WEBVTT - Steve Boom

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<v Speaker 1>Welcome, Welcome, Welcome to this week's edition of the Bob

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<v Speaker 1>Left Sets podcast, not recorded live at the tune In

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<v Speaker 1>studio in Venice, California, but if the Music Media Summit

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<v Speaker 1>in Santa Barbara, California, back in May. My guest this

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<v Speaker 1>week is Steve Boom, who's head of Amazon Music. The

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<v Speaker 1>fact that you may not be familiar with his name,

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<v Speaker 1>you're certainly familiar with the Amazon Music. You should check

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<v Speaker 1>this out because it's a stealth operation and it's got

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<v Speaker 1>a lot of customers. You should know what's going on. So,

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<v Speaker 1>without further ado, Steve Boom is the Music Media Summit.

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<v Speaker 1>Last time I got together with Stevie was so formal

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<v Speaker 1>that I thought that was his image. Now we's so

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<v Speaker 1>relaxed after we evaluate my perception. Anyway, we were at

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<v Speaker 1>lunch and a friend of ours, the Worse for Concord Music,

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<v Speaker 1>which now owns Razor and Tie, said that the number

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<v Speaker 1>one streams music on your service is kids Bob. Is

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<v Speaker 1>that correct? No? Uh, because I said it was Garth Brooks. Uh.

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<v Speaker 1>Kids Bob's pretty up there. Okay, Uh, so's Garth Um.

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<v Speaker 1>I think our service the number one artists I have

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<v Speaker 1>to check, but most recently was Bruno Mars. Okay, stop

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<v Speaker 1>is up there. We have a lot of people, you know,

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<v Speaker 1>when you have an inexpensive device. A lot of people

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<v Speaker 1>have put Echo dots in their kids rooms, and we

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<v Speaker 1>family has always been a really important part of the

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<v Speaker 1>Amazon customer base. So UM, I think we make up

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<v Speaker 1>the converse of that, though, is true. I'm sure that

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<v Speaker 1>we're the number one streamer four kids bop. If I

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<v Speaker 1>looked across the different streaming services, I think that would

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<v Speaker 1>be a runaway. Well. If you look at Spotify, where

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<v Speaker 1>all everything is totally you can see the Spotify Top

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<v Speaker 1>fifty very dominated by urban music. Okay, and Apple does

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<v Speaker 1>not stop trumpeting how they're breaking records with their urban streams.

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<v Speaker 1>Rumor has it that the complexion of music on Amazon

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<v Speaker 1>that people listening to is different. Is that correct? That's

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<v Speaker 1>not a rumor, that's fact. Absolutely. Um. If you look

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<v Speaker 1>at if you just look at our charts, you would

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<v Speaker 1>see a much greater diverse profile of listening. Um. Urban

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<v Speaker 1>is important to our streaming service, like every other streaming service.

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<v Speaker 1>It's kind of strange to kind of cran my neck

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<v Speaker 1>here a little, but you'd see a much greater blend

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<v Speaker 1>you'd see a lot of country songs, you te rock,

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<v Speaker 1>you t pop, um, if you go down past the

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<v Speaker 1>top fifty you might even see a classical track or

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<v Speaker 1>two after Really yeah, Um, so you know it's it's

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<v Speaker 1>it is very different. I think when we see who

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<v Speaker 1>our customers are, you know, and we compare that to

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<v Speaker 1>the charts and the other services, we feel pretty confident

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<v Speaker 1>in saying that, you know, we're reaching new segments of

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<v Speaker 1>the of the of the streaming addressable market and bringing

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<v Speaker 1>those people into paid streaming. And a lot of people

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<v Speaker 1>don't know a lot about Amazon, you zick. So if

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<v Speaker 1>you have the Amazon Prime, what can you listen to?

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<v Speaker 1>If you listen? If you have Amazon Prime, you get

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<v Speaker 1>a catalog of about two million songs, But you get

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<v Speaker 1>two of the three major companies for all three majors.

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<v Speaker 1>Or you get all three majors. Now, when did the

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<v Speaker 1>third major come on board? Oh gosh, two and a

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<v Speaker 1>half three years ago, Yeah, quite a while ago. Um,

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<v Speaker 1>you get all three majors most indies. Um, but it's

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<v Speaker 1>a limited catalog. So you know, we launched Prime Music,

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<v Speaker 1>and the whole premise back then was you have to

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<v Speaker 1>remember dial back right. Spotify was much much smaller. Apple

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<v Speaker 1>Music didn't exist. There was a bunch of startups who

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<v Speaker 1>were offering ten dollars a month, and we knew we wanted,

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<v Speaker 1>we needed to be in streaming. But we also knew

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<v Speaker 1>from our own music store that back in very very

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<v Speaker 1>few people were actually spending anything close to twenty dollars

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<v Speaker 1>a year, which is what ten dollars a month adds

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<v Speaker 1>up to. In fact, the bottom of our customers, we're

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<v Speaker 1>spending about fifteen dollars a year a year, right, So

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<v Speaker 1>our idea behind Prime Music was, let's put out let's

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<v Speaker 1>give these people a lot of music. They're more casual

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<v Speaker 1>music listeners, but let's take out all that friction that

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<v Speaker 1>we talked to people. What do you not like about

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<v Speaker 1>the free music services. I don't like the ads, I

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<v Speaker 1>don't like the fact that I can't take it offline.

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<v Speaker 1>I don't like the fact that I can have limited

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<v Speaker 1>on my limited skips and all that stuff. So the

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<v Speaker 1>idea behind Prime Music was, let's make a music service

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<v Speaker 1>for everybody else because at the time, the only people

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<v Speaker 1>who were interested in ten dollars a month. And the

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<v Speaker 1>market has totally moved since then, um, but back then

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<v Speaker 1>it was it was very It was a small sliver

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<v Speaker 1>of people who wanted ten dollars a month, probably everyone

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<v Speaker 1>in this room, but you guys aren't representative of the

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<v Speaker 1>average consumer. And you know, out of the gate, the

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<v Speaker 1>whole industry misunderstood it, um, but consumers didn't because it

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<v Speaker 1>was adopted really really quickly. And yeah, so that and

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<v Speaker 1>there's a lot of curation involved. You know, we have

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<v Speaker 1>a team so that routine. How would you see the

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<v Speaker 1>market today, Um, there's definitely been so that that whole

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<v Speaker 1>segment still exists and is still growing rapidly. Um. And

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<v Speaker 1>we always got to remember that of the US population

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<v Speaker 1>or any other population historically hasn't spent anything on music

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<v Speaker 1>Lettleon ten bucks a month. Um, there's two. There's just

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<v Speaker 1>there's There's always been tress or radio, There's always been

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<v Speaker 1>almost always been cable music choice and YouTube and all

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<v Speaker 1>these other alternatives. Um. So that's still growing. But what

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<v Speaker 1>seems to have happened in the last three years is

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<v Speaker 1>a shift in mentality among consumers. I don't know if

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<v Speaker 1>there's this greater awareness of how what a great value

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<v Speaker 1>ten bucks a month really is for all that music.

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<v Speaker 1>I think I think Netflix and Hulu and all these

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<v Speaker 1>other services have helped. Right, people are used to subscribing

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<v Speaker 1>to things and not thinking that as I'm paying for music,

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<v Speaker 1>but I'm paying for entertainment. I think devices like the

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<v Speaker 1>Echo UM lower the barrier because it's something you use

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<v Speaker 1>so frequently and it's frictionless. And so we see that.

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<v Speaker 1>You know, the projections that existed for the size of

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<v Speaker 1>the ten dollar month market, um, you know those were

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<v Speaker 1>those are wrong now. I mean, it's clear that the

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<v Speaker 1>market's grown more quickly than anyone anticipated. And if the

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<v Speaker 1>percentage is on your service you have baked into Amazon

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<v Speaker 1>prompt you're not being charged per month you have are

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<v Speaker 1>to listen on an Echo, you have essentially a ten

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<v Speaker 1>dollar program to listen to Alla, Spotify, Apple Music. How

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<v Speaker 1>do the subscribers or the listeners breakdown amongst those three choices? Yeah,

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<v Speaker 1>I mean, so the three is really the same. It's

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<v Speaker 1>we have two services, Prime Music and Amazon Music Unlimited.

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<v Speaker 1>Prime is a limited catalog unlimited, as the name might suggest,

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<v Speaker 1>a full catalog service. UM. But one of the innovations

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<v Speaker 1>that we had was at launches, say, you know, can

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<v Speaker 1>we we think the Echo is incomplete without a full

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<v Speaker 1>catalog of music service. If you've ever used one. You've

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<v Speaker 1>got an intelligent assistant. You want to ask her anything

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<v Speaker 1>you know. And the analogy I always give people's imagine

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<v Speaker 1>if you said, hey, Alexa, you know what's the weather

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<v Speaker 1>in Santa Barbara and she'd say, well, I'm sorry, the

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<v Speaker 1>weather in Santa Barbara is not included with your prime membership.

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<v Speaker 1>I only have the weather in San Francisco and Seattle.

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<v Speaker 1>Not a great experience, and so we are. We've always

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<v Speaker 1>felt that for that device where it has no screen

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<v Speaker 1>where you can ask her anything, she's intelligent and always

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<v Speaker 1>getting more intelligent and you so you expect her to

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<v Speaker 1>be able to give you what you want. That it

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<v Speaker 1>demands a full catalog, and we took the approach of

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<v Speaker 1>saying went to the labels and said, you know, we

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<v Speaker 1>think there's a real opportunity here. Two for the first

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<v Speaker 1>time have what a lot of people called a mid

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<v Speaker 1>tier service, but not a dumb down service. It's a

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<v Speaker 1>full catalog, has all the features and functionality. The one

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<v Speaker 1>limitations that you're restricted to that single device. Um, but

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<v Speaker 1>it is Amazon Music Limit. There's abolutely nothing different about

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<v Speaker 1>it except that you can only play on that one echo. Uh.

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<v Speaker 1>That's been really successful for us, and we've seen a

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<v Speaker 1>pretty significant percentage of people who come on to that

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<v Speaker 1>on ramp leave and go to the full price plan,

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<v Speaker 1>whether an individual planks that would listen on their phone

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<v Speaker 1>or a family plan because they might have multiple echoes

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<v Speaker 1>and they like to have concurrent streams. Um. So Prime

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<v Speaker 1>Music has been around. To answer your question more directly,

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<v Speaker 1>I mean the Prime Music has been around for four years.

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<v Speaker 1>Next in the month, next month, next in June. Amazon

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<v Speaker 1>Music and Limited been around for eighteen months. Um. You

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<v Speaker 1>know it's it's uh, not quite fifty fifty, but it's

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<v Speaker 1>it's getting close. Um. And so Amazon Music Limb is

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<v Speaker 1>growing really really fast. Um, and Prime Music continues to

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<v Speaker 1>grow faster than Prime. So we're pretty happy there too. Okay,

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<v Speaker 1>let's go back. You don't come from the music business,

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<v Speaker 1>Uh No, although lass six and a half years I do. Okay.

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<v Speaker 1>So for we always like to get where someone's coming from.

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<v Speaker 1>We've discussed before. But for the people who are not here,

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<v Speaker 1>you grow up a lot of places. I was born

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<v Speaker 1>in New Jersey, grew up overseas and in New Jersey,

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<v Speaker 1>um until I was twelve, and then moved to Houston, Texas. Uh,

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<v Speaker 1>my parents are immigrants from Belgium, and so I spent

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<v Speaker 1>a lot of time in Europe growing up, and uh

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<v Speaker 1>then came out to California for college. And you know

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<v Speaker 1>my adult life, have lived a bunch more places, so

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<v Speaker 1>a bit all over. But after college you went to

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<v Speaker 1>law school, yep, I did. And when you went to

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<v Speaker 1>law school, what was your intention relative to practicing. So

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<v Speaker 1>my original plan, because I was an engineering guy. I

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<v Speaker 1>was an electrical engineer in college as well as a

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<v Speaker 1>history major. And you know, the life plan was, oh,

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<v Speaker 1>go work as an engineer for a few years, go

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<v Speaker 1>get an m b A and do that. And I

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<v Speaker 1>did work as an engineer for Compact Computer. If anybody

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<v Speaker 1>remembers that brand, um, yeah, there's enough people my agent here,

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<v Speaker 1>I certainly remember. Was I mean, I just was addressing Uh.

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<v Speaker 1>I was Amazon's got a small offense in Santa Barbara,

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<v Speaker 1>and I was going to talk to the people there

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<v Speaker 1>before coming here, and I was like, I think I'm

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<v Speaker 1>twenty years older than every single person in this room.

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<v Speaker 1>But I realized I didn't really enjoy being an engineer,

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<v Speaker 1>so I decided to go to law school. So the

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<v Speaker 1>plan was always go practiced for a few years, but

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<v Speaker 1>just take a different path to the same end point,

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<v Speaker 1>which is to to get into the business world in

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<v Speaker 1>one way or another. And what kind of law did

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<v Speaker 1>you practice? Uh? Corporate law starting in Washington, d c.

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<v Speaker 1>And that was miserable. And then UM moved back out

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<v Speaker 1>to northern California and met at my five year college

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<v Speaker 1>reunion a partner in a very small tech law firm,

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<v Speaker 1>and UH, by the end of launch, I was ready

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<v Speaker 1>to come out and started there the day that Yahoo

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<v Speaker 1>went public and it was in this company. This law

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<v Speaker 1>firm represented Yahoo. It's a very exciting day at that

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<v Speaker 1>law firm is one of you know, that was the

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<v Speaker 1>beginning of the Internet. UM Netscape had gone public six

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<v Speaker 1>months or year prior, and it was just a crazy,

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<v Speaker 1>crazy time. So I worked with startups for about two

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<v Speaker 1>and a half three years. And what did you actually

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<v Speaker 1>do as the lawyer? UM? A variety of things. So,

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<v Speaker 1>you know, you do finance work, work with the venture

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<v Speaker 1>capitalists to raise money, take companies public, two mergers. But

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<v Speaker 1>the fun stuff that we did was actually we really

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<v Speaker 1>kind of acted as their outsourced general counsel, you know,

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<v Speaker 1>because those are small companies. They may have money in

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<v Speaker 1>the bank from Sequoia or one of these big vcs.

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<v Speaker 1>But um so when it came to doing partnerships commercial

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<v Speaker 1>partnerships with people, um we would get involved at a

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<v Speaker 1>much earlier stage than you would normally associate with the

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<v Speaker 1>law a legal team. Normally it's like, hey, we've negotiated

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<v Speaker 1>a deal paper it. Uh, that's not how we worked.

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<v Speaker 1>We were in there a lot of the guys and

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<v Speaker 1>this was the early days of the Internet, A lot

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<v Speaker 1>of the guys that were the busines, dev guys, the

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<v Speaker 1>business own guys that these companies. I didn't know crap,

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<v Speaker 1>I don't know anything about the Internet. No one did.

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<v Speaker 1>But we actually knew more just because you know, we

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<v Speaker 1>would represent ten companies, you would see ten things. All

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<v Speaker 1>these people were straight out of business school and they

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<v Speaker 1>were just in their little lane with their one company.

0:12:08.280 --> 0:12:11.760
<v Speaker 1>So we got involved very early in hand in hand

0:12:11.800 --> 0:12:13.400
<v Speaker 1>it was. It was a lot of fun. So you

0:12:13.559 --> 0:12:16.440
<v Speaker 1>enjoyed that as opposed to working in Washington, d C. Yeah,

0:12:16.600 --> 0:12:19.840
<v Speaker 1>I enjoyed it until I realized the learning curve started

0:12:19.840 --> 0:12:22.800
<v Speaker 1>to flatten out, you know, and thinking any job you

0:12:22.920 --> 0:12:26.000
<v Speaker 1>probably look up and say that the people you work

0:12:26.080 --> 0:12:29.679
<v Speaker 1>for do I want to be that person? And as

0:12:29.720 --> 0:12:31.400
<v Speaker 1>people I was would be happy to be them. They

0:12:31.400 --> 0:12:33.240
<v Speaker 1>were really nice guys, but I didn't want to be

0:12:33.280 --> 0:12:34.559
<v Speaker 1>in their job. I didn't want to be a partner

0:12:34.559 --> 0:12:37.000
<v Speaker 1>at that firm. So, so how'd you segue into your

0:12:37.040 --> 0:12:41.840
<v Speaker 1>next role? I reached out to some clients, and so

0:12:41.920 --> 0:12:44.439
<v Speaker 1>you were actively looking to get out? Yeah, I decided

0:12:44.440 --> 0:12:46.760
<v Speaker 1>I had one of those moments. I still remember it.

0:12:48.000 --> 0:12:50.679
<v Speaker 1>I was at a wedding of a friend of mine

0:12:51.080 --> 0:12:54.480
<v Speaker 1>back east, and uh, I was flying back with my

0:12:54.640 --> 0:12:58.120
<v Speaker 1>now wife and we're sitting watching a movie and I

0:12:58.160 --> 0:13:00.120
<v Speaker 1>just I wasn't watching the movie. My brain was just

0:13:00.200 --> 0:13:02.160
<v Speaker 1>going a mile a minute. And I remember just out

0:13:02.200 --> 0:13:05.880
<v Speaker 1>blurting out, I'm done. And she looked at me, she

0:13:06.200 --> 0:13:08.200
<v Speaker 1>what'd you say? I said, I'll tell you later watch

0:13:08.200 --> 0:13:09.959
<v Speaker 1>the movie. Um. Yeah, I just had one of those

0:13:10.000 --> 0:13:12.120
<v Speaker 1>moments where like, I'm I don't want to do this anymore,

0:13:13.080 --> 0:13:15.319
<v Speaker 1>And so I started reaching out to clients. Now at

0:13:15.320 --> 0:13:18.520
<v Speaker 1>the time, was your soon to be wife. Was she working?

0:13:19.840 --> 0:13:22.560
<v Speaker 1>So was there any issue of economic instability or you

0:13:22.600 --> 0:13:26.160
<v Speaker 1>say I'm not leaving the law until I find another thing. Yeah,

0:13:26.160 --> 0:13:28.199
<v Speaker 1>I didn't. I didn't leave until I found a job

0:13:28.280 --> 0:13:30.440
<v Speaker 1>that was a lesson my My father taught me. It's like,

0:13:30.800 --> 0:13:33.280
<v Speaker 1>I've got more leverage if you're still working. So okay,

0:13:33.280 --> 0:13:34.959
<v Speaker 1>So you reach out your clients. What do you find

0:13:36.520 --> 0:13:40.200
<v Speaker 1>a lot of interests, UM and I, you know, I

0:13:40.240 --> 0:13:42.640
<v Speaker 1>talked to both startups and then I talked to Yahoo.

0:13:42.679 --> 0:13:49.240
<v Speaker 1>And Yahoo at that time was a newly public startup. Basically, um.

0:13:49.320 --> 0:13:51.080
<v Speaker 1>You know, it's hard a lot of people here are

0:13:51.120 --> 0:13:53.160
<v Speaker 1>old enough to remember, but it was the hottest company

0:13:53.160 --> 0:13:57.680
<v Speaker 1>in the world bar none. Um and UH. They were

0:13:57.679 --> 0:14:01.000
<v Speaker 1>looking for someone at the time. They're starting to expand

0:14:01.000 --> 0:14:04.400
<v Speaker 1>in Europe and they Europe generally was a couple of

0:14:04.440 --> 0:14:07.679
<v Speaker 1>years behind the US from an Internet accepting except in Scandinavia,

0:14:07.760 --> 0:14:10.240
<v Speaker 1>but in Maine, you know, Big five was kind of

0:14:10.280 --> 0:14:13.160
<v Speaker 1>behind the US, and so there weren't They've been looking

0:14:13.200 --> 0:14:15.439
<v Speaker 1>and it couldn't find anyone. And they're looking for someone

0:14:15.440 --> 0:14:18.240
<v Speaker 1>to run business development, and uh, I have a European

0:14:18.240 --> 0:14:21.880
<v Speaker 1>background and and and so that helped, and they said,

0:14:21.920 --> 0:14:23.640
<v Speaker 1>do you want to give it a shot? And like,

0:14:23.720 --> 0:14:25.200
<v Speaker 1>if you'll give a shot on me, I'll take it.

0:14:25.280 --> 0:14:29.360
<v Speaker 1>And so we moved to London. And so if you're

0:14:29.480 --> 0:14:32.480
<v Speaker 1>moving in London, you're you know, eight time zones away,

0:14:32.840 --> 0:14:36.640
<v Speaker 1>so one would think you're pretty much running your own show. Yeah,

0:14:36.680 --> 0:14:40.120
<v Speaker 1>you get a lot of autonomy. Um, you know, you

0:14:40.120 --> 0:14:43.120
<v Speaker 1>you spend a lot of time back in California the

0:14:43.200 --> 0:14:45.480
<v Speaker 1>company of that age, and doing business to all means

0:14:45.520 --> 0:14:48.840
<v Speaker 1>like doing partnerships that doesn't mean selling advertising means like

0:14:48.880 --> 0:14:53.080
<v Speaker 1>product type integrations, right and which means you need engineering support,

0:14:53.120 --> 0:14:55.160
<v Speaker 1>which happens in California. So you spent a lot of

0:14:55.200 --> 0:14:58.760
<v Speaker 1>time on Uh just say you get you get a

0:14:58.800 --> 0:15:00.240
<v Speaker 1>lot of phone calls when you're ready to go to

0:15:00.280 --> 0:15:02.920
<v Speaker 1>bed from people, right, and then you're bringing his firing

0:15:03.000 --> 0:15:05.800
<v Speaker 1>and you can't go exactly, So I supposed loved it.

0:15:05.880 --> 0:15:09.320
<v Speaker 1>It was a great four years in London and ultimately

0:15:09.320 --> 0:15:12.720
<v Speaker 1>a success or a frustration in terms of executing on

0:15:12.880 --> 0:15:16.600
<v Speaker 1>your role. Oh it was great. No, there were frustrations,

0:15:16.600 --> 0:15:19.680
<v Speaker 1>but I haven't had a job that doesn't have frustrations.

0:15:19.720 --> 0:15:23.480
<v Speaker 1>So but the net, the net output was great. And

0:15:23.560 --> 0:15:27.480
<v Speaker 1>when you were done four years later, our Yang and

0:15:27.600 --> 0:15:31.960
<v Speaker 1>his original partners still in charge. Oh yeah, yeah, Well

0:15:32.680 --> 0:15:35.400
<v Speaker 1>Jerry was there when I left the company. He he

0:15:35.440 --> 0:15:40.480
<v Speaker 1>had just become CEO. Um, we were at our second

0:15:40.520 --> 0:15:43.080
<v Speaker 1>CEO and said Tim Coogel was the original CEO of

0:15:43.080 --> 0:15:46.160
<v Speaker 1>of Yahoo and then Terry Simul had joined while I

0:15:46.240 --> 0:15:49.840
<v Speaker 1>was based in London. Okay, so how do you decide

0:15:49.880 --> 0:15:53.920
<v Speaker 1>we're at the end of Yahoo. Well, first they brought

0:15:53.920 --> 0:15:56.280
<v Speaker 1>me back, got promoted, did a bunch of other things,

0:15:56.320 --> 0:15:59.560
<v Speaker 1>spent I spent totally ten years there, first forward in London.

0:16:00.080 --> 0:16:02.000
<v Speaker 1>Then I may maybe I misunderstood, I forgot. So the

0:16:02.040 --> 0:16:04.120
<v Speaker 1>next six years, when you're back in the valley, what

0:16:04.280 --> 0:16:08.040
<v Speaker 1>is your role? It evolved to be head of UM

0:16:08.400 --> 0:16:12.400
<v Speaker 1>Mobile effectively, so I was the s VP of Mobile

0:16:13.080 --> 0:16:16.920
<v Speaker 1>to date myself. This was mostly in the feature phone era.

0:16:17.000 --> 0:16:19.440
<v Speaker 1>We did a lot of J two me apps, We

0:16:19.800 --> 0:16:26.440
<v Speaker 1>used whap browsers. Um. Uh, it's like getting flashbacks. Um.

0:16:27.280 --> 0:16:32.320
<v Speaker 1>The I left Yahoo two months after the app store launched. Okay,

0:16:32.360 --> 0:16:36.120
<v Speaker 1>so so we were but we were there on Jerry

0:16:36.200 --> 0:16:39.280
<v Speaker 1>was on stage with Steve when the iPhone launched. Yeah,

0:16:39.280 --> 0:16:43.040
<v Speaker 1>who was a big part of that launch. UM Yahoo

0:16:43.080 --> 0:16:46.280
<v Speaker 1>Mail was embedded in the service and to the Yahoo

0:16:46.320 --> 0:16:50.640
<v Speaker 1>the stocks and weather apps, though they were called widgets

0:16:50.680 --> 0:16:54.800
<v Speaker 1>back then by Apple. We're all powered by Yahoo. So, um,

0:16:54.960 --> 0:16:56.760
<v Speaker 1>what's when we knew the world had changed? Like the

0:16:56.800 --> 0:17:00.000
<v Speaker 1>first day when iPhones actually hit the market in June

0:17:00.040 --> 0:17:03.760
<v Speaker 1>two thousand seven. You may remember this, but they went

0:17:03.760 --> 0:17:06.080
<v Speaker 1>on sale at six pm, but six pm and each

0:17:06.119 --> 0:17:09.919
<v Speaker 1>time zone. So we sat in California, they were on

0:17:09.960 --> 0:17:13.560
<v Speaker 1>sale in New York on the East coast, and we

0:17:13.600 --> 0:17:15.760
<v Speaker 1>just sat with the engineers and just watched the data

0:17:15.840 --> 0:17:18.639
<v Speaker 1>of people using it, and it just it blew us

0:17:18.680 --> 0:17:21.399
<v Speaker 1>away because you know, you were like for years the

0:17:21.480 --> 0:17:24.119
<v Speaker 1>perennial question that someone to ask you. It's probably similar

0:17:24.160 --> 0:17:26.400
<v Speaker 1>to what was going on streams, Like you could take

0:17:26.400 --> 0:17:29.399
<v Speaker 1>this story and apply to streaming. But every year, you know,

0:17:29.440 --> 0:17:31.960
<v Speaker 1>you have your business plan review and Jerry Yang or

0:17:32.040 --> 0:17:35.440
<v Speaker 1>Terry selling, when is mobile actually finally going to be big?

0:17:35.840 --> 0:17:38.680
<v Speaker 1>And you're like, it's two years away? Every years, two years.

0:17:39.040 --> 0:17:41.960
<v Speaker 1>The analogy I always use is digital photography. We heard

0:17:42.000 --> 0:17:44.640
<v Speaker 1>for ten years the digital photography is going to come

0:17:44.640 --> 0:17:47.520
<v Speaker 1>in and kill Kodak, and then all of a sudden,

0:17:47.560 --> 0:17:51.359
<v Speaker 1>one year it happened everything and it's like wow, And

0:17:51.440 --> 0:17:53.879
<v Speaker 1>when iPhone happened and we and we had you know,

0:17:54.480 --> 0:17:57.879
<v Speaker 1>we've seen blackberries were the most used devices for mobile

0:17:57.920 --> 0:18:01.360
<v Speaker 1>internet then, but they were really horrible for mobile internet.

0:18:01.400 --> 0:18:04.760
<v Speaker 1>You know, they weren't designed for it, but but most

0:18:04.800 --> 0:18:06.760
<v Speaker 1>people had them were being their companies were paying for

0:18:06.800 --> 0:18:10.120
<v Speaker 1>their data, so you'd use it anyway. And then iPhone

0:18:10.160 --> 0:18:13.000
<v Speaker 1>came in and despite their being you know how many

0:18:13.160 --> 0:18:16.320
<v Speaker 1>few devices actually went online that day is like these

0:18:16.320 --> 0:18:19.240
<v Speaker 1>spikes and we all sat around like the world changed,

0:18:19.560 --> 0:18:22.520
<v Speaker 1>changed forever, and that, by the way, it's what changed

0:18:22.640 --> 0:18:26.080
<v Speaker 1>for music as well. I mean the iPhone smartphones are

0:18:26.119 --> 0:18:29.280
<v Speaker 1>really the foundation of a streaming of the streaming evolution

0:18:29.280 --> 0:18:33.240
<v Speaker 1>over the last ten years. Okay, looking at Yahoo which

0:18:33.240 --> 0:18:38.159
<v Speaker 1>has now been sold, what's it savable? And if it

0:18:38.240 --> 0:18:43.240
<v Speaker 1>was savable, what should they have done differently? Was it savable?

0:18:43.320 --> 0:18:45.960
<v Speaker 1>I don't think it was by the time. By the

0:18:46.040 --> 0:18:49.840
<v Speaker 1>time it got to that point, I think Yahoo suffered.

0:18:49.880 --> 0:18:51.520
<v Speaker 1>And one of the things that attracted me about coming

0:18:51.520 --> 0:18:57.480
<v Speaker 1>to Amazon, um it never had the kind of visionary CEO.

0:18:58.000 --> 0:19:00.800
<v Speaker 1>Jerry is an amazing guy, for he's never the CEO,

0:19:01.119 --> 0:19:03.200
<v Speaker 1>never wanted to be, and he was only when he

0:19:03.480 --> 0:19:05.000
<v Speaker 1>was forced to because there was no one else who

0:19:05.000 --> 0:19:10.240
<v Speaker 1>wanted the job. Um he's an amazing guy, and uh

0:19:10.760 --> 0:19:13.000
<v Speaker 1>had a good had a really good vision, but he

0:19:13.000 --> 0:19:16.360
<v Speaker 1>he wasn't the CEO that could just galvanize the whole

0:19:16.359 --> 0:19:18.320
<v Speaker 1>company behind it. And and yeah, who got stuck. Are

0:19:18.320 --> 0:19:20.240
<v Speaker 1>we a media company or a technology company? And it

0:19:20.359 --> 0:19:24.280
<v Speaker 1>was never never land Um had it decided that years before?

0:19:25.080 --> 0:19:29.159
<v Speaker 1>Perhaps savable, but I think by the time Jerry became CEO,

0:19:29.400 --> 0:19:31.400
<v Speaker 1>I don't think it was. And you could see look

0:19:31.400 --> 0:19:34.400
<v Speaker 1>at the succession of CEOs after that, they all followed

0:19:34.600 --> 0:19:36.840
<v Speaker 1>despite saying they were doing a new strategy, was pretty

0:19:36.920 --> 0:19:41.800
<v Speaker 1>much the same strategy. And Terry Summel big mistake or

0:19:41.960 --> 0:19:44.920
<v Speaker 1>nothing he could done. I love Terry, Terry is a

0:19:44.920 --> 0:19:47.000
<v Speaker 1>great guy. I don't want to I'm not here to talk,

0:19:47.400 --> 0:19:49.560
<v Speaker 1>you know. No, It's just interesting because we see this

0:19:49.600 --> 0:19:53.000
<v Speaker 1>in the music business, both famously with Andy lack Now

0:19:53.040 --> 0:19:55.879
<v Speaker 1>I was back in the news business. Came in and

0:19:56.000 --> 0:19:58.399
<v Speaker 1>he really didn't understand the business. So we look at

0:19:58.520 --> 0:20:01.240
<v Speaker 1>Terry Semmel, who came from enter Tinman. Was he a

0:20:01.280 --> 0:20:03.560
<v Speaker 1>fish out of water and really did not understand the

0:20:03.600 --> 0:20:08.520
<v Speaker 1>technology business? Um. You know, I think they're probably people

0:20:08.560 --> 0:20:10.119
<v Speaker 1>who are in better position to answer that than me.

0:20:10.160 --> 0:20:11.760
<v Speaker 1>To be honest with you, I didn't work that closely

0:20:11.800 --> 0:20:14.600
<v Speaker 1>with Terry Um. I was off kind of doing my

0:20:14.600 --> 0:20:17.000
<v Speaker 1>own thing in mobile and he was okay. So you

0:20:17.040 --> 0:20:18.680
<v Speaker 1>wake up one day on a plane and say I'm

0:20:18.680 --> 0:20:22.359
<v Speaker 1>done at Yahoo. Uh. It was coming for a while

0:20:22.440 --> 0:20:29.120
<v Speaker 1>longer than that. You know, the company got bigger, and UM,

0:20:29.280 --> 0:20:30.920
<v Speaker 1>I don't know, just I kind of had an itch

0:20:31.000 --> 0:20:34.720
<v Speaker 1>to go do something smaller. I think politics had changed

0:20:34.720 --> 0:20:36.560
<v Speaker 1>in the company. It wasn't as fun as it once was.

0:20:37.320 --> 0:20:40.560
<v Speaker 1>Um and uh I kind of waited around, you know,

0:20:41.400 --> 0:20:44.880
<v Speaker 1>because I remember Microsoft bid for Yahoo and a hostile

0:20:44.960 --> 0:20:48.760
<v Speaker 1>takeover thing, and then carl Icon got involved. And that

0:20:48.840 --> 0:20:50.400
<v Speaker 1>was a moment where you like, I never thought I'd

0:20:50.400 --> 0:20:53.919
<v Speaker 1>worked for a company that carl Icon was making a

0:20:53.960 --> 0:20:56.720
<v Speaker 1>bid for it. Just it just it was time. It

0:20:56.800 --> 0:20:59.399
<v Speaker 1>was time to do something different. And the next step

0:20:59.600 --> 0:21:02.680
<v Speaker 1>was so I went to a couple of different startups.

0:21:02.720 --> 0:21:06.199
<v Speaker 1>I really wanted to be CEO of something, and so

0:21:06.240 --> 0:21:08.879
<v Speaker 1>I went to one company that I stayed in the

0:21:08.920 --> 0:21:11.639
<v Speaker 1>mobile world, and it was a social networking app that

0:21:11.920 --> 0:21:14.959
<v Speaker 1>had taken off. I was on feature phones and um

0:21:15.560 --> 0:21:19.119
<v Speaker 1>that was it was called meg thirty three, and you know,

0:21:19.240 --> 0:21:21.720
<v Speaker 1>Android was almost non existent at this point. This is

0:21:21.760 --> 0:21:27.040
<v Speaker 1>now fall of two eight, Um and Uh. It had

0:21:27.040 --> 0:21:31.480
<v Speaker 1>taken off in places like Indonesia, India, Malaysia, a little

0:21:31.480 --> 0:21:36.560
<v Speaker 1>bit in South Africa, and we ended up moving the

0:21:36.600 --> 0:21:40.200
<v Speaker 1>company to Singapore because it was just I didn't move

0:21:40.240 --> 0:21:43.320
<v Speaker 1>with it. Um. Well, it was the motivation. It was

0:21:43.560 --> 0:21:45.920
<v Speaker 1>impossible to run a company in that part of the

0:21:45.960 --> 0:21:49.120
<v Speaker 1>world from California. It was just happenstance that the customers

0:21:49.119 --> 0:21:51.920
<v Speaker 1>were there. The r poo's out of those customers don't

0:21:51.960 --> 0:21:56.520
<v Speaker 1>support California engineering costs. Um, you're not close. You know.

0:21:56.600 --> 0:21:59.240
<v Speaker 1>The thing is, none of our engineers are. Probably people

0:21:59.240 --> 0:22:01.560
<v Speaker 1>really used the product because it was a social networking thing.

0:22:01.560 --> 0:22:06.359
<v Speaker 1>They're all on Facebook and there, so they don't know

0:22:06.440 --> 0:22:08.240
<v Speaker 1>their own product in a way that you can only

0:22:08.280 --> 0:22:10.360
<v Speaker 1>know you in the internet. If you don't, if you're

0:22:10.400 --> 0:22:12.760
<v Speaker 1>not close to your customer, you're just not gonna have

0:22:12.800 --> 0:22:15.959
<v Speaker 1>a successful service. And uh so it started to languish

0:22:16.000 --> 0:22:18.040
<v Speaker 1>in terms of product innovation, so we decided to move

0:22:18.040 --> 0:22:21.760
<v Speaker 1>it there. It ultimately Um that company ultimately got listed

0:22:21.760 --> 0:22:24.240
<v Speaker 1>on the Australian Exchange and then got bought out and

0:22:24.400 --> 0:22:26.040
<v Speaker 1>I'm not sure what's going on with it, and kept

0:22:26.119 --> 0:22:28.840
<v Speaker 1>up with it, um. And then I went to another

0:22:28.880 --> 0:22:32.639
<v Speaker 1>company called Looped, which was one of the original apps

0:22:32.880 --> 0:22:39.320
<v Speaker 1>around social location sharing and social location sharing, which ultimately

0:22:39.320 --> 0:22:42.120
<v Speaker 1>got sold. Um. You know the name of that was

0:22:42.920 --> 0:22:46.439
<v Speaker 1>that was looped l O O P T. Yeah, it

0:22:46.520 --> 0:22:50.560
<v Speaker 1>ultimately got sold. Um mainly that the company had its

0:22:51.160 --> 0:22:53.960
<v Speaker 1>moment in the sun, like internet companies do or consumer

0:22:54.000 --> 0:22:56.480
<v Speaker 1>companies do, and they either kind of continue on that

0:22:56.520 --> 0:23:00.080
<v Speaker 1>trajectory they flat line, it started to flat line, and

0:23:00.280 --> 0:23:02.840
<v Speaker 1>it got it got bought out, primarily for the tech

0:23:02.880 --> 0:23:05.600
<v Speaker 1>talent that was in the company. That's an Amazon called.

0:23:09.560 --> 0:23:11.840
<v Speaker 1>We'll take a quick break and come back with more

0:23:11.880 --> 0:23:15.680
<v Speaker 1>of my conversation with VP of the Amazon Music Steve Boom,

0:23:15.800 --> 0:23:18.840
<v Speaker 1>recorded live at the Music Media Summit in Santa Barbara,

0:23:18.920 --> 0:23:25.359
<v Speaker 1>California this week. I'm speaking with Steve Boom. Over the

0:23:25.400 --> 0:23:27.879
<v Speaker 1>last couple of months, I've interviewed the lead singer of

0:23:27.960 --> 0:23:31.680
<v Speaker 1>Free and Bad Company, Paul Rodgers, and social media expert

0:23:31.720 --> 0:23:35.199
<v Speaker 1>at U t A. Kendall Lostro. We try to provide

0:23:35.240 --> 0:23:38.640
<v Speaker 1>a balance of entertaining and informative content for you here

0:23:38.680 --> 0:23:41.520
<v Speaker 1>on the Bob Left Steps podcast. Be the first to

0:23:41.560 --> 0:23:44.440
<v Speaker 1>hear next week's episode by subscribing to the podcast on

0:23:44.600 --> 0:23:49.240
<v Speaker 1>tune in, Apple Podcast or your podcast Apple choice. While

0:23:49.240 --> 0:23:54.440
<v Speaker 1>you're there, please rate and review the podcast. Okay, let's

0:23:54.480 --> 0:23:59.520
<v Speaker 1>get back to my conversation with Steve Boom, Amazon called

0:23:59.560 --> 0:24:02.320
<v Speaker 1>you what was the gig they were looking for you

0:24:02.359 --> 0:24:06.159
<v Speaker 1>to fill. Well, it's kind of a funny story, um,

0:24:06.200 --> 0:24:08.920
<v Speaker 1>at least for me. Uh. They called said, well, we're

0:24:09.080 --> 0:24:11.800
<v Speaker 1>starting to invest heavily in digital media. This is two

0:24:11.800 --> 0:24:16.760
<v Speaker 1>thousand eleven and so um the Prime Video service had

0:24:16.800 --> 0:24:21.840
<v Speaker 1>only recently launched and the Amazon Cloud locker had just

0:24:22.160 --> 0:24:24.480
<v Speaker 1>recently launched and I and I remember reading about that

0:24:24.520 --> 0:24:27.640
<v Speaker 1>because it caused a bit of kerfuffle in the industry

0:24:27.640 --> 0:24:30.600
<v Speaker 1>because it was unlicensed, and I think that's why it

0:24:30.680 --> 0:24:33.360
<v Speaker 1>made all the tech news. And they said, look, we're

0:24:33.400 --> 0:24:36.719
<v Speaker 1>we're investing in digital media. We're looking for some executives

0:24:36.720 --> 0:24:39.240
<v Speaker 1>to come build this out. And I said, well, you

0:24:39.280 --> 0:24:43.000
<v Speaker 1>can see from my LinkedIn that I don't have any

0:24:43.119 --> 0:24:48.280
<v Speaker 1>background in music or video. And the answer was, yes,

0:24:48.800 --> 0:24:52.679
<v Speaker 1>that's probably that's probably not a bad thing. And their

0:24:52.760 --> 0:24:56.119
<v Speaker 1>view was, you know, at a company like Amazon, you know,

0:24:56.200 --> 0:24:59.520
<v Speaker 1>your traditional music industry exactly, the hit rate was going

0:24:59.560 --> 0:25:01.359
<v Speaker 1>to be low for them to succeed at a company

0:25:01.359 --> 0:25:04.800
<v Speaker 1>like Amazon. Um, they really wanted someone more with a

0:25:04.800 --> 0:25:07.840
<v Speaker 1>more tech background because that the roles involved running engineering

0:25:07.840 --> 0:25:10.480
<v Speaker 1>teams and product teams and someone maybe came from a

0:25:10.480 --> 0:25:13.760
<v Speaker 1>more data driven background. And so what was your were

0:25:13.760 --> 0:25:16.600
<v Speaker 1>your responsibilities when you finally got the gig and went

0:25:16.640 --> 0:25:19.919
<v Speaker 1>into the building. Well before I joined, I thought it

0:25:19.960 --> 0:25:26.880
<v Speaker 1>was gonna be all of music, including physical music. Um.

0:25:26.920 --> 0:25:28.720
<v Speaker 1>But I had dinner with my boss a month before

0:25:28.760 --> 0:25:30.040
<v Speaker 1>I joined, said, Hey, I just won't let you know.

0:25:30.080 --> 0:25:34.080
<v Speaker 1>There's a re orc coming. The company's gonna split out,

0:25:34.119 --> 0:25:37.080
<v Speaker 1>split the physical and digital businesses altogether, not just in music,

0:25:37.080 --> 0:25:40.600
<v Speaker 1>but across the board. Just realize how fundamentally different they

0:25:40.600 --> 0:25:43.720
<v Speaker 1>are other than the fact that your partners are the same, um,

0:25:43.760 --> 0:25:46.199
<v Speaker 1>but from a running a business perspective, they're They're just

0:25:46.480 --> 0:25:50.280
<v Speaker 1>totally different. Uh. And he said, I don't I doubt

0:25:50.280 --> 0:25:52.320
<v Speaker 1>if you're too upset about not having to run the

0:25:52.320 --> 0:25:55.679
<v Speaker 1>physical business. And I was like, you know, I'm just

0:25:55.720 --> 0:25:58.879
<v Speaker 1>excited to be joining Amazon. Whatever, It's fine. So my

0:25:59.040 --> 0:26:01.760
<v Speaker 1>when I joined, my my my role and was and

0:26:01.760 --> 0:26:06.240
<v Speaker 1>continues to be to run Amazon's digital music business, um

0:26:06.280 --> 0:26:08.080
<v Speaker 1>from soup to nuts. And that's the way the company

0:26:08.200 --> 0:26:12.919
<v Speaker 1>organizes itself. It really has true general managers that have

0:26:13.520 --> 0:26:17.040
<v Speaker 1>product and engineering and marketing and finance and business development

0:26:17.080 --> 0:26:20.800
<v Speaker 1>and you know, licensing, label relations. All that stuff rolls

0:26:20.880 --> 0:26:22.600
<v Speaker 1>up into a single leader and that's the way the

0:26:22.600 --> 0:26:25.280
<v Speaker 1>company has always organized itself. Now there's a point where

0:26:25.320 --> 0:26:28.560
<v Speaker 1>you go to Bezos with a pitch. Why don't you

0:26:28.600 --> 0:26:35.159
<v Speaker 1>tell that story? Well, I mean we, um, you know,

0:26:35.240 --> 0:26:37.880
<v Speaker 1>we Amazon had been in digital music since two thousand seven,

0:26:37.880 --> 0:26:40.760
<v Speaker 1>it launched the MP three stores, the first first guy

0:26:40.880 --> 0:26:45.680
<v Speaker 1>to launch with DRM. Without DRM, I should say, um,

0:26:45.720 --> 0:26:50.120
<v Speaker 1>but you know, honestly, had had had modest success in

0:26:50.119 --> 0:26:54.199
<v Speaker 1>in the download business, and um, it was clearly a

0:26:54.240 --> 0:26:57.439
<v Speaker 1>segment that was being fairly well dominated by one player

0:26:57.720 --> 0:27:00.920
<v Speaker 1>given the device ecosystem, we knew we needed to get

0:27:00.960 --> 0:27:03.480
<v Speaker 1>into streaming. And the pitch was when I basically just

0:27:03.680 --> 0:27:09.480
<v Speaker 1>you know, basically kind of described with Prime Music, which is, um, Jeff,

0:27:09.480 --> 0:27:11.640
<v Speaker 1>we should get into streaming. That's where our customers are going.

0:27:11.680 --> 0:27:14.240
<v Speaker 1>And they know Amazon everything is customer first, customer first,

0:27:14.240 --> 0:27:17.960
<v Speaker 1>customer first. We saw what our customers were doing, and uh,

0:27:18.119 --> 0:27:20.240
<v Speaker 1>you know, we had seen that Prime the Prime Video service,

0:27:20.280 --> 0:27:22.280
<v Speaker 1>this is you know, this was now we're in early

0:27:23.960 --> 0:27:26.480
<v Speaker 1>the time frame that I'm talking about, and and um,

0:27:26.520 --> 0:27:28.600
<v Speaker 1>we could tell that Prime Video seemed to be getting

0:27:28.600 --> 0:27:31.639
<v Speaker 1>traction and the company was starting to invest more in

0:27:31.680 --> 0:27:33.920
<v Speaker 1>the Prime Video service and was really starting to put

0:27:33.920 --> 0:27:38.680
<v Speaker 1>its weight behind it UM. And you know, Jeff, we

0:27:38.680 --> 0:27:40.080
<v Speaker 1>we had talked to him before, like how do you

0:27:40.119 --> 0:27:44.080
<v Speaker 1>consider what do you think about adding things to Prime?

0:27:44.160 --> 0:27:46.560
<v Speaker 1>And you know, obviously the things you want to add

0:27:46.600 --> 0:27:49.880
<v Speaker 1>to a service like Prime or things that have broad appeal,

0:27:50.960 --> 0:27:55.280
<v Speaker 1>and what has broader appealed in music? Really nothing? And

0:27:55.960 --> 0:27:57.960
<v Speaker 1>people have been speculating for a long time, when is

0:27:58.000 --> 0:27:59.920
<v Speaker 1>Amazon going to add a music service to Prime? When

0:28:00.160 --> 0:28:03.440
<v Speaker 1>you know it's got to be coming soon, and so

0:28:03.640 --> 0:28:07.159
<v Speaker 1>we do what you do at Amazon. We spent several months.

0:28:07.200 --> 0:28:09.520
<v Speaker 1>We have a certain process that we follow there which

0:28:09.560 --> 0:28:15.080
<v Speaker 1>is different than another companies. And what we do is

0:28:15.080 --> 0:28:19.520
<v Speaker 1>we write a press release, one page press release of

0:28:20.160 --> 0:28:23.159
<v Speaker 1>explain to the consumer what you're about to launch, and

0:28:23.240 --> 0:28:25.400
<v Speaker 1>you polish that because if you can't do that, then

0:28:25.440 --> 0:28:26.920
<v Speaker 1>you don't know what you know, you haven't figured out

0:28:26.920 --> 0:28:29.040
<v Speaker 1>what is you want to do. And then behind that

0:28:29.080 --> 0:28:32.399
<v Speaker 1>one page press release UM, we call this document a

0:28:32.480 --> 0:28:34.119
<v Speaker 1>p R f a Q. There's an f a Q

0:28:34.320 --> 0:28:37.760
<v Speaker 1>Frequently Asked Questions section after that, and you write your

0:28:37.760 --> 0:28:40.120
<v Speaker 1>own questions and answers, and then we call a meeting

0:28:40.880 --> 0:28:43.680
<v Speaker 1>UM and there's then financial support and exhibits and all

0:28:43.680 --> 0:28:45.120
<v Speaker 1>that kind of stuff, and we call a meeting, and

0:28:45.120 --> 0:28:47.840
<v Speaker 1>we called a meeting with Jeff um with our CFO

0:28:47.920 --> 0:28:51.120
<v Speaker 1>at the time, um kind named Tom Scoot Tach who

0:28:51.280 --> 0:28:54.080
<v Speaker 1>is not our Brian. ALSOFSKI is the currency, a CFO,

0:28:54.800 --> 0:28:57.880
<v Speaker 1>and and a couple and several other you know, senior

0:28:57.960 --> 0:29:02.680
<v Speaker 1>leaders at the company spent ninety minutes first thirty minutes

0:29:02.680 --> 0:29:05.040
<v Speaker 1>of that meeting. You know, it's a bunch of middle

0:29:05.080 --> 0:29:08.680
<v Speaker 1>aged people with reading glasses sitting around staring at this

0:29:08.840 --> 0:29:11.760
<v Speaker 1>document and reading it because we don't we don't power

0:29:11.800 --> 0:29:14.000
<v Speaker 1>point at Amazon. We don't believe in it. Except if

0:29:14.040 --> 0:29:15.520
<v Speaker 1>I were, if I were giving you a speech, I

0:29:15.520 --> 0:29:17.880
<v Speaker 1>would power point. But then what's the difference. Why no

0:29:17.960 --> 0:29:21.640
<v Speaker 1>power point inside the building and power point outside the building? Well,

0:29:21.640 --> 0:29:24.080
<v Speaker 1>because if you're if the purpose of a meeting is

0:29:24.120 --> 0:29:27.000
<v Speaker 1>to to make a decision, power points are not a

0:29:27.000 --> 0:29:28.600
<v Speaker 1>good it's not a good meeting is a good way

0:29:28.600 --> 0:29:32.000
<v Speaker 1>to tell a story and present something, But if you

0:29:32.040 --> 0:29:35.520
<v Speaker 1>want to make a decision, you know there's two things.

0:29:35.560 --> 0:29:38.240
<v Speaker 1>One empower point. It's really easy to have bullet points

0:29:39.240 --> 0:29:41.560
<v Speaker 1>and to b as your way through things, right, It's

0:29:41.560 --> 0:29:43.480
<v Speaker 1>like try to do that when you have to write

0:29:43.520 --> 0:29:45.960
<v Speaker 1>complete sentences in a paragraph form and make it a

0:29:46.040 --> 0:29:49.719
<v Speaker 1>narrative that stretches over six pages. You find yourself testing

0:29:49.720 --> 0:29:52.040
<v Speaker 1>your your own thinking is refined and refined and refined

0:29:52.120 --> 0:29:54.400
<v Speaker 1>until it all hangs. The other part is when you

0:29:54.440 --> 0:29:57.960
<v Speaker 1>give a presentation. If we were to try to decide

0:29:57.960 --> 0:30:00.680
<v Speaker 1>something in this room, all of us together, some of

0:30:00.720 --> 0:30:02.640
<v Speaker 1>you would know what I'm talking about before I even

0:30:02.680 --> 0:30:05.360
<v Speaker 1>got up here, maybe more than I do. And then

0:30:05.400 --> 0:30:07.800
<v Speaker 1>some of you would know nothing about the topic, and

0:30:07.840 --> 0:30:10.280
<v Speaker 1>I'd be trying to give a presentation. Hands would be

0:30:10.320 --> 0:30:13.440
<v Speaker 1>going up, and you'd be asking questions about slide twenty seven,

0:30:13.440 --> 0:30:15.920
<v Speaker 1>even though on slide seven, and there's someone who's still

0:30:15.920 --> 0:30:18.880
<v Speaker 1>trying to figure out slide three, and you have a

0:30:18.920 --> 0:30:23.600
<v Speaker 1>complete mismatch of information. So the conversation is not even handed.

0:30:23.640 --> 0:30:26.440
<v Speaker 1>And so what happens. The way we do things. You

0:30:26.480 --> 0:30:29.080
<v Speaker 1>walk into the room, you hand out this, you make whatever,

0:30:29.160 --> 0:30:32.000
<v Speaker 1>twin copies, twenty copies. However, however, many people are in

0:30:32.000 --> 0:30:36.840
<v Speaker 1>the meeting, and we all then read. And the idea

0:30:36.880 --> 0:30:39.760
<v Speaker 1>is when we're done reading, some people will still have

0:30:39.840 --> 0:30:42.800
<v Speaker 1>more information than others, but everyone will have the same baseline,

0:30:42.800 --> 0:30:45.120
<v Speaker 1>and that baseline should be sufficient to make the decision

0:30:45.120 --> 0:30:48.040
<v Speaker 1>that we're asking you to make, UM, and so we'll

0:30:48.080 --> 0:30:50.040
<v Speaker 1>all sit there and read it ahead of time. And

0:30:50.040 --> 0:30:52.600
<v Speaker 1>I heard Jeff explain why don't you read it in advance?

0:30:53.320 --> 0:30:55.240
<v Speaker 1>I think there's two answers, one as no one has time,

0:30:56.280 --> 0:30:58.240
<v Speaker 1>and the other is and this I laughed when I

0:30:58.280 --> 0:31:00.760
<v Speaker 1>heard this, because I was just listening to this um

0:31:00.920 --> 0:31:03.720
<v Speaker 1>in some speech he gave recent. He said, because everyone

0:31:03.720 --> 0:31:05.680
<v Speaker 1>in the room is really smart, and they won't read

0:31:05.720 --> 0:31:07.160
<v Speaker 1>it ahead of time, but then they'll b as their

0:31:07.200 --> 0:31:10.720
<v Speaker 1>way through it and act like they did. And so

0:31:10.800 --> 0:31:12.920
<v Speaker 1>this way you're forced to sit there and you know,

0:31:13.080 --> 0:31:14.520
<v Speaker 1>what else are you gonna do? You know, there's this

0:31:14.520 --> 0:31:17.880
<v Speaker 1>thing in front of you. So we spent ninety minutes. Uh,

0:31:17.880 --> 0:31:20.640
<v Speaker 1>and so once again, how long are do people spend reading?

0:31:20.880 --> 0:31:23.320
<v Speaker 1>Thirty minutes? Okay? But I just remember, you know, like

0:31:23.360 --> 0:31:25.959
<v Speaker 1>being in school, you're always uptight or you fast? Are

0:31:25.960 --> 0:31:28.240
<v Speaker 1>you slow? You're gonna be ahead of this person. It's

0:31:28.280 --> 0:31:32.880
<v Speaker 1>almost like you feel a pressure. You know, we're we're

0:31:32.880 --> 0:31:36.360
<v Speaker 1>all friends and colleagues. So um, you know, you wait

0:31:36.480 --> 0:31:38.080
<v Speaker 1>if your if it's your meeting, you kind of look

0:31:38.120 --> 0:31:40.720
<v Speaker 1>around and you say, okay, it looks like does anyone

0:31:40.760 --> 0:31:43.480
<v Speaker 1>need more time, or sometimes you'll say, look, we're gonna

0:31:43.480 --> 0:31:44.960
<v Speaker 1>read for thirty minutes and then and we're going to

0:31:45.080 --> 0:31:48.200
<v Speaker 1>talk after that, and yeah, if you haven't read every word,

0:31:48.200 --> 0:31:50.120
<v Speaker 1>it's not the end of the world. And then we

0:31:50.440 --> 0:31:52.520
<v Speaker 1>talked about it for the next I think it was

0:31:52.560 --> 0:31:54.760
<v Speaker 1>a ninety minute meeting probably, and they asked a bunch

0:31:54.760 --> 0:31:59.600
<v Speaker 1>of questions, talked about the numbers, etcetera, etcetera. The product

0:31:59.680 --> 0:32:03.600
<v Speaker 1>that merrily and okay, let's do this. And you know

0:32:04.720 --> 0:32:06.920
<v Speaker 1>that's for me pre remarkable. I've worked in a number

0:32:06.960 --> 0:32:10.560
<v Speaker 1>of places and too. It was you know, we we

0:32:10.600 --> 0:32:12.480
<v Speaker 1>had prepared. So it's not like we didn't come in

0:32:12.560 --> 0:32:14.560
<v Speaker 1>half prepared, because that could have been a go back

0:32:14.560 --> 0:32:16.240
<v Speaker 1>and think about this and that and the other thing.

0:32:16.840 --> 0:32:18.960
<v Speaker 1>But it was, you know, we thought about it, thought

0:32:18.960 --> 0:32:21.960
<v Speaker 1>it through and uh had a decision taken in in

0:32:22.040 --> 0:32:25.720
<v Speaker 1>that meeting and lunch. You know, everybody at this point

0:32:25.800 --> 0:32:29.000
<v Speaker 1>you talk about a CEO with vision at this point,

0:32:29.000 --> 0:32:31.200
<v Speaker 1>with the death of Steve Jobs, in the retirement of

0:32:31.200 --> 0:32:35.200
<v Speaker 1>other people, uh, the two people two people people focus

0:32:35.280 --> 0:32:39.040
<v Speaker 1>on our elon Musk and Bezos. So of all the

0:32:39.080 --> 0:32:46.520
<v Speaker 1>CEO as you've dealt with, what does Jeff do differently. Um,

0:32:46.560 --> 0:32:50.680
<v Speaker 1>I think he's just is he very demanding? It's very

0:32:50.720 --> 0:32:55.560
<v Speaker 1>great clarity. Uh, And I think he he talks the

0:32:55.640 --> 0:32:57.680
<v Speaker 1>talk and walks the walk. So we we've set out

0:32:57.800 --> 0:33:01.080
<v Speaker 1>broad principles that we we managed by at the company.

0:33:01.600 --> 0:33:06.360
<v Speaker 1>He reiterates them, Um, explains them when he feels necessary.

0:33:07.360 --> 0:33:10.520
<v Speaker 1>But mostly what I think he does that's great is

0:33:10.560 --> 0:33:13.360
<v Speaker 1>he he lets his leaders lead. So if we were

0:33:13.360 --> 0:33:15.239
<v Speaker 1>to get him on the phone right now and we

0:33:15.240 --> 0:33:18.560
<v Speaker 1>were to talk about some details of Amazon Music, would

0:33:18.560 --> 0:33:23.080
<v Speaker 1>he be familiar with those? He dives down into all

0:33:23.120 --> 0:33:28.200
<v Speaker 1>the product verticals. So from the time you decided that

0:33:28.280 --> 0:33:30.920
<v Speaker 1>you wanted to do this until you gotta yes, how

0:33:30.960 --> 0:33:36.000
<v Speaker 1>long was that? Uh? Well, the time the yes was

0:33:36.040 --> 0:33:38.320
<v Speaker 1>in that meeting, I don't know when I'm talking about

0:33:38.440 --> 0:33:40.960
<v Speaker 1>from the time you said months, a few months, don't know.

0:33:41.280 --> 0:33:44.840
<v Speaker 1>And then you built everything from scratch. You didn't buy anything. No,

0:33:44.960 --> 0:33:48.120
<v Speaker 1>we haven't bought anything in music. But that's interesting because

0:33:48.160 --> 0:33:52.200
<v Speaker 1>everybody else is buying services. You know, Apple bought beats

0:33:52.760 --> 0:33:54.960
<v Speaker 1>and other things to give it leg up. Why do

0:33:55.040 --> 0:33:57.760
<v Speaker 1>you decide with certain players in the marketplace that you're

0:33:57.760 --> 0:34:02.240
<v Speaker 1>going to start from scratch. There's lots of reasons. I mean,

0:34:02.440 --> 0:34:05.800
<v Speaker 1>you know, well, now we already have an infrastructured so

0:34:06.200 --> 0:34:08.520
<v Speaker 1>if I were buying something, it would be to buy subscribers.

0:34:08.840 --> 0:34:12.799
<v Speaker 1>I haven't come across other than the biggest of the

0:34:12.800 --> 0:34:15.000
<v Speaker 1>big I haven't come across companies that can that can

0:34:15.000 --> 0:34:17.480
<v Speaker 1>really accelerate our growth. We're doing just fine, thank you,

0:34:17.760 --> 0:34:22.239
<v Speaker 1>um and UM. But in the earlier days, look, it's

0:34:23.440 --> 0:34:25.560
<v Speaker 1>you can spend as much time trying to integrate their

0:34:25.600 --> 0:34:29.319
<v Speaker 1>systems into the Amazon systems as it will take you

0:34:29.360 --> 0:34:32.520
<v Speaker 1>just to build it from scratch. And uh and you know,

0:34:32.560 --> 0:34:35.279
<v Speaker 1>so we looked, we did look at companies and either

0:34:35.360 --> 0:34:37.720
<v Speaker 1>the prices didn't make sense for what you were getting,

0:34:38.320 --> 0:34:41.160
<v Speaker 1>or we didn't think the technology was all that great. Um.

0:34:41.200 --> 0:34:43.800
<v Speaker 1>That happens a lot a lot of a lot of startups.

0:34:43.800 --> 0:34:45.960
<v Speaker 1>You know, the biggest thing when you buy them. And

0:34:46.000 --> 0:34:47.760
<v Speaker 1>I saw this at Yahoo all the time because y'aha

0:34:48.000 --> 0:34:52.160
<v Speaker 1>yah who operated an incredible scale. UM. And we bought

0:34:52.160 --> 0:34:54.280
<v Speaker 1>a lot of companies in the in the late nineties,

0:34:54.320 --> 0:34:56.040
<v Speaker 1>and the first thing you'd end up doing half the

0:34:56.120 --> 0:34:58.120
<v Speaker 1>time is having to rebuild half the technology because it

0:34:58.200 --> 0:35:01.560
<v Speaker 1>just couldn't scale. It's a lot for now because everyone

0:35:01.640 --> 0:35:04.759
<v Speaker 1>runs on Amazon Web Services, so thinks scale seamlessly. But

0:35:04.800 --> 0:35:07.840
<v Speaker 1>back then that didn't exist. Um, you know some of

0:35:07.840 --> 0:35:10.360
<v Speaker 1>the technology some of these companies that are trying to

0:35:10.360 --> 0:35:12.480
<v Speaker 1>sell themselves, maybe their technology is just based on an

0:35:12.480 --> 0:35:15.000
<v Speaker 1>older technology stack. You know, they've been around for a

0:35:15.080 --> 0:35:17.759
<v Speaker 1>few years and they're using older technologies that, yeah, we're

0:35:17.800 --> 0:35:20.239
<v Speaker 1>gonna have to replace that. So what's the point. And

0:35:20.280 --> 0:35:22.120
<v Speaker 1>do you hire outside people to build it or you

0:35:22.160 --> 0:35:26.520
<v Speaker 1>have inside engineers the Amazon to build your music service? Yeah?

0:35:26.520 --> 0:35:28.760
<v Speaker 1>Now we build it in house and we've we've staffed

0:35:28.840 --> 0:35:30.920
<v Speaker 1>up our team, but we don't use out we don't

0:35:31.000 --> 0:35:34.680
<v Speaker 1>use third parties. It's all it's all internal. Okay. So

0:35:36.040 --> 0:35:39.279
<v Speaker 1>from the time you launch it, at what point is

0:35:39.280 --> 0:35:45.439
<v Speaker 1>the Echo introduced? Um? Five months later? It turns out,

0:35:45.480 --> 0:35:48.200
<v Speaker 1>so we launched in June two thousand fourteen Prime Music

0:35:48.239 --> 0:35:50.760
<v Speaker 1>in the United States. The Echo launched on a beta

0:35:50.920 --> 0:35:54.960
<v Speaker 1>invitation only basis in November or late October, early to

0:35:55.000 --> 0:35:58.239
<v Speaker 1>mid November, somewhere in that range two thousand fourteen. And

0:35:58.280 --> 0:36:01.320
<v Speaker 1>at what point did you feel this is the future?

0:36:03.320 --> 0:36:08.040
<v Speaker 1>Probably March? And what was what was the lightbulb moment?

0:36:09.440 --> 0:36:12.120
<v Speaker 1>There are a couple of lifebub moments, um, I mean,

0:36:12.160 --> 0:36:14.799
<v Speaker 1>the first was just being consumers ourselves and being in

0:36:14.840 --> 0:36:18.160
<v Speaker 1>the music game. So you know, we had echoes those

0:36:18.400 --> 0:36:20.200
<v Speaker 1>some of us on the on the on the music

0:36:20.239 --> 0:36:24.000
<v Speaker 1>team during the when no one knew this product even existed.

0:36:24.040 --> 0:36:29.319
<v Speaker 1>But it's a beta product, it's an alpha product, and

0:36:29.400 --> 0:36:31.880
<v Speaker 1>you know, it works and some days it works, some

0:36:31.960 --> 0:36:34.040
<v Speaker 1>days it doesn't work, like any product that's in development,

0:36:34.760 --> 0:36:37.440
<v Speaker 1>so you don't really get that full customer experience. The

0:36:37.480 --> 0:36:42.560
<v Speaker 1>magic wasn't happening just yet. Um. But then you know,

0:36:42.680 --> 0:36:45.560
<v Speaker 1>once it started shipping, then of course we all had them.

0:36:45.560 --> 0:36:48.520
<v Speaker 1>And what I tell everybody is because we we've given

0:36:48.520 --> 0:36:51.160
<v Speaker 1>a lot of people echoes, and you know, when we

0:36:51.280 --> 0:36:53.080
<v Speaker 1>visit the labels like here, you should have one of this.

0:36:53.160 --> 0:36:55.440
<v Speaker 1>And what I tell people is if I come back

0:36:55.480 --> 0:36:57.040
<v Speaker 1>and it's sitting in your office, I'm taking it back

0:36:57.080 --> 0:36:59.920
<v Speaker 1>with me. Put it in your house, because it's not

0:37:00.120 --> 0:37:02.520
<v Speaker 1>meant to be in your Office's not that's not where

0:37:02.560 --> 0:37:03.920
<v Speaker 1>I mean you can put on there. It's great, but

0:37:04.760 --> 0:37:07.000
<v Speaker 1>if you want to understand the magic of a of

0:37:07.040 --> 0:37:09.000
<v Speaker 1>the voice interface and you have to have it in

0:37:09.040 --> 0:37:11.440
<v Speaker 1>your home, it has to be in a an area

0:37:11.480 --> 0:37:14.160
<v Speaker 1>where you're going about your business doing other things, it's

0:37:14.160 --> 0:37:16.400
<v Speaker 1>in a high traffic area, it's in a communal area,

0:37:17.360 --> 0:37:19.520
<v Speaker 1>and so we started using them in our homes, right,

0:37:19.560 --> 0:37:21.080
<v Speaker 1>And so when it was in beta, we weren't really

0:37:21.160 --> 0:37:22.920
<v Speaker 1>using them in our homes because you never know who's

0:37:22.920 --> 0:37:25.960
<v Speaker 1>gonna pop into your house that kind of thing. So, uh,

0:37:26.160 --> 0:37:28.680
<v Speaker 1>part of this, we were just consumers and we started

0:37:28.680 --> 0:37:31.880
<v Speaker 1>to understand the possibility. The other part was we started

0:37:31.880 --> 0:37:36.960
<v Speaker 1>to look at data and we could see of the

0:37:37.120 --> 0:37:40.160
<v Speaker 1>very few people that had gotten echoes in the very

0:37:40.239 --> 0:37:42.440
<v Speaker 1>early part of two thousand fifteen because they were in

0:37:42.600 --> 0:37:48.279
<v Speaker 1>very short supply, um, just how much they were being

0:37:48.360 --> 0:37:53.040
<v Speaker 1>used for music, and the different ways in which they're

0:37:53.040 --> 0:37:55.080
<v Speaker 1>being used for music, the ways the way people that

0:37:55.239 --> 0:37:58.320
<v Speaker 1>the ways that people are asking to to have Alexa

0:37:58.360 --> 0:38:01.400
<v Speaker 1>play music for them, in many cases very different than

0:38:01.440 --> 0:38:03.920
<v Speaker 1>you would expect them to do if they had a

0:38:04.360 --> 0:38:07.279
<v Speaker 1>visual app like an iPhone or an Android app. And

0:38:07.320 --> 0:38:09.799
<v Speaker 1>that's when we kind of realized and put all that

0:38:09.840 --> 0:38:15.239
<v Speaker 1>stuff together like this is this is profound. And I've

0:38:15.239 --> 0:38:16.839
<v Speaker 1>been around the block a couple of times and I've

0:38:16.840 --> 0:38:20.319
<v Speaker 1>seen these platforms shifts happen, and it was Okay, I

0:38:20.360 --> 0:38:24.799
<v Speaker 1>remember the shift from you know, uh button to touch

0:38:24.840 --> 0:38:28.680
<v Speaker 1>interface and and the impact that had fundamentally and mobile,

0:38:29.480 --> 0:38:31.960
<v Speaker 1>and we just started to you know, extrapolate out and

0:38:32.560 --> 0:38:35.360
<v Speaker 1>dream a little bit and say, you know, is voice

0:38:36.880 --> 0:38:40.120
<v Speaker 1>that level of of of a shift in platform and

0:38:40.160 --> 0:38:45.040
<v Speaker 1>the way people compute interact with computers, And you know,

0:38:45.520 --> 0:38:48.319
<v Speaker 1>we thought it would be, and particularly we thought it

0:38:48.320 --> 0:38:51.080
<v Speaker 1>would be for interacting with digital media, because we just

0:38:51.239 --> 0:38:54.399
<v Speaker 1>once you use it, you're like, it's just easier, it's

0:38:54.440 --> 0:38:56.760
<v Speaker 1>so much better. It's you know, there's so much less friction.

0:38:57.160 --> 0:38:59.600
<v Speaker 1>The first time. I'm sure all of you guys have

0:38:59.600 --> 0:39:03.600
<v Speaker 1>have you voice controls at some point, but man, the

0:39:03.640 --> 0:39:09.400
<v Speaker 1>first time you show someone of any technical background from

0:39:09.480 --> 0:39:14.240
<v Speaker 1>my mother in law to an engineer. She's not an engineer,

0:39:14.239 --> 0:39:15.800
<v Speaker 1>by the way, so I mean like she's got the

0:39:15.880 --> 0:39:18.480
<v Speaker 1>less technical background of those two people, and you just

0:39:18.520 --> 0:39:21.600
<v Speaker 1>say Alexa play and name a song and it comes out.

0:39:22.920 --> 0:39:27.200
<v Speaker 1>That's just magic. And the first time, now it's the

0:39:27.239 --> 0:39:31.120
<v Speaker 1>best innovation seemed commonplace three or four years later, um,

0:39:31.160 --> 0:39:33.279
<v Speaker 1>and like, well, of course, but I was not. And

0:39:33.360 --> 0:39:36.080
<v Speaker 1>of course a few years ago and it truly that

0:39:36.120 --> 0:39:39.399
<v Speaker 1>I remember showing to you know, record label executives. Their

0:39:39.400 --> 0:39:44.080
<v Speaker 1>eyes popped out, you know, and and that magic. Once

0:39:44.080 --> 0:39:46.160
<v Speaker 1>we understood that magic, we realized this is this is

0:39:46.200 --> 0:39:49.160
<v Speaker 1>a great this is just the way that you can

0:39:49.200 --> 0:39:51.719
<v Speaker 1>interact with digital media. It's just better. And do you

0:39:51.760 --> 0:39:55.160
<v Speaker 1>think at this point the music industry is up to

0:39:55.239 --> 0:39:59.160
<v Speaker 1>speed on what a huge breakthrough this is at this

0:39:59.239 --> 0:40:02.200
<v Speaker 1>point now and the eighteen Oh yeah, totally. Do you

0:40:02.200 --> 0:40:05.160
<v Speaker 1>think people understand that because there have been historically late

0:40:05.200 --> 0:40:10.000
<v Speaker 1>to everything, whether it be file trading, digital download streaming. Yeah,

0:40:10.040 --> 0:40:13.120
<v Speaker 1>I gotta say I, you know you're right, And UM,

0:40:13.160 --> 0:40:16.359
<v Speaker 1>I have to you know, I I'm not getting paid

0:40:16.400 --> 0:40:18.040
<v Speaker 1>to say this, but I have to take my hat

0:40:18.080 --> 0:40:21.120
<v Speaker 1>off to the labels because we went to go talk

0:40:21.160 --> 0:40:24.120
<v Speaker 1>about Amazon Music Unlimited in the very beginning of two

0:40:24.120 --> 0:40:27.440
<v Speaker 1>thousand and sixteen, so this is after the very first

0:40:27.520 --> 0:40:30.600
<v Speaker 1>Echo Christmas, but it was a smallish Echo Christmas. The

0:40:30.600 --> 0:40:33.200
<v Speaker 1>device was a year old, and you know, we went

0:40:33.280 --> 0:40:35.120
<v Speaker 1>to go pitch them on the deals and we came

0:40:35.160 --> 0:40:38.480
<v Speaker 1>with suitcases full of Echoes to hand out to everybody,

0:40:38.760 --> 0:40:41.240
<v Speaker 1>and I gave my little speech. But what we found

0:40:41.360 --> 0:40:44.960
<v Speaker 1>was that to a t or two to a person,

0:40:45.040 --> 0:40:48.480
<v Speaker 1>rather they had all bought them already. They had gifted

0:40:48.480 --> 0:40:52.399
<v Speaker 1>them to friends over the over the holiday they all

0:40:52.480 --> 0:40:57.239
<v Speaker 1>were super up to date on it and understood the opportunity, so,

0:40:57.440 --> 0:41:01.040
<v Speaker 1>you know, very collaborative conversations from the get go. It

0:41:01.160 --> 0:41:05.040
<v Speaker 1>wasn't It wasn't I think what maybe conversations were in

0:41:05.120 --> 0:41:09.040
<v Speaker 1>previous generations, and I think that's a lot of streaming

0:41:09.040 --> 0:41:13.399
<v Speaker 1>obviously was advancing, and the label saw that, um, this

0:41:13.480 --> 0:41:15.560
<v Speaker 1>was going to be their business going forward. And then

0:41:15.560 --> 0:41:17.600
<v Speaker 1>they saw this device and I think they used it

0:41:17.640 --> 0:41:20.680
<v Speaker 1>as consumers and they understood the power of it. Well,

0:41:20.800 --> 0:41:22.360
<v Speaker 1>I just know this is one of the products that

0:41:22.400 --> 0:41:24.160
<v Speaker 1>was sold by word of mouth. First of all, there

0:41:24.160 --> 0:41:27.960
<v Speaker 1>was theoretically limited availability, but yeah, I was liking theoretically

0:41:29.520 --> 0:41:31.040
<v Speaker 1>I'll tell you know, I'll tell you I So I

0:41:31.080 --> 0:41:33.239
<v Speaker 1>had one, but I ordered it in November when it

0:41:33.239 --> 0:41:36.840
<v Speaker 1>first came out in novemb It showed up on my

0:41:36.880 --> 0:41:40.320
<v Speaker 1>doorstep in May the following year, so it really was limited.

0:41:40.360 --> 0:41:42.759
<v Speaker 1>It started to be they ramped up production, you know

0:41:42.840 --> 0:41:45.279
<v Speaker 1>that year at some point, well, Gary Dela bat I

0:41:45.280 --> 0:41:46.840
<v Speaker 1>was talking to Me's really in the producer of the

0:41:46.840 --> 0:41:50.680
<v Speaker 1>Howard Stern Show, and he's it was such zeal I

0:41:50.719 --> 0:41:52.759
<v Speaker 1>had to get one, and it was sort of like,

0:41:53.160 --> 0:41:55.239
<v Speaker 1>first of all, we're more of a software era than

0:41:55.239 --> 0:41:58.040
<v Speaker 1>a hardware era. But his excitement made me feel that

0:41:58.080 --> 0:42:00.920
<v Speaker 1>I wanted to get one same thing. In terms of

0:42:01.280 --> 0:42:04.719
<v Speaker 1>Amazon Music Unlimited, doesn't seem like there's a lot of

0:42:04.880 --> 0:42:10.000
<v Speaker 1>advertising outside of the Amazon ecosystem, but talk about the

0:42:10.080 --> 0:42:13.000
<v Speaker 1>little triggers you have in your system to try to

0:42:13.040 --> 0:42:19.880
<v Speaker 1>get people to upgrade. Yeah. So, um, you know, one

0:42:19.880 --> 0:42:21.600
<v Speaker 1>of the things we worked on for the launch was

0:42:21.640 --> 0:42:25.319
<v Speaker 1>we wanted to make sure the subscription process was as

0:42:25.560 --> 0:42:29.799
<v Speaker 1>as simple as possible. Um. We obviously, like one of

0:42:29.800 --> 0:42:34.440
<v Speaker 1>our competitors have you know, customer, lots of customers, credit

0:42:34.480 --> 0:42:37.399
<v Speaker 1>card accounts. People buy stuff from Amazon, that's what they do.

0:42:37.440 --> 0:42:41.280
<v Speaker 1>We have a commerce space relationship with them, and um,

0:42:41.320 --> 0:42:42.880
<v Speaker 1>you know, we wanted to make sure they could just

0:42:43.200 --> 0:42:46.480
<v Speaker 1>talk to Alexa to subscribe, so you can do that,

0:42:46.960 --> 0:42:53.920
<v Speaker 1>and um, we're pretty confident that that's the the if

0:42:53.960 --> 0:42:56.800
<v Speaker 1>this is sounds like an oxymoron, but the most frictionless,

0:42:57.520 --> 0:42:59.799
<v Speaker 1>the least amount of friction in any subscription that I've

0:42:59.840 --> 0:43:02.279
<v Speaker 1>are seen. And so one of the things we do.

0:43:02.400 --> 0:43:04.160
<v Speaker 1>You know, if you were to ask for a track,

0:43:04.440 --> 0:43:06.920
<v Speaker 1>and say you're a prime member, if you were to

0:43:06.920 --> 0:43:09.400
<v Speaker 1>ask for a track that's not in Prime Music, so

0:43:09.440 --> 0:43:12.839
<v Speaker 1>it's not part of those two million odd songs. Um,

0:43:13.040 --> 0:43:16.440
<v Speaker 1>you would hear Alexas say something like, you know that

0:43:16.520 --> 0:43:20.240
<v Speaker 1>song is not in Prime Music. It's available in Amazon

0:43:20.320 --> 0:43:23.320
<v Speaker 1>Music Unlimited along with tens of millions of other songs

0:43:23.400 --> 0:43:29.319
<v Speaker 1>or something like that. Uh, free trial for thirty days

0:43:29.320 --> 0:43:36.000
<v Speaker 1>after that as month, should I start your free trial? Yes,

0:43:36.800 --> 0:43:39.600
<v Speaker 1>that's all you have to say, and music will start playing.

0:43:40.520 --> 0:43:43.400
<v Speaker 1>And I don't know if it gets an easier than that.

0:43:43.480 --> 0:43:45.759
<v Speaker 1>And so we do that. And that's that's very effective,

0:43:45.840 --> 0:43:48.400
<v Speaker 1>you know, because you're it's always more effective to to

0:43:48.480 --> 0:43:51.200
<v Speaker 1>get someone to upgrade to something when they're in the moment.

0:43:52.120 --> 0:43:54.880
<v Speaker 1>Then they're already they're already so far down that funnel

0:43:55.400 --> 0:43:57.759
<v Speaker 1>in consideration that it's it doesn't take a lot to

0:43:57.760 --> 0:44:00.560
<v Speaker 1>get them over the last hurdle. If if you're having

0:44:00.600 --> 0:44:03.440
<v Speaker 1>to spend you know, two or fifty million dollars creating

0:44:03.440 --> 0:44:07.520
<v Speaker 1>a brand for yourself, that's just creating awareness. So once

0:44:07.520 --> 0:44:09.319
<v Speaker 1>they're on the echo device, you know, we do that.

0:44:09.440 --> 0:44:13.320
<v Speaker 1>We do things if um, if if you have multiple

0:44:13.320 --> 0:44:15.560
<v Speaker 1>echoes in your home and say you're listening in one

0:44:15.640 --> 0:44:18.439
<v Speaker 1>room and your kids listening and wants to listen, well,

0:44:18.520 --> 0:44:20.279
<v Speaker 1>let's put the other way. Your kids listening in one

0:44:20.360 --> 0:44:21.640
<v Speaker 1>room and then you're in the other room and you

0:44:21.680 --> 0:44:24.480
<v Speaker 1>try to listen, and Alex will say, um, you know,

0:44:24.480 --> 0:44:26.560
<v Speaker 1>because we're limit you're limited to one stream at a

0:44:26.560 --> 0:44:29.840
<v Speaker 1>time and all these music services, that's that's a condition

0:44:29.840 --> 0:44:33.160
<v Speaker 1>of the labels. She'd say something like, you know, music

0:44:33.239 --> 0:44:36.120
<v Speaker 1>is playing on the other device. Um, but if you

0:44:36.200 --> 0:44:37.880
<v Speaker 1>upgrade to the Family Plan, you can have up to

0:44:37.920 --> 0:44:42.320
<v Speaker 1>six concurrent streams. And well, it turns out that's pretty effective,

0:44:42.600 --> 0:44:44.719
<v Speaker 1>you know, um, because if you really want to listen

0:44:44.760 --> 0:44:46.560
<v Speaker 1>to music and your time, and you maybe didn't even

0:44:46.560 --> 0:44:49.239
<v Speaker 1>know the Family Plan existed, right, and now he's like,

0:44:49.239 --> 0:44:52.160
<v Speaker 1>oh cool, well you have four echoes, I got three kids. Great,

0:44:52.200 --> 0:44:56.480
<v Speaker 1>let's do it. And also, assuming someone's not asking for

0:44:56.600 --> 0:44:59.680
<v Speaker 1>something that's not in the two million catalog you do

0:44:59.760 --> 0:45:04.880
<v Speaker 1>have of periodic adds, shall we say them to upgrade?

0:45:05.560 --> 0:45:07.800
<v Speaker 1>Well we we you know, we communicate with our customers,

0:45:07.800 --> 0:45:13.200
<v Speaker 1>but Alexa doesn't run ads, so you're communicating saying, hey,

0:45:13.239 --> 0:45:17.560
<v Speaker 1>this opportunity is here, um through normal like email and

0:45:17.600 --> 0:45:21.680
<v Speaker 1>push messaging channels, but not there's you know, Alexa's personality

0:45:21.760 --> 0:45:25.080
<v Speaker 1>is it's very it's it's very carefully guarded. She's not

0:45:25.120 --> 0:45:26.759
<v Speaker 1>going to be you know, she's not meant there to

0:45:26.840 --> 0:45:29.320
<v Speaker 1>hawk products, you know, and and she's not meant to

0:45:29.320 --> 0:45:32.480
<v Speaker 1>be too sales. So if you're just you won't what

0:45:32.520 --> 0:45:34.719
<v Speaker 1>you won't see is or here I should say. So,

0:45:34.800 --> 0:45:38.279
<v Speaker 1>if you're listening to a playlist, you're not going to

0:45:38.360 --> 0:45:41.000
<v Speaker 1>get interrupted in the middle in between songs and say, hey,

0:45:41.040 --> 0:45:42.759
<v Speaker 1>by the way, there's this thing called am some music

0:45:42.760 --> 0:45:45.480
<v Speaker 1>on Limit. There's no advertising on Echo and we don't

0:45:45.480 --> 0:45:48.120
<v Speaker 1>advertise like that either. It's because it's just contextual. There's

0:45:48.120 --> 0:45:52.200
<v Speaker 1>no pushing of the unlimited service on Alexa unless you

0:45:52.239 --> 0:45:54.160
<v Speaker 1>ask for something that is not there. Yeah, unless you're

0:45:54.280 --> 0:45:57.759
<v Speaker 1>unless you're really in the moment of wanting music and

0:45:58.080 --> 0:46:00.480
<v Speaker 1>we think we can improve your experience. Okay, So, in

0:46:00.520 --> 0:46:06.080
<v Speaker 1>the world today of selling music, not literally but marketing music,

0:46:06.640 --> 0:46:11.680
<v Speaker 1>playlists are thought to be king. How does someone enter

0:46:11.960 --> 0:46:19.760
<v Speaker 1>the Amazon ecosystem and get their songs heard? Um? Well,

0:46:19.800 --> 0:46:21.600
<v Speaker 1>first of all, we have a team of programmers who

0:46:21.640 --> 0:46:25.759
<v Speaker 1>are out looking for music and deciding themselves how many

0:46:25.760 --> 0:46:31.560
<v Speaker 1>people are there? Tensa um and they're out and you know,

0:46:31.600 --> 0:46:35.800
<v Speaker 1>they're in different cities and assigned to different genres. Um.

0:46:35.840 --> 0:46:38.280
<v Speaker 1>You know, our country programmers are in are in Nashville,

0:46:38.280 --> 0:46:42.200
<v Speaker 1>not a big surprise, and um, they're out doing what

0:46:42.239 --> 0:46:45.480
<v Speaker 1>those guys do. They go out to listen to new

0:46:45.520 --> 0:46:48.160
<v Speaker 1>bands play and new artists and they listen for music.

0:46:48.640 --> 0:46:51.640
<v Speaker 1>We obviously meet with the record labels, we meet with

0:46:51.719 --> 0:46:56.560
<v Speaker 1>artists management, and we get played a lot of music. Um.

0:46:56.640 --> 0:46:59.759
<v Speaker 1>And you know, it's ultimate editorial decision. You know, what

0:46:59.880 --> 0:47:01.200
<v Speaker 1>is it that we want to what is it that

0:47:01.239 --> 0:47:05.000
<v Speaker 1>we want to play? And you know, we'll promote music

0:47:05.040 --> 0:47:07.279
<v Speaker 1>when it comes. If if there's an artist that we

0:47:07.520 --> 0:47:09.239
<v Speaker 1>want to get behind, we work with the label to

0:47:09.280 --> 0:47:12.520
<v Speaker 1>promote them. Um. But ultimately the decision of what and

0:47:12.560 --> 0:47:15.279
<v Speaker 1>where to put something in a playlist comes down to

0:47:15.320 --> 0:47:19.440
<v Speaker 1>the editorial team. Okay. But if you're a manager, there

0:47:19.520 --> 0:47:23.160
<v Speaker 1>is someone you can meet with. Yeah, absolutely okay. And

0:47:23.200 --> 0:47:26.239
<v Speaker 1>then you subsequently look at the data and there for

0:47:26.360 --> 0:47:29.239
<v Speaker 1>a massage what gets played and what's not, What gets

0:47:29.239 --> 0:47:31.680
<v Speaker 1>added and gets dropped from playlist based on the number

0:47:31.719 --> 0:47:36.279
<v Speaker 1>of streams. Sure, sure, okay. And Amazon has seen someone

0:47:36.320 --> 0:47:39.600
<v Speaker 1>of as a black hole. Now Spotify is now public,

0:47:39.840 --> 0:47:42.799
<v Speaker 1>they're releasing a lot of information. First and foremost, if

0:47:42.840 --> 0:47:45.200
<v Speaker 1>I am an artist on Amazon, do you have a

0:47:45.280 --> 0:47:48.160
<v Speaker 1>dashboard where I can see all my data? Not at

0:47:48.160 --> 0:47:51.000
<v Speaker 1>the current time. So well, we eventually we will. We

0:47:51.040 --> 0:47:52.839
<v Speaker 1>just don't have it yet. We've been more focused on,

0:47:53.600 --> 0:47:56.000
<v Speaker 1>you know, getting big enough that artists would want to

0:47:56.000 --> 0:47:59.120
<v Speaker 1>come look at a dashboard on Amazon. Okay, And then

0:47:59.400 --> 0:48:02.400
<v Speaker 1>you have Apple, as I say, trumpeting how many urban

0:48:02.520 --> 0:48:05.719
<v Speaker 1>streams they have, And we don't really know what's going

0:48:05.760 --> 0:48:09.759
<v Speaker 1>on in Amazon. The first question is what is going on?

0:48:09.960 --> 0:48:11.960
<v Speaker 1>And second is there a way for us to find

0:48:12.000 --> 0:48:18.600
<v Speaker 1>out on a regular basis. I can't come here every day. Sorry, Um,

0:48:19.280 --> 0:48:21.880
<v Speaker 1>what is going on? Lots of lots is going on.

0:48:22.000 --> 0:48:25.120
<v Speaker 1>But yeah, as a company, we tend to be more

0:48:25.160 --> 0:48:28.480
<v Speaker 1>reticent to share data. Is just across the board. I

0:48:28.560 --> 0:48:32.680
<v Speaker 1>value my job, so I try not to share too much. Um.

0:48:33.760 --> 0:48:38.200
<v Speaker 1>Ultimately we we we will, uh created an avenue for

0:48:39.000 --> 0:48:41.240
<v Speaker 1>for artists to see what's going on in real time.

0:48:41.360 --> 0:48:44.400
<v Speaker 1>I mean, we obviously give reports to all the labels

0:48:44.400 --> 0:48:48.600
<v Speaker 1>and so the labels know what's going on in our service. Um,

0:48:48.840 --> 0:48:50.799
<v Speaker 1>but we we don't make it as public as some

0:48:50.840 --> 0:48:54.640
<v Speaker 1>of the other services. We also don't just generally beat

0:48:54.640 --> 0:48:57.200
<v Speaker 1>our chest as much and try to like you know,

0:48:57.280 --> 0:48:59.400
<v Speaker 1>talk about how many streams x artists did in the

0:48:59.400 --> 0:49:02.680
<v Speaker 1>first weekend just sort of not it's just not really

0:49:02.680 --> 0:49:10.000
<v Speaker 1>what we do as much. We'll pause here for a

0:49:10.040 --> 0:49:12.600
<v Speaker 1>brief moment and get right back to VP of the

0:49:12.640 --> 0:49:17.560
<v Speaker 1>Amazon Music Steve Boom. As most of you know, I'm

0:49:17.560 --> 0:49:19.560
<v Speaker 1>a writer and you can read my work at left

0:49:19.560 --> 0:49:22.960
<v Speaker 1>sets dot com in addition to reading my commentary on

0:49:23.160 --> 0:49:25.799
<v Speaker 1>music tech in the world at large. Will be the

0:49:25.840 --> 0:49:28.360
<v Speaker 1>first to find out when we've published a new podcast.

0:49:28.719 --> 0:49:30.840
<v Speaker 1>Go to left sets dot com and sign up for

0:49:30.880 --> 0:49:34.360
<v Speaker 1>the news letter. Now more of the VP of the

0:49:34.360 --> 0:49:38.400
<v Speaker 1>Amazon Music Steve Boom, recorded live the Music Media Summit

0:49:38.440 --> 0:49:45.319
<v Speaker 1>in Santa Barbara, California. What can you say? We talked

0:49:45.360 --> 0:49:49.040
<v Speaker 1>about this a little earlier, and I'll use the word counterintuitive.

0:49:49.440 --> 0:49:51.800
<v Speaker 1>What do we learn about what's happening on the Amazon

0:49:51.920 --> 0:49:59.239
<v Speaker 1>service as opposed to its competitors. UM, I'm not even

0:49:59.239 --> 0:50:02.080
<v Speaker 1>sure how to answer. That's such a broad question. Specifically,

0:50:02.440 --> 0:50:07.719
<v Speaker 1>are there different genres that are emphasized? Uh, yeah, you'll

0:50:07.760 --> 0:50:10.880
<v Speaker 1>see different Like I said, you'll see different genres. Um.

0:50:11.040 --> 0:50:12.919
<v Speaker 1>I can look at our charts. They just they look

0:50:13.000 --> 0:50:17.200
<v Speaker 1>very different. They look wildly different. Would you say, therefore,

0:50:17.200 --> 0:50:19.840
<v Speaker 1>that Amazon is reaching a different segment of the public

0:50:20.200 --> 0:50:25.520
<v Speaker 1>or a more representative segment of the public. Uh, that's

0:50:25.520 --> 0:50:28.239
<v Speaker 1>a tough question to answer. I think it's a broader

0:50:28.520 --> 0:50:32.400
<v Speaker 1>cross section of the public. Um, if your goal is

0:50:32.440 --> 0:50:37.320
<v Speaker 1>to be, you know, a service for the most popular

0:50:37.440 --> 0:50:40.399
<v Speaker 1>music right now in terms of streaming, you know, then

0:50:40.640 --> 0:50:45.360
<v Speaker 1>you're going to be focused on nothing but hip hop. Um,

0:50:45.400 --> 0:50:48.040
<v Speaker 1>I think it's a more representative cross section of of

0:50:48.200 --> 0:50:51.840
<v Speaker 1>the country. And you know, also, I can tell you know,

0:50:51.840 --> 0:50:56.319
<v Speaker 1>if you think about Amazon and our customer base. At

0:50:56.320 --> 0:51:00.879
<v Speaker 1>our core, we sell people things, and there were our

0:51:00.960 --> 0:51:07.040
<v Speaker 1>average customer buys things. Therefore has disposable income and a

0:51:07.080 --> 0:51:11.480
<v Speaker 1>credit card. So therefore our customer base excuse a bit

0:51:11.560 --> 0:51:15.120
<v Speaker 1>older than the other guys. That doesn't mean it's old,

0:51:15.239 --> 0:51:17.480
<v Speaker 1>It just means it starts more at a young adult

0:51:17.800 --> 0:51:22.319
<v Speaker 1>and goes up from there. Right, we're we don't have

0:51:22.400 --> 0:51:26.600
<v Speaker 1>a free tier, so well, essentially you do because it's

0:51:26.600 --> 0:51:32.600
<v Speaker 1>baked into the now nine Amazon Prime that you have

0:51:32.680 --> 0:51:34.800
<v Speaker 1>to be a Prime member and that's not an unlimited

0:51:35.120 --> 0:51:38.440
<v Speaker 1>basil said, you know, they're a hundred million Prime members

0:51:38.280 --> 0:51:40.920
<v Speaker 1>that global number. Yeah, right, Well, how many countries is

0:51:40.960 --> 0:51:45.360
<v Speaker 1>Amazon Music in at this point around forty and you

0:51:45.360 --> 0:51:49.360
<v Speaker 1>can get unlimited in all those forty countries, um, all

0:51:49.400 --> 0:51:53.000
<v Speaker 1>but one, but that's coming yeah pretty much. Okay, So

0:51:53.120 --> 0:51:57.200
<v Speaker 1>but essentially it feels free to the consumer unless you

0:51:57.239 --> 0:52:00.399
<v Speaker 1>have prime. If you have prime, okay, we to of course,

0:52:00.440 --> 0:52:03.719
<v Speaker 1>the original sales pitch is the two day delivery, which

0:52:03.800 --> 0:52:06.839
<v Speaker 1>I think with its original prices seventy nine dollars was real.

0:52:06.960 --> 0:52:09.880
<v Speaker 1>Now that it's going up, you're looking at the add ons. Okay,

0:52:10.040 --> 0:52:13.800
<v Speaker 1>so what do you see right now? Despite protestations of

0:52:13.880 --> 0:52:18.960
<v Speaker 1>the minor players, is essentially a three horse race between Apple, Spotify,

0:52:19.000 --> 0:52:23.320
<v Speaker 1>and Amazon. What do you foresee foreseeing the future relative

0:52:23.320 --> 0:52:30.160
<v Speaker 1>to the competition of those three UM, I can speak

0:52:30.160 --> 0:52:33.000
<v Speaker 1>to us. I mean, I I like where we sit.

0:52:33.680 --> 0:52:37.120
<v Speaker 1>You know, people, you know, we've we've grown pretty dramatically

0:52:37.120 --> 0:52:42.640
<v Speaker 1>over the last uh two or three years and to

0:52:42.719 --> 0:52:45.080
<v Speaker 1>the point where you know, it's it's it's quite clear

0:52:45.120 --> 0:52:47.320
<v Speaker 1>that we're in that small group that you just mentioned.

0:52:48.000 --> 0:52:52.239
<v Speaker 1>And you know, we think, we think we have a

0:52:52.239 --> 0:52:55.799
<v Speaker 1>good trajectory and we have a pretty sound strategy. I

0:52:55.800 --> 0:52:58.080
<v Speaker 1>think there's some secular trends that work in our favors,

0:52:58.120 --> 0:53:02.360
<v Speaker 1>such as UM this plat form shifts to voice. So

0:53:02.760 --> 0:53:05.400
<v Speaker 1>you know, we see ourselves continuing to grow pretty rapidly.

0:53:05.480 --> 0:53:10.799
<v Speaker 1>I know there's this narrative out there that everything in

0:53:10.840 --> 0:53:14.080
<v Speaker 1>the Internet is a winner take all um. I don't

0:53:14.080 --> 0:53:15.960
<v Speaker 1>really buy into that when it comes at least to

0:53:16.520 --> 0:53:19.560
<v Speaker 1>digital media. I can see that where there are you know,

0:53:19.719 --> 0:53:22.400
<v Speaker 1>where network effects are the strongest thing in your business,

0:53:22.480 --> 0:53:29.360
<v Speaker 1>like search, um or social networking, you know, arguably it's

0:53:29.400 --> 0:53:32.440
<v Speaker 1>winner take all, even though there are many very successful

0:53:32.440 --> 0:53:35.839
<v Speaker 1>social networking companies UM. I don't think that's the case

0:53:35.880 --> 0:53:38.360
<v Speaker 1>of music. I do think it will be a small

0:53:38.440 --> 0:53:43.800
<v Speaker 1>number continue to be a small number um of players globally.

0:53:45.280 --> 0:53:48.160
<v Speaker 1>Is it those three? Is there gonna be a fourth? Ye?

0:53:48.800 --> 0:53:50.560
<v Speaker 1>I don't know. I don't have a crystal ball. I

0:53:50.840 --> 0:53:52.919
<v Speaker 1>know that will be up there if we look historically,

0:53:53.360 --> 0:53:58.239
<v Speaker 1>you know, Google has se Search, Facebook, a lot of

0:53:58.239 --> 0:54:02.879
<v Speaker 1>companies a dominant players of the marketplace because that's where

0:54:02.920 --> 0:54:04.920
<v Speaker 1>all your friends are. There is a network effects thing.

0:54:05.360 --> 0:54:08.200
<v Speaker 1>So I have all the services. I know how to

0:54:08.280 --> 0:54:11.080
<v Speaker 1>share a song on Spotify. I don't know how to

0:54:11.120 --> 0:54:13.960
<v Speaker 1>share a song on Apple okay, and I think, and

0:54:13.960 --> 0:54:15.479
<v Speaker 1>then of course if I share it with someone who's

0:54:15.480 --> 0:54:18.680
<v Speaker 1>not a member, they can't listen. So I think these

0:54:18.680 --> 0:54:23.200
<v Speaker 1>are important factors moving towards dominance of one of the services.

0:54:24.400 --> 0:54:27.560
<v Speaker 1>You don't agree. I don't agree that it's going to

0:54:27.640 --> 0:54:30.040
<v Speaker 1>be a single No, I wouldn't be doing this if

0:54:30.040 --> 0:54:31.960
<v Speaker 1>we thought the game was over. Well, I would think that,

0:54:32.360 --> 0:54:34.160
<v Speaker 1>you know, from an outside observer, I don't mean this

0:54:34.239 --> 0:54:37.120
<v Speaker 1>in a negative way. I would say that Amazon is

0:54:37.160 --> 0:54:41.200
<v Speaker 1>the stealth player with both deep pockets, big ecosystem, the

0:54:41.320 --> 0:54:45.000
<v Speaker 1>prime etcetera. They're the ones. It's they're frequently ignored. Like

0:54:45.040 --> 0:54:48.120
<v Speaker 1>talk to Daniel Glass, you know, six or eight months ago.

0:54:48.160 --> 0:54:50.239
<v Speaker 1>He says, you know, the sleeper is Amazon, and he

0:54:50.280 --> 0:54:52.000
<v Speaker 1>talks about meeting with you with the other team and

0:54:52.040 --> 0:54:54.839
<v Speaker 1>the people who have been at the forefront from way

0:54:54.920 --> 0:54:58.200
<v Speaker 1>longer than six But the people have been the forefront

0:54:58.239 --> 0:55:00.919
<v Speaker 1>have been in serious whatever they talk about Amazon being

0:55:00.920 --> 0:55:03.839
<v Speaker 1>the sleeper. But by the same time that by the way,

0:55:05.800 --> 0:55:08.040
<v Speaker 1>but as I say, it's hard to fathom. And one

0:55:08.160 --> 0:55:10.640
<v Speaker 1>also would say that that's who we have to you know,

0:55:11.040 --> 0:55:14.319
<v Speaker 1>Spotify as a standalone product. I don't see it as

0:55:14.360 --> 0:55:17.800
<v Speaker 1>a standalone company. A long way down the line. What

0:55:17.960 --> 0:55:20.680
<v Speaker 1>we look with the apples, they have everybody's credit card,

0:55:21.200 --> 0:55:23.719
<v Speaker 1>but who do they market to after they don't have

0:55:23.760 --> 0:55:26.080
<v Speaker 1>the free tier? And I always go back to the

0:55:26.080 --> 0:55:28.920
<v Speaker 1>original example of A O L and MSN Network. Everyone

0:55:28.960 --> 0:55:31.279
<v Speaker 1>thought MSN Network was gonna kill A O L and

0:55:31.320 --> 0:55:33.359
<v Speaker 1>it did not. So the fact that you have a

0:55:33.400 --> 0:55:37.360
<v Speaker 1>previous history does not necessarily mean success in the future.

0:55:37.480 --> 0:55:39.759
<v Speaker 1>In addition, I don't believe there's a visionary leader at

0:55:39.760 --> 0:55:43.920
<v Speaker 1>Apple where there is a visionary leader at at Amazon. Therefore,

0:55:44.080 --> 0:55:47.239
<v Speaker 1>it's something I'm certainly paying attention to. But getting off

0:55:47.280 --> 0:55:50.400
<v Speaker 1>of my little soapbox here, one of the things that

0:55:50.520 --> 0:55:56.440
<v Speaker 1>amazed me when we met is that if I go

0:55:56.520 --> 0:56:00.800
<v Speaker 1>on Spotify, which is the big huna this week, they

0:56:00.840 --> 0:56:03.680
<v Speaker 1>break down the playlist down into certain things, but in

0:56:03.719 --> 0:56:06.920
<v Speaker 1>reality it's more granular on the Amazon that what you

0:56:06.920 --> 0:56:10.319
<v Speaker 1>can say like play rockets of can you tell the

0:56:10.320 --> 0:56:13.600
<v Speaker 1>audience more about that? Yeah, And that's I mean, that's

0:56:13.640 --> 0:56:17.239
<v Speaker 1>a that's actually what we saw customers doing. Right. So

0:56:17.480 --> 0:56:19.160
<v Speaker 1>again when we looked at the date of what are

0:56:19.160 --> 0:56:22.440
<v Speaker 1>people doing on Alexa, the way I think about is

0:56:22.480 --> 0:56:24.960
<v Speaker 1>if if you have a visual app, your iPhone app,

0:56:25.000 --> 0:56:30.000
<v Speaker 1>your desktop app, your Android app, it's very powerful, it's

0:56:30.000 --> 0:56:34.520
<v Speaker 1>also very constrained, right, there's the product. Managers decided how

0:56:34.520 --> 0:56:36.560
<v Speaker 1>you're going to listen to music, whether you realize it

0:56:36.680 --> 0:56:41.480
<v Speaker 1>or not. There's a search bar, there's a browse hierarchy

0:56:41.520 --> 0:56:44.200
<v Speaker 1>of how you browse through music, and they fill the

0:56:44.200 --> 0:56:46.800
<v Speaker 1>buckets of content for you, and not much not suggesting

0:56:46.840 --> 0:56:48.560
<v Speaker 1>that's a bad thing. It is what it is, though,

0:56:48.680 --> 0:56:52.000
<v Speaker 1>and um, that's how you're going to listen to music.

0:56:53.000 --> 0:56:54.560
<v Speaker 1>When you have a head lit what we call a

0:56:54.560 --> 0:56:57.720
<v Speaker 1>headless device, just nothing. There's no screen on an Echo.

0:56:59.239 --> 0:57:03.080
<v Speaker 1>You're completely unconstrained. The way you want to interact with

0:57:03.160 --> 0:57:07.200
<v Speaker 1>music is limited only by your own imagination. And lo

0:57:07.400 --> 0:57:10.480
<v Speaker 1>and behold. When people are unconstrained, they act in an

0:57:10.520 --> 0:57:14.600
<v Speaker 1>unconstrained way, and they ask Alexa things. And you know

0:57:14.680 --> 0:57:17.160
<v Speaker 1>what we saw was that. The way I like think

0:57:17.200 --> 0:57:18.880
<v Speaker 1>about is if you read the reviews of the Echo

0:57:18.920 --> 0:57:21.040
<v Speaker 1>in the early days and still today, you'd see people

0:57:21.080 --> 0:57:25.080
<v Speaker 1>saying things like I love Alexa, Alexa is my friend,

0:57:25.160 --> 0:57:27.880
<v Speaker 1>she's my best friend, Alexa is a member of my family.

0:57:28.880 --> 0:57:31.840
<v Speaker 1>And so we tried to translate, kind of translate that

0:57:31.880 --> 0:57:37.680
<v Speaker 1>into music and say, well, it makes sense that people

0:57:37.680 --> 0:57:40.280
<v Speaker 1>are asking for things in a much more natural way

0:57:40.280 --> 0:57:42.000
<v Speaker 1>than you would get in and app because they think

0:57:42.000 --> 0:57:43.800
<v Speaker 1>of her as a friend. So they're going to talk

0:57:43.880 --> 0:57:45.320
<v Speaker 1>to her like you're talking to You're gonna talk to

0:57:45.400 --> 0:57:48.160
<v Speaker 1>her like you talked to your friend about music. And

0:57:48.200 --> 0:57:51.240
<v Speaker 1>so people were asking for things. They're asking for songs

0:57:51.280 --> 0:57:53.080
<v Speaker 1>because they only know a few words to the song.

0:57:53.160 --> 0:57:55.480
<v Speaker 1>They can't remember the title of the artist. So they

0:57:55.480 --> 0:57:57.760
<v Speaker 1>asked for by lyrics, They asked for the by mood.

0:57:57.840 --> 0:58:02.439
<v Speaker 1>They ask you know, play pearl jam from um, play

0:58:02.480 --> 0:58:07.360
<v Speaker 1>YouTube from the eighties, or play me some sad country music. Um.

0:58:07.480 --> 0:58:09.320
<v Speaker 1>Or I'm having a dinner party, Alexa, can you play

0:58:09.360 --> 0:58:12.600
<v Speaker 1>me some music, some jazz? And it's that kind of

0:58:12.600 --> 0:58:14.920
<v Speaker 1>stuff where it's like music becoming part of what you

0:58:15.000 --> 0:58:19.120
<v Speaker 1>do and responding to how you think about music. Um,

0:58:19.160 --> 0:58:22.120
<v Speaker 1>it's not always and and and As great as playlists

0:58:22.120 --> 0:58:24.120
<v Speaker 1>are and I know they're the currency du jour and

0:58:24.600 --> 0:58:27.920
<v Speaker 1>maybe for a long time to come, they're not the

0:58:27.960 --> 0:58:31.240
<v Speaker 1>answer to every type of situation that you find yourself

0:58:31.240 --> 0:58:33.160
<v Speaker 1>in wanting to listen to music. There's plenty of times

0:58:33.160 --> 0:58:36.080
<v Speaker 1>you may uh not want to listen to a playlist.

0:58:36.120 --> 0:58:38.920
<v Speaker 1>And so when you say, you know, play YouTube from

0:58:38.920 --> 0:58:41.960
<v Speaker 1>the eighties, we just make a playlist on the fly

0:58:42.120 --> 0:58:44.800
<v Speaker 1>for you. Um, there isn't We don't go deep into

0:58:44.840 --> 0:58:47.440
<v Speaker 1>We didn't have programmers creating you know, all these things.

0:58:48.360 --> 0:58:51.520
<v Speaker 1>We spent a lot of time cleaning up metadata. Um,

0:58:51.560 --> 0:58:54.160
<v Speaker 1>with all respect to the my label friends here or

0:58:54.240 --> 0:58:58.520
<v Speaker 1>who may listen to a recording of this. Um, metadata

0:58:58.800 --> 0:59:01.640
<v Speaker 1>sucks and it's a known problem in the industry. It

0:59:01.720 --> 0:59:07.280
<v Speaker 1>tends to be incorrect or incomplete and certainly insufficient to

0:59:07.280 --> 0:59:09.240
<v Speaker 1>to to respond to the kind of request that people

0:59:09.240 --> 0:59:11.880
<v Speaker 1>are asking for. Like, even if all the metadata from

0:59:11.880 --> 0:59:13.840
<v Speaker 1>the labels were correct, they don't give us metadata that

0:59:13.920 --> 0:59:15.880
<v Speaker 1>says this song is sad, or this song is happy,

0:59:16.000 --> 0:59:19.280
<v Speaker 1>this is upbeat, um, this is this is suitable for

0:59:19.320 --> 0:59:21.680
<v Speaker 1>a dinner party. Right, So that's that's metadata we have

0:59:21.720 --> 0:59:24.120
<v Speaker 1>to go out and create, and we do that through

0:59:24.120 --> 0:59:28.520
<v Speaker 1>a combination of brute force with humans and then deep learning.

0:59:28.560 --> 0:59:34.200
<v Speaker 1>Pretty much every song has metadata beyond writer, etcetera. Yeah,

0:59:34.320 --> 0:59:38.640
<v Speaker 1>and we've taken we've taken humans to to to to

0:59:38.720 --> 0:59:42.080
<v Speaker 1>take sample data sets and then use machine learning algorithms

0:59:42.120 --> 0:59:46.560
<v Speaker 1>to to learn and you apply that against the greater catalog. Obviously,

0:59:46.600 --> 0:59:49.080
<v Speaker 1>with catalog of tens of millions of tracks, it would

0:59:49.080 --> 0:59:52.000
<v Speaker 1>take humans years to go do this, Um, but it

0:59:52.000 --> 0:59:54.680
<v Speaker 1>doesn't take machines years. But then we have human curious

0:59:54.720 --> 0:59:57.360
<v Speaker 1>that checking in on the mic. No, that one wasn't good,

0:59:57.400 --> 1:00:02.120
<v Speaker 1>And you're constantly improving the model, and that enables us

1:00:02.120 --> 1:00:05.920
<v Speaker 1>to do more fun things when people talk to Alexa

1:00:05.960 --> 1:00:08.160
<v Speaker 1>and make it more natural. And believe me, we've got

1:00:08.160 --> 1:00:10.040
<v Speaker 1>a long way to go. I mean we've we've scratched

1:00:10.040 --> 1:00:13.360
<v Speaker 1>the surface with what people want. Okay, So when I asked,

1:00:13.400 --> 1:00:18.360
<v Speaker 1>like some rock music for sixty, it creates a playlist

1:00:18.400 --> 1:00:21.680
<v Speaker 1>on the fly. There is no person existing there maybe

1:00:21.720 --> 1:00:24.760
<v Speaker 1>there maybe one. But if there's a pre existing playlist

1:00:24.880 --> 1:00:27.200
<v Speaker 1>that someone, you know, some curator created for something, we

1:00:27.280 --> 1:00:30.640
<v Speaker 1>might pull from there. But we also know you're listening

1:00:30.640 --> 1:00:33.800
<v Speaker 1>habits and um, maybe that's not the right one for you,

1:00:33.840 --> 1:00:35.680
<v Speaker 1>So we'll create one on the fly, and then we'll

1:00:35.760 --> 1:00:39.080
<v Speaker 1>personalize the sequence. So generally speaking, if I'm talking to Alexa,

1:00:39.320 --> 1:00:44.440
<v Speaker 1>I can talk year, I can talk act, yeah, era,

1:00:45.840 --> 1:00:49.600
<v Speaker 1>gen genre, moved, what else? Smooth activity? What are you

1:00:49.640 --> 1:00:52.520
<v Speaker 1>doing right now? You know, go to yoga, you're gonna

1:00:52.560 --> 1:00:56.120
<v Speaker 1>have a dinner party, studying. So there's enough metadata that

1:00:56.160 --> 1:00:58.640
<v Speaker 1>it will then just pull on that metadata to make

1:00:58.640 --> 1:01:01.960
<v Speaker 1>a playlist on the on the fly. And I only

1:01:02.040 --> 1:01:05.720
<v Speaker 1>know this from meeting with you previously. How is anybody's

1:01:05.720 --> 1:01:08.160
<v Speaker 1>supposed to know this or theoretically they're developing a new

1:01:08.160 --> 1:01:10.560
<v Speaker 1>way to interact with Alexa and they're learning a new

1:01:10.600 --> 1:01:13.560
<v Speaker 1>way of thinking about music. Well, the whole idea is

1:01:13.600 --> 1:01:15.960
<v Speaker 1>to make it natural. So, like I said, we're most

1:01:16.000 --> 1:01:18.000
<v Speaker 1>of what we're doing is stuff that people already wanting

1:01:18.040 --> 1:01:21.560
<v Speaker 1>to do. Um. You know, we recently launched the ability

1:01:21.600 --> 1:01:25.720
<v Speaker 1>for you to make playlists just using your voice on Alexa,

1:01:26.080 --> 1:01:28.600
<v Speaker 1>and sure enough, I mean, people were trying to do it.

1:01:28.600 --> 1:01:30.080
<v Speaker 1>It's a very natural thing to want to do in

1:01:30.080 --> 1:01:33.760
<v Speaker 1>a music service. It's pretty complicated to to do by voice,

1:01:33.800 --> 1:01:37.120
<v Speaker 1>but it works really well. And lo and behold, people

1:01:37.160 --> 1:01:39.280
<v Speaker 1>are already trying to do it, so instead of failing

1:01:39.320 --> 1:01:42.120
<v Speaker 1>it now succeeded and so millions of playlists are created

1:01:42.240 --> 1:01:46.480
<v Speaker 1>really really quickly. Um. There are certain things, yeah, that

1:01:46.720 --> 1:01:50.120
<v Speaker 1>you know, people have to learn as possible, but but

1:01:50.240 --> 1:01:52.800
<v Speaker 1>the idea is that you know, by and large, people

1:01:52.800 --> 1:01:56.200
<v Speaker 1>will stumble upon it when when that's how they want

1:01:56.200 --> 1:01:57.640
<v Speaker 1>to listen to music, when that's how they want to

1:01:57.640 --> 1:02:01.040
<v Speaker 1>ask for something. UM. I do think in over time,

1:02:01.040 --> 1:02:04.000
<v Speaker 1>you'll see us another services probably get better at helping

1:02:04.040 --> 1:02:07.400
<v Speaker 1>customers understand what features are available, but most of the

1:02:07.400 --> 1:02:10.520
<v Speaker 1>stuff we've launched to date has been you know, that's

1:02:10.560 --> 1:02:12.640
<v Speaker 1>just how people were already asking for. People were saying

1:02:12.680 --> 1:02:16.120
<v Speaker 1>things like, you know, play me the song that goes

1:02:16.320 --> 1:02:19.320
<v Speaker 1>blah blah blah, whatever the lyric is, and so we

1:02:19.440 --> 1:02:21.120
<v Speaker 1>looked at that. It's like, well that people are failing

1:02:21.200 --> 1:02:24.560
<v Speaker 1>because Alexa couldn't understand that. So we went out and

1:02:24.600 --> 1:02:28.680
<v Speaker 1>created the ability to quickly look through lyrics databases and

1:02:28.720 --> 1:02:31.479
<v Speaker 1>find that song or you know, play the new song

1:02:32.080 --> 1:02:35.600
<v Speaker 1>you know by Mumford and Sons with Daniels here and

1:02:35.640 --> 1:02:37.560
<v Speaker 1>hopefully they're gonna have a new album sometimes soon because

1:02:37.560 --> 1:02:40.480
<v Speaker 1>we've been waiting for three years. Um, I don't know,

1:02:41.440 --> 1:02:46.320
<v Speaker 1>but I'm a big fan. And uh, you know, that's

1:02:46.320 --> 1:02:48.840
<v Speaker 1>really easy to understand when it's the first single off

1:02:48.880 --> 1:02:51.880
<v Speaker 1>the record, But when it's the third track off the

1:02:51.880 --> 1:02:55.440
<v Speaker 1>record that Daniels promoting and that's one at radio right now,

1:02:55.600 --> 1:02:58.280
<v Speaker 1>you know which song is still Alexa pull. They all

1:02:58.320 --> 1:03:01.640
<v Speaker 1>have the same release date from the label. They're all

1:03:01.840 --> 1:03:03.600
<v Speaker 1>have the same release date of the record of the album.

1:03:03.680 --> 1:03:07.560
<v Speaker 1>So you know, we worked with labels and ourselves and

1:03:07.720 --> 1:03:11.160
<v Speaker 1>created this concept of radio impact date in our in

1:03:11.160 --> 1:03:14.240
<v Speaker 1>our metadata for songs, so that when I say because that,

1:03:14.360 --> 1:03:15.960
<v Speaker 1>the whole idea is I was listening to the radio.

1:03:16.000 --> 1:03:18.000
<v Speaker 1>I heard the new song by Mumford and Sons. Don't

1:03:18.000 --> 1:03:19.880
<v Speaker 1>know the title, but it's the one that's on the

1:03:19.960 --> 1:03:23.240
<v Speaker 1>radio that that that Daniel's promoting. Alexa played the new

1:03:23.240 --> 1:03:25.280
<v Speaker 1>song by Mumford and Sons, She's going to know which

1:03:25.280 --> 1:03:27.520
<v Speaker 1>one to get. And so our focus has been primarily

1:03:27.560 --> 1:03:30.360
<v Speaker 1>on things that people are doing already. Um and there's,

1:03:30.440 --> 1:03:32.160
<v Speaker 1>like I said, there's a lot more to come. You know.

1:03:32.240 --> 1:03:35.200
<v Speaker 1>The ideas it should be as natural as speaking to

1:03:35.200 --> 1:03:36.960
<v Speaker 1>your best friend about music. If you and I were

1:03:36.960 --> 1:03:39.120
<v Speaker 1>to go have a beer and just talk about music,

1:03:39.160 --> 1:03:41.480
<v Speaker 1>not about the music business, but about artists and songs

1:03:41.520 --> 1:03:44.520
<v Speaker 1>and stuff. We want Alexa to be able to to

1:03:44.040 --> 1:03:46.960
<v Speaker 1>to hang with you and to and to be your

1:03:46.960 --> 1:03:49.240
<v Speaker 1>guide and to be your friend and to be able

1:03:49.280 --> 1:03:51.600
<v Speaker 1>to respond to that. Well, some of this Stele stuff.

1:03:51.640 --> 1:03:53.680
<v Speaker 1>I know that Randy arranged for us to get some

1:03:53.920 --> 1:03:58.040
<v Speaker 1>echo shows, and I had the default service has Spotify,

1:03:58.240 --> 1:04:01.040
<v Speaker 1>which sorry, most people don't really know how to change.

1:04:01.360 --> 1:04:03.720
<v Speaker 1>But once you got the Echo Show, and it can

1:04:03.800 --> 1:04:07.040
<v Speaker 1>show the lyrics made the default service Amazon Music, because

1:04:07.040 --> 1:04:14.560
<v Speaker 1>I want to see the lyrics. We'll take a quick

1:04:14.600 --> 1:04:17.320
<v Speaker 1>break and come back with more of my conversation with

1:04:17.440 --> 1:04:21.080
<v Speaker 1>VP of the Amazon Music Steve Boom, recorded live at

1:04:21.120 --> 1:04:27.400
<v Speaker 1>the Music Media Summit in Santa Barbara, California. I hope

1:04:27.400 --> 1:04:30.000
<v Speaker 1>you're enjoying listening to this episode of the Bob Left

1:04:29.960 --> 1:04:33.000
<v Speaker 1>Stats podcast. If you want to listen to sound bites

1:04:33.080 --> 1:04:35.960
<v Speaker 1>from the interviews and see some of my guests like

1:04:36.040 --> 1:04:39.040
<v Speaker 1>Shirley me Instid of Garbage or Paul Rodgers of Bad

1:04:39.080 --> 1:04:44.000
<v Speaker 1>Company and Free check it out at tune in on Twitter, Facebook,

1:04:44.080 --> 1:04:48.360
<v Speaker 1>and Instagram. Now more of my chat with the head

1:04:48.360 --> 1:04:51.360
<v Speaker 1>of the Amazon Music Steve Boom on the Bob Left

1:04:51.400 --> 1:04:55.880
<v Speaker 1>and It's podcast. At this point, why don't we open

1:04:55.920 --> 1:04:59.200
<v Speaker 1>it up to questions? Sure people have certain things. Jim

1:04:59.240 --> 1:05:02.360
<v Speaker 1>has the mic once again, Let's try to limit statements

1:05:02.360 --> 1:05:07.800
<v Speaker 1>and make it more about questions for Steve. Here has Steve.

1:05:08.400 --> 1:05:11.520
<v Speaker 1>My question is, as you talk about the ecosystem between

1:05:12.000 --> 1:05:15.480
<v Speaker 1>the Amazon Music streaming service and the Echo do you

1:05:15.640 --> 1:05:21.200
<v Speaker 1>you do you view it more as a feature or product. Um,

1:05:21.200 --> 1:05:25.080
<v Speaker 1>you know, we view Amazon Music as a service. Um.

1:05:25.120 --> 1:05:28.600
<v Speaker 1>You know, Alexa itself is a platform that you can

1:05:28.760 --> 1:05:32.600
<v Speaker 1>or you know, it allows you to have other services available.

1:05:32.640 --> 1:05:37.880
<v Speaker 1>So um, and we Amazon Musics available on iOS, on Android,

1:05:38.480 --> 1:05:42.560
<v Speaker 1>on web, on TV platforms. So you know, we're building

1:05:42.800 --> 1:05:46.160
<v Speaker 1>a self standing music service. It just so happens. Our

1:05:46.280 --> 1:05:49.160
<v Speaker 1>focus is to make it the best voice forward music

1:05:49.200 --> 1:05:52.360
<v Speaker 1>service in the world. We've brought voice controls into our

1:05:53.040 --> 1:05:55.480
<v Speaker 1>mobile phone apps, so on iOS and Android you can

1:05:55.480 --> 1:06:00.000
<v Speaker 1>speak with Alexa. Um. That's how we think we really

1:06:00.440 --> 1:06:07.520
<v Speaker 1>rise above the crowd. Um that it's a service onto itself. Yeah, Stephen,

1:06:09.040 --> 1:06:12.080
<v Speaker 1>you know, Hey Shapiro, I mean, how does everybody's gonna

1:06:12.080 --> 1:06:16.520
<v Speaker 1>mike here? It's a cousin of kind of your core business.

1:06:16.520 --> 1:06:20.120
<v Speaker 1>But I know Amazon was looking at ticketing and ticketing

1:06:20.120 --> 1:06:24.959
<v Speaker 1>in music, and uh maybe the only time Amazon had

1:06:24.960 --> 1:06:29.960
<v Speaker 1>to pull back from entering a new vertical. And I

1:06:29.960 --> 1:06:32.080
<v Speaker 1>don't know if you can give us color of the

1:06:32.120 --> 1:06:36.960
<v Speaker 1>experience that Amazon happened had looking at going into music ticketing,

1:06:37.040 --> 1:06:39.680
<v Speaker 1>and you had entered in Europe, I think, but now

1:06:39.720 --> 1:06:44.160
<v Speaker 1>pretty publicly said hey, we're gonna pull back from that. Uh. Yeah,

1:06:44.240 --> 1:06:47.120
<v Speaker 1>I wish I could give you shed insight. Yeah, we

1:06:47.120 --> 1:06:49.360
<v Speaker 1>we did have a small ticketing business in the UK.

1:06:49.440 --> 1:06:53.080
<v Speaker 1>It really started in the West End with theater, dabbled

1:06:53.720 --> 1:06:57.360
<v Speaker 1>with some concerts. Um I wasn't part of the decision

1:06:57.360 --> 1:06:59.800
<v Speaker 1>process as to why the company pulled out, so I'm

1:06:59.800 --> 1:07:02.240
<v Speaker 1>so I can't really tell you much. But one thing

1:07:02.480 --> 1:07:05.400
<v Speaker 1>a g They had the Hyde Park shows they were

1:07:05.400 --> 1:07:08.000
<v Speaker 1>tied in with his Amazon last summer and they said

1:07:08.000 --> 1:07:11.320
<v Speaker 1>that Amazon sold tickets that they couldn't sell. That you

1:07:11.440 --> 1:07:13.840
<v Speaker 1>reached people that they didn't reach. It was actually a

1:07:13.880 --> 1:07:16.920
<v Speaker 1>benefit to it as opposed to people thinking, well, Amazon

1:07:17.040 --> 1:07:20.360
<v Speaker 1>is going to come in and take our business. When

1:07:20.400 --> 1:07:25.760
<v Speaker 1>Bob wants to replay his rock from does Amazon store

1:07:25.840 --> 1:07:28.720
<v Speaker 1>that so that he could get the exact same playlist

1:07:28.800 --> 1:07:31.520
<v Speaker 1>again or will it fabricate a new one. It's a

1:07:31.560 --> 1:07:34.760
<v Speaker 1>great question. Uh the next time probably Fabrica knewhim. But

1:07:34.760 --> 1:07:36.640
<v Speaker 1>when he's done listening, you could ask Alexa to save

1:07:36.680 --> 1:07:40.120
<v Speaker 1>it as a playlist and then he would access it

1:07:40.160 --> 1:07:43.720
<v Speaker 1>by saying I want my June playlist. When he creates one,

1:07:43.880 --> 1:07:46.040
<v Speaker 1>Shell asked how to what what names? She will ask

1:07:46.080 --> 1:07:49.080
<v Speaker 1>how to store to sign a name to it? Yeah? Nice? Yeah, Okay,

1:07:49.080 --> 1:07:51.240
<v Speaker 1>Before we move on, how many people in the room

1:07:51.680 --> 1:07:56.480
<v Speaker 1>have an echo of some stripe. Wow. Okay. How many

1:07:56.520 --> 1:08:01.040
<v Speaker 1>people have a Google Home yea? How many people have

1:08:01.080 --> 1:08:13.280
<v Speaker 1>a HomePod? Okay? Okay? Uh? Who has the bike now? Jim? Okay, Hey,

1:08:13.280 --> 1:08:16.599
<v Speaker 1>how you doing um with everything going on with Cambridge

1:08:16.600 --> 1:08:19.800
<v Speaker 1>Analytica and everything on Facebook? Now? You put a microphone

1:08:20.040 --> 1:08:25.800
<v Speaker 1>in your house on all the time? Any thoughts on that?

1:08:27.479 --> 1:08:30.439
<v Speaker 1>You know? I want to comment on that because this

1:08:30.479 --> 1:08:34.480
<v Speaker 1>is the type of thing that makes me fucking crazy

1:08:34.760 --> 1:08:37.719
<v Speaker 1>and that I hear I still, at this late date,

1:08:37.760 --> 1:08:40.439
<v Speaker 1>gets saying I'm not gonna have streaming? What if I'm

1:08:40.479 --> 1:08:45.320
<v Speaker 1>out of cellular service? Now for almost ten years they've

1:08:45.320 --> 1:08:47.040
<v Speaker 1>had it, so it seeks to your phone, so you

1:08:47.080 --> 1:08:49.800
<v Speaker 1>have to pay every month. They have ownership. You can't

1:08:49.800 --> 1:08:52.719
<v Speaker 1>get that message through when it comes to the Echo

1:08:52.800 --> 1:08:56.160
<v Speaker 1>devices until they hear a lection the code word the

1:08:56.280 --> 1:09:02.960
<v Speaker 1>microphone is not on. Isn't that correct? That's correct. So

1:09:04.080 --> 1:09:10.960
<v Speaker 1>there's a basically a small processor on the device that

1:09:11.040 --> 1:09:13.559
<v Speaker 1>all it does is listen for ALEXA. It's not connected

1:09:13.600 --> 1:09:18.000
<v Speaker 1>to the cloud. When it hears ALEXA, it opens up

1:09:18.040 --> 1:09:20.800
<v Speaker 1>a connection to the cloud to capture what you say.

1:09:20.800 --> 1:09:24.599
<v Speaker 1>Next converts that into wave file and then interpreted into

1:09:24.720 --> 1:09:29.120
<v Speaker 1>text and it comes back down. Um. So the reason

1:09:29.160 --> 1:09:35.439
<v Speaker 1>there's a blue light so you know she's listening. If

1:09:35.439 --> 1:09:38.920
<v Speaker 1>you ever want to make sure that nothing like if

1:09:39.000 --> 1:09:41.720
<v Speaker 1>one of the kids blurts out Alexa and you and

1:09:41.760 --> 1:09:44.519
<v Speaker 1>you were on a super confidential conference call for work

1:09:44.560 --> 1:09:47.680
<v Speaker 1>or something, there's a mute button which physically cuts the

1:09:47.720 --> 1:09:51.640
<v Speaker 1>circuit of the microphones, physically impossible for any sound to

1:09:51.640 --> 1:09:54.040
<v Speaker 1>get back to Amazon. So privacy has been thought of

1:09:54.040 --> 1:09:56.240
<v Speaker 1>in the very design of the device from from day one,

1:09:56.280 --> 1:09:59.280
<v Speaker 1>both in its construction of the device as well as

1:09:59.680 --> 1:10:05.000
<v Speaker 1>the usual cues to let you know when Alexa is listening. So, um,

1:10:05.040 --> 1:10:08.640
<v Speaker 1>it's something we take really, really seriously. I'm not the

1:10:08.680 --> 1:10:10.960
<v Speaker 1>one in charge of that stuff, but it's something that

1:10:11.400 --> 1:10:14.760
<v Speaker 1>I've heard described and it's it's as I described to you.

1:10:14.760 --> 1:10:19.040
<v Speaker 1>It's something you know, Amazon the customer obsession and customer

1:10:19.080 --> 1:10:23.040
<v Speaker 1>trust is at the center of our entire business. It

1:10:23.080 --> 1:10:25.040
<v Speaker 1>has drilled into you from day one that you walk

1:10:25.080 --> 1:10:28.679
<v Speaker 1>into the company, and we know that trust is something

1:10:29.400 --> 1:10:31.720
<v Speaker 1>hard to earn an easy to lose, and it's not

1:10:31.800 --> 1:10:34.479
<v Speaker 1>something that Amazon takes lightly. A lot of people have

1:10:34.520 --> 1:10:38.120
<v Speaker 1>trusted us for years with purchasing a lot of important

1:10:38.160 --> 1:10:42.200
<v Speaker 1>things in their lives, and yeah, we're not doing anything

1:10:42.200 --> 1:10:44.439
<v Speaker 1>to mess with that. But having said that, the other

1:10:44.439 --> 1:10:47.400
<v Speaker 1>half of his question is important. You have an incredible

1:10:47.439 --> 1:10:50.880
<v Speaker 1>amount of data and knowledge of us. You know, as

1:10:50.920 --> 1:10:53.080
<v Speaker 1>I say, on Google, they can literally they say you

1:10:53.080 --> 1:10:56.559
<v Speaker 1>want to get someone you know, cough up something, just

1:10:56.600 --> 1:10:59.920
<v Speaker 1>say you threatened them with release of their Google search history.

1:11:00.400 --> 1:11:04.240
<v Speaker 1>But you literally have the purchase history. How do we

1:11:04.360 --> 1:11:07.400
<v Speaker 1>know that you're not going to use that to our

1:11:07.680 --> 1:11:11.080
<v Speaker 1>detriment or to brainwash us, or to get us to

1:11:11.080 --> 1:11:21.479
<v Speaker 1>do something we don't want to do. That's a music conference. Uh,

1:11:21.600 --> 1:11:24.160
<v Speaker 1>you know, I'm happy to get our public policy people here,

1:11:24.280 --> 1:11:28.080
<v Speaker 1>but um, I think we're the most trusted brand in

1:11:28.120 --> 1:11:32.240
<v Speaker 1>America for a reason. And I kind of would leave

1:11:32.240 --> 1:11:35.240
<v Speaker 1>it at that. You know, I'm not I'm not here

1:11:35.240 --> 1:11:37.120
<v Speaker 1>really to talk about data. Place say, I don't need

1:11:37.160 --> 1:11:39.200
<v Speaker 1>to press his expecting answer. But I think the other

1:11:39.240 --> 1:11:41.719
<v Speaker 1>half of the question, the non technical question, is something

1:11:41.720 --> 1:11:45.000
<v Speaker 1>that's in everybody's minds that certainly needs to be in

1:11:45.040 --> 1:11:48.439
<v Speaker 1>the marketplace, if not a chilling effect on the abuse

1:11:48.520 --> 1:11:51.200
<v Speaker 1>of data. Not that Amazon has a history there, but

1:11:51.280 --> 1:11:54.880
<v Speaker 1>we want to put that in everybody's mind. Jake, Um,

1:11:54.880 --> 1:11:58.320
<v Speaker 1>you know Steve brought up something interesting, Steve about the

1:11:58.439 --> 1:12:04.360
<v Speaker 1>other Steve about playlists. So Bob does a great playlist

1:12:04.520 --> 1:12:08.680
<v Speaker 1>of rock from sixty nine, and uh, those of us

1:12:08.800 --> 1:12:11.320
<v Speaker 1>really like Bob's taste, so we want to listen to

1:12:11.360 --> 1:12:15.800
<v Speaker 1>Bob's playlist from nineteen nine. Does Amazon currently and I

1:12:15.840 --> 1:12:20.320
<v Speaker 1>don't know or will it allow third party playlists to

1:12:20.400 --> 1:12:23.080
<v Speaker 1>be made on the service where other people can go

1:12:23.120 --> 1:12:27.240
<v Speaker 1>and listen to other curators beside your own playlists, I

1:12:27.280 --> 1:12:32.360
<v Speaker 1>mean playlist sharing. Yeah, playlists sharing or for that matter. Um,

1:12:32.640 --> 1:12:34.719
<v Speaker 1>I don't know if they're on your but Majestic Casual

1:12:34.840 --> 1:12:37.439
<v Speaker 1>is a great example of people that make playlist They've

1:12:37.439 --> 1:12:40.440
<v Speaker 1>been doing it for years. They started on YouTube. You

1:12:40.439 --> 1:12:43.400
<v Speaker 1>you go into I go into my son nos playlist

1:12:43.439 --> 1:12:46.960
<v Speaker 1>search and I do Majestic Casual and Deezer comes up with,

1:12:47.080 --> 1:12:49.599
<v Speaker 1>you know, a Hunter playlists, and Apple Music comes up

1:12:49.600 --> 1:12:53.320
<v Speaker 1>with a Hunter playlists, and Spotify the same thing, and uh,

1:12:53.360 --> 1:12:55.840
<v Speaker 1>and they're just a playlist kind of brand. We have

1:12:55.920 --> 1:13:01.800
<v Speaker 1>some of two questions. The first question is playlist sharing. Uh, yes, Um,

1:13:01.840 --> 1:13:07.719
<v Speaker 1>that's something we either do or about to enable. Um, okay,

1:13:07.800 --> 1:13:12.320
<v Speaker 1>we enable that with voice. We'll work through that. Okay.

1:13:12.800 --> 1:13:16.680
<v Speaker 1>The second thing is third party playlists. Yeah, we have

1:13:16.760 --> 1:13:18.240
<v Speaker 1>some of those brands in our serves. I don't know

1:13:18.280 --> 1:13:20.640
<v Speaker 1>about Majestic Casual per Se, but I know that we

1:13:20.720 --> 1:13:22.599
<v Speaker 1>have some of the other ones in our service. So

1:13:22.600 --> 1:13:25.600
<v Speaker 1>so so one of the things when Troy Carter was

1:13:25.640 --> 1:13:28.480
<v Speaker 1>here the other day, he said, you know, we concentrate

1:13:28.840 --> 1:13:32.559
<v Speaker 1>mostly on our own playlists, and they're kind of pushing

1:13:32.600 --> 1:13:36.720
<v Speaker 1>back against third party playlists because they're afraid of graft

1:13:37.120 --> 1:13:40.160
<v Speaker 1>payola to get on those those bigger playlists. And I

1:13:40.280 --> 1:13:42.559
<v Speaker 1>just trying to get your sort of take on the

1:13:42.640 --> 1:13:45.479
<v Speaker 1>same thing. Troy is a really smart guy, and I

1:13:45.520 --> 1:13:48.320
<v Speaker 1>agree with him. And you know, there's there's two angles

1:13:48.320 --> 1:13:51.720
<v Speaker 1>to that. One is worrying about those types of things, um,

1:13:51.800 --> 1:13:53.920
<v Speaker 1>but also you have to understand that we're a music

1:13:54.000 --> 1:13:58.479
<v Speaker 1>service and in a in a world where all of

1:13:58.560 --> 1:14:00.840
<v Speaker 1>us have very similar music alogues, we are going to

1:14:01.240 --> 1:14:04.160
<v Speaker 1>differentiate ourselves through a variety of means, and one of

1:14:04.200 --> 1:14:07.639
<v Speaker 1>those is our own curation. And so it's it's only

1:14:07.720 --> 1:14:11.240
<v Speaker 1>natural that a music service would want to, you know,

1:14:11.640 --> 1:14:14.000
<v Speaker 1>invest heavily in its own creation to make sure it's

1:14:14.040 --> 1:14:16.800
<v Speaker 1>really great. But you know, and and we know that

1:14:16.840 --> 1:14:18.760
<v Speaker 1>we won't be doing Payola and Graft and all that

1:14:18.800 --> 1:14:21.000
<v Speaker 1>other stuff. So I don't know what goes on in

1:14:21.040 --> 1:14:25.040
<v Speaker 1>the other companies. So that is a concern. Next person

1:14:25.040 --> 1:14:27.800
<v Speaker 1>with the microphone. Yeah, so actually you just answered part

1:14:27.800 --> 1:14:30.880
<v Speaker 1>of my question. Um, the question was my my thought.

1:14:30.920 --> 1:14:33.160
<v Speaker 1>My my question is about where do you think the

1:14:33.200 --> 1:14:38.839
<v Speaker 1>responsibility lies for actual curation and promotion on the platform? Um,

1:14:39.160 --> 1:14:42.439
<v Speaker 1>specifically with with regard to Voice. Um, how much of

1:14:42.439 --> 1:14:44.320
<v Speaker 1>it is or I know you don't like to share numbers,

1:14:44.320 --> 1:14:47.799
<v Speaker 1>but how much of the traffic is organic, purely organic?

1:14:47.840 --> 1:14:49.320
<v Speaker 1>I want to play this now, And how much of

1:14:49.360 --> 1:14:51.519
<v Speaker 1>it is driven by your curation? And what direction is

1:14:51.560 --> 1:14:55.080
<v Speaker 1>that moving? And how do you think about that? Yeah,

1:14:55.120 --> 1:14:58.360
<v Speaker 1>a substantial percentage of our our of our listening is

1:14:58.439 --> 1:15:02.920
<v Speaker 1>through curation. Um. I think Troy might have mentioned some

1:15:03.000 --> 1:15:06.960
<v Speaker 1>numbers the other day or recently, and you know they

1:15:07.280 --> 1:15:10.400
<v Speaker 1>seemed in line with what we kind of see at

1:15:10.439 --> 1:15:16.479
<v Speaker 1>Amazon Music in that general range. Um, what we see

1:15:16.479 --> 1:15:23.080
<v Speaker 1>in voice is interesting behavior that you see the same

1:15:23.120 --> 1:15:27.120
<v Speaker 1>person will will Will go from a very casual lean back,

1:15:28.880 --> 1:15:30.920
<v Speaker 1>just play me some music or play a genre playing

1:15:31.000 --> 1:15:34.439
<v Speaker 1>artist whatever, to then like go straight deep down into

1:15:34.479 --> 1:15:40.559
<v Speaker 1>the catalog and want that specific track and so just invert.

1:15:40.640 --> 1:15:44.680
<v Speaker 1>But but of course by just sheer volume when you're

1:15:44.680 --> 1:15:46.360
<v Speaker 1>in the lean back mode, you're going to hear more

1:15:46.439 --> 1:15:49.200
<v Speaker 1>music than It's more tiring to say, play this track,

1:15:49.240 --> 1:15:51.600
<v Speaker 1>play that track, but you know it takes you a

1:15:51.640 --> 1:15:53.920
<v Speaker 1>long time to play. If that's fifteen requests you have

1:15:54.000 --> 1:15:55.680
<v Speaker 1>to come up with to to listen to an hour

1:15:55.680 --> 1:15:59.840
<v Speaker 1>of music. Um, so we do see invoice people tending

1:16:00.040 --> 1:16:04.120
<v Speaker 1>to listen to more hours, longer sessions, and a higher

1:16:04.439 --> 1:16:09.120
<v Speaker 1>incidents of curated music for sure. Now, my girlfriend always says,

1:16:09.160 --> 1:16:12.720
<v Speaker 1>I do these back exercises and I have thirty second timers,

1:16:13.000 --> 1:16:14.560
<v Speaker 1>and she says, well, you can set a series of

1:16:14.760 --> 1:16:17.760
<v Speaker 1>continuous timers. I've yet have been able to do that.

1:16:18.000 --> 1:16:21.639
<v Speaker 1>But can I load Alexa for your voice? Can I say,

1:16:21.680 --> 1:16:26.719
<v Speaker 1>play the Rolling Stones, then play Jesus Jones and play Drake?

1:16:26.920 --> 1:16:30.839
<v Speaker 1>Is there a way to do that? You mean a cue?

1:16:30.880 --> 1:16:35.240
<v Speaker 1>I mean or just looking getting there but not yet? Okay,

1:16:35.240 --> 1:16:38.479
<v Speaker 1>it's coming. And are there anybody else with raised hands here?

1:16:38.840 --> 1:16:47.800
<v Speaker 1>Jim over here? Uh? In terms of statistics, how significant

1:16:47.960 --> 1:16:52.679
<v Speaker 1>is music? Is a us A case for uh? The echo?

1:16:53.360 --> 1:16:57.560
<v Speaker 1>In terms of versus other user activity like asking for

1:16:57.600 --> 1:17:01.160
<v Speaker 1>the weather or recipes or podcasts, and where do you

1:17:01.200 --> 1:17:06.439
<v Speaker 1>see those statistics going in the future. Yeah, so it's

1:17:07.360 --> 1:17:10.719
<v Speaker 1>an extremely important use case among all things that people

1:17:10.760 --> 1:17:15.400
<v Speaker 1>do on Alexa are on Echo. I like to remind

1:17:15.439 --> 1:17:20.320
<v Speaker 1>my team that, you know, we sell a speaker that

1:17:20.400 --> 1:17:22.479
<v Speaker 1>has an intelligent assistant in it who can do a

1:17:22.520 --> 1:17:25.960
<v Speaker 1>lot of different things, but the main vehicle that we're

1:17:26.000 --> 1:17:28.719
<v Speaker 1>delivering that intelligent assistant to the home is a speaker.

1:17:29.640 --> 1:17:32.519
<v Speaker 1>And so not surprisingly, music is super important on a

1:17:32.560 --> 1:17:36.400
<v Speaker 1>speaker because that's what people like to do on speakers. UM.

1:17:36.439 --> 1:17:40.080
<v Speaker 1>So it's one of the top at all times. How

1:17:40.080 --> 1:17:42.720
<v Speaker 1>do I see that evolving over time? I think that

1:17:42.800 --> 1:17:45.760
<v Speaker 1>will stay the case as long for for devices where

1:17:45.800 --> 1:17:49.760
<v Speaker 1>speakers are really the delivery vehicle for the intelligent assistant.

1:17:49.920 --> 1:17:53.960
<v Speaker 1>I think if there are other devices that are less

1:17:54.040 --> 1:17:57.080
<v Speaker 1>music centric than a speaker, I think that percentage would

1:17:57.120 --> 1:18:02.960
<v Speaker 1>be different. Um. But in the smart speaker category, I

1:18:03.200 --> 1:18:06.960
<v Speaker 1>expect music to continue to be up there no matter

1:18:06.960 --> 1:18:10.840
<v Speaker 1>how many more skills are added to Alexa. UM. And

1:18:10.880 --> 1:18:13.559
<v Speaker 1>it's the thing that you know, people use it not

1:18:13.680 --> 1:18:17.360
<v Speaker 1>just a lot in terms of hours, but it's frequency

1:18:17.439 --> 1:18:21.760
<v Speaker 1>and repetition and coming back to it. UM. It the

1:18:21.800 --> 1:18:23.920
<v Speaker 1>only you know the other skills like that that you know,

1:18:23.960 --> 1:18:28.240
<v Speaker 1>whether yes, smart home something, if you control your lights

1:18:28.280 --> 1:18:30.240
<v Speaker 1>you know you do turn them off and on fairly frequently,

1:18:30.240 --> 1:18:34.280
<v Speaker 1>so you'll repeat that. But music is has an incredible

1:18:35.680 --> 1:18:41.240
<v Speaker 1>engagement level on the device now on the really regular

1:18:41.280 --> 1:18:46.920
<v Speaker 1>Amazon Prime, the more people listen, it costs you more money. Okay,

1:18:47.000 --> 1:18:49.600
<v Speaker 1>So is there any talk at the company of dissuading

1:18:49.680 --> 1:18:53.280
<v Speaker 1>people from listening because you literally have to pay for that.

1:18:54.920 --> 1:18:59.200
<v Speaker 1>Uh No, I mean our we we know the value

1:18:59.200 --> 1:19:01.800
<v Speaker 1>that it generates for Amazon. You know, we know that

1:19:01.840 --> 1:19:05.360
<v Speaker 1>our Prime members who use Prime Music are better Prime

1:19:05.360 --> 1:19:10.400
<v Speaker 1>members and they they renew their Prime memberships at a

1:19:10.479 --> 1:19:13.400
<v Speaker 1>higher rate, They come out of their free trials of

1:19:13.520 --> 1:19:15.920
<v Speaker 1>Amazon Prime at a higher rate than than than do

1:19:16.040 --> 1:19:19.040
<v Speaker 1>people who don't use Prime Music. And you know, we

1:19:19.040 --> 1:19:22.160
<v Speaker 1>we carefully watch that and and understand the value that

1:19:22.200 --> 1:19:24.559
<v Speaker 1>it's generating. And you know, we're not trying to dissuade

1:19:24.560 --> 1:19:29.080
<v Speaker 1>people from from listening at all. And yes, um so

1:19:29.360 --> 1:19:33.120
<v Speaker 1>serious sex sums done a great job of facilitating uh

1:19:33.360 --> 1:19:37.000
<v Speaker 1>festival and concert live streaming. Red Bull TV has been

1:19:37.000 --> 1:19:39.439
<v Speaker 1>doing it from a video perspective as well as others.

1:19:39.439 --> 1:19:42.400
<v Speaker 1>All the Red bullis got out. Um, does Amazon have

1:19:42.439 --> 1:19:47.880
<v Speaker 1>any intentions of getting into the live music streaming business, uh,

1:19:48.280 --> 1:19:52.519
<v Speaker 1>via artists directly or festivals. Yeah. I mean I'm not

1:19:52.520 --> 1:19:55.200
<v Speaker 1>going to talk about things here that we haven't done

1:19:55.280 --> 1:19:57.840
<v Speaker 1>yet that we might do if we you know, this

1:19:57.880 --> 1:20:01.280
<v Speaker 1>isn't the forum where I'm gonna disclose something like that. Um.

1:20:01.400 --> 1:20:03.960
<v Speaker 1>What I would say is we've been doing some live

1:20:04.640 --> 1:20:09.000
<v Speaker 1>broadcasts lately with working with some of the labels and

1:20:09.080 --> 1:20:13.280
<v Speaker 1>doing some really interesting promotions around new records by Justin

1:20:13.320 --> 1:20:16.439
<v Speaker 1>timber Lake, by Elton John just had these tribute albums

1:20:16.800 --> 1:20:18.200
<v Speaker 1>as well as by you two in the in the

1:20:18.280 --> 1:20:23.920
<v Speaker 1>in the Winter that are a combination of uh, interviews

1:20:23.920 --> 1:20:26.479
<v Speaker 1>and music and and it's it's it's really kind of

1:20:26.479 --> 1:20:29.280
<v Speaker 1>like a live radio show. Um. But in terms of

1:20:29.280 --> 1:20:31.599
<v Speaker 1>whether we're gonna do live concert stream that's not This

1:20:31.640 --> 1:20:34.320
<v Speaker 1>isn't the forum for me to talk about that. Yeah.

1:20:34.360 --> 1:20:37.320
<v Speaker 1>Another question you were talking about, UM, some of the

1:20:37.360 --> 1:20:39.920
<v Speaker 1>metadata that you have to create on your own and

1:20:40.080 --> 1:20:43.960
<v Speaker 1>I've been recently reading articles about tags for your songs

1:20:44.040 --> 1:20:45.880
<v Speaker 1>and like you know, I work with indie artists who

1:20:45.880 --> 1:20:49.040
<v Speaker 1>work with tune Core and CD Baby in places like that.

1:20:49.640 --> 1:20:53.240
<v Speaker 1>Are you gonna now go to some of these aggregators

1:20:53.280 --> 1:20:58.920
<v Speaker 1>and potentially have a different metadata form for when you're

1:20:58.920 --> 1:21:01.759
<v Speaker 1>submitting your music. You can say this is a sad song,

1:21:01.920 --> 1:21:04.360
<v Speaker 1>this is an upbeat dance song, and those kind of

1:21:04.400 --> 1:21:08.080
<v Speaker 1>tags to help you guys with your service. Yeah, we've

1:21:08.080 --> 1:21:11.360
<v Speaker 1>been actually working with d dex um to try to

1:21:11.560 --> 1:21:14.599
<v Speaker 1>update the DDX standard to include more fields that are

1:21:15.479 --> 1:21:17.840
<v Speaker 1>relevant for voice and so that would be you know,

1:21:17.880 --> 1:21:22.120
<v Speaker 1>it would be in the d dex standard. Okay, any

1:21:22.120 --> 1:21:27.280
<v Speaker 1>other people with questions here, Okay. The thing about this

1:21:27.360 --> 1:21:29.519
<v Speaker 1>is we've learned a lot about Amazon and as I

1:21:29.560 --> 1:21:32.280
<v Speaker 1>even though I have the service, I'm still learning things,

1:21:32.840 --> 1:21:35.320
<v Speaker 1>which speaks you know, we have the music. People say, oh,

1:21:35.360 --> 1:21:37.599
<v Speaker 1>market the hell out of it, but it's a stealth

1:21:37.680 --> 1:21:41.000
<v Speaker 1>operation and something you definitely have to pay attention. And

1:21:41.080 --> 1:21:43.080
<v Speaker 1>thanks so much d for coming and sharing, Thank you

1:21:43.120 --> 1:21:52.360
<v Speaker 1>for having me. That wraps up this week's episode of

1:21:52.400 --> 1:21:56.080
<v Speaker 1>the Bob left Set podcast, recorded live the Music Media

1:21:56.160 --> 1:21:59.320
<v Speaker 1>Summit in Santa Barbara, California, and produced by tune In.

1:22:00.120 --> 1:22:02.439
<v Speaker 1>I hope you enjoyed this conversation with VP of the

1:22:02.439 --> 1:22:05.680
<v Speaker 1>Amazon Music s feed Boom. I found it fascinating how

1:22:05.760 --> 1:22:09.680
<v Speaker 1>Amazon Music uses data to its advantage. What part of

1:22:09.720 --> 1:22:13.680
<v Speaker 1>the interview is interesting to you. Your feedback is always appreciated.

1:22:14.040 --> 1:22:16.840
<v Speaker 1>You can email me at Bob at left sets dot com.

1:22:16.920 --> 1:22:24.400
<v Speaker 1>Until next time, I'm Bob left Sets than reads. Don't

1:22:24.520 --> 1:22:31.680
<v Speaker 1>know exactly must be out