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Speaker 1: It's the Best Bits of the week with Morgan.

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Speaker 2: I kill just the bits at this time every year,

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Speaker 2: I always do the best bits of the year. So

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Speaker 2: I know we're after New Year's because the holidays are

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Speaker 2: falling a little funky this year.

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Speaker 3: So this is post New Year's and technically we are.

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Speaker 2: In twenty twenty five, but I'm still doing here the

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Speaker 2: top Bits of twenty twenty four from the Bobby Bone

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Speaker 2: Show for this week, and yes Best Bits Part one

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Speaker 2: and Part three this weekend are new content. I had

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Speaker 2: Scipa Steve come in and record some stuff with me

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Speaker 2: before we left for the holiday, so it's all new

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Speaker 2: and you can get some fun conversation over there about

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Speaker 2: New Year's reflection of twenty twenty four and some holiday

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Speaker 2: stuff over there too. Without further ado, let's get into it.

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Speaker 2: The Best Bits of twenty twenty four. This one blew

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Speaker 2: up on our social media. Bobby had shared what things

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Speaker 2: cost to Taylor Swift, like a house to a normal

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Speaker 2: person is this, but to Taylor Swift it's this much

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Speaker 2: and all kinds of things like that, and this one

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Speaker 2: just blew up.

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Speaker 3: People were like what and crazy? Also, how is this possible?

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Speaker 2: So that's what you're going to hear right now, what

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Speaker 2: do things cost to Taylor Swift versus how it costs

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Speaker 2: to the average person.

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Speaker 1: Number seven.

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Speaker 4: Taylor Swift is now the richest female musician, with an

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Speaker 4: estimated networth of one point six billion dollars. So what

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Speaker 4: I like to do is see how much things feel

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Speaker 4: like they cost to Taylor based on what it would

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Speaker 4: cost what it feel like to cost to a normal person.

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Speaker 4: For example, if you were to go buy some Lululemon

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Speaker 4: leggings ninety eight dollars for Taylor, if she were to

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Speaker 4: buy those, amy, that would feel like she's spending eleven cents.

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Speaker 5: Oh wow, that's cool for her.

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Speaker 4: A dinner refer to at Nobu, which is the very

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Speaker 4: fancy place in Los Angeles, Miami, New York. If you go,

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Speaker 4: it's like seven hundred bucks for Taylor eighty one cents.

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Speaker 6: Yeah wow.

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Speaker 4: A new iPhone big purchase for some folks, especially if

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Speaker 4: you don't have it, like in your plan where they

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Speaker 4: give it to you for free if you don't like

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Speaker 4: renew your plan from the years, A new iPhone twelve

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Speaker 4: one hundred dollars for Taylor feels like a dollar eighty seven.

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Speaker 4: A new average car in the United States, the average

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Speaker 4: car is about forty thousand dollars to Taylor thirty seven dollars. Okay,

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Speaker 4: get her a thirty dollars car, It's awesome. And the

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Speaker 4: average home in the United States is three hundred thousand dollars.

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Speaker 4: For Taylor to buy that home, it would cost her

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Speaker 4: to us four hundred dollars. I'd just know all the

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Speaker 4: houses we could have for four hundred dollars. That would

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Speaker 4: be awesome. Just the housesn't go look four hundred dollars

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Speaker 4: the house dang so good for her though, her those shows,

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Speaker 4: I've never seen aything like it. I've never seen them

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Speaker 4: like it. Just they sell out so faster, talking about

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Speaker 4: football stadiums and like every even when she changes like

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Speaker 4: a new dress in her show, it's like a new story.

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Speaker 4: It's like Taylor has decided to wear a gold snake

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Speaker 4: dress instead of the green one and then like pops

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Speaker 4: up in my feed. Yeah, it sound like anything I've

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Speaker 4: ever seen as far as like popstars and Morgan Walland

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Speaker 4: they announced he had the highest the biggest country tour

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Speaker 4: ball time. And it's for two reasons. One, he sells

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Speaker 4: at football stadiums, right because like Kenny's done it. There's

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Speaker 4: only a few artists I've ever sold at football stadiums

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Speaker 4: Garth wallin Kenny, Zach Bryan does it now. Luke Combs

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Speaker 4: has done it a few times. But also the ticket prices,

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Speaker 4: the concert tickets cost so freaking much, and like the

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Speaker 4: extra good tickets are like even higher than what inflation

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Speaker 4: is for like this year versus fifty years ago, like

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Speaker 4: to get And they also have this ticket gage thing

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Speaker 4: where the more in demand, they raise the prices of

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Speaker 4: the tickets.

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Speaker 6: So but that's the some of those are being the

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Speaker 6: resold ones, not always.

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Speaker 4: Oh yeah, it's called like dynamic ticket pricing. And I'm

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Speaker 4: not saying this happens, but that happens too, where it's

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Speaker 4: like buying a ticket on Southwest Airlines, meaning the ticket

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Speaker 4: prices go. It's the same, you get a seat, but

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Speaker 4: the less the fewer tickets are, the higher the ticket

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Speaker 4: cost is.

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Speaker 6: Oh because see, I just thought that Taylor would maybe.

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Speaker 4: I don't know the tailor does dynamic tickets. I know

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Speaker 4: that at times you just.

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Speaker 5: Went over those numbers like she could lower them a little.

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Speaker 4: Bit, you know, if people are buying them. Wi, I know,

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Speaker 4: I know dynamic ticket pricing is a strategy that increases

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Speaker 4: prices when demand is high and decreases when demand is low. Okay,

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Speaker 4: It is used by many industries, including entertainment, and they

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Speaker 4: go through all of it and so but yeah, I

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Speaker 4: mean that's what the airlines do. That's why a ticket,

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Speaker 4: if you get a last minute costs so much. You're

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Speaker 4: getting the same seat you would have got if you'd

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Speaker 4: bought it three weeks ago. But yeah, I know, Morgan

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Speaker 4: Wall and Biggest country tour and Taylor Swift. It's wild

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Speaker 4: and she'd get a house for four hundred dollars crazy.

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Speaker 7: It's the best bits of the week with Morgan. Number two.

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Speaker 2: There was some clothing drama on the show this year,

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Speaker 2: but this one stood out in particular.

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Speaker 3: Lunchbogs wore a hoodie to the.

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Speaker 2: CMA Awards and it was the hottest of hot topics,

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Speaker 2: not just within our show but on our social media.

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Speaker 3: It was controversial all the way around, and.

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Speaker 2: It still is a running joke and maybe one of

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Speaker 2: the the most infamous hoodies to ever exist.

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Speaker 4: Number six, I was looking at pictures. I was not

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Speaker 4: able to go to the CMA's last night. Regretfully, I

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Speaker 4: was I've been stick to the last few days, even

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Speaker 4: here on the show. So Amy looked great.

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Speaker 6: Thank you.

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Speaker 4: Eddie looked great.

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Speaker 8: Oh thanks man, Moregan.

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Speaker 4: I saw your video. You're like, I'm just just a

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Speaker 4: girl that just kind of wet. If I'm a shower

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Speaker 4: and I'm not going out and you did your hands

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Speaker 4: white boom and then she's like in her d. You know,

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Speaker 4: one of those things is good, and then you guys

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Speaker 4: can help me because I only saw a picture. It

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Speaker 4: was Lunchbox in a hoodie.

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Speaker 6: Yes, yeah, like a sweatshirt hoodie, but it was an

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Speaker 6: It looked nice.

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Speaker 4: I just saw the group picture in every not just

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Speaker 4: our show, but like they did a picture of like

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Speaker 4: everybody who won, and every single person's in a suit

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Speaker 4: or like a really nice dress, and Lunchbox is in

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Speaker 4: a hoodie. But I would I'm not judging yet. We

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Speaker 4: all love to judge on the show, but I would

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Speaker 4: like to hold back for a second. What what was that?

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Speaker 9: Well, what do you mean?

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Speaker 10: It was an outfit? It's called style. No one told

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Speaker 10: me that I had to wear a suit. No one

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Speaker 10: said there is a dress code.

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Speaker 4: You've been to that many We've done that many times.

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Speaker 10: Justin Bieber goes to something he wears a hoodie, people say,

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Speaker 10: oh fashion, I wear a hoodie and it's like.

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Speaker 4: The worst thing in the world. I don't think it's

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Speaker 4: the worst thing in the world. No, no, no, no, no.

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Speaker 5: He's not judging you yet.

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Speaker 4: I'm not asking you to be defensive. I'm they are

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Speaker 4: not jumping in because they've already all made fun of

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Speaker 4: you behind your back.

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Speaker 10: So I'm but I'm they made fun of me into

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Speaker 10: my face. When I walked in, Morgan did double thing goes,

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Speaker 10: are you wearing a hoodie? Hold on you talking about

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Speaker 10: and then I'm gonna Eddie says, are you gonna change?

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Speaker 10: And then these wife first things she says to me goes,

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Speaker 10: I see you got your nicest clothes out. And here's

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Speaker 10: my thing. If I went out to Morgan and said,

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Speaker 10: you look like crap.

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Speaker 4: No, but Morgan was dressed appropriate. It doesn't matter for

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Speaker 4: like what they they say, you know, it's like whatever

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Speaker 4: they ca the style of dress.

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Speaker 11: It's like a wearing.

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Speaker 4: This song what I like to do. Everybody else shut

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Speaker 4: up except for Lunchbox because he's gonna get mad at

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Speaker 4: you guys, and I'm not trying to talk to him

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Speaker 4: like I'm upset or irritated.

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Speaker 11: I don't.

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Speaker 4: And see here's the thing, a boy, No, no, let's take

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Speaker 4: it down. Let's think it abunt half of not just

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Speaker 4: me and you talking.

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Speaker 10: If if I know to a girl and said, why

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Speaker 10: are you wearing that crap? I'm a jerk, right, But

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Speaker 10: Morgan does it to me and it's oh cool. If

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Speaker 10: I told her your dress looks like trash, how would

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Speaker 10: she feel?

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Speaker 4: Well? I don't think I liked your hoodie, by the way.

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Speaker 12: See here, here's the thing there. I don't give a crap.

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Speaker 4: What I liked your hoodie. I did think that it

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Speaker 4: was a bit underdressed for the occasion, but I just

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Speaker 4: wanted what your thought was.

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Speaker 10: I thought it was a nice event. It's a nice hoodie.

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Speaker 10: It ain't some trash hooty that I wear every day.

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Speaker 4: I think my hoodies are nice. You wearing here red

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Speaker 4: k trace today.

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Speaker 12: I wore it today because I saw them last night.

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Speaker 10: You go, uh so, yeah, I thought it's no one

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Speaker 10: said anything about a dress code or what you're supposed

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Speaker 10: to wear, just said, hey, we're going to the Cmas.

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Speaker 10: I'm like, cool man, this is a nice hoodie that

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Speaker 10: is expensive, and I love you for being and I

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Speaker 10: wore it and I wasn't worried about it, and now

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Speaker 10: one person was like, oh my gosh, we can't let

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Speaker 10: you in because you have a hoodie on.

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Speaker 12: Cool.

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Speaker 4: Great, yeah, yeah great. I have said nothing to the

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Speaker 4: fact that I'm up, upset or irritated. I just saw

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Speaker 4: it and thought, is that real? Well, it's like a

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Speaker 4: fun picture he took, like after he changed out of

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Speaker 4: his suit. Scuba, I want to get everybody else's mouth

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Speaker 4: shut please. Yeah, yeah, what's up, Scuba? You're the executive

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Speaker 4: producer of this show. Yes, you know, of course my

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Speaker 4: name's on it. But like you run this thing, no

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Speaker 4: doubt about it. You're well as that guy. What were

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Speaker 4: your thoughts?

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Speaker 13: Well, I guess my first question would be you get

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Speaker 13: the CMA emails right lunchbox. They come through about to

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Speaker 13: vote for this, and here's information for this, and I voted, gotcha.

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Speaker 13: So in one of those emails, there's an important line

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Speaker 13: here says attire and additional information. It says the CMA

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Speaker 13: Awards encouraged you to honor the tradition of country music's

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Speaker 13: biggest night by dressing in black tie or formal attire.

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Speaker 4: I say that I didn't know that I just see

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Speaker 4: everybody else doing it every year, so I, well, yeah,

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Speaker 4: and everyone else is doing it as well.

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Speaker 13: I will say it's a it was a really nice

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Speaker 13: hoodie for him, it was it was more of an

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Speaker 13: upgrade for what we normally see. So I could see

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Speaker 13: in his eyes he's like, well, I wore a really

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Speaker 13: nice hoodie. This is like my black tie, and okay

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Speaker 13: to the audience in a suit, no one's seem to

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Speaker 13: complain about that. And I wore sunglasses, so I kind

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Speaker 13: of like didn't care a little bit myself, but I

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Speaker 13: still wore like a suit and looked somewhat nice. But

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Speaker 13: I just think maybe he doesn't understand in his world

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Speaker 13: he thinks that was awesome.

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Speaker 4: That's on us, then, you know what, that's on me

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Speaker 4: as the leader to not go and say, hey, be

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Speaker 4: sure to wear a suit. I got not even norsem rack.

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Speaker 4: But also I think too solid.

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Speaker 13: He wasn't sure he was gonna make it as well

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Speaker 13: because his wife was doing something, so I think he

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Speaker 13: was like scrambling last second and put something together.

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Speaker 4: Want is best hoodie? Okay, that's on me.

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Speaker 10: And I knew it matched because it was black and white,

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Speaker 10: so I knew it didn't match with black jeans.

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Speaker 8: What's what's on you? I don't understand.

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Speaker 11: Well, there's a mistake that happens with this show.

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Speaker 4: And it because even one of our executives reach out

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Speaker 4: to me saying.

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Speaker 11: Was this a bit oh the hoodie?

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Speaker 4: Yes? And I said, not that I know of, because

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Speaker 4: I didn't he looked.

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Speaker 5: He looked nice.

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Speaker 6: Yes, for him, he had jeans that fit, like really,

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Speaker 6: the jeans were nice. The hoodie was you could tell

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Speaker 6: he just shoes where he bought it and how showing up.

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Speaker 4: To a funeral and a tank top and jeorts and

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Speaker 4: you're like, well I'm wearing clothes. I hear you. I

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Speaker 4: hear you.

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Speaker 5: But it was still up level for him.

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Speaker 4: Yes, I it is my fault because I because I

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Speaker 4: I will take and I will message that executive back listen, no,

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Speaker 4: no executive, listen to our show. They only care about

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Speaker 4: us when we get in trouble. Nobody cares. So I'll

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Speaker 4: message the executive and be like, you know what, that's

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Speaker 4: on me? It was a bit. It was like could

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Speaker 4: lunchbuk what was the nicest hoodie he could find to wear?

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Speaker 4: And that's We're good, that's on me. It is my fault.

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Speaker 4: I thought you look great. I thought you were a

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Speaker 4: bit underdressed for this occasion. But that's on me for

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Speaker 4: not explaining that everybody needed to wear what the email

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Speaker 4: said in the official rules of black tie.

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Speaker 9: Yeah.

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Speaker 10: Still, I mean, I'm looking through this email and I

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Speaker 10: don't see that anywhere.

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Speaker 6: Man.

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Speaker 4: But also, can I one other thing? And I mean

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Speaker 4: this because I feel this way about me too. You're

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Speaker 4: not jelly roller Justin Bieber. Oh yeah, oh really.

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Speaker 8: He thinks he is.

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Speaker 10: Yeah, here's the thing, people, Fashion is different for everybody.

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Speaker 4: I agree, And so like for.

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Speaker 12: You to say, oh, you can't wear this, do you?

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Speaker 4: I didn't. I didn't say that. I'm saying that's I

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Speaker 4: think to hoodie looks great. It is my fault that

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Speaker 4: I didn't explain expressed to everybody that you need to

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Speaker 4: do what's traditionally done that you guys have seen for like,

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Speaker 4: I don't know, eight or nine years in a row

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Speaker 4: any longer. Yeah, And the bit that I suggested of lunchbox,

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Speaker 4: can you wear the nicest hood he can find? Was

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Speaker 4: not the greatest idea for.

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Speaker 5: Me to do that bit link link.

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Speaker 4: I don't want him to get in trouble because I

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Speaker 4: have a feeling that they're going to be like you

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Speaker 4: guys would disrespect you know, these executives are. So that's

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Speaker 4: my everybody, that was my bit. I made it up.

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Speaker 8: Okay, it's bad taste.

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Speaker 9: Man.

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Speaker 13: If you think that was bad, he shud here he

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Speaker 13: heard his speech. He took over and did the speech

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Speaker 13: at the awards in the hoodie, in the hoodie front

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Speaker 13: and center and doing a speech.

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Speaker 4: We got an audio of it. I don't play it you

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Speaker 4: because I don't think I'm in the place to hear it. Well,

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Speaker 4: I don't. I'm on the place. Hold. Everybody hold. I

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Speaker 4: have a question, though we can play in the next segment.

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Speaker 12: I just I don't.

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Speaker 10: I need a break, Okay, So can I tell Like

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Speaker 10: when a woman says that to her, I'll be like, well,

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Speaker 10: why are you wearing a trash bag?

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Speaker 11: Is it.

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Speaker 9: Was?

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Speaker 4: You were underdressed according to the dress code?

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Speaker 12: I mean, show me a dress code.

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Speaker 4: Eyes for the past ten years. But it doesn't matter.

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Speaker 4: It's my fault. It's my fault. Please, everybody, thank you

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Speaker 4: for remaining quiet during this segment. And it's my fault. Okay,

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Speaker 4: that's all.

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Speaker 1: It's the best Bits of the Week with Morgan. Number two.

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Speaker 2: This is not one that I would typically share because

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Speaker 2: it's a little weird for me, but it was highly viewed.

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Speaker 2: Lots of engagement on this across the board, so I'm

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Speaker 2: putting it here just in.

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Speaker 3: Case you missed an update.

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Speaker 2: I think if you followed me on social media or

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Speaker 2: have listened to the show since I made this announcement,

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Speaker 2: you're well aware of where things are now. But in

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Speaker 2: case you didn't and you're just catching up on the

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Speaker 2: show now.

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Speaker 3: In fall of twenty twenty.

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Speaker 2: Four, I had to announce some sad news in regards to.

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Speaker 1: Man in Uniform number five.

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Speaker 4: This is what's referred to as a band Aid segment,

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Speaker 4: where I don't tease it, there's no build up to it.

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Speaker 4: We just ripped the band aid off. I've never called

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Speaker 4: it that until now, but if you ever hear of

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Speaker 4: a band Aid segment, that's what it's going to be

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Speaker 4: for now on Okay, Hey, I didn't before going into

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Speaker 4: this segment and teaser anything band Aid segment.

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Speaker 2: Ready, go ahead, Man in Uniform and I broke up.

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Speaker 4: Oh so that is Morgan. Oh boy didn't want to

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Speaker 4: do a big bit build out lunchbox. Well, Morgan. Also,

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Speaker 4: I've known for a bit oh, because I will try

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Speaker 4: to make sure that the show doesn't migrate to going

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Speaker 4: in on something, just to give her a little space,

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Speaker 4: And so she was like, Hey, this happened, it's cool.

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Speaker 4: I felt like it's my job to protect her for

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Speaker 4: a little bit, so if it goes somewhere, I can

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Speaker 4: boot it out until she's comfortable right a little behind

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Speaker 4: the scenes, she did also come and say I would

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Speaker 4: like to say it now and get it over with

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Speaker 4: because it will be brought up again in normal discussion.

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Speaker 4: And I recommend her for that because she's looking out

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Speaker 4: for herself by doing that. But this is always a

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Speaker 4: hard segment. So I'm also vamping here to let her

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Speaker 4: catch her breath again because I know that was hard

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Speaker 4: for her to say. So We're going to give you

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Speaker 4: all the space that you want or need, and you

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Speaker 4: can lead us in whichever direction you like.

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Speaker 2: Morgan, I was completely blindsided. I didn't know this was coming.

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Speaker 2: I didn't see it coming. I protected myself in every

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Speaker 2: way that I possibly could, and thought that I had

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Speaker 2: found somebody that this was it and you guys heard

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Speaker 2: that in me talking about it on the show. But

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Speaker 2: he uh, as we were about to move in together,

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Speaker 2: I guess you could say.

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Speaker 4: Would you say as you what to move in together?

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Speaker 2: We were about to move in together, had a epiphany

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Speaker 2: man in uniform is Jewish and decided, because I'm not Jewish,

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Speaker 2: that's not what he wanted. So we had multiple conversations

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Speaker 2: about it. I thought we were on the same page,

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Speaker 2: which is why I was completely blindsided.

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Speaker 3: But I guess we weren't. And that's where we are now.

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Speaker 4: Can I give you a Oh, it's such a light

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Speaker 4: like fractional positive. Can I give you a fractional positive?

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Speaker 4: You didn't pick a freaking loser. And I think that

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Speaker 4: that for the first time, like as your friend, Like,

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Speaker 4: that's big growth. This sucks for now. No, I'm not

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Speaker 4: taking away this sucks for you in any way, but

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Speaker 4: I think that you're maturing and actually knowing what you

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Speaker 4: want in a relationship and from our life with you,

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Speaker 4: I think you have started to look for more quality

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Speaker 4: guys and for what they stand for and believe in.

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Speaker 4: And I know right now it doesn't help you feel better,

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Speaker 4: but like this was, this is a mild wind in

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Speaker 4: your in your growth as a human that I totally get.

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Speaker 4: If you guys aren't compatible on that level, don't go

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Speaker 4: further at all, and I'm sure it hurts for both

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Speaker 4: of you and sucks for both of you. And I'm

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Speaker 4: gonna stop talking because I'm not even sure what I

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Speaker 4: can even ask. But that really sucks.

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Speaker 3: I mean, you can ask that.

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Speaker 2: I do feel good about the fact that I finally

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Speaker 2: found someone who gave me hope that there are good

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Speaker 2: men out there, but it sucks all the more because

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Speaker 2: of that, again, because I was blindsided in thinking that

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Speaker 2: this was this was it?

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Speaker 4: Did you want you convert? Was that it?

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Speaker 14: No?

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Speaker 3: You know, really, like, I don't think that would have mattered.

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Speaker 4: Was he practicing or born or both? Important? Okay, so

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Speaker 4: does he practice Judaism? Was that it was that's more the.

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Speaker 2: Culture thing, not as much practicing, which is why, like

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Speaker 2: when we had conversations about it, it kind of really

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Speaker 2: threw me because I didn't see that at all.

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Speaker 3: And that's why when we were.

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Speaker 2: To have conversation about it, I thought were on the

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Speaker 2: same page, But as you know, we got more serious

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Speaker 2: and stuff, it just became that that's going to be

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Speaker 2: more important for him in the future.

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Speaker 4: I suppose does he want to find a Jewish wife?

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Speaker 3: Yeah?

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Speaker 4: I think good job by him. Because this definitely could

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Speaker 4: have gone a lot farther and he could have pulled

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Speaker 4: that thread a little later, which would have been even harder.

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Speaker 4: I think, good job by you by picking somebody that

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Speaker 4: was worth the crap. It still very much sucks, and

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Speaker 4: I'm very sorry because I know you were, like you're

400
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Speaker 4: fundamentally you are excited about the future, and that's you'll

401
00:18:06,080 --> 00:18:09,359
Speaker 4: look back at this as big time growth, big time growth.

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Speaker 4: You can't write now, it sucks, It really sucks. I'm sorry.

403
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Speaker 3: Yeah, there's.

404
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Speaker 2: Not a lot of people out there that can relate

405
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Speaker 2: to this particular topic, which also makes it harder and

406
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Speaker 2: really hard for me to understand.

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Speaker 15: But I do.

408
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Speaker 4: I do.

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Speaker 2: I am really happy that one day I can look

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Speaker 2: at this scenario and know that I found somebody that

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Speaker 2: was good, and I now can see out there that

412
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Speaker 2: there is going to be good.

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Speaker 4: I think this is actually something that happens more than

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Speaker 4: you think. And I'm not saying you're specific Jewish and Christian,

415
00:18:53,280 --> 00:18:56,959
Speaker 4: but I think there are a lot of couples that

416
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Speaker 4: struggle with again I use the word like fundamental foundation,

417
00:19:04,240 --> 00:19:07,919
Speaker 4: that they don't come from that same spiritual background or

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00:19:07,960 --> 00:19:09,840
Speaker 4: even same religion, and they have to figure a way

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Speaker 4: to make it work. I have very close friends that

420
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Speaker 4: have gone through some extremely difficult times because they do

421
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Speaker 4: have like a They even call it like a split.

422
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Speaker 4: I think interfaith, and it's it's it's it's difficult, but

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Speaker 4: it's again, it's really great that you guys identified that

424
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Speaker 4: now because it just worked before. It's been way way,

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Speaker 4: way way harder.

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Speaker 6: And then you sharing right now, even as hard as

427
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Speaker 6: it is, it may prompt conversations that other people need

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Speaker 6: to have, like hearing this, Like, even though it's painful

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Speaker 6: and hard, somebody listening right now is going to be

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Speaker 6: encouraged of like, oh, this is a conversation that I

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Speaker 6: haven't had yet in my relationship and I maybe need

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Speaker 6: to do it, and it may help them get through

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Speaker 6: either whatever direction they're going to go. It's a conversation

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Speaker 6: that sometimes people avoid or don't realize till it gets

435
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Speaker 6: too late and they're like, oh, shoot, we didn't discuss this,

436
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Speaker 6: and what if we want to have kids and then

437
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Speaker 6: how are we going to raise them?

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Speaker 5: And you know it's snowballs.

439
00:20:05,600 --> 00:20:09,320
Speaker 4: So is there a chance you guys have a discussion

440
00:20:09,359 --> 00:20:11,479
Speaker 4: about it later and change your minds?

441
00:20:13,040 --> 00:20:13,760
Speaker 3: I don't think.

442
00:20:13,800 --> 00:20:19,040
Speaker 2: So we had a follow up conversation after the breakup happened,

443
00:20:19,080 --> 00:20:24,199
Speaker 2: and he seemed very sure in his decision. So I

444
00:20:24,240 --> 00:20:26,560
Speaker 2: don't think there's anything that I could have done or

445
00:20:26,600 --> 00:20:30,960
Speaker 2: could do differently for him, and that sucks for me.

446
00:20:32,359 --> 00:20:35,359
Speaker 2: But I do still believe he's a great human, which

447
00:20:35,400 --> 00:20:36,080
Speaker 2: also sucks.

448
00:20:36,800 --> 00:20:38,680
Speaker 4: And two things can be true at the same time. One,

449
00:20:38,680 --> 00:20:40,880
Speaker 4: this is just sucks. I'm really sorry because it sucks

450
00:20:41,720 --> 00:20:43,719
Speaker 4: and your heart hurts, and hate that for you as

451
00:20:43,720 --> 00:20:46,080
Speaker 4: a person. But it also I think is a good

452
00:20:46,160 --> 00:20:48,760
Speaker 4: thing that it happened now and not later after you

453
00:20:48,760 --> 00:20:50,360
Speaker 4: lived with each other and made it even harder, which

454
00:20:50,359 --> 00:20:52,080
Speaker 4: would then make if you did decide to get married

455
00:20:52,119 --> 00:20:56,880
Speaker 4: and keep hunting it kicking the can got dang, Yeah.

456
00:20:56,600 --> 00:20:58,360
Speaker 3: Could have made it so much worse. So I am

457
00:20:58,400 --> 00:20:59,080
Speaker 3: thankful for that.

458
00:21:00,119 --> 00:21:04,280
Speaker 4: Well, well, he hurts really bad, right, I'm sure it dies.

459
00:21:04,359 --> 00:21:08,760
Speaker 4: Sorry Morgan, And I know Lunchbox his eyes got big

460
00:21:08,760 --> 00:21:10,560
Speaker 4: because he was going to be like love Bomb told you,

461
00:21:10,600 --> 00:21:11,600
Speaker 4: but it wasn't that at all. And then you know,

462
00:21:11,800 --> 00:21:14,359
Speaker 4: he pays eyes got you know, and he lowered his

463
00:21:14,359 --> 00:21:16,560
Speaker 4: head down real quick because he say anything.

464
00:21:16,680 --> 00:21:17,800
Speaker 12: I got a couple theories.

465
00:21:18,720 --> 00:21:22,360
Speaker 4: There are theories to have she told you what happened?

466
00:21:23,400 --> 00:21:25,119
Speaker 4: This is I don't even know that. I don't even know.

467
00:21:25,200 --> 00:21:25,840
Speaker 5: It's too soon.

468
00:21:26,400 --> 00:21:28,280
Speaker 6: This is why, right at the beginning on like lunchbox,

469
00:21:28,320 --> 00:21:29,680
Speaker 6: I looked at him and I was like, lunch fox.

470
00:21:29,720 --> 00:21:31,600
Speaker 8: No, maybe that's why he looks.

471
00:21:33,640 --> 00:21:36,560
Speaker 6: She's clearly in pain right now mid segment, Yeah, right

472
00:21:36,560 --> 00:21:38,240
Speaker 6: at the beginning, did you see I looked back and

473
00:21:38,280 --> 00:21:41,080
Speaker 6: I go lunchbox because I knew he was about to

474
00:21:41,119 --> 00:21:42,800
Speaker 6: just like go in.

475
00:21:44,240 --> 00:21:45,320
Speaker 4: What's one, what's happen?

476
00:21:45,640 --> 00:21:48,760
Speaker 10: What's One of the theories part of my just hearing

477
00:21:48,800 --> 00:21:52,080
Speaker 10: her talk is he got cold feet about the moving

478
00:21:52,119 --> 00:21:54,960
Speaker 10: in because she said we were about to move in together,

479
00:21:55,040 --> 00:21:57,840
Speaker 10: and so he looked for the one thing that he knew.

480
00:21:57,920 --> 00:22:00,080
Speaker 12: He could use as the excuse because.

481
00:21:59,880 --> 00:22:03,280
Speaker 10: She said they had multiple conversations about it and they

482
00:22:03,280 --> 00:22:05,520
Speaker 10: were on the same page. So I think the moving

483
00:22:05,560 --> 00:22:07,600
Speaker 10: in like freaked him out.

484
00:22:07,640 --> 00:22:11,080
Speaker 4: Well, let's go to Morgan. Morgan, your theory, your thoughts

485
00:22:11,080 --> 00:22:11,760
Speaker 4: on that theory.

486
00:22:12,560 --> 00:22:14,359
Speaker 2: I don't think it was that because he's the one

487
00:22:14,359 --> 00:22:17,520
Speaker 2: who brought it up. I was never I was never

488
00:22:17,760 --> 00:22:20,679
Speaker 2: pursuing that. That was never something that I pushed, and

489
00:22:21,640 --> 00:22:24,600
Speaker 2: it came very naturally into the conversation, and he was

490
00:22:24,720 --> 00:22:25,440
Speaker 2: very consistent.

491
00:22:25,520 --> 00:22:27,679
Speaker 3: There was even like a moment.

492
00:22:27,440 --> 00:22:29,240
Speaker 2: Where I was like, I'm not getting rid of any

493
00:22:29,280 --> 00:22:31,199
Speaker 2: of my stuff because we're not married and I'm not

494
00:22:31,240 --> 00:22:33,400
Speaker 2: going there. I don't want to do this, and he

495
00:22:33,440 --> 00:22:36,560
Speaker 2: assured me that this is this is happening, and we

496
00:22:36,560 --> 00:22:39,119
Speaker 2: were moving forward. So there was no part of me

497
00:22:39,240 --> 00:22:43,040
Speaker 2: that believed the cold feat thing was going to happen.

498
00:22:43,080 --> 00:22:46,040
Speaker 4: Okay, that's one theory, get it out.

499
00:22:46,240 --> 00:22:48,520
Speaker 10: Second second theory she does get out of the way

500
00:22:48,840 --> 00:22:52,480
Speaker 10: is that he had been waiting to meet me, and

501
00:22:52,520 --> 00:22:53,439
Speaker 10: then now that he did, he was like.

502
00:22:53,400 --> 00:22:55,040
Speaker 4: All right, I can break up that one. I can

503
00:22:55,080 --> 00:22:58,440
Speaker 4: probably sign Yeah, because I met a lot of us.

504
00:22:58,520 --> 00:23:00,359
Speaker 10: I met him a week and a half ago, and

505
00:23:00,400 --> 00:23:01,879
Speaker 10: then it's like, all right, now that I got to

506
00:23:01,920 --> 00:23:02,919
Speaker 10: meet Lunchek.

507
00:23:02,560 --> 00:23:04,399
Speaker 4: And so the whole relationship he was just using her

508
00:23:04,480 --> 00:23:06,000
Speaker 4: to get to you sounds like it.

509
00:23:06,040 --> 00:23:07,320
Speaker 10: I mean, he did ask me if I wanted to

510
00:23:07,320 --> 00:23:08,840
Speaker 10: go run with him.

511
00:23:09,119 --> 00:23:11,760
Speaker 4: That's the one, guys, I can kind of again, I

512
00:23:11,880 --> 00:23:14,000
Speaker 4: kind of believe Morgan. It really sucks. We're laughing now

513
00:23:14,000 --> 00:23:15,680
Speaker 4: because we're just trying to lighten it up a little bit.

514
00:23:15,960 --> 00:23:20,840
Speaker 4: But weaker people have gotten through harder things and you're

515
00:23:20,880 --> 00:23:22,520
Speaker 4: gonna crush this, You're gonna grow from it, you're gonna

516
00:23:22,600 --> 00:23:24,880
Speaker 4: learn from it. You didn't pick a loser. And I think,

517
00:23:24,920 --> 00:23:27,000
Speaker 4: as funny as that sounds for me to say, like

518
00:23:27,040 --> 00:23:31,800
Speaker 4: that shows your growth and I'm sorry it happened, you know, I.

519
00:23:31,720 --> 00:23:34,480
Speaker 2: Will say, there's a moment for me this weekend as

520
00:23:34,520 --> 00:23:39,600
Speaker 2: I'm trying to process everything, I was my dog that

521
00:23:39,640 --> 00:23:42,720
Speaker 2: you had mentioned that my new foster, Sunshine got adopted,

522
00:23:42,840 --> 00:23:45,520
Speaker 2: and I was taking her to her new home, and

523
00:23:45,560 --> 00:23:47,720
Speaker 2: I looked at her and I was like, you're so special,

524
00:23:47,800 --> 00:23:51,119
Speaker 2: and I know this is scary, and I know that

525
00:23:51,240 --> 00:23:54,320
Speaker 2: you're afraid of what's to come, but this is going

526
00:23:54,359 --> 00:23:57,159
Speaker 2: to be so beautiful for you. And as I was

527
00:23:57,200 --> 00:24:00,520
Speaker 2: telling her that, I was like, with a crap I'm doing?

528
00:24:00,520 --> 00:24:02,160
Speaker 2: Why can I say that to her? But I can't

529
00:24:02,920 --> 00:24:06,840
Speaker 2: say it to myself right now? And there was some

530
00:24:06,920 --> 00:24:10,520
Speaker 2: healing in that. So that was kind of a bright

531
00:24:10,600 --> 00:24:12,960
Speaker 2: spot amongst all of this as well.

532
00:24:13,440 --> 00:24:15,439
Speaker 4: Would it help you if we promoted your podcast at

533
00:24:15,520 --> 00:24:17,359
Speaker 4: least you gets extremely in the podcasts from this. I

534
00:24:17,400 --> 00:24:20,800
Speaker 4: think that would be a good, good idea. Yeah, yeah, yeah, yeah, Morgan.

535
00:24:20,840 --> 00:24:22,160
Speaker 4: The name of your podcast.

536
00:24:21,800 --> 00:24:23,119
Speaker 3: Is Take This Personally?

537
00:24:24,359 --> 00:24:25,840
Speaker 4: What it's the name of her podcast.

538
00:24:25,920 --> 00:24:29,200
Speaker 10: Ye, maybe he took something personally from the podcast so dumb.

539
00:24:30,600 --> 00:24:32,320
Speaker 4: Maybe here with the theory he wanted to meet you.

540
00:24:34,880 --> 00:24:40,320
Speaker 4: Check out Morgan's podcast Take This Personally. We care about you.

541
00:24:40,320 --> 00:24:43,320
Speaker 4: You're gonna be fine. It sucks right now and that's okay,

542
00:24:43,720 --> 00:24:44,680
Speaker 4: and it should suck right now.

543
00:24:44,880 --> 00:24:50,720
Speaker 10: Are you back on Hunge a weekend like lunch.

544
00:24:50,480 --> 00:24:57,760
Speaker 1: Fun, it's the best bits of the week with Morgan.

545
00:24:57,840 --> 00:24:58,480
Speaker 1: Number two.

546
00:25:01,320 --> 00:25:04,240
Speaker 2: The hottest of hot songs this year was the collaboration

547
00:25:04,359 --> 00:25:07,320
Speaker 2: between Ella Langley and Riley Green You Look Like You

548
00:25:07,359 --> 00:25:09,360
Speaker 2: Love Me, And if you have not managed to hear

549
00:25:09,400 --> 00:25:12,600
Speaker 2: that song this year, props to you, but also maybe

550
00:25:12,800 --> 00:25:13,680
Speaker 2: turn on your phone.

551
00:25:14,160 --> 00:25:15,600
Speaker 3: I'm not sure what's happening there.

552
00:25:15,800 --> 00:25:18,680
Speaker 2: Go listen to that one particularly, but we had Ella

553
00:25:18,760 --> 00:25:21,119
Speaker 2: Langley in studio to talk all about the collaboration and

554
00:25:21,160 --> 00:25:23,960
Speaker 2: how it happened, and then Riley Green came in and

555
00:25:24,000 --> 00:25:26,840
Speaker 2: they performed the song together. So I can't put their

556
00:25:26,880 --> 00:25:29,359
Speaker 2: performance here, but you can watch that on our YouTube page.

557
00:25:29,480 --> 00:25:29,880
Speaker 3: Right now.

558
00:25:29,920 --> 00:25:33,080
Speaker 2: You're gonna hear the interview with Ella and then a

559
00:25:33,160 --> 00:25:34,400
Speaker 2: little bit with Riley as well.

560
00:25:34,880 --> 00:25:37,960
Speaker 1: Number four, there we go on the Bobby Bones Show.

561
00:25:38,040 --> 00:25:41,520
Speaker 4: Now, Ella Langley, Ell, I became a big fan. Just

562
00:25:42,160 --> 00:25:44,720
Speaker 4: buy TikTok. I mean you pop it up algorithm because

563
00:25:44,720 --> 00:25:46,720
Speaker 4: obviously I have a lot of country music and algorithm

564
00:25:47,119 --> 00:25:50,439
Speaker 4: and it's been really cool to watch it organically, like

565
00:25:50,560 --> 00:25:52,320
Speaker 4: especially this song just become a monster.

566
00:25:52,600 --> 00:25:53,199
Speaker 15: Yeah.

567
00:25:53,680 --> 00:25:57,120
Speaker 4: What does that felt like to you? Is like more

568
00:25:57,160 --> 00:26:01,600
Speaker 4: people recognizing you, more people will come in when you're playing, Like,

569
00:26:01,600 --> 00:26:02,400
Speaker 4: what's been happening?

570
00:26:03,040 --> 00:26:06,520
Speaker 16: Well, I've wanted to do this my whole entire life.

571
00:26:06,520 --> 00:26:08,919
Speaker 16: This isn't something I just kind of stumbled upon and

572
00:26:09,040 --> 00:26:11,160
Speaker 16: was like, yeah, I like playing guitar or I love singing,

573
00:26:11,200 --> 00:26:13,399
Speaker 16: Like this is just like it's it's like a limb.

574
00:26:13,720 --> 00:26:16,480
Speaker 16: It's just something I was always gonna do this, and

575
00:26:16,520 --> 00:26:18,520
Speaker 16: I've been working really hard at it for a minute.

576
00:26:18,560 --> 00:26:20,959
Speaker 16: I moved here five years ago, and before that, I

577
00:26:21,000 --> 00:26:23,399
Speaker 16: was going to school at Auburn And you went to

578
00:26:23,400 --> 00:26:25,479
Speaker 16: sold A really Yeah, yeah, I went for the two

579
00:26:25,560 --> 00:26:27,280
Speaker 16: years when I went to school. Yeah, and then I

580
00:26:27,359 --> 00:26:30,240
Speaker 16: dropped out and moved here. But yeah, I just play

581
00:26:30,240 --> 00:26:32,560
Speaker 16: a lot of cover gigs. I started out restaurants, I

582
00:26:32,640 --> 00:26:34,359
Speaker 16: mean literally every kind of gig you can play.

583
00:26:34,359 --> 00:26:36,640
Speaker 15: I've done it. Whatever you can travel therein. I've done that.

584
00:26:36,560 --> 00:26:40,840
Speaker 4: Too, Like just traditional someone moves to Nashville with a dream.

585
00:26:41,000 --> 00:26:42,840
Speaker 4: You're playing anything you can play to make money, to

586
00:26:42,840 --> 00:26:46,600
Speaker 4: survive so you can chase the bigger dream. But then

587
00:26:46,640 --> 00:26:51,040
Speaker 4: this song hits so hard again, I would just start

588
00:26:51,080 --> 00:26:54,000
Speaker 4: singing it forgetting where I would even ever have heard it? Yeah,

589
00:26:54,040 --> 00:26:56,840
Speaker 4: because it would pop up and not just in your videos,

590
00:26:56,840 --> 00:26:59,119
Speaker 4: would start to be used in other places too. I

591
00:26:59,160 --> 00:27:01,639
Speaker 4: just wonder what that feels like when something starts to

592
00:27:01,640 --> 00:27:03,960
Speaker 4: build wherever it starts to build, do you actually, day

593
00:27:04,000 --> 00:27:09,920
Speaker 4: to day feel again more people pursuing like your music

594
00:27:10,400 --> 00:27:12,400
Speaker 4: or is it like, man, I know it's blowing up,

595
00:27:12,600 --> 00:27:14,119
Speaker 4: but I'm really not seeing it yet.

596
00:27:14,600 --> 00:27:16,400
Speaker 15: No, I'm seeing it. I'm seeing it.

597
00:27:16,400 --> 00:27:18,280
Speaker 16: It's this song is crazy, That's what I was saying.

598
00:27:18,320 --> 00:27:20,359
Speaker 16: I've been doing this for so long, and it's been

599
00:27:20,400 --> 00:27:22,439
Speaker 16: a slow climb, and I've put out single after single

600
00:27:22,480 --> 00:27:25,560
Speaker 16: and kind of just organically grown fans. But this song,

601
00:27:25,600 --> 00:27:28,199
Speaker 16: it's the things it's done and we didn't even plan on.

602
00:27:28,600 --> 00:27:31,440
Speaker 16: This song was never supposed to leave my audio recordings

603
00:27:31,480 --> 00:27:32,920
Speaker 16: on my phone. I wrote it as a joke with

604
00:27:32,960 --> 00:27:35,720
Speaker 16: Aaron ray Tier first and then the label heard it

605
00:27:35,760 --> 00:27:37,800
Speaker 16: and loved it, and then Riley asked us on tour,

606
00:27:38,520 --> 00:27:40,720
Speaker 16: and him and I just kind of being from the

607
00:27:40,760 --> 00:27:42,680
Speaker 16: same area, growing up on the same kind of music,

608
00:27:42,680 --> 00:27:44,240
Speaker 16: and I was thinking maybe we could do it out

609
00:27:44,240 --> 00:27:44,640
Speaker 16: in the road.

610
00:27:46,160 --> 00:27:47,159
Speaker 15: That's why I asked him to do it.

611
00:27:47,200 --> 00:27:48,760
Speaker 16: And I was like, hey, just kind of write the

612
00:27:48,760 --> 00:27:51,360
Speaker 16: second verse how you would respond to a girl coming

613
00:27:51,440 --> 00:27:52,600
Speaker 16: up to you in the bar like that.

614
00:27:52,760 --> 00:27:56,520
Speaker 4: What I like about it is it's so old school

615
00:27:57,720 --> 00:28:02,080
Speaker 4: talkie singing, which very much hapened in the forties fifties.

616
00:28:02,200 --> 00:28:06,000
Speaker 4: Like it's sounds super super super traditional with people that

617
00:28:06,040 --> 00:28:08,239
Speaker 4: aren't born in the forties in the fifties. Is that

618
00:28:08,280 --> 00:28:11,280
Speaker 4: probably why it wasn't supposed to be more than a

619
00:28:11,320 --> 00:28:13,480
Speaker 4: voice recording, because you're thought, I don't know, well, anybody

620
00:28:13,480 --> 00:28:15,320
Speaker 4: even think this is a legitimate song.

621
00:28:16,000 --> 00:28:19,080
Speaker 15: No, I think it's just kind of more I'm drunking.

622
00:28:19,160 --> 00:28:20,800
Speaker 15: I'm really you know, it's.

623
00:28:20,760 --> 00:28:23,879
Speaker 16: Kind of silly, you know, But yeah, I guess it's

624
00:28:23,920 --> 00:28:25,680
Speaker 16: it's a little bit of a risk, you know, just

625
00:28:25,720 --> 00:28:29,200
Speaker 16: because it's not something it's not the popular thing to do,

626
00:28:29,680 --> 00:28:32,240
Speaker 16: you know, and traditional country is only just now kind

627
00:28:32,240 --> 00:28:32,960
Speaker 16: of coming back.

628
00:28:34,280 --> 00:28:36,399
Speaker 15: So yeah, I don't know, but I grew up on it.

629
00:28:36,440 --> 00:28:37,919
Speaker 16: I love it, and I'm just kind of doing what

630
00:28:37,960 --> 00:28:39,400
Speaker 16: I love to do and not what I think other

631
00:28:39,440 --> 00:28:41,080
Speaker 16: people think they want me to do.

632
00:28:41,320 --> 00:28:44,920
Speaker 4: Did anybody suggest that you change some of when you

633
00:28:45,000 --> 00:28:49,080
Speaker 4: recorded it, some of like the talking parts of the song. Yeah.

634
00:28:49,120 --> 00:28:51,320
Speaker 16: We went back and forth a lot on it, on singing,

635
00:28:51,560 --> 00:28:54,680
Speaker 16: singing it, on all kinds of different things. I never

636
00:28:54,720 --> 00:28:56,560
Speaker 16: wanted to sing. I never wanted a song. I'm never

637
00:28:56,560 --> 00:28:58,080
Speaker 16: going to release a version where it's a song.

638
00:28:59,240 --> 00:29:01,200
Speaker 15: It's awesome, I have that.

639
00:29:01,320 --> 00:29:04,000
Speaker 16: My argument to the label was every other song I've

640
00:29:04,040 --> 00:29:06,360
Speaker 16: put out sings the verses, so can I not just

641
00:29:06,360 --> 00:29:07,240
Speaker 16: have one that doesn't?

642
00:29:08,280 --> 00:29:09,800
Speaker 4: And that's why it sticks out so much though, right?

643
00:29:09,880 --> 00:29:12,600
Speaker 16: Yeah, well that I mean start a girl walking up

644
00:29:12,600 --> 00:29:14,000
Speaker 16: to a guy in a bar. You know, It's like

645
00:29:14,080 --> 00:29:18,000
Speaker 16: that's also not a common thing in country, well not

646
00:29:18,120 --> 00:29:20,240
Speaker 16: over the past ten years. Now recently it has been.

647
00:29:20,280 --> 00:29:22,760
Speaker 16: But yeah, so I don't know. It's kind of a

648
00:29:22,840 --> 00:29:25,240
Speaker 16: risky thing to do, but it's it's crazy to see

649
00:29:25,280 --> 00:29:27,760
Speaker 16: the reaction. It's I just started my first headlining tour

650
00:29:27,840 --> 00:29:31,040
Speaker 16: and it's a little nerve racking to have such a

651
00:29:31,120 --> 00:29:33,800
Speaker 16: viral song and wonder are they going to be here

652
00:29:33,840 --> 00:29:37,480
Speaker 16: just for that. But I put out the my debut record,

653
00:29:38,040 --> 00:29:40,160
Speaker 16: which is what You Look Like You Love Me came

654
00:29:40,200 --> 00:29:43,000
Speaker 16: off of, and they're singing every word to every song.

655
00:29:43,000 --> 00:29:45,600
Speaker 16: It's crazy. They're listening to the whole thing and it's

656
00:29:45,640 --> 00:29:48,240
Speaker 16: just wild. It's like, just watch my dreams come true.

657
00:29:48,360 --> 00:29:50,120
Speaker 4: It's that one viral thing though they get them to

658
00:29:50,120 --> 00:29:51,360
Speaker 4: even pay attention to the rest, right.

659
00:29:51,680 --> 00:29:53,720
Speaker 16: Yeah, Well it's also cool too, just a lot of

660
00:29:53,760 --> 00:29:56,280
Speaker 16: these fans are not just the song, but you know,

661
00:29:56,320 --> 00:29:57,880
Speaker 16: I saw you out with Randy Hawser that was my

662
00:29:57,920 --> 00:29:59,880
Speaker 16: first tour three years ago, or I saw you John Party,

663
00:29:59,920 --> 00:30:01,880
Speaker 16: or I saw all your Riley or you know, it's

664
00:30:01,640 --> 00:30:03,840
Speaker 16: a lot of these fantasy that we've grown through playing

665
00:30:03,920 --> 00:30:06,280
Speaker 16: so many shows over the years and just working hard

666
00:30:06,320 --> 00:30:08,720
Speaker 16: that way. But yeah, the it's wild to see when

667
00:30:08,720 --> 00:30:09,640
Speaker 16: that song went.

668
00:30:11,880 --> 00:30:13,120
Speaker 15: We did it in Hyde Park too.

669
00:30:13,880 --> 00:30:18,080
Speaker 16: That was probably the wildest time thus far. It's fifty

670
00:30:18,160 --> 00:30:22,400
Speaker 16: thousand people, that's crazy. We opened it for Morgan and

671
00:30:22,480 --> 00:30:23,240
Speaker 16: it was just crazy.

672
00:30:23,360 --> 00:30:23,880
Speaker 4: That was.

673
00:30:25,280 --> 00:30:29,040
Speaker 16: Probably the first time I had seen a crowd a

674
00:30:29,160 --> 00:30:32,120
Speaker 16: matt like a massive amount of people sing words that

675
00:30:32,160 --> 00:30:34,560
Speaker 16: I had written. And for it to be fifty thousand

676
00:30:34,640 --> 00:30:40,280
Speaker 16: people in the UK was it's just hard to I

677
00:30:40,320 --> 00:30:42,040
Speaker 16: don't know, it's hard to put into words on us.

678
00:30:42,240 --> 00:30:44,720
Speaker 16: I remember I had my ears in because when you're

679
00:30:44,760 --> 00:30:46,760
Speaker 16: way way out there, the slap back was so bad,

680
00:30:46,840 --> 00:30:48,440
Speaker 16: so it's like you can't keep up with the drum.

681
00:30:48,440 --> 00:30:50,280
Speaker 16: You gotta keep your ears in, so it's hard to

682
00:30:50,320 --> 00:30:52,800
Speaker 16: hear the crowd. And I kind of remember walking back

683
00:30:52,800 --> 00:30:54,120
Speaker 16: to being like that was crazy, you know. I just

684
00:30:54,200 --> 00:30:56,960
Speaker 16: like I don't know if I registered anything, and I

685
00:30:57,000 --> 00:30:58,920
Speaker 16: was like walking back thinking like just a normal time

686
00:30:58,960 --> 00:31:02,520
Speaker 16: of us singing the song and everyone that was like

687
00:31:03,120 --> 00:31:04,880
Speaker 16: on both of our teams. I was like, was that crazy?

688
00:31:04,920 --> 00:31:07,000
Speaker 16: And they showed me back the video and I mean

689
00:31:07,200 --> 00:31:10,080
Speaker 16: Riley both watched it and it was just like massive,

690
00:31:10,160 --> 00:31:12,200
Speaker 16: So I think that's what when we both realized it

691
00:31:12,280 --> 00:31:15,200
Speaker 16: was like the song is doing something ridiculous.

692
00:31:15,840 --> 00:31:20,800
Speaker 4: And also, I mean Riley's a massive star and he's

693
00:31:20,840 --> 00:31:23,120
Speaker 4: like perfect for the song as well. Yeah, like all

694
00:31:23,120 --> 00:31:26,120
Speaker 4: the stars kind of aligned with him, going yea, I'll

695
00:31:26,120 --> 00:31:28,600
Speaker 4: do the song. That's cool. And he's also a big

696
00:31:28,600 --> 00:31:32,000
Speaker 4: star and it works with him. Yeah, what was the ad?

697
00:31:32,000 --> 00:31:32,920
Speaker 4: How did you ask him?

698
00:31:33,200 --> 00:31:33,320
Speaker 11: What?

699
00:31:33,720 --> 00:31:34,720
Speaker 4: Hey, you want to do this song?

700
00:31:35,360 --> 00:31:35,600
Speaker 6: Well?

701
00:31:35,720 --> 00:31:38,880
Speaker 4: Text on a version of it. Was it always a duet? No?

702
00:31:39,040 --> 00:31:40,720
Speaker 16: I mean, like I said, I wrote it just for fun.

703
00:31:40,800 --> 00:31:41,800
Speaker 16: I mean it wasn't like.

704
00:31:41,800 --> 00:31:43,760
Speaker 4: You didn't write it for fun, like another a duet.

705
00:31:43,880 --> 00:31:46,200
Speaker 16: No, no, no, no, I just I just I was just

706
00:31:46,280 --> 00:31:48,640
Speaker 16: listening to it after we cut it. It was not

707
00:31:48,680 --> 00:31:50,400
Speaker 16: going to be a duet right when we first cut it,

708
00:31:50,440 --> 00:31:53,880
Speaker 16: but Riley asked us on tour right around the same time.

709
00:31:53,960 --> 00:31:55,520
Speaker 16: So I don't know, I just I just thought of

710
00:31:55,600 --> 00:31:57,440
Speaker 16: the idea. I was like, God, what if we asked

711
00:31:57,520 --> 00:31:59,440
Speaker 16: Riley to sing the second verse and then we could

712
00:31:59,520 --> 00:32:01,600
Speaker 16: do it on the road. And obviously I didn't think

713
00:32:01,640 --> 00:32:03,360
Speaker 16: it would just do what it's doing now. It's hard

714
00:32:03,400 --> 00:32:04,680
Speaker 16: to expect something like this.

715
00:32:04,800 --> 00:32:07,479
Speaker 5: But so did you have a second verse before he

716
00:32:07,520 --> 00:32:07,760
Speaker 5: came in?

717
00:32:07,840 --> 00:32:08,000
Speaker 15: Yeah?

718
00:32:08,240 --> 00:32:10,080
Speaker 16: Yeah, and that's what I'm singing out on the Actually,

719
00:32:10,120 --> 00:32:12,080
Speaker 16: we wrote a lot of verses when we wrote the song.

720
00:32:12,120 --> 00:32:15,200
Speaker 16: We just kind of giggled and wrote as many verses

721
00:32:15,240 --> 00:32:16,680
Speaker 16: as we had in this, and then we just picked

722
00:32:16,680 --> 00:32:19,560
Speaker 16: our favorite ones. So I kind of throw those alt

723
00:32:19,640 --> 00:32:22,080
Speaker 16: verses in the live show right now.

724
00:32:22,440 --> 00:32:24,400
Speaker 15: I usually start off with, like, before there was a.

725
00:32:24,320 --> 00:32:26,560
Speaker 16: Main named Riley Green singing this song and then all

726
00:32:26,560 --> 00:32:29,120
Speaker 16: the girls were like and then I'm like, ah, I

727
00:32:29,200 --> 00:32:30,640
Speaker 16: was singing the second verse.

728
00:32:31,160 --> 00:32:33,040
Speaker 4: Yeah, I really do do it with me. He turned

729
00:32:33,080 --> 00:32:34,479
Speaker 4: it down, so I was just jealous us.

730
00:32:34,600 --> 00:32:40,240
Speaker 16: Yeah, well really my manager, Bradley Jordan, he's he's kind

731
00:32:40,240 --> 00:32:42,400
Speaker 16: of he's the reason I met Riley and he's just

732
00:32:42,680 --> 00:32:45,280
Speaker 16: helped a lot of artists coming up. But he showed

733
00:32:45,280 --> 00:32:48,040
Speaker 16: it to him honestly. And then uh, and then yeah,

734
00:32:48,120 --> 00:32:50,640
Speaker 16: I think actually I played a show with Riley and

735
00:32:50,640 --> 00:32:52,600
Speaker 16: I went on his bus and I said, I think

736
00:32:52,720 --> 00:32:56,760
Speaker 16: My first line was Riley, Uh, do you like making money?

737
00:32:57,040 --> 00:32:59,280
Speaker 16: That was my first pick up. That was my first line.

738
00:32:59,680 --> 00:33:01,720
Speaker 16: And didn't know he was going to do anything from there,

739
00:33:01,720 --> 00:33:03,520
Speaker 16: but so I started.

740
00:33:03,480 --> 00:33:05,640
Speaker 4: And now he now here it is he makes money,

741
00:33:05,800 --> 00:33:07,680
Speaker 4: does it makes it? Makes it anyway, but they make

742
00:33:07,720 --> 00:33:10,560
Speaker 4: makes more now, which is always fun. I'm being told

743
00:33:10,560 --> 00:33:13,800
Speaker 4: that Riley just arrived. Riley, Riley Green has entered the building.

744
00:33:14,080 --> 00:33:17,680
Speaker 4: So why don't we take a break, Ella, Langley's here?

745
00:33:18,400 --> 00:33:19,840
Speaker 4: Is that true? Scuba is Riley here?

746
00:33:20,800 --> 00:33:21,480
Speaker 9: He's in the green room.

747
00:33:21,560 --> 00:33:25,479
Speaker 4: Okay, Riley Green has entered the building. Wow, there there,

748
00:33:25,880 --> 00:33:27,920
Speaker 4: there's underwear being thrown at him as he walks down

749
00:33:29,240 --> 00:33:30,960
Speaker 4: we don't even know. There's nobody else in the whole building.

750
00:33:31,040 --> 00:33:33,600
Speaker 4: Underwear still landing on his head. We'll be back in

751
00:33:33,640 --> 00:33:35,640
Speaker 4: one second. We'll get Riley in studio. You guys will

752
00:33:35,640 --> 00:33:38,400
Speaker 4: perform it. Yeah, all right, back in one second. Okay.

753
00:33:38,440 --> 00:33:40,720
Speaker 4: So Ella Langley's here, Riley Green has entered the room. Riley,

754
00:33:40,720 --> 00:33:41,360
Speaker 4: good to see buddy.

755
00:33:41,480 --> 00:33:42,880
Speaker 9: Yeah, thanks for having me.

756
00:33:43,040 --> 00:33:44,680
Speaker 4: Thanks for coming up. And so I think what we'll

757
00:33:44,680 --> 00:33:47,320
Speaker 4: do first, if you don't mind why, I would love

758
00:33:47,360 --> 00:33:48,560
Speaker 4: to hear the song live and then we can just

759
00:33:48,560 --> 00:33:50,480
Speaker 4: talk a little more. You guys get with that, okay.

760
00:33:50,880 --> 00:33:52,680
Speaker 4: So this is the song that I love. I've been

761
00:33:52,680 --> 00:33:55,920
Speaker 4: playing on the show and I sometimes sing it and

762
00:33:55,960 --> 00:33:57,400
Speaker 4: wonder where did I hear it and then realize it

763
00:33:57,440 --> 00:34:00,680
Speaker 4: was on like nine different videos from nine different people.

764
00:34:00,960 --> 00:34:02,640
Speaker 4: And this is called you Look Like You Love Me.

765
00:34:02,840 --> 00:34:04,280
Speaker 4: It's Ella Langley and Riley Green.

766
00:34:04,680 --> 00:34:05,000
Speaker 17: Oh.

767
00:34:05,360 --> 00:34:09,600
Speaker 18: I'm sorry we can't post a live performance on the podcast,

768
00:34:09,840 --> 00:34:10,359
Speaker 18: but if you.

769
00:34:10,360 --> 00:34:12,759
Speaker 12: Go to our YouTube page you can watch it.

770
00:34:12,680 --> 00:34:14,799
Speaker 4: There or maybe listen live.

771
00:34:15,239 --> 00:34:18,640
Speaker 1: Okay, all right, now back to the podcast.

772
00:34:19,040 --> 00:34:20,520
Speaker 4: How many times do you think you got to play

773
00:34:20,600 --> 00:34:21,000
Speaker 4: that together?

774
00:34:21,040 --> 00:34:21,239
Speaker 9: Now?

775
00:34:21,480 --> 00:34:22,040
Speaker 18: First time?

776
00:34:22,160 --> 00:34:22,560
Speaker 9: It's great?

777
00:34:22,800 --> 00:34:22,960
Speaker 17: Good?

778
00:34:23,040 --> 00:34:26,480
Speaker 16: Hey, I don't think we've done it the same time twice.

779
00:34:26,480 --> 00:34:27,480
Speaker 16: It's the same way twice.

780
00:34:27,560 --> 00:34:31,080
Speaker 4: Yeah, no, over on over fifty now at this point,

781
00:34:32,360 --> 00:34:34,520
Speaker 4: can you like it? Because again when you I'm not

782
00:34:34,560 --> 00:34:40,200
Speaker 4: good with numbers, but I would say tune okay, so

783
00:34:40,480 --> 00:34:42,120
Speaker 4: well yeah, okay, see I'm not good with that.

784
00:34:42,160 --> 00:34:45,320
Speaker 15: I don't know, probably like us together.

785
00:34:45,360 --> 00:34:48,359
Speaker 18: Probably like I'll say you, it's gotten louder every time

786
00:34:48,400 --> 00:34:50,200
Speaker 18: we've played it, which has been really fun to watch.

787
00:34:50,239 --> 00:34:51,479
Speaker 4: Why'd you say yes to the song?

788
00:34:52,600 --> 00:34:52,799
Speaker 14: Uh?

789
00:34:52,960 --> 00:34:53,120
Speaker 4: Well?

790
00:34:53,160 --> 00:34:57,680
Speaker 18: Away was like Della, She's in Alabama, very very country,

791
00:34:58,400 --> 00:35:03,719
Speaker 18: uh musically and and spiritually, and we just grew up

792
00:35:03,760 --> 00:35:04,279
Speaker 18: the same way.

793
00:35:04,520 --> 00:35:05,520
Speaker 4: Bradley Jordan, her.

794
00:35:05,480 --> 00:35:07,040
Speaker 18: Her managers, a really good buddy of mine, and he

795
00:35:07,160 --> 00:35:09,960
Speaker 18: kind of put me on tour. And I just like

796
00:35:09,960 --> 00:35:12,200
Speaker 18: to see good folks do well, and and she was

797
00:35:12,200 --> 00:35:13,400
Speaker 18: on tour with me. I thought it made a lot

798
00:35:13,440 --> 00:35:15,680
Speaker 18: of sense. I thought the song was fun. Had no

799
00:35:15,760 --> 00:35:17,919
Speaker 18: clue it was a giant hit.

800
00:35:18,040 --> 00:35:18,200
Speaker 9: You know.

801
00:35:18,239 --> 00:35:20,600
Speaker 18: I thought Talking Versus was probably a little too old school,

802
00:35:20,600 --> 00:35:23,000
Speaker 18: a little too traditional. But how cool is it that

803
00:35:23,040 --> 00:35:25,480
Speaker 18: a song that's this country is doing this well?

804
00:35:25,760 --> 00:35:28,720
Speaker 4: You know, when did you start to notice, oh crap,

805
00:35:28,760 --> 00:35:33,239
Speaker 4: this is this is a monster like, did it randomly ever,

806
00:35:33,320 --> 00:35:36,719
Speaker 4: just come up or were your people decidting you know, like, well, no,

807
00:35:36,960 --> 00:35:37,400
Speaker 4: I mean.

808
00:35:37,800 --> 00:35:39,800
Speaker 18: I've never had any type of I guess what you

809
00:35:39,840 --> 00:35:42,680
Speaker 18: would call is like viral, you know, and this song

810
00:35:42,760 --> 00:35:45,720
Speaker 18: is really like viral. I mean I can barely work TikTok.

811
00:35:45,719 --> 00:35:47,520
Speaker 18: I don't really know how that works, but it's just everywhere.

812
00:35:47,880 --> 00:35:50,040
Speaker 18: So you'd get your phone out and it was every scroll.

813
00:35:50,080 --> 00:35:51,680
Speaker 18: Would you hear this song playing? So I guess that

814
00:35:51,800 --> 00:35:54,120
Speaker 18: was kind of the eye opening thing about it. But

815
00:35:54,680 --> 00:35:58,600
Speaker 18: certainly playing it at a show, I think maybe yeah.

816
00:35:58,840 --> 00:36:00,080
Speaker 18: I mean some of the stuff I would just go

817
00:36:00,200 --> 00:36:02,440
Speaker 18: to randomly bring all up when we would do a

818
00:36:02,440 --> 00:36:04,200
Speaker 18: couple of songs together and we did this one of

819
00:36:04,239 --> 00:36:06,480
Speaker 18: a couple of times, and you just didn't take long.

820
00:36:06,760 --> 00:36:10,880
Speaker 4: That's crazy. That's so cool that because it organically happened,

821
00:36:11,040 --> 00:36:14,239
Speaker 4: right like you. Yeah, and any creator, any musician and

822
00:36:14,320 --> 00:36:18,600
Speaker 4: the artist, you're always one really special piece of content

823
00:36:18,719 --> 00:36:22,919
Speaker 4: away from having a real shot going viral. You never

824
00:36:23,000 --> 00:36:25,600
Speaker 4: know what it can be. And there are people that

825
00:36:25,840 --> 00:36:28,680
Speaker 4: it's it's a weird dynamic because you know, you're like,

826
00:36:28,680 --> 00:36:30,120
Speaker 4: you don't want to give it too much power, but

827
00:36:30,160 --> 00:36:32,439
Speaker 4: also if it's really good and nobody's given it a chance.

828
00:36:32,480 --> 00:36:34,640
Speaker 4: Sometimes the chance is right here, like there's a platform

829
00:36:34,840 --> 00:36:36,520
Speaker 4: that is able to be used. And I think this

830
00:36:36,600 --> 00:36:39,400
Speaker 4: is one of those examples of five hundred executives are

831
00:36:39,400 --> 00:36:41,040
Speaker 4: going to hear that song and go like, well, you

832
00:36:41,040 --> 00:36:43,080
Speaker 4: just said, Riley, it's maybe this little too old school.

833
00:36:43,200 --> 00:36:45,600
Speaker 4: We're probably not going to invest any money. However, the

834
00:36:45,640 --> 00:36:47,960
Speaker 4: people freaking loved it, and that's what makes all the

835
00:36:48,000 --> 00:36:48,560
Speaker 4: difference in it.

836
00:36:49,040 --> 00:36:50,959
Speaker 6: And now after you wrote it, you're like, I don't

837
00:36:51,000 --> 00:36:53,160
Speaker 6: know that anybody I'll ever hear this.

838
00:36:53,360 --> 00:36:55,160
Speaker 16: Well, yeah, I mean I just kind of like my

839
00:36:55,200 --> 00:36:57,960
Speaker 16: whole goal for Rotten Song was just to honestly, this

840
00:36:58,080 --> 00:37:00,120
Speaker 16: is just one also playing a lot of rounds in town,

841
00:37:00,440 --> 00:37:02,480
Speaker 16: is to just have a song where like no one's listening,

842
00:37:02,480 --> 00:37:04,719
Speaker 16: they're all talking to Maybe they'd laugh a little bit

843
00:37:04,719 --> 00:37:07,919
Speaker 16: because I'm talking in the verses, you know, but yeah,

844
00:37:08,080 --> 00:37:10,560
Speaker 16: some of my hands. And she works on my on

845
00:37:10,600 --> 00:37:12,560
Speaker 16: my team, and she heard it and she just was like, dude,

846
00:37:12,560 --> 00:37:14,520
Speaker 16: you've gotta You've got to send this in And I

847
00:37:14,600 --> 00:37:15,960
Speaker 16: just fought it for so long.

848
00:37:16,080 --> 00:37:17,560
Speaker 4: So this is the first time you put it up

849
00:37:17,640 --> 00:37:19,319
Speaker 4: that people reacted to it or it take a few times.

850
00:37:19,400 --> 00:37:22,520
Speaker 15: No, No, it did not. It just wasn't that hard.

851
00:37:22,600 --> 00:37:25,680
Speaker 16: Like I just posted one, Uh, we were out on

852
00:37:25,719 --> 00:37:28,520
Speaker 16: the roads, I think on the West coast towards the

853
00:37:28,600 --> 00:37:29,960
Speaker 16: end of the tour, and I just posted like a

854
00:37:30,040 --> 00:37:32,040
Speaker 16: video of me doing the verse and that's it, and

855
00:37:32,080 --> 00:37:34,120
Speaker 16: it just that's kind of what started it. And then

856
00:37:34,560 --> 00:37:36,480
Speaker 16: I did one other video of just me singing the

857
00:37:36,560 --> 00:37:39,560
Speaker 16: chorus and that's the sound that everyone's been using. But

858
00:37:39,600 --> 00:37:43,920
Speaker 16: then whenever we did Red Rocks and posted us that

859
00:37:44,000 --> 00:37:46,400
Speaker 16: he's actually on the song. And then yeah, when we

860
00:37:46,440 --> 00:37:49,080
Speaker 16: did it for the show the last day of the

861
00:37:49,080 --> 00:37:50,080
Speaker 16: tour too.

862
00:37:50,600 --> 00:37:53,480
Speaker 4: So I'm a sports nerd and I was and I

863
00:37:53,520 --> 00:37:58,960
Speaker 4: like sports memorabilia. This is gonna be a This is

864
00:37:58,960 --> 00:38:00,759
Speaker 4: how I heard the song the first time, as I

865
00:38:00,800 --> 00:38:03,680
Speaker 4: was watching this sports memorabilia being broken. The song's playing

866
00:38:03,680 --> 00:38:05,960
Speaker 4: in the background, and I'm like, it sounds like Riley.

867
00:38:06,000 --> 00:38:07,680
Speaker 4: I don't know who the girl is. What is that song?

868
00:38:07,960 --> 00:38:10,320
Speaker 4: I hear it as a background sound when I'm watching

869
00:38:10,320 --> 00:38:13,520
Speaker 4: them freaking break signed helmets. And so I've searched for

870
00:38:13,560 --> 00:38:15,319
Speaker 4: a couple of things I heard. That's where I heard it.

871
00:38:15,400 --> 00:38:21,200
Speaker 4: Then it was so ubiquitous, just existing everywhere. Then that's

872
00:38:21,200 --> 00:38:24,680
Speaker 4: when I started to play here but like congratulations, Like

873
00:38:24,880 --> 00:38:30,600
Speaker 4: it's something that's so awkwardly awesome that it makes all

874
00:38:30,600 --> 00:38:32,960
Speaker 4: the bit of sense, and it's why it resonates so

875
00:38:33,120 --> 00:38:35,440
Speaker 4: much because it doesn't sound like everything else. Yeah, and

876
00:38:35,480 --> 00:38:35,879
Speaker 4: it's good.

877
00:38:36,200 --> 00:38:38,960
Speaker 16: Well, I think it's also like kind of for this

878
00:38:39,080 --> 00:38:42,440
Speaker 16: next record. I'm already working on it, but just like

879
00:38:42,480 --> 00:38:44,759
Speaker 16: the creative freedom I have now, just it's like there's

880
00:38:44,760 --> 00:38:47,040
Speaker 16: literally no singing in the verses, and his songs on

881
00:38:47,160 --> 00:38:49,480
Speaker 16: radio doing well right now in as Wild, So I

882
00:38:49,520 --> 00:38:51,840
Speaker 16: kind of feel like it's kind of ripping the structure

883
00:38:51,840 --> 00:38:53,680
Speaker 16: out of my head a little bit and just doing

884
00:38:53,719 --> 00:38:54,319
Speaker 16: what feels good.

885
00:38:54,400 --> 00:38:57,000
Speaker 4: I mean when I think about like Conway Loretta, because

886
00:38:57,040 --> 00:38:59,719
Speaker 4: they were awesome and they did their music together. They

887
00:38:59,840 --> 00:39:02,520
Speaker 4: do funny songs, they do talkie songs, they do singing songs.

888
00:39:02,600 --> 00:39:06,120
Speaker 4: That's what it kind of feels like to me. It's here, Yeah,

889
00:39:06,440 --> 00:39:12,880
Speaker 4: so yeah, it's you know those song the reason archt Yeah, Riley,

890
00:39:12,920 --> 00:39:14,520
Speaker 4: I was talking about your on social media. I didn't

891
00:39:14,520 --> 00:39:18,200
Speaker 4: know you're gonna be here, and at one point I

892
00:39:18,239 --> 00:39:19,719
Speaker 4: was like, I want everybody to make sure that they

893
00:39:19,760 --> 00:39:21,640
Speaker 4: know this is a compliment but I was talking about

894
00:39:21,640 --> 00:39:23,759
Speaker 4: how your everybody knows you're a star and you have

895
00:39:23,760 --> 00:39:26,239
Speaker 4: a lot of hits, but I don't think people understand

896
00:39:26,520 --> 00:39:31,120
Speaker 4: the amount of megastar you are at shows. Meaning what

897
00:39:31,160 --> 00:39:32,480
Speaker 4: I compared it to is you have a lot of

898
00:39:32,520 --> 00:39:35,040
Speaker 4: number one songs, a lot, and you have a very

899
00:39:35,040 --> 00:39:37,719
Speaker 4: successful career. But any other people that I know that

900
00:39:37,760 --> 00:39:39,200
Speaker 4: have had that many number one songs, they don't have

901
00:39:39,200 --> 00:39:41,120
Speaker 4: the crowds that you have. And I was talking about

902
00:39:41,160 --> 00:39:43,040
Speaker 4: the only other artist I've seen do it like this

903
00:39:43,239 --> 00:39:46,920
Speaker 4: kind of low key megastar it is Kane Brown, who

904
00:39:47,000 --> 00:39:50,680
Speaker 4: it took forever for people to understand the Caine had

905
00:39:50,800 --> 00:39:56,200
Speaker 4: built this following that it was selling out arenas until

906
00:39:56,200 --> 00:39:58,439
Speaker 4: people are like, oh yeah, I can't, but that's you now.

907
00:39:58,600 --> 00:40:03,239
Speaker 4: And I think what you're doing is on such a

908
00:40:03,360 --> 00:40:05,880
Speaker 4: level and people don't even understand the level that's on

909
00:40:06,000 --> 00:40:08,160
Speaker 4: right now. And I just want to like congratulate you

910
00:40:08,200 --> 00:40:11,200
Speaker 4: and celebrate you because you are You're killing it. So

911
00:40:11,280 --> 00:40:12,759
Speaker 4: I was talking about you a little bit on it.

912
00:40:12,800 --> 00:40:14,759
Speaker 18: Well, I took it as a compliment regardless of how

913
00:40:14,760 --> 00:40:16,360
Speaker 18: you meant it when I heard it, So I appreciate

914
00:40:16,360 --> 00:40:20,160
Speaker 18: the kind words and uh uh it's man, it's it's

915
00:40:20,400 --> 00:40:22,360
Speaker 18: it's a wild time. I think it has to do

916
00:40:22,400 --> 00:40:24,920
Speaker 18: with a lot of putting out a lot of music.

917
00:40:25,040 --> 00:40:25,239
Speaker 9: You know.

918
00:40:25,280 --> 00:40:27,200
Speaker 18: I've got a lot of songs that haven't been on

919
00:40:27,200 --> 00:40:29,600
Speaker 18: the radio that people seem to know. And and you know,

920
00:40:29,680 --> 00:40:31,319
Speaker 18: the song with l is a great example of you

921
00:40:31,400 --> 00:40:33,359
Speaker 18: just never know what somebody's gonna latch onto.

922
00:40:33,440 --> 00:40:33,600
Speaker 9: You know.

923
00:40:33,640 --> 00:40:34,640
Speaker 4: I thought the.

924
00:40:34,520 --> 00:40:36,879
Speaker 18: Chorus was catchy, you know, in the in the song,

925
00:40:36,960 --> 00:40:38,680
Speaker 18: and maybe it'd be a little bit of an earworm.

926
00:40:38,719 --> 00:40:40,080
Speaker 18: But to see it be as big of a song

927
00:40:40,120 --> 00:40:42,640
Speaker 18: it is, it's proves you never know. And uh, you know,

928
00:40:42,800 --> 00:40:45,400
Speaker 18: writing from where you come from and hopefully people can

929
00:40:45,400 --> 00:40:47,319
Speaker 18: relate to it. And I think that's what Ella does

930
00:40:47,360 --> 00:40:51,080
Speaker 18: really well. And uh, it's working really well for us

931
00:40:51,120 --> 00:40:53,200
Speaker 18: right now. So I'm blessed to be out here doing it.

932
00:40:53,320 --> 00:40:53,640
Speaker 9: Are you?

933
00:40:53,800 --> 00:40:55,439
Speaker 4: Are you on the road every weekend? Now?

934
00:40:56,000 --> 00:40:57,440
Speaker 9: Yeah? I thought I was on the road today.

935
00:40:58,000 --> 00:41:00,480
Speaker 4: You are on the road? Wake up, Wake up? Right now.

936
00:41:00,520 --> 00:41:02,719
Speaker 18: I had to come play a guitar gig today for.

937
00:41:04,520 --> 00:41:05,120
Speaker 15: And guitar player.

938
00:41:05,200 --> 00:41:06,080
Speaker 9: That's how big the song is.

939
00:41:06,120 --> 00:41:09,920
Speaker 4: I'm playing guitar Ella Langley. And by the way, Ella's

940
00:41:09,960 --> 00:41:12,000
Speaker 4: album is out. It's it's called Hungover. It came out

941
00:41:12,000 --> 00:41:14,120
Speaker 4: in August, so hopefully you hear this song. And what

942
00:41:14,160 --> 00:41:16,600
Speaker 4: it does is you go, oh, I like that. Let

943
00:41:16,600 --> 00:41:18,759
Speaker 4: me go check out some other stuff. That's the great

944
00:41:18,800 --> 00:41:21,360
Speaker 4: thing about something popping is that people check out the

945
00:41:21,360 --> 00:41:24,480
Speaker 4: other stuff. If they playing Yeah and Riley Green, maybe

946
00:41:24,480 --> 00:41:25,359
Speaker 4: you've heard of him a big deal.

947
00:41:26,040 --> 00:41:27,440
Speaker 5: So does the line work, though.

948
00:41:29,080 --> 00:41:30,560
Speaker 4: It depends what. It depends with what the girl looks like,

949
00:41:30,640 --> 00:41:32,720
Speaker 4: I drunk the guy is. That's generally what I'm.

950
00:41:32,600 --> 00:41:34,920
Speaker 16: Waiting to hear about. Like you know, you're that pickup

951
00:41:34,920 --> 00:41:37,520
Speaker 16: line got us married? Yes, I'm ready for that, or.

952
00:41:37,600 --> 00:41:38,880
Speaker 15: You just you see this kid right.

953
00:41:38,760 --> 00:41:42,440
Speaker 4: Here, except it's like you see this kid, We're not married,

954
00:41:42,440 --> 00:41:47,960
Speaker 4: But thank you I said that. Yeah, Ella Riley, thank

955
00:41:47,960 --> 00:41:50,400
Speaker 4: you guys for coming in. Appreciate congratulations, looking forward to

956
00:41:50,560 --> 00:41:52,040
Speaker 4: Ellis and a whole lot more.

957
00:41:52,120 --> 00:41:52,400
Speaker 15: Thank you.

958
00:41:52,600 --> 00:41:57,480
Speaker 4: There they are, Ellen Riley, it's.

959
00:41:57,320 --> 00:42:00,399
Speaker 1: The best bits of the week. With more, we're getting

960
00:42:00,440 --> 00:42:00,839
Speaker 1: number two.

961
00:42:02,200 --> 00:42:05,480
Speaker 2: Everybody's had something happen where they've gotten locked out of somewhere,

962
00:42:05,520 --> 00:42:08,720
Speaker 2: but locked in is the kind of different story.

963
00:42:08,840 --> 00:42:10,000
Speaker 3: And this happened to Amy.

964
00:42:10,160 --> 00:42:13,799
Speaker 2: She got locked in her bedroom at her house and

965
00:42:13,800 --> 00:42:15,560
Speaker 2: could have maken it into the show, and so it

966
00:42:15,600 --> 00:42:18,200
Speaker 2: became this whole thing that played out on air.

967
00:42:18,880 --> 00:42:24,600
Speaker 7: Number three, breaking news, breaking news, my first Morna studio more.

968
00:42:25,000 --> 00:42:27,040
Speaker 4: Now, if you did not hear a special Amy voice,

969
00:42:27,160 --> 00:42:30,720
Speaker 4: there's reason why she's not here. What is happening? Oh no,

970
00:42:31,520 --> 00:42:34,600
Speaker 4: it's funnier and worse than you think, but funnier. First

971
00:42:34,920 --> 00:42:37,520
Speaker 4: breaking news, hitting against herself, breaking it, breaking news. This

972
00:42:37,520 --> 00:42:40,480
Speaker 4: has never happened. So before I come into work and

973
00:42:40,520 --> 00:42:44,560
Speaker 4: get a text from Amy and there's no there's no

974
00:42:44,680 --> 00:42:46,520
Speaker 4: letters or words in the text. It's just a video.

975
00:42:47,320 --> 00:42:49,880
Speaker 4: And I'm like, oh boy, what's happened here? And so

976
00:42:50,840 --> 00:42:53,600
Speaker 4: Amy sends me a video and all you see is

977
00:42:53,719 --> 00:42:56,279
Speaker 4: inside her bedroom and her door, and this is the

978
00:42:56,440 --> 00:42:58,080
Speaker 4: she's not here. This is the video she sends me.

979
00:42:58,840 --> 00:43:01,960
Speaker 19: Literally locked in my room. I'm trying to leave and

980
00:43:02,040 --> 00:43:04,799
Speaker 19: we can knocket out and I don't know how it's

981
00:43:04,840 --> 00:43:08,520
Speaker 19: happened or why, and my children are.

982
00:43:08,440 --> 00:43:09,279
Speaker 14: Not coming from me.

983
00:43:12,960 --> 00:43:13,240
Speaker 15: What.

984
00:43:14,400 --> 00:43:18,200
Speaker 4: So I'm watching her. She can't get her doorknob, doorknob open,

985
00:43:18,280 --> 00:43:21,520
Speaker 4: she's locked in her bedroom, inside her room. Oh no,

986
00:43:21,920 --> 00:43:25,399
Speaker 4: And so I'm laughing and I'm like, first of all,

987
00:43:26,800 --> 00:43:29,640
Speaker 4: you know how you're flustered if you're late, like the

988
00:43:29,680 --> 00:43:31,080
Speaker 4: clock's little late, you're like, oh my god, how am

989
00:43:31,120 --> 00:43:32,759
Speaker 4: I going to catch up? First of all, I call

990
00:43:32,800 --> 00:43:35,360
Speaker 4: her and I say, remove any fluster because I know

991
00:43:35,400 --> 00:43:37,000
Speaker 4: you're gonna feel like that because you're coming in late.

992
00:43:37,000 --> 00:43:41,840
Speaker 4: I said. Second of all, this is hilarious. So I'm

993
00:43:41,880 --> 00:43:43,960
Speaker 4: texting with her as I'm getting ready coming in and

994
00:43:44,000 --> 00:43:46,719
Speaker 4: I say uh ha ha, oh no, and then I

995
00:43:46,760 --> 00:43:51,880
Speaker 4: write window question mark and she goes, my room's upstairs,

996
00:43:51,960 --> 00:43:55,759
Speaker 4: second floor. Oh, I said, battering ram. Yes, And I said,

997
00:43:55,800 --> 00:43:57,680
Speaker 4: are the kids there? Because it's so early, you can

998
00:43:57,719 --> 00:44:00,520
Speaker 4: wake them up? I said nine to one one question mark.

999
00:44:00,560 --> 00:44:01,440
Speaker 4: Do we need to have lunchbox?

1000
00:44:01,440 --> 00:44:01,520
Speaker 6: Came?

1001
00:44:01,640 --> 00:44:04,640
Speaker 4: Oh? Yes, I said, prayer like, I'm giving her all

1002
00:44:04,680 --> 00:44:06,120
Speaker 4: these options and how to break out of her room.

1003
00:44:06,560 --> 00:44:09,520
Speaker 4: She said, her son, Stevenson, is now awake trying to help.

1004
00:44:11,120 --> 00:44:13,560
Speaker 4: I said, don't worry about work, don't stress out about it.

1005
00:44:13,600 --> 00:44:15,400
Speaker 4: You're gonna be fine, And this is gonna be good

1006
00:44:15,440 --> 00:44:17,839
Speaker 4: content if that makes you feel any better. So then

1007
00:44:17,880 --> 00:44:20,960
Speaker 4: she sends me another video. Here we go. He should

1008
00:44:21,000 --> 00:44:23,399
Speaker 4: be able to hear a little clip that's Stevenson, and.

1009
00:44:23,400 --> 00:44:24,120
Speaker 9: That shouldn't work.

1010
00:44:25,560 --> 00:44:29,400
Speaker 1: But it's not working, don't budget in.

1011
00:44:29,719 --> 00:44:30,000
Speaker 4: I'm not.

1012
00:44:30,840 --> 00:44:33,839
Speaker 5: I'm not. I feel like I'm getting close to within it.

1013
00:44:37,280 --> 00:44:39,680
Speaker 4: They're trying to like pick the lock now her son,

1014
00:44:41,000 --> 00:44:44,799
Speaker 4: it's thirteen or fourteen. Now, it's like going, okay, we're

1015
00:44:44,800 --> 00:44:46,719
Speaker 4: trying to pick pick and she's like, got me too.

1016
00:44:46,800 --> 00:44:48,239
Speaker 8: I love how he's taking charge too.

1017
00:44:48,320 --> 00:44:51,480
Speaker 4: Yeah, he like passed or something under the door, like

1018
00:44:51,520 --> 00:44:55,279
Speaker 4: a like a little paper clip. But unless you like

1019
00:44:55,360 --> 00:44:56,600
Speaker 4: know how to do it, you've only seen it on

1020
00:44:56,640 --> 00:44:57,799
Speaker 4: TV and you don't know how to do it, right.

1021
00:44:57,840 --> 00:45:01,360
Speaker 4: I've seen credit cards even that, right, Like, here's a

1022
00:45:01,360 --> 00:45:05,920
Speaker 4: Amy's trapped in her room right now. Hilarious, hilarious, that's great.

1023
00:45:06,640 --> 00:45:08,000
Speaker 12: What that's great for?

1024
00:45:09,560 --> 00:45:15,120
Speaker 4: I meant more time? Both okay, cool, but just break

1025
00:45:15,120 --> 00:45:17,800
Speaker 4: it down. I said she should knocked the doorknob off,

1026
00:45:18,320 --> 00:45:19,640
Speaker 4: Like how do you do that? You get a book

1027
00:45:19,719 --> 00:45:20,920
Speaker 4: or something and go whack and knock out.

1028
00:45:20,960 --> 00:45:22,120
Speaker 8: You see that's in the movies too.

1029
00:45:22,840 --> 00:45:23,200
Speaker 19: I don't know.

1030
00:45:23,200 --> 00:45:24,839
Speaker 20: I think I could knock a doorknob off, Like at

1031
00:45:24,840 --> 00:45:26,400
Speaker 20: that point, just kick the door open, kick a.

1032
00:45:26,400 --> 00:45:26,799
Speaker 9: Hole through it.

1033
00:45:26,840 --> 00:45:29,080
Speaker 4: Problem with the door, Oh, kick a hole through it?

1034
00:45:29,160 --> 00:45:30,200
Speaker 12: Yeah, and then climb through.

1035
00:45:30,320 --> 00:45:33,120
Speaker 4: That's that's a big hole. You just get a new door.

1036
00:45:33,680 --> 00:45:35,719
Speaker 4: I hear you. But I would knocked the door knob

1037
00:45:35,760 --> 00:45:37,680
Speaker 4: off before I would get a new door. But the

1038
00:45:37,760 --> 00:45:40,080
Speaker 4: problem with kicking the door not a hole, but like

1039
00:45:40,160 --> 00:45:43,560
Speaker 4: kicking it open. The door opens from the inside right,

1040
00:45:44,239 --> 00:45:45,879
Speaker 4: so someone on the other side would have to kick

1041
00:45:45,880 --> 00:45:46,120
Speaker 4: it open.

1042
00:45:46,200 --> 00:45:49,360
Speaker 20: Okay, Stevenson kick Now we should call her in a minute. Okay,

1043
00:45:49,680 --> 00:45:50,640
Speaker 20: is she still stuck in there?

1044
00:45:50,680 --> 00:45:51,080
Speaker 8: Like right now?

1045
00:45:51,120 --> 00:45:54,080
Speaker 4: An updated three minutes ago, she was still stuck in

1046
00:45:54,120 --> 00:45:57,080
Speaker 4: her room. This has never happened. We've been doing this

1047
00:45:57,160 --> 00:46:00,279
Speaker 4: show for one hundred years. It feels like like I

1048
00:46:00,320 --> 00:46:03,480
Speaker 4: met Amy twenty years ago. No one has ever been

1049
00:46:03,520 --> 00:46:09,080
Speaker 4: locked in their house. It almost feels hilarious, like can

1050
00:46:09,120 --> 00:46:10,600
Speaker 4: you actually get locked inside of somewhere?

1051
00:46:10,719 --> 00:46:10,839
Speaker 6: Right?

1052
00:46:10,880 --> 00:46:12,719
Speaker 4: It's like when someone's like, I'm locked inside my car. No,

1053
00:46:12,880 --> 00:46:15,320
Speaker 4: just pull the door handle when you're inside, you just

1054
00:46:15,320 --> 00:46:16,320
Speaker 4: pull the handle into unlocked.

1055
00:46:16,320 --> 00:46:18,160
Speaker 8: See. It sounds like they're working hard open then, and

1056
00:46:18,160 --> 00:46:18,840
Speaker 8: it's not moving.

1057
00:46:19,040 --> 00:46:22,880
Speaker 4: So we're gonna call her if she doesn't, let me

1058
00:46:23,000 --> 00:46:25,560
Speaker 4: check and see if she texted. Oh man, ray, can

1059
00:46:25,600 --> 00:46:26,440
Speaker 4: you get her on the phone.

1060
00:46:26,920 --> 00:46:27,320
Speaker 9: Yep?

1061
00:46:27,840 --> 00:46:28,480
Speaker 12: Hilarious.

1062
00:46:29,480 --> 00:46:31,120
Speaker 4: Oh yeah, I was laughing out loud. And that's why.

1063
00:46:31,120 --> 00:46:33,760
Speaker 4: I wanted to call her to be like, don't feel

1064
00:46:33,760 --> 00:46:35,320
Speaker 4: like you're late and flustered, because there's a lot of

1065
00:46:35,320 --> 00:46:37,080
Speaker 4: stuff that her and I do that she does before

1066
00:46:37,120 --> 00:46:40,719
Speaker 4: the show, lots of local liners and country minute for

1067
00:46:40,840 --> 00:46:42,719
Speaker 4: night shows, and I was like, don' worry about it.

1068
00:46:42,719 --> 00:46:44,000
Speaker 4: We'll take care of all that. So I've been doing

1069
00:46:44,040 --> 00:46:45,799
Speaker 4: a lot of her work, and I'm happy to do

1070
00:46:45,840 --> 00:46:47,160
Speaker 4: it because it's so hilarious.

1071
00:46:47,320 --> 00:46:48,879
Speaker 8: Out of all the things, I didn't expect this one.

1072
00:46:48,960 --> 00:46:51,799
Speaker 4: Yeah, this is too good. Let that car right, let's.

1073
00:46:53,080 --> 00:46:53,640
Speaker 8: Fender bender?

1074
00:46:53,680 --> 00:46:55,960
Speaker 12: No, the major her driving.

1075
00:46:55,800 --> 00:46:59,359
Speaker 4: Ro got thought ten car pile up, multiple fatalities. Wait,

1076
00:46:59,400 --> 00:47:02,719
Speaker 4: what the h did you notice she wasn't here? Though, Yes,

1077
00:47:02,800 --> 00:47:04,399
Speaker 4: you didn't, okay because her car wasn't here.

1078
00:47:04,520 --> 00:47:07,600
Speaker 12: Yeah, well, I just sitting at her chair.

1079
00:47:07,680 --> 00:47:11,040
Speaker 4: Security guy asked me, have you seen Amy? I said no, Oh,

1080
00:47:11,120 --> 00:47:13,200
Speaker 4: I didn't tell him? My bad, My bad.

1081
00:47:13,200 --> 00:47:13,960
Speaker 8: Probably tell him?

1082
00:47:14,160 --> 00:47:16,239
Speaker 4: Well I didn't. Yeah, I was laughing so hard.

1083
00:47:16,960 --> 00:47:18,680
Speaker 12: She should send her son to the neighbors.

1084
00:47:18,760 --> 00:47:20,520
Speaker 4: This is also, this is what people should do if

1085
00:47:20,520 --> 00:47:22,000
Speaker 4: you're late to work. Do this.

1086
00:47:22,200 --> 00:47:24,279
Speaker 20: Yeah, thank you, I thought of it. No, No, when

1087
00:47:24,320 --> 00:47:25,880
Speaker 20: you were telling the story, I'm like, this is Genie

1088
00:47:25,960 --> 00:47:26,239
Speaker 20: you can't.

1089
00:47:26,239 --> 00:47:27,600
Speaker 4: Oh, I think it for you to do it tomorrow. No,

1090
00:47:27,680 --> 00:47:28,120
Speaker 4: you can't do that.

1091
00:47:30,280 --> 00:47:31,400
Speaker 12: Look, Bobby, I'm stuck.

1092
00:47:31,920 --> 00:47:35,080
Speaker 4: Okay, So we're gonna try to call Amy. This is

1093
00:47:35,160 --> 00:47:40,800
Speaker 4: a new situation. After twenty years, we've never had this happen.

1094
00:47:40,840 --> 00:47:41,799
Speaker 4: We can appreciate it for that.

1095
00:47:42,560 --> 00:47:44,640
Speaker 10: Yes, if she's still stuck, we're calling nine one one

1096
00:47:44,680 --> 00:47:45,720
Speaker 10: because we don't want her to starve.

1097
00:47:46,800 --> 00:47:48,879
Speaker 4: And how she dedicated a pea corner in her room,

1098
00:47:48,960 --> 00:47:51,320
Speaker 4: that's a great point because she had there's probably a

1099
00:47:51,320 --> 00:47:53,200
Speaker 4: bathroom in her bedroom. It doesn't matter. You still need

1100
00:47:53,239 --> 00:47:55,080
Speaker 4: a pea corner. If you're trapped anywhere, you need a

1101
00:47:55,080 --> 00:47:59,160
Speaker 4: pea corner. We're going live to Amy's house if you

1102
00:47:59,200 --> 00:48:01,240
Speaker 4: did not wake up. And here the beginning of the show,

1103
00:48:01,840 --> 00:48:04,239
Speaker 4: Amy is locked in her bedroom, right. Would you play

1104
00:48:04,239 --> 00:48:06,160
Speaker 4: that beginning clip again? Because this is what she texted

1105
00:48:06,160 --> 00:48:07,520
Speaker 4: me before I even came into work.

1106
00:48:07,360 --> 00:48:09,520
Speaker 19: This morning, literally locked in my room.

1107
00:48:10,560 --> 00:48:12,640
Speaker 5: I'm trying to leave it. I can walk it out, and.

1108
00:48:12,640 --> 00:48:17,680
Speaker 19: I don't know how it's happened or why my children.

1109
00:48:17,719 --> 00:48:19,120
Speaker 4: So you see here like trying to unlock the doors,

1110
00:48:19,120 --> 00:48:20,759
Speaker 4: like I can't get out, and I say jump out

1111
00:48:20,760 --> 00:48:23,200
Speaker 4: the window. She goes, I'm on the second story. So Amy,

1112
00:48:23,360 --> 00:48:25,080
Speaker 4: are you safe? First of all, are you safe? And

1113
00:48:25,120 --> 00:48:27,400
Speaker 4: have you found a pea corner in your room to

1114
00:48:27,440 --> 00:48:30,080
Speaker 4: make sure that you can still go to the bathroom.

1115
00:48:30,120 --> 00:48:31,719
Speaker 17: Well, I have a bathroom in my room.

1116
00:48:32,040 --> 00:48:33,959
Speaker 4: It doesn't matter. I think you still need a peak

1117
00:48:33,960 --> 00:48:35,240
Speaker 4: cars a bathroom.

1118
00:48:35,680 --> 00:48:38,239
Speaker 17: No, I have the dog and the cat, and I

1119
00:48:38,239 --> 00:48:40,440
Speaker 17: think they are the ones that need use the bathroom.

1120
00:48:40,600 --> 00:48:46,360
Speaker 17: So's got to figure that out. And yeah, help actually

1121
00:48:46,520 --> 00:48:51,120
Speaker 17: is here working on it. So my kids I banged

1122
00:48:51,120 --> 00:48:53,400
Speaker 17: and screamed loud enough to where they woke up and

1123
00:48:53,440 --> 00:48:56,279
Speaker 17: tried to help and put in. But I called some

1124
00:48:56,400 --> 00:48:59,600
Speaker 17: people and so they're actively working on it right now.

1125
00:49:00,560 --> 00:49:02,640
Speaker 4: By actively working, can you hear them on the other

1126
00:49:02,680 --> 00:49:03,600
Speaker 4: side of the door.

1127
00:49:03,880 --> 00:49:05,839
Speaker 17: Yes, like you can hear them working on the other

1128
00:49:05,880 --> 00:49:09,480
Speaker 17: side of the door, Like they're doing like different things,

1129
00:49:09,520 --> 00:49:12,120
Speaker 17: like I don't know. I think I just heard like

1130
00:49:12,680 --> 00:49:15,320
Speaker 17: go get a card, like there's.

1131
00:49:15,160 --> 00:49:19,440
Speaker 4: Some credit cards, threw driver cards. Little.

1132
00:49:20,360 --> 00:49:21,600
Speaker 17: I don't know if you can hear.

1133
00:49:21,440 --> 00:49:24,759
Speaker 4: That, but we can. I thinks breaking in your house.

1134
00:49:26,960 --> 00:49:28,000
Speaker 12: She sounds fammined.

1135
00:49:28,080 --> 00:49:30,400
Speaker 4: Oh no, lunchbox wants to know if you're starving, if

1136
00:49:30,440 --> 00:49:31,799
Speaker 4: you somehow get food to you.

1137
00:49:32,520 --> 00:49:35,440
Speaker 17: Well, I'm about to start having my caffeine headache, so

1138
00:49:35,480 --> 00:49:43,279
Speaker 17: I need coffee with drawer setting in. I need to

1139
00:49:44,280 --> 00:49:48,120
Speaker 17: uh somehow get that. And then I have organized my

1140
00:49:48,239 --> 00:49:56,080
Speaker 17: bathroom and my closet and my dad is Sometimes in

1141
00:49:56,120 --> 00:49:58,000
Speaker 17: the morning I make my bed fully. I always make

1142
00:49:58,040 --> 00:50:00,480
Speaker 17: my bed, but this morning I definitely did little, like

1143
00:50:00,680 --> 00:50:03,960
Speaker 17: just kind of sort of made my bed. But now

1144
00:50:04,000 --> 00:50:04,800
Speaker 17: it is made.

1145
00:50:04,640 --> 00:50:07,640
Speaker 4: Perfectly goami with the sheets folded up into like birds

1146
00:50:07,640 --> 00:50:11,480
Speaker 4: and swans. Yeah do you feel safe? Blink twice if

1147
00:50:11,480 --> 00:50:14,920
Speaker 4: you don't, like we can see her right?

1148
00:50:15,239 --> 00:50:15,439
Speaker 9: Yeah?

1149
00:50:15,719 --> 00:50:16,239
Speaker 17: Uh?

1150
00:50:16,680 --> 00:50:17,200
Speaker 4: Okay.

1151
00:50:17,560 --> 00:50:19,560
Speaker 12: Was there ever a thought of kicking down the door.

1152
00:50:20,800 --> 00:50:23,120
Speaker 17: I don't know that it would be possible. I don't know,

1153
00:50:23,200 --> 00:50:24,920
Speaker 17: but now I'm for sure going to buy one of

1154
00:50:24,920 --> 00:50:27,080
Speaker 17: those little ladder things that you throw out your window

1155
00:50:27,200 --> 00:50:29,839
Speaker 17: because this is necessary.

1156
00:50:30,600 --> 00:50:32,520
Speaker 4: Would you actually have thrown the ladder out and crawled

1157
00:50:32,520 --> 00:50:33,439
Speaker 4: down just to get to work?

1158
00:50:34,440 --> 00:50:36,880
Speaker 17: I think yes, I could do that easy. I was

1159
00:50:36,920 --> 00:50:39,560
Speaker 17: already already figured out. I was on Amazon a minute

1160
00:50:39,600 --> 00:50:42,680
Speaker 17: ago trying to figure out what to order and which

1161
00:50:42,680 --> 00:50:44,239
Speaker 17: win do I throw it out of? Like now I

1162
00:50:44,280 --> 00:50:45,040
Speaker 17: need to be prepared.

1163
00:50:45,120 --> 00:50:46,680
Speaker 4: Amazon p got it already.

1164
00:50:46,760 --> 00:50:47,839
Speaker 8: Yeah, same day?

1165
00:50:48,080 --> 00:50:50,040
Speaker 4: What about Have you thought about calling the fire department?

1166
00:50:51,239 --> 00:50:53,920
Speaker 17: Yes, And I kind of thought, what if that is

1167
00:50:53,960 --> 00:50:55,120
Speaker 17: how I meet somebody?

1168
00:50:55,440 --> 00:50:59,440
Speaker 4: Could you imagine she's oh, he comes up, sweeps away,

1169
00:51:00,000 --> 00:51:01,319
Speaker 4: go to work because they make love all morning?

1170
00:51:02,200 --> 00:51:06,000
Speaker 17: No wait, whoa? That escalated quickly storyline.

1171
00:51:06,120 --> 00:51:07,439
Speaker 12: That's that's what happens in the movie.

1172
00:51:07,480 --> 00:51:09,719
Speaker 4: And he's wearing his suit but no shirt underneath, and

1173
00:51:09,760 --> 00:51:10,359
Speaker 4: the suits on the.

1174
00:51:10,840 --> 00:51:14,160
Speaker 17: Okay, no, I was thinking maybe we go to dinner.

1175
00:51:16,320 --> 00:51:16,799
Speaker 17: I don't know.

1176
00:51:17,160 --> 00:51:18,719
Speaker 4: Yeah, we got sets higher than that.

1177
00:51:19,320 --> 00:51:23,000
Speaker 17: Okay, dinner, Okay, Well, I don't know. I feel like

1178
00:51:23,000 --> 00:51:25,600
Speaker 17: they're making progress. So I'm supposed to like turn the

1179
00:51:25,640 --> 00:51:26,560
Speaker 17: knobs for seconds, so.

1180
00:51:26,640 --> 00:51:28,440
Speaker 4: You'll want to hold I never turned the knob to

1181
00:51:28,480 --> 00:51:31,439
Speaker 4: get out of the right. She just never opened the power.

1182
00:51:32,640 --> 00:51:37,200
Speaker 17: Okay, all right, well they need my assistant, so I'll

1183
00:51:37,200 --> 00:51:37,440
Speaker 17: do it.

1184
00:51:37,760 --> 00:51:40,160
Speaker 4: Yeah, let's go live. Yeah what we are live? I

1185
00:51:40,200 --> 00:51:42,640
Speaker 4: mean okay, okay, we're going to listen to Amy's locked

1186
00:51:42,640 --> 00:51:44,320
Speaker 4: in her bedroom ahead, and then what am I supposed

1187
00:51:44,360 --> 00:51:44,600
Speaker 4: to do?

1188
00:51:44,800 --> 00:51:52,719
Speaker 17: Like we're to the left, Okay, I'm turning it to

1189
00:51:52,760 --> 00:51:58,560
Speaker 17: the left. What is that thing you're sticking through there?

1190
00:51:58,960 --> 00:52:01,400
Speaker 4: That's dirty? That's called aire fighter. No, that's called a

1191
00:52:01,440 --> 00:52:04,080
Speaker 4: glory hole. Don't touch it. Don't got a.

1192
00:52:04,040 --> 00:52:05,920
Speaker 12: Question that she she had a door expert.

1193
00:52:05,920 --> 00:52:06,359
Speaker 9: Who is this?

1194
00:52:06,480 --> 00:52:09,320
Speaker 4: Yeah, it's like on a pond stars. She knows a guy. Okay,

1195
00:52:09,600 --> 00:52:10,880
Speaker 4: do she knows the door expert?

1196
00:52:12,440 --> 00:52:16,000
Speaker 17: Okay? Wait, I'm turning to the left, my last or

1197
00:52:16,040 --> 00:52:16,520
Speaker 17: your left?

1198
00:52:16,800 --> 00:52:18,320
Speaker 8: Oh my god?

1199
00:52:19,160 --> 00:52:19,359
Speaker 9: Yeah?

1200
00:52:19,480 --> 00:52:19,759
Speaker 21: Let go?

1201
00:52:20,800 --> 00:52:27,319
Speaker 4: Okay, No, does sound good? Guys, I've heard a lot

1202
00:52:27,320 --> 00:52:28,560
Speaker 4: of doors open. Don sound like that?

1203
00:52:29,800 --> 00:52:31,480
Speaker 8: Amy? Can they unscrew the doorknob?

1204
00:52:31,920 --> 00:52:33,920
Speaker 4: Just knock the doorknob off and didn't get a new

1205
00:52:33,920 --> 00:52:35,280
Speaker 4: doorholl That's what I would have done.

1206
00:52:35,960 --> 00:52:41,200
Speaker 17: They already tried to screw the unscrewed You watch Language

1207
00:52:41,239 --> 00:52:44,719
Speaker 17: World in the morning, literally unscrew it?

1208
00:52:44,760 --> 00:52:44,920
Speaker 14: Oh?

1209
00:52:45,040 --> 00:52:45,320
Speaker 9: Got it?

1210
00:52:45,480 --> 00:52:49,280
Speaker 12: So, Amy, did you call a locks Let's just so worried.

1211
00:52:49,280 --> 00:52:50,399
Speaker 4: He's going through puberty right now?

1212
00:52:50,400 --> 00:52:57,719
Speaker 17: Amy, I called oh h.

1213
00:53:00,080 --> 00:53:04,760
Speaker 4: In He said, Yeah, she's just looking to meet anybody.

1214
00:53:04,800 --> 00:53:06,520
Speaker 4: I think the door is not even broken. She's finding

1215
00:53:06,520 --> 00:53:11,399
Speaker 4: a way to call every dude in town. I called

1216
00:53:11,480 --> 00:53:14,400
Speaker 4: a local heart surgeon who I read with single Instagram?

1217
00:53:14,960 --> 00:53:16,239
Speaker 17: Wait, so do I pull it?

1218
00:53:17,680 --> 00:53:19,359
Speaker 4: What if the door has always been a pull? She's

1219
00:53:19,600 --> 00:53:20,600
Speaker 4: trying to push the whole time.

1220
00:53:22,120 --> 00:53:23,520
Speaker 17: Well, we're gonna try to block.

1221
00:53:23,640 --> 00:53:25,520
Speaker 14: Where is the where it goes?

1222
00:53:27,080 --> 00:53:30,840
Speaker 12: Okay, wow, woman, that sure does It doesn't sound like

1223
00:53:30,840 --> 00:53:31,160
Speaker 12: a man.

1224
00:53:32,600 --> 00:53:35,600
Speaker 17: Okay, shaman, do you have your phone?

1225
00:53:39,120 --> 00:53:40,840
Speaker 8: She's like, call it handy man.

1226
00:53:42,680 --> 00:53:49,040
Speaker 4: Here Okay, she broke out. Amy's trying to get out

1227
00:53:49,040 --> 00:53:50,839
Speaker 4: of her bedroom. She's not at work because she's been

1228
00:53:50,840 --> 00:53:52,920
Speaker 4: locked in her room.

1229
00:53:52,160 --> 00:53:57,280
Speaker 17: Who who's on the other side You've.

1230
00:53:57,120 --> 00:53:58,080
Speaker 8: Been talking to him?

1231
00:53:58,600 --> 00:54:01,520
Speaker 4: No, su there's a hole cast of characters on the

1232
00:54:01,560 --> 00:54:07,279
Speaker 4: other side of the hand. Oh, listeners are stopping by.

1233
00:54:07,880 --> 00:54:08,440
Speaker 14: Oh, I just.

1234
00:54:08,400 --> 00:54:13,440
Speaker 17: Didn't know, Shannon. If you can you.

1235
00:54:13,000 --> 00:54:13,799
Speaker 4: We're going to come back.

1236
00:54:15,000 --> 00:54:16,919
Speaker 12: I feel like we're not close though, Yeah, I don't

1237
00:54:16,920 --> 00:54:17,200
Speaker 12: think so.

1238
00:54:17,200 --> 00:54:19,560
Speaker 4: I feel like we're not close. Hey, Amy can ask

1239
00:54:19,560 --> 00:54:22,440
Speaker 4: a question, Yes, why don't you? Can you not just

1240
00:54:22,440 --> 00:54:25,480
Speaker 4: take a hammer and bang the doorknob off because doorknobs

1241
00:54:25,520 --> 00:54:26,719
Speaker 4: relatively inexpensive.

1242
00:54:27,719 --> 00:54:31,920
Speaker 17: Well, I just gotten new doorknob.

1243
00:54:33,239 --> 00:54:35,279
Speaker 4: I will buy you a right new doorknob if that's

1244
00:54:35,280 --> 00:54:38,520
Speaker 4: the case. If you're really hurting from doorob, well.

1245
00:54:38,680 --> 00:54:42,560
Speaker 17: No, but yes, I suppose you could. But it's the

1246
00:54:42,719 --> 00:54:48,279
Speaker 17: lock that is coming. It's somehow stuck. I don't really

1247
00:54:48,320 --> 00:54:51,000
Speaker 17: know they're close. They say they're close. I hear. I

1248
00:54:51,080 --> 00:54:52,360
Speaker 17: just heard. Oh, we're close.

1249
00:54:53,200 --> 00:54:54,400
Speaker 4: Okay, we're going to come back.

1250
00:54:54,760 --> 00:54:56,560
Speaker 8: I'm getting frustrated. I want to go help so bad.

1251
00:54:56,640 --> 00:54:58,000
Speaker 10: I want I want to take a hammer through the

1252
00:54:58,000 --> 00:55:00,560
Speaker 10: door so she can crawl through.

1253
00:55:00,600 --> 00:55:02,480
Speaker 12: I mean, great video of her crawling through.

1254
00:55:02,320 --> 00:55:04,520
Speaker 4: The She's not going to break the door knob.

1255
00:55:04,640 --> 00:55:06,680
Speaker 20: She's not going to kick a hole in the door. Well,

1256
00:55:06,880 --> 00:55:09,160
Speaker 20: let's just give it a kick. That's it, just try it.

1257
00:55:09,200 --> 00:55:11,120
Speaker 4: But the kick is on the inside. She needs somebody

1258
00:55:11,160 --> 00:55:13,680
Speaker 4: outside to kick in. Someone's out there, the handyman's out there,

1259
00:55:15,400 --> 00:55:16,200
Speaker 4: and so as shamming.

1260
00:55:16,400 --> 00:55:19,680
Speaker 17: I heard that right, right, Well, I hope both my

1261
00:55:19,760 --> 00:55:22,280
Speaker 17: kids left for school because they're definitely also.

1262
00:55:22,120 --> 00:55:23,200
Speaker 4: Playing video games right now.

1263
00:55:23,560 --> 00:55:29,040
Speaker 20: Totally, I'm not going to school. Are mom and mom

1264
00:55:29,120 --> 00:55:29,880
Speaker 20: stuck in her bedroom?

1265
00:55:29,880 --> 00:55:32,960
Speaker 4: We're gonna have to come back. Amy has locked in

1266
00:55:33,000 --> 00:55:35,440
Speaker 4: her bedroom. She's not obviously, she's going to miss the

1267
00:55:35,440 --> 00:55:37,920
Speaker 4: first hour of the show.

1268
00:55:38,239 --> 00:55:38,680
Speaker 22: I love it.

1269
00:55:39,000 --> 00:55:41,000
Speaker 14: Okay, hey, hey.

1270
00:55:41,160 --> 00:55:44,440
Speaker 4: Okay, like she's acting like somebody discovered on a deserted island.

1271
00:55:45,120 --> 00:55:48,719
Speaker 14: Thank you so much, thank you, thank you.

1272
00:55:49,040 --> 00:55:56,680
Speaker 4: Okay, Hey, what's up with mister d voice over there?

1273
00:55:59,040 --> 00:56:04,880
Speaker 17: What happened? Is it broken? Well? Yeah, Okay, I need

1274
00:56:04,920 --> 00:56:05,880
Speaker 17: to get a new one.

1275
00:56:06,200 --> 00:56:10,520
Speaker 4: Okay, ask him how that happened? Like, what happened?

1276
00:56:10,560 --> 00:56:12,920
Speaker 14: You know how this happens?

1277
00:56:13,840 --> 00:56:16,640
Speaker 9: Oh?

1278
00:56:16,719 --> 00:56:19,680
Speaker 17: Come, you said, Noah black.

1279
00:56:21,160 --> 00:56:22,000
Speaker 4: Let Eddie talk to him?

1280
00:56:22,200 --> 00:56:23,520
Speaker 8: Yes, yes, let me talk to him.

1281
00:56:23,520 --> 00:56:32,319
Speaker 4: Can Eddy talk to him? Yes? Okay? Is Eddie talking

1282
00:56:32,320 --> 00:56:33,080
Speaker 4: to us one of the.

1283
00:56:35,040 --> 00:56:35,840
Speaker 8: Set.

1284
00:56:41,000 --> 00:56:45,799
Speaker 4: We know what that means, Mike, Mike, the little thing

1285
00:56:45,800 --> 00:56:46,719
Speaker 4: in the middle is what it was.

1286
00:56:46,760 --> 00:56:56,400
Speaker 20: Okay, okay, okay, Star handle Necessita, Mississa.

1287
00:56:56,440 --> 00:56:57,720
Speaker 8: Oh, she needs a new chapper.

1288
00:56:57,800 --> 00:56:58,720
Speaker 4: Ask your she's crazy?

1289
00:56:58,960 --> 00:57:00,279
Speaker 8: Is that local lasson about?

1290
00:57:00,320 --> 00:57:05,280
Speaker 20: You know, last signor start local?

1291
00:57:05,560 --> 00:57:05,600
Speaker 2: No?

1292
00:57:07,440 --> 00:57:19,680
Speaker 14: See, yes, okay, okay, guys, I'm free. I'm gonna get

1293
00:57:19,760 --> 00:57:20,720
Speaker 14: coffee and then I'll.

1294
00:57:20,560 --> 00:57:21,040
Speaker 17: Come to work.

1295
00:57:21,120 --> 00:57:25,800
Speaker 4: Okay, no rush, Hey Amy, Amy Amy?

1296
00:57:25,800 --> 00:57:28,160
Speaker 17: Oh he oh. He just pointed to the phone and

1297
00:57:28,200 --> 00:57:30,840
Speaker 17: said that y'all are crazy.

1298
00:57:31,560 --> 00:57:34,160
Speaker 4: Uh tip him? Tip tip him?

1299
00:57:34,160 --> 00:57:37,240
Speaker 8: Well nice thanks mom, not Eddie? What do you mean,

1300
00:57:37,280 --> 00:57:37,600
Speaker 8: no tip?

1301
00:57:37,640 --> 00:57:41,240
Speaker 4: Not tip you tip tip the guy? Well, yes, of course, okay,

1302
00:57:41,280 --> 00:57:43,040
Speaker 4: I know. I'm just saying that because he was also

1303
00:57:43,080 --> 00:57:44,840
Speaker 4: on the show with us, and that's what the tips

1304
00:57:44,880 --> 00:57:47,400
Speaker 4: really for. Yeah, he was, yeah, all right, we'll see,

1305
00:57:47,600 --> 00:57:50,000
Speaker 4: we'll see in a little bit. Okay.

1306
00:57:50,160 --> 00:57:53,160
Speaker 17: Well, yeah, all right, last.

1307
00:57:53,360 --> 00:57:57,040
Speaker 4: Last she made all right by Amy, don't be right. Hey,

1308
00:57:57,040 --> 00:57:57,880
Speaker 4: stop and get a coffee.

1309
00:57:57,880 --> 00:57:58,880
Speaker 8: Hey, he's the one.

1310
00:57:59,280 --> 00:58:02,000
Speaker 4: Take your week time. You know, I go the long

1311
00:58:02,000 --> 00:58:06,560
Speaker 4: way right and she's gone. She locked out of her

1312
00:58:06,600 --> 00:58:11,320
Speaker 4: phone notes. Okay, well that was fun. Huh that Look

1313
00:58:11,320 --> 00:58:15,600
Speaker 4: who's back. She's safe. It's Amy's back. She was locked

1314
00:58:15,600 --> 00:58:19,920
Speaker 4: in her bedroom on the inside. Never heard of that before.

1315
00:58:20,480 --> 00:58:22,280
Speaker 4: But if you go listen to the podcast, you can

1316
00:58:22,320 --> 00:58:24,439
Speaker 4: hear us do half hour with Amy locked in her room.

1317
00:58:24,840 --> 00:58:27,080
Speaker 4: Her kid can't get her out, her friend can't get

1318
00:58:27,080 --> 00:58:29,480
Speaker 4: her out. Finally a handyman comes and gets her out.

1319
00:58:29,720 --> 00:58:34,840
Speaker 4: Handyman doesn't know English, so Eddie translates Amy's out and

1320
00:58:34,880 --> 00:58:39,120
Speaker 4: she's safe. We were so worried, and wow are we Yeah?

1321
00:58:39,280 --> 00:58:42,080
Speaker 4: We worried, Yeah, Queen, we were so worried.

1322
00:58:42,360 --> 00:58:45,600
Speaker 6: You're very grateful for everybody that woke up to try

1323
00:58:45,600 --> 00:58:45,960
Speaker 6: to help me.

1324
00:58:46,040 --> 00:58:46,520
Speaker 8: No problem.

1325
00:58:46,920 --> 00:58:48,960
Speaker 4: When I saw the when her when she just texted

1326
00:58:49,000 --> 00:58:50,760
Speaker 4: me a video before I got to work early early,

1327
00:58:51,080 --> 00:58:52,920
Speaker 4: no text involved, just a video. I was like, oh

1328
00:58:52,960 --> 00:58:55,800
Speaker 4: my god, because why would somebody just send a video

1329
00:58:56,000 --> 00:59:00,520
Speaker 4: that early unless something is wrong? And Ray, would you

1330
00:59:00,560 --> 00:59:02,440
Speaker 4: play just the beginning clip for listeners that missed it.

1331
00:59:03,200 --> 00:59:06,360
Speaker 19: Literally locked in my room. I'm trying to leave and

1332
00:59:06,400 --> 00:59:08,880
Speaker 19: I can knot get out, and I don't know how

1333
00:59:08,960 --> 00:59:13,480
Speaker 19: it's happened or why my children don't any.

1334
00:59:13,360 --> 00:59:18,600
Speaker 4: From me, and said that for thirty minutes, and I

1335
00:59:18,720 --> 00:59:19,800
Speaker 4: like this. She blamed her children.

1336
00:59:20,760 --> 00:59:25,320
Speaker 6: She's like, they're not coming for me, they're fully awake yet.

1337
00:59:25,360 --> 00:59:29,520
Speaker 6: And I'm banging on the walls being like childread the.

1338
00:59:29,560 --> 00:59:33,840
Speaker 4: Kids probably like mom, probably have somebody over again. Just kidding, Joe,

1339
00:59:34,480 --> 00:59:38,640
Speaker 4: Joe a terrible joke, kind of funny but terrible. A minute, okay,

1340
00:59:38,760 --> 00:59:43,720
Speaker 4: thank you, terrible kind of funny thing. Amy's back, so

1341
00:59:43,760 --> 00:59:44,120
Speaker 4: that's all.

1342
00:59:44,240 --> 00:59:45,160
Speaker 8: Thank goodness.

1343
00:59:45,560 --> 00:59:50,320
Speaker 4: She's safe. The door locked monster got her, but she led, yeah,

1344
00:59:50,720 --> 00:59:51,960
Speaker 4: tell us about it, and you got.

1345
00:59:51,920 --> 00:59:53,600
Speaker 8: The bad news though, you're gonna get a new door, and.

1346
00:59:53,760 --> 00:59:56,560
Speaker 5: Yeah a lock, right, just a whole new door.

1347
00:59:56,800 --> 00:59:58,320
Speaker 4: You have sold all those other doors.

1348
00:59:58,760 --> 00:59:59,440
Speaker 5: Not a whole new door.

1349
00:59:59,720 --> 01:00:00,800
Speaker 4: FA marketplace.

1350
01:00:02,520 --> 01:00:06,520
Speaker 7: It's the best bits of the week with Morgan Number two.

1351
01:00:12,040 --> 01:00:13,880
Speaker 2: There was a long standing segment on our show that

1352
01:00:13,920 --> 01:00:16,600
Speaker 2: was existing for several months of twenty twenty four where

1353
01:00:16,640 --> 01:00:19,320
Speaker 2: Bobby wanted to send Eddie to Turkey to get a

1354
01:00:19,360 --> 01:00:22,160
Speaker 2: hair transplant well, and he didn't really want to go

1355
01:00:22,240 --> 01:00:24,280
Speaker 2: to Turkey, you know, travel to another country and.

1356
01:00:24,240 --> 01:00:24,920
Speaker 3: All that stuff.

1357
01:00:24,960 --> 01:00:28,520
Speaker 2: So it then evolved into him getting a hair system,

1358
01:00:28,840 --> 01:00:31,720
Speaker 2: which is the modern version of a two pay and

1359
01:00:31,760 --> 01:00:34,560
Speaker 2: it looked really, really good. But now it's evolved where

1360
01:00:34,600 --> 01:00:38,880
Speaker 2: Eddie doesn't even have the hair system just unfortunately for me,

1361
01:00:38,920 --> 01:00:42,320
Speaker 2: it sits in between our desk on our studio equipment,

1362
01:00:42,480 --> 01:00:45,280
Speaker 2: which is kind of gross. You're gonna hear the moment

1363
01:00:45,320 --> 01:00:47,800
Speaker 2: here where Eddie got his hair system, because it was

1364
01:00:47,840 --> 01:00:50,240
Speaker 2: a huge moment and shocked all of us to.

1365
01:00:50,240 --> 01:00:53,120
Speaker 3: See Eddie with this full thing of hair when we've

1366
01:00:53,160 --> 01:00:54,240
Speaker 3: only known him one way.

1367
01:00:54,840 --> 01:00:57,920
Speaker 4: Number two in studio right now, Julie Taylor, owner of

1368
01:00:58,040 --> 01:01:02,600
Speaker 4: Jbanks Salon and Nashville Hair Replacement, Am I saying that? Right? Okay,

1369
01:01:02,720 --> 01:01:04,960
Speaker 4: so Julie, we're here because Eddie is.

1370
01:01:05,760 --> 01:01:07,560
Speaker 11: I'm here to make Eddie look ten years younger.

1371
01:01:07,800 --> 01:01:08,000
Speaker 9: Yeah?

1372
01:01:08,560 --> 01:01:09,480
Speaker 4: Can we do fifteen?

1373
01:01:09,840 --> 01:01:14,080
Speaker 11: I could do fifteen? Is that what you typically see

1374
01:01:14,200 --> 01:01:18,840
Speaker 11: with It's air amazing and the confidence that they shine

1375
01:01:18,920 --> 01:01:21,919
Speaker 11: through after they get hair, they feel like themselves again.

1376
01:01:22,040 --> 01:01:24,200
Speaker 4: I have so many questions, and so let's roll through

1377
01:01:24,200 --> 01:01:26,520
Speaker 4: some questions because what's gonna happen is we're gonna let

1378
01:01:26,880 --> 01:01:29,760
Speaker 4: Eddie and Julie go off, and she's gonna because I

1379
01:01:29,760 --> 01:01:31,400
Speaker 4: don't let's talk about the process. But Eddie's gonna have

1380
01:01:31,440 --> 01:01:32,240
Speaker 4: a new head of hair today.

1381
01:01:32,360 --> 01:01:33,000
Speaker 8: It is amazing.

1382
01:01:33,120 --> 01:01:35,200
Speaker 4: So what is the process? You'll leave this room with

1383
01:01:35,360 --> 01:01:36,840
Speaker 4: Eddie and what do you do.

1384
01:01:37,320 --> 01:01:40,040
Speaker 11: It's a pretty simple process. I mean, it's non surgical

1385
01:01:40,160 --> 01:01:40,920
Speaker 11: hair replacements.

1386
01:01:40,960 --> 01:01:42,200
Speaker 4: Is that his hair you're gonna put on his head

1387
01:01:44,760 --> 01:01:45,760
Speaker 4: of hair?

1388
01:01:45,440 --> 01:01:45,480
Speaker 10: That?

1389
01:01:48,040 --> 01:01:50,840
Speaker 11: Yeah, it's like a now, but you guys, it will

1390
01:01:50,880 --> 01:01:52,320
Speaker 11: look natural when I get it on you.

1391
01:01:52,400 --> 01:01:54,600
Speaker 4: Okay, so you will that won't be my hairstyle.

1392
01:01:54,880 --> 01:01:56,440
Speaker 11: No, that's not going to be your hairstyle. I mean,

1393
01:01:56,520 --> 01:01:57,120
Speaker 11: unless you want.

1394
01:01:57,200 --> 01:01:58,400
Speaker 4: That's pretty cool, shaggy dog.

1395
01:01:59,200 --> 01:02:00,200
Speaker 5: You're gonna cut it it.

1396
01:02:00,440 --> 01:02:02,240
Speaker 11: I'm going to cut the heck out of it. Okay,

1397
01:02:02,280 --> 01:02:04,720
Speaker 11: it will look like a natural. It's gonna look like

1398
01:02:04,720 --> 01:02:06,240
Speaker 11: his hair. You will not know.

1399
01:02:06,400 --> 01:02:07,880
Speaker 4: So what do you do? So you will say, walk

1400
01:02:07,880 --> 01:02:11,240
Speaker 4: out with Eddie. When you guys do your thing. You

1401
01:02:10,800 --> 01:02:12,840
Speaker 4: he takes his hat off, do you like shave part

1402
01:02:12,840 --> 01:02:13,280
Speaker 4: of his head?

1403
01:02:13,360 --> 01:02:16,040
Speaker 11: I Am going to shave you a grandfa haircut today.

1404
01:02:16,200 --> 01:02:17,440
Speaker 4: So he looked like doctor Phil and it is h

1405
01:02:17,520 --> 01:02:18,040
Speaker 4: top of his head.

1406
01:02:18,080 --> 01:02:20,000
Speaker 11: He will for a minute, and how.

1407
01:02:19,800 --> 01:02:22,640
Speaker 4: Long will this thing stay on his head before like

1408
01:02:22,880 --> 01:02:23,600
Speaker 4: it starts to.

1409
01:02:23,600 --> 01:02:26,920
Speaker 11: Like fall monthly maintenance. Once a month you come to

1410
01:02:26,960 --> 01:02:27,720
Speaker 11: the salon.

1411
01:02:27,520 --> 01:02:29,880
Speaker 4: I take it off, so your haircut it is.

1412
01:02:30,160 --> 01:02:32,200
Speaker 11: Yeah, I mean that's that's all it takes to wear

1413
01:02:32,200 --> 01:02:32,640
Speaker 11: a system.

1414
01:02:32,880 --> 01:02:35,600
Speaker 8: So once that thing is on my head, that's that's my.

1415
01:02:35,600 --> 01:02:36,920
Speaker 11: Wig, it's yours.

1416
01:02:36,960 --> 01:02:37,360
Speaker 4: Do you call it?

1417
01:02:37,760 --> 01:02:40,760
Speaker 11: Feels like it's wig insulting A wig and two pay

1418
01:02:40,800 --> 01:02:41,440
Speaker 11: are insulting.

1419
01:02:41,480 --> 01:02:42,960
Speaker 5: I hear you're calling it a system.

1420
01:02:43,000 --> 01:02:45,960
Speaker 11: The technology in this it's a it's a modern men's

1421
01:02:46,000 --> 01:02:46,760
Speaker 11: hair system.

1422
01:02:47,000 --> 01:02:48,919
Speaker 20: I'm not worried though if I do a little dive

1423
01:02:48,960 --> 01:02:50,200
Speaker 20: off the diving board that's going to.

1424
01:02:50,200 --> 01:02:51,040
Speaker 8: Fall off at the pool.

1425
01:02:51,080 --> 01:02:53,400
Speaker 11: It will never fly off like you see in the movie.

1426
01:02:53,480 --> 01:02:56,880
Speaker 20: Yes, ever, I'm so excited about this, and I do

1427
01:02:57,040 --> 01:02:58,920
Speaker 20: drive a jeep and I love the hair in my

1428
01:02:58,960 --> 01:02:59,720
Speaker 20: wind idea.

1429
01:03:00,120 --> 01:03:01,160
Speaker 8: I've been dreaming about that.

1430
01:03:01,280 --> 01:03:03,560
Speaker 11: Oh, my clients live their best life with the wind

1431
01:03:03,560 --> 01:03:04,400
Speaker 11: in their hairy.

1432
01:03:04,320 --> 01:03:06,760
Speaker 6: Wouldn't you say, my clients, do you have to book

1433
01:03:06,840 --> 01:03:09,560
Speaker 6: them like with a buffer in between or do they

1434
01:03:09,640 --> 01:03:12,360
Speaker 6: mind if clients see clients you know, because they feel

1435
01:03:12,360 --> 01:03:14,560
Speaker 6: like Oh, they might not want to.

1436
01:03:15,000 --> 01:03:16,800
Speaker 4: You know, that's a good point, Like they don't want

1437
01:03:16,800 --> 01:03:18,360
Speaker 4: to run into somebody else who's scaring it.

1438
01:03:18,400 --> 01:03:20,040
Speaker 5: Do you have a thirty minute buffer?

1439
01:03:20,200 --> 01:03:23,480
Speaker 11: So we don't have that yet. We do have private rooms.

1440
01:03:24,360 --> 01:03:26,400
Speaker 11: I would say fifty percent of the clients that wear

1441
01:03:26,480 --> 01:03:28,800
Speaker 11: these they they want to flawn it. They don't care

1442
01:03:28,880 --> 01:03:32,320
Speaker 11: that people know that they're wearing it like the others.

1443
01:03:32,480 --> 01:03:36,680
Speaker 4: Yeah what kay right?

1444
01:03:37,840 --> 01:03:40,360
Speaker 11: You know other clients that the high profiles, I can

1445
01:03:40,400 --> 01:03:42,960
Speaker 11: do them, you know, on a day off for certain

1446
01:03:43,000 --> 01:03:45,080
Speaker 11: hours that the saunt are closed and stuff like that.

1447
01:03:45,120 --> 01:03:48,320
Speaker 4: How long have you been doing this version of your work?

1448
01:03:48,360 --> 01:03:50,040
Speaker 11: This version about five years?

1449
01:03:50,520 --> 01:03:52,919
Speaker 4: And what's the difference, because again, we've only seen movies

1450
01:03:52,920 --> 01:03:54,720
Speaker 4: where the people's like fall off, where you're like they're

1451
01:03:54,760 --> 01:03:56,520
Speaker 4: like pointing and they have no idea.

1452
01:03:56,800 --> 01:03:59,560
Speaker 11: This is so far past that, right, so far past it.

1453
01:04:00,320 --> 01:04:02,800
Speaker 11: There's so many tape and glue options. We're going to

1454
01:04:02,880 --> 01:04:05,160
Speaker 11: go in and go with the basic option for you, Eddie,

1455
01:04:06,200 --> 01:04:08,479
Speaker 11: just with with glue, and like I said, you won't

1456
01:04:08,480 --> 01:04:10,480
Speaker 11: even feel it. You're gonna be surprised.

1457
01:04:10,560 --> 01:04:12,240
Speaker 4: Okay, So we're gonna keep her on here for a second.

1458
01:04:12,240 --> 01:04:14,680
Speaker 4: We're with Julie Taylor. She is the owner of Jabank

1459
01:04:14,720 --> 01:04:17,760
Speaker 4: Salon and Nashville Hair Replacement. Are you are you trained

1460
01:04:17,760 --> 01:04:18,440
Speaker 4: to cut hair as well?

1461
01:04:18,480 --> 01:04:20,720
Speaker 11: Oh? Yeah, I do it all really but mainly this

1462
01:04:20,800 --> 01:04:22,040
Speaker 11: is all I do.

1463
01:04:22,160 --> 01:04:24,400
Speaker 4: But did you learn to cut hair though before you did?

1464
01:04:24,440 --> 01:04:24,600
Speaker 14: Oh?

1465
01:04:24,680 --> 01:04:27,440
Speaker 4: Yeah, so you were a hairsty stylus. That's cool. So

1466
01:04:27,480 --> 01:04:29,680
Speaker 4: we're also going to link her and we're gonna put

1467
01:04:29,680 --> 01:04:31,560
Speaker 4: her in the podcast show notes, so you can find

1468
01:04:31,600 --> 01:04:34,000
Speaker 4: that the Instagram and stuff. But the website is Nashville

1469
01:04:34,000 --> 01:04:36,120
Speaker 4: Hair Replacement dot com. Do you have clients all over

1470
01:04:36,120 --> 01:04:37,640
Speaker 4: the country, all over the country, because our show is

1471
01:04:37,640 --> 01:04:40,840
Speaker 4: all over the country. So Nashville Hair Replacement dot com.

1472
01:04:40,960 --> 01:04:42,439
Speaker 11: What do we call it, Julie, Because we don't say

1473
01:04:42,600 --> 01:04:45,360
Speaker 11: to Pey, what do we say modern men's hair system?

1474
01:04:45,440 --> 01:04:48,040
Speaker 4: But if we're saying Eddie's about to get new hair, yeah,

1475
01:04:48,120 --> 01:04:49,360
Speaker 4: what's going to be on his head?

1476
01:04:49,720 --> 01:04:50,480
Speaker 11: A hair system?

1477
01:04:50,600 --> 01:04:53,680
Speaker 4: Okay, my system? Many to save it alone. Julie's here

1478
01:04:53,680 --> 01:04:55,960
Speaker 4: and Eddi's gonna have new hair with a new hair

1479
01:04:56,000 --> 01:04:59,400
Speaker 4: system in the next hour. So we'll do we'll do

1480
01:04:59,440 --> 01:05:02,920
Speaker 4: the reveal on the air and Eddie, what are your

1481
01:05:02,920 --> 01:05:05,080
Speaker 4: thoughts You're about to get a new hair system.

1482
01:05:05,160 --> 01:05:05,880
Speaker 8: I have questions.

1483
01:05:05,880 --> 01:05:07,600
Speaker 4: Go ahead, is that real hair?

1484
01:05:07,760 --> 01:05:08,560
Speaker 11: It's human hair?

1485
01:05:10,320 --> 01:05:12,320
Speaker 4: My gosh, what do they get their hair?

1486
01:05:12,760 --> 01:05:16,320
Speaker 11: I have a US manufacturer that does this, and distributor

1487
01:05:16,320 --> 01:05:18,480
Speaker 11: and stuff. I keep most of the hair systems in

1488
01:05:18,520 --> 01:05:19,640
Speaker 11: stock at the salon.

1489
01:05:19,400 --> 01:05:22,520
Speaker 4: One on Earth. I'm wearing somebody else's. Somebody who died

1490
01:05:22,560 --> 01:05:24,360
Speaker 4: and like gave you their hair, maybe like an organ.

1491
01:05:24,440 --> 01:05:27,760
Speaker 4: It's like somebody who just donated their hair. Wow.

1492
01:05:28,120 --> 01:05:29,840
Speaker 10: Like so when I donated my hair, I could have

1493
01:05:29,880 --> 01:05:31,560
Speaker 10: been a system on someone else.

1494
01:05:31,720 --> 01:05:33,520
Speaker 4: You could, but they said your hair was too gross.

1495
01:05:33,520 --> 01:05:36,160
Speaker 4: They used it for the oil spill, pick up the

1496
01:05:36,160 --> 01:05:39,240
Speaker 4: oil it was needed. Yeah, yeah, yeah, yeah yeah. And

1497
01:05:40,080 --> 01:05:41,880
Speaker 4: can people donate their hair to you or they have

1498
01:05:42,240 --> 01:05:43,840
Speaker 4: to go through a process, through a whole process.

1499
01:05:44,120 --> 01:05:45,840
Speaker 20: Dude, you can be one of something else's. That's crazy,

1500
01:05:45,840 --> 01:05:47,640
Speaker 20: that's crazy to think about it. It's real though, No,

1501
01:05:47,760 --> 01:05:50,760
Speaker 20: I know, I know, it's it's okay. So the styles

1502
01:05:50,800 --> 01:05:52,600
Speaker 20: can I put like gel in it, a little bit

1503
01:05:52,640 --> 01:05:53,680
Speaker 20: of a palmade, but.

1504
01:05:53,880 --> 01:05:57,160
Speaker 11: They style really easily. They've got just enough texture in them.

1505
01:05:57,720 --> 01:06:01,280
Speaker 11: The haircut is going to just style itself, like you know.

1506
01:06:01,400 --> 01:06:03,240
Speaker 11: My goal is you just run your hands through your

1507
01:06:03,280 --> 01:06:04,480
Speaker 11: hair and that's it.

1508
01:06:04,880 --> 01:06:07,800
Speaker 4: Let's just say it's a really windy day, exceptionally Wendy,

1509
01:06:07,800 --> 01:06:09,120
Speaker 4: any chance when we flies off.

1510
01:06:09,280 --> 01:06:12,720
Speaker 11: No, it's not going to fly off a crazy had

1511
01:06:12,720 --> 01:06:15,480
Speaker 11: people tested. I've had people surf in it and you're

1512
01:06:15,560 --> 01:06:18,000
Speaker 11: all kind of crazy roller coasters and stuff, and it

1513
01:06:18,040 --> 01:06:18,360
Speaker 11: has not.

1514
01:06:18,600 --> 01:06:18,760
Speaker 9: Wow.

1515
01:06:18,800 --> 01:06:20,960
Speaker 4: Okay, Okay, you're good, Eddie, your thoughts, your emotions.

1516
01:06:21,040 --> 01:06:24,040
Speaker 20: Right now, I'm super excited. Like, the fact that I'm

1517
01:06:24,080 --> 01:06:27,160
Speaker 20: going to have hair in the next few minutes is amazing.

1518
01:06:27,280 --> 01:06:30,600
Speaker 4: Good hair hair. Will you shure your head because we're

1519
01:06:30,600 --> 01:06:32,920
Speaker 4: gonna have to see it before now the pictures she's

1520
01:06:32,960 --> 01:06:35,880
Speaker 4: seen it. How so what do you think about that hair?

1521
01:06:35,920 --> 01:06:36,560
Speaker 8: I mean, that's the top.

1522
01:06:36,760 --> 01:06:40,200
Speaker 11: He's the perfect candidate. Wow, going to have a good hairline?

1523
01:06:40,280 --> 01:06:40,959
Speaker 4: Is he so good looking?

1524
01:06:41,000 --> 01:06:41,520
Speaker 5: Two hours?

1525
01:06:41,600 --> 01:06:41,880
Speaker 9: Yeah?

1526
01:06:42,640 --> 01:06:45,520
Speaker 12: Dang, Eddy, do you have a haircut in mind? Because

1527
01:06:45,560 --> 01:06:48,320
Speaker 12: you've been dreaming about this year just so much?

1528
01:06:48,440 --> 01:06:50,200
Speaker 20: Like I mean, I've always liked the high and tipe,

1529
01:06:50,240 --> 01:06:51,120
Speaker 20: but I don't know if that's still in.

1530
01:06:51,400 --> 01:06:53,360
Speaker 4: That's still in the high and tight, dude, I'd have

1531
01:06:53,400 --> 01:06:57,640
Speaker 4: a look. I have, like you some extra It's mine's

1532
01:06:57,640 --> 01:06:59,240
Speaker 4: not long, but there's a little like fluffy, you.

1533
01:06:59,240 --> 01:07:02,520
Speaker 20: Know, like so once I decide the style, though, can

1534
01:07:02,560 --> 01:07:04,920
Speaker 20: I choose a different one? Like if I go a

1535
01:07:04,920 --> 01:07:06,480
Speaker 20: little long at the beginning, can I come in and

1536
01:07:06,480 --> 01:07:07,280
Speaker 20: be like, I need to cut this.

1537
01:07:07,320 --> 01:07:07,800
Speaker 4: Off all over it?

1538
01:07:07,880 --> 01:07:09,920
Speaker 11: But you can't go with the opposite right because it

1539
01:07:09,960 --> 01:07:10,439
Speaker 11: doesn't grow?

1540
01:07:10,680 --> 01:07:13,120
Speaker 4: Yes, okay, so that's why she goes a little shaggier.

1541
01:07:13,400 --> 01:07:15,080
Speaker 4: What about BedHead? Am I gonna have bed head? And

1542
01:07:16,000 --> 01:07:17,440
Speaker 4: you're it? Congratulations?

1543
01:07:17,480 --> 01:07:18,200
Speaker 17: But wow?

1544
01:07:18,480 --> 01:07:20,440
Speaker 4: Yeah, I've never had bed head? Like, what in a

1545
01:07:20,480 --> 01:07:22,439
Speaker 4: long time? Are you nervous about shaving your head?

1546
01:07:22,880 --> 01:07:23,280
Speaker 9: Uh?

1547
01:07:23,480 --> 01:07:26,480
Speaker 20: No, because once if I don't like it, I'll just

1548
01:07:26,520 --> 01:07:27,880
Speaker 20: shave my whole head again.

1549
01:07:27,760 --> 01:07:30,919
Speaker 4: You know, true, exactly, I'll just start from zero. Yep,

1550
01:07:31,640 --> 01:07:33,400
Speaker 4: you'll but you'll like it, but you can I'm going

1551
01:07:33,480 --> 01:07:35,720
Speaker 4: to love it, dude. Okay, is there a way because

1552
01:07:35,720 --> 01:07:37,360
Speaker 4: we'll check in, we're going to send you guys off

1553
01:07:37,400 --> 01:07:38,960
Speaker 4: to do your work. But is there a way that

1554
01:07:39,000 --> 01:07:40,680
Speaker 4: he can't see what's happening until the very end?

1555
01:07:40,840 --> 01:07:42,440
Speaker 11: Yeah, there's not a mirror in your office.

1556
01:07:42,600 --> 01:07:45,360
Speaker 4: Whoa, whoa. You know we want to reveal to you

1557
01:07:45,440 --> 01:07:47,320
Speaker 4: to also be That's like when someone puts on those

1558
01:07:47,320 --> 01:07:48,920
Speaker 4: color blind glasses and they start crying because I'm like,

1559
01:07:48,960 --> 01:07:49,680
Speaker 4: oh see color.

1560
01:07:50,000 --> 01:07:52,840
Speaker 20: Oh yeah, but you can't go to the You can't

1561
01:07:52,880 --> 01:07:54,440
Speaker 20: go to the hair salon and not look in the mirror.

1562
01:07:55,040 --> 01:07:55,280
Speaker 14: You can.

1563
01:07:55,400 --> 01:07:57,440
Speaker 6: They turn you around like I got my hair chopped

1564
01:07:57,480 --> 01:07:59,840
Speaker 6: off recently and I didn't see a thing until she

1565
01:07:59,920 --> 01:08:01,720
Speaker 6: was done styling in. It was so fun when she

1566
01:08:01,800 --> 01:08:04,439
Speaker 6: spun me around, like it's fun, Eddie.

1567
01:08:05,040 --> 01:08:06,480
Speaker 12: So do you think we know a lot of people

1568
01:08:06,480 --> 01:08:08,000
Speaker 12: with these on and we just don't know it?

1569
01:08:08,120 --> 01:08:08,240
Speaker 6: Oh?

1570
01:08:08,320 --> 01:08:11,360
Speaker 4: Yeah, right now I got extra vulner while I went.

1571
01:08:11,400 --> 01:08:14,400
Speaker 4: Look guy, yeah.

1572
01:08:14,240 --> 01:08:16,240
Speaker 6: That would be Have you ever had to sign like

1573
01:08:16,240 --> 01:08:19,840
Speaker 6: an NDA? No, not yet, but they just trust you.

1574
01:08:20,000 --> 01:08:20,240
Speaker 4: Yeah.

1575
01:08:20,360 --> 01:08:22,559
Speaker 20: Okay, you know what, I didn't tell my wife I'm

1576
01:08:22,600 --> 01:08:24,800
Speaker 20: doing this today, but she doesn't know at all. I

1577
01:08:24,800 --> 01:08:27,080
Speaker 20: mean she knows that I'm I was thinking about doing it,

1578
01:08:27,280 --> 01:08:28,120
Speaker 20: she doesn't know it's today.

1579
01:08:28,200 --> 01:08:30,000
Speaker 4: Then don't say anything about it. Go home, say she notices.

1580
01:08:31,720 --> 01:08:32,679
Speaker 8: No one's gonna notice.

1581
01:08:32,760 --> 01:08:34,960
Speaker 4: Okay, we're gonna let let you guys go do your work.

1582
01:08:34,960 --> 01:08:38,200
Speaker 4: But okay, Julie Taylor is here, which, by the way,

1583
01:08:38,240 --> 01:08:40,320
Speaker 4: you guys go to Nashville hair Replacement dot Com. She

1584
01:08:40,320 --> 01:08:43,760
Speaker 4: has clients all over the country. You know, do you

1585
01:08:43,800 --> 01:08:44,599
Speaker 4: travel like, do you.

1586
01:08:44,520 --> 01:08:47,320
Speaker 11: Do I travel some Yeah.

1587
01:08:46,640 --> 01:08:48,840
Speaker 4: Okay, let's see how it goes, all right, Julie, Eddie,

1588
01:08:48,960 --> 01:08:50,880
Speaker 4: Julie do it. You guys can do your thing. When

1589
01:08:51,000 --> 01:08:52,960
Speaker 4: Eddie comes back, he'll be a new man.

1590
01:08:53,200 --> 01:08:53,439
Speaker 9: Yeah.

1591
01:08:53,720 --> 01:08:55,639
Speaker 8: Hey, watch the confidence level.

1592
01:08:55,680 --> 01:08:56,679
Speaker 11: Fifteen years younger.

1593
01:08:56,760 --> 01:08:59,960
Speaker 4: I might be. I'm gonna be honest. A dude now

1594
01:09:00,040 --> 01:09:03,519
Speaker 4: really turned me on. I'm worried. I'm worried that you

1595
01:09:03,560 --> 01:09:05,040
Speaker 4: walk in and I'm turned on by it. But you

1596
01:09:05,040 --> 01:09:07,320
Speaker 4: know what, it's a risk I'm willing to take. All right,

1597
01:09:07,520 --> 01:09:10,000
Speaker 4: Eddie and Julie are hopping out. Checking back with Eddie

1598
01:09:10,080 --> 01:09:11,920
Speaker 4: right now. He is back in my office. He has

1599
01:09:11,960 --> 01:09:14,240
Speaker 4: no mirror. He is getting and what do you call it?

1600
01:09:14,240 --> 01:09:15,400
Speaker 5: A hair system?

1601
01:09:15,520 --> 01:09:18,320
Speaker 4: A hair system put on. Eddie has been bald and

1602
01:09:18,360 --> 01:09:20,360
Speaker 4: he's worn a hat for years and years, and he

1603
01:09:20,400 --> 01:09:22,439
Speaker 4: didn't want to have surgery, even though we offered him up.

1604
01:09:22,720 --> 01:09:24,800
Speaker 5: I really treat like hair transplant.

1605
01:09:25,000 --> 01:09:28,000
Speaker 4: I have a great option with a wonderful doctor. So

1606
01:09:28,080 --> 01:09:30,200
Speaker 4: I said, what about one of these we called it

1607
01:09:30,240 --> 01:09:31,920
Speaker 4: a wig or two pey. That's not what it's called.

1608
01:09:31,960 --> 01:09:35,880
Speaker 4: It's a system, we're told. And so Julie Taylor's back

1609
01:09:35,880 --> 01:09:39,000
Speaker 4: with Eddie. It's gonna take about it an hour or so, Eddie,

1610
01:09:39,040 --> 01:09:39,920
Speaker 4: what's happened so far?

1611
01:09:40,200 --> 01:09:43,599
Speaker 20: Oh, dude, I don't know, Like I've had I can't

1612
01:09:43,640 --> 01:09:46,560
Speaker 20: see anything. So I've heard a razor go on the

1613
01:09:46,640 --> 01:09:47,240
Speaker 20: top of my head.

1614
01:09:47,280 --> 01:09:48,280
Speaker 12: Oh she or.

1615
01:09:49,840 --> 01:09:52,800
Speaker 4: Wow, you got the doctor phil treatment straight up?

1616
01:09:52,840 --> 01:09:56,360
Speaker 20: Bold dude so much that it's like she was rubbing

1617
01:09:56,360 --> 01:09:58,160
Speaker 20: her hands on there, like putting glue up there, and

1618
01:09:58,280 --> 01:09:59,360
Speaker 20: it sounded like sandpaper.

1619
01:09:59,360 --> 01:10:01,280
Speaker 8: And I'm like, oh, my goodness, do.

1620
01:10:01,200 --> 01:10:03,000
Speaker 4: You have hair on your head as of right now? Oh?

1621
01:10:03,040 --> 01:10:06,840
Speaker 20: Yeah, I mean I think I can't again, So for

1622
01:10:06,880 --> 01:10:08,960
Speaker 20: the last like five minutes, I've had my eyes closed

1623
01:10:09,280 --> 01:10:11,960
Speaker 20: because Okay, there's a mirror that she's holding and I

1624
01:10:11,960 --> 01:10:14,120
Speaker 20: don't want to see it. So I don't really know

1625
01:10:14,320 --> 01:10:17,040
Speaker 20: other than I did get my system put on.

1626
01:10:17,360 --> 01:10:18,840
Speaker 8: There's it's glued on right now.

1627
01:10:19,080 --> 01:10:22,599
Speaker 4: And it's human hair, right, it's human hair that's been donated,

1628
01:10:22,880 --> 01:10:25,920
Speaker 4: and so it's a whole head of hair. Is she

1629
01:10:26,080 --> 01:10:29,920
Speaker 4: like cutting around your already hair on your head now?

1630
01:10:29,960 --> 01:10:32,160
Speaker 20: It's almost like I'm just getting a haircut, bones, Like

1631
01:10:32,280 --> 01:10:35,360
Speaker 20: I am just at the salon right now getting my haircut.

1632
01:10:35,400 --> 01:10:39,400
Speaker 20: I hear sprain a little scissoring there and then putting

1633
01:10:39,400 --> 01:10:41,360
Speaker 20: some product in there. Like it's just like I'm getting

1634
01:10:41,400 --> 01:10:44,800
Speaker 20: my haircut, how I mean, doing it feels awesome? Like

1635
01:10:44,960 --> 01:10:47,360
Speaker 20: it does feel though that like I have something on

1636
01:10:47,360 --> 01:10:50,439
Speaker 20: my head, like like a bean bag maybe, or.

1637
01:10:50,439 --> 01:10:52,080
Speaker 4: That's what we feel every day of our lives. Welcome

1638
01:10:52,080 --> 01:10:54,800
Speaker 4: to the party, man, Yeah, oh that's what it is.

1639
01:10:54,840 --> 01:10:55,479
Speaker 4: It's called hair.

1640
01:10:55,600 --> 01:10:55,800
Speaker 7: Yeah.

1641
01:10:55,920 --> 01:11:00,360
Speaker 4: Yeah, Eddie is getting his hair system put on right now. Which,

1642
01:11:00,400 --> 01:11:03,479
Speaker 4: by the way, social media influencers made Julie Taylor like

1643
01:11:03,560 --> 01:11:06,519
Speaker 4: a big deal because people were getting it done and

1644
01:11:06,520 --> 01:11:09,080
Speaker 4: then posting it and she blew up nationally. Oh wow, okay,

1645
01:11:09,360 --> 01:11:11,920
Speaker 4: and her website is Nashville hair Replacement dot com. In

1646
01:11:12,040 --> 01:11:13,679
Speaker 4: mere minutes, what's up, Eddie?

1647
01:11:13,720 --> 01:11:14,639
Speaker 8: This is amazing, dude.

1648
01:11:14,680 --> 01:11:17,360
Speaker 4: In mere minutes, Eddie's gonna walk in and he hasn't

1649
01:11:17,400 --> 01:11:18,240
Speaker 4: even seen it yet.

1650
01:11:18,360 --> 01:11:20,720
Speaker 6: This is like that TV show, remember, I mean it

1651
01:11:20,800 --> 01:11:24,080
Speaker 6: was that well yeah that or what this was awful.

1652
01:11:24,200 --> 01:11:26,040
Speaker 6: I didn't like the show, but yeah, they were like

1653
01:11:26,040 --> 01:11:27,599
Speaker 6: they called him like the little duckling and then they

1654
01:11:27,760 --> 01:11:29,799
Speaker 6: emerged and they were a swan in front of the mirror.

1655
01:11:29,560 --> 01:11:30,400
Speaker 8: And got nice.

1656
01:11:30,720 --> 01:11:33,680
Speaker 4: Well that too, they did like teeth and plastic.

1657
01:11:33,280 --> 01:11:34,879
Speaker 5: Surg Yeah, no, I mean it was extreme.

1658
01:11:34,920 --> 01:11:36,960
Speaker 4: You're gonna be our swan, Eddie. You're about to be

1659
01:11:37,040 --> 01:11:41,880
Speaker 4: a swan. You haven't told your wife.

1660
01:11:41,760 --> 01:11:44,599
Speaker 8: No, I didn't tell her that I was doing this today.

1661
01:11:44,760 --> 01:11:47,120
Speaker 4: Okay, we'll check back with Eddie. Eddie able to do?

1662
01:11:47,160 --> 01:11:49,160
Speaker 4: Tell me something good from back there? Yeah, dude, okay,

1663
01:11:49,120 --> 01:11:51,240
Speaker 4: of course, we'll check with Eddie. In just a few minutes.

1664
01:11:51,920 --> 01:11:53,400
Speaker 4: It's that time. Eddi's about to walk in. He has

1665
01:11:53,479 --> 01:11:56,360
Speaker 4: not seen his hair yet. The thing is, Lunchbox is

1666
01:11:56,360 --> 01:11:57,600
Speaker 4: gonna laugh for regardless.

1667
01:11:58,280 --> 01:12:01,400
Speaker 10: This is gonna be incredible, just because I'm used a

1668
01:12:01,400 --> 01:12:02,080
Speaker 10: bald boot.

1669
01:12:02,520 --> 01:12:05,080
Speaker 4: So Eddie has a new hair system, right, Julie, I

1670
01:12:05,080 --> 01:12:07,519
Speaker 4: said that, right, Yep, yep, Julie Taylor's been here for

1671
01:12:08,000 --> 01:12:10,519
Speaker 4: over an hour working with Eddie. You shaved his head

1672
01:12:10,520 --> 01:12:12,840
Speaker 4: completely bald with a razor or clippers, with.

1673
01:12:12,800 --> 01:12:15,880
Speaker 11: Clippers, just the grandpa haircut right in the middle.

1674
01:12:16,320 --> 01:12:18,560
Speaker 4: That's you know, I guess that's a grand point. I

1675
01:12:18,560 --> 01:12:20,720
Speaker 4: think it was like a bowl, the bowl on his head,

1676
01:12:20,760 --> 01:12:23,840
Speaker 4: like the ring Danny the Vito. So Eddie's gonna come in,

1677
01:12:23,880 --> 01:12:26,160
Speaker 4: he has not seen his hair. How do you feel

1678
01:12:26,160 --> 01:12:28,640
Speaker 4: about Eddie's work? Do you feel like it looks good? Like?

1679
01:12:28,760 --> 01:12:30,639
Speaker 4: Oh yeah, does he look does he look natural.

1680
01:12:30,439 --> 01:12:32,320
Speaker 11: In it looks fifteen years younger?

1681
01:12:32,439 --> 01:12:33,840
Speaker 4: Does he think he's going to look good?

1682
01:12:34,160 --> 01:12:37,000
Speaker 11: I think so. He's just you know, it's funny because

1683
01:12:37,000 --> 01:12:38,559
Speaker 11: he hasn't seen it yet, so he doesn't really know

1684
01:12:38,560 --> 01:12:39,639
Speaker 11: how it's supposed to feel.

1685
01:12:39,840 --> 01:12:41,519
Speaker 4: Was he awkward in there? Like didn't know what to say?

1686
01:12:41,520 --> 01:12:44,040
Speaker 11: It's not awkward. He was very calm and kept his

1687
01:12:44,080 --> 01:12:45,280
Speaker 11: eyes closed and.

1688
01:12:45,439 --> 01:12:47,840
Speaker 4: Yeah, okay, well did you laugh at all?

1689
01:12:48,280 --> 01:12:49,240
Speaker 11: There was no laughing.

1690
01:12:49,280 --> 01:12:52,519
Speaker 4: Okay, yeah, it's just our friend. Yeah, it is, and

1691
01:12:52,840 --> 01:12:56,559
Speaker 4: it is. However, it's I get it.

1692
01:12:56,640 --> 01:12:57,160
Speaker 12: Yeah, I get it.

1693
01:12:57,200 --> 01:12:59,200
Speaker 6: You gott to roast him a little bit, but you

1694
01:12:59,240 --> 01:13:00,880
Speaker 6: feel like this is one one of your most like

1695
01:13:01,000 --> 01:13:05,040
Speaker 6: successful cases. Yeah, a model after this, he really was

1696
01:13:05,520 --> 01:13:07,160
Speaker 6: the perfect candidate for transformation.

1697
01:13:07,400 --> 01:13:08,320
Speaker 12: Okay, Billboards.

1698
01:13:08,320 --> 01:13:11,439
Speaker 4: So at Nashville Hair Replacement dot Com, this is Julie

1699
01:13:11,439 --> 01:13:13,680
Speaker 4: Taylor and Eddie has not seen his own hair, nor

1700
01:13:13,720 --> 01:13:15,640
Speaker 4: is he going to see it when he walks in.

1701
01:13:16,120 --> 01:13:17,600
Speaker 4: So he's gonna sit with us first. We're going to

1702
01:13:17,640 --> 01:13:17,840
Speaker 4: see it.

1703
01:13:18,040 --> 01:13:19,559
Speaker 12: Do we want to hear it? Tell us what kind

1704
01:13:19,600 --> 01:13:21,280
Speaker 12: of haircuting game? Or are we just going to see it?

1705
01:13:21,479 --> 01:13:21,599
Speaker 17: Like?

1706
01:13:21,600 --> 01:13:22,160
Speaker 9: What what?

1707
01:13:22,160 --> 01:13:22,719
Speaker 12: What style?

1708
01:13:23,040 --> 01:13:23,559
Speaker 11: To prepare?

1709
01:13:23,600 --> 01:13:30,240
Speaker 5: You all out for its.

1710
01:13:29,360 --> 01:13:32,840
Speaker 4: Ring him in, bring him in. Oh my gosh, Oh

1711
01:13:32,880 --> 01:13:34,000
Speaker 4: my gosh.

1712
01:13:35,080 --> 01:13:37,639
Speaker 11: Yeah, it's so good.

1713
01:13:37,920 --> 01:13:39,960
Speaker 5: Wow, that looks so real.

1714
01:13:40,560 --> 01:13:41,080
Speaker 21: Wow.

1715
01:13:41,240 --> 01:13:44,200
Speaker 4: I hear it looks so good and I hear it laugh. No, no, no,

1716
01:13:45,600 --> 01:13:47,040
Speaker 4: I wouldn't have known that was you.

1717
01:13:47,160 --> 01:13:47,360
Speaker 6: Bro.

1718
01:13:47,720 --> 01:13:49,160
Speaker 8: Okay, what are you talking about?

1719
01:13:49,200 --> 01:13:53,679
Speaker 4: Hold on, I'm telling you what fresh So this.

1720
01:13:53,600 --> 01:13:54,720
Speaker 8: Is not cool. Let me tell you.

1721
01:13:54,760 --> 01:13:57,000
Speaker 4: Let me he hasn't seen it. You look like you

1722
01:13:57,040 --> 01:14:01,320
Speaker 4: look like your son. Yeah, that's crazy. More than ever,

1723
01:14:01,800 --> 01:14:05,439
Speaker 4: it's like your sixteen year old son. You do look

1724
01:14:05,479 --> 01:14:08,040
Speaker 4: like your oldest son. You when you walked in, it

1725
01:14:08,120 --> 01:14:10,479
Speaker 4: was like, oh my wow. Oh.

1726
01:14:10,640 --> 01:14:12,840
Speaker 6: I put money on the fact that he's keeping this

1727
01:14:13,000 --> 01:14:14,519
Speaker 6: look for the rest of his life.

1728
01:14:14,560 --> 01:14:16,760
Speaker 5: Like, yes, you're gonna do the maintenance. There's no way

1729
01:14:16,760 --> 01:14:17,439
Speaker 5: you're getting rid of this.

1730
01:14:17,880 --> 01:14:21,040
Speaker 4: Serious, you're gonna see it, dude.

1731
01:14:21,080 --> 01:14:22,720
Speaker 8: Hold on, Hey, what kind of haircut do I have?

1732
01:14:22,880 --> 01:14:22,960
Speaker 9: Like?

1733
01:14:23,000 --> 01:14:23,599
Speaker 8: What's my style?

1734
01:14:23,640 --> 01:14:24,400
Speaker 11: I don't even tell him.

1735
01:14:24,520 --> 01:14:27,240
Speaker 4: Okay, so I would say it's kind of like so

1736
01:14:27,360 --> 01:14:30,719
Speaker 4: I mine naturally goes forward, but sometimes on screen, on camera,

1737
01:14:30,760 --> 01:14:32,920
Speaker 4: I'll have to like like put it back just a

1738
01:14:32,960 --> 01:14:34,639
Speaker 4: little bit, and I just got to like a little cool.

1739
01:14:35,120 --> 01:14:36,559
Speaker 8: That's what that is, but it's long.

1740
01:14:36,720 --> 01:14:38,639
Speaker 20: I can like it's styled and stuff like, I haven't

1741
01:14:38,640 --> 01:14:41,479
Speaker 20: touched your hand, No, dud, I haven't touched it. Honestly,

1742
01:14:41,520 --> 01:14:43,280
Speaker 20: I was walked to the bathroom and I walked like

1743
01:14:43,320 --> 01:14:45,280
Speaker 20: my my neck was stiff because I didn't want to

1744
01:14:45,320 --> 01:14:47,519
Speaker 20: like move it. And for the first time in my life,

1745
01:14:47,520 --> 01:14:50,320
Speaker 20: well not first time, but in a while, I'm like, what,

1746
01:14:50,320 --> 01:14:51,360
Speaker 20: like it is my hair in place?

1747
01:14:51,479 --> 01:14:53,680
Speaker 4: Like I look good, dude, it looks real and it

1748
01:14:53,680 --> 01:14:56,719
Speaker 4: looks good, and no one has ever if they don't

1749
01:14:56,760 --> 01:14:59,479
Speaker 4: know you, no one's gonna say. I wonder if that

1750
01:14:59,560 --> 01:15:04,240
Speaker 4: dude has a anything on his head really legit, legit, legit.

1751
01:15:04,680 --> 01:15:06,840
Speaker 4: He wants to make fun of you, wants told him

1752
01:15:06,840 --> 01:15:08,120
Speaker 4: he can if he wants, go ahead, dude.

1753
01:15:08,640 --> 01:15:11,120
Speaker 12: It's hilarious because you have hair.

1754
01:15:11,560 --> 01:15:14,760
Speaker 10: But literally, like Bobby said, if you're a stranger, you

1755
01:15:14,800 --> 01:15:19,000
Speaker 10: would have no idea you were a bold fool. They

1756
01:15:19,040 --> 01:15:22,000
Speaker 10: would have no idea that you have a system in

1757
01:15:22,040 --> 01:15:22,400
Speaker 10: your hair.

1758
01:15:22,520 --> 01:15:23,200
Speaker 8: That's my system.

1759
01:15:23,400 --> 01:15:25,800
Speaker 4: You have like a side faded bit. So if I

1760
01:15:25,840 --> 01:15:27,479
Speaker 4: get a hair cut, it's like shorter hair and it

1761
01:15:27,520 --> 01:15:30,280
Speaker 4: fades up a little bit, like it's purposefully that way.

1762
01:15:30,439 --> 01:15:31,840
Speaker 20: I mean, I thought about telling her to do the

1763
01:15:31,880 --> 01:15:34,280
Speaker 20: skin tight like Lunchbox does, but that's too much.

1764
01:15:35,640 --> 01:15:38,280
Speaker 4: Though it's hard, it's it's well, no, it's because we

1765
01:15:38,320 --> 01:15:40,360
Speaker 4: only know you as one one right and a little bit.

1766
01:15:40,400 --> 01:15:43,679
Speaker 4: I'm attracted to you, so that's difficult. I know. Here

1767
01:15:43,680 --> 01:15:45,599
Speaker 4: we go. Edie's not gonna look at his new hair

1768
01:15:45,960 --> 01:15:55,040
Speaker 4: already and go whoa, whoa, dang.

1769
01:15:56,560 --> 01:15:58,479
Speaker 12: I have hair, dude, you know who.

1770
01:15:58,560 --> 01:16:01,760
Speaker 4: I kind of look like the dude from ted Lasso

1771
01:16:02,800 --> 01:16:03,280
Speaker 4: a little bit.

1772
01:16:04,320 --> 01:16:04,719
Speaker 9: Yeah.

1773
01:16:04,760 --> 01:16:06,559
Speaker 4: Do you wonder do you not look like your son?

1774
01:16:07,160 --> 01:16:09,600
Speaker 8: I mean yeah, I mean I see it.

1775
01:16:09,560 --> 01:16:10,360
Speaker 4: It makes sense.

1776
01:16:10,640 --> 01:16:11,840
Speaker 8: This is unbelievable.

1777
01:16:12,000 --> 01:16:14,360
Speaker 4: Isn't that crazy? What the crap? I have here?

1778
01:16:15,600 --> 01:16:20,960
Speaker 20: I have hair and it looks real. This is crazy, dude.

1779
01:16:21,560 --> 01:16:23,559
Speaker 20: I don't know what to say do. My wife's gonna

1780
01:16:23,560 --> 01:16:24,200
Speaker 20: flip when I get home.

1781
01:16:24,200 --> 01:16:26,240
Speaker 4: I haven't told her, and you're not gonna tell her, right.

1782
01:16:26,120 --> 01:16:27,439
Speaker 8: No, I'm just gonna I'm just gonna show up.

1783
01:16:27,520 --> 01:16:29,880
Speaker 4: Hey, hey, make sure the kids are out of the house.

1784
01:16:29,880 --> 01:16:36,080
Speaker 4: You know what I'm saying. Yeah, hopefully, Wow, Julie, question,

1785
01:16:36,200 --> 01:16:36,960
Speaker 4: can he touch it?

1786
01:16:37,240 --> 01:16:37,400
Speaker 6: Oh?

1787
01:16:37,439 --> 01:16:38,680
Speaker 11: Yeah, you can bind your hands through it.

1788
01:16:38,720 --> 01:16:40,720
Speaker 4: I don't know if that's like a dry like a

1789
01:16:40,800 --> 01:16:42,640
Speaker 4: dry I don't know what like when you can touch it?

1790
01:16:42,800 --> 01:16:47,080
Speaker 20: Now, gonna take a shower, Like, oh my, I don't

1791
01:16:46,960 --> 01:16:48,960
Speaker 20: have a bald spot on the back of my head.

1792
01:16:49,120 --> 01:16:49,479
Speaker 8: This is.

1793
01:16:51,000 --> 01:16:52,880
Speaker 12: Turn aud Let's see the back check it out, dude.

1794
01:16:53,120 --> 01:16:56,920
Speaker 4: Look wow, oh my god, can I touch it?

1795
01:16:57,280 --> 01:16:58,200
Speaker 12: That fades in.

1796
01:16:58,360 --> 01:17:00,800
Speaker 4: Like it's like a faded Also did a great job

1797
01:17:00,800 --> 01:17:01,439
Speaker 4: with the hair cut off.

1798
01:17:01,520 --> 01:17:03,920
Speaker 12: That's what I'm saying, Like the biten looks like legit.

1799
01:17:05,000 --> 01:17:07,599
Speaker 4: Eddie hasn't Eddie has his new hair? Wow?

1800
01:17:07,800 --> 01:17:10,080
Speaker 5: Are there even little gray hairs?

1801
01:17:10,600 --> 01:17:11,280
Speaker 11: I gave him.

1802
01:17:12,000 --> 01:17:13,920
Speaker 9: Gray a little bit.

1803
01:17:13,960 --> 01:17:17,439
Speaker 4: You can't You can't even tell. Am I going too

1804
01:17:17,439 --> 01:17:20,200
Speaker 4: hard on it? You can't even tell by the line.

1805
01:17:20,479 --> 01:17:21,559
Speaker 4: There's no like line.

1806
01:17:21,680 --> 01:17:23,000
Speaker 5: But Bobby, do you see that gray hair?

1807
01:17:25,439 --> 01:17:27,080
Speaker 4: Oh yeah, this looks like it looks like all of

1808
01:17:27,120 --> 01:17:27,439
Speaker 4: his hair.

1809
01:17:27,560 --> 01:17:29,599
Speaker 11: Yeah, no, it's that's so okay.

1810
01:17:29,600 --> 01:17:32,479
Speaker 4: So Eddie has new Julie, you're the Picasso of heads.

1811
01:17:32,560 --> 01:17:33,719
Speaker 11: Thank you, thank you.

1812
01:17:34,000 --> 01:17:37,040
Speaker 12: Hey you do look like Nate, dude, you do. Look

1813
01:17:37,560 --> 01:17:39,160
Speaker 12: I just wont o the pictures. I'm like, dude, they

1814
01:17:39,280 --> 01:17:40,200
Speaker 12: both got the big.

1815
01:17:40,000 --> 01:17:42,760
Speaker 4: Nose in the Okay, so you had to cut his

1816
01:17:42,840 --> 01:17:43,960
Speaker 4: hair that he had.

1817
01:17:45,439 --> 01:17:50,680
Speaker 10: Yeah, he's not gonna go anywhere any.

1818
01:17:50,080 --> 01:17:51,960
Speaker 4: This is so what.

1819
01:17:52,280 --> 01:17:53,320
Speaker 11: You can give it a tug?

1820
01:17:53,600 --> 01:17:57,599
Speaker 4: What no, target, No, do not let him tell get

1821
01:17:57,600 --> 01:18:01,200
Speaker 4: because he'll no, no, no, it's it's I hear you.

1822
01:18:01,280 --> 01:18:05,160
Speaker 4: But this, Eddie. Okay, I gotta look at this again.

1823
01:18:06,840 --> 01:18:08,800
Speaker 4: He's gonna keep looking at itable.

1824
01:18:09,240 --> 01:18:11,200
Speaker 8: I look at myself for the rest of the day.

1825
01:18:11,280 --> 01:18:13,519
Speaker 4: It feels like those videos where people that are colorblind

1826
01:18:13,560 --> 01:18:15,120
Speaker 4: put on the color blind glasses. I can see the

1827
01:18:15,120 --> 01:18:19,360
Speaker 4: colors for the first time. It's pretty cool. It's really cool, dude.

1828
01:18:19,479 --> 01:18:21,479
Speaker 20: I'm afraid I'm gonna get into a car wreck on

1829
01:18:21,479 --> 01:18:22,920
Speaker 20: the way home looking in the mirror too much.

1830
01:18:22,960 --> 01:18:23,720
Speaker 8: Yeah, all the time.

1831
01:18:24,960 --> 01:18:26,839
Speaker 4: Holy crad, this is amazing.

1832
01:18:26,880 --> 01:18:28,519
Speaker 10: No, I need you to not keep this because I

1833
01:18:28,520 --> 01:18:29,920
Speaker 10: got to be able to make funny for being bold.

1834
01:18:30,000 --> 01:18:30,160
Speaker 9: Man.

1835
01:18:30,280 --> 01:18:32,280
Speaker 8: I think that's I think that might be done.

1836
01:18:32,800 --> 01:18:34,880
Speaker 4: So here's what we're gonna do. First of all, Hey,

1837
01:18:34,960 --> 01:18:39,000
Speaker 4: your Instagram is it just no, not you? There's is it?

1838
01:18:39,160 --> 01:18:44,000
Speaker 4: Nashville Hair Replacement? Okay, okay at Nashville Hair Replacement. The

1839
01:18:44,000 --> 01:18:47,760
Speaker 4: website is Nashville hair Replacement dot com. This is so good, Eddie.

1840
01:18:47,760 --> 01:18:50,040
Speaker 4: I'll take a picture from my wife. This is magic

1841
01:18:50,240 --> 01:18:54,080
Speaker 4: over here. Yeah, because she is going I know she's

1842
01:18:54,120 --> 01:18:58,080
Speaker 4: gonna say that looks freaking awesome. Hold on, wow, that

1843
01:18:58,200 --> 01:18:59,759
Speaker 4: is a glamour shot and you don't even do anything.

1844
01:19:01,320 --> 01:19:03,360
Speaker 20: Tell me what she says. I will and tell her

1845
01:19:03,360 --> 01:19:04,400
Speaker 20: not to text my wife.

1846
01:19:05,360 --> 01:19:08,040
Speaker 4: Oh good point. Oh wait, yeah, because she will Julie

1847
01:19:08,040 --> 01:19:10,960
Speaker 4: any final thoughts on Eddie And if people want what

1848
01:19:11,120 --> 01:19:12,840
Speaker 4: to call you and she get a do you do

1849
01:19:12,880 --> 01:19:13,480
Speaker 4: a consultation?

1850
01:19:13,560 --> 01:19:16,479
Speaker 11: She do free consultations in this line, and even phone

1851
01:19:16,479 --> 01:19:19,080
Speaker 11: consultations for people that live out of state. And yeah,

1852
01:19:19,240 --> 01:19:20,880
Speaker 11: it's an easy process.

1853
01:19:20,520 --> 01:19:23,320
Speaker 4: And people people can fly in and get it done.

1854
01:19:23,640 --> 01:19:27,400
Speaker 4: She's the best. Holy crap, I cannot believe how real

1855
01:19:27,439 --> 01:19:29,320
Speaker 4: it looks. You don't have a system on my head

1856
01:19:29,360 --> 01:19:31,040
Speaker 4: and he can work out in sweat and not worry

1857
01:19:31,080 --> 01:19:31,400
Speaker 4: about it.

1858
01:19:31,560 --> 01:19:33,400
Speaker 11: Yes, to push it to the limits. I mean they

1859
01:19:33,600 --> 01:19:34,400
Speaker 11: are very active.

1860
01:19:34,479 --> 01:19:36,040
Speaker 20: So she said, I can live a normal life, just

1861
01:19:36,080 --> 01:19:38,200
Speaker 20: a normal life, do my everyday stuff.

1862
01:19:38,240 --> 01:19:40,960
Speaker 5: And your headphones are on and off of his head.

1863
01:19:41,040 --> 01:19:43,479
Speaker 4: Do the picture of you looks awesome? And she's like

1864
01:19:43,479 --> 01:19:46,440
Speaker 4: a normal dude, don't look like myself.

1865
01:19:46,760 --> 01:19:47,960
Speaker 8: That is unbelievable.

1866
01:19:47,960 --> 01:19:50,960
Speaker 4: Okay, we're gonna put all the stuff on the website too.

1867
01:19:51,040 --> 01:19:53,720
Speaker 4: Up on our podcast notes at Nashville Hair Replacement on Instagram,

1868
01:19:54,120 --> 01:19:57,160
Speaker 4: Nashville hair Replacement dot com. Julie, thank you for your time. Eddie,

1869
01:19:57,160 --> 01:19:58,920
Speaker 4: you look great, help you feel good about it?

1870
01:19:58,960 --> 01:20:01,120
Speaker 20: Thank you, Julie, thank you so much. You may have

1871
01:20:01,160 --> 01:20:06,160
Speaker 20: changed my life. Listen, dude. She says that when people

1872
01:20:06,200 --> 01:20:08,639
Speaker 20: walk out of her salon, she notices they walk taller.

1873
01:20:09,120 --> 01:20:12,960
Speaker 20: I'm already feeling that. I think I've gained an inch

1874
01:20:13,360 --> 01:20:14,240
Speaker 20: just alone on my hair.

1875
01:20:14,400 --> 01:20:15,719
Speaker 4: Yeah, oh that's true.

1876
01:20:15,720 --> 01:20:20,320
Speaker 20: I am now six foot maybe six to one.

1877
01:20:20,520 --> 01:20:24,479
Speaker 7: It's the best Bits of the week with Morgan Number two.

1878
01:20:25,560 --> 01:20:27,559
Speaker 2: This is a really sad one, but also one that's

1879
01:20:27,640 --> 01:20:30,280
Speaker 2: really cool to look back on. So Toby Keith passed

1880
01:20:30,320 --> 01:20:33,839
Speaker 2: away this year and it was heartbreating for his family, friends,

1881
01:20:34,360 --> 01:20:37,960
Speaker 2: the entire country music community and fans alike. Everybody was

1882
01:20:37,960 --> 01:20:41,400
Speaker 2: devastated by this massive loss. But what was so cool

1883
01:20:41,479 --> 01:20:43,519
Speaker 2: is that Toby Keith had come into our studio a

1884
01:20:43,520 --> 01:20:46,400
Speaker 2: couple of weeks before he had passed, and Bobby got

1885
01:20:46,439 --> 01:20:48,640
Speaker 2: to do one of the last few interviews that he

1886
01:20:48,680 --> 01:20:51,639
Speaker 2: ever did. And it was really cool getting to talk

1887
01:20:51,680 --> 01:20:54,360
Speaker 2: to Toby Keith, see him in the studio and hear

1888
01:20:54,479 --> 01:20:57,000
Speaker 2: him talk about everything he had been doing and living

1889
01:20:57,040 --> 01:21:00,760
Speaker 2: his life up until that point. So while it's incredibly

1890
01:21:00,800 --> 01:21:03,600
Speaker 2: sad and hard to remember this loss, it's also a

1891
01:21:03,760 --> 01:21:06,040
Speaker 2: really cool interview to look back on, and I hope

1892
01:21:06,080 --> 01:21:08,000
Speaker 2: you enjoy it in the same ways that I do.

1893
01:21:08,720 --> 01:21:12,320
Speaker 1: Number One on the Bobby Bone Show now.

1894
01:21:12,360 --> 01:21:15,880
Speaker 4: Toby Keith Tobey. It's rare that people that I'm super

1895
01:21:15,880 --> 01:21:18,479
Speaker 4: close to will ask me for tickets anything, because they know, like,

1896
01:21:18,840 --> 01:21:21,400
Speaker 4: unless it's really meaningful, don't ask. And I've only had

1897
01:21:21,400 --> 01:21:23,599
Speaker 4: two close friends ask me for tickets this whole year,

1898
01:21:24,000 --> 01:21:26,160
Speaker 4: and our last year. It was Morgan Wallen and it

1899
01:21:26,200 --> 01:21:29,200
Speaker 4: was your shows in Vegas. That's how big those shows were,

1900
01:21:29,280 --> 01:21:31,720
Speaker 4: and they sold I saw they sold out immediately. Do

1901
01:21:31,760 --> 01:21:34,639
Speaker 4: you still have any sort of anxiety at all about

1902
01:21:34,640 --> 01:21:35,320
Speaker 4: shows selling?

1903
01:21:36,920 --> 01:21:39,519
Speaker 21: No, I hadn't worked in I've probably only worked a

1904
01:21:39,520 --> 01:21:44,040
Speaker 21: handful of shows in the last wide COVID two big

1905
01:21:44,080 --> 01:21:48,360
Speaker 21: seased COVID and cancer, So I haven't worked handful of

1906
01:21:48,439 --> 01:21:48,920
Speaker 21: shows in the.

1907
01:21:48,960 --> 01:21:49,879
Speaker 9: Last three years.

1908
01:21:50,320 --> 01:21:53,880
Speaker 21: But I worked every year for twenty seven, twenty eight years,

1909
01:21:54,280 --> 01:21:59,000
Speaker 21: and I mean I was only the only thing I

1910
01:21:59,080 --> 01:22:02,160
Speaker 21: had that sermony was being away from it for three

1911
01:22:02,240 --> 01:22:07,639
Speaker 21: years and remembering all the words because they subconsciously come

1912
01:22:07,680 --> 01:22:10,240
Speaker 21: to you when you're working. Yeah, you don't even think

1913
01:22:10,240 --> 01:22:13,439
Speaker 21: about it, you know them, and then getting completely away

1914
01:22:13,439 --> 01:22:15,240
Speaker 21: from him.

1915
01:22:14,840 --> 01:22:15,920
Speaker 9: And having to start back.

1916
01:22:15,960 --> 01:22:17,800
Speaker 21: So they had a teleprompt rip there and I got

1917
01:22:17,840 --> 01:22:20,680
Speaker 21: into a little bit of a sound check go a

1918
01:22:21,080 --> 01:22:22,880
Speaker 21: full dress rehearsal a day, but.

1919
01:22:25,000 --> 01:22:27,080
Speaker 9: I didn't even use it. It was just like riding the bike.

1920
01:22:27,120 --> 01:22:28,040
Speaker 4: Oh you knew all the words.

1921
01:22:28,160 --> 01:22:30,160
Speaker 21: Yeah, once I got up there and started rolling and

1922
01:22:30,200 --> 01:22:33,479
Speaker 21: it got familiar. I just I didn't even look at

1923
01:22:33,479 --> 01:22:34,000
Speaker 21: the tail prop.

1924
01:22:34,240 --> 01:22:37,040
Speaker 4: What about playing at all? Did you did your handstay callous?

1925
01:22:37,439 --> 01:22:37,799
Speaker 9: Yeah?

1926
01:22:38,160 --> 01:22:41,600
Speaker 21: I still played, Uh no matter where I was. I

1927
01:22:41,640 --> 01:22:45,200
Speaker 21: always had a guitar there and still plunked around. But

1928
01:22:46,520 --> 01:22:48,439
Speaker 21: they've been callous so long that.

1929
01:22:49,120 --> 01:22:52,120
Speaker 4: It's all callous. Not even bones anymore, it's just all callouses.

1930
01:22:52,200 --> 01:22:54,080
Speaker 9: Yeah, that's why you have an extra fingernails.

1931
01:22:54,320 --> 01:22:54,400
Speaker 2: Uh.

1932
01:22:54,960 --> 01:22:56,599
Speaker 4: You guys are putting the song. Don't let the old

1933
01:22:56,600 --> 01:23:00,559
Speaker 4: man in. It's been out, but you're like, hey, this

1934
01:23:00,640 --> 01:23:02,320
Speaker 4: song's good. Here it is, remember it. We're going to

1935
01:23:02,479 --> 01:23:04,000
Speaker 4: push it again. Where did that come from?

1936
01:23:04,040 --> 01:23:04,320
Speaker 8: And why?

1937
01:23:04,400 --> 01:23:05,120
Speaker 9: So?

1938
01:23:05,120 --> 01:23:07,840
Speaker 21: So that wasn't my idea, So we put that in

1939
01:23:07,920 --> 01:23:10,599
Speaker 21: the in the Eastwood movie three or four years ago,

1940
01:23:11,200 --> 01:23:13,599
Speaker 21: and the movie didn't do as well as they thought.

1941
01:23:13,600 --> 01:23:16,879
Speaker 21: But and it's at the very end, and as powerful

1942
01:23:16,880 --> 01:23:19,200
Speaker 21: as the song was, it still didn't really get us

1943
01:23:19,240 --> 01:23:22,799
Speaker 21: to do. But great songs have a way of finding

1944
01:23:23,200 --> 01:23:26,200
Speaker 21: a home. Willie cut it, Humperdink cut it, a bunch

1945
01:23:26,280 --> 01:23:31,040
Speaker 21: of foreign legends cut it in their language, and I thought, well,

1946
01:23:31,040 --> 01:23:34,519
Speaker 21: that's cool, you know. And then when the Icon Award

1947
01:23:34,560 --> 01:23:39,440
Speaker 21: came up at the People's Choice, Rack Clark Dick Clarkson,

1948
01:23:39,760 --> 01:23:42,600
Speaker 21: who I'm known for years, he's produced a lot of

1949
01:23:42,600 --> 01:23:44,040
Speaker 21: the award shows, he said.

1950
01:23:44,320 --> 01:23:47,080
Speaker 9: I really want you to do this song. I was like, man,

1951
01:23:47,600 --> 01:23:48,439
Speaker 9: Blake's present me.

1952
01:23:48,680 --> 01:23:50,200
Speaker 4: Oh, he ash you do that song? Like you weren't

1953
01:23:50,200 --> 01:23:54,360
Speaker 4: planning to do that song? Got it And because it's.

1954
01:23:54,080 --> 01:23:57,800
Speaker 21: It's dark, you know, and and and I hadn't been

1955
01:23:58,000 --> 01:24:01,920
Speaker 21: in the public eye for while, and so I was like,

1956
01:24:02,040 --> 01:24:04,600
Speaker 21: Blake's gonna do Who's your Daddy? And I want to

1957
01:24:04,640 --> 01:24:07,240
Speaker 21: do something up tempo because he's he's gonna be fun

1958
01:24:07,240 --> 01:24:13,000
Speaker 21: and funny. And he goes, no, Rack insistent, and I said, well, Rack,

1959
01:24:13,040 --> 01:24:14,160
Speaker 21: if you want me do it, I'll do it.

1960
01:24:14,200 --> 01:24:17,680
Speaker 9: He goes, I think it'd be gigantic highlight and he was.

1961
01:24:17,720 --> 01:24:20,760
Speaker 4: Right, Yeah, I was massive. People went crazy, and so

1962
01:24:21,080 --> 01:24:24,000
Speaker 4: because of that response, everybody's like, we need to reintroduce

1963
01:24:24,000 --> 01:24:24,360
Speaker 4: this song.

1964
01:24:25,240 --> 01:24:29,760
Speaker 21: Well, it just went number one immediately on iTunes, and

1965
01:24:29,800 --> 01:24:33,639
Speaker 21: then people start calling and saying, hey, they want service radio. Yeah,

1966
01:24:33,680 --> 01:24:36,680
Speaker 21: and I haven't really serviced. I haven't done anything in

1967
01:24:36,720 --> 01:24:38,960
Speaker 21: three or four years. And I was like, I don't

1968
01:24:38,960 --> 01:24:41,080
Speaker 21: know if they play this kind of music anymore. You know,

1969
01:24:41,439 --> 01:24:44,720
Speaker 21: this is way different than what you normally hear, and

1970
01:24:44,760 --> 01:24:48,759
Speaker 21: I said, this is this song is even more.

1971
01:24:48,600 --> 01:24:50,120
Speaker 9: Classic than my age.

1972
01:24:50,200 --> 01:24:53,320
Speaker 21: This song could have been recorded in the fifties, you know,

1973
01:24:53,439 --> 01:24:57,600
Speaker 21: or sixties, and it's it's so it's so country and

1974
01:24:57,720 --> 01:25:00,559
Speaker 21: so old school that I said, you do what you

1975
01:25:00,600 --> 01:25:03,120
Speaker 21: want to do with it, but I just love it

1976
01:25:03,200 --> 01:25:05,400
Speaker 21: that it got it, It found a home.

1977
01:25:05,520 --> 01:25:06,160
Speaker 12: You're going on the road.

1978
01:25:06,160 --> 01:25:07,320
Speaker 4: How's your health, how's everything going?

1979
01:25:07,439 --> 01:25:08,320
Speaker 9: It's going pretty good.

1980
01:25:09,080 --> 01:25:11,679
Speaker 21: This is a roller coaster and it takes a little

1981
01:25:11,680 --> 01:25:14,120
Speaker 21: while and get your brain wrapped around it, and then

1982
01:25:15,439 --> 01:25:17,160
Speaker 21: you get to a point where you just say, hey,

1983
01:25:18,320 --> 01:25:22,960
Speaker 21: this is what I do and you can't let it define.

1984
01:25:22,880 --> 01:25:23,599
Speaker 9: You know, your future.

1985
01:25:23,640 --> 01:25:25,439
Speaker 21: You can set around and wait, wait, wait, wait, wait,

1986
01:25:26,160 --> 01:25:29,280
Speaker 21: but I've got a roadhouse out in the country by

1987
01:25:29,400 --> 01:25:32,200
Speaker 21: It's like a ninety seven year old roadhouse that has

1988
01:25:32,240 --> 01:25:36,920
Speaker 21: a lot of music history, a lot of Oklahoma history.

1989
01:25:37,240 --> 01:25:38,559
Speaker 4: What's a roadhouse. I don't know what that is.

1990
01:25:38,600 --> 01:25:40,440
Speaker 9: It's like a bar and grill outdoors.

1991
01:25:40,560 --> 01:25:41,720
Speaker 4: Oh god, I gotta got you know.

1992
01:25:41,760 --> 01:25:43,439
Speaker 9: It's an old roadhouse like.

1993
01:25:43,360 --> 01:25:45,400
Speaker 4: Texas roadhouse to restaurant type place.

1994
01:25:45,479 --> 01:25:48,679
Speaker 21: Well, like a bar out in the country that people

1995
01:25:48,720 --> 01:25:50,800
Speaker 21: would drive out to. Like in a movie, you'd see

1996
01:25:50,840 --> 01:25:54,240
Speaker 21: people they'll set a roadhouse up the remember the one

1997
01:25:54,280 --> 01:25:55,519
Speaker 21: where Patrick sways.

1998
01:25:55,560 --> 01:25:59,720
Speaker 4: The roadhouse is called yeah yeah, yeah, yeah, yeah, all right,

1999
01:25:59,800 --> 01:26:00,840
Speaker 4: so oh yeah, there you go.

2000
01:26:01,320 --> 01:26:05,400
Speaker 21: So that's kind of out by itself. This thing's like

2001
01:26:05,520 --> 01:26:08,880
Speaker 21: ninety seven years old. The old actor James Garner was

2002
01:26:09,000 --> 01:26:12,679
Speaker 21: named James Bumgarner before he went to Hollywood. He pumped

2003
01:26:12,680 --> 01:26:15,479
Speaker 21: gas in there. Bonnie and Clyde stayed in some cabins

2004
01:26:15,520 --> 01:26:18,360
Speaker 21: behind it. Bob Wheels and Texas playboys people like that

2005
01:26:18,400 --> 01:26:21,200
Speaker 21: would come through and play these little dances out there,

2006
01:26:21,240 --> 01:26:23,760
Speaker 21: and then it turned into a convenience store. We used

2007
01:26:23,760 --> 01:26:26,880
Speaker 21: to get bait, beer, tobacco stuff there before we were

2008
01:26:26,920 --> 01:26:28,920
Speaker 21: rolled enough and then we're going to tear it down.

2009
01:26:29,760 --> 01:26:32,320
Speaker 21: And my whole countryside out there where I live, I

2010
01:26:32,360 --> 01:26:37,160
Speaker 21: know everybody, that's my sanctuary. They were like, man, they're

2011
01:26:37,160 --> 01:26:41,160
Speaker 21: telling that tearing the old Hollywood's corners down. And so

2012
01:26:41,400 --> 01:26:45,120
Speaker 21: I went and bought the thing, popped it up, cleaned

2013
01:26:45,120 --> 01:26:47,120
Speaker 21: it up, put some lights in the trees, put a

2014
01:26:47,160 --> 01:26:50,599
Speaker 21: stage out there, and left the stage up.

2015
01:26:50,840 --> 01:26:53,840
Speaker 9: And now you can go out there, get some food,

2016
01:26:54,000 --> 01:26:55,599
Speaker 9: get a beer, sit on the lights.

2017
01:26:55,400 --> 01:26:59,559
Speaker 21: Bring your dog, bringing the kids, and have biker night

2018
01:26:59,640 --> 01:27:00,240
Speaker 21: on winds See.

2019
01:27:01,600 --> 01:27:02,800
Speaker 9: And I saved it, you know.

2020
01:27:03,280 --> 01:27:06,320
Speaker 21: And so one night I said, hey, I want to

2021
01:27:06,320 --> 01:27:10,080
Speaker 21: try to play. So I called the manager and I said,

2022
01:27:10,760 --> 01:27:14,880
Speaker 21: tell Jennifer. I said, tell the band. They're paid, but

2023
01:27:14,920 --> 01:27:18,120
Speaker 21: they're not gonna play. And then she goes, who's playing?

2024
01:27:18,160 --> 01:27:21,439
Speaker 21: I said, another band? And then I was bringing my guys

2025
01:27:21,479 --> 01:27:23,920
Speaker 21: in from Nashville, and we were just gonna go up

2026
01:27:24,439 --> 01:27:28,680
Speaker 21: incognito and just let the word build and just have fun.

2027
01:27:28,840 --> 01:27:30,439
Speaker 21: And I was going to see how far I could

2028
01:27:30,479 --> 01:27:33,320
Speaker 21: go without taking a break, you know. So I did

2029
01:27:33,360 --> 01:27:36,280
Speaker 21: two three hour nights and she goes, well, who do

2030
01:27:36,320 --> 01:27:40,519
Speaker 21: I advertise is playing? I said, the Greasy Weenies, And

2031
01:27:40,600 --> 01:27:42,840
Speaker 21: so she put it up the Greasy weenies will be

2032
01:27:42,880 --> 01:27:43,880
Speaker 21: here Friday and Saturday.

2033
01:27:44,320 --> 01:27:47,200
Speaker 9: Well, everybody started going something not right because the band's

2034
01:27:47,240 --> 01:27:47,840
Speaker 9: getting paid.

2035
01:27:48,520 --> 01:27:51,760
Speaker 21: So when I showed up first night, they were just

2036
01:27:51,800 --> 01:27:54,160
Speaker 21: like lined up down the ditches a half a mile

2037
01:27:54,200 --> 01:27:58,000
Speaker 21: in every direction. And I did two nights in July

2038
01:27:58,080 --> 01:28:01,240
Speaker 21: and I was like, go book me some shows. So

2039
01:28:02,880 --> 01:28:05,720
Speaker 21: you just can't get the trucks and buses after three

2040
01:28:05,800 --> 01:28:09,040
Speaker 21: years all together, and the crew everybody's off working with

2041
01:28:09,080 --> 01:28:12,240
Speaker 21: everybody else, you know. So it took till December to

2042
01:28:12,320 --> 01:28:13,120
Speaker 21: launch this thing.

2043
01:28:13,960 --> 01:28:18,480
Speaker 4: And here we are well excited to have you back. Yeah, yeah,

2044
01:28:18,800 --> 01:28:22,240
Speaker 4: like optimistic playing music, love it. Did you have to

2045
01:28:22,439 --> 01:28:26,040
Speaker 4: your voice aside from health, Like you don't sing for

2046
01:28:26,080 --> 01:28:29,040
Speaker 4: three years? Like that's a muscle, right, Like you can

2047
01:28:29,080 --> 01:28:30,800
Speaker 4: sing for three hours? But I mean, did just like

2048
01:28:30,840 --> 01:28:32,559
Speaker 4: blow your voice at all after two days?

2049
01:28:33,120 --> 01:28:33,320
Speaker 9: No?

2050
01:28:33,720 --> 01:28:37,519
Speaker 21: But the thing that I've had to overcome is the

2051
01:28:37,560 --> 01:28:41,679
Speaker 21: surgery I had on my stomach. They had to stitch

2052
01:28:41,800 --> 01:28:45,599
Speaker 21: on my diaphragm, so and not using it to sing

2053
01:28:45,640 --> 01:28:48,559
Speaker 21: every night that is a muscle, you know. So I've

2054
01:28:48,560 --> 01:28:52,280
Speaker 21: had to really work that to get it so where

2055
01:28:52,360 --> 01:28:55,479
Speaker 21: I sing really really hard and really really violent and loud,

2056
01:28:56,240 --> 01:28:59,360
Speaker 21: and I didn't have that last ten percent on the

2057
01:28:59,400 --> 01:29:02,760
Speaker 21: bottom where I could just really belt anything, you know,

2058
01:29:03,439 --> 01:29:06,200
Speaker 21: Like when I sang MacArthur Park at Carnegie.

2059
01:29:05,720 --> 01:29:07,559
Speaker 9: Hall, it was like opera stuff.

2060
01:29:08,080 --> 01:29:10,800
Speaker 21: So I don't know if I could do that, But

2061
01:29:10,840 --> 01:29:11,599
Speaker 21: what I do.

2062
01:29:11,479 --> 01:29:12,879
Speaker 9: On stage is no problem.

2063
01:29:13,160 --> 01:29:15,960
Speaker 21: So it's like I've had to I've had to work

2064
01:29:15,960 --> 01:29:18,080
Speaker 21: on that different and it's getting better all the time.

2065
01:29:18,600 --> 01:29:22,439
Speaker 21: But I went through about three hours yesterday off and on,

2066
01:29:23,200 --> 01:29:26,000
Speaker 21: you know, going through our lists working it up, and

2067
01:29:26,320 --> 01:29:26,960
Speaker 21: I hevy.

2068
01:29:26,840 --> 01:29:28,720
Speaker 4: Issues, what's your favorite song to do now that you're

2069
01:29:28,720 --> 01:29:30,400
Speaker 4: back doing it? Anything like, Man, it feels good to

2070
01:29:30,400 --> 01:29:30,760
Speaker 4: do again.

2071
01:29:31,520 --> 01:29:33,800
Speaker 21: Man, those four and five week number ones, you can

2072
01:29:33,880 --> 01:29:39,200
Speaker 21: just pile them up and come downhill and they're all fun.

2073
01:29:39,360 --> 01:29:41,000
Speaker 4: You're gonna do any songs about the Greasy Wienies. I

2074
01:29:41,000 --> 01:29:42,400
Speaker 4: love that band. I don't know if you've heard of them.

2075
01:29:42,479 --> 01:29:43,919
Speaker 4: They're really making the name of Oklahoma.

2076
01:29:44,000 --> 01:29:46,599
Speaker 9: Yeah. They don't do many covers. They do all Toby stuff.

2077
01:29:46,640 --> 01:29:49,400
Speaker 4: Well that's why some people get annoyed by them. They're like, enough,

2078
01:29:49,400 --> 01:29:52,280
Speaker 4: Toby Keith play some Greasy Weenies, so well, Toby, it's

2079
01:29:52,280 --> 01:29:52,680
Speaker 4: good to see you.

2080
01:29:52,760 --> 01:29:52,880
Speaker 6: Man.

2081
01:29:53,760 --> 01:29:55,360
Speaker 4: New album one hundred percent song Rather they came out

2082
01:29:55,360 --> 01:29:57,479
Speaker 4: a few months ago. Don't let the old man in

2083
01:29:57,520 --> 01:30:00,080
Speaker 4: his back. We've been playing a little bed and all

2084
01:30:00,120 --> 01:30:02,360
Speaker 4: the show sold out. Again. My friends never asked me

2085
01:30:02,360 --> 01:30:03,479
Speaker 4: for anything, and they were like, can you get us

2086
01:30:03,520 --> 01:30:06,599
Speaker 4: Toby tickets? And I said, not only that, they could

2087
01:30:06,640 --> 01:30:08,240
Speaker 4: come and stay in your hotel room. So you'll see

2088
01:30:08,240 --> 01:30:08,599
Speaker 4: that there.

2089
01:30:08,720 --> 01:30:10,240
Speaker 9: Well, I don't stay in my hotel room, saying you

2090
01:30:10,320 --> 01:30:12,760
Speaker 9: have it. Well, long play pier Cope, incidental Trap.

2091
01:30:12,800 --> 01:30:15,120
Speaker 4: All right, all right, Toby, good to see you too.

2092
01:30:15,160 --> 01:30:15,320
Speaker 14: Bye.

2093
01:30:15,320 --> 01:30:16,280
Speaker 4: There is everybody.

2094
01:30:19,320 --> 01:30:23,040
Speaker 1: It's the best Bits of the week with Morgan number two.

2095
01:30:24,200 --> 01:30:27,200
Speaker 2: Well, there was everybody the top Bits of twenty twenty

2096
01:30:27,200 --> 01:30:29,559
Speaker 2: four on the Bobby Bone Show. I hope you guys

2097
01:30:29,760 --> 01:30:32,120
Speaker 2: enjoyed it. Thank you for being here hanging out with me.

2098
01:30:32,520 --> 01:30:34,960
Speaker 2: I hope you had an amazing New Year's and you're

2099
01:30:35,040 --> 01:30:38,360
Speaker 2: already kicking off twenty twenty five with an absolute bang.

2100
01:30:38,720 --> 01:30:40,519
Speaker 2: And if you're not, and you're kind of waiting for

2101
01:30:40,520 --> 01:30:43,080
Speaker 2: the weekend to end, then I totally get it also

2102
01:30:43,120 --> 01:30:45,800
Speaker 2: because that will be doing the same thing. So again,

2103
01:30:45,840 --> 01:30:47,920
Speaker 2: thank you for being here, Thank you for hanging out.

2104
01:30:48,000 --> 01:30:48,960
Speaker 3: I appreciate you guys.

2105
01:30:49,120 --> 01:30:51,880
Speaker 2: As always, I couldn't do the best bits without you, guys,

2106
01:30:51,880 --> 01:30:54,560
Speaker 2: because you guys make questions and you participate, and you

2107
01:30:54,600 --> 01:30:57,439
Speaker 2: always hit me up of things you're hearing on this podcast.

2108
01:30:57,439 --> 01:30:59,479
Speaker 2: So thanks for listening, Thank you for being here. I'm

2109
01:30:59,479 --> 01:31:02,160
Speaker 2: gonna say million times because I'm super thankful, and we're

2110
01:31:02,160 --> 01:31:04,000
Speaker 2: coming out of twenty twenty four and on to twenty

2111
01:31:04,040 --> 01:31:07,400
Speaker 2: twenty five, brighter new horizons, and I'm excited for all

2112
01:31:07,439 --> 01:31:09,880
Speaker 2: of us for what twenty twenty five will bring.

2113
01:31:10,320 --> 01:31:12,559
Speaker 3: Well for the next best bits.

2114
01:31:12,640 --> 01:31:16,360
Speaker 2: I will officially be seeing you guys in the new year,

2115
01:31:16,560 --> 01:31:19,360
Speaker 2: because you know this was recorded in twenty twenty four.

2116
01:31:19,400 --> 01:31:20,360
Speaker 3: Okay, yeah bye.

2117
01:31:20,880 --> 01:31:23,759
Speaker 22: That's the Best Bits of the Week with Morgan. Thanks

2118
01:31:23,760 --> 01:31:25,840
Speaker 22: for listening. Be sure to check out the other two

2119
01:31:25,880 --> 01:31:29,480
Speaker 22: parts this weekend. Go follow the show on all social platforms.

2120
01:31:29,240 --> 01:31:30,960
Speaker 17: Bomb Show and follow ed

2121
01:31:31,040 --> 01:31:34,720
Speaker 22: Webgirl Morgan to submit your listener questions for next week's episode.