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Speaker 1: And it's drink Chess, motherfucking podcast make He's a legendary

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Speaker 1: Queen's rapper, He's greed, is your boy in? Or he's

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Speaker 1: a Miami hip hop pioneer. One up is d j

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Speaker 1: e FN. Together they drink it up with some of

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Speaker 1: the biggest players in the most professional unprofessional podcast. And

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Speaker 1: your number one source for drunk fast drinks motherfucking every

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Speaker 1: day is New Year's e. That's his time for drink champs,

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Speaker 1: drink up mother mother He hank Sangria Hope. This is

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Speaker 1: your boy in r E one up his dj e

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Speaker 1: F This drink Chess, motherfucker happy hour makes right. Now

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Speaker 1: we have when it comes to hip hop and it

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Speaker 1: comes to producers, we have one of the most legendary

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Speaker 1: producers in the building. If if, if, if he would

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Speaker 1: have been in the game, mumble rap wouldn't exist. But

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Speaker 1: they got him out of that. They try to get

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Speaker 1: him out of the game. They try to get Dame

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Speaker 1: out of the game. They try to get d out

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Speaker 1: of the game. And then when you get the CEOs

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Speaker 1: out of the game, then the young youngest have no guidance.

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Speaker 1: So that's why mumble Rappers created. But if he was out.

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Speaker 1: I got I was, But the Man has discovered people's careers,

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Speaker 1: even related to people like Jay C. Make some noise

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Speaker 1: for that. You can make some ranking records. Resurrect the record, lad.

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Speaker 1: What with Dr Max in the game. He's brought one

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Speaker 1: of my closest friends that brought up to stardom rule. Yeah,

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Speaker 1: I don't know what I'm talking about. A boy. Now

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Speaker 1: we are talking about the legendary the Gillers, one of

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Speaker 1: the killers muggles out there, her motherfucking Lorizzo. Yeah, I'm

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Speaker 1: so happy to find me home. I came here to

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Speaker 1: get drunk and high because I saw you on every

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Speaker 1: Day Struggle. I've come here and get drunk and high

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Speaker 1: with my guy Nori and to talk about hippop. Many

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Speaker 1: people saying, do you want to get drunk in high hand? Well,

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Speaker 1: this is what you have to do when you're here

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Speaker 1: at drink cha, drink listen. I don't even smoke. I'm

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Speaker 1: smoking with my man. Man says Sols, and there were

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Speaker 1: to go. So now I want to take it from

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Speaker 1: the damn Nobody got got me a coup coup from me?

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Speaker 1: I look up right there. Oh yeah, no, that's a

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Speaker 1: third okay, Yeah, just so listen, a lot of people,

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Speaker 1: Uh when I noticed, like, you know, my new like

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Speaker 1: found career, like like people will will take a piece

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Speaker 1: of my career and they'll be like, uh, you know

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Speaker 1: you did this head. But what I want to do

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Speaker 1: what you is, I want to start this from the

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Speaker 1: beginning because I remember seeing you. I've just seen a

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Speaker 1: video recently somebody was building with J Rule the Damage.

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Speaker 1: I was there and he was there, So that was

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Speaker 1: that was that was like, when did you actually get

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Speaker 1: started in this game? Like cash money clip error before

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Speaker 1: before that won't make success makes successful. I got started.

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Speaker 1: If you want to really started, I started when I

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Speaker 1: was eleven years old and DJ and around them so

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Speaker 1: that's cool, DJ DJ DJ, MOM fucking Earth DJ and

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Speaker 1: that my man Nick Chalmers. His pops was Trinny and

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Speaker 1: he had two turntables and I used to see his

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Speaker 1: turntables in the mix up and I used to just

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Speaker 1: stay in his crib and cutting and scratching this record

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Speaker 1: called Shangrala. It was just a break and just literally

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Speaker 1: for hours, and you know what I'm saying. And that's

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Speaker 1: when if you want to start the origin, that's where

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Speaker 1: the love and everything started. The tables and then I

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Speaker 1: heard Sucking Season. There's all. That's all she wrote, is

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Speaker 1: that how you how did you develop from going from

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Speaker 1: a DJ to a producer? Well, I'm from Hollee Queen,

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Speaker 1: so running them lived down the block and J and

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Speaker 1: running a little down the block. So what more of

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Speaker 1: an impression could have been felt than the niggas who

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Speaker 1: was running the whole world and making everyone by Adidas

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Speaker 1: and they really controlled the world and was like colossal,

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Speaker 1: offer big and they lived down the block, right, So

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Speaker 1: my influence started right there just seeing Jay had a

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Speaker 1: five sixty bands with the Chrome Rooms, and I thought

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Speaker 1: he was just the coolest motherfucker. And I was like,

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Speaker 1: I want to be that. So at fifteen years old. Absolutely,

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Speaker 1: So at fifteen years old, my man quite sing he

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Speaker 1: locked up. Now he's gonna see this, and he's immediately

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Speaker 1: gonna hit me some way somehow. We're like, yo, somebody

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Speaker 1: go ahead, Yeah, quick scene. Uh. Jamaica Park was where

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Speaker 1: we did a park thing. So I was fifteen years old.

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Speaker 1: My brother Chris got me to DJ and my park

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Speaker 1: What did you make a walk? One time? Scared to

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Speaker 1: my lowers plan and then it was a shootout that

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Speaker 1: happened let's get to you your story. Jamaica. There's hey

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Speaker 1: Jamaica Park, so boom, I get in. I get in

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Speaker 1: Qua Sine smacks, the gold Field gives me the headphones.

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Speaker 1: Go ahead, shure, you do your thing. I put on

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Speaker 1: a rock box and at the end of the rock

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Speaker 1: box scene, you know, run said run Run Holless Crew,

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Speaker 1: and I knew Holly Sniggers was in there, so I

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Speaker 1: just destroyed that Holless Crew. Holless I Love my Hands

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Speaker 1: was like a blur. The cry went crazy in the

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Speaker 1: older heads said Joe shire Park. Now I was fifteen.

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Speaker 1: He said, Joe, you got the park. If you week,

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Speaker 1: you play the music. Okay. That's when I first also

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Speaker 1: learned that uh that uh, the world don't give a

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Speaker 1: funk about black people. Wow, because I used to DJ,

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Speaker 1: and like my niggas used to be like every B

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Speaker 1: for President was the Ellis record right there. So he

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Speaker 1: would say, yo, play every B for President and then

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Speaker 1: get in the house, which mean every B for President.

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Speaker 1: Everyone was whoopy woop, going crazy than you would just

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Speaker 1: say but ba and like niggas was getting laid out.

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Speaker 1: But the reason why I said, I feel out that

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Speaker 1: they don't really give a funk about us because they

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Speaker 1: never stopped us. So if niggas got laid out Friday,

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Speaker 1: they would lock the house back up. We got the thing,

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Speaker 1: niggas would come shoot it, open, open the door, and

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Speaker 1: we're right back out there. The same cops that picked

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Speaker 1: up the body is right there and they ain't stopping

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Speaker 1: right like if it was little Johnny they got blasted.

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Speaker 1: They no one ever is gonna So I learned early.

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Speaker 1: Like on another note, I learned earlier. They don't really

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Speaker 1: give a funk about us, you know what I'm saying.

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Speaker 1: So that's how you developed. Like, what do you think

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Speaker 1: it's easier to do DJ or produce? Uh? DJ is easier.

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Speaker 1: DJ is easier because it's just about I can party.

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Speaker 1: Someone else did the hard work of making the hit right,

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Speaker 1: claim that, So DJ DJ is way easy to produce

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Speaker 1: and producer. You have to think and feel what's going

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Speaker 1: to move the public and create new sounds, and you

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Speaker 1: know it's that's way way more DJ make a great producer, right,

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Speaker 1: A lot of Yeah, you know, you look at all

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Speaker 1: the DJ all of you know, Dre and Mayor and

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Speaker 1: everybody like that. Everyone the DJs, we just have a

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Speaker 1: knack of what people want. That's our job to move

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Speaker 1: to move to people, and is most of the time

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Speaker 1: it's better for a person to be a DJ person

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Speaker 1: and going to the production because now there's a lot

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Speaker 1: of people that's producers. And now I sees the Swiss beats,

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Speaker 1: like Swiss beasts out the DJ though, right right, you're right,

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Speaker 1: So it's SPECIs DJ nowadays is the wild wild West.

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Speaker 1: It's like not about a turntable, you know, you know,

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Speaker 1: now it's just a computer. I can do that. Yeah,

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Speaker 1: I can do it. Yeah, one day I need to

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Speaker 1: do He was funking, playing on his fun then he

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Speaker 1: goes over here like this the whole time, and it

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Speaker 1: was going to good. I said, oh, I'm gonna do that. Yeah.

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Speaker 1: Is now I'm sorry. I'm so sorry, dude. That's what

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Speaker 1: they that's what they're doing that I ain't gonna live.

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Speaker 1: I found it knowing DJs was getting like the ad

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Speaker 1: ends they get like like seventy show more like the

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Speaker 1: big ones, get this, sell out the garden, get he'll

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Speaker 1: get five hundred thousands and the and the music on

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Speaker 1: that worse another dun I heard the drugs definitely later.

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Speaker 1: So now the famous battle right jay Z DMX I was.

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Speaker 1: I was not there. I just heard about it. You

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Speaker 1: just heard about it, Yeah, I just heard about it.

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Speaker 1: But J and X was interesting, interesting because both of

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Speaker 1: them still still say you actually J was recently saw

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Speaker 1: well not recently, but there's an interview with Jason I

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Speaker 1: never lost the battle, and then we had X on here,

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Speaker 1: X who won the battle because the next set he

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Speaker 1: said he never lost the battle. But but you know,

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Speaker 1: the truth is, X was like, I didn't lose it,

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Speaker 1: but people may have thought I lost it. You see

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Speaker 1: what I'm saying. And he didn't like it because JA

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Speaker 1: broke out. So JA did his rhyme and basically said, yeah,

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Speaker 1: yeah him such a such, Yeah I'm ghost and broke

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Speaker 1: out to the roar of the crowd. So he didn't

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Speaker 1: let X get a chance. This is Brackford brought the

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Speaker 1: ship to get Yeah, yeah, you know he but but

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Speaker 1: JA knew because everyone knew X and J so J

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Speaker 1: knew this thing you're gonna go all night and Jason

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Speaker 1: really before they were both on This is just a

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Speaker 1: them just being the niggas in the hood and ship

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Speaker 1: like that. And what was the first wake they've recorded

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Speaker 1: after that? Wasn't money cash holes Oh, I used to

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Speaker 1: get I don't know before well, you guys have to

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Speaker 1: have you guys had freestyles. I don't know. Tell me.

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Speaker 1: We used to got these dad tapes from my mixtapes

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Speaker 1: before murder Inc. Was like officially the lab which was yeah,

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Speaker 1: j John, Yeah, that was I called them murdering. It

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Speaker 1: just never happened. It's crazy because I was, you know,

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Speaker 1: with the BT Awards. I was watching the Ciphers and

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Speaker 1: I was sitting there and I told b J, and

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Speaker 1: I was like, it wouldn't be special if I get

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Speaker 1: murdering to do this cipe for one year job like now,

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Speaker 1: oh my god, that would be crazy for hip hop.

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Speaker 1: The only way for me to do this because the

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Speaker 1: only one that wouldn't do it is holes. X is

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Speaker 1: like I'm in, Joss, I'm in, So he's the hope

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Speaker 1: is always the How was that for you when joh

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Speaker 1: and X what's going through? That hated it? Because you

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Speaker 1: know that I hated it because then both of them

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Speaker 1: is truly my brothers. I love both of those guys.

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Speaker 1: I would die for both of those guys, understanding I

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Speaker 1: hated it, and and and just quite honestly, in my opinion,

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Speaker 1: X was wrong because I forgot about his people. He

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Speaker 1: said exactly like, I came out with Holla holla, X

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Speaker 1: from coming and got it and he's just saying, it's

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Speaker 1: my record. So with X, what had happened was exactly this.

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Speaker 1: It was too many people saying, Yo, it's furder hall

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Speaker 1: Hold coming up to him and that ship was just

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Speaker 1: making his blood boy. And if you know X the

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Speaker 1: way I know X. X really don't like any rapper, No,

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Speaker 1: he don't. He's cool with you and you're getting the booth.

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Speaker 1: I'm gonna get that, and he just he just happens

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Speaker 1: to put where he from what feels like, I like

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Speaker 1: you as cool, but if I get on the track

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Speaker 1: with you, I'm trying to burn you down. Like if

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Speaker 1: you want to take it to this, he'll start talking

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Speaker 1: to you if you don't feel like he went if

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Speaker 1: you didn't seen us early on, it was funny. So

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Speaker 1: so with Leo Lee we had Leo Hire and the

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Speaker 1: story where he rhyme for Leo with a wired Joe

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Speaker 1: Joe's wire shut and then yeah, to take you back

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Speaker 1: before that, I quit death Jam, I quit before are

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Speaker 1: you talking about before X got signed? I quit because

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Speaker 1: it wasn't letting me sign. Next, the very first meeting

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Speaker 1: I had with Deaf Jam, Tina Davis, James Jones, there

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Speaker 1: was my bosses and giving me my my my duties

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Speaker 1: of what I have to do as and then directed.

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Speaker 1: So I sat there and I was like, yeah, yeah,

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Speaker 1: soon as they fantasy, yo, we gotta sign X. And

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Speaker 1: they started laughing. So like a couple of months went

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Speaker 1: by and they had me just doing ship that I

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Speaker 1: didn't really want to do, and uh, I left, there's

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Speaker 1: the reason why they would laughing and you wanted to

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Speaker 1: sign that. The specific reason they was just the last

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Speaker 1: been already wrest lashing that my rambunctiousness and ambition at

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Speaker 1: the very first meeting, I'm talking about signing and act

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Speaker 1: and they was like you got and you had already

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Speaker 1: first crazy. I didn't bring Jay Z suggest I helped.

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Speaker 1: That was a part of Jay coming to Deaf Jam.

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Speaker 1: I'm not gonna lie earth, I'm gonna be honest as

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Speaker 1: a person that was in the industry. When we first

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Speaker 1: it boys, it get at me, don't. Yeah. When we

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Speaker 1: first heard it, we were confused because the energy just

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Speaker 1: wasn't And then I seen the video video the black

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Speaker 1: and white joint ever finished. It was black and white.

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Speaker 1: I hated it that first everyone did the first like

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Speaker 1: I was like, and they don't. I realized y'all planned that.

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Speaker 1: And then I realized that because like you know, the

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Speaker 1: day people's eyes and when I looked and I was like,

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Speaker 1: these things it is in the tunnel that was then

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Speaker 1: in the boat listen the whole reason why because Diddy

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Speaker 1: was winning so hard. You know what I'm saying. That's

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Speaker 1: why I get like the whole people when they when

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Speaker 1: they're coming up and they just hate them all fuckers

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Speaker 1: who's winning. Like, I didn't hate Diddy like that, but

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Speaker 1: I hated him on the load because he was winning.

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Speaker 1: Because I hima listened, did the more money more pros?

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Speaker 1: I was wearing camouflage, he was wearing Look, I'm looking

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Speaker 1: at the more moneyment. I'm like, the grass never looks

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Speaker 1: so green sky, the sky is so shot, right, I said,

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Speaker 1: we're gonna beat the antime. That's crazy. And that's why.

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Speaker 1: If you remember the say did that video? Yeah video, yes,

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Speaker 1: listen and fucking uh the sound bite. Remember DMX live

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Speaker 1: at the tunnel phone place, and then he goes, let's

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Speaker 1: take it back to the streets. Motherfucker just sucking your

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Speaker 1: eyes and you're the funniest story. Because I thought I

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Speaker 1: had the dopest video ever. The exact vision that me

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Speaker 1: and I wanted was falsely. So I go to death

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Speaker 1: jam I'm and I'm about to get the label little boy,

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Speaker 1: and I got everyone in the conference room. I cut

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Speaker 1: the fucking lights up. We're playing a video in the

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Speaker 1: dot room. You have to watching the dot room. It

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Speaker 1: really fucked your ship up. And word the mother, I'm

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Speaker 1: the only one in knit like yeah, and everyone is

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Speaker 1: like going, like the video stops, and Julie was like,

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Speaker 1: Julie Greenwell, just might be the worst video I've ever

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Speaker 1: seeing her. Why did you waste her money? You're a

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Speaker 1: fucking idiot, You're a moron. Then they kept saying, who's

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Speaker 1: gonna buy his records? He keeps balking on his FU records. God,

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Speaker 1: and you're a fucking idiot. You're an idiot, and they

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Speaker 1: totally deflated me. And I went back and I said, fun, y'all,

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Speaker 1: y'all don't know what's hot y'all, and these always I

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Speaker 1: went to the whole you know, you don't know what

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Speaker 1: the fun is going on ship, And that's when I

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Speaker 1: started putting a triangle with five in DMX and everyone's office,

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Speaker 1: predicting he was gonna sell five. Let's make that guy,

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Speaker 1: let's make for four minute. It was got here, fucking

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Speaker 1: who's gonna buy his reckings? Dogs? You're gonna get you

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Speaker 1: wilskid't buy records, Gotti. But to this day, like I

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Speaker 1: don't think there will never be another DMX, Like like

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Speaker 1: the thing is like when you see DMX and you

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Speaker 1: could you could tell like you can, uh, it goes

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Speaker 1: back to the artistry. Then I've never seen DMX on

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Speaker 1: stage with somebody else, Like I've never seen a ranger.

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Speaker 1: Guess out. I never seen that's one. I was watching

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Speaker 1: the show because I went to the Hip Hop Awards

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Speaker 1: too yesterday. I was watching and I was like, damn,

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Speaker 1: there was nobody there, like even had dancers, they had

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Speaker 1: somebody like there was there was no guy who just

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Speaker 1: came out just like no disrespect. And I like the

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Speaker 1: mumble rap guys, mumble rap. I know I don't call

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Speaker 1: it mambo rap. Listen to me, listen, just listen to

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Speaker 1: me break this down. One. They did a great thing.

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Speaker 1: They did. I don't know why. What was they gonna

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Speaker 1: fucking do after pock Jade nas Biggie thing. So these

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Speaker 1: this new generation created their own sound and they you

293
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Speaker 1: got to give them credit. Let's give them credit us

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Speaker 1: not only Yeah, I've seen I've seen some kid the

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Speaker 1: other day. He was on a couple. He was like

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Speaker 1: the XXL. I said, this Niger needs help. This nigg

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Speaker 1: shouldn't be freestyle. And the only thing he's the only

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Speaker 1: well I don't get is this style of dress and

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Speaker 1: stuff like that. Yeah, you know what I'm saying. Je

300
00:17:50,520 --> 00:17:52,280
Speaker 1: tried to help him out. When you say Tupac had

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Speaker 1: a nose ring to jay re laxed there out of control, right,

302
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Speaker 1: But like the dress that they wear. In the dress,

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Speaker 1: how the addressing, you know. And I'm cool with if

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Speaker 1: you want to wear skinny jeez, but it'd be like

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00:18:04,800 --> 00:18:07,280
Speaker 1: dy've be leaning. I don't even want to say because

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Speaker 1: I don't want to with the shot glass. No, I

307
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Speaker 1: don't want to say because I don't want to know

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Speaker 1: what you mean. I don't want that community to think

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Speaker 1: against them. And I'm not going out saying but they

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Speaker 1: look weird, you understand. And it's not masculine. You know

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Speaker 1: what I'm saying. It's not like masculine, with that the

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Speaker 1: music wise, I'm like, holy sh it, these niggers did it.

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Speaker 1: They thought of their own way after arguably the greatest

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Speaker 1: generation of rappers that ever fucking grace to Mike, and

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Speaker 1: they were like, well, we can't do that. Think about it.

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Speaker 1: If what is a rapper gonna say that's new that

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Speaker 1: you haven't heard, Like, come on, man, you know what

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Speaker 1: I'm saying. Listen. They talked about I'm a cruddy negatives.

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Speaker 1: They're going a raw dog and dirty bitches, and if

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Speaker 1: I get burned, I'm giving that ship to dirty bitches.

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Speaker 1: You said, you know when Nigel like me us again

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Speaker 1: and poppy because I have my small opinion face, but

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Speaker 1: I ain't poppy, like you can't be no row in

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Speaker 1: this nigga. You see. I posted the other data to

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00:19:08,119 --> 00:19:10,240
Speaker 1: supply all of the illness and that nick niggas wanted

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Speaker 1: to try. I'm like hip hop at his roarer's form,

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Speaker 1: you're not gonna get that. But if I'm a new rapper,

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Speaker 1: I don't want to do that because fun nigga. I

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Speaker 1: can't do it better than that nigga. So I'm gonna

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Speaker 1: do some other ship that's my own lay. And see

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Speaker 1: I appreciate that, because that's what I had to do

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Speaker 1: with murder ring Like Jaws, a gritty ass rapper, Jaws

333
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Speaker 1: a battle rap nigga, Him and x use the battle

334
00:19:30,359 --> 00:19:33,600
Speaker 1: niggas and killed niggas all day. But once Jay is

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Speaker 1: at the top of his fucking the game and Excess

336
00:19:36,240 --> 00:19:37,920
Speaker 1: at the one am I doing with my label? And

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00:19:38,000 --> 00:19:40,880
Speaker 1: I hear is I held Rockefeller, I held Rough Riders,

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Speaker 1: I get my own label, and I'm like, yo, these

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Speaker 1: two niggas is in my way. I don't want to

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Speaker 1: sell two million. I want to sell seven eight like

341
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Speaker 1: these guys. But in my way I can't. No one's

342
00:19:52,080 --> 00:19:55,560
Speaker 1: gonna outgool j. He's the coolest rapper ever in the world.

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Speaker 1: And this he does the sweat, you know what I'm saying.

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Speaker 1: And this nigga Excess the do Prime and street n

345
00:20:01,560 --> 00:20:03,760
Speaker 1: He's wets a lot, he's wets a lot, he's robbing.

346
00:20:03,800 --> 00:20:05,959
Speaker 1: They're like, Yo, what the funk? What am I gonna do?

347
00:20:06,480 --> 00:20:09,119
Speaker 1: And it put me in the corner to create the

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00:20:09,600 --> 00:20:13,399
Speaker 1: ring sound. And then John rule, Yo, listen. This was

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00:20:13,359 --> 00:20:16,680
Speaker 1: a one time I was very scared because John kept

350
00:20:16,720 --> 00:20:19,280
Speaker 1: hanging with Shug Right. I said it on the shop

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Speaker 1: and John act like he don't remember this, and I

352
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Speaker 1: remember when I came around with the studio and sugar

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Speaker 1: do I ouncer like that time. It's not like they

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Speaker 1: did this before. I was like, listen, and then I

355
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Speaker 1: said he said, he said, Shug brought me a six four.

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Speaker 1: I said, you gotta get that back. You gotta give

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00:20:49,960 --> 00:20:54,200
Speaker 1: that back. He was like, nah, but yo, I was.

358
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Speaker 1: I was. He just listen cool. I was nervous. It's

359
00:20:59,160 --> 00:21:04,200
Speaker 1: a little so and then he I was nervous. Let

360
00:21:04,200 --> 00:21:06,280
Speaker 1: me give you the shot. Stay please, please please. I

361
00:21:06,359 --> 00:21:08,720
Speaker 1: know you got more than one though, cool I got

362
00:21:08,840 --> 00:21:11,640
Speaker 1: a tough but listen, hold on, you pulled one. I'm

363
00:21:11,680 --> 00:21:15,760
Speaker 1: like the one dude that murder ring was the one cruel,

364
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Speaker 1: especially from the cream. He fused with all of us.

365
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Speaker 1: I'm gonna give you the real ship. I'll give you

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Speaker 1: the real ship. That's what that's what we do a

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00:21:24,280 --> 00:21:25,800
Speaker 1: drink and now I will do another. I'm gonna give

368
00:21:25,800 --> 00:21:28,679
Speaker 1: you a real ship. So how we got so, how

369
00:21:28,760 --> 00:21:31,520
Speaker 1: we got cool with your night? Get ice in there?

370
00:21:31,600 --> 00:21:34,679
Speaker 1: This time? We heard the stories just like every fucking

371
00:21:34,680 --> 00:21:37,960
Speaker 1: body else is this guy. You gotta watch him. He's

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Speaker 1: the prince of darkness. Is that we heard those stories.

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Speaker 1: But hold on, Nick's called him the Prince of darkness.

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Speaker 1: I imagine that when he wants to be he is. Yea.

375
00:21:52,720 --> 00:21:59,040
Speaker 1: So I sampled fucking so many tiers. Not only did

376
00:21:59,080 --> 00:22:02,280
Speaker 1: I sample it was able. Not only did I sample it,

377
00:22:02,480 --> 00:22:06,720
Speaker 1: I had pot race. We're not fearing no man but God,

378
00:22:07,000 --> 00:22:09,960
Speaker 1: even though I walked through add his voice. So you

379
00:22:10,000 --> 00:22:12,440
Speaker 1: said you did this before. I didn't any feelings with

380
00:22:12,600 --> 00:22:15,800
Speaker 1: what Sugar I thought she had so many times was

381
00:22:15,840 --> 00:22:19,440
Speaker 1: in her skull because he wasn't all death from that

382
00:22:19,600 --> 00:22:24,680
Speaker 1: gap point. But what was Shug took everything. So one

383
00:22:24,720 --> 00:22:27,600
Speaker 1: shog took pot. When I called Jimmy and in the

384
00:22:27,640 --> 00:22:32,520
Speaker 1: skull pieces earth, you gotta call Chug, I said, I cool.

385
00:22:32,720 --> 00:22:35,280
Speaker 1: They don't call him marrying that. They taught it sometimes,

386
00:22:35,280 --> 00:22:39,400
Speaker 1: I said, did you wait a minute, Wait a minute,

387
00:22:39,440 --> 00:22:43,640
Speaker 1: chug it. Jimmy was tight. Did you see the other

388
00:22:43,760 --> 00:22:49,119
Speaker 1: doctor he's playing football with, David Geffen, the one I

389
00:22:49,280 --> 00:22:52,160
Speaker 1: d me out? Yeah? Did he said? It was football

390
00:22:52,240 --> 00:22:56,080
Speaker 1: Sundays and you've seen Mary and he was tight? Hi

391
00:22:56,280 --> 00:23:00,240
Speaker 1: was it was like this money you understand, and she'll

392
00:23:00,240 --> 00:23:01,879
Speaker 1: gonnaways show me love. I can't even I can't even

393
00:23:01,880 --> 00:23:06,000
Speaker 1: front of show any time, like the street niggas that

394
00:23:08,359 --> 00:23:14,960
Speaker 1: after he did, like your story, not quite type of bone.

395
00:23:17,359 --> 00:23:20,480
Speaker 1: This is this is more than enough for you. So.

396
00:23:20,720 --> 00:23:22,920
Speaker 1: But the thing about it is so, I said, for

397
00:23:23,000 --> 00:23:25,800
Speaker 1: the record, he calls me, I give the number. Two

398
00:23:25,880 --> 00:23:28,440
Speaker 1: is people. He calls me, he said yeah. I said, yeah,

399
00:23:28,440 --> 00:23:30,560
Speaker 1: I'm an enterprise. I'm in l A. He said, I'm

400
00:23:30,560 --> 00:23:33,119
Speaker 1: gonna come through. I'm gonna come through. I say, cool.

401
00:23:34,720 --> 00:23:38,840
Speaker 1: So now I'll be honest, Chucks coming over. You heard

402
00:23:38,840 --> 00:23:43,720
Speaker 1: all the stories. Everyone, get ready, ain't no pumpkin ship

403
00:23:43,840 --> 00:23:46,640
Speaker 1: going on. You know what I'm saying. We're gonna be cool.

404
00:23:46,680 --> 00:23:49,000
Speaker 1: We ain't gonna overdo it or whatever. But I ain't

405
00:23:49,000 --> 00:23:52,120
Speaker 1: gonna lie. It was like twenty niggas in the studio.

406
00:23:53,400 --> 00:23:57,800
Speaker 1: It was a gangster session. Pring was there, all my

407
00:23:58,200 --> 00:24:01,840
Speaker 1: niggas was there, and it was cool. Ship comes in.

408
00:24:02,000 --> 00:24:04,719
Speaker 1: He got like five of his niggas or whatever, and

409
00:24:04,760 --> 00:24:07,399
Speaker 1: he's smoking his cigar and he's seen this ship and

410
00:24:07,480 --> 00:24:09,720
Speaker 1: niggas is just that we ain't on no bullshit. But

411
00:24:09,840 --> 00:24:11,760
Speaker 1: he can see the temperature of the thing. Is this

412
00:24:11,800 --> 00:24:16,560
Speaker 1: ain't no, this ain't like security. This is niggas ready.

413
00:24:16,800 --> 00:24:19,679
Speaker 1: This is niggas. You understand, the niggas just looking like

414
00:24:19,760 --> 00:24:26,040
Speaker 1: it's whatever. So he's seen Prem always got love. I've

415
00:24:26,080 --> 00:24:29,119
Speaker 1: never seen a person with I've never seen him not

416
00:24:29,280 --> 00:24:33,359
Speaker 1: get like maximum love and respect. And even if you

417
00:24:33,400 --> 00:24:36,600
Speaker 1: don't know whole preme, it's just a good, good dude.

418
00:24:36,680 --> 00:24:40,400
Speaker 1: So boom and you know, so boom he sees Prem,

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00:24:40,440 --> 00:24:42,800
Speaker 1: He's like, oh, Ship, what up? Homi? Primes like, what's up?

420
00:24:42,960 --> 00:24:45,639
Speaker 1: All cool? Ship? He comes in. He's smoking a cigar

421
00:24:46,160 --> 00:24:49,159
Speaker 1: first as he said, Oh, y'all, niggas ain't gonna know Hollywood,

422
00:24:49,240 --> 00:24:52,119
Speaker 1: ship are you? And he was like, nah, you know

423
00:24:52,119 --> 00:24:54,640
Speaker 1: what I'm saying. And were Enterprise? Nah? And he was like,

424
00:24:55,520 --> 00:24:58,040
Speaker 1: I Lovederprise. You love the Enterprise. We used to book

425
00:24:58,040 --> 00:24:59,960
Speaker 1: in the Prise. Apple. Boom he goes. He said, y'all

426
00:25:01,680 --> 00:25:06,920
Speaker 1: check this out. We start talking. He's met him and Rule,

427
00:25:07,840 --> 00:25:10,800
Speaker 1: he asked, Rule, the questions is the true story? I

428
00:25:10,840 --> 00:25:14,000
Speaker 1: never lied, So whenever whatever I say, that's what gets

429
00:25:14,000 --> 00:25:15,960
Speaker 1: to me be the problems because I never lied, right,

430
00:25:16,400 --> 00:25:19,200
Speaker 1: So boom, he asked Rule. So, so where you see

431
00:25:19,240 --> 00:25:22,560
Speaker 1: yourself from five years homie? And Rule? You know he's

432
00:25:22,560 --> 00:25:25,679
Speaker 1: smoking his blood, he said, man skies the limit nigked

433
00:25:26,000 --> 00:25:30,440
Speaker 1: skies the limits and should shut it shut a tear

434
00:25:31,400 --> 00:25:35,560
Speaker 1: because he said that was the same told me this story.

435
00:25:36,520 --> 00:25:39,200
Speaker 1: He's sitting there, it's the same, exactly what my man said.

436
00:25:39,440 --> 00:25:42,800
Speaker 1: And he got emotional. And it's scary when that when that,

437
00:25:42,880 --> 00:25:44,960
Speaker 1: when you see a big nigga like that, That's why

438
00:25:44,960 --> 00:25:51,080
Speaker 1: I'm like, he's he's sending nig what I'm saying. But

439
00:25:51,080 --> 00:25:53,240
Speaker 1: then after that he got he got a motion on

440
00:25:53,320 --> 00:25:55,000
Speaker 1: the thing and it was a moment you know what

441
00:25:55,000 --> 00:25:56,680
Speaker 1: I'm saying me and rule put his hands like he's

442
00:25:56,680 --> 00:25:59,040
Speaker 1: all good and he's watching over you or whatever like that.

443
00:25:59,440 --> 00:26:01,399
Speaker 1: And he said after that, he was like, man, you

444
00:26:01,480 --> 00:26:03,679
Speaker 1: can you can have that. You can have that sample.

445
00:26:03,760 --> 00:26:10,000
Speaker 1: They didn't charge me a penny. Girl, I got hair.

446
00:26:11,240 --> 00:26:13,600
Speaker 1: Not naming no names with a certain street niggas that

447
00:26:13,640 --> 00:26:16,600
Speaker 1: we funk with the new yall that don't like shigging

448
00:26:16,680 --> 00:26:18,760
Speaker 1: him when we see us and we'll be like, yo,

449
00:26:18,800 --> 00:26:21,119
Speaker 1: how to funk you funk with that nigga? You know

450
00:26:21,200 --> 00:26:24,040
Speaker 1: my man b J. We're tell him. Nigga's like, man,

451
00:26:24,080 --> 00:26:25,879
Speaker 1: if we listen to whatever you want to say, we

452
00:26:25,880 --> 00:26:28,000
Speaker 1: shouldn't fun with you. You know what I'm saying. Or

453
00:26:28,040 --> 00:26:32,000
Speaker 1: whatever like that. You know, but how could I not

454
00:26:32,640 --> 00:26:34,879
Speaker 1: have a relationship with the guy he gave me the

455
00:26:34,880 --> 00:26:38,560
Speaker 1: sample for free good about you. Never was no one,

456
00:26:38,600 --> 00:26:41,879
Speaker 1: no bullshit, never tried no bullshit. It was just a

457
00:26:42,040 --> 00:26:47,360
Speaker 1: pure good relationship. And honestly, I'm a pretty smart guy

458
00:26:47,560 --> 00:26:49,680
Speaker 1: in the music business. I am. I know a lot

459
00:26:49,720 --> 00:26:54,639
Speaker 1: of ship. Sugar Knight probably one of the most smartest

460
00:26:54,840 --> 00:26:58,760
Speaker 1: guys I've ever spoken to it. He was breaking ship

461
00:26:58,880 --> 00:27:01,400
Speaker 1: down to me that I did, you know, and how

462
00:27:01,640 --> 00:27:04,720
Speaker 1: I used it to get more money out of fucking

463
00:27:04,880 --> 00:27:08,320
Speaker 1: deaf jam. This guy is brilliant. The only thing wrong

464
00:27:08,359 --> 00:27:11,679
Speaker 1: with Sugar is nigger. He likes being a gangster, like

465
00:27:11,760 --> 00:27:15,520
Speaker 1: he likes being the gangster. He likes being shuged. Knight,

466
00:27:15,960 --> 00:27:20,280
Speaker 1: you understanding everything that embodies that comes with steriousness of that.

467
00:27:20,640 --> 00:27:22,000
Speaker 1: He likes it because I used to tell him, like

468
00:27:22,040 --> 00:27:24,960
Speaker 1: niking you so smart, I'm like just just He's like, no,

469
00:27:25,080 --> 00:27:27,840
Speaker 1: I gott to fuck these niggas. And here I'm gonna

470
00:27:27,840 --> 00:27:30,120
Speaker 1: tell you why most people getting the beast with Sugar Knight,

471
00:27:30,560 --> 00:27:33,080
Speaker 1: because I've seen it with my own eyes me and

472
00:27:33,080 --> 00:27:36,840
Speaker 1: should be in the club chilling nigga. I ain't gonna

473
00:27:36,840 --> 00:27:40,480
Speaker 1: say no names, but it's a celebrity musician or whatever.

474
00:27:40,560 --> 00:27:42,439
Speaker 1: Come up and him. They'll come up to us, me

475
00:27:42,480 --> 00:27:45,200
Speaker 1: and Sugar and cut just chilling, and I would see,

476
00:27:45,600 --> 00:27:48,320
Speaker 1: you know how nigga get around gangsters and get uncomfortable

477
00:27:48,600 --> 00:27:51,119
Speaker 1: soil they start talking ship just to say ship that

478
00:27:51,200 --> 00:27:56,320
Speaker 1: they don't really mean. But little do you know, I'm

479
00:27:56,560 --> 00:27:57,840
Speaker 1: over here, like what are you talking about? You know?

480
00:27:57,960 --> 00:28:00,280
Speaker 1: But this is deep because you just you just sitting

481
00:28:00,280 --> 00:28:01,919
Speaker 1: with shell, get next to you know, like, yo, you

482
00:28:01,920 --> 00:28:06,280
Speaker 1: should manage me. Yeo, we should do this. We should

483
00:28:06,280 --> 00:28:08,560
Speaker 1: do this song together. Oh yo, I'm on the in

484
00:28:08,560 --> 00:28:11,639
Speaker 1: this movie. You can do the soundtrack. Do you signed

485
00:28:11,680 --> 00:28:14,400
Speaker 1: in the verbal fucking contract with the Prince of Darkness?

486
00:28:15,359 --> 00:28:17,880
Speaker 1: You're thinking you're bullshit and yo, I'm just gonna get

487
00:28:17,880 --> 00:28:19,520
Speaker 1: out of here. I'm just gonna tell us a thing

488
00:28:19,640 --> 00:28:21,520
Speaker 1: and whatever so I can get the funk out of here.

489
00:28:22,160 --> 00:28:25,320
Speaker 1: You should in the contract, nigga, that's a verbal contract.

490
00:28:25,720 --> 00:28:29,520
Speaker 1: Cases don't do contract. And you saying you gotta say

491
00:28:29,560 --> 00:28:33,120
Speaker 1: it again, right so now you leave? You got something

492
00:28:33,119 --> 00:28:36,040
Speaker 1: like that was a close one. Change. I can't. I

493
00:28:36,040 --> 00:28:38,840
Speaker 1: ain't making my number changed my number because this is

494
00:28:38,840 --> 00:28:42,160
Speaker 1: how it goes down like all people shook, and he'd

495
00:28:42,160 --> 00:28:43,920
Speaker 1: be like watch just think and change is no magati.

496
00:28:44,040 --> 00:28:48,320
Speaker 1: But but here's the thing. You an entertainment business. You're

497
00:28:48,360 --> 00:28:52,160
Speaker 1: coming back to l A. She'll don't live in Boise, Idaho.

498
00:28:52,320 --> 00:28:55,360
Speaker 1: Nigga in Nebraska. He's in l A and he's and

499
00:28:55,400 --> 00:28:58,280
Speaker 1: he gets active and he's around and he got snitches

500
00:28:58,360 --> 00:29:00,040
Speaker 1: all over the place. Yeah that doesn't he gonn be

501
00:29:00,320 --> 00:29:04,600
Speaker 1: right now where he pulling up and now it's a problem.

502
00:29:04,840 --> 00:29:07,200
Speaker 1: Now you're getting smacked or it's gonna be some type

503
00:29:07,200 --> 00:29:09,920
Speaker 1: of physical altercation. You see what I'm saying. When all

504
00:29:09,960 --> 00:29:13,440
Speaker 1: you have to do is just not s you like

505
00:29:13,480 --> 00:29:16,560
Speaker 1: you said, Nora, you said, yeah, I'm never seious because no,

506
00:29:17,000 --> 00:29:20,880
Speaker 1: he's he knows. So he's like nigga, I could be cool. Yeah,

507
00:29:20,920 --> 00:29:22,920
Speaker 1: he liked it, my crew. That what you know? What

508
00:29:23,040 --> 00:29:26,800
Speaker 1: he likes. He likes. He likes look at it like

509
00:29:26,840 --> 00:29:29,360
Speaker 1: a person's cruel. He'll see the tough guy. He'll know

510
00:29:29,680 --> 00:29:32,680
Speaker 1: that niggas the nigga. That's the wrapper for that niggas

511
00:29:32,720 --> 00:29:34,520
Speaker 1: the nigger. And he'll go and be friend to him

512
00:29:34,720 --> 00:29:36,840
Speaker 1: like he'll he'll he'll pick the leader, like I don't

513
00:29:36,840 --> 00:29:38,400
Speaker 1: know how he used to do. I'm talking out mad

514
00:29:38,440 --> 00:29:41,840
Speaker 1: different crews. I he didn't like Hollywood ship. But believe me,

515
00:29:43,880 --> 00:29:46,720
Speaker 1: a lot of people I've seen with my own eyes,

516
00:29:46,760 --> 00:29:48,920
Speaker 1: they get themselves in the ship because they talk to

517
00:29:48,960 --> 00:29:51,560
Speaker 1: him and say that they don't mean, and then they're

518
00:29:51,600 --> 00:29:53,200
Speaker 1: just doing it just to get the funk out of

519
00:29:53,280 --> 00:29:56,880
Speaker 1: his presence, you understand, and giving his numbers and telling

520
00:29:56,920 --> 00:29:59,440
Speaker 1: this nigger, we're gonna do things. He calling you, nigga,

521
00:30:00,240 --> 00:30:03,320
Speaker 1: he calling you. Remember one time he was managing Joe

522
00:30:03,360 --> 00:30:07,800
Speaker 1: to see Mary everybody. Yep. But now we're gonna switch it.

523
00:30:07,840 --> 00:30:11,520
Speaker 1: We're gonna switch, switch, switch, We're gonna switch it because

524
00:30:11,120 --> 00:30:14,040
Speaker 1: one like this pick for Earth. Gotti's right, and one

525
00:30:14,040 --> 00:30:20,000
Speaker 1: of my favorite Earth got was Ecstasy Earthstas Yo, my niggy,

526
00:30:20,000 --> 00:30:23,080
Speaker 1: you had more accident puff daddy at one point, Yeah,

527
00:30:22,400 --> 00:30:25,000
Speaker 1: I was, I was. I was. I was like like

528
00:30:25,280 --> 00:30:27,520
Speaker 1: me and John was like good. I was to see

529
00:30:27,520 --> 00:30:30,600
Speaker 1: guys who lives on the level. But Goddy. One day,

530
00:30:31,000 --> 00:30:33,080
Speaker 1: I think this nigga walking in the studio and I'm

531
00:30:33,120 --> 00:30:45,840
Speaker 1: like there, John like that, I'm gonna keep it you,

532
00:30:46,400 --> 00:30:48,720
Speaker 1: I'm gonna keep it real. I was a late bloom.

533
00:30:48,920 --> 00:30:52,360
Speaker 1: I'm not in your drugs alcohol. I'll do it, you

534
00:30:52,400 --> 00:30:54,160
Speaker 1: know what I'm saying. But I'm not into it like that.

535
00:30:54,480 --> 00:30:56,000
Speaker 1: You know what I'm saying. I'm get your ill story

536
00:30:56,000 --> 00:30:58,360
Speaker 1: about God this one. Listen. I'm not into it. Okay.

537
00:30:58,560 --> 00:31:02,200
Speaker 1: So my niggas was doing the ecstasy ship and they

538
00:31:02,240 --> 00:31:05,880
Speaker 1: started talking about how great the sex is when you

539
00:31:06,080 --> 00:31:10,240
Speaker 1: fucking a bitch, and it is fucking great, and you

540
00:31:10,280 --> 00:31:12,960
Speaker 1: know not you can just dog for a bitch all night.

541
00:31:13,520 --> 00:31:17,120
Speaker 1: So both I had to do this record for funk Master.

542
00:31:17,200 --> 00:31:20,200
Speaker 1: Flex X was filming a movie in Canada. I went

543
00:31:20,240 --> 00:31:25,560
Speaker 1: to Canada. I flew in a loving touch right, so

544
00:31:25,800 --> 00:31:34,160
Speaker 1: the loving touch? What is that? Loving? Like this? He

545
00:31:34,320 --> 00:31:37,600
Speaker 1: gets this? Hell gets the pubble on that right, and

546
00:31:37,680 --> 00:31:41,800
Speaker 1: so fucking U I fly in the love and touch boom.

547
00:31:41,880 --> 00:31:44,120
Speaker 1: She said, Yo, if you have done extacy, I said,

548
00:31:44,160 --> 00:31:46,160
Speaker 1: jar heard about it, never did it. She said, let's

549
00:31:46,320 --> 00:31:51,320
Speaker 1: let's do something and fuck really, women is the most

550
00:31:51,400 --> 00:31:54,560
Speaker 1: devili state, always getting to do something. Nigg has been

551
00:31:54,600 --> 00:31:59,120
Speaker 1: telling me for months, bad bit and it was a

552
00:31:59,160 --> 00:32:08,760
Speaker 1: bad bitch. Know, go ahead, cocaine with a bad red head.

553
00:32:09,040 --> 00:32:11,440
Speaker 1: He has evidence that open grand closing though, I'll get

554
00:32:11,440 --> 00:32:17,800
Speaker 1: you my cocaine start right now, I do I do

555
00:32:17,880 --> 00:32:21,760
Speaker 1: the extacy. We start, it's just like eleven thirty eleven

556
00:32:21,760 --> 00:32:25,480
Speaker 1: forty five. We saw fucking. We don't stop sucking. We

557
00:32:25,600 --> 00:32:29,160
Speaker 1: take a pause at four thirty. Dog, I'm dog sucking

558
00:32:29,200 --> 00:32:32,400
Speaker 1: the ship out this bitch, right, So four thirty, She's

559
00:32:32,680 --> 00:32:36,800
Speaker 1: had like fucking five six orgasms. I ain't not fucking

560
00:32:37,000 --> 00:32:42,240
Speaker 1: once I'm stopping. I'm like, what's going on, what's happening,

561
00:32:42,920 --> 00:32:45,040
Speaker 1: what's happening? You know what the bitch say? You know

562
00:32:45,040 --> 00:32:53,320
Speaker 1: what she said? Let's do it enough and I go, yeah,

563
00:32:54,160 --> 00:32:57,240
Speaker 1: he take another one weight like a half hour. I

564
00:32:57,360 --> 00:32:59,840
Speaker 1: fux the bitch. I don't know one time. I the

565
00:32:59,840 --> 00:33:02,720
Speaker 1: b still ten thirty right, this bitch is laid out.

566
00:33:03,000 --> 00:33:06,840
Speaker 1: The fucking hotel room looked like a crime scene. He

567
00:33:06,920 --> 00:33:10,240
Speaker 1: was missing his yellow motherfucking tables, short lines and ship. Right,

568
00:33:10,520 --> 00:33:12,760
Speaker 1: it's the crime scene. We don't fucked up the whole

569
00:33:12,800 --> 00:33:15,360
Speaker 1: woomb boom. I call who do I call? My NIKEL,

570
00:33:15,440 --> 00:33:20,520
Speaker 1: b J and Rule. They laughing. I'm like, yeah, they

571
00:33:21,680 --> 00:33:28,400
Speaker 1: they've died in love it like this ship is incredible.

572
00:33:29,400 --> 00:33:32,360
Speaker 1: They said, yeah, I think you get it good in

573
00:33:32,480 --> 00:33:36,360
Speaker 1: my in my mind looking from the outside in right,

574
00:33:36,760 --> 00:33:39,400
Speaker 1: because now a lot of people don't notice. Me and

575
00:33:39,520 --> 00:33:44,840
Speaker 1: John lived on the same block. Ye, we were both

576
00:33:44,880 --> 00:33:47,520
Speaker 1: on depth cham right. But this is the crazy ship.

577
00:33:47,640 --> 00:33:51,000
Speaker 1: After Holla holla, he made some brand and he was

578
00:33:51,080 --> 00:33:53,600
Speaker 1: mad at the critics. He wasn't mad at X. Yeah,

579
00:33:53,680 --> 00:33:56,960
Speaker 1: he was mad at the critics. It was like four

580
00:33:56,960 --> 00:34:00,440
Speaker 1: o'clock in the morning. I had never told you, don't

581
00:34:00,480 --> 00:34:03,320
Speaker 1: know he was working with I didn't know, and he

582
00:34:03,440 --> 00:34:05,200
Speaker 1: just knocked on my door for o'clock in the morning.

583
00:34:05,200 --> 00:34:08,560
Speaker 1: He's like, y'all. I was like, yeah. He he walked

584
00:34:08,600 --> 00:34:10,880
Speaker 1: to my crib and he was like, you think I

585
00:34:10,960 --> 00:34:14,560
Speaker 1: sound like X, And I said it was fucking with him.

586
00:34:14,600 --> 00:34:17,000
Speaker 1: This is from personal ship. I never I give you

587
00:34:17,040 --> 00:34:19,759
Speaker 1: the story and I said this. I said, no, actually, y'all,

588
00:34:20,520 --> 00:34:22,719
Speaker 1: I get why they said, but your voice tones is

589
00:34:22,760 --> 00:34:24,800
Speaker 1: the same. Listen, he said, do I have to change

590
00:34:24,840 --> 00:34:27,719
Speaker 1: my subject matter? He said, I'm gonna funk with the

591
00:34:27,800 --> 00:34:30,680
Speaker 1: bitches and he just left my crib. I know he

592
00:34:30,760 --> 00:34:33,160
Speaker 1: was on and I was on, but it was on

593
00:34:33,200 --> 00:34:39,399
Speaker 1: this very moment. That's my that's my story. I'm gonna

594
00:34:39,400 --> 00:34:44,160
Speaker 1: give you. It's because because I'm gonna inside, I don't

595
00:34:44,160 --> 00:34:51,279
Speaker 1: think people focused on so now you know, Ex is

596
00:34:51,320 --> 00:34:54,839
Speaker 1: starting to go at him. He's telling me, Goddy, he's

597
00:34:54,840 --> 00:34:58,600
Speaker 1: buying my ship. I'm like, you're wilding out, nigga. Everyone

598
00:34:58,640 --> 00:35:01,480
Speaker 1: thinks it's how gonna ring his mind. His voice sound

599
00:35:01,600 --> 00:35:05,279
Speaker 1: like mine. I can see it. Leo comes to us

600
00:35:05,320 --> 00:35:07,799
Speaker 1: and he's I don't need another that out of them,

601
00:35:07,880 --> 00:35:10,880
Speaker 1: So we're going to make the flesh of my Flesh.

602
00:35:11,440 --> 00:35:15,360
Speaker 1: I did two records on the flesh with my Flesh.

603
00:35:15,880 --> 00:35:18,840
Speaker 1: One of the records that I did is we we

604
00:35:18,880 --> 00:35:25,439
Speaker 1: don't give a fuck good that record he's shipping on job,

605
00:35:25,600 --> 00:35:29,920
Speaker 1: my nigger. I produced the record, gave x T beat

606
00:35:30,000 --> 00:35:32,240
Speaker 1: and he made a record used to be my dog,

607
00:35:32,360 --> 00:35:37,240
Speaker 1: You left train, ride and die when the rain, niggas

608
00:35:37,239 --> 00:35:40,960
Speaker 1: get wet, put up stage. You produced that. He never

609
00:35:41,080 --> 00:35:44,280
Speaker 1: knew that, so boom hold hold. So I made this record.

610
00:35:44,320 --> 00:35:48,560
Speaker 1: I give x T beat, shout shout, no, you're getting

611
00:35:49,160 --> 00:35:54,040
Speaker 1: let me give you the full fucking Steward. I give

612
00:35:54,120 --> 00:35:57,040
Speaker 1: him the beat me in the studio, and as soon

613
00:35:57,040 --> 00:36:00,520
Speaker 1: as we're not hear it, I know he's on the bullshit.

614
00:36:01,800 --> 00:36:07,640
Speaker 1: He's sitting on rule in that record, rules, my artist

615
00:36:07,760 --> 00:36:11,560
Speaker 1: and my brother. Here's what I do after he does it.

616
00:36:12,040 --> 00:36:16,640
Speaker 1: I'm in my truck, Rules in the back seat. I said, Rule,

617
00:36:17,239 --> 00:36:19,719
Speaker 1: I ain't using the record, and he said, what you're

618
00:36:19,719 --> 00:36:23,080
Speaker 1: talking about? I said, you know, I'm not. I'm not.

619
00:36:23,239 --> 00:36:26,120
Speaker 1: I'm telling them we ain't putting that record on the album.

620
00:36:26,120 --> 00:36:28,160
Speaker 1: He said, play the record, Gotti, and I said, Rule,

621
00:36:28,200 --> 00:36:32,839
Speaker 1: you may not want to hear this record. He don't know.

622
00:36:34,560 --> 00:36:37,480
Speaker 1: I'm giving you the prelude to probably him. Yo, do

623
00:36:37,560 --> 00:36:42,000
Speaker 1: you think because nigger? So now I played the record

624
00:36:43,120 --> 00:36:45,520
Speaker 1: and the record is making me. I'm sitting in the

625
00:36:45,560 --> 00:36:50,560
Speaker 1: truck uncomfortable because I know exactly what the niket X

626
00:36:50,680 --> 00:36:54,560
Speaker 1: is doing and he's an x X. When I confronted exitbody,

627
00:36:54,640 --> 00:36:59,320
Speaker 1: he laughing, stay out of you, Gotti. Let the brothers fight. Sometimes.

628
00:36:59,320 --> 00:37:01,600
Speaker 1: You gotta let him the two pens. He always was

629
00:37:01,640 --> 00:37:04,160
Speaker 1: a dog, analogy. You gotta let him. You gotta let

630
00:37:04,200 --> 00:37:07,919
Speaker 1: him golf. This dad, he's a dog. He thinks he's

631
00:37:07,920 --> 00:37:14,160
Speaker 1: a dog. Nigga, so he's dog. I can tell you why.

632
00:37:14,200 --> 00:37:17,160
Speaker 1: I don't you know the dog when you when you

633
00:37:17,200 --> 00:37:19,239
Speaker 1: grow up with no love from your parents and nothing.

634
00:37:19,320 --> 00:37:22,840
Speaker 1: He was homeless and he would sleep outside and Boomer

635
00:37:22,880 --> 00:37:24,680
Speaker 1: would be the only one there. And he said, he'd

636
00:37:24,680 --> 00:37:27,360
Speaker 1: be sleeping and he wake up to Boomer back in

637
00:37:27,400 --> 00:37:31,480
Speaker 1: the nigga up. So he filled he who he felt

638
00:37:32,120 --> 00:37:36,879
Speaker 1: was booming nigga like Boom. He said, I could beat

639
00:37:36,920 --> 00:37:39,439
Speaker 1: this ship out of Boomer, and Boomer still won't come back.

640
00:37:40,080 --> 00:37:44,480
Speaker 1: So when with with X, that's the love I give him.

641
00:37:44,520 --> 00:37:46,960
Speaker 1: I give X what I call dog love. So I

642
00:37:47,000 --> 00:37:50,560
Speaker 1: don't care what he's doing or what he's let me

643
00:37:50,560 --> 00:37:53,120
Speaker 1: get this ship. You're playing in the record. So I'm

644
00:37:53,120 --> 00:37:57,080
Speaker 1: playing the record and my nigga is hand the whole record.

645
00:37:58,480 --> 00:38:01,200
Speaker 1: And y'all heard Rule with It's before. But remember when

646
00:38:01,239 --> 00:38:02,719
Speaker 1: he was on Hot Night he said, he said, John

647
00:38:02,760 --> 00:38:09,120
Speaker 1: Niggas want to see Tupac, I'm going imagine that Ran

648
00:38:09,280 --> 00:38:16,080
Speaker 1: times a hunting right Ah. He won, We're gonna do it.

649
00:38:16,120 --> 00:38:18,880
Speaker 1: And I'm sitting there like this and he's like, Nigga,

650
00:38:18,960 --> 00:38:22,080
Speaker 1: we're gonna go. He didn't when he didn't like the

651
00:38:22,120 --> 00:38:25,320
Speaker 1: Locks at that juncture. I'm gonna give it. If you

652
00:38:25,400 --> 00:38:29,600
Speaker 1: listen to the Murderer's album, We're different, you know, he nigga,

653
00:38:29,680 --> 00:38:33,640
Speaker 1: he Rule was he's going. It's just that the songs

654
00:38:33,680 --> 00:38:37,239
Speaker 1: that he was going was never singles. It was never glamorized.

655
00:38:37,280 --> 00:38:42,320
Speaker 1: It was the female friendly Ship was glamorized. But nigga,

656
00:38:42,400 --> 00:38:45,560
Speaker 1: he's a demon on that mike. But that's when it

657
00:38:45,719 --> 00:38:49,799
Speaker 1: was at the height of him, like ah and I head.

658
00:38:49,960 --> 00:38:51,719
Speaker 1: When you look at Rule three three six, you see

659
00:38:51,719 --> 00:38:53,640
Speaker 1: when he went to you and asked you that. It's

660
00:38:53,680 --> 00:38:59,359
Speaker 1: so it's so crazy that first album, Yes, he grew

661
00:38:59,400 --> 00:39:03,160
Speaker 1: his head. We did female records. So after that, I'm like,

662
00:39:03,239 --> 00:39:07,799
Speaker 1: act this nigger got braids. Nigga, you bollheaded. Is the comparison.

663
00:39:08,040 --> 00:39:11,920
Speaker 1: You never make a record like without you, this is

664
00:39:11,920 --> 00:39:14,440
Speaker 1: not you. Listen, I'm gonna tell you got it. The

665
00:39:14,480 --> 00:39:17,120
Speaker 1: reason why he came to me was because when we

666
00:39:17,200 --> 00:39:20,760
Speaker 1: came out Naturally two niggas from Queen's the Automatically compare

667
00:39:20,800 --> 00:39:23,960
Speaker 1: you the mab tem The Automatically did that. But you

668
00:39:24,040 --> 00:39:28,800
Speaker 1: guys definitely definitely knew how to relate to that. What

669
00:39:28,920 --> 00:39:30,759
Speaker 1: I said, you know what I did, I went and

670
00:39:30,800 --> 00:39:33,160
Speaker 1: did it in a r E album and I got

671
00:39:33,160 --> 00:39:35,680
Speaker 1: with some niggas was some tight shirts and chokers from

672
00:39:35,760 --> 00:39:38,880
Speaker 1: Virginia that nobody said the day was gonna be ship,

673
00:39:39,239 --> 00:39:42,279
Speaker 1: and I did. That's so I changed it, ru But

674
00:39:42,400 --> 00:39:44,800
Speaker 1: what I said, that's the reason why it's ecstasy, because

675
00:39:45,480 --> 00:39:48,319
Speaker 1: the reason why I see ecstasy makes your emotions come

676
00:39:48,360 --> 00:39:52,399
Speaker 1: out like like whatever you give me, like yo, I

677
00:39:52,520 --> 00:39:57,960
Speaker 1: love you. One. If you look at those records, we

678
00:39:58,080 --> 00:40:01,680
Speaker 1: had a lot of great music on that. See how

679
00:40:01,800 --> 00:40:05,440
Speaker 1: you're like what said, you're my ow ecstasy money create

680
00:40:05,719 --> 00:40:10,560
Speaker 1: he definitely create that ship ever got because from the

681
00:40:10,760 --> 00:40:17,040
Speaker 1: LEXX like three albums and personally personally, I was on

682
00:40:17,239 --> 00:40:21,160
Speaker 1: ecstasy every day for like three years. Only ship. No,

683
00:40:21,239 --> 00:40:23,480
Speaker 1: but I'm keeping the real. I'm keeping the real bite

684
00:40:23,480 --> 00:40:25,239
Speaker 1: the head of the dogs this bit. So you wake

685
00:40:25,360 --> 00:40:27,239
Speaker 1: up and you know you're feeling groggy. You know what

686
00:40:27,320 --> 00:40:29,120
Speaker 1: we ushould do? Look at the music they was making

687
00:40:29,200 --> 00:40:31,839
Speaker 1: dogs ship, but I just think about it. Look at

688
00:40:31,840 --> 00:40:34,920
Speaker 1: the music there was baking. You can't say it. That's

689
00:40:34,960 --> 00:40:42,000
Speaker 1: making so much sense all you can't make that we

690
00:40:45,760 --> 00:40:50,360
Speaker 1: you know he was high late up real in five minutes.

691
00:40:51,960 --> 00:40:56,600
Speaker 1: You never have Molly, It's fantastic. Molly's the same. It's no,

692
00:40:56,680 --> 00:41:02,239
Speaker 1: it's really you know, maybe doing exstacy you have, but

693
00:41:02,280 --> 00:41:05,520
Speaker 1: those was bad though. Somebody was bad. My nigga. This

694
00:41:05,600 --> 00:41:08,920
Speaker 1: is the crazy shit. As we take another shot. As

695
00:41:08,960 --> 00:41:11,440
Speaker 1: we're taking another shot, and I'm there guys, let's go,

696
00:41:11,640 --> 00:41:13,359
Speaker 1: let's go, let's go. We've been with the fans, been

697
00:41:13,400 --> 00:41:21,440
Speaker 1: waiting my videos. I'm the director. Oh I got hyper

698
00:41:21,640 --> 00:41:26,480
Speaker 1: Dave Miyes. But understand I'm the I'm the label. So

699
00:41:26,600 --> 00:41:29,960
Speaker 1: it's like Earth, you need five hundred thousand, No, I

700
00:41:30,000 --> 00:41:34,120
Speaker 1: need six hundred thousands. You always asked for it. I'm

701
00:41:34,160 --> 00:41:37,759
Speaker 1: gonna give it to you. Understand. It was jod There

702
00:41:37,880 --> 00:41:42,160
Speaker 1: was no there was no fucking The lights are like

703
00:41:42,400 --> 00:41:45,640
Speaker 1: right now, my digga. Listen, it's not even who that's awesome.

704
00:41:45,840 --> 00:41:53,120
Speaker 1: That's listen, man, there's no control. Listen. It was on me,

705
00:41:53,400 --> 00:41:55,680
Speaker 1: so my nigga. I would put in video, but just

706
00:41:55,840 --> 00:42:01,399
Speaker 1: fifty tho dollars from miscellaneous KA says of Christaff one

707
00:42:02,120 --> 00:42:06,200
Speaker 1: of you gotta have one stock Joe, a pillow bag

708
00:42:06,360 --> 00:42:10,440
Speaker 1: full of weed and fucking a bag like this full

709
00:42:10,560 --> 00:42:13,759
Speaker 1: with ecstasy fucking pills. I'm not gonna lie murdered. Eight

710
00:42:13,840 --> 00:42:16,200
Speaker 1: video shoots. Was the ship you're like going to the club.

711
00:42:16,320 --> 00:42:21,000
Speaker 1: I was like, whatever, should we having me drugs? Whatever?

712
00:42:21,040 --> 00:42:25,280
Speaker 1: If you want coca, y'all in the budget in the bucket,

713
00:42:25,760 --> 00:42:32,800
Speaker 1: y'all discovered super hair, right, that was y'all, Yeah, you

714
00:42:29,040 --> 00:42:37,680
Speaker 1: want to superhand was she was an interesting dick sucker,

715
00:42:39,680 --> 00:42:44,920
Speaker 1: super super hair. Uh so super had was around us,

716
00:42:45,040 --> 00:42:48,200
Speaker 1: and what really put her over the top was my nigga,

717
00:42:48,239 --> 00:42:56,880
Speaker 1: Fred dirsh Slimp Biscuit, I'll think bitch around us. And

718
00:42:56,920 --> 00:42:58,839
Speaker 1: he was like, gotta get that bitch out of here, yo.

719
00:42:58,920 --> 00:43:02,239
Speaker 1: She robbed me, oh fred Dirk from Biscuit, like she

720
00:43:02,280 --> 00:43:04,440
Speaker 1: sucked my dick and row me on like some sneaky

721
00:43:04,480 --> 00:43:07,480
Speaker 1: whole ship right. And a man said, well, that's not

722
00:43:07,480 --> 00:43:09,960
Speaker 1: I didn't even I wasn't working with or whatever. She

723
00:43:10,080 --> 00:43:12,560
Speaker 1: was just working with some dudes in the crew. You

724
00:43:12,600 --> 00:43:15,919
Speaker 1: know what I'm saying. So I said, bitch. I said, bitch,

725
00:43:15,960 --> 00:43:18,440
Speaker 1: you thievin. That's bitch. Get the funk out of here, y'all.

726
00:43:18,480 --> 00:43:20,719
Speaker 1: And she was like God, you know, God, you know

727
00:43:21,360 --> 00:43:23,640
Speaker 1: fred Dash, she's lies out of you know who's Fred Dirk?

728
00:43:23,719 --> 00:43:25,959
Speaker 1: She told me this ship, she said, because he says

729
00:43:26,000 --> 00:43:27,360
Speaker 1: it all the time. He tells the thing. But I

730
00:43:27,400 --> 00:43:30,120
Speaker 1: didn't do it. He's just a corny white motherfucker. Any

731
00:43:30,160 --> 00:43:32,680
Speaker 1: of that she's doing it. I'm like, bitch, listen, I

732
00:43:32,800 --> 00:43:35,759
Speaker 1: don't care. My man. And we had a relationship with Fred.

733
00:43:36,120 --> 00:43:38,520
Speaker 1: Get the funk out. This is around the time he

734
00:43:38,600 --> 00:43:41,480
Speaker 1: was shooting Between Me You video and she wanted in

735
00:43:41,520 --> 00:43:44,880
Speaker 1: the video so bad. So again, once again the infamous

736
00:43:44,880 --> 00:43:47,799
Speaker 1: pool party with all the pds on the boat. Now

737
00:43:47,880 --> 00:43:50,879
Speaker 1: we're going in. No, no, no, that's the bungalow. That's

738
00:43:50,960 --> 00:43:54,839
Speaker 1: part you. I read in every bungalow and heard these

739
00:43:54,880 --> 00:44:00,719
Speaker 1: stories and listen not listening. So so now I'm telling

740
00:44:00,760 --> 00:44:02,440
Speaker 1: that she can't be in the video. She showed up

741
00:44:02,440 --> 00:44:04,000
Speaker 1: at the video like, bitch, what the fund is you

742
00:44:04,120 --> 00:44:05,879
Speaker 1: doing here? Didn't I tell you get the funk out

743
00:44:05,920 --> 00:44:08,040
Speaker 1: of here. I'm like, no one's working with you. You

744
00:44:08,120 --> 00:44:11,040
Speaker 1: were thievin bitch. She's like, God, what I gotta do?

745
00:44:11,200 --> 00:44:14,520
Speaker 1: What I gotta do? Right? So I, honestly, I swear

746
00:44:14,560 --> 00:44:17,160
Speaker 1: to God, I just said the most outrageous ship to

747
00:44:17,280 --> 00:44:19,520
Speaker 1: think and she would just be like, you disrespectful nigga,

748
00:44:19,600 --> 00:44:21,239
Speaker 1: Get the funk out. I said, you have this up

749
00:44:21,320 --> 00:44:23,759
Speaker 1: every nigga murderings, dick nigger if you want to stay

750
00:44:23,800 --> 00:44:29,320
Speaker 1: around this small fucking movement, bitch. It wasn't. It didn't.

751
00:44:29,400 --> 00:44:33,239
Speaker 1: It wasn't a long thought process. It was it was

752
00:44:34,120 --> 00:44:35,840
Speaker 1: so where do you want me to go to? Starting

753
00:44:36,920 --> 00:44:40,720
Speaker 1: to which I replied, fucking going that trailer still thinking

754
00:44:40,800 --> 00:44:44,080
Speaker 1: she's gonna flip. She walked in the trailer and they

755
00:44:44,320 --> 00:44:50,440
Speaker 1: just lined up now now and then after that, she

756
00:44:50,640 --> 00:44:55,080
Speaker 1: was basically like a murdering droopy. Like we was like

757
00:44:55,239 --> 00:44:57,520
Speaker 1: rock stars during the height. I ain't gonna lie. No

758
00:44:57,600 --> 00:44:59,960
Speaker 1: one didn't really like us because we was just so crazy,

759
00:45:00,040 --> 00:45:02,480
Speaker 1: eat with it, and we used to rint mansions and

760
00:45:02,680 --> 00:45:06,960
Speaker 1: have nothing bloods Crips essays. If you ask anybody in

761
00:45:07,120 --> 00:45:08,680
Speaker 1: l A during that time, they would be like, Yo,

762
00:45:08,760 --> 00:45:11,960
Speaker 1: murder with the murder mansions. Niggas eggs had a mansion.

763
00:45:12,160 --> 00:45:16,680
Speaker 1: These niggas close at two o'clock. Nigga rules so free

764
00:45:16,719 --> 00:45:20,680
Speaker 1: with it, yo, nigga two thirty, he's giving everyone in

765
00:45:20,719 --> 00:45:25,800
Speaker 1: the cold. I'm like, I'm walking in the niggas in

766
00:45:25,880 --> 00:45:29,880
Speaker 1: the crib and then you were the sound system. They're brilliant.

767
00:45:29,920 --> 00:45:32,239
Speaker 1: I'm like, what the fuck? And that It was like

768
00:45:32,320 --> 00:45:35,279
Speaker 1: that for three months. It was like that for three months,

769
00:45:35,440 --> 00:45:37,560
Speaker 1: but l A we got so much l A love

770
00:45:37,760 --> 00:45:41,520
Speaker 1: behind that l A niggas. I'm gonna tell you, I'm

771
00:45:41,520 --> 00:45:44,640
Speaker 1: gonna tell you some real ship about you, Dottie. People

772
00:45:44,760 --> 00:45:47,640
Speaker 1: see you like the executives and they fall in love

773
00:45:48,680 --> 00:45:51,080
Speaker 1: like you always gonna get a check. Is that a

774
00:45:51,239 --> 00:45:53,400
Speaker 1: skill or is that just something that comes now? I

775
00:45:53,560 --> 00:45:55,759
Speaker 1: just think that I'm because I had to ask my

776
00:45:55,840 --> 00:46:00,440
Speaker 1: money blessed with one brain You're talking, was like, oh

777
00:46:00,520 --> 00:46:03,239
Speaker 1: my god, that was Eric I was, and you looking

778
00:46:03,239 --> 00:46:05,120
Speaker 1: at like and you know, I don't. I'm come want

779
00:46:05,160 --> 00:46:08,640
Speaker 1: to see how they fail. It's like, wow, you know mac,

780
00:46:08,719 --> 00:46:11,040
Speaker 1: God blesses me with these visions. You know what, I

781
00:46:11,120 --> 00:46:13,000
Speaker 1: get a lot of my visions, I swear to God.

782
00:46:13,040 --> 00:46:16,000
Speaker 1: That's why I give it to God. In my sleep.

783
00:46:17,840 --> 00:46:20,040
Speaker 1: I cannot tell you how many times I go to

784
00:46:20,160 --> 00:46:22,640
Speaker 1: bed and I'll be sleeping and He'll give me the

785
00:46:22,760 --> 00:46:25,839
Speaker 1: most vividous dream of what to do. And I wake

786
00:46:25,960 --> 00:46:27,960
Speaker 1: up and be like, this is what I'm doing. This

787
00:46:28,040 --> 00:46:31,279
Speaker 1: ship has happened like so many times. That's why I'm like, yo,

788
00:46:31,440 --> 00:46:34,640
Speaker 1: I'm unconscious. It's not even me sitting here thinking. There's

789
00:46:34,680 --> 00:46:36,480
Speaker 1: been times with me thinking I can think of some

790
00:46:36,560 --> 00:46:39,000
Speaker 1: ship too. Don't get it sucked up. But it's a

791
00:46:39,080 --> 00:46:42,200
Speaker 1: lot of times I'm sleeping and NYT He'll bless me

792
00:46:43,200 --> 00:46:46,320
Speaker 1: like tells I was just about to golden. Let's get focused.

793
00:46:46,680 --> 00:46:49,680
Speaker 1: Tell you come up with that I did tell me

794
00:46:49,800 --> 00:46:52,880
Speaker 1: from the crib, but I had a dream tells from

795
00:46:52,920 --> 00:46:59,400
Speaker 1: the Crib, That's all it is. Reason I don't know

796
00:47:00,040 --> 00:47:05,160
Speaker 1: was he removed, you know, from you removed the crypt keeper. Okay,

797
00:47:06,000 --> 00:47:11,400
Speaker 1: play hip hop song there was a man, a man

798
00:47:11,520 --> 00:47:13,279
Speaker 1: and there was a woman. He was he would tell

799
00:47:13,320 --> 00:47:15,200
Speaker 1: you and tip you off with you about to see.

800
00:47:16,440 --> 00:47:18,319
Speaker 1: I'm just playing the song you don't know, Tales from

801
00:47:18,320 --> 00:47:21,560
Speaker 1: the Crypt, Yeah, exactly, like not Tells from the Hood,

802
00:47:21,600 --> 00:47:25,080
Speaker 1: which was in that apation the original HBO show, which

803
00:47:25,239 --> 00:47:27,600
Speaker 1: was a horror show. So did you receive slack because

804
00:47:27,600 --> 00:47:29,440
Speaker 1: I don't know if you know, you did fun the

805
00:47:29,480 --> 00:47:33,520
Speaker 1: police right, and it was it was the reverse. It

806
00:47:33,640 --> 00:47:35,560
Speaker 1: was the reverse. And like when I saw that, I

807
00:47:35,719 --> 00:47:38,000
Speaker 1: was like, like that it felt scary to even like

808
00:47:38,600 --> 00:47:40,160
Speaker 1: think of it like that because I'm just not used

809
00:47:40,160 --> 00:47:43,640
Speaker 1: to like I did that just bring it down for

810
00:47:43,719 --> 00:47:46,879
Speaker 1: the people who didn't the police, I did a version

811
00:47:46,920 --> 00:47:48,880
Speaker 1: of the That was the way sun the police, who

812
00:47:48,960 --> 00:47:51,400
Speaker 1: I did race reversal. So everything that happens to the

813
00:47:51,440 --> 00:47:54,640
Speaker 1: black people with minorities, I had, it happened to white people.

814
00:47:55,080 --> 00:47:57,200
Speaker 1: Not the only reason. Let me let me go out

815
00:47:57,200 --> 00:47:59,360
Speaker 1: there saying and the white people were like the Niggers.

816
00:47:59,400 --> 00:48:02,680
Speaker 1: The white did he in the Yeah, this was they

817
00:48:02,800 --> 00:48:06,719
Speaker 1: was in the hood. They got the injustices, they got there.

818
00:48:06,800 --> 00:48:09,480
Speaker 1: I can't breathe and put a pretty white boy to

819
00:48:09,560 --> 00:48:12,440
Speaker 1: get killed. This is ship like that for fucking with

820
00:48:12,560 --> 00:48:15,200
Speaker 1: a black chick, which is the reverse of Nigga's sucking

821
00:48:15,360 --> 00:48:17,719
Speaker 1: white chicks. And then the white chick goes, he raped me,

822
00:48:18,080 --> 00:48:20,560
Speaker 1: lies on them. I hadn't said it hadn't be done

823
00:48:20,600 --> 00:48:24,440
Speaker 1: to him, but I did it straight up. I did

824
00:48:24,480 --> 00:48:28,319
Speaker 1: it just for white people to see how funked up

825
00:48:28,400 --> 00:48:30,680
Speaker 1: it is. And then, you know what, for a moment

826
00:48:31,000 --> 00:48:32,759
Speaker 1: like remember when all of this ship was going on

827
00:48:33,000 --> 00:48:36,279
Speaker 1: just now and you had like you get Michael Rappaport

828
00:48:36,320 --> 00:48:39,000
Speaker 1: and he's speaking out. You had Lady Gaga like, Yo,

829
00:48:39,120 --> 00:48:41,120
Speaker 1: what can I do to help? You? Know what I'm saying,

830
00:48:41,320 --> 00:48:43,680
Speaker 1: That's what I made that episode for. Now, whether or

831
00:48:43,719 --> 00:48:47,600
Speaker 1: not it had the effect like that, that's what I

832
00:48:47,680 --> 00:48:51,000
Speaker 1: made it for because to have a true change, it

833
00:48:51,120 --> 00:48:53,919
Speaker 1: just can't be black people with minorities and Spanish people

834
00:48:54,200 --> 00:48:57,880
Speaker 1: and everything like that with the uprising, it's gotta be

835
00:48:57,960 --> 00:49:00,719
Speaker 1: white people that saying yo, this is fucked up. Yeah, Yeah,

836
00:49:00,760 --> 00:49:02,920
Speaker 1: that's how we want. That's how it's gotta be more

837
00:49:02,960 --> 00:49:06,839
Speaker 1: white people. It's gotta be that way. It's because when

838
00:49:06,920 --> 00:49:08,840
Speaker 1: white people go, Yo, this is fucked up and we

839
00:49:08,920 --> 00:49:11,759
Speaker 1: got to stop. And when I seen glimpses of it,

840
00:49:12,160 --> 00:49:15,759
Speaker 1: it made me smile like yo. And I honestly think,

841
00:49:15,960 --> 00:49:19,080
Speaker 1: like the racist people in the world, I think hip

842
00:49:19,120 --> 00:49:21,720
Speaker 1: hop has changed the world. And I think the racist

843
00:49:21,760 --> 00:49:24,960
Speaker 1: people the world is a very older generation and once

844
00:49:25,040 --> 00:49:30,000
Speaker 1: they die. But you know that isn't it crazy? I

845
00:49:30,080 --> 00:49:35,560
Speaker 1: think that's giving them Like the valley is lately, the

846
00:49:35,719 --> 00:49:38,880
Speaker 1: rally lately, the white people rallies lately, there's been a

847
00:49:38,920 --> 00:49:40,960
Speaker 1: lot of young boys there. No, it has, it's been

848
00:49:40,960 --> 00:49:44,839
Speaker 1: a lot of young studn't think that that's an old

849
00:49:45,000 --> 00:49:48,560
Speaker 1: racist see. And I called backlash for this, listen because

850
00:49:48,800 --> 00:49:52,160
Speaker 1: and I don't like talking political anymore. After I called backlash,

851
00:49:52,560 --> 00:49:58,640
Speaker 1: we got but listen, I got backlash because I said

852
00:49:59,040 --> 00:50:01,640
Speaker 1: the young white boy, I said, they may be mad

853
00:50:01,680 --> 00:50:06,520
Speaker 1: because we're sucking all late chicks. You know, white chicks

854
00:50:06,840 --> 00:50:10,560
Speaker 1: fucking with niggas is at an all time high. It's

855
00:50:10,560 --> 00:50:13,600
Speaker 1: at an all time high. And I think they could

856
00:50:13,640 --> 00:50:16,840
Speaker 1: be piste off because you know, most commonly heard answer

857
00:50:16,960 --> 00:50:19,600
Speaker 1: from a white chick who fox would with a black

858
00:50:19,680 --> 00:50:21,719
Speaker 1: dude like yo, and I'll be I'll be asking, like,

859
00:50:22,160 --> 00:50:23,640
Speaker 1: you don't fok with white dudes? No one? And they'd

860
00:50:23,640 --> 00:50:25,640
Speaker 1: be like nah, And I'd be like, why they like

861
00:50:25,760 --> 00:50:29,919
Speaker 1: they're not cool? Most commonly answered from a white chick

862
00:50:30,160 --> 00:50:32,160
Speaker 1: on why she doesn't funk with white boys no more?

863
00:50:32,239 --> 00:50:35,040
Speaker 1: After she fox with a black guy, they're not cool.

864
00:50:35,480 --> 00:50:37,440
Speaker 1: So it ain't gonna be too much of that before

865
00:50:37,600 --> 00:50:39,880
Speaker 1: the youngest those young boys like, man, you're sucking my

866
00:50:40,040 --> 00:50:43,640
Speaker 1: bitch like that's that that that's enough for the hatred.

867
00:50:44,080 --> 00:50:46,840
Speaker 1: And look not not even another white boy like me.

868
00:50:47,440 --> 00:50:49,799
Speaker 1: She won't even sucking a white boy like me. She's

869
00:50:49,840 --> 00:50:52,640
Speaker 1: strictly on nigga. Did you know what I'm saying? So?

870
00:50:54,280 --> 00:50:56,080
Speaker 1: And when I see the young generation, I'll be like

871
00:50:58,760 --> 00:51:03,080
Speaker 1: their sister or they grow this fucking with fucking rock

872
00:51:03,160 --> 00:51:05,360
Speaker 1: came a law the hook. You know what I'm saying,

873
00:51:07,239 --> 00:51:09,200
Speaker 1: I want you to leave. Rock came my law. He's

874
00:51:09,239 --> 00:51:12,839
Speaker 1: so gentle. Did you ever see did you ever feel

875
00:51:12,840 --> 00:51:15,920
Speaker 1: a certain way where where it felt like they were

876
00:51:15,960 --> 00:51:18,360
Speaker 1: trying to push the black CEO out? Did you like

877
00:51:18,680 --> 00:51:21,759
Speaker 1: because us being an artist? You know, like you know

878
00:51:22,040 --> 00:51:23,560
Speaker 1: at the end of the day, you know, I'm just

879
00:51:23,719 --> 00:51:26,319
Speaker 1: being stepping up as a CEO role. I've always been

880
00:51:26,480 --> 00:51:29,000
Speaker 1: a couple leader of my own company. I always had that. Boy,

881
00:51:29,239 --> 00:51:31,320
Speaker 1: I'm really stepping out, you know, you as part of

882
00:51:31,400 --> 00:51:35,880
Speaker 1: the the whole arising and you. But trying to make

883
00:51:35,920 --> 00:51:39,640
Speaker 1: my point because it was like I felt good working

884
00:51:39,680 --> 00:51:42,279
Speaker 1: with Dame. Like even though me and Dame we argue toil,

885
00:51:42,320 --> 00:51:45,480
Speaker 1: we argue too, but just like, but who does I

886
00:51:45,600 --> 00:51:49,480
Speaker 1: love like working with when Dame and Jay and then

887
00:51:49,600 --> 00:51:52,120
Speaker 1: you guys with y'all floor on death damn, and then

888
00:51:52,200 --> 00:51:54,880
Speaker 1: that was my building. Like although one seventy bags was

889
00:51:54,960 --> 00:52:00,239
Speaker 1: the best back always you know, dyslexic, But but that

890
00:52:00,480 --> 00:52:03,160
Speaker 1: was when like music was itll was when the black

891
00:52:03,239 --> 00:52:05,880
Speaker 1: CEOs was at like it was just never be like

892
00:52:06,000 --> 00:52:07,880
Speaker 1: that again. You don't take your dad was about to

893
00:52:07,880 --> 00:52:11,000
Speaker 1: ask let me let me pick that moment in time.

894
00:52:11,480 --> 00:52:16,080
Speaker 1: Do you realize how many he was getting it. I

895
00:52:16,160 --> 00:52:24,239
Speaker 1: think I was getting like two thirty million years. It's

896
00:52:24,520 --> 00:52:30,480
Speaker 1: a moment of silence for this yo. Yo. We had

897
00:52:30,520 --> 00:52:35,200
Speaker 1: to be give the budgets. I don't get marketing check,

898
00:52:35,280 --> 00:52:39,880
Speaker 1: so I was Mr Marketing. Listen, this one was fucking

899
00:52:40,880 --> 00:52:43,520
Speaker 1: crazy like these niggas again, do you think is against

900
00:52:43,719 --> 00:52:48,600
Speaker 1: all hip man Like I'm looking at getting us. Streaming

901
00:52:48,760 --> 00:52:52,040
Speaker 1: killed him, this stream this streaming killed it. It's a streatment.

902
00:52:52,239 --> 00:52:55,080
Speaker 1: Was just just the new technology, y'all. And they couldn't

903
00:52:56,080 --> 00:52:58,960
Speaker 1: listen to me and with Doug marsh right, it's crazy.

904
00:52:59,000 --> 00:53:05,880
Speaker 1: It may sound like make some noise. Doug Morris explain.

905
00:53:07,080 --> 00:53:11,000
Speaker 1: Doug Morris was like the controller controller of Universal, the

906
00:53:11,160 --> 00:53:14,560
Speaker 1: Universal Music Group. So he was the head boss, the

907
00:53:14,640 --> 00:53:17,319
Speaker 1: boss of all bosses. He was the who were pointed

908
00:53:17,360 --> 00:53:20,440
Speaker 1: over Jimmy, over Jimmy. He was Jimmy's boss, you know

909
00:53:20,440 --> 00:53:23,880
Speaker 1: what I'm saying. So this guy, I used to meet

910
00:53:23,920 --> 00:53:25,440
Speaker 1: with him every week. We used to have lunch and

911
00:53:25,520 --> 00:53:29,520
Speaker 1: talk to thing, and I clearly like he was like

912
00:53:29,880 --> 00:53:33,759
Speaker 1: when the c D was invented, the c D, he

913
00:53:33,920 --> 00:53:37,080
Speaker 1: was like, that's what this is. I'm explaining why he

914
00:53:37,160 --> 00:53:40,040
Speaker 1: was getting all this money when the CD was invented.

915
00:53:40,239 --> 00:53:43,880
Speaker 1: He said money was raining from the sky. So he

916
00:53:43,920 --> 00:53:46,160
Speaker 1: said because not only he said Earth, not only are

917
00:53:46,160 --> 00:53:48,960
Speaker 1: they buying these new albums that they have to get,

918
00:53:49,520 --> 00:53:54,480
Speaker 1: but he says they need Michael Jackson's driller they needed

919
00:53:54,520 --> 00:53:57,719
Speaker 1: in this new format. So he said, the catalog ship,

920
00:53:57,880 --> 00:54:01,000
Speaker 1: like Michael Jackson Driller was doing like me thousand a week.

921
00:54:01,160 --> 00:54:05,640
Speaker 1: The Bastie Boys License to Ill was doing ten to

922
00:54:05,760 --> 00:54:09,800
Speaker 1: fifteen dollars in a week forever. So they basically was

923
00:54:09,880 --> 00:54:13,400
Speaker 1: going gold every year. They were selling five hundred thousand

924
00:54:13,520 --> 00:54:16,600
Speaker 1: copies every year. My nigga, and I was like, when

925
00:54:16,640 --> 00:54:18,360
Speaker 1: I used to look at the Best Boys Ship, the

926
00:54:18,640 --> 00:54:21,279
Speaker 1: people say, yo, when you go to college, you have

927
00:54:21,440 --> 00:54:23,759
Speaker 1: to have a License to Ill album. They said, that's

928
00:54:23,760 --> 00:54:26,640
Speaker 1: why it sells so much. But the money was flowing

929
00:54:26,719 --> 00:54:29,040
Speaker 1: so much. That's why that was giving niggas five million

930
00:54:29,080 --> 00:54:32,839
Speaker 1: dollar advances like it was fucking nothing. Like it was nothing.

931
00:54:32,880 --> 00:54:36,440
Speaker 1: They'd take five Yeah, you could have fifty fifty joint ventures.

932
00:54:36,800 --> 00:54:38,920
Speaker 1: You could own your masters. You were on half of them,

933
00:54:39,160 --> 00:54:41,120
Speaker 1: and then if you want the other fifty will buy

934
00:54:41,200 --> 00:54:46,439
Speaker 1: it back. I'm feeling a certain way. Yeah, wherever am I, Dude,

935
00:54:46,480 --> 00:54:49,520
Speaker 1: I'm just saying, like, like niggas getting money now, I

936
00:54:49,680 --> 00:54:52,799
Speaker 1: know it. Like I'm not knocking y'all, I'm not knocking whatever. Yeah,

937
00:54:52,840 --> 00:54:59,840
Speaker 1: this is different. First time must I see Mustard in that?

938
00:55:00,080 --> 00:55:02,080
Speaker 1: I said, damn, And this is I see him at

939
00:55:02,080 --> 00:55:05,680
Speaker 1: the point where every regular mustard and is that? So

940
00:55:05,840 --> 00:55:07,520
Speaker 1: I was high five and the nigga because I know

941
00:55:07,600 --> 00:55:10,120
Speaker 1: what that feels like, you know what I'm saying, Like, Nigga,

942
00:55:10,120 --> 00:55:11,799
Speaker 1: I was on the radio. I had the top ten

943
00:55:11,960 --> 00:55:14,760
Speaker 1: on the Hot one hundred, I had one for six

944
00:55:15,000 --> 00:55:18,400
Speaker 1: seven Like I'm like, Nigga, I'm just just crazy, right,

945
00:55:18,480 --> 00:55:21,760
Speaker 1: so fucking I know what it is. So I was like, Yo, nigger,

946
00:55:21,800 --> 00:55:24,440
Speaker 1: I was curious because I should get a quarter million

947
00:55:24,880 --> 00:55:31,480
Speaker 1: for one B twoty thousand two Charles me sixty thousand.

948
00:55:31,520 --> 00:55:41,680
Speaker 1: That's love. But he too, Kiggy, because that's love. So listen,

949
00:55:41,760 --> 00:55:44,040
Speaker 1: I said, Joe. I said, just curious how much you

950
00:55:44,120 --> 00:55:46,480
Speaker 1: getting a track? Because you know I used to get

951
00:55:46,520 --> 00:55:49,040
Speaker 1: a quarter. You ain't you didn't leave it, you didn't

952
00:55:49,040 --> 00:55:53,319
Speaker 1: tell charged. And then yeah, I get like a quarter too.

953
00:55:54,000 --> 00:55:57,440
Speaker 1: Then I clarified, and this is no knock on mustard,

954
00:55:57,560 --> 00:55:59,080
Speaker 1: and actually I gave him a thing. Well, I'm gonna

955
00:55:59,080 --> 00:56:04,440
Speaker 1: give the yall which may fun the game, up the game,

956
00:56:05,640 --> 00:56:07,879
Speaker 1: he said. I said, I just clarify. I said, I'm

957
00:56:07,920 --> 00:56:13,680
Speaker 1: talking about two fifty tho he's talking about So I

958
00:56:13,880 --> 00:56:15,759
Speaker 1: was like, nah, Nigga, I was getting to fifty he

959
00:56:15,920 --> 00:56:20,200
Speaker 1: was word right. So I said, yo, nigga, you're making

960
00:56:20,280 --> 00:56:23,239
Speaker 1: all his careers just that mustard on the beat with

961
00:56:23,360 --> 00:56:27,560
Speaker 1: your magic. You you gotta charge more. And he was like,

962
00:56:27,800 --> 00:56:29,960
Speaker 1: it's not in the budget. He says, yo, I, this

963
00:56:30,120 --> 00:56:33,600
Speaker 1: is like the max that I can't get. Right. He says,

964
00:56:33,600 --> 00:56:36,440
Speaker 1: it's not in the budget. I said, man, you need

965
00:56:36,520 --> 00:56:38,440
Speaker 1: to think of something like you should need to tell

966
00:56:38,480 --> 00:56:43,000
Speaker 1: these niggas you're getting the show money you get they

967
00:56:43,000 --> 00:56:45,160
Speaker 1: show money til you get a hundred thousand, so you

968
00:56:45,160 --> 00:56:47,359
Speaker 1: can give me that twenty five and an other seventy five.

969
00:56:47,760 --> 00:56:50,719
Speaker 1: You're gonna shoot me twenty over your show money until

970
00:56:50,760 --> 00:56:53,120
Speaker 1: I get my nigga. Let's sign that deal and you

971
00:56:53,200 --> 00:56:55,920
Speaker 1: can get that mustard on the beat track. So I'm

972
00:56:55,960 --> 00:56:58,359
Speaker 1: saying it's different ways, and that's why I'm like, don't

973
00:56:58,400 --> 00:57:00,440
Speaker 1: let me get hot because I'm gonna imp meant that

974
00:57:00,680 --> 00:57:03,160
Speaker 1: you want my beat, nig I want a quarter, give

975
00:57:03,200 --> 00:57:05,760
Speaker 1: me ten thousand now, but I want another to forty

976
00:57:05,880 --> 00:57:08,520
Speaker 1: nigga when he when you on show, because you know,

977
00:57:08,600 --> 00:57:11,799
Speaker 1: you give a nigga hot beat, that's it. Whoever made

978
00:57:11,880 --> 00:57:14,640
Speaker 1: Cardi b Ship, dude, they're getting they published it and

979
00:57:14,719 --> 00:57:17,000
Speaker 1: it's that's gonna be good money and everything like that,

980
00:57:17,200 --> 00:57:20,120
Speaker 1: but goddamn, nigga, Cardi gonna make like two three million.

981
00:57:21,280 --> 00:57:24,560
Speaker 1: I'm quite sure Cardi charging fifty or better for her

982
00:57:24,640 --> 00:57:28,000
Speaker 1: asking hero. This is when I got shock and I

983
00:57:28,080 --> 00:57:30,000
Speaker 1: went to rue, like, nigga, do you know what niggas

984
00:57:30,080 --> 00:57:32,919
Speaker 1: is getting? So what's the host suspensive? You ever charged

985
00:57:32,960 --> 00:57:35,240
Speaker 1: for a beat? A quarter? The quarter he never went

986
00:57:35,680 --> 00:57:39,920
Speaker 1: never Daz said, let me, I should have got crazier

987
00:57:40,040 --> 00:57:42,640
Speaker 1: with dn't get should have got crazy with Jayla funny.

988
00:57:43,080 --> 00:57:45,840
Speaker 1: I ain't got a quarter I got, should have got three,

989
00:57:46,280 --> 00:57:48,360
Speaker 1: but we gotta half. We gotta half a meal because

990
00:57:48,440 --> 00:57:52,240
Speaker 1: rude got a quarter. Two. It's quarters giving. Y'all mentioned

991
00:57:52,280 --> 00:57:56,520
Speaker 1: the publishing No, that's just mentioned. That's ever. Give me

992
00:57:56,600 --> 00:57:59,600
Speaker 1: me right. What I should have did when I left

993
00:57:59,640 --> 00:58:02,760
Speaker 1: some money on the motherfucking table is when after I did.

994
00:58:02,840 --> 00:58:05,000
Speaker 1: I'm real that she was number one for like eighteen

995
00:58:05,280 --> 00:58:08,480
Speaker 1: or twenty weeks. That's Jennifer Lopez. Jennifer Lopez. I'm really

996
00:58:08,840 --> 00:58:11,200
Speaker 1: when he came for any funny, I should have said, nigga,

997
00:58:11,320 --> 00:58:14,960
Speaker 1: we need a ticket, nigga. A ticket is a million

998
00:58:15,040 --> 00:58:18,680
Speaker 1: for I'm like when your chicken, nigga, get it up, nigga.

999
00:58:18,920 --> 00:58:20,960
Speaker 1: You know how I learned this ship from and again

1000
00:58:21,160 --> 00:58:27,400
Speaker 1: quite just honestly, Jay z Okay, Uh God damn day

1001
00:58:28,000 --> 00:58:31,440
Speaker 1: John Crazy. It was for the Blue Street soundtrack, remember,

1002
00:58:31,800 --> 00:58:35,280
Speaker 1: and I was with j and I was within holes.

1003
00:58:36,600 --> 00:58:40,240
Speaker 1: He charged him. Nigga's like seven fifty and this was

1004
00:58:40,320 --> 00:58:44,280
Speaker 1: not the time, he said, And he was like, yo, Nigga,

1005
00:58:44,560 --> 00:58:46,959
Speaker 1: seven fifty and I'm when he said, and I ain't

1006
00:58:47,000 --> 00:58:49,400
Speaker 1: budgeting nigga, and on the phone note and looked at

1007
00:58:49,440 --> 00:58:57,520
Speaker 1: me said to which I call that a heat check.

1008
00:58:58,120 --> 00:59:00,920
Speaker 1: When you're fucking hot. You could have heat check on

1009
00:59:01,040 --> 00:59:04,960
Speaker 1: nigga's joll when you're scorching hot. Nigga, I coming to

1010
00:59:05,040 --> 00:59:08,200
Speaker 1: a nigger office, Nigga, I got Crime Partner sound track

1011
00:59:08,360 --> 00:59:11,240
Speaker 1: a million nows a ticket because it was heat checked

1012
00:59:11,400 --> 00:59:14,600
Speaker 1: like a motherfucker. You know. I went in the Leo's office, said, Nigga,

1013
00:59:14,600 --> 00:59:17,200
Speaker 1: you give him pretty a million nigga for this fucking sound.

1014
00:59:17,280 --> 00:59:19,280
Speaker 1: She's just god you want this is a stick up.

1015
00:59:19,520 --> 00:59:21,920
Speaker 1: You're sticking me up right now. This is the rassing.

1016
00:59:22,040 --> 00:59:28,080
Speaker 1: Get nigga, nig or whatever I said, get you looking

1017
00:59:28,280 --> 00:59:33,080
Speaker 1: bad on you, Like when Leo came out of the

1018
00:59:33,240 --> 00:59:37,240
Speaker 1: ud Max riding with Day. He kept a poker face

1019
00:59:37,320 --> 00:59:40,000
Speaker 1: because Leo, he's the son of a bit. He wants

1020
00:59:40,040 --> 00:59:43,600
Speaker 1: to give niggas nothing. It's his job to give the

1021
00:59:44,000 --> 00:59:47,960
Speaker 1: illest nigga is nothing in the world which is fucked up, right,

1022
00:59:48,160 --> 00:59:51,680
Speaker 1: but something at the end. But then he's gonna thinks

1023
00:59:51,880 --> 00:59:54,160
Speaker 1: you want to be with me, big boy, I'll make

1024
00:59:54,240 --> 00:59:59,680
Speaker 1: you fucking hat right. So he comes out, Leo talking ship. Yeah,

1025
00:59:59,760 --> 01:00:03,400
Speaker 1: tell ship, it's the best ship. So Leto turns out

1026
01:00:03,480 --> 01:00:07,240
Speaker 1: the whole time this is Leo. Niggas is throwing it.

1027
01:00:07,560 --> 01:00:11,600
Speaker 1: I don't want a storm, like a walker Stone, like

1028
01:00:11,800 --> 01:00:16,040
Speaker 1: fool in Gerald underground Street something New York. I'm like,

1029
01:00:16,280 --> 01:00:18,200
Speaker 1: I'm looking at that limp because this is my first

1030
01:00:18,280 --> 01:00:25,280
Speaker 1: I'm like right, He's like, yo, stole fished. As soon

1031
01:00:25,320 --> 01:00:27,400
Speaker 1: as I'm like, funking man, he ain't feeling his ship.

1032
01:00:28,160 --> 01:00:30,600
Speaker 1: He gotta feeling ship. Leo hip hop. He white, but

1033
01:00:30,640 --> 01:00:33,200
Speaker 1: he had hip hop to the court, so boom he

1034
01:00:33,360 --> 01:00:36,760
Speaker 1: comes outside and once he got away from d and

1035
01:00:37,040 --> 01:00:44,600
Speaker 1: y R he came and it was like, we have God,

1036
01:00:45,480 --> 01:00:52,600
Speaker 1: we have to wait a ship ship. Dave was in

1037
01:00:52,800 --> 01:00:57,000
Speaker 1: the fucking car. It was me cath Leo and Damon

1038
01:00:57,160 --> 01:01:01,080
Speaker 1: Leo's green suburban that had an immaculate sound the system right,

1039
01:01:01,440 --> 01:01:06,360
Speaker 1: and Dan was fucking hating. I'm looking at Damn like

1040
01:01:07,000 --> 01:01:09,520
Speaker 1: he's like, y'all like that. Niggas don't want to hear that.

1041
01:01:09,760 --> 01:01:13,640
Speaker 1: Niggas wanna be like Jane This niggas depressing. This niggas depressive.

1042
01:01:13,760 --> 01:01:17,000
Speaker 1: You like this nigga was doing. I'm not Damn, you

1043
01:01:17,120 --> 01:01:20,960
Speaker 1: didn't have the fucking carn car. This is my ship. Nigga,

1044
01:01:21,000 --> 01:01:23,760
Speaker 1: Come behind me, nigga, you really like that? And then

1045
01:01:23,840 --> 01:01:26,160
Speaker 1: I had to bust Dame open. I'm like, look, nigga,

1046
01:01:26,280 --> 01:01:32,160
Speaker 1: look ahead in hollow. Who was more of Nigga's life,

1047
01:01:33,000 --> 01:01:36,840
Speaker 1: shame or ex This only a damn full of niggas

1048
01:01:36,880 --> 01:01:42,880
Speaker 1: that's selling the honey. Kilos Nigga. Sorry, Jake harnted kilos, Nigga.

1049
01:01:43,840 --> 01:01:46,720
Speaker 1: This man niggas like X that wants to rob them

1050
01:01:46,800 --> 01:01:51,160
Speaker 1: niggas who's selling the honey like niggat and got ram bunches.

1051
01:01:51,440 --> 01:01:54,600
Speaker 1: And then I said, Nigga, axs gonna have the streets, Nigga.

1052
01:01:54,840 --> 01:01:57,919
Speaker 1: He looked at me and got quiet, and I was like, Nigga,

1053
01:01:57,960 --> 01:02:00,800
Speaker 1: what is you doing? Y'all? You could have stayed the fuck. Oh,

1054
01:02:03,840 --> 01:02:06,240
Speaker 1: I say't getting the car, nigga, You get the niggain

1055
01:02:06,400 --> 01:02:08,600
Speaker 1: this niggas talking about pick up the lettre and you.

1056
01:02:09,840 --> 01:02:16,480
Speaker 1: But Leo, Leo up to this can listen to his credit,

1057
01:02:17,360 --> 01:02:20,280
Speaker 1: he wasn't listening to that nigga. He Leo, to his credit,

1058
01:02:20,520 --> 01:02:24,400
Speaker 1: He's seen X early and Leo's Leo's chest and not

1059
01:02:24,560 --> 01:02:28,760
Speaker 1: check his nigga anyone. He's a mind game. Like I'm

1060
01:02:28,800 --> 01:02:32,680
Speaker 1: gonna tell you. He my opinion. He may disagree, but

1061
01:02:32,800 --> 01:02:37,160
Speaker 1: he played Rockefeller murder ring rough riders. He played us

1062
01:02:37,280 --> 01:02:40,040
Speaker 1: like a fiddle because he used to come and he'll

1063
01:02:40,080 --> 01:02:43,400
Speaker 1: give me love. That will ignite X and J. He gets, Oh,

1064
01:02:43,480 --> 01:02:45,600
Speaker 1: you're fucking with them, Leo, we're going in the studio.

1065
01:02:45,680 --> 01:02:47,800
Speaker 1: If you look at that time frame, nigga, we was

1066
01:02:47,880 --> 01:02:52,480
Speaker 1: dropping bombs, not regular albums. On my ship was worldwide,

1067
01:02:52,600 --> 01:02:57,120
Speaker 1: five to eight million nigga every year, competing with each other.

1068
01:02:57,400 --> 01:03:02,760
Speaker 1: And you know Leo is doing he was playing chess. Nigger.

1069
01:03:03,440 --> 01:03:05,720
Speaker 1: Leo is a vicious, vicious If you don't know, he

1070
01:03:05,840 --> 01:03:09,160
Speaker 1: a vicious motherfucker. He's brilliant and he's a Jesus, but

1071
01:03:09,240 --> 01:03:14,200
Speaker 1: he is a calculating, vicious vicious man. So last night

1072
01:03:14,840 --> 01:03:18,920
Speaker 1: I walk in front and I see you're just chilling

1073
01:03:19,040 --> 01:03:22,520
Speaker 1: right now, you see more relaxed in your life. Oh no,

1074
01:03:22,720 --> 01:03:26,400
Speaker 1: oh no, no, you're right. You see like it was

1075
01:03:26,520 --> 01:03:29,160
Speaker 1: dope because, like you see before, I interview people because

1076
01:03:29,800 --> 01:03:32,600
Speaker 1: like I'm I'm people's peers, so I like to like,

1077
01:03:33,200 --> 01:03:35,840
Speaker 1: like what we do is you can beat us here today,

1078
01:03:36,800 --> 01:03:40,480
Speaker 1: I guard I'm tell him what we usually do. We

1079
01:03:40,640 --> 01:03:44,560
Speaker 1: usually have a whole playlist, so we listened to everybody's catalog.

1080
01:03:44,800 --> 01:03:47,520
Speaker 1: But you came fifteen minutes early. See, I'm used to people.

1081
01:03:47,560 --> 01:03:59,400
Speaker 1: We used to fifteen minutes late. Come on this already

1082
01:03:59,440 --> 01:04:07,840
Speaker 1: said he shot shot. Let's go let this nigger shot.

1083
01:04:08,160 --> 01:04:16,320
Speaker 1: Then we're seeing the fucking shots. That's just like, yes,

1084
01:04:16,800 --> 01:04:21,040
Speaker 1: I just shot a video. Now you can blow it

1085
01:04:21,120 --> 01:04:24,120
Speaker 1: up right because you course, man, we are guys stayed down.

1086
01:04:24,880 --> 01:04:26,200
Speaker 1: What's the name of the record. What's the name of

1087
01:04:26,240 --> 01:04:28,720
Speaker 1: the record of this record? It's called trap a COMBANDA

1088
01:04:28,800 --> 01:04:31,560
Speaker 1: like trap a cabana. Holy at, I did hips don't

1089
01:04:31,600 --> 01:04:35,320
Speaker 1: lie the motion that everything was starting. Cut a cocoa,

1090
01:04:35,520 --> 01:04:38,480
Speaker 1: cut to a cocoa, right, saying, but what happened if

1091
01:04:38,560 --> 01:04:40,880
Speaker 1: we take the south some but it. It gets the

1092
01:04:41,000 --> 01:04:44,520
Speaker 1: track and put it together. So after I did the record,

1093
01:04:44,560 --> 01:04:49,880
Speaker 1: I was like, you know I need that Nori you

1094
01:04:49,960 --> 01:04:53,160
Speaker 1: know me, what would be the new Tago live? You know,

1095
01:04:53,200 --> 01:04:56,000
Speaker 1: I mean naos So that's gonna be the new way

1096
01:04:56,480 --> 01:05:00,320
Speaker 1: the band. That's why, that's why white he and you know,

1097
01:05:00,440 --> 01:05:02,120
Speaker 1: in order to come up with some ship like that,

1098
01:05:02,280 --> 01:05:09,160
Speaker 1: you gotta be smoking relationship. The ship must be more potent.

1099
01:05:10,600 --> 01:05:13,680
Speaker 1: Do you remember with murdered ankle was a oh you

1100
01:05:13,760 --> 01:05:19,160
Speaker 1: remember that height. The niggas was charging a lot. I

1101
01:05:19,280 --> 01:05:23,640
Speaker 1: was a friend and they charged it was love sixty.

1102
01:05:23,960 --> 01:05:27,560
Speaker 1: I was in the quarter, nigga. An it's kind of

1103
01:05:27,640 --> 01:05:31,720
Speaker 1: like that, you little bit. I think, let nigga, I

1104
01:05:31,800 --> 01:05:35,400
Speaker 1: think you'll listen even for a shanty beach beach looking beach.

1105
01:05:35,720 --> 01:05:37,560
Speaker 1: He got me. I gotta get b J Tim Bad

1106
01:05:40,360 --> 01:05:46,000
Speaker 1: always getting that. Niggas knew my budget. Oh yeah, that's right.

1107
01:05:46,160 --> 01:05:47,919
Speaker 1: You put the level. That was first. That was first.

1108
01:05:49,840 --> 01:05:52,600
Speaker 1: I'm gonna relax. I'm gonna relax. No what y'all was

1109
01:05:52,680 --> 01:05:56,640
Speaker 1: doing it? Relax? Yeah, even kinda got I was doing it.

1110
01:05:57,280 --> 01:05:59,760
Speaker 1: Do you remember the food Ji's run, Come on, nigga,

1111
01:06:00,200 --> 01:06:04,040
Speaker 1: they sold what twenty something million nigga. I'm gonna tell you,

1112
01:06:04,400 --> 01:06:07,720
Speaker 1: I always want to listen. Listen, listen, listen, listen, but

1113
01:06:07,840 --> 01:06:13,040
Speaker 1: listen listen from I always wanted that diamond and we

1114
01:06:13,160 --> 01:06:17,280
Speaker 1: got to like seven eight, you know, hold with hard

1115
01:06:17,320 --> 01:06:19,760
Speaker 1: in my life, he got to like eight probably at nine. Now.

1116
01:06:21,320 --> 01:06:25,080
Speaker 1: I was always jealous of y'all motherfucker's man because the

1117
01:06:25,240 --> 01:06:32,160
Speaker 1: diamond was like m motherfucking mc hammer, So like two,

1118
01:06:32,600 --> 01:06:39,200
Speaker 1: I love Hammer. I know niggas behaving Hamma Vanilla listen

1119
01:06:39,280 --> 01:06:43,800
Speaker 1: with Hamma Hammn Vanilla. Ice was probably the first hip

1120
01:06:43,840 --> 01:06:46,920
Speaker 1: hop album that a lot of white people bought and

1121
01:06:47,080 --> 01:06:49,520
Speaker 1: then they wanted to see what really was going on.

1122
01:06:50,440 --> 01:06:54,600
Speaker 1: So for that nigga they brought, they helped hip hop,

1123
01:06:54,680 --> 01:06:58,200
Speaker 1: They helped the culture. But you mother, I used to

1124
01:06:58,320 --> 01:07:02,600
Speaker 1: be like, yeah, these digs is selling so many. What

1125
01:07:02,760 --> 01:07:05,640
Speaker 1: did what did the score sell? Like twenty something million? Yeah,

1126
01:07:06,000 --> 01:07:17,680
Speaker 1: I guess four nine. Y d realize what that is.

1127
01:07:19,040 --> 01:07:23,320
Speaker 1: That's fucking KOs an Like for me, who've done big things.

1128
01:07:23,600 --> 01:07:27,040
Speaker 1: I always wanted that diamond because that's a one album. Said,

1129
01:07:27,200 --> 01:07:31,240
Speaker 1: always wanted that job. We started going platinum, trust me,

1130
01:07:31,320 --> 01:07:35,200
Speaker 1: we was chasing paying his love. I said we could

1131
01:07:35,240 --> 01:07:39,080
Speaker 1: get the diamond. We have fucking real, we have fucking

1132
01:07:39,160 --> 01:07:43,919
Speaker 1: always are fucking time. We have fucking uh done, dude,

1133
01:07:44,040 --> 01:07:47,280
Speaker 1: Stevie Ship. I thought it was a perfect fucking blend

1134
01:07:47,560 --> 01:07:50,520
Speaker 1: of hip hop and ship that could play top forty

1135
01:07:50,960 --> 01:07:53,440
Speaker 1: in all the fucking rhythm IRB and I said, we're

1136
01:07:53,440 --> 01:07:56,960
Speaker 1: gonna again. It were again world while we topped out

1137
01:07:57,000 --> 01:08:01,000
Speaker 1: in like seven and a half eight, we couldn't never

1138
01:08:01,120 --> 01:08:05,000
Speaker 1: get that fucking done. But collectively, how much murder like

1139
01:08:05,200 --> 01:08:10,680
Speaker 1: thirty five, it's probably a forty now, yeah, but this

1140
01:08:10,800 --> 01:08:15,160
Speaker 1: nig is we're bigger numbers. It's a decent number coming home. Listen.

1141
01:08:15,680 --> 01:08:19,679
Speaker 1: But the nicker did what I did, oh one fucking

1142
01:08:19,800 --> 01:08:22,680
Speaker 1: joint and that's why I like, so I had to

1143
01:08:22,760 --> 01:08:28,160
Speaker 1: give it up, like nigger Twitter four million, shake this

1144
01:08:28,280 --> 01:08:31,639
Speaker 1: out right, so listen, right, So you know when you're

1145
01:08:31,640 --> 01:08:34,519
Speaker 1: a producer, right, you're like, okay, now I want to

1146
01:08:34,600 --> 01:08:38,040
Speaker 1: become a producer executive right. So that was my next

1147
01:08:38,120 --> 01:08:42,720
Speaker 1: mission right after like producing, that was my shop. Fight

1148
01:08:42,880 --> 01:08:46,479
Speaker 1: me to a showcase and they're like, yo, they got

1149
01:08:46,560 --> 01:08:54,120
Speaker 1: the woide murder haining wah serious, but check the I

1150
01:08:54,400 --> 01:08:56,720
Speaker 1: remember you and that's why I tell you do I've

1151
01:08:56,720 --> 01:08:59,840
Speaker 1: been an audience. Yeah, I'm like, I have to make

1152
01:09:00,000 --> 01:09:05,479
Speaker 1: the next food with this guys doing that. He was

1153
01:09:05,600 --> 01:09:09,840
Speaker 1: introducing the new Ashantia in the minute you came out

1154
01:09:09,960 --> 01:09:13,320
Speaker 1: kin from had and you had that smell on your

1155
01:09:13,360 --> 01:09:16,320
Speaker 1: face when she will perform and I'm looking at you

1156
01:09:16,360 --> 01:09:18,879
Speaker 1: and you got that. He was in love from the beginning.

1157
01:09:23,360 --> 01:09:29,559
Speaker 1: I wasn't gonna good transibern't want to hold you want

1158
01:09:29,600 --> 01:09:33,760
Speaker 1: to you want to bring my transition. He gotta transd

1159
01:09:35,760 --> 01:09:40,480
Speaker 1: We we are transitional people here, you're sitting there transition.

1160
01:09:44,520 --> 01:09:46,880
Speaker 1: I'm gonna be honest though, and I don't like and

1161
01:09:47,000 --> 01:09:49,920
Speaker 1: I don't like talking down on and even though I'm

1162
01:09:49,920 --> 01:09:52,280
Speaker 1: not tolding that I'm speaking the truth because I Shanty

1163
01:09:52,400 --> 01:09:54,720
Speaker 1: never talks about it, so I don't like talking about it.

1164
01:09:54,800 --> 01:09:57,840
Speaker 1: But what I will say, the thing is is is

1165
01:09:57,920 --> 01:09:59,920
Speaker 1: what me and her hat. It was nothing that I

1166
01:10:00,080 --> 01:10:04,880
Speaker 1: never experienced before because I was getting money with a

1167
01:10:05,320 --> 01:10:08,200
Speaker 1: like that first album using your feelings a little bit?

1168
01:10:08,400 --> 01:10:10,639
Speaker 1: Was there my feelings like it was? It wasn't clear

1169
01:10:10,720 --> 01:10:13,040
Speaker 1: the record when I was She did a record for

1170
01:10:13,160 --> 01:10:16,000
Speaker 1: me and I didn't clear it. Yeah, and you know

1171
01:10:16,080 --> 01:10:25,800
Speaker 1: what record? I didn't clear it. I don't think so broad.

1172
01:10:26,200 --> 01:10:29,320
Speaker 1: I'm sorry you told me. L said, why why l

1173
01:10:29,400 --> 01:10:31,439
Speaker 1: A Read was there? I didn't clear it? Yeah, then

1174
01:10:31,520 --> 01:10:35,439
Speaker 1: it wasn't me money. He has a good game because

1175
01:10:35,479 --> 01:10:38,280
Speaker 1: you were there, got a check my name, didn't It

1176
01:10:38,360 --> 01:10:42,439
Speaker 1: wasn't because they didn't know l a Read regime's also

1177
01:10:42,680 --> 01:10:48,599
Speaker 1: I got. I got to clear my name. Nigger. At

1178
01:10:48,720 --> 01:10:53,280
Speaker 1: that time, they was running their own ship. Yeah, you're

1179
01:10:53,280 --> 01:10:56,519
Speaker 1: pretty when l A Read was a death check. What

1180
01:10:56,720 --> 01:11:00,200
Speaker 1: album was she on? It wasn't one, two or three. Listen.

1181
01:11:00,840 --> 01:11:03,000
Speaker 1: By the time we got to the third album, she

1182
01:11:03,160 --> 01:11:05,000
Speaker 1: was running the ship. It was like yo, because you know,

1183
01:11:05,080 --> 01:11:07,200
Speaker 1: it was like the Nellie time, and they were like,

1184
01:11:07,320 --> 01:11:09,519
Speaker 1: you know, you don't know, and never could he could

1185
01:11:09,560 --> 01:11:13,519
Speaker 1: have ship dog. He could have told it ain't now.

1186
01:11:13,560 --> 01:11:21,280
Speaker 1: It could have said, YO said it was because listen, listen, listen, listen.

1187
01:11:21,439 --> 01:11:25,720
Speaker 1: I never lied. I never lied. If it was the

1188
01:11:25,760 --> 01:11:28,439
Speaker 1: first two albums and it was vitold it was me

1189
01:11:28,800 --> 01:11:32,160
Speaker 1: because I made a mistake. And her first two albums

1190
01:11:32,200 --> 01:11:36,599
Speaker 1: listen her first Weekday Fabulous record with Tamiya, the original

1191
01:11:36,640 --> 01:11:40,080
Speaker 1: records with a Shanty and I made a mistake and

1192
01:11:40,160 --> 01:11:41,599
Speaker 1: it was at the time she was on a lot

1193
01:11:41,640 --> 01:11:43,519
Speaker 1: of ship and I v told my man ship and

1194
01:11:43,560 --> 01:11:45,479
Speaker 1: I said, she can't do the video. He got to

1195
01:11:45,560 --> 01:11:47,519
Speaker 1: me on it and that record is a huge record.

1196
01:11:47,520 --> 01:11:55,320
Speaker 1: Still he was played to this day. I liked the question, lawyer, yeah,

1197
01:11:59,600 --> 01:12:03,719
Speaker 1: and give up fund the Ashanti space. I was telling

1198
01:12:03,800 --> 01:12:09,120
Speaker 1: that on me. You was the Ashanti. I said, the

1199
01:12:09,160 --> 01:12:12,120
Speaker 1: look in your eyes and then he bought it somewhere

1200
01:12:12,640 --> 01:12:16,720
Speaker 1: where I was gonna was going right where I was

1201
01:12:16,760 --> 01:12:20,479
Speaker 1: gonna bring it too was. I knew that I had

1202
01:12:20,560 --> 01:12:24,240
Speaker 1: to figure out my next move. After Fuji and after

1203
01:12:24,400 --> 01:12:26,519
Speaker 1: so we got more watching the parts. You said you're

1204
01:12:26,520 --> 01:12:28,240
Speaker 1: gonna smoke. I don't think he will be going to

1205
01:12:28,560 --> 01:12:32,960
Speaker 1: hold up if the Carmes focus. No one ever seen et.

1206
01:12:35,320 --> 01:12:46,479
Speaker 1: Oh God, guy Rule says when I go off is better. Yeah,

1207
01:12:48,640 --> 01:12:50,840
Speaker 1: I'll never eating every move. I've seen him to take

1208
01:12:50,840 --> 01:12:54,439
Speaker 1: a lot of ecstacy. This is never seen. Let cle

1209
01:12:54,600 --> 01:12:57,840
Speaker 1: finishing stuck. I just I had to wait for the

1210
01:12:57,920 --> 01:12:59,840
Speaker 1: perfect moment. He says it on the boat he was.

1211
01:13:00,000 --> 01:13:02,679
Speaker 1: It was that moment. I don't lie, y'all, good club,

1212
01:13:02,960 --> 01:13:06,000
Speaker 1: I'm not a lie. I'm so sorry. I just you know,

1213
01:13:06,120 --> 01:13:08,280
Speaker 1: as a verse of him, I love the smoke with niggas.

1214
01:13:08,520 --> 01:13:10,479
Speaker 1: Don't smoke but I just had to work for the

1215
01:13:10,520 --> 01:13:13,920
Speaker 1: perfect moment, and it was I clearly seemed to Alley said,

1216
01:13:13,920 --> 01:13:18,439
Speaker 1: ham me, motherfucking ain't no nigger video, big handhole smoking

1217
01:13:18,600 --> 01:13:21,599
Speaker 1: was laughing like a motherfucker. He was just kept telling

1218
01:13:22,200 --> 01:13:26,000
Speaker 1: got you. And Jay was like fucking Chris Tucker and

1219
01:13:26,120 --> 01:13:36,920
Speaker 1: Friday like cooky to see who was mad. It was

1220
01:13:37,000 --> 01:13:39,360
Speaker 1: a hard But I don't thinking smoke me like that

1221
01:13:39,439 --> 01:13:41,559
Speaker 1: because the thing was like I got you, because Jay smoke.

1222
01:13:42,360 --> 01:13:45,320
Speaker 1: He kept telling that I got you. This day was

1223
01:13:45,400 --> 01:13:50,679
Speaker 1: like poky, he was mad. Yeah, like what the fund?

1224
01:13:50,680 --> 01:13:52,880
Speaker 1: You gotta be smoke. You gonna think his lasted all

1225
01:13:52,960 --> 01:13:58,599
Speaker 1: that ship y'all fishy show as I want to hear

1226
01:13:58,720 --> 01:14:01,520
Speaker 1: what the funk he's said with me, I'm gonna regurgitate

1227
01:14:01,640 --> 01:14:04,280
Speaker 1: and some ship. That's a big word. Let's let's make

1228
01:14:04,320 --> 01:14:15,200
Speaker 1: some regurg Definitely gonna do what that mean? Oh yeah, everybody,

1229
01:14:15,680 --> 01:14:19,960
Speaker 1: because this is this gotta be ill Let's lawyer. So

1230
01:14:20,080 --> 01:14:22,280
Speaker 1: what I was saying was when I came in there

1231
01:14:22,880 --> 01:14:25,800
Speaker 1: and I saw what you did, it made me know

1232
01:14:26,040 --> 01:14:29,519
Speaker 1: that past the Fouji's now I had to become not

1233
01:14:29,720 --> 01:14:33,920
Speaker 1: just a producer, but in exact reproduced talent. And that

1234
01:14:34,160 --> 01:14:37,080
Speaker 1: was part of how City High was ce you went

1235
01:14:37,160 --> 01:14:41,160
Speaker 1: after what you did for me, I just show gangsters

1236
01:14:41,479 --> 01:14:43,320
Speaker 1: and can I just say for the record, City High

1237
01:14:43,360 --> 01:14:46,360
Speaker 1: if y'all don't know it had a superstar in that group.

1238
01:14:47,760 --> 01:14:51,560
Speaker 1: Claudette was a fucking superstar so much. I had on

1239
01:14:51,680 --> 01:14:55,200
Speaker 1: a record with Jack, but she was I think she

1240
01:14:55,320 --> 01:14:57,000
Speaker 1: was first with one of the guys and then she

1241
01:14:57,080 --> 01:15:02,519
Speaker 1: was with the other guy. It's like, it's just sad.

1242
01:15:02,840 --> 01:15:06,679
Speaker 1: This is like she has babies by this guy. Yeah,

1243
01:15:07,000 --> 01:15:12,960
Speaker 1: but she babies like with the City Highway, not white clown. Wait,

1244
01:15:13,000 --> 01:15:18,160
Speaker 1: what about gett drunk facts? What are we talking about? Exactly?

1245
01:15:18,360 --> 01:15:21,240
Speaker 1: Talking about City Hide And she has kids by one

1246
01:15:21,320 --> 01:15:25,640
Speaker 1: of the guys in the city. I believe she was

1247
01:15:25,680 --> 01:15:29,000
Speaker 1: with one and then she got with the man she

1248
01:15:29,160 --> 01:15:31,240
Speaker 1: was on the record with us. I thought she was

1249
01:15:31,360 --> 01:15:35,840
Speaker 1: like the hottest, sexiest. She could sing. You knew you

1250
01:15:36,000 --> 01:15:40,200
Speaker 1: had one? Yeah, but you inspired that. I'm just saying,

1251
01:15:42,080 --> 01:15:49,879
Speaker 1: you know, positive side this man, positive side, he said, Yeah, inspider,

1252
01:15:49,960 --> 01:15:53,720
Speaker 1: there's no resentation happening right now. I'm still to this day,

1253
01:15:54,320 --> 01:15:57,760
Speaker 1: I talked about her think because she did a let's

1254
01:15:57,800 --> 01:16:00,600
Speaker 1: get this started with rule and she was dope and

1255
01:16:00,680 --> 01:16:03,160
Speaker 1: she was like a man cool chick. And I was like,

1256
01:16:04,720 --> 01:16:07,360
Speaker 1: so all the females out here, this is a message

1257
01:16:07,400 --> 01:16:11,040
Speaker 1: to the females. If you're on the road to success,

1258
01:16:11,439 --> 01:16:16,120
Speaker 1: you relax. Relax, you can have children whenever you want.

1259
01:16:17,200 --> 01:16:22,280
Speaker 1: Let's let's get the money. Let's get that superstar children.

1260
01:16:22,760 --> 01:16:25,680
Speaker 1: Yeah wait, man like she was. She was supposed to

1261
01:16:25,800 --> 01:16:32,080
Speaker 1: be like up dead niggah. She's she was like on

1262
01:16:32,200 --> 01:16:34,240
Speaker 1: the and then she was on the cover of Smooth

1263
01:16:34,400 --> 01:16:37,760
Speaker 1: or what and niggas was drooling like this she was

1264
01:16:37,960 --> 01:16:41,320
Speaker 1: and she was authentically. She came to the studio after

1265
01:16:41,439 --> 01:16:43,920
Speaker 1: she had the kids and I was like wow, like

1266
01:16:44,160 --> 01:16:49,559
Speaker 1: she was a wow superstar. Artists that disappeared after having

1267
01:16:49,600 --> 01:16:52,920
Speaker 1: a hit record with this guy were sucking having the city.

1268
01:16:52,960 --> 01:16:58,559
Speaker 1: I like, yeah, that's what he said. He was inspired

1269
01:16:58,640 --> 01:17:01,320
Speaker 1: by her. She two hens. When you didn't get your

1270
01:17:01,360 --> 01:17:04,200
Speaker 1: executive on, you're supposed to go in there, said and

1271
01:17:04,200 --> 01:17:06,240
Speaker 1: they can put your dick in your motherfucking pains. You're

1272
01:17:06,280 --> 01:17:09,920
Speaker 1: fucking up the business, Nick, but your man tried to

1273
01:17:10,000 --> 01:17:16,120
Speaker 1: do that. We need to tie you, like you know

1274
01:17:16,560 --> 01:17:24,640
Speaker 1: you had this nig like, I'm secured to win. I

1275
01:17:24,920 --> 01:17:41,840
Speaker 1: love forever, like nigga is like that, I'll be one,

1276
01:17:42,080 --> 01:17:44,760
Speaker 1: Like when I'm around, I wanted a shot to you

1277
01:17:44,800 --> 01:17:48,040
Speaker 1: to be the biggest bitch ever. You know what I'm saying,

1278
01:17:48,080 --> 01:17:51,519
Speaker 1: I'll be one, yo, go be the biggest. I want

1279
01:17:51,520 --> 01:17:53,760
Speaker 1: to see it even if you don't stay. And that's

1280
01:17:53,800 --> 01:18:00,120
Speaker 1: just weak. Dig Listen, that's just you get expect. You

1281
01:18:00,160 --> 01:18:05,760
Speaker 1: won't get fucking Angelina Brad you that happens this man.

1282
01:18:06,000 --> 01:18:08,120
Speaker 1: You know the chicks is groupies say, ma theay the

1283
01:18:08,200 --> 01:18:11,599
Speaker 1: hottest chicken on the planet. Here comes mother fucking Derek

1284
01:18:11,680 --> 01:18:18,360
Speaker 1: Jeta or something nigging like it happens so good cure

1285
01:18:18,520 --> 01:18:22,760
Speaker 1: in your own gang stuff. God, bitch you're saying like,

1286
01:18:27,600 --> 01:18:36,720
Speaker 1: like real, ch I'm just for a second, right, I

1287
01:18:37,200 --> 01:18:38,600
Speaker 1: was gonna be there. I had to give you my

1288
01:18:38,760 --> 01:18:42,880
Speaker 1: salute that I definitely wanted you to know that. You

1289
01:18:42,920 --> 01:18:46,559
Speaker 1: know what I mean, boy interpretation, that's not me, nigger.

1290
01:18:47,040 --> 01:18:49,320
Speaker 1: I don't need fucking gonna like this like I don't

1291
01:18:49,360 --> 01:18:59,000
Speaker 1: love I love you too. I'm gonna go with the crowd.

1292
01:18:59,439 --> 01:19:01,360
Speaker 1: Tried to come. I was talking about the other guy.

1293
01:19:01,960 --> 01:19:07,959
Speaker 1: You know, I'm fuking with you. Yeah, And if anyone

1294
01:19:08,479 --> 01:19:11,800
Speaker 1: can sell another twenty million albums. I would put my

1295
01:19:11,880 --> 01:19:14,880
Speaker 1: money on you. Yeah, we just do what generation. Get

1296
01:19:14,960 --> 01:19:17,960
Speaker 1: with that streaming though, right, get with that streaming. That

1297
01:19:18,080 --> 01:19:20,240
Speaker 1: streaming is just like where the kids are moving to.

1298
01:19:20,400 --> 01:19:22,960
Speaker 1: So we as the older folks, make sure we keep

1299
01:19:23,040 --> 01:19:33,120
Speaker 1: up with that culture. Yo. But make this is this

1300
01:19:33,240 --> 01:19:43,000
Speaker 1: is what rising one that week. Yo. Let me tell yourself.

1301
01:19:43,120 --> 01:19:45,840
Speaker 1: That's when I knew Murder Inc. Was the wireless crew

1302
01:19:46,320 --> 01:19:49,120
Speaker 1: on the planet. Like, let me tell yourself one day,

1303
01:19:50,439 --> 01:19:54,519
Speaker 1: I'm not gonna say names like you kept saying that.

1304
01:19:54,840 --> 01:19:58,320
Speaker 1: I think it's no more it is. We're on the

1305
01:19:58,479 --> 01:20:02,960
Speaker 1: road and then it damn. I could do it without

1306
01:20:02,960 --> 01:20:06,439
Speaker 1: saying names. Don't say names. I could do I don't know.

1307
01:20:08,240 --> 01:20:11,040
Speaker 1: So niggas is kicking, you know, maby on the road.

1308
01:20:11,840 --> 01:20:15,680
Speaker 1: He was like, Yo, we did it one time and

1309
01:20:15,800 --> 01:20:20,920
Speaker 1: let's say, yeah, did what we do to eat in

1310
01:20:21,040 --> 01:20:25,360
Speaker 1: the blood. But look these niggas wasn't proud of it.

1311
01:20:25,520 --> 01:20:27,720
Speaker 1: This is why, this is why I can't say any

1312
01:20:29,439 --> 01:20:33,120
Speaker 1: that's like a dirt. Yeah, they said, I said, working

1313
01:20:33,200 --> 01:20:37,479
Speaker 1: because I ain't thinking thinking everything to do it. I

1314
01:20:37,600 --> 01:20:42,240
Speaker 1: just never I was smoking thinking said yeah, we figured

1315
01:20:42,280 --> 01:20:44,559
Speaker 1: we was old. It was already smoking the dirt. Don't

1316
01:20:45,320 --> 01:20:51,719
Speaker 1: this is my niggas, let's try relationships because my nigga's pleasant.

1317
01:20:56,960 --> 01:21:00,200
Speaker 1: I was already when it was over the weed. He's

1318
01:21:00,200 --> 01:21:05,920
Speaker 1: thinking together, was like, that's why the nigga this is

1319
01:21:05,960 --> 01:21:09,840
Speaker 1: like personally, was like they look but they looked at

1320
01:21:09,880 --> 01:21:15,679
Speaker 1: me and said, oh we all felt guilty. Yeah, away

1321
01:21:16,760 --> 01:21:21,919
Speaker 1: this smell and I think it's was like, oh the guilty.

1322
01:21:22,920 --> 01:21:25,799
Speaker 1: But let me tell you something. Oh my god murdered

1323
01:21:25,840 --> 01:21:29,679
Speaker 1: in days. You guys brought fun back to hip hop?

1324
01:21:29,920 --> 01:21:36,080
Speaker 1: You guys? Yeah yeah, holding down. You guys brought fun

1325
01:21:36,160 --> 01:21:38,280
Speaker 1: back to hip hop? How did that fail? They don't

1326
01:21:38,280 --> 01:21:42,040
Speaker 1: want your own whole blunt right? Yeah? Yeah, I think

1327
01:21:42,080 --> 01:21:45,320
Speaker 1: he's ready to smoke whatever you give him, right Dad,

1328
01:21:45,520 --> 01:21:50,640
Speaker 1: this is like fucking you know they're fucking So we

1329
01:21:50,840 --> 01:21:57,479
Speaker 1: was driving a blast and what was so good is man,

1330
01:21:57,600 --> 01:22:00,840
Speaker 1: we was We was with the people, you know what

1331
01:22:00,840 --> 01:22:05,799
Speaker 1: I'm saying. So just just just when when the backlash happened,

1332
01:22:06,760 --> 01:22:09,400
Speaker 1: it did it hurt me because I'm a people person.

1333
01:22:10,040 --> 01:22:15,439
Speaker 1: You see how coming here are your fans knew that

1334
01:22:15,680 --> 01:22:18,920
Speaker 1: let me tell you something your fans requested. You'll be

1335
01:22:19,040 --> 01:22:23,200
Speaker 1: on him like you just want to like keep my

1336
01:22:23,280 --> 01:22:27,280
Speaker 1: phone immediately you gotta because so I keep it real.

1337
01:22:28,000 --> 01:22:30,479
Speaker 1: I keep it real. But but it's not only that,

1338
01:22:30,680 --> 01:22:34,400
Speaker 1: it's that you're CEO, that CEO type of style, like

1339
01:22:34,760 --> 01:22:38,559
Speaker 1: don't you got some new artists too? Right? And let's ceo.

1340
01:22:38,720 --> 01:22:40,120
Speaker 1: Let me let me tell you, let me tell you

1341
01:22:41,040 --> 01:22:44,720
Speaker 1: it hurt because man murdering. We gave so much love

1342
01:22:44,800 --> 01:22:46,400
Speaker 1: to the people. When you look at I cry. We

1343
01:22:46,560 --> 01:22:50,479
Speaker 1: was in Cherry Hill and bollamore you. We was going

1344
01:22:50,560 --> 01:22:54,439
Speaker 1: to the fucking hood l a nigga. We had swapped meets,

1345
01:22:54,479 --> 01:22:58,759
Speaker 1: we had motherfucking we didn't think. We didn't hud gang bangs,

1346
01:22:58,800 --> 01:23:00,800
Speaker 1: everything like that, just giving love and thing. You just

1347
01:23:00,880 --> 01:23:03,240
Speaker 1: want some cool ship and I don't know tough ship

1348
01:23:03,439 --> 01:23:06,760
Speaker 1: or anything like that, just some cool ship. Niked. It's

1349
01:23:06,800 --> 01:23:08,920
Speaker 1: just that we we we didn't really have no fear.

1350
01:23:09,600 --> 01:23:12,479
Speaker 1: But I'm a person, I don't really I'm fear. So

1351
01:23:12,600 --> 01:23:15,000
Speaker 1: we we go to the hoods. We touched the town.

1352
01:23:15,120 --> 01:23:18,280
Speaker 1: We used to touch the town. You know what I'm saying,

1353
01:23:18,439 --> 01:23:20,519
Speaker 1: funk with the hood rats and Nige like you come

1354
01:23:20,560 --> 01:23:23,840
Speaker 1: on soon, let show you something. So what happened? So

1355
01:23:25,400 --> 01:23:27,479
Speaker 1: what happened when when these guys were bought to side

1356
01:23:27,640 --> 01:23:30,519
Speaker 1: nives what was What was that? And that was in

1357
01:23:30,560 --> 01:23:33,640
Speaker 1: the midst of the turmoil too, because what was that

1358
01:23:33,880 --> 01:23:35,720
Speaker 1: he was missing the turmoil with him and j Too.

1359
01:23:36,160 --> 01:23:43,560
Speaker 1: That was before after Super Ugly. I forget, it was

1360
01:23:43,640 --> 01:23:47,719
Speaker 1: after Okay, you ain't got a smoke, Like if we relaxed, Yo, Yo, relaxed.

1361
01:23:47,760 --> 01:23:49,200
Speaker 1: You know what you're saying that I want to show up.

1362
01:23:49,200 --> 01:23:51,000
Speaker 1: It's in a big shout out of telling my nigga

1363
01:23:51,120 --> 01:23:53,800
Speaker 1: be y'all. Remember it makes me think it's spake g

1364
01:23:54,800 --> 01:24:00,760
Speaker 1: You know what spake? Spake for the price is a

1365
01:24:00,800 --> 01:24:02,920
Speaker 1: wrapped the legend from the fucking south Side. Think it

1366
01:24:03,000 --> 01:24:06,200
Speaker 1: was Grandmaster vickis feng Gee. It used to be like, Yo, Yo,

1367
01:24:06,400 --> 01:24:12,000
Speaker 1: just relax, word Yo, just bring him a lot. Nig

1368
01:24:12,080 --> 01:24:17,880
Speaker 1: gonna bring spake and nick nigga. Yeah, niggers will go insane.

1369
01:24:18,040 --> 01:24:20,880
Speaker 1: Think I love, Yeah, I love No one does little

1370
01:24:21,160 --> 01:24:24,800
Speaker 1: Too like nigga. We're not doing your pre team movie

1371
01:24:24,880 --> 01:24:38,720
Speaker 1: or the nigga I want to go, dude, nigga, na

1372
01:24:40,960 --> 01:24:45,639
Speaker 1: spec Spake was like the biggest MC nigga I'm holding

1373
01:24:45,680 --> 01:24:48,200
Speaker 1: than you don't. Yeah, before we forget, we gotta shout

1374
01:24:48,200 --> 01:24:53,479
Speaker 1: out big teacher about food. Yeah, we gotta start teach.

1375
01:24:53,720 --> 01:24:55,640
Speaker 1: You finished the whole. You like the whole on not

1376
01:24:56,240 --> 01:24:58,080
Speaker 1: some neck, you know what I mean? You know you

1377
01:24:58,120 --> 01:25:01,160
Speaker 1: don't know what pop Daddy, pop Daddy came here? What

1378
01:25:01,320 --> 01:25:03,960
Speaker 1: the Jeffrey? My brother, you got that Jeffrey. We're never

1379
01:25:04,000 --> 01:25:07,080
Speaker 1: doing that again. Hey, Hey, you know what Jaman the

1380
01:25:07,120 --> 01:25:10,920
Speaker 1: free win in. Hey, we just got Puff is serious?

1381
01:25:11,640 --> 01:25:18,480
Speaker 1: My brother. I love Puff? He could do drugs. Whoaf

1382
01:25:19,960 --> 01:25:26,679
Speaker 1: just I'm sorry people drum drunk. I'm sorry, but oh yeah,

1383
01:25:26,720 --> 01:25:28,400
Speaker 1: I don't don't hear that. Hit me with the Jeffrey

1384
01:25:28,479 --> 01:25:32,880
Speaker 1: one time. I was nig Jeffy. That Jeffer ship is real.

1385
01:25:33,560 --> 01:25:35,880
Speaker 1: That Jeffrey ship is real. So it's already out there.

1386
01:25:36,200 --> 01:25:38,960
Speaker 1: I don't nigga. I smoked with Puff. I was like,

1387
01:25:39,200 --> 01:25:42,040
Speaker 1: it's a smoke. Me and my bitch. We're seeing things, Nigga,

1388
01:25:42,360 --> 01:25:48,599
Speaker 1: we're seeing things. Nigga's a word more. You keep seeing

1389
01:25:48,680 --> 01:25:55,160
Speaker 1: hit us with Jeffrey. That's all good, buff What you

1390
01:25:55,240 --> 01:25:57,920
Speaker 1: can hit me with the Jeffrey, it's all good. Budding

1391
01:25:58,080 --> 01:26:01,680
Speaker 1: wet he finished the nas thing you saying, because that

1392
01:26:01,800 --> 01:26:03,639
Speaker 1: was an interesting a right, let me just tell you something.

1393
01:26:03,920 --> 01:26:06,920
Speaker 1: It was an interesting period in that in that time

1394
01:26:07,000 --> 01:26:12,680
Speaker 1: moment because I remember, let's just shot glass. Okay, you

1395
01:26:13,000 --> 01:26:17,960
Speaker 1: already your experience. Remind me to go back to nip.

1396
01:26:18,120 --> 01:26:20,920
Speaker 1: Please don't let me drink that. Let you hand it on.

1397
01:26:22,200 --> 01:26:25,920
Speaker 1: Keep keep asking a watch that. Watch that out somebody

1398
01:26:26,000 --> 01:26:28,800
Speaker 1: for the rec I love NAS and I love I

1399
01:26:28,880 --> 01:26:32,320
Speaker 1: love Jungle even more. You know that's my brother John was.

1400
01:26:32,479 --> 01:26:35,280
Speaker 1: Everyone loves John if you know you know Juggle, How

1401
01:26:35,320 --> 01:26:40,000
Speaker 1: could you not love Juggle? So damn, my boss, you

1402
01:26:40,000 --> 01:26:43,519
Speaker 1: ain't saying that. Come on, you niggas, got what's the

1403
01:26:43,600 --> 01:26:46,680
Speaker 1: NAS question? There? We got this because it was an

1404
01:26:46,720 --> 01:26:51,439
Speaker 1: interesting time. Because I don't like that time. Why I

1405
01:26:51,479 --> 01:26:55,000
Speaker 1: should have never funked with nots not because he's he

1406
01:26:55,160 --> 01:26:58,640
Speaker 1: is in my brother, because Jay, I've known j what

1407
01:26:58,720 --> 01:27:05,439
Speaker 1: people don't realize. I'm gonna be man, But people don't

1408
01:27:05,479 --> 01:27:11,320
Speaker 1: realize I've known Jason's seven. I went to London with

1409
01:27:11,439 --> 01:27:15,120
Speaker 1: him and Jazz when I was seventeen years old. It's

1410
01:27:15,160 --> 01:27:18,160
Speaker 1: two thousand and seventeen. Me and jay z is thirty

1411
01:27:18,240 --> 01:27:21,800
Speaker 1: years and fuck the music, fuck the money like I

1412
01:27:21,880 --> 01:27:27,439
Speaker 1: love Jay, that's my brother. I made super ugly NAS

1413
01:27:27,520 --> 01:27:32,760
Speaker 1: dropped ether everyone was ether it out. You know. Rockefeller

1414
01:27:33,200 --> 01:27:38,439
Speaker 1: Rockefeller murder rink was right next to each other. JA

1415
01:27:38,600 --> 01:27:41,200
Speaker 1: was in my office a lot. But what if let's

1416
01:27:41,240 --> 01:27:46,599
Speaker 1: just say it, like, what was that should called? Hypothetically speaking, Okay,

1417
01:27:46,720 --> 01:27:50,960
Speaker 1: let's let's go into high school. Let's go into hypothetical world.

1418
01:27:51,120 --> 01:27:57,840
Speaker 1: Hypothetically NAS would have went full through wood it it

1419
01:27:57,880 --> 01:28:00,519
Speaker 1: would have been Was it closed? Because the the news

1420
01:28:00,680 --> 01:28:03,920
Speaker 1: was would have been immortal? Because how like like, how

1421
01:28:04,040 --> 01:28:06,760
Speaker 1: could there have been more? It wasn't gonna happened? Was

1422
01:28:06,800 --> 01:28:08,880
Speaker 1: it close to happen? Let me tell you why I wasn't. Yes,

1423
01:28:09,200 --> 01:28:12,040
Speaker 1: fucking nigga. You didn't hear that nigga in the plane?

1424
01:28:12,479 --> 01:28:14,519
Speaker 1: He said, first it was me, Now it was nigger.

1425
01:28:15,560 --> 01:28:19,360
Speaker 1: It's murder nigga, he said that, not me. I'm not

1426
01:28:19,479 --> 01:28:24,000
Speaker 1: a fucking ventrilo quis. If I was, I would have

1427
01:28:24,080 --> 01:28:31,320
Speaker 1: been spitting more. But I understand. Just think about it

1428
01:28:31,360 --> 01:28:34,720
Speaker 1: for one second. The reason why I zoned and my

1429
01:28:34,840 --> 01:28:37,360
Speaker 1: ambition took over me when he shouldn't have, because I

1430
01:28:37,400 --> 01:28:40,840
Speaker 1: should have thought of my brother Jay. So for the record,

1431
01:28:40,880 --> 01:28:43,960
Speaker 1: I'm a fool for doing this. This is one of

1432
01:28:44,040 --> 01:28:49,880
Speaker 1: the biggest regrets of my life. Recause of that moment

1433
01:28:50,600 --> 01:28:54,040
Speaker 1: is my brother I made super ugly nigga. I was

1434
01:28:54,080 --> 01:28:56,360
Speaker 1: in the studio and I said, Jay, say my name nigga,

1435
01:28:56,360 --> 01:28:58,720
Speaker 1: because that nigga said my name in Etha. Let him

1436
01:28:58,720 --> 01:29:01,280
Speaker 1: know where it's gonna come for if he comes, nigger.

1437
01:29:03,000 --> 01:29:09,160
Speaker 1: But then how did that energy shift? Steve stout, Steve

1438
01:29:09,240 --> 01:29:15,360
Speaker 1: stops behind a lot of ships. Good word devil. Now,

1439
01:29:15,640 --> 01:29:20,840
Speaker 1: let us stop, I said, let us y'all, let me stop. Hey, hey,

1440
01:29:20,920 --> 01:29:22,640
Speaker 1: don that it. But Steve. Steve is like one of

1441
01:29:22,720 --> 01:29:24,880
Speaker 1: my best friends. We talked all the time. But he's

1442
01:29:24,880 --> 01:29:29,040
Speaker 1: a puppet master and he puppet mastered that because he

1443
01:29:29,160 --> 01:29:31,080
Speaker 1: called me and he said, Joe Nas wants to funk

1444
01:29:31,120 --> 01:29:33,880
Speaker 1: with you thinking about coming to murder ring what you're

1445
01:29:33,920 --> 01:29:38,000
Speaker 1: thinking about. That's what I'm saying hypothetical because we never

1446
01:29:38,080 --> 01:29:41,439
Speaker 1: him like if he would have fully done with like

1447
01:29:41,600 --> 01:29:43,240
Speaker 1: it would have been, it would have been. It would

1448
01:29:43,280 --> 01:29:47,559
Speaker 1: have been huge. And let me explain exactly why, because

1449
01:29:47,680 --> 01:29:52,040
Speaker 1: Nas embodies what j'all rule did not embody, so it

1450
01:29:52,080 --> 01:29:56,880
Speaker 1: would have been balanced. Let me explain, j'all rule was

1451
01:29:57,000 --> 01:30:01,360
Speaker 1: the he's makes the female the big records and everything

1452
01:30:01,479 --> 01:30:04,400
Speaker 1: like that. So we didn't have the foundation with niggers.

1453
01:30:05,160 --> 01:30:09,640
Speaker 1: That's what made the opposition to come in and and

1454
01:30:09,840 --> 01:30:14,479
Speaker 1: fucking damnag just because we had no foundation with niggas

1455
01:30:14,600 --> 01:30:16,680
Speaker 1: from the street, because we was every little thing that

1456
01:30:16,840 --> 01:30:20,320
Speaker 1: we do, not saying, hold my whole career on the street,

1457
01:30:20,400 --> 01:30:26,639
Speaker 1: it's not really that good say that. No, listen, listen

1458
01:30:26,840 --> 01:30:31,000
Speaker 1: saying that you show in the early nigger out is

1459
01:30:33,120 --> 01:30:38,760
Speaker 1: not one still here, bros, you're still here. What I'm

1460
01:30:38,800 --> 01:30:44,840
Speaker 1: say that foundation is the foundation is real. So what

1461
01:30:44,920 --> 01:30:50,000
Speaker 1: I'm saying is with the combination, speaking hypothetically, what made

1462
01:30:50,120 --> 01:30:56,400
Speaker 1: my emotions flow because nas embodied the exact opposite of

1463
01:30:56,520 --> 01:31:03,479
Speaker 1: what ruling body niggas in the streets worship. That nigga.

1464
01:31:04,640 --> 01:31:08,439
Speaker 1: Oh and he gonna say it's murder right, and we're

1465
01:31:08,479 --> 01:31:11,880
Speaker 1: gonna combine that tool that my friend is the best

1466
01:31:11,920 --> 01:31:15,120
Speaker 1: of both worlds. So now it would have been an onslaught.

1467
01:31:15,680 --> 01:31:18,240
Speaker 1: It would have been an onslaught of records, both of

1468
01:31:18,360 --> 01:31:20,560
Speaker 1: the street because if you listen to rules records, we

1469
01:31:20,640 --> 01:31:23,080
Speaker 1: got street records. He's just that niggas didn't embrace those

1470
01:31:23,080 --> 01:31:27,519
Speaker 1: because they wasn't the singles. I went with fucking the

1471
01:31:27,600 --> 01:31:34,000
Speaker 1: big records, du dual Stevie, I'm thinking top forty, that's all.

1472
01:31:34,120 --> 01:31:36,120
Speaker 1: You know what I'm saying, I'm thinking multip format. I'm

1473
01:31:36,160 --> 01:31:39,320
Speaker 1: like just gonna play urban, it's gonna play rhythm, and

1474
01:31:39,400 --> 01:31:42,799
Speaker 1: it's gonna play top forty. Who produces number one records.

1475
01:31:42,920 --> 01:31:45,240
Speaker 1: Niggas usaid, fucking come to me and say, Gotti, Gotti

1476
01:31:45,520 --> 01:31:47,240
Speaker 1: my record number three. I said yeah, And they're going

1477
01:31:47,280 --> 01:31:48,679
Speaker 1: to R and B charts and then get the funk

1478
01:31:48,720 --> 01:31:53,000
Speaker 1: away from me. Nigga, I don't even look at those charts.

1479
01:31:56,360 --> 01:31:59,120
Speaker 1: I might be honest, I don't live those. I haven't

1480
01:31:59,120 --> 01:32:02,200
Speaker 1: seen the army and the pump charts. Fucking ages, nigga,

1481
01:32:02,400 --> 01:32:04,360
Speaker 1: let's pull up the hot one hundred. You see fucking

1482
01:32:04,439 --> 01:32:08,479
Speaker 1: twenty damn it ten records, that's where I play. That's

1483
01:32:08,479 --> 01:32:11,519
Speaker 1: where that money is at. Nigga. We're gonna get that money. Nigga.

1484
01:32:11,720 --> 01:32:13,559
Speaker 1: We're gonna get that money because you know when you're

1485
01:32:13,600 --> 01:32:15,960
Speaker 1: playing that and it teaches you the audience. So it'll

1486
01:32:15,960 --> 01:32:18,479
Speaker 1: be like this this week, your record got a hundred

1487
01:32:18,520 --> 01:32:20,800
Speaker 1: million in audience. So it's the game. It's a number game.

1488
01:32:20,960 --> 01:32:23,839
Speaker 1: It's a hundred million. Niggas hurt my ship. It's more chances,

1489
01:32:23,840 --> 01:32:27,759
Speaker 1: and I'm gonna sell more than you, motherfucker. I'm talking

1490
01:32:27,800 --> 01:32:30,760
Speaker 1: too much, be drinking. You gotta be my nigga, my

1491
01:32:30,880 --> 01:32:34,720
Speaker 1: nigga script advisor. You don't see Richard Pryor because his

1492
01:32:34,800 --> 01:32:37,080
Speaker 1: nigg you know, I got me drunk and high, so

1493
01:32:37,200 --> 01:32:45,200
Speaker 1: fuckinger came here to do it just to bless it.

1494
01:32:45,320 --> 01:32:48,280
Speaker 1: But listen, you don't see Richard Pryor when the on

1495
01:32:48,360 --> 01:32:51,679
Speaker 1: showtime it's it's called thing he had like well anyway,

1496
01:32:51,720 --> 01:32:54,559
Speaker 1: he had like an NBC show that was like Dave Chappelle,

1497
01:32:55,000 --> 01:32:58,800
Speaker 1: which I'll watch because I said, damn, everything is Dave

1498
01:32:58,880 --> 01:33:00,920
Speaker 1: the Chappelle shows, like the rich Your Prize show. He

1499
01:33:01,000 --> 01:33:04,760
Speaker 1: walked away from it because it was what was called no,

1500
01:33:05,000 --> 01:33:09,519
Speaker 1: that wasn't the thing sketch. I didn't want him to

1501
01:33:09,600 --> 01:33:12,160
Speaker 1: do it, and he had and he had a niggad

1502
01:33:12,640 --> 01:33:16,080
Speaker 1: that was his nigga script supervisor. So they said when

1503
01:33:16,120 --> 01:33:18,080
Speaker 1: they would go through jokes, he would looking at his

1504
01:33:18,200 --> 01:33:21,320
Speaker 1: nigga script supervisor, and his nigga script supervisor would go

1505
01:33:23,560 --> 01:33:27,040
Speaker 1: and give it. So it's like I wrout my mouth

1506
01:33:27,160 --> 01:33:29,760
Speaker 1: if everyone knows I'll say some ship that's truthful, but

1507
01:33:29,880 --> 01:33:32,240
Speaker 1: that I shouldn't have said. So VJ is like my

1508
01:33:32,320 --> 01:33:35,400
Speaker 1: nigga is script advising. So when I'm talking looking at him,

1509
01:33:35,640 --> 01:33:37,519
Speaker 1: and he would just be like, first off, let's bring

1510
01:33:37,640 --> 01:33:41,839
Speaker 1: b J over. Came b J come over for the record.

1511
01:33:42,200 --> 01:33:47,680
Speaker 1: Bj BJ is like BJ got forest and let me

1512
01:33:47,760 --> 01:33:50,400
Speaker 1: tell you something. Everything that ever happened in big moment

1513
01:33:50,439 --> 01:33:53,599
Speaker 1: and something this nigga been man ship. Let me tell

1514
01:33:53,640 --> 01:33:57,040
Speaker 1: you something. When it comes to Queen's and it comes

1515
01:33:57,120 --> 01:34:00,560
Speaker 1: to South Jamaica. I used to see this thinking it

1516
01:34:00,640 --> 01:34:03,880
Speaker 1: used to be a Turkey Burger spot and this is

1517
01:34:04,040 --> 01:34:06,400
Speaker 1: dangerous to go there. The Muslim wait wait, wait, the

1518
01:34:06,439 --> 01:34:10,120
Speaker 1: musther spot. Steaking tape, steaking tape, Linden. It was. It

1519
01:34:10,200 --> 01:34:12,000
Speaker 1: was like it was the all version of Willie Burgers

1520
01:34:12,000 --> 01:34:16,200
Speaker 1: that in my mind maybe steak tape. Maybe I'm nigga.

1521
01:34:16,200 --> 01:34:19,920
Speaker 1: We was just sneaking. Take a day, nigga uptown style, motherfucker,

1522
01:34:20,120 --> 01:34:22,920
Speaker 1: chop that ship up, nigger being there. We were being

1523
01:34:23,000 --> 01:34:28,560
Speaker 1: there every day, heavy, heavy that ship up. And that

1524
01:34:28,760 --> 01:34:31,759
Speaker 1: was like that was like something you talk about steaking tape.

1525
01:34:31,920 --> 01:34:35,360
Speaker 1: That was like supreme tea, Like that was the spot.

1526
01:34:36,560 --> 01:34:39,479
Speaker 1: It was great food, but it's a great food, but

1527
01:34:39,720 --> 01:34:42,120
Speaker 1: yeah it was. You can get shot the great food,

1528
01:34:42,240 --> 01:34:46,320
Speaker 1: but that's what you're talking about. It like it was

1529
01:34:46,400 --> 01:34:50,439
Speaker 1: like its window when you went there, like, hey, if

1530
01:34:50,439 --> 01:34:57,880
Speaker 1: you're there, everyone seeing listen, come on you wanta come

1531
01:34:57,920 --> 01:35:04,320
Speaker 1: on beating shade. Come on, my nigger, my biggest stream.

1532
01:35:04,640 --> 01:35:07,680
Speaker 1: He came over for the week. It wasn't for we

1533
01:35:07,960 --> 01:35:12,759
Speaker 1: nigga what money, she said, They came for the base.

1534
01:35:14,960 --> 01:35:23,439
Speaker 1: They came for the money. He's sunny, came for the base.

1535
01:35:26,120 --> 01:35:29,360
Speaker 1: This is literally say something. This is my fans. Got it, everyone,

1536
01:35:29,800 --> 01:35:39,360
Speaker 1: I'm fucked this beautiful. That's January. I'm literally really fun

1537
01:35:44,880 --> 01:35:47,720
Speaker 1: already fucked up. This is why I love. This is

1538
01:35:47,760 --> 01:35:49,560
Speaker 1: why I love drink chants, because you know what it

1539
01:35:49,760 --> 01:35:54,760
Speaker 1: is smart artists, artist smart, let me get it. He's

1540
01:35:54,800 --> 01:35:56,679
Speaker 1: fucked up. And then he because you're a real little

1541
01:35:56,720 --> 01:35:59,240
Speaker 1: Judis guy. Know god, you know who else you spot

1542
01:35:59,320 --> 01:36:03,320
Speaker 1: that guy Cray who does the karaoke ship because he

1543
01:36:03,720 --> 01:36:06,519
Speaker 1: remember you had a chair up. No, listen, this is

1544
01:36:06,720 --> 01:36:09,600
Speaker 1: this is my he he had niggas in there that

1545
01:36:09,720 --> 01:36:12,479
Speaker 1: say carry over. Then he said, yo, who's that? Was

1546
01:36:12,520 --> 01:36:15,519
Speaker 1: that just such a such a texture? Yeah, and they

1547
01:36:15,880 --> 01:36:18,519
Speaker 1: never would have didnt that on the couch. Let's since

1548
01:36:18,560 --> 01:36:26,240
Speaker 1: they like singing songs, they'll say some detrimental. Ship said, yo,

1549
01:36:26,560 --> 01:36:30,280
Speaker 1: he's like niggas like forties and months, right, so they

1550
01:36:30,560 --> 01:36:33,559
Speaker 1: just foughties and buns and it wasn't gonna happen. Yeah,

1551
01:36:36,439 --> 01:36:42,280
Speaker 1: I doggy stop, nigga, Doggy stop talking like, no man

1552
01:36:42,439 --> 01:36:45,360
Speaker 1: gonna say, will Barry hold that your own? Will Barry

1553
01:36:45,439 --> 01:36:50,679
Speaker 1: stop yellow, I'll just put your niggas on well, batter

1554
01:36:50,840 --> 01:36:55,000
Speaker 1: your things to check. He would never get that it does.

1555
01:36:55,080 --> 01:37:05,679
Speaker 1: I was sucked up. But you know what, I'm realizing

1556
01:37:05,720 --> 01:37:12,840
Speaker 1: the dream champs good that always liked the CEO saying,

1557
01:37:12,960 --> 01:37:17,840
Speaker 1: the CEOs go in the most like you like, I

1558
01:37:17,920 --> 01:37:20,080
Speaker 1: can just tell this is this, this kind of little

1559
01:37:20,200 --> 01:37:22,120
Speaker 1: is going to the roof, right, I'm just saying, what

1560
01:37:22,600 --> 01:37:26,960
Speaker 1: think about it? It's always he says, here is a smoke.

1561
01:37:27,479 --> 01:37:31,240
Speaker 1: You don't smoke. You don't smoke, br B, you smoke

1562
01:37:31,960 --> 01:37:35,560
Speaker 1: you So listen, what's the best error in hip hopes

1563
01:37:36,280 --> 01:37:41,120
Speaker 1: without films? We're using money talking about it. You know what,

1564
01:37:41,200 --> 01:37:43,360
Speaker 1: I can't really I can't really say we was getting

1565
01:37:43,400 --> 01:37:45,360
Speaker 1: the most money. I'm saying because I think you remind

1566
01:37:45,400 --> 01:37:52,160
Speaker 1: the money. I think money take away the signs for

1567
01:37:52,280 --> 01:37:56,080
Speaker 1: the coach and we're not. We're not ding. You're not

1568
01:37:56,200 --> 01:37:59,120
Speaker 1: not gonna be What do you want to base it

1569
01:37:59,160 --> 01:38:04,560
Speaker 1: on them maybe yeah, period. Yeah, it doesn't have to

1570
01:38:04,600 --> 01:38:07,360
Speaker 1: be within the decade. They could be eighty five to

1571
01:38:07,479 --> 01:38:11,920
Speaker 1: ninety five run. It could be a run when the

1572
01:38:12,040 --> 01:38:15,439
Speaker 1: nas I won't drop him many four, I believe. No,

1573
01:38:16,120 --> 01:38:20,880
Speaker 1: come on you yeah, come on, get your Google. But

1574
01:38:21,120 --> 01:38:27,439
Speaker 1: it's ninety four four, ninety four, two thousand four vote.

1575
01:38:27,479 --> 01:38:32,560
Speaker 1: We're gonna put the nice changed it? Yeah, yeah, not

1576
01:38:32,880 --> 01:38:35,760
Speaker 1: changed it straight out the fucking dungeons rat get his

1577
01:38:35,880 --> 01:38:37,960
Speaker 1: dad album to this day, you put it in, it's

1578
01:38:38,040 --> 01:38:40,160
Speaker 1: like the ship, but you're gonna take away from the

1579
01:38:40,640 --> 01:38:43,240
Speaker 1: confident ship. No, I'm not changed. I'm just saying that

1580
01:38:43,400 --> 01:38:47,320
Speaker 1: was that. I'm gonna take credit for being in my hood.

1581
01:38:47,640 --> 01:38:50,360
Speaker 1: I was the first thing to play fucking n Way

1582
01:38:50,439 --> 01:38:52,479
Speaker 1: and put Nicks on it, that ship, And I thought

1583
01:38:52,520 --> 01:38:55,080
Speaker 1: them nigs divorced niggers. They're like Goddy, what you're playing.

1584
01:38:55,120 --> 01:38:58,200
Speaker 1: I'm like nigga wa. These niggas the thing that was monumental.

1585
01:38:58,280 --> 01:39:00,479
Speaker 1: Then you add to that. Yeah, but they came like

1586
01:39:03,640 --> 01:39:05,880
Speaker 1: behind I believe, all right, So I would I would

1587
01:39:05,920 --> 01:39:09,280
Speaker 1: give them an honorable mentioned include them because they changed it, right,

1588
01:39:10,640 --> 01:39:12,880
Speaker 1: they changed it, but not what mean you would think.

1589
01:39:12,920 --> 01:39:17,160
Speaker 1: But nasmen that especially queens nigger. Yeah, no, I know

1590
01:39:17,240 --> 01:39:19,519
Speaker 1: what you mean. Like, but that's what I'm saying. Decade

1591
01:39:19,600 --> 01:39:21,960
Speaker 1: like we give it a decade, goes on, Yeah, it

1592
01:39:22,000 --> 01:39:24,799
Speaker 1: goes on in a decade, like I got favorite runs

1593
01:39:24,960 --> 01:39:27,479
Speaker 1: like I got I got like as a fan, I

1594
01:39:27,600 --> 01:39:31,320
Speaker 1: love the Death Row. Ever death Row is loved as

1595
01:39:31,360 --> 01:39:33,600
Speaker 1: a fan. Now you three four and ain't three? I

1596
01:39:33,680 --> 01:39:36,080
Speaker 1: think as well as a fan. I love the murder,

1597
01:39:37,479 --> 01:39:41,560
Speaker 1: I love I love the man. I love that. What

1598
01:39:41,640 --> 01:39:48,599
Speaker 1: about useless google the same eighties? Well that's a that's

1599
01:39:48,600 --> 01:39:52,840
Speaker 1: what we're talking about. To me, all right, to me,

1600
01:39:53,280 --> 01:39:54,920
Speaker 1: you let me tell you, to me and you hit

1601
01:39:54,960 --> 01:39:56,640
Speaker 1: the let me tell you, let me tell you how

1602
01:39:56,680 --> 01:39:58,680
Speaker 1: you know. Well, I'm forty years old right now. Let

1603
01:39:58,720 --> 01:40:01,160
Speaker 1: me not act like I'm on what he's seven forty?

1604
01:40:01,880 --> 01:40:05,120
Speaker 1: Sell you out there. When I first heard straight out

1605
01:40:05,160 --> 01:40:13,880
Speaker 1: of my girl respect, I don't know if I don't

1606
01:40:13,880 --> 01:40:15,519
Speaker 1: know if it's the right thing in the wrong thing,

1607
01:40:15,640 --> 01:40:19,880
Speaker 1: but it feels just go hey man, going by hey man,

1608
01:40:20,800 --> 01:40:25,719
Speaker 1: what would you say saying I forgot man? He's talking

1609
01:40:25,720 --> 01:40:31,040
Speaker 1: about the era. The era like sometimes when a young

1610
01:40:31,160 --> 01:40:33,840
Speaker 1: dude says, yo, you know, they don't look up to

1611
01:40:33,960 --> 01:40:37,280
Speaker 1: this to the It's just like I never really fight.

1612
01:40:37,400 --> 01:40:39,680
Speaker 1: I've never seen Ali fight live. Mamma wanted to set

1613
01:40:39,720 --> 01:40:42,799
Speaker 1: Muhammad Ali, but you respect, I expect him my winning.

1614
01:40:43,280 --> 01:40:45,120
Speaker 1: I wanted to watch the boy. Do you expect it

1615
01:40:45,320 --> 01:40:52,000
Speaker 1: because people were telling you yet we see like I've

1616
01:40:52,040 --> 01:40:55,960
Speaker 1: seen it, but some people you respected, the ogs were

1617
01:40:56,000 --> 01:40:58,160
Speaker 1: handing down saying this was the guy. That's what I think.

1618
01:40:58,240 --> 01:41:00,720
Speaker 1: That happened in hip hop as well. Just but at

1619
01:41:00,760 --> 01:41:03,240
Speaker 1: the end of the record, that's what I say. So

1620
01:41:03,479 --> 01:41:06,000
Speaker 1: I believe Mohammed He's probably the greatest all the time.

1621
01:41:06,040 --> 01:41:08,840
Speaker 1: But if I think Floyd Mayweather, I say Floyda is

1622
01:41:08,880 --> 01:41:12,360
Speaker 1: the greatest all the time. It's because I seek every

1623
01:41:12,520 --> 01:41:16,639
Speaker 1: single fight of Floyd's. I watched Mohammed I least ship

1624
01:41:16,760 --> 01:41:19,800
Speaker 1: on repeat. But I don't think that's the only reason. Bro. No,

1625
01:41:19,880 --> 01:41:22,880
Speaker 1: I'm just saying. That's what I'm saying. I Floyd ain't

1626
01:41:23,000 --> 01:41:26,240
Speaker 1: fucking I leave. You don't even normal because I leave

1627
01:41:26,280 --> 01:41:28,680
Speaker 1: is the goat. No, I got what you're saying that.

1628
01:41:29,200 --> 01:41:33,120
Speaker 1: But the point I'm trying to make it what everything

1629
01:41:33,240 --> 01:41:35,840
Speaker 1: that that man did and what he embodied that maga

1630
01:41:36,040 --> 01:41:39,240
Speaker 1: is the goat. How to make it is these new kids.

1631
01:41:39,400 --> 01:41:42,439
Speaker 1: They'll say, fucking else said soldier boy is the greatest

1632
01:41:42,479 --> 01:41:45,360
Speaker 1: all the time? Or they'll say you know what I mean, Uh,

1633
01:41:46,479 --> 01:41:49,080
Speaker 1: who's who's like as at Rocky All. They'll say that's

1634
01:41:49,080 --> 01:41:51,760
Speaker 1: somebody that's you know, relatively new and they're like, they're

1635
01:41:51,840 --> 01:41:53,720
Speaker 1: the greatest all the time. The reason why they're saying

1636
01:41:53,760 --> 01:41:56,559
Speaker 1: that is because they're seeing them perform in real time,

1637
01:41:56,960 --> 01:41:59,600
Speaker 1: as opposed to saying biggie all. But I don't know,

1638
01:42:00,800 --> 01:42:03,200
Speaker 1: I don't know that I'm gonna see. What I believe

1639
01:42:03,320 --> 01:42:06,839
Speaker 1: is that that we stopped having olds in the culture.

1640
01:42:07,160 --> 01:42:09,960
Speaker 1: This is what I believe. And then when when you

1641
01:42:10,040 --> 01:42:12,400
Speaker 1: stop having old gs, there starts to become a breakdown

1642
01:42:12,840 --> 01:42:15,680
Speaker 1: and who's telling you what is dope or what is

1643
01:42:15,920 --> 01:42:18,920
Speaker 1: the way you should operate? And then when that breakdown

1644
01:42:18,960 --> 01:42:21,240
Speaker 1: starts happening, then the young people have to put it

1645
01:42:21,320 --> 01:42:26,680
Speaker 1: together for themselves. Yeah, but here's the thing. Who was

1646
01:42:26,760 --> 01:42:30,400
Speaker 1: doing the same ship we using and we use the

1647
01:42:30,439 --> 01:42:35,680
Speaker 1: new names. You know what I'm saying, like they're a

1648
01:42:35,760 --> 01:42:40,720
Speaker 1: little bit more disrespectful though they all new gen is

1649
01:42:40,720 --> 01:42:43,720
Speaker 1: a little bit more because when I hear them talk

1650
01:42:43,760 --> 01:42:47,920
Speaker 1: about big Opoe or Nas or whatever and downplay them.

1651
01:42:48,640 --> 01:42:52,320
Speaker 1: It's like they're being disrespectful and it's not cool. But

1652
01:42:52,520 --> 01:42:55,160
Speaker 1: we was kind of like that too, was was you

1653
01:42:55,320 --> 01:43:00,599
Speaker 1: really respecting like Grandmaster Flo? But we went the distance.

1654
01:43:00,640 --> 01:43:02,600
Speaker 1: That's that's that's what I'm trying to tell you that

1655
01:43:02,760 --> 01:43:06,240
Speaker 1: that's the difference. We would never wouldn't understand what they

1656
01:43:06,360 --> 01:43:10,519
Speaker 1: was doing. But trust me, we was. We was saying

1657
01:43:10,680 --> 01:43:14,240
Speaker 1: and saying, but we knew that was the O G S.

1658
01:43:14,479 --> 01:43:19,040
Speaker 1: But we thought I know for a fact, at least

1659
01:43:19,080 --> 01:43:21,400
Speaker 1: me and my niggas when we we thought we wasilla,

1660
01:43:22,240 --> 01:43:26,160
Speaker 1: we did. We thought respect that's the world. Never do

1661
01:43:26,320 --> 01:43:28,040
Speaker 1: that and that makes a world of different. We would

1662
01:43:28,040 --> 01:43:30,680
Speaker 1: never do that where they're voicing a little disrespect to

1663
01:43:30,840 --> 01:43:37,040
Speaker 1: legendary people from our generation that you did immortal. That's

1664
01:43:37,120 --> 01:43:39,920
Speaker 1: the reason why, that's the reason why I used their examples,

1665
01:43:40,040 --> 01:43:43,040
Speaker 1: like because they do actually big up certain people, like

1666
01:43:43,120 --> 01:43:48,280
Speaker 1: it's it's totally crazy, but they're big up like for

1667
01:43:48,479 --> 01:43:52,919
Speaker 1: real is the leader is the messiah of that new generation.

1668
01:43:53,160 --> 01:43:57,040
Speaker 1: But it makes sense because for real listen, they love

1669
01:43:57,640 --> 01:44:04,880
Speaker 1: to listen, say they like Kanye too. Because these guys

1670
01:44:04,960 --> 01:44:08,559
Speaker 1: Farrell and Kanye was different than us. They wasn't done

1671
01:44:08,640 --> 01:44:12,519
Speaker 1: out skateboard, b you know what I'm saying. So Farrell

1672
01:44:12,720 --> 01:44:15,000
Speaker 1: was like in the generational thing where it was so

1673
01:44:15,160 --> 01:44:18,280
Speaker 1: important to be truthful and honest and from the hood.

1674
01:44:18,840 --> 01:44:21,920
Speaker 1: Farrell came and was like, I'm me and we loved them.

1675
01:44:22,160 --> 01:44:27,320
Speaker 1: So that had a big influence. Fucking culture, this person culture.

1676
01:44:27,520 --> 01:44:30,760
Speaker 1: Farrell said to me, and they quoted me Bloody Money verse.

1677
01:44:31,680 --> 01:44:34,200
Speaker 1: I was like, oh, Farrell's hip hop to the car

1678
01:44:34,360 --> 01:44:38,640
Speaker 1: and said absolutely, but I'm not. I got no you

1679
01:44:38,720 --> 01:44:40,599
Speaker 1: know no, he didn't say that. He said I got

1680
01:44:40,680 --> 01:44:43,639
Speaker 1: no thug bone in my body, and I respected them.

1681
01:44:44,960 --> 01:44:51,000
Speaker 1: That's a generations expect people for who they are. Just

1682
01:44:51,120 --> 01:44:55,600
Speaker 1: don't front. I'm saying. So if you a fucking like

1683
01:44:55,840 --> 01:44:59,800
Speaker 1: a nerd nigga or whatever, cool, just be you, nigga.

1684
01:45:00,280 --> 01:45:02,200
Speaker 1: What we don't like is the front and in the

1685
01:45:02,280 --> 01:45:04,880
Speaker 1: faking nigga. Don't come around here for real. Came around

1686
01:45:04,920 --> 01:45:06,479
Speaker 1: here and tolding guns and then like they can give

1687
01:45:06,479 --> 01:45:09,120
Speaker 1: me the gun, nigga. Stop stop that bullshit nigga, and

1688
01:45:09,160 --> 01:45:11,880
Speaker 1: then you hand him skateboard or whatever like that and say, hey,

1689
01:45:12,320 --> 01:45:14,680
Speaker 1: you know what I'm saying, It's all good. Our generation

1690
01:45:14,880 --> 01:45:19,080
Speaker 1: was some of the most intellectual and smart people think,

1691
01:45:19,439 --> 01:45:22,000
Speaker 1: but we like you were smart nigga, or ever since

1692
01:45:22,000 --> 01:45:26,360
Speaker 1: the day this nigga was plotting, strategizing, ever since he

1693
01:45:26,760 --> 01:45:28,800
Speaker 1: was in fucking seeing you know what I'm saying, Like

1694
01:45:28,880 --> 01:45:32,680
Speaker 1: he was thinking, Nori, I gotta separate myself, get rid

1695
01:45:32,720 --> 01:45:35,760
Speaker 1: of this comparison. I gotta d me and this is

1696
01:45:35,840 --> 01:45:39,160
Speaker 1: how I could flourish. He's been a thinker from day one,

1697
01:45:39,560 --> 01:45:43,160
Speaker 1: disguise and the fucking camouflage. So it doesn't when when

1698
01:45:43,240 --> 01:45:46,560
Speaker 1: when Drink Champs came out and it's fucking exploded, I

1699
01:45:46,760 --> 01:45:51,200
Speaker 1: wasn't shocked because he's a guy that I know. Yo,

1700
01:45:51,640 --> 01:45:54,559
Speaker 1: that's that guy. Look White Club who was just sitting

1701
01:45:54,640 --> 01:45:58,200
Speaker 1: him White Clus. I'm not bullshit, And this nigga made

1702
01:45:58,560 --> 01:46:02,080
Speaker 1: an album that's so only four millions. This thing is

1703
01:46:02,160 --> 01:46:05,679
Speaker 1: ill and he's worldly. He makes music for the world.

1704
01:46:05,760 --> 01:46:07,880
Speaker 1: I don't think White Club goes in and makes music

1705
01:46:08,000 --> 01:46:10,880
Speaker 1: for fucking a certain section. He's like, oh, they're gonna

1706
01:46:10,960 --> 01:46:14,160
Speaker 1: love this in Zimbabwe, they gotta love this, and fucking

1707
01:46:14,280 --> 01:46:17,000
Speaker 1: Germany in that little hole in the wall club because

1708
01:46:17,040 --> 01:46:19,400
Speaker 1: he's been there, you see what I'm saying. So someone

1709
01:46:19,479 --> 01:46:21,760
Speaker 1: to make him serve the world again, I'll bet on him,

1710
01:46:21,960 --> 01:46:24,160
Speaker 1: and if he does it, I'll be like, I'm not

1711
01:46:24,280 --> 01:46:26,640
Speaker 1: really that shot. When I see Hi dream Champs and

1712
01:46:26,960 --> 01:46:29,679
Speaker 1: watch the ship explode, and you know, I said, congrat

1713
01:46:29,720 --> 01:46:34,360
Speaker 1: but I think I wasn't really like, oh ship. Now

1714
01:46:34,479 --> 01:46:38,400
Speaker 1: this thing has been a brain from the dog. I

1715
01:46:38,560 --> 01:46:41,479
Speaker 1: know the brains I could see people. You know, me

1716
01:46:41,560 --> 01:46:43,160
Speaker 1: and j D said, you had j D. Me and

1717
01:46:43,280 --> 01:46:46,560
Speaker 1: j D be having the most interesting conversations. And j D,

1718
01:46:47,240 --> 01:46:49,280
Speaker 1: you know, he's an interesting guy. He's an interesting guy,

1719
01:46:49,360 --> 01:46:59,559
Speaker 1: a genius. When Noise I did the same to us,

1720
01:46:59,640 --> 01:47:04,320
Speaker 1: I get hope, boss and the penny that's all, you know,

1721
01:47:04,439 --> 01:47:06,479
Speaker 1: like that, I just show my. I just show my

1722
01:47:07,479 --> 01:47:16,560
Speaker 1: if you called Janny penny penny. But motherfucking like with

1723
01:47:16,760 --> 01:47:19,320
Speaker 1: j think we have a conversations and you know, we

1724
01:47:19,439 --> 01:47:21,880
Speaker 1: talk about some and we talked about artists today and

1725
01:47:22,600 --> 01:47:25,800
Speaker 1: he'd be like, God that nigga. Richard Pride. You know

1726
01:47:26,439 --> 01:47:27,880
Speaker 1: you know what he means by that, as you see

1727
01:47:27,880 --> 01:47:31,439
Speaker 1: the Wizard of Oz, the Black Wizard of Oz. Richard Pride,

1728
01:47:31,520 --> 01:47:34,040
Speaker 1: he's the He's the Wizard of Oz. But the Wizard

1729
01:47:34,080 --> 01:47:37,639
Speaker 1: of Oz was a hoax. He ain't ship, you understand.

1730
01:47:37,920 --> 01:47:40,639
Speaker 1: So he's like these things just fooling niggas like he's

1731
01:47:40,800 --> 01:47:44,240
Speaker 1: Richard Frod be like, man, nigga, that nigging Richard Pride

1732
01:47:44,280 --> 01:47:46,280
Speaker 1: got him, and he's like that nigger can't do it

1733
01:47:46,400 --> 01:47:48,559
Speaker 1: or keep doing it. And we just be sitting there

1734
01:47:48,640 --> 01:47:51,439
Speaker 1: talking and it would be some interesting ship because it's

1735
01:47:51,439 --> 01:47:53,560
Speaker 1: two kniges that really did it, and we just be

1736
01:47:53,680 --> 01:47:55,680
Speaker 1: like and I'm like, nah, this nigg is gonna do it,

1737
01:47:55,880 --> 01:48:01,680
Speaker 1: and he'd like that Nia Richard Pride. But this thing

1738
01:48:01,760 --> 01:48:05,960
Speaker 1: is what I'm saying, is also with Nori. He's always

1739
01:48:06,040 --> 01:48:09,600
Speaker 1: been He's always been this guy. Yeah, you see I

1740
01:48:09,760 --> 01:48:14,240
Speaker 1: need a drunk guy. He having fun. But what he's thinking,

1741
01:48:15,280 --> 01:48:18,320
Speaker 1: I know him, Yeah, I know him. When you know

1742
01:48:18,479 --> 01:48:20,920
Speaker 1: he's like, I'm gonna serve these niggas. Let's just go

1743
01:48:21,040 --> 01:48:22,600
Speaker 1: with what what can I do to create? Like this

1744
01:48:22,720 --> 01:48:25,440
Speaker 1: name created his own lane, his own thing and servings.

1745
01:48:26,560 --> 01:48:30,000
Speaker 1: Thank you got it? But chess chance to serving name.

1746
01:48:30,080 --> 01:48:33,519
Speaker 1: Let's go chan service b J shot because b J,

1747
01:48:33,640 --> 01:48:36,760
Speaker 1: why you ain't talking? Tell his nimes? Tell us yo, listen,

1748
01:48:36,840 --> 01:48:40,080
Speaker 1: let me tell you something man. That's a yo. I'm

1749
01:48:40,080 --> 01:48:42,679
Speaker 1: gonna tell you something. A shot, listen, give um a shot.

1750
01:48:42,720 --> 01:48:45,880
Speaker 1: Come on, what's another thing? Where's that we need another

1751
01:48:45,960 --> 01:48:52,320
Speaker 1: fucking drink? Champs stop? Yeah yeah, pop and go CHAMPI

1752
01:48:52,400 --> 01:48:55,559
Speaker 1: and kills kills people. He kills people. How yeah, yeah,

1753
01:48:55,600 --> 01:49:02,439
Speaker 1: you gotta relaxed, Champa him, Yo, Yo, just relax spa J.

1754
01:49:02,640 --> 01:49:09,439
Speaker 1: I'm sitting you massively, yo yo jest you know, hold

1755
01:49:09,479 --> 01:49:16,000
Speaker 1: on on my bad. I definitely you think gotta come

1756
01:49:16,080 --> 01:49:19,400
Speaker 1: to drink chairs one time. But b J, how is

1757
01:49:19,479 --> 01:49:23,040
Speaker 1: it running on that murder? Ain't run? How was that

1758
01:49:23,520 --> 01:49:27,639
Speaker 1: on you for you? B J? Talk to the people.

1759
01:49:30,080 --> 01:49:33,280
Speaker 1: He ain't gonna incordinate himself like I'm going on. How

1760
01:49:33,360 --> 01:49:35,639
Speaker 1: funny was that when niggas was on top of the world,

1761
01:49:35,920 --> 01:49:38,320
Speaker 1: like y'all niggas was charged and niggas two hundred and

1762
01:49:38,439 --> 01:49:42,320
Speaker 1: fifty y'all niggas running around Yode When we did the

1763
01:49:42,439 --> 01:49:45,360
Speaker 1: um real record we made, Tommy told he said, Yo, Nigga,

1764
01:49:45,680 --> 01:49:48,320
Speaker 1: he wanted to get in j Lo's video in l

1765
01:49:48,400 --> 01:49:50,320
Speaker 1: A said, Yo, Nigga, we got shipped to do. Nigga,

1766
01:49:50,520 --> 01:49:51,960
Speaker 1: you wanted to do that? Give us the jet for

1767
01:49:52,040 --> 01:49:56,679
Speaker 1: like the whole week, sony jet, he said. Goddy, I said, Nigga,

1768
01:49:56,960 --> 01:50:00,800
Speaker 1: give up. The fucking jack was g four and that

1769
01:50:00,920 --> 01:50:03,560
Speaker 1: he was the most ignorant motherfucker's because I didn't know

1770
01:50:03,640 --> 01:50:05,439
Speaker 1: when you when you try to jet you can tell

1771
01:50:05,479 --> 01:50:07,560
Speaker 1: the students whatever the funk you want to eat. We

1772
01:50:07,760 --> 01:50:09,960
Speaker 1: was like, bitch, if you ain't got no Peter Lucas,

1773
01:50:10,360 --> 01:50:13,639
Speaker 1: and bitch, don't have don't not have the sauce, don't

1774
01:50:13,760 --> 01:50:16,320
Speaker 1: don't don't not have the Peter Lucas sauce. And be

1775
01:50:16,600 --> 01:50:22,080
Speaker 1: asked Mr Postman, We was on some bull shit. You hey,

1776
01:50:22,640 --> 01:50:26,519
Speaker 1: you better have the garlics briefly and this bitch, come on,

1777
01:50:26,760 --> 01:50:37,760
Speaker 1: let's do it from Mr Chip Beth Hills. Give me yeah,

1778
01:50:39,200 --> 01:50:46,600
Speaker 1: motherfucker rising that bitch man, God damn it, let me

1779
01:50:46,640 --> 01:50:49,559
Speaker 1: think you made them all? So who's the fucking chill?

1780
01:50:49,760 --> 01:50:52,559
Speaker 1: Who's the greatest artist over all time? If you could

1781
01:50:52,600 --> 01:50:55,519
Speaker 1: pick just one, right, are you gonna do that? I'm

1782
01:50:55,520 --> 01:50:57,240
Speaker 1: just saying, don't do one this. Let's do a top

1783
01:50:57,320 --> 01:51:02,160
Speaker 1: five at least on this pop just one is Pock Pock.

1784
01:51:06,520 --> 01:51:08,720
Speaker 1: You have a different thing. It was too much, man,

1785
01:51:09,040 --> 01:51:12,880
Speaker 1: he was too people like speaking giving him jewels. I

1786
01:51:13,040 --> 01:51:16,400
Speaker 1: like all the pop. I like the whole embodiment of

1787
01:51:16,479 --> 01:51:18,920
Speaker 1: pop because that's who he was. The same thing that

1788
01:51:18,960 --> 01:51:20,640
Speaker 1: I said, I'm gonna kill you. Nigga was the same thing,

1789
01:51:20,760 --> 01:51:23,479
Speaker 1: and that was like, Yo, we gotta be together. We

1790
01:51:23,600 --> 01:51:28,719
Speaker 1: have to fucking say that. He didn't. He never lied

1791
01:51:28,760 --> 01:51:31,640
Speaker 1: whenever that moment he felt, he said it. You know,

1792
01:51:33,160 --> 01:51:35,280
Speaker 1: he's a gimin off with If you want to give

1793
01:51:35,320 --> 01:51:37,559
Speaker 1: it to one artist, I give it to Poc all day,

1794
01:51:38,479 --> 01:51:42,719
Speaker 1: all day. Big is hard because he had two albums.

1795
01:51:43,600 --> 01:51:45,400
Speaker 1: You what, you know what I like to say. I

1796
01:51:45,800 --> 01:51:49,680
Speaker 1: like to say Pop was the realist Nigga ever, but

1797
01:51:49,840 --> 01:51:53,400
Speaker 1: Big was the illness. Like when I first heard Unbelievable,

1798
01:51:54,000 --> 01:51:56,760
Speaker 1: I swear to you, I listened to that record like

1799
01:51:56,960 --> 01:52:02,439
Speaker 1: a hundred times live from Better Starves Some the live

1800
01:52:03,280 --> 01:52:07,479
Speaker 1: representing BEK to the fullest. It doesn't fucking ride, It

1801
01:52:07,640 --> 01:52:14,160
Speaker 1: doesn't ride, doesn't right. But he made the eyes. He

1802
01:52:14,320 --> 01:52:18,320
Speaker 1: made it right. The love is one he's supposed to

1803
01:52:18,600 --> 01:52:24,599
Speaker 1: one on Donald so done representing b K to the fullest.

1804
01:52:24,680 --> 01:52:27,200
Speaker 1: Gats of pullet bass. It's ducking with Big bat bucking.

1805
01:52:27,520 --> 01:52:30,800
Speaker 1: She can hands be clucking in my bathroom. It ain't nothing.

1806
01:52:31,800 --> 01:52:34,360
Speaker 1: This is nigga. Look, look this is well. I just

1807
01:52:34,439 --> 01:52:37,640
Speaker 1: said it first. I know you who I know you?

1808
01:52:39,320 --> 01:52:44,160
Speaker 1: My nigga said, it's like nigga. His style was on

1809
01:52:44,320 --> 01:52:47,640
Speaker 1: the order like the what the fun did he do

1810
01:52:47,760 --> 01:52:50,280
Speaker 1: it on multiple riggers when he's just flowing and I'm like,

1811
01:52:50,400 --> 01:52:55,439
Speaker 1: what this doesn't make sense, doesn't make sense? He put

1812
01:52:55,600 --> 01:53:00,360
Speaker 1: the Yeah, I want every want to go listen the

1813
01:53:00,760 --> 01:53:03,880
Speaker 1: biggest person. I'm telling you, you're gonna see what I see.

1814
01:53:05,960 --> 01:53:09,560
Speaker 1: He broke out any role of rabbit, his flowers and

1815
01:53:09,600 --> 01:53:13,240
Speaker 1: it was just hamming nigga. Come on, come on, nigga,

1816
01:53:13,320 --> 01:53:17,120
Speaker 1: stop stop fucking stop like the Snigger was like I

1817
01:53:17,320 --> 01:53:20,160
Speaker 1: was be like, yo is crazy, Like x X had

1818
01:53:20,200 --> 01:53:22,240
Speaker 1: a fault, like he used to do ship and you know,

1819
01:53:22,960 --> 01:53:24,920
Speaker 1: before I got on, I used to just listen to

1820
01:53:25,000 --> 01:53:30,439
Speaker 1: these albums like like a straight idiot. I was an

1821
01:53:30,439 --> 01:53:33,479
Speaker 1: idiot savant. Then I would just slot myself in room

1822
01:53:34,000 --> 01:53:36,639
Speaker 1: and listen to the chronic and listen to Shoo Goes

1823
01:53:36,800 --> 01:53:40,120
Speaker 1: Why Why God? He figure out why? And I would

1824
01:53:40,120 --> 01:53:43,559
Speaker 1: come up with methods in my head musically for eight bars.

1825
01:53:43,880 --> 01:53:48,120
Speaker 1: You know what I'm saying, changing every guy I was.

1826
01:53:48,479 --> 01:53:50,720
Speaker 1: I'm telling you I was an idiot savant because I

1827
01:53:50,760 --> 01:53:53,240
Speaker 1: said I felt if I could figure out why, I

1828
01:53:53,360 --> 01:53:58,760
Speaker 1: could do it. Yes, yes, Like x X when he

1829
01:53:58,840 --> 01:54:01,200
Speaker 1: first came out. He used to do two bars of

1830
01:54:01,320 --> 01:54:04,400
Speaker 1: rhyman and then he would start his next verse off

1831
01:54:04,479 --> 01:54:07,680
Speaker 1: with the rhyme. I feel like I came in off

1832
01:54:07,760 --> 01:54:10,240
Speaker 1: beat all the time. No, he did wasn't off beat.

1833
01:54:10,240 --> 01:54:12,240
Speaker 1: There's a method to the man is snaking Like So

1834
01:54:12,360 --> 01:54:14,320
Speaker 1: if he says, did he did? He did? He did?

1835
01:54:14,360 --> 01:54:17,120
Speaker 1: He did? He did? He? Hey did he did? He did?

1836
01:54:17,200 --> 01:54:19,920
Speaker 1: He did? He did? He did? He say? Hey did

1837
01:54:20,000 --> 01:54:21,920
Speaker 1: he did? He did? He did? He fake? No? Did

1838
01:54:21,960 --> 01:54:25,360
Speaker 1: he did? Did he? Meck? Met did? He did? He did?

1839
01:54:25,439 --> 01:54:28,080
Speaker 1: He did? He tech? Heck did? He did? He did?

1840
01:54:28,160 --> 01:54:31,639
Speaker 1: He So it was a constant movement of rhythm and rhyme.

1841
01:54:31,800 --> 01:54:33,720
Speaker 1: I shouldn't be saying this because I'm giving up too much.

1842
01:54:34,480 --> 01:54:42,560
Speaker 1: That's that's what we need understand. If any unig is wrapped,

1843
01:54:42,840 --> 01:54:46,000
Speaker 1: that's what That was his ship as his genius, right,

1844
01:54:46,120 --> 01:54:48,480
Speaker 1: So he would he would he would end his rhyme

1845
01:54:48,720 --> 01:54:52,640
Speaker 1: and the first half a bar it would be rhyman,

1846
01:54:53,960 --> 01:54:56,000
Speaker 1: and then he would go to another thing. But it

1847
01:54:56,120 --> 01:54:59,520
Speaker 1: was a method, So it wasn't like there's a reason

1848
01:54:59,600 --> 01:55:03,200
Speaker 1: why he well hot, it's the reason. It's not a mistake,

1849
01:55:04,320 --> 01:55:07,000
Speaker 1: it's a fucking reason. You know what. I'm saying. So

1850
01:55:08,560 --> 01:55:11,280
Speaker 1: that's why, like with me in the studio we're producing,

1851
01:55:11,560 --> 01:55:14,000
Speaker 1: I can make al record still to this day because

1852
01:55:14,040 --> 01:55:17,640
Speaker 1: I could mind fun the artists. I could mind fun

1853
01:55:17,760 --> 01:55:19,960
Speaker 1: the artists and thinking that they're the greatest artists ever,

1854
01:55:20,200 --> 01:55:22,360
Speaker 1: and I will give them little things to help them

1855
01:55:22,440 --> 01:55:25,920
Speaker 1: bring out their ship. So when I say that, like Snoop,

1856
01:55:26,120 --> 01:55:28,800
Speaker 1: he was all four bars and Drey, that's why when

1857
01:55:28,840 --> 01:55:32,320
Speaker 1: Drey gets in this all production, it's all perfection, you

1858
01:55:32,320 --> 01:55:35,320
Speaker 1: know what I'm saying. So you listen to his ship

1859
01:55:35,600 --> 01:55:38,760
Speaker 1: and it's like it's all four bar sequences. It's like

1860
01:55:39,240 --> 01:55:41,520
Speaker 1: a six team ball verse with four or four bars,

1861
01:55:42,840 --> 01:55:47,120
Speaker 1: and Drey is musically making sonically he's coordinating with that rap.

1862
01:55:47,360 --> 01:55:49,760
Speaker 1: But when Snoop first album, even though I wasn't there,

1863
01:55:49,920 --> 01:55:52,560
Speaker 1: I could bet my last dollar he freestyle probably the

1864
01:55:52,680 --> 01:55:55,400
Speaker 1: majority that as. But then think it was just in

1865
01:55:55,440 --> 01:55:59,560
Speaker 1: the blunt hey two three into the full his room.

1866
01:55:59,680 --> 01:56:03,880
Speaker 1: His was just simple, but yet ill Snooping in that

1867
01:56:04,040 --> 01:56:08,760
Speaker 1: time frame, Sue was one of the illest rappids ever ever.

1868
01:56:08,920 --> 01:56:10,800
Speaker 1: I give him that ever, and he may not be

1869
01:56:10,920 --> 01:56:13,640
Speaker 1: a lyrical beast or whatever like that, but just how

1870
01:56:13,720 --> 01:56:17,920
Speaker 1: he was putting you can flow and and how crazy

1871
01:56:18,080 --> 01:56:20,160
Speaker 1: is it that, Yeah, Snoop makes some big records with

1872
01:56:20,240 --> 01:56:24,040
Speaker 1: Farrell because Farrell's dough. It's Farrell gets it, you understand.

1873
01:56:24,360 --> 01:56:30,760
Speaker 1: But Stoop with Dre's always different. I think, when you

1874
01:56:30,800 --> 01:56:32,840
Speaker 1: know what it is, I tell exactly what it is

1875
01:56:32,920 --> 01:56:35,440
Speaker 1: with Snoops with Dre, because it's the same thing. If

1876
01:56:35,480 --> 01:56:38,800
Speaker 1: I was in the studio with XJ and Job. They

1877
01:56:38,840 --> 01:56:42,800
Speaker 1: can't bullshit with you. They can't bullshit with me. Stop

1878
01:56:42,880 --> 01:56:46,040
Speaker 1: can't bullshit with Dre. He gotta because Drake don't be

1879
01:56:46,080 --> 01:56:48,640
Speaker 1: like nigga, I don't like it. How many niggas can

1880
01:56:48,680 --> 01:56:50,440
Speaker 1: go to the student with Super saying, Nigga don't like

1881
01:56:50,560 --> 01:56:55,120
Speaker 1: it's Snoop is skin depth the Santans. I like the verseever,

1882
01:56:55,200 --> 01:56:57,280
Speaker 1: like that's whatever he says. They're cool with it. I

1883
01:56:57,400 --> 01:57:05,040
Speaker 1: just got it, But Nigga Dre don't. Switching to a

1884
01:57:05,120 --> 01:57:08,720
Speaker 1: different ship by session, Uh, y'all was at the crack

1885
01:57:08,800 --> 01:57:13,280
Speaker 1: house and you had gave Prodigy. You said, Yo, you're

1886
01:57:13,320 --> 01:57:16,160
Speaker 1: never smile. I think I was like, I'm not sure

1887
01:57:16,160 --> 01:57:18,280
Speaker 1: if I was there for the speech or if you

1888
01:57:18,400 --> 01:57:20,720
Speaker 1: gave it a speech. Afterwards. It was the l ship

1889
01:57:20,800 --> 01:57:23,320
Speaker 1: with me and Prodigy because the l Ship. It was

1890
01:57:23,360 --> 01:57:26,040
Speaker 1: a great session. Seven did the beat and it was

1891
01:57:26,160 --> 01:57:29,600
Speaker 1: some flowing melodic ship and the Ship was a dope record.

1892
01:57:29,640 --> 01:57:31,400
Speaker 1: I swear to guy. When he passed, I was like,

1893
01:57:31,440 --> 01:57:33,280
Speaker 1: I want to find that record. Just left the picture,

1894
01:57:34,640 --> 01:57:37,600
Speaker 1: something like that. But the conversation that I had with Pete,

1895
01:57:37,800 --> 01:57:44,200
Speaker 1: it was crazy, who's in the studio? I was in

1896
01:57:44,240 --> 01:57:46,480
Speaker 1: the studio, crack house. If you know them days, anyone

1897
01:57:46,520 --> 01:57:49,400
Speaker 1: who knows them days, it was nigged out, Oh my names,

1898
01:57:49,920 --> 01:57:52,240
Speaker 1: you know what I'm saying. So I basically said, Pete,

1899
01:57:53,640 --> 01:57:57,240
Speaker 1: you're not giving the true depiction of the fuck because

1900
01:57:57,280 --> 01:58:01,120
Speaker 1: I said, the FuG it is fucking to better his family,

1901
01:58:02,240 --> 01:58:04,480
Speaker 1: fun with some bitches, get some bitches, just have a

1902
01:58:04,560 --> 01:58:08,080
Speaker 1: better life. If you're just stuck in being muggol day,

1903
01:58:08,080 --> 01:58:11,320
Speaker 1: then that's corny. This is what I said to him.

1904
01:58:11,360 --> 01:58:15,600
Speaker 1: So I didn't want to make a Prodigy record because

1905
01:58:15,600 --> 01:58:17,520
Speaker 1: I was like, I can't make nothing better than survival,

1906
01:58:17,560 --> 01:58:21,800
Speaker 1: little fitness, sucking nigga. He's nigga queens get the money.

1907
01:58:21,840 --> 01:58:25,480
Speaker 1: That whole slogan, it's it's p queen, get the money.

1908
01:58:25,520 --> 01:58:34,080
Speaker 1: A long time cleezy, get your money, goes sute. So listen,

1909
01:58:34,320 --> 01:58:40,720
Speaker 1: I'm not making listening lad, who the thing is living

1910
01:58:40,800 --> 01:58:44,200
Speaker 1: to this day? I tell his young niggas crying, don't pay,

1911
01:58:45,320 --> 01:58:49,800
Speaker 1: saying cleans, niggas, don't play, niggas, stay out of my way.

1912
01:58:50,880 --> 01:58:55,000
Speaker 1: I'm not making nothing harder than that. I'm a realist.

1913
01:58:55,000 --> 01:58:56,960
Speaker 1: I'm looking at the mir I know who the fun

1914
01:58:57,120 --> 01:59:00,200
Speaker 1: I am, and I smile and I'm happy with the

1915
01:59:00,320 --> 01:59:03,560
Speaker 1: nigga reflection. I see. I'm not making nothing harder than

1916
01:59:03,920 --> 01:59:06,800
Speaker 1: mom fucking you know what I'm saying. Your beef is

1917
01:59:06,920 --> 01:59:10,280
Speaker 1: mid and now for nigga. So the direction that I

1918
01:59:10,360 --> 01:59:14,000
Speaker 1: went with people to make some dogshit that helpless life,

1919
01:59:14,880 --> 01:59:17,200
Speaker 1: giving niggas a reason to be like, yeah, you know

1920
01:59:17,200 --> 01:59:20,040
Speaker 1: what I'm saying, That was the direction that I took

1921
01:59:20,120 --> 01:59:22,080
Speaker 1: him in. I didn't want to do him all I

1922
01:59:22,160 --> 01:59:26,680
Speaker 1: could Nigga just that one line. I can't make nothing

1923
01:59:26,720 --> 01:59:31,200
Speaker 1: harder than that, like nigga. Uh. That was one of

1924
01:59:31,240 --> 01:59:33,320
Speaker 1: the albums. Listen. That was one of the albums I

1925
01:59:33,520 --> 01:59:37,640
Speaker 1: used to study. I studied thematic, I studied mom D,

1926
01:59:38,160 --> 01:59:42,440
Speaker 1: I studied Dr Dre, I studied Wu Tang clan. I

1927
01:59:42,640 --> 01:59:47,680
Speaker 1: studied a lot of ship. I studied pop records and

1928
01:59:47,800 --> 01:59:50,440
Speaker 1: rock records too, But I ain't giving y'all those because

1929
01:59:50,480 --> 01:59:53,960
Speaker 1: I don't want you to really know what's what's what's

1930
01:59:54,000 --> 01:59:57,440
Speaker 1: the movie? Rana is ill? What's something you are grab

1931
01:59:57,680 --> 02:00:02,520
Speaker 1: and it's cold j and not us the Jay Nas thing.

1932
02:00:03,480 --> 02:00:05,520
Speaker 1: You regret that that happened, or you regret that you

1933
02:00:05,600 --> 02:00:12,880
Speaker 1: donticipate I entertained signing Nas to murder rank. Not because

1934
02:00:12,920 --> 02:00:16,040
Speaker 1: I don't love NOAs I love Nas. I love Nas

1935
02:00:16,080 --> 02:00:20,040
Speaker 1: as a brother. If I see like the best way

1936
02:00:20,040 --> 02:00:21,560
Speaker 1: I can some of up, Like if Nas was in

1937
02:00:21,600 --> 02:00:25,240
Speaker 1: the fight, I'm getting in. I'm jumping. I'm jumping in

1938
02:00:26,240 --> 02:00:30,760
Speaker 1: thall shed blood, stab, shout up whatever for my nigga,

1939
02:00:31,040 --> 02:00:37,360
Speaker 1: him and Jungle brothers. That's said you with Jason say

1940
02:00:37,600 --> 02:00:41,520
Speaker 1: seven man, me and Jay is a deeper level of

1941
02:00:41,720 --> 02:00:45,200
Speaker 1: cover hood, you know what I'm saying. So I should

1942
02:00:45,200 --> 02:00:49,200
Speaker 1: have never made Super Ugly and then waiting fun with Nas.

1943
02:00:49,640 --> 02:00:55,200
Speaker 1: So if you had, because he let me see it complete? Yes,

1944
02:00:57,560 --> 02:00:59,920
Speaker 1: or when Nas and Steve start reach out, yo, tell

1945
02:01:00,040 --> 02:01:03,400
Speaker 1: not sitting on with Jay squashed his ship? Oh no, No,

1946
02:01:05,640 --> 02:01:08,400
Speaker 1: I shouldn't have went with the conflict of interest to this.

1947
02:01:08,600 --> 02:01:10,960
Speaker 1: I should not have went with Nas. I made Super ugly.

1948
02:01:11,960 --> 02:01:14,560
Speaker 1: I got more shooters and queens than you got. It

1949
02:01:16,000 --> 02:01:20,400
Speaker 1: didn't know that. I didn't know that. That's where he meant. Yeah,

1950
02:01:20,680 --> 02:01:25,160
Speaker 1: he was talking about me, and I got awkward. My niggas,

1951
02:01:27,360 --> 02:01:31,000
Speaker 1: my niggas is with were extensive. You know what I'm

1952
02:01:31,040 --> 02:01:35,520
Speaker 1: saying deep on the deep. Who wasn't mad Rude wanted

1953
02:01:35,560 --> 02:01:39,640
Speaker 1: to take over WU? Rule was? Who was my beloved brother?

1954
02:01:39,960 --> 02:01:42,560
Speaker 1: So you know what rule is? Whu. Let's jump off

1955
02:01:42,640 --> 02:01:47,560
Speaker 1: this fucking building. You sure, Gotti? He jumping nigga. I

1956
02:01:47,640 --> 02:01:49,920
Speaker 1: can't explain it no better than that. That's why I

1957
02:01:49,960 --> 02:01:52,280
Speaker 1: should tell niggas you be from Voodi that nigga along,

1958
02:01:52,400 --> 02:01:56,560
Speaker 1: come get me. You fucking right. And I didn't even

1959
02:01:56,600 --> 02:01:59,480
Speaker 1: look at you fucking right. You know, I don't even

1960
02:01:59,520 --> 02:02:03,560
Speaker 1: looking at That's how morder gets down. Nigga up and

1961
02:02:03,640 --> 02:02:06,680
Speaker 1: it's a marble us my ship dot out. You're jumping

1962
02:02:06,800 --> 02:02:12,160
Speaker 1: dots out. She jumping nigga. That's murder with so all

1963
02:02:12,200 --> 02:02:16,320
Speaker 1: you niggas out there, you're fucking with me, You're fucking

1964
02:02:16,360 --> 02:02:19,960
Speaker 1: with the nation and niggas. That's jumping nigga. You don't

1965
02:02:20,000 --> 02:02:21,920
Speaker 1: want that, you know. One of the best things I

1966
02:02:22,320 --> 02:02:25,280
Speaker 1: could say when it comes to the B Ship because

1967
02:02:25,400 --> 02:02:28,120
Speaker 1: you know anyone could get killed. You know what I'm saying,

1968
02:02:28,560 --> 02:02:30,400
Speaker 1: my nigga praying you should say well saying b J

1969
02:02:30,520 --> 02:02:32,680
Speaker 1: said Joe, Nigga, if you if you get killed, take

1970
02:02:32,760 --> 02:02:35,240
Speaker 1: your blood, write your name or the nigga who did it,

1971
02:02:35,840 --> 02:02:38,840
Speaker 1: We're gonna get him, what I'm saying. So when you

1972
02:02:38,960 --> 02:02:42,680
Speaker 1: talk be Ship, I'm talking B Ship real quick. No,

1973
02:02:42,760 --> 02:02:45,560
Speaker 1: I'm said, but I'm gonna just let niggas know who you're.

1974
02:02:46,000 --> 02:02:49,600
Speaker 1: This is what you get when you're This is what

1975
02:02:49,720 --> 02:02:53,160
Speaker 1: you get when you murder nigga, you get one of

1976
02:02:53,320 --> 02:02:57,040
Speaker 1: us to becoming nigga. We're gonna come. You can get me,

1977
02:02:57,680 --> 02:03:01,400
Speaker 1: but for sure, I'm not gonna be the one that died.

1978
02:03:01,600 --> 02:03:08,200
Speaker 1: Niggo got it for sure. Don't touch any of your mind.

1979
02:03:09,320 --> 02:03:16,160
Speaker 1: They got none. They got t Let let me take

1980
02:03:16,200 --> 02:03:19,400
Speaker 1: it over because your fake, your fake game. He's just

1981
02:03:19,680 --> 02:03:22,800
Speaker 1: fucking with Prem. Hey, that's why you talk, nigga. Don't

1982
02:03:22,840 --> 02:03:25,440
Speaker 1: get the fuck up just that niggas, Just that niggas

1983
02:03:25,480 --> 02:03:27,880
Speaker 1: prem had my back. Nick You talk about pre My

1984
02:03:28,000 --> 02:03:32,720
Speaker 1: Max you nigga, me little old pussy, me fucking that

1985
02:03:32,920 --> 02:03:36,880
Speaker 1: you thinking you know pre what up nigga up. I

1986
02:03:36,960 --> 02:03:44,920
Speaker 1: think we gotta make noise for that. Yeah, yeah, we

1987
02:03:44,960 --> 02:03:47,360
Speaker 1: don't like, we don't like bringing that out. We're putting

1988
02:03:47,400 --> 02:03:52,120
Speaker 1: peaceful Diggs. I'm a good executive there anything like that event.

1989
02:03:52,240 --> 02:03:55,600
Speaker 1: So you know what I'm saying, good executive, We tally am.

1990
02:03:57,000 --> 02:04:00,760
Speaker 1: I'm a very fucking creative and preenian guy. But like

1991
02:04:00,880 --> 02:04:02,960
Speaker 1: when I was going through my trial, one of the

1992
02:04:03,040 --> 02:04:06,920
Speaker 1: things with the trial that that was blaterally obvious to

1993
02:04:07,040 --> 02:04:11,080
Speaker 1: me was, hey, IRV, you're a very smart, intellectual guy

1994
02:04:11,160 --> 02:04:14,760
Speaker 1: who made these great things. But hold on, leave those

1995
02:04:14,880 --> 02:04:18,560
Speaker 1: niggas alone them nigga as you win them. Nigga is

1996
02:04:18,640 --> 02:04:21,240
Speaker 1: like the nigg is sitting next to me, Nah, leave

1997
02:04:21,320 --> 02:04:25,520
Speaker 1: him alone. And I'm like, I'm like, hell because you

1998
02:04:25,640 --> 02:04:29,040
Speaker 1: hear but listen no. But I'm like, I love these niggas.

1999
02:04:29,080 --> 02:04:31,880
Speaker 1: I love b J. I'll died for b J. Nigga,

2000
02:04:32,600 --> 02:04:34,960
Speaker 1: don't get it fucked up. Don't get it fucked up

2001
02:04:35,000 --> 02:04:37,360
Speaker 1: one bit. Nigga touch b J. I'm not at you

2002
02:04:39,320 --> 02:04:42,720
Speaker 1: like I'm not at you, nigga. Every fucking thing I got,

2003
02:04:42,960 --> 02:04:45,760
Speaker 1: niggain you touched one of mine. You know who is

2004
02:04:46,240 --> 02:04:51,160
Speaker 1: talking about He's sunny d BT with class. No, it

2005
02:04:51,280 --> 02:04:57,280
Speaker 1: definitely class. Hold you know what it was about it?

2006
02:04:57,440 --> 02:05:00,040
Speaker 1: I know exactly exactly kind of know what I'm do.

2007
02:05:00,120 --> 02:05:05,000
Speaker 1: You know it wrong. Let's tell you something this he's

2008
02:05:05,000 --> 02:05:10,680
Speaker 1: selling give him. I got at. That thing is like

2009
02:05:10,800 --> 02:05:15,440
Speaker 1: a b J. I give it. But you said we're

2010
02:05:15,520 --> 02:05:19,640
Speaker 1: no good. You got more class. He knows how to

2011
02:05:19,720 --> 02:05:23,200
Speaker 1: switch kid's My brother was how to switch kid. He

2012
02:05:23,280 --> 02:05:26,840
Speaker 1: has no class. Do you wanna let this? You're gonna

2013
02:05:26,840 --> 02:05:29,280
Speaker 1: love it. I'm gonna give y'all some ship, a lot

2014
02:05:29,320 --> 02:05:34,040
Speaker 1: of Hey, sunny DBT you listen, you wanna love this

2015
02:05:34,120 --> 02:05:42,880
Speaker 1: to go, listen, I'm gonna give you. I will give

2016
02:05:42,880 --> 02:05:45,160
Speaker 1: you some ship. Got you, Let's go and give y'all

2017
02:05:45,200 --> 02:05:47,880
Speaker 1: some ship, some more ship. Remember there was a time

2018
02:05:48,000 --> 02:05:52,200
Speaker 1: everyone they made a campaign, got you for death jam president? Yeah?

2019
02:05:52,920 --> 02:05:55,840
Speaker 1: Why did he give it? He said, obvious choice. I'll

2020
02:05:55,960 --> 02:05:57,920
Speaker 1: tell you something. Questions, but thank you for going. I

2021
02:05:58,240 --> 02:06:01,000
Speaker 1: tell you some ship and sunny DVT. He's gonna love

2022
02:06:01,080 --> 02:06:07,000
Speaker 1: the ship. So it was a fucking private meeting. I'm

2023
02:06:07,000 --> 02:06:10,000
Speaker 1: not gonna tell you what who but a very powerful

2024
02:06:10,160 --> 02:06:16,760
Speaker 1: person and that person said to me, crystal clear, Gotti,

2025
02:06:17,760 --> 02:06:20,440
Speaker 1: do you want to be president of Death Jam, I said, Jam,

2026
02:06:20,520 --> 02:06:22,680
Speaker 1: they gotta do. I want that ship. I think I

2027
02:06:22,760 --> 02:06:25,560
Speaker 1: could fucking kill it. I'll really make death jam Ellen Gain,

2028
02:06:27,840 --> 02:06:36,520
Speaker 1: you gotta get ready your niggas Sagetti forgetcause you know

2029
02:06:36,600 --> 02:06:42,720
Speaker 1: I'm gonna. I know what that meant. Take it in man,

2030
02:06:42,800 --> 02:06:46,160
Speaker 1: my man, my man, Brooklyn's son. He was with me

2031
02:06:46,280 --> 02:06:50,560
Speaker 1: every day looking my niggas strip provided literally okay, okay,

2032
02:06:50,600 --> 02:06:54,960
Speaker 1: y'all stop, but listen. There was like Gotti, you're the

2033
02:06:55,080 --> 02:07:00,720
Speaker 1: most polarizing figure. I said, what do you mean? They said, Look,

2034
02:07:01,240 --> 02:07:06,400
Speaker 1: everyone knows your talent in this business, but you cannot

2035
02:07:06,440 --> 02:07:16,760
Speaker 1: forget the FBI Defence Rated Avenue Universal Music Group. They're

2036
02:07:16,800 --> 02:07:20,200
Speaker 1: not gonna give you that while you're every party you

2037
02:07:20,280 --> 02:07:24,360
Speaker 1: go to not gonna killers. I'm not gonna listen, let

2038
02:07:24,400 --> 02:07:27,960
Speaker 1: me tell you something. To what I said, to what

2039
02:07:28,120 --> 02:07:33,480
Speaker 1: I said, what she said to what I said, I'm

2040
02:07:33,480 --> 02:07:35,920
Speaker 1: gonna have to figure out another way than my nigga

2041
02:07:36,520 --> 02:07:40,320
Speaker 1: because I ain't never gonna leave my niggas. I said,

2042
02:07:40,520 --> 02:07:47,880
Speaker 1: I hey watch this, real niggas can relate, Real nigga relate.

2043
02:07:47,960 --> 02:07:51,520
Speaker 1: I'm gonna say, some ship that don't worry about you

2044
02:07:51,760 --> 02:07:55,240
Speaker 1: gotta keep it up. I want to say that right

2045
02:07:55,280 --> 02:07:59,440
Speaker 1: now and on mine and I don't we go next thing.

2046
02:07:59,560 --> 02:08:11,920
Speaker 1: We're gonna this would god sucking worried. I'm gonna saying

2047
02:08:11,960 --> 02:08:19,000
Speaker 1: it's a real ship. Niggas only can relate. I told

2048
02:08:19,080 --> 02:08:22,480
Speaker 1: the man who told me this. I said, you're trying

2049
02:08:22,520 --> 02:08:28,040
Speaker 1: to funk with my sleep. Nigga. I said, I sleep

2050
02:08:29,440 --> 02:08:35,680
Speaker 1: very good. I sleep so well, I said, nigga, if

2051
02:08:35,720 --> 02:08:38,600
Speaker 1: I was to do any disloyal ship to the negative

2052
02:08:38,680 --> 02:08:42,000
Speaker 1: who have shown me nothing but love, honor and respect,

2053
02:08:43,960 --> 02:08:47,040
Speaker 1: I said, my nigga, you're gonna have me not being

2054
02:08:47,240 --> 02:08:53,760
Speaker 1: able to sleep. I need my rest because I go odd.

2055
02:08:55,880 --> 02:08:59,360
Speaker 1: Real niggas could related. My mother, Ninny, who I love

2056
02:08:59,440 --> 02:09:01,760
Speaker 1: and worship put above God. When I was going through

2057
02:09:01,800 --> 02:09:05,360
Speaker 1: the fetship, she said, IRV just taking you away for

2058
02:09:05,440 --> 02:09:08,560
Speaker 1: twenty years? What about your kids? And it was her

2059
02:09:08,720 --> 02:09:11,000
Speaker 1: my Nity and Poppy and my mother and my father,

2060
02:09:11,280 --> 02:09:14,000
Speaker 1: and she was basically saying, tell the fans whatever the fund,

2061
02:09:14,080 --> 02:09:17,280
Speaker 1: just get him away from you and offer you. I said, Nini,

2062
02:09:17,840 --> 02:09:22,040
Speaker 1: you're trying to funk with my sleep. Mom. You know

2063
02:09:22,040 --> 02:09:25,560
Speaker 1: what my pop saying, leave Malone. Our son is a man.

2064
02:09:26,800 --> 02:09:32,120
Speaker 1: Real ship, my pop said. Joe told my mother leave malone.

2065
02:09:33,080 --> 02:09:35,800
Speaker 1: Our son is a fucking man. So if it's anything

2066
02:09:35,920 --> 02:09:39,480
Speaker 1: else facing the man is, if it's anything one more

2067
02:09:39,600 --> 02:09:43,000
Speaker 1: thing else than you would take away? What would you?

2068
02:09:43,560 --> 02:09:48,200
Speaker 1: J Loo? Yeah this day Jo, it was Jo. Jo

2069
02:09:48,320 --> 02:09:51,520
Speaker 1: was yeah, like in the magazine, this is, this is

2070
02:09:51,720 --> 02:09:58,960
Speaker 1: on Ecstacy. This is because you know we love Ecstacy stories. Okay,

2071
02:09:59,080 --> 02:10:04,400
Speaker 1: sorry you, let's good with Jo first, Yo, Yo, just relaxed,

2072
02:10:05,360 --> 02:10:09,360
Speaker 1: tied my nigger. I thinking your ship but fucking up.

2073
02:10:09,960 --> 02:10:13,360
Speaker 1: The j Loo story is, I'm I'm an asshole. I'm

2074
02:10:13,400 --> 02:10:16,600
Speaker 1: an idiot at the highest level. J Loo was like

2075
02:10:16,720 --> 02:10:20,200
Speaker 1: one of my really really good friends. Man, she was

2076
02:10:20,280 --> 02:10:22,800
Speaker 1: going like this, she was throwing up to the end.

2077
02:10:23,720 --> 02:10:27,120
Speaker 1: She was rapping, man, she was rapping and and she

2078
02:10:27,360 --> 02:10:30,360
Speaker 1: called me and she said, hey, I'm on the cover

2079
02:10:30,480 --> 02:10:33,680
Speaker 1: of EL magazine. And I told him to call you

2080
02:10:34,120 --> 02:10:39,400
Speaker 1: to get quotes. So I said, all good. Like j

2081
02:10:39,560 --> 02:10:41,240
Speaker 1: Loo was like our sister. She was like me and

2082
02:10:41,320 --> 02:10:44,520
Speaker 1: John's sister, like we love the murdering. All my niggas

2083
02:10:44,560 --> 02:10:48,240
Speaker 1: loved U, like everyone loved up, and I sucked up.

2084
02:10:48,440 --> 02:10:53,000
Speaker 1: So L magazine calls me. Now, let me give you

2085
02:10:53,040 --> 02:10:56,000
Speaker 1: the prequel to the call. I'm on the phone with

2086
02:10:56,080 --> 02:11:01,080
Speaker 1: Tommy Mantola. Tommy Matola was the president of Tomatola is

2087
02:11:01,160 --> 02:11:03,880
Speaker 1: the chairman of Sony Records. He was the rule of

2088
02:11:03,960 --> 02:11:07,640
Speaker 1: Sony Records. So I won the phone with Tommy Moutola

2089
02:11:08,480 --> 02:11:13,280
Speaker 1: because they put Cadillac TI in the video for Ain't

2090
02:11:13,280 --> 02:11:18,120
Speaker 1: it funny Cadillac tying my artists? They put in the video,

2091
02:11:18,560 --> 02:11:21,920
Speaker 1: but they serviced the record to radio without the morning

2092
02:11:22,840 --> 02:11:27,240
Speaker 1: which I'm like, yo, you you're killing me because you

2093
02:11:27,320 --> 02:11:30,360
Speaker 1: send him mixed signals. You're basically saying he ain't whacky

2094
02:11:30,440 --> 02:11:32,880
Speaker 1: enough for radio or he's whacked to whack for radio.

2095
02:11:33,160 --> 02:11:35,280
Speaker 1: So I'm heated. I'm like, you shouldn't let me put

2096
02:11:35,320 --> 02:11:36,640
Speaker 1: him in a video if he was gonna do that,

2097
02:11:36,760 --> 02:11:39,720
Speaker 1: you fucking idiot. Just like they get when they ed

2098
02:11:41,400 --> 02:11:45,080
Speaker 1: Ty was in the video, Sony service to record to

2099
02:11:45,280 --> 02:11:49,680
Speaker 1: radio without him on it, so they seen him in

2100
02:11:49,720 --> 02:11:52,280
Speaker 1: the video, but you didn't him on the radio vidio.

2101
02:11:53,280 --> 02:11:55,040
Speaker 1: And I was like, how are you doing this to me?

2102
02:11:55,080 --> 02:11:59,360
Speaker 1: I gave you two number one, you fucking motherfucker. And

2103
02:11:59,520 --> 02:12:03,600
Speaker 1: he had said some bullshit like he's been telling what

2104
02:12:04,200 --> 02:12:08,040
Speaker 1: he says and raised his ship, telling to a big dog,

2105
02:12:08,240 --> 02:12:12,280
Speaker 1: let's keep it. He called Corey Rooney like a fat motherfucker,

2106
02:12:13,000 --> 02:12:16,000
Speaker 1: but he may use it in word right. So when

2107
02:12:16,040 --> 02:12:18,560
Speaker 1: he did that, I said, what the fund you just say?

2108
02:12:19,080 --> 02:12:20,480
Speaker 1: And I tell me much did you want to see

2109
02:12:20,480 --> 02:12:23,880
Speaker 1: on the fuck you up and Straightening Ship? He said, oh,

2110
02:12:24,320 --> 02:12:26,360
Speaker 1: what did you just say? He said, IRV and he

2111
02:12:26,440 --> 02:12:28,440
Speaker 1: apologized and he was like he didn't mean to say.

2112
02:12:28,440 --> 02:12:29,680
Speaker 1: It was in the heat at the moment because we

2113
02:12:29,800 --> 02:12:31,720
Speaker 1: was arguing with I said, when I see him fuck

2114
02:12:31,800 --> 02:12:34,640
Speaker 1: your grass up? Me and Timmy is good now, like

2115
02:12:34,800 --> 02:12:37,000
Speaker 1: we're cool with you understand it was? It was. It

2116
02:12:37,080 --> 02:12:39,720
Speaker 1: was a heating conversation. Let me interject that was on

2117
02:12:39,840 --> 02:12:44,280
Speaker 1: three extasy pills at when you said that super timesman

2118
02:12:45,760 --> 02:12:48,400
Speaker 1: every day for like I was, I was on the

2119
02:12:48,400 --> 02:12:51,000
Speaker 1: little Fishies. I don't know if you know what the fishies?

2120
02:12:51,480 --> 02:12:57,000
Speaker 1: What the fishes? Was a concession like that when I

2121
02:12:57,080 --> 02:13:01,200
Speaker 1: hate cadillacs. You're like, not in two thousand three, two

2122
02:13:01,240 --> 02:13:07,440
Speaker 1: thousand four, you're in two thousand understanding I'm talking about

2123
02:13:07,480 --> 02:13:12,200
Speaker 1: the fishes. I'm talking about two thousand to two thousand three.

2124
02:13:12,720 --> 02:13:15,600
Speaker 1: We're on Pluto. We're on Pluto, and I was on

2125
02:13:15,760 --> 02:13:18,560
Speaker 1: three and I want to interject as as as part.

2126
02:13:18,920 --> 02:13:22,879
Speaker 1: So I finished streaming on time and Mantola saying, Yo, basically,

2127
02:13:22,920 --> 02:13:24,600
Speaker 1: I hang up on time in Toolaly saying I'm gonna

2128
02:13:24,600 --> 02:13:27,440
Speaker 1: see you and I'm gonna fuck you up, laughing this

2129
02:13:27,560 --> 02:13:31,840
Speaker 1: nigga gonna suck you up. Hang the phone up. My

2130
02:13:32,000 --> 02:13:34,040
Speaker 1: brother's there. I'm like, Yo, the snier. When we see

2131
02:13:34,040 --> 02:13:37,400
Speaker 1: the snia fuck this sting up straight like that. I

2132
02:13:37,440 --> 02:13:38,680
Speaker 1: think he's just like, what are you saying? I like

2133
02:13:38,960 --> 02:13:40,760
Speaker 1: you listen, don't worry about it. The boss said, we're

2134
02:13:40,760 --> 02:13:43,040
Speaker 1: gonna say, will be sucking gets up when I get

2135
02:13:43,080 --> 02:13:45,960
Speaker 1: the kicking and get the kicking, you understand. So boom

2136
02:13:46,040 --> 02:13:50,000
Speaker 1: so down. They're like, okay, okay. The phone rings immediately.

2137
02:13:51,560 --> 02:13:53,960
Speaker 1: This is such a shots from l magazine And I

2138
02:13:54,080 --> 02:13:56,000
Speaker 1: told you cause I said, hear, what the fuck you want?

2139
02:13:56,440 --> 02:13:59,520
Speaker 1: Straight like that, He's seeing he had a live one

2140
02:14:00,400 --> 02:14:03,840
Speaker 1: and he says, oh, okay, I'll get straight to it. Listen.

2141
02:14:04,200 --> 02:14:07,560
Speaker 1: J Lo says that the I'm real record, it's not

2142
02:14:07,720 --> 02:14:12,880
Speaker 1: about Diddy. What that bitch lion? So you just went

2143
02:14:12,960 --> 02:14:19,320
Speaker 1: off talking about it. Eron listen. I see how nigs like, oh,

2144
02:14:19,720 --> 02:14:22,360
Speaker 1: we meed you saying it when you read it is

2145
02:14:22,560 --> 02:14:29,200
Speaker 1: so much worse j Lo. I'm not talking about Diddy

2146
02:14:29,920 --> 02:14:35,160
Speaker 1: and I'm real. Next line, God, he says that bitch

2147
02:14:35,680 --> 02:14:41,800
Speaker 1: is O and that's your home. I love her. Yeah,

2148
02:14:42,160 --> 02:14:45,800
Speaker 1: you did not care that. That's a reverse. I love

2149
02:14:45,960 --> 02:14:48,480
Speaker 1: j Low to this day. I love us. If I

2150
02:14:48,560 --> 02:14:50,840
Speaker 1: see another one, if I see someone, even with Jaylo,

2151
02:14:50,880 --> 02:14:55,520
Speaker 1: I'm jumping up. We love Jlo would never trust me again.

2152
02:14:55,600 --> 02:14:58,080
Speaker 1: I made two records for Jaylo. I'm really need it funny,

2153
02:14:58,120 --> 02:15:02,240
Speaker 1: I have not made another one. You gotta make it right,

2154
02:15:03,080 --> 02:15:08,080
Speaker 1: snowmaking it right. I fucking am an idiot. I abandoned

2155
02:15:08,160 --> 02:15:11,360
Speaker 1: her trust and her loyalty. And if she says till

2156
02:15:11,480 --> 02:15:16,200
Speaker 1: she goes in the cast, get fucker Gotti. I deserved it,

2157
02:15:17,680 --> 02:15:23,640
Speaker 1: that's all. That's the truth. I deserve it. What idiot

2158
02:15:23,920 --> 02:15:25,880
Speaker 1: has the biggest star in the world. I could be

2159
02:15:25,960 --> 02:15:28,440
Speaker 1: making I could have made two movies with her. Benny

2160
02:15:28,680 --> 02:15:31,480
Speaker 1: Benny Medina, who's a manager, was like, after those two,

2161
02:15:31,840 --> 02:15:33,840
Speaker 1: don't both of those records. I don't really win number

2162
02:15:33,840 --> 02:15:36,560
Speaker 1: one for twenty one weeks. Uh, A'm funny went number

2163
02:15:36,560 --> 02:15:39,880
Speaker 1: one for fifteen weeks. Check the stacks, google it right,

2164
02:15:40,200 --> 02:15:44,840
Speaker 1: So boom, I gave her the two Biggest Records, figured

2165
02:15:44,880 --> 02:15:47,840
Speaker 1: out the formula that's gonna work specifically for her, and

2166
02:15:47,960 --> 02:15:52,640
Speaker 1: did no more records. Bennie mcdina was like, yo, IRV

2167
02:15:52,720 --> 02:15:56,280
Speaker 1: Gotti is doing all music. He's executive producing her albums.

2168
02:15:56,640 --> 02:16:00,320
Speaker 1: We need like love me, j Lo, love me, I

2169
02:16:00,440 --> 02:16:03,800
Speaker 1: love not j used to go like this and photos.

2170
02:16:03,920 --> 02:16:07,080
Speaker 1: She threw the m zone like yo, like this, like

2171
02:16:07,240 --> 02:16:11,640
Speaker 1: she was Nigga. I was with this and I disrespected

2172
02:16:11,800 --> 02:16:16,280
Speaker 1: and abandoned that ship. This fuck me forever. I don't

2173
02:16:16,320 --> 02:16:20,280
Speaker 1: even like I apologize to a hundred times. And every

2174
02:16:20,320 --> 02:16:22,760
Speaker 1: time I see it, I just bowed my head. And

2175
02:16:22,840 --> 02:16:25,480
Speaker 1: that's all I could do. If she never fus with

2176
02:16:25,560 --> 02:16:28,400
Speaker 1: me again, she has every right to say fuck her.

2177
02:16:28,480 --> 02:16:30,960
Speaker 1: Of Gotti and I have. She could throw ship in

2178
02:16:31,080 --> 02:16:33,400
Speaker 1: my face, she could do whatever, and I'll sit there

2179
02:16:33,400 --> 02:16:35,520
Speaker 1: and take it and like I deserve everything that you

2180
02:16:35,680 --> 02:16:40,320
Speaker 1: fucking give to me because and listen, we was like friends.

2181
02:16:41,520 --> 02:16:46,199
Speaker 1: We was friends, man, we was friends. I told about

2182
02:16:46,240 --> 02:16:53,959
Speaker 1: the Remember when Shog was saying he had listen, Remember listen, listen,

2183
02:16:55,280 --> 02:16:57,920
Speaker 1: hold on. Remember what Sugar was saying that your U

2184
02:16:58,440 --> 02:17:04,280
Speaker 1: sess tape with her. What we're saying he had a

2185
02:17:04,400 --> 02:17:08,560
Speaker 1: sex tape on j Loo. Okay, Nigga, I went there.

2186
02:17:08,680 --> 02:17:11,920
Speaker 1: I'm sure, nigga, she do this. Nigga, you can't do that, Nigga,

2187
02:17:12,680 --> 02:17:14,800
Speaker 1: he's a gotty she with you. I said, she's the best,

2188
02:17:14,920 --> 02:17:19,119
Speaker 1: more fucking world. Nigg You can't do that, nigga, destroy

2189
02:17:19,280 --> 02:17:21,800
Speaker 1: that ship if you got it, he said, Yo, got

2190
02:17:21,959 --> 02:17:25,440
Speaker 1: it for you? Tell her no ever see that ship?

2191
02:17:26,280 --> 02:17:30,320
Speaker 1: Has anyone ever seen that ship? But this is the

2192
02:17:30,400 --> 02:17:33,640
Speaker 1: friendship that I had with her, Like, I love j

2193
02:17:33,879 --> 02:17:37,800
Speaker 1: log Like, I'm so pissed at myself for doing that.

2194
02:17:37,959 --> 02:17:41,440
Speaker 1: That's what. Listen. That the biggest She's gonna feed this

2195
02:17:41,680 --> 02:17:47,560
Speaker 1: na Listen, listen if she sees it. Yo, you know

2196
02:17:47,840 --> 02:17:52,080
Speaker 1: I love you j Loan like your friend. Listen, I

2197
02:17:52,240 --> 02:17:55,920
Speaker 1: love you and I totally yet and I totally get it.

2198
02:17:57,680 --> 02:18:04,920
Speaker 1: Give me a blood girl the girl. Let me tell

2199
02:18:04,920 --> 02:18:07,440
Speaker 1: you about j lo She the coolest nigger. Like when

2200
02:18:07,480 --> 02:18:09,879
Speaker 1: she was the biggest superstar, she was hanging around with us,

2201
02:18:10,200 --> 02:18:14,040
Speaker 1: and she's not only like everyone in murdering. Everyone of murdering.

2202
02:18:14,200 --> 02:18:16,400
Speaker 1: Was mad at my gut. What the funk wrong you, nigga,

2203
02:18:16,400 --> 02:18:18,520
Speaker 1: I said, y'all was high, Nigga, I was fucked up

2204
02:18:18,920 --> 02:18:21,760
Speaker 1: and just thinking Tommy had me on some bullshit man,

2205
02:18:22,840 --> 02:18:24,400
Speaker 1: but everyone was mad at me, like what did you

2206
02:18:24,520 --> 02:18:28,720
Speaker 1: do that for? Yo? Like j Lows with us j

2207
02:18:28,879 --> 02:18:31,760
Speaker 1: Lo with us nick we love j logo and I

2208
02:18:31,920 --> 02:18:33,520
Speaker 1: was like, I didn't have an X. I was like

2209
02:18:33,640 --> 02:18:36,280
Speaker 1: I was high, which I was, and that's I was

2210
02:18:36,320 --> 02:18:40,720
Speaker 1: out of my mind, comes out of my mind. But

2211
02:18:40,800 --> 02:18:43,199
Speaker 1: it ain't no excuse. So that's why she shi sold

2212
02:18:43,240 --> 02:18:47,960
Speaker 1: me too forever. I gotta accept that. I gotta accept

2213
02:18:48,040 --> 02:18:52,160
Speaker 1: it because yeah, I was gonna say, because she's like's

2214
02:18:52,480 --> 02:18:56,040
Speaker 1: right there, like shows and biggest got he couldnt come.

2215
02:19:02,360 --> 02:19:05,600
Speaker 1: I mean when they did to show the b really

2216
02:19:05,680 --> 02:19:09,000
Speaker 1: make that up? No, not he made that. She would

2217
02:19:09,040 --> 02:19:11,680
Speaker 1: never say that because I've come to show ruling hum

2218
02:19:12,120 --> 02:19:14,440
Speaker 1: and as I said, hey j Loo and she says, hi,

2219
02:19:14,959 --> 02:19:17,000
Speaker 1: but you know it's the thing we had. She will

2220
02:19:17,080 --> 02:19:20,320
Speaker 1: never trust me. And I don't blame her, and I

2221
02:19:20,400 --> 02:19:22,560
Speaker 1: don't blame her. I love j Low and then she

2222
02:19:22,640 --> 02:19:25,200
Speaker 1: don't love me. I'll just I mean, I think it's

2223
02:19:25,240 --> 02:19:28,760
Speaker 1: honest that you're saying that. It's rail. It's like it's

2224
02:19:28,800 --> 02:19:31,440
Speaker 1: no if I told you, I speak, I always speak

2225
02:19:31,480 --> 02:19:35,280
Speaker 1: the truth. I fucked up. I sucked up majorly with

2226
02:19:35,640 --> 02:19:39,720
Speaker 1: this with a superstar. But I'm telling you that matter

2227
02:19:39,920 --> 02:19:43,560
Speaker 1: three fishies. I was on three fish eats. I'm glad

2228
02:19:43,560 --> 02:19:46,200
Speaker 1: I never had a fish You never let me tell you,

2229
02:19:46,360 --> 02:19:49,240
Speaker 1: brother nig my man, I ain't gonna say his name

2230
02:19:49,280 --> 02:19:53,920
Speaker 1: because he'd be like, know like that, I don't know. Hey,

2231
02:19:54,040 --> 02:19:58,360
Speaker 1: my man, this thing called the Purple Waifer. This ship,

2232
02:19:59,240 --> 02:20:01,920
Speaker 1: it was like a and tupple stack whatever five times

2233
02:20:02,000 --> 02:20:04,360
Speaker 1: whenever you're saying she was a huge pill. So my

2234
02:20:04,520 --> 02:20:09,800
Speaker 1: man tells me, dotty, you do this, take a piece,

2235
02:20:10,440 --> 02:20:13,080
Speaker 1: don't do the whole thing, the whole joint. Come on,

2236
02:20:13,160 --> 02:20:18,119
Speaker 1: he and all that met. You know how to tell bitches.

2237
02:20:18,200 --> 02:20:20,879
Speaker 1: I'm like, you take half a shower when you're happy,

2238
02:20:21,280 --> 02:20:24,160
Speaker 1: we do the whole ship over right. So bool, I

2239
02:20:24,280 --> 02:20:26,600
Speaker 1: did the whole ship, and my bitch didn't the whole ship.

2240
02:20:28,160 --> 02:20:30,920
Speaker 1: I had hallucinations. I used to be there. I would

2241
02:20:30,920 --> 02:20:35,040
Speaker 1: be the shower. The ship would feel like that. She

2242
02:20:35,160 --> 02:20:37,200
Speaker 1: would feel like we're turn hot. I would tell him

2243
02:20:37,200 --> 02:20:40,480
Speaker 1: a bit showing the devil's here. Get off the shower, bo,

2244
02:20:40,640 --> 02:20:44,160
Speaker 1: we get on the shower, right on the shower, will

2245
02:20:44,240 --> 02:20:46,720
Speaker 1: mind you? I'm like, wait a minute, vendo, I'm sucking

2246
02:20:46,840 --> 02:20:50,640
Speaker 1: up listen me this protection. Then I will look at

2247
02:20:50,680 --> 02:20:53,840
Speaker 1: the TV that I was shrimming. I was shrimping for real.

2248
02:20:53,959 --> 02:20:55,920
Speaker 1: Now I don't look at the TV. Look I was

2249
02:20:56,000 --> 02:20:58,360
Speaker 1: like that ship the Devil's here. I would think the

2250
02:20:58,480 --> 02:21:01,600
Speaker 1: TV and the cartoon cat because we don't trying to stop.

2251
02:21:02,040 --> 02:21:04,640
Speaker 1: You have experience like that that gives you focused that

2252
02:21:04,920 --> 02:21:11,160
Speaker 1: what drug are we talking about again? It's actually piper.

2253
02:21:11,240 --> 02:21:14,600
Speaker 1: It was called the Purple Purple Waifer and we don't

2254
02:21:14,640 --> 02:21:17,920
Speaker 1: want your life. And the drug dealer who sold it

2255
02:21:18,000 --> 02:21:20,720
Speaker 1: to me said, dotty, don't take this. Let's let's tell

2256
02:21:20,800 --> 02:21:27,000
Speaker 1: on one side what going involve his day that well

2257
02:21:27,080 --> 02:21:33,960
Speaker 1: and saying this is one his name was one we

2258
02:21:34,120 --> 02:21:37,760
Speaker 1: live in he Wan. It wasn't it wasn't one stop,

2259
02:21:37,959 --> 02:21:42,640
Speaker 1: it was what was down? Okay, listen, all right, how

2260
02:21:42,760 --> 02:21:49,920
Speaker 1: much cocaine did Bobby Brown do? What good day? Bobby

2261
02:21:49,959 --> 02:21:53,160
Speaker 1: Brown is my nigga? Did you see he did? The

2262
02:21:53,240 --> 02:21:57,279
Speaker 1: interview said and he did something we said he fried

2263
02:21:58,560 --> 02:22:01,960
Speaker 1: shaking on cope. Can it's usually like it was, that's

2264
02:22:02,080 --> 02:22:05,960
Speaker 1: like in the powder. That's the hardest thing. Like Tony

2265
02:22:06,280 --> 02:22:08,400
Speaker 1: he killed Tony my Tanner. And then with that one,

2266
02:22:08,959 --> 02:22:14,680
Speaker 1: come on, guy who was basically chicken flower cocaine play.

2267
02:22:15,360 --> 02:22:17,400
Speaker 1: You know, I don't give no credit to these guys.

2268
02:22:18,120 --> 02:22:20,400
Speaker 1: Let's think about because he's because you're not black. You're

2269
02:22:20,400 --> 02:22:24,959
Speaker 1: good when you look keeper. No, it's a black person day.

2270
02:22:25,280 --> 02:22:27,840
Speaker 1: If you it's not cool, Let's don't say that lasts

2271
02:22:27,879 --> 02:22:30,200
Speaker 1: and we just tell you something. If you don't, if

2272
02:22:30,240 --> 02:22:33,400
Speaker 1: you're Donna cook Fried ticket, we're going thirty pieces of more.

2273
02:22:33,720 --> 02:22:36,480
Speaker 1: Who we going dirty? If we going dirty? Pieces of more?

2274
02:22:37,080 --> 02:22:43,080
Speaker 1: So flun Bobby the Fried Ticket, come hard, hold hit

2275
02:22:43,240 --> 02:22:49,320
Speaker 1: the ball. You the Bob Star, which I say, was

2276
02:22:49,560 --> 02:22:52,920
Speaker 1: nothing wrong. I love Bobby Brown. You let me take

2277
02:22:53,280 --> 02:23:00,480
Speaker 1: We need Bobby drink Champs as well his job drink Listen.

2278
02:23:01,120 --> 02:23:07,440
Speaker 1: I love Bobby Brown. Okay, I should have knew something

2279
02:23:07,600 --> 02:23:11,600
Speaker 1: was fucking fishy, right, you should have knew some of

2280
02:23:11,680 --> 02:23:19,960
Speaker 1: it from the session automatic. The session was was legendary. Yeah,

2281
02:23:20,240 --> 02:23:29,040
Speaker 1: we where Miami's Hit Factory. Bob comes in and mind you,

2282
02:23:29,120 --> 02:23:32,200
Speaker 1: I've never seen Bob physically du cold. I never see

2283
02:23:32,240 --> 02:23:36,840
Speaker 1: he never did lines from me but Bob, and he

2284
02:23:37,040 --> 02:23:42,000
Speaker 1: was super natural, super natural, And he comes into the

2285
02:23:42,040 --> 02:23:44,080
Speaker 1: studio and I think the A C was off because

2286
02:23:44,080 --> 02:23:47,000
Speaker 1: the Hit Factory. Something was always wrong. You know, the

2287
02:23:47,080 --> 02:23:51,280
Speaker 1: session was like Comble hours but saying hour. The shirt

2288
02:23:51,400 --> 02:23:58,320
Speaker 1: is off and Bob is after the stroke, after the stroke,

2289
02:23:59,040 --> 02:24:01,840
Speaker 1: before the stroke. I think it's before the show. This

2290
02:24:02,040 --> 02:24:05,760
Speaker 1: was before the show. But he's off the shots. The

2291
02:24:05,840 --> 02:24:08,240
Speaker 1: thing is, I'm like, okay, he's doing a low note.

2292
02:24:08,400 --> 02:24:13,400
Speaker 1: I know you're getting bored. Damn right. Hey if all

2293
02:24:13,480 --> 02:24:16,480
Speaker 1: producers then know the low note is important, it's the feeling.

2294
02:24:17,080 --> 02:24:20,360
Speaker 1: So now I said okay, Bob and lives. He said,

2295
02:24:20,360 --> 02:24:22,080
Speaker 1: I got you gotta. He says, give me, give me

2296
02:24:22,200 --> 02:24:26,920
Speaker 1: like ten twenty minutes he goes, he comes back. Charlie

2297
02:24:26,959 --> 02:24:30,760
Speaker 1: Bollamar is in the session as well. Oh he's hollering.

2298
02:24:31,160 --> 02:24:40,560
Speaker 1: He's like, Charlie, what by this time over the places? None, listen, listen.

2299
02:24:40,680 --> 02:24:42,360
Speaker 1: By this time, my shirt is off because it's hon

2300
02:24:42,480 --> 02:24:44,240
Speaker 1: is a mothercker. So this is thing. He's in the studio,

2301
02:24:44,879 --> 02:25:01,600
Speaker 1: you know the ad lite. He's going like, but I'm

2302
02:25:01,640 --> 02:25:05,520
Speaker 1: like to getting this hot. I was I was hot.

2303
02:25:05,800 --> 02:25:07,800
Speaker 1: I'm gonna be honest. This is a period when I

2304
02:25:07,920 --> 02:25:12,360
Speaker 1: was high on three. So he's three, he's hot. I'm hot.

2305
02:25:12,959 --> 02:25:15,720
Speaker 1: That's how that record was sucking made. Okay, I was

2306
02:25:15,760 --> 02:25:19,160
Speaker 1: made on two niggas that was very high, right, so

2307
02:25:19,280 --> 02:25:22,200
Speaker 1: fo we're hot. And then motherfucking now he was the

2308
02:25:22,280 --> 02:25:25,960
Speaker 1: only thing we Bob did brand I shouldn't have did

2309
02:25:26,000 --> 02:25:29,520
Speaker 1: a t bt X, is granted because when I did

2310
02:25:29,600 --> 02:25:33,000
Speaker 1: the bt X, ball was on that mother he was

2311
02:25:33,080 --> 02:25:36,320
Speaker 1: broading his teeth. I think it was gronding this taket

2312
02:25:36,640 --> 02:25:39,960
Speaker 1: and everyone knew this thing it's hot, and it tainted

2313
02:25:40,200 --> 02:25:43,400
Speaker 1: the autistry of the record, you know what I'm saying,

2314
02:25:43,720 --> 02:25:46,440
Speaker 1: because it made you ship like a cocaine record and

2315
02:25:46,640 --> 02:25:51,280
Speaker 1: laid out should like drudging deuce record, and which it was.

2316
02:25:52,280 --> 02:25:57,560
Speaker 1: Wasn't able to love it. We was okay, okay, okay.

2317
02:26:00,120 --> 02:26:04,360
Speaker 1: Who shot the video? Nigga? I spent a million one

2318
02:26:04,400 --> 02:26:06,360
Speaker 1: on that video, just on some ignorant sh I said,

2319
02:26:06,360 --> 02:26:08,720
Speaker 1: think I want to shut down Hollywood Boulevard things like

2320
02:26:08,800 --> 02:26:11,440
Speaker 1: n that's gonna take like three hundred thousand. I said, paying,

2321
02:26:15,200 --> 02:26:18,680
Speaker 1: Let's just get so much money. I wants three undergrad pay.

2322
02:26:19,080 --> 02:26:22,440
Speaker 1: We locked down Holland for like three blocks, put the

2323
02:26:22,520 --> 02:26:24,600
Speaker 1: side of thing and said murder rinking. He was just

2324
02:26:24,720 --> 02:26:30,120
Speaker 1: running around your cup empty. Oh bro, we got more ship. Yeah,

2325
02:26:31,680 --> 02:26:36,840
Speaker 1: that's a champagne like, hey, hey all drink chat this

2326
02:26:36,920 --> 02:26:43,560
Speaker 1: ship is official, like I really fun drinking drinking brok

2327
02:26:44,120 --> 02:26:48,520
Speaker 1: like the old bullshit aside, this ship is real. I'm

2328
02:26:48,560 --> 02:26:54,440
Speaker 1: really fucked up. Legree, chairs is legit. I've never lied

2329
02:26:54,520 --> 02:26:56,920
Speaker 1: in my life. I don't lie. The reason why I

2330
02:26:57,040 --> 02:27:00,840
Speaker 1: don't lie everyone is because I had theory think people

2331
02:27:00,920 --> 02:27:03,280
Speaker 1: lie when they're afraid. I'm afraid of nothing, so I

2332
02:27:03,400 --> 02:27:06,640
Speaker 1: never lied, right, But God, so the truth here is

2333
02:27:06,920 --> 02:27:22,000
Speaker 1: I am truly fucked up. Dat me. You know what

2334
02:27:22,360 --> 02:27:25,680
Speaker 1: you know? What you know are good for Leo. So

2335
02:27:25,840 --> 02:27:29,560
Speaker 1: Leo and what calls that he brings me to the

2336
02:27:29,600 --> 02:27:31,840
Speaker 1: Polo allows that ain't much. You know. I'm still gonna

2337
02:27:31,879 --> 02:27:34,240
Speaker 1: dude from Left Right City like I don't really like,

2338
02:27:34,680 --> 02:27:37,520
Speaker 1: but I know what I'm doing for Leo. He wants

2339
02:27:37,560 --> 02:27:39,600
Speaker 1: to come to me, and he wants to sit down

2340
02:27:39,640 --> 02:27:44,120
Speaker 1: with me. He says, you know why I love Drink Champs,

2341
02:27:44,720 --> 02:27:46,880
Speaker 1: And I said, what's up? He said, the fact that

2342
02:27:47,080 --> 02:27:50,600
Speaker 1: Leo Cohen watches Drink Champs and study Drink Champs is

2343
02:27:50,640 --> 02:27:53,480
Speaker 1: what makes him to me, in my opinion, one of

2344
02:27:53,560 --> 02:27:59,360
Speaker 1: the dopest executives. Go ahead, so he goes. You guys,

2345
02:27:59,440 --> 02:28:05,120
Speaker 1: don't do the gossip. It's not t MC no, you

2346
02:28:05,360 --> 02:28:08,680
Speaker 1: you celebrate people. So, just in case you didn't know

2347
02:28:08,879 --> 02:28:11,760
Speaker 1: why you were here tonight, don't get it twisted. Don't

2348
02:28:11,800 --> 02:28:14,640
Speaker 1: get it twisted, get it twisted. We're here to celebrate

2349
02:28:14,720 --> 02:28:23,360
Speaker 1: the motherfucker life. First, we celebrate the leg for motherfucking

2350
02:28:23,440 --> 02:28:31,200
Speaker 1: IRV got it. I didn't see in a hip hop

2351
02:28:31,480 --> 02:28:34,760
Speaker 1: in hip hop. In hip hop, you gotta throw a

2352
02:28:34,879 --> 02:28:38,520
Speaker 1: drink on it, and the you know, in the new

2353
02:28:38,640 --> 02:28:42,520
Speaker 1: era hip hop, you gotta fight somebody here. Yeah, some viral,

2354
02:28:43,000 --> 02:28:46,560
Speaker 1: get a viral? Do over here what we're doing over here?

2355
02:28:46,560 --> 02:28:50,240
Speaker 1: We're here, sit here, we celebrate your history. We sit

2356
02:28:50,280 --> 02:28:54,640
Speaker 1: here and say, you know, this is our history. But

2357
02:28:54,760 --> 02:28:57,400
Speaker 1: y'all get ship that other niggas can't get Yeah, because

2358
02:28:57,560 --> 02:29:02,640
Speaker 1: that's the way it up. Yeah, that's the way we

2359
02:29:02,800 --> 02:29:05,520
Speaker 1: all decided to get funked up to as well. Who

2360
02:29:05,600 --> 02:29:08,160
Speaker 1: don't want to get sucked up? Exactly when you funked up?

2361
02:29:08,240 --> 02:29:15,120
Speaker 1: You feel good? I feel good now now let's just

2362
02:29:15,280 --> 02:29:19,360
Speaker 1: throw it out there. It's in all either guy who

2363
02:29:19,440 --> 02:29:22,400
Speaker 1: invented penot Gleisio and hip hop. I felt like I did.

2364
02:29:22,520 --> 02:29:24,720
Speaker 1: I can't murder, ain't I can tell you no, no nothing,

2365
02:29:25,560 --> 02:29:30,800
Speaker 1: speak on it. You gotta share publishing. You gotta share.

2366
02:29:31,959 --> 02:29:35,480
Speaker 1: I'm gonna be honest with you. You get listen, you

2367
02:29:35,680 --> 02:29:40,240
Speaker 1: get older credit. Listen, you get a little credit for

2368
02:29:42,360 --> 02:29:47,560
Speaker 1: everybody I remember. Oh you w you speak on Penot.

2369
02:29:47,879 --> 02:29:51,600
Speaker 1: You get all of the credit for the underground. Okay,

2370
02:29:52,200 --> 02:29:56,560
Speaker 1: the stream who drink? Who started drinking? Pinot's coming? But

2371
02:29:56,720 --> 02:30:03,000
Speaker 1: you gotta share publishing credit more rya Carrie. Oh no,

2372
02:30:03,400 --> 02:30:07,160
Speaker 1: that's one percent. Okay, there's one, so you feel me?

2373
02:30:08,400 --> 02:30:12,200
Speaker 1: Ran carry who's on torpedo greasy ship? Yeah, come on,

2374
02:30:12,480 --> 02:30:18,520
Speaker 1: lamb me drink this. I checked Mariah for close, like

2375
02:30:18,560 --> 02:30:22,320
Speaker 1: I don't gonna stop saying fucking lam me. But listen,

2376
02:30:22,400 --> 02:30:26,320
Speaker 1: let me just tell you something. At one point I

2377
02:30:26,400 --> 02:30:29,480
Speaker 1: had like a crazy hot record we all signed the

2378
02:30:29,560 --> 02:30:31,960
Speaker 1: Deaf Can but Me and Rule live together. And I

2379
02:30:32,120 --> 02:30:35,920
Speaker 1: came to the office murdering Golfice and y'all niggas is

2380
02:30:36,000 --> 02:30:40,360
Speaker 1: Remy Martin? Correct? Rules, Remy Martin? Yes. Then he he

2381
02:30:40,440 --> 02:30:43,280
Speaker 1: transformed to Christal. He had he had like one of

2382
02:30:43,400 --> 02:30:46,800
Speaker 1: two years of nigga when he woke up a bottle

2383
02:30:46,800 --> 02:30:49,520
Speaker 1: of Remy. He was like Christal was his ship when

2384
02:30:49,560 --> 02:30:55,160
Speaker 1: he just went but not sponsorship ship, right, No, none

2385
02:30:55,160 --> 02:30:58,720
Speaker 1: of this is he drank that ship with drink Remy

2386
02:30:58,760 --> 02:31:02,840
Speaker 1: Martin when he woke up with people drink orange juice,

2387
02:31:02,959 --> 02:31:06,080
Speaker 1: maybe some water he had ring me and a fresh

2388
02:31:06,200 --> 02:31:14,680
Speaker 1: bottom like ship. Ye yeah, that's he's And then let

2389
02:31:14,760 --> 02:31:19,240
Speaker 1: me just tell yourself that I game with a case

2390
02:31:19,360 --> 02:31:22,800
Speaker 1: of Santa Marga win the Peter Ways. You know, nigga

2391
02:31:22,879 --> 02:31:27,600
Speaker 1: said you'll drink one because there's there's the Haiti error

2392
02:31:28,920 --> 02:31:32,360
Speaker 1: and I just gave Chris your brother Chris Scottie. That's

2393
02:31:32,400 --> 02:31:37,040
Speaker 1: my nigga. Uh with b J. He trying to escape

2394
02:31:37,040 --> 02:31:41,040
Speaker 1: the camera likega bigger behind. They already got us already.

2395
02:31:41,920 --> 02:31:49,960
Speaker 1: I'm just you're gonna you're gonna go. But I remember

2396
02:31:50,080 --> 02:31:53,360
Speaker 1: bringing that there and then that was it like hip

2397
02:31:53,400 --> 02:31:56,800
Speaker 1: hop started being I mean, I felt like I was

2398
02:31:56,879 --> 02:32:00,440
Speaker 1: the first one. Noory, I will give you a claim.

2399
02:32:00,600 --> 02:32:03,600
Speaker 1: I will give you that claim at least No the

2400
02:32:03,680 --> 02:32:10,480
Speaker 1: Pinot Griggio Santa Magreen's exactly, scific Santa. That's all. I

2401
02:32:10,600 --> 02:32:15,560
Speaker 1: was like a tree five and it's a good drink.

2402
02:32:16,000 --> 02:32:20,400
Speaker 1: When you order that, it lives. It might be sat exactly.

2403
02:32:20,600 --> 02:32:23,920
Speaker 1: The sea is the difference. We do this one second

2404
02:32:24,120 --> 02:32:29,360
Speaker 1: once this one. I'm pretty trended published who wants his

2405
02:32:29,440 --> 02:32:34,800
Speaker 1: plan brought Pino Riggio him live, But I said, Joe

2406
02:32:35,240 --> 02:32:38,680
Speaker 1: Mariah's hip hop. No no, no no, and he's Pino

2407
02:32:38,840 --> 02:32:43,160
Speaker 1: Griggio Santo and dragging in my spot. We have the

2408
02:32:43,200 --> 02:32:45,480
Speaker 1: footage and I own the footage and we can after

2409
02:32:45,560 --> 02:32:48,640
Speaker 1: the back. So you put her on. No, on that hand,

2410
02:32:48,720 --> 02:32:53,160
Speaker 1: never say you say you put it on she she

2411
02:32:53,360 --> 02:32:56,400
Speaker 1: she was owned and dug it out of That's why

2412
02:32:56,440 --> 02:32:57,920
Speaker 1: I said he got a ship. That's for the reason

2413
02:32:58,000 --> 02:32:59,800
Speaker 1: why this is the reason. Let me just say something

2414
02:33:00,160 --> 02:33:03,440
Speaker 1: like if you think about it right, like what year

2415
02:33:03,520 --> 02:33:06,360
Speaker 1: you felt like you've been on? Right? Like you got

2416
02:33:06,440 --> 02:33:08,440
Speaker 1: that I was making money and I'm on and I'm

2417
02:33:08,480 --> 02:33:11,360
Speaker 1: in the game. When I got my Geronimo sign, like

2418
02:33:12,720 --> 02:33:18,280
Speaker 1: ninety four four tv TK, I'm my first check. Never

2419
02:33:18,360 --> 02:33:21,920
Speaker 1: been broken since then, because yea, yeah, will be way

2420
02:33:22,000 --> 02:33:24,520
Speaker 1: smarter than come on, I'm not trying to get to

2421
02:33:24,560 --> 02:33:26,520
Speaker 1: a smart place. Let's let's try to go to a

2422
02:33:26,560 --> 02:33:30,760
Speaker 1: smart place. But it's not smart. It's just ninety four.

2423
02:33:31,040 --> 02:33:33,320
Speaker 1: I think about you calculated all the things you spent

2424
02:33:33,400 --> 02:33:37,720
Speaker 1: the liquor me. I'm not a liking, no, I'm just

2425
02:33:37,760 --> 02:33:40,280
Speaker 1: saying just you had to buy a licking for videos, nigger,

2426
02:33:41,040 --> 02:33:44,560
Speaker 1: Like those budgets that you were saying videos, It's still

2427
02:33:44,600 --> 02:33:47,440
Speaker 1: not extensillary budgets are you saying, like in the in

2428
02:33:47,800 --> 02:33:50,879
Speaker 1: the club like for them years for me over million

2429
02:33:50,959 --> 02:33:55,000
Speaker 1: dollars on you. I wish so a million. Let's have it,

2430
02:33:55,120 --> 02:33:56,879
Speaker 1: Let's have a million. I just gonna make some look

2431
02:33:57,480 --> 02:34:00,880
Speaker 1: and I'm not even yeah, I'm not in you know

2432
02:34:00,959 --> 02:34:06,000
Speaker 1: when I go out man murdering days again. I was

2433
02:34:06,040 --> 02:34:09,960
Speaker 1: making thirty million a year. Right. My brother had a

2434
02:34:10,040 --> 02:34:15,720
Speaker 1: black call. My brother's funny, funny Chris, It's very funny. Okay.

2435
02:34:15,800 --> 02:34:18,160
Speaker 1: My brother would be like a mes bill, come in.

2436
02:34:18,280 --> 02:34:22,600
Speaker 1: This thing's spending like a hundred two hundred thousand. I'm like, nigga,

2437
02:34:22,720 --> 02:34:25,200
Speaker 1: fuck you doing. He I'm repping. I'm holding it down

2438
02:34:25,280 --> 02:34:28,160
Speaker 1: from a ring, keeping us alive in the streets like

2439
02:34:28,280 --> 02:34:31,920
Speaker 1: they can shut the funk charts in the car. Yeah,

2440
02:34:31,959 --> 02:34:33,840
Speaker 1: because he's to go out every night to all of

2441
02:34:33,840 --> 02:34:38,800
Speaker 1: the clubs. My brother in my brother's presidence in New

2442
02:34:38,920 --> 02:34:43,600
Speaker 1: York City is amazing. No, never see let me tell

2443
02:34:43,600 --> 02:34:47,040
Speaker 1: you something. We're seeing him a million times right now,

2444
02:34:47,200 --> 02:34:52,920
Speaker 1: so quickly fantastic. I think he's the bes right now,

2445
02:34:55,000 --> 02:34:58,000
Speaker 1: just so ya know everything, because rule says you gotta inhale.

2446
02:34:58,800 --> 02:35:01,920
Speaker 1: So every time he had that's when I called the

2447
02:35:02,080 --> 02:35:05,200
Speaker 1: rules like no, that's when I get like, I just

2448
02:35:05,320 --> 02:35:13,880
Speaker 1: got higher because he's just there's you, Travis Scott. I

2449
02:35:13,959 --> 02:35:18,879
Speaker 1: love Travis Scott. Travis Scott, Travis he's more than though,

2450
02:35:19,760 --> 02:35:21,960
Speaker 1: because like he's a thing. I've been listening to his

2451
02:35:22,920 --> 02:35:25,920
Speaker 1: vocal production and this production. Like the reason why I'm

2452
02:35:25,959 --> 02:35:28,160
Speaker 1: giving Travis so much credit because everyone's like, yo, you

2453
02:35:28,240 --> 02:35:30,960
Speaker 1: really love Travis Scott and I'm like, yeah, But the

2454
02:35:31,040 --> 02:35:34,160
Speaker 1: reason because I'm a producer. So he's producing his own ship.

2455
02:35:34,879 --> 02:35:38,320
Speaker 1: He's doing everything for his own ship, you understand. So

2456
02:35:38,840 --> 02:35:43,840
Speaker 1: I detect the brain there and he's us every time

2457
02:35:44,920 --> 02:35:48,600
Speaker 1: they go around. And then then the second because you

2458
02:35:48,680 --> 02:35:51,160
Speaker 1: ever see him performing that record, pull it up on

2459
02:35:51,280 --> 02:35:55,080
Speaker 1: Google washing performing that record, and when he performs that record,

2460
02:35:55,160 --> 02:35:59,320
Speaker 1: when he goes to the second, they go fucking crazy.

2461
02:35:59,800 --> 02:36:01,520
Speaker 1: So what I'm saying is when I see that he

2462
02:36:01,640 --> 02:36:06,520
Speaker 1: knows what he's doing, like Drizzy Drizzy knows what the

2463
02:36:06,600 --> 02:36:11,840
Speaker 1: fun he's doing. Man is the best. He's the best

2464
02:36:11,920 --> 02:36:13,920
Speaker 1: because he knows what he's doing. Let me give you

2465
02:36:13,920 --> 02:36:19,600
Speaker 1: a conversation with drawerversation. I'm in fucking Canada. I'm trying

2466
02:36:19,760 --> 02:36:22,440
Speaker 1: with Charlie Mack. What up, Mac? You know what I'm

2467
02:36:22,440 --> 02:36:25,200
Speaker 1: saying with Charlie Mac. And I'm trying to get Drake

2468
02:36:25,280 --> 02:36:28,920
Speaker 1: to do with like Fresh Prince of bel air Ship.

2469
02:36:29,280 --> 02:36:30,840
Speaker 1: You know what I'm saying, just a TV series of

2470
02:36:30,920 --> 02:36:34,160
Speaker 1: anything of its kind. I said, I'll take your two boys.

2471
02:36:35,040 --> 02:36:36,840
Speaker 1: I'll do the show on them too, just as long

2472
02:36:36,920 --> 02:36:39,920
Speaker 1: as you know. But listen to what I'm saying, because

2473
02:36:39,959 --> 02:36:42,200
Speaker 1: I'm like, Drake is so big, and he's big on

2474
02:36:42,320 --> 02:36:47,199
Speaker 1: the music level. I'm like, if Drake was in my era,

2475
02:36:48,200 --> 02:36:52,480
Speaker 1: Drake wouldn't be selling fifteen million to twenty million a clip.

2476
02:36:52,879 --> 02:36:55,600
Speaker 1: Do you realize this? So right now he says three

2477
02:36:55,680 --> 02:36:57,800
Speaker 1: or four. If he was in my era, he was

2478
02:36:57,840 --> 02:37:00,920
Speaker 1: selling fifteen to twenty So I noticed. So I'm like,

2479
02:37:01,480 --> 02:37:04,800
Speaker 1: once he does something outside the music genre, he's gonna

2480
02:37:04,879 --> 02:37:10,520
Speaker 1: see how colossal he is. Damn colossal. Hes that thing

2481
02:37:10,720 --> 02:37:14,920
Speaker 1: is colossal. I believe that Drizzy and Drizzy is my

2482
02:37:15,080 --> 02:37:17,200
Speaker 1: boy and I love saying that. I think that dude

2483
02:37:17,280 --> 02:37:21,680
Speaker 1: is super lyrical. Listen, he's a genius. He's a genius

2484
02:37:22,480 --> 02:37:28,400
Speaker 1: that motherfucker's a genius. Okay, Drizzy for sure is a

2485
02:37:28,720 --> 02:37:31,520
Speaker 1: genius show and I don't care if he if he

2486
02:37:31,840 --> 02:37:37,760
Speaker 1: if he uh oh they wrote this, how don't think it? Okay?

2487
02:37:37,840 --> 02:37:42,880
Speaker 1: But does that matter? I mean it doesn't really. I

2488
02:37:42,959 --> 02:37:47,519
Speaker 1: believe that he's such a workhorse that he needs influenza

2489
02:37:47,760 --> 02:37:50,840
Speaker 1: genius show that think he is a genius. He's all

2490
02:37:51,000 --> 02:37:56,440
Speaker 1: he's he's dare I say he's our eminem of today.

2491
02:37:57,840 --> 02:38:00,640
Speaker 1: I don't dare say that he's fun? Can't him? And

2492
02:38:01,040 --> 02:38:03,400
Speaker 1: I won't dare say that. You know why, he's black

2493
02:38:03,480 --> 02:38:06,960
Speaker 1: and he's half Jewish, so he has so that's why

2494
02:38:07,080 --> 02:38:12,000
Speaker 1: we dare say that. You fucking right, No, listen, I

2495
02:38:12,120 --> 02:38:15,560
Speaker 1: think he's just as talented and as white people. Listen,

2496
02:38:15,640 --> 02:38:19,760
Speaker 1: white people will never let him and him die. Never

2497
02:38:20,959 --> 02:38:24,360
Speaker 1: white people will never let him and them die and them.

2498
02:38:24,520 --> 02:38:28,760
Speaker 1: If you're listening right now, I love you. I never

2499
02:38:28,879 --> 02:38:32,600
Speaker 1: wanted to be with you. You know me, Power one

2500
02:38:32,680 --> 02:38:35,680
Speaker 1: them six oh pop? What's the l a station yet?

2501
02:38:35,720 --> 02:38:39,200
Speaker 1: Power onehom six fucking summer jams. Me and you shooting

2502
02:38:39,280 --> 02:38:43,600
Speaker 1: pool laughing, joking. We was cool, We was buddies. I

2503
02:38:43,800 --> 02:38:46,920
Speaker 1: know you loved x JA and John. I know you

2504
02:38:47,080 --> 02:38:51,440
Speaker 1: love them. Guys, you had to fucking flipa me for thing.

2505
02:38:51,560 --> 02:38:56,000
Speaker 1: You know, God and his body. Great line, but literally,

2506
02:38:56,160 --> 02:38:59,760
Speaker 1: I'm just I'm just telling you, if you're listening, I

2507
02:39:00,040 --> 02:39:03,520
Speaker 1: respect you, I love you as an artist. Then I

2508
02:39:03,640 --> 02:39:11,200
Speaker 1: respect you tremendously. You understand. So where is the Drizzy comparison?

2509
02:39:11,920 --> 02:39:16,680
Speaker 1: The Jewish side of Drizzy is so happy that one

2510
02:39:16,760 --> 02:39:21,640
Speaker 1: of their own is this colossal rapper. They're never gonna

2511
02:39:21,760 --> 02:39:25,640
Speaker 1: let him go. Never. So I don't see that. I

2512
02:39:25,640 --> 02:39:28,760
Speaker 1: don't see what you're saying. Okay, I feel like I'm Jewish.

2513
02:39:28,920 --> 02:39:42,480
Speaker 1: Wait wait, wait, wait, listen. People to fight. People in

2514
02:39:43,280 --> 02:39:48,440
Speaker 1: hip hop that love hip hop, they they will never

2515
02:39:49,000 --> 02:39:55,200
Speaker 1: in a hundred million years let Eminem go. Eminem to

2516
02:39:55,320 --> 02:39:57,720
Speaker 1: this day could drop a record and it's gonna sell, Like,

2517
02:40:00,000 --> 02:40:03,840
Speaker 1: doesn't matter what it is, it's gonna sell. They will

2518
02:40:04,040 --> 02:40:07,920
Speaker 1: never let him go because it's there, one check, it said,

2519
02:40:08,000 --> 02:40:12,560
Speaker 1: one shining moment, and Eminem is worthy of that. Why

2520
02:40:12,680 --> 02:40:18,200
Speaker 1: is Eminem worthy of that? Eminem has bodied every single

2521
02:40:18,400 --> 02:40:22,039
Speaker 1: rapper he's got on a wreckord absolutely, and Eminem coming

2522
02:40:22,120 --> 02:40:25,640
Speaker 1: from a battle rapper. And I know about battle rappers

2523
02:40:25,760 --> 02:40:29,560
Speaker 1: because my guys was battle rappers who I came on with.

2524
02:40:31,480 --> 02:40:35,520
Speaker 1: Whenever Eminem gets on the record with somebody, doesn't he

2525
02:40:35,680 --> 02:40:42,440
Speaker 1: shot yes he body ja Agate, Eminem body jay or

2526
02:40:42,680 --> 02:40:47,400
Speaker 1: in a gate Let me say it again, body my

2527
02:40:47,800 --> 02:40:57,280
Speaker 1: brother jay Z again thoroughly it was. But let's get

2528
02:40:57,320 --> 02:41:03,280
Speaker 1: to the task. You don't believe that, No, literally you

2529
02:41:03,760 --> 02:41:06,720
Speaker 1: you're gonna say that Eminem didn't body j On Red

2530
02:41:06,720 --> 02:41:09,120
Speaker 1: the Game. I always looked at it like a great record.

2531
02:41:09,280 --> 02:41:13,360
Speaker 1: I just always fuck you, hold on, hold on, hold on,

2532
02:41:13,600 --> 02:41:16,959
Speaker 1: treat people, let me allow me to say this. Fuck

2533
02:41:17,040 --> 02:41:22,400
Speaker 1: you tell me exactly who body who? On rend the Game.

2534
02:41:22,920 --> 02:41:24,920
Speaker 1: Sometimes I just don't look at it as an artist.

2535
02:41:26,680 --> 02:41:30,760
Speaker 1: Was like, I don't know what this is. No On

2536
02:41:31,000 --> 02:41:34,480
Speaker 1: jay Z, jay Z, it's maybe it's in the argument

2537
02:41:34,920 --> 02:41:39,160
Speaker 1: it's the greatest records that ever listened. Listen Eminem body

2538
02:41:39,640 --> 02:41:45,119
Speaker 1: j On. I don't look if I love a record

2539
02:41:45,240 --> 02:41:48,800
Speaker 1: in this totality, I don't know. Look at the lyrics more.

2540
02:41:48,840 --> 02:41:52,120
Speaker 1: Talking about the lyrics, first of the using big words

2541
02:41:53,000 --> 02:42:02,560
Speaker 1: just to just to is it j You had to

2542
02:42:02,640 --> 02:42:06,080
Speaker 1: say j M or renigame who is this verse for verse?

2543
02:42:07,080 --> 02:42:12,240
Speaker 1: I love the record? Yeah, we love the Red because

2544
02:42:12,400 --> 02:42:16,360
Speaker 1: I can't now you can ask me you're super ugly,

2545
02:42:16,440 --> 02:42:18,200
Speaker 1: and I'll say, we don't want to talk like that.

2546
02:42:18,280 --> 02:42:25,000
Speaker 1: We're not talking about Listen, when Eminem gets on, hold on,

2547
02:42:25,200 --> 02:42:29,840
Speaker 1: when Eminem gets on any record with any rapper, just

2548
02:42:30,000 --> 02:42:34,880
Speaker 1: forgetting jay Z with any rapper, he annihilates him. You

2549
02:42:35,000 --> 02:42:42,240
Speaker 1: know he does. He I would give him. I want

2550
02:42:42,280 --> 02:42:44,720
Speaker 1: to give Eminem a blessing to show that I funk

2551
02:42:44,800 --> 02:42:47,640
Speaker 1: with you and I never meant to be with you. Room,

2552
02:42:47,760 --> 02:42:53,400
Speaker 1: never mean to be you. Never it was beef, but

2553
02:42:53,520 --> 02:42:56,760
Speaker 1: it was that wasn't real. She was fifties rail and

2554
02:42:56,840 --> 02:42:59,880
Speaker 1: I know he's fifty, so all good, you understand. But

2555
02:43:00,160 --> 02:43:04,800
Speaker 1: we never had any bad feelings towards Eminem or Dr Dre.

2556
02:43:05,200 --> 02:43:07,760
Speaker 1: And if we did, I'm truthful, nigga, I would say it.

2557
02:43:07,879 --> 02:43:09,880
Speaker 1: I would be like, yeah, funk that nigga or whatever

2558
02:43:10,000 --> 02:43:13,520
Speaker 1: like But now I like them in them, I like

2559
02:43:13,760 --> 02:43:16,960
Speaker 1: them and them, and I love Dr Dre. Dr Dre

2560
02:43:17,080 --> 02:43:20,600
Speaker 1: influenced me as a producer with his words, just with

2561
02:43:20,760 --> 02:43:24,000
Speaker 1: him talking, I was influenced. So I love Dr Dre,

2562
02:43:24,160 --> 02:43:27,280
Speaker 1: I love Eminem, I hate fifty and they got all

2563
02:43:27,680 --> 02:43:31,840
Speaker 1: tangled up. So but here I'm giving them in jewels,

2564
02:43:31,920 --> 02:43:34,560
Speaker 1: and I please, if you use it. I don't care.

2565
02:43:34,879 --> 02:43:38,320
Speaker 1: I don't care. I just I just want to listen. Listen.

2566
02:43:38,440 --> 02:43:41,400
Speaker 1: I don't care. So if you're listening, please just listen

2567
02:43:41,440 --> 02:43:44,039
Speaker 1: to what I'm saying. I said this to Jimmy one time.

2568
02:43:44,480 --> 02:43:46,880
Speaker 1: To Jimmy, I every one time, but Jimmy was looking

2569
02:43:46,920 --> 02:43:48,800
Speaker 1: at me. He thought I was crazy, and he's like,

2570
02:43:48,840 --> 02:43:50,520
Speaker 1: I could never say this to him because he may

2571
02:43:50,560 --> 02:43:53,720
Speaker 1: hate you. Right, Okay, I get it right. But here

2572
02:43:53,920 --> 02:43:56,840
Speaker 1: I'm gonna get it out to you now. Hopefully listen.

2573
02:43:58,240 --> 02:44:04,440
Speaker 1: Eminem should come off with an album called Features, and

2574
02:44:04,560 --> 02:44:08,800
Speaker 1: he should do an album with every song he just

2575
02:44:09,120 --> 02:44:12,920
Speaker 1: is a featured, and he does it with another hottest artist,

2576
02:44:13,600 --> 02:44:16,560
Speaker 1: Verse for Verse, and he just kill every nigger, you

2577
02:44:16,560 --> 02:44:19,840
Speaker 1: know what I'm saying, Just kill everybody because him, he's

2578
02:44:19,879 --> 02:44:22,760
Speaker 1: a battle rapper. So when he does a record for himself,

2579
02:44:23,000 --> 02:44:25,840
Speaker 1: he may try different creative things or whatever. But when

2580
02:44:25,879 --> 02:44:29,480
Speaker 1: he's on the record with somebody, I'm gonna kill this

2581
02:44:29,640 --> 02:44:33,840
Speaker 1: motherfucker right now. I would love a record with him

2582
02:44:33,840 --> 02:44:37,720
Speaker 1: and DMX because DMX has the same right. He may

2583
02:44:37,920 --> 02:44:42,200
Speaker 1: do a record called Features, and in this record he

2584
02:44:42,280 --> 02:44:45,000
Speaker 1: should just don't even produce it him or you produce

2585
02:44:45,040 --> 02:44:46,680
Speaker 1: a couple of tracks. As I know you'd like to

2586
02:44:46,800 --> 02:44:50,200
Speaker 1: produce and get right, you know, don't and get it off.

2587
02:44:50,480 --> 02:44:55,200
Speaker 1: But do a record with all of Drake. Well, he

2588
02:44:55,240 --> 02:45:00,240
Speaker 1: already boughtied Drake on the sprite ship. Just be got

2589
02:45:00,360 --> 02:45:02,680
Speaker 1: it's on the Sprakee on on that record with everyone

2590
02:45:02,840 --> 02:45:08,800
Speaker 1: on it. Did he body him? He did? And you

2591
02:45:08,879 --> 02:45:11,440
Speaker 1: don't want kissed me off? You don't piss me off

2592
02:45:11,480 --> 02:45:14,320
Speaker 1: in that video, You don't kiss me off. The white

2593
02:45:14,400 --> 02:45:17,400
Speaker 1: boy had all the niggas behind him spend his verse.

2594
02:45:18,640 --> 02:45:20,720
Speaker 1: I wasn't a part of that story. I did what

2595
02:45:23,600 --> 02:45:26,160
Speaker 1: he had the last verse, and the white boy you

2596
02:45:26,400 --> 02:45:31,160
Speaker 1: had all the gold spend his verse. He played like

2597
02:45:31,360 --> 02:45:38,320
Speaker 1: a fucking nigga, was like, what the fun is going on? Yeah,

2598
02:45:38,520 --> 02:45:41,200
Speaker 1: y'all hear it? Taiminam Bro, you sucking up, give it

2599
02:45:41,879 --> 02:45:47,880
Speaker 1: me and get it on you. In my mind, just

2600
02:45:48,080 --> 02:45:50,959
Speaker 1: on the special project, hold on, hold on him, every

2601
02:45:51,320 --> 02:45:56,760
Speaker 1: specialty project. Please please please just do a record and

2602
02:45:56,920 --> 02:46:00,080
Speaker 1: just get everybody on it. So why did you go

2603
02:46:00,240 --> 02:46:04,680
Speaker 1: wrong with him? And what happened? Why didn't that even happen?

2604
02:46:05,280 --> 02:46:07,800
Speaker 1: Because I can tell you I didn't. You're really passionate.

2605
02:46:08,120 --> 02:46:11,200
Speaker 1: And because he was with fifty shipping on us Earth guy.

2606
02:46:11,240 --> 02:46:13,480
Speaker 1: He got mccardi in his body over you can't be

2607
02:46:13,560 --> 02:46:18,520
Speaker 1: matter hand. I'm never matter I have love for him,

2608
02:46:19,440 --> 02:46:26,080
Speaker 1: I swear him and I got love for him. But Joe,

2609
02:46:26,280 --> 02:46:29,120
Speaker 1: it just it is what it is. This fucking idiot

2610
02:46:29,200 --> 02:46:34,959
Speaker 1: Nigga involved him and Dre. The indiot Nigga had had

2611
02:46:35,040 --> 02:46:38,280
Speaker 1: fucking him and Dre like Dre, Hey, I'm gonna give

2612
02:46:38,320 --> 02:46:41,480
Speaker 1: y'all Joel, I'll give y'all jewel. Dr Dre who's on

2613
02:46:41,560 --> 02:46:43,400
Speaker 1: the cover the Source with the gun to his head,

2614
02:46:43,480 --> 02:46:48,680
Speaker 1: remember that I believe in that feature. With him talking,

2615
02:46:48,959 --> 02:46:52,760
Speaker 1: he said a lot. He said, Yo, it's not that

2616
02:46:52,879 --> 02:46:55,440
Speaker 1: producers want to make wax ship. They just don't know

2617
02:46:55,520 --> 02:46:57,560
Speaker 1: how to get what they got in their head to tape.

2618
02:47:00,080 --> 02:47:04,840
Speaker 1: He said that. I said, that's me because I can't play.

2619
02:47:05,760 --> 02:47:07,800
Speaker 1: So if you know IRV Gotti. In the history of

2620
02:47:07,879 --> 02:47:10,080
Speaker 1: IRV Gotti, when you look at IRV Gotti, it was

2621
02:47:10,160 --> 02:47:13,600
Speaker 1: produced by dj R, no one else, no one else.

2622
02:47:13,800 --> 02:47:17,320
Speaker 1: It was just me sampling putting ship together. But when

2623
02:47:17,400 --> 02:47:19,720
Speaker 1: he said that, I said, he's right because I have

2624
02:47:19,920 --> 02:47:21,600
Speaker 1: other ship in my head, but I don't know how

2625
02:47:21,640 --> 02:47:24,480
Speaker 1: to get it to tape because I can't play instruments.

2626
02:47:25,680 --> 02:47:29,200
Speaker 1: So then after that you've seen erv Gotti produced, er

2627
02:47:29,280 --> 02:47:33,520
Speaker 1: Gotti in seven, Ergotti ching Santana, Ergotti, a little rizzy

2628
02:47:33,760 --> 02:47:38,320
Speaker 1: IRV Gotti rep. It was other people because now they

2629
02:47:38,400 --> 02:47:40,520
Speaker 1: knew how to play, they knew how to do things

2630
02:47:40,600 --> 02:47:43,440
Speaker 1: that I can't do. So then that's when the records

2631
02:47:43,520 --> 02:47:46,120
Speaker 1: became bigger and bigger and bigger, and I made some

2632
02:47:46,280 --> 02:47:54,480
Speaker 1: fucking big records. You ate in motherfucker's Yeah, I'm as ship.

2633
02:47:54,720 --> 02:47:57,680
Speaker 1: I used to come to the studio like this. Yeah.

2634
02:47:58,160 --> 02:48:02,520
Speaker 1: I was access Yeah, yeah, God Damlas make the thought

2635
02:48:02,760 --> 02:48:10,959
Speaker 1: verbody drop broke with my drain and ran was lost

2636
02:48:11,080 --> 02:48:13,080
Speaker 1: up there we go. No, we're done. We're done, going

2637
02:48:13,280 --> 02:48:14,480
Speaker 1: a lot of ship, Yeah,