WEBVTT - The First Words from a Songwriter

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<v Speaker 1>Hey, it's Granger Smith. This is the Granger Smith Podcast,

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<v Speaker 1>Episode three. I want to kind of continue on what

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<v Speaker 1>I started in episode one and episode two, continue down

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<v Speaker 1>the timeline, and that brings me to a subject that's

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<v Speaker 1>very important to me and who I am. Songwriting. Here's

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<v Speaker 1>how all that started. Episode three. Sturgis, South Dakota. That's

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<v Speaker 1>where I am. Have you heard of it? Maybe because

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<v Speaker 1>of Mount Rushmore is right down the road, or maybe

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<v Speaker 1>because of the huge biker rally, which is why we're

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<v Speaker 1>here today, Not because I'm a biker, but because I'm

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<v Speaker 1>here playing music. It seems like I always get to

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<v Speaker 1>go to every town's coolest event, and that's why I

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<v Speaker 1>love my job. How could you not? We get to

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<v Speaker 1>go to your town when she's got her best dress on.

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<v Speaker 1>Of course, it wasn't always that way. It all started

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<v Speaker 1>me in my guitar in my room at home with

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<v Speaker 1>nobody listening, and I was needing to tell a story

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<v Speaker 1>and I had a means to tell it through six

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<v Speaker 1>strings and a few chords that I knew. What happened

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<v Speaker 1>after that was life changing for me. Songwriting provided an

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<v Speaker 1>outlet for me to get out some emotions that I

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<v Speaker 1>didn't want to talk about, or maybe I didn't know

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<v Speaker 1>how to talk about. And then later I come to

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<v Speaker 1>find out that those songs, those ideas would connect with

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<v Speaker 1>other people, and that feeling made it worth it. It

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<v Speaker 1>made me want to dig deeper. And that's what I'll

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<v Speaker 1>talk about on episode three. All right, I'm pulling up

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<v Speaker 1>the trustee Wikipedia right now. Sturgis is a city in

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<v Speaker 1>Mead County, South Dakota, population six six hundred and twenty seven.

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<v Speaker 1>Sturgis as notable as a location of one of the

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<v Speaker 1>largest motorcycle events in the world, which is held annually

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<v Speaker 1>on the second full week of August. Motorcycle enthusiasts from

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<v Speaker 1>around the world flocked to this town during the Sturgis

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<v Speaker 1>Motorcycle Rally. We just pulled in. It's early morning, and

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<v Speaker 1>first of all, amazing foothills surrounding this place. Beautiful town,

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<v Speaker 1>green pine trees, which is a refreshing sight because we

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<v Speaker 1>haven't seen a single tree, and the rest of the

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<v Speaker 1>state of South Dakota as we've been driving through it

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<v Speaker 1>this morning. It's the month of August, but it is

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<v Speaker 1>sixty five degrees outside. That's pretty awesome. At home right now,

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<v Speaker 1>it's ninety one to put it in perspective in Texas,

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<v Speaker 1>so it feels good. It feels like a nice October day.

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<v Speaker 1>Everywhere you look right now, it's motorcycles and black leather.

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<v Speaker 1>I've never seen so many in my life. I'm not

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<v Speaker 1>a biker. Maybe I will be if I'm sixty years

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<v Speaker 1>old and retired and looking for a hobby. I could

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<v Speaker 1>see the appeal of it. It's a big, old, loud

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<v Speaker 1>beast of a machine. You're wrapped up on it, hugging

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<v Speaker 1>a windy two lane road, sunglasses and leather jacket, the

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<v Speaker 1>breeze and beautiful countryside all around you. You stop at

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<v Speaker 1>a little cafe, grab an ice cold draft beer all

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<v Speaker 1>the while. Leonard Skynard is your theme music. Yeah, it

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<v Speaker 1>sounds like a pretty good time. How did music get

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<v Speaker 1>me here? I've asked that question in some crazy places

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<v Speaker 1>all around the world. I remember thinking that in a

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<v Speaker 1>black Hawk helicopter a couple thousand feet above Baghdad in Iraq.

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<v Speaker 1>And that's what I'm thinking right now. And Sturge just

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<v Speaker 1>at a bikeer rally? How did my music get me

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<v Speaker 1>to a bikeer rally? And I don't know all the

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<v Speaker 1>workings of it, but I'm just glad that it did.

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<v Speaker 1>If I was going to narrow down anything, pinpoint anything

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<v Speaker 1>of where things began and music, it's a no brainer.

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<v Speaker 1>Everything starts with the song, and there was a time

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<v Speaker 1>when I had to start writing them. And that's what

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<v Speaker 1>I want to talk about in this podcast. The very

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<v Speaker 1>first ones, the awkward, left footed, very vulnerable first once

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<v Speaker 1>and here's one of them right here. I found this

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<v Speaker 1>old cassette. This is me playing one of the first

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<v Speaker 1>songs I ever wrote. Please don't judge. I'm just a teenager.

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<v Speaker 1>You a small cafe off twenty two. I have to

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<v Speaker 1>tuck her. What I should do? Said, I need a

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<v Speaker 1>place where I could settle down. You look at me

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<v Speaker 1>with the tired brand, said, if I could do it

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<v Speaker 1>all over again, I'd be heading sound without looking back,

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<v Speaker 1>because I've been on the road from coast to coast,

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<v Speaker 1>and there's one place I love lost. If us me

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<v Speaker 1>for ball, it's worth there rained nothing done on earth

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<v Speaker 1>as it is in Texas. So of course I was

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<v Speaker 1>too young to actually go coast to coast. I hadn't

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<v Speaker 1>done that, and I didn't ask any trucker life advice.

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<v Speaker 1>But there was an old cafe on Highway twenty two

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<v Speaker 1>that I love to eat at it. But what ended

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<v Speaker 1>up happening was that song called as It in Texas

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<v Speaker 1>plus nine others made my first ten and I went

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<v Speaker 1>in and recorded them in a cheap little studio in Wiley, Texas.

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<v Speaker 1>I made this album called Waiting on Forever. You can

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<v Speaker 1>still find it. It's out there on the internet. Me

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<v Speaker 1>white cowboy hat, button up shirt, looked like a baby.

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<v Speaker 1>I looked like I was twelve, and I wasn't too

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<v Speaker 1>far from twelve. But that studio album, that first album

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<v Speaker 1>for me, was so important and I didn't know it

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<v Speaker 1>at the time, but it got into the hands of

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<v Speaker 1>some people that ultimately started a chain of events that

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<v Speaker 1>took me to this place called Nashville, Tennessee. So this

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<v Speaker 1>is what it sounds like on the streets of Sturgis,

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<v Speaker 1>South Dakota. Right now, let's turn that off. So Sturgis

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<v Speaker 1>is crazy today. I've never seen anything like this. Thousands

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<v Speaker 1>of motorcycles out here in the street. I mean's like

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<v Speaker 1>a bunch of fire ants going everywhere, and it's it's chaotic.

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<v Speaker 1>This is a time when I really feel thankful to

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<v Speaker 1>be in the back of my nice quiet bus making

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<v Speaker 1>this podcast for you guys. So guess what happened to

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<v Speaker 1>that album Waiting on Forever. Somehow, through somebody, through some

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<v Speaker 1>friend of a friend, that ends up on LeAnn Willmack's bus.

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<v Speaker 1>You remember LeAnn Walmack. Yeah, of course you do. She's amazing.

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<v Speaker 1>So her bass player, his name is Brett Beavers and

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<v Speaker 1>he is a producer, writer, musician, and he has written

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<v Speaker 1>a song at this point for Darryl Dodd called on

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<v Speaker 1>Earth As it Is in Texas. Somehow my CD is

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<v Speaker 1>up on their bus and it's face down. He's looking

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<v Speaker 1>at the back, he's looking at the track list and

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<v Speaker 1>he sees that song as it Is in Texas and

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<v Speaker 1>he says, hey, that's the same title as my song.

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<v Speaker 1>So he plays it and I guess he heard something.

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<v Speaker 1>He heard some kind of potential. So he finds out

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<v Speaker 1>how to get in touch with me. This is when

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<v Speaker 1>things started changing big time. You can take a shot

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<v Speaker 1>if you want to try. And just missed a call

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<v Speaker 1>from Chris, my tour manager. I'm gonna call him back

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<v Speaker 1>because I think he's out there in the street right now. Everybody, Hey,

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<v Speaker 1>did you call? Yeah? Man, I don't know if you've

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<v Speaker 1>been over here to the main street, dude, but This

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<v Speaker 1>is really really cool. I think you would regret not

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<v Speaker 1>seeing this. What's up? What's over there? It's just this,

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<v Speaker 1>thousands of motorcycles, all part of the bars Cato shops.

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<v Speaker 1>It's all really really cool. Okay, well, I'll head over

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<v Speaker 1>there and meet you and see what's up. I'll tell

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<v Speaker 1>you what back towards you will meet you, uh at

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<v Speaker 1>that intersection there at the front of the venue. Okay, Hey,

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<v Speaker 1>I'll see you in a second. Okay, So I'll go

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<v Speaker 1>brave the thousands of motorcycles and report back in So

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<v Speaker 1>Brett Beaver sat down with us, me and my family,

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<v Speaker 1>and he said, hey, I heard every song on this album,

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<v Speaker 1>and I think you guys should start considering Granger writing

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<v Speaker 1>songs for a publishing company in Nashville. We hadn't thought

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<v Speaker 1>about this before. This is the first I didn't even

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<v Speaker 1>know what publishing companies were. But there's companies in Nashville

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<v Speaker 1>that will pay you to write songs and then they

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<v Speaker 1>pitch it to other artists. Now, sometimes if you're an

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<v Speaker 1>artist yourself, especially young artists like me, they can kind

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<v Speaker 1>of groom you and prepare you to get a record

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<v Speaker 1>deal one day, and then they own publishing on your songs.

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<v Speaker 1>That's how that works. So by now I'm at Texas

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<v Speaker 1>A and M University. I'm a freshman in the core Cadets.

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<v Speaker 1>So my life is already crazy. My lack of life

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<v Speaker 1>actually is pretty crazy. But I have a band and

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<v Speaker 1>we're playing a lot of these original songs. So the

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<v Speaker 1>next logical step is for somebody from Nashville to fly

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<v Speaker 1>down to little college station, Texas and hear me play

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<v Speaker 1>with my band. So that's exactly what happened. I had

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<v Speaker 1>a couple really cool publishing companies fly down from Nashville,

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<v Speaker 1>had some of their executives come, and they would come

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<v Speaker 1>to this bar it's called Shadow Canyon, and we would

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<v Speaker 1>pack it out just because we knew everybody and it

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<v Speaker 1>was a big party, and you know, for some reason,

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<v Speaker 1>they really liked what they saw and they really wanted

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<v Speaker 1>to offer me a publishing deal. So at this point,

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<v Speaker 1>I'm nineteen, maybe almost twenty years old, and I have

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<v Speaker 1>to make a decision. I have to not only choose

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<v Speaker 1>one of these companies, but I have to decide if

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<v Speaker 1>I'm going to leave college and go to write songs,

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<v Speaker 1>something so unorthodox in a state that I've never been to.

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<v Speaker 1>I don't know anybody. It's a huge risk, and I've

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<v Speaker 1>got to make the decision right now. Meanwhile, in searge

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<v Speaker 1>to South Dakota, I just made another decision right now,

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<v Speaker 1>and that was to get a tattoo. I'm at a

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<v Speaker 1>biker rally and I'm with my band and there's tattoo

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<v Speaker 1>shops everywhere, and I thought when in Sturgis, so I

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<v Speaker 1>got a Texas tattoo the outline of Texas on my

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<v Speaker 1>right arm. I did just now, and Chris was right,

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<v Speaker 1>is it's total insanity out there. I've never seen so

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<v Speaker 1>many bikes in my life, and I'm glad to be

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<v Speaker 1>back on the bus again. There's now bands playing in

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<v Speaker 1>the background on the stage that we're sitting next to,

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<v Speaker 1>So I apologize if that bleeds through the mic onto

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<v Speaker 1>the podcast, but it's all part of the experience today. Right.

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<v Speaker 1>I'm realizing as I'm telling some of these older stories

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<v Speaker 1>that I'm leaving a lot of gaps. There's a couple

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<v Speaker 1>of gaps in the timeline. But I don't want to

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<v Speaker 1>tell everything. I don't want to tell every detail because

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<v Speaker 1>I want to have stuff to talk about in the future. Right, So,

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<v Speaker 1>by now I'm a sophomore at Texas A and M.

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<v Speaker 1>It's December and I've made a decision. I'm gonna finish

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<v Speaker 1>out my sophomore year and I'm gonna leave after spring

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<v Speaker 1>semester move to Nashville. I'm gonna sign with EMI Music Publishing,

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<v Speaker 1>packed everything I have, which wasn't much, and start a

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<v Speaker 1>life as a songwriter, at least to see what it is.

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<v Speaker 1>I have amazing parents, and they they provided me with

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<v Speaker 1>the greatest gift you can give a child, and that

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<v Speaker 1>was the freedom to dream. They did not hold me back.

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<v Speaker 1>I think they saw it in my eyes. They saw

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<v Speaker 1>they saw that A, this was a rare opportunity to

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<v Speaker 1>sign with a big publishing company and B I'm twenty

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<v Speaker 1>years old and I'm only going to get this chance

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<v Speaker 1>once now before life starts. So I found an apartment,

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<v Speaker 1>moved my stuff in. My mom came with me. She

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<v Speaker 1>kind of helped me get settled in a little bit.

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<v Speaker 1>And on July third, I'll never forget the day she

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<v Speaker 1>left and I officially became a Nashville resident. Quick sponsor

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<v Speaker 1>break I want to talk about EEEE Energy, and that's

0:12:20.520 --> 0:12:23.520
<v Speaker 1>because it's my only sponsor and not sponsored by money.

0:12:23.640 --> 0:12:27.000
<v Speaker 1>It's sponsored by love because it's my family, me and

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<v Speaker 1>my brothers. It's our drink, and it's kind of a

0:12:29.760 --> 0:12:32.280
<v Speaker 1>passion project, I guess you could say. But I really

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<v Speaker 1>do love this thing because we made this from scratch

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<v Speaker 1>and I'm very proud of it. We created the recipe

0:12:38.200 --> 0:12:40.920
<v Speaker 1>according to what we like. We made this cameo can

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<v Speaker 1>We made a box that has a target on it.

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<v Speaker 1>So if you like to shoot guns like I do,

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<v Speaker 1>and you like to drink EEE Energy like I do,

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<v Speaker 1>you just flip that little four pack box over and

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<v Speaker 1>use it as target practice. Now we're in a lot

0:12:53.320 --> 0:12:55.319
<v Speaker 1>of mom and pop stores all across the country. We're

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<v Speaker 1>on Amazon. We're not working on a big distribution deal yet.

0:12:59.120 --> 0:13:00.600
<v Speaker 1>I'm not sure if we want to go that route

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<v Speaker 1>quite yet because it's very close to me and I

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<v Speaker 1>don't want to lose that kind of control. But I

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<v Speaker 1>want you to try it, So go to Grangersmith dot

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<v Speaker 1>com or ee Energy dot com and get you one.

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<v Speaker 1>See what you think. Have you ever moved to a

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<v Speaker 1>city by yourself when you didn't know anyone, not only

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<v Speaker 1>in the city, but in the entire state. Well that

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<v Speaker 1>was me twenty years old, Nashville, Tennessee. The only people

0:13:23.000 --> 0:13:25.720
<v Speaker 1>I knew were just a couple people over at EMI

0:13:25.800 --> 0:13:28.240
<v Speaker 1>Publishing that signed me to that job. But you know,

0:13:28.280 --> 0:13:30.079
<v Speaker 1>if I was going to leave Texas and do this,

0:13:30.400 --> 0:13:32.760
<v Speaker 1>I was all in. I wanted to learn the craft,

0:13:33.160 --> 0:13:35.520
<v Speaker 1>and I wanted to immediately start writing with as many

0:13:35.559 --> 0:13:37.839
<v Speaker 1>people as I could, especially some of the older guys

0:13:37.880 --> 0:13:40.440
<v Speaker 1>that had big, old hits on the radio. Because if

0:13:40.440 --> 0:13:43.160
<v Speaker 1>I could learn from them, and I didn't even have

0:13:43.240 --> 0:13:44.599
<v Speaker 1>to get a great song with them, but if I

0:13:44.600 --> 0:13:46.720
<v Speaker 1>could just get in the room with them and learn

0:13:46.760 --> 0:13:49.720
<v Speaker 1>their process, then that was going to be something I

0:13:49.720 --> 0:13:51.959
<v Speaker 1>could take with me forever. So a lot of those

0:13:52.000 --> 0:13:55.000
<v Speaker 1>George Strait songs that I grew up listening to, I

0:13:55.040 --> 0:13:57.240
<v Speaker 1>found those writers and I got in the room with

0:13:57.320 --> 0:13:59.800
<v Speaker 1>those guys and I said, tell me the story of

0:14:00.080 --> 0:14:03.120
<v Speaker 1>you wrote that song. And sometimes we would we would

0:14:03.160 --> 0:14:05.959
<v Speaker 1>intend to write a song together that day, but I

0:14:06.280 --> 0:14:08.200
<v Speaker 1>would get so caught up and asking them questions and

0:14:08.240 --> 0:14:11.760
<v Speaker 1>then listening to their stories that we wouldn't we wouldn't

0:14:11.800 --> 0:14:14.840
<v Speaker 1>get anything, but that was still a successful day for me.

0:14:15.320 --> 0:14:17.200
<v Speaker 1>So a typical morning would be I would have an

0:14:17.200 --> 0:14:19.680
<v Speaker 1>appointment at ten am, and E and I would set

0:14:19.680 --> 0:14:22.480
<v Speaker 1>these appointments up for me these co writes, and sometimes

0:14:22.520 --> 0:14:24.880
<v Speaker 1>I didn't even know who the person was until I

0:14:24.960 --> 0:14:28.320
<v Speaker 1>walked in at ten am. We would shake hands, grab

0:14:28.400 --> 0:14:31.480
<v Speaker 1>a cup of coffee, and I would usually start by

0:14:31.480 --> 0:14:33.960
<v Speaker 1>playing a few things that I'd written to let them

0:14:34.040 --> 0:14:37.600
<v Speaker 1>know who I was and what I was all about,

0:14:38.200 --> 0:14:40.440
<v Speaker 1>and then would we would dive in. They would say, well,

0:14:41.200 --> 0:14:42.920
<v Speaker 1>have you ever thought about something like this? And they

0:14:42.920 --> 0:14:45.120
<v Speaker 1>would play something and I would say, I love that.

0:14:45.400 --> 0:14:47.920
<v Speaker 1>Let's try to write that song, and you know we did.

0:14:48.120 --> 0:14:52.200
<v Speaker 1>We got a lot of cool things. But I wasn't

0:14:52.200 --> 0:14:55.600
<v Speaker 1>writing granger songs. I was writing songs that they thought

0:14:56.280 --> 0:14:59.280
<v Speaker 1>should be granger songs. So I was learning the craft,

0:14:59.320 --> 0:15:01.600
<v Speaker 1>and I was thankful for for that. But I hadn't

0:15:01.680 --> 0:15:04.920
<v Speaker 1>yet found my niche. I hadn't yet found what I

0:15:05.080 --> 0:15:09.160
<v Speaker 1>needed to say to feel something. Yet that was about

0:15:09.160 --> 0:15:12.760
<v Speaker 1>the change. So I'm laying in bed one night, can't sleep.

0:15:13.880 --> 0:15:16.080
<v Speaker 1>I'm gods could have got this lonely feeling to me,

0:15:16.520 --> 0:15:19.920
<v Speaker 1>heartsick from being gone from Texas for so long, looking

0:15:19.920 --> 0:15:23.240
<v Speaker 1>around the room at the alarm clock, and these lines

0:15:23.280 --> 0:15:26.520
<v Speaker 1>start coming to me. I can't fall I can't fall

0:15:26.520 --> 0:15:30.480
<v Speaker 1>asleep tonight. I don't remember that I don't remember the

0:15:30.480 --> 0:15:34.480
<v Speaker 1>bedroom ever, be in this bride from just the alarm clock,

0:15:34.640 --> 0:15:37.560
<v Speaker 1>like it's the alarm clock. It feels like a song

0:15:37.600 --> 0:15:41.560
<v Speaker 1>about me. Now it feels so cold, it feels so

0:15:41.640 --> 0:15:44.480
<v Speaker 1>cold at the end of the sheets. I'll stay I'll

0:15:44.480 --> 0:15:46.680
<v Speaker 1>stay warm as long as I don't move my feet

0:15:48.600 --> 0:15:51.280
<v Speaker 1>over where yours used to be, over where yours used

0:15:51.320 --> 0:16:00.160
<v Speaker 1>to be. Sometimes I closed my eyes and you're not gone.

0:16:01.840 --> 0:16:06.280
<v Speaker 1>I hold you tied and kiss you all night. And

0:16:06.280 --> 0:16:17.400
<v Speaker 1>then I found my hook. Dream on dream dream every

0:16:17.720 --> 0:16:22.720
<v Speaker 1>night in my mind. I put this back in love

0:16:22.920 --> 0:16:36.960
<v Speaker 1>where we belong, dream for passion, bird, emotionster, funny, how

0:16:37.160 --> 0:16:40.720
<v Speaker 1>this bet is seen it all, funny, how this bed

0:16:40.800 --> 0:16:43.760
<v Speaker 1>is seen it all? And now it's just here. Now

0:16:44.040 --> 0:16:49.400
<v Speaker 1>it's just here to dream on to dream. And I

0:16:49.440 --> 0:16:51.960
<v Speaker 1>had a song now that I wrote in about thirty

0:16:52.000 --> 0:16:55.360
<v Speaker 1>minutes that felt better than anything I had written there

0:16:55.400 --> 0:16:58.680
<v Speaker 1>with these professional writers. And by better I mean more

0:16:58.760 --> 0:17:02.080
<v Speaker 1>like me. It was my story. It was the first

0:17:02.120 --> 0:17:06.320
<v Speaker 1>time I ever felt like a real songwriter because I

0:17:06.359 --> 0:17:10.000
<v Speaker 1>had told a story that meant something, that had some

0:17:10.200 --> 0:17:13.440
<v Speaker 1>kind of emotion. It wasn't just rhymes and chords. There's

0:17:13.440 --> 0:17:16.399
<v Speaker 1>a difference right well now I knew there was, and

0:17:16.480 --> 0:17:18.879
<v Speaker 1>I was so homesick from Texas and all my friends

0:17:18.880 --> 0:17:21.840
<v Speaker 1>and my family and being away from them for so long,

0:17:22.200 --> 0:17:24.920
<v Speaker 1>And then I was able to channel that emotion into

0:17:24.960 --> 0:17:28.359
<v Speaker 1>a song. So after five years of writing songs, I

0:17:28.400 --> 0:17:32.119
<v Speaker 1>felt like dream On was my first one, my first

0:17:32.160 --> 0:17:34.879
<v Speaker 1>real song. I'd written a hundred songs before that, but

0:17:34.920 --> 0:17:37.679
<v Speaker 1>this was my first real one. And nothing ever happened

0:17:37.680 --> 0:17:39.600
<v Speaker 1>with Dreamond and that wasn't the point. No one ever

0:17:39.640 --> 0:17:42.560
<v Speaker 1>even heard it, but it was a snapshot of my

0:17:42.680 --> 0:17:47.200
<v Speaker 1>emotion that night in bed, couldn't sleep, lonely as hell

0:17:47.240 --> 0:17:51.160
<v Speaker 1>from being gone from Texas, and that's what mattered. That's

0:17:51.200 --> 0:17:53.960
<v Speaker 1>what made it a real song, as opposed to a

0:17:54.000 --> 0:17:56.560
<v Speaker 1>couple guys in a room drinking coffee thinking about what's

0:17:56.600 --> 0:17:59.159
<v Speaker 1>popular on the radio. So I go on a mission

0:17:59.200 --> 0:18:02.480
<v Speaker 1>to write more songs like dream On, and it's way

0:18:02.480 --> 0:18:05.399
<v Speaker 1>harder than I thought. But it's funny how one song

0:18:05.760 --> 0:18:09.280
<v Speaker 1>changed the entire way that I approached songwriting. It ultimately

0:18:09.280 --> 0:18:11.920
<v Speaker 1>set me on a path that then moved me back

0:18:11.960 --> 0:18:15.760
<v Speaker 1>to Texas, where I started a band, wrote more songs,

0:18:16.320 --> 0:18:20.119
<v Speaker 1>and then found fans to connect with those songs. But

0:18:20.160 --> 0:18:23.280
<v Speaker 1>that's another story. For another podcast. I got a crowd

0:18:23.280 --> 0:18:25.480
<v Speaker 1>I need to connect with tonight and starred to South

0:18:25.560 --> 0:18:28.439
<v Speaker 1>Dakota and they're ready to rock. I'm gonna get dressed

0:18:28.840 --> 0:18:31.480
<v Speaker 1>and go do my thing. This is granger Smith. Thanks

0:18:31.520 --> 0:18:35.960
<v Speaker 1>for listening to Episode three. Happens that Out of the

0:18:36.000 --> 0:18:40.399
<v Speaker 1>Blue Scat's interview last year. When it happens like that,

0:18:41.400 --> 0:18:44.680
<v Speaker 1>nothing to Lowes turns right into you, dude, Oh you

0:18:44.760 --> 0:18:47.600
<v Speaker 1>can do just to keep her around. To the moon

0:18:47.720 --> 0:18:50.880
<v Speaker 1>goes down in her back into your house. One thing

0:18:50.960 --> 0:18:53.760
<v Speaker 1>will do another. You love each other when looking you

0:18:53.880 --> 0:19:02.200
<v Speaker 1>never lived back. It happens like that. This podcast is

0:19:02.240 --> 0:19:05.080
<v Speaker 1>brought to you by EEE Energy. Come find us on

0:19:05.119 --> 0:19:08.680
<v Speaker 1>tour grangersmith dot com, Forward Slash Tour, See you down

0:19:08.680 --> 0:19:09.000
<v Speaker 1>the road.