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Speaker 1: Are you leaving? I you wanna way back home? Either

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Speaker 1: way we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a terminol and gaye ad we want to

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Speaker 2: send you off INSTI you wanna welcome you back home?

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Speaker 1: Tell us all about it. We scared her? Was it fine? Malborn?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need.

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Speaker 3: With Karen and Chris.

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Speaker 4: Welcome to Do you need to ride? This is Chris.

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Speaker 3: Fairbanks and this is Karen Kilgariff.

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Speaker 4: I always speak first. That's true, you're the man, I don't.

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Speaker 4: I well, that's what I was afraid. I really don't

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Speaker 4: want it to seem that way. If there's ever a point,

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Speaker 4: and just let me know you want to say your

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Speaker 4: name first?

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Speaker 1: I feel like though we already set the tradition right

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Speaker 1: and now I just like to only say my own

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Speaker 1: name and not really have to worry about what, you know,

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Speaker 1: what one might call the homework of the show right exactly,

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Speaker 1: which is setting the where, the who and the where.

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Speaker 4: There's a lot of homework that we do before each

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Speaker 4: of these episodes.

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Speaker 1: Oh my god, just painstaking the protractor out listening.

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Speaker 4: Oh, I compass, I don't even know how to use it.

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Speaker 3: I do.

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Speaker 4: I write some things down, I make a perfect circle

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Speaker 4: around them.

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Speaker 1: Have ink on my lip and on my cheek because

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Speaker 1: I'm writing so much with an ink pen.

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Speaker 4: Then you were a child, did you look at the

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Speaker 4: compass as a possible Well, yes, I always thought some

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Speaker 4: bully was going to jab it into my leg, because

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Speaker 4: you hear that story first.

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Speaker 3: Day of school.

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Speaker 4: Sure someone's going to stick this in your leg, or

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Speaker 4: a pen, a pencil.

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Speaker 1: I was always scanning for weapons because my sister and

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Speaker 1: I were constantly physically fighting after school when my mom

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Speaker 1: was at work on the days that my dad worked

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Speaker 1: at the firehouse.

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Speaker 4: Really like punching and hitting.

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Speaker 3: Yes, well, it would escalate to that.

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Speaker 1: It didn't start out that way, but it would go

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Speaker 1: to that because you know, we would have a disagreement.

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Speaker 4: I hope you've since patched things up.

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Speaker 3: There's almost no physical hitting anymore at all, right now

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Speaker 3: that results try attack each other with a hair brush

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Speaker 3: and as much.

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Speaker 4: By the time you're elderly and and sitting in chairs together,

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Speaker 4: you maybe hit each other once a month.

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Speaker 3: Yeah, her light slaps on the rist.

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Speaker 4: Of course, my sister and I never I think, because

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Speaker 4: she's six years older and always could take me down. Yeah,

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Speaker 4: and we just got along.

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Speaker 3: I was like her playmate.

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Speaker 1: Yeah, she was my sister and I were like a

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Speaker 1: year and a half apart, so she really hated me.

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Speaker 1: Of course from jump I.

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Speaker 4: Had blue Ice first, classic McDonald's commercial. We all related to.

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Speaker 1: We all knew that oppressive older sibling that tried to

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Speaker 1: claim physical attributes.

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Speaker 3: As their own and not yours.

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Speaker 1: My sister still to this day says she'll be telling

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Speaker 1: a story and she'll say to me, she'll say my dad,

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Speaker 1: and then I'm always like, uh, huh, is it the

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Speaker 1: one that's also my dad?

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Speaker 4: You fucking lunatic. My sister and I do that all

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Speaker 4: the time, and she's your mom too. Anyway, It's yeah,

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Speaker 4: that's the best.

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Speaker 3: I think. That's that's a pretty normal.

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Speaker 1: That's classic.

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Speaker 4: There was one time we fought. We would fake fight.

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Speaker 4: I would pretend to be David Banner hitchhiking to the

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Speaker 4: next town. She'd throw a pillow which I knew was

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Speaker 4: supposed to be a rock, and then I turned to

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Speaker 4: the Hulk.

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Speaker 1: You'd say, please don't make me angry with pillows exactly.

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Speaker 4: She said, to hum the music at the end, and

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Speaker 4: I would walk off as I pretended credits rolled nice.

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Speaker 4: That's what the kind of games of kids without toys play.

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Speaker 4: But one time she did throw a dry flower arrangement

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Speaker 4: in a wicker basket at me.

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Speaker 3: Because it was nineteen eighty eight.

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Speaker 4: Yes, there's popery everywhere, popoury and wicker arrangements. And I

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Speaker 4: went downstairs and I had the ability, because of surfaced

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Speaker 4: capillaries back then, to make my nose bleed. And I

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Speaker 4: actually got made my nose bleed and came back up

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Speaker 4: and said, look what you did. Ah, it was dishonest.

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Speaker 4: I've since apologized.

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Speaker 1: Now, when you say surface capilaries, do you mean harshly

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Speaker 1: picking your own nose?

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Speaker 4: I was picking my nose in front of the the

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Speaker 4: other students daily and the occasional Uh well, I don't

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Speaker 4: even want to get into that. That's just embarrassing. Sometimes

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Speaker 4: I eat it, eat it. The point is I was

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Speaker 4: a kid, you know, your fifth fourth, fifth grade. I

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Speaker 4: didn't come here to talk about that. That's just my

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Speaker 4: back sweat to admit.

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Speaker 1: I think you've admitted that the booger eating on this

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Speaker 1: show before. Though.

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Speaker 3: I was disgusting then and I'm disgusting now. Look, I'm

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Speaker 3: just saying that your nose was your tool.

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Speaker 4: You pulled it out of me.

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Speaker 1: You pulled it out of you like a big booger

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Speaker 1: and put it back into me.

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Speaker 3: But did your sister fall for nosebleed? Or was she like,

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Speaker 3: get out of my room?

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Speaker 4: Know that she was that privy to my I really

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Speaker 4: did have surfaced capitalate like I would just be sitting

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Speaker 4: there in both nostrils. I was never picking both nostrils.

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Speaker 4: Oh I see, and I had to get a cauterized.

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Speaker 4: Did they like stick acid up in your nostril?

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Speaker 1: That same thing happened to my friend Holly, but we

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Speaker 1: used to use it as this grade excuse to leave class.

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Speaker 1: So I would be like, could you get a nosebleed?

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Speaker 1: I can't be in here anymore? And then she'd be like,

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Speaker 1: oh God, and I'd be like, I'm gonna go with her,

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Speaker 1: and we just both stand in the bathroom for thirty minutes.

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Speaker 4: Do you remember how she triggered it? She had to

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Speaker 4: like violently pick her notes right, or did she just

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Speaker 4: hold her breath and shake and then started.

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Speaker 1: Blading I can't.

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Speaker 3: I can't remember how she'd trigger it.

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Speaker 1: Sometimes she would, well she it happened in reality enough time.

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Speaker 1: So she was kind of known as the nosebleed girl.

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Speaker 1: So she just would dramatically throw her head back and

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Speaker 1: put some Kleenex on it and say she was having

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Speaker 1: a nosebleed.

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Speaker 3: She could just leave the room. Nobody's gonna like check it.

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Speaker 4: Suppose she was so popular for getting nose she.

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Speaker 3: Got crowned nosebleed Queen sophomore year. It's oh that red

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Speaker 3: sash I always.

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Speaker 1: Wanted it kind of dribbles down the front of your dress.

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Speaker 3: It's natural sash, liquid sauce.

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Speaker 4: Liquid blood. The only kind of blood really.

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Speaker 3: Not well, there is powdered blood for movie sets.

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Speaker 4: Yes, I'm gonna be started about talking about the industry.

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Speaker 3: Oh no, the scorpion story.

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Speaker 4: I'm not going to tell everything I'm going to talk

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Speaker 4: about today. I've never said this is going to be

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Speaker 4: a fresh day about it. Just so you know, there's

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Speaker 4: a truck hugging your back bumper and I don't understand

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Speaker 4: why he's being so aggressive.

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Speaker 1: This is it brings it out because there's somebody trying

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Speaker 1: to leave their spot. So brings it out of everybody.

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Speaker 4: Well, he's trying to be nice.

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Speaker 1: Yeah.

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Speaker 4: I there was a science teacher I had in high

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Speaker 4: school that was great, and I realized how great he was,

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Speaker 4: not like I would say something funny and he'd quiet

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Speaker 4: everyone down and have me repeat it just so everyone

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Speaker 4: could hear the joke, whereas other teachers. I got in trouble,

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Speaker 4: of course, And he had a son who was a

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Speaker 4: sweet boy. But this stead was this was back when

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Speaker 4: you dissect animals and we just had to cut open

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Speaker 4: a rabbit or something. And that didn't feel good about it,

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Speaker 4: of course, no one, but that's just what you were

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Speaker 4: supposed to do, and then you draw the guts, right.

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Speaker 4: Of course they don't do that anymore. But his son

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Speaker 4: was would faint whenever he saw blood or and his

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Speaker 4: dad was.

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Speaker 3: The biology teacher.

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Speaker 4: So I that always that was like if your dad's

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Speaker 4: a football coach and you just can't, you know, throw

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Speaker 4: a spiral.

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Speaker 1: Do you think, though, that dad beat the sun for

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Speaker 1: being weak? No, because he was so intensely into biology.

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Speaker 4: I don't. Because one summer I was golfing and I

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Speaker 4: sliced the ball into their house and I didn't know

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Speaker 4: where they lived until I hit their house with a

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Speaker 4: ball and they both came out and they were just

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Speaker 4: smiling and seemed very healthy, and he has the alarm

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Speaker 4: around him. I'm like, oh, that's nice to see.

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Speaker 3: So yeah, let's go over that really quick, because that's

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Speaker 3: not healthy.

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Speaker 4: That they were walking around the house and he had

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Speaker 4: his arm around him. Came they emerged from the house

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Speaker 4: already like.

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Speaker 3: Ing and shoot, I can't remember the Siamese twins' names.

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Speaker 3: You Ang and Chang.

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Speaker 4: Oh no, these we're a conjoined father and son mentioned that.

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Speaker 1: Yeah, okay, first, it's natural that they would have their

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Speaker 1: arms around eye.

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Speaker 4: So imagine being a teacher. You're joined at the hip

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Speaker 4: literally by your son, and then you're doing some all

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Speaker 4: right today, we're gonna see some blood, and then your

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Speaker 4: fainting son is just attached to you.

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Speaker 1: It's so it's almost like having a parasitic twin as

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Speaker 1: opposed to son, because they're always passing out because it's

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Speaker 1: your job to open up rabbits, right, So it's kind

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Speaker 1: of like son, look how about now out gone?

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Speaker 4: Never getting used to it.

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Speaker 1: So that biology Sucher probably had incredibly strong what I'm

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Speaker 1: imagining to be his right leg because that would be

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Speaker 1: the inside.

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Speaker 4: All his limbs were asymmetrical, right, he had to pull

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Speaker 4: that weight leg popeye arm right side other side, just

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Speaker 4: withering in the wind like his art.

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Speaker 3: Limbs were like crape paper.

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Speaker 1: That's right, there were. They were the same as the

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Speaker 1: dead rabbit's limbs, except for less white hair. What a

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Speaker 1: school you went to?

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Speaker 4: Oh for good times? I think his arm wasn't around him.

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Speaker 3: I don't know.

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Speaker 1: Now, Listen, I seem okay, well, if you want to

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Speaker 1: take that surface bullshit and run away back to your

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Speaker 1: golf course, that's fine. I am especially emotional, as I

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Speaker 1: told you moments ago. Before Chris got to my house,

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Speaker 1: I had just finished watching the movie Dunkirk.

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Speaker 4: Which I had mistaken for the Will Smith haphazard superhero

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Speaker 4: Hancock Handcock.

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Speaker 1: That different film, not the same, but I cried boat

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Speaker 1: in both.

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Speaker 4: Yeah, I cried halfway because I'm like, why have I sat.

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Speaker 3: Through each half of this? Different reasons, different reasons, but Dunkirk.

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Speaker 1: If you haven't seen Dunkirk and you're listening to this podcast,

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Speaker 1: I one thousand percent recommend it. It's beautiful, it's meaningful.

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Speaker 1: And I was just in a full sob and then

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Speaker 1: I had to get up, and I was like, fuck,

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Speaker 1: I not to take a shower.

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Speaker 4: I can. You can cry in front of me whenever

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Speaker 4: you want.

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Speaker 3: I think we're that close.

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Speaker 1: I agree, and I think I would well. I was,

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Speaker 1: because then I was recapping the movie for Chris. Chris

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Speaker 1: is like, I'd like to see it, and I'm like, anyway,

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Speaker 1: they go out and I just spoiled right in a row,

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Speaker 1: seven in a row.

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Speaker 3: My dad does that, my sister does that. You kind

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Speaker 3: of see this movie, Here's why.

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Speaker 4: And then I get the whole storyline through their eyes.

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Speaker 3: Yeah. No, they describe camera angles.

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Speaker 1: I just didn't realize because if you watch the Gary Oldman.

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Speaker 3: Winston Churchill movie that he.

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Speaker 4: Just tinker tinkers sinkle tickle tickle tickle amos single file Yeah, okay, okay, in.

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Speaker 3: Tinkle almost single file.

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Speaker 1: He does this incredible Winston Urchill impression is tinky winky.

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Speaker 3: And the little Dunkirk explosion is he.

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Speaker 4: Wait, let's tells.

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Speaker 3: We are done?

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Speaker 4: We are done?

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Speaker 1: Why are we fighting?

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Speaker 4: I get drinks like you guys. She was kind of yelling, no,

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Speaker 4: I'll go inside.

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Speaker 3: I'll go inside. Take her biz.

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Speaker 4: Time to make another stranger cry?

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Speaker 1: You there?

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Speaker 3: Who did you make cry? Is it a good story?

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Speaker 4: It is? I know, I'll tell you later, okay, because

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Speaker 4: you never know?

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Speaker 1: Did you attach her like a cashier?

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Speaker 4: I created a boundary. I stated boundaries with a person

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Speaker 4: that comes to a lot of shows that was getting

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Speaker 4: making me feel a little backed against the wall. Oh okay,

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Speaker 4: And in making those boundaries, she got defensive. And then

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Speaker 4: I kind of wouldn't let myself back down. And then

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Speaker 4: I realized I kind of was hurting her feelings. And

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Speaker 4: then I felt bad for what is going on four

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Speaker 4: days now, But it was something I needed to do

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Speaker 4: because things were getting strange.

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Speaker 3: And okay, got it?

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Speaker 1: Yeah? Now is there any chance she cried because she

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Speaker 1: had just seen dun Kirk because it is I'm telling you,

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Speaker 1: this movie is fucking sad.

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Speaker 4: Sometimes people cry and it's I don't. It's okay, I'm

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Speaker 4: okay with crying. Okay, I'm crying when I when we

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Speaker 4: first started talking, she.

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Speaker 3: Was just man. She didn't walk up sobbing and then

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Speaker 3: confront you about it.

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Speaker 4: Right right right then. I would have I would have

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Speaker 4: felt detached from it. I'd be like, well, that's your thing.

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Speaker 3: You know. Uh, I don't watch Hancock. I just watched Hancock.

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Speaker 1: And when Will Smith decides to be a superhero again,

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Speaker 1: I cry, it's better than Greatest American Hero.

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Speaker 3: It is.

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Speaker 4: It's better than Condor Man, the lesser known but first

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Speaker 4: movie I ever saw in a theater Condor Man. Wow,

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Speaker 4: it's a Disney.

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Speaker 3: Vehicle, shit cartoon or live a live action.

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Speaker 4: It is exactly like Greatest American Hero. I think it

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Speaker 4: came first though, and then they stole it. People steal

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Speaker 4: they do. And then that Greatest American Hero was, of

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Speaker 4: course a show we all grew up loving.

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Speaker 1: Loving, So the guy and Condor Man have its like

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Speaker 1: a tight blonde perm.

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Speaker 4: Yes, he had the same curly blonde hair. Fuck so

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Speaker 4: they are. And he had a sidekick that was similar

291
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Speaker 4: to see it again because and it was really cool

292
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Speaker 4: because his Condor themed car that I remember watching it

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Speaker 4: and it would jiggle clearly was made out of like

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Speaker 4: cardboard and stuff. But it was a Disney film. The

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Speaker 4: bad guys were all in these porsches. One had a

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Speaker 4: glass eye. Okay, I think James Bond stole that from

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Speaker 4: this movie. And then he would be driving in a

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Speaker 4: I know, I'm not making this up. It was like

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Speaker 4: a rickety old man with pots and pans. And that

300
00:14:36,000 --> 00:14:39,240
Speaker 4: inside was his superhero car. And so when shit went down,

301
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Speaker 4: he would just drive out of this oh clunker like

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Speaker 4: Sanford said, type truck that sounds like it was the coolest.

303
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Speaker 4: And he could fly. He had wings and they would

304
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Speaker 4: extend out, and they had hinges like he made his

305
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Speaker 4: own costume.

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Speaker 1: What was his costume? Red?

307
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Speaker 4: It was red and orange and most oh.

308
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Speaker 3: Norman straight up, yes, the greatest American hero.

309
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Speaker 4: There are so many parallels, and they're coming up right now.

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Speaker 4: I'm starting to upset about just identity theft or just

311
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Speaker 4: someone's ideas. Not identity theft. No one's credit cards were stolen.

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Speaker 4: Idea theft, all.

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Speaker 1: Those offshore bank accounts in Condor Man's name. Now, is

314
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Speaker 1: there a way that they could have seen the movie,

315
00:15:25,640 --> 00:15:28,480
Speaker 1: bought the rights and produced the television show and thought, hey,

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Speaker 1: you know what name sucks, Condor Man.

317
00:15:31,160 --> 00:15:33,240
Speaker 3: What if we think of a better name.

318
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Speaker 4: Call up Nerd Burflair the guy and he will be

319
00:15:36,160 --> 00:15:39,680
Speaker 4: a producer. Since Nerd Burflare is just an old Hollywood name,

320
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Speaker 4: It's a not a real person. It's just one I've

321
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Speaker 4: created for stories like that.

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Speaker 1: Got it good?

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Speaker 3: Anyway that could be the case. I hope they are affiliated.

324
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Speaker 4: I hope that there's some connection, because I'm realizing right

325
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Speaker 4: now Condor Man was ripped off my greatest American hero.

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Speaker 3: And what a wonderful riginal. Believe it or not, I'm

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Speaker 3: walking on air. Yeah, I remember it was on the

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Speaker 3: radio when I was a kid.

329
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Speaker 1: That was a hit. They used to like TV show

330
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Speaker 1: theme songs used to be radio top ten.

331
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Speaker 4: Hits, and and if you listen to them, I mean,

332
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Speaker 4: you know what a big fan I am. And I'm

333
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Speaker 4: gonna sing it again. Uh trus, Now that's an American

334
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Speaker 4: I want I want to sing that on you know

335
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Speaker 4: that he Conan has a ninety one Taurus. I want

336
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Speaker 4: to sing it from the hood of his car on

337
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Speaker 4: the show as it rotates all shiny.

338
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Speaker 3: And why don't you send that idea too.

339
00:16:31,160 --> 00:16:32,880
Speaker 4: We're working on it, Okay, we want.

340
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Speaker 3: It to happen. Yeah, make it happen.

341
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Speaker 4: Just that they I'll do some Joe, I'll do stand

342
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Speaker 4: up and then at the end there's a homage here.

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Speaker 1: Taurus right, And you could also that song.

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Speaker 4: Is better than most like that. I was just going

345
00:16:45,720 --> 00:16:48,640
Speaker 4: back to and the Perfect Stranger's theme. All those songs

346
00:16:48,680 --> 00:16:51,760
Speaker 4: were good. They were radio ready songs.

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Speaker 1: With a fucking themed Arthur Christopher Cross destroyed in that

348
00:16:56,520 --> 00:16:59,640
Speaker 1: Christopher Cross, Kenny Loggins. The eighties were all they were

349
00:16:59,680 --> 00:17:02,000
Speaker 1: were movie themes and TV show There it was.

350
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Speaker 4: A Christopher Cross and the fabulous Thunderbirds, which.

351
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Speaker 3: With there, Ain't that tough enough?

352
00:17:10,720 --> 00:17:11,359
Speaker 1: Wrap it up?

353
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Speaker 3: I'll take it. It's all the same song with different directives.

354
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Speaker 3: Ain't that tough?

355
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Speaker 1: Uh?

356
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Speaker 3: It taus taus?

357
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Speaker 4: Now those it's all the it's all the Thunderbirds and

358
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Speaker 4: Christopher Cross was. I like his career because he's it's

359
00:17:37,800 --> 00:17:40,600
Speaker 4: not that he's a homely guy, but he is the

360
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Speaker 4: most unlikely looking voice to be coming out of that

361
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Speaker 4: homely face. I said it.

362
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Speaker 3: No, it's true. I mean he was sure. They never

363
00:17:49,280 --> 00:17:50,200
Speaker 3: let anyone see him.

364
00:17:50,359 --> 00:17:52,800
Speaker 1: He was a singer songwriter. He wasn't supposed to be

365
00:17:52,840 --> 00:17:55,080
Speaker 1: a rock. He wasn't like Rick Springfield or whatever.

366
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Speaker 4: He was a big guy with a tight perm.

367
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Speaker 3: Yes, but his song We're really fucking good.

368
00:18:02,080 --> 00:18:06,880
Speaker 4: I love the Arthur's theme in parentheses. Yes, and then

369
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Speaker 4: I think.

370
00:18:07,680 --> 00:18:09,480
Speaker 3: It was Moon in New York City.

371
00:18:09,600 --> 00:18:13,880
Speaker 4: Yeah, when you get caught between it, what part.

372
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Speaker 3: Is in parentheses?

373
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Speaker 1: Because all of those could be What if it's three

374
00:18:17,280 --> 00:18:18,520
Speaker 1: sets of phrases.

375
00:18:18,640 --> 00:18:21,800
Speaker 4: I think the song is called when you Get Caught

376
00:18:21,880 --> 00:18:24,800
Speaker 4: between the Moon and New York City colon. I know

377
00:18:24,840 --> 00:18:30,480
Speaker 4: it's crazy, but it's true. Parentheses Arthur's theme, Sammy Colan,

378
00:18:31,440 --> 00:18:34,200
Speaker 4: not the one by.

379
00:18:34,040 --> 00:18:37,800
Speaker 1: That in the other English brackets. The butler dies, Yes.

380
00:18:38,040 --> 00:18:41,119
Speaker 4: All sir John Gielgood.

381
00:18:40,760 --> 00:18:44,560
Speaker 1: Oh Giles, my father loved. We saw Arthur in the

382
00:18:44,560 --> 00:18:48,280
Speaker 1: theater and every single fucking thing that geiel Good did.

383
00:18:48,359 --> 00:18:51,840
Speaker 1: My father bark left and gave me a true appreciation

384
00:18:52,760 --> 00:18:54,000
Speaker 1: for dry British wit.

385
00:18:54,119 --> 00:18:57,640
Speaker 4: Me too, my dad, he said that he's the best

386
00:18:57,640 --> 00:18:58,320
Speaker 4: part of the movie.

387
00:18:58,440 --> 00:18:59,680
Speaker 3: He is the best part of the movie.

388
00:19:00,080 --> 00:19:01,400
Speaker 4: I think our dad should hang out.

389
00:19:01,640 --> 00:19:04,160
Speaker 3: They absolutely should. Although can your dad here?

390
00:19:04,960 --> 00:19:07,200
Speaker 1: Yeah? Yeah, he hears pretty well, okay, because my dad

391
00:19:07,240 --> 00:19:11,560
Speaker 1: can't hear, so he ends up kind of uh faking

392
00:19:11,600 --> 00:19:13,960
Speaker 1: that he can hear you and then just talking about

393
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Speaker 1: what he thinks you're talking about.

394
00:19:15,400 --> 00:19:21,000
Speaker 4: Right, Yeah, you know what, I do that too, I really,

395
00:19:21,160 --> 00:19:23,040
Speaker 4: you know what I really do.

396
00:19:23,200 --> 00:19:23,439
Speaker 1: I know.

397
00:19:23,600 --> 00:19:25,639
Speaker 4: I went to a lot of There was always a

398
00:19:25,640 --> 00:19:30,880
Speaker 4: place I stood at Jay's upstairs. Loud punk shows, very

399
00:19:30,920 --> 00:19:34,520
Speaker 4: loud speakers, not high quality. Wasn't the speakers weren't filtering

400
00:19:34,560 --> 00:19:37,080
Speaker 4: it was just all trouble and bass. It was just

401
00:19:37,440 --> 00:19:41,159
Speaker 4: standing back because I was too shy to mosh, and I.

402
00:19:41,040 --> 00:19:42,640
Speaker 3: Am deaf from that.

403
00:19:44,440 --> 00:19:44,760
Speaker 1: Shy.

404
00:19:45,440 --> 00:19:47,040
Speaker 4: When I get in there and little I push a

405
00:19:47,080 --> 00:19:48,880
Speaker 4: couple of people and then I jump out of them.

406
00:19:49,040 --> 00:19:50,960
Speaker 3: Then you'd be Liken Knnykidning kidding.

407
00:19:51,160 --> 00:19:53,960
Speaker 4: I'm sorry, I'm sorry, I'm just dancing. Didn't mean it,

408
00:19:54,240 --> 00:19:56,040
Speaker 4: but I am deaf from that. I know it's from

409
00:19:56,080 --> 00:19:58,320
Speaker 4: that or just a or just a gift.

410
00:19:59,040 --> 00:20:01,879
Speaker 1: Well, no, I think I'll so Walkman's being from the

411
00:20:01,920 --> 00:20:04,400
Speaker 1: Walkman generation, which was it was a brand new thing

412
00:20:04,480 --> 00:20:06,679
Speaker 1: when I was twelve years old that you could put

413
00:20:06,720 --> 00:20:09,040
Speaker 1: headphones on and listen to music personally.

414
00:20:08,720 --> 00:20:11,240
Speaker 3: Fall asleep and listen to it all night while you

415
00:20:11,320 --> 00:20:12,480
Speaker 3: sleep as it and.

416
00:20:12,359 --> 00:20:15,080
Speaker 1: That idea like that was the first thing I ever

417
00:20:15,119 --> 00:20:17,920
Speaker 1: listened to on a Walkman was diver Down Van Halen

418
00:20:18,000 --> 00:20:22,399
Speaker 1: diver Down and it was a physical experience. I couldn't

419
00:20:22,400 --> 00:20:24,399
Speaker 1: believe what was happening to my brain and body.

420
00:20:24,640 --> 00:20:28,880
Speaker 3: I loved that. That was like your first tape cassette tape, Steve,

421
00:20:28,880 --> 00:20:29,840
Speaker 3: when you having my wallet.

422
00:20:29,880 --> 00:20:34,920
Speaker 1: Sorry it was Bridget's. I can't remember Bridget's last name

423
00:20:34,920 --> 00:20:37,480
Speaker 1: from camp, but we listened to it at camp. Oh

424
00:20:37,800 --> 00:20:38,119
Speaker 1: thank you.

425
00:20:38,480 --> 00:20:39,399
Speaker 3: Last name from camp?

426
00:20:41,119 --> 00:20:47,960
Speaker 1: What was it? It was old Bridget giel Good from

427
00:20:47,960 --> 00:20:48,760
Speaker 1: Redwood City.

428
00:20:49,000 --> 00:20:50,159
Speaker 3: We went to camp together.

429
00:20:50,880 --> 00:20:55,879
Speaker 4: A lot of people don't expect royalty and that city.

430
00:20:57,680 --> 00:20:58,760
Speaker 3: That's the refreshing part.

431
00:20:58,800 --> 00:21:02,080
Speaker 1: Also, she that was one of those camp stories where

432
00:21:02,440 --> 00:21:07,040
Speaker 1: she and I fought. The first year. I found her

433
00:21:07,080 --> 00:21:08,479
Speaker 1: to be a bully and I didn't like her, so

434
00:21:08,520 --> 00:21:10,560
Speaker 1: I sasked her and we almost got into a fistfight.

435
00:21:10,800 --> 00:21:12,320
Speaker 3: And then the next year we were good friends.

436
00:21:12,600 --> 00:21:14,719
Speaker 4: You know what? And now let's see, this is the problem,

437
00:21:14,720 --> 00:21:17,399
Speaker 4: and I want I have some great stories about my

438
00:21:17,720 --> 00:21:20,160
Speaker 4: big Sky Bible camp, but I think I've told them all.

439
00:21:20,400 --> 00:21:23,600
Speaker 4: Oh okay, so I could jump on board with camp stories,

440
00:21:23,760 --> 00:21:26,720
Speaker 4: but my friend I didn't really make any friends. Okay,

441
00:21:26,880 --> 00:21:27,399
Speaker 4: that's really.

442
00:21:27,320 --> 00:21:28,600
Speaker 3: What we're doing, because it was too bibly.

443
00:21:29,440 --> 00:21:34,159
Speaker 4: It was. They just day one said you've got to

444
00:21:34,240 --> 00:21:37,240
Speaker 4: save your parents and make them religious, otherwise they're going

445
00:21:37,280 --> 00:21:40,640
Speaker 4: to hell. And I was falling asleep hearing. I thought

446
00:21:40,680 --> 00:21:42,160
Speaker 4: I was getting possessed every night.

447
00:21:42,280 --> 00:21:44,160
Speaker 3: I've never been confronted.

448
00:21:43,600 --> 00:21:47,920
Speaker 4: By religious people before in that way, and they scared

449
00:21:48,680 --> 00:21:49,520
Speaker 4: the hell into me.

450
00:21:50,960 --> 00:21:51,840
Speaker 3: They really did.

451
00:21:52,000 --> 00:21:54,560
Speaker 4: They're crazy and my dad showed up and I was

452
00:21:54,960 --> 00:21:58,760
Speaker 4: sad and crying, like I just watch Hancock. And we

453
00:21:58,920 --> 00:22:00,639
Speaker 4: drove a while.

454
00:22:00,880 --> 00:22:02,000
Speaker 1: Oh I got a really big one.

455
00:22:02,920 --> 00:22:04,480
Speaker 4: I like how they leave a little bit of the

456
00:22:04,840 --> 00:22:07,520
Speaker 4: I'm supposed to say, no straws. It's okay.

457
00:22:07,520 --> 00:22:09,280
Speaker 1: We're not by Starbucks.

458
00:22:09,400 --> 00:22:12,840
Speaker 4: Yeah, but I do it by the beach where a

459
00:22:12,920 --> 00:22:15,640
Speaker 4: straws up as long as it's none in a sea.

460
00:22:15,720 --> 00:22:18,640
Speaker 1: Turtles nostril, Oh, bad news.

461
00:22:18,840 --> 00:22:19,679
Speaker 3: Oh this one thing.

462
00:22:19,920 --> 00:22:22,360
Speaker 4: They have a nostril dispenser here.

463
00:22:23,920 --> 00:22:27,600
Speaker 3: It is turtle's nostril. Oh.

464
00:22:27,680 --> 00:22:32,240
Speaker 4: I've watched multiple turtle straw nostril videos and they are never.

465
00:22:32,440 --> 00:22:32,840
Speaker 3: They never.

466
00:22:33,440 --> 00:22:35,240
Speaker 4: I mean they end okay because they end up pulling

467
00:22:35,240 --> 00:22:40,040
Speaker 4: it out. Cry yeah, and they make little turtle yells.

468
00:22:40,280 --> 00:22:40,640
Speaker 3: They go.

469
00:22:42,200 --> 00:22:43,960
Speaker 1: Because they can.

470
00:22:44,080 --> 00:22:48,840
Speaker 3: They have voices. No, they do.

471
00:22:47,680 --> 00:22:50,680
Speaker 4: When it's not until you're pulling something out of their nostril,

472
00:22:50,720 --> 00:22:56,360
Speaker 4: but they'll go, Yes, Turtles star I'm here to let

473
00:22:56,400 --> 00:22:59,600
Speaker 4: everyone know turtles have local courts.

474
00:23:01,800 --> 00:23:04,160
Speaker 3: This is the best Pixar movie that needs to be.

475
00:23:04,119 --> 00:23:05,040
Speaker 1: Made right now.

476
00:23:05,119 --> 00:23:07,920
Speaker 4: Say that turtles can sing yeow.

477
00:23:08,320 --> 00:23:11,080
Speaker 3: Wow, whip it real good.

478
00:23:12,840 --> 00:23:15,520
Speaker 4: I really wish you had gone into I don't know

479
00:23:15,560 --> 00:23:16,760
Speaker 4: anything from diver down.

480
00:23:17,119 --> 00:23:19,200
Speaker 1: I know, I was trying to as I was doing

481
00:23:19,200 --> 00:23:21,400
Speaker 1: the yeow, I was trying to think of one song

482
00:23:21,440 --> 00:23:25,320
Speaker 1: and I couldn't, so I wanted to. I said, whip

483
00:23:25,400 --> 00:23:28,320
Speaker 1: it real good song to the tune of Sultan Peppa's

484
00:23:28,359 --> 00:23:30,320
Speaker 1: Push It Real good, like a fucking weirdo.

485
00:23:30,480 --> 00:23:33,880
Speaker 4: But the yow that's right before Lander second.

486
00:23:33,560 --> 00:23:41,440
Speaker 1: Floor yow, that's Aerosmith and Turtles.

487
00:23:42,000 --> 00:23:42,880
Speaker 3: It's similar.

488
00:23:43,560 --> 00:23:46,199
Speaker 4: So when I live with Tig she it seemed like

489
00:23:46,240 --> 00:23:50,160
Speaker 4: she had one cassette and it was Aerosmith. Pump oh no,

490
00:23:50,280 --> 00:23:51,439
Speaker 4: it has to She.

491
00:23:51,760 --> 00:23:53,040
Speaker 3: Rocked out to it all the time.

492
00:23:53,200 --> 00:23:56,000
Speaker 4: I'm just happy to hear that you were such a

493
00:23:56,080 --> 00:23:57,000
Speaker 4: van Halen had.

494
00:23:58,119 --> 00:23:59,840
Speaker 3: Well back then, you didn't have a choice.

495
00:24:00,520 --> 00:24:02,960
Speaker 1: You basically listened to the music that the biggest, the

496
00:24:03,040 --> 00:24:05,680
Speaker 1: scariest person in the room wanted to listen to. Right,

497
00:24:06,119 --> 00:24:08,080
Speaker 1: So it was a lot of In my world, it

498
00:24:08,080 --> 00:24:09,040
Speaker 1: was a lot of ACPC.

499
00:24:09,400 --> 00:24:10,840
Speaker 3: That's funny, Stevie Nicks.

500
00:24:11,560 --> 00:24:15,600
Speaker 4: That's how I made the transition from the lighthearted stand

501
00:24:15,640 --> 00:24:20,920
Speaker 4: by Me and Leabamba soundtracks two deep dri dirty rotten imbeciles. Yeah,

502
00:24:21,160 --> 00:24:23,560
Speaker 4: and all the songs are about coffins and how they're

503
00:24:23,600 --> 00:24:25,000
Speaker 4: lonely to be in forever.

504
00:24:25,440 --> 00:24:29,840
Speaker 1: Yes, DR. I was a really cool bands one year

505
00:24:29,880 --> 00:24:31,640
Speaker 1: at Camp again Camp Stories.

506
00:24:32,080 --> 00:24:34,040
Speaker 3: There was a cool boy from Camp.

507
00:24:34,119 --> 00:24:37,679
Speaker 1: I've talked about him before, Christo Hansson, and he was

508
00:24:37,720 --> 00:24:40,600
Speaker 1: the first punk rocker I met in real life. And

509
00:24:40,680 --> 00:24:44,200
Speaker 1: he I had like a DRI shirt that I couldn't

510
00:24:44,200 --> 00:24:46,800
Speaker 1: stop staring at because I was just like, what band

511
00:24:47,000 --> 00:24:48,199
Speaker 1: would make a shirt like this?

512
00:24:48,440 --> 00:24:48,720
Speaker 3: Yeah?

513
00:24:48,760 --> 00:24:50,720
Speaker 4: What is which is a side view of a man

514
00:24:50,880 --> 00:24:52,480
Speaker 4: running like a stick figure man?

515
00:24:52,520 --> 00:24:56,320
Speaker 3: But it's chrome right, And yeah they were It's a band.

516
00:24:56,480 --> 00:25:01,119
Speaker 4: It's like right where punk rock and metal kind of

517
00:25:01,160 --> 00:25:06,040
Speaker 4: culminated in those two worlds, and big with the skateboarders, right,

518
00:25:06,080 --> 00:25:09,359
Speaker 4: and big with the older kids that intimidatingly make you

519
00:25:09,440 --> 00:25:16,120
Speaker 4: put down your George Michael Faith something from Metal Blade Records.

520
00:25:17,680 --> 00:25:20,240
Speaker 1: D R d R. I.

521
00:25:20,240 --> 00:25:22,479
Speaker 4: I know I've talked about this, but let's just go

522
00:25:22,520 --> 00:25:25,320
Speaker 4: ahead and just agree that I'm going to repeat myself

523
00:25:25,960 --> 00:25:28,720
Speaker 4: that same day, self conscious, I am, I'm in my

524
00:25:28,760 --> 00:25:29,440
Speaker 4: head about it.

525
00:25:29,680 --> 00:25:32,159
Speaker 3: Get out, get out, Get out of my head. Everyone.

526
00:25:33,240 --> 00:25:34,760
Speaker 3: Uh yeah. I bought George.

527
00:25:34,520 --> 00:25:37,960
Speaker 4: Michael Faith and Dri together and my dad looked red

528
00:25:37,960 --> 00:25:40,080
Speaker 4: in the back and he was like, I want your sex.

529
00:25:40,520 --> 00:25:42,600
Speaker 3: I don't know about this, George Michael, but.

530
00:25:44,080 --> 00:25:47,600
Speaker 4: That would have been considered devil music was Okay, I'm

531
00:25:47,640 --> 00:25:49,760
Speaker 4: just saying my parents weren't religious.

532
00:25:50,000 --> 00:25:52,240
Speaker 1: They were not religious, No, and I think them no,

533
00:25:52,400 --> 00:25:54,080
Speaker 1: thanks and thank the Lord for that.

534
00:25:54,200 --> 00:25:55,160
Speaker 4: Thank the whoops.

535
00:25:55,200 --> 00:25:56,920
Speaker 3: Oh man, did I tell you?

536
00:25:57,080 --> 00:25:58,960
Speaker 1: I'm sure I've told you this already that the first

537
00:25:59,040 --> 00:26:03,359
Speaker 1: time my dad saw a video from on MTV when

538
00:26:03,440 --> 00:26:06,320
Speaker 1: he walked because we watched from the second MTV started.

539
00:26:06,359 --> 00:26:07,639
Speaker 1: We watched every minute of it.

540
00:26:07,800 --> 00:26:10,359
Speaker 4: I was there, yeah, my older sister, Yeah, you were

541
00:26:10,359 --> 00:26:12,480
Speaker 4: there for all of it. Killed the Radio Star, all

542
00:26:12,520 --> 00:26:13,000
Speaker 4: that stuff.

543
00:26:13,080 --> 00:26:16,159
Speaker 1: So remember there was a video that was by the

544
00:26:16,160 --> 00:26:21,760
Speaker 1: band the the and it was I won't be able

545
00:26:21,760 --> 00:26:23,640
Speaker 1: to remember the song, but the Baton Generation.

546
00:26:24,200 --> 00:26:29,000
Speaker 3: No, it was whatever the video was. It was old footage.

547
00:26:29,040 --> 00:26:31,840
Speaker 1: It was old like wildlife footage of like elk running

548
00:26:31,880 --> 00:26:34,280
Speaker 1: through a field. And then someone had done animation on

549
00:26:34,400 --> 00:26:37,160
Speaker 1: top of the film of sperm.

550
00:26:37,720 --> 00:26:39,280
Speaker 3: Oh wow, and you know what I mean.

551
00:26:39,320 --> 00:26:42,520
Speaker 1: It was supposed to be like symbolic of biology or whatever. Yeah,

552
00:26:42,520 --> 00:26:44,680
Speaker 1: and my dad walked in and was like, what the

553
00:26:44,720 --> 00:26:48,080
Speaker 1: hell is this? And when fucking bersirk and we're like,

554
00:26:48,480 --> 00:26:50,160
Speaker 1: it's just MTV, Dad.

555
00:26:50,080 --> 00:26:52,800
Speaker 3: Are you watching my stag art films.

556
00:26:55,440 --> 00:26:57,119
Speaker 1: Which one of you got into art school?

557
00:26:57,200 --> 00:26:59,800
Speaker 4: Would you get into my bin of art supplies?

558
00:27:01,040 --> 00:27:04,600
Speaker 1: How did you express yourself so cleanly and symbolically? Here?

559
00:27:05,000 --> 00:27:10,320
Speaker 4: I love the They're good, they are great. I'm gonna

560
00:27:10,320 --> 00:27:15,280
Speaker 4: go tonight. Everyone watch yourself some dunkirk and listen to

561
00:27:15,359 --> 00:27:17,800
Speaker 4: some We all have homework.

562
00:27:18,000 --> 00:27:20,840
Speaker 3: Careful of the dunkirk, though I still have the feelings.

563
00:27:21,160 --> 00:27:24,560
Speaker 4: I'm ready. I'm ready to cry. I cry all that's

564
00:27:24,800 --> 00:27:27,160
Speaker 4: cry at the drop of I cry at the sight

565
00:27:27,240 --> 00:27:27,680
Speaker 4: of a hat.

566
00:27:30,760 --> 00:27:32,119
Speaker 3: Thank god that guy didn't have one.

567
00:27:32,160 --> 00:27:33,760
Speaker 4: Oh God, there wouldn't.

568
00:27:33,760 --> 00:27:36,080
Speaker 3: I would not be dry. Oh this is where remember

569
00:27:36,280 --> 00:27:38,000
Speaker 3: right where that guy's riding a bike. That's where we

570
00:27:38,040 --> 00:27:40,080
Speaker 3: sell guy wreck on a bike. That's right.

571
00:27:40,440 --> 00:27:44,520
Speaker 4: See who says my memories leaving? Someone did? I can't.

572
00:27:44,560 --> 00:27:48,280
Speaker 1: Someone's gossiping about you and it's affecting you in a

573
00:27:48,320 --> 00:27:48,800
Speaker 1: real way.

574
00:27:48,960 --> 00:27:50,520
Speaker 4: No, I think it's just an air infection.

575
00:27:50,680 --> 00:27:51,160
Speaker 3: The burning.

576
00:27:51,840 --> 00:27:54,000
Speaker 4: Huh, you almost fell. You don't know it, but you

577
00:27:54,040 --> 00:27:54,720
Speaker 4: almost fell.

578
00:27:54,920 --> 00:27:57,480
Speaker 3: You're the ghost of bikers past. I'm not going to

579
00:27:57,600 --> 00:27:58,199
Speaker 3: make fun of them.

580
00:27:58,200 --> 00:28:01,960
Speaker 4: May work because we have bad, bad history of this

581
00:28:02,080 --> 00:28:02,960
Speaker 4: car driving.

582
00:28:03,200 --> 00:28:06,080
Speaker 1: Oh yeah, you know, bike's attacking We've told the story,

583
00:28:06,119 --> 00:28:06,880
Speaker 1: We've lived the story.

584
00:28:06,920 --> 00:28:09,639
Speaker 3: But Steven is here with us. Everybody. Sorry, Stephen, we

585
00:28:09,680 --> 00:28:11,040
Speaker 3: didn't even introduce you. Stephen.

586
00:28:11,720 --> 00:28:13,720
Speaker 1: Ray Morris is here to do sound in the car

587
00:28:14,320 --> 00:28:16,520
Speaker 1: and Stephen, do you know the story of us getting

588
00:28:16,520 --> 00:28:17,480
Speaker 1: attacked by a biker?

589
00:28:18,359 --> 00:28:18,800
Speaker 5: I don't.

590
00:28:18,880 --> 00:28:20,639
Speaker 6: I don't think I heard that episode, but I definitely

591
00:28:20,720 --> 00:28:23,439
Speaker 6: know that you guys witnessed people spilling out in the

592
00:28:23,480 --> 00:28:27,439
Speaker 6: past a wide variety of biker incidents, but I don't know.

593
00:28:27,480 --> 00:28:29,040
Speaker 6: I don't remember that one in particular.

594
00:28:29,359 --> 00:28:31,840
Speaker 4: It just I it's kind of my fault.

595
00:28:31,960 --> 00:28:32,520
Speaker 3: I get.

596
00:28:32,600 --> 00:28:35,040
Speaker 4: I just get blurty, and it was just to make

597
00:28:35,119 --> 00:28:37,560
Speaker 4: people laugh in the car. One time I heckled a

598
00:28:37,640 --> 00:28:40,240
Speaker 4: John Early show. I've been big Fanny, isn't I did not,

599
00:28:40,440 --> 00:28:41,640
Speaker 4: you know, I'm just yelling.

600
00:28:41,360 --> 00:28:43,440
Speaker 1: Stuff, right, We're just having out the window.

601
00:28:43,600 --> 00:28:47,680
Speaker 4: But this guy did not. And I understand. Now, you know,

602
00:28:47,760 --> 00:28:49,720
Speaker 4: when you're riding on a bike and someone yelled at

603
00:28:49,760 --> 00:28:53,160
Speaker 4: anything out the window in a passing car, it's infuriating

604
00:28:53,200 --> 00:28:54,280
Speaker 4: because it startles you.

605
00:28:54,560 --> 00:28:55,400
Speaker 3: Yes, And I'm.

606
00:28:55,240 --> 00:28:57,920
Speaker 4: Realizing that right now that is my fault that it

607
00:28:58,000 --> 00:29:00,680
Speaker 4: got that angry. But he he was on a fixed

608
00:29:00,720 --> 00:29:04,000
Speaker 4: gear bike, and I said to him. It's like, yeah, yeah,

609
00:29:04,080 --> 00:29:07,160
Speaker 4: we get it. You're on a fixed gear bike. I can't.

610
00:29:07,560 --> 00:29:08,440
Speaker 3: It was very benign.

611
00:29:08,600 --> 00:29:12,280
Speaker 4: He got very malignant though, yes, and he had his

612
00:29:12,360 --> 00:29:16,480
Speaker 4: bike lock and he tried to whack off her shuh.

613
00:29:16,640 --> 00:29:16,920
Speaker 3: Yeah.

614
00:29:16,960 --> 00:29:20,320
Speaker 4: He whizzed by, tried to hit her side view mirror

615
00:29:20,360 --> 00:29:23,560
Speaker 4: and then just shot into the intersection and the light

616
00:29:23,880 --> 00:29:26,840
Speaker 4: was red, as I recall it was cars whizzed by him.

617
00:29:26,840 --> 00:29:26,959
Speaker 3: Like.

618
00:29:26,960 --> 00:29:30,640
Speaker 4: We almost killed him because he his anger almost killed him.

619
00:29:30,680 --> 00:29:33,560
Speaker 4: But I brought out the anger, so I almost killed him.

620
00:29:33,600 --> 00:29:36,680
Speaker 1: But I would argue that that anger was a bit

621
00:29:36,760 --> 00:29:40,280
Speaker 1: inappropriate or just a blurty. Now, I get what you're saying,

622
00:29:40,720 --> 00:29:43,280
Speaker 1: but I think there was something already happening there that

623
00:29:43,680 --> 00:29:47,440
Speaker 1: was probably a bit on the crazy side.

624
00:29:47,800 --> 00:29:50,800
Speaker 3: Dr on his walkman, he was fucking skanking.

625
00:29:50,920 --> 00:29:54,720
Speaker 4: He was a he was listening to pie tasters and

626
00:29:54,840 --> 00:29:55,800
Speaker 4: he's the third wave.

627
00:29:55,680 --> 00:29:57,600
Speaker 3: Of scott as hell.

628
00:29:59,200 --> 00:30:01,479
Speaker 1: As we all liked it he was.

629
00:30:01,800 --> 00:30:03,880
Speaker 3: He was. He scared me.

630
00:30:04,000 --> 00:30:07,000
Speaker 4: And then there's other been other bike incidents, as I'm sure.

631
00:30:07,280 --> 00:30:09,320
Speaker 1: But you know what, why don't we come to the present.

632
00:30:09,360 --> 00:30:12,360
Speaker 1: Now We're in gorgeous we are downtown Burbank.

633
00:30:12,680 --> 00:30:16,000
Speaker 4: It's beautiful, not a lot of buildings in downtown Burbank.

634
00:30:16,080 --> 00:30:17,560
Speaker 3: Now everything's one story.

635
00:30:17,680 --> 00:30:20,480
Speaker 1: There's a lot of like vacuum cleaner stores where you're like,

636
00:30:20,520 --> 00:30:21,640
Speaker 1: how does that stay open?

637
00:30:21,680 --> 00:30:22,680
Speaker 3: In this administration?

638
00:30:24,040 --> 00:30:25,600
Speaker 1: They're probably mostly drug fronts.

639
00:30:25,600 --> 00:30:27,680
Speaker 3: Wouldn't you say, Oh, is.

640
00:30:27,720 --> 00:30:31,640
Speaker 4: The current administration not shutting down a lot of these vacuums.

641
00:30:31,920 --> 00:30:35,800
Speaker 3: Let's shut this shit down. Clearly these people are against

642
00:30:35,840 --> 00:30:36,360
Speaker 3: the government.

643
00:30:36,560 --> 00:30:41,680
Speaker 4: In my town, we grew up with one store that

644
00:30:41,840 --> 00:30:45,520
Speaker 4: sold vacuums in and sewing machines. It was Bob's Viking

645
00:30:46,000 --> 00:30:49,880
Speaker 4: Sewing back. I thought his name was Bob Viking popular

646
00:30:49,920 --> 00:30:51,640
Speaker 4: as you know, a sewing machine company.

647
00:30:51,760 --> 00:30:56,360
Speaker 3: This is Bob's. So Bob's Viking, right, so specific brand.

648
00:30:56,560 --> 00:30:59,640
Speaker 4: I would paint his windows every year Santa Claus vacuuming,

649
00:30:59,720 --> 00:31:03,400
Speaker 4: Santa Clause sewing with some of the alms every year.

650
00:31:03,440 --> 00:31:04,000
Speaker 3: I went back.

651
00:31:04,120 --> 00:31:04,600
Speaker 1: That's great.

652
00:31:05,040 --> 00:31:10,560
Speaker 4: His brother was an activist around town. Hurt his back

653
00:31:10,640 --> 00:31:11,760
Speaker 4: at some point, and so he.

654
00:31:12,480 --> 00:31:13,160
Speaker 3: Was a activist.

655
00:31:13,400 --> 00:31:14,240
Speaker 4: He was a backtivist.

656
00:31:17,000 --> 00:31:17,840
Speaker 3: He was a good man.

657
00:31:18,200 --> 00:31:21,760
Speaker 4: He just cared about you know, the entire health. Yeah,

658
00:31:21,800 --> 00:31:24,280
Speaker 4: back when it was like, oh that guy was always

659
00:31:24,320 --> 00:31:25,480
Speaker 4: talking about the environment.

660
00:31:25,840 --> 00:31:28,680
Speaker 3: What a lunatic. Yeah, the water slowly rising.

661
00:31:28,960 --> 00:31:30,760
Speaker 4: Yes, he knew what he was talking about.

662
00:31:31,040 --> 00:31:35,640
Speaker 1: Now and when Santa Claus on Bob's Viking vas and

663
00:31:35,800 --> 00:31:38,960
Speaker 1: sewing machines, but not not the title you said, but

664
00:31:39,000 --> 00:31:39,600
Speaker 1: what I remember.

665
00:31:39,920 --> 00:31:43,400
Speaker 4: Yeah, did I make him muscular? Yes?

666
00:31:43,680 --> 00:31:46,320
Speaker 3: Did you do porn porn anime Santa?

667
00:31:46,560 --> 00:31:49,560
Speaker 4: Yes, I did, very Santa. That was having sex with

668
00:31:49,720 --> 00:31:50,440
Speaker 4: Marge Simpsons.

669
00:31:53,840 --> 00:31:57,080
Speaker 1: Marge Simpson, they and Bob Santa.

670
00:31:57,360 --> 00:31:59,920
Speaker 4: That is a place for the wrong people to get

671
00:32:00,080 --> 00:32:01,560
Speaker 4: creative animated.

672
00:32:01,760 --> 00:32:03,760
Speaker 3: I tell you, I used to be in a tumbler.

673
00:32:04,080 --> 00:32:07,760
Speaker 3: It's dominating. There's lots of there's a lot, there's some

674
00:32:07,880 --> 00:32:08,520
Speaker 3: crazy shit.

675
00:32:08,680 --> 00:32:11,400
Speaker 1: I have stumbled into a world because I used to

676
00:32:11,520 --> 00:32:15,280
Speaker 1: really keep my tumbler is very passionate about it, and

677
00:32:15,320 --> 00:32:19,360
Speaker 1: it's mostly yeah, go for it. It's mostly don't punk

678
00:32:19,440 --> 00:32:22,600
Speaker 1: and then sit there. Of course, it's a fucking Jaguar Suv.

679
00:32:22,840 --> 00:32:26,760
Speaker 1: Of course, you fucking idiots, let's follow them, Jaguar Suv.

680
00:32:26,920 --> 00:32:28,080
Speaker 4: Get my bikelock you.

681
00:32:29,320 --> 00:32:31,840
Speaker 1: That'd be amazing to take a bike blog in another

682
00:32:32,000 --> 00:32:34,320
Speaker 1: car and try to hit the mirror off of that

683
00:32:34,480 --> 00:32:35,440
Speaker 1: Jaguar Suv.

684
00:32:35,680 --> 00:32:38,160
Speaker 4: Of course, wouldn't like that it was happening. But more

685
00:32:38,200 --> 00:32:40,959
Speaker 4: than that, he'd be confused as to why I planned

686
00:32:41,000 --> 00:32:42,320
Speaker 4: on locking up my car.

687
00:32:42,200 --> 00:32:48,680
Speaker 1: Later with a bikelock. It'll never work. I love Tumblr.

688
00:32:48,720 --> 00:32:51,760
Speaker 1: I think you can find really cool art and photography

689
00:32:51,760 --> 00:32:55,160
Speaker 1: on there. Sure, but then of course it's seventy percent

690
00:32:55,280 --> 00:32:59,200
Speaker 1: fucking porn, which I realized that's something I've If you

691
00:32:59,280 --> 00:33:02,600
Speaker 1: follow certain people, they'll do like amazing pictures of cabins

692
00:33:02,640 --> 00:33:05,440
Speaker 1: in the fog, right, and then like seven dick pics

693
00:33:05,440 --> 00:33:07,680
Speaker 1: where you're like, well, okay, I think.

694
00:33:07,440 --> 00:33:11,800
Speaker 4: That it's an innocent admit admitting that that that's how

695
00:33:11,840 --> 00:33:16,360
Speaker 4: you go down your porn wormhole is innocent because I

696
00:33:17,000 --> 00:33:20,880
Speaker 4: just go straight to the porn place and I.

697
00:33:20,480 --> 00:33:22,000
Speaker 3: You know, I'm I'm like it.

698
00:33:22,080 --> 00:33:25,400
Speaker 4: But on Tumblr, no, no, I Tumblr is like this

699
00:33:25,520 --> 00:33:28,760
Speaker 4: unneeded mental man. You can just type in porn dot

700
00:33:28,760 --> 00:33:31,520
Speaker 4: com basically, is that true?

701
00:33:31,760 --> 00:33:33,800
Speaker 3: Yes? And there's a video and.

702
00:33:33,720 --> 00:33:37,200
Speaker 4: It's it's just such stuff that every dumb dude like

703
00:33:37,320 --> 00:33:41,160
Speaker 4: me likes and it's right there, you know, and there's

704
00:33:41,440 --> 00:33:43,880
Speaker 4: no photography and you have to it has to be

705
00:33:43,920 --> 00:33:45,080
Speaker 4: sprung upon you through.

706
00:33:45,360 --> 00:33:46,120
Speaker 1: Well, I just didn't.

707
00:33:46,720 --> 00:33:48,120
Speaker 3: I didn't realize.

708
00:33:47,720 --> 00:33:49,120
Speaker 4: You're wholesome, is what I'm saying.

709
00:33:49,200 --> 00:33:52,280
Speaker 1: I'm just saying, Yeah, girls don't I don't think we're

710
00:33:52,280 --> 00:33:58,240
Speaker 1: all as hip to the porn things, but it's so intertwined.

711
00:33:58,520 --> 00:34:01,600
Speaker 3: Like it's like people. You can be like I love

712
00:34:01,720 --> 00:34:02,640
Speaker 3: the I love.

713
00:34:02,480 --> 00:34:06,760
Speaker 1: Game of Thrones, sure, and then also choking and it

714
00:34:07,000 --> 00:34:09,279
Speaker 1: just comes up and you just kind of have to

715
00:34:09,360 --> 00:34:12,760
Speaker 1: like scroll by and ignore. Anyway.

716
00:34:12,760 --> 00:34:14,279
Speaker 3: I can't remember what I'm talking about this.

717
00:34:14,680 --> 00:34:17,880
Speaker 4: But usually in that algorithm they just factor in without asking.

718
00:34:18,400 --> 00:34:22,560
Speaker 4: The Simpsons also, so that Game of Thrones, chokey Simpson porn.

719
00:34:22,760 --> 00:34:25,640
Speaker 3: That's I was saying this because this is how I've.

720
00:34:25,520 --> 00:34:29,640
Speaker 1: Seen really fucking weird anime that I would have never

721
00:34:29,760 --> 00:34:35,000
Speaker 1: known people would have wanted to write combinations of things. Animals,

722
00:34:35,120 --> 00:34:38,080
Speaker 1: their genitalias.

723
00:34:36,840 --> 00:34:42,880
Speaker 4: Horses, glistening chrome, horses with big bending larger than a

724
00:34:42,920 --> 00:34:47,640
Speaker 4: horse's peanuts already is they are big, pretty big. We've

725
00:34:47,640 --> 00:34:52,839
Speaker 4: all been to a farm. We're a fair of some kind.

726
00:34:53,000 --> 00:34:56,000
Speaker 4: I will not go to any more affairs because I'm

727
00:34:56,040 --> 00:34:57,440
Speaker 4: tired of all the dicks.

728
00:34:59,200 --> 00:35:01,960
Speaker 3: Oh they line up and they just let him be.

729
00:35:02,440 --> 00:35:03,680
Speaker 4: You just take your pick.

730
00:35:03,760 --> 00:35:06,640
Speaker 3: And there's a fast talking man there.

731
00:35:06,960 --> 00:35:07,600
Speaker 1: It's old.

732
00:35:08,400 --> 00:35:09,320
Speaker 4: I wasn't looking.

733
00:35:09,440 --> 00:35:13,560
Speaker 3: I don't want to buy one this stick, hang it

734
00:35:13,680 --> 00:35:13,920
Speaker 3: with you.

735
00:35:16,040 --> 00:35:17,320
Speaker 1: It will deep fry for it.

736
00:35:17,440 --> 00:35:19,160
Speaker 3: That's what you want. It's the fair.

737
00:35:19,920 --> 00:35:23,560
Speaker 4: The fair, oh at the fair in Orange County, which

738
00:35:23,600 --> 00:35:26,600
Speaker 4: you would think wouldn't be but it is one hundred percent.

739
00:35:27,120 --> 00:35:28,719
Speaker 3: Like people come out of the woodwork.

740
00:35:28,880 --> 00:35:34,279
Speaker 4: Hell yeah, and they they have deep fried butter. So

741
00:35:34,360 --> 00:35:36,560
Speaker 4: they take a.

742
00:35:35,760 --> 00:35:40,560
Speaker 3: Butter, a pat of butter, a whole a stick. Thank you.

743
00:35:40,680 --> 00:35:41,360
Speaker 4: It's a stick.

744
00:35:41,840 --> 00:35:43,080
Speaker 3: It's not really a brick.

745
00:35:44,040 --> 00:35:46,839
Speaker 4: They deep fry a brick of butter. I think they

746
00:35:46,880 --> 00:35:48,200
Speaker 4: do other stuff to sweet and it.

747
00:35:48,239 --> 00:35:48,920
Speaker 3: Maybe they stick.

748
00:35:49,520 --> 00:35:51,560
Speaker 4: I think they put chocolate on it too, But we

749
00:35:51,600 --> 00:35:54,680
Speaker 4: are talking about eating fried butter. Wait, that's what we're

750
00:35:54,680 --> 00:35:57,880
Speaker 4: talking about. They got snickers. You can bring them anything

751
00:35:57,920 --> 00:36:00,240
Speaker 4: and they'll fry it. But you can bring them a blue.

752
00:36:00,440 --> 00:36:05,960
Speaker 3: What is the benefit of eating fried but nothing? Well,

753
00:36:06,080 --> 00:36:09,399
Speaker 3: it's not. It only has negative ramification.

754
00:36:09,480 --> 00:36:12,600
Speaker 1: Okay, because that's what I thought wouldn't be super messy

755
00:36:12,640 --> 00:36:13,840
Speaker 1: and then also kind of like.

756
00:36:15,200 --> 00:36:16,640
Speaker 4: It was delicious, Yeah was it?

757
00:36:16,680 --> 00:36:17,440
Speaker 3: And it shouldn't have been.

758
00:36:17,480 --> 00:36:19,120
Speaker 4: I took a bite of it, and I get I

759
00:36:19,160 --> 00:36:22,359
Speaker 4: can't if something is that indulgent. They did sweeten it,

760
00:36:22,719 --> 00:36:25,359
Speaker 4: let's just say it was sugar butter still and then

761
00:36:25,360 --> 00:36:30,840
Speaker 4: they yet, No, it's like having ten cheesecakes and cheesecake

762
00:36:30,960 --> 00:36:31,440
Speaker 4: is enough?

763
00:36:31,480 --> 00:36:32,040
Speaker 3: Am I right?

764
00:36:32,520 --> 00:36:36,040
Speaker 1: Girl? I swear to God, I can't stay away from it.

765
00:36:36,080 --> 00:36:38,120
Speaker 3: Don't turn us and do a Kathy cartoon.

766
00:36:39,239 --> 00:36:41,600
Speaker 1: That's one of my favorite kids in the Kids in

767
00:36:41,640 --> 00:36:44,520
Speaker 1: the Hall sketches when they're all the secretaries and they

768
00:36:44,600 --> 00:36:46,680
Speaker 1: all like they have cheesecake in their drawers.

769
00:36:46,880 --> 00:36:47,920
Speaker 3: It's so funny.

770
00:36:49,080 --> 00:36:49,960
Speaker 4: Does that hold up?

771
00:36:50,000 --> 00:36:50,200
Speaker 3: Though?

772
00:36:50,280 --> 00:36:51,880
Speaker 4: I want to watch Kids in the Hall. There was

773
00:36:51,880 --> 00:36:54,799
Speaker 4: a lot of cross dressing and they they did this.

774
00:36:55,760 --> 00:36:58,520
Speaker 1: But they they Dave Folly is one of the most

775
00:36:58,640 --> 00:37:01,760
Speaker 1: realistic women when he plays women in sketches.

776
00:37:01,880 --> 00:37:02,200
Speaker 7: He was.

777
00:37:02,520 --> 00:37:05,040
Speaker 1: He's so like when he's somebody's mother and he's just

778
00:37:05,080 --> 00:37:05,360
Speaker 1: kind of.

779
00:37:05,400 --> 00:37:07,520
Speaker 3: Upset, like, he's so real.

780
00:37:07,719 --> 00:37:10,920
Speaker 4: There's something there's something to be said for how well

781
00:37:11,000 --> 00:37:15,439
Speaker 4: his younger face morphed into he just had. You don't

782
00:37:15,440 --> 00:37:18,160
Speaker 4: know until you put on a wig and some and

783
00:37:18,320 --> 00:37:21,239
Speaker 4: some eyeliner and stuff. And I'm speaking from experience. My

784
00:37:21,280 --> 00:37:24,120
Speaker 4: sister used to dress me up and she ranmother's clothes.

785
00:37:24,520 --> 00:37:29,120
Speaker 4: I think it's normal. When he was alive and watch

786
00:37:30,600 --> 00:37:31,560
Speaker 4: that's a weird child.

787
00:37:31,680 --> 00:37:33,160
Speaker 3: Wait is this a tumblr thing?

788
00:37:33,200 --> 00:37:33,480
Speaker 1: Also?

789
00:37:33,760 --> 00:37:35,800
Speaker 3: No, this is something that happened to me. My sister.

790
00:37:35,880 --> 00:37:38,160
Speaker 4: I was like a doll to her and I liked

791
00:37:38,200 --> 00:37:40,799
Speaker 4: being played with and I like that her all of

792
00:37:40,800 --> 00:37:43,000
Speaker 4: her friends paid attention to me, so they dressed me

793
00:37:43,080 --> 00:37:46,799
Speaker 4: up and makeup, and I had alike. They've fully a

794
00:37:46,880 --> 00:37:50,520
Speaker 4: face conducive for turning into a woman. That's true, very

795
00:37:50,520 --> 00:37:54,839
Speaker 4: talented young drag kid, but you know, I just never

796
00:37:54,880 --> 00:37:57,640
Speaker 4: got into the scene. And I don't think now my

797
00:37:57,800 --> 00:38:00,759
Speaker 4: face and you know Na Fuley's I think he's got

798
00:38:00,760 --> 00:38:02,760
Speaker 4: a go tee. It's just can't do it anymore.

799
00:38:02,760 --> 00:38:05,560
Speaker 3: Well, and also, yeah, he doesn't have that young.

800
00:38:06,000 --> 00:38:08,160
Speaker 4: His car is very farting and I'm not trying to

801
00:38:08,160 --> 00:38:09,040
Speaker 4: be adolescent.

802
00:38:09,160 --> 00:38:11,920
Speaker 3: He it's too late, you are adolescent.

803
00:38:12,120 --> 00:38:17,120
Speaker 1: It sounded like this, he wants you to say that

804
00:38:18,200 --> 00:38:19,920
Speaker 1: you're just falling into It's just so.

805
00:38:19,960 --> 00:38:22,480
Speaker 3: Upset that I went full fart sound effect.

806
00:38:22,640 --> 00:38:26,759
Speaker 1: Yeah, you did a fart sound effect into the microphone. Well,

807
00:38:26,840 --> 00:38:28,879
Speaker 1: I was trying to make a great point about Dave.

808
00:38:29,760 --> 00:38:31,000
Speaker 4: I know, I'm sorry.

809
00:38:31,360 --> 00:38:34,040
Speaker 3: I think I love it. Where I think I was confusing.

810
00:38:34,120 --> 00:38:38,439
Speaker 4: They're cross dressing for I think Monty Python. For some reason,

811
00:38:38,480 --> 00:38:39,920
Speaker 4: I thought that was funny when I was kidd and

812
00:38:39,920 --> 00:38:41,440
Speaker 4: then I watch it now and I'm like, oh, it

813
00:38:41,480 --> 00:38:42,160
Speaker 4: isn't at all.

814
00:38:42,880 --> 00:38:45,680
Speaker 3: I think it just depends. It's like the mood you're in.

815
00:38:45,840 --> 00:38:49,920
Speaker 1: It's well also each person not everyone's good at.

816
00:38:49,800 --> 00:38:51,479
Speaker 3: It, right, you know? Yeah?

817
00:38:52,680 --> 00:38:55,600
Speaker 4: Yeah, John Cleese, stop doing.

818
00:38:55,360 --> 00:38:57,240
Speaker 1: That, John Cleese, you're too tall.

819
00:38:57,880 --> 00:38:59,200
Speaker 3: Yes, that's what it is.

820
00:38:59,600 --> 00:39:02,560
Speaker 1: He's just so tall. Not that women aren't allowed to

821
00:39:02,560 --> 00:39:14,080
Speaker 1: be tall. Everybody support the La Sparks. Now we're driving

822
00:39:14,120 --> 00:39:14,840
Speaker 1: up into the hills.

823
00:39:15,600 --> 00:39:19,040
Speaker 3: I forgot they're called the Sparks. It's kind of funny.

824
00:39:20,400 --> 00:39:22,719
Speaker 3: Oh god, damn it.

825
00:39:23,360 --> 00:39:25,759
Speaker 4: But yes, I love kids in the Hall. It's very

826
00:39:26,640 --> 00:39:29,400
Speaker 4: I went saw them a live show on my birthday

827
00:39:29,440 --> 00:39:32,520
Speaker 4: once in Austin. Then I was so excited, so good.

828
00:39:33,480 --> 00:39:36,400
Speaker 4: And now I just probably see them walking down the

829
00:39:36,400 --> 00:39:38,520
Speaker 4: street and I'd be like, oh those.

830
00:39:38,239 --> 00:39:42,839
Speaker 1: Guys, those fucking guys so had it now, Yeah, that's right.

831
00:39:42,960 --> 00:39:43,480
Speaker 3: You don't care.

832
00:39:43,600 --> 00:39:47,920
Speaker 1: What's what's the last celebrity sighting that you've had that

833
00:39:48,040 --> 00:39:48,600
Speaker 1: was exciting?

834
00:39:48,920 --> 00:39:52,399
Speaker 4: It's funny, everyone's gonna laugh at me. And this car

835
00:39:52,480 --> 00:39:53,400
Speaker 4: is filled with people.

836
00:39:56,680 --> 00:39:58,160
Speaker 1: This car is filled with beetles.

837
00:39:58,239 --> 00:40:02,440
Speaker 4: I don't know why, but the kind of beatles.

838
00:40:02,000 --> 00:40:04,360
Speaker 1: That you know they laugh from the click.

839
00:40:04,560 --> 00:40:08,719
Speaker 4: Yeah, you'd find on a casket. I no b I

840
00:40:09,719 --> 00:40:14,359
Speaker 4: used to interview people and he would not get I'd

841
00:40:14,360 --> 00:40:17,960
Speaker 4: get starstruck by skateboarders, which a lot of people might

842
00:40:18,040 --> 00:40:19,080
Speaker 4: not understand, but.

843
00:40:19,080 --> 00:40:20,279
Speaker 3: I look up to them.

844
00:40:20,360 --> 00:40:21,280
Speaker 1: They're very talented.

845
00:40:21,440 --> 00:40:24,960
Speaker 3: Yeah. But there was one time I interviewed.

846
00:40:26,200 --> 00:40:29,280
Speaker 4: Our Sineo Hall and for some reason, I got really nervous,

847
00:40:30,000 --> 00:40:34,120
Speaker 4: and because he was so nice and he was amazing

848
00:40:34,320 --> 00:40:38,719
Speaker 4: and gracious, and he kept like hugging me and being

849
00:40:38,880 --> 00:40:41,080
Speaker 4: I don't know, he just was. I was like, Wow,

850
00:40:41,120 --> 00:40:43,960
Speaker 4: this is and I got I guess the point is

851
00:40:44,000 --> 00:40:45,080
Speaker 4: he just made me nervous.

852
00:40:45,080 --> 00:40:47,000
Speaker 3: In general, Well, he's a true celebrity.

853
00:40:47,200 --> 00:40:50,640
Speaker 1: His talk show was groundbreaking and he was really fucking

854
00:40:50,719 --> 00:40:54,319
Speaker 1: hilarious in coming to America. He was so good that movie.

855
00:40:54,239 --> 00:40:55,560
Speaker 3: And Hollywood Shuffler.

856
00:40:55,680 --> 00:40:57,279
Speaker 4: But I think that's what's you know that?

857
00:40:57,440 --> 00:40:58,560
Speaker 3: I think that's Robert Townsend.

858
00:40:58,600 --> 00:41:02,400
Speaker 8: What's well, there's a movie where he is VHS tape

859
00:41:02,440 --> 00:41:07,920
Speaker 8: flies out of a VCR and hits him in the face. Yeah,

860
00:41:08,880 --> 00:41:11,120
Speaker 8: I think he's just in a great scene.

861
00:41:11,280 --> 00:41:14,160
Speaker 4: Or what's the gangster one where there's gatling guns and

862
00:41:15,000 --> 00:41:16,240
Speaker 4: is it the movie Life?

863
00:41:16,800 --> 00:41:19,400
Speaker 1: Oh man, No, that's Martin Lawrence and Eddie Murphy.

864
00:41:19,560 --> 00:41:23,000
Speaker 3: Oh god, anyway, he's great. He's great.

865
00:41:23,040 --> 00:41:25,520
Speaker 4: And his hands we're just as big as they seemed

866
00:41:25,520 --> 00:41:28,200
Speaker 4: on TV back in the day. Now it's got long fingers.

867
00:41:28,560 --> 00:41:31,520
Speaker 1: We're gonna switch to mine now, sure, of course, because

868
00:41:31,520 --> 00:41:33,480
Speaker 1: we can't just keep going on and on about our

869
00:41:33,520 --> 00:41:34,160
Speaker 1: simew Hall.

870
00:41:34,760 --> 00:41:37,960
Speaker 4: He his voice alone.

871
00:41:37,719 --> 00:41:41,320
Speaker 3: Yes, his eyes and his long face like a horse.

872
00:41:44,000 --> 00:41:46,600
Speaker 1: I was gonna say mine is, but now also now

873
00:41:46,600 --> 00:41:48,680
Speaker 1: I'm getting in se Gearby's. I'm positive I've told you

874
00:41:48,719 --> 00:41:50,680
Speaker 1: the story on the show is the time I saw

875
00:41:50,760 --> 00:41:52,040
Speaker 1: Colin Ferrell at the Arc Light.

876
00:41:52,600 --> 00:41:53,279
Speaker 3: I tell you about that.

877
00:41:53,640 --> 00:41:57,120
Speaker 1: No, okay, so we because I yeah, because you would

878
00:41:57,120 --> 00:42:02,080
Speaker 1: have remembered, yes, because he's amazing. So we're standing at

879
00:42:02,120 --> 00:42:06,399
Speaker 1: the you know, concession stand. And I'm really good at

880
00:42:06,440 --> 00:42:11,200
Speaker 1: spotting celebrities because they dress like fucking idiots, and they

881
00:42:11,280 --> 00:42:13,919
Speaker 1: dress unlike any other normal person, and they pretend they're

882
00:42:13,920 --> 00:42:17,239
Speaker 1: being normal, so they cannot blend in. So like one

883
00:42:17,239 --> 00:42:20,880
Speaker 1: time I spotted Giovanni Rabisi coming into a Starbucks because

884
00:42:20,920 --> 00:42:22,680
Speaker 1: he was wearing white pants and a white shirt like

885
00:42:22,719 --> 00:42:25,480
Speaker 1: a fucking baker. And I was like, yeah, if you

886
00:42:25,520 --> 00:42:27,560
Speaker 1: don't want people to talk to you or bother. You

887
00:42:28,080 --> 00:42:31,640
Speaker 1: throw on some jeans and a plaid shirt like every

888
00:42:31,680 --> 00:42:33,320
Speaker 1: other motherfucker in this town.

889
00:42:33,480 --> 00:42:35,359
Speaker 4: Yeah, don't dress like the professor.

890
00:42:35,640 --> 00:42:40,400
Speaker 1: Yes, stop trying to like, yeah.

891
00:42:39,120 --> 00:42:40,840
Speaker 3: That's the only white on white I can think of it.

892
00:42:40,840 --> 00:42:43,040
Speaker 1: There's a couple of white online. So it's house painters,

893
00:42:43,239 --> 00:42:47,040
Speaker 1: it's people that take you to the mental hospital. There's

894
00:42:47,080 --> 00:42:51,879
Speaker 1: so many. But orderly is exactly you think you disorderly.

895
00:42:52,440 --> 00:42:57,880
Speaker 1: Great film, Oh god, boys, such good actors.

896
00:42:59,160 --> 00:43:02,480
Speaker 3: But so Farrell rolls up to the concession area.

897
00:43:03,160 --> 00:43:05,520
Speaker 1: I spot him from one hundred paces because he is

898
00:43:05,560 --> 00:43:11,799
Speaker 1: wearing cow He's wearing combat boots, really tight jeans, a

899
00:43:11,920 --> 00:43:15,000
Speaker 1: scarf with a tank top, and then a long woman's

900
00:43:15,040 --> 00:43:19,400
Speaker 1: seemingly to me woman esques sweater, almost like he had

901
00:43:19,480 --> 00:43:21,560
Speaker 1: put on some of his girlfriend's clothes to roll out

902
00:43:21,600 --> 00:43:21,959
Speaker 1: of the house.

903
00:43:22,160 --> 00:43:24,960
Speaker 3: And then he had like headbands in his hair, so

904
00:43:25,080 --> 00:43:26,399
Speaker 3: like a Mickey Rourke type.

905
00:43:26,880 --> 00:43:30,879
Speaker 1: Yes, yeah, but he's insanely attractive, of course, and then

906
00:43:32,080 --> 00:43:36,640
Speaker 1: like real owlish, like nerd glasses, like he was trying

907
00:43:36,640 --> 00:43:38,080
Speaker 1: to do a lot of things at one time.

908
00:43:38,160 --> 00:43:40,560
Speaker 3: I'm successorying up, yes.

909
00:43:40,320 --> 00:43:42,600
Speaker 1: And he's he's like, I'm a sexy girl, I'm a

910
00:43:42,640 --> 00:43:44,759
Speaker 1: smart man, and you're right.

911
00:43:44,880 --> 00:43:47,000
Speaker 4: Maybe he thought, well, if I double up on all

912
00:43:47,040 --> 00:43:50,360
Speaker 4: these all these coup trements, maybe knowing it's going to

913
00:43:50,440 --> 00:43:53,080
Speaker 4: take away from the fact that I'm calling Ferrell, maybe

914
00:43:53,640 --> 00:43:56,640
Speaker 4: this scarf will make me unrecognizable because everyone knows I

915
00:43:56,680 --> 00:43:57,680
Speaker 4: have a famous neck.

916
00:43:57,880 --> 00:44:01,480
Speaker 1: Here's the thing, though, people in Los Angeles don't wear

917
00:44:01,560 --> 00:44:08,120
Speaker 1: scarves unless they're on a drama, a drama on NBC, Like,

918
00:44:08,160 --> 00:44:12,080
Speaker 1: there's no need to wear a scarf unless you have anorexia.

919
00:44:11,680 --> 00:44:13,799
Speaker 4: Or you're hiding some track hole.

920
00:44:13,800 --> 00:44:17,640
Speaker 1: A tray hole that you shouldn't have a tray hole,

921
00:44:17,880 --> 00:44:20,160
Speaker 1: or you were in some kind of an emergency situations

922
00:44:20,160 --> 00:44:22,120
Speaker 1: And I just do you have a pen into your neck?

923
00:44:22,560 --> 00:44:26,080
Speaker 3: Because you're that kind of star, right, I mean, but

924
00:44:26,560 --> 00:44:28,879
Speaker 3: for the most part, and the average person so.

925
00:44:28,920 --> 00:44:32,520
Speaker 4: Famous that you need emergency surgery, like from an episode of.

926
00:44:32,560 --> 00:44:35,160
Speaker 3: Mash Yes, where you just need it. Does anyone have

927
00:44:35,200 --> 00:44:37,880
Speaker 3: a big pen? Oh this fucking guy again?

928
00:44:38,760 --> 00:44:42,400
Speaker 1: Video d Or is he just super famous when he

929
00:44:42,760 --> 00:44:45,200
Speaker 1: I think I don't know what he had been in

930
00:44:45,280 --> 00:44:48,320
Speaker 1: before that Western where I got stung on the knee.

931
00:44:48,760 --> 00:44:50,520
Speaker 1: Told that that would come out.

932
00:44:51,840 --> 00:44:54,200
Speaker 3: All the time I've been sitting next to Colin Ferrell.

933
00:44:54,280 --> 00:44:55,640
Speaker 3: But wait, he was in that movie.

934
00:44:55,680 --> 00:44:58,000
Speaker 4: He was in that movie.

935
00:44:58,160 --> 00:45:01,040
Speaker 1: Okay, you've told that story I'm so four times, and

936
00:45:01,080 --> 00:45:03,520
Speaker 1: you've never mentioned that Colin Farrell was the star.

937
00:45:03,760 --> 00:45:06,160
Speaker 4: And we were on our first name basis. He'd say hi.

938
00:45:06,239 --> 00:45:08,160
Speaker 4: He was trying to get me to say things so

939
00:45:08,320 --> 00:45:11,960
Speaker 4: my pay rate would be. He's like, they said, okay,

940
00:45:12,000 --> 00:45:13,799
Speaker 4: we need a cowboy to go up and talk to

941
00:45:13,840 --> 00:45:16,799
Speaker 4: one of the brothel prostitutes. And he was like, do it.

942
00:45:17,560 --> 00:45:20,440
Speaker 4: Go say you want to be that guy? And I'm like,

943
00:45:20,560 --> 00:45:24,759
Speaker 4: I don't want to be like outwardly He's like, that's

944
00:45:24,800 --> 00:45:27,279
Speaker 4: how you get speaking. Well, that's how you get in

945
00:45:27,280 --> 00:45:27,760
Speaker 4: a union.

946
00:45:27,880 --> 00:45:29,440
Speaker 3: He was, is that true?

947
00:45:29,640 --> 00:45:32,359
Speaker 1: Yeah, Well, you buried the lead on this story for

948
00:45:32,360 --> 00:45:33,120
Speaker 1: four years.

949
00:45:33,120 --> 00:45:36,080
Speaker 4: Sorry, I just I think I just got caught up

950
00:45:36,120 --> 00:45:38,239
Speaker 4: in Scott Kahn. You know, I'm such a fan of

951
00:45:38,600 --> 00:45:40,560
Speaker 4: James Kahn. And there's his kid, you know.

952
00:45:43,719 --> 00:45:46,359
Speaker 1: Con And I've hated this story for so long.

953
00:45:46,400 --> 00:45:47,360
Speaker 3: Now it's my favorite.

954
00:45:47,480 --> 00:45:51,240
Speaker 4: Colin Farrell was there. He was so nice. He slept

955
00:45:51,320 --> 00:45:53,480
Speaker 4: with every woman that was there.

956
00:45:53,640 --> 00:45:54,000
Speaker 1: Good.

957
00:45:54,160 --> 00:45:56,280
Speaker 3: I wouldn't we all should.

958
00:45:56,040 --> 00:45:58,360
Speaker 4: And at the end was on a friend. He just

959
00:45:58,440 --> 00:46:00,480
Speaker 4: hugged them all by and there was no hard feelings.

960
00:46:01,160 --> 00:46:05,640
Speaker 4: He's giving every woman there generous lover and no, you know,

961
00:46:05,920 --> 00:46:09,200
Speaker 4: I hope he can be friends. What he's irish?

962
00:46:09,280 --> 00:46:09,600
Speaker 3: I don't know.

963
00:46:09,640 --> 00:46:10,680
Speaker 4: I can't remember the way her.

964
00:46:11,040 --> 00:46:12,120
Speaker 3: But he did talk a lot.

965
00:46:12,160 --> 00:46:13,560
Speaker 4: I just don't remember the voice.

966
00:46:13,760 --> 00:46:16,200
Speaker 3: He like this right, He's like he's in a hurry,

967
00:46:16,280 --> 00:46:17,160
Speaker 3: and he swears a lot.

968
00:46:17,600 --> 00:46:19,640
Speaker 4: And there was the same way he threw a bottle

969
00:46:19,680 --> 00:46:23,440
Speaker 4: against the wall in this bar interaction and the glass

970
00:46:23,560 --> 00:46:24,920
Speaker 4: hit me and I'm like, well, I'm going to be

971
00:46:24,960 --> 00:46:27,359
Speaker 4: on camera for sure. I was right next to him.

972
00:46:27,400 --> 00:46:28,799
Speaker 3: And then they cut that scene out.

973
00:46:29,200 --> 00:46:29,759
Speaker 1: What was there?

974
00:46:30,320 --> 00:46:33,640
Speaker 4: It's called American Outlaws and it's a long time Kathy

975
00:46:33,640 --> 00:46:36,080
Speaker 4: Bates was in it. You know, Timothy Dalton.

976
00:46:36,080 --> 00:46:38,360
Speaker 3: Did you think he slept with Kathy Bates?

977
00:46:38,680 --> 00:46:41,440
Speaker 4: He slept with just like the hair and makeup department,

978
00:46:41,560 --> 00:46:44,840
Speaker 4: wardrobe people, a lot of the extras.

979
00:46:44,320 --> 00:46:46,080
Speaker 3: Kind of he was being a bit typically.

980
00:46:45,760 --> 00:46:47,439
Speaker 4: The entire stunt crew.

981
00:46:47,640 --> 00:46:50,520
Speaker 1: He wasn't being creative about his love two or three

982
00:46:50,520 --> 00:46:51,360
Speaker 1: of the horses.

983
00:46:51,520 --> 00:46:53,640
Speaker 3: It wasn't about intellectualism or talent.

984
00:46:53,920 --> 00:46:58,160
Speaker 4: No, no, necessarily that guy, he's just it's like a radar,

985
00:46:59,040 --> 00:47:01,719
Speaker 4: a compass. I don't know, he's just always pointing north

986
00:47:01,800 --> 00:47:03,200
Speaker 4: and he is aroused.

987
00:47:03,600 --> 00:47:04,239
Speaker 3: You're in the way.

988
00:47:04,320 --> 00:47:07,560
Speaker 4: You're getting made love to, you know why, mutually and

989
00:47:07,719 --> 00:47:08,000
Speaker 4: enjoy it.

990
00:47:08,160 --> 00:47:11,000
Speaker 1: Here's a tip for all the boys. Yes, look at

991
00:47:11,040 --> 00:47:14,880
Speaker 1: Colin Ferrell's eyebrows. He always has them raised up like

992
00:47:14,920 --> 00:47:18,960
Speaker 1: a little teepee meeting together at the at the center

993
00:47:19,040 --> 00:47:19,799
Speaker 1: of his head.

994
00:47:19,880 --> 00:47:20,520
Speaker 3: Should I do that?

995
00:47:20,760 --> 00:47:22,719
Speaker 1: Yes, for sure?

996
00:47:22,800 --> 00:47:25,640
Speaker 3: Wrinkle no, No, it's fine. Don't be concerned about that.

997
00:47:25,719 --> 00:47:27,160
Speaker 4: I bet he has a lot of wrinkles on his

998
00:47:27,200 --> 00:47:28,160
Speaker 4: forehead that you haven't known.

999
00:47:28,160 --> 00:47:29,120
Speaker 3: It's a concern.

1000
00:47:29,280 --> 00:47:33,560
Speaker 1: It's a kindness, a concern, a lightness of Oh I'm thinking,

1001
00:47:33,600 --> 00:47:34,959
Speaker 1: and I'm also I care.

1002
00:47:35,120 --> 00:47:37,560
Speaker 3: I'm riddled with concern. You think I don't care. Get

1003
00:47:37,719 --> 00:47:40,920
Speaker 3: those eyebrows up, then if that's you know that, I

1004
00:47:40,960 --> 00:47:42,239
Speaker 3: walk away.

1005
00:47:42,440 --> 00:47:43,600
Speaker 4: I'm worried about everyone.

1006
00:47:43,880 --> 00:47:48,520
Speaker 3: No because you because no, your eyebrows are too flat, liney?

1007
00:47:49,280 --> 00:47:50,080
Speaker 3: Get him up there?

1008
00:47:50,360 --> 00:47:52,160
Speaker 4: Do you think they're not? He had them really thick.

1009
00:47:52,239 --> 00:47:54,920
Speaker 4: I feel like should I die?

1010
00:47:55,280 --> 00:47:56,000
Speaker 3: Get implants?

1011
00:47:56,080 --> 00:47:59,120
Speaker 4: Yeah, okay, hmm, because I do mine or wispy there's

1012
00:47:59,160 --> 00:48:02,839
Speaker 4: missing patches. One time did a vanilla ice stripe thing

1013
00:48:02,840 --> 00:48:04,000
Speaker 4: and an eyebrow and they.

1014
00:48:04,040 --> 00:48:09,080
Speaker 1: Never You have to get eyebrow tattoos like a seventy

1015
00:48:09,120 --> 00:48:09,720
Speaker 1: year old woman.

1016
00:48:09,880 --> 00:48:10,680
Speaker 4: I'm not afraid.

1017
00:48:10,719 --> 00:48:11,880
Speaker 3: I've saved a little money.

1018
00:48:11,880 --> 00:48:14,200
Speaker 4: I've been waiting, Okay, I spend it on something.

1019
00:48:14,360 --> 00:48:17,120
Speaker 1: I mean, that's I feel like that's a lot of

1020
00:48:17,120 --> 00:48:20,400
Speaker 1: guys don't understand women seducing a lot of women.

1021
00:48:20,480 --> 00:48:22,960
Speaker 3: It's not about like alpha dominance.

1022
00:48:23,040 --> 00:48:24,000
Speaker 4: It's about eyebrows.

1023
00:48:24,080 --> 00:48:28,400
Speaker 1: It's about showing like intense facial weakness and then coming

1024
00:48:28,480 --> 00:48:31,040
Speaker 1: through with the red hot love making later on.

1025
00:48:31,200 --> 00:48:32,440
Speaker 3: Oh see, that's I.

1026
00:48:32,400 --> 00:48:35,319
Speaker 4: Mean, that's a that's a big number two.

1027
00:48:36,320 --> 00:48:38,400
Speaker 1: It is. Actually I think only he can really handle it,

1028
00:48:38,440 --> 00:48:40,839
Speaker 1: because then he's also you know, he's got a lot

1029
00:48:40,840 --> 00:48:43,120
Speaker 1: of Irish charisma, and he's very sexy.

1030
00:48:43,239 --> 00:48:47,360
Speaker 3: I got Irish Christmas, Okay, okay, I mean it's I

1031
00:48:47,400 --> 00:48:50,279
Speaker 3: think my sister did the.

1032
00:48:51,840 --> 00:48:52,200
Speaker 1: Tread me.

1033
00:48:52,360 --> 00:48:53,680
Speaker 4: I got Christmas.

1034
00:48:55,200 --> 00:48:56,839
Speaker 1: And said it. It came up on a little bit

1035
00:48:57,040 --> 00:49:01,279
Speaker 1: a little passed Christmas Chrism, and I.

1036
00:49:01,200 --> 00:49:07,760
Speaker 4: Think there's some English anger and some uh Norwegian shyness.

1037
00:49:07,080 --> 00:49:11,920
Speaker 3: Nor some Norwegian wood in there. This car is filled

1038
00:49:11,920 --> 00:49:12,640
Speaker 3: with beetles.

1039
00:49:18,120 --> 00:49:24,000
Speaker 4: Once we get to enjoying ourselves, we just become cigarette Grandma's.

1040
00:49:23,640 --> 00:49:25,160
Speaker 1: Oh shit, I am mad.

1041
00:49:25,160 --> 00:49:27,920
Speaker 3: Another one of those camels. I'm gonna go up on

1042
00:49:28,000 --> 00:49:32,120
Speaker 3: the Davenport. I'm gonna sit on the Chesterfield.

1043
00:49:33,239 --> 00:49:35,400
Speaker 1: My grandmother used to call it a Chesterfield, and I

1044
00:49:35,440 --> 00:49:37,719
Speaker 1: had I didn't know what she was talking about. For

1045
00:49:37,760 --> 00:49:38,760
Speaker 1: the longest time.

1046
00:49:39,000 --> 00:49:41,319
Speaker 9: I don't know what a Chesterfield is a brand name,

1047
00:49:41,520 --> 00:49:42,400
Speaker 9: just like Davenport.

1048
00:49:42,560 --> 00:49:48,600
Speaker 3: What it's a hassock? Fuck is that thing? Let's take

1049
00:49:48,640 --> 00:49:51,000
Speaker 3: a look. Let's take a look on the phone.

1050
00:49:51,080 --> 00:49:54,959
Speaker 4: I think it's a type of foot rest.

1051
00:49:55,160 --> 00:49:56,640
Speaker 3: Oh, yes, that would make sense.

1052
00:49:56,680 --> 00:50:00,520
Speaker 4: My I think I might remember my grandma saying, get

1053
00:50:00,560 --> 00:50:02,120
Speaker 4: off the hassock. She didn't say.

1054
00:50:02,000 --> 00:50:03,719
Speaker 3: Oh, I said, pointed out the light.

1055
00:50:04,760 --> 00:50:09,640
Speaker 4: Whenever I'm real bad, uh nervous passenger, I just go oh,

1056
00:50:09,719 --> 00:50:12,160
Speaker 4: instead of saying the light edge green, instead.

1057
00:50:11,880 --> 00:50:15,359
Speaker 3: Of saying, Karen stopped coming, stopped texting and driving. It's

1058
00:50:15,360 --> 00:50:17,600
Speaker 3: a haddock.

1059
00:50:16,920 --> 00:50:20,719
Speaker 4: That's a that's a fish. There's a hassock, and I'm

1060
00:50:20,800 --> 00:50:21,400
Speaker 4: looking for it.

1061
00:50:21,440 --> 00:50:26,520
Speaker 3: Now you look for it because I can't text and drive. Okay, hassick.

1062
00:50:26,960 --> 00:50:29,240
Speaker 3: Haddock is a cute little fish. Though, if anybody wants

1063
00:50:29,239 --> 00:50:31,319
Speaker 3: to go fishing or.

1064
00:50:32,320 --> 00:50:34,719
Speaker 5: Okay, Karen, I was going to say, I had I

1065
00:50:34,760 --> 00:50:35,239
Speaker 5: had to call him.

1066
00:50:35,520 --> 00:50:37,799
Speaker 4: Cultures of hassocks. It's a round foot wrap.

1067
00:50:37,880 --> 00:50:41,000
Speaker 1: Oh yeah, it's an anomon. It's basically an atomou Stephen.

1068
00:50:41,080 --> 00:50:43,280
Speaker 1: Let Stephen tell his colin Carol, say.

1069
00:50:43,120 --> 00:50:44,719
Speaker 5: Colin Carell held the door open for me at the

1070
00:50:44,800 --> 00:50:45,160
Speaker 5: arc light?

1071
00:50:45,840 --> 00:50:47,359
Speaker 3: What was it the same day I was there?

1072
00:50:47,480 --> 00:50:48,960
Speaker 1: Did he have a scarf on and a headband?

1073
00:50:49,520 --> 00:50:50,040
Speaker 5: He didn't.

1074
00:50:50,120 --> 00:50:50,439
Speaker 3: I don't.

1075
00:50:50,560 --> 00:50:51,080
Speaker 5: I couldn't.

1076
00:50:51,320 --> 00:50:53,680
Speaker 6: Like he held it and I was so starstruck that

1077
00:50:53,800 --> 00:50:55,879
Speaker 6: I just I just walked by him and I didn't

1078
00:50:55,880 --> 00:50:56,400
Speaker 6: pay attention.

1079
00:50:56,480 --> 00:50:57,600
Speaker 5: I think he was wearing a scarf.

1080
00:50:57,640 --> 00:50:57,839
Speaker 1: Though.

1081
00:50:58,160 --> 00:50:58,480
Speaker 3: Wow.

1082
00:50:58,640 --> 00:51:00,799
Speaker 4: I wonder if we're all there at this day, did

1083
00:51:00,840 --> 00:51:01,560
Speaker 4: you say thank you?

1084
00:51:01,760 --> 00:51:02,200
Speaker 7: Or what? What?

1085
00:51:02,320 --> 00:51:02,920
Speaker 3: Did? What happened?

1086
00:51:04,040 --> 00:51:06,440
Speaker 5: I don't recognize celebrities till after I've walked.

1087
00:51:06,239 --> 00:51:07,600
Speaker 3: Away and I'm like, wait a minute, who is that?

1088
00:51:07,680 --> 00:51:09,920
Speaker 6: And then yeah, this control because he had that that

1089
00:51:10,120 --> 00:51:13,520
Speaker 6: voice that you that that quiet, concerned voice.

1090
00:51:13,680 --> 00:51:17,960
Speaker 1: Yes, go through the door already what it was, Well,

1091
00:51:18,040 --> 00:51:19,200
Speaker 1: that's pretty good, thank you.

1092
00:51:22,560 --> 00:51:25,040
Speaker 3: You gotta go. I'm telling you my mom, I get

1093
00:51:25,080 --> 00:51:30,600
Speaker 3: a line. You gotta get speaking roll.

1094
00:51:35,840 --> 00:51:39,719
Speaker 4: I don't know, no, I do start tripp but the

1095
00:51:39,800 --> 00:51:42,600
Speaker 4: plane is, yeah, there you do. I do notice after

1096
00:51:42,920 --> 00:51:45,680
Speaker 4: like the other day at Walgreens, I was in the wine.

1097
00:51:47,840 --> 00:51:50,600
Speaker 3: Well, that's my pharmacy. It's nearest by. Yeah, you have

1098
00:51:50,680 --> 00:51:51,319
Speaker 3: to go somewhere else.

1099
00:51:51,400 --> 00:51:52,839
Speaker 1: Really, what do they do they.

1100
00:51:54,400 --> 00:51:54,880
Speaker 4: Nostrils?

1101
00:51:55,000 --> 00:51:57,800
Speaker 3: Yes, and I told you this, you know they do.

1102
00:51:58,000 --> 00:52:02,280
Speaker 1: There was something or a pharmacist wouldn't let a woman

1103
00:52:02,400 --> 00:52:06,080
Speaker 1: get her birth control, and then Walgreen stood by the pharmacist.

1104
00:52:06,480 --> 00:52:10,040
Speaker 1: It's just a touch of the bleed of The Handmaid's Tale,

1105
00:52:10,080 --> 00:52:12,360
Speaker 1: where you're like, hey, guess what, fuck you Walgreen.

1106
00:52:12,480 --> 00:52:15,920
Speaker 3: I've been watching handmaid Stale. It's scary. No, I know

1107
00:52:16,040 --> 00:52:17,120
Speaker 3: what everyone's talking about.

1108
00:52:17,239 --> 00:52:18,040
Speaker 1: Yeah, it's horrifying.

1109
00:52:18,160 --> 00:52:18,359
Speaker 3: Yeah.

1110
00:52:18,680 --> 00:52:21,040
Speaker 4: Where they had she had to get a note from

1111
00:52:21,080 --> 00:52:24,960
Speaker 4: the husband to and they said, well, we're in a relationship,

1112
00:52:25,000 --> 00:52:26,960
Speaker 4: and they're like, not a legitimate one because there are

1113
00:52:27,000 --> 00:52:27,359
Speaker 4: two women.

1114
00:52:27,400 --> 00:52:27,719
Speaker 3: I don't know.

1115
00:52:27,800 --> 00:52:30,400
Speaker 4: It was very I'm combining two things. The point is

1116
00:52:30,400 --> 00:52:32,719
Speaker 4: I saw Harvey Levin. I didn't realize it was him.

1117
00:52:32,920 --> 00:52:35,840
Speaker 4: Who's that He said, there's a register over there, no

1118
00:52:35,960 --> 00:52:38,279
Speaker 4: one knows, but it's by the photography of people. You

1119
00:52:38,320 --> 00:52:40,600
Speaker 4: don't have to stand in this line. I'm like, oh, thanks,

1120
00:52:41,360 --> 00:52:44,800
Speaker 4: little guy. And then, uh, who's Harvey Levin? He's the

1121
00:52:45,040 --> 00:52:52,000
Speaker 4: lawyer from TMZ that's its real Come on, well he's

1122
00:52:52,080 --> 00:52:55,840
Speaker 4: a guy. He's a guy, and he was like, he

1123
00:52:55,920 --> 00:52:59,160
Speaker 4: didn't have to go, Hey, there's a register open over there.

1124
00:52:59,280 --> 00:53:02,120
Speaker 4: That's true, he was he was trying to just make

1125
00:53:02,160 --> 00:53:04,520
Speaker 4: a human connection because he knows he's not human.

1126
00:53:04,680 --> 00:53:07,000
Speaker 1: And yeah, he's destroyed so many lives and he's really

1127
00:53:07,080 --> 00:53:09,960
Speaker 1: trying to make it up. And at fucking Walgreen he.

1128
00:53:10,080 --> 00:53:13,960
Speaker 4: Is really, I mean, he is annoying. Do you remember

1129
00:53:14,000 --> 00:53:16,320
Speaker 4: when they had like a handsome surfer guy though on

1130
00:53:16,480 --> 00:53:20,640
Speaker 4: there that yeah, I don't know, Yeah, I guess it

1131
00:53:20,760 --> 00:53:23,240
Speaker 4: was Jennifer Anston outside of Trader Goes.

1132
00:53:24,080 --> 00:53:26,600
Speaker 3: I gotta go paddle out now there.

1133
00:53:26,800 --> 00:53:30,720
Speaker 4: I met that guy at some TMZ part that someone

1134
00:53:30,880 --> 00:53:32,960
Speaker 4: worked there, and I went to a function and whatever.

1135
00:53:33,080 --> 00:53:34,799
Speaker 3: They were all there and I didn't know who.

1136
00:53:34,719 --> 00:53:37,279
Speaker 4: They were, but he was the coolest, nicest dude ever.

1137
00:53:37,400 --> 00:53:40,680
Speaker 4: And I expected him to be a dumb dumb no.

1138
00:53:41,000 --> 00:53:43,280
Speaker 4: And I am judgment all the handsome people.

1139
00:53:43,400 --> 00:53:45,719
Speaker 1: Well, I think those guys on TMZ because my friend

1140
00:53:45,800 --> 00:53:48,800
Speaker 1: Rick Mitchell used to work on TMZ for years and

1141
00:53:49,000 --> 00:53:51,520
Speaker 1: was on camera talent and he's a hilarious stand up

1142
00:53:51,560 --> 00:53:54,960
Speaker 1: comic who took that job when that thing started. I

1143
00:53:55,080 --> 00:53:57,600
Speaker 1: don't think understood the depth and breadth and kind of

1144
00:53:57,719 --> 00:53:59,279
Speaker 1: was like, well then after a while, you have a

1145
00:53:59,360 --> 00:54:02,120
Speaker 1: good job, you're on TV, you know what I mean,

1146
00:54:02,200 --> 00:54:03,560
Speaker 1: like you're making this decision?

1147
00:54:03,800 --> 00:54:04,719
Speaker 4: Sure, you know.

1148
00:54:05,040 --> 00:54:07,440
Speaker 1: I think I think those guys took the hit for

1149
00:54:07,920 --> 00:54:10,520
Speaker 1: basically just trying to keep a job in Hollywood that

1150
00:54:11,440 --> 00:54:14,359
Speaker 1: was Harvey Leven was responsible for. When it's like it's

1151
00:54:14,480 --> 00:54:16,839
Speaker 1: you never hear people talking massive shit about Harvey Leven.

1152
00:54:16,880 --> 00:54:19,719
Speaker 1: You to hear people talking shit about the underlings that

1153
00:54:19,840 --> 00:54:21,839
Speaker 1: were on the show, or it's like, oh they all suck,

1154
00:54:21,920 --> 00:54:25,080
Speaker 1: it's like, how about fucking the guy that it was

1155
00:54:25,160 --> 00:54:27,680
Speaker 1: his idea to do this, right, he's the one that

1156
00:54:27,800 --> 00:54:31,240
Speaker 1: stands outside restaurants and trying to pick off no drunk,

1157
00:54:31,440 --> 00:54:33,359
Speaker 1: seedless celebrities to shame them.

1158
00:54:33,719 --> 00:54:37,880
Speaker 4: Yeah, yeah, or they Yeah, I know some nice people

1159
00:54:37,920 --> 00:54:41,200
Speaker 4: that are Papa Razzo's what do you call the sure

1160
00:54:41,560 --> 00:54:43,680
Speaker 4: yeah photographers.

1161
00:54:44,440 --> 00:54:45,880
Speaker 3: Italian photographers, yes.

1162
00:54:45,800 --> 00:54:47,960
Speaker 4: From Italy that are never Italian.

1163
00:54:48,920 --> 00:54:49,120
Speaker 3: Yeah.

1164
00:54:49,239 --> 00:54:52,120
Speaker 4: I never get mad at the people on the show though, Okay, guy,

1165
00:54:52,160 --> 00:54:54,200
Speaker 4: am I making this up? Or did he used to

1166
00:54:54,320 --> 00:55:01,320
Speaker 4: do they post interviews on people's court. No, would be like,

1167
00:55:01,480 --> 00:55:04,680
Speaker 4: well we saw today what do you feel about the judgment.

1168
00:55:04,880 --> 00:55:05,799
Speaker 3: That's Dougluellens.

1169
00:55:05,920 --> 00:55:09,720
Speaker 4: He was the first Doug Luellen, Rusty, the bailiff walkner.

1170
00:55:09,880 --> 00:55:10,800
Speaker 3: That's the old school.

1171
00:55:10,960 --> 00:55:16,160
Speaker 9: Oh gotch school was Harvey Levin. Maybe God, I mean

1172
00:55:16,239 --> 00:55:19,240
Speaker 9: maybe I think that's where he got to start. Okay,

1173
00:55:19,280 --> 00:55:22,960
Speaker 9: that was his Byron. Now and like I do interviews

1174
00:55:23,040 --> 00:55:24,080
Speaker 9: for movies.

1175
00:55:24,040 --> 00:55:26,480
Speaker 1: Bam, I'm a lawyer and I could be making plenty

1176
00:55:26,520 --> 00:55:29,200
Speaker 1: of money doing that, but instead I'm gonna come to

1177
00:55:29,360 --> 00:55:32,200
Speaker 1: this TV set built like a courtroom.

1178
00:55:32,680 --> 00:55:34,880
Speaker 3: I'm right, Stephen just handed me this.

1179
00:55:35,080 --> 00:55:38,279
Speaker 4: He did just just discord after impressing a crew member

1180
00:55:38,400 --> 00:55:39,879
Speaker 4: with his legal analysis.

1181
00:55:40,040 --> 00:55:42,520
Speaker 3: Oh that was ninety seven.

1182
00:55:42,560 --> 00:55:44,640
Speaker 1: So he was just hanging out at the studio trying

1183
00:55:44,680 --> 00:55:47,160
Speaker 1: to impress crew members with legal anoogs.

1184
00:55:46,880 --> 00:55:49,200
Speaker 4: Later created Celebrity Justice.

1185
00:55:49,760 --> 00:55:51,360
Speaker 1: Oh what's that?

1186
00:55:51,760 --> 00:55:54,200
Speaker 4: I don't know, but from O two to five it

1187
00:55:54,320 --> 00:55:55,239
Speaker 4: was sweeping the nation.

1188
00:55:55,760 --> 00:55:58,839
Speaker 1: I wish there was Celebrity Justice. Then we'd have many

1189
00:55:58,960 --> 00:56:00,680
Speaker 1: more films with and Ferrell.

1190
00:56:01,719 --> 00:56:04,839
Speaker 4: I really didn't know how you in lovely. It's really

1191
00:56:04,880 --> 00:56:05,960
Speaker 4: an eyebrow thing. Huh.

1192
00:56:06,160 --> 00:56:06,359
Speaker 1: Well.

1193
00:56:06,600 --> 00:56:09,080
Speaker 3: I have to say I love calling Farrell because he's

1194
00:56:09,080 --> 00:56:09,719
Speaker 3: an Irish guy.

1195
00:56:10,080 --> 00:56:10,960
Speaker 1: I like his style.

1196
00:56:11,600 --> 00:56:13,680
Speaker 3: I like the feel of him. I like the concept

1197
00:56:13,719 --> 00:56:15,400
Speaker 3: of him. I like that he's like a ladies man.

1198
00:56:15,480 --> 00:56:18,640
Speaker 1: He's unapologetic and he's just kind of having a good time.

1199
00:56:18,760 --> 00:56:22,040
Speaker 1: I think that's as it should be. But the one

1200
00:56:22,120 --> 00:56:25,960
Speaker 1: I truly deeply love is Killian Murphy, who is yeah, yeah,

1201
00:56:26,120 --> 00:56:26,920
Speaker 1: peaky binders.

1202
00:56:27,080 --> 00:56:29,279
Speaker 4: Well, yeah, you can't. There's nothing I can do to

1203
00:56:29,520 --> 00:56:32,520
Speaker 4: just make my eyes a swimmable blue A bit no.

1204
00:56:33,239 --> 00:56:37,080
Speaker 1: No, And unless you get cheek implants, you just no

1205
00:56:37,239 --> 00:56:38,680
Speaker 1: one can touch Killy and Murphy.

1206
00:56:38,960 --> 00:56:39,760
Speaker 3: It's the crazy.

1207
00:56:39,840 --> 00:56:41,920
Speaker 1: He is the craziest face, and then on top of

1208
00:56:42,000 --> 00:56:44,560
Speaker 1: that he has a woman's face, and then he is

1209
00:56:44,840 --> 00:56:49,120
Speaker 1: one of the most powerful seeming men in terms of

1210
00:56:49,360 --> 00:56:51,840
Speaker 1: just self possession and being fucking rad.

1211
00:56:51,840 --> 00:56:54,200
Speaker 4: And at somehow at one hundred and eighteen.

1212
00:56:53,920 --> 00:56:56,239
Speaker 3: Pounds, Yes, I just emaciated.

1213
00:56:56,280 --> 00:56:58,200
Speaker 4: I would have to not only get the I'd have

1214
00:56:58,320 --> 00:57:00,600
Speaker 4: to suck out the middle of my cheek and put

1215
00:57:00,680 --> 00:57:00,960
Speaker 4: him up.

1216
00:57:01,640 --> 00:57:03,759
Speaker 3: God, I have a lot of plastic surgery to do. Yeah,

1217
00:57:03,760 --> 00:57:05,480
Speaker 3: you really, you should get on it pretty soon.

1218
00:57:05,520 --> 00:57:08,239
Speaker 4: The eyebrow thing, at least is affordable. You'll be seeing

1219
00:57:08,280 --> 00:57:09,360
Speaker 4: that next episode.

1220
00:57:09,880 --> 00:57:13,640
Speaker 3: Do you need to run? Yeah, don't. Killy Murphy's more

1221
00:57:13,680 --> 00:57:13,920
Speaker 3: of the.

1222
00:57:15,560 --> 00:57:18,120
Speaker 1: It's more of just a behavioral standard as opposed to

1223
00:57:18,160 --> 00:57:20,880
Speaker 1: a beauty standard, because I think his I just like

1224
00:57:20,920 --> 00:57:22,480
Speaker 1: to look at him and go, what do your parents

1225
00:57:22,560 --> 00:57:22,840
Speaker 1: look like?

1226
00:57:23,000 --> 00:57:24,200
Speaker 3: It doesn't make sense right.

1227
00:57:24,480 --> 00:57:27,520
Speaker 4: The same thing was with the call when we were

1228
00:57:27,560 --> 00:57:30,920
Speaker 4: on that call him call. Yeah, sure, I really think

1229
00:57:31,000 --> 00:57:34,400
Speaker 4: that was his first I bet any credit prior to

1230
00:57:34,720 --> 00:57:38,680
Speaker 4: American outlaws. It's Irish films. I think he was very young.

1231
00:57:38,840 --> 00:57:40,720
Speaker 3: Should I just keep driving towards this fire truck?

1232
00:57:41,040 --> 00:57:44,240
Speaker 4: But yeah, we're heading right at it.

1233
00:57:46,680 --> 00:57:48,280
Speaker 3: It's on my side of the street.

1234
00:57:48,360 --> 00:57:50,400
Speaker 4: He's on the wrong side of the street. Yeah, I mean,

1235
00:57:50,440 --> 00:57:55,760
Speaker 4: I know that they're heroes, but come on, but it's.

1236
00:57:54,840 --> 00:57:56,960
Speaker 3: Been a while since not a lot, you know Tucket

1237
00:57:57,000 --> 00:58:00,880
Speaker 3: in whoa, whoa, Wait, hold on pause that Oh they're

1238
00:58:01,040 --> 00:58:02,520
Speaker 3: just all using an ATM.

1239
00:58:02,840 --> 00:58:09,160
Speaker 1: Hey, you guys the Glendale Fire Department representing Wait are

1240
00:58:09,240 --> 00:58:09,800
Speaker 1: we watching?

1241
00:58:09,960 --> 00:58:12,760
Speaker 4: Are they pretending to be firemen and they're robbing that bank?

1242
00:58:13,160 --> 00:58:15,280
Speaker 3: Or are they about to? Are they breaking in so

1243
00:58:15,400 --> 00:58:16,480
Speaker 3: they can strip in there?

1244
00:58:16,760 --> 00:58:19,840
Speaker 4: You can act as Calumn with those mustaches as you want,

1245
00:58:19,880 --> 00:58:21,200
Speaker 4: but I know what you boys are doing.

1246
00:58:21,320 --> 00:58:22,960
Speaker 1: There's a lot of mustaches and there's a lot of

1247
00:58:23,040 --> 00:58:26,920
Speaker 1: hands on hips over there. Hi, guys there, what's so?

1248
00:58:27,120 --> 00:58:28,480
Speaker 1: What is exactly going on?

1249
00:58:28,680 --> 00:58:31,240
Speaker 4: Because that's they are breaking in the.

1250
00:58:31,680 --> 00:58:34,120
Speaker 3: Buildings for lease. There's no need for them to go

1251
00:58:34,240 --> 00:58:35,280
Speaker 3: in there. They have a tool.

1252
00:58:35,560 --> 00:58:39,000
Speaker 4: Yes, this is they heard there's money left over from

1253
00:58:39,040 --> 00:58:40,640
Speaker 4: back when it was a US bank.

1254
00:58:42,000 --> 00:58:44,120
Speaker 3: They got their tools. That was a heist. Just what

1255
00:58:44,600 --> 00:58:49,400
Speaker 3: that was a hot fucking heist? Well, well, I don't

1256
00:58:49,480 --> 00:58:50,920
Speaker 3: have to rewatch heat.

1257
00:58:52,720 --> 00:58:55,160
Speaker 4: As I do yearly.

1258
00:58:56,320 --> 00:58:58,000
Speaker 3: A child on a bike alone.

1259
00:58:58,080 --> 00:59:00,439
Speaker 1: I don't like the family.

1260
00:59:00,480 --> 00:59:02,720
Speaker 3: Okay, I mean she's with her brother, but oh, there

1261
00:59:02,760 --> 00:59:05,760
Speaker 3: they are. It's a family. Okay, I really don't like that.

1262
00:59:06,680 --> 00:59:06,880
Speaker 7: Call.

1263
00:59:08,560 --> 00:59:10,720
Speaker 4: No need to call anyone, don't call.

1264
00:59:13,480 --> 00:59:15,960
Speaker 3: Wait a second, Stephen, did you say what your celebrity

1265
00:59:16,040 --> 00:59:16,520
Speaker 3: sighting was?

1266
00:59:17,360 --> 00:59:23,520
Speaker 1: Sorry, celebrity sighting like a recent genuinely exciting one other

1267
00:59:23,640 --> 00:59:24,240
Speaker 1: than Colin.

1268
00:59:24,160 --> 00:59:27,240
Speaker 5: Farrell, them other than Parreell six years.

1269
00:59:27,080 --> 00:59:29,200
Speaker 3: Ago when we had the same one on the same day.

1270
00:59:30,320 --> 00:59:30,920
Speaker 5: I'm trying to think.

1271
00:59:30,960 --> 00:59:32,600
Speaker 3: I can't wait.

1272
00:59:32,680 --> 00:59:34,280
Speaker 1: Well, you think I'm in the same mind because in

1273
00:59:34,440 --> 00:59:38,120
Speaker 1: honor of Dunkirk, yes, and my my overt weeping about

1274
00:59:38,120 --> 00:59:38,720
Speaker 1: the Boys of.

1275
00:59:38,760 --> 00:59:41,160
Speaker 4: Dunkirk, I'm totally comfortable with the Ukraine. If you want

1276
00:59:41,200 --> 00:59:42,480
Speaker 4: to cry around me all the time.

1277
00:59:42,400 --> 00:59:42,880
Speaker 3: But myhead.

1278
00:59:42,960 --> 00:59:48,760
Speaker 1: Okay, So one time more when you just find out

1279
00:59:49,560 --> 00:59:54,840
Speaker 1: you're into it, like weirdly into crying, be awful. One time, U,

1280
00:59:55,320 --> 00:59:59,520
Speaker 1: when I worked very briefly and against my will at

1281
00:59:59,560 --> 01:00:03,680
Speaker 1: the J. Gordon Show, I was sitting in the studio

1282
01:00:03,840 --> 01:00:08,520
Speaker 1: watching rehearsal and I heard somebody walk up and felt

1283
01:00:08,560 --> 01:00:13,000
Speaker 1: them standing behind me, and I was just kind of

1284
01:00:13,000 --> 01:00:14,320
Speaker 1: sitting there and then I turned and looked and it

1285
01:00:14,400 --> 01:00:18,400
Speaker 1: was Harry Styles. And so he looked down at me

1286
01:00:18,520 --> 01:00:21,160
Speaker 1: and said hi, and I said hi, how are you?

1287
01:00:21,520 --> 01:00:24,160
Speaker 1: And he said, I'm okay. I have a cold. And

1288
01:00:24,200 --> 01:00:27,440
Speaker 1: then he held up a little brown bag, which I

1289
01:00:27,520 --> 01:00:30,720
Speaker 1: imagine had some cold medicine in it, or he had

1290
01:00:30,800 --> 01:00:33,640
Speaker 1: literally caught a cold in a bag.

1291
01:00:35,000 --> 01:00:38,240
Speaker 3: He's a baby child, He's just a child baby.

1292
01:00:38,360 --> 01:00:41,400
Speaker 1: He's a little baby, nineteen year old or something. He

1293
01:00:41,440 --> 01:00:44,520
Speaker 1: had long hair, and he looked tired, and I just

1294
01:00:44,720 --> 01:00:47,800
Speaker 1: was like, that was very sweet, and I'm sure he's

1295
01:00:47,880 --> 01:00:51,000
Speaker 1: so tired of being screamed at, yeah, everywhere he goes.

1296
01:00:51,040 --> 01:00:53,160
Speaker 1: And I, of course am the middle aged lady who

1297
01:00:53,240 --> 01:00:55,560
Speaker 1: was like, I couldn't care about you if I tried

1298
01:00:55,600 --> 01:00:59,240
Speaker 1: all day long, but God bless you for being chill.

1299
01:00:59,640 --> 01:01:02,800
Speaker 3: And now you love him because he was in Well,

1300
01:01:02,840 --> 01:01:03,720
Speaker 3: now that I stay.

1301
01:01:03,760 --> 01:01:08,280
Speaker 7: Hunger heat may be the ultimate sacrificing. Nobody cared, and

1302
01:01:08,400 --> 01:01:14,480
Speaker 7: it's okay. Crying more, cheers more, you cry, you cry?

1303
01:01:15,600 --> 01:01:20,560
Speaker 1: You know that's something on tumbler. People look up crying

1304
01:01:20,640 --> 01:01:22,320
Speaker 1: on tumbler for sexual pleasure.

1305
01:01:22,800 --> 01:01:25,200
Speaker 4: Yeah, porn.

1306
01:01:28,280 --> 01:01:28,880
Speaker 1: Just lightly.

1307
01:01:29,320 --> 01:01:32,160
Speaker 3: Now you know what that is a thing? Is it mascer?

1308
01:01:33,120 --> 01:01:33,160
Speaker 1: No?

1309
01:01:34,320 --> 01:01:37,800
Speaker 4: Is it people like running masscarre because that means the

1310
01:01:37,920 --> 01:01:41,240
Speaker 4: tears are from hardcore sex.

1311
01:01:41,520 --> 01:01:43,560
Speaker 3: No, I've seen it.

1312
01:01:44,480 --> 01:01:47,280
Speaker 4: I've seen it. I've specifically gone to it. I'm not

1313
01:01:47,360 --> 01:01:50,600
Speaker 4: going to say I stumbled on it. I have seeked

1314
01:01:50,600 --> 01:01:53,640
Speaker 4: it out and I've found it out. But from the

1315
01:01:53,840 --> 01:01:54,840
Speaker 4: porn dot com.

1316
01:01:55,000 --> 01:02:00,200
Speaker 1: Is that there's no website called porn tuncle some thing

1317
01:02:00,360 --> 01:02:02,680
Speaker 1: like that. I mean, those people are making a billion dollars.

1318
01:02:02,720 --> 01:02:05,960
Speaker 1: Who ever thought to register that website is a genius.

1319
01:02:06,920 --> 01:02:10,920
Speaker 1: But then if you are looking at running Maskerra, then

1320
01:02:11,200 --> 01:02:16,240
Speaker 1: isn't part of your part of your deal then that

1321
01:02:16,440 --> 01:02:19,240
Speaker 1: you like that somebody doesn't like the sex they're having,

1322
01:02:19,520 --> 01:02:21,000
Speaker 1: And isn't that an issue?

1323
01:02:21,320 --> 01:02:22,600
Speaker 3: I think it is.

1324
01:02:22,960 --> 01:02:26,240
Speaker 4: I think you're right, although that it's bad. It's definitely bad.

1325
01:02:26,320 --> 01:02:29,760
Speaker 4: It's like I'm a dominating I'm mad, and I don't

1326
01:02:29,800 --> 01:02:31,960
Speaker 4: want to get totally explain it because I think it

1327
01:02:32,000 --> 01:02:33,120
Speaker 4: will make me too graphic.

1328
01:02:33,320 --> 01:02:36,080
Speaker 3: Okay, but we're already in this world, but we're in it.

1329
01:02:36,160 --> 01:02:37,280
Speaker 3: We might as well start talking.

1330
01:02:37,080 --> 01:02:40,000
Speaker 4: About the reason the tears. The reason that is the

1331
01:02:40,120 --> 01:02:43,680
Speaker 4: gagging or the tears are being triggered by gagging reflex

1332
01:02:44,080 --> 01:02:49,440
Speaker 4: and oh oh yeah with the the but it's aggressive

1333
01:02:49,520 --> 01:02:52,640
Speaker 4: to the point where it's like you're having trouble breathing.

1334
01:02:52,760 --> 01:02:55,080
Speaker 4: Hu yah, and that makes me feel good about myself.

1335
01:02:55,320 --> 01:02:57,960
Speaker 3: But you cry those tears well.

1336
01:02:58,000 --> 01:03:01,920
Speaker 1: And also I'm assuming incorrect that the women engaging in

1337
01:03:02,000 --> 01:03:04,120
Speaker 1: that don't enjoy it, which many do.

1338
01:03:04,640 --> 01:03:08,320
Speaker 3: That's it's voluntary and enjoyed.

1339
01:03:08,520 --> 01:03:14,320
Speaker 1: So that's my old fashioned nineteen thirties Catholicism that says

1340
01:03:15,040 --> 01:03:18,280
Speaker 1: anyone's a victim when actually that's That's another thing I've

1341
01:03:18,320 --> 01:03:19,160
Speaker 1: learned on tumblrs.

1342
01:03:19,480 --> 01:03:22,160
Speaker 3: People like all kinds of things. Yeah, being a victim

1343
01:03:22,280 --> 01:03:26,200
Speaker 3: is something some people enjoy. That's part of their that's

1344
01:03:26,240 --> 01:03:26,560
Speaker 3: part of it.

1345
01:03:26,800 --> 01:03:30,760
Speaker 4: Come straight from the nineteen fifties and missionary eye contact

1346
01:03:30,840 --> 01:03:35,320
Speaker 4: hole and I sheet you change in the room, keep

1347
01:03:35,400 --> 01:03:38,240
Speaker 4: them above the mantle, follow his eyes, you know.

1348
01:03:38,240 --> 01:03:41,000
Speaker 1: What you like. It's the perfect example is did you

1349
01:03:41,120 --> 01:03:44,840
Speaker 1: see The Shape of Water, the movie about the girl

1350
01:03:44,920 --> 01:03:45,680
Speaker 1: that fucks the lizen?

1351
01:03:45,800 --> 01:03:48,040
Speaker 4: You know, and it could have gone it really was

1352
01:03:48,160 --> 01:03:51,080
Speaker 4: riding a line where of ridiculousness.

1353
01:03:50,360 --> 01:03:51,240
Speaker 3: But I did like it.

1354
01:03:51,640 --> 01:03:52,080
Speaker 1: It was good.

1355
01:03:52,200 --> 01:03:53,920
Speaker 3: I mean, Garima, that guy knows what he's doing.

1356
01:03:54,040 --> 01:03:56,040
Speaker 4: But I think it's because I like him and I

1357
01:03:56,120 --> 01:03:58,680
Speaker 4: imagine him making it. If it was just some Yahoo

1358
01:03:58,760 --> 01:03:59,919
Speaker 4: making a weird fish porn.

1359
01:04:00,320 --> 01:04:03,520
Speaker 3: No, No, he's clearly a passionate filmmaker.

1360
01:04:03,720 --> 01:04:05,600
Speaker 4: It's filled with passion and he loves this project.

1361
01:04:06,400 --> 01:04:09,680
Speaker 1: But do you remember the scene where Michael what's his

1362
01:04:09,800 --> 01:04:13,240
Speaker 1: name is having sex with his wife and it's very

1363
01:04:13,360 --> 01:04:14,800
Speaker 1: strangely graphic?

1364
01:04:15,560 --> 01:04:20,240
Speaker 3: Oh, Shannon, Yes, yeah, it's kind of It's real weird,

1365
01:04:20,360 --> 01:04:20,640
Speaker 3: isn't that.

1366
01:04:20,720 --> 01:04:23,360
Speaker 1: It reminded me of that that where it's kind of

1367
01:04:23,560 --> 01:04:28,280
Speaker 1: fifties traditional and yet at the same time seemingly borderline

1368
01:04:28,320 --> 01:04:30,960
Speaker 1: violent and odd, right where you're supposed to watch that

1369
01:04:31,040 --> 01:04:33,520
Speaker 1: and then go, I think there's something wrong with that guy.

1370
01:04:33,720 --> 01:04:38,880
Speaker 4: I think that when I think I watched Light at Night. Oh,

1371
01:04:39,040 --> 01:04:41,000
Speaker 4: the first movie I ever saw what sex was like

1372
01:04:41,640 --> 01:04:42,720
Speaker 4: clockwork Orange.

1373
01:04:42,800 --> 01:04:45,080
Speaker 3: We had that when I was a kid, and that's

1374
01:04:45,200 --> 01:04:45,640
Speaker 3: not good.

1375
01:04:45,760 --> 01:04:48,120
Speaker 4: But yes, I think it permanently damaged.

1376
01:04:48,280 --> 01:04:49,520
Speaker 1: It did for sure my dream.

1377
01:04:49,680 --> 01:04:54,120
Speaker 4: You almost mentioned the lighthearted aggressiveness of the post Postmanoi's

1378
01:04:54,160 --> 01:04:54,800
Speaker 4: Rings twice.

1379
01:04:55,160 --> 01:04:59,600
Speaker 3: No, but that you know, that's Jess claying that. Yeah.

1380
01:04:59,680 --> 01:05:02,600
Speaker 4: I I was exposed to the wrong things as a child.

1381
01:05:02,680 --> 01:05:05,240
Speaker 3: I think we all were. That's the problem with cable television.

1382
01:05:05,320 --> 01:05:07,919
Speaker 3: But no now, but kids now they just go straight

1383
01:05:08,000 --> 01:05:12,280
Speaker 3: to porn dot com. The first thing, I bet you know.

1384
01:05:12,640 --> 01:05:16,520
Speaker 3: They sign up for it right after they they entered

1385
01:05:16,600 --> 01:05:17,120
Speaker 3: sixth grade.

1386
01:05:17,240 --> 01:05:19,400
Speaker 4: Yeah, give it to you with your Social Security card.

1387
01:05:19,520 --> 01:05:23,480
Speaker 1: Here's your here's your free membership to porn dot org.

1388
01:05:24,080 --> 01:05:25,320
Speaker 1: So horrifying it is.

1389
01:05:26,040 --> 01:05:29,080
Speaker 4: Yeah, I'm just saying I think kid's see we're stuff now.

1390
01:05:29,240 --> 01:05:30,280
Speaker 1: Actually for sure.

1391
01:05:30,480 --> 01:05:30,680
Speaker 3: Yeah.

1392
01:05:30,960 --> 01:05:33,920
Speaker 1: Then Summer Lovers, the movie where Peter Gallagher and Daryl

1393
01:05:33,920 --> 01:05:35,040
Speaker 1: Hannah go to Greece.

1394
01:05:34,960 --> 01:05:35,800
Speaker 3: Were there, yes?

1395
01:05:35,960 --> 01:05:37,760
Speaker 4: Or the Summer of sixty nine where.

1396
01:05:37,680 --> 01:05:41,440
Speaker 3: The boy in the forties sixty nine, Yes, yes.

1397
01:05:41,600 --> 01:05:43,040
Speaker 4: And he goes to by condoms.

1398
01:05:43,120 --> 01:05:44,000
Speaker 3: It was so risky.

1399
01:05:45,240 --> 01:05:51,000
Speaker 10: Same with Porky's Yes, where they step their expose their

1400
01:05:51,040 --> 01:05:53,960
Speaker 10: eyes through a giant hole that they it was so

1401
01:05:54,160 --> 01:05:57,280
Speaker 10: lighthearted porkys that they were just peeping through a glory hole.

1402
01:05:57,520 --> 01:05:59,919
Speaker 3: That's right, they were. There was so much peeping tom

1403
01:06:00,320 --> 01:06:01,120
Speaker 3: action in.

1404
01:06:01,520 --> 01:06:03,520
Speaker 4: A lot of those camp movies are like, how do

1405
01:06:03,600 --> 01:06:05,600
Speaker 4: I get some free views of naked boobs?

1406
01:06:05,680 --> 01:06:10,120
Speaker 1: That's right, which actually is usually the first sign of

1407
01:06:10,200 --> 01:06:13,800
Speaker 1: someone who's going to go on to become a rapist murderer, right, or.

1408
01:06:13,880 --> 01:06:20,720
Speaker 3: Win a ski race, or when the dad ski lunch back,

1409
01:06:21,360 --> 01:06:22,440
Speaker 3: you're for him.

1410
01:06:22,720 --> 01:06:26,600
Speaker 4: Sometimes just seeing some girls shower will make you kill it.

1411
01:06:26,760 --> 01:06:29,920
Speaker 1: On dead Man's Curve, I feel like this is the

1412
01:06:30,440 --> 01:06:33,360
Speaker 1: most graphics actually we've ever been on Disney to Ride.

1413
01:06:33,480 --> 01:06:36,520
Speaker 4: I think a lot of people are maybe horrified, horrify,

1414
01:06:36,760 --> 01:06:39,280
Speaker 4: or it's deliberating for them.

1415
01:06:40,160 --> 01:06:42,840
Speaker 3: Maybe we're all being liberated this summer of sixty nine.

1416
01:06:43,040 --> 01:06:43,400
Speaker 3: I did.

1417
01:06:46,200 --> 01:06:48,440
Speaker 4: I think that I did feel a little nervous when

1418
01:06:48,480 --> 01:06:52,560
Speaker 4: I was graphically explaining why the mascara and the tears,

1419
01:06:52,680 --> 01:06:53,600
Speaker 4: that's the whole situation.

1420
01:06:53,720 --> 01:06:56,360
Speaker 1: I want go back to it right, Well, look, but

1421
01:06:56,480 --> 01:06:58,040
Speaker 1: it's not your it wasn't your idea.

1422
01:06:58,160 --> 01:06:58,640
Speaker 3: Slow job.

1423
01:07:00,880 --> 01:07:03,560
Speaker 4: There I again brought it up again.

1424
01:07:06,960 --> 01:07:07,800
Speaker 3: Please don't.

1425
01:07:09,440 --> 01:07:13,600
Speaker 1: Okay, Twitter people, don't. Don't make the title of this

1426
01:07:13,720 --> 01:07:16,160
Speaker 1: episode gaggy blow jopsid please?

1427
01:07:16,280 --> 01:07:19,080
Speaker 3: Okay, here we go. There's my Lexus dealership.

1428
01:07:19,600 --> 01:07:19,960
Speaker 1: Guys.

1429
01:07:20,080 --> 01:07:24,760
Speaker 3: Hi, there's no they really are. It's all about customer service.

1430
01:07:24,800 --> 01:07:25,000
Speaker 5: There.

1431
01:07:25,480 --> 01:07:26,480
Speaker 3: This is what is?

1432
01:07:26,560 --> 01:07:27,120
Speaker 1: This is?

1433
01:07:27,160 --> 01:07:28,000
Speaker 3: This vehicle row?

1434
01:07:29,120 --> 01:07:30,560
Speaker 1: Is vehicle row?

1435
01:07:30,880 --> 01:07:33,720
Speaker 3: I think it is. It's what the police like to

1436
01:07:33,800 --> 01:07:37,840
Speaker 3: call vehicle row. It's it's the Glendale vehicular area.

1437
01:07:40,440 --> 01:07:46,640
Speaker 1: Difficult to say, difficult to say, and nonsensical to say.

1438
01:07:47,040 --> 01:07:48,880
Speaker 3: Well, it doesn't really describe anything.

1439
01:07:49,120 --> 01:07:52,320
Speaker 4: How are we doing on time, Stephen Arena? Usually I'm

1440
01:07:52,360 --> 01:07:53,680
Speaker 4: looking at the old ones.

1441
01:07:53,480 --> 01:07:55,040
Speaker 3: And I know you don't have to.

1442
01:07:55,280 --> 01:07:57,640
Speaker 1: You're so free right now.

1443
01:08:00,440 --> 01:08:03,480
Speaker 3: You know I can't top gaggy blow jobs. No, no,

1444
01:08:03,640 --> 01:08:05,880
Speaker 3: I think yeah, I think you may have maximize that.

1445
01:08:06,680 --> 01:08:09,000
Speaker 4: And it's a great conclusionary statement.

1446
01:08:09,440 --> 01:08:13,320
Speaker 1: Yes it is. You mean, like, uh and and to

1447
01:08:13,520 --> 01:08:18,000
Speaker 1: all a good night gaggy blow job stuff type of thing.

1448
01:08:18,960 --> 01:08:27,519
Speaker 3: Yeah, of course I'm talking about Christmas. What other holiday

1449
01:08:27,600 --> 01:08:28,040
Speaker 3: could it be?

1450
01:08:28,320 --> 01:08:33,360
Speaker 4: Everyone has their own personal visions sugar plumps and the

1451
01:08:33,439 --> 01:08:37,519
Speaker 4: way they dance. Find your specific sugar plump at porn

1452
01:08:37,600 --> 01:08:41,839
Speaker 4: dot Com out sponsor, we find the most sexually explicit

1453
01:08:42,000 --> 01:08:43,760
Speaker 4: podcast you've ever heard.

1454
01:08:44,360 --> 01:08:47,280
Speaker 3: You've heard of other sexually explicit podcasts, but.

1455
01:08:47,479 --> 01:08:51,040
Speaker 1: Not like this one. Not like this one. Do you

1456
01:08:51,320 --> 01:08:56,760
Speaker 1: need a cord? It's actually not. It's not like you

1457
01:08:56,960 --> 01:09:00,160
Speaker 1: do sex jokes in your act. I certainly don't have

1458
01:09:00,200 --> 01:09:03,840
Speaker 1: the occasional one, yeah, but more of a it's not

1459
01:09:04,080 --> 01:09:07,240
Speaker 1: like a personal story. It's not like you're like fucking.

1460
01:09:07,160 --> 01:09:09,200
Speaker 4: Silly things that I've thought of that I try and

1461
01:09:09,280 --> 01:09:11,560
Speaker 4: pretend we're me, but everyone knows it isn't me.

1462
01:09:11,880 --> 01:09:13,439
Speaker 1: The second you give it away, you're like, you know

1463
01:09:13,520 --> 01:09:15,840
Speaker 1: what your parents were, not jerking off the doorway of

1464
01:09:15,920 --> 01:09:17,040
Speaker 1: your bed exactly.

1465
01:09:17,240 --> 01:09:21,559
Speaker 3: There's no way, exactly, There's no fucking way.

1466
01:09:22,120 --> 01:09:24,920
Speaker 4: It's impossible. It's a funny thing I thought of. You

1467
01:09:25,000 --> 01:09:27,120
Speaker 4: could watch me do sex jokes for a whole hour

1468
01:09:27,160 --> 01:09:29,640
Speaker 4: and you'd learn nothing about my actual genitals.

1469
01:09:29,800 --> 01:09:31,600
Speaker 3: That's right, which I think is important.

1470
01:09:32,640 --> 01:09:36,880
Speaker 1: Like that you keep the veneer, you keep that veil up,

1471
01:09:37,760 --> 01:09:40,640
Speaker 1: because once you let people in all the way to

1472
01:09:40,760 --> 01:09:42,640
Speaker 1: your gaggy blowjob.

1473
01:09:42,200 --> 01:09:43,840
Speaker 4: Area, they will exploit it.

1474
01:09:44,000 --> 01:09:45,560
Speaker 1: They will give it it.

1475
01:09:47,240 --> 01:09:49,720
Speaker 4: There's no reason anyone needs to know about that. I

1476
01:09:49,960 --> 01:09:53,120
Speaker 4: prefer everyone to just think I'm sealed up up front

1477
01:09:53,200 --> 01:09:54,280
Speaker 4: like a Kendle.

1478
01:09:54,040 --> 01:09:56,439
Speaker 1: That's right. Yeah, I think it's easier to deal with

1479
01:09:56,640 --> 01:09:57,280
Speaker 1: you that way.

1480
01:09:57,600 --> 01:10:01,040
Speaker 3: Yep. Just keep everything in its proper place there.

1481
01:10:01,280 --> 01:10:04,120
Speaker 4: I never feel more judged than on stage telling a

1482
01:10:04,200 --> 01:10:05,280
Speaker 4: real sex story.

1483
01:10:06,560 --> 01:10:11,120
Speaker 3: Well, my thing is, I don't want to hear that when.

1484
01:10:11,040 --> 01:10:13,679
Speaker 4: I tell that, I feel judgment i tell it anymore.

1485
01:10:13,680 --> 01:10:16,439
Speaker 4: I'm saving it for some sort of a sex storytelling show.

1486
01:10:16,560 --> 01:10:18,040
Speaker 3: Good because it's not funny.

1487
01:10:18,280 --> 01:10:19,240
Speaker 4: No, it isn't funny.

1488
01:10:19,479 --> 01:10:20,120
Speaker 1: Isn't funny.

1489
01:10:20,240 --> 01:10:23,120
Speaker 3: There's some jokes in it though you make light of it,

1490
01:10:23,240 --> 01:10:25,680
Speaker 3: but it's still a lot to take. It's scary for

1491
01:10:25,800 --> 01:10:27,280
Speaker 3: people to hear because also.

1492
01:10:27,160 --> 01:10:28,360
Speaker 1: It's happened to a lot of people.

1493
01:10:28,560 --> 01:10:30,719
Speaker 3: Ruffi's are fucking crazy and creepy.

1494
01:10:30,880 --> 01:10:33,439
Speaker 4: It was the weirdest feeling I've ever felt. And I

1495
01:10:33,520 --> 01:10:35,840
Speaker 4: don't know if specifically that's what it was or what.

1496
01:10:36,120 --> 01:10:36,600
Speaker 3: I don't know.

1497
01:10:37,120 --> 01:10:41,160
Speaker 4: I'd have to take more of it, different types of things.

1498
01:10:41,360 --> 01:10:45,759
Speaker 1: This might be where you as like a private detective,

1499
01:10:46,080 --> 01:10:48,559
Speaker 1: just start taking tons of drugs to figure out.

1500
01:10:48,560 --> 01:10:49,679
Speaker 3: To help figure out crimes.

1501
01:10:49,760 --> 01:10:51,639
Speaker 1: Yeah, they're drug crimes.

1502
01:10:51,960 --> 01:10:55,120
Speaker 4: And that's how I go into deep cover. That's in

1503
01:10:55,200 --> 01:10:56,280
Speaker 4: the drug sex spring.

1504
01:10:56,680 --> 01:11:00,880
Speaker 1: Yep. Yeah, just just doing all kinds of horror, tranquilizers,

1505
01:11:01,640 --> 01:11:05,679
Speaker 1: stepping into gate into k holes and fucking g holes,

1506
01:11:06,760 --> 01:11:07,559
Speaker 1: the g through.

1507
01:11:07,520 --> 01:11:10,759
Speaker 3: K holes and then through the end of the alphabet holes.

1508
01:11:11,080 --> 01:11:14,240
Speaker 4: There's a whole alphabet holes. I'm going through all of

1509
01:11:14,280 --> 01:11:14,840
Speaker 4: them today.

1510
01:11:15,080 --> 01:11:16,280
Speaker 1: Oh no, the D hole.

1511
01:11:18,760 --> 01:11:20,840
Speaker 4: I want your badge on my desk in the morning.

1512
01:11:21,200 --> 01:11:22,120
Speaker 4: You've gone too deep.

1513
01:11:23,720 --> 01:11:24,519
Speaker 3: You got to get out.

1514
01:11:25,840 --> 01:11:26,160
Speaker 1: What are you?

1515
01:11:26,320 --> 01:11:28,960
Speaker 3: What are you just having a summer, Karen?

1516
01:11:29,040 --> 01:11:32,840
Speaker 1: Are you went to Oh I went to Hawaii. Yes,

1517
01:11:33,800 --> 01:11:37,280
Speaker 1: that was great, it was I didn't realize how bad,

1518
01:11:37,600 --> 01:11:40,840
Speaker 1: very badly. I needed a vacation. Sometimes you think you

1519
01:11:40,960 --> 01:11:44,600
Speaker 1: have depression or you think, like for me, I was

1520
01:11:44,640 --> 01:11:47,839
Speaker 1: starting to be angry about every single thing that happened.

1521
01:11:47,880 --> 01:11:49,800
Speaker 1: So you could be like, Karen, I got you this mocha,

1522
01:11:49,840 --> 01:11:51,240
Speaker 1: and I'd be like, what the fuck did you get

1523
01:11:51,240 --> 01:11:53,559
Speaker 1: me a multi for It was like every single thing.

1524
01:11:54,080 --> 01:11:55,560
Speaker 1: And then you go on vacation and go, oh no,

1525
01:11:55,720 --> 01:11:58,960
Speaker 1: I just have not been on vacation in almost three years.

1526
01:11:59,200 --> 01:12:01,240
Speaker 4: I didn't know it need it either. I went to

1527
01:12:01,320 --> 01:12:04,080
Speaker 4: Montana and did not worry about anything. I hiked, I

1528
01:12:04,360 --> 01:12:07,480
Speaker 4: did things outside a water, skied, I golfed.

1529
01:12:07,200 --> 01:12:08,320
Speaker 3: I had no concerns.

1530
01:12:08,439 --> 01:12:08,920
Speaker 6: I was not.

1531
01:12:10,800 --> 01:12:14,519
Speaker 4: Oh, I haven't had a series of days where I

1532
01:12:15,400 --> 01:12:18,280
Speaker 4: didn't worry about something in a long time. And then

1533
01:12:18,320 --> 01:12:20,280
Speaker 4: I came home and I was like, well, back to.

1534
01:12:20,320 --> 01:12:22,160
Speaker 3: The old real life.

1535
01:12:22,479 --> 01:12:22,679
Speaker 1: Yeah.

1536
01:12:23,000 --> 01:12:24,200
Speaker 3: Like I was on vacation in.

1537
01:12:24,240 --> 01:12:27,160
Speaker 4: Montana, waking up every day at eight thirty ready to

1538
01:12:27,280 --> 01:12:29,439
Speaker 4: start my day, and then I come home and I'm like,

1539
01:12:29,720 --> 01:12:30,160
Speaker 4: I'm going.

1540
01:12:30,080 --> 01:12:33,120
Speaker 3: To lean in bed. That's bad. Don't you think what

1541
01:12:33,280 --> 01:12:36,280
Speaker 3: I felt in Hawaii was the air was so clean.

1542
01:12:37,320 --> 01:12:39,680
Speaker 1: I just felt like there was the renewal had to

1543
01:12:39,760 --> 01:12:41,680
Speaker 1: do with the fact that this is a very it's

1544
01:12:41,720 --> 01:12:46,360
Speaker 1: a difficult city to live in esthetically, pollution wise, There's

1545
01:12:46,439 --> 01:12:47,960
Speaker 1: just all these things that get you down that you

1546
01:12:48,040 --> 01:12:52,639
Speaker 1: don't even realize. And when you get away, you reset

1547
01:12:52,760 --> 01:12:55,000
Speaker 1: and then you're like you build your strength back up

1548
01:12:55,040 --> 01:12:57,120
Speaker 1: to kind of deal with it and be in it again.

1549
01:12:57,280 --> 01:12:59,760
Speaker 3: And if you don't do that, you know what I mean?

1550
01:13:00,000 --> 01:13:02,240
Speaker 1: I mean, like I just lay on the couch and

1551
01:13:02,360 --> 01:13:04,040
Speaker 1: feel defeated.

1552
01:13:03,880 --> 01:13:05,560
Speaker 3: Right I do. I'm like you.

1553
01:13:06,000 --> 01:13:09,000
Speaker 4: I am like you, Yes, And I too had a

1554
01:13:09,560 --> 01:13:14,320
Speaker 4: rejuvenating vacation and I'm ready to dive back into the mix.

1555
01:13:14,600 --> 01:13:16,080
Speaker 3: I'm ready to kick and punch with.

1556
01:13:16,160 --> 01:13:17,920
Speaker 4: A new ad I'm ready. I'm going to you're not.

1557
01:13:18,040 --> 01:13:20,000
Speaker 4: You're going to have to pull me away, screaming, okay,

1558
01:13:20,040 --> 01:13:21,519
Speaker 4: great from this show business thing.

1559
01:13:21,640 --> 01:13:24,920
Speaker 3: Good, good, good, We're going to beat show Businesses asked. Yes,

1560
01:13:24,960 --> 01:13:28,080
Speaker 3: it's good with a bike lock, that's all. I think

1561
01:13:28,160 --> 01:13:32,320
Speaker 3: that's the commitment everyone's looking for from us. Let's shake

1562
01:13:32,400 --> 01:13:32,600
Speaker 3: on it.

1563
01:13:34,120 --> 01:13:34,240
Speaker 7: Oh.

1564
01:13:34,320 --> 01:13:37,400
Speaker 1: Also, because we're going to start putting this podcast out

1565
01:13:37,520 --> 01:13:40,680
Speaker 1: more consistently now that we have are a sound man,

1566
01:13:40,800 --> 01:13:43,680
Speaker 1: Steven to help us. Sound man Stevens soundman Stephen in

1567
01:13:43,720 --> 01:13:46,040
Speaker 1: the backseat, which is couldn't be better.

1568
01:13:46,200 --> 01:13:47,960
Speaker 4: I think you're enjoying yourself, right, Stephen.

1569
01:13:48,080 --> 01:13:49,000
Speaker 5: Oh, I'm having a blast.

1570
01:13:49,120 --> 01:13:49,400
Speaker 4: Thanks.

1571
01:13:49,520 --> 01:13:52,240
Speaker 3: Thanks, he's you know, Stephen's looking at his phone.

1572
01:13:52,280 --> 01:13:54,240
Speaker 4: He was looking at pictures of another podcast.

1573
01:13:54,240 --> 01:13:57,240
Speaker 1: He was listening to another podcast. Yes, what does good

1574
01:13:57,280 --> 01:14:00,880
Speaker 1: podcasts sound like? But now that we don't, we have

1575
01:14:01,000 --> 01:14:04,040
Speaker 1: the comfort and freedom of like because it used to

1576
01:14:04,080 --> 01:14:06,640
Speaker 1: be that every podcast we recorded, we weren't sure if

1577
01:14:06,680 --> 01:14:08,920
Speaker 1: it was going to work right, and there were times

1578
01:14:08,960 --> 01:14:10,240
Speaker 1: where it didn't and it was heartbreaking.

1579
01:14:10,520 --> 01:14:13,960
Speaker 3: It was that lost tag episode, the lost take episode

1580
01:14:14,520 --> 01:14:15,639
Speaker 3: would have won a Pulitzer.

1581
01:14:16,880 --> 01:14:18,519
Speaker 1: Uh, and we just have to let it go.

1582
01:14:18,840 --> 01:14:21,800
Speaker 3: Yeah, that's all. It was was a moment. I want

1583
01:14:21,840 --> 01:14:22,439
Speaker 3: to listen to it.

1584
01:14:22,680 --> 01:14:24,200
Speaker 4: There was a long moment of silence.

1585
01:14:24,320 --> 01:14:25,639
Speaker 3: There was some ticks here there.

1586
01:14:25,920 --> 01:14:27,640
Speaker 4: We've got to have tick back on. We will, we

1587
01:14:27,720 --> 01:14:31,479
Speaker 4: have it. Here's to a new uh more consistent do

1588
01:14:31,560 --> 01:14:32,599
Speaker 4: you need a right future?

1589
01:14:32,760 --> 01:14:37,080
Speaker 1: That's right, and we will because things are going to

1590
01:14:37,080 --> 01:14:40,040
Speaker 1: be changing in the immediate future. We'll also have booking help,

1591
01:14:40,160 --> 01:14:42,720
Speaker 1: so then we can have more consistent you know, like

1592
01:14:43,000 --> 01:14:44,280
Speaker 1: getting people on and stuff like that.

1593
01:14:44,280 --> 01:14:46,320
Speaker 3: That's cool new news for me to hear.

1594
01:14:46,560 --> 01:14:46,800
Speaker 1: I know.

1595
01:14:47,560 --> 01:14:47,880
Speaker 3: Hooray.

1596
01:14:48,280 --> 01:14:50,160
Speaker 1: Yeah, it's going to be very exciting. We're really getting

1597
01:14:50,160 --> 01:14:52,240
Speaker 1: our act together in nineteen.

1598
01:14:52,439 --> 01:14:55,360
Speaker 3: Yeah, nineteen, it's going to be the year. And so

1599
01:14:55,760 --> 01:14:59,760
Speaker 3: get ready for oh nineteen, motherfuckers. Oh yeah, no, I

1600
01:15:00,120 --> 01:15:01,840
Speaker 3: I I just shocked me at first.

1601
01:15:02,000 --> 01:15:04,400
Speaker 1: Oh I think actually it's sooner. I think it's eight

1602
01:15:04,680 --> 01:15:08,200
Speaker 1: it's fall of eighteen. Really, oh sweet, Yeah, it's right

1603
01:15:08,240 --> 01:15:08,800
Speaker 1: around the corner.

1604
01:15:08,920 --> 01:15:12,519
Speaker 4: Well, I'm very excited, and so keep listening, and yeah,

1605
01:15:12,640 --> 01:15:14,280
Speaker 4: give us reviews on the old iTunes.

1606
01:15:14,400 --> 01:15:18,599
Speaker 1: That's important, right, Yes, people do rate review, subscribe, Yes

1607
01:15:19,800 --> 01:15:23,160
Speaker 1: we don't you know. I I We've talked about this

1608
01:15:23,280 --> 01:15:26,680
Speaker 1: before because I'm so terrible at like cross promoting and

1609
01:15:26,720 --> 01:15:28,880
Speaker 1: all those things. I've always just in my mind kept

1610
01:15:28,920 --> 01:15:30,680
Speaker 1: all my projects separate.

1611
01:15:30,560 --> 01:15:33,880
Speaker 4: Sure of course. But oh wow, that's an old man

1612
01:15:33,960 --> 01:15:34,360
Speaker 4: in the room.

1613
01:15:34,400 --> 01:15:35,040
Speaker 1: Oh wow, he.

1614
01:15:35,200 --> 01:15:38,240
Speaker 4: Really is still in the room. Oh sir, Oh, he's

1615
01:15:38,479 --> 01:15:44,519
Speaker 4: very much, very He was confused. Did he seem confused?

1616
01:15:44,720 --> 01:15:46,960
Speaker 3: No, no, he just was trying to get over to

1617
01:15:47,040 --> 01:15:47,960
Speaker 3: his left turn lane.

1618
01:15:48,400 --> 01:15:53,519
Speaker 4: That scared me, yeah, it scared me. And there was

1619
01:15:53,560 --> 01:15:55,200
Speaker 4: another bike interaction.

1620
01:15:55,400 --> 01:15:56,479
Speaker 3: It's always with the bike.

1621
01:15:56,640 --> 01:15:58,600
Speaker 4: It's always with these bikes. You think it's going to

1622
01:15:58,640 --> 01:16:02,120
Speaker 4: be a bird scooter and it's just a classic old

1623
01:16:02,160 --> 01:16:04,080
Speaker 4: man on a bike. He was in the middle of

1624
01:16:04,120 --> 01:16:07,559
Speaker 4: the road and he's mumbling bird scooter. The maybe it's

1625
01:16:07,600 --> 01:16:10,080
Speaker 4: a west side thing. It's an app. It's like Uber.

1626
01:16:10,280 --> 01:16:12,160
Speaker 4: You get on a scooter for a dollar. They go

1627
01:16:12,320 --> 01:16:15,160
Speaker 4: fifteen miles an hour. Oh, it's so dangerous.

1628
01:16:15,439 --> 01:16:16,919
Speaker 3: I didn't know they were called bird scooters.

1629
01:16:17,439 --> 01:16:20,040
Speaker 4: Bird's the brand. I think they all Yeah, there's just

1630
01:16:20,200 --> 01:16:22,040
Speaker 4: they're all over the place. And there he goes Putt

1631
01:16:22,120 --> 01:16:26,439
Speaker 4: Putton through the intersection. That old guy makes me so nervous.

1632
01:16:26,640 --> 01:16:27,679
Speaker 4: His tires are flat.

1633
01:16:28,160 --> 01:16:31,320
Speaker 1: He's going toward cars. It looks like he's aiming for

1634
01:16:31,560 --> 01:16:34,559
Speaker 1: cars as he rides his bike. The guy, the guy

1635
01:16:34,640 --> 01:16:36,720
Speaker 1: in the suv behind us, was very upset by that

1636
01:16:36,800 --> 01:16:40,479
Speaker 1: whole old man on the bike thing angry or no,

1637
01:16:40,720 --> 01:16:43,280
Speaker 1: like he got scared and it bothered him, and that

1638
01:16:43,360 --> 01:16:44,720
Speaker 1: he was telling his wife about it.

1639
01:16:45,040 --> 01:16:47,360
Speaker 4: Oh well, let's let's bond with them, because that's how

1640
01:16:47,439 --> 01:16:50,280
Speaker 4: we felt. What's good people in Glendale.

1641
01:16:50,320 --> 01:16:53,000
Speaker 3: They're okay people, They're fine.

1642
01:16:53,320 --> 01:16:57,080
Speaker 4: I really love Glendale people. Do you well, No, you

1643
01:16:57,160 --> 01:16:59,880
Speaker 4: were just going the other direction, so I thought i'd.

1644
01:17:00,080 --> 01:17:02,439
Speaker 1: Go's smart, which is something we're going to need to

1645
01:17:02,479 --> 01:17:04,439
Speaker 1: start worrying about more. If people are listening to this

1646
01:17:04,600 --> 01:17:07,320
Speaker 1: podcast and I'm being racist against Armenians. You need to

1647
01:17:07,360 --> 01:17:08,559
Speaker 1: be there to dig me out.

1648
01:17:08,479 --> 01:17:10,720
Speaker 4: Of that hole, right right and me, I mean there's

1649
01:17:10,760 --> 01:17:12,080
Speaker 4: way more holes that I create.

1650
01:17:12,320 --> 01:17:14,360
Speaker 3: You have to dig me out of the kor Z's

1651
01:17:15,040 --> 01:17:17,880
Speaker 3: all your drug holes. But I'm constantly having to pull

1652
01:17:17,960 --> 01:17:20,720
Speaker 3: you out of. Okay, let's wrap it up.

1653
01:17:21,120 --> 01:17:22,439
Speaker 1: Yes, So it's good to.

1654
01:17:22,400 --> 01:17:25,439
Speaker 3: See you again. Expect you too, Christ Expect big things

1655
01:17:25,479 --> 01:17:26,120
Speaker 3: from Do you need.

1656
01:17:26,040 --> 01:17:29,080
Speaker 4: To write a lot of promises. We're making big promises.

1657
01:17:30,160 --> 01:17:33,080
Speaker 3: Uh, you know, we're going to get all kinds of ship.

1658
01:17:32,920 --> 01:17:36,200
Speaker 1: On its feet and really start taking up our space

1659
01:17:36,320 --> 01:17:40,799
Speaker 1: in the car based podcast regime.

1660
01:17:41,160 --> 01:17:42,320
Speaker 4: You're all going to be sorry.

1661
01:17:42,439 --> 01:17:42,920
Speaker 1: Oh my god.

1662
01:17:42,960 --> 01:17:44,360
Speaker 3: We're going to make you, each and every one of

1663
01:17:44,400 --> 01:17:47,839
Speaker 3: you pay for caring about us. Thank you, you've been listening.

1664
01:17:50,479 --> 01:18:02,400
Speaker 1: Firemen. Oh aar, I need you way back home. Either

1665
01:18:02,479 --> 01:18:07,599
Speaker 1: way we want to be there, doesn't matter how much

1666
01:18:07,680 --> 01:18:08,920
Speaker 1: baggage you claim.

1667
01:18:09,160 --> 01:18:13,000
Speaker 2: Give us time and a terminol and gay.

1668
01:18:14,360 --> 01:18:18,920
Speaker 1: We want to send you off InStyle. You want to

1669
01:18:19,080 --> 01:18:24,040
Speaker 1: welcome you back home. Tell us all about it. We

1670
01:18:24,280 --> 01:18:28,360
Speaker 1: scared her? Was it fine? Melbourne?

1671
01:18:44,280 --> 01:18:45,599
Speaker 4: Do you need to ride?

1672
01:18:46,320 --> 01:18:49,519
Speaker 1: Do you need to ride? Do you need to ride?

1673
01:18:50,240 --> 01:18:51,479
Speaker 2: Do you need to ride?

1674
01:18:52,200 --> 01:18:56,000
Speaker 1: Do you need to ride? Do you need to ride?

1675
01:18:56,200 --> 01:18:57,439
Speaker 1: Do you ride?

1676
01:18:58,120 --> 01:18:58,960
Speaker 7: Do you need.

1677
01:19:00,520 --> 01:19:01,360
Speaker 1: A little little

1678
01:19:05,360 --> 01:19:06,400
Speaker 3: With Karen and Chriss