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Speaker 1: I am all in, kiss you, I am all in

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Speaker 1: with Scott Patterson and I heart radio podcast. Hey everybody,

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Speaker 1: Scott Patterson, I am all in podcast. I am here

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Speaker 1: with my trip. I said, you know what I gotta

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Speaker 1: tell you, Amy Sugarman, Tara suits Back, and Daniel Romo. Um.

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Speaker 1: I was quite delighted by the episode. Oh really, it

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Speaker 1: was a slow starter for me. But man, and I'll

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Speaker 1: tell you this, here's a little highlight. I now am

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Speaker 1: digging on Trixie. I'm liking the Tricksie vibe. I'm digging

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Speaker 1: the trick clergy. I thought of you, Scott during that

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Speaker 1: dinner scene. Oh, she cracked me up. I was tears

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Speaker 1: were streaming down my freaking face. That scene in the

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Speaker 1: living room slayd me. Oh my god. I thought that's

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Speaker 1: one of the best scenes in the entire four seasons

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Speaker 1: so far. I've always pastic I never disliked her like you. Man,

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Speaker 1: I'll tell you that was episode genius. I was. I

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Speaker 1: liked it. I mean it was. It was sad, but

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Speaker 1: I it was kind of like a Growing Pains episode,

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Speaker 1: like you no, not not like the show Growing Pains,

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Speaker 1: like I mean, like no, right right, yeah, which that's

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Speaker 1: what I thought you meant, which is why I thought

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Speaker 1: it was so funny. I would never laugh at that

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Speaker 1: other show. Just like the way Rory and like you

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Speaker 1: think of Mike's by I'm thinking, where's she going with

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Speaker 1: this one? Sorry, I get what you're saying, because at

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Speaker 1: the end of this, all I wanted to do is

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Speaker 1: call my mom. I'm like, I just want to call

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Speaker 1: my mom. I love her. At a moment where I

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Speaker 1: was like melancholy, that was like the word I wrote

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Speaker 1: down and I could, I was like, am I was

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Speaker 1: I sad going into this? Or am I sad in it?

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Speaker 1: You know? I realized this episode made me realize that

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Speaker 1: Mrs Kim and Paris were the same person I was

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Speaker 1: stunned by that, just different accents, it's the same personality.

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Speaker 1: They're both wrapped so tight. So it's it's a double

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Speaker 1: and Tom and Tom could be Luke's father. It's a

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Speaker 1: double barreled dose of realizations here. There was some interesting parallels,

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Speaker 1: and obviously it was so obvious that it was so intentional. Yeah, well,

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Speaker 1: I'm sure we'll talk about right. Yeah, you could see

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Speaker 1: it coming a mile away, but you were it was

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Speaker 1: okay because of how it ended up and I say, so,

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Speaker 1: let's go through it, because we're gonna be all over

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Speaker 1: the place if we don't. Uh, somebody, you gotta whip

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Speaker 1: you gotta whip this horse into shape, you know, because

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Speaker 1: you know we're just gonna start. Amy's trying to derail us,

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Speaker 1: all right. And just speaking of horses, yes, continue, I

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Speaker 1: have no idea not afford those horses. Oh, yes, that's

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Speaker 1: that's very true. What are they doing with horses worth

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Speaker 1: the money? Are they offering rides? Are they selling rides

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Speaker 1: on the horses or what's the deal? And I think, guys,

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Speaker 1: it's time to synopsize. And we've got one of the

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Speaker 1: best synopsizers in the business, maybe the best synopsizer. And

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Speaker 1: Daniel Romo take it away alright. This is season four,

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Speaker 1: episode fourteen, The Incredible Sinking Lorealize Air date February seventeenth,

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Speaker 1: two thousand four. Lorelai and Rory think they're both failing

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Speaker 1: in their lives. Rory can't handle five courses at Yale

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Speaker 1: like her grandpa did, and Lorala can't handle all the

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Speaker 1: workload and upfront money of opening the inn without Suki's help.

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Speaker 1: But Luke and Dean are there to console the two Meanwhile,

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Speaker 1: Grandma Tricks is in town for a visit and throws

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Speaker 1: everyone for a loop with our conversation and accusations. Boom.

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Speaker 1: That's how you set up an episode. Right there, best

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Speaker 1: in the business, right there. Now we're off to the races. Okay, Well,

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Speaker 1: so you liked it, so give us a little more

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Speaker 1: of your overview before we start. You know, it was

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Speaker 1: a I don't know that it. I mean I would

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Speaker 1: go watch it again. Just the opening was fine. I

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Speaker 1: thought it was crisp and funny, and you got Tom

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Speaker 1: there being like, you know, the an older Lukey kind

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Speaker 1: of thing flavor. Michelle was looking all kinds of studily

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Speaker 1: in this episode, like he was looking at in that

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Speaker 1: opening scene. I think he's sort of leaning up and

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Speaker 1: maybe wearing jeans and he's like I'm not available or whatever. Um,

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Speaker 1: but yeah, I thought it was fine. I thought it

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Speaker 1: was a fine opening, and um, you know, we we

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Speaker 1: spent a lot of time at Yale and there was

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Speaker 1: a shrieking Paris and she just was like she was

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Speaker 1: coming on glued every moment. She's jeez man. So they

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Speaker 1: got their first in customer that was actually pretty cute,

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Speaker 1: and on the gun gum wrapper, you know what I

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Speaker 1: was going to ask you. So she writes on the

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Speaker 1: gum wrapper, and clearly they like really zoom in on

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Speaker 1: her face where she's realizing we've taken our first reservation.

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Speaker 1: This is real. What would you have said the direction was?

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Speaker 1: Because she they obviously she knew they're going to linger

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Speaker 1: on her face. And I couldn't decide if she was

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Speaker 1: like happy worried because she knows the financial problem. What

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Speaker 1: would you what would what would a director direct? I

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Speaker 1: just think you know, Lauren was aware that they were

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Speaker 1: going to kind of punch in on her a little bit.

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Speaker 1: They don't really do close up, close up be things

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Speaker 1: on Gilmore. They do sort of you know, waste up stuff.

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Speaker 1: That's that's all. That's as close as they get um.

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Speaker 1: And she you know, you don't really need to give

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Speaker 1: Lauren direction. She knows the shot, she knows what she

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Speaker 1: needs to be thinking. It's really just thinking the thoughts

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Speaker 1: and all the thoughts that you just mentioned are going

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Speaker 1: through her head and that's why you're getting those reactions. Yeah,

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Speaker 1: And didn't you think her face really depicted it? Because really,

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Speaker 1: right from the start, I'm like, she's not overly happy,

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Speaker 1: she's emotional she's happy. I was like, what is what

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Speaker 1: is she feeling? And what am I feeling? I was like,

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Speaker 1: am I because that was the start for me of

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Speaker 1: feeling nervous or something or anxious. I was like, something's not.

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Speaker 1: Something's not. That's good. That's good acting. I mean, that's

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Speaker 1: that's thinking the thoughts. All you have to do is

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Speaker 1: think the thoughts. And if you think the thoughts as

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Speaker 1: the character, the audience is going to get it, either

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Speaker 1: um subliminally or otherwise. You know, they'll get it. And

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Speaker 1: I think all the director maybe said to hers, listen,

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Speaker 1: we're gonna stay on you. We're gonna linger on you

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Speaker 1: for a while, So just milk it for all it's worth, okay, right, Yeah, yeah,

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Speaker 1: I think an actor would kind of like that. Yes, yes,

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Speaker 1: because that's where you get to do the real acting.

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Speaker 1: You get to think the thoughts, you know. And did

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Speaker 1: I do too much? She wasn't too much? No, no,

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Speaker 1: no no. It was real nice and subtle, and we

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Speaker 1: picked up Hers was not too much. It was just

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Speaker 1: a lot of wow mm yeah. And then we go

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Speaker 1: to Paris and she's totally unglued. I love them. I

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Speaker 1: was going to say unhinged already right out the gate,

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Speaker 1: She's like mean, God, yeah, I just mean this episode, Yeah,

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Speaker 1: it was almost she was so mean that when she

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Speaker 1: was right that Rory probably shouldn't have told Lane. She

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Speaker 1: was so mean leading up to it that I didn't

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Speaker 1: really have any sympathy for us, like, shut up, Paris.

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Speaker 1: But I don't know, what do you guys think of Paris.

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Speaker 1: I think that her relationship with with Professor what's his name,

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Speaker 1: york As m ash or Flaming. That sounded like a

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Speaker 1: fake name. It's such a because Asher has to be British, right, Um, yeah,

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Speaker 1: I guess their relationship. I don't I want to be

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Speaker 1: delicate about this, um, and I don't want to sound

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Speaker 1: I don't know how to say this without saying it

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Speaker 1: and sounding a certain way. So maybe well let's just

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Speaker 1: say alert alert. This could kiss you off. We're gonna

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Speaker 1: say it anyway, you know. I don't know if if

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Speaker 1: Asher was holding his end of the bargain up in

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Speaker 1: the bedroom, so to speak, maybe she wouldn't be so tense.

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Speaker 1: I mean, I don't want to say that's funny. I

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Speaker 1: just said that. I think that's their whole thing. That's

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Speaker 1: all they're like, that's all they really have so secretive.

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Speaker 1: It's like, I think she's pissed. Does the anxiety of

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Speaker 1: her getting found out trump the good feelings that asher's Oh,

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Speaker 1: I think she wants to be found out. Yeah, that's

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Speaker 1: what I'm confused about. Like, I feel like she wants

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Speaker 1: people to know because she thinks it's cool. She really does.

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Speaker 1: She thinks it's cool that she's dating man Um. But

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Speaker 1: at the same time, she's like, you know, being all

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Speaker 1: weird about Lane knowing. I'm like, you've got to decide

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Speaker 1: if you want people to know or not right or

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Speaker 1: knock it off. She loves being in the scandal. I

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Speaker 1: think that's that's a good point. Yeah, she loves the

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Speaker 1: messy like the Todd Draynus of it or this. Yeah,

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Speaker 1: it's like this is about me, Like I'm the one

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Speaker 1: that she has a superiority complex mixed with an inferior

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Speaker 1: And he's not married, right, it's just that he's old

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Speaker 1: and a professor. Yeah, I don't think he's married. No,

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Speaker 1: I don't either. What would his wife's name be, Dame

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Speaker 1: Dame Dorothy McAllister something like that? Um, who knows. Yeah,

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Speaker 1: she's grating. She can be great and can't she this

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Speaker 1: one's rough and she's so mean to that boyfriend, Like

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Speaker 1: the what's the runner roommate's name? Oh, Janet, Janet Janet.

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Speaker 1: I thought she was. So I'm glad you mentioned Clebold.

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Speaker 1: I got a little jarred by that because of the

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Speaker 1: the kid at Columbine? Am I the only one? Yeah,

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Speaker 1: that was weird and it was Columbine happened before this,

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Speaker 1: so I'm like, that was a weird yea. Columbine was nineties,

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Speaker 1: So it was that a weird name choice because that

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Speaker 1: immediately jarred me on that jersey. I was like, because

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Speaker 1: you could pick any names, So I don't know why. Yeah,

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Speaker 1: I don't know that was anyway. They have to clear

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Speaker 1: these names too, Yeah is that true? Yeah? The legal

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Speaker 1: department just make a name, you have to clear it. Yeah,

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Speaker 1: anything that appears on a TV show, it has to

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Speaker 1: be cleared first, or they make sure it's not trademarked

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Speaker 1: or something. They didn't get approval from Clebold or whatever.

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Speaker 1: You know, if it's someone if it's like a staff

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Speaker 1: member's name, does it still have to be proved? Like

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Speaker 1: it's like a question. They get the approval from the

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Speaker 1: staff member, right, Like if a writer has like if

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Speaker 1: a writer's last name was on the back, they would

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Speaker 1: just ask them. But it's not like the whole thing.

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Speaker 1: But what if there's five million Luke Dean's in the

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Speaker 1: world already. They can't just be Loop Dean's. It got cleared. Oh,

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Speaker 1: it has to be a trade mystery clearance on that.

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Speaker 1: We have to clear stuff too, and we get the

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Speaker 1: worst responses because I mean, let's say, you know, Joe

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Speaker 1: Smith is depicted in a certain way in a film

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Speaker 1: or a TV show, and Joe Smith doesn't like how

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Speaker 1: he's being depicted. You know, you can go after the studio,

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Speaker 1: getting crap at work, and my girlfriend just don't me

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Speaker 1: because you don't want to be associated with me anymore.

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Speaker 1: You know, it seems like it would be easy to

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Speaker 1: clear Joe Smith. But what about like they used Selene's

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Speaker 1: name in this and you know, culture and you can

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Speaker 1: something about being famed like that's public domain. Yeah, or

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Speaker 1: you're allowed to do it because it's like people are

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Speaker 1: famous or something. You need a lawyer. Really, where's Nicole

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Speaker 1: when we need her? I've got her on the phone

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Speaker 1: right now. Hey, honey. Yeah, you know it really jarred

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Speaker 1: me in this beginning sequence is um Rory sleeping in jeans,

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Speaker 1: Like literally, it's like the same thing. Can't she She's

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Speaker 1: not going to take him off right in front of us,

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Speaker 1: you know, but well then she they should have had

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Speaker 1: her in leggings. Yeah, I'm also so weird, like I

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Speaker 1: can't lay on my bed with clothes that like I

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Speaker 1: go out in my pajamas, like sit on my bed.

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Speaker 1: God bless you. I used to so I will not

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Speaker 1: bore everyone with my bug crisis of two. But I

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Speaker 1: thought I had bugs in the house. Turns out I

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Speaker 1: think they're in the yard. I will now never get

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Speaker 1: in bed or on the bed unless the clothes are

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Speaker 1: like clean. They're like your pajama clothes, like you're going

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Speaker 1: because you're you're afraid if there's any food remnants or

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Speaker 1: just attract bugs. Imagine Rory was like no that they

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Speaker 1: that she was at school all day or doing her thing,

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Speaker 1: and then like germs get on her and then she

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Speaker 1: lays in her bed. I'm with Utara. I'm more about them,

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Speaker 1: like being uncomfortable, Like it's it's tough to put me

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Speaker 1: in jeans as it is, let alone, like go to sleep.

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Speaker 1: You're trying to tell me you're sitting here right here,

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Speaker 1: and now in front of the whole world, in front

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Speaker 1: of our maker, saying that you never did a face

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Speaker 1: plant fully clothed in your bed after a night out

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Speaker 1: or woke up in the same close. I am the

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Speaker 1: person who will watch all of my makeup. Doesn't matter

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Speaker 1: how much alcohol I have had. I will watch my

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Speaker 1: face and put my pajamas on, because it's big regret

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Speaker 1: if you don't the repercussions from it. I once did

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Speaker 1: a face plant the bed. I hit the floor and

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Speaker 1: went and fell asleep. I have slept in my clothes,

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Speaker 1: for sure, but I probably I think I've managed a

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Speaker 1: face wash, but gross. I won't do it now, after

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Speaker 1: knowing how germany the world is I have to do.

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Speaker 1: People won't like this, but I have too. Showers a

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Speaker 1: day now is the night? Do you shower before you

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Speaker 1: go to bed? I shower every morning and that's it,

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Speaker 1: and then you just later. No, no, no, I shower.

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Speaker 1: I shower when I get back from the gym, which

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Speaker 1: I'm beginning to hate. Going to the gym now a

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Speaker 1: great way to start. Too crowded. It's too crowded because

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Speaker 1: they're all the new resolution people are in there, and

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Speaker 1: it's like, you know, it takes him about six weeks

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Speaker 1: to fade away. You've lost two ounces, good for you,

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Speaker 1: and they're just they're in the way, and it's like,

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Speaker 1: I don't even like going anymore. Are they usually gone?

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Speaker 1: Do they make it to March? Are they usually gone? Now?

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Speaker 1: They take usually texts about six weeks and they you know,

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Speaker 1: I don't think you can see. I'm so sick of

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Speaker 1: already everyone's laughing tranks. I wanted to get to the bleep,

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Speaker 1: oh my god, I'm hot, Oh god, Okay, Rory's got

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Speaker 1: her new jobs swiping, which I actually thought was pretty

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Speaker 1: funny bit, Like it was a funny bit all around,

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Speaker 1: was swiping or forgot to swipe the whole that was

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Speaker 1: a funny. I wonder if they still do that because

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Speaker 1: like I definitely did that in college with like my

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Speaker 1: meal card. You have to walk up, swipe, do the

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Speaker 1: whole thing. Like do they still do that? I never

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Speaker 1: went to the like cafeteria. What's the point of it?

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Speaker 1: Like my card had money on it, so like every

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Speaker 1: time you go, like it takes off it's five dollars

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Speaker 1: all you can eat? Or do you pay for what

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Speaker 1: you actually get? Like for us, we paid for what

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Speaker 1: we actually got right. So, like, I went to two

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Speaker 1: different college. First college was like all you can eat.

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Speaker 1: You you go in, before you enter the cafeteria, you

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Speaker 1: swipe and then you can get anything you want. And

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Speaker 1: then my other school it was more like um, like

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Speaker 1: an ATM card, Like honestly, like, you walk in, you

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Speaker 1: get what you want, you want, and you swipe at

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Speaker 1: the end. These people look like they were swiping at

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Speaker 1: the beginning, but that's I have done that before, and

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Speaker 1: it was like, you know, all you can eat the

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Speaker 1: type of situation. Also, I was today years old when

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Speaker 1: I realized you went to two different schools. Yeah, my

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Speaker 1: freshman year I went somewhere different than my last three years.

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Speaker 1: What Yeah where? I went to EUC Davis. I feel

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Speaker 1: like I told you this, Okay, it's coming back to me. Yeah.

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Speaker 1: I went to UC Davis for like two quarters and

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Speaker 1: then because I thought I wanted to be a vet,

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Speaker 1: like jokes on here I am. But you are dealing

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Speaker 1: with animals, aren't Yeah? Break wait, David's is a good school.

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Speaker 1: I mean, so is you where you went? But yeah, exactly,

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Speaker 1: it all worked out for the better. Huh. Anyway, Okay,

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Speaker 1: so I'm assuming they swipe at the beginning, and then

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Speaker 1: they can have a muffin or they can have twenty things.

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Speaker 1: It seems though. Yeah, the endowment is so large, you

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Speaker 1: would imagine it was just like a free buffet every day, right,

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Speaker 1: that's like for what they charge intuition. I mean, we

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Speaker 1: were charged. Can I have a bagel? Please? You think

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Speaker 1: is it too much? Charged? The same thing, and you

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Speaker 1: could eat. You didn't have to swipe, you just went.

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Speaker 1: It was a majority, but you could just eat. You

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Speaker 1: could skip breakfast or you could have five breakfasts. It

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Speaker 1: didn't matter because breakfast is a word. It is now Okay.

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Speaker 1: Anyway back to so did you know that Jared slash

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Speaker 1: Dean was back? Did you see it in the credits

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Speaker 1: or were you like, oh Dean, now, yeah, there he

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Speaker 1: is asking for permission to exist again. You know, I

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Speaker 1: love me a Dean cameo. And more importantly, I thought

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Speaker 1: he was so awesome, Like he definitely gets like gold

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Speaker 1: stars for ex boyfriend, you know points like he's like

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Speaker 1: totally doing the right thing here. I don't know he was.

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Speaker 1: He was grabbing her. He's grabbing her a little too

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Speaker 1: much there. Oh I didn't think so he was. I

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Speaker 1: thought a kiss I thought he wanted to kiss her.

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Speaker 1: I did too. I did too. I did too. Dude,

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Speaker 1: you're married, what are you doing? Well, what's happening? But

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Speaker 1: I don't know what's common. Don't tell me what's common.

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Speaker 1: I'm so glad you said that, because I also we're

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Speaker 1: jumping ahead. But I also thought, okay, so the parallels

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Speaker 1: were so exact, were so jumping ahead weight? Should we pause?

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Speaker 1: We'll get to it. I thought the physical acting that

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Speaker 1: you and Lauren did, oh my god, it was so good.

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Speaker 1: The way you hugged her, the way you like it was.

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Speaker 1: It was so cool, acted so beautifully. And also you're like, oh, yeah,

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Speaker 1: these two, that's not how you hug a friend, either

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Speaker 1: of them. Yeah, m I thought so in Rory's case

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Speaker 1: with Dean, But I thought, Luke, I do remember that

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Speaker 1: scene because it was a big deal scene for Lauren.

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Speaker 1: The preparation for Lauren was I mean, listen, in moments

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Speaker 1: like that, when you're with uh an actor, your your

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Speaker 1: scene partner, and it's on them to come up with

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Speaker 1: the tears. And you know, because she had it during

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Speaker 1: the scene as well, before we sat down at the bench,

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Speaker 1: right and then sitting down at the bench, she had

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Speaker 1: to break down. That's a lot of pressure to do that.

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Speaker 1: So you need you need a partner that's going to

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Speaker 1: vibe with you and just be quiet and just served

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Speaker 1: you that in those for all hours that it takes

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Speaker 1: to shoot that particular angles and all that stuff. Yes, um,

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Speaker 1: and I remember feeling, you know, so close to Lauren

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Speaker 1: because she she thanked me profusely after the scene was

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Speaker 1: over and and and paid me a huge compliment. And

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Speaker 1: I was just you know, hey, man, I'm just this

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Speaker 1: is my job. I'm just doing much. I'm just supporting you,

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Speaker 1: you know, because this is your moment to shine, all right,

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Speaker 1: this is your moment that you and so she so

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00:20:27,359 --> 00:20:30,440
Speaker 1: it was like you know, art imitating life and life

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Speaker 1: imitating art, you know that kind of a thing. So

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00:20:33,040 --> 00:20:36,359
Speaker 1: you really need to be there for so. I but

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Speaker 1: I do remember, gosh, I don't want to make this

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Speaker 1: too much of a like, hey, I wanted to make

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00:20:43,320 --> 00:20:46,400
Speaker 1: sure it was it was a friend hug, and there's

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Speaker 1: a difference and how you put your arm around and

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Speaker 1: how you hold No, it was not sexual, right, no, right, right, no, okay,

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00:20:53,880 --> 00:20:58,960
Speaker 1: it was but it was so affectionate, right, that would

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Speaker 1: be how I would just say, yeah, right, and just

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Speaker 1: the way because there was a lot to the hug,

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Speaker 1: different hand moves, and I think there was maybe even

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Speaker 1: a head there. Yeah, I put my hand on her head.

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Speaker 1: It was so just to let her know it's okay,

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Speaker 1: you're safe here and just go out and do what

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Speaker 1: you need to do. Word that might make me cringe,

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Speaker 1: but I want to say anyway, it was so tender,

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Speaker 1: like it was so loving, not in a creepy sect

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Speaker 1: way in a this is my best friend, this will

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Speaker 1: be my husband way right right, yeah, alright, in gentleman,

359
00:21:35,160 --> 00:21:39,800
Speaker 1: will be Luke. Looks like in the Forefront, I thought

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Speaker 1: Dean and Rory was the teenage because they're still teenagers

361
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Speaker 1: version of that. This was not quite as Yeah, it

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Speaker 1: wasn't she great, wasn't Alexis, but he was so great,

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Speaker 1: But the illness was on her. I get it. I

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00:21:59,720 --> 00:22:03,000
Speaker 1: get yeah, but but the onus is on Lauren, the

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00:22:03,119 --> 00:22:05,960
Speaker 1: onus is on on on Alexis. And I thought the

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Speaker 1: wonder experience something like you did, being like I've got

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Speaker 1: to bring my a game because this is a huge

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Speaker 1: scene for Alexis. You are that's that's when you were

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Speaker 1: just serving that actress. That's your job. Just serve them,

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Speaker 1: just be there for them, be let them, give them

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Speaker 1: their space, let them get their preparation. Because it's a

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00:22:30,320 --> 00:22:34,120
Speaker 1: big deal to Worrse though. Now see what a good

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Speaker 1: actor Jared because you're like, he's got four years under

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Speaker 1: his belt basically because this is one of his first

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Speaker 1: big roles. I can't remember if he'd gone off and

376
00:22:42,440 --> 00:22:45,920
Speaker 1: done other things at the same time, but like he is,

377
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Speaker 1: that's a game he brought to It felt so real.

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Speaker 1: It's it's connecting with the actor. It's connecting act. Good

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Speaker 1: acting is just connecting with the other person. You if

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Speaker 1: you really truly can neckt with them, you listen to them. Well,

381
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Speaker 1: if you don't listen to them and you're just thinking

382
00:23:05,000 --> 00:23:07,440
Speaker 1: about what you have to say, it's not going to

383
00:23:07,560 --> 00:23:11,120
Speaker 1: go well. And and going back, we see so our

384
00:23:11,160 --> 00:23:14,760
Speaker 1: first thing with Dean is we see him calling Rory

385
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Speaker 1: and they even wrote down cute banter. They had such

386
00:23:17,840 --> 00:23:21,160
Speaker 1: a cute scene which they shot on phones, so they're

387
00:23:21,200 --> 00:23:25,800
Speaker 1: literally shooting on their own pulling that off. Yeah, that's

388
00:23:25,800 --> 00:23:27,359
Speaker 1: how you do it. You know, you're not talking to

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Speaker 1: the other person, right, So, but he was, so you're talking,

390
00:23:30,840 --> 00:23:33,400
Speaker 1: you're talking to scripty. Well, even are you sure, even

391
00:23:33,400 --> 00:23:35,800
Speaker 1: in Gilmurt Girl, if they're not, like, are you really

392
00:23:35,800 --> 00:23:38,200
Speaker 1: talking to script? Talking to script? Because do they not

393
00:23:38,280 --> 00:23:40,920
Speaker 1: want to pay Jared to have to work that day

394
00:23:41,000 --> 00:23:43,159
Speaker 1: or that hour? Well, yeah, they're they're not scheduled to

395
00:23:43,200 --> 00:23:45,239
Speaker 1: be in that day, yeah right, right right, And if

396
00:23:45,240 --> 00:23:48,840
Speaker 1: they are, then they'll do it off camera, right, they'll

397
00:23:49,240 --> 00:23:51,840
Speaker 1: come from their trailer and they'll come do it. Sure. Yeah,

398
00:23:51,960 --> 00:23:54,680
Speaker 1: But if they're not the love that she steps away from,

399
00:23:55,520 --> 00:23:59,440
Speaker 1: she's all she realizes. There's a huge line of swipers

400
00:23:59,440 --> 00:24:04,760
Speaker 1: step up, don't I did find it really telling um

401
00:24:04,840 --> 00:24:07,360
Speaker 1: for like the future of the series that she saved

402
00:24:07,480 --> 00:24:10,000
Speaker 1: his phone number. I don't know, there was something that

403
00:24:10,080 --> 00:24:12,280
Speaker 1: I was like, oh, she's going to use that again

404
00:24:12,600 --> 00:24:14,480
Speaker 1: at some point. So that was just kind of like

405
00:24:14,520 --> 00:24:17,040
Speaker 1: a little like light bulb in my head. Good eye,

406
00:24:17,160 --> 00:24:22,439
Speaker 1: as they say. And I did notice, so before we

407
00:24:22,480 --> 00:24:25,000
Speaker 1: got into all the hair mess, I did notice that

408
00:24:25,080 --> 00:24:27,919
Speaker 1: Lauren or Laura, la whoever you want to say, that

409
00:24:27,960 --> 00:24:31,240
Speaker 1: her hair was long and scraggly. So and then it

410
00:24:31,280 --> 00:24:34,679
Speaker 1: became such a thing in the episode that I'm wondering,

411
00:24:34,720 --> 00:24:38,520
Speaker 1: did they like tell her like grow your hair out,

412
00:24:38,560 --> 00:24:41,080
Speaker 1: don't get a no, no, no, that the hair department

413
00:24:41,160 --> 00:24:44,639
Speaker 1: is more than equipped to make her hair look a

414
00:24:44,640 --> 00:24:49,160
Speaker 1: little ratty. You have to, like, I don't know, grow

415
00:24:49,160 --> 00:24:51,320
Speaker 1: it out. Look, those people are so good at what

416
00:24:51,359 --> 00:24:54,160
Speaker 1: they do. It's it's it's kind of amazing. I mean

417
00:24:54,160 --> 00:24:56,080
Speaker 1: they did. Look, they did that episode that they won

418
00:24:56,119 --> 00:25:00,960
Speaker 1: the Emmy for um that the Festival of Living Arts whatever. Yeah. Yeah,

419
00:25:01,480 --> 00:25:02,880
Speaker 1: I mean if they can do that, they can make

420
00:25:02,880 --> 00:25:05,399
Speaker 1: her hair look ready. I immediately noticed because she's like

421
00:25:05,440 --> 00:25:10,080
Speaker 1: in bed with Jason and her hair was like extraordinarily long.

422
00:25:10,240 --> 00:25:12,359
Speaker 1: And then Danielle, what did you think when you're like, oh,

423
00:25:12,480 --> 00:25:17,040
Speaker 1: Jason's in his like robe and box or shirtless shot. Yeah,

424
00:25:17,160 --> 00:25:19,520
Speaker 1: and and lore lines and lingerie. I was like, this

425
00:25:19,640 --> 00:25:25,880
Speaker 1: is escape for primetime television, like dang, especially for Gilmore girl. Yeah,

426
00:25:25,920 --> 00:25:30,520
Speaker 1: I looked away. I actually looked away. Shield your eyes.

427
00:25:31,320 --> 00:25:33,440
Speaker 1: I mean, I'm sort of feeling like they're in their groove.

428
00:25:35,720 --> 00:25:38,679
Speaker 1: I did have a w TF moment though that I

429
00:25:38,720 --> 00:25:43,399
Speaker 1: had like missed an episode because Emily mentions something about

430
00:25:43,560 --> 00:25:48,600
Speaker 1: Jason and you're like, do they know that they're together? Oh?

431
00:25:48,640 --> 00:25:53,040
Speaker 1: That's interesting? Didn't have that moment. She says something about

432
00:25:53,680 --> 00:25:55,920
Speaker 1: do they know? Wait a minute, when he came into

433
00:25:56,000 --> 00:26:00,760
Speaker 1: Jason or something, and I'm like, I literally w t

434
00:26:01,040 --> 00:26:04,760
Speaker 1: F wait they find out. I don't think they know,

435
00:26:05,320 --> 00:26:08,600
Speaker 1: they don't know, they don't mean at least, but she

436
00:26:09,080 --> 00:26:13,800
Speaker 1: literally says, bring Jason. Did they figure it out when

437
00:26:13,840 --> 00:26:17,360
Speaker 1: they had to be the fake date at the charity?

438
00:26:17,440 --> 00:26:21,720
Speaker 1: I'm like confused. Nothing gets by Emily, and that's probably

439
00:26:21,760 --> 00:26:26,720
Speaker 1: what the reveal will be, and she'll I almost think

440
00:26:26,760 --> 00:26:28,480
Speaker 1: that Laura, I almost I'm gonna protict the future. I

441
00:26:28,480 --> 00:26:29,720
Speaker 1: haven't seen it yet, but I kind of have a

442
00:26:29,720 --> 00:26:31,240
Speaker 1: gut feeling it's going to be Laurel. I was gonna

443
00:26:31,280 --> 00:26:35,359
Speaker 1: sit down and tell her mother and and Emily will go, Laurela,

444
00:26:35,520 --> 00:26:39,560
Speaker 1: I've known this for ages. What took your crazy? Because

445
00:26:39,800 --> 00:26:44,080
Speaker 1: she literally says bring Jason, and Lorelie says, well, he

446
00:26:44,119 --> 00:26:47,080
Speaker 1: may be on tour, and then they hang up and

447
00:26:47,160 --> 00:26:50,240
Speaker 1: they say she can hear naked people because remember she's

448
00:26:50,240 --> 00:26:54,879
Speaker 1: getting dressed, and then but obviously, what do we have

449
00:26:54,880 --> 00:26:57,959
Speaker 1: the transcript? Daniel, Yeah, she did say something. She'll know

450
00:26:58,040 --> 00:27:01,240
Speaker 1: that I'm undressed. Maybe that was just her, but she

451
00:27:01,359 --> 00:27:05,040
Speaker 1: definitely said bring Jason. Why would she say that to

452
00:27:05,119 --> 00:27:06,960
Speaker 1: lure Life, She doesn't know she would say it to

453
00:27:07,080 --> 00:27:10,120
Speaker 1: Richard because this is letting you know that she does know,

454
00:27:10,840 --> 00:27:14,000
Speaker 1: but no, she hasn't been told because nothing gets past Emily.

455
00:27:14,400 --> 00:27:16,639
Speaker 1: I just feel like they didn't ever want us to

456
00:27:16,640 --> 00:27:19,560
Speaker 1: have that moment. They just skipped over. No, they want

457
00:27:19,640 --> 00:27:21,840
Speaker 1: us to have the moment where Laurelai tells her finally

458
00:27:21,880 --> 00:27:25,560
Speaker 1: and she says, I've known that for a while. Laurel Oh,

459
00:27:25,920 --> 00:27:29,320
Speaker 1: that's not about theory, but but she I don't know, Danielle.

460
00:27:30,000 --> 00:27:35,800
Speaker 1: I see Danielle's eyes. I'm looking. It's right where uh,

461
00:27:35,960 --> 00:27:39,800
Speaker 1: right after Dean calls Rory and they have their cute banter,

462
00:27:40,040 --> 00:27:43,040
Speaker 1: and then it's right towards the beginning. She's in the

463
00:27:43,080 --> 00:27:45,679
Speaker 1: bed and they're both on the phones, so there's like

464
00:27:45,720 --> 00:27:47,960
Speaker 1: a lot of jibber jabber, like she's on the phone

465
00:27:47,960 --> 00:27:51,080
Speaker 1: and he's on the phone, and then they hang up

466
00:27:51,160 --> 00:27:53,560
Speaker 1: and they're in bed and then maybe making out. I'll

467
00:27:53,600 --> 00:28:01,000
Speaker 1: take your word for it, Jackie, Jackie. Okay. So we're

468
00:28:01,000 --> 00:28:03,800
Speaker 1: looking at this and it says Emily, well, guess who's

469
00:28:03,840 --> 00:28:07,600
Speaker 1: demanding we all make an appearance at lunch. Mom, your

470
00:28:07,600 --> 00:28:10,120
Speaker 1: grandmother is coming back from Palm Beach. Okay, keep going.

471
00:28:10,920 --> 00:28:13,800
Speaker 1: Your father has to run over oh, here it is.

472
00:28:15,160 --> 00:28:17,320
Speaker 1: She wants to have lunch, sorry, a luncheon the day

473
00:28:17,320 --> 00:28:20,240
Speaker 1: after tomorrow you meet your father, and apparently she wants

474
00:28:20,240 --> 00:28:24,080
Speaker 1: to meet Jason. All we need is that filthy eminem

475
00:28:24,080 --> 00:28:27,120
Speaker 1: fellow to make a perfect afternoon formation. She says, I'll

476
00:28:27,160 --> 00:28:29,280
Speaker 1: try to track him down, but you know he might

477
00:28:29,280 --> 00:28:32,640
Speaker 1: be on tour something. So she's not after she wants

478
00:28:32,880 --> 00:28:36,159
Speaker 1: she wants to meet Jason because he's in he's in

479
00:28:36,200 --> 00:28:39,160
Speaker 1: business with her son, And why would look Nope, I

480
00:28:39,320 --> 00:28:42,440
Speaker 1: have to throw flag on the plane, because why would

481
00:28:42,520 --> 00:28:45,600
Speaker 1: Laurel I say, well, I'll try to track him down, mom,

482
00:28:45,840 --> 00:28:48,600
Speaker 1: but you know he might be on tour. Emily wouldn't

483
00:28:48,600 --> 00:28:51,440
Speaker 1: even bring this up. If Tricks wants to meet Jason

484
00:28:51,520 --> 00:28:55,920
Speaker 1: because of the business, she would say it to Richard, No,

485
00:28:57,280 --> 00:29:01,720
Speaker 1: I think. But she's not asking for for Lorelei to

486
00:29:01,800 --> 00:29:04,960
Speaker 1: reach out. She's saying, apparently she wants to meet Jason.

487
00:29:05,200 --> 00:29:07,880
Speaker 1: All we need is that filthy eminem fellow to make

488
00:29:07,920 --> 00:29:11,360
Speaker 1: it a perfect afternoon for me. She's not asking lore like,

489
00:29:11,520 --> 00:29:14,240
Speaker 1: can you make sure he shows up? Loyally is the

490
00:29:14,280 --> 00:29:17,160
Speaker 1: one that says I'll try to track him down, So

491
00:29:17,240 --> 00:29:23,600
Speaker 1: she's showing her cards here and what's not asking h

492
00:29:24,480 --> 00:29:27,240
Speaker 1: I'm going to let the people decide. I think you're

493
00:29:27,240 --> 00:29:29,680
Speaker 1: making too much of it. I think this is the

494
00:29:29,760 --> 00:29:32,560
Speaker 1: debate of the Make sure somebody puts this on the

495
00:29:32,720 --> 00:29:36,640
Speaker 1: Graham I need to know. Okay, well, I mean we'll

496
00:29:36,680 --> 00:29:38,520
Speaker 1: move on, but I'm gonna hold my ground on this

497
00:29:38,560 --> 00:29:43,560
Speaker 1: one girl. Um okay. So then we go back to

498
00:29:43,600 --> 00:29:47,280
Speaker 1: the inn and we're I'm starting to realize things are

499
00:29:47,360 --> 00:29:54,560
Speaker 1: not good with the bank because she's not paying Tom.

500
00:29:54,640 --> 00:29:59,680
Speaker 1: Yeah he was what a good guy? Right? Yeah? Tom

501
00:30:00,640 --> 00:30:04,280
Speaker 1: let him slide for a couple of days and yeah,

502
00:30:04,320 --> 00:30:06,960
Speaker 1: but that's the tough one. And then she says, ask

503
00:30:07,000 --> 00:30:12,280
Speaker 1: your parents, ask Luke, which is like, you know, everybody thinks,

504
00:30:12,520 --> 00:30:15,080
Speaker 1: first of all, you're not asking somebody for money that

505
00:30:15,200 --> 00:30:20,880
Speaker 1: you're not like a second choice. It's like it's a

506
00:30:20,960 --> 00:30:24,920
Speaker 1: pig chunk of money. Luke has it. Yeah, I guarantee

507
00:30:24,920 --> 00:30:26,840
Speaker 1: you he did. He do it, he'd give it to her.

508
00:30:27,840 --> 00:30:29,640
Speaker 1: It's just interesting that she's like, I'm going to take

509
00:30:29,680 --> 00:30:32,440
Speaker 1: you to this fancy dinner to then ask you for

510
00:30:32,600 --> 00:30:38,680
Speaker 1: thirty dollars, Like, what what is happening? Why would she

511
00:30:38,720 --> 00:30:41,400
Speaker 1: pick a fancy restaurant where Luke has a dress up

512
00:30:41,400 --> 00:30:45,280
Speaker 1: at right, something he hates obviously would have given it

513
00:30:45,320 --> 00:30:50,960
Speaker 1: to her. Yes, absolutely, So okay, so all this mess

514
00:30:51,560 --> 00:30:54,760
Speaker 1: and then we have the Lane messes up with Paris

515
00:30:56,080 --> 00:31:01,280
Speaker 1: and Paris melts down. He goes to the wiping swiping job,

516
00:31:01,320 --> 00:31:04,240
Speaker 1: and I look, Paris wasn't wrong, but she'd been such

517
00:31:04,280 --> 00:31:07,280
Speaker 1: a pill at that point that I was like, you

518
00:31:07,320 --> 00:31:10,520
Speaker 1: know what, she's just coming to people too, strong man.

519
00:31:10,640 --> 00:31:14,520
Speaker 1: It's just like, there's a way to this happens every

520
00:31:14,600 --> 00:31:18,080
Speaker 1: day in every relationship. Somebody says something that slips. So no,

521
00:31:18,760 --> 00:31:21,960
Speaker 1: and she's not just reading everybody the riot act, I

522
00:31:22,000 --> 00:31:27,240
Speaker 1: don't well, and then it was so like summer. She

523
00:31:27,480 --> 00:31:30,920
Speaker 1: mentions Lane should be out and then says the roommates

524
00:31:30,920 --> 00:31:33,800
Speaker 1: agree that Mari has to go have the roommate me,

525
00:31:34,800 --> 00:31:42,240
Speaker 1: which was so uncom Well, she's not going there, right, Yeah.

526
00:31:42,400 --> 00:31:45,840
Speaker 1: I mean look, if they didn't, they're paying in tuition,

527
00:31:46,000 --> 00:31:48,000
Speaker 1: you know, that's they're not signing up for that. If

528
00:31:48,080 --> 00:31:50,640
Speaker 1: I had a third person in my two girl room,

529
00:31:50,680 --> 00:31:55,360
Speaker 1: it would get crowded. Yeah. Yeah, it's just not it's

530
00:31:55,360 --> 00:32:03,320
Speaker 1: not kosher, not kosher yea. And Lane was so cool.

531
00:32:03,560 --> 00:32:07,040
Speaker 1: Lane was cool in this whole episode. She also looks great.

532
00:32:07,200 --> 00:32:09,080
Speaker 1: She was cool. She's like, no, I got it, I'll

533
00:32:09,120 --> 00:32:14,960
Speaker 1: go yeah. But I really thought Janet really stood out

534
00:32:15,200 --> 00:32:19,480
Speaker 1: in this episode, really had some great comebacks and you know,

535
00:32:19,600 --> 00:32:23,360
Speaker 1: held her ground, and I thought she won those confrontations

536
00:32:24,080 --> 00:32:27,200
Speaker 1: quite frankly. I mean it's like I just I don't know.

537
00:32:27,320 --> 00:32:30,680
Speaker 1: It's like this character is just well, these people just

538
00:32:30,720 --> 00:32:34,200
Speaker 1: are not taking They won't take Paris as ship like

539
00:32:34,240 --> 00:32:37,000
Speaker 1: they did it children. These people are like no, right,

540
00:32:39,000 --> 00:32:42,160
Speaker 1: Like you're not cool here, right, And I'm as cool

541
00:32:42,200 --> 00:32:44,680
Speaker 1: as you are. So it's like you, right, you don't

542
00:32:44,720 --> 00:32:47,280
Speaker 1: have this place wired yet. You know, you don't have

543
00:32:47,360 --> 00:32:51,680
Speaker 1: your Madeline Louise, you don't have your little gang controlling everything,

544
00:32:51,760 --> 00:32:53,960
Speaker 1: and you know, change your behavior. I mean, she's just

545
00:32:54,040 --> 00:32:58,920
Speaker 1: like blowing a gasket every time she's opened her mouth.

546
00:32:59,480 --> 00:33:02,440
Speaker 1: So at this point in the episode, I already wrote

547
00:33:03,360 --> 00:33:06,880
Speaker 1: I'm sad, So that was what I was like. I

548
00:33:07,280 --> 00:33:08,880
Speaker 1: just wanted to make a note to see what you

549
00:33:08,920 --> 00:33:11,920
Speaker 1: guys were feeling, because I'm like, is the episode already sad?

550
00:33:12,040 --> 00:33:14,120
Speaker 1: Or did I go into it in a weird headspace?

551
00:33:14,200 --> 00:33:16,840
Speaker 1: Like I already was sort of blue? Like I'm like,

552
00:33:17,040 --> 00:33:22,120
Speaker 1: m well, a lot of the We're not really used

553
00:33:22,160 --> 00:33:26,200
Speaker 1: to seeing everything sort of collapsing like this for both

554
00:33:26,800 --> 00:33:31,040
Speaker 1: Laurel and Rory in the same episode at this pace.

555
00:33:32,040 --> 00:33:35,280
Speaker 1: So I think the reason the Tricksie scene was so

556
00:33:35,400 --> 00:33:39,800
Speaker 1: delightful was because it was really funny and we really needed.

557
00:33:39,880 --> 00:33:44,120
Speaker 1: I mean, you talk about comic relief. Um, I mean

558
00:33:44,160 --> 00:33:48,000
Speaker 1: even even Laureline Suki got into a knockdown drag out,

559
00:33:48,080 --> 00:33:52,080
Speaker 1: which was that it was that was the most disturbing

560
00:33:52,160 --> 00:33:55,440
Speaker 1: because it was like, you know, Suki is being portrayed

561
00:33:55,440 --> 00:33:58,840
Speaker 1: as being so engaged and involved and everything. All the

562
00:33:58,840 --> 00:34:01,560
Speaker 1: pipes are in and she's so excited and everything is exciting,

563
00:34:01,600 --> 00:34:03,640
Speaker 1: and then you know she's acting like, you know, because

564
00:34:03,680 --> 00:34:06,360
Speaker 1: she's tired. Obviously, Well I don't. It's not really my job,

565
00:34:06,480 --> 00:34:09,359
Speaker 1: it's not you know, I I come in. Yeah, and

566
00:34:09,400 --> 00:34:13,319
Speaker 1: it's like it's like, whoa. So she wasn't having a

567
00:34:13,360 --> 00:34:16,719
Speaker 1: lot of empathy for what Laura la I was going. Right,

568
00:34:16,840 --> 00:34:20,840
Speaker 1: it was weird, right, didn't you find that odd? Yeah?

569
00:34:21,040 --> 00:34:24,120
Speaker 1: Because obviously I'm sure she feels bad, but I would

570
00:34:24,160 --> 00:34:27,919
Speaker 1: have been like, you know what, You're right, I'm totally overwhelmed. Yeah,

571
00:34:27,960 --> 00:34:29,759
Speaker 1: but here's the thing, you know, you know why that

572
00:34:29,880 --> 00:34:32,719
Speaker 1: happened because laurel I took a tone with her and

573
00:34:32,880 --> 00:34:36,120
Speaker 1: was talking down to her, and Suki was like, whoa,

574
00:34:36,800 --> 00:34:39,000
Speaker 1: don't talk to you know the tone it was, the tone,

575
00:34:39,400 --> 00:34:42,400
Speaker 1: It was like, listen, rich girl, I work for a living.

576
00:34:42,600 --> 00:34:44,759
Speaker 1: Don't do this. Don't talk to me this way. You

577
00:34:44,800 --> 00:34:46,680
Speaker 1: know what I mean. I don't I'm not your slave.

578
00:34:46,680 --> 00:34:49,160
Speaker 1: I don't work for you. I I screwed up. I said,

579
00:34:49,160 --> 00:34:51,680
Speaker 1: I was sorry, not get out of here. I got,

580
00:34:51,840 --> 00:34:53,200
Speaker 1: I got, I'm tired and I got a baby to

581
00:34:53,239 --> 00:34:56,279
Speaker 1: deal with. Don't mess with me. Yeah, yeah, that's what

582
00:34:56,320 --> 00:35:01,520
Speaker 1: that was. I thought it was. Also Lorelai was taking

583
00:35:01,520 --> 00:35:03,520
Speaker 1: it all on, taking it all on, taking it all on,

584
00:35:03,719 --> 00:35:06,480
Speaker 1: and then mad that no one's helping, whereas maybe she

585
00:35:06,520 --> 00:35:13,040
Speaker 1: should have been more transparent all along. We're like out

586
00:35:13,040 --> 00:35:17,600
Speaker 1: of money, Like she wasn't looping Suki into all the things. Yeah,

587
00:35:17,960 --> 00:35:21,960
Speaker 1: so then it's a little bit gnarly to then be like, well,

588
00:35:22,080 --> 00:35:24,080
Speaker 1: are you not solving it all? You know what I mean?

589
00:35:25,239 --> 00:35:30,319
Speaker 1: She sounded like Emily, Oh didn't she? So are you

590
00:35:30,400 --> 00:35:36,040
Speaker 1: team Suki rather than team and that yes? Yeah yeah

591
00:35:36,640 --> 00:35:39,800
Speaker 1: does that mean? Yeah, it's like she's got a baby,

592
00:35:40,160 --> 00:35:43,439
Speaker 1: You got a baby? You gotta take care of a baby. Yeah,

593
00:35:43,480 --> 00:35:46,520
Speaker 1: I understand both perspectives, because it's like, all right, Sukie,

594
00:35:46,640 --> 00:35:50,520
Speaker 1: you're supposed to help me start this business and you're not.

595
00:35:51,480 --> 00:35:54,479
Speaker 1: And then Suki is like, sorry, you're getting your hair

596
00:35:54,600 --> 00:35:57,719
Speaker 1: done and taking care of a child. You know. So

597
00:35:57,800 --> 00:36:00,160
Speaker 1: it's like I can see it from both perspectives. You're

598
00:36:00,200 --> 00:36:02,919
Speaker 1: getting your hair done, rich girl to approve, so you're

599
00:36:03,160 --> 00:36:09,360
Speaker 1: rich rich uh ornerary grandmother approves of you? Yeah, you know.

600
00:36:09,440 --> 00:36:11,160
Speaker 1: I mean because you're gonna go have dinner at the

601
00:36:11,160 --> 00:36:14,600
Speaker 1: palace again. I mean, you really, let's get some perspectives.

602
00:36:15,040 --> 00:36:16,480
Speaker 1: I'm not gonna lie and go as far as this.

603
00:36:17,200 --> 00:36:22,200
Speaker 1: I just thought. I don't know, I I get I

604
00:36:22,239 --> 00:36:24,560
Speaker 1: think in any business like this, where you're trying to

605
00:36:24,880 --> 00:36:26,959
Speaker 1: do this and there's so much pressure, there is going

606
00:36:27,000 --> 00:36:31,240
Speaker 1: to be this fight between the two business partners almost

607
00:36:31,280 --> 00:36:35,160
Speaker 1: inevitable there. You know, they're they're they're there. They want

608
00:36:35,200 --> 00:36:37,680
Speaker 1: their in to have the special sink, the special stove.

609
00:36:37,719 --> 00:36:41,920
Speaker 1: I mean, you know, she's an extraordinary chef, that's what

610
00:36:41,960 --> 00:36:44,160
Speaker 1: she does. She wants that equipment you want to have,

611
00:36:45,520 --> 00:36:47,480
Speaker 1: you know, you want to throw great dinner parties over

612
00:36:47,520 --> 00:36:49,799
Speaker 1: there and great events You're gonna have to give me

613
00:36:49,880 --> 00:36:51,920
Speaker 1: the equipment I need so that I can produce this

614
00:36:52,000 --> 00:36:56,319
Speaker 1: great food, you know what I mean? So yeah, up,

615
00:36:56,400 --> 00:37:00,080
Speaker 1: Buttercup doing the best I can. And I think or

616
00:37:00,080 --> 00:37:01,960
Speaker 1: a lie, I think they're both doing the best they can.

617
00:37:02,960 --> 00:37:06,040
Speaker 1: Well if if Laura la is I mean, who's withholding

618
00:37:06,080 --> 00:37:10,439
Speaker 1: the financial information from Michelle, well, then that's not her

619
00:37:10,480 --> 00:37:14,400
Speaker 1: doing the best she can, is it correct? And I

620
00:37:14,440 --> 00:37:18,320
Speaker 1: think she should have told Suki much sooner, much earlier

621
00:37:18,360 --> 00:37:20,800
Speaker 1: that there was these problems. We've known for a while

622
00:37:20,960 --> 00:37:23,560
Speaker 1: there were problems, right, maybe Suki could have helped out.

623
00:37:23,600 --> 00:37:26,520
Speaker 1: Maybe it wouldn't have been so stressful and so last minute,

624
00:37:26,560 --> 00:37:31,600
Speaker 1: and maybe maybe Luke could have helped up. Maybe well,

625
00:37:31,600 --> 00:37:34,080
Speaker 1: remember Laurela wasn't ordering take out, she cut off the

626
00:37:34,120 --> 00:37:36,800
Speaker 1: cable like all these things. She's been trying to save money.

627
00:37:36,960 --> 00:37:39,040
Speaker 1: I know, I get it. She's proud, she wants to

628
00:37:39,040 --> 00:37:40,640
Speaker 1: do it herself. She just want to get hand out.

629
00:37:40,680 --> 00:37:43,799
Speaker 1: I get it, right, But still, you know, don't take

630
00:37:43,840 --> 00:37:46,719
Speaker 1: it out on sweet Suki with a baby asleep in

631
00:37:46,760 --> 00:37:50,319
Speaker 1: the next room, because you know her, her mama bear,

632
00:37:50,440 --> 00:37:52,759
Speaker 1: you know, Suki's Mama Bear came out. It's like, hey,

633
00:37:52,800 --> 00:37:55,080
Speaker 1: you don't talk to me like this in my house

634
00:37:55,360 --> 00:37:57,799
Speaker 1: in front of my child, who you're waking up right now.

635
00:37:58,160 --> 00:38:00,160
Speaker 1: And it's like that was going to get testy. That

636
00:38:00,239 --> 00:38:03,000
Speaker 1: was going to get like. Also, don't think Laurel was wrong,

637
00:38:03,760 --> 00:38:08,960
Speaker 1: m the tone was wrong. Sorry, she's like waving her

638
00:38:09,000 --> 00:38:11,880
Speaker 1: finger at her from on high. I think she was

639
00:38:11,920 --> 00:38:15,319
Speaker 1: just fully melting down. And that Suki said she was

640
00:38:15,320 --> 00:38:19,520
Speaker 1: going to be there and wasn't there. There's also that too,

641
00:38:19,960 --> 00:38:24,160
Speaker 1: was like she had a pretty good excuse for sure,

642
00:38:24,239 --> 00:38:26,640
Speaker 1: but so how so wait a minute, and Laurel has

643
00:38:26,680 --> 00:38:29,440
Speaker 1: been there too, She's raised the child, she's had a baby.

644
00:38:29,800 --> 00:38:32,640
Speaker 1: It's like she understands what that's like. You didn't get

645
00:38:32,640 --> 00:38:35,680
Speaker 1: any sleep, the baby comes first. It's like that should

646
00:38:35,680 --> 00:38:41,520
Speaker 1: have calmed her down. It's like, come on, where's where's

647
00:38:41,560 --> 00:38:45,440
Speaker 1: the empathy? Unpopular opinion. I'm not sure. I totally agree,

648
00:38:45,480 --> 00:38:49,720
Speaker 1: where's the mother to mother empathy here? And where where?

649
00:38:49,760 --> 00:38:52,640
Speaker 1: And lauralize the veteran mother. I mean she's the first

650
00:38:52,640 --> 00:38:56,120
Speaker 1: time mother. I think she's already like the straw that

651
00:38:56,160 --> 00:38:58,239
Speaker 1: broke the camel's back. I think he said she was

652
00:38:58,239 --> 00:39:00,680
Speaker 1: going to be there. I don't know what if I

653
00:39:00,760 --> 00:39:05,879
Speaker 1: just didn't show up for this asleep, well, I mean

654
00:39:06,200 --> 00:39:12,080
Speaker 1: you'd be like, what, Well, we just wouldn't have recorded. Well,

655
00:39:12,200 --> 00:39:15,399
Speaker 1: the thin didn't get delivered and called a helicopter crew

656
00:39:15,400 --> 00:39:17,000
Speaker 1: and gotten the hell up there to get you out

657
00:39:17,000 --> 00:39:20,239
Speaker 1: of whatever mess you're in. I know, it's true. It's

658
00:39:20,280 --> 00:39:23,560
Speaker 1: like it got so messy that it's like, yeah, it

659
00:39:23,640 --> 00:39:29,080
Speaker 1: could have been preventable messiness had Laurel told everybody what

660
00:39:29,200 --> 00:39:33,920
Speaker 1: was going on as her business partners. She needs to

661
00:39:33,960 --> 00:39:36,960
Speaker 1: be upfront about that. Yeah, Like she needs to tell Sue,

662
00:39:37,000 --> 00:39:39,920
Speaker 1: she needs to tell Michelle like, hey guys, this is happening,

663
00:39:39,920 --> 00:39:44,319
Speaker 1: like I can't yeah, and she can't, not that we're

664
00:39:44,320 --> 00:39:51,840
Speaker 1: not even paying Michelle leadership leadership skills. Yeah yeah, So okay,

665
00:39:51,880 --> 00:39:53,719
Speaker 1: So we go to the diner and immediately I loved

666
00:39:53,719 --> 00:39:55,600
Speaker 1: the bon Jovi hat, not gonna lie, and then I

667
00:39:55,680 --> 00:39:57,080
Speaker 1: never got a shout out because I was like a

668
00:39:57,160 --> 00:39:59,879
Speaker 1: cute hat. So this is where she said, so Lane,

669
00:40:00,000 --> 00:40:04,880
Speaker 1: it's her job back, and uh, this is where Laurelie says,

670
00:40:07,280 --> 00:40:08,919
Speaker 1: I think this is Yeah, this is where Laurelie says,

671
00:40:08,920 --> 00:40:11,680
Speaker 1: can you have dinner with me? And now he has

672
00:40:11,719 --> 00:40:15,560
Speaker 1: to dress up, which is like so true Daniels being mean,

673
00:40:15,920 --> 00:40:17,520
Speaker 1: and then I think this is where, Yeah, this is

674
00:40:17,520 --> 00:40:20,960
Speaker 1: where Lane and Mrs Kim seeing each other, and she says,

675
00:40:21,120 --> 00:40:30,880
Speaker 1: hello Lane, Hello Mrs Killer. I know I'm ready for

676
00:40:30,920 --> 00:40:33,920
Speaker 1: them to be resolved. I'm ready for this fight to

677
00:40:33,960 --> 00:40:37,279
Speaker 1: be over. Kind of done with it. Oh okay. So

678
00:40:37,320 --> 00:40:39,480
Speaker 1: then we go back to Yale and I thought, my god,

679
00:40:40,080 --> 00:40:46,680
Speaker 1: what uh orchestrated scene? There were so many extras. The

680
00:40:46,920 --> 00:40:51,279
Speaker 1: Yale hallway was like so crowded. And then we go

681
00:40:51,360 --> 00:40:55,080
Speaker 1: into the class and oh boy, I knew immediately he

682
00:40:55,160 --> 00:40:59,440
Speaker 1: knew what she was doing there. Hm. He's looking for

683
00:40:59,440 --> 00:41:02,400
Speaker 1: the paper and tells her it's a D A D.

684
00:41:04,080 --> 00:41:06,120
Speaker 1: She goes into the classes, she goes into the office,

685
00:41:06,600 --> 00:41:09,000
Speaker 1: she goes into his classroom for the one on one

686
00:41:09,560 --> 00:41:13,760
Speaker 1: that I think it's the office last, it's like office hours.

687
00:41:13,760 --> 00:41:17,200
Speaker 1: I think they was devastating. The blood is to the

688
00:41:17,239 --> 00:41:21,880
Speaker 1: blood thinned. She's she's she's not a guiltmore true Gilmore.

689
00:41:22,640 --> 00:41:26,640
Speaker 1: She has to cut a class. Oh no, I know.

690
00:41:26,840 --> 00:41:29,120
Speaker 1: I like this for her though, because I feel like

691
00:41:29,520 --> 00:41:32,840
Speaker 1: her entire life she's, you know, everything has come to

692
00:41:32,880 --> 00:41:35,160
Speaker 1: her on a silver platter, and the sense of she

693
00:41:35,280 --> 00:41:38,759
Speaker 1: was the smartest in her class, she got the cutest boys, like,

694
00:41:38,840 --> 00:41:41,399
Speaker 1: you know, like she was a star in Stars. That's

695
00:41:41,440 --> 00:41:43,200
Speaker 1: what happened to her though at the beginning of Chilton,

696
00:41:43,280 --> 00:41:47,279
Speaker 1: remember the very beginning of Children's Overwhelmed. Yeah, it's true.

697
00:41:48,640 --> 00:41:51,200
Speaker 1: It takes so like, yeah, it does take her a minute.

698
00:41:51,200 --> 00:41:53,160
Speaker 1: But now it's time for her to be like, all right,

699
00:41:53,719 --> 00:41:56,200
Speaker 1: the real world is a way different than Stars hollow,

700
00:41:56,360 --> 00:41:59,640
Speaker 1: and she has to adjust, which I also like for

701
00:41:59,680 --> 00:42:03,160
Speaker 1: her who gives a crap about dropping a class? Like,

702
00:42:03,719 --> 00:42:07,320
Speaker 1: who cares? That's a big deal, it's a point of pride.

703
00:42:07,400 --> 00:42:10,000
Speaker 1: It might it might be like she doesn't have enough

704
00:42:10,040 --> 00:42:13,320
Speaker 1: credits to qualify as a full time student. No, she's

705
00:42:13,360 --> 00:42:16,600
Speaker 1: taking so many classes. If you're someone that cares about

706
00:42:16,600 --> 00:42:20,760
Speaker 1: their grades and their studies, dropping a class is like failure,

707
00:42:21,160 --> 00:42:24,040
Speaker 1: you know what I mean, Like they cannot handle that

708
00:42:24,400 --> 00:42:27,560
Speaker 1: academic load, you know what I mean. Like it's a

709
00:42:27,560 --> 00:42:30,279
Speaker 1: big deal. It's a big deal. Oh my god, I said.

710
00:42:30,280 --> 00:42:38,040
Speaker 1: I was like, I'll just drop that on. It'll be fine.

711
00:42:39,200 --> 00:42:41,040
Speaker 1: I think. I also, like work so hard to get

712
00:42:41,040 --> 00:42:43,839
Speaker 1: into college. Then once I was there, I'm like, well

713
00:42:44,000 --> 00:42:49,080
Speaker 1: I'm good if I get season. Did you find college easy? Yeah?

714
00:42:49,440 --> 00:42:51,640
Speaker 1: So easy? It was. It was like, did you go

715
00:42:51,680 --> 00:42:54,120
Speaker 1: to You went to a private school. I went to Berkeley.

716
00:42:54,520 --> 00:42:58,440
Speaker 1: You went to private high school? No? Public? But I

717
00:42:58,520 --> 00:43:01,000
Speaker 1: knew in high school you're working so hard to get

718
00:43:01,040 --> 00:43:05,799
Speaker 1: into college. Were val Victorian? No? But I had like

719
00:43:06,000 --> 00:43:10,600
Speaker 1: I wasn't. I wasn't a dumb dum. Did you get

720
00:43:10,600 --> 00:43:13,480
Speaker 1: into other? Did you get in? Did you apply to Stanford? No?

721
00:43:13,560 --> 00:43:16,680
Speaker 1: I only did you apply to Harvard? Listening to save

722
00:43:16,719 --> 00:43:19,280
Speaker 1: your emails? We know you don't care. No, I only applied.

723
00:43:19,760 --> 00:43:23,840
Speaker 1: I only apply, I know, save your emails. He's asking me,

724
00:43:23,880 --> 00:43:26,400
Speaker 1: I'm not going to be rooting. Answer. I only applied

725
00:43:26,400 --> 00:43:29,600
Speaker 1: to cal U, C. L. A. Davis and Santa Barbara. Okay,

726
00:43:30,000 --> 00:43:37,480
Speaker 1: I went four for four humble brag m. That's awesome. California.

727
00:43:37,520 --> 00:43:40,520
Speaker 1: I love California. Did you get Did you get into

728
00:43:40,520 --> 00:43:45,839
Speaker 1: everywhere you applied me? You're asking me? Yeah, God, no,

729
00:43:47,640 --> 00:43:51,560
Speaker 1: where'd you go again? Oh? Rutgers? That's good school? But

730
00:43:51,600 --> 00:43:54,400
Speaker 1: I applied everywhere I played Harvard? You applied to Stanford?

731
00:43:54,400 --> 00:43:55,920
Speaker 1: I never would No, No, I didn't. I didn't want

732
00:43:55,920 --> 00:43:58,600
Speaker 1: to go to California. Yeah, I would never got into Stanford.

733
00:43:58,600 --> 00:44:01,640
Speaker 1: Did you apply to Stanford? No, daniel Me. No, U

734
00:44:01,640 --> 00:44:03,640
Speaker 1: c l A. I applied to U c l A.

735
00:44:03,680 --> 00:44:05,920
Speaker 1: I did not get into U c l A. That

736
00:44:05,920 --> 00:44:08,319
Speaker 1: would have been you probably got close there. No, I'm

737
00:44:08,480 --> 00:44:11,000
Speaker 1: so sad my top three U c l A and USC. Again,

738
00:44:11,040 --> 00:44:15,080
Speaker 1: I know nobody cares. And I was deferred a semester

739
00:44:15,200 --> 00:44:18,280
Speaker 1: at USC. USC was my number one and they wouldn't

740
00:44:18,320 --> 00:44:21,680
Speaker 1: accept me until spring semester. And I was like, I

741
00:44:21,680 --> 00:44:25,560
Speaker 1: want to go to college now. So you see Davis

742
00:44:25,600 --> 00:44:29,040
Speaker 1: third on the list. Oh my god, got USC got

743
00:44:29,080 --> 00:44:31,120
Speaker 1: harder and harder and harder to get into, to the

744
00:44:31,120 --> 00:44:33,239
Speaker 1: point and I had a four point Oh guys like

745
00:44:33,280 --> 00:44:36,080
Speaker 1: I was, I was not, and I went to college.

746
00:44:36,120 --> 00:44:37,960
Speaker 1: You could have like a two five and get into

747
00:44:37,920 --> 00:44:40,239
Speaker 1: the USC. Like, I don't understand how kids get into

748
00:44:40,320 --> 00:44:46,280
Speaker 1: college nowadays, like people the first of all, that's browned

749
00:44:46,360 --> 00:44:57,239
Speaker 1: upon if you watch the Varsity Blues, don't anyway, Yeah,

750
00:44:57,239 --> 00:45:00,000
Speaker 1: I mean, so I get it. So she's she's like you, Danielle,

751
00:45:00,000 --> 00:45:04,319
Speaker 1: where she's like a perfectionist and student and this is devastating,

752
00:45:04,719 --> 00:45:07,960
Speaker 1: and clearly she really starts to melt down right after that.

753
00:45:08,760 --> 00:45:11,719
Speaker 1: HM totally. And she has a lot of things that

754
00:45:11,760 --> 00:45:14,920
Speaker 1: are like kind of you know, she said it herself,

755
00:45:14,960 --> 00:45:18,200
Speaker 1: like she you know, has the d in the paper.

756
00:45:18,280 --> 00:45:21,440
Speaker 1: She had to drop a class. She um, you know,

757
00:45:21,560 --> 00:45:25,000
Speaker 1: Lane's movie has to move out. Look look at look

758
00:45:25,040 --> 00:45:30,279
Speaker 1: at her life. She's got the suckiest roommate situation in

759
00:45:30,320 --> 00:45:34,040
Speaker 1: the history of college. She's got a lunatic. She's got

760
00:45:34,080 --> 00:45:37,399
Speaker 1: like a some some she's got a crazy person living

761
00:45:37,440 --> 00:45:41,760
Speaker 1: with her who's in an hysteric because it's like, which

762
00:45:41,800 --> 00:45:44,240
Speaker 1: one are you talking about? Because she's got three sorts

763
00:45:44,239 --> 00:45:47,719
Speaker 1: of nutty rooms. Well, she's got Tana, who you know

764
00:45:47,800 --> 00:45:50,040
Speaker 1: I don't love but yeah, yeah, I love her too.

765
00:45:50,480 --> 00:45:53,640
Speaker 1: She's she's got Paris. How do you live with Paris?

766
00:45:53,719 --> 00:45:56,000
Speaker 1: You've got your your best friend Lane there living in

767
00:45:56,040 --> 00:46:00,239
Speaker 1: your room. Um, you've got but you've got you got

768
00:46:00,239 --> 00:46:02,120
Speaker 1: the Paris thing with the ash er stuff. I mean,

769
00:46:02,440 --> 00:46:05,239
Speaker 1: this poor girl. She she's trying to bribe guys to

770
00:46:05,239 --> 00:46:07,360
Speaker 1: get out of under trees so she can have some

771
00:46:07,400 --> 00:46:10,439
Speaker 1: piece of quiet somewhere in their life. And she can't

772
00:46:10,480 --> 00:46:13,360
Speaker 1: get it. You know, she's she's having she struggle a

773
00:46:13,400 --> 00:46:15,680
Speaker 1: little bit, you know, to find her place over there

774
00:46:15,719 --> 00:46:18,480
Speaker 1: and to get in her rhythm. She's not getting in

775
00:46:18,520 --> 00:46:22,600
Speaker 1: her rhythm, so so we leave that to go to

776
00:46:22,680 --> 00:46:24,880
Speaker 1: your the moment you've been waiting for, Scott, we go

777
00:46:25,080 --> 00:46:28,120
Speaker 1: to the Gilmore's for the dinner with Tricks. I did

778
00:46:28,200 --> 00:46:36,560
Speaker 1: laugh out loud the nuts, and Tricks is like, why

779
00:46:36,560 --> 00:46:46,240
Speaker 1: are you so Loudly is very excited about announcing the nuts.

780
00:46:48,080 --> 00:46:50,319
Speaker 1: It's just so I think someone makes a crack. I

781
00:46:50,360 --> 00:46:53,440
Speaker 1: bet Rory's hair is perfect or or the hair is proven.

782
00:46:53,880 --> 00:46:56,799
Speaker 1: It's like, it's like, I'll tell you the way the

783
00:46:56,800 --> 00:47:00,600
Speaker 1: way Tricks was riffen. Tricks was riffing with the best

784
00:47:00,680 --> 00:47:06,520
Speaker 1: of on this. Emily was the queen because she's forgot sakes, Jason,

785
00:47:06,600 --> 00:47:13,719
Speaker 1: just be young. It was funny until it wasn't. This

786
00:47:13,760 --> 00:47:17,440
Speaker 1: scene was hilarious until it got waitnute. Emily. Emily set

787
00:47:17,440 --> 00:47:19,040
Speaker 1: the table in the beginning of that scene because she

788
00:47:19,080 --> 00:47:21,160
Speaker 1: came to she came to get Laurel out of her coat.

789
00:47:21,360 --> 00:47:24,200
Speaker 1: She was already in a manic state. It was beautiful.

790
00:47:24,360 --> 00:47:28,799
Speaker 1: It was beautiful. It was beautiful. Oh God, that was fair.

791
00:47:28,840 --> 00:47:32,600
Speaker 1: I've been sitting in the room for two hours with her,

792
00:47:33,600 --> 00:47:36,359
Speaker 1: and then poor Jason with that gift, She's just like

793
00:47:36,400 --> 00:47:38,799
Speaker 1: ready to murder. How about the pause? And they just

794
00:47:38,840 --> 00:47:40,920
Speaker 1: looked at your French antiques and they just looked at

795
00:47:40,920 --> 00:47:42,560
Speaker 1: each other. Tricks looks at him and he looks at

796
00:47:42,560 --> 00:47:47,400
Speaker 1: her like they give each other looks literally, and Marion

797
00:47:47,520 --> 00:47:51,719
Speaker 1: Rosscott bless her because this is nothing like Marion Cuneyham,

798
00:47:52,160 --> 00:47:57,200
Speaker 1: like she crushed this man I have. Now I'm wanting

799
00:47:57,200 --> 00:48:02,319
Speaker 1: more Tricksy. I think this is her one. I think

800
00:48:02,880 --> 00:48:04,319
Speaker 1: I don't know. We have to look because well she

801
00:48:04,640 --> 00:48:07,000
Speaker 1: out of that fight with Richard. It's like that wasn

802
00:48:08,120 --> 00:48:11,120
Speaker 1: this is Jackie. Je said, it's the last. It's the

803
00:48:13,560 --> 00:48:17,680
Speaker 1: which is weird because there it was, so there's nothing resolved.

804
00:48:17,719 --> 00:48:19,520
Speaker 1: So we just leave with Richard and her in the

805
00:48:19,560 --> 00:48:24,640
Speaker 1: big fight. And I mean the fight though, like Emily

806
00:48:25,040 --> 00:48:29,080
Speaker 1: finally got her revenge in a weird Wayne go there.

807
00:48:29,120 --> 00:48:32,319
Speaker 1: We still have great lines to deal with Richard's mustache. Look,

808
00:48:33,400 --> 00:48:36,200
Speaker 1: his Jaguars coming, What did she say? What did she say?

809
00:48:36,280 --> 00:48:40,840
Speaker 1: What car was coming? This Masarati is coming tomorrow and

810
00:48:41,160 --> 00:48:44,280
Speaker 1: he looks like, what do you look like somebody's drug dealer?

811
00:48:44,680 --> 00:48:49,400
Speaker 1: Oh god, Oh it was just great. It was really funny.

812
00:48:49,400 --> 00:48:52,960
Speaker 1: And then it then it gone the funniest scene in

813
00:48:53,000 --> 00:48:58,479
Speaker 1: the entire series so far. That scene, that scene that scene.

814
00:48:58,560 --> 00:49:01,120
Speaker 1: That scene could have been a movie that seems really good,

815
00:49:02,440 --> 00:49:06,359
Speaker 1: but then it gets brutal when she's like and look,

816
00:49:06,440 --> 00:49:09,720
Speaker 1: she was right, and Richard maybe should have asked Lorelai,

817
00:49:09,840 --> 00:49:12,399
Speaker 1: how is the financial thing going at the end, which

818
00:49:12,640 --> 00:49:15,560
Speaker 1: which Richard wouldn't do because of their relationship. But it

819
00:49:15,640 --> 00:49:17,960
Speaker 1: is interesting to learn that Graham did bail him out,

820
00:49:18,200 --> 00:49:19,880
Speaker 1: but to call him out like that in front of

821
00:49:19,880 --> 00:49:25,880
Speaker 1: his business it was terrible. I don't blame Also, like

822
00:49:26,000 --> 00:49:28,959
Speaker 1: Richard just gave her seventy five dollars, like I think

823
00:49:28,960 --> 00:49:31,440
Speaker 1: he was probably like, I'm taking care of her. She's fine,

824
00:49:31,600 --> 00:49:34,040
Speaker 1: you know, like when you give somebody a check like

825
00:49:34,239 --> 00:49:38,239
Speaker 1: that much true, that's true, you know, like he's not

826
00:49:38,239 --> 00:49:42,040
Speaker 1: not doing anything right. It was gnarly. I just wrote

827
00:49:42,080 --> 00:49:50,080
Speaker 1: this is so gnarly. Well. Emily loved it. Emily love

828
00:49:50,920 --> 00:49:54,319
Speaker 1: She's like, I'm done with Graham. Did you notice I

829
00:49:54,400 --> 00:49:56,879
Speaker 1: noticed some blocking things and this this is a little

830
00:49:56,920 --> 00:50:00,600
Speaker 1: BTS for you guys. There was some interesting block things

831
00:50:01,160 --> 00:50:04,360
Speaker 1: in this episode. In the in that dining room scene,

832
00:50:04,520 --> 00:50:07,440
Speaker 1: after the very funny scene in the living room where

833
00:50:08,040 --> 00:50:11,880
Speaker 1: you know, Richard, Emily and Laurel I had to be

834
00:50:11,920 --> 00:50:15,360
Speaker 1: in a three shot so so Lawren's chair was pushed

835
00:50:15,480 --> 00:50:18,360
Speaker 1: all the way over and almost just next to Emily's

836
00:50:18,360 --> 00:50:21,520
Speaker 1: when they would cut to that shot out. And then

837
00:50:21,560 --> 00:50:24,120
Speaker 1: when they turned around and it was just on Lawrence,

838
00:50:24,120 --> 00:50:27,480
Speaker 1: she was closer to Trixie, so it didn't they moved

839
00:50:27,520 --> 00:50:29,960
Speaker 1: the chair. They moved that. They were moving the chair, yes,

840
00:50:30,000 --> 00:50:33,480
Speaker 1: because they wanted to remember where Jason was during the mass. Well,

841
00:50:33,680 --> 00:50:35,120
Speaker 1: I think he was on the other side of the table.

842
00:50:36,880 --> 00:50:39,680
Speaker 1: But I noticed that that was like, whoa, how now

843
00:50:39,719 --> 00:50:41,600
Speaker 1: she's all the way over by Trixie before she was

844
00:50:42,200 --> 00:50:43,839
Speaker 1: put that up. Let's put that up so people could

845
00:50:43,880 --> 00:50:47,240
Speaker 1: see it. Why wasn't Rory there? I wondered that too.

846
00:50:47,320 --> 00:50:51,239
Speaker 1: I wondered that too. It's her grandma. I wanted that too.

847
00:50:51,280 --> 00:50:54,520
Speaker 1: I I wondered, I wonder why she went the school.

848
00:50:54,560 --> 00:50:57,799
Speaker 1: Maybe there's an't expect her too. But but she's at

849
00:50:57,800 --> 00:51:01,399
Speaker 1: the end. So right after this hot mess is going on,

850
00:51:02,480 --> 00:51:04,680
Speaker 1: Rory's trying so hard to find her mom. So she

851
00:51:04,920 --> 00:51:10,040
Speaker 1: ends up at the inn with Deane. Now I will say, okay,

852
00:51:10,040 --> 00:51:12,040
Speaker 1: this is me just being a total b I T

853
00:51:12,160 --> 00:51:19,640
Speaker 1: C H. The two parallel scenes both excellent. Lauren was

854
00:51:20,120 --> 00:51:24,120
Speaker 1: more excellent. Oh, I you know I don't get I

855
00:51:24,160 --> 00:51:27,840
Speaker 1: don't want to compare the performances. They were both great.

856
00:51:28,080 --> 00:51:30,839
Speaker 1: They were, but the Alexis was great. You can't take

857
00:51:30,880 --> 00:51:34,000
Speaker 1: anything away from Alexis performance there because it's it's some

858
00:51:34,040 --> 00:51:36,520
Speaker 1: of the best work I've ever seen her do, because

859
00:51:36,560 --> 00:51:40,919
Speaker 1: she went from hysterics to breaking down, and you could

860
00:51:40,960 --> 00:51:44,520
Speaker 1: see the stages of her breaking down in front of Dean.

861
00:51:44,640 --> 00:51:46,840
Speaker 1: Then she really lost. I mean there were like levels

862
00:51:46,880 --> 00:51:49,960
Speaker 1: of it and it kept breaking down more and I

863
00:51:50,040 --> 00:51:52,799
Speaker 1: thought it was extraordinary that when that scene. I'm glad

864
00:51:52,880 --> 00:51:54,840
Speaker 1: that scenes. You know. You know what I said to myself,

865
00:51:54,880 --> 00:51:57,480
Speaker 1: I said, I didn't know she was that good. Well, yeah,

866
00:51:57,480 --> 00:51:59,800
Speaker 1: she's amazing. I didn't know Alexis was not good. I

867
00:52:00,000 --> 00:52:04,200
Speaker 1: did not know she was that good. That's tough, That's

868
00:52:04,480 --> 00:52:08,640
Speaker 1: that's you know. It's really crazy. Obviously because I follow

869
00:52:08,719 --> 00:52:11,160
Speaker 1: so much Gilmore Girls stuff on TikTok. I'm always getting

870
00:52:11,160 --> 00:52:14,640
Speaker 1: tons of Gilmore on my TikTok page. But for some reason,

871
00:52:14,680 --> 00:52:18,080
Speaker 1: now it's coming up it's Laura Lie But it's all

872
00:52:18,239 --> 00:52:23,080
Speaker 1: Parenthood scenes. Man, were they The Parenthood is such a

873
00:52:23,080 --> 00:52:27,160
Speaker 1: good show. Did you watch it? M neither of you

874
00:52:27,239 --> 00:52:30,040
Speaker 1: watched it. I will let's do a podcast. What do

875
00:52:30,120 --> 00:52:33,680
Speaker 1: you think? I mean maybe because like and sometimes the

876
00:52:33,719 --> 00:52:37,319
Speaker 1: hashtag or the like comment is like parenthood brought us

877
00:52:37,360 --> 00:52:39,960
Speaker 1: because of parenthood. We got this is Us because Parenthood

878
00:52:40,160 --> 00:52:42,680
Speaker 1: sort of was that this is us before This is Us,

879
00:52:43,200 --> 00:52:45,400
Speaker 1: which is ironic that Lauren was in One and Miles

880
00:52:45,400 --> 00:52:50,840
Speaker 1: and One Man. Lauren is amazing and the acting is

881
00:52:50,840 --> 00:52:53,400
Speaker 1: like amazing. Anyway, I digress. So yeah, I mean I

882
00:52:53,440 --> 00:52:55,960
Speaker 1: thought this Dean. I thought Dean was amazing in this.

883
00:52:58,440 --> 00:53:01,680
Speaker 1: I thought he was so yeah, he was great. Everybody's great,

884
00:53:01,920 --> 00:53:04,920
Speaker 1: I thought, but I really, you know, for my money,

885
00:53:06,120 --> 00:53:10,440
Speaker 1: I thought Alexis really stole this episode Laura because she

886
00:53:10,560 --> 00:53:17,640
Speaker 1: was look Lauren, Okay, Lauren reigns supreme. Okay, so that's

887
00:53:17,680 --> 00:53:21,920
Speaker 1: a given. Okay. So it's like you can't hand the

888
00:53:21,960 --> 00:53:25,360
Speaker 1: gold medal to the same person every single day. You

889
00:53:25,480 --> 00:53:29,080
Speaker 1: got to recognize other people, Okay, Okay, so that's that's

890
00:53:29,280 --> 00:53:33,040
Speaker 1: my and I know you say this and everyone's own groans. Whatever,

891
00:53:33,360 --> 00:53:36,319
Speaker 1: You're right, Lauren Graham should have gotten an Emmy. Yeah,

892
00:53:37,040 --> 00:53:41,759
Speaker 1: like I'm watching the Golden Globe. Lauren Graham should. Yes, several,

893
00:53:41,880 --> 00:53:45,280
Speaker 1: I agree with you, Yes, not just one, but five.

894
00:53:45,800 --> 00:53:48,240
Speaker 1: You know, maybe let her lose one year and a

895
00:53:48,280 --> 00:53:51,960
Speaker 1: controversial thing. But you know, yeah, although total shout out

896
00:53:52,040 --> 00:53:58,600
Speaker 1: to the the guy that was in Goonies Key so much,

897
00:53:59,200 --> 00:54:02,040
Speaker 1: every interview, every speech. I just I'm obsessed with that guy.

898
00:54:02,040 --> 00:54:06,320
Speaker 1: But anyway, total sidebar. Yeah, Lauren Graham should have gotten

899
00:54:06,480 --> 00:54:09,800
Speaker 1: But I but I thought, I thought Alexis is comedic

900
00:54:09,880 --> 00:54:13,600
Speaker 1: work and her dramatic work in the same episode. We're

901
00:54:14,239 --> 00:54:21,520
Speaker 1: just supreme, absolutely fantastic. She's fantastic. I totally agree, totally agree.

902
00:54:21,719 --> 00:54:24,560
Speaker 1: So now we're in the scene that's just amazing and

903
00:54:24,600 --> 00:54:26,560
Speaker 1: you see her and he's all dressed up for dinner

904
00:54:26,600 --> 00:54:29,919
Speaker 1: and she finds him and you immediately are like, oh no,

905
00:54:30,320 --> 00:54:34,839
Speaker 1: and Luke immediately says you okay, And it was like,

906
00:54:35,120 --> 00:54:39,480
Speaker 1: oh wow, And I've seen this scene comes up on

907
00:54:39,520 --> 00:54:44,160
Speaker 1: TikTok a lot, like this is a very significant scene.

908
00:54:44,680 --> 00:54:49,080
Speaker 1: Well she I mean the part that was like, you know,

909
00:54:49,480 --> 00:54:53,000
Speaker 1: hit home was like her saying that she wished she

910
00:54:53,040 --> 00:54:55,360
Speaker 1: had a partner and she wished she could do it

911
00:54:55,400 --> 00:54:57,480
Speaker 1: all on her own, but she just needs somebody to

912
00:54:58,120 --> 00:55:00,439
Speaker 1: meet her halfway and pick up the slack the other

913
00:55:00,560 --> 00:55:02,719
Speaker 1: end when she can't do it all, you know, like

914
00:55:03,920 --> 00:55:06,680
Speaker 1: and the fact that she's saying that to Luke is

915
00:55:06,760 --> 00:55:09,640
Speaker 1: even more like ding ding ding, we have a winner,

916
00:55:10,360 --> 00:55:13,440
Speaker 1: you know, like standing right right in front of you.

917
00:55:15,040 --> 00:55:24,360
Speaker 1: Totally Oh my god, so true. Look this the episode

918
00:55:24,400 --> 00:55:27,200
Speaker 1: made me sad. I'm not gonna lie like I described it.

919
00:55:27,239 --> 00:55:30,640
Speaker 1: I was blue, I was melancholy. I definitely almost wanted

920
00:55:30,640 --> 00:55:32,920
Speaker 1: to watch another one to see if like, oh no,

921
00:55:32,960 --> 00:55:34,840
Speaker 1: I gotta get myself out of the state I'm in.

922
00:55:35,440 --> 00:55:39,520
Speaker 1: I didn't. I didn't. You can't know I didn't. But now,

923
00:55:39,640 --> 00:55:41,799
Speaker 1: listen to a song or something to get you out.

924
00:55:42,280 --> 00:55:44,040
Speaker 1: I think I turned to Criminal Minds and it got

925
00:55:44,040 --> 00:55:53,640
Speaker 1: me that show. But anyway, uh, I thought, just a

926
00:55:53,800 --> 00:55:57,640
Speaker 1: terrific episode. It really was. I mean, even even at

927
00:55:57,680 --> 00:56:02,200
Speaker 1: the grating annoying parts, was still terrific. Right to watch it.

928
00:56:02,760 --> 00:56:05,279
Speaker 1: It's still terrific to watch it, and it sets up

929
00:56:05,320 --> 00:56:07,720
Speaker 1: all this other great stuff. So you need that stuff

930
00:56:07,760 --> 00:56:11,800
Speaker 1: to get the comedy. So, um wait, do your favorite

931
00:56:11,800 --> 00:56:13,839
Speaker 1: lines because I have one we didn't get to. It's

932
00:56:13,840 --> 00:56:15,359
Speaker 1: good for me to do it every once in a while.

933
00:56:15,400 --> 00:56:20,160
Speaker 1: Reminds me why I'm not an accountants. Danielle, what was yours?

934
00:56:20,840 --> 00:56:23,440
Speaker 1: Um minus? From Paris? And she says maybe I just

935
00:56:23,480 --> 00:56:27,759
Speaker 1: can't be around boys because I have because I have

936
00:56:28,040 --> 00:56:33,840
Speaker 1: a mate, a man. Because it was so funny Danielle.

937
00:56:33,840 --> 00:56:41,279
Speaker 1: Earlier in the podcast, when You're all many, mine was

938
00:56:41,520 --> 00:56:46,960
Speaker 1: wear socks. Mr Kim, Okay, so god, what are we

939
00:56:47,000 --> 00:56:50,600
Speaker 1: going to give it? One to ten horses, Richard and mustaches?

940
00:56:51,360 --> 00:56:54,080
Speaker 1: I think, no, no, no no, we're going to give it.

941
00:56:54,440 --> 00:57:00,360
Speaker 1: We're gonna give it Richards Richard's mustaches. Okay, Um, daniel

942
00:57:00,520 --> 00:57:03,439
Speaker 1: how many mustaches? I'm gonna do eight and a half.

943
00:57:03,680 --> 00:57:08,279
Speaker 1: You're gonna do eight and a half. Richard's eight and

944
00:57:08,280 --> 00:57:12,319
Speaker 1: a half deduction of five. Just being sad by it,

945
00:57:12,400 --> 00:57:14,360
Speaker 1: I think it deserves a nine, but it just I

946
00:57:14,480 --> 00:57:17,480
Speaker 1: was blue from it. I was like, you know what

947
00:57:17,640 --> 00:57:25,120
Speaker 1: I'm gonna go. I'm going to give it a nine.

948
00:57:26,160 --> 00:57:28,760
Speaker 1: I'm gonna give it a nine point hang on, I'm

949
00:57:28,760 --> 00:57:32,280
Speaker 1: gonna give it a nine point to five. Tara gives

950
00:57:32,280 --> 00:57:35,720
Speaker 1: it a nine. Too good. There's an emergency had to go.

951
00:57:36,040 --> 00:57:40,240
Speaker 1: Everyone's wondering where she went. There was a podcasting emergence, right,

952
00:57:40,240 --> 00:57:42,800
Speaker 1: So I'm giving it a nine to five. She gives

953
00:57:42,840 --> 00:57:44,920
Speaker 1: it to nine. You get eight, So we're up around

954
00:57:44,920 --> 00:57:48,920
Speaker 1: eight point eight average eight point eight five average gymnasts

955
00:57:49,120 --> 00:57:53,400
Speaker 1: that gets a nine to five. Remember that, remember when yeah, yeah, five.

956
00:57:55,080 --> 00:57:59,760
Speaker 1: You know, I forgive any of the grading nature of

957
00:57:59,800 --> 00:58:03,840
Speaker 1: this nails on the chalkboard character. Uh, just for that

958
00:58:03,880 --> 00:58:06,160
Speaker 1: tricksy scene. I mean, that's at least she went out

959
00:58:06,160 --> 00:58:10,320
Speaker 1: on top with you. Oh god, huge, huge, huge scene.

960
00:58:10,680 --> 00:58:13,000
Speaker 1: I thought that was the most masterful scene of this

961
00:58:13,080 --> 00:58:18,560
Speaker 1: area so far. Anymore. I enjoy her. I want to

962
00:58:18,600 --> 00:58:21,480
Speaker 1: go back and check out her earlier work. Maybe I was.

963
00:58:21,760 --> 00:58:24,600
Speaker 1: I wonder if you would see it differently, Maybe I will. Actually,

964
00:58:25,200 --> 00:58:28,160
Speaker 1: that's a good that's a good episode. Go back, that's

965
00:58:28,200 --> 00:58:29,880
Speaker 1: a that's a good episode. You know, I think I'm

966
00:58:29,920 --> 00:58:32,200
Speaker 1: gonna I think I will. Let's go back on the

967
00:58:32,240 --> 00:58:34,760
Speaker 1: trick back watch them all again. I'm going to read

968
00:58:34,960 --> 00:58:39,120
Speaker 1: a special episode. I'm going to re experience Tricksie. Okay,

969
00:58:39,320 --> 00:58:41,840
Speaker 1: all right, maybe she'll be's your assignment. You've got like

970
00:58:42,000 --> 00:58:43,240
Speaker 1: you got to do it in in the next couple of weeks,

971
00:58:43,280 --> 00:58:47,240
Speaker 1: all right, But okay, Jesus, more work from I'm gonna

972
00:58:47,240 --> 00:58:51,000
Speaker 1: add fifteen minutes to my already. I'm so sorry that

973
00:58:51,040 --> 00:58:57,280
Speaker 1: we're making work work. Yeah. The crack staff, the fake

974
00:58:57,320 --> 00:59:01,200
Speaker 1: crack staff, give you anything. I don't at them. I

975
00:59:01,280 --> 00:59:04,200
Speaker 1: know they're real. They're real. And talked. I talked to

976
00:59:04,240 --> 00:59:06,240
Speaker 1: one of the crack staff members like all the time,

977
00:59:06,320 --> 00:59:11,000
Speaker 1: I like regularly, like we email all the text all that. Yeah,

978
00:59:11,040 --> 00:59:13,040
Speaker 1: the crack staff is real. Oh she has a name.

979
00:59:13,520 --> 00:59:16,200
Speaker 1: Oh yeah, you just gave her name. Oh no, no,

980
00:59:16,320 --> 00:59:20,840
Speaker 1: that's her code name, code name. I would never blurt

981
00:59:20,920 --> 00:59:23,800
Speaker 1: that out one am I a moron. I would never

982
00:59:23,960 --> 00:59:27,680
Speaker 1: do that. We know the crack staff found nothing. I

983
00:59:27,680 --> 00:59:31,280
Speaker 1: mean you did the blocking thing. That was actually pretty cool. Um,

984
00:59:31,400 --> 00:59:36,480
Speaker 1: you know what, let me check. Okay, here, he's going

985
00:59:36,480 --> 00:59:39,040
Speaker 1: to a secret file. I gotta go to crack staff

986
00:59:39,160 --> 00:59:42,200
Speaker 1: dot com. We always put it in the pop culture

987
00:59:42,200 --> 00:59:44,840
Speaker 1: if you need to hang on a second. Oh shoot,

988
00:59:46,840 --> 00:59:49,200
Speaker 1: I don't think this is our last episode, Joe, Yeah,

989
00:59:49,240 --> 00:59:54,000
Speaker 1: I knew it wasn't. It's fine. We're one more season four.

990
00:59:54,280 --> 00:59:58,240
Speaker 1: Crack Staff just came into my headphones and they I

991
00:59:58,240 --> 01:00:00,440
Speaker 1: don't know they're they're in a helicopter. Someone. They do

992
01:00:00,600 --> 01:00:03,840
Speaker 1: have notes, and I'm gonna I'm gonna I'm getting them

993
01:00:03,880 --> 01:00:08,160
Speaker 1: in real time. All right, here we go hang on there? Okay,

994
01:00:08,240 --> 01:00:10,760
Speaker 1: there in the cold open, a blueprint on the wall

995
01:00:10,800 --> 01:00:13,760
Speaker 1: behind Tom is hanging level. But when Laurel lies on

996
01:00:13,760 --> 01:00:18,840
Speaker 1: the phone talking to the ends first reservation, it's hanging crooked.

997
01:00:20,800 --> 01:00:25,080
Speaker 1: Wait give me that again. That really get into what

998
01:00:25,160 --> 01:00:29,400
Speaker 1: was hanging crooked? Really? Look, I took one glance down

999
01:00:29,440 --> 01:00:32,080
Speaker 1: at my phone and I missed something important. I need

1000
01:00:32,160 --> 01:00:36,080
Speaker 1: you to to tell me what that really? What was crooked?

1001
01:00:36,280 --> 01:00:40,080
Speaker 1: All I heard? Here's what went into my brain. Want

1002
01:00:40,080 --> 01:00:46,120
Speaker 1: want trust me. There's people that looked at their phones

1003
01:00:46,160 --> 01:00:51,160
Speaker 1: while they were listening. Somebody ate their sand. Oh god,

1004
01:00:51,360 --> 01:00:54,480
Speaker 1: alright in the okay you ready? All right? And the

1005
01:00:54,560 --> 01:00:57,480
Speaker 1: cold open, the cold open, the blueprint on the wall

1006
01:00:57,520 --> 01:01:00,520
Speaker 1: behind Tom is hanging level. But when loyal eyes on

1007
01:01:00,520 --> 01:01:04,880
Speaker 1: the phone taking their ends first reservation, it's hanging crooked. Great,

1008
01:01:04,960 --> 01:01:07,840
Speaker 1: I I'm gonna I love. But that's easy. That's very

1009
01:01:07,920 --> 01:01:12,240
Speaker 1: explainable because maybe some worker went by and brushed up

1010
01:01:12,280 --> 01:01:15,040
Speaker 1: against it. Wait a minute, Wait a minute, Laurel, I

1011
01:01:15,120 --> 01:01:17,160
Speaker 1: likes to come in the back door surprise everybody with

1012
01:01:17,240 --> 01:01:19,960
Speaker 1: nail guns. That's a great line too. First of all,

1013
01:01:20,240 --> 01:01:25,320
Speaker 1: that was and aggressive. I was like fun fact the

1014
01:01:25,400 --> 01:01:31,640
Speaker 1: shampoo girl, the shampoo girl who was shampooing laurealized, yes,

1015
01:01:31,840 --> 01:01:36,880
Speaker 1: stagg ass hair, so it would be so it would

1016
01:01:36,920 --> 01:01:39,320
Speaker 1: be uh, wait a minute, what does this saying? Wait

1017
01:01:39,320 --> 01:01:41,840
Speaker 1: a minute, I see Jackie says, wait a minute, I

1018
01:01:41,880 --> 01:01:45,600
Speaker 1: see what you see. Very interesting with Marion Ross. Oh,

1019
01:01:45,720 --> 01:01:50,600
Speaker 1: the controversy continued. This was her last episode, But did

1020
01:01:50,640 --> 01:01:53,560
Speaker 1: she like have credits and other ones because her characters

1021
01:01:53,600 --> 01:02:01,160
Speaker 1: mentioned or she has she's suppost been the next episode.

1022
01:02:02,680 --> 01:02:07,080
Speaker 1: We can't tell you yet. Jackie's just sort of messaging. Okay.

1023
01:02:07,080 --> 01:02:09,680
Speaker 1: Now my name is Jackie. I work at help desk.

1024
01:02:09,800 --> 01:02:12,720
Speaker 1: All right, here we are. Fun fact. The shampoo girl

1025
01:02:14,000 --> 01:02:18,600
Speaker 1: shampooing laurelized raggedy hair was played by Patty Malcolm, who

1026
01:02:18,680 --> 01:02:24,840
Speaker 1: was actually Laurence standing. Yes, very fun fact. That's a

1027
01:02:24,880 --> 01:02:32,360
Speaker 1: fun fact. Yeah, that's that's the girl that stood there. Yeah, yeah, Okay.

1028
01:02:32,400 --> 01:02:40,640
Speaker 1: The crack Staff's favorite line. The crack staff, Now have

1029
01:02:40,800 --> 01:02:45,040
Speaker 1: they been? They promoted themselves to wow, part of the

1030
01:02:45,080 --> 01:02:47,800
Speaker 1: ball club. I said, I like that. Come on into

1031
01:02:47,800 --> 01:02:50,400
Speaker 1: the duck out, come on over from the minor leagues

1032
01:02:50,640 --> 01:02:53,920
Speaker 1: into the major league field. Here we go, like the

1033
01:02:54,000 --> 01:02:58,000
Speaker 1: crack Staff's favorite. Look, that's a declaration right there. When

1034
01:02:58,080 --> 01:03:01,840
Speaker 1: Paris is mad at janet It and tells Rory, I'm

1035
01:03:01,880 --> 01:03:05,680
Speaker 1: going to grab Barbie's neck and squeeze until her expandable

1036
01:03:05,720 --> 01:03:10,000
Speaker 1: hair falls out and she's dead, dead dead. Oh well, okay,

1037
01:03:10,080 --> 01:03:13,960
Speaker 1: crack staffs a little crack. I'm getting a little scared. Now,

1038
01:03:16,480 --> 01:03:23,200
Speaker 1: are raises in order? Maybe should just offer preemptively offer raises?

1039
01:03:23,320 --> 01:03:26,280
Speaker 1: So yeah, keep her happy. I mean I can read

1040
01:03:26,320 --> 01:03:29,439
Speaker 1: between the line here. Okay, So back to the Tricks thing.

1041
01:03:29,720 --> 01:03:33,680
Speaker 1: I just found out what happened and why we're all confused.

1042
01:03:34,200 --> 01:03:38,600
Speaker 1: So Marian Roth has two more episodes in this series,

1043
01:03:39,160 --> 01:03:43,320
Speaker 1: but not as Tricks. So this is Tricks is last episode,

1044
01:03:43,680 --> 01:03:50,080
Speaker 1: but Marian Ross don't tell me? Are you gonna find out?

1045
01:03:50,080 --> 01:03:54,080
Speaker 1: Next episode? How about that? Good? But this is the

1046
01:03:54,200 --> 01:03:59,280
Speaker 1: end of Tricks, but not the end of Marian Ross. Alright,

1047
01:03:59,720 --> 01:04:01,720
Speaker 1: that's that's a nice little tike comes back as like

1048
01:04:01,760 --> 01:04:05,880
Speaker 1: the sister or the aunt or she's younger. She comes

1049
01:04:05,920 --> 01:04:08,480
Speaker 1: back younger. Crack Staff is not happy right now. They're

1050
01:04:08,520 --> 01:04:12,880
Speaker 1: screaming at me right now in this right here. Oh

1051
01:04:12,920 --> 01:04:14,960
Speaker 1: my god, I just saw Danielle just put a note

1052
01:04:15,000 --> 01:04:16,920
Speaker 1: in the chat of the next episode. And let me

1053
01:04:16,960 --> 01:04:22,360
Speaker 1: tell you Season of four, episode fifteen, seen in a mall.

1054
01:04:22,920 --> 01:04:26,240
Speaker 1: The next episode. All right, well, that's gonna do with folks. Danielle,

1055
01:04:26,240 --> 01:04:28,280
Speaker 1: did you do you have your You don't have didn't

1056
01:04:28,000 --> 01:04:30,840
Speaker 1: you didn't show Scott your Christmas gift I gave you?

1057
01:04:30,960 --> 01:04:36,280
Speaker 1: Where is it? Do you have it? You have to show? Oh? Yeah, Scott,

1058
01:04:36,280 --> 01:04:39,440
Speaker 1: look at this. Yeah, look what I got made for

1059
01:04:40,000 --> 01:04:43,760
Speaker 1: Let me take it out of the shiny I did.

1060
01:04:43,920 --> 01:04:46,240
Speaker 1: Everyone's some new notebook. I didn't make that. I didn't

1061
01:04:46,240 --> 01:04:48,919
Speaker 1: make the cover, did I No? But you'll see why.

1062
01:04:49,080 --> 01:04:52,760
Speaker 1: Oh my god, first of all my notes. I know why.

1063
01:04:52,920 --> 01:05:02,360
Speaker 1: I don't need an explanation. Uh huh uh, Danielle said, Okay,

1064
01:05:02,400 --> 01:05:04,840
Speaker 1: isn't that so cute? When Amy gave this to me,

1065
01:05:04,880 --> 01:05:09,160
Speaker 1: I was like, who's Danielle? Is that character? Op? So

1066
01:05:09,200 --> 01:05:11,160
Speaker 1: it's a notebook and literally, you guys can get this

1067
01:05:11,200 --> 01:05:14,280
Speaker 1: on Amazon. And the notebook says Lorelai and Rory and

1068
01:05:14,400 --> 01:05:17,080
Speaker 1: Lane and Suki and Emily and Paris and and then

1069
01:05:17,120 --> 01:05:20,760
Speaker 1: you can get it like personalistomized that your friend's name,

1070
01:05:20,840 --> 01:05:25,240
Speaker 1: and so it says and Danielle and daniel she made

1071
01:05:25,240 --> 01:05:26,840
Speaker 1: it on the cover before I did, and I was

1072
01:05:26,840 --> 01:05:29,760
Speaker 1: in the damn show. That's the way it is. That's

1073
01:05:29,840 --> 01:05:32,080
Speaker 1: that's what you be funny. If it's at m luke,

1074
01:05:33,080 --> 01:05:36,680
Speaker 1: that would be funny. But anyway, I love you guys.

1075
01:05:37,160 --> 01:05:39,760
Speaker 1: I love you to love you back. It's a sad one,

1076
01:05:39,840 --> 01:05:42,400
Speaker 1: but I'm I'm bouncing back from it. Come on, just

1077
01:05:42,400 --> 01:05:45,600
Speaker 1: just watch the tricksie scene a couple of times, the

1078
01:05:45,640 --> 01:05:49,480
Speaker 1: living room scene. It's it's the best thing. Nuts Nuts,

1079
01:05:50,240 --> 01:05:55,320
Speaker 1: We're good good. Hey, let's you know, let's talk about

1080
01:05:55,440 --> 01:05:59,240
Speaker 1: the the event a little bit more? Should we? Oh? Yeah,

1081
01:05:59,280 --> 01:06:02,280
Speaker 1: you haven't. We haven't. I talked about talked about that. Danielle.

1082
01:06:02,840 --> 01:06:05,840
Speaker 1: Did you send my merch up yet? I had it?

1083
01:06:06,440 --> 01:06:08,000
Speaker 1: I was gonna talk because I'm seeing you at the

1084
01:06:08,040 --> 01:06:09,240
Speaker 1: end of this month. I was like, should I just

1085
01:06:09,600 --> 01:06:12,240
Speaker 1: can you get with me? Or just scut you on it? Earlier?

1086
01:06:12,520 --> 01:06:16,080
Speaker 1: What Scott was shooting like some of his stuff Danielle

1087
01:06:16,160 --> 01:06:21,080
Speaker 1: was in the merchant. Oh my god. First of all,

1088
01:06:21,800 --> 01:06:24,800
Speaker 1: I could have bought three times that month. I can't

1089
01:06:24,840 --> 01:06:31,720
Speaker 1: wait thousan dollars at the merchant, thousand dollars, I swear

1090
01:06:31,760 --> 01:06:37,520
Speaker 1: to God. Check where up? Danielle has it all right now? Well,

1091
01:06:37,840 --> 01:06:40,680
Speaker 1: one third of it is in Tar's closet, is in mine,

1092
01:06:40,840 --> 01:06:43,600
Speaker 1: and one third is in a bag for Amy, the

1093
01:06:43,680 --> 01:06:46,600
Speaker 1: one I can't wait for you guys. Everyone listening this.

1094
01:06:47,040 --> 01:06:51,560
Speaker 1: The Smurch store on the Warner Brothers lot had hands

1095
01:06:51,640 --> 01:06:54,520
Speaker 1: down the Rattus merch, Like I need to ask James

1096
01:06:54,560 --> 01:06:57,920
Speaker 1: Pettitt if we can buy it all year long. The flannel,

1097
01:06:58,120 --> 01:07:00,960
Speaker 1: what's on? Which flannel did you get me? Um? Here

1098
01:07:01,040 --> 01:07:04,320
Speaker 1: then grabbit, hold on you guys, it's the Rattus flannel

1099
01:07:04,560 --> 01:07:07,760
Speaker 1: like designer flannel, like good flannel. And on the back.

1100
01:07:07,880 --> 01:07:12,720
Speaker 1: I think I got the one that says no cellphones. Yeah, wait, Daniel,

1101
01:07:12,760 --> 01:07:15,560
Speaker 1: just show a little so, I mean most people have

1102
01:07:15,600 --> 01:07:20,840
Speaker 1: already ended the episode, so that's very large. What size

1103
01:07:20,840 --> 01:07:22,880
Speaker 1: did you get me? Please? Say this is a medium? Okay,

1104
01:07:22,960 --> 01:07:24,840
Speaker 1: girls size or boy size. I maybe would have been

1105
01:07:24,840 --> 01:07:28,160
Speaker 1: a girl girls but over Yeah, I'll wear it with leggings.

1106
01:07:29,080 --> 01:07:31,760
Speaker 1: Look it says Luke's on the front and says no

1107
01:07:31,840 --> 01:07:35,840
Speaker 1: cell phones. That is so are they still are they

1108
01:07:35,880 --> 01:07:38,360
Speaker 1: still selling this stuff? That's what I'm gonna text James

1109
01:07:38,400 --> 01:07:41,720
Speaker 1: Pettitt right now. See. And then there's one more flannel

1110
01:07:41,800 --> 01:07:45,720
Speaker 1: that says I love coffee, really love coffee. Which one

1111
01:07:45,720 --> 01:07:47,240
Speaker 1: are you? Do you? It was one of those for

1112
01:07:47,280 --> 01:07:49,720
Speaker 1: you ones? For me? Yeah, I got the I got

1113
01:07:49,760 --> 01:07:53,080
Speaker 1: this one too. I want no cell phones. They're both years.

1114
01:07:53,480 --> 01:07:56,400
Speaker 1: What what about you already? Have we seen it? A

1115
01:07:56,480 --> 01:08:02,320
Speaker 1: thousand dollars? We got multiple flannels, Scott, Scott, you get nothing,

1116
01:08:02,640 --> 01:08:05,160
Speaker 1: thank you, thank you? You are I just wanted to ask,

1117
01:08:05,600 --> 01:08:09,080
Speaker 1: that's fine if I get nothing. Oh my god. The

1118
01:08:09,160 --> 01:08:14,800
Speaker 1: merge was amazing, amazing. Well I have the original that

1119
01:08:15,640 --> 01:08:21,160
Speaker 1: have original stuff. Okay, you know so anyway and texting

1120
01:08:21,240 --> 01:08:24,360
Speaker 1: James will keep everybody updated. Is all that merge still

1121
01:08:24,400 --> 01:08:30,360
Speaker 1: for sale? Al Right? Guys? I love you guys. I'm like,

1122
01:08:30,439 --> 01:08:33,720
Speaker 1: we need more, we need more. We have to do

1123
01:08:33,760 --> 01:08:36,000
Speaker 1: it again. Are we going to do that again? Every year?

1124
01:08:36,120 --> 01:08:38,240
Speaker 1: We're gonna do it every year. Here's my dream. We're

1125
01:08:38,240 --> 01:08:40,120
Speaker 1: gonna do that one every year, and then in the

1126
01:08:40,160 --> 01:08:43,880
Speaker 1: summer we're going to do one kind of similar. People

1127
01:08:43,880 --> 01:08:47,360
Speaker 1: can come. Oh cool're working on that now. Yeah, because

1128
01:08:47,400 --> 01:08:48,640
Speaker 1: it was would you just give it? Was it a

1129
01:08:48,640 --> 01:08:50,679
Speaker 1: ten out of ten? Was it amazing? It was great?

1130
01:08:50,840 --> 01:08:53,599
Speaker 1: That event was a ten out of town? That was

1131
01:08:53,720 --> 01:08:57,719
Speaker 1: that was amazing. The fans, Wow, I already have people

1132
01:08:57,760 --> 01:08:59,840
Speaker 1: asking me how to get tickets for next year, and

1133
01:09:00,200 --> 01:09:04,840
Speaker 1: really an ocean of fans. And I went into the

1134
01:09:04,840 --> 01:09:08,200
Speaker 1: mosh pit with them and danced like crazy. Dan y'all

1135
01:09:08,240 --> 01:09:11,960
Speaker 1: texted me and she goes, Scott is in hog Heaven.

1136
01:09:12,240 --> 01:09:21,400
Speaker 1: He is hugging grandma's and kissing babies. So much for

1137
01:09:21,400 --> 01:09:25,840
Speaker 1: everyone listening. Scott flew stopped his family vacation, left his

1138
01:09:25,960 --> 01:09:30,360
Speaker 1: family behind all the way back for one day to

1139
01:09:30,479 --> 01:09:33,360
Speaker 1: do the event, and flew back to his family vacations.

1140
01:09:33,400 --> 01:09:36,599
Speaker 1: So we do say for the zero people still listening,

1141
01:09:39,560 --> 01:09:42,519
Speaker 1: mad props, no, mad props to you. Guys were putting

1142
01:09:42,520 --> 01:09:44,679
Speaker 1: on such a great show. I mean that was really

1143
01:09:44,760 --> 01:09:47,920
Speaker 1: really fun. That was And next year, next year is

1144
01:09:47,920 --> 01:09:50,360
Speaker 1: going to be just off the chain. And this summer,

1145
01:09:50,560 --> 01:09:53,280
Speaker 1: I guess we're gonna look out for something this summer. Yeah, Daniel,

1146
01:09:53,320 --> 01:09:55,840
Speaker 1: did you get that TikTok? I sent you ideas for

1147
01:09:55,880 --> 01:10:00,800
Speaker 1: the summer. We'll find out, all right, guys, all the best,

1148
01:10:00,920 --> 01:10:05,559
Speaker 1: love you guys. Thanks, best fans on the planet. Yeah,

1149
01:10:05,560 --> 01:10:08,760
Speaker 1: we're gonna, We're gonna, We're gonna do pop culture. No

1150
01:10:08,880 --> 01:10:12,040
Speaker 1: I know, I don't know, Hi, guys, all the best,

1151
01:10:12,160 --> 01:10:44,439
Speaker 1: Stay sacked. Hey everybody, and don't forget follow us on

1152
01:10:44,479 --> 01:10:48,800
Speaker 1: Instagram at I Am all In podcast and email us

1153
01:10:48,960 --> 01:10:53,120
Speaker 1: at Gilmore at I heart radio dot com. Oh you

1154
01:10:53,200 --> 01:10:55,040
Speaker 1: Gilmore fans. If you're looking for the best cup of

1155
01:10:55,040 --> 01:10:57,800
Speaker 1: coffee in the world, go to my website for my

1156
01:10:57,920 --> 01:11:01,160
Speaker 1: company scotty p dot com CEO T. T y p

1157
01:11:01,360 --> 01:11:13,080
Speaker 1: dot com, scotty p dot com Grade one Specially Coffee. Yeah.