WEBVTT - #431 - Mez

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<v Speaker 1>Yo, yo, this is mess. Check me out on the

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<v Speaker 1>Bootleg CAF podcast Boutleg CAF Podcast, Best special guest in here.

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<v Speaker 1>He's got a new EP coming very soon April nineteenth,

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<v Speaker 1>on my birthday, Friday Friday.

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<v Speaker 2>The loading EP.

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<v Speaker 1>The loading EP.

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<v Speaker 2>My god, So what does that mean? Does that mean

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<v Speaker 2>that the album is loading?

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<v Speaker 1>The album is still loading. It's a continuation.

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<v Speaker 2>So this is the loading screen, this this project. Yeah, Bro,

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<v Speaker 2>just when you played the PlayStation one screen.

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<v Speaker 1>Well, yeah, what you know about PlayStation one?

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<v Speaker 2>Bro, I'm thirty seven years old.

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<v Speaker 1>I'm just saying everything. I'm a big PlayStation I'm a

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<v Speaker 1>PlayStation ahead. Bro.

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<v Speaker 2>I know, bro, that was the system. I mean, look,

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<v Speaker 2>my first system was a Metal Gear Grants. Metal Gear

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<v Speaker 2>is my favorite game ever.

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<v Speaker 1>You know, Metal Give is my favorite game ever. No way,

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<v Speaker 1>Metal Gives game ever.

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<v Speaker 2>Yes, Bro, When I was a little kid playing Metal

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<v Speaker 2>Gear and I had to fight Psychomantis.

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<v Speaker 1>Bro, and you gotta unplugged report put in the other

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<v Speaker 1>porty Okay, you wanted to want to know?

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<v Speaker 2>That was the craziest mind blowing thing you ever had

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<v Speaker 2>to do to beat some Yo.

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<v Speaker 1>Listen, I've actually brought that moment up a lot when

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<v Speaker 1>I talk to people about like art and creativity and

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<v Speaker 1>ship and I'm like, yo, one of the most creative

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<v Speaker 1>things I've ever seen.

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<v Speaker 2>Was because how could you figure that out?

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<v Speaker 1>Yo? Figured it out is one thing. How could you

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<v Speaker 1>make that up? That's a different thing. But like, imagine

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<v Speaker 1>that's how.

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<v Speaker 2>I'm at home with no Internet, like how do you

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<v Speaker 2>beat this crazy guy?

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<v Speaker 1>That's how I'm seeing as an artist, as a creative,

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<v Speaker 1>you know what I mean? Like I look at Dao

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<v Speaker 1>in the way he move and think, I'm like, yo,

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<v Speaker 1>like like how do you think to do that? You

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<v Speaker 1>know what I mean?

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<v Speaker 2>I love you know, I love that part of the

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<v Speaker 2>Metal gear Head as I am. I only played the

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<v Speaker 2>first two, Oh bro, so I never played you have

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<v Speaker 2>to play. I was gonna say that's the one that

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<v Speaker 2>you never played Snake Eater. I just got to the

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<v Speaker 2>point where I was just like, you gotta play Snakeator.

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<v Speaker 2>Time was like, but the first Metal Gear Solid is

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<v Speaker 2>my number one game.

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<v Speaker 1>It's incredible though, it's incredible. I think it's the best,

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<v Speaker 1>probably the best video game.

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<v Speaker 2>And it holds up still to this day.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, great quality, Yeah, shots and you're solid. So you're

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<v Speaker 2>like you're like specifically passionate about PlayStation games.

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<v Speaker 1>Yeah, big PlayStation head for sure. Yeah, never had like

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<v Speaker 1>a Dreamcast or nah. I mean you know what with

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<v Speaker 1>Nintendo now. Dreamcast to me was.

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<v Speaker 2>Like no, Dreamcast had some ship based I was like, nah,

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<v Speaker 2>you know what I liked about Dreamcast is when they

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<v Speaker 2>knew they were going out, everything was so cheap. So

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<v Speaker 2>you get a Dreamcast with all the games, Like the

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<v Speaker 2>games are like fucking a penny at some places. I had, uh,

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<v Speaker 2>Sega Saturn.

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<v Speaker 1>Sega Saturn was cool. I like, I like like, I

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<v Speaker 1>like the concept of it, bro. But yeah they did it.

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<v Speaker 1>They did everything better PlayStation for sure.

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<v Speaker 2>All Right, so uh you obviously were you just at

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<v Speaker 2>dream deal Fest?

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<v Speaker 1>I did, man, I did go. I attended, actually popped

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<v Speaker 1>out of my boy Loot said it was a challenging

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<v Speaker 1>of course, one of the best North Carolina. You already

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<v Speaker 1>know seven o four, so.

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<v Speaker 2>You had help, you would help. What did you contribute

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<v Speaker 2>to the new Cold might delete this later project?

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<v Speaker 1>I helped write the hook on the intro on on

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<v Speaker 1>Pricey Lennix's hook She's crazy, amazing, amazing, directed some videos

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<v Speaker 1>for her before too. She's She's a great. Shout out

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<v Speaker 1>to Ari.

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<v Speaker 2>Lenny super nice too, and like you running her in

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<v Speaker 2>public and you'd be like, you're here by yourself. Yo.

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<v Speaker 1>She showed up to the video I directed for her

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<v Speaker 1>the same way.

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<v Speaker 2>That's all right, some show and she was just in

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<v Speaker 2>the cut, just hanging out and I was like, M sorry,

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<v Speaker 2>seven eleven right here in North Hollywood, like you just

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<v Speaker 2>be rolling around like a normal person. She ain't already.

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<v Speaker 1>She cool? She the coolest. Yeah. Yeah, that's a great hook.

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<v Speaker 1>By the way, Thank you. Shout out to daveon Cole

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<v Speaker 1>right on that.

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<v Speaker 2>I got to ask you when when Cole apologized on stage,

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<v Speaker 2>that's your man's m did you know that was going

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<v Speaker 2>to happen? And I had to ask you about it?

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<v Speaker 2>You were there, Yeah, that's your guy. What were your

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<v Speaker 2>thoughts on the whole thing? Because I'm on the I'm

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<v Speaker 2>in the minority space where I actually respected it.

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<v Speaker 1>Yeah yeah, yeah, I mean to me, bro, any any

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<v Speaker 1>grown man that's going to just do what he feel

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<v Speaker 1>rather than what he's pressured into. I just I'm a

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<v Speaker 1>respected you know what I mean. It's just simple like that,

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<v Speaker 1>Like ninety percent of niggas in the world, like are

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<v Speaker 1>just doing things that people pressure them into. Grown ass

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<v Speaker 1>adults are pressured in to doing things, so I think

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<v Speaker 1>that's interesting. But yeah, you know, I respect him for

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<v Speaker 1>doing what he felt like.

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<v Speaker 2>You know, I would tell people like, man, like in

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<v Speaker 2>hip hop, we get so conditioned and like charged up

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<v Speaker 2>by people and not by but it doesn't always necessarily

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<v Speaker 2>have to be how you feel. But it's like the

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<v Speaker 2>people around you. The noise will get you charged up

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<v Speaker 2>and get you in a space that ain't even like

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<v Speaker 2>really where you are, you know what I'm saying. So

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<v Speaker 2>when he said that, I was like I was at

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<v Speaker 2>WrestleMania in the back of the Uber leaving Many. I

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<v Speaker 2>was like, oh shit. But I was like, Brian respected

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<v Speaker 2>because I feel like Kohle's been moving a certain way

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<v Speaker 2>for so long and you know, hey, man, like you

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<v Speaker 2>got to respect any man his self aware enough to

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<v Speaker 2>know like this energy for me is not like fuck

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<v Speaker 2>all this other shit like I'm trying to be.

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<v Speaker 1>I'm gonna go to sleep at night, you know what

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<v Speaker 1>I mean? You know, I mean Vince Stables had an

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<v Speaker 1>interesting perspective on it. I saw I think he called

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<v Speaker 1>in maybe the Joe Budden or something like that, and

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<v Speaker 1>he was just like, like, how we not talking about

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<v Speaker 1>music publishing. He write his hell like, I'm like, damn,

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<v Speaker 1>Like just people just get ried up over all these

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<v Speaker 1>different things that don't have shit to do with like

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<v Speaker 1>us having ownership over what we have or like right,

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<v Speaker 1>it's just so hilarious the thing. You know, obviously now

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<v Speaker 1>is it entertaining? Yes, obviously, of course this whole thing

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<v Speaker 1>is entertaining. That's that's the way that they work, you know.

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<v Speaker 1>I feel like controversy is like entertaining, you know what

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<v Speaker 1>I'm saying.

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<v Speaker 2>Yeah, I remember talking about Punch and I was like,

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<v Speaker 2>I saw Punch last last week, you know, two weeks ago.

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<v Speaker 2>I saw abut the iHeart of words. We're just shooting

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<v Speaker 2>the shit, yeah, And I was like, man, I know

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<v Speaker 2>Cole is going to be the one to respond, because

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<v Speaker 2>Cole is like a fucking gladiator, like he gets this shit.

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<v Speaker 2>But I was like, but damn, Dreamville Fest is next week,

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<v Speaker 2>and school Boy Q's on it and Sis, I'm like

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<v Speaker 2>everyone's friends, Like, like, I don't know if there's a

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<v Speaker 2>more tighter crew than like the dream Build TV crew

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<v Speaker 2>over the years, and like those two guys specifically have

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<v Speaker 2>always moved with like in a certain way that's never

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<v Speaker 2>been goofy. So I was like, I just hope whatever happens,

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<v Speaker 2>like they just come out on the other side of it,

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<v Speaker 2>like and everything's all good. So I'm glad to see

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<v Speaker 2>that that at the very least is probably going to

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<v Speaker 2>be the case. So but uh, for you, man, like,

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<v Speaker 2>what's it like? Because you obviously I remember you back

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<v Speaker 2>in the day popping up on like two Dope Boys,

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<v Speaker 2>and you were like pretty active in that. I would say,

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<v Speaker 2>with the latter end of the blog era, is that

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<v Speaker 2>fair to say? Y?

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<v Speaker 1>Yeah? Yeah, I was like watching it when I was

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<v Speaker 1>in school. I was like watching the blog era, you

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<v Speaker 1>know what I mean. It was like happening, you know,

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<v Speaker 1>around that time Cold put out, like the warm up

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<v Speaker 1>all this stuff. Like I was in school still, you

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<v Speaker 1>know what I mean. But it was cool though, because yeah,

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<v Speaker 1>like right, like you said, like right at the end

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<v Speaker 1>of it, like I started sending emails out trying to

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<v Speaker 1>like getting on Two Dope Boys and shout out to.

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<v Speaker 2>Shake Shake, and I just saw me at WrestleMania.

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<v Speaker 1>Yeah, yeah, yeah, yeah. Yeah. They put some of my

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<v Speaker 1>first like little projects online.

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<v Speaker 2>You know.

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<v Speaker 1>I did this EP with Crisis producer from North Carolina. Yeah,

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<v Speaker 1>we did this EP of The King's Crisis and that

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<v Speaker 1>joint was like it was like my first time on

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<v Speaker 1>the blog. So I was like, oh, this is hard.

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<v Speaker 1>You know, people wrote about it, talked about it.

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<v Speaker 2>And people understand like the blog shit was like they're

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<v Speaker 2>like real A and rs real. Yeah, motherfuckers, like they

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<v Speaker 2>had to fuck with your shit and if they posted

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<v Speaker 2>your ship it could like really change your life.

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<v Speaker 1>Yeah. Man, it was funny. I mean it's it's so

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<v Speaker 1>similar to like there's blogs now that exist. They just

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<v Speaker 1>have a different form, different name, you know what I mean.

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<v Speaker 1>A lot of it is just people find find a

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<v Speaker 1>way to get they taste to be a popular thing,

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<v Speaker 1>you know, find a way to do that. You could

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<v Speaker 1>sell pretty much anything. Yeah.

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<v Speaker 2>So obviously because I know you had like had that

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<v Speaker 2>run like making music and then you started to kind

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<v Speaker 2>of become more behind the scenes shooting videos. What was

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<v Speaker 2>the first kind of big video that you were able

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<v Speaker 2>to direct?

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<v Speaker 1>And I mean the first video director that all was

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<v Speaker 1>the Middle Child video for j Cole Okay, so that.

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<v Speaker 2>Was like more Ray I was like about four years ago.

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<v Speaker 2>Five years ago was that.

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<v Speaker 1>Yeah, Yeah, this was my first video project ever at all,

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<v Speaker 1>you know, like that I was like, oh, I'm in

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<v Speaker 1>charge of like the visuals.

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<v Speaker 2>Yeah, what was like, because if that's your first one

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<v Speaker 2>for Cold to trust you to do his video, you

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<v Speaker 2>know what I mean? Like, what was it about what

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<v Speaker 2>you were doing that made him comfortable you think to

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<v Speaker 2>let you take the reins.

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<v Speaker 1>Man you know what's funny man him like some other

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<v Speaker 1>people around me, but obviously with him it was like

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<v Speaker 1>a real big deal. Has seen in me a lot,

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<v Speaker 1>maybe even more than I even knew about myself creatively,

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<v Speaker 1>because I have ideas. I'm really good at describing the

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<v Speaker 1>idea that people are like a visual or the way

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<v Speaker 1>I see something, you know, like it's a storytelling talent

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<v Speaker 1>that probably came from music that started in writing songs.

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<v Speaker 1>But then the attention of detail with me just is

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<v Speaker 1>just so high and a lot of things like it

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<v Speaker 1>just made it easier for me to articulate what I

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<v Speaker 1>wanted to see. And I think that's probably how that's

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<v Speaker 1>I don't know. I just came to him with ideas.

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<v Speaker 1>I'd be like, yo, I want to shoot a video

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<v Speaker 1>idea for myself like this, or one day him I

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<v Speaker 1>told him about a movie idea I had. He was like, bro,

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<v Speaker 1>this is like a real like a good ass movie

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<v Speaker 1>idea or whatever, and eventually, you know, it turned into

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<v Speaker 1>I was at Dreamville camp, you know what I mean,

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<v Speaker 1>revengeal the Dreamers camp. Yeah, yeah, you know we put

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<v Speaker 1>the I did like I end up on like three

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<v Speaker 1>songs on there and then it so you're Grammy nominated,

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<v Speaker 1>Grammy nominated. Yes, yes, sir, you had a little bell out,

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<v Speaker 1>you know what I'm saying. Grammy dominated. Yeah, And so

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<v Speaker 1>him and T minus was like in the back and

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<v Speaker 1>it was working on Middle Child. I remember they was

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<v Speaker 1>going back and forth over the bpm like one bpm,

0:09:17.480 --> 0:09:20.000
<v Speaker 1>like arguing. They were not even arguing, just like debating

0:09:20.440 --> 0:09:22.640
<v Speaker 1>about the one bpm. And I remember sitting in the back.

0:09:22.720 --> 0:09:23.719
<v Speaker 1>He asked me what I thought. I was like, this

0:09:23.960 --> 0:09:26.400
<v Speaker 1>is hard and then called me like a week later, like, Yo,

0:09:26.720 --> 0:09:28.959
<v Speaker 1>what you think about writing the video idea? I was like,

0:09:28.960 --> 0:09:30.880
<v Speaker 1>you gotta let me direct it though if I write it,

0:09:30.920 --> 0:09:32.880
<v Speaker 1>And he was like, all right, next thing, you know,

0:09:33.200 --> 0:09:36.520
<v Speaker 1>half a million dollar video? Yeah? Crazy, Yeah, that's crazy.

0:09:37.320 --> 0:09:41.440
<v Speaker 2>Yo. Were you in the camp when like the Milwaukee

0:09:41.520 --> 0:09:43.079
<v Speaker 2>Bucks pulled up or Chris Bosh was there?

0:09:43.400 --> 0:09:45.520
<v Speaker 1>Yeah, yeah, yeah, I met Janni's for the first for

0:09:45.640 --> 0:09:47.559
<v Speaker 1>the only time really, like he was right behind me

0:09:47.640 --> 0:09:50.960
<v Speaker 1>getting macaroni and cheese in the line. Bro Yo, Revenge

0:09:51.040 --> 0:09:52.360
<v Speaker 1>camp was like crazy.

0:09:52.320 --> 0:09:54.559
<v Speaker 2>Well I heard Chris Bosh was playing beats and like

0:09:54.960 --> 0:09:59.160
<v Speaker 2>the bucks were just hanging and yeah, yeah, yeah that

0:09:59.280 --> 0:10:01.640
<v Speaker 2>had to be fucking wild, like you're just like working

0:10:01.679 --> 0:10:03.440
<v Speaker 2>on music. Then all of a sudden, Giannis.

0:10:03.240 --> 0:10:07.120
<v Speaker 1>Is it was crazy. Chris Bosh was tall as hell,

0:10:07.320 --> 0:10:09.920
<v Speaker 1>just walked in with the laptop unfolded. That bitch, like,

0:10:10.080 --> 0:10:11.600
<v Speaker 1>what's I got some heat? Yeah?

0:10:11.720 --> 0:10:13.719
<v Speaker 2>I was like, yeah, it's gotta be nice to be

0:10:13.800 --> 0:10:15.720
<v Speaker 2>Chris Bosh because like, no matter what, people gonna let

0:10:15.720 --> 0:10:18.079
<v Speaker 2>you play beats, you got to tell Chris Bosh No.

0:10:18.559 --> 0:10:20.600
<v Speaker 1>I mean I don't know, man, I think I don't

0:10:20.600 --> 0:10:23.520
<v Speaker 1>know people. How was his beat? I wasn't really like

0:10:23.679 --> 0:10:27.920
<v Speaker 1>in the room. Why he laughed, that's crazy, yo, My

0:10:28.080 --> 0:10:30.760
<v Speaker 1>man just started laughing. No, I wasn't in the room

0:10:30.840 --> 0:10:32.600
<v Speaker 1>really when who he was playing his beat?

0:10:32.720 --> 0:10:35.839
<v Speaker 2>Nah? What was your most like, uh, the most fun

0:10:35.920 --> 0:10:38.199
<v Speaker 2>memory about those sessions because we always hear so many

0:10:38.559 --> 0:10:41.520
<v Speaker 2>different versions of like how crazy they were, because I

0:10:41.559 --> 0:10:43.160
<v Speaker 2>think it was like a legendary that you people are

0:10:43.160 --> 0:10:44.120
<v Speaker 2>getting like these invites.

0:10:44.320 --> 0:10:47.520
<v Speaker 1>Yeah, and you'd have to fly out, and I mean

0:10:47.559 --> 0:10:49.240
<v Speaker 1>it was crazy, man, it was funny. It was like

0:10:49.520 --> 0:10:51.079
<v Speaker 1>at one point, at some point, I think maybe it

0:10:51.120 --> 0:10:53.319
<v Speaker 1>was Felting or Adam, one of them made the yellow

0:10:53.400 --> 0:10:55.679
<v Speaker 1>ticket concept, you know what I mean, because it was

0:10:55.679 --> 0:10:57.560
<v Speaker 1>just inviting people at first, and then they started sending

0:10:57.600 --> 0:10:59.319
<v Speaker 1>out a yellow ticket and then people start posting on

0:10:59.360 --> 0:11:01.880
<v Speaker 1>their social media, so it was like some Willy Wonka

0:11:01.960 --> 0:11:04.360
<v Speaker 1>shit already, like Nigga's like, oh yo, I got this

0:11:04.480 --> 0:11:06.319
<v Speaker 1>yellow tick. You see a rapper, you know, a producer

0:11:06.400 --> 0:11:08.559
<v Speaker 1>you know, or somebody get the thing. And it just

0:11:08.600 --> 0:11:11.400
<v Speaker 1>started already just creating like a sneaky little like legend

0:11:11.440 --> 0:11:14.120
<v Speaker 1>about it, you know, around LA or wherever you was at.

0:11:14.200 --> 0:11:16.679
<v Speaker 1>And the next thing, you know, people just started just

0:11:16.760 --> 0:11:19.880
<v Speaker 1>flying out there. And you know, I remember getting invited.

0:11:19.960 --> 0:11:21.439
<v Speaker 1>I was like, yo, I'm gonna go out there like

0:11:21.600 --> 0:11:24.679
<v Speaker 1>NAS songs, you know, and it was just fun, a

0:11:24.720 --> 0:11:26.839
<v Speaker 1>little competitive. It was like it was good, Like the

0:11:27.000 --> 0:11:28.560
<v Speaker 1>nature of the whole thing was good.

0:11:29.080 --> 0:11:33.360
<v Speaker 2>Yo. Being from North Carolina, like obviously I grew up

0:11:33.400 --> 0:11:36.720
<v Speaker 2>being like a really really really huge little brother had

0:11:36.880 --> 0:11:40.800
<v Speaker 2>Like I got to see them live. I think I

0:11:41.160 --> 0:11:45.319
<v Speaker 2>went I saw them live the Minstrel Show tour. I

0:11:45.360 --> 0:11:49.600
<v Speaker 2>think it was them and dilated people's And then I've

0:11:49.640 --> 0:11:51.680
<v Speaker 2>seen Fonte when he was doing.

0:11:51.600 --> 0:11:53.120
<v Speaker 1>His shout out to Little brother Man.

0:11:53.360 --> 0:11:55.560
<v Speaker 2>Yeah, Little Brothers just like up there. Do you feel

0:11:55.600 --> 0:11:58.120
<v Speaker 2>like and they just put out a dope documentary on YouTube?

0:11:59.240 --> 0:12:01.880
<v Speaker 2>Do you feel like and Holland Yeah? Do you feel

0:12:01.920 --> 0:12:06.080
<v Speaker 2>like they get like their respect? Like somehow I feel

0:12:06.160 --> 0:12:09.880
<v Speaker 2>like they've kind of like became like not forgotten. But

0:12:09.960 --> 0:12:12.559
<v Speaker 2>I'm like, man, these motherfuckers really like like Fonte is

0:12:12.600 --> 0:12:14.280
<v Speaker 2>like really like one of the greatest, Like you know

0:12:14.320 --> 0:12:14.760
<v Speaker 2>what I'm saying.

0:12:14.760 --> 0:12:16.520
<v Speaker 1>I mean, look, you're talking about them right now. You

0:12:16.640 --> 0:12:18.199
<v Speaker 1>just brought them up in an interview, you know what

0:12:18.280 --> 0:12:19.840
<v Speaker 1>I mean. Like I'm saying, like when you're growing up

0:12:20.960 --> 0:12:23.400
<v Speaker 1>like being a kid. Yeah, yeah, for sure. I think that.

0:12:23.600 --> 0:12:26.160
<v Speaker 1>Obviously it wasn't the first thing I found or that

0:12:26.240 --> 0:12:28.559
<v Speaker 1>I had heard, But that's what I like about good

0:12:28.679 --> 0:12:30.839
<v Speaker 1>art bro, and really good artists and stuff like that.

0:12:31.000 --> 0:12:34.319
<v Speaker 1>It's like like, yeah, bro, Like even if you know

0:12:34.559 --> 0:12:36.480
<v Speaker 1>you're not talking about them on like a scale that's

0:12:36.559 --> 0:12:40.760
<v Speaker 1>like I don't know, like uh, stadiums or selling out

0:12:40.840 --> 0:12:43.880
<v Speaker 1>like Arenaturs or something like that, you still bring them

0:12:44.000 --> 0:12:46.160
<v Speaker 1>up for some reason, right, And it's because you know,

0:12:46.280 --> 0:12:48.520
<v Speaker 1>and I know that like deep down inside, just like

0:12:48.600 --> 0:12:51.040
<v Speaker 1>some of the highest quality like shit, you know what

0:12:51.080 --> 0:12:53.440
<v Speaker 1>I mean. It's these artists, you know. That's the cool

0:12:53.480 --> 0:12:55.760
<v Speaker 1>thing about about art. And what I also realized about

0:12:55.840 --> 0:12:58.719
<v Speaker 1>art is because it's something that don't really exist in

0:12:58.840 --> 0:13:01.360
<v Speaker 1>like space and time, like you know, Boski I got

0:13:01.400 --> 0:13:03.800
<v Speaker 1>lit after he died, like which obviously rested recipes. I

0:13:03.840 --> 0:13:05.439
<v Speaker 1>don't want that for nobody, but I just think, like

0:13:05.840 --> 0:13:08.520
<v Speaker 1>you just never know when something might, you know, imagine

0:13:08.559 --> 0:13:10.640
<v Speaker 1>your life is crazy, like good art.

0:13:10.559 --> 0:13:13.440
<v Speaker 2>Will find you fe linerations later years.

0:13:13.280 --> 0:13:15.679
<v Speaker 1>Later, stranger things like sample day, what's that? What's the

0:13:15.720 --> 0:13:17.080
<v Speaker 1>lady song? From the seventies?

0:13:17.520 --> 0:13:21.360
<v Speaker 2>Something bush right? They put it and then it ended

0:13:21.480 --> 0:13:23.199
<v Speaker 2>up going to top forty radio like thirty.

0:13:23.080 --> 0:13:26.319
<v Speaker 1>Years to one hundred. Yeah, with the Master of the Puppets.

0:13:25.960 --> 0:13:28.280
<v Speaker 2>The Metallica song like they used it on that scene

0:13:28.280 --> 0:13:30.959
<v Speaker 2>and that ship just became like a top ten on

0:13:31.040 --> 0:13:31.960
<v Speaker 2>Spotify all of a sudden.

0:13:32.000 --> 0:13:35.079
<v Speaker 1>That's what I'm saying. It's crazy, like the whole you know,

0:13:35.240 --> 0:13:37.880
<v Speaker 1>it's interesting to find a way to like to do that,

0:13:38.080 --> 0:13:40.160
<v Speaker 1>like make something that that's standing test of time. In

0:13:40.240 --> 0:13:40.520
<v Speaker 1>that way.

0:13:41.120 --> 0:13:43.360
<v Speaker 2>On this EP, you got the homie Isaiah shot is

0:13:43.800 --> 0:13:47.200
<v Speaker 2>shad uh shout out to Leon Bridges. You got Saint

0:13:47.280 --> 0:13:47.839
<v Speaker 2>John on there.

0:13:48.040 --> 0:13:48.240
<v Speaker 1>Yeah.

0:13:50.160 --> 0:13:53.280
<v Speaker 2>For you, like, uh, how long have you been working

0:13:53.320 --> 0:13:55.679
<v Speaker 2>on the actual album that's coming and how did you

0:13:55.840 --> 0:13:59.280
<v Speaker 2>pick between like these are for the EPH, this is

0:13:59.320 --> 0:14:02.040
<v Speaker 2>the this is the same or platter? Yeah, before the entre?

0:14:02.400 --> 0:14:04.440
<v Speaker 1>Yeah for sure. I mean the EP songs were songs

0:14:04.480 --> 0:14:06.160
<v Speaker 1>that I had that I knew I wanted to see

0:14:06.200 --> 0:14:08.280
<v Speaker 1>the light of day. A couple of them are like newer,

0:14:08.360 --> 0:14:10.080
<v Speaker 1>but for the most part its songs that I knew.

0:14:10.080 --> 0:14:11.760
<v Speaker 1>It was like I was like, yeah, I just want

0:14:11.800 --> 0:14:15.080
<v Speaker 1>to get a palette together or palate cleanser together for people,

0:14:15.160 --> 0:14:16.880
<v Speaker 1>so you know when it's time for me to start

0:14:16.920 --> 0:14:18.920
<v Speaker 1>putting my album music out there really like you know

0:14:19.000 --> 0:14:21.120
<v Speaker 1>what's up? Or like you know, it's like a like

0:14:21.200 --> 0:14:23.560
<v Speaker 1>a great wrong way to the album project honestly, if

0:14:23.560 --> 0:14:25.520
<v Speaker 1>I'm being real, right, Yea, the album got like some

0:14:25.680 --> 0:14:29.000
<v Speaker 1>crazy everything features music everything.

0:14:32.280 --> 0:14:35.640
<v Speaker 2>Boss little Boss hook, Yo, Hey, it's been cooking on

0:14:35.720 --> 0:14:36.240
<v Speaker 2>these nice bro.

0:14:36.320 --> 0:14:36.800
<v Speaker 1>He's nice bro.

0:14:36.960 --> 0:14:39.200
<v Speaker 2>Yeah, But I told him, I was like, sohow you

0:14:39.240 --> 0:14:41.760
<v Speaker 2>made this tra from like wrapping your ass off to

0:14:41.880 --> 0:14:44.440
<v Speaker 2>like making these crazy melodic fucking hooks.

0:14:44.760 --> 0:14:47.520
<v Speaker 1>And people going to sing along. Anyway, it's that part,

0:14:47.600 --> 0:14:49.440
<v Speaker 1>you know what I'm saying. Sure, shout out to Boss.

0:14:49.680 --> 0:14:52.080
<v Speaker 2>Do you feel like kind of being like extended Dreamville?

0:14:52.120 --> 0:14:52.160
<v Speaker 1>Like?

0:14:52.320 --> 0:14:55.640
<v Speaker 2>Uh, did they ever try to like actually like submit

0:14:55.680 --> 0:14:57.400
<v Speaker 2>an offer to you to bring you on like officially

0:14:57.400 --> 0:14:59.000
<v Speaker 2>as an artist? I know you're a massive peal, but

0:14:59.080 --> 0:14:59.600
<v Speaker 2>like did that ever?

0:15:00.040 --> 0:15:02.160
<v Speaker 1>You know what's funny, bro is like a story a

0:15:02.200 --> 0:15:03.880
<v Speaker 1>lot of people don't know. It's like the way I

0:15:04.000 --> 0:15:07.000
<v Speaker 1>met him only played my music for Cole. Shout out

0:15:07.000 --> 0:15:08.760
<v Speaker 1>to owmen play my music for Cold like a long

0:15:08.840 --> 0:15:13.400
<v Speaker 1>time ago, and then first guy on dream Bill. Right ever,

0:15:13.800 --> 0:15:15.960
<v Speaker 1>Omen was the first guy. Right, maybe he was the

0:15:16.000 --> 0:15:18.520
<v Speaker 1>first guy. Maybe makes sense, you know, I know they

0:15:18.560 --> 0:15:20.560
<v Speaker 1>go way back. But Amen played my music for Coal

0:15:20.760 --> 0:15:24.040
<v Speaker 1>and then Cole like heard it and texted me. This

0:15:24.200 --> 0:15:25.800
<v Speaker 1>was like right after this first album had came out,

0:15:26.320 --> 0:15:28.520
<v Speaker 1>you know, and like I'm supposed to be in college, like,

0:15:29.040 --> 0:15:30.360
<v Speaker 1>you know, me and my little brother you got an

0:15:30.360 --> 0:15:32.960
<v Speaker 1>apartment in Raleigh together, Like my mom had just passed

0:15:33.040 --> 0:15:35.880
<v Speaker 1>not too long before that, and so we were just

0:15:35.960 --> 0:15:38.040
<v Speaker 1>kind of like figuring a bunch of shit out and

0:15:38.080 --> 0:15:39.640
<v Speaker 1>I just got this text out of nowhere, like, Yo,

0:15:39.680 --> 0:15:42.600
<v Speaker 1>there's j Cole, like y'all want to meet you end

0:15:42.640 --> 0:15:44.760
<v Speaker 1>up flying to Raleigh, like to North Carolina to meet me,

0:15:44.880 --> 0:15:47.880
<v Speaker 1>came to a studio and everything. Yeah, and so that's

0:15:47.960 --> 0:15:49.360
<v Speaker 1>like how we met each other, you know what I mean.

0:15:49.400 --> 0:15:51.440
<v Speaker 1>It's still like pictures and videos from that time. He

0:15:51.560 --> 0:15:53.000
<v Speaker 1>produced a song that was on like one of my

0:15:53.040 --> 0:15:54.240
<v Speaker 1>early mixstapes. Gave me a beat.

0:15:54.320 --> 0:15:57.880
<v Speaker 2>God, we need more cold beats man, that high power power.

0:15:57.880 --> 0:15:58.880
<v Speaker 1>I was about to say, I was about to bring

0:15:58.960 --> 0:16:01.800
<v Speaker 1>up high Power yeah yeah, yeah, yeah, yeah, so we

0:16:01.880 --> 0:16:03.880
<v Speaker 1>need more more came more Krit beats for the record.

0:16:03.920 --> 0:16:06.360
<v Speaker 1>But anyway, yeah, you know, so we're forgetting Those two

0:16:06.360 --> 0:16:10.560
<v Speaker 1>guys are amazing producers, big Krit Krit Oh yeah yeah yeah, yeah,

0:16:10.600 --> 0:16:13.000
<v Speaker 1>for sure, both of them. Yeah yeah. But so that's

0:16:13.000 --> 0:16:15.080
<v Speaker 1>how we ended up meeting. And yeah, it was conversations

0:16:15.120 --> 0:16:17.080
<v Speaker 1>around that time for sure. You know. It was really

0:16:17.160 --> 0:16:19.320
<v Speaker 1>cool about him, man, one of the best things like

0:16:19.440 --> 0:16:21.760
<v Speaker 1>he was at that at that time, Dreamsville was so early,

0:16:21.960 --> 0:16:23.920
<v Speaker 1>Like it was a conversation and he was like, Yo,

0:16:24.440 --> 0:16:27.080
<v Speaker 1>He's like, you don't think I would do right by you.

0:16:27.240 --> 0:16:29.800
<v Speaker 1>He's like, yeah, nothing's prepared. It's not really put together

0:16:30.320 --> 0:16:34.000
<v Speaker 1>right yeah, right after Yeah, you know, so I would

0:16:34.000 --> 0:16:36.120
<v Speaker 1>have actually probably been the first one on the label,

0:16:36.120 --> 0:16:37.200
<v Speaker 1>but he just was like, ya, I don't want to

0:16:37.240 --> 0:16:39.240
<v Speaker 1>like make a mistake. Let's just be cool, let's stay close,

0:16:39.560 --> 0:16:40.840
<v Speaker 1>you know what I mean. Then I moved to La

0:16:40.920 --> 0:16:42.760
<v Speaker 1>start working with Doctor Dre. Like, you know, I wrote

0:16:42.760 --> 0:16:43.480
<v Speaker 1>the Content album.

0:16:43.680 --> 0:16:44.840
<v Speaker 2>I was gonna say, I wanted to get to the

0:16:44.840 --> 0:16:48.160
<v Speaker 2>Compton album because that album doesn't get enough flowers. We'll

0:16:48.200 --> 0:16:52.400
<v Speaker 2>get there, but well tell me about that, because Compton

0:16:52.520 --> 0:16:57.920
<v Speaker 2>is an album that came and I feel like we

0:16:58.000 --> 0:17:00.400
<v Speaker 2>don't go back to it enough. Man, it is a

0:17:00.560 --> 0:17:03.200
<v Speaker 2>damn I mean, it's the only body of work we've

0:17:03.200 --> 0:17:05.119
<v Speaker 2>gotten from Dre since two thousand and one, and I

0:17:05.200 --> 0:17:07.399
<v Speaker 2>thought it was pretty fucking impeccable.

0:17:07.840 --> 0:17:10.320
<v Speaker 1>That's beautiful, bro, I mean, I mean, you're you're on it.

0:17:10.400 --> 0:17:12.480
<v Speaker 1>You're One of the first things people don't don't talk

0:17:12.520 --> 0:17:15.239
<v Speaker 1>about is the fact that it never was a lot.

0:17:15.320 --> 0:17:18.880
<v Speaker 1>It never was on Spotify until last year, Like yeah,

0:17:19.119 --> 0:17:20.520
<v Speaker 1>you know what I mean, And there's a lot of.

0:17:20.480 --> 0:17:22.679
<v Speaker 2>Shit like that that I've been noticing been popping up

0:17:22.720 --> 0:17:23.800
<v Speaker 2>that I'm like, man.

0:17:24.119 --> 0:17:26.600
<v Speaker 1>Yeah, imagine and you. I think at that time it's

0:17:26.640 --> 0:17:28.240
<v Speaker 1>because you know, they had done a deal with Apple

0:17:28.320 --> 0:17:31.439
<v Speaker 1>or something like that. So at that time it's different

0:17:31.480 --> 0:17:34.639
<v Speaker 1>because Spotify was way bigger than our music just was

0:17:34.720 --> 0:17:36.280
<v Speaker 1>just starting, right, you know what I mean, and they

0:17:36.359 --> 0:17:38.359
<v Speaker 1>was like, yo, let's just you know, they just put

0:17:38.440 --> 0:17:38.920
<v Speaker 1>on app.

0:17:39.480 --> 0:17:41.440
<v Speaker 2>There were some albums that were doing that exclusive.

0:17:41.480 --> 0:17:43.359
<v Speaker 1>It stayed exclusive for like for like years, for like

0:17:43.440 --> 0:17:45.400
<v Speaker 1>eight years or some ship. Yeah. Yeah, So I think

0:17:45.440 --> 0:17:48.320
<v Speaker 1>that's kind of like an interesting like part of that story,

0:17:48.800 --> 0:17:50.480
<v Speaker 1>you know. But shout out to Dre. Shout out to.

0:17:50.760 --> 0:17:55.080
<v Speaker 2>Yeah, because it almost might have affected like the amount

0:17:55.080 --> 0:17:56.600
<v Speaker 2>of people who consumed it, you know, who.

0:17:56.640 --> 0:18:00.320
<v Speaker 1>Could even get who could listen to it exactly.

0:18:00.760 --> 0:18:03.360
<v Speaker 2>People are still so how did you end up coming

0:18:03.359 --> 0:18:05.600
<v Speaker 2>to LA and getting with Dre and kind of give

0:18:05.640 --> 0:18:06.320
<v Speaker 2>me that backstory?

0:18:06.400 --> 0:18:08.240
<v Speaker 1>Man? Shout out rapper Big Pool from a little brother,

0:18:08.480 --> 0:18:12.520
<v Speaker 1>big Pool shut out. Big Pool introduced me to producing

0:18:12.600 --> 0:18:18.040
<v Speaker 1>their Focus Okay, yeah on text okay, Focus and Tie probably,

0:18:19.160 --> 0:18:21.119
<v Speaker 1>and then I ended up going to the studio. I

0:18:21.200 --> 0:18:22.920
<v Speaker 1>did kind of like a like a damn there, like

0:18:22.960 --> 0:18:25.280
<v Speaker 1>a tryout. Really, it was me and a bunch of

0:18:25.320 --> 0:18:27.440
<v Speaker 1>other writers in there and people that you know, I

0:18:27.520 --> 0:18:29.440
<v Speaker 1>didn't know, they didn't know me. They was kind of

0:18:29.480 --> 0:18:32.080
<v Speaker 1>off on their own, doing their own thing, and you know,

0:18:32.240 --> 0:18:34.000
<v Speaker 1>it was it wasn't the easiest to get in and help.

0:18:34.119 --> 0:18:35.240
<v Speaker 1>So I was like, I'm gonna just go in this

0:18:35.280 --> 0:18:37.080
<v Speaker 1>little io booth. I just went a little io booth

0:18:37.119 --> 0:18:40.600
<v Speaker 1>and just started writing and coming up with stuff. And yeah,

0:18:40.840 --> 0:18:42.880
<v Speaker 1>we just submitted songs, and next thing, you know, four

0:18:42.920 --> 0:18:44.600
<v Speaker 1>or five days later, Dre end up showing up for real.

0:18:44.640 --> 0:18:45.960
<v Speaker 1>Because they kept saying he was coming every day. I

0:18:45.960 --> 0:18:47.920
<v Speaker 1>was like, he's not coming to the studio, and then

0:18:47.960 --> 0:18:50.639
<v Speaker 1>he came one day, and the day he finally pulled up,

0:18:51.080 --> 0:18:52.800
<v Speaker 1>he listened to some songs. He said he liked one

0:18:52.800 --> 0:18:56.359
<v Speaker 1>of the ones I had done, which was tight, and

0:18:56.480 --> 0:18:59.560
<v Speaker 1>then uh and then yeah, man, I actually went back

0:18:59.560 --> 0:19:02.159
<v Speaker 1>to North cal Lining because it was just like a

0:19:02.200 --> 0:19:04.439
<v Speaker 1>little camp they had done, but nothing was happening yet, right,

0:19:04.760 --> 0:19:06.680
<v Speaker 1>and and I was like, nah, man, you should go back,

0:19:06.720 --> 0:19:07.960
<v Speaker 1>Like you know, Dre likes a lot of stuff. You

0:19:08.000 --> 0:19:10.040
<v Speaker 1>never know what's gonna happen for real, and I needed

0:19:10.080 --> 0:19:11.480
<v Speaker 1>to go back to the crib. So I went back,

0:19:11.880 --> 0:19:14.760
<v Speaker 1>and I knew I was gonna move up to La Yeah,

0:19:14.760 --> 0:19:15.960
<v Speaker 1>I was like yo. I was like, I gotta get

0:19:15.960 --> 0:19:17.280
<v Speaker 1>back to LA. I gotta figure out a way to

0:19:17.320 --> 0:19:19.159
<v Speaker 1>do that. And so I moved back to l A.

0:19:19.200 --> 0:19:20.800
<v Speaker 1>I was living here for one day. Second day I

0:19:20.840 --> 0:19:22.280
<v Speaker 1>was living here, they called me Saidre, I want you

0:19:22.320 --> 0:19:24.760
<v Speaker 1>to come back to LA to write songs. I was like,

0:19:25.119 --> 0:19:26.600
<v Speaker 1>I'm here. I was hoping he was gonna do.

0:19:26.600 --> 0:19:27.639
<v Speaker 2>That, right, That's why I came.

0:19:27.720 --> 0:19:30.320
<v Speaker 1>That's why I came back anyway. Yeah. Yeah, and then

0:19:30.520 --> 0:19:32.680
<v Speaker 1>we wrote like damn, they probably like one hundred songs together.

0:19:32.720 --> 0:19:35.640
<v Speaker 1>It's like a lot of songs, one hundred probably, bro. Yeah, yeah.

0:19:35.800 --> 0:19:38.159
<v Speaker 1>I mean if anybody that's like that's ever was a

0:19:38.200 --> 0:19:40.080
<v Speaker 1>part of them sessions and knows like what's up or

0:19:40.080 --> 0:19:43.399
<v Speaker 1>seeing us working like so they think I'm exaggerating, they

0:19:43.400 --> 0:19:45.000
<v Speaker 1>would let me know. But yeah, I probably like that.

0:19:45.480 --> 0:19:48.280
<v Speaker 2>You guys were in the bag together for sure. What

0:19:48.440 --> 0:19:51.119
<v Speaker 2>was that like, because we always hear about Dre's like, uh,

0:19:52.400 --> 0:19:57.040
<v Speaker 2>how like his you know, attention to detail is almost

0:19:57.200 --> 0:19:58.600
<v Speaker 2>like ridiculous.

0:19:59.480 --> 0:20:01.480
<v Speaker 1>Yeah, I've done to take for sure, like thirty forty

0:20:01.600 --> 0:20:04.040
<v Speaker 1>fifty times maybe maybe more. Yeah.

0:20:04.480 --> 0:20:07.480
<v Speaker 2>Yeah, Like so as I'm curious, like on the writing side,

0:20:07.600 --> 0:20:11.120
<v Speaker 2>like is it like so it'll obviously on the production side,

0:20:11.160 --> 0:20:12.960
<v Speaker 2>we know he's very meticulous, but even on just like

0:20:13.040 --> 0:20:16.440
<v Speaker 2>the way the inflection of your lyrics, like yeah, until

0:20:16.600 --> 0:20:18.840
<v Speaker 2>you hit it, the way he hears it in his head.

0:20:19.920 --> 0:20:22.760
<v Speaker 1>Yeah, yeah, you're definitely gonna be like, you know, doing

0:20:22.840 --> 0:20:25.080
<v Speaker 1>that and going back and forth. It's funny because, like

0:20:25.200 --> 0:20:27.399
<v Speaker 1>you know, Dres, he's like a funny guy. He got

0:20:27.440 --> 0:20:29.320
<v Speaker 1>like a funny personality. Like I feel like he'll fuck

0:20:29.320 --> 0:20:30.960
<v Speaker 1>with you a little bit, you know what I mean,

0:20:31.119 --> 0:20:32.720
<v Speaker 1>Like he got you doing some shit a whole lot.

0:20:32.800 --> 0:20:35.359
<v Speaker 1>But honestly, it really is to like bring the best

0:20:35.400 --> 0:20:38.040
<v Speaker 1>out of you or like to get what he's looking

0:20:38.080 --> 0:20:39.560
<v Speaker 1>for and to take you know what I'm saying that

0:20:39.640 --> 0:20:41.520
<v Speaker 1>he does too. He definitely finds what he's looking for

0:20:41.640 --> 0:20:43.200
<v Speaker 1>on the take. And a lot of times you get

0:20:43.240 --> 0:20:45.360
<v Speaker 1>on there and be like, damn, I sounded this way

0:20:45.680 --> 0:20:47.280
<v Speaker 1>when I when I did it, and then he coached

0:20:47.320 --> 0:20:48.760
<v Speaker 1>me into this thing. I never would have thought I

0:20:48.800 --> 0:20:50.280
<v Speaker 1>could sound like that happens a lot, you.

0:20:50.280 --> 0:20:52.880
<v Speaker 2>Know, that's dope. I was gonna say, did you ever

0:20:53.960 --> 0:20:57.120
<v Speaker 2>the myth of the Detox album that's probably never gonna

0:20:57.119 --> 0:21:01.359
<v Speaker 2>come out? Wherever any songs were he was like Yo, Detox.

0:21:02.000 --> 0:21:02.880
<v Speaker 1>What's this head things?

0:21:03.200 --> 0:21:04.680
<v Speaker 2>Well, like, you know, I don't know, man, because I

0:21:04.760 --> 0:21:06.119
<v Speaker 2>feel like by the time you were working on that,

0:21:06.320 --> 0:21:08.200
<v Speaker 2>I think the Detok ship was probably over with in

0:21:08.320 --> 0:21:10.440
<v Speaker 2>terms of the idea of like the public ever getting it.

0:21:11.040 --> 0:21:13.600
<v Speaker 2>I don't know, maybe maybe you you know, was there

0:21:13.640 --> 0:21:17.280
<v Speaker 2>any talk of that every even Yeah, I.

0:21:17.320 --> 0:21:19.399
<v Speaker 1>Had heard rumblings yeah, you know what I mean of like,

0:21:19.720 --> 0:21:23.840
<v Speaker 1>you know, songs or like yeah features or like concepts.

0:21:23.960 --> 0:21:27.400
<v Speaker 2>Yeah, yeah, yeah one day, man, one day.

0:21:28.400 --> 0:21:30.680
<v Speaker 1>You never know, man, you never know. Fuck, Ryn, you

0:21:30.800 --> 0:21:34.560
<v Speaker 1>be on there, you know, just the super unexpected buleg

0:21:34.760 --> 0:21:35.680
<v Speaker 1>cut cad verse.

0:21:35.840 --> 0:21:39.000
<v Speaker 2>That's not gonna have going crazy on an intro. What

0:21:39.240 --> 0:21:44.000
<v Speaker 2>other writing opportunities did that situation put you in? Outside

0:21:44.200 --> 0:21:46.240
<v Speaker 2>after after the Confident album came out, because you're obviously

0:21:46.280 --> 0:21:46.959
<v Speaker 2>on that album too.

0:21:47.280 --> 0:21:49.240
<v Speaker 1>Yeah yeah, yeah, yeah, I got a few features on there,

0:21:49.720 --> 0:21:52.200
<v Speaker 1>and so I remember right after it came out. I

0:21:52.240 --> 0:21:55.920
<v Speaker 1>remember being at my Auntory's crib and uh, I was

0:21:55.960 --> 0:21:58.680
<v Speaker 1>in the kitchen yo signing the CDs for family members

0:21:58.720 --> 0:22:00.360
<v Speaker 1>because like some of them like was like, we want

0:22:00.359 --> 0:22:01.760
<v Speaker 1>you to sign it, and I was like, oh, that's cool,

0:22:01.800 --> 0:22:03.640
<v Speaker 1>you know, not some ship that I really would ask

0:22:04.040 --> 0:22:06.240
<v Speaker 1>to do for you know that I was planning on doing.

0:22:06.359 --> 0:22:08.640
<v Speaker 1>But it's like it was cool that they felt enough

0:22:08.680 --> 0:22:10.560
<v Speaker 1>and like my uncle gave it to somebody at the

0:22:10.600 --> 0:22:13.560
<v Speaker 1>barbershop that wanted it or whatever, so that was cool.

0:22:13.760 --> 0:22:16.080
<v Speaker 1>And then I remember being at the kitchen table. I

0:22:16.200 --> 0:22:18.879
<v Speaker 1>was like signing these CDs and like Chay Pope called me.

0:22:19.560 --> 0:22:19.639
<v Speaker 2>Cha.

0:22:19.880 --> 0:22:21.320
<v Speaker 1>Yeah, Chay Pope called me and was like, yo, I

0:22:21.359 --> 0:22:24.639
<v Speaker 1>want you to come right for Kanye. He heard he

0:22:24.720 --> 0:22:26.399
<v Speaker 1>heard about y'all told him about you, some of the

0:22:26.440 --> 0:22:28.680
<v Speaker 1>stuff you did. He's like, yo, keep come tonight. I

0:22:28.800 --> 0:22:30.080
<v Speaker 1>was in Baltimore. I was in Maryland.

0:22:31.080 --> 0:22:34.399
<v Speaker 2>Good compound. I'm sure in La it was a shaney

0:22:34.480 --> 0:22:36.800
<v Speaker 2>La Okay, okay, shaney La and uh.

0:22:37.720 --> 0:22:40.280
<v Speaker 1>And I was like damn, Like I was hurt because

0:22:40.280 --> 0:22:43.119
<v Speaker 1>I was in Maryland, like and I wasn't close and

0:22:43.280 --> 0:22:44.800
<v Speaker 1>he's like, yo, come tonight, and I was like, yo,

0:22:45.240 --> 0:22:46.760
<v Speaker 1>I can't make it. Da da da da. I start

0:22:46.800 --> 0:22:48.200
<v Speaker 1>thinking how I was gonna get on the plane like

0:22:48.320 --> 0:22:51.160
<v Speaker 1>right then and there, How possible could this be? Looking

0:22:51.200 --> 0:22:53.200
<v Speaker 1>at it like they was working on Pablo. Yeah you

0:22:53.240 --> 0:22:55.239
<v Speaker 1>know what I mean. And so he was like, nah, bro,

0:22:55.359 --> 0:22:56.879
<v Speaker 1>just come the next day and I was like all right,

0:22:56.880 --> 0:22:58.600
<v Speaker 1>and then I just left packed up. When the next

0:22:58.680 --> 0:23:01.320
<v Speaker 1>day ended up, me and Kanye, I walked in wrong

0:23:01.600 --> 0:23:03.159
<v Speaker 1>like he was like, yo, something is like you know

0:23:03.320 --> 0:23:06.320
<v Speaker 1>cha told them was coming. Yeah, And I worked with

0:23:06.400 --> 0:23:07.840
<v Speaker 1>him for a couple of weeks on PABO. That was

0:23:07.920 --> 0:23:09.280
<v Speaker 1>real fun experience.

0:23:09.560 --> 0:23:11.520
<v Speaker 2>Were the songs that made the album that you helped.

0:23:12.400 --> 0:23:16.320
<v Speaker 1>You know what's funny, dog, there's actually only one thing

0:23:16.400 --> 0:23:19.120
<v Speaker 1>that's out moving around. Is this this leak that's going

0:23:19.200 --> 0:23:21.720
<v Speaker 1>crazy that I'll be getting a bunch of text from

0:23:21.800 --> 0:23:25.120
<v Speaker 1>like like uh like hackers or whatever. I was working

0:23:25.200 --> 0:23:29.040
<v Speaker 1>on the Highlights song. Oh really yeah, and at that time,

0:23:30.200 --> 0:23:31.760
<v Speaker 1>like other there was some other features on it. I

0:23:31.800 --> 0:23:33.879
<v Speaker 1>don't even want to bring light to it because Charlie

0:23:33.880 --> 0:23:38.080
<v Speaker 1>Wilson's on that right uh probably yeah yeah but anyway, yeah,

0:23:38.080 --> 0:23:39.240
<v Speaker 1>a bunch of people text me about that.

0:23:39.359 --> 0:23:41.160
<v Speaker 2>But there's a there's a leak of it running around

0:23:41.240 --> 0:23:41.439
<v Speaker 2>right now.

0:23:41.520 --> 0:23:45.320
<v Speaker 1>Yeah, interesting one. Yeah, yeah, yeah, I gotta hear that.

0:23:45.640 --> 0:23:48.719
<v Speaker 2>Yeah, so you that's gotta be kind of cool though,

0:23:48.840 --> 0:23:50.600
<v Speaker 2>just that it it's seen the light of day.

0:23:50.840 --> 0:23:53.560
<v Speaker 1>I mean, I you know, the experience, bro, even going

0:23:53.560 --> 0:23:55.480
<v Speaker 1>to work with you, like she was mad inspiring, or

0:23:55.560 --> 0:23:57.200
<v Speaker 1>just him being like I see it in you like

0:23:57.560 --> 0:23:59.639
<v Speaker 1>the thing, you know what I mean, like to I

0:23:59.680 --> 0:24:01.720
<v Speaker 1>mean to come here and be a part of the contribute,

0:24:01.720 --> 0:24:02.680
<v Speaker 1>you know. I thought that was ill.

0:24:03.040 --> 0:24:05.760
<v Speaker 2>What were the contrasts you noticed between because you know,

0:24:05.840 --> 0:24:09.560
<v Speaker 2>being in with Dre and Ye the two arguably greatest

0:24:09.680 --> 0:24:14.040
<v Speaker 2>producers ever, I mean, most prolific creatives. You know, you

0:24:14.119 --> 0:24:15.639
<v Speaker 2>can go on and on, but like, what were the

0:24:15.680 --> 0:24:18.119
<v Speaker 2>contrasts between those two processes that you noticed?

0:24:18.480 --> 0:24:22.000
<v Speaker 1>Yeah, yeah, yeah, So Dre is like very like like

0:24:22.080 --> 0:24:24.479
<v Speaker 1>a scientific type of guy, like you know what I mean,

0:24:24.640 --> 0:24:27.440
<v Speaker 1>Like you know, he knows the board really well, like

0:24:27.840 --> 0:24:29.760
<v Speaker 1>the sounds of frequencies, you know what I mean. Like,

0:24:30.200 --> 0:24:31.920
<v Speaker 1>whereas yeah, I felt like it was just more like

0:24:32.000 --> 0:24:33.760
<v Speaker 1>a like a kid, you know what I mean. There

0:24:33.840 --> 0:24:35.560
<v Speaker 1>was like a microphone that just sat on a chair

0:24:36.000 --> 0:24:37.960
<v Speaker 1>and the beat was just playing if you just felt

0:24:38.000 --> 0:24:39.440
<v Speaker 1>like it, you could just walk over there and just

0:24:39.520 --> 0:24:41.680
<v Speaker 1>like something, if you just felt like it and it

0:24:41.800 --> 0:24:44.800
<v Speaker 1>was just sitting there, like that's very different type of Yeah.

0:24:44.840 --> 0:24:49.000
<v Speaker 2>I was there when he cut his Carnival Verse. Okay,

0:24:49.320 --> 0:24:53.560
<v Speaker 2>there I went with Tie in Vegas and he just

0:24:53.680 --> 0:24:56.360
<v Speaker 2>had I mean, now, the later part of that night

0:24:56.560 --> 0:24:59.720
<v Speaker 2>was all over Instagram live, but he just had like

0:24:59.800 --> 0:25:02.399
<v Speaker 2>the uh sweet at the Four Seasons in Vegas and

0:25:02.520 --> 0:25:05.879
<v Speaker 2>like you know, India Love just showed up to hang

0:25:05.960 --> 0:25:08.399
<v Speaker 2>out and she ended up being on Now she's on

0:25:08.480 --> 0:25:08.840
<v Speaker 2>the album.

0:25:09.200 --> 0:25:09.720
<v Speaker 1>That's how it be.

0:25:09.840 --> 0:25:12.000
<v Speaker 2>Bro. It was just so random. This was like a

0:25:12.080 --> 0:25:14.320
<v Speaker 2>room full of people are partying, the eating, yeah, and

0:25:14.400 --> 0:25:18.960
<v Speaker 2>this fools just starts cutting his fucking Carnival verse, Like Carnival.

0:25:18.920 --> 0:25:21.159
<v Speaker 1>That's the best sometimes to be in that vibe and

0:25:21.240 --> 0:25:21.879
<v Speaker 1>in that place.

0:25:22.240 --> 0:25:23.240
<v Speaker 2>I knew that was gonna happen.

0:25:23.320 --> 0:25:26.960
<v Speaker 1>Bro, I'm sorry, my boy, you got your uh it's.

0:25:26.840 --> 0:25:31.760
<v Speaker 2>Supposed to be okay, fucking thing and it's all good, no,

0:25:31.880 --> 0:25:34.320
<v Speaker 2>but uh but yeah, it was just it was just

0:25:34.400 --> 0:25:36.200
<v Speaker 2>crazy because then like you hear the album and you're like, yeah,

0:25:36.200 --> 0:25:39.720
<v Speaker 2>this sucking out. I loved I loved Vultures. But yeah,

0:25:40.520 --> 0:25:42.760
<v Speaker 2>it's funny because it's like it's almost like the opposite

0:25:42.800 --> 0:25:43.159
<v Speaker 2>of what you hear.

0:25:43.320 --> 0:25:46.280
<v Speaker 1>Dre would do you know what I mean, Like yeah, yeah, yeah,

0:25:46.320 --> 0:25:48.320
<v Speaker 1>it's just yeah, it's like no, no, no, that's not true, Dre.

0:25:48.560 --> 0:25:50.880
<v Speaker 1>You record in the room all the time with him

0:25:50.920 --> 0:25:51.639
<v Speaker 1>in the room, Like.

0:25:51.840 --> 0:25:54.160
<v Speaker 2>But I'm saying, like people people hanging out you still.

0:25:54.320 --> 0:25:56.080
<v Speaker 1>Yeah, hell yeah, it be people in the studio, in

0:25:56.119 --> 0:25:57.400
<v Speaker 1>the room with you. They just got to be quiet

0:25:57.440 --> 0:26:00.000
<v Speaker 1>for a second. Yeah you know, but yeah, catch the vibe.

0:26:00.320 --> 0:26:02.280
<v Speaker 1>It's nice to catch the varb that way for sure.

0:26:03.880 --> 0:26:04.080
<v Speaker 1>For you?

0:26:04.200 --> 0:26:06.640
<v Speaker 2>Are you like back, like fully in like rapper mode

0:26:06.720 --> 0:26:07.000
<v Speaker 2>right now?

0:26:07.280 --> 0:26:08.760
<v Speaker 1>What does it mean to be in rapper mode? What

0:26:08.800 --> 0:26:09.320
<v Speaker 1>does that mean? Well?

0:26:09.359 --> 0:26:11.320
<v Speaker 2>Like, you know, look, I feel like you you have

0:26:11.480 --> 0:26:14.240
<v Speaker 2>so many hats that you wear as a creative. It's

0:26:14.359 --> 0:26:20.919
<v Speaker 2>like mes rapper album EP ship like number number one

0:26:20.920 --> 0:26:21.919
<v Speaker 2>priority for you right now?

0:26:22.200 --> 0:26:24.440
<v Speaker 1>What would that mean? If I say yes, what would

0:26:24.440 --> 0:26:24.679
<v Speaker 1>it mean?

0:26:24.840 --> 0:26:26.480
<v Speaker 2>I don't know. I mean that that you're just super

0:26:26.520 --> 0:26:28.760
<v Speaker 2>focused on finishing your album and.

0:26:28.920 --> 0:26:31.840
<v Speaker 1>Okay, yes, yeah, yeah, yeah, yeah for sure. But I

0:26:31.880 --> 0:26:33.959
<v Speaker 1>mean I'm an artist, I feel like in a lot

0:26:34.000 --> 0:26:36.000
<v Speaker 1>of different ways. No, for sure, That's what I'm saying,

0:26:36.119 --> 0:26:37.880
<v Speaker 1>asking Donald Glover like or someone.

0:26:38.000 --> 0:26:40.400
<v Speaker 2>Well, I'm sure at certain points in times, Donald Glover's

0:26:40.680 --> 0:26:43.879
<v Speaker 2>focus might be writing a show and another time it

0:26:43.960 --> 0:26:44.760
<v Speaker 2>might be making it out.

0:26:44.760 --> 0:26:46.800
<v Speaker 1>But do that mean he is somebody else while he's

0:26:46.840 --> 0:26:49.320
<v Speaker 1>doing that? Because sometimes people might think, like, damn, are

0:26:49.359 --> 0:26:51.200
<v Speaker 1>you a rapper while you while you're doing this.

0:26:51.359 --> 0:26:53.200
<v Speaker 2>No, No, but I think like I think that, like,

0:26:53.280 --> 0:26:55.400
<v Speaker 2>if you're an artist, right, and you have so many

0:26:55.480 --> 0:26:59.640
<v Speaker 2>hats in that spectrum that you can wear, maybe while

0:26:59.640 --> 0:27:02.720
<v Speaker 2>you're working on painting number one, that's your focus, you know,

0:27:04.240 --> 0:27:05.680
<v Speaker 2>like you might you know, you might be working on

0:27:05.800 --> 0:27:07.280
<v Speaker 2>like six other ideas at the same time.

0:27:07.359 --> 0:27:09.639
<v Speaker 1>But I got a lot of ideas, yo, And honestly,

0:27:09.880 --> 0:27:12.040
<v Speaker 1>it's really more about the fact that I think, I

0:27:12.240 --> 0:27:14.639
<v Speaker 1>just I don't never want nobody think I've become someone

0:27:14.720 --> 0:27:18.159
<v Speaker 1>else because I was doing this. I never became a

0:27:18.240 --> 0:27:20.600
<v Speaker 1>director because I started directing. I still was always an

0:27:20.680 --> 0:27:23.479
<v Speaker 1>artist or like or vice versa. You know what I mean.

0:27:23.520 --> 0:27:25.280
<v Speaker 1>I'm not just because I'm focused on music right now.

0:27:25.320 --> 0:27:27.399
<v Speaker 1>I put on my EP, my album, like, you know,

0:27:27.800 --> 0:27:29.879
<v Speaker 1>like it don't mean that I'm a different thing, you

0:27:29.960 --> 0:27:33.000
<v Speaker 1>know for sure. Yeah, I just think that's a real

0:27:33.240 --> 0:27:35.480
<v Speaker 1>that's a real conversation because people you can see where

0:27:35.480 --> 0:27:35.919
<v Speaker 1>I'm coming from.

0:27:36.000 --> 0:27:39.480
<v Speaker 2>No, definitely, obviously, do you feel like because I feel

0:27:39.520 --> 0:27:44.560
<v Speaker 2>like there's so many different ways to like express yourself, right,

0:27:46.000 --> 0:27:49.720
<v Speaker 2>do I mean You're lucky enough to probably have so

0:27:49.800 --> 0:27:53.159
<v Speaker 2>many different like canvases to kind of scratch whatever creative

0:27:53.160 --> 0:27:55.119
<v Speaker 2>it you have at the time. Give me kind of

0:27:55.160 --> 0:27:56.080
<v Speaker 2>an idea.

0:27:55.760 --> 0:27:56.119
<v Speaker 1>Of like.

0:27:57.800 --> 0:28:01.000
<v Speaker 2>What it is about directing and the visual process that

0:28:01.119 --> 0:28:03.760
<v Speaker 2>you enjoy that it's a little bit harder to get.

0:28:03.640 --> 0:28:06.919
<v Speaker 1>From maybe making music directed in the visual process.

0:28:07.000 --> 0:28:10.080
<v Speaker 2>Yeah, just like no, the visual process, like like being it.

0:28:10.119 --> 0:28:13.200
<v Speaker 2>I mean, because I always feel like, you know, being

0:28:13.240 --> 0:28:14.920
<v Speaker 2>able to be in charge of like a visual something

0:28:14.960 --> 0:28:16.720
<v Speaker 2>that's going to live online. You know, it's like a

0:28:17.440 --> 0:28:19.960
<v Speaker 2>and a live piece of art, Like what is it?

0:28:20.000 --> 0:28:21.639
<v Speaker 2>What is the difference between what you get out of

0:28:21.680 --> 0:28:23.520
<v Speaker 2>that compared to what you get out of working on

0:28:23.880 --> 0:28:24.280
<v Speaker 2>a song.

0:28:27.040 --> 0:28:28.879
<v Speaker 1>It's no difference, bro. You know It's funny. I have

0:28:28.960 --> 0:28:32.000
<v Speaker 1>a moment where I'm like, Yo, this scene is intended

0:28:32.080 --> 0:28:34.760
<v Speaker 1>to make people feel this way, you know what I mean.

0:28:34.800 --> 0:28:37.240
<v Speaker 1>I want you to feel like like ooh like and

0:28:37.320 --> 0:28:39.880
<v Speaker 1>you might have a bar that's the same thing, same

0:28:40.080 --> 0:28:42.760
<v Speaker 1>same feeling, bro. You know, And if I if I

0:28:42.800 --> 0:28:44.840
<v Speaker 1>successfully made you feel how I want you to feel,

0:28:45.480 --> 0:28:47.880
<v Speaker 1>you know, in either space, then I went that's what

0:28:48.200 --> 0:28:51.040
<v Speaker 1>That's what That's what I'm looking for. Yeah, yeah, you know,

0:28:51.240 --> 0:28:52.040
<v Speaker 1>so you just got a lot.

0:28:51.960 --> 0:28:53.920
<v Speaker 2>More on your in your repertoire to make people feel

0:28:54.040 --> 0:28:55.680
<v Speaker 2>and that's what are't supposed to do is make you feeling.

0:28:55.760 --> 0:28:57.920
<v Speaker 1>I think so, Bro, I think so. That's my favorite

0:28:57.960 --> 0:28:59.920
<v Speaker 1>thing is to be I'm intense. I could be intense

0:29:00.200 --> 0:29:01.960
<v Speaker 1>about it. That's crazy. I could be intentional about it

0:29:02.040 --> 0:29:04.720
<v Speaker 1>and then just you know, and say, this is what

0:29:04.760 --> 0:29:08.720
<v Speaker 1>I'm looking for people to feel in this thing that

0:29:08.800 --> 0:29:11.040
<v Speaker 1>I'm doing in this line. Sometimes I might write a

0:29:11.080 --> 0:29:12.920
<v Speaker 1>line that shit might make sense in a short film

0:29:13.120 --> 0:29:16.040
<v Speaker 1>or a song, or both might make sense in both.

0:29:16.520 --> 0:29:17.600
<v Speaker 1>Why not? You know? Yeah?

0:29:18.680 --> 0:29:24.840
<v Speaker 2>Is there are you like any of the videos that

0:29:24.920 --> 0:29:27.080
<v Speaker 2>you've directed lately that they're still coming out soon or

0:29:27.280 --> 0:29:29.120
<v Speaker 2>do you have like anything in the in the chamber?

0:29:29.240 --> 0:29:31.640
<v Speaker 1>Yeah, bro, yeah, yeah, I definitely have stuff of mind

0:29:31.680 --> 0:29:35.400
<v Speaker 1>that's coming. I actually also am a part owner in

0:29:35.440 --> 0:29:39.320
<v Speaker 1>a film production company as well, and so there's like

0:29:39.480 --> 0:29:43.080
<v Speaker 1>there's always like projects stuff coming in made by Airs. Yeah. Yeah,

0:29:43.160 --> 0:29:45.960
<v Speaker 1>shout out to maybe Airs all the talented creative people

0:29:46.040 --> 0:29:48.840
<v Speaker 1>connected to it. Yeah, that's that's interesting and helpful. It's

0:29:48.880 --> 0:29:50.720
<v Speaker 1>like when I went to Focus and I did film

0:29:50.800 --> 0:29:52.960
<v Speaker 1>for a second, that's the way that it could kind

0:29:52.960 --> 0:29:55.680
<v Speaker 1>of continue on while I'm being an artist. It's just

0:29:55.760 --> 0:29:57.720
<v Speaker 1>there's like a team or just a group of people

0:29:57.760 --> 0:29:58.680
<v Speaker 1>you know what I mean, we'll look.

0:29:58.720 --> 0:30:02.040
<v Speaker 2>The EP Loading comes out Friday, yeah, sir, the nineteenth,

0:30:02.720 --> 0:30:04.040
<v Speaker 2>and the album is coming soon.

0:30:04.800 --> 0:30:08.080
<v Speaker 1>Album's coming very very soon, very very soon. Yeah. Yeah,

0:30:08.240 --> 0:30:11.040
<v Speaker 1>do you have a name yet? Still loading?

0:30:11.360 --> 0:30:12.600
<v Speaker 2>Still loading out? Look at that?

0:30:13.800 --> 0:30:15.560
<v Speaker 1>Yeah sir, there it is. Man.

0:30:15.560 --> 0:30:18.160
<v Speaker 2>I appreciate you pulling up. Go support the EP, Go

0:30:18.280 --> 0:30:21.080
<v Speaker 2>support the guy. Of course, all the stuff you got

0:30:21.160 --> 0:30:22.840
<v Speaker 2>going on. Man, I'm sure people they're gonna be merching

0:30:22.840 --> 0:30:23.520
<v Speaker 2>all that shit they could.

0:30:24.120 --> 0:30:26.080
<v Speaker 1>Yeah. Yeah, we were just talking about vinyls. Actually, I

0:30:26.080 --> 0:30:27.800
<v Speaker 1>think I'm about to do some vinyls and sign all

0:30:27.840 --> 0:30:29.880
<v Speaker 1>of them, and you know, not to be big. It's

0:30:29.920 --> 0:30:30.480
<v Speaker 1>gonna be fun. Bro.

0:30:30.640 --> 0:30:32.680
<v Speaker 2>The vinyls are fire plusure. How did you end up

0:30:32.720 --> 0:30:34.400
<v Speaker 2>with mass Appeal Because for people who don't know, Mass

0:30:34.480 --> 0:30:38.400
<v Speaker 2>Appeal is like an amazing just label slash creative company.

0:30:38.480 --> 0:30:39.720
<v Speaker 2>They do so many different things.

0:30:40.280 --> 0:30:42.080
<v Speaker 1>Yeah, I mean, funny enough. I got to start it

0:30:42.160 --> 0:30:44.160
<v Speaker 1>with my boy Elliott shout out Elliott. Man. He was

0:30:44.240 --> 0:30:48.160
<v Speaker 1>this kid, Bro just hit me online like y'all fuck

0:30:48.200 --> 0:30:50.080
<v Speaker 1>with you, I'll fuck with you. He just he just

0:30:50.200 --> 0:30:53.200
<v Speaker 1>knew like the history of me, bro, like all my music,

0:30:53.360 --> 0:30:57.080
<v Speaker 1>like everything. You know, He's my It's so funny, like

0:30:57.840 --> 0:31:01.000
<v Speaker 1>you know how it happened. But Thenbous starting meeting the team,

0:31:01.000 --> 0:31:04.240
<v Speaker 1>everybody was cool, really understood that. Like, yo, I know,

0:31:06.240 --> 0:31:08.120
<v Speaker 1>I have like a vision for what I want to do,

0:31:08.600 --> 0:31:10.680
<v Speaker 1>and I think everybody could see it, you know what

0:31:10.680 --> 0:31:10.960
<v Speaker 1>I mean.

0:31:11.040 --> 0:31:13.640
<v Speaker 2>So it's cool, it's not how involved is nas in?

0:31:13.800 --> 0:31:17.000
<v Speaker 2>Like certain shit because nas is obviously part of master Peal.

0:31:17.200 --> 0:31:19.720
<v Speaker 1>Yeah yeah, I mean, you know, like I think that

0:31:19.880 --> 0:31:21.400
<v Speaker 1>a lot of it got to be his vision, you

0:31:21.440 --> 0:31:23.280
<v Speaker 1>know what I mean, most pretty much most of him

0:31:23.280 --> 0:31:25.560
<v Speaker 1>and Peter shout of the Peter you know, yeah, yeah,

0:31:25.680 --> 0:31:28.640
<v Speaker 1>for sure, And I think, yeah, he's cool man. I've

0:31:28.680 --> 0:31:30.600
<v Speaker 1>always heard good things, especially like if we see some

0:31:30.720 --> 0:31:33.640
<v Speaker 1>of mine and herd some of mine. It's always been positive. Yeah,

0:31:33.640 --> 0:31:36.560
<v Speaker 1>and obviously Bro, like I'm a fan Bros a legend.

0:31:36.880 --> 0:31:40.080
<v Speaker 1>Crazy enough, his Aumatic album came out on my birthday,

0:31:40.120 --> 0:31:42.440
<v Speaker 1>so oh shit, yeah my birthday is on Friday, which

0:31:42.440 --> 0:31:45.600
<v Speaker 1>will be his his anniversary for his album.

0:31:45.680 --> 0:31:48.960
<v Speaker 2>Yeah damn, I remember buying the twentieth anniversary DVD that

0:31:49.120 --> 0:31:50.480
<v Speaker 2>was a decade ago. Fuck.

0:31:50.880 --> 0:31:53.640
<v Speaker 1>Yeah that's crazy. Yeah, it's about to be thirty. Yeah,

0:31:53.920 --> 0:31:55.760
<v Speaker 1>Like yeah, it's crazy because I didn't start listening to

0:31:55.840 --> 0:31:57.880
<v Speaker 1>that till like Soldier Boy was like out like when I.

0:31:58.000 --> 0:32:02.239
<v Speaker 2>Was, because that's like ninety four. Damn Jesus, time flies man.

0:32:02.280 --> 0:32:04.320
<v Speaker 2>Shout to Nods, Shout to you man. The project comes

0:32:04.360 --> 0:32:06.240
<v Speaker 2>out Friday, go support it. You've got a couple of

0:32:06.280 --> 0:32:09.360
<v Speaker 2>singles out right now. Then go listen to maz Thank

0:32:09.400 --> 0:32:12.040
<v Speaker 2>you Bro, thank you Yes, Sir Fire