WEBVTT - Are you ok? (S4 E14 "The Incredible Sinking Lorelais”)

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<v Speaker 1>I am all in, kiss you, I am all in

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<v Speaker 1>with Scott Patterson and I heart radio podcast. Hey everybody,

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<v Speaker 1>Scott Patterson, I am all in podcast. I am here

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<v Speaker 1>with my trip. I said, you know what I gotta

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<v Speaker 1>tell you, Amy Sugarman, Tara suits Back, and Daniel Romo. Um.

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<v Speaker 1>I was quite delighted by the episode. Oh really, it

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<v Speaker 1>was a slow starter for me. But man, and I'll

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<v Speaker 1>tell you this, here's a little highlight. I now am

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<v Speaker 1>digging on Trixie. I'm liking the Tricksie vibe. I'm digging

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<v Speaker 1>the trick clergy. I thought of you, Scott during that

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<v Speaker 1>dinner scene. Oh, she cracked me up. I was tears

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<v Speaker 1>were streaming down my freaking face. That scene in the

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<v Speaker 1>living room slayd me. Oh my god. I thought that's

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<v Speaker 1>one of the best scenes in the entire four seasons

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<v Speaker 1>so far. I've always pastic I never disliked her like you. Man,

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<v Speaker 1>I'll tell you that was episode genius. I was. I

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<v Speaker 1>liked it. I mean it was. It was sad, but

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<v Speaker 1>I it was kind of like a Growing Pains episode,

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<v Speaker 1>like you no, not not like the show Growing Pains,

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<v Speaker 1>like I mean, like no, right right, yeah, which that's

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<v Speaker 1>what I thought you meant, which is why I thought

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<v Speaker 1>it was so funny. I would never laugh at that

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<v Speaker 1>other show. Just like the way Rory and like you

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<v Speaker 1>think of Mike's by I'm thinking, where's she going with

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<v Speaker 1>this one? Sorry, I get what you're saying, because at

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<v Speaker 1>the end of this, all I wanted to do is

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<v Speaker 1>call my mom. I'm like, I just want to call

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<v Speaker 1>my mom. I love her. At a moment where I

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<v Speaker 1>was like melancholy, that was like the word I wrote

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<v Speaker 1>down and I could, I was like, am I was

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<v Speaker 1>I sad going into this? Or am I sad in it?

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<v Speaker 1>You know? I realized this episode made me realize that

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<v Speaker 1>Mrs Kim and Paris were the same person I was

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<v Speaker 1>stunned by that, just different accents, it's the same personality.

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<v Speaker 1>They're both wrapped so tight. So it's it's a double

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<v Speaker 1>and Tom and Tom could be Luke's father. It's a

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<v Speaker 1>double barreled dose of realizations here. There was some interesting parallels,

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<v Speaker 1>and obviously it was so obvious that it was so intentional. Yeah, well,

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<v Speaker 1>I'm sure we'll talk about right. Yeah, you could see

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<v Speaker 1>it coming a mile away, but you were it was

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<v Speaker 1>okay because of how it ended up and I say, so,

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<v Speaker 1>let's go through it, because we're gonna be all over

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<v Speaker 1>the place if we don't. Uh, somebody, you gotta whip

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<v Speaker 1>you gotta whip this horse into shape, you know, because

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<v Speaker 1>you know we're just gonna start. Amy's trying to derail us,

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<v Speaker 1>all right. And just speaking of horses, yes, continue, I

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<v Speaker 1>have no idea not afford those horses. Oh, yes, that's

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<v Speaker 1>that's very true. What are they doing with horses worth

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<v Speaker 1>the money? Are they offering rides? Are they selling rides

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<v Speaker 1>on the horses or what's the deal? And I think, guys,

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<v Speaker 1>it's time to synopsize. And we've got one of the

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<v Speaker 1>best synopsizers in the business, maybe the best synopsizer. And

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<v Speaker 1>Daniel Romo take it away alright. This is season four,

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<v Speaker 1>episode fourteen, The Incredible Sinking Lorealize Air date February seventeenth,

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<v Speaker 1>two thousand four. Lorelai and Rory think they're both failing

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<v Speaker 1>in their lives. Rory can't handle five courses at Yale

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<v Speaker 1>like her grandpa did, and Lorala can't handle all the

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<v Speaker 1>workload and upfront money of opening the inn without Suki's help.

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<v Speaker 1>But Luke and Dean are there to console the two Meanwhile,

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<v Speaker 1>Grandma Tricks is in town for a visit and throws

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<v Speaker 1>everyone for a loop with our conversation and accusations. Boom.

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<v Speaker 1>That's how you set up an episode. Right there, best

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<v Speaker 1>in the business, right there. Now we're off to the races. Okay, Well,

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<v Speaker 1>so you liked it, so give us a little more

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<v Speaker 1>of your overview before we start. You know, it was

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<v Speaker 1>a I don't know that it. I mean I would

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<v Speaker 1>go watch it again. Just the opening was fine. I

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<v Speaker 1>thought it was crisp and funny, and you got Tom

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<v Speaker 1>there being like, you know, the an older Lukey kind

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<v Speaker 1>of thing flavor. Michelle was looking all kinds of studily

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<v Speaker 1>in this episode, like he was looking at in that

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<v Speaker 1>opening scene. I think he's sort of leaning up and

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<v Speaker 1>maybe wearing jeans and he's like I'm not available or whatever. Um,

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<v Speaker 1>but yeah, I thought it was fine. I thought it

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<v Speaker 1>was a fine opening, and um, you know, we we

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<v Speaker 1>spent a lot of time at Yale and there was

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<v Speaker 1>a shrieking Paris and she just was like she was

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<v Speaker 1>coming on glued every moment. She's jeez man. So they

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<v Speaker 1>got their first in customer that was actually pretty cute,

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<v Speaker 1>and on the gun gum wrapper, you know what I

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<v Speaker 1>was going to ask you. So she writes on the

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<v Speaker 1>gum wrapper, and clearly they like really zoom in on

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<v Speaker 1>her face where she's realizing we've taken our first reservation.

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<v Speaker 1>This is real. What would you have said the direction was?

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<v Speaker 1>Because she they obviously she knew they're going to linger

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<v Speaker 1>on her face. And I couldn't decide if she was

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<v Speaker 1>like happy worried because she knows the financial problem. What

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<v Speaker 1>would you what would what would a director direct? I

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<v Speaker 1>just think you know, Lauren was aware that they were

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<v Speaker 1>going to kind of punch in on her a little bit.

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<v Speaker 1>They don't really do close up, close up be things

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<v Speaker 1>on Gilmore. They do sort of you know, waste up stuff.

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<v Speaker 1>That's that's all. That's as close as they get um.

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<v Speaker 1>And she you know, you don't really need to give

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<v Speaker 1>Lauren direction. She knows the shot, she knows what she

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<v Speaker 1>needs to be thinking. It's really just thinking the thoughts

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<v Speaker 1>and all the thoughts that you just mentioned are going

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<v Speaker 1>through her head and that's why you're getting those reactions. Yeah,

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<v Speaker 1>And didn't you think her face really depicted it? Because really,

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<v Speaker 1>right from the start, I'm like, she's not overly happy,

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<v Speaker 1>she's emotional she's happy. I was like, what is what

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<v Speaker 1>is she feeling? And what am I feeling? I was like,

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<v Speaker 1>am I because that was the start for me of

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<v Speaker 1>feeling nervous or something or anxious. I was like, something's not.

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<v Speaker 1>Something's not. That's good. That's good acting. I mean, that's

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<v Speaker 1>that's thinking the thoughts. All you have to do is

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<v Speaker 1>think the thoughts. And if you think the thoughts as

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<v Speaker 1>the character, the audience is going to get it, either

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<v Speaker 1>um subliminally or otherwise. You know, they'll get it. And

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<v Speaker 1>I think all the director maybe said to hers, listen,

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<v Speaker 1>we're gonna stay on you. We're gonna linger on you

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<v Speaker 1>for a while, So just milk it for all it's worth, okay, right, Yeah, yeah,

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<v Speaker 1>I think an actor would kind of like that. Yes, yes,

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<v Speaker 1>because that's where you get to do the real acting.

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<v Speaker 1>You get to think the thoughts, you know. And did

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<v Speaker 1>I do too much? She wasn't too much? No, no,

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<v Speaker 1>no no. It was real nice and subtle, and we

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<v Speaker 1>picked up Hers was not too much. It was just

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<v Speaker 1>a lot of wow mm yeah. And then we go

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<v Speaker 1>to Paris and she's totally unglued. I love them. I

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<v Speaker 1>was going to say unhinged already right out the gate,

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<v Speaker 1>She's like mean, God, yeah, I just mean this episode, Yeah,

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<v Speaker 1>it was almost she was so mean that when she

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<v Speaker 1>was right that Rory probably shouldn't have told Lane. She

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<v Speaker 1>was so mean leading up to it that I didn't

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<v Speaker 1>really have any sympathy for us, like, shut up, Paris.

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<v Speaker 1>But I don't know, what do you guys think of Paris.

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<v Speaker 1>I think that her relationship with with Professor what's his name,

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<v Speaker 1>york As m ash or Flaming. That sounded like a

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<v Speaker 1>fake name. It's such a because Asher has to be British, right, Um, yeah,

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<v Speaker 1>I guess their relationship. I don't I want to be

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<v Speaker 1>delicate about this, um, and I don't want to sound

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<v Speaker 1>I don't know how to say this without saying it

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<v Speaker 1>and sounding a certain way. So maybe well let's just

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<v Speaker 1>say alert alert. This could kiss you off. We're gonna

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<v Speaker 1>say it anyway, you know. I don't know if if

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<v Speaker 1>Asher was holding his end of the bargain up in

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<v Speaker 1>the bedroom, so to speak, maybe she wouldn't be so tense.

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<v Speaker 1>I mean, I don't want to say that's funny. I

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<v Speaker 1>just said that. I think that's their whole thing. That's

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<v Speaker 1>all they're like, that's all they really have so secretive.

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<v Speaker 1>It's like, I think she's pissed. Does the anxiety of

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<v Speaker 1>her getting found out trump the good feelings that asher's Oh,

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<v Speaker 1>I think she wants to be found out. Yeah, that's

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<v Speaker 1>what I'm confused about. Like, I feel like she wants

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<v Speaker 1>people to know because she thinks it's cool. She really does.

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<v Speaker 1>She thinks it's cool that she's dating man Um. But

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<v Speaker 1>at the same time, she's like, you know, being all

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<v Speaker 1>weird about Lane knowing. I'm like, you've got to decide

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<v Speaker 1>if you want people to know or not right or

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<v Speaker 1>knock it off. She loves being in the scandal. I

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<v Speaker 1>think that's that's a good point. Yeah, she loves the

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<v Speaker 1>messy like the Todd Draynus of it or this. Yeah,

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<v Speaker 1>it's like this is about me, Like I'm the one

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<v Speaker 1>that she has a superiority complex mixed with an inferior

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<v Speaker 1>And he's not married, right, it's just that he's old

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<v Speaker 1>and a professor. Yeah, I don't think he's married. No,

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<v Speaker 1>I don't either. What would his wife's name be, Dame

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<v Speaker 1>Dame Dorothy McAllister something like that? Um, who knows. Yeah,

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<v Speaker 1>she's grating. She can be great and can't she this

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<v Speaker 1>one's rough and she's so mean to that boyfriend, Like

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<v Speaker 1>the what's the runner roommate's name? Oh, Janet, Janet Janet.

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<v Speaker 1>I thought she was. So I'm glad you mentioned Clebold.

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<v Speaker 1>I got a little jarred by that because of the

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<v Speaker 1>the kid at Columbine? Am I the only one? Yeah,

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<v Speaker 1>that was weird and it was Columbine happened before this,

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<v Speaker 1>so I'm like, that was a weird yea. Columbine was nineties,

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<v Speaker 1>So it was that a weird name choice because that

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<v Speaker 1>immediately jarred me on that jersey. I was like, because

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<v Speaker 1>you could pick any names, So I don't know why. Yeah,

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<v Speaker 1>I don't know that was anyway. They have to clear

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<v Speaker 1>these names too, Yeah is that true? Yeah? The legal

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<v Speaker 1>department just make a name, you have to clear it. Yeah,

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<v Speaker 1>anything that appears on a TV show, it has to

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<v Speaker 1>be cleared first, or they make sure it's not trademarked

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<v Speaker 1>or something. They didn't get approval from Clebold or whatever.

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<v Speaker 1>You know, if it's someone if it's like a staff

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<v Speaker 1>member's name, does it still have to be proved? Like

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<v Speaker 1>it's like a question. They get the approval from the

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<v Speaker 1>staff member, right, Like if a writer has like if

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<v Speaker 1>a writer's last name was on the back, they would

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<v Speaker 1>just ask them. But it's not like the whole thing.

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<v Speaker 1>But what if there's five million Luke Dean's in the

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<v Speaker 1>world already. They can't just be Loop Dean's. It got cleared. Oh,

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<v Speaker 1>it has to be a trade mystery clearance on that.

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<v Speaker 1>We have to clear stuff too, and we get the

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<v Speaker 1>worst responses because I mean, let's say, you know, Joe

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<v Speaker 1>Smith is depicted in a certain way in a film

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<v Speaker 1>or a TV show, and Joe Smith doesn't like how

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<v Speaker 1>he's being depicted. You know, you can go after the studio,

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<v Speaker 1>getting crap at work, and my girlfriend just don't me

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<v Speaker 1>because you don't want to be associated with me anymore.

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<v Speaker 1>You know, it seems like it would be easy to

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<v Speaker 1>clear Joe Smith. But what about like they used Selene's

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<v Speaker 1>name in this and you know, culture and you can

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<v Speaker 1>something about being famed like that's public domain. Yeah, or

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<v Speaker 1>you're allowed to do it because it's like people are

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<v Speaker 1>famous or something. You need a lawyer. Really, where's Nicole

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<v Speaker 1>when we need her? I've got her on the phone

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<v Speaker 1>right now. Hey, honey. Yeah, you know it really jarred

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<v Speaker 1>me in this beginning sequence is um Rory sleeping in jeans,

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<v Speaker 1>Like literally, it's like the same thing. Can't she She's

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<v Speaker 1>not going to take him off right in front of us,

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<v Speaker 1>you know, but well then she they should have had

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<v Speaker 1>her in leggings. Yeah, I'm also so weird, like I

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<v Speaker 1>can't lay on my bed with clothes that like I

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<v Speaker 1>go out in my pajamas, like sit on my bed.

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<v Speaker 1>God bless you. I used to so I will not

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<v Speaker 1>bore everyone with my bug crisis of two. But I

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<v Speaker 1>thought I had bugs in the house. Turns out I

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<v Speaker 1>think they're in the yard. I will now never get

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<v Speaker 1>in bed or on the bed unless the clothes are

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<v Speaker 1>like clean. They're like your pajama clothes, like you're going

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<v Speaker 1>because you're you're afraid if there's any food remnants or

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<v Speaker 1>just attract bugs. Imagine Rory was like no that they

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<v Speaker 1>that she was at school all day or doing her thing,

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<v Speaker 1>and then like germs get on her and then she

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<v Speaker 1>lays in her bed. I'm with Utara. I'm more about them,

0:13:26.640 --> 0:13:30.360
<v Speaker 1>like being uncomfortable, Like it's it's tough to put me

0:13:30.400 --> 0:13:33.920
<v Speaker 1>in jeans as it is, let alone, like go to sleep.

0:13:35.120 --> 0:13:37.080
<v Speaker 1>You're trying to tell me you're sitting here right here,

0:13:37.080 --> 0:13:39.320
<v Speaker 1>and now in front of the whole world, in front

0:13:39.320 --> 0:13:41.280
<v Speaker 1>of our maker, saying that you never did a face

0:13:41.320 --> 0:13:43.959
<v Speaker 1>plant fully clothed in your bed after a night out

0:13:44.040 --> 0:13:46.320
<v Speaker 1>or woke up in the same close. I am the

0:13:46.360 --> 0:13:49.439
<v Speaker 1>person who will watch all of my makeup. Doesn't matter

0:13:49.520 --> 0:13:52.200
<v Speaker 1>how much alcohol I have had. I will watch my

0:13:52.280 --> 0:13:55.000
<v Speaker 1>face and put my pajamas on, because it's big regret

0:13:55.000 --> 0:13:59.240
<v Speaker 1>if you don't the repercussions from it. I once did

0:13:59.240 --> 0:14:01.240
<v Speaker 1>a face plant the bed. I hit the floor and

0:14:01.240 --> 0:14:05.640
<v Speaker 1>went and fell asleep. I have slept in my clothes,

0:14:05.679 --> 0:14:08.240
<v Speaker 1>for sure, but I probably I think I've managed a

0:14:08.280 --> 0:14:11.360
<v Speaker 1>face wash, but gross. I won't do it now, after

0:14:11.520 --> 0:14:17.760
<v Speaker 1>knowing how germany the world is I have to do.

0:14:18.000 --> 0:14:19.920
<v Speaker 1>People won't like this, but I have too. Showers a

0:14:20.040 --> 0:14:23.000
<v Speaker 1>day now is the night? Do you shower before you

0:14:23.000 --> 0:14:26.360
<v Speaker 1>go to bed? I shower every morning and that's it,

0:14:26.440 --> 0:14:28.640
<v Speaker 1>and then you just later. No, no, no, I shower.

0:14:28.680 --> 0:14:30.760
<v Speaker 1>I shower when I get back from the gym, which

0:14:30.800 --> 0:14:35.400
<v Speaker 1>I'm beginning to hate. Going to the gym now a

0:14:35.520 --> 0:14:40.000
<v Speaker 1>great way to start. Too crowded. It's too crowded because

0:14:40.000 --> 0:14:43.960
<v Speaker 1>they're all the new resolution people are in there, and

0:14:44.000 --> 0:14:46.080
<v Speaker 1>it's like, you know, it takes him about six weeks

0:14:46.120 --> 0:14:51.400
<v Speaker 1>to fade away. You've lost two ounces, good for you,

0:14:52.760 --> 0:14:54.760
<v Speaker 1>and they're just they're in the way, and it's like,

0:14:54.800 --> 0:14:57.680
<v Speaker 1>I don't even like going anymore. Are they usually gone?

0:14:57.680 --> 0:14:59.520
<v Speaker 1>Do they make it to March? Are they usually gone? Now?

0:14:59.800 --> 0:15:03.600
<v Speaker 1>They take usually texts about six weeks and they you know,

0:15:09.280 --> 0:15:18.120
<v Speaker 1>I don't think you can see. I'm so sick of

0:15:18.160 --> 0:15:22.520
<v Speaker 1>already everyone's laughing tranks. I wanted to get to the bleep,

0:15:24.120 --> 0:15:32.040
<v Speaker 1>oh my god, I'm hot, Oh god, Okay, Rory's got

0:15:32.080 --> 0:15:35.920
<v Speaker 1>her new jobs swiping, which I actually thought was pretty

0:15:36.120 --> 0:15:39.720
<v Speaker 1>funny bit, Like it was a funny bit all around,

0:15:40.880 --> 0:15:43.680
<v Speaker 1>was swiping or forgot to swipe the whole that was

0:15:43.720 --> 0:15:46.440
<v Speaker 1>a funny. I wonder if they still do that because

0:15:46.440 --> 0:15:48.120
<v Speaker 1>like I definitely did that in college with like my

0:15:48.200 --> 0:15:50.640
<v Speaker 1>meal card. You have to walk up, swipe, do the

0:15:50.640 --> 0:15:53.480
<v Speaker 1>whole thing. Like do they still do that? I never

0:15:53.560 --> 0:15:56.040
<v Speaker 1>went to the like cafeteria. What's the point of it?

0:15:56.400 --> 0:15:58.840
<v Speaker 1>Like my card had money on it, so like every

0:15:58.840 --> 0:16:02.560
<v Speaker 1>time you go, like it takes off it's five dollars

0:16:02.560 --> 0:16:04.400
<v Speaker 1>all you can eat? Or do you pay for what

0:16:04.480 --> 0:16:08.480
<v Speaker 1>you actually get? Like for us, we paid for what

0:16:08.520 --> 0:16:11.160
<v Speaker 1>we actually got right. So, like, I went to two

0:16:11.160 --> 0:16:14.400
<v Speaker 1>different college. First college was like all you can eat.

0:16:14.400 --> 0:16:16.960
<v Speaker 1>You you go in, before you enter the cafeteria, you

0:16:17.040 --> 0:16:19.720
<v Speaker 1>swipe and then you can get anything you want. And

0:16:19.760 --> 0:16:22.800
<v Speaker 1>then my other school it was more like um, like

0:16:23.200 --> 0:16:26.640
<v Speaker 1>an ATM card, Like honestly, like, you walk in, you

0:16:26.640 --> 0:16:29.560
<v Speaker 1>get what you want, you want, and you swipe at

0:16:29.600 --> 0:16:31.960
<v Speaker 1>the end. These people look like they were swiping at

0:16:32.000 --> 0:16:35.800
<v Speaker 1>the beginning, but that's I have done that before, and

0:16:35.840 --> 0:16:37.640
<v Speaker 1>it was like, you know, all you can eat the

0:16:37.720 --> 0:16:40.320
<v Speaker 1>type of situation. Also, I was today years old when

0:16:40.360 --> 0:16:43.400
<v Speaker 1>I realized you went to two different schools. Yeah, my

0:16:43.440 --> 0:16:46.160
<v Speaker 1>freshman year I went somewhere different than my last three years.

0:16:46.520 --> 0:16:50.640
<v Speaker 1>What Yeah where? I went to EUC Davis. I feel

0:16:50.680 --> 0:16:53.320
<v Speaker 1>like I told you this, Okay, it's coming back to me. Yeah.

0:16:53.520 --> 0:16:56.600
<v Speaker 1>I went to UC Davis for like two quarters and

0:16:56.640 --> 0:16:58.840
<v Speaker 1>then because I thought I wanted to be a vet,

0:16:59.200 --> 0:17:03.000
<v Speaker 1>like jokes on here I am. But you are dealing

0:17:03.040 --> 0:17:07.359
<v Speaker 1>with animals, aren't Yeah? Break wait, David's is a good school.

0:17:07.400 --> 0:17:10.119
<v Speaker 1>I mean, so is you where you went? But yeah, exactly,

0:17:10.560 --> 0:17:15.399
<v Speaker 1>it all worked out for the better. Huh. Anyway, Okay,

0:17:15.400 --> 0:17:18.120
<v Speaker 1>so I'm assuming they swipe at the beginning, and then

0:17:18.119 --> 0:17:20.480
<v Speaker 1>they can have a muffin or they can have twenty things.

0:17:22.440 --> 0:17:25.359
<v Speaker 1>It seems though. Yeah, the endowment is so large, you

0:17:25.359 --> 0:17:28.760
<v Speaker 1>would imagine it was just like a free buffet every day, right,

0:17:30.040 --> 0:17:32.600
<v Speaker 1>that's like for what they charge intuition. I mean, we

0:17:32.600 --> 0:17:34.960
<v Speaker 1>were charged. Can I have a bagel? Please? You think

0:17:35.400 --> 0:17:37.840
<v Speaker 1>is it too much? Charged? The same thing, and you

0:17:37.880 --> 0:17:40.880
<v Speaker 1>could eat. You didn't have to swipe, you just went.

0:17:41.280 --> 0:17:44.320
<v Speaker 1>It was a majority, but you could just eat. You

0:17:44.359 --> 0:17:46.639
<v Speaker 1>could skip breakfast or you could have five breakfasts. It

0:17:46.680 --> 0:17:52.280
<v Speaker 1>didn't matter because breakfast is a word. It is now Okay.

0:17:52.280 --> 0:17:56.040
<v Speaker 1>Anyway back to so did you know that Jared slash

0:17:56.119 --> 0:17:58.359
<v Speaker 1>Dean was back? Did you see it in the credits

0:17:58.440 --> 0:18:02.480
<v Speaker 1>or were you like, oh Dean, now, yeah, there he

0:18:02.600 --> 0:18:08.439
<v Speaker 1>is asking for permission to exist again. You know, I

0:18:08.480 --> 0:18:11.960
<v Speaker 1>love me a Dean cameo. And more importantly, I thought

0:18:12.040 --> 0:18:17.600
<v Speaker 1>he was so awesome, Like he definitely gets like gold

0:18:17.640 --> 0:18:20.480
<v Speaker 1>stars for ex boyfriend, you know points like he's like

0:18:20.600 --> 0:18:24.119
<v Speaker 1>totally doing the right thing here. I don't know he was.

0:18:24.200 --> 0:18:26.560
<v Speaker 1>He was grabbing her. He's grabbing her a little too

0:18:26.680 --> 0:18:29.480
<v Speaker 1>much there. Oh I didn't think so he was. I

0:18:29.560 --> 0:18:31.920
<v Speaker 1>thought a kiss I thought he wanted to kiss her.

0:18:32.000 --> 0:18:34.879
<v Speaker 1>I did too. I did too. I did too. Dude,

0:18:34.920 --> 0:18:38.679
<v Speaker 1>you're married, what are you doing? Well, what's happening? But

0:18:38.840 --> 0:18:41.280
<v Speaker 1>I don't know what's common. Don't tell me what's common.

0:18:41.040 --> 0:18:45.040
<v Speaker 1>I'm so glad you said that, because I also we're

0:18:45.119 --> 0:18:47.760
<v Speaker 1>jumping ahead. But I also thought, okay, so the parallels

0:18:47.800 --> 0:18:51.000
<v Speaker 1>were so exact, were so jumping ahead weight? Should we pause?

0:18:51.560 --> 0:18:56.359
<v Speaker 1>We'll get to it. I thought the physical acting that

0:18:56.440 --> 0:19:01.240
<v Speaker 1>you and Lauren did, oh my god, it was so good.

0:19:01.880 --> 0:19:05.439
<v Speaker 1>The way you hugged her, the way you like it was.

0:19:06.560 --> 0:19:10.920
<v Speaker 1>It was so cool, acted so beautifully. And also you're like, oh, yeah,

0:19:10.920 --> 0:19:14.399
<v Speaker 1>these two, that's not how you hug a friend, either

0:19:14.520 --> 0:19:21.520
<v Speaker 1>of them. Yeah, m I thought so in Rory's case

0:19:21.560 --> 0:19:25.840
<v Speaker 1>with Dean, But I thought, Luke, I do remember that

0:19:25.880 --> 0:19:28.760
<v Speaker 1>scene because it was a big deal scene for Lauren.

0:19:28.880 --> 0:19:33.800
<v Speaker 1>The preparation for Lauren was I mean, listen, in moments

0:19:33.800 --> 0:19:37.239
<v Speaker 1>like that, when you're with uh an actor, your your

0:19:37.280 --> 0:19:40.439
<v Speaker 1>scene partner, and it's on them to come up with

0:19:40.480 --> 0:19:43.600
<v Speaker 1>the tears. And you know, because she had it during

0:19:43.600 --> 0:19:46.200
<v Speaker 1>the scene as well, before we sat down at the bench,

0:19:46.320 --> 0:19:48.320
<v Speaker 1>right and then sitting down at the bench, she had

0:19:48.359 --> 0:19:51.800
<v Speaker 1>to break down. That's a lot of pressure to do that.

0:19:51.960 --> 0:19:55.000
<v Speaker 1>So you need you need a partner that's going to

0:19:55.240 --> 0:19:58.640
<v Speaker 1>vibe with you and just be quiet and just served

0:19:58.680 --> 0:20:00.960
<v Speaker 1>you that in those for all hours that it takes

0:20:00.960 --> 0:20:04.120
<v Speaker 1>to shoot that particular angles and all that stuff. Yes, um,

0:20:04.160 --> 0:20:08.040
<v Speaker 1>and I remember feeling, you know, so close to Lauren

0:20:08.720 --> 0:20:12.960
<v Speaker 1>because she she thanked me profusely after the scene was

0:20:13.040 --> 0:20:16.520
<v Speaker 1>over and and and paid me a huge compliment. And

0:20:16.560 --> 0:20:20.080
<v Speaker 1>I was just you know, hey, man, I'm just this

0:20:20.160 --> 0:20:22.480
<v Speaker 1>is my job. I'm just doing much. I'm just supporting you,

0:20:22.480 --> 0:20:24.680
<v Speaker 1>you know, because this is your moment to shine, all right,

0:20:24.680 --> 0:20:27.320
<v Speaker 1>this is your moment that you and so she so

0:20:27.359 --> 0:20:30.440
<v Speaker 1>it was like you know, art imitating life and life

0:20:30.440 --> 0:20:33.000
<v Speaker 1>imitating art, you know that kind of a thing. So

0:20:33.040 --> 0:20:36.359
<v Speaker 1>you really need to be there for so. I but

0:20:36.440 --> 0:20:39.199
<v Speaker 1>I do remember, gosh, I don't want to make this

0:20:39.359 --> 0:20:43.280
<v Speaker 1>too much of a like, hey, I wanted to make

0:20:43.320 --> 0:20:46.400
<v Speaker 1>sure it was it was a friend hug, and there's

0:20:46.440 --> 0:20:48.520
<v Speaker 1>a difference and how you put your arm around and

0:20:48.560 --> 0:20:53.840
<v Speaker 1>how you hold No, it was not sexual, right, no, right, right, no, okay,

0:20:53.880 --> 0:20:58.960
<v Speaker 1>it was but it was so affectionate, right, that would

0:20:59.000 --> 0:21:02.040
<v Speaker 1>be how I would just say, yeah, right, and just

0:21:02.119 --> 0:21:04.760
<v Speaker 1>the way because there was a lot to the hug,

0:21:05.000 --> 0:21:07.040
<v Speaker 1>different hand moves, and I think there was maybe even

0:21:07.040 --> 0:21:09.120
<v Speaker 1>a head there. Yeah, I put my hand on her head.

0:21:09.560 --> 0:21:12.080
<v Speaker 1>It was so just to let her know it's okay,

0:21:12.440 --> 0:21:14.359
<v Speaker 1>you're safe here and just go out and do what

0:21:14.359 --> 0:21:17.040
<v Speaker 1>you need to do. Word that might make me cringe,

0:21:17.080 --> 0:21:18.840
<v Speaker 1>but I want to say anyway, it was so tender,

0:21:19.040 --> 0:21:22.840
<v Speaker 1>like it was so loving, not in a creepy sect

0:21:23.200 --> 0:21:27.240
<v Speaker 1>way in a this is my best friend, this will

0:21:27.280 --> 0:21:35.080
<v Speaker 1>be my husband way right right, yeah, alright, in gentleman,

0:21:35.160 --> 0:21:39.800
<v Speaker 1>will be Luke. Looks like in the Forefront, I thought

0:21:39.880 --> 0:21:47.639
<v Speaker 1>Dean and Rory was the teenage because they're still teenagers

0:21:48.000 --> 0:21:52.280
<v Speaker 1>version of that. This was not quite as Yeah, it

0:21:52.600 --> 0:21:57.560
<v Speaker 1>wasn't she great, wasn't Alexis, but he was so great,

0:21:57.680 --> 0:21:59.600
<v Speaker 1>But the illness was on her. I get it. I

0:21:59.720 --> 0:22:03.000
<v Speaker 1>get yeah, but but the onus is on Lauren, the

0:22:03.119 --> 0:22:05.960
<v Speaker 1>onus is on on on Alexis. And I thought the

0:22:06.280 --> 0:22:12.200
<v Speaker 1>wonder experience something like you did, being like I've got

0:22:12.200 --> 0:22:14.359
<v Speaker 1>to bring my a game because this is a huge

0:22:14.440 --> 0:22:18.400
<v Speaker 1>scene for Alexis. You are that's that's when you were

0:22:18.560 --> 0:22:24.080
<v Speaker 1>just serving that actress. That's your job. Just serve them,

0:22:24.200 --> 0:22:27.520
<v Speaker 1>just be there for them, be let them, give them

0:22:27.520 --> 0:22:30.280
<v Speaker 1>their space, let them get their preparation. Because it's a

0:22:30.320 --> 0:22:34.120
<v Speaker 1>big deal to Worrse though. Now see what a good

0:22:34.160 --> 0:22:38.000
<v Speaker 1>actor Jared because you're like, he's got four years under

0:22:38.040 --> 0:22:40.480
<v Speaker 1>his belt basically because this is one of his first

0:22:40.480 --> 0:22:42.439
<v Speaker 1>big roles. I can't remember if he'd gone off and

0:22:42.440 --> 0:22:45.920
<v Speaker 1>done other things at the same time, but like he is,

0:22:46.400 --> 0:22:50.200
<v Speaker 1>that's a game he brought to It felt so real.

0:22:50.640 --> 0:22:54.880
<v Speaker 1>It's it's connecting with the actor. It's connecting act. Good

0:22:54.920 --> 0:22:58.560
<v Speaker 1>acting is just connecting with the other person. You if

0:22:58.560 --> 0:23:02.920
<v Speaker 1>you really truly can neckt with them, you listen to them. Well,

0:23:03.000 --> 0:23:04.920
<v Speaker 1>if you don't listen to them and you're just thinking

0:23:05.000 --> 0:23:07.440
<v Speaker 1>about what you have to say, it's not going to

0:23:07.560 --> 0:23:11.120
<v Speaker 1>go well. And and going back, we see so our

0:23:11.160 --> 0:23:14.760
<v Speaker 1>first thing with Dean is we see him calling Rory

0:23:14.840 --> 0:23:17.840
<v Speaker 1>and they even wrote down cute banter. They had such

0:23:17.840 --> 0:23:21.160
<v Speaker 1>a cute scene which they shot on phones, so they're

0:23:21.200 --> 0:23:25.800
<v Speaker 1>literally shooting on their own pulling that off. Yeah, that's

0:23:25.800 --> 0:23:27.359
<v Speaker 1>how you do it. You know, you're not talking to

0:23:27.400 --> 0:23:30.760
<v Speaker 1>the other person, right, So, but he was, so you're talking,

0:23:30.840 --> 0:23:33.400
<v Speaker 1>you're talking to scripty. Well, even are you sure, even

0:23:33.400 --> 0:23:35.800
<v Speaker 1>in Gilmurt Girl, if they're not, like, are you really

0:23:35.800 --> 0:23:38.200
<v Speaker 1>talking to script? Talking to script? Because do they not

0:23:38.280 --> 0:23:40.920
<v Speaker 1>want to pay Jared to have to work that day

0:23:41.000 --> 0:23:43.159
<v Speaker 1>or that hour? Well, yeah, they're they're not scheduled to

0:23:43.200 --> 0:23:45.239
<v Speaker 1>be in that day, yeah right, right right, And if

0:23:45.240 --> 0:23:48.840
<v Speaker 1>they are, then they'll do it off camera, right, they'll

0:23:49.240 --> 0:23:51.840
<v Speaker 1>come from their trailer and they'll come do it. Sure. Yeah,

0:23:51.960 --> 0:23:54.680
<v Speaker 1>But if they're not the love that she steps away from,

0:23:55.520 --> 0:23:59.440
<v Speaker 1>she's all she realizes. There's a huge line of swipers

0:23:59.440 --> 0:24:04.760
<v Speaker 1>step up, don't I did find it really telling um

0:24:04.840 --> 0:24:07.360
<v Speaker 1>for like the future of the series that she saved

0:24:07.480 --> 0:24:10.000
<v Speaker 1>his phone number. I don't know, there was something that

0:24:10.080 --> 0:24:12.280
<v Speaker 1>I was like, oh, she's going to use that again

0:24:12.600 --> 0:24:14.480
<v Speaker 1>at some point. So that was just kind of like

0:24:14.520 --> 0:24:17.040
<v Speaker 1>a little like light bulb in my head. Good eye,

0:24:17.160 --> 0:24:22.439
<v Speaker 1>as they say. And I did notice, so before we

0:24:22.480 --> 0:24:25.000
<v Speaker 1>got into all the hair mess, I did notice that

0:24:25.080 --> 0:24:27.919
<v Speaker 1>Lauren or Laura, la whoever you want to say, that

0:24:27.960 --> 0:24:31.240
<v Speaker 1>her hair was long and scraggly. So and then it

0:24:31.280 --> 0:24:34.679
<v Speaker 1>became such a thing in the episode that I'm wondering,

0:24:34.720 --> 0:24:38.520
<v Speaker 1>did they like tell her like grow your hair out,

0:24:38.560 --> 0:24:41.080
<v Speaker 1>don't get a no, no, no, that the hair department

0:24:41.160 --> 0:24:44.639
<v Speaker 1>is more than equipped to make her hair look a

0:24:44.640 --> 0:24:49.160
<v Speaker 1>little ratty. You have to, like, I don't know, grow

0:24:49.160 --> 0:24:51.320
<v Speaker 1>it out. Look, those people are so good at what

0:24:51.359 --> 0:24:54.160
<v Speaker 1>they do. It's it's it's kind of amazing. I mean

0:24:54.160 --> 0:24:56.080
<v Speaker 1>they did. Look, they did that episode that they won

0:24:56.119 --> 0:25:00.960
<v Speaker 1>the Emmy for um that the Festival of Living Arts whatever. Yeah. Yeah,

0:25:01.480 --> 0:25:02.880
<v Speaker 1>I mean if they can do that, they can make

0:25:02.880 --> 0:25:05.399
<v Speaker 1>her hair look ready. I immediately noticed because she's like

0:25:05.440 --> 0:25:10.080
<v Speaker 1>in bed with Jason and her hair was like extraordinarily long.

0:25:10.240 --> 0:25:12.359
<v Speaker 1>And then Danielle, what did you think when you're like, oh,

0:25:12.480 --> 0:25:17.040
<v Speaker 1>Jason's in his like robe and box or shirtless shot. Yeah,

0:25:17.160 --> 0:25:19.520
<v Speaker 1>and and lore lines and lingerie. I was like, this

0:25:19.640 --> 0:25:25.880
<v Speaker 1>is escape for primetime television, like dang, especially for Gilmore girl. Yeah,

0:25:25.920 --> 0:25:30.520
<v Speaker 1>I looked away. I actually looked away. Shield your eyes.

0:25:31.320 --> 0:25:33.440
<v Speaker 1>I mean, I'm sort of feeling like they're in their groove.

0:25:35.720 --> 0:25:38.679
<v Speaker 1>I did have a w TF moment though that I

0:25:38.720 --> 0:25:43.399
<v Speaker 1>had like missed an episode because Emily mentions something about

0:25:43.560 --> 0:25:48.600
<v Speaker 1>Jason and you're like, do they know that they're together? Oh?

0:25:48.640 --> 0:25:53.040
<v Speaker 1>That's interesting? Didn't have that moment. She says something about

0:25:53.680 --> 0:25:55.920
<v Speaker 1>do they know? Wait a minute, when he came into

0:25:56.000 --> 0:26:00.760
<v Speaker 1>Jason or something, and I'm like, I literally w t

0:26:01.040 --> 0:26:04.760
<v Speaker 1>F wait they find out. I don't think they know,

0:26:05.320 --> 0:26:08.600
<v Speaker 1>they don't know, they don't mean at least, but she

0:26:09.080 --> 0:26:13.800
<v Speaker 1>literally says, bring Jason. Did they figure it out when

0:26:13.840 --> 0:26:17.360
<v Speaker 1>they had to be the fake date at the charity?

0:26:17.440 --> 0:26:21.720
<v Speaker 1>I'm like confused. Nothing gets by Emily, and that's probably

0:26:21.760 --> 0:26:26.720
<v Speaker 1>what the reveal will be, and she'll I almost think

0:26:26.760 --> 0:26:28.480
<v Speaker 1>that Laura, I almost I'm gonna protict the future. I

0:26:28.480 --> 0:26:29.720
<v Speaker 1>haven't seen it yet, but I kind of have a

0:26:29.720 --> 0:26:31.240
<v Speaker 1>gut feeling it's going to be Laurel. I was gonna

0:26:31.280 --> 0:26:35.359
<v Speaker 1>sit down and tell her mother and and Emily will go, Laurela,

0:26:35.520 --> 0:26:39.560
<v Speaker 1>I've known this for ages. What took your crazy? Because

0:26:39.800 --> 0:26:44.080
<v Speaker 1>she literally says bring Jason, and Lorelie says, well, he

0:26:44.119 --> 0:26:47.080
<v Speaker 1>may be on tour, and then they hang up and

0:26:47.160 --> 0:26:50.240
<v Speaker 1>they say she can hear naked people because remember she's

0:26:50.240 --> 0:26:54.879
<v Speaker 1>getting dressed, and then but obviously, what do we have

0:26:54.880 --> 0:26:57.959
<v Speaker 1>the transcript? Daniel, Yeah, she did say something. She'll know

0:26:58.040 --> 0:27:01.240
<v Speaker 1>that I'm undressed. Maybe that was just her, but she

0:27:01.359 --> 0:27:05.040
<v Speaker 1>definitely said bring Jason. Why would she say that to

0:27:05.119 --> 0:27:06.960
<v Speaker 1>lure Life, She doesn't know she would say it to

0:27:07.080 --> 0:27:10.120
<v Speaker 1>Richard because this is letting you know that she does know,

0:27:10.840 --> 0:27:14.000
<v Speaker 1>but no, she hasn't been told because nothing gets past Emily.

0:27:14.400 --> 0:27:16.639
<v Speaker 1>I just feel like they didn't ever want us to

0:27:16.640 --> 0:27:19.560
<v Speaker 1>have that moment. They just skipped over. No, they want

0:27:19.640 --> 0:27:21.840
<v Speaker 1>us to have the moment where Laurelai tells her finally

0:27:21.880 --> 0:27:25.560
<v Speaker 1>and she says, I've known that for a while. Laurel Oh,

0:27:25.920 --> 0:27:29.320
<v Speaker 1>that's not about theory, but but she I don't know, Danielle.

0:27:30.000 --> 0:27:35.800
<v Speaker 1>I see Danielle's eyes. I'm looking. It's right where uh,

0:27:35.960 --> 0:27:39.800
<v Speaker 1>right after Dean calls Rory and they have their cute banter,

0:27:40.040 --> 0:27:43.040
<v Speaker 1>and then it's right towards the beginning. She's in the

0:27:43.080 --> 0:27:45.679
<v Speaker 1>bed and they're both on the phones, so there's like

0:27:45.720 --> 0:27:47.960
<v Speaker 1>a lot of jibber jabber, like she's on the phone

0:27:47.960 --> 0:27:51.080
<v Speaker 1>and he's on the phone, and then they hang up

0:27:51.160 --> 0:27:53.560
<v Speaker 1>and they're in bed and then maybe making out. I'll

0:27:53.600 --> 0:28:01.000
<v Speaker 1>take your word for it, Jackie, Jackie. Okay. So we're

0:28:01.000 --> 0:28:03.800
<v Speaker 1>looking at this and it says Emily, well, guess who's

0:28:03.840 --> 0:28:07.600
<v Speaker 1>demanding we all make an appearance at lunch. Mom, your

0:28:07.600 --> 0:28:10.120
<v Speaker 1>grandmother is coming back from Palm Beach. Okay, keep going.

0:28:10.920 --> 0:28:13.800
<v Speaker 1>Your father has to run over oh, here it is.

0:28:15.160 --> 0:28:17.320
<v Speaker 1>She wants to have lunch, sorry, a luncheon the day

0:28:17.320 --> 0:28:20.240
<v Speaker 1>after tomorrow you meet your father, and apparently she wants

0:28:20.240 --> 0:28:24.080
<v Speaker 1>to meet Jason. All we need is that filthy eminem

0:28:24.080 --> 0:28:27.120
<v Speaker 1>fellow to make a perfect afternoon formation. She says, I'll

0:28:27.160 --> 0:28:29.280
<v Speaker 1>try to track him down, but you know he might

0:28:29.280 --> 0:28:32.640
<v Speaker 1>be on tour something. So she's not after she wants

0:28:32.880 --> 0:28:36.159
<v Speaker 1>she wants to meet Jason because he's in he's in

0:28:36.200 --> 0:28:39.160
<v Speaker 1>business with her son, And why would look Nope, I

0:28:39.320 --> 0:28:42.440
<v Speaker 1>have to throw flag on the plane, because why would

0:28:42.520 --> 0:28:45.600
<v Speaker 1>Laurel I say, well, I'll try to track him down, mom,

0:28:45.840 --> 0:28:48.600
<v Speaker 1>but you know he might be on tour. Emily wouldn't

0:28:48.600 --> 0:28:51.440
<v Speaker 1>even bring this up. If Tricks wants to meet Jason

0:28:51.520 --> 0:28:55.920
<v Speaker 1>because of the business, she would say it to Richard, No,

0:28:57.280 --> 0:29:01.720
<v Speaker 1>I think. But she's not asking for for Lorelei to

0:29:01.800 --> 0:29:04.960
<v Speaker 1>reach out. She's saying, apparently she wants to meet Jason.

0:29:05.200 --> 0:29:07.880
<v Speaker 1>All we need is that filthy eminem fellow to make

0:29:07.920 --> 0:29:11.360
<v Speaker 1>it a perfect afternoon for me. She's not asking lore like,

0:29:11.520 --> 0:29:14.240
<v Speaker 1>can you make sure he shows up? Loyally is the

0:29:14.280 --> 0:29:17.160
<v Speaker 1>one that says I'll try to track him down, So

0:29:17.240 --> 0:29:23.600
<v Speaker 1>she's showing her cards here and what's not asking h

0:29:24.480 --> 0:29:27.240
<v Speaker 1>I'm going to let the people decide. I think you're

0:29:27.240 --> 0:29:29.680
<v Speaker 1>making too much of it. I think this is the

0:29:29.760 --> 0:29:32.560
<v Speaker 1>debate of the Make sure somebody puts this on the

0:29:32.720 --> 0:29:36.640
<v Speaker 1>Graham I need to know. Okay, well, I mean we'll

0:29:36.680 --> 0:29:38.520
<v Speaker 1>move on, but I'm gonna hold my ground on this

0:29:38.560 --> 0:29:43.560
<v Speaker 1>one girl. Um okay. So then we go back to

0:29:43.600 --> 0:29:47.280
<v Speaker 1>the inn and we're I'm starting to realize things are

0:29:47.360 --> 0:29:54.560
<v Speaker 1>not good with the bank because she's not paying Tom.

0:29:54.640 --> 0:29:59.680
<v Speaker 1>Yeah he was what a good guy? Right? Yeah? Tom

0:30:00.640 --> 0:30:04.280
<v Speaker 1>let him slide for a couple of days and yeah,

0:30:04.320 --> 0:30:06.960
<v Speaker 1>but that's the tough one. And then she says, ask

0:30:07.000 --> 0:30:12.280
<v Speaker 1>your parents, ask Luke, which is like, you know, everybody thinks,

0:30:12.520 --> 0:30:15.080
<v Speaker 1>first of all, you're not asking somebody for money that

0:30:15.200 --> 0:30:20.880
<v Speaker 1>you're not like a second choice. It's like it's a

0:30:20.960 --> 0:30:24.920
<v Speaker 1>pig chunk of money. Luke has it. Yeah, I guarantee

0:30:24.920 --> 0:30:26.840
<v Speaker 1>you he did. He do it, he'd give it to her.

0:30:27.840 --> 0:30:29.640
<v Speaker 1>It's just interesting that she's like, I'm going to take

0:30:29.680 --> 0:30:32.440
<v Speaker 1>you to this fancy dinner to then ask you for

0:30:32.600 --> 0:30:38.680
<v Speaker 1>thirty dollars, Like, what what is happening? Why would she

0:30:38.720 --> 0:30:41.400
<v Speaker 1>pick a fancy restaurant where Luke has a dress up

0:30:41.400 --> 0:30:45.280
<v Speaker 1>at right, something he hates obviously would have given it

0:30:45.320 --> 0:30:50.960
<v Speaker 1>to her. Yes, absolutely, So okay, so all this mess

0:30:51.560 --> 0:30:54.760
<v Speaker 1>and then we have the Lane messes up with Paris

0:30:56.080 --> 0:31:01.280
<v Speaker 1>and Paris melts down. He goes to the wiping swiping job,

0:31:01.320 --> 0:31:04.240
<v Speaker 1>and I look, Paris wasn't wrong, but she'd been such

0:31:04.280 --> 0:31:07.280
<v Speaker 1>a pill at that point that I was like, you

0:31:07.320 --> 0:31:10.520
<v Speaker 1>know what, she's just coming to people too, strong man.

0:31:10.640 --> 0:31:14.520
<v Speaker 1>It's just like, there's a way to this happens every

0:31:14.600 --> 0:31:18.080
<v Speaker 1>day in every relationship. Somebody says something that slips. So no,

0:31:18.760 --> 0:31:21.960
<v Speaker 1>and she's not just reading everybody the riot act, I

0:31:22.000 --> 0:31:27.240
<v Speaker 1>don't well, and then it was so like summer. She

0:31:27.480 --> 0:31:30.920
<v Speaker 1>mentions Lane should be out and then says the roommates

0:31:30.920 --> 0:31:33.800
<v Speaker 1>agree that Mari has to go have the roommate me,

0:31:34.800 --> 0:31:42.240
<v Speaker 1>which was so uncom Well, she's not going there, right, Yeah.

0:31:42.400 --> 0:31:45.840
<v Speaker 1>I mean look, if they didn't, they're paying in tuition,

0:31:46.000 --> 0:31:48.000
<v Speaker 1>you know, that's they're not signing up for that. If

0:31:48.080 --> 0:31:50.640
<v Speaker 1>I had a third person in my two girl room,

0:31:50.680 --> 0:31:55.360
<v Speaker 1>it would get crowded. Yeah. Yeah, it's just not it's

0:31:55.360 --> 0:32:03.320
<v Speaker 1>not kosher, not kosher yea. And Lane was so cool.

0:32:03.560 --> 0:32:07.040
<v Speaker 1>Lane was cool in this whole episode. She also looks great.

0:32:07.200 --> 0:32:09.080
<v Speaker 1>She was cool. She's like, no, I got it, I'll

0:32:09.120 --> 0:32:14.960
<v Speaker 1>go yeah. But I really thought Janet really stood out

0:32:15.200 --> 0:32:19.480
<v Speaker 1>in this episode, really had some great comebacks and you know,

0:32:19.600 --> 0:32:23.360
<v Speaker 1>held her ground, and I thought she won those confrontations

0:32:24.080 --> 0:32:27.200
<v Speaker 1>quite frankly. I mean it's like I just I don't know.

0:32:27.320 --> 0:32:30.680
<v Speaker 1>It's like this character is just well, these people just

0:32:30.720 --> 0:32:34.200
<v Speaker 1>are not taking They won't take Paris as ship like

0:32:34.240 --> 0:32:37.000
<v Speaker 1>they did it children. These people are like no, right,

0:32:39.000 --> 0:32:42.160
<v Speaker 1>Like you're not cool here, right, And I'm as cool

0:32:42.200 --> 0:32:44.680
<v Speaker 1>as you are. So it's like you, right, you don't

0:32:44.720 --> 0:32:47.280
<v Speaker 1>have this place wired yet. You know, you don't have

0:32:47.360 --> 0:32:51.680
<v Speaker 1>your Madeline Louise, you don't have your little gang controlling everything,

0:32:51.760 --> 0:32:53.960
<v Speaker 1>and you know, change your behavior. I mean, she's just

0:32:54.040 --> 0:32:58.920
<v Speaker 1>like blowing a gasket every time she's opened her mouth.

0:32:59.480 --> 0:33:02.440
<v Speaker 1>So at this point in the episode, I already wrote

0:33:03.360 --> 0:33:06.880
<v Speaker 1>I'm sad, So that was what I was like. I

0:33:07.280 --> 0:33:08.880
<v Speaker 1>just wanted to make a note to see what you

0:33:08.920 --> 0:33:11.920
<v Speaker 1>guys were feeling, because I'm like, is the episode already sad?

0:33:12.040 --> 0:33:14.120
<v Speaker 1>Or did I go into it in a weird headspace?

0:33:14.200 --> 0:33:16.840
<v Speaker 1>Like I already was sort of blue? Like I'm like,

0:33:17.040 --> 0:33:22.120
<v Speaker 1>m well, a lot of the We're not really used

0:33:22.160 --> 0:33:26.200
<v Speaker 1>to seeing everything sort of collapsing like this for both

0:33:26.800 --> 0:33:31.040
<v Speaker 1>Laurel and Rory in the same episode at this pace.

0:33:32.040 --> 0:33:35.280
<v Speaker 1>So I think the reason the Tricksie scene was so

0:33:35.400 --> 0:33:39.800
<v Speaker 1>delightful was because it was really funny and we really needed.

0:33:39.880 --> 0:33:44.120
<v Speaker 1>I mean, you talk about comic relief. Um, I mean

0:33:44.160 --> 0:33:48.000
<v Speaker 1>even even Laureline Suki got into a knockdown drag out,

0:33:48.080 --> 0:33:52.080
<v Speaker 1>which was that it was that was the most disturbing

0:33:52.160 --> 0:33:55.440
<v Speaker 1>because it was like, you know, Suki is being portrayed

0:33:55.440 --> 0:33:58.840
<v Speaker 1>as being so engaged and involved and everything. All the

0:33:58.840 --> 0:34:01.560
<v Speaker 1>pipes are in and she's so excited and everything is exciting,

0:34:01.600 --> 0:34:03.640
<v Speaker 1>and then you know she's acting like, you know, because

0:34:03.680 --> 0:34:06.360
<v Speaker 1>she's tired. Obviously, Well I don't. It's not really my job,

0:34:06.480 --> 0:34:09.359
<v Speaker 1>it's not you know, I I come in. Yeah, and

0:34:09.400 --> 0:34:13.319
<v Speaker 1>it's like it's like, whoa. So she wasn't having a

0:34:13.360 --> 0:34:16.719
<v Speaker 1>lot of empathy for what Laura la I was going. Right,

0:34:16.840 --> 0:34:20.840
<v Speaker 1>it was weird, right, didn't you find that odd? Yeah?

0:34:21.040 --> 0:34:24.120
<v Speaker 1>Because obviously I'm sure she feels bad, but I would

0:34:24.160 --> 0:34:27.919
<v Speaker 1>have been like, you know what, You're right, I'm totally overwhelmed. Yeah,

0:34:27.960 --> 0:34:29.759
<v Speaker 1>but here's the thing, you know, you know why that

0:34:29.880 --> 0:34:32.719
<v Speaker 1>happened because laurel I took a tone with her and

0:34:32.880 --> 0:34:36.120
<v Speaker 1>was talking down to her, and Suki was like, whoa,

0:34:36.800 --> 0:34:39.000
<v Speaker 1>don't talk to you know the tone it was, the tone,

0:34:39.400 --> 0:34:42.400
<v Speaker 1>It was like, listen, rich girl, I work for a living.

0:34:42.600 --> 0:34:44.759
<v Speaker 1>Don't do this. Don't talk to me this way. You

0:34:44.800 --> 0:34:46.680
<v Speaker 1>know what I mean. I don't I'm not your slave.

0:34:46.680 --> 0:34:49.160
<v Speaker 1>I don't work for you. I I screwed up. I said,

0:34:49.160 --> 0:34:51.680
<v Speaker 1>I was sorry, not get out of here. I got,

0:34:51.840 --> 0:34:53.200
<v Speaker 1>I got, I'm tired and I got a baby to

0:34:53.239 --> 0:34:56.279
<v Speaker 1>deal with. Don't mess with me. Yeah, yeah, that's what

0:34:56.320 --> 0:35:01.520
<v Speaker 1>that was. I thought it was. Also Lorelai was taking

0:35:01.520 --> 0:35:03.520
<v Speaker 1>it all on, taking it all on, taking it all on,

0:35:03.719 --> 0:35:06.480
<v Speaker 1>and then mad that no one's helping, whereas maybe she

0:35:06.520 --> 0:35:13.040
<v Speaker 1>should have been more transparent all along. We're like out

0:35:13.040 --> 0:35:17.600
<v Speaker 1>of money, Like she wasn't looping Suki into all the things. Yeah,

0:35:17.960 --> 0:35:21.960
<v Speaker 1>so then it's a little bit gnarly to then be like, well,

0:35:22.080 --> 0:35:24.080
<v Speaker 1>are you not solving it all? You know what I mean?

0:35:25.239 --> 0:35:30.319
<v Speaker 1>She sounded like Emily, Oh didn't she? So are you

0:35:30.400 --> 0:35:36.040
<v Speaker 1>team Suki rather than team and that yes? Yeah yeah

0:35:36.640 --> 0:35:39.800
<v Speaker 1>does that mean? Yeah, it's like she's got a baby,

0:35:40.160 --> 0:35:43.439
<v Speaker 1>You got a baby? You gotta take care of a baby. Yeah,

0:35:43.480 --> 0:35:46.520
<v Speaker 1>I understand both perspectives, because it's like, all right, Sukie,

0:35:46.640 --> 0:35:50.520
<v Speaker 1>you're supposed to help me start this business and you're not.

0:35:51.480 --> 0:35:54.479
<v Speaker 1>And then Suki is like, sorry, you're getting your hair

0:35:54.600 --> 0:35:57.719
<v Speaker 1>done and taking care of a child. You know. So

0:35:57.800 --> 0:36:00.160
<v Speaker 1>it's like I can see it from both perspectives. You're

0:36:00.200 --> 0:36:02.919
<v Speaker 1>getting your hair done, rich girl to approve, so you're

0:36:03.160 --> 0:36:09.360
<v Speaker 1>rich rich uh ornerary grandmother approves of you? Yeah, you know.

0:36:09.440 --> 0:36:11.160
<v Speaker 1>I mean because you're gonna go have dinner at the

0:36:11.160 --> 0:36:14.600
<v Speaker 1>palace again. I mean, you really, let's get some perspectives.

0:36:15.040 --> 0:36:16.480
<v Speaker 1>I'm not gonna lie and go as far as this.

0:36:17.200 --> 0:36:22.200
<v Speaker 1>I just thought. I don't know, I I get I

0:36:22.239 --> 0:36:24.560
<v Speaker 1>think in any business like this, where you're trying to

0:36:24.880 --> 0:36:26.959
<v Speaker 1>do this and there's so much pressure, there is going

0:36:27.000 --> 0:36:31.240
<v Speaker 1>to be this fight between the two business partners almost

0:36:31.280 --> 0:36:35.160
<v Speaker 1>inevitable there. You know, they're they're they're there. They want

0:36:35.200 --> 0:36:37.680
<v Speaker 1>their in to have the special sink, the special stove.

0:36:37.719 --> 0:36:41.920
<v Speaker 1>I mean, you know, she's an extraordinary chef, that's what

0:36:41.960 --> 0:36:44.160
<v Speaker 1>she does. She wants that equipment you want to have,

0:36:45.520 --> 0:36:47.480
<v Speaker 1>you know, you want to throw great dinner parties over

0:36:47.520 --> 0:36:49.799
<v Speaker 1>there and great events You're gonna have to give me

0:36:49.880 --> 0:36:51.920
<v Speaker 1>the equipment I need so that I can produce this

0:36:52.000 --> 0:36:56.319
<v Speaker 1>great food, you know what I mean? So yeah, up,

0:36:56.400 --> 0:37:00.080
<v Speaker 1>Buttercup doing the best I can. And I think or

0:37:00.080 --> 0:37:01.960
<v Speaker 1>a lie, I think they're both doing the best they can.

0:37:02.960 --> 0:37:06.040
<v Speaker 1>Well if if Laura la is I mean, who's withholding

0:37:06.080 --> 0:37:10.439
<v Speaker 1>the financial information from Michelle, well, then that's not her

0:37:10.480 --> 0:37:14.400
<v Speaker 1>doing the best she can, is it correct? And I

0:37:14.440 --> 0:37:18.320
<v Speaker 1>think she should have told Suki much sooner, much earlier

0:37:18.360 --> 0:37:20.800
<v Speaker 1>that there was these problems. We've known for a while

0:37:20.960 --> 0:37:23.560
<v Speaker 1>there were problems, right, maybe Suki could have helped out.

0:37:23.600 --> 0:37:26.520
<v Speaker 1>Maybe it wouldn't have been so stressful and so last minute,

0:37:26.560 --> 0:37:31.600
<v Speaker 1>and maybe maybe Luke could have helped up. Maybe well,

0:37:31.600 --> 0:37:34.080
<v Speaker 1>remember Laurela wasn't ordering take out, she cut off the

0:37:34.120 --> 0:37:36.800
<v Speaker 1>cable like all these things. She's been trying to save money.

0:37:36.960 --> 0:37:39.040
<v Speaker 1>I know, I get it. She's proud, she wants to

0:37:39.040 --> 0:37:40.640
<v Speaker 1>do it herself. She just want to get hand out.

0:37:40.680 --> 0:37:43.799
<v Speaker 1>I get it, right, But still, you know, don't take

0:37:43.840 --> 0:37:46.719
<v Speaker 1>it out on sweet Suki with a baby asleep in

0:37:46.760 --> 0:37:50.319
<v Speaker 1>the next room, because you know her, her mama bear,

0:37:50.440 --> 0:37:52.759
<v Speaker 1>you know, Suki's Mama Bear came out. It's like, hey,

0:37:52.800 --> 0:37:55.080
<v Speaker 1>you don't talk to me like this in my house

0:37:55.360 --> 0:37:57.799
<v Speaker 1>in front of my child, who you're waking up right now.

0:37:58.160 --> 0:38:00.160
<v Speaker 1>And it's like that was going to get testy. That

0:38:00.239 --> 0:38:03.000
<v Speaker 1>was going to get like. Also, don't think Laurel was wrong,

0:38:03.760 --> 0:38:08.960
<v Speaker 1>m the tone was wrong. Sorry, she's like waving her

0:38:09.000 --> 0:38:11.880
<v Speaker 1>finger at her from on high. I think she was

0:38:11.920 --> 0:38:15.319
<v Speaker 1>just fully melting down. And that Suki said she was

0:38:15.320 --> 0:38:19.520
<v Speaker 1>going to be there and wasn't there. There's also that too,

0:38:19.960 --> 0:38:24.160
<v Speaker 1>was like she had a pretty good excuse for sure,

0:38:24.239 --> 0:38:26.640
<v Speaker 1>but so how so wait a minute, and Laurel has

0:38:26.680 --> 0:38:29.440
<v Speaker 1>been there too, She's raised the child, she's had a baby.

0:38:29.800 --> 0:38:32.640
<v Speaker 1>It's like she understands what that's like. You didn't get

0:38:32.640 --> 0:38:35.680
<v Speaker 1>any sleep, the baby comes first. It's like that should

0:38:35.680 --> 0:38:41.520
<v Speaker 1>have calmed her down. It's like, come on, where's where's

0:38:41.560 --> 0:38:45.440
<v Speaker 1>the empathy? Unpopular opinion. I'm not sure. I totally agree,

0:38:45.480 --> 0:38:49.720
<v Speaker 1>where's the mother to mother empathy here? And where where?

0:38:49.760 --> 0:38:52.640
<v Speaker 1>And lauralize the veteran mother. I mean she's the first

0:38:52.640 --> 0:38:56.120
<v Speaker 1>time mother. I think she's already like the straw that

0:38:56.160 --> 0:38:58.239
<v Speaker 1>broke the camel's back. I think he said she was

0:38:58.239 --> 0:39:00.680
<v Speaker 1>going to be there. I don't know what if I

0:39:00.760 --> 0:39:05.879
<v Speaker 1>just didn't show up for this asleep, well, I mean

0:39:06.200 --> 0:39:12.080
<v Speaker 1>you'd be like, what, Well, we just wouldn't have recorded. Well,

0:39:12.200 --> 0:39:15.399
<v Speaker 1>the thin didn't get delivered and called a helicopter crew

0:39:15.400 --> 0:39:17.000
<v Speaker 1>and gotten the hell up there to get you out

0:39:17.000 --> 0:39:20.239
<v Speaker 1>of whatever mess you're in. I know, it's true. It's

0:39:20.280 --> 0:39:23.560
<v Speaker 1>like it got so messy that it's like, yeah, it

0:39:23.640 --> 0:39:29.080
<v Speaker 1>could have been preventable messiness had Laurel told everybody what

0:39:29.200 --> 0:39:33.920
<v Speaker 1>was going on as her business partners. She needs to

0:39:33.960 --> 0:39:36.960
<v Speaker 1>be upfront about that. Yeah, Like she needs to tell Sue,

0:39:37.000 --> 0:39:39.920
<v Speaker 1>she needs to tell Michelle like, hey guys, this is happening,

0:39:39.920 --> 0:39:44.319
<v Speaker 1>like I can't yeah, and she can't, not that we're

0:39:44.320 --> 0:39:51.840
<v Speaker 1>not even paying Michelle leadership leadership skills. Yeah yeah, So okay,

0:39:51.880 --> 0:39:53.719
<v Speaker 1>So we go to the diner and immediately I loved

0:39:53.719 --> 0:39:55.600
<v Speaker 1>the bon Jovi hat, not gonna lie, and then I

0:39:55.680 --> 0:39:57.080
<v Speaker 1>never got a shout out because I was like a

0:39:57.160 --> 0:39:59.879
<v Speaker 1>cute hat. So this is where she said, so Lane,

0:40:00.000 --> 0:40:04.880
<v Speaker 1>it's her job back, and uh, this is where Laurelie says,

0:40:07.280 --> 0:40:08.919
<v Speaker 1>I think this is Yeah, this is where Laurelie says,

0:40:08.920 --> 0:40:11.680
<v Speaker 1>can you have dinner with me? And now he has

0:40:11.719 --> 0:40:15.560
<v Speaker 1>to dress up, which is like so true Daniels being mean,

0:40:15.920 --> 0:40:17.520
<v Speaker 1>and then I think this is where, Yeah, this is

0:40:17.520 --> 0:40:20.960
<v Speaker 1>where Lane and Mrs Kim seeing each other, and she says,

0:40:21.120 --> 0:40:30.880
<v Speaker 1>hello Lane, Hello Mrs Killer. I know I'm ready for

0:40:30.920 --> 0:40:33.920
<v Speaker 1>them to be resolved. I'm ready for this fight to

0:40:33.960 --> 0:40:37.279
<v Speaker 1>be over. Kind of done with it. Oh okay. So

0:40:37.320 --> 0:40:39.480
<v Speaker 1>then we go back to Yale and I thought, my god,

0:40:40.080 --> 0:40:46.680
<v Speaker 1>what uh orchestrated scene? There were so many extras. The

0:40:46.920 --> 0:40:51.279
<v Speaker 1>Yale hallway was like so crowded. And then we go

0:40:51.360 --> 0:40:55.080
<v Speaker 1>into the class and oh boy, I knew immediately he

0:40:55.160 --> 0:40:59.440
<v Speaker 1>knew what she was doing there. Hm. He's looking for

0:40:59.440 --> 0:41:02.400
<v Speaker 1>the paper and tells her it's a D A D.

0:41:04.080 --> 0:41:06.120
<v Speaker 1>She goes into the classes, she goes into the office,

0:41:06.600 --> 0:41:09.000
<v Speaker 1>she goes into his classroom for the one on one

0:41:09.560 --> 0:41:13.760
<v Speaker 1>that I think it's the office last, it's like office hours.

0:41:13.760 --> 0:41:17.200
<v Speaker 1>I think they was devastating. The blood is to the

0:41:17.239 --> 0:41:21.880
<v Speaker 1>blood thinned. She's she's she's not a guiltmore true Gilmore.

0:41:22.640 --> 0:41:26.640
<v Speaker 1>She has to cut a class. Oh no, I know.

0:41:26.840 --> 0:41:29.120
<v Speaker 1>I like this for her though, because I feel like

0:41:29.520 --> 0:41:32.840
<v Speaker 1>her entire life she's, you know, everything has come to

0:41:32.880 --> 0:41:35.160
<v Speaker 1>her on a silver platter, and the sense of she

0:41:35.280 --> 0:41:38.759
<v Speaker 1>was the smartest in her class, she got the cutest boys, like,

0:41:38.840 --> 0:41:41.399
<v Speaker 1>you know, like she was a star in Stars. That's

0:41:41.440 --> 0:41:43.200
<v Speaker 1>what happened to her though at the beginning of Chilton,

0:41:43.280 --> 0:41:47.279
<v Speaker 1>remember the very beginning of Children's Overwhelmed. Yeah, it's true.

0:41:48.640 --> 0:41:51.200
<v Speaker 1>It takes so like, yeah, it does take her a minute.

0:41:51.200 --> 0:41:53.160
<v Speaker 1>But now it's time for her to be like, all right,

0:41:53.719 --> 0:41:56.200
<v Speaker 1>the real world is a way different than Stars hollow,

0:41:56.360 --> 0:41:59.640
<v Speaker 1>and she has to adjust, which I also like for

0:41:59.680 --> 0:42:03.160
<v Speaker 1>her who gives a crap about dropping a class? Like,

0:42:03.719 --> 0:42:07.320
<v Speaker 1>who cares? That's a big deal, it's a point of pride.

0:42:07.400 --> 0:42:10.000
<v Speaker 1>It might it might be like she doesn't have enough

0:42:10.040 --> 0:42:13.320
<v Speaker 1>credits to qualify as a full time student. No, she's

0:42:13.360 --> 0:42:16.600
<v Speaker 1>taking so many classes. If you're someone that cares about

0:42:16.600 --> 0:42:20.760
<v Speaker 1>their grades and their studies, dropping a class is like failure,

0:42:21.160 --> 0:42:24.040
<v Speaker 1>you know what I mean, Like they cannot handle that

0:42:24.400 --> 0:42:27.560
<v Speaker 1>academic load, you know what I mean. Like it's a

0:42:27.560 --> 0:42:30.279
<v Speaker 1>big deal. It's a big deal. Oh my god, I said.

0:42:30.280 --> 0:42:38.040
<v Speaker 1>I was like, I'll just drop that on. It'll be fine.

0:42:39.200 --> 0:42:41.040
<v Speaker 1>I think. I also, like work so hard to get

0:42:41.040 --> 0:42:43.839
<v Speaker 1>into college. Then once I was there, I'm like, well

0:42:44.000 --> 0:42:49.080
<v Speaker 1>I'm good if I get season. Did you find college easy? Yeah?

0:42:49.440 --> 0:42:51.640
<v Speaker 1>So easy? It was. It was like, did you go

0:42:51.680 --> 0:42:54.120
<v Speaker 1>to You went to a private school. I went to Berkeley.

0:42:54.520 --> 0:42:58.440
<v Speaker 1>You went to private high school? No? Public? But I

0:42:58.520 --> 0:43:01.000
<v Speaker 1>knew in high school you're working so hard to get

0:43:01.040 --> 0:43:05.799
<v Speaker 1>into college. Were val Victorian? No? But I had like

0:43:06.000 --> 0:43:10.600
<v Speaker 1>I wasn't. I wasn't a dumb dum. Did you get

0:43:10.600 --> 0:43:13.480
<v Speaker 1>into other? Did you get in? Did you apply to Stanford? No?

0:43:13.560 --> 0:43:16.680
<v Speaker 1>I only did you apply to Harvard? Listening to save

0:43:16.719 --> 0:43:19.280
<v Speaker 1>your emails? We know you don't care. No, I only applied.

0:43:19.760 --> 0:43:23.840
<v Speaker 1>I only apply, I know, save your emails. He's asking me,

0:43:23.880 --> 0:43:26.400
<v Speaker 1>I'm not going to be rooting. Answer. I only applied

0:43:26.400 --> 0:43:29.600
<v Speaker 1>to cal U, C. L. A. Davis and Santa Barbara. Okay,

0:43:30.000 --> 0:43:37.480
<v Speaker 1>I went four for four humble brag m. That's awesome. California.

0:43:37.520 --> 0:43:40.520
<v Speaker 1>I love California. Did you get Did you get into

0:43:40.520 --> 0:43:45.839
<v Speaker 1>everywhere you applied me? You're asking me? Yeah, God, no,

0:43:47.640 --> 0:43:51.560
<v Speaker 1>where'd you go again? Oh? Rutgers? That's good school? But

0:43:51.600 --> 0:43:54.400
<v Speaker 1>I applied everywhere I played Harvard? You applied to Stanford?

0:43:54.400 --> 0:43:55.920
<v Speaker 1>I never would No, No, I didn't. I didn't want

0:43:55.920 --> 0:43:58.600
<v Speaker 1>to go to California. Yeah, I would never got into Stanford.

0:43:58.600 --> 0:44:01.640
<v Speaker 1>Did you apply to Stanford? No, daniel Me. No, U

0:44:01.640 --> 0:44:03.640
<v Speaker 1>c l A. I applied to U c l A.

0:44:03.680 --> 0:44:05.920
<v Speaker 1>I did not get into U c l A. That

0:44:05.920 --> 0:44:08.319
<v Speaker 1>would have been you probably got close there. No, I'm

0:44:08.480 --> 0:44:11.000
<v Speaker 1>so sad my top three U c l A and USC. Again,

0:44:11.040 --> 0:44:15.080
<v Speaker 1>I know nobody cares. And I was deferred a semester

0:44:15.200 --> 0:44:18.280
<v Speaker 1>at USC. USC was my number one and they wouldn't

0:44:18.320 --> 0:44:21.680
<v Speaker 1>accept me until spring semester. And I was like, I

0:44:21.680 --> 0:44:25.560
<v Speaker 1>want to go to college now. So you see Davis

0:44:25.600 --> 0:44:29.040
<v Speaker 1>third on the list. Oh my god, got USC got

0:44:29.080 --> 0:44:31.120
<v Speaker 1>harder and harder and harder to get into, to the

0:44:31.120 --> 0:44:33.239
<v Speaker 1>point and I had a four point Oh guys like

0:44:33.280 --> 0:44:36.080
<v Speaker 1>I was, I was not, and I went to college.

0:44:36.120 --> 0:44:37.960
<v Speaker 1>You could have like a two five and get into

0:44:37.920 --> 0:44:40.239
<v Speaker 1>the USC. Like, I don't understand how kids get into

0:44:40.320 --> 0:44:46.280
<v Speaker 1>college nowadays, like people the first of all, that's browned

0:44:46.360 --> 0:44:57.239
<v Speaker 1>upon if you watch the Varsity Blues, don't anyway, Yeah,

0:44:57.239 --> 0:45:00.000
<v Speaker 1>I mean, so I get it. So she's she's like you, Danielle,

0:45:00.000 --> 0:45:04.319
<v Speaker 1>where she's like a perfectionist and student and this is devastating,

0:45:04.719 --> 0:45:07.960
<v Speaker 1>and clearly she really starts to melt down right after that.

0:45:08.760 --> 0:45:11.719
<v Speaker 1>HM totally. And she has a lot of things that

0:45:11.760 --> 0:45:14.920
<v Speaker 1>are like kind of you know, she said it herself,

0:45:14.960 --> 0:45:18.200
<v Speaker 1>like she you know, has the d in the paper.

0:45:18.280 --> 0:45:21.440
<v Speaker 1>She had to drop a class. She um, you know,

0:45:21.560 --> 0:45:25.000
<v Speaker 1>Lane's movie has to move out. Look look at look

0:45:25.040 --> 0:45:30.279
<v Speaker 1>at her life. She's got the suckiest roommate situation in

0:45:30.320 --> 0:45:34.040
<v Speaker 1>the history of college. She's got a lunatic. She's got

0:45:34.080 --> 0:45:37.399
<v Speaker 1>like a some some she's got a crazy person living

0:45:37.440 --> 0:45:41.760
<v Speaker 1>with her who's in an hysteric because it's like, which

0:45:41.800 --> 0:45:44.240
<v Speaker 1>one are you talking about? Because she's got three sorts

0:45:44.239 --> 0:45:47.719
<v Speaker 1>of nutty rooms. Well, she's got Tana, who you know

0:45:47.800 --> 0:45:50.040
<v Speaker 1>I don't love but yeah, yeah, I love her too.

0:45:50.480 --> 0:45:53.640
<v Speaker 1>She's she's got Paris. How do you live with Paris?

0:45:53.719 --> 0:45:56.000
<v Speaker 1>You've got your your best friend Lane there living in

0:45:56.040 --> 0:46:00.239
<v Speaker 1>your room. Um, you've got but you've got you got

0:46:00.239 --> 0:46:02.120
<v Speaker 1>the Paris thing with the ash er stuff. I mean,

0:46:02.440 --> 0:46:05.239
<v Speaker 1>this poor girl. She she's trying to bribe guys to

0:46:05.239 --> 0:46:07.360
<v Speaker 1>get out of under trees so she can have some

0:46:07.400 --> 0:46:10.439
<v Speaker 1>piece of quiet somewhere in their life. And she can't

0:46:10.480 --> 0:46:13.360
<v Speaker 1>get it. You know, she's she's having she struggle a

0:46:13.400 --> 0:46:15.680
<v Speaker 1>little bit, you know, to find her place over there

0:46:15.719 --> 0:46:18.480
<v Speaker 1>and to get in her rhythm. She's not getting in

0:46:18.520 --> 0:46:22.600
<v Speaker 1>her rhythm, so so we leave that to go to

0:46:22.680 --> 0:46:24.880
<v Speaker 1>your the moment you've been waiting for, Scott, we go

0:46:25.080 --> 0:46:28.120
<v Speaker 1>to the Gilmore's for the dinner with Tricks. I did

0:46:28.200 --> 0:46:36.560
<v Speaker 1>laugh out loud the nuts, and Tricks is like, why

0:46:36.560 --> 0:46:46.240
<v Speaker 1>are you so Loudly is very excited about announcing the nuts.

0:46:48.080 --> 0:46:50.319
<v Speaker 1>It's just so I think someone makes a crack. I

0:46:50.360 --> 0:46:53.440
<v Speaker 1>bet Rory's hair is perfect or or the hair is proven.

0:46:53.880 --> 0:46:56.799
<v Speaker 1>It's like, it's like, I'll tell you the way the

0:46:56.800 --> 0:47:00.600
<v Speaker 1>way Tricks was riffen. Tricks was riffing with the best

0:47:00.680 --> 0:47:06.520
<v Speaker 1>of on this. Emily was the queen because she's forgot sakes, Jason,

0:47:06.600 --> 0:47:13.719
<v Speaker 1>just be young. It was funny until it wasn't. This

0:47:13.760 --> 0:47:17.440
<v Speaker 1>scene was hilarious until it got waitnute. Emily. Emily set

0:47:17.440 --> 0:47:19.040
<v Speaker 1>the table in the beginning of that scene because she

0:47:19.080 --> 0:47:21.160
<v Speaker 1>came to she came to get Laurel out of her coat.

0:47:21.360 --> 0:47:24.200
<v Speaker 1>She was already in a manic state. It was beautiful.

0:47:24.360 --> 0:47:28.799
<v Speaker 1>It was beautiful. It was beautiful. Oh God, that was fair.

0:47:28.840 --> 0:47:32.600
<v Speaker 1>I've been sitting in the room for two hours with her,

0:47:33.600 --> 0:47:36.359
<v Speaker 1>and then poor Jason with that gift, She's just like

0:47:36.400 --> 0:47:38.799
<v Speaker 1>ready to murder. How about the pause? And they just

0:47:38.840 --> 0:47:40.920
<v Speaker 1>looked at your French antiques and they just looked at

0:47:40.920 --> 0:47:42.560
<v Speaker 1>each other. Tricks looks at him and he looks at

0:47:42.560 --> 0:47:47.400
<v Speaker 1>her like they give each other looks literally, and Marion

0:47:47.520 --> 0:47:51.719
<v Speaker 1>Rosscott bless her because this is nothing like Marion Cuneyham,

0:47:52.160 --> 0:47:57.200
<v Speaker 1>like she crushed this man I have. Now I'm wanting

0:47:57.200 --> 0:48:02.319
<v Speaker 1>more Tricksy. I think this is her one. I think

0:48:02.880 --> 0:48:04.319
<v Speaker 1>I don't know. We have to look because well she

0:48:04.640 --> 0:48:07.000
<v Speaker 1>out of that fight with Richard. It's like that wasn

0:48:08.120 --> 0:48:11.120
<v Speaker 1>this is Jackie. Je said, it's the last. It's the

0:48:13.560 --> 0:48:17.680
<v Speaker 1>which is weird because there it was, so there's nothing resolved.

0:48:17.719 --> 0:48:19.520
<v Speaker 1>So we just leave with Richard and her in the

0:48:19.560 --> 0:48:24.640
<v Speaker 1>big fight. And I mean the fight though, like Emily

0:48:25.040 --> 0:48:29.080
<v Speaker 1>finally got her revenge in a weird Wayne go there.

0:48:29.120 --> 0:48:32.319
<v Speaker 1>We still have great lines to deal with Richard's mustache. Look,

0:48:33.400 --> 0:48:36.200
<v Speaker 1>his Jaguars coming, What did she say? What did she say?

0:48:36.280 --> 0:48:40.840
<v Speaker 1>What car was coming? This Masarati is coming tomorrow and

0:48:41.160 --> 0:48:44.280
<v Speaker 1>he looks like, what do you look like somebody's drug dealer?

0:48:44.680 --> 0:48:49.400
<v Speaker 1>Oh god, Oh it was just great. It was really funny.

0:48:49.400 --> 0:48:52.960
<v Speaker 1>And then it then it gone the funniest scene in

0:48:53.000 --> 0:48:58.479
<v Speaker 1>the entire series so far. That scene, that scene that scene.

0:48:58.560 --> 0:49:01.120
<v Speaker 1>That scene could have been a movie that seems really good,

0:49:02.440 --> 0:49:06.359
<v Speaker 1>but then it gets brutal when she's like and look,

0:49:06.440 --> 0:49:09.720
<v Speaker 1>she was right, and Richard maybe should have asked Lorelai,

0:49:09.840 --> 0:49:12.399
<v Speaker 1>how is the financial thing going at the end, which

0:49:12.640 --> 0:49:15.560
<v Speaker 1>which Richard wouldn't do because of their relationship. But it

0:49:15.640 --> 0:49:17.960
<v Speaker 1>is interesting to learn that Graham did bail him out,

0:49:18.200 --> 0:49:19.880
<v Speaker 1>but to call him out like that in front of

0:49:19.880 --> 0:49:25.880
<v Speaker 1>his business it was terrible. I don't blame Also, like

0:49:26.000 --> 0:49:28.959
<v Speaker 1>Richard just gave her seventy five dollars, like I think

0:49:28.960 --> 0:49:31.440
<v Speaker 1>he was probably like, I'm taking care of her. She's fine,

0:49:31.600 --> 0:49:34.040
<v Speaker 1>you know, like when you give somebody a check like

0:49:34.239 --> 0:49:38.239
<v Speaker 1>that much true, that's true, you know, like he's not

0:49:38.239 --> 0:49:42.040
<v Speaker 1>not doing anything right. It was gnarly. I just wrote

0:49:42.080 --> 0:49:50.080
<v Speaker 1>this is so gnarly. Well. Emily loved it. Emily love

0:49:50.920 --> 0:49:54.319
<v Speaker 1>She's like, I'm done with Graham. Did you notice I

0:49:54.400 --> 0:49:56.879
<v Speaker 1>noticed some blocking things and this this is a little

0:49:56.920 --> 0:50:00.600
<v Speaker 1>BTS for you guys. There was some interesting block things

0:50:01.160 --> 0:50:04.360
<v Speaker 1>in this episode. In the in that dining room scene,

0:50:04.520 --> 0:50:07.440
<v Speaker 1>after the very funny scene in the living room where

0:50:08.040 --> 0:50:11.880
<v Speaker 1>you know, Richard, Emily and Laurel I had to be

0:50:11.920 --> 0:50:15.360
<v Speaker 1>in a three shot so so Lawren's chair was pushed

0:50:15.480 --> 0:50:18.360
<v Speaker 1>all the way over and almost just next to Emily's

0:50:18.360 --> 0:50:21.520
<v Speaker 1>when they would cut to that shot out. And then

0:50:21.560 --> 0:50:24.120
<v Speaker 1>when they turned around and it was just on Lawrence,

0:50:24.120 --> 0:50:27.480
<v Speaker 1>she was closer to Trixie, so it didn't they moved

0:50:27.520 --> 0:50:29.960
<v Speaker 1>the chair. They moved that. They were moving the chair, yes,

0:50:30.000 --> 0:50:33.480
<v Speaker 1>because they wanted to remember where Jason was during the mass. Well,

0:50:33.680 --> 0:50:35.120
<v Speaker 1>I think he was on the other side of the table.

0:50:36.880 --> 0:50:39.680
<v Speaker 1>But I noticed that that was like, whoa, how now

0:50:39.719 --> 0:50:41.600
<v Speaker 1>she's all the way over by Trixie before she was

0:50:42.200 --> 0:50:43.839
<v Speaker 1>put that up. Let's put that up so people could

0:50:43.880 --> 0:50:47.240
<v Speaker 1>see it. Why wasn't Rory there? I wondered that too.

0:50:47.320 --> 0:50:51.239
<v Speaker 1>I wondered that too. It's her grandma. I wanted that too.

0:50:51.280 --> 0:50:54.520
<v Speaker 1>I I wondered, I wonder why she went the school.

0:50:54.560 --> 0:50:57.799
<v Speaker 1>Maybe there's an't expect her too. But but she's at

0:50:57.800 --> 0:51:01.399
<v Speaker 1>the end. So right after this hot mess is going on,

0:51:02.480 --> 0:51:04.680
<v Speaker 1>Rory's trying so hard to find her mom. So she

0:51:04.920 --> 0:51:10.040
<v Speaker 1>ends up at the inn with Deane. Now I will say, okay,

0:51:10.040 --> 0:51:12.040
<v Speaker 1>this is me just being a total b I T

0:51:12.160 --> 0:51:19.640
<v Speaker 1>C H. The two parallel scenes both excellent. Lauren was

0:51:20.120 --> 0:51:24.120
<v Speaker 1>more excellent. Oh, I you know I don't get I

0:51:24.160 --> 0:51:27.840
<v Speaker 1>don't want to compare the performances. They were both great.

0:51:28.080 --> 0:51:30.839
<v Speaker 1>They were, but the Alexis was great. You can't take

0:51:30.880 --> 0:51:34.000
<v Speaker 1>anything away from Alexis performance there because it's it's some

0:51:34.040 --> 0:51:36.520
<v Speaker 1>of the best work I've ever seen her do, because

0:51:36.560 --> 0:51:40.919
<v Speaker 1>she went from hysterics to breaking down, and you could

0:51:40.960 --> 0:51:44.520
<v Speaker 1>see the stages of her breaking down in front of Dean.

0:51:44.640 --> 0:51:46.840
<v Speaker 1>Then she really lost. I mean there were like levels

0:51:46.880 --> 0:51:49.960
<v Speaker 1>of it and it kept breaking down more and I

0:51:50.040 --> 0:51:52.799
<v Speaker 1>thought it was extraordinary that when that scene. I'm glad

0:51:52.880 --> 0:51:54.840
<v Speaker 1>that scenes. You know. You know what I said to myself,

0:51:54.880 --> 0:51:57.480
<v Speaker 1>I said, I didn't know she was that good. Well, yeah,

0:51:57.480 --> 0:51:59.800
<v Speaker 1>she's amazing. I didn't know Alexis was not good. I

0:52:00.000 --> 0:52:04.200
<v Speaker 1>did not know she was that good. That's tough, That's

0:52:04.480 --> 0:52:08.640
<v Speaker 1>that's you know. It's really crazy. Obviously because I follow

0:52:08.719 --> 0:52:11.160
<v Speaker 1>so much Gilmore Girls stuff on TikTok. I'm always getting

0:52:11.160 --> 0:52:14.640
<v Speaker 1>tons of Gilmore on my TikTok page. But for some reason,

0:52:14.680 --> 0:52:18.080
<v Speaker 1>now it's coming up it's Laura Lie But it's all

0:52:18.239 --> 0:52:23.080
<v Speaker 1>Parenthood scenes. Man, were they The Parenthood is such a

0:52:23.080 --> 0:52:27.160
<v Speaker 1>good show. Did you watch it? M neither of you

0:52:27.239 --> 0:52:30.040
<v Speaker 1>watched it. I will let's do a podcast. What do

0:52:30.120 --> 0:52:33.680
<v Speaker 1>you think? I mean maybe because like and sometimes the

0:52:33.719 --> 0:52:37.319
<v Speaker 1>hashtag or the like comment is like parenthood brought us

0:52:37.360 --> 0:52:39.960
<v Speaker 1>because of parenthood. We got this is Us because Parenthood

0:52:40.160 --> 0:52:42.680
<v Speaker 1>sort of was that this is us before This is Us,

0:52:43.200 --> 0:52:45.400
<v Speaker 1>which is ironic that Lauren was in One and Miles

0:52:45.400 --> 0:52:50.840
<v Speaker 1>and One Man. Lauren is amazing and the acting is

0:52:50.840 --> 0:52:53.400
<v Speaker 1>like amazing. Anyway, I digress. So yeah, I mean I

0:52:53.440 --> 0:52:55.960
<v Speaker 1>thought this Dean. I thought Dean was amazing in this.

0:52:58.440 --> 0:53:01.680
<v Speaker 1>I thought he was so yeah, he was great. Everybody's great,

0:53:01.920 --> 0:53:04.920
<v Speaker 1>I thought, but I really, you know, for my money,

0:53:06.120 --> 0:53:10.440
<v Speaker 1>I thought Alexis really stole this episode Laura because she

0:53:10.560 --> 0:53:17.640
<v Speaker 1>was look Lauren, Okay, Lauren reigns supreme. Okay, so that's

0:53:17.680 --> 0:53:21.920
<v Speaker 1>a given. Okay. So it's like you can't hand the

0:53:21.960 --> 0:53:25.360
<v Speaker 1>gold medal to the same person every single day. You

0:53:25.480 --> 0:53:29.080
<v Speaker 1>got to recognize other people, Okay, Okay, so that's that's

0:53:29.280 --> 0:53:33.040
<v Speaker 1>my and I know you say this and everyone's own groans. Whatever,

0:53:33.360 --> 0:53:36.319
<v Speaker 1>You're right, Lauren Graham should have gotten an Emmy. Yeah,

0:53:37.040 --> 0:53:41.759
<v Speaker 1>like I'm watching the Golden Globe. Lauren Graham should. Yes, several,

0:53:41.880 --> 0:53:45.280
<v Speaker 1>I agree with you, Yes, not just one, but five.

0:53:45.800 --> 0:53:48.240
<v Speaker 1>You know, maybe let her lose one year and a

0:53:48.280 --> 0:53:51.960
<v Speaker 1>controversial thing. But you know, yeah, although total shout out

0:53:52.040 --> 0:53:58.600
<v Speaker 1>to the the guy that was in Goonies Key so much,

0:53:59.200 --> 0:54:02.040
<v Speaker 1>every interview, every speech. I just I'm obsessed with that guy.

0:54:02.040 --> 0:54:06.320
<v Speaker 1>But anyway, total sidebar. Yeah, Lauren Graham should have gotten

0:54:06.480 --> 0:54:09.800
<v Speaker 1>But I but I thought, I thought Alexis is comedic

0:54:09.880 --> 0:54:13.600
<v Speaker 1>work and her dramatic work in the same episode. We're

0:54:14.239 --> 0:54:21.520
<v Speaker 1>just supreme, absolutely fantastic. She's fantastic. I totally agree, totally agree.

0:54:21.719 --> 0:54:24.560
<v Speaker 1>So now we're in the scene that's just amazing and

0:54:24.600 --> 0:54:26.560
<v Speaker 1>you see her and he's all dressed up for dinner

0:54:26.600 --> 0:54:29.919
<v Speaker 1>and she finds him and you immediately are like, oh no,

0:54:30.320 --> 0:54:34.839
<v Speaker 1>and Luke immediately says you okay, And it was like,

0:54:35.120 --> 0:54:39.480
<v Speaker 1>oh wow, And I've seen this scene comes up on

0:54:39.520 --> 0:54:44.160
<v Speaker 1>TikTok a lot, like this is a very significant scene.

0:54:44.680 --> 0:54:49.080
<v Speaker 1>Well she I mean the part that was like, you know,

0:54:49.480 --> 0:54:53.000
<v Speaker 1>hit home was like her saying that she wished she

0:54:53.040 --> 0:54:55.360
<v Speaker 1>had a partner and she wished she could do it

0:54:55.400 --> 0:54:57.480
<v Speaker 1>all on her own, but she just needs somebody to

0:54:58.120 --> 0:55:00.439
<v Speaker 1>meet her halfway and pick up the slack the other

0:55:00.560 --> 0:55:02.719
<v Speaker 1>end when she can't do it all, you know, like

0:55:03.920 --> 0:55:06.680
<v Speaker 1>and the fact that she's saying that to Luke is

0:55:06.760 --> 0:55:09.640
<v Speaker 1>even more like ding ding ding, we have a winner,

0:55:10.360 --> 0:55:13.440
<v Speaker 1>you know, like standing right right in front of you.

0:55:15.040 --> 0:55:24.360
<v Speaker 1>Totally Oh my god, so true. Look this the episode

0:55:24.400 --> 0:55:27.200
<v Speaker 1>made me sad. I'm not gonna lie like I described it.

0:55:27.239 --> 0:55:30.640
<v Speaker 1>I was blue, I was melancholy. I definitely almost wanted

0:55:30.640 --> 0:55:32.920
<v Speaker 1>to watch another one to see if like, oh no,

0:55:32.960 --> 0:55:34.840
<v Speaker 1>I gotta get myself out of the state I'm in.

0:55:35.440 --> 0:55:39.520
<v Speaker 1>I didn't. I didn't. You can't know I didn't. But now,

0:55:39.640 --> 0:55:41.799
<v Speaker 1>listen to a song or something to get you out.

0:55:42.280 --> 0:55:44.040
<v Speaker 1>I think I turned to Criminal Minds and it got

0:55:44.040 --> 0:55:53.640
<v Speaker 1>me that show. But anyway, uh, I thought, just a

0:55:53.800 --> 0:55:57.640
<v Speaker 1>terrific episode. It really was. I mean, even even at

0:55:57.680 --> 0:56:02.200
<v Speaker 1>the grating annoying parts, was still terrific. Right to watch it.

0:56:02.760 --> 0:56:05.279
<v Speaker 1>It's still terrific to watch it, and it sets up

0:56:05.320 --> 0:56:07.720
<v Speaker 1>all this other great stuff. So you need that stuff

0:56:07.760 --> 0:56:11.800
<v Speaker 1>to get the comedy. So, um wait, do your favorite

0:56:11.800 --> 0:56:13.839
<v Speaker 1>lines because I have one we didn't get to. It's

0:56:13.840 --> 0:56:15.359
<v Speaker 1>good for me to do it every once in a while.

0:56:15.400 --> 0:56:20.160
<v Speaker 1>Reminds me why I'm not an accountants. Danielle, what was yours?

0:56:20.840 --> 0:56:23.440
<v Speaker 1>Um minus? From Paris? And she says maybe I just

0:56:23.480 --> 0:56:27.759
<v Speaker 1>can't be around boys because I have because I have

0:56:28.040 --> 0:56:33.840
<v Speaker 1>a mate, a man. Because it was so funny Danielle.

0:56:33.840 --> 0:56:41.279
<v Speaker 1>Earlier in the podcast, when You're all many, mine was

0:56:41.520 --> 0:56:46.960
<v Speaker 1>wear socks. Mr Kim, Okay, so god, what are we

0:56:47.000 --> 0:56:50.600
<v Speaker 1>going to give it? One to ten horses, Richard and mustaches?

0:56:51.360 --> 0:56:54.080
<v Speaker 1>I think, no, no, no no, we're going to give it.

0:56:54.440 --> 0:57:00.360
<v Speaker 1>We're gonna give it Richards Richard's mustaches. Okay, Um, daniel

0:57:00.520 --> 0:57:03.439
<v Speaker 1>how many mustaches? I'm gonna do eight and a half.

0:57:03.680 --> 0:57:08.279
<v Speaker 1>You're gonna do eight and a half. Richard's eight and

0:57:08.280 --> 0:57:12.319
<v Speaker 1>a half deduction of five. Just being sad by it,

0:57:12.400 --> 0:57:14.360
<v Speaker 1>I think it deserves a nine, but it just I

0:57:14.480 --> 0:57:17.480
<v Speaker 1>was blue from it. I was like, you know what

0:57:17.640 --> 0:57:25.120
<v Speaker 1>I'm gonna go. I'm going to give it a nine.

0:57:26.160 --> 0:57:28.760
<v Speaker 1>I'm gonna give it a nine point hang on, I'm

0:57:28.760 --> 0:57:32.280
<v Speaker 1>gonna give it a nine point to five. Tara gives

0:57:32.280 --> 0:57:35.720
<v Speaker 1>it a nine. Too good. There's an emergency had to go.

0:57:36.040 --> 0:57:40.240
<v Speaker 1>Everyone's wondering where she went. There was a podcasting emergence, right,

0:57:40.240 --> 0:57:42.800
<v Speaker 1>So I'm giving it a nine to five. She gives

0:57:42.840 --> 0:57:44.920
<v Speaker 1>it to nine. You get eight, So we're up around

0:57:44.920 --> 0:57:48.920
<v Speaker 1>eight point eight average eight point eight five average gymnasts

0:57:49.120 --> 0:57:53.400
<v Speaker 1>that gets a nine to five. Remember that, remember when yeah, yeah, five.

0:57:55.080 --> 0:57:59.760
<v Speaker 1>You know, I forgive any of the grading nature of

0:57:59.800 --> 0:58:03.840
<v Speaker 1>this nails on the chalkboard character. Uh, just for that

0:58:03.880 --> 0:58:06.160
<v Speaker 1>tricksy scene. I mean, that's at least she went out

0:58:06.160 --> 0:58:10.320
<v Speaker 1>on top with you. Oh god, huge, huge, huge scene.

0:58:10.680 --> 0:58:13.000
<v Speaker 1>I thought that was the most masterful scene of this

0:58:13.080 --> 0:58:18.560
<v Speaker 1>area so far. Anymore. I enjoy her. I want to

0:58:18.600 --> 0:58:21.480
<v Speaker 1>go back and check out her earlier work. Maybe I was.

0:58:21.760 --> 0:58:24.600
<v Speaker 1>I wonder if you would see it differently, Maybe I will. Actually,

0:58:25.200 --> 0:58:28.160
<v Speaker 1>that's a good that's a good episode. Go back, that's

0:58:28.200 --> 0:58:29.880
<v Speaker 1>a that's a good episode. You know, I think I'm

0:58:29.920 --> 0:58:32.200
<v Speaker 1>gonna I think I will. Let's go back on the

0:58:32.240 --> 0:58:34.760
<v Speaker 1>trick back watch them all again. I'm going to read

0:58:34.960 --> 0:58:39.120
<v Speaker 1>a special episode. I'm going to re experience Tricksie. Okay,

0:58:39.320 --> 0:58:41.840
<v Speaker 1>all right, maybe she'll be's your assignment. You've got like

0:58:42.000 --> 0:58:43.240
<v Speaker 1>you got to do it in in the next couple of weeks,

0:58:43.280 --> 0:58:47.240
<v Speaker 1>all right, But okay, Jesus, more work from I'm gonna

0:58:47.240 --> 0:58:51.000
<v Speaker 1>add fifteen minutes to my already. I'm so sorry that

0:58:51.040 --> 0:58:57.280
<v Speaker 1>we're making work work. Yeah. The crack staff, the fake

0:58:57.320 --> 0:59:01.200
<v Speaker 1>crack staff, give you anything. I don't at them. I

0:59:01.280 --> 0:59:04.200
<v Speaker 1>know they're real. They're real. And talked. I talked to

0:59:04.240 --> 0:59:06.240
<v Speaker 1>one of the crack staff members like all the time,

0:59:06.320 --> 0:59:11.000
<v Speaker 1>I like regularly, like we email all the text all that. Yeah,

0:59:11.040 --> 0:59:13.040
<v Speaker 1>the crack staff is real. Oh she has a name.

0:59:13.520 --> 0:59:16.200
<v Speaker 1>Oh yeah, you just gave her name. Oh no, no,

0:59:16.320 --> 0:59:20.840
<v Speaker 1>that's her code name, code name. I would never blurt

0:59:20.920 --> 0:59:23.800
<v Speaker 1>that out one am I a moron. I would never

0:59:23.960 --> 0:59:27.680
<v Speaker 1>do that. We know the crack staff found nothing. I

0:59:27.680 --> 0:59:31.280
<v Speaker 1>mean you did the blocking thing. That was actually pretty cool. Um,

0:59:31.400 --> 0:59:36.480
<v Speaker 1>you know what, let me check. Okay, here, he's going

0:59:36.480 --> 0:59:39.040
<v Speaker 1>to a secret file. I gotta go to crack staff

0:59:39.160 --> 0:59:42.200
<v Speaker 1>dot com. We always put it in the pop culture

0:59:42.200 --> 0:59:44.840
<v Speaker 1>if you need to hang on a second. Oh shoot,

0:59:46.840 --> 0:59:49.200
<v Speaker 1>I don't think this is our last episode, Joe, Yeah,

0:59:49.240 --> 0:59:54.000
<v Speaker 1>I knew it wasn't. It's fine. We're one more season four.

0:59:54.280 --> 0:59:58.240
<v Speaker 1>Crack Staff just came into my headphones and they I

0:59:58.240 --> 1:00:00.440
<v Speaker 1>don't know they're they're in a helicopter. Someone. They do

1:00:00.600 --> 1:00:03.840
<v Speaker 1>have notes, and I'm gonna I'm gonna I'm getting them

1:00:03.880 --> 1:00:08.160
<v Speaker 1>in real time. All right, here we go hang on there? Okay,

1:00:08.240 --> 1:00:10.760
<v Speaker 1>there in the cold open, a blueprint on the wall

1:00:10.800 --> 1:00:13.760
<v Speaker 1>behind Tom is hanging level. But when Laurel lies on

1:00:13.760 --> 1:00:18.840
<v Speaker 1>the phone talking to the ends first reservation, it's hanging crooked.

1:00:20.800 --> 1:00:25.080
<v Speaker 1>Wait give me that again. That really get into what

1:00:25.160 --> 1:00:29.400
<v Speaker 1>was hanging crooked? Really? Look, I took one glance down

1:00:29.440 --> 1:00:32.080
<v Speaker 1>at my phone and I missed something important. I need

1:00:32.160 --> 1:00:36.080
<v Speaker 1>you to to tell me what that really? What was crooked?

1:00:36.280 --> 1:00:40.080
<v Speaker 1>All I heard? Here's what went into my brain. Want

1:00:40.080 --> 1:00:46.120
<v Speaker 1>want trust me. There's people that looked at their phones

1:00:46.160 --> 1:00:51.160
<v Speaker 1>while they were listening. Somebody ate their sand. Oh god,

1:00:51.360 --> 1:00:54.480
<v Speaker 1>alright in the okay you ready? All right? And the

1:00:54.560 --> 1:00:57.480
<v Speaker 1>cold open, the cold open, the blueprint on the wall

1:00:57.520 --> 1:01:00.520
<v Speaker 1>behind Tom is hanging level. But when loyal eyes on

1:01:00.520 --> 1:01:04.880
<v Speaker 1>the phone taking their ends first reservation, it's hanging crooked. Great,

1:01:04.960 --> 1:01:07.840
<v Speaker 1>I I'm gonna I love. But that's easy. That's very

1:01:07.920 --> 1:01:12.240
<v Speaker 1>explainable because maybe some worker went by and brushed up

1:01:12.280 --> 1:01:15.040
<v Speaker 1>against it. Wait a minute, Wait a minute, Laurel, I

1:01:15.120 --> 1:01:17.160
<v Speaker 1>likes to come in the back door surprise everybody with

1:01:17.240 --> 1:01:19.960
<v Speaker 1>nail guns. That's a great line too. First of all,

1:01:20.240 --> 1:01:25.320
<v Speaker 1>that was and aggressive. I was like fun fact the

1:01:25.400 --> 1:01:31.640
<v Speaker 1>shampoo girl, the shampoo girl who was shampooing laurealized, yes,

1:01:31.840 --> 1:01:36.880
<v Speaker 1>stagg ass hair, so it would be so it would

1:01:36.920 --> 1:01:39.320
<v Speaker 1>be uh, wait a minute, what does this saying? Wait

1:01:39.320 --> 1:01:41.840
<v Speaker 1>a minute, I see Jackie says, wait a minute, I

1:01:41.880 --> 1:01:45.600
<v Speaker 1>see what you see. Very interesting with Marion Ross. Oh,

1:01:45.720 --> 1:01:50.600
<v Speaker 1>the controversy continued. This was her last episode, But did

1:01:50.640 --> 1:01:53.560
<v Speaker 1>she like have credits and other ones because her characters

1:01:53.600 --> 1:02:01.160
<v Speaker 1>mentioned or she has she's suppost been the next episode.

1:02:02.680 --> 1:02:07.080
<v Speaker 1>We can't tell you yet. Jackie's just sort of messaging. Okay.

1:02:07.080 --> 1:02:09.680
<v Speaker 1>Now my name is Jackie. I work at help desk.

1:02:09.800 --> 1:02:12.720
<v Speaker 1>All right, here we are. Fun fact. The shampoo girl

1:02:14.000 --> 1:02:18.600
<v Speaker 1>shampooing laurelized raggedy hair was played by Patty Malcolm, who

1:02:18.680 --> 1:02:24.840
<v Speaker 1>was actually Laurence standing. Yes, very fun fact. That's a

1:02:24.880 --> 1:02:32.360
<v Speaker 1>fun fact. Yeah, that's that's the girl that stood there. Yeah, yeah, Okay.

1:02:32.400 --> 1:02:40.640
<v Speaker 1>The crack Staff's favorite line. The crack staff, Now have

1:02:40.800 --> 1:02:45.040
<v Speaker 1>they been? They promoted themselves to wow, part of the

1:02:45.080 --> 1:02:47.800
<v Speaker 1>ball club. I said, I like that. Come on into

1:02:47.800 --> 1:02:50.400
<v Speaker 1>the duck out, come on over from the minor leagues

1:02:50.640 --> 1:02:53.920
<v Speaker 1>into the major league field. Here we go, like the

1:02:54.000 --> 1:02:58.000
<v Speaker 1>crack Staff's favorite. Look, that's a declaration right there. When

1:02:58.080 --> 1:03:01.840
<v Speaker 1>Paris is mad at janet It and tells Rory, I'm

1:03:01.880 --> 1:03:05.680
<v Speaker 1>going to grab Barbie's neck and squeeze until her expandable

1:03:05.720 --> 1:03:10.000
<v Speaker 1>hair falls out and she's dead, dead dead. Oh well, okay,

1:03:10.080 --> 1:03:13.960
<v Speaker 1>crack staffs a little crack. I'm getting a little scared. Now,

1:03:16.480 --> 1:03:23.200
<v Speaker 1>are raises in order? Maybe should just offer preemptively offer raises?

1:03:23.320 --> 1:03:26.280
<v Speaker 1>So yeah, keep her happy. I mean I can read

1:03:26.320 --> 1:03:29.439
<v Speaker 1>between the line here. Okay, So back to the Tricks thing.

1:03:29.720 --> 1:03:33.680
<v Speaker 1>I just found out what happened and why we're all confused.

1:03:34.200 --> 1:03:38.600
<v Speaker 1>So Marian Roth has two more episodes in this series,

1:03:39.160 --> 1:03:43.320
<v Speaker 1>but not as Tricks. So this is Tricks is last episode,

1:03:43.680 --> 1:03:50.080
<v Speaker 1>but Marian Ross don't tell me? Are you gonna find out?

1:03:50.080 --> 1:03:54.080
<v Speaker 1>Next episode? How about that? Good? But this is the

1:03:54.200 --> 1:03:59.280
<v Speaker 1>end of Tricks, but not the end of Marian Ross. Alright,

1:03:59.720 --> 1:04:01.720
<v Speaker 1>that's that's a nice little tike comes back as like

1:04:01.760 --> 1:04:05.880
<v Speaker 1>the sister or the aunt or she's younger. She comes

1:04:05.920 --> 1:04:08.480
<v Speaker 1>back younger. Crack Staff is not happy right now. They're

1:04:08.520 --> 1:04:12.880
<v Speaker 1>screaming at me right now in this right here. Oh

1:04:12.920 --> 1:04:14.960
<v Speaker 1>my god, I just saw Danielle just put a note

1:04:15.000 --> 1:04:16.920
<v Speaker 1>in the chat of the next episode. And let me

1:04:16.960 --> 1:04:22.360
<v Speaker 1>tell you Season of four, episode fifteen, seen in a mall.

1:04:22.920 --> 1:04:26.240
<v Speaker 1>The next episode. All right, well, that's gonna do with folks. Danielle,

1:04:26.240 --> 1:04:28.280
<v Speaker 1>did you do you have your You don't have didn't

1:04:28.000 --> 1:04:30.840
<v Speaker 1>you didn't show Scott your Christmas gift I gave you?

1:04:30.960 --> 1:04:36.280
<v Speaker 1>Where is it? Do you have it? You have to show? Oh? Yeah, Scott,

1:04:36.280 --> 1:04:39.440
<v Speaker 1>look at this. Yeah, look what I got made for

1:04:40.000 --> 1:04:43.760
<v Speaker 1>Let me take it out of the shiny I did.

1:04:43.920 --> 1:04:46.240
<v Speaker 1>Everyone's some new notebook. I didn't make that. I didn't

1:04:46.240 --> 1:04:48.919
<v Speaker 1>make the cover, did I No? But you'll see why.

1:04:49.080 --> 1:04:52.760
<v Speaker 1>Oh my god, first of all my notes. I know why.

1:04:52.920 --> 1:05:02.360
<v Speaker 1>I don't need an explanation. Uh huh uh, Danielle said, Okay,

1:05:02.400 --> 1:05:04.840
<v Speaker 1>isn't that so cute? When Amy gave this to me,

1:05:04.880 --> 1:05:09.160
<v Speaker 1>I was like, who's Danielle? Is that character? Op? So

1:05:09.200 --> 1:05:11.160
<v Speaker 1>it's a notebook and literally, you guys can get this

1:05:11.200 --> 1:05:14.280
<v Speaker 1>on Amazon. And the notebook says Lorelai and Rory and

1:05:14.400 --> 1:05:17.080
<v Speaker 1>Lane and Suki and Emily and Paris and and then

1:05:17.120 --> 1:05:20.760
<v Speaker 1>you can get it like personalistomized that your friend's name,

1:05:20.840 --> 1:05:25.240
<v Speaker 1>and so it says and Danielle and daniel she made

1:05:25.240 --> 1:05:26.840
<v Speaker 1>it on the cover before I did, and I was

1:05:26.840 --> 1:05:29.760
<v Speaker 1>in the damn show. That's the way it is. That's

1:05:29.840 --> 1:05:32.080
<v Speaker 1>that's what you be funny. If it's at m luke,

1:05:33.080 --> 1:05:36.680
<v Speaker 1>that would be funny. But anyway, I love you guys.

1:05:37.160 --> 1:05:39.760
<v Speaker 1>I love you to love you back. It's a sad one,

1:05:39.840 --> 1:05:42.400
<v Speaker 1>but I'm I'm bouncing back from it. Come on, just

1:05:42.400 --> 1:05:45.600
<v Speaker 1>just watch the tricksie scene a couple of times, the

1:05:45.640 --> 1:05:49.480
<v Speaker 1>living room scene. It's it's the best thing. Nuts Nuts,

1:05:50.240 --> 1:05:55.320
<v Speaker 1>We're good good. Hey, let's you know, let's talk about

1:05:55.440 --> 1:05:59.240
<v Speaker 1>the the event a little bit more? Should we? Oh? Yeah,

1:05:59.280 --> 1:06:02.280
<v Speaker 1>you haven't. We haven't. I talked about talked about that. Danielle.

1:06:02.840 --> 1:06:05.840
<v Speaker 1>Did you send my merch up yet? I had it?

1:06:06.440 --> 1:06:08.000
<v Speaker 1>I was gonna talk because I'm seeing you at the

1:06:08.040 --> 1:06:09.240
<v Speaker 1>end of this month. I was like, should I just

1:06:09.600 --> 1:06:12.240
<v Speaker 1>can you get with me? Or just scut you on it? Earlier?

1:06:12.520 --> 1:06:16.080
<v Speaker 1>What Scott was shooting like some of his stuff Danielle

1:06:16.160 --> 1:06:21.080
<v Speaker 1>was in the merchant. Oh my god. First of all,

1:06:21.800 --> 1:06:24.800
<v Speaker 1>I could have bought three times that month. I can't

1:06:24.840 --> 1:06:31.720
<v Speaker 1>wait thousan dollars at the merchant, thousand dollars, I swear

1:06:31.760 --> 1:06:37.520
<v Speaker 1>to God. Check where up? Danielle has it all right now? Well,

1:06:37.840 --> 1:06:40.680
<v Speaker 1>one third of it is in Tar's closet, is in mine,

1:06:40.840 --> 1:06:43.600
<v Speaker 1>and one third is in a bag for Amy, the

1:06:43.680 --> 1:06:46.600
<v Speaker 1>one I can't wait for you guys. Everyone listening this.

1:06:47.040 --> 1:06:51.560
<v Speaker 1>The Smurch store on the Warner Brothers lot had hands

1:06:51.640 --> 1:06:54.520
<v Speaker 1>down the Rattus merch, Like I need to ask James

1:06:54.560 --> 1:06:57.920
<v Speaker 1>Pettitt if we can buy it all year long. The flannel,

1:06:58.120 --> 1:07:00.960
<v Speaker 1>what's on? Which flannel did you get me? Um? Here

1:07:01.040 --> 1:07:04.320
<v Speaker 1>then grabbit, hold on you guys, it's the Rattus flannel

1:07:04.560 --> 1:07:07.760
<v Speaker 1>like designer flannel, like good flannel. And on the back.

1:07:07.880 --> 1:07:12.720
<v Speaker 1>I think I got the one that says no cellphones. Yeah, wait, Daniel,

1:07:12.760 --> 1:07:15.560
<v Speaker 1>just show a little so, I mean most people have

1:07:15.600 --> 1:07:20.840
<v Speaker 1>already ended the episode, so that's very large. What size

1:07:20.840 --> 1:07:22.880
<v Speaker 1>did you get me? Please? Say this is a medium? Okay,

1:07:22.960 --> 1:07:24.840
<v Speaker 1>girls size or boy size. I maybe would have been

1:07:24.840 --> 1:07:28.160
<v Speaker 1>a girl girls but over Yeah, I'll wear it with leggings.

1:07:29.080 --> 1:07:31.760
<v Speaker 1>Look it says Luke's on the front and says no

1:07:31.840 --> 1:07:35.840
<v Speaker 1>cell phones. That is so are they still are they

1:07:35.880 --> 1:07:38.360
<v Speaker 1>still selling this stuff? That's what I'm gonna text James

1:07:38.400 --> 1:07:41.720
<v Speaker 1>Pettitt right now. See. And then there's one more flannel

1:07:41.800 --> 1:07:45.720
<v Speaker 1>that says I love coffee, really love coffee. Which one

1:07:45.720 --> 1:07:47.240
<v Speaker 1>are you? Do you? It was one of those for

1:07:47.280 --> 1:07:49.720
<v Speaker 1>you ones? For me? Yeah, I got the I got

1:07:49.760 --> 1:07:53.080
<v Speaker 1>this one too. I want no cell phones. They're both years.

1:07:53.480 --> 1:07:56.400
<v Speaker 1>What what about you already? Have we seen it? A

1:07:56.480 --> 1:08:02.320
<v Speaker 1>thousand dollars? We got multiple flannels, Scott, Scott, you get nothing,

1:08:02.640 --> 1:08:05.160
<v Speaker 1>thank you, thank you? You are I just wanted to ask,

1:08:05.600 --> 1:08:09.080
<v Speaker 1>that's fine if I get nothing. Oh my god. The

1:08:09.160 --> 1:08:14.800
<v Speaker 1>merge was amazing, amazing. Well I have the original that

1:08:15.640 --> 1:08:21.160
<v Speaker 1>have original stuff. Okay, you know so anyway and texting

1:08:21.240 --> 1:08:24.360
<v Speaker 1>James will keep everybody updated. Is all that merge still

1:08:24.400 --> 1:08:30.360
<v Speaker 1>for sale? Al Right? Guys? I love you guys. I'm like,

1:08:30.439 --> 1:08:33.720
<v Speaker 1>we need more, we need more. We have to do

1:08:33.760 --> 1:08:36.000
<v Speaker 1>it again. Are we going to do that again? Every year?

1:08:36.120 --> 1:08:38.240
<v Speaker 1>We're gonna do it every year. Here's my dream. We're

1:08:38.240 --> 1:08:40.120
<v Speaker 1>gonna do that one every year, and then in the

1:08:40.160 --> 1:08:43.880
<v Speaker 1>summer we're going to do one kind of similar. People

1:08:43.880 --> 1:08:47.360
<v Speaker 1>can come. Oh cool're working on that now. Yeah, because

1:08:47.400 --> 1:08:48.640
<v Speaker 1>it was would you just give it? Was it a

1:08:48.640 --> 1:08:50.679
<v Speaker 1>ten out of ten? Was it amazing? It was great?

1:08:50.840 --> 1:08:53.599
<v Speaker 1>That event was a ten out of town? That was

1:08:53.720 --> 1:08:57.719
<v Speaker 1>that was amazing. The fans, Wow, I already have people

1:08:57.760 --> 1:08:59.840
<v Speaker 1>asking me how to get tickets for next year, and

1:09:00.200 --> 1:09:04.840
<v Speaker 1>really an ocean of fans. And I went into the

1:09:04.840 --> 1:09:08.200
<v Speaker 1>mosh pit with them and danced like crazy. Dan y'all

1:09:08.240 --> 1:09:11.960
<v Speaker 1>texted me and she goes, Scott is in hog Heaven.

1:09:12.240 --> 1:09:21.400
<v Speaker 1>He is hugging grandma's and kissing babies. So much for

1:09:21.400 --> 1:09:25.840
<v Speaker 1>everyone listening. Scott flew stopped his family vacation, left his

1:09:25.960 --> 1:09:30.360
<v Speaker 1>family behind all the way back for one day to

1:09:30.479 --> 1:09:33.360
<v Speaker 1>do the event, and flew back to his family vacations.

1:09:33.400 --> 1:09:36.599
<v Speaker 1>So we do say for the zero people still listening,

1:09:39.560 --> 1:09:42.519
<v Speaker 1>mad props, no, mad props to you. Guys were putting

1:09:42.520 --> 1:09:44.679
<v Speaker 1>on such a great show. I mean that was really

1:09:44.760 --> 1:09:47.920
<v Speaker 1>really fun. That was And next year, next year is

1:09:47.920 --> 1:09:50.360
<v Speaker 1>going to be just off the chain. And this summer,

1:09:50.560 --> 1:09:53.280
<v Speaker 1>I guess we're gonna look out for something this summer. Yeah, Daniel,

1:09:53.320 --> 1:09:55.840
<v Speaker 1>did you get that TikTok? I sent you ideas for

1:09:55.880 --> 1:10:00.800
<v Speaker 1>the summer. We'll find out, all right, guys, all the best,

1:10:00.920 --> 1:10:05.559
<v Speaker 1>love you guys. Thanks, best fans on the planet. Yeah,

1:10:05.560 --> 1:10:08.760
<v Speaker 1>we're gonna, We're gonna, We're gonna do pop culture. No

1:10:08.880 --> 1:10:12.040
<v Speaker 1>I know, I don't know, Hi, guys, all the best,

1:10:12.160 --> 1:10:44.439
<v Speaker 1>Stay sacked. Hey everybody, and don't forget follow us on

1:10:44.479 --> 1:10:48.800
<v Speaker 1>Instagram at I Am all In podcast and email us

1:10:48.960 --> 1:10:53.120
<v Speaker 1>at Gilmore at I heart radio dot com. Oh you

1:10:53.200 --> 1:10:55.040
<v Speaker 1>Gilmore fans. If you're looking for the best cup of

1:10:55.040 --> 1:10:57.800
<v Speaker 1>coffee in the world, go to my website for my

1:10:57.920 --> 1:11:01.160
<v Speaker 1>company scotty p dot com CEO T. T y p

1:11:01.360 --> 1:11:13.080
<v Speaker 1>dot com, scotty p dot com Grade one Specially Coffee. Yeah.