WEBVTT - Luke’s Diner: Let Them Eat Cake

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<v Speaker 1>I Am All in Again.

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<v Speaker 2>Let's do.

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<v Speaker 3>Luke's Diner with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I Am All and Again podcast.

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<v Speaker 1>Almost forgot one of them productions. iHeart Radio, iHeart Media,

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<v Speaker 1>iHeart podcasts. Luke's Diner episode with the one and only

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<v Speaker 1>Duff Goldman. Let me tell you a little about Duff.

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<v Speaker 1>He is a classically trained chef, best selling author, and

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<v Speaker 1>artist celebrated for his creative desserts and joyful approach to baking.

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<v Speaker 1>E rose to fame on Ace of Cakes featuring his

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<v Speaker 1>team's custom creations at charm City Cakes, a mentor and

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<v Speaker 1>judge on Food Network shows like Kids Baking Championship Holiday

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<v Speaker 1>Baking Championship. Duff connects with fans to his cakes on

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<v Speaker 1>Goldbelly Party Essentials on Hallmark. That's quite a website. I

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<v Speaker 1>check that out, Blake Tivity, Baking Kits, and his New

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<v Speaker 1>York Times best selling cookbooks. He's a little busy. Check

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<v Speaker 1>out his YouTube channel Duff Stuff for new episodes every

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<v Speaker 1>Thursday at three pm. We're dough Experiments with recipes, wild

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<v Speaker 1>food combos, savory dishes. Fans can also order his cakes

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<v Speaker 1>nationwide at goldbelly dot com, follow him at at Duff Goldman,

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<v Speaker 1>or visit www dot duff dot com.

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<v Speaker 3>iHeart Podcasts listen on the iHeartRadio app.

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<v Speaker 1>Hello and welcome, Duff. How are you.

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<v Speaker 3>I'm doing great? How are you doing good?

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<v Speaker 1>You're taking a little breather with us for half an

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<v Speaker 1>hour and then you're gonna get back to Empire building.

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<v Speaker 3>Know, I'm gonna get back to taking my daughter to gymnastics.

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<v Speaker 1>Very nice. Gotta carve out the time for the little ones.

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<v Speaker 3>Yeah, like watching them run around. She's three, like like

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<v Speaker 3>right around in the gymnastics.

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<v Speaker 4>It's just that's just yeah, right right, Yeah, it's it's

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<v Speaker 4>I have a ten year old. It's just like I'm

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<v Speaker 4>kind of missed those days, you know, yeah he was.

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<v Speaker 3>But it's man, I can tell now, like we'll be

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<v Speaker 3>doing stuff and I'm just like I'll just look at

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<v Speaker 3>her and like I'm going to miss this.

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<v Speaker 1>Will But but it just it gets so it gets

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<v Speaker 1>better and better and better every year.

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<v Speaker 3>Yeah, it changes you learn about Yeah, it's just like

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<v Speaker 3>being they're.

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<v Speaker 1>They're kind of they're kind of raising you, you know

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<v Speaker 1>what i mean, the self that's buried down in there somewhere,

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<v Speaker 1>and it comes out. Yeah, it's it's amazing. So how

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<v Speaker 1>did you get started baking cakes?

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<v Speaker 3>Uh, it's it's a funny story. I was a graffiti

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<v Speaker 3>artist when I was a kid, and I couldn't really

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<v Speaker 3>ask my parents for money for spray paints. So I

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<v Speaker 3>got a job at McDonald's, flipp and Burger's. Fast forward.

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<v Speaker 3>I graduate from undergrad with a degree in philosophy, which

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<v Speaker 3>is incredibly useful, and so I went to culinary school

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<v Speaker 3>because that was like the thing I was good at.

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<v Speaker 3>I was just I was good at, you know, cooking.

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<v Speaker 3>And while we were there, we had like a two

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<v Speaker 3>week course on decorated cakes, and so I was decorating cakes.

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<v Speaker 3>All my teachers like, you're really good at this. And

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<v Speaker 3>I think it was like the combination of like all

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<v Speaker 3>the cooking that i'd done with all of the like

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<v Speaker 3>art and sculpture and all that stuff that I had done.

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<v Speaker 3>And you know, then fast forward a few more years

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<v Speaker 3>and I opened up my own shop. But I opened

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<v Speaker 3>the shop because I was trying to be a full

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<v Speaker 3>time musician, and I was just I needed a job

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<v Speaker 3>that I could like make my own hours, and you know,

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<v Speaker 3>I was just trying to pay the rent while I

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<v Speaker 3>was waiting for my big record contract. I'm still waiting

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<v Speaker 3>for Okay, one of these days.

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<v Speaker 1>Man, me and you both, you both, I know what

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<v Speaker 1>that's like, chasing that dream.

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<v Speaker 3>Yeah, right, yeah, I'm still looking. I'm still I'm still there,

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<v Speaker 3>still there, We're still were We're going to get there.

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<v Speaker 1>But we should get together and do a do a

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<v Speaker 1>cooking album or something.

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<v Speaker 3>You know. Well, I have a band really yeah. Yeah,

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<v Speaker 3>it's called fog Rock. So it's all chefs and we

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<v Speaker 3>do like like seventies and eighties covers.

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<v Speaker 1>Oh that's cool. Where are you in California? Where are yeah?

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<v Speaker 3>Yeah, Los Angeles?

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<v Speaker 1>Oh that's that's so fun. What's the most challenging cake

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<v Speaker 1>you've ever made? At Charm City Cakes? Do you remember?

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<v Speaker 3>Oh?

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<v Speaker 5>Man, we made a life size uh working, working, We

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<v Speaker 5>made a life sized Nascar and then it was like

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<v Speaker 5>a one to one replica of this new paint job

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<v Speaker 5>that this racer was going to get, which is a

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<v Speaker 5>big deal.

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<v Speaker 3>And so you like have to like match all the

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<v Speaker 3>logos to all the corporate sponsors, and like they sent like,

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<v Speaker 3>you know, like paint chips like this is the color

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<v Speaker 3>green for pennz oil, or this is you know, the

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<v Speaker 3>stp is this red And then we uh we took

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<v Speaker 3>I had an old a little amplifier and we stuck

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<v Speaker 3>it underneath the cake, and we got a recording of

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<v Speaker 3>one of the engines from a Hendrix. It was a

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<v Speaker 3>Hendricks car, and so we got a recording of one

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<v Speaker 3>of their engines because those guys know like by the

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<v Speaker 3>sound like, oh, that's not one of our engines. So

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<v Speaker 3>I had to be one of those. And then we

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<v Speaker 3>got a we we went on like Craigslist and we

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<v Speaker 3>got like an old like mobility scooter and took the

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<v Speaker 3>motor out of it and stuck it on the rear

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<v Speaker 3>right hand tire. And so when we put the tire

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<v Speaker 3>on you turn it on, the thing would spin and

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<v Speaker 3>then you'd hit hit the button and it would make

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<v Speaker 3>the sound of you know, this race car. And then

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<v Speaker 3>we got a smoke machine and stuck it behind that

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<v Speaker 3>tire like in it and then so as a tire

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<v Speaker 3>spinning like smoke shooting out the back. It was. It

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<v Speaker 3>was pretty epic.

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<v Speaker 1>Yeah, wow, wow wow. Do you prefer traditional or experimental

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<v Speaker 1>flavor combinations in your cake?

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<v Speaker 3>Well? I mean me personally, but it was funny. We

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<v Speaker 3>were just talking about this my wife's like, what kind

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<v Speaker 3>of cake do you want for your birthday? And I

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<v Speaker 3>was like, I want my favorite cake in the world

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<v Speaker 3>is Betty Crucker yellow cake with chocolate frosting and non perells.

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<v Speaker 1>That that right, that has a very specific I remember

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<v Speaker 1>that that's birthday cake, right, That's that's what That's what

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<v Speaker 1>it is. You're so right, man, yellow cake chocolate frosting.

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<v Speaker 1>Like there's nothing better like you get. We make like char.

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<v Speaker 3>City cakes, Like we make a pumpkin chocolate chip that's amazing.

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<v Speaker 3>We make a Caribbean black cake de list like really

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<v Speaker 3>really good. But you know it's Desert Island yellow cake

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<v Speaker 3>chocolate frosting. I'm good.

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<v Speaker 1>Wow, Well, let's talk a little bit about the food.

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<v Speaker 1>In season one, episode six, Rory's birthday parties. In this episode,

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<v Speaker 1>pudding is discussed a lot and used as a metaphor.

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<v Speaker 1>Laura I believes Emily served pudding at Friday night dinner

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<v Speaker 1>because she knew Laura I liked it. Laura I wants

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<v Speaker 1>Emily to continue to show she knows Lorelai and Rory,

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<v Speaker 1>especially when picking out Rory's birthday gift. Oh no, no, no, no,

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<v Speaker 1>come on, mom, you don't know how to do this

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<v Speaker 1>thing pudding, Emily says, putting. Laurles says, come on, you

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<v Speaker 1>ask for my help. You're reaching out a little, not

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<v Speaker 1>a lot. Don't get freaked, but mom pudding Emily's is

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<v Speaker 1>why do you keep saying pudding? She eventually uses it

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<v Speaker 1>against Emily, saying the pudding was just a flute. Also,

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<v Speaker 1>Suki cooks up a storm for Rory's birthday party, mini

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<v Speaker 1>orange biscuits with honey, mustard, ham and cheddar cheese, and

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<v Speaker 1>angel wings with dipping sauce. Plus, Jackson creates something called

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<v Speaker 1>a ras squat raspberry kum quat. So there you go.

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<v Speaker 1>What do you what do you think of this the

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<v Speaker 1>cooking on this episode? Have you ever seen anything that

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<v Speaker 1>Suki has prepared and gotten inspired or or tell me

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<v Speaker 1>about the level of the cooking on this show.

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<v Speaker 3>Wait, so the tell me the rasquat? This is okay? Now?

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<v Speaker 3>Was that a like?

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<v Speaker 1>Was this a sort of like a like a it's

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<v Speaker 1>it's a raspberry kumquat that were.

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<v Speaker 3>Mated together, grown together. So this was like a like

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<v Speaker 3>a like.

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<v Speaker 1>Jet And Zuki's husband is a vegetable fruit guy, and

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<v Speaker 1>he obviously likes to experiment around with this stuff. Yeah,

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<v Speaker 1>so he comes in with a ras squat. He created it.

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<v Speaker 3>Now, a kum quat is also a sort of a

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<v Speaker 3>mating of a couple of things. Right, it's an apricot

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<v Speaker 3>and I think it's a It is an apricot and

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<v Speaker 3>an orange or something like that, like a like a

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<v Speaker 3>kubquat is that also? Like a low quat is another

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<v Speaker 3>sort of one of the quats. Now, I don't know,

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<v Speaker 3>and I am not a food scientist. I am a baker,

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<v Speaker 3>but I feel like raspberries being a berry and a

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<v Speaker 3>kumquat or a low quat being a stone fruit. Wait

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<v Speaker 3>is it? No, A cub quat is a citrus, a

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<v Speaker 3>low quat is a pit. I don't know if this

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<v Speaker 3>is possible.

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<v Speaker 1>This might not be possible. All right, we found out

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<v Speaker 1>here this is this begs other questions.

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<v Speaker 3>Yeah, hmm, interesting, interesting with the science here, which they're.

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<v Speaker 1>They're taking some artistic license.

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<v Speaker 3>Maybe I tell you I am very pro pudding, Okay, right,

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<v Speaker 3>I mean who's not?

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<v Speaker 1>I am too. I actually joined protest marches for pudding.

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<v Speaker 3>Yeah, I'm very pro pudding.

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<v Speaker 1>It used to happen a lot in my old neighborhood.

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<v Speaker 3>We made a cake the pro pudding, the pro pudding lobby,

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<v Speaker 3>I'm part of that.

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<v Speaker 1>Yeah, that's about as political as I get.

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<v Speaker 3>So one time we made a cake and it was

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<v Speaker 3>this big dinosaur and I was thinking about like dinosaurs

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<v Speaker 3>and sort of like some of the like the dioramas

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<v Speaker 3>that you would see when you go to like the

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<v Speaker 3>you know, the Natural History Museum, and I was like,

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<v Speaker 3>you know, one of the things I love about like dinosaurs,

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<v Speaker 3>it's like all like the like the Librea tar pit

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<v Speaker 3>bubbling mud kind of thing. So it's like, how are

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<v Speaker 3>we going to make bubbling mud for this cake? And

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<v Speaker 3>so I made a very loose, very dark chocolate pudding

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<v Speaker 3>and then I got a bunch of aquarium bubblers and

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<v Speaker 3>we stuck them in to the sort of the vessel

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<v Speaker 3>that we used for the pudding, put all the pudding in,

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<v Speaker 3>and then turned them on. And they were like, oh great,

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<v Speaker 3>yeah it was it was great.

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<v Speaker 1>It was a little couple of little dinosaur eggs and there.

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<v Speaker 1>Maybe they're just like white chocolate. Yeah, yeah, that's why

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<v Speaker 1>that's why I'm not a chef. Really.

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<v Speaker 3>Well, no, the white chalk is actually a good idea

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<v Speaker 3>because it's the chocolate is fat based. It's not water soluble,

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<v Speaker 3>so it would melt.

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<v Speaker 1>Right.

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<v Speaker 3>If I put a candy dinisaur egg in there, it's

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<v Speaker 3>just gonna melt into the liquid of the pudding. But

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<v Speaker 3>a stoll ad piece of chocolate not going anywhere.

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<v Speaker 1>I put that in the book. I'm gonna steal that one,

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<v Speaker 1>all right, thank you.

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<v Speaker 3>I'll tell you.

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<v Speaker 1>Is there a pastry that you've made that it stands

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<v Speaker 1>out as your personal favorite.

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<v Speaker 3>I'm gonna say my great grandmother's apple scrutle. She was

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<v Speaker 3>a baker and she was from like Ukraine, Moldova, that

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<v Speaker 3>kind of area back I did get up. The border

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<v Speaker 3>is always moving, so who knows where she's from somewhere

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<v Speaker 3>over there. And uh, the thing that's really interesting about it,

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<v Speaker 3>like one, it's absolutely delicious. Uh Two, it's not like

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<v Speaker 3>an apple strudel, like if you go to Germany, if

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<v Speaker 3>you go to Austria and you get an apples apples strudle,

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<v Speaker 3>it's like big chunks of apples, right, and they're pretty

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<v Speaker 3>fresh and they still got like they're pretty toothy, like

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<v Speaker 3>they still got some crunch to them. Almost hers. She

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<v Speaker 3>would cook her apples down, like she'd cook it and

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<v Speaker 3>cook it. It would become apple sauce. She would keep

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<v Speaker 3>going and cooked it down to like a marmalade. That's

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<v Speaker 3>the word she used, was marmalade. And the recipe when

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<v Speaker 3>I make it, I've actually taken it a step further

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<v Speaker 3>and I will reduce it and reduce it, and it's

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<v Speaker 3>like it'll take six seven hours to like reduce this

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<v Speaker 3>stuff all the way and then at the last minute

0:13:32.960 --> 0:13:38.800
<v Speaker 3>there's like this point where you have finally removed all

0:13:38.880 --> 0:13:43.319
<v Speaker 3>of the moisture, all of the water from the apples. Now,

0:13:43.320 --> 0:13:48.240
<v Speaker 3>the interesting thing about cooking is that it's basically you're

0:13:48.679 --> 0:13:51.040
<v Speaker 3>all you're really doing when you're cooking or baking is

0:13:51.080 --> 0:13:54.160
<v Speaker 3>managing water, right, and trying to sort of like move

0:13:54.200 --> 0:13:56.800
<v Speaker 3>the water around, remove the water, add water. You know,

0:13:56.880 --> 0:13:59.400
<v Speaker 3>it's a lot of cooking is just managing water.

0:13:59.520 --> 0:14:01.400
<v Speaker 1>That's very good point. That's a very good thing. Yeah,

0:14:01.400 --> 0:14:04.079
<v Speaker 1>because it really if you've got if you've got you know,

0:14:04.120 --> 0:14:07.240
<v Speaker 1>if you're boiling, if you're doing the chicken and you're

0:14:07.280 --> 0:14:12.680
<v Speaker 1>boiling some rice, and yeah, it's all water management, water management.

0:14:12.280 --> 0:14:18.679
<v Speaker 3>Right, yeah, water, so nothing will caramelize in the presence

0:14:18.880 --> 0:14:26.280
<v Speaker 3>of water. Right. When you reduce all these apples, you

0:14:26.640 --> 0:14:29.640
<v Speaker 3>reduce reduced reduce. It finally gets to a point where

0:14:29.640 --> 0:14:32.000
<v Speaker 3>there's no more water, and at that point it starts

0:14:32.000 --> 0:14:37.200
<v Speaker 3>to caramelize. But you spent seven hours reducing this whole thing,

0:14:37.400 --> 0:14:38.920
<v Speaker 3>and that right when you get to the very end,

0:14:39.160 --> 0:14:41.000
<v Speaker 3>you've got to make sure that you really stern it,

0:14:41.040 --> 0:14:42.880
<v Speaker 3>really stern it, because you want it to get this

0:14:43.040 --> 0:14:48.960
<v Speaker 3>like golden amber caramelized color. But you know, thirty seconds

0:14:48.960 --> 0:14:51.720
<v Speaker 3>too long and you've burnt it. And so it's like

0:14:51.800 --> 0:14:54.840
<v Speaker 3>this big, long process that comes down to this like

0:14:55.440 --> 0:14:58.400
<v Speaker 3>one thing right at the very end, and it makes

0:14:58.840 --> 0:15:04.520
<v Speaker 3>such a it's like the strudle is almost like candy

0:15:04.720 --> 0:15:08.000
<v Speaker 3>and they're small pieces, like little things like this with

0:15:08.040 --> 0:15:10.640
<v Speaker 3>like this like dot of filling in the middle that's

0:15:11.160 --> 0:15:16.320
<v Speaker 3>very like really bright, really big, just really good stuff.

0:15:16.360 --> 0:15:17.960
<v Speaker 1>You know, let's take a break. I need eed something.

0:15:19.320 --> 0:15:25.240
<v Speaker 1>What's the request you've ever received for a cake? Just sign?

0:15:27.480 --> 0:15:29.840
<v Speaker 1>Uh it's a family show, family show.

0:15:30.320 --> 0:15:33.200
<v Speaker 3>Yeah, well there was I got it. Like it's a

0:15:33.200 --> 0:15:37.520
<v Speaker 3>little gross, but there was one where you know, like

0:15:37.560 --> 0:15:41.240
<v Speaker 3>there's that like doctors and nurses kind of have a

0:15:41.600 --> 0:15:45.440
<v Speaker 3>sort of different sense of humor than most people, right

0:15:46.200 --> 0:15:51.800
<v Speaker 3>and yeah, and uh, there was a nurses convention in Baltimore,

0:15:52.480 --> 0:15:54.400
<v Speaker 3>and so there was all these nurses coming and they

0:15:54.440 --> 0:15:57.440
<v Speaker 3>wanted to get a cake, and they they wanted a

0:15:57.480 --> 0:16:02.160
<v Speaker 3>cake of and these like anatomical models that they use

0:16:02.240 --> 0:16:05.800
<v Speaker 3>in like you know, med school, nursing school, and the

0:16:05.840 --> 0:16:12.280
<v Speaker 3>one that they wanted was a model that depicted all

0:16:12.360 --> 0:16:18.000
<v Speaker 3>of the different types of bed sores that somebody could

0:16:18.040 --> 0:16:22.400
<v Speaker 3>get well. And they brought one to show us so

0:16:22.520 --> 0:16:26.040
<v Speaker 3>we could see it. And it was gross and we

0:16:26.160 --> 0:16:29.800
<v Speaker 3>like made it and it was like anatomically correct and

0:16:29.960 --> 0:16:32.960
<v Speaker 3>super gross, and I just I can't believe that they

0:16:33.040 --> 0:16:36.080
<v Speaker 3>were able to sort of bring themselves to to eat

0:16:36.120 --> 0:16:39.000
<v Speaker 3>this thing. It was gross.

0:16:39.880 --> 0:16:42.400
<v Speaker 1>That is definitely well, that was the question, you know,

0:16:42.440 --> 0:16:48.480
<v Speaker 1>the strangest and the weirdest that that qualifies. Are there

0:16:48.520 --> 0:16:53.040
<v Speaker 1>any specific cakes on Goldberry that have become unexpected bestsellers?

0:16:53.720 --> 0:16:55.800
<v Speaker 3>And you know, I mean they all do really well,

0:16:55.800 --> 0:16:58.880
<v Speaker 3>but like some of them are seasonal and some of

0:16:58.920 --> 0:17:02.280
<v Speaker 3>them are like they're they're there year round, like our

0:17:02.640 --> 0:17:04.879
<v Speaker 3>chocolate cake is there year round, and I see, I

0:17:04.880 --> 0:17:08.800
<v Speaker 3>don't know. I mean the nice thing about Gallbelly is that, uh,

0:17:09.320 --> 0:17:11.200
<v Speaker 3>like I have a shop. I have a cake shop.

0:17:11.280 --> 0:17:13.960
<v Speaker 3>It's in Baltimore. And if you live in Baltimore. You

0:17:14.000 --> 0:17:15.159
<v Speaker 3>can come in there and get a cake. I mean,

0:17:15.160 --> 0:17:16.760
<v Speaker 3>you can get a cake anywhere in the world, but

0:17:16.840 --> 0:17:21.080
<v Speaker 3>you know it's delivery fees get pricey and like the

0:17:21.200 --> 0:17:27.680
<v Speaker 3>nice thing is now like somebody in you know, Spokane, Spokane.

0:17:27.800 --> 0:17:32.800
<v Speaker 1>Spokane, Yeah, Spokane, Yeah, Spokane.

0:17:32.840 --> 0:17:34.879
<v Speaker 3>I'm not from there, right, so I can like I

0:17:34.880 --> 0:17:40.480
<v Speaker 3>can say a biza because I'm not from Abithaia.

0:17:40.680 --> 0:17:41.760
<v Speaker 1>It's a mouthful, isn't it.

0:17:41.960 --> 0:17:46.400
<v Speaker 3>Yeah? Yeah? Did you see a pizza? Yeah, it's pizza

0:17:46.480 --> 0:17:47.120
<v Speaker 3>like pizza.

0:17:47.440 --> 0:17:50.399
<v Speaker 1>I see a Z. I'm calling it out. I'm not

0:17:50.600 --> 0:17:52.080
<v Speaker 1>I don't. I don't see a th h when I

0:17:52.080 --> 0:17:52.920
<v Speaker 1>see a Z. I'm sorry.

0:17:53.000 --> 0:17:55.280
<v Speaker 3>Did you see a biza or a pizza?

0:17:55.760 --> 0:17:59.520
<v Speaker 1>That's good too. I like a pizza because it's like pizza.

0:17:59.760 --> 0:18:02.720
<v Speaker 3>Yeah, but there's only one z. If it's two c's,

0:18:02.800 --> 0:18:03.720
<v Speaker 3>I think it's a pizza.

0:18:04.359 --> 0:18:06.040
<v Speaker 1>But I see one, I want to say the z.

0:18:06.280 --> 0:18:07.639
<v Speaker 3>Okay, yeah, a viza.

0:18:08.520 --> 0:18:11.760
<v Speaker 1>I don't limit myself language wise. No, I'm not one

0:18:11.800 --> 0:18:12.320
<v Speaker 1>of those guys.

0:18:12.760 --> 0:18:18.399
<v Speaker 3>It's Barcelona, all right, just come on, but like just

0:18:18.560 --> 0:18:22.440
<v Speaker 3>you don't you don't sound is like when you have

0:18:22.640 --> 0:18:25.040
<v Speaker 3>like okay, like say my accent, right, like, this is

0:18:25.080 --> 0:18:27.040
<v Speaker 3>my accent. This is how I talk. It's like a

0:18:27.080 --> 0:18:30.159
<v Speaker 3>weird mix of New England and you know, East Coast

0:18:30.160 --> 0:18:32.480
<v Speaker 3>and a little bit of Calvin who knows. Right, it's

0:18:32.480 --> 0:18:34.960
<v Speaker 3>a weird accent. But like if I'm sitting there talking,

0:18:34.960 --> 0:18:36.760
<v Speaker 3>I'm like, yeah, so I'm gonna you know, I'm gonna

0:18:36.920 --> 0:18:38.920
<v Speaker 3>grab these tomatoes and put it in here. They're gonna

0:18:38.920 --> 0:18:43.800
<v Speaker 3>take Oh they don't, right, Like what is that? How

0:18:43.880 --> 0:18:46.600
<v Speaker 3>does that make me? Sound like? I know what I'm

0:18:46.600 --> 0:18:51.600
<v Speaker 3>talking about? You know what I like? It doesn't sound right?

0:18:52.320 --> 0:18:53.280
<v Speaker 3>It's mozzarella?

0:18:54.640 --> 0:18:58.000
<v Speaker 1>Right, you know I do want to try that? How

0:18:58.040 --> 0:18:59.719
<v Speaker 1>did you do that?

0:19:01.760 --> 0:19:02.000
<v Speaker 3>Yeah?

0:19:02.400 --> 0:19:02.600
<v Speaker 2>More?

0:19:05.080 --> 0:19:07.000
<v Speaker 1>Yeah, it's mine Italian?

0:19:08.160 --> 0:19:10.360
<v Speaker 3>It is Italians don't even say.

0:19:10.200 --> 0:19:12.080
<v Speaker 1>It like that. I'll say it like that. That's how

0:19:12.119 --> 0:19:19.480
<v Speaker 1>they say in the movies or something. Right, yeah, right, actors, actors,

0:19:20.520 --> 0:19:21.200
<v Speaker 1>I know, right.

0:19:21.560 --> 0:19:21.879
<v Speaker 3>Wow.

0:19:24.240 --> 0:19:29.200
<v Speaker 1>Are there any particularly challenging or memorable cakes that stand

0:19:29.240 --> 0:19:34.520
<v Speaker 1>out in your career? There's one that just you couldn't

0:19:34.560 --> 0:19:36.680
<v Speaker 1>quite get it, but you thought it had great potential

0:19:36.760 --> 0:19:38.919
<v Speaker 1>and it just fell apart or something. I don't know.

0:19:39.600 --> 0:19:42.640
<v Speaker 3>Well, uh, it's you know, there's one cake that I've

0:19:42.680 --> 0:19:49.320
<v Speaker 3>always wanted to make, but nobody has offered me enough

0:19:49.359 --> 0:19:51.439
<v Speaker 3>money to actually pull this up, because it would be

0:19:51.440 --> 0:19:55.560
<v Speaker 3>pretty expensive. But what I want to do is I

0:19:55.600 --> 0:20:01.359
<v Speaker 3>want to make a uh like a life's size tonton

0:20:02.280 --> 0:20:05.040
<v Speaker 3>right from Empire Strikes Back? Right?

0:20:06.040 --> 0:20:08.000
<v Speaker 1>What's the tantan?

0:20:08.240 --> 0:20:11.119
<v Speaker 3>Was the the snow that weird?

0:20:11.280 --> 0:20:11.359
<v Speaker 1>Like?

0:20:12.480 --> 0:20:16.080
<v Speaker 3>It was like a bipedal line warns that they rode

0:20:16.119 --> 0:20:18.320
<v Speaker 3>around in the snow, right. Don't want to make one

0:20:18.320 --> 0:20:22.080
<v Speaker 3>of those. But I wanted to have like some sort

0:20:22.080 --> 0:20:25.320
<v Speaker 3>of again managing water. You need like some sort of

0:20:25.520 --> 0:20:32.760
<v Speaker 3>edible waterproof bladder inside of the tontan. And so when

0:20:32.760 --> 0:20:34.920
<v Speaker 3>it came time to cut the cake, you could cut

0:20:34.960 --> 0:20:39.240
<v Speaker 3>the belly open and then all of the like intestines,

0:20:39.320 --> 0:20:42.879
<v Speaker 3>like you know those tubes, they all fall out, and

0:20:42.920 --> 0:20:47.240
<v Speaker 3>then you have a Luke Skywalker cake and you shove

0:20:47.280 --> 0:20:49.679
<v Speaker 3>it in there, right, and then you eat it.

0:20:49.800 --> 0:20:54.399
<v Speaker 1>One does That's what I want? One? Does? You know,

0:20:54.560 --> 0:20:58.800
<v Speaker 1>let's start a you know, go fundme page or something.

0:20:59.160 --> 0:21:00.800
<v Speaker 1>You know, Let's let's get that done. What do you

0:21:00.840 --> 0:21:03.320
<v Speaker 1>call it, ton, Let's let's get that raise money for

0:21:03.359 --> 0:21:04.280
<v Speaker 1>the Ton Time cake.

0:21:05.280 --> 0:21:06.639
<v Speaker 3>I like it. I think if we get it in

0:21:06.640 --> 0:21:10.400
<v Speaker 3>front of Bob Biger, right, whoever, whoever owns that ip.

0:21:10.480 --> 0:21:14.560
<v Speaker 1>Right, now, let's do it. Let's just make a whole

0:21:14.600 --> 0:21:17.080
<v Speaker 1>spectacle about it, and we can sell to Netflix as

0:21:17.119 --> 0:21:20.000
<v Speaker 1>a as a documentary. That's actually kind of a that's

0:21:20.000 --> 0:21:23.199
<v Speaker 1>the kind of wacky, great idea that would actually be

0:21:23.320 --> 0:21:23.960
<v Speaker 1>fun to do.

0:21:24.080 --> 0:21:26.880
<v Speaker 3>You know, like, let's see if we can pull this off, right.

0:21:26.800 --> 0:21:29.040
<v Speaker 1>I mean, because it's so off the wall and great,

0:21:29.160 --> 0:21:31.080
<v Speaker 1>you know, oh my god, that would be fun.

0:21:31.200 --> 0:21:35.080
<v Speaker 3>It's just such a visceral scene, right like when Hansolo

0:21:35.280 --> 0:21:37.920
<v Speaker 3>cuts it open and all the tubes come out. You're

0:21:37.960 --> 0:21:38.760
<v Speaker 3>just like, it's just.

0:21:39.160 --> 0:21:42.320
<v Speaker 1>A little right right, turn that into a well, I

0:21:42.320 --> 0:21:44.240
<v Speaker 1>don't see why we can't turn it into a recipe

0:21:44.320 --> 0:21:46.280
<v Speaker 1>or you you know, let's do it.

0:21:46.400 --> 0:21:47.240
<v Speaker 2>Yeah, I like it.

0:21:56.240 --> 0:21:58.960
<v Speaker 1>How's your time on television shaped your relationship with fans

0:21:59.400 --> 0:22:02.080
<v Speaker 1>and and the baking community.

0:22:02.400 --> 0:22:05.399
<v Speaker 3>That's a great question, Thank you very much. Wow. Uh

0:22:05.680 --> 0:22:08.240
<v Speaker 3>you know, I like, I mean, before I was on television,

0:22:08.280 --> 0:22:14.280
<v Speaker 3>I didn't have any fans, so but like it's it's

0:22:14.320 --> 0:22:18.080
<v Speaker 3>been like an evolution. Where like when I first sort

0:22:18.080 --> 0:22:20.440
<v Speaker 3>of got on television, you know, I was like this

0:22:20.680 --> 0:22:24.040
<v Speaker 3>kid that owned a bakery and was just trying to

0:22:24.080 --> 0:22:26.199
<v Speaker 3>make it, you know, trying to pay my bills and

0:22:26.280 --> 0:22:28.800
<v Speaker 3>be in a band and people are like, oh yeah,

0:22:28.840 --> 0:22:31.200
<v Speaker 3>I have a picture, you know, and you're like why

0:22:32.040 --> 0:22:34.920
<v Speaker 3>what you know? And it was weird and you're sort

0:22:34.960 --> 0:22:37.160
<v Speaker 3>of like it was like it was.

0:22:37.200 --> 0:22:41.200
<v Speaker 1>Really shocking because you for you forgot, you didn't you

0:22:41.760 --> 0:22:43.840
<v Speaker 1>forgot and you were just you and like what's going

0:22:43.840 --> 0:22:46.560
<v Speaker 1>on here? You know? Why why are you attacking me?

0:22:47.080 --> 0:22:47.320
<v Speaker 3>Yeah?

0:22:47.359 --> 0:22:49.840
<v Speaker 1>Oh right, yeah that show.

0:22:50.280 --> 0:22:53.280
<v Speaker 3>Yes, you're like pictures of your cakes, Like, oh okay,

0:22:53.320 --> 0:22:56.320
<v Speaker 3>you're I see it. I see it. And then I

0:22:56.320 --> 0:23:02.680
<v Speaker 3>think there's a point at which you start to accept it,

0:23:03.000 --> 0:23:05.840
<v Speaker 3>right that you know, part of me, part of me

0:23:06.240 --> 0:23:10.320
<v Speaker 3>is public property. Right, there's just a thing where you know,

0:23:11.240 --> 0:23:17.919
<v Speaker 3>you can't sort of like teach people decorum. You know,

0:23:18.160 --> 0:23:21.280
<v Speaker 3>like if I'm at a restaurant eating dinner with my family,

0:23:21.680 --> 0:23:23.800
<v Speaker 3>people are still gonna ask for a picture. Personally, I

0:23:23.840 --> 0:23:27.440
<v Speaker 3>wouldn't do that, you know, but like it's you don't

0:23:27.440 --> 0:23:29.800
<v Speaker 3>really want to be like, hey, you're being rude right now?

0:23:30.280 --> 0:23:31.000
<v Speaker 3>Would I would?

0:23:31.000 --> 0:23:32.960
<v Speaker 1>If it's Kate Blanchett, I wouldn't care.

0:23:33.600 --> 0:23:35.479
<v Speaker 3>Really, yeah, you do it.

0:23:36.040 --> 0:23:37.680
<v Speaker 1>I'd walk through piles and you know what to get

0:23:37.680 --> 0:23:38.520
<v Speaker 1>an autograph with her.

0:23:40.840 --> 0:23:42.480
<v Speaker 3>Did you see coffee and cigarettes.

0:23:44.119 --> 0:23:48.480
<v Speaker 1>Jim Jarmish I probably did, but I don't remember it.

0:23:48.480 --> 0:23:51.680
<v Speaker 3>It's just like, oh man, well, it's like all these

0:23:51.680 --> 0:23:56.600
<v Speaker 3>little vignettes. It's all these different little like five minute stories.

0:23:56.640 --> 0:23:59.679
<v Speaker 3>Like there's one that's like Bill Murray and the Rizza

0:23:59.760 --> 0:24:03.200
<v Speaker 3>and the Jizz from Routank Clan and they're just these

0:24:03.240 --> 0:24:06.240
<v Speaker 3>weird little short stories. And there's one Kate Blanchett does

0:24:07.920 --> 0:24:12.639
<v Speaker 3>where she's playing herself and she's also playing her like

0:24:13.680 --> 0:24:17.760
<v Speaker 3>you know cousin who's just like this sort of rando

0:24:17.920 --> 0:24:21.280
<v Speaker 3>who's just like, oh, look at you all, and it's

0:24:21.320 --> 0:24:23.560
<v Speaker 3>really like it's cool. She's like kind of sitting there

0:24:23.600 --> 0:24:26.160
<v Speaker 3>and making fun of herself and it's really it's neat.

0:24:28.720 --> 0:24:31.840
<v Speaker 3>But at this point, like with the fans, I tell you, man,

0:24:33.200 --> 0:24:37.800
<v Speaker 3>walking through the airport and like having like an eleven

0:24:37.880 --> 0:24:39.879
<v Speaker 3>year old kid like come up and give me a

0:24:39.920 --> 0:24:42.040
<v Speaker 3>high five or something because I think I'm cool like

0:24:42.400 --> 0:24:48.280
<v Speaker 3>that like that that is what all mess right, It's

0:24:48.320 --> 0:24:53.000
<v Speaker 3>not like but like people that are like hey man,

0:24:53.320 --> 0:24:55.840
<v Speaker 3>you know hey plus and like when kids think I'm cool,

0:24:55.840 --> 0:24:57.119
<v Speaker 3>I'm right, that's cool.

0:24:57.320 --> 0:24:59.520
<v Speaker 1>If you could bake for anyone in the world past

0:24:59.560 --> 0:25:00.560
<v Speaker 1>or present who would it be?

0:25:00.600 --> 0:25:05.520
<v Speaker 3>And why if I could bake anybody? You know, one

0:25:05.520 --> 0:25:10.000
<v Speaker 3>of the things that I've noticed about cakes is that

0:25:11.080 --> 0:25:16.359
<v Speaker 3>if you would show up to any sort of like

0:25:16.680 --> 0:25:22.760
<v Speaker 3>super exclusive function right of anything, of some weird after

0:25:22.920 --> 0:25:26.760
<v Speaker 3>party and blah blah blah, some crazy nightclub with the

0:25:26.840 --> 0:25:30.080
<v Speaker 3>line out the door, the bouncers with oozzies, if you

0:25:30.240 --> 0:25:34.199
<v Speaker 3>show up and you're wearing a chef coat and you

0:25:34.320 --> 0:25:36.600
<v Speaker 3>have a box with a cake in it, they let

0:25:36.640 --> 0:25:41.080
<v Speaker 3>you in no questions since they let you in, And

0:25:41.240 --> 0:25:46.280
<v Speaker 3>so I think I would probably I would use that

0:25:46.520 --> 0:25:52.199
<v Speaker 3>power to see if I could get into I'm going

0:25:52.280 --> 0:25:58.200
<v Speaker 3>to say, uh, I would, I would go this. I

0:25:58.240 --> 0:26:04.879
<v Speaker 3>would bring a cake to Madison Square Garden in nineteen

0:26:05.320 --> 0:26:10.600
<v Speaker 3>seventy seven when led Zeppelin was the height of their

0:26:10.880 --> 0:26:14.200
<v Speaker 3>just rock stardom, and I would want to get backstage

0:26:14.200 --> 0:26:15.560
<v Speaker 3>and hang out with those dudes. You know.

0:26:15.720 --> 0:26:21.119
<v Speaker 1>My left ear got partially blown out in a nineteen

0:26:21.240 --> 0:26:26.359
<v Speaker 1>seventy five Led Zeppelin concert at the Spectrum in Philadelphia

0:26:26.840 --> 0:26:31.919
<v Speaker 1>because of the genius sitting right here underneath these headphones.

0:26:31.960 --> 0:26:36.560
<v Speaker 1>Decided to go sit inside one of the amps.

0:26:37.320 --> 0:26:38.520
<v Speaker 3>Why would you do that?

0:26:38.920 --> 0:26:40.800
<v Speaker 1>Because I wanted to be close to the music.

0:26:40.880 --> 0:26:45.480
<v Speaker 3>Man became infused in you, right, like.

0:26:45.600 --> 0:26:51.280
<v Speaker 1>Let me. It was so loud, you know, just in general,

0:26:51.400 --> 0:26:54.280
<v Speaker 1>they had the volume turned up so high you could

0:26:54.320 --> 0:26:58.199
<v Speaker 1>barely make out the music. It was that loud. You

0:26:58.200 --> 0:27:01.399
<v Speaker 1>could hear you could hear bottom thundering away, but as

0:27:01.440 --> 0:27:03.760
<v Speaker 1>far as guitars and bass and all that stuff, you

0:27:03.800 --> 0:27:06.000
<v Speaker 1>could kind of make it out. But it was so loud.

0:27:06.000 --> 0:27:08.400
<v Speaker 3>It was like just distorted.

0:27:08.480 --> 0:27:12.280
<v Speaker 1>And yeah, yeah, it was so loud. Anyway, if you

0:27:12.280 --> 0:27:18.280
<v Speaker 1>were to come into Luke's Diner, okay, what would you order?

0:27:19.440 --> 0:27:21.440
<v Speaker 1>And here's the big question, where would you sit?

0:27:23.200 --> 0:27:28.920
<v Speaker 3>Well, I if it's there was a counter, right, yeah,

0:27:28.960 --> 0:27:29.879
<v Speaker 3>I'd sit at the counter.

0:27:31.119 --> 0:27:31.439
<v Speaker 1>Okay.

0:27:31.840 --> 0:27:35.320
<v Speaker 3>I like that that conversation, the conversations that happened that

0:27:35.480 --> 0:27:38.200
<v Speaker 3>counters are always better than the ones that happened anywhere

0:27:38.240 --> 0:27:43.280
<v Speaker 3>else because there's immediately you are talking to strangers. I

0:27:43.320 --> 0:27:48.000
<v Speaker 3>would order. Let's see, I would probably like I would

0:27:48.040 --> 0:27:51.800
<v Speaker 3>want something that's very specific to diners. So I'm going

0:27:51.880 --> 0:28:01.280
<v Speaker 3>to say, like a Paddy melt or do Yeah, it's

0:28:01.320 --> 0:28:06.840
<v Speaker 3>a little fishy taste like chicken. Yeah, I want crinkle

0:28:06.920 --> 0:28:07.680
<v Speaker 3>cut fries.

0:28:07.760 --> 0:28:10.880
<v Speaker 1>I got Oh boy, would you would you actually order

0:28:10.960 --> 0:28:16.000
<v Speaker 1>crinkle cut Luke would just give you a look. Really, Luke,

0:28:16.119 --> 0:28:18.679
<v Speaker 1>crinkle cut if you said crinkle cut fries instead of

0:28:18.720 --> 0:28:20.520
<v Speaker 1>just fries, he just he just are.

0:28:20.440 --> 0:28:24.480
<v Speaker 3>You but here? Okay, he's rude. Let me ask you this,

0:28:24.800 --> 0:28:26.800
<v Speaker 3>he's rude. Think about a French fry.

0:28:27.440 --> 0:28:29.920
<v Speaker 1>I'm thinking, what is the.

0:28:29.760 --> 0:28:33.159
<v Speaker 3>Best part of the French fry? Is it the gooey

0:28:33.359 --> 0:28:37.360
<v Speaker 3>center or the crispy outside? You can say, everyone knows

0:28:37.400 --> 0:28:42.840
<v Speaker 3>the answer. Outside, Yes, the crunch the outside. Sure, a

0:28:42.960 --> 0:28:51.240
<v Speaker 3>crinkle cut fry, due to simple simple geometry, has much

0:28:51.280 --> 0:28:54.200
<v Speaker 3>more crispy outside than a straight French fries. Some more

0:28:54.240 --> 0:28:57.840
<v Speaker 3>surface area, more surface area that holds more salt, more crunch.

0:28:57.920 --> 0:29:03.760
<v Speaker 3>So I would tell Luke to have a seat, get

0:29:03.800 --> 0:29:07.280
<v Speaker 3>your ass back there and make me speak. Buddy.

0:29:08.440 --> 0:29:13.720
<v Speaker 1>It's a loud Duff cage match. I like it. It's

0:29:13.760 --> 0:29:16.920
<v Speaker 1>been a pleasure talking to you, Duff. You got you

0:29:16.960 --> 0:29:20.400
<v Speaker 1>gotta come back and uh there's more conversation you had here.

0:29:21.920 --> 0:29:25.560
<v Speaker 1>Thanks for coming on and good luck with everything. And

0:29:25.680 --> 0:29:32.200
<v Speaker 1>remember folks go to Duff dot com go to at

0:29:32.400 --> 0:29:40.200
<v Speaker 1>Duff Goldman or goldbelly dot com to get all things Goldman.

0:29:40.360 --> 0:29:42.680
<v Speaker 3>Thank you, sir, thanks for having me. This is great.

0:29:42.720 --> 0:29:47.200
<v Speaker 1>Great pleasure and good luck with everything, and one day

0:29:47.520 --> 0:29:50.560
<v Speaker 1>I hope to see the band, just just saying.

0:29:50.320 --> 0:29:53.440
<v Speaker 3>Okay, if you come to the ib I E, the

0:29:53.520 --> 0:29:58.600
<v Speaker 3>International Baking Industry Expo, that is in September of twenty

0:29:58.800 --> 0:30:05.640
<v Speaker 3>twenty five, we will be playing a full eighties set

0:30:06.680 --> 0:30:09.640
<v Speaker 3>right after Wang Chung.

0:30:10.200 --> 0:30:13.959
<v Speaker 1>Oh my goodness. Yes, Wow, they're Wang Chok is opening

0:30:13.960 --> 0:30:14.200
<v Speaker 1>for you.

0:30:14.440 --> 0:30:17.320
<v Speaker 3>No, no, no, it's like they're they're playing a show. And

0:30:17.360 --> 0:30:20.280
<v Speaker 3>then we are the like the after party.

0:30:20.080 --> 0:30:23.200
<v Speaker 1>Show that fantastic Where where where is this being held?

0:30:24.040 --> 0:30:24.760
<v Speaker 3>Vegas?

0:30:24.920 --> 0:30:30.520
<v Speaker 1>Oh my goodness, dude, I'm there. I'll get your info.

0:30:30.760 --> 0:30:33.800
<v Speaker 1>We'll connect. I'm I'm going to be there. What's what's

0:30:33.800 --> 0:30:34.080
<v Speaker 1>the date?

0:30:34.080 --> 0:30:38.840
<v Speaker 3>September one, September twenties, twenty fifth, Maybe its September twenty something.

0:30:39.160 --> 0:30:41.240
<v Speaker 1>All right, I hope I'm gotta help. I'm in the country.

0:30:41.280 --> 0:30:41.960
<v Speaker 1>I hope I'm here.

0:30:42.080 --> 0:30:46.840
<v Speaker 3>Are Encore is Tom Sawyer? Oh no, I got I

0:30:46.840 --> 0:30:48.520
<v Speaker 3>gotta be there. It's so good.

0:30:49.240 --> 0:30:51.840
<v Speaker 1>Maybe I'll bring my axe and you know, do it?

0:30:53.080 --> 0:30:53.760
<v Speaker 3>Come on up.

0:30:54.520 --> 0:30:56.520
<v Speaker 1>I got a white strat, I got a white strat.

0:30:56.560 --> 0:30:57.560
<v Speaker 1>I can well a little bit.

0:30:58.160 --> 0:31:01.400
<v Speaker 3>I got I gotta, I got what what do you

0:31:01.440 --> 0:31:06.880
<v Speaker 3>got to see sixty nine P bass.

0:31:07.040 --> 0:31:12.840
<v Speaker 1>Oh look at that. Wow, that is a beautiful, beautiful thing.

0:31:13.160 --> 0:31:16.080
<v Speaker 3>I got this at Carter Vintage. Have you ever been

0:31:16.200 --> 0:31:18.800
<v Speaker 3>in a Nashville.

0:31:18.840 --> 0:31:20.600
<v Speaker 1>No, I was, and I was there over the summer

0:31:20.640 --> 0:31:23.080
<v Speaker 1>and I didn't have time to actually go around and

0:31:23.160 --> 0:31:24.840
<v Speaker 1>hunt for guitars and I really wanted to.

0:31:25.400 --> 0:31:30.040
<v Speaker 3>It is a museum. That place is unbelievable. Yeah, Carter Vintage.

0:31:30.080 --> 0:31:33.160
<v Speaker 3>Going there And not only is this the bass that

0:31:33.200 --> 0:31:38.160
<v Speaker 3>I picked out and I've wanted it forever, but I

0:31:38.200 --> 0:31:40.360
<v Speaker 3>got to when they when they let me play it

0:31:40.400 --> 0:31:44.760
<v Speaker 3>in the store, I got to play it through an

0:31:44.800 --> 0:31:50.400
<v Speaker 3>amp that was on consignment from the bass player. Total.

0:31:50.560 --> 0:31:51.480
<v Speaker 1>Man, that's so cool.

0:31:52.400 --> 0:31:54.400
<v Speaker 3>I got to play that guy.

0:31:54.880 --> 0:31:57.440
<v Speaker 1>Just the business is rough, but man, just playing this,

0:31:57.680 --> 0:31:59.959
<v Speaker 1>it's it's all you need, you know, It's just a need.

0:32:01.560 --> 0:32:06.080
<v Speaker 3>Our Thanksgiving is like one hundred something people. My wife's

0:32:06.480 --> 0:32:09.360
<v Speaker 3>huge family out here in California, and uh, there's a

0:32:09.400 --> 0:32:13.360
<v Speaker 3>talent show that's just so many. And so me and

0:32:13.440 --> 0:32:17.040
<v Speaker 3>my wife and my mother in law, my father in law,

0:32:17.120 --> 0:32:22.280
<v Speaker 3>and my father in law's son and also my soush

0:32:22.360 --> 0:32:25.560
<v Speaker 3>chef are like we are bringing our stuff and we're playing.

0:32:25.760 --> 0:32:28.320
<v Speaker 3>We're playing California dreaming because I got a flute solo

0:32:28.360 --> 0:32:30.720
<v Speaker 3>in there that my wife plays, and we're playing some

0:32:30.840 --> 0:32:35.600
<v Speaker 3>Dave Matthews but I'm playing drums and like I'm a

0:32:35.680 --> 0:32:37.200
<v Speaker 3>you know, I got a couple of beats. I'm not

0:32:37.240 --> 0:32:40.120
<v Speaker 3>a drummer, but like I can play a little bit.

0:32:40.480 --> 0:32:42.000
<v Speaker 3>And like my father and was like, oh yeah, I

0:32:42.040 --> 0:32:44.880
<v Speaker 3>played this Dave Matthew song. I'm like, have you heard

0:32:45.120 --> 0:32:48.760
<v Speaker 3>that drummer? That guy's amazing. I can't play like that,

0:32:49.200 --> 0:32:51.680
<v Speaker 3>So yeah, we'll see how it goes. It's the it's

0:32:51.720 --> 0:32:54.640
<v Speaker 3>a Thanksgiving talent. I'm not too much. I'm not stressing.

0:32:58.400 --> 0:33:22.200
<v Speaker 2>Thanks dotty, everybody, and don't forget.

0:33:22.240 --> 0:33:26.280
<v Speaker 1>Follow us on Instagram at I Am all In podcast

0:33:26.360 --> 0:33:39.400
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com