WEBVTT - 241122-GladiatorII-v1-CL

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<v Speaker 1>Warning today's episode, Today's spoiler's for Gladiator too, So if

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<v Speaker 1>you haven't seen it, you want to see it. You've

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<v Speaker 1>been waiting for a decade plus twenty to almost twenty years?

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<v Speaker 1>Has it been twenty actually twenty twenty four years since

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<v Speaker 1>since the release of the original Gladiator to get the sequel,

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<v Speaker 1>then go watch it and then come back to us.

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<v Speaker 2>We'll be here.

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<v Speaker 3>Hello.

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<v Speaker 1>My name is Jasononcepsion and I'm Ersday Night. Welcome back

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<v Speaker 1>to x Ray Vision of the podcast where we dive

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<v Speaker 1>deep been to your favorite shows, movies, comics and pop culture.

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<v Speaker 1>Coming from IRA Podcast, where we're bringing you three episodes

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<v Speaker 1>a week, every Tuesday, every Thursday, with an extra eppisode

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<v Speaker 1>every Wednesday.

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<v Speaker 4>In today's episode, we're gonna be looking at the box

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<v Speaker 4>office and asking the question, is Glicked the new Barbenheimer?

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<v Speaker 4>I'm more interested in Baby Ratu, So listen to learn

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<v Speaker 4>about that terrifying double bill. In the airlock, we will

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<v Speaker 4>be talking a wide ranging discussion about Gladiator to Revenge

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<v Speaker 4>is here? Is it good? Is it bad? Is it fun?

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<v Speaker 4>What was Ridley Scott's last good movie? We will be

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<v Speaker 4>tapping into producer. We're gonna talk about it and we're

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<v Speaker 4>gonna see what happens.

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<v Speaker 1>But first previously on First Up Glad eat Or two

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<v Speaker 1>and Wickeder Box AMA's Prodigions.

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<v Speaker 4>So this is kind of unbelievable to me, but I

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<v Speaker 4>guess we'll see if it happens. Wicked is expected to

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<v Speaker 4>pull in a hundred Jason, watch out. They're gonna scoop

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<v Speaker 4>you for the sequel part two. It's coming there. It's

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<v Speaker 4>expected to pull one hundred and twenty five million to

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<v Speaker 4>one hundred and fifty million domestic opening this weekend. That's

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<v Speaker 4>why it go hear well. I have been very interested

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<v Speaker 4>to see how positive the reviews have been from all

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<v Speaker 4>kinds of spaces. The trailers have not been showcasing the

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<v Speaker 4>best of the movie, apparently, and apparently on the big

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<v Speaker 4>screen it looks a lot more like a traditional, beautiful

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<v Speaker 4>Hollywood classic than the kind of, you know, heavily cged

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<v Speaker 4>version that we're seeing when it translates to trailers. I'm

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<v Speaker 4>interested to see how that goes. And I do love Wicked,

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<v Speaker 4>so I'm a sucker. I will be there.

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<v Speaker 1>I remember reading the book.

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<v Speaker 4>Oh Man, Me Too when I was a kid.

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<v Speaker 1>In like in high school or something, and being like,

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<v Speaker 1>holy shit, this is awesome, and never expecting that they'd

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<v Speaker 1>make it into it.

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<v Speaker 4>No and the and yeah, the songs of bangers and

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<v Speaker 4>it's gonna be This has been a wild press tour,

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<v Speaker 4>so that's gonna be one that lives in infamy, and

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<v Speaker 4>it will be interesting to see how it does. Also,

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<v Speaker 4>you know that they think the movie is going to

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<v Speaker 4>be successful because they've already announced the on Christmas Day

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<v Speaker 4>they will be releasing a singer long version that actually

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<v Speaker 4>has all the words and everything and kind of encourages singing,

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<v Speaker 4>So that'll be interesting and it's not just Wicked. Opening

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<v Speaker 4>this weekend, we also have Gladiator two, which has already

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<v Speaker 4>been a sizeable hit outside of the US, and it

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<v Speaker 4>will be hitting stateside sixty million plus opening, so actually

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<v Speaker 4>very similar Barbie Oppenheimer's styles. It will be the biggest

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<v Speaker 4>start for an rated movie in November and the best

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<v Speaker 4>ever three day total for Ridley Scott and star Denzel Washington.

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<v Speaker 4>I also think this could go a little bit higher

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<v Speaker 4>because of things like forty X and IMAX. It'll be

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<v Speaker 4>interesting to see, and also we know that there's a

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<v Speaker 4>lot of people who just love thinking about the Roman Empire.

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<v Speaker 4>We are we are obsessed with the Roman Empire, as a.

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<v Speaker 1>P as a race, as a human beings.

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<v Speaker 4>We are obsessed with them. So that, yeah, it's gonna

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<v Speaker 4>be interesting. I do think this is the closest that

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<v Speaker 4>we've had to a Bobenheimer. As much as every studio

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<v Speaker 4>has tried to make it happen, I think this one,

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<v Speaker 4>box office wise, is gonna be our closest.

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<v Speaker 1>Yeah.

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<v Speaker 4>So next up is Ridley Scott and he's out here

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<v Speaker 4>denying Denzel Washington's Gladiator. I'm sorry, Ridley Scott. I've seen

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<v Speaker 4>Gladiator two and absolutely there were like twenty five moments

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<v Speaker 4>where there were obviously could have been a gay kiss.

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<v Speaker 4>I'm not believe in this, Ridley Scott.

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<v Speaker 1>It is sprinkled all through it. So for those who

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<v Speaker 1>of you who missed it, Denzel Washington referenced a same

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<v Speaker 1>sex kiss that was in a Gladiator two but that

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<v Speaker 1>he says was cut because the powers it be in

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<v Speaker 1>the studio or wherever whoever got quote unquote chicken. Ridley

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<v Speaker 1>Scott comes out and says, no, that's bullshit. They never

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<v Speaker 1>did backed at the moment it didn't happen, he says. Now,

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<v Speaker 1>Denzel said, just you know, just for context, ends it

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<v Speaker 1>was saying it was just like a peck on the lips, which,

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<v Speaker 1>by the way, I don't know. I grew up around

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<v Speaker 1>a lot of Italians. There's a lot of saying on

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<v Speaker 1>the cheek. Yeah, like there's a lot of guys kissing

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<v Speaker 1>on the cheek, and that was very normal. That said,

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<v Speaker 1>he continues, quote it really as much ado about nothing,

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<v Speaker 1>Denzel said, they're making more of it than it was.

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<v Speaker 1>I kissed him on his hands, I gave him a pack,

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<v Speaker 1>and I killed him. I'll say this, I mean, he's

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<v Speaker 1>spoiler his character backrod Is at one point says, yeah,

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<v Speaker 1>I like a guy sometimes too.

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<v Speaker 4>Yeah. But it's funny because throughout the movie and the screening,

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<v Speaker 4>I was in like a home every time that he

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<v Speaker 4>was seeing someone and being a little bit fruity with

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<v Speaker 4>and we were like, this is why they cut it.

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<v Speaker 4>This is where they cut the guess like, so sorry,

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<v Speaker 4>It's it's just how it is, Ridley Scott. Everyone's always

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<v Speaker 4>going to be thinking about Denzel's gay kiss that got

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<v Speaker 4>cut because he's Denzel Washington. He's the best thing about

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<v Speaker 4>the movie.

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<v Speaker 1>Next up, spoiler alert, glad Eater Too is done historically accurate.

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<v Speaker 4>Why did anyone think it was historically accurate. That's my

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<v Speaker 4>first thing.

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<v Speaker 1>Historian Charlotte Higgins has come out and said, it's none

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<v Speaker 1>of this shit. You would have appaed there's no sharks

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<v Speaker 1>the area. Da YadA, YadA, YadA. Don't worry about it, folks,

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<v Speaker 1>don't worry about it. But yet, yes, historians are upset

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<v Speaker 1>at Ridley Scott, yet again, continuing the theme from from Napoleon,

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<v Speaker 1>where Napoleonic historians were equally as pissed at really Scott,

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<v Speaker 1>they continue to be mad at him. He's a filmmaker,

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<v Speaker 1>not historian. It's fine.

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<v Speaker 4>Yeah, this is one of the funniest things. It's like

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<v Speaker 4>they upset because like Denzel Washington drinks what looks like

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<v Speaker 4>a coffee not around for a thousand years, or tea

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<v Speaker 4>only has it at a cafe, there aren't any while

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<v Speaker 4>reading a paper. Only China has paper, guys. Come on,

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<v Speaker 4>it's like he's just He's just a guy reading a paper.

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<v Speaker 4>Like it's fine, don't worry about it.

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<v Speaker 1>Also, though, the criticism that the real Emperor Caracalla is

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<v Speaker 1>like a tougher looking guy based on coins in his statue.

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<v Speaker 1>Come on, we don't have a photo, right, who cares,

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<v Speaker 1>so shut.

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<v Speaker 2>Up, shut up?

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<v Speaker 4>Is that that? I guess what? They didn't even know

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<v Speaker 4>what a shark was. I don't care because as a

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<v Speaker 4>movie going individual, I'm not going to gladiate it too

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<v Speaker 4>because I want to know about history.

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<v Speaker 1>If I want to do that, I'll read the horrible

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<v Speaker 1>history books.

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<v Speaker 4>I want to see the Colosseum flooded, and I want

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<v Speaker 4>to see men having to fight for their lives as

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<v Speaker 4>sharks eat them. That's why I'm going to the cinema.

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<v Speaker 4>I'm not going there to learn about ancient Rome.

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<v Speaker 1>The problem with our education system is not Gladiator Too

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<v Speaker 1>and reading. That's God's depiction of the of the fucking

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<v Speaker 1>Roman Empire. Coming up next a Gladiator gladiat two Gladiator

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<v Speaker 1>too quick recap off the top of the Dome of

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<v Speaker 1>the Dome. It is sixteen years after Maximus's glorious death

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<v Speaker 1>in the in the arena. But guess what, nothing has changed.

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<v Speaker 1>In fact, it got worse because now.

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<v Speaker 4>That's too creepy antas.

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<v Speaker 1>Yeah, Cobbins killed the last good emperor who is his dad,

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<v Speaker 1>and we followed up from there, which is a bunch

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<v Speaker 1>of bad emperors. And now we've got twin co emperors

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<v Speaker 1>Galba and Caracalla, and they're a fucking mess. The empire

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<v Speaker 1>is worse than ever. And we open it the Kingdom

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<v Speaker 1>of Numidia, which spanned what is much of what is

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<v Speaker 1>modern day Algeria. The Romans are going in. They're gonna

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<v Speaker 1>conquer it. And guess who lives there? A guy named.

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<v Speaker 4>Hanno who is strange name choice.

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<v Speaker 1>The son of Maximus and Lucilla from the first movie.

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<v Speaker 1>He ran away and now he's living here in in Numidia.

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<v Speaker 4>Because it's a legacy sequel, you have to have that

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<v Speaker 4>kind of.

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<v Speaker 1>Strange connecty, some sort of genetic air to the characters

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<v Speaker 1>from the first film. Anyway, Numidia falls, his wife and

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<v Speaker 1>his wife is killed. There's a lot of frigid in

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<v Speaker 1>this movie.

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<v Speaker 4>Oh baby, the women are getting fridged, and they get

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<v Speaker 4>fridged in the same way every time.

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<v Speaker 1>It's so funny. What do well ship?

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<v Speaker 4>Is there?

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<v Speaker 1>Do we do? We have need to come up with

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<v Speaker 1>a different term. If there's no refrigeration.

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<v Speaker 4>No, I think it's been like it's been dry aged.

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<v Speaker 4>It's been it's been long enough that we know what

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<v Speaker 4>fridging means. But hey, you could say they've been arrowed

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<v Speaker 4>because they both get shot in chests with an arrow,

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<v Speaker 4>so we can make up our own new term.

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<v Speaker 1>So Hannah now has this grudge against the Roman Empire,

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<v Speaker 1>and in particular the general who carried out the attack,

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<v Speaker 1>who led the attack, Marcus aicacious oh lad By the underused,

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<v Speaker 1>very underused, the sexy Pedro. We talk about that I

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<v Speaker 1>needed a little bit more Pedro.

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<v Speaker 4>They should have used him more. He's a very interesting

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<v Speaker 4>character who gets to have an emotionally conflicted relationship with

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<v Speaker 4>being a part of a colonizer at all, and I

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<v Speaker 4>think that that would have been very interesting to explore more.

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<v Speaker 1>Hannah is taken prisoner. He ends up at a gladiator

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<v Speaker 1>school run by Macrinus Denzel Washington. Macronus is a a

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<v Speaker 1>very successful procure trainer and purveyor of gladiator content, and

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<v Speaker 1>he sees something in young Hanno, a rage that is

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<v Speaker 1>very attractive to him, and he thinks, I can use

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<v Speaker 1>you to further my ends, which are mysterious for much

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<v Speaker 1>of the movie they are.

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<v Speaker 4>And also, can I just say the rage that he

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<v Speaker 4>sees in Hannah comes from the fact that Hannoh kills

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<v Speaker 4>a baboon by biting its arm. It is in one

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<v Speaker 4>of the most outrageous and early scenes of the movie

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<v Speaker 4>where they unleash baboons and he's like fighting the baboon

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<v Speaker 4>and the boon scat of him, and then he's killing

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<v Speaker 4>the baboon. If you're a person who frequently goes un

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<v Speaker 4>does the dog die, this is not the movie for you.

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<v Speaker 2>Yo.

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<v Speaker 1>No, there's a there's a tremendous amount of tremendous amount

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<v Speaker 1>of cg and alness, but like animal carcasses abound. Macrinus

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<v Speaker 1>takes hand to Rome and shows him off. Yeah, he

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<v Speaker 1>has him do a private gladiator fight in front of

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<v Speaker 1>the emperors, like in a private house. Uh, the house

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<v Speaker 1>of this guy Thracks is his name Thrax.

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<v Speaker 4>I think it's Thrags or Thracks, But yeah, he who

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<v Speaker 4>seems like a big contender for someone Denzel may have kissed.

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<v Speaker 1>Yeah, Thrax is like a senator level guy who has

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<v Speaker 1>his fingers in a lot of pies around Rome, and.

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<v Speaker 4>He has a serious gambling problem and is a serious

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<v Speaker 4>gambling problem.

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<v Speaker 1>And in what I think is the best line in

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<v Speaker 1>the movie, Uh, Denzel ends up like basically taking over

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<v Speaker 1>this guy's house because this guy owes him so much money.

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<v Speaker 1>And I think the best line of the movie is

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<v Speaker 1>is backward is going I own your house?

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<v Speaker 4>Yeah, I own your house, So get back in?

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<v Speaker 1>Is like at anyway, While this is going going on

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<v Speaker 1>and Hanno is going through various gladiator bouts across Rome, Lucilla,

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<v Speaker 1>daughter of Marcus Aurelius, is still pining over her missing son.

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<v Speaker 1>She is now married to General Acasius, and she continues

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<v Speaker 1>to harbor her father's dream of a revitalized Roman republic,

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<v Speaker 1>and she's looking for a way to unlicia conspiracy, by

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<v Speaker 1>which the twin emperors are overthrown and the senators are

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<v Speaker 1>put back in charge and Rome is given back to

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<v Speaker 1>the people.

0:13:41.000 --> 0:13:43.640
<v Speaker 4>I have to say she is that is what she

0:13:43.760 --> 0:13:46.480
<v Speaker 4>claims she wants. But she's also married to the guy

0:13:46.480 --> 0:13:50.040
<v Speaker 4>who's just been going around doing stuff for the twin empress.

0:13:50.080 --> 0:13:52.400
<v Speaker 4>So I feel like there's a conflict of interest here.

0:13:52.679 --> 0:13:54.640
<v Speaker 4>I feel like she could have she could have worked

0:13:54.679 --> 0:13:56.360
<v Speaker 4>a bit faster to get it back.

0:13:56.920 --> 0:13:59.840
<v Speaker 1>Just to put a finer point on that, Marcus Eurelius

0:13:59.840 --> 0:14:04.040
<v Speaker 1>was complaining about how depraved Rome had become, and there

0:14:04.120 --> 0:14:07.760
<v Speaker 1>was a dream of Rome. You only need to whisper

0:14:07.800 --> 0:14:11.119
<v Speaker 1>its name and it would disappear. It was so so fragile.

0:14:11.200 --> 0:14:13.560
<v Speaker 1>It's like, hold on, you're the emperor, right, couldn't you

0:14:13.600 --> 0:14:17.120
<v Speaker 1>do something about it? Like it seems like the guy

0:14:17.200 --> 0:14:19.920
<v Speaker 1>to talk to you about fixing it is you. How

0:14:19.920 --> 0:14:22.400
<v Speaker 1>about I get it that you couldn't figure it out.

0:14:22.920 --> 0:14:27.240
<v Speaker 1>I don't know if you couldn't put your dream into action,

0:14:27.640 --> 0:14:29.920
<v Speaker 1>I don't think anybody else is going to be able to,

0:14:30.000 --> 0:14:34.479
<v Speaker 1>because you are literally the emperor of my fucking guy anyway.

0:14:35.840 --> 0:14:41.080
<v Speaker 1>So that's Lucilla is continuing to conspire. There are a

0:14:41.120 --> 0:14:46.160
<v Speaker 1>bunch of gladiatorior matches through which Hanno like grows and

0:14:46.240 --> 0:14:51.720
<v Speaker 1>grows and grows in influence in Rome because everybody's like, wow,

0:14:52.680 --> 0:14:57.960
<v Speaker 1>cool guy. Meanwhile, Macrinus continues to plot. Everything comes to

0:14:58.040 --> 0:15:03.600
<v Speaker 1>a head. Macronus ends up engineering the deaths of the

0:15:03.680 --> 0:15:08.640
<v Speaker 1>emperors in order to wipe out Marcus Aurelius's bloodline. Hanno

0:15:09.040 --> 0:15:13.640
<v Speaker 1>and Macronus have a big fight, and then Hanno makes

0:15:13.680 --> 0:15:17.480
<v Speaker 1>like a big speech in front of the dueling armies

0:15:18.000 --> 0:15:21.760
<v Speaker 1>of Rome, the Praetorians and this kind of rebellious army

0:15:21.760 --> 0:15:26.040
<v Speaker 1>that had been assembled by Lucilla and Asia. General Acasius

0:15:26.720 --> 0:15:32.000
<v Speaker 1>and he I guess unifies the the the armies of

0:15:32.120 --> 0:15:36.240
<v Speaker 1>Rome who acclaim him, and that's and that's basically the

0:15:36.360 --> 0:15:38.200
<v Speaker 1>end of the movie. Yes, am I wrong?

0:15:38.680 --> 0:15:39.080
<v Speaker 4>Correct?

0:15:39.840 --> 0:15:42.360
<v Speaker 1>He then he then tells everybody who he is, and

0:15:42.400 --> 0:15:49.280
<v Speaker 1>everybody's like, okay, yeah, let's know. Uh, well, we're going

0:15:49.360 --> 0:15:54.080
<v Speaker 1>to take a break to talk to our sponsors, who uh,

0:15:54.120 --> 0:15:55.920
<v Speaker 1>you know, are just chomping at the bit like a

0:15:55.960 --> 0:16:01.240
<v Speaker 1>bunch of Mediterranean sharks swimming in the Amphithea. And then

0:16:01.320 --> 0:16:04.040
<v Speaker 1>we'll be back and we're gonna welcome back super producer Joel,

0:16:04.120 --> 0:16:06.760
<v Speaker 1>who I watched the movie with last night, and watched

0:16:06.760 --> 0:16:10.160
<v Speaker 1>the movie with all of us, and we're gonna discuss.

0:16:10.040 --> 0:16:10.720
<v Speaker 4>Glad You're too.

0:16:26.080 --> 0:16:29.360
<v Speaker 1>Welcome back, Joelle, Welcome to the program.

0:16:29.640 --> 0:16:29.800
<v Speaker 4>Yo.

0:16:30.240 --> 0:16:35.720
<v Speaker 1>Let's discuss hi now, glad eat too? And our overall thoughts.

0:16:35.720 --> 0:16:38.480
<v Speaker 1>What are our overall thoughts? Joel? Let's start with you.

0:16:42.200 --> 0:16:43.360
<v Speaker 3>I think I had turned to you at the end

0:16:43.360 --> 0:16:47.200
<v Speaker 3>of the movie and gave a look of like huh.

0:16:47.240 --> 0:16:49.040
<v Speaker 3>And I think maybe the final shot of that movie

0:16:49.120 --> 0:16:52.920
<v Speaker 3>sums it up perfectly. If you've seen the first movie,

0:16:53.280 --> 0:16:56.720
<v Speaker 3>you know there is a motif of Max was walking

0:16:56.760 --> 0:16:59.480
<v Speaker 3>through a wheat field and it's akin to heaven. You

0:16:59.560 --> 0:17:01.840
<v Speaker 3>understand this is his ideal. He wants to go home,

0:17:01.920 --> 0:17:04.520
<v Speaker 3>he wants to be where the wheat is growing. It's beautiful, Okay.

0:17:05.480 --> 0:17:10.920
<v Speaker 5>The final sequences.

0:17:08.640 --> 0:17:11.320
<v Speaker 3>His son picking up some dirt and being like, Dad,

0:17:11.480 --> 0:17:13.560
<v Speaker 3>speak to me, and the sky looks really cool in

0:17:13.560 --> 0:17:15.960
<v Speaker 3>like the late nineties, early two thousands kind of way,

0:17:16.040 --> 0:17:17.439
<v Speaker 3>clouds just racing across.

0:17:17.520 --> 0:17:20.000
<v Speaker 1>I will say I love the I love the different

0:17:20.880 --> 0:17:24.560
<v Speaker 1>visual motifs that they've there's a different visual palette in

0:17:24.600 --> 0:17:25.439
<v Speaker 1>this movie that I like.

0:17:25.600 --> 0:17:29.040
<v Speaker 4>I do like as well that he gets his own

0:17:29.240 --> 0:17:36.560
<v Speaker 4>weird underworld kind of off the life segment Heaven. He

0:17:37.200 --> 0:17:39.280
<v Speaker 4>is more like he has to fight his way back

0:17:39.280 --> 0:17:41.760
<v Speaker 4>from the underworld, which I thought was interesting. But yeah,

0:17:41.760 --> 0:17:43.720
<v Speaker 4>when it's the end and he's like that talk to

0:17:43.760 --> 0:17:46.359
<v Speaker 4>me and then it's just like fallows on the whe

0:17:46.400 --> 0:17:47.960
<v Speaker 4>I'm like, come, actually.

0:17:49.720 --> 0:17:50.640
<v Speaker 2>It's just like that.

0:17:51.480 --> 0:17:53.320
<v Speaker 5>And you're just like, wait, what is this movie about?

0:17:53.760 --> 0:17:57.560
<v Speaker 1>What happens? I mean, Joelle, you're I remember turning to

0:17:57.600 --> 0:17:59.200
<v Speaker 1>you when we both kind of look gave each other

0:17:59.240 --> 0:18:01.560
<v Speaker 1>look and my initial I like the movie. I want

0:18:01.560 --> 0:18:03.760
<v Speaker 1>to say that this is it's not a bad movie.

0:18:03.800 --> 0:18:06.840
<v Speaker 1>It's it's a fun movie. It is a fun movie,

0:18:06.840 --> 0:18:09.880
<v Speaker 1>but it doesn't have you could my senses, it will

0:18:09.920 --> 0:18:11.399
<v Speaker 1>not have the resonance of the original.

0:18:11.760 --> 0:18:13.480
<v Speaker 4>I don't feel like the longevity.

0:18:13.600 --> 0:18:19.480
<v Speaker 1>Indeed, it also feels like three movies kind of mashed

0:18:19.560 --> 0:18:22.600
<v Speaker 1>together before we get into that. Rosie your thoughts, No, no,

0:18:22.680 --> 0:18:23.080
<v Speaker 1>I agree.

0:18:23.240 --> 0:18:25.640
<v Speaker 4>So I saw it in forty X, which was honestly

0:18:25.640 --> 0:18:26.720
<v Speaker 4>one of the most could.

0:18:26.560 --> 0:18:30.879
<v Speaker 1>You smell it silly? Yes, the smell? Did the shirt

0:18:31.040 --> 0:18:34.880
<v Speaker 1>spray sprayed me with water and not just that.

0:18:35.400 --> 0:18:38.000
<v Speaker 4>I don't know if you've ever been to like London

0:18:38.080 --> 0:18:40.960
<v Speaker 4>dungeons or like a museum where they try and replicate

0:18:41.040 --> 0:18:44.760
<v Speaker 4>the sense of like you're in medieval times or whatever. Dude,

0:18:45.080 --> 0:18:48.640
<v Speaker 4>they sprayed out so many nasty smells during that movie.

0:18:49.119 --> 0:18:52.040
<v Speaker 4>But the worst part was when they were burning the

0:18:52.080 --> 0:18:55.600
<v Speaker 4>bodies at the beginning in Numidia and they put like

0:18:55.640 --> 0:18:58.199
<v Speaker 4>a barbecue smell out and I was like, guys, I

0:18:58.240 --> 0:19:02.560
<v Speaker 4>don't want to smell like the bush.

0:19:03.119 --> 0:19:04.600
<v Speaker 1>Of a conquered somebody.

0:19:05.320 --> 0:19:08.560
<v Speaker 4>Some I was like, guys, I don't this is not

0:19:08.720 --> 0:19:14.080
<v Speaker 4>the correct smell. But yeah it was. I san I

0:19:14.119 --> 0:19:18.320
<v Speaker 4>am very used to at this point these kind of

0:19:18.359 --> 0:19:21.400
<v Speaker 4>like legacy sequels where they're essentially more of a remake.

0:19:21.800 --> 0:19:24.640
<v Speaker 4>I do think this one is interesting because it is

0:19:24.720 --> 0:19:27.360
<v Speaker 4>that until you know two thirds of the way through

0:19:27.400 --> 0:19:31.080
<v Speaker 4>the movie, and then it changes focus too. Uh you

0:19:31.119 --> 0:19:32.760
<v Speaker 4>know the character who I do think is the most

0:19:32.760 --> 0:19:35.879
<v Speaker 4>interesting character in the movie, which is the Denzel Washington character.

0:19:36.320 --> 0:19:40.119
<v Speaker 4>But complete make that decision sooner, Ridley Scott.

0:19:40.720 --> 0:19:45.399
<v Speaker 1>Let's okay, So before we get to that important question

0:19:45.520 --> 0:19:49.919
<v Speaker 1>that must be answered, which we raise in our various

0:19:49.960 --> 0:19:56.200
<v Speaker 1>preview episodes going into this, does Paul Mescal plays Hanno,

0:19:56.880 --> 0:20:01.640
<v Speaker 1>the son of Maximus? And and uh so does Paul

0:20:01.800 --> 0:20:06.080
<v Speaker 1>Scout have the juice? Yes or no? Joelle? Does he

0:20:06.119 --> 0:20:06.760
<v Speaker 1>have the juice?

0:20:07.440 --> 0:20:14.720
<v Speaker 3>Here we go, Okay, here's my takeaway. Russell Crowe comes

0:20:14.720 --> 0:20:18.280
<v Speaker 3>in at like thirty six. I think is an actor

0:20:18.320 --> 0:20:19.000
<v Speaker 3>when they're filming.

0:20:19.119 --> 0:20:20.320
<v Speaker 4>Yes, so much present.

0:20:20.440 --> 0:20:24.199
<v Speaker 5>He is a fucking leader. You understand immediately I'll follow this.

0:20:24.359 --> 0:20:27.199
<v Speaker 5>I'd have no training in war, but if he was

0:20:27.280 --> 0:20:29.199
<v Speaker 5>like you got this, I'd be like, we totally have this.

0:20:29.240 --> 0:20:31.800
<v Speaker 3>You would follow him into war. And it's so precise

0:20:31.840 --> 0:20:34.240
<v Speaker 3>and clean. He's focused, he's and he's like a very

0:20:34.280 --> 0:20:36.560
<v Speaker 3>full adult. He's like, I have a family, I just

0:20:36.600 --> 0:20:38.400
<v Speaker 3>want to go home and I'm tired of work. Oh

0:20:38.600 --> 0:20:41.159
<v Speaker 3>I hear you, buddy, I get it. Paul reads to

0:20:41.240 --> 0:20:45.199
<v Speaker 3>me very young like yes, which is fine except for

0:20:45.520 --> 0:20:48.800
<v Speaker 3>that they place his story immediately over Russell Crose and

0:20:48.840 --> 0:20:51.080
<v Speaker 3>because of that, he's not allowed to have the juice.

0:20:51.280 --> 0:20:54.120
<v Speaker 3>I think performance wise, there are moments where you're like, oh,

0:20:54.160 --> 0:20:56.160
<v Speaker 3>Paul is giving it to me. Look at how he's

0:20:56.200 --> 0:20:58.560
<v Speaker 3>buddy buddy with everybody. He's much more of a bro

0:20:58.880 --> 0:21:01.040
<v Speaker 3>than a leader. And I I don't think they hit

0:21:01.080 --> 0:21:02.480
<v Speaker 3>that angle strong enough.

0:21:02.480 --> 0:21:05.600
<v Speaker 1>I completely agree, but let Rosie you go first.

0:21:05.840 --> 0:21:09.360
<v Speaker 4>Juice juice or no juice, juice the juice omitter. At

0:21:09.400 --> 0:21:11.800
<v Speaker 4>the beginning, my friend Annie looked at me and she said,

0:21:12.760 --> 0:21:15.359
<v Speaker 4>she said, he doesn't have the juice. She said that

0:21:15.400 --> 0:21:17.280
<v Speaker 4>to me, and I said, I looked at her and

0:21:17.320 --> 0:21:18.919
<v Speaker 4>I was like, I think you're right, but I'm not

0:21:18.960 --> 0:21:22.800
<v Speaker 4>gonna lie. I think for the third part of the movie,

0:21:22.840 --> 0:21:26.199
<v Speaker 4>the part where it's this different movie that follows, you know,

0:21:26.720 --> 0:21:29.439
<v Speaker 4>the Denzel Washington character, I feel like there is a

0:21:29.560 --> 0:21:33.480
<v Speaker 4>version of Hannah where Paul Mascal does have the juice.

0:21:33.840 --> 0:21:37.199
<v Speaker 4>When he's basically like like Joelle said, he's more of

0:21:37.240 --> 0:21:40.320
<v Speaker 4>this kind of like every man, so of the earth,

0:21:40.520 --> 0:21:43.679
<v Speaker 4>like friend and that's how he gets people, and that

0:21:43.840 --> 0:21:47.320
<v Speaker 4>is so opposite from the Denzel Washington character who just

0:21:47.359 --> 0:21:49.840
<v Speaker 4>wants power, who wants to be on top. That that

0:21:49.960 --> 0:21:52.760
<v Speaker 4>works really well. So at the end I was like, Okay,

0:21:52.760 --> 0:21:55.119
<v Speaker 4>he does have the juice for this part of the movie,

0:21:55.160 --> 0:21:57.159
<v Speaker 4>but I don't think for the first two parts. I

0:21:57.160 --> 0:21:59.000
<v Speaker 4>don't know if he had the juice. Though I will

0:21:59.040 --> 0:22:02.919
<v Speaker 4>say the Boon fight scene he had the juice for

0:22:02.960 --> 0:22:05.560
<v Speaker 4>that scene. That's not a lot of who would have

0:22:05.760 --> 0:22:08.439
<v Speaker 4>given it as hard as he gave it in that scene. Jason,

0:22:08.480 --> 0:22:09.000
<v Speaker 4>what about you?

0:22:10.000 --> 0:22:14.280
<v Speaker 1>I think that he has some juice, But like Joelle,

0:22:14.800 --> 0:22:21.439
<v Speaker 1>I think it's they didn't squeeze his unique juice in

0:22:21.520 --> 0:22:24.560
<v Speaker 1>the right way for this film. I think you're absolutely right.

0:22:24.600 --> 0:22:27.120
<v Speaker 1>There are moments. Here's the two things that I think

0:22:27.160 --> 0:22:29.679
<v Speaker 1>stood out to me as oh shit, that's some juice.

0:22:29.720 --> 0:22:33.480
<v Speaker 4>That's some that's some deliciously freshly squeeze.

0:22:33.920 --> 0:22:39.919
<v Speaker 1>That's some uniquely Irish mescallion scenian juice. Here is the

0:22:39.960 --> 0:22:45.520
<v Speaker 1>two things. One his voice. He is such a resonant

0:22:46.080 --> 0:22:53.040
<v Speaker 1>basso voice, and it's such a laconic role. Right, He's

0:22:53.040 --> 0:22:56.120
<v Speaker 1>got to talk, He's gotta speak more. Yes, because when

0:22:56.200 --> 0:23:01.920
<v Speaker 1>he speaks, I am like leaning forward too. He does

0:23:02.000 --> 0:23:05.800
<v Speaker 1>have a uniquely he's younger obviously, I think he's like

0:23:06.960 --> 0:23:10.000
<v Speaker 1>not quite thirty canonically in this his character in this

0:23:10.200 --> 0:23:14.840
<v Speaker 1>in this, in this film, and thus there's like a

0:23:15.000 --> 0:23:18.800
<v Speaker 1>jocularity and a joking around like his his fellow gladiators

0:23:18.840 --> 0:23:22.040
<v Speaker 1>kind of like mock him for the thing and it's

0:23:22.080 --> 0:23:25.480
<v Speaker 1>and the way he deals with it is wonderful and

0:23:27.000 --> 0:23:32.040
<v Speaker 1>those two things that kind of very irish wit and

0:23:32.320 --> 0:23:35.280
<v Speaker 1>his deep voice. I wanted more of those truths, and

0:23:35.320 --> 0:23:36.280
<v Speaker 1>I felt like I didn't.

0:23:38.200 --> 0:23:40.199
<v Speaker 3>Yes, he should have held right back with them and

0:23:40.240 --> 0:23:42.760
<v Speaker 3>become back like I was like, what's happening here?

0:23:42.880 --> 0:23:44.760
<v Speaker 2>I think it was a nice building.

0:23:44.760 --> 0:23:46.680
<v Speaker 5>He played it well, but for me, I do think as.

0:23:46.640 --> 0:23:50.400
<v Speaker 4>Well, like the choice to always have him not speak

0:23:51.040 --> 0:23:53.080
<v Speaker 4>and then you're like, oh, well, when he does speak,

0:23:53.119 --> 0:23:55.280
<v Speaker 4>it makes such an impact. But I'm like, no, he's

0:23:55.320 --> 0:23:58.320
<v Speaker 4>a great speaker. He's an Auretsa, Like he has this

0:23:58.640 --> 0:24:01.720
<v Speaker 4>wonderful voice and people listen to him and so like

0:24:01.760 --> 0:24:04.720
<v Speaker 4>you get those moments when he does the poetry to

0:24:05.040 --> 0:24:07.720
<v Speaker 4>quotes true jumpers and stuff, and I'm like, but let's

0:24:07.720 --> 0:24:11.679
<v Speaker 4>have more of that, like not always people dude.

0:24:11.560 --> 0:24:14.800
<v Speaker 5>Quotes what kind of person quotes poetry?

0:24:14.840 --> 0:24:18.320
<v Speaker 3>And then at the moment of uniting your country in

0:24:18.359 --> 0:24:19.440
<v Speaker 3>the finale.

0:24:19.359 --> 0:24:20.680
<v Speaker 2>I'm not a speaker.

0:24:20.720 --> 0:24:24.520
<v Speaker 1>I was like, what you quoted Virgil at the presence

0:24:24.560 --> 0:24:25.480
<v Speaker 1>of the twin emperor?

0:24:25.840 --> 0:24:26.160
<v Speaker 4>You know?

0:24:27.080 --> 0:24:29.880
<v Speaker 3>And it was perfect after straight killing a man, after

0:24:29.880 --> 0:24:31.399
<v Speaker 3>begging him to be like, bro, we don't have to

0:24:31.440 --> 0:24:33.560
<v Speaker 3>do this for their entertainment, and that guy was like, actually, bro,

0:24:33.640 --> 0:24:35.600
<v Speaker 3>I'm bought in on the entertainment aspect of it, and

0:24:35.640 --> 0:24:37.639
<v Speaker 3>I came to lead. He's like, merks him in up

0:24:37.720 --> 0:24:40.280
<v Speaker 3>one of my favorite fights of this film, and then

0:24:41.119 --> 0:24:44.000
<v Speaker 3>he quotes Virgil. It's the twins are so confused. It

0:24:44.080 --> 0:24:46.760
<v Speaker 3>sparks something and the guy who owns him right now

0:24:46.760 --> 0:24:49.600
<v Speaker 3>like it's a perfect sequence. I don't understand why, Yes,

0:24:49.640 --> 0:24:51.200
<v Speaker 3>there it works. And then at the end they were

0:24:51.200 --> 0:24:53.280
<v Speaker 3>just like, I'm not a no, we get it.

0:24:53.359 --> 0:24:55.639
<v Speaker 4>You're a man of the people, know, say something cool.

0:24:56.119 --> 0:24:59.040
<v Speaker 4>Your dad taught you cool poetry. That's a good thing,

0:24:59.440 --> 0:24:59.880
<v Speaker 4>like it would.

0:25:00.000 --> 0:25:04.600
<v Speaker 1>There's also there's also a moment where he's like, as

0:25:04.800 --> 0:25:07.439
<v Speaker 1>you may have noted, like I love an irishman, I

0:25:07.480 --> 0:25:10.800
<v Speaker 1>really do. I'm a fan of Irish culture and history

0:25:10.840 --> 0:25:13.840
<v Speaker 1>and an Irish hell. I just think that, you know,

0:25:13.920 --> 0:25:16.520
<v Speaker 1>a lot of our a lot of the a lot

0:25:16.560 --> 0:25:19.240
<v Speaker 1>of our fantasy tropes come from Irish folklore, which is

0:25:19.320 --> 0:25:23.159
<v Speaker 1>very interesting to make sure. Anyway, Uh, Mescal has this

0:25:23.359 --> 0:25:27.880
<v Speaker 1>very like in my mind irishman thing where where when

0:25:27.920 --> 0:25:32.439
<v Speaker 1>he really gets like reving talking wise rack in his

0:25:32.840 --> 0:25:35.520
<v Speaker 1>rant con tour mode, he kind of goes out of

0:25:35.520 --> 0:25:37.480
<v Speaker 1>the side of his mouth, like you see his mouth

0:25:37.880 --> 0:25:41.200
<v Speaker 1>go like this, and he starts out of the out

0:25:41.240 --> 0:25:44.159
<v Speaker 1>of the side. And there was a couple moments like

0:25:44.200 --> 0:25:47.119
<v Speaker 1>that where he was like addressing gladiators and stuff and

0:25:47.160 --> 0:25:49.960
<v Speaker 1>doing that, and I was like, yes, more but and

0:25:50.000 --> 0:25:54.040
<v Speaker 1>we just and I felt like that's the Mescal juice

0:25:54.800 --> 0:25:58.600
<v Speaker 1>and we needed to get more into that, more into

0:25:58.640 --> 0:25:59.159
<v Speaker 1>that juice.

0:25:59.200 --> 0:25:59.679
<v Speaker 4>I agree.

0:26:00.560 --> 0:26:06.280
<v Speaker 1>I will also say that for me, it felt like

0:26:06.640 --> 0:26:09.520
<v Speaker 1>at a certain point making this movie, people got worried

0:26:09.560 --> 0:26:12.639
<v Speaker 1>that Mescal doesn't have the juice and they were like,

0:26:12.840 --> 0:26:16.760
<v Speaker 1>more Denzel like, ramp it up. Maybe he's the guy

0:26:17.280 --> 0:26:27.320
<v Speaker 1>and the juice, the juices, Like the arena is filled

0:26:27.680 --> 0:26:31.159
<v Speaker 1>that his juice, and that is what the sharks are

0:26:31.240 --> 0:26:35.800
<v Speaker 1>swimming in. The swing did sell.

0:26:35.280 --> 0:26:41.480
<v Speaker 3>His wardrobe, choreography, constantly adjusting and positioning, the dangling of

0:26:41.560 --> 0:26:45.000
<v Speaker 3>the This is an actor who has full understanding of

0:26:45.119 --> 0:26:48.560
<v Speaker 3>how a wardrobe can increase your character, but who also

0:26:48.880 --> 0:26:50.439
<v Speaker 3>gets to be He gets to finally be in his

0:26:50.520 --> 0:26:53.520
<v Speaker 3>old man era. He's like, I'm not going for rewards,

0:26:53.560 --> 0:26:57.320
<v Speaker 3>I'm not really here to you anything other but freaking master.

0:26:57.760 --> 0:27:01.040
<v Speaker 4>Probably the only person who will even look in at

0:27:01.040 --> 0:27:03.000
<v Speaker 4>awards from this movie.

0:27:03.200 --> 0:27:06.879
<v Speaker 1>I think he I think he'll get down. Also, he

0:27:06.920 --> 0:27:08.600
<v Speaker 1>should be, Yes, he should be.

0:27:08.560 --> 0:27:12.359
<v Speaker 4>Denzel Like, no one can wear a slightly little air

0:27:12.440 --> 0:27:13.400
<v Speaker 4>ring like Denzel.

0:27:13.720 --> 0:27:14.840
<v Speaker 1>Like, he's gonna.

0:27:14.560 --> 0:27:17.199
<v Speaker 4>Wear that sly little air ring and he's gonna be

0:27:17.359 --> 0:27:21.080
<v Speaker 4>like looking around with that grin, and you're just thinking,

0:27:21.200 --> 0:27:23.600
<v Speaker 4>like you can arm Like I believe it.

0:27:23.720 --> 0:27:25.920
<v Speaker 5>You're gonna do the lighting in the chaos in the back.

0:27:26.600 --> 0:27:33.160
<v Speaker 1>Yes, again, the moment where he he's fully like trapped

0:27:33.480 --> 0:27:37.280
<v Speaker 1>tracks in his web of debt. He's made him completely

0:27:37.320 --> 0:27:42.080
<v Speaker 1>a creature of his own ownership. And there's that moment

0:27:42.080 --> 0:27:44.600
<v Speaker 1>where he'd get knocked on that's his door and is like,

0:27:44.880 --> 0:27:47.800
<v Speaker 1>this is my house now, and he goes in various

0:27:47.800 --> 0:27:49.280
<v Speaker 1>ways just says this is.

0:27:49.240 --> 0:27:51.800
<v Speaker 4>My house, gets out, gets out.

0:27:51.880 --> 0:27:55.439
<v Speaker 1>And that was truly the most magnet for me, the

0:27:55.480 --> 0:27:58.919
<v Speaker 1>most magnetic scene in the entire film, where I'm just

0:27:59.000 --> 0:28:02.480
<v Speaker 1>like more of the Bill Washing did say, get out

0:28:02.480 --> 0:28:03.760
<v Speaker 1>of my fucking house.

0:28:04.000 --> 0:28:05.199
<v Speaker 4>So good house.

0:28:07.640 --> 0:28:09.680
<v Speaker 3>He's having so much and Timmy Jay gives him a

0:28:09.720 --> 0:28:12.800
<v Speaker 3>lot to play off of as their acts is really debul.

0:28:12.840 --> 0:28:19.359
<v Speaker 1>Now, this is a film that is missing an antagonist

0:28:19.440 --> 0:28:21.320
<v Speaker 1>for much of it, and I think that's part of

0:28:21.359 --> 0:28:21.760
<v Speaker 1>the play.

0:28:21.800 --> 0:28:22.440
<v Speaker 4>I think they could have.

0:28:22.560 --> 0:28:25.679
<v Speaker 1>It's unclear who the who the bad guy is. You

0:28:25.720 --> 0:28:28.399
<v Speaker 1>think it's maybe Acacious, because it's not Hannah wants to

0:28:28.480 --> 0:28:30.720
<v Speaker 1>kill him. You think it's maybe the Twin Emperors because

0:28:30.720 --> 0:28:33.359
<v Speaker 1>they're so despicable and and we should.

0:28:33.080 --> 0:28:36.399
<v Speaker 4>Have got more of them because they have so much fun.

0:28:36.760 --> 0:28:39.120
<v Speaker 4>They did a great job, they knew what they needed

0:28:39.160 --> 0:28:45.960
<v Speaker 4>to do, scene chewing like growdious and just instantly hate

0:28:46.000 --> 0:28:50.080
<v Speaker 4>the ball. But then they get you know, dispensed with

0:28:50.320 --> 0:28:54.680
<v Speaker 4>pretty quickly. Though. I will say in forty X spoiler alert, guys,

0:28:54.880 --> 0:28:58.840
<v Speaker 4>when Denzel chops one of their heads off, they sprayed

0:28:58.920 --> 0:29:01.200
<v Speaker 4>us with water and every in the cinema.

0:29:00.920 --> 0:29:10.520
<v Speaker 1>And yeah, good. Anyway, it emerges. It emerges maybe two

0:29:10.560 --> 0:29:13.440
<v Speaker 1>thirds of the way third act. It emerges that oh,

0:29:13.520 --> 0:29:16.920
<v Speaker 1>Macrinus is our antagonist and has been pulling these strings up.

0:29:16.960 --> 0:29:21.160
<v Speaker 1>And my problem and my issue. I love that, I

0:29:21.680 --> 0:29:24.320
<v Speaker 1>truly love that. I just wish that had been in

0:29:24.360 --> 0:29:30.040
<v Speaker 1>the entire movie exactly because two issues for me with that. One,

0:29:31.640 --> 0:29:33.440
<v Speaker 1>it's not clear throughout the entire movie who the bad

0:29:33.440 --> 0:29:34.720
<v Speaker 1>guy is, and it should and if it was going

0:29:34.760 --> 0:29:36.360
<v Speaker 1>to be Macronus, I love it, but there should have

0:29:36.360 --> 0:29:39.840
<v Speaker 1>been more stuff, definitely. Two, let's talk about what Macronus's

0:29:39.920 --> 0:29:42.320
<v Speaker 1>motivation is. Why is he trying to tear down the

0:29:42.320 --> 0:29:46.200
<v Speaker 1>emperor Empire? Now he says something I'm but I'm not

0:29:46.240 --> 0:29:49.960
<v Speaker 1>sure it sells. He basically is, like he tells Lucilla,

0:29:50.800 --> 0:29:56.000
<v Speaker 1>he reveals that at one point Marcus Aurelius had owned him.

0:29:56.200 --> 0:29:58.480
<v Speaker 1>He had been an enslaved person in the service of

0:29:58.520 --> 0:30:04.160
<v Speaker 1>Marcus Aurelius, and that apparently is why he wants specifically

0:30:04.160 --> 0:30:07.680
<v Speaker 1>to tear down the Emperor the Empire and wipe out

0:30:07.840 --> 0:30:12.520
<v Speaker 1>her bloodline. Did that carry for anybody, because it kind

0:30:12.520 --> 0:30:14.640
<v Speaker 1>of didn't sell for me.

0:30:14.800 --> 0:30:17.560
<v Speaker 4>To me, it's sold because I just think that that's

0:30:17.680 --> 0:30:21.640
<v Speaker 4>like But ironically I think the issue is Denzel sells it.

0:30:21.720 --> 0:30:26.360
<v Speaker 4>But also that is almost like a that's an uncorruptible reason,

0:30:26.520 --> 0:30:28.760
<v Speaker 4>Like we can't be mad at him because of that,

0:30:28.840 --> 0:30:31.080
<v Speaker 4>So like that doesn't make him an antagonist. And I

0:30:31.120 --> 0:30:36.000
<v Speaker 4>think that's the issue is like that reveal and be like, oh,

0:30:36.080 --> 0:30:38.400
<v Speaker 4>and he's our antagonist because he wants to wipe them

0:30:38.400 --> 0:30:40.960
<v Speaker 4>out and it's like pro Rome sucks and he was enslaved.

0:30:40.960 --> 0:30:43.400
<v Speaker 4>So actually, like go for it, Denzel, Like I don't

0:30:43.400 --> 0:30:44.320
<v Speaker 4>think they were clean.

0:30:44.480 --> 0:30:48.120
<v Speaker 3>I'm totally fine with that being a motive, right, Like

0:30:48.200 --> 0:30:51.120
<v Speaker 3>I think you have zero rights is a great reason

0:30:51.120 --> 0:30:52.280
<v Speaker 3>to want to tear down Empire.

0:30:52.440 --> 0:30:53.520
<v Speaker 2>Completely understand that.

0:30:53.880 --> 0:30:56.680
<v Speaker 3>But from a character building I want to be on

0:30:56.760 --> 0:30:59.719
<v Speaker 3>this guy's side sort of element. They don't give you

0:30:59.800 --> 0:31:02.840
<v Speaker 3>an interpersonal reason, that's true. They don't explore what that

0:31:03.000 --> 0:31:06.760
<v Speaker 3>was specifically like for him. They don't showcase any other

0:31:06.800 --> 0:31:10.400
<v Speaker 3>ways he's tried to maneuver through this side society. He

0:31:10.440 --> 0:31:13.160
<v Speaker 3>seems to have a grudge against Rome, but Rome as

0:31:13.160 --> 0:31:15.800
<v Speaker 3>an entity, it's people. The people he's with all the

0:31:15.840 --> 0:31:18.320
<v Speaker 3>time haven't seemed to do anything to him, which is

0:31:18.360 --> 0:31:20.800
<v Speaker 3>maybe not the case. Maybe Rome's been a healthscate for him.

0:31:20.800 --> 0:31:24.800
<v Speaker 3>But enough about his interior life, That's what I'm saying,

0:31:24.800 --> 0:31:27.560
<v Speaker 3>And he seems to want to. He's almost the complete

0:31:27.600 --> 0:31:30.800
<v Speaker 3>embodiment of it. He even has this line throughout where

0:31:30.800 --> 0:31:34.440
<v Speaker 3>he's like, it's a quote from the emperor who owned him,

0:31:34.720 --> 0:31:38.640
<v Speaker 3>granddaddy Emperor's Does anyone remember the direct quote?

0:31:39.440 --> 0:31:44.000
<v Speaker 1>Oh, it was. The greatest revenge is to to become

0:31:44.200 --> 0:31:46.080
<v Speaker 1>unlike the person who did the injury.

0:31:46.160 --> 0:31:50.720
<v Speaker 4>Mm hmm. How does he And he says that he no, no,

0:31:50.920 --> 0:31:53.880
<v Speaker 4>he doesn't. He says he disagrees, your dad was wrong.

0:31:53.960 --> 0:31:56.840
<v Speaker 4>The best thing is to become the person who did

0:31:56.880 --> 0:32:00.880
<v Speaker 4>the injury, and then you go on from then you

0:32:00.880 --> 0:32:03.320
<v Speaker 4>you do it yourself, like you do your own version

0:32:03.360 --> 0:32:06.520
<v Speaker 4>of the terrible thing, which I think they just it

0:32:06.520 --> 0:32:08.400
<v Speaker 4>feels like they just put that line in there at

0:32:08.400 --> 0:32:10.440
<v Speaker 4>the end to be like, this is why he's doing it.

0:32:11.240 --> 0:32:14.920
<v Speaker 1>Let me pitch my better version of Yeah, this is full.

0:32:15.600 --> 0:32:18.080
<v Speaker 1>This is with full acknowledgment that really Scott is a

0:32:18.080 --> 0:32:21.719
<v Speaker 1>genius and has given us over the course of his

0:32:22.640 --> 0:32:28.240
<v Speaker 1>uh you know, incredibly stellar career, various movies that are iconic.

0:32:29.640 --> 0:32:31.120
<v Speaker 4>Here it is, Brandy.

0:32:32.280 --> 0:32:34.600
<v Speaker 1>I think you make it, first of all, you make

0:32:34.640 --> 0:32:38.040
<v Speaker 1>it more obvious that Macronus is the central figure. And

0:32:38.080 --> 0:32:40.240
<v Speaker 1>I think you do it this way. I think it's

0:32:40.280 --> 0:32:44.920
<v Speaker 1>really dumb that Hanno is the natural child of Maximus

0:32:44.920 --> 0:32:47.640
<v Speaker 1>and Lucilla. I think that's a stupid party. I think

0:32:47.680 --> 0:32:52.840
<v Speaker 1>that's really a dumb through line, like it doesn't make sense,

0:32:53.040 --> 0:32:56.240
<v Speaker 1>like something genetically passed to him and he has the

0:32:56.320 --> 0:32:59.960
<v Speaker 1>same kind of magnetism therefore because his father's I think

0:33:00.040 --> 0:33:04.520
<v Speaker 1>that's so stupid. Here's the better version to me. Macrinus

0:33:04.640 --> 0:33:07.680
<v Speaker 1>has a grudge against the Empire because Marcus Aurelius wasn't

0:33:07.720 --> 0:33:10.360
<v Speaker 1>the great man that everybody thinks he was. He had

0:33:10.360 --> 0:33:14.120
<v Speaker 1>a personal relationship with him, was enslaved by him, and

0:33:14.760 --> 0:33:18.560
<v Speaker 1>bears a grudge against Rome, the emperors, and the Aurelian

0:33:18.560 --> 0:33:22.760
<v Speaker 1>family in particular. He knows that Lucilla, still a major

0:33:22.800 --> 0:33:25.400
<v Speaker 1>player in Rome, has been looking for her son who

0:33:25.400 --> 0:33:29.040
<v Speaker 1>disappeared in the wake of Maximus. Is the whole Maximus

0:33:29.040 --> 0:33:32.760
<v Speaker 1>thing that was going on in Rome. And he finds

0:33:32.840 --> 0:33:38.320
<v Speaker 1>this guy Hanno in nu media and thinks, oh, this

0:33:38.360 --> 0:33:41.240
<v Speaker 1>is perfect. I'm going to go to Rome with this guy.

0:33:41.760 --> 0:33:45.160
<v Speaker 1>I'm going to pass him off as the sun Maximus

0:33:45.160 --> 0:33:49.080
<v Speaker 1>and Lucille. I love that, and I'm going to use

0:33:49.160 --> 0:33:53.360
<v Speaker 1>him as a pawn to tear down the Empire that

0:33:53.480 --> 0:33:55.880
<v Speaker 1>to me is like a very simple arc and a

0:33:56.840 --> 0:34:00.640
<v Speaker 1>fun movie where we don't have to be like where

0:34:00.680 --> 0:34:03.640
<v Speaker 1>we don't have to deal with this weird the son

0:34:03.760 --> 0:34:06.280
<v Speaker 1>of Maximus thing that to me doesn't really go.

0:34:06.720 --> 0:34:10.640
<v Speaker 4>But also if they wanted to, they could still at

0:34:10.680 --> 0:34:13.760
<v Speaker 4>the end have a moment between him, like between Hannah

0:34:13.800 --> 0:34:16.799
<v Speaker 4>and Loscilla that implies that he really is the son,

0:34:17.360 --> 0:34:20.040
<v Speaker 4>just like Anastasia, you know, maybe yeah, you could have wait.

0:34:20.120 --> 0:34:23.880
<v Speaker 3>You don't know, you know, rather than it being like

0:34:23.960 --> 0:34:24.440
<v Speaker 3>shouldn't know.

0:34:24.520 --> 0:34:27.080
<v Speaker 4>The funny thing that I the thing I found the

0:34:27.600 --> 0:34:32.000
<v Speaker 4>beginning of the like throughout the movie, it both enticed

0:34:32.040 --> 0:34:35.960
<v Speaker 4>me and like frustrated me, was there was this version

0:34:36.000 --> 0:34:37.920
<v Speaker 4>of the movie where it was like kind of this

0:34:38.160 --> 0:34:42.080
<v Speaker 4>mystery about Maximus and this mystery of who Maximus was,

0:34:42.160 --> 0:34:46.239
<v Speaker 4>and and then like Maximus is his father, but at

0:34:46.239 --> 0:34:48.880
<v Speaker 4>the same time he knew Lascilla was his mom. He

0:34:48.920 --> 0:34:51.800
<v Speaker 4>recognized Luscilla his mom, so there really wasn't a mystery,

0:34:51.880 --> 0:34:53.680
<v Speaker 4>And it was a shame because I felt like there

0:34:53.680 --> 0:34:58.719
<v Speaker 4>were these moments like, you know, when the guy who's

0:34:58.760 --> 0:35:03.320
<v Speaker 4>been healing him shows him the underground tomb where Maximus's

0:35:04.040 --> 0:35:07.080
<v Speaker 4>armor was that was really evocative and fun and quite

0:35:07.160 --> 0:35:10.680
<v Speaker 4>like spoaky and interesting. And I feel like there's a

0:35:10.760 --> 0:35:13.840
<v Speaker 4>version I think that you're kind of anister Anastasia idea

0:35:13.840 --> 0:35:17.600
<v Speaker 4>where it's like it's a it's a play, could have

0:35:17.719 --> 0:35:23.880
<v Speaker 4>added to that potential mystery and that that touch more

0:35:25.440 --> 0:35:28.360
<v Speaker 4>simple narrative that this movie does end up feeling like

0:35:28.400 --> 0:35:31.680
<v Speaker 4>it's three different movies, but it's three fun movies to watch.

0:35:31.719 --> 0:35:36.680
<v Speaker 4>But it's not like when you rewatch Gladiator, which we

0:35:36.719 --> 0:35:40.080
<v Speaker 4>did for our rewatch episode, which was really fun. You know,

0:35:41.000 --> 0:35:43.840
<v Speaker 4>I was shocked by how good that movie still felt.

0:35:43.920 --> 0:35:46.400
<v Speaker 4>I was like, whoa, this is like I understand, like

0:35:46.440 --> 0:35:48.560
<v Speaker 4>this is going to go down in the Hollywood cannon.

0:35:49.000 --> 0:35:51.640
<v Speaker 4>This movie does not necessarily feel like that. You know.

0:35:51.680 --> 0:35:57.040
<v Speaker 4>It definitely feels like a late stage sequel that Hollywood

0:35:57.120 --> 0:35:59.600
<v Speaker 4>is very into putting out right now. But I will say,

0:36:00.200 --> 0:36:04.120
<v Speaker 4>in Ridley Scott's favor, I appreciate that this is that

0:36:04.239 --> 0:36:07.919
<v Speaker 4>late stage weird as fuck Ridley Scott shit where he's

0:36:08.000 --> 0:36:11.239
<v Speaker 4>just like I'm putting sharks in the colosseum, like I'm

0:36:11.280 --> 0:36:13.680
<v Speaker 4>having a baboon fight, Like you don't tell me what

0:36:13.760 --> 0:36:16.600
<v Speaker 4>to do. I'm fucking Ridley Scott, Like, that's the best

0:36:16.640 --> 0:36:20.560
<v Speaker 4>stuff to me from his most recent kind of over Like,

0:36:20.719 --> 0:36:24.320
<v Speaker 4>I really really enjoyed the weird late stage alien movies

0:36:24.360 --> 0:36:29.080
<v Speaker 4>that he did that are just so un like Hollywood

0:36:29.120 --> 0:36:32.160
<v Speaker 4>and so unsellable, and he's just like, they've got nothing

0:36:32.200 --> 0:36:34.319
<v Speaker 4>to do with other ones, and if they do, it's

0:36:34.320 --> 0:36:37.640
<v Speaker 4>in the weirdest possible way. And I appreciate that, like

0:36:38.040 --> 0:36:40.720
<v Speaker 4>fuck uness of somebody who's been around in the business

0:36:40.719 --> 0:36:45.160
<v Speaker 4>for so long. But speaking of Ridley Scott and his movies, Jason,

0:36:45.239 --> 0:36:47.319
<v Speaker 4>what was the last time When was the last time

0:36:47.320 --> 0:36:49.600
<v Speaker 4>that Ridley Scott made like a truly great in the

0:36:49.640 --> 0:36:50.880
<v Speaker 4>Hollywood canon movie.

0:36:51.520 --> 0:37:08.479
<v Speaker 1>We'll be right back after a quick brick and we're back.

0:37:08.880 --> 0:37:12.320
<v Speaker 1>Let's go twenty first century. Let's count up the twenty

0:37:12.600 --> 0:37:15.239
<v Speaker 1>first century of Ridley Scott, and it obviously starts with

0:37:15.320 --> 0:37:18.760
<v Speaker 1>Gladiator two thousand. Wow. I think is a great movie.

0:37:19.080 --> 0:37:19.879
<v Speaker 4>Fantastic movie.

0:37:19.920 --> 0:37:20.560
<v Speaker 1>Awesome movie.

0:37:20.760 --> 0:37:21.879
<v Speaker 2>Yeah, it's great.

0:37:22.000 --> 0:37:24.799
<v Speaker 1>Yeah, two thousand and one, Black Hawk Down. I'll be

0:37:24.880 --> 0:37:27.480
<v Speaker 1>honest with you, I thought Tony Scott did this movie,

0:37:27.880 --> 0:37:31.759
<v Speaker 1>and in retrospect, I guess, okay, Ridley Scott made this movie.

0:37:31.800 --> 0:37:37.040
<v Speaker 1>I think that's a fine action movie, but also not

0:37:37.239 --> 0:37:39.520
<v Speaker 1>like a timeless no, and also.

0:37:39.400 --> 0:37:43.720
<v Speaker 4>Like aged very badly politically as we understand more about

0:37:43.840 --> 0:37:45.759
<v Speaker 4>those kind of conflicts in the way that they are

0:37:45.800 --> 0:37:47.400
<v Speaker 4>then represented in Hollywood.

0:37:48.120 --> 0:37:51.400
<v Speaker 1>It we're just we were gunning down Somali's left and

0:37:51.480 --> 0:37:56.879
<v Speaker 1>right in this movie and in a completely thoughtless kind

0:37:56.920 --> 0:38:01.359
<v Speaker 1>of kind of way. Next, Hannibal two thousand and one.

0:38:01.760 --> 0:38:03.759
<v Speaker 1>Didn't love this movie, but I thought there were some

0:38:03.800 --> 0:38:08.240
<v Speaker 1>really creepy fun moments. Yeah. Any thoughts on on Hannibal

0:38:08.239 --> 0:38:08.839
<v Speaker 1>two thousand and one.

0:38:08.960 --> 0:38:11.360
<v Speaker 4>No, The truth it's hard to come in to a

0:38:11.440 --> 0:38:14.520
<v Speaker 4>franchise and be like, yeah, Hannibal, I'm gonna do the

0:38:14.600 --> 0:38:16.960
<v Speaker 4>late stage. The truth is, is it a fun movie

0:38:17.000 --> 0:38:17.360
<v Speaker 4>to watch?

0:38:17.560 --> 0:38:17.799
<v Speaker 2>Yes?

0:38:18.200 --> 0:38:19.560
<v Speaker 4>Is it Silence of the Lambs?

0:38:19.800 --> 0:38:19.840
<v Speaker 1>No?

0:38:20.320 --> 0:38:23.719
<v Speaker 4>And then were you also even more hindered by the

0:38:23.760 --> 0:38:26.440
<v Speaker 4>fact that you know, twelve years later somebody like Brian

0:38:26.480 --> 0:38:29.720
<v Speaker 4>fill is gonna come out and make a seminal Hannibal

0:38:29.800 --> 0:38:32.960
<v Speaker 4>story Like, but it's still got some fun moments and

0:38:33.080 --> 0:38:35.719
<v Speaker 4>Anthony Hopkins is having time of his life.

0:38:36.560 --> 0:38:40.239
<v Speaker 1>Match stick Men, Nicholas Cage, the Wonderful Sam Rockwell and

0:38:40.400 --> 0:38:43.440
<v Speaker 1>Alison Lohman. Where she been about these kind of u

0:38:44.360 --> 0:38:47.880
<v Speaker 1>two con men who become like father figures to a

0:38:47.960 --> 0:38:54.360
<v Speaker 1>burgeoning con artist. This is fun, a fun movie. Smaller movie,

0:38:54.719 --> 0:38:57.239
<v Speaker 1>and I like when Ridley Scott goes small like this.

0:38:57.360 --> 0:39:02.200
<v Speaker 1>Mm hmm, so good movie but certainly not like a

0:39:02.200 --> 0:39:05.200
<v Speaker 1>timeless classic. Next two thousand and five's Kingdom of Heaven.

0:39:05.480 --> 0:39:07.960
<v Speaker 1>Bad movie in the theaters, but the director's cut, I

0:39:08.040 --> 0:39:11.319
<v Speaker 1>maintain is you are a true believer. In the director's cut,

0:39:12.040 --> 0:39:17.439
<v Speaker 1>it's an indible film, like truly an unbelievable really great action,

0:39:17.680 --> 0:39:24.400
<v Speaker 1>incredible central character arc, wonderful like battle scenes, awesome, good movie.

0:39:25.000 --> 0:39:27.240
<v Speaker 1>Two thousand and fives Came to Heaven, A Good Year,

0:39:27.920 --> 0:39:29.680
<v Speaker 1>two thousand and six, Anyone A Good Year?

0:39:29.960 --> 0:39:32.439
<v Speaker 4>I have never seen this movie. It has Russell Crowe

0:39:32.480 --> 0:39:36.400
<v Speaker 4>in it, and it's like it's essentially like a Hallmark

0:39:36.520 --> 0:39:40.600
<v Speaker 4>movie where it's like a British investment broker inherits his

0:39:40.800 --> 0:39:44.239
<v Speaker 4>uncle's chateau where he spent much of his childhood and

0:39:44.239 --> 0:39:46.960
<v Speaker 4>he discovers a new, laid back lifestyle as he tries

0:39:47.000 --> 0:39:50.279
<v Speaker 4>to renovate the estate to be sold. That sounds like

0:39:50.280 --> 0:39:51.360
<v Speaker 4>a Wholemark movie to me.

0:39:51.880 --> 0:39:57.040
<v Speaker 1>Smaller film reuniting with Russell Crowe have not haven't seen it,

0:39:57.080 --> 0:39:59.279
<v Speaker 1>so I gonna have to check that One Gangster two

0:39:59.280 --> 0:40:03.360
<v Speaker 1>thousand and seven. I like some of American Gangster. I

0:40:03.360 --> 0:40:08.359
<v Speaker 1>think the performances, obviously Denzel is incredible, is amazing. I've

0:40:08.400 --> 0:40:10.719
<v Speaker 1>said this on numerous other podcasts. I'll say it again here.

0:40:11.239 --> 0:40:13.719
<v Speaker 1>American Gangster set in the winter in New York City.

0:40:13.880 --> 0:40:19.520
<v Speaker 1>It opens like around Thanksgiving and there's snow falling from

0:40:19.560 --> 0:40:22.440
<v Speaker 1>the sky and you can see in the background that

0:40:22.480 --> 0:40:24.399
<v Speaker 1>the leaves are still on the trees. It's very clear

0:40:24.440 --> 0:40:27.239
<v Speaker 1>they film this like in summer or or spring, and

0:40:27.560 --> 0:40:30.799
<v Speaker 1>did summer or spring for winter, and it immediately takes

0:40:30.800 --> 0:40:33.840
<v Speaker 1>me out of the fun. I'm sorry. There's copious snow,

0:40:34.000 --> 0:40:37.400
<v Speaker 1>fake snow falling from the sky. Everybody's in these big overcoats,

0:40:37.640 --> 0:40:41.400
<v Speaker 1>and in the background of every scene full leaves on

0:40:41.440 --> 0:40:45.880
<v Speaker 1>the trees, fully bushed out, beautiful, the height of summer trees.

0:40:46.080 --> 0:40:48.440
<v Speaker 1>And it's always taken me out of it. And I

0:40:48.480 --> 0:40:51.279
<v Speaker 1>can't be unbiased about American guys for that reason. Does

0:40:51.320 --> 0:40:53.040
<v Speaker 1>do anybody think American.

0:40:54.760 --> 0:40:57.720
<v Speaker 4>I like that it opened people's minds to the notion

0:40:57.960 --> 0:41:02.160
<v Speaker 4>that the police may be involved with drug dealing. I

0:41:02.200 --> 0:41:04.719
<v Speaker 4>think that that for a lot of people, like that

0:41:04.840 --> 0:41:08.040
<v Speaker 4>was like a really shocking thing, like, oh, the police

0:41:08.160 --> 0:41:11.480
<v Speaker 4>were the ones who like bought drugs into these neighborhoods, Like.

0:41:11.440 --> 0:41:12.120
<v Speaker 1>Oh my god.

0:41:12.440 --> 0:41:15.240
<v Speaker 4>So I appreciate Ridley Scott for opening some people's eyes

0:41:15.239 --> 0:41:17.080
<v Speaker 4>to that. But I watched it once. I thought it

0:41:17.160 --> 0:41:17.520
<v Speaker 4>was good.

0:41:18.440 --> 0:41:20.680
<v Speaker 3>I just feel like American Gangster works for me on

0:41:20.760 --> 0:41:24.280
<v Speaker 3>a couple of levels. I feel like most black gangster

0:41:24.400 --> 0:41:28.680
<v Speaker 3>movies that are not black exploitation are like lateies, early

0:41:28.760 --> 0:41:33.680
<v Speaker 3>nineties and later like in time period, which is fine,

0:41:33.680 --> 0:41:35.719
<v Speaker 3>A lot of those movies are amazing, but like to

0:41:35.760 --> 0:41:38.360
<v Speaker 3>get Denzel in the classic like fifties gear, like just

0:41:38.360 --> 0:41:41.000
<v Speaker 3>from that level of aesthetics, that's really fun for me.

0:41:41.360 --> 0:41:43.160
<v Speaker 3>And I do think we get some great scenes like

0:41:44.400 --> 0:41:47.080
<v Speaker 3>Iris elba Is like chewing up.

0:41:46.960 --> 0:41:48.680
<v Speaker 2>The scenery, having a good ass time.

0:41:48.719 --> 0:41:51.560
<v Speaker 3>Like there's a lot of like iconic actors doing iconic

0:41:51.719 --> 0:41:55.440
<v Speaker 3>moments in that film. And I also like the idea

0:41:55.440 --> 0:41:58.480
<v Speaker 3>like we're not going to get a black like, I mean,

0:41:58.560 --> 0:42:02.080
<v Speaker 3>we just got one, but it wasn't very good. I

0:42:02.080 --> 0:42:09.600
<v Speaker 3>think exploring how the cops antagonize black organizations into additional

0:42:09.640 --> 0:42:15.439
<v Speaker 3>crimes in order to is a fun watch. Yeah, from

0:42:15.480 --> 0:42:17.280
<v Speaker 3>that angle, it was fun and it was like done

0:42:17.600 --> 0:42:20.160
<v Speaker 3>really well. But to your point, like the vibes of

0:42:20.200 --> 0:42:23.439
<v Speaker 3>that movie are a little off, Like you don't get

0:42:23.520 --> 0:42:26.520
<v Speaker 3>the I don't even think you get the Crisplake New

0:42:26.600 --> 0:42:29.919
<v Speaker 3>York cool all the way through, you know what I mean.

0:42:30.000 --> 0:42:31.400
<v Speaker 3>It's it's a missing an element.

0:42:31.680 --> 0:42:35.080
<v Speaker 4>I also feel like you can't do a movie when

0:42:35.080 --> 0:42:37.800
<v Speaker 4>you're Ridley Scott and you're doing like a big movie

0:42:37.840 --> 0:42:39.920
<v Speaker 4>like that that was obviously a big oscar push movie

0:42:39.920 --> 0:42:41.800
<v Speaker 4>that was meant to be another one of those Hollywood

0:42:41.880 --> 0:42:45.960
<v Speaker 4>canon movies. You can't just not pay attention to details

0:42:46.000 --> 0:42:50.759
<v Speaker 4>like that, like suddenly it's summary and there's too many

0:42:50.840 --> 0:42:53.240
<v Speaker 4>trees like those kind of things. I think that stuff matters,

0:42:53.480 --> 0:42:56.759
<v Speaker 4>So Jason, I appreciate that that is something that takes

0:42:56.800 --> 0:43:00.000
<v Speaker 4>you out of a movie because I also am impact

0:43:00.080 --> 0:43:01.080
<v Speaker 4>did by those kind of choices.

0:43:01.160 --> 0:43:05.440
<v Speaker 1>Next up the CIA thriller Body of Lies, which is

0:43:05.480 --> 0:43:08.200
<v Speaker 1>a fine movie, but I always it's a movie that

0:43:08.239 --> 0:43:12.080
<v Speaker 1>I always get mixed up with the Robert Redford brad

0:43:12.120 --> 0:43:13.640
<v Speaker 1>Pitt vehicle Spy Game.

0:43:13.960 --> 0:43:17.720
<v Speaker 4>Oh yeah, I prefer Spy Game.

0:43:18.160 --> 0:43:21.440
<v Speaker 1>I think Spy Game is the better version of that. Okay.

0:43:21.760 --> 0:43:27.080
<v Speaker 1>Next up twenty ten's robin Hood retelling of the robin

0:43:27.080 --> 0:43:32.280
<v Speaker 1>Hood legend. Now here's the interesting thing about this robin

0:43:32.280 --> 0:43:35.799
<v Speaker 1>Hood script. It started as a medieval police procedural. Does

0:43:35.800 --> 0:43:36.959
<v Speaker 1>anybody remember.

0:43:36.600 --> 0:43:37.080
<v Speaker 4>This, dude?

0:43:37.200 --> 0:43:40.319
<v Speaker 1>No, but I believe it. No. This script was on

0:43:40.360 --> 0:43:42.920
<v Speaker 1>the Blacklist for a while, you know, the famous the

0:43:43.280 --> 0:43:47.440
<v Speaker 1>list of best unproduced screenplays in Hollywood. I might be

0:43:47.480 --> 0:43:50.839
<v Speaker 1>getting this wrong, but I remember this being a very

0:43:50.920 --> 0:43:56.720
<v Speaker 1>very buzzy Blacklist script because it treated the robin Hood

0:43:57.280 --> 0:44:02.280
<v Speaker 1>legend as a police proceed None of that is evident

0:44:02.560 --> 0:44:07.080
<v Speaker 1>in the final film. That said, I don't think this

0:44:07.120 --> 0:44:09.040
<v Speaker 1>is a great movie, but I do have a soft

0:44:09.040 --> 0:44:11.440
<v Speaker 1>spot for this movie because I think Russell Crow is

0:44:11.440 --> 0:44:14.319
<v Speaker 1>good in it, and I think Uh Blanchette is good

0:44:14.320 --> 0:44:18.440
<v Speaker 1>in it. And you know, Mark Strong is wonderful, Mark Addie.

0:44:19.360 --> 0:44:23.320
<v Speaker 1>You get Oscar Isaac in an early role as a

0:44:23.320 --> 0:44:28.759
<v Speaker 1>absolutely villainous and contemptible King John, and it is he is.

0:44:29.280 --> 0:44:32.640
<v Speaker 1>He was like, there's this iconic moment in this Robinhood

0:44:32.680 --> 0:44:35.600
<v Speaker 1>where he where he says of robin Hood, he goes,

0:44:35.920 --> 0:44:41.040
<v Speaker 1>I brad him out and he goes like to the

0:44:41.320 --> 0:44:44.440
<v Speaker 1>he goes like to the top floor with the with

0:44:44.600 --> 0:44:48.560
<v Speaker 1>the bond read and I've loved Oscar Isaac since then.

0:44:50.000 --> 0:44:52.080
<v Speaker 1>Not a great movie, but but a fun movie.

0:44:52.480 --> 0:44:55.160
<v Speaker 4>Yeah, I'm English, so that is just like a lot

0:44:55.200 --> 0:44:58.000
<v Speaker 4>of great robin Hoods. And this, to me, I've tried

0:44:58.000 --> 0:44:59.879
<v Speaker 4>to watch it many times. I've tried to be open

0:45:00.080 --> 0:45:02.080
<v Speaker 4>to it. Oscar Isaac is the best thing about it.

0:45:02.960 --> 0:45:04.359
<v Speaker 1>Yeah, he's great.

0:45:04.360 --> 0:45:06.080
<v Speaker 3>I really love the idea that we like it because

0:45:06.080 --> 0:45:08.000
<v Speaker 3>we're boring.

0:45:09.080 --> 0:45:12.800
<v Speaker 4>I'm just saying, you guys were not blessed with Like, dude,

0:45:12.920 --> 0:45:15.960
<v Speaker 4>when I was a kid. There is literally a TV

0:45:16.080 --> 0:45:20.080
<v Speaker 4>show called Maid Marian and Her Merry Men, which.

0:45:19.920 --> 0:45:21.760
<v Speaker 1>Was like I used to watch that on BBC.

0:45:22.080 --> 0:45:25.439
<v Speaker 4>It's like a reggae kiddy musical version of robin Hood.

0:45:25.560 --> 0:45:28.600
<v Speaker 4>Like we were blessed with many different versions.

0:45:29.080 --> 0:45:31.919
<v Speaker 5>Okay, this one is like it's there.

0:45:32.600 --> 0:45:35.360
<v Speaker 4>I do try and rewatch it every soften because Robinhood

0:45:35.360 --> 0:45:38.200
<v Speaker 4>makes me feel nostalgic, just any version. But this one

0:45:38.200 --> 0:45:40.839
<v Speaker 4>for me is just like it's too serious. I think

0:45:40.840 --> 0:45:43.000
<v Speaker 4>you've got to have a little bit of camp, or

0:45:43.320 --> 0:45:45.760
<v Speaker 4>you gotta go like so far to the other side

0:45:46.239 --> 0:45:49.839
<v Speaker 4>of seriousness, like Prince of Thebes that it becomes camp.

0:45:50.000 --> 0:45:51.560
<v Speaker 4>This for me is a bit in the middle. But

0:45:51.600 --> 0:45:53.520
<v Speaker 4>it does have a great cast and Oscar Isaac is

0:45:53.560 --> 0:45:54.200
<v Speaker 4>really good.

0:45:54.600 --> 0:45:59.120
<v Speaker 1>Twenty twelve, we returned to the alien universe with Prometheus.

0:45:59.160 --> 0:46:00.439
<v Speaker 1>We've talked about it. Good movie.

0:46:00.440 --> 0:46:02.320
<v Speaker 4>I'm a Prometheus apologist. It's a good movie.

0:46:02.600 --> 0:46:03.279
<v Speaker 2>Yeah.

0:46:03.440 --> 0:46:08.400
<v Speaker 1>Next up, twenty thirteen's The Counselor, with a script from

0:46:09.000 --> 0:46:13.960
<v Speaker 1>a literary icon and giant one of my favorite authors,

0:46:14.200 --> 0:46:16.280
<v Speaker 1>Cormac McCarthy. This movie's a mess.

0:46:16.320 --> 0:46:19.440
<v Speaker 4>It's a hot mess. It's at about the Counselor.

0:46:19.840 --> 0:46:23.279
<v Speaker 1>Hot mess. But this is definitely a movie where you

0:46:23.280 --> 0:46:26.640
<v Speaker 1>could I mean, the cast is like Fastbender, Penelope Cruz,

0:46:26.680 --> 0:46:29.000
<v Speaker 1>Karmen Diaz, Javier Barda, and Brad Pitt and it was

0:46:29.040 --> 0:46:32.360
<v Speaker 1>clear that they were like someone was like, hey, Cormac

0:46:32.440 --> 0:46:35.279
<v Speaker 1>McCarthy and Ridley scottter doing a movie, and everybody was like, yes,

0:46:35.400 --> 0:46:40.640
<v Speaker 1>I'll do it for five in this film. Next twenty

0:46:40.840 --> 0:46:43.160
<v Speaker 1>forty text it is God's.

0:46:43.280 --> 0:46:46.320
<v Speaker 4>Oh god, dude, I'm what. I worked to the movie

0:46:46.360 --> 0:46:49.000
<v Speaker 4>theater when this came out, and we would like go

0:46:49.080 --> 0:46:51.960
<v Speaker 4>in on our lunch breaks and watch it just for jokes.

0:46:52.040 --> 0:46:55.440
<v Speaker 4>It was so bad. This is also notable because this

0:46:55.600 --> 0:46:59.960
<v Speaker 4>is when Ridley Scott said some real weird islamophobic shit

0:47:00.120 --> 0:47:02.680
<v Speaker 4>about why he cast Christian Bale in the movie, and

0:47:02.760 --> 0:47:05.720
<v Speaker 4>everyone was like, bro, what's wrong with you? Terrible movie again.

0:47:06.120 --> 0:47:09.840
<v Speaker 4>Not when you're doing like a big biblical style movie,

0:47:10.160 --> 0:47:12.719
<v Speaker 4>you can't be too serious about it, and if you are,

0:47:12.719 --> 0:47:14.880
<v Speaker 4>you've got to be so sincere that it goes the

0:47:14.960 --> 0:47:17.480
<v Speaker 4>other way to camp like this is that very middle

0:47:17.520 --> 0:47:19.360
<v Speaker 4>ground bad stuff.

0:47:19.400 --> 0:47:22.360
<v Speaker 1>Can I say something absolutely? I know this is a

0:47:22.360 --> 0:47:25.759
<v Speaker 1>biblical film, but sacrilegious about Exodus, guys, and I think,

0:47:26.080 --> 0:47:28.760
<v Speaker 1>I think please. The two thousand and two Rock feature

0:47:28.800 --> 0:47:30.399
<v Speaker 1>The Scorpion King is a better film.

0:47:30.520 --> 0:47:35.600
<v Speaker 5>No, I agree, definitely.

0:47:35.600 --> 0:47:39.280
<v Speaker 4>It habits some fun in the ancient times like God's

0:47:39.280 --> 0:47:43.160
<v Speaker 4>and King. No fun. No one's having fun, not at all,

0:47:43.600 --> 0:47:45.040
<v Speaker 4>just that horrible blue filtering.

0:47:45.200 --> 0:47:48.880
<v Speaker 1>Yeah oh yeah. Next up, twenty fifteen's The Martian, from

0:47:49.040 --> 0:47:53.839
<v Speaker 1>a best selling book by the novelist Andy Weir. I

0:47:53.920 --> 0:47:56.840
<v Speaker 1>like the book, I like the movie. Every thoughts about

0:47:56.840 --> 0:48:00.880
<v Speaker 1>the Martian. Great NASA movie, pro science.

0:48:00.520 --> 0:48:04.080
<v Speaker 4>Movie, which is space. If you like growing potatoes and poop,

0:48:04.239 --> 0:48:05.839
<v Speaker 4>there's all kinds of things for you here.

0:48:06.239 --> 0:48:09.400
<v Speaker 3>Matt Dames, I love a mission impossible in safe like,

0:48:09.719 --> 0:48:12.840
<v Speaker 3>just how are we gonna do this? It's it seems impossible,

0:48:12.880 --> 0:48:14.880
<v Speaker 3>and then they're like, here's a sprinkle of science and

0:48:14.920 --> 0:48:17.280
<v Speaker 3>some fantasy, and then bam, like you say.

0:48:17.160 --> 0:48:17.920
<v Speaker 1>The whole world.

0:48:18.040 --> 0:48:19.479
<v Speaker 2>I would say it's fun.

0:48:19.680 --> 0:48:23.240
<v Speaker 4>For his small movies, this is definitely like the peak

0:48:23.280 --> 0:48:25.120
<v Speaker 4>of what he can do when he goes.

0:48:25.200 --> 0:48:28.399
<v Speaker 1>I think you're probably right. I think you're probably right.

0:48:28.480 --> 0:48:31.919
<v Speaker 1>I think my one. I think it's a good movie.

0:48:31.960 --> 0:48:34.879
<v Speaker 1>I think by one reservation. And the thing I felt

0:48:34.920 --> 0:48:38.400
<v Speaker 1>while seeing this was I felt like anybody could have

0:48:38.440 --> 0:48:40.239
<v Speaker 1>done this movie. It didn't feel I didn't feel the

0:48:40.280 --> 0:48:43.320
<v Speaker 1>really Scottness in it. But that's it's a good movie.

0:48:43.640 --> 0:48:47.320
<v Speaker 1>Next up, twenty seventeen, we get Too Alien Covenant.

0:48:47.680 --> 0:48:50.320
<v Speaker 4>I'm a fan. I know it's not I'm a movie.

0:48:50.600 --> 0:48:54.600
<v Speaker 4>It's a weird gothic horror in space. I'm in. I'm

0:48:54.600 --> 0:48:56.319
<v Speaker 4>a fan. I like it. Good for you?

0:48:56.800 --> 0:49:02.200
<v Speaker 1>Yes, and the next is a non fiction adaptation of

0:49:02.400 --> 0:49:07.440
<v Speaker 1>a real life Event's twenty seventies All the Money in

0:49:07.480 --> 0:49:08.560
<v Speaker 1>the World.

0:49:08.520 --> 0:49:12.600
<v Speaker 4>Most notable because he re recorded all of the Kevin

0:49:12.640 --> 0:49:16.800
<v Speaker 4>Spacey scenes and replaced him with I Believe Christopher Plumber.

0:49:17.320 --> 0:49:20.800
<v Speaker 1>Christopher Plumber. Yeah, it does feel a little bit lumpy

0:49:21.800 --> 0:49:25.200
<v Speaker 1>that way, but I am not the Wahlberg guy. I

0:49:25.320 --> 0:49:27.839
<v Speaker 1>do respect the movie. I'm not a Wallburg guy, and

0:49:27.920 --> 0:49:31.359
<v Speaker 1>I'm not a big fan of this movie. Next up

0:49:31.400 --> 0:49:36.840
<v Speaker 1>twenty twenty one, The Last Duel, Oh, Adam Driver, Julie Comer,

0:49:36.920 --> 0:49:40.040
<v Speaker 1>Ben Affleck. I like this movie. I think this is

0:49:40.120 --> 0:49:45.239
<v Speaker 1>probably his best film of the second decade of the

0:49:45.239 --> 0:49:47.760
<v Speaker 1>twenty first century, if you want to put it that way.

0:49:47.960 --> 0:49:50.439
<v Speaker 3>But I think them is this film might this film

0:49:50.520 --> 0:49:52.440
<v Speaker 3>might be a good film. I just can't stand to

0:49:52.480 --> 0:49:54.760
<v Speaker 3>watch a bunch of men talk about a woman exactly exactly.

0:49:55.160 --> 0:49:56.840
<v Speaker 1>That's the issue with this is.

0:49:57.040 --> 0:49:59.680
<v Speaker 4>My biggest problem with this movie is like it is

0:49:59.800 --> 0:50:03.799
<v Speaker 4>in interestingly shot, it's weird to use as a lot.

0:50:03.880 --> 0:50:06.520
<v Speaker 4>He's definitely trying to do like I'm what if I

0:50:06.640 --> 0:50:10.239
<v Speaker 4>was small independent Ridley Scott, but I was working with

0:50:10.280 --> 0:50:12.680
<v Speaker 4>some of the biggest actors in the world. Also, for me,

0:50:12.920 --> 0:50:17.520
<v Speaker 4>the wigs were bad and I would rather like just

0:50:17.520 --> 0:50:19.480
<v Speaker 4>just change it's like you say, oh, based on a

0:50:19.520 --> 0:50:21.880
<v Speaker 4>real historical story. I would rather see the woman Jewel

0:50:21.960 --> 0:50:24.800
<v Speaker 4>just make it up like you got you got blooming

0:50:24.920 --> 0:50:28.400
<v Speaker 4>killing even there and you got her like letting Adam

0:50:28.520 --> 0:50:31.040
<v Speaker 4>Driver like yea with her. No, I don't. I don't

0:50:31.040 --> 0:50:32.480
<v Speaker 4>buy it. I don't want to hear about it.

0:50:33.120 --> 0:50:37.520
<v Speaker 1>I think the thing that was the most interesting thing

0:50:37.600 --> 0:50:41.200
<v Speaker 1>about the film is also like the weakest storytelling device,

0:50:41.239 --> 0:50:44.319
<v Speaker 1>which is the last duel, which is again I think

0:50:44.320 --> 0:50:48.200
<v Speaker 1>it's a good movie. They go through like his version,

0:50:49.840 --> 0:50:52.360
<v Speaker 1>the other his version, and then they finally give you

0:50:52.520 --> 0:50:56.799
<v Speaker 1>her version, and I think that is really I can

0:50:56.880 --> 0:50:59.879
<v Speaker 1>see now like the the idea like, oh, we're giving

0:50:59.880 --> 0:51:02.640
<v Speaker 1>her who's the last No, but it's just doesn't it

0:51:02.719 --> 0:51:03.279
<v Speaker 1>doesn't it?

0:51:03.520 --> 0:51:06.440
<v Speaker 4>We can her opinion, just have her yess of it

0:51:06.520 --> 0:51:07.279
<v Speaker 4>be the whole thing.

0:51:07.600 --> 0:51:11.080
<v Speaker 1>Especially that's the whole I think from her perspective, I

0:51:11.080 --> 0:51:11.600
<v Speaker 1>think that.

0:51:11.719 --> 0:51:15.279
<v Speaker 4>The setup of this idea of like what can men

0:51:15.320 --> 0:51:18.360
<v Speaker 4>in power get away with and how that hasn't changed

0:51:18.400 --> 0:51:23.479
<v Speaker 4>throughout centuries is really really interesting. But yeah, like Joel said,

0:51:23.480 --> 0:51:25.319
<v Speaker 4>I don't care about a bunch of men sitting around

0:51:25.320 --> 0:51:28.120
<v Speaker 4>talking about women's rape. But the next movie twenty twenty

0:51:28.160 --> 0:51:32.040
<v Speaker 4>one House of Gucci. Who doesn't love that movie Gucci?

0:51:32.640 --> 0:51:36.520
<v Speaker 1>You know what? A house of Gucci has a Gucci.

0:51:39.000 --> 0:51:42.200
<v Speaker 1>Here's here's my but here's my problem that has a

0:51:42.200 --> 0:51:46.480
<v Speaker 1>Gucci And excuse me, I'm talking about here's my problem

0:51:46.480 --> 0:51:48.719
<v Speaker 1>with the House of Gucci. I'm watching this and I'm going,

0:51:48.840 --> 0:51:51.120
<v Speaker 1>when does it get funny? Because this seems like it

0:51:51.160 --> 0:51:53.279
<v Speaker 1>should be funny, right, this should be an That's the

0:51:53.320 --> 0:51:53.800
<v Speaker 1>real truth.

0:51:53.800 --> 0:51:58.000
<v Speaker 4>And the only manage money is when Jared Leto shows

0:51:58.080 --> 0:52:03.000
<v Speaker 4>up in like full prosthetics and he's like, it's to me, Johnny, Gucci,

0:52:03.280 --> 0:52:05.680
<v Speaker 4>I gotta be a part of the Goci and You're like,

0:52:05.719 --> 0:52:08.280
<v Speaker 4>what is going on the Gucci?

0:52:08.280 --> 0:52:12.000
<v Speaker 1>You're gonna give it a Gucci brand, and it's like yeah,

0:52:12.120 --> 0:52:15.399
<v Speaker 1>Jared Letto is like I'm in Austin Powers for and

0:52:15.440 --> 0:52:18.320
<v Speaker 1>everybody else is like, I'm in a serious film.

0:52:18.360 --> 0:52:19.040
<v Speaker 4>I believe.

0:52:19.160 --> 0:52:20.440
<v Speaker 2>Just to me, this is consistent.

0:52:21.320 --> 0:52:24.200
<v Speaker 4>This thing about this movie to me is like this

0:52:24.400 --> 0:52:28.440
<v Speaker 4>is literally like a made for TV movie. And people

0:52:29.120 --> 0:52:32.360
<v Speaker 4>like Ship on Women all the time for watching Lifetime

0:52:32.520 --> 0:52:34.560
<v Speaker 4>or watching made for TV movies or rip from the

0:52:34.600 --> 0:52:37.920
<v Speaker 4>headline movies. But then when Bridley Scott does it exactly

0:52:37.960 --> 0:52:40.680
<v Speaker 4>the same, exactly the same tenor we're all supposed to

0:52:40.680 --> 0:52:44.000
<v Speaker 4>be like, yeah, this is like a serious dramatic film. No,

0:52:44.440 --> 0:52:46.720
<v Speaker 4>Like you say, Jason should have been funnier.

0:52:46.880 --> 0:52:49.680
<v Speaker 1>Should have been a funny movie. I was thinking, I mean,

0:52:49.719 --> 0:52:55.279
<v Speaker 1>you see the the like set photos of Letto and

0:52:55.360 --> 0:52:59.960
<v Speaker 1>you're thinking, this is a hilarious movie and it just

0:53:00.040 --> 0:53:00.480
<v Speaker 1>never well.

0:53:00.520 --> 0:53:03.239
<v Speaker 4>So I will say, I actually know Italian people who

0:53:03.280 --> 0:53:06.160
<v Speaker 4>walked out of the movie the and that doesn't happen

0:53:06.239 --> 0:53:09.239
<v Speaker 4>very often, that you're like that offended, but that really did.

0:53:09.280 --> 0:53:10.480
<v Speaker 4>That was a real thing that happened.

0:53:11.400 --> 0:53:16.520
<v Speaker 1>Next up, twenty twenty three's Apple TV plus Sony Pictures

0:53:16.600 --> 0:53:22.560
<v Speaker 1>co pro Napoleon. The epic story of Napoleon Bonapart finally

0:53:22.560 --> 0:53:23.280
<v Speaker 1>comes to the screen.

0:53:23.880 --> 0:53:26.040
<v Speaker 4>Should have been funnier, in my opinion.

0:53:25.680 --> 0:53:31.319
<v Speaker 1>I think, you know, honestly, like late stage Napoleon is

0:53:31.480 --> 0:53:33.960
<v Speaker 1>funny and they play it for lass a little bit,

0:53:34.680 --> 0:53:38.120
<v Speaker 1>and that is probably my favorite stuff in the movie.

0:53:38.239 --> 0:53:41.160
<v Speaker 1>I thought this movie should have been more. It was

0:53:41.280 --> 0:53:44.080
<v Speaker 1>like reaches for epic noss and never gets there.

0:53:44.120 --> 0:53:44.520
<v Speaker 4>I agree.

0:53:44.560 --> 0:53:45.840
<v Speaker 1>I know it's so fortunate for me.

0:53:46.040 --> 0:53:50.440
<v Speaker 4>I'm sorry, Bridley Scott. My ultimate version of Napoleon is

0:53:50.520 --> 0:53:52.760
<v Speaker 4>Napoleon from Bill and Ted, and you'll never be able

0:53:52.800 --> 0:53:55.120
<v Speaker 4>to top it. That's that's to me. As the historically

0:53:55.160 --> 0:53:58.000
<v Speaker 4>accurate version of Billa of Napoleon, that's all I need.

0:53:58.040 --> 0:53:59.840
<v Speaker 1>I don't need the three Now we have Gladiator.

0:54:00.280 --> 0:54:03.359
<v Speaker 4>Honestly, Gladiator too is looking pretty good after your listen

0:54:03.920 --> 0:54:04.680
<v Speaker 4>those movies.

0:54:05.000 --> 0:54:05.640
<v Speaker 2>That's pretty good.

0:54:05.719 --> 0:54:09.239
<v Speaker 1>So let's go in the twenty first century. Where does

0:54:09.280 --> 0:54:12.759
<v Speaker 1>Gladiator rank in the Ridley Scott move Is it number one?

0:54:12.920 --> 0:54:13.480
<v Speaker 1>It could be.

0:54:14.040 --> 0:54:18.600
<v Speaker 4>I think that when it comes to wide audience appeal,

0:54:20.400 --> 0:54:22.600
<v Speaker 4>fun that you have in the cinema, could you take

0:54:22.640 --> 0:54:25.680
<v Speaker 4>your family to go and see it during this holiday

0:54:26.040 --> 0:54:28.359
<v Speaker 4>you know tunnel that we're about to go into. It's

0:54:28.400 --> 0:54:30.760
<v Speaker 4>pretty high up there, because like I like, I really

0:54:30.800 --> 0:54:33.160
<v Speaker 4>like Haley and Covenant, I really like Prometheus. I think

0:54:33.200 --> 0:54:36.200
<v Speaker 4>both of those could be argued for many years about

0:54:36.239 --> 0:54:40.200
<v Speaker 4>their masterpiece status as weird sci fi spaces, but they're

0:54:40.239 --> 0:54:43.719
<v Speaker 4>not like wide audience appeal. They're not something that everybody

0:54:43.719 --> 0:54:47.400
<v Speaker 4>can watch. They could also be equally as argued as boring,

0:54:47.719 --> 0:54:50.480
<v Speaker 4>even though I love them. So, like, I think Gladiated

0:54:50.480 --> 0:54:55.160
<v Speaker 4>two is pretty high up there in this over obviously, yeah,

0:54:55.160 --> 0:54:57.680
<v Speaker 4>I would say like I would say that it's definitely

0:54:57.719 --> 0:55:00.000
<v Speaker 4>in the top three, and the rest of them are

0:55:00.160 --> 0:55:04.160
<v Speaker 4>probably contentious. Whether you're an Alien fan or a Kingdom

0:55:04.160 --> 0:55:05.480
<v Speaker 4>of Heaven fan, go for it.

0:55:06.280 --> 0:55:11.480
<v Speaker 1>Here's my top three Ridley Scott in the twenty first century. Okay,

0:55:12.000 --> 0:55:16.600
<v Speaker 1>Kingdom of Heaven number one, director Scott number two, director's

0:55:16.600 --> 0:55:26.080
<v Speaker 1>cut number two, the Martian number three. It might be

0:55:27.440 --> 0:55:31.040
<v Speaker 1>Gladiator two or pro. I think Gladiator two, and then

0:55:31.440 --> 0:55:33.280
<v Speaker 1>and then the Aliens.

0:55:32.760 --> 0:55:34.640
<v Speaker 4>Would finish up the top five.

0:55:34.880 --> 0:55:37.080
<v Speaker 2>And we're not counting Gladiator in our top three.

0:55:37.160 --> 0:55:41.399
<v Speaker 4>Now, we're not counting Gladiators far and beyond. I would

0:55:41.440 --> 0:55:42.120
<v Speaker 4>say so.

0:55:42.239 --> 0:55:44.640
<v Speaker 1>I guess here's the question. Has he made a movie

0:55:44.719 --> 0:55:48.040
<v Speaker 1>as good as the original Gladiator in the twenty five

0:55:48.160 --> 0:55:49.640
<v Speaker 1>years since that movie came out?

0:55:49.760 --> 0:55:50.480
<v Speaker 2>I don't think so.

0:55:51.080 --> 0:55:55.560
<v Speaker 4>I don't think he's made a movie as consistently good

0:55:55.640 --> 0:55:59.319
<v Speaker 4>as Gladiator, because that is not a movie where you're like,

0:55:59.320 --> 0:56:01.959
<v Speaker 4>oh there's a or oh they should have cost someone else.

0:56:02.040 --> 0:56:04.480
<v Speaker 4>Most of the other movies can come with a bot.

0:56:05.080 --> 0:56:09.920
<v Speaker 1>I think Kingdom of Heaven director's cut is is on

0:56:10.080 --> 0:56:14.799
<v Speaker 1>par with Gladiator. The problem being that one director's cut,

0:56:14.880 --> 0:56:18.760
<v Speaker 1>so obviously the theatrical cut is not great. And two,

0:56:19.360 --> 0:56:23.319
<v Speaker 1>as we've stated on previous podcasts, Orlando Bloom doesn't quite

0:56:23.440 --> 0:56:25.920
<v Speaker 1>have the juice. Even though he's good in this, he

0:56:26.040 --> 0:56:29.960
<v Speaker 1>just doesn't He does not have juice. I think my

0:56:30.040 --> 0:56:32.360
<v Speaker 1>scale has more juice than Orlando bloom sadly.

0:56:33.160 --> 0:56:34.640
<v Speaker 2>Oh absolutely, I see.

0:56:34.640 --> 0:56:37.319
<v Speaker 3>The cultural impact of Gladiator is such that you can

0:56:37.400 --> 0:56:41.359
<v Speaker 3>still yell are you not entertaining? And like very into

0:56:42.280 --> 0:56:46.080
<v Speaker 3>I think, and really hasn't touched that level of impact

0:56:46.120 --> 0:56:49.080
<v Speaker 3>in its films. I think you could argue that Kingdom

0:56:49.080 --> 0:56:52.640
<v Speaker 3>of Heaven Instructors Cut or The Martian just from a

0:56:52.760 --> 0:56:56.200
<v Speaker 3>structural standpoint, are pretty close to the Gladiator and like,

0:56:56.239 --> 0:56:59.280
<v Speaker 3>this is a strong lead with a pretty clean story

0:56:59.680 --> 0:57:02.440
<v Speaker 3>that's beautiful to look at and a fun time at

0:57:02.480 --> 0:57:04.839
<v Speaker 3>the movies and is engaging to the audience. But there's

0:57:04.880 --> 0:57:07.600
<v Speaker 3>just something about Gladiator that I think, again, if I'm

0:57:07.600 --> 0:57:10.000
<v Speaker 3>really looking from as an American, like for the American

0:57:10.080 --> 0:57:13.279
<v Speaker 3>mystique of cinema, from the height of Russell Crowe as

0:57:13.280 --> 0:57:18.360
<v Speaker 3>an actor, to some truly great villain work out of

0:57:18.440 --> 0:57:20.920
<v Speaker 3>Joaquin who later goes on to be considered one of

0:57:20.960 --> 0:57:22.480
<v Speaker 3>the greatest actors of his generation.

0:57:22.840 --> 0:57:26.000
<v Speaker 4>It is definitely getting to see him that early on

0:57:26.080 --> 0:57:33.000
<v Speaker 4>in this like such a fully bodied, horrifying, cool, creepy,

0:57:33.160 --> 0:57:36.080
<v Speaker 4>gross role that almost makes it hard to watch. That

0:57:36.320 --> 0:57:41.240
<v Speaker 4>is a very special thing, especially against the kind of heroic,

0:57:42.120 --> 0:57:46.760
<v Speaker 4>straightforwardness that Russell Crowe brings to the screen as Maximus.

0:57:47.320 --> 0:57:49.400
<v Speaker 3>Yeah, I agree, And then there's like a very base

0:57:49.560 --> 0:57:52.640
<v Speaker 3>accessible level to the fights in that movie where you

0:57:52.760 --> 0:57:55.240
<v Speaker 3>understand like how hard a hit is. And I think

0:57:55.240 --> 0:57:56.840
<v Speaker 3>that's like the most important thing in a film is

0:57:56.880 --> 0:57:59.640
<v Speaker 3>if I watching the film can feel the hit in

0:57:59.640 --> 0:58:01.439
<v Speaker 3>my buy. That to me is like when you're reaching

0:58:01.520 --> 0:58:05.959
<v Speaker 3>peak fight sequencing and shooting. And I think the way

0:58:06.000 --> 0:58:09.480
<v Speaker 3>the fights escalate really drive the story, which makes it

0:58:09.920 --> 0:58:12.920
<v Speaker 3>solidly a Gladiator film with the politics sort of just

0:58:12.920 --> 0:58:14.680
<v Speaker 3>surrounding it, and it's delightful.

0:58:14.920 --> 0:58:17.480
<v Speaker 5>It's something I think Gladiator Too misses out on, is

0:58:17.480 --> 0:58:18.400
<v Speaker 5>the way the fights.

0:58:18.120 --> 0:58:21.760
<v Speaker 3>Can impact narrative storytelling, and also like the drain on

0:58:21.840 --> 0:58:24.160
<v Speaker 3>the fighter you're so exhausted for Russell by the end

0:58:24.200 --> 0:58:24.760
<v Speaker 3>of Gladiator.

0:58:25.360 --> 0:58:31.240
<v Speaker 1>To your point too about Crow and Denzel Washington's performance

0:58:31.280 --> 0:58:34.600
<v Speaker 1>in The Gladiator Too, I also think you're so right

0:58:34.880 --> 0:58:38.480
<v Speaker 1>about the way the opening of the first Gladiator, just

0:58:38.560 --> 0:58:44.880
<v Speaker 1>in the little gestures and non speaking facial reactions of

0:58:44.920 --> 0:58:47.760
<v Speaker 1>different characters gives you everything in that opening scene, like

0:58:47.760 --> 0:58:51.440
<v Speaker 1>the tiredness of Marcus Aurelius when the battle is won

0:58:51.520 --> 0:58:54.240
<v Speaker 1>and he just closes his eyes and kind of slumps

0:58:54.320 --> 0:58:59.440
<v Speaker 1>forward a little bit the way that commitists comes bouncing

0:58:59.480 --> 0:59:01.680
<v Speaker 1>out of the her DoD. I miss it, like almost

0:59:01.880 --> 0:59:04.680
<v Speaker 1>tripping in the mud, you know, like that joke of

0:59:04.720 --> 0:59:07.280
<v Speaker 1>a man, like all of that stuff is wonderful, and

0:59:07.360 --> 0:59:13.400
<v Speaker 1>I feel like we never quite obviously Denzel has that

0:59:14.400 --> 0:59:17.480
<v Speaker 1>and part of the conversation about Mesco not having the juices,

0:59:17.560 --> 0:59:19.919
<v Speaker 1>I don't know that we ever get anything as good

0:59:19.920 --> 0:59:23.560
<v Speaker 1>as like Maximus throwing his sword and spitting on the

0:59:23.560 --> 0:59:26.200
<v Speaker 1>ground like in Gladiator one, to just be like that's

0:59:26.240 --> 0:59:26.840
<v Speaker 1>who that guy.

0:59:27.040 --> 0:59:29.520
<v Speaker 4>Yeah, I think you're right. I also think as well,

0:59:29.560 --> 0:59:32.320
<v Speaker 4>we don't get those moments for like the other characters,

0:59:32.360 --> 0:59:34.880
<v Speaker 4>whereas we do get them in Gladia A one. And

0:59:34.960 --> 0:59:37.680
<v Speaker 4>I do think that part of the issue with GLADIAA

0:59:37.720 --> 0:59:41.960
<v Speaker 4>two is even like Lecilla, like what is her life

0:59:42.080 --> 0:59:45.240
<v Speaker 4>like outside of just being married and having a son?

0:59:45.680 --> 0:59:46.560
<v Speaker 1>Like do you know what I mean?

0:59:46.640 --> 0:59:49.280
<v Speaker 4>Like what does she do? What does she enjoy? And

0:59:49.360 --> 0:59:54.120
<v Speaker 4>I do I feel like Denzel, it feels like maybe

0:59:54.160 --> 0:59:57.280
<v Speaker 4>he had people look over the script, maybe Ridley was

0:59:57.360 --> 1:00:00.000
<v Speaker 4>just very inspired by working with him, but the level

1:00:00.120 --> 1:00:04.000
<v Speaker 4>of character work he got was so far beyond anyone

1:00:04.040 --> 1:00:07.520
<v Speaker 4>else in the movie that you wonder like, where was

1:00:07.560 --> 1:00:08.560
<v Speaker 4>that for everyone else.

1:00:08.960 --> 1:00:11.640
<v Speaker 1>I just think that that's a guy who knows how

1:00:11.680 --> 1:00:15.400
<v Speaker 1>to deliver when the camera is on and there's nothing

1:00:15.440 --> 1:00:17.000
<v Speaker 1>on the page for him to say yeah.

1:00:17.000 --> 1:00:19.280
<v Speaker 4>I just think that's what he can bring a level

1:00:19.320 --> 1:00:22.800
<v Speaker 4>of like character and vibe to a role, even if

1:00:22.840 --> 1:00:23.320
<v Speaker 4>it's not.

1:00:25.320 --> 1:00:27.760
<v Speaker 1>Yeah. To Joelle's point, just in the way he wears

1:00:27.760 --> 1:00:31.480
<v Speaker 1>his robes and touches his jewelry like that he's giving

1:00:31.520 --> 1:00:34.000
<v Speaker 1>you everything and just that, And I think that it's

1:00:34.120 --> 1:00:38.960
<v Speaker 1>just a level of craft that I don't know is

1:00:39.400 --> 1:00:42.880
<v Speaker 1>there for everybody. I love pagro Pscal, I don't. He

1:00:43.000 --> 1:00:47.520
<v Speaker 1>feels like almost an empty space in this movie. Like

1:00:47.600 --> 1:00:50.520
<v Speaker 1>there's a moment where when he's burning the bodies and

1:00:52.000 --> 1:00:55.160
<v Speaker 1>you could feel that he hates what he's doing, and

1:00:57.000 --> 1:00:59.760
<v Speaker 1>I wanted more of that, and I just felt like

1:00:59.840 --> 1:01:01.920
<v Speaker 1>it came in and came out and then went away.

1:01:02.640 --> 1:01:08.080
<v Speaker 1>Your point about Lucilla, here is this woman who at

1:01:08.080 --> 1:01:11.600
<v Speaker 1>one point in the First Gladiator, Marcus Aurelius is like,

1:01:11.680 --> 1:01:13.800
<v Speaker 1>if you had been a man, you should have would

1:01:13.840 --> 1:01:16.600
<v Speaker 1>have been my error. Speak on it, Jason, and speak

1:01:16.640 --> 1:01:21.560
<v Speaker 1>on so where the I never get the feeling that

1:01:22.000 --> 1:01:23.920
<v Speaker 1>it would have been so much more Interesting's not the

1:01:23.960 --> 1:01:26.840
<v Speaker 1>tactician here that she would have been so much more

1:01:26.920 --> 1:01:29.560
<v Speaker 1>interesting to me if she had been plotting and moving

1:01:30.040 --> 1:01:32.280
<v Speaker 1>pieces around and doing things, and.

1:01:32.160 --> 1:01:34.760
<v Speaker 4>She could have been doing that for acacious like he

1:01:34.920 --> 1:01:37.280
<v Speaker 4>was a hero. There's no reason he wouldn't have been

1:01:37.320 --> 1:01:39.440
<v Speaker 4>able to rise those ranks if she was.

1:01:39.560 --> 1:01:41.640
<v Speaker 5>Why did she choose him as her chance? Why did

1:01:41.680 --> 1:01:43.360
<v Speaker 5>she choose them here?

1:01:43.520 --> 1:01:45.640
<v Speaker 1>Like I I'm well, I think.

1:01:46.360 --> 1:01:48.160
<v Speaker 3>From what I understood in some of the language with

1:01:48.200 --> 1:01:50.280
<v Speaker 3>the twins, they're like, don't forget the good graces we

1:01:50.320 --> 1:01:53.200
<v Speaker 3>give your wife. Essentially, I think the reason he keeps

1:01:53.200 --> 1:01:55.960
<v Speaker 3>serving is so that they don't come after her. And

1:01:56.040 --> 1:01:57.960
<v Speaker 3>she's supposed to be there to be taking note, but

1:01:58.280 --> 1:01:59.640
<v Speaker 3>to be fair, like I always see her do with

1:01:59.640 --> 1:02:03.480
<v Speaker 3>like call yeah, when before we see her constantly listening

1:02:03.520 --> 1:02:06.720
<v Speaker 3>in the background, moving around, moving pieces. Too many characters

1:02:06.760 --> 1:02:09.160
<v Speaker 3>in this film. We have like four solid main characters

1:02:09.400 --> 1:02:11.360
<v Speaker 3>and then about five to six of them in the

1:02:11.360 --> 1:02:13.920
<v Speaker 3>first film that are background players that are giving you

1:02:13.960 --> 1:02:17.120
<v Speaker 3>a lot of direction and information about the world at large.

1:02:17.760 --> 1:02:19.720
<v Speaker 3>There's so many people to follow, we never really get

1:02:19.720 --> 1:02:22.760
<v Speaker 3>inside and any of them except for Denzel's character. And

1:02:22.800 --> 1:02:24.720
<v Speaker 3>on top of all of that, I just don't understand

1:02:24.720 --> 1:02:27.560
<v Speaker 3>why am I following Lucia. I don't understand what he's

1:02:27.600 --> 1:02:29.640
<v Speaker 3>if he's a creature of rage. They don't let him

1:02:29.640 --> 1:02:32.840
<v Speaker 3>go far enough. Yeah, right, Like think about the battle

1:02:32.840 --> 1:02:34.760
<v Speaker 3>with Pedro. I'm sorry to keep going back to fights,

1:02:34.760 --> 1:02:36.000
<v Speaker 3>but I really feel like if you're doing glad of

1:02:36.040 --> 1:02:37.640
<v Speaker 3>your movie, like those have got to be peak and

1:02:37.640 --> 1:02:39.240
<v Speaker 3>this is one of the weakest points of the film

1:02:39.280 --> 1:02:41.800
<v Speaker 3>for me. There's this great battle with Pedro where they

1:02:41.800 --> 1:02:43.720
<v Speaker 3>don't let them go along enough in the fight, like

1:02:43.720 --> 1:02:45.959
<v Speaker 3>Pedro should be begging for it, like please, I don't

1:02:45.960 --> 1:02:49.439
<v Speaker 3>want to fight you listen, And really that fight ends

1:02:49.480 --> 1:02:52.360
<v Speaker 3>so quickly, even the death of him is so fast

1:02:52.440 --> 1:02:55.000
<v Speaker 3>that this very important emotional crux that really should have

1:02:55.080 --> 1:02:57.320
<v Speaker 3>driven a further wedge between him and his mother, Like

1:02:57.400 --> 1:03:00.880
<v Speaker 3>all of this great like crunchy relation stuff is just

1:03:00.920 --> 1:03:03.080
<v Speaker 3>not there, and therefore the movie can't be as good

1:03:03.080 --> 1:03:03.919
<v Speaker 3>as the first one.

1:03:04.800 --> 1:03:08.640
<v Speaker 1>I feel like to your point, Joelle, the fights didn't

1:03:08.680 --> 1:03:11.880
<v Speaker 1>have stakes in the way that the original.

1:03:11.600 --> 1:03:15.240
<v Speaker 4>They were set pieces had sakes building.

1:03:15.800 --> 1:03:20.120
<v Speaker 1>Right, Those were emotional story building moments in addition to

1:03:20.280 --> 1:03:24.400
<v Speaker 1>being incredible set piece action, And these are just kind

1:03:24.440 --> 1:03:28.520
<v Speaker 1>of incredible set piece action, yeah, and you don't feel that.

1:03:28.520 --> 1:03:32.480
<v Speaker 4>Emotion, as Joel says, even then they're like not really

1:03:33.080 --> 1:03:36.600
<v Speaker 4>long enough. Like the scene in with the sharks and

1:03:36.680 --> 1:03:39.280
<v Speaker 4>the boats is really fun, but it's over in like

1:03:39.320 --> 1:03:44.720
<v Speaker 4>two minutes, and I think like that here in Gladiate,

1:03:44.760 --> 1:03:50.560
<v Speaker 4>it's too They do often replace like that drawn out

1:03:50.840 --> 1:03:55.080
<v Speaker 4>kind of tooth and claw fight for survival that feels

1:03:55.120 --> 1:03:57.840
<v Speaker 4>so real in the first movie. They swap that here

1:03:57.880 --> 1:04:01.080
<v Speaker 4>for kind of gore because there are a lot of like, yeah,

1:04:01.240 --> 1:04:03.800
<v Speaker 4>brutal gory moments, which like some of the people in

1:04:03.840 --> 1:04:06.439
<v Speaker 4>the audience were, and my friend who doesn't really watch

1:04:06.480 --> 1:04:09.440
<v Speaker 4>horror were pretty like horrified by in a way that

1:04:09.440 --> 1:04:11.240
<v Speaker 4>I think the first movie is a lot more of

1:04:11.280 --> 1:04:14.440
<v Speaker 4>your classic kind of ben her swords and sandals. There

1:04:14.520 --> 1:04:17.720
<v Speaker 4>is brutality, but it's it's encased in this kind of

1:04:18.080 --> 1:04:22.320
<v Speaker 4>historical story. This stuff was just like blood sputing like

1:04:22.800 --> 1:04:26.800
<v Speaker 4>gore instead of necessarily It's easier.

1:04:26.560 --> 1:04:28.880
<v Speaker 3>To understand the violence in the first one because so

1:04:28.960 --> 1:04:30.680
<v Speaker 3>much of it is said like you're like, oh, they're

1:04:30.720 --> 1:04:33.880
<v Speaker 3>setting them up to fail, like consistently setting them up

1:04:33.880 --> 1:04:36.120
<v Speaker 3>to fail, which you don't get as much as here,

1:04:36.200 --> 1:04:38.240
<v Speaker 3>Like you would think, oh, they're frastractional, like, but they're

1:04:38.240 --> 1:04:39.680
<v Speaker 3>in the boat. You have to fall off the boat,

1:04:39.680 --> 1:04:42.160
<v Speaker 3>and technically they're being shot at, but the boat's pretty big,

1:04:42.200 --> 1:04:44.080
<v Speaker 3>and I don't get the sense of them like trying

1:04:44.120 --> 1:04:46.840
<v Speaker 3>not to dive. Also, Mediterranean country, some of y'all are

1:04:46.840 --> 1:04:48.479
<v Speaker 3>good swimmers and know how to fitch.

1:04:48.600 --> 1:04:49.800
<v Speaker 5>Like, I just feel like there's so much where we

1:04:49.800 --> 1:04:50.080
<v Speaker 5>could have.

1:04:50.080 --> 1:04:50.640
<v Speaker 2>Gotten out of.

1:04:50.720 --> 1:04:53.600
<v Speaker 3>Again, all these secondary gladiator characters that are hanging out

1:04:53.600 --> 1:04:55.400
<v Speaker 3>in the pits. I don't know any of them, and

1:04:55.400 --> 1:04:56.920
<v Speaker 3>that like I missed my gime in Hansu.

1:04:57.440 --> 1:04:58.040
<v Speaker 2>Where is he?

1:04:58.800 --> 1:05:02.320
<v Speaker 4>They didn't manage to create the true bromance in the

1:05:02.360 --> 1:05:05.280
<v Speaker 4>way that was such a big haw of the first one.

1:05:05.720 --> 1:05:10.000
<v Speaker 1>It's a good point there was not Hano does not have.

1:05:10.080 --> 1:05:11.600
<v Speaker 4>He doesn't have the best.

1:05:11.800 --> 1:05:14.800
<v Speaker 1>He's like, I believe in you. I guess they try

1:05:14.840 --> 1:05:16.720
<v Speaker 1>to create that would Ravi the doctor.

1:05:16.480 --> 1:05:19.040
<v Speaker 4>But you know what, that's that's a different relationship because

1:05:19.040 --> 1:05:22.240
<v Speaker 4>there's an imbalance that because he needs Rovi to like

1:05:22.840 --> 1:05:25.880
<v Speaker 4>keep him alive. And but yeah, there's no Jim in

1:05:26.040 --> 1:05:29.480
<v Speaker 4>Russell Crowe chemistry in the same way.

1:05:30.280 --> 1:05:32.240
<v Speaker 1>All of which is to say, I feel like the

1:05:32.320 --> 1:05:37.080
<v Speaker 1>reason we respond so much to Denzel as Macrinus is

1:05:38.760 --> 1:05:41.280
<v Speaker 1>he does have a couple of those great line moments,

1:05:41.280 --> 1:05:43.400
<v Speaker 1>like the one of the moment with Ratso we talked about.

1:05:43.720 --> 1:05:47.400
<v Speaker 1>But I also think it's just his understanding of here's

1:05:47.440 --> 1:05:51.960
<v Speaker 1>how I tell you who I am. Yes, exactly one second,

1:05:52.040 --> 1:05:55.200
<v Speaker 1>two second, three second reaction shot where I'm just wearing

1:05:55.240 --> 1:05:59.800
<v Speaker 1>my clothes, living my life, watching the things that Macronus watches,

1:06:00.720 --> 1:06:03.760
<v Speaker 1>And I just think he's better than that, better at

1:06:03.800 --> 1:06:09.040
<v Speaker 1>that than everybody else that's in this movie. Like Connie

1:06:09.080 --> 1:06:12.240
<v Speaker 1>Nielsen is just kind of the same Lucilla that she

1:06:12.560 --> 1:06:14.400
<v Speaker 1>was in the first and to be fair, they don't

1:06:14.400 --> 1:06:16.720
<v Speaker 1>give her. I wish they had given her more. But

1:06:16.840 --> 1:06:21.720
<v Speaker 1>also I feel like there's something, there's something compelling about

1:06:22.560 --> 1:06:24.920
<v Speaker 1>the pairing with her and Acacious that could have been like,

1:06:25.240 --> 1:06:31.040
<v Speaker 1>here's Acacius. He's the blunt instrument, he's there smashing, she's

1:06:31.120 --> 1:06:34.560
<v Speaker 1>the chess player, and here's how they compliment each other,

1:06:35.280 --> 1:06:39.960
<v Speaker 1>and and that feels so inert and not there. And

1:06:40.040 --> 1:06:44.720
<v Speaker 1>I just feel like part of it is that maybe

1:06:44.840 --> 1:06:47.840
<v Speaker 1>I just felt like they didn't sell that party. I

1:06:47.880 --> 1:06:51.560
<v Speaker 1>agree enough, and and that's unfortunate.

1:06:51.640 --> 1:06:53.840
<v Speaker 4>I think that when you have something that says beloved

1:06:53.920 --> 1:06:57.040
<v Speaker 4>is Gladier. I think that in a wild where everyone

1:06:57.120 --> 1:07:02.240
<v Speaker 4>is doing these ip face likelegacy sequels, it's very easy,

1:07:02.320 --> 1:07:05.120
<v Speaker 4>especially if you are the original director, as Ridley Scott is,

1:07:05.280 --> 1:07:07.040
<v Speaker 4>to be like, yeah, we'll just do it. You just

1:07:07.160 --> 1:07:09.520
<v Speaker 4>keep telling the story like it's twenty years later, this

1:07:09.640 --> 1:07:12.360
<v Speaker 4>is someone's son. But if you look to the spaces

1:07:12.360 --> 1:07:15.320
<v Speaker 4>where these have been done best, like the Scream series,

1:07:15.360 --> 1:07:20.200
<v Speaker 4>for example, you really have to have people in that

1:07:20.360 --> 1:07:25.240
<v Speaker 4>room who are making you do innovative, strange things that

1:07:25.520 --> 1:07:30.240
<v Speaker 4>basically justify why the movie is being made. And I

1:07:30.280 --> 1:07:34.360
<v Speaker 4>do think to me, Denzel's performance and that introduction of

1:07:34.360 --> 1:07:38.040
<v Speaker 4>that it's the price swash, the price of admission. But

1:07:38.840 --> 1:07:41.400
<v Speaker 4>it is not. This is not going to be in

1:07:41.440 --> 1:07:44.760
<v Speaker 4>a conversation like many of these genre movies are, like

1:07:45.000 --> 1:07:48.720
<v Speaker 4>the Halloween trilogy or this, you know, Scream five and six.

1:07:49.080 --> 1:07:51.440
<v Speaker 4>When Scream Sits came out, people were like, is this

1:07:51.480 --> 1:07:54.360
<v Speaker 4>better than the original Scream? And I think that is

1:07:54.440 --> 1:07:57.640
<v Speaker 4>the power of doing a great legacy sequel. And nobody

1:07:57.720 --> 1:08:00.800
<v Speaker 4>is gonna watch this except from two friends who did

1:08:00.800 --> 1:08:03.120
<v Speaker 4>come with me, who did enjoy it more than the

1:08:03.120 --> 1:08:06.600
<v Speaker 4>first movie. But like, I don't think the general audience

1:08:06.680 --> 1:08:09.720
<v Speaker 4>is gonna be having that conversation of is this better

1:08:09.840 --> 1:08:13.240
<v Speaker 4>than Gladiator? Does this best Gladiator? I don't think so,

1:08:13.320 --> 1:08:16.680
<v Speaker 4>And I think that's the tough thing is if you're

1:08:16.720 --> 1:08:20.080
<v Speaker 4>gonna revisit something over twenty years later, can you justify

1:08:20.160 --> 1:08:23.360
<v Speaker 4>its existence? I think this does by its entertainment value,

1:08:23.360 --> 1:08:27.599
<v Speaker 4>but not necessarily by how it will be remembered next

1:08:27.680 --> 1:08:28.599
<v Speaker 4>to Glad.

1:08:28.640 --> 1:08:32.519
<v Speaker 1>What are our final grades? Gladiator to our final grades?

1:08:33.760 --> 1:08:34.439
<v Speaker 2>B plus?

1:08:34.600 --> 1:08:38.960
<v Speaker 3>Okay, it's like it's hitting on almost every level. Like

1:08:39.120 --> 1:08:41.320
<v Speaker 3>Paul's having an ec I like, I see the future

1:08:41.360 --> 1:08:43.519
<v Speaker 3>of this kid in this role. I'm like, Okay, you've

1:08:43.560 --> 1:08:45.160
<v Speaker 3>got a lot of range. There's a lot you can

1:08:45.200 --> 1:08:48.800
<v Speaker 3>do in the right role. I think costumes, if y'all

1:08:48.960 --> 1:08:49.920
<v Speaker 3>want to oscar.

1:08:50.800 --> 1:08:56.360
<v Speaker 4>Yes, mini skirts on men like I love it.

1:08:56.520 --> 1:08:58.760
<v Speaker 3>I was living first of all, and the gorgeous still

1:08:58.920 --> 1:09:01.040
<v Speaker 3>gowns and the veil the women get I was like

1:09:01.240 --> 1:09:01.880
<v Speaker 3>all the extras.

1:09:01.880 --> 1:09:02.960
<v Speaker 2>I was just looking in the background like this is

1:09:03.000 --> 1:09:03.760
<v Speaker 2>a dreamy.

1:09:05.040 --> 1:09:08.960
<v Speaker 4>Is unbelievable, Like the layers, the different levels of fabric,

1:09:09.120 --> 1:09:14.360
<v Speaker 4>like really delightful. B plus. Okay, I'm gonna go. I'm

1:09:14.360 --> 1:09:16.600
<v Speaker 4>gonna go for like a three out of five. I

1:09:16.640 --> 1:09:20.040
<v Speaker 4>think this is a solid three out of five. You're

1:09:20.080 --> 1:09:21.920
<v Speaker 4>gonna enjoy it if you go and see it. I

1:09:21.960 --> 1:09:25.200
<v Speaker 4>don't think anyone's gonna be bored watching it. I think

1:09:25.280 --> 1:09:30.160
<v Speaker 4>that for certain young actors, they're gonna see those creepy

1:09:30.240 --> 1:09:32.639
<v Speaker 4>twins and they're gonna be like, Yes, that's the kind

1:09:32.640 --> 1:09:34.280
<v Speaker 4>of career I want to have. I want to be

1:09:34.479 --> 1:09:37.920
<v Speaker 4>the weirdo in the movie. I want to be able

1:09:38.040 --> 1:09:41.680
<v Speaker 4>to be Johnny Storm but also play this role. You know.

1:09:41.760 --> 1:09:45.080
<v Speaker 4>I think that's something that's very inspiring to young actors.

1:09:45.680 --> 1:09:49.120
<v Speaker 4>And I also think that Denzel is gonna win an

1:09:49.120 --> 1:09:51.280
<v Speaker 4>Oscar and he deserves it. And I think this is

1:09:51.320 --> 1:09:55.799
<v Speaker 4>the kind of movie that pretty much anyone can enjoy,

1:09:56.160 --> 1:09:58.599
<v Speaker 4>which I think is a is a very very very

1:09:58.760 --> 1:10:03.840
<v Speaker 4>very wonderful thing to have in a movie theater in

1:10:03.880 --> 1:10:06.120
<v Speaker 4>twenty twenty four. So yeah, I must say. I'm gonna

1:10:06.120 --> 1:10:08.680
<v Speaker 4>say three out of five. It's a solid, like, you know,

1:10:08.800 --> 1:10:11.080
<v Speaker 4>seven out of ten, Like it's better than your average,

1:10:11.160 --> 1:10:15.320
<v Speaker 4>but it's not gonna blow you away. Jason, what about you?

1:10:16.320 --> 1:10:23.559
<v Speaker 1>I am going to give it since I'm gonna continue,

1:10:23.560 --> 1:10:25.559
<v Speaker 1>first of all, with the theme of each of us

1:10:25.640 --> 1:10:29.720
<v Speaker 1>giving completely metrics. I'm gonna give it. I'm gonna give

1:10:29.760 --> 1:10:32.200
<v Speaker 1>it two thumbs up. Okay, I think this is a

1:10:32.240 --> 1:10:36.400
<v Speaker 1>good a good movie, all right, Roderick. I think it's

1:10:36.400 --> 1:10:42.640
<v Speaker 1>a good movie. I think Denzel's performance is awesome. I

1:10:42.680 --> 1:10:47.719
<v Speaker 1>think Paul Mescal has the juice. He has the juice.

1:10:48.120 --> 1:10:50.320
<v Speaker 1>I don't know that the juice was fully realized in

1:10:50.320 --> 1:10:55.200
<v Speaker 1>this film, but he had. There is juice. He's there

1:10:55.240 --> 1:10:58.960
<v Speaker 1>is juice there, and I can't wait to see more

1:10:59.000 --> 1:11:05.559
<v Speaker 1>of that juice. And as an action spectacle, fantastic. Two

1:11:05.600 --> 1:11:09.439
<v Speaker 1>thumbs up for me, Glad You're too. It left me

1:11:09.640 --> 1:11:10.280
<v Speaker 1>wanting more.

1:11:10.479 --> 1:11:10.919
<v Speaker 2>Internet.

1:11:12.600 --> 1:11:15.480
<v Speaker 3>The Internet gave it a seventy five over on the ratatos.

1:11:16.600 --> 1:11:19.880
<v Speaker 3>We're pretty we're roughly in alignment. Oh yeah.

1:11:19.920 --> 1:11:22.719
<v Speaker 1>Well, on the next couple of episodes of Extra Vision,

1:11:23.200 --> 1:11:26.120
<v Speaker 1>we're diving into the final act of arcane. Oh I

1:11:26.200 --> 1:11:29.200
<v Speaker 1>can't wait. The Extras are back Wednesday with a recap

1:11:29.200 --> 1:11:31.280
<v Speaker 1>of Dune Prophecy Episode two.

1:11:31.760 --> 1:11:36.559
<v Speaker 4>Special guests from June Pod slash Escape Patch.

1:11:38.439 --> 1:11:42.360
<v Speaker 1>Our good friends from the Dune Pod will be joining us.

1:11:42.439 --> 1:11:45.799
<v Speaker 1>And then for the holiday week we're gonna be dropping

1:11:45.800 --> 1:11:52.320
<v Speaker 1>our must watch Thanksgiving movies. That's it for this episode Thanks.

1:11:52.120 --> 1:11:54.840
<v Speaker 2>For Listening, Bye, Thank You.

1:12:00.880 --> 1:12:04.240
<v Speaker 1>X ray Vision is hosted by Jason Kensumsion and Rosie

1:12:04.320 --> 1:12:08.559
<v Speaker 1>Knight and is a production of iHeart Podcasts. Our executive

1:12:08.560 --> 1:12:12.799
<v Speaker 1>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

1:12:13.160 --> 1:12:17.920
<v Speaker 1>is a Boo Zafar. Our producers are Carmen Lawn and

1:12:18.040 --> 1:12:21.480
<v Speaker 1>Mia Taylor. Our theme song is by Brian Basquez.

1:12:21.960 --> 1:12:26.240
<v Speaker 4>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

1:12:26.600 --> 1:12:31.559
<v Speaker 4>and Heidi Our discoord moderata