1 00:00:01,120 --> 00:00:06,039 Speaker 1: On the show, Now, Hale, would you have a gigantic 2 00:00:06,040 --> 00:00:08,560 Speaker 1: belt buckle on? I do, and it keeps falling off. 3 00:00:09,000 --> 00:00:12,440 Speaker 1: So I was going through my closet yesterday and I 4 00:00:12,520 --> 00:00:17,320 Speaker 1: found because I had played the Eddie what was it? 5 00:00:17,360 --> 00:00:21,320 Speaker 1: What was the festival in Wyoming Frontier Days? Frontier Days. 6 00:00:21,520 --> 00:00:24,200 Speaker 1: So we played that and they gave us a big 7 00:00:24,239 --> 00:00:28,080 Speaker 1: belt buckle and it's huge, and I never I'm not 8 00:00:28,120 --> 00:00:30,760 Speaker 1: a big belt buckle guy. Yeah, yeah, I would like 9 00:00:30,840 --> 00:00:34,360 Speaker 1: to wear that at some how, Like how many of 10 00:00:34,440 --> 00:00:36,080 Speaker 1: those do you have? And how do you know when 11 00:00:36,120 --> 00:00:38,599 Speaker 1: you can pull it off? Well? To be honest, I 12 00:00:38,640 --> 00:00:41,720 Speaker 1: only have this one, which my like creative director and 13 00:00:41,760 --> 00:00:44,320 Speaker 1: I we like to go vintage shopping. I love it 14 00:00:44,360 --> 00:00:46,000 Speaker 1: by that and she just like found this in like 15 00:00:46,000 --> 00:00:48,040 Speaker 1: a little five dollar bin and I wear it all 16 00:00:48,080 --> 00:00:51,080 Speaker 1: the time now. I like wearing it with jeans and stuff. 17 00:00:51,080 --> 00:00:54,160 Speaker 1: I just feel like it gives me a waste. But um, 18 00:00:54,200 --> 00:00:56,560 Speaker 1: and then the only other one I have is a 19 00:00:56,640 --> 00:01:00,280 Speaker 1: Dolly Parton belt buckle that a friend of mine gave me. Um, 20 00:01:00,400 --> 00:01:02,320 Speaker 1: So I only have to and I don't know, I 21 00:01:02,440 --> 00:01:04,360 Speaker 1: just wear on with jeans so well, I wish I 22 00:01:04,400 --> 00:01:06,440 Speaker 1: could pull it off. I don't think I can pull 23 00:01:06,480 --> 00:01:10,800 Speaker 1: it off with a pair of razorback basketball shorts. Your 24 00:01:10,800 --> 00:01:14,640 Speaker 1: style is so cool things as far as your clothes go, 25 00:01:14,800 --> 00:01:18,720 Speaker 1: because you have a very modern but traditional type vibe. 26 00:01:19,080 --> 00:01:21,840 Speaker 1: And I know nothing about styles, so if I'm wrong stopping? Okay, 27 00:01:22,000 --> 00:01:27,360 Speaker 1: what what are you finding this stuff? Um? Just vintage stores? Yeah, 28 00:01:27,440 --> 00:01:30,480 Speaker 1: I mean my friend Harbor and I were kind of 29 00:01:30,480 --> 00:01:32,760 Speaker 1: too too broke to pay for a stylist, so we'll 30 00:01:32,800 --> 00:01:35,760 Speaker 1: just like go to there's about three stores an eas 31 00:01:35,840 --> 00:01:38,880 Speaker 1: Nashville that we kind of just like to hit and um, 32 00:01:38,920 --> 00:01:42,640 Speaker 1: we'll just go dump like grab so many things and um, 33 00:01:42,680 --> 00:01:44,520 Speaker 1: you know, Pilot and the Trunk will spend like five 34 00:01:44,640 --> 00:01:46,760 Speaker 1: hundred bucks or something on just a bunch of cheap 35 00:01:46,840 --> 00:01:50,960 Speaker 1: kind of vintage things, and uh, you know that'll kind 36 00:01:50,960 --> 00:01:53,520 Speaker 1: of last me. I'll wear a lot of hand me downs, 37 00:01:54,040 --> 00:01:57,400 Speaker 1: a lot of her though, well it's not all a 38 00:01:57,560 --> 00:01:59,680 Speaker 1: hand me down. Yeah yeah, And I came from like 39 00:01:59,720 --> 00:02:01,960 Speaker 1: a big family, so wearing hand me downs is like 40 00:02:02,080 --> 00:02:05,080 Speaker 1: totally the thing where I come from, you know, So 41 00:02:05,720 --> 00:02:08,200 Speaker 1: a lot of hand me downs, some vintage stuff, some 42 00:02:08,240 --> 00:02:11,320 Speaker 1: thrift stuff. I buy my thrift stuff off an app 43 00:02:11,360 --> 00:02:12,840 Speaker 1: so it kind of defeats the purpose. Where do you 44 00:02:12,880 --> 00:02:15,480 Speaker 1: get it? Well, Like Grailed is a great app that 45 00:02:15,560 --> 00:02:17,320 Speaker 1: I go to and find a bunch of stuff. Yeah, 46 00:02:17,360 --> 00:02:19,040 Speaker 1: but if, like if I'm looking for like real vintage, 47 00:02:19,040 --> 00:02:20,400 Speaker 1: but I'm also using an app to get it, I 48 00:02:20,440 --> 00:02:22,160 Speaker 1: feel like it equals out. I should you go to 49 00:02:22,160 --> 00:02:24,800 Speaker 1: the store. Yeah, I mean Etsy and eBay too, you know, 50 00:02:24,880 --> 00:02:28,280 Speaker 1: we'll go buy like a forty dollars dress or something 51 00:02:28,520 --> 00:02:32,040 Speaker 1: on Etsy and then or eBay. And the trick is 52 00:02:32,080 --> 00:02:35,200 Speaker 1: just having a really good tailor who can just kind 53 00:02:35,200 --> 00:02:37,239 Speaker 1: of stitch it up and make it feel like fit 54 00:02:37,280 --> 00:02:41,359 Speaker 1: your body well and stuff, you know. So um yeah, 55 00:02:41,440 --> 00:02:44,120 Speaker 1: I mean it's pretty funny. I could. I could take 56 00:02:44,160 --> 00:02:46,200 Speaker 1: you on a deep dive on some of my wardrobe 57 00:02:46,200 --> 00:02:49,360 Speaker 1: things and you'd be you'd be laughing at it. I 58 00:02:49,400 --> 00:02:51,600 Speaker 1: was talking to Ronnie Dunn from Brooks and Dune about 59 00:02:51,760 --> 00:02:53,920 Speaker 1: because I bought an old school Brooks and Dune shirt 60 00:02:53,960 --> 00:02:56,160 Speaker 1: that was from the from a tour in the nineties. Yeah, 61 00:02:56,200 --> 00:02:58,400 Speaker 1: and I think I spent like seventy bucks for it, 62 00:02:58,639 --> 00:03:01,040 Speaker 1: and he was like, you know it's crazy is that 63 00:03:01,080 --> 00:03:02,919 Speaker 1: when they broke up for a while, they had to 64 00:03:02,960 --> 00:03:04,960 Speaker 1: decide who was getting the merch like in the divorce 65 00:03:05,360 --> 00:03:07,440 Speaker 1: and Kicks got the merch and he's like, that's the 66 00:03:07,480 --> 00:03:09,080 Speaker 1: worst part because now you can sell that stuff for 67 00:03:09,320 --> 00:03:12,600 Speaker 1: like super top dollar because everything old is like expensive 68 00:03:12,919 --> 00:03:15,519 Speaker 1: because of the demand for vintage stuff, which is crazy 69 00:03:15,639 --> 00:03:17,639 Speaker 1: holy cow. And like the fact that Brooks and Done 70 00:03:17,720 --> 00:03:20,680 Speaker 1: is vintage just so strange to me. When I was 71 00:03:20,720 --> 00:03:22,480 Speaker 1: growing up and I grew up in Arkansas, I'm a 72 00:03:22,480 --> 00:03:24,880 Speaker 1: little older than you, but I felt like country music 73 00:03:25,280 --> 00:03:28,919 Speaker 1: represented specifically about where I was from, being from the South, 74 00:03:29,160 --> 00:03:32,240 Speaker 1: growing up in the Midwest, did you feel like country 75 00:03:32,320 --> 00:03:34,600 Speaker 1: music talked about where you were from? Where there are 76 00:03:34,600 --> 00:03:36,680 Speaker 1: a lot of Midwest artists that you said, all right, 77 00:03:36,720 --> 00:03:39,040 Speaker 1: they're talking about me and where I am right now. 78 00:03:39,720 --> 00:03:42,120 Speaker 1: I mean, I don't I didn't really see much of 79 00:03:42,160 --> 00:03:45,680 Speaker 1: like the Midwest scenery and country music. You know. It's 80 00:03:45,800 --> 00:03:48,760 Speaker 1: it's people like Alan Jackson that like when I heard 81 00:03:48,840 --> 00:03:50,880 Speaker 1: remember when for the first time, I was too young 82 00:03:50,960 --> 00:03:53,600 Speaker 1: to even really understand what he was talking about, but 83 00:03:53,920 --> 00:03:57,119 Speaker 1: I could just feel that lyric, you know, I think, 84 00:03:57,120 --> 00:03:59,520 Speaker 1: just like the beauty of the beauty and simplicity, and 85 00:03:59,560 --> 00:04:03,360 Speaker 1: it just like he was talking about um life. Really, 86 00:04:04,760 --> 00:04:07,440 Speaker 1: I think probably as far as like Midwest goes. I 87 00:04:07,440 --> 00:04:09,920 Speaker 1: mean Mellencamp, you know, when I was in high school, 88 00:04:09,960 --> 00:04:12,360 Speaker 1: which is very country. I mean John Mellencamp is this 89 00:04:12,440 --> 00:04:14,880 Speaker 1: country as anything else totally, just a little more electric 90 00:04:14,920 --> 00:04:17,600 Speaker 1: guitar totally. But now if he came out with Pink 91 00:04:17,640 --> 00:04:21,640 Speaker 1: Houses or even Jack and Diane, that would be country 92 00:04:21,720 --> 00:04:24,960 Speaker 1: music totally. So he represented the male. Okay, Okay, So 93 00:04:25,080 --> 00:04:28,279 Speaker 1: John Mellie, any anybody else can When you say Iowa specifically, 94 00:04:28,600 --> 00:04:30,840 Speaker 1: are there any artists from Iowa that you that you're like, dang, 95 00:04:30,920 --> 00:04:33,880 Speaker 1: they really kind of, you know, they represent us well. 96 00:04:34,200 --> 00:04:36,839 Speaker 1: So I didn't know of Emily West till I moved here, 97 00:04:37,000 --> 00:04:39,039 Speaker 1: but Emily West she grew up an hour north of 98 00:04:39,040 --> 00:04:42,640 Speaker 1: where I was. Um, you know, I don't know if 99 00:04:42,640 --> 00:04:46,880 Speaker 1: I had really an example or someone to aspire to 100 00:04:46,960 --> 00:04:48,960 Speaker 1: kind of be like that was also a Midwestern that 101 00:04:49,000 --> 00:04:52,360 Speaker 1: I was seeing or hearing on the radio. Um, but 102 00:04:52,600 --> 00:04:54,839 Speaker 1: I just really loved a lot of the females that 103 00:04:54,880 --> 00:04:59,080 Speaker 1: were happening. Tricia, the Chicks, Martina Faith, you know, um, 104 00:04:59,400 --> 00:05:02,160 Speaker 1: a lot of that music. Do you remember the day 105 00:05:02,160 --> 00:05:04,760 Speaker 1: you moved to Nashville, the day be packed up? I 106 00:05:04,760 --> 00:05:08,159 Speaker 1: don't know if I remember packing up. I remember getting 107 00:05:08,360 --> 00:05:12,840 Speaker 1: I remember crossing the Tennessee state line seventeen. So who's 108 00:05:12,880 --> 00:05:16,800 Speaker 1: in the car with you? Mom, dad, probably some of 109 00:05:16,880 --> 00:05:20,080 Speaker 1: my siblings, and I think my high school boyfriend was 110 00:05:20,120 --> 00:05:23,360 Speaker 1: with me. So if you're seventeen driving to Nashville, like, 111 00:05:23,560 --> 00:05:25,960 Speaker 1: what are you thinking? Are you going? Can't wait to 112 00:05:26,040 --> 00:05:29,479 Speaker 1: go get there? Let them see just this great artist 113 00:05:29,560 --> 00:05:33,839 Speaker 1: I am? Or is it like get there hopefully I'm 114 00:05:34,000 --> 00:05:36,360 Speaker 1: I don't know what's the mindset of a seventeen year 115 00:05:36,360 --> 00:05:38,560 Speaker 1: old moving to Nashville to make it a music I 116 00:05:39,360 --> 00:05:42,880 Speaker 1: just was so excited. I could not wait to get here. 117 00:05:43,040 --> 00:05:45,440 Speaker 1: I was just you know, I thought I was going 118 00:05:45,520 --> 00:05:49,240 Speaker 1: to be noticed so quickly and like be discovered and 119 00:05:49,360 --> 00:05:52,560 Speaker 1: be the next big thing. And I just imagined, you know, 120 00:05:52,680 --> 00:05:54,560 Speaker 1: I came down here when I was like fifteen, and 121 00:05:54,640 --> 00:05:57,360 Speaker 1: I like walked down Broadway and just seeing all the 122 00:05:57,440 --> 00:05:59,880 Speaker 1: people busking on the street and stuff. I'd never seen 123 00:06:00,040 --> 00:06:02,320 Speaker 1: anything like that. So I was pretty much like, I'm 124 00:06:02,360 --> 00:06:04,239 Speaker 1: gonna get ready to do that, you know, I'm gonna 125 00:06:04,279 --> 00:06:05,800 Speaker 1: do for a couple of years before the move, like 126 00:06:05,839 --> 00:06:07,360 Speaker 1: in your heart, you had a couple of years in 127 00:06:07,440 --> 00:06:10,800 Speaker 1: my heart, I was there like I was coming down, Um, 128 00:06:11,040 --> 00:06:15,560 Speaker 1: and so I was really excited, really anxious, really excited. 129 00:06:16,320 --> 00:06:19,320 Speaker 1: Um maybe probably I don't know if I don't remember 130 00:06:19,400 --> 00:06:21,600 Speaker 1: being scared, but I mean I was the first in 131 00:06:21,720 --> 00:06:24,520 Speaker 1: my family to move nine hours away. You know, I 132 00:06:24,920 --> 00:06:27,080 Speaker 1: might have been a little bit just like nervous about that, 133 00:06:27,279 --> 00:06:31,240 Speaker 1: but I was so hungry to be here, and just 134 00:06:31,400 --> 00:06:33,680 Speaker 1: like a fire, I was so excited to be here. 135 00:06:33,720 --> 00:06:36,200 Speaker 1: And what do you do you get here? Like I'm 136 00:06:36,279 --> 00:06:39,040 Speaker 1: just the first two weeks you're here? Yeah, Like what 137 00:06:39,160 --> 00:06:40,600 Speaker 1: does a new hour does it do? When they moved 138 00:06:40,600 --> 00:06:43,160 Speaker 1: to town? So when I moved to town, literally I 139 00:06:43,240 --> 00:06:47,039 Speaker 1: think it was within a day or two, I walked 140 00:06:47,080 --> 00:06:50,720 Speaker 1: down a Broadway. I just like walked into some of 141 00:06:50,800 --> 00:06:52,600 Speaker 1: the bars. You know, I didn't have a car, so 142 00:06:52,680 --> 00:06:54,440 Speaker 1: I was just walking And I did you get in 143 00:06:54,520 --> 00:06:56,200 Speaker 1: a bar? You're seventeen? How do you Yeah? But during 144 00:06:56,240 --> 00:06:59,840 Speaker 1: the day good? Yeah, So I like walk into Tootsie 145 00:07:00,680 --> 00:07:03,080 Speaker 1: and the house band's playing. It's probably like two pm, 146 00:07:03,360 --> 00:07:06,239 Speaker 1: you know, and I'm just sitting there and like Greg 147 00:07:06,360 --> 00:07:09,760 Speaker 1: Humphrey was the bass player, and he looked like Albert Einstein. 148 00:07:09,920 --> 00:07:11,960 Speaker 1: He's like sitting there playing bass in the band, and 149 00:07:12,120 --> 00:07:14,840 Speaker 1: like they take a break and I follow him outside, 150 00:07:14,920 --> 00:07:18,480 Speaker 1: and I was just like, Hey, I'm Haley Witters, probably 151 00:07:18,600 --> 00:07:20,640 Speaker 1: something dumb, like I'm going to be in country music 152 00:07:20,760 --> 00:07:24,000 Speaker 1: some day. And I was like, how do I get 153 00:07:24,040 --> 00:07:26,000 Speaker 1: a gig here? You know, I grew up on the 154 00:07:26,080 --> 00:07:28,720 Speaker 1: chick so long time gone. That verse about like singing 155 00:07:28,800 --> 00:07:31,160 Speaker 1: on Broadway, living from a tip jar, sleeping in your car, 156 00:07:31,240 --> 00:07:32,720 Speaker 1: That's what I thought, like you had to do to 157 00:07:32,840 --> 00:07:36,400 Speaker 1: make it here. And so he says, come back on Sunday, 158 00:07:36,680 --> 00:07:39,920 Speaker 1: we'll audition you. And I came back and, you know, 159 00:07:40,440 --> 00:07:43,480 Speaker 1: was one of a few people in the audition line 160 00:07:43,560 --> 00:07:45,720 Speaker 1: or whatever, and you just jump up and I think 161 00:07:45,760 --> 00:07:49,560 Speaker 1: I sang SuDS in the bucket or something, and he said, cool, 162 00:07:49,680 --> 00:07:52,080 Speaker 1: come down tomorrow. You can work a shift. And so 163 00:07:52,240 --> 00:07:54,320 Speaker 1: then after that I just started playing on Broadway. You know, 164 00:07:54,320 --> 00:07:57,240 Speaker 1: I'd play at Rippy's across the street, play out at 165 00:07:57,240 --> 00:08:00,840 Speaker 1: the airport. What's a shift by the ways of hours? Hours? Yeah, 166 00:08:00,960 --> 00:08:03,520 Speaker 1: what do you have to know? It's kind of crazy 167 00:08:03,520 --> 00:08:06,200 Speaker 1: because they know everything. Well, what do you says come 168 00:08:06,240 --> 00:08:08,840 Speaker 1: back tomorrow? Yeah, but how do you prepare to come 169 00:08:08,880 --> 00:08:11,360 Speaker 1: back tomorrow if you Well, I'd grown up like singing 170 00:08:11,560 --> 00:08:13,640 Speaker 1: at bars in my hometown and stuff like that. So, 171 00:08:13,760 --> 00:08:15,400 Speaker 1: you know, when I was in my hometown, I'm playing 172 00:08:15,480 --> 00:08:17,680 Speaker 1: three hour gigs, me and my guitar, So I knew 173 00:08:17,840 --> 00:08:20,080 Speaker 1: like a bunch of just country covers, you know, and 174 00:08:20,200 --> 00:08:22,320 Speaker 1: so and they know a bunch of that stuff too. 175 00:08:22,480 --> 00:08:25,360 Speaker 1: So you're jumping up and you know, you're like, do 176 00:08:25,440 --> 00:08:28,160 Speaker 1: they know SuDS in the bucket? Do they know wide 177 00:08:28,160 --> 00:08:31,520 Speaker 1: open spaces? Or you know a Lauretta song, whatever? And 178 00:08:31,880 --> 00:08:33,360 Speaker 1: they know it and then you just jump up and 179 00:08:33,400 --> 00:08:36,360 Speaker 1: sing a few songs. How long until because you're doing that, 180 00:08:36,400 --> 00:08:39,840 Speaker 1: which very exciting, I'm sure the first year, six months, 181 00:08:39,960 --> 00:08:41,880 Speaker 1: But when do you start to go all right, I'm 182 00:08:41,920 --> 00:08:43,840 Speaker 1: playing these gigs, but I'm here, I actually moved here 183 00:08:43,840 --> 00:08:46,240 Speaker 1: to be my own artist, and while I'm playing these gigs, 184 00:08:46,280 --> 00:08:48,160 Speaker 1: which I think is I mean, I think everybody needs 185 00:08:48,160 --> 00:08:50,120 Speaker 1: to play these long shifts for a long time because 186 00:08:50,120 --> 00:08:53,040 Speaker 1: it makes you stronger physically mentally. It's such a big 187 00:08:53,080 --> 00:08:55,240 Speaker 1: part of the growth of being an artist. But how 188 00:08:55,280 --> 00:08:56,800 Speaker 1: long until you're like, all right, I really got to 189 00:08:56,840 --> 00:08:59,720 Speaker 1: dial in on what I am doing with my voice 190 00:08:59,760 --> 00:09:01,880 Speaker 1: and not your singing voice, but like your internal voice. 191 00:09:02,120 --> 00:09:05,360 Speaker 1: When did that start to be a priority? Well, also 192 00:09:05,520 --> 00:09:07,679 Speaker 1: kind of when I moved here, I started realizing how 193 00:09:07,800 --> 00:09:11,280 Speaker 1: much Nashville is just a songwriter town. And when I 194 00:09:11,480 --> 00:09:13,880 Speaker 1: moved here, you had to be a songwriter to be 195 00:09:13,960 --> 00:09:16,040 Speaker 1: an artist. You know. It's kind of these days I 196 00:09:16,080 --> 00:09:18,679 Speaker 1: feel like you don't necessarily have to. But that's how 197 00:09:18,760 --> 00:09:21,520 Speaker 1: I thought. That was like a stepping stone to becoming 198 00:09:21,520 --> 00:09:25,000 Speaker 1: an artist. So also, as I'm kind of playing those 199 00:09:25,000 --> 00:09:29,520 Speaker 1: Broadway gigs, I'm looking in you know, my space to 200 00:09:29,679 --> 00:09:33,000 Speaker 1: see like what the Nashville songwriting venues are. And there 201 00:09:33,080 --> 00:09:36,000 Speaker 1: was a little place, I think it was called like 202 00:09:36,280 --> 00:09:39,640 Speaker 1: the Crescent, was a songwriting little kind of dive hole 203 00:09:39,679 --> 00:09:42,920 Speaker 1: in the wall, had songwriters in. I booked a show there. 204 00:09:42,920 --> 00:09:46,480 Speaker 1: I booked a show at White's Creek Richards Cafe, and 205 00:09:47,080 --> 00:09:50,440 Speaker 1: that was kind of like my first full band show, 206 00:09:51,120 --> 00:09:53,320 Speaker 1: you know, family come down. That's the one I kind 207 00:09:53,360 --> 00:09:55,199 Speaker 1: of thought I was going to get like discovered, and 208 00:09:55,640 --> 00:10:00,679 Speaker 1: you know, and I booked that show and played there, 209 00:10:00,720 --> 00:10:03,439 Speaker 1: and then ironically enough, ten years later, I'm walking in 210 00:10:03,520 --> 00:10:07,360 Speaker 1: those doors asking him for a job waiting tables. But 211 00:10:07,559 --> 00:10:10,400 Speaker 1: I think I knew pretty early on that in order 212 00:10:10,440 --> 00:10:12,360 Speaker 1: to start getting my artist then going, I was going 213 00:10:12,440 --> 00:10:14,719 Speaker 1: to have to be writing songs so I was going 214 00:10:14,760 --> 00:10:17,920 Speaker 1: out to shows, writers nights, co or networking, trying to 215 00:10:17,960 --> 00:10:21,920 Speaker 1: meet as many writers as possible and playing as many 216 00:10:21,960 --> 00:10:26,160 Speaker 1: shows as I could. You know, you've chronicled even through music, 217 00:10:26,480 --> 00:10:28,240 Speaker 1: you know, the idea of a ten year town in 218 00:10:28,320 --> 00:10:32,480 Speaker 1: Nashville being a ten year town. I think with most creatives, 219 00:10:32,520 --> 00:10:36,960 Speaker 1: myself included, extremely hard on myself when things don't work. Yeah. 220 00:10:38,280 --> 00:10:41,760 Speaker 1: I assume that because I'm just putting me in your 221 00:10:41,800 --> 00:10:45,079 Speaker 1: place that through those years when you're just getting like 222 00:10:45,880 --> 00:10:49,920 Speaker 1: little bites, yeah, and then disappointment. Yeah, Okay, here's a 223 00:10:49,920 --> 00:10:52,480 Speaker 1: slightly bigger bite. Did you ever go? Man, I don't 224 00:10:52,520 --> 00:10:55,240 Speaker 1: know if this is for me. Yeah. I think I 225 00:10:55,360 --> 00:10:58,319 Speaker 1: had blinders on for like the first ten years. But 226 00:10:58,440 --> 00:11:00,839 Speaker 1: then it's like that adage everyone says, Nashville is a 227 00:11:00,880 --> 00:11:03,360 Speaker 1: ten year town. And I was looking at my life 228 00:11:03,400 --> 00:11:05,199 Speaker 1: when I hit your ten and I was seeing friends 229 00:11:05,280 --> 00:11:07,960 Speaker 1: back home, you know, they're on baby two, baby three, 230 00:11:08,200 --> 00:11:11,040 Speaker 1: buy in the house, buy in the boat, like, seemed 231 00:11:11,040 --> 00:11:13,560 Speaker 1: to have so many milestones to show, and I felt 232 00:11:13,600 --> 00:11:16,520 Speaker 1: like I wasn't at all where I wanted to be yet. 233 00:11:17,040 --> 00:11:20,319 Speaker 1: And that's when I really started questioning it and thinking 234 00:11:20,360 --> 00:11:24,719 Speaker 1: about hanging it up. And moving back home. And you know, 235 00:11:25,440 --> 00:11:28,280 Speaker 1: it's kind of when I got my last little wind 236 00:11:28,440 --> 00:11:31,040 Speaker 1: where you know, I thought, let's make one more record. 237 00:11:31,600 --> 00:11:34,760 Speaker 1: Is that the conversation, We're gonna make one more records, 238 00:11:35,800 --> 00:11:38,400 Speaker 1: like this is the last one. I'm gonna put everything 239 00:11:38,480 --> 00:11:41,600 Speaker 1: I have into it. I've tried to be country radio, 240 00:11:41,760 --> 00:11:44,760 Speaker 1: I've tried to be Nashville. It's not me. I'm gonna 241 00:11:44,800 --> 00:11:47,520 Speaker 1: make one more record and put everything that I have 242 00:11:47,679 --> 00:11:51,640 Speaker 1: into it, all of Haileywitter's DNA. So if I end 243 00:11:51,760 --> 00:11:53,920 Speaker 1: up leaving, if this doesn't work and I end up leaving, 244 00:11:54,160 --> 00:11:56,360 Speaker 1: I can at least feel like I did my best 245 00:11:56,480 --> 00:11:58,480 Speaker 1: and I put everything I had into it, and it 246 00:11:58,559 --> 00:12:02,079 Speaker 1: just wasn't in the cards. And so that's when I 247 00:12:02,200 --> 00:12:07,640 Speaker 1: made my record, The Dream, And you know that's ironically 248 00:12:07,840 --> 00:12:11,040 Speaker 1: the record that finally got this town to pay attention 249 00:12:11,120 --> 00:12:14,280 Speaker 1: to me. Isn't that wild that it was like, because again, 250 00:12:14,360 --> 00:12:17,240 Speaker 1: I just am projecting a bit, because I've experienced this 251 00:12:17,320 --> 00:12:19,920 Speaker 1: as well, and it's like you try to fit every 252 00:12:20,000 --> 00:12:23,199 Speaker 1: mold that you think people want to be fitted too. 253 00:12:23,400 --> 00:12:25,719 Speaker 1: And yeah, you're like, I'm doing it exactly like I'm 254 00:12:25,720 --> 00:12:27,920 Speaker 1: supposed to do it, and still it's not happening and 255 00:12:27,960 --> 00:12:30,080 Speaker 1: you're like, screw it, I'm just gonna be me. Let 256 00:12:30,160 --> 00:12:32,520 Speaker 1: it all hang out. And it's like, oh wow, yeah, 257 00:12:32,880 --> 00:12:34,319 Speaker 1: like I should have done this like eight years ago. 258 00:12:34,640 --> 00:12:36,040 Speaker 1: That's what I think. That's what I think. I know. 259 00:12:36,800 --> 00:12:38,760 Speaker 1: So you make this album and then what was kind 260 00:12:38,800 --> 00:12:41,040 Speaker 1: of the breakthrough where you go, all right, I got 261 00:12:41,080 --> 00:12:42,800 Speaker 1: a little traction. Holy crap, I may not have to 262 00:12:42,840 --> 00:12:46,480 Speaker 1: go home. Yeah. Well, so I dropped ten Year Town. 263 00:12:46,559 --> 00:12:49,439 Speaker 1: I didn't have a label, I didn't even have a publicist, 264 00:12:49,600 --> 00:12:53,840 Speaker 1: I didn't have management, and a bunch of artists started 265 00:12:53,880 --> 00:12:56,800 Speaker 1: posting about it, just re sharing it. Marin shared it, 266 00:12:57,000 --> 00:13:01,240 Speaker 1: Carly Brothers Osborne and that got the attention of a 267 00:13:01,320 --> 00:13:03,959 Speaker 1: lot of the town buzzing. So then, you know, I 268 00:13:04,040 --> 00:13:06,160 Speaker 1: had a lot of meetings stuff like that, and I 269 00:13:06,240 --> 00:13:08,839 Speaker 1: think it was probably like a few weeks after I 270 00:13:08,960 --> 00:13:11,679 Speaker 1: dropped ten year Town that I got a call from 271 00:13:11,720 --> 00:13:14,360 Speaker 1: Marion Morris to go on her Girl the World tour, 272 00:13:14,880 --> 00:13:18,040 Speaker 1: and that was kind of like that allowed me to 273 00:13:18,840 --> 00:13:22,240 Speaker 1: hang up the apron strings go on the road and 274 00:13:22,400 --> 00:13:24,880 Speaker 1: everything just kind of started like spiraling from there, you know, 275 00:13:24,960 --> 00:13:27,360 Speaker 1: a good way, yeah, up in a good way. Yeah. 276 00:13:27,360 --> 00:13:29,280 Speaker 1: And so I think That's why, Like, you know, I 277 00:13:29,360 --> 00:13:32,560 Speaker 1: think Marion really changed everything for me. You know, um 278 00:13:33,840 --> 00:13:35,679 Speaker 1: she got a lot of people to start paying attention 279 00:13:35,760 --> 00:13:37,400 Speaker 1: to me and to see me. I think I felt 280 00:13:37,440 --> 00:13:40,360 Speaker 1: like I'd been here ten years, everyone kind of knew 281 00:13:40,400 --> 00:13:42,559 Speaker 1: who I was. I felt a little like washed up, 282 00:13:42,760 --> 00:13:46,480 Speaker 1: you know, and I think she like made people see 283 00:13:46,559 --> 00:13:48,760 Speaker 1: me in kind of a different light. So what is 284 00:13:50,120 --> 00:13:53,960 Speaker 1: inspiring you right this second? Because you're again a new 285 00:13:54,120 --> 00:13:57,599 Speaker 1: level in your career, you know, you're still trying to 286 00:13:57,760 --> 00:14:02,720 Speaker 1: grow creatively push yourself. What like what's doing it right 287 00:14:02,760 --> 00:14:05,959 Speaker 1: now for you? Um? Well, I just put out a 288 00:14:06,000 --> 00:14:09,360 Speaker 1: record that was really exciting to get to do. And 289 00:14:09,440 --> 00:14:13,360 Speaker 1: I've learned kind of throughout this whole experience just focusing 290 00:14:13,440 --> 00:14:16,880 Speaker 1: on like what is inspiring you, what stories, what songs, 291 00:14:16,960 --> 00:14:20,760 Speaker 1: what writers and channeling focusing on that rather than looking 292 00:14:20,840 --> 00:14:23,840 Speaker 1: around at what everyone else is doing. So making that 293 00:14:23,960 --> 00:14:27,080 Speaker 1: record again was just like such a soul filling experience 294 00:14:27,560 --> 00:14:29,880 Speaker 1: for me and reminding me kind of why I'm here 295 00:14:29,880 --> 00:14:33,040 Speaker 1: and what I'm what I'm doing. A lot of the 296 00:14:33,160 --> 00:14:35,840 Speaker 1: like girls are inspiring me, you know. I feel like 297 00:14:35,880 --> 00:14:37,800 Speaker 1: a lot of the girls in the format are just 298 00:14:37,960 --> 00:14:42,600 Speaker 1: making a big splash again I mean Landy Wilson, We're 299 00:14:42,640 --> 00:14:44,720 Speaker 1: going to be on the John Party tour together this summer. 300 00:14:44,760 --> 00:14:47,600 Speaker 1: And we had our first weekend out last weekend, and 301 00:14:48,600 --> 00:14:52,440 Speaker 1: I'm just loving what she's doing. And you know, she 302 00:14:52,560 --> 00:14:54,200 Speaker 1: brought me out and we got to have this really 303 00:14:54,280 --> 00:14:57,680 Speaker 1: fun kind of girl moment on stage and rally the 304 00:14:57,720 --> 00:15:00,200 Speaker 1: crowd and get the crowd all excited and and so, 305 00:15:00,440 --> 00:15:02,880 Speaker 1: I don't know, there's a lot of cool music being made. 306 00:15:03,000 --> 00:15:06,480 Speaker 1: I think right now that's um inspiring me in the format. 307 00:15:07,360 --> 00:15:10,440 Speaker 1: So what advice. Let's say there's a seventeen eighteen year 308 00:15:10,440 --> 00:15:12,640 Speaker 1: old girl'd move into town today. Yeah, she drives up 309 00:15:12,680 --> 00:15:15,360 Speaker 1: and she's gonna walk into one of these bars. Go 310 00:15:15,480 --> 00:15:17,480 Speaker 1: all right, I'd like to start playing, Like, what is 311 00:15:17,520 --> 00:15:20,480 Speaker 1: the advice that you give her as she starts the journey? 312 00:15:21,080 --> 00:15:24,400 Speaker 1: I would say, this town will find every reason to 313 00:15:24,600 --> 00:15:29,160 Speaker 1: tell you no, find the reason that makes you want 314 00:15:29,200 --> 00:15:32,320 Speaker 1: to stay here and chase that and follow that and 315 00:15:32,520 --> 00:15:34,880 Speaker 1: keep going. I think you're a pretty good one to 316 00:15:34,920 --> 00:15:39,200 Speaker 1: listen to. Oh yeah, congratulations. I mean it's just you know, 317 00:15:39,280 --> 00:15:40,880 Speaker 1: everywhere you look, I mean I feel like I see 318 00:15:40,880 --> 00:15:44,720 Speaker 1: Haleywinners everywhere. Really, Yeah, yeah, that's good. You f like, 319 00:15:44,720 --> 00:15:47,680 Speaker 1: you're surprised. I am kind of surprised. Oh okay, So 320 00:15:48,200 --> 00:15:50,000 Speaker 1: let's talk about the record, by the way, like the 321 00:15:50,360 --> 00:15:53,320 Speaker 1: record and the full body of work, and why you 322 00:15:53,520 --> 00:15:56,160 Speaker 1: made this record and what it like, what it stands for. 323 00:15:57,160 --> 00:16:00,400 Speaker 1: I think the like the mustard seed of this record 324 00:16:00,640 --> 00:16:03,360 Speaker 1: was kind of starting around the same time I was 325 00:16:03,400 --> 00:16:05,560 Speaker 1: actually writing for the last record. You know, I was 326 00:16:05,600 --> 00:16:08,400 Speaker 1: having those thoughts, those feelings about you know, my friends 327 00:16:08,480 --> 00:16:12,160 Speaker 1: back home, and I was very homesick and nostalgic for 328 00:16:12,720 --> 00:16:14,720 Speaker 1: that way of life, the way that I grew up, 329 00:16:14,760 --> 00:16:16,200 Speaker 1: the way that I was raised, And so I was 330 00:16:16,760 --> 00:16:19,560 Speaker 1: writing a lot of songs that were seeming to take 331 00:16:19,720 --> 00:16:24,760 Speaker 1: place back there, and we went in we cut some songs, 332 00:16:24,880 --> 00:16:28,600 Speaker 1: like December twenty nineteen, after I'd wrapped the Marinteur, and 333 00:16:29,480 --> 00:16:31,880 Speaker 1: you know, it was it felt like a project, and 334 00:16:32,120 --> 00:16:33,600 Speaker 1: we had six songs. We were like, let's just do 335 00:16:33,800 --> 00:16:37,080 Speaker 1: six more, finish it out. That's a record. But the 336 00:16:37,200 --> 00:16:40,600 Speaker 1: record very much takes place back in the Midwest where 337 00:16:40,600 --> 00:16:43,680 Speaker 1: I'm from, the people, the place that raised me. I 338 00:16:43,800 --> 00:16:46,960 Speaker 1: know I would not be here today without them. Those 339 00:16:46,960 --> 00:16:51,200 Speaker 1: are the people that supported me, that encouraged me, that 340 00:16:51,480 --> 00:16:53,840 Speaker 1: pushed me to keep going when I wanted to give up, 341 00:16:53,960 --> 00:16:56,040 Speaker 1: you know, when I was tired and thinking I should 342 00:16:56,080 --> 00:16:57,960 Speaker 1: come home. Those are the people that taught me how 343 00:16:58,000 --> 00:17:02,160 Speaker 1: to work hard, how to hang on, to persevere and um, 344 00:17:02,640 --> 00:17:04,720 Speaker 1: and so I have a lot of like fond memories 345 00:17:04,840 --> 00:17:07,440 Speaker 1: looking back kind of growing up there, and I wanted 346 00:17:07,480 --> 00:17:10,200 Speaker 1: to shed a little light on that and really kind 347 00:17:10,200 --> 00:17:14,040 Speaker 1: of showcase the Midwest a little more. And um, you know, 348 00:17:14,240 --> 00:17:17,600 Speaker 1: a lot of the scenery is Midwestern because that's my perspective, 349 00:17:17,680 --> 00:17:20,320 Speaker 1: that's the lens I had to look through. But I think, 350 00:17:21,080 --> 00:17:24,320 Speaker 1: you know, the thing about country music is it's everywhere, 351 00:17:24,520 --> 00:17:26,920 Speaker 1: you know, It's not just the South, and so, um, 352 00:17:27,440 --> 00:17:29,560 Speaker 1: I hope when people listen to this, you know, the 353 00:17:29,640 --> 00:17:31,320 Speaker 1: scenery might be a little different, but I hope it 354 00:17:31,480 --> 00:17:35,200 Speaker 1: reminds them of home and the people in the place 355 00:17:35,240 --> 00:17:37,760 Speaker 1: that raised them, and hopefully they have some good memories 356 00:17:38,240 --> 00:17:42,600 Speaker 1: of that. The album is raised, it's excellent. You're also 357 00:17:42,680 --> 00:17:44,960 Speaker 1: still you're doing Heartland to our shows still yeah, and 358 00:17:45,040 --> 00:17:48,000 Speaker 1: then you're also out with John yeah and Laney Yeah. 359 00:17:48,040 --> 00:17:51,320 Speaker 1: And I'll mention this, you were nominated for Grammy like 360 00:17:51,359 --> 00:17:55,200 Speaker 1: a saw yeah, which is yeah crazy. Yeah, that was 361 00:17:55,280 --> 00:17:57,920 Speaker 1: an absolute crazy because it's not true just or not 362 00:17:58,160 --> 00:18:00,520 Speaker 1: not deserving, but just anybody that I feel like, I 363 00:18:00,560 --> 00:18:02,160 Speaker 1: know the it's not for Grammy, Like that's crazy, that's 364 00:18:02,160 --> 00:18:05,159 Speaker 1: a Grammy. I know that's crazy. I know we're a 365 00:18:05,200 --> 00:18:08,400 Speaker 1: little country bumpkin sitting in the crowd watching Billie Eilish 366 00:18:08,600 --> 00:18:11,320 Speaker 1: just totally kill it. It was I mean, we were 367 00:18:11,359 --> 00:18:13,840 Speaker 1: just it was crazy. Yeah. Well, I hope you guys 368 00:18:13,920 --> 00:18:16,720 Speaker 1: spend some time with Haley and her music. I'm a 369 00:18:16,800 --> 00:18:19,320 Speaker 1: big fan and you know, keep on keeping on. I 370 00:18:19,359 --> 00:18:22,920 Speaker 1: think you're an inspiration to folks who are just trying 371 00:18:23,000 --> 00:18:25,440 Speaker 1: to make it. It does that to be a music, yeah, 372 00:18:25,560 --> 00:18:27,800 Speaker 1: it does. It doesn't give me somebody trying to figure 373 00:18:27,800 --> 00:18:30,040 Speaker 1: out being a parent, somebody figuring out try to be 374 00:18:30,280 --> 00:18:32,720 Speaker 1: you know, your story is just that of and you 375 00:18:32,840 --> 00:18:35,040 Speaker 1: said it again, what you'd recommend to somebody? Figure out 376 00:18:35,080 --> 00:18:37,359 Speaker 1: what you love about it, like what did it and 377 00:18:37,600 --> 00:18:40,080 Speaker 1: hold on to that and don't let people take you 378 00:18:40,160 --> 00:18:43,600 Speaker 1: away from that. Yeah, don't let people take you That's great. Okay, 379 00:18:43,640 --> 00:18:46,200 Speaker 1: there she has Haley Whitters. You guys check out Raised 380 00:18:46,600 --> 00:18:48,800 Speaker 1: and if she's coming by your town, go see her 381 00:18:48,840 --> 00:18:51,159 Speaker 1: because she is an excellent performer. Haley Grads talk to you, 382 00:18:51,320 --> 00:18:52,960 Speaker 1: Grace's talk to you. Thanks for having me, Bobby