1 00:00:01,400 --> 00:00:07,840 Speaker 1: Body Dams with Joseph scotten More. Probably one of my 2 00:00:07,920 --> 00:00:12,040 Speaker 1: earliest memories of when I was a kid of watching 3 00:00:12,160 --> 00:00:15,240 Speaker 1: a movie and I probably should not have been allowed 4 00:00:16,880 --> 00:00:22,320 Speaker 1: to see it was the original Bonnie and Clyde movie 5 00:00:22,720 --> 00:00:27,480 Speaker 1: with Warren Beatty and Fade Done Away. Now we have 6 00:00:27,680 --> 00:00:32,160 Speaker 1: done an episode of body Bags on Bonnie and Clyde. 7 00:00:32,680 --> 00:00:35,360 Speaker 1: It was done within the last few months. I think, 8 00:00:35,479 --> 00:00:37,800 Speaker 1: if you get a chance, go back and check that out. 9 00:00:37,960 --> 00:00:41,520 Speaker 1: But it's not Warren Batty that really sticks in my mind, 10 00:00:42,680 --> 00:00:47,000 Speaker 1: or certainly Fade done Away. It's probably Gene Hackman, and 11 00:00:47,600 --> 00:00:49,360 Speaker 1: one of the reasons I enjoyed it. It was one 12 00:00:49,360 --> 00:00:54,320 Speaker 1: of his early roles and he was so genuine. You know, 13 00:00:54,440 --> 00:00:58,200 Speaker 1: Fade done Away and Warren Batty are so polished, it's 14 00:00:58,200 --> 00:01:01,360 Speaker 1: like they are hermetically sealed and kind of broken out. 15 00:01:02,040 --> 00:01:06,520 Speaker 1: But Gene Hackman was great in that movie, and boy 16 00:01:06,640 --> 00:01:08,759 Speaker 1: was a bloody because if I remember correctly, I think 17 00:01:08,760 --> 00:01:11,160 Speaker 1: it was a Sam Peckinpah movie. I might be wrong 18 00:01:11,160 --> 00:01:15,120 Speaker 1: about that. I can't remember. But today we're going to 19 00:01:15,200 --> 00:01:21,080 Speaker 1: talk about the death of, in my estimation, one of 20 00:01:21,200 --> 00:01:24,880 Speaker 1: two of the greatest actors, the other one being Robert 21 00:01:24,920 --> 00:01:29,920 Speaker 1: Doll and Gene Hackman. But Gene Hackman was found deceased 22 00:01:29,959 --> 00:01:36,160 Speaker 1: recently in his home along with his wife Betsy, And 23 00:01:36,200 --> 00:01:39,320 Speaker 1: of course there was a pet dog he loved, German 24 00:01:39,360 --> 00:01:42,399 Speaker 1: shepherds that was found deceased as well. But we're going 25 00:01:42,480 --> 00:01:45,560 Speaker 1: to talk about this because there's been a lot rumblings 26 00:01:46,360 --> 00:01:50,120 Speaker 1: in the news about his death and all kinds of 27 00:01:50,240 --> 00:01:56,680 Speaker 1: things have been thrown about, with people speculating to be 28 00:01:56,760 --> 00:02:01,680 Speaker 1: speculating as a death investigator as a very very slippery slope. 29 00:02:02,800 --> 00:02:06,560 Speaker 1: And this man, as far as I'm concerned, deserves the 30 00:02:06,600 --> 00:02:11,600 Speaker 1: best because he entertained us for so long. He deserves, 31 00:02:12,560 --> 00:02:16,480 Speaker 1: as well as his wife, the best investigation that could 32 00:02:16,520 --> 00:02:23,600 Speaker 1: possibly be conducted. I'm Joseph Scott Morgan and this is 33 00:02:23,680 --> 00:02:29,520 Speaker 1: Bodybacks brother Dave Mack joining me as usual. Good to 34 00:02:29,560 --> 00:02:31,959 Speaker 1: see you, my friend. Good to hang out with you. 35 00:02:32,440 --> 00:02:38,600 Speaker 1: On a sunny afternoon, beautiful blue sky's cobalt blue, as 36 00:02:38,600 --> 00:02:43,520 Speaker 1: they say, gentle breeze blowing outside. I had to go 37 00:02:43,600 --> 00:02:46,560 Speaker 1: sit down for a wild day because at the time 38 00:02:46,639 --> 00:02:50,839 Speaker 1: of this recording, I have been on air. Now I 39 00:02:50,919 --> 00:02:56,040 Speaker 1: think I've done fourteen separate hits. Now I've got two 40 00:02:56,040 --> 00:03:01,200 Speaker 1: more coming up. On the topic of Gene Hackman. But 41 00:03:01,240 --> 00:03:07,560 Speaker 1: before we get into the death investigation, I started out 42 00:03:07,600 --> 00:03:11,040 Speaker 1: talking about Bonnie and Clyde, And first off, I hate 43 00:03:11,080 --> 00:03:15,720 Speaker 1: anything that happens to show Bonnie and Clyde in good 44 00:03:15,800 --> 00:03:17,520 Speaker 1: light because they were cop killers. 45 00:03:18,560 --> 00:03:20,960 Speaker 2: They were mobbers, and they just were murderers. 46 00:03:21,000 --> 00:03:23,160 Speaker 1: That's all they were, both of them. They were. They 47 00:03:23,280 --> 00:03:25,800 Speaker 1: left a lot of widows and maybe a lot of 48 00:03:25,919 --> 00:03:29,600 Speaker 1: orphans too, and as they say, there's a special place 49 00:03:29,600 --> 00:03:32,200 Speaker 1: for those kinds of people. But Gene Hackman was part 50 00:03:32,200 --> 00:03:35,280 Speaker 1: of that. But that was not my favorite movie. And 51 00:03:36,000 --> 00:03:39,000 Speaker 1: I'm going to say something to you right now beforehand, 52 00:03:39,800 --> 00:03:42,360 Speaker 1: I can tell you you will probably not guess what 53 00:03:42,480 --> 00:03:47,880 Speaker 1: my absolute favorite appearance that Gene Hackman ever had in 54 00:03:47,920 --> 00:03:51,320 Speaker 1: a movie. You want to take a guess to go 55 00:03:51,320 --> 00:03:58,080 Speaker 1: ahead and play. I love Royal Tannenbaum's a Wes Anderson movie. 56 00:03:58,120 --> 00:04:01,240 Speaker 1: And Bill Murray is now going on and saying that 57 00:04:01,320 --> 00:04:05,560 Speaker 1: he he made Gene Hackman made life tough for a 58 00:04:05,600 --> 00:04:10,720 Speaker 1: young director like Wes Anderson. And he said old, old actors, 59 00:04:10,720 --> 00:04:14,400 Speaker 1: particularly really good ones, have very little patient for young 60 00:04:14,560 --> 00:04:19,960 Speaker 1: young directors. And those comments were, you know, they they 61 00:04:19,960 --> 00:04:24,560 Speaker 1: were not meant in a bad way. They were actually complimentary, 62 00:04:24,600 --> 00:04:26,800 Speaker 1: I think, and it goes to the person that Gene 63 00:04:26,800 --> 00:04:31,440 Speaker 1: Hackman was. But my favorite of all time because it's 64 00:04:31,480 --> 00:04:36,479 Speaker 1: complete surprise is young Frankenstein. Gene Hackman actually appears in 65 00:04:36,520 --> 00:04:41,359 Speaker 1: that movie. You get the impression and yeah, he's a 66 00:04:41,440 --> 00:04:44,039 Speaker 1: monk living by himself, and he is blind, and of 67 00:04:44,040 --> 00:04:47,719 Speaker 1: course the monster shows up. The reason I like that 68 00:04:47,960 --> 00:04:51,000 Speaker 1: role so much, and I don't know, Dave, what's your estimation. 69 00:04:51,160 --> 00:04:53,920 Speaker 1: He may have been on film maybe four minutes if 70 00:04:53,960 --> 00:04:57,240 Speaker 1: that long, and that one in that one little role 71 00:04:57,960 --> 00:05:03,440 Speaker 1: and Peter Ball, who's playing Frankenstein's monster, it's the two 72 00:05:03,480 --> 00:05:07,760 Speaker 1: of them are absolutely hilarious. He's making he's making stew 73 00:05:07,880 --> 00:05:10,320 Speaker 1: for him. Of course I think it gets dumped in 74 00:05:10,400 --> 00:05:14,359 Speaker 1: his lap, the monster's lap. He offers drink, and of 75 00:05:14,360 --> 00:05:19,440 Speaker 1: course the cigar scene is just absolutely hilarious, and you 76 00:05:19,480 --> 00:05:21,560 Speaker 1: know it's the monsters storming out of the house. I 77 00:05:21,560 --> 00:05:25,600 Speaker 1: think he says, I'll make you an espresso and it 78 00:05:25,800 --> 00:05:28,360 Speaker 1: was so funny. Maybe it's a captina, I can't remember. 79 00:05:28,400 --> 00:05:32,760 Speaker 1: But the reason I like that is that, unlike a 80 00:05:32,800 --> 00:05:38,080 Speaker 1: lot of actors, gene Hackman was not one dimensional at all. 81 00:05:38,200 --> 00:05:43,800 Speaker 1: He could do comedy, he could do hard edge drama. 82 00:05:43,960 --> 00:05:48,720 Speaker 1: He is something that only comes around, I think once 83 00:05:48,760 --> 00:05:51,080 Speaker 1: in a generation. I don't know that anybody who's as 84 00:05:51,120 --> 00:05:55,200 Speaker 1: far as being versatile could compare to him. And finally Dave, 85 00:05:55,279 --> 00:05:58,799 Speaker 1: you know, he just he said it was an interview 86 00:05:58,800 --> 00:06:02,360 Speaker 1: that he gave him the mid twenty tens where he said, 87 00:06:02,400 --> 00:06:04,760 Speaker 1: I had to had to walk away. He said, my 88 00:06:04,800 --> 00:06:06,040 Speaker 1: heart couldn't take it anymore. 89 00:06:06,040 --> 00:06:08,240 Speaker 2: Well, he started writing too, you know, he's an author 90 00:06:08,640 --> 00:06:11,920 Speaker 2: and author at that and he had really started hitting 91 00:06:11,960 --> 00:06:14,440 Speaker 2: his stride doing that after he was seventy five. He 92 00:06:14,520 --> 00:06:17,159 Speaker 2: just started, you know, twenty years ago. He just decided 93 00:06:17,600 --> 00:06:19,320 Speaker 2: time for something different. But I've got a piece of 94 00:06:19,320 --> 00:06:21,760 Speaker 2: trivia about Gene Hackman. I bet you don't know, and 95 00:06:22,320 --> 00:06:26,080 Speaker 2: don't He was the original choice to play Mike Brady 96 00:06:26,080 --> 00:06:30,560 Speaker 2: on The Brady Bunch, and he was beaten out by no. 97 00:06:30,760 --> 00:06:33,400 Speaker 2: He was beaten out by Robert Reid because Robert Reid 98 00:06:33,440 --> 00:06:36,800 Speaker 2: had a higher TVQ, because he had spent four years 99 00:06:36,920 --> 00:06:40,359 Speaker 2: playing the Defenders. Remember where they yes, I do the 100 00:06:40,400 --> 00:06:44,119 Speaker 2: father so his son have their anyway, And so Robert 101 00:06:44,200 --> 00:06:46,839 Speaker 2: Reid was under contract at the studio and they decided 102 00:06:46,880 --> 00:06:49,080 Speaker 2: to go with him as the father of the Brady Bunch, 103 00:06:49,080 --> 00:06:52,320 Speaker 2: and of course that was Gene Hackman gets the breakout 104 00:06:52,360 --> 00:06:54,240 Speaker 2: role in Bonnie and Clyde, but it still took time 105 00:06:54,279 --> 00:06:56,600 Speaker 2: before the French connection rolls around. You know, there's eight 106 00:06:56,680 --> 00:06:59,600 Speaker 2: years between one and the other in our seven years. Anyway, 107 00:07:00,080 --> 00:07:03,200 Speaker 2: Gene Hackman, we could do an entire show just talking 108 00:07:03,200 --> 00:07:07,160 Speaker 2: about his career. He was much more than just an actor, 109 00:07:07,960 --> 00:07:10,960 Speaker 2: very an interesting fellow. But he's kind of like that guy. 110 00:07:11,040 --> 00:07:12,760 Speaker 2: You know, you see people in movies and you think 111 00:07:12,960 --> 00:07:14,600 Speaker 2: you get an idea of what they must be like, 112 00:07:14,720 --> 00:07:16,600 Speaker 2: but we have no idea. You know, we only see 113 00:07:16,600 --> 00:07:18,600 Speaker 2: them in a part that they're playing that may or 114 00:07:18,640 --> 00:07:20,480 Speaker 2: may not have anything to do with them. A good 115 00:07:20,480 --> 00:07:24,000 Speaker 2: actor embodies the part. You know. It's like there are 116 00:07:24,040 --> 00:07:26,440 Speaker 2: no small parts, only small actors kind of thing. And 117 00:07:27,920 --> 00:07:29,840 Speaker 2: he was brilliant, just yeah, brilliant. 118 00:07:29,880 --> 00:07:31,960 Speaker 1: I had I had to go back and watch a clip. 119 00:07:32,160 --> 00:07:37,280 Speaker 1: I have to confess to you, and I hate to 120 00:07:37,280 --> 00:07:39,679 Speaker 1: say addiction. That's an insult to people that are addicted 121 00:07:39,720 --> 00:07:44,240 Speaker 1: to things, but I I do. I have a tendency 122 00:07:44,400 --> 00:07:46,600 Speaker 1: for many years to go back and watch clips from 123 00:07:46,680 --> 00:07:51,040 Speaker 1: inside the actor studio and when he's sitting there in 124 00:07:51,040 --> 00:07:53,560 Speaker 1: a chair and he's talking to Lipton. Lipton, you know, 125 00:07:53,600 --> 00:07:56,160 Speaker 1: he always starts the beginning of these things by saying, 126 00:07:56,280 --> 00:07:59,640 Speaker 1: tell us about your childhood, you know, and Gene Hackman 127 00:07:59,680 --> 00:08:04,680 Speaker 1: were a story to Lipton at that time, and he 128 00:08:05,760 --> 00:08:08,720 Speaker 1: started crying, which is something you don't see Gene Ackman do, 129 00:08:09,600 --> 00:08:12,160 Speaker 1: and he had to ask the audience for a pause 130 00:08:13,680 --> 00:08:17,240 Speaker 1: and beg forgiveness. At that point in time, he told 131 00:08:17,320 --> 00:08:20,080 Speaker 1: the story and he was very young. I hate to 132 00:08:20,120 --> 00:08:25,280 Speaker 1: stay I think he was eight and his dad abandoned 133 00:08:25,400 --> 00:08:30,800 Speaker 1: him and his mother, and he says, Lipton said, you know, 134 00:08:30,840 --> 00:08:35,480 Speaker 1: I have insight into what actually happened. He said, first off, 135 00:08:35,520 --> 00:08:39,280 Speaker 1: tell me, how did that affect you? And he said badly? 136 00:08:39,480 --> 00:08:42,079 Speaker 1: And he said he said, was life tough? And I'm 137 00:08:42,120 --> 00:08:46,440 Speaker 1: thinking that's kind of a ridiculous question. Gene Hackman was like, yeah, 138 00:08:46,640 --> 00:08:49,160 Speaker 1: it was very tough. It was just me and my mother. 139 00:08:50,160 --> 00:08:52,080 Speaker 1: He said, tell us about the story your dad leaving. 140 00:08:52,160 --> 00:08:54,120 Speaker 1: It's kind of an odd story. And Gene Hackman said, 141 00:08:54,160 --> 00:08:56,360 Speaker 1: I was playing down the street with a group of 142 00:08:56,679 --> 00:09:01,079 Speaker 1: group of guys and he said, just listening to this day, 143 00:09:01,200 --> 00:09:06,560 Speaker 1: he says, I looked up. My dad merely drives beh 144 00:09:06,600 --> 00:09:09,760 Speaker 1: in the car, lifts his hand and waves, and that 145 00:09:09,880 --> 00:09:14,400 Speaker 1: was his dad saying goodbye. And you know, it kind 146 00:09:14,400 --> 00:09:16,280 Speaker 1: of set him on a course. And let me tell 147 00:09:16,280 --> 00:09:18,079 Speaker 1: you one more thing, if you like that one, it's 148 00:09:18,080 --> 00:09:22,839 Speaker 1: set him on a course to where in nineteen forty eight, 149 00:09:23,280 --> 00:09:28,120 Speaker 1: I think or forty seven, Gene Hackman a lot about 150 00:09:28,160 --> 00:09:34,160 Speaker 1: his age and enlisted in the Marine Corps at sixteen 151 00:09:35,440 --> 00:09:39,040 Speaker 1: and spent time in China. This is post war, so 152 00:09:39,240 --> 00:09:42,440 Speaker 1: he's part of an occupational force. He did Okinawa. I 153 00:09:42,440 --> 00:09:46,920 Speaker 1: think he was in Japan. He did Hawaii too, which 154 00:09:46,920 --> 00:09:49,080 Speaker 1: wouldn't be too bad. But can you imagine being in 155 00:09:49,160 --> 00:09:52,440 Speaker 1: war torn Japan during that period of time and you're 156 00:09:52,520 --> 00:09:54,520 Speaker 1: like seventeen years old. And I know there are a 157 00:09:55,200 --> 00:09:59,000 Speaker 1: lot of that generation did that, but he was from 158 00:09:59,040 --> 00:10:01,760 Speaker 1: a different cut of the cloth, Dave. He really was. 159 00:10:02,360 --> 00:10:04,480 Speaker 2: Well you think about his dad leaving it when he's 160 00:10:04,520 --> 00:10:07,680 Speaker 2: only eight. That's nineteen thirty eight, and you're at the 161 00:10:07,679 --> 00:10:11,040 Speaker 2: second the second highest round of the worst of times 162 00:10:11,040 --> 00:10:13,360 Speaker 2: with regard to the Great Depression, there were three different 163 00:10:13,400 --> 00:10:15,560 Speaker 2: peaks where it was really about. Nineteen thirty eight was 164 00:10:15,600 --> 00:10:19,360 Speaker 2: really horrible for all millions of Americans. And so anyway, 165 00:10:19,440 --> 00:10:21,079 Speaker 2: I think that it informed his work. I think is 166 00:10:21,080 --> 00:10:23,079 Speaker 2: why he was so versatile. I think Robert Devaul the 167 00:10:23,120 --> 00:10:25,880 Speaker 2: same thing. The reason these actors can embody so many 168 00:10:25,880 --> 00:10:29,000 Speaker 2: different things as they experienced so many different things as 169 00:10:29,080 --> 00:10:32,840 Speaker 2: young people in growing up in America and losing Gene 170 00:10:32,840 --> 00:10:34,719 Speaker 2: Hackman the way we did. He's ninety five years old, 171 00:10:35,320 --> 00:10:37,959 Speaker 2: and according to his family, the guy, he was in 172 00:10:38,000 --> 00:10:40,160 Speaker 2: good health for a ninety five year old man. That 173 00:10:40,200 --> 00:10:43,160 Speaker 2: he was doing yoga a couple of times a week, 174 00:10:43,320 --> 00:10:46,760 Speaker 2: he was doing pilates, he was doing things that are 175 00:10:46,840 --> 00:10:48,839 Speaker 2: good for the you know, they're not hard work at things. 176 00:10:48,840 --> 00:10:51,760 Speaker 2: They're good for moving and stretching and you know, blood 177 00:10:51,800 --> 00:10:56,040 Speaker 2: flow stuff. And that's what we're told now. It's so 178 00:10:56,120 --> 00:10:58,959 Speaker 2: funny that he was able to walk away from a 179 00:10:59,040 --> 00:11:02,000 Speaker 2: very successful career, you know at the not at the height, 180 00:11:02,080 --> 00:11:04,600 Speaker 2: but you know, his career once it took off, it 181 00:11:04,640 --> 00:11:06,880 Speaker 2: took off, and he was constantly in demand and worked 182 00:11:06,880 --> 00:11:09,400 Speaker 2: whenever he wanted, and you know, a masked of fortune. 183 00:11:09,440 --> 00:11:11,160 Speaker 2: The house in Santa Fe was worth three point eight 184 00:11:11,200 --> 00:11:13,439 Speaker 2: million dollars. Santa Fe is a wonderful place to live. 185 00:11:13,440 --> 00:11:15,559 Speaker 2: If you've never been there, I encourage you to take 186 00:11:15,600 --> 00:11:18,400 Speaker 2: a trip to Albuquerque, New Mexico. Santa Fe is fifty 187 00:11:18,440 --> 00:11:20,400 Speaker 2: eight miles to the north. You know, it's just an 188 00:11:20,440 --> 00:11:23,120 Speaker 2: incredible place to go, and so. 189 00:11:23,360 --> 00:11:25,679 Speaker 1: Yeah, I would love to see it. And here's this 190 00:11:25,760 --> 00:11:31,240 Speaker 1: is why I understand. Cormac McCarthy actually lived there as 191 00:11:31,320 --> 00:11:33,800 Speaker 1: well as other artists, and it was kind of a drawl. 192 00:11:33,920 --> 00:11:35,800 Speaker 1: I think there was like a there's always been this 193 00:11:35,880 --> 00:11:38,640 Speaker 1: kind of artsy you know. You think about Taos or 194 00:11:38,679 --> 00:11:42,080 Speaker 1: whatever it's called, and you know, and you have people, yeah, 195 00:11:42,120 --> 00:11:45,240 Speaker 1: and a lot of artsy, artsy people up there, but 196 00:11:45,400 --> 00:11:48,079 Speaker 1: Santa Fe. He was drawn there, I think obviously for 197 00:11:48,160 --> 00:11:51,520 Speaker 1: the writing. Can you imagine being around Cormack McCarthy. And 198 00:11:51,520 --> 00:11:54,360 Speaker 1: I'm sure he had some kind of contact with him, 199 00:11:54,640 --> 00:11:56,920 Speaker 1: and I think he was also a painter too, But 200 00:11:57,120 --> 00:12:02,160 Speaker 1: just to free yourself of how can you and and 201 00:12:02,240 --> 00:12:06,280 Speaker 1: that that frenetic pace and everybody's pulling at you, it'd 202 00:12:06,280 --> 00:12:07,840 Speaker 1: be kind of hard to you know. And this is 203 00:12:07,920 --> 00:12:12,400 Speaker 1: before the days of you know, connectivity. Uh, you got 204 00:12:12,400 --> 00:12:15,080 Speaker 1: to make an effort to make contact with him. And 205 00:12:15,160 --> 00:12:18,120 Speaker 1: so he's there, He's got his beautiful wife that were 206 00:12:18,160 --> 00:12:20,600 Speaker 1: married for a long time. There's a big age gap 207 00:12:20,640 --> 00:12:24,120 Speaker 1: between them, which I think plays into into this this 208 00:12:24,280 --> 00:12:25,520 Speaker 1: story as well. 209 00:12:25,840 --> 00:12:27,960 Speaker 2: Let's put a lot of questions for you about that too, 210 00:12:28,080 --> 00:12:31,280 Speaker 2: just but the difference in the way they were found. 211 00:12:31,600 --> 00:12:35,160 Speaker 2: This is a story, Joe, that has a lot of 212 00:12:36,200 --> 00:12:38,360 Speaker 2: twist and turns. And the fact that you've done fourteen 213 00:12:38,400 --> 00:12:42,080 Speaker 2: network television shows about Gene Hackman's story. It is because 214 00:12:42,120 --> 00:12:44,560 Speaker 2: he was such a respected actor and artist. You know, 215 00:12:44,679 --> 00:12:49,040 Speaker 2: his wife concert pianists, she's a respected artist. And nobody 216 00:12:49,040 --> 00:12:51,959 Speaker 2: had anything bad to say about their relationship or their 217 00:12:51,960 --> 00:12:53,839 Speaker 2: marriage or anything else. You know, you can't. You don't 218 00:12:53,880 --> 00:12:56,640 Speaker 2: hear anybody say anything like that. No, and you know, 219 00:12:57,080 --> 00:12:59,599 Speaker 2: lo and behold they both wind up dead and we 220 00:12:59,640 --> 00:13:01,720 Speaker 2: don't even know for how long yet, right. 221 00:13:02,200 --> 00:13:06,240 Speaker 1: Yeah, we don't. And I have to admit my wife, 222 00:13:07,520 --> 00:13:12,600 Speaker 1: Kimmy has actually stated to me in the past, you know, 223 00:13:12,640 --> 00:13:17,520 Speaker 1: we we've watched everything that that Hackman has done over 224 00:13:17,559 --> 00:13:20,640 Speaker 1: the years, and she said, and I didn't know if 225 00:13:20,640 --> 00:13:22,080 Speaker 1: I was supposed to be jealous of this or not. 226 00:13:22,200 --> 00:13:26,120 Speaker 1: She said, there's a sexiness about him because you and 227 00:13:26,160 --> 00:13:28,480 Speaker 1: maybe it's a it's a female thing, you know, thinking 228 00:13:28,520 --> 00:13:31,360 Speaker 1: about you felt like that if because he seemed like 229 00:13:31,440 --> 00:13:33,319 Speaker 1: a real world guy and you felt like, if there 230 00:13:33,360 --> 00:13:36,560 Speaker 1: was a problem, you boy's gonna solve it. You know 231 00:13:36,600 --> 00:13:41,800 Speaker 1: what I'm saying. He wasn't He wasn't flighty in any way. 232 00:13:42,200 --> 00:13:44,480 Speaker 1: You felt like that even if he stepped off of 233 00:13:44,480 --> 00:13:47,199 Speaker 1: the set and he encountered a problem, he's going to 234 00:13:47,320 --> 00:13:50,120 Speaker 1: meet it head on. And that's why I think it 235 00:13:50,200 --> 00:13:53,560 Speaker 1: was last year we saw that first image of him 236 00:13:53,640 --> 00:13:59,760 Speaker 1: where he's leaving he's leaving a store with Betsy, his wife, 237 00:14:00,080 --> 00:14:04,120 Speaker 1: or Kawa, and he's got a cup of coffee in 238 00:14:04,160 --> 00:14:07,199 Speaker 1: his hand, and it was so, you know, so kind 239 00:14:07,240 --> 00:14:10,040 Speaker 1: of regular, real world kind of thing. And Dave, he's 240 00:14:10,040 --> 00:14:14,120 Speaker 1: walking with a cane and he's he's actually suffering just 241 00:14:14,280 --> 00:14:17,800 Speaker 1: looking at him, from a condition called cayphosis, which is 242 00:14:19,680 --> 00:14:23,720 Speaker 1: when you see someone that it's it's more profound than 243 00:14:23,800 --> 00:14:26,120 Speaker 1: like a Dowager's hump, you know where you're kind of 244 00:14:26,160 --> 00:14:31,280 Speaker 1: slumped over. This is something that develops with age. And 245 00:14:31,760 --> 00:14:35,520 Speaker 1: you know, you're he's he's walking along with a cane 246 00:14:35,680 --> 00:14:39,920 Speaker 1: and he's you know, he's he's not Gene Hackman like 247 00:14:39,960 --> 00:14:41,600 Speaker 1: you remember him. As a matter of fact, we had 248 00:14:41,600 --> 00:14:44,120 Speaker 1: to do a double take and say that's Gene Hackman, 249 00:14:44,720 --> 00:14:47,360 Speaker 1: and you know, you can see the eyes beyond that, 250 00:14:47,400 --> 00:14:49,880 Speaker 1: and look, I'm I'm going to wind up. If I'm 251 00:14:49,920 --> 00:14:52,280 Speaker 1: blessed to live long enough, I'm going to wind up 252 00:14:52,280 --> 00:14:55,000 Speaker 1: in that state. It's not something different, But you know, 253 00:14:55,080 --> 00:14:58,360 Speaker 1: the body can tell you a lot just by presentation 254 00:14:58,640 --> 00:15:01,680 Speaker 1: of people walking along. I'm not going to say he's 255 00:15:02,000 --> 00:15:06,640 Speaker 1: like infirm, but you know that he would need assistance 256 00:15:06,680 --> 00:15:09,600 Speaker 1: because even in that image, he's got his he's holding 257 00:15:09,640 --> 00:15:15,680 Speaker 1: the cane his right hand, and he's holding onto the 258 00:15:15,760 --> 00:15:20,240 Speaker 1: crook of Betsy's right arm with his left hand, and 259 00:15:20,280 --> 00:15:24,000 Speaker 1: he needed to be steadied as he's walking along. And 260 00:15:23,640 --> 00:15:27,440 Speaker 1: that was a profound moment because it's a long way 261 00:15:28,000 --> 00:15:32,640 Speaker 1: from that image that I've seen of Gene Hackman with 262 00:15:32,760 --> 00:15:35,960 Speaker 1: his buzz cut back in the forties as he stares 263 00:15:36,000 --> 00:15:40,280 Speaker 1: into the camera a freshly minted marine. But you know what, 264 00:15:41,120 --> 00:15:44,920 Speaker 1: there will never be an actor that will measure up 265 00:15:45,600 --> 00:16:03,160 Speaker 1: to the legacy that this man has left behind. They 266 00:16:03,200 --> 00:16:06,160 Speaker 1: would cover a lot of cases, you and I. You know, 267 00:16:06,200 --> 00:16:07,840 Speaker 1: I look back and I think about the road that 268 00:16:07,920 --> 00:16:10,240 Speaker 1: you and I have traveled thus far. We're up to 269 00:16:10,360 --> 00:16:16,400 Speaker 1: like we're right about three hundred and fifty episodes of bodybacks. 270 00:16:16,800 --> 00:16:18,520 Speaker 1: Just let that sink in for a moment. And we 271 00:16:18,560 --> 00:16:20,920 Speaker 1: have covered a lot of brutal deaths. We've covered a 272 00:16:20,960 --> 00:16:28,320 Speaker 1: lot of brutal perpetrators. That's an understatement. I think where 273 00:16:28,360 --> 00:16:31,880 Speaker 1: I don't have a lot of patients with the media 274 00:16:33,080 --> 00:16:38,479 Speaker 1: is when they start throwing around terms like questionable, suspicious, 275 00:16:40,240 --> 00:16:44,720 Speaker 1: you know, something that is sinister. But I'm going to 276 00:16:44,760 --> 00:16:47,240 Speaker 1: admonish the police here for a second. It's not something 277 00:16:47,280 --> 00:16:55,520 Speaker 1: I normally do during a presser and press release. There 278 00:16:55,600 --> 00:16:58,960 Speaker 1: has been the term suspicious that has been put out there. 279 00:16:59,080 --> 00:17:03,920 Speaker 1: Now listen, I'm not saying that these are not odd circumstances, 280 00:17:03,920 --> 00:17:08,680 Speaker 1: because they truly are. However, when you say suspicious, you're 281 00:17:08,680 --> 00:17:14,360 Speaker 1: implying that something very dark may have happened. And at 282 00:17:14,359 --> 00:17:16,960 Speaker 1: this point in time, I don't necessarily know that there 283 00:17:17,000 --> 00:17:21,560 Speaker 1: has been. But my god, this has created a frenzy 284 00:17:21,640 --> 00:17:26,119 Speaker 1: that I could not have even begun to anticipate along 285 00:17:26,160 --> 00:17:30,159 Speaker 1: the way, you know, with just everything that's in the news. 286 00:17:30,200 --> 00:17:33,399 Speaker 1: How many times I've been contacted, you know, I've had 287 00:17:33,880 --> 00:17:35,840 Speaker 1: just since we've been sitting here, I've had two text 288 00:17:35,840 --> 00:17:37,720 Speaker 1: messages come across everybody. 289 00:17:38,119 --> 00:17:41,720 Speaker 2: Joe Man. Yeah, I explained to you, to people, what 290 00:17:41,840 --> 00:17:44,600 Speaker 2: is what is Joe Scott really like. Look, he's a professor, 291 00:17:44,960 --> 00:17:47,600 Speaker 2: he is an expert at so many different things. But 292 00:17:47,680 --> 00:17:50,280 Speaker 2: he's all you gotta do is watch network television covering crime. 293 00:17:50,400 --> 00:17:53,600 Speaker 2: He's on there. He's on every show talking about everything 294 00:17:53,640 --> 00:17:57,040 Speaker 2: because he's the guy. So when you think about Joseph 295 00:17:57,080 --> 00:17:59,720 Speaker 2: Scott Morgan, when you talk about Gene Hackman, Okay, and 296 00:17:59,720 --> 00:18:01,919 Speaker 2: we've got a lot to cover here. Even though we 297 00:18:02,000 --> 00:18:04,679 Speaker 2: still don't know what they actually died from, we have 298 00:18:04,720 --> 00:18:07,000 Speaker 2: a lot of information about the condition of the bodies 299 00:18:07,520 --> 00:18:10,760 Speaker 2: and the reason it is suspicious. Joe and I take 300 00:18:10,920 --> 00:18:15,800 Speaker 2: great exception with the media making things salacious. It bothers me. 301 00:18:16,680 --> 00:18:18,639 Speaker 2: I know why we do it. It just I'm not 302 00:18:18,680 --> 00:18:20,600 Speaker 2: good at it and I don't like it. I know 303 00:18:20,840 --> 00:18:22,720 Speaker 2: the reason I'm not good at it is because I 304 00:18:22,800 --> 00:18:25,200 Speaker 2: don't like it. I know that you lead with it. 305 00:18:25,320 --> 00:18:26,960 Speaker 2: You know, if it bleeds, it leads. I got you. 306 00:18:27,400 --> 00:18:29,359 Speaker 2: But in this particular case, you've got a ninety five 307 00:18:29,440 --> 00:18:35,080 Speaker 2: year old man and you've got his wife is sixty four, right, yes, yeah, 308 00:18:35,119 --> 00:18:38,240 Speaker 2: And I think about this. If they're both ninety five 309 00:18:38,640 --> 00:18:41,160 Speaker 2: and they are found dead in the home like this, 310 00:18:42,720 --> 00:18:45,200 Speaker 2: there's not going to be a whole lot of they'll 311 00:18:45,200 --> 00:18:48,119 Speaker 2: be digging around, but they it won't be suspicious because 312 00:18:48,119 --> 00:18:52,080 Speaker 2: they're both in advanced years and they both passed away. However, 313 00:18:52,560 --> 00:18:56,600 Speaker 2: you've got an age difference here of thirty one years. 314 00:18:56,920 --> 00:18:59,840 Speaker 2: And that's why, Okay, why is it that I get 315 00:18:59,840 --> 00:19:01,680 Speaker 2: an ninety five year old man dying in his house. 316 00:19:01,720 --> 00:19:05,440 Speaker 2: I get that, but his sixty four year old wife 317 00:19:06,000 --> 00:19:08,560 Speaker 2: dies at the same time in a different part of 318 00:19:08,600 --> 00:19:08,920 Speaker 2: the house. 319 00:19:09,160 --> 00:19:09,879 Speaker 1: Yeah, I know when. 320 00:19:09,840 --> 00:19:11,600 Speaker 2: Hills all over the cabinet, I mean all have the 321 00:19:11,600 --> 00:19:16,000 Speaker 2: countertop and a German Shepherd dog. Of three dogs, you've 322 00:19:16,040 --> 00:19:19,240 Speaker 2: got one debt in the house, another one alive in 323 00:19:19,280 --> 00:19:21,240 Speaker 2: the house, and one outside the house. 324 00:19:21,880 --> 00:19:24,159 Speaker 1: Yeah. The one that was alive in the house was, 325 00:19:24,280 --> 00:19:27,560 Speaker 1: according to what I've heard this far, was actually adjacent 326 00:19:27,680 --> 00:19:31,400 Speaker 1: to Betsy's remains, like sitting there almost watching over her. 327 00:19:33,119 --> 00:19:35,160 Speaker 1: And you know that goes to the heart of a dog. 328 00:19:35,320 --> 00:19:38,200 Speaker 1: That's why I love dogs so much, because they love 329 00:19:38,280 --> 00:19:41,000 Speaker 1: us unconditionally. Period of story. 330 00:19:41,040 --> 00:19:43,760 Speaker 2: Hank is still depressed, Joe, after what we went through 331 00:19:43,760 --> 00:19:46,119 Speaker 2: a couple of weeks ago. Joe, right, Hank is not. 332 00:19:46,880 --> 00:19:51,919 Speaker 2: He has not gotten over it, and it is watching 333 00:19:51,920 --> 00:19:56,000 Speaker 2: a dog grieve is really something, and it is. 334 00:19:56,200 --> 00:19:59,400 Speaker 1: It's real too. It's not something that you just pay 335 00:19:59,400 --> 00:20:02,160 Speaker 1: homage to and say, yeah, well that happens. No, it does, 336 00:20:02,840 --> 00:20:06,480 Speaker 1: in fact happen. And you sit there and you think 337 00:20:06,480 --> 00:20:09,560 Speaker 1: about this, how long had that dog been adjacent to 338 00:20:09,600 --> 00:20:13,760 Speaker 1: her and walking around and sniffing and doing all the 339 00:20:13,800 --> 00:20:16,359 Speaker 1: things that they do to try to nudge their master 340 00:20:16,440 --> 00:20:18,280 Speaker 1: who takes care of them day in and day out 341 00:20:19,040 --> 00:20:22,440 Speaker 1: and the other And I will kind of comment on this. 342 00:20:23,960 --> 00:20:28,800 Speaker 1: The one dog that was deceased. You know, we've heard 343 00:20:28,840 --> 00:20:31,320 Speaker 1: them say, well, the dog was in a closet ten 344 00:20:31,359 --> 00:20:34,920 Speaker 1: to fifteen feet away from Betsy. Yeah, the dog may 345 00:20:34,920 --> 00:20:37,200 Speaker 1: have been in a closet, but the dog was also, 346 00:20:37,600 --> 00:20:40,879 Speaker 1: according to reports, was in a pet carrier or a 347 00:20:40,880 --> 00:20:44,680 Speaker 1: pet cage or rather. And so that death is kind 348 00:20:44,720 --> 00:20:47,879 Speaker 1: of easily explained because when you and I'll go ahead 349 00:20:47,920 --> 00:20:51,199 Speaker 1: and kind of give this away, I'm sure people are 350 00:20:51,240 --> 00:20:53,520 Speaker 1: aware of this. They've talked a lot about decomposition and 351 00:20:53,760 --> 00:20:56,000 Speaker 1: specifically mummification, which we'll get to. 352 00:20:56,040 --> 00:20:58,639 Speaker 2: Yeah, keell them, okay, go ahead, go ahead, I'm go 353 00:20:58,680 --> 00:21:00,639 Speaker 2: ahead and complete your thought. But I I wanted to 354 00:21:00,680 --> 00:21:03,639 Speaker 2: back up to that because I'm really not understanding the 355 00:21:03,720 --> 00:21:06,600 Speaker 2: conditions right right, you know. But so the dog was 356 00:21:06,640 --> 00:21:10,440 Speaker 2: in the German shepherd in the closet, was in a carrier. 357 00:21:10,920 --> 00:21:13,440 Speaker 1: That's what That's what has been being alleged. And there's 358 00:21:13,440 --> 00:21:15,359 Speaker 1: a lot of stuff that's floating around out there at 359 00:21:15,359 --> 00:21:17,360 Speaker 1: this point in time, and I'm hoping that we'll get 360 00:21:18,240 --> 00:21:20,679 Speaker 1: a firmer handle on that. But I'll go ahead and 361 00:21:20,680 --> 00:21:22,800 Speaker 1: throw this little nugget out to you. If that dog 362 00:21:22,920 --> 00:21:26,359 Speaker 1: was in a in a carrier or a cage, or 363 00:21:26,359 --> 00:21:30,520 Speaker 1: however you want to say it, that animal didn't have 364 00:21:30,560 --> 00:21:34,280 Speaker 1: access to water. And you know, dehydration is one of 365 00:21:34,280 --> 00:21:39,000 Speaker 1: the quickest ways for whether it's people or dogs to die. 366 00:21:39,840 --> 00:21:43,399 Speaker 1: You're absent water for two to three days, and buddy, 367 00:21:43,480 --> 00:21:45,760 Speaker 1: let me tell you something, it's all over with the 368 00:21:45,800 --> 00:21:48,680 Speaker 1: crime at that point in time. The other dogs were 369 00:21:48,800 --> 00:21:52,639 Speaker 1: one was outside and you had the other one that 370 00:21:52,800 --> 00:21:56,600 Speaker 1: was still on the indside of the house. So that 371 00:21:56,760 --> 00:21:59,240 Speaker 1: little bit to me, if that is accurate, you know, 372 00:21:59,320 --> 00:22:03,359 Speaker 1: kind of explain something relative to time. You begin to 373 00:22:03,400 --> 00:22:06,199 Speaker 1: think about, you know, how long does it take a human. 374 00:22:06,800 --> 00:22:09,480 Speaker 1: I can't necessarily comment on a canine. With these big dogs. 375 00:22:09,520 --> 00:22:13,240 Speaker 1: These are German shepherds, apparently Gene had a real affectation 376 00:22:13,480 --> 00:22:17,000 Speaker 1: for German shepherds, and he loved them. There's several pictures 377 00:22:17,000 --> 00:22:19,000 Speaker 1: of him out there, you know, with a huge grin 378 00:22:19,119 --> 00:22:22,359 Speaker 1: on his face and beautiful face, that German shepherd, you know, 379 00:22:22,560 --> 00:22:27,600 Speaker 1: just just kind of hanging onto him. And you know, 380 00:22:27,680 --> 00:22:30,960 Speaker 1: you think about the status of the remains in the 381 00:22:31,040 --> 00:22:37,760 Speaker 1: house and their location, because that's been a big bone 382 00:22:37,760 --> 00:22:42,160 Speaker 1: of contention in the last thirty six hours, the position 383 00:22:42,960 --> 00:22:48,159 Speaker 1: of the remains and the status of the house. You know, 384 00:22:48,600 --> 00:22:54,680 Speaker 1: I'm still amazed right now. When the first reports came out, 385 00:22:54,760 --> 00:22:58,160 Speaker 1: they said that there was evidence of forced entry. Well, 386 00:22:58,200 --> 00:23:01,120 Speaker 1: that appears to not be true. Let me repeat that 387 00:23:01,119 --> 00:23:04,960 Speaker 1: that appears to not be true. It's inaccurate. The front 388 00:23:05,000 --> 00:23:09,560 Speaker 1: door was open. Now some have said that it was unlocked. 389 00:23:09,600 --> 00:23:13,040 Speaker 1: Other people say that it was open, and there may 390 00:23:13,080 --> 00:23:16,240 Speaker 1: have been other open doors, but again we can't validate that. 391 00:23:16,400 --> 00:23:20,520 Speaker 1: But it plays an important part here. When you have 392 00:23:22,680 --> 00:23:25,960 Speaker 1: the two masters that are essentially deceased, You've got these 393 00:23:26,040 --> 00:23:31,760 Speaker 1: other dogs that are wandering about and in these different locations. 394 00:23:31,800 --> 00:23:34,919 Speaker 1: Because Betsy's on the floor of the bathroom, from what 395 00:23:35,000 --> 00:23:41,160 Speaker 1: we understand, lying on her side, there is an adjacent 396 00:23:41,280 --> 00:23:46,320 Speaker 1: pill bottle that has opened and pill scattered about on 397 00:23:46,359 --> 00:23:49,199 Speaker 1: the counter. We don't know what the medication was that 398 00:23:49,280 --> 00:23:55,679 Speaker 1: might play into this. And then Gene is down the 399 00:23:55,720 --> 00:23:58,920 Speaker 1: hall in the mudroom is what they're referring to this as, let. 400 00:23:58,800 --> 00:23:59,960 Speaker 2: Me kind as the mudroom. 401 00:24:00,119 --> 00:24:02,600 Speaker 1: Yeah, mudroom for people that are not familiar with it. 402 00:24:03,520 --> 00:24:05,680 Speaker 1: My friends, all my friends up north, they use the 403 00:24:05,760 --> 00:24:08,760 Speaker 1: term mudroom. I'd never heard it necessarily down here in South. 404 00:24:08,840 --> 00:24:11,920 Speaker 1: But it's a place generally a rear entrance where you 405 00:24:11,960 --> 00:24:14,400 Speaker 1: make your way into the house. Manytimes, the laundry room 406 00:24:14,440 --> 00:24:17,439 Speaker 1: will be back there and it'll be all contained, and 407 00:24:17,480 --> 00:24:19,560 Speaker 1: it's where you can be dirty. You know. You walk 408 00:24:19,600 --> 00:24:22,200 Speaker 1: in and you take your galoshes off or your shoes 409 00:24:22,920 --> 00:24:24,880 Speaker 1: and you put them in there. You hang your raincoat 410 00:24:24,960 --> 00:24:29,840 Speaker 1: up or your other accouterment and you don't track it 411 00:24:29,880 --> 00:24:34,200 Speaker 1: into the house. Hence the term mudroom. Well, when they 412 00:24:34,400 --> 00:24:39,879 Speaker 1: observed Gene Hackman's remains, he's lying on the floor and 413 00:24:39,880 --> 00:24:42,200 Speaker 1: he's clad in a pair of gray sweatpants. He's got 414 00:24:42,240 --> 00:24:46,119 Speaker 1: a dark blue long sleeve t shirt on, and again 415 00:24:46,240 --> 00:24:49,480 Speaker 1: back to the cane. Cane is lying adjacent to him, 416 00:24:50,200 --> 00:24:54,680 Speaker 1: along with his brown leather slippers. They didn't really say 417 00:24:54,680 --> 00:24:56,720 Speaker 1: if they were on his feet or not. But here's 418 00:24:56,760 --> 00:25:00,640 Speaker 1: another piece to this. He had a sunglasses line there, Dave. 419 00:25:01,800 --> 00:25:04,160 Speaker 1: And assuming that there is a door, which you would 420 00:25:04,160 --> 00:25:07,440 Speaker 1: imagine there would be in the mud room, you know, 421 00:25:07,480 --> 00:25:11,000 Speaker 1: a big question is was he trying to exit house 422 00:25:11,359 --> 00:25:14,080 Speaker 1: for some reason that we don't know at this point 423 00:25:14,080 --> 00:25:19,200 Speaker 1: in time. You know that the police at the scene 424 00:25:20,000 --> 00:25:23,760 Speaker 1: said that they didn't see any overt signs of trauma. 425 00:25:23,840 --> 00:25:25,679 Speaker 1: But one of the things you're having to kind of 426 00:25:25,760 --> 00:25:28,280 Speaker 1: fight with here is the fact that and I don't 427 00:25:28,320 --> 00:25:30,600 Speaker 1: know if there were actual medical legal personnel there. I 428 00:25:30,640 --> 00:25:34,720 Speaker 1: hope that there were from the state Medical Examiner. New 429 00:25:34,760 --> 00:25:36,439 Speaker 1: Mexico is one of the states that does not have 430 00:25:36,480 --> 00:25:39,040 Speaker 1: a corner. As a matter of fact, I've used the 431 00:25:39,119 --> 00:25:44,560 Speaker 1: term superlative. They have a superlative State Medical Examiner's office 432 00:25:44,640 --> 00:25:48,480 Speaker 1: that is run thankfully by the state Health Department, not 433 00:25:48,640 --> 00:25:51,800 Speaker 1: the state police. So they have a real vested interest 434 00:25:51,880 --> 00:25:55,080 Speaker 1: in all manners of death. And you know, that's the 435 00:25:55,119 --> 00:25:58,840 Speaker 1: way I like to roll. And they're actually affiliated with 436 00:25:58,960 --> 00:26:02,880 Speaker 1: the university there with medical school, so they're scientifically, they're 437 00:26:02,960 --> 00:26:05,400 Speaker 1: right on the cutting edge, and this is not something new. 438 00:26:05,440 --> 00:26:07,200 Speaker 1: They've been that way for a long time. I hope 439 00:26:07,200 --> 00:26:09,920 Speaker 1: that one of those individuals were there to assess the 440 00:26:10,000 --> 00:26:12,920 Speaker 1: remains because day. One of the biggest problems with this 441 00:26:14,000 --> 00:26:16,119 Speaker 1: is going to be something that we've talked about for 442 00:26:16,200 --> 00:26:18,960 Speaker 1: a long long time here on body Bags, and that's PMI, 443 00:26:19,440 --> 00:26:23,000 Speaker 1: the post mortem interval here, because you're trying to nail 444 00:26:23,080 --> 00:26:25,439 Speaker 1: down a time. That's the big question that a lot 445 00:26:25,520 --> 00:26:28,920 Speaker 1: of people have. Beyond the suspicious stuff, we have to 446 00:26:29,040 --> 00:26:32,240 Speaker 1: kind of try to understand how long they had been dead. 447 00:26:33,160 --> 00:26:36,119 Speaker 1: And the other big mystery that has been pushed forward 448 00:26:36,480 --> 00:26:39,840 Speaker 1: is do they die at the same time? And that's 449 00:26:40,000 --> 00:26:41,920 Speaker 1: you know, I think that that goes to the heart 450 00:26:41,920 --> 00:26:42,680 Speaker 1: of the matter, Dave. 451 00:26:43,359 --> 00:26:45,200 Speaker 2: That's been my question since we started it, and I 452 00:26:45,280 --> 00:26:47,560 Speaker 2: pointed it out earlier. If they were both ninety five, 453 00:26:48,280 --> 00:26:51,399 Speaker 2: probably would not get the suspicious angle in it. But 454 00:26:51,720 --> 00:26:53,320 Speaker 2: it's the fact you have a ninety five year old 455 00:26:53,400 --> 00:26:56,560 Speaker 2: man and a sixty four year old woman. Granted, I 456 00:26:56,560 --> 00:26:59,760 Speaker 2: mean that's again I hate saying that it's not the 457 00:26:59,760 --> 00:27:04,000 Speaker 2: ab difference. It is the age difference. You know, It's 458 00:27:04,040 --> 00:27:07,760 Speaker 2: because it is because there is such a big difference 459 00:27:07,760 --> 00:27:10,000 Speaker 2: in their ages. A ninety five year old man falling 460 00:27:10,520 --> 00:27:13,920 Speaker 2: having a heart attack, something happens and he dies not uncommon. 461 00:27:14,840 --> 00:27:17,800 Speaker 2: But to simultaneously have a sixty four year old woman 462 00:27:17,880 --> 00:27:20,000 Speaker 2: in a different part of the house, not even in 463 00:27:20,040 --> 00:27:23,760 Speaker 2: the same part of the house. And that's again, it 464 00:27:23,880 --> 00:27:27,320 Speaker 2: just looks like something happened quickly, because you mentioned his 465 00:27:27,400 --> 00:27:30,600 Speaker 2: glasses and cane and sunglasses are right there. He's in 466 00:27:30,600 --> 00:27:34,720 Speaker 2: the mudroom probably well, no, either coming in from going 467 00:27:34,840 --> 00:27:37,840 Speaker 2: from having been somewhere or getting ready to leave to 468 00:27:37,880 --> 00:27:41,560 Speaker 2: go somewhere. She's in a restroom where she is taking 469 00:27:41,600 --> 00:27:46,040 Speaker 2: medication at whatever time something befalls her because the pills 470 00:27:46,040 --> 00:27:50,800 Speaker 2: are scattered on the countertop. And you also, that's just 471 00:27:50,840 --> 00:27:54,920 Speaker 2: a unique situation, two people of such diverse ages having 472 00:27:55,000 --> 00:27:59,040 Speaker 2: this situation happen. You have to assume, No, you don't 473 00:27:59,040 --> 00:28:01,919 Speaker 2: have to assume anything. I assume since they were in 474 00:28:02,240 --> 00:28:06,280 Speaker 2: drastically different parts of the home that whatever hit them 475 00:28:06,359 --> 00:28:07,600 Speaker 2: hit them both at the same time. 476 00:28:08,640 --> 00:28:13,560 Speaker 1: Yeah, that is the assumption here, And there's nothing wrong 477 00:28:13,600 --> 00:28:17,879 Speaker 1: with saying that. People make fun of that. But you 478 00:28:17,880 --> 00:28:23,760 Speaker 1: know that's why this idea of determining the time since 479 00:28:23,880 --> 00:28:29,600 Speaker 1: death both individually and then assessing it and comparing it. 480 00:28:29,680 --> 00:28:34,800 Speaker 1: Do the do the two proceeds look like their head 481 00:28:34,840 --> 00:28:39,080 Speaker 1: to head are running neck and neck. That's a better analogy. 482 00:28:40,240 --> 00:28:45,440 Speaker 1: And if not, then it gives us potentially a bit 483 00:28:45,440 --> 00:28:49,680 Speaker 1: of information. Let's say that Betsy is in more of 484 00:28:49,720 --> 00:28:53,920 Speaker 1: an advanced state of decomposition. The term mumiflication has been 485 00:28:54,040 --> 00:28:58,000 Speaker 1: used relative to her hands and her feet, and I'll 486 00:28:58,000 --> 00:29:00,680 Speaker 1: go ahead and be very blunt. Even the search warrant 487 00:29:00,720 --> 00:29:03,320 Speaker 1: and anybody can see the search warrants out there, says 488 00:29:03,320 --> 00:29:07,720 Speaker 1: that her face was bloated, which is consistent with decompositional changes. 489 00:29:08,600 --> 00:29:13,360 Speaker 1: So if she is in a more advanced just follow 490 00:29:13,400 --> 00:29:13,880 Speaker 1: my logic. 491 00:29:13,920 --> 00:29:14,120 Speaker 2: Care. 492 00:29:15,080 --> 00:29:17,600 Speaker 1: If she is in a more advanced state of decomposition, 493 00:29:18,200 --> 00:29:22,280 Speaker 1: then mister Hackman, was the question is this? And this 494 00:29:22,320 --> 00:29:25,160 Speaker 1: goes back to what I talked about the cayphosis earlier. 495 00:29:25,240 --> 00:29:27,520 Speaker 1: You know, where he's depended upon her, he's having to 496 00:29:27,640 --> 00:29:33,520 Speaker 1: use her to steady himself and to walk about. If 497 00:29:33,560 --> 00:29:38,000 Speaker 1: that's the case, was she having some type of medical 498 00:29:38,040 --> 00:29:42,240 Speaker 1: event Dave where she entered the bathroom trying to get 499 00:29:42,280 --> 00:29:44,160 Speaker 1: to her meds? Now, I don't know, I have no 500 00:29:44,240 --> 00:29:46,160 Speaker 1: idea what these meds are, but let me throw one 501 00:29:46,160 --> 00:29:50,240 Speaker 1: out to you. In particular, Let's say it's n yourachlissering. Okay, 502 00:29:51,080 --> 00:29:54,160 Speaker 1: take tab you're having angina, put it beneath your tongue. 503 00:29:55,360 --> 00:29:57,680 Speaker 1: The problem here is, at this point in time, we 504 00:29:57,800 --> 00:30:04,520 Speaker 1: don't know anything about miss are calls medical history. But 505 00:30:04,840 --> 00:30:08,520 Speaker 1: if she's on some type of medication, she is depended 506 00:30:08,600 --> 00:30:11,920 Speaker 1: upon day in and day out to help her along, 507 00:30:14,480 --> 00:30:19,520 Speaker 1: and she collapses in the bathroom and passes away. One 508 00:30:19,520 --> 00:30:23,760 Speaker 1: of the more sinister things about this is that if Jeanne, 509 00:30:24,720 --> 00:30:28,360 Speaker 1: who might be totally dependent upon her, remember they haven't 510 00:30:28,400 --> 00:30:31,760 Speaker 1: been seen for a while, no one's been checking in 511 00:30:31,840 --> 00:30:37,360 Speaker 1: on them. They don't necessarily have a caretaker there if 512 00:30:37,360 --> 00:30:43,640 Speaker 1: she's been dead for a while. Dave sadly he could 513 00:30:43,680 --> 00:30:47,600 Speaker 1: have wandered about the house for a while, searching for 514 00:30:47,640 --> 00:30:50,000 Speaker 1: the spouse who he loved and had been committed to 515 00:30:50,120 --> 00:30:52,440 Speaker 1: for over thirty years, that they'd built a life there 516 00:30:52,680 --> 00:30:58,000 Speaker 1: in Santa Fe. And in one desperate attempt, he's trying 517 00:30:58,000 --> 00:31:00,520 Speaker 1: to go for help. He's got a sunglass, says he's 518 00:31:00,560 --> 00:31:04,560 Speaker 1: got caine, he's got his T shirt, he's got sweatpants on, 519 00:31:06,040 --> 00:31:10,200 Speaker 1: and then he couldn't take another step and he collapses 520 00:31:10,680 --> 00:31:14,360 Speaker 1: in that mudroom. I don't know that that's necessarily the case. 521 00:31:14,400 --> 00:31:17,680 Speaker 1: But I do know this right now, at this stage, 522 00:31:17,720 --> 00:31:21,600 Speaker 1: at least, we probably have more questions than we do answers. 523 00:31:21,920 --> 00:31:27,320 Speaker 1: But as I always say on bodybacks, the truth is 524 00:31:27,360 --> 00:31:29,960 Speaker 1: always going to be told, and generally the key to 525 00:31:30,000 --> 00:31:47,760 Speaker 1: the truth in our world is science. All Right, brother Dave, 526 00:31:47,840 --> 00:31:49,840 Speaker 1: go ahead, hit me. I know what you're gonna come 527 00:31:49,880 --> 00:31:56,320 Speaker 1: at me with. Let's talk about mumification, because it keeps 528 00:31:56,360 --> 00:31:59,720 Speaker 1: coming up in conversation time and time again, and I 529 00:31:59,760 --> 00:32:01,360 Speaker 1: don't mind addressing it. But go ahead. 530 00:32:01,400 --> 00:32:03,680 Speaker 2: I'm glad because that is the first thing, you know, 531 00:32:03,720 --> 00:32:07,320 Speaker 2: we are going to look at. Okay, you were just 532 00:32:07,400 --> 00:32:10,840 Speaker 2: laying out a plan of maybe an explanation of what 533 00:32:10,960 --> 00:32:14,920 Speaker 2: happened that she had a medical emergency and he couldn't 534 00:32:14,960 --> 00:32:17,040 Speaker 2: help her. My first thing is why didn't he pick 535 00:32:17,080 --> 00:32:19,719 Speaker 2: up the phone and call again? Maybe that's not something 536 00:32:19,760 --> 00:32:22,680 Speaker 2: he was able to do with his fingers and things 537 00:32:22,720 --> 00:32:24,560 Speaker 2: like that. I don't know what his you know, ninety 538 00:32:24,600 --> 00:32:27,680 Speaker 2: five years old. You know that's some are better off 539 00:32:27,680 --> 00:32:29,440 Speaker 2: than others, you know, in terms of being able to 540 00:32:29,560 --> 00:32:31,880 Speaker 2: use their fingers. That's why they got the jitterbug phone, 541 00:32:32,000 --> 00:32:34,400 Speaker 2: you know. Oh yeah, I mean there are things that 542 00:32:34,440 --> 00:32:36,280 Speaker 2: happen as you get older that make it tough. I 543 00:32:36,280 --> 00:32:38,280 Speaker 2: don't know. Maybe he didn't use it. I don't know 544 00:32:38,320 --> 00:32:42,960 Speaker 2: what his situation was. So thinking of wondering, how are 545 00:32:43,040 --> 00:32:46,200 Speaker 2: they going to determine you're you're the guy and you've 546 00:32:46,320 --> 00:32:49,480 Speaker 2: just found out that we've got two people separated in 547 00:32:49,520 --> 00:32:52,560 Speaker 2: age by thirty one years, that have been together since 548 00:32:52,640 --> 00:32:56,320 Speaker 2: nineteen ninety one. They don't appear to have any signs 549 00:32:56,560 --> 00:33:00,160 Speaker 2: of physical violence done to either one of them. But 550 00:33:00,280 --> 00:33:03,760 Speaker 2: Joe looking at the search warrant and maybe we need 551 00:33:03,800 --> 00:33:05,880 Speaker 2: to come back to this, but I'm kind of curious 552 00:33:05,880 --> 00:33:09,240 Speaker 2: about a number of things that there looking at. When 553 00:33:09,320 --> 00:33:12,200 Speaker 2: police put together a search warrant, it means they have 554 00:33:12,280 --> 00:33:16,160 Speaker 2: to present enough of the case before a judge who says, yes, 555 00:33:16,360 --> 00:33:18,880 Speaker 2: you can go in and look for these things. They 556 00:33:18,880 --> 00:33:21,640 Speaker 2: have to be specific. Sometimes they have to explain why 557 00:33:21,960 --> 00:33:25,160 Speaker 2: in a very gray area here. But the bottom line 558 00:33:25,200 --> 00:33:27,560 Speaker 2: is you have two dead individuals. Searching that home is 559 00:33:27,560 --> 00:33:29,160 Speaker 2: not going to be that difficult, you know, because they've 560 00:33:29,160 --> 00:33:32,360 Speaker 2: got to find answers. But still, because we are a 561 00:33:32,360 --> 00:33:35,880 Speaker 2: society that we have a right to the government not 562 00:33:35,920 --> 00:33:38,240 Speaker 2: coming in and going on fishing expedition, whether you're dead 563 00:33:38,320 --> 00:33:40,920 Speaker 2: or not. And that's what the search warrant is for, 564 00:33:41,080 --> 00:33:42,880 Speaker 2: is because they're not allowed to come into your home 565 00:33:43,160 --> 00:33:44,320 Speaker 2: unless you say yes. 566 00:33:45,080 --> 00:33:48,440 Speaker 1: Well, this is where the utility of the words suspicion 567 00:33:48,480 --> 00:33:52,720 Speaker 1: comes in. I'm so glad you talked about the warrant 568 00:33:52,760 --> 00:33:55,560 Speaker 1: relative to a judge signing our magistrate signing off on 569 00:33:55,640 --> 00:34:00,280 Speaker 1: this thing. Words are very powerful. My wife always says 570 00:34:00,720 --> 00:34:03,240 Speaker 1: words are containers of power, and they are. You know, 571 00:34:03,280 --> 00:34:05,040 Speaker 1: the things that you speak that come out of your 572 00:34:05,040 --> 00:34:09,840 Speaker 1: mouth and they influence people. And when you're writing up 573 00:34:09,840 --> 00:34:12,279 Speaker 1: a search warrant, if you throw out that term suspicious, 574 00:34:12,320 --> 00:34:18,160 Speaker 1: and particularly when you give given the level of notoriety. 575 00:34:18,719 --> 00:34:22,640 Speaker 1: And look, you've been You've been in the media business 576 00:34:22,680 --> 00:34:26,160 Speaker 1: a lot longer than I have. Brother, you know that 577 00:34:26,320 --> 00:34:30,240 Speaker 1: if a celebrity dies, those lights get a little bit hotter, 578 00:34:30,920 --> 00:34:34,399 Speaker 1: it gets white hot. And you know, I can even 579 00:34:34,480 --> 00:34:41,120 Speaker 1: remember when Bob Sackett died. My lord calls came in, 580 00:34:41,320 --> 00:34:44,320 Speaker 1: you know, relative to that, even back to Philip Seymour Hoffman. 581 00:34:45,520 --> 00:34:49,520 Speaker 1: You know, it went on and on and on. Yeah, 582 00:34:49,640 --> 00:34:51,800 Speaker 1: it did, it did mine as well. Talked about a 583 00:34:51,800 --> 00:34:55,200 Speaker 1: great actor. And you know, I'm not going to go 584 00:34:55,239 --> 00:34:55,759 Speaker 1: down that road. 585 00:34:55,800 --> 00:34:58,640 Speaker 2: Addiction does not care about your fame, No, it does 586 00:34:58,719 --> 00:34:59,239 Speaker 2: anything else. 587 00:34:59,280 --> 00:35:05,200 Speaker 1: Addiction does not discriminate at all. But yeah, they had 588 00:35:05,200 --> 00:35:06,960 Speaker 1: a couple of things. One of the biggest things I 589 00:35:07,000 --> 00:35:14,239 Speaker 1: think that really kind of hit home relative to their 590 00:35:14,280 --> 00:35:19,240 Speaker 1: suspicions or what they thought was the thing that raised 591 00:35:19,239 --> 00:35:23,360 Speaker 1: its head first was carbon monoxide poisoning. Now, I have 592 00:35:24,080 --> 00:35:27,879 Speaker 1: had cases of carbon monoxide poison I think that I've 593 00:35:27,960 --> 00:35:31,440 Speaker 1: mentioned it before, but it bears stating again. I have 594 00:35:31,560 --> 00:35:37,600 Speaker 1: had cases where where an entire family and I'm talking 595 00:35:37,600 --> 00:35:43,080 Speaker 1: about six family members were completely and totally wiped out 596 00:35:43,120 --> 00:35:48,360 Speaker 1: in one night from breathing in carbon monoxide. And David's 597 00:35:48,400 --> 00:35:53,880 Speaker 1: so lethal that it absolutely how can I say this, 598 00:35:54,000 --> 00:35:58,960 Speaker 1: It absolutely kills you. I'm not going to say instantaneously. 599 00:35:59,800 --> 00:36:02,920 Speaker 1: But all of those people never woke up. They were 600 00:36:02,920 --> 00:36:04,120 Speaker 1: in their beds, Joe. 601 00:36:04,200 --> 00:36:06,719 Speaker 2: When you talk about a family not waking up, a 602 00:36:06,800 --> 00:36:09,280 Speaker 2: number of people, you know, we've had issues of carbon 603 00:36:09,320 --> 00:36:12,160 Speaker 2: monoxide happening. In stories like that, they're just sad, you know, 604 00:36:12,320 --> 00:36:17,200 Speaker 2: especially with portable heaters or generators during times of electrical outages, 605 00:36:17,400 --> 00:36:21,320 Speaker 2: it's a fairly normal common occurrence. But in this case, 606 00:36:21,640 --> 00:36:25,359 Speaker 2: you know right away they had the fire department chief 607 00:36:25,440 --> 00:36:28,800 Speaker 2: saying we didn't find anything. We've got New Mexico Gas 608 00:36:28,800 --> 00:36:31,480 Speaker 2: and Light. They're saying we didn't find anything. They've already looked, 609 00:36:31,480 --> 00:36:34,800 Speaker 2: they've checked pipes, they've checked for leaks all around the house. 610 00:36:35,400 --> 00:36:38,839 Speaker 2: It was the It was Gene Hagman's daughter, Leslie Ann, 611 00:36:39,040 --> 00:36:44,080 Speaker 2: who actually brought up the idea of carbon monoxide. And 612 00:36:44,120 --> 00:36:46,840 Speaker 2: according to the Daily Mail, she was smiling when she 613 00:36:46,920 --> 00:36:49,160 Speaker 2: did it. And I'm going to tell you when you're talking, 614 00:36:49,239 --> 00:36:53,040 Speaker 2: when you're trying to make a story, be a bigger story. 615 00:36:53,239 --> 00:36:55,239 Speaker 2: That's all you got to do. From the media standpoint 616 00:36:55,280 --> 00:36:59,239 Speaker 2: is why is his daughter smiling talking about carbon monoxide? 617 00:36:59,760 --> 00:37:02,160 Speaker 2: And I thought that was fascinating that that's how they 618 00:37:02,160 --> 00:37:04,400 Speaker 2: were pushing the story forward. But when you've got the 619 00:37:04,400 --> 00:37:08,080 Speaker 2: fire department and the New Mexico the officials involved in 620 00:37:08,160 --> 00:37:11,440 Speaker 2: a gas leak issue saying no, we couldn't find anything, 621 00:37:11,760 --> 00:37:13,399 Speaker 2: do we move on or is there more to check? 622 00:37:15,320 --> 00:37:19,040 Speaker 1: Yeah? There is more to check. I mean it's valid. Now. 623 00:37:19,080 --> 00:37:22,520 Speaker 1: I don't know about the daughter's response, but it's a 624 00:37:22,640 --> 00:37:26,319 Speaker 1: valid it's a valid ask if you will because when 625 00:37:26,360 --> 00:37:31,080 Speaker 1: you I don't know if people appreciate how rare. It 626 00:37:31,160 --> 00:37:34,280 Speaker 1: is where you have two individuals inside of a structure. 627 00:37:34,400 --> 00:37:39,040 Speaker 1: Not if you count the canine, that's a third that 628 00:37:39,200 --> 00:37:42,880 Speaker 1: just spontaneously die. You know, out of all the cases 629 00:37:42,920 --> 00:37:44,719 Speaker 1: I've worked of the course of my career, if I 630 00:37:44,719 --> 00:37:48,040 Speaker 1: have multiple deaths and one single structure, this is how 631 00:37:48,080 --> 00:37:51,160 Speaker 1: it rolls. It's either some kind of trauma related event 632 00:37:51,800 --> 00:37:56,320 Speaker 1: that can be shooting, stabbing, beating, fire, any number of things. Okay, 633 00:37:56,440 --> 00:38:02,320 Speaker 1: a storm, all right, you have the toxicity in the air. 634 00:38:02,719 --> 00:38:06,399 Speaker 1: Are they breathing in something that's going to kill them 635 00:38:06,560 --> 00:38:11,360 Speaker 1: or is there something internal that has been ingested at 636 00:38:11,440 --> 00:38:13,720 Speaker 1: that point in time. You and I've covered poison cases 637 00:38:14,680 --> 00:38:17,680 Speaker 1: where you know, we've got multiple people that die as 638 00:38:17,680 --> 00:38:20,680 Speaker 1: a result of it. But they have to explore that 639 00:38:20,719 --> 00:38:24,760 Speaker 1: and they will, And at the eme's office, I can 640 00:38:25,640 --> 00:38:27,919 Speaker 1: I'll bet you dollars to donuts. They're going to draw 641 00:38:28,360 --> 00:38:34,200 Speaker 1: blood on both and they're going to run a test 642 00:38:34,239 --> 00:38:37,200 Speaker 1: called a car box of hemoglobin level and it gives 643 00:38:37,200 --> 00:38:41,840 Speaker 1: you the measure of first off of carbonoxide. Because the 644 00:38:41,920 --> 00:38:45,680 Speaker 1: environment that we live in, you're always around carbonoxide. You 645 00:38:45,680 --> 00:38:48,759 Speaker 1: don't see it, but you know if you're walking down 646 00:38:48,760 --> 00:38:50,760 Speaker 1: the street, if you live in a big city, for instance, 647 00:38:50,800 --> 00:38:52,719 Speaker 1: and you've got a lot of car exhaust, it's going 648 00:38:52,760 --> 00:38:55,600 Speaker 1: to be carbonoxide. You know, if you're on farmland somewhere, 649 00:38:55,640 --> 00:38:57,400 Speaker 1: unless you're standing next to a tractor, you're not going 650 00:38:57,440 --> 00:39:01,520 Speaker 1: to have that much. But it's there, all right. So 651 00:39:01,560 --> 00:39:04,520 Speaker 1: there's a given amount, and then you have the toxic amount. 652 00:39:05,160 --> 00:39:09,920 Speaker 1: So they will draw the blood if they're able to, 653 00:39:10,000 --> 00:39:15,320 Speaker 1: because we're talking about individuals that are they're down the 654 00:39:15,400 --> 00:39:18,480 Speaker 1: road a little bit relative to decomposition, and that can 655 00:39:18,560 --> 00:39:21,040 Speaker 1: kind of make things more difficult. But there's also things 656 00:39:21,080 --> 00:39:24,040 Speaker 1: that we look for physically with carbon monoxide. And I 657 00:39:24,080 --> 00:39:26,359 Speaker 1: don't know that they saw this at the scene. Did 658 00:39:26,400 --> 00:39:31,080 Speaker 1: you know that with carbon dioxide assoxiation, your skin turns pink. 659 00:39:31,600 --> 00:39:36,240 Speaker 1: It's cherry red. I mean it's like imagine the most 660 00:39:36,800 --> 00:39:40,920 Speaker 1: brilliant colored popsicle you've ever seen, with artificial coloring and 661 00:39:40,960 --> 00:39:43,560 Speaker 1: all that stuff, and it like it's striking when you 662 00:39:43,560 --> 00:39:46,320 Speaker 1: see it. And not only that, the eyes, the sclera, 663 00:39:47,160 --> 00:39:51,480 Speaker 1: they're no longer white. They turn pink as well. And 664 00:39:51,560 --> 00:39:54,520 Speaker 1: even when you open the body, the organs are pink. 665 00:39:54,560 --> 00:39:57,680 Speaker 1: When you draw the blood, the blood is pink. Yeah, 666 00:39:57,719 --> 00:39:59,720 Speaker 1: it's that striking and a lot of that is deepended 667 00:39:59,760 --> 00:40:03,480 Speaker 1: upon how much you uptake. Okay, so there are physical 668 00:40:03,560 --> 00:40:06,480 Speaker 1: findings you have in addition to the chemistry that goes 669 00:40:06,520 --> 00:40:12,640 Speaker 1: into analyzing sample. If they're absent that then I'm hoping 670 00:40:12,719 --> 00:40:14,319 Speaker 1: and I'm sure that they will. They're going to do 671 00:40:14,520 --> 00:40:18,880 Speaker 1: like a broad spectrum drug panel that and we do 672 00:40:18,960 --> 00:40:22,680 Speaker 1: one anyway. We call it standard panel, and it covers 673 00:40:22,760 --> 00:40:25,759 Speaker 1: all the major drugs of abuse. Okay, that's just everybody 674 00:40:25,760 --> 00:40:27,640 Speaker 1: gets that. If you go to the morgue, you get 675 00:40:27,680 --> 00:40:32,719 Speaker 1: your blood drawn, urine drawn, bile, vitreous, it's all going 676 00:40:32,760 --> 00:40:37,040 Speaker 1: to be tested, all right, and then but here's the key. 677 00:40:37,480 --> 00:40:40,080 Speaker 1: We do know that there's a vial of medication there 678 00:40:40,719 --> 00:40:45,840 Speaker 1: hopefully that was collected and taken into the OCME, and 679 00:40:45,920 --> 00:40:48,839 Speaker 1: they're going to analyze the medication. If you have vile, 680 00:40:48,840 --> 00:40:51,239 Speaker 1: it has a label on it. One of the big 681 00:40:51,320 --> 00:40:55,920 Speaker 1: keys here to unlocking this mystery are the attending physicians. 682 00:40:56,480 --> 00:40:58,640 Speaker 1: How long has it been since they were seen in 683 00:40:58,719 --> 00:41:02,440 Speaker 1: the office of an attending physician. What did that individual 684 00:41:02,560 --> 00:41:05,120 Speaker 1: see when they exam what's the history? Because the ME 685 00:41:05,360 --> 00:41:07,759 Speaker 1: will go back to these individuals that have been doing 686 00:41:07,760 --> 00:41:11,239 Speaker 1: the treating. I'm assuming that it you know, ninety five 687 00:41:11,320 --> 00:41:15,720 Speaker 1: years old. There's a high probability that mister Hackman has 688 00:41:15,840 --> 00:41:19,720 Speaker 1: an attending all right. Now. I don't know what they're specting. 689 00:41:19,719 --> 00:41:23,239 Speaker 1: Maybe internal, maybe gerontology. I have no idea, but they 690 00:41:23,280 --> 00:41:25,560 Speaker 1: will be they'll have a list of medications. They're also 691 00:41:25,600 --> 00:41:28,000 Speaker 1: going to know what kind of hard history they've had. 692 00:41:28,680 --> 00:41:30,920 Speaker 1: Is there a history of stroke? You know, there's a 693 00:41:30,960 --> 00:41:34,279 Speaker 1: lot of stuff that hasn't been revealed, you know, relative 694 00:41:34,400 --> 00:41:41,120 Speaker 1: to that. Now, the complexity of this is further exacerbated, 695 00:41:41,960 --> 00:41:46,040 Speaker 1: as I've kind of already mentioned, relative to decompositional changes. 696 00:41:46,080 --> 00:41:49,040 Speaker 1: If you're looking at the bodies externally. First off, the 697 00:41:49,080 --> 00:41:52,640 Speaker 1: examination at the scene doesn't even compare to what you're 698 00:41:52,640 --> 00:41:54,440 Speaker 1: going to do it the more because you can't see 699 00:41:55,080 --> 00:41:59,600 Speaker 1: you know, you're in a mudroom, the lighting, the clothing 700 00:41:59,640 --> 00:42:01,560 Speaker 1: is still in body. You're not going to address a 701 00:42:01,560 --> 00:42:03,680 Speaker 1: body at the scene. I don't care what you say. 702 00:42:04,080 --> 00:42:06,800 Speaker 1: It's not good practice. You're going to do an initial 703 00:42:07,040 --> 00:42:10,240 Speaker 1: observation of the body. You're going to check for decompositional changes, 704 00:42:10,680 --> 00:42:14,120 Speaker 1: level of rigor mortis and liver and algor and all 705 00:42:14,120 --> 00:42:16,520 Speaker 1: those things that we check for. But you're not going 706 00:42:16,600 --> 00:42:20,120 Speaker 1: to disrobe a body that's seen body will go into 707 00:42:20,239 --> 00:42:24,520 Speaker 1: the more intact and I can guarantee you, particularly given 708 00:42:24,800 --> 00:42:28,640 Speaker 1: the high profile nature of this case, they're going to 709 00:42:28,680 --> 00:42:32,319 Speaker 1: do full body X rays, stem distern I mean top 710 00:42:32,360 --> 00:42:35,920 Speaker 1: of the head, soles, the feet. They're going to do 711 00:42:36,080 --> 00:42:41,160 Speaker 1: an extensive external examination, both clothed and unclothed, and then 712 00:42:42,600 --> 00:42:47,480 Speaker 1: when you go to do the internal examination, that'll be 713 00:42:47,600 --> 00:42:50,719 Speaker 1: very thorough. As a matter of fact, this case has 714 00:42:50,760 --> 00:42:56,880 Speaker 1: such a level of intensity to it. I can almost imagine, Dave, 715 00:42:59,480 --> 00:43:02,960 Speaker 1: that there will be more than one pathologist they're observing. 716 00:43:04,239 --> 00:43:06,960 Speaker 1: It's not going to be like a standard forensic pathology thing. 717 00:43:07,680 --> 00:43:11,880 Speaker 1: And even if they're not physically there, the primary pathologist 718 00:43:12,000 --> 00:43:15,759 Speaker 1: or pro sectors refer to, they're going to be consulting. 719 00:43:15,920 --> 00:43:17,040 Speaker 1: You know, they're going to say, what do you think 720 00:43:17,080 --> 00:43:19,399 Speaker 1: about this? This is what because anything that they say 721 00:43:19,560 --> 00:43:22,560 Speaker 1: that issues forth from that font of knowledge, if you will, 722 00:43:23,280 --> 00:43:26,000 Speaker 1: is going to be analyzed for years and years to come. 723 00:43:26,160 --> 00:43:29,319 Speaker 1: Anybody that's wearing tinfoil had in mom's basement is going 724 00:43:29,400 --> 00:43:33,680 Speaker 1: to say, you know, yeah, well what about you know, uh, 725 00:43:34,000 --> 00:43:35,759 Speaker 1: there was even an article and I'll go and say 726 00:43:35,760 --> 00:43:38,759 Speaker 1: it plainly, it's it's kind of disgusting. An article that 727 00:43:38,800 --> 00:43:41,520 Speaker 1: came out today and Randy Quaid, of all people, is 728 00:43:41,640 --> 00:43:47,120 Speaker 1: quoted as saying that because Gene Hackman, what was the quote, 729 00:43:47,280 --> 00:43:52,480 Speaker 1: is like, because Gene Hackman had the highest residuals in Hollywood, 730 00:43:53,320 --> 00:43:57,040 Speaker 1: that something nefarious has happened. And I'm thinking, just defy. 731 00:43:57,120 --> 00:44:00,400 Speaker 1: I like Randy Quaid as an actor. He's brilliant, but 732 00:44:00,600 --> 00:44:04,040 Speaker 1: he has really gone off the deep end of conspiracies 733 00:44:04,080 --> 00:44:08,680 Speaker 1: and government and everything else. And I encourage you to 734 00:44:09,040 --> 00:44:11,440 Speaker 1: look at what his life has been like over the 735 00:44:11,520 --> 00:44:14,640 Speaker 1: last thirty years exactly, and the frauding the innkeeper comes 736 00:44:14,680 --> 00:44:19,400 Speaker 1: to mind, and hiding out in Canada and being anyway. 737 00:44:19,640 --> 00:44:20,760 Speaker 2: But let me get back to something. 738 00:44:20,800 --> 00:44:22,799 Speaker 1: But the problem the one more thing about that, and 739 00:44:22,800 --> 00:44:26,759 Speaker 1: I'm going, but the problem with that is that when 740 00:44:26,840 --> 00:44:30,719 Speaker 1: someone in that status makes a comment like that, it 741 00:44:30,800 --> 00:44:34,840 Speaker 1: just further, you know, exacerbates any existing problems that you 742 00:44:34,960 --> 00:44:38,040 Speaker 1: might have. Now You've got everyone in the world that's 743 00:44:38,080 --> 00:44:41,120 Speaker 1: holding forth on this and saying that it's it's something, 744 00:44:41,440 --> 00:44:43,879 Speaker 1: you know, really really sinister. And I keep using that term, 745 00:44:43,920 --> 00:44:47,239 Speaker 1: but I don't know how much you have to take 746 00:44:47,320 --> 00:44:50,440 Speaker 1: everything into consideration day, you know, in a case like this, 747 00:44:50,520 --> 00:44:52,799 Speaker 1: and cover all of your p's and q's. Please forgive me. 748 00:44:52,800 --> 00:44:55,040 Speaker 1: I didn't mean to step on you. 749 00:44:54,440 --> 00:44:59,439 Speaker 2: No, buddy. I think I get so frustrated with Randy 750 00:44:59,520 --> 00:45:02,600 Speaker 2: Quaid and other actors like that, because you know, it's 751 00:45:02,640 --> 00:45:05,040 Speaker 2: like I think about their career and at the end 752 00:45:05,440 --> 00:45:07,880 Speaker 2: you've got to realize that they're people too. And we 753 00:45:07,960 --> 00:45:10,000 Speaker 2: all have a crazy uncle that went off the reservation. 754 00:45:10,120 --> 00:45:11,759 Speaker 2: You know, We've all got that in our life, and 755 00:45:11,840 --> 00:45:14,000 Speaker 2: that's what he became. But to back up, I don't 756 00:45:14,000 --> 00:45:16,000 Speaker 2: know him. I don't know Randy Quaid, but I know 757 00:45:16,040 --> 00:45:18,600 Speaker 2: that he has comments about conspiracies a lot of the time. 758 00:45:18,680 --> 00:45:22,600 Speaker 2: And I don't know what Gene Hackman's residuals. I don't 759 00:45:22,640 --> 00:45:24,400 Speaker 2: know what kind of money he has. But you know what, 760 00:45:24,440 --> 00:45:26,319 Speaker 2: there's a lot of rich people in Hollywood, you know, 761 00:45:26,480 --> 00:45:29,680 Speaker 2: there's a lot of rich actors. And he retired and 762 00:45:30,120 --> 00:45:32,040 Speaker 2: for the last twenty years has been his own guy, 763 00:45:32,080 --> 00:45:35,160 Speaker 2: writing books, doing and just living his life in Santa Fe, 764 00:45:35,160 --> 00:45:38,160 Speaker 2: New Mexico. But here's my question for you, Joe. We 765 00:45:38,280 --> 00:45:40,480 Speaker 2: have two people that died in the same house, but 766 00:45:41,360 --> 00:45:43,120 Speaker 2: they weren't in a fight. Usually when we have a 767 00:45:43,360 --> 00:45:45,960 Speaker 2: married couple that dies there's a fight that broke out, 768 00:45:46,000 --> 00:45:48,080 Speaker 2: there's knife wounds, gun wounds and things like that. We 769 00:45:48,080 --> 00:45:50,279 Speaker 2: don't have that, But what we do have is an 770 00:45:50,320 --> 00:45:53,480 Speaker 2: odd term of what they found on the scene. We're 771 00:45:53,520 --> 00:45:57,759 Speaker 2: not talking about back at the Medical Examiner's office. We're 772 00:45:57,760 --> 00:46:01,080 Speaker 2: talking about mummification being used as a term by people 773 00:46:01,080 --> 00:46:04,759 Speaker 2: who saw them. And all I'm thinking of, sadly, because 774 00:46:04,760 --> 00:46:07,239 Speaker 2: I'm an idiot, I think of mummies and that, you know, 775 00:46:07,280 --> 00:46:10,440 Speaker 2: I'm thinking, did somebody watch, you know, Young Frankenstein Part two? 776 00:46:10,480 --> 00:46:13,040 Speaker 2: That we all miss about the mummy? Because why are 777 00:46:13,040 --> 00:46:16,319 Speaker 2: they talking about mummification if the hands and uh, you know, 778 00:46:16,360 --> 00:46:18,080 Speaker 2: you got a bloating of the of the head. They 779 00:46:18,160 --> 00:46:23,160 Speaker 2: talked about that with regard to Betsy Rakhala, but they 780 00:46:23,200 --> 00:46:26,040 Speaker 2: don't mention that about Gene Hackman. They do mention the 781 00:46:26,080 --> 00:46:28,520 Speaker 2: mummification of the hands. And they talked about being in 782 00:46:28,640 --> 00:46:32,840 Speaker 2: high desert, the altitude, the dry, lack of humidity, and 783 00:46:32,880 --> 00:46:35,160 Speaker 2: I get it. Those things do come into play, I guess. 784 00:46:35,239 --> 00:46:37,480 Speaker 1: And you're right on You're right on target with that 785 00:46:37,560 --> 00:46:40,680 Speaker 1: day because here's the thing is in Santa Fe, even 786 00:46:40,719 --> 00:46:43,960 Speaker 1: though we we're not so familiar with it down here 787 00:46:43,960 --> 00:46:49,560 Speaker 1: in the South because we're so humid down here out there, 788 00:46:50,120 --> 00:46:53,319 Speaker 1: you are in hot desert. It's very arid, and there's 789 00:46:53,560 --> 00:46:58,160 Speaker 1: you know, uh, there is very little moisture in there. Plusure. 790 00:46:58,600 --> 00:47:01,800 Speaker 1: We're still at this point, we're in the winter months, okay, 791 00:47:01,880 --> 00:47:05,000 Speaker 1: and that even makes it drier. Now. I know people 792 00:47:05,000 --> 00:47:07,719 Speaker 1: are going to say, well, there's no storm blew through there. Yeah, 793 00:47:07,800 --> 00:47:10,919 Speaker 1: there's no storm that blew through there, but doesn't mean 794 00:47:10,920 --> 00:47:13,319 Speaker 1: that it's not dry. And it is dry. And so 795 00:47:13,440 --> 00:47:17,800 Speaker 1: when this happens, this idea of mummification, I don't necessarily 796 00:47:17,800 --> 00:47:21,920 Speaker 1: I've never really liked that term because it will and 797 00:47:21,960 --> 00:47:24,719 Speaker 1: I've had newspeople that have said, does this mean like 798 00:47:24,800 --> 00:47:28,920 Speaker 1: ancient Egypt. It's like, no, those are mummies that have 799 00:47:29,000 --> 00:47:31,960 Speaker 1: been prepared and wrapped in cloth and everything that the 800 00:47:32,000 --> 00:47:35,080 Speaker 1: ancients did, and they did it down and you know, 801 00:47:36,160 --> 00:47:40,920 Speaker 1: you know, Central America and South America. It's nothing new 802 00:47:41,000 --> 00:47:44,920 Speaker 1: under the sun. I like the term desiccation more, and 803 00:47:45,000 --> 00:47:47,920 Speaker 1: you generally hear that with dehydrated food, and that's precisely 804 00:47:47,960 --> 00:47:50,800 Speaker 1: what this means, is that it's absent any kind of water, 805 00:47:51,440 --> 00:47:54,680 Speaker 1: and so that water that has contained that moisture in 806 00:47:54,719 --> 00:47:58,920 Speaker 1: our human remains. That's there in a climate like this 807 00:47:59,239 --> 00:48:02,680 Speaker 1: is going to be drawn off pretty quickly. And so 808 00:48:02,800 --> 00:48:05,440 Speaker 1: you'll get the way I like to describe it is 809 00:48:05,880 --> 00:48:09,400 Speaker 1: hands and feet, the most distal areas. That means, the 810 00:48:09,480 --> 00:48:15,400 Speaker 1: most distant anatomical points away from the core of the body, 811 00:48:15,880 --> 00:48:19,239 Speaker 1: they go first, Okay. And so to give you an 812 00:48:19,320 --> 00:48:25,240 Speaker 1: idea as to what it looks like, imagine if you will, 813 00:48:26,760 --> 00:48:32,600 Speaker 1: newspaper that you find up in a closet that you've 814 00:48:32,640 --> 00:48:35,279 Speaker 1: not had your hands on for years and years, maybe 815 00:48:35,280 --> 00:48:39,960 Speaker 1: it's forty years old. It looks brittle, it's desiccated, it's 816 00:48:39,960 --> 00:48:42,320 Speaker 1: a dry. Matter of fact, it's no longer brilliant white. 817 00:48:42,400 --> 00:48:46,839 Speaker 1: It's gone from yellow to brown. And you'll see that 818 00:48:46,920 --> 00:48:51,879 Speaker 1: manifested on human remains that are in fact dried out. 819 00:48:52,480 --> 00:48:54,920 Speaker 1: And you can take you can go out there, and 820 00:48:55,000 --> 00:48:58,279 Speaker 1: it's kind of kind of interesting. You can go out 821 00:48:58,280 --> 00:49:03,640 Speaker 1: there out in the open, if you have not had 822 00:49:04,040 --> 00:49:08,080 Speaker 1: problems with animal scavenging. You can see bodies that are 823 00:49:08,080 --> 00:49:11,399 Speaker 1: truly desiccated out there, many times where there will still 824 00:49:11,400 --> 00:49:14,920 Speaker 1: be visible tissue. Whereas if those same people had died, 825 00:49:14,960 --> 00:49:17,880 Speaker 1: like in the Deep South, you wouldn't see that, you know, 826 00:49:17,960 --> 00:49:21,640 Speaker 1: you'd have this massive bloating that goes on the skin 827 00:49:21,719 --> 00:49:24,360 Speaker 1: is going to change and marble and do all those things, 828 00:49:24,480 --> 00:49:26,520 Speaker 1: and the soft tissue is going to be gone, you know, 829 00:49:26,560 --> 00:49:29,040 Speaker 1: after a period of time. It's just it's a different 830 00:49:29,719 --> 00:49:32,960 Speaker 1: Like you stated earlier, Santa Fe is very beautiful. I 831 00:49:32,960 --> 00:49:36,080 Speaker 1: would love to go there. I've seen images of it. However, 832 00:49:37,040 --> 00:49:40,279 Speaker 1: I do know what Arizona is like, what Colorado and 833 00:49:40,400 --> 00:49:43,319 Speaker 1: Utah are like. I would love to go and see it. 834 00:49:43,400 --> 00:49:46,319 Speaker 1: But there's also a change in the environment when you 835 00:49:46,320 --> 00:49:48,520 Speaker 1: get in West Texas and you get into New Mexico. 836 00:49:49,120 --> 00:49:51,800 Speaker 1: It's a different world out there relative to the environmental 837 00:49:51,840 --> 00:49:55,040 Speaker 1: influences that are with a body. Here's another thing too. 838 00:49:55,880 --> 00:49:59,959 Speaker 1: If these doors, and I've heard the plural, I've heard 839 00:50:00,160 --> 00:50:03,719 Speaker 1: them say doors as well that were open, Well, does 840 00:50:03,719 --> 00:50:07,160 Speaker 1: open mean unlocked or does open mean open? Okay, so 841 00:50:07,880 --> 00:50:12,800 Speaker 1: now you're you're not necessarily dealing with a climate controlled 842 00:50:12,840 --> 00:50:15,520 Speaker 1: and artificially climate controlled. So that's going to be an 843 00:50:15,560 --> 00:50:19,040 Speaker 1: influence as well. But they haven't really come forward with 844 00:50:19,120 --> 00:50:21,640 Speaker 1: more data at this point in time. I do know 845 00:50:21,719 --> 00:50:24,719 Speaker 1: that the Guardian right now is reporting that first autopsy 846 00:50:24,840 --> 00:50:29,319 Speaker 1: has been completed and they haven't seen any kind of 847 00:50:29,400 --> 00:50:33,160 Speaker 1: external trauma or anything that's really you know, giving them 848 00:50:33,239 --> 00:50:35,239 Speaker 1: pause at that point. So I can tell you what's 849 00:50:35,280 --> 00:50:38,479 Speaker 1: going to happen at this point, brother day, We're gonna 850 00:50:38,480 --> 00:50:42,640 Speaker 1: be waiting. We're going to be waiting. You know. It's 851 00:50:42,640 --> 00:50:48,680 Speaker 1: the old line about appending further testing and it probably yet, 852 00:50:49,040 --> 00:50:51,600 Speaker 1: Yeah you're not, and it would take some and I 853 00:50:51,640 --> 00:50:55,760 Speaker 1: can't imagine them releasing a definitive cause of death unless 854 00:50:55,760 --> 00:50:58,319 Speaker 1: there's some kind of obvious trauma, which the guardian's saying 855 00:50:58,440 --> 00:51:01,120 Speaker 1: there's not. But that's the already, and I have no idea. 856 00:51:02,960 --> 00:51:07,040 Speaker 1: You're going to have to wait until the drug chemistries 857 00:51:07,080 --> 00:51:09,680 Speaker 1: come back, you know what's going on, you know with 858 00:51:10,680 --> 00:51:14,200 Speaker 1: is there anything that toxicological sample that is giving you pause? 859 00:51:14,360 --> 00:51:17,839 Speaker 1: Is there are there any medications on board that are 860 00:51:17,840 --> 00:51:22,000 Speaker 1: in a toxic level? Okay, so that's what we're going 861 00:51:22,040 --> 00:51:24,360 Speaker 1: to be waiting on. The other thing that we're probably 862 00:51:24,400 --> 00:51:27,960 Speaker 1: going to be waiting on as well. Let's just say 863 00:51:29,120 --> 00:51:31,880 Speaker 1: either one of them had a heart attack or a stroke. 864 00:51:32,000 --> 00:51:35,920 Speaker 1: Well you can observe that what we refer to grossly 865 00:51:36,040 --> 00:51:38,600 Speaker 1: that is looking at the organ itself, whether it's the heart, 866 00:51:38,640 --> 00:51:41,960 Speaker 1: of the brain, the lungs as well. You know, it 867 00:51:42,080 --> 00:51:47,279 Speaker 1: might have pulmonary embelists or something like that. But they're 868 00:51:47,280 --> 00:51:49,560 Speaker 1: going to wait for histology, which means they're going to 869 00:51:49,600 --> 00:51:53,040 Speaker 1: take little bits of the tissue and then fix it, 870 00:51:53,239 --> 00:51:55,320 Speaker 1: which they have to fix it and stain it, and 871 00:51:55,320 --> 00:51:57,600 Speaker 1: they're going to put it on a slide and then 872 00:51:57,600 --> 00:52:00,239 Speaker 1: they're going to take a look at it microscopically. Because 873 00:52:00,360 --> 00:52:04,160 Speaker 1: I can tell you this, I know this as sure 874 00:52:04,160 --> 00:52:05,520 Speaker 1: as the sun is going to rise in the east 875 00:52:05,520 --> 00:52:09,600 Speaker 1: in the morning. There is not a single forensic pathologist 876 00:52:09,600 --> 00:52:14,680 Speaker 1: out there that is going to move forward without being very, 877 00:52:14,760 --> 00:52:21,000 Speaker 1: very cautious, because it's the world is very unforgiving with 878 00:52:21,200 --> 00:52:24,200 Speaker 1: the medical legal community. If you say something, you're the scientist, 879 00:52:24,239 --> 00:52:26,960 Speaker 1: they expect it to be you know from the burning 880 00:52:27,040 --> 00:52:30,040 Speaker 1: bush that is rooted in truth, it's rooted in science. 881 00:52:30,800 --> 00:52:38,680 Speaker 1: And of course for us relative to the passing of again, 882 00:52:39,239 --> 00:52:41,440 Speaker 1: one of the greatest actors of all time and his 883 00:52:41,520 --> 00:52:46,560 Speaker 1: precious wife Betsy and their dog, you want to make 884 00:52:46,560 --> 00:52:49,600 Speaker 1: sure that you're accurate because you get one shot at it, 885 00:52:50,040 --> 00:52:53,560 Speaker 1: and we have to be patient. We can't run off 886 00:52:54,200 --> 00:52:59,640 Speaker 1: and make wild suppositions and time will tell as well 887 00:53:00,480 --> 00:53:07,680 Speaker 1: as a science, I'm Joseph Scott Morgan and this is bodybacks.