:56,000 --> 00:02:59,440
Speaker 1: a sneaker guy like you. You like every times I

42
00:02:59,480 --> 00:03:01,320
Speaker 1: get a sneak up and I just come around you

43
00:03:01,360 --> 00:03:03,560
Speaker 1: and I won't say nothing, and then you'll be like

44
00:03:04,120 --> 00:03:09,120
Speaker 1: I got those already, damn, Like like you're really you

45
00:03:09,200 --> 00:03:11,160
Speaker 1: had to sneak and display out here. Yes, I have

46
00:03:11,200 --> 00:03:15,400
Speaker 1: a museum. Oh my god, you're sneaking, sneaking from Jordan,

47
00:03:15,440 --> 00:03:20,120
Speaker 1: because I've seen the Georgian Yes, yes, So what happens

48
00:03:20,240 --> 00:03:23,400
Speaker 1: is we we wanted to stay true to the sneaker heads,

49
00:03:23,880 --> 00:03:26,760
Speaker 1: and I made like a museum and every two months

50
00:03:26,760 --> 00:03:29,600
Speaker 1: it to be somebody else's collection. So right now, that's

51
00:03:29,639 --> 00:03:31,680
Speaker 1: my collection, and two months it to be the Mayor's

52
00:03:32,120 --> 00:03:34,880
Speaker 1: and two months after that it will be called Mellow Anthony,

53
00:03:34,960 --> 00:03:37,960
Speaker 1: two months after that to be Spike leaves two months

54
00:03:37,960 --> 00:03:40,560
Speaker 1: after that. So it's a museum for the kids who

55
00:03:40,600 --> 00:03:45,080
Speaker 1: really really loved the sneaker culture. So we have to

56
00:03:45,080 --> 00:03:48,760
Speaker 1: stay true to them, and so we wanted to do both.

57
00:03:48,880 --> 00:03:52,600
Speaker 1: We wanted to bring something really really fly to the community.

58
00:03:53,040 --> 00:03:57,360
Speaker 1: You know, we upstaying Washington, hay and it's the end

59
00:03:57,400 --> 00:04:01,200
Speaker 1: of Hayes. If you can't find al if you can't

60
00:04:01,200 --> 00:04:03,680
Speaker 1: find Hayes head, then you're just not looking. I'll tell

61
00:04:03,720 --> 00:04:14,880
Speaker 1: you one thing, Cubans was hitting yes started get yeah, listen,

62
00:04:15,040 --> 00:04:18,320
Speaker 1: let me tell you the Cubans was here before Dominicans.

63
00:04:18,480 --> 00:04:22,000
Speaker 1: Then the Dominicans came and took over. When we say that,

64
00:04:22,040 --> 00:04:24,640
Speaker 1: I'm telling you the we got Johnny Nona is taking

65
00:04:24,640 --> 00:04:30,640
Speaker 1: a shot, Johnny, you don't mean the camera shot. Got it?

66
00:04:32,760 --> 00:04:39,040
Speaker 1: Pretty of course. My first customer was fifty cent this morning. Yeah,

67
00:04:40,120 --> 00:04:42,920
Speaker 1: he called me up. He's like, yeah, I'm here before you.

68
00:04:43,000 --> 00:04:45,359
Speaker 1: I'm like, yeah, my man, I can't. I can't. It

69
00:04:45,440 --> 00:04:49,400
Speaker 1: was too early. So let's ask you this question. You

70
00:04:49,440 --> 00:04:53,039
Speaker 1: got you got a famous story on the podcast, and

71
00:04:53,160 --> 00:04:57,480
Speaker 1: right now it's between take no joke and which one

72
00:04:57,520 --> 00:05:01,560
Speaker 1: is telling the truth. I have to admit it's Damon

73
00:05:01,680 --> 00:05:05,880
Speaker 1: Dasher story, but Chokers not brother. So Damon is telling

74
00:05:05,920 --> 00:05:07,320
Speaker 1: the truth. But Choke is your brother. Let's makes a

75
00:05:07,400 --> 00:05:12,200
Speaker 1: noise for that. I got that only because I'm working.

76
00:05:12,440 --> 00:05:14,440
Speaker 1: I can't tell the long story. Don't tell. I'll come

77
00:05:14,480 --> 00:05:18,720
Speaker 1: to the next story. But it all started when um

78
00:05:19,040 --> 00:05:23,240
Speaker 1: but pretty much Dame refused to allow this the infamous

79
00:05:23,240 --> 00:05:26,440
Speaker 1: parents story to get beat down by a bunch of pimps,

80
00:05:26,800 --> 00:05:30,440
Speaker 1: and he took a bruise and some stitches, but he

81
00:05:30,880 --> 00:05:37,080
Speaker 1: he how was he swinging the camp at getting You

82
00:05:37,160 --> 00:05:39,279
Speaker 1: know what this is all that saying is that all

83
00:05:39,320 --> 00:05:42,120
Speaker 1: the kids that he used to travel with, they were

84
00:05:42,160 --> 00:05:48,920
Speaker 1: pussy and they ran. What what made what made me

85
00:05:48,920 --> 00:05:50,920
Speaker 1: stay behind was that I've never been traveling out of

86
00:05:51,120 --> 00:05:53,240
Speaker 1: out of this country. For the first time, to be

87
00:05:53,320 --> 00:05:55,680
Speaker 1: out of the country, I didn't want to be that

88
00:05:55,760 --> 00:05:58,400
Speaker 1: sucker that ran in the fight. So how was you

89
00:05:58,480 --> 00:06:00,040
Speaker 1: holding the camera when you're smunk? It's just like that

90
00:06:00,480 --> 00:06:04,560
Speaker 1: showed us, see it. It's kind of camera show us

91
00:06:04,560 --> 00:06:07,360
Speaker 1: how you showed us. I'll do it for the nick turn.

92
00:06:09,080 --> 00:06:14,600
Speaker 1: Next time drink is a new speaker store. You can't

93
00:06:14,600 --> 00:06:26,320
Speaker 1: do that time He was like, and chow, no joke,

94
00:06:26,640 --> 00:06:30,640
Speaker 1: but please squash it. You know that both Johnny New

95
00:06:30,760 --> 00:06:35,720
Speaker 1: Year's I do Christmas hat nice. God didn't know he swing.

96
00:06:36,520 --> 00:06:38,720
Speaker 1: He'll stab somebody for you, Damn God, damn makes it

97
00:06:38,760 --> 00:06:45,320
Speaker 1: look where God damn boz come over here. You start

98
00:06:45,800 --> 00:06:48,520
Speaker 1: to come over here, come on, come away, starting so

99
00:06:48,560 --> 00:06:51,680
Speaker 1: that his original drink chat. Don't need my first time

100
00:06:51,680 --> 00:06:54,160
Speaker 1: on him kind of heating. No, no, you you're crazy crazy.

101
00:06:55,320 --> 00:06:58,160
Speaker 1: You're crazy stating you're Miami. Remember we went to eight

102
00:06:58,240 --> 00:06:59,880
Speaker 1: nine and we're gonna get French and he ended up

103
00:07:00,000 --> 00:07:01,880
Speaker 1: pushing it back Indad and it was Ramadan and you

104
00:07:01,920 --> 00:07:04,160
Speaker 1: went to the club and with fifty and on him

105
00:07:04,160 --> 00:07:06,120
Speaker 1: and I passed the funk out the hotel. I went

106
00:07:06,200 --> 00:07:08,280
Speaker 1: to Miami for no reason. I just don't sleeping me.

107
00:07:09,400 --> 00:07:12,720
Speaker 1: You gotta join yourself. So you see how he said

108
00:07:12,760 --> 00:07:14,560
Speaker 1: we went to the club and seeing fifty, he he

109
00:07:14,640 --> 00:07:16,640
Speaker 1: just lined it up that that's how he got fifty

110
00:07:16,640 --> 00:07:20,000
Speaker 1: that night. Goddamn big fifty said he was. He was

111
00:07:20,080 --> 00:07:21,640
Speaker 1: kidding the ship out of me. I just saw the

112
00:07:21,720 --> 00:07:34,040
Speaker 1: Donald Trump had on. Trump joined out. Not in our element,

113
00:07:34,080 --> 00:07:36,000
Speaker 1: because me and you are both smokers, but be in.

114
00:07:36,640 --> 00:07:38,720
Speaker 1: You can't smoke in fat Joe crab, you can't do that.

115
00:07:41,200 --> 00:07:46,120
Speaker 1: The balcony though, right herest of Nori balcony and in

116
00:07:46,160 --> 00:07:48,200
Speaker 1: his crib. He has wonderful cred. He's very rich. By

117
00:07:48,200 --> 00:07:59,720
Speaker 1: the way, No sneakers, listen, listen, let me tell you something.

118
00:07:59,720 --> 00:08:02,800
Speaker 1: I'm my little man. The first time in America, Ratchet

119
00:08:03,720 --> 00:08:08,040
Speaker 1: a k A money kicks from you do it. He

120
00:08:08,120 --> 00:08:13,080
Speaker 1: looked like your bracest sound sound like, dub you very rich.

121
00:08:13,720 --> 00:08:16,840
Speaker 1: How you're doing? Yeah, I'm good. I am great. Have

122
00:08:16,920 --> 00:08:19,960
Speaker 1: you seen have you seen my snap? And I was

123
00:08:20,000 --> 00:08:22,640
Speaker 1: carrying the line. The line had three lines here, no

124
00:08:24,040 --> 00:08:28,400
Speaker 1: hundred lines. Got a zoo in his house and what's

125
00:08:28,440 --> 00:08:30,760
Speaker 1: crazy in the middle of the zoo, he got a

126
00:08:30,800 --> 00:08:36,200
Speaker 1: sneaker role, sneaking collector, so he said. He said, Joe,

127
00:08:36,320 --> 00:08:39,840
Speaker 1: my brother, I want to come America. I said, come on,

128
00:08:39,960 --> 00:08:42,600
Speaker 1: let's go, poor teen he's traveling. Let's let's hit him

129
00:08:42,600 --> 00:08:53,000
Speaker 1: with that royal right now, your smokers. I don't know

130
00:08:53,040 --> 00:08:55,320
Speaker 1: if you know Fat Joe has the best relationships in

131
00:08:55,400 --> 00:09:00,679
Speaker 1: hip hop. No, no, I'm like, I'm the best. I'm

132
00:09:00,679 --> 00:09:03,960
Speaker 1: talking about Carmelo Anthony. You know. He just says things

133
00:09:03,960 --> 00:09:06,400
Speaker 1: like that, I went out to dinner with Spike Lee yesterday,

134
00:09:06,440 --> 00:09:09,280
Speaker 1: like word for real, Like nobody don't do that, Like

135
00:09:09,800 --> 00:09:13,120
Speaker 1: do you agree with me? Of course? Let's make this

136
00:09:13,120 --> 00:09:15,680
Speaker 1: guy calls me from a plane last night. I can't

137
00:09:15,679 --> 00:09:18,880
Speaker 1: even understand them, And I'm like, Joe, whatever it is,

138
00:09:18,920 --> 00:09:21,679
Speaker 1: it's on literally, like come on, Fat Joe's the best

139
00:09:21,679 --> 00:09:24,199
Speaker 1: guy in hip hop for for real guy. And e

140
00:09:24,360 --> 00:09:32,559
Speaker 1: FM wants to make sure he represents and it's when

141
00:09:32,600 --> 00:09:35,520
Speaker 1: drink can't come on Puerto Rican, so I wanted to

142
00:09:35,559 --> 00:09:39,200
Speaker 1: represent the Puerto Rican side. He was Runningtocan and Cuban.

143
00:09:39,640 --> 00:09:51,240
Speaker 1: It is what it is. So so smoke dine you

144
00:09:51,320 --> 00:09:53,680
Speaker 1: from NYC? What is it? What does this mean for

145
00:09:53,720 --> 00:09:55,760
Speaker 1: you to come in the store and see Fat Joe.

146
00:09:55,800 --> 00:10:01,080
Speaker 1: This is Fat Joe's store and its monumental. I mean

147
00:10:01,120 --> 00:10:03,199
Speaker 1: that's why I came. I'm like, man, I gotta come support,

148
00:10:03,679 --> 00:10:06,120
Speaker 1: buy some sneakers, bring my nigger's head. Let them cop out,

149
00:10:06,120 --> 00:10:07,520
Speaker 1: because I mean, you know, we ain't got ship like

150
00:10:07,559 --> 00:10:08,840
Speaker 1: this in New York, you know what I mean. So

151
00:10:09,320 --> 00:10:11,600
Speaker 1: it's big for the city period. And the thing about

152
00:10:11,679 --> 00:10:16,640
Speaker 1: Joe Store is it's exclusive, but it's retail, so he's

153
00:10:16,640 --> 00:10:20,520
Speaker 1: not trying to rub he's selling it. It's true Joe

154
00:10:20,679 --> 00:10:24,920
Speaker 1: Box right, No, I'm sold over show. It's box price

155
00:10:26,400 --> 00:10:30,360
Speaker 1: a brand like Philipplane. It would never be in the hood.

156
00:10:30,840 --> 00:10:34,680
Speaker 1: Philippli do four million a year. I don't know. Yeah,

157
00:10:35,880 --> 00:10:39,640
Speaker 1: when three four thousand dollar Jackie shirt, it's over there

158
00:10:39,800 --> 00:10:41,480
Speaker 1: like in Jackie you got all right, now you're very

159
00:10:43,040 --> 00:10:53,160
Speaker 1: let's start. It's been but what it is. But what

160
00:10:53,200 --> 00:10:57,320
Speaker 1: I'm saying to us you know I like, I feel

161
00:10:57,360 --> 00:11:02,920
Speaker 1: like us Latino's Black. We set the trends, you know,

162
00:11:03,000 --> 00:11:07,319
Speaker 1: and we never get our share of flying this. So

163
00:11:07,480 --> 00:11:10,880
Speaker 1: when I did the store, I said, shout out my partner, Scotty,

164
00:11:11,000 --> 00:11:13,480
Speaker 1: the youngest partner in the world nineteen years are he

165
00:11:13,559 --> 00:11:17,160
Speaker 1: working with my Scotty gotta work? We want his hand.

166
00:11:17,200 --> 00:11:22,280
Speaker 1: I felt richer, and we just wanted to bring like

167
00:11:22,360 --> 00:11:26,240
Speaker 1: the Hamptons in the middle of washingtonnight. So it's actually

168
00:11:26,679 --> 00:11:29,520
Speaker 1: I wanted them to see the sneaker culture. Same time,

169
00:11:29,559 --> 00:11:32,920
Speaker 1: get stuff at box price where we ain't robbing nobody.

170
00:11:33,280 --> 00:11:35,719
Speaker 1: Plus we're giving him something that they could see their

171
00:11:35,720 --> 00:11:38,400
Speaker 1: favorite rapp Let's look at this drink Chance number one

172
00:11:38,400 --> 00:11:48,160
Speaker 1: show in the constat We were bigger than Howard Stern.

173
00:11:53,480 --> 00:12:03,160
Speaker 1: Chance to put your shaw, you back in your plat

174
00:12:11,679 --> 00:12:15,280
Speaker 1: bing whatever you do, don't sharpen this ship please. That's

175
00:12:15,320 --> 00:12:17,360
Speaker 1: my brother ting Ban. We also got the ting Bing

176
00:12:17,480 --> 00:12:20,800
Speaker 1: Mike both podcast. Let's also look out for Fat Joe's podcast.

177
00:12:20,840 --> 00:12:23,880
Speaker 1: We announcing it live. Do the Drink Cams Network. It's

178
00:12:23,920 --> 00:12:32,760
Speaker 1: called just for kicks. Let's make some Pat Joe, I

179
00:12:32,800 --> 00:12:35,240
Speaker 1: love you so much man. Also, you know you got

180
00:12:35,280 --> 00:12:39,000
Speaker 1: a Cuban car. I'll give you a calling. Let me

181
00:12:39,000 --> 00:12:42,600
Speaker 1: tell you who I'm proud of. I'm proud of you guys,

182
00:12:42,679 --> 00:12:47,439
Speaker 1: right because you prove that you can make something out enoughing.

183
00:12:47,480 --> 00:12:50,640
Speaker 1: That's a fact you guys. You know, you started with

184
00:12:50,720 --> 00:12:53,160
Speaker 1: something and you had an idea. You didn't know what's

185
00:12:53,160 --> 00:12:57,040
Speaker 1: gonna be this big, and what happens is it's a

186
00:12:57,080 --> 00:13:01,040
Speaker 1: true testament to never giving up, give up. And that's

187
00:13:01,080 --> 00:13:03,719
Speaker 1: the story of our life, you know, because a lot

188
00:13:03,760 --> 00:13:07,439
Speaker 1: of people got short memory. We put out platinum albums,

189
00:13:07,880 --> 00:13:11,240
Speaker 1: gold albums, We put out the biggest hits. But after

190
00:13:11,280 --> 00:13:14,360
Speaker 1: a while, the fans it's almost like they'd be like,

191
00:13:14,800 --> 00:13:17,600
Speaker 1: where's your last hit now? So they start, you know,

192
00:13:17,960 --> 00:13:21,839
Speaker 1: forgetting the work you put in. But you never laid down,

193
00:13:22,679 --> 00:13:25,760
Speaker 1: and now you got a two million viewers two million

194
00:13:25,800 --> 00:13:30,320
Speaker 1: point four point every week at two point six million

195
00:13:30,440 --> 00:13:33,360
Speaker 1: last month because you believed in yourself and you did

196
00:13:33,440 --> 00:13:38,400
Speaker 1: something innovative. Show what happens is. It's the same thing

197
00:13:38,400 --> 00:13:41,319
Speaker 1: with Fat Joe. I sit in the couch. Sometimes when

198
00:13:41,360 --> 00:13:43,400
Speaker 1: I ain't gotta hit people try to act like they

199
00:13:43,480 --> 00:13:45,640
Speaker 1: forget that we ain't put out lean back, making rain

200
00:13:45,720 --> 00:13:48,040
Speaker 1: all these things, so then we gotta hit him. With

201
00:13:48,040 --> 00:13:57,199
Speaker 1: a all the way up, by the way, all the

202
00:13:57,240 --> 00:14:12,719
Speaker 1: way up. It's platinum. No, no excuse me, sir, we

203
00:14:12,840 --> 00:14:17,720
Speaker 1: all went platinum. Yo. But you know, Fat Joe, I

204
00:14:17,760 --> 00:14:19,240
Speaker 1: just want to, you know, pick you up because you

205
00:14:19,320 --> 00:14:22,240
Speaker 1: transcended what people thought, like people thought you could have

206
00:14:22,280 --> 00:14:24,800
Speaker 1: a hit record, like because smoke this. We know you're

207
00:14:24,800 --> 00:14:27,240
Speaker 1: a new artist. But after you get ten years a better,

208
00:14:27,400 --> 00:14:29,960
Speaker 1: people gonna count you out. Even if you're hot, they're

209
00:14:29,960 --> 00:14:31,560
Speaker 1: gonna count you out. They're gonna say you can't do

210
00:14:31,600 --> 00:14:34,000
Speaker 1: it again. They're gonna say whatever, whatever. But Fat Joe,

211
00:14:34,040 --> 00:14:37,400
Speaker 1: you you you, you stumbled over those and you kept going.

212
00:14:37,480 --> 00:14:40,360
Speaker 1: And one thing about you that I noticed, you really

213
00:14:40,400 --> 00:14:43,960
Speaker 1: still love this game. I love it. You really love Yeah.

214
00:14:44,000 --> 00:14:47,560
Speaker 1: I'm fighting for my respect all these years in the game,

215
00:14:47,560 --> 00:14:50,200
Speaker 1: I still don't get my juge due. I keep fighting

216
00:14:50,240 --> 00:14:53,800
Speaker 1: from my respect. Albums called Plum shout out Rey Mi,

217
00:14:54,000 --> 00:14:57,240
Speaker 1: She's on the way. She went bananas on this album.

218
00:14:57,600 --> 00:15:05,840
Speaker 1: This album is incredible. Once again, I repeat, incredible. By

219
00:15:05,880 --> 00:15:08,480
Speaker 1: the time if you love hip hop, by the time

220
00:15:08,560 --> 00:15:11,840
Speaker 1: you get to the fourth song, by the time you

221
00:15:11,880 --> 00:15:14,760
Speaker 1: get to the fourth song, you're texting thirty people like,

222
00:15:14,880 --> 00:15:18,080
Speaker 1: oh no, they're serious. Somebody. No, we know you're serious already, Joe,

223
00:15:18,080 --> 00:15:27,560
Speaker 1: stop killing every year, time after time, every year ever failed,

224
00:15:27,960 --> 00:15:30,240
Speaker 1: and I'm gonna keep it on hunting with you. Fat

225
00:15:30,360 --> 00:15:32,920
Speaker 1: Joe is hip hop. If y'all niggas think is a game,

226
00:15:33,360 --> 00:15:35,440
Speaker 1: y'all niggas is out of pocket because the b X

227
00:15:35,520 --> 00:15:44,680
Speaker 1: is Fat Joe. I forgot and I let's make so

228
00:15:44,800 --> 00:15:48,920
Speaker 1: smoke din and you got weed on you question. We're

229
00:15:48,920 --> 00:15:50,360
Speaker 1: gonna take a smoke break and we're gonna go over

230
00:15:50,440 --> 00:15:59,000
Speaker 1: the street. Let's do that, Joe, nigga, let me tell

231
00:15:59,040 --> 00:16:01,560
Speaker 1: your story though. That's Joe inviting me to his crib

232
00:16:01,600 --> 00:16:08,760
Speaker 1: on things giving. Listen up, listen to yo, my nigger. No,

233
00:16:08,880 --> 00:16:11,040
Speaker 1: this is last, this is this is this thing is

234
00:16:11,040 --> 00:16:14,160
Speaker 1: giving last things giving. And Yo, you know, Joe was rich,

235
00:16:14,280 --> 00:16:18,240
Speaker 1: so he has the cater. He has the cater, he

236
00:16:18,280 --> 00:16:21,080
Speaker 1: has everybody out. So I'm sitting there and Joe was

237
00:16:21,360 --> 00:16:25,800
Speaker 1: he he let he's like drink. I'm like ship. I

238
00:16:25,880 --> 00:16:28,040
Speaker 1: feel like he's challenging me. But this is my brother,

239
00:16:28,680 --> 00:16:31,240
Speaker 1: so I don't want to take it there and he goes,

240
00:16:31,400 --> 00:16:32,960
Speaker 1: and then Fat Joe threw up in his own crib.

241
00:16:33,000 --> 00:16:43,360
Speaker 1: One thing, Joe, hold up, They went all in the cup.

242
00:16:43,920 --> 00:16:51,960
Speaker 1: You know, you professional smoothing store for ever in the cup.

243
00:16:53,320 --> 00:16:55,240
Speaker 1: And let's just say that's a hold up. I got

244
00:16:55,280 --> 00:16:59,320
Speaker 1: a very special person in the house tonight who's actually

245
00:16:59,360 --> 00:17:03,680
Speaker 1: the hottest in New York City clubs. Pretty low, pretty loose,

246
00:17:03,800 --> 00:17:15,080
Speaker 1: right behind you, you're pretty little Settle in the hospital.

247
00:17:15,359 --> 00:17:17,439
Speaker 1: God bless I prayed for you. And look at you.

248
00:17:17,440 --> 00:17:25,240
Speaker 1: You out the hospital looking fucking good. You text me

249
00:17:25,320 --> 00:17:27,399
Speaker 1: this morning. You actually with sneakers I was putting on

250
00:17:27,480 --> 00:17:29,960
Speaker 1: and then you you do you put on the same sneakers. Dude.

251
00:17:30,359 --> 00:17:37,040
Speaker 1: That's the only thing I'm managing respective for everybody. I

252
00:17:37,200 --> 00:17:40,119
Speaker 1: see Lou at the radio station right that he's in

253
00:17:40,200 --> 00:17:42,720
Speaker 1: the club, that he's in the hospital, and treatment that

254
00:17:42,880 --> 00:17:44,960
Speaker 1: he's at the radio, that he's at the club. Damn,

255
00:17:45,200 --> 00:17:48,119
Speaker 1: that's like this guy's consistency with men, work with a

256
00:17:48,160 --> 00:17:50,000
Speaker 1: lot of people with just sucks out and be like

257
00:17:50,040 --> 00:17:53,120
Speaker 1: I've done. This guy is strong. That's right, pretty little

258
00:17:53,280 --> 00:17:57,920
Speaker 1: what oh no, we're here to grand open up. Ye,

259
00:17:58,040 --> 00:18:00,399
Speaker 1: I see a lot of beautiful people your pretty new

260
00:18:00,440 --> 00:18:03,440
Speaker 1: hold on because there's a lot of this is I'm

261
00:18:03,480 --> 00:18:06,840
Speaker 1: not just saying that this is the biggest podcast in

262
00:18:07,040 --> 00:18:14,240
Speaker 1: the world. Let me let me tell you something. Hold on,

263
00:18:14,359 --> 00:18:18,040
Speaker 1: hold on, tell them your journey with cancer, because you're

264
00:18:18,119 --> 00:18:22,840
Speaker 1: inspiring thousands and thousands and thousands of people with your journey.

265
00:18:22,920 --> 00:18:25,520
Speaker 1: Pretty look, tell them that people got in this. Let

266
00:18:25,560 --> 00:18:27,720
Speaker 1: me tell everybody, man one thing. I want to thank

267
00:18:27,800 --> 00:18:31,480
Speaker 1: Fat Joe on this podcast. Man without Fat Joe. I

268
00:18:31,560 --> 00:18:33,760
Speaker 1: want to be where I'm at right now with the

269
00:18:33,840 --> 00:18:36,240
Speaker 1: with the power and the and the stamina that I have.

270
00:18:36,800 --> 00:18:40,119
Speaker 1: Two years of fighting leukemia, two years of having on

271
00:18:40,200 --> 00:18:49,359
Speaker 1: blood cancer and let's make look and you put it

272
00:18:49,400 --> 00:18:54,440
Speaker 1: put it like put it like this. You know, I

273
00:18:54,520 --> 00:18:56,480
Speaker 1: want to thank God because if it wasn't for God

274
00:18:56,600 --> 00:18:58,600
Speaker 1: and for the people and all my supporters, it's all

275
00:18:58,640 --> 00:19:00,639
Speaker 1: about God, I wouldn't be I would to be touching

276
00:19:00,880 --> 00:19:05,040
Speaker 1: what is it, Joe, thousands and thousands of people on stages, stages. Yeah,

277
00:19:05,119 --> 00:19:07,000
Speaker 1: but it's more than that, Lou. Let me explain something

278
00:19:07,840 --> 00:19:10,400
Speaker 1: right now, You're not even fighting for Lou. You fight

279
00:19:10,560 --> 00:19:13,440
Speaker 1: for somebody who got cancer somewhere in the world watching you,

280
00:19:13,960 --> 00:19:16,240
Speaker 1: and they're getting up and they don't have the motivation

281
00:19:16,320 --> 00:19:19,160
Speaker 1: you got. So every day you wake up and you fight,

282
00:19:19,280 --> 00:19:22,000
Speaker 1: and you go work and you talk, tell your story

283
00:19:22,440 --> 00:19:26,280
Speaker 1: you are inspiring a little kids somewhere breast cancer. Who's

284
00:19:26,320 --> 00:19:28,960
Speaker 1: saying I could make it pretty lose A fighter. I'm

285
00:19:28,960 --> 00:19:38,760
Speaker 1: gonna fight, Joe. That's what's so powerful about your This

286
00:19:38,880 --> 00:19:41,119
Speaker 1: is Joe, Tim. But I'm gonna say one thing for

287
00:19:41,160 --> 00:19:44,680
Speaker 1: the shot to the Instagram shot to everybody. But listen,

288
00:19:45,280 --> 00:19:48,080
Speaker 1: anybody who's out there fighting cancer or any type of disease,

289
00:19:48,119 --> 00:19:50,760
Speaker 1: always let you know that the disease doesn't take you.

290
00:19:51,400 --> 00:19:53,080
Speaker 1: You know what I'm saying. It's all about the mind.

291
00:19:53,119 --> 00:19:55,520
Speaker 1: It's all about the power. It doesn't matter what type

292
00:19:55,560 --> 00:19:57,720
Speaker 1: of chemotherapy you get, what type of medicine you get,

293
00:19:57,920 --> 00:19:59,640
Speaker 1: It's all about your mind. If you put your mind

294
00:19:59,680 --> 00:20:01,879
Speaker 1: into it, never matter. You know what I'm saying, And

295
00:20:02,000 --> 00:20:04,440
Speaker 1: you don't let the disease get to you. Believe me,

296
00:20:04,680 --> 00:20:09,840
Speaker 1: it doesn't take no drug for you to beat this. Yeah,

297
00:20:10,600 --> 00:20:13,920
Speaker 1: number number one podcast. I said it. I've been listening

298
00:20:13,960 --> 00:20:17,920
Speaker 1: to It's the Hospital bed and listen pretty little. I

299
00:20:17,960 --> 00:20:20,160
Speaker 1: also want to pick you up, but just always being

300
00:20:20,200 --> 00:20:24,920
Speaker 1: a motivator, always being an inspired person, always being every

301
00:20:25,000 --> 00:20:27,320
Speaker 1: time I see you, you smiling, and you know that's

302
00:20:27,320 --> 00:20:30,840
Speaker 1: important to me because I don't I can't do this business.

303
00:20:30,920 --> 00:20:33,400
Speaker 1: I can't be a part of this business unless I'm smiling,

304
00:20:33,560 --> 00:20:35,879
Speaker 1: if having fun doing what I want to do, I

305
00:20:36,000 --> 00:20:38,800
Speaker 1: can't do it. You know what I'm saying. Elite might

306
00:20:38,840 --> 00:20:44,000
Speaker 1: be helping. I don't need it. I don't unless I

307
00:20:44,160 --> 00:20:51,640
Speaker 1: love it. I'm sorry, man. I appreciate you always having

308
00:20:51,680 --> 00:20:55,920
Speaker 1: the ularly bottom you ain't you always wrap that varularly

309
00:20:56,440 --> 00:21:03,400
Speaker 1: that vodka brands moved, by the way, have you tasted

310
00:21:03,480 --> 00:21:05,399
Speaker 1: it yet? It's my first time. This is Get the

311
00:21:05,520 --> 00:21:16,760
Speaker 1: cameras on it. No, no, no show you re check.

312
00:21:20,200 --> 00:21:27,240
Speaker 1: I watch out. You're gonna die for twelve seconds. Stool,

313
00:21:28,040 --> 00:21:38,040
Speaker 1: it goes down, smoothing right this thing, bat Joe got

314
00:21:38,080 --> 00:21:42,160
Speaker 1: the thirteenth century rock out. Let's fiste over your leg.

315
00:21:42,840 --> 00:21:47,600
Speaker 1: That's queens making the days with this ship. It used

316
00:21:47,640 --> 00:21:49,160
Speaker 1: to come out with this ship. You know it says eight.

317
00:21:49,720 --> 00:21:54,760
Speaker 1: This happens straight up that ship for my monkey. How

318
00:21:54,800 --> 00:21:57,320
Speaker 1: did you get how did you get put on the ver? Well?

319
00:21:57,400 --> 00:22:01,760
Speaker 1: You know, I started drinking at first, and then he's

320
00:22:01,760 --> 00:22:04,399
Speaker 1: a great you know what drinking at first and I

321
00:22:04,520 --> 00:22:07,200
Speaker 1: was like, yo, this is the best quite you know,

322
00:22:07,320 --> 00:22:10,680
Speaker 1: best kept secret. So I contacted the owners and was like,

323
00:22:10,800 --> 00:22:13,399
Speaker 1: yoall you might need Fat Joe in your life and

324
00:22:13,440 --> 00:22:16,480
Speaker 1: they cut us do something like that. I believe that

325
00:22:16,560 --> 00:22:20,680
Speaker 1: you always gotta be like, uh, product of the product.

326
00:22:21,160 --> 00:22:24,359
Speaker 1: So I became I love the products, so I contacted

327
00:22:24,400 --> 00:22:38,960
Speaker 1: them and now we're partners. Then they cut that, y'all Okay, email, okay,

328
00:22:39,160 --> 00:22:42,480
Speaker 1: money were watching and listen, there's a lot of coke

329
00:22:42,560 --> 00:22:48,120
Speaker 1: dealers is gonna come here by sneakers allegedly, Scott don't.

330
00:22:48,960 --> 00:22:52,880
Speaker 1: It's a nice people here. I've seen Chinese people come down,

331
00:22:53,200 --> 00:23:01,280
Speaker 1: all of the genderfer gentified gender. Get the fight. All right,

332
00:23:02,480 --> 00:23:17,640
Speaker 1: we got ship. We need premon On drink Chance, get

333
00:23:17,680 --> 00:23:28,320
Speaker 1: you drunk later, we get you drunk. Premo Holy Ship.

334
00:23:28,359 --> 00:23:30,480
Speaker 1: I was throwing off PREMI. So you got an album

335
00:23:30,560 --> 00:23:35,199
Speaker 1: with pet Rocket whole album? How then did that happen? Well?

336
00:23:35,240 --> 00:23:37,000
Speaker 1: I knew Pete since I was young, you know what

337
00:23:37,000 --> 00:23:38,680
Speaker 1: I mean? And I used to carry Pete face to

338
00:23:38,720 --> 00:23:40,200
Speaker 1: get in the club before I can get in from

339
00:23:40,240 --> 00:23:43,119
Speaker 1: Mount verning On. Now I'm from Hollow but Pe, you

340
00:23:43,200 --> 00:23:47,879
Speaker 1: know Pe everywhere. But we did something for Flex and uh,

341
00:23:48,280 --> 00:23:50,119
Speaker 1: Pete really funk with the James, like, yeah, let's just

342
00:23:50,160 --> 00:23:52,680
Speaker 1: do a whole album. You know. That's how that ship

343
00:23:52,760 --> 00:23:56,840
Speaker 1: came about man, don't smoke rock, and it looked like

344
00:23:56,960 --> 00:24:01,600
Speaker 1: to pay the full covers. Take it back, NYC. Let

345
00:24:01,640 --> 00:24:05,000
Speaker 1: me tell you something. Smoke. There's a uh. I respect

346
00:24:05,040 --> 00:24:09,240
Speaker 1: everybody coming up new artists, but I especially respect new

347
00:24:09,480 --> 00:24:12,480
Speaker 1: new artists from NYC because that's where my heart is.

348
00:24:12,680 --> 00:24:14,760
Speaker 1: I live in Miami. I wear flip flops all day

349
00:24:15,119 --> 00:24:17,240
Speaker 1: to keep it a hunting, and I never have a

350
00:24:17,280 --> 00:24:25,680
Speaker 1: babysitter slide. Only the only store in America that's gonna

351
00:24:25,720 --> 00:24:29,240
Speaker 1: have the drink Champ slide is gonna be So I

352
00:24:29,320 --> 00:24:32,119
Speaker 1: want to support you. I want to continue to you

353
00:24:32,200 --> 00:24:36,480
Speaker 1: know you, the Younger Maids, the Davies Is, the Eight Boogies,

354
00:24:37,119 --> 00:24:39,920
Speaker 1: the don Ques. I want to continue to support y'all

355
00:24:39,960 --> 00:24:42,960
Speaker 1: because y'all's was gonna keep us. Y'all was gonna bring

356
00:24:43,000 --> 00:24:45,720
Speaker 1: it back, and he's got a movement. You gotta move.

357
00:24:46,720 --> 00:24:48,919
Speaker 1: I look up to y'alls. I mean like I started

358
00:24:48,960 --> 00:24:51,720
Speaker 1: this ship listening to y'alls, listening to listening to Part

359
00:24:51,760 --> 00:24:54,200
Speaker 1: listen to Nor in the home, listening to DMX, and

360
00:24:54,280 --> 00:25:00,320
Speaker 1: I mean a lot. So let's make noise jets now. No,

361
00:25:00,440 --> 00:25:04,640
Speaker 1: it's the whole text. Oh my god, I'll tell you later,

362
00:25:05,560 --> 00:25:13,639
Speaker 1: damn it. Let's big up's big upten come in them

363
00:25:13,760 --> 00:25:20,119
Speaker 1: from Nike. Don't need to Nike account. No, he's actually

364
00:25:20,119 --> 00:25:27,000
Speaker 1: a big fan of the drink. Right now, say your

365
00:25:27,040 --> 00:25:29,800
Speaker 1: name got Instagram, Now we need Nikes. We need to

366
00:25:29,920 --> 00:25:36,320
Speaker 1: Nike plug. Yeah, let's definitely be g Instagram and your

367
00:25:36,440 --> 00:25:42,560
Speaker 1: Twitter and all that, not the nag Ya. You know

368
00:25:42,720 --> 00:25:45,000
Speaker 1: you need my number, don't you know one? You know me?

369
00:25:45,480 --> 00:25:47,480
Speaker 1: I went and met with him and I was like, y'all,

370
00:25:47,560 --> 00:25:50,639
Speaker 1: it's just choice of y'all from the Bronx. He actually

371
00:25:50,720 --> 00:25:54,480
Speaker 1: got a story. Tell him about your mom. Y, No,

372
00:25:54,680 --> 00:25:57,200
Speaker 1: that's just drink. It's just real. You got to talk

373
00:25:57,240 --> 00:26:10,840
Speaker 1: to the money, your fat Joe. This is and I'll

374
00:26:10,880 --> 00:26:13,119
Speaker 1: do up my honeydie second and creston in the brooch.

375
00:26:14,160 --> 00:26:18,320
Speaker 1: Oh yeah, very so where I live, show you to

376
00:26:18,600 --> 00:26:23,800
Speaker 1: uh hang out out. So it's a little I got

377
00:26:23,920 --> 00:26:27,480
Speaker 1: into something and I'll tell you one thing. This man

378
00:26:27,560 --> 00:26:33,800
Speaker 1: and you here parted. Brother came up. My mother was screaming,

379
00:26:33,840 --> 00:26:36,280
Speaker 1: what's going on? What's going on? They said, Debbie, we

380
00:26:36,440 --> 00:26:40,680
Speaker 1: got you to Cammy and now what's when seven years later?

381
00:26:40,880 --> 00:26:45,360
Speaker 1: Now you're a big dogging night. Can you have Let's

382
00:26:45,400 --> 00:26:50,520
Speaker 1: make sure you take my number. Bus love the story.

383
00:26:50,640 --> 00:26:52,919
Speaker 1: I love the story, but look take my number bus

384
00:26:53,040 --> 00:26:55,920
Speaker 1: on you out you out here, I got We're gonna

385
00:26:55,960 --> 00:26:59,159
Speaker 1: do this, me and you, nigga. I don't need to

386
00:26:59,200 --> 00:27:06,399
Speaker 1: pass you all is the number taking section? Is my

387
00:27:07,400 --> 00:27:09,480
Speaker 1: next I spoke while they're doing that. Let's talk about

388
00:27:09,480 --> 00:27:16,400
Speaker 1: this album with Peter Rocket. Look and please when y'all

389
00:27:16,400 --> 00:27:19,640
Speaker 1: coming to myself in but putting nikes, it's very important,

390
00:27:20,240 --> 00:27:23,080
Speaker 1: very important. We're gonna have having on the Nike. Him

391
00:27:23,119 --> 00:27:24,800
Speaker 1: and Rocker coming up, Him and pe Rock come up?

392
00:27:24,800 --> 00:27:27,000
Speaker 1: We were you hanging out with us right now with

393
00:27:27,240 --> 00:27:31,120
Speaker 1: Johnny News can't I'm statics right behind the static. Come

394
00:27:31,160 --> 00:27:34,720
Speaker 1: sit down at me. You got a BlackBerry scale. I'm

395
00:27:34,720 --> 00:27:41,560
Speaker 1: just going up. Be carefully, I'm statics selector what up

396
00:27:42,000 --> 00:27:44,760
Speaker 1: your official drink chap. We talk about how we really

397
00:27:44,880 --> 00:27:50,520
Speaker 1: set off my my drink Champ. Are you pronouncing I'm

398
00:27:50,560 --> 00:27:52,560
Speaker 1: the prince of dramp Champs and he's like the king.

399
00:27:53,920 --> 00:27:57,840
Speaker 1: Let's talk about how the drink Champs nor static ship started. Yo,

400
00:27:58,000 --> 00:28:01,879
Speaker 1: smoke doesn't be carefully. I'm only drinking because because because

401
00:28:02,480 --> 00:28:09,080
Speaker 1: you paid for the flag. Yeah, coming up, maybe leaving

402
00:28:10,119 --> 00:28:18,920
Speaker 1: Como with him yeah, listen, yea statics sellector. Yeah, huh,

403
00:28:19,640 --> 00:28:27,520
Speaker 1: Johnny noons. We need the rest of that story. Goddamn it,

404
00:28:28,080 --> 00:28:37,160
Speaker 1: this drink is fantastic going on. Come in some ship.

405
00:28:39,040 --> 00:28:43,280
Speaker 1: It's three. D J's in the wrapper right now. Don't

406
00:28:43,280 --> 00:28:48,880
Speaker 1: forget Nast he's here too fluid in my house. Man,

407
00:28:48,960 --> 00:28:51,160
Speaker 1: I did not know DJ Nasty was cuman. Yes, Man,

408
00:28:51,200 --> 00:28:55,800
Speaker 1: I didn't DJ know these things. So Cammilla, what's going on?

409
00:28:55,960 --> 00:28:59,200
Speaker 1: My brother? He opened up a slice, Yes, and the

410
00:28:59,320 --> 00:29:01,560
Speaker 1: story got one in the story of and one in

411
00:29:01,800 --> 00:29:04,880
Speaker 1: Long Queen City, Queens. You get a lot of money,

412
00:29:05,280 --> 00:29:09,840
Speaker 1: makes some noise for Camillo, get a lot of orders.

413
00:29:10,440 --> 00:29:14,959
Speaker 1: D J Camillo. Yo, so you're the international because one

414
00:29:15,000 --> 00:29:17,560
Speaker 1: thing I know about your parties is every race comes

415
00:29:17,560 --> 00:29:21,680
Speaker 1: to your party. Is that well not? You know in

416
00:29:21,800 --> 00:29:29,960
Speaker 1: New Yorker, have that Latin core fan love. If you

417
00:29:30,080 --> 00:29:33,200
Speaker 1: like spanning space, just go to the Commillo. Let's just

418
00:29:33,240 --> 00:29:39,560
Speaker 1: get to the point. Let's get to the point superhold

419
00:29:39,600 --> 00:29:41,800
Speaker 1: demon used to buy cocaine for these guys back in

420
00:29:41,840 --> 00:29:46,480
Speaker 1: the day, and take it back to Queens. He's back

421
00:29:46,560 --> 00:29:52,320
Speaker 1: to the static selector. Static Selector and DJ Camillo, I

422
00:29:52,360 --> 00:29:54,160
Speaker 1: would like to ask you both a question right now,

423
00:29:55,240 --> 00:29:59,040
Speaker 1: you're both DJ every night. What is the go to

424
00:29:59,160 --> 00:30:03,920
Speaker 1: record right now? Man? Right now? And it's a different

425
00:30:04,040 --> 00:30:07,200
Speaker 1: right now, right now, I mean different. It means DC

426
00:30:07,400 --> 00:30:11,040
Speaker 1: for Liddy. I don't even know what. Yes, that's Hall,

427
00:30:11,280 --> 00:30:15,920
Speaker 1: that's all right. I thought the name of the group

428
00:30:16,000 --> 00:30:22,600
Speaker 1: was DC. Yeah, not a right could let me think

429
00:30:23,280 --> 00:30:25,680
Speaker 1: that's a question though, because you know there's so many

430
00:30:27,240 --> 00:30:30,840
Speaker 1: I would say, Man, you could say depending on the

431
00:30:30,880 --> 00:30:33,200
Speaker 1: crowd too. Yeah, it definitely depends on the crowd. Stick

432
00:30:34,920 --> 00:30:39,120
Speaker 1: I depend on. I'm an artist. You know, I'm not

433
00:30:39,200 --> 00:30:41,280
Speaker 1: the artist. I'm a fan. But you don't understand it. Man,

434
00:30:41,840 --> 00:30:46,800
Speaker 1: the crowd j give us, give us one. But you

435
00:30:47,200 --> 00:30:49,520
Speaker 1: you know, I mean listen, d just dropped this week,

436
00:30:50,840 --> 00:30:53,160
Speaker 1: big up Meek. We've been buying right now in the

437
00:30:53,280 --> 00:30:56,880
Speaker 1: streets night now. That's what's going on. That's eight right now.

438
00:30:57,640 --> 00:31:00,200
Speaker 1: That's it. You know what it is? Nobody out of

439
00:31:00,280 --> 00:31:02,720
Speaker 1: dough that new trap called quest out. Don't ask me.

440
00:31:06,640 --> 00:31:08,480
Speaker 1: I think I think you missed on This is my question.

441
00:31:08,560 --> 00:31:10,920
Speaker 1: Like I know when the club and the club the club, like,

442
00:31:11,160 --> 00:31:15,080
Speaker 1: when are you going? Man? I would say, you know

443
00:31:15,160 --> 00:31:18,000
Speaker 1: what a fade man, Kanye fade? I love that record.

444
00:31:19,000 --> 00:31:22,040
Speaker 1: That's my ship, Tiana Taylor. That's all that's big. I

445
00:31:22,800 --> 00:31:25,800
Speaker 1: think that's big for a DJ. That that's like a tool.

446
00:31:25,880 --> 00:31:28,760
Speaker 1: There's where you can like record it could bring. You

447
00:31:28,880 --> 00:31:30,880
Speaker 1: can either go old school after you go new with it,

448
00:31:31,000 --> 00:31:32,479
Speaker 1: like it's just one of those records you used as

449
00:31:32,480 --> 00:31:35,800
Speaker 1: a tool. And then everybody and then when his club bangers,

450
00:31:35,840 --> 00:31:38,720
Speaker 1: it's like just left records you could just hate. Everybody

451
00:31:38,760 --> 00:31:42,840
Speaker 1: goes crazy like Shorty low jay Z. That name j Z.

452
00:31:43,160 --> 00:31:50,800
Speaker 1: I mean, I'm sorry, jez bad. I'm looking at the

453
00:31:50,840 --> 00:31:53,240
Speaker 1: drink ess I'm looking at I'm looking at his nick

454
00:31:53,240 --> 00:31:57,560
Speaker 1: around me shot because you're you're you're not a guy.

455
00:31:57,600 --> 00:32:00,720
Speaker 1: You're efing guy's fight, but e's are your leaves together?

456
00:32:00,760 --> 00:32:08,880
Speaker 1: Take a shot? Was the first customer today, was the

457
00:32:08,920 --> 00:32:14,000
Speaker 1: first customer I've seen that this is fat Joe's on

458
00:32:14,120 --> 00:32:16,440
Speaker 1: the way up and cut the check out. Damna, I

459
00:32:16,600 --> 00:32:24,800
Speaker 1: do by myself and I'm still on. I didn't have

460
00:32:25,600 --> 00:32:29,840
Speaker 1: I don't do have shots. Columbia, get my cuban. There's

461
00:32:29,880 --> 00:32:34,000
Speaker 1: already one shots. Let's go. You want to go full

462
00:32:34,280 --> 00:32:40,640
Speaker 1: and no I can't. I'm just throwing it out there. Listen, listen,

463
00:32:41,200 --> 00:32:43,520
Speaker 1: Stay was the first guy that I said you can't

464
00:32:43,520 --> 00:32:47,240
Speaker 1: beat him to join him. I put Hennessey in his car,

465
00:32:47,480 --> 00:32:48,920
Speaker 1: did I put the rock in his CP and he

466
00:32:49,080 --> 00:32:51,840
Speaker 1: drank it and didn't and then he mixed it with

467
00:32:52,000 --> 00:32:54,120
Speaker 1: more wet and then I gave him three more drinks.

468
00:32:54,120 --> 00:32:56,480
Speaker 1: And I'm looking waiting for the earl and they would

469
00:32:56,480 --> 00:32:58,680
Speaker 1: have loved that puff drink. Oh no, no, no, puff

470
00:32:58,720 --> 00:33:00,760
Speaker 1: made the Jeff puff made them the puff. Imagine what

471
00:33:02,040 --> 00:33:07,840
Speaker 1: right area right here? Listen, salute the DJ, DJ CAMMILLOJ

472
00:33:11,680 --> 00:33:13,880
Speaker 1: d J e F. Let me tell you something. As

473
00:33:13,920 --> 00:33:16,800
Speaker 1: an artist, we don't salute y'all enough. How no, you don't.

474
00:33:17,960 --> 00:33:24,320
Speaker 1: Fuckers don't support DJ MA it's coming. So as an artist,

475
00:33:24,720 --> 00:33:28,239
Speaker 1: you know, without y'all, we don't exist because it has

476
00:33:28,280 --> 00:33:30,760
Speaker 1: to be a DJ who has to understand our record,

477
00:33:30,840 --> 00:33:35,160
Speaker 1: play our record, and support our record. So the thing

478
00:33:35,240 --> 00:33:38,440
Speaker 1: about when you got DJs that that break records, like

479
00:33:38,920 --> 00:33:40,720
Speaker 1: DJ Cammillo, like a d J e F, like a

480
00:33:40,720 --> 00:33:44,120
Speaker 1: Status select. I want to deck a Nasty. I want

481
00:33:44,160 --> 00:33:48,040
Speaker 1: to salute you brothers. Give Nasty a shot. God damnag. Yeah,

482
00:33:48,120 --> 00:33:51,200
Speaker 1: we're drinking to the DJ. You ain't the best today,

483
00:33:51,680 --> 00:34:00,320
Speaker 1: you shot. Let's speak. I wanna I wanna. I want

484
00:34:00,360 --> 00:34:05,400
Speaker 1: to salute the DJ because we're out again without the DJ.

485
00:34:06,080 --> 00:34:08,279
Speaker 1: You know what the DJ is, y'are the bullets where

486
00:34:08,360 --> 00:34:12,080
Speaker 1: the gun, but the gun can't function. The DJ is

487
00:34:12,120 --> 00:34:13,680
Speaker 1: the backbone of hip hop. Man. Let me bring you

488
00:34:13,719 --> 00:34:15,640
Speaker 1: down my way. I'm gonna tell you, let me bring

489
00:34:15,719 --> 00:34:19,239
Speaker 1: down you right now. The DJ is the bullets, and

490
00:34:19,320 --> 00:34:21,239
Speaker 1: we are the gun. And I want to salute the DJ,

491
00:34:21,440 --> 00:34:29,640
Speaker 1: DJ Nasty, DJ, Camelot, Statics Selector, DJ Enough, DJ Envy,

492
00:34:30,160 --> 00:34:49,759
Speaker 1: Clue Master, Flex K Slay, Everybody Complete, Solle. Hello, yo, y'all.

493
00:34:49,800 --> 00:34:51,799
Speaker 1: I'm so proud to announce that drink Champs is now.

494
00:34:51,800 --> 00:34:53,640
Speaker 1: I want to tune in, get out of here. Yes,

495
00:34:53,680 --> 00:34:55,560
Speaker 1: we all drink Champs on tune you can catch me

496
00:34:55,600 --> 00:34:57,200
Speaker 1: a e F and while I'm out doing our thing,

497
00:34:57,320 --> 00:35:00,239
Speaker 1: drinking with guestes smoking an accident? Do they eat that? Asks?

498
00:35:00,400 --> 00:35:02,600
Speaker 1: You can listen to the show all day, every day

499
00:35:02,640 --> 00:35:06,800
Speaker 1: through tune ins app. New episodes, past episodes, your favorite

500
00:35:06,800 --> 00:35:09,360
Speaker 1: episodes all on tune in. It's free on tune in.

501
00:35:09,440 --> 00:35:11,719
Speaker 1: Let's get it get download tune in app. Never missed

502
00:35:11,719 --> 00:35:14,160
Speaker 1: the show again? Twenty four ACTSS Why should listen to

503
00:35:14,200 --> 00:35:16,320
Speaker 1: tune in I'm telling you right now, stay tuned in

504
00:35:16,880 --> 00:35:18,920
Speaker 1: tune you could be mobile. You can listen to the

505
00:35:18,960 --> 00:35:21,319
Speaker 1: show anywhere with Tune and app. It doesn't matter when

506
00:35:21,400 --> 00:35:23,279
Speaker 1: or we're at home, in your car, on the go.

507
00:35:23,640 --> 00:35:26,680
Speaker 1: Can even listen anywhere from around the world. Right tone

508
00:35:26,760 --> 00:35:29,319
Speaker 1: in and now. When you get on tune in, Drink

509
00:35:29,400 --> 00:35:32,279
Speaker 1: Champs were available. Can also listen to great music from

510
00:35:32,280 --> 00:35:34,759
Speaker 1: around the world including tune is exclusive hip hop beat

511
00:35:34,840 --> 00:35:37,520
Speaker 1: channel featuring the hottest tracks and latest sounds of hip

512
00:35:37,600 --> 00:35:40,040
Speaker 1: hop right now, but listening to Drink Chaps first before

513
00:35:40,040 --> 00:35:42,120
Speaker 1: you go to the music section. That's right, Cats. Drink

514
00:35:42,200 --> 00:35:44,640
Speaker 1: Champs all day, every day on tune in, download the

515
00:35:44,640 --> 00:35:51,560
Speaker 1: app listen It's free, free. Welcome to play a new

516
00:35:51,719 --> 00:35:57,239
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

517
00:35:57,320 --> 00:36:01,640
Speaker 1: and more. Play it at play dot it. We're back

518
00:36:01,760 --> 00:36:05,080
Speaker 1: to Drink Champs Radio with Rapper and Mari and d

519
00:36:05,280 --> 00:36:11,919
Speaker 1: j oh. That made me one of day. That's crazy, y'all.

520
00:36:12,120 --> 00:36:17,320
Speaker 1: What's that record of One time? I was listening to

521
00:36:17,640 --> 00:36:19,360
Speaker 1: one of the episodes and I had to hit up

522
00:36:19,400 --> 00:36:23,120
Speaker 1: Nori because of course drink Chance because after the after

523
00:36:23,200 --> 00:36:27,400
Speaker 1: the episode, I was like, Nori, great show for fuck

524
00:36:27,480 --> 00:36:31,400
Speaker 1: You Twisting right now, because I don't know which one

525
00:36:31,440 --> 00:36:34,160
Speaker 1: it was. I've listened to, like maybe dam is the

526
00:36:34,920 --> 00:36:37,439
Speaker 1: he was sucked up the fifty one were the fifty

527
00:36:37,520 --> 00:36:40,239
Speaker 1: was sucked up? One of me? Though, you don't drink

528
00:36:40,360 --> 00:36:43,439
Speaker 1: yea to drink and that was an amazing show. Shout

529
00:36:43,480 --> 00:36:50,520
Speaker 1: outs to everybody. Getting away from Jane chanced to potide

530
00:36:51,440 --> 00:36:53,320
Speaker 1: ill concept for the podcast. But I can't even like

531
00:36:53,840 --> 00:36:55,759
Speaker 1: I'm saying, wanting to do now, I'll say it on

532
00:36:55,840 --> 00:36:58,520
Speaker 1: the air. Yeah, it's called backstory shot. My partner JFK

533
00:36:58,640 --> 00:37:01,120
Speaker 1: were doing this thing called backstory right. The co host

534
00:37:01,200 --> 00:37:03,000
Speaker 1: is gonna blow your mind when you see who it is.

535
00:37:03,440 --> 00:37:07,840
Speaker 1: But Na, but it's about basically every episode's gonna be

536
00:37:08,200 --> 00:37:10,759
Speaker 1: the making of an album a class. So we gotta

537
00:37:10,800 --> 00:37:13,520
Speaker 1: do war Report, we gotta do a couple of different things.

538
00:37:13,600 --> 00:37:16,239
Speaker 1: It's a podcast you're gonna do. Yeah, but I hate

539
00:37:16,400 --> 00:37:20,160
Speaker 1: I hate that everybody's podcast. I gotta feel bad because

540
00:37:20,200 --> 00:37:22,759
Speaker 1: my Shape forty five ship. Let's everybody that's on the

541
00:37:22,840 --> 00:37:25,080
Speaker 1: podcast that's not down with drink champs. Let's do that

542
00:37:25,200 --> 00:37:32,200
Speaker 1: right now, say I'll be doing it. Let's work for you.

543
00:37:32,440 --> 00:37:34,239
Speaker 1: Let's let get DJ nasty to get that. Get that

544
00:37:34,320 --> 00:37:40,879
Speaker 1: Mike for second right now, man shout out to Orlando. Man,

545
00:37:42,360 --> 00:37:46,480
Speaker 1: this person to play a crazyhood record straight. Yeah yeah,

546
00:37:46,640 --> 00:37:48,360
Speaker 1: and that's what Kyl is really from. Let's keep it

547
00:37:48,440 --> 00:37:54,960
Speaker 1: really from my way over. Started out there, yeah, started,

548
00:37:55,160 --> 00:37:59,000
Speaker 1: but he's from New Orleans, Winter Orlando, and then he

549
00:37:59,160 --> 00:38:04,440
Speaker 1: made his home but got damn god damnit snapchat. I

550
00:38:04,480 --> 00:38:09,200
Speaker 1: heard the old snapchat. I had no idea. I'm be

551
00:38:09,280 --> 00:38:15,920
Speaker 1: on drink chance man, we're waiting for you. Now he

552
00:38:16,080 --> 00:38:19,839
Speaker 1: keeps working with the corny people. God damnit picked him

553
00:38:19,880 --> 00:38:23,479
Speaker 1: up as well. We love you rap. Right, he's showing

554
00:38:23,480 --> 00:38:28,480
Speaker 1: the radio or that right? Yea, Now is that that's

555
00:38:28,520 --> 00:38:32,480
Speaker 1: a clear channels hard cocks. Yeah you've been there forever, right,

556
00:38:33,280 --> 00:38:38,440
Speaker 1: you must own the station by now. Yeah. Right, that

557
00:38:38,640 --> 00:38:45,000
Speaker 1: mean I'm saying it's not the same Cox nay. Oh

558
00:38:45,040 --> 00:38:54,399
Speaker 1: yeah yeah yeah yeah man, you think you think it's

559
00:38:54,440 --> 00:38:58,920
Speaker 1: that big? Up to my dude, super old man, I

560
00:38:59,040 --> 00:39:02,480
Speaker 1: love you super Bowl looking very slim shot the nasty

561
00:39:02,480 --> 00:39:08,000
Speaker 1: he was, Yeah, I'm watching, I'm watching. You can just

562
00:39:08,000 --> 00:39:14,319
Speaker 1: smell with Beyonce. Yeah yeah, I heard she smelled. That's

563
00:39:14,320 --> 00:39:17,560
Speaker 1: a fact. Good people. I'll be texting hold like, yo,

564
00:39:18,040 --> 00:39:22,200
Speaker 1: he smelled it. I'm not you definitely about that. But

565
00:39:22,280 --> 00:39:25,200
Speaker 1: it felt good for the moment, for the moment, the

566
00:39:25,200 --> 00:39:28,839
Speaker 1: whole because he's cutting checks right now, he's cutting checks

567
00:39:28,920 --> 00:39:31,040
Speaker 1: right now, up the whole, and you switched from sir

568
00:39:31,160 --> 00:39:35,279
Speaker 1: rock correct. What happened wasn't good to check. Let's get

569
00:39:35,280 --> 00:39:38,880
Speaker 1: straight to the point I felt like about the we

570
00:39:39,000 --> 00:39:42,239
Speaker 1: talked about to the point I was shot to puff

571
00:39:42,360 --> 00:39:44,680
Speaker 1: you know what I'm saying. He definitely opened the door. Yeah,

572
00:39:44,760 --> 00:39:47,000
Speaker 1: But I was down with some points for five years.

573
00:39:47,719 --> 00:39:50,920
Speaker 1: And the situation came about two years ago. Came down

574
00:39:51,480 --> 00:39:54,200
Speaker 1: and I was like a gentleman. I stepped to puffing

575
00:39:54,239 --> 00:39:57,160
Speaker 1: and say, yo, I got this situation here, man, what's

576
00:39:57,239 --> 00:40:03,239
Speaker 1: up for him? You actually stepped to like pres And

577
00:40:03,320 --> 00:40:06,239
Speaker 1: then the first year I didn't take it. You didn't

578
00:40:06,280 --> 00:40:09,480
Speaker 1: take that. So the offer was on the tip from mint, Yeah,

579
00:40:09,640 --> 00:40:14,600
Speaker 1: but from Queen's exactly. The second year. Second year they

580
00:40:14,640 --> 00:40:17,839
Speaker 1: were knocking again, what's sucking? And and then and then

581
00:40:17,920 --> 00:40:19,960
Speaker 1: I did the right thing again and say, yo, my brothers,

582
00:40:20,680 --> 00:40:23,279
Speaker 1: you know this is going on. What's up? You know?

583
00:40:23,440 --> 00:40:25,560
Speaker 1: Right now? Things they move and things and the I'm like, okay,

584
00:40:26,040 --> 00:40:28,920
Speaker 1: well y'all know, talking them out to the Rock Nation offices.

585
00:40:29,760 --> 00:40:32,040
Speaker 1: Y'all this is about to go down. You always still

586
00:40:32,080 --> 00:40:34,600
Speaker 1: can't make a move. We can't help you. Blah blah blah,

587
00:40:34,760 --> 00:40:39,319
Speaker 1: rock Nation saying that. Ronald's saying that, Okay, I mean

588
00:40:39,360 --> 00:40:40,960
Speaker 1: I don't, I don't you know, because he said to

589
00:40:41,040 --> 00:40:43,640
Speaker 1: Rock Nation offices they say that, yeah, I made him.

590
00:40:43,680 --> 00:40:45,279
Speaker 1: You know, I did the right thing. You know, I'll

591
00:40:45,280 --> 00:40:51,040
Speaker 1: give him management because right. And then you know, after

592
00:40:51,120 --> 00:40:53,600
Speaker 1: while being there five years, you know, I said, you know,

593
00:40:53,680 --> 00:40:55,600
Speaker 1: I think it's time. Man fifty eight, you don't want

594
00:40:55,600 --> 00:40:57,120
Speaker 1: to get down with this new and it's great to

595
00:40:57,160 --> 00:40:59,120
Speaker 1: start setting you again. You know what I'm saying, up

596
00:40:59,160 --> 00:41:01,759
Speaker 1: and coming. You know, e is news still still new

597
00:41:01,880 --> 00:41:04,400
Speaker 1: and you believe in the product absolutely, and then just

598
00:41:04,520 --> 00:41:08,359
Speaker 1: the whole queen's movements. That's a kid. God damn it, yo.

599
00:41:08,600 --> 00:41:10,759
Speaker 1: You know he was real jenuine. I met when he

600
00:41:10,880 --> 00:41:16,480
Speaker 1: was right. I want to dude, and he you know,

601
00:41:16,560 --> 00:41:18,440
Speaker 1: he put he put the whole paint, the whole picture

602
00:41:18,480 --> 00:41:20,719
Speaker 1: for me, and it's just more than just ef. You

603
00:41:20,760 --> 00:41:22,040
Speaker 1: know what I'm saying. He has a plan behind it,

604
00:41:22,800 --> 00:41:24,719
Speaker 1: big up fifty God damn it, right, So you know

605
00:41:24,760 --> 00:41:26,799
Speaker 1: I forgot to get the movie, but you can come

606
00:41:26,840 --> 00:41:34,400
Speaker 1: to drink Chance. Yeah, Army, please hit him off because

607
00:41:34,880 --> 00:41:36,919
Speaker 1: we let him slip out of our things. He came

608
00:41:36,960 --> 00:41:39,200
Speaker 1: and did the podcast. We let him slip. We didn't

609
00:41:39,239 --> 00:41:40,960
Speaker 1: pressure on them. But now it's trying to pressure because

610
00:41:40,960 --> 00:41:42,480
Speaker 1: everybody tell me he's a good guy. But you're about

611
00:41:42,520 --> 00:41:49,759
Speaker 1: guy right, I'm not. I'm actually a free agent. We

612
00:41:51,080 --> 00:41:54,920
Speaker 1: just I don't know if I have the power to

613
00:41:55,000 --> 00:41:57,600
Speaker 1: do that, but I just already did it. Sorry, I'm

614
00:41:57,640 --> 00:42:02,920
Speaker 1: sorry all over so um what you rock? At one point, No,

615
00:42:03,480 --> 00:42:06,080
Speaker 1: I never got into the you know, you don't really drink.

616
00:42:06,440 --> 00:42:09,839
Speaker 1: I drink a little bit drink you know, Cuban little

617
00:42:09,840 --> 00:42:18,600
Speaker 1: bit here Cuban. Yeah, absolutely, the grooving Cuban you what

618
00:42:18,640 --> 00:42:22,040
Speaker 1: are you black? Black? Because I gotta go change typers.

619
00:42:22,080 --> 00:42:25,640
Speaker 1: I love you. Let's show you sell out your Instagram

620
00:42:25,680 --> 00:42:27,680
Speaker 1: and all these people so they make sure your original

621
00:42:27,800 --> 00:42:30,200
Speaker 1: drink Chance at Statics select. That's what k is not

622
00:42:30,360 --> 00:42:32,400
Speaker 1: sees s T A T I K S c l

623
00:42:32,480 --> 00:42:34,920
Speaker 1: E K T. You know Shade forty five Thursday Nights

624
00:42:35,200 --> 00:42:36,759
Speaker 1: and me and you were about to build about this other,

625
00:42:36,880 --> 00:42:46,279
Speaker 1: this other podcasting side of that guy. Okay, hit me

626
00:42:46,360 --> 00:42:49,239
Speaker 1: that we're gonna strip up. Yeah, alright, we're gonna added

627
00:42:49,320 --> 00:42:52,759
Speaker 1: that part out. That's it. That's it, alright, So listen,

628
00:42:53,880 --> 00:42:58,440
Speaker 1: d J. We got d J. I'm excited. When you

629
00:42:58,560 --> 00:43:00,919
Speaker 1: go to a club, how does it? How does it work?

630
00:43:01,120 --> 00:43:03,960
Speaker 1: You look at the crowd and you play? Or do

631
00:43:04,080 --> 00:43:08,920
Speaker 1: you play and then look at the crowd? You mean, camello,

632
00:43:09,280 --> 00:43:12,200
Speaker 1: I walk in, I've definitely a drink. I gotta get

633
00:43:12,239 --> 00:43:15,520
Speaker 1: an a zone. Man. Sometimes sometimes gotta wake up myself

634
00:43:16,120 --> 00:43:18,359
Speaker 1: and you definitely observe the crowd, you know what I'm saying.

635
00:43:18,600 --> 00:43:20,600
Speaker 1: You know, doing it so long, so many years, you

636
00:43:20,640 --> 00:43:23,080
Speaker 1: already know what you're walking into. But still you gotta

637
00:43:23,480 --> 00:43:25,239
Speaker 1: you gotta see what the fund the DJ did the

638
00:43:25,320 --> 00:43:28,120
Speaker 1: last twenty minutes, you know what I'm saying. Because sometimes

639
00:43:29,400 --> 00:43:32,719
Speaker 1: sometimes these new guys, they just like to go in early.

640
00:43:33,640 --> 00:43:35,399
Speaker 1: They forget that, you know, the club is oup until

641
00:43:35,440 --> 00:43:37,360
Speaker 1: four in the morning. We got two more hours to go,

642
00:43:37,920 --> 00:43:40,239
Speaker 1: so you're burning all these records down. But how often

643
00:43:40,400 --> 00:43:42,799
Speaker 1: you think now, because there's a difference. I don't spend

644
00:43:42,800 --> 00:43:44,960
Speaker 1: the clubs anymore. I used to, and we used to

645
00:43:44,960 --> 00:43:47,080
Speaker 1: be able to break a record in the club. It

646
00:43:47,120 --> 00:43:49,319
Speaker 1: doesn't seem like you could do that anymore. No, that's

647
00:43:50,400 --> 00:43:54,560
Speaker 1: I don't know. Well, yes, but nowadays, nowadays, let's say

648
00:43:54,600 --> 00:43:56,520
Speaker 1: nowadays you have an artist in the in the in

649
00:43:56,600 --> 00:43:59,560
Speaker 1: the room. They have their assistance on our next Yeah,

650
00:43:59,600 --> 00:44:03,319
Speaker 1: here's the it's beat, yo. Yo. They might have their

651
00:44:03,360 --> 00:44:05,880
Speaker 1: people that women might help the environment. It might help

652
00:44:05,880 --> 00:44:07,560
Speaker 1: the environment, but it might not. Also, because you know,

653
00:44:07,640 --> 00:44:10,439
Speaker 1: you got the new play, the new song, so crowd

654
00:44:10,480 --> 00:44:12,320
Speaker 1: didn't want to hear the new song. So want to

655
00:44:12,320 --> 00:44:14,200
Speaker 1: hear the fun something that you like that you want

656
00:44:14,239 --> 00:44:17,319
Speaker 1: to break. It's tough, it's tough, and it's it's tougher forward.

657
00:44:17,560 --> 00:44:19,680
Speaker 1: It seemed like the crowd was like Fox with the DJ,

658
00:44:19,800 --> 00:44:22,239
Speaker 1: no matter what. It seemed like that. That's that's the

659
00:44:22,280 --> 00:44:24,520
Speaker 1: shift back in the nineties. That's what I'm talking. That's

660
00:44:24,520 --> 00:44:26,279
Speaker 1: when I was in the club those days. All right. Now,

661
00:44:26,360 --> 00:44:29,680
Speaker 1: it's crazy because I see DJ is getting booked. Were

662
00:44:29,760 --> 00:44:32,480
Speaker 1: you out? You can't leave us, man, you know, you

663
00:44:32,520 --> 00:44:35,480
Speaker 1: know you got that dinner. Get to get the sway.

664
00:44:35,480 --> 00:44:37,320
Speaker 1: I'll be back tonight. But get the joints. Get the

665
00:44:37,360 --> 00:44:41,040
Speaker 1: joints out of my life. Right right on the Nasty

666
00:44:41,520 --> 00:44:44,920
Speaker 1: Jay Rock. Yeah, that's coming to the show. Yeah, I'm

667
00:44:44,960 --> 00:44:49,120
Speaker 1: coming to Jay Rock and we love you, Jay Rock

668
00:44:49,200 --> 00:44:53,120
Speaker 1: going away. He's going to college for two years, and

669
00:44:53,239 --> 00:44:56,200
Speaker 1: we love you. We're always gonna hold you down, Jay Rock.

670
00:44:56,680 --> 00:45:00,560
Speaker 1: You know what I'm saying. But um so what would

671
00:45:01,600 --> 00:45:03,920
Speaker 1: um what we're saying? Breaking the record in the record.

672
00:45:04,040 --> 00:45:06,960
Speaker 1: So this is what I see nowadays. Nowadays, I see

673
00:45:06,960 --> 00:45:09,239
Speaker 1: a DJ that get high, like a big DJ, and

674
00:45:09,280 --> 00:45:12,480
Speaker 1: they'll say he's that live, but he'll he'll technically be

675
00:45:12,680 --> 00:45:15,319
Speaker 1: on the set for twenty minutes. That happens a lot.

676
00:45:15,600 --> 00:45:19,120
Speaker 1: Does that bother you? Like me? I'm cool if I

677
00:45:19,160 --> 00:45:21,799
Speaker 1: go in there and I do my hour, it's cool.

678
00:45:21,880 --> 00:45:23,839
Speaker 1: But you know, yeah, I know what you're talking about.

679
00:45:24,080 --> 00:45:26,279
Speaker 1: There's also there's also a lot of politics, like let's

680
00:45:26,280 --> 00:45:29,120
Speaker 1: say you gotta live. There's mad politics that people don't know.

681
00:45:29,800 --> 00:45:32,520
Speaker 1: You know. Some of those well, you know, sometimes they

682
00:45:32,600 --> 00:45:35,200
Speaker 1: tell you not to go in, you know, tell you

683
00:45:35,280 --> 00:45:37,759
Speaker 1: not to play certain records because Stevie J. Gotta Yeah,

684
00:45:37,880 --> 00:45:41,200
Speaker 1: that happens. Let's something let's get my hands down, you know,

685
00:45:41,840 --> 00:45:44,000
Speaker 1: let's lose Stevie J. Because that's how my guy, Yeah,

686
00:45:44,080 --> 00:45:48,080
Speaker 1: that's his house times and I stood off certain records

687
00:45:48,080 --> 00:45:50,640
Speaker 1: because I know sometimes I see Steve J. Right behind

688
00:45:50,680 --> 00:45:55,360
Speaker 1: me just staring like that's kind of really but it's like,

689
00:45:55,560 --> 00:45:57,120
Speaker 1: you know, but here's the other thing. You know, you

690
00:45:57,239 --> 00:46:00,640
Speaker 1: gotta live. You want to bust that nut, especially for Miami,

691
00:46:00,840 --> 00:46:03,320
Speaker 1: and let speaking busted without those records, of course, and

692
00:46:03,400 --> 00:46:06,080
Speaker 1: you killed the j of course, but that you know,

693
00:46:06,200 --> 00:46:08,759
Speaker 1: that room is special, a special wound because it's one

694
00:46:08,800 --> 00:46:11,840
Speaker 1: of the biggest hip hop clubs in the East Coast industry.

695
00:46:12,920 --> 00:46:17,160
Speaker 1: And sometimes sad, you know, and them guys, they've been

696
00:46:17,160 --> 00:46:20,320
Speaker 1: there over seven years already. That's legendary for club to

697
00:46:20,440 --> 00:46:23,719
Speaker 1: last over seven years. It doesn't happen. Know what I'm saying.

698
00:46:23,920 --> 00:46:28,560
Speaker 1: It's my job. I'm high CBS Hi. Yeah, side talking.

699
00:46:30,360 --> 00:46:34,800
Speaker 1: It's normal ship. It's not disrespect. It's just listen, listen.

700
00:46:35,239 --> 00:46:37,640
Speaker 1: Has you ever returned to favor like with Stevie J.

701
00:46:37,760 --> 00:46:40,279
Speaker 1: King in New York and he was DJ, and then

702
00:46:40,320 --> 00:46:43,120
Speaker 1: you ever said to him, yo, don't play as I know. No.

703
00:46:43,280 --> 00:46:45,360
Speaker 1: He came one time uptown and I let him do

704
00:46:45,520 --> 00:46:48,800
Speaker 1: him like you know, this was back let me see vintage,

705
00:46:48,880 --> 00:46:51,320
Speaker 1: this is back uptown. Yeah, off the diamond. But a

706
00:46:51,440 --> 00:46:56,880
Speaker 1: good dudes, right, you're good dude, like you know, great people.

707
00:46:57,520 --> 00:46:59,040
Speaker 1: We've been in the game for a minute, so it's

708
00:46:59,080 --> 00:47:01,319
Speaker 1: like one night ain't gonna break you or making man,

709
00:47:01,960 --> 00:47:03,520
Speaker 1: you know what I'm saying. So you know there's a

710
00:47:03,560 --> 00:47:05,160
Speaker 1: lot of the other thing is, you know Stevie JA

711
00:47:05,320 --> 00:47:08,040
Speaker 1: seen him come up from when he was nobody. So

712
00:47:08,160 --> 00:47:10,400
Speaker 1: now he's buzzing. You know what I'm saying. Now he

713
00:47:10,480 --> 00:47:12,440
Speaker 1: got that record right now or heard of that, you

714
00:47:12,520 --> 00:47:14,440
Speaker 1: know what I'm saying. As a deep fellow DJ, I

715
00:47:14,520 --> 00:47:17,160
Speaker 1: played it on half of him found you know up

716
00:47:17,160 --> 00:47:20,080
Speaker 1: here nobody playing Steve jor right now. Really, but now

717
00:47:20,160 --> 00:47:22,840
Speaker 1: the one thing I see about you is beginning in

718
00:47:22,920 --> 00:47:26,640
Speaker 1: the Instagram. You never posted your children yeah yeah, yeah, white,

719
00:47:26,719 --> 00:47:29,600
Speaker 1: yeah yeah. Facts. And I was like, damn, I like,

720
00:47:29,960 --> 00:47:32,080
Speaker 1: I used to look at your pictures to say, his

721
00:47:32,239 --> 00:47:34,320
Speaker 1: wife gonna kill him when he go home because he

722
00:47:34,560 --> 00:47:36,759
Speaker 1: actually black. I used to blur them out, yeah, because

723
00:47:36,760 --> 00:47:38,480
Speaker 1: you know, I was new. I g this is we're

724
00:47:38,520 --> 00:47:40,320
Speaker 1: talking about four or five years back, and I'm like,

725
00:47:40,560 --> 00:47:42,359
Speaker 1: I don't yeah, I don't want to put my kids there.

726
00:47:42,640 --> 00:47:44,760
Speaker 1: They're two years old. I don't know whether it's Jesus

727
00:47:44,800 --> 00:47:47,960
Speaker 1: going don't still say something fa you guys gotta ignore it.

728
00:47:48,440 --> 00:47:50,440
Speaker 1: That's right. So but and then it wasn't even that

729
00:47:50,600 --> 00:47:52,640
Speaker 1: was just like more like I don't want my people

730
00:47:52,680 --> 00:47:54,759
Speaker 1: know my kids look like you know what I'm saying,

731
00:47:54,800 --> 00:48:01,440
Speaker 1: because it's personal nowadays are now because now they all done,

732
00:48:01,640 --> 00:48:03,200
Speaker 1: they're telling my kids because I don't bring my girl

733
00:48:03,200 --> 00:48:07,839
Speaker 1: to the podcast and that's my work. Yeah, yeah, you're right.

734
00:48:08,120 --> 00:48:15,400
Speaker 1: Following ad DJ Camello following me d girl having had

735
00:48:15,440 --> 00:48:17,680
Speaker 1: his girl. I han't had this girl. No, he said

736
00:48:17,719 --> 00:48:19,399
Speaker 1: he had his side piece. It looked like a side piece.

737
00:48:19,520 --> 00:48:22,000
Speaker 1: I just I gotta stop saying that because you said,

738
00:48:22,080 --> 00:48:25,080
Speaker 1: I ain't saying that in my mind a girl. You

739
00:48:25,160 --> 00:48:28,200
Speaker 1: know what I'm saying nasty. I'm so sorry having but

740
00:48:28,320 --> 00:48:30,160
Speaker 1: it could be as girl. We don't know they were

741
00:48:30,239 --> 00:48:34,279
Speaker 1: on the show. They aren't like behind. Yeah, I was

742
00:48:34,320 --> 00:48:36,440
Speaker 1: gonna hit you one day because like, yo, no, you

743
00:48:36,520 --> 00:48:38,440
Speaker 1: need some females up on the show. And then and

744
00:48:38,520 --> 00:48:41,120
Speaker 1: then I saw what was the envy and Angelie to me,

745
00:48:41,239 --> 00:48:43,080
Speaker 1: that was like that was a dope episode. That was

746
00:48:43,120 --> 00:48:46,279
Speaker 1: the first time he had a female. Actually, yeah, we've asked.

747
00:48:46,320 --> 00:48:49,200
Speaker 1: We also have Cassie. You got I'm trying to smoke

748
00:48:49,280 --> 00:48:55,200
Speaker 1: a blood with cast because smoking blood cast we're not

749
00:48:55,239 --> 00:48:58,560
Speaker 1: supped about If you want talk about that, if you

750
00:48:58,600 --> 00:49:01,400
Speaker 1: want to edit that out, don't worry about it. We

751
00:49:01,520 --> 00:49:05,080
Speaker 1: already do it on the podcast. See smokes blunts and

752
00:49:05,160 --> 00:49:08,320
Speaker 1: I also bad business right now. And I also smoked

753
00:49:08,360 --> 00:49:15,120
Speaker 1: a download ticket for me smoking. You spoke the dirty

754
00:49:15,280 --> 00:49:17,920
Speaker 1: right now. No, never smoke. No, you can't roll it

755
00:49:17,960 --> 00:49:19,719
Speaker 1: up this fat Joe story. You can't do that. You

756
00:49:19,800 --> 00:49:21,839
Speaker 1: can't do that. Let me tell you something, Fat Joe.

757
00:49:22,360 --> 00:49:26,400
Speaker 1: Fat Joe is a great guy and he's a sneaker. Like,

758
00:49:26,760 --> 00:49:28,600
Speaker 1: let me tell you I said it while he was here.

759
00:49:28,960 --> 00:49:30,960
Speaker 1: I said that right. He was DJ nasty, like I

760
00:49:31,040 --> 00:49:33,799
Speaker 1: get exclusive sneakers, and I'll just go hang out with him,

761
00:49:33,840 --> 00:49:36,000
Speaker 1: just just be course. I just wait for him to

762
00:49:36,080 --> 00:49:39,359
Speaker 1: analyze it and then he'll be like, I got those

763
00:49:39,400 --> 00:49:42,480
Speaker 1: are ready? Of course he looking at it only three

764
00:49:42,560 --> 00:49:45,399
Speaker 1: times I knew just got twenty years. Only three times

765
00:49:45,480 --> 00:49:49,640
Speaker 1: he said, I don't got those. And it's the Jordan's

766
00:49:49,760 --> 00:49:55,040
Speaker 1: that you have one? No, wasn't He's just dropping my no, no, no, no,

767
00:49:56,760 --> 00:50:00,160
Speaker 1: niggas got to Jordan's on shows, the Jordan's se what's

768
00:50:00,160 --> 00:50:07,040
Speaker 1: the Jordan's you got on? He's like the three Mr Bittley,

769
00:50:07,840 --> 00:50:10,560
Speaker 1: Mr Bittley, show him, show him to Jordan's what do

770
00:50:10,640 --> 00:50:12,840
Speaker 1: they call what do they call the threes? The threes?

771
00:50:13,360 --> 00:50:15,800
Speaker 1: I had those on and Jodan like this to me.

772
00:50:15,920 --> 00:50:20,400
Speaker 1: He said, they're not making those again. That's good. And

773
00:50:20,480 --> 00:50:22,480
Speaker 1: then he finally picked me up. He was like, I

774
00:50:22,560 --> 00:50:25,239
Speaker 1: ain't got the smoke. There's a listen, I gotta smoke.

775
00:50:25,760 --> 00:50:29,640
Speaker 1: There's certain things you gotta doing hip hop. You got

776
00:50:29,719 --> 00:50:33,400
Speaker 1: a smoke up block with Snoop. You did that seventeen.

777
00:50:33,800 --> 00:50:36,800
Speaker 1: You gotta smoke seventeen blunts with Snoop because one just

778
00:50:37,120 --> 00:50:38,880
Speaker 1: just don't feel right. You gotta make sure you put

779
00:50:38,920 --> 00:50:41,480
Speaker 1: the paper on. The one is like finger popping. Like

780
00:50:41,600 --> 00:50:46,000
Speaker 1: finger popping is cool, but you ain't hit, but you

781
00:50:46,040 --> 00:50:48,359
Speaker 1: can play. You had his playing with smoking with finger

782
00:50:48,960 --> 00:50:53,960
Speaker 1: no noing, I slain. That was weird, man. But when

783
00:50:54,000 --> 00:50:56,160
Speaker 1: we did the shows, the finger popper, he likes the

784
00:50:56,200 --> 00:50:58,319
Speaker 1: finger pop. Back in the days, he was a finger

785
00:50:58,360 --> 00:51:00,759
Speaker 1: pop I don't know. I don't know back in the day.

786
00:51:00,800 --> 00:51:03,480
Speaker 1: You're taking this in the dark place. It's beautiful. We

787
00:51:03,600 --> 00:51:07,200
Speaker 1: are NYC. We got DJ coming on DJ Nasty status,

788
00:51:07,440 --> 00:51:10,040
Speaker 1: like the smoke Dizzer. I'm just a flashback right now,

789
00:51:10,080 --> 00:51:11,560
Speaker 1: I'm looking at you and I'm like, I remember I

790
00:51:11,680 --> 00:51:14,359
Speaker 1: try to push mixtapes at his shot, right, he had

791
00:51:14,400 --> 00:51:18,200
Speaker 1: the shots with me, annoying man at ninety seven. Let

792
00:51:18,239 --> 00:51:21,200
Speaker 1: me let me send twenty pieces down there, and I

793
00:51:21,320 --> 00:51:24,640
Speaker 1: had my mixtapes in onside your new nas. Take the

794
00:51:24,719 --> 00:51:26,600
Speaker 1: hat off. You don't look good in it. I'm gonna

795
00:51:26,640 --> 00:51:32,160
Speaker 1: keep it hard. I'm working with you. I'm with you, Johnny,

796
00:51:32,280 --> 00:51:38,960
Speaker 1: Johnny White your hands somewhere, come on, white man man

797
00:51:40,280 --> 00:51:46,359
Speaker 1: that perspired lotion on his hand, it's coming up. Yeah,

798
00:51:46,800 --> 00:51:51,920
Speaker 1: So d finger popping? How how is how annoying is

799
00:51:52,000 --> 00:51:57,120
Speaker 1: it when you gotta wreck you're popping? The artist thinks

800
00:51:57,160 --> 00:52:01,000
Speaker 1: they're popping, but they kind of not thing. That's all day.

801
00:52:01,160 --> 00:52:04,600
Speaker 1: That's every day, every day, every night, every artist. Do

802
00:52:04,719 --> 00:52:07,680
Speaker 1: they have your phone number or do they have to

803
00:52:07,719 --> 00:52:10,520
Speaker 1: have Twitter? How did they annoy you? And you know

804
00:52:10,560 --> 00:52:13,280
Speaker 1: I smoke camera crush right, I'm white, give me blacker

805
00:52:13,320 --> 00:52:25,319
Speaker 1: cigarettes smoking cigarette? Who said that? You? In turn? Now?

806
00:52:25,920 --> 00:52:29,560
Speaker 1: So like, how is that? Now? He described me? Describe me.

807
00:52:29,600 --> 00:52:32,239
Speaker 1: You're in the Lando, guys in the Lando. He thinks

808
00:52:32,280 --> 00:52:36,320
Speaker 1: he's spopping because it's shout out to everybody used to

809
00:52:37,320 --> 00:52:43,080
Speaker 1: us so describe me that situation. Some of them are

810
00:52:43,200 --> 00:52:44,600
Speaker 1: popping out there, you know what I'm saying. The ones

811
00:52:44,600 --> 00:52:46,880
Speaker 1: that are popping, you know, we support them. But and

812
00:52:47,000 --> 00:52:50,920
Speaker 1: you're late. Sometimes you're late. Yeah, sometimes we're late. From

813
00:52:51,000 --> 00:52:53,480
Speaker 1: Flex say that one night from Flex said, I played

814
00:52:53,520 --> 00:52:56,560
Speaker 1: myself and then he jumps on the breck. But you know,

815
00:52:56,680 --> 00:52:58,920
Speaker 1: when you jump on it, it's a whole different story.

816
00:52:59,160 --> 00:53:02,400
Speaker 1: Right because you're from town exactly, it gets a bigger reaction.

817
00:53:02,920 --> 00:53:05,480
Speaker 1: But you know, some some cas just a popping. You know,

818
00:53:06,040 --> 00:53:08,600
Speaker 1: you gotta let him get it popping. Sometimes it was

819
00:53:08,719 --> 00:53:11,680
Speaker 1: super popping then not popping right now, and you know

820
00:53:11,680 --> 00:53:13,239
Speaker 1: they're trying to you know, trying to get back up

821
00:53:13,719 --> 00:53:16,160
Speaker 1: where they were, and they're hitting you like crazy, and

822
00:53:16,200 --> 00:53:17,880
Speaker 1: like what do you do? Like what do you do?

823
00:53:18,239 --> 00:53:20,719
Speaker 1: You don't you know, you don't want to be This

824
00:53:20,760 --> 00:53:23,799
Speaker 1: ain't the one, you know what I'm saying. So it's tough.

825
00:53:24,040 --> 00:53:25,960
Speaker 1: I think I think, I think I want to correct

826
00:53:25,960 --> 00:53:28,680
Speaker 1: you on that. I think an artist will respect that

827
00:53:28,800 --> 00:53:32,319
Speaker 1: more times. You know why me and Flex have, um,

828
00:53:32,480 --> 00:53:34,360
Speaker 1: I know, if you to take it the hard, Flex,

829
00:53:34,640 --> 00:53:37,719
Speaker 1: we have one of the one of the greatest relationships

830
00:53:37,920 --> 00:53:41,000
Speaker 1: because I could I could I've never send records to flex.

831
00:53:41,120 --> 00:53:45,200
Speaker 1: I go see him and flex me like I see

832
00:53:45,360 --> 00:53:49,600
Speaker 1: that one reflex me like this, it's good. You don't

833
00:53:49,640 --> 00:53:52,520
Speaker 1: like that, you know what I'm saying. It's like, but

834
00:53:52,960 --> 00:53:57,040
Speaker 1: like I think that. But but again to to you guys, respect.

835
00:53:57,760 --> 00:54:00,319
Speaker 1: You can't meet with every artist. You can't say down

836
00:54:00,800 --> 00:54:03,800
Speaker 1: in the Greek captain and eat some crab legs or

837
00:54:03,880 --> 00:54:08,759
Speaker 1: excuse me, slice and just sit down and have a

838
00:54:08,800 --> 00:54:12,719
Speaker 1: slice of pizza with everybody. But but what happens if

839
00:54:13,840 --> 00:54:17,640
Speaker 1: you got a record that you personally love, but no

840
00:54:17,840 --> 00:54:21,560
Speaker 1: other DJ on your station loves this record? Do you

841
00:54:21,680 --> 00:54:24,560
Speaker 1: still stand in support it? Yeah? Yeah, you support it.

842
00:54:24,640 --> 00:54:26,520
Speaker 1: But then there's of course there's a certain degree, like

843
00:54:26,760 --> 00:54:29,320
Speaker 1: you go to a certain extent and if it d

844
00:54:29,480 --> 00:54:33,080
Speaker 1: be like what the p D forget? Like you know, radio,

845
00:54:33,080 --> 00:54:35,360
Speaker 1: you gotta understand radio is another ball game. Like I

846
00:54:35,440 --> 00:54:39,680
Speaker 1: can't beat Camillo on radio. I could be Halfloca is

847
00:54:39,719 --> 00:54:46,360
Speaker 1: a business d Yeah, man, that's programming. Programming is is

848
00:54:46,520 --> 00:54:49,080
Speaker 1: radio fucking talk? Like? It is what it is? Man?

849
00:54:50,320 --> 00:54:53,320
Speaker 1: And isn't it different now where there's artists and records

850
00:54:53,360 --> 00:54:56,960
Speaker 1: that are blazing on the Internet, artists that got like

851
00:54:57,280 --> 00:54:59,680
Speaker 1: hundreds of thousands of followers, and I'll get you an example,

852
00:54:59,760 --> 00:55:07,000
Speaker 1: sav one blazing blazon, you say whatever you say, that's

853
00:55:07,080 --> 00:55:11,080
Speaker 1: damn near my my favorite new artist, Savage even leave

854
00:55:11,200 --> 00:55:13,920
Speaker 1: him and he's he's fire. But can I hit that

855
00:55:14,040 --> 00:55:17,439
Speaker 1: on the radio at five pm? That nigga said. He said,

856
00:55:17,480 --> 00:55:20,400
Speaker 1: I'm a sucking bitch and then I'm gonna give that

857
00:55:20,520 --> 00:55:27,320
Speaker 1: bitch that a pill playing bill? That was That was

858
00:55:27,760 --> 00:55:30,000
Speaker 1: like in Miami. I don't know how Denzel Curry hasn't

859
00:55:30,200 --> 00:55:33,000
Speaker 1: been on the radio and like like on regular rotation.

860
00:55:33,040 --> 00:55:37,000
Speaker 1: You know, Denzel Curry out of Miami about it. Yeah,

861
00:55:37,040 --> 00:55:40,000
Speaker 1: he's incredible artist out of mine. He's like the next Kanye. Yeah,

862
00:55:40,040 --> 00:55:42,600
Speaker 1: he's gotta joined one across join. I have joined on

863
00:55:42,640 --> 00:55:47,760
Speaker 1: my album with gun Play. Radio Radio be Late, Radio

864
00:55:47,880 --> 00:55:49,800
Speaker 1: be late. You know he was a Joy Badassin with

865
00:55:49,880 --> 00:55:51,640
Speaker 1: Joy Battest. Like I'm saying, like he's got a movement.

866
00:55:52,000 --> 00:55:54,359
Speaker 1: That's what you say. It's like a different parallel. There's

867
00:55:54,400 --> 00:55:57,840
Speaker 1: the radio parallel and then there's like this online internet movement.

868
00:55:57,880 --> 00:56:00,279
Speaker 1: You know something more people have fans get thank you

869
00:56:00,320 --> 00:56:02,920
Speaker 1: ain't got super dependent on radio. You fail me right,

870
00:56:05,280 --> 00:56:08,440
Speaker 1: there's a new radio Like what does that mean for radio.

871
00:56:08,960 --> 00:56:12,400
Speaker 1: Chance is the radings thing? Man? Like, what do you

872
00:56:12,480 --> 00:56:13,640
Speaker 1: think do you think what do you think that the

873
00:56:13,719 --> 00:56:17,480
Speaker 1: lifespan of radio is today? I think it's way smaller, man, Like,

874
00:56:17,840 --> 00:56:20,640
Speaker 1: listen nowadays, these kids, I don't you know when I

875
00:56:20,760 --> 00:56:22,759
Speaker 1: was growing up, you had to go to radio. You

876
00:56:22,840 --> 00:56:25,600
Speaker 1: had to go I was just stretching Barbato guy one

877
00:56:25,640 --> 00:56:28,120
Speaker 1: in the morning. Let me just to college radio. Then

878
00:56:28,160 --> 00:56:29,920
Speaker 1: I was listening down to Flex. Then you know, I

879
00:56:30,040 --> 00:56:33,000
Speaker 1: was Kip when he was on the radio. Like nowadays,

880
00:56:33,080 --> 00:56:35,200
Speaker 1: these kids wake up. It's on the phone, man, it's

881
00:56:35,239 --> 00:56:39,399
Speaker 1: on the app, it's on YouTube, it's on streaming, it's

882
00:56:39,440 --> 00:56:42,279
Speaker 1: on the podcast. Is someone just so many avenues now?

883
00:56:42,600 --> 00:56:45,319
Speaker 1: And do you think that's a good thing, the streaming thing,

884
00:56:45,520 --> 00:56:48,839
Speaker 1: or that's a bad thing. As a d J, it's

885
00:56:48,840 --> 00:56:50,640
Speaker 1: a good thing. It's a good thing. I think it's

886
00:56:50,640 --> 00:56:52,040
Speaker 1: a good thing. Yeah, it's a good thing. You can't

887
00:56:52,120 --> 00:56:55,560
Speaker 1: change for there's apps now, DJ come at by the way,

888
00:56:55,600 --> 00:57:01,879
Speaker 1: that was a little bit d by the way, Yeah,

889
00:57:02,800 --> 00:57:06,759
Speaker 1: text app to text drunk texts by drink chaps. He's

890
00:57:06,840 --> 00:57:10,400
Speaker 1: very rich. I need to get app damn feeling behind

891
00:57:10,680 --> 00:57:13,000
Speaker 1: signed to drink chaps don't worry about you. See we

892
00:57:13,120 --> 00:57:21,320
Speaker 1: were lost colleague, good DJA, big up DJ College. We

893
00:57:21,360 --> 00:57:24,120
Speaker 1: don't know where he had in the world right now. Yeah,

894
00:57:24,120 --> 00:57:26,960
Speaker 1: I'm so so happy for you, a DJ. You have

895
00:57:27,120 --> 00:57:31,520
Speaker 1: to be happy right now. Happy. The first time I

896
00:57:31,600 --> 00:57:34,080
Speaker 1: ever played in Miami, ever, there was this party from

897
00:57:34,120 --> 00:57:35,320
Speaker 1: these guys called n f A. I don't know if

898
00:57:35,320 --> 00:57:37,920
Speaker 1: you remember them, of course. The first time I played

899
00:57:37,920 --> 00:57:40,560
Speaker 1: in Miami, Kalid open up for me. You know this

900
00:57:40,680 --> 00:57:43,680
Speaker 1: is back in the day when like Cali was around

901
00:57:43,680 --> 00:57:47,600
Speaker 1: the way local probably right, you know, to see her now,

902
00:57:49,440 --> 00:57:56,000
Speaker 1: my brother, like he is always people. I've seen Khalid

903
00:57:56,440 --> 00:57:58,960
Speaker 1: already popping a little bit of Miami, passing out his

904
00:57:59,000 --> 00:58:01,919
Speaker 1: old flyers. Yeah, and I could never take that away

905
00:58:01,960 --> 00:58:04,960
Speaker 1: from like seeing his grind from the beginning. And he's

906
00:58:05,000 --> 00:58:08,480
Speaker 1: never changed. He's always been that outlandish person. You ever

907
00:58:08,600 --> 00:58:13,520
Speaker 1: changed big time. Yeah, we had a DJ segment. You know,

908
00:58:13,600 --> 00:58:15,040
Speaker 1: I've been waiting for this. Ye know, I ain't the

909
00:58:15,080 --> 00:58:18,400
Speaker 1: problem out number. You know, we're just looking at around

910
00:58:18,520 --> 00:58:21,960
Speaker 1: right now. Guys, I'm not gonna hard just like this

911
00:58:22,200 --> 00:58:28,960
Speaker 1: right here. Thank you for not let me get John Yo.

912
00:58:29,920 --> 00:58:32,960
Speaker 1: So what's next for DJ Nasty far Smoker? You boy?

913
00:58:33,680 --> 00:58:35,320
Speaker 1: This is gonna be the year I put out a single.

914
00:58:36,120 --> 00:58:41,440
Speaker 1: I've been producing behind record album. I'm not gonna do

915
00:58:41,480 --> 00:58:43,840
Speaker 1: an album. I'm just gonna do a single. See how

916
00:58:43,920 --> 00:58:46,840
Speaker 1: that goes. Can you say what records you produced on that?

917
00:58:46,960 --> 00:58:50,800
Speaker 1: We've been a lot of records you nettle Wayne, Yeah,

918
00:58:51,800 --> 00:58:54,560
Speaker 1: keep going? When keep going? When you do? All I

919
00:58:54,680 --> 00:58:57,280
Speaker 1: do is yeah? Yeah, Man, come on, man, damn yet

920
00:58:58,880 --> 00:59:03,640
Speaker 1: um Dan Man Rosters Crazy's little. It's a lot of

921
00:59:03,680 --> 00:59:06,200
Speaker 1: any artist you can name, I worked with him. Come on,

922
00:59:06,240 --> 00:59:08,800
Speaker 1: you gotta name these records now. He's got a lot

923
00:59:08,880 --> 00:59:15,920
Speaker 1: of bigger Jesus his publishing check to record to the

924
00:59:16,000 --> 00:59:18,720
Speaker 1: new Cali record too. Do your mind? We co produce

925
00:59:18,800 --> 00:59:23,000
Speaker 1: that joint. Yeah, we did that joint that long time

926
00:59:23,040 --> 00:59:28,120
Speaker 1: come and joint. Wikipedia sick man, d J nasty LBM.

927
00:59:28,200 --> 00:59:30,600
Speaker 1: Wikipedia be lying, let's not go to the Wikipedia. We're

928
00:59:30,600 --> 00:59:33,160
Speaker 1: gonna make some money. What did they sound about? They

929
00:59:33,200 --> 00:59:36,680
Speaker 1: told me I was forty years old? Thirty nine? Don't

930
00:59:36,720 --> 00:59:41,439
Speaker 1: you get forty years old? But don't you did give me? Actually, yeah,

931
00:59:42,000 --> 00:59:44,640
Speaker 1: I'm thirty nine. Let me be thirty nine, and said

932
00:59:44,640 --> 00:59:47,840
Speaker 1: Tember six, I'll be forty. So you got my age.

933
00:59:47,880 --> 00:59:50,520
Speaker 1: I'm good. So what's next? What's next for Camillo? Um?

934
00:59:50,640 --> 00:59:53,120
Speaker 1: You know, pick up the Lex, my nigga Alex, he's

935
00:59:53,160 --> 00:59:57,000
Speaker 1: on Lex. What's going on? What invite me to the

936
00:59:57,040 --> 01:00:03,440
Speaker 1: Dominican trips? Your women to leave? They'd be having Dominican

937
01:00:03,520 --> 01:00:06,000
Speaker 1: trips where they go out there and go crazy, and

938
01:00:06,080 --> 01:00:09,160
Speaker 1: they never they never invite me. I got money. What's

939
01:00:09,160 --> 01:00:11,480
Speaker 1: a Dominican trip? Like? What do you want? Gonna think?

940
01:00:16,680 --> 01:00:20,120
Speaker 1: Exactly what I want to. I want to go and

941
01:00:20,200 --> 01:00:22,880
Speaker 1: see it. You know, I already know what I heard.

942
01:00:22,920 --> 01:00:27,160
Speaker 1: It's fantastic. Come you go to these trips too? No, don't.

943
01:00:27,160 --> 01:00:31,040
Speaker 1: I don't see you on the ground. Because I supposed

944
01:00:31,080 --> 01:00:35,080
Speaker 1: to get married, right Lex, what happened? I can't speak

945
01:00:35,120 --> 01:00:42,040
Speaker 1: on that. He's ready looks right now. Man sitting on

946
01:00:42,120 --> 01:00:45,800
Speaker 1: the podcast around my second time. So you should have

947
01:00:45,880 --> 01:00:47,680
Speaker 1: texted me and told me I shouldn't have talked about this,

948
01:00:48,240 --> 01:00:50,840
Speaker 1: but you didn't, so I'm gonna keep talking about it. So,

949
01:00:51,040 --> 01:00:53,720
Speaker 1: let's supposed to get married. They was going to Dominican

950
01:00:53,800 --> 01:00:56,360
Speaker 1: and probla, I get married. They didn't get married, and

951
01:00:56,440 --> 01:00:59,840
Speaker 1: he still went to the Dominican that's gang. That's that's crazy.

952
01:01:00,000 --> 01:01:03,720
Speaker 1: Got Mr Lee start about clothing and Lex, and you

953
01:01:03,800 --> 01:01:06,240
Speaker 1: got awkward and got awkward a little bit. But listen,

954
01:01:06,400 --> 01:01:09,480
Speaker 1: I'm married. I'm a married guy, so I know why

955
01:01:09,520 --> 01:01:12,200
Speaker 1: they don't invite me to the Dominican. But I could

956
01:01:12,200 --> 01:01:15,040
Speaker 1: behaved myself. I can go there, and I doubt it.

957
01:01:15,760 --> 01:01:18,880
Speaker 1: I can relax. What's going on, Big Pink? Something? What's

958
01:01:18,880 --> 01:01:24,040
Speaker 1: going on? My nigga? You ate your corn? Brad? Alright, alright, alright, alright.

959
01:01:25,160 --> 01:01:27,320
Speaker 1: That's my nigga, Big Pink. I've never met him, but

960
01:01:27,400 --> 01:01:32,600
Speaker 1: he looks at big. I thought you knew him. He

961
01:01:32,680 --> 01:01:37,160
Speaker 1: looks dangerous. Let's beg him up, fat boy, that's my nigga.

962
01:01:38,240 --> 01:01:42,480
Speaker 1: B instagramm famous and he got on camera on Pink.

963
01:01:43,440 --> 01:01:48,080
Speaker 1: Let's make some noise for that. You're coming off. Stop.

964
01:01:48,200 --> 01:01:51,600
Speaker 1: Don't worry, Lex. We want you to get married eventually,

965
01:01:52,200 --> 01:01:55,120
Speaker 1: We really do, because you've been having your dick in

966
01:01:55,160 --> 01:01:58,440
Speaker 1: the dirt for a long time, twenty years. I met

967
01:01:58,520 --> 01:02:02,560
Speaker 1: you twenty years ago and Dick was there, and then

968
01:02:02,600 --> 01:02:04,960
Speaker 1: I come back twenty years later and Dick is still there.

969
01:02:05,400 --> 01:02:11,240
Speaker 1: You gotta take your dick off the listen. You're crazy, horrible.

970
01:02:12,480 --> 01:02:15,200
Speaker 1: There's a lot of people listen. I know people from

971
01:02:15,280 --> 01:02:17,920
Speaker 1: Left Fract City the only fun left fract city pussy.

972
01:02:18,200 --> 01:02:20,680
Speaker 1: You can't do that. You gotta take your dick and

973
01:02:20,880 --> 01:02:24,840
Speaker 1: go it if it wound up in my hand, or

974
01:02:25,040 --> 01:02:28,080
Speaker 1: it's better than left frack, even though you might have

975
01:02:28,200 --> 01:02:31,240
Speaker 1: a bitch, that's not better than the left fract chick.

976
01:02:31,600 --> 01:02:34,120
Speaker 1: It's just you gotta travel. You gotta take your dick,

977
01:02:35,440 --> 01:02:36,760
Speaker 1: and you gotta give you a dick. Where has this

978
01:02:36,880 --> 01:02:40,400
Speaker 1: podcast gone? Right? You gotta take her stick and throw

979
01:02:40,440 --> 01:02:43,600
Speaker 1: it somewhere. Yes, you gotta give your dick, Molly, it's

980
01:02:43,640 --> 01:02:46,120
Speaker 1: a dick. You gotta right. You gotta give your dick.

981
01:02:46,320 --> 01:02:52,320
Speaker 1: Frequent flying mall. Let's let's my nigger, I won't my

982
01:02:52,640 --> 01:02:59,080
Speaker 1: You gonna spoke a new boy with me? When you

983
01:02:59,560 --> 01:03:02,360
Speaker 1: commit on what's up? You don't be fucking though. I'll

984
01:03:02,400 --> 01:03:05,120
Speaker 1: be seeing I'm a married man, but I'm not. I'm

985
01:03:05,120 --> 01:03:10,280
Speaker 1: gonna keeping real blow everybody like everybody know what, everybody

986
01:03:10,560 --> 01:03:15,240
Speaker 1: pause but you and that you're you and Daddy Yankee

987
01:03:15,280 --> 01:03:17,200
Speaker 1: is probably the only people I've seen. They got the

988
01:03:17,320 --> 01:03:19,600
Speaker 1: baddest chicks that want to funk, y'all, and you ain't

989
01:03:20,560 --> 01:03:24,960
Speaker 1: you and Daddy your kid. You'll be taking them down sometimes.

990
01:03:29,640 --> 01:03:34,680
Speaker 1: We got to five years you know, I'm married, two kids. Know,

991
01:03:34,960 --> 01:03:38,040
Speaker 1: I want no problems. Said, ten years together in the relationship,

992
01:03:38,160 --> 01:03:42,400
Speaker 1: years together, five years married. I'm gonna marry my wife again.

993
01:03:42,640 --> 01:03:46,440
Speaker 1: Nice because I love her like that. It makes make

994
01:03:46,520 --> 01:03:50,800
Speaker 1: some I felt like I felt like my first wedding

995
01:03:51,160 --> 01:03:55,080
Speaker 1: was like I just did it to my wife. It's

996
01:03:55,120 --> 01:03:58,560
Speaker 1: my second marriage. I'm sorry, okay if I confusing y'all

997
01:03:58,800 --> 01:04:02,920
Speaker 1: there with my second time married. But this wedding, that

998
01:04:03,000 --> 01:04:07,280
Speaker 1: game my new wife like, it wasn't nori like it

999
01:04:07,480 --> 01:04:10,960
Speaker 1: was like the shoes. You're the big Catholic, I'm under

1000
01:04:10,960 --> 01:04:13,320
Speaker 1: the big captain. Whether in the Chris Ldies where Chris

1001
01:04:13,400 --> 01:04:16,760
Speaker 1: Lidy got married. Remember and I've writ it y'all because

1002
01:04:16,800 --> 01:04:18,800
Speaker 1: we wanted to jump Steve Style at that time. But

1003
01:04:19,000 --> 01:04:22,200
Speaker 1: you want short us he didn't it. Let me dja

1004
01:04:22,320 --> 01:04:25,360
Speaker 1: that let me I'll tell him. Was like, let me jo,

1005
01:04:25,720 --> 01:04:28,480
Speaker 1: that's DJ. Let me I'm gonna remarry my wife, said

1006
01:04:28,520 --> 01:04:33,200
Speaker 1: timber Fall. Let's do it next year at the wedding.

1007
01:04:36,520 --> 01:04:40,360
Speaker 1: But're gonna be dressed up though, no time tucks and

1008
01:04:40,440 --> 01:04:46,440
Speaker 1: the podcast that's that's that's the Labor Day weekend, that's

1009
01:04:46,480 --> 01:04:49,960
Speaker 1: lab wanted. But just so you know that you got

1010
01:04:50,040 --> 01:04:57,400
Speaker 1: it like I ain't got it. YOK, We're gonna take

1011
01:04:57,400 --> 01:05:11,880
Speaker 1: a break, smoke some cigarette. Welcome to play It, a

1012
01:05:12,000 --> 01:05:17,840
Speaker 1: new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1013
01:05:17,920 --> 01:05:22,520
Speaker 1: and more. Play it at play dot It. We're back

1014
01:05:22,640 --> 01:05:25,960
Speaker 1: to drink Champs Radio with Rapper and R and d

1015
01:05:26,160 --> 01:05:31,960
Speaker 1: J e F n Heyya Green Hope yours of What

1016
01:05:32,120 --> 01:05:34,480
Speaker 1: Up is? D J E F and d Chess Motherfucker

1017
01:05:34,520 --> 01:05:40,920
Speaker 1: podcast makes some good and right now we got the

1018
01:05:41,040 --> 01:05:44,880
Speaker 1: queen of hip hop. She is running it. I seem

1019
01:05:44,960 --> 01:05:48,320
Speaker 1: to as a as like we were both young us

1020
01:05:49,720 --> 01:05:53,760
Speaker 1: and this was Punt's number one shooter, like when it

1021
01:05:53,920 --> 01:05:57,680
Speaker 1: came to rhymes, her number one. I'm so proud. I'm

1022
01:05:57,840 --> 01:06:02,000
Speaker 1: so happy what you doing. I'm proud of your husband

1023
01:06:02,040 --> 01:06:04,360
Speaker 1: as well, because god damn it, you're a real nickel.

1024
01:06:04,480 --> 01:06:06,480
Speaker 1: Proud of the union. Let's make some noise for black

1025
01:06:06,920 --> 01:06:15,040
Speaker 1: goddamn it down. So how's life been? I'm chilling. God,

1026
01:06:16,920 --> 01:06:20,440
Speaker 1: you're not drinking. You don't smoke, okay, and even parole

1027
01:06:20,440 --> 01:06:23,320
Speaker 1: you can't drink. Oh god damn it. I mean I

1028
01:06:23,440 --> 01:06:32,760
Speaker 1: never really was a drink. Pappoos is a drinker. Something

1029
01:06:32,800 --> 01:06:36,040
Speaker 1: about influence need a whole different before, like in my

1030
01:06:36,160 --> 01:06:38,600
Speaker 1: family is it's like I'm running on going joke like

1031
01:06:38,720 --> 01:06:41,040
Speaker 1: it's pappoos and then when he's drinking, we call him

1032
01:06:41,080 --> 01:06:43,600
Speaker 1: drunk paths. I was like, that's like two different people

1033
01:06:45,880 --> 01:06:49,480
Speaker 1: person on that with a drunk path, I only know

1034
01:06:49,640 --> 01:06:53,000
Speaker 1: scientific path right, like like you know what I'm saying, yo,

1035
01:06:53,120 --> 01:06:57,720
Speaker 1: But upoos man, you know um you And really, the

1036
01:06:57,800 --> 01:07:00,800
Speaker 1: one thing I want to admire about y'all is this

1037
01:07:00,960 --> 01:07:03,560
Speaker 1: real no doubt, Like y'are the first people that got

1038
01:07:03,600 --> 01:07:06,960
Speaker 1: on love and hip hop, and um, it actually inspired

1039
01:07:07,000 --> 01:07:08,720
Speaker 1: me to do love and hip hop. I said no

1040
01:07:08,880 --> 01:07:11,720
Speaker 1: at the end, but um, when I seed y'all, y'all

1041
01:07:11,760 --> 01:07:15,200
Speaker 1: were sold. Y'all were sold like elegant. Y'all were so sincere.

1042
01:07:15,360 --> 01:07:17,680
Speaker 1: It was so real. I can tell, Like they didn't

1043
01:07:17,680 --> 01:07:20,720
Speaker 1: give y'all script at all, So like what what what?

1044
01:07:20,840 --> 01:07:24,760
Speaker 1: Because the way you rhyme is like anti love and

1045
01:07:24,840 --> 01:07:26,960
Speaker 1: hip hop? So what made you make the decision to

1046
01:07:27,080 --> 01:07:29,160
Speaker 1: do love and hip hop? I mean actually they wanted to.

1047
01:07:29,240 --> 01:07:30,840
Speaker 1: They was reaching out for a while when she was

1048
01:07:30,920 --> 01:07:32,960
Speaker 1: locked up. They just wanted to document me rising and

1049
01:07:33,040 --> 01:07:35,000
Speaker 1: nothing and all that, but we declined it for those

1050
01:07:35,040 --> 01:07:36,680
Speaker 1: reasons that you said. He was like, we with the

1051
01:07:36,720 --> 01:07:38,160
Speaker 1: fool of me, you know what I'm saying. But when

1052
01:07:38,200 --> 01:07:39,800
Speaker 1: she came home, he was like, yo, you know what,

1053
01:07:40,360 --> 01:07:42,040
Speaker 1: why not put the real on the show? And how

1054
01:07:42,080 --> 01:07:43,760
Speaker 1: they introduced the tools, They was like, yeah, we want

1055
01:07:43,760 --> 01:07:45,480
Speaker 1: somebody who could really live up to the tidy love

1056
01:07:45,560 --> 01:07:49,360
Speaker 1: and hip hop and let's make some noise that I'm

1057
01:07:49,360 --> 01:07:57,840
Speaker 1: married as well. Wife listening. So, man, you look so good.

1058
01:07:58,600 --> 01:08:02,000
Speaker 1: You came home and it was like you just came

1059
01:08:02,080 --> 01:08:06,040
Speaker 1: home and you you just hit the track running? Man?

1060
01:08:06,680 --> 01:08:10,160
Speaker 1: Was that planned? Was you? Um? Yeah? I mean I

1061
01:08:10,480 --> 01:08:14,000
Speaker 1: looked at the history at everybody who got locked up,

1062
01:08:14,080 --> 01:08:16,960
Speaker 1: and they when they came home what they did and

1063
01:08:17,120 --> 01:08:19,479
Speaker 1: hid high panned out and it wasn't looking too good.

1064
01:08:19,520 --> 01:08:22,280
Speaker 1: Everybody came home trying to chill for a little while,

1065
01:08:22,360 --> 01:08:25,599
Speaker 1: like and it didn't work that. For some reason, there's

1066
01:08:25,640 --> 01:08:28,240
Speaker 1: this big conception that if you go to prison, you're

1067
01:08:28,280 --> 01:08:31,760
Speaker 1: gonna come home, you're gonna be let But you know,

1068
01:08:31,800 --> 01:08:34,840
Speaker 1: everybody didn't go come on twops that he's the only one.

1069
01:08:37,200 --> 01:08:41,240
Speaker 1: Everyone else they came home. I'm so listen. Let let

1070
01:08:41,280 --> 01:08:44,479
Speaker 1: me just say something. I'm just so happy that, um,

1071
01:08:44,960 --> 01:08:47,400
Speaker 1: the one thing that I see from loving hip hop

1072
01:08:48,200 --> 01:08:50,960
Speaker 1: was like, I said, your ship was real, but the

1073
01:08:51,080 --> 01:08:54,519
Speaker 1: fact that I wanted to promote that more like me personally,

1074
01:08:55,720 --> 01:08:57,760
Speaker 1: you said it was the only positive thing that was

1075
01:08:58,520 --> 01:09:01,559
Speaker 1: because because I ain't gonna lie and I'm gonna keep

1076
01:09:01,560 --> 01:09:04,519
Speaker 1: it on hunting. When you went to see her at

1077
01:09:04,520 --> 01:09:08,240
Speaker 1: the restaurant and then you gave her something and she

1078
01:09:08,400 --> 01:09:11,080
Speaker 1: was like, this is nail bag or whatever whatever, and

1079
01:09:11,160 --> 01:09:13,599
Speaker 1: then you gave her a Teddy Bear, your tear came out.

1080
01:09:13,640 --> 01:09:17,960
Speaker 1: Mind I swear to God, I'm not even lying. I

1081
01:09:18,120 --> 01:09:24,519
Speaker 1: was like minds, you know, but I felt that I

1082
01:09:24,680 --> 01:09:27,320
Speaker 1: was just like, damn. You know. That's one thing. When

1083
01:09:27,360 --> 01:09:30,639
Speaker 1: I met my my my um uh, my new wife,

1084
01:09:31,040 --> 01:09:32,960
Speaker 1: because this is my second time being mad with my

1085
01:09:33,080 --> 01:09:35,720
Speaker 1: new wife. UM, I found out that she only had

1086
01:09:35,760 --> 01:09:38,400
Speaker 1: one pelopium too, you know what I'm saying, like, and

1087
01:09:38,920 --> 01:09:43,120
Speaker 1: so she couldn't reproduce. But then she got pregnant, and

1088
01:09:43,240 --> 01:09:45,040
Speaker 1: it was like it was like, damn, that was a

1089
01:09:45,080 --> 01:09:47,360
Speaker 1: blessing for God. So my son, my Cuban son, because

1090
01:09:48,720 --> 01:09:52,720
Speaker 1: pro Cuban Cuban son, he's a miracle. But when you

1091
01:09:52,880 --> 01:09:55,040
Speaker 1: did that at that moment, it reminded me of how

1092
01:09:55,160 --> 01:09:57,120
Speaker 1: I felt because I would have loved my wife whether

1093
01:09:57,200 --> 01:09:59,200
Speaker 1: she could reproduce or not. It was just something that

1094
01:09:59,280 --> 01:10:02,200
Speaker 1: she just gave. But that moment, I was like, I

1095
01:10:02,920 --> 01:10:08,599
Speaker 1: didn't that type of cry it was and I really,

1096
01:10:08,720 --> 01:10:11,880
Speaker 1: I really think that you should be admired more. You

1097
01:10:11,920 --> 01:10:14,439
Speaker 1: know what I'm saying because I heard you say something.

1098
01:10:14,479 --> 01:10:19,160
Speaker 1: You said when you go visit your homies, you see

1099
01:10:19,200 --> 01:10:21,040
Speaker 1: people on the v our flaw, but when you go

1100
01:10:21,240 --> 01:10:26,360
Speaker 1: visit your wife, can you break that down? Yeah? Man, Basically,

1101
01:10:26,479 --> 01:10:28,280
Speaker 1: you know, I visit a lot of my homies that's

1102
01:10:28,280 --> 01:10:30,040
Speaker 1: blocked up over there. You know how it is we're from.

1103
01:10:30,560 --> 01:10:32,400
Speaker 1: And every time I'm going to the visit, whether it's

1104
01:10:32,400 --> 01:10:34,440
Speaker 1: a lot of snow on the ground or a summertime,

1105
01:10:34,800 --> 01:10:38,360
Speaker 1: you see a lot of females pushing strollers, carrying babies,

1106
01:10:38,439 --> 01:10:41,000
Speaker 1: bringing packages. It's crowded. You can't even get in there

1107
01:10:41,040 --> 01:10:44,080
Speaker 1: because the female is supporting them. But coming from the hood,

1108
01:10:44,080 --> 01:10:46,160
Speaker 1: they always say, yo, bitches, ain't ship. You know you're

1109
01:10:46,160 --> 01:10:48,519
Speaker 1: catching cads. They don't hold you down, so you know,

1110
01:10:48,600 --> 01:10:50,400
Speaker 1: you kind of that thought is kind of invented in

1111
01:10:50,479 --> 01:10:53,280
Speaker 1: your brain. My wife became incosser ready and I started

1112
01:10:53,360 --> 01:10:56,080
Speaker 1: visiting hub when I went to the facility, the visiting floor,

1113
01:10:56,120 --> 01:10:59,360
Speaker 1: it's empty. It's no dudes visiting them, and they gotta

1114
01:10:59,400 --> 01:11:01,840
Speaker 1: visit every day. So I'm like, damn, the hook toward

1115
01:11:01,920 --> 01:11:04,200
Speaker 1: us wrong, man, Like they so hard on the female

1116
01:11:04,200 --> 01:11:06,360
Speaker 1: saying they not low you, but we're not supporting them.

1117
01:11:06,400 --> 01:11:08,559
Speaker 1: And it's a lot of females in there. Nobody been

1118
01:11:08,560 --> 01:11:14,759
Speaker 1: from them. Let's make Loyds from Black Love again. Goddamnit, Yatt,

1119
01:11:15,840 --> 01:11:19,599
Speaker 1: too many, nigh. I don't know my fat Joe. Fat

1120
01:11:19,680 --> 01:11:24,000
Speaker 1: Joe tells everybody else that's not they say fat Joe accent.

1121
01:11:24,040 --> 01:11:32,639
Speaker 1: Will you what he's like gnoring you? Man, I don't

1122
01:11:32,680 --> 01:11:34,280
Speaker 1: want to let you know that. I would have been

1123
01:11:34,360 --> 01:11:37,599
Speaker 1: did you know your podcast? But you want to grow

1124
01:11:37,720 --> 01:11:43,160
Speaker 1: and we're very loose. So's pretty much to me, just

1125
01:11:43,280 --> 01:11:46,400
Speaker 1: like I don't think when we did the record, y'all

1126
01:11:46,439 --> 01:11:49,479
Speaker 1: did the record. Oh, I gotta thank you face to face.

1127
01:11:49,960 --> 01:11:54,200
Speaker 1: It's not that you know what you know what. It's

1128
01:11:54,640 --> 01:11:56,439
Speaker 1: because there's there's a lot of people in this game

1129
01:11:57,200 --> 01:11:59,360
Speaker 1: that you know I might have seen come up. I

1130
01:11:59,520 --> 01:12:02,439
Speaker 1: really see you come up, like I really seen like

1131
01:12:02,600 --> 01:12:05,439
Speaker 1: from when PUN signed you to where you at now.

1132
01:12:05,680 --> 01:12:07,880
Speaker 1: And it's no it's like it's no proud of I

1133
01:12:07,960 --> 01:12:11,320
Speaker 1: can be. And it's also like I just I was

1134
01:12:11,520 --> 01:12:13,680
Speaker 1: so like also a tear cane on my eye when

1135
01:12:13,720 --> 01:12:18,160
Speaker 1: you and when Joe squashed it, because like I love

1136
01:12:18,200 --> 01:12:20,280
Speaker 1: the original TIS. I'm sorry, I know, I mean, I

1137
01:12:20,400 --> 01:12:23,080
Speaker 1: know I'm in store, I know I'm in you know,

1138
01:12:23,240 --> 01:12:27,519
Speaker 1: cool to the Bronze. I mean, I'm just saying, like

1139
01:12:27,640 --> 01:12:29,960
Speaker 1: you know, I just love the original Tip. So when

1140
01:12:30,080 --> 01:12:34,840
Speaker 1: when when the termorial happened, I remember pun loving everybody,

1141
01:12:36,160 --> 01:12:40,160
Speaker 1: so I couldn't really like because that's who I am,

1142
01:12:40,320 --> 01:12:42,200
Speaker 1: Like I wasn't that guy in the hood that you

1143
01:12:42,320 --> 01:12:43,720
Speaker 1: with me, you against me. I was like, all right,

1144
01:12:43,760 --> 01:12:47,920
Speaker 1: well y'all niggas, because I'm just and to see where

1145
01:12:47,960 --> 01:12:50,680
Speaker 1: you act, to see I just I just want to

1146
01:12:50,720 --> 01:12:53,320
Speaker 1: salute you. I want to keep continue to support you

1147
01:12:54,520 --> 01:12:58,559
Speaker 1: and because you are the queen of hip hop right now,

1148
01:12:58,680 --> 01:13:02,000
Speaker 1: there is no bit for with the mall and everybody

1149
01:13:02,080 --> 01:13:08,280
Speaker 1: may make some noise, I agree with you on that.

1150
01:13:10,200 --> 01:13:12,400
Speaker 1: What I was saying was like, you know, I had

1151
01:13:12,439 --> 01:13:14,000
Speaker 1: did the record. I was something Joe like, y'all did

1152
01:13:14,040 --> 01:13:16,160
Speaker 1: the record of Dope, should listen to whatever whatever, And

1153
01:13:16,280 --> 01:13:19,759
Speaker 1: he was like you better not do that damn podcast

1154
01:13:22,000 --> 01:13:24,519
Speaker 1: are hoping about it. So then you know he goes

1155
01:13:24,640 --> 01:13:27,920
Speaker 1: him and Path like, you know, I'm I'm like that.

1156
01:13:28,479 --> 01:13:29,800
Speaker 1: He used to be the bad guy. He was like

1157
01:13:29,920 --> 01:13:34,360
Speaker 1: the straightest arrow. That's him and Joe. They joined forces

1158
01:13:34,400 --> 01:13:37,160
Speaker 1: against me and then going like little areas and have

1159
01:13:37,280 --> 01:13:39,920
Speaker 1: these disclosed conversations about what I can and cannot do.

1160
01:13:40,000 --> 01:13:41,680
Speaker 1: It's the point that like me and him get into

1161
01:13:41,680 --> 01:13:44,280
Speaker 1: a disagreement at home, he'd be like, oh really, you

1162
01:13:44,360 --> 01:13:46,080
Speaker 1: know what, let me see what Joe would say about

1163
01:13:46,120 --> 01:13:56,800
Speaker 1: this where he can't really control. He goes and he

1164
01:13:56,880 --> 01:13:59,880
Speaker 1: calls Path and they have private conversations like don't let

1165
01:13:59,920 --> 01:14:03,200
Speaker 1: me do Norway's podcast. It takes two of us. That's

1166
01:14:03,240 --> 01:14:07,760
Speaker 1: so beautiful. Even though you get shipping on us, it's

1167
01:14:07,840 --> 01:14:09,840
Speaker 1: kind of a you know, it's a great ship on

1168
01:14:10,040 --> 01:14:12,280
Speaker 1: us because you know what it is, you have a

1169
01:14:12,360 --> 01:14:16,040
Speaker 1: supporting cast and a lot of people. It's hardest. Sometimes

1170
01:14:16,120 --> 01:14:19,360
Speaker 1: they make it and they think it's just them. I

1171
01:14:19,520 --> 01:14:21,280
Speaker 1: was an artist that did that. I mean I was

1172
01:14:21,320 --> 01:14:24,720
Speaker 1: like what everybody and I funked up, you know what

1173
01:14:24,720 --> 01:14:27,920
Speaker 1: I'm saying. So when you think about like to make

1174
01:14:28,000 --> 01:14:31,400
Speaker 1: up every great artist, it's at least five to tend

1175
01:14:31,479 --> 01:14:33,960
Speaker 1: people that make them great. There's people that's behind it.

1176
01:14:35,240 --> 01:14:37,960
Speaker 1: You know, what's the mister leaves that people don't realized about.

1177
01:14:38,080 --> 01:14:40,280
Speaker 1: It's a sunny des even though you funked up. I'm

1178
01:14:40,320 --> 01:14:44,080
Speaker 1: gonna be honest, I'm not really bigging you up right now.

1179
01:14:45,680 --> 01:14:49,240
Speaker 1: His first time in New York and years he's a

1180
01:14:50,720 --> 01:14:52,519
Speaker 1: look at them, do you look like from New York?

1181
01:14:52,600 --> 01:14:57,240
Speaker 1: He's even Brooklyn, pat just the first class. You think

1182
01:14:57,280 --> 01:15:03,160
Speaker 1: even Brooklyn. You never know back of the plane of

1183
01:15:03,240 --> 01:15:07,960
Speaker 1: Brooklyn he said that was part of Brooklyn bus Okay,

1184
01:15:08,080 --> 01:15:10,719
Speaker 1: from the bush. I don't know if you were green.

1185
01:15:13,920 --> 01:15:17,240
Speaker 1: It's always a Brooklyn everywhere. That's that's true, everywhere Brooklyn,

1186
01:15:17,280 --> 01:15:21,880
Speaker 1: that's true. Yes, are you doing a solo or it's

1187
01:15:21,880 --> 01:15:26,280
Speaker 1: post first Yeah, that's coming this year next month actually,

1188
01:15:26,439 --> 01:15:29,479
Speaker 1: and then it's my solo album. UM seven one is

1189
01:15:29,520 --> 01:15:38,040
Speaker 1: the six summer solo. Come come over bands me from

1190
01:15:38,120 --> 01:15:45,519
Speaker 1: this shows kicking. It's strange people out. There's not a day.

1191
01:15:48,360 --> 01:15:51,880
Speaker 1: I was the first person I said it would not

1192
01:15:52,040 --> 01:16:01,639
Speaker 1: doing knock. We stop talking about when you punched the girl,

1193
01:16:01,720 --> 01:16:09,599
Speaker 1: and you know, remember you gotta stops on the road.

1194
01:16:10,280 --> 01:16:21,679
Speaker 1: And he's the Queen of each turning first first wrappers,

1195
01:16:21,760 --> 01:16:25,880
Speaker 1: the queen. There's nobody. You know, he's bigging out, how

1196
01:16:25,920 --> 01:16:31,080
Speaker 1: with Stern now millions, but that's Joe six millions, six million,

1197
01:16:31,240 --> 01:16:34,600
Speaker 1: six six million and six million for the bigger than

1198
01:16:37,479 --> 01:16:39,880
Speaker 1: radio stations. You know. We at the Soul Train Awards tomorrow,

1199
01:16:39,880 --> 01:16:42,600
Speaker 1: we're nominating being my system and two awards. Y'all that

1200
01:16:42,720 --> 01:16:47,599
Speaker 1: Jess Motel here right, we all would stop. We're paying bills.

1201
01:16:47,760 --> 01:16:53,160
Speaker 1: Were very humble about things, and uh but I forgot

1202
01:16:53,240 --> 01:16:56,400
Speaker 1: what I was gonna say without this same principal about

1203
01:16:56,400 --> 01:16:59,720
Speaker 1: to scold us. Yeah, I gotta do that because you

1204
01:16:59,800 --> 01:17:02,679
Speaker 1: know in there, Nori, everybody's Nori's cousin in the storm.

1205
01:17:02,680 --> 01:17:07,960
Speaker 1: I'm trying to clear it out. Everybody's cousin. Don't have

1206
01:17:08,080 --> 01:17:16,600
Speaker 1: that problem. Ms Bananas. Yeah, I remember, I tell you

1207
01:17:16,680 --> 01:17:20,479
Speaker 1: it's gonna the streets is gonna be paralyzed. The only

1208
01:17:20,560 --> 01:17:22,479
Speaker 1: problem is just me a pet poost that's not on there.

1209
01:17:22,520 --> 01:17:27,479
Speaker 1: That's a bad same and that's get the TS change.

1210
01:17:27,720 --> 01:17:31,960
Speaker 1: When you don't with TS change, I'm throwing the song

1211
01:17:32,120 --> 01:17:37,160
Speaker 1: for patoos. That's a fact, man. I'm taking it to him,

1212
01:17:38,479 --> 01:17:40,599
Speaker 1: even rough riders in here. That's my Niggers. I'm taking

1213
01:17:40,600 --> 01:17:44,000
Speaker 1: it too. Joe ts change that, but before I didn't

1214
01:17:44,000 --> 01:17:52,080
Speaker 1: get what you talking. There's a good diamond to Joe.

1215
01:17:52,120 --> 01:17:54,040
Speaker 1: You know, I'm gonna. I'm gonna I'm gonna get lost

1216
01:17:54,240 --> 01:18:03,880
Speaker 1: like you're not gonna. I'm gonna keep it ready, Joe

1217
01:18:03,960 --> 01:18:05,800
Speaker 1: was on cut You Off. Joe was on that Hooly

1218
01:18:05,880 --> 01:18:14,519
Speaker 1: season three. Man, I want to thank him on that. Hey, Ram,

1219
01:18:14,960 --> 01:18:21,880
Speaker 1: what is it? Solvid? You know you see the doc

1220
01:18:22,000 --> 01:18:27,559
Speaker 1: over there, you see the doctor, dentists, dentist. That's how

1221
01:18:27,600 --> 01:18:33,719
Speaker 1: you know rich just running around, you know what, y'all listen,

1222
01:18:34,080 --> 01:18:37,240
Speaker 1: I can't be proud of this union. I'm gonna keep

1223
01:18:37,280 --> 01:18:40,519
Speaker 1: continue bigging up this union. Listen, Nori said. Nori heard

1224
01:18:40,520 --> 01:18:43,400
Speaker 1: all the way up before anybody, and when I played

1225
01:18:43,439 --> 01:18:46,639
Speaker 1: it for him, he said, y'all, it feels like leaning

1226
01:18:46,680 --> 01:18:52,000
Speaker 1: back had babies class the same, Like, Yo, this is

1227
01:18:52,360 --> 01:18:56,200
Speaker 1: just like leaning back to that baby. This is crazy

1228
01:18:57,520 --> 01:19:01,800
Speaker 1: that I can't lie. I'm went to the studio because

1229
01:19:01,840 --> 01:19:03,920
Speaker 1: when I first heard jim mixtape, I was like, damn,

1230
01:19:04,520 --> 01:19:06,720
Speaker 1: I didn't feel like it was remy. I felt like

1231
01:19:06,880 --> 01:19:08,800
Speaker 1: it was just you, like, you know, just coming home

1232
01:19:09,479 --> 01:19:12,280
Speaker 1: and discovering something. But when I seen all the way up,

1233
01:19:12,320 --> 01:19:16,519
Speaker 1: I was like, that's exactly who I know. I know

1234
01:19:16,760 --> 01:19:19,040
Speaker 1: I din't have to see you again. I knew exactly

1235
01:19:19,560 --> 01:19:22,519
Speaker 1: where you are comfortable. So when you when I was

1236
01:19:22,600 --> 01:19:25,600
Speaker 1: saying black jack, I got an A and nine And

1237
01:19:25,680 --> 01:19:28,600
Speaker 1: I'm still like hitting she don't write a rounds he

1238
01:19:28,760 --> 01:19:31,760
Speaker 1: Fetter lines like, Brittany, I don't need a shooter. I'm

1239
01:19:31,800 --> 01:19:33,800
Speaker 1: the shooter. Come and get me. Got a nine fell

1240
01:19:33,960 --> 01:19:36,400
Speaker 1: me to rest and know my right kids. This for

1241
01:19:36,479 --> 01:19:39,919
Speaker 1: everybody that was claiming that they missed me. Where Crispy

1242
01:19:40,280 --> 01:19:43,439
Speaker 1: flied into Frisbee, keep a paper made. There's some college

1243
01:19:43,520 --> 01:19:47,400
Speaker 1: rule with me. And look a fifty nine hit. The

1244
01:19:47,479 --> 01:19:50,080
Speaker 1: hero went from Houston, and so I called it Whitney.

1245
01:19:50,320 --> 01:19:53,120
Speaker 1: It makes the fiend scream, So I called the fiend Sydney.

1246
01:19:53,439 --> 01:19:55,879
Speaker 1: Shoot at your crib, But I don't mean when your livesey,

1247
01:19:56,280 --> 01:19:59,080
Speaker 1: I mean the crib with your motherfucking kids sleep. You

1248
01:19:59,200 --> 01:20:02,360
Speaker 1: were square like a motherfucking bene jeep. I'm more hugged

1249
01:20:02,360 --> 01:20:04,800
Speaker 1: than a kol Klux clan sheet. I'm gonna sitting on

1250
01:20:04,880 --> 01:20:07,920
Speaker 1: the throne since holes can't stand me. Ain't even til

1251
01:20:07,920 --> 01:20:11,920
Speaker 1: they quarter ounced me seven grand mees, can't nobody tell

1252
01:20:12,040 --> 01:20:15,080
Speaker 1: me that does this? I need some hammer pants because

1253
01:20:15,160 --> 01:20:18,040
Speaker 1: can't no bitch touched this? Caught your red handed? Oh yeah,

1254
01:20:18,080 --> 01:20:22,120
Speaker 1: bitches is busted. Mike Flow sick nor she's disgusted. My

1255
01:20:22,280 --> 01:20:24,840
Speaker 1: mic sounds nice. I just had to dust it. The

1256
01:20:24,960 --> 01:20:27,560
Speaker 1: rap game twisted. I'm here, They're just it. I know

1257
01:20:27,800 --> 01:20:30,360
Speaker 1: y'all flustered, your panties is bunching. I know, ram eat

1258
01:20:30,439 --> 01:20:32,920
Speaker 1: rap holes or breakfast and then lunch. But if y'all

1259
01:20:33,000 --> 01:20:35,360
Speaker 1: play nice with me in the sand box, I'll let

1260
01:20:35,439 --> 01:20:38,120
Speaker 1: your bitches breathe. No need for tampons. But if you

1261
01:20:38,200 --> 01:20:40,360
Speaker 1: want to bleeve my Welcome to jam Rock. I just

1262
01:20:40,479 --> 01:20:42,720
Speaker 1: did six ships. Bit you're nice with a cant hop.

1263
01:20:46,160 --> 01:21:01,080
Speaker 1: So you're telling me that, queen. It's a beautiful way

1264
01:21:02,760 --> 01:21:06,439
Speaker 1: because I think some people weren't listening. We just we

1265
01:21:06,600 --> 01:21:09,920
Speaker 1: just listened to that. We listened to that. Listen. What

1266
01:21:10,080 --> 01:21:14,599
Speaker 1: happens is, you know, we got back together. And when

1267
01:21:14,640 --> 01:21:21,200
Speaker 1: we get together, she got helicopter and said she just

1268
01:21:21,320 --> 01:21:23,920
Speaker 1: kept making me think. I was like, I look up,

1269
01:21:26,400 --> 01:21:34,639
Speaker 1: said she can't get I looked at I was like, damn,

1270
01:21:35,360 --> 01:21:38,720
Speaker 1: I was looking for the helicopter. What happens is like

1271
01:21:39,000 --> 01:21:41,680
Speaker 1: we describe it like people people like fetch you all

1272
01:21:42,160 --> 01:21:45,760
Speaker 1: like that it hands down no glass. People like me mim,

1273
01:21:46,479 --> 01:21:49,760
Speaker 1: but they'd love to see us together. They do. So

1274
01:21:50,880 --> 01:21:54,519
Speaker 1: I think what happens is when we bring a different

1275
01:21:54,600 --> 01:21:57,760
Speaker 1: dynamic to it. I gotta be on my super a

1276
01:21:57,920 --> 01:22:01,080
Speaker 1: game and vice versa, like we we make each other better.

1277
01:22:01,560 --> 01:22:05,120
Speaker 1: So I think that's that's what people respect, and that's

1278
01:22:05,120 --> 01:22:07,639
Speaker 1: what people love when they when they hear these records,

1279
01:22:07,680 --> 01:22:10,000
Speaker 1: and I feel like when they hear the entire project,

1280
01:22:10,600 --> 01:22:15,400
Speaker 1: you know it's album phenomenous. Fact Checks is gonna be

1281
01:22:15,439 --> 01:22:17,560
Speaker 1: the first people to hear the album. Let's do it

1282
01:22:18,479 --> 01:22:22,240
Speaker 1: the first. We're not independent, we can play it for

1283
01:22:22,360 --> 01:22:25,200
Speaker 1: two point two men. If you're independent, we can do it. Secondly,

1284
01:22:25,600 --> 01:22:27,120
Speaker 1: if you really I want you to hear it in

1285
01:22:27,200 --> 01:22:31,519
Speaker 1: the studio to do something once again. We are and

1286
01:22:32,880 --> 01:22:35,479
Speaker 1: this album. Once you here he heard it, he was

1287
01:22:35,560 --> 01:22:40,759
Speaker 1: the ship Your path is crazy. Once you hear into

1288
01:22:42,760 --> 01:22:46,760
Speaker 1: the intro, you're gonna know immediately from the intro like, oh,

1289
01:22:46,840 --> 01:22:49,479
Speaker 1: these things ain't planned. So by the time you get

1290
01:22:49,560 --> 01:22:52,080
Speaker 1: by the third or four, I'm telling you the album

1291
01:22:52,240 --> 01:22:55,880
Speaker 1: is phenomenal. A ship popping when you marryed in the

1292
01:22:55,960 --> 01:23:00,280
Speaker 1: scope and come at y'all know we don't want of

1293
01:23:00,360 --> 01:23:04,639
Speaker 1: pending double platform. Are you crazy? We don't want nobody

1294
01:23:04,720 --> 01:23:12,519
Speaker 1: to come goddamn it? We right, God niggers kid for

1295
01:23:12,640 --> 01:23:16,479
Speaker 1: the tigers and ships and tigers. And we don't want

1296
01:23:16,560 --> 01:23:19,559
Speaker 1: twelve cents a record, We want seven dollars a record.

1297
01:23:20,120 --> 01:23:23,800
Speaker 1: God damn, come on and right, how long are you

1298
01:23:24,040 --> 01:23:28,639
Speaker 1: before you inactive? Or for all? Inactive? After three more years?

1299
01:23:29,280 --> 01:23:32,800
Speaker 1: More years? Now? They don't trust. But when I am

1300
01:23:33,000 --> 01:23:37,080
Speaker 1: of August, Oh no, no, no, on the Saturday August second,

1301
01:23:37,439 --> 01:23:40,360
Speaker 1: two thousand nineteen, I'll be having the biggest weed party

1302
01:23:40,400 --> 01:23:44,320
Speaker 1: having all right, And we got Dee from Rough Riders

1303
01:23:44,360 --> 01:23:49,400
Speaker 1: in the building. Got damnit, got damn? What's going on?

1304
01:23:49,560 --> 01:23:53,519
Speaker 1: My nigger? How you doing deep? You're good, You're good.

1305
01:23:53,560 --> 01:23:55,680
Speaker 1: It's my nigga man. You know fact Joe finally got

1306
01:23:55,680 --> 01:24:00,599
Speaker 1: me a teas change only five years being the guys.

1307
01:24:00,920 --> 01:24:03,800
Speaker 1: I love these people. I love these people, man, So

1308
01:24:03,960 --> 01:24:06,840
Speaker 1: what's going on? Man'll talk to the people. D say

1309
01:24:06,920 --> 01:24:16,080
Speaker 1: something to the people. Man, This is Drinker's just I

1310
01:24:16,120 --> 01:24:18,639
Speaker 1: feel like Rough Riders got something up. They sleep they're

1311
01:24:18,680 --> 01:24:21,120
Speaker 1: doing something different. Now you know you know we're working,

1312
01:24:21,240 --> 01:24:23,400
Speaker 1: were trying to get ready to do this movie right quick,

1313
01:24:24,640 --> 01:24:27,160
Speaker 1: more than we're gonna go to Rough Riders movie. Ye,

1314
01:24:27,439 --> 01:24:30,519
Speaker 1: don't just say that. Just move over the Rough Riders movie.

1315
01:24:31,680 --> 01:24:34,439
Speaker 1: You're gonna have DMX with with his dogs shot? Yeah,

1316
01:24:34,479 --> 01:24:38,160
Speaker 1: why you're gonna that's how that was? Ain't gonna have

1317
01:24:38,760 --> 01:24:41,080
Speaker 1: the locks with shiny suits on? We love that. I

1318
01:24:41,120 --> 01:24:44,800
Speaker 1: don't know why people we can't set going. It's a

1319
01:24:44,880 --> 01:24:48,720
Speaker 1: documentary leg trying to shoot one I love. I loved

1320
01:24:48,800 --> 01:24:50,840
Speaker 1: when they was in the Shinese suits. Didn't bother me

1321
01:24:50,880 --> 01:24:54,120
Speaker 1: at all. They had a problem, got open for you

1322
01:24:54,200 --> 01:24:58,360
Speaker 1: a little bit. I didn't have to come on a

1323
01:24:58,439 --> 01:25:01,400
Speaker 1: lot better. But you know what Leo said that on

1324
01:25:01,479 --> 01:25:04,559
Speaker 1: the podcast. Leo said, true, I think did you all

1325
01:25:04,680 --> 01:25:06,880
Speaker 1: like them when when you signed the lot when they

1326
01:25:06,960 --> 01:25:09,360
Speaker 1: was a bad boy? That bad boy took over and

1327
01:25:09,560 --> 01:25:11,519
Speaker 1: like made them something else? Did you feel like that?

1328
01:25:12,200 --> 01:25:14,280
Speaker 1: See what I did you agree to that friend? No,

1329
01:25:14,439 --> 01:25:16,639
Speaker 1: I took him over there. I took lots of enemies

1330
01:25:16,720 --> 01:25:18,960
Speaker 1: over there. I gave him to them because I ain't

1331
01:25:19,000 --> 01:25:24,479
Speaker 1: really me. She wasn't murdering that. I was only managing

1332
01:25:24,560 --> 01:25:26,559
Speaker 1: them at that point because I really didn't know the business.

1333
01:25:26,600 --> 01:25:28,360
Speaker 1: I was more on the streets than the business. Suster

1334
01:25:28,439 --> 01:25:30,280
Speaker 1: here took them. They're not gonna learn all for them

1335
01:25:30,320 --> 01:25:32,560
Speaker 1: and then do the next thing with my label, so

1336
01:25:32,640 --> 01:25:34,639
Speaker 1: I'll just managing them at that point. So he didn't

1337
01:25:34,680 --> 01:25:37,840
Speaker 1: I didn't have him signed to man. I think that

1338
01:25:38,280 --> 01:25:42,920
Speaker 1: the outfits didn't change the way they was, That's what

1339
01:25:43,040 --> 01:25:46,400
Speaker 1: I'm saying. But outside of that, it just felt more real,

1340
01:25:46,520 --> 01:25:48,720
Speaker 1: like like when they was outside of that environment, not

1341
01:25:48,840 --> 01:25:51,479
Speaker 1: wearing those suites. So being at Remy is the first

1342
01:25:51,600 --> 01:25:54,840
Speaker 1: female artist that we ever had on and the fact

1343
01:25:54,920 --> 01:25:58,800
Speaker 1: that she is the queen female artists? Who are you?

1344
01:25:58,960 --> 01:26:02,640
Speaker 1: Who is Remy? What? What females really listening to? What

1345
01:26:02,880 --> 01:26:05,599
Speaker 1: other females don't listen to? Oh? I listened to all

1346
01:26:05,680 --> 01:26:08,599
Speaker 1: of them. I'll be checking for everything. Ain't no suns

1347
01:26:08,640 --> 01:26:11,200
Speaker 1: being sad, you see what. I gotta shut down before

1348
01:26:11,240 --> 01:26:15,960
Speaker 1: they get to popping like I'm on deck for everything.

1349
01:26:16,080 --> 01:26:18,000
Speaker 1: Like you know, in this in this industry, they act

1350
01:26:18,040 --> 01:26:19,680
Speaker 1: like it can only be one. They might net it

1351
01:26:19,760 --> 01:26:21,840
Speaker 1: be too, So I gotta I gotta make sure that

1352
01:26:21,920 --> 01:26:23,840
Speaker 1: I so realified my spots up. I see something like

1353
01:26:23,880 --> 01:26:26,240
Speaker 1: a whole lot. Wait, oh, she's getting crazy let me go,

1354
01:26:26,400 --> 01:26:29,000
Speaker 1: let me go drop something. So I stay on my

1355
01:26:29,080 --> 01:26:32,599
Speaker 1: A game names at you and you tell me them

1356
01:26:32,680 --> 01:26:42,759
Speaker 1: or not. I don't funk with anybody. Don't work because

1357
01:26:42,800 --> 01:26:44,839
Speaker 1: what happens it's like you'll say you funk with somebody

1358
01:26:44,960 --> 01:26:46,760
Speaker 1: and then they'll do something that shipped on you. You'd

1359
01:26:46,800 --> 01:26:49,479
Speaker 1: be like yo, like they don't like they don't know

1360
01:26:49,680 --> 01:26:53,640
Speaker 1: the previous one like four betfit. I just want to

1361
01:26:53,680 --> 01:26:55,800
Speaker 1: sit back and say nothing. I'd be like, okay, so

1362
01:26:56,280 --> 01:26:58,679
Speaker 1: when I do, I don't. I just had a conversation

1363
01:26:58,720 --> 01:27:00,320
Speaker 1: with path, I said, from the one they asked me

1364
01:27:00,360 --> 01:27:03,160
Speaker 1: about any I funk with nobody, because when you try to,

1365
01:27:03,280 --> 01:27:04,760
Speaker 1: you know, you try to bake people up and say

1366
01:27:04,800 --> 01:27:06,960
Speaker 1: something then somewhere down and now they try to get crazy.

1367
01:27:07,360 --> 01:27:09,160
Speaker 1: Now I'm I'm gonna saying like I'm gonna want to

1368
01:27:09,200 --> 01:27:13,000
Speaker 1: find you. So I just a Female artists hit me

1369
01:27:13,120 --> 01:27:15,519
Speaker 1: right when they found out that I had something to

1370
01:27:15,600 --> 01:27:18,080
Speaker 1: do with the Fat Joe and jay Z squawsh So

1371
01:27:18,240 --> 01:27:20,400
Speaker 1: female artists hit me and said, but why don't you

1372
01:27:20,439 --> 01:27:22,760
Speaker 1: squashing with me and Remy? And I was like no,

1373
01:27:28,520 --> 01:27:32,240
Speaker 1: this is awkward, right. I was like no, because I

1374
01:27:32,360 --> 01:27:35,760
Speaker 1: know Remy and I know I respect remy and really

1375
01:27:35,800 --> 01:27:39,840
Speaker 1: respect me. I don't know if your respect. So I

1376
01:27:39,960 --> 01:27:42,439
Speaker 1: just stood away from this ship. I didn't know I

1377
01:27:42,520 --> 01:27:46,240
Speaker 1: had beef that needed to be squashed. He said that, bitch.

1378
01:27:52,320 --> 01:27:57,640
Speaker 1: But the thing about it is very respectable, like being disrespectful,

1379
01:27:57,760 --> 01:27:59,360
Speaker 1: and you kind of me like, yeah, I think I

1380
01:27:59,439 --> 01:28:01,280
Speaker 1: feel like it's a bad blood they or whatever I

1381
01:28:01,320 --> 01:28:02,800
Speaker 1: want to I've told to you, I have no problem

1382
01:28:02,960 --> 01:28:05,160
Speaker 1: the problems when you try to get crazy, like my

1383
01:28:05,360 --> 01:28:08,519
Speaker 1: first resort, my first is to resort to violence, like

1384
01:28:08,640 --> 01:28:12,080
Speaker 1: that's that's that's just that I chose to mind my business.

1385
01:28:12,320 --> 01:28:16,360
Speaker 1: But I think I think right now I'm super approachable.

1386
01:28:16,439 --> 01:28:18,479
Speaker 1: Like anybody that came like yo, they want to do

1387
01:28:18,520 --> 01:28:20,479
Speaker 1: a song, they were just like they'd be telling like

1388
01:28:20,520 --> 01:28:22,080
Speaker 1: why didn't you just do that? So I don't care,

1389
01:28:22,200 --> 01:28:23,920
Speaker 1: like it's nothing like I never was a type to

1390
01:28:23,960 --> 01:28:26,320
Speaker 1: think like I'm too big to work with certain people.

1391
01:28:26,720 --> 01:28:29,560
Speaker 1: More I feel like intimidate, like I don't care. I

1392
01:28:29,600 --> 01:28:31,519
Speaker 1: don't be on it like that at all, pivot when

1393
01:28:31,520 --> 01:28:33,760
Speaker 1: I see people. But if I see something I like like, yo,

1394
01:28:33,840 --> 01:28:35,479
Speaker 1: she looks place right there, Oh she killed it on

1395
01:28:35,560 --> 01:28:37,720
Speaker 1: that verse or whatever the case may be. I don't

1396
01:28:37,760 --> 01:28:40,320
Speaker 1: get that back like everybody's sitting back like like how

1397
01:28:40,360 --> 01:28:42,120
Speaker 1: you're saying, like what am You're doing your thing right now?

1398
01:28:42,920 --> 01:28:44,600
Speaker 1: I don't hear that, like she seeks me act like

1399
01:28:44,600 --> 01:28:46,400
Speaker 1: I'm not doing nothing. They don't reek like I know.

1400
01:28:46,680 --> 01:28:59,800
Speaker 1: If you don't hear from right now, it's it's the impossible.

1401
01:29:00,840 --> 01:29:02,960
Speaker 1: Never mind, in the rap industry, you got people who

1402
01:29:03,040 --> 01:29:05,000
Speaker 1: did half the time. I didn't. Can't get a job

1403
01:29:05,400 --> 01:29:08,680
Speaker 1: at the corner store, Like it's hard. So when I

1404
01:29:08,760 --> 01:29:10,360
Speaker 1: see certain things, i'd be like, do you want to

1405
01:29:10,400 --> 01:29:13,400
Speaker 1: hate on me? Like I was done? Like everybody counted

1406
01:29:13,439 --> 01:29:16,120
Speaker 1: me out. I was finishing. He was locked down for

1407
01:29:16,360 --> 01:29:20,240
Speaker 1: sixteen six summers, seven winners and six summers. Can say

1408
01:29:20,280 --> 01:29:24,040
Speaker 1: that line again? I love it. I'm sorry, Uh what

1409
01:29:24,200 --> 01:29:27,160
Speaker 1: part of that? Um? I don't want to hear about

1410
01:29:27,200 --> 01:29:29,599
Speaker 1: your records and big numbers because I was locked down

1411
01:29:29,720 --> 01:29:32,920
Speaker 1: seven winners and six summers, cup all on that bus,

1412
01:29:33,000 --> 01:29:44,599
Speaker 1: locked me your little ways. Now, now you you worked

1413
01:29:44,600 --> 01:29:48,400
Speaker 1: for Eve, that was your artist? Was did you sign?

1414
01:29:48,760 --> 01:29:52,120
Speaker 1: Because even signed about the dread first? And what did

1415
01:29:52,240 --> 01:29:57,240
Speaker 1: Jimmy bring you Eve? No? He switched off to me

1416
01:29:57,439 --> 01:30:00,639
Speaker 1: because really couldn't break us. So we are they come break.

1417
01:30:00,880 --> 01:30:03,320
Speaker 1: We broke because rough riders pop. Yeah, we had a

1418
01:30:03,320 --> 01:30:05,800
Speaker 1: little buzz at the tumps. He broughted us and we

1419
01:30:05,920 --> 01:30:09,640
Speaker 1: just broke. How how how was that like? Because you

1420
01:30:09,680 --> 01:30:12,160
Speaker 1: know she was like the queen of that. That's my girl.

1421
01:30:12,240 --> 01:30:14,960
Speaker 1: She keeping one hundred tons of this day, so she

1422
01:30:15,040 --> 01:30:17,280
Speaker 1: got she gotta be in there. You got some where

1423
01:30:17,280 --> 01:30:20,360
Speaker 1: another way more thrilling. Niggas believe it than that. You know.

1424
01:30:20,560 --> 01:30:22,559
Speaker 1: That's how we got. That's why I felt about women.

1425
01:30:22,680 --> 01:30:26,800
Speaker 1: That's very Somebody somebody here show somebody said, yo, want

1426
01:30:26,840 --> 01:30:31,519
Speaker 1: to yo, Like you know sometimes they say on cheo sides,

1427
01:30:32,560 --> 01:30:41,040
Speaker 1: I told sides a long time ago, think with her,

1428
01:30:41,479 --> 01:30:45,400
Speaker 1: it's the case. I'm sorry, I'm saying, okay, I don't

1429
01:30:45,960 --> 01:30:47,920
Speaker 1: nor want to talk. You don't even gotta cheue suns

1430
01:30:47,960 --> 01:30:49,640
Speaker 1: like it's a lot right. Like when they when they

1431
01:30:49,720 --> 01:30:51,960
Speaker 1: came there like ring to do the track, I said,

1432
01:30:52,439 --> 01:30:54,840
Speaker 1: send me the bracket, like what's the problem. Let me

1433
01:30:54,920 --> 01:30:57,080
Speaker 1: do Like it wasn't a question. I wasn't thinking about it.

1434
01:30:57,120 --> 01:30:59,200
Speaker 1: I have kids that I just did all the way up.

1435
01:30:59,280 --> 01:31:01,640
Speaker 1: I'm like, yo, I'm still waiting for the artwork, and

1436
01:31:01,720 --> 01:31:03,240
Speaker 1: I'm like yo, with the artworks, I can post it

1437
01:31:03,280 --> 01:31:08,360
Speaker 1: on my page, still waiting for that art art working

1438
01:31:08,560 --> 01:31:11,000
Speaker 1: of you and jay Z and I said, I never

1439
01:31:11,120 --> 01:31:13,640
Speaker 1: got it, never got it. But you know, I just

1440
01:31:15,200 --> 01:31:17,840
Speaker 1: I just I just feel like, I'm so sorry. I

1441
01:31:19,360 --> 01:31:22,160
Speaker 1: don't stuff like that. That's stupid to me. Yeah, that's

1442
01:31:22,200 --> 01:31:24,680
Speaker 1: when I when I came home, I gave it up

1443
01:31:24,720 --> 01:31:28,200
Speaker 1: to anybody like you always. So when somebody coming at

1444
01:31:28,240 --> 01:31:30,719
Speaker 1: me crazy, why why I hear behind scenes like people

1445
01:31:30,760 --> 01:31:33,479
Speaker 1: so stupid they don't realize you hear everything that's going on.

1446
01:31:33,560 --> 01:31:36,479
Speaker 1: This industry is very small, So when the world small,

1447
01:31:36,840 --> 01:31:38,760
Speaker 1: when I hear certain things, I just be like, yo,

1448
01:31:38,920 --> 01:31:41,519
Speaker 1: that's like I can't do nothing. I really, I literally

1449
01:31:41,600 --> 01:31:44,400
Speaker 1: can't do any guard. So I just ignore it. You know.

1450
01:31:44,560 --> 01:31:47,400
Speaker 1: I go on my social media and I just you know, laughing,

1451
01:31:47,520 --> 01:31:50,000
Speaker 1: and I look at it because it's it's really sad.

1452
01:31:50,200 --> 01:31:53,360
Speaker 1: It's it's really sad, sad. I love to see any

1453
01:31:53,800 --> 01:31:56,240
Speaker 1: any vmale male that comes from the bottom where we

1454
01:31:56,280 --> 01:31:57,640
Speaker 1: come from, me it and be able to put some

1455
01:31:57,720 --> 01:31:59,439
Speaker 1: money in their pockets and take care of the family

1456
01:31:59,600 --> 01:32:01,559
Speaker 1: or their kid ends over, whatever the case. I'm never

1457
01:32:01,680 --> 01:32:03,320
Speaker 1: going to hate on that. So somebody that can hate

1458
01:32:03,320 --> 01:32:05,400
Speaker 1: on that and they talk about a little dumbshit that

1459
01:32:05,479 --> 01:32:08,360
Speaker 1: don't even matter, Like I can't take it seriously, Like

1460
01:32:08,840 --> 01:32:10,760
Speaker 1: at this point in my life, that's one of the

1461
01:32:10,800 --> 01:32:12,400
Speaker 1: reasons why I didn't love a hip hop when I

1462
01:32:12,439 --> 01:32:16,439
Speaker 1: came home. I'm like, yo, when I left, if you

1463
01:32:16,640 --> 01:32:19,200
Speaker 1: was ten years old, twelve years old, you're eighteen now,

1464
01:32:19,640 --> 01:32:22,240
Speaker 1: or if you was twelve, you twenty Like these people,

1465
01:32:22,320 --> 01:32:24,000
Speaker 1: it's a lot of people that didn't know who I was.

1466
01:32:24,040 --> 01:32:27,000
Speaker 1: I looked at they not this. They got three million

1467
01:32:27,080 --> 01:32:29,400
Speaker 1: people that watch it every Monday, not including the times

1468
01:32:29,439 --> 01:32:31,960
Speaker 1: when they've running out. Said people like, oh, but you're

1469
01:32:31,960 --> 01:32:34,639
Speaker 1: gonna look stupid, PMNNA look stupid. If I'm not acting

1470
01:32:34,680 --> 01:32:36,400
Speaker 1: stupid in front of the camera, they can't make me

1471
01:32:36,520 --> 01:32:39,080
Speaker 1: look stupid. This impossible. To make me look stupid less,

1472
01:32:39,120 --> 01:32:41,880
Speaker 1: I'm being a clown. So I told that. I'm like, oh, baby,

1473
01:32:41,880 --> 01:32:43,400
Speaker 1: when we don't go on there, we're gonna do what

1474
01:32:43,479 --> 01:32:46,840
Speaker 1: we do this impossibly, but nobody's gonna throw any type

1475
01:32:46,840 --> 01:32:50,360
Speaker 1: of drink at me. Don'tbody spitting in the area, like

1476
01:32:50,720 --> 01:32:53,120
Speaker 1: if we're gonna do what we do, And it came,

1477
01:32:53,160 --> 01:32:55,160
Speaker 1: of course like he ain't go a lot, PA, He's said, here,

1478
01:32:55,160 --> 01:32:58,479
Speaker 1: act like you're even scarce. He was like, I don't

1479
01:32:58,560 --> 01:33:02,040
Speaker 1: trust you. You're live, Why are you unpredictable? I don't

1480
01:33:02,040 --> 01:33:04,200
Speaker 1: know what you're gonna do. I was, you know what

1481
01:33:04,320 --> 01:33:07,320
Speaker 1: it is man visiting her and that penetentiary for so long,

1482
01:33:07,680 --> 01:33:09,800
Speaker 1: I just didn't want to interacting. Nothing that could make

1483
01:33:09,840 --> 01:33:12,240
Speaker 1: that happen again. So I'll be walking on thin ice

1484
01:33:12,320 --> 01:33:14,000
Speaker 1: and you know what I mean, like if let's be careful, man.

1485
01:33:14,200 --> 01:33:16,479
Speaker 1: And then I remember, I remember one night she stayed

1486
01:33:16,479 --> 01:33:19,200
Speaker 1: out too late, and you can and that's that's why.

1487
01:33:19,240 --> 01:33:22,160
Speaker 1: That's that's what I do too. It's like to my wife,

1488
01:33:22,240 --> 01:33:25,920
Speaker 1: like when I see her. So my wife looked and

1489
01:33:26,000 --> 01:33:28,200
Speaker 1: I was like, oh my god, your papers must be

1490
01:33:28,280 --> 01:33:32,400
Speaker 1: best friends. Actually I did her. I did it the

1491
01:33:32,600 --> 01:33:36,519
Speaker 1: day before. So I'm like, yea, like like, come on,

1492
01:33:36,600 --> 01:33:38,920
Speaker 1: we're going home, right, And you did the same as

1493
01:33:38,960 --> 01:33:41,519
Speaker 1: that thing. I was like, definitely that what y'all seeing

1494
01:33:41,520 --> 01:33:43,200
Speaker 1: on Loving hip hop? Man, We just we don't got

1495
01:33:43,280 --> 01:33:44,960
Speaker 1: up and get up there and be froging in on fake.

1496
01:33:45,400 --> 01:33:46,720
Speaker 1: We show y'all the real you know what I mean.

1497
01:33:46,760 --> 01:33:48,360
Speaker 1: They edited how they went, but we show yall the

1498
01:33:48,640 --> 01:33:50,839
Speaker 1: ship that go on, you know, went with black couples.

1499
01:33:50,840 --> 01:33:52,559
Speaker 1: The couples of close to the planet and we also

1500
01:33:52,640 --> 01:33:56,960
Speaker 1: fake cousins, right. I told her that fakedn't like because

1501
01:33:57,840 --> 01:34:05,519
Speaker 1: later later when I damn, I was like, y'are not

1502
01:34:05,680 --> 01:34:14,600
Speaker 1: releaded today that are leading to other people. Good a

1503
01:34:14,680 --> 01:34:18,240
Speaker 1: little story. It's a little true though, it's true. Recond

1504
01:34:20,600 --> 01:34:29,880
Speaker 1: black Side Family. So listen your Dean Pat poos by Mall.

1505
01:34:30,040 --> 01:34:32,479
Speaker 1: I can't thank y'all so much because you know what

1506
01:34:33,040 --> 01:34:37,040
Speaker 1: the nucleus of us sitting down right now. It's Fat Joe.

1507
01:34:37,800 --> 01:34:40,880
Speaker 1: Fat Joe has been my brother. Yeah, he's been my

1508
01:34:41,000 --> 01:34:45,880
Speaker 1: brother through thick fans. Um he to bless us. I'm

1509
01:34:45,920 --> 01:34:48,000
Speaker 1: the first person to do the drink chat. He's a

1510
01:34:48,000 --> 01:34:52,360
Speaker 1: guy who introduced me to U. My best friend as

1511
01:34:52,400 --> 01:34:55,800
Speaker 1: a rapper was big, funny, like I didn't um that

1512
01:34:55,880 --> 01:34:59,400
Speaker 1: was the first rapper ever hung out with it. I

1513
01:34:59,479 --> 01:35:01,719
Speaker 1: remember me in Big Punt and he's a unique studio

1514
01:35:02,880 --> 01:35:04,400
Speaker 1: and I had a two five on me. I don't

1515
01:35:04,439 --> 01:35:06,639
Speaker 1: know why, but like I just had a two five movie.

1516
01:35:07,000 --> 01:35:09,599
Speaker 1: Fat Joe walked in. He was eating because no idea

1517
01:35:09,680 --> 01:35:14,760
Speaker 1: why I was carrying. I just got it on. It's

1518
01:35:14,920 --> 01:35:23,840
Speaker 1: hobby and he's eating. He's like and he's like what

1519
01:35:24,040 --> 01:35:26,160
Speaker 1: one of your niggas got shot. I just felt like

1520
01:35:26,200 --> 01:35:28,599
Speaker 1: that was like the disrespect Chris and I've ever heard

1521
01:35:28,640 --> 01:35:31,519
Speaker 1: in my life. Wolhead just got shot, like the day.

1522
01:35:32,360 --> 01:35:34,080
Speaker 1: So I'm looking at this nick. I've never met Fat

1523
01:35:34,160 --> 01:35:37,160
Speaker 1: Joe before, right, so I'm looking at this nigga. I'm

1524
01:35:37,200 --> 01:35:39,800
Speaker 1: just like, I'm a queen's nigga, Like, yeah, niggastick, Queen's

1525
01:35:39,840 --> 01:35:42,439
Speaker 1: a salt. But we get the poppet, right. So I

1526
01:35:42,479 --> 01:35:44,800
Speaker 1: got done on my ship and the Fat Joe goes

1527
01:35:45,600 --> 01:35:48,000
Speaker 1: and then pun walks up to me and looks at

1528
01:35:48,080 --> 01:35:51,280
Speaker 1: me up and down because he's seen me scheming. Looks

1529
01:35:51,320 --> 01:35:53,840
Speaker 1: at me up and there. I like you Puerto Rican,

1530
01:35:54,160 --> 01:35:56,840
Speaker 1: I said, yeah, he said, take the ice creall off.

1531
01:35:57,800 --> 01:36:03,920
Speaker 1: You're gonna be my friend like in my life. Like

1532
01:36:04,040 --> 01:36:06,120
Speaker 1: I was just like, but I'm still trying to be hard,

1533
01:36:06,240 --> 01:36:10,000
Speaker 1: like I'm like lack finish it. And from that day forward,

1534
01:36:10,720 --> 01:36:14,240
Speaker 1: Pump was my man and his favorite artist, his number

1535
01:36:14,320 --> 01:36:18,599
Speaker 1: one artist that he had a dream for. It's right here,

1536
01:36:19,800 --> 01:36:23,120
Speaker 1: it's right here. And every time I see you, shine,

1537
01:36:23,280 --> 01:36:25,479
Speaker 1: I ain't gonna lie. I claim your success like his mind.

1538
01:36:25,520 --> 01:36:27,560
Speaker 1: So I'm just be honest you and Joe's I'll be

1539
01:36:27,640 --> 01:36:32,960
Speaker 1: like this all the way, Like the wards. If Joe

1540
01:36:33,000 --> 01:36:34,920
Speaker 1: called me and said I wanted a ward, I said,

1541
01:36:35,040 --> 01:36:36,760
Speaker 1: I'm blowing it up right now. I hung up the

1542
01:36:36,800 --> 01:36:38,920
Speaker 1: phone and I put it in the podcast immediately this,

1543
01:36:39,120 --> 01:36:41,559
Speaker 1: right before the Ship came out, I did the bootleg

1544
01:36:41,720 --> 01:36:46,519
Speaker 1: version of y'all Ship because I'm so happy, so happy

1545
01:36:46,560 --> 01:36:49,360
Speaker 1: what you're doing. I'm so happy to get And you

1546
01:36:49,400 --> 01:36:52,519
Speaker 1: know what's a crazy thing about all, Really you're not

1547
01:36:52,680 --> 01:36:55,200
Speaker 1: like a fake queen. What I mean by that, there's

1548
01:36:55,280 --> 01:36:57,400
Speaker 1: people who was the queen's of hip hop. Then you

1549
01:36:57,479 --> 01:37:01,800
Speaker 1: find out people helping the rhymes or whatever. But your

1550
01:37:01,920 --> 01:37:08,080
Speaker 1: rhymes are fucking leasing, super l you hit you being Vegas,

1551
01:37:09,520 --> 01:37:14,160
Speaker 1: you got women. I really don't you gotta start you

1552
01:37:14,280 --> 01:37:18,960
Speaker 1: got But actually told me, like, you know, any song

1553
01:37:19,040 --> 01:37:20,840
Speaker 1: you have to get on with somebody's like, I don't

1554
01:37:20,880 --> 01:37:23,559
Speaker 1: care who the goal is. So when the song goes

1555
01:37:23,600 --> 01:37:26,439
Speaker 1: on for them to be like remybody this stuff. That's

1556
01:37:26,600 --> 01:37:28,640
Speaker 1: when he told me. And that's what I literally do,

1557
01:37:28,800 --> 01:37:31,960
Speaker 1: whether it is I'm gonna my husband Joe like I

1558
01:37:32,000 --> 01:37:39,200
Speaker 1: ain't tell you like I want to kill you. Know.

1559
01:37:39,880 --> 01:37:42,479
Speaker 1: It's a wonderful thing when when you know my pen.

1560
01:37:42,680 --> 01:37:45,360
Speaker 1: My pen has never been questioned, like like I sit there,

1561
01:37:45,400 --> 01:37:47,800
Speaker 1: I purposely, you know, go to studios and I sit

1562
01:37:47,840 --> 01:37:49,760
Speaker 1: there with people and I want to write my music

1563
01:37:49,840 --> 01:37:52,240
Speaker 1: in front of them so that they know that it's authentic.

1564
01:37:52,360 --> 01:37:54,400
Speaker 1: I mean, it's it's cool. Like some people are artists

1565
01:37:54,800 --> 01:37:57,320
Speaker 1: and they get their things handed to them, and you know,

1566
01:37:57,479 --> 01:37:59,200
Speaker 1: they go and they do what they do and that's cool.

1567
01:37:59,760 --> 01:38:02,600
Speaker 1: But don't play with me. We're not playing with you.

1568
01:38:03,080 --> 01:38:08,599
Speaker 1: We understand. So now you come home, you hear the music, right,

1569
01:38:09,520 --> 01:38:12,960
Speaker 1: what makes you say I'm gonna go in a different

1570
01:38:13,000 --> 01:38:16,400
Speaker 1: direction and now follow everybody else? Because all the way

1571
01:38:16,800 --> 01:38:19,679
Speaker 1: he sounds like what's happening now, But at the same

1572
01:38:19,760 --> 01:38:24,000
Speaker 1: token it sounds classic. Um, I don't know how to

1573
01:38:24,080 --> 01:38:27,160
Speaker 1: be a follower. Me neither. I don't know, Like I

1574
01:38:27,280 --> 01:38:29,960
Speaker 1: never was a good follower, Like even if I started

1575
01:38:30,000 --> 01:38:32,240
Speaker 1: off trying to be down, somehow I ended up in charge,

1576
01:38:32,760 --> 01:38:37,759
Speaker 1: like like I can't like I can't, I can't conform.

1577
01:38:37,840 --> 01:38:39,880
Speaker 1: I e I like to do things the way I

1578
01:38:40,040 --> 01:38:43,759
Speaker 1: like to do it and with it. What it seemed

1579
01:38:43,800 --> 01:38:47,840
Speaker 1: like is that everybody is cool with being like like

1580
01:38:47,880 --> 01:38:50,080
Speaker 1: I literally turned on the radio sometimes and I don't

1581
01:38:50,080 --> 01:38:53,360
Speaker 1: know who I'm listening to because everybody sounds so much alike,

1582
01:38:54,080 --> 01:38:58,320
Speaker 1: like really bad. And when me and Joe was working

1583
01:38:58,360 --> 01:39:01,599
Speaker 1: on our project, like that was I'll go like, yo,

1584
01:39:01,680 --> 01:39:04,320
Speaker 1: how do we do what we want to do and

1585
01:39:04,439 --> 01:39:06,559
Speaker 1: get this bag? Because that was the goal Like before,

1586
01:39:06,840 --> 01:39:08,240
Speaker 1: when I first thought it was, I just wanted to

1587
01:39:08,240 --> 01:39:09,840
Speaker 1: be the nicest wrap. I want everybody be like Yo,

1588
01:39:09,920 --> 01:39:11,840
Speaker 1: she's dope, she's the best with ever like cool. We

1589
01:39:11,920 --> 01:39:13,960
Speaker 1: passed that. Now we gotta get this bag. How do

1590
01:39:14,080 --> 01:39:16,560
Speaker 1: we get this bag and still be us? Because what

1591
01:39:16,680 --> 01:39:19,880
Speaker 1: happens is if I try to be somebody else, you

1592
01:39:20,000 --> 01:39:22,160
Speaker 1: might catch me on a bad day and then you're

1593
01:39:22,160 --> 01:39:24,000
Speaker 1: gonna meet the real means that's that's not gonna be

1594
01:39:24,120 --> 01:39:27,120
Speaker 1: the same thing, the same thing with you know, with

1595
01:39:27,280 --> 01:39:30,280
Speaker 1: with Joe, he could try to be you know, certain thing,

1596
01:39:30,360 --> 01:39:34,400
Speaker 1: but the nucleus, like you said, the nucleus, he's still

1597
01:39:34,680 --> 01:39:37,360
Speaker 1: you know, fat Joe. And that was what we wanted

1598
01:39:37,400 --> 01:39:39,760
Speaker 1: to keep. We did not want to have to sacrifice

1599
01:39:40,040 --> 01:39:43,360
Speaker 1: who we are to be successful. And that's what people

1600
01:39:43,360 --> 01:39:45,920
Speaker 1: were telling us. Nah, you gotta get on this way.

1601
01:39:46,479 --> 01:39:49,800
Speaker 1: I gotta talk about picking these books, picking these books

1602
01:39:50,720 --> 01:39:54,599
Speaker 1: like like nah, like I don't. I don't know und

1603
01:39:54,840 --> 01:39:57,479
Speaker 1: rule over in his grave, like I make it my business.

1604
01:39:57,560 --> 01:40:01,599
Speaker 1: I need every bar to have a bar. And that's

1605
01:40:01,640 --> 01:40:03,840
Speaker 1: what we did. And I think it's it's a little

1606
01:40:03,960 --> 01:40:06,080
Speaker 1: ship that's going on right now. I always catch the

1607
01:40:06,160 --> 01:40:08,519
Speaker 1: middle of the ship ship right now to where you

1608
01:40:08,560 --> 01:40:12,680
Speaker 1: know people are kind of starting to care about right

1609
01:40:13,000 --> 01:40:15,680
Speaker 1: so so you know it's good for people like me.

1610
01:40:16,439 --> 01:40:18,800
Speaker 1: You know there's some people that's not gonna be something.

1611
01:40:18,880 --> 01:40:20,880
Speaker 1: I want to see you something real quick, man, because

1612
01:40:20,880 --> 01:40:23,720
Speaker 1: I want to make sure I pay the problem hoch um.

1613
01:40:24,320 --> 01:40:26,439
Speaker 1: I was outside of the game watching only y'all. You

1614
01:40:26,439 --> 01:40:28,000
Speaker 1: know what I'm saying. So for me to be in

1615
01:40:28,040 --> 01:40:30,240
Speaker 1: the president even your poem, I'm saying like I love

1616
01:40:30,320 --> 01:40:32,920
Speaker 1: y'all ship like I used to get crazy and I

1617
01:40:33,000 --> 01:40:34,800
Speaker 1: want to do wol ship and listening to y'all ship

1618
01:40:35,120 --> 01:40:36,840
Speaker 1: everything deep bod to the game. You know what I'm

1619
01:40:36,840 --> 01:40:38,680
Speaker 1: saying with rough Rider, I want to salute you. I

1620
01:40:38,800 --> 01:40:42,000
Speaker 1: respect everything y'all did and my uncle. I mean if

1621
01:40:42,000 --> 01:40:44,280
Speaker 1: my uncle with my uncle work from working, path mun't

1622
01:40:44,280 --> 01:40:45,800
Speaker 1: go to work, and God, he go to work every day,

1623
01:40:46,080 --> 01:40:49,040
Speaker 1: he could verify. I've seen my wife years ago when

1624
01:40:49,040 --> 01:40:51,160
Speaker 1: I told him. I said, Yo, one day I'm gonna

1625
01:40:51,160 --> 01:40:53,640
Speaker 1: have this ship. Is like before I even got in

1626
01:40:53,720 --> 01:40:56,200
Speaker 1: the game. You know what I'm saying. Stories like Meek

1627
01:40:56,280 --> 01:40:59,800
Speaker 1: Mills story. I like that. I told my uncle that, Like, Yo,

1628
01:41:00,360 --> 01:41:02,120
Speaker 1: one day I'm gonna meet her and I'm gonna make

1629
01:41:02,200 --> 01:41:03,519
Speaker 1: her mind. You know what I'm saying. So I just

1630
01:41:03,600 --> 01:41:09,640
Speaker 1: want to say even brit even you know what I mean.

1631
01:41:09,680 --> 01:41:12,360
Speaker 1: When he first started the podcast joint, he was kicking it,

1632
01:41:12,439 --> 01:41:13,600
Speaker 1: you know what I'm saying. No, he would send me

1633
01:41:13,640 --> 01:41:15,840
Speaker 1: certain numbers like yo, look at this, look at that one.

1634
01:41:15,960 --> 01:41:18,000
Speaker 1: What I'm saying. So just to see another rapper make

1635
01:41:18,040 --> 01:41:21,080
Speaker 1: the transition from rapping into doing something like this when

1636
01:41:21,120 --> 01:41:23,760
Speaker 1: you impact in the world, I want to salute you

1637
01:41:23,840 --> 01:41:25,680
Speaker 1: on that. Man. So I just want to slew all

1638
01:41:26,040 --> 01:41:32,600
Speaker 1: just happen. Your favorite rapper came right right down, you

1639
01:41:32,840 --> 01:41:35,160
Speaker 1: know right now hip hop. My favorite rapper is really

1640
01:41:35,240 --> 01:41:41,439
Speaker 1: mind fat Joe. Let me tell you, I love him

1641
01:41:41,479 --> 01:41:45,800
Speaker 1: to death. But he's the biggest critic ever. Like no bad,

1642
01:41:46,000 --> 01:41:47,760
Speaker 1: like it's real bad. If you didn't come out before

1643
01:41:47,880 --> 01:41:53,519
Speaker 1: ninety nine, he doesn't like you. He said so when

1644
01:41:53,560 --> 01:41:55,960
Speaker 1: we were in the studio and he was like, yo,

1645
01:41:56,840 --> 01:41:59,760
Speaker 1: y'all really like it killed him. The first day. He's

1646
01:41:59,760 --> 01:42:02,400
Speaker 1: like sitting there. He was like, y'all ain't gonna lat

1647
01:42:02,520 --> 01:42:07,040
Speaker 1: y'all when I get together, Like it's like like, like

1648
01:42:07,640 --> 01:42:09,680
Speaker 1: what do you want to say? Okay, so little. The

1649
01:42:09,800 --> 01:42:12,680
Speaker 1: first time fact Joe announced that y'all was doing the

1650
01:42:12,720 --> 01:42:15,960
Speaker 1: album was on our podcast, and then he also said

1651
01:42:16,479 --> 01:42:20,000
Speaker 1: that at first Joe told you to come to Miami. Yeah,

1652
01:42:23,040 --> 01:42:25,200
Speaker 1: what's going on? Like, wait, you're going to Miami for

1653
01:42:25,280 --> 01:42:28,680
Speaker 1: how many weeks? Let's bring that down. I mean basically, man,

1654
01:42:28,760 --> 01:42:30,479
Speaker 1: I don't know if the world knows, but I managed

1655
01:42:30,520 --> 01:42:32,960
Speaker 1: my wife, you know what I'm saying. I picked up

1656
01:42:33,000 --> 01:42:36,439
Speaker 1: the job by default. She was away because when when

1657
01:42:36,520 --> 01:42:39,320
Speaker 1: she got real, oh you know what I'm saying. So

1658
01:42:39,400 --> 01:42:43,120
Speaker 1: I didn't and we're doing another hip hop at the time,

1659
01:42:43,760 --> 01:42:46,439
Speaker 1: and she was just like me, is very spontaneous. You know,

1660
01:42:46,520 --> 01:42:47,840
Speaker 1: she's gonna do what she wanted to do at that

1661
01:42:47,920 --> 01:42:49,760
Speaker 1: time period, you know what I'm saying. So she came

1662
01:42:49,800 --> 01:42:51,240
Speaker 1: out of nowhere. It was like young going to Miami

1663
01:42:51,400 --> 01:42:53,200
Speaker 1: and she was like two days away or some crazy ship.

1664
01:42:53,240 --> 01:42:56,160
Speaker 1: I like, this was like yo, just with the jealous story,

1665
01:42:56,240 --> 01:43:01,080
Speaker 1: Like jealous that I was trying to try. He was

1666
01:43:01,160 --> 01:43:07,000
Speaker 1: like in lead, we gotta winding and this. I'm like,

1667
01:43:07,520 --> 01:43:10,320
Speaker 1: I need to record mine. He's like, NA was coming,

1668
01:43:11,520 --> 01:43:14,640
Speaker 1: so what it didn't have happened And Joe came to

1669
01:43:14,760 --> 01:43:16,360
Speaker 1: the wedding and he was like, yo, so when you

1670
01:43:16,439 --> 01:43:19,720
Speaker 1: want to love a honeymoon, you're trying to hide. It

1671
01:43:19,880 --> 01:43:23,200
Speaker 1: was like, he was like, when you come into a

1672
01:43:23,240 --> 01:43:25,240
Speaker 1: whin you come from. Your honeymoon came before the album.

1673
01:43:25,720 --> 01:43:27,280
Speaker 1: So I'm like, you don't called the album to Maro.

1674
01:43:27,400 --> 01:43:29,880
Speaker 1: Joe he like, so you're not gonna go. I was like,

1675
01:43:30,080 --> 01:43:32,080
Speaker 1: so I asked them to go with your honey we

1676
01:43:32,120 --> 01:43:37,000
Speaker 1: never wit. You ain't gonna let me go to Miami record.

1677
01:43:37,120 --> 01:43:38,960
Speaker 1: So now we don't get no honeymoon and I got

1678
01:43:39,040 --> 01:43:41,439
Speaker 1: to make my album. You ain't going on honeymoon? Na,

1679
01:43:41,760 --> 01:43:46,040
Speaker 1: oh my god, oh my god. We called him to

1680
01:43:46,080 --> 01:43:50,800
Speaker 1: poor the mall to Hawaii because it's in the United

1681
01:43:50,800 --> 01:43:52,840
Speaker 1: States and I'm coming with y'all. That's great. He said

1682
01:43:52,840 --> 01:43:55,280
Speaker 1: that that's when you wanted. That's little Hawaiian sport. Now

1683
01:43:55,320 --> 01:43:59,439
Speaker 1: that's whebe it's gonna go. But I come, I'm gonna come.

1684
01:44:00,680 --> 01:44:02,400
Speaker 1: I'm going on to the other side of the hotel.

1685
01:44:02,520 --> 01:44:04,800
Speaker 1: But you know, let's let's go. Let's go. But look,

1686
01:44:04,880 --> 01:44:06,760
Speaker 1: we didn't go in a honeymoon, but we came up

1687
01:44:06,800 --> 01:44:08,640
Speaker 1: with all these You got so much money. Now you

1688
01:44:08,760 --> 01:44:12,479
Speaker 1: got much You know it was the right choice because

1689
01:44:12,960 --> 01:44:16,000
Speaker 1: y'all all the way up. But now it's time to enjoy.

1690
01:44:17,080 --> 01:44:20,800
Speaker 1: And you have children, you have beautiful children. You guys,

1691
01:44:20,880 --> 01:44:24,040
Speaker 1: Black love should continue to be supported. I'm gonna support

1692
01:44:24,080 --> 01:44:28,240
Speaker 1: it personally. I don't need nothing. I don't need a handshake,

1693
01:44:28,240 --> 01:44:29,840
Speaker 1: I don't need the first I don't need I just

1694
01:44:30,000 --> 01:44:33,960
Speaker 1: need love. And you guys, love should be supported and

1695
01:44:34,040 --> 01:44:36,519
Speaker 1: continue to be on the forefront, and I'm gonna continue

1696
01:44:36,520 --> 01:44:38,560
Speaker 1: to do it. I don't go. Well, I get to

1697
01:44:38,560 --> 01:44:42,880
Speaker 1: see one more season of Day before that, I get

1698
01:44:42,920 --> 01:44:47,479
Speaker 1: to see one more like It's it's really crazy. It

1699
01:44:47,560 --> 01:44:49,280
Speaker 1: gets crazy. But they don't gonna love it when they

1700
01:44:49,280 --> 01:44:51,880
Speaker 1: say it's already done because you do a drink your

1701
01:44:51,920 --> 01:44:59,840
Speaker 1: self face right, I heard that. I'll see what mad

1702
01:45:00,000 --> 01:45:01,439
Speaker 1: out out the self? Man, when you do a dream

1703
01:45:01,439 --> 01:45:03,120
Speaker 1: in this space? What had now he was playing Yo

1704
01:45:03,240 --> 01:45:07,200
Speaker 1: Gotti in New York too much? Man? No, No, I'm

1705
01:45:07,240 --> 01:45:09,960
Speaker 1: like the fact already self is my god, shout out

1706
01:45:10,000 --> 01:45:11,680
Speaker 1: the self man, shout out to the old love hip

1707
01:45:11,720 --> 01:45:13,960
Speaker 1: hop man shout the morning love mo the Scott pat

1708
01:45:14,000 --> 01:45:16,880
Speaker 1: me and this season, I think y'all gonna love it. Man,

1709
01:45:16,920 --> 01:45:18,760
Speaker 1: it was you know, we just really got a chance

1710
01:45:18,800 --> 01:45:26,840
Speaker 1: to not some real ship. No man, I'm patty, but

1711
01:45:26,960 --> 01:45:29,680
Speaker 1: I'm song. I try to not hear it with then

1712
01:45:29,680 --> 01:45:31,439
Speaker 1: you got a song, I try to get fifty on it,

1713
01:45:31,520 --> 01:45:35,000
Speaker 1: and fifty I'm petty, like I used to bomb it

1714
01:45:35,120 --> 01:45:36,840
Speaker 1: just persons. And then when I break up wand him,

1715
01:45:36,840 --> 01:45:42,400
Speaker 1: I take the first back. Is that Patty you told

1716
01:45:42,479 --> 01:45:47,519
Speaker 1: yo yo yo yo yo me, it's concerning me happy.

1717
01:45:48,120 --> 01:45:49,840
Speaker 1: I'm just gonna say that he's just shoting the funk

1718
01:45:49,920 --> 01:45:59,000
Speaker 1: up my ship. Da the next nig my bags you Patty,

1719
01:45:59,600 --> 01:46:01,519
Speaker 1: you Betty. I'm like, come on, when I when I

1720
01:46:01,640 --> 01:46:05,400
Speaker 1: was signed um Universal, That's why I see that Steve

1721
01:46:05,560 --> 01:46:07,760
Speaker 1: Ki Yeah, before I got banned from that building, I

1722
01:46:07,760 --> 01:46:09,040
Speaker 1: still go on there. I should be like, now I

1723
01:46:09,120 --> 01:46:12,800
Speaker 1: want my normal ship, said everybody posted down really being

1724
01:46:14,720 --> 01:46:17,720
Speaker 1: that I don't watch I used to do that. I'm

1725
01:46:17,720 --> 01:46:21,920
Speaker 1: on some petty ship. I'll tell you posted down. I

1726
01:46:21,960 --> 01:46:24,760
Speaker 1: didn't understand why I was in and it was just

1727
01:46:24,840 --> 01:46:28,320
Speaker 1: all these posts just sent it to the black section.

1728
01:46:28,320 --> 01:46:33,400
Speaker 1: I don't really understand that because I'm semember Boca. Come on,

1729
01:46:33,960 --> 01:46:37,599
Speaker 1: I'm sorry, it's yo. Can you open up in Jack?

1730
01:46:37,640 --> 01:46:40,040
Speaker 1: Look how icy you are? This is how you're supposed

1731
01:46:40,040 --> 01:46:44,400
Speaker 1: to come home. Goddamnit like a queen, you know what?

1732
01:46:44,960 --> 01:46:47,160
Speaker 1: You know who was the It was the craziest thing

1733
01:46:47,240 --> 01:46:49,800
Speaker 1: when I've seen Pat Poots out there, because everybody tried

1734
01:46:49,840 --> 01:46:52,040
Speaker 1: to have a live broadcast when he was coming home,

1735
01:46:52,479 --> 01:46:54,760
Speaker 1: so you know, I tuned in. But when I've seen

1736
01:46:54,840 --> 01:46:59,240
Speaker 1: Pat out there, I was like, that's a real nigga,

1737
01:46:59,360 --> 01:47:02,160
Speaker 1: like even real le yo yo yo yo, come on

1738
01:47:02,840 --> 01:47:05,679
Speaker 1: pretty because you know it wasn't easy. Though, I'm gonna

1739
01:47:05,680 --> 01:47:07,720
Speaker 1: say that never thank you because you know why. And

1740
01:47:07,800 --> 01:47:09,599
Speaker 1: you know who else? I want to big up Gucci

1741
01:47:09,680 --> 01:47:13,360
Speaker 1: man wife right right, she don't get enough praise. Shout

1742
01:47:13,360 --> 01:47:17,760
Speaker 1: out to she don't get enough praise because you could

1743
01:47:17,800 --> 01:47:19,760
Speaker 1: have been out here and been a scumbag, and if

1744
01:47:19,760 --> 01:47:21,559
Speaker 1: you want to scumback, I would blow it up right

1745
01:47:21,600 --> 01:47:26,680
Speaker 1: now because that's type of scomeback. But you're out here

1746
01:47:26,800 --> 01:47:30,200
Speaker 1: like really holding it down. Definitely. I feel like that's

1747
01:47:30,240 --> 01:47:32,800
Speaker 1: what her hand called for. You know, she deserved that

1748
01:47:32,880 --> 01:47:34,800
Speaker 1: type of respect, and you're a real nigger. It's not

1749
01:47:34,880 --> 01:47:36,360
Speaker 1: like you like a like a like. I don't. I

1750
01:47:36,400 --> 01:47:38,360
Speaker 1: can't look at the man to say he ugly or cute,

1751
01:47:38,680 --> 01:47:41,400
Speaker 1: but like you. You shouldn't be right because I'm just

1752
01:47:41,439 --> 01:47:43,880
Speaker 1: getting pussy before. You know what I'm saying. So, but

1753
01:47:44,200 --> 01:47:46,800
Speaker 1: but your wife went away and you helped it down. Sorry,

1754
01:47:46,840 --> 01:47:49,800
Speaker 1: I really didn't feel like she deserved what happened to him,

1755
01:47:49,840 --> 01:47:51,680
Speaker 1: and that's why it went so hard. He's trying to

1756
01:47:51,760 --> 01:47:57,400
Speaker 1: say that, I'm so ill saying. You're saying that thing.

1757
01:47:59,360 --> 01:48:04,559
Speaker 1: She just your I'm with a hard humble just say

1758
01:48:04,600 --> 01:48:07,920
Speaker 1: you we ha, Yeah I am. I'm whipped too. That

1759
01:48:08,040 --> 01:48:13,960
Speaker 1: makes a loise for the winning. Look. Look next, they

1760
01:48:14,000 --> 01:48:16,560
Speaker 1: didn't make noise. Y'all ain't got the good thing. I

1761
01:48:16,680 --> 01:48:20,320
Speaker 1: respect you, Yeah, I respect't got a good thing. Look,

1762
01:48:20,880 --> 01:48:24,160
Speaker 1: you didn't make noise. I'm concerned, concerned because you didn't

1763
01:48:24,160 --> 01:48:30,120
Speaker 1: make noise. He made noise on the inside. You gotta

1764
01:48:30,120 --> 01:48:33,400
Speaker 1: stop being on the bust of your girl. Gotta stop

1765
01:48:33,479 --> 01:48:36,720
Speaker 1: coming out. I'm just keeping it. Don't don't say it

1766
01:48:36,800 --> 01:48:39,240
Speaker 1: with path had be making it hard for people like you.

1767
01:48:39,320 --> 01:48:42,080
Speaker 1: Go to the tobo and they're like fucking up my

1768
01:48:42,240 --> 01:48:48,800
Speaker 1: relationship very well, because it's the same way. There's some

1769
01:48:49,080 --> 01:48:53,720
Speaker 1: people that be like, yo, y'allt role models and then like, yo,

1770
01:48:53,840 --> 01:49:01,760
Speaker 1: have my fucking my house. I'n't tell you what they

1771
01:49:02,280 --> 01:49:06,200
Speaker 1: for me? He said, Is this the FaceTime something where

1772
01:49:06,200 --> 01:49:07,519
Speaker 1: I'm like but I know? He like, no, I want

1773
01:49:07,560 --> 01:49:10,200
Speaker 1: both for your motherfucker's I'm not cry like no, get

1774
01:49:10,280 --> 01:49:13,320
Speaker 1: that other black motherfucker. I'm a find a way to

1775
01:49:13,360 --> 01:49:15,479
Speaker 1: get you motherfuckers off a TV. My life was fine

1776
01:49:15,520 --> 01:49:19,400
Speaker 1: before you, Yo, that's not my problem. You gotta solve

1777
01:49:21,120 --> 01:49:23,280
Speaker 1: I got on the FaceTime. He like, Yo, Man, my

1778
01:49:23,400 --> 01:49:25,720
Speaker 1: fucking way everything happened. She keeps saying, Yo, you need

1779
01:49:25,840 --> 01:49:27,800
Speaker 1: do this like backpool, you need to do that. Man.

1780
01:49:27,920 --> 01:49:31,479
Speaker 1: Oh no, you didn't. Sucking up for niggas, ain't. I'm

1781
01:49:31,520 --> 01:49:35,280
Speaker 1: living right already, so I respect right. I'm living right.

1782
01:49:35,840 --> 01:49:37,439
Speaker 1: But there's a lot of niggas that mad at you.

1783
01:49:37,840 --> 01:49:40,200
Speaker 1: I'm living right. That's the way. I don't know what

1784
01:49:40,320 --> 01:49:42,080
Speaker 1: to say. Man, you know what it is. Nor when

1785
01:49:42,120 --> 01:49:45,439
Speaker 1: we come from man, life wasn't easy. So when you

1786
01:49:45,520 --> 01:49:47,240
Speaker 1: come to it's all about growing up. When you come

1787
01:49:47,240 --> 01:49:48,800
Speaker 1: to I came to a certain space in my life

1788
01:49:48,800 --> 01:49:52,519
Speaker 1: where I said, Yo, man, it's the female good. This

1789
01:49:52,640 --> 01:49:54,479
Speaker 1: is the female that I feel like deserve it, So

1790
01:49:54,600 --> 01:49:57,160
Speaker 1: I want to be loyal. Paople look at him until

1791
01:49:57,280 --> 01:50:00,240
Speaker 1: one woman is the most precious jewel man in the

1792
01:50:00,320 --> 01:50:02,960
Speaker 1: room and a little stat five each man gotta take

1793
01:50:03,040 --> 01:50:05,320
Speaker 1: one woman that rise up above the rest so she

1794
01:50:05,360 --> 01:50:07,200
Speaker 1: can show how precious she is. You get around of

1795
01:50:07,240 --> 01:50:13,200
Speaker 1: a plus that true though. Listen, I ain't gonna lie.

1796
01:50:13,200 --> 01:50:14,640
Speaker 1: I ain't gonna lie. I'm gonna start hanging out with

1797
01:50:14,680 --> 01:50:18,479
Speaker 1: paper just like just on the strength because like, were

1798
01:50:18,520 --> 01:50:20,760
Speaker 1: too married. Lord to Mrs North, what's your wife name?

1799
01:50:21,280 --> 01:50:28,960
Speaker 1: Miss Mary? Mary? And North crazy, I'm coming to Sunday.

1800
01:50:29,000 --> 01:50:31,200
Speaker 1: Then something Me and my wife we wanted many time,

1801
01:50:31,479 --> 01:50:34,080
Speaker 1: like real talk, were like we like right. So he

1802
01:50:34,240 --> 01:50:36,680
Speaker 1: loved singing out with other married couples, and you got

1803
01:50:36,800 --> 01:50:38,640
Speaker 1: to man, it makes him feel like he's not the

1804
01:50:38,760 --> 01:50:41,439
Speaker 1: only what's the best advice? Many a something hang on

1805
01:50:41,560 --> 01:50:43,400
Speaker 1: the mat. Listen, you got my number A ready, definitely

1806
01:50:43,520 --> 01:50:46,040
Speaker 1: you got a real number. Niggas that got mother the

1807
01:50:46,120 --> 01:50:48,720
Speaker 1: number you don't got, nigga, You've got the real numb

1808
01:50:48,760 --> 01:50:51,680
Speaker 1: no doubt. Thank you for being in the podcast. Thank

1809
01:50:51,720 --> 01:50:54,679
Speaker 1: you for giving us that verse. I wasn't ready because

1810
01:50:54,720 --> 01:50:56,840
Speaker 1: I need to shoot a five hundred thousand dollar video

1811
01:50:56,920 --> 01:51:01,960
Speaker 1: for that song. Got like two fifty. Right now, I

1812
01:51:02,040 --> 01:51:04,840
Speaker 1: want to do something, something to eat for. You can

1813
01:51:04,840 --> 01:51:10,679
Speaker 1: do that for fifteen right right now, the word guy fifteen, buddy,

1814
01:51:11,160 --> 01:51:13,439
Speaker 1: I'm getting up. I get it up. I pitched up

1815
01:51:14,720 --> 01:51:30,280
Speaker 1: Johnny noons man, let's just Darius. Let ye, the Ace

1816
01:51:30,320 --> 01:51:35,080
Speaker 1: of Spade may be cough. Are we sure this is good? Man?

1817
01:51:35,680 --> 01:51:38,240
Speaker 1: I know Hope was cutting checks. Let me stop the

1818
01:51:38,760 --> 01:51:46,400
Speaker 1: big up. I love it, love tight on holes. You'll

1819
01:51:46,479 --> 01:51:49,360
Speaker 1: take you so much, right yo, yo, D, we love

1820
01:51:49,439 --> 01:51:54,400
Speaker 1: you D. What's the saying? Get out of here? What's

1821
01:51:54,400 --> 01:51:58,519
Speaker 1: the new movie? Burns the movie? Oh we're doing a movie.

1822
01:51:59,320 --> 01:52:33,840
Speaker 1: Let's do it. We ondrin find all your favorite movies

1823
01:52:33,840 --> 01:52:36,559
Speaker 1: and shows factor with Exfinity just speaking to the excellent

1824
01:52:36,640 --> 01:52:39,280
Speaker 1: voice for most to search across live, CV on demand,

1825
01:52:39,400 --> 01:52:43,120
Speaker 1: even Netflix and Prime Video. Now that's simple, easy, awesome.

1826
01:52:43,760 --> 01:52:46,400
Speaker 1: Switch to Exceinity today and get a great offer. You'll

1827
01:52:46,479 --> 01:52:48,640
Speaker 1: enjoy an Infinity X one, which could be access to

1828
01:52:48,640 --> 01:52:52,559
Speaker 1: your favorite streaming apps like Netflix, YouTube and now Prime Video.

1829
01:52:52,920 --> 01:52:56,280
Speaker 1: Go to Excinity dot com, call oneity, or visit the

1830
01:52:56,320 --> 01:53:00,599
Speaker 1: store today to learn more. Restriction Suppl. Two