1 00:00:04,840 --> 00:00:07,120 Speaker 1: Hi, I'm Bud's Night, the host of the Taking a 2 00:00:07,160 --> 00:00:11,440 Speaker 1: Walk podcast music History on Foot, and we're going to 3 00:00:11,520 --> 00:00:14,560 Speaker 1: take a look at this week in music history, or 4 00:00:14,560 --> 00:00:16,760 Speaker 1: the week of July twenty eighth. 5 00:00:16,800 --> 00:00:18,880 Speaker 2: And we look. 6 00:00:18,680 --> 00:00:21,239 Speaker 1: Over and there he is over at the music history desk, 7 00:00:21,840 --> 00:00:22,759 Speaker 1: Harry Jacobs. 8 00:00:22,920 --> 00:00:23,320 Speaker 2: Welcome. 9 00:00:24,239 --> 00:00:26,800 Speaker 3: It's buzz. Great to be here again. Happy to be here, 10 00:00:26,840 --> 00:00:29,760 Speaker 3: happy to be above ground. That's the way, that's the 11 00:00:29,760 --> 00:00:32,800 Speaker 3: way we roll. A lot of our a lot of 12 00:00:32,800 --> 00:00:36,400 Speaker 3: our peers, a lot of our people, you know Ozzie recently, uh, 13 00:00:37,040 --> 00:00:39,519 Speaker 3: you know gone, they're they're they're dropping like flies. 14 00:00:39,600 --> 00:00:39,840 Speaker 2: Buzz. 15 00:00:40,200 --> 00:00:44,280 Speaker 1: Don't like hearing these, uh, these bad news events that 16 00:00:44,360 --> 00:00:47,640 Speaker 1: occur around our music now icons. 17 00:00:47,440 --> 00:00:50,120 Speaker 2: Now don't don't at all. Let's let's do the week. 18 00:00:50,960 --> 00:00:53,920 Speaker 3: This is the week of July twenty eighth through the 19 00:00:54,000 --> 00:00:57,720 Speaker 3: third of August, obviously, And here we are, July twenty eighth. 20 00:00:57,920 --> 00:01:01,000 Speaker 3: The Grateful Dead, the band Almond bro All performed at 21 00:01:01,040 --> 00:01:02,720 Speaker 3: Watkins Glenn in New York. 22 00:01:02,800 --> 00:01:05,679 Speaker 1: You ever been up to Watkins Glenn? I think I 23 00:01:05,840 --> 00:01:08,039 Speaker 1: like drove by at one time or something like that. 24 00:01:08,200 --> 00:01:11,240 Speaker 1: And that event was one that show that bill was 25 00:01:11,280 --> 00:01:13,880 Speaker 1: one in particular that I really wanted to see but 26 00:01:14,080 --> 00:01:19,080 Speaker 1: never really had the opportunity. It sounded like it was outstanding. 27 00:01:19,720 --> 00:01:23,480 Speaker 3: I've never seen a show there, and that does sound 28 00:01:23,480 --> 00:01:25,200 Speaker 3: like a great Minus the Dead, I was not never 29 00:01:25,240 --> 00:01:27,080 Speaker 3: a huge Dead fan, but I love the band and 30 00:01:27,280 --> 00:01:30,679 Speaker 3: the Alman Brothers. I'm a nut for But I went 31 00:01:30,720 --> 00:01:34,399 Speaker 3: to Watkins Glenn for a NASCAR race, and I'm not 32 00:01:34,440 --> 00:01:38,520 Speaker 3: a NASCAR person. So my first experience with NASCAR was 33 00:01:38,600 --> 00:01:41,560 Speaker 3: Watkins Glenn. Do you know the difference between Watkins Glenn 34 00:01:41,640 --> 00:01:46,039 Speaker 3: and like, you know, Talladega or one of the other raceways. 35 00:01:47,680 --> 00:01:51,280 Speaker 3: Couldn't even venture a guess, Harry, Yeah, So it was 36 00:01:51,320 --> 00:01:52,320 Speaker 3: the same thing for me too. 37 00:01:52,360 --> 00:01:55,760 Speaker 2: I had no idea Watkins Glen is a road course. 38 00:01:56,000 --> 00:01:58,920 Speaker 3: Most courses are ovals, you know, they're just making left turns, 39 00:01:58,920 --> 00:02:00,640 Speaker 3: they're literally going around in circles. 40 00:02:01,000 --> 00:02:04,080 Speaker 2: Watkins Glen is a road course, so there's highs and lows. 41 00:02:03,760 --> 00:02:05,680 Speaker 3: And they're going kind of through the woods and through 42 00:02:06,520 --> 00:02:08,000 Speaker 3: not through the woods, but just you know, in this 43 00:02:08,160 --> 00:02:11,080 Speaker 3: huge field and the roads carved out and it's just 44 00:02:11,120 --> 00:02:13,639 Speaker 3: a very different track than most NASCAR. 45 00:02:14,880 --> 00:02:15,359 Speaker 2: Courses. 46 00:02:15,440 --> 00:02:19,760 Speaker 3: And it was loud and rambunctious and fun and it's 47 00:02:19,919 --> 00:02:22,240 Speaker 3: that must have been a great spot for a concert. 48 00:02:22,720 --> 00:02:27,840 Speaker 1: I bet it was loud, rambunctious, fun and smell is 49 00:02:27,880 --> 00:02:28,520 Speaker 1: all get out. 50 00:02:29,120 --> 00:02:31,400 Speaker 3: Yes, six hundreds, Well, you know what for both events 51 00:02:31,440 --> 00:02:33,760 Speaker 3: and the NASCAR event was there was nothing pretty about that. 52 00:02:34,280 --> 00:02:37,360 Speaker 2: And I'm sure six hundred thousand fans for the. 53 00:02:37,320 --> 00:02:40,480 Speaker 3: Dead and for the band and for the Almond Brothers 54 00:02:40,480 --> 00:02:42,560 Speaker 3: probably an equally smelly group. No. 55 00:02:42,560 --> 00:02:46,320 Speaker 1: I wonder what the uh the band members all felt 56 00:02:46,400 --> 00:02:49,800 Speaker 1: about the gig. It was probably a bit of a mess. 57 00:02:50,200 --> 00:02:52,040 Speaker 2: It's in the middle, listen, it's in the middle of nowhere. 58 00:02:52,160 --> 00:02:55,400 Speaker 3: Also right, so they're schlepping from you know, Ithaca, a 59 00:02:55,560 --> 00:02:57,680 Speaker 3: Rochester or some somewhere in the middle of nowhere. 60 00:02:57,760 --> 00:02:58,639 Speaker 2: So there we go. 61 00:02:58,800 --> 00:03:00,000 Speaker 1: Another Rochester mentioned. 62 00:03:00,360 --> 00:03:01,880 Speaker 2: There you go. I love my Rochester. 63 00:03:02,040 --> 00:03:05,840 Speaker 3: July twenty ninth, nineteen sixty six, Bob Dylan was in 64 00:03:05,880 --> 00:03:11,480 Speaker 3: a motorcycle accident speaking of New York at Woodstock in Woodstock, 65 00:03:11,560 --> 00:03:15,200 Speaker 3: not at Woodstock, but you know, in Woodstock, and this 66 00:03:15,480 --> 00:03:18,240 Speaker 3: caused him to take a little bit of a breather 67 00:03:18,960 --> 00:03:20,200 Speaker 3: from public performances. 68 00:03:20,200 --> 00:03:22,480 Speaker 2: Obviously, a motorcycle wreck will do that for you. 69 00:03:23,360 --> 00:03:27,480 Speaker 1: There was always a lot of unknown stories behind that story. 70 00:03:27,520 --> 00:03:30,400 Speaker 1: We never I think still to this day. I don't 71 00:03:30,440 --> 00:03:32,480 Speaker 1: know if we ever got the complete story on what 72 00:03:32,600 --> 00:03:36,760 Speaker 1: really happened, because, as you know, and as the audience knows, 73 00:03:36,840 --> 00:03:40,760 Speaker 1: anything around Bob Dylan is shrouded in intense mystery. 74 00:03:41,640 --> 00:03:43,800 Speaker 3: Yeah, this was a you know, who knows what? If 75 00:03:43,800 --> 00:03:46,200 Speaker 3: we'll ever you know, actually hear the story. I've not 76 00:03:46,320 --> 00:03:48,400 Speaker 3: ever heard him talk about it, you know. 77 00:03:48,480 --> 00:03:50,320 Speaker 1: Ever, No, he's not going to know. 78 00:03:50,920 --> 00:03:55,080 Speaker 3: Yeah, he may not remember it now at eighty I'm 79 00:03:55,120 --> 00:03:57,160 Speaker 3: teasing we listen, we kid, because we love. 80 00:03:57,720 --> 00:04:01,000 Speaker 1: I bet he remembers every stitch of what he's forgotten. 81 00:04:01,400 --> 00:04:04,720 Speaker 3: Listen, A motorcycle accident, I would imagine, is not a 82 00:04:05,000 --> 00:04:09,320 Speaker 3: thing you forget. And I'm a thirty eight year motorcycle rider, 83 00:04:09,640 --> 00:04:11,200 Speaker 3: and I would be able to tell you if I was. 84 00:04:11,120 --> 00:04:12,520 Speaker 2: Ever in one of knock on woods. 85 00:04:12,520 --> 00:04:18,000 Speaker 3: So anyway, this changed his career trajectory and it made 86 00:04:18,040 --> 00:04:19,720 Speaker 3: him a little bit more of an introspective man. I 87 00:04:19,720 --> 00:04:22,719 Speaker 3: would imagine a death experience. Near death experience will do 88 00:04:22,760 --> 00:04:25,480 Speaker 3: that to you. It will do it. July twenty ninth, 89 00:04:25,560 --> 00:04:28,760 Speaker 3: nineteen seventy four, Cass Elliott Mama Cass of the Mamas 90 00:04:28,760 --> 00:04:30,680 Speaker 3: and the Papas died of a heart attack in London. 91 00:04:30,760 --> 00:04:32,799 Speaker 2: She was just thirty two years old. 92 00:04:33,760 --> 00:04:36,880 Speaker 3: You know, she was this group, you know, when we 93 00:04:36,880 --> 00:04:39,560 Speaker 3: were in rock radio, this was kind of a group 94 00:04:39,600 --> 00:04:41,760 Speaker 3: that you looked at and went and kind of schlocky 95 00:04:41,880 --> 00:04:45,200 Speaker 3: adult contemporary. We listened to it now with a new appreciation. 96 00:04:45,920 --> 00:04:48,080 Speaker 3: You know, California Dreaming and some of the other music 97 00:04:48,120 --> 00:04:50,600 Speaker 3: they did is just really wonderful music. 98 00:04:51,560 --> 00:04:55,240 Speaker 1: And by all accounts too, she was just beloved around 99 00:04:55,240 --> 00:04:59,720 Speaker 1: the music community. Everybody loved hanging around with her, collaborating 100 00:04:59,760 --> 00:05:03,440 Speaker 1: with loved her as a person. It was a tremendous loss. 101 00:05:03,680 --> 00:05:07,360 Speaker 3: August first, nineteen sixty five, the Beatles released help we 102 00:05:07,400 --> 00:05:10,800 Speaker 3: Can Never get through one of these episodes without a 103 00:05:10,920 --> 00:05:15,480 Speaker 3: Beatles item and was released in the UK, followed in 104 00:05:15,520 --> 00:05:19,960 Speaker 3: the US on August thirteenth, Helped Ticket to Ride Yesterday. 105 00:05:20,080 --> 00:05:24,800 Speaker 3: When I was reading this before we went on, I thought, oh, 106 00:05:24,800 --> 00:05:25,479 Speaker 3: Ticket to Ride. 107 00:05:25,480 --> 00:05:27,920 Speaker 2: There's a fun song I haven't heard in a million years. 108 00:05:28,600 --> 00:05:31,520 Speaker 1: Oh, everything off of it is fantastic. And you know, 109 00:05:31,920 --> 00:05:34,080 Speaker 1: we know every one of these we do. We will 110 00:05:34,120 --> 00:05:36,279 Speaker 1: have the Beatles somehow coming up. 111 00:05:37,320 --> 00:05:40,320 Speaker 2: Yeah, no question about this, and a big day for music. 112 00:05:40,440 --> 00:05:45,080 Speaker 3: In nineteen eighty one, MTV launched in the us, and 113 00:05:45,440 --> 00:05:52,440 Speaker 3: this changed everything for music in so many ways. Stones, Who, 114 00:05:53,120 --> 00:05:58,159 Speaker 3: def Leppard, Aerosmith, Dire Straits. I mean, think about you 115 00:05:58,200 --> 00:06:02,120 Speaker 3: know what happened to music after MTV started. 116 00:06:02,760 --> 00:06:07,000 Speaker 4: And we were just fixated on just watching it hours 117 00:06:07,080 --> 00:06:10,960 Speaker 4: and hours and hours without ending. It was like a 118 00:06:11,080 --> 00:06:16,160 Speaker 4: fascination in those early days and weeks of what MTV 119 00:06:16,440 --> 00:06:17,120 Speaker 4: was all about. 120 00:06:17,800 --> 00:06:19,800 Speaker 1: It was completely insane. 121 00:06:20,279 --> 00:06:20,839 Speaker 2: Really well. 122 00:06:22,200 --> 00:06:26,479 Speaker 3: Were bands that were impacted in such a kind of 123 00:06:26,480 --> 00:06:32,440 Speaker 3: a game changing way, Bands like Aerosmith that really got 124 00:06:32,440 --> 00:06:35,440 Speaker 3: a second life as a result of MTV. 125 00:06:36,320 --> 00:06:38,799 Speaker 2: Right, Oh, think about it. They were in the toilet, 126 00:06:39,279 --> 00:06:40,440 Speaker 2: you know at that point. 127 00:06:41,080 --> 00:06:43,280 Speaker 1: And there were bands that would not have maybe had 128 00:06:43,320 --> 00:06:44,600 Speaker 1: a life if it wasn't. 129 00:06:44,360 --> 00:06:45,360 Speaker 2: For MTV either. 130 00:06:46,040 --> 00:06:51,680 Speaker 3: Yeah, think about other bands that got recognition that they 131 00:06:51,760 --> 00:06:54,480 Speaker 3: probably wouldn't have gotten to that audience at that point. 132 00:06:54,520 --> 00:06:54,680 Speaker 2: You know. 133 00:06:54,760 --> 00:06:57,080 Speaker 3: Dire Straits obviously money for nothing, that they were not 134 00:06:57,160 --> 00:07:01,560 Speaker 3: necessarily a pop kind of band, and this made them 135 00:07:01,680 --> 00:07:04,919 Speaker 3: obviously the song was huge, money for nothing, but the 136 00:07:05,040 --> 00:07:09,240 Speaker 3: video skyrocketed them Men Without. 137 00:07:09,040 --> 00:07:13,400 Speaker 2: Hats, Safety Dance, Safety Dance. And what was the first 138 00:07:13,400 --> 00:07:15,240 Speaker 2: song I remember the first video they played. 139 00:07:15,600 --> 00:07:18,640 Speaker 1: Oh, the first one. It was video video killed the 140 00:07:18,720 --> 00:07:21,720 Speaker 1: Radio Star by the Buggles, yep, by the Buggles. 141 00:07:21,800 --> 00:07:26,600 Speaker 3: Yeah, you know, Stones and all these people participated in this, 142 00:07:27,000 --> 00:07:29,880 Speaker 3: and you know they were kind of forced to in 143 00:07:29,920 --> 00:07:32,920 Speaker 3: a way. A lot of people went kicking and screaming, right, 144 00:07:32,960 --> 00:07:34,960 Speaker 3: There were a lot of people that that didn't want 145 00:07:34,960 --> 00:07:39,040 Speaker 3: to play ball, didn't want to do this, and then they. 146 00:07:38,960 --> 00:07:40,400 Speaker 2: Eventually came around to it. 147 00:07:40,480 --> 00:07:43,720 Speaker 3: You know, yeah, you think you know, we talk, you 148 00:07:43,760 --> 00:07:47,400 Speaker 3: know a lot about Bruce, but one of my memories 149 00:07:47,480 --> 00:07:50,880 Speaker 3: is that in eighty four when Born in the USA 150 00:07:50,960 --> 00:07:55,400 Speaker 3: came out all the videos that he participated in with 151 00:07:55,560 --> 00:07:58,640 Speaker 3: his own songs, you know, I'm on Fire, being the mechanic, 152 00:07:58,800 --> 00:08:01,560 Speaker 3: you know, Glory Days, you know, taking the mound, you 153 00:08:01,600 --> 00:08:04,720 Speaker 3: know was probably a little league you know, ballpark, and 154 00:08:04,800 --> 00:08:07,360 Speaker 3: all the videos that he ended up making as a 155 00:08:07,360 --> 00:08:09,880 Speaker 3: as a result of this, the thematic ones were really 156 00:08:09,920 --> 00:08:12,440 Speaker 3: interesting and are still interesting to me to watch, not 157 00:08:12,520 --> 00:08:14,840 Speaker 3: just Bruses, but but others as well. 158 00:08:15,800 --> 00:08:18,400 Speaker 1: Hetty was a great one too, who really had a 159 00:08:18,440 --> 00:08:19,560 Speaker 1: different kind. 160 00:08:19,400 --> 00:08:24,440 Speaker 3: Of vision and probably arguably a different audience too. You know, 161 00:08:24,480 --> 00:08:27,760 Speaker 3: at that point you think this if you think about 162 00:08:27,960 --> 00:08:32,880 Speaker 3: MTV from a format perspective, and Buzz and I have 163 00:08:33,040 --> 00:08:37,880 Speaker 3: history and the radio business, and a radio station wouldn't 164 00:08:37,920 --> 00:08:42,920 Speaker 3: necessarily play something by the Sugar Hill Gang and the 165 00:08:43,040 --> 00:08:48,800 Speaker 3: Rolling Stones and Aerosmith or Laura Brannigan or you know whatever, 166 00:08:48,840 --> 00:08:53,760 Speaker 3: all on the same radio station. MTV crossed those formatic 167 00:08:54,040 --> 00:08:57,800 Speaker 3: borders in a way that changed everything. 168 00:08:58,120 --> 00:09:00,400 Speaker 2: No doubt, for sure. They got away with it. 169 00:09:00,480 --> 00:09:03,280 Speaker 1: And it was just because we were fixated on, you know, 170 00:09:03,480 --> 00:09:07,240 Speaker 1: just the you often brilliant design of these videos. 171 00:09:07,400 --> 00:09:08,760 Speaker 2: Those VJs. 172 00:09:10,080 --> 00:09:12,600 Speaker 3: We all kind of developed our own little relationships with 173 00:09:12,800 --> 00:09:15,560 Speaker 3: You have a relationship. You connected with Mark Goodman at 174 00:09:15,559 --> 00:09:16,760 Speaker 3: one point. I don't know that we're going to talk 175 00:09:16,800 --> 00:09:21,120 Speaker 3: about that story, but you know those people, you know 176 00:09:21,240 --> 00:09:26,079 Speaker 3: Nina and who is the blonde kid who escapes my memory? 177 00:09:27,240 --> 00:09:34,000 Speaker 2: Adam Curry. No, not Adam Curry. It was was that. 178 00:09:34,000 --> 00:09:38,640 Speaker 1: The founder of podcasts I believe too. Okay, well we'll 179 00:09:38,679 --> 00:09:42,040 Speaker 1: have to check. I believe he Adam gets it. Should 180 00:09:42,040 --> 00:09:44,800 Speaker 1: get a lot of credit around podcast and maybe as 181 00:09:44,880 --> 00:09:47,280 Speaker 1: one of the true founders. 182 00:09:47,400 --> 00:09:50,840 Speaker 3: Very interesting anyway, August first, nineteen eighty one, MTV and 183 00:09:50,880 --> 00:09:52,520 Speaker 3: it just changed everything. 184 00:09:52,559 --> 00:09:54,600 Speaker 2: And now I don't think they play music videos. 185 00:09:54,240 --> 00:09:57,280 Speaker 3: At all, that's right, we can't even I don't have 186 00:09:57,360 --> 00:09:59,079 Speaker 3: cable TV so I don't even know where to find 187 00:09:59,080 --> 00:10:03,200 Speaker 3: it other than same here. August second, nineteen seventy five, 188 00:10:03,280 --> 00:10:06,439 Speaker 3: speaking to Aerosmith. Sweet Emotion peaked at number thirty six 189 00:10:06,480 --> 00:10:07,840 Speaker 3: in the Billboard Hot one hundred. 190 00:10:08,400 --> 00:10:11,360 Speaker 2: This goes down in my list in the. 191 00:10:11,280 --> 00:10:14,960 Speaker 3: Top five songs classic rock songs that you know, if 192 00:10:15,000 --> 00:10:17,760 Speaker 3: I was on a desert island and only had access 193 00:10:17,800 --> 00:10:19,920 Speaker 3: to five songs for the rest of my life, sweet 194 00:10:19,920 --> 00:10:21,360 Speaker 3: Emotion would be one of those. 195 00:10:21,240 --> 00:10:23,679 Speaker 1: Songs, and still sounds amazing when you crank it up 196 00:10:23,679 --> 00:10:24,200 Speaker 1: in the radio. 197 00:10:24,640 --> 00:10:26,560 Speaker 2: Yeah, you think they're gonna play again. 198 00:10:26,559 --> 00:10:30,000 Speaker 3: There's talk Joe Perry was talking about maybe one more show. 199 00:10:30,480 --> 00:10:32,640 Speaker 1: I think so. Yeah, I could see it. 200 00:10:33,360 --> 00:10:33,520 Speaker 2: You know. 201 00:10:33,600 --> 00:10:35,600 Speaker 3: Being Boston guys, we were spoiled by some of the 202 00:10:35,640 --> 00:10:38,240 Speaker 3: shows and some of the extra stuff they did around town. 203 00:10:38,720 --> 00:10:41,720 Speaker 3: Were you at that show where they played on the 204 00:10:41,800 --> 00:10:44,120 Speaker 3: train on Boylston Street. 205 00:10:44,640 --> 00:10:45,360 Speaker 2: No, I wasn't. 206 00:10:46,120 --> 00:10:49,200 Speaker 1: My most memorable show that was kind of a showcase 207 00:10:49,720 --> 00:10:54,559 Speaker 1: was the Mama Kin's stuff when they were opening up, 208 00:10:54,800 --> 00:10:58,440 Speaker 1: you know, the club, you know in the Fenway area. 209 00:10:59,280 --> 00:11:02,120 Speaker 3: You this is very funny. It's literally coming to me 210 00:11:02,320 --> 00:11:05,640 Speaker 3: right now. Didn't we see them, Not at Mama Kin 211 00:11:06,240 --> 00:11:08,680 Speaker 3: but didn't we see them at a club in Cambridge 212 00:11:09,800 --> 00:11:12,760 Speaker 3: somewhere downstairs. I remember like having a couple of this 213 00:11:12,840 --> 00:11:14,920 Speaker 3: is going to date us, a couple of red dog 214 00:11:15,160 --> 00:11:18,719 Speaker 3: bottle beers in my hand, and we were downstairs and 215 00:11:18,760 --> 00:11:20,079 Speaker 3: there might have been three. 216 00:11:19,960 --> 00:11:23,560 Speaker 2: Hundred people in the room. Do you remember that? Was that? 217 00:11:23,600 --> 00:11:24,040 Speaker 2: You and I? 218 00:11:24,320 --> 00:11:30,200 Speaker 1: Yeah, definitely? And the club is briefly escaping me and 219 00:11:30,800 --> 00:11:33,079 Speaker 1: we'll stop taping and then it'll come back to us, 220 00:11:33,400 --> 00:11:36,760 Speaker 1: or we could edit it in and go it was. 221 00:11:38,160 --> 00:11:40,880 Speaker 3: Yeah, I'd rather leave it be and let it do 222 00:11:40,960 --> 00:11:42,960 Speaker 3: what it normally does in these cases where it comes 223 00:11:42,960 --> 00:11:44,400 Speaker 3: to us in the middle of the night and causes 224 00:11:44,440 --> 00:11:47,679 Speaker 3: some sort of night terror and I'm screaming, I'm screaming, 225 00:11:48,120 --> 00:11:49,079 Speaker 3: here's the name of the club. 226 00:11:49,400 --> 00:11:51,720 Speaker 1: So let's do let's do that because it was a 227 00:11:51,720 --> 00:11:52,200 Speaker 1: great show. 228 00:11:52,559 --> 00:11:55,040 Speaker 3: Yeah, it was great and we were so close and 229 00:11:55,080 --> 00:11:57,440 Speaker 3: it was just man, what a way to see those guys. 230 00:11:57,440 --> 00:12:01,480 Speaker 3: So last story for the week, August third, nineteen sixty three. 231 00:12:01,520 --> 00:12:03,520 Speaker 2: Beach Boys release Surfer Girl. 232 00:12:03,920 --> 00:12:08,880 Speaker 3: So much great music and I have a Beach Boys 233 00:12:08,920 --> 00:12:12,720 Speaker 3: playlist on my phone. Oh nice, Yeah, I mean I 234 00:12:12,840 --> 00:12:16,719 Speaker 3: just I love it, love them so good. Yeah, there 235 00:12:16,760 --> 00:12:19,640 Speaker 3: you go. That is this Week in music history for 236 00:12:19,720 --> 00:12:23,240 Speaker 3: the week of July twenty eighth through August third, another 237 00:12:23,240 --> 00:12:23,960 Speaker 3: great week. 238 00:12:24,120 --> 00:12:24,559 Speaker 2: Great well. 239 00:12:24,600 --> 00:12:27,160 Speaker 1: Thank you Harry Jacobs for this look at this week 240 00:12:27,200 --> 00:12:30,760 Speaker 1: in music history, and thank you to all of you 241 00:12:30,920 --> 00:12:33,080 Speaker 1: for checking out the Taking a Walk podcast, part of 242 00:12:33,080 --> 00:12:34,720 Speaker 1: the iHeart podcast network.