WEBVTT - #294 - Jae Skeese

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<v Speaker 1>Yo, it's Jay Ski. It's the separation of Jordan Miss

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<v Speaker 1>and Jordan High's drumwork. Music was good. Make sure you

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<v Speaker 1>check me out on the Bootleg cav podcast tap in

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<v Speaker 1>Let's go everything for wee'z Bhuleg cav podcast. We got

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<v Speaker 1>a special guest in here. His debut album, something like

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<v Speaker 1>a debut album is out right now. Abolished Uncertainties, Yes, sir, Yes, sir. Now,

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<v Speaker 1>You've been putting out like, like you know, bodies of work.

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<v Speaker 1>So what makes this like the official I guess like debut. Man,

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<v Speaker 1>It's something I've been working on for a long time.

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<v Speaker 1>You know, I've been working on it since like the

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<v Speaker 1>end of twenty twenty. You know what I mean, has

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<v Speaker 1>like it's my whole life. You know what I mean.

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<v Speaker 1>When I think about abolishing certainties, it's just my story,

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<v Speaker 1>you know what I mean. I say it on the

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<v Speaker 1>first record. It's like I'm telling my story, you know

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<v Speaker 1>what I'm saying. So I feel like with the other uh,

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<v Speaker 1>with some of the other projects that I have. You know,

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<v Speaker 1>I was more so because it was like, you know,

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<v Speaker 1>you got Revolver Osolt, you got Iroquois Plisk and a

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<v Speaker 1>joint I deal with big ghots authenticity check. That's me

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<v Speaker 1>more so just trying to show people that I belong

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<v Speaker 1>here in the game and like I can spit, you

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<v Speaker 1>know what I mean. And with this joint, it's like

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<v Speaker 1>you get a full like you get a full kind

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<v Speaker 1>of a feel for my artistry, like when it comes

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<v Speaker 1>to not only just Ryman, because you know Ryman is

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<v Speaker 1>the easy part, but putting together like real songs and

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<v Speaker 1>putting together something that someone can really digest and really

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<v Speaker 1>get a feel of who this artist is. There it

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<v Speaker 1>is Man first of all. For people who don't know you, originally,

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<v Speaker 1>before you linked with drum Work and Conway, you were

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<v Speaker 1>kind of working. You were like the sneaker guy. So

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<v Speaker 1>you were working out of a sneaker store in Buffalo. Yeah.

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<v Speaker 1>So were you kind of like ever known to be

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<v Speaker 1>a rapper at that same time or were you kind

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<v Speaker 1>of like everyone's sneaker plug, Like No, I was, you know,

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<v Speaker 1>I was working, like you know, I was the manager

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<v Speaker 1>at the sneaker spot for a long time, but you

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<v Speaker 1>were the plug. Yeah kind of not really, not really

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<v Speaker 1>because I wasn't on no back door shit. You couldn't

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<v Speaker 1>set some shoes aside for someone I could if you

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<v Speaker 1>if I really fucked with you, yeah, you know what

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<v Speaker 1>I'm saying. But outside of that, I wasn't really doing

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<v Speaker 1>that type of shit. I was just really working there

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<v Speaker 1>to try and support my dream, you know what I mean.

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<v Speaker 1>And uh, you know, people definitely knew that I was.

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<v Speaker 1>You know, I was rapping back then too, because I

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<v Speaker 1>was doing like ciphers and uh, they're at the store.

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<v Speaker 1>Actually I was doing that. I was doing shows all

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<v Speaker 1>around the town. I was doing shows out of town.

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<v Speaker 1>So you know, it was just something that I was

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<v Speaker 1>doing in the time so that I could, you know,

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<v Speaker 1>just support the dream and just support myself. So what

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<v Speaker 1>ended up kind of being the bridge from you doing

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<v Speaker 1>that to signing with the drum work. It was really

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<v Speaker 1>like the pandemic, Like once the pandemic came around, I

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<v Speaker 1>got furlough from work because you know, nobody was going

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<v Speaker 1>to the sneaker store to go buy no kicks and shit.

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<v Speaker 1>So you know, we ended up, you know, all getting

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<v Speaker 1>furloughed there at the store, and you know, I was

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<v Speaker 1>just locking in and you know, when the opportunity came

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<v Speaker 1>back to go back to the store and work. The

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<v Speaker 1>company I was working for, they just you know, company.

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<v Speaker 1>If you ever heard of DTLR Villa, Oh yeah, DTLR. Yeah.

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<v Speaker 1>I was working with DTLR and they just you know,

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<v Speaker 1>it was just a few situations that happened there in

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<v Speaker 1>the store where I just wasn't comfortable working in the store,

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<v Speaker 1>and I ended up leaving, and uh, you know, two

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<v Speaker 1>days later, that's when Conway reached out to me. You

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<v Speaker 1>know what I mean, Like I kind of just took

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<v Speaker 1>a big leap of faith and just trusted God, and

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<v Speaker 1>you know, I didn't know where I was going to

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<v Speaker 1>go next or what was going to happen next, but

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<v Speaker 1>you know, it just didn't feel right. I wasn't I

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<v Speaker 1>felt like I wasn't being treated like a human being

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<v Speaker 1>at the end of the day that have value. Well,

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<v Speaker 1>I feel like to the last couple of years you've

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<v Speaker 1>kind of gone through like some real like artist development,

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<v Speaker 1>Like I feel like you've been putting out music, but

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<v Speaker 1>you've also been kind of able to sit to the

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<v Speaker 1>side and watch, you know, go to these big RISELDA

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<v Speaker 1>shows or go do south like last year you did

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<v Speaker 1>south By Southwest. I think I forget why Conway couldn't

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<v Speaker 1>make it, but I remember there was a show that

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<v Speaker 1>last year I saw you do with a stove. God,

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<v Speaker 1>but like it was dope to see like kind of like,

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<v Speaker 1>I feel like every time I see you, you're kind

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<v Speaker 1>of like getting the like standing on your own a

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<v Speaker 1>little bit more because I feel like it's hard to

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<v Speaker 1>come in when you're coming in with somebody like Conway,

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<v Speaker 1>because everyone's going to kind of associate you guys together.

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<v Speaker 1>But I feel like you've done a good job of

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<v Speaker 1>kind of being your own man, you know what I mean.

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<v Speaker 1>That's that's like one of the biggest things for me.

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<v Speaker 1>Is crazy to you even bring that up, because everything

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<v Speaker 1>that I've done to this point has been to support that, right,

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<v Speaker 1>you know what I mean, Because like you said, it

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<v Speaker 1>is kind of hard, Like you know, it's hard to

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<v Speaker 1>have two stars really shine right together. But I know,

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<v Speaker 1>like you know, I know I'm a star too, so

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<v Speaker 1>you know, I got to do a good job of

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<v Speaker 1>making that known. And just you know, anytime that I

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<v Speaker 1>do have a chance to kind of you know, do

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<v Speaker 1>a show separate, like separately or you know, just do

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<v Speaker 1>my own thing, you know what I mean. I always

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<v Speaker 1>take those opportunities, Like Conway, that's my big brother, you

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<v Speaker 1>know what I'm saying, Like shout out to the big bro.

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<v Speaker 1>You know what I'm saying. But you know I gotta

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<v Speaker 1>shine too, you know what I'm saying. And that's what

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<v Speaker 1>I'm gonna do. Yeah, March big month for you man. Yeah,

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<v Speaker 1>for sure. You guys got the joint project which dropped

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<v Speaker 1>on the tenth you got the album? Was was this

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<v Speaker 1>kind of like the conscious decision to be like, Yo,

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<v Speaker 1>it's your time right now, like put out the runway.

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<v Speaker 1>Put out the Runway man, and you know, shout out

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<v Speaker 1>to Chad and everybody over at drum Work Conway for

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<v Speaker 1>kind of putting that together. My man, Dave over an empire,

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<v Speaker 1>you know what I'm saying. Like it was, it was

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<v Speaker 1>like a conscious decision to say, Yo, let's just put

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<v Speaker 1>out this project. You know, we have been sitting on

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<v Speaker 1>it for a little bit, paying provided offit. Let's put

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<v Speaker 1>it out and then you know, why not just drop

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<v Speaker 1>the drop the album two weeks later because it's like,

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<v Speaker 1>you know, you already have the floor, you know what

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<v Speaker 1>I mean? Was there ever? Wasn't there supposed to be

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<v Speaker 1>a drum Work compilation? Yeah? Yeah, and it still is.

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<v Speaker 1>That'll be coming, I believe, if not April, it'll be May.

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<v Speaker 1>So that's on the way, Yes, on the way. So

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<v Speaker 1>much drum work happening. Yeah, man, yeah, it's time because

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<v Speaker 1>you know we've been we've been grinding for like the

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<v Speaker 1>last two and a half years for sure. So it's like,

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<v Speaker 1>you know, now it's like the perfect time because people

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<v Speaker 1>have been waiting on it, you know what I mean,

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<v Speaker 1>Like we all been putting out our own little projects

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<v Speaker 1>and videos and different things, making sure that our presence

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<v Speaker 1>is known. But now it's like, now, let's do the

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<v Speaker 1>drum work thing for sure. Abolished uncertainties. Why the title?

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<v Speaker 1>So when I was thinking about naming the album, it

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<v Speaker 1>was it came at a time where I wasn't sure

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<v Speaker 1>what was where I was going really in life. Like

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<v Speaker 1>I said, like, you know, I just quit my job,

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<v Speaker 1>and you named this a while ago. Yeah, I named

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<v Speaker 1>this a while ago. Yeah, this was back in twenty twenty.

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<v Speaker 1>I was thinking of a name, and so, you know,

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<v Speaker 1>I was I was just always unsure, man, being from

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<v Speaker 1>both you know, it wasn't a lot of opportunities for

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<v Speaker 1>people to get on with music, especially hip hop, you

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<v Speaker 1>know what I'm saying. So you know when Griselda, you know,

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<v Speaker 1>they kicked down the door, it was kind of like well, shit,

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<v Speaker 1>maybe I do got a shot at this for real.

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<v Speaker 1>And then you still got uncertainties though, because you know,

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<v Speaker 1>how am I gonna do it? That I wasn't sure of,

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<v Speaker 1>you know what I mean. So you know, with this album,

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<v Speaker 1>I feel like I'm really I'm taking whatever whatever, like

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<v Speaker 1>chains and whatever. It's almost like cuffs that you have

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<v Speaker 1>on your mind because you can you can kind of

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<v Speaker 1>enslave yourself, you know what I mean, you be a

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<v Speaker 1>slave to your mind because you start thinking so much

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<v Speaker 1>and then you got all these thoughts and they just

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<v Speaker 1>go and go and go, and yeah, exactly, so you

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<v Speaker 1>know I'm abolishing I was thinking about it. I was like, Yo,

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<v Speaker 1>I'm gonna abolish these chains that I had on my mind.

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<v Speaker 1>You know what I'm mean. It's like abolishing slavery, I

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<v Speaker 1>should say. But yeah, like take those chains off of

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<v Speaker 1>my mind because with this album, this is like my

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<v Speaker 1>first real statement and you know in the game, you

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<v Speaker 1>know what I'm saying, Like, that's how it really feels

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<v Speaker 1>on the album. Uh should I got Conway on there,

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<v Speaker 1>I got I got Freeway on there. Shout out my

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<v Speaker 1>bro Freeway man, he came through. I got Jillian Haynesworth

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<v Speaker 1>she's a poet from the town. I got my men

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<v Speaker 1>Terry King on there, shout out my man, Terry King.

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<v Speaker 1>He's an awesome comedian. And then I got cold to Seville.

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<v Speaker 1>She's an awesome artist. She she sings, she raps, she

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<v Speaker 1>does it all. So when you hit Freeway for the Future,

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<v Speaker 1>is it pretty like? Just do you gotta pay for it?

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<v Speaker 1>I'll tell you how how I even got that feature.

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<v Speaker 1>So Beanie Siegel and Freeway, they both came through Buffalo

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<v Speaker 1>and they had a show. And I was at the

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<v Speaker 1>studio that night and Conway was supposed to pull up

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<v Speaker 1>and come to the studio and they were gonna pull up.

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<v Speaker 1>So they pulled up conn Connen. I'm sorry Beanie and

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<v Speaker 1>Free they pulled up and we were just sitting in

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<v Speaker 1>the studio just vibing, and so I'm at DJ Coles.

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<v Speaker 1>He he was like, yo, start playing your album. And so,

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<v Speaker 1>you know, Beanie and Free they came into stool and

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<v Speaker 1>con Never he never came through. Uh Bro came. You

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<v Speaker 1>know what I'm saying. They came in the studio and uh,

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<v Speaker 1>you know, I'm playing all my all my records from

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<v Speaker 1>about some certainties that I had so far and uh,

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<v Speaker 1>I got this record on there. It's called out Here

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<v Speaker 1>that came on, and and the flow that I was

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<v Speaker 1>on there is just crazy. It's almost kind of like

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<v Speaker 1>some freeways, right, you know what I'm saying. He's a

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<v Speaker 1>big inspiration to me for sure. And so you know,

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<v Speaker 1>the record comes on and I just see him. So

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<v Speaker 1>he's sitting in the corner. I'm sitting in like the

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<v Speaker 1>middle of the studio. He's sitting in the corner and

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<v Speaker 1>I'm watching him. Like his whole reaction is just like Yo,

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<v Speaker 1>this one is crazy, Like you know what I'm saying,

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<v Speaker 1>going back and forth, and you know, the song goes

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<v Speaker 1>off and I'm like, yo, bro, like it's wrong for

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<v Speaker 1>you on there. He's like, well, I'm like, Yo, it's

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<v Speaker 1>wrong for you on that record. Like I see you

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<v Speaker 1>over there vibing like you know what I'm saying. You

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<v Speaker 1>know what I'm saying. Like, he was like, yo, run

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<v Speaker 1>it back. So we played it back. He was like, yo,

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<v Speaker 1>let's do it. So immediately like I'm like, yo, my man,

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<v Speaker 1>Tony Boy was there. I'm like, yo, Tony Boy, load

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<v Speaker 1>up the session. Let's get it. He did his verse

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<v Speaker 1>right there on the spot. It was love Hey, we

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<v Speaker 1>got to stop the interview real quick to tell you

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<v Speaker 1>These are some street Fighter draws. Pop these boys open,

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<v Speaker 1>check them out? Oh yeah, oh ye, little chun Lee

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<v Speaker 1>versus Blanco? What amazing? Do you like you who so

0:09:17.760 --> 0:09:21.320
<v Speaker 1>much that you'd wear you Who on your feet? There's

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<v Speaker 1>people running around out here with goddamn hot cheeto jumpsuits

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<v Speaker 1>right now, so of course you would shout out to

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<v Speaker 1>you who. They got crazy licenses we already mentioned street Fighter,

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<v Speaker 1>Coca Cola, Pepsi. Yes, they got the They got the

0:09:33.920 --> 0:09:36.800
<v Speaker 1>both there. They got pepsi and Coca cola. They also

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<v Speaker 1>got scarface breaking bad Wwe so many dope licenses plus

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<v Speaker 1>their odd Socks basics line, which are these just kind

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<v Speaker 1>of the normal socks? In my opinion, are the most

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<v Speaker 1>comfortable socks I've ever put on my feet. I promise

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<v Speaker 1>you you gotta go to odd socksoficial dot com right

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<v Speaker 1>now and use the promo code Bootleg save twenty percent

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<v Speaker 1>Odd Socks Official also want to give a shout out

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<v Speaker 1>Las Vegas. You gotta pull up. Follow him on Instagram.

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<v Speaker 1>Hardeen Underscore Las Vegas. You see the hat, you see

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<v Speaker 1>the logo. Shout out to the family at Hardean. If

0:10:17.600 --> 0:10:20.120
<v Speaker 1>you're in Vegas, you gotta stop off. You gotta go

0:10:20.160 --> 0:10:22.199
<v Speaker 1>pick you up some weed. It is legal in Vegas.

0:10:22.559 --> 0:10:24.640
<v Speaker 1>Tell them I sent you. They will take care of you,

0:10:24.679 --> 0:10:27.720
<v Speaker 1>all right. Make sure you follow them. Hardening Underscore Las

0:10:27.800 --> 0:10:30.640
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<v Speaker 1>in my life, the best smelling place I've ever walked

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<v Speaker 1>into in my life. They have a signature scent that's

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<v Speaker 1>fucking insane. So shout out to Harden. Go follow him

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<v Speaker 1>Harden Underscore, Las Vegas. Check out more info about them

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<v Speaker 1>at Hardean Las Vegas dot com. Let's get back to

0:10:43.760 --> 0:10:46.320
<v Speaker 1>the interview. I feel like I was talking to Conway

0:10:46.360 --> 0:10:49.720
<v Speaker 1>on camera about his relationship with Beanie Siegel, and he

0:10:49.760 --> 0:10:52.160
<v Speaker 1>insinuated that there might be something coming down the pipeline

0:10:52.160 --> 0:10:55.960
<v Speaker 1>with Beanie Siegel. I wish I knew down. Lockload is

0:10:55.960 --> 0:10:58.120
<v Speaker 1>a crazy record. Yeah that was. That was like a

0:10:58.200 --> 0:11:01.280
<v Speaker 1>year and a half ago. Yeah, yeah, Lockload is crazy.

0:11:01.559 --> 0:11:06.280
<v Speaker 1>My god. A uh so, you're a big sneaker guy.

0:11:06.520 --> 0:11:10.000
<v Speaker 1>Give me your top five like sneakers silhouettes of all

0:11:10.040 --> 0:11:13.720
<v Speaker 1>time silhouettes, so not even like specific. So I'm gonna

0:11:13.720 --> 0:11:17.560
<v Speaker 1>go Jordan ATE's, Jordan fives, Jordan's one's for sure. You know,

0:11:17.760 --> 0:11:19.920
<v Speaker 1>I'm the separation of Jordan miss and Jordan Highs. I've

0:11:19.920 --> 0:11:23.040
<v Speaker 1>been going by that for the longest. Air Force ones,

0:11:23.080 --> 0:11:27.920
<v Speaker 1>of course, and for that last spot. It's kind of tough,

0:11:28.920 --> 0:11:33.560
<v Speaker 1>but I'm gonna say, I really love the air Raids, Okay,

0:11:33.720 --> 0:11:35.560
<v Speaker 1>I really love the Ara. You're gonna put the Jordan

0:11:35.720 --> 0:11:41.520
<v Speaker 1>Ights number one? Yeah, Aquas broquals black and chrome ights.

0:11:41.520 --> 0:11:43.640
<v Speaker 1>What we're talking about, Bro, that's the hardest shoe ever.

0:11:43.679 --> 0:11:47.120
<v Speaker 1>Bro give me the cemthree is tough too, you know

0:11:47.160 --> 0:11:51.120
<v Speaker 1>what I'm saying. I love, but you know. So you're

0:11:51.200 --> 0:11:54.199
<v Speaker 1>like an eight. You like eights, like eights, that's my shoe.

0:11:54.200 --> 0:11:57.160
<v Speaker 1>You're like a unicorn. Yeah, for real, that's that's my shoe.

0:11:57.400 --> 0:11:59.240
<v Speaker 1>I feel like my shoe. I feel like I don't.

0:11:59.679 --> 0:12:02.120
<v Speaker 1>I don't own a pair of eights, even the Awkwua eights.

0:12:02.160 --> 0:12:05.439
<v Speaker 1>I'm just I'm straight. They're just like the straps and

0:12:05.520 --> 0:12:06.959
<v Speaker 1>so you got it. It's just a certain way you

0:12:07.000 --> 0:12:08.920
<v Speaker 1>got wearing. You get dripping in them joint store, I'm

0:12:08.920 --> 0:12:11.080
<v Speaker 1>sure you can. Yeah, for sure. I don't think I'm

0:12:11.160 --> 0:12:14.200
<v Speaker 1>interested in getting dripping. Some Jordan Nates man to each

0:12:14.280 --> 0:12:16.679
<v Speaker 1>his and the sixes. I feel like six is sit

0:12:17.360 --> 0:12:20.280
<v Speaker 1>you said there's I feel like anytime six is dropt recently,

0:12:20.280 --> 0:12:22.800
<v Speaker 1>they're sitting everywhere. Yeah, you know, I feel that way too.

0:12:22.880 --> 0:12:25.120
<v Speaker 1>I think they just dropped like some gray ones. Gray

0:12:25.160 --> 0:12:27.439
<v Speaker 1>ones are everywhere, Yeah, are everywhere. For a fact, they

0:12:27.440 --> 0:12:29.400
<v Speaker 1>got to bring back some of those classic colors. Man,

0:12:29.679 --> 0:12:32.040
<v Speaker 1>those Jordan Force, those sb's that are about to drive

0:12:32.160 --> 0:12:35.120
<v Speaker 1>crazy fire crazy. I'm hoping I can get my hands

0:12:35.120 --> 0:12:36.800
<v Speaker 1>on them. But I don't. Never have no luck on

0:12:36.800 --> 0:12:39.280
<v Speaker 1>the Nike app. So the Nike app is trash? Are

0:12:39.280 --> 0:12:41.360
<v Speaker 1>those on the Nike app because they're SB. I don't

0:12:41.400 --> 0:12:42.959
<v Speaker 1>know if they're I think they might drop on the

0:12:43.040 --> 0:12:45.040
<v Speaker 1>Nike app. Yeah, there was this store that we used

0:12:45.080 --> 0:12:47.000
<v Speaker 1>to go to, man, back in the day. It was

0:12:47.080 --> 0:12:49.880
<v Speaker 1>over on Elmwood in Buffalo, and uh it was called

0:12:49.920 --> 0:12:52.600
<v Speaker 1>Sunday I believe Sunday Skate Shop and they would get

0:12:52.640 --> 0:12:54.760
<v Speaker 1>like those collabse Like I got a pair of ones

0:12:54.760 --> 0:12:56.920
<v Speaker 1>from there back in the day. Man, It's it's tough

0:12:56.920 --> 0:12:58.600
<v Speaker 1>to get your hands on the SB collapsed when they

0:12:58.720 --> 0:13:00.480
<v Speaker 1>do them. If someone goes to Buffalo, where do you

0:13:00.480 --> 0:13:03.400
<v Speaker 1>get Buffalo wings from Buffalo wings from? You gotta go

0:13:03.559 --> 0:13:06.960
<v Speaker 1>to I love Kelly Corner Wings. I've been there. Yeah,

0:13:07.000 --> 0:13:10.520
<v Speaker 1>Kelly Corner. That place is interesting. Yeah, it's different and

0:13:10.559 --> 0:13:12.880
<v Speaker 1>they got a different type of like hot wing too,

0:13:12.880 --> 0:13:15.080
<v Speaker 1>because it's not like a sauce. Yeah. It was just

0:13:15.120 --> 0:13:18.680
<v Speaker 1>some old lady there smoking and serving drinks with the glasses.

0:13:18.800 --> 0:13:22.160
<v Speaker 1>She was just one person's staff. Yeah, she's been in

0:13:22.200 --> 0:13:24.040
<v Speaker 1>there thugging for a long time. Because the first time

0:13:24.080 --> 0:13:25.920
<v Speaker 1>I went there was maybe five six years ago. I

0:13:25.960 --> 0:13:28.080
<v Speaker 1>was like, I hope she sweats in our wings because

0:13:28.080 --> 0:13:30.880
<v Speaker 1>I feel like that would be the special ingredient, not

0:13:30.920 --> 0:13:33.480
<v Speaker 1>for real, from Kelly's Corner for real. So go to

0:13:33.559 --> 0:13:38.280
<v Speaker 1>Kelly's Corner, get you a Guinness. It's definitely like a bar. Yeah,

0:13:38.520 --> 0:13:43.760
<v Speaker 1>it's a bar. Yeah, listen for you like talk about

0:13:44.120 --> 0:13:47.360
<v Speaker 1>for like your if you know, if you've been playing

0:13:47.360 --> 0:13:48.760
<v Speaker 1>this album for two years, you came up with the

0:13:48.920 --> 0:13:52.920
<v Speaker 1>title during the pandemic. Do you feel any pressure you

0:13:53.080 --> 0:13:54.480
<v Speaker 1>nervous at all and like how people are going to

0:13:54.960 --> 0:13:57.480
<v Speaker 1>receive something that you've put so much into. No, I'm

0:13:57.520 --> 0:13:59.800
<v Speaker 1>not nervous at all, because you know, I put my

0:14:00.080 --> 0:14:01.800
<v Speaker 1>put my life into it, you know what I mean.

0:14:01.840 --> 0:14:05.080
<v Speaker 1>It's authentic. It's like it's one of those projects where

0:14:05.120 --> 0:14:07.360
<v Speaker 1>when you walk away from it, like I said, you

0:14:07.400 --> 0:14:09.160
<v Speaker 1>just get a real sense of who the artist is.

0:14:09.240 --> 0:14:12.320
<v Speaker 1>And every song, Like me as an artist period, I've

0:14:12.360 --> 0:14:15.040
<v Speaker 1>never I've never wanted to be put into a box.

0:14:15.280 --> 0:14:17.079
<v Speaker 1>And so there's a lot of different flows, a lot

0:14:17.080 --> 0:14:20.320
<v Speaker 1>of different sounds on their different beats, and so it's

0:14:20.320 --> 0:14:22.240
<v Speaker 1>got something for everybody, you know what I mean. Like

0:14:22.280 --> 0:14:23.960
<v Speaker 1>when I say I'll be joking with my men and

0:14:24.000 --> 0:14:25.560
<v Speaker 1>child all the time and I say, yo, we go

0:14:25.640 --> 0:14:28.640
<v Speaker 1>on Billboard number one, and I always like I'm serious

0:14:28.640 --> 0:14:30.560
<v Speaker 1>because you know what I mean. I feel like the

0:14:30.600 --> 0:14:32.800
<v Speaker 1>project just speaks to everybody. It's a song on the

0:14:32.840 --> 0:14:36.080
<v Speaker 1>album that everyone can like, but as a whole, like

0:14:36.120 --> 0:14:38.400
<v Speaker 1>as a body of work, it's just a beautiful piece

0:14:38.400 --> 0:14:39.920
<v Speaker 1>of work. Like I can't really say too much else

0:14:39.960 --> 0:14:42.480
<v Speaker 1>about it, and it's me, you know what I mean.

0:14:42.520 --> 0:14:44.480
<v Speaker 1>So if you fuck with Jay Skis, you know what

0:14:44.520 --> 0:14:46.280
<v Speaker 1>I mean, Like, you'll appreciate it, you'll love it. And

0:14:46.320 --> 0:14:48.400
<v Speaker 1>if not, if you don't even know who Jay Skis is,

0:14:48.480 --> 0:14:50.080
<v Speaker 1>it's a song on there that's gonna really you win,

0:14:50.200 --> 0:14:52.360
<v Speaker 1>you know what I'm saying. For the like when I

0:14:52.400 --> 0:14:54.880
<v Speaker 1>always wonder this when these like Big Ghost albums happen.

0:14:55.000 --> 0:14:56.880
<v Speaker 1>Have you met Big Ghosts? Does anybody know who this

0:14:56.920 --> 0:14:59.960
<v Speaker 1>guy is? Yo? The crazy shit about Big Ghost is

0:15:00.120 --> 0:15:02.200
<v Speaker 1>one day, randomly right, I think this was after a

0:15:02.640 --> 0:15:05.280
<v Speaker 1>crack in the nineties came out. He randomly followed me,

0:15:05.400 --> 0:15:07.680
<v Speaker 1>and so I knew about Big Ghosts from like two

0:15:07.720 --> 0:15:10.000
<v Speaker 1>thousand and nine. He was like on Twitter. Yeah, nah,

0:15:10.040 --> 0:15:11.920
<v Speaker 1>not even on Twitter. I used to read his his

0:15:12.000 --> 0:15:14.120
<v Speaker 1>blog spot or whatever or whatever it was. I remember

0:15:14.120 --> 0:15:17.040
<v Speaker 1>he had it. I used to read that joint and

0:15:17.120 --> 0:15:19.520
<v Speaker 1>so I'm because he had the one joint about Drake

0:15:19.640 --> 0:15:21.440
<v Speaker 1>and a few other reviews I don't even write from

0:15:21.440 --> 0:15:23.800
<v Speaker 1>like the perspective of ghost face or whatever, and that

0:15:23.840 --> 0:15:25.800
<v Speaker 1>shit was just mad funny. I'm like, Yo, this shit

0:15:25.840 --> 0:15:27.560
<v Speaker 1>is crazy. So when I saw his name follow me,

0:15:27.920 --> 0:15:30.480
<v Speaker 1>I instantly followed back and then I DMed him like, yo, bro,

0:15:30.800 --> 0:15:32.360
<v Speaker 1>much respect. Man, I've been fucking with you for a

0:15:32.400 --> 0:15:34.280
<v Speaker 1>long time, and he hit me back like yo, nah,

0:15:34.280 --> 0:15:36.360
<v Speaker 1>I fuck with you too, So that whole take like

0:15:36.480 --> 0:15:40.440
<v Speaker 1>came through Instagram DM. I've never met that man. So

0:15:40.520 --> 0:15:42.960
<v Speaker 1>he does not actually have anything to do with the music,

0:15:43.000 --> 0:15:44.960
<v Speaker 1>does he? No, he does, he does. He has a

0:15:45.000 --> 0:15:47.040
<v Speaker 1>lot to do, so he's sending you beats? Is he

0:15:47.120 --> 0:15:50.880
<v Speaker 1>making the beats? So he makes beats? Well? I think he.

0:15:51.000 --> 0:15:54.120
<v Speaker 1>I think he. I think he has a team that

0:15:54.240 --> 0:15:56.440
<v Speaker 1>he works with to to and they probably never met

0:15:56.520 --> 0:15:59.680
<v Speaker 1>him either. Yeah, probably not. Either that or everybody's just

0:15:59.760 --> 0:16:02.000
<v Speaker 1>keeping of the secret. But you know him, man, Yeah,

0:16:02.040 --> 0:16:03.840
<v Speaker 1>shout out to Big Ghosts man. Run it up man,

0:16:03.880 --> 0:16:06.560
<v Speaker 1>Big Home. Uh, you're obviously a huge video game guy.

0:16:06.560 --> 0:16:08.920
<v Speaker 1>What games are you playing lately? Yo? To be honest,

0:16:08.960 --> 0:16:11.080
<v Speaker 1>I haven't had no time to play no video games. Bro.

0:16:11.240 --> 0:16:14.320
<v Speaker 1>Not playing Hogwarts, I'm not playing Ship. I've been, you know,

0:16:14.360 --> 0:16:17.680
<v Speaker 1>I've been. I've been so so focused on his music, bro,

0:16:17.840 --> 0:16:20.600
<v Speaker 1>and just moving around and doing what I gotta do. Like,

0:16:20.800 --> 0:16:23.160
<v Speaker 1>the most I might play is like maybe Mario Ultimate

0:16:23.200 --> 0:16:25.960
<v Speaker 1>Mario or whatever on my on my Nintendo switch on

0:16:26.000 --> 0:16:28.080
<v Speaker 1>the switch. Can you move around with the switch? Yeah,

0:16:28.080 --> 0:16:29.760
<v Speaker 1>I do, I do. I keep the switch on you.

0:16:29.760 --> 0:16:31.760
<v Speaker 1>You gotta keep the switch on you as long as

0:16:31.800 --> 0:16:34.880
<v Speaker 1>it's the Nintendo kind. Yeah, exactly. What about all time?

0:16:34.920 --> 0:16:37.440
<v Speaker 1>What are your favorite games? Your top five? Ship? Metal

0:16:37.440 --> 0:16:40.080
<v Speaker 1>Gear Solid for sure? What's the best Metal Gear Solid

0:16:40.080 --> 0:16:42.040
<v Speaker 1>to you? To me, it's Metal Gear Solid three, The

0:16:42.120 --> 0:16:43.720
<v Speaker 1>Sons a Liberty Joint, you know what I'm saying. I

0:16:43.720 --> 0:16:45.360
<v Speaker 1>love that joint. I thought it was dope, like once

0:16:45.480 --> 0:16:47.120
<v Speaker 1>once you could, you know what I'm saying. The first

0:16:47.120 --> 0:16:49.240
<v Speaker 1>person mode, I thought that shit was just mad ill

0:16:49.280 --> 0:16:51.240
<v Speaker 1>and then the story period for Metal Gear Solid is

0:16:51.240 --> 0:16:52.960
<v Speaker 1>just dope as hell. You know. Part one is my

0:16:53.000 --> 0:16:55.000
<v Speaker 1>favorite game? Member, Yeah, for sure, I like I like

0:16:55.080 --> 0:16:58.080
<v Speaker 1>Part one two, but yeah, metal Gear Solid for sure.

0:16:59.160 --> 0:17:04.000
<v Speaker 1>Final Fantasy that rate game disc, yep, yeah, it was crazy.

0:17:04.080 --> 0:17:05.760
<v Speaker 1>Was it three or two discs? It was? It was

0:17:05.760 --> 0:17:09.240
<v Speaker 1>too it was yeah, it was two Golden Eye Double

0:17:09.240 --> 0:17:11.359
<v Speaker 1>O seven that was one of my favorites for sure.

0:17:11.880 --> 0:17:13.919
<v Speaker 1>We didn't as well, you don't think so I just

0:17:13.920 --> 0:17:15.840
<v Speaker 1>played it recently. I just played recently too. That ship

0:17:15.920 --> 0:17:18.080
<v Speaker 1>was raw, you know what. I played it on the

0:17:18.119 --> 0:17:20.560
<v Speaker 1>mod so I didn't have the actual like, yeah, see

0:17:20.600 --> 0:17:22.760
<v Speaker 1>you gotta you gotta really have the controller all that, bro.

0:17:22.800 --> 0:17:25.160
<v Speaker 1>That's maybe that was why, Yeah, that's gonna take you.

0:17:26.119 --> 0:17:28.240
<v Speaker 1>Matt it was it's a specific Matten. No. I think

0:17:28.240 --> 0:17:31.120
<v Speaker 1>it was Madden eight man who was on the cover

0:17:31.160 --> 0:17:33.080
<v Speaker 1>of eight I want to say it was like Seawn

0:17:33.119 --> 0:17:35.480
<v Speaker 1>Alexander or somebody. That ship was raw. That was like

0:17:35.520 --> 0:17:36.800
<v Speaker 1>the onliest one. It was the one where you had

0:17:36.800 --> 0:17:38.760
<v Speaker 1>like the Mulligans and ship. I always just felt like

0:17:38.760 --> 0:17:41.360
<v Speaker 1>the game player. The NFL two K I figured which

0:17:41.359 --> 0:17:44.159
<v Speaker 1>two K was. One of the now the two K

0:17:44.240 --> 0:17:48.200
<v Speaker 1>joints was fire. It was Vince Young, Okay, one of

0:17:48.240 --> 0:17:50.119
<v Speaker 1>the one of the two k's were dope. I was

0:17:50.160 --> 0:17:51.560
<v Speaker 1>gonna say it was the one with Randy Moss. I

0:17:51.600 --> 0:17:55.160
<v Speaker 1>think they all had Randy Moss. Yeah, two K, both

0:17:55.160 --> 0:17:57.680
<v Speaker 1>two k's. It was like NFL had Randy every year.

0:17:57.720 --> 0:17:59.560
<v Speaker 1>And then AI was on the cover of the first

0:17:59.640 --> 0:18:03.440
<v Speaker 1>like three copy NBA ones. Last one though, is a

0:18:03.760 --> 0:18:07.760
<v Speaker 1>Resident Evil too for the PlayStation Classic Classic Love Resident

0:18:07.800 --> 0:18:10.480
<v Speaker 1>Evil facts for sure. Man, hey, we got to stop

0:18:10.480 --> 0:18:12.360
<v Speaker 1>the interview real quick to tell you about the homies

0:18:12.400 --> 0:18:16.639
<v Speaker 1>at my Bookie that on anything anywhere, anytime at my

0:18:16.760 --> 0:18:19.880
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0:18:33.560 --> 0:18:37.000
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0:18:37.000 --> 0:18:39.360
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0:18:39.400 --> 0:18:41.520
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0:18:41.560 --> 0:18:43.960
<v Speaker 1>say I'm not co signing them because they're dropping the bag.

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<v Speaker 1>I mean, that's nice, but I've been literally using my

0:18:46.840 --> 0:18:49.320
<v Speaker 1>bookie for the better part of the last decade to

0:18:49.400 --> 0:18:51.680
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<v Speaker 1>zero dollars right to your door. Your wife will even

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<v Speaker 1>never know it even happened. You know what I'm saying.

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<v Speaker 1>Maybe you've been a little embarrassed. You're tired of piping

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<v Speaker 1>down that same old broad that you've been sleeping with

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<v Speaker 1>for free. All right, so the album is well. By

0:21:16.280 --> 0:21:18.800
<v Speaker 1>the time this comes out, the album will be out. Yeah,

0:21:18.880 --> 0:21:21.919
<v Speaker 1>what is your favorite song on the album? That's a

0:21:21.960 --> 0:21:25.840
<v Speaker 1>great question, bro. I think my favorite song on the album.

0:21:26.359 --> 0:21:29.679
<v Speaker 1>Oh man, that's a crazy question. I think it's gotta be.

0:21:29.720 --> 0:21:32.040
<v Speaker 1>I got a song on there called red kool Aid. Okay,

0:21:32.359 --> 0:21:34.840
<v Speaker 1>and that's the one I was talking about. Jillian Hainesworth,

0:21:34.920 --> 0:21:37.080
<v Speaker 1>she's on there. Oh. I got Origino on the album too.

0:21:37.160 --> 0:21:39.359
<v Speaker 1>I don't even know how I missed that. He's a

0:21:39.400 --> 0:21:41.080
<v Speaker 1>singer from the town as well. He's an artist. He's

0:21:41.080 --> 0:21:44.159
<v Speaker 1>a great artist as well. But Red kool A I

0:21:44.200 --> 0:21:49.159
<v Speaker 1>talk about three different stories, very short versus and you know,

0:21:49.200 --> 0:21:51.159
<v Speaker 1>I'm just describing different things that have happened in my

0:21:51.240 --> 0:21:53.160
<v Speaker 1>life and why I am the way that I am.

0:21:53.600 --> 0:21:55.840
<v Speaker 1>And then Jillian gets on there and she does this

0:21:55.960 --> 0:21:57.879
<v Speaker 1>poem for about a minute and a half man, and

0:21:58.000 --> 0:22:00.360
<v Speaker 1>it's like some of the things she says in the poem,

0:22:00.480 --> 0:22:02.280
<v Speaker 1>it's just like every time I listen to it, it

0:22:02.280 --> 0:22:04.400
<v Speaker 1>gives me chills, you know what I mean. So it's

0:22:04.440 --> 0:22:06.760
<v Speaker 1>a it's a just an amazing song man in this

0:22:06.960 --> 0:22:10.879
<v Speaker 1>production by Buddha and Grants. It's just it's just an

0:22:10.920 --> 0:22:13.480
<v Speaker 1>amazing song. Period. So the album's out. You got the

0:22:13.520 --> 0:22:17.920
<v Speaker 1>album with Conway out drum work project coming soon, and

0:22:18.040 --> 0:22:21.199
<v Speaker 1>he how's the Conway album sounding that we've been waiting for?

0:22:21.560 --> 0:22:23.840
<v Speaker 1>I mean, it's Conway, Bro, It's you know what I mean.

0:22:23.880 --> 0:22:26.200
<v Speaker 1>You know, like you don't exactly know what you're getting

0:22:26.200 --> 0:22:27.959
<v Speaker 1>with Conway, but you know what you're getting with Conway. Bro.

0:22:28.240 --> 0:22:29.639
<v Speaker 1>He had told me that he was waiting for a

0:22:29.640 --> 0:22:32.240
<v Speaker 1>really big feature. Yeah. I don't know if it happened.

0:22:32.680 --> 0:22:34.320
<v Speaker 1>I haven't heard anything about it yet because I'm not

0:22:34.359 --> 0:22:36.600
<v Speaker 1>sure who it is. But jay Z jay Z that's

0:22:36.600 --> 0:22:38.640
<v Speaker 1>what he told me. I was like, Yo, what the fuck?

0:22:38.680 --> 0:22:40.040
<v Speaker 1>What is that? Bro? You know I'm waiting for that

0:22:40.080 --> 0:22:43.040
<v Speaker 1>whole feature. Yeah, I mean shit, I hope it happens. Man,

0:22:43.080 --> 0:22:44.800
<v Speaker 1>you know what I'm saying. Like Jay is, Jay is

0:22:44.840 --> 0:22:47.040
<v Speaker 1>the goat, so you know what I mean. But Nah,

0:22:47.040 --> 0:22:50.960
<v Speaker 1>the Conway album so far, man, it's it's fire man.

0:22:51.119 --> 0:22:53.160
<v Speaker 1>Are you on it? Shit? Hell yeah, I'm on there.

0:22:53.480 --> 0:22:57.000
<v Speaker 1>We got a song on there. It's it's crazy. I

0:22:57.000 --> 0:22:58.320
<v Speaker 1>don't want to give away too much about it. I

0:22:58.320 --> 0:22:59.760
<v Speaker 1>probably heard my project, but you think i've heard the

0:22:59.800 --> 0:23:02.359
<v Speaker 1>whole alka for I think there's one or two songs

0:23:02.440 --> 0:23:04.880
<v Speaker 1>chats and I haven't heard yet. Yeah, the album's crazy.

0:23:04.880 --> 0:23:08.040
<v Speaker 1>Album is crazy for sure. Man, album is crazy. People

0:23:08.040 --> 0:23:09.879
<v Speaker 1>by merch. You're gonna do the vinyl drop you can

0:23:09.960 --> 0:23:12.040
<v Speaker 1>do all that. I don't know because I think that's

0:23:12.080 --> 0:23:14.560
<v Speaker 1>going to be through the label, but I'm pretty sure

0:23:14.720 --> 0:23:16.600
<v Speaker 1>you know it'll be something like that. Well you can do.

0:23:16.800 --> 0:23:18.679
<v Speaker 1>You're gonna do merch through the label. I believe so

0:23:19.320 --> 0:23:22.040
<v Speaker 1>through Empire. Mm hmmm, all right, well listen. Yeah, so

0:23:22.040 --> 0:23:24.720
<v Speaker 1>we'll see what happens. Jay Skis appreciate you pulling up.

0:23:24.760 --> 0:23:26.720
<v Speaker 1>Go get the album. And he just killed this crazy

0:23:26.760 --> 0:23:30.600
<v Speaker 1>fucking freestyle. It was insane. Different YouTube video, but go

0:23:30.680 --> 0:23:33.920
<v Speaker 1>watch that, no doubt no doubt, appreciate your brother, you already, yes, sir,