1
00:00:05,600 --> 00:00:10,959
Speaker 1: Hey, welcome to episode one thirty one of the Bobby Cast. Hey.

2
00:00:11,080 --> 00:00:13,600
Speaker 1: Let me first say that Jaco Onen has a podcast

3
00:00:13,640 --> 00:00:18,000
Speaker 1: called The Good Company Podcast. Jaco and the country singer

4
00:00:18,680 --> 00:00:24,920
Speaker 1: The Boat Driver talks about his life being artist. Being

5
00:00:25,040 --> 00:00:27,760
Speaker 1: artis with hits, touring all that. If you like country

6
00:00:27,800 --> 00:00:31,880
Speaker 1: music like Jacowen, check out the Good Company Podcast. I

7
00:00:31,920 --> 00:00:34,960
Speaker 1: think you'll like it. There you go. And this is

8
00:00:35,200 --> 00:00:38,320
Speaker 1: being brought to us by Sleep Number, which, by the way,

9
00:00:38,360 --> 00:00:41,800
Speaker 1: the lowest prices of the season. With Sleep Number, you've

10
00:00:41,800 --> 00:00:44,400
Speaker 1: heard me talk about my sleep number bed and how

11
00:00:44,400 --> 00:00:47,639
Speaker 1: it has improved my quality of slave. It's true. My

12
00:00:47,720 --> 00:00:51,400
Speaker 1: sleep number setting is thirty. And maybe you considered a

13
00:00:51,400 --> 00:00:52,720
Speaker 1: sleep number beby you thought I don't know if I

14
00:00:52,760 --> 00:00:55,200
Speaker 1: can afford one, But right now is a great time

15
00:00:55,240 --> 00:00:57,480
Speaker 1: if you go in for a limit of time. Queen

16
00:00:57,520 --> 00:00:59,840
Speaker 1: match the start at five nine nine. The sleep number

17
00:00:59,880 --> 00:01:02,480
Speaker 1: bed let you adjust your mattress firmness or softness on

18
00:01:02,520 --> 00:01:06,160
Speaker 1: each side. And if you think, man, I gotta get

19
00:01:06,160 --> 00:01:08,759
Speaker 1: a bed anyway, why not at least go to the store.

20
00:01:08,840 --> 00:01:11,280
Speaker 1: You can lay on the bed. And I've laid on

21
00:01:11,319 --> 00:01:13,200
Speaker 1: the bed and it tells you it's like a bag.

22
00:01:13,240 --> 00:01:15,720
Speaker 1: Your back, your neck. You look at the screen. My

23
00:01:15,760 --> 00:01:17,720
Speaker 1: screen was up on the ceiling of the place, and

24
00:01:17,720 --> 00:01:19,880
Speaker 1: I was like, oh, check that out. So your neck,

25
00:01:19,920 --> 00:01:22,319
Speaker 1: your shoulders, your back, your hips, all the Sleep Number

26
00:01:22,360 --> 00:01:25,600
Speaker 1: store near you again. My sleep number setting is thirty

27
00:01:25,720 --> 00:01:27,560
Speaker 1: and my sleep i Q score last night was actually

28
00:01:27,560 --> 00:01:28,840
Speaker 1: really high because the first of I've been in my

29
00:01:28,880 --> 00:01:31,319
Speaker 1: bed in a while, going out during the lowest prices

30
00:01:31,400 --> 00:01:33,640
Speaker 1: of the season. The final close out on Sleep Number

31
00:01:33,720 --> 00:01:36,919
Speaker 1: Queen c two mattresses with adjustable comfort on both sides.

32
00:01:38,640 --> 00:01:41,119
Speaker 1: Go to sleep number dot com slash bones to find

33
00:01:41,120 --> 00:01:43,840
Speaker 1: the store nearsho There you go. You know, I was

34
00:01:44,360 --> 00:01:48,880
Speaker 1: flying back yesterday from New York and I'd often consider

35
00:01:48,960 --> 00:01:53,280
Speaker 1: myself the chumba oneba of books, the one hit and

36
00:01:53,320 --> 00:01:54,680
Speaker 1: I was, I can't do that anymore. I know I

37
00:01:54,680 --> 00:01:57,640
Speaker 1: have two hits, and so I started thinking about two

38
00:01:57,680 --> 00:02:01,280
Speaker 1: hit wonders, something I really they hadn't thought about much,

39
00:02:01,440 --> 00:02:04,040
Speaker 1: the two hit wonder. I've thought about the one hit

40
00:02:04,040 --> 00:02:05,960
Speaker 1: wonder a lot, because it's something that people talk about

41
00:02:06,000 --> 00:02:09,600
Speaker 1: a lot. And you know, the original definition of the

42
00:02:09,639 --> 00:02:15,359
Speaker 1: one hit wonders a Top forty Billboards song meaning Garth

43
00:02:15,400 --> 00:02:18,239
Speaker 1: Brooks is actually a one hit wonder because he's only

44
00:02:18,240 --> 00:02:20,560
Speaker 1: had one song ever hit the big chart in the

45
00:02:20,600 --> 00:02:23,520
Speaker 1: top forty, and do you know what that was? Uh,

46
00:02:25,200 --> 00:02:31,559
Speaker 1: it's a Chris Gaines song. Yeah. So with that definition,

47
00:02:31,639 --> 00:02:33,080
Speaker 1: you know, that's kind of where I come into. This

48
00:02:33,680 --> 00:02:36,000
Speaker 1: is the universal definition of one hit wonder is the

49
00:02:36,160 --> 00:02:40,640
Speaker 1: main chart, not to us Garth Brooks is to me.

50
00:02:41,160 --> 00:02:43,520
Speaker 1: He's the best at all time. And he actually is

51
00:02:43,560 --> 00:02:47,800
Speaker 1: the biggest seller of all time of all formats, period records,

52
00:02:47,840 --> 00:02:49,240
Speaker 1: which is crazy to think about it. Wrote that in

53
00:02:49,240 --> 00:02:51,400
Speaker 1: my book, like he sells he seld more than Elvis.

54
00:02:51,400 --> 00:02:54,359
Speaker 1: He's sold more than the Beatles. Now I take that back,

55
00:02:54,680 --> 00:02:56,799
Speaker 1: not the Beatles. He's the biggest selling solo artists of

56
00:02:56,800 --> 00:02:59,120
Speaker 1: all time, heess what it is, but more so than Elvis,

57
00:02:59,120 --> 00:03:02,440
Speaker 1: more so than any other, you know, mainstream artist. But so,

58
00:03:02,560 --> 00:03:04,920
Speaker 1: the one hit wonder is anyone that's had a hit

59
00:03:04,960 --> 00:03:07,040
Speaker 1: in the top forty and then they go away forever.

60
00:03:07,960 --> 00:03:11,160
Speaker 1: And then I thought, well, the two hit wonder, because

61
00:03:11,200 --> 00:03:13,560
Speaker 1: I now I'm the two hit wonder, And so I

62
00:03:13,680 --> 00:03:16,800
Speaker 1: was looking up two hit Wonders and people like ol City,

63
00:03:16,919 --> 00:03:18,480
Speaker 1: and so I thought, you know what they we're just

64
00:03:18,480 --> 00:03:21,360
Speaker 1: talking about this on the podcast. I was flying back

65
00:03:21,360 --> 00:03:22,600
Speaker 1: from New York. By the way, I went to watch

66
00:03:22,720 --> 00:03:27,200
Speaker 1: Hamilton's I Gotta hook up, and they're, okay, we have

67
00:03:27,280 --> 00:03:29,480
Speaker 1: we have your ticket to Hamilton's. And I'm not one

68
00:03:29,520 --> 00:03:32,800
Speaker 1: that knows anything about Broadway. The most Broadway I know

69
00:03:32,880 --> 00:03:35,520
Speaker 1: is that Broadway in Nashville where aybody peas in the

70
00:03:35,560 --> 00:03:38,320
Speaker 1: street and gets drunk. You know, that's Broadway where all

71
00:03:38,320 --> 00:03:42,320
Speaker 1: the bars are. I think I've been maybe two plays

72
00:03:42,360 --> 00:03:44,920
Speaker 1: before our musicals. I don't even know if one of

73
00:03:44,920 --> 00:03:47,400
Speaker 1: them was off Broadway or not. But so I go

74
00:03:48,160 --> 00:03:51,920
Speaker 1: because I have a theory that most things in popular culture,

75
00:03:51,920 --> 00:03:55,800
Speaker 1: if light minded people like them, you'll also like them.

76
00:03:55,920 --> 00:03:57,560
Speaker 1: And so I went to see what it was. Now,

77
00:03:57,640 --> 00:04:02,960
Speaker 1: I didn't know that it is all music. There's never

78
00:04:03,000 --> 00:04:06,160
Speaker 1: a talking part in the movie, in the musical, so

79
00:04:06,200 --> 00:04:08,640
Speaker 1: I didn't anything about it. I didn't so when it

80
00:04:08,760 --> 00:04:11,720
Speaker 1: starts and it's all it's ninety hip hop and a

81
00:04:11,760 --> 00:04:15,240
Speaker 1: little bit of singing, I didn't know that they never stopped.

82
00:04:15,280 --> 00:04:16,840
Speaker 1: I thought they would. They would talk for a bit,

83
00:04:16,880 --> 00:04:19,440
Speaker 1: and like a musical, it's like today, I'm out here

84
00:04:19,440 --> 00:04:22,359
Speaker 1: looking at the tree. Can you believe how beautiful it is?

85
00:04:22,480 --> 00:04:24,440
Speaker 1: And music comes in right? But no, no, no, it

86
00:04:24,600 --> 00:04:27,720
Speaker 1: just the music doesn't stop. And I didn't know that.

87
00:04:27,760 --> 00:04:30,080
Speaker 1: So I'm sitting in my seat. Got they get hooked

88
00:04:30,160 --> 00:04:32,719
Speaker 1: up with great seats too. I'm like fourth row, right

89
00:04:32,760 --> 00:04:34,960
Speaker 1: in the middle. I mean, I can see the sweat

90
00:04:35,000 --> 00:04:37,920
Speaker 1: coming down their faces. Actually the microphones they wear, you know,

91
00:04:37,960 --> 00:04:40,240
Speaker 1: the little clear microphones like the ones that I wear

92
00:04:40,320 --> 00:04:43,320
Speaker 1: when I do stand up, um a bit smaller, but

93
00:04:44,120 --> 00:04:48,320
Speaker 1: had great seats. Places packed, everybody's super excited and they

94
00:04:48,360 --> 00:04:50,039
Speaker 1: come out and they start this song and I'm like, wow,

95
00:04:50,040 --> 00:04:52,000
Speaker 1: that was pretty crazy. But then they go right in

96
00:04:52,000 --> 00:04:53,280
Speaker 1: to a second song and I'm like, whoa, here we

97
00:04:53,320 --> 00:04:55,359
Speaker 1: go all right when we're gonna Because I didn't I

98
00:04:55,360 --> 00:04:57,679
Speaker 1: wasn't really keeping up. I was just like Okay. About

99
00:04:57,680 --> 00:05:01,000
Speaker 1: the fourth song, I realized, oh, they're not stopping. No,

100
00:05:01,000 --> 00:05:04,480
Speaker 1: no one had told me, and some people would say, hey,

101
00:05:04,480 --> 00:05:06,120
Speaker 1: you should check out the music before you go in.

102
00:05:06,160 --> 00:05:08,080
Speaker 1: I thought, why would I do that. I want to

103
00:05:08,080 --> 00:05:11,000
Speaker 1: go experience it. But if you don't check the music out, befo,

104
00:05:11,000 --> 00:05:12,719
Speaker 1: because that's touring now. And I only tell this story

105
00:05:12,760 --> 00:05:14,320
Speaker 1: because if it comes to a town near you and

106
00:05:14,320 --> 00:05:17,240
Speaker 1: you go to it, listen to the music first, because

107
00:05:17,279 --> 00:05:19,280
Speaker 1: you at least know what's happening a bit, because just

108
00:05:19,320 --> 00:05:21,760
Speaker 1: like in any hip hop song, sometimes you missed the

109
00:05:21,800 --> 00:05:26,240
Speaker 1: references because it's so fast. Is I excuse it? And

110
00:05:26,279 --> 00:05:29,680
Speaker 1: you're like, what what? Huh? And so I I bought

111
00:05:29,720 --> 00:05:32,640
Speaker 1: a third of the way through the play, I was

112
00:05:32,880 --> 00:05:37,720
Speaker 1: dialed in, and I really started to enjoy it and

113
00:05:37,760 --> 00:05:40,360
Speaker 1: really appreciated the writing of it because it's two hours

114
00:05:40,360 --> 00:05:43,560
Speaker 1: and forty minutes of just hip hop, and it's also

115
00:05:43,600 --> 00:05:47,240
Speaker 1: teaching your history because what I learned also is Alexander Hamilton'

116
00:05:47,240 --> 00:05:49,640
Speaker 1: was probably and not just to display, but he was

117
00:05:49,720 --> 00:05:53,680
Speaker 1: probably the most influential American of all time ever. And

118
00:05:53,760 --> 00:05:58,200
Speaker 1: you you learn about these things debatable, you know, I

119
00:05:58,240 --> 00:06:05,320
Speaker 1: probably listened to three pots cast right, uh, seven different essays.

120
00:06:05,440 --> 00:06:08,039
Speaker 1: I mean, others than breaking out the book. I've spent

121
00:06:08,080 --> 00:06:10,800
Speaker 1: the last couple of days doing my research on what

122
00:06:10,839 --> 00:06:13,600
Speaker 1: Alexander Hamilton's did which and I won't get into the

123
00:06:13,640 --> 00:06:15,240
Speaker 1: weeds too much, but the thing that I find most

124
00:06:16,200 --> 00:06:19,400
Speaker 1: interesting about him was that he understood the value of debt.

125
00:06:19,600 --> 00:06:22,760
Speaker 1: And this is a hundred and fifty years before this

126
00:06:22,839 --> 00:06:25,520
Speaker 1: was the thing. But he took all of the colony

127
00:06:25,600 --> 00:06:28,280
Speaker 1: slash states debt combined them, said we'll take that as

128
00:06:28,320 --> 00:06:31,600
Speaker 1: the national debt now once we became this sovereign country,

129
00:06:32,080 --> 00:06:35,480
Speaker 1: and then said we want to owe more people. We

130
00:06:35,560 --> 00:06:38,000
Speaker 1: don't owe other countries even more money. Because what he

131
00:06:38,040 --> 00:06:40,239
Speaker 1: realized was that when you owed someone money, they needed

132
00:06:40,240 --> 00:06:43,560
Speaker 1: you to stay alive. And so if he we let's

133
00:06:43,560 --> 00:06:45,680
Speaker 1: say we borrowed some money from France, I was just

134
00:06:45,760 --> 00:06:48,320
Speaker 1: as an example, we borrowed a dollar from France. Well, France,

135
00:06:48,400 --> 00:06:50,880
Speaker 1: if we went bankrupt and died in the country with France,

136
00:06:50,920 --> 00:06:53,640
Speaker 1: never got paid again. So France needed us to stay alive,

137
00:06:53,760 --> 00:06:56,480
Speaker 1: so they helped us. And so he realized this, and

138
00:06:56,480 --> 00:06:58,280
Speaker 1: I was like, no, the national debts a great thing.

139
00:06:58,320 --> 00:07:00,000
Speaker 1: First of all, it makes us legit. We've taken all

140
00:07:00,040 --> 00:07:02,600
Speaker 1: the state's debt and combined in one federal debt. That

141
00:07:02,600 --> 00:07:03,960
Speaker 1: could be a little bit off here. Again, I've only

142
00:07:03,960 --> 00:07:06,160
Speaker 1: spent two days actually studying this, but but this is

143
00:07:06,200 --> 00:07:07,360
Speaker 1: one of the concepts where I go, oh, this is

144
00:07:07,400 --> 00:07:09,840
Speaker 1: what our entire country is built on. But he realized

145
00:07:09,840 --> 00:07:13,280
Speaker 1: that debt actually was a positive because if someone owed

146
00:07:13,320 --> 00:07:17,840
Speaker 1: you money, that person needed you to stay alive. And yeah,

147
00:07:18,120 --> 00:07:21,040
Speaker 1: I listen, I thought the play was was really just

148
00:07:21,160 --> 00:07:22,400
Speaker 1: like nothing I've ever seen. I don't e want to

149
00:07:22,400 --> 00:07:24,040
Speaker 1: say really good because I feel like that's an insult

150
00:07:24,080 --> 00:07:26,360
Speaker 1: to it, because it was like nothing I've ever seen.

151
00:07:26,400 --> 00:07:31,720
Speaker 1: And but I can see where playing the soundtrack to

152
00:07:31,880 --> 00:07:36,240
Speaker 1: a kid or someone, let's say a ten year old

153
00:07:36,280 --> 00:07:39,960
Speaker 1: to like ship Off, they could actually learn something because

154
00:07:40,040 --> 00:07:41,600
Speaker 1: I did. Again, I didn't know, And I'll play some

155
00:07:41,640 --> 00:07:45,640
Speaker 1: of this. What's this track called again? This is like

156
00:07:45,760 --> 00:07:48,800
Speaker 1: something from school. This is a and it's gonna sound

157
00:07:49,080 --> 00:07:52,400
Speaker 1: very Broadway a bit. But this is about the election

158
00:07:52,400 --> 00:07:55,520
Speaker 1: of eighteen hundred. Literally, it's about the election of eighteen hundred.

159
00:07:55,560 --> 00:07:59,280
Speaker 1: You can go into a social studies class here you

160
00:07:59,280 --> 00:08:01,640
Speaker 1: go listen to some of that. Can we get back

161
00:08:01,640 --> 00:08:07,160
Speaker 1: to politics, please? Yo. Every action has the equal opposite reaction.

162
00:08:07,480 --> 00:08:09,760
Speaker 1: John Adams, that's the band. I love the guy, but

163
00:08:09,920 --> 00:08:14,280
Speaker 1: he's in traction. Or Alexander Hamilton, he is missing in action.

164
00:08:14,640 --> 00:08:19,160
Speaker 1: So now I'm facing Aaron with his own faction. So

165
00:08:19,200 --> 00:08:22,240
Speaker 1: this is Thomas Jefferson rappings, basically Thomas Jefferson telling a

166
00:08:22,280 --> 00:08:25,720
Speaker 1: story and you turned it up again, but it is him.

167
00:08:28,640 --> 00:08:30,840
Speaker 1: And they say I'm a Francophile. At least they know

168
00:08:30,920 --> 00:08:33,680
Speaker 1: I know where France is Thomas. That's the problem. See

169
00:08:33,720 --> 00:08:36,079
Speaker 1: they see and for three hours it's like a DJ

170
00:08:36,200 --> 00:08:38,960
Speaker 1: and music down there, just switching up beats and and

171
00:08:39,000 --> 00:08:40,720
Speaker 1: what they do at times is they turn it into

172
00:08:40,760 --> 00:08:43,280
Speaker 1: a rat battle. So they would go into uh, like

173
00:08:43,400 --> 00:08:45,679
Speaker 1: in the chamber and they would go, you know this

174
00:08:45,760 --> 00:08:47,600
Speaker 1: is where they just say, like this where Jefferson and

175
00:08:48,000 --> 00:08:51,360
Speaker 1: Hambleton's debated, but instead it's a rap bout on like

176
00:08:51,400 --> 00:08:53,560
Speaker 1: throw the two microphones and it's like here, I mean,

177
00:08:53,600 --> 00:08:55,880
Speaker 1: it's cool, it really is. It's like nothing I've seen,

178
00:08:55,880 --> 00:08:57,760
Speaker 1: so for me to compare to something would be I

179
00:08:57,760 --> 00:09:01,640
Speaker 1: feel like I've been insulting. But again, you can turn

180
00:09:01,640 --> 00:09:03,680
Speaker 1: it down. But yeah, it was cool. I think you'd

181
00:09:03,720 --> 00:09:07,000
Speaker 1: like it because you learn the music is really good,

182
00:09:07,559 --> 00:09:10,760
Speaker 1: and then it actually stimulates you to go and learn more.

183
00:09:10,800 --> 00:09:12,240
Speaker 1: Because I did, I was like, wow, I needn't know

184
00:09:12,280 --> 00:09:17,080
Speaker 1: more about this. So, yeah, does did it sound appealing

185
00:09:17,120 --> 00:09:19,079
Speaker 1: to you? Before I talked about it at all? Oh?

186
00:09:19,160 --> 00:09:21,360
Speaker 1: Did you? So? I never took it? I said, my

187
00:09:21,360 --> 00:09:22,680
Speaker 1: Broadway and I kind of go and then it's not

188
00:09:22,720 --> 00:09:24,840
Speaker 1: for me. I'm not cool enough. I'm not cultured enough.

189
00:09:26,200 --> 00:09:28,400
Speaker 1: But to you it did seem cool something I would

190
00:09:28,440 --> 00:09:32,480
Speaker 1: never get to do though, UM, yeah, I guess me too.

191
00:09:32,480 --> 00:09:36,720
Speaker 1: And then I said my agent it was like, hey,

192
00:09:36,920 --> 00:09:39,120
Speaker 1: we like we can get tickets the third and um,

193
00:09:39,160 --> 00:09:41,280
Speaker 1: I would have thought it would have been slammed because

194
00:09:41,280 --> 00:09:43,640
Speaker 1: you really can't get it anyway. But but my agent

195
00:09:43,880 --> 00:09:45,920
Speaker 1: in New York, who does like my TV deals, American

196
00:09:45,960 --> 00:09:50,199
Speaker 1: Idol and um other stuff, she was like, hey, we

197
00:09:50,360 --> 00:09:52,600
Speaker 1: have like ten tickets a show. You have to pay

198
00:09:52,640 --> 00:09:55,280
Speaker 1: for them, but you can't even get from the normal price.

199
00:09:55,280 --> 00:09:56,439
Speaker 1: Now you have to get them all jacked up on

200
00:09:56,480 --> 00:09:58,800
Speaker 1: the internet. But she's like, normal price if you want

201
00:09:58,800 --> 00:10:00,240
Speaker 1: to come. And I was like, all right, cool, So

202
00:10:00,280 --> 00:10:03,520
Speaker 1: I did. It was good, you'd like it, and it's

203
00:10:03,559 --> 00:10:05,480
Speaker 1: touring now. To is my point, it's in all the

204
00:10:05,720 --> 00:10:07,800
Speaker 1: because I posted the booklet, people like, oh are you

205
00:10:07,800 --> 00:10:11,800
Speaker 1: in Chicago? Are you and wherever? There's like a something

206
00:10:11,800 --> 00:10:13,800
Speaker 1: going on the country. So if you get a chance

207
00:10:13,800 --> 00:10:16,040
Speaker 1: to see it, it's obviously gonna be cheaper when it

208
00:10:16,040 --> 00:10:18,400
Speaker 1: comes around. Not to say it, but it's good. And

209
00:10:18,440 --> 00:10:19,880
Speaker 1: I didn't think that I would like it. I didn't

210
00:10:19,920 --> 00:10:22,640
Speaker 1: really what it was. I just I knew Hamilton was

211
00:10:22,679 --> 00:10:24,400
Speaker 1: a big thing for same people talk about on TV.

212
00:10:24,960 --> 00:10:27,520
Speaker 1: I knew it was about Alexander Hamilton's I really didn't

213
00:10:27,520 --> 00:10:31,280
Speaker 1: know much about him except for he was George Washingtons, right,

214
00:10:31,320 --> 00:10:33,720
Speaker 1: hey man, that's really all I knew about it from history,

215
00:10:34,040 --> 00:10:37,280
Speaker 1: and he got put into the most influential cabinet spot

216
00:10:37,280 --> 00:10:39,559
Speaker 1: as soon as Washington took over, which was the head

217
00:10:39,600 --> 00:10:42,160
Speaker 1: of Treasury again. And I don't have any facts in

218
00:10:42,160 --> 00:10:45,199
Speaker 1: front of me. I'm just going from what I saw,

219
00:10:45,400 --> 00:10:47,040
Speaker 1: but so much more I wanted to go read because

220
00:10:47,040 --> 00:10:48,600
Speaker 1: I knew I missed a lot of it because I

221
00:10:48,679 --> 00:10:50,720
Speaker 1: was just like, when are they gonna talk? And they

222
00:10:50,840 --> 00:10:52,839
Speaker 1: never talk? But it was cool. The DJ we just

223
00:10:52,880 --> 00:10:56,160
Speaker 1: like switch up beats and that going, and I was good.

224
00:10:56,280 --> 00:10:58,880
Speaker 1: This good. It's good because I did that. It's kind

225
00:10:58,880 --> 00:11:00,319
Speaker 1: of really the only thing that I've done over the

226
00:11:00,360 --> 00:11:03,720
Speaker 1: past few days. We've been on vacation. I have Miked

227
00:11:03,800 --> 00:11:06,199
Speaker 1: hasn't been on vacation. He doesn't get as much vacation yet,

228
00:11:06,200 --> 00:11:10,800
Speaker 1: he doesn't have as much seniority as a few of

229
00:11:10,840 --> 00:11:14,800
Speaker 1: us on the show do. But um, I did that.

230
00:11:15,600 --> 00:11:18,600
Speaker 1: I watched Coco last night. Have you seen Cocoa? It's

231
00:11:18,640 --> 00:11:23,240
Speaker 1: freaking good. I mean it's really good. I only watched

232
00:11:23,240 --> 00:11:26,000
Speaker 1: it because I have a friend in she's very dark,

233
00:11:26,040 --> 00:11:31,480
Speaker 1: since the humor she's very nothing makes her sad or

234
00:11:32,520 --> 00:11:34,319
Speaker 1: it just He's like, you should watch Cocoa because she

235
00:11:34,320 --> 00:11:36,600
Speaker 1: said it made me feel a certain way. And I

236
00:11:36,640 --> 00:11:39,440
Speaker 1: was like, all right, So I was like, how I watched?

237
00:11:39,600 --> 00:11:41,800
Speaker 1: Is they gonna be Coco or The Greatest Showman, which

238
00:11:41,840 --> 00:11:43,720
Speaker 1: I've been. I'm gonna watch that. Amy and I had

239
00:11:43,720 --> 00:11:45,280
Speaker 1: a thing on the air about that, which is a

240
00:11:45,400 --> 00:11:48,120
Speaker 1: musical too, and that's a real life thing about Pete Barnum.

241
00:11:48,200 --> 00:11:49,600
Speaker 1: So I feel like I'm going to learn about this

242
00:11:49,640 --> 00:11:51,559
Speaker 1: and then go down the wormhole of Pete Barnum, like

243
00:11:51,600 --> 00:11:54,760
Speaker 1: I know what's gonna happen. But I watched Coco and

244
00:11:55,559 --> 00:11:57,160
Speaker 1: I just kind of felt my it's it's streaming on

245
00:11:57,200 --> 00:11:59,560
Speaker 1: Netflix right now too, so I have to buy it.

246
00:11:59,559 --> 00:12:02,600
Speaker 1: Didn't run it, and I loved it in this song

247
00:12:03,160 --> 00:12:11,719
Speaker 1: here at the end, remember me, remember so it's so

248
00:12:11,920 --> 00:12:18,880
Speaker 1: it's so good. Yeah, time you sad your job? No

249
00:12:19,800 --> 00:12:24,920
Speaker 1: with you the only way that can mean until your

250
00:12:25,160 --> 00:12:35,240
Speaker 1: and my kid remember. So. I didn't think that I

251
00:12:35,320 --> 00:12:37,760
Speaker 1: would like it. Straight up. I thought that I might

252
00:12:37,880 --> 00:12:41,040
Speaker 1: like it, as is that a Pixar movie. I thought

253
00:12:41,040 --> 00:12:42,360
Speaker 1: I might love it, but well, you know what for

254
00:12:42,480 --> 00:12:44,560
Speaker 1: kids movies. I mean, I just liked it. It was

255
00:12:44,600 --> 00:12:48,680
Speaker 1: just good. Aside from liking it for a kids movie,

256
00:12:48,720 --> 00:12:50,480
Speaker 1: I just liked it. I thought it was really good.

257
00:12:51,240 --> 00:12:53,320
Speaker 1: So yeah, I mean that's really what I did. Watch

258
00:12:53,360 --> 00:12:56,760
Speaker 1: some Glow, like that show on Netflix. You know, I

259
00:12:56,800 --> 00:12:58,960
Speaker 1: watched the first season. I gets I like things that

260
00:12:59,040 --> 00:13:01,400
Speaker 1: have a bit of true history in them, which is

261
00:13:01,400 --> 00:13:03,200
Speaker 1: why I got into the first season, and they're only

262
00:13:03,240 --> 00:13:05,200
Speaker 1: thirty minutes each. And then I watched the real documentary

263
00:13:05,240 --> 00:13:07,120
Speaker 1: on Netflix of the Women of Glow, which is a

264
00:13:07,160 --> 00:13:09,800
Speaker 1: female wrestling gorgeous ladies of wrestling. It's what it stands for.

265
00:13:10,520 --> 00:13:13,120
Speaker 1: And I did that, and now I'm watching the second season.

266
00:13:13,160 --> 00:13:15,839
Speaker 1: Is what this is. Someone was done with it. But

267
00:13:15,880 --> 00:13:17,880
Speaker 1: are you watching that? It's pretty good. I think I'm

268
00:13:18,160 --> 00:13:20,360
Speaker 1: a little more than halfway through. I think I'm on

269
00:13:20,640 --> 00:13:24,640
Speaker 1: nine of ten. So and then I I've dabbled on

270
00:13:24,679 --> 00:13:28,160
Speaker 1: the staircase a little bit. Okay, you have to get

271
00:13:28,200 --> 00:13:31,040
Speaker 1: to the first episode, because the first I was terrible. Okay,

272
00:13:31,080 --> 00:13:34,840
Speaker 1: I couldn't. I couldn't either, and I kept drifting away

273
00:13:34,880 --> 00:13:37,520
Speaker 1: from it and I would just get on Twitter or

274
00:13:38,000 --> 00:13:40,560
Speaker 1: got this book I'm reading I'll be like, ah, but

275
00:13:40,600 --> 00:13:42,880
Speaker 1: I kept it on. I got into the second said

276
00:13:42,920 --> 00:13:44,480
Speaker 1: I'm gonna give the secondpisode a shot because a lot

277
00:13:44,480 --> 00:13:45,960
Speaker 1: of people were tweeting me saying give it a shot,

278
00:13:46,040 --> 00:13:48,480
Speaker 1: give it a shot, and you know my theory that

279
00:13:48,559 --> 00:13:51,520
Speaker 1: if a lot of people that are like minded like

280
00:13:51,679 --> 00:13:55,840
Speaker 1: something in popular culture, it's probably good. I'll watched second episode.

281
00:13:55,880 --> 00:14:00,600
Speaker 1: I was like, oh, is that or so I'm not

282
00:14:00,679 --> 00:14:03,520
Speaker 1: told listen, I'm not an advocate for the Staircase yet

283
00:14:03,520 --> 00:14:07,400
Speaker 1: because it's a lot of episodes. But I started to

284
00:14:07,440 --> 00:14:10,520
Speaker 1: feel a bit of that pivot where I go, oh,

285
00:14:11,160 --> 00:14:15,679
Speaker 1: now we're talking about second level stuff. So yeah, let

286
00:14:15,679 --> 00:14:18,320
Speaker 1: me encourage you because I'm only an episode ahead of you.

287
00:14:18,360 --> 00:14:21,000
Speaker 1: So I it's not like I can tell you to

288
00:14:21,040 --> 00:14:23,640
Speaker 1: invest a lot of your time into it. But the Staircase,

289
00:14:24,360 --> 00:14:27,400
Speaker 1: I'm going to watch episode three if that says anything

290
00:14:27,440 --> 00:14:30,160
Speaker 1: to you. And I could barely get through episode one,

291
00:14:31,040 --> 00:14:35,160
Speaker 1: but the episode two it turns you a bit. But

292
00:14:35,200 --> 00:14:38,040
Speaker 1: I'll leave it at that. Maybe in a later edition

293
00:14:38,800 --> 00:14:41,640
Speaker 1: the podcast will come back and catch up on that.

294
00:14:41,720 --> 00:14:43,800
Speaker 1: But all of the stuff going through my head is

295
00:14:44,200 --> 00:14:46,760
Speaker 1: I it's flying back from New York, and you know

296
00:14:46,760 --> 00:14:49,040
Speaker 1: what's funny too about flying is that there's really no

297
00:14:49,080 --> 00:14:50,760
Speaker 1: stress on me. When I was I flew like a

298
00:14:50,760 --> 00:14:54,000
Speaker 1: southwest of eleven AM to New York and then stayed

299
00:14:54,000 --> 00:14:56,240
Speaker 1: there for about twenty hours and got saw this flight

300
00:14:56,280 --> 00:14:57,880
Speaker 1: and flew back. When you don't have to do it

301
00:14:57,880 --> 00:14:59,360
Speaker 1: for work, it's kind of just chill. You just go

302
00:14:59,400 --> 00:15:02,200
Speaker 1: to the airport like I just don't. I don't hate

303
00:15:02,200 --> 00:15:06,240
Speaker 1: flying as much whenever I'm traving to get somewhere. No, no,

304
00:15:06,320 --> 00:15:09,400
Speaker 1: the time. Well, it's not a just in case scenario

305
00:15:09,480 --> 00:15:13,080
Speaker 1: all the time. And I'm not really juggling sleep because

306
00:15:13,080 --> 00:15:14,520
Speaker 1: that's been the biggest part of my life for the

307
00:15:14,560 --> 00:15:16,120
Speaker 1: past fifteen years and trying to figure out what I'm

308
00:15:16,120 --> 00:15:21,080
Speaker 1: gonna sleep so I can, I think clearly be effective.

309
00:15:22,320 --> 00:15:25,440
Speaker 1: It'd be healthy. I just went to the airport out

310
00:15:25,600 --> 00:15:27,800
Speaker 1: if I got like twenty minutes once and I was like, fine,

311
00:15:28,600 --> 00:15:30,960
Speaker 1: I'm good, you have me. I had some grapes and

312
00:15:31,280 --> 00:15:34,440
Speaker 1: some grapes, read a magazine. I didn't even know who

313
00:15:34,520 --> 00:15:39,760
Speaker 1: I was pretty nice. So I flew up when the

314
00:15:39,840 --> 00:15:42,240
Speaker 1: one thing I wanted to do in New York's going

315
00:15:42,280 --> 00:15:44,880
Speaker 1: to the freaking shoe store and it was closed. It

316
00:15:44,960 --> 00:15:47,440
Speaker 1: was July fourth, and I thought, maybe they'll be open

317
00:15:47,480 --> 00:15:50,640
Speaker 1: in the daytime. It's New York, Downtown New York pretty

318
00:15:50,640 --> 00:15:52,720
Speaker 1: progressive when it comes to keeping things open all time.

319
00:15:53,320 --> 00:15:57,000
Speaker 1: I know it's a holiday, but and it's not firework

320
00:15:57,000 --> 00:15:59,080
Speaker 1: time till nighttime, so I would be close in daytime.

321
00:15:59,320 --> 00:16:01,120
Speaker 1: But really I knew but but a lot of things

322
00:16:01,120 --> 00:16:03,960
Speaker 1: were open um but now it was closed. It's the

323
00:16:03,960 --> 00:16:06,720
Speaker 1: one thing I wanted to do. I know, sad get

324
00:16:06,720 --> 00:16:09,960
Speaker 1: on the fly to fly back home, and I tweeted out,

325
00:16:11,440 --> 00:16:13,280
Speaker 1: because you know, the book's done well. I said, hey,

326
00:16:13,880 --> 00:16:17,800
Speaker 1: I'm no longer the Chumba Wamba of books. I said,

327
00:16:17,800 --> 00:16:21,280
Speaker 1: I'm not to hit wonder and so I started to

328
00:16:21,920 --> 00:16:24,000
Speaker 1: write out little things on Twitter. I was like that

329
00:16:24,080 --> 00:16:27,200
Speaker 1: the tone look of literature. And then I just started

330
00:16:27,760 --> 00:16:29,800
Speaker 1: the al City of riding witty and I just started

331
00:16:29,840 --> 00:16:32,200
Speaker 1: making up these things. And so then I I had

332
00:16:32,240 --> 00:16:35,040
Speaker 1: sent Mike. I sent you a text message. I was like, hey,

333
00:16:35,040 --> 00:16:39,560
Speaker 1: we should do a a whole podcast on two hit wonders,

334
00:16:40,000 --> 00:16:42,560
Speaker 1: because that's kind of a thing people that have had

335
00:16:42,600 --> 00:16:45,320
Speaker 1: two hits and then faded away. And so I've made

336
00:16:45,320 --> 00:16:46,680
Speaker 1: a top ten list here and I kind of felt

337
00:16:46,680 --> 00:16:48,000
Speaker 1: bad sending you all these clops, but then you sent

338
00:16:48,040 --> 00:16:50,040
Speaker 1: me another list of clips. It's like a hundred more clips,

339
00:16:50,040 --> 00:16:50,920
Speaker 1: and I was like, oh, I don't even feel that

340
00:16:50,960 --> 00:16:54,560
Speaker 1: bad then anymore. How but how hard is it for

341
00:16:54,560 --> 00:16:56,480
Speaker 1: you to put in a clip when we do this show.

342
00:16:58,040 --> 00:17:01,000
Speaker 1: I don't know. All these clips maybe take me thirty minutes.

343
00:17:01,240 --> 00:17:06,240
Speaker 1: It's like, okay, well even to send you these at

344
00:17:06,280 --> 00:17:09,520
Speaker 1: my top ten list of two hit wonders, so it's

345
00:17:09,600 --> 00:17:12,800
Speaker 1: twenty clips. I thought, I feel bad about that, but

346
00:17:12,800 --> 00:17:16,560
Speaker 1: I guess I don't, okay, Number ten of two hit wonders.

347
00:17:17,240 --> 00:17:21,160
Speaker 1: The Bloodhound Gang. Now they had two hits. You may

348
00:17:21,240 --> 00:17:23,840
Speaker 1: know this was their first song that actually didn't because

349
00:17:23,880 --> 00:17:26,240
Speaker 1: you'll see the trajectory of most of these. They have

350
00:17:26,240 --> 00:17:29,320
Speaker 1: a big smash hit it first, and their second hit

351
00:17:29,400 --> 00:17:32,320
Speaker 1: kind of crawls up and barely gets into the top forty.

352
00:17:32,720 --> 00:17:36,480
Speaker 1: But this was different because Firewater Burned from the Bloodhound

353
00:17:36,520 --> 00:17:39,200
Speaker 1: Gang was their first one. And you'll know the hook

354
00:17:39,320 --> 00:17:44,120
Speaker 1: is for sure. Here's the song the room the roof

355
00:17:44,400 --> 00:17:46,840
Speaker 1: is on fire. I say you know that, You know that? Okay.

356
00:17:46,880 --> 00:17:48,080
Speaker 1: I think a lot of people will know this. They

357
00:17:48,080 --> 00:17:56,840
Speaker 1: don't know who it is here, so fire we don't

358
00:17:56,920 --> 00:18:05,399
Speaker 1: need no burn. Motherfucker's a bad word any um. So

359
00:18:05,480 --> 00:18:08,399
Speaker 1: there's that. And then so that was a song and

360
00:18:08,400 --> 00:18:10,600
Speaker 1: it was kind of novel. And then they had the

361
00:18:10,680 --> 00:18:13,359
Speaker 1: Bad Touch, which I remember playing on the radio with

362
00:18:13,520 --> 00:18:17,280
Speaker 1: me baby ain't nothing but man. Also, let's do it

363
00:18:17,400 --> 00:18:20,520
Speaker 1: like they do, want to discover Rea channel? Do it again?

364
00:18:20,640 --> 00:18:24,679
Speaker 1: Now do you know who the song? Yeah? Yeah too,

365
00:18:25,680 --> 00:18:29,720
Speaker 1: like kind adobe white dudes, that kind of rap. Yeah,

366
00:18:30,160 --> 00:18:32,800
Speaker 1: there you go. That's number ten, favor two it wonders.

367
00:18:33,160 --> 00:18:37,160
Speaker 1: Now I have at number nine Rachel Platton, who's still

368
00:18:37,280 --> 00:18:40,600
Speaker 1: a current artist and will probably have another hit. And

369
00:18:40,680 --> 00:18:43,320
Speaker 1: she's really the only one that's still someone who has

370
00:18:43,359 --> 00:18:46,159
Speaker 1: a shot to put a song in the Billboard top forty.

371
00:18:46,680 --> 00:18:59,000
Speaker 1: So you fight song, everybody fights on this gigantic and

372
00:18:59,080 --> 00:19:09,879
Speaker 1: also stand you from Michel Patton because I think she's

373
00:19:09,920 --> 00:19:12,359
Speaker 1: the one of these two hit wonders that has a

374
00:19:12,440 --> 00:19:14,000
Speaker 1: chance to jump out of this. He's the only one

375
00:19:14,040 --> 00:19:15,159
Speaker 1: and probably you know, as a matter of fact, she

376
00:19:15,240 --> 00:19:17,840
Speaker 1: probably will have another hit, but right now she's a

377
00:19:17,840 --> 00:19:21,280
Speaker 1: two hit wonder. And number eight Katie Tunstall. You remember

378
00:19:21,280 --> 00:19:23,840
Speaker 1: a black horse in the cherry Tree. Here's the night here,

379
00:19:25,520 --> 00:19:35,360
Speaker 1: No no, no, no no. And then suddenly I same,

380
00:19:35,720 --> 00:19:38,080
Speaker 1: remember that one, Remember that you ember the other one?

381
00:19:38,080 --> 00:19:42,480
Speaker 1: I remember, really Black Horse in the Cherry Tree was

382
00:19:42,560 --> 00:19:44,680
Speaker 1: so big. It was on American Idol back end the

383
00:19:44,720 --> 00:19:47,159
Speaker 1: day when American I was like, I think everybody watched

384
00:19:47,280 --> 00:19:51,679
Speaker 1: and I remember it. That's number eight talked to two

385
00:19:51,720 --> 00:19:54,280
Speaker 1: hit wonders. Remember, I'm just using the Billboard chart. That's

386
00:19:54,440 --> 00:19:58,080
Speaker 1: my the main Billboard chart. So if you have any issue,

387
00:19:58,280 --> 00:20:01,560
Speaker 1: I don't care like you can say, well, this chart

388
00:20:01,680 --> 00:20:04,680
Speaker 1: in the rock chart, the modern rock the album I

389
00:20:04,840 --> 00:20:08,639
Speaker 1: didn't matter. I'm just using the main basically what they

390
00:20:08,680 --> 00:20:11,920
Speaker 1: call the top forty chart, the Billboard Top forty, which

391
00:20:11,960 --> 00:20:14,320
Speaker 1: is really hard to get into, by the way, it's

392
00:20:14,400 --> 00:20:21,919
Speaker 1: the top forty songs. Airplay excuse me, streaming, Uh, I

393
00:20:21,960 --> 00:20:24,919
Speaker 1: don't know, whistling, I don't know what you do. It's

394
00:20:24,920 --> 00:20:27,119
Speaker 1: so hot up period' druing drink water as I as

395
00:20:27,160 --> 00:20:28,600
Speaker 1: I do this in my house, I don't know. I

396
00:20:28,600 --> 00:20:32,160
Speaker 1: can't keep it cool. I don't my bedrooms like eighty degrees.

397
00:20:33,359 --> 00:20:35,080
Speaker 1: I'm calling the air conditioner guy just to teach me

398
00:20:35,080 --> 00:20:37,200
Speaker 1: how to use my air conditioner. It may be broken,

399
00:20:37,320 --> 00:20:40,280
Speaker 1: I don't know, but I'm calling my a C guy

400
00:20:40,280 --> 00:20:42,639
Speaker 1: and you can't come until next week obviously it's the holiday.

401
00:20:42,680 --> 00:20:44,560
Speaker 1: And I just like, teach me how to use this thing.

402
00:20:45,720 --> 00:20:47,840
Speaker 1: It's not even a new kind of air conditioner. I

403
00:20:47,840 --> 00:20:50,080
Speaker 1: feel like there's something we're missing. Yeah, I do too,

404
00:20:51,320 --> 00:20:53,159
Speaker 1: for some reason. Would just hold a temperature either. You

405
00:20:53,160 --> 00:20:56,080
Speaker 1: gotta constantly be like, give me thirty more minutes. It's

406
00:20:56,080 --> 00:20:57,840
Speaker 1: like putting money into one of those air hoses at

407
00:20:57,840 --> 00:21:00,000
Speaker 1: the gas station. We're like, oh, it's my I gotta

408
00:21:00,000 --> 00:21:02,280
Speaker 1: it's putting thirty more cents. It's like hold into it,

409
00:21:02,400 --> 00:21:06,000
Speaker 1: like no, no, no, just just he put at seventy three. Yeah,

410
00:21:06,040 --> 00:21:08,480
Speaker 1: I know. So it's so hot apper. So I haven't

411
00:21:08,480 --> 00:21:11,160
Speaker 1: a bird, but number seven on the two hit wonder List,

412
00:21:11,640 --> 00:21:14,920
Speaker 1: the Spin Doctors. You'll probably know two princes from them.

413
00:21:14,920 --> 00:21:26,720
Speaker 1: Their biggest song back, that's what down jacket minute. Fun fact.

414
00:21:27,560 --> 00:21:29,200
Speaker 1: I went on a couple of days with a girl

415
00:21:29,200 --> 00:21:31,440
Speaker 1: that used to be married to a lead singer that man. Wow,

416
00:21:31,440 --> 00:21:33,760
Speaker 1: I know it's fun back. How about how fund is

417
00:21:33,760 --> 00:21:36,679
Speaker 1: that bag? I didn't even know that either, And now

418
00:21:37,160 --> 00:21:39,280
Speaker 1: we're out into Yeah, it's like married. It's like, yeah,

419
00:21:39,320 --> 00:21:41,320
Speaker 1: what did you was a deal? It's like, yeah, he

420
00:21:41,400 --> 00:21:44,199
Speaker 1: used to be the lead singer of Spin Doctors, and

421
00:21:44,240 --> 00:21:47,880
Speaker 1: I was like to get if you prefer to call

422
00:21:47,960 --> 00:21:51,880
Speaker 1: me baby, just go ahead now? And yeah, she was nice.

423
00:21:52,440 --> 00:21:54,600
Speaker 1: A little miss can't be Wrong? Is another song? Here

424
00:21:54,600 --> 00:21:59,560
Speaker 1: you go? Miss kid out? Okay, let me know if

425
00:21:59,560 --> 00:22:01,360
Speaker 1: you don't know of them. I'm curious because again you're

426
00:22:01,359 --> 00:22:03,720
Speaker 1: younger than I am. Okay, I think the one is

427
00:22:03,760 --> 00:22:07,879
Speaker 1: coming up, baby, I don't Paula Cole So Where Have

428
00:22:07,960 --> 00:22:10,440
Speaker 1: All the Cowboys Gone? Was such a big jam? Did

429
00:22:10,480 --> 00:22:12,320
Speaker 1: you know this one? Did not know this one? Wow?

430
00:22:16,359 --> 00:22:32,679
Speaker 1: Where where have you know this song? Give? Yeah? I

431
00:22:32,680 --> 00:22:34,960
Speaker 1: mean I was a teenager in radio playing this song.

432
00:22:35,000 --> 00:22:40,560
Speaker 1: I think here turning up just a TV and you

433
00:22:40,880 --> 00:22:43,199
Speaker 1: heard of that? Did you know? You had to know

434
00:22:43,280 --> 00:22:44,960
Speaker 1: the other one? Though? I don't want to wait from

435
00:22:45,160 --> 00:22:52,760
Speaker 1: Dawson's Creek though, right, she had two heads, and if

436
00:22:52,800 --> 00:22:54,679
Speaker 1: I remember correctly, she had Aren't it here in the

437
00:22:54,760 --> 00:22:58,320
Speaker 1: video for Where Have All the Cowboys Gone? I think

438
00:22:58,400 --> 00:22:59,840
Speaker 1: maybe one of the video she raised a wrong up

439
00:23:00,000 --> 00:23:03,600
Speaker 1: aren't be here? It's like, oh, function, look there write that.

440
00:23:04,760 --> 00:23:07,000
Speaker 1: That's how Polic called him six number five to it

441
00:23:07,080 --> 00:23:09,000
Speaker 1: wonder vertical Horrizon. This is my list, by the way,

442
00:23:09,040 --> 00:23:11,320
Speaker 1: this is nothing except the people that I loved the most.

443
00:23:11,359 --> 00:23:14,199
Speaker 1: They had to It's Vertical Horizon. Everything you Want was

444
00:23:14,240 --> 00:23:17,840
Speaker 1: such a massive song. Here you Go said everything you

445
00:23:18,040 --> 00:23:27,760
Speaker 1: Want YEA couldn't have named the band zone really. The

446
00:23:28,040 --> 00:23:30,000
Speaker 1: second one barely made it and I remember it because

447
00:23:30,000 --> 00:23:33,560
Speaker 1: I used to play it. But She's a God was

448
00:23:33,920 --> 00:23:39,920
Speaker 1: vertical Horizon. The second song from them God nah, yeah

449
00:23:40,359 --> 00:23:43,880
Speaker 1: nah you know that song? Oh you have? Wow? This

450
00:23:43,960 --> 00:23:45,679
Speaker 1: is the one I thought you wouldn't have known just

451
00:23:45,760 --> 00:23:50,040
Speaker 1: because it's yeah it. I had to see it to

452
00:23:50,119 --> 00:23:53,080
Speaker 1: remember it. Once I heard the hook, I was like, Okay,

453
00:23:53,119 --> 00:23:57,480
Speaker 1: I really it. So there's number five two hit Wonders,

454
00:23:57,800 --> 00:24:01,600
Speaker 1: number four Eve six, which holy crap. When they put

455
00:24:01,600 --> 00:24:07,240
Speaker 1: out inside Out, I mean this song was a jam.

456
00:24:07,280 --> 00:24:09,960
Speaker 1: I had to be a teenager hearing the song. I

457
00:24:10,000 --> 00:24:15,439
Speaker 1: don't remember this one nothing Wow, but the tender heart

458
00:24:15,520 --> 00:24:18,480
Speaker 1: and a blender want today around to a beautiful of

459
00:24:18,560 --> 00:24:24,640
Speaker 1: living in Rondabout and I'm through with you. You don't

460
00:24:25,480 --> 00:24:27,160
Speaker 1: from the beginning, So when you heard that first thing

461
00:24:27,200 --> 00:24:29,480
Speaker 1: that damn, I would swallow them up prod you didn't

462
00:24:29,520 --> 00:24:32,719
Speaker 1: know that? Huh? Wow? Did you know the other one?

463
00:24:32,760 --> 00:24:36,000
Speaker 1: Here to the Night. I remember the music video. Really,

464
00:24:36,280 --> 00:24:37,920
Speaker 1: this song wasn't near as big as Inside Out I

465
00:24:37,960 --> 00:24:40,960
Speaker 1: thought was bigger. No, I don't something, what do I know?

466
00:24:41,160 --> 00:24:43,920
Speaker 1: What do I know? I remember the album cover? Yeah,

467
00:24:44,280 --> 00:24:52,800
Speaker 1: turn it stop before I mean I I don't have

468
00:24:52,840 --> 00:24:55,440
Speaker 1: any data in front of me, so you could you

469
00:24:55,520 --> 00:24:58,400
Speaker 1: absolutely could be right about that. I remember inside Out

470
00:24:58,440 --> 00:25:01,320
Speaker 1: just changing the eve stick was like boom, here they

471
00:25:01,320 --> 00:25:04,760
Speaker 1: are ten thousand pounds weight that song when it just

472
00:25:04,800 --> 00:25:11,080
Speaker 1: fell into radio number three. Uh, tone Look, which, by

473
00:25:11,119 --> 00:25:13,040
Speaker 1: the way, I've had a couple of fun experiences of

474
00:25:13,080 --> 00:25:15,240
Speaker 1: the tone Look, including him passing out of the concert.

475
00:25:15,720 --> 00:25:17,439
Speaker 1: But he had two hits and two massive hits, and

476
00:25:17,440 --> 00:25:21,159
Speaker 1: I was young, young, young. There's no way you remember

477
00:25:21,160 --> 00:25:23,320
Speaker 1: these from them being real songs. You've only had to

478
00:25:23,320 --> 00:25:29,720
Speaker 1: hear them in past tense, right, Uh Funky cole Medina

479
00:25:27,960 --> 00:25:34,399
Speaker 1: as the Funky I used to do record play pause

480
00:25:34,720 --> 00:25:37,000
Speaker 1: on the radio because I was a young kid. And

481
00:25:37,040 --> 00:25:38,800
Speaker 1: what you do to record it on tape because I

482
00:25:38,800 --> 00:25:41,400
Speaker 1: wish that the stupid DJO was stopped talking. I hate

483
00:25:41,440 --> 00:25:42,920
Speaker 1: him when you talk over the intros because I wanted

484
00:25:42,920 --> 00:25:45,560
Speaker 1: to record him on a cassette tape. So you pushed

485
00:25:45,600 --> 00:25:48,639
Speaker 1: record play and pause, and that holds the recording. Then

486
00:25:48,640 --> 00:25:50,760
Speaker 1: when you let off pause, it records it because did

487
00:25:50,800 --> 00:25:53,159
Speaker 1: the push record and play together to pause, and stupid

488
00:25:53,200 --> 00:25:54,600
Speaker 1: DJ would talk over to the front of the song.

489
00:25:54,760 --> 00:25:57,919
Speaker 1: And because you'd record a mixtape literally from the radio.

490
00:25:58,840 --> 00:26:00,560
Speaker 1: This is how old school it is. And that was

491
00:26:00,600 --> 00:26:04,840
Speaker 1: one and then he had a wild Thing to him

492
00:26:05,720 --> 00:26:10,600
Speaker 1: basically the same song pretty much. Yeah, I remember it

493
00:26:10,720 --> 00:26:15,840
Speaker 1: more than actor Wow tone. Look. Yeah. He was in

494
00:26:15,880 --> 00:26:21,400
Speaker 1: like a couple of Naggies movies, Blank Kick, I still

495
00:26:22,320 --> 00:26:25,280
Speaker 1: Rock where I'm not happy. I don't know. He was

496
00:26:25,600 --> 00:26:26,960
Speaker 1: in a sick on. I think he had one off

497
00:26:26,960 --> 00:26:31,320
Speaker 1: on a couple of sitcoms hits one sitcom I remember

498
00:26:31,400 --> 00:26:33,959
Speaker 1: the name of it, The Family, and the next one

499
00:26:34,000 --> 00:26:38,840
Speaker 1: River was Jimmy who worked a security guard. That does matter.

500
00:26:38,960 --> 00:26:45,760
Speaker 1: He was also in Surf Ninja's she said that's my

501
00:26:45,840 --> 00:26:54,879
Speaker 1: number three on my best to hit wonder m h.

502
00:26:55,119 --> 00:26:56,720
Speaker 1: It's probably been seven years or so now. We paid

503
00:26:56,760 --> 00:26:58,720
Speaker 1: him five thousand dollars as a radio station to come

504
00:26:58,720 --> 00:27:01,679
Speaker 1: to a concert. We did the old school like flashback

505
00:27:01,720 --> 00:27:04,359
Speaker 1: prom where it was like, hey, if you want to

506
00:27:04,400 --> 00:27:06,320
Speaker 1: real live prom, get dressed up, let's have a big party.

507
00:27:06,400 --> 00:27:10,400
Speaker 1: And we hired him and Young MC, and he got

508
00:27:10,400 --> 00:27:13,080
Speaker 1: through one song, he started holding his heart and passed out,

509
00:27:13,280 --> 00:27:15,800
Speaker 1: and we thought he died. I was like, oh my god,

510
00:27:15,840 --> 00:27:18,879
Speaker 1: we just killed tone. Look he's sweating. I mean he

511
00:27:18,880 --> 00:27:21,200
Speaker 1: he didn't look like he's in the best of shape anyway.

512
00:27:21,480 --> 00:27:25,200
Speaker 1: But then I he came back out, did a couple

513
00:27:25,200 --> 00:27:27,199
Speaker 1: of songs, and he were kind of retired for the night,

514
00:27:27,240 --> 00:27:28,960
Speaker 1: and I remember feeling grateful that he came back out

515
00:27:28,960 --> 00:27:30,840
Speaker 1: to do two more songs. I was like, man, that

516
00:27:30,840 --> 00:27:33,639
Speaker 1: guy really gave it the old college. Try that Tone.

517
00:27:33,640 --> 00:27:36,399
Speaker 1: Look he shows up and yeah, it really gets things done.

518
00:27:36,640 --> 00:27:38,040
Speaker 1: You know, he couldn't have to do any more songs.

519
00:27:38,119 --> 00:27:40,120
Speaker 1: He wasn't feeling great, but he did it. And then

520
00:27:40,160 --> 00:27:42,320
Speaker 1: I'm on and some listeners send me an article and

521
00:27:42,359 --> 00:27:44,720
Speaker 1: he sent to my Twitter. They're like, hey, um, he

522
00:27:44,800 --> 00:27:46,480
Speaker 1: just did the same thing two nights later at a

523
00:27:46,560 --> 00:27:50,119
Speaker 1: different show. Apparently that was his thing. Yeah, yeah, I

524
00:27:50,160 --> 00:27:51,240
Speaker 1: don't know if he just didn't want to do a

525
00:27:51,240 --> 00:27:54,720
Speaker 1: whole set or what, but he came back out. Let's

526
00:27:54,760 --> 00:27:56,679
Speaker 1: just say he did one of those two songs. So

527
00:27:56,680 --> 00:28:00,919
Speaker 1: he did funky cole Medina grabbed his heart. It was

528
00:28:00,920 --> 00:28:03,560
Speaker 1: out for like forty minutes. Then it came back out

529
00:28:03,600 --> 00:28:06,639
Speaker 1: and did fund comedy again Wild Thinking something else and

530
00:28:06,640 --> 00:28:11,280
Speaker 1: pieced out. You have to really commit to it. You

531
00:28:11,320 --> 00:28:13,040
Speaker 1: have to really commit to that. I'm almost gonna die.

532
00:28:13,840 --> 00:28:16,360
Speaker 1: I wish I could remember that sitcom that Tone Lake

533
00:28:16,480 --> 00:28:20,920
Speaker 1: was in, because there was this whole arc where because

534
00:28:20,960 --> 00:28:23,280
Speaker 1: again Jimmy was a security guard that lived next door

535
00:28:25,800 --> 00:28:29,520
Speaker 1: and I believe they lived up in the northeast or

536
00:28:29,560 --> 00:28:31,960
Speaker 1: maybe California, which is nothing to do with each other.

537
00:28:32,880 --> 00:28:35,920
Speaker 1: How old was it. It's probably early to late nineties,

538
00:28:35,920 --> 00:28:41,320
Speaker 1: early two thousand's. It was un syndication, and Tone Look

539
00:28:41,400 --> 00:28:45,560
Speaker 1: played that there was this bar in a part of

540
00:28:45,600 --> 00:28:47,800
Speaker 1: Talent that they didn't go into very often, and they

541
00:28:47,800 --> 00:28:49,800
Speaker 1: went to it. Tone Look played like this this guy

542
00:28:49,800 --> 00:28:52,680
Speaker 1: who was supposedly kind of, you know, like a hardened criminal,

543
00:28:52,960 --> 00:28:55,440
Speaker 1: but he really wasn't. But if he'sai the name of it,

544
00:28:55,440 --> 00:29:07,640
Speaker 1: I'll remember rude Awakening District Steeves. You said, I'm gonna remember,

545
00:29:07,840 --> 00:29:11,480
Speaker 1: but that's all right, it's gonna tip of my tongue.

546
00:29:11,480 --> 00:29:13,120
Speaker 1: I don't want to sit here and wait you get

547
00:29:14,400 --> 00:29:17,240
Speaker 1: Let's see. Let's move on to number two of two

548
00:29:17,360 --> 00:29:22,920
Speaker 1: hit Wonders. It was a sea Baron Jamal hm okay Lfo,

549
00:29:24,120 --> 00:29:27,400
Speaker 1: and they had a Their big one was a summer girls,

550
00:29:27,400 --> 00:29:28,920
Speaker 1: Here you Go this one, This one was so good,

551
00:29:28,960 --> 00:29:31,880
Speaker 1: so good. Yeah, I shouldn't want all the Grammy schools

552
00:29:32,000 --> 00:29:34,640
Speaker 1: makes me sick, and I think it's y wasn't gonna

553
00:29:34,680 --> 00:29:38,400
Speaker 1: start by for the summer. For the summer. I like

554
00:29:38,560 --> 00:29:44,520
Speaker 1: girls that were a crime being fish good. She's being

555
00:29:44,600 --> 00:29:48,800
Speaker 1: gone since that summer the summer, Cherry Pets Cool Crush

556
00:29:48,920 --> 00:29:53,400
Speaker 1: rocks to the school had to play being here to

557
00:29:53,480 --> 00:29:56,880
Speaker 1: the B boy style. Don't add mom, make a girl smile?

558
00:29:57,200 --> 00:29:59,680
Speaker 1: So you were this she didn't. That song Girl, I

559
00:29:59,720 --> 00:30:01,880
Speaker 1: don't believe was supposed to even be a radio song.

560
00:30:02,480 --> 00:30:04,480
Speaker 1: If I remember my facts right again, I have no

561
00:30:05,080 --> 00:30:06,920
Speaker 1: I think I guess a radio station in Memphis started

562
00:30:06,920 --> 00:30:09,600
Speaker 1: playing it much like I'll just play a song and go, oh,

563
00:30:09,640 --> 00:30:12,520
Speaker 1: this is good. It's different because this wasn't a national show.

564
00:30:12,560 --> 00:30:16,600
Speaker 1: And then people started to pick it up and play it,

565
00:30:17,360 --> 00:30:20,240
Speaker 1: and it then became like a massive hit for them.

566
00:30:20,760 --> 00:30:22,320
Speaker 1: But then they had Girl on TV. This is their

567
00:30:22,360 --> 00:30:25,160
Speaker 1: second song and two hit wonders, Here you Go. They

568
00:30:25,280 --> 00:30:39,280
Speaker 1: all believe sign and cheese. I think the sad story

569
00:30:39,320 --> 00:30:40,840
Speaker 1: with this group. Though you followed the group, you know

570
00:30:40,880 --> 00:30:45,280
Speaker 1: what happened. The lead singer ended up. I believe, I

571
00:30:45,360 --> 00:30:50,719
Speaker 1: know he died of I knew he died. Yeah, right

572
00:30:51,600 --> 00:30:53,920
Speaker 1: within the last five years, and it's right now. It's

573
00:30:54,840 --> 00:31:01,040
Speaker 1: he had h kind of cancer. But yeah, I died

574
00:31:01,040 --> 00:31:05,200
Speaker 1: away young. And then they had issues because of the

575
00:31:05,200 --> 00:31:07,120
Speaker 1: guy that put them together with the lou Perlman guy

576
00:31:07,160 --> 00:31:09,479
Speaker 1: who also put together all the other bands, and lou

577
00:31:09,560 --> 00:31:12,720
Speaker 1: Pearlman apparently did some really bad stuff to them. But yeah,

578
00:31:12,880 --> 00:31:15,400
Speaker 1: you got it. Thirty six kimi lu kimi is what

579
00:31:15,480 --> 00:31:20,520
Speaker 1: it was. Yeah, crazy, thirty six years old. Yeah, but

580
00:31:20,560 --> 00:31:23,440
Speaker 1: this is you know, there were three people in LF

581
00:31:23,520 --> 00:31:26,480
Speaker 1: I believe that this is for light funky ones. I

582
00:31:26,480 --> 00:31:28,560
Speaker 1: didn't know that. Again, I have no dad in front

583
00:31:28,560 --> 00:31:30,760
Speaker 1: of me. I'm just going so far. If I miss

584
00:31:30,760 --> 00:31:32,600
Speaker 1: any of this up on this one, you can't really

585
00:31:32,600 --> 00:31:35,400
Speaker 1: hold it against me, because some of them you can not.

586
00:31:35,560 --> 00:31:39,920
Speaker 1: This one. Um, yeah, that's a good one. That's a

587
00:31:39,920 --> 00:31:42,640
Speaker 1: good one. I like that as a boy band. That

588
00:31:42,760 --> 00:31:46,560
Speaker 1: was kind of my jam LFO. And here's why. Because

589
00:31:46,560 --> 00:31:49,400
Speaker 1: it didn't just sing. They kind of wrapped they had

590
00:31:49,440 --> 00:31:52,680
Speaker 1: like the rapper, you know, the main guy was kind

591
00:31:52,680 --> 00:31:54,840
Speaker 1: of like the rapper and he sing a little bit.

592
00:31:54,960 --> 00:31:56,479
Speaker 1: They had the singer, which is the guy with dark here,

593
00:31:56,480 --> 00:31:58,760
Speaker 1: and they had like them, the utility player who could

594
00:31:58,760 --> 00:32:00,560
Speaker 1: do a little bit of both. So they kind of

595
00:32:00,560 --> 00:32:01,880
Speaker 1: had you in all of it. If you like hello,

596
00:32:02,040 --> 00:32:04,400
Speaker 1: little dorky white boy rap, he's got you. If you

597
00:32:04,400 --> 00:32:06,440
Speaker 1: want somebody can just sing his brains out, he's got you.

598
00:32:06,640 --> 00:32:07,800
Speaker 1: And if you want someone that kind of does a

599
00:32:07,800 --> 00:32:12,120
Speaker 1: little bit of both, you know it's good. So yeah,

600
00:32:12,280 --> 00:32:15,000
Speaker 1: I liked LFO that. There are a number two on

601
00:32:15,680 --> 00:32:21,480
Speaker 1: my Best two Hit Wonders and finally in my Best

602
00:32:21,520 --> 00:32:23,440
Speaker 1: two Hit Wonders. It's actually a band in my heart

603
00:32:23,440 --> 00:32:26,600
Speaker 1: they have like a hundred hits because I love them

604
00:32:26,600 --> 00:32:29,480
Speaker 1: so much and I bought all the records back in

605
00:32:29,520 --> 00:32:31,200
Speaker 1: the day and I just that they're fantastic. And it's

606
00:32:31,240 --> 00:32:33,920
Speaker 1: the presidents of the United States of America. They came

607
00:32:34,040 --> 00:32:36,760
Speaker 1: onto the scene with the song a Lump as far

608
00:32:36,800 --> 00:32:40,120
Speaker 1: as on the radio and here is Lump and from

609
00:32:40,160 --> 00:32:44,840
Speaker 1: the President's United States of America. She's in my head,

610
00:32:48,000 --> 00:33:02,840
Speaker 1: she's up, she's she's she might bigs. That is the jam.

611
00:33:03,320 --> 00:33:05,240
Speaker 1: It's not even gonna lie. I loved it, and you

612
00:33:05,360 --> 00:33:09,040
Speaker 1: probably more so than Wan't know. Their biggest song, which

613
00:33:09,120 --> 00:33:24,680
Speaker 1: is Peaches, which was awesome. It's come on away Peaches

614
00:33:24,920 --> 00:33:33,720
Speaker 1: severing day in the shap move into the country, man

615
00:33:33,840 --> 00:33:38,480
Speaker 1: a lot of peaches and moving into that dream. It's

616
00:33:38,480 --> 00:33:42,560
Speaker 1: all about right there, the peaches, moving too the country,

617
00:33:43,120 --> 00:33:48,480
Speaker 1: gonna eating lot of peaches. I found the tone look show.

618
00:33:48,480 --> 00:33:53,720
Speaker 1: It's called yes Dear, Yeah, yeah, yes dear, two thousand five.

619
00:33:54,960 --> 00:33:58,240
Speaker 1: There you go tone look yes dear. I gotta email

620
00:33:58,240 --> 00:34:00,640
Speaker 1: about it just now. No, I did, because I'm not live.

621
00:34:00,840 --> 00:34:03,280
Speaker 1: No one can hear this until it comes out. Yeah,

622
00:34:03,320 --> 00:34:06,320
Speaker 1: that's my number one. Now I had asked Miked, you said, hey,

623
00:34:06,320 --> 00:34:09,000
Speaker 1: well you know, what do you think about this? Any two?

624
00:34:09,000 --> 00:34:10,799
Speaker 1: It wonders You had that popp to your head and

625
00:34:10,840 --> 00:34:12,279
Speaker 1: you sent me a list. But instead of just reading

626
00:34:12,320 --> 00:34:14,560
Speaker 1: the list of all the list that you sent me,

627
00:34:15,040 --> 00:34:17,359
Speaker 1: which ones did you find? Oh? Iy only had two hits?

628
00:34:17,360 --> 00:34:22,919
Speaker 1: How about that? Probably when we talked about earlier Markey Mark,

629
00:34:23,400 --> 00:34:28,920
Speaker 1: we didn't talk about Marky Mark. We did not Mark Wahlberg,

630
00:34:29,040 --> 00:34:33,120
Speaker 1: who was a rapper. Marky Mark, who was in the

631
00:34:33,160 --> 00:34:37,200
Speaker 1: early incarnation of New Kids on the Block, left early

632
00:34:37,280 --> 00:34:40,000
Speaker 1: early and it was his own thing. While Donnie stayed

633
00:34:40,000 --> 00:34:41,920
Speaker 1: in New Kids on the blog. So this is a

634
00:34:41,920 --> 00:34:45,400
Speaker 1: good vibration of big song. Barely remember. There's no way

635
00:34:45,440 --> 00:34:47,840
Speaker 1: you remember the actual song because I remember it later.

636
00:34:47,960 --> 00:34:50,480
Speaker 1: I don't. I really don't know if I remember it.

637
00:34:51,640 --> 00:34:53,799
Speaker 1: But then the song called wild side he did. Yeah,

638
00:34:53,800 --> 00:34:55,200
Speaker 1: I had no idea why this thing. I don't know

639
00:34:55,239 --> 00:35:01,359
Speaker 1: if I know this. I don't know the song. Oh

640
00:35:01,440 --> 00:35:06,200
Speaker 1: it's this is uh there sampling take a Walk on

641
00:35:06,239 --> 00:35:08,080
Speaker 1: a wild Side, which is a different song. I've never

642
00:35:08,120 --> 00:35:17,600
Speaker 1: heard this before. Yeah, yeah, so this is a sample

643
00:35:17,760 --> 00:35:23,680
Speaker 1: sort of by lou read Rowan had enough of being

644
00:35:23,719 --> 00:35:28,359
Speaker 1: broke every day, sing to himself. That's interesting. But listen

645
00:35:28,440 --> 00:35:30,879
Speaker 1: type in lou read over there walk on the wild side.

646
00:35:31,600 --> 00:35:34,480
Speaker 1: It's like, uh yeah, baby, take a walk on the

647
00:35:34,480 --> 00:35:39,000
Speaker 1: wild side. Dude, dude, that's old school that Loue reads ups,

648
00:35:39,080 --> 00:35:42,080
Speaker 1: probably from like the early seventies, way before, way before

649
00:35:42,080 --> 00:35:44,200
Speaker 1: we were born. But you'll hear that. That's what that

650
00:35:44,239 --> 00:35:46,279
Speaker 1: other song is. I've never heard that Marky Mark song though,

651
00:35:47,680 --> 00:35:58,279
Speaker 1: So this is the original. He has an original. You've

652
00:35:58,320 --> 00:36:02,600
Speaker 1: heard this, No, listen to a lot of classic rocks.

653
00:36:02,600 --> 00:36:06,040
Speaker 1: So that's kind of where I have it from. Holly

654
00:36:06,120 --> 00:36:12,200
Speaker 1: came from mimil A. It chocked away across. Yeah, that's

655
00:36:12,239 --> 00:36:14,160
Speaker 1: where that comes from. I learned something here and new

656
00:36:15,040 --> 00:36:18,360
Speaker 1: clocked her eyebrows on the way, shaved their legs and

657
00:36:18,360 --> 00:36:21,720
Speaker 1: then he was She says, hey, babe, take a walk

658
00:36:21,719 --> 00:36:30,319
Speaker 1: on the wild side. Say hey, mom, honey, take the um.

659
00:36:30,440 --> 00:36:32,560
Speaker 1: That was one al City. I mentioned that in my tweets.

660
00:36:32,560 --> 00:36:40,600
Speaker 1: They had firefly in good Time good I forgot that's

661
00:36:40,640 --> 00:36:44,120
Speaker 1: pretty good one. Yeah. Al City did a show for

662
00:36:44,239 --> 00:36:47,439
Speaker 1: us once when I was like kiss FM and peculiar guy,

663
00:36:47,880 --> 00:36:50,799
Speaker 1: but like you could tell as a total artist. And

664
00:36:50,800 --> 00:36:52,640
Speaker 1: I respect that because I mean he was dialed into

665
00:36:52,640 --> 00:36:54,680
Speaker 1: the ark here like lay on the ground and kick

666
00:36:54,680 --> 00:36:56,720
Speaker 1: in the air, and he was just into it. Weird

667
00:36:57,280 --> 00:37:00,920
Speaker 1: but into it. I respect anybody just into it. Um.

668
00:37:01,120 --> 00:37:04,040
Speaker 1: Speaking of good time, Carly ray Jepson had a song

669
00:37:04,080 --> 00:37:07,400
Speaker 1: called good Time. He's on the song do you not

670
00:37:07,440 --> 00:37:11,080
Speaker 1: in it? It's not the song, it's the same song.

671
00:37:11,320 --> 00:37:12,680
Speaker 1: I'm reading this list here. I didn't. I was gonna say,

672
00:37:12,719 --> 00:37:15,320
Speaker 1: I don't know the song. Saying doesn't counts for whose

673
00:37:15,360 --> 00:37:19,440
Speaker 1: song is it? Okay? Then no it doesn't. And it's

674
00:37:19,480 --> 00:37:23,280
Speaker 1: like artists now in country music, like UM. For example,

675
00:37:23,400 --> 00:37:25,640
Speaker 1: Caine Brown and Lauren Alena. They had the song what

676
00:37:25,760 --> 00:37:27,960
Speaker 1: ifs that's a Caine Brown song. That's not a Lauren

677
00:37:28,000 --> 00:37:32,280
Speaker 1: Alena song. She's in the feature um and again Laurence

678
00:37:32,320 --> 00:37:34,520
Speaker 1: a very close friend of mine. But that should not

679
00:37:34,640 --> 00:37:36,000
Speaker 1: be a hit for I don't know if it's even

680
00:37:36,000 --> 00:37:38,120
Speaker 1: considered a hit. But like Christian Cassidy Pope, they did

681
00:37:38,239 --> 00:37:40,399
Speaker 1: uh whatever that song was they did, it was, Yeah,

682
00:37:40,480 --> 00:37:44,040
Speaker 1: that's not a Cassidy Pope song. Now, if they win

683
00:37:44,160 --> 00:37:47,040
Speaker 1: the award for like Best Musical Event or something, that's

684
00:37:47,080 --> 00:37:49,160
Speaker 1: a that's an award. But that's a Chris Young song

685
00:37:50,080 --> 00:37:52,920
Speaker 1: with someone on it. If it's a feature, it's a

686
00:37:53,000 --> 00:37:54,920
Speaker 1: feature because that for artist didn't pick the song and

687
00:37:55,000 --> 00:37:57,560
Speaker 1: put it on the record, and I didn't pick the

688
00:37:57,600 --> 00:38:00,959
Speaker 1: person to be on you know. It's that who cares? Really?

689
00:38:01,000 --> 00:38:03,600
Speaker 1: And the real part of life, like who really cares?

690
00:38:04,520 --> 00:38:07,800
Speaker 1: It doesn't bother me anyway, But no, no, that's not

691
00:38:07,840 --> 00:38:10,839
Speaker 1: a Carly ray Jepson song. She's the one hit Oh

692
00:38:11,040 --> 00:38:12,800
Speaker 1: call Me maybe yes. And by the way, it was

693
00:38:13,120 --> 00:38:15,040
Speaker 1: I was the very first person in America to play

694
00:38:15,120 --> 00:38:17,759
Speaker 1: that song her first radio interview and her first radio

695
00:38:17,760 --> 00:38:20,279
Speaker 1: interview ever. Yeah, I forget about that. Do you know

696
00:38:20,360 --> 00:38:24,680
Speaker 1: who else I did that with? Because the thing about

697
00:38:24,760 --> 00:38:27,040
Speaker 1: me and music is I've never done it to be

698
00:38:27,160 --> 00:38:30,600
Speaker 1: the guy, even if pop I was doing it, but

699
00:38:30,680 --> 00:38:32,319
Speaker 1: I never did it because it was my thing where

700
00:38:32,320 --> 00:38:33,600
Speaker 1: I was like check me out as that break up.

701
00:38:33,600 --> 00:38:36,200
Speaker 1: I just loved music so much. I would take gamble

702
00:38:36,239 --> 00:38:38,359
Speaker 1: on these artists and go, hey, I'm gonna play your song,

703
00:38:38,480 --> 00:38:41,240
Speaker 1: don't you come down and play? And but Carly ray Jepson,

704
00:38:41,280 --> 00:38:44,040
Speaker 1: we had her fly from Canada. She was in Canada

705
00:38:44,400 --> 00:38:47,920
Speaker 1: at the time, and her very first ever radio interview

706
00:38:48,000 --> 00:38:50,960
Speaker 1: was on My show, and obviously she had the song

707
00:38:51,040 --> 00:38:53,480
Speaker 1: called Me Maybe, which was a freaking jam and you

708
00:38:53,520 --> 00:38:57,040
Speaker 1: can play it because I just like it somewhere. The

709
00:38:57,080 --> 00:38:58,279
Speaker 1: first time I heard, I was like, oh, we gotta,

710
00:38:58,280 --> 00:38:59,440
Speaker 1: we gotta get the song. And then she put out

711
00:38:59,480 --> 00:39:01,400
Speaker 1: the video that was liming a video. It was a

712
00:39:01,480 --> 00:39:03,840
Speaker 1: video of like her. It was like like people like

713
00:39:03,920 --> 00:39:06,600
Speaker 1: Justin Bieber was even in it, like a home footage. Yeah,

714
00:39:08,080 --> 00:39:09,920
Speaker 1: i'd say a feather in the old cap. I forgot

715
00:39:09,960 --> 00:39:11,839
Speaker 1: about that. There are a few of those pop points.

716
00:39:11,880 --> 00:39:14,759
Speaker 1: The other one I was talking about was hey, ho

717
00:39:17,200 --> 00:39:20,160
Speaker 1: the Luminears. I was their first ever performance. They were

718
00:39:20,400 --> 00:39:21,800
Speaker 1: They were like, what you want us to complain on

719
00:39:21,880 --> 00:39:25,120
Speaker 1: pop station. I was like, absolutely because I love that

720
00:39:25,280 --> 00:39:28,239
Speaker 1: song so much. And they came up. And here's the

721
00:39:28,280 --> 00:39:30,960
Speaker 1: funny part about the Luminears. Is there a there a

722
00:39:31,000 --> 00:39:35,439
Speaker 1: big deal now in the world of they could sell out? Hey, listen,

723
00:39:35,520 --> 00:39:37,239
Speaker 1: it's all based on what you can sell at this point.

724
00:39:37,800 --> 00:39:42,480
Speaker 1: Never look at spins on on Spotify or YouTube views

725
00:39:42,800 --> 00:39:45,080
Speaker 1: or even radio charts stuff, because I know people who

726
00:39:45,120 --> 00:39:47,880
Speaker 1: have had top five radio songs that can't sell a

727
00:39:47,960 --> 00:39:51,880
Speaker 1: hundred tickets. Really, you're as good as the venue you

728
00:39:51,920 --> 00:39:54,239
Speaker 1: can sell out. That's what you are. That you can sell,

729
00:39:54,960 --> 00:39:57,839
Speaker 1: you know, seventy percent capacity, and they can sell they

730
00:39:57,840 --> 00:40:01,200
Speaker 1: play Bridge down these guys in because they just did.

731
00:40:02,000 --> 00:40:05,400
Speaker 1: And so I'm a fan of their music, and I

732
00:40:05,440 --> 00:40:08,600
Speaker 1: don't remember. I don't. I don't think of them as

733
00:40:08,680 --> 00:40:10,840
Speaker 1: somebody that I was like, Oh, but I forgot that

734
00:40:10,920 --> 00:40:12,879
Speaker 1: I was. I was their first ever interview, and they came.

735
00:40:13,000 --> 00:40:15,040
Speaker 1: Did you see the record they left me? Oh? Yeah

736
00:40:15,120 --> 00:40:18,040
Speaker 1: they did. They did. They came and I wasn't in

737
00:40:18,160 --> 00:40:21,040
Speaker 1: town and they came by and and we're like, hey,

738
00:40:21,280 --> 00:40:23,520
Speaker 1: I don't think we forgot about you. You know, you're

739
00:40:23,520 --> 00:40:24,840
Speaker 1: a country now. But they wanted to come play on

740
00:40:24,880 --> 00:40:27,840
Speaker 1: the show, and I was like, how cool that the

741
00:40:27,920 --> 00:40:30,680
Speaker 1: Luminaars even remember that, because then it kind of put

742
00:40:30,719 --> 00:40:31,880
Speaker 1: me back to my head that oh yeah, I was

743
00:40:31,880 --> 00:40:33,080
Speaker 1: the first one to put them on the air ever.

744
00:40:34,000 --> 00:40:36,640
Speaker 1: And now it's being the guy that plays new artists

745
00:40:36,680 --> 00:40:38,160
Speaker 1: has put me in a kind of a pecurious situation

746
00:40:38,239 --> 00:40:40,840
Speaker 1: where I don't like that. I talked about some in

747
00:40:40,880 --> 00:40:42,799
Speaker 1: the Ryan Herd podcast. I don't like the place where

748
00:40:43,400 --> 00:40:45,000
Speaker 1: it's put me because it's an arms race. Now. I

749
00:40:45,000 --> 00:40:47,320
Speaker 1: feel like whever he's trying to break all these artists.

750
00:40:47,400 --> 00:40:49,640
Speaker 1: And I didn't do it for any sort of look

751
00:40:49,680 --> 00:40:50,880
Speaker 1: at me. I'm the artist breaker. I just do it

752
00:40:50,920 --> 00:40:52,960
Speaker 1: because I love the music and I'm like, oh let

753
00:40:53,000 --> 00:40:55,400
Speaker 1: me again. I think the people that listen to me

754
00:40:55,480 --> 00:40:57,120
Speaker 1: and listen to us have we have like minds. And

755
00:40:57,160 --> 00:40:59,080
Speaker 1: if I can hit them sixty of the time, right,

756
00:40:59,600 --> 00:41:01,840
Speaker 1: that's people going, oh, Bobby likes it. He kind of

757
00:41:01,880 --> 00:41:04,480
Speaker 1: represents me in the music front. I like what he likes.

758
00:41:04,560 --> 00:41:06,200
Speaker 1: Let me see what this is. And so that's why

759
00:41:06,239 --> 00:41:08,520
Speaker 1: I started putting all these artists on New and but

760
00:41:08,640 --> 00:41:11,520
Speaker 1: now it's all these different we'll just call them services

761
00:41:12,680 --> 00:41:16,319
Speaker 1: are taking personally, and they're competing and going, well, if

762
00:41:16,400 --> 00:41:18,400
Speaker 1: Bobby breaks them, we're just gonna stay away from him.

763
00:41:18,400 --> 00:41:20,880
Speaker 1: And that's kind of counter productive as to why do it,

764
00:41:21,560 --> 00:41:22,799
Speaker 1: And so now it's making me go, I don't even

765
00:41:22,840 --> 00:41:24,200
Speaker 1: if I want to put new artists on anymore, which

766
00:41:24,200 --> 00:41:25,279
Speaker 1: is not what I want to do it. I just

767
00:41:25,400 --> 00:41:27,200
Speaker 1: like the music. I'm not trying to get into a

768
00:41:27,239 --> 00:41:29,920
Speaker 1: penis measuring contest with these other servants, like I'm really not,

769
00:41:31,239 --> 00:41:33,760
Speaker 1: and I could, I really could rattle off ten instances

770
00:41:33,880 --> 00:41:38,800
Speaker 1: right now of them penalizing artists because I jumped on

771
00:41:38,880 --> 00:41:42,000
Speaker 1: him early, and that bothers me to the point where

772
00:41:42,000 --> 00:41:43,360
Speaker 1: I go, man, maybe I shouldn't do it. But then

773
00:41:43,480 --> 00:41:44,799
Speaker 1: I don't do it for that. I'm not the guy

774
00:41:44,840 --> 00:41:46,520
Speaker 1: that my company brought in to break new music. I

775
00:41:46,560 --> 00:41:48,160
Speaker 1: just do it because I like to do it. Um.

776
00:41:49,560 --> 00:41:51,560
Speaker 1: But then I go and I tell artists off the

777
00:41:51,600 --> 00:41:53,719
Speaker 1: record here too, because some artists will play these other

778
00:41:53,800 --> 00:41:57,040
Speaker 1: guys and go, Bubba doesn't like me, I tell him

779
00:41:57,120 --> 00:41:58,840
Speaker 1: say that, I'll go to him, just tell him I

780
00:41:58,880 --> 00:42:02,040
Speaker 1: hate you, And if they know they know they think

781
00:42:02,040 --> 00:42:03,880
Speaker 1: I hate you, they'll be like, oh, then let let

782
00:42:03,960 --> 00:42:08,120
Speaker 1: me play, you know, and uh yeah, they'll they'll report

783
00:42:08,160 --> 00:42:11,320
Speaker 1: back sometimes with some interesting stories. But it makes me.

784
00:42:11,440 --> 00:42:13,280
Speaker 1: I don't like that. I don't like that an environment

785
00:42:13,360 --> 00:42:17,480
Speaker 1: of people are competing now to break artists like cool.

786
00:42:18,520 --> 00:42:21,360
Speaker 1: I mean, I didn't break Carly Pierce and it's and

787
00:42:21,760 --> 00:42:24,400
Speaker 1: you know, um the dude who like was playing her

788
00:42:24,400 --> 00:42:25,680
Speaker 1: first I called. I was like, hey, I'm gonna take

789
00:42:25,680 --> 00:42:27,960
Speaker 1: Cardy on. I know, there's a good thing. It really

790
00:42:28,000 --> 00:42:30,279
Speaker 1: shouldn't be I should never have to make that call. Hey,

791
00:42:30,280 --> 00:42:31,560
Speaker 1: but I'm gonna take her on on tour and I'm

792
00:42:31,600 --> 00:42:35,279
Speaker 1: actually gonna pay her money to open up for a

793
00:42:35,360 --> 00:42:38,839
Speaker 1: stand up tour. Carl Peer, I say, carp in car Piers, Okay,

794
00:42:38,880 --> 00:42:41,880
Speaker 1: Carl Piers, that's Carl Tapper. All the car is all

795
00:42:41,880 --> 00:42:45,919
Speaker 1: the Morgan number two and Morgan number eight. But yeah,

796
00:42:45,960 --> 00:42:48,040
Speaker 1: it's just not an environment that I I enjoy being

797
00:42:48,040 --> 00:42:50,520
Speaker 1: a part of. Um, I don't know, what do you

798
00:42:50,560 --> 00:42:53,239
Speaker 1: think about that? Because I can just stop. I mean,

799
00:42:53,360 --> 00:42:55,120
Speaker 1: if you like the music, that's the thing. I just

800
00:42:55,400 --> 00:42:59,200
Speaker 1: like the music. It's not do you see, do you

801
00:42:59,600 --> 00:43:01,080
Speaker 1: it's all that makes all that makes sense to you?

802
00:43:01,920 --> 00:43:06,080
Speaker 1: It sucks, But I do tell artists a lot. I say, hey, listen,

803
00:43:06,120 --> 00:43:10,600
Speaker 1: if you can get uh, we'll just use Apple Music

804
00:43:10,640 --> 00:43:12,960
Speaker 1: as an example. This is not a thing with Apple Music,

805
00:43:13,040 --> 00:43:15,520
Speaker 1: so not yet. I don't know that Apple Music has

806
00:43:15,520 --> 00:43:20,239
Speaker 1: anyone running country yet in a major way. If you

807
00:43:20,280 --> 00:43:22,399
Speaker 1: can get one of the entities to support you, who

808
00:43:22,440 --> 00:43:24,239
Speaker 1: cares about the rest? It'll come along if they need to.

809
00:43:24,360 --> 00:43:25,840
Speaker 1: But it's so hard to just get one of the

810
00:43:25,920 --> 00:43:28,880
Speaker 1: top five or six to put some full support behind you.

811
00:43:29,480 --> 00:43:31,600
Speaker 1: Take it and run with it and embrace it. And

812
00:43:31,719 --> 00:43:34,719
Speaker 1: if you get Apple Music or a serious or a

813
00:43:34,840 --> 00:43:36,759
Speaker 1: Spotify like and they want to be first on you

814
00:43:36,800 --> 00:43:39,560
Speaker 1: and they want to champion you, great. Don't worry about

815
00:43:39,560 --> 00:43:42,600
Speaker 1: what anybody else is doing. Like you be friends with everybody,

816
00:43:42,640 --> 00:43:44,200
Speaker 1: don't blow them off, but you don't worry about that

817
00:43:44,320 --> 00:43:46,200
Speaker 1: anyone else is gonna punish you, because it's so hard

818
00:43:46,239 --> 00:43:48,279
Speaker 1: to get somebody to stand for you that you can't

819
00:43:48,320 --> 00:43:50,840
Speaker 1: worry about if anybody else is gonna punish you. So

820
00:43:50,920 --> 00:43:52,440
Speaker 1: that's the advice. And then I say here's how to play.

821
00:43:52,440 --> 00:43:54,480
Speaker 1: The other guys go to and be like, oh, we

822
00:43:54,560 --> 00:43:58,800
Speaker 1: haven't given this the bobby yet, and whatever. It's a

823
00:43:58,880 --> 00:44:01,200
Speaker 1: weird place. Let's see we're rout through some more in

824
00:44:01,200 --> 00:44:03,799
Speaker 1: these real quick Fun, which I loved as a band.

825
00:44:05,160 --> 00:44:12,560
Speaker 1: I loved him here as we Are, Young we Are

826
00:44:14,160 --> 00:44:22,160
Speaker 1: and some Nights. I loved Fun. A cool sound, cool sound.

827
00:44:23,400 --> 00:44:26,800
Speaker 1: They looked dopey. I like that. It's kind of like

828
00:44:26,840 --> 00:44:30,840
Speaker 1: a bad version of Weezer. Visually he was small. But

829
00:44:31,000 --> 00:44:33,919
Speaker 1: now Jack the guys that he's bleachers, They're never gonna

830
00:44:33,920 --> 00:44:36,080
Speaker 1: get back together. Why would they? Bleacher? Is the thing now?

831
00:44:36,480 --> 00:44:41,680
Speaker 1: I don't know why they broke up. Natasha, Natasha Beddingfield,

832
00:44:42,320 --> 00:44:47,479
Speaker 1: Uh man, that's little jam unwritten. She was so nice.

833
00:44:50,320 --> 00:44:54,759
Speaker 1: Pocket full of Sunshine? Do you know this one? Yeah?

834
00:44:56,200 --> 00:44:58,879
Speaker 1: I gotta fu a full of full of Sunshine? Yeah

835
00:44:59,719 --> 00:45:01,640
Speaker 1: like it that. Then I got in a little deep

836
00:45:01,680 --> 00:45:04,120
Speaker 1: into the artist thing there for a second. But as

837
00:45:04,160 --> 00:45:06,000
Speaker 1: I was, I didn't even think about that. But I

838
00:45:06,480 --> 00:45:08,279
Speaker 1: hear something. You know who else I was able to

839
00:45:08,360 --> 00:45:12,959
Speaker 1: play early before anybody was playing was Megan Trainer. Oh yeah.

840
00:45:13,520 --> 00:45:16,200
Speaker 1: Her YouTube video had like a thousand views on it

841
00:45:16,840 --> 00:45:21,239
Speaker 1: of um all about that base Yeah, and I had

842
00:45:21,440 --> 00:45:23,319
Speaker 1: the reason I knew of but she wrote in town

843
00:45:23,360 --> 00:45:25,239
Speaker 1: for a long time and a friend was like, hey

844
00:45:25,280 --> 00:45:27,680
Speaker 1: this uh friend of on Megan, she got this song out.

845
00:45:27,800 --> 00:45:29,800
Speaker 1: It's got a pretty funny video, and I was like,

846
00:45:30,080 --> 00:45:31,520
Speaker 1: oh my god, this song is really good. So I

847
00:45:31,520 --> 00:45:33,520
Speaker 1: started playing on the country station. I got so much

848
00:45:33,560 --> 00:45:35,719
Speaker 1: heat for it by radio pedes or like this song sucks.

849
00:45:35,760 --> 00:45:37,719
Speaker 1: I'll never be hit. I don't play on country. It's

850
00:45:37,719 --> 00:45:39,080
Speaker 1: not country. It wasn't country, it was never meant to

851
00:45:39,120 --> 00:45:41,400
Speaker 1: be country. I don't think we've talked one country song

852
00:45:41,440 --> 00:45:43,040
Speaker 1: on this podcast, like I you know, we all have

853
00:45:43,080 --> 00:45:45,960
Speaker 1: interests outside of country. Um. And then she ended up

854
00:45:46,000 --> 00:45:47,920
Speaker 1: performing it on I think the c m AS or

855
00:45:47,960 --> 00:45:50,239
Speaker 1: a c M S and then it turned into a

856
00:45:50,320 --> 00:45:52,440
Speaker 1: monster smash and I remember her coming up to me going, hey,

857
00:45:53,680 --> 00:45:56,080
Speaker 1: that was crazy that you played that because nobody was

858
00:45:56,120 --> 00:45:57,920
Speaker 1: playing that and my mom would listen to it all

859
00:45:57,960 --> 00:45:59,480
Speaker 1: the time. You play because my mom, I think, was

860
00:45:59,520 --> 00:46:01,840
Speaker 1: living here at the time. There was a yeah, that

861
00:46:01,920 --> 00:46:04,839
Speaker 1: was a good one too, man. I like it. See

862
00:46:05,040 --> 00:46:07,600
Speaker 1: that's pure because I don't even think about those. That's

863
00:46:07,640 --> 00:46:11,040
Speaker 1: just me going love it, play it, move on in life.

864
00:46:11,239 --> 00:46:13,759
Speaker 1: Now I have to be somewhat strategic about it, I

865
00:46:13,800 --> 00:46:15,759
Speaker 1: don't I bet. I guess that comes with when your

866
00:46:15,760 --> 00:46:18,520
Speaker 1: platform is bigger. But I'm such a fan of the

867
00:46:18,680 --> 00:46:22,200
Speaker 1: artist and the writer that like this that bothers me,

868
00:46:22,719 --> 00:46:24,319
Speaker 1: and also I'm better at it than the other guys

869
00:46:24,800 --> 00:46:29,359
Speaker 1: because I don't it's not my theme. I mean, if

870
00:46:29,400 --> 00:46:34,440
Speaker 1: there is another service that exists, they've come to me

871
00:46:34,480 --> 00:46:36,040
Speaker 1: and said, will you take over this? And I've said

872
00:46:36,080 --> 00:46:38,920
Speaker 1: no because I don't want to be a programmer. If

873
00:46:38,960 --> 00:46:40,520
Speaker 1: I wanted to be a programmer, I would have started

874
00:46:40,520 --> 00:46:42,600
Speaker 1: programming radio stations when I was twenty five years old.

875
00:46:43,360 --> 00:46:44,680
Speaker 1: I wanna be able to do this. I want to

876
00:46:44,719 --> 00:46:47,360
Speaker 1: talk to people. I want to share thoughts and feelings.

877
00:46:47,560 --> 00:46:50,680
Speaker 1: I don't even want to pick playlists. I don't want

878
00:46:51,760 --> 00:46:55,000
Speaker 1: that sounds terrible to me, Like nothing about that sounds

879
00:46:55,040 --> 00:46:56,560
Speaker 1: fun now for me to go, oh, that's a good

880
00:46:56,560 --> 00:46:58,759
Speaker 1: song that people will like, ill resonate. I'm gonna play

881
00:46:58,760 --> 00:47:01,520
Speaker 1: that for people as I'm doing everything else, and that's

882
00:47:01,560 --> 00:47:05,320
Speaker 1: fun to me. But yeah, there you go. Well that

883
00:47:05,480 --> 00:47:07,359
Speaker 1: was fun. That's a good one. I like this one.

884
00:47:08,600 --> 00:47:12,239
Speaker 1: How long has this episode been? Almost fifty minutes? Yeah,

885
00:47:12,280 --> 00:47:15,440
Speaker 1: it's been a pretty fun one. Anything you'd like to say, uh,

886
00:47:16,040 --> 00:47:19,120
Speaker 1: I mean a lot of these I knew. I didn't

887
00:47:19,120 --> 00:47:22,120
Speaker 1: know the artist names and I didn't know the song titles.

888
00:47:22,160 --> 00:47:25,640
Speaker 1: But once I heard it over yea. Well, let's get

889
00:47:25,640 --> 00:47:27,960
Speaker 1: an update on the Charlie Worsham Show. I think the

890
00:47:28,000 --> 00:47:29,919
Speaker 1: last time we were here, I did the talked about

891
00:47:29,960 --> 00:47:32,960
Speaker 1: the nineties songs. Um I did. Ended up not singing

892
00:47:33,040 --> 00:47:34,920
Speaker 1: that Summer from Garth Brooks because it was just too

893
00:47:35,040 --> 00:47:39,040
Speaker 1: much I want to can't sing. And then two it

894
00:47:39,120 --> 00:47:40,640
Speaker 1: was just you think you know every bit of the

895
00:47:40,640 --> 00:47:42,759
Speaker 1: words until you have to actually sing it without someone

896
00:47:42,840 --> 00:47:45,239
Speaker 1: singing behind you, like on radio, not as easy. And

897
00:47:45,280 --> 00:47:46,520
Speaker 1: I just didn't want to mess it. U. I don't

898
00:47:46,560 --> 00:47:49,480
Speaker 1: want to disrespect that song or Garth in a setting

899
00:47:49,520 --> 00:47:51,600
Speaker 1: with her a lot of people and their phones. I

900
00:47:51,719 --> 00:47:55,320
Speaker 1: never was recording everything I did, you know, pretentious that sounds,

901
00:47:55,320 --> 00:47:58,560
Speaker 1: but and they were because I started posting it online immediately. Yeah,

902
00:47:59,400 --> 00:48:02,120
Speaker 1: so uh, I don't say that in a douchey way,

903
00:48:02,200 --> 00:48:04,080
Speaker 1: and maybe douche I don't care. I am who I am.

904
00:48:04,200 --> 00:48:05,480
Speaker 1: But I knew they would be recording it and they

905
00:48:05,560 --> 00:48:07,520
Speaker 1: put it up. So I didn't want to mess that

906
00:48:07,560 --> 00:48:10,719
Speaker 1: song up because I enjoyed Guarths so much. And but

907
00:48:10,840 --> 00:48:13,760
Speaker 1: I did prought me up beside the jukebox. Joe Diffy

908
00:48:14,160 --> 00:48:18,440
Speaker 1: nailed it and I did Alan Jackson Mercury Blues, and

909
00:48:18,560 --> 00:48:20,319
Speaker 1: I had it. I started to think at one point

910
00:48:20,360 --> 00:48:21,880
Speaker 1: that I was gonna mess up the word, so I

911
00:48:21,960 --> 00:48:25,320
Speaker 1: had my phone because it's three verses and like three solos,

912
00:48:25,480 --> 00:48:29,600
Speaker 1: and I wasn't committed having it right. So I pulled

913
00:48:29,600 --> 00:48:32,440
Speaker 1: out my phone to do the Instagram and shoot the audience.

914
00:48:32,719 --> 00:48:34,279
Speaker 1: But I said, I pulled the words up and act

915
00:48:34,360 --> 00:48:36,480
Speaker 1: like I was shooting the audience, and I was right,

916
00:48:36,600 --> 00:48:38,800
Speaker 1: thank god. But I did pull it up and I

917
00:48:38,840 --> 00:48:40,680
Speaker 1: you know, there's some videos up on YouTube or and

918
00:48:40,800 --> 00:48:44,480
Speaker 1: on Twitter and stuff, and that wasn't half bad. I was.

919
00:48:44,640 --> 00:48:47,840
Speaker 1: I was a quarterbad, but I had a lot of energy.

920
00:48:48,040 --> 00:48:52,080
Speaker 1: It was fun. And what I've learned is just go

921
00:48:52,280 --> 00:48:55,640
Speaker 1: up and have fun like a really nobody cares that much.

922
00:48:56,480 --> 00:48:59,759
Speaker 1: Go up and half if you it's not about how

923
00:49:00,000 --> 00:49:03,600
Speaker 1: would you sound, It's about how you make them feel. Now,

924
00:49:03,640 --> 00:49:05,439
Speaker 1: if you sound so bad, you make them feel bad.

925
00:49:06,239 --> 00:49:08,120
Speaker 1: That's the thing too, It is that you can't sound

926
00:49:08,200 --> 00:49:12,040
Speaker 1: so bad. But I went to watch I've seen the

927
00:49:12,080 --> 00:49:14,160
Speaker 1: Google dolls oddly twice in the past year. They don't

928
00:49:14,200 --> 00:49:16,719
Speaker 1: sound that good, but they don't sound bad. They do

929
00:49:16,880 --> 00:49:18,640
Speaker 1: that great. It's it sound fine, but it made me

930
00:49:18,680 --> 00:49:20,600
Speaker 1: feel good because I like the Google dolls about when

931
00:49:20,600 --> 00:49:22,719
Speaker 1: I was, and so I think of that when I

932
00:49:22,800 --> 00:49:24,320
Speaker 1: go up to perform, because if you have, If the

933
00:49:24,400 --> 00:49:26,359
Speaker 1: Raging Idiots ever get back together, and I don't think

934
00:49:26,400 --> 00:49:28,440
Speaker 1: we will, we're doing two shows this year and those

935
00:49:28,640 --> 00:49:31,680
Speaker 1: those were set so long ago that if it came

936
00:49:31,719 --> 00:49:33,279
Speaker 1: back now, I don't know that I would do them.

937
00:49:34,080 --> 00:49:35,759
Speaker 1: We have to rehearse the next few weeks and we're

938
00:49:36,560 --> 00:49:39,760
Speaker 1: But my point is, even looking at that those shows,

939
00:49:39,840 --> 00:49:42,640
Speaker 1: my band, The Raging Idiots, My goals just to make

940
00:49:42,719 --> 00:49:45,000
Speaker 1: people feel fun, have feel good, and now I think

941
00:49:45,040 --> 00:49:48,640
Speaker 1: we do. I think we do. So there's that. Well, well, well,

942
00:49:48,880 --> 00:49:50,720
Speaker 1: as we come to the end, and let me encourage

943
00:49:50,760 --> 00:49:52,360
Speaker 1: you to to check out. There's been a couple of

944
00:49:52,400 --> 00:49:55,760
Speaker 1: really good Bobby cast lately. The Bret Eldridge Bobby Cast

945
00:49:56,920 --> 00:49:59,279
Speaker 1: was fantastic for a couple of reasons. One, you know,

946
00:49:59,320 --> 00:50:01,480
Speaker 1: I really hadn't said I've had a long human conversation

947
00:50:01,520 --> 00:50:03,920
Speaker 1: with Brett Eldridge ever, and I felt like that was

948
00:50:03,920 --> 00:50:05,640
Speaker 1: pretty good. And both of us kind of shared some

949
00:50:05,719 --> 00:50:08,040
Speaker 1: things we've never shared before, and that one is being

950
00:50:08,080 --> 00:50:10,480
Speaker 1: downloaded like crazy, and maybe they want quickest to ever

951
00:50:10,520 --> 00:50:15,080
Speaker 1: get to a quarter million plays that Jagan was pretty

952
00:50:15,120 --> 00:50:17,600
Speaker 1: big one though we'll get to a fight, but check

953
00:50:17,640 --> 00:50:20,719
Speaker 1: out the Brett Eldridge one. And Ryan heard was just

954
00:50:20,880 --> 00:50:24,520
Speaker 1: in and if There's a High Valley was good. Yeah.

955
00:50:25,160 --> 00:50:27,359
Speaker 1: That once they came in and I knew those guys

956
00:50:27,400 --> 00:50:29,160
Speaker 1: a bit because I've been on the road with them,

957
00:50:29,719 --> 00:50:32,040
Speaker 1: meaning we played festivals together and you're all the busses

958
00:50:32,040 --> 00:50:33,359
Speaker 1: are just parked in the back and you'd have hanging

959
00:50:33,400 --> 00:50:36,480
Speaker 1: around each other because of proximity. I knew they were

960
00:50:36,560 --> 00:50:39,080
Speaker 1: nice guys. But after that Bobbycast we stayed and walked

961
00:50:39,120 --> 00:50:41,640
Speaker 1: out back and just talked like twenty or thirty minutes,

962
00:50:42,640 --> 00:50:46,920
Speaker 1: and yeah, I thought, you know, I knew Brad a

963
00:50:46,960 --> 00:50:49,120
Speaker 1: bit more than it did Curtis. Brad's the lead singer

964
00:50:50,719 --> 00:50:53,400
Speaker 1: and he's more the straightforward, guying. Curtis is kind of

965
00:50:53,480 --> 00:50:56,400
Speaker 1: the smart I like one, and I never really hit

966
00:50:56,520 --> 00:50:58,480
Speaker 1: it off with Curtis. He was all because he's always like,

967
00:50:58,520 --> 00:51:00,320
Speaker 1: who the hell with the smart remarks? It's all. It

968
00:51:00,360 --> 00:51:02,680
Speaker 1: was just like one smart remark after another. That being

969
00:51:02,760 --> 00:51:05,359
Speaker 1: said that Bobby Cast, I kind of changed my feel

970
00:51:05,440 --> 00:51:07,160
Speaker 1: on him. And then afterward I was like, Oh, I

971
00:51:07,800 --> 00:51:09,600
Speaker 1: like this guy. A lot. I like them both, but

972
00:51:09,719 --> 00:51:11,560
Speaker 1: I never really had good time with Curtis, but uh

973
00:51:11,640 --> 00:51:14,439
Speaker 1: yeah it was good. So you know, another one because

974
00:51:14,440 --> 00:51:17,480
Speaker 1: I was with Brandon Lancaster from Lanco at this event

975
00:51:18,640 --> 00:51:20,279
Speaker 1: that's wanted to listen back to. It's pretty good back

976
00:51:20,280 --> 00:51:25,840
Speaker 1: in the day. Yeah, maybe we should do uh rewind

977
00:51:25,880 --> 00:51:29,319
Speaker 1: on that one. We don't rewind on that one. We have. Well,

978
00:51:29,360 --> 00:51:31,520
Speaker 1: that's one to go back and listen to too. Hey, listen.

979
00:51:32,000 --> 00:51:34,600
Speaker 1: I like to bring in songwriters and there are some

980
00:51:34,680 --> 00:51:36,200
Speaker 1: people that like to have back a second time that

981
00:51:36,200 --> 00:51:39,680
Speaker 1: we've done two years ago. But I don't you know,

982
00:51:39,680 --> 00:51:41,520
Speaker 1: I don't know it. Things have changed so much for

983
00:51:41,560 --> 00:51:43,680
Speaker 1: a lot of these people in the past couple of years.

984
00:51:44,320 --> 00:51:47,080
Speaker 1: Well that's it. It is July five as we record

985
00:51:47,120 --> 00:51:50,160
Speaker 1: this and put it up. We're supposed to be supposed

986
00:51:50,200 --> 00:51:51,640
Speaker 1: me on vacation, but as you can see, I'm not

987
00:51:51,760 --> 00:51:54,640
Speaker 1: very good at that. Hey, Mike, have some more stuff

988
00:51:54,640 --> 00:52:01,440
Speaker 1: to say? Yeah, uh yeah, there you go. Check out

989
00:52:01,480 --> 00:52:04,680
Speaker 1: the Velvet's Edge podcast with Kelly Henderson. That's one that's

990
00:52:04,719 --> 00:52:10,439
Speaker 1: blowing up. That's the one that's really doing, but far

991
00:52:10,560 --> 00:52:13,120
Speaker 1: better than any sort of early expectation because the early

992
00:52:13,120 --> 00:52:14,920
Speaker 1: expectation on any podcast is he's just gonna suck for

993
00:52:14,920 --> 00:52:16,879
Speaker 1: a while because nobody's gonna listen. It takes a long time.

994
00:52:17,040 --> 00:52:20,080
Speaker 1: How I's doing pretty well, like the you know the

995
00:52:20,200 --> 00:52:24,640
Speaker 1: ladies like that Velvet Edge, Velvet's Edge velvet. Yeah, that

996
00:52:24,840 --> 00:52:27,719
Speaker 1: that Velvet's Edge and her advice and her guests. So

997
00:52:27,800 --> 00:52:30,120
Speaker 1: you can check out the Velvet's Edge podcast. And that's it,

998
00:52:30,200 --> 00:52:34,480
Speaker 1: episode one thirty one. I've enjoyed this, Thank you very much.

999
00:52:34,520 --> 00:52:37,279
Speaker 1: We'll see you. Uh, let's see. Let me look at

1000
00:52:37,280 --> 00:52:42,040
Speaker 1: the calendar here. Next week I have Jerry Doody that's Monday.

1001
00:52:42,960 --> 00:52:48,440
Speaker 1: Next week, Ashley Gorely that's right, better be up next

1002
00:52:48,480 --> 00:52:54,800
Speaker 1: Thursday and the twelve. Yeah, also coming up, you know

1003
00:52:54,840 --> 00:52:58,319
Speaker 1: who have dinner? Width? Coming up is Wheeler I don't

1004
00:52:58,320 --> 00:53:00,759
Speaker 1: call him Wheeler Walker called yeah. I know him by

1005
00:53:00,800 --> 00:53:03,400
Speaker 1: his real name more than anything. But he lives in me.

1006
00:53:03,520 --> 00:53:05,640
Speaker 1: He lives in town. Now do you know that? Yeah,

1007
00:53:05,800 --> 00:53:07,880
Speaker 1: we have dinner. I'm just looking at my calendar right now.

1008
00:53:08,440 --> 00:53:12,400
Speaker 1: That dude, like, good dude, it was really nice. Really listen,

1009
00:53:13,040 --> 00:53:14,640
Speaker 1: you can you do whatever research you want to do

1010
00:53:14,719 --> 00:53:18,200
Speaker 1: on Wheeler Walker Jr. He puts out some vogue or music,

1011
00:53:18,320 --> 00:53:20,320
Speaker 1: and but he said, I like that guy like that.

1012
00:53:20,600 --> 00:53:24,759
Speaker 1: We talk. It's a good dude. Um oddly all right,

1013
00:53:24,760 --> 00:53:26,120
Speaker 1: thank you, we'll see you next time. Everybody