WEBVTT - The Ring with Joseph Fink

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<v Speaker 1>On the Dog Cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef in best start

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<v Speaker 1>changing it with the beck Del casts. Spring bring Hello, Hi, Jamie,

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<v Speaker 1>it's me the Ring. What watch out? You've got seven

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<v Speaker 1>days before I come and get you? Okay, So it's

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<v Speaker 1>a timed thing. Yeah, yeah, yeah, So the stakes are

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<v Speaker 1>so high, be on high alert. I'll be on highlert

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<v Speaker 1>for I'm about to have the worst week in my

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<v Speaker 1>fucking life. You know what would be really bad? What

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<v Speaker 1>you know? The only way this week could get worse.

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<v Speaker 1>If I've watched a horse kill itself on a boat, Well,

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<v Speaker 1>it's gonna happen. So ship the spoilers click. Fine, I

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<v Speaker 1>think that went well. I think that went Oh yeahs.

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<v Speaker 1>Seven Days to Live is one of the most um

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<v Speaker 1>the best, easiest, most iconic. I never get tired of it.

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<v Speaker 1>Jokes available. Every time I see my dog's bottom teeth,

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<v Speaker 1>I'm like, there it is seven days. Just anytime I

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<v Speaker 1>see something that makes me a little uncomfortable, it's seven

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<v Speaker 1>days each and every time. I love it. Welcome to

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<v Speaker 1>the Bechtel Cast. My name is Jamie Loftus. My name

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<v Speaker 1>is Caitlin Darante, and this is our show where we

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<v Speaker 1>examine movies through an intersectional feminist lens, using the Bechtel

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<v Speaker 1>test simply as a jumping off point to inspire a

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<v Speaker 1>larger conversation. But Jamie, what about little girls crawling out

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<v Speaker 1>of TV feminist icon? Samara? Samara? Yea, you joke? But

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<v Speaker 1>I'm serious? So am I there? Well? Can I tell

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<v Speaker 1>you what the Bechtel test is? Is that? Love? That? Okay?

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<v Speaker 1>Not to um explain things to you, but well, I

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<v Speaker 1>am the Ring. You are at the Ring. I can't

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<v Speaker 1>believe I'm spending precious time of my last seven days

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<v Speaker 1>explaining what the Bechtel test is for the five thousandth

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<v Speaker 1>time two people who know, maybe this is someone's first

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<v Speaker 1>episode that Oh my gosh, that would be this would

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<v Speaker 1>be I think I feel like this would be a

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<v Speaker 1>really fun point of entry for serious discourse. Yeah, yeah,

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<v Speaker 1>So what's the Bechtel test? Though? Okay? Alright? Um? The

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<v Speaker 1>Betel Test is a media metric created by Quirk cartoonist

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<v Speaker 1>Alice and Bechtel, sometimes called the Bechtel Wallace Test. Originally

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<v Speaker 1>created as a goof for comic strip that she made

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<v Speaker 1>called Dikes to Watch out For has since become an

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<v Speaker 1>actual media metric that people use and talk about all

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<v Speaker 1>the time, such as the versions of this thing and

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<v Speaker 1>shuch As and we named it the whole show after it,

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<v Speaker 1>and we do that and sometimes people who are like

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<v Speaker 1>lying about listening to the show, they're like, wow, I

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<v Speaker 1>can't believe you talk about that for a whole hour,

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<v Speaker 1>and it's like, well, we don't. Um, we talked about

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<v Speaker 1>it for seven days. Gosh, it for seven whole days,

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<v Speaker 1>and then we explode. Our version of the test requires

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<v Speaker 1>that there be two characters of a marginalized gender with

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<v Speaker 1>names who speak to each other about something other than

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<v Speaker 1>a man for two lines of dialogue, and it should

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<v Speaker 1>be some sort of narratively impactful exchange such as ring

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<v Speaker 1>rings seven days click that I would say would count.

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<v Speaker 1>And then the other person says oh, no, oh, ship, yeah,

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<v Speaker 1>or whatever it is that Amber Tamblen says, uh, oh,

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<v Speaker 1>my gosh, that is Amber tamble In. How did I

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<v Speaker 1>not piece that together? Oh my gosh. There's so many

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<v Speaker 1>two thousand two treats. It's a tracutary board of our

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<v Speaker 1>our generation's luminaries. All right, um so I think that

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<v Speaker 1>that covers our housekeeping. We have an incredible episode today,

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<v Speaker 1>a movie we've referenced many times because due to seven

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<v Speaker 1>days being timeless reference. But today we're talking about The

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<v Speaker 1>Ring gor Verbinski Style two thousand two, starring Naomi Wah

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<v Speaker 1>and a horse and the girl who is the voice

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<v Speaker 1>of Lelo and Lelo and Stitch. And we have an

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<v Speaker 1>incredible guest. I did not look at the IMDb. Oh,

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<v Speaker 1>the facts are fun and there's more to come. But

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<v Speaker 1>we have an incredible guest, We really do. He is

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<v Speaker 1>an author and the creator of Welcome to night Vale.

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<v Speaker 1>It's Joseph Fink. Hi, thanks for having me, Welcome, Welcome.

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<v Speaker 1>It wasn't until this watch that I realized the title

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<v Speaker 1>of the movie is a pun ring ring ring, ring ring.

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<v Speaker 1>That is, I guess, I don't know what is the

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<v Speaker 1>other well, I guess the ring on the poster is

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<v Speaker 1>the ring of you being trapped in a well. Yeah,

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<v Speaker 1>before you die, you see the ring. That's that's the

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<v Speaker 1>only version I had understood. And it wasn't until I

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<v Speaker 1>was reading I AMDB Trivia that whoever wrote that IMDb

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<v Speaker 1>trivia was like by the way. Also, this movie is deep.

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<v Speaker 1>You're like, I actually did need that. It turns out, look,

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<v Speaker 1>this movie is deep. There's so many layers and and

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<v Speaker 1>and deep like a l now that okay, now I'm

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<v Speaker 1>thinking harder than ever. I love this movie so much.

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<v Speaker 1>And uh, Joseph, I am very excited to hear more

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<v Speaker 1>about your history with this movie because you requested this

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<v Speaker 1>movie specifically. Yeah, a huge mistake on my part because

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<v Speaker 1>it meant having to watch it again and now now

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<v Speaker 1>you're on thin fucking ice for the next seven days.

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<v Speaker 1>Best of, Like, this movie was so deeply traumatizing for

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<v Speaker 1>me as a teenager, Like it genuinely made my life

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<v Speaker 1>worse for like a couple of years after watching it.

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<v Speaker 1>Just I think it was thinking back, I think a

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<v Speaker 1>lot of it is it's the first actual horror movie

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<v Speaker 1>I'd ever seen. I think that's probably true for a

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<v Speaker 1>number of people my age, Like, I don't know, it's

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<v Speaker 1>just it wasn't really marketed the way most horror movies

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<v Speaker 1>were marketed before then, Like it was just sort of

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<v Speaker 1>a I went and saw it on a date because

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<v Speaker 1>it was what was in the movie theater kind of thing,

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<v Speaker 1>and then it was just straight up like scary, and

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<v Speaker 1>I had never really watched a straight up scary movie before,

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<v Speaker 1>and I didn't sleepwell for quite a while afterwards. How

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<v Speaker 1>did the date go? It was like a long term girlfriend.

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<v Speaker 1>It went five. Wait, you didn't start watching horror movies

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<v Speaker 1>until you were of like dating age. I mean I

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<v Speaker 1>was like fifteen, maybe fourteen fifteen somewhere, and they're doing

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<v Speaker 1>the math. Um. Yeah, I mean I watched like my

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<v Speaker 1>mom was very into like nineteen fifties movies, so most

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<v Speaker 1>of my childhood I watched. I watched like the original

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<v Speaker 1>Invasions of the Body Snatchers. I watched like a lot

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<v Speaker 1>of the alien movies of like It Conquered the World,

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<v Speaker 1>It Invaded the World. There was there was a number

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<v Speaker 1>that had very similar titles, but I had real strong

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<v Speaker 1>opinions about which we're better. Yeah. It's funny because now

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<v Speaker 1>watching this again, I think if I had encountered it

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<v Speaker 1>for the first time now, I wouldn't have thought much

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<v Speaker 1>about it because now, like of what I watched as

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<v Speaker 1>horror movies, it's kind of the only kind of movie

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<v Speaker 1>I watch anymore. But I as a at the time,

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<v Speaker 1>I had never seen a movie. Um just be so

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<v Speaker 1>mean to me before. Yeah, this movie is punishing. This

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<v Speaker 1>movie does feel like it's hitting you. I feel like,

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<v Speaker 1>given your body of work growing up watching fifties alien movies,

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<v Speaker 1>um it tracks. It makes sense to me. I was

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<v Speaker 1>barely allowed to watch TV and then yeah, when I was,

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<v Speaker 1>it was almost always movies from the fifties. Jamie, what's

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<v Speaker 1>your history relationship with the Ring? I feel like maybe

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<v Speaker 1>I've told the story on the podcast before. I definitely

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<v Speaker 1>told you, Caitlin, this movie ruined my entire life. Uh

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<v Speaker 1>when when I thought this was like definitely the first.

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<v Speaker 1>Like I think I'd seen like spooky movies, but I

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<v Speaker 1>hadn't seen a scary movie. I didn't see this in theaters.

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<v Speaker 1>I would have seen it shortly this movie came. It

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<v Speaker 1>was in like third grades, third or fourth grade, I

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<v Speaker 1>think like third grade, and we we rented a copy

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<v Speaker 1>of it. My older cousin, Tammy, rented a copy of this.

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<v Speaker 1>She and my aunt and uncle like live in this old, crusty,

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<v Speaker 1>terrifying house in Brockton, Massachusetts that is like over three

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<v Speaker 1>years old. A ton of people have died at the house.

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<v Speaker 1>There's all these scary stories about the house. In her

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<v Speaker 1>childhood bedroom and like as an adults, like that can't

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<v Speaker 1>be true. And then I checked with my aunt. She's like, no,

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<v Speaker 1>that's true. There was like a woman who was like

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<v Speaker 1>blocked in the closet and then she tried to get out,

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<v Speaker 1>but she couldn't and she died. And that happened in

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<v Speaker 1>some time in the nineteenth century. And just like all

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<v Speaker 1>these scary things happened at the house, I was afraid

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<v Speaker 1>of the house, sleeping over. I didn't love it. My

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<v Speaker 1>cousin loved living in a haunted house and wanted to

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<v Speaker 1>scare me. And so we watched this tape and it

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<v Speaker 1>was the I think it was the only Did you

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<v Speaker 1>watch it on VHS? The ring? Yes, yes, we would

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<v Speaker 1>have rented this from the nearby blockbuster on VHS, which

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<v Speaker 1>makes me feel nice thousand years old. It was so scary.

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<v Speaker 1>It was the scariest movie I'd ever seen. I was

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<v Speaker 1>crying during the movie. I was begging her to tart

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<v Speaker 1>it off, and she was like just loving every second

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<v Speaker 1>of it. We finished the movie. It's late at night.

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<v Speaker 1>I'm still crying, and then I think Tammy is like, oh,

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<v Speaker 1>this is actually a bad situation for me. Now I'm

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<v Speaker 1>no longer having fun. So then we watched another VHS

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<v Speaker 1>which would have been I remember very clearly, She's like,

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<v Speaker 1>I know what to do for a palate cleanser. And

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<v Speaker 1>then we watched My Big Fat Greek Wedding, another two

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<v Speaker 1>thousand two classic, because she was like, you'll feel better

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<v Speaker 1>if we watched My Big Fat Greek Wedding. But unfortunately

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<v Speaker 1>it didn't work. And um, she still makes fun of

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<v Speaker 1>me because I called my dad at like and I

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<v Speaker 1>was like, you need to come get me. I have

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<v Speaker 1>seven days to live and I need to I need

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<v Speaker 1>to be with my family. UM. Traumatizing movie that I've

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<v Speaker 1>returned too many times over the year. But I haven't

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<v Speaker 1>seen this movie and it does make me uncomfortable to

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<v Speaker 1>watch still. But this time, preparing for this episode and

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<v Speaker 1>also watching I didn't watch the entire original Ring Goo,

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<v Speaker 1>but I watched specific scenes and I wanted to know

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<v Speaker 1>what the differences were between the two movies. But watching

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<v Speaker 1>at this time, I was like, oh, I guess I

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<v Speaker 1>was just ten years old when I watched this. I

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<v Speaker 1>guess It's like I didn't be myself and I slept fine,

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<v Speaker 1>glad to hear it. So in that way, being a

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<v Speaker 1>grown up rocks all right. What's your history with this movie?

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<v Speaker 1>So I was. I saw it for the first time

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<v Speaker 1>when I was a sophomore in college, which would have

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<v Speaker 1>been two thousand five. Friend of the cast, my best

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<v Speaker 1>friend j T was like, you haven't seen the Ring.

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<v Speaker 1>You gotta see the Ring, And so we watched it

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<v Speaker 1>in his apartment because we would do this thing where

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<v Speaker 1>we would watch scary movies together and then both get

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<v Speaker 1>really freaked out and then I would have to like

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<v Speaker 1>stay with his apartment, sleep in bed with him for

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<v Speaker 1>like a week because we were both like, oh no,

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<v Speaker 1>the hills have eyes are going to get us. The

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<v Speaker 1>Ring is out to get you know, so that hill

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<v Speaker 1>is a little too silent for my liking exactly, So

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<v Speaker 1>we did that with the Ring. He knew what was coming,

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<v Speaker 1>so he played a little prank on me where after

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<v Speaker 1>the movie was over, I was like, I feel horrible,

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<v Speaker 1>I'm scared, but also I have to go to the bathroom.

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<v Speaker 1>And then when I came back from the bathroom, he

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<v Speaker 1>had shut all the lights off in the room and

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<v Speaker 1>then turned the TV on to like static, so it

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<v Speaker 1>was just like static on the TV. And then he disappeared,

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<v Speaker 1>like I didn't know where he was turns out he

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<v Speaker 1>was hiding in the closet and then he came out

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<v Speaker 1>and scared me. But it was so freaky, and I

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<v Speaker 1>was like, oh my gosh, I saw the movie The

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<v Speaker 1>Ring and now I only have seven days to live,

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<v Speaker 1>and and then I it's so effective. Is there anyone

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<v Speaker 1>who's seen this movie who does not have a like

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<v Speaker 1>trauma traumatory? It truly is like a trauma and dishing movie.

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<v Speaker 1>We should Yeah, we should just like open a hotline

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<v Speaker 1>for people to call in and say what happened when

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<v Speaker 1>they watched The Rings. But then people will call us

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<v Speaker 1>and the phone will go bring Ring and then we'll

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<v Speaker 1>only have seven days to live again. Tomorrow we'll call yeah. Um.

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<v Speaker 1>So I was like, I never need to see this

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<v Speaker 1>movie again. I'm there's no reason for me to watch it.

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<v Speaker 1>So I went another I don't know whatever seventeen years

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<v Speaker 1>without seeing it, and then here we are talking about it.

0:12:25.800 --> 0:12:27.120
<v Speaker 1>So I had to watch it again. I watched a

0:12:27.160 --> 0:12:30.960
<v Speaker 1>couple of nights ago. As soon as I finished watching it,

0:12:31.679 --> 0:12:35.800
<v Speaker 1>a fly started buzzing around my apartment. Okay, so the

0:12:35.880 --> 0:12:39.640
<v Speaker 1>fly from the VHS tape found its way into my apartment. Also,

0:12:40.040 --> 0:12:44.640
<v Speaker 1>my doors started making creepy, like creepy, creaky sounds like

0:12:44.720 --> 0:12:47.880
<v Speaker 1>my apartment was just like being all weird and the

0:12:47.880 --> 0:12:52.360
<v Speaker 1>fly was buzzing around and now I'm gonna die soon.

0:12:52.720 --> 0:12:54.800
<v Speaker 1>You're you only have a couple of days, but it's

0:12:54.800 --> 0:12:58.199
<v Speaker 1>a good thing that you're done. Um. Spending up podcast

0:12:58.360 --> 0:13:03.199
<v Speaker 1>days a wonderful way to spend my time. And normally

0:13:03.320 --> 0:13:06.880
<v Speaker 1>I watch a movie twice to prep for an episode,

0:13:06.880 --> 0:13:09.200
<v Speaker 1>but I could only stomach this movie once. And I

0:13:09.240 --> 0:13:12.400
<v Speaker 1>was also going to watch Ringu to just kind of yeah,

0:13:12.440 --> 0:13:15.120
<v Speaker 1>like you said, Jamie, note the differences and similarities. But

0:13:15.160 --> 0:13:18.360
<v Speaker 1>I was like, no, I simply cannot got you. I'm

0:13:18.400 --> 0:13:22.360
<v Speaker 1>ready to die, so it's fine. My extra credit is

0:13:22.440 --> 0:13:25.000
<v Speaker 1>I started watching the ring To, which I had actually

0:13:25.040 --> 0:13:28.640
<v Speaker 1>never seen. I watched probably like the first twenty minutes.

0:13:28.840 --> 0:13:32.319
<v Speaker 1>It's fine, is it? Is it the same cast? Mostly

0:13:32.840 --> 0:13:36.320
<v Speaker 1>it's Naomi Wats and it's the same kid. Everyone else

0:13:36.440 --> 0:13:39.760
<v Speaker 1>is different. Um, it might have been probably it's the

0:13:39.800 --> 0:13:42.640
<v Speaker 1>same girl playing tomorrow. I'm actually not sure. But it's

0:13:42.640 --> 0:13:45.199
<v Speaker 1>directed by the guy who directed Ringo. They brought in

0:13:46.120 --> 0:13:48.680
<v Speaker 1>They brought in the Japanese director to direct the sequel.

0:13:49.360 --> 0:13:52.440
<v Speaker 1>It just doesn't have that same like intensity of the

0:13:52.440 --> 0:13:54.920
<v Speaker 1>first one. It's a little more like, let's dive into

0:13:55.679 --> 0:13:58.439
<v Speaker 1>so far as background some more and find out more

0:13:58.480 --> 0:14:01.680
<v Speaker 1>about her childhood. And I think I had I didn't

0:14:01.720 --> 0:14:04.840
<v Speaker 1>have a ton of questions. Um at the end of

0:14:04.840 --> 0:14:07.520
<v Speaker 1>the first movie, I will say, the kid from the

0:14:07.640 --> 0:14:11.679
<v Speaker 1>Ring is just not doing it for me. The little

0:14:11.679 --> 0:14:16.200
<v Speaker 1>girl or the little boy. The little girl is life changing. Yeah,

0:14:16.200 --> 0:14:19.800
<v Speaker 1>I know that. The little boy, but we'll talk about that.

0:14:20.280 --> 0:14:23.080
<v Speaker 1>The little boy he now works as a lawyer for Congress.

0:14:23.120 --> 0:14:25.640
<v Speaker 1>By the way, he's current shop. I look, I'm like,

0:14:25.680 --> 0:14:27.640
<v Speaker 1>what does he doing these days? And he works as

0:14:27.720 --> 0:14:31.040
<v Speaker 1>like a lawyer for one of the committees. Good for him.

0:14:31.120 --> 0:14:34.920
<v Speaker 1>He's a ranking member of Foreign Affairs subcommittee on Asia.

0:14:35.640 --> 0:14:40.720
<v Speaker 1>So he lived the seven days and that is encouraging goodness?

0:14:40.800 --> 0:14:42.960
<v Speaker 1>All right, should be Are are you good? Who was

0:14:43.000 --> 0:14:47.080
<v Speaker 1>at your door? Was it someone I don't know? Someone

0:14:47.640 --> 0:14:50.880
<v Speaker 1>was at my door and it was a stranger and

0:14:51.040 --> 0:14:53.160
<v Speaker 1>he told me I have seven days to live. So

0:14:54.080 --> 0:14:57.400
<v Speaker 1>how many times can we make the joke? Okay, we'll

0:14:57.440 --> 0:15:01.200
<v Speaker 1>never get old to me. Should I do the recap?

0:15:01.600 --> 0:15:03.960
<v Speaker 1>We'll go from there. Let's do it. Actually, let's take

0:15:03.960 --> 0:15:07.880
<v Speaker 1>a break. Let's put this phone call on hold and

0:15:07.920 --> 0:15:18.880
<v Speaker 1>then we'll come right back. And we're back. So we

0:15:19.160 --> 0:15:23.200
<v Speaker 1>open on two teen girls flipping through the channels. One

0:15:23.240 --> 0:15:25.840
<v Speaker 1>girl is Becca and she's like, Hey, have you heard

0:15:25.840 --> 0:15:29.200
<v Speaker 1>about this video tape that kills you when you watch it?

0:15:29.960 --> 0:15:32.440
<v Speaker 1>This woman comes on screen, and then when the video

0:15:32.520 --> 0:15:35.400
<v Speaker 1>is over, your phone rings and a voice says you

0:15:35.440 --> 0:15:38.160
<v Speaker 1>will die in seven days, and then seven days later

0:15:38.320 --> 0:15:41.760
<v Speaker 1>you die. And then the other girl, Katie. I think

0:15:41.840 --> 0:15:45.480
<v Speaker 1>that's Amber tam Amber Tam yes, with the chunkiest highlights

0:15:45.520 --> 0:15:49.440
<v Speaker 1>I've ever seen in my entire life. So two thousand two. Yeah,

0:15:49.840 --> 0:15:52.520
<v Speaker 1>She's like, oh no, I watched the tape and then

0:15:52.560 --> 0:15:55.040
<v Speaker 1>she pretends to die to play a prank on Becca.

0:15:55.320 --> 0:15:57.920
<v Speaker 1>But then a few minutes later, Katie is walking around

0:15:57.920 --> 0:16:00.600
<v Speaker 1>her house. The TV comes on, there's attic, then we

0:16:00.640 --> 0:16:04.160
<v Speaker 1>see an image of a well and then Katie does die. Yeah,

0:16:04.320 --> 0:16:06.120
<v Speaker 1>And then when they flash back to show you what

0:16:06.240 --> 0:16:10.440
<v Speaker 1>Katie's face looked like when she died. Scary. I feel

0:16:10.480 --> 0:16:12.800
<v Speaker 1>like that's the thing most people remember from the movie,

0:16:12.840 --> 0:16:16.160
<v Speaker 1>even more than the little girl, is Katie's face. They

0:16:16.200 --> 0:16:20.480
<v Speaker 1>wrecked amber Tamblin, they wrecked her in her Joane of

0:16:20.600 --> 0:16:25.680
<v Speaker 1>Arcadia era and everything past did not like it. Uh.

0:16:25.800 --> 0:16:30.120
<v Speaker 1>Then we cut to Rachel Keller. That's Naomi Watts. She's

0:16:30.200 --> 0:16:34.680
<v Speaker 1>an investigative journalist. We meet her and her son, who

0:16:34.720 --> 0:16:39.040
<v Speaker 1>has made some creepy drawings depicting his cousin Katie's death.

0:16:39.120 --> 0:16:42.520
<v Speaker 1>So Katie, who died in the first scene is Rachel

0:16:42.600 --> 0:16:47.440
<v Speaker 1>Keller's niece, her son Aiden's cousin m and she died

0:16:47.760 --> 0:16:52.080
<v Speaker 1>three nights ago. Now, which Rachel is stunningly jill about.

0:16:52.400 --> 0:16:57.400
<v Speaker 1>She doesn't give a shit. She grieves quietly or possibly

0:16:57.440 --> 0:17:01.320
<v Speaker 1>not at all. There I want to favorite. I get

0:17:01.440 --> 0:17:04.400
<v Speaker 1>like horror movie tropes as like the teacher who's like

0:17:05.160 --> 0:17:08.919
<v Speaker 1>these drawings, like because it's always just like, yeah, kids

0:17:09.119 --> 0:17:12.280
<v Speaker 1>suck at art, and every teacher knows that kids are

0:17:12.320 --> 0:17:16.040
<v Speaker 1>famously bad artists. But she's like, I don't know, could

0:17:16.080 --> 0:17:19.080
<v Speaker 1>be it could be a sign your son is just

0:17:19.280 --> 0:17:26.080
<v Speaker 1>blowing it at kids doing creepy things in horror movies.

0:17:26.400 --> 0:17:30.639
<v Speaker 1>Is the scariest thing to me of all the like

0:17:30.840 --> 0:17:34.360
<v Speaker 1>subgenres of horror or all the horror tropes, the scariest

0:17:34.359 --> 0:17:37.160
<v Speaker 1>thing to me is creepy kids doing creepy things, and

0:17:38.000 --> 0:17:40.119
<v Speaker 1>it's happening in this movie. So he's making these creepy

0:17:40.200 --> 0:17:44.240
<v Speaker 1>drawings and Katie died three nights ago, but Aiden's teacher

0:17:44.400 --> 0:17:48.280
<v Speaker 1>is like, but Aiden drew these last week. Is if

0:17:48.320 --> 0:17:54.560
<v Speaker 1>I'm like, got a life, lady like students, how are

0:17:54.560 --> 0:17:58.080
<v Speaker 1>you keeping this close track on Aiden? I don't know.

0:17:58.160 --> 0:18:01.159
<v Speaker 1>But also Naomi, Naomi Watts is being super weird and

0:18:01.240 --> 0:18:03.200
<v Speaker 1>that seeing in a way that isn't called back where

0:18:03.240 --> 0:18:07.280
<v Speaker 1>she's just suffered. What is it? Extremely imagine if your

0:18:07.359 --> 0:18:10.200
<v Speaker 1>niece died like that and then three days later you're like, well,

0:18:10.240 --> 0:18:13.359
<v Speaker 1>I don't know, She's life happens. She's like talking on

0:18:13.400 --> 0:18:17.000
<v Speaker 1>the phone to her boss and like making a literate

0:18:17.040 --> 0:18:20.399
<v Speaker 1>of comments about like calling him a prick or something

0:18:20.440 --> 0:18:23.680
<v Speaker 1>like that, and I'm just like, your beloved niece just

0:18:23.920 --> 0:18:28.720
<v Speaker 1>died brutally. Anyway, My question about the teacher is did

0:18:28.760 --> 0:18:32.480
<v Speaker 1>she get those drawings, be like wow, these are sucked

0:18:32.560 --> 0:18:34.239
<v Speaker 1>up and then sit on them for a week just

0:18:34.320 --> 0:18:41.480
<v Speaker 1>in case somewhere? What did she know she had a

0:18:41.520 --> 0:18:45.679
<v Speaker 1>special like Aiden scary drawings folder like ready to go.

0:18:46.400 --> 0:18:48.400
<v Speaker 1>Maybe she just had it for every kid and then

0:18:48.440 --> 0:18:53.200
<v Speaker 1>she's like, all right, all these kids are creating absolute garbage.

0:18:53.520 --> 0:18:55.600
<v Speaker 1>I'm just gonna wait for it to seem like evidence

0:18:56.520 --> 0:19:01.960
<v Speaker 1>that's I had to check the opsius because it was like,

0:19:02.440 --> 0:19:05.040
<v Speaker 1>Naomi Watts is not acting like she and Amber Tamplein

0:19:05.119 --> 0:19:08.040
<v Speaker 1>were related, Like she's true because she was like my

0:19:08.320 --> 0:19:11.560
<v Speaker 1>she called him my son's best friend instead of her niece,

0:19:12.119 --> 0:19:15.720
<v Speaker 1>which is just like it was very bizarre. Also, I

0:19:15.760 --> 0:19:18.480
<v Speaker 1>was like, Oh, this cousin of his who's also his

0:19:18.560 --> 0:19:21.560
<v Speaker 1>best friend. I did not make the connection that would

0:19:21.600 --> 0:19:24.879
<v Speaker 1>have been Katie because Katie is a teenager in Aiden

0:19:25.040 --> 0:19:27.879
<v Speaker 1>is like, I don't know seven, So I'm like, that

0:19:27.960 --> 0:19:31.320
<v Speaker 1>happens with cousins, doesn't What are you talking when you're

0:19:31.320 --> 0:19:36.439
<v Speaker 1>like best friends? Like that age difference thing? Well, I mean,

0:19:36.440 --> 0:19:38.800
<v Speaker 1>I understand that they would have been close, but like,

0:19:38.960 --> 0:19:42.000
<v Speaker 1>I don't know. The point is Aiden calls his mom

0:19:42.080 --> 0:19:46.359
<v Speaker 1>by her first name. I don't like that. Yes, I

0:19:46.400 --> 0:19:49.080
<v Speaker 1>feel like that is done. Just that was supposed to

0:19:49.080 --> 0:19:51.200
<v Speaker 1>be scary, right or was that just sort of how

0:19:51.320 --> 0:19:53.200
<v Speaker 1>is that just what Seattle is like, I think we're

0:19:53.240 --> 0:19:56.760
<v Speaker 1>supposed to be like Aiden is creepy, which he is.

0:19:56.880 --> 0:19:59.439
<v Speaker 1>I feel like I'm going to disagree with the statement

0:19:59.480 --> 0:20:01.560
<v Speaker 1>you made earlier. I think this kid nails it, Like

0:20:01.600 --> 0:20:06.000
<v Speaker 1>he is so off putting in the right, But is

0:20:06.040 --> 0:20:08.679
<v Speaker 1>he trying to be I don't. I mean, look this,

0:20:09.320 --> 0:20:10.840
<v Speaker 1>the kid from the Ring is going to take me

0:20:10.920 --> 0:20:13.760
<v Speaker 1>to court. Now I'm gonna go to He's a lawyer

0:20:13.800 --> 0:20:19.000
<v Speaker 1>who can represent himself. He's gonna suck me up. Yeah, okay.

0:20:19.080 --> 0:20:24.800
<v Speaker 1>So then Rachel and Aiden go to Katie's funeral. Um

0:20:24.880 --> 0:20:29.399
<v Speaker 1>Katie's mom slash Rachel's sister. I don't even know if

0:20:29.400 --> 0:20:31.680
<v Speaker 1>we learn that they're sisters, but I think so. They're

0:20:31.680 --> 0:20:35.520
<v Speaker 1>both blonde. I think we're supposed to. Yeah, So she

0:20:35.680 --> 0:20:39.119
<v Speaker 1>asks Rachel if she could try to figure out what

0:20:39.480 --> 0:20:43.400
<v Speaker 1>happened because doctors can't explain why or how Katie died.

0:20:43.600 --> 0:20:46.160
<v Speaker 1>And then that's when we see the shot of Katie's

0:20:46.200 --> 0:20:49.800
<v Speaker 1>face and it's all disfigured and scary looking, and that's

0:20:49.800 --> 0:20:57.040
<v Speaker 1>like pulled directly from Ring Goo like that the Japanese movie.

0:20:57.080 --> 0:20:59.560
<v Speaker 1>The sections of it I've seen because it's streaming for

0:20:59.560 --> 0:21:02.520
<v Speaker 1>free to to be for all you to be heads

0:21:02.520 --> 0:21:04.840
<v Speaker 1>out there, Uh, you can watch it for free on

0:21:04.920 --> 0:21:09.720
<v Speaker 1>tub right now. And it's also on shutter. Yes, it's okay,

0:21:09.800 --> 0:21:12.359
<v Speaker 1>So if you have if you have money, it's on shutter.

0:21:13.119 --> 0:21:16.520
<v Speaker 1>If you have to be and Shutter has like the

0:21:16.720 --> 0:21:20.040
<v Speaker 1>entire Ringo Japanese series, like all like seven no ways

0:21:20.440 --> 0:21:23.320
<v Speaker 1>or something. Kidding, I still haven't subscribed to Shutter. It's

0:21:23.320 --> 0:21:26.200
<v Speaker 1>like one of my holdouts for for no reason. I've

0:21:26.240 --> 0:21:29.600
<v Speaker 1>got seven dollars. I could do it. Do it. You've

0:21:29.640 --> 0:21:31.840
<v Speaker 1>got seven dollars and you've got seven days, Jamie, so

0:21:32.040 --> 0:21:36.760
<v Speaker 1>make it dollar for each day, baby. And and if

0:21:36.760 --> 0:21:38.720
<v Speaker 1>you've only got seven days to live, this is just

0:21:38.760 --> 0:21:40.720
<v Speaker 1>becoming an ad for Shutter. But if you've got seven

0:21:40.800 --> 0:21:43.480
<v Speaker 1>days to live, you can't blow it watching ads on

0:21:43.560 --> 0:21:46.080
<v Speaker 1>to Be and there's so many ads on two B,

0:21:46.400 --> 0:21:48.840
<v Speaker 1>so I think you get a seven day free trial

0:21:48.920 --> 0:21:51.800
<v Speaker 1>when you sign up for Shutter. Speaking of seven days,

0:21:52.280 --> 0:21:57.040
<v Speaker 1>Shutters should sponsor us. Clearly we are good at it.

0:21:57.200 --> 0:22:01.879
<v Speaker 1>And uh, Joseph introduced it so smoothly into the conversation.

0:22:02.640 --> 0:22:06.320
<v Speaker 1>And when you do watch to Be this um. When

0:22:06.359 --> 0:22:09.360
<v Speaker 1>I was watching Ringo, it was interrupted several times by

0:22:09.840 --> 0:22:12.720
<v Speaker 1>the same Fabrize commercial on a loop for seven minutes.

0:22:13.400 --> 0:22:17.239
<v Speaker 1>So seven is really the number of the episode? Uh

0:22:17.600 --> 0:22:20.840
<v Speaker 1>yeah it is. But the but the the imagery in

0:22:20.880 --> 0:22:24.840
<v Speaker 1>the in the first Ringo movie is so scary, so

0:22:24.840 --> 0:22:28.320
<v Speaker 1>so scary. I got maybe five minutes into Ringo, and

0:22:28.320 --> 0:22:33.600
<v Speaker 1>then I was like, I cannot simply cannot do this

0:22:33.680 --> 0:22:36.320
<v Speaker 1>to my brain and my feelings, so I stopped. I

0:22:36.400 --> 0:22:39.080
<v Speaker 1>respect that. My report from The Ring Too is that

0:22:39.160 --> 0:22:42.240
<v Speaker 1>it repeats the exact same scare of the teenager with

0:22:42.440 --> 0:22:44.520
<v Speaker 1>a fund up face at almost the exact same point

0:22:44.560 --> 0:22:48.560
<v Speaker 1>in the movie. Really, it basically starts the same way,

0:22:48.680 --> 0:22:51.280
<v Speaker 1>and then it like starts with two teenagers, one of

0:22:51.280 --> 0:22:54.360
<v Speaker 1>them gets killed by the ring girl, and then Naomi

0:22:54.400 --> 0:22:56.840
<v Speaker 1>Watts finds the kid and the kid has the face

0:22:57.520 --> 0:23:00.280
<v Speaker 1>very similar structure. Did she care this time or is

0:23:00.359 --> 0:23:03.000
<v Speaker 1>she like still not worried about it? I mean she

0:23:03.160 --> 0:23:06.040
<v Speaker 1>she like seeks it out this time. He's not related

0:23:06.040 --> 0:23:09.800
<v Speaker 1>to her. She like she basically hears there's a teenager

0:23:09.920 --> 0:23:12.800
<v Speaker 1>with a weird face, and she's like, wait a second,

0:23:13.480 --> 0:23:17.560
<v Speaker 1>I know this. I will travel. I like that that.

0:23:18.000 --> 0:23:20.520
<v Speaker 1>Gorver Binsky, this is just kind of his like warm

0:23:20.600 --> 0:23:24.000
<v Speaker 1>up lap before he starts directing every Pirate of the

0:23:24.000 --> 0:23:27.640
<v Speaker 1>Caribbean movie, Like less than a year after The Ring

0:23:27.840 --> 0:23:32.119
<v Speaker 1>he's just directing Jeffrey rush as a ghost when a

0:23:32.160 --> 0:23:35.080
<v Speaker 1>whole series of kind of terrible movies starring Johnny Depp.

0:23:35.080 --> 0:23:37.119
<v Speaker 1>Because he went from straight from that to like, was

0:23:37.160 --> 0:23:40.440
<v Speaker 1>it ringo in the Lone Ranger? It was just like

0:23:40.920 --> 0:23:45.280
<v Speaker 1>that was his next fifteen years. Yeah, he which is

0:23:45.800 --> 0:23:50.639
<v Speaker 1>a different kind of course. I would say he did rango.

0:23:50.760 --> 0:23:54.080
<v Speaker 1>He should have been doing ringo. WHOA makes you think?

0:23:54.320 --> 0:23:57.640
<v Speaker 1>I was also trying to make a rango ringou joke,

0:23:57.760 --> 0:24:00.439
<v Speaker 1>but I couldn't get there. So thank you Amy for

0:24:00.520 --> 0:24:06.920
<v Speaker 1>doing the work. I drank some cold brew. I'm good together. Wow. Okay,

0:24:06.960 --> 0:24:11.640
<v Speaker 1>so what happens next? Um Rachel now starts trying to

0:24:11.720 --> 0:24:15.639
<v Speaker 1>investigate Katie's death and she talks to Katie's friends. Adam

0:24:15.680 --> 0:24:18.280
<v Speaker 1>Brodie is there and he tells her about this tape

0:24:18.280 --> 0:24:20.119
<v Speaker 1>that kills you when you watch it. He's in it

0:24:20.119 --> 0:24:24.159
<v Speaker 1>for forty five seconds. They just had some downtime on

0:24:24.840 --> 0:24:27.440
<v Speaker 1>the O C or Gilmore Girls, whatever he happened to

0:24:27.480 --> 0:24:30.200
<v Speaker 1>be starring on at the time. And he's like, sure,

0:24:30.240 --> 0:24:33.879
<v Speaker 1>I'll be in the ring for seven seconds. Is it

0:24:33.920 --> 0:24:37.600
<v Speaker 1>allowed to like Adam Brodie? I hope so, because I

0:24:37.680 --> 0:24:40.639
<v Speaker 1>like him. I hope he has not done anything bad. Okay,

0:24:40.760 --> 0:24:43.200
<v Speaker 1>I'm a fan, Okay, I just I'm like, if you've

0:24:43.200 --> 0:24:46.560
<v Speaker 1>been famous for more than twenty years and it's a

0:24:46.640 --> 0:24:49.080
<v Speaker 1>chance that, like the chances, just it becomes a kind

0:24:49.119 --> 0:24:52.920
<v Speaker 1>of a scary situation. But I love Adam Brodie. Just

0:24:52.920 --> 0:24:57.880
<v Speaker 1>just never google, just never, never google Adam Brodie crimes.

0:25:00.040 --> 0:25:03.480
<v Speaker 1>So then Rachel pokes around Katie's room and finds a

0:25:03.640 --> 0:25:06.960
<v Speaker 1>stub for photos that she was getting developed. So Rachel

0:25:06.960 --> 0:25:09.679
<v Speaker 1>goes and picks up the photos looks through them. We

0:25:09.760 --> 0:25:13.600
<v Speaker 1>see Katie, her boyfriend Josh, and two other friends all

0:25:13.680 --> 0:25:16.760
<v Speaker 1>on a camping trip. Everything seems normal, but then Rachel

0:25:16.800 --> 0:25:19.240
<v Speaker 1>comes across a photo that shows all of their faces

0:25:19.840 --> 0:25:25.600
<v Speaker 1>really blurry and distorted. So Rachel continues investigating and discovers

0:25:25.640 --> 0:25:29.040
<v Speaker 1>that Katie, Josh, and the two other friends have all

0:25:29.080 --> 0:25:31.760
<v Speaker 1>died on the same night and at the same exact time,

0:25:31.880 --> 0:25:37.600
<v Speaker 1>ten PM. So scary, very scary. Yes, it's scary. Yes.

0:25:37.880 --> 0:25:42.359
<v Speaker 1>So then so then Rachel goes to Shelter Mountain Inn

0:25:42.800 --> 0:25:46.040
<v Speaker 1>where the teens stayed on this camping trip in a cabin,

0:25:46.720 --> 0:25:51.720
<v Speaker 1>and the inn lends out VHS tapes and she notices

0:25:51.960 --> 0:25:54.720
<v Speaker 1>one tape in particular on the shelf with no case,

0:25:55.040 --> 0:25:59.800
<v Speaker 1>so Rachel snatches It's menacing. I wonder if people who

0:25:59.800 --> 0:26:03.359
<v Speaker 1>did grow up with VHS is understands the menacing nature

0:26:03.520 --> 0:26:07.280
<v Speaker 1>of an unmarked VHS tape. I don't know. I don't know.

0:26:07.440 --> 0:26:11.600
<v Speaker 1>Let's ask gen Z thoughts. I mean, we can get

0:26:11.640 --> 0:26:14.200
<v Speaker 1>to this in the discussion. But I just am fascinated

0:26:14.240 --> 0:26:17.159
<v Speaker 1>by how much of this plot is built around technologies

0:26:17.760 --> 0:26:20.000
<v Speaker 1>that not only are defunct now, but they went defunct

0:26:20.040 --> 0:26:22.800
<v Speaker 1>within like two years of this movie coming out. Right,

0:26:23.520 --> 0:26:27.080
<v Speaker 1>everything this movie depends on is gone two years later. Yeah,

0:26:27.240 --> 0:26:32.119
<v Speaker 1>this this maybe the last, the last movie that I

0:26:32.200 --> 0:26:38.000
<v Speaker 1>remember having a VHS related plot point, and they really well,

0:26:38.000 --> 0:26:40.280
<v Speaker 1>then I guess it because this movie isn't as scary

0:26:40.280 --> 0:26:43.160
<v Speaker 1>if it's a blue right, it's a due right though.

0:26:44.400 --> 0:26:46.680
<v Speaker 1>I mean that's a ring in and of itself. That's

0:26:46.680 --> 0:26:52.400
<v Speaker 1>a different kind of ring hunted DVD menu like the well,

0:26:52.560 --> 0:26:55.920
<v Speaker 1>isn't there that horror movie called VHS that came out?

0:26:56.160 --> 0:26:58.320
<v Speaker 1>What year did that come out? There's a whole series

0:26:58.400 --> 0:27:00.960
<v Speaker 1>of them. Their excels there. I love, I love those.

0:27:01.359 --> 0:27:03.520
<v Speaker 1>I feel like those are a little more like banking

0:27:03.560 --> 0:27:07.760
<v Speaker 1>on like VHS nostalgia if I'm remembering, because now I

0:27:07.800 --> 0:27:11.000
<v Speaker 1>feel like gen Z does know what VHS tapes are

0:27:11.119 --> 0:27:15.760
<v Speaker 1>because everything is a nostalgia machine now, So like there's

0:27:15.840 --> 0:27:21.000
<v Speaker 1>VHS is on what that's I'm like on Stranger Things,

0:27:21.040 --> 0:27:24.600
<v Speaker 1>like the kids are watching, but this movie has it

0:27:24.640 --> 0:27:28.080
<v Speaker 1>has VHS, it has photo developing, like the whole plot

0:27:28.119 --> 0:27:31.200
<v Speaker 1>point of the photo developing. She works for a newspaperine,

0:27:31.200 --> 0:27:33.919
<v Speaker 1>she gets answering machine messages. She takes photos with a

0:27:33.960 --> 0:27:37.760
<v Speaker 1>digital camera like it's everything in this movie is gone.

0:27:38.359 --> 0:27:40.959
<v Speaker 1>So soon after it comes out, she does Google. Something

0:27:41.240 --> 0:27:44.159
<v Speaker 1>she doesn't but the interface, but then she's like, I

0:27:44.240 --> 0:27:47.960
<v Speaker 1>gotta go. I actually the encyclopedia is more efficient. She's like,

0:27:48.000 --> 0:27:50.639
<v Speaker 1>I need to go to the library and find a

0:27:50.640 --> 0:27:54.320
<v Speaker 1>book called America's Lighthouses, and that's what leads her to

0:27:54.520 --> 0:27:58.480
<v Speaker 1>the information she needs. Anyway, this is maybe right up

0:27:58.480 --> 0:28:02.560
<v Speaker 1>there with one of my favorite research scenes in all

0:28:02.600 --> 0:28:06.240
<v Speaker 1>of cinema, because she'd uses Google for exactly one second

0:28:06.359 --> 0:28:10.120
<v Speaker 1>and then she bails on Google, and he looks at

0:28:10.119 --> 0:28:12.920
<v Speaker 1>a book full of lighthouses and gets the information she needs.

0:28:13.000 --> 0:28:16.480
<v Speaker 1>It rocks. I love it. So she has gone to

0:28:16.520 --> 0:28:20.200
<v Speaker 1>the end. She snatches the VHS tape with no case.

0:28:20.640 --> 0:28:23.200
<v Speaker 1>Then she checks into Cabin twelve, which is the same

0:28:23.280 --> 0:28:26.600
<v Speaker 1>cabin the teens stayed in. She plays the tape in

0:28:26.640 --> 0:28:29.639
<v Speaker 1>the cabin. So we now as the audience see the

0:28:29.800 --> 0:28:33.520
<v Speaker 1>entire tape. There's static, there's a ring of light, a ladder,

0:28:33.880 --> 0:28:37.440
<v Speaker 1>a chair, a creepy girl with long hair, Mommy looking

0:28:37.480 --> 0:28:41.719
<v Speaker 1>in the mirror and then saying hello there. I hadn't

0:28:41.760 --> 0:28:46.760
<v Speaker 1>rewatched the video itself in a long time, and it

0:28:46.800 --> 0:28:49.280
<v Speaker 1>did give me some comfort that watching it back as

0:28:49.320 --> 0:28:53.600
<v Speaker 1>an adult. Um, it's goofy as Noah says, well, we're

0:28:53.600 --> 0:28:56.480
<v Speaker 1>about to meet Noah. But he's like, it's very student film,

0:28:56.560 --> 0:29:00.040
<v Speaker 1>and it's like, yeah, it is. It just feels like

0:29:00.080 --> 0:29:03.240
<v Speaker 1>a little like a kid's haunted house. It's like, here's

0:29:03.240 --> 0:29:07.240
<v Speaker 1>separate fingers. Yeah, it's very like here's some scary stuff.

0:29:08.320 --> 0:29:10.440
<v Speaker 1>You watch it in line for like a roller coaster

0:29:10.560 --> 0:29:14.200
<v Speaker 1>and they're like, oh no, what's gonna happen? I like that.

0:29:14.360 --> 0:29:17.040
<v Speaker 1>I I did crack up when the mom is looking

0:29:17.040 --> 0:29:19.160
<v Speaker 1>at the mirror and then she turns around and then

0:29:19.160 --> 0:29:22.000
<v Speaker 1>it cuts to like new scary thing. It's just kind

0:29:22.000 --> 0:29:26.440
<v Speaker 1>of scary, vaguely menacing b roll Um. Yeah, it's a

0:29:26.480 --> 0:29:29.920
<v Speaker 1>bunch of mostly disturbing images. I still found the tape

0:29:29.960 --> 0:29:34.640
<v Speaker 1>a little scary, but I'm a big old baby. So

0:29:34.720 --> 0:29:38.240
<v Speaker 1>she watches it and Rachel is freaked out, and right

0:29:38.280 --> 0:29:40.960
<v Speaker 1>then the phone rings in the cabin. She picks it

0:29:41.040 --> 0:29:44.200
<v Speaker 1>up and it's a young girl's voice saying seven days.

0:29:44.560 --> 0:29:49.320
<v Speaker 1>That passes the back dol test, caitalen, it passes. She

0:29:49.400 --> 0:29:53.640
<v Speaker 1>responds with gasp, that's a meaningful and is there a

0:29:53.680 --> 0:29:59.160
<v Speaker 1>more meaningful exchange ring seven days? Click? Come on, I don't.

0:29:59.200 --> 0:30:01.320
<v Speaker 1>I don't think so. I mean, not to get ahead

0:30:01.360 --> 0:30:03.320
<v Speaker 1>of ourselves, but I think there's an even more meaningful

0:30:03.400 --> 0:30:07.240
<v Speaker 1>scene that passes the Bechtel tests in this movie. Well, yeah,

0:30:07.320 --> 0:30:09.800
<v Speaker 1>well we'll we'll get there. But is it it passes?

0:30:09.920 --> 0:30:12.320
<v Speaker 1>It passes a bunch with Amber Tamblin as well. But okay,

0:30:12.360 --> 0:30:18.320
<v Speaker 1>but we'll get there, I mean literally the opening lines. Yeah, okay.

0:30:18.360 --> 0:30:21.600
<v Speaker 1>So we cut to Thursday, a k A. Day one.

0:30:22.280 --> 0:30:25.680
<v Speaker 1>Rachel has noticed that pictures of her face are all

0:30:25.680 --> 0:30:29.240
<v Speaker 1>blurry and distorted the way the teens faces were in

0:30:29.320 --> 0:30:33.240
<v Speaker 1>those photos. And then Rachel goes to her friend Noah

0:30:33.240 --> 0:30:38.080
<v Speaker 1>played by Martin Henderson for help and she tells him

0:30:38.080 --> 0:30:40.640
<v Speaker 1>about the tape and the four teens who have died.

0:30:41.160 --> 0:30:43.800
<v Speaker 1>He wants to see the tape and he watches it,

0:30:43.840 --> 0:30:47.480
<v Speaker 1>despite Rachel telling him not to then the phone rings

0:30:47.520 --> 0:30:49.880
<v Speaker 1>for him, but no one picks it up, and Rachel

0:30:49.960 --> 0:30:54.479
<v Speaker 1>deletes the answering machine message. Um. She wants to know

0:30:54.520 --> 0:30:57.520
<v Speaker 1>who made the tape where it came from, and Noah

0:30:57.600 --> 0:31:00.680
<v Speaker 1>is like, Okay, make me a copy and I'll help

0:31:00.680 --> 0:31:03.680
<v Speaker 1>you figure all this out. So she makes a copy. Bake, mistake,

0:31:04.200 --> 0:31:06.560
<v Speaker 1>big mistake. You're not going to want to make a

0:31:06.600 --> 0:31:09.800
<v Speaker 1>copy of the ring tape. Well, if you see it,

0:31:09.920 --> 0:31:13.840
<v Speaker 1>you do want a copy, I know, but I'm on

0:31:13.920 --> 0:31:20.600
<v Speaker 1>Samaraw's side, So that's where I'm coming from. Sure, don't

0:31:20.600 --> 0:31:24.320
<v Speaker 1>make a copy of the Ring. I also love Um

0:31:24.360 --> 0:31:27.560
<v Speaker 1>here's a useless comment. Martin Henderson's hair is so funny

0:31:27.600 --> 0:31:30.040
<v Speaker 1>to me in this movie. He's got a bit of

0:31:30.080 --> 0:31:32.280
<v Speaker 1>a bob going on. He's got a bit of a

0:31:32.280 --> 0:31:34.360
<v Speaker 1>bob and he's got He's also has some kind of

0:31:34.520 --> 0:31:37.000
<v Speaker 1>chunky highlights. He and Ever Temple and have sort of

0:31:37.000 --> 0:31:41.959
<v Speaker 1>the same stylist. Yeah, yes, I think it's nice. It is.

0:31:42.080 --> 0:31:47.000
<v Speaker 1>It is nice. So then it's Friday day two. Rachel

0:31:47.080 --> 0:31:51.080
<v Speaker 1>gives Noah the copy she made of the VHS tape

0:31:51.360 --> 0:31:53.720
<v Speaker 1>and he's like, why are the time code numbers all

0:31:53.760 --> 0:31:56.239
<v Speaker 1>messed up? That's what's going to tell me where the

0:31:56.280 --> 0:31:58.680
<v Speaker 1>tape came from, and now I don't know, and it's like,

0:31:58.880 --> 0:32:01.840
<v Speaker 1>I'm sorry, what are you talking about? None of that

0:32:01.880 --> 0:32:04.360
<v Speaker 1>made sense to me. So he's like trying to figure

0:32:04.400 --> 0:32:06.600
<v Speaker 1>out where who made the tape and where it came from.

0:32:06.600 --> 0:32:08.760
<v Speaker 1>I don't understand how he would have been able to

0:32:08.840 --> 0:32:12.160
<v Speaker 1>do that based on the time code. Anyways, I hadn't

0:32:12.200 --> 0:32:17.400
<v Speaker 1>thought very hard about that. Then Noah's assistance slash girlfriend

0:32:17.480 --> 0:32:20.959
<v Speaker 1>comes in. Rachel's like, I gotta leave, and so as

0:32:21.000 --> 0:32:23.720
<v Speaker 1>she's leaving, she sees a ladder propped up against the wall,

0:32:23.960 --> 0:32:30.200
<v Speaker 1>the same ladder from the tape. Question. I love his girlfriend.

0:32:30.240 --> 0:32:32.320
<v Speaker 1>She's she's a bit of a she's she's a little

0:32:32.320 --> 0:32:35.480
<v Speaker 1>hot topic. There's a little hot topic flavor going on there,

0:32:35.720 --> 0:32:38.040
<v Speaker 1>and Nan, we wats it like, I have to get happy.

0:32:38.800 --> 0:32:42.040
<v Speaker 1>So a question to think about, excuse me, moving forward

0:32:42.080 --> 0:32:44.040
<v Speaker 1>through the rest of this plot is at this point,

0:32:44.080 --> 0:32:45.920
<v Speaker 1>she has copied the tape and shown it to someone.

0:32:46.400 --> 0:32:48.760
<v Speaker 1>So a question is, why does anything else in this

0:32:48.800 --> 0:32:51.560
<v Speaker 1>movie happen just given what we learned at the end.

0:32:53.080 --> 0:32:56.720
<v Speaker 1>It's a really really good question. I see your point,

0:32:57.240 --> 0:33:04.240
<v Speaker 1>thoughts my thought. I mean, at this point even though

0:33:04.280 --> 0:33:07.600
<v Speaker 1>the movie should end here, it can't end here because

0:33:07.640 --> 0:33:12.040
<v Speaker 1>we haven't gotten to Brian Cox. So unfortunately the movie

0:33:12.080 --> 0:33:15.600
<v Speaker 1>does have to continue for that reason alone. It does

0:33:15.680 --> 0:33:20.160
<v Speaker 1>have to go on. My in world theory is that

0:33:20.800 --> 0:33:24.040
<v Speaker 1>Samara does actually want someone to dig into her story

0:33:24.080 --> 0:33:26.680
<v Speaker 1>and kind of recognizes that maybe this person is able

0:33:26.720 --> 0:33:29.880
<v Speaker 1>to do it. Um. That's sort of how I justify

0:33:29.920 --> 0:33:32.440
<v Speaker 1>it to myself, is that it kind of keeps happening,

0:33:32.480 --> 0:33:34.920
<v Speaker 1>not because she hasn't fulfilled the curse, but because Samarrow

0:33:34.960 --> 0:33:37.160
<v Speaker 1>is like, he come visit my island and talk to

0:33:37.160 --> 0:33:41.720
<v Speaker 1>my dad. Yeah, right, Like she's she's changing, She's making

0:33:41.720 --> 0:33:43.760
<v Speaker 1>the rules. She can change the rules as she goes,

0:33:43.800 --> 0:33:48.080
<v Speaker 1>and she I mean, ultimately Samara wants she's just trying

0:33:48.120 --> 0:33:52.000
<v Speaker 1>to go viral. You know, she's as gonna say she

0:33:52.040 --> 0:33:55.000
<v Speaker 1>wants a mummy, but yeah, she's trying to She's an

0:33:55.000 --> 0:33:58.280
<v Speaker 1>influencer and she's trying to get followers. I believe it.

0:33:58.440 --> 0:34:01.560
<v Speaker 1>I I this movie does work for me on the

0:34:02.400 --> 0:34:04.720
<v Speaker 1>on the mommy horror front. I feel like she just

0:34:04.920 --> 0:34:08.560
<v Speaker 1>she just wants to be a understood by an adult

0:34:08.600 --> 0:34:10.359
<v Speaker 1>woman who's not going to push her into a well

0:34:10.600 --> 0:34:14.839
<v Speaker 1>for example, fair Yeah. Um, Okay, so now it's day

0:34:14.840 --> 0:34:20.040
<v Speaker 1>three Saturday. Rachel scrubs through the tape again does something

0:34:20.040 --> 0:34:23.720
<v Speaker 1>that I also don't understand, but she kind of moves

0:34:23.880 --> 0:34:26.600
<v Speaker 1>the recorded image that she's able to see on screen,

0:34:26.680 --> 0:34:29.640
<v Speaker 1>kind of moves it to the side where there's another

0:34:29.719 --> 0:34:33.920
<v Speaker 1>image of a lighthouse in one of the scenes. So

0:34:33.960 --> 0:34:38.319
<v Speaker 1>she has discovered this lighthouse in the tape, and then

0:34:38.640 --> 0:34:46.680
<v Speaker 1>just not, that's not how tapes work, right, Like the right,

0:34:47.280 --> 0:34:50.760
<v Speaker 1>I literally wrote down, maybe that is how that works.

0:34:51.000 --> 0:34:54.799
<v Speaker 1>Like I just like, I mean, maybe if the if

0:34:54.800 --> 0:34:58.400
<v Speaker 1>the original footage was shot in like Pano vision, but

0:34:58.480 --> 0:35:00.879
<v Speaker 1>the aspect ratio and the t V is only like

0:35:01.320 --> 0:35:05.600
<v Speaker 1>four three, maybe you can do a film buff. She

0:35:05.680 --> 0:35:08.400
<v Speaker 1>had really high tech, she had great gear, she's shooting

0:35:08.400 --> 0:35:11.680
<v Speaker 1>in six nine, but the TV's only four three. So

0:35:12.160 --> 0:35:15.480
<v Speaker 1>I was like maybe, but I do not understand, and

0:35:15.520 --> 0:35:18.960
<v Speaker 1>I think the like the movie is just like relying

0:35:19.000 --> 0:35:22.279
<v Speaker 1>on the audience to assume, yeah, I guess this could

0:35:22.360 --> 0:35:25.400
<v Speaker 1>maybe be a thing, or just be like so focused

0:35:25.400 --> 0:35:29.880
<v Speaker 1>on their own mortality that by that point they're like, sure, great, fine,

0:35:29.960 --> 0:35:33.200
<v Speaker 1>I don't have time to ask these questions, right, I

0:35:33.239 --> 0:35:37.040
<v Speaker 1>have to call my mom. So it's Sunday, day four.

0:35:37.160 --> 0:35:39.440
<v Speaker 1>Now that Rachel has seen this lighthouse in the tape,

0:35:39.560 --> 0:35:42.439
<v Speaker 1>she's trying to figure out where this lighthouse might be

0:35:42.840 --> 0:35:46.719
<v Speaker 1>via a library book that I mentioned earlier called America's Lighthouses.

0:35:47.120 --> 0:35:51.239
<v Speaker 1>I want that book. She finds what she thinks is

0:35:51.239 --> 0:35:55.279
<v Speaker 1>this lighthouse on a place called Moesco Island, and then

0:35:55.280 --> 0:35:58.080
<v Speaker 1>she starts to piece some other things together. Um a

0:35:58.160 --> 0:36:01.040
<v Speaker 1>photo of some people standing in out of this lighthouse

0:36:01.320 --> 0:36:06.040
<v Speaker 1>includes a woman named Anna Morgan, who is also seen

0:36:06.239 --> 0:36:10.760
<v Speaker 1>in the tape. So this is scary, Mrs Scary. Rachel

0:36:10.840 --> 0:36:15.120
<v Speaker 1>then looks through some newspaper archives and discovers that Anna

0:36:15.239 --> 0:36:18.439
<v Speaker 1>was a horseback rider, but a bunch of horses on

0:36:18.480 --> 0:36:23.879
<v Speaker 1>this island died mysteriously, and then Anna Morrigan started having

0:36:23.960 --> 0:36:28.799
<v Speaker 1>hallucinations and then died by suicide. Then we cut to Monday,

0:36:28.880 --> 0:36:33.240
<v Speaker 1>day five. Rachel has a scary dream where she sees

0:36:33.719 --> 0:36:36.719
<v Speaker 1>the little girl with dark hair. This scene, by the way,

0:36:36.760 --> 0:36:39.920
<v Speaker 1>points to my theory about what's happening here, because what

0:36:40.239 --> 0:36:43.880
<v Speaker 1>Samara does in this dream is she shows her the

0:36:43.920 --> 0:36:46.520
<v Speaker 1>hospital that they put her in. It's she's kind of

0:36:47.000 --> 0:36:50.040
<v Speaker 1>pushing her in a direction of information rather than just

0:36:50.120 --> 0:36:53.920
<v Speaker 1>haunting her here. I mean, that's how I've understood the

0:36:54.040 --> 0:36:57.799
<v Speaker 1>movie that like Samara wants people to and like, you know,

0:36:57.920 --> 0:37:00.840
<v Speaker 1>you survive by making a copy, because you know, she

0:37:01.000 --> 0:37:04.320
<v Speaker 1>wants the spread of this information to happen. She wants

0:37:04.360 --> 0:37:09.320
<v Speaker 1>to go viral, as you said, she I do. I uh.

0:37:09.320 --> 0:37:13.239
<v Speaker 1>The forthcoming twist that it's like, even when people know

0:37:13.440 --> 0:37:17.839
<v Speaker 1>Samara's story, that does not quench her rage. She's like, well,

0:37:17.840 --> 0:37:22.919
<v Speaker 1>now you know, unfortunately, um I still want to kill you,

0:37:23.160 --> 0:37:26.320
<v Speaker 1>but thank you for hearing me out. They like something

0:37:26.400 --> 0:37:30.400
<v Speaker 1>like about Samara getting you all the information and then

0:37:30.480 --> 0:37:33.600
<v Speaker 1>killing you anyways is just so incredible. She's like, I

0:37:33.640 --> 0:37:37.040
<v Speaker 1>gave you all the clues, Mr. Police, but also you

0:37:37.080 --> 0:37:40.160
<v Speaker 1>have to share. Yeah, this is a reporter, but also

0:37:40.239 --> 0:37:42.920
<v Speaker 1>you have to share the clues with other people. The

0:37:42.920 --> 0:37:45.680
<v Speaker 1>thing is like Samara needs to at least wait for,

0:37:45.960 --> 0:37:48.799
<v Speaker 1>you know, Rachel to get to press, like come on,

0:37:49.120 --> 0:37:51.800
<v Speaker 1>and that takes more than seven days in two thousand

0:37:51.840 --> 0:37:59.279
<v Speaker 1>two probably, um okay. So then Rachel discovers her son

0:37:59.360 --> 0:38:03.160
<v Speaker 1>Aidan watching the tape, the phone rings, the whole thing.

0:38:03.320 --> 0:38:05.480
<v Speaker 1>She's like, oh no, now my son is going to

0:38:05.520 --> 0:38:09.160
<v Speaker 1>die in seven days. And then she calls Noah and

0:38:09.200 --> 0:38:13.320
<v Speaker 1>she's or Noah calls her I think, and she's like, oh, Noah,

0:38:13.360 --> 0:38:16.279
<v Speaker 1>he watched the tape and he's like who did, And

0:38:16.320 --> 0:38:20.920
<v Speaker 1>she's like our son, and we're like twist alert. Noah

0:38:21.000 --> 0:38:24.319
<v Speaker 1>and Rachel made a baby together. Completely missed that. I

0:38:24.360 --> 0:38:27.960
<v Speaker 1>think both times watching this did not realize he was

0:38:28.000 --> 0:38:33.520
<v Speaker 1>the dad. It's such a useless twist that I also

0:38:33.560 --> 0:38:36.560
<v Speaker 1>forgot when I want but um, I was like, okay, well,

0:38:36.680 --> 0:38:40.920
<v Speaker 1>good for that creepy lawyer kid. Like well, prior to that,

0:38:40.960 --> 0:38:45.200
<v Speaker 1>you see some scenes where Rachel and Noah have kind

0:38:45.200 --> 0:38:48.799
<v Speaker 1>of weird interactions based on what you understand their relationship

0:38:48.880 --> 0:38:52.600
<v Speaker 1>to be, which is like friends and maybe like colleagues

0:38:52.680 --> 0:38:56.000
<v Speaker 1>or former colleagues. But then they like have these conversations

0:38:56.000 --> 0:38:58.080
<v Speaker 1>where it's like you think I'm a bit and I

0:38:58.120 --> 0:39:01.160
<v Speaker 1>think you're blah blah blah, and just you know how

0:39:01.200 --> 0:39:04.560
<v Speaker 1>I talked to my colleague. Yeah, and then like the

0:39:04.560 --> 0:39:07.200
<v Speaker 1>scene where his girlfriend walks in and it's a problem

0:39:07.200 --> 0:39:09.640
<v Speaker 1>and then and then she she she's like, grow up, Noah,

0:39:09.680 --> 0:39:11.440
<v Speaker 1>and then she storms out and it's like, what is

0:39:11.480 --> 0:39:14.560
<v Speaker 1>this relationship? And then you find it he sired her.

0:39:14.640 --> 0:39:18.240
<v Speaker 1>Creepy kid, maybe that's what happened. He got her gregnant,

0:39:18.320 --> 0:39:21.000
<v Speaker 1>and now she has a Greg. She's stuck with this

0:39:21.040 --> 0:39:25.359
<v Speaker 1>little Greg, this creepy Greg who calls her Rachel, Oh

0:39:25.440 --> 0:39:27.960
<v Speaker 1>my god for the Yeah, this little Greg who won't

0:39:28.000 --> 0:39:31.719
<v Speaker 1>stop first name assaulting her at any given opportunity, Like

0:39:32.120 --> 0:39:38.160
<v Speaker 1>it's just okay. So we get that twist. Then it's Tuesday,

0:39:38.239 --> 0:39:41.279
<v Speaker 1>day six the time, and and we still have an

0:39:41.320 --> 0:39:44.800
<v Speaker 1>hour left of the movie at this point. So Rachel

0:39:44.880 --> 0:39:48.400
<v Speaker 1>goes to Moesco Island where the lighthouse is. On the

0:39:48.440 --> 0:39:54.279
<v Speaker 1>ferry to the island, a horse gets loose and jumps overboard. Um,

0:39:54.680 --> 0:39:57.560
<v Speaker 1>which is obvious watching it back, but I think I

0:39:57.600 --> 0:39:59.399
<v Speaker 1>did not know that was a c g I horse

0:39:59.440 --> 0:40:02.120
<v Speaker 1>when I was ten, and I was so sad and scared.

0:40:02.200 --> 0:40:05.080
<v Speaker 1>And that's the image more than some are crawling out

0:40:05.080 --> 0:40:08.200
<v Speaker 1>of the TV or amber Tamblo scary head. The horse

0:40:08.280 --> 0:40:10.959
<v Speaker 1>jumping off the boat was where I was like, I'm done,

0:40:11.239 --> 0:40:15.319
<v Speaker 1>I need to go home, traumatizing. My wife joined me

0:40:15.440 --> 0:40:18.200
<v Speaker 1>for this watch, and um, I actually I warned her

0:40:18.239 --> 0:40:19.920
<v Speaker 1>ahead of time because there was just no way she

0:40:20.000 --> 0:40:24.120
<v Speaker 1>was watching that scene, no scene for her. It's upsetting.

0:40:24.239 --> 0:40:28.239
<v Speaker 1>I mean, it's and and It also establishes gor Verbinski

0:40:28.840 --> 0:40:31.000
<v Speaker 1>boat lore. You're like, now this guy knows how to

0:40:31.040 --> 0:40:34.880
<v Speaker 1>shoot something on a boat. Soon there will be ghost

0:40:34.920 --> 0:40:40.000
<v Speaker 1>pirates on boats. Wow. Wow. Okay, So on the island,

0:40:40.320 --> 0:40:44.000
<v Speaker 1>Rachel goes to speak to Anna's husband, Richard Morgan, who's

0:40:44.000 --> 0:40:49.320
<v Speaker 1>played by Brian roy Oh my gosh, what a tree.

0:40:49.400 --> 0:40:51.800
<v Speaker 1>This is definitely the first time I've watched this movie

0:40:52.080 --> 0:40:56.120
<v Speaker 1>in a post succession world, and it's so fun to

0:40:56.239 --> 0:41:01.160
<v Speaker 1>watch Lighthouse Logan roy Um whatever acute himself. I do

0:41:01.280 --> 0:41:05.719
<v Speaker 1>feel like he's kind of playing the same character both times.

0:41:05.760 --> 0:41:08.239
<v Speaker 1>A fun fact from the IMW trivia is that he

0:41:08.280 --> 0:41:12.680
<v Speaker 1>did not audition. They wrote that role for him. Brian, Well,

0:41:12.719 --> 0:41:16.680
<v Speaker 1>he knocked it out of the park as usual. What

0:41:16.680 --> 0:41:20.000
<v Speaker 1>what a weird role to write for someone specifically. You're like,

0:41:20.040 --> 0:41:22.400
<v Speaker 1>you know what, you would be great at, Brian Cox

0:41:23.520 --> 0:41:28.400
<v Speaker 1>being samaras lighthouse stab right, you know what. I can't

0:41:28.480 --> 0:41:32.880
<v Speaker 1>wait to watch. But but he does that scene always.

0:41:32.960 --> 0:41:36.080
<v Speaker 1>I mean, obviously that seems really really scary when I

0:41:36.239 --> 0:41:37.800
<v Speaker 1>was a kid, but I didn't know that it was

0:41:38.640 --> 0:41:44.800
<v Speaker 1>one of our greatest actors doing it. Okay, So Rachel

0:41:45.040 --> 0:41:49.440
<v Speaker 1>tells Richard Morgan that she thinks the video tape is

0:41:49.480 --> 0:41:53.120
<v Speaker 1>a message from his his wife, but he's not having

0:41:53.280 --> 0:41:57.920
<v Speaker 1>any of this and he shooes Rachel away as lighthouse

0:41:58.040 --> 0:42:03.880
<v Speaker 1>guys are wont to do yeah. Meanwhile, Aidan is back

0:42:04.360 --> 0:42:10.360
<v Speaker 1>home being completely neglected by his parent parents under he

0:42:10.440 --> 0:42:15.760
<v Speaker 1>calls her Rachel. He barely knows her um. He's drawing

0:42:15.920 --> 0:42:20.880
<v Speaker 1>some creepy pictures over and over again, and Rachel calls him,

0:42:21.080 --> 0:42:24.600
<v Speaker 1>and he tells his mom over the phone that this

0:42:24.719 --> 0:42:29.000
<v Speaker 1>little girl talks to him and shows him things, apparently

0:42:29.080 --> 0:42:32.960
<v Speaker 1>this little girl being Samara. So Rachel then goes to

0:42:33.800 --> 0:42:39.280
<v Speaker 1>a doctor on the island, Dr Grasnick, who tells Rachel

0:42:39.520 --> 0:42:44.319
<v Speaker 1>that the Morgan family adopted a daughter, Samara, after which

0:42:44.520 --> 0:42:48.640
<v Speaker 1>Anna Morgan started hallucinating seeing things and she thought that

0:42:49.120 --> 0:42:54.479
<v Speaker 1>Samara was making her have these hallucinations. Shortly thereafter, Anna

0:42:54.600 --> 0:42:59.920
<v Speaker 1>dies and Samara was sent to a psychiatric hospital. Meanwhile,

0:43:00.560 --> 0:43:04.960
<v Speaker 1>Noah is like back on the mainland investigating and he

0:43:05.120 --> 0:43:10.320
<v Speaker 1>discovers more info on in a Morgan and finds the

0:43:10.680 --> 0:43:15.040
<v Speaker 1>cover of a different VHS tape, but it's empty. The

0:43:15.080 --> 0:43:17.080
<v Speaker 1>tape is missing, so he goes to look for it

0:43:17.680 --> 0:43:21.960
<v Speaker 1>back on the island. Rachel goes back to Richard Morgan's house. Um,

0:43:22.040 --> 0:43:24.160
<v Speaker 1>the door is open, so she just like goes in

0:43:24.320 --> 0:43:28.000
<v Speaker 1>and snoops around. She finds the missing tape that Noah

0:43:28.160 --> 0:43:31.960
<v Speaker 1>was looking for, and it is of Samaraw. So much

0:43:32.160 --> 0:43:36.440
<v Speaker 1>tape antics deep in the second act, and it's all tapes, tapes, tapes.

0:43:36.760 --> 0:43:42.640
<v Speaker 1>This movie people researching things. Yeah, most of the plot exactly.

0:43:42.880 --> 0:43:45.480
<v Speaker 1>And once you're not scared of the movie anymore, you're like, Wow,

0:43:45.600 --> 0:43:48.680
<v Speaker 1>this is a lot of busy work that they're doing.

0:43:48.920 --> 0:43:51.480
<v Speaker 1>What was that high risk busy work? What was that

0:43:51.719 --> 0:43:55.280
<v Speaker 1>movie where they work at the Boston Globe and they're researching,

0:43:55.600 --> 0:44:00.680
<v Speaker 1>they're like investigating priests. Yes, Spotlight, Yeah, this movie is

0:44:00.680 --> 0:44:04.400
<v Speaker 1>basically Spotlight. Okay. So she finds the missing tape and

0:44:04.760 --> 0:44:08.560
<v Speaker 1>it is of Samara in a hospital room being questioned

0:44:08.560 --> 0:44:11.880
<v Speaker 1>by a doctor. Samara is saying that really aggressively to

0:44:12.040 --> 0:44:15.680
<v Speaker 1>the doctor. I love. The doctor is very unprofessional. He's like, Samaraw,

0:44:15.760 --> 0:44:17.640
<v Speaker 1>we're here trying to figure out what's wrong with you.

0:44:17.840 --> 0:44:19.799
<v Speaker 1>I'm like, that's not how you talked to a kid

0:44:19.840 --> 0:44:23.200
<v Speaker 1>at a children's psychiatric hospital. I hope I know. I

0:44:23.280 --> 0:44:26.320
<v Speaker 1>was like, is this doctor a cop? Like, what is happening.

0:44:27.000 --> 0:44:30.160
<v Speaker 1>He's blowing it. So Samara tells the doctor that her

0:44:30.239 --> 0:44:32.440
<v Speaker 1>dad doesn't love her and wants her to go away,

0:44:33.320 --> 0:44:38.440
<v Speaker 1>and then, which I'm sure helps, Then Richard Morgan is

0:44:38.560 --> 0:44:41.960
<v Speaker 1>right behind Rachel as she's watching this tape, and she's like,

0:44:42.080 --> 0:44:46.880
<v Speaker 1>you killed Samara, didn't you? And then Richard hits Rachel

0:44:47.040 --> 0:44:49.720
<v Speaker 1>over the head. And then he starts kind of carrying

0:44:49.760 --> 0:44:55.640
<v Speaker 1>on about how Samara is still showing him images whispering

0:44:55.719 --> 0:44:59.640
<v Speaker 1>in his ear, tormenting him, and then he electrocutes himself

0:44:59.719 --> 0:45:05.680
<v Speaker 1>today I mean the performance he makes a meal of

0:45:06.120 --> 0:45:09.640
<v Speaker 1>the electrocution scene. When they had to bring this movie

0:45:09.719 --> 0:45:11.840
<v Speaker 1>from an R to a PG thirteen, apparently this was

0:45:11.920 --> 0:45:14.040
<v Speaker 1>one of the scenes that they have like cut this

0:45:14.239 --> 0:45:17.000
<v Speaker 1>is a PG thirteen movie, it is, and that was

0:45:17.040 --> 0:45:19.680
<v Speaker 1>like a big thing. This and then later the murder

0:45:19.760 --> 0:45:23.600
<v Speaker 1>at the well, we're both radically cut to hit PG thirteen.

0:45:24.200 --> 0:45:27.279
<v Speaker 1>I do remember this is definitely one of those movies that,

0:45:27.400 --> 0:45:29.719
<v Speaker 1>like when it was released on like DVD, there was

0:45:29.840 --> 0:45:33.560
<v Speaker 1>like uncut versions right like there were other I vaguely

0:45:33.600 --> 0:45:39.839
<v Speaker 1>remember that, but I also definitely did not watch it again. Yikes. Um, Sorry,

0:45:39.840 --> 0:45:41.560
<v Speaker 1>I was trying to think of a joke because like

0:45:42.160 --> 0:45:47.600
<v Speaker 1>rings have gems on them, uncut ring, uncut gems. Thoughts,

0:45:48.040 --> 0:45:50.440
<v Speaker 1>We're with it. If we're on our way, We're on

0:45:50.560 --> 0:45:53.640
<v Speaker 1>our way. Thank you, thank you so much. I think

0:45:53.680 --> 0:45:55.600
<v Speaker 1>I didn't see this movie when it came out in

0:45:55.600 --> 0:45:58.120
<v Speaker 1>theaters in two thousand two because Lord of the Rings

0:45:58.239 --> 0:45:59.640
<v Speaker 1>was coming out and I was like, that's the only

0:45:59.800 --> 0:46:03.880
<v Speaker 1>ring I'm interested in. How badly do you think this

0:46:04.000 --> 0:46:10.080
<v Speaker 1>movie suffered from ring exhaustion of right? People like, we've

0:46:10.239 --> 0:46:12.800
<v Speaker 1>we've had enough down from Lord of the Rings. That

0:46:13.200 --> 0:46:18.720
<v Speaker 1>is very funny. Yeah, um okay. So Richard electric cutes himself.

0:46:18.920 --> 0:46:22.920
<v Speaker 1>Then Noah shows up at this house on the island.

0:46:23.480 --> 0:46:27.800
<v Speaker 1>He and Rachel go into the barn on this property.

0:46:28.400 --> 0:46:32.240
<v Speaker 1>They discover a room where Richard apparently kept Little Samara

0:46:32.800 --> 0:46:37.040
<v Speaker 1>while Anna was having mental health issues. And then under

0:46:37.080 --> 0:46:40.000
<v Speaker 1>the wallpaper in this room, they discover an image of

0:46:40.040 --> 0:46:42.400
<v Speaker 1>a tree that was like burned into the wall and

0:46:42.520 --> 0:46:45.160
<v Speaker 1>Rachel recognizes the tree. She's like, oh, it's at Shelter

0:46:45.320 --> 0:46:50.200
<v Speaker 1>Mountain Inn, where Katie and her friends camped and watched

0:46:50.280 --> 0:46:53.319
<v Speaker 1>the tape originally. It's also definitely just the tree from

0:46:53.360 --> 0:46:59.160
<v Speaker 1>the six ft under opening credits. I have no idea

0:46:59.200 --> 0:47:01.080
<v Speaker 1>if that's true. It's just looks exactly like it. It

0:47:01.200 --> 0:47:04.719
<v Speaker 1>feels like it. Tho, yeah, they copy pasted. We have

0:47:04.800 --> 0:47:07.120
<v Speaker 1>six feed under would have been on already at that point, right,

0:47:08.760 --> 0:47:11.279
<v Speaker 1>don't remember. I think it looks like the White Tree

0:47:11.360 --> 0:47:14.120
<v Speaker 1>from Gone Door from Lord of the Rings, Return of

0:47:14.200 --> 0:47:18.600
<v Speaker 1>the And we've got our ring head over here. So

0:47:18.719 --> 0:47:22.400
<v Speaker 1>then we cut to Wednesday, day seven. Oh, it's the

0:47:22.480 --> 0:47:25.200
<v Speaker 1>last day. The stakes are high and it's hump day.

0:47:27.960 --> 0:47:33.080
<v Speaker 1>Yeah it is um all right, that's the end of

0:47:33.120 --> 0:47:38.080
<v Speaker 1>the job. Rachel and Noah go to Shelter Mountain Inn.

0:47:38.760 --> 0:47:43.280
<v Speaker 1>They go to Cabin twelve, where they discover a well

0:47:43.880 --> 0:47:48.120
<v Speaker 1>under the floorboards. Then Rachel is knocked into the well

0:47:48.360 --> 0:47:53.759
<v Speaker 1>by some supernatural force. Noah goes for help, and while

0:47:53.840 --> 0:47:59.160
<v Speaker 1>he's gone, the heavy stone lid kind of slides over

0:47:59.440 --> 0:48:03.120
<v Speaker 1>the top of the well to trap Rachel inside. The

0:48:03.280 --> 0:48:06.680
<v Speaker 1>well from this movie is on the campus because of

0:48:06.760 --> 0:48:11.000
<v Speaker 1>this movie was shot between actual Seattle area and a

0:48:11.080 --> 0:48:16.719
<v Speaker 1>few locations in our area in southern California, and it

0:48:16.920 --> 0:48:22.640
<v Speaker 1>was shot the well itself is from California. It's I

0:48:22.680 --> 0:48:27.480
<v Speaker 1>think season chel Islands, okay, and one of our nation's

0:48:27.520 --> 0:48:30.719
<v Speaker 1>worst boyfriends drove me there once, um, and it was

0:48:31.040 --> 0:48:34.279
<v Speaker 1>really exciting. And and I don't know if we're going

0:48:34.320 --> 0:48:36.759
<v Speaker 1>to go on a field trip there, Jamie, maybe take

0:48:36.840 --> 0:48:40.080
<v Speaker 1>some pictures put them on Instagram. I'm well, I'm willing

0:48:40.160 --> 0:48:42.480
<v Speaker 1>it to What if we peed in some are as? Well?

0:48:42.920 --> 0:48:45.560
<v Speaker 1>Is what I want to throw out there? How hard

0:48:45.600 --> 0:48:47.400
<v Speaker 1>would it be to pee in the well? Is it

0:48:47.760 --> 0:48:50.480
<v Speaker 1>like I remember it being? It's a bit, I mean

0:48:50.719 --> 0:48:52.799
<v Speaker 1>it has to be. It's like not. You can't see

0:48:52.880 --> 0:48:56.040
<v Speaker 1>a building, you know, watch YouTube video. I don't think

0:48:56.080 --> 0:48:59.399
<v Speaker 1>you can get to it. It's behind a lot of fencing. Um.

0:49:00.400 --> 0:49:02.319
<v Speaker 1>As I mentioned to you when we were talking about

0:49:02.320 --> 0:49:05.640
<v Speaker 1>this episode, I grew up ten minutes from that campus

0:49:05.800 --> 0:49:09.480
<v Speaker 1>and so near one of the filming locations. Did not

0:49:09.600 --> 0:49:13.160
<v Speaker 1>help things. Right, That you lived and the well no

0:49:13.360 --> 0:49:19.280
<v Speaker 1>les the where the ring originates. Shocking that you lived, shocking,

0:49:19.320 --> 0:49:22.879
<v Speaker 1>and you're still with us. So, so Rachel is still

0:49:23.000 --> 0:49:25.880
<v Speaker 1>in the well, and while she's down there, she sees

0:49:26.160 --> 0:49:30.000
<v Speaker 1>Samara in the well with her. She grabs Rachel and

0:49:30.160 --> 0:49:34.040
<v Speaker 1>shows her like a vision of Samara's mother, Anna Morrigan,

0:49:34.640 --> 0:49:38.000
<v Speaker 1>throwing Samara into the well. And then the last thing

0:49:38.080 --> 0:49:42.120
<v Speaker 1>that Samara ever saw was this ring of light right

0:49:42.200 --> 0:49:45.080
<v Speaker 1>before the well was stealed shut with like the heavy

0:49:45.160 --> 0:49:49.839
<v Speaker 1>stone lid. Then Rachel finds Samara's skeleton in the well

0:49:50.000 --> 0:49:54.239
<v Speaker 1>and she's like cradling it. We cut to Rachel out

0:49:54.400 --> 0:49:56.840
<v Speaker 1>of the well. Apparently Noah went to get help and

0:49:56.920 --> 0:50:00.440
<v Speaker 1>saved her, and then Rachel realizes that some was in

0:50:00.520 --> 0:50:02.880
<v Speaker 1>the well for seven days before she died, hence the

0:50:03.560 --> 0:50:06.440
<v Speaker 1>you have seven days to live. And it seems like

0:50:07.000 --> 0:50:11.960
<v Speaker 1>Rachel and Noah will not die because discovering the truth

0:50:12.000 --> 0:50:15.440
<v Speaker 1>about Samara set them free. But then you check the

0:50:15.480 --> 0:50:18.279
<v Speaker 1>rent on and you're like, oh no, there's still twenty minutes, right,

0:50:18.920 --> 0:50:22.720
<v Speaker 1>So then Rachel and Noah go back home. Rachel talks

0:50:22.760 --> 0:50:26.240
<v Speaker 1>her son Aidan in and it seems like maybe Rachel

0:50:26.239 --> 0:50:29.719
<v Speaker 1>and Noah are going to rekindle their romance. This was

0:50:29.800 --> 0:50:33.000
<v Speaker 1>just a long elaborate parent trap from Weirdday Kid. Aiden,

0:50:36.440 --> 0:50:39.680
<v Speaker 1>Oh love it. So the next morning, Rachel tells Aiden

0:50:39.800 --> 0:50:42.960
<v Speaker 1>that she helps that little girl, and Aiden freaks out.

0:50:43.040 --> 0:50:46.280
<v Speaker 1>He's like, you weren't supposed to help her. She never sleeps.

0:50:46.560 --> 0:50:50.480
<v Speaker 1>This will keep going. God. That line is good where

0:50:50.520 --> 0:50:52.560
<v Speaker 1>he's like you, you don't get it. She never sleeps

0:50:52.640 --> 0:50:55.200
<v Speaker 1>and you realize what he means. That is just I

0:50:55.360 --> 0:51:00.200
<v Speaker 1>genuinely think that's great writing. It's very scary. So then

0:51:00.239 --> 0:51:03.759
<v Speaker 1>we cut to Noah's place, Static comes on his TV.

0:51:04.400 --> 0:51:07.600
<v Speaker 1>There's a shot of the well. Then we see Samara

0:51:07.920 --> 0:51:10.320
<v Speaker 1>crawling out of the well and then crawling out of

0:51:10.440 --> 0:51:15.680
<v Speaker 1>his TV. Meanwhile, Rachel is rushing to Noah's place because she,

0:51:16.160 --> 0:51:18.759
<v Speaker 1>you know, realizes they're still in danger. She burst in

0:51:19.040 --> 0:51:23.560
<v Speaker 1>and finds Noah dead as hell, Static on the TV.

0:51:23.800 --> 0:51:27.040
<v Speaker 1>She's freaking out. She burns the tape, but she's like, wait,

0:51:27.120 --> 0:51:29.080
<v Speaker 1>why didn't I die? Why did he die? And I

0:51:29.200 --> 0:51:32.680
<v Speaker 1>didn't What did I do that Noah didn't do? And

0:51:32.760 --> 0:51:35.800
<v Speaker 1>then she realizes she made a copy of the tape

0:51:36.440 --> 0:51:38.879
<v Speaker 1>because Samara, you know, she just wanted to be heard.

0:51:39.080 --> 0:51:41.600
<v Speaker 1>She just wants people to know her story. She wants

0:51:41.640 --> 0:51:46.520
<v Speaker 1>to go viral. So then she has aiden make a

0:51:46.600 --> 0:51:48.800
<v Speaker 1>copy of the tape so that he won't die. And

0:51:48.880 --> 0:51:51.080
<v Speaker 1>then he's like, but what about you know, what are

0:51:51.120 --> 0:51:52.640
<v Speaker 1>we going to do now? We have to show this

0:51:52.719 --> 0:51:58.040
<v Speaker 1>to someone such a VHS based thing. You have to

0:51:58.120 --> 0:52:00.920
<v Speaker 1>make a physical copy of the physical media and that

0:52:00.960 --> 0:52:03.919
<v Speaker 1>will save your life. And that's how the movie ends

0:52:04.080 --> 0:52:06.840
<v Speaker 1>with like now they're like, oh my god, we have

0:52:06.960 --> 0:52:10.760
<v Speaker 1>to keep spreading the story the end. So that's the movie.

0:52:11.000 --> 0:52:13.799
<v Speaker 1>Let's take a quick break and we will come back

0:52:13.880 --> 0:52:25.279
<v Speaker 1>to discuss. And we're back. While on the break, my

0:52:25.480 --> 0:52:28.120
<v Speaker 1>wife ambushed me with like, I have a bunch of

0:52:28.160 --> 0:52:31.719
<v Speaker 1>thoughts on the ring. I have some thoughts do you

0:52:31.760 --> 0:52:34.279
<v Speaker 1>want to share um? Well, she immediately was like, I

0:52:34.360 --> 0:52:36.880
<v Speaker 1>think it's about motherhood, and I'm like, I think they already.

0:52:38.719 --> 0:52:44.759
<v Speaker 1>She's onto something, but she her interpretation, having we went

0:52:44.840 --> 0:52:46.600
<v Speaker 1>through this whole thing last year when we had a kid,

0:52:46.760 --> 0:52:49.759
<v Speaker 1>is Amanda's first few months are rough, and so she

0:52:49.920 --> 0:52:52.719
<v Speaker 1>thinks the the idea of having a daughter and having

0:52:52.760 --> 0:52:54.160
<v Speaker 1>her not be who you think she's going to be

0:52:54.239 --> 0:52:57.080
<v Speaker 1>in putting terrible images in your head is a metaphor

0:52:57.200 --> 0:53:04.120
<v Speaker 1>for postpartum depression and postpartuming sieting. I like that there definitely.

0:53:04.239 --> 0:53:07.520
<v Speaker 1>I am glad to hear that because I was like,

0:53:07.680 --> 0:53:09.719
<v Speaker 1>it was like this, motherhood is definitely a theme in

0:53:09.760 --> 0:53:12.200
<v Speaker 1>this movie, but it's like the way it's treated as

0:53:12.280 --> 0:53:14.920
<v Speaker 1>kind of I couldn't make heads or tails of it

0:53:15.080 --> 0:53:20.480
<v Speaker 1>in certain moments. I like that, like with Anna Morgan specifically,

0:53:20.520 --> 0:53:22.360
<v Speaker 1>but I feel like maybe that's why we needed the

0:53:22.520 --> 0:53:27.680
<v Speaker 1>ring too to give us more information. And then they

0:53:27.760 --> 0:53:30.680
<v Speaker 1>made a third movie, Rings, which was about the birth father.

0:53:31.239 --> 0:53:35.880
<v Speaker 1>But Brian Cowhouse dad, we don't have to get into.

0:53:35.920 --> 0:53:37.960
<v Speaker 1>I read the Wikipedia summary and I now there's an

0:53:38.080 --> 0:53:40.480
<v Speaker 1>entire story to her birth that like is why she's

0:53:40.480 --> 0:53:44.279
<v Speaker 1>an evil child? Whoa this is what where she? Is

0:53:44.320 --> 0:53:48.680
<v Speaker 1>she from the Seattle area or is she from hell? Um?

0:53:49.040 --> 0:53:51.239
<v Speaker 1>It's a not not to bring down the mood. It's

0:53:51.239 --> 0:53:52.759
<v Speaker 1>a bit of a bummer of a story. And she's

0:53:52.800 --> 0:53:55.840
<v Speaker 1>like born because the priest sexually assaulted the mother and

0:53:56.000 --> 0:53:59.600
<v Speaker 1>then tried to kill her, and they gave her like

0:53:59.640 --> 0:54:03.960
<v Speaker 1>a whole traumatic birth story. Well, if there's one thing

0:54:04.320 --> 0:54:09.560
<v Speaker 1>that movies like to do, it's over explain why women

0:54:09.600 --> 0:54:13.759
<v Speaker 1>are traumatized and revel in that trauma and be like,

0:54:13.920 --> 0:54:17.080
<v Speaker 1>isn't it So doesn't women's trauma make for such a

0:54:17.239 --> 0:54:20.239
<v Speaker 1>good scary movie. There's a lot of money in that

0:54:21.000 --> 0:54:24.839
<v Speaker 1>turns out okay, So the so, I mean, maybe that's

0:54:24.840 --> 0:54:27.239
<v Speaker 1>a good place to start. I just the background on

0:54:27.320 --> 0:54:31.040
<v Speaker 1>this movie, as we've already said, it's uh pretty close

0:54:31.320 --> 0:54:37.200
<v Speaker 1>remake of a Japanese movie from Ringo, which was based

0:54:37.400 --> 0:54:42.960
<v Speaker 1>on a novel by Koji Suzuki which was influenced by

0:54:43.480 --> 0:54:46.520
<v Speaker 1>a bunch of scary Japanese folk tales. It's like to

0:54:47.400 --> 0:54:49.880
<v Speaker 1>let me and and in the all of the Japanese

0:54:50.760 --> 0:54:54.440
<v Speaker 1>versions of the story, it's her name is Sadako Yamamura,

0:54:54.920 --> 0:55:01.439
<v Speaker 1>which was rather lazily anglicized into samaraw morgan Um. She's

0:55:01.440 --> 0:55:04.080
<v Speaker 1>also an adult in the Japanese movies, which seems like

0:55:04.160 --> 0:55:08.959
<v Speaker 1>a major difference. Yeah, which I mean it's she's also

0:55:09.120 --> 0:55:12.800
<v Speaker 1>very scary. I do feel like it's scarier when she's

0:55:13.320 --> 0:55:15.719
<v Speaker 1>lie Low from Leelo and Stitch with her hair all

0:55:15.800 --> 0:55:19.200
<v Speaker 1>messed up and what's her name from Spirited Away? Wow,

0:55:19.360 --> 0:55:22.040
<v Speaker 1>she really was on a terror there for a while. Now.

0:55:22.120 --> 0:55:24.839
<v Speaker 1>Should a small white girl have been performing those roles?

0:55:25.120 --> 0:55:29.239
<v Speaker 1>Probably not, but probably not this. I mean it is

0:55:29.440 --> 0:55:33.080
<v Speaker 1>like the question with this remake is why does it

0:55:33.160 --> 0:55:35.759
<v Speaker 1>need to exist when it's very very close to the

0:55:35.840 --> 0:55:39.080
<v Speaker 1>Japanese version, and it because it is just a completely

0:55:39.560 --> 0:55:44.480
<v Speaker 1>whitewashed version of a famous Japanese story in English, when

0:55:44.520 --> 0:55:47.160
<v Speaker 1>it's like you could have just released Ringo with the

0:55:47.239 --> 0:55:52.600
<v Speaker 1>subtitles and it would have worked just as well. Yes, yeah, uh,

0:55:53.000 --> 0:55:56.239
<v Speaker 1>this is a movie so normally for episodes. I have

0:55:56.480 --> 0:56:00.520
<v Speaker 1>like pages of notes and thoughts that I've a key umulated,

0:56:01.200 --> 0:56:02.879
<v Speaker 1>and I don't know if it's just because this movie

0:56:03.400 --> 0:56:07.399
<v Speaker 1>freaks me out a lot and just makes my brain

0:56:07.640 --> 0:56:10.400
<v Speaker 1>not work as I'm watching it. But the only thing

0:56:10.400 --> 0:56:14.360
<v Speaker 1>I wrote in my notes is Aidan calls his mom Rachel,

0:56:15.200 --> 0:56:18.280
<v Speaker 1>and that was my big takeaway, which is a little scary,

0:56:18.480 --> 0:56:21.480
<v Speaker 1>and it also just feels like kind of, um, no,

0:56:21.880 --> 0:56:24.120
<v Speaker 1>no disrespect to Seattle, but I'm like, I could just

0:56:24.160 --> 0:56:26.680
<v Speaker 1>see kids in Seattle kind of just doing that and

0:56:26.800 --> 0:56:28.759
<v Speaker 1>having that be a normal thing to do up there.

0:56:28.920 --> 0:56:32.600
<v Speaker 1>They're just on like very curt terms with their parents. Um,

0:56:32.719 --> 0:56:36.360
<v Speaker 1>they're peers, They're peers. I think there's a lot to

0:56:36.400 --> 0:56:39.160
<v Speaker 1>talk about with this movie. I mean, especially around the

0:56:39.640 --> 0:56:43.239
<v Speaker 1>subject of like motherhood. I feel like this movie and

0:56:43.320 --> 0:56:46.440
<v Speaker 1>this franchise, or at least Ringo as well, like kind

0:56:46.480 --> 0:56:51.360
<v Speaker 1>of um manages to subvert a lot of horror mommy

0:56:51.640 --> 0:56:56.320
<v Speaker 1>tropes by giving Rachel a really so I mean, like

0:56:56.440 --> 0:56:58.560
<v Speaker 1>a really strong connection to the story because it's like

0:56:58.640 --> 0:57:03.279
<v Speaker 1>she's investigating the death of her niece, which she does,

0:57:03.560 --> 0:57:06.640
<v Speaker 1>which I keep forgetting because I don't know if Naomi

0:57:06.680 --> 0:57:11.160
<v Speaker 1>Watts was told just like I was not seeing the grief.

0:57:11.360 --> 0:57:15.719
<v Speaker 1>But whatever, everybody are differently. Sometimes you have to If

0:57:15.760 --> 0:57:18.880
<v Speaker 1>this movie was remade now, it would be a podcast.

0:57:18.960 --> 0:57:21.680
<v Speaker 1>It would not be Um, she Naomi wants to be

0:57:21.720 --> 0:57:25.520
<v Speaker 1>playing a podcaster and um, we would have to watch that. Yeah.

0:57:25.840 --> 0:57:29.000
<v Speaker 1>But yeah, I guess I wanted to talk about how

0:57:29.560 --> 0:57:32.400
<v Speaker 1>motherhood is explored because I feel like in a lesser movie,

0:57:32.960 --> 0:57:36.040
<v Speaker 1>sometimes in horror, anders in movies in general, it's like, well,

0:57:36.360 --> 0:57:39.920
<v Speaker 1>of course she needs to like figure out what's going

0:57:40.000 --> 0:57:42.760
<v Speaker 1>on with Samara, because that is what a mother does.

0:57:42.920 --> 0:57:46.040
<v Speaker 1>And like there's this in this little mommy alert that

0:57:46.080 --> 0:57:48.600
<v Speaker 1>goes off inside you and you have to, you know,

0:57:48.840 --> 0:57:50.480
<v Speaker 1>do the mommy thing. I feel like we see that

0:57:50.480 --> 0:57:54.080
<v Speaker 1>all the time in sci fi. Uh see it in horror,

0:57:54.120 --> 0:57:55.400
<v Speaker 1>you see, I mean you see it kind of across

0:57:55.440 --> 0:57:58.960
<v Speaker 1>the board. But the Moofy, I feel like, explains really well,

0:57:59.080 --> 0:58:03.720
<v Speaker 1>why just doing what she's doing. And also she's like

0:58:04.040 --> 0:58:08.000
<v Speaker 1>she's you know, she's a single mom, and um, she

0:58:08.160 --> 0:58:11.240
<v Speaker 1>and Aiden around a first name basis, so she's not

0:58:11.920 --> 0:58:14.880
<v Speaker 1>necessarily mother of the year. And um, I liked that

0:58:16.600 --> 0:58:20.280
<v Speaker 1>that's important representation. Yeah, I mean I appreciated that Rachel's

0:58:20.320 --> 0:58:24.720
<v Speaker 1>character is an active participant in the story in the

0:58:24.880 --> 0:58:27.560
<v Speaker 1>way I mean, it depends on what sub genre of

0:58:28.040 --> 0:58:32.760
<v Speaker 1>horror you're examining. I think slasher movies are maybe the

0:58:32.880 --> 0:58:34.840
<v Speaker 1>worst at this as far as like, well, there's just

0:58:34.880 --> 0:58:37.160
<v Speaker 1>gonna be a bunch of horny teen girls and they're

0:58:37.160 --> 0:58:39.320
<v Speaker 1>going to have sex and then they're gonna get murdered,

0:58:39.680 --> 0:58:42.640
<v Speaker 1>and we do we do, uh, lose a horny teen

0:58:42.800 --> 0:58:45.240
<v Speaker 1>right at the top of the movie. We do, yeah,

0:58:45.320 --> 0:58:49.480
<v Speaker 1>and then yeah. Female characters in slasher movies are just

0:58:49.840 --> 0:58:52.600
<v Speaker 1>usually not allowed to be very active in terms of,

0:58:53.040 --> 0:58:55.360
<v Speaker 1>you know, figuring out a way to escape or to

0:58:55.440 --> 0:58:58.000
<v Speaker 1>fight back or anything like that, with of course the

0:58:58.080 --> 0:59:02.320
<v Speaker 1>exception of The Final Girl, which is obviously very characteristic

0:59:02.440 --> 0:59:06.280
<v Speaker 1>of the genre. But at least Rachel is, you know,

0:59:06.400 --> 0:59:12.760
<v Speaker 1>actively investigating the mystery and choices she makes and discoveries

0:59:12.920 --> 0:59:17.600
<v Speaker 1>she makes push the story forward and ultimately, well, I

0:59:17.600 --> 0:59:21.280
<v Speaker 1>wouldn't say resolve the conflict, because there's the conflict is

0:59:22.200 --> 0:59:25.680
<v Speaker 1>she doesn't sleep. She doesn't sleep, But what Rachel does

0:59:26.080 --> 0:59:30.680
<v Speaker 1>allows her and her son Aidan to survive thereby you know,

0:59:30.920 --> 0:59:34.160
<v Speaker 1>resolving that conflict. So yeah, I you know, she's an

0:59:34.200 --> 0:59:36.760
<v Speaker 1>active participant in the story, which makes sense. She is

0:59:36.880 --> 0:59:40.080
<v Speaker 1>the protagonist. That is how stories work, I know, but

0:59:40.200 --> 0:59:44.360
<v Speaker 1>that's not necessarily how horror moms are always dreaded. True.

0:59:45.200 --> 0:59:47.760
<v Speaker 1>One of my notes that I wrote down was, I really,

0:59:48.760 --> 0:59:50.760
<v Speaker 1>just overall, I think this is actually a very well

0:59:50.800 --> 0:59:53.520
<v Speaker 1>written movie. Um. Just objectively, I think this movie does

0:59:53.560 --> 0:59:55.560
<v Speaker 1>a lot of things right. Um. And one of the

0:59:55.640 --> 0:59:58.200
<v Speaker 1>things it does is it does a structure that horror

0:59:58.200 --> 1:00:00.840
<v Speaker 1>movies almost never do. And I it's a really good one,

1:00:00.880 --> 1:00:04.200
<v Speaker 1>which is it's like, um, it's a p I movie

1:00:04.520 --> 1:00:06.439
<v Speaker 1>mixed with a horror movie. Like it's about a person

1:00:06.520 --> 1:00:09.840
<v Speaker 1>solving a mystery, which is a super interesting way to

1:00:09.840 --> 1:00:12.120
<v Speaker 1>struck Like usually a horror movie is about something coming

1:00:12.200 --> 1:00:14.320
<v Speaker 1>to a person, but this is about a person coming

1:00:14.400 --> 1:00:17.320
<v Speaker 1>to a thing. After the Yeah, the only other one

1:00:17.360 --> 1:00:19.920
<v Speaker 1>I can think of is the very good movie The

1:00:20.040 --> 1:00:22.920
<v Speaker 1>Empty Man. Oh, I don't know that one. Uh, and

1:00:23.360 --> 1:00:26.640
<v Speaker 1>it kind of got buried. Um, but it's on HBO

1:00:26.720 --> 1:00:29.520
<v Speaker 1>Max question Mark. But it uh, I mean it it's

1:00:29.560 --> 1:00:31.520
<v Speaker 1>a movie that starts out feeling like a direct rip

1:00:31.520 --> 1:00:33.600
<v Speaker 1>off of the Ring because it's about a similar like

1:00:33.800 --> 1:00:36.680
<v Speaker 1>you something happens in three days later you get killed

1:00:37.120 --> 1:00:39.880
<v Speaker 1>um and a guy starts investigating, but then it ends

1:00:39.960 --> 1:00:42.560
<v Speaker 1>up going a very very different direction, but it has

1:00:42.640 --> 1:00:46.280
<v Speaker 1>the same thing of like totally it's a horror but

1:00:46.440 --> 1:00:50.440
<v Speaker 1>structurally it's just a straight up private detective solving the mystery.

1:00:51.960 --> 1:00:56.080
<v Speaker 1>Yeah that works for That worked for me for this movie,

1:00:56.480 --> 1:00:59.120
<v Speaker 1>and yeah it does mean that. Like I guess when

1:00:59.120 --> 1:01:02.360
<v Speaker 1>I when I was back on the legacy of of

1:01:02.520 --> 1:01:05.560
<v Speaker 1>horror mommy's it's usually like, yeah, like things are happening

1:01:05.680 --> 1:01:08.680
<v Speaker 1>to them and they are trying to avoid things happening.

1:01:08.720 --> 1:01:11.160
<v Speaker 1>But she, I don't know, she's She's doing all this

1:01:11.200 --> 1:01:14.640
<v Speaker 1>stuff for so many reasons, like she's trying to avenge

1:01:14.680 --> 1:01:17.080
<v Speaker 1>her niece question Mark, although I am still convinced she

1:01:17.120 --> 1:01:19.800
<v Speaker 1>doesn't care. She's on the clock, she's trying to save

1:01:19.840 --> 1:01:22.400
<v Speaker 1>her son, she's trying to save her baby daddy, she's

1:01:22.440 --> 1:01:25.120
<v Speaker 1>like trying to save herself. There's all these different sort

1:01:25.160 --> 1:01:29.440
<v Speaker 1>of factors and and there's not a ton of like, well,

1:01:29.520 --> 1:01:31.320
<v Speaker 1>I guess when she goes into the lighthouse, you're like,

1:01:31.640 --> 1:01:33.760
<v Speaker 1>probably don't go in there, But there's not like the

1:01:33.880 --> 1:01:38.280
<v Speaker 1>typical like don't go in there because you're acting irrationally

1:01:38.440 --> 1:01:41.880
<v Speaker 1>in a very horror movie way like she's I don't

1:01:41.920 --> 1:01:45.520
<v Speaker 1>remember feeling that way, or or on their rewatch either

1:01:45.640 --> 1:01:48.120
<v Speaker 1>because you're like, well, yeah, she needs to she needs

1:01:48.160 --> 1:01:50.280
<v Speaker 1>to go and she has to pursue the bad thing,

1:01:50.520 --> 1:01:53.120
<v Speaker 1>or yeah, I do appreciate that there's a compelling reason

1:01:53.200 --> 1:01:58.040
<v Speaker 1>for her to investigate and like go into scary places

1:01:58.400 --> 1:02:00.680
<v Speaker 1>and because she's like trying to all of the mystery.

1:02:01.040 --> 1:02:04.560
<v Speaker 1>This won't be any spoilers, but I recently saw Barbarian

1:02:05.320 --> 1:02:09.520
<v Speaker 1>and in that movie, the main character, who is a woman,

1:02:10.000 --> 1:02:13.120
<v Speaker 1>keeps going back into the scary place, and you're like,

1:02:13.520 --> 1:02:16.480
<v Speaker 1>but why she loves going into the scary place. I

1:02:16.600 --> 1:02:19.520
<v Speaker 1>had so much fun at that movie. He just it

1:02:19.680 --> 1:02:22.360
<v Speaker 1>was so fun. It's literally the first movie I had

1:02:22.400 --> 1:02:25.080
<v Speaker 1>seen in the theater since January. It was the first

1:02:25.120 --> 1:02:27.400
<v Speaker 1>one that I was excited enough about to be like,

1:02:27.440 --> 1:02:33.680
<v Speaker 1>all right, I'll go on eleven A. I'm on a Monday. Truly,

1:02:34.160 --> 1:02:36.880
<v Speaker 1>that's that's so fun I had. I had such a

1:02:36.960 --> 1:02:42.000
<v Speaker 1>blasted Yeah, no, no spoilers for listeners, but highly recommend

1:02:42.160 --> 1:02:44.160
<v Speaker 1>she does. She is addicted to going down to the

1:02:44.200 --> 1:02:48.240
<v Speaker 1>scary place. But ultimately, when Bill scary guard answers the door.

1:02:48.400 --> 1:02:52.360
<v Speaker 1>In a movie, you aren't supposed to go into the house. Yeah,

1:02:52.400 --> 1:02:55.280
<v Speaker 1>haven't you seen it? Of course? Well, I also like

1:02:55.520 --> 1:02:58.600
<v Speaker 1>have a huge Bill scars Gard crush. I love I

1:02:58.720 --> 1:03:02.720
<v Speaker 1>knew it, penny Wise, are you joking there? Yeah? There,

1:03:03.400 --> 1:03:05.800
<v Speaker 1>Look Bill's cars guard. I'm going to show up. I'm

1:03:05.800 --> 1:03:07.320
<v Speaker 1>gonna show up at the movie and I'm gonna love

1:03:07.360 --> 1:03:10.800
<v Speaker 1>every second of it. There's also okay, last barbarian comment.

1:03:11.280 --> 1:03:14.240
<v Speaker 1>There's a scene in which one of the actors, even

1:03:14.320 --> 1:03:16.560
<v Speaker 1>though the movie takes place in between Detroit and l

1:03:16.640 --> 1:03:20.400
<v Speaker 1>a inexplicably, one of the main characters wears a hat

1:03:20.920 --> 1:03:26.720
<v Speaker 1>from a Boston based pickle company. Um, and I cheered

1:03:27.000 --> 1:03:30.920
<v Speaker 1>Grillos pickles. Grillos Pickles. Where in the world of this

1:03:31.120 --> 1:03:35.320
<v Speaker 1>movie did he get that pickles the supermarket? I mean,

1:03:35.760 --> 1:03:39.800
<v Speaker 1>I Grillos Pickles a Boston institution. Ultimately, when the big

1:03:39.840 --> 1:03:44.520
<v Speaker 1>one hits, that's how That's how my my my city

1:03:44.600 --> 1:03:50.680
<v Speaker 1>will be remembered, is where Grillos. We're howking I used

1:03:50.720 --> 1:03:52.880
<v Speaker 1>to get Like this makes it set me sound like

1:03:52.960 --> 1:03:55.600
<v Speaker 1>I'm actually a hundred years old. I used to buy

1:03:55.760 --> 1:03:57.720
<v Speaker 1>They used to sell Grillos pickles, like near the Park

1:03:57.800 --> 1:04:01.160
<v Speaker 1>Street stop and you could just get fistful of pickils

1:04:02.200 --> 1:04:04.720
<v Speaker 1>and then get on the train to some loose pickles

1:04:04.760 --> 1:04:09.640
<v Speaker 1>on the train. That's disgusting. Okay, I'm learning so much.

1:04:09.760 --> 1:04:13.240
<v Speaker 1>I also got excited about the Gorilla's hat. I'm so

1:04:13.400 --> 1:04:15.240
<v Speaker 1>glad I was. I was like, it doesn't make sense

1:04:15.280 --> 1:04:18.960
<v Speaker 1>for a character who's going between Detroit and l A.

1:04:19.400 --> 1:04:24.000
<v Speaker 1>But um, look you a grillos hat. It can be.

1:04:24.200 --> 1:04:26.560
<v Speaker 1>It can be anything you want. It's first to go

1:04:26.720 --> 1:04:31.000
<v Speaker 1>back to the motherhood thing. I think there is something

1:04:31.160 --> 1:04:34.280
<v Speaker 1>really important to the fact that there's the twist that's

1:04:34.280 --> 1:04:38.720
<v Speaker 1>Tomorrow just is evil, that there there is no thing

1:04:38.880 --> 1:04:40.920
<v Speaker 1>you can do to make her not evil, that she

1:04:41.080 --> 1:04:44.080
<v Speaker 1>just wants to hurt people. Because I think there is

1:04:44.280 --> 1:04:47.400
<v Speaker 1>this just going a bit off personal experience here. There

1:04:47.520 --> 1:04:50.040
<v Speaker 1>is this some of this horror to being a parent

1:04:50.320 --> 1:04:54.919
<v Speaker 1>of there's only so much you can do to help

1:04:55.040 --> 1:04:57.600
<v Speaker 1>shape someone, like you do your best and you try

1:04:57.680 --> 1:05:00.400
<v Speaker 1>not to suck it up, but ultimately they're going to

1:05:00.480 --> 1:05:04.440
<v Speaker 1>become the person they become. And um, I know somebody

1:05:04.480 --> 1:05:10.000
<v Speaker 1>who's a parent who was like her older kid. She

1:05:10.160 --> 1:05:13.160
<v Speaker 1>was like, yeah, he just is, Um, he's an asshole,

1:05:14.080 --> 1:05:15.760
<v Speaker 1>and I don't know what to do about that. Like

1:05:15.960 --> 1:05:20.880
<v Speaker 1>he's just he's just a huge dick, and like I

1:05:21.000 --> 1:05:23.280
<v Speaker 1>don't think I think that's just who he is. And

1:05:23.400 --> 1:05:27.000
<v Speaker 1>so there's this horror that like, yeah, this person becomes

1:05:27.040 --> 1:05:28.720
<v Speaker 1>part of your family, but you you only have so

1:05:28.840 --> 1:05:31.360
<v Speaker 1>much control over what kind of person you're bringing into

1:05:31.400 --> 1:05:34.200
<v Speaker 1>your family, and it's I just want to clarify, but

1:05:34.280 --> 1:05:36.800
<v Speaker 1>that my daughter seems great, My daughter seems very cool.

1:05:37.840 --> 1:05:39.680
<v Speaker 1>So far so good, so far, so good, so far,

1:05:39.800 --> 1:05:43.360
<v Speaker 1>so good. But like, yeah, this idea that yes, there

1:05:43.520 --> 1:05:46.960
<v Speaker 1>was a lot of problems with the way she mothered Smarrow,

1:05:47.240 --> 1:05:52.040
<v Speaker 1>including throwing her in a well, but Smarrow also sucks. Smarrow,

1:05:52.520 --> 1:05:56.640
<v Speaker 1>does we have some parenting notes. I do feel like

1:05:56.880 --> 1:05:59.840
<v Speaker 1>there is this um and maybe this has just been

1:05:59.840 --> 1:06:03.320
<v Speaker 1>on my mind because there is inexplicably been another entry

1:06:03.360 --> 1:06:07.520
<v Speaker 1>into the Orphan franchise recently where it's like kids secretly

1:06:07.560 --> 1:06:12.560
<v Speaker 1>old um. But there is this uh sort of anxiety

1:06:12.720 --> 1:06:18.040
<v Speaker 1>in movies around adopted children, um, and like, oh, what's

1:06:18.640 --> 1:06:22.760
<v Speaker 1>which I am not adopted? I can't imagine if is

1:06:22.840 --> 1:06:25.720
<v Speaker 1>super fun if you're an adopted kid watching The Ring

1:06:25.800 --> 1:06:27.480
<v Speaker 1>to be like, oh no, like I brought this kid

1:06:27.560 --> 1:06:30.760
<v Speaker 1>into my home and something. It's the most wrong child

1:06:30.880 --> 1:06:35.840
<v Speaker 1>that's ever existed. Um, and like drives her adoptive parents

1:06:35.920 --> 1:06:39.880
<v Speaker 1>out of their minds and must be killed. Um okay.

1:06:39.920 --> 1:06:44.680
<v Speaker 1>So what wasn't clear to me was if tomorrow was

1:06:46.000 --> 1:06:49.400
<v Speaker 1>like turned out the way she was, where she was

1:06:49.480 --> 1:06:55.600
<v Speaker 1>like imprinting scary images into her adoptive parents minds because

1:06:55.800 --> 1:07:01.600
<v Speaker 1>like her dad, Brian Cox was like not wanting to

1:07:02.080 --> 1:07:05.360
<v Speaker 1>have her because he says something like my wife was

1:07:05.400 --> 1:07:07.520
<v Speaker 1>never supposed to have a baby, you know, and she

1:07:07.640 --> 1:07:09.960
<v Speaker 1>had all the Ani Morgan had all these miscarriages, And

1:07:10.040 --> 1:07:12.880
<v Speaker 1>I was like, was he like doing like abusing his

1:07:13.000 --> 1:07:15.360
<v Speaker 1>wife and like forcing her to miscarry? Like I wasn't

1:07:15.400 --> 1:07:17.840
<v Speaker 1>sure exactly what was happening. And then when like this

1:07:18.040 --> 1:07:21.400
<v Speaker 1>baby did get adopted, was he abusive towards the baby?

1:07:21.480 --> 1:07:25.240
<v Speaker 1>And that's why Samara, I wasn't sure how much of

1:07:25.360 --> 1:07:29.480
<v Speaker 1>like a nature or nurture thing it was to me

1:07:29.600 --> 1:07:34.400
<v Speaker 1>that wasn't necessarily clear enough in the movie. I don't

1:07:34.440 --> 1:07:37.760
<v Speaker 1>even know how much it matters for this specific movie.

1:07:38.400 --> 1:07:41.840
<v Speaker 1>It's not necessarily operating on a lot of logic as

1:07:42.000 --> 1:07:46.640
<v Speaker 1>most horror movies do not. Is this a ring two thing? Joseph? Yeah,

1:07:46.680 --> 1:07:50.240
<v Speaker 1>I mean I guess. The sequels make it clear to me.

1:07:51.480 --> 1:07:54.080
<v Speaker 1>To me, it's obvious that she's evil, just she's evil,

1:07:54.200 --> 1:07:56.720
<v Speaker 1>Like that's sort of that's sort of the ending twist

1:07:57.000 --> 1:07:59.120
<v Speaker 1>is there's nothing you can do. She's just a monster.

1:08:00.040 --> 1:08:03.240
<v Speaker 1>The sequels make that more literal, like they specifically like

1:08:03.440 --> 1:08:06.120
<v Speaker 1>her birth mother tried to drown her because she was evil,

1:08:06.240 --> 1:08:09.320
<v Speaker 1>Like there's she was evil from birth, like I think

1:08:09.400 --> 1:08:12.720
<v Speaker 1>that's a There's the scene where she's being interviewed and

1:08:13.040 --> 1:08:16.000
<v Speaker 1>he's like, UM, you don't want to hurt people, do you?

1:08:16.800 --> 1:08:18.960
<v Speaker 1>And she says, but I do, and I'm sorry and

1:08:19.000 --> 1:08:21.800
<v Speaker 1>it won't stop. And I think it's a very clever

1:08:21.880 --> 1:08:25.000
<v Speaker 1>bit of writing because the first time you hear I

1:08:25.080 --> 1:08:26.519
<v Speaker 1>don't you don't want to hurt people, do you? And

1:08:26.600 --> 1:08:28.320
<v Speaker 1>she says but I do, and you interpret it as

1:08:28.479 --> 1:08:30.720
<v Speaker 1>but I do keep hurting people. Um, And then in

1:08:30.800 --> 1:08:33.000
<v Speaker 1>the end you they show her face and you realize

1:08:33.040 --> 1:08:35.800
<v Speaker 1>she's saying, but I do want to hurt people, um,

1:08:36.479 --> 1:08:39.920
<v Speaker 1>because she's bad to the bone. I really Okay. So

1:08:40.000 --> 1:08:43.439
<v Speaker 1>I've been thinking about this recently for an unrelated reason.

1:08:43.840 --> 1:08:46.880
<v Speaker 1>Have a book with me right called Lady Killers. It's

1:08:46.920 --> 1:08:51.280
<v Speaker 1>about female serial killers, but more so like the the

1:08:51.400 --> 1:08:55.400
<v Speaker 1>media narratives that tend to form around them throughout history. Um,

1:08:56.280 --> 1:09:01.280
<v Speaker 1>and I do want to cover more women murdering uh

1:09:01.360 --> 1:09:05.240
<v Speaker 1>and being evil kind of movies on the show, first

1:09:05.240 --> 1:09:07.439
<v Speaker 1>of all because they're fun to watch it, but also because, um,

1:09:08.080 --> 1:09:11.280
<v Speaker 1>there is like I think it's like interesting that the

1:09:11.439 --> 1:09:14.320
<v Speaker 1>Ring franchise sort of goes into this territory of like

1:09:14.720 --> 1:09:19.919
<v Speaker 1>needing to over explain the evil because around most actual

1:09:20.400 --> 1:09:23.639
<v Speaker 1>quote unquote evil women who have you know, killed, murdered, burned,

1:09:23.680 --> 1:09:27.200
<v Speaker 1>et cetera, there is always this kind of compulsion to

1:09:27.280 --> 1:09:30.560
<v Speaker 1>be like, but but why and like connecting it to

1:09:31.560 --> 1:09:35.719
<v Speaker 1>motherhood or connecting it to like a kind of feminine

1:09:36.000 --> 1:09:40.200
<v Speaker 1>explanation for why she would be driven to kill. And

1:09:40.360 --> 1:09:42.800
<v Speaker 1>sometimes that is there is some truth to that, but

1:09:42.960 --> 1:09:47.760
<v Speaker 1>sometimes people are just fucking evil, and um, there is

1:09:47.880 --> 1:09:52.360
<v Speaker 1>not a highly like you know, socialized reasoning for it.

1:09:52.520 --> 1:09:55.800
<v Speaker 1>And so I like that after like being kind of

1:09:56.000 --> 1:09:59.000
<v Speaker 1>entrenched and stuff like that, the twist that Samara is

1:09:59.160 --> 1:10:02.479
<v Speaker 1>just evil super worked for me because you get that

1:10:02.640 --> 1:10:06.599
<v Speaker 1>whole narrative of like, this kid had a really difficult life.

1:10:06.720 --> 1:10:09.519
<v Speaker 1>They were abused, they had like their parents were way

1:10:09.600 --> 1:10:12.439
<v Speaker 1>out of their depth. They were murdered by their own mom.

1:10:12.880 --> 1:10:17.479
<v Speaker 1>All this horrible stuff, and but uh, and yet two

1:10:17.560 --> 1:10:20.479
<v Speaker 1>things are true. And she's also just evil and like

1:10:20.640 --> 1:10:24.800
<v Speaker 1>wants to kill people and can't explain why, and that's

1:10:24.920 --> 1:10:29.000
<v Speaker 1>just like the reality of the world. And I don't know.

1:10:29.040 --> 1:10:31.240
<v Speaker 1>I thought it was cool that it's like, I like,

1:10:31.720 --> 1:10:35.040
<v Speaker 1>this is not a fully formed thought, and so by

1:10:35.080 --> 1:10:38.280
<v Speaker 1>the time this release releases, I might feel different already.

1:10:38.400 --> 1:10:41.639
<v Speaker 1>But I do think it it's like fun to see

1:10:41.760 --> 1:10:46.080
<v Speaker 1>a character like allowed to be evil without there being

1:10:46.240 --> 1:10:52.120
<v Speaker 1>this like really intense trauma background explainer. It's fun when

1:10:52.240 --> 1:10:55.000
<v Speaker 1>people are just evil sometimes when you're watching a movie,

1:10:55.680 --> 1:11:00.360
<v Speaker 1>I think, especially because in horror movies centering around men

1:11:00.560 --> 1:11:05.479
<v Speaker 1>being the evil killer, sometimes there will be like a

1:11:05.560 --> 1:11:07.479
<v Speaker 1>backstory where it's like this is how he got evil,

1:11:07.520 --> 1:11:10.040
<v Speaker 1>and other times it's like, no, Michael Myers was just

1:11:10.280 --> 1:11:15.280
<v Speaker 1>born evil. Well, there's there's some that's explored, right, Michael

1:11:15.360 --> 1:11:18.320
<v Speaker 1>Myers is origins I don't remember. I think I think

1:11:18.360 --> 1:11:20.439
<v Speaker 1>you're right though, that it's kind of even when they

1:11:20.479 --> 1:11:24.200
<v Speaker 1>explore it, like he's just he's very similar to Samarrow,

1:11:24.360 --> 1:11:27.040
<v Speaker 1>Like they're both these kind of faceless entities that are

1:11:27.160 --> 1:11:31.120
<v Speaker 1>just born evil and kind of want the world watching

1:11:31.160 --> 1:11:34.719
<v Speaker 1>this again. I think this is a really well done

1:11:34.800 --> 1:11:38.080
<v Speaker 1>twist in a movie that is never talked about. When

1:11:38.120 --> 1:11:40.320
<v Speaker 1>people talk about very good movie twist, this one never

1:11:40.439 --> 1:11:42.880
<v Speaker 1>comes up. But it's the only one I can think

1:11:42.960 --> 1:11:45.680
<v Speaker 1>of where the twist is the thing you think for

1:11:45.800 --> 1:11:47.960
<v Speaker 1>most of the movie, Like for the most of the movie,

1:11:48.000 --> 1:11:51.000
<v Speaker 1>they're like samaras evil, and then they're like, actually, she's

1:11:51.040 --> 1:11:53.639
<v Speaker 1>just misunderstood, and then the twist is actually the first

1:11:53.680 --> 1:11:56.640
<v Speaker 1>thing you thought was right. Um, It's just I keep

1:11:56.720 --> 1:11:58.640
<v Speaker 1>coming back to. I just think the writing in this

1:11:58.800 --> 1:12:02.800
<v Speaker 1>movie is very clever. The structuring of it is just

1:12:03.000 --> 1:12:06.200
<v Speaker 1>very smart. And if you're trying to like scare your audience,

1:12:06.360 --> 1:12:08.680
<v Speaker 1>that is like such an effective way to do it.

1:12:08.920 --> 1:12:10.760
<v Speaker 1>Is like to get you all the way around to

1:12:11.040 --> 1:12:16.000
<v Speaker 1>like empathizing with some are early sympathizing with her and

1:12:16.360 --> 1:12:19.160
<v Speaker 1>you're like, oh, this poor kid, and like I was

1:12:19.200 --> 1:12:20.840
<v Speaker 1>trying to put myself in the ten year old brain

1:12:20.920 --> 1:12:24.800
<v Speaker 1>and as scary as the story of the well in

1:12:24.840 --> 1:12:26.960
<v Speaker 1>the Seven Days and all that ship, like it's really scary,

1:12:27.040 --> 1:12:28.960
<v Speaker 1>but it is sort of comforting. When you have the

1:12:29.040 --> 1:12:32.400
<v Speaker 1>explanation and she's holding the skeleton, You're like, oh, Okay,

1:12:32.680 --> 1:12:35.000
<v Speaker 1>samar is not going to be scary anymore. But then

1:12:35.680 --> 1:12:39.840
<v Speaker 1>guess what, bitch, She's gonna be scary forever and yeah,

1:12:39.880 --> 1:12:42.559
<v Speaker 1>and then it's like, Okay, if you had considered leaving

1:12:42.640 --> 1:12:46.400
<v Speaker 1>this movie without being absolutely like afraid forever, yeah, like that,

1:12:46.520 --> 1:12:49.280
<v Speaker 1>like you're saying, just like that. The takeaway is that

1:12:49.600 --> 1:12:54.480
<v Speaker 1>some some evil is just like truly unstoppable and irrational,

1:12:54.760 --> 1:12:57.400
<v Speaker 1>and that is the scariest thing in the world. It

1:12:57.520 --> 1:12:59.680
<v Speaker 1>is just that people are irrationally evil and want to

1:12:59.760 --> 1:13:02.800
<v Speaker 1>hurt you, and they can't even tell you why you

1:13:02.920 --> 1:13:07.639
<v Speaker 1>can't therapy them out of killing you. To be fair,

1:13:07.960 --> 1:13:10.680
<v Speaker 1>I think that that doctor did a real bang up

1:13:10.800 --> 1:13:15.320
<v Speaker 1>job of Samara. Yeah yeah, he's like Samaraw, what the

1:13:15.439 --> 1:13:18.240
<v Speaker 1>funk is wrong with you? Why doesn't Brian Cox like you?

1:13:18.720 --> 1:13:20.840
<v Speaker 1>You're like all the question Like it was that just

1:13:21.240 --> 1:13:24.640
<v Speaker 1>one of the more realistic scenes in the movie, right right,

1:13:24.640 --> 1:13:29.000
<v Speaker 1>because I mean it's also not to be like Brian

1:13:29.080 --> 1:13:33.400
<v Speaker 1>Cox is. I'm just like, what what year are these Samara?

1:13:33.800 --> 1:13:36.560
<v Speaker 1>Like what year does this take place in? Um? I

1:13:36.640 --> 1:13:38.519
<v Speaker 1>know that like it takes place in the current day

1:13:38.720 --> 1:13:41.440
<v Speaker 1>in the main narrative, but it just seems like Samaraw's

1:13:41.439 --> 1:13:43.920
<v Speaker 1>story is so old timey and all of the videos

1:13:44.000 --> 1:13:46.559
<v Speaker 1>are so old timey, and Brian Cox is like old.

1:13:46.720 --> 1:13:49.120
<v Speaker 1>And then you're just like, and Anna Morgan always kind

1:13:49.120 --> 1:13:52.360
<v Speaker 1>of dressed a little old timey, like almost Victorian era.

1:13:52.479 --> 1:13:56.160
<v Speaker 1>They look like they're like pioneers. Yeah, like, but but

1:13:56.240 --> 1:13:58.800
<v Speaker 1>then you're like, well, Brian Cox, isn't that old? That

1:13:58.920 --> 1:14:01.360
<v Speaker 1>seems maybe a little mean. They figure out at some

1:14:01.400 --> 1:14:04.960
<v Speaker 1>point that Anna Morgan died twenty eight years ago, I think,

1:14:05.080 --> 1:14:08.040
<v Speaker 1>is what said, So it would have been in like

1:14:08.280 --> 1:14:12.360
<v Speaker 1>the sixties or seven early seventies. I can't math right now. Also,

1:14:12.479 --> 1:14:15.360
<v Speaker 1>has Brian Cox just not aged since this movie? Or

1:14:15.520 --> 1:14:18.920
<v Speaker 1>I had the same thought, isn't that But like that's

1:14:18.960 --> 1:14:21.840
<v Speaker 1>kind of a good scenario if you're an actor, or

1:14:21.920 --> 1:14:23.960
<v Speaker 1>you're just like, okay, I'm in my old era, so

1:14:24.120 --> 1:14:26.720
<v Speaker 1>let's just try to like hold this, let's hold the

1:14:26.840 --> 1:14:30.120
<v Speaker 1>line and like not look. And then at some point

1:14:30.280 --> 1:14:31.880
<v Speaker 1>I feel like, in a couple of years he's allowed

1:14:31.920 --> 1:14:34.960
<v Speaker 1>to look really old, and that's the final act. Is

1:14:35.080 --> 1:14:41.040
<v Speaker 1>just like great actor, objectively crusty at the edges. So okay,

1:14:41.080 --> 1:14:44.200
<v Speaker 1>So but this all the summer stuff happens sometime in

1:14:44.720 --> 1:14:49.080
<v Speaker 1>late sixties or early seventies. From what I understand, I do.

1:14:49.320 --> 1:14:52.080
<v Speaker 1>I do agree with you Joseph that like the I

1:14:52.160 --> 1:14:56.960
<v Speaker 1>mean of of what i've like child psychology, Uh, certainly,

1:14:57.080 --> 1:15:00.080
<v Speaker 1>and the further back you go, there's a lot of

1:15:00.640 --> 1:15:04.840
<v Speaker 1>blame me, shame, weird stuff that goes on. So it's

1:15:04.880 --> 1:15:09.400
<v Speaker 1>not like unfortunately it's just childhood psychology. It's like adult Yeah.

1:15:10.160 --> 1:15:14.600
<v Speaker 1>But like especially if you're little Samara, I just she

1:15:14.680 --> 1:15:16.960
<v Speaker 1>could have she could have used a gentler touch. I'm like, man,

1:15:17.120 --> 1:15:20.519
<v Speaker 1>you're asking for it. You're asking to like die in

1:15:20.640 --> 1:15:25.640
<v Speaker 1>seven days. Quick aside, I am seeing on the Wikipedia

1:15:25.680 --> 1:15:29.160
<v Speaker 1>page that Chris Cooper appears in this movie as child

1:15:29.360 --> 1:15:33.120
<v Speaker 1>Murder uncredited. Those scenes were cut. I have him, Yeah,

1:15:33.120 --> 1:15:35.839
<v Speaker 1>I did you read about this? I I have information

1:15:35.920 --> 1:15:38.920
<v Speaker 1>on that. Please please give me the rundown on why

1:15:40.240 --> 1:15:44.840
<v Speaker 1>esteemed actor Chris Cooper appears as child Murder uncredited. His

1:15:45.040 --> 1:15:48.920
<v Speaker 1>character existed entirely to answer the question. It was like

1:15:48.960 --> 1:15:51.320
<v Speaker 1>the main question my wife had, which is, wait, who

1:15:51.400 --> 1:15:53.080
<v Speaker 1>did they give the tape to at the end that

1:15:53.240 --> 1:15:55.519
<v Speaker 1>the kid made a copy of which the movie just

1:15:55.640 --> 1:16:00.280
<v Speaker 1>doesn't answer. But originally the movie opened with a in

1:16:00.360 --> 1:16:04.680
<v Speaker 1>which Chris Cooper playing this creepy child murderer is like,

1:16:04.880 --> 1:16:06.519
<v Speaker 1>I've found God and I'm good now and you have

1:16:06.640 --> 1:16:11.040
<v Speaker 1>to help clear my name, and she's kind of ignores him,

1:16:11.120 --> 1:16:13.000
<v Speaker 1>and then he doesn't appear for the entire rest of

1:16:13.000 --> 1:16:15.760
<v Speaker 1>the movie. And then at the end when they need

1:16:15.840 --> 1:16:17.840
<v Speaker 1>someone to give the tape to, they give the tape

1:16:17.880 --> 1:16:21.519
<v Speaker 1>to him because he deserves it. They cut it. That's

1:16:21.600 --> 1:16:25.160
<v Speaker 1>kind of satisfying. Test audience has had the reasonable question

1:16:25.200 --> 1:16:26.960
<v Speaker 1>of we don't understand why Chris Cooper is in this

1:16:27.080 --> 1:16:29.000
<v Speaker 1>movie and then not in it for the entire rest

1:16:29.040 --> 1:16:33.200
<v Speaker 1>of the movie. It is weird because it's like, I mean,

1:16:33.280 --> 1:16:35.840
<v Speaker 1>I and I do like when movies do that when

1:16:35.880 --> 1:16:37.920
<v Speaker 1>they just bring in like a famous act and this

1:16:38.080 --> 1:16:40.839
<v Speaker 1>is kind of like pique Chris Cooper to like American

1:16:40.840 --> 1:16:42.680
<v Speaker 1>Beauty came out a couple of years before. This is

1:16:42.720 --> 1:16:46.760
<v Speaker 1>also the year he's in adaptation, like he's he's really

1:16:46.840 --> 1:16:49.320
<v Speaker 1>in his bag, and he also happens to be child

1:16:49.439 --> 1:16:54.719
<v Speaker 1>Murder uncredited, which like, I mean, I I do appreciate.

1:16:54.840 --> 1:16:57.840
<v Speaker 1>I was like, okay, he's not he's he's not too

1:16:58.120 --> 1:17:00.679
<v Speaker 1>you know, there are no small roles, there's just child

1:17:00.800 --> 1:17:04.880
<v Speaker 1>Murder uncredited. And then part of the viral I did

1:17:04.960 --> 1:17:07.880
<v Speaker 1>a lot of IMDb a trivia reading. I'm sorry. Part

1:17:07.960 --> 1:17:10.559
<v Speaker 1>of the viral campaign for this movie was they made

1:17:10.720 --> 1:17:14.880
<v Speaker 1>a fake website that was like by this guy telling

1:17:14.960 --> 1:17:17.880
<v Speaker 1>the story of the ring from this character who they

1:17:18.000 --> 1:17:21.200
<v Speaker 1>ended up cutting from the movie. Well, what a waste

1:17:21.240 --> 1:17:24.360
<v Speaker 1>of time. But that's so fun. I love that. I want.

1:17:24.760 --> 1:17:26.679
<v Speaker 1>I know, actually I don't want a whole movie about

1:17:26.720 --> 1:17:28.920
<v Speaker 1>Chris Cooper being a child murderer. I take that back,

1:17:30.040 --> 1:17:33.560
<v Speaker 1>but I like, I like that he was, that he

1:17:33.760 --> 1:17:39.080
<v Speaker 1>was technically in this movie. That's that's a treat. That's

1:17:39.120 --> 1:17:45.639
<v Speaker 1>comforting to know. Yeah, I don't again, this movie just breaks. Normally,

1:17:45.720 --> 1:17:47.880
<v Speaker 1>if I'm watching a movie for the podcast, I'm like,

1:17:48.840 --> 1:17:51.360
<v Speaker 1>I turn on my analytical brain and I'm like, I

1:17:51.479 --> 1:17:56.560
<v Speaker 1>have so many thoughts and but not not today. I

1:17:56.640 --> 1:17:59.080
<v Speaker 1>don't know this this movie. There is what I like

1:17:59.200 --> 1:18:01.599
<v Speaker 1>about this movie as it does it has a lot

1:18:01.640 --> 1:18:03.400
<v Speaker 1>of things that a lot of horror movies has, but

1:18:03.520 --> 1:18:05.800
<v Speaker 1>it just does it well and in a way that

1:18:06.800 --> 1:18:09.880
<v Speaker 1>makes more sense to me than usually, Like you have,

1:18:10.360 --> 1:18:14.000
<v Speaker 1>Like I guess Naomi Watts technically counts as a final girl,

1:18:14.080 --> 1:18:17.040
<v Speaker 1>but she's also got a final son. She's not like,

1:18:17.040 --> 1:18:19.599
<v Speaker 1>like you said, just if she's not running from something

1:18:19.680 --> 1:18:22.519
<v Speaker 1>the entire time, she's actively pursuing it. And it's like,

1:18:22.680 --> 1:18:25.720
<v Speaker 1>not in an irrational horror way, it's in all these

1:18:25.760 --> 1:18:28.800
<v Speaker 1>ways that makes sense. Way you do have like the

1:18:28.880 --> 1:18:32.720
<v Speaker 1>creepy child, but you get kind of like a two

1:18:32.800 --> 1:18:34.960
<v Speaker 1>punch of like you understand why the child is creepy,

1:18:35.040 --> 1:18:37.320
<v Speaker 1>but also you don't have to really understand why the

1:18:37.560 --> 1:18:40.559
<v Speaker 1>child is creepy. She's just inherently creepy and that's her

1:18:40.560 --> 1:18:44.560
<v Speaker 1>whole thing. Um, and then creepy child number two in

1:18:44.880 --> 1:18:47.720
<v Speaker 1>aiden right, and then the ultimate twist is that he's

1:18:47.720 --> 1:18:50.400
<v Speaker 1>going to work for the US government and that's a

1:18:50.479 --> 1:18:53.240
<v Speaker 1>bit scary. And then we don't have to feel great

1:18:53.280 --> 1:18:55.200
<v Speaker 1>about that. I don't know. I don't you know what

1:18:55.280 --> 1:18:57.600
<v Speaker 1>are his politics? I couldn't. They're not listed on his

1:18:57.680 --> 1:19:00.880
<v Speaker 1>Wikipedia page. Who's he voting for? We don't know that?

1:19:00.920 --> 1:19:03.559
<v Speaker 1>Should that should be on everyone's Wikipedia page because it's

1:19:03.560 --> 1:19:05.120
<v Speaker 1>a lot of what we want to know. It's just like,

1:19:05.560 --> 1:19:08.080
<v Speaker 1>who's this guy? I'm just like, should I bother? Should

1:19:08.120 --> 1:19:09.920
<v Speaker 1>I get it? Should I care? Me? There? I did

1:19:10.040 --> 1:19:14.280
<v Speaker 1>find out here's a jump scare. My favorite cast member

1:19:14.360 --> 1:19:17.519
<v Speaker 1>of the Chronicles of Narnia movie is now a huge

1:19:17.600 --> 1:19:21.000
<v Speaker 1>influencer in the in the Conservative Party in England, do

1:19:22.040 --> 1:19:25.080
<v Speaker 1>I know, I mean, given Chronicles of Narnia, that doesn't

1:19:25.360 --> 1:19:29.519
<v Speaker 1>surprise me, I know, but I was really rooting for

1:19:30.400 --> 1:19:35.720
<v Speaker 1>scan Dar Keynes or whatever. The fund is not Scandar,

1:19:36.040 --> 1:19:42.479
<v Speaker 1>you know, but indeed Scandar. Anyway, my last thought on

1:19:43.280 --> 1:19:46.360
<v Speaker 1>Samara that, um, this is another thing I didn't catch

1:19:46.800 --> 1:19:49.360
<v Speaker 1>back when I was being terrified at fourteen or fifteen

1:19:49.400 --> 1:19:52.280
<v Speaker 1>whatever it was, is what she's actually doing when she

1:19:52.400 --> 1:19:55.200
<v Speaker 1>kills people, which seemed kind of vague the first time

1:19:55.200 --> 1:19:56.880
<v Speaker 1>I saw it, but I realized this time they actually

1:19:56.960 --> 1:20:00.280
<v Speaker 1>pretty clearly lay out the mechanism of how she's killing people,

1:20:01.040 --> 1:20:03.320
<v Speaker 1>because her whole thing is she just puts scary images

1:20:03.360 --> 1:20:05.439
<v Speaker 1>in people's heads and they die of a heart attack.

1:20:05.560 --> 1:20:07.840
<v Speaker 1>So that's just she crawls out of her TV and

1:20:07.920 --> 1:20:10.200
<v Speaker 1>she makes you think of scary things until you have

1:20:10.280 --> 1:20:12.519
<v Speaker 1>a heart attack, which once you think of the mechanism,

1:20:12.600 --> 1:20:16.080
<v Speaker 1>it actually becomes a little less scary. But especially and

1:20:16.200 --> 1:20:18.000
<v Speaker 1>it's like, well, it's on you if you when you

1:20:18.120 --> 1:20:21.479
<v Speaker 1>when you rewatch the tape, I'm like, well, if you're

1:20:21.520 --> 1:20:23.559
<v Speaker 1>that's if you're so scared of that tape that your

1:20:23.600 --> 1:20:26.160
<v Speaker 1>heart explodes. I don't know what to tell you, buddy,

1:20:26.360 --> 1:20:32.240
<v Speaker 1>It's it's mostly b roll um. I don't think I

1:20:32.360 --> 1:20:36.960
<v Speaker 1>even can made that connection. Oh because yeah, Rachel's sister

1:20:37.240 --> 1:20:41.679
<v Speaker 1>question Mark Slash Katie's mom is like the actual grieving one.

1:20:42.080 --> 1:20:45.080
<v Speaker 1>Yeah right, She's like, yeah, Katie died from a heart attack,

1:20:45.240 --> 1:20:48.960
<v Speaker 1>but she was seventeen, like in good health otherwise, like

1:20:49.160 --> 1:20:52.439
<v Speaker 1>why did this happen? I did not connect that either,

1:20:52.760 --> 1:20:55.120
<v Speaker 1>And the creepy face is like I guess them being

1:20:55.400 --> 1:20:58.040
<v Speaker 1>scared to deaths at the end with the like right,

1:20:58.600 --> 1:21:01.400
<v Speaker 1>both times we see her doing it, they flash every

1:21:01.520 --> 1:21:05.280
<v Speaker 1>frame from the cursed tape as they die, which I

1:21:05.360 --> 1:21:07.559
<v Speaker 1>think is supposed to be like her implanting those images.

1:21:07.600 --> 1:21:10.160
<v Speaker 1>I don't know. It just was like way more logistical

1:21:10.400 --> 1:21:12.600
<v Speaker 1>than I think I remembered it being where I'm like, oh,

1:21:13.000 --> 1:21:15.840
<v Speaker 1>they like laid out how she's killing people. Yeah. I

1:21:15.880 --> 1:21:19.000
<v Speaker 1>did not make that connection. No no trace she It's

1:21:19.040 --> 1:21:23.840
<v Speaker 1>all psychological torture um. And then it's on you. It's

1:21:23.840 --> 1:21:26.280
<v Speaker 1>still very scary to me, even though you're like, wow,

1:21:26.360 --> 1:21:29.000
<v Speaker 1>you thought about a ladder too hard? And then he died,

1:21:31.520 --> 1:21:35.439
<v Speaker 1>but it's still scary. Um yeah, does anyone else else

1:21:35.600 --> 1:21:44.320
<v Speaker 1>have um thoughts on the Ring expanded universe? I guess yeah.

1:21:44.400 --> 1:21:47.360
<v Speaker 1>I mean again, since I came in with broken brain,

1:21:47.760 --> 1:21:51.639
<v Speaker 1>too scared to have you know, thoughtful analysis, but upon

1:21:52.040 --> 1:21:55.320
<v Speaker 1>you know, reflecting, and you know from this discussion it's

1:21:55.320 --> 1:21:57.720
<v Speaker 1>a it's a female character at the center of a

1:21:58.120 --> 1:22:00.960
<v Speaker 1>horror movie in which she is are more active than

1:22:01.080 --> 1:22:04.760
<v Speaker 1>female characters tend to be in the horror genre. You

1:22:04.880 --> 1:22:09.639
<v Speaker 1>have a female character who is the antagonist who doesn't

1:22:09.800 --> 1:22:13.920
<v Speaker 1>have like a gendered back story the way that that

1:22:14.080 --> 1:22:20.320
<v Speaker 1>like kind of revels in like girlhood or woman whood trauma,

1:22:20.720 --> 1:22:24.639
<v Speaker 1>at least not in this installment apparently, right right, Um yeah,

1:22:24.640 --> 1:22:27.160
<v Speaker 1>I guess that gets explored further. But in in this

1:22:27.600 --> 1:22:30.719
<v Speaker 1>if you just isolate the first movie, it's just like, yeah,

1:22:31.120 --> 1:22:35.080
<v Speaker 1>a female character who is evil in the way that

1:22:35.280 --> 1:22:39.439
<v Speaker 1>male characters are allowed to simply be evil without any

1:22:39.560 --> 1:22:43.760
<v Speaker 1>kind of gendered back story. So I guess that's good

1:22:43.920 --> 1:22:46.800
<v Speaker 1>question mark. I don't know how I feel about it,

1:22:47.600 --> 1:22:51.479
<v Speaker 1>but you know, a subversion. I guess it's also kind

1:22:51.479 --> 1:22:54.800
<v Speaker 1>of like ready to go into it being like I

1:22:54.840 --> 1:22:57.400
<v Speaker 1>don't know, like because I sort of always forget that

1:22:57.600 --> 1:23:01.640
<v Speaker 1>Noah is a character in this, but I'm not mad

1:23:01.680 --> 1:23:04.960
<v Speaker 1>about it. He doesn't like I. I sort of whenever

1:23:05.880 --> 1:23:08.639
<v Speaker 1>a new male character is introduced in the same job

1:23:08.880 --> 1:23:12.880
<v Speaker 1>as like the woman protagonist, I'm like, oh, no, now

1:23:13.000 --> 1:23:15.040
<v Speaker 1>he's just gonna start doing things and she's not gonna

1:23:15.040 --> 1:23:17.200
<v Speaker 1>be allowed to do any more things, because that will

1:23:17.240 --> 1:23:20.880
<v Speaker 1>happen in movies sometimes, but that doesn't happen here. Like

1:23:20.960 --> 1:23:23.639
<v Speaker 1>they're just sort of, uh, there's a lot of clerical

1:23:23.720 --> 1:23:27.280
<v Speaker 1>work involved in this investigation, and she needs another set

1:23:27.320 --> 1:23:31.200
<v Speaker 1>of hands, and uh, you know, like he he dies ultimately,

1:23:31.439 --> 1:23:34.040
<v Speaker 1>so I was like, you know, and she had the

1:23:34.080 --> 1:23:37.240
<v Speaker 1>foresight to be like, Noah, don't watch this tape. You

1:23:37.360 --> 1:23:40.479
<v Speaker 1>might die, and he's like, pish posh, I'm watching it.

1:23:40.560 --> 1:23:42.840
<v Speaker 1>It's like, what am I a scarity cat? And then

1:23:42.960 --> 1:23:45.320
<v Speaker 1>he thought about a ladder so hard as hard exploded.

1:23:47.240 --> 1:23:48.840
<v Speaker 1>I don't know if there's a conversation to be had

1:23:48.880 --> 1:23:52.120
<v Speaker 1>around how did other people feel about the reveal that

1:23:52.280 --> 1:23:56.400
<v Speaker 1>like Rachel and Noah were like former lovers and they

1:23:56.479 --> 1:23:59.519
<v Speaker 1>had a son together and then they start to kind

1:23:59.520 --> 1:24:02.040
<v Speaker 1>of recon their romance towards the end. I don't know,

1:24:02.800 --> 1:24:04.560
<v Speaker 1>I think you could argue that that feels kind of

1:24:05.040 --> 1:24:08.840
<v Speaker 1>wedged in, or maybe that's just an appropriate piece to

1:24:08.920 --> 1:24:11.240
<v Speaker 1>the story. I don't really have a thought about it

1:24:11.320 --> 1:24:13.760
<v Speaker 1>one way or the other, because again, I'm too I'm

1:24:13.800 --> 1:24:16.880
<v Speaker 1>too busy being scared about the ladder. I mean I

1:24:17.000 --> 1:24:20.280
<v Speaker 1>literally did not notice, right, right right, I think I

1:24:20.400 --> 1:24:22.439
<v Speaker 1>was so focused on the scary bit. I totally did

1:24:22.479 --> 1:24:25.519
<v Speaker 1>not notice that aspect of their relationship. It's like, it's

1:24:25.680 --> 1:24:28.000
<v Speaker 1>very yeah, I think it's like, I think you're right

1:24:28.080 --> 1:24:31.559
<v Speaker 1>that it could very easily be cut and changed basically nothing,

1:24:31.640 --> 1:24:34.600
<v Speaker 1>because the kid doesn't seem particularly affected by it, Like

1:24:34.880 --> 1:24:37.320
<v Speaker 1>just no one seems affected by that revelation, and then

1:24:37.360 --> 1:24:40.120
<v Speaker 1>the movie just keeps going. So it just in my mind,

1:24:40.160 --> 1:24:42.800
<v Speaker 1>I'm like, was that just like a studio and then

1:24:42.840 --> 1:24:44.720
<v Speaker 1>they're just like, but we're not changing the rest of

1:24:44.760 --> 1:24:47.800
<v Speaker 1>the script. Would just have to say that Noah's the father,

1:24:48.000 --> 1:24:51.320
<v Speaker 1>but he's only got like two days alove anyway, So um, well,

1:24:51.360 --> 1:24:54.519
<v Speaker 1>in the way that like female characters, it's rare to

1:24:54.600 --> 1:24:56.960
<v Speaker 1>see a female character existing in a movie, especially as

1:24:57.000 --> 1:25:00.600
<v Speaker 1>the protagonist, if she's not also in evolved in some

1:25:00.840 --> 1:25:05.719
<v Speaker 1>kind of but there's not a love interest. But again

1:25:05.760 --> 1:25:09.200
<v Speaker 1>it's it's barely noticeable for some members of the audience,

1:25:09.479 --> 1:25:12.680
<v Speaker 1>so maybe it's not a big deal. An interesting thing

1:25:12.760 --> 1:25:17.479
<v Speaker 1>about the gender dynamics here is that in the novel

1:25:17.840 --> 1:25:19.479
<v Speaker 1>this is based on, which I have not read but

1:25:19.600 --> 1:25:22.560
<v Speaker 1>I just read the Wikipedia of it, most of the

1:25:22.720 --> 1:25:26.400
<v Speaker 1>roles are gender swapped. It's the protagonist is male, the

1:25:26.520 --> 1:25:29.360
<v Speaker 1>Noah character is female, and instead of a son, he

1:25:29.520 --> 1:25:33.680
<v Speaker 1>has a daughter. Interesting, so everyone swapped. And then Sadako

1:25:33.960 --> 1:25:39.920
<v Speaker 1>is actually intersex in the novel. Interesting. Okay uh. I

1:25:39.960 --> 1:25:42.759
<v Speaker 1>don't know what any of that does to the meaning

1:25:42.880 --> 1:25:46.760
<v Speaker 1>of the story, but it is just what it is, right.

1:25:46.800 --> 1:25:49.160
<v Speaker 1>I guess it's like, I mean, as much as I

1:25:49.200 --> 1:25:52.240
<v Speaker 1>would like more intersex characters in movies, I feel like

1:25:53.120 --> 1:25:57.240
<v Speaker 1>Samara is maybe not an excellent candidate, especially because she's

1:25:57.520 --> 1:26:01.439
<v Speaker 1>the villain. Extremely I think that could owed some rough

1:26:01.560 --> 1:26:05.280
<v Speaker 1>meanings to this movie. Yeah, I I am. I think

1:26:05.439 --> 1:26:08.800
<v Speaker 1>that the this movie's primary crime is that it was

1:26:09.080 --> 1:26:12.880
<v Speaker 1>made kind of to just whitewash and existing Japanese movie

1:26:13.280 --> 1:26:17.040
<v Speaker 1>that is so similar, Like it's there's like a lot

1:26:17.120 --> 1:26:22.960
<v Speaker 1>of shot for shot moments between the two movies. But nevertheless,

1:26:23.439 --> 1:26:30.400
<v Speaker 1>gor Verbinski persisted and that's feminism. Baby. Yeah, yeah, I

1:26:30.479 --> 1:26:33.400
<v Speaker 1>have no. I think that's it for me. Yeah, I

1:26:33.520 --> 1:26:36.360
<v Speaker 1>mean there, it's this movie is hard to talk about

1:26:36.400 --> 1:26:39.200
<v Speaker 1>because we're all afraid of it. Um is what I

1:26:39.520 --> 1:26:42.759
<v Speaker 1>learned today because I've like objectively, I'm like, okay, listeners

1:26:42.800 --> 1:26:44.800
<v Speaker 1>are going to be like no, but there should be

1:26:45.360 --> 1:26:48.160
<v Speaker 1>a shoehorned in romance are like yeah, but I was scared,

1:26:48.280 --> 1:26:50.799
<v Speaker 1>as my response, and it's like, okay, the horny teenager

1:26:50.920 --> 1:26:53.160
<v Speaker 1>died immediately, I'm like yes, but in my defense, I

1:26:53.280 --> 1:26:56.800
<v Speaker 1>was so scared when that happened, and so I can't

1:26:56.840 --> 1:26:59.200
<v Speaker 1>possibly have a cogent discussion about it because it was

1:26:59.240 --> 1:27:03.519
<v Speaker 1>scary to me. Yeah. Um to advertise shutter again, they have.

1:27:04.160 --> 1:27:06.840
<v Speaker 1>I haven't watched this yet, but they have in Japan.

1:27:06.960 --> 1:27:10.920
<v Speaker 1>They made Sadako versus and I don't remember her name,

1:27:11.000 --> 1:27:14.080
<v Speaker 1>but the girl from the Grudge. Um, so it's a

1:27:14.120 --> 1:27:16.519
<v Speaker 1>straight up like a Freddie versus Jason movie. But it's

1:27:16.800 --> 1:27:19.040
<v Speaker 1>the Ring girl and the Grudge girl, very little girls.

1:27:19.240 --> 1:27:21.800
<v Speaker 1>And I read the Wikipedia, it's like them fighting over

1:27:21.880 --> 1:27:24.479
<v Speaker 1>who gets to haunt a house. It sounds incredible. I

1:27:24.560 --> 1:27:29.479
<v Speaker 1>haven't watched that rules I still haven't um seen the

1:27:29.560 --> 1:27:32.800
<v Speaker 1>Grudge because my Yeah, I was just like, no, you're

1:27:32.840 --> 1:27:35.240
<v Speaker 1>not doing this to me again. I refused to be

1:27:35.280 --> 1:27:37.560
<v Speaker 1>a part of this scary little girl narrative as a

1:27:37.600 --> 1:27:41.320
<v Speaker 1>scary little girl myself. Um, I feel like the scary

1:27:41.360 --> 1:27:45.479
<v Speaker 1>little girl community has been absolutely decimated by Samara and

1:27:45.520 --> 1:27:50.200
<v Speaker 1>the Grudge Girl. Yeah okay, yeah, as as a as

1:27:50.240 --> 1:27:51.840
<v Speaker 1>a ten year old who did not brush her hair.

1:27:53.080 --> 1:27:55.800
<v Speaker 1>We were really in the trenches during these years. Yeah,

1:27:55.840 --> 1:27:58.360
<v Speaker 1>these movies. But I do want to watch the Grudge?

1:27:58.640 --> 1:28:00.760
<v Speaker 1>Is that? Does the Grudge hold up in any way?

1:28:00.760 --> 1:28:04.360
<v Speaker 1>Show I've never seen. I've never seen it. Yeah, wow, okay,

1:28:04.479 --> 1:28:06.880
<v Speaker 1>wait come back next year. And after the after the ring,

1:28:06.960 --> 1:28:10.160
<v Speaker 1>I couldn't do it. I was like, absolutely not. Well,

1:28:10.240 --> 1:28:12.680
<v Speaker 1>I love when we have a guest that comes on

1:28:13.120 --> 1:28:15.760
<v Speaker 1>the show, like once a year for a very particular

1:28:16.400 --> 1:28:18.680
<v Speaker 1>kind of we have a guest who comes on the

1:28:18.720 --> 1:28:21.919
<v Speaker 1>show specifically to cover the Santa Claus franchise, for example,

1:28:23.080 --> 1:28:26.599
<v Speaker 1>Grace Freud. Uh and she's gotten so good at talking

1:28:26.680 --> 1:28:30.720
<v Speaker 1>about So come back next year with another scary little girl.

1:28:31.520 --> 1:28:34.439
<v Speaker 1>Oh god, not the nation I want to end up in.

1:28:37.400 --> 1:28:42.800
<v Speaker 1>And then that will disappear in your Wikipedia page one. Um, yeah,

1:28:42.960 --> 1:28:45.519
<v Speaker 1>I think that's all I have to say about the

1:28:45.640 --> 1:28:50.000
<v Speaker 1>ring um. This movie does pass the Bechdel test, and

1:28:50.479 --> 1:28:54.519
<v Speaker 1>as you prayed it out earlier, Joseph immediately between Becca

1:28:54.560 --> 1:28:57.400
<v Speaker 1>and Katie who were talking about a videotape, well, first

1:28:57.400 --> 1:28:59.920
<v Speaker 1>they're talking about like how many television rays passed through,

1:29:00.120 --> 1:29:03.040
<v Speaker 1>but they have a really interesting conversation about like being

1:29:03.080 --> 1:29:05.560
<v Speaker 1>afraid of TVs, just like right off the bat. And

1:29:05.600 --> 1:29:08.760
<v Speaker 1>then they do talk about Katie's boyfriend Josh and like

1:29:09.200 --> 1:29:12.000
<v Speaker 1>if she if Katie fooled around with him or not,

1:29:12.240 --> 1:29:15.760
<v Speaker 1>so they have to establish that she's she's a horny tectually,

1:29:16.920 --> 1:29:20.120
<v Speaker 1>you don't feel bad when she does, right, that's just candy.

1:29:20.920 --> 1:29:23.960
<v Speaker 1>And then they talk about the tape. And then later

1:29:24.040 --> 1:29:30.439
<v Speaker 1>on Rachel and Dr Grasnick speak about Samara and Anna Morgan,

1:29:31.120 --> 1:29:36.439
<v Speaker 1>and then also Rachel talks to her sister about Katie's death,

1:29:36.520 --> 1:29:40.120
<v Speaker 1>like there's it passes, and Rachel talks to Samara and

1:29:40.240 --> 1:29:45.480
<v Speaker 1>Samara's scary images. And then in the biggest win for feminism,

1:29:45.520 --> 1:29:52.040
<v Speaker 1>I believe the mother murdering a daughter scene passes the back. Yes, okay,

1:29:52.160 --> 1:29:55.120
<v Speaker 1>this is actually a feminist text. Now that we're now

1:29:55.160 --> 1:29:58.000
<v Speaker 1>that we're getting down to the nitty gritty women are

1:29:58.040 --> 1:30:01.960
<v Speaker 1>talking about all sorts of you know, women murdering women,

1:30:02.479 --> 1:30:06.880
<v Speaker 1>mothers hating their daughters. Um, aunt's actively not giving a ship.

1:30:06.960 --> 1:30:09.719
<v Speaker 1>What happened to their niece when her heart exploded? Earlier

1:30:09.880 --> 1:30:14.280
<v Speaker 1>this week, question of market Like, it's just there's a

1:30:14.360 --> 1:30:17.120
<v Speaker 1>lot of women. When women were talking to each other.

1:30:17.760 --> 1:30:21.040
<v Speaker 1>It doesn't look as we've talked about in the last

1:30:22.240 --> 1:30:24.560
<v Speaker 1>years that this show has been on the air. It

1:30:24.640 --> 1:30:27.200
<v Speaker 1>doesn't need to be a pleasant pass. It can be

1:30:27.439 --> 1:30:36.360
<v Speaker 1>a mean, aggressive, evil pass. Ring Ring seven days click gasp. Yeah,

1:30:36.520 --> 1:30:41.200
<v Speaker 1>so the ring feminist text. How about our nipple scale though,

1:30:41.479 --> 1:30:43.439
<v Speaker 1>where we rate the movie on the scale of zero

1:30:43.600 --> 1:30:47.599
<v Speaker 1>to five nipples, nipples being kind of the same shape

1:30:47.640 --> 1:30:51.080
<v Speaker 1>as a ring when you think about it. Um, I guess,

1:30:52.880 --> 1:30:56.759
<v Speaker 1>uh and and uh. That scale, of course, is based

1:30:56.920 --> 1:31:00.280
<v Speaker 1>on how the movie fares when examining it through an

1:31:00.360 --> 1:31:06.679
<v Speaker 1>intersectional feminist lens. Um. I truly don't even know where

1:31:06.720 --> 1:31:10.960
<v Speaker 1>to begin rating this movie, because again, I had no

1:31:11.120 --> 1:31:15.360
<v Speaker 1>analytical thoughts. I only had I don't like that this

1:31:15.760 --> 1:31:20.080
<v Speaker 1>movie is making me feel scared, screaming and crying. Yeah, yeah,

1:31:20.840 --> 1:31:24.160
<v Speaker 1>so I'm gonna go like two and a half I'm

1:31:24.200 --> 1:31:26.000
<v Speaker 1>just like, oh, let's just go down the middle. Why

1:31:26.080 --> 1:31:28.800
<v Speaker 1>I don't know, maybe even three. I don't know why

1:31:28.880 --> 1:31:31.360
<v Speaker 1>not three? Um? And the answer is I don't know,

1:31:32.040 --> 1:31:35.200
<v Speaker 1>answer is ring, ring, you have seven days to live.

1:31:35.880 --> 1:31:38.320
<v Speaker 1>I think I'll go two and a half, just to

1:31:38.400 --> 1:31:40.840
<v Speaker 1>split down the middle, because that's what rating I give

1:31:40.880 --> 1:31:47.200
<v Speaker 1>a movie when I have no idea how to analyze it. Um. Yeah, no,

1:31:47.800 --> 1:31:50.800
<v Speaker 1>as we discussed there, there's there's interesting things that the

1:31:50.920 --> 1:31:54.679
<v Speaker 1>movie seems to subvert, but all I also I don't

1:31:54.680 --> 1:31:57.880
<v Speaker 1>know how to, Like, I don't know how to analyze

1:31:57.880 --> 1:32:01.560
<v Speaker 1>a movie that doesn't operate on logic the way that

1:32:01.960 --> 1:32:05.320
<v Speaker 1>horror movies tend not to operate on much logic. So

1:32:05.640 --> 1:32:07.400
<v Speaker 1>it just kind of breaks my brain. I don't really know.

1:32:08.240 --> 1:32:14.439
<v Speaker 1>The movie isn't doing anything like overtly like reductive or

1:32:14.560 --> 1:32:17.000
<v Speaker 1>harmful as far as I can tell, or maybe it is.

1:32:17.200 --> 1:32:21.479
<v Speaker 1>I have no idea. I feel like, ultimately, yeah, it's

1:32:21.680 --> 1:32:26.200
<v Speaker 1>the if we're pitting this movie against other movies of

1:32:26.280 --> 1:32:28.240
<v Speaker 1>that era, like the early two thousands is such a

1:32:28.280 --> 1:32:33.160
<v Speaker 1>fucking cess pool, and so so this movie like managing

1:32:33.240 --> 1:32:36.280
<v Speaker 1>to effectively subvert some stuff and just like have a

1:32:36.400 --> 1:32:40.320
<v Speaker 1>really like strongly motivated central character that is like is

1:32:40.360 --> 1:32:42.919
<v Speaker 1>a mother, but is not like strictly defined by motherhood,

1:32:42.960 --> 1:32:44.479
<v Speaker 1>which I feel like it's kind of hard to find

1:32:44.520 --> 1:32:47.320
<v Speaker 1>in this genre a lot of times. In fact, there's

1:32:47.360 --> 1:32:50.439
<v Speaker 1>only a handful of scenes where you even see her

1:32:50.520 --> 1:32:54.360
<v Speaker 1>interacting with her son. She's mostly out investigating. I would

1:32:54.439 --> 1:32:57.280
<v Speaker 1>argue she's like not an awesome mom, but also we're

1:32:57.360 --> 1:33:00.400
<v Speaker 1>not parents, and she's a single mom, and she doesn't exist,

1:33:00.640 --> 1:33:03.840
<v Speaker 1>so there's a lot going on. Yeah, yeah, I feel

1:33:03.840 --> 1:33:06.439
<v Speaker 1>like this I don't know, and and this movie just

1:33:06.960 --> 1:33:09.120
<v Speaker 1>does the smart thing of just having a lot of

1:33:09.320 --> 1:33:11.760
<v Speaker 1>different women who are a lot of different ways, and

1:33:11.960 --> 1:33:14.640
<v Speaker 1>so it's like not making any sort of I feel like,

1:33:15.080 --> 1:33:18.879
<v Speaker 1>prescriptive statement. It is saying something about motherhood, but honestly,

1:33:19.160 --> 1:33:21.280
<v Speaker 1>I don't know what it isn't know what. Yeah, I

1:33:21.320 --> 1:33:22.479
<v Speaker 1>feel like this is going to be one of those

1:33:22.520 --> 1:33:25.160
<v Speaker 1>episodes where our listeners are like, I can't believe you

1:33:25.240 --> 1:33:28.799
<v Speaker 1>didn't talk about this obvious thing while we were scared.

1:33:28.840 --> 1:33:31.760
<v Speaker 1>We were too scared. Then that's my real defense. We're

1:33:31.760 --> 1:33:35.280
<v Speaker 1>screaming and crying and we only have and we can't.

1:33:35.320 --> 1:33:37.799
<v Speaker 1>We won't get your message, we won't get your emails,

1:33:37.800 --> 1:33:41.360
<v Speaker 1>because we'll be dead because um um yeah, if you

1:33:41.400 --> 1:33:43.599
<v Speaker 1>want to reach me, give me a call, ring ring,

1:33:43.840 --> 1:33:46.840
<v Speaker 1>I'm going to give it three nipples and and and

1:33:47.120 --> 1:33:51.080
<v Speaker 1>and five rings and no seven rings seven, which is

1:33:51.120 --> 1:33:57.280
<v Speaker 1>an Ariana Grande song. What is that? Everything is connected? Um? Okay, yeah,

1:33:57.280 --> 1:33:59.479
<v Speaker 1>I'm gonna give us seven rings, three nipples. I'm giving

1:33:59.560 --> 1:34:02.920
<v Speaker 1>all my apples to Samara because I'm honestly rooting for

1:34:03.040 --> 1:34:07.439
<v Speaker 1>her to get Naomi Watts's ass, and she does. I'm

1:34:07.520 --> 1:34:10.639
<v Speaker 1>rooting for Samara to go viral and get one million

1:34:10.720 --> 1:34:14.439
<v Speaker 1>followers or more. I will give the movie two and

1:34:14.439 --> 1:34:19.559
<v Speaker 1>a half nipples and seven days. And I'll give all

1:34:19.680 --> 1:34:24.519
<v Speaker 1>of that too. Becca, the other teen from the opening

1:34:24.600 --> 1:34:29.880
<v Speaker 1>scene who is hospitalized because of the trauma of seeing

1:34:30.160 --> 1:34:38.240
<v Speaker 1>her friend who explode died. Yeah the end, Joseph, Just

1:34:38.439 --> 1:34:42.400
<v Speaker 1>what about you? Um? Well, On one hand, I think

1:34:42.479 --> 1:34:44.559
<v Speaker 1>this is a very good movie, Like, I think it's

1:34:44.680 --> 1:34:47.479
<v Speaker 1>well written and well made. On the other hand, I

1:34:47.640 --> 1:34:51.040
<v Speaker 1>hate it and it ruined it, like made my life

1:34:51.120 --> 1:34:53.840
<v Speaker 1>worse for several years after watching it in a very

1:34:53.920 --> 1:34:56.840
<v Speaker 1>real way. Um So I think I'm also a solid

1:34:56.920 --> 1:34:59.800
<v Speaker 1>three nipples. Um just like very good movie, I loathe

1:34:59.840 --> 1:35:03.440
<v Speaker 1>it and wish it hadn't been made. Yeah, Gore Verbinsky

1:35:04.439 --> 1:35:09.360
<v Speaker 1>unnoticed for for this one and not well whatever, we

1:35:09.680 --> 1:35:12.040
<v Speaker 1>don't have time to talk about Gore Verbinsky. Also behind

1:35:12.080 --> 1:35:15.479
<v Speaker 1>the scenes, it is worth saying there are it's mostly

1:35:16.040 --> 1:35:18.800
<v Speaker 1>men behind the scenes, mostly white guys. There is a

1:35:19.960 --> 1:35:24.200
<v Speaker 1>female producer on the movie, but that was about all

1:35:24.240 --> 1:35:28.320
<v Speaker 1>I was able to find. And uh, you gotta you

1:35:28.400 --> 1:35:31.479
<v Speaker 1>gotta Docket for being a whitewashed remake for no reason.

1:35:32.200 --> 1:35:35.759
<v Speaker 1>Right that said, this movie ruined. It sounds like everyone

1:35:35.840 --> 1:35:40.760
<v Speaker 1>on the Zoom calls life and I used to do.

1:35:41.040 --> 1:35:44.920
<v Speaker 1>And this is why horror is the genre I engage

1:35:45.000 --> 1:35:47.519
<v Speaker 1>with the least. I do not like movies that that

1:35:47.760 --> 1:35:51.759
<v Speaker 1>I feel punished by watching them, and I feel very punished.

1:35:51.880 --> 1:35:54.360
<v Speaker 1>I do. I hate I do not like to be punished.

1:35:55.320 --> 1:35:57.479
<v Speaker 1>I went through all this and then yeah, now, like,

1:35:57.840 --> 1:35:59.519
<v Speaker 1>the reason I bring up Shutter is because it's the

1:35:59.560 --> 1:36:03.360
<v Speaker 1>only three service I use basically anymore. Like I almost

1:36:03.439 --> 1:36:07.040
<v Speaker 1>never watch a movie unless it's a horror movie anymore fascinating.

1:36:07.520 --> 1:36:11.719
<v Speaker 1>I've been really horror pilled in the last five years.

1:36:12.040 --> 1:36:14.760
<v Speaker 1>I am excited for Malignant, which is coming out on

1:36:14.800 --> 1:36:20.400
<v Speaker 1>the Matreon very soon, or maybe just came out. It's best,

1:36:20.520 --> 1:36:27.519
<v Speaker 1>the best, undisputed genius him so much so, Joseph, thank

1:36:27.600 --> 1:36:31.080
<v Speaker 1>you so much for joining us, thank you for for

1:36:31.200 --> 1:36:36.080
<v Speaker 1>having me, you know, solidarity and in all of us

1:36:36.560 --> 1:36:41.080
<v Speaker 1>being tormented by this movie once again. Um, where let's

1:36:41.160 --> 1:36:45.040
<v Speaker 1>check in in a week? Seriously? Where can people follow

1:36:45.120 --> 1:36:50.240
<v Speaker 1>you and check out your stuff online? Plug away? Uh? Well,

1:36:50.320 --> 1:36:52.479
<v Speaker 1>I make a podcast called Welcome to Night Fail, which

1:36:52.560 --> 1:36:54.840
<v Speaker 1>is Welcome to Nightfail dot com. And there's also in

1:36:54.920 --> 1:36:59.719
<v Speaker 1>fun about We make a bunch of other shows, um. Most.

1:37:00.080 --> 1:37:02.080
<v Speaker 1>I also write books and I have a number of

1:37:02.120 --> 1:37:04.639
<v Speaker 1>books out that you can find at bookstories, most notably

1:37:04.800 --> 1:37:06.680
<v Speaker 1>for this season. I don't know when this episode is

1:37:06.720 --> 1:37:09.760
<v Speaker 1>coming out, but I have a novel about Halloween called

1:37:09.800 --> 1:37:13.479
<v Speaker 1>The Halloween Moon um that actually takes place. It takes

1:37:13.520 --> 1:37:16.640
<v Speaker 1>place in Cameria, where the Ring was filmed partly, and

1:37:16.760 --> 1:37:20.960
<v Speaker 1>it's a it's a middle grade novel about a little

1:37:21.000 --> 1:37:23.640
<v Speaker 1>girl who loves not a little she's thirteen year old

1:37:23.680 --> 1:37:26.760
<v Speaker 1>girl who loves Halloween until when year Halloween doesn't end

1:37:26.880 --> 1:37:29.559
<v Speaker 1>and it just is Halloween forever. Um. So that can

1:37:29.600 --> 1:37:31.960
<v Speaker 1>be found at bookstores and is a good read for

1:37:32.120 --> 1:37:35.479
<v Speaker 1>the season. Cool check that out for for the Samara

1:37:35.600 --> 1:37:39.800
<v Speaker 1>in your life. Ah, thank you so much for coving

1:37:39.880 --> 1:37:43.320
<v Speaker 1>God Joseph, Like, I just such a big fan of

1:37:43.439 --> 1:37:45.599
<v Speaker 1>all of your work and it's one of the reasons

1:37:45.680 --> 1:37:49.280
<v Speaker 1>that I wanted to do podcasts. Um So, in a way,

1:37:49.320 --> 1:37:53.320
<v Speaker 1>you've committed a crime. Dare you? And yes, come back

1:37:53.400 --> 1:37:58.479
<v Speaker 1>for the grudge next year? Do I have to? This

1:37:58.640 --> 1:38:00.960
<v Speaker 1>is the curse we place on you. Yeah, you are

1:38:01.080 --> 1:38:03.439
<v Speaker 1>doomed to return to the Becktel Cast every year to

1:38:03.600 --> 1:38:07.800
<v Speaker 1>cover a different scary kid movie and then you can

1:38:07.840 --> 1:38:10.680
<v Speaker 1>follow us on Twitter and Instagram at becktel Cast. You

1:38:10.720 --> 1:38:15.360
<v Speaker 1>can check out our Matreon at patreon dot com slash

1:38:15.439 --> 1:38:19.200
<v Speaker 1>betel Cast, where we cover two bonus episodes a month

1:38:20.080 --> 1:38:23.320
<v Speaker 1>and you also have access to the entire back catalog.

1:38:23.560 --> 1:38:26.519
<v Speaker 1>This month we are doing Malignant, as we mentioned in

1:38:26.920 --> 1:38:32.040
<v Speaker 1>Final Destination three Baby, the scariest one, the one that

1:38:32.160 --> 1:38:35.240
<v Speaker 1>I liked the most and apparently you like the most

1:38:35.280 --> 1:38:40.200
<v Speaker 1>because our matrons voted for that. You can also get

1:38:40.280 --> 1:38:42.600
<v Speaker 1>some merch over at t public dot com slash the

1:38:42.920 --> 1:38:46.960
<v Speaker 1>Bechtel Cast. It's beetle Juice season. Tis this season to

1:38:47.040 --> 1:38:50.599
<v Speaker 1>talk about if beetle juice comes wet scabs or dry

1:38:50.680 --> 1:38:54.160
<v Speaker 1>scalps something to always be having on your mind and ultimately,

1:38:54.240 --> 1:38:59.240
<v Speaker 1>I think our most impactful um contribution to the discoorse discourse.

1:38:59.479 --> 1:39:05.920
<v Speaker 1>Indeed so And with that ring ring, ringing hello and goodbye,

1:39:06.479 --> 1:39:10.320
<v Speaker 1>Click perfect stuck the landing, Bye bye,