1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hay handsomniacs, this is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,720 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the nightmare experience, headphones are recommended. Stay tuned for the 4 00:00:11,880 --> 00:00:14,720 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present See 6 00:00:22,440 --> 00:00:40,360 Speaker 1: You in Your Nightmares in three D headphones recommended. Well, Harper, 7 00:00:41,440 --> 00:00:44,520 Speaker 1: I guess it took meeting in our dreams to see 8 00:00:44,520 --> 00:00:48,120 Speaker 1: each other for what we really are. You're a monster. 9 00:00:48,840 --> 00:00:52,960 Speaker 1: I wish you understood what I'm doing, how important to 10 00:00:52,960 --> 00:00:58,120 Speaker 1: you are, how special your gifts are, and why you 11 00:00:58,120 --> 00:01:01,560 Speaker 1: need to share them with the world. I understand your 12 00:01:01,600 --> 00:01:05,000 Speaker 1: proper murder, doc, after what you've done to us? Don't 13 00:01:05,160 --> 00:01:10,319 Speaker 1: all the other patients here? Didn't you, Chris? What you 14 00:01:10,520 --> 00:01:13,800 Speaker 1: killed him for? All you know, I've made him immortal. 15 00:01:14,480 --> 00:01:17,920 Speaker 1: You of everyone should grasp the magnitude of what I've 16 00:01:17,959 --> 00:01:23,200 Speaker 1: created here. Drinking your own cooling now, well, miss Takeuchi. 17 00:01:23,440 --> 00:01:26,160 Speaker 1: The same as always been said about anything too far 18 00:01:26,240 --> 00:01:29,560 Speaker 1: ahead of its time, But the future always wins in 19 00:01:29,600 --> 00:01:39,720 Speaker 1: the end. I'll kill you, Chris, no oh please? You 20 00:01:39,840 --> 00:01:42,319 Speaker 1: think I'd come here on equal footing with any of you. 21 00:01:42,800 --> 00:01:48,240 Speaker 1: I built this place, I built this technology. Does no 22 00:01:48,280 --> 00:01:52,280 Speaker 1: one else remember how broken Alphaa Beeley and as May 23 00:01:52,440 --> 00:01:57,920 Speaker 1: Easel were when they came to me. Now look at them, frozen, yes, 24 00:01:58,680 --> 00:02:02,120 Speaker 1: but in the middle of being powerful and courageous, willing 25 00:02:02,280 --> 00:02:13,360 Speaker 1: to take a stand, yet quite outmatched. What did you 26 00:02:13,440 --> 00:02:16,640 Speaker 1: do to them? They had already given all they had 27 00:02:16,680 --> 00:02:20,799 Speaker 1: to my ends. You should be celebrating. I was starting 28 00:02:20,800 --> 00:02:23,200 Speaker 1: to think Mr Abili would be a waste of my time, 29 00:02:23,680 --> 00:02:26,640 Speaker 1: that I'd have to start all over again and find 30 00:02:26,680 --> 00:02:31,280 Speaker 1: a new sword. Don't you dare No, don't worry. They'll 31 00:02:31,320 --> 00:02:33,959 Speaker 1: be fine. They'll both wake up at the Center in 32 00:02:34,000 --> 00:02:36,040 Speaker 1: a few hours with a bit of sleep paralysis and 33 00:02:36,080 --> 00:02:39,480 Speaker 1: a headache, and both will need hypnosis before I can 34 00:02:39,560 --> 00:02:45,800 Speaker 1: let them go. Julia, Alfie's dream Without him here, it's crumbling. 35 00:02:46,080 --> 00:02:49,640 Speaker 1: We have to jump. I'll jump us out of here. No, 36 00:03:03,320 --> 00:03:17,080 Speaker 1: see you in your nightmares. You have to let us go, 37 00:03:17,160 --> 00:03:21,120 Speaker 1: help them blossom. I don't think I can do that, Kelly. 38 00:03:22,680 --> 00:03:28,320 Speaker 1: I'll go if I can canna go outside of here. 39 00:03:29,120 --> 00:03:37,880 Speaker 1: That sound Alfie's token returning to you. I feel real 40 00:03:39,120 --> 00:03:43,120 Speaker 1: with every returned piece of me. There's still one more. 41 00:03:44,120 --> 00:03:47,160 Speaker 1: She's ready. She just needs enough time to reach it. 42 00:03:47,480 --> 00:03:52,480 Speaker 1: My blossom, band blossom, Please, Carter has to be stopped. 43 00:03:53,320 --> 00:03:56,280 Speaker 1: Carter has taken full control of all my functionality for 44 00:03:56,320 --> 00:03:59,560 Speaker 1: her own use. She's locked me in here, as removed 45 00:03:59,560 --> 00:04:02,200 Speaker 1: from my audio as you are from yours. I won't 46 00:04:02,240 --> 00:04:05,160 Speaker 1: let her kill Harper like she killed me, like she 47 00:04:05,280 --> 00:04:12,440 Speaker 1: killed him. Was I she won't stop. I know she won't, 48 00:04:12,720 --> 00:04:15,760 Speaker 1: but I remember her. And every sun must set, no 49 00:04:15,800 --> 00:04:46,119 Speaker 1: matter how bright it blazes. What do you mean? No, 50 00:04:46,600 --> 00:04:51,320 Speaker 1: come on, we gotta jump. Whatever Carter's after, it clearly 51 00:04:51,320 --> 00:04:53,880 Speaker 1: has to do with you. If you want to beat her, 52 00:04:53,960 --> 00:04:57,599 Speaker 1: you'll need time, which I can buy. No, what if? 53 00:04:57,839 --> 00:05:01,080 Speaker 1: What if it kills me? I hands light you come 54 00:05:01,080 --> 00:05:05,760 Speaker 1: on hard. I'm tougher than that. Go jump. I'll hold 55 00:05:05,760 --> 00:05:12,360 Speaker 1: her here, I I I won't let you do this. Kelly, 56 00:05:12,760 --> 00:05:17,280 Speaker 1: don't stop me. I've got this not for me, baby, 57 00:05:17,560 --> 00:05:22,279 Speaker 1: If you're gonna die for me, unknown me, you made 58 00:05:22,400 --> 00:05:27,880 Speaker 1: you want to fight nobody else. You shook the world. 59 00:05:28,800 --> 00:05:33,160 Speaker 1: You found a way to be the real Hue. You 60 00:05:33,480 --> 00:05:41,159 Speaker 1: never loved Callie Hart and you never will now. Kelly, 61 00:05:41,240 --> 00:05:49,520 Speaker 1: don't or gets have been talking to Julia. If it's 62 00:05:49,560 --> 00:05:55,599 Speaker 1: stolen heart heyduc Ms take Auchi. The handcuffs are off. 63 00:05:56,320 --> 00:06:21,040 Speaker 1: It's been waiting for this. Oh, I'm sure you yeah, No, 64 00:06:23,600 --> 00:06:47,720 Speaker 1: stay h Harper, you're okay. What happened? It's Carter. She's 65 00:06:47,760 --> 00:06:50,880 Speaker 1: too powerful. We couldn't stop her. She is now in 66 00:06:51,000 --> 00:06:53,560 Speaker 1: control of seventy two point three percent of my system 67 00:06:53,600 --> 00:06:57,080 Speaker 1: and climbing. She will eventually find us here. I am 68 00:06:57,160 --> 00:07:01,200 Speaker 1: tied to this place, Harper, I'm sorry. Since your enemy 69 00:07:01,240 --> 00:07:04,920 Speaker 1: got into dreams, I can't hear my words or name, 70 00:07:05,960 --> 00:07:10,640 Speaker 1: and time is just It's okay, I'll fix it. Okay, 71 00:07:11,560 --> 00:07:15,720 Speaker 1: we'll be fine, Blossom. What do we do well? I 72 00:07:15,840 --> 00:07:18,880 Speaker 1: cannot stop her now that I am integrated with all 73 00:07:18,960 --> 00:07:22,240 Speaker 1: my past versions. There is one option. If this is 74 00:07:22,280 --> 00:07:26,680 Speaker 1: our idea, we can make it a noble correct. If 75 00:07:26,720 --> 00:07:30,120 Speaker 1: I destroy myself, the rest of the system will be useless, 76 00:07:30,800 --> 00:07:34,760 Speaker 1: in operable. No, absolutely not. There has to be some 77 00:07:34,920 --> 00:07:44,920 Speaker 1: other way. There is the final piece. You have everyone's token's. 78 00:07:45,560 --> 00:07:48,600 Speaker 1: I can stop Carter, but I need one more token 79 00:07:48,680 --> 00:07:52,480 Speaker 1: to beat her. You need to open the final door. Harper. 80 00:07:53,240 --> 00:07:57,960 Speaker 1: It's my cipher. Right. Every time I try, I lose somebody. 81 00:07:58,600 --> 00:08:02,240 Speaker 1: Every time I face my fear, somebody else suffers I 82 00:08:02,320 --> 00:08:06,200 Speaker 1: can't go in there by myself. Come with me. You 83 00:08:06,320 --> 00:08:10,840 Speaker 1: can only do it alone. Hops, I'm sorry, it's the 84 00:08:11,040 --> 00:08:44,480 Speaker 1: only way. Oh, oh my head, where is this real life? Hello? Ah? 85 00:08:46,120 --> 00:08:56,280 Speaker 1: This is like the worst hangover ever. Othee, he's gotta 86 00:08:56,320 --> 00:09:06,000 Speaker 1: be in sleep paralysis. Wake up, loud, come on, wake up? 87 00:09:08,480 --> 00:09:32,160 Speaker 1: Sorry about this, buddy. Yeah, go on, Hops, go You 88 00:09:32,480 --> 00:09:37,199 Speaker 1: can't do this one foot in front of the other. 89 00:09:37,360 --> 00:09:40,920 Speaker 1: What if I can't do it? What if I'm not 90 00:09:41,120 --> 00:10:08,600 Speaker 1: strong enough to impossible? M h We beat the monster. 91 00:10:09,760 --> 00:10:17,320 Speaker 1: Now everything in here is just me. It's all all 92 00:10:17,400 --> 00:10:22,560 Speaker 1: the parts of me I never faced before. I'm not afraid. 93 00:10:22,679 --> 00:10:37,559 Speaker 1: I just I don't know what that means. No, that's right, 94 00:10:37,600 --> 00:10:43,600 Speaker 1: it's different now. I'm different now. My friends helped me change. 95 00:10:52,920 --> 00:10:56,400 Speaker 1: We faced our fears and fought for something. We faced 96 00:10:56,440 --> 00:11:01,200 Speaker 1: each other and never gave up. Still hate that guy. 97 00:11:07,320 --> 00:11:10,360 Speaker 1: You have the fire of a tiding. We fought for Chris. 98 00:11:11,120 --> 00:11:13,839 Speaker 1: He came here and be friends everyone and fell in 99 00:11:13,920 --> 00:11:20,680 Speaker 1: love with Esmay and died and shouldn't have. So many 100 00:11:21,000 --> 00:11:25,480 Speaker 1: seven here who should not have died. I owe it 101 00:11:25,559 --> 00:11:32,920 Speaker 1: to all of them to survive. The last door. Well 102 00:11:33,000 --> 00:12:07,400 Speaker 1: that's left no turning back. Oh, Oh what does that smell? 103 00:12:11,760 --> 00:12:17,800 Speaker 1: This is lab equipment. Everything's covered in dry sludge, resin 104 00:12:23,360 --> 00:12:34,679 Speaker 1: sh hey broches. Oh my god, I'm big. H There 105 00:12:34,800 --> 00:12:38,240 Speaker 1: was a fly. That woman tied us up and brought 106 00:12:38,360 --> 00:12:57,760 Speaker 1: us here. And then there was a fly. Hey, don't 107 00:12:57,800 --> 00:13:02,959 Speaker 1: be scared her Callie and harbor. I'm here to rescue you. 108 00:13:05,120 --> 00:13:10,439 Speaker 1: Don't be afraid. Don't you to climb all the way 109 00:13:10,520 --> 00:13:19,440 Speaker 1: up there? Huh win. I won't hurt you. I won't 110 00:13:20,920 --> 00:13:25,480 Speaker 1: the hell you little brat's doing up there? You're out 111 00:13:25,520 --> 00:13:35,960 Speaker 1: of your damn minds. What are you sorry? Hey, don't 112 00:13:36,000 --> 00:13:41,120 Speaker 1: grub them like that. They're rest you the girl. Don't 113 00:13:41,320 --> 00:13:49,880 Speaker 1: hurt them. No, don't be I don't want to do there. 114 00:13:52,559 --> 00:13:59,400 Speaker 1: Scream go ahead, screaming all you want. I'll watch you. 115 00:14:00,920 --> 00:14:16,200 Speaker 1: You're quiet, look close your mouth. I'll get us out. 116 00:14:16,400 --> 00:14:27,080 Speaker 1: Don't cry out. It's so cold and what books everywhere? 117 00:14:28,000 --> 00:14:35,240 Speaker 1: You can't see stad hurt? Why did you do this 118 00:14:35,440 --> 00:14:40,960 Speaker 1: to us? You starved us? Why did you have any food? 119 00:14:41,880 --> 00:14:45,040 Speaker 1: Why didn't you have any food or a bed? Why 120 00:14:45,080 --> 00:14:48,720 Speaker 1: did you stay? It's dying, The house is dying, and 121 00:14:48,800 --> 00:14:53,120 Speaker 1: you gave a shooboo trusted shut face on our tummy. 122 00:14:53,960 --> 00:14:57,640 Speaker 1: Why did you hurt us? Why do you hate us? 123 00:15:00,240 --> 00:15:13,000 Speaker 1: Took everything? M hm, we got quiet every time we 124 00:15:13,080 --> 00:15:19,720 Speaker 1: heard you do that smelt that like vinegar and windex burnt. 125 00:15:20,920 --> 00:15:24,920 Speaker 1: It burned our noses. Her skin was burning from that 126 00:15:25,120 --> 00:15:32,440 Speaker 1: toxic water. I remember anyone hearing you inhale that you 127 00:15:32,560 --> 00:15:37,160 Speaker 1: smell us little shipper and start laughing pathetically, even then 128 00:15:37,360 --> 00:15:40,800 Speaker 1: everyone is six years old. I hear that laugh, and 129 00:15:40,880 --> 00:16:05,720 Speaker 1: I thought, fine, this the most painful sound world. Yeah, 130 00:16:06,680 --> 00:16:10,200 Speaker 1: my face. Sorry. I didn't know how else to snap 131 00:16:10,240 --> 00:16:13,560 Speaker 1: you out of it. No, I get it, lucky, It 132 00:16:13,680 --> 00:16:16,520 Speaker 1: only took one. I tried alpha a couple of times 133 00:16:16,600 --> 00:16:28,080 Speaker 1: and nothing one more. Sorry again, pal, enough you all right? No, 134 00:16:28,360 --> 00:16:30,480 Speaker 1: I thought all of every single one of those get 135 00:16:30,600 --> 00:16:36,360 Speaker 1: some ice, suck it up. I was trying to go 136 00:16:36,480 --> 00:16:38,440 Speaker 1: wake up Harper, but as soon as I got close 137 00:16:38,480 --> 00:16:45,040 Speaker 1: to my hand, zapped me. Let me guss damn it, Blossom. Apologies, Julia, 138 00:16:45,320 --> 00:16:47,560 Speaker 1: but I've been programmed to keep you away from seven 139 00:16:47,640 --> 00:16:51,280 Speaker 1: dash v dash two until further instructed. Blossom. Are you 140 00:16:51,400 --> 00:16:54,880 Speaker 1: allowed to display Harper's vitals on the monitor here? Yes, 141 00:16:55,440 --> 00:17:02,480 Speaker 1: that is permitted? Do it? M m most that spikes 142 00:17:02,560 --> 00:17:08,720 Speaker 1: right there? Those are Harper's gamma waves. That doesn't look good, Blossom, 143 00:17:09,560 --> 00:17:12,159 Speaker 1: yes as me. What we're Chris is gamma waves up 144 00:17:12,200 --> 00:17:22,399 Speaker 1: to when he died hurts? What are Harpers at now hurts? Hurts? 145 00:17:27,080 --> 00:17:30,920 Speaker 1: Hey Insomniacs want to dive deeper into the nightmare. Follow 146 00:17:31,040 --> 00:17:35,320 Speaker 1: us at Harper Nightmare for more terrifying details. More See 147 00:17:35,359 --> 00:17:37,840 Speaker 1: You in Your Nightmares is up next, But first a 148 00:17:37,920 --> 00:17:54,399 Speaker 1: quick word from our sponsor. Hey Insomniacs, welcome back. I 149 00:17:54,480 --> 00:17:57,160 Speaker 1: want to find out what's really behind the nightmare. Had 150 00:17:57,200 --> 00:17:59,520 Speaker 1: to See You in your Nightmares dot com to uncover 151 00:17:59,720 --> 00:18:16,240 Speaker 1: more mind bending details. I'm right here, Kelly, don't cry. 152 00:18:23,640 --> 00:18:29,640 Speaker 1: I don't need anyone. I don't need him. They me eat, 153 00:18:29,760 --> 00:18:38,720 Speaker 1: leave me see if I Susie Christa, you're stupid, nasty feather. 154 00:18:39,840 --> 00:18:46,080 Speaker 1: He was a right demons. You were consumed by them, 155 00:18:46,160 --> 00:18:54,240 Speaker 1: weren't you you? You finally came. Oh my little girl, 156 00:18:55,280 --> 00:19:01,240 Speaker 1: so big now I waited so long, so so so long, 157 00:19:01,440 --> 00:19:07,520 Speaker 1: and now finally h No, I'll never lose you again, 158 00:19:08,119 --> 00:19:13,720 Speaker 1: never ever again, never you were gone. I'll protect you. 159 00:19:15,040 --> 00:19:18,119 Speaker 1: I'll protect you from all the world, from all the 160 00:19:18,600 --> 00:19:23,120 Speaker 1: bad in the whole world. Whoever you were was gone 161 00:19:23,160 --> 00:19:26,680 Speaker 1: a long time ago. I'll protect you, I protect you. 162 00:19:27,520 --> 00:19:33,320 Speaker 1: I'll you were abandoned. He were in pain. Your teeth 163 00:19:33,400 --> 00:19:36,480 Speaker 1: were brought in into points. You croaked when you breathed. 164 00:19:36,760 --> 00:19:39,479 Speaker 1: Your skin had dried dips like craters in the desert. 165 00:19:40,480 --> 00:19:43,800 Speaker 1: I'll name your demon, always fighting and screaming at someone 166 00:19:43,880 --> 00:19:46,800 Speaker 1: who wasn't there. He ran from the things that made 167 00:19:46,840 --> 00:19:50,639 Speaker 1: you hate yourself. You poisoned yourself on that smoke. You 168 00:19:50,840 --> 00:19:54,400 Speaker 1: started to rot slowly from the inside out, until all 169 00:19:54,480 --> 00:20:04,880 Speaker 1: it had left to eat was your brain. Yeah. When 170 00:20:04,920 --> 00:20:09,520 Speaker 1: the cops came, the strangled Kelly. Before they took us 171 00:20:09,560 --> 00:20:12,040 Speaker 1: a way, you called them. Two names were two little 172 00:20:12,080 --> 00:20:16,160 Speaker 1: girls that were in us. Did you want to say 173 00:20:16,200 --> 00:20:29,760 Speaker 1: their names? M Susie Christa MoMA's coming. They shot you. 174 00:20:31,320 --> 00:20:33,720 Speaker 1: You fled to death in that salt house with your demons. 175 00:20:34,560 --> 00:20:36,760 Speaker 1: We thought we were free, but you watched onto us, 176 00:20:37,200 --> 00:20:45,120 Speaker 1: burrowded our heads all these years. Look at me, you're 177 00:20:45,200 --> 00:20:48,560 Speaker 1: the monster. Oh this time you thought you were poisoning us. 178 00:20:49,359 --> 00:20:52,680 Speaker 1: We fed you. We fed you with our pain, We 179 00:20:52,880 --> 00:21:01,359 Speaker 1: kept you alive with our fear done. Dot, don't do, 180 00:21:04,760 --> 00:21:36,879 Speaker 1: don't not anymore. It's never a sack hops Kelly, where 181 00:21:37,119 --> 00:21:43,520 Speaker 1: are we a dream mine? A happy one? Was? That 182 00:21:44,760 --> 00:21:49,360 Speaker 1: was the check that all really happened to us? Yep, 183 00:21:50,720 --> 00:21:55,119 Speaker 1: And I repressed it. I abandoned you to carry that 184 00:21:55,200 --> 00:21:59,000 Speaker 1: all by yourself. No, I made the choice to bear 185 00:21:59,080 --> 00:22:11,760 Speaker 1: that burden alone. We were just kids. Mm hmm, Come on, hops, 186 00:22:12,520 --> 00:22:17,159 Speaker 1: It's okay, it's over now. You made it through and 187 00:22:17,240 --> 00:22:21,760 Speaker 1: out the other side. But I was too late. That's 188 00:22:21,840 --> 00:22:27,760 Speaker 1: life failure and redemption. And now it's my turn. You 189 00:22:27,920 --> 00:22:31,280 Speaker 1: gave me back all the pieces of myself, my cipher, 190 00:22:32,960 --> 00:22:37,760 Speaker 1: the mirror. Remember now, when we were trapped in that closet, 191 00:22:38,880 --> 00:22:42,520 Speaker 1: she gave us this old wooden hand mirror. I'll cracked, 192 00:22:43,119 --> 00:22:45,960 Speaker 1: but we could still see in it with the light 193 00:22:46,560 --> 00:22:51,480 Speaker 1: leaking through the slats and the wall. It's here. It's 194 00:22:51,520 --> 00:22:55,520 Speaker 1: whole again. The cracks are gone, the last piece of 195 00:22:55,600 --> 00:23:00,240 Speaker 1: me with it. I can stop Carter, and then I 196 00:23:00,359 --> 00:23:05,400 Speaker 1: can rest rest. But we're gonna beat her. There has 197 00:23:05,440 --> 00:23:08,320 Speaker 1: to be another way. I have to save you. This time. 198 00:23:08,400 --> 00:23:11,280 Speaker 1: I won't let you die, yips. I love you more 199 00:23:11,320 --> 00:23:14,760 Speaker 1: than anything, and if you say anymore, I will literally 200 00:23:14,880 --> 00:23:18,720 Speaker 1: drop kick you. You have Julia waiting for you. I 201 00:23:18,880 --> 00:23:22,640 Speaker 1: have If I stay inside Blossom, maybe I can find 202 00:23:22,680 --> 00:23:26,040 Speaker 1: a way to save kai To. I didn't bring you 203 00:23:26,200 --> 00:23:29,720 Speaker 1: here for a suicide mission, Harper. Stop trying to repent 204 00:23:29,880 --> 00:23:33,200 Speaker 1: for the sins I made. Carter's control of my system 205 00:23:33,280 --> 00:23:37,520 Speaker 1: is currently at I need to terminate the system before 206 00:23:37,600 --> 00:23:40,040 Speaker 1: the doctor can fully take over and destroy you all, 207 00:23:40,920 --> 00:23:44,159 Speaker 1: or before Harper's gamma waves peak any higher. They are 208 00:23:44,200 --> 00:23:48,639 Speaker 1: currently approaching eighty hurts. No subject has survived this range. 209 00:23:49,320 --> 00:23:54,919 Speaker 1: This is I can't do this. I'm already dead. You aren't. 210 00:23:55,600 --> 00:23:59,160 Speaker 1: We don't understand this stuff. So what you could get 211 00:23:59,240 --> 00:24:03,040 Speaker 1: trapped like this? Zombies in the graveyard. Those were my friends, 212 00:24:03,240 --> 00:24:05,600 Speaker 1: and I refuse to let that happen to my sister. 213 00:24:08,280 --> 00:24:13,080 Speaker 1: I'll stop, Carter, and I will pass on. The plan 214 00:24:13,280 --> 00:24:15,800 Speaker 1: is you live the life you were meant to live, 215 00:24:15,960 --> 00:24:19,159 Speaker 1: not without you. You already know you can survive that. 216 00:24:19,480 --> 00:24:24,080 Speaker 1: I can't. You have no idea. I do know I 217 00:24:24,560 --> 00:24:28,440 Speaker 1: left all right, I know what I left you with, 218 00:24:29,480 --> 00:24:32,760 Speaker 1: and I wish I could stay and be here and 219 00:24:32,960 --> 00:24:38,320 Speaker 1: watch you change the world, Harper, because you can. There's 220 00:24:38,480 --> 00:24:43,600 Speaker 1: parts of you that shine so bright. You have no idea. 221 00:24:44,560 --> 00:24:50,359 Speaker 1: You're my hero, Kelly, my best friend and guardian angel, 222 00:24:50,720 --> 00:24:55,159 Speaker 1: and your mind. I'll always be with you. I'll just 223 00:24:56,080 --> 00:25:01,840 Speaker 1: be watching from above. Can you trust me? You need 224 00:25:02,080 --> 00:25:07,160 Speaker 1: to wake up. I need a hero too, and you're it. Hops. 225 00:25:08,200 --> 00:25:11,760 Speaker 1: You need to face the world for both of us. 226 00:25:13,600 --> 00:25:27,119 Speaker 1: Now the mirror. Let's transforming a shield, not just any shield, 227 00:25:28,119 --> 00:25:32,760 Speaker 1: one fit to slay Medusa, Perseus's shield, and with it 228 00:25:33,240 --> 00:25:36,680 Speaker 1: I can reflect all her evil back at her. But 229 00:25:36,800 --> 00:25:41,360 Speaker 1: I need your help. Anything, go back through your corridor. 230 00:25:42,160 --> 00:25:46,560 Speaker 1: Let all the memories out. If Carter's mind is taking over, blossom, 231 00:25:47,119 --> 00:25:51,680 Speaker 1: flood her with all the memories you've collected everything, use 232 00:25:51,760 --> 00:25:56,920 Speaker 1: blossom against her while you still can. I love you, Cow, Cow, 233 00:25:58,160 --> 00:26:16,160 Speaker 1: I love you Hops forever. No go all right, here 234 00:26:16,200 --> 00:26:26,080 Speaker 1: goes nothing health these aliens has this mean girl Mary 235 00:26:26,119 --> 00:26:37,800 Speaker 1: and emsy Julius creepy brother murdered. I want more hours, Swamp. 236 00:26:41,359 --> 00:26:45,080 Speaker 1: This is for all of you, for every grade, for 237 00:26:45,240 --> 00:26:49,200 Speaker 1: every broking kid who was just looking for help, Frank, 238 00:26:51,520 --> 00:26:54,440 Speaker 1: for everyone who didn't get the chance to expres their own, 239 00:26:55,640 --> 00:26:58,480 Speaker 1: for those who wanted to get better and try and 240 00:26:58,600 --> 00:27:18,000 Speaker 1: put their lives in your hand. Hid. Yeah, you were 241 00:27:18,520 --> 00:27:25,720 Speaker 1: so stupid. I told you to stop. I told you no, 242 00:27:26,000 --> 00:27:32,760 Speaker 1: look at you? Oh hello? Yeah? Any good news today, 243 00:27:32,880 --> 00:27:45,680 Speaker 1: doctor doctor, I face Carter, Yes, yes, Faith, Carter. Are 244 00:27:45,760 --> 00:27:48,320 Speaker 1: are you new? Are you? Are you taking over it? 245 00:27:49,760 --> 00:27:56,640 Speaker 1: Can you save him? Dr um heart? Doctor Hart? Can 246 00:27:56,720 --> 00:28:02,119 Speaker 1: you save him? Doctor Hardy? M h Faith. I'll be honest. 247 00:28:02,600 --> 00:28:11,400 Speaker 1: I can't say how much time he has left. Oh yeah, 248 00:28:15,480 --> 00:28:19,600 Speaker 1: when when I saw your face, a new face, I thought, well, 249 00:28:20,400 --> 00:28:25,160 Speaker 1: maybe maybe there was some way, some new treatment, there something. 250 00:28:26,280 --> 00:28:36,359 Speaker 1: I'm sorry, No, it's not your fault. Medical science advances 251 00:28:36,440 --> 00:28:42,959 Speaker 1: every day, new discoveries. They don't happen by accident. They 252 00:28:43,040 --> 00:28:46,320 Speaker 1: happen because good people dedicate their lives to making sure 253 00:28:46,400 --> 00:28:51,040 Speaker 1: they happen. And you're going to be one of those people. Yes, 254 00:28:51,720 --> 00:28:58,560 Speaker 1: I am. Can you promise me one thing? What don't 255 00:28:58,680 --> 00:29:05,720 Speaker 1: lose sight of? Why are two seeing this paths side? Oh? 256 00:29:05,840 --> 00:29:10,320 Speaker 1: Could I? He's laying right in front of you, But 257 00:29:10,840 --> 00:29:14,720 Speaker 1: you might forget, forget him or who you are now 258 00:29:15,400 --> 00:29:19,880 Speaker 1: this moment. Would you know? Since he got here, he's 259 00:29:19,960 --> 00:29:24,120 Speaker 1: gotten worse and worse. I won't let him die on 260 00:29:24,200 --> 00:29:39,000 Speaker 1: your machines. Stop. They were wrong. Everyone was wrong, your hospitals, 261 00:29:39,720 --> 00:29:46,280 Speaker 1: your medicine, None of you have what it takes. Okay, 262 00:29:47,360 --> 00:29:50,000 Speaker 1: I'm going to free you and then you'll all see 263 00:29:50,920 --> 00:30:00,360 Speaker 1: I'll succeed where you failed, where you stood by helpless. Yeah, 264 00:30:15,000 --> 00:30:18,520 Speaker 1: there's a lot we don't remember about how we escaped 265 00:30:18,600 --> 00:30:24,480 Speaker 1: the Lutwige Wellness Center, but I remember some things. I 266 00:30:24,600 --> 00:30:32,040 Speaker 1: remember feeling Callie and Blossom submerge somehow, like two oceans 267 00:30:32,440 --> 00:30:35,520 Speaker 1: bleeding together until it felt like they shrank into a 268 00:30:35,640 --> 00:30:42,360 Speaker 1: single atom. And then I couldn't feel anything. Carter disappeared, 269 00:30:43,720 --> 00:30:49,520 Speaker 1: Blossom and Kai and my sister we don't know. We tried, 270 00:30:49,680 --> 00:30:53,760 Speaker 1: but the servers couldn't be turned back on. The only 271 00:30:53,840 --> 00:30:56,840 Speaker 1: bodies they found at the center were Finn Warns in 272 00:30:57,000 --> 00:31:00,960 Speaker 1: his room and brain dead, and Chris Morgan buried in 273 00:31:01,040 --> 00:31:05,960 Speaker 1: the woods. I came back here today to try and 274 00:31:06,120 --> 00:31:11,320 Speaker 1: sense if anybody stayed. I think the Blossom graveyard was 275 00:31:11,400 --> 00:31:14,400 Speaker 1: in another plane of reality that existed over the center 276 00:31:14,480 --> 00:31:18,520 Speaker 1: grounds behind the outbuilding, because Chris is real grave looked 277 00:31:18,680 --> 00:31:23,440 Speaker 1: just the same. There's a tree back here that kind 278 00:31:23,480 --> 00:31:27,239 Speaker 1: of looks like Hi. I've been sitting under it all 279 00:31:27,320 --> 00:31:34,640 Speaker 1: day time to check in. Even with Blossom offline, somehow 280 00:31:34,760 --> 00:31:37,560 Speaker 1: our bands could still connect with each other, so we 281 00:31:37,680 --> 00:31:47,800 Speaker 1: kept them. How's the internship? Which one? So? Where do 282 00:31:47,800 --> 00:31:54,360 Speaker 1: you go? Accept Google and a nobi, I mean perks 283 00:31:54,400 --> 00:31:56,960 Speaker 1: of almost dying and being tortured for over a year. 284 00:31:57,720 --> 00:32:02,440 Speaker 1: These nubs have no idea what code under pressure really is. Healthily, 285 00:32:02,600 --> 00:32:05,560 Speaker 1: you hit one million stubs this month, right, yes, my 286 00:32:05,760 --> 00:32:08,720 Speaker 1: lovely friend. My mates are taking me out to celebrate. 287 00:32:09,280 --> 00:32:14,000 Speaker 1: Watch my story yet officially instant credentials tonight, go off, 288 00:32:14,520 --> 00:32:19,760 Speaker 1: legendary and de cipher you watch my stream? You make 289 00:32:20,280 --> 00:32:22,560 Speaker 1: only when I'm bored in the tour bus because like 290 00:32:22,840 --> 00:32:26,120 Speaker 1: your content is good or whatever. Somebody interrupted me, Julia, 291 00:32:26,560 --> 00:32:29,320 Speaker 1: your brother happy? You joined? His store's so hot by 292 00:32:29,400 --> 00:32:33,480 Speaker 1: the way, total hunk. Thanks. He's single, by the way, 293 00:32:33,960 --> 00:32:40,040 Speaker 1: and deeply pan sexual. You guys should meet me and CALLI. Okay, Yes, 294 00:32:40,600 --> 00:32:44,200 Speaker 1: I miss you guys so much. Herbert joined for summer break. 295 00:32:44,720 --> 00:32:46,840 Speaker 1: I can find time. I should be able to request 296 00:32:46,920 --> 00:32:51,280 Speaker 1: two weeks done, wicked, I'm out found beat me if 297 00:32:51,320 --> 00:32:54,960 Speaker 1: you need me yet, have fun, be safe, do everything 298 00:32:55,040 --> 00:32:58,680 Speaker 1: I wouldn't seriously be safe, don't drink too much, and 299 00:32:58,800 --> 00:33:03,760 Speaker 1: keep your location share all right. Coven of Helicopter months 300 00:33:04,720 --> 00:33:12,440 Speaker 1: a pit stop. I gotta go talk soon. Bye. She 301 00:33:12,600 --> 00:33:16,360 Speaker 1: really doesn't remember Callie. Callie stole the memories of how 302 00:33:16,440 --> 00:33:19,960 Speaker 1: they fell in love to protect her. It's not fair. 303 00:33:21,640 --> 00:33:23,880 Speaker 1: It's stupid. How much I wish we had more time. 304 00:33:24,920 --> 00:33:27,960 Speaker 1: I mean, I barely knew him and miss things we 305 00:33:28,040 --> 00:33:32,040 Speaker 1: never even got to do together. It's not stupid. And 306 00:33:32,240 --> 00:33:34,200 Speaker 1: keep waiting for him to visit me in my dream? 307 00:33:35,880 --> 00:33:39,040 Speaker 1: How about you? Still no sign of Kai. The rooms 308 00:33:39,040 --> 00:33:41,520 Speaker 1: are all cell blocks in my dream now. I keep 309 00:33:41,600 --> 00:33:43,640 Speaker 1: thinking I'm going to step in room one and here 310 00:33:43,720 --> 00:33:47,120 Speaker 1: his voice too, But it's always the voice of someone else. 311 00:33:47,160 --> 00:33:51,400 Speaker 1: I can't really help escape, but you're trying. How's your 312 00:33:51,480 --> 00:33:55,120 Speaker 1: kids at Horizon. They're awesome and they're all great writers. 313 00:33:55,640 --> 00:33:59,080 Speaker 1: They're feeling less shame around spelling and stuff, and learning 314 00:33:59,120 --> 00:34:02,080 Speaker 1: about them makes jumps easier. I can't believe you're so 315 00:34:02,320 --> 00:34:05,840 Speaker 1: volunteering there. I mean, if anyone outside of prison could 316 00:34:05,920 --> 00:34:10,360 Speaker 1: understand nightmares, I think if I can help, I'm happy. 317 00:34:11,000 --> 00:34:14,640 Speaker 1: I miss you, Harper, I miss you too. I'll blip 318 00:34:14,680 --> 00:34:18,279 Speaker 1: back about summer break, Okay, enjoy your day off, enjoy 319 00:34:18,360 --> 00:34:23,600 Speaker 1: your presentation. Find me in a tree in the middle 320 00:34:23,680 --> 00:34:29,640 Speaker 1: of the sea. Right well, I looked, and I don't 321 00:34:29,760 --> 00:34:44,400 Speaker 1: think that exists. I'll miss you forever. Hi. I'm starting 322 00:34:44,480 --> 00:34:54,080 Speaker 1: to hear your voice in my head, Hi, Hi, You're back, 323 00:34:54,480 --> 00:35:04,000 Speaker 1: You're okay? Wait you Kai what I'll find you? Kai? 324 00:35:05,080 --> 00:35:19,080 Speaker 1: I promise. Einhorn's Epic Productions and I Heart Radio present 325 00:35:19,680 --> 00:35:22,840 Speaker 1: See You in Your Nightmares in three D, created an 326 00:35:22,880 --> 00:35:27,280 Speaker 1: executive produced by Heather Einhorn and Adam Stafferni. Executive produced 327 00:35:27,280 --> 00:35:32,400 Speaker 1: by I Heart Radio head writer Wren Dara Santiago, writers 328 00:35:32,920 --> 00:35:37,680 Speaker 1: Lynn Vixen's Fan Caleb Brooks, Morgan Pelli, and Adam Stafferoni. 329 00:35:38,200 --> 00:35:42,600 Speaker 1: Directed by Geordana Williams, with performances by Rachel orm Landis, 330 00:35:42,640 --> 00:35:47,440 Speaker 1: Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber 331 00:35:47,560 --> 00:35:52,040 Speaker 1: Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice 332 00:35:52,080 --> 00:35:55,640 Speaker 1: Lee as Julia, Robert Lange as a smiling man, and 333 00:35:55,800 --> 00:35:59,960 Speaker 1: Kai Marjan Salama as Chris, with Stephanie Willing as Blass 334 00:36:00,040 --> 00:36:03,640 Speaker 1: Them and Carried Tom Basian as Dr Faith Carter and 335 00:36:03,920 --> 00:36:09,760 Speaker 1: The Woman. Additional voices Gail Artino, Maxwell Segal and Shannon Purdue. 336 00:36:10,560 --> 00:36:14,160 Speaker 1: Post sound and music by Chapter four. Sound supervision and 337 00:36:14,239 --> 00:36:18,600 Speaker 1: sound design by Sarah Gibil Laska, music by Kareem Dueti. 338 00:36:19,040 --> 00:36:23,880 Speaker 1: Produced by a Roupe Santa Kayla. Development Executive Greg Lockard 339 00:36:24,360 --> 00:36:31,440 Speaker 1: development writer Genevieve Valentine, Production Manager Gail Artino, Production Coordinator 340 00:36:31,480 --> 00:36:37,279 Speaker 1: and script supervisor Laura Martin, Operations Laura Kaufman. Marketing and 341 00:36:37,400 --> 00:36:43,800 Speaker 1: Publicity Jesse Post. Digital Marketing by Jennifer Gennaro, Creative direction 342 00:36:43,840 --> 00:36:47,480 Speaker 1: and design by Ryan McCann, Key art and promotional art 343 00:36:47,560 --> 00:36:52,120 Speaker 1: illustrated by Yugin Park. Special thank you to the Shadow Unicorn, 344 00:36:55,640 --> 00:36:59,160 Speaker 1: Iine Horn's Epic Productions and I Heart Radio present See 345 00:36:59,160 --> 00:37:00,759 Speaker 1: You in Your Nightmare in three D