1
00:00:03,360 --> 00:00:15,160
Speaker 1: Transmitting this. He good morning, Welcome to Wednesday Show Morning Studio. Morning.

2
00:00:15,200 --> 00:00:17,840
Speaker 1: All right, coming up in just a second, Dylan Scott

3
00:00:17,840 --> 00:00:23,239
Speaker 1: will perform for us. Hit It Ray. Yeah, that's He's

4
00:00:23,239 --> 00:00:25,920
Speaker 1: gonna perform right here from this stage. You guys hang

5
00:00:25,960 --> 00:00:28,480
Speaker 1: out for that. First, Let's go over and open up

6
00:00:28,480 --> 00:00:34,879
Speaker 1: the mailbag. You all year get something we call Bobby's

7
00:00:34,920 --> 00:00:39,520
Speaker 1: mail back year. Hello, Bobby, my ten year old son's

8
00:00:39,600 --> 00:00:42,839
Speaker 1: enjoyed playing soccer. His team's doing pretty well. Last year

9
00:00:42,880 --> 00:00:45,239
Speaker 1: they made it to the regional finals, and this year

10
00:00:45,240 --> 00:00:47,800
Speaker 1: it looks like they'll probably make state. We've taken a

11
00:00:47,840 --> 00:00:49,960
Speaker 1: practice two or three times a week. They have a

12
00:00:50,000 --> 00:00:52,640
Speaker 1: game at least once every two weeks. Many of the

13
00:00:52,680 --> 00:00:55,000
Speaker 1: games are also out of town. We have a younger

14
00:00:55,080 --> 00:00:57,520
Speaker 1: child who comes with us to those. The whole thing

15
00:00:57,560 --> 00:01:01,440
Speaker 1: has become a huge time spun and it's costing us

16
00:01:01,880 --> 00:01:04,480
Speaker 1: quite a bit of money. I don't want to disappoint

17
00:01:04,480 --> 00:01:06,600
Speaker 1: our son, but there's only so much time and money

18
00:01:06,640 --> 00:01:09,120
Speaker 1: I'm willing to put towards his hobby. Am I a

19
00:01:09,120 --> 00:01:12,320
Speaker 1: bad parent? How do other parents handle this? Well, that's

20
00:01:12,360 --> 00:01:13,640
Speaker 1: a great question. We have a lot of parents who

21
00:01:13,680 --> 00:01:16,640
Speaker 1: have kids playing sports. Ammy, what's your advice. Yeah, I mean,

22
00:01:16,680 --> 00:01:18,480
Speaker 1: if it's too much of a time suck, you might

23
00:01:18,560 --> 00:01:21,040
Speaker 1: have to set some boundaries it's a bummer or figure

24
00:01:21,080 --> 00:01:24,560
Speaker 1: out for car pooling, talking with other people on the team,

25
00:01:24,560 --> 00:01:26,440
Speaker 1: making sure that you can still get it done. But

26
00:01:26,520 --> 00:01:28,800
Speaker 1: then you have to have a budget for sports and

27
00:01:28,880 --> 00:01:31,920
Speaker 1: hobbies too. It is a real tough thing, as aharent,

28
00:01:32,000 --> 00:01:34,440
Speaker 1: so I feel for her on this, like I feel

29
00:01:34,440 --> 00:01:37,679
Speaker 1: like we're the school year. We're going to get sucked

30
00:01:37,720 --> 00:01:39,920
Speaker 1: into this sponge and we're going to have to create

31
00:01:39,959 --> 00:01:42,520
Speaker 1: some boundaries. And I've had to tell my kids, you

32
00:01:42,600 --> 00:01:44,560
Speaker 1: got to make a decision on this. We can't do everything.

33
00:01:44,840 --> 00:01:46,880
Speaker 1: Let's go over to Eddie also known as Octomom. Got

34
00:01:46,920 --> 00:01:50,080
Speaker 1: a lot of kids, four of them. Yes, yeah, so

35
00:01:50,080 --> 00:01:54,880
Speaker 1: hold on, did you say that this they may win state? Exactly. Guys,

36
00:01:55,080 --> 00:01:58,760
Speaker 1: that's the key word here. You have to stop everything

37
00:01:58,840 --> 00:02:01,919
Speaker 1: you're doing and focus in on this soccer team because

38
00:02:01,920 --> 00:02:04,840
Speaker 1: your child could support you for the rest of your

39
00:02:04,840 --> 00:02:07,680
Speaker 1: life if he becomes a major league soccer an American

40
00:02:07,760 --> 00:02:10,480
Speaker 1: World Cup team soccer player. Guys, you don't have to

41
00:02:10,560 --> 00:02:12,200
Speaker 1: do anything for the rest of your life. They'll buy

42
00:02:12,240 --> 00:02:14,360
Speaker 1: you a house, they'll take care of you. For the

43
00:02:14,360 --> 00:02:16,880
Speaker 1: rest of I mean, this is what it's about, the

44
00:02:16,960 --> 00:02:19,440
Speaker 1: fact that this child is showing so much promise in

45
00:02:19,440 --> 00:02:21,560
Speaker 1: a sport, loves the sport, is so good at it,

46
00:02:21,639 --> 00:02:24,120
Speaker 1: this team could win State. Man, drop everything you're doing

47
00:02:24,120 --> 00:02:27,720
Speaker 1: and support him. She did say the team, not her

48
00:02:27,840 --> 00:02:30,800
Speaker 1: kid is great. I don't know any specifics there, and

49
00:02:30,880 --> 00:02:35,600
Speaker 1: she has other children, so you say drop everything. Makes

50
00:02:35,639 --> 00:02:38,120
Speaker 1: a difference though, in because I played travel ball, and

51
00:02:38,200 --> 00:02:40,480
Speaker 1: if we weren't good, I couldn't have gone to a

52
00:02:40,520 --> 00:02:42,280
Speaker 1: lot of stuff because people wouldn't have cared enough to

53
00:02:42,280 --> 00:02:44,280
Speaker 1: make sure that I could go to stuff. Right, we

54
00:02:44,280 --> 00:02:46,040
Speaker 1: were good, so we're able to raise money all easier,

55
00:02:46,040 --> 00:02:47,560
Speaker 1: and people like, well, it's a good team, so let's

56
00:02:47,600 --> 00:02:49,680
Speaker 1: make sure they get to play, right, So I think

57
00:02:49,680 --> 00:02:51,840
Speaker 1: it's it's a good team. It does affected a little bit.

58
00:02:52,000 --> 00:02:54,080
Speaker 1: Now if the kid is like not as good as

59
00:02:54,080 --> 00:02:56,000
Speaker 1: the team, he's just kind of riding along, and you

60
00:02:56,120 --> 00:02:59,200
Speaker 1: notice that then say, hey, but we can't do it anymore. Well,

61
00:02:59,560 --> 00:03:02,880
Speaker 1: I would say, if the kid only shows medium interest

62
00:03:03,200 --> 00:03:05,480
Speaker 1: on a good team, yeah you give that, you give

63
00:03:05,560 --> 00:03:08,320
Speaker 1: medium to above medium interest. But what I'm saying is like,

64
00:03:08,400 --> 00:03:10,360
Speaker 1: if he's on the team but he never plays. But

65
00:03:10,440 --> 00:03:12,320
Speaker 1: I don't think that's it. I don't think that's it.

66
00:03:12,440 --> 00:03:14,600
Speaker 1: I think a big part of life is being on

67
00:03:14,639 --> 00:03:16,920
Speaker 1: the team and never playing, and how do you act

68
00:03:17,040 --> 00:03:20,320
Speaker 1: and react when there's adversity. So I'm okay with that

69
00:03:20,400 --> 00:03:23,160
Speaker 1: part of it. I'm not okay with if they're not interested. Yeah,

70
00:03:23,200 --> 00:03:27,960
Speaker 1: because you can grow and develop and get smarter. That's terrible.

71
00:03:28,240 --> 00:03:32,160
Speaker 1: That's actually terrible if it's like they don't care bench player.

72
00:03:32,880 --> 00:03:34,480
Speaker 1: But what if they love it. They sit the bench,

73
00:03:34,520 --> 00:03:36,480
Speaker 1: but they want to be a part of it and

74
00:03:36,560 --> 00:03:38,880
Speaker 1: they get to love You can put a bench in

75
00:03:38,920 --> 00:03:41,520
Speaker 1: the backyard. Yeah, but they're a part of the team

76
00:03:41,560 --> 00:03:45,840
Speaker 1: that's winning. It's easy. You got to do everything you

77
00:03:45,880 --> 00:03:48,600
Speaker 1: can for this kid to play soccer because listen, you

78
00:03:48,640 --> 00:03:50,680
Speaker 1: wouldn't you stop him from doing his homework because he

79
00:03:50,720 --> 00:03:52,960
Speaker 1: has a lot of homework. No, you gotta you gotta

80
00:03:53,040 --> 00:03:55,440
Speaker 1: do everything you can. This could be his future. Maybe

81
00:03:55,480 --> 00:03:57,160
Speaker 1: he's not gonna be a CEO. Maybe he's gonna be

82
00:03:57,200 --> 00:03:59,720
Speaker 1: a soccer player. Hey, there's this thing called go fund

83
00:03:59,720 --> 00:04:02,280
Speaker 1: me or elimonade. Stand. Guess what people love to do.

84
00:04:02,360 --> 00:04:04,720
Speaker 1: They love to give money to kids that are trying

85
00:04:04,720 --> 00:04:07,200
Speaker 1: to play sports. So put them out there on eliminade stand.

86
00:04:07,280 --> 00:04:09,600
Speaker 1: Tell the news, Hey, my kids raising money to win state.

87
00:04:09,760 --> 00:04:14,000
Speaker 1: Guess what the whole neighborhood two thousand bucks go to state. Yeah,

88
00:04:14,960 --> 00:04:17,760
Speaker 1: you jumped. You jumped a lot of places there. This

89
00:04:17,839 --> 00:04:19,680
Speaker 1: is what I would say to this. If the kid

90
00:04:19,920 --> 00:04:22,760
Speaker 1: is just die hard practices all the time, I don't

91
00:04:22,760 --> 00:04:24,400
Speaker 1: care how good he is right now. There's a lot

92
00:04:24,440 --> 00:04:27,640
Speaker 1: of players that develop into really amazing players aren't always

93
00:04:27,640 --> 00:04:31,680
Speaker 1: the best when they're young. But if the kid is

94
00:04:32,120 --> 00:04:36,360
Speaker 1: die hard working, still getting his grades in practicing passionate,

95
00:04:36,520 --> 00:04:39,360
Speaker 1: I think that's how you make your decision more than

96
00:04:39,440 --> 00:04:41,400
Speaker 1: what these knuckleheads are saying. The odds of Van being

97
00:04:41,400 --> 00:04:43,680
Speaker 1: a CEO far greater, unless the odds of Bean being

98
00:04:43,680 --> 00:04:46,679
Speaker 1: a high ranking executive far greater than playing a professional sports.

99
00:04:46,720 --> 00:04:48,599
Speaker 1: If he's about to win state at ten, he's got

100
00:04:48,640 --> 00:04:53,040
Speaker 1: talent unless he's sitting on the bench. Okay, anyway, I say,

101
00:04:53,440 --> 00:04:56,160
Speaker 1: I understand you absolutely need to budget, absolutely need to

102
00:04:56,160 --> 00:04:57,720
Speaker 1: set your strength to make sure the other kids feel

103
00:04:57,720 --> 00:05:00,960
Speaker 1: their love. But I would also base it on how

104
00:05:00,960 --> 00:05:02,600
Speaker 1: passionate the kid is about it. I don't think he's

105
00:05:02,640 --> 00:05:04,960
Speaker 1: got to be a plus star of the team. I

106
00:05:05,000 --> 00:05:06,640
Speaker 1: think he's got to have a passion though, if you're

107
00:05:06,680 --> 00:05:08,919
Speaker 1: gonna have to go and carry his a all around

108
00:05:08,960 --> 00:05:11,159
Speaker 1: the state. Yeah, there you go. I like that. There

109
00:05:11,160 --> 00:05:14,240
Speaker 1: you go. All right. Dylan Scott coming in next and

110
00:05:14,279 --> 00:05:15,840
Speaker 1: that's it. He's gonna be awesome. He's bring into the

111
00:05:15,880 --> 00:05:17,880
Speaker 1: tarts early in the morning. He's gonna sing his face off.

112
00:05:19,160 --> 00:05:21,599
Speaker 1: I'm gonna talk about Dylan Scott and we'll talk to

113
00:05:21,760 --> 00:05:25,240
Speaker 1: Dylan just second. But Dylan Scott's got two number one songs.

114
00:05:25,760 --> 00:05:29,239
Speaker 1: Probably know this one. It's called My Girl. Yeah, that's

115
00:05:29,320 --> 00:05:39,200
Speaker 1: My Girl in his other one's called Nobody Girl. No. Yeah.

116
00:05:41,200 --> 00:05:43,640
Speaker 1: He was the CMT Music Or Winner for Breakthrough Video

117
00:05:43,640 --> 00:05:45,520
Speaker 1: of the Year for that song. Right there. He's got

118
00:05:45,560 --> 00:05:49,120
Speaker 1: over a billion streams and he has big muscles. All right,

119
00:05:49,160 --> 00:05:52,200
Speaker 1: here we go, Well he does look him all right.

120
00:05:52,200 --> 00:05:56,279
Speaker 1: Here we go with Dylan Scott on the Bobby Bones Show. Now,

121
00:05:56,640 --> 00:05:59,240
Speaker 1: Dylan Scott, Dylan, I want to ask you a personal question.

122
00:05:59,240 --> 00:06:01,840
Speaker 1: If that's okay, You good with that? I'm good with it.

123
00:06:01,920 --> 00:06:06,160
Speaker 1: Wide open, rip cage open, it's open. I was noticing

124
00:06:06,640 --> 00:06:08,520
Speaker 1: on your phone you have something written on your your

125
00:06:08,520 --> 00:06:12,360
Speaker 1: home screen. Yeah, what what is that? Man? It's just

126
00:06:12,480 --> 00:06:15,400
Speaker 1: like Uh, it's it's things I want life, you know,

127
00:06:15,800 --> 00:06:20,760
Speaker 1: headline arenas, yes, right, do you know what? It's basically

128
00:06:20,800 --> 00:06:23,360
Speaker 1: little arena we're in, right, yeah, sure, this is the arena.

129
00:06:23,520 --> 00:06:26,240
Speaker 1: I love it. I wrote and my my second book,

130
00:06:26,279 --> 00:06:28,120
Speaker 1: Fell Until You Don't, I wrote that. I do that

131
00:06:28,160 --> 00:06:30,440
Speaker 1: a lot. I keep it on a lock screen because

132
00:06:30,480 --> 00:06:33,040
Speaker 1: what do you look at more your phone then your

133
00:06:33,120 --> 00:06:35,400
Speaker 1: lock screen on your phone. And I was at home

134
00:06:35,600 --> 00:06:37,080
Speaker 1: and I didn't even know you did that. I was

135
00:06:37,120 --> 00:06:38,760
Speaker 1: at home a few weeks ago. No, you read the

136
00:06:38,800 --> 00:06:40,800
Speaker 1: book to say that, Yeah, we'll write the book. Yeah,

137
00:06:40,800 --> 00:06:43,000
Speaker 1: of course, Yeah, I'm gonna read the book. I just

138
00:06:43,040 --> 00:06:45,520
Speaker 1: get it. You gotta give me one first though. Um.

139
00:06:45,760 --> 00:06:47,560
Speaker 1: I was at home late a few weeks ago, late

140
00:06:47,600 --> 00:06:49,479
Speaker 1: at night, and my family was a sleep and I

141
00:06:49,480 --> 00:06:51,680
Speaker 1: was just sitting there thinking that same thing. I was like, Man,

142
00:06:51,800 --> 00:06:54,279
Speaker 1: I'm always whether I know I'm gonna do it or not,

143
00:06:54,520 --> 00:06:57,479
Speaker 1: you catch yourself opening your phone for no reason. I

144
00:06:57,520 --> 00:06:59,039
Speaker 1: was like, you know what, I'm gonna put what I

145
00:06:59,080 --> 00:07:01,240
Speaker 1: want right here, so every time I open it, it's there.

146
00:07:01,360 --> 00:07:02,719
Speaker 1: I love. I used to at the fridge. Now I

147
00:07:02,720 --> 00:07:04,400
Speaker 1: do it my phone. I just go get bored and

148
00:07:04,400 --> 00:07:06,640
Speaker 1: open open the fridge and be like, well, I don't

149
00:07:06,640 --> 00:07:09,480
Speaker 1: know why I'm here, not even hungry, just bored. Now

150
00:07:09,520 --> 00:07:11,400
Speaker 1: that's where I spend my time on my phone. If

151
00:07:11,440 --> 00:07:13,760
Speaker 1: I like that, and I hope our listeners. You know,

152
00:07:13,880 --> 00:07:16,520
Speaker 1: it doesn't have to be a crazy uh. It doesn't

153
00:07:16,520 --> 00:07:18,200
Speaker 1: have to beat some goal like playing Arenas that's a

154
00:07:18,200 --> 00:07:20,040
Speaker 1: massive goal. I think you'll get there. You're killing it.

155
00:07:20,240 --> 00:07:22,120
Speaker 1: I think that's an all, but it can be. Yeah,

156
00:07:22,120 --> 00:07:25,000
Speaker 1: and it's it's more as a dad. Yeah, and I've

157
00:07:25,040 --> 00:07:27,120
Speaker 1: got stuff like this is you know, put my phone down,

158
00:07:27,160 --> 00:07:29,000
Speaker 1: spend more time with my kids. So you pick up

159
00:07:29,040 --> 00:07:30,560
Speaker 1: your phone, put your phone down, put it back down,

160
00:07:31,040 --> 00:07:34,240
Speaker 1: say I'm pick it up and spend more time when

161
00:07:34,240 --> 00:07:36,040
Speaker 1: you like, get off your phone, spend telling your kids.

162
00:07:36,040 --> 00:07:38,840
Speaker 1: And there it is. So I love like all seriousness.

163
00:07:38,920 --> 00:07:41,120
Speaker 1: I love it because I subscribe to that method. Two.

164
00:07:41,360 --> 00:07:44,080
Speaker 1: That's super cool man. Yeah, man, would you because you're

165
00:07:44,120 --> 00:07:46,040
Speaker 1: so good when you perform in the studio, would you

166
00:07:46,080 --> 00:07:48,800
Speaker 1: give us like a verse and a chorus of New

167
00:07:48,840 --> 00:07:53,440
Speaker 1: Truck your current single? Yeah, regret if you're looking, you're alone,

168
00:07:53,920 --> 00:07:57,600
Speaker 1: I need a new true that's good's good, it's good

169
00:07:57,840 --> 00:08:00,840
Speaker 1: like it. So that's Dylan Sky by the way, that

170
00:08:00,840 --> 00:08:02,800
Speaker 1: does not record in the studio. That is live right,

171
00:08:02,840 --> 00:08:06,320
Speaker 1: there's no no special effects. Yeah, he sound great, man,

172
00:08:06,960 --> 00:08:09,640
Speaker 1: especially for early in the morning. His new album is out.

173
00:08:09,840 --> 00:08:11,880
Speaker 1: It's out this week. Pretty pumped. I mean, it's always

174
00:08:11,880 --> 00:08:14,080
Speaker 1: a big deals, like having a baby. Dude, I'm so excited.

175
00:08:14,080 --> 00:08:15,520
Speaker 1: This is my second album. I've been in this town

176
00:08:15,560 --> 00:08:17,440
Speaker 1: ten years. It was four years ago, or at least

177
00:08:17,440 --> 00:08:20,000
Speaker 1: my first album. So it's been four years since my

178
00:08:20,080 --> 00:08:23,960
Speaker 1: last album, my last body of work, and I'm just pumped. Man,

179
00:08:24,240 --> 00:08:26,480
Speaker 1: I feel really good about it. So New Truck is

180
00:08:26,520 --> 00:08:29,960
Speaker 1: the very first track on the record. The second track

181
00:08:30,080 --> 00:08:32,280
Speaker 1: is Amen to that. Now we've got two options here, yep.

182
00:08:32,520 --> 00:08:34,760
Speaker 1: Do you know that one? I could play a little

183
00:08:34,760 --> 00:08:37,040
Speaker 1: bit of it because I can play a clip of it,

184
00:08:37,559 --> 00:08:39,360
Speaker 1: or you can give us down and dirty Dylan. I

185
00:08:40,640 --> 00:08:43,040
Speaker 1: don't know. I don't know what that means. You'll play

186
00:08:43,040 --> 00:08:44,520
Speaker 1: you gonna play a little bit of it? Yeah, there's

187
00:08:44,520 --> 00:08:54,480
Speaker 1: some of us amen to that. Go ahead. I'm talking

188
00:08:54,480 --> 00:08:58,080
Speaker 1: about Dang Morgan Walla, one of the writers on that song. Yeah,

189
00:08:58,360 --> 00:09:00,600
Speaker 1: pretty cool. How'd you get that song? I don't know

190
00:09:00,640 --> 00:09:03,160
Speaker 1: how I got that song? Man, Morgan should have recorded

191
00:09:03,200 --> 00:09:05,120
Speaker 1: that song Um, it was just sent to me in

192
00:09:05,200 --> 00:09:07,440
Speaker 1: a body of work, and I fell in love with

193
00:09:07,480 --> 00:09:08,960
Speaker 1: it the moment I heard it. And this is one

194
00:09:08,960 --> 00:09:11,440
Speaker 1: of those songs I've had for probably three years now.

195
00:09:11,640 --> 00:09:13,600
Speaker 1: That's just the first two trip. If you think that

196
00:09:13,600 --> 00:09:15,800
Speaker 1: that's only two tracks, the first two, that's how good

197
00:09:15,800 --> 00:09:18,400
Speaker 1: the record is. The entire record, I hope you guys

198
00:09:18,480 --> 00:09:20,280
Speaker 1: check it out's called Living My Best Life. It came

199
00:09:20,280 --> 00:09:23,120
Speaker 1: out on Friday. Um. So, radio stations used to do

200
00:09:23,120 --> 00:09:25,200
Speaker 1: this really lame thing where they would have an artist

201
00:09:25,600 --> 00:09:28,160
Speaker 1: and they'd go, um, they'd say, Okay, if you're gonna

202
00:09:28,160 --> 00:09:30,960
Speaker 1: record it, we want you to address us specifically in

203
00:09:31,000 --> 00:09:34,720
Speaker 1: the song. And so like Zach Brown Band had to

204
00:09:34,760 --> 00:09:36,600
Speaker 1: do it once way when they started and be like, um,

205
00:09:36,640 --> 00:09:38,600
Speaker 1: I don't remember what it was, but like chicken fried

206
00:09:38,960 --> 00:09:42,320
Speaker 1: here into uscloosive. But they would hurt. There would be

207
00:09:42,320 --> 00:09:44,640
Speaker 1: like Pete Pablo, like all radio stations everywhere at w

208
00:09:44,840 --> 00:09:47,640
Speaker 1: and they have them insert that radio station and they'd

209
00:09:47,640 --> 00:09:49,280
Speaker 1: sent in a studio. And I always hated that they

210
00:09:49,280 --> 00:09:52,520
Speaker 1: made artists personalized things for They made artists, yeah do that,

211
00:09:52,640 --> 00:09:56,240
Speaker 1: So anyway would you do razorback hat instead of yeah,

212
00:09:56,320 --> 00:09:58,679
Speaker 1: just for the first part of that. Yeah, personalized. Yeah,

213
00:09:59,400 --> 00:10:02,800
Speaker 1: here we go. I'll forgive a part. It was Rocky

214
00:10:02,800 --> 00:10:04,839
Speaker 1: Top hat. The line that amen to that the first part.

215
00:10:04,960 --> 00:10:06,720
Speaker 1: Just don't say Rocky Top. You just say razorback when

216
00:10:06,760 --> 00:10:13,040
Speaker 1: it comes out. But good. I can't do that though, Man,

217
00:10:13,080 --> 00:10:17,640
Speaker 1: I'm an LSU can't. But you're not a Tennessee fan.

218
00:10:17,720 --> 00:10:20,439
Speaker 1: And you said a Rocky Top hat, So I didn't

219
00:10:20,679 --> 00:10:23,319
Speaker 1: want to point like you said. I didn't really want

220
00:10:23,320 --> 00:10:25,400
Speaker 1: to personalize it to myself for that. You know, it

221
00:10:25,480 --> 00:10:27,240
Speaker 1: was It's good Rocky Top one the la time you

222
00:10:27,240 --> 00:10:29,880
Speaker 1: heard Rocky Top hat. I mean a lot of live

223
00:10:29,920 --> 00:10:33,240
Speaker 1: in ten Sees everywhere. But all I'm saying is a

224
00:10:33,320 --> 00:10:35,360
Speaker 1: razorback hat would have been nice. But okay, we'll play

225
00:10:35,400 --> 00:10:37,920
Speaker 1: the song lest okay, send it to you. I'll do

226
00:10:37,920 --> 00:10:39,600
Speaker 1: a voice my own, send it to you tonight. Don't

227
00:10:39,600 --> 00:10:42,480
Speaker 1: even do it. Dylan Scott is here. Do you want

228
00:10:42,480 --> 00:10:44,959
Speaker 1: to pick another new song that you're loving? To play

229
00:10:44,960 --> 00:10:46,679
Speaker 1: a little clip of that right here on the guitar. Yeah,

230
00:10:46,720 --> 00:10:48,079
Speaker 1: we do that. Do you know what you want to do? Yeah,

231
00:10:48,160 --> 00:10:50,520
Speaker 1: let's do it all right, Dylan Scott, give us one more?

232
00:10:50,880 --> 00:10:52,800
Speaker 1: Which song? Give us a new song? Here? Tell us

233
00:10:52,840 --> 00:10:56,800
Speaker 1: about it before you play. Um, why don't we do? Uh?

234
00:10:56,840 --> 00:11:00,160
Speaker 1: I got one? Oh yeah one. This is probably one

235
00:11:00,160 --> 00:11:03,559
Speaker 1: of my favorite songs off this album. Um, one of them.

236
00:11:03,600 --> 00:11:06,280
Speaker 1: It's hard to pick, I know, but this song here,

237
00:11:06,520 --> 00:11:08,480
Speaker 1: another one I did not write. There's too many great

238
00:11:08,480 --> 00:11:10,960
Speaker 1: songs in this town. What's it called. It's called tough Okay,

239
00:11:11,040 --> 00:11:15,439
Speaker 1: it's called tough Man, and it's about a dad talking.

240
00:11:15,440 --> 00:11:20,400
Speaker 1: It's my favorite, we my favorite. This is one of

241
00:11:20,400 --> 00:11:22,559
Speaker 1: them story songs you gotta listen to. I'll do a

242
00:11:22,640 --> 00:11:24,280
Speaker 1: verse of chorus for it, that's what you want. But

243
00:11:24,800 --> 00:11:26,360
Speaker 1: if you listen to this album, you gotta listen to

244
00:11:26,440 --> 00:11:28,079
Speaker 1: it all the way. You're telling me that if we

245
00:11:28,160 --> 00:11:32,920
Speaker 1: listen to the album, we'll hear the entire tough song, right,

246
00:11:33,000 --> 00:11:36,800
Speaker 1: all right, let's go out good love being too. That's

247
00:11:36,840 --> 00:11:39,160
Speaker 1: a good one, man. I like to play out your

248
00:11:39,200 --> 00:11:41,520
Speaker 1: truck line. I love that line. That's like, and that's

249
00:11:41,520 --> 00:11:42,800
Speaker 1: a good song. But the whole time I was like,

250
00:11:42,840 --> 00:11:45,240
Speaker 1: that's yeah, that's like relatable and true and yeah, So

251
00:11:45,360 --> 00:11:47,880
Speaker 1: second verse goes don't talk about you know, don't spoiler

252
00:11:47,920 --> 00:11:51,960
Speaker 1: spoiler alert. Listen to the album. That's the goal here, uh,

253
00:11:52,080 --> 00:11:54,680
Speaker 1: Dylan Scott's here. I mean I can I can feel

254
00:11:54,800 --> 00:11:57,960
Speaker 1: our listeners going, oh, I really like this guy. This

255
00:11:58,000 --> 00:12:00,160
Speaker 1: is good. And I do have a couple of comments

256
00:12:00,559 --> 00:12:03,600
Speaker 1: on positive comments about your wife. She's a social media

257
00:12:03,640 --> 00:12:06,920
Speaker 1: she's awesome. Yeah, yeah, she's awesome. So social media. I

258
00:12:06,960 --> 00:12:08,439
Speaker 1: don't know that part. I don't know. I don't know.

259
00:12:09,880 --> 00:12:12,920
Speaker 1: On the Bobby Bones Show, now, Dylan Scott. So the

260
00:12:12,920 --> 00:12:16,360
Speaker 1: album is out, it's awesome. It's called Living My Best Life.

261
00:12:16,480 --> 00:12:18,760
Speaker 1: Dylan Scott is here with us, and I do want

262
00:12:18,760 --> 00:12:20,800
Speaker 1: to talk about your wife. And I feel like, you know,

263
00:12:20,960 --> 00:12:23,760
Speaker 1: sometimes Dylan, you have friends and you don't really talk

264
00:12:23,760 --> 00:12:25,520
Speaker 1: to them human form a whole lot, but you keep

265
00:12:25,559 --> 00:12:27,040
Speaker 1: up with them on social media. So even when you

266
00:12:27,040 --> 00:12:28,800
Speaker 1: do talk, you don't feel like a lot of times

267
00:12:28,840 --> 00:12:30,920
Speaker 1: past do you ever do that? Yeah, I mean I

268
00:12:30,920 --> 00:12:32,520
Speaker 1: do all the time my friends, but I almost feel

269
00:12:32,559 --> 00:12:34,120
Speaker 1: like that with you a little bit in that I

270
00:12:34,200 --> 00:12:36,680
Speaker 1: watched on social media and I think could be wrong

271
00:12:36,720 --> 00:12:38,840
Speaker 1: here the song you played a second ago, the second

272
00:12:38,880 --> 00:12:41,840
Speaker 1: song that you played, which is tracked to hell. Yeah,

273
00:12:42,480 --> 00:12:44,760
Speaker 1: I think I saw you play that on Instagram. I'm live,

274
00:12:44,800 --> 00:12:47,160
Speaker 1: did I Yeah, So that's how that song is familiar

275
00:12:47,200 --> 00:12:48,640
Speaker 1: to me. Because I'm obsessed with you. Where it is?

276
00:12:48,640 --> 00:12:51,400
Speaker 1: I said it so, but I was watching a clip

277
00:12:51,440 --> 00:12:53,680
Speaker 1: of your wife rap and I think it was on

278
00:12:53,800 --> 00:12:56,640
Speaker 1: the end part of a Lincoln it's a Lincoln Park. Yeah,

279
00:12:56,800 --> 00:13:01,000
Speaker 1: I think it was Lincoln Park. She's uh, she is, um,

280
00:13:01,040 --> 00:13:04,240
Speaker 1: she's she's very shy, but I get her. I get

281
00:13:04,280 --> 00:13:06,040
Speaker 1: her on the phone and I video or without her

282
00:13:06,040 --> 00:13:07,440
Speaker 1: knowing it, I put it out there for the world

283
00:13:07,440 --> 00:13:10,720
Speaker 1: to see. But she's cool with that. She well, she is,

284
00:13:10,760 --> 00:13:15,200
Speaker 1: but she ain't. She's awesome. Yeah, she is. Man, she's

285
00:13:15,240 --> 00:13:19,000
Speaker 1: so cool. So you know, you your dad, you're an artist.

286
00:13:19,120 --> 00:13:22,200
Speaker 1: You tore alize like I'm assuming that she's kind of

287
00:13:22,200 --> 00:13:24,360
Speaker 1: the rock and the family because she's got to do

288
00:13:24,400 --> 00:13:26,480
Speaker 1: it all, especially when you're not home. Yeah, she's the

289
00:13:26,559 --> 00:13:29,440
Speaker 1: rock star for sure. She stay at home mom and um,

290
00:13:29,480 --> 00:13:31,080
Speaker 1: you know it's crazy. So I've been with my wife's

291
00:13:31,080 --> 00:13:33,960
Speaker 1: I was fifteen years old a long time. Seventh grade right, Yeah,

292
00:13:34,000 --> 00:13:36,480
Speaker 1: well we met in seventh grade, started dating like first

293
00:13:36,600 --> 00:13:39,800
Speaker 1: high school. But she's known like my dreams and my

294
00:13:39,840 --> 00:13:42,440
Speaker 1: goals this whole time. And so I mean, dude, it

295
00:13:42,480 --> 00:13:43,840
Speaker 1: don't matter if I come home for a day and

296
00:13:43,840 --> 00:13:45,520
Speaker 1: I'm like spur of the moment. Oh, I gotta get

297
00:13:45,520 --> 00:13:47,400
Speaker 1: back out and go again. Like she never gives me

298
00:13:47,440 --> 00:13:49,280
Speaker 1: a hard time, never gives me a hard time about

299
00:13:49,600 --> 00:13:51,640
Speaker 1: she's so tired, like the kids are wearing me now.

300
00:13:52,000 --> 00:13:54,600
Speaker 1: Never gives me a hard time, And like I respect that.

301
00:13:54,640 --> 00:13:57,640
Speaker 1: I mean, she's she's awesome. What is there to do

302
00:13:57,640 --> 00:14:00,720
Speaker 1: in bash Up Louisiana. Nothing, it's a nothing to do? Okay,

303
00:14:00,760 --> 00:14:02,920
Speaker 1: But if you were to you're gonna go to If

304
00:14:02,920 --> 00:14:05,040
Speaker 1: you're gonna go to Bashp Louisiana, the town that I

305
00:14:05,120 --> 00:14:09,120
Speaker 1: grew up, what is there there's I mean there's nothing.

306
00:14:09,200 --> 00:14:10,840
Speaker 1: Used to be a meal, but I mean there's there's

307
00:14:10,880 --> 00:14:13,080
Speaker 1: a really cool courthouse square that I think you should

308
00:14:13,120 --> 00:14:15,240
Speaker 1: get there early and eat the breakfast at this place

309
00:14:15,240 --> 00:14:17,760
Speaker 1: called Pete's. Eat a bite now we're talking. If you

310
00:14:17,760 --> 00:14:20,520
Speaker 1: get there at lunch, go to Sladen's Barbecue. Other than that,

311
00:14:20,720 --> 00:14:23,240
Speaker 1: just have two restaurants. Well yeah, a little more in that,

312
00:14:23,280 --> 00:14:28,400
Speaker 1: but that's the only two I recommend. But otherwise you

313
00:14:28,480 --> 00:14:30,360
Speaker 1: just pass on through and just keep on going. So

314
00:14:30,800 --> 00:14:34,280
Speaker 1: it's uh, Basha Louisiana. What's the population there? It used

315
00:14:34,280 --> 00:14:37,200
Speaker 1: to be like twelve thousand. I bet it's probably six

316
00:14:37,320 --> 00:14:39,760
Speaker 1: Now ever, go back, I do. Yeah, yeah, I actually

317
00:14:39,800 --> 00:14:42,880
Speaker 1: built a house there. Um, we finished it a couple

318
00:14:42,880 --> 00:14:45,280
Speaker 1: of years ago, and then you know, we sold it

319
00:14:45,320 --> 00:14:47,960
Speaker 1: a probably two months ago. Now. My mom died back

320
00:14:48,000 --> 00:14:50,760
Speaker 1: in December, and I was like, Baybe, you know, my

321
00:14:50,880 --> 00:14:52,720
Speaker 1: dad's gonna move away, Like we don't really need to,

322
00:14:52,960 --> 00:14:54,800
Speaker 1: you know, we'll go back for Christmas and this this now,

323
00:14:54,800 --> 00:14:56,440
Speaker 1: but we don't need a house there. We don't need

324
00:14:56,480 --> 00:14:58,200
Speaker 1: to be there because we're here and if I'm not here,

325
00:14:58,200 --> 00:15:02,240
Speaker 1: I'm touring. So yeah, we sold it Basher, Louisiana. Where's

326
00:15:02,280 --> 00:15:05,680
Speaker 1: it in the state, Like northeast Louisiana. You got boats there,

327
00:15:05,720 --> 00:15:09,320
Speaker 1: like gambling boats anywhere near? What kind of boats? Gambling boats? Gambling?

328
00:15:09,360 --> 00:15:12,280
Speaker 1: But well, Vicksburg, Mississippi's not too far. Tim mc grawl

329
00:15:12,320 --> 00:15:14,640
Speaker 1: grew up about thirty minutes from there. That's a cool

330
00:15:14,840 --> 00:15:16,320
Speaker 1: heard There was a clip of you saying you'd never

331
00:15:16,320 --> 00:15:18,840
Speaker 1: met him. Never met Tim? Yeah, I know where he lives.

332
00:15:18,840 --> 00:15:23,560
Speaker 1: Would you like me as yeah? Crazy, Like I grew

333
00:15:23,640 --> 00:15:25,640
Speaker 1: up in a town that's thirty minutes from Tim. We

334
00:15:25,920 --> 00:15:28,960
Speaker 1: grew up probably about the same way. And I mean

335
00:15:28,960 --> 00:15:30,520
Speaker 1: he's a little bit older than I am. Obviously, but

336
00:15:30,880 --> 00:15:33,920
Speaker 1: never met him. Man, he's like a huge, huge hero,

337
00:15:34,480 --> 00:15:37,120
Speaker 1: surprising that you'd never met him yet, especially with the

338
00:15:37,200 --> 00:15:39,560
Speaker 1: success that you've had. And I'm sure your cross Pats

339
00:15:39,640 --> 00:15:41,280
Speaker 1: is yeah, you don't have supposed to, but I give

340
00:15:41,320 --> 00:15:43,520
Speaker 1: you I just passed pass along the story Josh Turner

341
00:15:43,520 --> 00:15:45,680
Speaker 1: went up big Johnny Cash fan went knocked on his door,

342
00:15:46,480 --> 00:15:48,720
Speaker 1: let him in. So I'm just saying, my girl, you

343
00:15:48,800 --> 00:15:51,280
Speaker 1: know Cash, you know what I'm saying, good going on half.

344
00:15:51,280 --> 00:15:53,560
Speaker 1: I mean, I'm saying, he may be there, Dylan Sky

345
00:15:53,720 --> 00:15:56,000
Speaker 1: is here. I'm going to play a clip of the

346
00:15:56,240 --> 00:15:58,880
Speaker 1: title track. So the song is called living my Best Life.

347
00:15:59,200 --> 00:16:07,000
Speaker 1: Enjoy this song and welcome right back here you go exactly.

348
00:16:07,040 --> 00:16:09,920
Speaker 1: So you co wrote eight of the sixteen songs. But

349
00:16:09,960 --> 00:16:11,760
Speaker 1: I want to just mention the writers of that U

350
00:16:12,040 --> 00:16:15,120
Speaker 1: b K. Tyler Hubbard, both in Florida, Georgia, Line Thomas

351
00:16:15,160 --> 00:16:18,200
Speaker 1: Rhett and Corey Crowder. And so it's a pretty cool song.

352
00:16:18,280 --> 00:16:21,520
Speaker 1: They say, hey, take this one. Yeah, that's one. So Tyler,

353
00:16:21,600 --> 00:16:23,680
Speaker 1: he'll send me songs here and there, you know, and

354
00:16:24,080 --> 00:16:25,760
Speaker 1: that's one of them songs. When I heard it, I

355
00:16:25,800 --> 00:16:28,600
Speaker 1: was like, man, I'm one, I'm living my best life

356
00:16:28,640 --> 00:16:31,400
Speaker 1: right now, you know, with having a little success and

357
00:16:31,560 --> 00:16:33,800
Speaker 1: the family and just touring the country. So I mean

358
00:16:33,920 --> 00:16:35,680
Speaker 1: that really spoke to me and it was just fun. Man.

359
00:16:36,280 --> 00:16:38,160
Speaker 1: You know, I have a pretty high energy live show.

360
00:16:38,200 --> 00:16:39,720
Speaker 1: It's like, man, it's a great song, so we have

361
00:16:39,800 --> 00:16:41,800
Speaker 1: to we have to cut it. Would you play before

362
00:16:41,800 --> 00:16:44,800
Speaker 1: you live? Just a verse and a chorus of your

363
00:16:44,880 --> 00:16:49,160
Speaker 1: hit my Girl? Yeah? Here he is everybody, Dylan Scott. Yeah,

364
00:16:49,240 --> 00:16:56,880
Speaker 1: that's my girl. Dylan Scott A nice shot and a

365
00:16:57,000 --> 00:16:59,520
Speaker 1: safe things. His album Living My Best Life, It is

366
00:16:59,560 --> 00:17:02,400
Speaker 1: out now. Now add it to find some songs you

367
00:17:02,480 --> 00:17:04,600
Speaker 1: like and just add it to your normal streaming because

368
00:17:04,600 --> 00:17:07,160
Speaker 1: every time you play one of his songs, three cents

369
00:17:07,440 --> 00:17:10,400
Speaker 1: and one step closer to headline and arenas Yeah see

370
00:17:10,520 --> 00:17:13,639
Speaker 1: there we go. So do that. But go see Dylan

371
00:17:13,680 --> 00:17:15,520
Speaker 1: as well, because a lot of the places our show

372
00:17:15,600 --> 00:17:21,560
Speaker 1: is Springfield, Okay, see Pittsburgh, Indie, Milwaukee, Sioux Falls, Oxford, Mississippi.

373
00:17:21,600 --> 00:17:23,359
Speaker 1: Little Rock he's doing it. You can go to Dylan

374
00:17:23,440 --> 00:17:25,840
Speaker 1: Scott Country dot com go watch the show. Like you

375
00:17:25,840 --> 00:17:27,000
Speaker 1: really want to help an artist. Now you want to

376
00:17:27,000 --> 00:17:29,520
Speaker 1: support an artist, follow them on social media at Dylan

377
00:17:29,600 --> 00:17:32,440
Speaker 1: Scott Country, go to a show, by merch stream their music.

378
00:17:33,280 --> 00:17:34,680
Speaker 1: You could be a lot of our listeners new favorite

379
00:17:34,720 --> 00:17:36,840
Speaker 1: artists after today, yet a plus appearance. I don't say

380
00:17:36,840 --> 00:17:39,439
Speaker 1: that everybody. Yeah, I say that everybody. Just before we

381
00:17:39,480 --> 00:17:41,080
Speaker 1: came on the air, Dylan's like, I'll do whatever you want.

382
00:17:41,240 --> 00:17:43,000
Speaker 1: And I was like, well, let's just see what happens.

383
00:17:43,160 --> 00:17:45,159
Speaker 1: And we saw what happen. He nailed it. He nailed it.

384
00:17:45,240 --> 00:17:48,680
Speaker 1: Come on, Dylan, Thank you buddy. You guys go see Dylan.

385
00:17:48,800 --> 00:17:50,480
Speaker 1: Check out the album it is out now, came out

386
00:17:50,520 --> 00:17:53,480
Speaker 1: this week, and follow him. Dylan Scott Country. There he is,

387
00:17:53,640 --> 00:18:02,160
Speaker 1: Dylan Scott. It's time for the good news. Four years ago,

388
00:18:02,359 --> 00:18:06,440
Speaker 1: Fred Everett of Tupelo, Mississippi, went to the Humane Association

389
00:18:06,440 --> 00:18:10,040
Speaker 1: and adopted a cat. Bandit well, that twenty pound cat.

390
00:18:10,080 --> 00:18:12,600
Speaker 1: Four years later, he's asleep in his bed and the

391
00:18:12,680 --> 00:18:15,400
Speaker 1: cat jumps on him. Wake up, wake up, wake out,

392
00:18:15,560 --> 00:18:17,919
Speaker 1: me ow me out, me out, and friends like it's

393
00:18:17,960 --> 00:18:19,440
Speaker 1: the middle of the night. There must be something wrong

394
00:18:19,440 --> 00:18:22,880
Speaker 1: because he grabs his gun, goes downstairs and there's two

395
00:18:22,920 --> 00:18:25,560
Speaker 1: guys at the back door trying to break into his house. Wow,

396
00:18:25,560 --> 00:18:27,920
Speaker 1: I thought it's gonna be a fire. It's people breaking

397
00:18:27,920 --> 00:18:29,560
Speaker 1: in the house. Yeah, and one of them had a

398
00:18:29,600 --> 00:18:33,080
Speaker 1: gun and they saw old Fred and bandit and they

399
00:18:33,119 --> 00:18:35,720
Speaker 1: took off running. And Fred said, I think that that

400
00:18:36,160 --> 00:18:38,159
Speaker 1: cat saved my life. I'll tell you what, because they

401
00:18:38,160 --> 00:18:40,760
Speaker 1: were gonna come in with bad intentions. Yeah, that's true.

402
00:18:40,800 --> 00:18:44,000
Speaker 1: I just didn't think cats would do that. Yeah, protect

403
00:18:44,000 --> 00:18:45,760
Speaker 1: the left al cats. But I usually cats suck when

404
00:18:45,760 --> 00:18:48,480
Speaker 1: it comes and stuff like that. Yeah, he going, or

405
00:18:48,560 --> 00:18:51,400
Speaker 1: usually they just don't go near you at all. Yeah,

406
00:18:51,600 --> 00:18:56,000
Speaker 1: they just like lasagna. Yeah, it's a good story. Yeah.

407
00:18:56,080 --> 00:18:58,520
Speaker 1: I have been wondering if my dog would ever react

408
00:18:58,560 --> 00:19:01,160
Speaker 1: if anything happened. And the other night for the first time,

409
00:19:01,160 --> 00:19:02,879
Speaker 1: and he's not like three times. Then Stanley came up

410
00:19:02,920 --> 00:19:05,080
Speaker 1: to the side of the bed, went ru. Now he

411
00:19:05,080 --> 00:19:06,679
Speaker 1: knows what time dinner is and he lets me know.

412
00:19:06,880 --> 00:19:11,359
Speaker 1: If we're beyond that, then nobody breaking enter this dinner.

413
00:19:11,400 --> 00:19:13,600
Speaker 1: He hads bat bulldog. All right, lunchbox, thank you. That

414
00:19:13,720 --> 00:19:16,800
Speaker 1: is what it's all about. That was tell me something good.

415
00:19:18,760 --> 00:19:22,119
Speaker 1: I love that your son loves football. He never played.

416
00:19:22,320 --> 00:19:24,439
Speaker 1: Now he went to camp no pads, and now he

417
00:19:24,440 --> 00:19:26,960
Speaker 1: wanted to play padded football. You see me a video

418
00:19:27,000 --> 00:19:29,040
Speaker 1: him tackling another kid, although he was using like a

419
00:19:29,080 --> 00:19:32,240
Speaker 1: jiu jitsu move. It's still it's awesome because I'm so

420
00:19:32,280 --> 00:19:34,280
Speaker 1: excited for I know, I was like, I don't know

421
00:19:34,320 --> 00:19:37,160
Speaker 1: if that move is legal for for everybody listening. So

422
00:19:37,359 --> 00:19:39,880
Speaker 1: imagine football, you know, and you know I played high

423
00:19:39,880 --> 00:19:42,520
Speaker 1: school football. You get an athletic position and you go

424
00:19:42,600 --> 00:19:44,159
Speaker 1: down and use your arms, and you explode up with

425
00:19:44,200 --> 00:19:45,720
Speaker 1: your arms and you put your head in the middle

426
00:19:45,720 --> 00:19:48,720
Speaker 1: of the chest. You tackle. That's a standard tackle. Rarely happens.

427
00:19:48,960 --> 00:19:51,280
Speaker 1: That's what they train you to do. What Amy's son did,

428
00:19:51,440 --> 00:19:53,800
Speaker 1: it's like he grabbed his jersey, then swung his legs

429
00:19:53,840 --> 00:19:55,560
Speaker 1: behind him and then pulled him over his legs. Nice,

430
00:19:55,680 --> 00:19:57,119
Speaker 1: let's take down, and that'd have been one point on

431
00:19:57,160 --> 00:20:01,600
Speaker 1: the mat. Is it legal football? Yeah? Okay, cool. He

432
00:20:01,640 --> 00:20:03,200
Speaker 1: was a tackling. The guy was running. He had to

433
00:20:03,240 --> 00:20:07,280
Speaker 1: tackle him. You tackle him anyway possible. And so because

434
00:20:07,320 --> 00:20:09,399
Speaker 1: it was an advertant like the legs, I feel like

435
00:20:09,400 --> 00:20:11,880
Speaker 1: he just did it because whatever, it's awesome. I don't care.

436
00:20:12,119 --> 00:20:14,600
Speaker 1: So but he loves it. Yeah, No, it's amazing. He's

437
00:20:14,640 --> 00:20:17,720
Speaker 1: pretty into it. Like he's already asked for some new

438
00:20:17,760 --> 00:20:19,800
Speaker 1: cleats because the cleats were using and they were handing

439
00:20:19,840 --> 00:20:21,680
Speaker 1: down from a friend because we didn't want to really

440
00:20:21,680 --> 00:20:24,240
Speaker 1: invest in certain things if he wasn't going to really

441
00:20:24,280 --> 00:20:26,639
Speaker 1: do it. And I feel like him asking for his

442
00:20:26,720 --> 00:20:29,800
Speaker 1: own set of cleats is legit. And then also his

443
00:20:29,880 --> 00:20:32,840
Speaker 1: other equipment like the shoulder pads, and he walks that,

444
00:20:32,960 --> 00:20:35,560
Speaker 1: he keeps it on, walks around the house with it,

445
00:20:35,640 --> 00:20:38,119
Speaker 1: rides in the car with it. It's awesome, like you

446
00:20:38,160 --> 00:20:39,840
Speaker 1: can remove that stuff and then put it on. But

447
00:20:40,080 --> 00:20:42,719
Speaker 1: I think he's really liking the gear. Do they have

448
00:20:42,800 --> 00:20:45,160
Speaker 1: him at a position at all yet? So right now

449
00:20:45,160 --> 00:20:47,959
Speaker 1: they're just going through absolute fundamentals. Oh for sure. He

450
00:20:48,119 --> 00:20:51,439
Speaker 1: literally has had zero interest in football before this, so

451
00:20:51,480 --> 00:20:54,280
Speaker 1: we've had no reason to really work on it at all.

452
00:20:54,440 --> 00:20:57,720
Speaker 1: And so now he's in, but he's still they're still

453
00:20:57,720 --> 00:21:00,399
Speaker 1: evaluating him for what team he's going to put on.

454
00:21:00,520 --> 00:21:03,880
Speaker 1: Its small, Yes, it's easy for me to spot him. Yes,

455
00:21:03,960 --> 00:21:06,600
Speaker 1: And I was also very small, especially at his age,

456
00:21:06,760 --> 00:21:08,520
Speaker 1: so I see him and I'm like, dang, that was me.

457
00:21:08,760 --> 00:21:10,119
Speaker 1: I don't want to get hit when I got a

458
00:21:10,119 --> 00:21:11,680
Speaker 1: little beggar. I don't want to get hit. But it's

459
00:21:11,680 --> 00:21:13,760
Speaker 1: just cool to see him being super excited, even giddy

460
00:21:13,760 --> 00:21:15,080
Speaker 1: about it. I I know you had said, he was giddy,

461
00:21:15,160 --> 00:21:16,720
Speaker 1: and so I thought, what we'd do is, what's the

462
00:21:16,760 --> 00:21:19,439
Speaker 1: last thing you were giddy about? Oh? Okay, And for

463
00:21:19,480 --> 00:21:22,520
Speaker 1: you city selectors out there, giddy means like you're just

464
00:21:22,640 --> 00:21:24,880
Speaker 1: so excited. You're just like, oh, I'm so excited, he said.

465
00:21:24,960 --> 00:21:28,760
Speaker 1: Every part of you is just the excitement of it

466
00:21:28,800 --> 00:21:30,879
Speaker 1: is just coming out of your pores. Last thing you

467
00:21:30,920 --> 00:21:33,760
Speaker 1: were giddy about amy probably when I went to film

468
00:21:33,840 --> 00:21:36,679
Speaker 1: the Christmas movie that I'm in later this year. That

469
00:21:36,840 --> 00:21:39,640
Speaker 1: was back in May, and honestly, when I think about it,

470
00:21:39,680 --> 00:21:41,960
Speaker 1: I still get giddy, Like I still can feel that

471
00:21:42,000 --> 00:21:44,080
Speaker 1: feeling from that day when we filmed and I was

472
00:21:44,119 --> 00:21:47,640
Speaker 1: on set for fourteen hours, giddy the entire time. Good

473
00:21:47,680 --> 00:21:49,679
Speaker 1: for you for being able to enjoy it, because I

474
00:21:49,720 --> 00:21:52,359
Speaker 1: don't enjoy anything before or while I'm doing it. I

475
00:21:52,400 --> 00:21:54,159
Speaker 1: only enjoy it after it's done and if I did

476
00:21:54,200 --> 00:21:56,480
Speaker 1: a good job, and that's rare. So that's why I

477
00:21:56,520 --> 00:22:00,480
Speaker 1: don't enjoy much. This is supposed to be. I know,

478
00:22:00,520 --> 00:22:02,120
Speaker 1: I know, I know. But good for you. I'm saying

479
00:22:02,119 --> 00:22:04,600
Speaker 1: that's good that you can enjoy it pre and during. Yeah, well,

480
00:22:04,600 --> 00:22:06,959
Speaker 1: when it comes out later this year, I'll probably be

481
00:22:07,000 --> 00:22:10,320
Speaker 1: a little nervous and not, you know, as giddy, but

482
00:22:10,560 --> 00:22:12,240
Speaker 1: it's still cool that I got to do it. Do

483
00:22:12,240 --> 00:22:15,040
Speaker 1: you have an idea of when it comes out? After Thanksgiving?

484
00:22:16,000 --> 00:22:21,040
Speaker 1: HBO Max so off, Today's a tenth August, tenth, September, October,

485
00:22:21,320 --> 00:22:24,280
Speaker 1: and then over three more. Yeah. Have you had to

486
00:22:24,280 --> 00:22:28,000
Speaker 1: do any post production? Yes? Uh huh. They sent They

487
00:22:28,040 --> 00:22:30,560
Speaker 1: sent some video clips of it and I had to

488
00:22:30,560 --> 00:22:32,760
Speaker 1: watch it for tone because they wanted me to do

489
00:22:32,800 --> 00:22:35,800
Speaker 1: a voiceover but in the same tone. And it took

490
00:22:35,800 --> 00:22:37,920
Speaker 1: me five days to open the file because I didn't

491
00:22:37,920 --> 00:22:40,000
Speaker 1: want to look at myself. And then finally they sent

492
00:22:40,040 --> 00:22:42,240
Speaker 1: an email, Hey have you done that work yet? And

493
00:22:42,280 --> 00:22:44,159
Speaker 1: I was like, oh, shoot, I'll do it today. What

494
00:22:44,240 --> 00:22:45,600
Speaker 1: do you think when you saw yourself? So I did

495
00:22:45,600 --> 00:22:51,200
Speaker 1: it here at the studio. Oh I man, no, I

496
00:22:52,040 --> 00:22:56,040
Speaker 1: listen it is I'm not an actress, but they made

497
00:22:56,040 --> 00:22:59,159
Speaker 1: me feel like I was one. So that's nice. Okay, lunchbox.

498
00:22:59,240 --> 00:23:02,280
Speaker 1: Last thing you're giddy about. I remember like it was yesterday, Friday,

499
00:23:02,640 --> 00:23:06,960
Speaker 1: July twenty ninth, about nine thirty pm, thirty minutes away

500
00:23:07,000 --> 00:23:09,840
Speaker 1: from being a billionaire. As the Mega Millions was about

501
00:23:09,880 --> 00:23:11,840
Speaker 1: to be drawn. I sat there on my couch, just

502
00:23:11,880 --> 00:23:14,520
Speaker 1: sitting there going, this is it? This is when I

503
00:23:14,560 --> 00:23:18,240
Speaker 1: strike it rich And by ten fifteen pm I was depressed.

504
00:23:18,600 --> 00:23:21,399
Speaker 1: You were giddy about something that probably wasn't gonna happen, Like,

505
00:23:21,440 --> 00:23:23,440
Speaker 1: what are you giddy about that happened or that you

506
00:23:23,520 --> 00:23:27,200
Speaker 1: knew was happening. No, no, that was going to happen,

507
00:23:27,280 --> 00:23:33,199
Speaker 1: Like I was giddy because you fair anticipating, Eddie. I

508
00:23:33,320 --> 00:23:35,560
Speaker 1: get giddy every time I'm going to play golf, like

509
00:23:35,600 --> 00:23:38,080
Speaker 1: the night before I put I get my clothes out,

510
00:23:38,160 --> 00:23:40,800
Speaker 1: like my shirt and that's out, and my shorts and everything,

511
00:23:40,840 --> 00:23:42,720
Speaker 1: and my shoes I don't know, and then I play

512
00:23:42,720 --> 00:23:45,719
Speaker 1: a bad round and then I'm upset and hating about it.

513
00:23:45,720 --> 00:23:48,159
Speaker 1: I'm never gonna giddy again. Y'all play every week and

514
00:23:48,200 --> 00:23:50,720
Speaker 1: you still get getting everywhere. If I know I'm gonna

515
00:23:50,720 --> 00:23:53,680
Speaker 1: play golf tomorrow, I'm like, cannot wait. Yeah, it's super fun.

516
00:23:54,000 --> 00:23:55,919
Speaker 1: It's not even the game is super fun. Yeah, it

517
00:23:56,040 --> 00:23:58,119
Speaker 1: is camaraderie, being able to hang out with your friends.

518
00:23:58,680 --> 00:24:01,360
Speaker 1: It's really hot, though. That sucks um and away from

519
00:24:01,400 --> 00:24:04,000
Speaker 1: life for four hours for me, Yeah no, because I

520
00:24:04,080 --> 00:24:06,560
Speaker 1: still keep I still roll on mine. Well, Eddie goes

521
00:24:06,640 --> 00:24:11,880
Speaker 1: yeahdown for me though, it is like something that I

522
00:24:11,920 --> 00:24:14,119
Speaker 1: am not good at that I can always keep working on,

523
00:24:14,200 --> 00:24:17,080
Speaker 1: Like I like that challenge, and so that's why I

524
00:24:17,080 --> 00:24:19,479
Speaker 1: like it. I think for me, it's that constant challenge,

525
00:24:19,560 --> 00:24:20,840
Speaker 1: like I get better, but then I get way worse

526
00:24:20,840 --> 00:24:23,440
Speaker 1: through it again, and I'm wait, what just happened? Mine

527
00:24:23,520 --> 00:24:27,359
Speaker 1: is probably whenever I was going up to Fable, Arkansas,

528
00:24:27,440 --> 00:24:28,800
Speaker 1: I was going to speak as they were giving me

529
00:24:28,840 --> 00:24:32,840
Speaker 1: my my honorary doctorate. What do you say before that

530
00:24:33,320 --> 00:24:37,760
Speaker 1: my doctorate? Got it? Yes, doctorate? But that was pretty

531
00:24:37,760 --> 00:24:41,280
Speaker 1: awesome to me. As you know, I'm I have trouble

532
00:24:41,400 --> 00:24:44,000
Speaker 1: getting getting excited about stuff. That's probably just some childhood

533
00:24:44,000 --> 00:24:46,359
Speaker 1: trauma that that keeps me from feeling like things are

534
00:24:46,359 --> 00:24:47,960
Speaker 1: gonna go well. But that was one where I was like,

535
00:24:48,000 --> 00:24:49,479
Speaker 1: this is the coolest thing. It really is the coolest thing.

536
00:24:49,480 --> 00:24:51,480
Speaker 1: I'm so proud of it. And that was it. And

537
00:24:51,480 --> 00:24:53,920
Speaker 1: since then something having an announce on the show. But

538
00:24:54,119 --> 00:24:56,159
Speaker 1: I hope you guys don't take this the wrong way,

539
00:24:56,280 --> 00:24:59,720
Speaker 1: but every Thursday I go and deliver babies at Vanderbilt. Now, wow,

540
00:25:00,000 --> 00:25:04,320
Speaker 1: oh look at you. I don't by the way, in

541
00:25:04,400 --> 00:25:06,159
Speaker 1: case anybody wants to hit me out I'm just kidding,

542
00:25:06,359 --> 00:25:09,440
Speaker 1: is it joke? I will tell your son, Oh, tell him,

543
00:25:09,480 --> 00:25:11,560
Speaker 1: but it's awesome. Like, just keep telling him it's awesome.

544
00:25:12,280 --> 00:25:14,200
Speaker 1: And it's gonna hurt and he's gonna have days where

545
00:25:14,520 --> 00:25:17,160
Speaker 1: it's not for him. But that's just keep going. Next day,

546
00:25:17,240 --> 00:25:20,040
Speaker 1: next Yeah, he's already got tackled. I mean, you know,

547
00:25:20,400 --> 00:25:22,560
Speaker 1: or been tackled. I don't know what you say, but

548
00:25:22,600 --> 00:25:25,240
Speaker 1: like where he's been taken down and he's like, but

549
00:25:25,280 --> 00:25:27,000
Speaker 1: don't I he goes. I I went full. I went

550
00:25:27,040 --> 00:25:28,719
Speaker 1: all in because I guess if you don't go all in,

551
00:25:28,760 --> 00:25:33,520
Speaker 1: that's when it hurts more. It just depends. It just depends.

552
00:25:33,640 --> 00:25:36,200
Speaker 1: Sometimes you're all in and it hurts real when you

553
00:25:36,240 --> 00:25:38,679
Speaker 1: see a white light. Well, I mean I was hit

554
00:25:38,720 --> 00:25:40,200
Speaker 1: so hard a couple times where you'd see like three

555
00:25:40,359 --> 00:25:42,200
Speaker 1: yard line markers and we didn't really know it was

556
00:25:42,240 --> 00:25:44,440
Speaker 1: concussion stuff at the time. I don't want that. Well

557
00:25:44,920 --> 00:25:48,760
Speaker 1: it happens, Hopefully it doesn't happen to him. But nothing

558
00:25:48,800 --> 00:25:51,960
Speaker 1: taught me discipline, like playing high school football day because

559
00:25:51,960 --> 00:25:54,399
Speaker 1: I didn't have it with parents. Nothing taught me. I

560
00:25:54,400 --> 00:25:56,720
Speaker 1: mean that was such a big part. Nothing taught me teamwork,

561
00:25:57,000 --> 00:25:59,320
Speaker 1: nothing taught me fighting adversity. Hashing taught me like, you

562
00:25:59,320 --> 00:26:00,960
Speaker 1: don't get your way just because you want it. You

563
00:26:00,960 --> 00:26:02,280
Speaker 1: can want it all day long. If you don't put

564
00:26:02,280 --> 00:26:04,320
Speaker 1: the work into it, you're not gonna get it. Football

565
00:26:04,400 --> 00:26:06,040
Speaker 1: is that for me? Yeah, that's another cool part of

566
00:26:06,040 --> 00:26:08,679
Speaker 1: seeing huddle around with other guys and other guys like

567
00:26:08,760 --> 00:26:10,639
Speaker 1: hitting him on the shoulder and patting him and being like,

568
00:26:10,720 --> 00:26:14,240
Speaker 1: good job, dude, or whatever, Like it's cute in the showers. Well,

569
00:26:14,280 --> 00:26:21,359
Speaker 1: they don't take showers. Yeah, I'm just kidding. All right,

570
00:26:21,359 --> 00:26:25,359
Speaker 1: about to talk to Richard Marx. I will be ready

571
00:26:25,560 --> 00:26:29,399
Speaker 1: waiting for you at jam right there, wherever you go,

572
00:26:30,720 --> 00:26:35,760
Speaker 1: whatever you do. So many hits in the eighties, Eddie,

573
00:26:35,760 --> 00:26:38,119
Speaker 1: what's your favorite? Hold on to the Night? Yea, hold

574
00:26:38,160 --> 00:26:42,040
Speaker 1: on to the Night. It's a jam. He's also written

575
00:26:42,080 --> 00:26:44,679
Speaker 1: so many songs for others, for example, in sync this

576
00:26:44,800 --> 00:26:53,040
Speaker 1: I Promise You Jam This I Promis a few number

577
00:26:53,040 --> 00:27:00,399
Speaker 1: ones for Keith Urban from Keith Urban played Better Life

578
00:27:00,720 --> 00:27:02,560
Speaker 1: or he also wrote Long Hot Summer with Keith Urban.

579
00:27:02,640 --> 00:27:07,320
Speaker 1: Here you go He's gonna be that's yeah. Oh yeah,

580
00:27:07,320 --> 00:27:09,639
Speaker 1: he's got like two three ers an individual. If you

581
00:27:09,800 --> 00:27:11,720
Speaker 1: separate him, you'd be like that guy's awesome. But he's

582
00:27:11,720 --> 00:27:14,240
Speaker 1: done it. Wow, he's still doing it. So Richard Mars.

583
00:27:14,520 --> 00:27:17,399
Speaker 1: We're having him on because he reposted Abby's instagram of

584
00:27:17,440 --> 00:27:19,240
Speaker 1: her singing. So we're gonna get to that all right.

585
00:27:19,240 --> 00:27:25,480
Speaker 1: Here we go with Richard Marks on the Bobby Bones Show. Now, Marks, Hey, Richard,

586
00:27:25,520 --> 00:27:28,040
Speaker 1: how are you? I'm good? How are you? Guys? Hey?

587
00:27:28,040 --> 00:27:30,720
Speaker 1: I appreciate your time this morning. Hey, do your friends

588
00:27:30,720 --> 00:27:34,600
Speaker 1: call you Richard? Seems pretty formal? What do they call you? Dick? Now?

589
00:27:34,640 --> 00:27:39,200
Speaker 1: I'm just kidding me. I was laughing att hear what

590
00:27:39,240 --> 00:27:42,760
Speaker 1: you said? What did you say? I said Dick? But yeah,

591
00:27:42,800 --> 00:27:45,000
Speaker 1: you can call me Richard now my friends, my friends

592
00:27:45,160 --> 00:27:49,119
Speaker 1: all call me Ricardo. But we're not friends yet. We

593
00:27:49,200 --> 00:27:50,760
Speaker 1: have to see how this goes. Yeah, yeah, I like

594
00:27:50,800 --> 00:27:53,840
Speaker 1: that because I still have maybe some reservations about you myself.

595
00:27:53,880 --> 00:27:55,760
Speaker 1: So we'll see where this goes. Hey, what are you

596
00:27:55,840 --> 00:27:57,359
Speaker 1: making over there? Here's some ice? What? What? What you

597
00:27:57,359 --> 00:28:02,080
Speaker 1: got a little morning cocktail? I'm making a little morning ice. Macha.

598
00:28:02,280 --> 00:28:04,719
Speaker 1: You make that you have a fancy. So you're rich

599
00:28:04,760 --> 00:28:07,240
Speaker 1: and famous and talented and good looking and all the things.

600
00:28:07,359 --> 00:28:10,520
Speaker 1: So do you have a famous Well? Yeah, yeah, yeah

601
00:28:10,560 --> 00:28:14,280
Speaker 1: you have a you have a big fancy machine for that. Um,

602
00:28:14,320 --> 00:28:16,760
Speaker 1: we have a big fancy coffee machine. But no, but

603
00:28:16,880 --> 00:28:19,119
Speaker 1: the macha you just put the little powder in the

604
00:28:19,240 --> 00:28:21,720
Speaker 1: in the bottom of a cup and you've got We've

605
00:28:21,720 --> 00:28:27,960
Speaker 1: got this nine dollars Amazon little um little like frother

606
00:28:29,600 --> 00:28:33,800
Speaker 1: I don't know that it's a whiske thingy, but it's

607
00:28:33,800 --> 00:28:37,320
Speaker 1: a bout battery operator. So they you know, it's it's pretty.

608
00:28:37,359 --> 00:28:40,479
Speaker 1: It looks really expensive. It's like nine dollars. Listen, Riccardo,

609
00:28:40,520 --> 00:28:43,520
Speaker 1: I don't know what that is, buddy, You don't do

610
00:28:43,520 --> 00:28:47,800
Speaker 1: you even know what macha is? Is it green? We

611
00:28:47,920 --> 00:28:51,520
Speaker 1: are you in high school? I wish I don't drink coffee,

612
00:28:51,640 --> 00:28:54,880
Speaker 1: so I don't know what mo. Wow, if you started

613
00:28:54,960 --> 00:28:57,200
Speaker 1: drinking coffee, we could be friends. Well, here's the thing.

614
00:28:57,240 --> 00:29:01,600
Speaker 1: My grandma died from coffee overdose, and so now I'm sad. Wow,

615
00:29:01,760 --> 00:29:06,200
Speaker 1: that's just that was unnecessary. I'm kidding. She didn't she didn't. Hey, listen,

616
00:29:06,240 --> 00:29:08,120
Speaker 1: I'm a big fan. Really, this is super cool for

617
00:29:08,160 --> 00:29:10,040
Speaker 1: me to talk to you, So I really appreciate the time. Like,

618
00:29:10,080 --> 00:29:12,240
Speaker 1: I'll just say it up front that I'm kind of

619
00:29:12,240 --> 00:29:14,440
Speaker 1: geeking out a little bit at not only you as

620
00:29:14,480 --> 00:29:17,480
Speaker 1: an artist, but also you as a songwriter, so upfront

621
00:29:18,160 --> 00:29:20,880
Speaker 1: in a in a very sincere way, like massive fan,

622
00:29:20,960 --> 00:29:23,280
Speaker 1: thank you for spending a few minutes with me. That's

623
00:29:23,360 --> 00:29:26,200
Speaker 1: so nice man, Thank you, and congratulations. You guys are

624
00:29:26,400 --> 00:29:28,880
Speaker 1: chicken butt. Thanks. So here's a couple of questions we

625
00:29:28,920 --> 00:29:32,480
Speaker 1: have for you. First of all, you had on Instagram.

626
00:29:32,520 --> 00:29:36,320
Speaker 1: You had shared Abby our phone screener. She answers phone.

627
00:29:36,360 --> 00:29:39,120
Speaker 1: She produces some segments, but she was singing, and you

628
00:29:39,120 --> 00:29:42,200
Speaker 1: you pushed and shared, and so we took that as

629
00:29:42,200 --> 00:29:44,080
Speaker 1: an endorsement that you think she's a pretty good singer.

630
00:29:44,200 --> 00:29:46,720
Speaker 1: Now do you share people that are only good singing

631
00:29:46,720 --> 00:29:52,080
Speaker 1: your songs or just anybody singing your songs? There's a

632
00:29:52,120 --> 00:29:56,720
Speaker 1: loaded questions to get right to it. Um, you know, generally,

633
00:29:56,880 --> 00:30:00,840
Speaker 1: being honest with you, I very rarely share or anything

634
00:30:00,880 --> 00:30:05,680
Speaker 1: that I think would like hurt somebody's ears, so as

635
00:30:05,800 --> 00:30:09,320
Speaker 1: much as I like it, and I'll even sometimes go, hey, thanks,

636
00:30:09,400 --> 00:30:11,240
Speaker 1: great job, and I'm not going to repost it if

637
00:30:11,240 --> 00:30:14,360
Speaker 1: it's not very good. So yeah, she sounded good and

638
00:30:15,240 --> 00:30:18,680
Speaker 1: all kidding aside, Like to me, that's the ultimate compliment

639
00:30:18,720 --> 00:30:23,120
Speaker 1: as a songwriter is when anyone wants to take the

640
00:30:23,160 --> 00:30:26,040
Speaker 1: time to learn your song, and he especially now posted

641
00:30:26,120 --> 00:30:29,360
Speaker 1: on those socials. That means that that song means something

642
00:30:29,400 --> 00:30:31,000
Speaker 1: to them in some way, even if it's just something

643
00:30:31,040 --> 00:30:32,720
Speaker 1: that they think, Oh, I think I sound good singing

644
00:30:32,760 --> 00:30:36,320
Speaker 1: this song. That's the ultimate songwriter compliment, you know. So Abby,

645
00:30:36,400 --> 00:30:38,240
Speaker 1: he is saying he enjoyed it. What do you want

646
00:30:38,240 --> 00:30:39,760
Speaker 1: to say to him? I love it, thank you, I

647
00:30:39,800 --> 00:30:42,840
Speaker 1: appreciate that. Yeah, No, Abbey, you sounded good. I mean

648
00:30:42,840 --> 00:30:45,560
Speaker 1: I wouldn't have reposted it if he sucked. What would

649
00:30:45,600 --> 00:30:49,120
Speaker 1: you say to Abby who she moved to Nashville super

650
00:30:49,160 --> 00:30:51,440
Speaker 1: sucur and singing, and then you know, she couldn't remember

651
00:30:51,440 --> 00:30:53,920
Speaker 1: some words and she ran out of an audition once

652
00:30:53,920 --> 00:30:55,680
Speaker 1: that she gave up, but now she's kind of back

653
00:30:55,760 --> 00:30:59,280
Speaker 1: trying again, Like regardless of her talent, What would you

654
00:30:59,280 --> 00:31:01,560
Speaker 1: say to someone going through this? What are your inspiring

655
00:31:01,600 --> 00:31:05,680
Speaker 1: words to her? Richard? H Well, I mean, you can't

656
00:31:06,760 --> 00:31:09,600
Speaker 1: you really want to have a career. It can't be

657
00:31:10,720 --> 00:31:13,400
Speaker 1: despite not having talent, you know what I mean. It's

658
00:31:13,440 --> 00:31:15,880
Speaker 1: like that's kind of like a given. You kind of

659
00:31:15,880 --> 00:31:17,920
Speaker 1: have to have that, and she does. But I would say,

660
00:31:20,320 --> 00:31:23,280
Speaker 1: you know, on one hand, it's never been easier to

661
00:31:23,360 --> 00:31:27,040
Speaker 1: get attention and to get music out there because of

662
00:31:27,080 --> 00:31:29,920
Speaker 1: social media and streaming, and you know, you don't need

663
00:31:29,960 --> 00:31:32,320
Speaker 1: a record deal, you don't need a publisher anymore. You

664
00:31:32,400 --> 00:31:36,000
Speaker 1: just need to, like do fill up your content. You

665
00:31:36,000 --> 00:31:39,480
Speaker 1: need to feed the beasts. So I think if you're

666
00:31:39,480 --> 00:31:42,080
Speaker 1: not a songwriter, then you got to find songs that

667
00:31:43,640 --> 00:31:46,480
Speaker 1: you think you sound great doing. But also you don't

668
00:31:46,480 --> 00:31:49,640
Speaker 1: want to do songs Like when I hear people trying

669
00:31:49,640 --> 00:31:51,960
Speaker 1: to cover Whitney Houston songs, I'm always like, what do

670
00:31:52,000 --> 00:31:55,320
Speaker 1: you think you sing this better than Whitney? Did? You know?

671
00:31:55,360 --> 00:31:58,120
Speaker 1: Maybe find another song that suits you even better that

672
00:31:58,160 --> 00:32:00,320
Speaker 1: you're not where you're not, nobody's comparing you to the

673
00:32:00,320 --> 00:32:02,920
Speaker 1: original necessarily. You know. That's why I think a girl

674
00:32:03,040 --> 00:32:04,959
Speaker 1: singing a guy song or a guy singing a girl

675
00:32:05,040 --> 00:32:08,560
Speaker 1: song sometimes it's a clever move. Abby, Are you inspired?

676
00:32:08,720 --> 00:32:13,400
Speaker 1: I am? Let's go. Okay, we go, Richard Marks just Abby,

677
00:32:15,600 --> 00:32:17,400
Speaker 1: you know it's funny we're talking to a songwriter. So

678
00:32:17,520 --> 00:32:19,840
Speaker 1: if you got any songs you need to be to sing,

679
00:32:20,200 --> 00:32:22,760
Speaker 1: here I go. She just went before it, she just

680
00:32:22,800 --> 00:32:30,320
Speaker 1: went for it. I'm just kidding. I'm not boy, Hey,

681
00:32:30,720 --> 00:32:34,040
Speaker 1: rich In your career. Was there ever a time Richard, that, Um,

682
00:32:34,400 --> 00:32:37,480
Speaker 1: let's go back to the eighties when you were as

683
00:32:37,520 --> 00:32:40,120
Speaker 1: an artist, you were on TV on my all the time,

684
00:32:40,120 --> 00:32:42,520
Speaker 1: and you were just crushing, crushing, crushing. Was there ever

685
00:32:42,560 --> 00:32:44,120
Speaker 1: a moment before that happened where you had to go

686
00:32:44,160 --> 00:32:46,600
Speaker 1: and just like, Hey, can I have this? Can I like? What?

687
00:32:46,680 --> 00:32:48,880
Speaker 1: Just abby? Did you awkwardly? Did you ever have to

688
00:32:48,920 --> 00:32:53,880
Speaker 1: do that awkwardly to people? Oh? Yeah? So, um, my

689
00:32:55,120 --> 00:32:58,640
Speaker 1: songwriting career really started that way in that I had

690
00:32:58,680 --> 00:33:01,960
Speaker 1: written a handful of songs that when I was a

691
00:33:02,000 --> 00:33:05,360
Speaker 1: senior in high school that somehow magically made their way,

692
00:33:05,520 --> 00:33:08,080
Speaker 1: that the tape made made its way to Lionel Richie.

693
00:33:08,200 --> 00:33:11,520
Speaker 1: Mine was she heard my cassette tape and called me.

694
00:33:11,840 --> 00:33:13,640
Speaker 1: My phone number was written on the back. He called

695
00:33:13,680 --> 00:33:16,920
Speaker 1: me in my parents' house and was so encouraging of me,

696
00:33:16,960 --> 00:33:18,760
Speaker 1: and he said, man, I really liked your voice, and

697
00:33:18,760 --> 00:33:20,840
Speaker 1: you should move to LA when you graduate from high school.

698
00:33:20,840 --> 00:33:23,480
Speaker 1: Wich is what I did. And then he hired me

699
00:33:23,520 --> 00:33:26,440
Speaker 1: as a background singer on his first solo album when

700
00:33:26,440 --> 00:33:29,680
Speaker 1: he left the Commodorees, and around a year later he

701
00:33:29,720 --> 00:33:33,040
Speaker 1: recommended me as a background singer too. Kenny Rogers, who

702
00:33:33,160 --> 00:33:37,600
Speaker 1: was huge still at that time in the eighties. And

703
00:33:38,120 --> 00:33:40,720
Speaker 1: so there I am singing background vocals on this Kenny

704
00:33:40,760 --> 00:33:44,280
Speaker 1: Rogers album and he's their studio and I went up

705
00:33:44,280 --> 00:33:47,160
Speaker 1: to him and said, I'm a songwriter. I'd love to

706
00:33:47,200 --> 00:33:49,360
Speaker 1: play you the song I wrote for you. And he

707
00:33:49,400 --> 00:33:51,600
Speaker 1: should have thrown me out of the studio. He should

708
00:33:51,640 --> 00:33:53,880
Speaker 1: have had security, you know, throw me on the street.

709
00:33:54,880 --> 00:33:57,520
Speaker 1: But he was cool, and he said, yeah, let me

710
00:33:57,560 --> 00:34:00,280
Speaker 1: hear it, and we sat down at the piano and

711
00:34:00,360 --> 00:34:02,160
Speaker 1: he cut my song and then he cut two more

712
00:34:02,200 --> 00:34:06,920
Speaker 1: in my songs, and that launched my songwriting career. Wood

713
00:34:07,000 --> 00:34:10,719
Speaker 1: So I was lucky enough to be friend Lionel do.

714
00:34:10,840 --> 00:34:13,880
Speaker 1: I did four season of American Idol, and so Lionel

715
00:34:13,920 --> 00:34:15,440
Speaker 1: was Lionel was awesome. And now I don't know if

716
00:34:15,480 --> 00:34:18,560
Speaker 1: it'scause Lionel was seventy and he's just amazing once he

717
00:34:18,600 --> 00:34:21,239
Speaker 1: got older with perspective, but he's the kindest guy. Was

718
00:34:21,280 --> 00:34:26,200
Speaker 1: he like that even when he was young and killing it? Then? Yes,

719
00:34:26,440 --> 00:34:29,520
Speaker 1: I've never known anybody who was a superstar who acted

720
00:34:29,600 --> 00:34:32,040
Speaker 1: less like a superstar than Lyon. He's just the most

721
00:34:32,120 --> 00:34:36,080
Speaker 1: gracious kind he you know, he's still got a wicked

722
00:34:36,080 --> 00:34:40,160
Speaker 1: sense of humor, and he can be sarcastic and he

723
00:34:40,239 --> 00:34:42,319
Speaker 1: can be like he can hang with the best of them,

724
00:34:42,760 --> 00:34:47,359
Speaker 1: but inside his soul is just kindness and he loves

725
00:34:47,400 --> 00:34:49,680
Speaker 1: to help people and he's just the best. Like I

726
00:34:49,719 --> 00:34:52,560
Speaker 1: just love the guy. He changed my life. Richard Marx

727
00:34:52,640 --> 00:34:54,719
Speaker 1: is on with us, and I find it really interesting

728
00:34:56,040 --> 00:34:59,719
Speaker 1: what you're doing inside of Songwriter and so Songwriter and

729
00:35:00,000 --> 00:35:03,240
Speaker 1: and the whole album comes out. What's is nine September

730
00:35:03,840 --> 00:35:07,640
Speaker 1: with Fingers, January, Philbery in March April May Yet, yes,

731
00:35:07,760 --> 00:35:09,759
Speaker 1: number thirtieth because I know it's not out. Yeah, So

732
00:35:09,800 --> 00:35:11,920
Speaker 1: September thirtieth, you're putting the full album out, but it's

733
00:35:11,920 --> 00:35:15,880
Speaker 1: split into parts. There's pop, rock, country and ballads. And

734
00:35:15,920 --> 00:35:20,000
Speaker 1: the country parts interesting because we're big budds with Keith Urban,

735
00:35:20,160 --> 00:35:22,680
Speaker 1: and you know, you guys have written together before. But

736
00:35:22,880 --> 00:35:25,000
Speaker 1: there's a song one Day Longer that you and Keith Urban,

737
00:35:25,239 --> 00:35:28,760
Speaker 1: so you're singing it, but he wrote it with you. Yeah,

738
00:35:28,800 --> 00:35:31,120
Speaker 1: So here's my history with Keith. We've had three really

739
00:35:31,120 --> 00:35:34,919
Speaker 1: big hits together that he had and Better Life Long

740
00:35:34,960 --> 00:35:39,480
Speaker 1: Hot Summer and Everybody and Better Life. He almost didn't

741
00:35:39,480 --> 00:35:42,400
Speaker 1: cut because he kind of got over it. But you know,

742
00:35:42,560 --> 00:35:44,279
Speaker 1: from the time we started it to the time he

743
00:35:44,280 --> 00:35:45,839
Speaker 1: finished it, he was kind of like off of it,

744
00:35:46,040 --> 00:35:48,680
Speaker 1: not into it, but he kind of just went in

745
00:35:48,719 --> 00:35:51,160
Speaker 1: the studio and cut it number one. For six weeks,

746
00:35:51,640 --> 00:35:55,319
Speaker 1: we wrote Everybody, and he was all in love with

747
00:35:55,360 --> 00:35:56,960
Speaker 1: it the day we wrote it, and then a few

748
00:35:57,000 --> 00:35:59,280
Speaker 1: days later he was like, I don't like it anymore.

749
00:35:59,600 --> 00:36:01,840
Speaker 1: So I went in the studio. I was due to

750
00:36:01,960 --> 00:36:05,000
Speaker 1: record something with Dan Huff, his producer, who's a brilliant

751
00:36:05,680 --> 00:36:07,279
Speaker 1: and so Dan and I went in the studio to

752
00:36:07,280 --> 00:36:08,719
Speaker 1: cut a song and he said, you know, with that time,

753
00:36:08,760 --> 00:36:11,799
Speaker 1: we can cut another song. So I played him the

754
00:36:11,800 --> 00:36:14,359
Speaker 1: work tape of my song with Keith Everybody, and he went,

755
00:36:14,360 --> 00:36:16,840
Speaker 1: oh my god, man, this is great. We should cut this.

756
00:36:17,719 --> 00:36:19,880
Speaker 1: We cut it, and right before we mixed it, he

757
00:36:19,960 --> 00:36:22,200
Speaker 1: played it for Keith and Keith called and goes, okay,

758
00:36:22,239 --> 00:36:25,400
Speaker 1: I blew it. Can I have that song back? So

759
00:36:25,520 --> 00:36:28,279
Speaker 1: my history with Keith is we write something, he's in

760
00:36:28,400 --> 00:36:30,759
Speaker 1: love with it did day we write it, and then

761
00:36:30,800 --> 00:36:33,120
Speaker 1: a week later he it's the worst thing he's ever heard.

762
00:36:33,680 --> 00:36:37,120
Speaker 1: And that's what happened with one day longer. But it's

763
00:36:37,120 --> 00:36:39,440
Speaker 1: just been taking up space. You know as an MP

764
00:36:39,560 --> 00:36:42,160
Speaker 1: three in my computer. So I when I was making

765
00:36:42,200 --> 00:36:43,840
Speaker 1: this album, I went back and listened to her and

766
00:36:43,880 --> 00:36:46,959
Speaker 1: I was like, I love this song, so I cut

767
00:36:47,000 --> 00:36:51,040
Speaker 1: it in the country section here Richard written songs by himself,

768
00:36:51,120 --> 00:36:55,880
Speaker 1: with Urban, with Darius, with Howser and I think, and

769
00:36:55,920 --> 00:36:57,319
Speaker 1: I mentioned it before we got on the phone with you.

770
00:36:57,360 --> 00:37:01,120
Speaker 1: How just prominent and prolific of a songwriter you are

771
00:37:01,600 --> 00:37:03,319
Speaker 1: and all the songs you've written for a whole lot

772
00:37:03,360 --> 00:37:05,960
Speaker 1: of people. But is there a difference in writing with

773
00:37:06,000 --> 00:37:08,040
Speaker 1: some of these country guys that we know are our

774
00:37:08,080 --> 00:37:12,759
Speaker 1: friends with and some of the guys in in la. Oh.

775
00:37:12,840 --> 00:37:17,400
Speaker 1: That's a good question. Um. I mean, you know, I

776
00:37:17,440 --> 00:37:20,080
Speaker 1: don't really write with anyone who's not a real songwriter,

777
00:37:20,120 --> 00:37:23,840
Speaker 1: and that I very rarely collaborate with someone who's just

778
00:37:23,960 --> 00:37:28,799
Speaker 1: a track person or um you know, it's usually two

779
00:37:28,840 --> 00:37:31,319
Speaker 1: guys sitting down and or three guys. You know, it's

780
00:37:31,400 --> 00:37:36,160
Speaker 1: very rare there are three writers on my songs. But um,

781
00:37:36,280 --> 00:37:39,319
Speaker 1: I kind of gravitate towards what I would call old

782
00:37:39,320 --> 00:37:42,960
Speaker 1: school songwriters, where you just sort of hammered out, you know,

783
00:37:43,160 --> 00:37:45,520
Speaker 1: you get a concept, you get I usually come in

784
00:37:45,560 --> 00:37:48,440
Speaker 1: with a bunch of melody, ideas or a title, and

785
00:37:48,520 --> 00:37:53,120
Speaker 1: we're just off to the races. There's not that much difference, actually,

786
00:37:53,160 --> 00:37:56,440
Speaker 1: you know, I mean writing with Randy House, or is

787
00:37:56,640 --> 00:37:59,680
Speaker 1: not that difference in writing with you know, my son

788
00:37:59,800 --> 00:38:02,759
Speaker 1: Luke Guess he's a great pop songwriter, or any of

789
00:38:02,800 --> 00:38:04,839
Speaker 1: these other guys. It's all it's all sort of like

790
00:38:05,520 --> 00:38:08,920
Speaker 1: going after the song, you know, not trying to worry

791
00:38:08,920 --> 00:38:10,400
Speaker 1: so much about what the record is going to be,

792
00:38:10,400 --> 00:38:12,680
Speaker 1: but just making the song the best to convict. You

793
00:38:12,719 --> 00:38:15,520
Speaker 1: say you're going with the melody, so well, you'll just

794
00:38:15,600 --> 00:38:17,560
Speaker 1: walk in And I was gonna ask if you're a

795
00:38:17,560 --> 00:38:19,520
Speaker 1: melody or a lyric guy first, and probably you do

796
00:38:19,560 --> 00:38:21,319
Speaker 1: it a little bit of both, But will you walk

797
00:38:21,360 --> 00:38:23,279
Speaker 1: in with no concept at all? But you're like, at

798
00:38:23,320 --> 00:38:26,080
Speaker 1: this melody goes boo doo doo doo doo doo doo doo,

799
00:38:26,239 --> 00:38:27,920
Speaker 1: and you walk in with just that melody, and then

800
00:38:27,960 --> 00:38:30,640
Speaker 1: you start trying to assign words and a concept to

801
00:38:30,840 --> 00:38:35,120
Speaker 1: the sound. Yeah, That's how I've always written songs, even

802
00:38:35,120 --> 00:38:38,560
Speaker 1: the songs I've written by myself, which which make up

803
00:38:38,600 --> 00:38:40,840
Speaker 1: most of my catalog, or the songs I wrote alone.

804
00:38:41,440 --> 00:38:46,839
Speaker 1: It starts with some gibberish line, you know, and like

805
00:38:47,360 --> 00:38:50,320
Speaker 1: I had this big hit called Hazard, this the story song,

806
00:38:52,480 --> 00:38:56,239
Speaker 1: and all I had was my mother came up down

807
00:38:56,320 --> 00:38:59,880
Speaker 1: I wanna. I was just seven, And then I started

808
00:38:59,880 --> 00:39:02,600
Speaker 1: to look like I wrote all the music, all the melody,

809
00:39:02,600 --> 00:39:04,360
Speaker 1: and I started to put the story together, and I

810
00:39:04,400 --> 00:39:07,960
Speaker 1: had everything except the name of the town that this

811
00:39:08,000 --> 00:39:10,120
Speaker 1: thing was set in. And I even knew it was

812
00:39:10,160 --> 00:39:13,279
Speaker 1: in Nebraska because I referenced in Nebraska. So I just

813
00:39:13,320 --> 00:39:16,279
Speaker 1: had to go through every name of every town in

814
00:39:16,360 --> 00:39:19,000
Speaker 1: Nebraska until I found one that's the two syllable word

815
00:39:19,000 --> 00:39:22,600
Speaker 1: that's fit, that sounded good. It's kind of how it

816
00:39:22,680 --> 00:39:25,960
Speaker 1: all starts with me, is with a melody. The melodies

817
00:39:26,400 --> 00:39:28,600
Speaker 1: and the music kind of tell me what the lyrics

818
00:39:28,640 --> 00:39:31,760
Speaker 1: should be. Whenever you have songs that are so massive,

819
00:39:32,000 --> 00:39:35,799
Speaker 1: for example right here waiting from like eighty nine, do

820
00:39:35,920 --> 00:39:39,720
Speaker 1: you go through different cycles or seasons where you know

821
00:39:39,800 --> 00:39:41,279
Speaker 1: it's a massive hit, you'd love to play it, then

822
00:39:41,280 --> 00:39:42,520
Speaker 1: you play it so much you don't want to play it,

823
00:39:42,560 --> 00:39:43,840
Speaker 1: but then you kind of re energized to play it

824
00:39:43,840 --> 00:39:46,279
Speaker 1: again because you've hated it for so long. Is that

825
00:39:46,440 --> 00:39:48,560
Speaker 1: a seasonal thing with you in your life, or do

826
00:39:48,600 --> 00:39:51,640
Speaker 1: you just always love it or how does that work? No,

827
00:39:51,840 --> 00:39:54,319
Speaker 1: I don't have that experience. I'm sure. I think that

828
00:39:54,400 --> 00:39:59,400
Speaker 1: probably happens more with people who records songs by other people.

829
00:40:00,320 --> 00:40:02,440
Speaker 1: If you wrote a song that you love, if I

830
00:40:02,440 --> 00:40:04,440
Speaker 1: write a song, if I record a song and released

831
00:40:04,440 --> 00:40:07,439
Speaker 1: a song, it means that I love that song, and

832
00:40:07,600 --> 00:40:09,480
Speaker 1: I don't. I mean, there's some songs that I might

833
00:40:09,520 --> 00:40:12,640
Speaker 1: get a little bit more psyched to play sometimes, but

834
00:40:12,680 --> 00:40:15,319
Speaker 1: there's never a song in my set where I look

835
00:40:15,360 --> 00:40:17,120
Speaker 1: down at the set list and go, oh god, not

836
00:40:17,280 --> 00:40:20,400
Speaker 1: that again. I've never had that hanging to the every

837
00:40:20,440 --> 00:40:22,239
Speaker 1: day with certain segments in my radio show. Every day,

838
00:40:22,280 --> 00:40:25,600
Speaker 1: I'm just like, oh my god, yeah, Richard, this has

839
00:40:25,640 --> 00:40:27,920
Speaker 1: been awesome. I want to let everybody know. Songwriter comes

840
00:40:27,960 --> 00:40:32,000
Speaker 1: out on September thirtieth. Again, there are all these sections,

841
00:40:32,239 --> 00:40:34,920
Speaker 1: and I love how you did it. And ballads though,

842
00:40:34,920 --> 00:40:37,600
Speaker 1: by the way, when I was looking at this ballads,

843
00:40:37,840 --> 00:40:40,040
Speaker 1: it didn't you didn't format that. You just went Okay,

844
00:40:40,040 --> 00:40:42,560
Speaker 1: these are slow songs. Slow songs don't have a format

845
00:40:43,280 --> 00:40:45,560
Speaker 1: or a genre. Not to me. Not to me. Just

846
00:40:45,960 --> 00:40:50,080
Speaker 1: those songs to me were just these five really beautiful

847
00:40:50,160 --> 00:40:53,400
Speaker 1: songs that could have been any genre really, but they

848
00:40:53,719 --> 00:40:55,360
Speaker 1: kind of made up their own genre to me. And

849
00:40:55,400 --> 00:40:58,719
Speaker 1: the first track is by the Way, you know, I'm

850
00:40:58,760 --> 00:41:01,160
Speaker 1: doing this a lot of gonna do a vinyl version

851
00:41:01,200 --> 00:41:02,759
Speaker 1: of this, so it's literally going to be side A,

852
00:41:02,880 --> 00:41:07,200
Speaker 1: side B, SIDEC, side D. You know. Um, the lead

853
00:41:07,280 --> 00:41:11,200
Speaker 1: track on the ballots section I wrote with Burt Backrock.

854
00:41:11,280 --> 00:41:14,440
Speaker 1: It's a song called Always. I'm getting to sit in

855
00:41:14,480 --> 00:41:16,200
Speaker 1: a room and write a song with Burt Backrock. And

856
00:41:16,320 --> 00:41:18,480
Speaker 1: and this is when he was ninety one. He's ninety

857
00:41:18,520 --> 00:41:22,520
Speaker 1: four now. Um, I can't even believe it. You know. Again,

858
00:41:22,640 --> 00:41:26,200
Speaker 1: we became pals, and this guy wrote the soundtrack to

859
00:41:26,280 --> 00:41:28,880
Speaker 1: all of our lives. You know, I'm just so humbled

860
00:41:28,920 --> 00:41:30,480
Speaker 1: that I got to sit in a room with him

861
00:41:30,480 --> 00:41:33,799
Speaker 1: and write such a beautiful I'm so proud of this song. Yeah,

862
00:41:33,840 --> 00:41:36,560
Speaker 1: that's pretty cool that Burt. Because Burt background for me,

863
00:41:37,000 --> 00:41:40,520
Speaker 1: rain drops keep falling up. That's that's he's played it.

864
00:41:40,560 --> 00:41:43,600
Speaker 1: Though he's played it though, Eddie, I've heard Burt background

865
00:41:43,640 --> 00:41:46,279
Speaker 1: play that song. That's what I think about. He wrote it,

866
00:41:46,360 --> 00:41:48,600
Speaker 1: and he wrote it, Eddie. There you go. So so

867
00:41:48,960 --> 00:41:50,279
Speaker 1: then I thought I was right. Then I thought I

868
00:41:50,320 --> 00:41:51,960
Speaker 1: was wrong, and I was embarrassed, and then I had

869
00:41:51,960 --> 00:41:54,080
Speaker 1: to come back to it and Richard Marks told sorry,

870
00:41:54,160 --> 00:41:56,160
Speaker 1: Ricardo Marches told me I was right because now we're friends.

871
00:41:57,200 --> 00:41:58,920
Speaker 1: There you have it. Okay, So here's what we're gonna do.

872
00:41:59,080 --> 00:42:00,759
Speaker 1: If you ever come to nash we'd love to have you,

873
00:42:01,320 --> 00:42:03,719
Speaker 1: uh hop in the studio here. We'll do a whole deal.

874
00:42:03,960 --> 00:42:06,879
Speaker 1: I'm just a big fan, uh think. And your album

875
00:42:06,920 --> 00:42:08,480
Speaker 1: comes down to thirtieth We'll be sure to talk about

876
00:42:08,480 --> 00:42:10,120
Speaker 1: it when it comes out, and you guys go to

877
00:42:10,239 --> 00:42:12,800
Speaker 1: Richard Marks dot com. He's in Europe now, but he

878
00:42:12,880 --> 00:42:14,399
Speaker 1: will come to the States and he's doing a bunch

879
00:42:14,440 --> 00:42:16,839
Speaker 1: of shows in the States starting in October, and he's

880
00:42:16,840 --> 00:42:18,279
Speaker 1: in a lot of the cities that are shows in

881
00:42:18,680 --> 00:42:21,719
Speaker 1: and just a very entertaining, very funny guy, but also

882
00:42:21,840 --> 00:42:24,680
Speaker 1: super talented and super cool and says Abby has a

883
00:42:24,800 --> 00:42:26,680
Speaker 1: loner in music, and he will put her on tour

884
00:42:26,719 --> 00:42:31,440
Speaker 1: with him. That's what I heard. Wow, wow, wow, that

885
00:42:31,560 --> 00:42:38,520
Speaker 1: is Bobby. You can officially call me Ricardo. Okay, okay, Ricardo,

886
00:42:38,920 --> 00:42:41,600
Speaker 1: thank you for your time, massive fan, good luck with

887
00:42:41,680 --> 00:42:44,680
Speaker 1: the record, and congrats on the book and hopefully I

888
00:42:44,760 --> 00:42:47,879
Speaker 1: will see in person sometime. Thank you, Thank you. Guys,

889
00:42:47,920 --> 00:42:51,520
Speaker 1: all right there he is Richard Marks. Everybody, Hey, Abby

890
00:42:51,560 --> 00:42:54,040
Speaker 1: sing us out with a little Richard Marks. Oh you

891
00:42:54,160 --> 00:42:58,480
Speaker 1: sing us out? Abby. Let's go wherever you are. Whatever

892
00:42:58,800 --> 00:43:09,160
Speaker 1: you do will be ado. This is a voicemail from

893
00:43:09,200 --> 00:43:13,160
Speaker 1: Brittany and Louisiana. I just had a music industry type question.

894
00:43:13,400 --> 00:43:16,239
Speaker 1: I didn't know who to ask. I thought Nicole Bobby Bolm. Okay.

895
00:43:16,280 --> 00:43:18,319
Speaker 1: So my husband and I went to a Sam Hunt

896
00:43:18,360 --> 00:43:21,920
Speaker 1: concert last week. Dustin Lynch was his opening act. My

897
00:43:22,080 --> 00:43:25,560
Speaker 1: question is Dustin Lynch how gotta hit two? So how

898
00:43:25,640 --> 00:43:27,719
Speaker 1: do I decide that Dustin Lynch is going to be

899
00:43:27,760 --> 00:43:30,800
Speaker 1: an opening act for Sam Hunt? Now? It was awesome.

900
00:43:30,840 --> 00:43:33,720
Speaker 1: I'm not complaining, but I was just curious how that works. Thanks.

901
00:43:33,920 --> 00:43:36,359
Speaker 1: I think it's a great question. Now, if you said

902
00:43:36,400 --> 00:43:38,399
Speaker 1: that in town in the industry, they would say Dustin

903
00:43:38,560 --> 00:43:41,560
Speaker 1: is not Sam's opening act. Dustin is Sam's main support.

904
00:43:41,719 --> 00:43:44,839
Speaker 1: There's an opener, then there's the main support, and then

905
00:43:44,880 --> 00:43:46,960
Speaker 1: there is the headliner, which would be Sam Hunt. And

906
00:43:47,080 --> 00:43:50,640
Speaker 1: so Sam is creating his tour and Sam can get

907
00:43:50,680 --> 00:43:52,799
Speaker 1: more people to come to a show and charge Fry

908
00:43:52,800 --> 00:43:55,799
Speaker 1: a couple more dollars in Dustin can so Dustin let's

909
00:43:55,800 --> 00:43:58,279
Speaker 1: say his average show is he makes five bucks a show.

910
00:43:58,360 --> 00:43:59,759
Speaker 1: I'm just gonna throw a number out there. It's just

911
00:43:59,760 --> 00:44:02,560
Speaker 1: not true. And so if Sam can offer that to

912
00:44:02,719 --> 00:44:06,080
Speaker 1: Dustin as his main support and Dustin doesn't have to

913
00:44:06,120 --> 00:44:09,640
Speaker 1: pay for lights or crew, then Dustin will probably take

914
00:44:09,680 --> 00:44:12,680
Speaker 1: that job. Oh yeah, that's awesome, yes, Sam, well, yes,

915
00:44:13,480 --> 00:44:15,759
Speaker 1: financially sometimes it's really good. Like Dan and Shay's main

916
00:44:15,800 --> 00:44:19,000
Speaker 1: support for Kenny Chesney. Dana Chaykin sell out arenas themselves,

917
00:44:19,520 --> 00:44:23,680
Speaker 1: but they're probably making more money doing arenas with Kenny Chesney.

918
00:44:24,480 --> 00:44:28,360
Speaker 1: Then they are stadiums with Kenny Chesney, then they are

919
00:44:28,400 --> 00:44:30,880
Speaker 1: doing arenas by themselves. Dana schay sell more tickets and

920
00:44:30,920 --> 00:44:34,279
Speaker 1: pretty much everybody. But then you're right, like they don't

921
00:44:34,360 --> 00:44:38,160
Speaker 1: have to pay all yeah, and all adds up. So

922
00:44:38,640 --> 00:44:42,919
Speaker 1: it's mostly that Sam can sell more tickets than Dustin Lynch.

923
00:44:43,440 --> 00:44:45,160
Speaker 1: And also as like Dustin, you will help this tour

924
00:44:45,200 --> 00:44:46,640
Speaker 1: because you're a great act as well, and I will

925
00:44:46,640 --> 00:44:48,200
Speaker 1: pay you what you normally make to do a show.

926
00:44:48,560 --> 00:44:52,440
Speaker 1: Let's do a show together. But like the Kenny Stadium

927
00:44:52,520 --> 00:44:55,759
Speaker 1: tour you have, Carly Pierce would be the opener. Old

928
00:44:55,840 --> 00:44:58,880
Speaker 1: dominion happens, Dan and Shay is the main support and

929
00:44:58,920 --> 00:45:02,040
Speaker 1: then Kenny Chesney. So it's not somebody tagging them together.

930
00:45:02,080 --> 00:45:04,719
Speaker 1: It's Sam going, I'm doing this tour. Reached out to Dustin. Hey, Dustin,

931
00:45:04,920 --> 00:45:06,799
Speaker 1: come do this tour with me. I'll pay your normal

932
00:45:06,880 --> 00:45:09,520
Speaker 1: rate because you kill it and I kill a little better.

933
00:45:09,640 --> 00:45:12,080
Speaker 1: But do you kill it and someday you'll kill it

934
00:45:12,120 --> 00:45:13,839
Speaker 1: a little better and you put me on your tour. Yeah,

935
00:45:13,920 --> 00:45:16,280
Speaker 1: you know, so that's what it is. That's a good question, though, Britney.

936
00:45:16,280 --> 00:45:21,840
Speaker 1: I appreciate that you're Samy's pile of stories. I assume, Bobby,

937
00:45:21,920 --> 00:45:25,000
Speaker 1: that you think you know how to shower. Yeah, I

938
00:45:25,080 --> 00:45:28,239
Speaker 1: mean I'm always told that I'm doing things wrong peeing, showering,

939
00:45:28,960 --> 00:45:32,560
Speaker 1: eating and what time. Well, dermatologists are telling us that

940
00:45:32,680 --> 00:45:35,800
Speaker 1: we are showering all wrong, so they put out some

941
00:45:35,880 --> 00:45:38,080
Speaker 1: tips so we can do it right. Okay, First of all,

942
00:45:38,280 --> 00:45:40,440
Speaker 1: we don't need a shower too often. If you're not

943
00:45:40,560 --> 00:45:43,120
Speaker 1: getting sweaty every day. Experts say you can cut to

944
00:45:43,160 --> 00:45:45,640
Speaker 1: a few showers a week, and on days that you

945
00:45:45,800 --> 00:45:49,279
Speaker 1: do need to shower, and maybe even twice, you better

946
00:45:49,600 --> 00:45:52,040
Speaker 1: take an extremely short shower. They say, yeah, I do

947
00:45:52,520 --> 00:45:55,120
Speaker 1: at least two a day, every day. But I guess

948
00:45:55,160 --> 00:45:58,480
Speaker 1: my problem with that is so many of the men

949
00:45:58,600 --> 00:46:01,200
Speaker 1: that I know, if they don't shower every day, they

950
00:46:01,280 --> 00:46:04,239
Speaker 1: will stink. Their arm pits will stink. So are they

951
00:46:04,400 --> 00:46:06,320
Speaker 1: just saying that's just part of life. You need to

952
00:46:06,400 --> 00:46:08,920
Speaker 1: stink in order to be healthy. You can still wear deodorant,

953
00:46:08,960 --> 00:46:11,680
Speaker 1: but that's just putting a mask over it. Yeah, or

954
00:46:11,880 --> 00:46:14,440
Speaker 1: maybe do a bird bats. Your whole body isn't getting wet.

955
00:46:14,560 --> 00:46:16,840
Speaker 1: But they do say when you're in there, focus on

956
00:46:16,880 --> 00:46:19,600
Speaker 1: the dirtiest parts. Your arms and legs don't always need soap,

957
00:46:19,680 --> 00:46:22,600
Speaker 1: but your underarms and other areas do. And they say

958
00:46:22,719 --> 00:46:25,160
Speaker 1: start at the top so that way the soap can

959
00:46:25,280 --> 00:46:28,160
Speaker 1: work its way down naturally. Yeah, under arms and butt.

960
00:46:28,239 --> 00:46:32,520
Speaker 1: Like I focus, I go in with my plans. Hit

961
00:46:32,560 --> 00:46:34,400
Speaker 1: the underarms, hit the butt, wash my hair if I

962
00:46:34,480 --> 00:46:38,640
Speaker 1: need to otherwise pretty good. I'll scrub my chest a

963
00:46:38,640 --> 00:46:40,600
Speaker 1: little bit so I don't get any sort of blackheads there.

964
00:46:40,800 --> 00:46:42,839
Speaker 1: And here, okay, well here's for when you get out

965
00:46:42,920 --> 00:46:45,279
Speaker 1: of the shower. You want to pat yourself dry, don't

966
00:46:45,560 --> 00:46:49,040
Speaker 1: don't take the towel and your no no hat, yourself dry.

967
00:46:49,080 --> 00:46:50,560
Speaker 1: That way, you leave a little bit of moisture on

968
00:46:50,640 --> 00:46:52,840
Speaker 1: your water on your skin, so when you add lotion

969
00:46:53,000 --> 00:46:55,560
Speaker 1: it absorbs w who's putting on lotion after they say

970
00:46:55,600 --> 00:47:01,520
Speaker 1: after every showers, Yeah, this was fancy digest. They write there, no, okay.

971
00:47:01,560 --> 00:47:05,000
Speaker 1: So a new poll surveyed adults that are about forty

972
00:47:05,120 --> 00:47:07,479
Speaker 1: years old or so when those younger, and it found

973
00:47:07,520 --> 00:47:09,719
Speaker 1: that it takes an average of eight warning lights for

974
00:47:09,800 --> 00:47:13,160
Speaker 1: them to take their car into a mechanic. Eight I

975
00:47:13,520 --> 00:47:16,080
Speaker 1: have a warning light right now, eight at once seems

976
00:47:16,080 --> 00:47:18,680
Speaker 1: like it's going to explode. Well, it takes it coming

977
00:47:18,719 --> 00:47:21,239
Speaker 1: on like yeah, like coming on and going off or

978
00:47:21,320 --> 00:47:24,120
Speaker 1: eight times. But if eight lights are on at once,

979
00:47:24,200 --> 00:47:26,880
Speaker 1: I would think my car is literally going to explode

980
00:47:26,880 --> 00:47:29,080
Speaker 1: any second. I don't think it's eight at once, but

981
00:47:29,239 --> 00:47:31,160
Speaker 1: maybe that if you can get it to go off,

982
00:47:31,239 --> 00:47:33,719
Speaker 1: then if it comes back. I've been riding around with

983
00:47:33,840 --> 00:47:36,319
Speaker 1: my warning sign for I don't know, probably about five

984
00:47:36,360 --> 00:47:39,239
Speaker 1: weeks now which warning sign, because I also have a

985
00:47:39,280 --> 00:47:44,680
Speaker 1: warning sign something about tire pressure indicator something, and I

986
00:47:44,760 --> 00:47:46,520
Speaker 1: just I can press a button, says okay, in a

987
00:47:46,600 --> 00:47:48,279
Speaker 1: maze of disappear until the next time, going to start

988
00:47:48,320 --> 00:47:50,840
Speaker 1: my car and not decide a mind that's right, mine's breaks.

989
00:47:51,560 --> 00:47:53,960
Speaker 1: Oh do you need new ones? Oh? They squeeze, they

990
00:47:55,200 --> 00:47:58,879
Speaker 1: hit them sometimes and it says break issue or something.

991
00:47:58,920 --> 00:48:01,680
Speaker 1: Well that breaks are expensive, so i'd hold off. Well,

992
00:48:01,800 --> 00:48:03,680
Speaker 1: I just I can't turn it off, so I just

993
00:48:03,680 --> 00:48:05,160
Speaker 1: don't look at that part of the screen behind the

994
00:48:05,160 --> 00:48:08,000
Speaker 1: staring wheel. I just keep looking to the left. Okay,

995
00:48:08,080 --> 00:48:10,759
Speaker 1: So do you have anything you're holding onto for superstition?

996
00:48:12,080 --> 00:48:17,239
Speaker 1: I am so OCD about that. I'm not a superstitious person. Well,

997
00:48:17,280 --> 00:48:19,960
Speaker 1: here's the thing. I'm very OCD type person where if

998
00:48:19,960 --> 00:48:21,839
Speaker 1: I don't do things, I don't think things are going

999
00:48:21,920 --> 00:48:24,279
Speaker 1: to work out that day. Yeah, and we're having to

1000
00:48:24,360 --> 00:48:26,759
Speaker 1: adopt some of your things because I accidentally said hi

1001
00:48:26,880 --> 00:48:28,279
Speaker 1: to you today before you sat down, and I was like,

1002
00:48:28,320 --> 00:48:30,239
Speaker 1: oh shoot. And it's not you cant hide to me

1003
00:48:30,280 --> 00:48:33,040
Speaker 1: anywhere in the building all day long, morning, noon, night.

1004
00:48:33,440 --> 00:48:35,640
Speaker 1: But there's a one little there's one little brief thing

1005
00:48:35,680 --> 00:48:37,880
Speaker 1: where I have to like focus and it's like seven

1006
00:48:37,920 --> 00:48:39,719
Speaker 1: steps and I don't like to talk in that seven

1007
00:48:39,719 --> 00:48:42,000
Speaker 1: steps because I feel like that's my my time, my entrance.

1008
00:48:42,000 --> 00:48:44,640
Speaker 1: I gotta get in my mind straight. Well, Dan from

1009
00:48:44,719 --> 00:48:47,440
Speaker 1: Dan and Shay, you know he has also OCD like me. Yes,

1010
00:48:48,320 --> 00:48:50,640
Speaker 1: that long hair, and he was just talking about how

1011
00:48:50,760 --> 00:48:53,799
Speaker 1: yeah is successful. They've been successful, so now he can't

1012
00:48:53,840 --> 00:48:56,640
Speaker 1: cut it. But also now that he's done that to himself,

1013
00:48:56,840 --> 00:48:59,840
Speaker 1: it's kind of a recognizing thing, Like if he cuts it,

1014
00:49:00,040 --> 00:49:02,719
Speaker 1: people might not see him as Dan from Dan and Shay,

1015
00:49:03,280 --> 00:49:05,239
Speaker 1: Well they will. But I've talked to him about this

1016
00:49:06,160 --> 00:49:10,000
Speaker 1: like privately, and he's like, dude, we got had our

1017
00:49:10,040 --> 00:49:11,680
Speaker 1: biggest success when I started to grow my hair out.

1018
00:49:11,880 --> 00:49:13,080
Speaker 1: Why would I cut my hair? And I'm like, I

1019
00:49:13,160 --> 00:49:14,640
Speaker 1: feel you, man, can I have some of your hair?

1020
00:49:14,840 --> 00:49:16,640
Speaker 1: Like it's a whole thing. But he's very OCD two,

1021
00:49:16,680 --> 00:49:18,040
Speaker 1: like he will sit into a set list like I

1022
00:49:18,160 --> 00:49:20,160
Speaker 1: do a show here where I have to mark every

1023
00:49:20,160 --> 00:49:23,279
Speaker 1: little thing out. I gotta move everything. But that's us

1024
00:49:23,400 --> 00:49:26,840
Speaker 1: needing control in the end. We feel it's like for

1025
00:49:27,000 --> 00:49:29,400
Speaker 1: some reason, we weren't giving control in our lives at

1026
00:49:29,520 --> 00:49:33,560
Speaker 1: some point. So these OCD tendencies that I have and

1027
00:49:33,640 --> 00:49:35,319
Speaker 1: then I think Dan has, and I think everybody's story

1028
00:49:35,360 --> 00:49:36,719
Speaker 1: is different. It is a control thing, like that's something

1029
00:49:36,760 --> 00:49:38,600
Speaker 1: we can control. Yeah, when other things in our life

1030
00:49:38,600 --> 00:49:40,279
Speaker 1: were not in our control, we found these things that

1031
00:49:40,360 --> 00:49:42,279
Speaker 1: we could be in control of, and that gave us

1032
00:49:42,320 --> 00:49:45,120
Speaker 1: a sense of that we also had to sit in

1033
00:49:45,200 --> 00:49:46,560
Speaker 1: our life when at times we didn't have much of

1034
00:49:46,600 --> 00:49:49,719
Speaker 1: us say in our life. No, well, okay, you just

1035
00:49:49,760 --> 00:49:51,279
Speaker 1: went deep there for a second. But I like it.

1036
00:49:51,440 --> 00:49:53,000
Speaker 1: Why do I go into the reasons of like why

1037
00:49:53,040 --> 00:49:54,560
Speaker 1: do I do this? I like three or four of

1038
00:49:54,600 --> 00:49:56,120
Speaker 1: them that if if I don't pet my dogs in

1039
00:49:56,160 --> 00:49:57,759
Speaker 1: the exact same right way, if I don't walk in

1040
00:49:57,800 --> 00:50:00,400
Speaker 1: this room from the door to my chair, stay, if

1041
00:50:00,400 --> 00:50:02,640
Speaker 1: I don't. It's a lot of little stuff, but it's

1042
00:50:02,640 --> 00:50:04,239
Speaker 1: like I just need if I don't block out every

1043
00:50:04,280 --> 00:50:05,960
Speaker 1: single letter on every single page that we have here

1044
00:50:06,080 --> 00:50:10,239
Speaker 1: during the day, I feel like, well, I can control this.

1045
00:50:10,360 --> 00:50:11,799
Speaker 1: It's about the only thing I can control. So I'm

1046
00:50:11,800 --> 00:50:16,040
Speaker 1: gonna do it. Known it. There you go much today

1047
00:50:16,040 --> 00:50:17,640
Speaker 1: it's pretty heavy day. We have a pretty heavy day,

1048
00:50:17,680 --> 00:50:20,640
Speaker 1: all right. I maybe that's my file. That was Amy's

1049
00:50:20,680 --> 00:50:24,280
Speaker 1: pile of stories. It's time for the good news. Boy.

1050
00:50:28,719 --> 00:50:30,400
Speaker 1: I think this is gonna be some good news. We

1051
00:50:30,560 --> 00:50:33,920
Speaker 1: have Elizabeth on the phone right now, who lives in Indiana. Elizabeth,

1052
00:50:34,040 --> 00:50:36,120
Speaker 1: what's going on? A Couple of years ago, when you

1053
00:50:36,200 --> 00:50:39,040
Speaker 1: were on Dancing with the Stars, Um, you had a

1054
00:50:39,160 --> 00:50:41,880
Speaker 1: show that you came out to like North Webster, Indianna,

1055
00:50:42,320 --> 00:50:48,479
Speaker 1: where I'm from, and um, my boyfriend at the time

1056
00:50:49,280 --> 00:50:52,440
Speaker 1: he got me um back they passes to meet you,

1057
00:50:53,120 --> 00:50:56,080
Speaker 1: and I was so nervous to meet you. I could

1058
00:50:56,160 --> 00:51:00,759
Speaker 1: barely say anything. I was just like freaking out, um,

1059
00:51:01,200 --> 00:51:05,920
Speaker 1: because you're like an inspiration to me, and so um

1060
00:51:06,080 --> 00:51:08,319
Speaker 1: you looked at me and my boyfriend at the time

1061
00:51:08,360 --> 00:51:13,560
Speaker 1: and you were like, are you married? And UM, I

1062
00:51:13,760 --> 00:51:20,719
Speaker 1: was like, no, we're not. We're like seventeen, and You're like, oh, well,

1063
00:51:21,400 --> 00:51:25,800
Speaker 1: I'm ago. I'm months ago. Two months ago. My boyfriend

1064
00:51:25,880 --> 00:51:28,800
Speaker 1: proposed to me, And so I always told my boyfriend

1065
00:51:28,920 --> 00:51:31,440
Speaker 1: that I would call into the show and tell you

1066
00:51:31,560 --> 00:51:35,600
Speaker 1: that we were engaged now after this act, because you

1067
00:51:35,680 --> 00:51:38,680
Speaker 1: asked us if we were married, So um, I thought

1068
00:51:38,719 --> 00:51:41,880
Speaker 1: it was. I was driving the school because I'm a teacher,

1069
00:51:41,920 --> 00:51:43,160
Speaker 1: and I was like, I'm just gonna see if I

1070
00:51:43,239 --> 00:51:46,799
Speaker 1: can get through, and I did, Like, okay, I got

1071
00:51:46,840 --> 00:51:48,120
Speaker 1: a couple of things to say, A couple of things

1072
00:51:48,120 --> 00:51:50,240
Speaker 1: to say. One I asked you when you were seventeen.

1073
00:51:50,280 --> 00:51:51,600
Speaker 1: That's how you know I'm getting older. I can't tell

1074
00:51:51,600 --> 00:51:53,640
Speaker 1: the different anymore. I don't know how old anybody is

1075
00:51:54,000 --> 00:51:57,839
Speaker 1: everybody is just the same. Um, and so you've been

1076
00:51:57,920 --> 00:52:01,880
Speaker 1: together what five six seven years? Along? Five five and

1077
00:52:01,920 --> 00:52:05,600
Speaker 1: a half years? And how did he propose? Um? We

1078
00:52:05,719 --> 00:52:10,239
Speaker 1: were playing clue, and UM my whole family was in

1079
00:52:10,400 --> 00:52:14,799
Speaker 1: on it, and so um when I um said I'd

1080
00:52:14,840 --> 00:52:19,239
Speaker 1: like to make an accusation. Um, he had Lucas ring

1081
00:52:19,680 --> 00:52:21,799
Speaker 1: and living room, and he got down on his knee

1082
00:52:21,800 --> 00:52:28,560
Speaker 1: and proposed Lucas ring living room. That's hilarious. That's pretty cool.

1083
00:52:29,080 --> 00:52:32,560
Speaker 1: That pretty cool. The murder weapon was ring? Did Yeah,

1084
00:52:32,600 --> 00:52:36,080
Speaker 1: he didn't like start beating did you? Did everybody else know?

1085
00:52:36,239 --> 00:52:39,239
Speaker 1: Were they in on it? Yeah? My whole family was

1086
00:52:39,320 --> 00:52:43,200
Speaker 1: in on it, and so like when he proposed, um,

1087
00:52:43,400 --> 00:52:45,880
Speaker 1: I was like so worried about beating my brother at

1088
00:52:45,960 --> 00:52:49,160
Speaker 1: clue because we're like very competitive. I was like, well

1089
00:52:49,239 --> 00:52:52,680
Speaker 1: did I win? And everyone was like laughing because I

1090
00:52:52,840 --> 00:52:54,960
Speaker 1: was like I said yes, And then I was like

1091
00:52:55,120 --> 00:52:58,120
Speaker 1: did I win? Did I win Clue? And they were

1092
00:52:58,160 --> 00:53:01,160
Speaker 1: like I was just such a talk You won the

1093
00:53:01,239 --> 00:53:06,600
Speaker 1: game of life? Yes, Well that's awesome, what congratulations? How

1094
00:53:06,760 --> 00:53:08,480
Speaker 1: was the meet and greet? Because apparently I was like, hey,

1095
00:53:08,480 --> 00:53:10,520
Speaker 1: are you married when you were just a teenager? Other

1096
00:53:10,600 --> 00:53:12,800
Speaker 1: than that, do you anything else? Weird was a nice

1097
00:53:12,880 --> 00:53:16,960
Speaker 1: what happened? Um? It was awesome. Like I said, you're

1098
00:53:17,000 --> 00:53:19,719
Speaker 1: such an inspiration to me. Um, I was just like

1099
00:53:20,120 --> 00:53:23,120
Speaker 1: an utter shock that I could meet you and see

1100
00:53:23,200 --> 00:53:26,000
Speaker 1: you and we got a picture together and it was

1101
00:53:26,080 --> 00:53:28,440
Speaker 1: just really really cool. Well, I'm super proud for you,

1102
00:53:28,560 --> 00:53:31,400
Speaker 1: and tell your husband that that is awesome. And then

1103
00:53:31,440 --> 00:53:32,800
Speaker 1: I'm sorry I asked you when you were in like

1104
00:53:32,840 --> 00:53:34,400
Speaker 1: eighth grade. If you're married, you know, I need to

1105
00:53:34,480 --> 00:53:37,440
Speaker 1: do better and I will learn from it. But when

1106
00:53:37,640 --> 00:53:38,960
Speaker 1: I'll ask you this, and then I'll let you go

1107
00:53:39,000 --> 00:53:40,520
Speaker 1: because I know you gotta go teach the kids, which,

1108
00:53:40,560 --> 00:53:43,200
Speaker 1: by the way, what what grade do you teach? Um?

1109
00:53:43,520 --> 00:53:47,480
Speaker 1: Second grade? As we actually have our first teacher today tomorrow,

1110
00:53:47,600 --> 00:53:49,720
Speaker 1: so I don't have any kids yet. I'm just getting

1111
00:53:49,760 --> 00:53:52,040
Speaker 1: my classroom ready. Okay. So do you have one of

1112
00:53:52,080 --> 00:53:56,000
Speaker 1: those clear the lists? M I do, Okay, will you

1113
00:53:56,040 --> 00:53:57,840
Speaker 1: send it to me and then I'll how much do

1114
00:53:57,840 --> 00:54:01,759
Speaker 1: you have left on it right now? Maybe about dollars? Okay,

1115
00:54:01,800 --> 00:54:03,800
Speaker 1: I'll take care of that. I'll pay for all of it.

1116
00:54:04,080 --> 00:54:06,399
Speaker 1: I'm gonna put you on hold. It's my wedding gift

1117
00:54:06,440 --> 00:54:09,279
Speaker 1: to you, okay, and I will clear your list for

1118
00:54:09,480 --> 00:54:11,560
Speaker 1: you and then you guys have a happy life. But

1119
00:54:11,600 --> 00:54:12,879
Speaker 1: if you don't have a happy life or you don't

1120
00:54:12,880 --> 00:54:14,719
Speaker 1: get married, I want the little refunded to me. This

1121
00:54:14,840 --> 00:54:17,400
Speaker 1: is your wedding gift, right Well, yeah, I want all

1122
00:54:17,400 --> 00:54:18,680
Speaker 1: the rulers. I don't know what I'm gonna do with them,

1123
00:54:18,719 --> 00:54:21,239
Speaker 1: but I want them all sent back. Hey, Elizabeth, congratulations,

1124
00:54:21,320 --> 00:54:23,000
Speaker 1: that is amazing. I'm gonna put you on hold so

1125
00:54:23,080 --> 00:54:25,400
Speaker 1: I can get your link and I will clear that

1126
00:54:25,480 --> 00:54:29,400
Speaker 1: list for you. Okay, okay, all right, Elizabeth, congratulations. There

1127
00:54:29,440 --> 00:54:32,759
Speaker 1: she has tell me something good. Little all right, that

1128
00:54:33,200 --> 00:54:34,200
Speaker 1: was tell me something good.