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Speaker 1: So we gotta do.

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Speaker 2: Show what new show you talk about? What new show?

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Speaker 1: You know it's cool new Rory and More.

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Speaker 2: You showed us the titles come up. No way, no way,

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Speaker 2: they could come up with nothing better than that. Such

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Speaker 2: I mean, for real, I mean what you speaking to

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Speaker 2: call it? I mean they call that anything. I mean

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Speaker 2: juggle fever, ebity, I believe. I mean even now everybody's

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Speaker 2: will call the hoobah left because that you're about to

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Speaker 2: be canceled for real.

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Speaker 1: You hate Rory and More and we'll see no.

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Speaker 3: Woran, Noah, it was a great clap you're I'll been

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Speaker 3: working on that give yourself aroundable plow, Thank you.

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Speaker 1: Man, thank you. So I think we don't give ourselves

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Speaker 1: a roundable plouse enough, Rory. I think that's the thing

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Speaker 1: we don't. We don't clap for ourselves.

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Speaker 3: Because believing in yourself either comes across arrogant horny.

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Speaker 1: Right, there's really no cool way to clap to apploy

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Speaker 1: yourself and say I did a great job.

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Speaker 3: It's so funny that self love is like the new

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Speaker 3: thing we should all ourselves, and the moment someone starts

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Speaker 3: loving themselves, you relaxed, like relax, calm down, you think

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Speaker 3: you really think of the Yeah, yeah, you know, I'm

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Speaker 3: trying to You told me to love myself and here

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Speaker 3: I am loving.

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Speaker 1: Yeah. Yeah.

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Speaker 3: With that said, how come you won't let us be

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Speaker 3: running to the podcast damations.

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Speaker 1: I don't know, man, I just think that's it. I

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Speaker 1: don't know.

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Speaker 3: I think that's our lane.

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Speaker 1: Yeah, but I think we're a little cooler than that.

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Speaker 3: We could do it that it was mine? Come on, no, no,

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Speaker 3: I'm not going to say the pot is mine. I'm

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Speaker 3: not going to do that. I'm not with you on

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Speaker 3: that one. I don't know if people watch Brown Sugar anymore.

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Speaker 3: With Dre was kind of he was hating with that

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Speaker 3: real hip hop shit. That hoe his mind was a hit,

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Speaker 3: him storming out the studio.

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Speaker 1: It was ahead of the justice of hip hop, like

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Speaker 1: it was ahead of his time. Out of here back then.

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Speaker 1: That's not where we were at with rapping hip hop.

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Speaker 3: No, that's where That's exactly where it was at.

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Speaker 1: The hoe is mine? What was that?

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Speaker 3: Four?

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Speaker 1: I think we're more in the whole era now.

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Speaker 3: They was making some crazy shit, no for no, for sure.

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Speaker 1: But it was it was frowned upon. It wasn't as

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Speaker 1: mainstream as it is today. If you don't have hole

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Speaker 1: in your hook today, it's not breaking top ten radio.

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Speaker 3: Brown Sugar was a very interesting movie.

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Speaker 1: I love that movie.

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Speaker 3: I need to. It's a classic. But like Running Down

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Speaker 3: with Most Death in Hot ninety seven, Most Death was

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Speaker 3: a cab driver. Yeah, and his name was Cabby Cab Yeah.

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Speaker 1: Who thought of no? No, seriously, who thought about that?

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Speaker 1: We got to talk to the producers about that one.

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Speaker 1: That was a terrible name.

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Speaker 3: I just want to know, like that subplot story of

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Speaker 3: Most Deep and Queen Latifa getting together too might have

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Speaker 3: been the greatest shit ever? Why is sny lath than

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Speaker 3: the home record in every movie.

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Speaker 1: Every movie?

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Speaker 3: Loving Basketball?

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Speaker 1: She didn't reckon No, she didn't reckon home.

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Speaker 3: In Loving Basket, she played one on one and ended

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Speaker 3: up marriage. She lost and ended up They were getting

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Speaker 3: married the next day and all she had to do

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Speaker 3: was a crossover.

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Speaker 1: Quincy said double of nothing. She didn't say it. Quincy

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Speaker 1: said doubling nothing. She played one on one for his heart, Yeah,

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Speaker 1: and she lost. He was thrashing. Actually he dunked on

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Speaker 1: all that. He wasn't trying to be with her.

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Speaker 3: He dunked on her.

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Speaker 1: We talking about he actually dunked on her bro.

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Speaker 3: He had a pulled or torn fucking string.

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Speaker 1: He took his brace bra like, yo, listen, I don't

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Speaker 1: like you, I don't want to be with you. And

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Speaker 1: then you know, he thought about it and doubling nothing

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Speaker 1: and that was kind of like and.

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Speaker 3: Then he became a house husband. Look what happened to nastiness?

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Speaker 3: Nasty and let her keep her last name hyphen it yo,

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Speaker 3: come on, she didn't.

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Speaker 1: She didn't hyphen it.

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Speaker 3: She hyphened it. She was Quincy McCall whatever name when

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Speaker 3: she right McCall things something like that. Yeah, And she

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Speaker 3: was a home wrecord in brown sugar.

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Speaker 1: She didn't. She didn't wreckon home in love and bast.

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Speaker 3: Because you love somebody first. Just because she was always

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Speaker 3: the first girl that was loved and then fucked it

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Speaker 3: up doesn't mean you can now come and ruin a

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Speaker 3: marriage because love KRS one like he loves KRS one.

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Speaker 1: Yeah, but he was he wasn't happy with his wife

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Speaker 1: in loving basketball, you could tell he wasn't happy with.

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Speaker 3: What it Wasn't it a famous girl who played it

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Speaker 3: tired banks. Come on, he was happy with her and

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Speaker 3: she was a flight attendant, bud hey, that.

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Speaker 1: Was like the second movie where they were a couple

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Speaker 1: because they and a higher learning tired Banks and wis

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Speaker 1: with together.

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Speaker 3: Yeah, say something this.

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Speaker 1: I wonder if Omar's wife feeling type of way when

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Speaker 1: she sees Tied Banks, like you might really like my

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Speaker 1: husband could be a thing.

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Speaker 3: Yeah, And I feel like she wasn't in the wood?

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Speaker 1: Was she in the wood? Tyra Banks? No?

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Speaker 3: No, not Ti Banks, Snilathni Lathan?

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Speaker 1: Yes, she was.

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Speaker 3: She was at a wedding that was about to get ruined.

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Speaker 3: So she's still she is still kind of like a factor.

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Speaker 3: Was the best man? Nee Long? Was the original love

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Speaker 3: Karma's coming back to her?

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Speaker 1: Mm hmm.

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Speaker 3: Yeah, we gotta get down to Toni Lathan and being

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Speaker 3: a really really good actress in particular roles.

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Speaker 1: Well, she's a really good actress. She is. Most importantly,

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Speaker 1: she's a beautiful woman. And I just think that you know,

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Speaker 1: you can her personality is always seems to fit with

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Speaker 1: the guys, like the guys gravitate towards her because she's

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Speaker 1: usually either into the same things guys like, or she's

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Speaker 1: just you know, that type of woman with like I

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Speaker 1: get along with her.

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Speaker 3: I like her, which she might be really I don't

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Speaker 3: like I don't like the girls. I don't like the

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Speaker 3: girls that pretend they're like the the guy girl, like

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Speaker 3: just because you could watch it game and you like

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Speaker 3: the bridges over, like you're not one of the guys.

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Speaker 3: I hate when girls try to do that.

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Speaker 1: Yeah, And you gotta be careful nowadays too, because women

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Speaker 1: will act like they're down to just sit in the

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Speaker 1: crib and watch the game with you, and then they'll

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Speaker 1: be on their phone the whole time, like flirting with

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Speaker 1: another guy. So it really doesn't even care.

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Speaker 3: That's like very specific.

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Speaker 1: I don't know that seems these are my balls. Yeah,

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Speaker 1: these are my balls. I'm spitting right here. Yeah I

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Speaker 1: wrote that. Yeah, ye, which was a playoff game?

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Speaker 3: Were you it was?

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Speaker 1: It was a regular season game. Did she have a

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Speaker 1: privacy screen? Uh no, but she had her angles were

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Speaker 1: she knew how to angle herself to which I couldn't

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Speaker 1: see her phone. And it was kind of like, you know,

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Speaker 1: do you.

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Speaker 3: Pay attention to some of the adjustments on the couch? Yeah? Absolutely,

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Speaker 3: I know it because I myself have done the adjustments,

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Speaker 3: like I can pick it out because I've done it.

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Speaker 1: You got to pay attention more so not the adjustment.

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Speaker 1: You have to pay attention to the body language when

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Speaker 1: you walk back in the room and then on their phone,

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Speaker 1: like if she when you walk back in, now she's

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Speaker 1: done texting all of a sudden, it's why was the

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Speaker 1: conversation over now? Immediately went right to the Twitter app

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Speaker 1: like yeah, like why tweet nine exactly, like why are you? Why? Why? Why? Now?

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Speaker 1: Do you feel like the conversation should be over?

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Speaker 3: Yeah? And I'm jealous enough that I don't even really

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Speaker 3: like when chicks be on mean pages and laughing to her,

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Speaker 3: just go go be with Justin the Boy. Then he

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Speaker 3: seems to make you fucking smile.

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Speaker 1: Is that still a thing? Like his page?

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Speaker 3: Is it still.

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Speaker 1: That's the thing.

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Speaker 3: I feel like your brother does like mature. Justin the

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Speaker 3: Boy he's he's like the adult.

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Speaker 1: He's yeah, he's like the I went through all that

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Speaker 1: toxicity and he's.

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Speaker 3: Justin's o G. Yeah, Like Justin is running the block

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Speaker 3: right now, and Biggs is like walking in and out

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Speaker 3: of this.

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Speaker 1: Yeah, Like he needs to find a way to I

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Speaker 1: don't know, watermark that or something, because I'll be seeing

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Speaker 1: that ship, his ship everywhere and people don't credit it.

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Speaker 1: And I'm like, yo, bro, you need to like watermark

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Speaker 1: that like, because anybody could use that font in that

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Speaker 1: black backdrop and say it was their.

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Speaker 3: I I do have a little bit of a beef

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Speaker 3: with with your brother. Everything that he's done for us

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Speaker 3: more than he knows. But to make the world think

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Speaker 3: that I have ten million dollars has added quite an

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Speaker 3: inconvenience to my life. Yeah.

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Speaker 1: I mean, yeah, Doug.

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Speaker 3: The movers went to my fucking storage unit. Three of

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Speaker 3: them come out, Hey, ten million dollars.

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Speaker 1: I'm like, yeah, no, and not only that, they feel

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Speaker 1: like you got it on you cash right now.

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Speaker 3: Right here, it's ten mili.

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Speaker 1: Yeah, man, I mean I get it. I understand. He

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Speaker 1: was just he was more so happy for us though.

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Speaker 1: Oh I know he was, you know what I mean,

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Speaker 1: he was happy for us. He was uh, he was excited,

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Speaker 1: and you know it was like we had put in

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Speaker 1: all this work behind the scenes and with the team

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Speaker 1: and everybody, so you know, but he hit me. He

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Speaker 1: hit me before he sent it out. Oh so this

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Speaker 1: is your fault. I said, Yeah, I don't care, Okay,

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Speaker 1: put it out.

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Speaker 3: I would have cared. Even even Damaris came back like, nah,

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Speaker 3: I'm in the double up on my ship.

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Speaker 1: Mar trying to renegotiate.

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Speaker 3: Yeah, I had a nice little five and a dollar extra,

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Speaker 3: and the like, yeah, I can go, I can go

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Speaker 3: this far.

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Speaker 1: This is my ceiling right here.

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Speaker 3: Yeah I don't me and Maul have been paid yet.

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Speaker 3: Yeah no, But it was, it was, it was, it was.

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Speaker 1: It was fun man to watch, you know, the internet

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Speaker 1: react to everything and the support and even the hate. Yeah,

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Speaker 1: we got for it.

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Speaker 3: I love it.

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Speaker 1: I love seeing the hate more than actually the support.

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Speaker 1: I'm weird like that. I like to see who's upset

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Speaker 1: about success.

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Speaker 3: I like the quiet congratulational hate. Yeah, oh damn they

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Speaker 3: got that. Good for them?

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Speaker 1: Yeah, good for them? Is you never mean good for them?

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Speaker 1: Like when you say that good for them?

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Speaker 3: Oh damn they got that? Yeah okay, yeah, yeah, no,

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Speaker 3: I just want to see everyone succeed.

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Speaker 1: Somebody d m B And it was like it was

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Speaker 1: weird because we never really had like a DM conversation before,

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Speaker 1: and I didn't know if they were congratulating me or

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Speaker 1: confused on how we acquired that much money.

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Speaker 3: It was, it was.

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Speaker 1: It wasn't your but it was like it's a word

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Speaker 1: like damn, I'm in the wrong. I'm in the wrong profession.

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Speaker 1: I don't know if you are, sir, I don't know

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Speaker 1: if you're in the wrong profession or not.

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Speaker 3: I can't tell you what did this person do.

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Speaker 1: This person's a singer, okay, he's he's a singer. I

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Speaker 1: like him too, real talented, but uh, it was kind

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Speaker 1: of weird. It was like, are you happy for us?

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Speaker 1: Are you mad that you're singing and didn't make this

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Speaker 1: much money? I don't know.

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Speaker 3: I feel like I got that same DM and I

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Speaker 3: can't remember who it was.

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Speaker 1: We're utual friends. But it was weird.

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Speaker 3: I was like, yo, fuck with you, bro, Like, yeah, like,

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Speaker 3: this is kind of weird to borrow money.

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Speaker 1: Yeah, it was. It was a little weird. But uh,

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Speaker 1: you know, more importantly, I think that people, the general

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Speaker 1: consensus that people are happy that we were able to,

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Speaker 1: you know, pivot and do what we wanted to do

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Speaker 1: and and still retain the ownership of our show. But

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Speaker 1: shout out to mass Sauce, Yeah, shout out Jazz, shout

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Speaker 1: out too serious Stitcher. So yeah, this is the start

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Speaker 1: of a beautiful relationship.

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Speaker 2: Man.

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Speaker 1: It just feels good. Yes, this is why we you know,

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Speaker 1: we wanted to come and make this partnership happen, because

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Speaker 1: we just we loved the energy from day one. I

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Speaker 1: think that was the one thing that we talked about.

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Speaker 1: We just we just enjoyed how interested and how vested

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Speaker 1: they were in us.

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Speaker 3: Yeah, it was funny because they were one of the

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Speaker 3: first people that reached out and what they sent over

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Speaker 3: I'm joking within the group.

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Speaker 1: Chat like yeah, are they sure right?

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Speaker 3: Like they're giving us pretty much every last thing that

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Speaker 3: we would ask for. And then of course we did

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Speaker 3: our due diligence and talk to other people and just

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Speaker 3: kept going back like, I don't know, man, a serious

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Speaker 3: deal kind of seems like the one, even if there

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Speaker 3: is bigger money offers, this seems like the one that

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Speaker 3: makes the most sense for us. So it's been great.

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Speaker 3: But you know, we're with Stitcher more sauce serious Now.

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Speaker 3: We're available wherever podcasts are available, so it's not like

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Speaker 3: you have to go find some fucking app that doesn't

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Speaker 3: work for free.

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Speaker 1: Yes, because people were asking if they would have to pay.

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Speaker 1: You know, you just go find us wherever you find

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Speaker 1: your podcast at. We're right there. Continue to follow us

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Speaker 1: on social media's new Rory and.

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Speaker 3: Mal added these social medias what is with the hood

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Speaker 3: and adding plurals to everything what is with the Hood plurals?

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Speaker 3: I mean, his name is mil Great Adventures. It's called

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Speaker 3: Great Adventure. I don't know if the Barnes and Nobles

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Speaker 3: it's called Barnes and Nobles. Did the Hood do that?

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Speaker 1: Yes?

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Speaker 3: The Hood definitely did that.

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Speaker 1: Okay, I mean I think that's because we're so used

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Speaker 1: to not having a lot mm hmm, So you kind

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Speaker 1: of want to just like put extras on everything.

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Speaker 3: Tell bigs to put that and the mean and then

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Speaker 3: tag you.

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Speaker 1: Yeah. Yeah, yeah, I mean I think that's more. I

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Speaker 1: think that's what it is. Man, the Hood. We just

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Speaker 1: so used to not having ship, so when we do

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Speaker 1: have it, we go overboard. That's what I got to

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Speaker 1: add the plural to it.

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Speaker 3: Yeah, you gotta get it, all right, Well, we're we're

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Speaker 3: available every Tuesday and Friday episodes twice a week. Yes,

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Speaker 3: it'll be us excited. Guess it'll be some random people.

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Speaker 3: It'll be our have fun, have.

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Speaker 1: Fun, talk ship, talk about the culture, music, sports, there's

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Speaker 1: a lot of good series out y. TV is great

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Speaker 1: right now. Of course, I'm loving TV right now. I

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Speaker 1: can't I'm just loving it, dude.

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Speaker 3: I do want to get into that squid game ending

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Speaker 3: in a little bit. We'll get to that effecture. We go, okay,

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Speaker 3: we like we got to talk about it. We will.

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Speaker 3: That was some some weird ship, but first.

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Speaker 1: Day that was the weird ship about that whole thing.

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Speaker 1: The ending, Yes, the fucking the first episode was weird shit.

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Speaker 1: And that's why I couldn't turn it off.

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Speaker 3: I was like, what is this? I mean, it's it's

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Speaker 3: just gambling in a nutshell, like if you don't pay

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Speaker 3: your debts, you're gonna get killed. Yeah, there was a

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Speaker 3: lot of like real undertones about life and that impulsive

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Speaker 3: people addicts. Like No, there's a lot of a lot

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Speaker 3: of symbolism.

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Speaker 1: If you want, absolutely, we will get to that.

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Speaker 3: I will say our first day in the studio that

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Speaker 3: we tried to you know, build out. We're still working on,

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Speaker 3: but I think it was good for for the first episode.

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Speaker 3: I'm a little upset you brought U a l a hat. Listen,

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Speaker 3: I just like Harry West Coast here and now that

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Speaker 3: I don't love the bay.

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Speaker 1: But this is the great thing about us having you know,

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Speaker 1: our own spot, is that now we can do whatever

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Speaker 1: the funk we want. So, you know, we think we

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Speaker 1: will change some ship and we'll add you know, some

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Speaker 1: of our favorite pieces from our favorite people up here,

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Speaker 1: and you know, add some aesthetics to the things. But

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Speaker 1: this is, you know, this is just for now. It's

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Speaker 1: so it's okay, we'll switch it up.

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Speaker 3: Did Nicks colors at least so we can have something

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Speaker 3: going on here, go next and then the subway. And

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Speaker 3: then I see, now you're biting off my style.

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Speaker 1: Like, yo, you know me rock these, I will, I

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Speaker 1: will give you credit photos. So when we had our

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Speaker 1: photo shoot, you had these on and I kind of

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Speaker 1: felt like I had those, And again it was like

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Speaker 1: yes style, no, no, no, no, I would never say

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Speaker 1: that because you definitely are the new balance God. I

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Speaker 1: would never take that title from you. But I looked

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Speaker 1: at him and I'm like, damn, I think I have those,

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Speaker 1: which I do a lot with sneakers because I have

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Speaker 1: a lot of sneakers in the clear boxes, but a

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Speaker 1: lot I keep the box because of the art and

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Speaker 1: all of that, So you don't know what sneakers those

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Speaker 1: are unless you open the box. So a lot of

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Speaker 1: times I go through my sneakers and I open boxes

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Speaker 1: and I'm like, shit, I didn't even I forgot I

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Speaker 1: had these, But when I see them on somebody's feet.

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Speaker 1: I'm like, those are fire. So when I show you

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Speaker 1: at the photo shoot, I'm like, damn, those are hard.

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Speaker 1: I think I got those. And then I went home

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Speaker 1: and I found them. So I was like, you know

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Speaker 1: what didn't Was it like my ankle ratio to the

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Speaker 1: nine ninety? Was it how my pants laid on it? No,

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Speaker 1: you have a good you have a good older gentleman

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Speaker 1: aesthetic about you.

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Speaker 3: I mean I feel like an old self.

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Speaker 1: Yeah, like you know, I don't know if you're going

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Speaker 1: to brunch or you're going to pick up the kids

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Speaker 1: from daycare, but you have that nice style.

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Speaker 3: Yeah you have.

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Speaker 1: You're a dressed to all occasions.

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Speaker 3: I got holes in my shirt. That's an aesthetic. That's

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Speaker 3: part of what's humble. Yeah, exactly how to let people know. Yeah,

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Speaker 3: the ten million didn't clear, You don't worry about that.

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Speaker 3: Every other week I eat Ramen and just to remind myself.

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Speaker 1: Stay humble, stay grounded. So yeah, I saw these on

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Speaker 1: your feet and I was like, yo, those a fire,

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Speaker 1: and then sure enough I had them. So it was

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Speaker 1: kind of like, damn, I gotta I gotta break these

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Speaker 1: out for the fall. I will ask you just to

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Speaker 1: really get this. This deal popped off. We're in the building.

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Speaker 3: How do you feel that there is a all gender

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Speaker 3: bathroom and then just a woman's bathroom.

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Speaker 1: We need to talk to I don't know if we

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Speaker 1: talked to Jasmine about that. We need to talk to somebody.

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Speaker 3: I don't like it. I feel a little left out.

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Speaker 3: I feel that represented.

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Speaker 1: It's an all gender and then there's but there's a

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Speaker 1: men's bathroom too, But they got us like in the

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Speaker 1: back and the cut like back.

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Speaker 3: Of the all gender. Then why would they need to

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Speaker 3: so women get all the bathrooms? Yeah? Mhm, okay, no,

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Speaker 3: just listen. I mean I thought Chappelle's stand up was

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Speaker 3: very offensive.

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Speaker 1: I still don't understand how people are trying to cancel

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Speaker 1: Dave Chappelle.

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Speaker 3: They're not, and we gotta stop with that because they're

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Speaker 3: not trying to cancel them. They can't cancel them. They're

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Speaker 3: just this group's.

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Speaker 1: Popping up everywhere trying to cancel Dave Chappelle. And it's like,

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Speaker 1: did y'all miss what he was saying, Like he doesn't

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Speaker 1: have an issue with anybody, Like it's not he doesn't

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Speaker 1: have a problem with people. He doesn't care about your

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Speaker 1: preference or whatever. Like, just stop, cut it out. He

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Speaker 1: had a real relationship with a trans is it a

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Speaker 1: transgender I don't want to be I don't want to

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Speaker 1: offend anybody, like what are they? Yes, transgender? He had

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Speaker 1: a real relationship with a transgender woman, and he spoke

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Speaker 1: about that and he was like, you know, y'all bullied

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Speaker 1: her when she was showing support for me on the internet. Yeah,

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Speaker 1: and then so she ended up killing herself herself, which

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Speaker 1: is a terrible ending to a story, but it was

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Speaker 1: just him letting you know, like, listen, y'all, whatever y'all

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Speaker 1: see on you know, social media and all of this, like,

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Speaker 1: that's not real in real life. I have real relationships

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Speaker 1: with people like and that's the most important thing. So

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Speaker 1: for people to still be calling for Day Chappelle to

404
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Speaker 1: be canceled after that, it's just like, all right, man,

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Speaker 1: y'all just missed the whole the whole point.

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Speaker 3: Yeah, because I thought, and we all know Chappelle's super intelligence.

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00:16:07,280 --> 00:16:08,880
Speaker 3: I thought he brought it all together and of course

408
00:16:09,720 --> 00:16:12,840
Speaker 3: everybody in between that entire thing. But comedy is supposed

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Speaker 3: to one obviously, make you laugh, and if you didn't laugh,

410
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Speaker 3: turn it off, make you think, make you laugh look

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Speaker 3: at the absurdities of some of the things that are

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Speaker 3: going on in life. And that's not there shouldn't be

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Speaker 3: equal rights for everyone. It's just some of the absurdities

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Speaker 3: that we throw in to that conversation and that fight.

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Speaker 1: Mm hm.

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Speaker 3: That's what comedy's supposed to do.

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Speaker 1: And in a funny way he made it so it's like, Okay,

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Speaker 1: you want to be treated equal. Part of being treated equals,

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Speaker 1: you're going to be talked about. I saw everybody's talked

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00:16:36,120 --> 00:16:39,880
Speaker 1: about Asian. Doesn't matter what your sexual preferences. Everybody is

421
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Speaker 1: talked about.

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Speaker 3: It's a really, really shitty tweet that was getting a

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Speaker 3: lot of traction. I hate when shitty tweets get traction.

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Speaker 1: Those usually get the most traction.

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Speaker 3: Somebody said Chappelle left his show because of the white

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Speaker 3: audience that was watching it, and now his audience is

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Speaker 3: that same audience.

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Speaker 1: He left the original Chappelle show. M hm, that's out

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Speaker 1: why he left the rhythm.

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Speaker 3: Of course, it's not. He didn't make comments of saying

431
00:17:03,200 --> 00:17:06,000
Speaker 3: he was confused on who was watching it and why

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Speaker 3: they were laughing, because sometimes he would be on set

433
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Speaker 3: and somebody would laugh at a joke that it's like, nah,

434
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Speaker 3: that are they laughing at me or with me? So

435
00:17:13,400 --> 00:17:15,440
Speaker 3: that was definitely not the full part, obviously, but there was.

436
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Speaker 3: He had spoke about that interview.

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Speaker 1: It's hard for me to understand how somebody gets a

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00:17:19,440 --> 00:17:22,320
Speaker 1: hateful vibe from Dave Chappelle, Like, I just don't understand it.

439
00:17:22,400 --> 00:17:24,480
Speaker 1: It's like you think that this man hates people because

440
00:17:24,480 --> 00:17:27,439
Speaker 1: of their sexual preference. I just don't. I don't know, man.

441
00:17:27,600 --> 00:17:30,400
Speaker 1: I think everybody is just quick to be offended these days.

442
00:17:30,440 --> 00:17:32,520
Speaker 1: And even if you say something direct and you're saying

443
00:17:32,560 --> 00:17:35,199
Speaker 1: what you mean, they can still bend it to be like, oh,

444
00:17:35,480 --> 00:17:36,840
Speaker 1: so what are you trying to say. It's like, that's

445
00:17:36,880 --> 00:17:38,480
Speaker 1: not what I'm trying to say. Yeah, I said what

446
00:17:38,560 --> 00:17:41,280
Speaker 1: I'm trying to say. You're bending it to fit whatever

447
00:17:41,440 --> 00:17:43,840
Speaker 1: narrative you're trying to create about me, and it's wrong.

448
00:17:43,960 --> 00:17:46,119
Speaker 3: So I think we went to a roast battle in

449
00:17:46,240 --> 00:17:49,560
Speaker 3: La we did, which was an interesting, very offensive if

450
00:17:49,880 --> 00:17:50,880
Speaker 3: you were on that side.

451
00:17:50,840 --> 00:17:55,040
Speaker 1: Well, I understood why. When we first walked in, they

452
00:17:55,080 --> 00:17:56,320
Speaker 1: was telling us that we had to put out phones

453
00:17:56,320 --> 00:17:59,680
Speaker 1: in a bag, and my thought was, okay, maybe like

454
00:18:00,880 --> 00:18:02,680
Speaker 1: celebrity is gonna do a set tonight, and they don't

455
00:18:02,680 --> 00:18:05,280
Speaker 1: want to be recorded, but it was because of the

456
00:18:05,400 --> 00:18:08,440
Speaker 1: content and things that they were saying, and you and

457
00:18:08,600 --> 00:18:10,720
Speaker 1: I were in there laughing. We had a great time.

458
00:18:10,800 --> 00:18:14,840
Speaker 1: Like some of those jokes, easily somebody could be offended,

459
00:18:15,280 --> 00:18:17,520
Speaker 1: especially twenty twenty one, a lot of people would have

460
00:18:17,520 --> 00:18:21,159
Speaker 1: been offended. But it felt good being in there with

461
00:18:21,280 --> 00:18:24,320
Speaker 1: those people, with everybody in the room understood this is

462
00:18:24,720 --> 00:18:27,360
Speaker 1: just jokes. It's just comedy.

463
00:18:27,640 --> 00:18:29,840
Speaker 3: Just put it in perspective of the internet shit, like

464
00:18:30,880 --> 00:18:32,560
Speaker 3: you can live in different worlds. If you don't like

465
00:18:32,640 --> 00:18:35,240
Speaker 3: that type of content where you think that shit is offensive, just.

466
00:18:35,240 --> 00:18:36,399
Speaker 1: Don't watch it. Don't watch it.

467
00:18:36,520 --> 00:18:40,080
Speaker 3: No one is actually harming anyone up there, right the words,

468
00:18:40,080 --> 00:18:42,520
Speaker 3: they're jokes. Everyone hugs at the end. I wish I

469
00:18:42,600 --> 00:18:43,600
Speaker 3: wanted to be in that environment.

470
00:18:43,720 --> 00:18:46,480
Speaker 1: I wish I remember the guy's name that was sitting

471
00:18:46,520 --> 00:18:48,520
Speaker 1: on the side of the stage that was kind of

472
00:18:48,560 --> 00:18:51,080
Speaker 1: like one of the judges. Oh yeah, the Indian guy.

473
00:18:51,320 --> 00:18:54,920
Speaker 3: Yeah, he was hilarious. Nah, he went fucking crazy, he was,

474
00:18:55,000 --> 00:18:56,800
Speaker 3: he was hilarious. He was hosting the IG Live.

475
00:18:56,840 --> 00:18:58,560
Speaker 1: I don't know if he'll ever make it mainstream because

476
00:18:58,600 --> 00:18:59,719
Speaker 1: his jokes are very offensive.

477
00:19:00,040 --> 00:19:01,040
Speaker 3: Love to have him on the podcast.

478
00:19:01,119 --> 00:19:02,119
Speaker 1: But he's hilarious.

479
00:19:02,880 --> 00:19:04,480
Speaker 3: We gotta find his name. And he was not Indian.

480
00:19:04,520 --> 00:19:05,359
Speaker 3: That's very racist of you.

481
00:19:05,480 --> 00:19:05,639
Speaker 1: He was.

482
00:19:06,119 --> 00:19:06,639
Speaker 3: He was Arab.

483
00:19:07,320 --> 00:19:09,760
Speaker 1: Oh I thought he was really well he was.

484
00:19:09,880 --> 00:19:11,600
Speaker 3: He was playing an Arab guy. I know he could

485
00:19:11,640 --> 00:19:14,320
Speaker 3: just be some white guy from you know, No, he doesn't.

486
00:19:15,640 --> 00:19:17,639
Speaker 3: He definitely was not a white guy. I can promise

487
00:19:17,680 --> 00:19:21,479
Speaker 3: you that he was Middle Eastern for sure. All Right, man,

488
00:19:21,520 --> 00:19:24,320
Speaker 3: we missed a lot, missed a lot in October. A

489
00:19:24,440 --> 00:19:26,119
Speaker 3: lot did happen. A lot of music happened.

490
00:19:26,400 --> 00:19:30,440
Speaker 1: A lot of music happened. Uh, a lot of music

491
00:19:30,520 --> 00:19:33,840
Speaker 1: didn't happen too at the same time. But I guess

492
00:19:33,880 --> 00:19:34,600
Speaker 1: we'll we'll get into it.

493
00:19:34,960 --> 00:19:37,760
Speaker 3: I was a little outside of a few projects, I

494
00:19:37,840 --> 00:19:42,040
Speaker 3: was a little underwhelmed. Some someone was anticipating and had

495
00:19:42,119 --> 00:19:45,840
Speaker 3: higher hopes for I think there's joints on that on

496
00:19:45,960 --> 00:19:49,720
Speaker 3: that Meek album. But here's like where I feel like

497
00:19:50,920 --> 00:19:54,760
Speaker 3: Meek's Catch twenty two comes in. Like Meek, I've always

498
00:19:54,760 --> 00:19:57,680
Speaker 3: appreciated a lot of those artists that keeps up with

499
00:19:57,760 --> 00:20:00,439
Speaker 3: the kids. The kids fuck with him. He alway reaches

500
00:20:00,480 --> 00:20:01,920
Speaker 3: down to the kids that are coming up. Like he's

501
00:20:01,920 --> 00:20:04,399
Speaker 3: one of those that I've always appreciated. As far as

502
00:20:04,520 --> 00:20:07,240
Speaker 3: him being now at this point almost a decade or

503
00:20:07,280 --> 00:20:10,920
Speaker 3: a decade into his career. Probably I felt on this

504
00:20:11,040 --> 00:20:15,720
Speaker 3: one he went too much that way. Okay, I kind

505
00:20:15,720 --> 00:20:19,360
Speaker 3: of wanted more of the rapping Meek, not today he's

506
00:20:19,400 --> 00:20:22,200
Speaker 3: not rapping on there, but the rapping Meek than kind

507
00:20:22,240 --> 00:20:27,320
Speaker 3: of the Dirk era sound Meek. Right, So, I guess

508
00:20:27,640 --> 00:20:31,119
Speaker 3: I'm just a customer. You can't please in this disregard

509
00:20:31,240 --> 00:20:33,640
Speaker 3: because I do love that that's what he's always done

510
00:20:33,640 --> 00:20:35,800
Speaker 3: in his career. He's always went and got the younger

511
00:20:35,880 --> 00:20:37,960
Speaker 3: kids and sounds good with the younger kids. He doesn't

512
00:20:37,960 --> 00:20:40,720
Speaker 3: sound like that old guy in the club. This one

513
00:20:40,800 --> 00:20:43,960
Speaker 3: felt like maybe Meek went too far with that.

514
00:20:44,880 --> 00:20:46,960
Speaker 1: Yeah, I'm on the same I'm on the same vibe

515
00:20:47,000 --> 00:20:51,119
Speaker 1: with you. I was disappointed only because again it didn't

516
00:20:52,800 --> 00:20:53,960
Speaker 1: It was kind of It's kind of like what you

517
00:20:54,000 --> 00:20:56,800
Speaker 1: said about Drake's album, how you were disappointed because you

518
00:20:56,880 --> 00:21:00,760
Speaker 1: were looking for looking for Righty to take the next

519
00:21:00,800 --> 00:21:04,760
Speaker 1: step as far as like music and content and and

520
00:21:04,880 --> 00:21:08,879
Speaker 1: elevate his his sound. I feel like that with this

521
00:21:08,960 --> 00:21:12,920
Speaker 1: Meek project. I feel like he he didn't really give

522
00:21:13,040 --> 00:21:17,680
Speaker 1: us anything different. He didn't give us anything new. I

523
00:21:17,760 --> 00:21:21,800
Speaker 1: think he uh, you know you say, sounding like the

524
00:21:21,920 --> 00:21:23,760
Speaker 1: younger guys are getting the younger guys. I think it

525
00:21:23,880 --> 00:21:26,560
Speaker 1: was too much of him reaching back into that bag

526
00:21:26,680 --> 00:21:30,760
Speaker 1: and not reaching forward into just evolving as an artist.

527
00:21:30,880 --> 00:21:33,200
Speaker 1: Like you know, Meek is, the raps are going to

528
00:21:33,200 --> 00:21:34,880
Speaker 1: be there. He can rap any day of the week.

529
00:21:35,000 --> 00:21:36,960
Speaker 1: We know that about me because his raps are there.

530
00:21:37,760 --> 00:21:40,760
Speaker 1: But uh, he didn't. He didn't take that step forward

531
00:21:40,800 --> 00:21:43,760
Speaker 1: in his career musically with this project to me, and

532
00:21:44,280 --> 00:21:46,159
Speaker 1: I was disappointed in that because and I thought it

533
00:21:46,240 --> 00:21:48,600
Speaker 1: was real important too that he did that, especially since

534
00:21:49,600 --> 00:21:51,120
Speaker 1: you know, for the most part, a lot of people

535
00:21:51,160 --> 00:21:53,920
Speaker 1: were underwhelmed by the Drake project. And I hate to

536
00:21:53,960 --> 00:21:56,119
Speaker 1: always pin these two artists against each other, but it

537
00:21:56,200 --> 00:21:57,760
Speaker 1: is what it is at this point. You know, if

538
00:21:57,760 --> 00:22:00,320
Speaker 1: they're dropping around the same time, especially with the history

539
00:22:00,320 --> 00:22:02,080
Speaker 1: of their careers, they're always going to kind of be

540
00:22:02,119 --> 00:22:03,800
Speaker 1: what the Meek do, what the Drake do. It's just

541
00:22:03,880 --> 00:22:05,879
Speaker 1: gonna always be that. And I think that Meek had

542
00:22:05,880 --> 00:22:09,520
Speaker 1: an opportunity to kind of like leap forward in his

543
00:22:09,880 --> 00:22:13,280
Speaker 1: career musically with this project, and he didn't. In my opinion,

544
00:22:13,359 --> 00:22:15,160
Speaker 1: my humble opinion, I don't think he did. It's still

545
00:22:15,200 --> 00:22:18,280
Speaker 1: good songs on there. It's still good obviously good raps

546
00:22:18,280 --> 00:22:21,119
Speaker 1: because he can rap his ass off. But I just

547
00:22:21,200 --> 00:22:24,720
Speaker 1: think collectively, just the music, it just didn't. It didn't.

548
00:22:24,760 --> 00:22:27,080
Speaker 1: It didn't really stick to me the way I thought

549
00:22:27,080 --> 00:22:28,040
Speaker 1: it would with this project.

550
00:22:28,200 --> 00:22:31,080
Speaker 3: Championships. I love that's that's probably my favorite media album.

551
00:22:31,560 --> 00:22:34,840
Speaker 3: And like I felt with the Championships album, felt like

552
00:22:35,160 --> 00:22:37,160
Speaker 3: Meek was taking not I don't want to say maturity,

553
00:22:37,240 --> 00:22:40,200
Speaker 3: but he was taking another step, like into his thirties

554
00:22:40,480 --> 00:22:42,879
Speaker 3: type of rap. But it still sounded relevant to what

555
00:22:43,000 --> 00:22:45,000
Speaker 3: was going on at the time, right, And I felt

556
00:22:45,040 --> 00:22:48,280
Speaker 3: like he took a step back from Championships, like the

557
00:22:48,320 --> 00:22:49,960
Speaker 3: way he used to bring the kids into his world

558
00:22:50,000 --> 00:22:52,520
Speaker 3: and it would sound good. He went too much into

559
00:22:52,680 --> 00:22:56,640
Speaker 3: their world, like that this album is their world. Like, yeah, listen,

560
00:22:56,800 --> 00:22:59,200
Speaker 3: I can appreciate. I even said about the Drake album

561
00:22:59,280 --> 00:23:02,480
Speaker 3: Experiment Trial things. I appreciate that Meek is trying to sing.

562
00:23:02,800 --> 00:23:06,640
Speaker 3: I don't need me to sing. I just don't. Yeah. Yeah,

563
00:23:07,040 --> 00:23:09,560
Speaker 3: So that's where I felt, and yeah, I can I

564
00:23:09,560 --> 00:23:11,520
Speaker 3: can see the comparison with the Drake album. I have

565
00:23:11,600 --> 00:23:14,800
Speaker 3: been listening to the Drake album outside though it listen

566
00:23:15,080 --> 00:23:15,800
Speaker 3: changed a bit.

567
00:23:16,240 --> 00:23:17,920
Speaker 1: Not to move off of the Meek you Know album

568
00:23:17,960 --> 00:23:20,920
Speaker 1: and go right back into Drake's album, but a lot

569
00:23:21,000 --> 00:23:23,440
Speaker 1: of the records that you know we heard while we

570
00:23:23,480 --> 00:23:26,359
Speaker 1: were in the house, like the Way Too Sexy. I

571
00:23:26,520 --> 00:23:27,840
Speaker 1: still cannot play that record.

572
00:23:27,880 --> 00:23:30,600
Speaker 3: I can't lis to that. I can't, but I saw

573
00:23:30,680 --> 00:23:33,840
Speaker 3: what it does when you're in that type of environment,

574
00:23:33,880 --> 00:23:35,399
Speaker 3: you feel sexy, you feel way too sexy.

575
00:23:35,600 --> 00:23:38,400
Speaker 1: I may have ordered the Cosmo. I'm not gonna lie

576
00:23:38,480 --> 00:23:41,159
Speaker 1: like I felt like ordering a Cosmopolitan like I was

577
00:23:41,200 --> 00:23:45,560
Speaker 1: at the Almost. I didn't almost almost, but I didn't.

578
00:23:45,640 --> 00:23:47,920
Speaker 3: Have you ever judged nothing like was out and thought

579
00:23:48,480 --> 00:23:52,480
Speaker 3: maybe you shouldn't be singing this song. Absolutely, but you

580
00:23:52,560 --> 00:23:53,640
Speaker 3: want people to have self love.

581
00:23:54,080 --> 00:23:57,159
Speaker 1: I do. But I just can't say I'm way too sexy.

582
00:23:57,600 --> 00:23:59,919
Speaker 1: I've never felt like I was way too sexy for anything.

583
00:24:00,040 --> 00:24:02,000
Speaker 3: I'm I'm too sexy for my taste. And if you're

584
00:24:02,040 --> 00:24:04,520
Speaker 3: not into my taste, oh yeah.

585
00:24:04,359 --> 00:24:06,359
Speaker 1: We have to you're not sexy enough, of course, Okay,

586
00:24:06,359 --> 00:24:06,680
Speaker 1: I got you.

587
00:24:06,840 --> 00:24:08,040
Speaker 3: I know a lot of people don't like the song.

588
00:24:08,119 --> 00:24:11,159
Speaker 3: Fucking fans. That's starting to become my favorite song. Do

589
00:24:11,240 --> 00:24:15,119
Speaker 3: you think Shorty was a little like, I think she

590
00:24:15,200 --> 00:24:18,760
Speaker 3: was a little too hard on Drake on fucking fans.

591
00:24:19,040 --> 00:24:20,840
Speaker 3: All right, I'm gonna put it this a little too hard?

592
00:24:20,960 --> 00:24:22,720
Speaker 1: No, I don't think so.

593
00:24:24,000 --> 00:24:25,359
Speaker 3: How many women have you met in your life that

594
00:24:25,359 --> 00:24:28,400
Speaker 3: are not Drake fans? Not many? Who can he fuck?

595
00:24:28,480 --> 00:24:28,600
Speaker 1: Then?

596
00:24:30,800 --> 00:24:31,000
Speaker 3: Wait?

597
00:24:31,240 --> 00:24:33,159
Speaker 1: She No, we can't do that because in this who

598
00:24:33,240 --> 00:24:33,800
Speaker 1: can he fuck?

599
00:24:33,880 --> 00:24:36,240
Speaker 3: We can't do that because it was shameful.

600
00:24:36,280 --> 00:24:37,320
Speaker 1: I was out fucking fans.

601
00:24:37,400 --> 00:24:38,560
Speaker 3: What girl is not a Drake fan?

602
00:24:39,040 --> 00:24:39,240
Speaker 2: Yeah?

603
00:24:39,359 --> 00:24:40,280
Speaker 3: But who is Drake?

604
00:24:40,359 --> 00:24:40,560
Speaker 1: Fuck?

605
00:24:41,359 --> 00:24:41,560
Speaker 2: Yeah?

606
00:24:41,600 --> 00:24:43,680
Speaker 1: But it's I think it's different though. I know what

607
00:24:43,760 --> 00:24:46,560
Speaker 1: you mean, like every what woman is Drake gonna meat?

608
00:24:46,600 --> 00:24:47,359
Speaker 1: That's not a fan of this?

609
00:24:47,600 --> 00:24:47,960
Speaker 3: I get it.

610
00:24:48,040 --> 00:24:51,320
Speaker 1: No, I totally understand that. But I think it's more

611
00:24:51,440 --> 00:24:54,720
Speaker 1: so like you know, like the super fans where it's like,

612
00:24:54,880 --> 00:24:58,640
Speaker 1: oh my god, Drake, Yeah, women are gonna love his music.

613
00:24:58,720 --> 00:25:02,560
Speaker 1: But it's like, don't be like a fan though, but

614
00:25:02,680 --> 00:25:04,720
Speaker 1: it's appreciate my music, but don't be a fan, like

615
00:25:04,760 --> 00:25:05,600
Speaker 1: I can't funk my fan.

616
00:25:05,680 --> 00:25:08,040
Speaker 3: If I fuck a fan, it's shameful and weird.

617
00:25:08,080 --> 00:25:10,520
Speaker 1: I did nasty, will never do it again. I promise

618
00:25:10,600 --> 00:25:12,879
Speaker 1: you that would it would have never happened again. I

619
00:25:12,960 --> 00:25:14,680
Speaker 1: don't even know why she was a fan of like,

620
00:25:14,920 --> 00:25:16,400
Speaker 1: I'm nobody a regular guy.

621
00:25:16,640 --> 00:25:18,520
Speaker 3: Did you stick your digging? And she will that's crazy.

622
00:25:20,480 --> 00:25:22,640
Speaker 1: See, this is this is where you try to pull

623
00:25:22,680 --> 00:25:25,520
Speaker 1: me into your bulle. No, she didn't say that.

624
00:25:25,920 --> 00:25:28,520
Speaker 3: She didn't say that's crazy, that that'd be kind of ill, though,

625
00:25:28,880 --> 00:25:31,080
Speaker 3: would because you want a girl to be like, well,

626
00:25:31,280 --> 00:25:32,560
Speaker 3: it depends a tone, she says.

627
00:25:32,680 --> 00:25:35,959
Speaker 1: Yeah, yeah, because they could go either way. Yeah that's crazy,

628
00:25:36,040 --> 00:25:41,399
Speaker 1: Like damn, that's all you got disappointed exactly exactly, no,

629
00:25:41,680 --> 00:25:42,359
Speaker 1: and then you try.

630
00:25:42,240 --> 00:25:44,159
Speaker 3: To overcompensate and like fuck her harder.

631
00:25:44,000 --> 00:25:47,800
Speaker 1: And yeah, that doesn't harder and faster. It's never the louder.

632
00:25:47,800 --> 00:25:48,760
Speaker 3: The clap doesn't mean the better.

633
00:25:48,800 --> 00:25:50,119
Speaker 1: I don't mean you're killing right now. I don't mean

634
00:25:50,160 --> 00:25:52,280
Speaker 1: you're killing it. No, But yeah, no, that's that's nasty.

635
00:25:52,320 --> 00:25:53,920
Speaker 1: I would it's just a nasty feeling.

636
00:25:53,960 --> 00:25:56,320
Speaker 3: But that's where I just think we don't go deep

637
00:25:56,400 --> 00:25:58,640
Speaker 3: dive into how toxic women are. Because I was listening

638
00:25:58,680 --> 00:26:00,680
Speaker 3: to that fucking Fans record. On this surface level, you

639
00:26:00,760 --> 00:26:02,920
Speaker 3: can hear like, all right, yeah, sure he's a point,

640
00:26:03,040 --> 00:26:06,360
Speaker 3: like she was at home, like concerns Drake's out there,

641
00:26:07,280 --> 00:26:11,520
Speaker 3: fucking he's Drake the girl's going to be a fan,

642
00:26:13,119 --> 00:26:14,920
Speaker 3: you should say, hey, you should stop fucking women.

643
00:26:16,640 --> 00:26:19,480
Speaker 1: But again, it's a difference though, because you can like

644
00:26:19,560 --> 00:26:23,160
Speaker 1: what somebody does and like their art, but the fandom

645
00:26:23,200 --> 00:26:24,560
Speaker 1: ship is where it gets weird.

646
00:26:25,640 --> 00:26:26,520
Speaker 3: Like they shouldn't be.

647
00:26:26,560 --> 00:26:29,000
Speaker 1: Running, screaming, yelling, Oh my god, Drake, that's just a

648
00:26:29,040 --> 00:26:31,399
Speaker 1: little weird. You don't never want to do that. Obviously,

649
00:26:31,520 --> 00:26:33,080
Speaker 1: Drake knows if he goes on a date with a woman,

650
00:26:33,160 --> 00:26:34,800
Speaker 1: she knows him and who he is and this you

651
00:26:34,880 --> 00:26:37,560
Speaker 1: know he knows that, But don't be a fan. Don't

652
00:26:37,560 --> 00:26:40,680
Speaker 1: sit here and ask me about my work the entire

653
00:26:40,840 --> 00:26:42,040
Speaker 1: like date, Like, don't do that.

654
00:26:42,880 --> 00:26:44,800
Speaker 3: I mean, maybe she's on an intellectual level and really

655
00:26:44,840 --> 00:26:46,760
Speaker 3: wants to get to know Aubrey and who he is.

656
00:26:47,359 --> 00:26:49,520
Speaker 1: Maybe, but again I understand.

657
00:26:50,040 --> 00:26:52,080
Speaker 3: Maybe the fans were giving him actual the love that

658
00:26:52,119 --> 00:26:54,760
Speaker 3: he wasn't getting it on. Maybe he needed that praise,

659
00:26:55,840 --> 00:26:58,240
Speaker 3: like sometimes you need that specific person to tell you

660
00:26:58,480 --> 00:27:00,240
Speaker 3: that they're a fan of you, Like I had to

661
00:27:00,280 --> 00:27:03,320
Speaker 3: funk fans because my girl wasn't even a fan. M Like,

662
00:27:03,680 --> 00:27:06,359
Speaker 3: we didn't get the other side. Drake was telling her.

663
00:27:06,320 --> 00:27:07,560
Speaker 1: Story, Oh okay, got you.

664
00:27:08,720 --> 00:27:11,959
Speaker 3: He can't really get into to his side of that, right,

665
00:27:12,359 --> 00:27:15,160
Speaker 3: but you know it's neither here nor there. Yeah, certified

666
00:27:15,160 --> 00:27:17,800
Speaker 3: lover boy in stores now, and I've read.

667
00:27:17,720 --> 00:27:20,160
Speaker 1: That he's still number one on Billboard, which is crazy

668
00:27:20,240 --> 00:27:20,359
Speaker 1: to me.

669
00:27:21,240 --> 00:27:24,040
Speaker 3: I don't think so. I mean, I don't think that's crazy. No,

670
00:27:24,800 --> 00:27:25,720
Speaker 3: it's fucking drake Man.

671
00:27:26,080 --> 00:27:28,760
Speaker 1: Yeah, well god damn, and that's whatever.

672
00:27:28,880 --> 00:27:31,920
Speaker 3: But yeah, I didn't see you defending your girl who

673
00:27:33,119 --> 00:27:36,200
Speaker 3: you know. You know, women will submit when they feel safe, right,

674
00:27:36,600 --> 00:27:39,439
Speaker 3: and I feel like you have not been protecting Summer,

675
00:27:40,600 --> 00:27:42,560
Speaker 3: Like I feel like she feels very vulnerable out here

676
00:27:42,560 --> 00:27:44,800
Speaker 3: because I haven't seen you speak over her once. You know,

677
00:27:44,880 --> 00:27:46,560
Speaker 3: why don't speak up for me in private and then

678
00:27:46,600 --> 00:27:47,119
Speaker 3: not in public?

679
00:27:47,280 --> 00:27:49,280
Speaker 1: No, absolutely, I'm with that all the way. But you

680
00:27:49,359 --> 00:27:52,280
Speaker 1: know why I haven't really I haven't really fed into

681
00:27:52,400 --> 00:27:57,400
Speaker 1: like people not loving the first single because, first of all,

682
00:27:57,960 --> 00:28:00,119
Speaker 1: just it's starting to change. People are starting to like

683
00:28:00,160 --> 00:28:01,600
Speaker 1: it now, which I knew was gonna happen. It's a

684
00:28:01,920 --> 00:28:04,639
Speaker 1: fucking record, right, But I think people wanted her to

685
00:28:04,720 --> 00:28:08,400
Speaker 1: come out the gate with sad, emotional R and B shit.

686
00:28:08,680 --> 00:28:13,280
Speaker 3: Yeah, and they weren't expecting a up tempo record, which

687
00:28:13,320 --> 00:28:15,480
Speaker 3: I guess if you look at how like the rollout started,

688
00:28:15,560 --> 00:28:18,200
Speaker 3: was still over it and like the track list of

689
00:28:18,359 --> 00:28:21,520
Speaker 3: the X's and all that shit. Yeah, you do kind

690
00:28:21,560 --> 00:28:23,240
Speaker 3: of throw me off when you come out with that

691
00:28:23,359 --> 00:28:23,960
Speaker 3: type of record.

692
00:28:24,760 --> 00:28:24,879
Speaker 2: Now.

693
00:28:24,960 --> 00:28:27,280
Speaker 3: Granted, when I heard that record before, I was like, Oh,

694
00:28:27,320 --> 00:28:31,119
Speaker 3: that's everyone's gonna love that, not thinking oh, yeah, they

695
00:28:31,280 --> 00:28:34,160
Speaker 3: did want hurt fucking summer. We've seen all this public

696
00:28:34,200 --> 00:28:36,560
Speaker 3: shit that's going on exactly, but I knew give it

697
00:28:36,600 --> 00:28:37,560
Speaker 3: a month that record is.

698
00:28:37,720 --> 00:28:40,000
Speaker 1: When you hear that record in the in the sequence

699
00:28:40,040 --> 00:28:42,080
Speaker 1: of the album, that's when people are going.

700
00:28:42,160 --> 00:28:43,880
Speaker 3: Sorry the rest of us, we were waiting for the

701
00:28:43,920 --> 00:28:46,600
Speaker 3: release date. We didn't We didn't get the pink car drive.

702
00:28:46,640 --> 00:28:47,920
Speaker 3: Did she send you the pink car drive? No, she

703
00:28:47,960 --> 00:28:49,240
Speaker 3: didn't send me the pink it was they had it

704
00:28:49,480 --> 00:28:50,080
Speaker 3: was your hard drive.

705
00:28:50,160 --> 00:28:52,600
Speaker 1: They had it on one twenty fifth, and I text Justice,

706
00:28:52,640 --> 00:28:54,800
Speaker 1: I said, Yo, is the music really on that hard drive?

707
00:28:54,840 --> 00:28:56,320
Speaker 1: Because I have the homies go over there and break

708
00:28:56,400 --> 00:28:58,560
Speaker 1: that class right now, like that glass is not going

709
00:28:58,640 --> 00:29:02,120
Speaker 1: to stop the homies from Linux, promise you that. But no,

710
00:29:02,280 --> 00:29:04,080
Speaker 1: hearing that hearing that song in the see because when

711
00:29:04,120 --> 00:29:07,080
Speaker 1: I heard it it it wasn't probably sequence the way

712
00:29:07,080 --> 00:29:08,480
Speaker 1: it is now but when Justice played it for me

713
00:29:08,520 --> 00:29:11,440
Speaker 1: at the studio. When I heard that, I wasn't expecting

714
00:29:11,640 --> 00:29:13,920
Speaker 1: that up tempo and I was like, oh, this is hard.

715
00:29:14,440 --> 00:29:14,640
Speaker 3: Yeah.

716
00:29:14,800 --> 00:29:16,160
Speaker 1: So when they put it out as a single, I

717
00:29:16,240 --> 00:29:17,760
Speaker 1: wasn't expecting that. I'll be honest, I didn't think that

718
00:29:17,760 --> 00:29:20,080
Speaker 1: was gonna be the first single. But I still love

719
00:29:20,120 --> 00:29:21,880
Speaker 1: the record. I've seen more people say they like the

720
00:29:21,920 --> 00:29:24,320
Speaker 1: record now. But in the sequel to that album, people

721
00:29:24,320 --> 00:29:25,760
Speaker 1: are gonna love. It's gonna be one of those songs

722
00:29:25,800 --> 00:29:27,840
Speaker 1: that people like Danny hated it when it first dropped.

723
00:29:28,520 --> 00:29:32,040
Speaker 1: But I'm still on record saying that Summer will have

724
00:29:32,400 --> 00:29:35,840
Speaker 1: the album of the year. Okay, hands down, like that.

725
00:29:36,040 --> 00:29:38,960
Speaker 1: Her album is ridiculous. Sean Garret Shout out to Sean Garrett,

726
00:29:39,200 --> 00:29:41,200
Speaker 1: everybody that worked on the album. Shout out to Justice.

727
00:29:42,200 --> 00:29:46,560
Speaker 1: Get albums. It's incredible. It's just Friday, this Friday, this Friday.

728
00:29:47,440 --> 00:29:49,880
Speaker 1: Unless something happens, you know, I don't know, but I

729
00:29:49,960 --> 00:29:51,720
Speaker 1: can I don't think any of that will happen. I

730
00:29:51,800 --> 00:29:54,160
Speaker 1: think that it comes as Friday and the people are

731
00:29:54,160 --> 00:29:57,240
Speaker 1: gonna love it. Sticking up for your girl, you know,

732
00:29:57,560 --> 00:30:00,200
Speaker 1: because people are just people want to just judge ship

733
00:30:00,320 --> 00:30:02,360
Speaker 1: and just hate ship, and it's just like you can't

734
00:30:02,600 --> 00:30:05,320
Speaker 1: convince people to just relax and just enjoy music anymore.

735
00:30:05,560 --> 00:30:07,880
Speaker 1: People want to react. And I get it to understand.

736
00:30:08,680 --> 00:30:11,200
Speaker 1: While album came out for Florence, while he did come out,

737
00:30:11,920 --> 00:30:13,320
Speaker 1: I was in We was in l A when it.

738
00:30:13,400 --> 00:30:15,920
Speaker 3: When they dropped, he was running around being a hussy.

739
00:30:17,440 --> 00:30:20,320
Speaker 1: I wasn't being a hussy. I was just outside, man.

740
00:30:20,680 --> 00:30:21,360
Speaker 3: Making your rounds.

741
00:30:21,640 --> 00:30:23,160
Speaker 1: That's being a hussy. Like if you just go out now,

742
00:30:23,320 --> 00:30:25,200
Speaker 1: just like, look at you being a hushy. You know

743
00:30:25,320 --> 00:30:26,480
Speaker 1: you were being a hussy in l A.

744
00:30:26,840 --> 00:30:27,960
Speaker 3: I was mine in my business.

745
00:30:28,200 --> 00:30:29,680
Speaker 1: I looked out the window and saw you walking down

746
00:30:29,680 --> 00:30:31,120
Speaker 1: the street. Who walks in La. I'm like, look at

747
00:30:31,160 --> 00:30:33,280
Speaker 1: Rory walking, Yeah I was. I was looking like he

748
00:30:33,400 --> 00:30:34,920
Speaker 1: was selling that ass. I was walking.

749
00:30:35,720 --> 00:30:38,400
Speaker 3: I was walking in l A, right, And it's no

750
00:30:38,520 --> 00:30:40,760
Speaker 3: secret that we always stay the Madra. Yeah we have guns,

751
00:30:40,800 --> 00:30:45,600
Speaker 3: so try it. I'm walking down Sunset to whatever that

752
00:30:45,640 --> 00:30:50,560
Speaker 3: little what's that the pink dot, it's the only corner

753
00:30:50,640 --> 00:30:52,920
Speaker 3: store and yeah that's our corner store. Yeah, so I

754
00:30:52,960 --> 00:30:55,400
Speaker 3: went over there to grab like some ship. Right, It's like,

755
00:30:55,520 --> 00:30:58,680
Speaker 3: I don't know, nine pm, and you know that for

756
00:30:58,760 --> 00:31:00,760
Speaker 3: people that don't know the pink dot. You walk right

757
00:31:00,840 --> 00:31:04,560
Speaker 3: on Sunset, which is like a pretty major street in LA,

758
00:31:04,640 --> 00:31:06,440
Speaker 3: and there's a red light right there. It's aid you

759
00:31:06,520 --> 00:31:07,400
Speaker 3: pushed the Sunset.

760
00:31:07,920 --> 00:31:09,040
Speaker 1: You pushed the crossfalk button.

761
00:31:09,200 --> 00:31:09,680
Speaker 3: He's such a.

762
00:31:12,200 --> 00:31:13,840
Speaker 1: I know you pushed the crosswalk in.

763
00:31:13,960 --> 00:31:16,920
Speaker 3: La because it doesn't work York, it don't. It doesn't work.

764
00:31:16,960 --> 00:31:17,719
Speaker 3: And stand in La.

765
00:31:18,120 --> 00:31:19,880
Speaker 1: Yo, this light is never gonna change. I've been standing

766
00:31:19,920 --> 00:31:21,440
Speaker 1: here five minutes and this light hasn't changed.

767
00:31:21,560 --> 00:31:23,440
Speaker 3: La. That shit actually works, So yes, I do hit it.

768
00:31:23,560 --> 00:31:24,360
Speaker 1: Yeah it works.

769
00:31:24,560 --> 00:31:27,000
Speaker 3: So I'm I'm on my phone. I hit the button

770
00:31:27,960 --> 00:31:30,000
Speaker 3: and I look up. I don't know if it was

771
00:31:30,120 --> 00:31:32,640
Speaker 3: this person, but not many people on earth look like

772
00:31:32,720 --> 00:31:37,120
Speaker 3: this person raised my fucking head up. There's a black suburban.

773
00:31:37,520 --> 00:31:38,960
Speaker 3: I'm face to face with six or nine.

774
00:31:42,440 --> 00:31:44,280
Speaker 1: I'm like, when you called me, it told that. I

775
00:31:44,440 --> 00:31:46,640
Speaker 1: was like, Bro, that sounds like a Turby enthusiasm.

776
00:31:46,680 --> 00:31:50,120
Speaker 3: I can't, honestly, I could be lying right now. I

777
00:31:50,320 --> 00:31:53,360
Speaker 3: just don't know anyone else that looks like at the

778
00:31:53,440 --> 00:31:55,880
Speaker 3: red light, I'm talking from me to this computer. I

779
00:31:56,640 --> 00:31:58,400
Speaker 3: picked my head up to see if that light changed.

780
00:31:58,440 --> 00:32:00,600
Speaker 3: I'm face to face with face tacked.

781
00:32:00,600 --> 00:32:01,400
Speaker 1: He didn't say nothing to you.

782
00:32:02,160 --> 00:32:03,920
Speaker 3: No, I mean he looked that way, but it was

783
00:32:04,080 --> 00:32:04,600
Speaker 3: night time and.

784
00:32:04,960 --> 00:32:07,960
Speaker 1: I didn't know it wasn't.

785
00:32:08,200 --> 00:32:09,680
Speaker 3: I don't think six nine knows who I have, more

786
00:32:09,720 --> 00:32:11,360
Speaker 3: cares who I am, nor who didn't care that he does.

787
00:32:11,480 --> 00:32:12,080
Speaker 1: He didn't know it was you.

788
00:32:12,240 --> 00:32:14,720
Speaker 3: It was just funny, like, like, what are the odds

789
00:32:16,360 --> 00:32:19,480
Speaker 3: six nine right now on sunset coming out of Pink Dot. Yeah,

790
00:32:19,640 --> 00:32:21,280
Speaker 3: that's just that's just a random mass story.

791
00:32:21,480 --> 00:32:23,560
Speaker 1: But yeah, l A, we was out there. Uh, while

792
00:32:23,560 --> 00:32:24,920
Speaker 1: they put an album out, he put his put his

793
00:32:25,000 --> 00:32:27,840
Speaker 1: project out. A couple of joints on that I really like.

794
00:32:29,120 --> 00:32:31,680
Speaker 3: Yeah, I wanted I hate to use that live with

795
00:32:31,760 --> 00:32:34,880
Speaker 3: it more excuse ship, but I do need more time

796
00:32:34,960 --> 00:32:39,760
Speaker 3: with it that much. With Firstt's not No, I definitely

797
00:32:39,840 --> 00:32:41,240
Speaker 3: liked it. I definitely definitely liked it.

798
00:32:42,280 --> 00:32:44,200
Speaker 1: What is it? What is the disconnect?

799
00:32:45,920 --> 00:32:48,720
Speaker 3: While ay who everyone knows, I've been a super wile,

800
00:32:48,760 --> 00:32:52,400
Speaker 3: a stand in supporter from very time. I'll tell you what.

801
00:32:52,440 --> 00:32:55,480
Speaker 3: While the needs while they needs a girlfriend that.

802
00:32:55,480 --> 00:32:58,200
Speaker 1: Everyone likes, he needs a girlfriend that everyone likes.

803
00:32:58,240 --> 00:33:01,920
Speaker 3: While makes great music, while he makes radio friendly music,

804
00:33:02,040 --> 00:33:04,720
Speaker 3: while he makes club music, while he makes introspective music,

805
00:33:04,840 --> 00:33:07,280
Speaker 3: while he makes girl music. While he makes every he

806
00:33:07,440 --> 00:33:13,080
Speaker 3: checks every list of a rapper. His perception of his

807
00:33:13,200 --> 00:33:16,160
Speaker 3: personality is what And while he hangs out with a

808
00:33:16,200 --> 00:33:19,760
Speaker 3: lot of the fucking industry people, he makes his rounds,

809
00:33:19,800 --> 00:33:22,880
Speaker 3: he goes out and does appearances, people like he fucks

810
00:33:22,920 --> 00:33:27,000
Speaker 3: with other artists. He checks everything. There's only one thing

811
00:33:27,080 --> 00:33:29,520
Speaker 3: that could change while he needs to find it girl.

812
00:33:29,560 --> 00:33:32,479
Speaker 3: I'm talking about some Instagram bitch. No, I'm sorry he's

813
00:33:32,480 --> 00:33:36,520
Speaker 3: were bitch, but bitch is not gender specific, could be

814
00:33:36,600 --> 00:33:41,520
Speaker 3: man or woman exactly. He needs to find that girl

815
00:33:41,880 --> 00:33:45,520
Speaker 3: that everybody that down to earth, cool chick that everybody likes,

816
00:33:46,480 --> 00:33:49,200
Speaker 3: and it will change his perception. I've watched it happen

817
00:33:49,320 --> 00:33:51,280
Speaker 3: so with so many artists. That's the only thing while

818
00:33:51,320 --> 00:33:54,560
Speaker 3: A is missing is to find the cool chick that

819
00:33:54,760 --> 00:33:57,640
Speaker 3: everybody likes, and then it'll make him more likable.

820
00:33:58,560 --> 00:34:00,800
Speaker 1: So you think it's people don't don't like wile A

821
00:34:02,120 --> 00:34:04,400
Speaker 1: because we spoke about it before and it was just

822
00:34:04,520 --> 00:34:06,880
Speaker 1: weird how it became cool for people to not like

823
00:34:07,000 --> 00:34:09,719
Speaker 1: wile and I didn't understand it. I'm like, did I

824
00:34:09,840 --> 00:34:12,040
Speaker 1: miss something? Did he say something that offended people?

825
00:34:12,120 --> 00:34:15,040
Speaker 3: Did he? No? But that's just that's the Internet thing too.

826
00:34:15,280 --> 00:34:17,160
Speaker 3: It was cool not to like Cole, and we clearly

827
00:34:17,200 --> 00:34:18,320
Speaker 3: saw that did not matter.

828
00:34:20,760 --> 00:34:21,799
Speaker 1: Because it the music.

829
00:34:21,840 --> 00:34:28,120
Speaker 3: Because Wallet's music and fan base is so Internet focused. Cole's,

830
00:34:28,200 --> 00:34:31,160
Speaker 3: on the other hand, was outside of just Internet shit.

831
00:34:31,239 --> 00:34:33,640
Speaker 3: So when that whole fucking cold is sleepy, Cole is boring,

832
00:34:34,320 --> 00:34:37,160
Speaker 3: Cole is whack. Cole doesn't have any singles. That shit

833
00:34:37,239 --> 00:34:41,040
Speaker 3: didn't matter because Cole was in the world. Not to

834
00:34:41,080 --> 00:34:42,520
Speaker 3: say why it hasn't, but while they was ahead of

835
00:34:42,520 --> 00:34:44,640
Speaker 3: the game too with the Internet shit, Cole was not

836
00:34:44,800 --> 00:34:47,520
Speaker 3: the Internet guy while he was in that Internet shit.

837
00:34:48,120 --> 00:34:49,840
Speaker 3: So a lot of his fan base is there, A

838
00:34:49,880 --> 00:34:52,799
Speaker 3: lot of his recognition and that the shitty gets comes

839
00:34:52,840 --> 00:34:55,200
Speaker 3: from the Internet, but there is that that fucking corny

840
00:34:55,239 --> 00:34:56,920
Speaker 3: bullshit when it becomes cool to hate somebody.

841
00:34:57,320 --> 00:35:01,280
Speaker 1: I think wile A should lock in with one producer, okay,

842
00:35:01,440 --> 00:35:03,120
Speaker 1: and create a wild a sound.

843
00:35:04,480 --> 00:35:05,960
Speaker 3: I mean, in the early days he did with the

844
00:35:06,000 --> 00:35:09,279
Speaker 3: go go drums mixed more with the rap shit. I

845
00:35:09,360 --> 00:35:10,640
Speaker 3: think he did a good job with that, and he

846
00:35:10,840 --> 00:35:11,600
Speaker 3: still goes back to that.

847
00:35:11,960 --> 00:35:13,640
Speaker 1: Yeah, I think I think that's what while they should

848
00:35:13,680 --> 00:35:16,600
Speaker 1: do for his next project, just lock in with one producer.

849
00:35:17,880 --> 00:35:19,400
Speaker 1: About seven eight joints.

850
00:35:19,280 --> 00:35:22,080
Speaker 3: While they stop focusing on music, getting them d ms.

851
00:35:22,160 --> 00:35:23,880
Speaker 3: Find you a good no no, no, no no no,

852
00:35:24,120 --> 00:35:25,120
Speaker 3: don't give that advice.

853
00:35:25,160 --> 00:35:25,560
Speaker 1: Don't get it.

854
00:35:25,600 --> 00:35:27,040
Speaker 3: Give you a good girl, man.

855
00:35:27,600 --> 00:35:29,279
Speaker 1: But who's to say he doesn't have a girl.

856
00:35:29,680 --> 00:35:32,680
Speaker 3: That's true personal life? Yeah, like I think you know, well,

857
00:35:32,760 --> 00:35:35,359
Speaker 3: that's that's what I'm saying. All right, make it a thing. Well,

858
00:35:38,080 --> 00:35:39,279
Speaker 3: let's do a photo shoot at them all.

859
00:35:40,120 --> 00:35:42,520
Speaker 1: Yeah. It's just weird, man, because while he's talented and

860
00:35:43,640 --> 00:35:45,439
Speaker 1: he makes a lot of dope records, Like, I still

861
00:35:45,440 --> 00:35:47,480
Speaker 1: don't know how that record with him and Gez, he

862
00:35:47,600 --> 00:35:50,040
Speaker 1: wasn't like a bigger record. The record was crazy to me.

863
00:35:50,520 --> 00:35:51,200
Speaker 3: Yeah, but.

864
00:35:52,880 --> 00:35:55,880
Speaker 1: Yeah, yeah, but I just don't get it. But I

865
00:35:56,040 --> 00:35:59,160
Speaker 1: like the album. I mean, I'm not, you know, in

866
00:35:59,280 --> 00:36:00,839
Speaker 1: love with it, but I like it. It's a few

867
00:36:00,920 --> 00:36:03,680
Speaker 1: joints on there that that I've played over and over.

868
00:36:04,560 --> 00:36:06,080
Speaker 1: But it's just I don't know, man, It's just way

869
00:36:06,120 --> 00:36:08,560
Speaker 1: with Wilet. It's just like I don't know what it

870
00:36:08,680 --> 00:36:10,040
Speaker 1: is and I can't figure it out. I don't know

871
00:36:10,080 --> 00:36:12,440
Speaker 1: what the disconnect is with the fan base or you know,

872
00:36:12,520 --> 00:36:14,680
Speaker 1: with with the people. But I think that you know,

873
00:36:14,760 --> 00:36:19,360
Speaker 1: most importantly, when the music is top tier that supersedes

874
00:36:19,440 --> 00:36:21,920
Speaker 1: everything that that that goes above and beyond. So I

875
00:36:21,960 --> 00:36:24,560
Speaker 1: think I think needs to lock in with like one producer.

876
00:36:25,480 --> 00:36:27,800
Speaker 3: Yeah, you'd be you'd be surprised. And this doesn't it

877
00:36:28,000 --> 00:36:31,640
Speaker 3: be a wile a thing. Women love women or women

878
00:36:31,760 --> 00:36:35,200
Speaker 3: like to follow women and pretend they like women. So

879
00:36:35,600 --> 00:36:38,440
Speaker 3: so if you have a woman that's liked you kind

880
00:36:38,480 --> 00:36:41,560
Speaker 3: of become likable by all the girls, they will give

881
00:36:41,600 --> 00:36:44,360
Speaker 3: your ship a certain chance. They will even follow you

882
00:36:44,560 --> 00:36:46,600
Speaker 3: because they want to see cute couple ship and they

883
00:36:46,719 --> 00:36:49,400
Speaker 3: like that girl already, and then you automatically become likable too.

884
00:36:49,600 --> 00:36:54,240
Speaker 1: So women are the curator of the curators of success.

885
00:36:53,960 --> 00:36:54,319
Speaker 2: Of course.

886
00:36:55,960 --> 00:37:01,560
Speaker 3: And likability. If dudes like you, it's usually a bad thing,

887
00:37:02,080 --> 00:37:03,879
Speaker 3: Like yo, if all the fellas an't feeling you, you're

888
00:37:03,880 --> 00:37:06,239
Speaker 3: probably doing some shitty stop. Yeah.

889
00:37:06,880 --> 00:37:10,080
Speaker 1: But but gods like with women, Like so, if all

890
00:37:10,080 --> 00:37:13,160
Speaker 1: the women are gravitating towards this artist and they're going

891
00:37:13,200 --> 00:37:14,680
Speaker 1: to see this artist, like, the gods are going to

892
00:37:14,719 --> 00:37:16,000
Speaker 1: follow just because they want to go with all the

893
00:37:16,040 --> 00:37:18,759
Speaker 1: women at so I can understand how women are, you know,

894
00:37:18,840 --> 00:37:22,360
Speaker 1: they determine what's what's hot and what's not. I get it.

895
00:37:22,440 --> 00:37:23,560
Speaker 3: Women determine perception.

896
00:37:24,680 --> 00:37:25,600
Speaker 1: That's what they determine.

897
00:37:26,480 --> 00:37:28,160
Speaker 3: And to say this, and this is of course we're

898
00:37:28,160 --> 00:37:29,920
Speaker 3: being general in that capacity. I'm talking about more or

899
00:37:29,960 --> 00:37:34,239
Speaker 3: less how artists are viewed. They determine perception and how

900
00:37:34,400 --> 00:37:36,879
Speaker 3: far that can go because especially with a couple of shit,

901
00:37:36,880 --> 00:37:38,600
Speaker 3: because we're in that era like when we grew up

902
00:37:38,719 --> 00:37:40,280
Speaker 3: rappers if they had a girlfriend, it was the weirdest

903
00:37:40,280 --> 00:37:42,759
Speaker 3: thing in the world. Right, you can't even say you've

904
00:37:42,800 --> 00:37:44,759
Speaker 3: got to be the single rapper, dude. Now you kind

905
00:37:44,760 --> 00:37:46,239
Speaker 3: of have to be in a relationship for shit to

906
00:37:46,320 --> 00:37:50,080
Speaker 3: be hot, and that comes helps with a perception online.

907
00:37:50,239 --> 00:37:52,000
Speaker 3: And not just rappers do this. Everyone in the world

908
00:37:52,360 --> 00:37:54,640
Speaker 3: does this. You pretend like you're in the greatest relationship

909
00:37:55,200 --> 00:37:58,080
Speaker 3: you've ever seen. It's it's literally a show. It's like

910
00:37:58,120 --> 00:38:01,280
Speaker 3: the same reason people buy movies, tickets for those superhero

911
00:38:01,360 --> 00:38:03,920
Speaker 3: movies because everything works out in the end. It's like

912
00:38:04,000 --> 00:38:05,799
Speaker 3: that doesn't happen in life. So we want to watch

913
00:38:05,800 --> 00:38:07,960
Speaker 3: shit that we think is happy, Like, yeah, I paid

914
00:38:07,960 --> 00:38:09,680
Speaker 3: twelve bucks to watch some happy shit.

915
00:38:10,160 --> 00:38:11,600
Speaker 1: Yeah, but I was I felt some type of way.

916
00:38:11,600 --> 00:38:13,560
Speaker 1: When Tony Starks died, I almost walked out and asked

917
00:38:13,560 --> 00:38:15,080
Speaker 1: for a refund after that. I'm not gonna lie to you.

918
00:38:15,160 --> 00:38:17,480
Speaker 1: I wasn't expecting that. That caught me off guard, and

919
00:38:17,560 --> 00:38:19,040
Speaker 1: I still feel some type of way about that. They

920
00:38:19,160 --> 00:38:22,000
Speaker 1: killed Iron Man, I get it. Yeah, I didn't like that.

921
00:38:22,080 --> 00:38:22,840
Speaker 1: I really didn't like that.

922
00:38:23,120 --> 00:38:25,680
Speaker 3: Who I talked to about that, Marvel right? I mean,

923
00:38:25,719 --> 00:38:28,920
Speaker 3: shit just changed with movies. Like once all the sports movies,

924
00:38:28,960 --> 00:38:32,320
Speaker 3: like they started losing. I was like, oh, shit is changing,

925
00:38:32,719 --> 00:38:34,759
Speaker 3: like the Mighty Ducks. The Mighty Ducks never lost it.

926
00:38:35,719 --> 00:38:37,759
Speaker 3: Now now I'm watching coach Carter losing in the first

927
00:38:37,840 --> 00:38:41,520
Speaker 3: round like a bullshit. I want some moral fucking lesson

928
00:38:41,840 --> 00:38:42,759
Speaker 3: win a championship.

929
00:38:43,040 --> 00:38:45,000
Speaker 1: They'd be losing on a bullshit jump shot too. It's like,

930
00:38:45,000 --> 00:38:46,839
Speaker 1: why would you even take that shot? Like I knew

931
00:38:46,840 --> 00:38:47,520
Speaker 1: you was gonna lose it.

932
00:38:47,600 --> 00:38:49,320
Speaker 3: That was Sean. I need to see this shit fucking

933
00:38:49,440 --> 00:38:52,520
Speaker 3: uh Friday night Lights. That was a good movie though

934
00:38:52,680 --> 00:38:55,520
Speaker 3: you lost. Yeah, yeah, no, I want to watch a

935
00:38:55,560 --> 00:38:59,960
Speaker 3: movie about Dallas Carter. Now, y'all, bumps, show me the championship,

936
00:39:00,040 --> 00:39:04,359
Speaker 3: see oh Man, But no, Big Sean hit boy, which

937
00:39:04,880 --> 00:39:07,400
Speaker 3: we can get all into next episode what we have

938
00:39:07,680 --> 00:39:09,279
Speaker 3: coming up. So we want to get too much into

939
00:39:09,360 --> 00:39:13,399
Speaker 3: that but definitely good to see Sean off good music.

940
00:39:14,000 --> 00:39:15,200
Speaker 3: I think that's well deserved.

941
00:39:15,760 --> 00:39:17,600
Speaker 1: Oh yeah, I think, and I think it was about

942
00:39:17,800 --> 00:39:19,880
Speaker 1: we gotta have we gotta start having real talks about

943
00:39:20,480 --> 00:39:23,640
Speaker 1: creatives that are like stuck in these contracts still.

944
00:39:25,120 --> 00:39:27,840
Speaker 3: Well, I mean, they signed so long ago and was

945
00:39:28,280 --> 00:39:31,560
Speaker 3: so standard that it's a little different that those record

946
00:39:31,600 --> 00:39:34,920
Speaker 3: contracts were like binding at that time. Like even it

947
00:39:35,040 --> 00:39:37,319
Speaker 3: was good to see Yeah, but Drake, while they call

948
00:39:37,400 --> 00:39:40,000
Speaker 3: all them sewn everyone put out this year, but they're

949
00:39:40,040 --> 00:39:43,240
Speaker 3: all from that era of shitty, shitty contracts.

950
00:39:43,600 --> 00:39:47,240
Speaker 1: Yeah, but I'm also have a problem when the person

951
00:39:47,280 --> 00:39:49,359
Speaker 1: that they have a contract with is a creative as

952
00:39:49,400 --> 00:39:52,280
Speaker 1: well and knows that this person is in a shitty

953
00:39:52,320 --> 00:39:53,600
Speaker 1: contract and won't let them out.

954
00:39:53,680 --> 00:39:56,120
Speaker 3: And then also tweeted for a week I can't wait

955
00:39:56,160 --> 00:39:57,880
Speaker 3: to give everyone their masters back? And how do we

956
00:39:57,880 --> 00:40:00,680
Speaker 3: get everyone's master's back. It's just I just think that

957
00:40:00,840 --> 00:40:03,279
Speaker 3: that came even win. Yeah, Like it's just just like

958
00:40:03,440 --> 00:40:05,239
Speaker 3: why how always how is it still a thing?

959
00:40:05,800 --> 00:40:08,080
Speaker 1: Like how are these dope ass artists and these dope

960
00:40:08,120 --> 00:40:11,759
Speaker 1: ass creatives still in these contracts with other or under

961
00:40:11,840 --> 00:40:14,879
Speaker 1: dope artists and creatives and they want to get out.

962
00:40:15,000 --> 00:40:16,520
Speaker 1: They've made it public that they want to get out

963
00:40:16,520 --> 00:40:18,600
Speaker 1: of these contracts. They want to get away from these

964
00:40:18,719 --> 00:40:21,040
Speaker 1: these and not necessarily for bad things. It's just that

965
00:40:21,160 --> 00:40:26,040
Speaker 1: sometimes you're signed to a creative that's so big that

966
00:40:26,200 --> 00:40:29,399
Speaker 1: it really is like it's pointless because it's like you're

967
00:40:29,440 --> 00:40:31,919
Speaker 1: always going to be the priority. Yeah, you understand, because

968
00:40:31,920 --> 00:40:33,560
Speaker 1: you're just that big of an artist and the creative,

969
00:40:33,560 --> 00:40:35,680
Speaker 1: Like you're always going to be the guy. So let

970
00:40:35,760 --> 00:40:39,560
Speaker 1: me go somewhere else. Like I always say, again, I

971
00:40:39,680 --> 00:40:42,160
Speaker 1: go back to Lil Wayne. To me, he's the realist

972
00:40:42,239 --> 00:40:45,680
Speaker 1: nigger ever because for him to step out of the

973
00:40:45,719 --> 00:40:49,080
Speaker 1: way of Drake and Nicki, of Drake and Nicky and

974
00:40:49,160 --> 00:40:52,279
Speaker 1: let them become who they are when Wayne was who

975
00:40:52,360 --> 00:40:56,480
Speaker 1: he was at the time. It's something that says a

976
00:40:56,520 --> 00:40:58,800
Speaker 1: lot about Wayne's character as a man, as a person.

977
00:40:59,040 --> 00:41:01,640
Speaker 1: But he was able to take his eg and be like, yo,

978
00:41:01,719 --> 00:41:03,880
Speaker 1: I believe in these two artists. Let me get out

979
00:41:03,920 --> 00:41:06,239
Speaker 1: of their way and make let it be about them,

980
00:41:06,320 --> 00:41:08,960
Speaker 1: let them go. Well, not every artist in the KA.

981
00:41:09,600 --> 00:41:12,000
Speaker 3: We know Yay with his track record with certain.

982
00:41:12,239 --> 00:41:14,719
Speaker 1: Yeah, but it's just fucked up, man, because you got

983
00:41:14,760 --> 00:41:18,239
Speaker 1: these dope ass you know. I saw Tiana while we

984
00:41:18,280 --> 00:41:20,880
Speaker 1: were in LA and had a real dope conversation with her,

985
00:41:21,760 --> 00:41:24,080
Speaker 1: and you know, it's just fucked up because it's like,

986
00:41:24,960 --> 00:41:28,720
Speaker 1: you know, to hear her say, Yo, I'm not doing anything,

987
00:41:29,320 --> 00:41:32,640
Speaker 1: not putting out no more music until you know this

988
00:41:32,880 --> 00:41:36,160
Speaker 1: contract situation is taken care of. She shouldn't have to

989
00:41:36,239 --> 00:41:39,439
Speaker 1: do that, you know what I mean, Especially when you're

990
00:41:39,560 --> 00:41:43,279
Speaker 1: signed to someone or you're signed under someone that understands

991
00:41:44,160 --> 00:41:47,120
Speaker 1: the creative shit and understands how dope you are as

992
00:41:47,160 --> 00:41:49,200
Speaker 1: a creative, Like who doesn't know how dope Tiana is

993
00:41:49,239 --> 00:41:52,160
Speaker 1: as a creative, not just music of course, just creative,

994
00:41:52,200 --> 00:41:54,080
Speaker 1: you know what I mean. Like she's a she's a

995
00:41:54,280 --> 00:41:56,520
Speaker 1: she's a star, she's a superstar.

996
00:41:56,200 --> 00:41:58,720
Speaker 3: Creative then musician, and she's a great musician.

997
00:41:58,719 --> 00:42:00,279
Speaker 1: You understand what I'm saying. So it's just it's just

998
00:42:00,360 --> 00:42:02,000
Speaker 1: sad to see that these artists are still in these

999
00:42:02,040 --> 00:42:03,960
Speaker 1: positions in twenty twenty one, when we have all this

1000
00:42:04,080 --> 00:42:06,720
Speaker 1: information and we know about how fucked up these contracts

1001
00:42:06,719 --> 00:42:09,359
Speaker 1: are and how fucked up the music business contracts are

1002
00:42:09,400 --> 00:42:11,840
Speaker 1: that we've been signing for years. It's like, how are

1003
00:42:11,880 --> 00:42:13,160
Speaker 1: we not away from that yet?

1004
00:42:13,280 --> 00:42:15,120
Speaker 3: But that's not all yeay, though now I'm not saying

1005
00:42:15,120 --> 00:42:18,560
Speaker 3: that I wouldn't of what they've been going through. And

1006
00:42:18,640 --> 00:42:20,919
Speaker 3: obviously Kanye is the one that would keep the lights

1007
00:42:20,960 --> 00:42:24,800
Speaker 3: on over there right now, and his imprint happens to

1008
00:42:24,840 --> 00:42:27,640
Speaker 3: keep the lights on too, So who even knows Kanye

1009
00:42:27,680 --> 00:42:29,600
Speaker 3: could have went up there and said, YO, get me off,

1010
00:42:29,760 --> 00:42:32,920
Speaker 3: release all this shit, give Sean his shit back. Kanye

1011
00:42:33,000 --> 00:42:36,680
Speaker 3: is only entitled to half of Shawn's masters, not all

1012
00:42:36,719 --> 00:42:40,480
Speaker 3: of them, so yeah, I can see. Yeah, they're dope artists,

1013
00:42:40,480 --> 00:42:43,680
Speaker 3: but lawyers are doper so that's where it comes. So

1014
00:42:43,840 --> 00:42:46,759
Speaker 3: I'm happy Sean got out of that shit, and I'm

1015
00:42:46,800 --> 00:42:50,680
Speaker 3: happy he can do shit like EPs, Like I think

1016
00:42:50,719 --> 00:42:53,759
Speaker 3: that's ill that the top tier artists. He's that type

1017
00:42:53,760 --> 00:42:56,600
Speaker 3: of artist too that can put out shit like absolutely

1018
00:42:56,640 --> 00:42:59,279
Speaker 3: and with hip Boy he's been with forever, so I

1019
00:42:59,320 --> 00:43:01,600
Speaker 3: think it's cool. And I know that I've seen so

1020
00:43:01,640 --> 00:43:05,160
Speaker 3: many artists get out of contracts and that whole creative reduces,

1021
00:43:05,239 --> 00:43:08,000
Speaker 3: like it just everything changes in your perspective of how

1022
00:43:08,040 --> 00:43:12,120
Speaker 3: you look at shit becomes less of a burden, Like

1023
00:43:12,239 --> 00:43:13,800
Speaker 3: now I could just do music and I can just

1024
00:43:13,840 --> 00:43:14,319
Speaker 3: create shit.

1025
00:43:14,520 --> 00:43:17,319
Speaker 1: Yeah, I'm happy for Sean, happy for hit Boy, really

1026
00:43:17,360 --> 00:43:22,359
Speaker 1: good project Sean. Every time I hear Sean rap, I'm

1027
00:43:22,600 --> 00:43:26,640
Speaker 1: you know it just it's just like damn, like he's

1028
00:43:26,680 --> 00:43:29,160
Speaker 1: still able to do this at a very high level.

1029
00:43:29,640 --> 00:43:32,200
Speaker 1: And then with hit Boy, it's just the music speaks

1030
00:43:32,239 --> 00:43:32,640
Speaker 1: for itself.

1031
00:43:33,120 --> 00:43:35,399
Speaker 3: We was in Hip Boy studio watching that video before

1032
00:43:35,440 --> 00:43:36,520
Speaker 3: it came out, and I didn't want to say it

1033
00:43:36,520 --> 00:43:37,920
Speaker 3: because I didn't want to sound corny, but in my

1034
00:43:38,000 --> 00:43:39,520
Speaker 3: head I did want to kind of tap Hit Boy,

1035
00:43:39,560 --> 00:43:42,520
Speaker 3: like ya, how'd y'all find her? Oh? Oh, the young

1036
00:43:42,600 --> 00:43:45,680
Speaker 3: lady and one of the one of the talent, Like

1037
00:43:45,760 --> 00:43:47,120
Speaker 3: I've taken her bowling? Why are you on in the

1038
00:43:47,120 --> 00:43:52,040
Speaker 3: bowling alley with her? Did she suggest this? Yeah? Probably,

1039
00:43:53,840 --> 00:43:57,560
Speaker 3: like why she's go bowling? Why she would Tiller eating Nachosen?

1040
00:43:57,800 --> 00:43:59,600
Speaker 1: I mean, you know, she was trying to relive a

1041
00:43:59,680 --> 00:44:01,839
Speaker 1: certain day in her life and she had a great time.

1042
00:44:01,920 --> 00:44:03,960
Speaker 1: That's all man. I mean, you know what you're gonna do.

1043
00:44:04,120 --> 00:44:05,759
Speaker 3: I even I even text her while he was watching

1044
00:44:05,800 --> 00:44:07,440
Speaker 3: the video. I was like, oh, I didn't realize you

1045
00:44:07,520 --> 00:44:10,600
Speaker 3: did the bowling. It wasn't out yet, so she was like, oh,

1046
00:44:10,640 --> 00:44:13,759
Speaker 3: how did you know bowling with Dirk? All right? Yeah,

1047
00:44:14,320 --> 00:44:16,000
Speaker 3: he was mad sometimes you gotta be.

1048
00:44:16,000 --> 00:44:17,640
Speaker 1: Like, all right, is just leave it at that and

1049
00:44:17,719 --> 00:44:19,600
Speaker 1: they don't respond. I'm with you.

1050
00:44:19,719 --> 00:44:20,000
Speaker 3: I like that.

1051
00:44:20,120 --> 00:44:21,239
Speaker 1: That's my bag, my bag.

1052
00:44:21,840 --> 00:44:24,720
Speaker 3: No, that's hurt. Anytime you go all right, you're fucking

1053
00:44:25,560 --> 00:44:26,440
Speaker 3: hurt for sure.

1054
00:44:26,760 --> 00:44:28,200
Speaker 1: But it's a different type of hurt though.

1055
00:44:28,400 --> 00:44:31,160
Speaker 3: And I kind of wanted to ask, like what Dirk

1056
00:44:31,239 --> 00:44:31,719
Speaker 3: score was.

1057
00:44:32,239 --> 00:44:35,840
Speaker 1: Oh no, no, you can't. You can never ask what

1058
00:44:36,040 --> 00:44:38,239
Speaker 1: her do bowled at the bowling alley. You can't ask that.

1059
00:44:38,400 --> 00:44:39,759
Speaker 3: You can what was his follow through that?

1060
00:44:39,840 --> 00:44:41,520
Speaker 1: Yeah, you can't ask that, don't don't don't know.

1061
00:44:42,800 --> 00:44:43,960
Speaker 3: When was the last time you made out with a

1062
00:44:43,960 --> 00:44:44,840
Speaker 3: girl that had lift fillers?

1063
00:44:46,200 --> 00:44:47,160
Speaker 1: Oh it's been years.

1064
00:44:48,120 --> 00:44:49,440
Speaker 3: Am I missing the lift filler thing?

1065
00:44:50,320 --> 00:44:50,520
Speaker 1: I know?

1066
00:44:50,800 --> 00:44:52,560
Speaker 3: Women do it for them for me and who the

1067
00:44:52,600 --> 00:44:53,479
Speaker 3: fucking mine? Who cares?

1068
00:44:53,960 --> 00:44:56,279
Speaker 1: But like I just I'm sorry, Yeah, I don't get it.

1069
00:44:56,560 --> 00:44:58,080
Speaker 1: It's it's it's a little awkward.

1070
00:44:58,880 --> 00:45:01,239
Speaker 3: Does it feel good on their when they're making out?

1071
00:45:01,719 --> 00:45:04,239
Speaker 1: I don't know, But to me, I didn't. I didn't

1072
00:45:04,320 --> 00:45:05,479
Speaker 1: enjoy it. It was kind of weird.

1073
00:45:05,560 --> 00:45:07,520
Speaker 3: It felt like I feel like I'm biting the rubber

1074
00:45:07,560 --> 00:45:08,360
Speaker 3: tire at the playground.

1075
00:45:08,520 --> 00:45:15,640
Speaker 1: Yeah, oh my god, Yeah, I know it wasn't. It wasn't.

1076
00:45:15,680 --> 00:45:18,120
Speaker 1: It wasn't a good experience. I didn't enjoy it. I

1077
00:45:18,480 --> 00:45:20,520
Speaker 1: didn't understand why she had him because she didn't need them.

1078
00:45:20,880 --> 00:45:21,919
Speaker 1: She had nice lips.

1079
00:45:21,960 --> 00:45:23,000
Speaker 3: We're talking about someone specific.

1080
00:45:23,120 --> 00:45:26,359
Speaker 1: Yeah, she had really like nice full I would never

1081
00:45:26,840 --> 00:45:29,480
Speaker 1: do that. Why are you trying to just throw that

1082
00:45:29,560 --> 00:45:31,920
Speaker 1: in there like a detective want to know who is?

1083
00:45:32,280 --> 00:45:34,359
Speaker 3: No? Yeah, that was weird.

1084
00:45:34,400 --> 00:45:36,320
Speaker 1: I didn't. I didn't. I didn't even know that she

1085
00:45:36,440 --> 00:45:38,279
Speaker 1: had lip fillers until we were kissing it and I

1086
00:45:38,360 --> 00:45:42,440
Speaker 1: was like, what is that with your lip? I got feelers.

1087
00:45:42,480 --> 00:45:45,440
Speaker 1: I was like, why does it feel like that? Like

1088
00:45:45,520 --> 00:45:48,239
Speaker 1: it felt like fake? Yeah, I just it was just

1089
00:45:48,640 --> 00:45:51,040
Speaker 1: I didn't. I didn't. I didn't enjoy it, and I

1090
00:45:51,080 --> 00:45:53,439
Speaker 1: didn't understand why she got him because she had really

1091
00:45:53,640 --> 00:45:55,680
Speaker 1: full lips, like naturally, So it was kind of like,

1092
00:45:56,400 --> 00:45:56,920
Speaker 1: I don't.

1093
00:45:56,760 --> 00:45:58,799
Speaker 3: Know, but she felt insecure around you and she wanted

1094
00:45:58,840 --> 00:46:00,439
Speaker 3: to around me be a better woman.

1095
00:46:00,600 --> 00:46:01,600
Speaker 1: No, I don't think it was.

1096
00:46:01,680 --> 00:46:03,520
Speaker 3: She saw you throwing money bags under all the girls

1097
00:46:03,560 --> 00:46:05,640
Speaker 3: that had lift you know that, she was like, oh, well,

1098
00:46:05,680 --> 00:46:07,279
Speaker 3: I guess this is what Mare likes. I might have

1099
00:46:07,360 --> 00:46:11,200
Speaker 3: to retire the money bags because for some reason he

1100
00:46:11,320 --> 00:46:13,440
Speaker 3: gets money bags, and now he's going to retire the

1101
00:46:13,480 --> 00:46:15,439
Speaker 3: money because you're giving out real ones. No, no, hell

1102
00:46:15,520 --> 00:46:17,560
Speaker 3: has you given out real ones? Listen, here's the thing.

1103
00:46:18,160 --> 00:46:23,320
Speaker 1: People assume that because I put money bags under pictures,

1104
00:46:23,800 --> 00:46:25,840
Speaker 1: that's like my way of trying to holler at somebody

1105
00:46:26,160 --> 00:46:30,480
Speaker 1: or No, I literally put money bags under anything that

1106
00:46:30,640 --> 00:46:32,759
Speaker 1: I like. Okay, so it's kind of like almost like

1107
00:46:32,840 --> 00:46:34,520
Speaker 1: liking the picture. But that's just my way of like

1108
00:46:35,160 --> 00:46:36,960
Speaker 1: letting it be known that I was here. Like it's

1109
00:46:37,000 --> 00:46:38,640
Speaker 1: like tagging up a little bit. It's like my little tag.

1110
00:46:38,719 --> 00:46:39,320
Speaker 3: This is bullshit.

1111
00:46:39,400 --> 00:46:43,040
Speaker 1: But like, I'm not trying to Listen, man, I'm not

1112
00:46:43,160 --> 00:46:46,319
Speaker 1: just inspire. I'm not one of those serial dmers. I'm

1113
00:46:46,360 --> 00:46:49,319
Speaker 1: not one of those guys. Why not because I'm said

1114
00:46:49,320 --> 00:46:51,920
Speaker 1: of years ago, I'm scared of the screenshot game. It's

1115
00:46:52,040 --> 00:46:52,640
Speaker 1: nasty out here.

1116
00:46:53,040 --> 00:46:57,400
Speaker 3: Okay, you get screenshoted, then what fam you get screenshot at?

1117
00:46:57,440 --> 00:46:59,759
Speaker 3: Trying to talk to a woman and she puts you

1118
00:46:59,800 --> 00:47:02,959
Speaker 3: out there like yo, he and my damn, she looks

1119
00:47:03,000 --> 00:47:06,080
Speaker 3: corny to me, to me too, rory, but not to

1120
00:47:06,200 --> 00:47:08,960
Speaker 3: the masses. To the masses, you look thirsty. What's worse

1121
00:47:09,040 --> 00:47:12,000
Speaker 3: looking thirsty? Looking corny. I don't care about either.

1122
00:47:12,600 --> 00:47:16,080
Speaker 1: Huh looking corny, but what's corny?

1123
00:47:16,600 --> 00:47:19,759
Speaker 3: So what's corny? If if I find someone attractive? And

1124
00:47:19,920 --> 00:47:23,520
Speaker 3: first of all, let's not act like dming. Somebody is

1125
00:47:23,640 --> 00:47:27,479
Speaker 3: like really stepping out there and you really flirting people

1126
00:47:27,960 --> 00:47:30,319
Speaker 3: lazy form of talking, but people with DM. That does

1127
00:47:30,400 --> 00:47:32,520
Speaker 3: not mean I'm dead serious. I could be boring im

1128
00:47:32,960 --> 00:47:35,400
Speaker 3: service between thirty fourth and twenty third and just happened

1129
00:47:35,440 --> 00:47:36,080
Speaker 3: to want to send a DAR.

1130
00:47:36,480 --> 00:47:38,799
Speaker 1: I agree, but I'm just trying to tell you how

1131
00:47:38,840 --> 00:47:42,600
Speaker 1: it's translated to some people. But I'm thirsty, You're corny,

1132
00:47:43,040 --> 00:47:45,239
Speaker 1: You're trying to higher at me. I wish somebody a

1133
00:47:45,320 --> 00:47:48,160
Speaker 1: happy birth true story. I wish this girl a happy birthday.

1134
00:47:48,440 --> 00:47:49,960
Speaker 1: On it wasn't even a real DM because I was

1135
00:47:50,000 --> 00:47:52,120
Speaker 1: responding to her story. So that's not even a DM

1136
00:47:52,200 --> 00:47:52,360
Speaker 1: to me.

1137
00:47:52,440 --> 00:47:53,040
Speaker 3: That's not a REALM.

1138
00:47:53,120 --> 00:47:53,680
Speaker 1: That's not a DM.

1139
00:47:54,320 --> 00:47:56,200
Speaker 3: Loves came from that, though true.

1140
00:47:56,760 --> 00:47:59,160
Speaker 1: I wished her a happy birthday. She was posting birthday stuff,

1141
00:47:59,360 --> 00:48:02,759
Speaker 1: Happy birthday, lo and behold, she told this other girl

1142
00:48:03,160 --> 00:48:05,480
Speaker 1: that I know that I being her DMS. That was

1143
00:48:05,600 --> 00:48:08,680
Speaker 1: the first and only time I've ever messaged that girl.

1144
00:48:09,560 --> 00:48:11,440
Speaker 1: And that turned into oh, yeah, he being my DMS.

1145
00:48:12,120 --> 00:48:14,360
Speaker 1: What you try to talk to her? This is what

1146
00:48:14,440 --> 00:48:16,520
Speaker 1: I'm trying to tell you. So it's like you look

1147
00:48:16,560 --> 00:48:19,200
Speaker 1: at it like you know, no, I'm just responding to

1148
00:48:19,239 --> 00:48:21,959
Speaker 1: your story. But to some people, that's you trying to flirt,

1149
00:48:22,040 --> 00:48:23,160
Speaker 1: that you trying to holler okay.

1150
00:48:23,239 --> 00:48:25,279
Speaker 3: But to some people, throwing mad money bags under a

1151
00:48:25,320 --> 00:48:27,640
Speaker 3: photo of a half naked chick, is he tried.

1152
00:48:27,760 --> 00:48:30,080
Speaker 1: I've thrown money money bags on the fully clothed women

1153
00:48:30,120 --> 00:48:30,359
Speaker 1: as well.

1154
00:48:30,480 --> 00:48:32,080
Speaker 3: That's your way of trying to clean it up, like

1155
00:48:32,160 --> 00:48:33,960
Speaker 3: you're trying to balance out the world. I know what

1156
00:48:34,040 --> 00:48:36,920
Speaker 3: the money bags protecting on me, and I'm protect the way.

1157
00:48:37,200 --> 00:48:39,080
Speaker 3: I'm letting you know it hurts. Right now, this is

1158
00:48:39,120 --> 00:48:42,880
Speaker 3: a safe takes stairs. Yeah, but you can leave, you

1159
00:48:43,360 --> 00:48:44,240
Speaker 3: can walk up steps.

1160
00:48:45,320 --> 00:48:48,680
Speaker 1: Hey where does this lead? We gotta get into this, like, yo,

1161
00:48:48,800 --> 00:48:51,000
Speaker 1: what what's behind that door? Like how where do these

1162
00:48:51,000 --> 00:48:53,880
Speaker 1: steps lead to? But yeah, so you gotta be careful.

1163
00:48:53,920 --> 00:48:56,359
Speaker 1: I don't play the damn thing. Me leaving money bags

1164
00:48:56,440 --> 00:49:00,200
Speaker 1: under pictures is not me flirting because women at me

1165
00:49:00,239 --> 00:49:04,120
Speaker 1: that their boyfriends really don't like it. One of the Teiana,

1166
00:49:04,840 --> 00:49:06,759
Speaker 1: I damn should I even talk about Tiana knows. I

1167
00:49:06,800 --> 00:49:10,960
Speaker 1: love it. That's my that's my sister. She I caught it,

1168
00:49:11,040 --> 00:49:15,000
Speaker 1: but I didn't catch what he said. Iman had messaged

1169
00:49:15,080 --> 00:49:17,239
Speaker 1: he had responded to the money bags that I put

1170
00:49:17,320 --> 00:49:21,719
Speaker 1: under one of Tianna's post and I saw it like

1171
00:49:21,840 --> 00:49:26,120
Speaker 1: it popped up on my notifications. No, somebody responded to

1172
00:49:26,200 --> 00:49:28,920
Speaker 1: it like, oh, Eman, ain't feeling that, And that's how

1173
00:49:29,000 --> 00:49:30,920
Speaker 1: I saw it, that's right. So when I went to

1174
00:49:30,960 --> 00:49:32,680
Speaker 1: click on it, it was already gone, like he had

1175
00:49:32,719 --> 00:49:34,680
Speaker 1: deleted it. So I didn't see what he said. So

1176
00:49:34,719 --> 00:49:36,880
Speaker 1: I see Tiana in l A and we talked. We

1177
00:49:37,480 --> 00:49:39,239
Speaker 1: bring that up. We laughed, you.

1178
00:49:39,280 --> 00:49:41,480
Speaker 3: Could have called me. He's like, if Nom ran down, you.

1179
00:49:43,360 --> 00:49:45,879
Speaker 1: Got Iman is cool? Cool dude, Man, I fuck with Iman.

1180
00:49:46,280 --> 00:49:48,960
Speaker 3: But she told me that is that why the Tianna

1181
00:49:49,080 --> 00:49:56,320
Speaker 3: Halloween party got shot up because Ma was throwing money

1182
00:49:56,360 --> 00:49:58,880
Speaker 3: bags and dude pulled up like, nah, I'm not having this.

1183
00:50:00,800 --> 00:50:02,680
Speaker 1: That's hilarious. But no, that was don't put that on.

1184
00:50:02,760 --> 00:50:06,839
Speaker 1: Emn was hurting, yes, but she told me that her

1185
00:50:06,880 --> 00:50:09,799
Speaker 1: and Heman had been beefing that day. They argue about whatever,

1186
00:50:10,560 --> 00:50:13,600
Speaker 1: and I didn't even remember what she posted, but it

1187
00:50:13,719 --> 00:50:16,920
Speaker 1: was a video of her twerking. Okay, So when she

1188
00:50:16,960 --> 00:50:19,520
Speaker 1: said that, she was like, so all he saw because

1189
00:50:19,560 --> 00:50:21,440
Speaker 1: I was like, yo, eman, gotta know we famd like

1190
00:50:21,520 --> 00:50:23,719
Speaker 1: he know, I'm not like, come on, and she was like, yo,

1191
00:50:23,760 --> 00:50:25,600
Speaker 1: it didn't even matter who it was. He just saw

1192
00:50:26,120 --> 00:50:30,719
Speaker 1: me twerking. And then somebody responded, right, So she was like,

1193
00:50:30,840 --> 00:50:33,319
Speaker 1: he was just on a thousand because he was mad.

1194
00:50:33,400 --> 00:50:35,360
Speaker 1: And she said she had posted the work video because

1195
00:50:35,640 --> 00:50:37,239
Speaker 1: she knew that he was gonna like that. You know

1196
00:50:37,280 --> 00:50:40,640
Speaker 1: how couples do they Okay, cool, alright, we beefing. Anybody

1197
00:50:40,760 --> 00:50:44,520
Speaker 1: knows that, right, So it's I'm only mad because I

1198
00:50:44,560 --> 00:50:47,480
Speaker 1: didn't see what he said because somebody responded to what

1199
00:50:47,600 --> 00:50:49,359
Speaker 1: he said and I clicked on that, but he had

1200
00:50:49,400 --> 00:50:52,040
Speaker 1: already deleted it. But it's just funny because it's like

1201
00:50:52,440 --> 00:50:54,480
Speaker 1: people really think that that money bag shit is like

1202
00:50:54,560 --> 00:50:56,480
Speaker 1: a flirt, and it's like, first of all, Tianna's family,

1203
00:50:56,480 --> 00:50:57,520
Speaker 1: I'm not flirting with I know, we.

1204
00:50:57,520 --> 00:50:59,279
Speaker 3: Get it, all them stick together, I understand, right, But

1205
00:51:00,080 --> 00:51:00,960
Speaker 3: it's not flirting.

1206
00:51:01,080 --> 00:51:03,080
Speaker 1: It's just like I'm here. It's just like a tag.

1207
00:51:03,320 --> 00:51:05,960
Speaker 3: You don't get to decide that if I'm flirting on

1208
00:51:06,000 --> 00:51:06,600
Speaker 3: that decision.

1209
00:51:07,280 --> 00:51:10,000
Speaker 1: Wait wait, wait, wait, so I can't decide when I'm

1210
00:51:10,000 --> 00:51:12,600
Speaker 1: flirting on I don't have that power anymore. No, that's crazy.

1211
00:51:12,680 --> 00:51:15,120
Speaker 3: The moment, you know, you can make a girl laugh

1212
00:51:15,680 --> 00:51:17,920
Speaker 3: around her man in the most respectful manner ever, and

1213
00:51:18,080 --> 00:51:21,480
Speaker 3: he could consider that flirting, don't. You don't get to

1214
00:51:21,560 --> 00:51:22,960
Speaker 3: choose that you're not her.

1215
00:51:23,120 --> 00:51:24,920
Speaker 1: You can consider that flirting. But if I'm telling you,

1216
00:51:25,160 --> 00:51:26,360
Speaker 1: like fam, I'm not flirting with you.

1217
00:51:26,400 --> 00:51:29,320
Speaker 3: You how many times I've lied to Shorty's boyfriend. No,

1218
00:51:29,440 --> 00:51:30,920
Speaker 3: it's just my friend.

1219
00:51:30,960 --> 00:51:33,080
Speaker 1: You're a piece of shit, like we know that.

1220
00:51:33,160 --> 00:51:35,520
Speaker 3: You're just a hold it down for my friends. And

1221
00:51:35,560 --> 00:51:37,279
Speaker 3: Shorty said, oh, that shit down And I said, yo, no,

1222
00:51:37,360 --> 00:51:40,040
Speaker 3: that's my that's my homie. We'd never come on, we

1223
00:51:40,080 --> 00:51:43,160
Speaker 3: would never know. Matter of fact, we talk about you mostly,

1224
00:51:43,239 --> 00:51:45,279
Speaker 3: and I defend you. You can never tell a guy

1225
00:51:45,360 --> 00:51:47,040
Speaker 3: that I told her I know a lot about you.

1226
00:51:47,200 --> 00:51:49,279
Speaker 1: I hear great things about your First of all, don't ever,

1227
00:51:49,400 --> 00:51:51,080
Speaker 1: a man should never tell another I hear great things

1228
00:51:51,080 --> 00:51:52,879
Speaker 1: about you all the time. No, why are you talking

1229
00:51:52,920 --> 00:51:53,200
Speaker 1: about me?

1230
00:51:53,239 --> 00:51:55,080
Speaker 3: I've definitely told you this was the truth. I was

1231
00:51:55,160 --> 00:51:56,960
Speaker 3: joking before. I've told a dude that got mad at

1232
00:51:56,960 --> 00:51:59,480
Speaker 3: me about my relationship with his girl, and I was

1233
00:51:59,560 --> 00:52:02,080
Speaker 3: almost a ended. I'm like, dog, you have no I

1234
00:52:02,200 --> 00:52:06,040
Speaker 3: am your fucking number one asset. She comes to me

1235
00:52:06,560 --> 00:52:08,600
Speaker 3: with all this bullshit that she thinks you did wrong,

1236
00:52:08,640 --> 00:52:10,200
Speaker 3: and I put in perspective of you, you should be

1237
00:52:10,239 --> 00:52:12,000
Speaker 3: my fucking you should buy me a drink. Okay, we

1238
00:52:12,480 --> 00:52:13,800
Speaker 3: kept your relationship alive.

1239
00:52:13,640 --> 00:52:15,960
Speaker 1: For you and this young lady like romantic?

1240
00:52:16,040 --> 00:52:17,680
Speaker 3: Why is important? I'm talking about one point year?

1241
00:52:18,360 --> 00:52:21,560
Speaker 1: Why is that important? That's that makes every that makes

1242
00:52:21,600 --> 00:52:24,279
Speaker 1: the whole story connect because if you if you were,

1243
00:52:24,800 --> 00:52:26,719
Speaker 1: then it's like you're a different level piece of shit

1244
00:52:26,760 --> 00:52:28,279
Speaker 1: than I thought you were. Number One, I did not

1245
00:52:28,360 --> 00:52:29,879
Speaker 1: sleep with a woman while she was with a dude,

1246
00:52:30,120 --> 00:52:33,399
Speaker 1: but her not a very good relationship and we remain friends.

1247
00:52:33,560 --> 00:52:36,279
Speaker 1: I'm not aware if he was aware that we had

1248
00:52:37,080 --> 00:52:38,840
Speaker 1: that's not my business to tell. It would be her

1249
00:52:38,880 --> 00:52:41,200
Speaker 1: business to tell, absolutely, and I will hold it down there.

1250
00:52:41,640 --> 00:52:43,560
Speaker 1: I am a dirt bag, but I am morally. My

1251
00:52:43,840 --> 00:52:47,200
Speaker 1: favorite uh Tony soprano quote is I don't have morals,

1252
00:52:47,239 --> 00:52:47,400
Speaker 1: but I.

1253
00:52:47,440 --> 00:52:49,560
Speaker 3: Do have rules. Do have rules?

1254
00:52:49,640 --> 00:52:51,000
Speaker 1: That works in the movies, not in real life?

1255
00:52:51,040 --> 00:52:51,239
Speaker 2: No, not.

1256
00:52:52,200 --> 00:52:54,040
Speaker 1: How fast do you fall asleep next to someone that

1257
00:52:54,120 --> 00:52:55,759
Speaker 1: you this is your first time sleeping next to her.

1258
00:52:56,960 --> 00:53:00,640
Speaker 3: Uh, can I get a scenario in my own home?

1259
00:53:01,000 --> 00:53:02,000
Speaker 3: You're no, You're.

1260
00:53:05,640 --> 00:53:07,400
Speaker 1: No, You're not your home. You're in a hotel.

1261
00:53:10,480 --> 00:53:12,799
Speaker 3: Pretty quickly, just because hotel blinds are my favorite blinds.

1262
00:53:12,800 --> 00:53:16,560
Speaker 3: They blackshit out. I'm kind of comfortable with strangers because

1263
00:53:16,719 --> 00:53:20,000
Speaker 3: there's nothing to rob of me, Like I'll go to

1264
00:53:20,040 --> 00:53:21,960
Speaker 3: sleep peacefully. Like if you really want to steal my

1265
00:53:22,080 --> 00:53:27,200
Speaker 3: arm a shirt, you can have it. Like there's really

1266
00:53:27,239 --> 00:53:30,000
Speaker 3: there's nothing. There's nothing that she's really gonna grab, Like

1267
00:53:30,239 --> 00:53:33,040
Speaker 3: if she calls somebody and like they get a line

1268
00:53:33,080 --> 00:53:35,200
Speaker 3: on me, I don't know what you're gonna get out

1269
00:53:35,239 --> 00:53:37,520
Speaker 3: of it if you get it, if you're satisfied by

1270
00:53:37,600 --> 00:53:39,719
Speaker 3: knocking me out. I've been knocked out before.

1271
00:53:40,680 --> 00:53:43,600
Speaker 1: I've definitely fallen asleep pretty quick next to a woman

1272
00:53:44,120 --> 00:53:47,040
Speaker 1: in the hotel that I didn't really I mean, we

1273
00:53:47,160 --> 00:53:48,960
Speaker 1: knew each other, but we didn't know each other like that.

1274
00:53:49,960 --> 00:53:52,279
Speaker 1: And I remember hearing the door slam, you know the

1275
00:53:52,480 --> 00:53:56,160
Speaker 1: hotel door slam. Yeah, And I remember hearing the door slam,

1276
00:53:56,960 --> 00:54:00,520
Speaker 1: and immediately I thought, was this bitch got me? And

1277
00:54:00,640 --> 00:54:04,040
Speaker 1: I jumped up start looking for my jewelry. You didn't

1278
00:54:04,040 --> 00:54:05,640
Speaker 1: take anything. No, it was like, why am I so pad?

1279
00:54:05,680 --> 00:54:07,799
Speaker 1: I would sleep comfortably next to this woman? I think

1280
00:54:07,880 --> 00:54:10,200
Speaker 1: I feel like she would steal, Like what's wrong man.

1281
00:54:10,360 --> 00:54:12,600
Speaker 3: But sometimes chicks that still have like really good pushing

1282
00:54:13,000 --> 00:54:14,520
Speaker 3: that they kind of go ahead and oh no thieves,

1283
00:54:14,560 --> 00:54:16,440
Speaker 3: Oh they have the great greatest you could feel it.

1284
00:54:16,480 --> 00:54:18,759
Speaker 3: They's still your heart. They tightened up.

1285
00:54:19,200 --> 00:54:22,719
Speaker 1: Yeah, that's the greatest. I've had some amazing sex with

1286
00:54:22,840 --> 00:54:26,239
Speaker 1: some amazing kleptos, my women that were real boosters, Like

1287
00:54:26,280 --> 00:54:29,279
Speaker 1: they run into like sacks and like we'll get you outfit. No,

1288
00:54:29,360 --> 00:54:30,359
Speaker 1: the greatest sex in the world.

1289
00:54:30,560 --> 00:54:32,680
Speaker 3: That should be a partner, not a sex partner.

1290
00:54:32,800 --> 00:54:35,080
Speaker 1: No, No, these are like no, no, we still have

1291
00:54:35,239 --> 00:54:38,520
Speaker 1: like we were still cool to Yeah, I'm like, yo,

1292
00:54:38,600 --> 00:54:40,399
Speaker 1: the these thirty six you already know what we're doing

1293
00:54:40,440 --> 00:54:42,399
Speaker 1: with that fold that put that right in the back.

1294
00:54:42,760 --> 00:54:45,799
Speaker 3: So I figured out the new way to like get

1295
00:54:46,280 --> 00:54:49,360
Speaker 3: a check out your crib or your hotel room without

1296
00:54:49,520 --> 00:54:52,000
Speaker 3: without being rude. Oh god, are you gonna give us

1297
00:54:52,040 --> 00:54:53,680
Speaker 3: like a new jewel. It's a new jew let me hear.

1298
00:54:53,840 --> 00:54:56,480
Speaker 3: I'm gonna give this one out for free. Okay, turn

1299
00:54:56,560 --> 00:54:58,600
Speaker 3: the a C on sixty five. They out of the

1300
00:54:58,800 --> 00:55:02,080
Speaker 3: out of there right away. That's really try to thug

1301
00:55:02,160 --> 00:55:05,880
Speaker 3: it out for like an hour. And if you're strategic,

1302
00:55:06,320 --> 00:55:09,279
Speaker 3: because I'm a restless sleeper, if you strategic, I hold

1303
00:55:09,320 --> 00:55:11,239
Speaker 3: onto them covers. So when I rolled to the left,

1304
00:55:11,719 --> 00:55:14,680
Speaker 3: all of its comfort is coming with me. I'm a burrito. Yeah,

1305
00:55:14,719 --> 00:55:18,399
Speaker 3: I'm Chipotle. Yeah you are now naked burrito. You're the bowl?

1306
00:55:18,560 --> 00:55:21,920
Speaker 1: Is she get up? And that's what she get up

1307
00:55:21,960 --> 00:55:25,000
Speaker 1: and leave. It's time unless you get with a polar bear.

1308
00:55:25,000 --> 00:55:26,080
Speaker 1: Because some women like it cold.

1309
00:55:27,200 --> 00:55:28,759
Speaker 3: Those women I don't want to be around. Yeah, I

1310
00:55:28,880 --> 00:55:29,400
Speaker 3: like I like it.

1311
00:55:29,480 --> 00:55:31,279
Speaker 1: I like a woman that likes it around seventy one

1312
00:55:31,400 --> 00:55:31,920
Speaker 1: seventy two.

1313
00:55:32,520 --> 00:55:34,920
Speaker 3: I only like women that like showers that are like

1314
00:55:35,080 --> 00:55:38,160
Speaker 3: fucking frying chicken. I don't like the crock pot chicks.

1315
00:55:38,200 --> 00:55:39,600
Speaker 3: I don't like the slow slow.

1316
00:55:39,400 --> 00:55:41,240
Speaker 1: Cook who bathe is in a cold shower.

1317
00:55:42,200 --> 00:55:45,759
Speaker 3: Apparently women that like it the ac on one sixty five.

1318
00:55:46,080 --> 00:55:48,400
Speaker 1: I can't see the shower has to be hot. Like

1319
00:55:48,560 --> 00:55:50,960
Speaker 1: I actually switched rooms in the hotel we was at

1320
00:55:51,000 --> 00:55:54,440
Speaker 1: because the water pressure wasn't and the shower wasn't hard enough.

1321
00:55:54,680 --> 00:55:56,600
Speaker 1: It was like somebody was pouring water out of it.

1322
00:55:57,080 --> 00:55:57,719
Speaker 2: Is that what it was.

1323
00:55:58,120 --> 00:55:59,040
Speaker 1: That's exactly what it was.

1324
00:55:59,520 --> 00:56:01,880
Speaker 3: Maul and I shared, not balance.

1325
00:56:01,920 --> 00:56:04,120
Speaker 1: We didn't share a room. Ro See, this is our

1326
00:56:04,200 --> 00:56:05,879
Speaker 1: narrative start like these days sharing rooms.

1327
00:56:06,000 --> 00:56:06,560
Speaker 3: We're budgeting.

1328
00:56:07,600 --> 00:56:09,960
Speaker 1: No, we got to cut another corner. We're not budgeting that.

1329
00:56:10,320 --> 00:56:12,120
Speaker 3: So how our rooms were set up, they were at

1330
00:56:12,120 --> 00:56:15,560
Speaker 3: the corner of the hotel, and our balconies were balcony

1331
00:56:15,640 --> 00:56:17,320
Speaker 3: was weird. Our rooms were on the opposite side of

1332
00:56:17,320 --> 00:56:19,600
Speaker 3: the hotel, but our balconies.

1333
00:56:19,160 --> 00:56:23,239
Speaker 1: Were facing each other. In Rory's living room, you could

1334
00:56:23,239 --> 00:56:24,000
Speaker 1: see in my room.

1335
00:56:24,200 --> 00:56:26,759
Speaker 3: And there was you know, some choice conversation and and

1336
00:56:27,239 --> 00:56:30,399
Speaker 3: you know, on the balcony. No, some choice conversation prior

1337
00:56:30,440 --> 00:56:32,200
Speaker 3: to what the plans were for the weekend, and and

1338
00:56:32,400 --> 00:56:34,480
Speaker 3: you know, maybe some of the guests that may come

1339
00:56:34,560 --> 00:56:40,040
Speaker 3: through as friends. So I just kept, you know, the

1340
00:56:40,120 --> 00:56:41,840
Speaker 3: PERV that I am, and just want to know what

1341
00:56:41,920 --> 00:56:43,520
Speaker 3: man does in la because people hang out.

1342
00:56:43,560 --> 00:56:44,160
Speaker 1: You kept peaking.

1343
00:56:45,360 --> 00:56:47,319
Speaker 3: I kept being a little peeping Tom over on the shop,

1344
00:56:47,560 --> 00:56:49,719
Speaker 3: Like I kept going out on the balcony, like, you know,

1345
00:56:49,800 --> 00:56:54,040
Speaker 3: pretending to stretch like the balconies. Tom would be would

1346
00:56:54,040 --> 00:56:55,560
Speaker 3: have went over there peaking it a whole new dude,

1347
00:56:55,600 --> 00:56:57,279
Speaker 3: And I think I got a pack of cigarettes. I

1348
00:56:57,280 --> 00:56:59,960
Speaker 3: don't even smoke, just to be on the balcony.

1349
00:57:00,560 --> 00:57:01,160
Speaker 1: Al was doing.

1350
00:57:01,320 --> 00:57:03,520
Speaker 3: Yeah. And then I did that for like two days

1351
00:57:03,960 --> 00:57:06,320
Speaker 3: and then Maul just says to me on like the

1352
00:57:06,400 --> 00:57:09,040
Speaker 3: last day, like, oh nah, I move rooms. I was like, oh, no,

1353
00:57:09,160 --> 00:57:10,719
Speaker 3: wonder there was no activity going on.

1354
00:57:11,000 --> 00:57:13,560
Speaker 1: Yeah, like Rory. I literally switched rooms because the water

1355
00:57:13,640 --> 00:57:16,520
Speaker 1: pressure in the shower was terrible and I cannot There's

1356
00:57:16,560 --> 00:57:19,320
Speaker 1: nothing worse than taking a shower in the shower with

1357
00:57:19,440 --> 00:57:21,960
Speaker 1: the waters It literally feels like somebody's pouring water on

1358
00:57:22,080 --> 00:57:25,200
Speaker 1: you from like the balcony. I can't. I can't take

1359
00:57:25,240 --> 00:57:27,240
Speaker 1: a shower that shit. My OCD won't allout. I'm sorry.

1360
00:57:27,240 --> 00:57:29,240
Speaker 1: So I had to switch rooms. So we weren't balcony

1361
00:57:29,640 --> 00:57:32,160
Speaker 1: buddies anymore. But that's pretty interesting. Like when I went

1362
00:57:32,200 --> 00:57:34,040
Speaker 1: on the balcony and saw that was your room, I

1363
00:57:34,120 --> 00:57:35,480
Speaker 1: laughed for myself. I didn't tell you. I was like,

1364
00:57:35,560 --> 00:57:38,320
Speaker 1: that's not Rory's room, right like literally from here to

1365
00:57:38,440 --> 00:57:38,880
Speaker 1: like that door.

1366
00:57:39,080 --> 00:57:40,400
Speaker 3: I only found out when we got a haircut, and

1367
00:57:40,400 --> 00:57:42,760
Speaker 3: then I immediately went back to my room and closed everybody.

1368
00:57:43,960 --> 00:57:46,600
Speaker 1: You know how funny that would have been because.

1369
00:57:46,360 --> 00:57:47,720
Speaker 3: I looked out young when I was like, wait, is

1370
00:57:47,760 --> 00:57:49,880
Speaker 3: that my ship? I'm looking at my suitcase.

1371
00:57:51,440 --> 00:57:53,320
Speaker 1: You're seeing you walk around in your room. Not knowing

1372
00:57:53,400 --> 00:57:55,280
Speaker 1: that I could see you would have been like, that

1373
00:57:55,280 --> 00:57:56,960
Speaker 1: would have been the highlight of my trip, Like if

1374
00:57:57,000 --> 00:57:59,840
Speaker 1: Rory has no idea, I've seen his naked ass every

1375
00:58:00,280 --> 00:58:01,000
Speaker 1: just walking around.

1376
00:58:01,200 --> 00:58:01,840
Speaker 3: It's pretty bright.

1377
00:58:02,360 --> 00:58:07,560
Speaker 1: Yeah. No, but I switched rooms because of the water pressure,

1378
00:58:07,600 --> 00:58:09,680
Speaker 1: and it wasn't because you were looking into my room

1379
00:58:09,960 --> 00:58:11,400
Speaker 1: and it's nothing. If you looked at my room, it's

1380
00:58:11,400 --> 00:58:12,840
Speaker 1: nothing going on. I'm very boring.

1381
00:58:12,960 --> 00:58:15,880
Speaker 3: Did I don't want to put too much of your

1382
00:58:15,920 --> 00:58:17,600
Speaker 3: business out there because I know it didn't happen, and

1383
00:58:17,640 --> 00:58:20,600
Speaker 3: I know you weren't really interested. Did the drunk girl

1384
00:58:20,720 --> 00:58:25,920
Speaker 3: birthday possible group situation? Where where did that leave off?

1385
00:58:25,960 --> 00:58:29,120
Speaker 3: Because I left girl's birthday, I left the next morning.

1386
00:58:29,160 --> 00:58:30,960
Speaker 3: You stayed in LA so we never got to regroup.

1387
00:58:31,000 --> 00:58:33,040
Speaker 3: We're regrouping in real time. We were at the emotional

1388
00:58:33,080 --> 00:58:35,440
Speaker 3: Orange Show. Yeah, giving me a bit of intel.

1389
00:58:36,480 --> 00:58:40,240
Speaker 1: Oh no, that never, that didn't happen in eighty seven, that.

1390
00:58:40,880 --> 00:58:42,919
Speaker 3: I didn't want your first time to be with drunk girls.

1391
00:58:42,960 --> 00:58:44,920
Speaker 1: No, no, no, that wasn't happening.

1392
00:58:45,160 --> 00:58:47,240
Speaker 3: That that was I wanted to be special for you

1393
00:58:47,520 --> 00:58:47,840
Speaker 3: first time.

1394
00:58:49,400 --> 00:58:51,960
Speaker 1: Well it was it was a there were a group

1395
00:58:52,040 --> 00:58:53,880
Speaker 1: a group of a group of women in LA that

1396
00:58:53,920 --> 00:58:56,960
Speaker 1: were trying to hang out with me, and I was

1397
00:58:57,160 --> 00:58:58,640
Speaker 1: talking to Rory. I'm like, Yo, they want to just

1398
00:58:58,680 --> 00:59:00,840
Speaker 1: come out of the room say hi. You know it's

1399
00:59:00,960 --> 00:59:04,320
Speaker 1: like three four girls cele a birthday toast. Paul's really

1400
00:59:04,320 --> 00:59:06,200
Speaker 1: good with speeches. They did it for the Kardashians, you

1401
00:59:06,200 --> 00:59:07,640
Speaker 1: know what I mean. So they just wanted to come

1402
00:59:07,680 --> 00:59:11,000
Speaker 1: by and hang out. So it was like your first threesome.

1403
00:59:11,040 --> 00:59:14,800
Speaker 1: The night I'm like, I didn't think about that, but

1404
00:59:15,360 --> 00:59:16,880
Speaker 1: I'm not saying it can't happen.

1405
00:59:17,040 --> 00:59:19,160
Speaker 3: You're naive asked and read between the lines and those

1406
00:59:19,200 --> 00:59:19,880
Speaker 3: text messages.

1407
00:59:20,320 --> 00:59:23,880
Speaker 1: But because I'm never I'm never assuming that that's what

1408
00:59:24,040 --> 00:59:26,040
Speaker 1: it is. I don't ever assume. So it was like,

1409
00:59:26,360 --> 00:59:28,160
Speaker 1: you know, but it didn't happen. I'm glad it didn't

1410
00:59:28,160 --> 00:59:31,200
Speaker 1: because drunk women at four in the morning can go

1411
00:59:31,320 --> 00:59:34,000
Speaker 1: really bad. So it was just like, nah, they went

1412
00:59:34,080 --> 00:59:35,120
Speaker 1: home and they just went to sleep.

1413
00:59:35,160 --> 00:59:36,840
Speaker 3: So I'm glad because I do want your first time

1414
00:59:36,880 --> 00:59:39,480
Speaker 3: to be with already care about you.

1415
00:59:39,680 --> 00:59:41,960
Speaker 1: Yeah, I think I think, I think I think that's

1416
00:59:42,000 --> 00:59:43,200
Speaker 1: what it should be. I think it should be with

1417
00:59:43,280 --> 00:59:45,560
Speaker 1: two women that really like care about me.

1418
00:59:46,360 --> 00:59:48,520
Speaker 3: We may have at that point out, did I know

1419
00:59:48,560 --> 00:59:49,960
Speaker 3: if that was your room or not? We may have

1420
00:59:50,000 --> 00:59:53,439
Speaker 3: been peeking through the that night. Yeah, so you knew

1421
00:59:53,440 --> 00:59:55,000
Speaker 3: that wasn't my room at that time. Okay, that was

1422
00:59:55,000 --> 00:59:57,000
Speaker 3: your last night. You know before that, maybe I was

1423
00:59:57,040 --> 01:00:00,240
Speaker 3: speaking in the other rooms. See he went into he

1424
01:00:00,280 --> 01:00:01,840
Speaker 3: was ann peaking the wrong person room and it was

1425
01:00:01,840 --> 01:00:03,720
Speaker 3: gonna throw something that I may have just been knocking

1426
01:00:03,760 --> 01:00:06,439
Speaker 3: on doors saying housekeeping. Yeah, yeah, yeah, if you answer, yeah,

1427
01:00:06,440 --> 01:00:08,560
Speaker 3: but oh damn, didn't realize you had the crew here.

1428
01:00:09,000 --> 01:00:10,680
Speaker 1: No, I would have know. I would have hit your

1429
01:00:10,680 --> 01:00:11,920
Speaker 1: phone in the fight if I had the crew that,

1430
01:00:11,960 --> 01:00:13,240
Speaker 1: I would have hit your phone, like your fam come

1431
01:00:13,280 --> 01:00:13,680
Speaker 1: to my room.

1432
01:00:13,760 --> 01:00:15,320
Speaker 3: But I would not have went by.

1433
01:00:15,920 --> 01:00:18,240
Speaker 1: If I had like four girls in my room, I

1434
01:00:18,280 --> 01:00:19,960
Speaker 1: would be what if they wanted us to part for them?

1435
01:00:20,040 --> 01:00:24,400
Speaker 1: Like yeah, you know understand, Yeah, come on, we gotta

1436
01:00:24,440 --> 01:00:26,800
Speaker 1: have we gotta Yeah, I understand what I'm saying. So

1437
01:00:26,840 --> 01:00:28,680
Speaker 1: we gotta make we gotta do what we gotta do, man, And.

1438
01:00:28,800 --> 01:00:31,120
Speaker 3: I mean, come on, it was her birthday. Who we

1439
01:00:31,240 --> 01:00:33,720
Speaker 3: have to celebrate exact day you were born exact. Life

1440
01:00:33,800 --> 01:00:35,360
Speaker 3: is a gift exactly. We shouldn't take it for care.

1441
01:00:35,400 --> 01:00:37,280
Speaker 1: If that keeps on giving, pot is a gift too.

1442
01:00:37,400 --> 01:00:39,000
Speaker 3: Yeah, it's weird because I think they were trying to give.

1443
01:00:41,680 --> 01:00:42,880
Speaker 3: With that said, Jay Z's in the.

1444
01:00:44,600 --> 01:00:47,840
Speaker 1: You can't go from with that being said, Jay is

1445
01:00:47,880 --> 01:00:50,200
Speaker 1: in the Rock and Roll Hall of Fame. That's disgusted.

1446
01:00:50,440 --> 01:00:51,720
Speaker 1: That has nothing to do with j.

1447
01:00:52,760 --> 01:00:53,960
Speaker 3: There's a lot of people in the Rock and Roll

1448
01:00:53,960 --> 01:00:55,280
Speaker 3: Hall of Fame. There was there was a lot of

1449
01:00:55,320 --> 01:00:57,200
Speaker 3: people potentially gonna be in my room. I get with

1450
01:00:57,280 --> 01:00:59,720
Speaker 3: you yet, Okay, yeah, yeah, and you were gonna give

1451
01:00:59,720 --> 01:01:02,760
Speaker 3: a speech, absolutely, and you would have been inducted into

1452
01:01:02,880 --> 01:01:04,640
Speaker 3: a certain group.

1453
01:01:04,720 --> 01:01:08,120
Speaker 1: A different a different hall. Yeah absolutely. But yeah, Jay

1454
01:01:08,200 --> 01:01:12,880
Speaker 1: is in rock and Roll Hall of Fame. Congrats to you, Okay,

1455
01:01:12,960 --> 01:01:16,000
Speaker 1: I'll take it. Congrats to to Jay and you know,

1456
01:01:16,120 --> 01:01:20,360
Speaker 1: the whole team. Uh, it's that's an amazing you know,

1457
01:01:21,000 --> 01:01:23,000
Speaker 1: I don't like to put too much on the rock

1458
01:01:23,040 --> 01:01:26,040
Speaker 1: and Roll Hall of Fame, but you know it's still

1459
01:01:26,040 --> 01:01:29,880
Speaker 1: an amazing accomplishment from for somebody from our culture, uh,

1460
01:01:30,160 --> 01:01:32,360
Speaker 1: from the projects in Brooklyn, Like just looking at his

1461
01:01:32,520 --> 01:01:35,280
Speaker 1: whole journey through life to end up in the Rock

1462
01:01:35,320 --> 01:01:38,200
Speaker 1: and Roll Hall of Fame. Its an amazing, amazing accomplishment.

1463
01:01:39,560 --> 01:01:42,040
Speaker 1: He's always been in our Hall of Fame obviously, Uh,

1464
01:01:42,160 --> 01:01:44,200
Speaker 1: you know, you know what Jay means to us. But

1465
01:01:44,280 --> 01:01:47,680
Speaker 1: it's just dope to see him honored and being accepted

1466
01:01:47,720 --> 01:01:49,440
Speaker 1: in that in that in that hall with all those

1467
01:01:49,480 --> 01:01:54,560
Speaker 1: other great legendary artists. Yeah, man, congrats man. I was

1468
01:01:54,840 --> 01:01:57,960
Speaker 1: really I was really happy that he think Dame. I

1469
01:01:58,040 --> 01:02:00,600
Speaker 1: love that that that that but that's that's man, He's

1470
01:02:00,640 --> 01:02:03,200
Speaker 1: not a It didn't shock Meah, it didn't shock me,

1471
01:02:03,280 --> 01:02:05,400
Speaker 1: but I was happy that he did. To give Dame

1472
01:02:05,480 --> 01:02:08,440
Speaker 1: that recognition on that platform. Was super dope of him.

1473
01:02:09,920 --> 01:02:12,080
Speaker 3: Yeah. I love that entire part of just explaining this,

1474
01:02:12,240 --> 01:02:14,360
Speaker 3: this is what hip hop is. We went to all

1475
01:02:14,600 --> 01:02:16,880
Speaker 3: the majors. They said no, We said I was to

1476
01:02:16,920 --> 01:02:18,320
Speaker 3: do it ourselves. Yep, that's hip hop.

1477
01:02:18,880 --> 01:02:22,760
Speaker 1: Yeah, So congrats man, that's I mean, you know, now

1478
01:02:22,840 --> 01:02:24,840
Speaker 1: he got it for a while though he's been in

1479
01:02:24,920 --> 01:02:27,320
Speaker 1: cruise control, but now it's really like just a victory

1480
01:02:27,400 --> 01:02:29,480
Speaker 1: lap for him for whatever he wants to do with

1481
01:02:29,600 --> 01:02:30,480
Speaker 1: his career, healing out.

1482
01:02:31,040 --> 01:02:32,760
Speaker 3: I just want to know what the invite looked like

1483
01:02:32,880 --> 01:02:35,160
Speaker 3: and what the dress code said to the Rock and

1484
01:02:35,200 --> 01:02:37,080
Speaker 3: Roll Hall of Fame. Hove was in a black suit.

1485
01:02:37,520 --> 01:02:40,560
Speaker 3: Chappelle was dressed like Kirk co band ll cool J.

1486
01:02:41,280 --> 01:02:43,560
Speaker 3: I was dressed like an eighties pop star. But like,

1487
01:02:44,200 --> 01:02:46,560
Speaker 3: but I couldn't figure out who what was the dress

1488
01:02:46,600 --> 01:02:48,400
Speaker 3: code here? But I like that because if it's the

1489
01:02:48,560 --> 01:02:50,360
Speaker 3: Rock and Roll Hall of Fame, yeah, gotta be different.

1490
01:02:50,400 --> 01:02:51,920
Speaker 3: It's no rules or we're gonna do what the fuck

1491
01:02:51,960 --> 01:02:53,560
Speaker 3: we want to do here. And I did like when

1492
01:02:53,600 --> 01:02:56,120
Speaker 3: Hove compared to hip hop to punk rock because if

1493
01:02:56,120 --> 01:02:58,560
Speaker 3: you know the history of just that time and even

1494
01:02:58,640 --> 01:03:01,240
Speaker 3: down with hate that I'm the one that's bringing these

1495
01:03:01,480 --> 01:03:03,520
Speaker 3: these names up. But Beacie Boys and Rick Rubin and

1496
01:03:03,720 --> 01:03:07,240
Speaker 3: that Lower east Side ship kind of merging with Russell

1497
01:03:07,280 --> 01:03:09,440
Speaker 3: and what was happening in the Rocks, like it was

1498
01:03:09,480 --> 01:03:10,240
Speaker 3: definitely punk rock.

1499
01:03:10,880 --> 01:03:13,080
Speaker 1: Yeah, So that that was dope man to see to

1500
01:03:13,160 --> 01:03:15,720
Speaker 1: see that, uh, you know, J being recognized on that

1501
01:03:15,800 --> 01:03:19,120
Speaker 1: platform and just another accomplishment under his belt.

1502
01:03:20,400 --> 01:03:23,720
Speaker 3: Let's let's stay in in your neck of the woods,

1503
01:03:23,840 --> 01:03:30,240
Speaker 3: as Al Roker would say, as a Uptown native and

1504
01:03:30,400 --> 01:03:36,600
Speaker 3: a former removed member of the Boulevard, where where do

1505
01:03:36,640 --> 01:03:38,440
Speaker 3: you stand with this autpo shit, because it is a

1506
01:03:38,520 --> 01:03:42,760
Speaker 3: relevant thing right now. It is a very New York conversation. Yeah,

1507
01:03:43,240 --> 01:03:45,640
Speaker 3: that's been going on, whether whether you're civilian or not.

1508
01:03:45,920 --> 01:03:46,880
Speaker 3: It's it's been a combo.

1509
01:03:47,840 --> 01:03:51,840
Speaker 1: It's it's unfortunate, man. You know, again I understand, you know, prayers,

1510
01:03:51,920 --> 01:03:56,160
Speaker 1: condolences to to the families, but again, you know, it's

1511
01:03:57,040 --> 01:03:59,000
Speaker 1: you know, I lost I lost my older brother to

1512
01:03:59,400 --> 01:04:02,280
Speaker 1: you know, ironically, you know, seeing the photos of the

1513
01:04:02,360 --> 01:04:04,120
Speaker 1: car and all that, you know, my brother was killed

1514
01:04:04,120 --> 01:04:06,320
Speaker 1: in his car. So you know, it brought back a

1515
01:04:06,360 --> 01:04:09,600
Speaker 1: lot of those emotions and just seeing that, and you know,

1516
01:04:09,680 --> 01:04:11,160
Speaker 1: I was reading a lot of things online and you

1517
01:04:11,240 --> 01:04:13,640
Speaker 1: know that's the thing about the Internet. People have a

1518
01:04:13,760 --> 01:04:15,920
Speaker 1: platform and they say things and get their opinions off

1519
01:04:16,000 --> 01:04:18,400
Speaker 1: on different topics, and I saw a lot of people,

1520
01:04:18,520 --> 01:04:21,680
Speaker 1: you know, saying things where it was kind of like,

1521
01:04:21,800 --> 01:04:24,400
Speaker 1: you know, on one hand, I understand, I get it

1522
01:04:24,520 --> 01:04:28,040
Speaker 1: if you know the history and you know the stories

1523
01:04:28,160 --> 01:04:31,000
Speaker 1: of you know, Altpole and things that you know happened

1524
01:04:31,040 --> 01:04:34,640
Speaker 1: around his life and his and his you know time

1525
01:04:35,280 --> 01:04:39,000
Speaker 1: in the streets that you know a lot of lives

1526
01:04:39,040 --> 01:04:42,400
Speaker 1: were lost, and you know, allegedly or not allegedly, he

1527
01:04:42,480 --> 01:04:45,480
Speaker 1: was involved or he wasn't whatever, that's not even to them. Yeah,

1528
01:04:45,560 --> 01:04:47,240
Speaker 1: that's not you know, that's not for me to really

1529
01:04:47,400 --> 01:04:50,160
Speaker 1: get into all of that. But just the fact that

1530
01:04:50,240 --> 01:04:55,200
Speaker 1: some people was happy about him, you know, potentially being killed.

1531
01:04:56,080 --> 01:04:57,880
Speaker 1: It was just a weird thing, man, because it's like

1532
01:04:57,960 --> 01:05:02,760
Speaker 1: why why? And I get right because families have grieved,

1533
01:05:02,800 --> 01:05:04,720
Speaker 1: and you know, families have gone through a lot throughout

1534
01:05:04,720 --> 01:05:07,840
Speaker 1: the years as a result of things that Alpo may

1535
01:05:07,920 --> 01:05:10,480
Speaker 1: or may not have been involved with. But it's just

1536
01:05:10,640 --> 01:05:13,360
Speaker 1: it's just weird, man, to see people celebrating shit like this,

1537
01:05:13,600 --> 01:05:16,760
Speaker 1: and you know some of the things that people were saying,

1538
01:05:16,960 --> 01:05:19,600
Speaker 1: and it's just I don't I don't know where we're

1539
01:05:19,600 --> 01:05:21,919
Speaker 1: at as a culture man, and as a community where

1540
01:05:22,000 --> 01:05:25,240
Speaker 1: we celebrate these types of things. And you know, again

1541
01:05:25,480 --> 01:05:27,760
Speaker 1: I'm speaking from I can speak on this because I've

1542
01:05:27,800 --> 01:05:30,360
Speaker 1: lost a brother to the street violence and things like that,

1543
01:05:30,560 --> 01:05:32,120
Speaker 1: So you know, I get it.

1544
01:05:33,040 --> 01:05:33,480
Speaker 3: I get how.

1545
01:05:33,520 --> 01:05:35,880
Speaker 1: On one hand, you know, people may feel like, oh, well,

1546
01:05:35,920 --> 01:05:37,680
Speaker 1: you know, he has something to do with my family

1547
01:05:37,720 --> 01:05:40,320
Speaker 1: and my relative grieving and you know, things like that.

1548
01:05:40,960 --> 01:05:43,760
Speaker 1: But it's so are we just on this cycle? Is

1549
01:05:43,840 --> 01:05:46,320
Speaker 1: it like a never ending thing now? Where it just

1550
01:05:46,760 --> 01:05:48,200
Speaker 1: you know, what I mean, it's just like where we going,

1551
01:05:48,360 --> 01:05:51,200
Speaker 1: you know what I mean? And again, it's just weird, man,

1552
01:05:51,280 --> 01:05:55,360
Speaker 1: seeing people celebrate somebody being killed. That that's to me,

1553
01:05:55,520 --> 01:05:58,400
Speaker 1: it's just like it's just a weird, weird thing that

1554
01:05:58,520 --> 01:06:00,880
Speaker 1: I can't. I can't you know, shake, and I can't

1555
01:06:00,920 --> 01:06:04,720
Speaker 1: really you know, wrap my head around. Like on one hand, again,

1556
01:06:04,760 --> 01:06:08,000
Speaker 1: I understand, because you know, you've grieved from a family

1557
01:06:08,080 --> 01:06:10,640
Speaker 1: member being lost, and it may have been feelings that

1558
01:06:10,680 --> 01:06:12,960
Speaker 1: you had towards this man for years for his involvement

1559
01:06:13,040 --> 01:06:14,680
Speaker 1: and your family member being lost.

1560
01:06:15,000 --> 01:06:18,880
Speaker 3: Which we both have a mutual right, isn't she didn't

1561
01:06:18,920 --> 01:06:21,720
Speaker 3: celebrate anything. I don't she didn't you know, I don't

1562
01:06:21,760 --> 01:06:26,040
Speaker 3: have mutual friends, right, was absolutely.

1563
01:06:24,880 --> 01:06:28,480
Speaker 1: So I understand. I get that part of you being

1564
01:06:28,560 --> 01:06:31,440
Speaker 1: hurt and you grieving, and but you know, it's just

1565
01:06:31,600 --> 01:06:34,240
Speaker 1: it's just a weird, weird thing, man. And I feel

1566
01:06:34,280 --> 01:06:36,280
Speaker 1: like it's only in our community. I feel like this

1567
01:06:36,440 --> 01:06:39,080
Speaker 1: only happens in our culture and in our community where

1568
01:06:39,120 --> 01:06:41,800
Speaker 1: these things happen and you see people celebrating it, you

1569
01:06:41,840 --> 01:06:43,560
Speaker 1: know what I mean, It's just like like what are

1570
01:06:43,600 --> 01:06:46,480
Speaker 1: we doing? Like what when does it stop? When does

1571
01:06:46,560 --> 01:06:49,720
Speaker 1: this cycle in? When do we find a better way

1572
01:06:49,960 --> 01:06:53,440
Speaker 1: of dealing with these issues in these situations, and you

1573
01:06:53,520 --> 01:06:55,880
Speaker 1: know where we're no longer dealing with this type of ship,

1574
01:06:55,880 --> 01:06:57,440
Speaker 1: where we no longer wake up to this type of

1575
01:06:57,520 --> 01:07:00,720
Speaker 1: news and these type of circumstances. Like I just it's

1576
01:07:00,800 --> 01:07:03,080
Speaker 1: just a very very weird thing. Like I said, I

1577
01:07:03,120 --> 01:07:05,439
Speaker 1: didn't you know when I when I saw the news

1578
01:07:05,520 --> 01:07:07,320
Speaker 1: come up, like people had called me and text me,

1579
01:07:08,360 --> 01:07:10,240
Speaker 1: and I was like, for real, like is it did

1580
01:07:10,280 --> 01:07:12,760
Speaker 1: it really happen? Is it true? That was my first response,

1581
01:07:12,800 --> 01:07:15,280
Speaker 1: because it was just speculation at the time. Yeah. And

1582
01:07:15,360 --> 01:07:18,720
Speaker 1: then as news started to come out, you know, excuse me,

1583
01:07:18,760 --> 01:07:20,680
Speaker 1: certain people hitting me and they're like, yo, nah, it's

1584
01:07:20,680 --> 01:07:26,240
Speaker 1: true whatever whatever, And my you know, my immediate, our

1585
01:07:26,240 --> 01:07:30,720
Speaker 1: honest feeling was damn, like this is literally an error,

1586
01:07:32,080 --> 01:07:33,920
Speaker 1: you know, growing up in New York City in the

1587
01:07:34,000 --> 01:07:36,840
Speaker 1: eighties and the nineties, like this is an era that

1588
01:07:37,040 --> 01:07:40,200
Speaker 1: kind of like is now, you know, even though we've

1589
01:07:40,200 --> 01:07:43,680
Speaker 1: been moved beyond that, it's almost like it was still around,

1590
01:07:44,080 --> 01:07:46,040
Speaker 1: of course, because you know, al Pot was still around

1591
01:07:46,080 --> 01:07:48,800
Speaker 1: and he was still visible in Harlem, and it's almost

1592
01:07:48,880 --> 01:07:51,400
Speaker 1: like we lost that. That's over with that, that that

1593
01:07:51,720 --> 01:07:54,400
Speaker 1: chapter is you know, for lack of a better word, closed.

1594
01:07:55,760 --> 01:07:58,040
Speaker 1: But now what like where do we go from here?

1595
01:07:58,080 --> 01:08:00,280
Speaker 1: What happens that do we learn from that? Because it

1596
01:08:00,320 --> 01:08:02,840
Speaker 1: was a tragic situation all the way around. For it's tragedy,

1597
01:08:03,280 --> 01:08:06,520
Speaker 1: So why are we celebrating tragedy? They were also twenty

1598
01:08:06,800 --> 01:08:09,200
Speaker 1: twenty one at the time when all this happened.

1599
01:08:09,200 --> 01:08:10,680
Speaker 3: That's what tragedy crazy.

1600
01:08:10,920 --> 01:08:13,360
Speaker 1: They were young, they were kids, they were legitimately kids.

1601
01:08:13,760 --> 01:08:15,560
Speaker 1: So it's a tragic thing, man, And it's like, I

1602
01:08:15,600 --> 01:08:18,840
Speaker 1: feel like we're celebrating tragedy. It's a tragic story. It's

1603
01:08:18,880 --> 01:08:22,320
Speaker 1: a tragic endo a story, you know, and regardless of

1604
01:08:22,560 --> 01:08:24,560
Speaker 1: you know, personal I get it, Like I said, I

1605
01:08:24,760 --> 01:08:26,840
Speaker 1: lost the brother the street violence, and I know the

1606
01:08:26,920 --> 01:08:30,639
Speaker 1: feeling I still grieved to this day, like my brother's

1607
01:08:30,720 --> 01:08:33,960
Speaker 1: killer was never caught, so I still walk around with that.

1608
01:08:34,120 --> 01:08:37,479
Speaker 3: But and even attached to the movie that kind of

1609
01:08:37,720 --> 01:08:38,919
Speaker 3: put he's in the movie.

1610
01:08:38,920 --> 01:08:41,080
Speaker 1: Exactly, you know what I'm saying. So it's it's, you know,

1611
01:08:41,160 --> 01:08:43,519
Speaker 1: it's a lot of things that just it's a lot

1612
01:08:43,520 --> 01:08:46,560
Speaker 1: of emotions, a lot of you know, personal attachments to

1613
01:08:46,680 --> 01:08:50,080
Speaker 1: it around Harlem and the community. And you know, again,

1614
01:08:50,160 --> 01:08:51,960
Speaker 1: I just I just think that we need to find

1615
01:08:52,000 --> 01:08:55,320
Speaker 1: a better way to you know, deal with these situations

1616
01:08:55,400 --> 01:08:57,839
Speaker 1: and avoid these situations, because again, it's just a tragic

1617
01:08:58,000 --> 01:09:02,200
Speaker 1: end too, a tragic story to that happened when these

1618
01:09:02,240 --> 01:09:04,840
Speaker 1: guys were kids, you know what I mean, they were kids.

1619
01:09:05,400 --> 01:09:06,880
Speaker 1: So it's just it's just unfortunate, man.

1620
01:09:07,000 --> 01:09:11,280
Speaker 3: I feel and again, condolences to your family, Rest in

1621
01:09:11,280 --> 01:09:14,920
Speaker 3: peace to Bob. I guess I'm outside looking in, and

1622
01:09:15,040 --> 01:09:20,000
Speaker 3: I completely agree with everything that you're saying to the

1623
01:09:20,040 --> 01:09:21,640
Speaker 3: people that are celebrating. I'm not talking about like the

1624
01:09:21,680 --> 01:09:24,919
Speaker 3: internet weirdos, but the people that you know, maybe attached

1625
01:09:24,960 --> 01:09:30,000
Speaker 3: to it or celebrate. Yeah, how do you feel about

1626
01:09:30,920 --> 01:09:35,839
Speaker 3: people celebrating the idea of what that represents, not the violence,

1627
01:09:36,040 --> 01:09:39,040
Speaker 3: because I think which I saw again outside looking in,

1628
01:09:39,120 --> 01:09:41,479
Speaker 3: I'm really a sit in the house. I'm civilian. I

1629
01:09:41,520 --> 01:09:43,920
Speaker 3: got none to do with another ship. From what I've

1630
01:09:44,000 --> 01:09:48,360
Speaker 3: understood with people I've talked to him going back to

1631
01:09:48,439 --> 01:09:52,720
Speaker 3: Harlem and kind of celebrating it. It was kind of

1632
01:09:52,840 --> 01:09:57,120
Speaker 3: it was just like you're talking, yeah, like everything kind

1633
01:09:57,160 --> 01:10:00,720
Speaker 3: of was fine. You're now throwing the yeah, you're doing

1634
01:10:00,760 --> 01:10:03,040
Speaker 3: this shit like if you would have just it almost

1635
01:10:03,080 --> 01:10:06,080
Speaker 3: feels like you want the ending to the movie, like

1636
01:10:06,200 --> 01:10:08,240
Speaker 3: you want it to be completed this way. I get it.

1637
01:10:08,280 --> 01:10:11,599
Speaker 3: It's just and people weren't celebrating that a man passed

1638
01:10:11,680 --> 01:10:15,040
Speaker 3: and who obviously had kids and a family, right they're

1639
01:10:15,120 --> 01:10:18,799
Speaker 3: celebrating the fact that this is not cool. You caused

1640
01:10:18,880 --> 01:10:23,360
Speaker 3: so much harm to this community and to the people

1641
01:10:23,400 --> 01:10:25,479
Speaker 3: around you that you did it with. Right now you're

1642
01:10:25,560 --> 01:10:29,120
Speaker 3: coming back to kind of throw it in our faces.

1643
01:10:29,680 --> 01:10:31,519
Speaker 3: It's kind of offensive. I get it.

1644
01:10:31,720 --> 01:10:34,439
Speaker 1: I totally Like I said, I totally understand. I understand

1645
01:10:34,960 --> 01:10:37,519
Speaker 1: you know, all of the different feelings and emotions involved

1646
01:10:37,560 --> 01:10:41,559
Speaker 1: in it. I'm also thinking, like, how do we avoid

1647
01:10:41,800 --> 01:10:44,519
Speaker 1: such a tragic story and the tragic ending from happening

1648
01:10:44,640 --> 01:10:48,360
Speaker 1: and occurrent again, Yeah, that's my thing, Like I understand, Like,

1649
01:10:48,680 --> 01:10:51,599
Speaker 1: I get it. If you know, I woke up tomorrow

1650
01:10:51,640 --> 01:10:53,160
Speaker 1: they told me that the guy that killed my brother

1651
01:10:53,320 --> 01:10:56,000
Speaker 1: was killed. Would I be celebrating? I don't know. I'm

1652
01:10:56,040 --> 01:10:56,960
Speaker 1: gonna be honest with you, I don't.

1653
01:10:57,120 --> 01:10:57,479
Speaker 3: I don't.

1654
01:10:57,680 --> 01:10:59,479
Speaker 1: I can't answer that, you know what I mean, because

1655
01:10:59,479 --> 01:11:02,160
Speaker 1: I don't know. But it's just like, how do we

1656
01:11:02,240 --> 01:11:06,320
Speaker 1: avoid such tragic things from happening in the community? Yeah,

1657
01:11:06,439 --> 01:11:08,040
Speaker 1: you know what I mean? And then people being online

1658
01:11:08,040 --> 01:11:10,760
Speaker 1: celebrating it. It's just it's just it just doesn't feel right.

1659
01:11:10,840 --> 01:11:12,479
Speaker 1: That doesn't feel like that's what we should be doing.

1660
01:11:12,560 --> 01:11:17,519
Speaker 1: It's celebrating a death to somebody. To me, it just

1661
01:11:17,560 --> 01:11:20,680
Speaker 1: doesn't feel right. And usually when something doesn't feel right

1662
01:11:20,760 --> 01:11:22,080
Speaker 1: to me, is not right, you know what I mean.

1663
01:11:22,120 --> 01:11:24,320
Speaker 1: So it's just like, I just got a weird feeling

1664
01:11:24,640 --> 01:11:26,320
Speaker 1: reading a lot of comments online about it.

1665
01:11:26,640 --> 01:11:27,200
Speaker 3: And I get it.

1666
01:11:27,720 --> 01:11:29,560
Speaker 1: I understand why people feel the way they feel and

1667
01:11:29,640 --> 01:11:32,879
Speaker 1: why things were being said. I totally one hundred percent understand,

1668
01:11:33,840 --> 01:11:36,120
Speaker 1: but it just doesn't feel right. It's something about it

1669
01:11:36,200 --> 01:11:37,120
Speaker 1: that just doesn't feel right.

1670
01:11:37,439 --> 01:11:40,879
Speaker 3: Yeah, I feel that. Yeah, it's just kiddus your perspective

1671
01:11:40,920 --> 01:11:43,040
Speaker 3: of it, because it's it's Yeah, but you know, I

1672
01:11:43,240 --> 01:11:45,479
Speaker 3: twenty four hours and we're still and let's be.

1673
01:11:45,800 --> 01:11:48,479
Speaker 1: Let's be, you know, we still the name still haven't

1674
01:11:48,600 --> 01:11:51,040
Speaker 1: hasn't been released. We still don't know one hundred per.

1675
01:11:51,439 --> 01:11:55,439
Speaker 3: Well, from what they confirmed, I believe the person that

1676
01:11:55,640 --> 01:11:59,360
Speaker 3: was pronounced dead was his alias from Witness Protection and

1677
01:11:59,520 --> 01:12:02,600
Speaker 3: that was then over too, because they have to.

1678
01:12:03,200 --> 01:12:04,360
Speaker 1: I didn't see I didn't read all of that.

1679
01:12:04,479 --> 01:12:07,360
Speaker 3: Yeah, and his license and everything that he had and

1680
01:12:07,439 --> 01:12:09,639
Speaker 3: his credentials worth the name.

1681
01:12:09,920 --> 01:12:13,040
Speaker 1: Again, you know, you know, prayers to his family because

1682
01:12:13,040 --> 01:12:15,040
Speaker 1: it's regardless of how you feel, he has a family,

1683
01:12:15,200 --> 01:12:20,240
Speaker 1: has kids, grandkids, you know, relatives that love him, and

1684
01:12:20,439 --> 01:12:23,280
Speaker 1: so you know, prayers and condolences to that family.

1685
01:12:23,280 --> 01:12:25,799
Speaker 3: Answer to everyone affected from the entire situation.

1686
01:12:26,040 --> 01:12:28,240
Speaker 1: Like that's that's what I'm saying. It's a tragic situation

1687
01:12:28,400 --> 01:12:30,080
Speaker 1: all the way around the board. It's no escaping it.

1688
01:12:30,280 --> 01:12:33,599
Speaker 1: It's just a tragic story. So prayers everybody involved, pressed,

1689
01:12:33,640 --> 01:12:36,240
Speaker 1: anybody you know that you know was affected by this

1690
01:12:36,360 --> 01:12:40,000
Speaker 1: and whatever capacity. It's just a tragic story. Teaching the

1691
01:12:40,080 --> 01:12:44,160
Speaker 1: tragic story in our community in Harlem. But you know, again,

1692
01:12:44,240 --> 01:12:46,040
Speaker 1: we just gotta we gotta find a better way, man,

1693
01:12:46,200 --> 01:12:47,200
Speaker 1: we gotta find a better way.

1694
01:12:47,800 --> 01:12:52,200
Speaker 3: I feel that well again, condolences, but we can get

1695
01:12:52,200 --> 01:12:54,600
Speaker 3: this TV something a little bit more lighthearted of what

1696
01:12:54,680 --> 01:12:56,200
Speaker 3: you've been watching, because I still want to get into

1697
01:12:56,240 --> 01:12:56,920
Speaker 3: this quid game ship.

1698
01:12:57,040 --> 01:12:57,880
Speaker 1: Let's get into it then.

1699
01:12:59,600 --> 01:13:01,080
Speaker 3: I mean, I've feel like everyone' seen a square game

1700
01:13:01,080 --> 01:13:03,320
Speaker 3: at this point, right, we can do spoilers.

1701
01:13:03,400 --> 01:13:04,920
Speaker 1: If you haven't, you just don't want to see it.

1702
01:13:06,800 --> 01:13:07,920
Speaker 3: What you thought about that ending?

1703
01:13:10,040 --> 01:13:14,320
Speaker 1: I thought that it was well I'm glad to know

1704
01:13:14,400 --> 01:13:17,400
Speaker 1: that there will be a part two because I feel like,

1705
01:13:17,560 --> 01:13:20,800
Speaker 1: you know, it was such an epic series that you

1706
01:13:20,920 --> 01:13:23,439
Speaker 1: can't just have one season of that. I don't know

1707
01:13:23,520 --> 01:13:25,240
Speaker 1: where season two will go, if it will be the

1708
01:13:25,240 --> 01:13:28,200
Speaker 1: same type of things you know as season one, but

1709
01:13:31,200 --> 01:13:33,320
Speaker 1: and it kind of feels like, all right, is this

1710
01:13:33,400 --> 01:13:35,760
Speaker 1: dude gonna try to be like the Batman to the

1711
01:13:35,760 --> 01:13:38,839
Speaker 1: situation and bring down this whole empire and stop it happening?

1712
01:13:39,320 --> 01:13:42,200
Speaker 1: Did the old dude really die in the bed.

1713
01:13:43,600 --> 01:13:46,240
Speaker 3: Again? Back so many back to the impulsive gambling shit?

1714
01:13:46,360 --> 01:13:49,240
Speaker 3: Did I did like him turning around? He kept saying,

1715
01:13:49,240 --> 01:13:50,720
Speaker 3: it's all about his daughters, about his daughter, And then

1716
01:13:50,720 --> 01:13:52,560
Speaker 3: you get it to people that are really impulsive and

1717
01:13:52,640 --> 01:13:55,920
Speaker 3: have gambling shit and they live and die off that

1718
01:13:56,000 --> 01:13:57,800
Speaker 3: they don't live and die off their feelings and their family.

1719
01:13:57,880 --> 01:14:00,599
Speaker 3: So eventually, when he had the opportunity leave it alone,

1720
01:14:00,640 --> 01:14:03,400
Speaker 3: he's like, nope, let me go. And that's gamblers. They

1721
01:14:03,400 --> 01:14:06,240
Speaker 3: could leave the table and leave with their money, but no,

1722
01:14:06,400 --> 01:14:08,519
Speaker 3: I gotta go bet it again. I gotta see if

1723
01:14:08,560 --> 01:14:11,040
Speaker 3: I can get more. That was a great representation of that,

1724
01:14:11,479 --> 01:14:16,000
Speaker 3: that fucking ending of him going into the empty office

1725
01:14:16,000 --> 01:14:20,840
Speaker 3: building with the hospital corner and that old man saying

1726
01:14:20,880 --> 01:14:23,599
Speaker 3: all that fake deep shit. That was such fucking social

1727
01:14:23,680 --> 01:14:26,360
Speaker 3: media fake deep shit. To me. All that old guy

1728
01:14:26,439 --> 01:14:28,840
Speaker 3: said was yo, I have money. And I was bored,

1729
01:14:28,880 --> 01:14:31,000
Speaker 3: and I thought it was hysterical that we were murdering people.

1730
01:14:31,120 --> 01:14:34,880
Speaker 1: Yeah, pretty much, that's society like what that's capitalist like?

1731
01:14:34,960 --> 01:14:37,160
Speaker 3: What was? There was no deep shit outside of what

1732
01:14:37,240 --> 01:14:39,040
Speaker 3: that guy was saying. He was saying he tried to

1733
01:14:39,120 --> 01:14:42,840
Speaker 3: make it ill and was really just saying, nah, just

1734
01:14:42,920 --> 01:14:45,360
Speaker 3: that bread, and I was bored. He was like, your

1735
01:14:45,439 --> 01:14:47,400
Speaker 3: life is to be lived and you gotta get all

1736
01:14:47,479 --> 01:14:50,640
Speaker 3: the fulfillment out of your life. No people, And I

1737
01:14:50,680 --> 01:14:51,439
Speaker 3: thought it was hilarious.

1738
01:14:51,439 --> 01:14:53,200
Speaker 1: I think he was trying to say nobody really cares

1739
01:14:53,280 --> 01:14:56,720
Speaker 1: about people, and he didn't care about Yeah, he was

1740
01:14:56,720 --> 01:14:58,000
Speaker 1: trying to tell all that, you know, all of those

1741
01:14:58,040 --> 01:14:58,519
Speaker 1: things in there.

1742
01:14:59,080 --> 01:14:59,320
Speaker 3: Listen.

1743
01:14:59,400 --> 01:15:01,080
Speaker 1: I think that it it was a really great show.

1744
01:15:01,200 --> 01:15:02,200
Speaker 2: It was not.

1745
01:15:02,520 --> 01:15:03,960
Speaker 3: It was just the ending. I just thought it was

1746
01:15:04,120 --> 01:15:05,240
Speaker 3: and it was a little.

1747
01:15:05,080 --> 01:15:07,800
Speaker 1: Like, okay, but I am glad to know that there

1748
01:15:07,840 --> 01:15:08,960
Speaker 1: will be a part two.

1749
01:15:09,400 --> 01:15:12,360
Speaker 3: I'm not saying what he said was not true. We

1750
01:15:12,560 --> 01:15:15,719
Speaker 3: just have to look at the seven episodes before because

1751
01:15:15,760 --> 01:15:18,040
Speaker 3: that's really what he was doing. Yeah, yeah, I just

1752
01:15:18,439 --> 01:15:20,719
Speaker 3: figured i'd murder a bunch of people, would be fucking hysterical.

1753
01:15:20,840 --> 01:15:22,479
Speaker 1: It was great, man, it was, it was, it was.

1754
01:15:22,600 --> 01:15:23,200
Speaker 3: It was weird.

1755
01:15:23,360 --> 01:15:27,000
Speaker 1: It was you know, odd at first, but you can't

1756
01:15:27,360 --> 01:15:29,479
Speaker 1: turn it off like you literally get cool because you're like,

1757
01:15:29,479 --> 01:15:30,639
Speaker 1: all right, I have to see what this goes.

1758
01:15:30,760 --> 01:15:31,880
Speaker 3: Oh, I watched it straight through.

1759
01:15:32,000 --> 01:15:35,280
Speaker 1: It was. It was a great show, A great, great,

1760
01:15:35,400 --> 01:15:38,040
Speaker 1: great show. Yeah, and I'm just glad to know that

1761
01:15:38,200 --> 01:15:40,360
Speaker 1: part two is happening. I'm not as happy as I

1762
01:15:40,439 --> 01:15:43,280
Speaker 1: am about Emily and Paris to coming to be like

1763
01:15:43,360 --> 01:15:45,200
Speaker 1: your Sex and the City. Oh my god, I can't wait.

1764
01:15:45,560 --> 01:15:49,280
Speaker 1: She's going to Centrope. I know she's gonna go. She's going,

1765
01:15:49,360 --> 01:15:50,640
Speaker 1: she's gonna take that trip with him.

1766
01:15:50,760 --> 01:15:51,920
Speaker 3: I know nothing about the show.

1767
01:15:52,080 --> 01:15:56,240
Speaker 1: You Paris, No, the marriage, don't do that.

1768
01:15:59,160 --> 01:15:59,400
Speaker 3: Listen.

1769
01:15:59,560 --> 01:16:03,439
Speaker 1: It's it's it's it's it's the great. It's like great

1770
01:16:03,520 --> 01:16:04,160
Speaker 1: corny TV.

1771
01:16:05,200 --> 01:16:07,240
Speaker 3: What girl put you onto this? No? I literally you

1772
01:16:07,360 --> 01:16:10,840
Speaker 3: watched it by yourself. No, no, it was just come on,

1773
01:16:11,120 --> 01:16:14,559
Speaker 3: no better. If you admit that you watch it, make

1774
01:16:14,640 --> 01:16:15,080
Speaker 3: you feel better.

1775
01:16:15,200 --> 01:16:18,360
Speaker 1: Listen, bro, I promise you. Man. I stumbled upon that

1776
01:16:18,479 --> 01:16:19,840
Speaker 1: show on my own.

1777
01:16:19,880 --> 01:16:20,880
Speaker 3: Look at your algorithms.

1778
01:16:21,880 --> 01:16:23,080
Speaker 1: Listen, man, I'm glad I did.

1779
01:16:23,160 --> 01:16:23,280
Speaker 3: Though.

1780
01:16:23,280 --> 01:16:24,960
Speaker 1: I think it was a great show. It's corny, but

1781
01:16:25,000 --> 01:16:27,240
Speaker 1: it's like it's fun corny ship like it's and I

1782
01:16:27,320 --> 01:16:29,400
Speaker 1: can't not. I have to see season two.

1783
01:16:29,479 --> 01:16:31,640
Speaker 3: You have to you have to do you love the

1784
01:16:31,680 --> 01:16:32,639
Speaker 3: Lizzie McGuire movie.

1785
01:16:33,680 --> 01:16:35,640
Speaker 1: I don't think I saw the Lizzie McGuire movie. I

1786
01:16:35,640 --> 01:16:37,680
Speaker 1: don't think I saw that one. Did I watch it?

1787
01:16:38,280 --> 01:16:40,160
Speaker 3: Of course I did. That's why I'm not watching Emily

1788
01:16:40,200 --> 01:16:41,720
Speaker 3: in Paris, because it's probably gonna be the same ship.

1789
01:16:41,800 --> 01:16:44,200
Speaker 1: No, Emily and Paris was fire man. You gotta watch it.

1790
01:16:44,680 --> 01:16:46,439
Speaker 1: Just watch it, man, just watch it so we could

1791
01:16:46,479 --> 01:16:47,960
Speaker 1: really you could really tell me if you hate it.

1792
01:16:48,000 --> 01:16:49,320
Speaker 3: I've seen Will and Grace already.

1793
01:16:50,360 --> 01:16:54,880
Speaker 1: This is not Willing Grace. Emily and Paris is fire man.

1794
01:16:55,200 --> 01:16:55,880
Speaker 3: I've seen Fraser.

1795
01:16:55,920 --> 01:16:57,800
Speaker 1: I don't need to. This is not Fraser. This is

1796
01:16:57,880 --> 01:17:01,479
Speaker 1: totally different. I'm I'm watching. Uh what's the name of

1797
01:17:01,560 --> 01:17:01,880
Speaker 1: this show?

1798
01:17:02,040 --> 01:17:03,640
Speaker 2: Uh? Have you seen you?

1799
01:17:04,680 --> 01:17:06,680
Speaker 1: I didn't start it yet. I didn't start the uh

1800
01:17:07,200 --> 01:17:08,639
Speaker 1: was it third season? Second season?

1801
01:17:08,960 --> 01:17:09,200
Speaker 3: Third?

1802
01:17:09,280 --> 01:17:10,200
Speaker 1: Yeah, I didn't start it yet.

1803
01:17:10,200 --> 01:17:11,920
Speaker 3: I haven't even started the second season. I love the

1804
01:17:11,960 --> 01:17:13,720
Speaker 3: first one, and then he went to La and I

1805
01:17:13,760 --> 01:17:15,200
Speaker 3: don't want to see him kill people in La.

1806
01:17:15,439 --> 01:17:19,479
Speaker 1: Yeah, people murdered and in La. Yeah, that kind of weird.

1807
01:17:20,360 --> 01:17:24,439
Speaker 1: It's that when we did Alexis's podcast and she said, yeah,

1808
01:17:24,439 --> 01:17:27,760
Speaker 1: that hotel right there, the ceacil, Yeah, that's what their

1809
01:17:28,320 --> 01:17:30,639
Speaker 1: the water tank and I could see it right from

1810
01:17:30,680 --> 01:17:31,720
Speaker 1: my balcony.

1811
01:17:31,560 --> 01:17:35,240
Speaker 3: Literally seeing it from that fucking angle. SR joking was

1812
01:17:35,400 --> 01:17:37,920
Speaker 3: nuts for the people that have seen that hotel Seasonel ship,

1813
01:17:38,600 --> 01:17:41,640
Speaker 3: She's staring right at the fucking water tank. Yeah, like

1814
01:17:41,840 --> 01:17:44,479
Speaker 3: every angle from every episode you're staring at that. I'm like,

1815
01:17:44,920 --> 01:17:47,640
Speaker 3: I would I live next to a graveyard now and

1816
01:17:47,640 --> 01:17:49,880
Speaker 3: it doesn't bother me. That bothered me that we were

1817
01:17:49,880 --> 01:17:51,560
Speaker 3: that close to that ship was it was?

1818
01:17:51,680 --> 01:17:55,439
Speaker 1: It was odd. Curb is back, herb is back. How

1819
01:17:55,479 --> 01:17:56,200
Speaker 1: did you feel about it?

1820
01:17:56,240 --> 01:17:59,280
Speaker 3: And know you're huge Curve fan. I moved the same

1821
01:17:59,600 --> 01:18:02,160
Speaker 3: day that the episode came and I had to put

1822
01:18:02,200 --> 01:18:04,640
Speaker 3: my Verizon back on. Oh took a second, so I

1823
01:18:04,680 --> 01:18:07,000
Speaker 3: couldn't watch it in real time. Damn. I'm going to

1824
01:18:07,000 --> 01:18:11,439
Speaker 3: watch it tonight and obviously episode two succession, I need

1825
01:18:11,479 --> 01:18:13,080
Speaker 3: to catch up over season succession.

1826
01:18:13,120 --> 01:18:16,160
Speaker 1: I just listened. I just started, uh, the first season,

1827
01:18:16,360 --> 01:18:19,200
Speaker 1: so it was fucking phenomenal. I think it's a great show.

1828
01:18:19,560 --> 01:18:21,400
Speaker 1: My homie said, he feels like it's better than Billions.

1829
01:18:21,439 --> 01:18:22,560
Speaker 1: I don't know if I'm on board with that.

1830
01:18:22,720 --> 01:18:25,960
Speaker 3: You with that, are you? I mean, I'm deep into

1831
01:18:25,960 --> 01:18:28,240
Speaker 3: the show, though. I think it's better than billion Okay,

1832
01:18:28,840 --> 01:18:30,519
Speaker 3: I mean I like it so far. It's a lot

1833
01:18:30,560 --> 01:18:34,240
Speaker 3: of good actors in it though, and it's it's probably

1834
01:18:34,280 --> 01:18:35,040
Speaker 3: my favorite show right now.

1835
01:18:35,200 --> 01:18:38,280
Speaker 1: Yeah, I like it. I like it a lot. BMF.

1836
01:18:38,920 --> 01:18:39,880
Speaker 3: BMF is great. So far.

1837
01:18:39,960 --> 01:18:42,280
Speaker 1: BMF is starting to really turn into one of my

1838
01:18:42,400 --> 01:18:43,479
Speaker 1: favorite shows.

1839
01:18:44,080 --> 01:18:49,519
Speaker 3: Listen, I is it better than Snowfall? No? No, is

1840
01:18:49,560 --> 01:18:51,400
Speaker 3: it better than the Wire? No?

1841
01:18:52,479 --> 01:18:53,960
Speaker 1: Not Snowfalls better than the Wire?

1842
01:18:54,040 --> 01:18:58,559
Speaker 3: But no, yeah, but being better than Goodfellas? Like being

1843
01:18:58,760 --> 01:18:59,280
Speaker 3: where were you all?

1844
01:18:59,320 --> 01:19:01,320
Speaker 1: A line where we draw the line with this guy, Well,

1845
01:19:01,360 --> 01:19:03,920
Speaker 1: the snow Snowfall is better than the Wire? Man, come on, man,

1846
01:19:04,000 --> 01:19:04,479
Speaker 1: cut it out.

1847
01:19:04,840 --> 01:19:07,880
Speaker 3: But I just because you say it that way though,

1848
01:19:08,040 --> 01:19:09,760
Speaker 3: Bill O'Reilly, doesn't mean that it's true.

1849
01:19:09,840 --> 01:19:11,880
Speaker 1: Listen, man, that that season at the doc you say

1850
01:19:11,960 --> 01:19:12,560
Speaker 1: with it, y'all don't know.

1851
01:19:12,600 --> 01:19:13,200
Speaker 3: I mean it's true.

1852
01:19:13,520 --> 01:19:15,479
Speaker 1: The Wire stands y'all don't want to admit that that

1853
01:19:15,600 --> 01:19:19,479
Speaker 1: Doc season was terrible. That was that season was trash

1854
01:19:19,720 --> 01:19:22,479
Speaker 1: when they at the docks. So the Snowfall doesn't have

1855
01:19:22,560 --> 01:19:23,599
Speaker 1: a trash season yet.

1856
01:19:24,439 --> 01:19:26,479
Speaker 3: Yo, you're the guy that the artist puts out one

1857
01:19:26,560 --> 01:19:28,360
Speaker 3: album and then puts it up against someone that put

1858
01:19:28,400 --> 01:19:30,519
Speaker 3: out twelve and be like, yo, it's better. I'm just

1859
01:19:30,600 --> 01:19:32,960
Speaker 3: saying so far the first season set up all this ship.

1860
01:19:33,040 --> 01:19:34,320
Speaker 3: The first three, the first three.

1861
01:19:34,200 --> 01:19:37,320
Speaker 1: Seasons of Snowfall. It is three seasons, right, Snowfall think right?

1862
01:19:37,600 --> 01:19:39,800
Speaker 1: I think so. I think it's three seasons. The first

1863
01:19:39,840 --> 01:19:42,479
Speaker 1: three seasons of Snowfall is better than the first three

1864
01:19:42,479 --> 01:19:47,519
Speaker 1: seasons of the Wire. That's okay, then we'll have that talk.

1865
01:19:47,560 --> 01:19:49,600
Speaker 1: But as of right now, the first three comparison.

1866
01:19:50,040 --> 01:19:52,680
Speaker 3: But yeah, the season three is Snowfall is better than

1867
01:19:52,680 --> 01:19:55,840
Speaker 3: the season three the why okay not? I only think

1868
01:19:55,840 --> 01:20:01,280
Speaker 3: it's even close, okay? Or season one okay, snow Falls

1869
01:20:01,280 --> 01:20:03,280
Speaker 3: four okay, so the first four and it's not better

1870
01:20:03,320 --> 01:20:04,040
Speaker 3: than season four.

1871
01:20:04,040 --> 01:20:04,920
Speaker 1: Otherwise, yes it is.

1872
01:20:07,160 --> 01:20:07,880
Speaker 3: We ain't got to do that.

1873
01:20:08,080 --> 01:20:12,200
Speaker 1: But I being meth though, I like what I like

1874
01:20:12,280 --> 01:20:14,920
Speaker 1: where the show is going because it you know, when

1875
01:20:14,920 --> 01:20:17,720
Speaker 1: we first heard the BMF series was coming out. We

1876
01:20:17,880 --> 01:20:20,120
Speaker 1: kind of loosely, you know, knew what it was going

1877
01:20:20,160 --> 01:20:22,640
Speaker 1: to be about. But I think that even if this

1878
01:20:22,920 --> 01:20:26,360
Speaker 1: was not about being meth or loosely based on you know,

1879
01:20:26,800 --> 01:20:31,960
Speaker 1: meach and and and Terry, this would be a great show.

1880
01:20:32,200 --> 01:20:33,560
Speaker 1: Yeah you know what I mean. Like, even if this

1881
01:20:33,720 --> 01:20:38,760
Speaker 1: wasn't like, uh somewhat true story, it would still be

1882
01:20:38,840 --> 01:20:41,200
Speaker 1: one of my my new favorite shows on television.

1883
01:20:41,240 --> 01:20:43,320
Speaker 3: That's why the BMF ship was still crazy, because it's like,

1884
01:20:43,360 --> 01:20:44,479
Speaker 3: there's no way this is true.

1885
01:20:44,360 --> 01:20:47,439
Speaker 1: Really exactly, but it's true, but it happened.

1886
01:20:48,800 --> 01:20:51,439
Speaker 3: I think with these shows, I'm starting to figure out, Carl,

1887
01:20:51,479 --> 01:20:55,120
Speaker 3: what lens do they use with these because I'm starting

1888
01:20:55,160 --> 01:20:57,519
Speaker 3: to realize why we love like, why we like shows

1889
01:20:57,680 --> 01:21:01,280
Speaker 3: the way he realized, Like when everyone was killing when

1890
01:21:01,320 --> 01:21:03,840
Speaker 3: Boozy said he was gonna put out a movie about

1891
01:21:03,840 --> 01:21:05,120
Speaker 3: his life, and I don't want to get into none

1892
01:21:05,160 --> 01:21:07,840
Speaker 3: of that little nas Actually, I think Boosy's super corny

1893
01:21:07,880 --> 01:21:09,559
Speaker 3: for that shit. I just want to talk about his movie.

1894
01:21:10,760 --> 01:21:13,200
Speaker 3: When that trailer came out and it was shot with

1895
01:21:13,360 --> 01:21:15,680
Speaker 3: that same type of lens they used for Snowfall they

1896
01:21:15,760 --> 01:21:18,960
Speaker 3: use for BMF. When you use that lens everyone goes, oh,

1897
01:21:19,040 --> 01:21:21,680
Speaker 3: this is legit. That's all it is, like when they

1898
01:21:21,800 --> 01:21:24,120
Speaker 3: did the Tupac movie All Eyes on Me that they

1899
01:21:24,160 --> 01:21:25,519
Speaker 3: should it on, which actually, don't think it is that

1900
01:21:25,560 --> 01:21:27,599
Speaker 3: bad at a movie. It wasn't. It's really not that bad.

1901
01:21:27,720 --> 01:21:28,080
Speaker 1: It wasn't.

1902
01:21:28,240 --> 01:21:30,640
Speaker 3: They just shot it with the lens that looks like

1903
01:21:30,800 --> 01:21:33,120
Speaker 3: right now. If they would have shot the ship with

1904
01:21:33,200 --> 01:21:35,840
Speaker 3: the lens that looks like the Boosy movie It's a

1905
01:21:35,880 --> 01:21:38,559
Speaker 3: snowfall fall, All Eyes on Me would have been a classic.

1906
01:21:39,200 --> 01:21:40,880
Speaker 3: It's yo, it's the lens they shoot shit in, I

1907
01:21:40,960 --> 01:21:41,400
Speaker 3: promise you.

1908
01:21:41,479 --> 01:21:42,519
Speaker 2: And you know what it is.

1909
01:21:42,680 --> 01:21:44,599
Speaker 1: Let me tell you why social media is full of shit,

1910
01:21:44,600 --> 01:21:47,599
Speaker 1: because I remember before I saw the Tupac movie, they

1911
01:21:47,720 --> 01:21:49,080
Speaker 1: was like I was reading a lot of things, a

1912
01:21:49,120 --> 01:21:50,880
Speaker 1: lot of it, like yo, in one scene he was

1913
01:21:50,960 --> 01:21:53,559
Speaker 1: using an iPhone.

1914
01:21:53,280 --> 01:21:55,200
Speaker 3: And I was like, no, way, no, they into that.

1915
01:21:55,640 --> 01:21:57,160
Speaker 1: But I'm just trying to tell you what the Internet

1916
01:21:57,439 --> 01:21:59,960
Speaker 1: had me believing, because they was like, yo, it's a Starbucks.

1917
01:22:00,040 --> 01:22:01,679
Speaker 1: It was a Starbucks cup in one of the scenes

1918
01:22:01,760 --> 01:22:03,200
Speaker 1: or something like that they were saying, and I was like, nah,

1919
01:22:03,240 --> 01:22:04,120
Speaker 1: they didn't fumble like that.

1920
01:22:04,400 --> 01:22:07,599
Speaker 3: Well, listen the TLC movie, which I loved h they

1921
01:22:08,040 --> 01:22:11,760
Speaker 3: had so raq all in the bar in ninety two.

1922
01:22:12,520 --> 01:22:15,000
Speaker 3: Sarak might have been around in ninety two. I think no, seriously,

1923
01:22:15,080 --> 01:22:16,880
Speaker 3: I think puff just no, that was already a p

1924
01:22:17,400 --> 01:22:20,960
Speaker 3: I know. But yeah, Doug did not nobody rock by

1925
01:22:21,000 --> 01:22:23,760
Speaker 3: the caseload at the bar, at the show.

1926
01:22:23,880 --> 01:22:25,519
Speaker 1: So ROC was a brand in ninety two, I'm sure,

1927
01:22:25,600 --> 01:22:27,200
Speaker 1: But no, it wasn't a part of our culture.

1928
01:22:27,560 --> 01:22:28,960
Speaker 3: Just be the lens if you just shoot it. And

1929
01:22:29,000 --> 01:22:30,639
Speaker 3: I think fifty has figured that out because he did.

1930
01:22:31,080 --> 01:22:34,360
Speaker 3: He's doing why my blanking. I love the show, the

1931
01:22:34,520 --> 01:22:38,240
Speaker 3: show about Oh the dude that's locked up, No, his

1932
01:22:38,320 --> 01:22:42,519
Speaker 3: ship of the Power Power Book. Oh yeah Caine. Shit,

1933
01:22:42,640 --> 01:22:46,280
Speaker 3: he's shooting with the same lens. It just for some reason.

1934
01:22:46,360 --> 01:22:48,600
Speaker 3: It's like when those instagrams filters came out of and

1935
01:22:48,680 --> 01:22:51,679
Speaker 3: we always like, oh, nineteen seventy seven is our filter,

1936
01:22:52,320 --> 01:22:54,240
Speaker 3: Like that's what whatever lens that is right now with

1937
01:22:54,320 --> 01:22:56,599
Speaker 3: these types of shows, as long as you use that ship, yeah,

1938
01:22:57,000 --> 01:22:58,960
Speaker 3: everyone will think this shit is legit. Yeah.

1939
01:22:59,720 --> 01:23:01,760
Speaker 1: I'm really loving the BMF thing, man. I like where

1940
01:23:01,760 --> 01:23:03,919
Speaker 1: it's going. I see what fifty is doing and investing

1941
01:23:03,960 --> 01:23:06,519
Speaker 1: in these stories from our culture and putting them on

1942
01:23:06,880 --> 01:23:09,040
Speaker 1: on the screen. I really like it. I really, I

1943
01:23:09,120 --> 01:23:11,320
Speaker 1: really like shout out the fifty man. He's he doesn't

1944
01:23:11,320 --> 01:23:14,120
Speaker 1: get the props I think he deserves as far as

1945
01:23:14,200 --> 01:23:17,599
Speaker 1: like really breaking down that uh that door for our

1946
01:23:17,680 --> 01:23:20,000
Speaker 1: stories and our culture to be put on put on

1947
01:23:20,080 --> 01:23:21,760
Speaker 1: the screen. So shout out to fifty man because that

1948
01:23:21,840 --> 01:23:23,559
Speaker 1: bing Math shit is a really really good series.

1949
01:23:24,120 --> 01:23:26,280
Speaker 3: Yeah, we don't we don't celebrate longevity enough. And I

1950
01:23:26,400 --> 01:23:29,440
Speaker 3: know I'm a broken record in that, but Fifty's longevity

1951
01:23:30,600 --> 01:23:31,560
Speaker 3: this is crazy.

1952
01:23:31,960 --> 01:23:35,400
Speaker 1: Especially being pivoting away from just music and rap, like

1953
01:23:35,560 --> 01:23:38,160
Speaker 1: he's fifty is really doing. He's doing, he's doing, He's

1954
01:23:38,200 --> 01:23:42,439
Speaker 1: doing this thing man. And the uh the actress forgot

1955
01:23:42,439 --> 01:23:44,160
Speaker 1: her name. I didn't realize she is the director of

1956
01:23:44,280 --> 01:23:49,439
Speaker 1: Being Meth, which one named Tasha Tasha Smith. She's actually

1957
01:23:49,960 --> 01:23:51,439
Speaker 1: I love her as an actress, Like I didn't even

1958
01:23:51,479 --> 01:23:54,240
Speaker 1: realize that that was her directly, So that that made

1959
01:23:54,280 --> 01:23:56,240
Speaker 1: me love bingf even more. Like, oh, she's getting behind

1960
01:23:56,280 --> 01:23:58,599
Speaker 1: the lens now, like that is just it's dope, man,

1961
01:23:58,600 --> 01:24:00,880
Speaker 1: it's dope to see in the last episode of BMF

1962
01:24:01,040 --> 01:24:03,880
Speaker 1: is it got crazy. Yeah, Like I see where they're

1963
01:24:03,880 --> 01:24:06,519
Speaker 1: going now, Like this story is like a right man,

1964
01:24:06,640 --> 01:24:08,240
Speaker 1: what the fuck is happening right now?

1965
01:24:08,920 --> 01:24:12,800
Speaker 3: I mean, but if you think about BMF, I was young,

1966
01:24:13,000 --> 01:24:18,160
Speaker 3: when I was, I was twelve thirteen, maybe the fact

1967
01:24:18,200 --> 01:24:23,160
Speaker 3: that y'all got a billboard and I'm watching the show

1968
01:24:23,240 --> 01:24:24,680
Speaker 3: of what because I didn't know what they was really doing.

1969
01:24:26,080 --> 01:24:27,040
Speaker 3: Y'all got a billboard?

1970
01:24:27,280 --> 01:24:31,680
Speaker 1: Yeah, yeah, it was. It was a real thing. It

1971
01:24:31,800 --> 01:24:33,720
Speaker 1: was a real thing, man. It was a real time.

1972
01:24:33,840 --> 01:24:34,719
Speaker 3: That's fucking nuts.

1973
01:24:34,800 --> 01:24:36,400
Speaker 1: It was a real time. It was a real thing.

1974
01:24:36,479 --> 01:24:37,200
Speaker 1: It was a real time.

1975
01:24:37,280 --> 01:24:37,439
Speaker 3: Man.

1976
01:24:37,720 --> 01:24:39,360
Speaker 1: It's just dope to see it like now, you know,

1977
01:24:39,880 --> 01:24:43,280
Speaker 1: on the screen and people everybody being able to watch

1978
01:24:43,360 --> 01:24:46,599
Speaker 1: that story and really learn about, you know, loosely learn

1979
01:24:46,640 --> 01:24:49,040
Speaker 1: about what was really going on back then. So she

1980
01:24:49,080 --> 01:24:50,960
Speaker 1: had shout out to fifty, shout out to Tashah Smith,

1981
01:24:51,800 --> 01:24:56,080
Speaker 1: shout out to BMF series on Stars, I went for

1982
01:24:56,600 --> 01:24:57,680
Speaker 1: what is pe Valley coming back?

1983
01:24:58,040 --> 01:24:59,439
Speaker 3: Soom? I like that P Valley?

1984
01:24:59,439 --> 01:25:01,559
Speaker 1: Shit, what that's my ship? I thought that P Valley

1985
01:25:01,560 --> 01:25:02,639
Speaker 1: ship was super dope.

1986
01:25:02,640 --> 01:25:06,080
Speaker 3: I was at the edge of my couch. Yeah what

1987
01:25:07,160 --> 01:25:09,320
Speaker 3: am I Crooked letters? Crooked letter?

1988
01:25:09,600 --> 01:25:09,800
Speaker 1: He got?

1989
01:25:10,280 --> 01:25:11,280
Speaker 3: I P Crooked Letter?

1990
01:25:11,600 --> 01:25:13,360
Speaker 1: You got? That's a really good show.

1991
01:25:13,400 --> 01:25:14,960
Speaker 3: I followed her on I G and she didn't followed

1992
01:25:14,960 --> 01:25:16,000
Speaker 3: me back, and I kind of felt the way.

1993
01:25:16,800 --> 01:25:21,280
Speaker 1: Oh okay, yeah, I follow it to what's her name? Shannon? Shannon?

1994
01:25:21,479 --> 01:25:23,080
Speaker 3: I followed her because she didn't fllow you back.

1995
01:25:23,160 --> 01:25:27,719
Speaker 1: Yeah, you unfollowed her. May No, you can't do that, Rory,

1996
01:25:28,240 --> 01:25:29,320
Speaker 1: you can't unfollow.

1997
01:25:29,439 --> 01:25:31,800
Speaker 3: I want to say that I appreciated her art, but

1998
01:25:31,960 --> 01:25:35,519
Speaker 3: you unfollowed. I know because I gave it some time. Okay,

1999
01:25:35,560 --> 01:25:36,479
Speaker 3: I even threw a couple.

2000
01:25:36,280 --> 01:25:39,000
Speaker 1: Of likes out there. Oh no, yeah, it's money bags everywhere.

2001
01:25:40,400 --> 01:25:42,120
Speaker 3: I appreciate her art. I think she's a great acts.

2002
01:25:42,160 --> 01:25:45,160
Speaker 1: I think she's fire phenomenal, and I think she's an

2003
01:25:45,200 --> 01:25:48,080
Speaker 1: astracted woman. Absolutely agree, And I love that, like I

2004
01:25:48,120 --> 01:25:50,439
Speaker 1: would go to the pink and throw some some some Yeah.

2005
01:25:50,720 --> 01:25:53,760
Speaker 3: I love that she has put together what was the

2006
01:25:53,800 --> 01:25:57,559
Speaker 3: rapper's name in Pa Valley? The gay do little murder? Who?

2007
01:25:58,200 --> 01:26:00,639
Speaker 3: Little murder asked some fire? Like? I love that she's

2008
01:26:00,680 --> 01:26:02,599
Speaker 3: kind of like his manager and putting his his brand,

2009
01:26:02,640 --> 01:26:05,280
Speaker 3: lifestyle and still taking care of your kid.

2010
01:26:05,600 --> 01:26:07,680
Speaker 1: See that's like you see how she started posing with

2011
01:26:07,760 --> 01:26:09,600
Speaker 1: him and his Instagram start. Maybe that's what why they

2012
01:26:09,680 --> 01:26:10,280
Speaker 1: need and ship.

2013
01:26:10,320 --> 01:26:13,120
Speaker 3: Her baby father is a toxic white guy who's the

2014
01:26:13,160 --> 01:26:16,400
Speaker 3: perfect next step you me, Yeah, because women always go

2015
01:26:17,040 --> 01:26:18,840
Speaker 3: with the same guy, even say they're done, and they

2016
01:26:18,920 --> 01:26:20,680
Speaker 3: just move on to another one. Same guy, same guy,

2017
01:26:20,720 --> 01:26:21,639
Speaker 3: he just looks a little different.

2018
01:26:21,720 --> 01:26:24,000
Speaker 1: Me and him would get along great, we like the

2019
01:26:24,040 --> 01:26:24,479
Speaker 1: same things.

2020
01:26:24,960 --> 01:26:27,040
Speaker 3: What did you tolerate? Let me figure this out.

2021
01:26:29,080 --> 01:26:29,800
Speaker 1: That's your new dude.

2022
01:26:29,960 --> 01:26:33,519
Speaker 3: Great, God, we're the same like I know him, We

2023
01:26:33,640 --> 01:26:35,920
Speaker 3: bet Eskimo brothers. Matter of fact, I look to him

2024
01:26:35,920 --> 01:26:36,400
Speaker 3: to figure out what.

2025
01:26:36,760 --> 01:26:38,280
Speaker 1: Oh my god, I love women.

2026
01:26:39,560 --> 01:26:41,920
Speaker 3: No p valleys fucking a really really good show. I'm

2027
01:26:41,920 --> 01:26:44,600
Speaker 3: excited for that. Yeah, but uh, what do we have

2028
01:26:44,680 --> 01:26:49,080
Speaker 3: with Tom in Secures back? Yes, that's another one. HU

2029
01:26:50,360 --> 01:26:50,680
Speaker 3: move with my.

2030
01:26:50,680 --> 01:26:55,519
Speaker 1: Bad your Insecures back the last season? I love it, man,

2031
01:26:55,520 --> 01:26:57,800
Speaker 1: I'm just I'm I don't know. I know is gonna

2032
01:26:57,800 --> 01:27:00,160
Speaker 1: do something dope coming off of this, But to know

2033
01:27:00,280 --> 01:27:03,280
Speaker 1: that this is the last of Insecures, Like, damn, man,

2034
01:27:03,320 --> 01:27:05,360
Speaker 1: because it's really it's really dope to see all of

2035
01:27:05,400 --> 01:27:10,400
Speaker 1: the relationships and the actors you know, grow and end

2036
01:27:10,520 --> 01:27:12,519
Speaker 1: up where they are now, and it's just like, damn,

2037
01:27:12,520 --> 01:27:12,880
Speaker 1: it's over.

2038
01:27:13,000 --> 01:27:13,320
Speaker 3: This is it.

2039
01:27:13,880 --> 01:27:16,479
Speaker 1: But I'm sure is gonna, you know, do some phenomenal

2040
01:27:16,520 --> 01:27:18,960
Speaker 1: things in Hollywood that she's already done with the Insecure series,

2041
01:27:19,400 --> 01:27:20,800
Speaker 1: So it's gonna be dope to see where she goes

2042
01:27:20,800 --> 01:27:21,080
Speaker 1: from here.

2043
01:27:21,320 --> 01:27:24,400
Speaker 3: I had my whole mentions was flooded when Amanda Diva

2044
01:27:24,560 --> 01:27:30,479
Speaker 3: I'm sorry, had the AKA jacking on and she's not

2045
01:27:30,520 --> 01:27:32,719
Speaker 3: ak no and that was that was the big.

2046
01:27:33,040 --> 01:27:34,880
Speaker 1: But she can't get AKA? What am I talking about?

2047
01:27:35,760 --> 01:27:37,120
Speaker 3: Why couldn't she be? Is that?

2048
01:27:37,240 --> 01:27:38,879
Speaker 1: Wait? So what's the what's the fraternity?

2049
01:27:39,439 --> 01:27:42,400
Speaker 3: Like? What's the AKA is Aurority? Alpha Kappa Alpha sorority

2050
01:27:42,439 --> 01:27:42,839
Speaker 3: in corporated?

2051
01:27:43,040 --> 01:27:43,799
Speaker 1: What's the fraternity?

2052
01:27:43,880 --> 01:27:43,920
Speaker 2: Like?

2053
01:27:43,960 --> 01:27:47,719
Speaker 3: What there's the divine not it's it's nine different organizations

2054
01:27:47,760 --> 01:27:50,080
Speaker 3: of fraternities. And historically.

2055
01:27:51,439 --> 01:27:53,280
Speaker 1: It's like red and white, right shat colors?

2056
01:27:54,320 --> 01:27:57,360
Speaker 3: Well, crimson and cream. But if you want to say

2057
01:27:57,360 --> 01:27:59,600
Speaker 3: red and white, that's okay, Crimson and cream. I mean,

2058
01:27:59,600 --> 01:28:01,280
Speaker 3: if you want to go that way, it's it's you know,

2059
01:28:01,400 --> 01:28:02,080
Speaker 3: none of my business.

2060
01:28:02,560 --> 01:28:06,040
Speaker 1: So that so crimson is the is a cousin of red. Yes,

2061
01:28:06,160 --> 01:28:09,920
Speaker 1: it's a darker room, you know it's in there. And

2062
01:28:10,000 --> 01:28:13,519
Speaker 1: cream is my natural complexion white and I have red hair,

2063
01:28:13,640 --> 01:28:16,200
Speaker 1: got you, okay? Crimsoning my body is crimson cream?

2064
01:28:16,240 --> 01:28:23,360
Speaker 3: Okay, okay, whatever, But akah Is was the you're Kappa Kapa? Yes,

2065
01:28:23,520 --> 01:28:28,599
Speaker 3: so Aka was the first. Blacks are already founded. Uh

2066
01:28:28,880 --> 01:28:31,639
Speaker 3: so she had on an Aka jacket in Insecure because

2067
01:28:31,680 --> 01:28:34,320
Speaker 3: in her character is an Aka in she's not.

2068
01:28:34,360 --> 01:28:35,000
Speaker 1: One in real life.

2069
01:28:35,120 --> 01:28:38,680
Speaker 3: No, okay, so everyone's upset if you're not, because you

2070
01:28:38,680 --> 01:28:41,040
Speaker 3: know people feel the way. Remember when the Boosy should happen. Yeah,

2071
01:28:41,040 --> 01:28:42,880
Speaker 3: everyone was upset Like Boosey, you can't wear them letters,

2072
01:28:43,000 --> 01:28:45,320
Speaker 3: which was drastically different because he wasn't playing a character.

2073
01:28:45,360 --> 01:28:46,640
Speaker 3: He was court side at a.

2074
01:28:46,640 --> 01:28:51,800
Speaker 1: Basketball Yeah, he's real life, got it? Yeah, I I guess.

2075
01:28:51,880 --> 01:28:52,240
Speaker 1: I don't know.

2076
01:28:52,600 --> 01:28:55,479
Speaker 3: Greeks might hate me for this. She's playing a character

2077
01:28:55,520 --> 01:28:58,920
Speaker 3: that's an Aka, and I guess's not my organization. But

2078
01:28:59,000 --> 01:29:02,240
Speaker 3: I can say if someone was playing a Kappa as

2079
01:29:02,320 --> 01:29:06,640
Speaker 3: an actor, you would have no issue with it, and

2080
01:29:06,760 --> 01:29:09,320
Speaker 3: it's not your playing. Now, if you were playing a

2081
01:29:09,520 --> 01:29:11,960
Speaker 3: really shitty Kappa and making us look nuts, then it

2082
01:29:12,040 --> 01:29:14,560
Speaker 3: might feel a way. She was not doing that. But

2083
01:29:15,640 --> 01:29:17,719
Speaker 3: I think the other issue is did you get permission

2084
01:29:17,720 --> 01:29:22,160
Speaker 3: from the organization that deep Of course it's incorporated, Okay,

2085
01:29:22,160 --> 01:29:24,599
Speaker 3: you have to get that shit cleared. So I don't

2086
01:29:24,600 --> 01:29:26,320
Speaker 3: know if if Insecure that wouldn't be in a Man

2087
01:29:26,400 --> 01:29:27,840
Speaker 3: of Seals thing. That would be an HBO thing if

2088
01:29:27,840 --> 01:29:29,160
Speaker 3: they got it cleared to not. It was a it

2089
01:29:29,200 --> 01:29:31,479
Speaker 3: was a big deal, you know, you know Greeks are

2090
01:29:31,520 --> 01:29:33,400
Speaker 3: sensitive and we think we ganggang.

2091
01:29:33,120 --> 01:29:35,840
Speaker 1: Very very sensitive with the Gyros are amazing. Is what

2092
01:29:35,960 --> 01:29:36,519
Speaker 1: I will say.

2093
01:29:40,040 --> 01:29:43,479
Speaker 3: Different type of no, it's no, no, it's just a.

2094
01:29:43,640 --> 01:29:45,600
Speaker 1: Giro king on forty Road is still open, survived the

2095
01:29:45,640 --> 01:29:46,479
Speaker 1: pandemic and everything.

2096
01:29:46,720 --> 01:29:48,880
Speaker 3: All of all of the Greek organizations weren't found in

2097
01:29:48,960 --> 01:29:55,599
Speaker 3: the Storia. I know we gotta should Should we announced

2098
01:29:55,600 --> 01:29:57,240
Speaker 3: what our next episode is or just just lead it?

2099
01:29:57,320 --> 01:29:59,400
Speaker 1: No, we'll just s they'll see it when it's time

2100
01:29:59,479 --> 01:30:02,840
Speaker 1: afford to up. Just know that you know, this is

2101
01:30:02,920 --> 01:30:07,120
Speaker 1: the start of a new journey, something really dope that

2102
01:30:07,200 --> 01:30:11,320
Speaker 1: we're looking forward to hit more sauced serious sexim Stitcher.

2103
01:30:12,840 --> 01:30:16,280
Speaker 1: Their tickets still available for la show. Maybe not by

2104
01:30:16,320 --> 01:30:17,000
Speaker 1: the time y'all hear this?

2105
01:30:17,200 --> 01:30:18,879
Speaker 3: But what is it? November fourteenth?

2106
01:30:19,000 --> 01:30:22,559
Speaker 1: November fourteenth at the Regent, Right the Regent, New York

2107
01:30:22,600 --> 01:30:23,479
Speaker 1: City is sold out.

2108
01:30:23,640 --> 01:30:25,320
Speaker 3: MA is gonna ask jay Z to be our guest.

2109
01:30:26,000 --> 01:30:29,479
Speaker 3: I'll ask He's not coming up, He's he's gonna be asked.

2110
01:30:29,520 --> 01:30:32,680
Speaker 1: I'll ask and he'll hang up. But we will have

2111
01:30:32,840 --> 01:30:37,400
Speaker 1: merch available at both shows only exclusively for people that

2112
01:30:37,560 --> 01:30:40,200
Speaker 1: are at the shows, and then we will be launching

2113
01:30:40,240 --> 01:30:43,360
Speaker 1: our merch on our website.

2114
01:30:43,840 --> 01:30:46,080
Speaker 3: Which I don't even know if we have. We're gonna

2115
01:30:46,080 --> 01:30:46,439
Speaker 3: figure it out.

2116
01:30:46,439 --> 01:30:48,040
Speaker 1: That Marris is building right now.

2117
01:30:49,280 --> 01:30:50,759
Speaker 3: Listen, man, we're trying to push it together.

2118
01:30:51,840 --> 01:30:53,680
Speaker 1: No, no, we got listen man, we got some really

2119
01:30:53,760 --> 01:30:54,880
Speaker 1: cool shit coming. Man, we do.

2120
01:30:54,960 --> 01:30:57,160
Speaker 3: People don love this merch, this merch castle thatver we

2121
01:30:57,160 --> 01:30:58,519
Speaker 3: gotta come. I think they're gonna love it. I know

2122
01:30:58,600 --> 01:31:00,360
Speaker 3: we were starting to, but it was for reason. We

2123
01:31:00,400 --> 01:31:01,960
Speaker 3: did a bunch of shit. We didn't take any vacation.

2124
01:31:02,600 --> 01:31:03,439
Speaker 3: It was actually more busy.

2125
01:31:03,479 --> 01:31:04,000
Speaker 1: I think it'll be.

2126
01:31:04,200 --> 01:31:07,040
Speaker 3: Yeah, you can text us. I'm now in my crib

2127
01:31:07,080 --> 01:31:09,960
Speaker 3: and I'm never gonna leave. So text us nine one seven, eight,

2128
01:31:10,040 --> 01:31:12,800
Speaker 3: one oh two two nine five, and I'll sit there

2129
01:31:12,840 --> 01:31:15,639
Speaker 3: and just reply. Because I mean, I really got ship

2130
01:31:15,720 --> 01:31:18,000
Speaker 3: else going on. So I told the marriage to bring

2131
01:31:18,040 --> 01:31:18,880
Speaker 3: the host to the house.

2132
01:31:19,320 --> 01:31:22,479
Speaker 1: Here we go, bring them. I got some singles.

2133
01:31:22,960 --> 01:31:24,920
Speaker 3: You you have these I don't have.

2134
01:31:26,200 --> 01:31:28,120
Speaker 1: You know, that's like a misconception about Maul that I

2135
01:31:28,200 --> 01:31:31,600
Speaker 1: really wanted to like bury, I don't have if to.

2136
01:31:31,720 --> 01:31:34,000
Speaker 1: All my friends do not ask me to bring them

2137
01:31:34,000 --> 01:31:36,559
Speaker 1: because I think guys think that what a new deal

2138
01:31:36,680 --> 01:31:40,519
Speaker 1: comes hose, which may be true, but not in the past.

2139
01:31:40,840 --> 01:31:43,840
Speaker 3: I wouldn't have gotten before when that announcement came out, Hey,

2140
01:31:43,840 --> 01:31:45,960
Speaker 3: look I m I DMN this girl that I did

2141
01:31:46,320 --> 01:31:47,040
Speaker 3: and my cricket letter.

2142
01:31:47,160 --> 01:31:50,040
Speaker 1: I DMN this girl that I dim idemed her A

2143
01:31:50,080 --> 01:31:51,599
Speaker 1: few times. We've had like a little back and forth,

2144
01:31:52,479 --> 01:31:56,160
Speaker 1: but I had DMed her about something and this was

2145
01:31:56,240 --> 01:31:59,840
Speaker 1: like the day after the deal was announced. She replied,

2146
01:31:59,880 --> 01:32:01,679
Speaker 1: she said, Oh, you're just making your rounds.

2147
01:32:01,760 --> 01:32:05,280
Speaker 3: Huh. I like, wait, I respect it, but that's funny.

2148
01:32:05,520 --> 01:32:07,920
Speaker 3: But I respect plenty of times before that.

2149
01:32:08,040 --> 01:32:10,720
Speaker 1: So I was like, don't do that. Yeah, no, she's no,

2150
01:32:10,800 --> 01:32:12,439
Speaker 1: she's hilarious. But I was just like, why are you

2151
01:32:12,960 --> 01:32:14,760
Speaker 1: don't make it seem like that I'm that guy, because

2152
01:32:14,760 --> 01:32:15,320
Speaker 1: I'm not that guy.

2153
01:32:15,479 --> 01:32:19,920
Speaker 3: The dms that I typically wouldn't have gotten since the announcement,

2154
01:32:20,280 --> 01:32:23,439
Speaker 3: there's been one factor. All of them girls have kids.

2155
01:32:24,880 --> 01:32:27,639
Speaker 3: I'm not saying what, I'm not applying anything.

2156
01:32:27,720 --> 01:32:28,840
Speaker 1: No, No, you don't imply.

2157
01:32:29,200 --> 01:32:31,240
Speaker 3: I just kind of connected the dots of all the

2158
01:32:31,320 --> 01:32:35,840
Speaker 3: dms that I typically wouldn't get went to pages all y'all.

2159
01:32:35,720 --> 01:32:37,320
Speaker 1: Got claim them.

2160
01:32:38,560 --> 01:32:39,040
Speaker 3: Not mad at it?

2161
01:32:39,080 --> 01:32:41,280
Speaker 1: You know what I'm saying. Listen, now's the time.

2162
01:32:41,680 --> 01:32:44,160
Speaker 3: Oh when when Damarus asked for more money. In my head,

2163
01:32:44,200 --> 01:32:44,920
Speaker 3: I was like, I'm claiming you.

2164
01:32:45,040 --> 01:32:52,760
Speaker 1: My TX Oh man, I love it. I love it.

2165
01:32:52,880 --> 01:32:54,559
Speaker 3: They all hit us over there and and say, yo,

2166
01:32:54,640 --> 01:32:56,519
Speaker 3: give me give me fifteen bands a month.

2167
01:32:56,800 --> 01:32:58,439
Speaker 1: Yeah, I didn't got a fresh cut today. How much

2168
01:32:58,479 --> 01:32:58,840
Speaker 1: that costs?

2169
01:32:58,880 --> 01:32:59,000
Speaker 3: Man?

2170
01:32:59,000 --> 01:33:02,360
Speaker 1: I'm watching you. Yeah, man, we got.

2171
01:33:02,600 --> 01:33:04,479
Speaker 3: More jobs than all of us asking for more money.

2172
01:33:05,920 --> 01:33:08,400
Speaker 1: That's hilarious. But here we got some dope shit coming in,

2173
01:33:08,560 --> 01:33:11,559
Speaker 1: some more content on the Way Live shows November eleventh,

2174
01:33:11,680 --> 01:33:15,360
Speaker 1: New York City, November fourteenth, LA look for us on

2175
01:33:15,479 --> 01:33:17,960
Speaker 1: Alexis Texas podcast. I'm excited.

2176
01:33:18,000 --> 01:33:18,879
Speaker 3: That was a really good conversation.

2177
01:33:18,960 --> 01:33:23,040
Speaker 1: She's out Alexis Texas. Is you never you have this

2178
01:33:23,520 --> 01:33:29,840
Speaker 1: misconception about people, misperception about people because she's a porn star,

2179
01:33:31,800 --> 01:33:37,320
Speaker 1: but she just her personality, like I think she's she's

2180
01:33:37,360 --> 01:33:40,160
Speaker 1: a she's a star being a porn star. She's a star.

2181
01:33:40,240 --> 01:33:43,280
Speaker 1: I think her personality, her podcast is super dope. So

2182
01:33:43,360 --> 01:33:45,559
Speaker 1: we sat down with her in LA kicked it with her.

2183
01:33:46,280 --> 01:33:47,880
Speaker 1: She'll be putting that episode house, and I think that

2184
01:33:48,000 --> 01:33:49,799
Speaker 1: was pretty dope. It was one of my favorite conversations.

2185
01:33:50,600 --> 01:33:53,680
Speaker 3: So yeah, man, I just hope because she was so

2186
01:33:53,840 --> 01:33:56,320
Speaker 3: cool and it was such a good conversation and she's

2187
01:33:56,439 --> 01:34:00,920
Speaker 3: just like that really cool and chick in my head.

2188
01:34:01,000 --> 01:34:03,960
Speaker 3: I hope none of my porn algorithms have her come

2189
01:34:04,040 --> 01:34:07,080
Speaker 3: up because I'd feel weird. Yeah, I'd feel really odd.

2190
01:34:07,320 --> 01:34:10,840
Speaker 3: That's how cool that conversation was. Yeah, get away. I

2191
01:34:10,880 --> 01:34:13,200
Speaker 3: can't even watch her porn scenes anymore because it's kind

2192
01:34:13,200 --> 01:34:16,080
Speaker 3: of like I never I never did, so, Yeah, Alexis,

2193
01:34:16,120 --> 01:34:19,680
Speaker 3: she's a fucking She was like the first, like from

2194
01:34:19,760 --> 01:34:24,080
Speaker 3: what I remember in my era of uh journey of masterbating.

2195
01:34:24,200 --> 01:34:28,439
Speaker 3: Of course, she was the first like white girl porn

2196
01:34:28,520 --> 01:34:32,040
Speaker 3: star that was like really curvy, yeah, a big butt.

2197
01:34:32,720 --> 01:34:34,720
Speaker 3: She was the first one from what I remember, like

2198
01:34:34,840 --> 01:34:37,280
Speaker 3: that's when I got introduced with personality.

2199
01:34:37,320 --> 01:34:39,960
Speaker 1: Man. No, she's super dope, super super cool. Uh, that

2200
01:34:40,080 --> 01:34:43,679
Speaker 1: conversation was real fun. So she'll be putting that out soon.

2201
01:34:43,920 --> 01:34:46,080
Speaker 1: And yeah, we got more people that we gotta sit

2202
01:34:46,160 --> 01:34:48,400
Speaker 1: down and kick it with fly out and shoot some

2203
01:34:48,560 --> 01:34:49,040
Speaker 1: content with.

2204
01:34:49,560 --> 01:34:51,880
Speaker 3: Yeah, I'm excited I'm very excited, and we'll just have

2205
01:34:52,000 --> 01:34:54,840
Speaker 3: some random rotating I guess just.

2206
01:34:55,080 --> 01:34:57,680
Speaker 1: People people coming by fucking with us for sure. So

2207
01:34:58,720 --> 01:34:59,720
Speaker 1: all right, man, I'm good.

2208
01:35:00,800 --> 01:35:05,680
Speaker 3: See y'all on Friday. Cool and YouTube will be available

2209
01:35:06,040 --> 01:35:09,759
Speaker 3: on Wednesdays and Saturdays. Other than that, demarriage, there anything

2210
01:35:09,760 --> 01:35:10,400
Speaker 3: else we need to cover.

2211
01:35:12,160 --> 01:35:13,920
Speaker 1: That's it got a cover d because I don't want

2212
01:35:13,920 --> 01:35:16,160
Speaker 1: you hitting the text talking about y'all forgot this?

2213
01:35:17,439 --> 01:35:17,800
Speaker 3: All right?

2214
01:35:17,920 --> 01:35:18,920
Speaker 1: Cool, we got everything done?

2215
01:35:18,960 --> 01:35:19,280
Speaker 3: All right.

2216
01:35:21,160 --> 01:35:27,439
Speaker 1: Well that's the red headed beard fellow. I'm all have

2217
01:35:27,520 --> 01:35:30,920
Speaker 1: a name. Is the hair in your head red too? Yes?

2218
01:35:31,880 --> 01:35:34,360
Speaker 3: Well, it depends the season. In the summertime, it gets

2219
01:35:34,360 --> 01:35:38,320
Speaker 3: a little blonde, it gets darker in the winter. I'm weird, man,

2220
01:35:38,680 --> 01:35:40,639
Speaker 3: I don't know. I'm really like a gene.

2221
01:35:40,760 --> 01:35:42,479
Speaker 1: This is your time to shine. Fall is your time

2222
01:35:43,000 --> 01:35:44,280
Speaker 1: when you throw the beanie on them with just the

2223
01:35:44,360 --> 01:35:44,720
Speaker 1: red beard.

2224
01:35:44,800 --> 01:35:47,760
Speaker 3: No, no, I'm very much earth tones. Yeah, right in

2225
01:35:49,080 --> 01:35:51,479
Speaker 3: and go next to a tree in the fall and

2226
01:35:51,600 --> 01:35:54,439
Speaker 3: there you are, yeah, wearing green and my hair is

2227
01:35:54,479 --> 01:35:55,519
Speaker 3: red and I'm dying.

2228
01:35:58,800 --> 01:36:00,000
Speaker 1: All right, man, we'll catch.

2229
01:35:59,840 --> 01:36:01,800
Speaker 3: On next up. Yo. That was funny to me, you know,

2230
01:36:01,920 --> 01:36:02,479
Speaker 3: that was funny.

2231
01:36:02,760 --> 01:36:05,680
Speaker 1: Funny. Gut Rory y'all be cool until the next time.

2232
01:36:05,720 --> 01:36:06,960
Speaker 3: In peace, peace depression,