WEBVTT - Best Bits of 2024

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<v Speaker 1>It's the Best Bits of the week with Morgan.

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<v Speaker 2>I kill just the bits at this time every year,

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<v Speaker 2>I always do the best bits of the year. So

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<v Speaker 2>I know we're after New Year's because the holidays are

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<v Speaker 2>falling a little funky this year.

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<v Speaker 3>So this is post New Year's and technically we are.

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<v Speaker 2>In twenty twenty five, but I'm still doing here the

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<v Speaker 2>top Bits of twenty twenty four from the Bobby Bone

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<v Speaker 2>Show for this week, and yes Best Bits Part one

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<v Speaker 2>and Part three this weekend are new content. I had

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<v Speaker 2>Scipa Steve come in and record some stuff with me

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<v Speaker 2>before we left for the holiday, so it's all new

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<v Speaker 2>and you can get some fun conversation over there about

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<v Speaker 2>New Year's reflection of twenty twenty four and some holiday

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<v Speaker 2>stuff over there too. Without further ado, let's get into it.

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<v Speaker 2>The Best Bits of twenty twenty four. This one blew

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<v Speaker 2>up on our social media. Bobby had shared what things

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<v Speaker 2>cost to Taylor Swift, like a house to a normal

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<v Speaker 2>person is this, but to Taylor Swift it's this much

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<v Speaker 2>and all kinds of things like that, and this one

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<v Speaker 2>just blew up.

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<v Speaker 3>People were like what and crazy? Also, how is this possible?

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<v Speaker 2>So that's what you're going to hear right now, what

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<v Speaker 2>do things cost to Taylor Swift versus how it costs

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<v Speaker 2>to the average person.

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<v Speaker 1>Number seven.

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<v Speaker 4>Taylor Swift is now the richest female musician, with an

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<v Speaker 4>estimated networth of one point six billion dollars. So what

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<v Speaker 4>I like to do is see how much things feel

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<v Speaker 4>like they cost to Taylor based on what it would

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<v Speaker 4>cost what it feel like to cost to a normal person.

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<v Speaker 4>For example, if you were to go buy some Lululemon

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<v Speaker 4>leggings ninety eight dollars for Taylor, if she were to

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<v Speaker 4>buy those, amy, that would feel like she's spending eleven cents.

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<v Speaker 5>Oh wow, that's cool for her.

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<v Speaker 4>A dinner refer to at Nobu, which is the very

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<v Speaker 4>fancy place in Los Angeles, Miami, New York. If you go,

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<v Speaker 4>it's like seven hundred bucks for Taylor eighty one cents.

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<v Speaker 6>Yeah wow.

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<v Speaker 4>A new iPhone big purchase for some folks, especially if

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<v Speaker 4>you don't have it, like in your plan where they

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<v Speaker 4>give it to you for free if you don't like

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<v Speaker 4>renew your plan from the years, A new iPhone twelve

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<v Speaker 4>one hundred dollars for Taylor feels like a dollar eighty seven.

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<v Speaker 4>A new average car in the United States, the average

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<v Speaker 4>car is about forty thousand dollars to Taylor thirty seven dollars. Okay,

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<v Speaker 4>get her a thirty dollars car, It's awesome. And the

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<v Speaker 4>average home in the United States is three hundred thousand dollars.

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<v Speaker 4>For Taylor to buy that home, it would cost her

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<v Speaker 4>to us four hundred dollars. I'd just know all the

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<v Speaker 4>houses we could have for four hundred dollars. That would

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<v Speaker 4>be awesome. Just the housesn't go look four hundred dollars

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<v Speaker 4>the house dang so good for her though, her those shows,

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<v Speaker 4>I've never seen aything like it. I've never seen them

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<v Speaker 4>like it. Just they sell out so faster, talking about

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<v Speaker 4>football stadiums and like every even when she changes like

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<v Speaker 4>a new dress in her show, it's like a new story.

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<v Speaker 4>It's like Taylor has decided to wear a gold snake

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<v Speaker 4>dress instead of the green one and then like pops

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<v Speaker 4>up in my feed. Yeah, it sound like anything I've

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<v Speaker 4>ever seen as far as like popstars and Morgan Walland

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<v Speaker 4>they announced he had the highest the biggest country tour

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<v Speaker 4>ball time. And it's for two reasons. One, he sells

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<v Speaker 4>at football stadiums, right because like Kenny's done it. There's

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<v Speaker 4>only a few artists I've ever sold at football stadiums

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<v Speaker 4>Garth wallin Kenny, Zach Bryan does it now. Luke Combs

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<v Speaker 4>has done it a few times. But also the ticket prices,

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<v Speaker 4>the concert tickets cost so freaking much, and like the

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<v Speaker 4>extra good tickets are like even higher than what inflation

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<v Speaker 4>is for like this year versus fifty years ago, like

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<v Speaker 4>to get And they also have this ticket gage thing

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<v Speaker 4>where the more in demand, they raise the prices of

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<v Speaker 4>the tickets.

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<v Speaker 6>So but that's the some of those are being the

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<v Speaker 6>resold ones, not always.

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<v Speaker 4>Oh yeah, it's called like dynamic ticket pricing. And I'm

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<v Speaker 4>not saying this happens, but that happens too, where it's

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<v Speaker 4>like buying a ticket on Southwest Airlines, meaning the ticket

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<v Speaker 4>prices go. It's the same, you get a seat, but

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<v Speaker 4>the less the fewer tickets are, the higher the ticket

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<v Speaker 4>cost is.

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<v Speaker 6>Oh because see, I just thought that Taylor would maybe.

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<v Speaker 4>I don't know the tailor does dynamic tickets. I know

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<v Speaker 4>that at times you just.

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<v Speaker 5>Went over those numbers like she could lower them a little.

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<v Speaker 4>Bit, you know, if people are buying them. Wi, I know,

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<v Speaker 4>I know dynamic ticket pricing is a strategy that increases

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<v Speaker 4>prices when demand is high and decreases when demand is low. Okay,

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<v Speaker 4>It is used by many industries, including entertainment, and they

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<v Speaker 4>go through all of it and so but yeah, I

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<v Speaker 4>mean that's what the airlines do. That's why a ticket,

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<v Speaker 4>if you get a last minute costs so much. You're

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<v Speaker 4>getting the same seat you would have got if you'd

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<v Speaker 4>bought it three weeks ago. But yeah, I know, Morgan

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<v Speaker 4>Wall and Biggest country tour and Taylor Swift. It's wild

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<v Speaker 4>and she'd get a house for four hundred dollars crazy.

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<v Speaker 7>It's the best bits of the week with Morgan. Number two.

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<v Speaker 2>There was some clothing drama on the show this year,

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<v Speaker 2>but this one stood out in particular.

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<v Speaker 3>Lunchbogs wore a hoodie to the.

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<v Speaker 2>CMA Awards and it was the hottest of hot topics,

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<v Speaker 2>not just within our show but on our social media.

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<v Speaker 3>It was controversial all the way around, and.

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<v Speaker 2>It still is a running joke and maybe one of

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<v Speaker 2>the the most infamous hoodies to ever exist.

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<v Speaker 4>Number six, I was looking at pictures. I was not

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<v Speaker 4>able to go to the CMA's last night. Regretfully, I

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<v Speaker 4>was I've been stick to the last few days, even

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<v Speaker 4>here on the show. So Amy looked great.

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<v Speaker 6>Thank you.

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<v Speaker 4>Eddie looked great.

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<v Speaker 8>Oh thanks man, Moregan.

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<v Speaker 4>I saw your video. You're like, I'm just just a

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<v Speaker 4>girl that just kind of wet. If I'm a shower

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<v Speaker 4>and I'm not going out and you did your hands

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<v Speaker 4>white boom and then she's like in her d. You know,

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<v Speaker 4>one of those things is good, and then you guys

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<v Speaker 4>can help me because I only saw a picture. It

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<v Speaker 4>was Lunchbox in a hoodie.

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<v Speaker 6>Yes, yeah, like a sweatshirt hoodie, but it was an

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<v Speaker 6>It looked nice.

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<v Speaker 4>I just saw the group picture in every not just

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<v Speaker 4>our show, but like they did a picture of like

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<v Speaker 4>everybody who won, and every single person's in a suit

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<v Speaker 4>or like a really nice dress, and Lunchbox is in

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<v Speaker 4>a hoodie. But I would I'm not judging yet. We

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<v Speaker 4>all love to judge on the show, but I would

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<v Speaker 4>like to hold back for a second. What what was that?

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<v Speaker 9>Well, what do you mean?

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<v Speaker 10>It was an outfit? It's called style. No one told

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<v Speaker 10>me that I had to wear a suit. No one

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<v Speaker 10>said there is a dress code.

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<v Speaker 4>You've been to that many We've done that many times.

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<v Speaker 10>Justin Bieber goes to something he wears a hoodie, people say,

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<v Speaker 10>oh fashion, I wear a hoodie and it's like.

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<v Speaker 4>The worst thing in the world. I don't think it's

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<v Speaker 4>the worst thing in the world. No, no, no, no, no.

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<v Speaker 5>He's not judging you yet.

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<v Speaker 4>I'm not asking you to be defensive. I'm they are

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<v Speaker 4>not jumping in because they've already all made fun of

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<v Speaker 4>you behind your back.

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<v Speaker 10>So I'm but I'm they made fun of me into

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<v Speaker 10>my face. When I walked in, Morgan did double thing goes,

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<v Speaker 10>are you wearing a hoodie? Hold on you talking about

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<v Speaker 10>and then I'm gonna Eddie says, are you gonna change?

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<v Speaker 10>And then these wife first things she says to me goes,

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<v Speaker 10>I see you got your nicest clothes out. And here's

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<v Speaker 10>my thing. If I went out to Morgan and said,

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<v Speaker 10>you look like crap.

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<v Speaker 4>No, but Morgan was dressed appropriate. It doesn't matter for

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<v Speaker 4>like what they they say, you know, it's like whatever

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<v Speaker 4>they ca the style of dress.

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<v Speaker 11>It's like a wearing.

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<v Speaker 4>This song what I like to do. Everybody else shut

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<v Speaker 4>up except for Lunchbox because he's gonna get mad at

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<v Speaker 4>you guys, and I'm not trying to talk to him

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<v Speaker 4>like I'm upset or irritated.

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<v Speaker 11>I don't.

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<v Speaker 4>And see here's the thing, a boy, No, no, let's take

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<v Speaker 4>it down. Let's think it abunt half of not just

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<v Speaker 4>me and you talking.

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<v Speaker 10>If if I know to a girl and said, why

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<v Speaker 10>are you wearing that crap? I'm a jerk, right, But

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<v Speaker 10>Morgan does it to me and it's oh cool. If

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<v Speaker 10>I told her your dress looks like trash, how would

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<v Speaker 10>she feel?

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<v Speaker 4>Well? I don't think I liked your hoodie, by the way.

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<v Speaker 12>See here, here's the thing there. I don't give a crap.

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<v Speaker 4>What I liked your hoodie. I did think that it

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<v Speaker 4>was a bit underdressed for the occasion, but I just

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<v Speaker 4>wanted what your thought was.

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<v Speaker 10>I thought it was a nice event. It's a nice hoodie.

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<v Speaker 10>It ain't some trash hooty that I wear every day.

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<v Speaker 4>I think my hoodies are nice. You wearing here red

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<v Speaker 4>k trace today.

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<v Speaker 12>I wore it today because I saw them last night.

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<v Speaker 10>You go, uh so, yeah, I thought it's no one

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<v Speaker 10>said anything about a dress code or what you're supposed

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<v Speaker 10>to wear, just said, hey, we're going to the Cmas.

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<v Speaker 10>I'm like, cool man, this is a nice hoodie that

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<v Speaker 10>is expensive, and I love you for being and I

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<v Speaker 10>wore it and I wasn't worried about it, and now

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<v Speaker 10>one person was like, oh my gosh, we can't let

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<v Speaker 10>you in because you have a hoodie on.

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<v Speaker 12>Cool.

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<v Speaker 4>Great, yeah, yeah great. I have said nothing to the

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<v Speaker 4>fact that I'm up, upset or irritated. I just saw

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<v Speaker 4>it and thought, is that real? Well, it's like a

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<v Speaker 4>fun picture he took, like after he changed out of

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<v Speaker 4>his suit. Scuba, I want to get everybody else's mouth

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<v Speaker 4>shut please. Yeah, yeah, what's up, Scuba? You're the executive

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<v Speaker 4>producer of this show. Yes, you know, of course my

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<v Speaker 4>name's on it. But like you run this thing, no

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<v Speaker 4>doubt about it. You're well as that guy. What were

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<v Speaker 4>your thoughts?

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<v Speaker 13>Well, I guess my first question would be you get

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<v Speaker 13>the CMA emails right lunchbox. They come through about to

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<v Speaker 13>vote for this, and here's information for this, and I voted, gotcha.

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<v Speaker 13>So in one of those emails, there's an important line

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<v Speaker 13>here says attire and additional information. It says the CMA

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<v Speaker 13>Awards encouraged you to honor the tradition of country music's

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<v Speaker 13>biggest night by dressing in black tie or formal attire.

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<v Speaker 4>I say that I didn't know that I just see

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<v Speaker 4>everybody else doing it every year, so I, well, yeah,

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<v Speaker 4>and everyone else is doing it as well.

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<v Speaker 13>I will say it's a it was a really nice

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<v Speaker 13>hoodie for him, it was it was more of an

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<v Speaker 13>upgrade for what we normally see. So I could see

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<v Speaker 13>in his eyes he's like, well, I wore a really

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<v Speaker 13>nice hoodie. This is like my black tie, and okay

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<v Speaker 13>to the audience in a suit, no one's seem to

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<v Speaker 13>complain about that. And I wore sunglasses, so I kind

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<v Speaker 13>of like didn't care a little bit myself, but I

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<v Speaker 13>still wore like a suit and looked somewhat nice. But

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<v Speaker 13>I just think maybe he doesn't understand in his world

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<v Speaker 13>he thinks that was awesome.

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<v Speaker 4>That's on us, then, you know what, that's on me

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<v Speaker 4>as the leader to not go and say, hey, be

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<v Speaker 4>sure to wear a suit. I got not even norsem rack.

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<v Speaker 4>But also I think too solid.

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<v Speaker 13>He wasn't sure he was gonna make it as well

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<v Speaker 13>because his wife was doing something, so I think he

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<v Speaker 13>was like scrambling last second and put something together.

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<v Speaker 4>Want is best hoodie? Okay, that's on me.

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<v Speaker 10>And I knew it matched because it was black and white,

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<v Speaker 10>so I knew it didn't match with black jeans.

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<v Speaker 8>What's what's on you? I don't understand.

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<v Speaker 11>Well, there's a mistake that happens with this show.

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<v Speaker 4>And it because even one of our executives reach out

0:09:50.600 --> 0:09:52.160
<v Speaker 4>to me saying.

0:09:51.920 --> 0:09:53.959
<v Speaker 11>Was this a bit oh the hoodie?

0:09:54.040 --> 0:10:00.000
<v Speaker 4>Yes? And I said, not that I know of, because

0:10:00.120 --> 0:10:03.439
<v Speaker 4>I didn't he looked.

0:10:04.080 --> 0:10:05.040
<v Speaker 5>He looked nice.

0:10:05.120 --> 0:10:08.199
<v Speaker 6>Yes, for him, he had jeans that fit, like really,

0:10:08.240 --> 0:10:11.200
<v Speaker 6>the jeans were nice. The hoodie was you could tell

0:10:11.559 --> 0:10:16.640
<v Speaker 6>he just shoes where he bought it and how showing up.

0:10:16.520 --> 0:10:18.680
<v Speaker 4>To a funeral and a tank top and jeorts and

0:10:18.720 --> 0:10:23.000
<v Speaker 4>you're like, well I'm wearing clothes. I hear you. I

0:10:23.040 --> 0:10:23.400
<v Speaker 4>hear you.

0:10:23.679 --> 0:10:26.280
<v Speaker 5>But it was still up level for him.

0:10:27.120 --> 0:10:31.760
<v Speaker 4>Yes, I it is my fault because I because I

0:10:31.760 --> 0:10:36.360
<v Speaker 4>I will take and I will message that executive back listen, no,

0:10:36.360 --> 0:10:38.760
<v Speaker 4>no executive, listen to our show. They only care about

0:10:38.840 --> 0:10:41.439
<v Speaker 4>us when we get in trouble. Nobody cares. So I'll

0:10:41.480 --> 0:10:44.080
<v Speaker 4>message the executive and be like, you know what, that's

0:10:44.120 --> 0:10:45.960
<v Speaker 4>on me? It was a bit. It was like could

0:10:46.000 --> 0:10:48.040
<v Speaker 4>lunchbuk what was the nicest hoodie he could find to wear?

0:10:49.280 --> 0:10:54.040
<v Speaker 4>And that's We're good, that's on me. It is my fault.

0:10:54.160 --> 0:10:56.000
<v Speaker 4>I thought you look great. I thought you were a

0:10:56.040 --> 0:10:57.960
<v Speaker 4>bit underdressed for this occasion. But that's on me for

0:10:58.040 --> 0:11:00.880
<v Speaker 4>not explaining that everybody needed to wear what the email

0:11:01.000 --> 0:11:03.080
<v Speaker 4>said in the official rules of black tie.

0:11:03.480 --> 0:11:03.680
<v Speaker 9>Yeah.

0:11:03.880 --> 0:11:05.679
<v Speaker 10>Still, I mean, I'm looking through this email and I

0:11:05.679 --> 0:11:06.600
<v Speaker 10>don't see that anywhere.

0:11:06.720 --> 0:11:06.840
<v Speaker 6>Man.

0:11:06.880 --> 0:11:09.040
<v Speaker 4>But also, can I one other thing? And I mean

0:11:09.040 --> 0:11:10.679
<v Speaker 4>this because I feel this way about me too. You're

0:11:10.679 --> 0:11:14.040
<v Speaker 4>not jelly roller Justin Bieber. Oh yeah, oh really.

0:11:13.800 --> 0:11:14.560
<v Speaker 8>He thinks he is.

0:11:16.679 --> 0:11:20.959
<v Speaker 10>Yeah, here's the thing, people, Fashion is different for everybody.

0:11:21.040 --> 0:11:23.280
<v Speaker 4>I agree, And so like for.

0:11:23.280 --> 0:11:24.960
<v Speaker 12>You to say, oh, you can't wear this, do you?

0:11:25.240 --> 0:11:28.160
<v Speaker 4>I didn't. I didn't say that. I'm saying that's I

0:11:28.400 --> 0:11:30.200
<v Speaker 4>think to hoodie looks great. It is my fault that

0:11:30.240 --> 0:11:34.160
<v Speaker 4>I didn't explain expressed to everybody that you need to

0:11:34.200 --> 0:11:36.320
<v Speaker 4>do what's traditionally done that you guys have seen for like,

0:11:36.320 --> 0:11:37.559
<v Speaker 4>I don't know, eight or nine years in a row

0:11:38.040 --> 0:11:42.840
<v Speaker 4>any longer. Yeah, And the bit that I suggested of lunchbox,

0:11:42.840 --> 0:11:44.640
<v Speaker 4>can you wear the nicest hood he can find? Was

0:11:44.720 --> 0:11:45.760
<v Speaker 4>not the greatest idea for.

0:11:45.720 --> 0:11:47.840
<v Speaker 5>Me to do that bit link link.

0:11:48.080 --> 0:11:49.520
<v Speaker 4>I don't want him to get in trouble because I

0:11:49.520 --> 0:11:51.439
<v Speaker 4>have a feeling that they're going to be like you

0:11:51.480 --> 0:11:55.080
<v Speaker 4>guys would disrespect you know, these executives are. So that's

0:11:55.120 --> 0:11:57.280
<v Speaker 4>my everybody, that was my bit. I made it up.

0:11:57.840 --> 0:11:59.080
<v Speaker 8>Okay, it's bad taste.

0:11:59.080 --> 0:11:59.280
<v Speaker 9>Man.

0:11:59.400 --> 0:12:01.079
<v Speaker 13>If you think that was bad, he shud here he

0:12:01.080 --> 0:12:02.839
<v Speaker 13>heard his speech. He took over and did the speech

0:12:02.840 --> 0:12:05.840
<v Speaker 13>at the awards in the hoodie, in the hoodie front

0:12:05.840 --> 0:12:07.000
<v Speaker 13>and center and doing a speech.

0:12:08.120 --> 0:12:09.520
<v Speaker 4>We got an audio of it. I don't play it you

0:12:09.600 --> 0:12:13.160
<v Speaker 4>because I don't think I'm in the place to hear it. Well,

0:12:13.480 --> 0:12:15.840
<v Speaker 4>I don't. I'm on the place. Hold. Everybody hold. I

0:12:15.840 --> 0:12:17.920
<v Speaker 4>have a question, though we can play in the next segment.

0:12:17.920 --> 0:12:18.400
<v Speaker 12>I just I don't.

0:12:18.559 --> 0:12:21.160
<v Speaker 10>I need a break, Okay, So can I tell Like

0:12:21.200 --> 0:12:22.880
<v Speaker 10>when a woman says that to her, I'll be like, well,

0:12:22.880 --> 0:12:23.960
<v Speaker 10>why are you wearing a trash bag?

0:12:24.040 --> 0:12:25.520
<v Speaker 11>Is it.

0:12:27.360 --> 0:12:27.440
<v Speaker 9>Was?

0:12:27.679 --> 0:12:30.720
<v Speaker 4>You were underdressed according to the dress code?

0:12:31.040 --> 0:12:32.679
<v Speaker 12>I mean, show me a dress code.

0:12:35.840 --> 0:12:38.680
<v Speaker 4>Eyes for the past ten years. But it doesn't matter.

0:12:38.800 --> 0:12:44.400
<v Speaker 4>It's my fault. It's my fault. Please, everybody, thank you

0:12:44.440 --> 0:12:49.560
<v Speaker 4>for remaining quiet during this segment. And it's my fault. Okay,

0:12:49.640 --> 0:12:50.000
<v Speaker 4>that's all.

0:12:51.559 --> 0:12:55.480
<v Speaker 1>It's the best Bits of the Week with Morgan. Number two.

0:12:56.840 --> 0:12:59.120
<v Speaker 2>This is not one that I would typically share because

0:12:59.120 --> 0:13:01.640
<v Speaker 2>it's a little weird for me, but it was highly viewed.

0:13:01.640 --> 0:13:04.760
<v Speaker 2>Lots of engagement on this across the board, so I'm

0:13:04.800 --> 0:13:05.960
<v Speaker 2>putting it here just in.

0:13:05.880 --> 0:13:07.480
<v Speaker 3>Case you missed an update.

0:13:07.679 --> 0:13:09.480
<v Speaker 2>I think if you followed me on social media or

0:13:09.520 --> 0:13:12.400
<v Speaker 2>have listened to the show since I made this announcement,

0:13:12.760 --> 0:13:15.600
<v Speaker 2>you're well aware of where things are now. But in

0:13:15.600 --> 0:13:17.520
<v Speaker 2>case you didn't and you're just catching up on the

0:13:17.520 --> 0:13:18.080
<v Speaker 2>show now.

0:13:18.400 --> 0:13:19.800
<v Speaker 3>In fall of twenty twenty.

0:13:19.520 --> 0:13:23.120
<v Speaker 2>Four, I had to announce some sad news in regards to.

0:13:23.400 --> 0:13:25.720
<v Speaker 1>Man in Uniform number five.

0:13:25.880 --> 0:13:27.840
<v Speaker 4>This is what's referred to as a band Aid segment,

0:13:28.040 --> 0:13:30.719
<v Speaker 4>where I don't tease it, there's no build up to it.

0:13:31.120 --> 0:13:33.400
<v Speaker 4>We just ripped the band aid off. I've never called

0:13:33.400 --> 0:13:34.679
<v Speaker 4>it that until now, but if you ever hear of

0:13:34.679 --> 0:13:36.080
<v Speaker 4>a band Aid segment, that's what it's going to be

0:13:36.080 --> 0:13:38.000
<v Speaker 4>for now on Okay, Hey, I didn't before going into

0:13:38.000 --> 0:13:40.600
<v Speaker 4>this segment and teaser anything band Aid segment.

0:13:41.760 --> 0:13:48.400
<v Speaker 2>Ready, go ahead, Man in Uniform and I broke up.

0:13:49.200 --> 0:13:53.839
<v Speaker 4>Oh so that is Morgan. Oh boy didn't want to

0:13:53.880 --> 0:13:58.520
<v Speaker 4>do a big bit build out lunchbox. Well, Morgan. Also,

0:13:58.559 --> 0:14:02.200
<v Speaker 4>I've known for a bit oh, because I will try

0:14:02.240 --> 0:14:06.000
<v Speaker 4>to make sure that the show doesn't migrate to going

0:14:06.040 --> 0:14:08.560
<v Speaker 4>in on something, just to give her a little space,

0:14:09.120 --> 0:14:11.280
<v Speaker 4>And so she was like, Hey, this happened, it's cool.

0:14:11.280 --> 0:14:12.640
<v Speaker 4>I felt like it's my job to protect her for

0:14:12.640 --> 0:14:14.560
<v Speaker 4>a little bit, so if it goes somewhere, I can

0:14:14.559 --> 0:14:16.720
<v Speaker 4>boot it out until she's comfortable right a little behind

0:14:16.720 --> 0:14:20.320
<v Speaker 4>the scenes, she did also come and say I would

0:14:20.400 --> 0:14:21.880
<v Speaker 4>like to say it now and get it over with

0:14:22.240 --> 0:14:24.640
<v Speaker 4>because it will be brought up again in normal discussion.

0:14:25.160 --> 0:14:27.880
<v Speaker 4>And I recommend her for that because she's looking out

0:14:27.880 --> 0:14:29.560
<v Speaker 4>for herself by doing that. But this is always a

0:14:29.560 --> 0:14:32.160
<v Speaker 4>hard segment. So I'm also vamping here to let her

0:14:32.160 --> 0:14:34.560
<v Speaker 4>catch her breath again because I know that was hard

0:14:34.560 --> 0:14:36.720
<v Speaker 4>for her to say. So We're going to give you

0:14:36.720 --> 0:14:40.680
<v Speaker 4>all the space that you want or need, and you

0:14:40.720 --> 0:14:43.920
<v Speaker 4>can lead us in whichever direction you like.

0:14:43.960 --> 0:14:51.240
<v Speaker 2>Morgan, I was completely blindsided. I didn't know this was coming.

0:14:51.360 --> 0:14:55.160
<v Speaker 2>I didn't see it coming. I protected myself in every

0:14:55.200 --> 0:14:57.920
<v Speaker 2>way that I possibly could, and thought that I had

0:14:58.000 --> 0:15:01.520
<v Speaker 2>found somebody that this was it and you guys heard

0:15:01.520 --> 0:15:04.840
<v Speaker 2>that in me talking about it on the show. But

0:15:05.480 --> 0:15:09.680
<v Speaker 2>he uh, as we were about to move in together,

0:15:10.720 --> 0:15:11.600
<v Speaker 2>I guess you could say.

0:15:11.680 --> 0:15:13.400
<v Speaker 4>Would you say as you what to move in together?

0:15:13.440 --> 0:15:17.600
<v Speaker 2>We were about to move in together, had a epiphany

0:15:19.160 --> 0:15:23.200
<v Speaker 2>man in uniform is Jewish and decided, because I'm not Jewish,

0:15:23.240 --> 0:15:27.400
<v Speaker 2>that's not what he wanted. So we had multiple conversations

0:15:27.440 --> 0:15:29.120
<v Speaker 2>about it. I thought we were on the same page,

0:15:29.160 --> 0:15:31.320
<v Speaker 2>which is why I was completely blindsided.

0:15:31.720 --> 0:15:37.560
<v Speaker 3>But I guess we weren't. And that's where we are now.

0:15:38.400 --> 0:15:40.800
<v Speaker 4>Can I give you a Oh, it's such a light

0:15:41.400 --> 0:15:43.960
<v Speaker 4>like fractional positive. Can I give you a fractional positive?

0:15:44.120 --> 0:15:46.120
<v Speaker 4>You didn't pick a freaking loser. And I think that

0:15:46.120 --> 0:15:49.280
<v Speaker 4>that for the first time, like as your friend, Like,

0:15:49.320 --> 0:15:51.520
<v Speaker 4>that's big growth. This sucks for now. No, I'm not

0:15:51.520 --> 0:15:54.160
<v Speaker 4>taking away this sucks for you in any way, but

0:15:54.280 --> 0:15:57.000
<v Speaker 4>I think that you're maturing and actually knowing what you

0:15:57.040 --> 0:16:03.200
<v Speaker 4>want in a relationship and from our life with you,

0:16:03.960 --> 0:16:06.960
<v Speaker 4>I think you have started to look for more quality

0:16:07.040 --> 0:16:10.480
<v Speaker 4>guys and for what they stand for and believe in.

0:16:10.520 --> 0:16:12.400
<v Speaker 4>And I know right now it doesn't help you feel better,

0:16:12.440 --> 0:16:16.600
<v Speaker 4>but like this was, this is a mild wind in

0:16:16.160 --> 0:16:20.040
<v Speaker 4>your in your growth as a human that I totally get.

0:16:20.680 --> 0:16:23.160
<v Speaker 4>If you guys aren't compatible on that level, don't go

0:16:23.280 --> 0:16:25.280
<v Speaker 4>further at all, and I'm sure it hurts for both

0:16:25.280 --> 0:16:30.720
<v Speaker 4>of you and sucks for both of you. And I'm

0:16:30.720 --> 0:16:32.280
<v Speaker 4>gonna stop talking because I'm not even sure what I

0:16:32.280 --> 0:16:34.760
<v Speaker 4>can even ask. But that really sucks.

0:16:35.280 --> 0:16:36.360
<v Speaker 3>I mean, you can ask that.

0:16:37.800 --> 0:16:40.960
<v Speaker 2>I do feel good about the fact that I finally

0:16:41.960 --> 0:16:45.120
<v Speaker 2>found someone who gave me hope that there are good

0:16:45.200 --> 0:16:48.720
<v Speaker 2>men out there, but it sucks all the more because

0:16:48.760 --> 0:16:52.640
<v Speaker 2>of that, again, because I was blindsided in thinking that

0:16:52.680 --> 0:16:54.320
<v Speaker 2>this was this was it?

0:16:54.800 --> 0:16:57.080
<v Speaker 4>Did you want you convert? Was that it?

0:16:57.880 --> 0:16:58.080
<v Speaker 14>No?

0:16:58.680 --> 0:17:01.760
<v Speaker 3>You know, really, like, I don't think that would have mattered.

0:17:02.280 --> 0:17:07.880
<v Speaker 4>Was he practicing or born or both? Important? Okay, so

0:17:07.960 --> 0:17:11.320
<v Speaker 4>does he practice Judaism? Was that it was that's more the.

0:17:11.280 --> 0:17:14.879
<v Speaker 2>Culture thing, not as much practicing, which is why, like

0:17:14.920 --> 0:17:17.720
<v Speaker 2>when we had conversations about it, it kind of really

0:17:17.760 --> 0:17:20.920
<v Speaker 2>threw me because I didn't see that at all.

0:17:22.080 --> 0:17:23.359
<v Speaker 3>And that's why when we were.

0:17:23.280 --> 0:17:24.720
<v Speaker 2>To have conversation about it, I thought were on the

0:17:24.720 --> 0:17:28.520
<v Speaker 2>same page, But as you know, we got more serious

0:17:28.560 --> 0:17:31.159
<v Speaker 2>and stuff, it just became that that's going to be

0:17:31.160 --> 0:17:33.280
<v Speaker 2>more important for him in the future.

0:17:33.480 --> 0:17:35.840
<v Speaker 4>I suppose does he want to find a Jewish wife?

0:17:36.000 --> 0:17:37.800
<v Speaker 3>Yeah?

0:17:38.320 --> 0:17:43.360
<v Speaker 4>I think good job by him. Because this definitely could

0:17:43.359 --> 0:17:47.119
<v Speaker 4>have gone a lot farther and he could have pulled

0:17:47.119 --> 0:17:49.439
<v Speaker 4>that thread a little later, which would have been even harder.

0:17:49.720 --> 0:17:53.320
<v Speaker 4>I think, good job by you by picking somebody that

0:17:53.400 --> 0:17:57.000
<v Speaker 4>was worth the crap. It still very much sucks, and

0:17:57.040 --> 0:18:01.280
<v Speaker 4>I'm very sorry because I know you were, like you're

0:18:01.320 --> 0:18:06.080
<v Speaker 4>fundamentally you are excited about the future, and that's you'll

0:18:06.080 --> 0:18:09.359
<v Speaker 4>look back at this as big time growth, big time growth.

0:18:09.400 --> 0:18:12.439
<v Speaker 4>You can't write now, it sucks, It really sucks. I'm sorry.

0:18:13.040 --> 0:18:13.720
<v Speaker 3>Yeah, there's.

0:18:15.000 --> 0:18:18.719
<v Speaker 2>Not a lot of people out there that can relate

0:18:18.760 --> 0:18:22.879
<v Speaker 2>to this particular topic, which also makes it harder and

0:18:23.359 --> 0:18:26.840
<v Speaker 2>really hard for me to understand.

0:18:27.960 --> 0:18:28.400
<v Speaker 15>But I do.

0:18:28.480 --> 0:18:28.720
<v Speaker 4>I do.

0:18:29.119 --> 0:18:32.680
<v Speaker 2>I am really happy that one day I can look

0:18:32.680 --> 0:18:36.240
<v Speaker 2>at this scenario and know that I found somebody that

0:18:36.520 --> 0:18:40.040
<v Speaker 2>was good, and I now can see out there that

0:18:40.080 --> 0:18:41.119
<v Speaker 2>there is going to be good.

0:18:43.520 --> 0:18:45.919
<v Speaker 4>I think this is actually something that happens more than

0:18:45.960 --> 0:18:52.479
<v Speaker 4>you think. And I'm not saying you're specific Jewish and Christian,

0:18:53.280 --> 0:18:56.959
<v Speaker 4>but I think there are a lot of couples that

0:18:57.040 --> 0:19:02.560
<v Speaker 4>struggle with again I use the word like fundamental foundation,

0:19:04.240 --> 0:19:07.919
<v Speaker 4>that they don't come from that same spiritual background or

0:19:07.960 --> 0:19:09.840
<v Speaker 4>even same religion, and they have to figure a way

0:19:09.840 --> 0:19:11.560
<v Speaker 4>to make it work. I have very close friends that

0:19:11.560 --> 0:19:14.639
<v Speaker 4>have gone through some extremely difficult times because they do

0:19:14.720 --> 0:19:16.920
<v Speaker 4>have like a They even call it like a split.

0:19:18.480 --> 0:19:22.159
<v Speaker 4>I think interfaith, and it's it's it's it's difficult, but

0:19:22.720 --> 0:19:25.199
<v Speaker 4>it's again, it's really great that you guys identified that

0:19:25.320 --> 0:19:29.080
<v Speaker 4>now because it just worked before. It's been way way,

0:19:29.119 --> 0:19:30.399
<v Speaker 4>way way harder.

0:19:30.240 --> 0:19:32.359
<v Speaker 6>And then you sharing right now, even as hard as

0:19:32.440 --> 0:19:36.680
<v Speaker 6>it is, it may prompt conversations that other people need

0:19:36.720 --> 0:19:40.400
<v Speaker 6>to have, like hearing this, Like, even though it's painful

0:19:40.440 --> 0:19:43.000
<v Speaker 6>and hard, somebody listening right now is going to be

0:19:43.119 --> 0:19:45.439
<v Speaker 6>encouraged of like, oh, this is a conversation that I

0:19:45.480 --> 0:19:48.040
<v Speaker 6>haven't had yet in my relationship and I maybe need

0:19:48.040 --> 0:19:51.000
<v Speaker 6>to do it, and it may help them get through

0:19:51.359 --> 0:19:53.760
<v Speaker 6>either whatever direction they're going to go. It's a conversation

0:19:53.800 --> 0:19:58.120
<v Speaker 6>that sometimes people avoid or don't realize till it gets

0:19:58.160 --> 0:20:00.919
<v Speaker 6>too late and they're like, oh, shoot, we didn't discuss this,

0:20:01.000 --> 0:20:02.600
<v Speaker 6>and what if we want to have kids and then

0:20:02.800 --> 0:20:03.760
<v Speaker 6>how are we going to raise them?

0:20:03.800 --> 0:20:05.600
<v Speaker 5>And you know it's snowballs.

0:20:05.600 --> 0:20:09.320
<v Speaker 4>So is there a chance you guys have a discussion

0:20:09.359 --> 0:20:11.479
<v Speaker 4>about it later and change your minds?

0:20:13.040 --> 0:20:13.760
<v Speaker 3>I don't think.

0:20:13.800 --> 0:20:19.040
<v Speaker 2>So we had a follow up conversation after the breakup happened,

0:20:19.080 --> 0:20:24.199
<v Speaker 2>and he seemed very sure in his decision. So I

0:20:24.240 --> 0:20:26.560
<v Speaker 2>don't think there's anything that I could have done or

0:20:26.600 --> 0:20:30.960
<v Speaker 2>could do differently for him, and that sucks for me.

0:20:32.359 --> 0:20:35.359
<v Speaker 2>But I do still believe he's a great human, which

0:20:35.400 --> 0:20:36.080
<v Speaker 2>also sucks.

0:20:36.800 --> 0:20:38.680
<v Speaker 4>And two things can be true at the same time. One,

0:20:38.680 --> 0:20:40.880
<v Speaker 4>this is just sucks. I'm really sorry because it sucks

0:20:41.720 --> 0:20:43.719
<v Speaker 4>and your heart hurts, and hate that for you as

0:20:43.720 --> 0:20:46.080
<v Speaker 4>a person. But it also I think is a good

0:20:46.160 --> 0:20:48.760
<v Speaker 4>thing that it happened now and not later after you

0:20:48.760 --> 0:20:50.360
<v Speaker 4>lived with each other and made it even harder, which

0:20:50.359 --> 0:20:52.080
<v Speaker 4>would then make if you did decide to get married

0:20:52.119 --> 0:20:56.880
<v Speaker 4>and keep hunting it kicking the can got dang, Yeah.

0:20:56.600 --> 0:20:58.360
<v Speaker 3>Could have made it so much worse. So I am

0:20:58.400 --> 0:20:59.080
<v Speaker 3>thankful for that.

0:21:00.119 --> 0:21:04.280
<v Speaker 4>Well, well, he hurts really bad, right, I'm sure it dies.

0:21:04.359 --> 0:21:08.760
<v Speaker 4>Sorry Morgan, And I know Lunchbox his eyes got big

0:21:08.760 --> 0:21:10.560
<v Speaker 4>because he was going to be like love Bomb told you,

0:21:10.600 --> 0:21:11.600
<v Speaker 4>but it wasn't that at all. And then you know,

0:21:11.800 --> 0:21:14.359
<v Speaker 4>he pays eyes got you know, and he lowered his

0:21:14.359 --> 0:21:16.560
<v Speaker 4>head down real quick because he say anything.

0:21:16.680 --> 0:21:17.800
<v Speaker 12>I got a couple theories.

0:21:18.720 --> 0:21:22.360
<v Speaker 4>There are theories to have she told you what happened?

0:21:23.400 --> 0:21:25.119
<v Speaker 4>This is I don't even know that. I don't even know.

0:21:25.200 --> 0:21:25.840
<v Speaker 5>It's too soon.

0:21:26.400 --> 0:21:28.280
<v Speaker 6>This is why, right at the beginning on like lunchbox,

0:21:28.320 --> 0:21:29.680
<v Speaker 6>I looked at him and I was like, lunch fox.

0:21:29.720 --> 0:21:31.600
<v Speaker 8>No, maybe that's why he looks.

0:21:33.640 --> 0:21:36.560
<v Speaker 6>She's clearly in pain right now mid segment, Yeah, right

0:21:36.560 --> 0:21:38.240
<v Speaker 6>at the beginning, did you see I looked back and

0:21:38.280 --> 0:21:41.080
<v Speaker 6>I go lunchbox because I knew he was about to

0:21:41.119 --> 0:21:42.800
<v Speaker 6>just like go in.

0:21:44.240 --> 0:21:45.320
<v Speaker 4>What's one, what's happen?

0:21:45.640 --> 0:21:48.760
<v Speaker 10>What's One of the theories part of my just hearing

0:21:48.800 --> 0:21:52.080
<v Speaker 10>her talk is he got cold feet about the moving

0:21:52.119 --> 0:21:54.960
<v Speaker 10>in because she said we were about to move in together,

0:21:55.040 --> 0:21:57.840
<v Speaker 10>and so he looked for the one thing that he knew.

0:21:57.920 --> 0:22:00.080
<v Speaker 12>He could use as the excuse because.

0:21:59.880 --> 0:22:03.280
<v Speaker 10>She said they had multiple conversations about it and they

0:22:03.280 --> 0:22:05.520
<v Speaker 10>were on the same page. So I think the moving

0:22:05.560 --> 0:22:07.600
<v Speaker 10>in like freaked him out.

0:22:07.640 --> 0:22:11.080
<v Speaker 4>Well, let's go to Morgan. Morgan, your theory, your thoughts

0:22:11.080 --> 0:22:11.760
<v Speaker 4>on that theory.

0:22:12.560 --> 0:22:14.359
<v Speaker 2>I don't think it was that because he's the one

0:22:14.359 --> 0:22:17.520
<v Speaker 2>who brought it up. I was never I was never

0:22:17.760 --> 0:22:20.679
<v Speaker 2>pursuing that. That was never something that I pushed, and

0:22:21.640 --> 0:22:24.600
<v Speaker 2>it came very naturally into the conversation, and he was

0:22:24.720 --> 0:22:25.440
<v Speaker 2>very consistent.

0:22:25.520 --> 0:22:27.679
<v Speaker 3>There was even like a moment.

0:22:27.440 --> 0:22:29.240
<v Speaker 2>Where I was like, I'm not getting rid of any

0:22:29.280 --> 0:22:31.199
<v Speaker 2>of my stuff because we're not married and I'm not

0:22:31.240 --> 0:22:33.400
<v Speaker 2>going there. I don't want to do this, and he

0:22:33.440 --> 0:22:36.560
<v Speaker 2>assured me that this is this is happening, and we

0:22:36.560 --> 0:22:39.119
<v Speaker 2>were moving forward. So there was no part of me

0:22:39.240 --> 0:22:43.040
<v Speaker 2>that believed the cold feat thing was going to happen.

0:22:43.080 --> 0:22:46.040
<v Speaker 4>Okay, that's one theory, get it out.

0:22:46.240 --> 0:22:48.520
<v Speaker 10>Second second theory she does get out of the way

0:22:48.840 --> 0:22:52.480
<v Speaker 10>is that he had been waiting to meet me, and

0:22:52.520 --> 0:22:53.439
<v Speaker 10>then now that he did, he was like.

0:22:53.400 --> 0:22:55.040
<v Speaker 4>All right, I can break up that one. I can

0:22:55.080 --> 0:22:58.440
<v Speaker 4>probably sign Yeah, because I met a lot of us.

0:22:58.520 --> 0:23:00.359
<v Speaker 10>I met him a week and a half ago, and

0:23:00.400 --> 0:23:01.879
<v Speaker 10>then it's like, all right, now that I got to

0:23:01.920 --> 0:23:02.919
<v Speaker 10>meet Lunchek.

0:23:02.560 --> 0:23:04.399
<v Speaker 4>And so the whole relationship he was just using her

0:23:04.480 --> 0:23:06.000
<v Speaker 4>to get to you sounds like it.

0:23:06.040 --> 0:23:07.320
<v Speaker 10>I mean, he did ask me if I wanted to

0:23:07.320 --> 0:23:08.840
<v Speaker 10>go run with him.

0:23:09.119 --> 0:23:11.760
<v Speaker 4>That's the one, guys, I can kind of again, I

0:23:11.880 --> 0:23:14.000
<v Speaker 4>kind of believe Morgan. It really sucks. We're laughing now

0:23:14.000 --> 0:23:15.680
<v Speaker 4>because we're just trying to lighten it up a little bit.

0:23:15.960 --> 0:23:20.840
<v Speaker 4>But weaker people have gotten through harder things and you're

0:23:20.880 --> 0:23:22.520
<v Speaker 4>gonna crush this, You're gonna grow from it, you're gonna

0:23:22.600 --> 0:23:24.880
<v Speaker 4>learn from it. You didn't pick a loser. And I think,

0:23:24.920 --> 0:23:27.000
<v Speaker 4>as funny as that sounds for me to say, like

0:23:27.040 --> 0:23:31.800
<v Speaker 4>that shows your growth and I'm sorry it happened, you know, I.

0:23:31.720 --> 0:23:34.480
<v Speaker 2>Will say, there's a moment for me this weekend as

0:23:34.520 --> 0:23:39.600
<v Speaker 2>I'm trying to process everything, I was my dog that

0:23:39.640 --> 0:23:42.720
<v Speaker 2>you had mentioned that my new foster, Sunshine got adopted,

0:23:42.840 --> 0:23:45.520
<v Speaker 2>and I was taking her to her new home, and

0:23:45.560 --> 0:23:47.720
<v Speaker 2>I looked at her and I was like, you're so special,

0:23:47.800 --> 0:23:51.119
<v Speaker 2>and I know this is scary, and I know that

0:23:51.240 --> 0:23:54.320
<v Speaker 2>you're afraid of what's to come, but this is going

0:23:54.359 --> 0:23:57.159
<v Speaker 2>to be so beautiful for you. And as I was

0:23:57.200 --> 0:24:00.520
<v Speaker 2>telling her that, I was like, with a crap I'm doing?

0:24:00.520 --> 0:24:02.160
<v Speaker 2>Why can I say that to her? But I can't

0:24:02.920 --> 0:24:06.840
<v Speaker 2>say it to myself right now? And there was some

0:24:06.920 --> 0:24:10.520
<v Speaker 2>healing in that. So that was kind of a bright

0:24:10.600 --> 0:24:12.960
<v Speaker 2>spot amongst all of this as well.

0:24:13.440 --> 0:24:15.439
<v Speaker 4>Would it help you if we promoted your podcast at

0:24:15.520 --> 0:24:17.359
<v Speaker 4>least you gets extremely in the podcasts from this. I

0:24:17.400 --> 0:24:20.800
<v Speaker 4>think that would be a good, good idea. Yeah, yeah, yeah, yeah, Morgan.

0:24:20.840 --> 0:24:22.160
<v Speaker 4>The name of your podcast.

0:24:21.800 --> 0:24:23.119
<v Speaker 3>Is Take This Personally?

0:24:24.359 --> 0:24:25.840
<v Speaker 4>What it's the name of her podcast.

0:24:25.920 --> 0:24:29.200
<v Speaker 10>Ye, maybe he took something personally from the podcast so dumb.

0:24:30.600 --> 0:24:32.320
<v Speaker 4>Maybe here with the theory he wanted to meet you.

0:24:34.880 --> 0:24:40.320
<v Speaker 4>Check out Morgan's podcast Take This Personally. We care about you.

0:24:40.320 --> 0:24:43.320
<v Speaker 4>You're gonna be fine. It sucks right now and that's okay,

0:24:43.720 --> 0:24:44.680
<v Speaker 4>and it should suck right now.

0:24:44.880 --> 0:24:50.720
<v Speaker 10>Are you back on Hunge a weekend like lunch.

0:24:50.480 --> 0:24:57.760
<v Speaker 1>Fun, it's the best bits of the week with Morgan.

0:24:57.840 --> 0:24:58.480
<v Speaker 1>Number two.

0:25:01.320 --> 0:25:04.240
<v Speaker 2>The hottest of hot songs this year was the collaboration

0:25:04.359 --> 0:25:07.320
<v Speaker 2>between Ella Langley and Riley Green You Look Like You

0:25:07.359 --> 0:25:09.360
<v Speaker 2>Love Me, And if you have not managed to hear

0:25:09.400 --> 0:25:12.600
<v Speaker 2>that song this year, props to you, but also maybe

0:25:12.800 --> 0:25:13.680
<v Speaker 2>turn on your phone.

0:25:14.160 --> 0:25:15.600
<v Speaker 3>I'm not sure what's happening there.

0:25:15.800 --> 0:25:18.680
<v Speaker 2>Go listen to that one particularly, but we had Ella

0:25:18.760 --> 0:25:21.119
<v Speaker 2>Langley in studio to talk all about the collaboration and

0:25:21.160 --> 0:25:23.960
<v Speaker 2>how it happened, and then Riley Green came in and

0:25:24.000 --> 0:25:26.840
<v Speaker 2>they performed the song together. So I can't put their

0:25:26.880 --> 0:25:29.359
<v Speaker 2>performance here, but you can watch that on our YouTube page.

0:25:29.480 --> 0:25:29.880
<v Speaker 3>Right now.

0:25:29.920 --> 0:25:33.080
<v Speaker 2>You're gonna hear the interview with Ella and then a

0:25:33.160 --> 0:25:34.400
<v Speaker 2>little bit with Riley as well.

0:25:34.880 --> 0:25:37.960
<v Speaker 1>Number four, there we go on the Bobby Bones Show.

0:25:38.040 --> 0:25:41.520
<v Speaker 4>Now, Ella Langley, Ell, I became a big fan. Just

0:25:42.160 --> 0:25:44.720
<v Speaker 4>buy TikTok. I mean you pop it up algorithm because

0:25:44.720 --> 0:25:46.720
<v Speaker 4>obviously I have a lot of country music and algorithm

0:25:47.119 --> 0:25:50.439
<v Speaker 4>and it's been really cool to watch it organically, like

0:25:50.560 --> 0:25:52.320
<v Speaker 4>especially this song just become a monster.

0:25:52.600 --> 0:25:53.199
<v Speaker 15>Yeah.

0:25:53.680 --> 0:25:57.120
<v Speaker 4>What does that felt like to you? Is like more

0:25:57.160 --> 0:26:01.600
<v Speaker 4>people recognizing you, more people will come in when you're playing, Like,

0:26:01.600 --> 0:26:02.400
<v Speaker 4>what's been happening?

0:26:03.040 --> 0:26:06.520
<v Speaker 16>Well, I've wanted to do this my whole entire life.

0:26:06.520 --> 0:26:08.919
<v Speaker 16>This isn't something I just kind of stumbled upon and

0:26:09.040 --> 0:26:11.160
<v Speaker 16>was like, yeah, I like playing guitar or I love singing,

0:26:11.200 --> 0:26:13.399
<v Speaker 16>Like this is just like it's it's like a limb.

0:26:13.720 --> 0:26:16.480
<v Speaker 16>It's just something I was always gonna do this, and

0:26:16.520 --> 0:26:18.520
<v Speaker 16>I've been working really hard at it for a minute.

0:26:18.560 --> 0:26:20.959
<v Speaker 16>I moved here five years ago, and before that, I

0:26:21.000 --> 0:26:23.399
<v Speaker 16>was going to school at Auburn And you went to

0:26:23.400 --> 0:26:25.479
<v Speaker 16>sold A really Yeah, yeah, I went for the two

0:26:25.560 --> 0:26:27.280
<v Speaker 16>years when I went to school. Yeah, and then I

0:26:27.359 --> 0:26:30.240
<v Speaker 16>dropped out and moved here. But yeah, I just play

0:26:30.240 --> 0:26:32.560
<v Speaker 16>a lot of cover gigs. I started out restaurants, I

0:26:32.640 --> 0:26:34.359
<v Speaker 16>mean literally every kind of gig you can play.

0:26:34.359 --> 0:26:36.640
<v Speaker 15>I've done it. Whatever you can travel therein. I've done that.

0:26:36.560 --> 0:26:40.840
<v Speaker 4>Too, Like just traditional someone moves to Nashville with a dream.

0:26:41.000 --> 0:26:42.840
<v Speaker 4>You're playing anything you can play to make money, to

0:26:42.840 --> 0:26:46.600
<v Speaker 4>survive so you can chase the bigger dream. But then

0:26:46.640 --> 0:26:51.040
<v Speaker 4>this song hits so hard again, I would just start

0:26:51.080 --> 0:26:54.000
<v Speaker 4>singing it forgetting where I would even ever have heard it? Yeah,

0:26:54.040 --> 0:26:56.840
<v Speaker 4>because it would pop up and not just in your videos,

0:26:56.840 --> 0:26:59.119
<v Speaker 4>would start to be used in other places too. I

0:26:59.160 --> 0:27:01.639
<v Speaker 4>just wonder what that feels like when something starts to

0:27:01.640 --> 0:27:03.960
<v Speaker 4>build wherever it starts to build, do you actually, day

0:27:04.000 --> 0:27:09.920
<v Speaker 4>to day feel again more people pursuing like your music

0:27:10.400 --> 0:27:12.400
<v Speaker 4>or is it like, man, I know it's blowing up,

0:27:12.600 --> 0:27:14.119
<v Speaker 4>but I'm really not seeing it yet.

0:27:14.600 --> 0:27:16.400
<v Speaker 15>No, I'm seeing it. I'm seeing it.

0:27:16.400 --> 0:27:18.280
<v Speaker 16>It's this song is crazy, That's what I was saying.

0:27:18.320 --> 0:27:20.359
<v Speaker 16>I've been doing this for so long, and it's been

0:27:20.400 --> 0:27:22.439
<v Speaker 16>a slow climb, and I've put out single after single

0:27:22.480 --> 0:27:25.560
<v Speaker 16>and kind of just organically grown fans. But this song,

0:27:25.600 --> 0:27:28.199
<v Speaker 16>it's the things it's done and we didn't even plan on.

0:27:28.600 --> 0:27:31.440
<v Speaker 16>This song was never supposed to leave my audio recordings

0:27:31.480 --> 0:27:32.920
<v Speaker 16>on my phone. I wrote it as a joke with

0:27:32.960 --> 0:27:35.720
<v Speaker 16>Aaron ray Tier first and then the label heard it

0:27:35.760 --> 0:27:37.800
<v Speaker 16>and loved it, and then Riley asked us on tour,

0:27:38.520 --> 0:27:40.720
<v Speaker 16>and him and I just kind of being from the

0:27:40.760 --> 0:27:42.680
<v Speaker 16>same area, growing up on the same kind of music,

0:27:42.680 --> 0:27:44.240
<v Speaker 16>and I was thinking maybe we could do it out

0:27:44.240 --> 0:27:44.640
<v Speaker 16>in the road.

0:27:46.160 --> 0:27:47.159
<v Speaker 15>That's why I asked him to do it.

0:27:47.200 --> 0:27:48.760
<v Speaker 16>And I was like, hey, just kind of write the

0:27:48.760 --> 0:27:51.360
<v Speaker 16>second verse how you would respond to a girl coming

0:27:51.440 --> 0:27:52.600
<v Speaker 16>up to you in the bar like that.

0:27:52.760 --> 0:27:56.520
<v Speaker 4>What I like about it is it's so old school

0:27:57.720 --> 0:28:02.080
<v Speaker 4>talkie singing, which very much hapened in the forties fifties.

0:28:02.200 --> 0:28:06.000
<v Speaker 4>Like it's sounds super super super traditional with people that

0:28:06.040 --> 0:28:08.239
<v Speaker 4>aren't born in the forties in the fifties. Is that

0:28:08.280 --> 0:28:11.280
<v Speaker 4>probably why it wasn't supposed to be more than a

0:28:11.320 --> 0:28:13.480
<v Speaker 4>voice recording, because you're thought, I don't know, well, anybody

0:28:13.480 --> 0:28:15.320
<v Speaker 4>even think this is a legitimate song.

0:28:16.000 --> 0:28:19.080
<v Speaker 15>No, I think it's just kind of more I'm drunking.

0:28:19.160 --> 0:28:20.800
<v Speaker 15>I'm really you know, it's.

0:28:20.760 --> 0:28:23.879
<v Speaker 16>Kind of silly, you know, But yeah, I guess it's

0:28:23.920 --> 0:28:25.680
<v Speaker 16>it's a little bit of a risk, you know, just

0:28:25.720 --> 0:28:29.200
<v Speaker 16>because it's not something it's not the popular thing to do,

0:28:29.680 --> 0:28:32.240
<v Speaker 16>you know, and traditional country is only just now kind

0:28:32.240 --> 0:28:32.960
<v Speaker 16>of coming back.

0:28:34.280 --> 0:28:36.399
<v Speaker 15>So yeah, I don't know, but I grew up on it.

0:28:36.440 --> 0:28:37.919
<v Speaker 16>I love it, and I'm just kind of doing what

0:28:37.960 --> 0:28:39.400
<v Speaker 16>I love to do and not what I think other

0:28:39.440 --> 0:28:41.080
<v Speaker 16>people think they want me to do.

0:28:41.320 --> 0:28:44.920
<v Speaker 4>Did anybody suggest that you change some of when you

0:28:45.000 --> 0:28:49.080
<v Speaker 4>recorded it, some of like the talking parts of the song. Yeah.

0:28:49.120 --> 0:28:51.320
<v Speaker 16>We went back and forth a lot on it, on singing,

0:28:51.560 --> 0:28:54.680
<v Speaker 16>singing it, on all kinds of different things. I never

0:28:54.720 --> 0:28:56.560
<v Speaker 16>wanted to sing. I never wanted a song. I'm never

0:28:56.560 --> 0:28:58.080
<v Speaker 16>going to release a version where it's a song.

0:28:59.240 --> 0:29:01.200
<v Speaker 15>It's awesome, I have that.

0:29:01.320 --> 0:29:04.000
<v Speaker 16>My argument to the label was every other song I've

0:29:04.040 --> 0:29:06.360
<v Speaker 16>put out sings the verses, so can I not just

0:29:06.360 --> 0:29:07.240
<v Speaker 16>have one that doesn't?

0:29:08.280 --> 0:29:09.800
<v Speaker 4>And that's why it sticks out so much though, right?

0:29:09.880 --> 0:29:12.600
<v Speaker 16>Yeah, well that I mean start a girl walking up

0:29:12.600 --> 0:29:14.000
<v Speaker 16>to a guy in a bar. You know, It's like

0:29:14.080 --> 0:29:18.000
<v Speaker 16>that's also not a common thing in country, well not

0:29:18.120 --> 0:29:20.240
<v Speaker 16>over the past ten years. Now recently it has been.

0:29:20.280 --> 0:29:22.760
<v Speaker 16>But yeah, so I don't know. It's kind of a

0:29:22.840 --> 0:29:25.240
<v Speaker 16>risky thing to do, but it's it's crazy to see

0:29:25.280 --> 0:29:27.760
<v Speaker 16>the reaction. It's I just started my first headlining tour

0:29:27.840 --> 0:29:31.040
<v Speaker 16>and it's a little nerve racking to have such a

0:29:31.120 --> 0:29:33.800
<v Speaker 16>viral song and wonder are they going to be here

0:29:33.840 --> 0:29:37.480
<v Speaker 16>just for that. But I put out the my debut record,

0:29:38.040 --> 0:29:40.160
<v Speaker 16>which is what You Look Like You Love Me came

0:29:40.200 --> 0:29:43.000
<v Speaker 16>off of, and they're singing every word to every song.

0:29:43.000 --> 0:29:45.600
<v Speaker 16>It's crazy. They're listening to the whole thing and it's

0:29:45.640 --> 0:29:48.240
<v Speaker 16>just wild. It's like, just watch my dreams come true.

0:29:48.360 --> 0:29:50.120
<v Speaker 4>It's that one viral thing though they get them to

0:29:50.120 --> 0:29:51.360
<v Speaker 4>even pay attention to the rest, right.

0:29:51.680 --> 0:29:53.720
<v Speaker 16>Yeah, Well it's also cool too, just a lot of

0:29:53.760 --> 0:29:56.280
<v Speaker 16>these fans are not just the song, but you know,

0:29:56.320 --> 0:29:57.880
<v Speaker 16>I saw you out with Randy Hawser that was my

0:29:57.920 --> 0:29:59.880
<v Speaker 16>first tour three years ago, or I saw you John Party,

0:29:59.920 --> 0:30:01.880
<v Speaker 16>or I saw all your Riley or you know, it's

0:30:01.640 --> 0:30:03.840
<v Speaker 16>a lot of these fantasy that we've grown through playing

0:30:03.920 --> 0:30:06.280
<v Speaker 16>so many shows over the years and just working hard

0:30:06.320 --> 0:30:08.720
<v Speaker 16>that way. But yeah, the it's wild to see when

0:30:08.720 --> 0:30:09.640
<v Speaker 16>that song went.

0:30:11.880 --> 0:30:13.120
<v Speaker 15>We did it in Hyde Park too.

0:30:13.880 --> 0:30:18.080
<v Speaker 16>That was probably the wildest time thus far. It's fifty

0:30:18.160 --> 0:30:22.400
<v Speaker 16>thousand people, that's crazy. We opened it for Morgan and

0:30:22.480 --> 0:30:23.240
<v Speaker 16>it was just crazy.

0:30:23.360 --> 0:30:23.880
<v Speaker 4>That was.

0:30:25.280 --> 0:30:29.040
<v Speaker 16>Probably the first time I had seen a crowd a

0:30:29.160 --> 0:30:32.120
<v Speaker 16>matt like a massive amount of people sing words that

0:30:32.160 --> 0:30:34.560
<v Speaker 16>I had written. And for it to be fifty thousand

0:30:34.640 --> 0:30:40.280
<v Speaker 16>people in the UK was it's just hard to I

0:30:40.320 --> 0:30:42.040
<v Speaker 16>don't know, it's hard to put into words on us.

0:30:42.240 --> 0:30:44.720
<v Speaker 16>I remember I had my ears in because when you're

0:30:44.760 --> 0:30:46.760
<v Speaker 16>way way out there, the slap back was so bad,

0:30:46.840 --> 0:30:48.440
<v Speaker 16>so it's like you can't keep up with the drum.

0:30:48.440 --> 0:30:50.280
<v Speaker 16>You gotta keep your ears in, so it's hard to

0:30:50.320 --> 0:30:52.800
<v Speaker 16>hear the crowd. And I kind of remember walking back

0:30:52.800 --> 0:30:54.120
<v Speaker 16>to being like that was crazy, you know. I just

0:30:54.200 --> 0:30:56.960
<v Speaker 16>like I don't know if I registered anything, and I

0:30:57.000 --> 0:30:58.920
<v Speaker 16>was like walking back thinking like just a normal time

0:30:58.960 --> 0:31:02.520
<v Speaker 16>of us singing the song and everyone that was like

0:31:03.120 --> 0:31:04.880
<v Speaker 16>on both of our teams. I was like, was that crazy?

0:31:04.920 --> 0:31:07.000
<v Speaker 16>And they showed me back the video and I mean

0:31:07.200 --> 0:31:10.080
<v Speaker 16>Riley both watched it and it was just like massive,

0:31:10.160 --> 0:31:12.200
<v Speaker 16>So I think that's what when we both realized it

0:31:12.280 --> 0:31:15.200
<v Speaker 16>was like the song is doing something ridiculous.

0:31:15.840 --> 0:31:20.800
<v Speaker 4>And also, I mean Riley's a massive star and he's

0:31:20.840 --> 0:31:23.120
<v Speaker 4>like perfect for the song as well. Yeah, like all

0:31:23.120 --> 0:31:26.120
<v Speaker 4>the stars kind of aligned with him, going yea, I'll

0:31:26.120 --> 0:31:28.600
<v Speaker 4>do the song. That's cool. And he's also a big

0:31:28.600 --> 0:31:32.000
<v Speaker 4>star and it works with him. Yeah, what was the ad?

0:31:32.000 --> 0:31:32.920
<v Speaker 4>How did you ask him?

0:31:33.200 --> 0:31:33.320
<v Speaker 11>What?

0:31:33.720 --> 0:31:34.720
<v Speaker 4>Hey, you want to do this song?

0:31:35.360 --> 0:31:35.600
<v Speaker 6>Well?

0:31:35.720 --> 0:31:38.880
<v Speaker 4>Text on a version of it. Was it always a duet? No?

0:31:39.040 --> 0:31:40.720
<v Speaker 16>I mean, like I said, I wrote it just for fun.

0:31:40.800 --> 0:31:41.800
<v Speaker 16>I mean it wasn't like.

0:31:41.800 --> 0:31:43.760
<v Speaker 4>You didn't write it for fun, like another a duet.

0:31:43.880 --> 0:31:46.200
<v Speaker 16>No, no, no, no, I just I just I was just

0:31:46.280 --> 0:31:48.640
<v Speaker 16>listening to it after we cut it. It was not

0:31:48.680 --> 0:31:50.400
<v Speaker 16>going to be a duet right when we first cut it,

0:31:50.440 --> 0:31:53.880
<v Speaker 16>but Riley asked us on tour right around the same time.

0:31:53.960 --> 0:31:55.520
<v Speaker 16>So I don't know, I just I just thought of

0:31:55.600 --> 0:31:57.440
<v Speaker 16>the idea. I was like, God, what if we asked

0:31:57.520 --> 0:31:59.440
<v Speaker 16>Riley to sing the second verse and then we could

0:31:59.520 --> 0:32:01.600
<v Speaker 16>do it on the road. And obviously I didn't think

0:32:01.640 --> 0:32:03.360
<v Speaker 16>it would just do what it's doing now. It's hard

0:32:03.400 --> 0:32:04.680
<v Speaker 16>to expect something like this.

0:32:04.800 --> 0:32:07.479
<v Speaker 5>But so did you have a second verse before he

0:32:07.520 --> 0:32:07.760
<v Speaker 5>came in?

0:32:07.840 --> 0:32:08.000
<v Speaker 15>Yeah?

0:32:08.240 --> 0:32:10.080
<v Speaker 16>Yeah, and that's what I'm singing out on the Actually,

0:32:10.120 --> 0:32:12.080
<v Speaker 16>we wrote a lot of verses when we wrote the song.

0:32:12.120 --> 0:32:15.200
<v Speaker 16>We just kind of giggled and wrote as many verses

0:32:15.240 --> 0:32:16.680
<v Speaker 16>as we had in this, and then we just picked

0:32:16.680 --> 0:32:19.560
<v Speaker 16>our favorite ones. So I kind of throw those alt

0:32:19.640 --> 0:32:22.080
<v Speaker 16>verses in the live show right now.

0:32:22.440 --> 0:32:24.400
<v Speaker 15>I usually start off with, like, before there was a.

0:32:24.320 --> 0:32:26.560
<v Speaker 16>Main named Riley Green singing this song and then all

0:32:26.560 --> 0:32:29.120
<v Speaker 16>the girls were like and then I'm like, ah, I

0:32:29.200 --> 0:32:30.640
<v Speaker 16>was singing the second verse.

0:32:31.160 --> 0:32:33.040
<v Speaker 4>Yeah, I really do do it with me. He turned

0:32:33.080 --> 0:32:34.479
<v Speaker 4>it down, so I was just jealous us.

0:32:34.600 --> 0:32:40.240
<v Speaker 16>Yeah, well really my manager, Bradley Jordan, he's he's kind

0:32:40.240 --> 0:32:42.400
<v Speaker 16>of he's the reason I met Riley and he's just

0:32:42.680 --> 0:32:45.280
<v Speaker 16>helped a lot of artists coming up. But he showed

0:32:45.280 --> 0:32:48.040
<v Speaker 16>it to him honestly. And then uh, and then yeah,

0:32:48.120 --> 0:32:50.640
<v Speaker 16>I think actually I played a show with Riley and

0:32:50.640 --> 0:32:52.600
<v Speaker 16>I went on his bus and I said, I think

0:32:52.720 --> 0:32:56.760
<v Speaker 16>My first line was Riley, Uh, do you like making money?

0:32:57.040 --> 0:32:59.280
<v Speaker 16>That was my first pick up. That was my first line.

0:32:59.680 --> 0:33:01.720
<v Speaker 16>And didn't know he was going to do anything from there,

0:33:01.720 --> 0:33:03.520
<v Speaker 16>but so I started.

0:33:03.480 --> 0:33:05.640
<v Speaker 4>And now he now here it is he makes money,

0:33:05.800 --> 0:33:07.680
<v Speaker 4>does it makes it? Makes it anyway, but they make

0:33:07.720 --> 0:33:10.560
<v Speaker 4>makes more now, which is always fun. I'm being told

0:33:10.560 --> 0:33:13.800
<v Speaker 4>that Riley just arrived. Riley, Riley Green has entered the building.

0:33:14.080 --> 0:33:17.680
<v Speaker 4>So why don't we take a break, Ella, Langley's here?

0:33:18.400 --> 0:33:19.840
<v Speaker 4>Is that true? Scuba is Riley here?

0:33:20.800 --> 0:33:21.480
<v Speaker 9>He's in the green room.

0:33:21.560 --> 0:33:25.479
<v Speaker 4>Okay, Riley Green has entered the building. Wow, there there,

0:33:25.880 --> 0:33:27.920
<v Speaker 4>there's underwear being thrown at him as he walks down

0:33:29.240 --> 0:33:30.960
<v Speaker 4>we don't even know. There's nobody else in the whole building.

0:33:31.040 --> 0:33:33.600
<v Speaker 4>Underwear still landing on his head. We'll be back in

0:33:33.640 --> 0:33:35.640
<v Speaker 4>one second. We'll get Riley in studio. You guys will

0:33:35.640 --> 0:33:38.400
<v Speaker 4>perform it. Yeah, all right, back in one second. Okay.

0:33:38.440 --> 0:33:40.720
<v Speaker 4>So Ella Langley's here, Riley Green has entered the room. Riley,

0:33:40.720 --> 0:33:41.360
<v Speaker 4>good to see buddy.

0:33:41.480 --> 0:33:42.880
<v Speaker 9>Yeah, thanks for having me.

0:33:43.040 --> 0:33:44.680
<v Speaker 4>Thanks for coming up. And so I think what we'll

0:33:44.680 --> 0:33:47.320
<v Speaker 4>do first, if you don't mind why, I would love

0:33:47.360 --> 0:33:48.560
<v Speaker 4>to hear the song live and then we can just

0:33:48.560 --> 0:33:50.480
<v Speaker 4>talk a little more. You guys get with that, okay.

0:33:50.880 --> 0:33:52.680
<v Speaker 4>So this is the song that I love. I've been

0:33:52.680 --> 0:33:55.920
<v Speaker 4>playing on the show and I sometimes sing it and

0:33:55.960 --> 0:33:57.400
<v Speaker 4>wonder where did I hear it and then realize it

0:33:57.440 --> 0:34:00.680
<v Speaker 4>was on like nine different videos from nine different people.

0:34:00.960 --> 0:34:02.640
<v Speaker 4>And this is called you Look Like You Love Me.

0:34:02.840 --> 0:34:04.280
<v Speaker 4>It's Ella Langley and Riley Green.

0:34:04.680 --> 0:34:05.000
<v Speaker 17>Oh.

0:34:05.360 --> 0:34:09.600
<v Speaker 18>I'm sorry we can't post a live performance on the podcast,

0:34:09.840 --> 0:34:10.359
<v Speaker 18>but if you.

0:34:10.360 --> 0:34:12.759
<v Speaker 12>Go to our YouTube page you can watch it.

0:34:12.680 --> 0:34:14.799
<v Speaker 4>There or maybe listen live.

0:34:15.239 --> 0:34:18.640
<v Speaker 1>Okay, all right, now back to the podcast.

0:34:19.040 --> 0:34:20.520
<v Speaker 4>How many times do you think you got to play

0:34:20.600 --> 0:34:21.000
<v Speaker 4>that together?

0:34:21.040 --> 0:34:21.239
<v Speaker 9>Now?

0:34:21.480 --> 0:34:22.040
<v Speaker 18>First time?

0:34:22.160 --> 0:34:22.560
<v Speaker 9>It's great?

0:34:22.800 --> 0:34:22.960
<v Speaker 17>Good?

0:34:23.040 --> 0:34:26.480
<v Speaker 16>Hey, I don't think we've done it the same time twice.

0:34:26.480 --> 0:34:27.480
<v Speaker 16>It's the same way twice.

0:34:27.560 --> 0:34:31.080
<v Speaker 4>Yeah, no, over on over fifty now at this point,

0:34:32.360 --> 0:34:34.520
<v Speaker 4>can you like it? Because again when you I'm not

0:34:34.560 --> 0:34:40.200
<v Speaker 4>good with numbers, but I would say tune okay, so

0:34:40.480 --> 0:34:42.120
<v Speaker 4>well yeah, okay, see I'm not good with that.

0:34:42.160 --> 0:34:45.320
<v Speaker 15>I don't know, probably like us together.

0:34:45.360 --> 0:34:48.359
<v Speaker 18>Probably like I'll say you, it's gotten louder every time

0:34:48.400 --> 0:34:50.200
<v Speaker 18>we've played it, which has been really fun to watch.

0:34:50.239 --> 0:34:51.479
<v Speaker 4>Why'd you say yes to the song?

0:34:52.600 --> 0:34:52.799
<v Speaker 14>Uh?

0:34:52.960 --> 0:34:53.120
<v Speaker 4>Well?

0:34:53.160 --> 0:34:57.680
<v Speaker 18>Away was like Della, She's in Alabama, very very country,

0:34:58.400 --> 0:35:03.719
<v Speaker 18>uh musically and and spiritually, and we just grew up

0:35:03.760 --> 0:35:04.279
<v Speaker 18>the same way.

0:35:04.520 --> 0:35:05.520
<v Speaker 4>Bradley Jordan, her.

0:35:05.480 --> 0:35:07.040
<v Speaker 18>Her managers, a really good buddy of mine, and he

0:35:07.160 --> 0:35:09.960
<v Speaker 18>kind of put me on tour. And I just like

0:35:09.960 --> 0:35:12.200
<v Speaker 18>to see good folks do well, and and she was

0:35:12.200 --> 0:35:13.400
<v Speaker 18>on tour with me. I thought it made a lot

0:35:13.440 --> 0:35:15.680
<v Speaker 18>of sense. I thought the song was fun. Had no

0:35:15.760 --> 0:35:17.919
<v Speaker 18>clue it was a giant hit.

0:35:18.040 --> 0:35:18.200
<v Speaker 9>You know.

0:35:18.239 --> 0:35:20.600
<v Speaker 18>I thought Talking Versus was probably a little too old school,

0:35:20.600 --> 0:35:23.000
<v Speaker 18>a little too traditional. But how cool is it that

0:35:23.040 --> 0:35:25.480
<v Speaker 18>a song that's this country is doing this well?

0:35:25.760 --> 0:35:28.720
<v Speaker 4>You know, when did you start to notice, oh crap,

0:35:28.760 --> 0:35:33.239
<v Speaker 4>this is this is a monster like, did it randomly ever,

0:35:33.320 --> 0:35:36.719
<v Speaker 4>just come up or were your people decidting you know, like, well, no,

0:35:36.960 --> 0:35:37.400
<v Speaker 4>I mean.

0:35:37.800 --> 0:35:39.800
<v Speaker 18>I've never had any type of I guess what you

0:35:39.840 --> 0:35:42.680
<v Speaker 18>would call is like viral, you know, and this song

0:35:42.760 --> 0:35:45.720
<v Speaker 18>is really like viral. I mean I can barely work TikTok.

0:35:45.719 --> 0:35:47.520
<v Speaker 18>I don't really know how that works, but it's just everywhere.

0:35:47.880 --> 0:35:50.040
<v Speaker 18>So you'd get your phone out and it was every scroll.

0:35:50.080 --> 0:35:51.680
<v Speaker 18>Would you hear this song playing? So I guess that

0:35:51.800 --> 0:35:54.120
<v Speaker 18>was kind of the eye opening thing about it. But

0:35:54.680 --> 0:35:58.600
<v Speaker 18>certainly playing it at a show, I think maybe yeah.

0:35:58.840 --> 0:36:00.080
<v Speaker 18>I mean some of the stuff I would just go

0:36:00.200 --> 0:36:02.440
<v Speaker 18>to randomly bring all up when we would do a

0:36:02.440 --> 0:36:04.200
<v Speaker 18>couple of songs together and we did this one of

0:36:04.239 --> 0:36:06.480
<v Speaker 18>a couple of times, and you just didn't take long.

0:36:06.760 --> 0:36:10.880
<v Speaker 4>That's crazy. That's so cool that because it organically happened,

0:36:11.040 --> 0:36:14.239
<v Speaker 4>right like you. Yeah, and any creator, any musician and

0:36:14.320 --> 0:36:18.600
<v Speaker 4>the artist, you're always one really special piece of content

0:36:18.719 --> 0:36:22.919
<v Speaker 4>away from having a real shot going viral. You never

0:36:23.000 --> 0:36:25.600
<v Speaker 4>know what it can be. And there are people that

0:36:25.840 --> 0:36:28.680
<v Speaker 4>it's it's a weird dynamic because you know, you're like,

0:36:28.680 --> 0:36:30.120
<v Speaker 4>you don't want to give it too much power, but

0:36:30.160 --> 0:36:32.439
<v Speaker 4>also if it's really good and nobody's given it a chance.

0:36:32.480 --> 0:36:34.640
<v Speaker 4>Sometimes the chance is right here, like there's a platform

0:36:34.840 --> 0:36:36.520
<v Speaker 4>that is able to be used. And I think this

0:36:36.600 --> 0:36:39.400
<v Speaker 4>is one of those examples of five hundred executives are

0:36:39.400 --> 0:36:41.040
<v Speaker 4>going to hear that song and go like, well, you

0:36:41.040 --> 0:36:43.080
<v Speaker 4>just said, Riley, it's maybe this little too old school.

0:36:43.200 --> 0:36:45.600
<v Speaker 4>We're probably not going to invest any money. However, the

0:36:45.640 --> 0:36:47.960
<v Speaker 4>people freaking loved it, and that's what makes all the

0:36:48.000 --> 0:36:48.560
<v Speaker 4>difference in it.

0:36:49.040 --> 0:36:50.959
<v Speaker 6>And now after you wrote it, you're like, I don't

0:36:51.000 --> 0:36:53.160
<v Speaker 6>know that anybody I'll ever hear this.

0:36:53.360 --> 0:36:55.160
<v Speaker 16>Well, yeah, I mean I just kind of like my

0:36:55.200 --> 0:36:57.960
<v Speaker 16>whole goal for Rotten Song was just to honestly, this

0:36:58.080 --> 0:37:00.120
<v Speaker 16>is just one also playing a lot of rounds in town,

0:37:00.440 --> 0:37:02.480
<v Speaker 16>is to just have a song where like no one's listening,

0:37:02.480 --> 0:37:04.719
<v Speaker 16>they're all talking to Maybe they'd laugh a little bit

0:37:04.719 --> 0:37:07.919
<v Speaker 16>because I'm talking in the verses, you know, but yeah,

0:37:08.080 --> 0:37:10.560
<v Speaker 16>some of my hands. And she works on my on

0:37:10.600 --> 0:37:12.560
<v Speaker 16>my team, and she heard it and she just was like, dude,

0:37:12.560 --> 0:37:14.520
<v Speaker 16>you've gotta You've got to send this in And I

0:37:14.600 --> 0:37:15.960
<v Speaker 16>just fought it for so long.

0:37:16.080 --> 0:37:17.560
<v Speaker 4>So this is the first time you put it up

0:37:17.640 --> 0:37:19.319
<v Speaker 4>that people reacted to it or it take a few times.

0:37:19.400 --> 0:37:22.520
<v Speaker 15>No, No, it did not. It just wasn't that hard.

0:37:22.600 --> 0:37:25.680
<v Speaker 16>Like I just posted one, Uh, we were out on

0:37:25.719 --> 0:37:28.520
<v Speaker 16>the roads, I think on the West coast towards the

0:37:28.600 --> 0:37:29.960
<v Speaker 16>end of the tour, and I just posted like a

0:37:30.040 --> 0:37:32.040
<v Speaker 16>video of me doing the verse and that's it, and

0:37:32.080 --> 0:37:34.120
<v Speaker 16>it just that's kind of what started it. And then

0:37:34.560 --> 0:37:36.480
<v Speaker 16>I did one other video of just me singing the

0:37:36.560 --> 0:37:39.560
<v Speaker 16>chorus and that's the sound that everyone's been using. But

0:37:39.600 --> 0:37:43.920
<v Speaker 16>then whenever we did Red Rocks and posted us that

0:37:44.000 --> 0:37:46.400
<v Speaker 16>he's actually on the song. And then yeah, when we

0:37:46.440 --> 0:37:49.080
<v Speaker 16>did it for the show the last day of the

0:37:49.080 --> 0:37:50.080
<v Speaker 16>tour too.

0:37:50.600 --> 0:37:53.480
<v Speaker 4>So I'm a sports nerd and I was and I

0:37:53.520 --> 0:37:58.960
<v Speaker 4>like sports memorabilia. This is gonna be a This is

0:37:58.960 --> 0:38:00.759
<v Speaker 4>how I heard the song the first time, as I

0:38:00.800 --> 0:38:03.680
<v Speaker 4>was watching this sports memorabilia being broken. The song's playing

0:38:03.680 --> 0:38:05.960
<v Speaker 4>in the background, and I'm like, it sounds like Riley.

0:38:06.000 --> 0:38:07.680
<v Speaker 4>I don't know who the girl is. What is that song?

0:38:07.960 --> 0:38:10.320
<v Speaker 4>I hear it as a background sound when I'm watching

0:38:10.320 --> 0:38:13.520
<v Speaker 4>them freaking break signed helmets. And so I've searched for

0:38:13.560 --> 0:38:15.319
<v Speaker 4>a couple of things I heard. That's where I heard it.

0:38:15.400 --> 0:38:21.200
<v Speaker 4>Then it was so ubiquitous, just existing everywhere. Then that's

0:38:21.200 --> 0:38:24.680
<v Speaker 4>when I started to play here but like congratulations, Like

0:38:24.880 --> 0:38:30.600
<v Speaker 4>it's something that's so awkwardly awesome that it makes all

0:38:30.600 --> 0:38:32.960
<v Speaker 4>the bit of sense, and it's why it resonates so

0:38:33.120 --> 0:38:35.440
<v Speaker 4>much because it doesn't sound like everything else. Yeah, and

0:38:35.480 --> 0:38:35.879
<v Speaker 4>it's good.

0:38:36.200 --> 0:38:38.960
<v Speaker 16>Well, I think it's also like kind of for this

0:38:39.080 --> 0:38:42.440
<v Speaker 16>next record. I'm already working on it, but just like

0:38:42.480 --> 0:38:44.759
<v Speaker 16>the creative freedom I have now, just it's like there's

0:38:44.760 --> 0:38:47.040
<v Speaker 16>literally no singing in the verses, and his songs on

0:38:47.160 --> 0:38:49.480
<v Speaker 16>radio doing well right now in as Wild, So I

0:38:49.520 --> 0:38:51.840
<v Speaker 16>kind of feel like it's kind of ripping the structure

0:38:51.840 --> 0:38:53.680
<v Speaker 16>out of my head a little bit and just doing

0:38:53.719 --> 0:38:54.319
<v Speaker 16>what feels good.

0:38:54.400 --> 0:38:57.000
<v Speaker 4>I mean when I think about like Conway Loretta, because

0:38:57.040 --> 0:38:59.719
<v Speaker 4>they were awesome and they did their music together. They

0:38:59.840 --> 0:39:02.520
<v Speaker 4>do funny songs, they do talkie songs, they do singing songs.

0:39:02.600 --> 0:39:06.120
<v Speaker 4>That's what it kind of feels like to me. It's here, Yeah,

0:39:06.440 --> 0:39:12.880
<v Speaker 4>so yeah, it's you know those song the reason archt Yeah, Riley,

0:39:12.920 --> 0:39:14.520
<v Speaker 4>I was talking about your on social media. I didn't

0:39:14.520 --> 0:39:18.200
<v Speaker 4>know you're gonna be here, and at one point I

0:39:18.239 --> 0:39:19.719
<v Speaker 4>was like, I want everybody to make sure that they

0:39:19.760 --> 0:39:21.640
<v Speaker 4>know this is a compliment but I was talking about

0:39:21.640 --> 0:39:23.759
<v Speaker 4>how your everybody knows you're a star and you have

0:39:23.760 --> 0:39:26.239
<v Speaker 4>a lot of hits, but I don't think people understand

0:39:26.520 --> 0:39:31.120
<v Speaker 4>the amount of megastar you are at shows. Meaning what

0:39:31.160 --> 0:39:32.480
<v Speaker 4>I compared it to is you have a lot of

0:39:32.520 --> 0:39:35.040
<v Speaker 4>number one songs, a lot, and you have a very

0:39:35.040 --> 0:39:37.719
<v Speaker 4>successful career. But any other people that I know that

0:39:37.760 --> 0:39:39.200
<v Speaker 4>have had that many number one songs, they don't have

0:39:39.200 --> 0:39:41.120
<v Speaker 4>the crowds that you have. And I was talking about

0:39:41.160 --> 0:39:43.040
<v Speaker 4>the only other artist I've seen do it like this

0:39:43.239 --> 0:39:46.920
<v Speaker 4>kind of low key megastar it is Kane Brown, who

0:39:47.000 --> 0:39:50.680
<v Speaker 4>it took forever for people to understand the Caine had

0:39:50.800 --> 0:39:56.200
<v Speaker 4>built this following that it was selling out arenas until

0:39:56.200 --> 0:39:58.439
<v Speaker 4>people are like, oh yeah, I can't, but that's you now.

0:39:58.600 --> 0:40:03.239
<v Speaker 4>And I think what you're doing is on such a

0:40:03.360 --> 0:40:05.880
<v Speaker 4>level and people don't even understand the level that's on

0:40:06.000 --> 0:40:08.160
<v Speaker 4>right now. And I just want to like congratulate you

0:40:08.200 --> 0:40:11.200
<v Speaker 4>and celebrate you because you are You're killing it. So

0:40:11.280 --> 0:40:12.759
<v Speaker 4>I was talking about you a little bit on it.

0:40:12.800 --> 0:40:14.759
<v Speaker 18>Well, I took it as a compliment regardless of how

0:40:14.760 --> 0:40:16.360
<v Speaker 18>you meant it when I heard it, So I appreciate

0:40:16.360 --> 0:40:20.160
<v Speaker 18>the kind words and uh uh it's man, it's it's

0:40:20.400 --> 0:40:22.360
<v Speaker 18>it's a wild time. I think it has to do

0:40:22.400 --> 0:40:24.920
<v Speaker 18>with a lot of putting out a lot of music.

0:40:25.040 --> 0:40:25.239
<v Speaker 9>You know.

0:40:25.280 --> 0:40:27.200
<v Speaker 18>I've got a lot of songs that haven't been on

0:40:27.200 --> 0:40:29.600
<v Speaker 18>the radio that people seem to know. And and you know,

0:40:29.680 --> 0:40:31.319
<v Speaker 18>the song with l is a great example of you

0:40:31.400 --> 0:40:33.359
<v Speaker 18>just never know what somebody's gonna latch onto.

0:40:33.440 --> 0:40:33.600
<v Speaker 9>You know.

0:40:33.640 --> 0:40:34.640
<v Speaker 4>I thought the.

0:40:34.520 --> 0:40:36.879
<v Speaker 18>Chorus was catchy, you know, in the in the song,

0:40:36.960 --> 0:40:38.680
<v Speaker 18>and maybe it'd be a little bit of an earworm.

0:40:38.719 --> 0:40:40.080
<v Speaker 18>But to see it be as big of a song

0:40:40.120 --> 0:40:42.640
<v Speaker 18>it is, it's proves you never know. And uh, you know,

0:40:42.800 --> 0:40:45.400
<v Speaker 18>writing from where you come from and hopefully people can

0:40:45.400 --> 0:40:47.319
<v Speaker 18>relate to it. And I think that's what Ella does

0:40:47.360 --> 0:40:51.080
<v Speaker 18>really well. And uh, it's working really well for us

0:40:51.120 --> 0:40:53.200
<v Speaker 18>right now. So I'm blessed to be out here doing it.

0:40:53.320 --> 0:40:53.640
<v Speaker 9>Are you?

0:40:53.800 --> 0:40:55.439
<v Speaker 4>Are you on the road every weekend? Now?

0:40:56.000 --> 0:40:57.440
<v Speaker 9>Yeah? I thought I was on the road today.

0:40:58.000 --> 0:41:00.480
<v Speaker 4>You are on the road? Wake up, Wake up? Right now.

0:41:00.520 --> 0:41:02.719
<v Speaker 18>I had to come play a guitar gig today for.

0:41:04.520 --> 0:41:05.120
<v Speaker 15>And guitar player.

0:41:05.200 --> 0:41:06.080
<v Speaker 9>That's how big the song is.

0:41:06.120 --> 0:41:09.920
<v Speaker 4>I'm playing guitar Ella Langley. And by the way, Ella's

0:41:09.960 --> 0:41:12.000
<v Speaker 4>album is out. It's it's called Hungover. It came out

0:41:12.000 --> 0:41:14.120
<v Speaker 4>in August, so hopefully you hear this song. And what

0:41:14.160 --> 0:41:16.600
<v Speaker 4>it does is you go, oh, I like that. Let

0:41:16.600 --> 0:41:18.759
<v Speaker 4>me go check out some other stuff. That's the great

0:41:18.800 --> 0:41:21.360
<v Speaker 4>thing about something popping is that people check out the

0:41:21.360 --> 0:41:24.480
<v Speaker 4>other stuff. If they playing Yeah and Riley Green, maybe

0:41:24.480 --> 0:41:25.359
<v Speaker 4>you've heard of him a big deal.

0:41:26.040 --> 0:41:27.440
<v Speaker 5>So does the line work, though.

0:41:29.080 --> 0:41:30.560
<v Speaker 4>It depends what. It depends with what the girl looks like,

0:41:30.640 --> 0:41:32.720
<v Speaker 4>I drunk the guy is. That's generally what I'm.

0:41:32.600 --> 0:41:34.920
<v Speaker 16>Waiting to hear about. Like you know, you're that pickup

0:41:34.920 --> 0:41:37.520
<v Speaker 16>line got us married? Yes, I'm ready for that, or.

0:41:37.600 --> 0:41:38.880
<v Speaker 15>You just you see this kid right.

0:41:38.760 --> 0:41:42.440
<v Speaker 4>Here, except it's like you see this kid, We're not married,

0:41:42.440 --> 0:41:47.960
<v Speaker 4>But thank you I said that. Yeah, Ella Riley, thank

0:41:47.960 --> 0:41:50.400
<v Speaker 4>you guys for coming in. Appreciate congratulations, looking forward to

0:41:50.560 --> 0:41:52.040
<v Speaker 4>Ellis and a whole lot more.

0:41:52.120 --> 0:41:52.400
<v Speaker 15>Thank you.

0:41:52.600 --> 0:41:57.480
<v Speaker 4>There they are, Ellen Riley, it's.

0:41:57.320 --> 0:42:00.399
<v Speaker 1>The best bits of the week. With more, we're getting

0:42:00.440 --> 0:42:00.839
<v Speaker 1>number two.

0:42:02.200 --> 0:42:05.480
<v Speaker 2>Everybody's had something happen where they've gotten locked out of somewhere,

0:42:05.520 --> 0:42:08.720
<v Speaker 2>but locked in is the kind of different story.

0:42:08.840 --> 0:42:10.000
<v Speaker 3>And this happened to Amy.

0:42:10.160 --> 0:42:13.799
<v Speaker 2>She got locked in her bedroom at her house and

0:42:13.800 --> 0:42:15.560
<v Speaker 2>could have maken it into the show, and so it

0:42:15.600 --> 0:42:18.200
<v Speaker 2>became this whole thing that played out on air.

0:42:18.880 --> 0:42:24.600
<v Speaker 7>Number three, breaking news, breaking news, my first Morna studio more.

0:42:25.000 --> 0:42:27.040
<v Speaker 4>Now, if you did not hear a special Amy voice,

0:42:27.160 --> 0:42:30.720
<v Speaker 4>there's reason why she's not here. What is happening? Oh no,

0:42:31.520 --> 0:42:34.600
<v Speaker 4>it's funnier and worse than you think, but funnier. First

0:42:34.920 --> 0:42:37.520
<v Speaker 4>breaking news, hitting against herself, breaking it, breaking news. This

0:42:37.520 --> 0:42:40.480
<v Speaker 4>has never happened. So before I come into work and

0:42:40.520 --> 0:42:44.560
<v Speaker 4>get a text from Amy and there's no there's no

0:42:44.680 --> 0:42:46.520
<v Speaker 4>letters or words in the text. It's just a video.

0:42:47.320 --> 0:42:49.880
<v Speaker 4>And I'm like, oh boy, what's happened here? And so

0:42:50.840 --> 0:42:53.600
<v Speaker 4>Amy sends me a video and all you see is

0:42:53.719 --> 0:42:56.279
<v Speaker 4>inside her bedroom and her door, and this is the

0:42:56.440 --> 0:42:58.080
<v Speaker 4>she's not here. This is the video she sends me.

0:42:58.840 --> 0:43:01.960
<v Speaker 19>Literally locked in my room. I'm trying to leave and

0:43:02.040 --> 0:43:04.799
<v Speaker 19>we can knocket out and I don't know how it's

0:43:04.840 --> 0:43:08.520
<v Speaker 19>happened or why, and my children are.

0:43:08.440 --> 0:43:09.279
<v Speaker 14>Not coming from me.

0:43:12.960 --> 0:43:13.240
<v Speaker 15>What.

0:43:14.400 --> 0:43:18.200
<v Speaker 4>So I'm watching her. She can't get her doorknob, doorknob open,

0:43:18.280 --> 0:43:21.520
<v Speaker 4>she's locked in her bedroom, inside her room. Oh no,

0:43:21.920 --> 0:43:25.399
<v Speaker 4>And so I'm laughing and I'm like, first of all,

0:43:26.800 --> 0:43:29.640
<v Speaker 4>you know how you're flustered if you're late, like the

0:43:29.680 --> 0:43:31.080
<v Speaker 4>clock's little late, you're like, oh my god, how am

0:43:31.120 --> 0:43:32.759
<v Speaker 4>I going to catch up? First of all, I call

0:43:32.800 --> 0:43:35.360
<v Speaker 4>her and I say, remove any fluster because I know

0:43:35.400 --> 0:43:37.000
<v Speaker 4>you're gonna feel like that because you're coming in late.

0:43:37.000 --> 0:43:41.840
<v Speaker 4>I said. Second of all, this is hilarious. So I'm

0:43:41.880 --> 0:43:43.960
<v Speaker 4>texting with her as I'm getting ready coming in and

0:43:44.000 --> 0:43:46.719
<v Speaker 4>I say uh ha ha, oh no, and then I

0:43:46.760 --> 0:43:51.880
<v Speaker 4>write window question mark and she goes, my room's upstairs,

0:43:51.960 --> 0:43:55.759
<v Speaker 4>second floor. Oh, I said, battering ram. Yes, And I said,

0:43:55.800 --> 0:43:57.680
<v Speaker 4>are the kids there? Because it's so early, you can

0:43:57.719 --> 0:44:00.520
<v Speaker 4>wake them up? I said nine to one one question mark.

0:44:00.560 --> 0:44:01.440
<v Speaker 4>Do we need to have lunchbox?

0:44:01.440 --> 0:44:01.520
<v Speaker 6>Came?

0:44:01.640 --> 0:44:04.640
<v Speaker 4>Oh? Yes, I said, prayer like, I'm giving her all

0:44:04.680 --> 0:44:06.120
<v Speaker 4>these options and how to break out of her room.

0:44:06.560 --> 0:44:09.520
<v Speaker 4>She said, her son, Stevenson, is now awake trying to help.

0:44:11.120 --> 0:44:13.560
<v Speaker 4>I said, don't worry about work, don't stress out about it.

0:44:13.600 --> 0:44:15.400
<v Speaker 4>You're gonna be fine, And this is gonna be good

0:44:15.440 --> 0:44:17.839
<v Speaker 4>content if that makes you feel any better. So then

0:44:17.880 --> 0:44:20.960
<v Speaker 4>she sends me another video. Here we go. He should

0:44:21.000 --> 0:44:23.399
<v Speaker 4>be able to hear a little clip that's Stevenson, and.

0:44:23.400 --> 0:44:24.120
<v Speaker 9>That shouldn't work.

0:44:25.560 --> 0:44:29.400
<v Speaker 1>But it's not working, don't budget in.

0:44:29.719 --> 0:44:30.000
<v Speaker 4>I'm not.

0:44:30.840 --> 0:44:33.839
<v Speaker 5>I'm not. I feel like I'm getting close to within it.

0:44:37.280 --> 0:44:39.680
<v Speaker 4>They're trying to like pick the lock now her son,

0:44:41.000 --> 0:44:44.799
<v Speaker 4>it's thirteen or fourteen. Now, it's like going, okay, we're

0:44:44.800 --> 0:44:46.719
<v Speaker 4>trying to pick pick and she's like, got me too.

0:44:46.800 --> 0:44:48.239
<v Speaker 8>I love how he's taking charge too.

0:44:48.320 --> 0:44:51.480
<v Speaker 4>Yeah, he like passed or something under the door, like

0:44:51.520 --> 0:44:55.279
<v Speaker 4>a like a little paper clip. But unless you like

0:44:55.360 --> 0:44:56.600
<v Speaker 4>know how to do it, you've only seen it on

0:44:56.640 --> 0:44:57.799
<v Speaker 4>TV and you don't know how to do it, right.

0:44:57.840 --> 0:45:01.360
<v Speaker 4>I've seen credit cards even that, right, Like, here's a

0:45:01.360 --> 0:45:05.920
<v Speaker 4>Amy's trapped in her room right now. Hilarious, hilarious, that's great.

0:45:06.640 --> 0:45:08.000
<v Speaker 12>What that's great for?

0:45:09.560 --> 0:45:15.120
<v Speaker 4>I meant more time? Both okay, cool, but just break

0:45:15.120 --> 0:45:17.800
<v Speaker 4>it down. I said she should knocked the doorknob off,

0:45:18.320 --> 0:45:19.640
<v Speaker 4>Like how do you do that? You get a book

0:45:19.719 --> 0:45:20.920
<v Speaker 4>or something and go whack and knock out.

0:45:20.960 --> 0:45:22.120
<v Speaker 8>You see that's in the movies too.

0:45:22.840 --> 0:45:23.200
<v Speaker 19>I don't know.

0:45:23.200 --> 0:45:24.839
<v Speaker 20>I think I could knock a doorknob off, Like at

0:45:24.840 --> 0:45:26.400
<v Speaker 20>that point, just kick the door open, kick a.

0:45:26.400 --> 0:45:26.799
<v Speaker 9>Hole through it.

0:45:26.840 --> 0:45:29.080
<v Speaker 4>Problem with the door, Oh, kick a hole through it?

0:45:29.160 --> 0:45:30.200
<v Speaker 12>Yeah, and then climb through.

0:45:30.320 --> 0:45:33.120
<v Speaker 4>That's that's a big hole. You just get a new door.

0:45:33.680 --> 0:45:35.719
<v Speaker 4>I hear you. But I would knocked the door knob

0:45:35.760 --> 0:45:37.680
<v Speaker 4>off before I would get a new door. But the

0:45:37.760 --> 0:45:40.080
<v Speaker 4>problem with kicking the door not a hole, but like

0:45:40.160 --> 0:45:43.560
<v Speaker 4>kicking it open. The door opens from the inside right,

0:45:44.239 --> 0:45:45.879
<v Speaker 4>so someone on the other side would have to kick

0:45:45.880 --> 0:45:46.120
<v Speaker 4>it open.

0:45:46.200 --> 0:45:49.360
<v Speaker 20>Okay, Stevenson kick Now we should call her in a minute. Okay,

0:45:49.680 --> 0:45:50.640
<v Speaker 20>is she still stuck in there?

0:45:50.680 --> 0:45:51.080
<v Speaker 8>Like right now?

0:45:51.120 --> 0:45:54.080
<v Speaker 4>An updated three minutes ago, she was still stuck in

0:45:54.120 --> 0:45:57.080
<v Speaker 4>her room. This has never happened. We've been doing this

0:45:57.160 --> 0:46:00.279
<v Speaker 4>show for one hundred years. It feels like like I

0:46:00.320 --> 0:46:03.480
<v Speaker 4>met Amy twenty years ago. No one has ever been

0:46:03.520 --> 0:46:09.080
<v Speaker 4>locked in their house. It almost feels hilarious, like can

0:46:09.120 --> 0:46:10.600
<v Speaker 4>you actually get locked inside of somewhere?

0:46:10.719 --> 0:46:10.839
<v Speaker 6>Right?

0:46:10.880 --> 0:46:12.719
<v Speaker 4>It's like when someone's like, I'm locked inside my car. No,

0:46:12.880 --> 0:46:15.320
<v Speaker 4>just pull the door handle when you're inside, you just

0:46:15.320 --> 0:46:16.320
<v Speaker 4>pull the handle into unlocked.

0:46:16.320 --> 0:46:18.160
<v Speaker 8>See. It sounds like they're working hard open then, and

0:46:18.160 --> 0:46:18.840
<v Speaker 8>it's not moving.

0:46:19.040 --> 0:46:22.880
<v Speaker 4>So we're gonna call her if she doesn't, let me

0:46:23.000 --> 0:46:25.560
<v Speaker 4>check and see if she texted. Oh man, ray, can

0:46:25.600 --> 0:46:26.440
<v Speaker 4>you get her on the phone.

0:46:26.920 --> 0:46:27.320
<v Speaker 9>Yep?

0:46:27.840 --> 0:46:28.480
<v Speaker 12>Hilarious.

0:46:29.480 --> 0:46:31.120
<v Speaker 4>Oh yeah, I was laughing out loud. And that's why.

0:46:31.120 --> 0:46:33.760
<v Speaker 4>I wanted to call her to be like, don't feel

0:46:33.760 --> 0:46:35.320
<v Speaker 4>like you're late and flustered, because there's a lot of

0:46:35.320 --> 0:46:37.080
<v Speaker 4>stuff that her and I do that she does before

0:46:37.120 --> 0:46:40.719
<v Speaker 4>the show, lots of local liners and country minute for

0:46:40.840 --> 0:46:42.719
<v Speaker 4>night shows, and I was like, don' worry about it.

0:46:42.719 --> 0:46:44.000
<v Speaker 4>We'll take care of all that. So I've been doing

0:46:44.040 --> 0:46:45.799
<v Speaker 4>a lot of her work, and I'm happy to do

0:46:45.840 --> 0:46:47.160
<v Speaker 4>it because it's so hilarious.

0:46:47.320 --> 0:46:48.879
<v Speaker 8>Out of all the things, I didn't expect this one.

0:46:48.960 --> 0:46:51.799
<v Speaker 4>Yeah, this is too good. Let that car right, let's.

0:46:53.080 --> 0:46:53.640
<v Speaker 8>Fender bender?

0:46:53.680 --> 0:46:55.960
<v Speaker 12>No, the major her driving.

0:46:55.800 --> 0:46:59.359
<v Speaker 4>Ro got thought ten car pile up, multiple fatalities. Wait,

0:46:59.400 --> 0:47:02.719
<v Speaker 4>what the h did you notice she wasn't here? Though, Yes,

0:47:02.800 --> 0:47:04.399
<v Speaker 4>you didn't, okay because her car wasn't here.

0:47:04.520 --> 0:47:07.600
<v Speaker 12>Yeah, well, I just sitting at her chair.

0:47:07.680 --> 0:47:11.040
<v Speaker 4>Security guy asked me, have you seen Amy? I said no, Oh,

0:47:11.120 --> 0:47:13.200
<v Speaker 4>I didn't tell him? My bad, My bad.

0:47:13.200 --> 0:47:13.960
<v Speaker 8>Probably tell him?

0:47:14.160 --> 0:47:16.239
<v Speaker 4>Well I didn't. Yeah, I was laughing so hard.

0:47:16.960 --> 0:47:18.680
<v Speaker 12>She should send her son to the neighbors.

0:47:18.760 --> 0:47:20.520
<v Speaker 4>This is also, this is what people should do if

0:47:20.520 --> 0:47:22.000
<v Speaker 4>you're late to work. Do this.

0:47:22.200 --> 0:47:24.279
<v Speaker 20>Yeah, thank you, I thought of it. No, No, when

0:47:24.320 --> 0:47:25.880
<v Speaker 20>you were telling the story, I'm like, this is Genie

0:47:25.960 --> 0:47:26.239
<v Speaker 20>you can't.

0:47:26.239 --> 0:47:27.600
<v Speaker 4>Oh, I think it for you to do it tomorrow. No,

0:47:27.680 --> 0:47:28.120
<v Speaker 4>you can't do that.

0:47:30.280 --> 0:47:31.400
<v Speaker 12>Look, Bobby, I'm stuck.

0:47:31.920 --> 0:47:35.080
<v Speaker 4>Okay, So we're gonna try to call Amy. This is

0:47:35.160 --> 0:47:40.800
<v Speaker 4>a new situation. After twenty years, we've never had this happen.

0:47:40.840 --> 0:47:41.799
<v Speaker 4>We can appreciate it for that.

0:47:42.560 --> 0:47:44.640
<v Speaker 10>Yes, if she's still stuck, we're calling nine one one

0:47:44.680 --> 0:47:45.720
<v Speaker 10>because we don't want her to starve.

0:47:46.800 --> 0:47:48.879
<v Speaker 4>And how she dedicated a pea corner in her room,

0:47:48.960 --> 0:47:51.320
<v Speaker 4>that's a great point because she had there's probably a

0:47:51.320 --> 0:47:53.200
<v Speaker 4>bathroom in her bedroom. It doesn't matter. You still need

0:47:53.239 --> 0:47:55.080
<v Speaker 4>a pea corner. If you're trapped anywhere, you need a

0:47:55.080 --> 0:47:59.160
<v Speaker 4>pea corner. We're going live to Amy's house if you

0:47:59.200 --> 0:48:01.240
<v Speaker 4>did not wake up. And here the beginning of the show,

0:48:01.840 --> 0:48:04.239
<v Speaker 4>Amy is locked in her bedroom, right. Would you play

0:48:04.239 --> 0:48:06.160
<v Speaker 4>that beginning clip again? Because this is what she texted

0:48:06.160 --> 0:48:07.520
<v Speaker 4>me before I even came into work.

0:48:07.360 --> 0:48:09.520
<v Speaker 19>This morning, literally locked in my room.

0:48:10.560 --> 0:48:12.640
<v Speaker 5>I'm trying to leave it. I can walk it out, and.

0:48:12.640 --> 0:48:17.680
<v Speaker 19>I don't know how it's happened or why my children.

0:48:17.719 --> 0:48:19.120
<v Speaker 4>So you see here like trying to unlock the doors,

0:48:19.120 --> 0:48:20.759
<v Speaker 4>like I can't get out, and I say jump out

0:48:20.760 --> 0:48:23.200
<v Speaker 4>the window. She goes, I'm on the second story. So Amy,

0:48:23.360 --> 0:48:25.080
<v Speaker 4>are you safe? First of all, are you safe? And

0:48:25.120 --> 0:48:27.400
<v Speaker 4>have you found a pea corner in your room to

0:48:27.440 --> 0:48:30.080
<v Speaker 4>make sure that you can still go to the bathroom.

0:48:30.120 --> 0:48:31.719
<v Speaker 17>Well, I have a bathroom in my room.

0:48:32.040 --> 0:48:33.959
<v Speaker 4>It doesn't matter. I think you still need a peak

0:48:33.960 --> 0:48:35.240
<v Speaker 4>cars a bathroom.

0:48:35.680 --> 0:48:38.239
<v Speaker 17>No, I have the dog and the cat, and I

0:48:38.239 --> 0:48:40.440
<v Speaker 17>think they are the ones that need use the bathroom.

0:48:40.600 --> 0:48:46.360
<v Speaker 17>So's got to figure that out. And yeah, help actually

0:48:46.520 --> 0:48:51.120
<v Speaker 17>is here working on it. So my kids I banged

0:48:51.120 --> 0:48:53.400
<v Speaker 17>and screamed loud enough to where they woke up and

0:48:53.440 --> 0:48:56.279
<v Speaker 17>tried to help and put in. But I called some

0:48:56.400 --> 0:48:59.600
<v Speaker 17>people and so they're actively working on it right now.

0:49:00.560 --> 0:49:02.640
<v Speaker 4>By actively working, can you hear them on the other

0:49:02.680 --> 0:49:03.600
<v Speaker 4>side of the door.

0:49:03.880 --> 0:49:05.839
<v Speaker 17>Yes, like you can hear them working on the other

0:49:05.880 --> 0:49:09.480
<v Speaker 17>side of the door, Like they're doing like different things,

0:49:09.520 --> 0:49:12.120
<v Speaker 17>like I don't know. I think I just heard like

0:49:12.680 --> 0:49:15.320
<v Speaker 17>go get a card, like there's.

0:49:15.160 --> 0:49:19.440
<v Speaker 4>Some credit cards, threw driver cards. Little.

0:49:20.360 --> 0:49:21.600
<v Speaker 17>I don't know if you can hear.

0:49:21.440 --> 0:49:24.759
<v Speaker 4>That, but we can. I thinks breaking in your house.

0:49:26.960 --> 0:49:28.000
<v Speaker 12>She sounds fammined.

0:49:28.080 --> 0:49:30.400
<v Speaker 4>Oh no, lunchbox wants to know if you're starving, if

0:49:30.440 --> 0:49:31.799
<v Speaker 4>you somehow get food to you.

0:49:32.520 --> 0:49:35.440
<v Speaker 17>Well, I'm about to start having my caffeine headache, so

0:49:35.480 --> 0:49:43.279
<v Speaker 17>I need coffee with drawer setting in. I need to

0:49:44.280 --> 0:49:48.120
<v Speaker 17>uh somehow get that. And then I have organized my

0:49:48.239 --> 0:49:56.080
<v Speaker 17>bathroom and my closet and my dad is Sometimes in

0:49:56.120 --> 0:49:58.000
<v Speaker 17>the morning I make my bed fully. I always make

0:49:58.040 --> 0:50:00.480
<v Speaker 17>my bed, but this morning I definitely did little, like

0:50:00.680 --> 0:50:03.960
<v Speaker 17>just kind of sort of made my bed. But now

0:50:04.000 --> 0:50:04.800
<v Speaker 17>it is made.

0:50:04.640 --> 0:50:07.640
<v Speaker 4>Perfectly goami with the sheets folded up into like birds

0:50:07.640 --> 0:50:11.480
<v Speaker 4>and swans. Yeah do you feel safe? Blink twice if

0:50:11.480 --> 0:50:14.920
<v Speaker 4>you don't, like we can see her right?

0:50:15.239 --> 0:50:15.439
<v Speaker 9>Yeah?

0:50:15.719 --> 0:50:16.239
<v Speaker 17>Uh?

0:50:16.680 --> 0:50:17.200
<v Speaker 4>Okay.

0:50:17.560 --> 0:50:19.560
<v Speaker 12>Was there ever a thought of kicking down the door.

0:50:20.800 --> 0:50:23.120
<v Speaker 17>I don't know that it would be possible. I don't know,

0:50:23.200 --> 0:50:24.920
<v Speaker 17>but now I'm for sure going to buy one of

0:50:24.920 --> 0:50:27.080
<v Speaker 17>those little ladder things that you throw out your window

0:50:27.200 --> 0:50:29.839
<v Speaker 17>because this is necessary.

0:50:30.600 --> 0:50:32.520
<v Speaker 4>Would you actually have thrown the ladder out and crawled

0:50:32.520 --> 0:50:33.439
<v Speaker 4>down just to get to work?

0:50:34.440 --> 0:50:36.880
<v Speaker 17>I think yes, I could do that easy. I was

0:50:36.920 --> 0:50:39.560
<v Speaker 17>already already figured out. I was on Amazon a minute

0:50:39.600 --> 0:50:42.680
<v Speaker 17>ago trying to figure out what to order and which

0:50:42.680 --> 0:50:44.239
<v Speaker 17>win do I throw it out of? Like now I

0:50:44.280 --> 0:50:45.040
<v Speaker 17>need to be prepared.

0:50:45.120 --> 0:50:46.680
<v Speaker 4>Amazon p got it already.

0:50:46.760 --> 0:50:47.839
<v Speaker 8>Yeah, same day?

0:50:48.080 --> 0:50:50.040
<v Speaker 4>What about Have you thought about calling the fire department?

0:50:51.239 --> 0:50:53.920
<v Speaker 17>Yes, And I kind of thought, what if that is

0:50:53.960 --> 0:50:55.120
<v Speaker 17>how I meet somebody?

0:50:55.440 --> 0:50:59.440
<v Speaker 4>Could you imagine she's oh, he comes up, sweeps away,

0:51:00.000 --> 0:51:01.319
<v Speaker 4>go to work because they make love all morning?

0:51:02.200 --> 0:51:06.000
<v Speaker 17>No wait, whoa? That escalated quickly storyline.

0:51:06.120 --> 0:51:07.439
<v Speaker 12>That's that's what happens in the movie.

0:51:07.480 --> 0:51:09.719
<v Speaker 4>And he's wearing his suit but no shirt underneath, and

0:51:09.760 --> 0:51:10.359
<v Speaker 4>the suits on the.

0:51:10.840 --> 0:51:14.160
<v Speaker 17>Okay, no, I was thinking maybe we go to dinner.

0:51:16.320 --> 0:51:16.799
<v Speaker 17>I don't know.

0:51:17.160 --> 0:51:18.719
<v Speaker 4>Yeah, we got sets higher than that.

0:51:19.320 --> 0:51:23.000
<v Speaker 17>Okay, dinner, Okay, Well, I don't know. I feel like

0:51:23.000 --> 0:51:25.600
<v Speaker 17>they're making progress. So I'm supposed to like turn the

0:51:25.640 --> 0:51:26.560
<v Speaker 17>knobs for seconds, so.

0:51:26.640 --> 0:51:28.440
<v Speaker 4>You'll want to hold I never turned the knob to

0:51:28.480 --> 0:51:31.439
<v Speaker 4>get out of the right. She just never opened the power.

0:51:32.640 --> 0:51:37.200
<v Speaker 17>Okay, all right, well they need my assistant, so I'll

0:51:37.200 --> 0:51:37.440
<v Speaker 17>do it.

0:51:37.760 --> 0:51:40.160
<v Speaker 4>Yeah, let's go live. Yeah what we are live? I

0:51:40.200 --> 0:51:42.640
<v Speaker 4>mean okay, okay, we're going to listen to Amy's locked

0:51:42.640 --> 0:51:44.320
<v Speaker 4>in her bedroom ahead, and then what am I supposed

0:51:44.360 --> 0:51:44.600
<v Speaker 4>to do?

0:51:44.800 --> 0:51:52.719
<v Speaker 17>Like we're to the left, Okay, I'm turning it to

0:51:52.760 --> 0:51:58.560
<v Speaker 17>the left. What is that thing you're sticking through there?

0:51:58.960 --> 0:52:01.400
<v Speaker 4>That's dirty? That's called aire fighter. No, that's called a

0:52:01.440 --> 0:52:04.080
<v Speaker 4>glory hole. Don't touch it. Don't got a.

0:52:04.040 --> 0:52:05.920
<v Speaker 12>Question that she she had a door expert.

0:52:05.920 --> 0:52:06.359
<v Speaker 9>Who is this?

0:52:06.480 --> 0:52:09.320
<v Speaker 4>Yeah, it's like on a pond stars. She knows a guy. Okay,

0:52:09.600 --> 0:52:10.880
<v Speaker 4>do she knows the door expert?

0:52:12.440 --> 0:52:16.000
<v Speaker 17>Okay? Wait, I'm turning to the left, my last or

0:52:16.040 --> 0:52:16.520
<v Speaker 17>your left?

0:52:16.800 --> 0:52:18.320
<v Speaker 8>Oh my god?

0:52:19.160 --> 0:52:19.359
<v Speaker 9>Yeah?

0:52:19.480 --> 0:52:19.759
<v Speaker 21>Let go?

0:52:20.800 --> 0:52:27.319
<v Speaker 4>Okay, No, does sound good? Guys, I've heard a lot

0:52:27.320 --> 0:52:28.560
<v Speaker 4>of doors open. Don sound like that?

0:52:29.800 --> 0:52:31.480
<v Speaker 8>Amy? Can they unscrew the doorknob?

0:52:31.920 --> 0:52:33.920
<v Speaker 4>Just knock the doorknob off and didn't get a new

0:52:33.920 --> 0:52:35.280
<v Speaker 4>doorholl That's what I would have done.

0:52:35.960 --> 0:52:41.200
<v Speaker 17>They already tried to screw the unscrewed You watch Language

0:52:41.239 --> 0:52:44.719
<v Speaker 17>World in the morning, literally unscrew it?

0:52:44.760 --> 0:52:44.920
<v Speaker 14>Oh?

0:52:45.040 --> 0:52:45.320
<v Speaker 9>Got it?

0:52:45.480 --> 0:52:49.280
<v Speaker 12>So, Amy, did you call a locks Let's just so worried.

0:52:49.280 --> 0:52:50.399
<v Speaker 4>He's going through puberty right now?

0:52:50.400 --> 0:52:57.719
<v Speaker 17>Amy, I called oh h.

0:53:00.080 --> 0:53:04.760
<v Speaker 4>In He said, Yeah, she's just looking to meet anybody.

0:53:04.800 --> 0:53:06.520
<v Speaker 4>I think the door is not even broken. She's finding

0:53:06.520 --> 0:53:11.399
<v Speaker 4>a way to call every dude in town. I called

0:53:11.480 --> 0:53:14.400
<v Speaker 4>a local heart surgeon who I read with single Instagram?

0:53:14.960 --> 0:53:16.239
<v Speaker 17>Wait, so do I pull it?

0:53:17.680 --> 0:53:19.359
<v Speaker 4>What if the door has always been a pull? She's

0:53:19.600 --> 0:53:20.600
<v Speaker 4>trying to push the whole time.

0:53:22.120 --> 0:53:23.520
<v Speaker 17>Well, we're gonna try to block.

0:53:23.640 --> 0:53:25.520
<v Speaker 14>Where is the where it goes?

0:53:27.080 --> 0:53:30.840
<v Speaker 12>Okay, wow, woman, that sure does It doesn't sound like

0:53:30.840 --> 0:53:31.160
<v Speaker 12>a man.

0:53:32.600 --> 0:53:35.600
<v Speaker 17>Okay, shaman, do you have your phone?

0:53:39.120 --> 0:53:40.840
<v Speaker 8>She's like, call it handy man.

0:53:42.680 --> 0:53:49.040
<v Speaker 4>Here Okay, she broke out. Amy's trying to get out

0:53:49.040 --> 0:53:50.839
<v Speaker 4>of her bedroom. She's not at work because she's been

0:53:50.840 --> 0:53:52.920
<v Speaker 4>locked in her room.

0:53:52.160 --> 0:53:57.280
<v Speaker 17>Who who's on the other side You've.

0:53:57.120 --> 0:53:58.080
<v Speaker 8>Been talking to him?

0:53:58.600 --> 0:54:01.520
<v Speaker 4>No, su there's a hole cast of characters on the

0:54:01.560 --> 0:54:07.279
<v Speaker 4>other side of the hand. Oh, listeners are stopping by.

0:54:07.880 --> 0:54:08.440
<v Speaker 14>Oh, I just.

0:54:08.400 --> 0:54:13.440
<v Speaker 17>Didn't know, Shannon. If you can you.

0:54:13.000 --> 0:54:13.799
<v Speaker 4>We're going to come back.

0:54:15.000 --> 0:54:16.919
<v Speaker 12>I feel like we're not close though, Yeah, I don't

0:54:16.920 --> 0:54:17.200
<v Speaker 12>think so.

0:54:17.200 --> 0:54:19.560
<v Speaker 4>I feel like we're not close. Hey, Amy can ask

0:54:19.560 --> 0:54:22.440
<v Speaker 4>a question, Yes, why don't you? Can you not just

0:54:22.440 --> 0:54:25.480
<v Speaker 4>take a hammer and bang the doorknob off because doorknobs

0:54:25.520 --> 0:54:26.719
<v Speaker 4>relatively inexpensive.

0:54:27.719 --> 0:54:31.920
<v Speaker 17>Well, I just gotten new doorknob.

0:54:33.239 --> 0:54:35.279
<v Speaker 4>I will buy you a right new doorknob if that's

0:54:35.280 --> 0:54:38.520
<v Speaker 4>the case. If you're really hurting from doorob, well.

0:54:38.680 --> 0:54:42.560
<v Speaker 17>No, but yes, I suppose you could. But it's the

0:54:42.719 --> 0:54:48.279
<v Speaker 17>lock that is coming. It's somehow stuck. I don't really

0:54:48.320 --> 0:54:51.000
<v Speaker 17>know they're close. They say they're close. I hear. I

0:54:51.080 --> 0:54:52.360
<v Speaker 17>just heard. Oh, we're close.

0:54:53.200 --> 0:54:54.400
<v Speaker 4>Okay, we're going to come back.

0:54:54.760 --> 0:54:56.560
<v Speaker 8>I'm getting frustrated. I want to go help so bad.

0:54:56.640 --> 0:54:58.000
<v Speaker 10>I want I want to take a hammer through the

0:54:58.000 --> 0:55:00.560
<v Speaker 10>door so she can crawl through.

0:55:00.600 --> 0:55:02.480
<v Speaker 12>I mean, great video of her crawling through.

0:55:02.320 --> 0:55:04.520
<v Speaker 4>The She's not going to break the door knob.

0:55:04.640 --> 0:55:06.680
<v Speaker 20>She's not going to kick a hole in the door. Well,

0:55:06.880 --> 0:55:09.160
<v Speaker 20>let's just give it a kick. That's it, just try it.

0:55:09.200 --> 0:55:11.120
<v Speaker 4>But the kick is on the inside. She needs somebody

0:55:11.160 --> 0:55:13.680
<v Speaker 4>outside to kick in. Someone's out there, the handyman's out there,

0:55:15.400 --> 0:55:16.200
<v Speaker 4>and so as shamming.

0:55:16.400 --> 0:55:19.680
<v Speaker 17>I heard that right, right, Well, I hope both my

0:55:19.760 --> 0:55:22.280
<v Speaker 17>kids left for school because they're definitely also.

0:55:22.120 --> 0:55:23.200
<v Speaker 4>Playing video games right now.

0:55:23.560 --> 0:55:29.040
<v Speaker 20>Totally, I'm not going to school. Are mom and mom

0:55:29.120 --> 0:55:29.880
<v Speaker 20>stuck in her bedroom?

0:55:29.880 --> 0:55:32.960
<v Speaker 4>We're gonna have to come back. Amy has locked in

0:55:33.000 --> 0:55:35.440
<v Speaker 4>her bedroom. She's not obviously, she's going to miss the

0:55:35.440 --> 0:55:37.920
<v Speaker 4>first hour of the show.

0:55:38.239 --> 0:55:38.680
<v Speaker 22>I love it.

0:55:39.000 --> 0:55:41.000
<v Speaker 14>Okay, hey, hey.

0:55:41.160 --> 0:55:44.440
<v Speaker 4>Okay, like she's acting like somebody discovered on a deserted island.

0:55:45.120 --> 0:55:48.719
<v Speaker 14>Thank you so much, thank you, thank you.

0:55:49.040 --> 0:55:56.680
<v Speaker 4>Okay, Hey, what's up with mister d voice over there?

0:55:59.040 --> 0:56:04.880
<v Speaker 17>What happened? Is it broken? Well? Yeah, Okay, I need

0:56:04.920 --> 0:56:05.880
<v Speaker 17>to get a new one.

0:56:06.200 --> 0:56:10.520
<v Speaker 4>Okay, ask him how that happened? Like, what happened?

0:56:10.560 --> 0:56:12.920
<v Speaker 14>You know how this happens?

0:56:13.840 --> 0:56:16.640
<v Speaker 9>Oh?

0:56:16.719 --> 0:56:19.680
<v Speaker 17>Come, you said, Noah black.

0:56:21.160 --> 0:56:22.000
<v Speaker 4>Let Eddie talk to him?

0:56:22.200 --> 0:56:23.520
<v Speaker 8>Yes, yes, let me talk to him.

0:56:23.520 --> 0:56:32.319
<v Speaker 4>Can Eddy talk to him? Yes? Okay? Is Eddie talking

0:56:32.320 --> 0:56:33.080
<v Speaker 4>to us one of the.

0:56:35.040 --> 0:56:35.840
<v Speaker 8>Set.

0:56:41.000 --> 0:56:45.799
<v Speaker 4>We know what that means, Mike, Mike, the little thing

0:56:45.800 --> 0:56:46.719
<v Speaker 4>in the middle is what it was.

0:56:46.760 --> 0:56:56.400
<v Speaker 20>Okay, okay, okay, Star handle Necessita, Mississa.

0:56:56.440 --> 0:56:57.720
<v Speaker 8>Oh, she needs a new chapper.

0:56:57.800 --> 0:56:58.720
<v Speaker 4>Ask your she's crazy?

0:56:58.960 --> 0:57:00.279
<v Speaker 8>Is that local lasson about?

0:57:00.320 --> 0:57:05.280
<v Speaker 20>You know, last signor start local?

0:57:05.560 --> 0:57:05.600
<v Speaker 2>No?

0:57:07.440 --> 0:57:19.680
<v Speaker 14>See, yes, okay, okay, guys, I'm free. I'm gonna get

0:57:19.760 --> 0:57:20.720
<v Speaker 14>coffee and then I'll.

0:57:20.560 --> 0:57:21.040
<v Speaker 17>Come to work.

0:57:21.120 --> 0:57:25.800
<v Speaker 4>Okay, no rush, Hey Amy, Amy Amy?

0:57:25.800 --> 0:57:28.160
<v Speaker 17>Oh he oh. He just pointed to the phone and

0:57:28.200 --> 0:57:30.840
<v Speaker 17>said that y'all are crazy.

0:57:31.560 --> 0:57:34.160
<v Speaker 4>Uh tip him? Tip tip him?

0:57:34.160 --> 0:57:37.240
<v Speaker 8>Well nice thanks mom, not Eddie? What do you mean,

0:57:37.280 --> 0:57:37.600
<v Speaker 8>no tip?

0:57:37.640 --> 0:57:41.240
<v Speaker 4>Not tip you tip tip the guy? Well, yes, of course, okay,

0:57:41.280 --> 0:57:43.040
<v Speaker 4>I know. I'm just saying that because he was also

0:57:43.080 --> 0:57:44.840
<v Speaker 4>on the show with us, and that's what the tips

0:57:44.880 --> 0:57:47.400
<v Speaker 4>really for. Yeah, he was, yeah, all right, we'll see,

0:57:47.600 --> 0:57:50.000
<v Speaker 4>we'll see in a little bit. Okay.

0:57:50.160 --> 0:57:53.160
<v Speaker 17>Well, yeah, all right, last.

0:57:53.360 --> 0:57:57.040
<v Speaker 4>Last she made all right by Amy, don't be right. Hey,

0:57:57.040 --> 0:57:57.880
<v Speaker 4>stop and get a coffee.

0:57:57.880 --> 0:57:58.880
<v Speaker 8>Hey, he's the one.

0:57:59.280 --> 0:58:02.000
<v Speaker 4>Take your week time. You know, I go the long

0:58:02.000 --> 0:58:06.560
<v Speaker 4>way right and she's gone. She locked out of her

0:58:06.600 --> 0:58:11.320
<v Speaker 4>phone notes. Okay, well that was fun. Huh that Look

0:58:11.320 --> 0:58:15.600
<v Speaker 4>who's back. She's safe. It's Amy's back. She was locked

0:58:15.600 --> 0:58:19.920
<v Speaker 4>in her bedroom on the inside. Never heard of that before.

0:58:20.480 --> 0:58:22.280
<v Speaker 4>But if you go listen to the podcast, you can

0:58:22.320 --> 0:58:24.439
<v Speaker 4>hear us do half hour with Amy locked in her room.

0:58:24.840 --> 0:58:27.080
<v Speaker 4>Her kid can't get her out, her friend can't get

0:58:27.080 --> 0:58:29.480
<v Speaker 4>her out. Finally a handyman comes and gets her out.

0:58:29.720 --> 0:58:34.840
<v Speaker 4>Handyman doesn't know English, so Eddie translates Amy's out and

0:58:34.880 --> 0:58:39.120
<v Speaker 4>she's safe. We were so worried, and wow are we Yeah?

0:58:39.280 --> 0:58:42.080
<v Speaker 4>We worried, Yeah, Queen, we were so worried.

0:58:42.360 --> 0:58:45.600
<v Speaker 6>You're very grateful for everybody that woke up to try

0:58:45.600 --> 0:58:45.960
<v Speaker 6>to help me.

0:58:46.040 --> 0:58:46.520
<v Speaker 8>No problem.

0:58:46.920 --> 0:58:48.960
<v Speaker 4>When I saw the when her when she just texted

0:58:49.000 --> 0:58:50.760
<v Speaker 4>me a video before I got to work early early,

0:58:51.080 --> 0:58:52.920
<v Speaker 4>no text involved, just a video. I was like, oh

0:58:52.960 --> 0:58:55.800
<v Speaker 4>my god, because why would somebody just send a video

0:58:56.000 --> 0:59:00.520
<v Speaker 4>that early unless something is wrong? And Ray, would you

0:59:00.560 --> 0:59:02.440
<v Speaker 4>play just the beginning clip for listeners that missed it.

0:59:03.200 --> 0:59:06.360
<v Speaker 19>Literally locked in my room. I'm trying to leave and

0:59:06.400 --> 0:59:08.880
<v Speaker 19>I can knot get out, and I don't know how

0:59:08.960 --> 0:59:13.480
<v Speaker 19>it's happened or why my children don't any.

0:59:13.360 --> 0:59:18.600
<v Speaker 4>From me, and said that for thirty minutes, and I

0:59:18.720 --> 0:59:19.800
<v Speaker 4>like this. She blamed her children.

0:59:20.760 --> 0:59:25.320
<v Speaker 6>She's like, they're not coming for me, they're fully awake yet.

0:59:25.360 --> 0:59:29.520
<v Speaker 6>And I'm banging on the walls being like childread the.

0:59:29.560 --> 0:59:33.840
<v Speaker 4>Kids probably like mom, probably have somebody over again. Just kidding, Joe,

0:59:34.480 --> 0:59:38.640
<v Speaker 4>Joe a terrible joke, kind of funny but terrible. A minute, okay,

0:59:38.760 --> 0:59:43.720
<v Speaker 4>thank you, terrible kind of funny thing. Amy's back, so

0:59:43.760 --> 0:59:44.120
<v Speaker 4>that's all.

0:59:44.240 --> 0:59:45.160
<v Speaker 8>Thank goodness.

0:59:45.560 --> 0:59:50.320
<v Speaker 4>She's safe. The door locked monster got her, but she led, yeah,

0:59:50.720 --> 0:59:51.960
<v Speaker 4>tell us about it, and you got.

0:59:51.920 --> 0:59:53.600
<v Speaker 8>The bad news though, you're gonna get a new door, and.

0:59:53.760 --> 0:59:56.560
<v Speaker 5>Yeah a lock, right, just a whole new door.

0:59:56.800 --> 0:59:58.320
<v Speaker 4>You have sold all those other doors.

0:59:58.760 --> 0:59:59.440
<v Speaker 5>Not a whole new door.

0:59:59.720 --> 1:00:00.800
<v Speaker 4>FA marketplace.

1:00:02.520 --> 1:00:06.520
<v Speaker 7>It's the best bits of the week with Morgan Number two.

1:00:12.040 --> 1:00:13.880
<v Speaker 2>There was a long standing segment on our show that

1:00:13.920 --> 1:00:16.600
<v Speaker 2>was existing for several months of twenty twenty four where

1:00:16.640 --> 1:00:19.320
<v Speaker 2>Bobby wanted to send Eddie to Turkey to get a

1:00:19.360 --> 1:00:22.160
<v Speaker 2>hair transplant well, and he didn't really want to go

1:00:22.240 --> 1:00:24.280
<v Speaker 2>to Turkey, you know, travel to another country and.

1:00:24.240 --> 1:00:24.920
<v Speaker 3>All that stuff.

1:00:24.960 --> 1:00:28.520
<v Speaker 2>So it then evolved into him getting a hair system,

1:00:28.840 --> 1:00:31.720
<v Speaker 2>which is the modern version of a two pay and

1:00:31.760 --> 1:00:34.560
<v Speaker 2>it looked really, really good. But now it's evolved where

1:00:34.600 --> 1:00:38.880
<v Speaker 2>Eddie doesn't even have the hair system just unfortunately for me,

1:00:38.920 --> 1:00:42.320
<v Speaker 2>it sits in between our desk on our studio equipment,

1:00:42.480 --> 1:00:45.280
<v Speaker 2>which is kind of gross. You're gonna hear the moment

1:00:45.320 --> 1:00:47.800
<v Speaker 2>here where Eddie got his hair system, because it was

1:00:47.840 --> 1:00:50.240
<v Speaker 2>a huge moment and shocked all of us to.

1:00:50.240 --> 1:00:53.120
<v Speaker 3>See Eddie with this full thing of hair when we've

1:00:53.160 --> 1:00:54.240
<v Speaker 3>only known him one way.

1:00:54.840 --> 1:00:57.920
<v Speaker 4>Number two in studio right now, Julie Taylor, owner of

1:00:58.040 --> 1:01:02.600
<v Speaker 4>Jbanks Salon and Nashville Hair Replacement, Am I saying that? Right? Okay,

1:01:02.720 --> 1:01:04.960
<v Speaker 4>so Julie, we're here because Eddie is.

1:01:05.760 --> 1:01:07.560
<v Speaker 11>I'm here to make Eddie look ten years younger.

1:01:07.800 --> 1:01:08.000
<v Speaker 9>Yeah?

1:01:08.560 --> 1:01:09.480
<v Speaker 4>Can we do fifteen?

1:01:09.840 --> 1:01:14.080
<v Speaker 11>I could do fifteen? Is that what you typically see

1:01:14.200 --> 1:01:18.840
<v Speaker 11>with It's air amazing and the confidence that they shine

1:01:18.920 --> 1:01:21.919
<v Speaker 11>through after they get hair, they feel like themselves again.

1:01:22.040 --> 1:01:24.200
<v Speaker 4>I have so many questions, and so let's roll through

1:01:24.200 --> 1:01:26.520
<v Speaker 4>some questions because what's gonna happen is we're gonna let

1:01:26.880 --> 1:01:29.760
<v Speaker 4>Eddie and Julie go off, and she's gonna because I

1:01:29.760 --> 1:01:31.400
<v Speaker 4>don't let's talk about the process. But Eddie's gonna have

1:01:31.440 --> 1:01:32.240
<v Speaker 4>a new head of hair today.

1:01:32.360 --> 1:01:33.000
<v Speaker 8>It is amazing.

1:01:33.120 --> 1:01:35.200
<v Speaker 4>So what is the process? You'll leave this room with

1:01:35.360 --> 1:01:36.840
<v Speaker 4>Eddie and what do you do.

1:01:37.320 --> 1:01:40.040
<v Speaker 11>It's a pretty simple process. I mean, it's non surgical

1:01:40.160 --> 1:01:40.920
<v Speaker 11>hair replacements.

1:01:40.960 --> 1:01:42.200
<v Speaker 4>Is that his hair you're gonna put on his head

1:01:44.760 --> 1:01:45.760
<v Speaker 4>of hair?

1:01:45.440 --> 1:01:45.480
<v Speaker 10>That?

1:01:48.040 --> 1:01:50.840
<v Speaker 11>Yeah, it's like a now, but you guys, it will

1:01:50.880 --> 1:01:52.320
<v Speaker 11>look natural when I get it on you.

1:01:52.400 --> 1:01:54.600
<v Speaker 4>Okay, so you will that won't be my hairstyle.

1:01:54.880 --> 1:01:56.440
<v Speaker 11>No, that's not going to be your hairstyle. I mean,

1:01:56.520 --> 1:01:57.120
<v Speaker 11>unless you want.

1:01:57.200 --> 1:01:58.400
<v Speaker 4>That's pretty cool, shaggy dog.

1:01:59.200 --> 1:02:00.200
<v Speaker 5>You're gonna cut it it.

1:02:00.440 --> 1:02:02.240
<v Speaker 11>I'm going to cut the heck out of it. Okay,

1:02:02.280 --> 1:02:04.720
<v Speaker 11>it will look like a natural. It's gonna look like

1:02:04.720 --> 1:02:06.240
<v Speaker 11>his hair. You will not know.

1:02:06.400 --> 1:02:07.880
<v Speaker 4>So what do you do? So you will say, walk

1:02:07.880 --> 1:02:11.240
<v Speaker 4>out with Eddie. When you guys do your thing. You

1:02:10.800 --> 1:02:12.840
<v Speaker 4>he takes his hat off, do you like shave part

1:02:12.840 --> 1:02:13.280
<v Speaker 4>of his head?

1:02:13.360 --> 1:02:16.040
<v Speaker 11>I Am going to shave you a grandfa haircut today.

1:02:16.200 --> 1:02:17.440
<v Speaker 4>So he looked like doctor Phil and it is h

1:02:17.520 --> 1:02:18.040
<v Speaker 4>top of his head.

1:02:18.080 --> 1:02:20.000
<v Speaker 11>He will for a minute, and how.

1:02:19.800 --> 1:02:22.640
<v Speaker 4>Long will this thing stay on his head before like

1:02:22.880 --> 1:02:23.600
<v Speaker 4>it starts to.

1:02:23.600 --> 1:02:26.920
<v Speaker 11>Like fall monthly maintenance. Once a month you come to

1:02:26.960 --> 1:02:27.720
<v Speaker 11>the salon.

1:02:27.520 --> 1:02:29.880
<v Speaker 4>I take it off, so your haircut it is.

1:02:30.160 --> 1:02:32.200
<v Speaker 11>Yeah, I mean that's that's all it takes to wear

1:02:32.200 --> 1:02:32.640
<v Speaker 11>a system.

1:02:32.880 --> 1:02:35.600
<v Speaker 8>So once that thing is on my head, that's that's my.

1:02:35.600 --> 1:02:36.920
<v Speaker 11>Wig, it's yours.

1:02:36.960 --> 1:02:37.360
<v Speaker 4>Do you call it?

1:02:37.760 --> 1:02:40.760
<v Speaker 11>Feels like it's wig insulting A wig and two pay

1:02:40.800 --> 1:02:41.440
<v Speaker 11>are insulting.

1:02:41.480 --> 1:02:42.960
<v Speaker 5>I hear you're calling it a system.

1:02:43.000 --> 1:02:45.960
<v Speaker 11>The technology in this it's a it's a modern men's

1:02:46.000 --> 1:02:46.760
<v Speaker 11>hair system.

1:02:47.000 --> 1:02:48.919
<v Speaker 20>I'm not worried though if I do a little dive

1:02:48.960 --> 1:02:50.200
<v Speaker 20>off the diving board that's going to.

1:02:50.200 --> 1:02:51.040
<v Speaker 8>Fall off at the pool.

1:02:51.080 --> 1:02:53.400
<v Speaker 11>It will never fly off like you see in the movie.

1:02:53.480 --> 1:02:56.880
<v Speaker 20>Yes, ever, I'm so excited about this, and I do

1:02:57.040 --> 1:02:58.920
<v Speaker 20>drive a jeep and I love the hair in my

1:02:58.960 --> 1:02:59.720
<v Speaker 20>wind idea.

1:03:00.120 --> 1:03:01.160
<v Speaker 8>I've been dreaming about that.

1:03:01.280 --> 1:03:03.560
<v Speaker 11>Oh, my clients live their best life with the wind

1:03:03.560 --> 1:03:04.400
<v Speaker 11>in their hairy.

1:03:04.320 --> 1:03:06.760
<v Speaker 6>Wouldn't you say, my clients, do you have to book

1:03:06.840 --> 1:03:09.560
<v Speaker 6>them like with a buffer in between or do they

1:03:09.640 --> 1:03:12.360
<v Speaker 6>mind if clients see clients you know, because they feel

1:03:12.360 --> 1:03:14.560
<v Speaker 6>like Oh, they might not want to.

1:03:15.000 --> 1:03:16.800
<v Speaker 4>You know, that's a good point, Like they don't want

1:03:16.800 --> 1:03:18.360
<v Speaker 4>to run into somebody else who's scaring it.

1:03:18.400 --> 1:03:20.040
<v Speaker 5>Do you have a thirty minute buffer?

1:03:20.200 --> 1:03:23.480
<v Speaker 11>So we don't have that yet. We do have private rooms.

1:03:24.360 --> 1:03:26.400
<v Speaker 11>I would say fifty percent of the clients that wear

1:03:26.480 --> 1:03:28.800
<v Speaker 11>these they they want to flawn it. They don't care

1:03:28.880 --> 1:03:32.320
<v Speaker 11>that people know that they're wearing it like the others.

1:03:32.480 --> 1:03:36.680
<v Speaker 4>Yeah what kay right?

1:03:37.840 --> 1:03:40.360
<v Speaker 11>You know other clients that the high profiles, I can

1:03:40.400 --> 1:03:42.960
<v Speaker 11>do them, you know, on a day off for certain

1:03:43.000 --> 1:03:45.080
<v Speaker 11>hours that the saunt are closed and stuff like that.

1:03:45.120 --> 1:03:48.320
<v Speaker 4>How long have you been doing this version of your work?

1:03:48.360 --> 1:03:50.040
<v Speaker 11>This version about five years?

1:03:50.520 --> 1:03:52.919
<v Speaker 4>And what's the difference, because again, we've only seen movies

1:03:52.920 --> 1:03:54.720
<v Speaker 4>where the people's like fall off, where you're like they're

1:03:54.760 --> 1:03:56.520
<v Speaker 4>like pointing and they have no idea.

1:03:56.800 --> 1:03:59.560
<v Speaker 11>This is so far past that, right, so far past it.

1:04:00.320 --> 1:04:02.800
<v Speaker 11>There's so many tape and glue options. We're going to

1:04:02.880 --> 1:04:05.160
<v Speaker 11>go in and go with the basic option for you, Eddie,

1:04:06.200 --> 1:04:08.479
<v Speaker 11>just with with glue, and like I said, you won't

1:04:08.480 --> 1:04:10.480
<v Speaker 11>even feel it. You're gonna be surprised.

1:04:10.560 --> 1:04:12.240
<v Speaker 4>Okay, So we're gonna keep her on here for a second.

1:04:12.240 --> 1:04:14.680
<v Speaker 4>We're with Julie Taylor. She is the owner of Jabank

1:04:14.720 --> 1:04:17.760
<v Speaker 4>Salon and Nashville Hair Replacement. Are you are you trained

1:04:17.760 --> 1:04:18.440
<v Speaker 4>to cut hair as well?

1:04:18.480 --> 1:04:20.720
<v Speaker 11>Oh? Yeah, I do it all really but mainly this

1:04:20.800 --> 1:04:22.040
<v Speaker 11>is all I do.

1:04:22.160 --> 1:04:24.400
<v Speaker 4>But did you learn to cut hair though before you did?

1:04:24.440 --> 1:04:24.600
<v Speaker 14>Oh?

1:04:24.680 --> 1:04:27.440
<v Speaker 4>Yeah, so you were a hairsty stylus. That's cool. So

1:04:27.480 --> 1:04:29.680
<v Speaker 4>we're also going to link her and we're gonna put

1:04:29.680 --> 1:04:31.560
<v Speaker 4>her in the podcast show notes, so you can find

1:04:31.600 --> 1:04:34.000
<v Speaker 4>that the Instagram and stuff. But the website is Nashville

1:04:34.000 --> 1:04:36.120
<v Speaker 4>Hair Replacement dot com. Do you have clients all over

1:04:36.120 --> 1:04:37.640
<v Speaker 4>the country, all over the country, because our show is

1:04:37.640 --> 1:04:40.840
<v Speaker 4>all over the country. So Nashville Hair Replacement dot com.

1:04:40.960 --> 1:04:42.439
<v Speaker 11>What do we call it, Julie, Because we don't say

1:04:42.600 --> 1:04:45.360
<v Speaker 11>to Pey, what do we say modern men's hair system?

1:04:45.440 --> 1:04:48.040
<v Speaker 4>But if we're saying Eddie's about to get new hair, yeah,

1:04:48.120 --> 1:04:49.360
<v Speaker 4>what's going to be on his head?

1:04:49.720 --> 1:04:50.480
<v Speaker 11>A hair system?

1:04:50.600 --> 1:04:53.680
<v Speaker 4>Okay, my system? Many to save it alone. Julie's here

1:04:53.680 --> 1:04:55.960
<v Speaker 4>and Eddi's gonna have new hair with a new hair

1:04:56.000 --> 1:04:59.400
<v Speaker 4>system in the next hour. So we'll do we'll do

1:04:59.440 --> 1:05:02.920
<v Speaker 4>the reveal on the air and Eddie, what are your

1:05:02.920 --> 1:05:05.080
<v Speaker 4>thoughts You're about to get a new hair system.

1:05:05.160 --> 1:05:05.880
<v Speaker 8>I have questions.

1:05:05.880 --> 1:05:07.600
<v Speaker 4>Go ahead, is that real hair?

1:05:07.760 --> 1:05:08.560
<v Speaker 11>It's human hair?

1:05:10.320 --> 1:05:12.320
<v Speaker 4>My gosh, what do they get their hair?

1:05:12.760 --> 1:05:16.320
<v Speaker 11>I have a US manufacturer that does this, and distributor

1:05:16.320 --> 1:05:18.480
<v Speaker 11>and stuff. I keep most of the hair systems in

1:05:18.520 --> 1:05:19.640
<v Speaker 11>stock at the salon.

1:05:19.400 --> 1:05:22.520
<v Speaker 4>One on Earth. I'm wearing somebody else's. Somebody who died

1:05:22.560 --> 1:05:24.360
<v Speaker 4>and like gave you their hair, maybe like an organ.

1:05:24.440 --> 1:05:27.760
<v Speaker 4>It's like somebody who just donated their hair. Wow.

1:05:28.120 --> 1:05:29.840
<v Speaker 10>Like so when I donated my hair, I could have

1:05:29.880 --> 1:05:31.560
<v Speaker 10>been a system on someone else.

1:05:31.720 --> 1:05:33.520
<v Speaker 4>You could, but they said your hair was too gross.

1:05:33.520 --> 1:05:36.160
<v Speaker 4>They used it for the oil spill, pick up the

1:05:36.160 --> 1:05:39.240
<v Speaker 4>oil it was needed. Yeah, yeah, yeah, yeah yeah. And

1:05:40.080 --> 1:05:41.880
<v Speaker 4>can people donate their hair to you or they have

1:05:42.240 --> 1:05:43.840
<v Speaker 4>to go through a process, through a whole process.

1:05:44.120 --> 1:05:45.840
<v Speaker 20>Dude, you can be one of something else's. That's crazy,

1:05:45.840 --> 1:05:47.640
<v Speaker 20>that's crazy to think about it. It's real though, No,

1:05:47.760 --> 1:05:50.760
<v Speaker 20>I know, I know, it's it's okay. So the styles

1:05:50.800 --> 1:05:52.600
<v Speaker 20>can I put like gel in it, a little bit

1:05:52.640 --> 1:05:53.680
<v Speaker 20>of a palmade, but.

1:05:53.880 --> 1:05:57.160
<v Speaker 11>They style really easily. They've got just enough texture in them.

1:05:57.720 --> 1:06:01.280
<v Speaker 11>The haircut is going to just style itself, like you know.

1:06:01.400 --> 1:06:03.240
<v Speaker 11>My goal is you just run your hands through your

1:06:03.280 --> 1:06:04.480
<v Speaker 11>hair and that's it.

1:06:04.880 --> 1:06:07.800
<v Speaker 4>Let's just say it's a really windy day, exceptionally Wendy,

1:06:07.800 --> 1:06:09.120
<v Speaker 4>any chance when we flies off.

1:06:09.280 --> 1:06:12.720
<v Speaker 11>No, it's not going to fly off a crazy had

1:06:12.720 --> 1:06:15.480
<v Speaker 11>people tested. I've had people surf in it and you're

1:06:15.560 --> 1:06:18.000
<v Speaker 11>all kind of crazy roller coasters and stuff, and it

1:06:18.040 --> 1:06:18.360
<v Speaker 11>has not.

1:06:18.600 --> 1:06:18.760
<v Speaker 9>Wow.

1:06:18.800 --> 1:06:20.960
<v Speaker 4>Okay, Okay, you're good, Eddie, your thoughts, your emotions.

1:06:21.040 --> 1:06:24.040
<v Speaker 20>Right now, I'm super excited. Like, the fact that I'm

1:06:24.080 --> 1:06:27.160
<v Speaker 20>going to have hair in the next few minutes is amazing.

1:06:27.280 --> 1:06:30.600
<v Speaker 4>Good hair hair. Will you shure your head because we're

1:06:30.600 --> 1:06:32.920
<v Speaker 4>gonna have to see it before now the pictures she's

1:06:32.960 --> 1:06:35.880
<v Speaker 4>seen it. How so what do you think about that hair?

1:06:35.920 --> 1:06:36.560
<v Speaker 8>I mean, that's the top.

1:06:36.760 --> 1:06:40.200
<v Speaker 11>He's the perfect candidate. Wow, going to have a good hairline?

1:06:40.280 --> 1:06:40.959
<v Speaker 4>Is he so good looking?

1:06:41.000 --> 1:06:41.520
<v Speaker 5>Two hours?

1:06:41.600 --> 1:06:41.880
<v Speaker 9>Yeah?

1:06:42.640 --> 1:06:45.520
<v Speaker 12>Dang, Eddy, do you have a haircut in mind? Because

1:06:45.560 --> 1:06:48.320
<v Speaker 12>you've been dreaming about this year just so much?

1:06:48.440 --> 1:06:50.200
<v Speaker 20>Like I mean, I've always liked the high and tipe,

1:06:50.240 --> 1:06:51.120
<v Speaker 20>but I don't know if that's still in.

1:06:51.400 --> 1:06:53.360
<v Speaker 4>That's still in the high and tight, dude, I'd have

1:06:53.400 --> 1:06:57.640
<v Speaker 4>a look. I have, like you some extra It's mine's

1:06:57.640 --> 1:06:59.240
<v Speaker 4>not long, but there's a little like fluffy, you.

1:06:59.240 --> 1:07:02.520
<v Speaker 20>Know, like so once I decide the style, though, can

1:07:02.560 --> 1:07:04.920
<v Speaker 20>I choose a different one? Like if I go a

1:07:04.920 --> 1:07:06.480
<v Speaker 20>little long at the beginning, can I come in and

1:07:06.480 --> 1:07:07.280
<v Speaker 20>be like, I need to cut this.

1:07:07.320 --> 1:07:07.800
<v Speaker 4>Off all over it?

1:07:07.880 --> 1:07:09.920
<v Speaker 11>But you can't go with the opposite right because it

1:07:09.960 --> 1:07:10.439
<v Speaker 11>doesn't grow?

1:07:10.680 --> 1:07:13.120
<v Speaker 4>Yes, okay, so that's why she goes a little shaggier.

1:07:13.400 --> 1:07:15.080
<v Speaker 4>What about BedHead? Am I gonna have bed head? And

1:07:16.000 --> 1:07:17.440
<v Speaker 4>you're it? Congratulations?

1:07:17.480 --> 1:07:18.200
<v Speaker 17>But wow?

1:07:18.480 --> 1:07:20.440
<v Speaker 4>Yeah, I've never had bed head? Like, what in a

1:07:20.480 --> 1:07:22.439
<v Speaker 4>long time? Are you nervous about shaving your head?

1:07:22.880 --> 1:07:23.280
<v Speaker 9>Uh?

1:07:23.480 --> 1:07:26.480
<v Speaker 20>No, because once if I don't like it, I'll just

1:07:26.520 --> 1:07:27.880
<v Speaker 20>shave my whole head again.

1:07:27.760 --> 1:07:30.919
<v Speaker 4>You know, true, exactly, I'll just start from zero. Yep,

1:07:31.640 --> 1:07:33.400
<v Speaker 4>you'll but you'll like it, but you can I'm going

1:07:33.480 --> 1:07:35.720
<v Speaker 4>to love it, dude. Okay, is there a way because

1:07:35.720 --> 1:07:37.360
<v Speaker 4>we'll check in, we're going to send you guys off

1:07:37.400 --> 1:07:38.960
<v Speaker 4>to do your work. But is there a way that

1:07:39.000 --> 1:07:40.680
<v Speaker 4>he can't see what's happening until the very end?

1:07:40.840 --> 1:07:42.440
<v Speaker 11>Yeah, there's not a mirror in your office.

1:07:42.600 --> 1:07:45.360
<v Speaker 4>Whoa, whoa. You know we want to reveal to you

1:07:45.440 --> 1:07:47.320
<v Speaker 4>to also be That's like when someone puts on those

1:07:47.320 --> 1:07:48.920
<v Speaker 4>color blind glasses and they start crying because I'm like,

1:07:48.960 --> 1:07:49.680
<v Speaker 4>oh see color.

1:07:50.000 --> 1:07:52.840
<v Speaker 20>Oh yeah, but you can't go to the You can't

1:07:52.880 --> 1:07:54.440
<v Speaker 20>go to the hair salon and not look in the mirror.

1:07:55.040 --> 1:07:55.280
<v Speaker 14>You can.

1:07:55.400 --> 1:07:57.440
<v Speaker 6>They turn you around like I got my hair chopped

1:07:57.480 --> 1:07:59.840
<v Speaker 6>off recently and I didn't see a thing until she

1:07:59.920 --> 1:08:01.720
<v Speaker 6>was done styling in. It was so fun when she

1:08:01.800 --> 1:08:04.439
<v Speaker 6>spun me around, like it's fun, Eddie.

1:08:05.040 --> 1:08:06.480
<v Speaker 12>So do you think we know a lot of people

1:08:06.480 --> 1:08:08.000
<v Speaker 12>with these on and we just don't know it?

1:08:08.120 --> 1:08:08.240
<v Speaker 6>Oh?

1:08:08.320 --> 1:08:11.360
<v Speaker 4>Yeah, right now I got extra vulner while I went.

1:08:11.400 --> 1:08:14.400
<v Speaker 4>Look guy, yeah.

1:08:14.240 --> 1:08:16.240
<v Speaker 6>That would be Have you ever had to sign like

1:08:16.240 --> 1:08:19.840
<v Speaker 6>an NDA? No, not yet, but they just trust you.

1:08:20.000 --> 1:08:20.240
<v Speaker 4>Yeah.

1:08:20.360 --> 1:08:22.559
<v Speaker 20>Okay, you know what, I didn't tell my wife I'm

1:08:22.600 --> 1:08:24.800
<v Speaker 20>doing this today, but she doesn't know at all. I

1:08:24.800 --> 1:08:27.080
<v Speaker 20>mean she knows that I'm I was thinking about doing it,

1:08:27.280 --> 1:08:28.120
<v Speaker 20>she doesn't know it's today.

1:08:28.200 --> 1:08:30.000
<v Speaker 4>Then don't say anything about it. Go home, say she notices.

1:08:31.720 --> 1:08:32.679
<v Speaker 8>No one's gonna notice.

1:08:32.760 --> 1:08:34.960
<v Speaker 4>Okay, we're gonna let let you guys go do your work.

1:08:34.960 --> 1:08:38.200
<v Speaker 4>But okay, Julie Taylor is here, which, by the way,

1:08:38.240 --> 1:08:40.320
<v Speaker 4>you guys go to Nashville hair Replacement dot Com. She

1:08:40.320 --> 1:08:43.760
<v Speaker 4>has clients all over the country. You know, do you

1:08:43.800 --> 1:08:44.599
<v Speaker 4>travel like, do you.

1:08:44.520 --> 1:08:47.320
<v Speaker 11>Do I travel some Yeah.

1:08:46.640 --> 1:08:48.840
<v Speaker 4>Okay, let's see how it goes, all right, Julie, Eddie,

1:08:48.960 --> 1:08:50.880
<v Speaker 4>Julie do it. You guys can do your thing. When

1:08:51.000 --> 1:08:52.960
<v Speaker 4>Eddie comes back, he'll be a new man.

1:08:53.200 --> 1:08:53.439
<v Speaker 9>Yeah.

1:08:53.720 --> 1:08:55.639
<v Speaker 8>Hey, watch the confidence level.

1:08:55.680 --> 1:08:56.679
<v Speaker 11>Fifteen years younger.

1:08:56.760 --> 1:08:59.960
<v Speaker 4>I might be. I'm gonna be honest. A dude now

1:09:00.040 --> 1:09:03.519
<v Speaker 4>really turned me on. I'm worried. I'm worried that you

1:09:03.560 --> 1:09:05.040
<v Speaker 4>walk in and I'm turned on by it. But you

1:09:05.040 --> 1:09:07.320
<v Speaker 4>know what, it's a risk I'm willing to take. All right,

1:09:07.520 --> 1:09:10.000
<v Speaker 4>Eddie and Julie are hopping out. Checking back with Eddie

1:09:10.080 --> 1:09:11.920
<v Speaker 4>right now. He is back in my office. He has

1:09:11.960 --> 1:09:14.240
<v Speaker 4>no mirror. He is getting and what do you call it?

1:09:14.240 --> 1:09:15.400
<v Speaker 5>A hair system?

1:09:15.520 --> 1:09:18.320
<v Speaker 4>A hair system put on. Eddie has been bald and

1:09:18.360 --> 1:09:20.360
<v Speaker 4>he's worn a hat for years and years, and he

1:09:20.400 --> 1:09:22.439
<v Speaker 4>didn't want to have surgery, even though we offered him up.

1:09:22.720 --> 1:09:24.800
<v Speaker 5>I really treat like hair transplant.

1:09:25.000 --> 1:09:28.000
<v Speaker 4>I have a great option with a wonderful doctor. So

1:09:28.080 --> 1:09:30.200
<v Speaker 4>I said, what about one of these we called it

1:09:30.240 --> 1:09:31.920
<v Speaker 4>a wig or two pey. That's not what it's called.

1:09:31.960 --> 1:09:35.880
<v Speaker 4>It's a system, we're told. And so Julie Taylor's back

1:09:35.880 --> 1:09:39.000
<v Speaker 4>with Eddie. It's gonna take about it an hour or so, Eddie,

1:09:39.040 --> 1:09:39.920
<v Speaker 4>what's happened so far?

1:09:40.200 --> 1:09:43.599
<v Speaker 20>Oh, dude, I don't know, Like I've had I can't

1:09:43.640 --> 1:09:46.560
<v Speaker 20>see anything. So I've heard a razor go on the

1:09:46.640 --> 1:09:47.240
<v Speaker 20>top of my head.

1:09:47.280 --> 1:09:48.280
<v Speaker 12>Oh she or.

1:09:49.840 --> 1:09:52.800
<v Speaker 4>Wow, you got the doctor phil treatment straight up?

1:09:52.840 --> 1:09:56.360
<v Speaker 20>Bold dude so much that it's like she was rubbing

1:09:56.360 --> 1:09:58.160
<v Speaker 20>her hands on there, like putting glue up there, and

1:09:58.280 --> 1:09:59.360
<v Speaker 20>it sounded like sandpaper.

1:09:59.360 --> 1:10:01.280
<v Speaker 8>And I'm like, oh, my goodness, do.

1:10:01.200 --> 1:10:03.000
<v Speaker 4>You have hair on your head as of right now? Oh?

1:10:03.040 --> 1:10:06.840
<v Speaker 20>Yeah, I mean I think I can't again, So for

1:10:06.880 --> 1:10:08.960
<v Speaker 20>the last like five minutes, I've had my eyes closed

1:10:09.280 --> 1:10:11.960
<v Speaker 20>because Okay, there's a mirror that she's holding and I

1:10:11.960 --> 1:10:14.120
<v Speaker 20>don't want to see it. So I don't really know

1:10:14.320 --> 1:10:17.040
<v Speaker 20>other than I did get my system put on.

1:10:17.360 --> 1:10:18.840
<v Speaker 8>There's it's glued on right now.

1:10:19.080 --> 1:10:22.599
<v Speaker 4>And it's human hair, right, it's human hair that's been donated,

1:10:22.880 --> 1:10:25.920
<v Speaker 4>and so it's a whole head of hair. Is she

1:10:26.080 --> 1:10:29.920
<v Speaker 4>like cutting around your already hair on your head now?

1:10:29.960 --> 1:10:32.160
<v Speaker 20>It's almost like I'm just getting a haircut, bones, Like

1:10:32.280 --> 1:10:35.360
<v Speaker 20>I am just at the salon right now getting my haircut.

1:10:35.400 --> 1:10:39.400
<v Speaker 20>I hear sprain a little scissoring there and then putting

1:10:39.400 --> 1:10:41.360
<v Speaker 20>some product in there. Like it's just like I'm getting

1:10:41.400 --> 1:10:44.800
<v Speaker 20>my haircut, how I mean, doing it feels awesome? Like

1:10:44.960 --> 1:10:47.360
<v Speaker 20>it does feel though that like I have something on

1:10:47.360 --> 1:10:50.439
<v Speaker 20>my head, like like a bean bag maybe, or.

1:10:50.439 --> 1:10:52.080
<v Speaker 4>That's what we feel every day of our lives. Welcome

1:10:52.080 --> 1:10:54.800
<v Speaker 4>to the party, man, Yeah, oh that's what it is.

1:10:54.840 --> 1:10:55.479
<v Speaker 4>It's called hair.

1:10:55.600 --> 1:10:55.800
<v Speaker 7>Yeah.

1:10:55.920 --> 1:11:00.360
<v Speaker 4>Yeah, Eddie is getting his hair system put on right now. Which,

1:11:00.400 --> 1:11:03.479
<v Speaker 4>by the way, social media influencers made Julie Taylor like

1:11:03.560 --> 1:11:06.519
<v Speaker 4>a big deal because people were getting it done and

1:11:06.520 --> 1:11:09.080
<v Speaker 4>then posting it and she blew up nationally. Oh wow, okay,

1:11:09.360 --> 1:11:11.920
<v Speaker 4>and her website is Nashville hair Replacement dot com. In

1:11:12.040 --> 1:11:13.679
<v Speaker 4>mere minutes, what's up, Eddie?

1:11:13.720 --> 1:11:14.639
<v Speaker 8>This is amazing, dude.

1:11:14.680 --> 1:11:17.360
<v Speaker 4>In mere minutes, Eddie's gonna walk in and he hasn't

1:11:17.400 --> 1:11:18.240
<v Speaker 4>even seen it yet.

1:11:18.360 --> 1:11:20.720
<v Speaker 6>This is like that TV show, remember, I mean it

1:11:20.800 --> 1:11:24.080
<v Speaker 6>was that well yeah that or what this was awful.

1:11:24.200 --> 1:11:26.040
<v Speaker 6>I didn't like the show, but yeah, they were like

1:11:26.040 --> 1:11:27.599
<v Speaker 6>they called him like the little duckling and then they

1:11:27.760 --> 1:11:29.799
<v Speaker 6>emerged and they were a swan in front of the mirror.

1:11:29.560 --> 1:11:30.400
<v Speaker 8>And got nice.

1:11:30.720 --> 1:11:33.680
<v Speaker 4>Well that too, they did like teeth and plastic.

1:11:33.280 --> 1:11:34.879
<v Speaker 5>Surg Yeah, no, I mean it was extreme.

1:11:34.920 --> 1:11:36.960
<v Speaker 4>You're gonna be our swan, Eddie. You're about to be

1:11:37.040 --> 1:11:41.880
<v Speaker 4>a swan. You haven't told your wife.

1:11:41.760 --> 1:11:44.599
<v Speaker 8>No, I didn't tell her that I was doing this today.

1:11:44.760 --> 1:11:47.120
<v Speaker 4>Okay, we'll check back with Eddie. Eddie able to do?

1:11:47.160 --> 1:11:49.160
<v Speaker 4>Tell me something good from back there? Yeah, dude, okay,

1:11:49.120 --> 1:11:51.240
<v Speaker 4>of course, we'll check with Eddie. In just a few minutes.

1:11:51.920 --> 1:11:53.400
<v Speaker 4>It's that time. Eddi's about to walk in. He has

1:11:53.479 --> 1:11:56.360
<v Speaker 4>not seen his hair yet. The thing is, Lunchbox is

1:11:56.360 --> 1:11:57.600
<v Speaker 4>gonna laugh for regardless.

1:11:58.280 --> 1:12:01.400
<v Speaker 10>This is gonna be incredible, just because I'm used a

1:12:01.400 --> 1:12:02.080
<v Speaker 10>bald boot.

1:12:02.520 --> 1:12:05.080
<v Speaker 4>So Eddie has a new hair system, right, Julie, I

1:12:05.080 --> 1:12:07.519
<v Speaker 4>said that, right, Yep, yep, Julie Taylor's been here for

1:12:08.000 --> 1:12:10.519
<v Speaker 4>over an hour working with Eddie. You shaved his head

1:12:10.520 --> 1:12:12.840
<v Speaker 4>completely bald with a razor or clippers, with.

1:12:12.800 --> 1:12:15.880
<v Speaker 11>Clippers, just the grandpa haircut right in the middle.

1:12:16.320 --> 1:12:18.560
<v Speaker 4>That's you know, I guess that's a grand point. I

1:12:18.560 --> 1:12:20.720
<v Speaker 4>think it was like a bowl, the bowl on his head,

1:12:20.760 --> 1:12:23.840
<v Speaker 4>like the ring Danny the Vito. So Eddie's gonna come in,

1:12:23.880 --> 1:12:26.160
<v Speaker 4>he has not seen his hair. How do you feel

1:12:26.160 --> 1:12:28.640
<v Speaker 4>about Eddie's work? Do you feel like it looks good? Like?

1:12:28.760 --> 1:12:30.639
<v Speaker 4>Oh yeah, does he look does he look natural.

1:12:30.439 --> 1:12:32.320
<v Speaker 11>In it looks fifteen years younger?

1:12:32.439 --> 1:12:33.840
<v Speaker 4>Does he think he's going to look good?

1:12:34.160 --> 1:12:37.000
<v Speaker 11>I think so. He's just you know, it's funny because

1:12:37.000 --> 1:12:38.559
<v Speaker 11>he hasn't seen it yet, so he doesn't really know

1:12:38.560 --> 1:12:39.639
<v Speaker 11>how it's supposed to feel.

1:12:39.840 --> 1:12:41.519
<v Speaker 4>Was he awkward in there? Like didn't know what to say?

1:12:41.520 --> 1:12:44.040
<v Speaker 11>It's not awkward. He was very calm and kept his

1:12:44.080 --> 1:12:45.280
<v Speaker 11>eyes closed and.

1:12:45.439 --> 1:12:47.840
<v Speaker 4>Yeah, okay, well did you laugh at all?

1:12:48.280 --> 1:12:49.240
<v Speaker 11>There was no laughing.

1:12:49.280 --> 1:12:52.519
<v Speaker 4>Okay, yeah, it's just our friend. Yeah, it is, and

1:12:52.840 --> 1:12:56.559
<v Speaker 4>it is. However, it's I get it.

1:12:56.640 --> 1:12:57.160
<v Speaker 12>Yeah, I get it.

1:12:57.200 --> 1:12:59.200
<v Speaker 6>You gott to roast him a little bit, but you

1:12:59.240 --> 1:13:00.880
<v Speaker 6>feel like this is one one of your most like

1:13:01.000 --> 1:13:05.040
<v Speaker 6>successful cases. Yeah, a model after this, he really was

1:13:05.520 --> 1:13:07.160
<v Speaker 6>the perfect candidate for transformation.

1:13:07.400 --> 1:13:08.320
<v Speaker 12>Okay, Billboards.

1:13:08.320 --> 1:13:11.439
<v Speaker 4>So at Nashville Hair Replacement dot Com, this is Julie

1:13:11.439 --> 1:13:13.680
<v Speaker 4>Taylor and Eddie has not seen his own hair, nor

1:13:13.720 --> 1:13:15.640
<v Speaker 4>is he going to see it when he walks in.

1:13:16.120 --> 1:13:17.600
<v Speaker 4>So he's gonna sit with us first. We're going to

1:13:17.640 --> 1:13:17.840
<v Speaker 4>see it.

1:13:18.040 --> 1:13:19.559
<v Speaker 12>Do we want to hear it? Tell us what kind

1:13:19.600 --> 1:13:21.280
<v Speaker 12>of haircuting game? Or are we just going to see it?

1:13:21.479 --> 1:13:21.599
<v Speaker 17>Like?

1:13:21.600 --> 1:13:22.160
<v Speaker 9>What what?

1:13:22.160 --> 1:13:22.719
<v Speaker 12>What style?

1:13:23.040 --> 1:13:23.559
<v Speaker 11>To prepare?

1:13:23.600 --> 1:13:30.240
<v Speaker 5>You all out for its.

1:13:29.360 --> 1:13:32.840
<v Speaker 4>Ring him in, bring him in. Oh my gosh, Oh

1:13:32.880 --> 1:13:34.000
<v Speaker 4>my gosh.

1:13:35.080 --> 1:13:37.639
<v Speaker 11>Yeah, it's so good.

1:13:37.920 --> 1:13:39.960
<v Speaker 5>Wow, that looks so real.

1:13:40.560 --> 1:13:41.080
<v Speaker 21>Wow.

1:13:41.240 --> 1:13:44.200
<v Speaker 4>I hear it looks so good and I hear it laugh. No, no, no,

1:13:45.600 --> 1:13:47.040
<v Speaker 4>I wouldn't have known that was you.

1:13:47.160 --> 1:13:47.360
<v Speaker 6>Bro.

1:13:47.720 --> 1:13:49.160
<v Speaker 8>Okay, what are you talking about?

1:13:49.200 --> 1:13:53.679
<v Speaker 4>Hold on, I'm telling you what fresh So this.

1:13:53.600 --> 1:13:54.720
<v Speaker 8>Is not cool. Let me tell you.

1:13:54.760 --> 1:13:57.000
<v Speaker 4>Let me he hasn't seen it. You look like you

1:13:57.040 --> 1:14:01.320
<v Speaker 4>look like your son. Yeah, that's crazy. More than ever,

1:14:01.800 --> 1:14:05.439
<v Speaker 4>it's like your sixteen year old son. You do look

1:14:05.479 --> 1:14:08.040
<v Speaker 4>like your oldest son. You when you walked in, it

1:14:08.120 --> 1:14:10.479
<v Speaker 4>was like, oh my wow. Oh.

1:14:10.640 --> 1:14:12.840
<v Speaker 6>I put money on the fact that he's keeping this

1:14:13.000 --> 1:14:14.519
<v Speaker 6>look for the rest of his life.

1:14:14.560 --> 1:14:16.760
<v Speaker 5>Like, yes, you're gonna do the maintenance. There's no way

1:14:16.760 --> 1:14:17.439
<v Speaker 5>you're getting rid of this.

1:14:17.880 --> 1:14:21.040
<v Speaker 4>Serious, you're gonna see it, dude.

1:14:21.080 --> 1:14:22.720
<v Speaker 8>Hold on, Hey, what kind of haircut do I have?

1:14:22.880 --> 1:14:22.960
<v Speaker 9>Like?

1:14:23.000 --> 1:14:23.599
<v Speaker 8>What's my style?

1:14:23.640 --> 1:14:24.400
<v Speaker 11>I don't even tell him.

1:14:24.520 --> 1:14:27.240
<v Speaker 4>Okay, so I would say it's kind of like so

1:14:27.360 --> 1:14:30.719
<v Speaker 4>I mine naturally goes forward, but sometimes on screen, on camera,

1:14:30.760 --> 1:14:32.920
<v Speaker 4>I'll have to like like put it back just a

1:14:32.960 --> 1:14:34.639
<v Speaker 4>little bit, and I just got to like a little cool.

1:14:35.120 --> 1:14:36.559
<v Speaker 8>That's what that is, but it's long.

1:14:36.720 --> 1:14:38.639
<v Speaker 20>I can like it's styled and stuff like, I haven't

1:14:38.640 --> 1:14:41.479
<v Speaker 20>touched your hand, No, dud, I haven't touched it. Honestly,

1:14:41.520 --> 1:14:43.280
<v Speaker 20>I was walked to the bathroom and I walked like

1:14:43.320 --> 1:14:45.280
<v Speaker 20>my my neck was stiff because I didn't want to

1:14:45.320 --> 1:14:47.519
<v Speaker 20>like move it. And for the first time in my life,

1:14:47.520 --> 1:14:50.320
<v Speaker 20>well not first time, but in a while, I'm like, what,

1:14:50.320 --> 1:14:51.360
<v Speaker 20>like it is my hair in place?

1:14:51.479 --> 1:14:53.680
<v Speaker 4>Like I look good, dude, it looks real and it

1:14:53.680 --> 1:14:56.719
<v Speaker 4>looks good, and no one has ever if they don't

1:14:56.760 --> 1:14:59.479
<v Speaker 4>know you, no one's gonna say. I wonder if that

1:14:59.560 --> 1:15:04.240
<v Speaker 4>dude has a anything on his head really legit, legit, legit.

1:15:04.680 --> 1:15:06.840
<v Speaker 4>He wants to make fun of you, wants told him

1:15:06.840 --> 1:15:08.120
<v Speaker 4>he can if he wants, go ahead, dude.

1:15:08.640 --> 1:15:11.120
<v Speaker 12>It's hilarious because you have hair.

1:15:11.560 --> 1:15:14.760
<v Speaker 10>But literally, like Bobby said, if you're a stranger, you

1:15:14.800 --> 1:15:19.000
<v Speaker 10>would have no idea you were a bold fool. They

1:15:19.040 --> 1:15:22.000
<v Speaker 10>would have no idea that you have a system in

1:15:22.040 --> 1:15:22.400
<v Speaker 10>your hair.

1:15:22.520 --> 1:15:23.200
<v Speaker 8>That's my system.

1:15:23.400 --> 1:15:25.800
<v Speaker 4>You have like a side faded bit. So if I

1:15:25.840 --> 1:15:27.479
<v Speaker 4>get a hair cut, it's like shorter hair and it

1:15:27.520 --> 1:15:30.280
<v Speaker 4>fades up a little bit, like it's purposefully that way.

1:15:30.439 --> 1:15:31.840
<v Speaker 20>I mean, I thought about telling her to do the

1:15:31.880 --> 1:15:34.280
<v Speaker 20>skin tight like Lunchbox does, but that's too much.

1:15:35.640 --> 1:15:38.280
<v Speaker 4>Though it's hard, it's it's well, no, it's because we

1:15:38.320 --> 1:15:40.360
<v Speaker 4>only know you as one one right and a little bit.

1:15:40.400 --> 1:15:43.679
<v Speaker 4>I'm attracted to you, so that's difficult. I know. Here

1:15:43.680 --> 1:15:45.599
<v Speaker 4>we go. Edie's not gonna look at his new hair

1:15:45.960 --> 1:15:55.040
<v Speaker 4>already and go whoa, whoa, dang.

1:15:56.560 --> 1:15:58.479
<v Speaker 12>I have hair, dude, you know who.

1:15:58.560 --> 1:16:01.760
<v Speaker 4>I kind of look like the dude from ted Lasso

1:16:02.800 --> 1:16:03.280
<v Speaker 4>a little bit.

1:16:04.320 --> 1:16:04.719
<v Speaker 9>Yeah.

1:16:04.760 --> 1:16:06.559
<v Speaker 4>Do you wonder do you not look like your son?

1:16:07.160 --> 1:16:09.600
<v Speaker 8>I mean yeah, I mean I see it.

1:16:09.560 --> 1:16:10.360
<v Speaker 4>It makes sense.

1:16:10.640 --> 1:16:11.840
<v Speaker 8>This is unbelievable.

1:16:12.000 --> 1:16:14.360
<v Speaker 4>Isn't that crazy? What the crap? I have here?

1:16:15.600 --> 1:16:20.960
<v Speaker 20>I have hair and it looks real. This is crazy, dude.

1:16:21.560 --> 1:16:23.559
<v Speaker 20>I don't know what to say do. My wife's gonna

1:16:23.560 --> 1:16:24.200
<v Speaker 20>flip when I get home.

1:16:24.200 --> 1:16:26.240
<v Speaker 4>I haven't told her, and you're not gonna tell her, right.

1:16:26.120 --> 1:16:27.439
<v Speaker 8>No, I'm just gonna I'm just gonna show up.

1:16:27.520 --> 1:16:29.880
<v Speaker 4>Hey, hey, make sure the kids are out of the house.

1:16:29.880 --> 1:16:36.080
<v Speaker 4>You know what I'm saying. Yeah, hopefully, Wow, Julie, question,

1:16:36.200 --> 1:16:36.960
<v Speaker 4>can he touch it?

1:16:37.240 --> 1:16:37.400
<v Speaker 6>Oh?

1:16:37.439 --> 1:16:38.680
<v Speaker 11>Yeah, you can bind your hands through it.

1:16:38.720 --> 1:16:40.720
<v Speaker 4>I don't know if that's like a dry like a

1:16:40.800 --> 1:16:42.640
<v Speaker 4>dry I don't know what like when you can touch it?

1:16:42.800 --> 1:16:47.080
<v Speaker 20>Now, gonna take a shower, Like, oh my, I don't

1:16:46.960 --> 1:16:48.960
<v Speaker 20>have a bald spot on the back of my head.

1:16:49.120 --> 1:16:49.479
<v Speaker 8>This is.

1:16:51.000 --> 1:16:52.880
<v Speaker 12>Turn aud Let's see the back check it out, dude.

1:16:53.120 --> 1:16:56.920
<v Speaker 4>Look wow, oh my god, can I touch it?

1:16:57.280 --> 1:16:58.200
<v Speaker 12>That fades in.

1:16:58.360 --> 1:17:00.800
<v Speaker 4>Like it's like a faded Also did a great job

1:17:00.800 --> 1:17:01.439
<v Speaker 4>with the hair cut off.

1:17:01.520 --> 1:17:03.920
<v Speaker 12>That's what I'm saying, Like the biten looks like legit.

1:17:05.000 --> 1:17:07.599
<v Speaker 4>Eddie hasn't Eddie has his new hair? Wow?

1:17:07.800 --> 1:17:10.080
<v Speaker 5>Are there even little gray hairs?

1:17:10.600 --> 1:17:11.280
<v Speaker 11>I gave him.

1:17:12.000 --> 1:17:13.920
<v Speaker 9>Gray a little bit.

1:17:13.960 --> 1:17:17.439
<v Speaker 4>You can't You can't even tell. Am I going too

1:17:17.439 --> 1:17:20.200
<v Speaker 4>hard on it? You can't even tell by the line.

1:17:20.479 --> 1:17:21.559
<v Speaker 4>There's no like line.

1:17:21.680 --> 1:17:23.000
<v Speaker 5>But Bobby, do you see that gray hair?

1:17:25.439 --> 1:17:27.080
<v Speaker 4>Oh yeah, this looks like it looks like all of

1:17:27.120 --> 1:17:27.439
<v Speaker 4>his hair.

1:17:27.560 --> 1:17:29.599
<v Speaker 11>Yeah, no, it's that's so okay.

1:17:29.600 --> 1:17:32.479
<v Speaker 4>So Eddie has new Julie, you're the Picasso of heads.

1:17:32.560 --> 1:17:33.719
<v Speaker 11>Thank you, thank you.

1:17:34.000 --> 1:17:37.040
<v Speaker 12>Hey you do look like Nate, dude, you do. Look

1:17:37.560 --> 1:17:39.160
<v Speaker 12>I just wont o the pictures. I'm like, dude, they

1:17:39.280 --> 1:17:40.200
<v Speaker 12>both got the big.

1:17:40.000 --> 1:17:42.760
<v Speaker 4>Nose in the Okay, so you had to cut his

1:17:42.840 --> 1:17:43.960
<v Speaker 4>hair that he had.

1:17:45.439 --> 1:17:50.680
<v Speaker 10>Yeah, he's not gonna go anywhere any.

1:17:50.080 --> 1:17:51.960
<v Speaker 4>This is so what.

1:17:52.280 --> 1:17:53.320
<v Speaker 11>You can give it a tug?

1:17:53.600 --> 1:17:57.599
<v Speaker 4>What no, target, No, do not let him tell get

1:17:57.600 --> 1:18:01.200
<v Speaker 4>because he'll no, no, no, it's it's I hear you.

1:18:01.280 --> 1:18:05.160
<v Speaker 4>But this, Eddie. Okay, I gotta look at this again.

1:18:06.840 --> 1:18:08.800
<v Speaker 4>He's gonna keep looking at itable.

1:18:09.240 --> 1:18:11.200
<v Speaker 8>I look at myself for the rest of the day.

1:18:11.280 --> 1:18:13.519
<v Speaker 4>It feels like those videos where people that are colorblind

1:18:13.560 --> 1:18:15.120
<v Speaker 4>put on the color blind glasses. I can see the

1:18:15.120 --> 1:18:19.360
<v Speaker 4>colors for the first time. It's pretty cool. It's really cool, dude.

1:18:19.479 --> 1:18:21.479
<v Speaker 20>I'm afraid I'm gonna get into a car wreck on

1:18:21.479 --> 1:18:22.920
<v Speaker 20>the way home looking in the mirror too much.

1:18:22.960 --> 1:18:23.720
<v Speaker 8>Yeah, all the time.

1:18:24.960 --> 1:18:26.839
<v Speaker 4>Holy crad, this is amazing.

1:18:26.880 --> 1:18:28.519
<v Speaker 10>No, I need you to not keep this because I

1:18:28.520 --> 1:18:29.920
<v Speaker 10>got to be able to make funny for being bold.

1:18:30.000 --> 1:18:30.160
<v Speaker 9>Man.

1:18:30.280 --> 1:18:32.280
<v Speaker 8>I think that's I think that might be done.

1:18:32.800 --> 1:18:34.880
<v Speaker 4>So here's what we're gonna do. First of all, Hey,

1:18:34.960 --> 1:18:39.000
<v Speaker 4>your Instagram is it just no, not you? There's is it?

1:18:39.160 --> 1:18:44.000
<v Speaker 4>Nashville Hair Replacement? Okay, okay at Nashville Hair Replacement. The

1:18:44.000 --> 1:18:47.760
<v Speaker 4>website is Nashville hair Replacement dot com. This is so good, Eddie.

1:18:47.760 --> 1:18:50.040
<v Speaker 4>I'll take a picture from my wife. This is magic

1:18:50.240 --> 1:18:54.080
<v Speaker 4>over here. Yeah, because she is going I know she's

1:18:54.120 --> 1:18:58.080
<v Speaker 4>gonna say that looks freaking awesome. Hold on, wow, that

1:18:58.200 --> 1:18:59.759
<v Speaker 4>is a glamour shot and you don't even do anything.

1:19:01.320 --> 1:19:03.360
<v Speaker 20>Tell me what she says. I will and tell her

1:19:03.360 --> 1:19:04.400
<v Speaker 20>not to text my wife.

1:19:05.360 --> 1:19:08.040
<v Speaker 4>Oh good point. Oh wait, yeah, because she will Julie

1:19:08.040 --> 1:19:10.960
<v Speaker 4>any final thoughts on Eddie And if people want what

1:19:11.120 --> 1:19:12.840
<v Speaker 4>to call you and she get a do you do

1:19:12.880 --> 1:19:13.480
<v Speaker 4>a consultation?

1:19:13.560 --> 1:19:16.479
<v Speaker 11>She do free consultations in this line, and even phone

1:19:16.479 --> 1:19:19.080
<v Speaker 11>consultations for people that live out of state. And yeah,

1:19:19.240 --> 1:19:20.880
<v Speaker 11>it's an easy process.

1:19:20.520 --> 1:19:23.320
<v Speaker 4>And people people can fly in and get it done.

1:19:23.640 --> 1:19:27.400
<v Speaker 4>She's the best. Holy crap, I cannot believe how real

1:19:27.439 --> 1:19:29.320
<v Speaker 4>it looks. You don't have a system on my head

1:19:29.360 --> 1:19:31.040
<v Speaker 4>and he can work out in sweat and not worry

1:19:31.080 --> 1:19:31.400
<v Speaker 4>about it.

1:19:31.560 --> 1:19:33.400
<v Speaker 11>Yes, to push it to the limits. I mean they

1:19:33.600 --> 1:19:34.400
<v Speaker 11>are very active.

1:19:34.479 --> 1:19:36.040
<v Speaker 20>So she said, I can live a normal life, just

1:19:36.080 --> 1:19:38.200
<v Speaker 20>a normal life, do my everyday stuff.

1:19:38.240 --> 1:19:40.960
<v Speaker 5>And your headphones are on and off of his head.

1:19:41.040 --> 1:19:43.479
<v Speaker 4>Do the picture of you looks awesome? And she's like

1:19:43.479 --> 1:19:46.440
<v Speaker 4>a normal dude, don't look like myself.

1:19:46.760 --> 1:19:47.960
<v Speaker 8>That is unbelievable.

1:19:47.960 --> 1:19:50.960
<v Speaker 4>Okay, we're gonna put all the stuff on the website too.

1:19:51.040 --> 1:19:53.720
<v Speaker 4>Up on our podcast notes at Nashville Hair Replacement on Instagram,

1:19:54.120 --> 1:19:57.160
<v Speaker 4>Nashville hair Replacement dot com. Julie, thank you for your time. Eddie,

1:19:57.160 --> 1:19:58.920
<v Speaker 4>you look great, help you feel good about it?

1:19:58.960 --> 1:20:01.120
<v Speaker 20>Thank you, Julie, thank you so much. You may have

1:20:01.160 --> 1:20:06.160
<v Speaker 20>changed my life. Listen, dude. She says that when people

1:20:06.200 --> 1:20:08.639
<v Speaker 20>walk out of her salon, she notices they walk taller.

1:20:09.120 --> 1:20:12.960
<v Speaker 20>I'm already feeling that. I think I've gained an inch

1:20:13.360 --> 1:20:14.240
<v Speaker 20>just alone on my hair.

1:20:14.400 --> 1:20:15.719
<v Speaker 4>Yeah, oh that's true.

1:20:15.720 --> 1:20:20.320
<v Speaker 20>I am now six foot maybe six to one.

1:20:20.520 --> 1:20:24.479
<v Speaker 7>It's the best Bits of the week with Morgan Number two.

1:20:25.560 --> 1:20:27.559
<v Speaker 2>This is a really sad one, but also one that's

1:20:27.640 --> 1:20:30.280
<v Speaker 2>really cool to look back on. So Toby Keith passed

1:20:30.320 --> 1:20:33.839
<v Speaker 2>away this year and it was heartbreating for his family, friends,

1:20:34.360 --> 1:20:37.960
<v Speaker 2>the entire country music community and fans alike. Everybody was

1:20:37.960 --> 1:20:41.400
<v Speaker 2>devastated by this massive loss. But what was so cool

1:20:41.479 --> 1:20:43.519
<v Speaker 2>is that Toby Keith had come into our studio a

1:20:43.520 --> 1:20:46.400
<v Speaker 2>couple of weeks before he had passed, and Bobby got

1:20:46.439 --> 1:20:48.640
<v Speaker 2>to do one of the last few interviews that he

1:20:48.680 --> 1:20:51.639
<v Speaker 2>ever did. And it was really cool getting to talk

1:20:51.680 --> 1:20:54.360
<v Speaker 2>to Toby Keith, see him in the studio and hear

1:20:54.479 --> 1:20:57.000
<v Speaker 2>him talk about everything he had been doing and living

1:20:57.040 --> 1:21:00.760
<v Speaker 2>his life up until that point. So while it's incredibly

1:21:00.800 --> 1:21:03.600
<v Speaker 2>sad and hard to remember this loss, it's also a

1:21:03.760 --> 1:21:06.040
<v Speaker 2>really cool interview to look back on, and I hope

1:21:06.080 --> 1:21:08.000
<v Speaker 2>you enjoy it in the same ways that I do.

1:21:08.720 --> 1:21:12.320
<v Speaker 1>Number One on the Bobby Bone Show now.

1:21:12.360 --> 1:21:15.880
<v Speaker 4>Toby Keith Tobey. It's rare that people that I'm super

1:21:15.880 --> 1:21:18.479
<v Speaker 4>close to will ask me for tickets anything, because they know, like,

1:21:18.840 --> 1:21:21.400
<v Speaker 4>unless it's really meaningful, don't ask. And I've only had

1:21:21.400 --> 1:21:23.599
<v Speaker 4>two close friends ask me for tickets this whole year,

1:21:24.000 --> 1:21:26.160
<v Speaker 4>and our last year. It was Morgan Wallen and it

1:21:26.200 --> 1:21:29.200
<v Speaker 4>was your shows in Vegas. That's how big those shows were,

1:21:29.280 --> 1:21:31.720
<v Speaker 4>and they sold I saw they sold out immediately. Do

1:21:31.760 --> 1:21:34.639
<v Speaker 4>you still have any sort of anxiety at all about

1:21:34.640 --> 1:21:35.320
<v Speaker 4>shows selling?

1:21:36.920 --> 1:21:39.519
<v Speaker 21>No, I hadn't worked in I've probably only worked a

1:21:39.520 --> 1:21:44.040
<v Speaker 21>handful of shows in the last wide COVID two big

1:21:44.080 --> 1:21:48.360
<v Speaker 21>seased COVID and cancer, So I haven't worked handful of

1:21:48.439 --> 1:21:48.920
<v Speaker 21>shows in the.

1:21:48.960 --> 1:21:49.879
<v Speaker 9>Last three years.

1:21:50.320 --> 1:21:53.880
<v Speaker 21>But I worked every year for twenty seven, twenty eight years,

1:21:54.280 --> 1:21:59.000
<v Speaker 21>and I mean I was only the only thing I

1:21:59.080 --> 1:22:02.160
<v Speaker 21>had that sermony was being away from it for three

1:22:02.240 --> 1:22:07.639
<v Speaker 21>years and remembering all the words because they subconsciously come

1:22:07.680 --> 1:22:10.240
<v Speaker 21>to you when you're working. Yeah, you don't even think

1:22:10.240 --> 1:22:13.439
<v Speaker 21>about it, you know them, and then getting completely away

1:22:13.439 --> 1:22:15.240
<v Speaker 21>from him.

1:22:14.840 --> 1:22:15.920
<v Speaker 9>And having to start back.

1:22:15.960 --> 1:22:17.800
<v Speaker 21>So they had a teleprompt rip there and I got

1:22:17.840 --> 1:22:20.680
<v Speaker 21>into a little bit of a sound check go a

1:22:21.080 --> 1:22:22.880
<v Speaker 21>full dress rehearsal a day, but.

1:22:25.000 --> 1:22:27.080
<v Speaker 9>I didn't even use it. It was just like riding the bike.

1:22:27.120 --> 1:22:28.040
<v Speaker 4>Oh you knew all the words.

1:22:28.160 --> 1:22:30.160
<v Speaker 21>Yeah, once I got up there and started rolling and

1:22:30.200 --> 1:22:33.479
<v Speaker 21>it got familiar. I just I didn't even look at

1:22:33.479 --> 1:22:34.000
<v Speaker 21>the tail prop.

1:22:34.240 --> 1:22:37.040
<v Speaker 4>What about playing at all? Did you did your handstay callous?

1:22:37.439 --> 1:22:37.799
<v Speaker 9>Yeah?

1:22:38.160 --> 1:22:41.600
<v Speaker 21>I still played, Uh no matter where I was. I

1:22:41.640 --> 1:22:45.200
<v Speaker 21>always had a guitar there and still plunked around. But

1:22:46.520 --> 1:22:48.439
<v Speaker 21>they've been callous so long that.

1:22:49.120 --> 1:22:52.120
<v Speaker 4>It's all callous. Not even bones anymore, it's just all callouses.

1:22:52.200 --> 1:22:54.080
<v Speaker 9>Yeah, that's why you have an extra fingernails.

1:22:54.320 --> 1:22:54.400
<v Speaker 2>Uh.

1:22:54.960 --> 1:22:56.599
<v Speaker 4>You guys are putting the song. Don't let the old

1:22:56.600 --> 1:23:00.559
<v Speaker 4>man in. It's been out, but you're like, hey, this

1:23:00.640 --> 1:23:02.320
<v Speaker 4>song's good. Here it is, remember it. We're going to

1:23:02.479 --> 1:23:04.000
<v Speaker 4>push it again. Where did that come from?

1:23:04.040 --> 1:23:04.320
<v Speaker 8>And why?

1:23:04.400 --> 1:23:05.120
<v Speaker 9>So?

1:23:05.120 --> 1:23:07.840
<v Speaker 21>So that wasn't my idea, So we put that in

1:23:07.920 --> 1:23:10.599
<v Speaker 21>the in the Eastwood movie three or four years ago,

1:23:11.200 --> 1:23:13.599
<v Speaker 21>and the movie didn't do as well as they thought.

1:23:13.600 --> 1:23:16.879
<v Speaker 21>But and it's at the very end, and as powerful

1:23:16.880 --> 1:23:19.200
<v Speaker 21>as the song was, it still didn't really get us

1:23:19.240 --> 1:23:22.799
<v Speaker 21>to do. But great songs have a way of finding

1:23:23.200 --> 1:23:26.200
<v Speaker 21>a home. Willie cut it, Humperdink cut it, a bunch

1:23:26.280 --> 1:23:31.040
<v Speaker 21>of foreign legends cut it in their language, and I thought, well,

1:23:31.040 --> 1:23:34.519
<v Speaker 21>that's cool, you know. And then when the Icon Award

1:23:34.560 --> 1:23:39.440
<v Speaker 21>came up at the People's Choice, Rack Clark Dick Clarkson,

1:23:39.760 --> 1:23:42.600
<v Speaker 21>who I'm known for years, he's produced a lot of

1:23:42.600 --> 1:23:44.040
<v Speaker 21>the award shows, he said.

1:23:44.320 --> 1:23:47.080
<v Speaker 9>I really want you to do this song. I was like, man,

1:23:47.600 --> 1:23:48.439
<v Speaker 9>Blake's present me.

1:23:48.680 --> 1:23:50.200
<v Speaker 4>Oh, he ash you do that song? Like you weren't

1:23:50.200 --> 1:23:54.360
<v Speaker 4>planning to do that song? Got it And because it's.

1:23:54.080 --> 1:23:57.800
<v Speaker 21>It's dark, you know, and and and I hadn't been

1:23:58.000 --> 1:24:01.920
<v Speaker 21>in the public eye for while, and so I was like,

1:24:02.040 --> 1:24:04.600
<v Speaker 21>Blake's gonna do Who's your Daddy? And I want to

1:24:04.640 --> 1:24:07.240
<v Speaker 21>do something up tempo because he's he's gonna be fun

1:24:07.240 --> 1:24:13.000
<v Speaker 21>and funny. And he goes, no, Rack insistent, and I said, well, Rack,

1:24:13.040 --> 1:24:14.160
<v Speaker 21>if you want me do it, I'll do it.

1:24:14.200 --> 1:24:17.680
<v Speaker 9>He goes, I think it'd be gigantic highlight and he was.

1:24:17.720 --> 1:24:20.760
<v Speaker 4>Right, Yeah, I was massive. People went crazy, and so

1:24:21.080 --> 1:24:24.000
<v Speaker 4>because of that response, everybody's like, we need to reintroduce

1:24:24.000 --> 1:24:24.360
<v Speaker 4>this song.

1:24:25.240 --> 1:24:29.760
<v Speaker 21>Well, it just went number one immediately on iTunes, and

1:24:29.800 --> 1:24:33.639
<v Speaker 21>then people start calling and saying, hey, they want service radio. Yeah,

1:24:33.680 --> 1:24:36.680
<v Speaker 21>and I haven't really serviced. I haven't done anything in

1:24:36.720 --> 1:24:38.960
<v Speaker 21>three or four years. And I was like, I don't

1:24:38.960 --> 1:24:41.080
<v Speaker 21>know if they play this kind of music anymore. You know,

1:24:41.439 --> 1:24:44.720
<v Speaker 21>this is way different than what you normally hear, and

1:24:44.760 --> 1:24:48.759
<v Speaker 21>I said, this is this song is even more.

1:24:48.600 --> 1:24:50.120
<v Speaker 9>Classic than my age.

1:24:50.200 --> 1:24:53.320
<v Speaker 21>This song could have been recorded in the fifties, you know,

1:24:53.439 --> 1:24:57.600
<v Speaker 21>or sixties, and it's it's so it's so country and

1:24:57.720 --> 1:25:00.559
<v Speaker 21>so old school that I said, you do what you

1:25:00.600 --> 1:25:03.120
<v Speaker 21>want to do with it, but I just love it

1:25:03.200 --> 1:25:05.400
<v Speaker 21>that it got it, It found a home.

1:25:05.520 --> 1:25:06.160
<v Speaker 12>You're going on the road.

1:25:06.160 --> 1:25:07.320
<v Speaker 4>How's your health, how's everything going?

1:25:07.439 --> 1:25:08.320
<v Speaker 9>It's going pretty good.

1:25:09.080 --> 1:25:11.679
<v Speaker 21>This is a roller coaster and it takes a little

1:25:11.680 --> 1:25:14.120
<v Speaker 21>while and get your brain wrapped around it, and then

1:25:15.439 --> 1:25:17.160
<v Speaker 21>you get to a point where you just say, hey,

1:25:18.320 --> 1:25:22.960
<v Speaker 21>this is what I do and you can't let it define.

1:25:22.880 --> 1:25:23.599
<v Speaker 9>You know, your future.

1:25:23.640 --> 1:25:25.439
<v Speaker 21>You can set around and wait, wait, wait, wait, wait,

1:25:26.160 --> 1:25:29.280
<v Speaker 21>but I've got a roadhouse out in the country by

1:25:29.400 --> 1:25:32.200
<v Speaker 21>It's like a ninety seven year old roadhouse that has

1:25:32.240 --> 1:25:36.920
<v Speaker 21>a lot of music history, a lot of Oklahoma history.

1:25:37.240 --> 1:25:38.559
<v Speaker 4>What's a roadhouse. I don't know what that is.

1:25:38.600 --> 1:25:40.440
<v Speaker 9>It's like a bar and grill outdoors.

1:25:40.560 --> 1:25:41.720
<v Speaker 4>Oh god, I gotta got you know.

1:25:41.760 --> 1:25:43.439
<v Speaker 9>It's an old roadhouse like.

1:25:43.360 --> 1:25:45.400
<v Speaker 4>Texas roadhouse to restaurant type place.

1:25:45.479 --> 1:25:48.679
<v Speaker 21>Well, like a bar out in the country that people

1:25:48.720 --> 1:25:50.800
<v Speaker 21>would drive out to. Like in a movie, you'd see

1:25:50.840 --> 1:25:54.240
<v Speaker 21>people they'll set a roadhouse up the remember the one

1:25:54.280 --> 1:25:55.519
<v Speaker 21>where Patrick sways.

1:25:55.560 --> 1:25:59.720
<v Speaker 4>The roadhouse is called yeah yeah, yeah, yeah, yeah, all right,

1:25:59.800 --> 1:26:00.840
<v Speaker 4>so oh yeah, there you go.

1:26:01.320 --> 1:26:05.400
<v Speaker 21>So that's kind of out by itself. This thing's like

1:26:05.520 --> 1:26:08.880
<v Speaker 21>ninety seven years old. The old actor James Garner was

1:26:09.000 --> 1:26:12.679
<v Speaker 21>named James Bumgarner before he went to Hollywood. He pumped

1:26:12.680 --> 1:26:15.479
<v Speaker 21>gas in there. Bonnie and Clyde stayed in some cabins

1:26:15.520 --> 1:26:18.360
<v Speaker 21>behind it. Bob Wheels and Texas playboys people like that

1:26:18.400 --> 1:26:21.200
<v Speaker 21>would come through and play these little dances out there,

1:26:21.240 --> 1:26:23.760
<v Speaker 21>and then it turned into a convenience store. We used

1:26:23.760 --> 1:26:26.880
<v Speaker 21>to get bait, beer, tobacco stuff there before we were

1:26:26.920 --> 1:26:28.920
<v Speaker 21>rolled enough and then we're going to tear it down.

1:26:29.760 --> 1:26:32.320
<v Speaker 21>And my whole countryside out there where I live, I

1:26:32.360 --> 1:26:37.160
<v Speaker 21>know everybody, that's my sanctuary. They were like, man, they're

1:26:37.160 --> 1:26:41.160
<v Speaker 21>telling that tearing the old Hollywood's corners down. And so

1:26:41.400 --> 1:26:45.120
<v Speaker 21>I went and bought the thing, popped it up, cleaned

1:26:45.120 --> 1:26:47.120
<v Speaker 21>it up, put some lights in the trees, put a

1:26:47.160 --> 1:26:50.599
<v Speaker 21>stage out there, and left the stage up.

1:26:50.840 --> 1:26:53.840
<v Speaker 9>And now you can go out there, get some food,

1:26:54.000 --> 1:26:55.599
<v Speaker 9>get a beer, sit on the lights.

1:26:55.400 --> 1:26:59.559
<v Speaker 21>Bring your dog, bringing the kids, and have biker night

1:26:59.640 --> 1:27:00.240
<v Speaker 21>on winds See.

1:27:01.600 --> 1:27:02.800
<v Speaker 9>And I saved it, you know.

1:27:03.280 --> 1:27:06.320
<v Speaker 21>And so one night I said, hey, I want to

1:27:06.320 --> 1:27:10.080
<v Speaker 21>try to play. So I called the manager and I said,

1:27:10.760 --> 1:27:14.880
<v Speaker 21>tell Jennifer. I said, tell the band. They're paid, but

1:27:14.920 --> 1:27:18.120
<v Speaker 21>they're not gonna play. And then she goes, who's playing?

1:27:18.160 --> 1:27:21.439
<v Speaker 21>I said, another band? And then I was bringing my guys

1:27:21.479 --> 1:27:23.920
<v Speaker 21>in from Nashville, and we were just gonna go up

1:27:24.439 --> 1:27:28.680
<v Speaker 21>incognito and just let the word build and just have fun.

1:27:28.840 --> 1:27:30.439
<v Speaker 21>And I was going to see how far I could

1:27:30.479 --> 1:27:33.320
<v Speaker 21>go without taking a break, you know. So I did

1:27:33.360 --> 1:27:36.280
<v Speaker 21>two three hour nights and she goes, well, who do

1:27:36.320 --> 1:27:40.519
<v Speaker 21>I advertise is playing? I said, the Greasy Weenies, And

1:27:40.600 --> 1:27:42.840
<v Speaker 21>so she put it up the Greasy weenies will be

1:27:42.880 --> 1:27:43.880
<v Speaker 21>here Friday and Saturday.

1:27:44.320 --> 1:27:47.200
<v Speaker 9>Well, everybody started going something not right because the band's

1:27:47.240 --> 1:27:47.840
<v Speaker 9>getting paid.

1:27:48.520 --> 1:27:51.760
<v Speaker 21>So when I showed up first night, they were just

1:27:51.800 --> 1:27:54.160
<v Speaker 21>like lined up down the ditches a half a mile

1:27:54.200 --> 1:27:58.000
<v Speaker 21>in every direction. And I did two nights in July

1:27:58.080 --> 1:28:01.240
<v Speaker 21>and I was like, go book me some shows. So

1:28:02.880 --> 1:28:05.720
<v Speaker 21>you just can't get the trucks and buses after three

1:28:05.800 --> 1:28:09.040
<v Speaker 21>years all together, and the crew everybody's off working with

1:28:09.080 --> 1:28:12.240
<v Speaker 21>everybody else, you know. So it took till December to

1:28:12.320 --> 1:28:13.120
<v Speaker 21>launch this thing.

1:28:13.960 --> 1:28:18.480
<v Speaker 4>And here we are well excited to have you back. Yeah, yeah,

1:28:18.800 --> 1:28:22.240
<v Speaker 4>like optimistic playing music, love it. Did you have to

1:28:22.439 --> 1:28:26.040
<v Speaker 4>your voice aside from health, Like you don't sing for

1:28:26.080 --> 1:28:29.040
<v Speaker 4>three years? Like that's a muscle, right, Like you can

1:28:29.080 --> 1:28:30.800
<v Speaker 4>sing for three hours? But I mean, did just like

1:28:30.840 --> 1:28:32.559
<v Speaker 4>blow your voice at all after two days?

1:28:33.120 --> 1:28:33.320
<v Speaker 9>No?

1:28:33.720 --> 1:28:37.519
<v Speaker 21>But the thing that I've had to overcome is the

1:28:37.560 --> 1:28:41.679
<v Speaker 21>surgery I had on my stomach. They had to stitch

1:28:41.800 --> 1:28:45.599
<v Speaker 21>on my diaphragm, so and not using it to sing

1:28:45.640 --> 1:28:48.559
<v Speaker 21>every night that is a muscle, you know. So I've

1:28:48.560 --> 1:28:52.280
<v Speaker 21>had to really work that to get it so where

1:28:52.360 --> 1:28:55.479
<v Speaker 21>I sing really really hard and really really violent and loud,

1:28:56.240 --> 1:28:59.360
<v Speaker 21>and I didn't have that last ten percent on the

1:28:59.400 --> 1:29:02.760
<v Speaker 21>bottom where I could just really belt anything, you know,

1:29:03.439 --> 1:29:06.200
<v Speaker 21>Like when I sang MacArthur Park at Carnegie.

1:29:05.720 --> 1:29:07.559
<v Speaker 9>Hall, it was like opera stuff.

1:29:08.080 --> 1:29:10.800
<v Speaker 21>So I don't know if I could do that, But

1:29:10.840 --> 1:29:11.599
<v Speaker 21>what I do.

1:29:11.479 --> 1:29:12.879
<v Speaker 9>On stage is no problem.

1:29:13.160 --> 1:29:15.960
<v Speaker 21>So it's like I've had to I've had to work

1:29:15.960 --> 1:29:18.080
<v Speaker 21>on that different and it's getting better all the time.

1:29:18.600 --> 1:29:22.439
<v Speaker 21>But I went through about three hours yesterday off and on,

1:29:23.200 --> 1:29:26.000
<v Speaker 21>you know, going through our lists working it up, and

1:29:26.320 --> 1:29:26.960
<v Speaker 21>I hevy.

1:29:26.840 --> 1:29:28.720
<v Speaker 4>Issues, what's your favorite song to do now that you're

1:29:28.720 --> 1:29:30.400
<v Speaker 4>back doing it? Anything like, Man, it feels good to

1:29:30.400 --> 1:29:30.760
<v Speaker 4>do again.

1:29:31.520 --> 1:29:33.800
<v Speaker 21>Man, those four and five week number ones, you can

1:29:33.880 --> 1:29:39.200
<v Speaker 21>just pile them up and come downhill and they're all fun.

1:29:39.360 --> 1:29:41.000
<v Speaker 4>You're gonna do any songs about the Greasy Wienies. I

1:29:41.000 --> 1:29:42.400
<v Speaker 4>love that band. I don't know if you've heard of them.

1:29:42.479 --> 1:29:43.919
<v Speaker 4>They're really making the name of Oklahoma.

1:29:44.000 --> 1:29:46.599
<v Speaker 9>Yeah. They don't do many covers. They do all Toby stuff.

1:29:46.640 --> 1:29:49.400
<v Speaker 4>Well that's why some people get annoyed by them. They're like, enough,

1:29:49.400 --> 1:29:52.280
<v Speaker 4>Toby Keith play some Greasy Weenies, so well, Toby, it's

1:29:52.280 --> 1:29:52.680
<v Speaker 4>good to see you.

1:29:52.760 --> 1:29:52.880
<v Speaker 6>Man.

1:29:53.760 --> 1:29:55.360
<v Speaker 4>New album one hundred percent song Rather they came out

1:29:55.360 --> 1:29:57.479
<v Speaker 4>a few months ago. Don't let the old man in

1:29:57.520 --> 1:30:00.080
<v Speaker 4>his back. We've been playing a little bed and all

1:30:00.120 --> 1:30:02.360
<v Speaker 4>the show sold out. Again. My friends never asked me

1:30:02.360 --> 1:30:03.479
<v Speaker 4>for anything, and they were like, can you get us

1:30:03.520 --> 1:30:06.599
<v Speaker 4>Toby tickets? And I said, not only that, they could

1:30:06.640 --> 1:30:08.240
<v Speaker 4>come and stay in your hotel room. So you'll see

1:30:08.240 --> 1:30:08.599
<v Speaker 4>that there.

1:30:08.720 --> 1:30:10.240
<v Speaker 9>Well, I don't stay in my hotel room, saying you

1:30:10.320 --> 1:30:12.760
<v Speaker 9>have it. Well, long play pier Cope, incidental Trap.

1:30:12.800 --> 1:30:15.120
<v Speaker 4>All right, all right, Toby, good to see you too.

1:30:15.160 --> 1:30:15.320
<v Speaker 14>Bye.

1:30:15.320 --> 1:30:16.280
<v Speaker 4>There is everybody.

1:30:19.320 --> 1:30:23.040
<v Speaker 1>It's the best Bits of the week with Morgan number two.

1:30:24.200 --> 1:30:27.200
<v Speaker 2>Well, there was everybody the top Bits of twenty twenty

1:30:27.200 --> 1:30:29.559
<v Speaker 2>four on the Bobby Bone Show. I hope you guys

1:30:29.760 --> 1:30:32.120
<v Speaker 2>enjoyed it. Thank you for being here hanging out with me.

1:30:32.520 --> 1:30:34.960
<v Speaker 2>I hope you had an amazing New Year's and you're

1:30:35.040 --> 1:30:38.360
<v Speaker 2>already kicking off twenty twenty five with an absolute bang.

1:30:38.720 --> 1:30:40.519
<v Speaker 2>And if you're not, and you're kind of waiting for

1:30:40.520 --> 1:30:43.080
<v Speaker 2>the weekend to end, then I totally get it also

1:30:43.120 --> 1:30:45.800
<v Speaker 2>because that will be doing the same thing. So again,

1:30:45.840 --> 1:30:47.920
<v Speaker 2>thank you for being here, Thank you for hanging out.

1:30:48.000 --> 1:30:48.960
<v Speaker 3>I appreciate you guys.

1:30:49.120 --> 1:30:51.880
<v Speaker 2>As always, I couldn't do the best bits without you, guys,

1:30:51.880 --> 1:30:54.560
<v Speaker 2>because you guys make questions and you participate, and you

1:30:54.600 --> 1:30:57.439
<v Speaker 2>always hit me up of things you're hearing on this podcast.

1:30:57.439 --> 1:30:59.479
<v Speaker 2>So thanks for listening, Thank you for being here. I'm

1:30:59.479 --> 1:31:02.160
<v Speaker 2>gonna say million times because I'm super thankful, and we're

1:31:02.160 --> 1:31:04.000
<v Speaker 2>coming out of twenty twenty four and on to twenty

1:31:04.040 --> 1:31:07.400
<v Speaker 2>twenty five, brighter new horizons, and I'm excited for all

1:31:07.439 --> 1:31:09.880
<v Speaker 2>of us for what twenty twenty five will bring.

1:31:10.320 --> 1:31:12.559
<v Speaker 3>Well for the next best bits.

1:31:12.640 --> 1:31:16.360
<v Speaker 2>I will officially be seeing you guys in the new year,

1:31:16.560 --> 1:31:19.360
<v Speaker 2>because you know this was recorded in twenty twenty four.

1:31:19.400 --> 1:31:20.360
<v Speaker 3>Okay, yeah bye.

1:31:20.880 --> 1:31:23.759
<v Speaker 22>That's the Best Bits of the Week with Morgan. Thanks

1:31:23.760 --> 1:31:25.840
<v Speaker 22>for listening. Be sure to check out the other two

1:31:25.880 --> 1:31:29.480
<v Speaker 22>parts this weekend. Go follow the show on all social platforms.

1:31:29.240 --> 1:31:30.960
<v Speaker 17>Bomb Show and follow ed

1:31:31.040 --> 1:31:34.720
<v Speaker 22>Webgirl Morgan to submit your listener questions for next week's episode.